1
00:00:00,200 --> 00:00:01,960
Speaker 1: I know that you guys were this closest sign of

2
00:00:02,000 --> 00:00:03,800
Speaker 1: way what happened with that deal, because I mean it

3
00:00:03,880 --> 00:00:05,920
Speaker 1: got to I mean Wayne was damn near saying he

4
00:00:05,960 --> 00:00:07,760
Speaker 1: was Rockefeller and then it just went left.

5
00:00:08,240 --> 00:00:10,880
Speaker 2: The truth is that it's the first time I ever

6
00:00:10,960 --> 00:00:13,399
Speaker 2: said I told this truth. The truth is, you know,

7
00:00:13,600 --> 00:00:15,640
Speaker 2: after I had to I had a meeting with Wayne.

8
00:00:17,360 --> 00:00:20,320
Speaker 2: You know, I had a relationship with Baby, so you

9
00:00:20,400 --> 00:00:21,440
Speaker 2: know I used.

10
00:00:21,280 --> 00:00:21,919
Speaker 1: To go to New Orleans.

11
00:00:21,960 --> 00:00:23,160
Speaker 2: I would hang out with him. Yeah, I mean the

12
00:00:23,200 --> 00:00:26,280
Speaker 2: Purple Little whatever that call was, remember them purple Little

13
00:00:26,360 --> 00:00:29,360
Speaker 2: cause pro pro prowl of going down the street. You know,

14
00:00:29,640 --> 00:00:32,120
Speaker 2: no top people wanted trying to jump in the car,

15
00:00:32,560 --> 00:00:35,000
Speaker 2: you know, so I felt it was only right to

16
00:00:35,320 --> 00:00:38,400
Speaker 2: uh call him, you know, I called them out of respect,

17
00:00:38,479 --> 00:00:40,480
Speaker 2: like yo, I was talking to Wayne.

18
00:00:40,560 --> 00:00:42,360
Speaker 1: Just letting you know, boom boom.

19
00:00:42,920 --> 00:00:44,280
Speaker 3: So after that, I think we.

20
00:00:44,400 --> 00:00:48,320
Speaker 2: Received a letter at our office for like Torturous Interference

21
00:00:48,600 --> 00:00:49,240
Speaker 2: Club Lloyd.

22
00:00:49,280 --> 00:00:49,880
Speaker 1: I was like whoa.

23
00:00:50,120 --> 00:00:54,160
Speaker 3: The sports it was like whoa, And it just all

24
00:00:54,240 --> 00:00:59,040
Speaker 3: went from there. But they just go at number one

25
00:00:59,360 --> 00:01:02,040
Speaker 3: by and TV number one MC. Well do you make

26
00:01:02,120 --> 00:01:02,280
Speaker 3: of that?

27
00:01:02,720 --> 00:01:07,480
Speaker 4: I don't think he is number one m c ry

28
00:01:07,520 --> 00:01:09,520
Speaker 4: and the best, he do the most and he make

29
00:01:09,600 --> 00:01:12,800
Speaker 4: the most money. I don't think in the business making

30
00:01:12,840 --> 00:01:15,880
Speaker 4: more money than us turn off. So how could you

31
00:01:15,959 --> 00:01:17,680
Speaker 4: be the best if you don't make the best money,

32
00:01:17,760 --> 00:01:21,400
Speaker 4: the most money, and you don't do the most lyrically,

33
00:01:21,480 --> 00:01:22,520
Speaker 4: come on, man, be for real.

34
00:01:22,640 --> 00:01:28,640
Speaker 1: Man can't nobody Kendrick Lamar. It has been announced that

35
00:01:28,800 --> 00:01:32,800
Speaker 1: Kendrick Lamar will be performing at Super Bowl fifty nine

36
00:01:33,000 --> 00:01:38,320
Speaker 1: in New Orleans in the South. Now, if we can't

37
00:01:38,400 --> 00:01:42,400
Speaker 1: get it done with jay Z in the sea, there's

38
00:01:42,480 --> 00:01:45,080
Speaker 1: no way you would have told me before this, hay helmet.

39
00:01:46,080 --> 00:01:48,000
Speaker 1: If we get jay Z in there, he still ain't

40
00:01:48,000 --> 00:01:50,480
Speaker 1: gonna put when you broken from the South on it

41
00:01:50,600 --> 00:01:58,000
Speaker 1: to perform in the South. At the top of the mind.

42
00:01:58,080 --> 00:02:00,600
Speaker 1: They happy that they broke, and they doing nothing but

43
00:02:00,720 --> 00:02:03,600
Speaker 1: passing the crown around. They ain't even watching the throat.

44
00:02:06,120 --> 00:02:08,720
Speaker 1: Then they treat you past the crowd around in this

45
00:02:08,919 --> 00:02:11,200
Speaker 1: rap game, and the throne ain't more of it. It's

46
00:02:11,280 --> 00:02:15,880
Speaker 1: the throng you long, not the crowd. It's the throng.

47
00:02:16,040 --> 00:02:20,440
Speaker 1: They come with the responsibilities, come with the assets, come

48
00:02:20,520 --> 00:02:26,160
Speaker 1: with the direction, the information, the cold. It's the throne

49
00:02:26,240 --> 00:02:29,200
Speaker 1: they come with that. But you's been satisfied with passing

50
00:02:29,280 --> 00:02:34,440
Speaker 1: around the crowd, who wrapped the best, who had the

51
00:02:34,560 --> 00:02:38,799
Speaker 1: most streams? See that you passing the crown around. But

52
00:02:38,919 --> 00:02:41,120
Speaker 1: as long as you ain't building nothing, you don't become

53
00:02:41,160 --> 00:02:42,800
Speaker 1: a threat That nothing is built.

54
00:02:43,480 --> 00:02:48,920
Speaker 5: To lure me to exactly my man, my man's old

55
00:02:49,000 --> 00:02:54,240
Speaker 5: little new load. Yeah, okay, okay, all money. No, it's

56
00:02:54,320 --> 00:02:56,960
Speaker 5: up there and stuff that nig when it's up there, Man,

57
00:02:57,000 --> 00:02:57,639
Speaker 5: it's stuff there.

58
00:02:57,840 --> 00:03:03,600
Speaker 1: Shut up. This episode is brought to you by Prize Picks,

59
00:03:03,760 --> 00:03:06,760
Speaker 1: the fantasy sports platform is changing the game for people

60
00:03:06,919 --> 00:03:09,640
Speaker 1: like us. With Prize Picks, you can test your knowledge

61
00:03:09,880 --> 00:03:12,600
Speaker 1: with picking over and under for your favorite player stats

62
00:03:12,680 --> 00:03:17,160
Speaker 1: across a wide variety of sports. Thank football, Baseball, basketball,

63
00:03:17,240 --> 00:03:20,200
Speaker 1: and beyond. So why wait, jump in the prize picks

64
00:03:20,280 --> 00:03:23,560
Speaker 1: right now and bring more excitement to game day whether

65
00:03:23,600 --> 00:03:26,359
Speaker 1: you're cheering from the stands of the couch. Prize Picks

66
00:03:26,520 --> 00:03:31,360
Speaker 1: ask that extra layl fund for sports excitement again my slogan,

67
00:03:31,680 --> 00:03:33,880
Speaker 1: why would you put some on the game when you

68
00:03:33,960 --> 00:03:36,360
Speaker 1: can put some on the name. Let's get into those

69
00:03:36,440 --> 00:03:40,320
Speaker 1: picks and start winning with prize picks today. I utp Cole.

70
00:03:40,520 --> 00:03:47,680
Speaker 1: Let's get back to the show. Welcome to It's Up

71
00:03:47,720 --> 00:03:50,360
Speaker 1: the podcast. I go by begging on your active and

72
00:03:50,520 --> 00:03:54,400
Speaker 1: attractive hosts on no or not dose. You must never

73
00:03:54,480 --> 00:03:57,080
Speaker 1: seen the game up close It's up There podcast. Make

74
00:03:57,120 --> 00:04:00,560
Speaker 1: sure you hit Thepatreon dot com It's up There podcast

75
00:04:00,640 --> 00:04:03,760
Speaker 1: to stay involved with the vibe. A couple house keeping things.

76
00:04:03,880 --> 00:04:05,920
Speaker 1: We do have a live show we want to announce

77
00:04:06,000 --> 00:04:09,000
Speaker 1: to the fans. Right October the eighth, doctor Umar Johnson

78
00:04:09,080 --> 00:04:12,600
Speaker 1: and Lon will make history again. We'll have a conversation

79
00:04:12,760 --> 00:04:17,720
Speaker 1: at a rock the culture once again. Of course, last time,

80
00:04:18,240 --> 00:04:21,320
Speaker 1: the numbers are in total it on all platforms. We

81
00:04:21,440 --> 00:04:25,520
Speaker 1: did eleven million with doctor Umar Johnson. The live event

82
00:04:25,760 --> 00:04:29,440
Speaker 1: was such a phenomenal experience for those that were there.

83
00:04:29,920 --> 00:04:32,680
Speaker 1: I welcome you to join us again. Tickets will be

84
00:04:32,839 --> 00:04:35,800
Speaker 1: on sale Patreon dot com It's up There podcast for

85
00:04:35,960 --> 00:04:38,360
Speaker 1: more updates on that. We got a lot to talk

86
00:04:38,440 --> 00:04:42,280
Speaker 1: about today. I want to be completely honest that so

87
00:04:42,520 --> 00:04:45,000
Speaker 1: many different thoughts going on in my mind, that so

88
00:04:45,160 --> 00:04:49,960
Speaker 1: many different opinions and things I gotta process and work through.

89
00:04:50,480 --> 00:04:52,720
Speaker 1: If you've been watching meet then you already know, like

90
00:04:54,720 --> 00:04:56,840
Speaker 1: I see some of the moves. I'm sitting back trying

91
00:04:56,880 --> 00:04:59,360
Speaker 1: to make sure interviews is in order and in placing.

92
00:04:59,400 --> 00:05:02,400
Speaker 1: I'm seeing them moves. I'm saying yo, normally, yo, world,

93
00:05:02,440 --> 00:05:06,520
Speaker 1: you gotta speak on it. That's just my opinion, you know,

94
00:05:06,640 --> 00:05:08,880
Speaker 1: as far as the coach is concerned. Like there's a

95
00:05:08,960 --> 00:05:12,120
Speaker 1: lot of people talking, I just don't the opinions. I

96
00:05:12,200 --> 00:05:16,640
Speaker 1: don't share the same sentiments. I don't share the same mindset, mindframe.

97
00:05:16,880 --> 00:05:17,000
Speaker 6: Right.

98
00:05:17,120 --> 00:05:19,640
Speaker 1: We don't endulge in the same things. We don't enjoy

99
00:05:19,680 --> 00:05:22,839
Speaker 1: the same things, right, And so I have to come

100
00:05:22,920 --> 00:05:28,880
Speaker 1: with an enhanced, involved, indestructible opinion because it cannot be

101
00:05:29,000 --> 00:05:33,120
Speaker 1: the same opinion as these guys, because we clearly see

102
00:05:33,160 --> 00:05:38,320
Speaker 1: the world different. Right. Number one, let's pay respect to

103
00:05:38,440 --> 00:05:44,559
Speaker 1: Rich Homi Kuan. For those who are unaware, Southern rapper

104
00:05:44,760 --> 00:05:49,040
Speaker 1: Rich Homie Kuan was found in his girlfriend's house on

105
00:05:49,160 --> 00:05:55,720
Speaker 1: her couch, un alive or repeater Rich home Quard. So

106
00:05:55,880 --> 00:05:58,400
Speaker 1: we want to definitely pay out respects to Rich Homi

107
00:05:58,480 --> 00:06:00,760
Speaker 1: car And he showed me a lot of love. He's

108
00:06:00,839 --> 00:06:05,599
Speaker 1: always reached out to me. My condolences to the family.

109
00:06:06,000 --> 00:06:08,360
Speaker 1: When he came and seen me, had Guc and Monte

110
00:06:08,520 --> 00:06:12,640
Speaker 1: with him, and the vibe was just so good. You know,

111
00:06:13,040 --> 00:06:15,600
Speaker 1: when we talk about rich Homik Kuaar for those of

112
00:06:15,760 --> 00:06:18,080
Speaker 1: you that are young but maybe just out of touch

113
00:06:18,120 --> 00:06:21,040
Speaker 1: as to you know what he really does. When we

114
00:06:21,120 --> 00:06:25,360
Speaker 1: talk about ushering in the sound that you're dealing with nowadays, right,

115
00:06:25,640 --> 00:06:30,200
Speaker 1: you deal with the auto tune, that singing on the

116
00:06:30,320 --> 00:06:34,480
Speaker 1: trap beats, that wasn't a thing before the rich Homi Kuaar's,

117
00:06:34,600 --> 00:06:38,719
Speaker 1: the Reds de Shahs. You wouldn't have a rod wave

118
00:06:38,880 --> 00:06:42,000
Speaker 1: if that lineage wasn't created way back in the day

119
00:06:42,120 --> 00:06:46,160
Speaker 1: with those guys just playing with the beat, you know,

120
00:06:46,400 --> 00:06:49,600
Speaker 1: like now you'll see branches off each other's tree. So

121
00:06:49,839 --> 00:06:52,839
Speaker 1: rich Ho mk Kwaan was responsible for ushering in that sound,

122
00:06:54,080 --> 00:06:56,320
Speaker 1: not alone, but he was a very big part. I'm

123
00:06:56,320 --> 00:06:58,880
Speaker 1: gonna deal with the atmosphere and the market in just

124
00:06:58,960 --> 00:07:00,480
Speaker 1: a second, but I want to get give y'all a

125
00:07:00,600 --> 00:07:03,760
Speaker 1: couple of his accolades. And so we're talking about rich

126
00:07:03,839 --> 00:07:06,560
Speaker 1: On mc kuan, who in twenty thirteen had type of

127
00:07:06,640 --> 00:07:08,520
Speaker 1: way right, and that's what kind of took him to

128
00:07:08,600 --> 00:07:12,360
Speaker 1: mainstream success. He was signed with TIG that label is

129
00:07:12,440 --> 00:07:14,640
Speaker 1: known for dealing with not only him, but wife and

130
00:07:14,760 --> 00:07:18,840
Speaker 1: Luci and other acts. And so rich On mc quhan

131
00:07:18,960 --> 00:07:21,080
Speaker 1: had a pause in his career because he had to

132
00:07:21,160 --> 00:07:23,440
Speaker 1: deal with the legal side of things while the money

133
00:07:23,560 --> 00:07:26,880
Speaker 1: was rolling in. We hear a lot of artists and

134
00:07:27,040 --> 00:07:30,600
Speaker 1: ex artists always talk about work stoppage, and that's what

135
00:07:30,800 --> 00:07:33,160
Speaker 1: rich On mc quhan had to deal with. That was

136
00:07:33,200 --> 00:07:36,400
Speaker 1: a work stoppage until I can get this situation because

137
00:07:36,440 --> 00:07:38,960
Speaker 1: I feel as though that there's too much money that

138
00:07:39,120 --> 00:07:41,880
Speaker 1: we ain't allocated in the right way. So I need

139
00:07:41,960 --> 00:07:44,360
Speaker 1: to really really take a look at that, and if

140
00:07:44,520 --> 00:07:47,360
Speaker 1: my career has to stop, to do that to make

141
00:07:47,440 --> 00:07:50,240
Speaker 1: sure that y'all want continue to profit and continue to

142
00:07:50,320 --> 00:07:53,480
Speaker 1: be able to what he would probably consider as fudge

143
00:07:53,560 --> 00:07:56,760
Speaker 1: the numbers, right. So es imagine if I'm going to

144
00:07:56,880 --> 00:08:02,920
Speaker 1: court with a label and we're fighting from twenty thirteen

145
00:08:03,000 --> 00:08:05,320
Speaker 1: to twenty fifteen, and I got him in court for

146
00:08:05,440 --> 00:08:08,400
Speaker 1: those two years, but now we're in twenty sixteen, I

147
00:08:08,480 --> 00:08:11,960
Speaker 1: got another hit. Our contract is still active. Therefore the

148
00:08:12,080 --> 00:08:15,560
Speaker 1: money is still allocated in the way of whatever contract

149
00:08:15,640 --> 00:08:17,720
Speaker 1: that's in place, so there's more to dump on it,

150
00:08:17,800 --> 00:08:20,840
Speaker 1: and there's ways for them to now start to pencil

151
00:08:20,880 --> 00:08:24,400
Speaker 1: whoop you moving forward to rights. It's all about a

152
00:08:24,480 --> 00:08:29,200
Speaker 1: paper trailer. So his work stoppage was part of the

153
00:08:29,280 --> 00:08:33,000
Speaker 1: reason in my opinion that it kind of slowed him down.

154
00:08:33,080 --> 00:08:36,920
Speaker 1: But we're talking about twenty thirteen type of way propelled

155
00:08:36,960 --> 00:08:42,000
Speaker 1: him to mainstream status, meant join forces with Young Thug

156
00:08:42,120 --> 00:08:44,480
Speaker 1: and bird Man. It did the Rich Game collected. We're

157
00:08:44,480 --> 00:08:47,560
Speaker 1: gonna talk about bird Man and why we so called

158
00:08:47,640 --> 00:08:49,679
Speaker 1: having seen a post from him. I don't know if

159
00:08:49,760 --> 00:08:54,160
Speaker 1: Yo God is post or not. The Rich Game Tour

160
00:08:54,320 --> 00:08:57,959
Speaker 1: Park one was released in twenty fourteen. That's where the

161
00:08:58,040 --> 00:09:01,720
Speaker 1: record lifestyle comes from. We're dealing with Nominated for Best

162
00:09:01,760 --> 00:09:05,360
Speaker 1: New Artists in fourteen. We're dealing with several BT Hip

163
00:09:05,400 --> 00:09:08,600
Speaker 1: Hop Awards, Nominated for Best New Artists in twenty fourteen,

164
00:09:09,040 --> 00:09:11,720
Speaker 1: Nominated for Rookie of the Year in twenty fourteen at

165
00:09:11,720 --> 00:09:15,679
Speaker 1: the BT hippop Awards, nominated for Best Mix Tape for

166
00:09:15,800 --> 00:09:18,680
Speaker 1: our promise I'll Never Stop Going In in twenty fourteen,

167
00:09:19,200 --> 00:09:23,720
Speaker 1: also at the BT hippop Awards and nominated for Best

168
00:09:23,800 --> 00:09:28,439
Speaker 1: Club Banga Flex and multiple other nominations. Right, this is

169
00:09:28,520 --> 00:09:30,880
Speaker 1: why today we're gonna really deal with the jay Z,

170
00:09:31,600 --> 00:09:36,120
Speaker 1: bird Man, the South because I still partially blame us

171
00:09:36,840 --> 00:09:39,920
Speaker 1: right for how we gonna be treated. I still blame

172
00:09:40,040 --> 00:09:43,120
Speaker 1: us even though it's right in our face and it's blatant.

173
00:09:43,840 --> 00:09:46,959
Speaker 1: I don't know what's motivating it, but I do know

174
00:09:47,080 --> 00:09:49,400
Speaker 1: what I'm looking at, and can't nobody make me feel

175
00:09:49,400 --> 00:09:53,040
Speaker 1: as though I don't Right, I'm dealing with information. And

176
00:09:53,200 --> 00:09:55,240
Speaker 1: so today we're gonna deal with why the South is

177
00:09:55,320 --> 00:09:57,599
Speaker 1: being placed in a position that is being placed in.

178
00:09:57,960 --> 00:10:00,520
Speaker 1: Think about our contributions and what we've done. So right

179
00:10:00,600 --> 00:10:04,080
Speaker 1: now we're talking about rich On me Quard. Think about music.

180
00:10:04,160 --> 00:10:07,400
Speaker 1: At that time, that was the era of the single

181
00:10:07,720 --> 00:10:10,959
Speaker 1: deal that started to usher in a single deal wave.

182
00:10:11,559 --> 00:10:13,839
Speaker 1: Prior to that, the single deal was something that was

183
00:10:14,000 --> 00:10:18,080
Speaker 1: rarely used, right, they would pump out a single part

184
00:10:18,160 --> 00:10:20,800
Speaker 1: of your entire situation. But now they were starting to

185
00:10:20,880 --> 00:10:23,800
Speaker 1: do single deals. They had just missed their ring tone wave.

186
00:10:23,920 --> 00:10:26,880
Speaker 1: And so you dealt with labels trying to change their

187
00:10:26,960 --> 00:10:31,000
Speaker 1: formation for the playbook that's currently being used on the field. Right,

188
00:10:31,440 --> 00:10:34,760
Speaker 1: And so you have labels starting to have these single deals.

189
00:10:34,840 --> 00:10:39,560
Speaker 1: So you got quad with the type of wave probably

190
00:10:39,600 --> 00:10:44,839
Speaker 1: administrated fees going to one of the bigger labels, and

191
00:10:44,960 --> 00:10:47,719
Speaker 1: so you had type of way you had cashing out.

192
00:10:47,880 --> 00:10:50,800
Speaker 1: You had a little name cash out with cashing out

193
00:10:51,520 --> 00:10:54,480
Speaker 1: see y'all don't remember. Y'all don't remember cash out watches

194
00:10:54,600 --> 00:11:15,480
Speaker 1: right up, it was gonna ride, y'all, don't remember these

195
00:11:16,840 --> 00:11:19,400
Speaker 1: these was back in this time right here, you had

196
00:11:19,440 --> 00:11:21,880
Speaker 1: to have a single, if you just had one good one.

