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Speaker 1: M H welcome, Welcome mucho mucol, Bobby Cast to seventy nine.

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Speaker 1: Thank you for hanging out. We will talk to new

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Speaker 1: artist Nikita Carmen. I'm such a big fan. You've got

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Speaker 1: a new record out today from Australia's Funny. You're gonna

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Speaker 1: like the interview. We're gonna talk to Maddie in the Morning,

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Speaker 1: who is a Boston morning show host. He's been out

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Speaker 1: for forty years. I just want to know about the

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Speaker 1: eighties and the nineties. I mean, I've already done the

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Speaker 1: interview at this point. Uh, but man, this the career

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Speaker 1: the guy's had, because everybody and readio looks up at

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Speaker 1: this guy and he's been out for forty freaking years

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Speaker 1: and that's pretty cool. So we talked to him about that.

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Speaker 1: And you'll also hear Eddie and I talk about music,

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Speaker 1: which comes on about every other week or so. And

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Speaker 1: I have a jukebox and he's gonna suggest, now, I guess,

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Speaker 1: just tell me what five albums to put in my jukebox.

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Speaker 1: So that's all up there. That's all coming up as

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Speaker 1: always five new music selections. I am most excited about

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Speaker 1: this week at number five, the champion of the boy

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Speaker 1: Jake Hoot has released a song. It's a duet with

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Speaker 1: Kelly Clarkson. It's called I would Have Loved You. Check

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Speaker 1: it out. What are the rest of now? I gotta

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Speaker 1: admit I don't watch The Voice, never heard of it.

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Speaker 1: Actually more of an American IVL guy myself. It got

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Speaker 1: pretty good. Jake Hoot, I never actually never seen him

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Speaker 1: on the show, but obviously guy can sing. You just

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Speaker 1: don't have a lot of people come from that show

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Speaker 1: that have careers because that show is so based around

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Speaker 1: the judges more than the contestants. And it's not a

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Speaker 1: slight toward anything, just as a good talent on both,

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Speaker 1: but it's just the the TV shows and what they're

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Speaker 1: made for. The Voice is made for which judge is

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Speaker 1: going to win. They keep tallies of judges and how

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Speaker 1: many champ Benship seasons they have, and it's great because

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Speaker 1: of that American idol is not yet famous judges and

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Speaker 1: an extremely famous mentor. But it's about, you know, the

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Speaker 1: careers of the artists. I mean, Gabby Barrett's freaking killing

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Speaker 1: it and she was on with me three years ago,

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Speaker 1: you know, and it hasn't taken her very long, you know,

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Speaker 1: Lacey k Booth is gonna be kind of a force

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Speaker 1: in Nashville. I feel like Lane Hardy and so they're here.

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Speaker 1: But good for Jake Hoot pretty cool. At number four,

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Speaker 1: Eric Church has a new song called Heart on Fire.

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Speaker 1: Here you go soaking my soul in games. And at

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Speaker 1: number three Heat Sanders he has a new EP out

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Speaker 1: I think it's four or five songs called common Ground.

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Speaker 1: Here is a song called Old School's in Love. Yes,

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Speaker 1: the guy is really good. I mean his story is

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Speaker 1: he was working in an oil field in Arkansas. He

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Speaker 1: had posted a Chris Stapleton cover. I guess I had

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Speaker 1: some friends on Facebook that had some friends with his

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Speaker 1: on Facebook and they were like, hey, check this guy out.

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Speaker 1: And I'm always looking around a little bit and I

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Speaker 1: was like, holy crap. So I messaged him that he

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Speaker 1: didn't think it was me. So I had Morgan number

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Speaker 1: one message him. We're like, hey, you're really He's like,

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Speaker 1: is this a joke? I thought his friends were messing

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Speaker 1: with him. And finally he got on a messenger with me,

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Speaker 1: knew it was me, and I said, hey, drive over

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Speaker 1: and come singing on the show. And he's like what

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Speaker 1: I said, Yeah, this is that like nine that night,

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Speaker 1: So he didn't drive that night, but the next day

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Speaker 1: he drove all the way over and I had set

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Speaker 1: up a segment with a few of Frint executives in

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Speaker 1: music and three different ones too kind of tell him

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Speaker 1: what they thought of a sound, if he should try

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Speaker 1: in Nashville, if he should keep playing the bars, and

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Speaker 1: so he could be played, And all three of them

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Speaker 1: really liked him, but one of them specifically was like, Hey,

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Speaker 1: you should just come with me, and so this executive

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Speaker 1: took him. They left signed a publishing deal like three

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Speaker 1: months later to write songs and get paid for it,

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Speaker 1: which turned into a record deal. He then moved from

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Speaker 1: Arkansas to Nashville, and this is his first first EP

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Speaker 1: on a real life label. I mean the guys, he's

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Speaker 1: really good. On my TikTok. You'll see a video of

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Speaker 1: him playing in studio and you don't hear the guitars

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Speaker 1: that much because I just wanted you to hear his vocals,

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Speaker 1: kind of a raw audio. But check out Heath Sanders.

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Speaker 1: He did. We brought him onto the Raging Idiots show

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Speaker 1: at the Rhyme and a couple of years ago and

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Speaker 1: he did faithfully Faithfully, which was really good. Maybe we

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Speaker 1: played that on Monday's radio show because his records out

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Speaker 1: and there was also a really good version of people

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Speaker 1: like that song, so we should do that, all right.

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Speaker 1: Heat Sanders is at number three. At number two it's

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Speaker 1: Matt Carney, who I'm such a massive fan of. Obviously

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Speaker 1: he has a song called Powerless. Here it is, and

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Speaker 1: at number one it is Our guest will be coming

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Speaker 1: up in a little bit. Nikita Carmen. She put out

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Speaker 1: her debut album in the Garden. It's nine songs. I

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Speaker 1: think you're gonna like it. Here is a new song

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Speaker 1: from Nikita Carmen called Owned Roses? How call my own Roses?

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Speaker 1: Wasn't easy? I'm starting we not quite show at homeless?

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Speaker 1: Can you call it? And always starting needs somebody's laying

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Speaker 1: our roots me. Then I found out lonely somehow, Louise

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Speaker 1: I go my own Roses? Oh so check that out.

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Speaker 1: New releases. As far as albums, and Franco has a

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Speaker 1: record Revolutionary Love. Chris Bao of Vampire Weekend has Deadhead Control.

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Speaker 1: But there isn't a lot huh Nope, it's about it.

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Speaker 1: In the news, Chris Christofferson has quote quietly retired from music.

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Speaker 1: He's eighty four years old. He actually wrote, performed me

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Speaker 1: and Bobby McGhee and Janice Choplin made it a huge hit.

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Speaker 1: And she never got to see that song become a hit.

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Speaker 1: Did you know that she died? Died? Yeah, but yeah,

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Speaker 1: he wrote um and performed me and Bobby McGhee help

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Speaker 1: me make it through the night, Sunday Morning, coming down

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Speaker 1: for for the good Times. His son John is now

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Speaker 1: handling the family business. Dan and Shay will be the

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Speaker 1: headliners of Highway seventies seven Music Festival in September twenty one.

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Speaker 1: It's the Pro Football Hall of Fame Village it Canton, Ohio.

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Speaker 1: The bill also includes Kelsey Ballerini, Maddie and Tay, Eric

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Speaker 1: Passley and Tyler Farr. But we are now seeing announcements

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Speaker 1: for music, which is a big deal because we've seen

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Speaker 1: no new announcements of unknown projects, unknown festivals yet, you

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Speaker 1: know what I mean, only cancelations basically or or or delays.

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Speaker 1: So pretty cool. Let's let's hope everybody gets a vaccines

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Speaker 1: and let's rock. I'm still on that wait list, are you? Yeah?

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Speaker 1: I mean for when we're planning our wedding. I think

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Speaker 1: we're gonna be okay, and I'm not even sure and

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Speaker 1: it's after yours, So it's a good sign that promoters

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Speaker 1: are scheduling shows. Though it doesn't mean that a full

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Speaker 1: gathering of of thousand people are gonna be safe. But

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Speaker 1: you know what, it doesn't mean it's not in September.

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Speaker 1: I feel I feel okay about that. Yeah, the Beast Boys.

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Speaker 1: Mike d is selling his m t v v M

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Speaker 1: A moon Man and platinum plaques for charity. You can

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Speaker 1: view the entire lot of Beast Boys items over at

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Speaker 1: Southeby's and you can place bids um up until the

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Speaker 1: end of the day today or like two pm today.

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Speaker 1: If you're hearing this, you probably used it, but that

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Speaker 1: would be pretty cool. Beastie Boys mightkey used to give

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Speaker 1: any awards a group received to his mom saying they

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Speaker 1: weren't something need to look at. His mom passed away.

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Speaker 1: So he has stuff and he's auctioning it off now

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Speaker 1: to benefit good Eats, a program that feeds hungry elementary

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Speaker 1: school children on the weekends. But those guys just always

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Speaker 1: get back, huh. Phil Collins X is auctioning off his

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Speaker 1: gold records not for a good God that the same thing.

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Speaker 1: You know, that is not a good relationship. It's very messy.

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Speaker 1: You can now be the owner of Phil Collins Awards

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Speaker 1: or Gold Records on the cheap. She got the boot

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Speaker 1: from his mansion and then found a way to make

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Speaker 1: money auctioning off handbag shoes, even some of Phil's awards

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Speaker 1: and Gold records. That's that situation is just weird. Read

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Speaker 1: the TMZ stories about them. Would be kind of cool

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Speaker 1: to have it, though. I'd feel bad though, if I

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Speaker 1: own something that was his that he wants but she

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Speaker 1: got and it's sold. It's like having a stolen stereo

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Speaker 1: and you're like, I like it. I think it was

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Speaker 1: stolen from the guy across the tree that sheeron overtakes

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Speaker 1: John Mayer to cap to the Billboard chart record. His

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Speaker 1: surprise single after Glow just allowed him to pull past

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Speaker 1: John Mayer instead a new chart record. After Glow has

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Speaker 1: become its thirteen top ten Billboard Adult Pop Airplay chart song.

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Speaker 1: That's the most of any solo mall artists in the

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Speaker 1: twenty five year history. Elvis Is biopic casts Gary Clark Jr.

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Speaker 1: And Yola Pretty cool there, Gary Clark j Just to

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Speaker 1: play my excuse me, Gary Clark Jr. Used to play

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Speaker 1: my Austin local TV show back in the day and

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Speaker 1: used to see him out like all time eleven. I

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Speaker 1: mean he was in town. I'd see him all the time. Uh.

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Speaker 1: He needs to combine and be like, hey man, I'll

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Speaker 1: play the TV show all right, come on leting people

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Speaker 1: watch him a good luck. So that's your news, that's

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Speaker 1: your new music. Hang around. Got some pretty fun stuff

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Speaker 1: we're talking about this show. Appreciate you guys, if you

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Speaker 1: don't mind, go and rate this thing, give us a

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Speaker 1: bunch of stars and write a little review if you

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Speaker 1: have a second. We'd really appreciate that. And check out

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Speaker 1: Mike D's podcast movie Mike's Movie Podcast. What's on this week?

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Speaker 1: We're talking about ways to find out if a movie

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Speaker 1: sucks or not just by watching the trailer. And then

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Speaker 1: i'll actors who played the exact same role in every

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Speaker 1: single movie. Did you get any that, amc Stock? I

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Speaker 1: didn't know. Well, it went way up and then went

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Speaker 1: way down, and now everybody's all but heard about it.

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Speaker 1: So all right, cool, Thank you. Check out movie Mix

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Speaker 1: movie podcast, and away we go. So I had the

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Speaker 1: jew box in my house and when I bought this house,

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Speaker 1: and I was like walking through looking at it. The

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Speaker 1: owner had owned the jukebox and had left it there

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Speaker 1: to stage it to make it look cool, and I

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Speaker 1: was like, dang, that does look really cool. Like you

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Speaker 1: got me. I also want the jew box. So when

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Speaker 1: it was time to buy the house, inside of the negotiation,

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Speaker 1: I really wanted the jew box. I didn't know if

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Speaker 1: it even worked. I just knew it looked cool. You've

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Speaker 1: seen it. It's really cool. So being that we're in

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Speaker 1: Nashville and there's so much music here, there are a

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Speaker 1: few different people that specialized in juke boxes still today.

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Speaker 1: So it took me a bit because the pandemic to

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Speaker 1: get somebody to come to the house. And they did

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Speaker 1: and they were like, okay, we're looking through it. They

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Speaker 1: were like, dang, this has never been you And I

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Speaker 1: was like, is it records? I don't even get inside

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Speaker 1: of it. I don't gonna break it there, Like, no,

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Speaker 1: it's c D S. But it's never been used, Like

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Speaker 1: you probably sell this thing for like And I was like,

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Speaker 1: what now was it rigged to not take money or

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Speaker 1: do you still have to pay to play it? And

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Speaker 1: I think you can do either. One you start charging

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Speaker 1: for First of all, I was shocked that it was

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Speaker 1: that expensive. Now I'm like, I don't even want to

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Speaker 1: use it. It's that expensive. Um, but you just type

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Speaker 1: in a number and it flips and grabs the CD.

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Speaker 1: It was but empty, right, And so I don't own

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Speaker 1: any CDs anymore, And I thought, Okay has a hundred slots.

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Speaker 1: I'm gonna fill this with the one hundred CDs that

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Speaker 1: are like the best to me. And so I started,

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Speaker 1: and I've put three in so far. And the reason

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Speaker 1: that Eddie here, I'm gonna let him actually put five

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Speaker 1: CDs in this thing amazing. But the three that I have.

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Speaker 1: The first one I put in was John Merrick Continuum,

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Speaker 1: which is probably my favorite album of all time period.

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Speaker 1: So what song do we have here, Mike? Stop this train?

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Speaker 1: My favorite song not only from this album but in

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Speaker 1: all of life. Do you remember track numbers? Yeah? Yeah,

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Speaker 1: this is probably seven seven seven to me? When we

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Speaker 1: had seven seven to me was always the strong track.

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Speaker 1: I remember knowing. I remember going to the songs that

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Speaker 1: I like and being like, wow, that's seven to interesting.

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Speaker 1: Do you look up the number number seven? Nice? I

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Speaker 1: saw him, Mike, I was like, am ether very wrong

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Speaker 1: or I'm very right. I got it. But you know,

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Speaker 1: like track one on that record is waiting on the

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Speaker 1: World to Change. I believe you can in fact check

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Speaker 1: me correct. Come on, you know it? And that was

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Speaker 1: the big single, yeah, you know, and it did fairly well.

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Speaker 1: But it was such a radio song, like if your

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Speaker 1: favorite artists song. If you if your favorite song from

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Speaker 1: your favorite artists a radio song. I don't really your

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Speaker 1: favorite artist. Oh that's not true. I don't agree with

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Speaker 1: that because better Man is my favorite. Pearl James what

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Speaker 1: a poser. I know every other song, but better Man

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Speaker 1: is my favorite. Um So, but I yeah, I really

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Speaker 1: hate the song and it starts off with this one,

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Speaker 1: like the two that I don't like all John Mayer.

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Speaker 1: I mean, I guess I still like, but I'm like, no,

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Speaker 1: thank you are your Bodies and wonder like such a

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Speaker 1: jam and waiting on the World to change. Yeah, So

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Speaker 1: I did put Continuum in, and then I put in

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Speaker 1: the Dixie Chicks their first record, the first, their first

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Speaker 1: big record, Wide Open Spaces. I'm trying that up a

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Speaker 1: little bit. And then I put in Casey Musgrave's Golden Hour.

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Speaker 1: It's a good one, that's your I think I would

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Speaker 1: get all the Casey stuff in eventually. I don't want

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Speaker 1: to commit to all three records right now, but Casey's

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Speaker 1: basically my favorite contemporary country artist. But those are three

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Speaker 1: I have put in. I have a have a stack

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Speaker 1: at the house, and there are hundred slots. Hundred slots, okay,

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Speaker 1: so the first three were those three, So ve for me.

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Speaker 1: I'm giving you five and who does that may make

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Speaker 1: this a bit and I just don'tant to let Mike

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Speaker 1: de pick one. He's gonna pick like Little Maria, some

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Speaker 1: punk or something. You want any of my music in there?

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Speaker 1: But I mean, but you want your jukebox bones to

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Speaker 1: be pretty eclect But no buddy would play Lamuria some

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Speaker 1: punk ban unless it's Mike. I got one that maybe

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Speaker 1: you would like. What Green Day Dukeye that needs to

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Speaker 1: go in. That's a good one. Damn you have that

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Speaker 1: time that was instrumental in my lifetime. To of course

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Speaker 1: it was Oh man, I think I'm gonna let you

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Speaker 1: have that one. My yeah, I can't not do Green

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Speaker 1: Day Dukie. Do you have the time to listen to

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Speaker 1: me wine long views in that one? Yeah? Even myself?

