1 00:00:01,760 --> 00:00:05,200 Speaker 1: And that's what you really missed with Jenna and Kevin 2 00:00:05,519 --> 00:00:12,719 Speaker 1: an iHeartRadio podcast missed. Really you what that end? Welcome? 3 00:00:13,160 --> 00:00:15,320 Speaker 1: I hate you so much. This is and that's what 4 00:00:15,440 --> 00:00:20,280 Speaker 1: you really missed. That hurt my brain so much. Oh 5 00:00:20,320 --> 00:00:26,880 Speaker 1: my god. Um, I'm Kevin, I'm Jenna in the reverse today. Um, 6 00:00:27,080 --> 00:00:35,959 Speaker 1: Welcome to the show. This is the power of Madonna. Madonna, Madonna, 7 00:00:36,080 --> 00:00:41,000 Speaker 1: Bobe Bogue. Though this is monumental episode for us. It 8 00:00:41,120 --> 00:00:45,640 Speaker 1: is the first tribute episode of several that we end 9 00:00:45,720 --> 00:00:49,800 Speaker 1: up doing. That's right, and you know I'm going to 10 00:00:49,840 --> 00:00:55,240 Speaker 1: be It's a great episode. Well one. Ryan Ropy directed it, 11 00:00:55,360 --> 00:01:00,840 Speaker 1: so leave it there. Um and and in preperation four, 12 00:01:01,800 --> 00:01:07,560 Speaker 1: some of the cast also did a TV Guide magazine 13 00:01:07,640 --> 00:01:12,880 Speaker 1: Glee Rocks Madonna episode or spread in the magazine, and 14 00:01:12,920 --> 00:01:17,080 Speaker 1: we all had different looks for Madonna, which was very cool. 15 00:01:17,440 --> 00:01:20,600 Speaker 1: There was a lot of promo for this one. Madonna 16 00:01:21,319 --> 00:01:26,199 Speaker 1: gave Glee her catalog and I guess said, go forth. 17 00:01:26,680 --> 00:01:30,600 Speaker 1: We also Kevin, well this one. Let's start with this one. 18 00:01:30,640 --> 00:01:35,000 Speaker 1: Aaron on April twentieth, twenty ten, and the number one 19 00:01:35,000 --> 00:01:40,560 Speaker 1: song was Rude Boy again, right, huh. Number one movie 20 00:01:40,720 --> 00:01:44,160 Speaker 1: was now kick Ass, which I also haven't seen You've 21 00:01:44,200 --> 00:01:46,600 Speaker 1: never seen kick Ass. Well, I'm not. I haven't seen 22 00:01:46,600 --> 00:01:49,840 Speaker 1: a lot of movies. You watched a lot of TV. 23 00:01:49,920 --> 00:01:53,840 Speaker 1: You don't see movies. I'm getting better because the husband 24 00:01:53,960 --> 00:01:57,440 Speaker 1: is a movie buff. So this week we also on 25 00:01:57,480 --> 00:02:02,360 Speaker 1: April seventeenth, we won that award for Outstanding Comedy Series, 26 00:02:03,320 --> 00:02:07,240 Speaker 1: and we also won the Future Classic at the eighth 27 00:02:07,280 --> 00:02:11,320 Speaker 1: Annuel TV Land Awards, which was at Sony Studios in 28 00:02:11,480 --> 00:02:14,440 Speaker 1: LA And I still have that my trophy. We got 29 00:02:14,520 --> 00:02:16,560 Speaker 1: another trophy that we got to take home. Yep, I 30 00:02:16,560 --> 00:02:18,560 Speaker 1: believe I still have that as well. Do you remember 31 00:02:18,560 --> 00:02:22,960 Speaker 1: who was sitting at our table? No? I remember we 32 00:02:23,000 --> 00:02:26,760 Speaker 1: got there and looking back and next to Jane was 33 00:02:26,840 --> 00:02:33,280 Speaker 1: Ann Coulter and I was at first filled with rage, 34 00:02:33,280 --> 00:02:34,840 Speaker 1: and then I was like, oh, I can't wait for 35 00:02:34,919 --> 00:02:37,720 Speaker 1: Jane to see she's sitting next to Ankold We really 36 00:02:37,760 --> 00:02:40,200 Speaker 1: I don't remember this, Yeah, And I was very confused 37 00:02:40,240 --> 00:02:44,200 Speaker 1: as to why she was there, why she was sitting 38 00:02:44,200 --> 00:02:47,880 Speaker 1: at our table. It's very inappropriate, it was very Additionally, 39 00:02:48,200 --> 00:02:52,640 Speaker 1: we recorded that Future Classic Award the same night as 40 00:02:52,639 --> 00:02:55,320 Speaker 1: the GLAD Awards. Do you remember that, Kevin where we 41 00:02:55,360 --> 00:02:58,919 Speaker 1: went to watch I changed outfits, changed looks, and then 42 00:02:58,960 --> 00:03:00,960 Speaker 1: we changed and went to the other one. It was 43 00:03:00,960 --> 00:03:03,160 Speaker 1: a quick It was a quickie. It was that was 44 00:03:03,200 --> 00:03:05,240 Speaker 1: a fun night. That was a fun night. All right, 45 00:03:05,320 --> 00:03:12,680 Speaker 1: let's get into this phenomenal episode with eight billion songs. Yeah. Um, 46 00:03:12,720 --> 00:03:16,040 Speaker 1: so obviously we are all big Madonna fans, but I 47 00:03:16,080 --> 00:03:19,960 Speaker 1: think Ryan was a huge Madonna fan, and Jane as 48 00:03:20,000 --> 00:03:21,920 Speaker 1: well said that on her pot and when she was 49 00:03:21,919 --> 00:03:24,920 Speaker 1: on the podcast. How many songs do we do in 50 00:03:24,960 --> 00:03:29,520 Speaker 1: this episode? There's eleven songs, but we don't perform all 51 00:03:29,560 --> 00:03:31,200 Speaker 1: of them. Some of them are just part of the score, 52 00:03:31,280 --> 00:03:34,320 Speaker 1: which is also great sort of Willy was always could 53 00:03:34,320 --> 00:03:37,400 Speaker 1: have been scored by Madonna music, but also like it's 54 00:03:37,440 --> 00:03:39,720 Speaker 1: I think it's the only time we had like music 55 00:03:39,840 --> 00:03:42,560 Speaker 1: quote unquote playing from the speakers in the hallway, So 56 00:03:42,640 --> 00:03:44,760 Speaker 1: it was just yeah scored, which I was like, why 57 00:03:44,760 --> 00:03:46,800 Speaker 1: don't we do that for more? It is a very 58 00:03:46,800 --> 00:03:49,520 Speaker 1: good idea, so fun. So the songs in this episode 59 00:03:49,600 --> 00:03:53,240 Speaker 1: are Ray of Light, Express Yourself, a mashup of Borderline 60 00:03:53,240 --> 00:03:58,840 Speaker 1: and Open your Heart, Frozen, Frozen, Like a Virgin, Justify 61 00:03:59,000 --> 00:04:02,640 Speaker 1: My Love, four Minutes, what it feels Like for a Girl, 62 00:04:02,840 --> 00:04:06,800 Speaker 1: and Like a Prayer, Wow, what a selection. I mean, 63 00:04:07,320 --> 00:04:09,480 Speaker 1: how do you pick? So you just do them all right, 64 00:04:09,600 --> 00:04:14,560 Speaker 1: right if you're in the writer's room. So the episode summary, 65 00:04:15,440 --> 00:04:18,840 Speaker 1: because this is obviously a Madonna tribute featuring only songs 66 00:04:18,880 --> 00:04:23,480 Speaker 1: by Madonna. After Sue uses her love and inspiration for Madonna, 67 00:04:23,560 --> 00:04:26,920 Speaker 1: she begins to train and ask her Cheerios to emulate 68 00:04:27,000 --> 00:04:30,440 Speaker 1: her in every way, shape and form. Mister Shoe is 69 00:04:30,440 --> 00:04:32,800 Speaker 1: concerned that the girls in the glee club are being 70 00:04:32,800 --> 00:04:37,039 Speaker 1: disrespected and bullied by the guys, and Jesse St. James 71 00:04:37,080 --> 00:04:42,719 Speaker 1: transfers to Pickinley High. There's also Sue is up to 72 00:04:43,680 --> 00:04:47,400 Speaker 1: no good also with trying to do some things with 73 00:04:47,400 --> 00:04:49,440 Speaker 1: the Cheerios and get some of the glee club members. 74 00:04:49,480 --> 00:04:52,520 Speaker 1: And there's also a lot of virginity talk happening this episode. 75 00:04:52,920 --> 00:04:57,200 Speaker 1: That is right, you know, high school things, high school things, 76 00:04:57,240 --> 00:04:59,520 Speaker 1: but also like high school things, but in a hotel. 77 00:04:59,640 --> 00:05:02,880 Speaker 1: I thought that was very funny. We'll get there, okay, 78 00:05:04,120 --> 00:05:08,600 Speaker 1: so she would kick it off. Let's kick it off. 79 00:05:08,640 --> 00:05:13,559 Speaker 1: We start with Ray of Light playing and we have 80 00:05:16,279 --> 00:05:20,720 Speaker 1: an incredible cheero performance. Right after my favorite thing per 81 00:05:20,800 --> 00:05:25,000 Speaker 1: usual Sue's journal and she's talking about how much she 82 00:05:25,760 --> 00:05:28,920 Speaker 1: loves Sue and again, I mean loves Madonna and breaks 83 00:05:28,920 --> 00:05:32,240 Speaker 1: a fourth wall by saying Madonna simply saying the word 84 00:05:32,240 --> 00:05:36,039 Speaker 1: allowed makes me feel powerful, even in voice over, how 85 00:05:36,120 --> 00:05:37,960 Speaker 1: I've worshiped her ever since I was a little girl, 86 00:05:38,160 --> 00:05:40,960 Speaker 1: and that will come through, that will tie into her 87 00:05:41,000 --> 00:05:44,920 Speaker 1: storyline through the rest of the episode. I don't feel 88 00:05:44,920 --> 00:05:47,599 Speaker 1: like we break the fourth wall a lot, though, unless 89 00:05:47,680 --> 00:05:51,159 Speaker 1: Ryan has something to do with it totally, because he 90 00:05:51,200 --> 00:05:53,159 Speaker 1: can do whatever he wants. He's the glue god. So 91 00:05:53,200 --> 00:05:57,240 Speaker 1: if he's like, we're gonna do this now, yeah, So 92 00:05:57,240 --> 00:06:01,599 Speaker 1: Sue then makes it her prerogative admission to continue her blackmail. 