197
00:11:24,080 --> 00:11:26,959
Speaker 1: Gucci Man popping out with the sol icy, all these

198
00:11:27,360 --> 00:11:29,600
Speaker 1: going to get these single deals and trying to work

199
00:11:29,679 --> 00:11:31,880
Speaker 1: their way in the building and working hard to try

200
00:11:31,920 --> 00:11:34,559
Speaker 1: to work us other artists in this industry that we

201
00:11:34,760 --> 00:11:40,760
Speaker 1: got down here in position. It's taking kibbles and bits

202
00:11:40,800 --> 00:11:43,439
Speaker 1: because coming in with a bunch of money just for

203
00:11:43,559 --> 00:11:46,800
Speaker 1: the publicity and the marketing, and we take the marketing

204
00:11:47,000 --> 00:11:49,920
Speaker 1: and turn it into MOLTI means, then they gotta respect it.

205
00:11:49,960 --> 00:11:52,240
Speaker 1: And the re up say, treatment like you post to

206
00:11:52,320 --> 00:11:58,200
Speaker 1: treatment when you first caught on to me. Yeah, treatment

207
00:11:58,320 --> 00:12:00,439
Speaker 1: like you post the treatment when you first saw me.

208
00:12:00,800 --> 00:12:03,080
Speaker 1: You knew what it was, but the beingess won't let

209
00:12:03,120 --> 00:12:05,800
Speaker 1: you free. Gucci Man, go get it off. The Colonel

210
00:12:06,840 --> 00:12:11,800
Speaker 1: pop out was so icy. Now I'm in these labels.

211
00:12:11,840 --> 00:12:16,400
Speaker 1: I get a deal, got these indie labels that facilitate

212
00:12:16,600 --> 00:12:18,640
Speaker 1: these artists, and then going to get a deal to

213
00:12:18,720 --> 00:12:21,640
Speaker 1: push that one record. Yo, We'll shake hands with you

214
00:12:21,800 --> 00:12:24,240
Speaker 1: on this then it started to flip. You better be

215
00:12:24,360 --> 00:12:29,280
Speaker 1: involved with them boys. They having careers after that, but

216
00:12:29,360 --> 00:12:32,600
Speaker 1: they ushered in a way. Broh rich on me Kuwan

217
00:12:33,559 --> 00:12:38,520
Speaker 1: allegedly and again condolences to the family. Speaking about death

218
00:12:38,600 --> 00:12:43,240
Speaker 1: publicly is always shaky for me, right, but it's part

219
00:12:43,320 --> 00:12:47,400
Speaker 1: of my job. It's part of my job. Unfortunately, over

220
00:12:47,440 --> 00:12:50,040
Speaker 1: the last sixty days, I've had to sit down and

221
00:12:50,120 --> 00:12:53,640
Speaker 1: tell myself certain things is part of your job. Certain

222
00:12:53,679 --> 00:12:56,760
Speaker 1: things you have to embrace because it's part of this

223
00:12:57,000 --> 00:13:00,839
Speaker 1: thing that you've built. And not embracing those things, it's

224
00:13:00,920 --> 00:13:03,760
Speaker 1: not being prepared for the things that can come your way.

225
00:13:04,440 --> 00:13:07,319
Speaker 1: You may have opportunities to cause for a certain approach

226
00:13:07,400 --> 00:13:10,520
Speaker 1: to a conversation, you gotta be prepared and willing and

227
00:13:10,800 --> 00:13:13,880
Speaker 1: open to having those kinds of conversations. I've always stood

228
00:13:14,000 --> 00:13:17,440
Speaker 1: that with it. But rich homy Kuhan allegedly passed away

229
00:13:17,559 --> 00:13:21,040
Speaker 1: because he took some bad pills or was foaming at

230
00:13:21,080 --> 00:13:24,199
Speaker 1: the mouth. You know, there's an alleged nine one one

231
00:13:24,360 --> 00:13:27,319
Speaker 1: call that's out there. I want to play that right.

232
00:13:27,440 --> 00:13:30,480
Speaker 1: The podcasts ain't for for us to get down on

233
00:13:30,600 --> 00:13:33,840
Speaker 1: our luck. We're trying to celebrate the game, celebrate people

234
00:13:33,920 --> 00:13:37,280
Speaker 1: watch the game tape. It's up that podcasts is a

235
00:13:37,400 --> 00:13:41,080
Speaker 1: familiar place for real ones, people that's looking for information

236
00:13:41,280 --> 00:13:43,880
Speaker 1: in the leadership class. This is just what this is.

237
00:13:44,000 --> 00:13:47,319
Speaker 1: So I don't want to turn it into a sob story.

238
00:13:47,679 --> 00:13:49,319
Speaker 1: I don't want to have us all sad, but I

239
00:13:49,400 --> 00:13:52,839
Speaker 1: do want to pay respects to the legend that was

240
00:13:53,000 --> 00:13:55,520
Speaker 1: rich on the quard. But y'all got to stay away

241
00:13:55,559 --> 00:14:01,360
Speaker 1: from the pills. Unfortunately, right, and this is real talk, right,

242
00:14:01,480 --> 00:14:08,760
Speaker 1: feet don't land, this is real talk. Back in twenty sixteen,

243
00:14:08,840 --> 00:14:13,240
Speaker 1: I caught my last charge and I understood something I

244
00:14:13,360 --> 00:14:17,000
Speaker 1: said in the streets they asking these young men to

245
00:14:17,080 --> 00:14:21,280
Speaker 1: be chemists. See what the other part of the game,

246
00:14:21,400 --> 00:14:26,920
Speaker 1: that it's a dog game. I doure I can really

247
00:14:26,960 --> 00:14:29,480
Speaker 1: break it down to you man in the drug trade,

248
00:14:31,640 --> 00:14:34,120
Speaker 1: according to what people are telling me, cause I'm always

249
00:14:34,160 --> 00:14:37,680
Speaker 1: getting information from the real ones that try to keep

250
00:14:37,760 --> 00:14:40,280
Speaker 1: me informed, knowing I'm a voice of the people. We're

251
00:14:40,320 --> 00:14:43,000
Speaker 1: gonna move this conversation off of rich homely corn to

252
00:14:43,160 --> 00:14:48,240
Speaker 1: just deal with just the epidemic that is fitting off.

253
00:14:48,480 --> 00:14:53,960
Speaker 1: There's an unfortunate reality in the streets to where if

254
00:14:54,040 --> 00:14:57,840
Speaker 1: you are ni nibbling and dabbling in the streets. There's

255
00:14:57,880 --> 00:15:00,960
Speaker 1: certain corners of America with people but like asking for

256
00:15:01,120 --> 00:15:04,960
Speaker 1: fitting out in the form of whatever their choice of

257
00:15:05,080 --> 00:15:08,600
Speaker 1: drug is. Right, Let's say that they are someone that

258
00:15:08,840 --> 00:15:12,800
Speaker 1: takes pills. They're asking for fentanyl in their pills. And

259
00:15:13,240 --> 00:15:16,160
Speaker 1: these are verbatim statements where you will hear them get

260
00:15:16,240 --> 00:15:18,880
Speaker 1: in or ask for it. Got a little bit of

261
00:15:18,960 --> 00:15:25,000
Speaker 1: their fendal in it right and shut out. To my cousin,

262
00:15:25,160 --> 00:15:27,480
Speaker 1: he told me they ain't smart to agree to that,

263
00:15:28,960 --> 00:15:31,360
Speaker 1: even if they asking that, because that's a real question

264
00:15:31,520 --> 00:15:34,160
Speaker 1: out there. But that's not something you need to answer

265
00:15:34,240 --> 00:15:36,320
Speaker 1: because what if they wearing a why? And this is

266
00:15:36,440 --> 00:15:39,640
Speaker 1: my people in the FEDT So his mindset is flipped.

267
00:15:39,680 --> 00:15:43,440
Speaker 1: He's watching everything he done cost him ten and I'm

268
00:15:43,480 --> 00:15:49,600
Speaker 1: in the middle of See, I'm a people watcher and

269
00:15:49,720 --> 00:15:54,920
Speaker 1: I diest information. I die just that what make me swift.

270
00:15:56,280 --> 00:15:58,360
Speaker 1: I try to tell the young niggas to become a

271
00:15:58,480 --> 00:16:04,160
Speaker 1: sponge getting blue to them, all right, that just what's

272
00:16:04,240 --> 00:16:06,880
Speaker 1: going on. Pay attention, right, So when my people tell

273
00:16:06,960 --> 00:16:08,920
Speaker 1: me that, that's one thing. But let's deal with the

274
00:16:09,440 --> 00:16:13,600
Speaker 1: harsh reality people are asking. Yo, doesn't have fitanald lin it?

275
00:16:13,720 --> 00:16:16,240
Speaker 1: I won't it with just enough, not enough to kill me,

276
00:16:16,320 --> 00:16:19,520
Speaker 1: but enough to keep me like it had me last time. Well,

277
00:16:19,600 --> 00:16:24,160
Speaker 1: I feel good. And the human being can get addicted

278
00:16:24,200 --> 00:16:28,280
Speaker 1: to anything. I know people that eat peanuts all day,

279
00:16:28,440 --> 00:16:32,040
Speaker 1: eat ice. I know motherfuckers that's addicted to looking at

280
00:16:32,240 --> 00:16:35,320
Speaker 1: shit online. I know niggas that's addicted to pawn and

281
00:16:35,440 --> 00:16:40,040
Speaker 1: addicted to food. There's people with six addictions and opio

282
00:16:40,120 --> 00:16:43,800
Speaker 1: or the right. Human beings have a switch. They can

283
00:16:43,880 --> 00:16:48,240
Speaker 1: be turned on by almost anything that they indulge in

284
00:16:48,440 --> 00:16:50,520
Speaker 1: and they enjoy at a high level. And so when

285
00:16:50,560 --> 00:16:53,240
Speaker 1: they got that fit, now, whenever time they got it,

286
00:16:55,120 --> 00:16:57,360
Speaker 1: you ask yourself how they know the difference is because

287
00:16:57,360 --> 00:16:59,640
Speaker 1: the next time they got something that was right, maybe

288
00:16:59,680 --> 00:17:02,520
Speaker 1: without it, they didn't get that same feeling. So now

289
00:17:02,560 --> 00:17:04,639
Speaker 1: they got a craven for the fending off. So what

290
00:17:04,720 --> 00:17:07,840
Speaker 1: are they asking? What are they asking the young men

291
00:17:07,960 --> 00:17:10,720
Speaker 1: that's out there that's involved in the in the drug trade,

292
00:17:11,480 --> 00:17:15,359
Speaker 1: They asking them to be chemists. Put enough on it

293
00:17:15,440 --> 00:17:18,560
Speaker 1: the way it don't kill me. And you may have comobilities,

294
00:17:18,600 --> 00:17:21,920
Speaker 1: I may not have even I may have limited understanding

295
00:17:23,000 --> 00:17:26,200
Speaker 1: of the chemistry that's involved with these compounds were putting

296
00:17:26,240 --> 00:17:28,679
Speaker 1: together and in how to fix you as a person.

297
00:17:30,200 --> 00:17:32,359
Speaker 1: But for that money, you think I'm gonna miss that money.

298
00:17:32,400 --> 00:17:34,600
Speaker 1: I ain't gonna miss that money. And so in the

299
00:17:34,680 --> 00:17:39,600
Speaker 1: ghetto you're dealing with that. But we didn't bring fitting

300
00:17:39,680 --> 00:17:43,480
Speaker 1: all over from the ghetto. It was delivered here and

301
00:17:43,600 --> 00:17:47,480
Speaker 1: it continues to be delivered here, and so that should

302
00:17:47,520 --> 00:17:51,440
Speaker 1: be looked into. But a lot of low level drug

303
00:17:51,560 --> 00:17:54,640
Speaker 1: dealers don't even know when they got fitningal these niggas.

304
00:17:55,000 --> 00:17:58,000
Speaker 1: It's above they paid grade. They just hustling. They don't

305
00:17:58,000 --> 00:18:02,480
Speaker 1: even know what's going on these niggas that's buying. You know,

306
00:18:02,640 --> 00:18:05,359
Speaker 1: these people that's buying these small amounts of drugs, the

307
00:18:05,480 --> 00:18:09,440
Speaker 1: low level guys, they don't know. A lot of people

308
00:18:09,480 --> 00:18:11,560
Speaker 1: will say, Yo, why I wouldn't rich people just go

309
00:18:11,720 --> 00:18:14,879
Speaker 1: to a doctor to get their drugs. It's like, you

310
00:18:15,040 --> 00:18:17,520
Speaker 1: do what you know how to do. Man, when you

311
00:18:17,680 --> 00:18:19,560
Speaker 1: come up in the hood, that's how you know how

312
00:18:19,600 --> 00:18:23,240
Speaker 1: to get with your money. So you feelish though you

313
00:18:23,320 --> 00:18:25,479
Speaker 1: got a money glitch, and you feelish though you plugged

314
00:18:25,520 --> 00:18:27,320
Speaker 1: in with good people. You might have been dealing with

315
00:18:27,400 --> 00:18:30,000
Speaker 1: them a long time. They just got a bad betch

316
00:18:30,800 --> 00:18:34,520
Speaker 1: and they don't know the difference. Unfortunate reality about addiction.

317
00:18:34,760 --> 00:18:38,600
Speaker 1: Is a lot of the people that look down on

318
00:18:38,760 --> 00:18:44,720
Speaker 1: each other's addictions have addictions. That's almost no one except

319
00:18:45,840 --> 00:18:49,520
Speaker 1: right and black people have a bougie class a black person,

320
00:18:50,200 --> 00:18:53,520
Speaker 1: a bougie class of people that look down on others

321
00:18:53,600 --> 00:18:57,000
Speaker 1: that may be in those positions where they are identifying

322
00:18:57,080 --> 00:18:59,359
Speaker 1: with they lower self and that's just not who I am.

323
00:18:59,480 --> 00:19:02,960
Speaker 1: I want to I want to breathe life into our culture.

324
00:19:03,320 --> 00:19:06,720
Speaker 1: Those this loss and left out right because there's more

325
00:19:06,760 --> 00:19:09,040
Speaker 1: of us that don't know the way than us that's

326
00:19:09,119 --> 00:19:12,000
Speaker 1: leading a way. And so leaders got to jump back

327
00:19:12,040 --> 00:19:15,320
Speaker 1: in the water constantly and continue to get wet because

328
00:19:15,359 --> 00:19:18,159
Speaker 1: they know how to get out. I remember my interview

329
00:19:18,240 --> 00:19:20,800
Speaker 1: with rich hold me right and again, brother, they showed

330
00:19:20,840 --> 00:19:22,800
Speaker 1: me so much love. If you gonna watch the interview,

331
00:19:22,880 --> 00:19:27,480
Speaker 1: you will see the homeboy saying like, yo, lord, you

332
00:19:27,680 --> 00:19:32,719
Speaker 1: literally the best in the culture with this. There's another

333
00:19:32,840 --> 00:19:35,520
Speaker 1: live somewhere where every time I join his live he

334
00:19:35,600 --> 00:19:37,800
Speaker 1: has said he be like, boy, you snuck up on

335
00:19:38,040 --> 00:19:42,440
Speaker 1: me with that information, boy, And he always respected my

336
00:19:42,640 --> 00:19:44,520
Speaker 1: mental and that's what I get in the game. And

337
00:19:44,960 --> 00:19:49,600
Speaker 1: I always appreciated that coming from him because I was

338
00:19:49,680 --> 00:19:53,120
Speaker 1: somebody that listened to his music. You dig what I'm saying.

339
00:19:53,160 --> 00:19:57,639
Speaker 1: When I was out there going to work or whatever

340
00:19:57,760 --> 00:20:00,880
Speaker 1: I was doing outside, right, I would always listening to Ridge,

341
00:20:00,920 --> 00:20:04,880
Speaker 1: Homi and Thug and all of those guys and always

342
00:20:05,000 --> 00:20:09,280
Speaker 1: be you know, if you're from the South, you applauded there.

343
00:20:09,800 --> 00:20:12,560
Speaker 1: You know. They was like the new age bootsh and

344
00:20:12,640 --> 00:20:15,440
Speaker 1: Webbe before whatever happened. Hey, let's take a break from

345
00:20:15,480 --> 00:20:17,600
Speaker 1: the show really quick. I wanted to let you guys know.

346
00:20:18,280 --> 00:20:21,399
Speaker 7: Around this time last year, me and doctor Umar Johnson

347
00:20:21,480 --> 00:20:25,040
Speaker 7: had the first annual live It's Up That Podcast event

348
00:20:25,600 --> 00:20:29,320
Speaker 7: and it was sold out. The crowd was so involved

349
00:20:29,680 --> 00:20:32,240
Speaker 7: that a couple of times we had to ask them

350
00:20:32,320 --> 00:20:33,800
Speaker 7: to please we were recording.

351
00:20:33,840 --> 00:20:35,200
Speaker 1: It was my first live event.

352
00:20:35,640 --> 00:20:38,760
Speaker 7: Some of the dopest content that I've ever created came

353
00:20:38,800 --> 00:20:41,400
Speaker 7: out of that night with Doctor Umar Johnson, and we're

354
00:20:41,480 --> 00:20:44,800
Speaker 7: running it back October eighth. We're giving you an opportunity

355
00:20:45,080 --> 00:20:48,320
Speaker 7: to be in the crowd. We're giving you an opportunity

356
00:20:48,400 --> 00:20:50,119
Speaker 7: to be a part of the system, to be a

357
00:20:50,200 --> 00:20:51,000
Speaker 7: part of the game.

358
00:20:51,720 --> 00:20:55,160
Speaker 1: It's just on what you're gonna do with it. Will

359
00:20:55,200 --> 00:20:58,680
Speaker 1: we see you there following this with Doctor Umar. What

360
00:20:58,800 --> 00:21:04,200
Speaker 1: you saw was Doctor Umar Johnson debates this. Doctor Umar Johnson.

361
00:21:03,920 --> 00:21:07,960
Speaker 8: Debates here, debates their debates here, debates there. We started

362
00:21:08,000 --> 00:21:11,840
Speaker 8: that on this up there podcast live and so the

363
00:21:11,960 --> 00:21:17,840
Speaker 8: second then you wore it cannot be duplicated. Everybody can try.

364
00:21:19,080 --> 00:21:20,800
Speaker 8: We're gonna show you exactly.

365
00:21:20,440 --> 00:21:23,080
Speaker 1: Why we are who we say we are in the culture.

366
00:21:24,160 --> 00:21:27,240
Speaker 7: October the eighth, we have a conversation with doctor Umar Johnson.

367
00:21:27,320 --> 00:21:30,879
Speaker 7: We speak to the leadership class. Let there be no

368
00:21:31,040 --> 00:21:38,120
Speaker 7: misunderstandings about that. Hopefully to see you there, patroon dot com.

369
00:21:38,240 --> 00:21:41,560
Speaker 7: October eighth, Nashville, Tennessee, being the building, Doctor Umar Johnson,

370
00:21:41,600 --> 00:21:43,080
Speaker 7: big long, see you there.

371
00:21:43,960 --> 00:21:47,240
Speaker 1: Look, it kind of felt like Rich Holman took off

372
00:21:47,400 --> 00:21:52,000
Speaker 1: before young Thug. It's the same with the Webmen Boots effect.

373
00:21:52,720 --> 00:21:55,119
Speaker 1: If you remember Webb, It took off before Boots and

374
00:21:55,400 --> 00:21:57,560
Speaker 1: people kind of counting Boots out and then he helped

375
00:21:57,600 --> 00:21:59,840
Speaker 1: him down and passed him, and it kind of felt

376
00:21:59,880 --> 00:22:02,840
Speaker 1: like that were Rich Homi Quard and in death I

377
00:22:02,920 --> 00:22:07,160
Speaker 1: don't really want to compare them to but in the South,

378
00:22:07,600 --> 00:22:10,480
Speaker 1: when you paid attention to it, Quard had took off

379
00:22:11,119 --> 00:22:14,160
Speaker 1: and Thug was in the back, and then Thug kind

380
00:22:14,200 --> 00:22:18,600
Speaker 1: of kind of double to speed up you did what

381
00:22:18,680 --> 00:22:21,480
Speaker 1: I'm saying and kind of took the lead. When we

382
00:22:21,680 --> 00:22:25,720
Speaker 1: really look at Thug and rich Home's relationship, it wasn't

383
00:22:25,800 --> 00:22:29,280
Speaker 1: really that much time together. You know. The music was

384
00:22:29,359 --> 00:22:32,800
Speaker 1: so good and the moment was so deep that people

385
00:22:32,880 --> 00:22:36,520
Speaker 1: associate them like they was homeboys and grew up together.

386
00:22:36,680 --> 00:22:39,840
Speaker 1: But then folks really didn't grow up together. They met

387
00:22:39,880 --> 00:22:44,240
Speaker 1: alone the journey, you see what I'm saying, and think

388
00:22:44,320 --> 00:22:47,200
Speaker 1: that music puts us in a daze to be like, man,

389
00:22:47,359 --> 00:22:50,040
Speaker 1: they were sold. They knew each other for so long.