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Speaker 1: Do you I'm going to play that one? I go

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Speaker 1: to your house. Okay, Eddie, have five CDs you get

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Speaker 1: to put in. This was probably the funniest thing I've

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Speaker 1: ever done for your for your podcast. Okay, I'm so excited.

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Speaker 1: I'll start with the least favorite that I think you're

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Speaker 1: gonna be like, no, dude, come on, but you need

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Speaker 1: this in your jukebox. And it's Bob Dylan Blonde on Blonde,

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Speaker 1: and I'll tell you why. This is just like a

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Speaker 1: woman and this is pivotal in Bob Dylan's career. Here

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Speaker 1: it's a huge album because they started recording this album

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Speaker 1: in New York City when he was still a folk singer.

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Speaker 1: But he was like, I'm just not liking it. The

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Speaker 1: producer was like, I'm just not liking this folk thing anymore.

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Speaker 1: Let's go to Nashville and finish this record. And they

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Speaker 1: got the best musician, best session musicians in Nashville to

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Speaker 1: work on this record. I've read so much, so much

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Speaker 1: on this bones. It was recorded like two blocks from here.

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Speaker 1: This is this is the time when Bob started his

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Speaker 1: electric sound and very like this. We always sounded like no, no,

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Speaker 1: you you're you're gonna hear this album and then you're

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Speaker 1: gonna say dang, you know what, this is pretty cool. Okay,

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Speaker 1: turn this up a little bit. It was just like

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Speaker 1: a woman, baby kid to be blessed until she fun lissase.

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Speaker 1: I mean, I don't mind some Bob Dylan, but you know,

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Speaker 1: I'm not a huge You're gonna love You're gonna love

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Speaker 1: this one. And I've read again, I've read so much

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Speaker 1: on this that the sessions, this is how they would be.

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Speaker 1: He would he would tell all the musicians to show

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Speaker 1: up at a certain time and they would show up,

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Speaker 1: I think they were going to record, and he would

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Speaker 1: just go in the control room and write and they

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Speaker 1: would just wait. Uh that did like, and they would

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Speaker 1: wait till two in the morning sometimes and then Bob

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Speaker 1: will be like, I got it, let's go and let's

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Speaker 1: play this. And they recorded everything live. So what you

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Speaker 1: hear is how their session went. And that's what it was.

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Speaker 1: I love it, Okay, Bob Dylan Blonde on Blind there's

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Speaker 1: one slot. No, you're gonna a count up. Yeah, it's

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Speaker 1: gonna get better, Okay, go ahead. And then my first

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Speaker 1: CD ever, it has to go in there. It's George straight,

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Speaker 1: pure country more than like the hits or anything. It

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Speaker 1: was tough and there aren't. There aren't. There's only one

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Speaker 1: greatest hits out of this. I felt like it would

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Speaker 1: be unfair just to do the greatest hits. If you

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Speaker 1: want to do that with your ninety five, go ahead,

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Speaker 1: but I felt like you need solid albums. Pure country

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Speaker 1: is so good. It's got across my heart heartland, even

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Speaker 1: with his son Bubba singing when he was a little

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Speaker 1: boy where the Sidewalk ends. This was my first CD,

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Speaker 1: and I got conned by my brother. Uh. He was like,

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Speaker 1: hey man, you you want to go half of me

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Speaker 1: on the CD, and then he kept it. I never

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Speaker 1: saw it, but it was my first CD ever to buy.

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Speaker 1: So that goes in your jukebox. All right, So far

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Speaker 1: Bob Dylan, George straight, pure and pure country specifically, Yes,

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Speaker 1: that's the soundtrack track movie right. Next up, I had

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Speaker 1: to go Beatles Bones. I wasn't. I don't know that

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Speaker 1: I'm putting any Beatles in there until now, and so

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Speaker 1: I had to go Beatles, and I'm thinking, oh my gosh,

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Speaker 1: idow all the great Beatles albums, do we want to

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Speaker 1: go greatest hits? You could? But Bones, even the greatest hits,

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Speaker 1: they're all mixed in that they're all separated in their

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Speaker 1: different little subgenres of the Beatles. You want soup beetles,

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Speaker 1: that's one greatest hits. You want Psychedelic Drugs Beetles, that's

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Speaker 1: another one, you know like. So there's hard to find

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Speaker 1: one that's got all of them together. But I'm gonna

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Speaker 1: go Strawberry Um Sergeant Pepper's Lonely Hearts, Hearts Club Band.

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Speaker 1: This has Strawberry Fields, Lucy and the Sky with Diamonds,

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Speaker 1: A Day in the Life, a little help with my friends.

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Speaker 1: You need this one on there A right down, got

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Speaker 1: it thanks to good At. Yeah, that's good. You like

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Speaker 1: this one, don't you? Okay? So I can't have you

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Speaker 1: have a jukebox without Pearl Jam in it. And again,

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Speaker 1: this is hard because there are so many albums, and

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Speaker 1: I couldn't do Vitology one time because you've got a

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Speaker 1: lot of throwaway tracks. I feel like Vitology was the

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Speaker 1: album that Pearl Jam said, you know what beep you like,

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Speaker 1: I'm just gonna give you trash. I'm gonna throw in

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Speaker 1: three or four good songs in here, and the rest

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Speaker 1: is gonna be garbage that only the fans are gonna

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Speaker 1: like and everyone else can go like suck on it,

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Speaker 1: like I feel like that's what they did with Vitology.

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Speaker 1: I love that album, So I'm gonna go with Ten,

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Speaker 1: the first album that the world heard and was introduced to.

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Speaker 1: UH introduced Pearl Jam to UH. It's got even Flow

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Speaker 1: Alive Jeremy Black. The cool thing about this album bones

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Speaker 1: And I remember this because of the jukebox in my college.

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Speaker 1: I would go play pool at the rec center and

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Speaker 1: they had Ten in the jukebox. If you play the

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Speaker 1: last track release, it's thirty minutes because there's a hidden

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Speaker 1: track that goes on and on. It's just instrumental. So

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Speaker 1: I would do that to piss the entire wreck off.

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Speaker 1: It was so good. Hey, you played the last single

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Speaker 1: song for a quarter or whatever, and then it would

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Speaker 1: take forty minutes to go to the next what is this?

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Speaker 1: And the jukebox had to play because that was a

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Speaker 1: hidden track. That's dirty. There were some good hidden tracks

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Speaker 1: so back in the day, because now you can't do

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Speaker 1: that really because you can see the time on a

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Speaker 1: digital track, you see the track. But the County Crows,

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Speaker 1: you know, whenever they paid Paradise to put it, when

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Speaker 1: they did that, Johnny Mitchell song that was a hidden

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Speaker 1: track at first really is a hidden track, and then

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Speaker 1: they ended up putting it on a later version of

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Speaker 1: it with Vanessa Carlton. The first one wasn't even with them.

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Speaker 1: Um the County Crows record with the fish ball in

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Speaker 1: the front. Yes, a Desert Life. Yeah, that one had

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Speaker 1: a hidden track and one small step for man to

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Speaker 1: three four. No, but then it goes into a different

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Speaker 1: little part. Yes, but there is The hidden tracks are

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Speaker 1: awesome back in the day. So this one has a

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Speaker 1: hidden track, okay. So we have Pearl, we have bobbed Ellen,

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Speaker 1: George Straight, the Beatles, Pearl, jam Tin okay. And lastly, dude,

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Speaker 1: this is the best CD I ever owned. Garth Brooks

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Speaker 1: the Hits. This is the one with his American flag face.

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Speaker 1: Is this one disk? This one disc bones and it

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Speaker 1: has everything I mean, friends and low places, the dance,

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Speaker 1: the River of Tomorrow never comes. I mean, this is

385
00:20:19,280 --> 00:20:22,000
Speaker 1: the one that I feel like I still have it

386
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Speaker 1: and I would like to gift it to you, but

387
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Speaker 1: I don't think it's playable. I played it so much

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Speaker 1: that it's all scratched up. Now I'll have to go

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Speaker 1: back and check. But this, to me, hands down, when

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Speaker 1: I was twelve eleven. My favorite thing in the whole

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Speaker 1: wide world. I can see the cover. Yeah, you know

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Speaker 1: what I'm talking about. His face is the American flag. Yeah.

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Speaker 1: I have a bunch of Garth Brooks records. Not the

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Speaker 1: hits though, how any how many albums are you gonna

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Speaker 1: go with greatest hits? Well, the next time I'm putting

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Speaker 1: in our Kenny Rogers Greatest Hits, so that one's cued

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Speaker 1: up to go in. Um. The next time, I loaded

398
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Speaker 1: up and then Hood the Blowfish, but not a good

399
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Speaker 1: hits the Cracter review. Yeah, so I basically idea, I

400
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Speaker 1: do have some greatest hits, but I'm not being a

401
00:21:04,320 --> 00:21:07,800
Speaker 1: snob about it, because I thought about George Straight greatest Hits. Yes,

402
00:21:07,880 --> 00:21:12,480
Speaker 1: that'd be a good one. The Eagles greatest hits like nineteen, Yes,

403
00:21:12,640 --> 00:21:16,280
Speaker 1: that's a big one, you know, the kind of count

404
00:21:16,280 --> 00:21:18,480
Speaker 1: of Crow's greatest hits, but not really across the live Wire.

405
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Speaker 1: That's amazing, you know, Live in New York. The double album, yes,

406
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Speaker 1: one Acoustic elect Acoustic Reds the electric. Oh dude, so good.

407
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Speaker 1: I figured you were going to do that in your

408
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Speaker 1: own side and put that in mine. So I have

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Speaker 1: six records dad. Now at nine is Mikey put in

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Speaker 1: Green Day Doogie? Yeah? There is? This is basketcase? What

411
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Speaker 1: else was on this record? When when when I come around,

412
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Speaker 1: when I go, yeah, it's the jam long View obviously.

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Speaker 1: Uh yeah, I was all alone. I was up with myself.

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Speaker 1: Was that a hidden tram? I thinking of you? Maybe, Mike?

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00:21:51,800 --> 00:21:54,000
Speaker 1: Was that a hidden track? I think it was. I

416
00:21:54,080 --> 00:21:56,520
Speaker 1: was thinking of We played that at that school talent

417
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Speaker 1: show once we did, and everyone's like, okay, we did

418
00:21:59,840 --> 00:22:01,840
Speaker 1: it at and we did. I got a girl, she

419
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Speaker 1: looks real good. I gotta go, she admits, you know,

420
00:22:05,200 --> 00:22:08,119
Speaker 1: because I know I need you that song. Did you

421
00:22:08,160 --> 00:22:10,399
Speaker 1: know what you were doing when you would do that? Okay?

422
00:22:10,440 --> 00:22:12,159
Speaker 1: See I didn't either. And we would go to family

423
00:22:12,160 --> 00:22:14,520
Speaker 1: events like I'm I'm talking to my whole family, and

424
00:22:14,560 --> 00:22:17,320
Speaker 1: I would sing Crash Dave Matthews Band, and I was like,

425
00:22:17,440 --> 00:22:20,960
Speaker 1: hock up your skirt a little more and showed the

426
00:22:20,960 --> 00:22:23,160
Speaker 1: world to me and my dad and all my uncles

427
00:22:23,160 --> 00:22:25,560
Speaker 1: will be like, what's wrong with you? Are you singing

428
00:22:25,640 --> 00:22:29,080
Speaker 1: right now? We didn't know though, I had no clue.

429
00:22:29,760 --> 00:22:35,119
Speaker 1: Oh this was a jam tripping daisy turn it up.

430
00:22:36,040 --> 00:22:40,119
Speaker 1: I got a girl. She loves her, I got a

431
00:22:40,200 --> 00:22:46,000
Speaker 1: girl up. It was easy to play. There only three

432
00:22:46,040 --> 00:22:48,840
Speaker 1: of us today, and so the Dramma can do is

433
00:22:48,880 --> 00:22:52,200
Speaker 1: a little part Tanner. Our guitars play it up and

434
00:22:52,640 --> 00:22:53,879
Speaker 1: I can kind of sing this because it's like a

435
00:22:53,960 --> 00:22:55,920
Speaker 1: good good and then it kicks in right here, turn

436
00:22:55,960 --> 00:23:03,000
Speaker 1: it out here? I know, did I need not get higher?

437
00:23:03,160 --> 00:23:04,840
Speaker 1: And you guys do not even know? You have maybe

438
00:23:04,840 --> 00:23:06,800
Speaker 1: too young for this, your kids out there when crappy

439
00:23:06,840 --> 00:23:10,800
Speaker 1: music was awesome, this is there's a lot of it.

440
00:23:10,800 --> 00:23:13,320
Speaker 1: It's in the system though. Yeah, we have an alternative

441
00:23:13,320 --> 00:23:16,880
Speaker 1: station here in the building apparently, or we may have

442
00:23:17,080 --> 00:23:19,960
Speaker 1: we know nothing. Okay, that's what's up, Eddie, Thank you

443
00:23:19,960 --> 00:23:22,880
Speaker 1: for your time. Check out the Store Losers podcast, which

444
00:23:22,920 --> 00:23:25,040
Speaker 1: Eddie is on. What's going on over there? What are

445
00:23:25,040 --> 00:23:27,080
Speaker 1: you guys talking about now? Mostly mostly? I mean the

446
00:23:27,119 --> 00:23:29,560
Speaker 1: super Bowl was a big, big, big topic. Now will

447
00:23:29,600 --> 00:23:32,080
Speaker 1: be yeah, and now after this we'll probably go into

448
00:23:32,080 --> 00:23:35,320
Speaker 1: little college basketball. But we're trying to get more guests in.

449
00:23:35,440 --> 00:23:39,159
Speaker 1: We had Ryan heard recently. Um so do we just

450
00:23:39,200 --> 00:23:41,240
Speaker 1: realize there's a lot of country artists that we have

451
00:23:41,359 --> 00:23:45,200
Speaker 1: access to, obviously, but they're all a lot of sports

452
00:23:45,200 --> 00:23:47,280
Speaker 1: fans and the next time, Wenna try to get the

453
00:23:47,280 --> 00:23:48,879
Speaker 1: low Cash guys on here to talk sports and they

454
00:23:49,240 --> 00:23:51,200
Speaker 1: and they're both Tampa. That one of them lives in

455
00:23:51,240 --> 00:23:53,560
Speaker 1: Tampa now, so like, yeah, we'll talk to him soon.

456
00:23:53,720 --> 00:23:56,679
Speaker 1: Check out the Sore Losers podcast was Eddie Ray and

457
00:23:56,760 --> 00:24:06,000
Speaker 1: Lunchbox and that's what's up. Thank you all right. Nikita

458
00:24:06,080 --> 00:24:10,760
Speaker 1: Karmen is here. Nikita Karmen's new album, The Garden is

459
00:24:10,840 --> 00:24:13,959
Speaker 1: out today. It's nine songs. How pumped are you that

460
00:24:14,480 --> 00:24:17,040
Speaker 1: you finally have a big collection of music that's out

461
00:24:17,080 --> 00:24:19,640
Speaker 1: for people to have. I am so excited. I mean

462
00:24:19,680 --> 00:24:23,399
Speaker 1: I pretty much just listened to myself anyway on my phone,

463
00:24:23,440 --> 00:24:25,240
Speaker 1: and I'm like, people get to listen to me too.

464
00:24:25,280 --> 00:24:28,480
Speaker 1: Now let me play some of Pirates tonight. This is

465
00:24:28,720 --> 00:24:45,119
Speaker 1: track one on Nikita's album The Garden. Interested So you

466
00:24:45,160 --> 00:24:49,080
Speaker 1: wrote this with Walker Hayes and Josh Jenkins. How long

467
00:24:49,119 --> 00:24:51,480
Speaker 1: ago did you write this one? I actually write this

468
00:24:51,480 --> 00:24:53,679
Speaker 1: one in Quarantine, So we wrote this over zoom. Was

469
00:24:53,680 --> 00:24:55,640
Speaker 1: that weird for you to write stuff on computer? Yes?

470
00:24:55,720 --> 00:24:58,280
Speaker 1: I know some people really like Walker really likes it.