93 00:06:01,680 --> 00:06:03,640 Speaker 1: Figgins to be like, here's what we're doing. We're gonna 94 00:06:03,640 --> 00:06:06,159 Speaker 1: play Madonna's greatest hits to the PA system quite loudly 95 00:06:06,240 --> 00:06:11,760 Speaker 1: through an entire school day, and Figgins is obviously like, no, 96 00:06:11,839 --> 00:06:14,080 Speaker 1: blasting her delicious slicks would make it impossible for students 97 00:06:14,080 --> 00:06:19,640 Speaker 1: to concentrate. And then she's like, I don't really care, right, 98 00:06:19,760 --> 00:06:23,679 Speaker 1: Like she's like whatever, she like. Madonna didn't finish college, 99 00:06:23,680 --> 00:06:24,880 Speaker 1: and I think there's a couple of people here who 100 00:06:24,920 --> 00:06:26,920 Speaker 1: probably shouldn't finish high school. In the ship into New 101 00:06:26,960 --> 00:06:32,839 Speaker 1: York and basically Figgins, yes, thinks that's insane, but she's like, whatever, 102 00:06:33,040 --> 00:06:36,240 Speaker 1: I'm doing it. What you call insanity, I call inspiration. Right, 103 00:06:36,920 --> 00:06:39,520 Speaker 1: So her biggest dream is to pay homage to Madonna. 104 00:06:39,680 --> 00:06:45,159 Speaker 1: And there we go. There's the thesis of the episode. 105 00:06:46,560 --> 00:06:50,520 Speaker 1: And so obviously, let me know, Sue still has something 106 00:06:50,560 --> 00:06:54,080 Speaker 1: over Figgins. She is holding the blackmail card over him 107 00:06:54,160 --> 00:07:00,320 Speaker 1: with them in bed together. Yeah, so Sue based basically 108 00:07:00,839 --> 00:07:04,240 Speaker 1: as always, gets her way, and she has this gaggle 109 00:07:04,360 --> 00:07:08,039 Speaker 1: of Cheerios, the Cheerio team that can make her dreams 110 00:07:08,320 --> 00:07:13,360 Speaker 1: come true by winning nationals. So she says that they 111 00:07:13,360 --> 00:07:17,040 Speaker 1: have to start thinking and acting like Madonna, which akaa 112 00:07:17,360 --> 00:07:19,840 Speaker 1: is like dating younger men and no longer acknowledging that 113 00:07:19,920 --> 00:07:24,280 Speaker 1: any of them have last last names. And then you know, 114 00:07:24,400 --> 00:07:28,560 Speaker 1: she says, it's like Madonna once said, I'm tough, I'm ambitious, 115 00:07:28,600 --> 00:07:30,200 Speaker 1: and I know what I want. If that makes me 116 00:07:30,240 --> 00:07:33,679 Speaker 1: a bit okay, I'm pretty sure she stole that line 117 00:07:33,840 --> 00:07:37,120 Speaker 1: from one Sue Sylvester. No, really, she stole it from me. 118 00:07:37,160 --> 00:07:42,080 Speaker 1: I said at first Palladium eighty seven. And obviously, for 119 00:07:42,120 --> 00:07:43,880 Speaker 1: those of you who don't know that the Palladium was 120 00:07:43,920 --> 00:07:47,040 Speaker 1: a theater and back in the day, a nightclub back 121 00:07:47,040 --> 00:07:48,800 Speaker 1: in the day that turned into a theater where I 122 00:07:48,920 --> 00:07:57,280 Speaker 1: went to many a rave m yeah, little m Hannah. Yeah, 123 00:07:57,320 --> 00:08:01,440 Speaker 1: so okay, so there were going to this number. We 124 00:08:01,520 --> 00:08:06,120 Speaker 1: have our first of two crazy cheerio performances in this episode, 125 00:08:06,320 --> 00:08:09,040 Speaker 1: and we're watching this number last night, right, yeah, and 126 00:08:09,080 --> 00:08:12,280 Speaker 1: we were on like our usual cheer like hot cheerios, 127 00:08:12,760 --> 00:08:16,400 Speaker 1: and then I'm like, just wait for it, ray of Light. 128 00:08:17,280 --> 00:08:21,480 Speaker 1: There are people on stilts cheerios on stilts, and David 129 00:08:21,600 --> 00:08:25,120 Speaker 1: was like, oh my god. And those people, I know, 130 00:08:25,200 --> 00:08:28,760 Speaker 1: we were obviously older than high school age, but those 131 00:08:28,800 --> 00:08:32,800 Speaker 1: people were not even close. No, they've been doing this 132 00:08:32,840 --> 00:08:40,239 Speaker 1: for years. There's just some grown assment. This number is incredible. 133 00:08:40,360 --> 00:08:44,080 Speaker 1: I love that they got to sort of play, you know, 134 00:08:44,200 --> 00:08:47,200 Speaker 1: it's we had all our good cheerios out. It was 135 00:08:47,360 --> 00:08:51,439 Speaker 1: Hannah and Brittany, like everyone, all the Glee dancer all 136 00:08:51,480 --> 00:08:53,280 Speaker 1: stars were all on this number. They're all on this 137 00:08:53,480 --> 00:08:57,760 Speaker 1: entire episode, and you know, because we were not the 138 00:08:57,800 --> 00:09:00,800 Speaker 1: greatest dancers. I liked it. There were two chairs numbers 139 00:09:01,280 --> 00:09:05,360 Speaker 1: with actual professional dancers where you could really see Zach 140 00:09:05,480 --> 00:09:10,480 Speaker 1: and Brooks expertise. Well. Also, Zach toured with Madonna. That's right, 141 00:09:10,520 --> 00:09:14,679 Speaker 1: our choreographer toured with Madonna, so he is a very 142 00:09:15,000 --> 00:09:18,800 Speaker 1: an og Madonna dancer, very familiar with obviously her music. 143 00:09:18,840 --> 00:09:22,439 Speaker 1: I think he's in her documentary as well. Oh my gosh. Also, Kevin, 144 00:09:22,440 --> 00:09:25,920 Speaker 1: did you notice that in Ray of Light, Um around 145 00:09:25,960 --> 00:09:29,520 Speaker 1: six minutes when Madonna sings and I feel the McKinley 146 00:09:29,559 --> 00:09:34,000 Speaker 1: athletic sign is reversed. Oh yeah, I didn't, So they 147 00:09:34,080 --> 00:09:36,200 Speaker 1: must have flipped it in post for some reason. They 148 00:09:36,280 --> 00:09:39,600 Speaker 1: flipped the shot. Yeah, they flipped the shot. I was like, Oh, 149 00:09:39,640 --> 00:09:44,920 Speaker 1: it's interesting when during this performance, Shoe sneaks in to 150 00:09:45,000 --> 00:09:50,600 Speaker 1: watch it and is shocked by it. Yeah, and obviously 151 00:09:51,080 --> 00:09:53,720 Speaker 1: this is one of my favorite. Sue is not happy 152 00:09:53,920 --> 00:09:57,160 Speaker 1: to see him, and what does she say, Jenna, Oh hey, William, 153 00:09:57,200 --> 00:09:59,240 Speaker 1: I thought I smelled cookies wafting from the ovens of 154 00:09:59,240 --> 00:10:03,440 Speaker 1: the little elves who lived in your hair. I love 155 00:10:03,520 --> 00:10:09,200 Speaker 1: that this episode is it's like scratching that itch of like, 156 00:10:09,280 --> 00:10:13,160 Speaker 1: I'm now going to be obsessive about the hair jokes, 157 00:10:13,280 --> 00:10:15,560 Speaker 1: and I think that's one of I don't know six 158 00:10:15,679 --> 00:10:28,640 Speaker 1: or seven that end up happening in this episode. Yes, exactly, So, 159 00:10:28,720 --> 00:10:31,720 Speaker 1: mister Shoecy, is this this thing that Sue is doing, 160 00:10:31,760 --> 00:10:33,520 Speaker 1: and now he wants the glee club to also do 161 00:10:33,640 --> 00:10:40,760 Speaker 1: Madonna because earlier he had heard the girls talking and 162 00:10:42,000 --> 00:10:44,040 Speaker 1: the glee club where the girls are in the choir 163 00:10:44,120 --> 00:10:47,400 Speaker 1: room and Rachel asks something private, and she comes up 164 00:10:47,400 --> 00:10:48,920 Speaker 1: to the front of the room, of course, and she says, 165 00:10:49,440 --> 00:10:51,959 Speaker 1: let's just say, hypothetically, we went to a Wiggles concert 166 00:10:52,000 --> 00:10:54,160 Speaker 1: last Friday night, and then because my dad's weren't home, 167 00:10:54,200 --> 00:10:55,719 Speaker 1: we went up to my room and started making out. 168 00:10:55,760 --> 00:10:59,080 Speaker 1: It was erotic and romantic, and then he said, Jesse, 169 00:10:59,559 --> 00:11:01,400 Speaker 1: we should do it and it's no big deal, and 170 00:11:01,520 --> 00:11:04,720 Speaker 1: Rachel telling him no, because it is a big deal. 171 00:11:04,800 --> 00:11:08,400 Speaker 1: And she's also trying to pretend that this is not happening, 172 00:11:08,880 --> 00:11:11,160 Speaker 1: like she's actually getting Jesse, because she told the glee 173 00:11:11,200 --> 00:11:13,840 Speaker 1: club that that would be that she broke up with them, 174 00:11:13,840 --> 00:11:16,880 Speaker 1: because they're all worried right about the conflict of interest, 175 00:11:17,240 --> 00:11:19,839 Speaker 1: and all the girls are like, no, well, just don't 176 00:11:19,880 --> 00:11:25,360 Speaker 1: say no. This city is crazy, by the way, like 177 00:11:25,640 --> 00:11:27,840 Speaker 1: the things the guys have been saying to the girls, 178 00:11:27,840 --> 00:11:29,400 Speaker 1: and all the girls like, yeah, that's just the way 179 00:11:29,440 --> 00:11:34,480 Speaker 1: it is. It's wild. Well it's kind of true. Yeah, 180 00:11:34,520 --> 00:11:37,040 Speaker 1: So Merced says, look, girl, don't ask me. The last 181 00:11:37,080 --> 00:11:41,640 Speaker 1: guy I liked was the mayor of Gaytown, and I 182 00:11:41,679 --> 00:11:43,120 Speaker 1: can't wait to get a guy mad at me for 183 00:11:43,200 --> 00:11:47,280 Speaker 1: saying no. And then Dana Okay, to be honest, I 184 00:11:47,360 --> 00:11:50,360 Speaker 1: forgot that we were still together at this point, well 185 00:11:50,400 --> 00:11:55,680 Speaker 1: we weren't together yet really, because I and Wheels already 186 00:11:55,800 --> 00:11:59,640 Speaker 1: was like, I'm pissed off because then we're like back 187 00:11:59,640 --> 00:12:01,720 Speaker 1: together and you're telling me like how I should be, 188 00:12:02,080 --> 00:12:04,719 Speaker 1: so like I don't know anyway. Yeah, so Tina, we 189 00:12:04,840 --> 00:12:07,720 Speaker 1: flash whipped back to flashback. Tina's tells them about Larreatie 190 00:12:07,760 --> 00:12:11,760 Speaker 1: and how you already says Kevin, do you want to 191 00:12:11,760 --> 00:12:13,800 Speaker 1: give us her line? Reading god, thing was two years ago, 192 00:12:13,840 --> 00:12:16,080 Speaker 1: So maybe lose the vampire makeup and consider some tighter 193 00:12:16,120 --> 00:12:18,240 Speaker 1: feeding clothing. You got the power, and I believe you 194 00:12:18,240 --> 00:12:20,240 Speaker 1: should work it more for going to be an item. 195 00:12:20,480 --> 00:12:26,720 Speaker 1: Awful party, terrible, very good. So mister Shoes like wait, wait, wait, 196 00:12:26,840 --> 00:12:29,120 Speaker 1: hold up, are you guys really having now much trouble? 