390
00:22:51,880 --> 00:22:54,240
Speaker 1: It's like they was together for a year, two years,

391
00:22:54,320 --> 00:22:58,159
Speaker 1: three years maybe, and then that shit broke up. And

392
00:22:58,320 --> 00:23:00,720
Speaker 1: that's literally maybe all the time. And we ain't talking

393
00:23:00,760 --> 00:23:03,720
Speaker 1: about knowing each other just with what you doing. I'm

394
00:23:03,720 --> 00:23:06,000
Speaker 1: talking about why I'm really fucking with you man, while

395
00:23:06,000 --> 00:23:08,480
Speaker 1: I'm fucking with your people. We kind of tied in.

396
00:23:09,240 --> 00:23:11,240
Speaker 1: I don't know how long they really knew each other.

397
00:23:11,320 --> 00:23:15,520
Speaker 1: I think that's something that that we'll have to look into.

398
00:23:16,320 --> 00:23:20,440
Speaker 1: I remember they came through and did the episode, and

399
00:23:20,760 --> 00:23:24,280
Speaker 1: let's look at a clip, man, just to just to

400
00:23:24,359 --> 00:23:27,120
Speaker 1: see what he said about about when I was interview

401
00:23:27,160 --> 00:23:30,480
Speaker 1: on her right. At one point we had a train

402
00:23:30,600 --> 00:23:34,879
Speaker 1: coming through and I stopped the episode because the train

403
00:23:35,040 --> 00:23:38,200
Speaker 1: was so loud. Right again, if you just rewind, you

404
00:23:38,280 --> 00:23:40,840
Speaker 1: can see me alone, my journey trying to level this

405
00:23:41,040 --> 00:23:43,679
Speaker 1: thing up. Right, the train was so loud. I'm thinking, Yo,

406
00:23:44,119 --> 00:23:47,480
Speaker 1: it's missing the audio up. Same effect when we deal

407
00:23:47,520 --> 00:23:50,280
Speaker 1: with the doctor Umar Johnson interviewing, which I was told

408
00:23:50,359 --> 00:23:53,000
Speaker 1: the girl, hey break chill, you got to stop. Y'all

409
00:23:53,080 --> 00:23:56,080
Speaker 1: got to stop all that because I'm thinking we recording,

410
00:23:56,320 --> 00:24:00,600
Speaker 1: but now understand, especially with a live audience, lean into

411
00:24:00,720 --> 00:24:03,639
Speaker 1: that a little more. But back to rich Homan. They

412
00:24:03,800 --> 00:24:08,320
Speaker 1: ended up coming through bro and let's just look at

413
00:24:08,320 --> 00:24:11,240
Speaker 1: a clip. It's before some type of way like em

414
00:24:11,280 --> 00:24:15,240
Speaker 1: matter of what imat drag on a interview meet and

415
00:24:15,359 --> 00:24:18,359
Speaker 1: it's his tats be different too, so like for you

416
00:24:18,440 --> 00:24:20,879
Speaker 1: gotta just thing for get on this rock telling himself

417
00:24:20,880 --> 00:24:23,119
Speaker 1: but he had to get you real call or he

418
00:24:23,400 --> 00:24:26,840
Speaker 1: just got nuts. Now he is besides sleep on the

419
00:24:26,880 --> 00:24:29,080
Speaker 1: way he asked his question, so he saw moving but

420
00:24:29,240 --> 00:24:32,680
Speaker 1: he ain't sleep, but like he really super direct the

421
00:24:32,720 --> 00:24:35,119
Speaker 1: way it seemed like it's just norm Yeah, well like

422
00:24:36,320 --> 00:24:41,520
Speaker 1: something like this twenty seventeen, you got into a a

423
00:24:41,880 --> 00:24:46,680
Speaker 1: h says here a robbery and shooting the night of

424
00:24:46,800 --> 00:24:51,119
Speaker 1: November sixteen? What happened that night? And it's like he

425
00:24:51,320 --> 00:24:54,040
Speaker 1: asking you. He ain't saying nothing wrong, but he asking

426
00:24:54,119 --> 00:24:57,840
Speaker 1: you about the night you were shot on camera? On camera? Now,

427
00:24:57,880 --> 00:25:01,000
Speaker 1: what could I say about that? That ain't putting somebody

428
00:25:01,040 --> 00:25:01,840
Speaker 1: in a situation.

429
00:25:02,640 --> 00:25:05,480
Speaker 9: Yeah, you see what I'm saying, and that's what they're saying.

430
00:25:05,560 --> 00:25:06,680
Speaker 1: But now you asked it.

431
00:25:06,800 --> 00:25:09,480
Speaker 9: You asked it, but he asked me quite like that.

432
00:25:09,640 --> 00:25:12,399
Speaker 1: But I didn't know how to shoot him down, like

433
00:25:13,200 --> 00:25:15,280
Speaker 1: my interview, like what made it comfortable? Though?

434
00:25:15,320 --> 00:25:15,800
Speaker 3: What made it?

435
00:25:15,920 --> 00:25:17,720
Speaker 1: What made that one of the best spots outside of

436
00:25:17,800 --> 00:25:20,960
Speaker 1: you probably me and me, outside of you probably being paid?

437
00:25:22,440 --> 00:25:22,560
Speaker 6: Uh?

438
00:25:22,680 --> 00:25:26,919
Speaker 1: This him get just him giving me asking me different questions,

439
00:25:27,119 --> 00:25:29,639
Speaker 1: like not making it feel like an interview right now.

440
00:25:29,680 --> 00:25:31,760
Speaker 1: He's good though, now you know with all the slack

441
00:25:31,840 --> 00:25:34,399
Speaker 1: he gets, he he good at He keep good at interviewing. Like,

442
00:25:34,480 --> 00:25:35,600
Speaker 1: I can't take that from him.

443
00:25:35,640 --> 00:25:38,159
Speaker 9: And he sat down there for over forty five minutes.

444
00:25:38,200 --> 00:25:40,520
Speaker 1: Man, Yeah, you gotta look like damn, but I really

445
00:25:40,520 --> 00:25:43,119
Speaker 1: said thatfter I put that, dude, so you got to

446
00:25:43,160 --> 00:25:45,280
Speaker 1: look at it like and from all the people he's had,

447
00:25:45,400 --> 00:25:48,199
Speaker 1: like I we're blad man and it's like probably one

448
00:25:48,240 --> 00:25:50,280
Speaker 1: of my one of my biggest faces before I just

449
00:25:50,359 --> 00:25:51,720
Speaker 1: got before who I am? Yeah?

450
00:25:52,040 --> 00:25:52,840
Speaker 9: Who else do I like?

451
00:25:52,960 --> 00:25:53,160
Speaker 7: Man?

452
00:25:53,520 --> 00:25:55,960
Speaker 1: I like to but be high and this one I

453
00:25:56,000 --> 00:26:00,720
Speaker 1: got done like radio child yeah radio shouting? Yeah, I

454
00:26:00,840 --> 00:26:02,040
Speaker 1: know any about it in this game?

455
00:26:02,720 --> 00:26:02,840
Speaker 10: Man?

456
00:26:03,520 --> 00:26:06,120
Speaker 9: Whoever I say, it's no longer. That's a couple of them.

457
00:26:07,640 --> 00:26:10,639
Speaker 1: Academic was longly cool because I think I anticipated it

458
00:26:10,960 --> 00:26:15,640
Speaker 1: and I knew like I knew the platform he had,

459
00:26:15,760 --> 00:26:18,000
Speaker 1: So it's almost kind of like I went there wanting

460
00:26:18,040 --> 00:26:22,880
Speaker 1: to get spice. I can't respect academics. I wouldn't say

461
00:26:22,880 --> 00:26:27,760
Speaker 1: you wouldn't academics. Do y'all know academics at tech? Yeah?

462
00:26:27,920 --> 00:26:30,240
Speaker 1: On online? I can't.

463
00:26:30,320 --> 00:26:30,720
Speaker 9: How can I?

464
00:26:31,200 --> 00:26:33,560
Speaker 1: I can't either, But like I just told you so,

465
00:26:33,680 --> 00:26:36,359
Speaker 1: it's different when like I never said, like as a person,

466
00:26:36,760 --> 00:26:39,359
Speaker 1: that's my buddy, right, but you got this are the

467
00:26:39,400 --> 00:26:42,200
Speaker 1: biggest platforms in that's fast, So I can't go here

468
00:26:42,320 --> 00:26:45,080
Speaker 1: or nothing. That's facts. You gotta give her something, yeah, yeah,

469
00:26:45,520 --> 00:26:47,560
Speaker 1: saying but that's because y'all don't got a choice, and

470
00:26:47,640 --> 00:26:50,000
Speaker 1: now we give it. The realm was a choice exactly,

471
00:26:50,080 --> 00:26:52,600
Speaker 1: So it ain't no disrespect, but it's like, no, it

472
00:26:52,680 --> 00:26:55,159
Speaker 1: ain't no respect for you tagging the d A. I

473
00:26:55,200 --> 00:26:55,840
Speaker 1: can't respect.

474
00:26:55,920 --> 00:26:56,280
Speaker 9: I can't.

475
00:26:56,680 --> 00:26:59,560
Speaker 1: I can't, I can't. Anybody else in the world can respect.

476
00:26:59,600 --> 00:27:00,240
Speaker 9: You don't.

477
00:27:00,320 --> 00:27:03,040
Speaker 1: Can't retele when it came out and see, like I'm

478
00:27:03,119 --> 00:27:05,760
Speaker 1: telling I go in a courting. This don't got nothing

479
00:27:05,800 --> 00:27:08,320
Speaker 1: to do with it that people don't know DJ academics

480
00:27:08,359 --> 00:27:09,760
Speaker 1: being imported into the country.

481
00:27:09,840 --> 00:27:10,600
Speaker 6: He not, he not.

482
00:27:10,840 --> 00:27:14,760
Speaker 1: He didn't come up playing kickball. Realize eating grilled cheese.

483
00:27:15,040 --> 00:27:16,280
Speaker 1: You know, That's what I can tell you.

484
00:27:17,200 --> 00:27:19,359
Speaker 9: Most of the people who do these podcasts you probably

485
00:27:19,400 --> 00:27:20,800
Speaker 9: read a few, we just feel like.

486
00:27:20,840 --> 00:27:24,800
Speaker 1: Who's right? Like I ain't calling them like I don't

487
00:27:24,800 --> 00:27:27,119
Speaker 1: want to say the word or like, but you just

488
00:27:27,200 --> 00:27:29,160
Speaker 1: can tell they're not worth what we will be right

489
00:27:29,760 --> 00:27:32,240
Speaker 1: struggled the way we struggle, right, you know what I'm saying.

490
00:27:32,240 --> 00:27:34,800
Speaker 1: I don't want to call him like I can tell

491
00:27:34,960 --> 00:27:39,720
Speaker 1: when that's energy right, right? And and them guys, is

492
00:27:40,160 --> 00:27:43,560
Speaker 1: they visit us and academics especially for me bro It's

493
00:27:43,680 --> 00:27:49,480
Speaker 1: it's in my opinion, very disrespectful to go police on

494
00:27:49,600 --> 00:27:52,840
Speaker 1: a point done nothing to you, you understand. So I'm

495
00:27:52,880 --> 00:27:57,159
Speaker 1: doing spring cleaning in this game, real real, Nick, Somewhere

496
00:27:57,200 --> 00:27:59,560
Speaker 1: to go somewhere they can talk somewhere to get their

497
00:27:59,640 --> 00:28:04,240
Speaker 1: force and cousin with Richro mccorn. They of course, the

498
00:28:04,359 --> 00:28:08,160
Speaker 1: internet was why the culture has not had the pleasure

499
00:28:08,200 --> 00:28:13,720
Speaker 1: of seeing bird Man posts orfp rich homc. Kwan you

500
00:28:13,880 --> 00:28:17,239
Speaker 1: do with that information what you made? You know there

501
00:28:17,320 --> 00:28:21,000
Speaker 1: was a fractured relationship with Richro mc kun and bird Man.

502
00:28:21,600 --> 00:28:24,399
Speaker 1: I asked Korn, did he feel as though he missed U.

503
00:28:24,600 --> 00:28:27,640
Speaker 1: He told me, yeah, thug position. We don't know. We're

504
00:28:27,640 --> 00:28:31,159
Speaker 1: fighting for his life. I don't know his position. I

505
00:28:31,240 --> 00:28:34,359
Speaker 1: don't know how he feels Luci. I don't know how

506
00:28:34,480 --> 00:28:37,080
Speaker 1: Luci feels. I'm not sure if we saw a post

507
00:28:37,160 --> 00:28:42,320
Speaker 1: from Luci or his people you did. Maybe we did.

508
00:28:42,720 --> 00:28:46,560
Speaker 1: If we did, that's somebody didn't see. But throughout this game, bruh,

509
00:28:46,960 --> 00:28:49,320
Speaker 1: there's always a lame like if you don't take the

510
00:28:49,440 --> 00:28:54,600
Speaker 1: fucking wing in which not saying that's luching them scenario,

511
00:28:54,720 --> 00:28:57,120
Speaker 1: but I'm talking about in this industry. Say you go

512
00:28:57,240 --> 00:29:00,680
Speaker 1: to auditing companies and asking about your budget and asking

513
00:29:00,760 --> 00:29:03,520
Speaker 1: about the marketing and what are we doing with the product,

514
00:29:03,640 --> 00:29:05,959
Speaker 1: and how you're helping in the position, and what are

515
00:29:06,000 --> 00:29:09,160
Speaker 1: we doing for each other? They start to call you difficult.

516
00:29:09,560 --> 00:29:11,800
Speaker 1: These are some of the things that we see that

517
00:29:12,000 --> 00:29:14,960
Speaker 1: that's why we applaud jay Z on one end, because

518
00:29:15,040 --> 00:29:18,640
Speaker 1: we understand if you've done high level business, you understand

519
00:29:18,680 --> 00:29:23,120
Speaker 1: that there's this fine line that you walk. You see

520
00:29:23,160 --> 00:29:29,080
Speaker 1: what I'm saying. In negotiation, there's a language, there's a

521
00:29:29,240 --> 00:29:32,920
Speaker 1: fine line that you have to walk and teeter in

522
00:29:33,200 --> 00:29:36,080
Speaker 1: order to get things done without offending the people that

523
00:29:36,240 --> 00:29:38,920
Speaker 1: need to do the things. You see what I'm saying.

524
00:29:39,280 --> 00:29:46,440
Speaker 1: And so speaking of that, we have Birdman just now

525
00:29:46,680 --> 00:29:50,560
Speaker 1: responding to what we're about to talk about Kendrick Lamar.

526
00:29:51,920 --> 00:29:55,560
Speaker 1: It has been announced that Kendrick Lamar will be performing

527
00:29:55,640 --> 00:29:58,760
Speaker 1: at Super Bowl fifty nine in New Orleans in the South.

528
00:30:02,600 --> 00:30:07,520
Speaker 1: For those unaware, jay Z is behind all Super Bowl activities.

529
00:30:07,600 --> 00:30:10,760
Speaker 1: He has been placed on the board to work his

530
00:30:10,920 --> 00:30:13,840
Speaker 1: way in position to get itself a team and pass

531
00:30:13,960 --> 00:30:17,600
Speaker 1: that down to his family. Shout out to jay Z,

532
00:30:17,800 --> 00:30:20,600
Speaker 1: big business being done. When we deal with Kendrick Lamar,

533
00:30:21,040 --> 00:30:24,840
Speaker 1: I want to take this time to send a congratulations

534
00:30:24,920 --> 00:30:27,400
Speaker 1: to Kendrick Lamar on the run that he's been having

535
00:30:27,480 --> 00:30:30,520
Speaker 1: the West Coast looks great on him. He's doing a

536
00:30:30,600 --> 00:30:34,720
Speaker 1: great job. As it pertains to riding a wave of

537
00:30:35,080 --> 00:30:40,520
Speaker 1: not like us. There's a master class in place about

538
00:30:40,640 --> 00:30:43,800
Speaker 1: how to work a record. For those unaware in the

539
00:30:43,960 --> 00:30:47,560
Speaker 1: music business, you're dealing with a master class being put

540
00:30:47,640 --> 00:30:52,240
Speaker 1: on by Kendrick Lamar and his people. Congratulations to Kendrick Lamar,

541
00:30:53,760 --> 00:30:59,120
Speaker 1: Congratulations to TDE, Congratulations to pg lank jay Z made

542
00:30:59,200 --> 00:31:03,440
Speaker 1: this move. Let's take a look at Kendrick Lamar's announcement

543
00:31:04,120 --> 00:31:09,960
Speaker 1: as it pertains to his Super Bowl appearance. Here you go,

544
00:31:11,760 --> 00:31:12,400
Speaker 1: let me one more?

545
00:31:15,560 --> 00:31:19,520
Speaker 10: Ah m too more.

546
00:31:22,360 --> 00:31:22,760
Speaker 1: Just like that?

547
00:31:25,640 --> 00:31:26,280
Speaker 9: You ready.

548
00:31:29,160 --> 00:31:33,320
Speaker 1: Exactly? But to deal with everybody?

549
00:31:34,120 --> 00:31:37,120
Speaker 10: I named Kendrick Lamar and I'll be performing at Souper

550
00:31:37,160 --> 00:31:37,920
Speaker 10: Bowl fifty nine.

551
00:31:38,840 --> 00:31:41,400
Speaker 1: Will you be pulling up? I hope so.

552
00:31:42,880 --> 00:31:45,320
Speaker 10: You know there's only one opportunity to win a championship.

553
00:31:46,480 --> 00:31:54,400
Speaker 10: No round tools, Let's get it, boom. I won't want

554
00:31:54,440 --> 00:31:59,080
Speaker 10: you to miss it. Meet me in New Orleans, February ninth,

555
00:32:00,120 --> 00:32:04,000
Speaker 10: twenty twenty five. What are your best dressed too? Even

556
00:32:04,040 --> 00:32:09,120
Speaker 10: if you're watching from home, Let's go yany so I'm

557
00:32:09,160 --> 00:32:12,680
Speaker 10: talking about mine now, we can get to it for real.

558
00:32:12,800 --> 00:32:14,920
Speaker 10: Come on, you gotta you gotta make sure you catch

559
00:32:14,960 --> 00:32:17,520
Speaker 10: it with the hands open like that we run a

560
00:32:17,560 --> 00:32:18,000
Speaker 10: real route.

561
00:32:18,000 --> 00:32:24,080
Speaker 1: You're gonna be messing up getting shout out the apples,

562
00:32:24,120 --> 00:32:26,760
Speaker 1: Shout out to Kendrick Lamar. You know, this is one

563
00:32:26,800 --> 00:32:30,080
Speaker 1: of those ones as a podcaster, you know, as being

564
00:32:30,160 --> 00:32:33,320
Speaker 1: in this space, you gotta deal with the harsh realities.

565
00:32:33,440 --> 00:32:35,680
Speaker 1: This is this is where you make the big bucks.

566
00:32:35,720 --> 00:32:41,040
Speaker 1: You gotta have these real conversations. This is a tough

567
00:32:41,120 --> 00:32:43,720
Speaker 1: one because you don't want to shoot on Kendrick, but

568
00:32:43,880 --> 00:32:48,360
Speaker 1: you gotta preserve the South. See the position that I'm

569
00:32:48,440 --> 00:32:50,680
Speaker 1: in as a podcast, and so it takes a high

570
00:32:50,760 --> 00:32:53,800
Speaker 1: level thinker they even be able to craft up some

571
00:32:53,960 --> 00:32:56,720
Speaker 1: of these analogies and some of these conversations that we're

572
00:32:56,760 --> 00:32:59,560
Speaker 1: about to dive into. But I do want you guys

573
00:32:59,640 --> 00:33:01,600
Speaker 1: to know that this is when the this is the

574
00:33:01,760 --> 00:33:07,480
Speaker 1: podcast one on one. It's like, as a person in media,

575
00:33:07,600 --> 00:33:10,160
Speaker 1: you look at this and you understand that while I'm

576
00:33:10,240 --> 00:33:13,960
Speaker 1: happy for Kendrick Lamar, I'm interested in understanding why the

577
00:33:14,080 --> 00:33:18,480
Speaker 1: South couldn't be celebrated in the South. Now there is

578
00:33:18,600 --> 00:33:22,440
Speaker 1: a conversation to be had. We will deal with both sides,

579
00:33:22,440 --> 00:33:24,920
Speaker 1: because again over here, we like to deal with information.

580
00:33:25,640 --> 00:33:28,720
Speaker 1: When you deal with the masses, whether the community saying, well,

581
00:33:28,840 --> 00:33:32,440
Speaker 1: number one, Wayne forgets his lyrics. Are we sure we

582
00:33:32,600 --> 00:33:35,280
Speaker 1: want to fight about a dude that forgets his lyrics?

583
00:33:36,680 --> 00:33:38,960
Speaker 1: Now we're dealing with Kendrick Lamar that went up there

584
00:33:39,000 --> 00:33:41,360
Speaker 1: on the pop Out tour and wrap for two hours

585
00:33:41,480 --> 00:33:44,320
Speaker 1: non stop without a drink. Now we're talking about Wayne.