471
00:24:58,320 --> 00:25:01,320
Speaker 1: I hate it still because why um, it's just like

472
00:25:01,359 --> 00:25:04,200
Speaker 1: everyone kind of stands it awkwardly and you kind of

473
00:25:04,200 --> 00:25:06,280
Speaker 1: don't want to talk over people, but it's like you

474
00:25:06,280 --> 00:25:09,600
Speaker 1: can't really read the room. But um, but I've written

475
00:25:09,640 --> 00:25:11,440
Speaker 1: a couple of songs I really like over it, so

476
00:25:11,800 --> 00:25:13,960
Speaker 1: I can't complain. Nikias from Australia, And I know you

477
00:25:14,000 --> 00:25:16,679
Speaker 1: went back home during some of the pandemic, but what

478
00:25:16,760 --> 00:25:20,120
Speaker 1: was crazy was watching your Instagram. You fly over, which

479
00:25:20,200 --> 00:25:22,199
Speaker 1: is fine, but then you actually can't get in the

480
00:25:22,200 --> 00:25:24,480
Speaker 1: country unless you stay in a hotel for two weeks

481
00:25:24,680 --> 00:25:28,440
Speaker 1: with no contact at all. Right, Yeah, it was so

482
00:25:28,640 --> 00:25:31,760
Speaker 1: strange to like land and like there's like army people

483
00:25:31,760 --> 00:25:34,159
Speaker 1: in the army scrubs just like lead you out to

484
00:25:34,200 --> 00:25:36,040
Speaker 1: a on a bus and you don't even know where

485
00:25:36,040 --> 00:25:38,359
Speaker 1: you're going until you get on the bus. So let

486
00:25:38,359 --> 00:25:40,760
Speaker 1: me get this straight. You get off the airplane, people

487
00:25:40,760 --> 00:25:43,200
Speaker 1: in like army gear as you would say, army scrubs,

488
00:25:43,920 --> 00:25:46,359
Speaker 1: they say, okay, come with us and get on this

489
00:25:46,359 --> 00:25:48,760
Speaker 1: this big bus with these other people, and you don't

490
00:25:48,760 --> 00:25:50,399
Speaker 1: know where you're going. No, you don't know the hotel

491
00:25:50,400 --> 00:25:52,640
Speaker 1: you're staying in. And then when you're on the way

492
00:25:52,680 --> 00:25:55,040
Speaker 1: there they be like, hey, you're staying at the Marrier

493
00:25:55,160 --> 00:25:57,240
Speaker 1: in the Darling Harbor, which is that's where I was staying,

494
00:25:57,240 --> 00:25:59,600
Speaker 1: which is a five star hotel, but you don't really

495
00:25:59,600 --> 00:26:03,080
Speaker 1: get five Start dreaming. So did you have to pay

496
00:26:03,280 --> 00:26:05,560
Speaker 1: to stay there for fourteen days? Like the hotel rate?

497
00:26:06,040 --> 00:26:08,200
Speaker 1: Not the hotel rate, it's just like a fixed rate

498
00:26:08,240 --> 00:26:10,640
Speaker 1: of three thousand dollars. I'm still trying to get out

499
00:26:10,640 --> 00:26:13,800
Speaker 1: of it. So the New South Wales government is going

500
00:26:13,840 --> 00:26:16,880
Speaker 1: to chase me down. So you you stayed there, didn't

501
00:26:16,920 --> 00:26:19,119
Speaker 1: pay in the flew back to America and basically I

502
00:26:19,160 --> 00:26:21,600
Speaker 1: will't pay for it eventually. I'm just I'm just waiting

503
00:26:21,680 --> 00:26:23,520
Speaker 1: waiting for this album to blow up. Yeah? Yeah, then

504
00:26:24,080 --> 00:26:26,600
Speaker 1: is that money growing out of your ears? So what

505
00:26:26,640 --> 00:26:29,160
Speaker 1: do you do for fourteen days? And do you have Netflix?

506
00:26:29,560 --> 00:26:33,520
Speaker 1: You have room service? Yeah, I mean they supply all

507
00:26:33,520 --> 00:26:36,080
Speaker 1: the meals, but it's kind of like airplane food but

508
00:26:36,520 --> 00:26:39,119
Speaker 1: probably worse. Could you order food if you wanted it?

509
00:26:39,160 --> 00:26:41,280
Speaker 1: You could order food, which I started doing because like,

510
00:26:41,320 --> 00:26:45,000
Speaker 1: the first meal I got was a bagel and cream cheese,

511
00:26:45,040 --> 00:26:48,959
Speaker 1: which doesn't sound horrible better it was like frozen still,

512
00:26:49,160 --> 00:26:50,679
Speaker 1: So I called up the desk and I was like,

513
00:26:50,920 --> 00:26:52,560
Speaker 1: do you guys have like a toaster or something I

514
00:26:52,600 --> 00:26:54,639
Speaker 1: can put this in and the person was like, we

515
00:26:54,680 --> 00:26:57,879
Speaker 1: assure you everything is completely safe to eat. That was it,

516
00:26:58,560 --> 00:27:00,840
Speaker 1: and she goes, it might not be how you lie. Kids, Like,

517
00:27:01,640 --> 00:27:03,159
Speaker 1: did you do you feel like they treated you like

518
00:27:03,160 --> 00:27:05,600
Speaker 1: a lower class because you didn't check into the hotel

519
00:27:05,640 --> 00:27:07,080
Speaker 1: because you want to stay at the hotel, but because

520
00:27:07,080 --> 00:27:09,760
Speaker 1: you were kind of forced into there? Yeah? Probably, yeah,

521
00:27:09,760 --> 00:27:11,879
Speaker 1: you kind of it feels so weird, Like even getting

522
00:27:11,920 --> 00:27:13,560
Speaker 1: off the bus, it felt like kind of like getting

523
00:27:13,600 --> 00:27:16,960
Speaker 1: off the bus in prison. But I imagine what I

524
00:27:16,960 --> 00:27:19,440
Speaker 1: would imagine that would be like, because people were walking

525
00:27:19,480 --> 00:27:22,280
Speaker 1: past the bus and they quickly put like walked away

526
00:27:22,280 --> 00:27:24,159
Speaker 1: from us and put a mask on, like don't go

527
00:27:24,240 --> 00:27:27,720
Speaker 1: near them, they're probably infected. Were you working the whole

528
00:27:27,760 --> 00:27:29,639
Speaker 1: time that you were in your hotel room writing or

529
00:27:29,720 --> 00:27:31,199
Speaker 1: did you just kind of get so bored that you

530
00:27:31,200 --> 00:27:33,280
Speaker 1: didn't know what to do? Yeah? I kind of started.

531
00:27:33,520 --> 00:27:35,719
Speaker 1: I tried to start writing stuff, but the walls were

532
00:27:35,760 --> 00:27:37,440
Speaker 1: kind of thin, and I felt like the people next

533
00:27:37,440 --> 00:27:39,040
Speaker 1: to me, We're going to like hate me if I

534
00:27:39,119 --> 00:27:41,160
Speaker 1: kept seeing the same thing over and over again. So

535
00:27:41,640 --> 00:27:44,439
Speaker 1: I ended up just studying Gray's Anatomy again from season

536
00:27:44,480 --> 00:27:47,200
Speaker 1: one and then just playing my Nintendo Switch. Really were

537
00:27:47,200 --> 00:27:51,080
Speaker 1: you so bored? Surprisingly? Like the days went pretty fast

538
00:27:51,080 --> 00:27:54,000
Speaker 1: because I would sleep into like mid day, so then

539
00:27:54,080 --> 00:27:56,399
Speaker 1: by the time I had gotten up, I was like,

540
00:27:56,440 --> 00:27:59,560
Speaker 1: well half the day is always but then you would

541
00:27:59,600 --> 00:28:02,800
Speaker 1: be able to go to sleep at night. Here was

542
00:28:02,840 --> 00:28:05,240
Speaker 1: a track too from Nikita Carmen. This is some of

543
00:28:05,280 --> 00:28:15,720
Speaker 1: her song better hap Thin sious, No no no No.

544
00:28:22,119 --> 00:28:26,320
Speaker 1: When I'm back home, your mom and dad were musical

545
00:28:27,160 --> 00:28:29,960
Speaker 1: there there there band was called Hotel Berland. Maybe is

546
00:28:29,960 --> 00:28:32,720
Speaker 1: that what it was? I met? I met Nikita's parents.

547
00:28:32,720 --> 00:28:35,920
Speaker 1: I wandered to Australia and met them. Did they want

548
00:28:36,000 --> 00:28:39,320
Speaker 1: you to do music? Um? They never really pushed it.

549
00:28:39,360 --> 00:28:41,520
Speaker 1: Actually because both of my sisters also sing and kind

550
00:28:41,520 --> 00:28:44,480
Speaker 1: of growing up, Mike, I was talking to my parents

551
00:28:44,520 --> 00:28:46,800
Speaker 1: about this when I went back home. Um, how I

552
00:28:46,840 --> 00:28:48,320
Speaker 1: was like, I remember used to tell me I was

553
00:28:48,360 --> 00:28:50,520
Speaker 1: the worst singer out of a lot, and my Mom's like,

554
00:28:50,760 --> 00:28:54,000
Speaker 1: you were? Are you the best now or they just

555
00:28:54,040 --> 00:28:58,960
Speaker 1: both still that good? No, they're both good. I feel

556
00:28:58,960 --> 00:29:00,760
Speaker 1: weird saying I'm the best out, but I'm like, I

557
00:29:00,800 --> 00:29:03,200
Speaker 1: guess like my older sister did it professionally as well.

558
00:29:03,640 --> 00:29:06,920
Speaker 1: But in Australia, what was she doing professionally. She was

559
00:29:06,960 --> 00:29:10,120
Speaker 1: just she's playing in the cover band. And I was

560
00:29:10,160 --> 00:29:15,040
Speaker 1: always like the writer though you were playing at a pub.

561
00:29:15,240 --> 00:29:17,640
Speaker 1: Whenever I met you, you were doing two things. You

562
00:29:17,640 --> 00:29:19,240
Speaker 1: were playing at a pub like on the weekends and evenings,

563
00:29:19,240 --> 00:29:22,360
Speaker 1: but you were doing photo editing all day long. Yeah,

564
00:29:22,440 --> 00:29:23,560
Speaker 1: and and the first time we had talked to you

565
00:29:23,560 --> 00:29:26,000
Speaker 1: were actually working in the in the photo shop. But

566
00:29:26,000 --> 00:29:27,920
Speaker 1: when you would play a pub in Australia, like, what

567
00:29:28,200 --> 00:29:31,560
Speaker 1: does that look like? Are people eating? Is it a bar? Like?

568
00:29:31,560 --> 00:29:34,360
Speaker 1: What is that? Um? Yeah, it kind of depends when

569
00:29:34,520 --> 00:29:36,400
Speaker 1: when you would play, Like I would play on Thursday

570
00:29:36,480 --> 00:29:38,840
Speaker 1: night and that would get pretty rowdy. I would have like,

571
00:29:38,880 --> 00:29:40,800
Speaker 1: I have a funny story. I've had people throw coins

572
00:29:40,840 --> 00:29:43,760
Speaker 1: at me to shut up or to play something. Well,

573
00:29:43,800 --> 00:29:47,560
Speaker 1: I think they were tipping the Australians do it. And

574
00:29:47,560 --> 00:29:50,240
Speaker 1: then I've had people like goggling just milk in front

575
00:29:50,240 --> 00:29:52,760
Speaker 1: of me and people just told me to be quiet

576
00:29:52,760 --> 00:29:55,160
Speaker 1: so they could hear the football behind me on the screens,

577
00:29:55,200 --> 00:29:58,720
Speaker 1: but they would play football. Is that soccer to you? Well,

578
00:29:58,760 --> 00:30:02,840
Speaker 1: it's rugby okay, wow, and football is three different thing. Okay,

579
00:30:02,880 --> 00:30:05,360
Speaker 1: So rugby over the top of you while you're playing. Yeah,

580
00:30:06,320 --> 00:30:08,640
Speaker 1: that's a bad situation for you to be in. Well,

581
00:30:08,640 --> 00:30:12,960
Speaker 1: it looks like people are looking at me at least. Yeah,

582
00:30:13,320 --> 00:30:15,840
Speaker 1: so you're playing music while they have rugby over you

583
00:30:15,880 --> 00:30:18,160
Speaker 1: at times. Is that one of those jobs though, where

584
00:30:18,200 --> 00:30:20,320
Speaker 1: you have to learn basically every cover song just so

585
00:30:20,360 --> 00:30:22,280
Speaker 1: you can continue playing. Yeah, I mean it was a

586
00:30:22,360 --> 00:30:24,720
Speaker 1: three our gig and I would play some of my

587
00:30:24,720 --> 00:30:26,640
Speaker 1: own originals, but you know, you have to play stuff

588
00:30:26,680 --> 00:30:29,440
Speaker 1: to get people actually listening to you. So you know,

589
00:30:29,520 --> 00:30:31,520
Speaker 1: there's just like all the pub classics that really go

590
00:30:31,600 --> 00:30:35,120
Speaker 1: off in Australia, like Torn by Natalie Ambrolio, like stuff

591
00:30:35,160 --> 00:30:38,520
Speaker 1: like that that can't really fail. What are the pub classics?

592
00:30:38,560 --> 00:30:41,360
Speaker 1: Give me the top five pub classics? Natalie and burle

593
00:30:41,440 --> 00:30:43,400
Speaker 1: a torn If you had to go to and you're like,

594
00:30:43,440 --> 00:30:44,640
Speaker 1: I know this is going to get them back, what

595
00:30:44,680 --> 00:30:47,600
Speaker 1: do you play? Wonder Wall by Oasis always, it doesn't

596
00:30:47,600 --> 00:30:50,640
Speaker 1: matter what age, everybody loves wonder Wall. That's too um

597
00:30:50,840 --> 00:30:55,760
Speaker 1: What else would I do? I would do we got

598
00:30:55,760 --> 00:30:59,080
Speaker 1: it all day and hang up day. I'm curious to

599
00:30:59,120 --> 00:31:00,600
Speaker 1: know if you're like, all right, I know this one

600
00:31:00,640 --> 00:31:02,600
Speaker 1: really well, let me let me get back into this one.

601
00:31:02,640 --> 00:31:05,960
Speaker 1: Save tonight, I do that one eagle like Cherry Solid.

602
00:31:06,240 --> 00:31:09,960
Speaker 1: I'm gonna need two more from you though. See Better

603
00:31:10,000 --> 00:31:14,719
Speaker 1: Together by Jack Johnson always goes quite well, Jolane, Okay,

604
00:31:14,840 --> 00:31:18,440
Speaker 1: there you go, Joe did it, which the Jolyns story

605
00:31:18,480 --> 00:31:21,960
Speaker 1: is pretty pretty funny as far as us together. Before

606
00:31:21,960 --> 00:31:24,360
Speaker 1: I tell that one, I'm gonna play track three called

607
00:31:24,400 --> 00:31:30,160
Speaker 1: eight Houses from Nikia Carmen crying out that room, saying

608
00:31:30,160 --> 00:31:35,080
Speaker 1: that he don't deserve you back when everything was really big,

609
00:31:39,920 --> 00:31:45,200
Speaker 1: like it's sad too, Karen U Candy Haaschool, back when

610
00:31:45,280 --> 00:31:52,320
Speaker 1: everything was first off, it's something I dig in. We

611
00:31:52,480 --> 00:31:55,960
Speaker 1: gonna forget. The only thing on this right now means

612
00:31:56,640 --> 00:32:02,520
Speaker 1: we only have to walk, says Joe. Lene is funny

613
00:32:02,560 --> 00:32:04,800
Speaker 1: to me because and we'll get into how we met

614
00:32:04,840 --> 00:32:07,080
Speaker 1: in a second. But you were on stage. It was

615
00:32:07,120 --> 00:32:09,560
Speaker 1: your first time with the Raging Idiots. You were just

616
00:32:09,640 --> 00:32:13,560
Speaker 1: singing back up because you just come to America. And

617
00:32:13,720 --> 00:32:15,959
Speaker 1: I was like, all right, let's see what she does. Right.