197 00:12:29,480 --> 00:12:33,840 Speaker 1: And he's like, Okay, maybe I'm not the one to 198 00:12:33,880 --> 00:12:37,560 Speaker 1: do this, but maybe Miss Pillsbury is. So he recommends 199 00:12:37,640 --> 00:12:40,199 Speaker 1: us to Miss Pillsbury, and Rachel says that she tried it, 200 00:12:40,800 --> 00:12:44,920 Speaker 1: and she and that she suggested that Rachel talked to 201 00:12:44,920 --> 00:12:51,320 Speaker 1: her rabbi, which in Rachel flashbacks like, um, I don't 202 00:12:51,320 --> 00:12:54,040 Speaker 1: think I'm comfortable talking to my rabbi about this. There 203 00:12:54,040 --> 00:12:57,480 Speaker 1: are also some incredible pamphlets. There was one yes in 204 00:12:57,520 --> 00:12:59,800 Speaker 1: the backgrounds that help, I'm in love with my stepdad, 205 00:13:01,240 --> 00:13:05,000 Speaker 1: I still breastfeed? How old is too old? Being easy 206 00:13:05,000 --> 00:13:06,760 Speaker 1: as one, two three, And then there was one that 207 00:13:06,840 --> 00:13:14,880 Speaker 1: just says loose back. No really. So when Wilson the office, 208 00:13:14,920 --> 00:13:16,560 Speaker 1: he says he wants to help Emma in the sex 209 00:13:16,640 --> 00:13:20,280 Speaker 1: department because or her sex talk department, because it's her 210 00:13:20,280 --> 00:13:23,400 Speaker 1: blind spot. Obviously it's enough in the last episode, so 211 00:13:23,559 --> 00:13:25,439 Speaker 1: with his help she can be prepared to answer the 212 00:13:25,520 --> 00:13:30,280 Speaker 1: questions without needing to have sex. I think it's interesting 213 00:13:30,280 --> 00:13:34,000 Speaker 1: this episode where obviously sex is a huge part of 214 00:13:34,000 --> 00:13:37,400 Speaker 1: this episode, and then female empowerment is a huge part 215 00:13:37,440 --> 00:13:39,480 Speaker 1: of this episode, where I think when you think of 216 00:13:39,559 --> 00:13:43,640 Speaker 1: Madonna's career and her catalog, those are two of the 217 00:13:43,679 --> 00:13:46,280 Speaker 1: first things you think of, right I who was at 218 00:13:46,320 --> 00:13:49,040 Speaker 1: the forefront. Yeah, And I think that was such a 219 00:13:49,080 --> 00:13:54,600 Speaker 1: great way to weave that end to everyone's storyline. It 220 00:13:54,640 --> 00:14:01,439 Speaker 1: was perfect timing M. And then we get to the 221 00:14:01,679 --> 00:14:05,400 Speaker 1: um the glee club. He writes Madonna on the board, right, 222 00:14:05,440 --> 00:14:08,040 Speaker 1: and he asks what the glee club thinks when they 223 00:14:08,040 --> 00:14:13,720 Speaker 1: see Madonna? And everybody has a different opinion. Some are 224 00:14:13,920 --> 00:14:17,480 Speaker 1: Rachel says genius, Chritsis icon Palk says hall of fame, milf, 225 00:14:17,600 --> 00:14:21,760 Speaker 1: which is true. Um, but he gives them the assignment 226 00:14:21,760 --> 00:14:24,920 Speaker 1: for Madonna and the girls are like super excited, but 227 00:14:24,960 --> 00:14:27,600 Speaker 1: the boys aren't. They're like, can't we do somebody like 228 00:14:28,320 --> 00:14:36,720 Speaker 1: Pantera right version of Madonna? Which is not Pantera? But okay. Um, 229 00:14:36,800 --> 00:14:41,240 Speaker 1: So Will's like, okay, guys, you you've been very disrespectful 230 00:14:41,280 --> 00:14:46,080 Speaker 1: to the girls. You've been sexist, misogynistic, and then Britney says, 231 00:14:46,840 --> 00:14:53,760 Speaker 1: when I pulled my handstring, I went to a misogynist M. Yeah, 232 00:14:53,920 --> 00:14:58,360 Speaker 1: it's funny, it's great. And the guys are still not down. 233 00:14:58,560 --> 00:15:01,640 Speaker 1: They're not they're not about it right and the Rachel 234 00:15:01,800 --> 00:15:06,360 Speaker 1: and Rachel's like, okay, I'd like to point out that 235 00:15:06,440 --> 00:15:10,280 Speaker 1: Shoe once again is showing up the class unprepared. That 236 00:15:10,560 --> 00:15:13,760 Speaker 1: is just step leaving it to us, and like, you know, 237 00:15:13,840 --> 00:15:16,440 Speaker 1: runs across the Sue and he's like, I was inspired 238 00:15:16,480 --> 00:15:19,960 Speaker 1: by like that you were just unprepared, You just didn't 239 00:15:19,960 --> 00:15:22,520 Speaker 1: know what you were doing. But more importantly, we do 240 00:15:22,640 --> 00:15:27,560 Speaker 1: express yourself, Kevin. Right before it started, I shouted out loud, 241 00:15:27,800 --> 00:15:32,760 Speaker 1: come on, squirrels, do you believe in loud? That's all 242 00:15:32,800 --> 00:15:37,160 Speaker 1: I think about every single time. I am so I 243 00:15:37,200 --> 00:15:40,560 Speaker 1: watched it with Austin and Austin because the so express 244 00:15:40,600 --> 00:15:43,400 Speaker 1: yourself starts and all of you are the girls, aren't 245 00:15:43,480 --> 00:15:47,880 Speaker 1: these incredible Madonna outfits with the hair and the microphones? 246 00:15:47,920 --> 00:15:50,560 Speaker 1: And you cut to the auditorium stage and you start 247 00:15:50,640 --> 00:15:52,960 Speaker 1: doing the fist pumping move and I started doing that. 248 00:15:53,000 --> 00:15:55,280 Speaker 1: I remember the choreography. I remember watching you do this 249 00:15:55,360 --> 00:15:57,640 Speaker 1: so well. And it was one of those two times 250 00:15:57,840 --> 00:16:00,880 Speaker 1: where because we got to have so much fun and 251 00:16:00,880 --> 00:16:05,440 Speaker 1: like really play with these numbers, that our characters minus 252 00:16:05,600 --> 00:16:09,520 Speaker 1: Chris in the audience were so the opposite of how 253 00:16:09,560 --> 00:16:12,240 Speaker 1: we actually felt in real life, right, And it was 254 00:16:12,280 --> 00:16:15,680 Speaker 1: one of those times where like we couldn't show how 255 00:16:15,720 --> 00:16:18,160 Speaker 1: we actually felt because I remember watching the rehearsal of 256 00:16:18,200 --> 00:16:21,080 Speaker 1: this and just freaking out, yeah and like cheering for 257 00:16:21,120 --> 00:16:24,800 Speaker 1: you and running up on stage because it was it 258 00:16:24,880 --> 00:16:28,880 Speaker 1: was it was, you know, one of our first girl numbers. 259 00:16:28,920 --> 00:16:31,280 Speaker 1: We had the match ups and we have this, and 260 00:16:31,600 --> 00:16:34,360 Speaker 1: I mean, let's be real, the girls were way better 261 00:16:34,360 --> 00:16:37,960 Speaker 1: than the guys, and so well they're different. They were 262 00:16:38,000 --> 00:16:42,480 Speaker 1: different well you know, but also, like my opinion, express yourself, like, 263 00:16:42,880 --> 00:16:45,880 Speaker 1: this is a great song and it's so cool to 264 00:16:45,920 --> 00:16:49,440 Speaker 1: watch all these women do Madonna's music. You were dancing 265 00:16:49,840 --> 00:16:53,120 Speaker 1: so hard. I was dancing so hard that I was like, 266 00:16:53,120 --> 00:16:56,640 Speaker 1: oh my god, John, tone it down. It's so good. 267 00:16:57,160 --> 00:17:00,400 Speaker 1: Tone it down. But it was really fun and it 268 00:17:00,440 --> 00:17:02,080 Speaker 1: was fun to actually dance, and it was fun to 269 00:17:02,120 --> 00:17:05,160 Speaker 1: actually do like a real number versus like running around 270 00:17:05,200 --> 00:17:08,719 Speaker 1: the stage. So I remember this as well and remember 271 00:17:08,760 --> 00:17:11,280 Speaker 1: being like, oh, you guys can't be there were you 272 00:17:11,280 --> 00:17:13,840 Speaker 1: weren't bored watching this at all? And then we were 273 00:17:13,840 --> 00:17:17,520 Speaker 1: feeling your energy in between takes. So one of those 274 00:17:17,520 --> 00:17:19,639 Speaker 1: incredible moments where like our job that day was to 275 00:17:19,680 --> 00:17:25,720 Speaker 1: show up and watch an incredible performing Yeah Madonna. Yeah Okay. 276 00:17:25,800 --> 00:17:29,200 Speaker 1: So then we get into like a hodgepodge of stuff, 277 00:17:31,160 --> 00:17:35,639 Speaker 1: the Cheerios mess, you know, an action where because Sue 278 