586
00:33:44,760 --> 00:33:47,720
Speaker 1: This is the conversation online. I will rebuke that in

587
00:33:47,840 --> 00:33:51,520
Speaker 1: the name of Jesus. If you're telling me that the

588
00:33:51,760 --> 00:33:56,240
Speaker 1: artist's biggest little Wayne Runk, be prepared for a Super

589
00:33:56,320 --> 00:33:59,320
Speaker 1: Bowl appearance in New Orleans, Let's cut the shit out

590
00:33:59,360 --> 00:34:03,720
Speaker 1: against and get to the real conversation. Let's cut the

591
00:34:03,760 --> 00:34:07,480
Speaker 1: shit out against and get to the real conversation. But

592
00:34:07,640 --> 00:34:10,719
Speaker 1: you deal with that, And so again, there's several conversations

593
00:34:10,800 --> 00:34:13,720
Speaker 1: to be had. One is without this where their record

594
00:34:13,800 --> 00:34:17,560
Speaker 1: die out, Like when we being realistic about the record,

595
00:34:17,920 --> 00:34:20,440
Speaker 1: not like us, it looks like it's dying out. We're

596
00:34:20,440 --> 00:34:22,560
Speaker 1: about to put it on the grass stage to call

597
00:34:22,640 --> 00:34:26,240
Speaker 1: this Drake guy a PDF file in front of the world.

598
00:34:26,719 --> 00:34:29,360
Speaker 1: If I'm Drake, I'm viewing this like a terrorist attack,

599
00:34:30,840 --> 00:34:35,520
Speaker 1: like they're trying to crush the buildings. If they're trying

600
00:34:35,560 --> 00:34:38,640
Speaker 1: to put this song on the main stage, right, because

601
00:34:38,800 --> 00:34:41,200
Speaker 1: what other run do we have now, Kendrick is a

602
00:34:41,400 --> 00:34:46,080
Speaker 1: very celebrated artist, a great phenomenal artist. Again, congratulations to

603
00:34:46,360 --> 00:34:51,839
Speaker 1: Kendrick Lamar. A very monumental accomplishment Historically when we talk

604
00:34:51,880 --> 00:34:55,400
Speaker 1: about the Super Bowl performance, to have time performance some

605
00:34:55,480 --> 00:34:58,640
Speaker 1: of the biggest names in the world ever. But let's

606
00:34:58,680 --> 00:35:00,840
Speaker 1: peel the layers back and deal with the business end

607
00:35:00,880 --> 00:35:05,120
Speaker 1: of this. We're dealing with Kendrick who has yet to

608
00:35:05,280 --> 00:35:10,160
Speaker 1: drop an album in since Mister Morale and the Big Steppers,

609
00:35:10,200 --> 00:35:13,239
Speaker 1: which some people say they could do without that one

610
00:35:13,400 --> 00:35:18,840
Speaker 1: and he would still be who he is, meaning it

611
00:35:18,960 --> 00:35:21,480
Speaker 1: didn't add or take from It's just kind of okay,

612
00:35:21,600 --> 00:35:25,279
Speaker 1: we get it respectfully that some people not saying that's

613
00:35:25,360 --> 00:35:29,000
Speaker 1: my conversation some people. But we're dealing with this back

614
00:35:29,040 --> 00:35:32,680
Speaker 1: and forth with Drake gets you a super Bowl appearance. Now,

615
00:35:33,080 --> 00:35:36,359
Speaker 1: let's be fair. Legacy acts usually do do the Super Bowl.

616
00:35:36,440 --> 00:35:39,160
Speaker 1: We usually don't have any current acts doing the Super Bowl.

617
00:35:39,239 --> 00:35:41,399
Speaker 1: I mean, it does kind of put people in back

618
00:35:41,480 --> 00:35:44,640
Speaker 1: to the game, but we don't usually have a lot

619
00:35:44,719 --> 00:35:47,279
Speaker 1: of current artists. You have to be humongous like a

620
00:35:47,360 --> 00:35:51,800
Speaker 1: Beyonce or Rihanna or somebody like that. Even Rihanna was

621
00:35:52,160 --> 00:35:57,360
Speaker 1: not active when she did the super Bowl appearance, but

622
00:35:57,560 --> 00:36:01,400
Speaker 1: does not like us fall off without jay z super

623
00:36:01,480 --> 00:36:05,160
Speaker 1: Bowl co sign because again, the record is not being

624
00:36:05,239 --> 00:36:09,160
Speaker 1: played around me. I had an argument about a month

625
00:36:09,200 --> 00:36:11,920
Speaker 1: ago while I said, Yo, this record, while it was

626
00:36:12,000 --> 00:36:15,960
Speaker 1: phenomenal in its time. While I respect the production, the flow,

627
00:36:16,080 --> 00:36:20,040
Speaker 1: I respect the play on words, it does not give

628
00:36:20,120 --> 00:36:22,320
Speaker 1: me the same feeling that it used to give me.

629
00:36:22,440 --> 00:36:25,680
Speaker 1: And I say that out of per honesty. I don't

630
00:36:25,719 --> 00:36:27,400
Speaker 1: have a dog in a fight. I'm gonna be me

631
00:36:27,560 --> 00:36:32,040
Speaker 1: regardless of whoever win. They battle respectfully to those guys,

632
00:36:32,160 --> 00:36:34,520
Speaker 1: and I'm gonna keep grinding and hustling and getting up

633
00:36:34,560 --> 00:36:36,640
Speaker 1: every day and making sure that I make some money.

634
00:36:37,760 --> 00:36:40,319
Speaker 1: I don't have a reason to just put something out there.

635
00:36:40,480 --> 00:36:42,960
Speaker 1: I believe not like us. It's not hidden in the

636
00:36:43,040 --> 00:36:46,320
Speaker 1: way that it was in the moment. It was like,

637
00:36:46,480 --> 00:36:48,719
Speaker 1: oh my god. In the moment, it was like, hey, yo,

638
00:36:50,480 --> 00:36:53,440
Speaker 1: like not like us, next to eat the smashes, not

639
00:36:53,680 --> 00:36:56,040
Speaker 1: like us, hit them up next to not like us,

640
00:36:56,200 --> 00:36:59,719
Speaker 1: hit them up, smashes, not like us, right respectfully to

641
00:36:59,800 --> 00:37:02,040
Speaker 1: not like us. And that's me Loan in the moment,

642
00:37:02,400 --> 00:37:04,200
Speaker 1: I do this for a living, so I see it

643
00:37:04,280 --> 00:37:06,320
Speaker 1: with the eyesight that it needs to be saw in.

644
00:37:07,320 --> 00:37:09,840
Speaker 1: And on the other side, Jay looks at Drake and

645
00:37:10,000 --> 00:37:12,439
Speaker 1: probably says, Yo, you have no alliance to hip hop.

646
00:37:13,520 --> 00:37:15,719
Speaker 1: I'm knowing this for hip hop. You don't really have

647
00:37:15,840 --> 00:37:20,160
Speaker 1: a liars to hip hop? Where's your alliance to hip hop?

648
00:37:20,239 --> 00:37:22,480
Speaker 1: The culture? You don't fuck with our media, you don't

649
00:37:22,520 --> 00:37:24,720
Speaker 1: fuck with our game. And I'm gonna speak about the media.

650
00:37:25,080 --> 00:37:27,000
Speaker 1: And why I keep telling y'all the South is so

651
00:37:27,200 --> 00:37:31,760
Speaker 1: instrumental and they need me. They need big bank, big facts,

652
00:37:32,280 --> 00:37:35,960
Speaker 1: They need us to elevate. They got Norri in the

653
00:37:36,120 --> 00:37:39,000
Speaker 1: South and with the artists. He ain't from the South,

654
00:37:39,080 --> 00:37:43,120
Speaker 1: he from New York. The artists are run to Norris

655
00:37:43,160 --> 00:37:45,880
Speaker 1: from the South. Can't get an interview with these to

656
00:37:46,000 --> 00:37:51,400
Speaker 1: save their mother show, lookie, save they deal if they

657
00:37:51,400 --> 00:37:54,400
Speaker 1: can just link with some of these broken There is

658
00:37:54,400 --> 00:37:58,080
Speaker 1: a run to Noid in Miami, and he represents queens respectfully.

659
00:38:00,080 --> 00:38:01,880
Speaker 1: Now we ain't gonna say nothing. Is just when your

660
00:38:01,920 --> 00:38:05,960
Speaker 1: ours burned down, go down there and live with Nori. Yeah,

661
00:38:06,040 --> 00:38:08,440
Speaker 1: when it's time to have to pump up. Why you

662
00:38:08,600 --> 00:38:10,880
Speaker 1: all respected in the way, you all go down there

663
00:38:10,880 --> 00:38:13,880
Speaker 1: and live with Nori. There ain't what no redoal. No,

664
00:38:14,040 --> 00:38:16,600
Speaker 1: we don't get in here and give come and tell

665
00:38:16,600 --> 00:38:19,400
Speaker 1: her about why the album is meaning for him, what

666
00:38:19,560 --> 00:38:21,839
Speaker 1: it means to be next to the artist, nor we're

667
00:38:21,880 --> 00:38:24,080
Speaker 1: gonna interview you, put you on this platform and go

668
00:38:24,239 --> 00:38:26,879
Speaker 1: on to the next artist. But it's from the South

669
00:38:27,000 --> 00:38:33,600
Speaker 1: of running to Miami to with Noir and shout out

670
00:38:33,640 --> 00:38:36,799
Speaker 1: to Nori built the monumental business. He allegend in the game.

671
00:38:37,080 --> 00:38:39,200
Speaker 1: But I'm speaking more so about the artists. When we

672
00:38:39,280 --> 00:38:42,000
Speaker 1: get in this position, we gotta know who the captain

673
00:38:42,080 --> 00:38:45,759
Speaker 1: and who the cargo. It's always a situation where think

674
00:38:45,840 --> 00:38:52,360
Speaker 1: they the boss, think they in position. You little niggas

675
00:38:52,360 --> 00:38:54,600
Speaker 1: don't know what you need. You ain't never baked the cake,

676
00:38:57,280 --> 00:38:59,200
Speaker 1: and they got you in the kitchen with aprons on.

677
00:39:00,280 --> 00:39:02,279
Speaker 1: I look at jay Z and I don't think jay

678
00:39:02,360 --> 00:39:04,320
Speaker 1: Z has ever done shit for the West Coast. And

679
00:39:04,440 --> 00:39:06,319
Speaker 1: some of these fans, y'all tell me and I don't

680
00:39:06,320 --> 00:39:08,879
Speaker 1: want to hear about no song. I'm talking about real

681
00:39:09,000 --> 00:39:11,719
Speaker 1: business with people from the West Coast. In this way,

682
00:39:12,040 --> 00:39:15,560
Speaker 1: he preserves his culture. And listen, nothing I'm saying today

683
00:39:16,000 --> 00:39:19,440
Speaker 1: is a slight at jay Z. It's actually a master

684
00:39:19,640 --> 00:39:22,600
Speaker 1: class being put on on how to preserve your culture?

685
00:39:24,360 --> 00:39:27,600
Speaker 1: Anybody but you Nick. See I deal with it in

686
00:39:27,760 --> 00:39:31,000
Speaker 1: podcast and content world. Let anybody get it, but long

687
00:39:33,120 --> 00:39:37,080
Speaker 1: because what noon break our way through. They ain't gonna

688
00:39:37,120 --> 00:39:41,000
Speaker 1: look at us to say he's got a little information

689
00:39:41,200 --> 00:39:44,160
Speaker 1: with it. See he talk about that shit, but he

690
00:39:44,239 --> 00:39:51,759
Speaker 1: got a little somethmony your nigga shit blad. So I

691
00:39:51,880 --> 00:39:55,560
Speaker 1: imagine Drake is feeling this to anybody but you, nigga.

692
00:39:56,000 --> 00:39:58,040
Speaker 1: I'll put a nigga from the West Coast on this

693
00:39:58,160 --> 00:40:03,759
Speaker 1: stage as long as right. We've already the for day

694
00:40:03,840 --> 00:40:09,520
Speaker 1: laws of power, even though I say this outdated game,

695
00:40:09,719 --> 00:40:12,719
Speaker 1: but we've already. But when we look at jay Z,

696
00:40:12,840 --> 00:40:17,719
Speaker 1: he's always preserved his culture. When it was tipping him

697
00:40:17,760 --> 00:40:21,640
Speaker 1: the freestyle, he wasn't to flex. I don't even think

698
00:40:21,680 --> 00:40:25,600
Speaker 1: he's ever been on the Southern platform. Let's wake it up.

699
00:40:27,000 --> 00:40:29,600
Speaker 1: Can we wake it up? Has jay Z ever been

700
00:40:29,640 --> 00:40:31,879
Speaker 1: on a Southern platform at one time with some kind

701
00:40:31,920 --> 00:40:35,720
Speaker 1: of radio shits? Has jay Z ever gave a Southern

702
00:40:35,840 --> 00:40:43,200
Speaker 1: platform a long form interview radio station otherwise I'm talking

703
00:40:43,200 --> 00:40:47,479
Speaker 1: about in his entire career, Boy, he has up north.

704
00:40:49,239 --> 00:40:52,600
Speaker 1: He's preserving his culture's Clint to cee. But he's a businessman.

705
00:40:52,719 --> 00:40:56,080
Speaker 1: He understands how the forecast one hundred years from now.

706
00:40:57,400 --> 00:40:59,959
Speaker 1: And that's what I keep telling these idiots in the South.

707
00:41:00,719 --> 00:41:02,920
Speaker 1: You know, I just saw Rich the Kid on Nori.

708
00:41:04,280 --> 00:41:06,960
Speaker 1: You think you think Rich the Kid that would right?

709
00:41:07,120 --> 00:41:09,640
Speaker 1: You think Nord really understand Rich the Kid? And I

710
00:41:09,719 --> 00:41:12,520
Speaker 1: say that respect for little Noir, But it's twenty twenty four.

711
00:41:12,920 --> 00:41:15,640
Speaker 1: I'm back so long. Let's keep it real. You think

712
00:41:15,800 --> 00:41:19,480
Speaker 1: Nori understands Rich the Kid, he understands hip hop. He's

713
00:41:19,520 --> 00:41:22,080
Speaker 1: a rap guy. He's one of those men. He don't

714
00:41:22,160 --> 00:41:24,840
Speaker 1: understand no motherfucking Rich the Kid like one of us

715
00:41:24,920 --> 00:41:31,319
Speaker 1: that's in the South. You broke ad nigga. Run down

716
00:41:31,360 --> 00:41:33,399
Speaker 1: there and fuck with nor Red and fuck with these

717
00:41:33,520 --> 00:41:36,879
Speaker 1: niggas Joe Butden, and fuck with all these different platforms.

718
00:41:37,120 --> 00:41:40,040
Speaker 1: And these folks ain't interested in preserving your culture. They

719
00:41:40,160 --> 00:41:43,799
Speaker 1: just looking for a line item on their show list. Yo,

720
00:41:43,920 --> 00:41:46,520
Speaker 1: we got time to fill up, man, We got hours

721
00:41:46,560 --> 00:41:48,880
Speaker 1: a day we roll and we got time to fill up.

722
00:41:49,040 --> 00:41:51,759
Speaker 1: Just come in. They don't even got no interest in you.

723
00:41:53,400 --> 00:41:55,120
Speaker 1: And I don't give a fuck where you go because

724
00:41:55,160 --> 00:41:57,200
Speaker 1: I can make money talking about you. I don't have

725
00:41:57,360 --> 00:41:59,680
Speaker 1: to talk to you. That's the beauty and what it

726
00:41:59,800 --> 00:42:02,800
Speaker 1: is I do. When you a high level communicator, you

727
00:42:02,920 --> 00:42:05,600
Speaker 1: can make money talking about these niggas and never had

728
00:42:05,680 --> 00:42:08,400
Speaker 1: to talk to them. I do these niggas a favor

729
00:42:08,480 --> 00:42:11,279
Speaker 1: by talking to these niggas. Why because I allow them

730
00:42:11,400 --> 00:42:15,359
Speaker 1: niggas to do what introduce the people into another side

731
00:42:15,400 --> 00:42:18,440
Speaker 1: of them. And also it puts a muzzle on me

732
00:42:18,560 --> 00:42:20,279
Speaker 1: in a lot of ways. We're dealing with it with

733
00:42:20,400 --> 00:42:23,040
Speaker 1: academics and Drake. No matter what Drake does, he has

734
00:42:23,160 --> 00:42:25,399
Speaker 1: to find a way to make it look as though

735
00:42:25,600 --> 00:42:28,680
Speaker 1: it's effective. These are the things you deal with in

736
00:42:28,800 --> 00:42:32,760
Speaker 1: this culture. Let's deal with Wayne. Let's deal with with Wayne.

737
00:42:32,880 --> 00:42:36,759
Speaker 1: Is contributed, contributed to the South, contributed to the game.

738
00:42:37,200 --> 00:42:39,920
Speaker 1: And this is what I tell you guys. You have

739
00:42:40,080 --> 00:42:43,160
Speaker 1: to be careful because if you're asking me, jay Z

740
00:42:43,360 --> 00:42:49,600
Speaker 1: is the king of Alliance from admiration. A lot of

741
00:42:49,680 --> 00:42:53,879
Speaker 1: you dudes got tricked into Alliance because of your admiration

742
00:42:54,120 --> 00:42:57,920
Speaker 1: for jay Z. When we deal with Wayne, Wayne was

743
00:42:58,120 --> 00:43:02,600
Speaker 1: really giving Jay a run for his fucking money. If

744
00:43:02,640 --> 00:43:06,640
Speaker 1: he would have stayed on it, it's no telling where

745
00:43:06,640 --> 00:43:09,080
Speaker 1: he would have ended up at. Because if I know

746
00:43:09,200 --> 00:43:12,600
Speaker 1: anything about jay Z and how people think. It's probably

747
00:43:12,760 --> 00:43:15,680
Speaker 1: uncomfortable for people to be around jay Z that jay

748
00:43:15,800 --> 00:43:18,080
Speaker 1: Z thinks that they think that they're better than jay Z.

749
00:43:18,360 --> 00:43:21,040
Speaker 1: It matters none if jay Z believes it, but if

750
00:43:21,160 --> 00:43:23,920
Speaker 1: jay Z believes that you believe you're better than jay Z.

751
00:43:24,480 --> 00:43:26,719
Speaker 1: It felt like there was a time where that was

752
00:43:26,800 --> 00:43:31,000
Speaker 1: a problem because if you notice and you deal with

753
00:43:31,120 --> 00:43:33,359
Speaker 1: a lot of the rap culture and the rap world, again,

754
00:43:33,480 --> 00:43:36,000
Speaker 1: I got a lot of respect for his hustle. I'm

755
00:43:36,040 --> 00:43:38,320
Speaker 1: the young nigga that learned how to wrap by writing

756
00:43:38,440 --> 00:43:42,799
Speaker 1: down the blueprint, by writing down his albums, writing it down,

757
00:43:42,920 --> 00:43:45,440
Speaker 1: figuring out how he was scheming. That was how I

758
00:43:45,560 --> 00:43:47,800
Speaker 1: came up. I learned how to rap like that, Like

759
00:43:47,920 --> 00:43:51,400
Speaker 1: I'm really this culture. So these kind of conversations, not

760
00:43:51,560 --> 00:43:55,000
Speaker 1: only am I qualified, I'm verified, but let's talk. Jay

761
00:43:55,080 --> 00:43:58,919
Speaker 1: Z knew that Wayne felt as though he was better

762
00:43:59,000 --> 00:44:03,240
Speaker 1: than jay Z, nads Felty was better than jays Kanye

763
00:44:03,360 --> 00:44:06,239
Speaker 1: Felty was better than jay C. Drake feels he's better

764
00:44:06,320 --> 00:44:09,719
Speaker 1: than dray Z. It feels like that jay Z is

765
00:44:09,800 --> 00:44:13,000
Speaker 1: the last boss on the video game, and he don't

766
00:44:13,160 --> 00:44:16,120
Speaker 1: like when these people don't respect it. Quote unquote, So

767
00:44:16,320 --> 00:44:20,960
Speaker 1: even though I'll give you this alliance or this fake alliance,

768
00:44:22,920 --> 00:44:26,200
Speaker 1: I have no real interest in developing things in a

769
00:44:26,280 --> 00:44:31,000
Speaker 1: way that will benefit you, especially when I gave you

770
00:44:31,080 --> 00:44:33,640
Speaker 1: an opportunity to come and you didn't leave. Birdman. And

771
00:44:33,760 --> 00:44:36,239
Speaker 1: I know Birdman ain't as smart at me, because I'll

772
00:44:36,280 --> 00:44:40,000
Speaker 1: put on a blaze and a suit coat. You understand.

773
00:44:40,360 --> 00:44:42,080
Speaker 1: I know how to go in there and get it done.

774
00:44:42,120 --> 00:44:44,279
Speaker 1: And Birdman go out to spray paint the shit on

775
00:44:44,400 --> 00:44:46,920
Speaker 1: his head, so he gonna play in that world. And

776
00:44:46,960 --> 00:44:48,759
Speaker 1: I'm a play in this world. And if you would

777
00:44:48,800 --> 00:44:50,400
Speaker 1: have came with me, you would have been playing in

778
00:44:50,520 --> 00:44:54,440
Speaker 1: this world. This is the games they playing, right, I'm

779
00:44:54,480 --> 00:44:57,799
Speaker 1: still whooping on you. But Wayne and jay Z's relationship

780
00:44:57,960 --> 00:45:02,080
Speaker 1: is being shaky. We had an interview where l Wayne

781
00:45:02,200 --> 00:45:05,400
Speaker 1: was asked about the super Bowl. Let's see what Wayne said, Wayne,

782
00:45:05,600 --> 00:45:07,040
Speaker 1: what to do to suppose.