618
00:32:16,120 --> 00:32:18,200
Speaker 1: It wasn't Joeling the song, Yes, that's what the first

619
00:32:18,240 --> 00:32:20,040
Speaker 1: one you played. Well, I played Somewhere with You by

620
00:32:20,120 --> 00:32:25,040
Speaker 1: Kenny Chesney, and then I said, hey, I may call

621
00:32:25,120 --> 00:32:27,120
Speaker 1: you up to the front and you got your guitar

622
00:32:27,200 --> 00:32:29,560
Speaker 1: and you played somewhere with you La la la, la,

623
00:32:29,600 --> 00:32:32,200
Speaker 1: la la blah. And then I told Eddie, don't walk

624
00:32:32,240 --> 00:32:35,920
Speaker 1: out there because our show, and still a bit at

625
00:32:36,000 --> 00:32:41,040
Speaker 1: the time, was so much improvisation that I was gonna see,

626
00:32:41,080 --> 00:32:43,320
Speaker 1: let's see if she can handle herself. Let's not the

627
00:32:43,400 --> 00:32:45,920
Speaker 1: song is over, ever tell you the story. She just

628
00:32:46,040 --> 00:32:48,480
Speaker 1: moved to America, she's with us. She walks out and

629
00:32:48,480 --> 00:32:49,760
Speaker 1: played her song, and I told the whole band, don't

630
00:32:49,760 --> 00:32:51,080
Speaker 1: go out there, Let's see how she does when her

631
00:32:51,080 --> 00:32:53,160
Speaker 1: songs over. Just stay out here. And so the song

632
00:32:53,320 --> 00:32:55,080
Speaker 1: is in the crowd class and then she's looking over

633
00:32:55,160 --> 00:32:57,320
Speaker 1: and we're not doing anything. We're just letting her see

634
00:32:57,320 --> 00:32:59,520
Speaker 1: what she does. She takes her guitar and goes and

635
00:32:59,560 --> 00:33:03,680
Speaker 1: starts going and Joline, it plays in the crowd, and

636
00:33:03,720 --> 00:33:05,440
Speaker 1: I was like, oh, yeah, she's good, she's good to go,

637
00:33:05,640 --> 00:33:07,480
Speaker 1: she's fine to be with us. Do you remember that

638
00:33:08,200 --> 00:33:10,960
Speaker 1: you know where we were? I have no idea where

639
00:33:11,000 --> 00:33:15,440
Speaker 1: we were, like Richmond, Virginia, or do you remember the

640
00:33:15,600 --> 00:33:18,360
Speaker 1: night we were all in the back when we were

641
00:33:18,400 --> 00:33:20,680
Speaker 1: doing and no I would walk five and we all

642
00:33:20,720 --> 00:33:23,560
Speaker 1: blew out our voices and it was the same night

643
00:33:23,600 --> 00:33:25,680
Speaker 1: of the para shooting as well. Yes, I remember that

644
00:33:26,200 --> 00:33:29,640
Speaker 1: where they went into the theater and shot people kill people.

645
00:33:29,800 --> 00:33:31,760
Speaker 1: That was my first trip when I came to play

646
00:33:31,800 --> 00:33:36,160
Speaker 1: with you guys, and I was like, this is America. Yeah, crazy, huh.

647
00:33:36,200 --> 00:33:38,440
Speaker 1: I wonder if that was the first night. Is that

648
00:33:38,560 --> 00:33:40,000
Speaker 1: the first night of the second night? I think that

649
00:33:40,080 --> 00:33:42,720
Speaker 1: was the second night we um Nikita and I met

650
00:33:42,840 --> 00:33:46,080
Speaker 1: because Eddie and I were doing raging idiot stuff and

651
00:33:46,120 --> 00:33:47,800
Speaker 1: I was like, man, I'd like to have a really

652
00:33:47,880 --> 00:33:50,880
Speaker 1: strong female. That's it's a little bit different. And so

653
00:33:51,000 --> 00:33:54,760
Speaker 1: we had talked to like thirty females to be in

654
00:33:54,800 --> 00:33:57,520
Speaker 1: the group, and none of them were like to us

655
00:33:58,400 --> 00:34:02,400
Speaker 1: something that was, you know, a little quirky, a little different,

656
00:34:02,400 --> 00:34:05,160
Speaker 1: but still really good. And then finally someone was like, hey,

657
00:34:05,200 --> 00:34:06,880
Speaker 1: we have this girl in Australia, but she can't come.

658
00:34:06,960 --> 00:34:09,520
Speaker 1: She got to talk to you one um and like

659
00:34:09,880 --> 00:34:13,880
Speaker 1: spacetime or maybe Skype, and so they're like when they

660
00:34:13,920 --> 00:34:16,120
Speaker 1: put her up on the screen and she's like, Hey,

661
00:34:16,200 --> 00:34:19,720
Speaker 1: I'm in the hallway at my wedding photo editing place.

662
00:34:20,480 --> 00:34:22,239
Speaker 1: And then she had her guitar and she replayed the

663
00:34:22,280 --> 00:34:25,200
Speaker 1: hallway right, and we were like dang. And I got

664
00:34:25,320 --> 00:34:28,719
Speaker 1: a credit Gordon at Black River because I was like, hey,

665
00:34:28,880 --> 00:34:31,560
Speaker 1: I would like to have her over here, and he

666
00:34:31,719 --> 00:34:33,480
Speaker 1: was like, okay, well fly it flew over and she

667
00:34:33,560 --> 00:34:38,120
Speaker 1: stayed you have it. You've lived here since? Yes. That

668
00:34:38,320 --> 00:34:41,680
Speaker 1: was Yeah, that was insane. And I remember telling my mom.

669
00:34:41,719 --> 00:34:43,640
Speaker 1: I was like, so I'm going to go to America

670
00:34:43,800 --> 00:34:47,480
Speaker 1: to go and meet a guy on mom Internet. But

671
00:34:47,600 --> 00:34:51,600
Speaker 1: it turned out to be quite advantageous actually, and I'm

672
00:34:51,640 --> 00:34:54,640
Speaker 1: pretty good guy. It's true. We wikipedia you and Mom's like,

673
00:34:55,000 --> 00:35:02,120
Speaker 1: I think he's famous. So that situation happened. She comes

674
00:35:02,200 --> 00:35:05,320
Speaker 1: here then she we weren't doing the big shows, but

675
00:35:05,400 --> 00:35:08,839
Speaker 1: she was. You were opening and just killing and merch

676
00:35:09,000 --> 00:35:11,160
Speaker 1: and selling CdSe. People were just blown away by her.

677
00:35:11,760 --> 00:35:14,319
Speaker 1: Um and I remember we had a talk and I said, hey,

678
00:35:15,360 --> 00:35:17,800
Speaker 1: I think you should start to do stuff without me,

679
00:35:18,360 --> 00:35:20,359
Speaker 1: like start to do your own thing. So I'm gonna

680
00:35:20,360 --> 00:35:21,600
Speaker 1: give you the option. You can come and open for

681
00:35:21,719 --> 00:35:24,800
Speaker 1: me for this tour or you can go and do

682
00:35:24,920 --> 00:35:28,040
Speaker 1: other things that you can pick either way. And you

683
00:35:28,160 --> 00:35:30,560
Speaker 1: picked not to open for me, and then like two

684
00:35:30,600 --> 00:35:32,080
Speaker 1: months later, you're like, she was like, oh crap, I

685
00:35:32,080 --> 00:35:38,400
Speaker 1: should open for you? Not wrong? Here is came close

686
00:35:38,800 --> 00:36:02,879
Speaker 1: from Nikita Krmen again. Your parents in that eighties band

687
00:36:02,920 --> 00:36:09,160
Speaker 1: Hotel Berlin. What success did they have? Um? Not very much? Um.

688
00:36:09,200 --> 00:36:11,839
Speaker 1: I mean they had like fun, they weren't really like professional.

689
00:36:12,080 --> 00:36:15,160
Speaker 1: They had some pretty amusing music video clips they shot

690
00:36:15,480 --> 00:36:18,279
Speaker 1: in the backyard of our house. Are they still for

691
00:36:18,480 --> 00:36:21,759
Speaker 1: fun playing any music at all? None? No? I mean

692
00:36:21,800 --> 00:36:26,479
Speaker 1: my mom just sings all the time anyway. Still she good? Yeah?

693
00:36:27,320 --> 00:36:30,600
Speaker 1: Do you remember the first song you learn my guitar? Um? Yes?

694
00:36:30,760 --> 00:36:33,359
Speaker 1: It was Sooner or Later by Michael Toulture and then

695
00:36:33,840 --> 00:36:37,919
Speaker 1: closely followed by Hands by Jewel. Do you still know them?

696
00:36:39,120 --> 00:36:40,600
Speaker 1: I don't think I would know Sooner or Later. I

697
00:36:40,640 --> 00:36:44,080
Speaker 1: don't even know what this song is the Australia We'll

698
00:36:44,080 --> 00:36:47,200
Speaker 1: be Looking bad everything. You always know every song? Yeah?

699
00:36:47,440 --> 00:36:49,359
Speaker 1: That's that must be a crappy one. It must only

700
00:36:49,400 --> 00:36:51,320
Speaker 1: know only the ones that aren't. Mike. Do you know

701
00:36:51,400 --> 00:36:53,160
Speaker 1: that song? No? I can't even find it. You have

702
00:36:53,160 --> 00:36:56,719
Speaker 1: an identical twin sister, How's desire doing? She's good? She

703
00:36:57,280 --> 00:37:00,200
Speaker 1: actually co wrote one of the songs on the album me.

704
00:37:00,440 --> 00:37:03,640
Speaker 1: Did you guys do that over over like Sky or Zoom?

705
00:37:03,719 --> 00:37:05,239
Speaker 1: Or did you do it at home. She just kind

706
00:37:05,239 --> 00:37:07,839
Speaker 1: of like wrote like the start of it, and then

707
00:37:07,920 --> 00:37:09,239
Speaker 1: she sent it to me and I was like, look,

708
00:37:09,320 --> 00:37:10,960
Speaker 1: the start of the chorus is pretty good art and

709
00:37:11,040 --> 00:37:13,319
Speaker 1: I can work with that. And then I ended up

710
00:37:14,080 --> 00:37:16,799
Speaker 1: just changing a few things around, and then I didn't

711
00:37:16,800 --> 00:37:18,640
Speaker 1: tell her it was going to be on the album

712
00:37:18,800 --> 00:37:20,640
Speaker 1: until me and Walker cut it and I was like,

713
00:37:20,760 --> 00:37:24,480
Speaker 1: here you go. So she'll make like eight dollars that's cool. Yeah, yeah,

714
00:37:24,719 --> 00:37:27,360
Speaker 1: us so would be pretty good in Australia. Is the

715
00:37:27,440 --> 00:37:29,200
Speaker 1: money if you have ten dollars here, what do you

716
00:37:29,200 --> 00:37:31,920
Speaker 1: think it is in Australia? Is it more than ten

717
00:37:31,960 --> 00:37:35,480
Speaker 1: dollars there? Yeah? Are you a makeup artist? Well, I

718
00:37:35,760 --> 00:37:38,880
Speaker 1: am trained as a makeup artist back in Australia. What

719
00:37:40,719 --> 00:37:43,200
Speaker 1: it's it's just something that I learned for fun. But

720
00:37:43,640 --> 00:37:47,080
Speaker 1: are you a certified makeup You got you got a certificate?

721
00:37:47,800 --> 00:37:49,759
Speaker 1: I don't know if it's like a I don't know

722
00:37:49,840 --> 00:37:52,080
Speaker 1: how like you check if they're like legit or not.

723
00:37:52,280 --> 00:37:55,600
Speaker 1: But I did a class. Could you do my makeup?

724
00:37:55,960 --> 00:37:57,360
Speaker 1: And it'd be fine? Oh my god, I loved you.

725
00:37:57,400 --> 00:37:59,640
Speaker 1: I'll be watching so much RuPaul's drag Race. I don't

726
00:37:59,640 --> 00:38:03,080
Speaker 1: want to makeup, makeup on a man you know who. No,

727
00:38:03,239 --> 00:38:06,000
Speaker 1: I don't want to make up you know who's been doing.

728
00:38:06,160 --> 00:38:09,759
Speaker 1: So on my nat Geo show, we went out and

729
00:38:09,800 --> 00:38:12,960
Speaker 1: we have a really small crew because of COVID. So

730
00:38:13,080 --> 00:38:14,920
Speaker 1: we have our you know, nine or ten guys that

731
00:38:14,960 --> 00:38:16,840
Speaker 1: are on the crew crew, but you can't bring anyone

732
00:38:16,920 --> 00:38:19,520
Speaker 1: on unless they have a specific job, which I guess

733
00:38:19,560 --> 00:38:22,239
Speaker 1: in the old Wild West two years ago, everybody could

734
00:38:22,280 --> 00:38:24,719
Speaker 1: come on party have a good time, but they were like, hey,

735
00:38:24,760 --> 00:38:28,520
Speaker 1: nobody can come on because of COVID. And so this

736
00:38:28,640 --> 00:38:31,560
Speaker 1: show doesn't require a lot of hair and makeup. Some

737
00:38:32,080 --> 00:38:34,279
Speaker 1: but sometimes we don't get dunked in the water or

738
00:38:34,280 --> 00:38:36,520
Speaker 1: I'm hanging out over the Grand Canyon. It's not like

739
00:38:36,640 --> 00:38:40,000
Speaker 1: they're paying attention your makeup. But so I told Caitlin,

740
00:38:40,040 --> 00:38:43,080
Speaker 1: I said, hey, why don't you come on as my

741
00:38:43,120 --> 00:38:44,600
Speaker 1: hair and makeup artist. She's like, I don't know what

742
00:38:44,640 --> 00:38:47,400
Speaker 1: I'm doing, Helly, who cares? And so I was like,

743
00:38:47,480 --> 00:38:49,360
Speaker 1: just just put some bas stuff on me, made me

744
00:38:49,400 --> 00:38:52,080
Speaker 1: look good, and so for like the last three months

745
00:38:52,120 --> 00:38:53,880
Speaker 1: she actually getting pretty good at it now. But she

746
00:38:53,960 --> 00:38:55,840
Speaker 1: has been my hair and makeup artist and now she

747
00:38:56,000 --> 00:38:58,359
Speaker 1: does it for the opery as well, and now she's

748
00:38:58,360 --> 00:39:01,920
Speaker 1: like ordering stuff, you're watching YouTube stuff and so now

749
00:39:02,040 --> 00:39:03,680
Speaker 1: she's she's doing that. But if she ever goes down,

750
00:39:04,200 --> 00:39:06,799
Speaker 1: I'm gonna call you. But no, eyeshadow, that's the only rule.

751
00:39:07,160 --> 00:39:08,840
Speaker 1: It's gonna be really hard for me to like not

752
00:39:09,000 --> 00:39:11,600
Speaker 1: go all out. This is not Ruth Paul's drag race.

753
00:39:12,760 --> 00:39:15,600
Speaker 1: This record you did? You wrotever song? Yes? Was that

754
00:39:15,640 --> 00:39:18,320
Speaker 1: important to you? Yes? I don't really have any like

755
00:39:19,200 --> 00:39:21,800
Speaker 1: interest in singing something I didn't ride, mainly because the

756
00:39:21,880 --> 00:39:24,560
Speaker 1: writing is my favorite pot of the whole thing. So

757
00:39:25,120 --> 00:39:27,719
Speaker 1: that was kind of super important. Here is a great

758
00:39:27,760 --> 00:39:29,600
Speaker 1: goose before I play that? What's what's is great goose?

759
00:39:29,640 --> 00:39:34,360
Speaker 1: About the alcohol? Um, it's actually about my boyfriend, the

760
00:39:34,440 --> 00:39:36,520
Speaker 1: one you have now, Yes, okay, go ahead. So it's

761
00:39:36,560 --> 00:39:38,239
Speaker 1: just about meeting him in a bar. And I kind

762
00:39:38,239 --> 00:39:41,080
Speaker 1: of just wanted like a fun, like bad, cheesy pick

763
00:39:41,120 --> 00:39:59,400
Speaker 1: up line love song. Okay, let me hear this. Sys

764
00:40:00,719 --> 00:40:06,880
Speaker 1: Wy died walk ahead to produced the record the whole thing.

765
00:40:07,280 --> 00:40:09,920
Speaker 1: How was that? It was so much fun? I was like,

766
00:40:10,440 --> 00:40:12,279
Speaker 1: I mean, when I've recorded in the past, it's been

767
00:40:12,320 --> 00:40:16,080
Speaker 1: in big, fancy studios, and we ended up recording all

768
00:40:16,120 --> 00:40:18,919
Speaker 1: of this in his house, which was funny. He would

769
00:40:18,960 --> 00:40:21,520
Speaker 1: just he would stop me singing and be like sorry,

770
00:40:21,520 --> 00:40:22,920
Speaker 1: I have to tell the kids to shut up, and

771
00:40:23,040 --> 00:40:25,000
Speaker 1: be like, please keep it down. He's got a lot

772
00:40:25,000 --> 00:40:28,040
Speaker 1: of kids. Yeah, six right, yeah, six kids. Yeah, And

773
00:40:28,560 --> 00:40:30,240
Speaker 1: you know, I did a couple of songs with Walker

774
00:40:30,320 --> 00:40:32,480
Speaker 1: back in the day. Did Ima stay with Walker? He's

775
00:40:32,560 --> 00:40:37,480
Speaker 1: so encouraging. He's like, yeah, that's it and really it

776
00:40:37,560 --> 00:40:39,560
Speaker 1: wasn't it, but he but he was so encouraging that

777
00:40:39,560 --> 00:40:41,200
Speaker 1: it made me want to do better. Did you find

778
00:40:41,280 --> 00:40:43,239
Speaker 1: he was that way with you? Yeah, That's what made

779
00:40:43,239 --> 00:40:45,759
Speaker 1: it such a like easy and fun process because it

780
00:40:45,920 --> 00:40:48,400
Speaker 1: wasn't like everything was like has to be perfect. It

781
00:40:48,480 --> 00:40:50,520
Speaker 1: was kind of just like just just fill it out

782
00:40:50,600 --> 00:40:54,040
Speaker 1: and see what sounds good and yeah and then he um.