00:17:35,680 --> 00:17:40,400 Speaker 1: has now challenged the Cheerios to date younger men, Brittany 279 00:17:40,400 --> 00:17:43,680 Speaker 1: and Santana are on a mission. Brittany says, guess who 280 00:17:43,680 --> 00:17:46,159 Speaker 1: I'm dating, Wes Brody. He's super cute. He plays soccer 281 00:17:46,200 --> 00:17:49,080 Speaker 1: with my sister. He's seven and he's in a madonal 282 00:17:49,280 --> 00:17:51,920 Speaker 1: and she's in a madonalau, which is awesome. And then 283 00:17:53,560 --> 00:17:55,440 Speaker 1: Santana remember she needs a funny, younger man or be 284 00:17:55,520 --> 00:17:58,560 Speaker 1: kicked off the cheerios, and Brittany reminds her that finished 285 00:17:58,600 --> 00:18:01,800 Speaker 1: three days younger than her and super dumb, and how 286 00:18:01,840 --> 00:18:03,200 Speaker 1: to get a man to follow you forever is to 287 00:18:03,240 --> 00:18:06,760 Speaker 1: take his virginity. So Santana, I love that we get 288 00:18:06,800 --> 00:18:09,800 Speaker 1: so much Naya in this episode. The first episode, we 289 00:18:09,880 --> 00:18:15,720 Speaker 1: really get more Nya, and she's so funny and sings 290 00:18:15,880 --> 00:18:21,840 Speaker 1: and forms her ass off. So Santana then tells fin 291 00:18:21,960 --> 00:18:25,160 Speaker 1: Aka fin as sense it's high time you losses big 292 00:18:25,240 --> 00:18:28,200 Speaker 1: v and that everything about him screams virgin. She says, 293 00:18:28,320 --> 00:18:30,680 Speaker 1: you're about as sexy as a cabbage tratch kid, it's 294 00:18:30,760 --> 00:18:35,240 Speaker 1: exhausting to look at you. And he says that he 295 00:18:36,400 --> 00:18:38,639 Speaker 1: is in love with Rachel, but Santana tells him the 296 00:18:38,680 --> 00:18:42,040 Speaker 1: truth and says that he is. She is still dating Jesse. 297 00:18:42,280 --> 00:18:45,960 Speaker 1: I like that. Santana's always like, no, why are all 298 00:18:46,000 --> 00:18:49,960 Speaker 1: you like children still playing these games. Yes, yeah, I 299 00:18:50,400 --> 00:18:52,919 Speaker 1: figured out life. I know what's going on. I'm reading 300 00:18:52,960 --> 00:18:57,160 Speaker 1: people get it to get there, and Santana says it's 301 00:18:57,160 --> 00:18:58,879 Speaker 1: a when when do they have sex? For both of 302 00:18:58,880 --> 00:19:05,440 Speaker 1: them but her? And then Emma called Sue into her 303 00:19:05,480 --> 00:19:09,760 Speaker 1: office and wants to know why, Um, there's Madonna's is 304 00:19:09,800 --> 00:19:13,440 Speaker 1: playing every heor but her office, and Sue says, well, 305 00:19:13,480 --> 00:19:16,160 Speaker 1: it's simple, Arlene. You don't deserve the power of Madonna. 306 00:19:16,200 --> 00:19:18,200 Speaker 1: You have none of her self confidence, her power over 307 00:19:18,240 --> 00:19:21,240 Speaker 1: her body, or her sexual magnetism simply, but you have 308 00:19:21,280 --> 00:19:24,119 Speaker 1: all the sensuality of one of those pandas down at 309 00:19:24,119 --> 00:19:28,040 Speaker 1: the zoo who refused to mate. I had, uh your 310 00:19:28,320 --> 00:19:34,320 Speaker 1: intercom disconnected? Oh and then Rachel. We caught the Rachel 311 00:19:34,359 --> 00:19:36,840 Speaker 1: who tells Finn that they should do a mash up 312 00:19:36,840 --> 00:19:40,840 Speaker 1: of Madonna's co captains um and then Finn confronts her 313 00:19:40,880 --> 00:19:44,679 Speaker 1: about Jesse and asks why she lied. Yeah that was 314 00:19:44,880 --> 00:19:48,480 Speaker 1: that was brutal. Oh yeah yeah. And she's like, but 315 00:19:48,600 --> 00:19:51,160 Speaker 1: as a friend, like you know, we should support each other. 316 00:19:51,359 --> 00:19:55,200 Speaker 1: And he's like, um, I thought this number was such 317 00:19:56,280 --> 00:20:03,680 Speaker 1: a cool, an incredible and fun um homage to Madonna. 318 00:20:03,760 --> 00:20:08,920 Speaker 1: Madonna that looks oh my God, I remember makeup and 319 00:20:09,440 --> 00:20:11,840 Speaker 1: wardrobe had a fun time with this one. I do 320 00:20:11,920 --> 00:20:15,480 Speaker 1: love Ryan's directing so much. I thought this whole episode 321 00:20:15,520 --> 00:20:20,280 Speaker 1: was directed so well. And you know there's something about 322 00:20:20,320 --> 00:20:23,520 Speaker 1: like that when he directs in you know, next episode, 323 00:20:23,680 --> 00:20:31,120 Speaker 1: Paris directs the simplicity, yes of how like intentionally simple 324 00:20:31,640 --> 00:20:35,520 Speaker 1: to really showcase like the realism of being in high 325 00:20:35,560 --> 00:20:39,800 Speaker 1: school amongst all this very surreal things going on around 326 00:20:40,119 --> 00:20:41,960 Speaker 1: and so like them in the hallway with all these 327 00:20:41,960 --> 00:20:45,040 Speaker 1: incredible Madonna looks was so much fun and like, what 328 00:20:45,160 --> 00:20:48,760 Speaker 1: a great way to honor I mean, how many I 329 00:20:48,840 --> 00:20:50,960 Speaker 1: tried to keep count of how many looks there were, 330 00:20:50,960 --> 00:20:53,920 Speaker 1: but there was one for every significant Madonna era. Oh yeah, 331 00:20:53,960 --> 00:20:56,840 Speaker 1: I think there are eight Madonnas. Yeah, there were a lot. 332 00:20:57,320 --> 00:20:59,159 Speaker 1: But it was Yeah, it was a really cool homage 333 00:20:59,200 --> 00:21:01,399 Speaker 1: that this song hash up is really great. It was 334 00:21:01,480 --> 00:21:05,800 Speaker 1: shot really well, Corey on the drums like Leah's singing. 335 00:21:05,880 --> 00:21:07,760 Speaker 1: It was like it just it was so it was 336 00:21:07,760 --> 00:21:10,800 Speaker 1: like an elevated version of No Air do you remember exactly? 337 00:21:10,800 --> 00:21:15,040 Speaker 1: And I was like, yeah, give me this um and 338 00:21:15,200 --> 00:21:23,120 Speaker 1: Ryan loaves of Hallway shots true and then we well, 339 00:21:23,200 --> 00:21:27,960 Speaker 1: Finn agrees to lose his v card to Santana after 340 00:21:28,000 --> 00:21:32,880 Speaker 1: this number, yeah, right after this number and um. Then 341 00:21:33,440 --> 00:21:36,359 Speaker 1: Sue confronts Will all this happening like in the hallway, right, 342 00:21:36,880 --> 00:21:40,119 Speaker 1: lots of action. That's where high schools are really alive 343 00:21:40,320 --> 00:21:44,720 Speaker 1: in the hallway. And then Sue hears that the glee 344 00:21:44,720 --> 00:21:48,520 Speaker 1: club's doing Madonna number. So Sue confronts Will about all 345 00:21:48,520 --> 00:21:51,200 Speaker 1: of this, gets mad and says it's in her contract 346 00:21:51,200 --> 00:21:53,879 Speaker 1: that only she can do it. He says no, she 347 00:21:53,960 --> 00:21:57,960 Speaker 1: insults his hair. He and then he insults her back 348 00:21:58,080 --> 00:22:03,280 Speaker 1: her hair, and who's standing there watching this whole thing 349 00:22:03,880 --> 00:22:10,399 Speaker 1: curtain and they see Will insult Suit by saying, by 350 00:22:10,440 --> 00:22:12,320 Speaker 1: the way, how do the Florence Henderson looked working out 351 00:22:12,359 --> 00:22:14,840 Speaker 1: for you? And oh, maybe you should try setting a 352 00:22:14,920 --> 00:22:20,800 Speaker 1: new setting on your flow beat. Oh snap, and Sue 353 00:22:20,880 --> 00:22:25,119 Speaker 1: and then starts throwing kids and curtain. Mercedes are like, 354 00:22:26,359 --> 00:22:30,480 Speaker 1: listen here, Sue, we have an idea because we said 355 00:22:30,480 --> 00:22:33,280 Speaker 1: that we were going to do our own project for 356 00:22:33,560 --> 00:22:38,200 Speaker 1: Madonna week. And no, sorry you go no, no, it's fine. 357 00:22:38,240 --> 00:22:42,000 Speaker 1: So Sue two shares with them. She's like, I wasn't upset, 358 00:22:42,040 --> 00:22:44,920 Speaker 1: but her parents weren't around a lot because they were 359 00:22:45,000 --> 00:22:50,240 Speaker 1: famous Nazi hunters, um and um. When she was six 360 00:22:50,320 --> 00:22:54,399 Speaker 1: years old, Madonna's True Blue came out inspired her and 361 00:22:54,520 --> 00:22:58,160 Speaker 1: her handycapable sister used to dye her hair with whatever 362 00:22:58,320 --> 00:23:02,440 Speaker 1: chemicals they had in their in their house, and that 363 00:23:02,560 --> 00:23:09,520 Speaker 1: she's actually jealous Will's hair ammonia napalm. So Mercedes says 364 00:23:09,520 --> 00:23:12,400 Speaker 1: what everybody is thinking. She's like, wait, that would make 365 00:23:12,440 --> 00:23:18,320 Speaker 1: you like thirty and she has twenty nine. So they 366 00:23:18,359 --> 00:23:21,520 Speaker 1: were convinced you to let them use the cheerios to 367 00:23:21,560 --> 00:23:26,400 Speaker 1: help her with a new look, and they're like yes, 368 00:23:27,280 --> 00:23:31,479 Speaker 1: So we get into Vogue the shot for shot remake 369 00:23:31,520 --> 00:23:36,200 Speaker 1: that Arretie directed myself obviously, and was that and that 370 00:23:36,400 --> 00:23:42,880 Speaker 1: was your impression of Ryan? It was inspired by I 371 00:23:42,920 --> 00:23:46,600 Speaker 1: tried to do more of a respectful impression of Ryan 372 00:23:46,800 --> 00:23:49,320 Speaker 1: in front of Ryan, which I was scared about doing, 373 00:23:50,720 --> 00:23:55,240 Speaker 1: and then I just think it was I am Arretie's 374 00:23:55,240 --> 00:24:03,400 Speaker 1: not gay, so I had to rein it. Yeah, fair enough, yep, um, 375 00:24:03,600 --> 00:24:05,680 Speaker 1: you know, I think it's interesting. Maybe it's not that interesting, 376 00:24:06,200 --> 00:24:09,200 Speaker 1: but selfishly, I had no desire to direct at this time. 377 00:24:09,320 --> 00:24:10,919 Speaker 1: I was like, oh, that's fun. That Artie is a director. 