783
00:45:11,800 --> 00:45:12,640
Speaker 7: I got to ask you?

784
00:45:12,960 --> 00:45:15,680
Speaker 1: I'm just asked a question. I'm not the answer, but

785
00:45:15,719 --> 00:45:17,799
Speaker 1: I got to ask you. Of course, the super Bowl

786
00:45:18,040 --> 00:45:18,880
Speaker 1: is in New Orleans.

787
00:45:20,040 --> 00:45:22,279
Speaker 9: I think it's in twenty twenty five or something.

788
00:45:22,480 --> 00:45:26,120
Speaker 1: He's doing it. I'm not sure. Not come on, I

789
00:45:26,160 --> 00:45:29,160
Speaker 1: can sure ship No, no, I don't know. I can.

790
00:45:29,640 --> 00:45:31,360
Speaker 1: I will not lie to you. I am I have

791
00:45:31,600 --> 00:45:35,360
Speaker 1: not got a calling. I'm kind of but we are praying,

792
00:45:35,719 --> 00:45:37,759
Speaker 1: you know, were praying with keeping our fingers crossed and

793
00:45:37,880 --> 00:45:40,240
Speaker 1: working hard and make sure this next album and everything

794
00:45:40,280 --> 00:45:42,520
Speaker 1: I do is killer. So it will make it very

795
00:45:42,640 --> 00:45:44,160
Speaker 1: hard for them to I want to just make it

796
00:45:44,239 --> 00:45:46,200
Speaker 1: hard for them not to let it.

797
00:45:46,560 --> 00:45:46,600
Speaker 10: So.

798
00:45:46,760 --> 00:45:49,440
Speaker 1: In that video we see Lil Wayne express that he

799
00:45:49,600 --> 00:45:53,640
Speaker 1: has an interest, of course, in doing the super Bowl

800
00:45:53,800 --> 00:45:57,160
Speaker 1: in New Orleans. I mean, let's just understand what we're doing.

801
00:45:57,520 --> 00:45:59,680
Speaker 1: We're bringing a guy that's from the West Coast, and

802
00:45:59,719 --> 00:46:04,239
Speaker 1: I say, disrespectfully to California. I still see niggas out

803
00:46:04,280 --> 00:46:06,759
Speaker 1: there with diggis a nigga. They holding on the gang

804
00:46:06,880 --> 00:46:08,839
Speaker 1: bang and criping blood. They don't give a fucking if

805
00:46:08,840 --> 00:46:12,080
Speaker 1: you send them to Australia, all of us looking to

806
00:46:12,160 --> 00:46:16,040
Speaker 1: preserve our culture. They don't give a fuck about the South.

807
00:46:16,120 --> 00:46:21,080
Speaker 1: When it comes to that, it's clear to me, right,

808
00:46:21,239 --> 00:46:24,320
Speaker 1: and I don't think it's disrespectful because you shouldn't. You

809
00:46:24,640 --> 00:46:28,080
Speaker 1: shouldn't expect a meal from the people that starving. See

810
00:46:28,120 --> 00:46:30,320
Speaker 1: this way, y'all getting off. These niggas ain't doing no

811
00:46:30,440 --> 00:46:34,440
Speaker 1: deals with nobody, and I say they respectfully. We gotta

812
00:46:34,520 --> 00:46:37,200
Speaker 1: make it happen. I can't be the voice of reason

813
00:46:37,280 --> 00:46:39,680
Speaker 1: for these suckers because the nint gonna think I'm begging,

814
00:46:40,600 --> 00:46:44,360
Speaker 1: not to mention I'm already loaded, but I'm trying to

815
00:46:44,400 --> 00:46:47,480
Speaker 1: help you. Niggas understand, without infrastructure, we don't go as

816
00:46:47,560 --> 00:46:52,320
Speaker 1: far as they win. Now to gather, we'll be a motherfucker,

817
00:46:52,400 --> 00:46:54,839
Speaker 1: but we gotta respect each other and put each other

818
00:46:54,880 --> 00:46:57,759
Speaker 1: into proper perspective. And guess who understand that, jay Z,

819
00:46:57,840 --> 00:47:00,440
Speaker 1: because he's got a time at the time with these companies.

820
00:47:01,600 --> 00:47:03,360
Speaker 1: James went in there and had the artist. Some of

821
00:47:03,400 --> 00:47:05,839
Speaker 1: these companies say, y'all ain't respecting what I brought. Let's

822
00:47:05,880 --> 00:47:08,359
Speaker 1: get that right. Y'all ain't on in the deal. Let's

823
00:47:08,400 --> 00:47:13,200
Speaker 1: get that right. We we the South. He'll pop up

824
00:47:13,239 --> 00:47:21,320
Speaker 1: for so many years hip hop is ours, but oftentimes

825
00:47:21,360 --> 00:47:23,840
Speaker 1: I see we come up missing when we go to

826
00:47:23,960 --> 00:47:28,920
Speaker 1: talking about consideration and documentation. We're go and get Kendrick

827
00:47:29,000 --> 00:47:32,040
Speaker 1: Lamar from the West Coast. And again, congratulations to Kendrick.

828
00:47:32,120 --> 00:47:33,960
Speaker 1: You sit this one to the side. This ain't got

829
00:47:34,040 --> 00:47:36,359
Speaker 1: nothing to do with you. This is about me trying

830
00:47:36,400 --> 00:47:39,399
Speaker 1: to preserve what I know to be my culture from

831
00:47:39,480 --> 00:47:44,719
Speaker 1: the South, our stories, our monumental events, our legacy. Imagine

832
00:47:44,719 --> 00:47:50,080
Speaker 1: what that would have meant for Wayne. Imagine what they

833
00:47:50,120 --> 00:47:55,600
Speaker 1: would have meant for the South right and also for

834
00:47:55,800 --> 00:47:58,400
Speaker 1: our lives with someone like a jay Z in his

835
00:47:58,680 --> 00:48:01,640
Speaker 1: history with us right, what they would have meant for

836
00:48:01,800 --> 00:48:05,759
Speaker 1: us being like, Okay, the Homy starting he respected, he respected,

837
00:48:06,160 --> 00:48:09,520
Speaker 1: Because this just plays into the narrative that these guys

838
00:48:09,600 --> 00:48:12,319
Speaker 1: don't respect what we've contributed to this thing that would

839
00:48:12,320 --> 00:48:15,880
Speaker 1: have shut down years ago had we not been involved.

840
00:48:17,040 --> 00:48:21,919
Speaker 1: Let's wake it up. Imagine what they meant Dawayne after

841
00:48:22,040 --> 00:48:25,759
Speaker 1: five Grammars, including Best Rep Album for The card In Three,

842
00:48:26,360 --> 00:48:30,399
Speaker 1: Best Rep Song for Lollipopp record holder for the most

843
00:48:30,520 --> 00:48:33,879
Speaker 1: Billboard Hot one hundred entries as a male artist, over

844
00:48:33,920 --> 00:48:37,240
Speaker 1: one hundred and eighty charting spree. Imagine what the super

845
00:48:37,280 --> 00:48:40,560
Speaker 1: Bowl checklist means to a man with eleven b T Awards,

846
00:48:41,680 --> 00:48:45,440
Speaker 1: MTV Video Music Award winner, over one hundred and twenty

847
00:48:45,560 --> 00:48:50,880
Speaker 1: million records sold worldwide. Just imagine founder of Young Money,

848
00:48:51,000 --> 00:48:56,960
Speaker 1: Drake Nikki kept the industry alive, My nigga. This is

849
00:48:57,040 --> 00:49:00,279
Speaker 1: aside from Birdman, won't get the Birdman in Jason and

850
00:49:00,320 --> 00:49:04,160
Speaker 1: they little rip. But this is just Weezy kept the

851
00:49:04,320 --> 00:49:11,040
Speaker 1: industry alive ring it through bird Man. It's like he

852
00:49:11,239 --> 00:49:16,120
Speaker 1: was the scout running it right. Come on, family, multiple

853
00:49:16,239 --> 00:49:19,040
Speaker 1: ass kept Songwriter out of the Year with War Awards,

854
00:49:20,080 --> 00:49:23,640
Speaker 1: named one of the one hundred Greatest Artists of all time?

855
00:49:24,040 --> 00:49:26,520
Speaker 1: What else do you need to be eligible to perform

856
00:49:26,640 --> 00:49:29,400
Speaker 1: at the Super Bowl with a rep guy in place? Listen,

857
00:49:29,640 --> 00:49:31,919
Speaker 1: this is gonna come off harsh to people in the South,

858
00:49:32,000 --> 00:49:34,160
Speaker 1: but if we can't get it now, we'll never get it.

859
00:49:35,080 --> 00:49:38,080
Speaker 1: We gotta put us in position we'll never get it

860
00:49:38,160 --> 00:49:41,200
Speaker 1: working with them if we can't get it now, because

861
00:49:41,360 --> 00:49:43,600
Speaker 1: it's no way you could have told me before. Now,

862
00:49:43,640 --> 00:49:45,400
Speaker 1: if we can get Jay and the Wayne to do

863
00:49:45,520 --> 00:49:48,040
Speaker 1: it in New Orleans and Kendrick are doing Ordrea do

864
00:49:48,160 --> 00:49:50,440
Speaker 1: it on the West Coast, and this person to do

865
00:49:50,560 --> 00:49:53,080
Speaker 1: it in Texas, right, you got certain names because we

866
00:49:53,200 --> 00:49:55,960
Speaker 1: got one ees in the building. We know that it's

867
00:49:56,000 --> 00:49:58,120
Speaker 1: gonna be a pool of these names that they gonna

868
00:49:58,200 --> 00:50:00,840
Speaker 1: pull it from. Wayne ain't the one, but he is

869
00:50:01,040 --> 00:50:03,280
Speaker 1: at the top of the list when we talk about

870
00:50:03,360 --> 00:50:06,759
Speaker 1: New Orleans. Now, if we can't get it done with Jay,

871
00:50:06,920 --> 00:50:10,759
Speaker 1: Z in the seat. There's no way you would have

872
00:50:10,840 --> 00:50:14,239
Speaker 1: told me before this. Hay onme. If we get jay

873
00:50:14,320 --> 00:50:16,000
Speaker 1: Z in there, he still ain't gonna put when you

874
00:50:16,080 --> 00:50:18,480
Speaker 1: broke ad niggas from the South on it to perform

875
00:50:18,640 --> 00:50:22,760
Speaker 1: in the South. Nigga. Yeah, he gonna honor the West coast.

876
00:50:23,520 --> 00:50:26,879
Speaker 1: He got comrades out there, Drake Ye shout out to Drake.

877
00:50:27,000 --> 00:50:29,960
Speaker 1: Got comrade. He ain't gonna honor the South. Ain't no comrades,

878
00:50:30,000 --> 00:50:33,880
Speaker 1: ain't no allegiance, y'all. Niggas just the niggas that's buffing

879
00:50:34,000 --> 00:50:38,759
Speaker 1: it right, same way y'all do Joe Budden, academics and

880
00:50:38,880 --> 00:50:41,480
Speaker 1: these other niggas that don't want to preserve the South.

881
00:50:41,800 --> 00:50:46,560
Speaker 1: And I gotta say this respectfully. And if I don't

882
00:50:46,600 --> 00:50:50,160
Speaker 1: tell the truth of will you tell me? It's gonna

883
00:50:50,200 --> 00:50:51,680
Speaker 1: be a long part of the day because I'm in

884
00:50:51,800 --> 00:50:55,680
Speaker 1: my bag. But let's have a real conversation. You also

885
00:50:55,840 --> 00:51:00,239
Speaker 1: have communities that's running alongside mind that we see, right,

886
00:51:00,840 --> 00:51:04,160
Speaker 1: because this Internet world, when you have a platform, you

887
00:51:04,239 --> 00:51:06,800
Speaker 1: start to see things. You get presented things. I have

888
00:51:07,160 --> 00:51:10,000
Speaker 1: dirt on dudes and stuff that I don't even bring

889
00:51:10,120 --> 00:51:12,320
Speaker 1: the light on. People that has treated me in ways

890
00:51:12,400 --> 00:51:17,439
Speaker 1: that I are unclear what it means, but will say

891
00:51:17,520 --> 00:51:20,040
Speaker 1: that to the side. So let's deal with some of

892
00:51:20,080 --> 00:51:22,640
Speaker 1: the people that's starting to present the narrative that Wayne

893
00:51:22,800 --> 00:51:29,240
Speaker 1: doesn't that Wayne doesn't deserve to perform in New Orleans

894
00:51:29,400 --> 00:51:32,160
Speaker 1: in the South at Super Bowl after I've just read

895
00:51:32,239 --> 00:51:35,680
Speaker 1: off all of those accolades, because for some reason that

896
00:51:35,800 --> 00:51:39,800
Speaker 1: these little backyard shows after twenty five years in the

897
00:51:39,960 --> 00:51:44,840
Speaker 1: game and over a thousand songs, over one hundred and

898
00:51:45,040 --> 00:51:48,680
Speaker 1: eighty Billboard Top one hundred entries, that I may forget

899
00:51:48,719 --> 00:51:52,440
Speaker 1: a lyrical too. Excuse me. I've been right rapping at

900
00:51:52,480 --> 00:51:56,480
Speaker 1: a high level for so many years. So let's deal

901
00:51:56,560 --> 00:51:59,520
Speaker 1: with people who are saying that to show that little

902
00:51:59,600 --> 00:52:02,920
Speaker 1: Wayne would have gave, it's not to show that Kendrick

903
00:52:03,040 --> 00:52:05,960
Speaker 1: Lamar is gonna give. I want to give some pushback

904
00:52:06,040 --> 00:52:08,600
Speaker 1: on that. I think what Wayne could have put together

905
00:52:08,760 --> 00:52:13,400
Speaker 1: in New Orleans in the South, for New Orleans further south,

906
00:52:13,560 --> 00:52:17,200
Speaker 1: for his legacy, being the kind of artist Wayne is,

907
00:52:17,360 --> 00:52:20,319
Speaker 1: He's one of the goats from the South. Come on, dog,

908
00:52:21,640 --> 00:52:23,840
Speaker 1: there's no cut you can put on this. There's no

909
00:52:23,960 --> 00:52:26,920
Speaker 1: way you can make me understand that. Now, what I

910
00:52:27,040 --> 00:52:32,080
Speaker 1: find nasty is what I'm about to address now. Certainly

911
00:52:32,160 --> 00:52:38,600
Speaker 1: online you have an entire thread community of people that's

912
00:52:38,600 --> 00:52:43,919
Speaker 1: pushing these videos out that don't make little Wayne look

913
00:52:44,000 --> 00:52:47,560
Speaker 1: the brightest and look the best for our culture, and

914
00:52:47,640 --> 00:52:51,799
Speaker 1: they're trying to demobilize the people that are speaking up

915
00:52:52,000 --> 00:52:55,640
Speaker 1: on behalf of Wayne. And let me say this before

916
00:52:55,680 --> 00:52:59,160
Speaker 1: I play the video. I don't endorse what Wayne is

917
00:52:59,200 --> 00:53:03,080
Speaker 1: saying on any ever on these things, but if we

918
00:53:03,200 --> 00:53:06,680
Speaker 1: start to get into the weeds with this, I think

919
00:53:06,719 --> 00:53:10,879
Speaker 1: it's a dangerous game for all part it's involved. See,

920
00:53:10,920 --> 00:53:13,319
Speaker 1: they can do us like this because who they got

921
00:53:13,400 --> 00:53:15,879
Speaker 1: to speak up? Who wonna say something? You think Joe

922
00:53:15,960 --> 00:53:18,080
Speaker 1: Bung gonna come out on the list to defend Old

923
00:53:18,120 --> 00:53:23,840
Speaker 1: Wayne against jay Z. You think academics gonna defend Lolwayne

924
00:53:23,840 --> 00:53:26,319
Speaker 1: against jay Z. No, he may try to defend Drake.

925
00:53:26,960 --> 00:53:29,000
Speaker 1: We're gonna get to Drake in just a second. Again,

926
00:53:29,120 --> 00:53:31,360
Speaker 1: we got time today. It's a long part today. We

927
00:53:31,480 --> 00:53:33,839
Speaker 1: don't take no breaks and we don't have any notes.

928
00:53:33,960 --> 00:53:36,480
Speaker 1: We thank you guys for tuning in. I want you

929
00:53:36,560 --> 00:53:39,600
Speaker 1: guys to he like his share, subscribe to the channel.

930
00:53:40,239 --> 00:53:42,960
Speaker 1: We're just having a great conversation. If you're listening to

931
00:53:43,080 --> 00:53:47,359
Speaker 1: this audio saluting you, thank you. You know, y'all get

932
00:53:47,440 --> 00:53:49,840
Speaker 1: it on Mondays and it's always a vibe. And I

933
00:53:49,920 --> 00:53:54,560
Speaker 1: appreciate y'all and hopefully y'all appreciate me. October eighth, I

934
00:53:54,600 --> 00:53:57,520
Speaker 1: hope hopefully I see you guys. Right, Let's play this

935
00:53:57,719 --> 00:54:00,960
Speaker 1: video of Lil Wayne that people have boring around.

936
00:54:01,080 --> 00:54:04,120
Speaker 4: When he said he personally doesn't see racism because so

937
00:54:04,280 --> 00:54:05,719
Speaker 4: many of his fans are white.

938
00:54:06,120 --> 00:54:08,400
Speaker 6: I thought that was clearly a message that there was

939
00:54:08,520 --> 00:54:09,880
Speaker 6: no such thing as racist.

940
00:54:10,520 --> 00:54:13,320
Speaker 2: There was a lot of backlash from people about that.

941
00:54:13,440 --> 00:54:15,600
Speaker 1: Would you change it what you said or you still.

942
00:54:15,360 --> 00:54:17,640
Speaker 2: Do the same way. What's your thought on on black

943
00:54:17,719 --> 00:54:18,239
Speaker 2: lives matter?

944
00:54:18,680 --> 00:54:19,120
Speaker 1: What is it?

945
00:54:19,280 --> 00:54:19,320
Speaker 3: What?

946
00:54:19,719 --> 00:54:20,279
Speaker 1: What do you mean?

947
00:54:20,560 --> 00:54:23,600
Speaker 10: The idea is that there's this movement called black Lives matter,

948
00:54:23,800 --> 00:54:26,400
Speaker 10: thinking that the rest of America didn't seem to understand

949
00:54:26,440 --> 00:54:27,600
Speaker 10: that that black lives matter.

950
00:54:27,800 --> 00:54:30,600
Speaker 1: I just sounds weird. I don't know that you put

951
00:54:30,640 --> 00:54:34,640
Speaker 1: a name or it's not a name, it's not whatever, whatever.

952
00:54:35,160 --> 00:54:36,600
Speaker 1: If somebody got shot.

953
00:54:36,480 --> 00:54:41,239
Speaker 6: By police and for some reason findly young, black or rich,

954
00:54:43,239 --> 00:54:46,280
Speaker 6: if that, don't let you know that America understands black

955
00:54:46,880 --> 00:54:48,120
Speaker 6: matter these days.

956
00:54:48,320 --> 00:54:49,880
Speaker 1: I don't know what it is. Don't come at me

957
00:54:49,960 --> 00:54:55,759
Speaker 1: with that dog man. My life matter, especially toomuch do

958
00:54:55,840 --> 00:54:58,640
Speaker 1: you separate yourself from it? I feel connected to death

959
00:54:58,760 --> 00:55:01,880
Speaker 1: and I ain't got nothing doing. If you do, you crazy?

960
00:55:03,080 --> 00:55:08,440
Speaker 1: You click These videos do not make Lil Wayne look

961
00:55:08,480 --> 00:55:11,600
Speaker 1: the greatest. You're dealing with a younger version of Wayne's

962
00:55:11,680 --> 00:55:16,240
Speaker 1: been rich since he was fourteen, fifteen, sixteen, how whatever

963
00:55:16,360 --> 00:55:19,440
Speaker 1: age those guys ran into financial freedom. This is not

964
00:55:19,560 --> 00:55:22,640
Speaker 1: an excuse, but it's an explanation for the events that

965
00:55:23,680 --> 00:55:31,160
Speaker 1: has tooking place. I would think that Lil Wayne stought

966
00:55:31,280 --> 00:55:35,640
Speaker 1: process should not play a part if everyone's stalt patterns

967
00:55:35,680 --> 00:55:39,080
Speaker 1: in process isn't playing a part right. Music has not

968
00:55:39,320 --> 00:55:44,200
Speaker 1: did a great job at cleaning out its closet, as

969
00:55:44,280 --> 00:55:46,759
Speaker 1: it pertains to some of these artists, So we're not

970
00:55:46,880 --> 00:55:49,760
Speaker 1: gonna start doing it. When we try to justify bringing

971
00:55:49,920 --> 00:55:52,120
Speaker 1: someone from the West coast to the South, I think

972
00:55:52,200 --> 00:55:56,719
Speaker 1: that's a very disingenuous argument to place forward when we're

973
00:55:56,840 --> 00:56:00,720
Speaker 1: dealing with again, someone with the accolades of Little Wayne.