783
00:40:54,600 --> 00:40:56,000
Speaker 1: He told me that he doesn't know how to do

784
00:40:56,080 --> 00:40:58,600
Speaker 1: any pitch corrections, so that kind of was a bit

785
00:40:58,640 --> 00:41:01,440
Speaker 1: of an ego boost. So you had to sing it

786
00:41:01,560 --> 00:41:04,759
Speaker 1: right on. Yeah. I did an episode recently on this

787
00:41:04,840 --> 00:41:07,520
Speaker 1: podcast about artists who don't like performing their biggest hits.

788
00:41:07,840 --> 00:41:09,680
Speaker 1: Is it true you don't like performing out of the park?

789
00:41:10,120 --> 00:41:15,320
Speaker 1: Absolutely true. That's that's our biggest streaming song, right, I know,

790
00:41:15,600 --> 00:41:17,880
Speaker 1: I know, and I should. I should love to play it.

791
00:41:18,080 --> 00:41:21,520
Speaker 1: But how many streams out of the park when you

792
00:41:21,560 --> 00:41:24,000
Speaker 1: look on our page? Well, I'm on a different thing. Okay,

793
00:41:24,520 --> 00:41:27,399
Speaker 1: this song was bout like this one? Still you do? Yeah?

794
00:41:27,680 --> 00:41:33,280
Speaker 1: Interesting to s use bad one? Lan is waist fatting

795
00:41:33,560 --> 00:41:37,120
Speaker 1: at Jim. Why don't you like playing it? I don't know.

796
00:41:37,160 --> 00:41:41,680
Speaker 1: I feel like I sound so like different. I don't know.

797
00:41:42,640 --> 00:41:46,400
Speaker 1: When you hear you sing, there's no accent. Yeah, sometimes

798
00:41:46,400 --> 00:41:48,279
Speaker 1: I put my accent in if I want something to rhyme.

799
00:41:49,160 --> 00:41:51,160
Speaker 1: Oh that's an interesting technique. Maybe I should just be

800
00:41:51,280 --> 00:41:55,760
Speaker 1: like a British accent. I don't want rhymes happening crazy

801
00:42:00,960 --> 00:42:11,560
Speaker 1: to sin That was love over Days, Get it out.

802
00:42:12,960 --> 00:42:15,560
Speaker 1: That's a good song, alright, mine, I like it. Yeah,

803
00:42:15,640 --> 00:42:18,160
Speaker 1: don't be a hater towards your old music. Alright, you're

804
00:42:18,200 --> 00:42:21,560
Speaker 1: basically radiohead right now. I'm coming back around to it.

805
00:42:21,680 --> 00:42:25,040
Speaker 1: You're right. Your next single is own Roses. Yes, yeah,

806
00:42:25,400 --> 00:42:28,120
Speaker 1: let me hear some of this. How go my own room?

807
00:42:28,440 --> 00:42:34,320
Speaker 1: It wasn't easy. I'm sorry. Not show it home and

808
00:42:35,160 --> 00:42:40,719
Speaker 1: you grow it in always thought and lead somebody to

809
00:42:40,880 --> 00:42:47,400
Speaker 1: lame my roots me, but then found lonely somehow in

810
00:42:47,640 --> 00:42:54,239
Speaker 1: Louise my own Roses. Why did you pick that one

811
00:42:54,280 --> 00:42:57,840
Speaker 1: a single? Well, the title of the whole project is

812
00:42:57,840 --> 00:43:01,080
Speaker 1: called the Garden, so and that's from a that um

813
00:43:01,320 --> 00:43:05,239
Speaker 1: is from the own Roses. That's pretty much like I

814
00:43:05,280 --> 00:43:07,080
Speaker 1: got the garden I deserved, And it's just kind of

815
00:43:07,160 --> 00:43:10,960
Speaker 1: about my whole journey, like moving to Nashville and kind

816
00:43:10,960 --> 00:43:14,200
Speaker 1: of starting from scratch again. So I just feel like

817
00:43:14,280 --> 00:43:17,279
Speaker 1: that was the best choice. And it made me cry

818
00:43:17,320 --> 00:43:19,399
Speaker 1: when I wrote it, so I thought that maybe people

819
00:43:19,440 --> 00:43:24,680
Speaker 1: would also cry. You made yourself cry. I don't think

820
00:43:24,719 --> 00:43:26,880
Speaker 1: I've ever created anything that made me cry. It's so

821
00:43:27,120 --> 00:43:36,000
Speaker 1: beautiful what I just did. Even when I wrote, like

822
00:43:36,160 --> 00:43:38,480
Speaker 1: my first book, there was really sad stuff in there,

823
00:43:39,000 --> 00:43:41,480
Speaker 1: and maybe I would get emotional remembering the sad stuff.

824
00:43:41,920 --> 00:43:46,919
Speaker 1: But I've never created anything that evoked. And I've heard things,

825
00:43:47,239 --> 00:43:49,279
Speaker 1: have seen things, but I've never created something that went

826
00:43:49,360 --> 00:43:52,160
Speaker 1: like that thing I just created touched me so much.

827
00:43:53,200 --> 00:43:55,719
Speaker 1: I mean I cry really easily anyway, So it's not

828
00:43:55,840 --> 00:43:58,800
Speaker 1: really like me clapping myself, to be honest. Let me

829
00:43:58,880 --> 00:44:00,640
Speaker 1: play the Sister that you and the song You and

830
00:44:00,680 --> 00:44:04,080
Speaker 1: your sister co wrote. This is Surprised from Nikita Carmen

831
00:44:04,120 --> 00:44:17,719
Speaker 1: and desiree King Jack. I saw that some of the

832
00:44:18,120 --> 00:44:21,040
Speaker 1: big streaming service would give you some awesome spots. That's

833
00:44:21,080 --> 00:44:23,560
Speaker 1: gonna be exciting. Yes, Like I saw a big Spotify

834
00:44:23,640 --> 00:44:26,160
Speaker 1: thing for you. That's that's super cool. Yeah, I know.

835
00:44:26,360 --> 00:44:28,760
Speaker 1: It's like it makes such a difference when you release

836
00:44:28,840 --> 00:44:30,360
Speaker 1: something and you like wake up in the morning and

837
00:44:30,400 --> 00:44:32,960
Speaker 1: you're like, this is um like put on playlist that

838
00:44:33,000 --> 00:44:35,520
Speaker 1: maybe more people will actually listen to it. Yeah, maybe

839
00:44:35,560 --> 00:44:36,839
Speaker 1: somebody here and they goes, hey, what is that? Oh

840
00:44:36,880 --> 00:44:38,000
Speaker 1: cool and put a heart on it and save it

841
00:44:38,040 --> 00:44:39,360
Speaker 1: and then play it more and then maybe they're a

842
00:44:39,400 --> 00:44:41,960
Speaker 1: fan of your music, and that's pretty cool. Yeah. Then

843
00:44:41,960 --> 00:44:43,680
Speaker 1: you know, I'm always putting you on the national I

844
00:44:43,760 --> 00:44:46,480
Speaker 1: Heart Women Country show. I get so excited. Yeah, have

845
00:44:46,560 --> 00:44:49,160
Speaker 1: you ever heard it on the radio? No, you're probably

846
00:44:49,160 --> 00:44:50,960
Speaker 1: not the country for a lot of that this weekend.

847
00:44:51,080 --> 00:44:53,040
Speaker 1: It's on this weekend. Well, let me just sit in

848
00:44:53,160 --> 00:44:55,040
Speaker 1: the car and just listen to that. So you go

849
00:44:55,120 --> 00:44:56,480
Speaker 1: and then record a video and be like I'm on

850
00:44:56,600 --> 00:44:59,400
Speaker 1: the radio. Yes, I have a good car now that

851
00:44:59,480 --> 00:45:01,360
Speaker 1: has like a a radio that what I saw a

852
00:45:01,520 --> 00:45:04,319
Speaker 1: jet drive in here. He just kind of sat there

853
00:45:04,360 --> 00:45:07,239
Speaker 1: for a minute. You're out a weird spot in the yard,

854
00:45:07,239 --> 00:45:08,799
Speaker 1: and I was like, is she gonna drive over here?

855
00:45:10,000 --> 00:45:11,680
Speaker 1: I was thinking about it. I guess I haven't seen

856
00:45:11,719 --> 00:45:15,560
Speaker 1: you since I moved, and so you drove here and

857
00:45:15,560 --> 00:45:18,839
Speaker 1: you're like, what is what's happening? Yes? Pretty much? Uh

858
00:45:19,120 --> 00:45:22,759
Speaker 1: you fun fact Nikita was the first ever episode of

859
00:45:22,760 --> 00:45:25,120
Speaker 1: the Bobby Cast, except that was an unreleased episode where

860
00:45:25,160 --> 00:45:27,480
Speaker 1: we just tested the equipment. Oh my god, I was

861
00:45:27,480 --> 00:45:28,800
Speaker 1: going to say that when I came in and I

862
00:45:28,880 --> 00:45:30,640
Speaker 1: was like, I've actually I remember me and a mad

863
00:45:30,719 --> 00:45:33,319
Speaker 1: but your first guests and I did it together. Well

864
00:45:33,400 --> 00:45:35,840
Speaker 1: he did one as well. I think that's true. I

865
00:45:35,920 --> 00:45:37,960
Speaker 1: think so well. I mean it went to trash it.

866
00:45:38,040 --> 00:45:41,120
Speaker 1: We were just we're just seeing if the microphones worked.

867
00:45:41,360 --> 00:45:42,600
Speaker 1: And so now here you go. You put out a

868
00:45:42,600 --> 00:45:44,359
Speaker 1: whole record and now you're on for real. You didn't

869
00:45:44,360 --> 00:45:45,880
Speaker 1: want to go on the first time anyway, that that

870
00:45:45,960 --> 00:45:49,120
Speaker 1: that didn't count. This is the real one. All right?

871
00:45:49,520 --> 00:45:51,520
Speaker 1: Let me have one more song here? Why don't we

872
00:45:51,680 --> 00:45:55,520
Speaker 1: play picture Me? You wrote this one by yourself. Yeah,

873
00:45:55,680 --> 00:45:58,800
Speaker 1: what's this about? It's about my ex boyfriend? Just what

874
00:45:58,960 --> 00:46:01,000
Speaker 1: is your current boyfriend thinking abou your ex boyfriend? In

875
00:46:01,080 --> 00:46:04,160
Speaker 1: the song? Um, oh, my boyfriend never pays attention to

876
00:46:04,200 --> 00:46:06,040
Speaker 1: the lyrics and anything I write. I will send him

877
00:46:06,080 --> 00:46:08,040
Speaker 1: like the most beautiful love song. And then I was

878
00:46:08,080 --> 00:46:09,239
Speaker 1: like did you like it? And he's like, oh, I

879
00:46:09,360 --> 00:46:13,520
Speaker 1: wasn't really listening. Okay, here you go. We don't have

880
00:46:13,640 --> 00:46:20,839
Speaker 1: to talk. We talk, just ship al see see all

881
00:46:23,440 --> 00:46:28,360
Speaker 1: actually seeing him fall and actually not seeing him call

882
00:46:28,440 --> 00:46:33,880
Speaker 1: and actually, do you send this to your ex boyfriend

883
00:46:33,920 --> 00:46:35,239
Speaker 1: to go? He wrote the song about your heads up?

884
00:46:35,640 --> 00:46:38,279
Speaker 1: Absolutely not no, no, he would not want to hear this.

885
00:46:39,160 --> 00:46:40,120
Speaker 1: Do you keep up with them? Do you know what

886
00:46:40,200 --> 00:46:44,560
Speaker 1: he's doing? Um? Not really? I mean I saw him

887
00:46:44,800 --> 00:46:47,360
Speaker 1: at a wedding when I went back to Australia. Actually,

888
00:46:47,680 --> 00:46:49,880
Speaker 1: this is when I went back with my current boyfriend,

889
00:46:49,960 --> 00:46:51,960
Speaker 1: so and his mom was there too, so that was fun.

890
00:46:52,040 --> 00:46:55,560
Speaker 1: It was weird. Yeah is your current boyfriend bigger than

891
00:46:55,560 --> 00:46:58,960
Speaker 1: he is? Yeah? Yeah? Nice? One final song this is

892
00:46:59,040 --> 00:47:02,160
Speaker 1: then some It's Nikita with Walker Hayes. I'll get all

893
00:47:02,320 --> 00:47:14,160
Speaker 1: you and me get back, I'll get you and then

894
00:47:18,560 --> 00:47:22,520
Speaker 1: getting st close just me. I just don't get all

895
00:47:24,160 --> 00:47:30,359
Speaker 1: I'll get really feel smiling on your faceless a little too.

896
00:47:31,239 --> 00:47:34,600
Speaker 1: I could call it when, but I'm Nasha if you say,

897
00:47:34,640 --> 00:47:41,360
Speaker 1: can go right. You have a greyhound too now and

898
00:47:41,560 --> 00:47:44,440
Speaker 1: fostering one. I saw that on your Instagram. He is

899
00:47:44,480 --> 00:47:47,879
Speaker 1: an absolute nightmare. Oh we have a new dog. She's

900
00:47:47,920 --> 00:47:50,759
Speaker 1: a nightmare too right now. I don't know, like I'm

901
00:47:50,800 --> 00:47:52,920
Speaker 1: not used to it either, because I mean, Pim's my

902
00:47:53,719 --> 00:47:55,560
Speaker 1: other greyhound. She was a nightmare, but she was really

903
00:47:55,640 --> 00:47:58,759
Speaker 1: like scared and shy. Whereas this dog, I'm like, I

904
00:47:58,840 --> 00:48:01,440
Speaker 1: swear this isn't a grayhound is like a great Dane

905
00:48:01,520 --> 00:48:07,360
Speaker 1: and he just steals everything. Well, congratulations, you got a

906
00:48:07,440 --> 00:48:09,920
Speaker 1: whole record out called the Garden is out today. I

907
00:48:10,000 --> 00:48:12,920
Speaker 1: hope you guys that are listening check it out at

908
00:48:13,040 --> 00:48:15,800
Speaker 1: Nikita Carmen on Instagram and I K I T A

909
00:48:16,200 --> 00:48:19,080
Speaker 1: K A R M E N. Nikita Carmen. I'm proud

910
00:48:19,120 --> 00:48:21,240
Speaker 1: of you. Thank you. You glad to move to Nashville.

911
00:48:21,320 --> 00:48:24,040
Speaker 1: I'm glad I missed. Yeah, I'm glad I did that

912
00:48:24,120 --> 00:48:28,719
Speaker 1: little edition. I have a scrap. Okay, there she is, Mike,

913
00:48:28,760 --> 00:48:30,320
Speaker 1: anything you want to say, just play out of the

914
00:48:30,400 --> 00:48:32,480
Speaker 1: park next time. Yeah, so I'll be in such a

915
00:48:32,520 --> 00:48:35,520
Speaker 1: snob all right, I'll play it. Thanks for having me,

916
00:48:35,640 --> 00:48:37,680
Speaker 1: Thank you? All right there she everybody check out the garden.

917
00:48:37,800 --> 00:48:42,320
Speaker 1: There she is, Nikita, Carmen, Mattie. How are you it is?

918
00:48:42,400 --> 00:48:46,279
Speaker 1: It's great to talk to you, man. I know, I

919
00:48:46,320 --> 00:48:48,440
Speaker 1: haven't seen you since I was up in your building

920
00:48:48,520 --> 00:48:51,280
Speaker 1: and just trying to get a luxie in your studio

921
00:48:51,440 --> 00:48:53,040
Speaker 1: to see the legend. I remember peeking in there and

922
00:48:53,080 --> 00:48:54,800
Speaker 1: I was like, I don't want to bother him, and

923
00:48:54,880 --> 00:48:59,640
Speaker 1: there he was with all my eyes. Yeah, yeah, come on, man,

924
00:49:00,120 --> 00:49:07,040
Speaker 1: well you're you're the kid. That's not true. If you

925
00:49:07,120 --> 00:49:09,479
Speaker 1: have to ask, what's that show? You know? I ain't

926
00:49:09,520 --> 00:49:12,759
Speaker 1: the king? Yeah I heard, I heard about it. I'm

927
00:49:12,800 --> 00:49:16,360
Speaker 1: more like you got you ever to play Bryce records

928
00:49:16,400 --> 00:49:20,560
Speaker 1: on your show? I have before? Yes, I'm that's okay.