378 00:24:11,000 --> 00:24:14,240 Speaker 1: Kevin would never direct. And now I've several music videos. 379 00:24:14,359 --> 00:24:17,200 Speaker 1: That's so funny. I think I believe that it's life 380 00:24:17,240 --> 00:24:21,680 Speaker 1: imitating art. I think art imitating life. So maybe Artie 381 00:24:21,800 --> 00:24:25,919 Speaker 1: is the reason I started directing music videos. Wow. Anyway, 382 00:24:25,920 --> 00:24:29,960 Speaker 1: this music video, the full song, a full shot for 383 00:24:30,040 --> 00:24:36,240 Speaker 1: shot remake, I mean in this video are incredible. It 384 00:24:36,320 --> 00:24:40,200 Speaker 1: felt like we were transported back to like the eighties. Yes, 385 00:24:40,600 --> 00:24:43,040 Speaker 1: I love how serious it was, and so and like 386 00:24:43,440 --> 00:24:46,840 Speaker 1: Jane looked beautiful and like it just they all everybody 387 00:24:46,920 --> 00:24:49,000 Speaker 1: like it was perfectly lit. They spent so I think 388 00:24:49,040 --> 00:24:51,000 Speaker 1: they spent a whole, like more than a day on 389 00:24:51,040 --> 00:24:56,720 Speaker 1: this time. Um, and go watch it if you haven't, seriously, 390 00:24:56,760 --> 00:24:59,720 Speaker 1: just go watch this video. So it's perfect. Um, and 391 00:25:00,000 --> 00:25:02,560 Speaker 1: so Kurtain Mercedes are like, yay, we did it. I 392 00:25:02,600 --> 00:25:04,840 Speaker 1: wonder what what looks she was going to come out 393 00:25:04,920 --> 00:25:10,320 Speaker 1: wearing today and um, and then Kurt's like, oh and 394 00:25:10,720 --> 00:25:15,080 Speaker 1: Sue was in cone Bra sorry signing out real quick. 395 00:25:15,119 --> 00:25:18,600 Speaker 1: Back to that music video. She we changed the lyrics 396 00:25:18,680 --> 00:25:21,440 Speaker 1: where it's like will Schuster, I hate you, she's a 397 00:25:21,520 --> 00:25:25,119 Speaker 1: vest dance on her like there. We couldn't lit do 398 00:25:25,200 --> 00:25:27,119 Speaker 1: that every time. There were a couple times where I 399 00:25:27,119 --> 00:25:30,240 Speaker 1: recorded two different versions of like, oh, really saying Artie 400 00:25:30,320 --> 00:25:34,639 Speaker 1: or Mercedes in a song and um, and then not 401 00:25:34,840 --> 00:25:37,879 Speaker 1: saying it doing the original lyric because you had to 402 00:25:37,880 --> 00:25:41,399 Speaker 1: get permission to do that. But do you think Madonna 403 00:25:41,640 --> 00:25:44,000 Speaker 1: just gave express consent or just you can do whatever 404 00:25:44,080 --> 00:25:46,720 Speaker 1: you want? I think? So, I mean, yeah, it seems 405 00:25:46,720 --> 00:25:53,400 Speaker 1: this is huge. Yeah. Um. And because of Figins Vegins, 406 00:25:53,880 --> 00:25:56,880 Speaker 1: Sue goes back to being her own her her own 407 00:25:56,920 --> 00:25:59,520 Speaker 1: self because Biggin says, you're a powerful woman. You don't 408 00:25:59,520 --> 00:26:02,280 Speaker 1: need to be anyone else. You're an original, just like Madonna. 409 00:26:02,359 --> 00:26:06,600 Speaker 1: Don't lose that quality, right, So she's saying that everybody 410 00:26:06,640 --> 00:26:13,920 Speaker 1: needs to reinvent themselves, um, starting with the two of them. Um. 411 00:26:13,960 --> 00:26:18,480 Speaker 1: And and then we get into this this the sex talk, 412 00:26:18,800 --> 00:26:23,439 Speaker 1: the virginity of it all, so we know sum Finn 413 00:26:23,480 --> 00:26:27,040 Speaker 1: has decided to lose his virginity to Santana. Once that happens, 414 00:26:27,160 --> 00:26:32,640 Speaker 1: there's this virginity domino effect, if you will. Rachel then 415 00:26:32,640 --> 00:26:35,040 Speaker 1: meets up with Jesse in the library and it's so 416 00:26:36,040 --> 00:26:39,359 Speaker 1: I love the scene so much. The book falls and 417 00:26:39,400 --> 00:26:48,440 Speaker 1: she's like Sondheim, m very funny, and she tells him 418 00:26:48,480 --> 00:26:52,240 Speaker 1: that she is ready, and well he's like, no pressure 419 00:26:52,560 --> 00:26:54,560 Speaker 1: I'm going to be ready whenever you're ready, and she's like, 420 00:26:54,600 --> 00:26:58,160 Speaker 1: I'm ready. How do you feel about watching Gruff put 421 00:26:58,200 --> 00:27:04,000 Speaker 1: on this sexy ma'am? I buy it? I buy it. 422 00:27:04,280 --> 00:27:06,000 Speaker 1: He puts his arm up like on the stacks and 423 00:27:06,040 --> 00:27:09,000 Speaker 1: he's like, whatever you want. I'm sorry I pressured you. 424 00:27:09,640 --> 00:27:14,920 Speaker 1: I take it. What do you think I mean? Yeah? 425 00:27:15,040 --> 00:27:22,920 Speaker 1: Obviously hot? Um? So all right? So yeah? No so hot? 426 00:27:23,000 --> 00:27:29,480 Speaker 1: Okay so um blushing. And then Emma is catapulted into 427 00:27:29,520 --> 00:27:33,040 Speaker 1: this this need after Sue tells her that she's not, 428 00:27:33,200 --> 00:27:37,560 Speaker 1: you know, she doesn't deserve to listen to Madonna, that um, 429 00:27:37,640 --> 00:27:40,400 Speaker 1: she needs to be like the big Moe and take 430 00:27:40,440 --> 00:27:42,760 Speaker 1: control of herself. And she says, I'm planning on doing 431 00:27:42,760 --> 00:27:45,280 Speaker 1: the nasty with you tonight at your place. For play 432 00:27:45,320 --> 00:27:51,680 Speaker 1: shall begin. It's seven thirty sharp, okay, ye, So we 433 00:27:51,760 --> 00:27:56,880 Speaker 1: have like a virgin which intercuts between three couples and 434 00:27:57,200 --> 00:28:02,200 Speaker 1: it's a great number, great great number sort of vignette. 435 00:28:02,320 --> 00:28:04,640 Speaker 1: You don't know if it's a dream sequence or not. 436 00:28:05,000 --> 00:28:08,879 Speaker 1: It's three vignettes between Rachel and Jesse, Finan Santana and 437 00:28:09,000 --> 00:28:14,280 Speaker 1: this dodgy motel room. And then what Emma and Will 438 00:28:14,840 --> 00:28:20,960 Speaker 1: and Rachel's cape. It's so good. I think this number musically, 439 00:28:21,160 --> 00:28:26,159 Speaker 1: how the voices are intertwined, yeah, and mixed, and the 440 00:28:26,240 --> 00:28:29,520 Speaker 1: choreography between this and also if you go listen to 441 00:28:29,520 --> 00:28:33,280 Speaker 1: the four like Naya is singing yes on this song 442 00:28:33,600 --> 00:28:35,200 Speaker 1: and it's like the first time, like yes, of course 443 00:28:35,280 --> 00:28:38,080 Speaker 1: give Naya the ab libs. They're so good, right. I 444 00:28:38,120 --> 00:28:40,560 Speaker 1: think they realize they're like, oh, we can give her stuff, 445 00:28:40,720 --> 00:28:44,040 Speaker 1: and like we should give her more. I also, I 446 00:28:44,160 --> 00:28:47,920 Speaker 1: love I know you said this, but I love Jamie's voice, 447 00:28:48,840 --> 00:28:54,800 Speaker 1: I know. And the cutting of the editing of this 448 00:28:54,920 --> 00:28:57,680 Speaker 1: number two is so good. It's so so good, and 449 00:28:57,720 --> 00:29:00,760 Speaker 1: it ends with us back. You know, it all started 450 00:29:01,000 --> 00:29:02,560 Speaker 1: at the top of the scene and we don't know 451 00:29:02,560 --> 00:29:06,320 Speaker 1: who actually went through with it. A little cliffhanger, all right, 452 00:29:06,360 --> 00:29:08,720 Speaker 1: So we learned this is what we learned, Okay. We 453 00:29:08,800 --> 00:29:10,960 Speaker 1: learned that Rachel didn't sleep with Jesse because it would 454 00:29:10,960 --> 00:29:12,480 Speaker 1: be like sleeping with the enemy, because she doesn't have 455 00:29:12,520 --> 00:29:14,680 Speaker 1: the support of her team teammates and she's not ready. 456 00:29:15,120 --> 00:29:19,280 Speaker 1: Then Finn, we learn, lies and tells Rachel when they 457 00:29:19,320 --> 00:29:22,160 Speaker 1: share that he didn't sleep with san Antono. But he 458 00:29:22,280 --> 00:29:25,240 Speaker 1: did it, but it didn't mean anything, so it felt meaningless, 459 00:29:25,280 --> 00:29:28,560 Speaker 1: and she told him that she did do it right, 460 00:29:28,760 --> 00:29:31,360 Speaker 1: so they lied to each other. And then we come 461 00:29:31,360 --> 00:29:34,760 Speaker 1: to find out that Emma also didn't do it, and 462 00:29:34,840 --> 00:29:37,400 Speaker 1: she didn't sleep with Will like Rachel didn't sleep with Jesse, 463 00:29:38,040 --> 00:29:40,760 Speaker 1: and you know, she has some issues. She doesn't know 464 00:29:40,760 --> 00:29:45,760 Speaker 1: why she does this, so she's embarrassed and Will wants 465 00:29:45,840 --> 00:29:48,440 Speaker 1: to get her some counseling to get her help with 466 00:29:48,440 --> 00:29:53,080 Speaker 1: her issues. And they have a no dating policy until 467 00:29:53,120 --> 00:29:55,640 Speaker 1: his divorces final, which I thought was a very hute scene. 