974
00:56:01,440 --> 00:56:03,200
Speaker 1: You can make a lot of money, you can sign

975
00:56:03,280 --> 00:56:05,080
Speaker 1: with these labels, you can do a lot of shit.

976
00:56:05,160 --> 00:56:07,680
Speaker 1: But if you have not built your own you've done nothing.

977
00:56:10,000 --> 00:56:12,239
Speaker 1: And I'm looking at it from fifty years from there,

978
00:56:12,239 --> 00:56:14,719
Speaker 1: and you're looking at it from fifty days from there,

979
00:56:14,800 --> 00:56:17,600
Speaker 1: So we're gonna have a different perspective. I'm telling you,

980
00:56:18,239 --> 00:56:22,440
Speaker 1: if you have not preserved your culture and built it

981
00:56:22,680 --> 00:56:27,600
Speaker 1: on your own, you've done nothing. Collaboration is key, but

982
00:56:27,760 --> 00:56:32,840
Speaker 1: confiscation is not tolerated. So I'm dealing with Wayne and Kendrick.

983
00:56:32,920 --> 00:56:35,160
Speaker 1: Will deal with Drake and Kendrick in just a second

984
00:56:35,239 --> 00:56:38,160
Speaker 1: and one and Jay matter of fact, let's talk about

985
00:56:38,239 --> 00:56:41,719
Speaker 1: Birdman's involvement, because the decision from jay Z has several

986
00:56:41,840 --> 00:56:46,160
Speaker 1: layers to it. Not only does it show little Wayne something.

987
00:56:46,960 --> 00:56:50,520
Speaker 1: Maybe Wayne's collateral damage because I'm making a bigger point

988
00:56:50,600 --> 00:56:53,560
Speaker 1: to bird Man. Maybe he's collateral damage because I'm making

989
00:56:53,600 --> 00:56:56,239
Speaker 1: a bigger point to Drake. Or maybe all of you

990
00:56:56,360 --> 00:56:58,880
Speaker 1: are thirty three point three percent of this missile that

991
00:56:58,960 --> 00:57:02,560
Speaker 1: I'm sending out, this message that I'm sending out, Maybe

992
00:57:02,640 --> 00:57:06,279
Speaker 1: you all a thirty three point three percent of you

993
00:57:06,480 --> 00:57:09,720
Speaker 1: dig So you think about Birdman in jay Z's issue

994
00:57:11,239 --> 00:57:14,600
Speaker 1: when you're asking me what the issue was, it's cause

995
00:57:14,640 --> 00:57:18,160
Speaker 1: Birdman then was taking up marketshare again. Jay Z has

996
00:57:18,200 --> 00:57:21,080
Speaker 1: always been a power player after the d after the

997
00:57:21,240 --> 00:57:26,360
Speaker 1: death of Biggie and Tuparc. He stepped into a position

998
00:57:26,480 --> 00:57:28,600
Speaker 1: and he did exactly what he was supposed to do.

999
00:57:29,360 --> 00:57:29,480
Speaker 10: Right.

1000
00:57:29,600 --> 00:57:31,840
Speaker 1: If we ran the tapes even more, we started to

1001
00:57:31,880 --> 00:57:34,040
Speaker 1: see what Park was shooting him down and trying to

1002
00:57:34,120 --> 00:57:36,720
Speaker 1: discredit him. You know what I'm saying. Because he was

1003
00:57:36,760 --> 00:57:39,280
Speaker 1: an underboss, then he became the boss. And when he

1004
00:57:39,400 --> 00:57:43,040
Speaker 1: became the boss, he sow them cash money. Niggas came through.

1005
00:57:43,720 --> 00:57:46,480
Speaker 1: It's interesting because he did the song with Juvenile in

1006
00:57:46,600 --> 00:57:51,320
Speaker 1: ninety nine but formed no alliance, did the song with Pimps,

1007
00:57:51,600 --> 00:57:54,320
Speaker 1: but it formed no alliance. It's like, Yo, I'm doing

1008
00:57:54,400 --> 00:57:58,960
Speaker 1: what's necessary, but I ain't doing a inch over what's necessary.

1009
00:58:00,080 --> 00:58:02,800
Speaker 1: And so they asked me why Birdman or Coach k

1010
00:58:03,080 --> 00:58:07,760
Speaker 1: and QCP or Master P. Right, we got stories to tell.

1011
00:58:07,840 --> 00:58:11,240
Speaker 1: In the South, people ask me, they say, they say, long,

1012
00:58:11,320 --> 00:58:13,440
Speaker 1: why do you think they don't bring it up? What

1013
00:58:13,520 --> 00:58:16,080
Speaker 1: do you think this is? And I always tell them, Yo,

1014
00:58:16,160 --> 00:58:20,080
Speaker 1: the South gotta build this off skyline. Yo, let me

1015
00:58:20,160 --> 00:58:23,920
Speaker 1: explain something to you. They loved it. Ain't nobody building

1016
00:58:23,960 --> 00:58:26,880
Speaker 1: shit outside of Coach KP and a couple of other

1017
00:58:27,000 --> 00:58:30,560
Speaker 1: dudes in the South. Like I even look at Atlanta

1018
00:58:30,640 --> 00:58:34,720
Speaker 1: sometimes and they beat niggas from New York that don't

1019
00:58:34,760 --> 00:58:37,680
Speaker 1: blended in like they alloway be speaking for Atlanta, and

1020
00:58:37,800 --> 00:58:41,600
Speaker 1: I'll be saying, Yo, that's that's crazy for me, and

1021
00:58:41,920 --> 00:58:45,000
Speaker 1: saying I'm saying this respectfully, like I ain't throwing those shots,

1022
00:58:45,120 --> 00:58:49,400
Speaker 1: i ain't being disingenuous. I'm saying that for me. How

1023
00:58:49,440 --> 00:58:51,840
Speaker 1: do you how can you tell when you infiltrated at

1024
00:58:51,880 --> 00:58:54,760
Speaker 1: that point? How do you how can you tell when

1025
00:58:54,800 --> 00:58:57,560
Speaker 1: you preserved your culture at that point? When we talk

1026
00:58:57,640 --> 00:59:01,920
Speaker 1: about prime time radio in York, we got one person

1027
00:59:02,000 --> 00:59:05,040
Speaker 1: that's Charlemagne to God, and he's so valuable to the

1028
00:59:05,200 --> 00:59:08,760
Speaker 1: process that the cake ain't the cake without his ingredient.

1029
00:59:11,080 --> 00:59:14,440
Speaker 1: What are the voices allowed from the South that are

1030
00:59:14,560 --> 00:59:18,200
Speaker 1: anywhere outside of the South? We're are the opportunities for

1031
00:59:18,320 --> 00:59:21,240
Speaker 1: the people from the South outside of using us to

1032
00:59:21,280 --> 00:59:23,720
Speaker 1: get on stage and rap with the mic? And that's

1033
00:59:23,760 --> 00:59:25,520
Speaker 1: why I say a lot of these broke add nigga

1034
00:59:25,560 --> 00:59:28,040
Speaker 1: they run around, jump on these platform, jump up and

1035
00:59:28,160 --> 00:59:30,720
Speaker 1: down and do tricks for these niggas. And these niggers

1036
00:59:30,760 --> 00:59:34,439
Speaker 1: don't even know what songs you niggas making. They don't

1037
00:59:34,480 --> 00:59:37,800
Speaker 1: even review the album when it come out, and then

1038
00:59:37,840 --> 00:59:40,120
Speaker 1: the nigga that's reviewing the album and putting you on

1039
00:59:40,240 --> 00:59:42,680
Speaker 1: these good side. You niggas don't even show no love

1040
00:59:42,840 --> 00:59:45,800
Speaker 1: to him. Let's take a look at this video with

1041
00:59:45,920 --> 00:59:48,720
Speaker 1: jay Z talking about bird Bend and kind of responding

1042
00:59:48,800 --> 00:59:50,360
Speaker 1: to some of the back and forth of the gear.

1043
00:59:50,720 --> 00:59:52,880
Speaker 1: I'm taking you out back in time to where all

1044
00:59:52,960 --> 00:59:55,840
Speaker 1: of these kind of transpire. Pay attention, now, do is

1045
00:59:55,920 --> 00:59:58,320
Speaker 1: j feel about Baby from Cash Money? Constantly saying Wheezy

1046
00:59:58,440 --> 01:00:02,240
Speaker 1: is more lyrical and has more even jay Z, you know,

1047
01:00:02,360 --> 01:00:03,960
Speaker 1: being lyricles is just a matter of opinion. It's what

1048
01:00:04,040 --> 01:00:04,280
Speaker 1: you like.

1049
01:00:04,520 --> 01:00:06,160
Speaker 2: So you know that's his opinion.

1050
01:00:07,600 --> 01:00:07,919
Speaker 1: Of money.

1051
01:00:07,960 --> 01:00:11,520
Speaker 2: I mean, you know that's that's uh, that's a little

1052
01:00:11,560 --> 01:00:15,200
Speaker 2: more batual, right, you can you can, we can determine.

1053
01:00:14,880 --> 01:00:15,480
Speaker 3: That, right.

1054
01:00:15,520 --> 01:00:16,880
Speaker 1: We would have to see your bank accounts and things

1055
01:00:16,920 --> 01:00:17,080
Speaker 1: of this.

1056
01:00:17,480 --> 01:00:23,080
Speaker 2: Problem, but it cann't cost put it up at He's

1057
01:00:23,160 --> 01:00:24,640
Speaker 2: that confident, you know, I give I give him a

1058
01:00:24,640 --> 01:00:28,920
Speaker 2: little glimpse. It's crazy, I give a glimpse. Check that

1059
01:00:29,000 --> 01:00:32,040
Speaker 2: out and cut it out, knock it off. But as

1060
01:00:32,080 --> 01:00:34,000
Speaker 2: far as you know, being lyricals, I mean, that's that's

1061
01:00:34,080 --> 01:00:35,520
Speaker 2: from ones. You know, that's what the viewers.

1062
01:00:35,760 --> 01:00:36,440
Speaker 1: That's anybody's in.

1063
01:00:36,600 --> 01:00:38,600
Speaker 2: That's everybody. So if people that opini, y'all, but I

1064
01:00:38,720 --> 01:00:40,760
Speaker 2: respect that. You know, that's his guy. So he's quot

1065
01:00:40,800 --> 01:00:42,840
Speaker 2: me right with his guy. So I don't have no

1066
01:00:42,880 --> 01:00:45,200
Speaker 2: problems with that. I have no problems with nobody my positives.

1067
01:00:45,280 --> 01:00:46,640
Speaker 2: I want this to be my most positive be I

1068
01:00:46,680 --> 01:00:47,400
Speaker 2: don't want no problem.

1069
01:00:47,840 --> 01:00:49,919
Speaker 1: Beyonce and jay Z earned one hundred and twenty two million,

1070
01:00:49,960 --> 01:00:51,400
Speaker 1: becoming earned right after that.

1071
01:00:52,880 --> 01:00:55,680
Speaker 2: Right after that, I'm saying, black and white.

1072
01:00:55,520 --> 01:01:01,360
Speaker 1: Is any baby? Just seventh, see what's going on? So

1073
01:01:01,600 --> 01:01:03,680
Speaker 1: we just so you just saw the video of jay

1074
01:01:03,760 --> 01:01:09,040
Speaker 1: Z email, here's the day. I ain't gonna lie. I

1075
01:01:09,120 --> 01:01:12,040
Speaker 1: can kind of get that though. Say, bro, you gonna

1076
01:01:12,040 --> 01:01:13,920
Speaker 1: say your little nigga got more money than me? Man,

1077
01:01:13,960 --> 01:01:16,280
Speaker 1: you playing the kind of internet game. Now. I don't

1078
01:01:16,320 --> 01:01:19,000
Speaker 1: got no respect for you, nigga no more. This might

1079
01:01:19,080 --> 01:01:21,280
Speaker 1: be how he think you are you. The lyrical thing

1080
01:01:21,400 --> 01:01:23,160
Speaker 1: is one thing when you saying the young he got

1081
01:01:23,240 --> 01:01:25,120
Speaker 1: more paper than us over here, man out than I

1082
01:01:25,120 --> 01:01:29,080
Speaker 1: already mad Beyonce, I made one twenty last year. That's

1083
01:01:29,160 --> 01:01:33,080
Speaker 1: my sixth consecutive year making right. Come on, man, what

1084
01:01:33,200 --> 01:01:36,640
Speaker 1: we doing y'all playing them kind of games. I thought

1085
01:01:36,680 --> 01:01:39,200
Speaker 1: we was keeping it factual, honest, I thought we was.

1086
01:01:39,440 --> 01:01:43,040
Speaker 1: But again, if it's about the culture, bruh, preserving the culture.

1087
01:01:43,120 --> 01:01:45,560
Speaker 1: That's why we got Jay and those buildings. That's why

1088
01:01:45,640 --> 01:01:49,200
Speaker 1: the whole culture applause when he goes and goes against

1089
01:01:49,280 --> 01:01:52,280
Speaker 1: Colin Kaepernick, the whole culture kneeling, and he gonna make

1090
01:01:52,280 --> 01:01:54,800
Speaker 1: the NFL deal, and we say, all right, Jay, only, y'all,

1091
01:01:54,880 --> 01:01:56,720
Speaker 1: let's try to give it another shot. Let's give it

1092
01:01:56,800 --> 01:02:01,800
Speaker 1: another look. That respect comes with respectibility. They're they just

1093
01:02:02,000 --> 01:02:04,400
Speaker 1: up north doing that or just the West coast. That's

1094
01:02:04,720 --> 01:02:07,880
Speaker 1: us down south giving j love in respect. It's well

1095
01:02:07,960 --> 01:02:12,760
Speaker 1: in riding form and changing culture forward, you see. But

1096
01:02:12,920 --> 01:02:17,240
Speaker 1: if I'm being real, it's like, again, the lyrical thing

1097
01:02:17,440 --> 01:02:20,760
Speaker 1: is one part the money thing. I think that that

1098
01:02:21,240 --> 01:02:23,880
Speaker 1: that's where he kind of crossed the line at and

1099
01:02:23,960 --> 01:02:26,360
Speaker 1: that's what made me look at him like, Yo, maybe

1100
01:02:26,400 --> 01:02:30,200
Speaker 1: they doing some I really respecting pay attention. Let's see

1101
01:02:30,240 --> 01:02:32,640
Speaker 1: what baby said, jay Z just convert at number one

1102
01:02:33,000 --> 01:02:35,080
Speaker 1: buying TV number one MC.

1103
01:02:35,120 --> 01:02:37,080
Speaker 4: Well the may of that, I don't think he is

1104
01:02:37,200 --> 01:02:41,200
Speaker 4: number on MC wow okay, and right on no way, Ryan.

1105
01:02:41,280 --> 01:02:43,280
Speaker 4: The best he do the most and he make the

1106
01:02:43,360 --> 01:02:45,760
Speaker 4: most money. I don't think no nigga in.

1107
01:02:45,800 --> 01:02:48,680
Speaker 1: The business making more money than us fair enough.

1108
01:02:48,800 --> 01:02:50,160
Speaker 4: And so how could you be the best if you

1109
01:02:50,200 --> 01:02:52,720
Speaker 4: don't make the best money, the most money, and you

1110
01:02:52,840 --> 01:02:56,360
Speaker 4: don't do the most lyrically? Come on, man, be for real. Man,

1111
01:02:56,440 --> 01:02:59,480
Speaker 4: can't nobody fuck with Wayne us? And to me, if

1112
01:02:59,480 --> 01:03:02,800
Speaker 4: you number one, you ain't getting no money. Don't mean nothing, irman.

1113
01:03:02,920 --> 01:03:04,880
Speaker 4: So but if you're number one and you making money,

1114
01:03:04,920 --> 01:03:06,400
Speaker 4: to me, who making the most money?

1115
01:03:06,720 --> 01:03:07,400
Speaker 1: That's number one?

1116
01:03:07,480 --> 01:03:07,680
Speaker 6: To me?

1117
01:03:07,840 --> 01:03:11,240
Speaker 4: Fucked all that rap shit, Gorman shit, they got cold

1118
01:03:11,280 --> 01:03:14,040
Speaker 4: rappers you never even heard. But then you got niggas

1119
01:03:14,080 --> 01:03:16,160
Speaker 4: who really can't rap it making money. It's about who's

1120
01:03:16,160 --> 01:03:17,680
Speaker 4: making the most money. To me, I don't give a

1121
01:03:17,720 --> 01:03:20,240
Speaker 4: fuck about the rest of that shit. Maybe other ones do,

1122
01:03:20,400 --> 01:03:22,480
Speaker 4: but if you're making money, that matters to me.

1123
01:03:23,040 --> 01:03:26,120
Speaker 1: So we just watched what jay Z said in response

1124
01:03:26,200 --> 01:03:29,240
Speaker 1: to what Birdman said. So the question that Angie asked

1125
01:03:29,320 --> 01:03:32,320
Speaker 1: jay Z was about their video that we just watched.

1126
01:03:32,400 --> 01:03:36,840
Speaker 1: Now here's the interesting part of this thing. At that

1127
01:03:37,040 --> 01:03:41,840
Speaker 1: particular time, Lil Wayne probably was making more than jay

1128
01:03:41,960 --> 01:03:45,640
Speaker 1: Z in the industry. Jay Z had already moved into

1129
01:03:45,720 --> 01:03:48,600
Speaker 1: a legacy space because cash Money kind of pushed them

1130
01:03:48,640 --> 01:03:53,280
Speaker 1: out right. The breakup of Rockefeller and cash Money's rise

1131
01:03:53,880 --> 01:03:57,440
Speaker 1: kind of was the end of the up North label.

1132
01:03:58,040 --> 01:04:00,520
Speaker 1: Now you had g Unit running along side, but he

1133
01:04:00,680 --> 01:04:03,360
Speaker 1: had played from the South. If I'm just going off

1134
01:04:03,520 --> 01:04:09,600
Speaker 1: memory and my memory is not that well, I think

1135
01:04:09,680 --> 01:04:12,600
Speaker 1: I'm gonna say that Birdman and cash Money was making

1136
01:04:12,680 --> 01:04:18,360
Speaker 1: more than Rockefeller in the music business. Again, I think

1137
01:04:18,480 --> 01:04:22,160
Speaker 1: jay Z had already transformed into a businessman and he

1138
01:04:22,280 --> 01:04:25,760
Speaker 1: had started doing clothing and other things by that time.

1139
01:04:25,840 --> 01:04:27,720
Speaker 1: And this is why I think Cash Money kind of

1140
01:04:27,760 --> 01:04:31,480
Speaker 1: dropped the ball, because we didn't see them spread out anywhere,

1141
01:04:32,040 --> 01:04:34,880
Speaker 1: and music did so well for them that they still

1142
01:04:35,000 --> 01:04:37,400
Speaker 1: made a billion dollars just out of that game, a

1143
01:04:37,480 --> 01:04:40,320
Speaker 1: couple billions, sold a billion records or so. But it's

1144
01:04:40,440 --> 01:04:45,760
Speaker 1: interesting that Cash Money didn't build anything outside of record

1145
01:04:45,840 --> 01:04:49,280
Speaker 1: label music. For me, that's a mistake, and that's where

1146
01:04:49,360 --> 01:04:52,040
Speaker 1: master p comes in. And that's why in the South,

1147
01:04:52,280 --> 01:04:54,880
Speaker 1: that's what we got our game from. It was Birdman

1148
01:04:55,000 --> 01:04:57,400
Speaker 1: and Slim when it came to the music business, and

1149
01:04:57,560 --> 01:05:00,800
Speaker 1: it was Pee when it came to diversifyed. Matter of fact,

1150
01:05:00,920 --> 01:05:04,320
Speaker 1: Pete did too much diversifying, and I think he killed

1151
01:05:04,400 --> 01:05:08,400
Speaker 1: his spirit. You know, he was doing anything. But he's

1152
01:05:08,480 --> 01:05:11,200
Speaker 1: a legend. He's a hustler. He's a real one. You

1153
01:05:11,280 --> 01:05:13,600
Speaker 1: see what I'm saying. And I think he's a wealth

1154
01:05:13,680 --> 01:05:17,480
Speaker 1: of information that any event you have a conversation with him,

1155
01:05:18,160 --> 01:05:22,200
Speaker 1: you learn something, you gain something, you get something. But

1156
01:05:22,360 --> 01:05:28,160
Speaker 1: Rockefeller versus cash Money, I would say cash Money was

1157
01:05:28,240 --> 01:05:30,640
Speaker 1: making more money. This is when jay Z was still

1158
01:05:30,680 --> 01:05:33,760
Speaker 1: an active artist, or the conversation goes a little bit

1159
01:05:33,840 --> 01:05:37,520
Speaker 1: more deeper. And also I think that Wayne was actually

1160
01:05:37,680 --> 01:05:40,640
Speaker 1: challenging Jay and being close to people starting to say, man,

1161
01:05:40,720 --> 01:05:44,640
Speaker 1: I don't know Jay, but Wayne started to put the

1162
01:05:44,760 --> 01:05:47,120
Speaker 1: bully game down. Guess how I rap nigga put the

1163
01:05:47,120 --> 01:05:51,480
Speaker 1: bully game down on you, nigga, take your beat and

1164
01:05:51,640 --> 01:05:54,600
Speaker 1: do it better than you. But Wayne was doing it

1165
01:05:54,680 --> 01:05:57,320
Speaker 1: to the whole game. And he was just so diverse.