929
00:49:20,960 --> 00:49:23,360
Speaker 1: Well let's celebrate you. I don't. I'm not here to

930
00:49:23,400 --> 00:49:25,319
Speaker 1: talk about me. Listen, I'm so over me. I talked

931
00:49:25,320 --> 00:49:27,200
Speaker 1: about me all the time. But you know, when I

932
00:49:27,280 --> 00:49:29,920
Speaker 1: was reading about how you had spit just celebrate your

933
00:49:29,960 --> 00:49:33,400
Speaker 1: forty year anniversary doing mornings they're working in radio, I

934
00:49:33,560 --> 00:49:36,239
Speaker 1: was like, holy crap, Like I can only dream of

935
00:49:36,360 --> 00:49:39,200
Speaker 1: having a career that's two thirds of that, honestly, Like

936
00:49:39,320 --> 00:49:41,319
Speaker 1: you've just been at such a high level for so long.

937
00:49:41,840 --> 00:49:43,520
Speaker 1: And I hit up Mike, and I said, hey, see

938
00:49:43,560 --> 00:49:45,080
Speaker 1: if Maddy, because I don't want to reach out because

939
00:49:45,080 --> 00:49:46,520
Speaker 1: if you say no to me, my feeling is gonna

940
00:49:46,520 --> 00:49:48,200
Speaker 1: be hurt. But if you say no to Mike, I'm like,

941
00:49:48,680 --> 00:49:50,879
Speaker 1: he just didn't want to do it. So I said,

942
00:49:51,360 --> 00:49:54,359
Speaker 1: reach out to Maddie and see if he wants to talk,

943
00:49:54,560 --> 00:49:56,640
Speaker 1: because I have a bunch of questions about his radio career.

944
00:49:56,719 --> 00:49:59,160
Speaker 1: So I appreciate you humoring me here. Oh boy, are

945
00:49:59,200 --> 00:50:01,200
Speaker 1: you kidding me? You really want to put me on

946
00:50:01,280 --> 00:50:04,120
Speaker 1: your radio show all over the country. Of course you're

947
00:50:04,400 --> 00:50:06,799
Speaker 1: the man. What do you want to know? Well, let

948
00:50:06,880 --> 00:50:09,759
Speaker 1: me start with because you you know, you started in

949
00:50:11,800 --> 00:50:13,839
Speaker 1: as far as Kiss one Await where you still are,

950
00:50:14,440 --> 00:50:17,040
Speaker 1: and so I'm just curious about the eighties in general

951
00:50:17,440 --> 00:50:19,640
Speaker 1: and how in radio, like I assume there are a

952
00:50:19,680 --> 00:50:21,640
Speaker 1: lot of big stars that would come through and pop

953
00:50:21,719 --> 00:50:23,359
Speaker 1: it on your show in the eighties. When you think

954
00:50:23,360 --> 00:50:26,000
Speaker 1: about that and people you actually met in the eighties,

955
00:50:26,040 --> 00:50:27,600
Speaker 1: who was it that you still look back and go, Man,

956
00:50:27,680 --> 00:50:30,200
Speaker 1: that was really freaking cool that I met them? Oh well,

957
00:50:31,120 --> 00:50:37,240
Speaker 1: was cool? Oprah? Back then? Yeah, back then, the early

958
00:50:37,320 --> 00:50:39,719
Speaker 1: early days, not even the biggest of your life, but

959
00:50:39,800 --> 00:50:42,840
Speaker 1: in the because for me in the eighties, it was

960
00:50:42,880 --> 00:50:45,839
Speaker 1: like one years old. So like I looked, I look back,

961
00:50:45,920 --> 00:50:48,399
Speaker 1: and I'm like, man, what was it like? Have someone

962
00:50:48,480 --> 00:50:50,640
Speaker 1: come in the radio station in the eighties and you're

963
00:50:50,640 --> 00:50:53,239
Speaker 1: on in Boston, You're rocking the whole place, like who

964
00:50:53,320 --> 00:50:55,359
Speaker 1: comes but as Madonna come by? In the eighties. Did

965
00:50:55,400 --> 00:51:00,680
Speaker 1: you ever meet the Beastie Boys? Yeah? Yeah, oh those people,

966
00:51:01,080 --> 00:51:04,759
Speaker 1: you know, all the Toms, Tom Hanks, Tom Cruise, uh,

967
00:51:05,520 --> 00:51:09,160
Speaker 1: Arnold Schwarzenegger, who else came by? I mean everybody. Yeah,

968
00:51:09,239 --> 00:51:13,719
Speaker 1: back in those days, um, before the internet and everything. Uh,

969
00:51:13,880 --> 00:51:16,920
Speaker 1: celebrities went to radio stations. You don't really see that anymore.

970
00:51:16,960 --> 00:51:18,960
Speaker 1: They come to see you because you've got a national show.

971
00:51:19,080 --> 00:51:23,600
Speaker 1: But you know, for just one market guy like me. Nowadays,

972
00:51:24,280 --> 00:51:26,440
Speaker 1: you know, they don't travel like they used to. But

973
00:51:26,600 --> 00:51:30,440
Speaker 1: back then, anybody on a movie or anything toward the country,

974
00:51:30,600 --> 00:51:34,480
Speaker 1: So yeah, we had everybody. So did you ever see

975
00:51:35,000 --> 00:51:38,080
Speaker 1: someone back in like the eighties late eighties and then

976
00:51:38,120 --> 00:51:40,799
Speaker 1: you ran into them like twenty years later and they

977
00:51:40,920 --> 00:51:42,880
Speaker 1: just kind of they weren't what they used to be,

978
00:51:43,200 --> 00:51:44,600
Speaker 1: and maybe back then they were kind of a jerk

979
00:51:44,640 --> 00:51:46,600
Speaker 1: to you, and you're like, uh huh, see what happens?

980
00:51:46,800 --> 00:51:49,000
Speaker 1: You want to ask me a people I know know

981
00:51:49,160 --> 00:51:54,200
Speaker 1: that crest and burned. I was asking. I was asking

982
00:51:54,239 --> 00:51:56,440
Speaker 1: that a nicer way. I was trying to go around, then,

983
00:51:56,520 --> 00:51:59,239
Speaker 1: a nicer way. You are people that I met that

984
00:51:59,400 --> 00:52:04,120
Speaker 1: now are nobody. Again, I'm not saying nobody. From my experience,

985
00:52:04,160 --> 00:52:05,560
Speaker 1: there have been people that have come in my studio

986
00:52:05,640 --> 00:52:07,680
Speaker 1: and really treating me like crap at one point, and

987
00:52:07,760 --> 00:52:10,439
Speaker 1: then all of a sudden they hit a down spur,

988
00:52:10,520 --> 00:52:11,560
Speaker 1: and now all of a sudden they're trying to be

989
00:52:11,640 --> 00:52:13,360
Speaker 1: your best friend again. And I'm like, were you treating

990
00:52:13,400 --> 00:52:15,560
Speaker 1: me like crap? The last time I saw you? Were

991
00:52:16,040 --> 00:52:21,719
Speaker 1: dark boy? You had all my whole life people and

992
00:52:22,000 --> 00:52:26,160
Speaker 1: Larry King just died. I've met him, you know. But no,

993
00:52:26,280 --> 00:52:28,960
Speaker 1: I don't have a list of people who well come

994
00:52:29,000 --> 00:52:32,839
Speaker 1: of them. I mean I had, oh, what was his um,

995
00:52:33,040 --> 00:52:36,200
Speaker 1: Michael Douglas's brother. You know, he came in and he

996
00:52:36,400 --> 00:52:40,640
Speaker 1: was doing uh uh cocaine on the show. And then

997
00:52:41,160 --> 00:52:43,960
Speaker 1: indeed a little while later, does that count. Yeah, that's

998
00:52:44,000 --> 00:52:46,239
Speaker 1: a great story. He was doing coke. Oh god, he

999
00:52:46,400 --> 00:52:48,920
Speaker 1: was so mad at me. Oh my god. He literally

1000
00:52:48,920 --> 00:52:52,960
Speaker 1: he was sniffling, and I said, you know, could I

1001
00:52:53,040 --> 00:52:54,759
Speaker 1: give you a tissue which is like a tissue and

1002
00:52:54,800 --> 00:52:57,880
Speaker 1: he got all mad because he equated that with the

1003
00:52:57,960 --> 00:53:00,280
Speaker 1: fact that he was doing blow right there in this studio.

1004
00:53:00,280 --> 00:53:03,120
Speaker 1: I didn't mean anything by it, you know, do you

1005
00:53:04,320 --> 00:53:06,760
Speaker 1: do you remember back your very first break doing the mornings,

1006
00:53:06,800 --> 00:53:10,279
Speaker 1: and you know when when the show launched, and any one, well, uh,

1007
00:53:10,840 --> 00:53:14,080
Speaker 1: I was I was a rocker, you know, and I

1008
00:53:14,200 --> 00:53:17,920
Speaker 1: got this job at Kiss and back then, uh, they

1009
00:53:17,960 --> 00:53:20,719
Speaker 1: were changing from disco, but they were still kind of

1010
00:53:20,840 --> 00:53:24,360
Speaker 1: a disco station really when I started, and I was

1011
00:53:24,400 --> 00:53:27,560
Speaker 1: a rocker, so it was humiliating to all my friends.

1012
00:53:27,600 --> 00:53:30,080
Speaker 1: And I worked at kids, you know, disco songs and

1013
00:53:30,160 --> 00:53:34,160
Speaker 1: all that. Yeah, I really wasn't I couldn't really tell

1014
00:53:34,200 --> 00:53:38,759
Speaker 1: anybody that I went to Kiss there, I honest to God,

1015
00:53:41,520 --> 00:53:44,000
Speaker 1: ask to God. I had a girlfriend at the time.

1016
00:53:44,080 --> 00:53:48,200
Speaker 1: I wonder whatever happened, But I said, look, I had

1017
00:53:48,239 --> 00:53:50,759
Speaker 1: a TV show, late night TV talk show, and they

1018
00:53:50,840 --> 00:53:53,399
Speaker 1: hired me a Kiss and I said, you know, I'm

1019
00:53:53,440 --> 00:53:57,360
Speaker 1: a I'll see so you know, I went to the

1020
00:53:57,480 --> 00:54:00,239
Speaker 1: boss of the TV station and I said, you know,

1021
00:54:00,360 --> 00:54:03,919
Speaker 1: I got this offer for you know, a radio thing.

1022
00:54:04,080 --> 00:54:05,960
Speaker 1: But I don't know if I mean I'd rather stay

1023
00:54:06,000 --> 00:54:08,880
Speaker 1: on TV, and the guy looked at me and smiled

1024
00:54:08,920 --> 00:54:12,279
Speaker 1: and said, take the radio gigs. So you know, I

1025
00:54:12,320 --> 00:54:15,600
Speaker 1: appreciate his honestly. That my TV career was coming to

1026
00:54:15,719 --> 00:54:18,520
Speaker 1: an end, you know, And I went to Kiss and

1027
00:54:18,560 --> 00:54:20,719
Speaker 1: I told my girlfriend at the time, I said, I'll

1028
00:54:20,719 --> 00:54:22,560
Speaker 1: do it for a couple of months and then I'll

1029
00:54:22,560 --> 00:54:26,000
Speaker 1: go back on TREV. So that was literally almost to

1030
00:54:26,120 --> 00:54:29,440
Speaker 1: the day, forty years ago. I was here. I am

1031
00:54:30,440 --> 00:54:33,000
Speaker 1: still here, Yeah, still here. I was watching the BGS

1032
00:54:33,040 --> 00:54:35,719
Speaker 1: documentary on HBO Max where they talk about you know,

1033
00:54:35,800 --> 00:54:38,000
Speaker 1: they had many sounds, but their biggest was Saturday at

1034
00:54:38,080 --> 00:54:41,399
Speaker 1: Fever the soundtrack, and then once Disco died, they went

1035
00:54:41,480 --> 00:54:44,879
Speaker 1: from being cool to being basically, you know, a fry

1036
00:54:44,960 --> 00:54:47,040
Speaker 1: where nobody wanted to deal with them at all because

1037
00:54:47,080 --> 00:54:51,720
Speaker 1: everybody was embarrassed by Disco. Do you remember that at all? Sure?

1038
00:54:52,320 --> 00:54:54,000
Speaker 1: What else? What I was saying, I mean, like, how

1039
00:54:54,040 --> 00:54:57,360
Speaker 1: could you like my friends, you know, my stoner rocker friends.

1040
00:54:57,840 --> 00:55:00,920
Speaker 1: You're going to work for Kiss? Went await that disco station?

1041
00:55:01,719 --> 00:55:03,879
Speaker 1: I said, Well, I lost my TV gig and they're

1042
00:55:03,920 --> 00:55:06,600
Speaker 1: the only ones that called me, you know. So yeah,

1043
00:55:07,160 --> 00:55:08,920
Speaker 1: but again, I was only going to do it for

1044
00:55:08,960 --> 00:55:11,080
Speaker 1: a couple of months, and I don't know if something

1045
00:55:11,160 --> 00:55:15,319
Speaker 1: happened and I'm still here. Do you ever have celebrities

1046
00:55:15,360 --> 00:55:17,640
Speaker 1: over to your house. I had a studio in my

1047
00:55:17,920 --> 00:55:19,839
Speaker 1: house at one point and I was talking to Al

1048
00:55:19,960 --> 00:55:22,880
Speaker 1: Gore and he was running for president. He was at

1049
00:55:22,920 --> 00:55:25,759
Speaker 1: the time the vice president of the United States. And

1050
00:55:26,040 --> 00:55:29,600
Speaker 1: my twin girls, who were like, I don't know, five

1051
00:55:29,680 --> 00:55:33,480
Speaker 1: years old at the time or something, came blasting into

1052
00:55:33,560 --> 00:55:36,920
Speaker 1: the studio, killing each other, you know, pulling air and

1053
00:55:37,080 --> 00:55:39,840
Speaker 1: yelling and screaming, and I to deal him on the

1054
00:55:40,400 --> 00:55:43,239
Speaker 1: air right now, girls with the vice president of the

1055
00:55:43,320 --> 00:55:45,960
Speaker 1: United States that they didn't seem to care at all.

1056
00:55:46,920 --> 00:55:50,160
Speaker 1: They didn't care at all. Yeah. Do you know if

1057
00:55:50,480 --> 00:55:53,239
Speaker 1: Tom Brady listened to your show? I hope he didn't

1058
00:55:53,320 --> 00:55:57,600
Speaker 1: listen to the show this year down on well, he

1059
00:55:57,760 --> 00:56:00,640
Speaker 1: left us. You know, Bob, you can't do that. You know,

1060
00:56:01,640 --> 00:56:04,279
Speaker 1: we're all rooting for him now going to the super Bowl,

1061
00:56:04,880 --> 00:56:07,400
Speaker 1: But God, earlier this year the way he left and

1062
00:56:07,960 --> 00:56:10,600
Speaker 1: you know, most commercials, I'm not going into where I'm

1063
00:56:10,640 --> 00:56:17,560
Speaker 1: still here. He was lying. You took that pretty hard, huh. Yeah.

1064
00:56:17,640 --> 00:56:22,440
Speaker 1: I interviewed Tom one time and he was at a studio,

1065
00:56:22,560 --> 00:56:24,520
Speaker 1: went Tom ready, kind of you go to him, you know,

1066
00:56:24,640 --> 00:56:27,880
Speaker 1: he didn't come to us. And uh, he was getting

1067
00:56:28,840 --> 00:56:32,840
Speaker 1: blonde tips of his hair. It's kind of, you know,

1068
00:56:33,040 --> 00:56:36,000
Speaker 1: for a regular old rocker guy. I was sort of embarrassing.

1069
00:56:36,320 --> 00:56:38,879
Speaker 1: You know. Did you like it? Did you like Tom

1070
00:56:39,920 --> 00:56:43,359
Speaker 1: like as a guy? Was he a cool guy? Well?

1071
00:56:43,400 --> 00:56:47,440
Speaker 1: Like I said, he was getting blonde there. I'm going

1072
00:56:47,480 --> 00:56:49,480
Speaker 1: to come with this. You know, it's not how I

1073
00:56:49,640 --> 00:56:53,400
Speaker 1: was raised. Yeah, he was. Okay, he was a pro.