468 00:29:56,120 --> 00:29:59,600 Speaker 1: But when is that? And he had filed the hippoc already, 469 00:29:59,640 --> 00:30:04,400 Speaker 1: so thought that was cute. And then we have even 470 00:30:04,400 --> 00:30:10,280 Speaker 1: bigger drama because Jesse, seeing James, joins the glee club. 471 00:30:12,120 --> 00:30:15,080 Speaker 1: He just happens to have parents who winter in Bali 472 00:30:15,160 --> 00:30:17,280 Speaker 1: and an uncle that lives in their district who he'll 473 00:30:17,280 --> 00:30:22,320 Speaker 1: stay with. And this takes us like basically into our 474 00:30:22,760 --> 00:30:27,760 Speaker 1: kind of feeds into our next episode. But Mercedes and 475 00:30:27,880 --> 00:30:31,840 Speaker 1: Kurt obviously have been like laying the groundwork this whole episode. 476 00:30:32,320 --> 00:30:35,760 Speaker 1: They're not happy that Jesse has joined the glee club. 477 00:30:35,840 --> 00:30:39,080 Speaker 1: It will you know, they won't. It'll keep them from 478 00:30:39,080 --> 00:30:42,680 Speaker 1: getting even less solow than they already have, so they 479 00:30:42,760 --> 00:30:47,320 Speaker 1: decide to join the Cheerios and they do four minutes, 480 00:30:47,520 --> 00:30:52,080 Speaker 1: which again another massive number. This number was so much 481 00:30:52,120 --> 00:30:55,520 Speaker 1: fun to watch. Oh my god, so much fun to watch. 482 00:30:55,800 --> 00:30:59,800 Speaker 1: It was an explosion of joy again, everyone dancing so 483 00:31:00,120 --> 00:31:04,960 Speaker 1: hard and Chris and Amber sound it looked great. They 484 00:31:04,960 --> 00:31:07,320 Speaker 1: sounded great. They looked great. I was like, also fun 485 00:31:07,360 --> 00:31:09,840 Speaker 1: to get them perform outside of Glee Club. It's fun 486 00:31:09,840 --> 00:31:12,440 Speaker 1: to see them do that. Like, see these characters do 487 00:31:12,520 --> 00:31:17,400 Speaker 1: that outside of Glee clubs liberating. But mister Shus not 488 00:31:17,480 --> 00:31:19,600 Speaker 1: happy about it. He's pissed and he would have liked 489 00:31:19,600 --> 00:31:22,200 Speaker 1: the heads up. And Mercedes like, oh, you mean the 490 00:31:22,200 --> 00:31:23,880 Speaker 1: same way you gave us a heads up before not 491 00:31:23,920 --> 00:31:28,760 Speaker 1: giving us a solo almost every week Solar and Kurt says, 492 00:31:28,840 --> 00:31:30,560 Speaker 1: mister Schue. Mercedes and I talked it over and we 493 00:31:30,560 --> 00:31:33,040 Speaker 1: love being in Glee and here's the important part, but 494 00:31:33,160 --> 00:31:35,880 Speaker 1: being in Cheeros will give us more opportunities to shine. 495 00:31:36,080 --> 00:31:42,480 Speaker 1: So we're doing both. Oh Snam, they're not leaving Glee Club. Ah. 496 00:31:42,520 --> 00:31:45,760 Speaker 1: And then Sue says, which is the final hair inside 497 00:31:45,800 --> 00:31:49,040 Speaker 1: of the episode, insult of the episode. I think Chipper 498 00:31:49,080 --> 00:31:51,000 Speaker 1: up Tiger. You know, I was down at the pharmacy 499 00:31:51,040 --> 00:31:53,840 Speaker 1: today and they're having a monster sale on Depth. Depp 500 00:31:54,000 --> 00:31:56,400 Speaker 1: is a hair gel and once again I'm making fun 501 00:31:56,400 --> 00:31:59,920 Speaker 1: of your incredibly stupid haird Do you remember dep No? 502 00:32:00,600 --> 00:32:03,760 Speaker 1: Oh yeah, which is why this little explainer is really 503 00:32:03,760 --> 00:32:07,000 Speaker 1: helpful for me for people my gosh, well, Depth is 504 00:32:07,040 --> 00:32:11,240 Speaker 1: like it was around the time of Madonna and it 505 00:32:11,320 --> 00:32:23,600 Speaker 1: was really strong. Okay, so then the boys weird the 506 00:32:23,600 --> 00:32:25,800 Speaker 1: boys with the boys number what it feels like for 507 00:32:25,840 --> 00:32:31,000 Speaker 1: a girl, which I love this number. And Puck's still 508 00:32:31,040 --> 00:32:33,000 Speaker 1: like not down with this whole thing. He's like throughout 509 00:32:33,000 --> 00:32:37,040 Speaker 1: the whole episode, it's been like move He's Madonna. Like, 510 00:32:37,080 --> 00:32:42,600 Speaker 1: we're just saying a great number, thank you very much. Um, 511 00:32:42,640 --> 00:32:49,040 Speaker 1: but this number is so so good. Did you did 512 00:32:49,040 --> 00:32:50,920 Speaker 1: you like this number? Did you guys like the number? 513 00:32:50,960 --> 00:32:57,040 Speaker 1: To doing it? I shooting it was sort of, you know, 514 00:32:57,080 --> 00:32:58,719 Speaker 1: like weird and we're all just sort of staring at 515 00:32:58,760 --> 00:33:03,640 Speaker 1: each other around on a piano. UM. I remember recording 516 00:33:03,680 --> 00:33:08,720 Speaker 1: it was fun. Yeah, I love this version. I I 517 00:33:09,240 --> 00:33:12,120 Speaker 1: sort of revert to like my boy band ad libs 518 00:33:12,160 --> 00:33:14,520 Speaker 1: in this song because it was the only, the one 519 00:33:14,520 --> 00:33:18,920 Speaker 1: and only time there wasn't a guide vocal for the 520 00:33:19,080 --> 00:33:22,920 Speaker 1: ad libs, and then Alex or Adam whoever was recording 521 00:33:22,920 --> 00:33:25,360 Speaker 1: the vocals was sick, and so they just let me 522 00:33:25,440 --> 00:33:27,120 Speaker 1: do whatever I want. And then they kept like all 523 00:33:27,160 --> 00:33:31,240 Speaker 1: of my ads really, you know, yeah, it's all boy bandy, 524 00:33:31,880 --> 00:33:35,120 Speaker 1: but I thought it was. I thought we all sounded 525 00:33:35,160 --> 00:33:37,760 Speaker 1: really nice together. He did. I like when they slowed 526 00:33:37,800 --> 00:33:42,160 Speaker 1: things down like that, and like the role reverse. I 527 00:33:42,160 --> 00:33:43,840 Speaker 1: think it was also taking a song like this up 528 00:33:44,040 --> 00:33:46,440 Speaker 1: was not the biggest Madonna hit to use as a 529 00:33:46,440 --> 00:33:49,160 Speaker 1: teaching moment and to show the song to a different 530 00:33:49,160 --> 00:33:52,240 Speaker 1: audience is also great and very smart because it's a 531 00:33:52,240 --> 00:33:55,560 Speaker 1: great song. Oh great. And then we get to Tina Nartie. 532 00:33:56,080 --> 00:33:59,360 Speaker 1: Do you remember shooting the scene. Yeah, so the first 533 00:33:59,360 --> 00:34:03,160 Speaker 1: scene is or you go off on Artie and you're 534 00:34:03,160 --> 00:34:05,760 Speaker 1: into the camera and I correct me if I'm wrong, 535 00:34:05,800 --> 00:34:08,640 Speaker 1: But remember Ryan, as you said before, loves all the 536 00:34:08,719 --> 00:34:11,239 Speaker 1: hair and the big movements, and so he kept wanting 537 00:34:11,239 --> 00:34:16,200 Speaker 1: you to just go crazy into I look wild. Yeah, 538 00:34:16,239 --> 00:34:20,360 Speaker 1: it's wild. He's like bigger, bigger, And I think I 539 00:34:20,520 --> 00:34:22,719 Speaker 1: used probably the last take where you were just going 540 00:34:22,760 --> 00:34:25,279 Speaker 1: absolutely insane. I was like, okay, well just I'm just 541 00:34:25,320 --> 00:34:29,880 Speaker 1: gonna do it. Then that's right. And you were laughing 542 00:34:31,360 --> 00:34:34,000 Speaker 1: and then yeah, so this scene that we did together. 543 00:34:34,160 --> 00:34:37,600 Speaker 1: I love this scene because, like you're right, with Ryan 544 00:34:37,680 --> 00:34:41,200 Speaker 1: and Paris, it's very grounding and it's very quiet, and 545 00:34:41,239 --> 00:34:44,000 Speaker 1: I love these quiet scenes that like, we don't often 546 00:34:44,040 --> 00:34:46,200 Speaker 1: get to do as much as like Finn and Rachel 547 00:34:46,400 --> 00:34:50,120 Speaker 1: and you know, some other characters. So I thought this 548 00:34:50,239 --> 00:34:52,600 Speaker 1: was sweet. I also think this is one of those 549 00:34:52,600 --> 00:34:55,960 Speaker 1: scenes where it's a testament to how I think it's sweet. 550 00:34:55,960 --> 00:34:59,560 Speaker 1: Here's what we're gonna do. Where the scene was not 551 00:34:59,600 --> 00:35:03,040 Speaker 1: written in this way. Do you remember this? That's right. 