1166
01:05:57,400 --> 01:05:59,640
Speaker 1: People was like, what the fuck. He might go grab

1167
01:05:59,720 --> 01:06:03,120
Speaker 1: some old jay Z things. And this was the mixtape era.

1168
01:06:03,280 --> 01:06:06,280
Speaker 1: These was the good old days. See I remember so

1169
01:06:06,520 --> 01:06:10,560
Speaker 1: jay Z had a song back then called Best of Me.

1170
01:06:10,840 --> 01:06:13,800
Speaker 1: It was a remix with him and Maya and this

1171
01:06:14,000 --> 01:06:17,200
Speaker 1: was this was a This was a moment for Wayne.

1172
01:06:17,240 --> 01:06:20,360
Speaker 1: When Wayne was grabbing the culture and just he was

1173
01:06:20,800 --> 01:06:22,960
Speaker 1: taking his position, and this is what we gotta do

1174
01:06:23,040 --> 01:06:24,760
Speaker 1: in the South. But we not only got to do

1175
01:06:24,920 --> 01:06:28,160
Speaker 1: that while we're in position, we gotta build infrastructure. And

1176
01:06:28,280 --> 01:06:30,360
Speaker 1: it ain't gotta be in your backyard, but let it

1177
01:06:30,440 --> 01:06:34,360
Speaker 1: be someone that shares your interest, that preserves that culture

1178
01:06:34,440 --> 01:06:37,680
Speaker 1: that you plan on feed not only you, but next generations.

1179
01:06:38,040 --> 01:06:39,880
Speaker 1: You see what I'm saying, because if he gets out

1180
01:06:39,960 --> 01:06:42,560
Speaker 1: of our hands, then it's gonna be out of it's

1181
01:06:42,600 --> 01:06:46,960
Speaker 1: out of our hands. But the song was Best of

1182
01:06:47,080 --> 01:06:50,760
Speaker 1: Me remix and Little Wayne had did that same song

1183
01:06:51,440 --> 01:06:54,160
Speaker 1: when he was on the Squad Up Run. There was

1184
01:06:54,240 --> 01:06:59,680
Speaker 1: a legit argument in the South that Wayne Verse was

1185
01:06:59,760 --> 01:07:02,960
Speaker 1: best than jay Z Verse, and those moments started to

1186
01:07:03,120 --> 01:07:06,960
Speaker 1: change their conversation to what people will actually argue you

1187
01:07:07,200 --> 01:07:10,040
Speaker 1: for days that Wayne is the best rapper alive, and

1188
01:07:10,160 --> 01:07:12,720
Speaker 1: he started to stand on it. Imagine you, jay Z,

1189
01:07:12,880 --> 01:07:16,080
Speaker 1: and you still rapping this nigga taking my name. Lil

1190
01:07:16,160 --> 01:07:19,440
Speaker 1: Wayne started the Carter album with a song called Hey

1191
01:07:19,560 --> 01:07:22,640
Speaker 1: Mister Carter. He had named his album the Carter. This

1192
01:07:22,840 --> 01:07:26,520
Speaker 1: is at the same time jay Z is rapping trying

1193
01:07:26,520 --> 01:07:29,480
Speaker 1: to change his name to Sean Carter, it's Dot Carter.

1194
01:07:30,120 --> 01:07:33,960
Speaker 1: Now I'm the real Carter and I'm standing on that.

1195
01:07:34,320 --> 01:07:37,600
Speaker 1: And so you gotta remember what maybe jay Z was

1196
01:07:37,640 --> 01:07:41,200
Speaker 1: feeling at that time. Interesting time if you were there.

1197
01:07:41,320 --> 01:07:43,760
Speaker 1: You know, when we deal with Birdman in jay Z,

1198
01:07:43,920 --> 01:07:46,280
Speaker 1: I tell the youngster following me Man that there's a

1199
01:07:46,360 --> 01:07:50,720
Speaker 1: difference between recognition and power, although they can feel the same,

1200
01:07:50,840 --> 01:07:56,200
Speaker 1: if you're not well versed, then the human mind, recognition

1201
01:07:56,280 --> 01:07:59,920
Speaker 1: can feel like power because power will come with recognition

1202
01:08:00,000 --> 01:08:04,400
Speaker 1: and in certain circumstances, but recognition don't come with no power.

1203
01:08:05,600 --> 01:08:09,840
Speaker 1: Recognition is only the applause from the crowd. But you

1204
01:08:09,960 --> 01:08:13,720
Speaker 1: know what power is. Power is who is the conductor?

1205
01:08:15,160 --> 01:08:18,920
Speaker 1: And I'm always looking for the conductor, see y'all looking

1206
01:08:19,000 --> 01:08:20,800
Speaker 1: at who behind the mic? Who doing this?

1207
01:08:21,000 --> 01:08:21,040
Speaker 3: That?

1208
01:08:21,120 --> 01:08:24,200
Speaker 1: And the third I'm always looking for the conductor, who

1209
01:08:24,320 --> 01:08:26,479
Speaker 1: put it together, who know how to make it run,

1210
01:08:26,600 --> 01:08:30,240
Speaker 1: Who's making the wheels turn. That's what jay Z differs

1211
01:08:30,280 --> 01:08:36,040
Speaker 1: from Birdman. Birdman has recognition and jay Z has power.

1212
01:08:36,400 --> 01:08:40,560
Speaker 1: They both have money. Money is a byproduct of this

1213
01:08:40,840 --> 01:08:43,439
Speaker 1: business and selling records, so we're gonna set that to

1214
01:08:43,600 --> 01:08:47,040
Speaker 1: the side. But one has recognition and one has power.

1215
01:08:47,400 --> 01:08:53,799
Speaker 1: When we deal with jay Z. He has power outside

1216
01:08:53,840 --> 01:08:57,280
Speaker 1: of the music business. And don't ask me how I

1217
01:08:57,439 --> 01:09:01,880
Speaker 1: know jay Z has power and Birdman has recognition. It's

1218
01:09:01,920 --> 01:09:04,360
Speaker 1: because I have eyes. Over the last couple of years,

1219
01:09:04,439 --> 01:09:08,160
Speaker 1: I've watched artists that Birdman is signed ran to get

1220
01:09:08,240 --> 01:09:11,599
Speaker 1: up under jay Z because them knowing from the inside

1221
01:09:11,640 --> 01:09:14,920
Speaker 1: of the house that I've reached the ceiling, and it

1222
01:09:15,040 --> 01:09:17,639
Speaker 1: does not appear that jay Z has reached the ceiling

1223
01:09:17,720 --> 01:09:20,080
Speaker 1: as he has came through this same tunnel. And so

1224
01:09:20,280 --> 01:09:23,599
Speaker 1: there's a difference between recognition and power when they looking

1225
01:09:23,640 --> 01:09:26,400
Speaker 1: at jay and they knowing he's having power. When I

1226
01:09:26,479 --> 01:09:29,760
Speaker 1: see Awayne and Drake, and let's be clear, these are

1227
01:09:29,840 --> 01:09:32,880
Speaker 1: people that are aligned with Birdman, Birdman being one of

1228
01:09:32,920 --> 01:09:35,880
Speaker 1: the most powerful people in music, meaning has sold the

1229
01:09:36,120 --> 01:09:38,599
Speaker 1: most records, one of the more one of the more

1230
01:09:38,720 --> 01:09:42,200
Speaker 1: lucrative record labels in the business bar none. When I

1231
01:09:42,320 --> 01:09:45,640
Speaker 1: see them go over to do that alliast with jay

1232
01:09:45,760 --> 01:09:50,360
Speaker 1: Z without any real benefit of business, I say that again,

1233
01:09:50,840 --> 01:09:56,320
Speaker 1: jay Z is the master of alliance by admiration. Because

1234
01:09:56,400 --> 01:10:00,719
Speaker 1: they have admiration for them, they'll come, they'll and they'll

1235
01:10:01,200 --> 01:10:04,880
Speaker 1: get into get into an alliance with it. I always

1236
01:10:04,920 --> 01:10:08,479
Speaker 1: thought about that I always said, it's interesting because the

1237
01:10:08,600 --> 01:10:11,840
Speaker 1: Birdman and jay Z thing is a thing, but Drake

1238
01:10:11,920 --> 01:10:14,320
Speaker 1: and jay is cool, and Wayne and j is cool,

1239
01:10:14,720 --> 01:10:16,920
Speaker 1: and it was always a weird energy. Let's deal with

1240
01:10:17,080 --> 01:10:19,519
Speaker 1: Drake and jay Z. When I look at Drake, I say,

1241
01:10:19,760 --> 01:10:22,559
Speaker 1: the same thing applies to him because of the umbrella

1242
01:10:22,680 --> 01:10:25,479
Speaker 1: he came up under. So, just in CosIng and to

1243
01:10:25,560 --> 01:10:28,680
Speaker 1: make myself clear about the Little Wayne scenario, I think

1244
01:10:29,040 --> 01:10:33,000
Speaker 1: it is a situation that needs to be revisited. Lil

1245
01:10:33,040 --> 01:10:35,880
Speaker 1: Wayne does deserve to perform in New Orleans to preserve

1246
01:10:36,000 --> 01:10:39,760
Speaker 1: the culture of not only the South, but someone with

1247
01:10:40,160 --> 01:10:43,679
Speaker 1: over one hundred and eighty Billboard Top one hundreds, over

1248
01:10:43,960 --> 01:10:49,760
Speaker 1: five Grammys, this is one of our top artists. We

1249
01:10:49,880 --> 01:10:52,680
Speaker 1: have someone like jay Z in place. If you're asking me,

1250
01:10:52,760 --> 01:10:54,960
Speaker 1: if we can't get it done with our current roster,

1251
01:10:55,400 --> 01:10:57,800
Speaker 1: we maybe can never win that kind of championship with

1252
01:10:57,920 --> 01:11:01,040
Speaker 1: this team and we may have to consider ourself to

1253
01:11:01,160 --> 01:11:03,600
Speaker 1: go and start the Negro League. So here we have

1254
01:11:03,800 --> 01:11:08,439
Speaker 1: master p responded, says, salute the Kendrick Lamar for performing

1255
01:11:08,520 --> 01:11:11,639
Speaker 1: at the halftime show it the Super Bowl, well deserved.

1256
01:11:11,680 --> 01:11:13,880
Speaker 1: He's one of the hottest music artists in the world,

1257
01:11:13,920 --> 01:11:16,360
Speaker 1: and as one of the biggest songs right now. As

1258
01:11:16,400 --> 01:11:19,240
Speaker 1: an ambassador of entertainment in the city of New Orleans,

1259
01:11:19,280 --> 01:11:21,479
Speaker 1: I have to agree with the fans that Lil Tunci,

1260
01:11:21,560 --> 01:11:23,400
Speaker 1: which is Little Waves, should be a part of this

1261
01:11:23,520 --> 01:11:27,439
Speaker 1: celebration as well. He's one of the greatest hip hop

1262
01:11:27,600 --> 01:11:31,320
Speaker 1: artists alive, still relevant, and he's a New Orleans native.

1263
01:11:31,720 --> 01:11:34,120
Speaker 1: Let's not miss the culture moment in the South. Life

1264
01:11:34,200 --> 01:11:36,200
Speaker 1: is too short. We have to give our legters the

1265
01:11:36,320 --> 01:11:41,120
Speaker 1: flowers while they're still here. Change stars with us and

1266
01:11:41,200 --> 01:11:45,800
Speaker 1: the celebrities continue to respond to Little Wayne being what

1267
01:11:45,960 --> 01:11:50,639
Speaker 1: they're called snubbed from performing at Super Bowl fifty nine.

1268
01:11:51,000 --> 01:11:53,519
Speaker 1: Here's a Nicki Minaj's tweet. We're looking at it says

1269
01:11:53,680 --> 01:11:56,479
Speaker 1: the nine a young black man what he rightfully put

1270
01:11:56,520 --> 01:11:58,880
Speaker 1: into this game for no other reason but your ego,

1271
01:11:59,040 --> 01:12:01,960
Speaker 1: your hatred for dre making nigga got you punishing Little Wayne.

1272
01:12:02,040 --> 01:12:05,679
Speaker 1: Little Wayne to go know you what's good? Eminem stood

1273
01:12:05,920 --> 01:12:08,639
Speaker 1: farm on having fifty cent come out of a white man.

1274
01:12:08,720 --> 01:12:12,760
Speaker 1: Shit said house in word teens, But it's good f them.

1275
01:12:13,120 --> 01:12:15,600
Speaker 1: No lord to what them niggas will keep sunning you,

1276
01:12:16,360 --> 01:12:19,880
Speaker 1: laughing my a off. And then Birdman also tweeted these

1277
01:12:19,960 --> 01:12:22,880
Speaker 1: niggas Puss the nigga minajs, Drake little Tunci what I'm

1278
01:12:22,920 --> 01:12:25,599
Speaker 1: seeing be able to make these niggas respect us. I'm gladys.

1279
01:12:26,320 --> 01:12:28,000
Speaker 1: You know I'm gonna be out as bird Man as

1280
01:12:28,040 --> 01:12:30,200
Speaker 1: a legend. But it don't look like he respecting you,

1281
01:12:31,000 --> 01:12:33,120
Speaker 1: and it may it kind of look like the Birdman

1282
01:12:33,240 --> 01:12:35,800
Speaker 1: scenario is what kind of drove the ways throward. But

1283
01:12:36,080 --> 01:12:39,160
Speaker 1: that's family. That's how it come right. If you really

1284
01:12:39,240 --> 01:12:41,879
Speaker 1: love Way like you said. And Jay don't love nobody

1285
01:12:42,040 --> 01:12:44,479
Speaker 1: like that. He know he a rapper. He feel like

1286
01:12:44,560 --> 01:12:46,680
Speaker 1: he the man, so he didn't feel as though I

1287
01:12:46,800 --> 01:12:49,519
Speaker 1: need to fix none with bird Man to be cool

1288
01:12:49,560 --> 01:12:51,920
Speaker 1: with Drake. They need me. I need to fix nohe

1289
01:12:51,920 --> 01:12:54,080
Speaker 1: with bird Man to be cool with Wayne. And I

1290
01:12:54,160 --> 01:12:56,880
Speaker 1: probably would add that same attitude, so I can't carry it.

1291
01:12:57,000 --> 01:12:59,920
Speaker 1: No hall but no resentment, you know as it pertains

1292
01:13:00,120 --> 01:13:03,439
Speaker 1: to that. But see, the South is dog right. We've

1293
01:13:03,479 --> 01:13:06,799
Speaker 1: allowed them control media. We've allowed everyone else to control

1294
01:13:06,920 --> 01:13:10,680
Speaker 1: our stories, our music, our market, and our everything. We

1295
01:13:10,800 --> 01:13:13,040
Speaker 1: won't hire our own, we won't go to our own

1296
01:13:13,240 --> 01:13:16,719
Speaker 1: until our owner attest to the people who we can't

1297
01:13:16,760 --> 01:13:19,040
Speaker 1: get in touch with. So soon as one of our

1298
01:13:19,120 --> 01:13:21,519
Speaker 1: owner attests to the white people, they're cool to come

1299
01:13:21,600 --> 01:13:23,800
Speaker 1: and spend your money with, but while they were doing

1300
01:13:23,880 --> 01:13:26,360
Speaker 1: the same exact thing, they were doing without the white

1301
01:13:26,400 --> 01:13:29,200
Speaker 1: person's co sign. And I say this with no racism.

1302
01:13:29,520 --> 01:13:34,120
Speaker 1: The information that I've received along my journey, just the

1303
01:13:34,320 --> 01:13:37,040
Speaker 1: fact that you've plugged into the people that these folks

1304
01:13:37,120 --> 01:13:39,800
Speaker 1: can't get in contact with, would allow these folks to

1305
01:13:39,920 --> 01:13:45,000
Speaker 1: now recognize you as a starting five player. Is one

1306
01:13:45,040 --> 01:13:47,600
Speaker 1: of the most is one of the weirdest behaviors that

1307
01:13:47,680 --> 01:13:50,600
Speaker 1: our culture has to offer. And sometimes I sound like,

1308
01:13:50,760 --> 01:13:53,280
Speaker 1: you know, with beating a dead horse, because I always say,

1309
01:13:53,360 --> 01:13:56,479
Speaker 1: if you're creating content, if you're starting a business, whatever

1310
01:13:56,600 --> 01:13:59,320
Speaker 1: you're starting, if you're creating a big brick by brick

1311
01:13:59,400 --> 01:14:01,320
Speaker 1: in the way that you see me doing it, if

1312
01:14:01,360 --> 01:14:04,439
Speaker 1: I've inspired you in any way, understand you have to

1313
01:14:04,600 --> 01:14:08,160
Speaker 1: find your own place in the sun. You gotta find

1314
01:14:08,200 --> 01:14:10,760
Speaker 1: your own place in the sun so these kind of

1315
01:14:10,840 --> 01:14:13,639
Speaker 1: things won't happen. You saw Lil Wayne's manager come out

1316
01:14:13,920 --> 01:14:16,479
Speaker 1: and started to respond to the fact that Wayne wasn't

1317
01:14:16,520 --> 01:14:20,639
Speaker 1: on the Super Bowl performing. He spoke to the fact

1318
01:14:20,720 --> 01:14:24,120
Speaker 1: that because that's in somebody else's hands, is already a problem.

1319
01:14:24,240 --> 01:14:28,320
Speaker 1: But who is the conductor? Again as a constant theme

1320
01:14:28,439 --> 01:14:32,759
Speaker 1: in his conversation about the conductor, the conductor, the person

1321
01:14:32,920 --> 01:14:35,840
Speaker 1: behind the wheels that are making this whole train move.

1322
01:14:36,200 --> 01:14:40,559
Speaker 1: Who is the conductor of all things business? If you're

1323
01:14:40,640 --> 01:14:43,839
Speaker 1: asking me, if i'm jay Z and these other niggas,

1324
01:14:44,200 --> 01:14:46,680
Speaker 1: I'm happy the motherfucker you niggas ain't doing nothing but

1325
01:14:46,840 --> 01:14:49,760
Speaker 1: rapping down. There ain't nobody creating nothing. Welly to let

1326
01:14:49,840 --> 01:14:52,360
Speaker 1: the way, it ain't nobody doing nothing. Fifty he from

1327
01:14:52,439 --> 01:14:56,719
Speaker 1: uphill You South niggas. What you niggas doing? Y'all running

1328
01:14:56,720 --> 01:15:00,920
Speaker 1: around getting on platforms with Joe Budden and academics respectfully

1329
01:15:01,000 --> 01:15:02,920
Speaker 1: to them, But y'all from the South. They don't even

1330
01:15:03,000 --> 01:15:05,320
Speaker 1: know shit about y'all. I heard one of them talking

1331
01:15:05,360 --> 01:15:07,959
Speaker 1: about rich home and thug and it was the wrong information.

1332
01:15:08,320 --> 01:15:11,240
Speaker 1: They talked about takeoff, it was the wrong information. They

1333
01:15:11,360 --> 01:15:14,240
Speaker 1: talk about whatever in the South is the wrong information.

1334
01:15:15,600 --> 01:15:17,720
Speaker 1: They're not in tune because they don't give a fuck

1335
01:15:17,800 --> 01:15:21,640
Speaker 1: to indulge outside of the club with the South. So

1336
01:15:21,880 --> 01:15:24,240
Speaker 1: the stories ain't something they involved with. Is it a

1337
01:15:24,360 --> 01:15:27,760
Speaker 1: gagsto or not? Other than that fucking story. And so

1338
01:15:27,960 --> 01:15:29,800
Speaker 1: when we have a look, we gotta pass the ball

1339
01:15:29,880 --> 01:15:32,439
Speaker 1: to somebody that's on our team. What I often find

1340
01:15:32,520 --> 01:15:36,000
Speaker 1: in the industry when you deal with rappers and the

1341
01:15:36,200 --> 01:15:39,400
Speaker 1: entertainment business is is they allow you to cook up

1342
01:15:39,439 --> 01:15:42,880
Speaker 1: a store like. They don't mind you eating. They don't

1343
01:15:42,920 --> 01:15:46,040
Speaker 1: mind you getting a little money, getting the little dudes signed,

1344
01:15:46,080 --> 01:15:48,280
Speaker 1: getting a couple of houses out of this thing. Y'all

1345
01:15:48,320 --> 01:15:50,960
Speaker 1: get a couple of maidbags that are depreciating a couple

1346
01:15:51,000 --> 01:15:53,880
Speaker 1: of years, go down two hundred thousand, y'all get a

1347
01:15:53,920 --> 01:15:57,759
Speaker 1: couple of cars, change watches, a couple of fifteen minutes

1348
01:15:57,800 --> 01:15:59,720
Speaker 1: of fame. Ob they don't mind you cooking the meal

1349
01:15:59,760 --> 01:16:06,200
Speaker 1: and some food and England and rich. Even the problem

1350
01:16:06,479 --> 01:16:13,040
Speaker 1: is when you own the kitchen. See when you come

1351
01:16:13,120 --> 01:16:16,000
Speaker 1: to someone else's kitchen, you deal with the ingredients in

1352
01:16:16,080 --> 01:16:18,800
Speaker 1: the kitchen that they have a lot of times you

1353
01:16:18,880 --> 01:16:21,719
Speaker 1: work for KFC, they just got a package with season

1354
01:16:21,800 --> 01:16:25,640
Speaker 1: on it. You just open that package and put it

1355
01:16:25,720 --> 01:16:28,040
Speaker 1: in there, and that that's just you don't really know

1356
01:16:28,200 --> 01:16:33,120
Speaker 1: what the fuck is making this chicken? What are the ingredients.