1074
00:56:53,880 --> 00:56:56,560
Speaker 1: You know, it was good. Most of the people. I'm

1075
00:56:56,560 --> 00:56:58,480
Speaker 1: sure you've found the same thing, Bobby, that most of

1076
00:56:58,480 --> 00:57:01,640
Speaker 1: the people you made are fine, are nice. We only

1077
00:57:01,640 --> 00:57:05,200
Speaker 1: have a couple of bad ones, you know, until will

1078
00:57:05,200 --> 00:57:07,960
Speaker 1: never have her on again? Okay, nice, Now we're getting somewhere.

1079
00:57:08,239 --> 00:57:12,279
Speaker 1: Marissa Tomy, what happened? Because I listen, I can give

1080
00:57:12,280 --> 00:57:15,399
Speaker 1: you Wendy Williams is the worst I've ever interviewed. Will

1081
00:57:15,400 --> 00:57:18,080
Speaker 1: never have her on again. She's awful, Her husband tried

1082
00:57:18,120 --> 00:57:20,000
Speaker 1: to beat her husband tried to beat me up after

1083
00:57:20,360 --> 00:57:25,120
Speaker 1: Wendy Williams the talk show host awful. Yeah, and you

1084
00:57:25,200 --> 00:57:30,480
Speaker 1: know what else is bead um? Oh, Drew Barrymore, what

1085
00:57:30,880 --> 00:57:37,120
Speaker 1: happened there? Well, Usually the ones that are bad are like, um,

1086
00:57:37,440 --> 00:57:40,440
Speaker 1: you know, they make a movie and they're supposed to

1087
00:57:40,480 --> 00:57:43,640
Speaker 1: go see the movie before they come on. And so

1088
00:57:43,840 --> 00:57:45,920
Speaker 1: when she realized I didn't see her movie, she had

1089
00:57:46,360 --> 00:57:50,680
Speaker 1: had attitude, you know, like she goes like, whoa, what

1090
00:57:50,760 --> 00:57:52,880
Speaker 1: do you mean you didn't see my movie? And I go, whoa?

1091
00:57:53,000 --> 00:57:57,280
Speaker 1: You ever heard my radio show? So you know, hey,

1092
00:57:58,280 --> 00:58:01,680
Speaker 1: yeah that's not right. But yeah, and then there was

1093
00:58:01,760 --> 00:58:04,160
Speaker 1: the guy doing blow in the studio. I told you

1094
00:58:04,200 --> 00:58:07,240
Speaker 1: about him. You ever think of writing a book? For

1095
00:58:07,320 --> 00:58:09,680
Speaker 1: the most part, guys, everybody was. You know, it's been

1096
00:58:09,960 --> 00:58:12,920
Speaker 1: a great run. You know. Let me ask about radio

1097
00:58:13,000 --> 00:58:15,640
Speaker 1: specifically for for a minute. How many phone calls back

1098
00:58:15,760 --> 00:58:18,080
Speaker 1: in like the nineties and early two thousands would you

1099
00:58:18,120 --> 00:58:22,200
Speaker 1: get for song requests versus now? Because it's just not

1100
00:58:22,400 --> 00:58:25,400
Speaker 1: the same animal as far as getting in touch with us.

1101
00:58:25,720 --> 00:58:27,680
Speaker 1: But that's so weird you should say that because we're

1102
00:58:27,760 --> 00:58:31,919
Speaker 1: just talking about that today. Yeah, people are different, they don't.

1103
00:58:32,680 --> 00:58:35,200
Speaker 1: I mean, people listen to the radio in the car,

1104
00:58:35,400 --> 00:58:38,800
Speaker 1: but you know, their favorite songs, they've already you know,

1105
00:58:39,040 --> 00:58:41,480
Speaker 1: heard them, you know, whether it be our app, the

1106
00:58:41,560 --> 00:58:46,120
Speaker 1: I Heart app ordor Pandora or Spotify or you know

1107
00:58:46,160 --> 00:58:51,120
Speaker 1: what I mean, Like, you're right that people in modern

1108
00:58:51,200 --> 00:58:53,960
Speaker 1: times have so many ways to get the music. The

1109
00:58:54,040 --> 00:58:57,200
Speaker 1: funny thing is it's good for business because you know

1110
00:58:57,680 --> 00:59:00,360
Speaker 1: they're not coming for the music. They're coming for for us,

1111
00:59:01,560 --> 00:59:05,040
Speaker 1: mostly you, but a little bit of me, you know

1112
00:59:05,080 --> 00:59:07,280
Speaker 1: what I mean, a lot of you. If you had

1113
00:59:07,360 --> 00:59:09,560
Speaker 1: to pick the number, this is a tough one. The

1114
00:59:09,640 --> 00:59:12,720
Speaker 1: number one most requested song of your career, where you're like,

1115
00:59:12,840 --> 00:59:15,240
Speaker 1: this song was so freaking big you couldn't turn a

1116
00:59:15,360 --> 00:59:18,320
Speaker 1: corner and it would not be splashing right in front

1117
00:59:18,320 --> 00:59:21,080
Speaker 1: of your face. What's the number one most requested song

1118
00:59:21,120 --> 00:59:24,840
Speaker 1: of your career? But I don't really listen to the music.

1119
00:59:27,440 --> 00:59:29,400
Speaker 1: But that doesn't mean you're not in the room or

1120
00:59:29,440 --> 00:59:32,280
Speaker 1: you're not with a program director. So yeah, I mean,

1121
00:59:32,400 --> 00:59:36,080
Speaker 1: they like even nowadays, like just In just like for

1122
00:59:36,240 --> 00:59:39,240
Speaker 1: me the music I listened to country music. I was

1123
00:59:39,320 --> 00:59:42,200
Speaker 1: listening to you way little longer than I would listen

1124
00:59:42,240 --> 00:59:47,720
Speaker 1: to me. For Oh my god, I would like to

1125
00:59:48,040 --> 00:59:50,800
Speaker 1: ever heard of Justin Bieber song play every five minutes?

1126
00:59:51,240 --> 00:59:54,120
Speaker 1: Oh it's awful. Which one are you playing? I'm find

1127
00:59:54,160 --> 00:59:56,040
Speaker 1: of Justin Bieber? Which song do you hate the most?

1128
00:59:57,440 --> 01:00:05,560
Speaker 1: I hate the most? H lonely lovely. Yeah. Yeah, it's

1129
01:00:05,600 --> 01:00:10,160
Speaker 1: not even good yodeling. It's like gooler. You know, I

1130
01:00:10,240 --> 01:00:13,080
Speaker 1: would like it. It's not it's bad yodeling, you know.

1131
01:00:14,000 --> 01:00:20,439
Speaker 1: Oh man, I like it. I think that's a pretty

1132
01:00:20,480 --> 01:00:24,280
Speaker 1: good song. But that we have different tastes obviously. Um. Well,

1133
01:00:24,680 --> 01:00:26,720
Speaker 1: you know what's weird when you do a country show.

1134
01:00:27,560 --> 01:00:30,400
Speaker 1: That's what I like. On my fortie anniversary, Lee Brice

1135
01:00:30,520 --> 01:00:35,400
Speaker 1: calls me right and I lovely Bryce, you know, because

1136
01:00:35,600 --> 01:00:38,840
Speaker 1: it's our song, my wife and I it's our song

1137
01:00:39,640 --> 01:00:42,959
Speaker 1: hard to love. You and your wife have been together

1138
01:00:43,040 --> 01:00:46,200
Speaker 1: for how long? What's the what's the what's the key

1139
01:00:46,240 --> 01:00:50,600
Speaker 1: to that? That that successful marriage? We um acknowledge it

1140
01:00:51,240 --> 01:00:55,880
Speaker 1: that having a really good marriages. Um, it is rare

1141
01:00:56,200 --> 01:00:59,400
Speaker 1: at times. And uh and we're really good at that,

1142
01:01:00,120 --> 01:01:03,120
Speaker 1: really good at Um. Well, it's a it's an. It's

1143
01:01:03,160 --> 01:01:05,800
Speaker 1: an it's another Lee Bryance song. You know. The song

1144
01:01:06,000 --> 01:01:07,600
Speaker 1: was a love like crazy or ever and he said,

1145
01:01:07,680 --> 01:01:09,960
Speaker 1: never get too old to call her baby, and you

1146
01:01:10,040 --> 01:01:13,880
Speaker 1: know overuse I love you tell you Lee, Bryce is

1147
01:01:13,920 --> 01:01:16,040
Speaker 1: my god. You are literally is You're a real life

1148
01:01:16,120 --> 01:01:21,840
Speaker 1: Lee Brice fan. You've not quoted two songs. Yeah, yeah, so, um,

1149
01:01:22,920 --> 01:01:25,360
Speaker 1: not legit, I mean, but I'm glad you asked because

1150
01:01:25,400 --> 01:01:28,800
Speaker 1: that's of of my life. Uh. You know, I've been

1151
01:01:28,880 --> 01:01:32,240
Speaker 1: married before, so I know what a bad marriage feels like. Um.

1152
01:01:32,680 --> 01:01:36,480
Speaker 1: And so we're very lucky, and I'm I'm lucky. I

1153
01:01:36,520 --> 01:01:38,960
Speaker 1: don't know if she's lucky, but I'm lucky. You know,

1154
01:01:39,040 --> 01:01:42,000
Speaker 1: we have a great marriage. What time do you wake

1155
01:01:42,080 --> 01:01:45,760
Speaker 1: up in the morning these days? A couple of minutes

1156
01:01:45,840 --> 01:01:49,160
Speaker 1: before the show starts? You know, do you have to

1157
01:01:49,280 --> 01:01:51,400
Speaker 1: do right? Do you have a fancy driver? Does someone

1158
01:01:51,480 --> 01:01:54,400
Speaker 1: drive you to work? No, I'm out of my house now,

1159
01:01:55,240 --> 01:01:58,000
Speaker 1: okay with the pandemic, Yeah, I'm moved. I don't even

1160
01:01:58,040 --> 01:02:02,040
Speaker 1: live in Boston anymore. Wait, that's not true. I don't

1161
01:02:02,040 --> 01:02:04,920
Speaker 1: know if you're messing with me or not. No, I'm

1162
01:02:04,960 --> 01:02:08,040
Speaker 1: not messing me. I live in Florida. I lived in

1163
01:02:08,080 --> 01:02:13,680
Speaker 1: Palm Beach, yep it is. Did the listeners know that, Well,

1164
01:02:13,800 --> 01:02:16,040
Speaker 1: they didn't know that the first year. Well it was

1165
01:02:16,160 --> 01:02:19,040
Speaker 1: the pandemic. Then, like I had a place in Florida

1166
01:02:19,400 --> 01:02:22,840
Speaker 1: and we were down here a couple of winners ago.

1167
01:02:23,240 --> 01:02:26,440
Speaker 1: And you know, I was broadcasting from a studio down

1168
01:02:26,520 --> 01:02:32,120
Speaker 1: there in West Palm And Um, so with the pandemic

1169
01:02:32,240 --> 01:02:35,720
Speaker 1: and craziness, and we were number one in the ratings,

1170
01:02:35,800 --> 01:02:37,760
Speaker 1: so you know, I kind of do what I want.

1171
01:02:37,880 --> 01:02:40,640
Speaker 1: And um, I asked if I could build a studio

1172
01:02:40,720 --> 01:02:43,840
Speaker 1: in my house and broadcast from my house and they

1173
01:02:43,880 --> 01:02:46,439
Speaker 1: said sure. And you know, like I see my whole

1174
01:02:46,480 --> 01:02:49,680
Speaker 1: team on screens and everything. You know, do you think

1175
01:02:49,720 --> 01:02:52,200
Speaker 1: you'll do well? You do that for the rest of

1176
01:02:52,280 --> 01:02:57,600
Speaker 1: your career? Oh god, you think I'm going back to

1177
01:02:57,680 --> 01:03:01,160
Speaker 1: Boston five degrees there? I got off the golf course.

1178
01:03:01,640 --> 01:03:04,440
Speaker 1: Are you kidding? Yeah? No, I ain't tol him back.

1179
01:03:04,760 --> 01:03:06,640
Speaker 1: I mean I miss it. I mean I love that

1180
01:03:06,760 --> 01:03:09,240
Speaker 1: town and they were great for me and still are.

1181
01:03:09,480 --> 01:03:12,840
Speaker 1: But you know, I mean I'm on you know, I'm

1182
01:03:12,880 --> 01:03:15,840
Speaker 1: on the I want the back nine. Actually I'm walking

1183
01:03:15,880 --> 01:03:18,880
Speaker 1: off the eighteen fairway right now. And how much longer

1184
01:03:18,960 --> 01:03:22,160
Speaker 1: can I do this? That's the question. How much longer

1185
01:03:22,280 --> 01:03:24,560
Speaker 1: do you plan to do that? I mean, I got

1186
01:03:24,600 --> 01:03:27,560
Speaker 1: a couple more years of my contract. Um what I

1187
01:03:27,600 --> 01:03:29,680
Speaker 1: would I'd like to have the Howard Stern deal or

1188
01:03:29,760 --> 01:03:32,920
Speaker 1: you work like three days a week. I'd be good. Um,

1189
01:03:33,960 --> 01:03:37,600
Speaker 1: but yeah, I like the money, you know, I mean.

1190
01:03:38,400 --> 01:03:40,640
Speaker 1: So they answer a question a couple of years. Problem.

1191
01:03:41,760 --> 01:03:45,200
Speaker 1: At what point in your radio career did you feel like, man, financially,

1192
01:03:45,360 --> 01:03:47,800
Speaker 1: like I'm doing pretty freaking good. Didn't quite expect it

1193
01:03:47,920 --> 01:03:50,720
Speaker 1: like this. Well, I I don't know how much you

1194
01:03:50,840 --> 01:03:54,480
Speaker 1: make more than I should, Maddie. Yeah, I don't make

1195
01:03:54,600 --> 01:03:58,600
Speaker 1: Bobby Bone's money, but you know, you know, well, with

1196
01:03:58,920 --> 01:04:03,440
Speaker 1: seven figures out, I've been making like I can't believe

1197
01:04:03,440 --> 01:04:08,160
Speaker 1: they're paying me this money probably ten years. Yeah, and

1198
01:04:09,480 --> 01:04:11,320
Speaker 1: they've been great. I mean, you're an I heeart guy.

1199
01:04:11,440 --> 01:04:14,680
Speaker 1: You know, they good little company. They take care of us.

1200
01:04:15,640 --> 01:04:18,800
Speaker 1: I think that they do. Yeah, yeah, yeah, yeah. Okay,

1201
01:04:18,880 --> 01:04:20,440
Speaker 1: Well do you still enjoy it? I'm gonna ask you

1202
01:04:20,560 --> 01:04:22,760
Speaker 1: that here you are forty years then you wake up

1203
01:04:22,800 --> 01:04:24,600
Speaker 1: in the morning. It's it takes me about an hour

1204
01:04:24,720 --> 01:04:26,880
Speaker 1: to get into the show before I start to feel loose.

1205
01:04:27,360 --> 01:04:30,520
Speaker 1: But do you ever do you still enjoy it? I do? Well.

1206
01:04:30,600 --> 01:04:32,400
Speaker 1: First of all, they're like my best friends. I mean,

1207
01:04:32,600 --> 01:04:36,600
Speaker 1: Billy Costa, who is my you know wingman on the show. Uh,

1208
01:04:36,880 --> 01:04:39,240
Speaker 1: he worked best friends in real life and he's my

1209
01:04:39,320 --> 01:04:43,080
Speaker 1: best friend. So I do the show with my best friend.

1210
01:04:43,640 --> 01:04:49,320
Speaker 1: So that's like really great. Uh. The downside is, you

1211
01:04:49,400 --> 01:04:51,600
Speaker 1: know a lot of this stuff. We talked about his

1212
01:04:51,680 --> 01:04:54,280
Speaker 1: top boy station. You know, like, do I care that

1213
01:04:54,440 --> 01:04:57,680
Speaker 1: holds me is having a baby? I mean no offense,

1214
01:04:57,840 --> 01:05:02,760
Speaker 1: but someone saying that's best the downside, you know, but

1215
01:05:03,680 --> 01:05:06,880
Speaker 1: other than that pretty good. Why not flip over and

1216
01:05:06,960 --> 01:05:10,360
Speaker 1: go do talk or go? Do you know a format

1217
01:05:10,400 --> 01:05:13,360
Speaker 1: where the audience is a bit older? They pay me

1218
01:05:13,520 --> 01:05:16,840
Speaker 1: millions of dollars to talk about all these pregnancies so

1219
01:05:20,240 --> 01:05:22,280
Speaker 1: that it leaves you know, I mean it's kind of

1220
01:05:22,360 --> 01:05:25,880
Speaker 1: like the thing about it, that's that's so unbelievable, and

1221
01:05:25,920 --> 01:05:29,440
Speaker 1: I know you can relate to this, so unbelievable that

1222
01:05:29,560 --> 01:05:32,400
Speaker 1: there are all these people out there who you know,

1223
01:05:32,840 --> 01:05:35,600
Speaker 1: have how do I put this, have a fondness for me?