552 00:35:03,280 --> 00:35:06,920 Speaker 1: It was completely different, and the blocking was weird, like 553 00:35:06,960 --> 00:35:09,040 Speaker 1: I was supposed to be entering the room where you were, 554 00:35:09,440 --> 00:35:13,160 Speaker 1: you know, and Ryan was like, oh no, this doesn't work. 555 00:35:13,239 --> 00:35:15,960 Speaker 1: And so because it's Ryan and he's in charge, he 556 00:35:16,960 --> 00:35:19,719 Speaker 1: stopped for I don't know, ten fifteen seconds and sort 557 00:35:19,719 --> 00:35:21,719 Speaker 1: of had a far away look in his eyes and 558 00:35:21,760 --> 00:35:24,600 Speaker 1: then was like, Okay, we're going to do it here. 559 00:35:24,640 --> 00:35:27,600 Speaker 1: Here's what we're gonna do. You come in, You're going 560 00:35:27,640 --> 00:35:30,239 Speaker 1: to be at the piano together, a sweet intimate moment, 561 00:35:30,239 --> 00:35:33,680 Speaker 1: and then rewrote the scene before our eyes and gave 562 00:35:33,760 --> 00:35:36,720 Speaker 1: us new lines. And it was one of those things 563 00:35:36,760 --> 00:35:41,120 Speaker 1: where we rehearsed it, and I was like, wow, like, 564 00:35:41,239 --> 00:35:43,359 Speaker 1: thank god he was here to do it, because this 565 00:35:43,400 --> 00:35:45,760 Speaker 1: feels so much more right. It was so much better 566 00:35:45,800 --> 00:35:50,319 Speaker 1: for us and made it so much more effective for 567 00:35:50,400 --> 00:35:54,560 Speaker 1: the characters. That's right. No, I remember that. I knew 568 00:35:54,560 --> 00:35:56,520 Speaker 1: there was something special about this scene. I was like, 569 00:35:56,560 --> 00:35:58,719 Speaker 1: what was that? Yeah, because it was nothing like that 570 00:36:00,160 --> 00:36:03,239 Speaker 1: being seen and yep, yeah, yeah, yeah, yeah, that's right. 571 00:36:03,320 --> 00:36:04,799 Speaker 1: And that's why I think why. I was like, I 572 00:36:04,840 --> 00:36:07,760 Speaker 1: took to the quiet and it's like, yeah, the stillness 573 00:36:07,840 --> 00:36:10,160 Speaker 1: of it, because it was much different than what I 574 00:36:10,200 --> 00:36:12,960 Speaker 1: had remembered it being. And selfishly I did like that 575 00:36:13,000 --> 00:36:16,640 Speaker 1: it was a mature, real conversation where already said some 576 00:36:16,719 --> 00:36:21,120 Speaker 1: stupid shit earlier and you actually apologize. He learned something 577 00:36:21,160 --> 00:36:25,279 Speaker 1: and apologized and yeah, you know, yeah he saw the light, 578 00:36:26,200 --> 00:36:28,680 Speaker 1: he saw the ray of light. That's right. And then 579 00:36:28,680 --> 00:36:31,520 Speaker 1: we kiss. Oh my gosh, we kiss again. At this 580 00:36:31,560 --> 00:36:33,480 Speaker 1: point I was like, I don't even I don't think 581 00:36:33,480 --> 00:36:35,720 Speaker 1: it was a second thought. No, this was much easier. 582 00:36:36,480 --> 00:36:42,200 Speaker 1: The first one was like in a dimly lit hallway first, yeah, exactly. 583 00:36:42,719 --> 00:36:46,600 Speaker 1: Now we're like whatever, um, and then we we go. 584 00:36:46,719 --> 00:36:50,160 Speaker 1: We cut to the hallway where Jesse will Finn is 585 00:36:50,160 --> 00:36:53,800 Speaker 1: apologizing to Rachel telling also saying that he was wrong 586 00:36:53,960 --> 00:36:55,560 Speaker 1: that he had a crush on her, and she's like, 587 00:36:55,600 --> 00:36:58,160 Speaker 1: you would have crush on me, which is very sweet. 588 00:36:58,840 --> 00:37:04,160 Speaker 1: Sweet and and and then Jesse comes in and it's like, Okay, 589 00:37:04,200 --> 00:37:07,759 Speaker 1: I know we have some beef, so let's just take 590 00:37:07,800 --> 00:37:10,600 Speaker 1: it to the parking lot and have a sing off. 591 00:37:14,400 --> 00:37:19,640 Speaker 1: It's very funny. Um and Finn actually surprises them all 592 00:37:19,680 --> 00:37:21,759 Speaker 1: and says, no, I'm going to try and stay away 593 00:37:21,760 --> 00:37:25,879 Speaker 1: from your girl, and welcome to the new directions. Then 594 00:37:25,960 --> 00:37:31,400 Speaker 1: let me walk you through a new number, oh way wild, 595 00:37:31,920 --> 00:37:33,520 Speaker 1: And we go to the last scene, which is like 596 00:37:33,560 --> 00:37:37,600 Speaker 1: a prayer, which, yes, I mean we all have a 597 00:37:37,800 --> 00:37:42,800 Speaker 1: very soft spot for this number, don't we. We do 598 00:37:42,600 --> 00:37:45,880 Speaker 1: we did on the first tour, we did on the 599 00:37:45,920 --> 00:37:50,600 Speaker 1: second tour? Did we do in the second tour? No? No? No? 600 00:37:51,239 --> 00:37:54,840 Speaker 1: Were you sure? No? But no? I don't think we 601 00:37:54,840 --> 00:37:57,480 Speaker 1: did it on a second tour. Did you know we 602 00:37:57,560 --> 00:38:00,600 Speaker 1: started rehearsing for the tour like right around the time this, 603 00:38:01,320 --> 00:38:07,400 Speaker 1: I think like a month after this. That makes sense? Yeah? Anyway, um? Well, 604 00:38:07,440 --> 00:38:10,719 Speaker 1: Also fun fact, Amber's family was in the first row 605 00:38:10,760 --> 00:38:13,600 Speaker 1: of this quiet Amber's mom is right behind her, and 606 00:38:13,640 --> 00:38:17,200 Speaker 1: then her sister is right to them, the right of 607 00:38:17,239 --> 00:38:20,360 Speaker 1: Amber if you're looking at her, And that was really fun. 608 00:38:20,560 --> 00:38:23,120 Speaker 1: It was so sweet. I love there's one shot of 609 00:38:23,160 --> 00:38:27,120 Speaker 1: them together and it's just so so sweet. This number 610 00:38:27,200 --> 00:38:31,200 Speaker 1: is very powerful. Yeah, it was really fun to perform, 611 00:38:31,760 --> 00:38:34,399 Speaker 1: and it was our first number was groff that's right. 612 00:38:34,600 --> 00:38:36,760 Speaker 1: And I would also just like to point out that 613 00:38:37,239 --> 00:38:43,040 Speaker 1: this production with a full choir is performed exactly for 614 00:38:43,120 --> 00:38:49,920 Speaker 1: no one. It's kind of like the pyrotechnics at vocal Adrenaline. 615 00:38:50,760 --> 00:38:56,080 Speaker 1: What doesn't matter, Kevin, does it matter? There were so 616 00:38:56,120 --> 00:38:58,040 Speaker 1: many times right this episode I was like, this is 617 00:38:58,080 --> 00:39:02,360 Speaker 1: a crazy show. People watched this right, and I can't 618 00:39:02,360 --> 00:39:05,080 Speaker 1: take myself out of it. I know it's hard any 619 00:39:05,200 --> 00:39:08,520 Speaker 1: objectivity to being like, if I just saw this on TV, 620 00:39:08,680 --> 00:39:12,600 Speaker 1: what would buy? Were people just breaking into song? There 621 00:39:12,600 --> 00:39:15,919 Speaker 1: are people dressed Madonna going through the hallways where there's 622 00:39:15,960 --> 00:39:19,000 Speaker 1: a full choir behind us, singing like a prayer. I 623 00:39:20,640 --> 00:39:24,600 Speaker 1: obviously love it, but I don't know, I don't know. 624 00:39:24,719 --> 00:39:27,560 Speaker 1: I agree, I can't. Sometimes I can take myself out 625 00:39:27,600 --> 00:39:31,319 Speaker 1: of it and sometimes I cannot. Yeah, but I like 626 00:39:31,440 --> 00:39:34,239 Speaker 1: this number a lot. I like this number, how it 627 00:39:34,280 --> 00:39:37,359 Speaker 1: made me feel when I was shooting it, in all 628 00:39:37,400 --> 00:39:39,839 Speaker 1: of us being together, and then I also really liked 629 00:39:39,840 --> 00:39:42,440 Speaker 1: this number from Afar and just being a walk an 630 00:39:42,480 --> 00:39:45,840 Speaker 1: audience viewer. It was also nice to have really great, 631 00:39:46,040 --> 00:39:49,359 Speaker 1: a really great vocal singing moment with Amber and Lea 632 00:39:49,480 --> 00:39:52,279 Speaker 1: together because they're pitted against each other so often that 633 00:39:52,400 --> 00:39:56,880 Speaker 1: they're both getting an opportunity to shine their characters opportunity 634 00:39:56,920 --> 00:39:59,920 Speaker 1: to shine on this number together. Do you also remember 635 00:40:00,160 --> 00:40:05,080 Speaker 1: on our tour, on our last show at Radio City, 636 00:40:05,440 --> 00:40:08,560 Speaker 1: this was we turned around and when the choir was revealed, 637 00:40:09,080 --> 00:40:11,440 Speaker 1: it was all of our people. It was Ryan, I cried, 638 00:40:11,800 --> 00:40:14,120 Speaker 1: being and Brad and Zach. They were dressed in the 639 00:40:14,160 --> 00:40:17,160 Speaker 1: gowns and they surprised us. So as we turned around 640 00:40:17,200 --> 00:40:20,480 Speaker 1: after Lea does her you know solo, and the curtains open, 641 00:40:20,640 --> 00:40:24,279 Speaker 1: and I mean I would bald. I cried through that 642 00:40:24,320 --> 00:40:25,879 Speaker 1: whole thing. I think we all did. I just feel 643 00:40:25,880 --> 00:40:27,799 Speaker 1: like our backs were turned to the audience because we 644 00:40:27,800 --> 00:40:30,360 Speaker 1: were just like, oh my god, it was really cool. 645 00:40:30,440 --> 00:40:35,600 Speaker 1: That was really cool, good good memories. I loved this episode. 646 00:40:35,960 --> 00:40:38,560 Speaker 1: I love this episode. I think the writing is great, 647 00:40:38,640 --> 00:40:42,719 Speaker 1: the song selections were great and not necessarily obvious either. Yeah, 648 00:40:42,760 --> 00:40:45,799 Speaker 1: it was all very good. Great, should we do some 649 00:40:45,920 --> 00:40:52,280 Speaker 1: tardy takes? That's a day okay? Um, cringe moments aka 650 00:40:52,520 --> 00:40:57,640 Speaker 1: ou cheese. I mean the guys being awful to the girls. 