1357
01:16:33,280 --> 01:16:40,840
Speaker 1: That's when you're able to teach one and they say, well,

1358
01:16:40,880 --> 01:16:43,760
Speaker 1: they's asking a lot loan an damn even cooking it

1359
01:16:43,840 --> 01:16:46,360
Speaker 1: ain't enough. It ain't enough when you're in the position

1360
01:16:46,479 --> 01:16:49,720
Speaker 1: that we in in the South with no infrastructure, no platform,

1361
01:16:49,840 --> 01:16:53,880
Speaker 1: and no real big media, no documentaries. Ain't nobody green

1362
01:16:54,000 --> 01:16:58,320
Speaker 1: lid loan the opportunity to start documenting the Southern heritage.

1363
01:16:58,720 --> 01:17:01,400
Speaker 1: You broke ass niggas do Let somebody from the West

1364
01:17:01,479 --> 01:17:05,880
Speaker 1: coast do it. Huh? They know it ain't about the money.

1365
01:17:06,040 --> 01:17:08,560
Speaker 1: I need the connections of getting it in the positions

1366
01:17:08,600 --> 01:17:12,240
Speaker 1: and places it need to be to preserve our coach.

1367
01:17:14,160 --> 01:17:16,479
Speaker 1: But that's asking too much. It be too much. Like

1368
01:17:16,680 --> 01:17:21,680
Speaker 1: right now, how dare you wonder who owned the kitchen? Well,

1369
01:17:21,760 --> 01:17:23,720
Speaker 1: once you want, once you own the kitchen, you know

1370
01:17:23,880 --> 01:17:30,880
Speaker 1: what you know? When they ingredient's outdated, When that ingredients

1371
01:17:31,000 --> 01:17:33,600
Speaker 1: expired that they've been using, then now we should have

1372
01:17:33,680 --> 01:17:37,760
Speaker 1: been done. Traded the sugar for the salt. You gotta

1373
01:17:37,800 --> 01:17:39,400
Speaker 1: deal with what they give you when they gave you

1374
01:17:39,479 --> 01:17:43,920
Speaker 1: what you got. That's why they can look right over

1375
01:17:44,000 --> 01:17:45,680
Speaker 1: you and get a ball, act like they don't see you.

1376
01:17:45,880 --> 01:17:47,960
Speaker 1: This is what they do, yo, bo I deal with

1377
01:17:48,120 --> 01:17:50,600
Speaker 1: it in this shit out of time. Oh man, we

1378
01:17:50,720 --> 01:17:53,640
Speaker 1: looking for somebody to get that rapper a real good conversation.

1379
01:17:53,840 --> 01:17:57,160
Speaker 1: I don't know nobody. Well, we gonna platinum every time

1380
01:17:57,240 --> 01:17:59,400
Speaker 1: we have a conversation. How Dad, you need to play

1381
01:17:59,479 --> 01:18:02,599
Speaker 1: this game? See nobody where it at, y'all? I need

1382
01:18:02,640 --> 01:18:06,840
Speaker 1: to keep playing Bland. It's part of the game. It'ster

1383
01:18:06,960 --> 01:18:09,560
Speaker 1: no look past. I like to call it more like

1384
01:18:09,680 --> 01:18:12,639
Speaker 1: no look no past. And because I'm in position of power,

1385
01:18:12,640 --> 01:18:14,840
Speaker 1: when you hear me, be vocal and be loud and

1386
01:18:14,960 --> 01:18:19,960
Speaker 1: be vibrant. There's a very vibrant conversation coming from this

1387
01:18:20,160 --> 01:18:22,640
Speaker 1: side of the world about what we need to do.

1388
01:18:22,800 --> 01:18:25,360
Speaker 1: Because you know I'm in position, I know what's here.

1389
01:18:25,479 --> 01:18:28,800
Speaker 1: I know there's no infrastructure. I know there's no liability,

1390
01:18:28,880 --> 01:18:31,400
Speaker 1: there's nobody. The last person that made a call to

1391
01:18:31,479 --> 01:18:35,560
Speaker 1: Sexy Red from me was somebody from New York. Picture that.

1392
01:18:38,240 --> 01:18:40,360
Speaker 1: Don't you think that anyone from the South that is

1393
01:18:40,439 --> 01:18:43,360
Speaker 1: reaching to me saying, Yo, I'm gonna get people on

1394
01:18:43,479 --> 01:18:43,880
Speaker 1: your show.

1395
01:18:43,960 --> 01:18:44,080
Speaker 3: Bro.

1396
01:18:44,200 --> 01:18:46,719
Speaker 1: I like what you're doing. I see you out there hustling,

1397
01:18:46,960 --> 01:18:48,960
Speaker 1: and any day you can go to jail, you can

1398
01:18:49,120 --> 01:18:51,960
Speaker 1: get killed. Still, I fuck with what you're doing. I

1399
01:18:52,120 --> 01:18:55,200
Speaker 1: know you just need to know who is who. Nobody's

1400
01:18:55,280 --> 01:18:58,040
Speaker 1: done that. The last time I got in communication with

1401
01:18:58,160 --> 01:19:01,200
Speaker 1: sixy Red or big artist like that. It was from

1402
01:19:01,240 --> 01:19:04,960
Speaker 1: somebody from the North. And this is outside the baby,

1403
01:19:05,439 --> 01:19:07,280
Speaker 1: of course, y'all know, Baby, that was a couple of

1404
01:19:07,400 --> 01:19:11,360
Speaker 1: years ago. But if it ain't the artist reaching out

1405
01:19:11,400 --> 01:19:14,320
Speaker 1: to me theyself, there's a New York nigga or somebody

1406
01:19:14,400 --> 01:19:17,479
Speaker 1: from other These Southern niggas don't preserve the culture, bro,

1407
01:19:18,080 --> 01:19:21,040
Speaker 1: because these niggas don't know how to sustain the colony.

1408
01:19:22,600 --> 01:19:27,879
Speaker 1: Do you know how meticulous a b is to sustain

1409
01:19:28,040 --> 01:19:33,520
Speaker 1: their colony and prepare for hard times. There's a situation

1410
01:19:33,880 --> 01:19:36,479
Speaker 1: in the South in which we have to learn to

1411
01:19:36,600 --> 01:19:41,280
Speaker 1: sustain our own colony. And so the long was short?

1412
01:19:41,439 --> 01:19:47,479
Speaker 1: Is it the South's biggest musical assets fifty years from now?

1413
01:19:47,920 --> 01:19:52,519
Speaker 1: Would be a very small mention as it pertains to

1414
01:19:52,600 --> 01:19:54,679
Speaker 1: the history of rap. And I know this sounds crazy,

1415
01:19:54,720 --> 01:19:57,479
Speaker 1: but I'm telling you we have no Southern people in position.

1416
01:19:57,560 --> 01:20:00,560
Speaker 1: You got Diddy with the network, order did it with

1417
01:20:00,640 --> 01:20:03,960
Speaker 1: the network? You got High ninety seven? All this shit

1418
01:20:04,080 --> 01:20:06,920
Speaker 1: up North, All these niggas run to breakfast club, bro Like,

1419
01:20:07,479 --> 01:20:09,880
Speaker 1: and I fuck with them, nim, it's my family. They

1420
01:20:10,040 --> 01:20:12,640
Speaker 1: know they my family. I really really really love and

1421
01:20:12,760 --> 01:20:15,760
Speaker 1: respect breakfast club. But I'm just telling you as it

1422
01:20:15,840 --> 01:20:18,040
Speaker 1: pertains to the South, and they're lucky because they got

1423
01:20:18,120 --> 01:20:20,360
Speaker 1: Charlemagne up there and he's from the South, so he

1424
01:20:21,080 --> 01:20:23,599
Speaker 1: kind of can relate to it a little bit. By

1425
01:20:23,640 --> 01:20:26,479
Speaker 1: Outside of that, Bro, it gets slippery, you know. I

1426
01:20:26,640 --> 01:20:29,080
Speaker 1: remember I was having a conversation with Coach k and

1427
01:20:29,160 --> 01:20:31,360
Speaker 1: I was like, Bro, I need to get these festivals going,

1428
01:20:31,520 --> 01:20:35,760
Speaker 1: like right now. Like so what I'm saying, it's no way.

1429
01:20:35,840 --> 01:20:38,240
Speaker 1: We ain't supposed to be on the sixth festival with

1430
01:20:38,400 --> 01:20:41,360
Speaker 1: the rappers, the podcast, the comedian shit, the host it

1431
01:20:41,720 --> 01:20:44,679
Speaker 1: loom is doing this. I'm supposed to be. We supposed

1432
01:20:44,720 --> 01:20:48,760
Speaker 1: to be none done this. When I look at cash Money,

1433
01:20:48,800 --> 01:20:52,120
Speaker 1: what's one of the one things I say missed opportunity

1434
01:20:52,200 --> 01:20:54,200
Speaker 1: when it comes to that, just imagine if they was

1435
01:20:54,280 --> 01:20:59,559
Speaker 1: on the seventeenth annual such and such festival Cash Money

1436
01:20:59,720 --> 01:21:04,040
Speaker 1: such just such, and it's bigger than Rolling Loud. Those

1437
01:21:04,120 --> 01:21:07,000
Speaker 1: stages are supposed to be ours. Shut out to Tarik

1438
01:21:07,080 --> 01:21:09,400
Speaker 1: I believe his name is the owner roll in Loud,

1439
01:21:10,040 --> 01:21:12,880
Speaker 1: but those stages are supposed to be our stages. Like

1440
01:21:12,960 --> 01:21:15,200
Speaker 1: you see what Travis Scotton and some of those guys

1441
01:21:15,320 --> 01:21:17,720
Speaker 1: doing now, have we been a here that fifteen years

1442
01:21:17,760 --> 01:21:20,160
Speaker 1: ago would be in a much valuable scenario when it

1443
01:21:20,240 --> 01:21:24,480
Speaker 1: comes to infrastructure, And that's what's important, not only infrastructure

1444
01:21:24,520 --> 01:21:26,640
Speaker 1: and the music, but outside of the music. Let's be

1445
01:21:26,760 --> 01:21:28,880
Speaker 1: clear about one thing. When we look around, it ain't

1446
01:21:28,920 --> 01:21:31,519
Speaker 1: nobody building nothing. You Southern niggas is running up on

1447
01:21:31,640 --> 01:21:33,760
Speaker 1: these up north platforms. And even when you go to

1448
01:21:33,880 --> 01:21:36,000
Speaker 1: Miami and get on Norry, he's a nigga from New

1449
01:21:36,080 --> 01:21:38,320
Speaker 1: York and his nigga's in Atlanta, from New York, but

1450
01:21:38,439 --> 01:21:41,200
Speaker 1: acting like they represent Atlanta and they don't know shit

1451
01:21:41,320 --> 01:21:44,360
Speaker 1: about the people that's in Atlanta. You also got dudes

1452
01:21:44,400 --> 01:21:46,960
Speaker 1: from New York that's in Atlanta that some kind of

1453
01:21:47,040 --> 01:21:50,640
Speaker 1: way become the voice of Atlanta. These things are cautionary

1454
01:21:50,760 --> 01:21:54,839
Speaker 1: tales to me, because the wrong representation can lead you astray,

1455
01:21:55,760 --> 01:21:58,720
Speaker 1: can disconnect you from your own people. You got the

1456
01:21:58,800 --> 01:22:02,680
Speaker 1: wrong folks speaking for us. We don't even feel like that.

1457
01:22:02,920 --> 01:22:06,360
Speaker 1: Who is these niggas and who man's is this? I

1458
01:22:06,400 --> 01:22:08,720
Speaker 1: don't give a fuck about what money you made. Did

1459
01:22:08,800 --> 01:22:11,240
Speaker 1: you grow up down here with us? Do you know

1460
01:22:11,360 --> 01:22:16,320
Speaker 1: what it's like to be an artist from here? Do

1461
01:22:16,400 --> 01:22:18,840
Speaker 1: you know what it's like to be a podcaster from here,

1462
01:22:18,920 --> 01:22:21,519
Speaker 1: from nothing to something, to win something from here, to

1463
01:22:21,640 --> 01:22:24,479
Speaker 1: come from here, for this not to be celebrated, To

1464
01:22:24,640 --> 01:22:27,479
Speaker 1: grow up listening to cash money, to grow up knowing

1465
01:22:27,520 --> 01:22:29,840
Speaker 1: that jay Z jumped on the remix but they shot

1466
01:22:29,920 --> 01:22:34,519
Speaker 1: the video up north? Did you grow up to even

1467
01:22:34,600 --> 01:22:37,920
Speaker 1: know some of these things? I truly believe that a

1468
01:22:38,040 --> 01:22:41,000
Speaker 1: lot of these other people are actually happy that we

1469
01:22:41,040 --> 01:22:44,439
Speaker 1: ain't building nothing. And this is over the black and

1470
01:22:44,520 --> 01:22:47,320
Speaker 1: white thing, in the south and North thing. This is

1471
01:22:47,800 --> 01:22:51,799
Speaker 1: high level business conversation at the top of the mountain.

1472
01:22:51,800 --> 01:22:54,240
Speaker 1: They happy that these broke a niggas ain't doing nothing

1473
01:22:54,240 --> 01:22:56,840
Speaker 1: but passing the crown around. They ain't even watching the

1474
01:22:57,000 --> 01:23:02,240
Speaker 1: throw to treat you niggas to pass the crowd around

1475
01:23:02,280 --> 01:23:04,920
Speaker 1: in this rap game, and the throne ain't moving. It's

1476
01:23:04,960 --> 01:23:09,639
Speaker 1: the throne you won't, not the crowd. It's the throne

1477
01:23:09,760 --> 01:23:14,120
Speaker 1: that come with the responsibilities, come with the assets, come

1478
01:23:14,240 --> 01:23:19,880
Speaker 1: with the direction, the information, the colding. It's the throne

1479
01:23:19,920 --> 01:23:22,400
Speaker 1: that come with that. But you niggas being satisfied with

1480
01:23:22,560 --> 01:23:28,040
Speaker 1: passing around the crowd, who wrapped the best, who had

1481
01:23:28,080 --> 01:23:32,240
Speaker 1: the most streams? See, that's you niggas passing the crown around.

1482
01:23:32,479 --> 01:23:34,519
Speaker 1: But as long as you ain't building nothing, you don't

1483
01:23:34,560 --> 01:23:40,519
Speaker 1: become a threat that nothing is built. As I speak

1484
01:23:40,600 --> 01:23:46,880
Speaker 1: from the South about getting the artists to understand that

1485
01:23:47,040 --> 01:23:50,960
Speaker 1: there's more in it than just getting your booking fees.

1486
01:23:51,880 --> 01:23:55,439
Speaker 1: The legacy we after when we deal with Jada's legacy there,

1487
01:23:56,320 --> 01:24:00,160
Speaker 1: when we deal with did it as legacy there very man,

1488
01:24:00,240 --> 01:24:04,320
Speaker 1: there's legacy there. There's legacy in this game. You're chasing legacy,

1489
01:24:04,840 --> 01:24:08,360
Speaker 1: not the money. The money'll come with the legacy. But

1490
01:24:08,520 --> 01:24:10,680
Speaker 1: as you watch the game, you understand that there's a

1491
01:24:10,800 --> 01:24:16,920
Speaker 1: gap between recognition and power. Even though power win some

1492
01:24:17,160 --> 01:24:23,720
Speaker 1: instancis come with recognition. You can be a man that's

1493
01:24:23,800 --> 01:24:25,760
Speaker 1: known all across the world and you don't have the

1494
01:24:25,880 --> 01:24:28,200
Speaker 1: power to get a person put in position to get

1495
01:24:28,240 --> 01:24:32,200
Speaker 1: them a ham sandwich if they was hungry. I saw

1496
01:24:32,320 --> 01:24:35,400
Speaker 1: celebrities on the side of the roads, and I saw

1497
01:24:35,520 --> 01:24:38,679
Speaker 1: celebrities that everyone know outside and can't get a dollar

1498
01:24:38,760 --> 01:24:41,320
Speaker 1: after their run. It's up. And so just like a

1499
01:24:41,439 --> 01:24:46,679
Speaker 1: hunt to gatherer, you gotta put some up for shouldn't

1500
01:24:46,680 --> 01:24:50,439
Speaker 1: have to finish that. You gotta be careful with all

1501
01:24:50,520 --> 01:24:58,559
Speaker 1: this alliance by admiration of the Administration see That's how

1502
01:24:58,600 --> 01:25:01,559
Speaker 1: I got a lot of your broad your nigga moving

1503
01:25:01,720 --> 01:25:06,200
Speaker 1: like Bro's all this alliars because the admiration of the administration.

1504
01:25:06,960 --> 01:25:08,840
Speaker 1: Y'all got to get the business done, man, when you

1505
01:25:08,880 --> 01:25:13,760
Speaker 1: ain't never seen these guys like, and I'm just here

1506
01:25:13,800 --> 01:25:15,880
Speaker 1: to keep the skull like, I ain't here to be

1507
01:25:16,040 --> 01:25:18,639
Speaker 1: nothing else but a skope keeper. Man. I'm in the cut,

1508
01:25:18,720 --> 01:25:21,599
Speaker 1: laid up, I done, got it on, I'm chilling, I'm

1509
01:25:21,640 --> 01:25:23,200
Speaker 1: laid up. I'm just keeping skull.

1510
01:25:23,320 --> 01:25:23,439
Speaker 6: Man.

1511
01:25:23,560 --> 01:25:27,000
Speaker 1: Respectfully, let me keep skulle and so in closing on

1512
01:25:27,120 --> 01:25:29,880
Speaker 1: this and I may do one or two more topics

1513
01:25:29,960 --> 01:25:31,080
Speaker 1: and get out here for this week.

1514
01:25:31,160 --> 01:25:31,280
Speaker 3: Man.

1515
01:25:31,320 --> 01:25:33,760
Speaker 1: Hopefully y'all enjoyed the part. You know, while I do

1516
01:25:33,920 --> 01:25:37,840
Speaker 1: say congratulations to Kendrick Lamar, the run he is on

1517
01:25:38,680 --> 01:25:43,920
Speaker 1: is predicated on a battle with another artist and trying

1518
01:25:43,960 --> 01:25:46,639
Speaker 1: to call them a pedophile from the main stage. It's

1519
01:25:46,720 --> 01:25:50,760
Speaker 1: a very interesting I mean, you guys are making it

1520
01:25:51,040 --> 01:25:53,880
Speaker 1: very interesting now. I mean, does Drake need to sew

1521
01:25:53,920 --> 01:25:56,759
Speaker 1: about that. We heard Charlemagne in the Breakfast Club speak

1522
01:25:56,760 --> 01:26:00,280
Speaker 1: about that maybe lawyers are being involved in that. Don't

1523
01:26:00,880 --> 01:26:04,080
Speaker 1: used in that way. Isn't done on that stage because

1524
01:26:04,160 --> 01:26:07,280
Speaker 1: that could be defamation and character. I mean, we actually

1525
01:26:07,320 --> 01:26:10,320
Speaker 1: don't have any real evidence. This is what we would

1526
01:26:10,400 --> 01:26:13,439
Speaker 1: call a rumor at this point. But trying to say

1527
01:26:13,479 --> 01:26:16,200
Speaker 1: it on the main stage. Matter of fact, on deep

1528
01:26:16,240 --> 01:26:20,040
Speaker 1: biggest stage is one of the most craziest encounters I've

1529
01:26:20,080 --> 01:26:24,240
Speaker 1: had with with with with a with a rapper. To

1530
01:26:24,320 --> 01:26:26,360
Speaker 1: be able to put a disc on that stage, it's

1531
01:26:26,439 --> 01:26:33,120
Speaker 1: crazy to be that hated as wild but Jay sick.

1532
01:26:33,280 --> 01:26:35,479
Speaker 1: All you niggas, let me let me speak on this

1533
01:26:35,600 --> 01:26:38,800
Speaker 1: before I get out of here. All right, this is

1534
01:26:38,880 --> 01:26:41,559
Speaker 1: going on Patreon, man, Let's just have a conversation. Man,

1535
01:26:41,600 --> 01:26:43,960
Speaker 1: I think we gotta have a real conversation. You know,

1536
01:26:44,000 --> 01:26:46,040
Speaker 1: I'm gonna just put this on Patreon. This is not

1537
01:26:46,280 --> 01:26:48,760
Speaker 1: coming out to the public. I don't give a damn

1538
01:26:49,080 --> 01:26:52,000
Speaker 1: how many views it'll get because I just want to

1539
01:26:52,040 --> 01:26:54,320
Speaker 1: talk to y'all about it now. Rollo and Boosy