1224
01:05:36,280 --> 01:05:38,880
Speaker 1: You know, I don't. I can't believe it. Like you know,

1225
01:05:38,960 --> 01:05:42,800
Speaker 1: you say, I'm humble. I it's more than humble. It's shocking,

1226
01:05:43,760 --> 01:05:46,400
Speaker 1: you know, it's just shocking that I you know, I

1227
01:05:46,480 --> 01:05:49,520
Speaker 1: go to a restaurant and Boston and everybody comes over.

1228
01:05:49,640 --> 01:05:53,200
Speaker 1: It's high, and that's like whoever would a dream bass?

1229
01:05:54,160 --> 01:05:57,400
Speaker 1: That's crazy? Did you ever have an issue with crazy

1230
01:05:57,560 --> 01:06:02,600
Speaker 1: is coming to your house or physically threatening you? Amazingly? No,

1231
01:06:03,120 --> 01:06:06,480
Speaker 1: I mean sort of kind of once. Um, you know,

1232
01:06:06,640 --> 01:06:10,640
Speaker 1: back when I was single, and you know, maybe uh,

1233
01:06:11,040 --> 01:06:13,480
Speaker 1: you know, I think one time, I like, what are

1234
01:06:13,520 --> 01:06:15,760
Speaker 1: those in the days where you do gigs or clubs.

1235
01:06:16,040 --> 01:06:19,480
Speaker 1: You know, you'd be out and you'd be buzzed and

1236
01:06:20,160 --> 01:06:23,960
Speaker 1: maybe occasionally say the wrong thing to a girl that

1237
01:06:24,280 --> 01:06:28,320
Speaker 1: was attached to someone much bigger than me. You know,

1238
01:06:28,840 --> 01:06:32,560
Speaker 1: stuff like that a couple of times. But nothing politically.

1239
01:06:33,280 --> 01:06:36,840
Speaker 1: You know, I'm not a Trump fan, so when I

1240
01:06:36,920 --> 01:06:40,480
Speaker 1: find say stuff about Trump that's negative, you know, I've

1241
01:06:40,520 --> 01:06:44,640
Speaker 1: gotten a few emails, you know, um, you know, shut

1242
01:06:44,720 --> 01:06:47,280
Speaker 1: up and play a record or whatever they say. But

1243
01:06:48,240 --> 01:06:51,680
Speaker 1: never anything. I've never felt in danger. I knew a

1244
01:06:51,800 --> 01:06:55,720
Speaker 1: guy and Tusun Arizona killed. Remember that story. This is

1245
01:06:55,760 --> 01:06:58,680
Speaker 1: a long time ago. No tell me about it. He

1246
01:06:58,760 --> 01:07:01,240
Speaker 1: got shot. I got shot. He said something. You know,

1247
01:07:01,440 --> 01:07:06,160
Speaker 1: somebody pulled up to him and the car and shot him. Imagine. Man, No,

1248
01:07:06,440 --> 01:07:08,520
Speaker 1: I have been very lucky in that regard. Did they

1249
01:07:08,520 --> 01:07:10,120
Speaker 1: shoot him because of something he said on the air?

1250
01:07:10,680 --> 01:07:12,439
Speaker 1: I got shot? Yeah? It was it because he says

1251
01:07:12,440 --> 01:07:15,040
Speaker 1: something on a show that that irritated someone. Yeah, I

1252
01:07:15,080 --> 01:07:16,920
Speaker 1: don't know, I mean that was the guest. I mean,

1253
01:07:16,960 --> 01:07:18,240
Speaker 1: it could have been a loved one. You know, it

1254
01:07:18,240 --> 01:07:21,600
Speaker 1: could have been a jealous guy or something, but you

1255
01:07:21,680 --> 01:07:24,560
Speaker 1: know he was literally leaving the radio session in his car.

1256
01:07:25,080 --> 01:07:26,880
Speaker 1: When you were a morning guy at Kissed One Away

1257
01:07:26,880 --> 01:07:28,720
Speaker 1: when it first started or even the nineties, did you

1258
01:07:28,760 --> 01:07:30,800
Speaker 1: ever have any other radio guys you looked at it said, dang,

1259
01:07:31,000 --> 01:07:33,320
Speaker 1: like I admire what they're doing. I'd like to do

1260
01:07:33,440 --> 01:07:36,080
Speaker 1: something not the same, but I'd like to kind of

1261
01:07:36,160 --> 01:07:38,400
Speaker 1: have that same path. Well, when I was coming up,

1262
01:07:38,480 --> 01:07:40,000
Speaker 1: I grew up in New York, and you know there

1263
01:07:40,000 --> 01:07:41,920
Speaker 1: are a lot of New York guys and the rock

1264
01:07:42,040 --> 01:07:46,760
Speaker 1: stations that I liked. Um, they're all along gone now.

1265
01:07:47,240 --> 01:07:54,120
Speaker 1: I mean, um, yeah, I mean yeah, Jimmy Rabbit, you

1266
01:07:54,200 --> 01:07:57,240
Speaker 1: just gotta go way back. Jonathan Schwartz out of New York.

1267
01:07:57,320 --> 01:08:00,200
Speaker 1: I was a fan offest. Um, we're you're talking been

1268
01:08:00,480 --> 01:08:05,400
Speaker 1: a thousand years ago, you know. Um when I first started,

1269
01:08:06,080 --> 01:08:09,520
Speaker 1: and I, um, I didn't not add Top forty. You know,

1270
01:08:09,680 --> 01:08:13,080
Speaker 1: I was a rocker, I was saying. And so they

1271
01:08:13,160 --> 01:08:15,800
Speaker 1: sent me to l A and sitting with Ricky's. Remember

1272
01:08:15,880 --> 01:08:20,280
Speaker 1: Ricky's do it? Well? Yeah, yeah, the company sent me

1273
01:08:20,400 --> 01:08:24,000
Speaker 1: to sit in with rick and you know, watch what

1274
01:08:24,120 --> 01:08:26,760
Speaker 1: he does, but we have a very different kind of show.

1275
01:08:27,479 --> 01:08:31,000
Speaker 1: How was he? How was rick D's to you when

1276
01:08:31,040 --> 01:08:35,000
Speaker 1: you met him? Polite? You know, we're from you know,

1277
01:08:35,120 --> 01:08:39,280
Speaker 1: it's very different, is the Southerner. And he said to me,

1278
01:08:39,479 --> 01:08:42,240
Speaker 1: so you're of the Jewish faith that I'm an Oh boy,

1279
01:08:42,320 --> 01:08:46,200
Speaker 1: where's this going? You know, it's like memory of Ricky's.

1280
01:08:46,360 --> 01:08:50,160
Speaker 1: But it was fine. That's it's much better than me.

1281
01:08:50,560 --> 01:08:52,400
Speaker 1: How how good are you a golf now? I would

1282
01:08:52,400 --> 01:08:55,519
Speaker 1: always hear that you would leave the show, finish your meetings,

1283
01:08:55,880 --> 01:08:58,160
Speaker 1: and you have a tea time basically every day. Yeah,

1284
01:08:58,200 --> 01:09:01,400
Speaker 1: but that there's no reflection on my love of the

1285
01:09:01,479 --> 01:09:04,400
Speaker 1: game and my ability to play the game. That they

1286
01:09:04,479 --> 01:09:08,600
Speaker 1: don't jubtail at all. You would think that amount of

1287
01:09:08,640 --> 01:09:11,400
Speaker 1: golf I play that I would somehow have gotten the

1288
01:09:11,479 --> 01:09:17,400
Speaker 1: hangout it, but you know I haven't. Yeah, I think

1289
01:09:17,439 --> 01:09:20,479
Speaker 1: I spend more money on golf ball than anything. What's

1290
01:09:20,479 --> 01:09:23,479
Speaker 1: your hand what's your handicap? Though, Let's be real, I'm horrible,

1291
01:09:23,760 --> 01:09:27,720
Speaker 1: like a seven, you know, like, yeah, I mean I

1292
01:09:27,760 --> 01:09:32,160
Speaker 1: should be better than that, but go yeah, well I

1293
01:09:32,280 --> 01:09:34,400
Speaker 1: look at you and dancing with the stars, you're probably

1294
01:09:34,439 --> 01:09:38,240
Speaker 1: like a nine. I mean, if I'm really playing a lot.

1295
01:09:38,280 --> 01:09:40,839
Speaker 1: I just travel so much. I've probably about an eleven

1296
01:09:41,400 --> 01:09:44,599
Speaker 1: right now, I knew it. Yeah, well you're that guy. Hey,

1297
01:09:44,880 --> 01:09:47,760
Speaker 1: you know when those black glasses you wear, is there

1298
01:09:47,880 --> 01:09:52,240
Speaker 1: a prescription in there? Absolutely no. My right my right

1299
01:09:52,320 --> 01:09:55,280
Speaker 1: eye doesn't work at all, and that's part of the issue.

1300
01:09:55,320 --> 01:09:57,800
Speaker 1: And in my left eyes fading as well. So I'm

1301
01:09:57,920 --> 01:10:00,040
Speaker 1: kind of dealing with two different issues. Want to protect I.

1302
01:10:00,560 --> 01:10:04,000
Speaker 1: I that's the only good eye, and you know the

1303
01:10:04,080 --> 01:10:06,560
Speaker 1: other one is actually a working lens. So yeah, that

1304
01:10:06,800 --> 01:10:11,360
Speaker 1: I'm definitely, you know, vision impaired. But do you ever

1305
01:10:11,840 --> 01:10:14,680
Speaker 1: talk to anybody or Asian or anything about doing contacts

1306
01:10:14,760 --> 01:10:17,519
Speaker 1: or something, because that's like it's sort of like you're saying,

1307
01:10:18,960 --> 01:10:21,920
Speaker 1: you know, well, I'm such a generic white guy, Like

1308
01:10:22,040 --> 01:10:24,080
Speaker 1: I'm just I'm not that good looking, but I'm okay,

1309
01:10:24,439 --> 01:10:27,800
Speaker 1: I'm I'm not extremely tall, but I'm tall enough. Like

1310
01:10:27,880 --> 01:10:31,400
Speaker 1: everything about me is just average. So yeah, through default,

1311
01:10:31,760 --> 01:10:33,880
Speaker 1: the glasses just kind of became my thing because I

1312
01:10:33,960 --> 01:10:37,519
Speaker 1: had nothing else about me. So I got a contact

1313
01:10:37,560 --> 01:10:40,160
Speaker 1: about three months ago for the first time ever because

1314
01:10:40,200 --> 01:10:41,840
Speaker 1: I have a new show that's coming out of that

1315
01:10:42,000 --> 01:10:44,519
Speaker 1: GEO and Disney plus a TV show, and I have

1316
01:10:44,600 --> 01:10:46,560
Speaker 1: to do some really crazy like active stuff, and so

1317
01:10:46,640 --> 01:10:48,120
Speaker 1: I got it just in case I lost my glasses,

1318
01:10:48,160 --> 01:10:52,840
Speaker 1: but otherwise I I wore my glasses. But hey, listen, listen,

1319
01:10:52,920 --> 01:10:55,280
Speaker 1: let me say this. I know that you've been, you know,

1320
01:10:55,960 --> 01:10:57,559
Speaker 1: a little funny with me. You kind of put down,

1321
01:10:57,680 --> 01:10:59,120
Speaker 1: you know, you acting like it's not a big deal.

1322
01:10:59,400 --> 01:11:02,840
Speaker 1: But let me, oh you. I admire you as a talent.

1323
01:11:03,000 --> 01:11:06,800
Speaker 1: I admire your longevity. I admire all the rules that

1324
01:11:07,000 --> 01:11:10,000
Speaker 1: you broke that allowed me to come along and kind

1325
01:11:10,040 --> 01:11:13,000
Speaker 1: of rebreak those rules and not get in as much

1326
01:11:13,080 --> 01:11:16,759
Speaker 1: trouble for it. And so you are massive to our industry.

1327
01:11:17,280 --> 01:11:20,200
Speaker 1: You are massive to Boston obviously a talent that I

1328
01:11:20,320 --> 01:11:22,840
Speaker 1: love so much. And you know, obviously I don't live there,

1329
01:11:23,080 --> 01:11:24,880
Speaker 1: but we're up there enough that I really feel like

1330
01:11:24,960 --> 01:11:26,639
Speaker 1: I love the people, and I just wanted to say

1331
01:11:26,680 --> 01:11:28,280
Speaker 1: thanks for what you do. You really set a great

1332
01:11:28,320 --> 01:11:30,400
Speaker 1: example for someone like me. Well, I don't know what

1333
01:11:30,520 --> 01:11:35,400
Speaker 1: to say, man, that just I'm you know, I don't yeah,

1334
01:11:35,760 --> 01:11:38,240
Speaker 1: I mean, like to me, it was like, just kept

1335
01:11:38,320 --> 01:11:40,640
Speaker 1: going to work and pay me, and so I go

1336
01:11:40,720 --> 01:11:44,080
Speaker 1: to work. But that's the fact that you feel that way,

1337
01:11:44,200 --> 01:11:47,040
Speaker 1: And I mean, my career means something to your careers.

1338
01:11:47,720 --> 01:11:52,040
Speaker 1: It's wonderful and honor that you feel that way. Well, congratulations,

1339
01:11:52,320 --> 01:11:55,320
Speaker 1: I aspire to have the longevity that you have, and

1340
01:11:55,439 --> 01:11:58,479
Speaker 1: thank you for spending a few minutes with Matty. Appreciate that. Well.

1341
01:11:59,680 --> 01:12:02,519
Speaker 1: I I can't say this enough. I just so flattered

1342
01:12:02,600 --> 01:12:05,479
Speaker 1: that you feel this way. I got the call to

1343
01:12:05,640 --> 01:12:08,360
Speaker 1: talk to you, and I go Bobby Bones on a

1344
01:12:08,560 --> 01:12:12,639
Speaker 1: hundred radio stations and TV and all that stuff. I'm

1345
01:12:12,680 --> 01:12:15,559
Speaker 1: just like a little DJ in Boston. So the fact

1346
01:12:15,600 --> 01:12:17,760
Speaker 1: that you feel that way is, you know, you just

1347
01:12:18,040 --> 01:12:21,439
Speaker 1: it's great. I really flattered. I'll let you get back

1348
01:12:21,479 --> 01:12:24,360
Speaker 1: to your warm lifestyle. It is twenty three degrees here

1349
01:12:24,439 --> 01:12:27,400
Speaker 1: right now, and hopefully one day i'll see you again.

1350
01:12:28,080 --> 01:12:30,439
Speaker 1: Let me ask you before you go. Yeah right, I'm

1351
01:12:30,479 --> 01:12:32,439
Speaker 1: trying to hit a draw off the tea and I

1352
01:12:32,560 --> 01:12:34,800
Speaker 1: can't do it. It keeps on loosening it to the right.

1353
01:12:35,040 --> 01:12:38,360
Speaker 1: You're right, you're right handed, I'm assumed assuming yes, yeah,

1354
01:12:38,400 --> 01:12:40,360
Speaker 1: I'm not finishing. Is that what I'm doing? So I'm

1355
01:12:40,439 --> 01:12:43,240
Speaker 1: left I'm left handed, and I have to finish extra

1356
01:12:43,360 --> 01:12:45,880
Speaker 1: hard to get that draw because I have a lot

1357
01:12:45,920 --> 01:12:50,600
Speaker 1: of trouble closing my hands. Just as an instinctually, I

1358
01:12:50,640 --> 01:12:52,760
Speaker 1: don't close my hands as much as I should, and

1359
01:12:52,920 --> 01:12:56,519
Speaker 1: so I I really have to get my my elbow in.

1360
01:12:57,120 --> 01:12:58,360
Speaker 1: I'm not telling you how to win your club, but

1361
01:12:58,400 --> 01:13:00,080
Speaker 1: for me have to make sure my elbow is in in.

1362
01:13:00,479 --> 01:13:02,479
Speaker 1: And then I'm already turning my hands earlier than I

1363
01:13:02,520 --> 01:13:04,280
Speaker 1: think I should. Don't listen to my tip, but that's

1364
01:13:04,280 --> 01:13:07,080
Speaker 1: what I have to do. That's a fantastic tip. And

1365
01:13:07,960 --> 01:13:11,080
Speaker 1: you know, someday we'll meet in person, and uh, we'll

1366
01:13:11,120 --> 01:13:13,200
Speaker 1: have a couple of beers. All right, Mattie, see you later,

1367
01:13:13,840 --> 01:13:14,439
Speaker 1: all right, bye bye,