651 00:40:59,760 --> 00:41:02,760 Speaker 1: You know, some Ardie and Jesse moments were very cringe 652 00:41:02,760 --> 00:41:07,359 Speaker 1: and also like Puck being weird about singing songs by 653 00:41:07,360 --> 00:41:11,560 Speaker 1: a female artist. Fair enough cringe, fair enough. Um, I 654 00:41:11,600 --> 00:41:15,399 Speaker 1: would say, uh, trying to get the girls to date 655 00:41:15,600 --> 00:41:19,799 Speaker 1: younger men, but not that I don't mind girls dating 656 00:41:19,880 --> 00:41:26,000 Speaker 1: younger men. Brittany was dating a seven year old, right, Um? 657 00:41:26,239 --> 00:41:31,480 Speaker 1: Worst dance move honestly, they weren't none. No, because it 658 00:41:31,520 --> 00:41:33,560 Speaker 1: was Madonna, there were I think we shud talk about 659 00:41:33,600 --> 00:41:39,040 Speaker 1: best dance moves. Nah, I think. I think the stilts 660 00:41:39,160 --> 00:41:43,200 Speaker 1: were hilarious and great. Oh god, I think four minutes 661 00:41:43,320 --> 00:41:45,960 Speaker 1: is also a really good four minutes was incredible, and 662 00:41:46,000 --> 00:41:50,160 Speaker 1: I think the girls number was very very good. Oh right, 663 00:41:50,400 --> 00:41:58,120 Speaker 1: that's probably my pick. So best song? God, this is 664 00:41:58,120 --> 00:42:00,640 Speaker 1: really hard. I mean Vogue or Right of Light, I 665 00:42:00,640 --> 00:42:04,600 Speaker 1: don't know, like a Virgin, I don't know. Oh, I 666 00:42:04,640 --> 00:42:08,239 Speaker 1: will say my favorite song just because of the Glee versions, 667 00:42:08,280 --> 00:42:13,560 Speaker 1: I will say, like a Virgin or what it feels like. Okay, 668 00:42:13,560 --> 00:42:16,120 Speaker 1: I like this versions. I was saying what it feels like. 669 00:42:16,160 --> 00:42:20,319 Speaker 1: I was like, oh, that's a good one. Yeah, but 670 00:42:20,400 --> 00:42:26,239 Speaker 1: they're all really good performance by a prop. Okay. Do 671 00:42:26,400 --> 00:42:32,640 Speaker 1: you remember, Oh, come on, squirrels, express yourself. Those monocles 672 00:42:32,640 --> 00:42:34,760 Speaker 1: we had to wear kept whipping us in the face 673 00:42:35,360 --> 00:42:37,560 Speaker 1: and I got like a full on bruise on my 674 00:42:37,640 --> 00:42:40,520 Speaker 1: face because I was dancing so hard in the monocles 675 00:42:40,880 --> 00:42:44,239 Speaker 1: were flipping up. They're so long, and so I would 676 00:42:44,239 --> 00:42:47,359 Speaker 1: say the best performance by a proper worst performance by 677 00:42:47,360 --> 00:42:50,600 Speaker 1: a prop would be the monocles. I would also say 678 00:42:50,640 --> 00:42:53,040 Speaker 1: the head mics. There were two numbers with head mics, 679 00:42:53,200 --> 00:43:00,680 Speaker 1: and this number okay. And then the best lines. Okay, 680 00:43:00,719 --> 00:43:02,560 Speaker 1: I think you got this, you said earlier. I think 681 00:43:02,560 --> 00:43:06,320 Speaker 1: that's the one. Okay. Well I have two, okay. So 682 00:43:06,880 --> 00:43:09,560 Speaker 1: the first one is Sue's about the elves in the hair. 683 00:43:10,120 --> 00:43:12,319 Speaker 1: Oh hey, William, I thought I smelled cookies wafting from 684 00:43:12,360 --> 00:43:14,319 Speaker 1: the ovens of the little elves who live in your hair. 685 00:43:14,400 --> 00:43:16,840 Speaker 1: Because that one really lived on forever, it did in 686 00:43:16,880 --> 00:43:19,920 Speaker 1: Glee history. The other one I have is when Mercedes 687 00:43:19,920 --> 00:43:24,000 Speaker 1: and Kurt are in Sue's office. Kurt says, Mercedes is black, 688 00:43:24,080 --> 00:43:26,920 Speaker 1: I'm gay. We make culture. Yeah, that was a really 689 00:43:26,960 --> 00:43:30,440 Speaker 1: good those Curt and Mercedes in Sue's office are some 690 00:43:30,520 --> 00:43:33,120 Speaker 1: of my favorites. And Mercedes is Black, I'm gay. We 691 00:43:33,239 --> 00:43:40,040 Speaker 1: make a culture is absolutely incredible. Okay, Jenna, Okay, are 692 00:43:40,040 --> 00:43:43,880 Speaker 1: you ready for some shit we found on TikTok. I'm ready. 693 00:43:43,960 --> 00:43:46,200 Speaker 1: We're gonna do things a little differently this week. All right, 694 00:43:46,480 --> 00:43:51,480 Speaker 1: What so this is something that we are going to 695 00:43:51,520 --> 00:43:54,360 Speaker 1: put on TikTok. What so all of our TikTok and 696 00:43:54,400 --> 00:43:57,560 Speaker 1: social media people have been talking about. Obviously, ted Lasso 697 00:43:57,640 --> 00:44:00,839 Speaker 1: season three is coming out, Yes, and a big thing 698 00:44:00,840 --> 00:44:03,239 Speaker 1: of ted Lasso is that Believe sign you know that's 699 00:44:03,280 --> 00:44:08,040 Speaker 1: in the locker room yep, above the door. And when 700 00:44:08,080 --> 00:44:14,680 Speaker 1: we were researching before Jane came on the show, Vicky, 701 00:44:15,360 --> 00:44:20,480 Speaker 1: our incredible producer, came across when Jane hosted SNL and 702 00:44:20,600 --> 00:44:27,360 Speaker 1: twenty ten and they did a Glee sketch and it's 703 00:44:27,360 --> 00:44:32,360 Speaker 1: sidekis being Shoe and the theme for the week is 704 00:44:33,360 --> 00:44:40,680 Speaker 1: Believe and Yes, and Fred Armison does a very good artie. 705 00:44:41,440 --> 00:44:45,960 Speaker 1: It's phenomenal, and christ and Wigg then comes in as Gilly, 706 00:44:46,040 --> 00:44:50,160 Speaker 1: So it's a whole gilly sketch. So Jason Sidekis, it's 707 00:44:50,200 --> 00:44:52,160 Speaker 1: suddenly Lee Club become with the perfect theme for their 708 00:44:52,200 --> 00:44:54,920 Speaker 1: medley for regionals and they have to listen to their hearts, 709 00:44:55,360 --> 00:44:58,960 Speaker 1: and Rachel says that the perfect theme would be Believe, 710 00:44:59,400 --> 00:45:02,440 Speaker 1: and so this Dakis is like, we are going to believe, 711 00:45:02,520 --> 00:45:05,239 Speaker 1: and it all becomes about the Believe theme, and of 712 00:45:05,280 --> 00:45:12,839 Speaker 1: course they do, don't stop believing. And so our conspiracy is, 713 00:45:13,000 --> 00:45:18,120 Speaker 1: did this plant the seed for Jason Sidekis to use 714 00:45:18,280 --> 00:45:24,840 Speaker 1: Believe as ted Lasso's sort of theme sign? Oh my gosh, 715 00:45:24,880 --> 00:45:27,560 Speaker 1: that's so brilliant. Yes, I'll send you watch the sketch. 716 00:45:27,600 --> 00:45:30,440 Speaker 1: I'll send you the sketch. It's hilarious. And are you 717 00:45:30,440 --> 00:45:31,960 Speaker 1: guys gonna make a TikTok about it and put it? 718 00:45:32,120 --> 00:45:33,400 Speaker 1: And I think we're gonna have to put it on. 719 00:45:33,760 --> 00:45:36,279 Speaker 1: Then that's what you really missed TikTok oh? I love it. 720 00:45:36,640 --> 00:45:40,360 Speaker 1: I love it. This is great. I also do you 721 00:45:40,400 --> 00:45:44,919 Speaker 1: have any memory of this? No? I have, I had 722 00:45:45,320 --> 00:45:49,799 Speaker 1: zero memory. I remember watching Jane's s n L. So 723 00:45:50,520 --> 00:45:56,879 Speaker 1: I just have a bad memory. I guess because I 724 00:45:56,920 --> 00:46:03,120 Speaker 1: saw that Vicky said, um Vicky was sending it and 725 00:46:03,239 --> 00:46:05,480 Speaker 1: she was like Fred Armison plays you. I'm like, what, 726 00:46:06,280 --> 00:46:10,560 Speaker 1: how do I not remember? You got played me? She's like, 727 00:46:10,600 --> 00:46:12,800 Speaker 1: you guys must have been doing a lot if you 728 00:46:12,800 --> 00:46:17,480 Speaker 1: don't remember that, Like, yeah, because I'm a huge as 729 00:46:17,480 --> 00:46:20,000 Speaker 1: that's funny, crazy, but you should go watch it, go 730 00:46:20,040 --> 00:46:22,520 Speaker 1: find it. We're gonna put it on TikTok um. And 731 00:46:22,640 --> 00:46:26,520 Speaker 1: that's that. That's Madonna. That's where you really missed. Yeah. Um, 732 00:46:26,560 --> 00:46:34,759 Speaker 1: next week we have Home, which is think. Oh, you're 733 00:46:34,760 --> 00:46:39,279 Speaker 1: not gonna want to miss that one. That's great, and um, 734 00:46:39,320 --> 00:46:45,120 Speaker 1: don't forget that Alexandra House. Our dear, dear, lovely miss 735 00:46:45,239 --> 00:46:48,879 Speaker 1: Nia Ribera supported Alexandra House, which is a transitional home 736 00:46:48,880 --> 00:46:51,759 Speaker 1: for women and children in Los Angeles. They are doing 737 00:46:51,800 --> 00:46:54,240 Speaker 1: a walk with on on March eighteenth. If you can't 738 00:46:54,280 --> 00:46:56,840 Speaker 1: be there in person, you can continue to donate. Just 739 00:46:56,920 --> 00:47:00,880 Speaker 1: go to Alexandrea House dot org as our words slash donate. 740 00:47:00,920 --> 00:47:03,480 Speaker 1: We'll see you next week. And that's it. That's what 741 00:47:03,520 --> 00:47:06,360 Speaker 1: you really missed. We love you guys, Thanks for listening 742 00:47:06,640 --> 00:47:09,239 Speaker 1: and follow us on Instagram at and that's what you 743 00:47:09,280 --> 00:47:11,520 Speaker 1: really miss pod. Make sure to write us a review 744 00:47:11,520 --> 00:47:13,719 Speaker 1: and leave us five stars. See you next time.