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Speaker 1: Talking about it.

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Speaker 2: Hell Gang Masie, you know I had to pull up

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Speaker 2: on my biological love when Bootleg cav we liked then.

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Speaker 3: Run all are your bootlet cab man. We in here,

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Speaker 3: we got my guy, hell Gang Mazie.

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Speaker 1: Yeah, Mazarella Fella Hexa Ala.

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Speaker 3: Extra new album comes out on the nineteenth.

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Speaker 1: Can't wait. Excited.

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Speaker 3: I'm excited for you, man. It's your first project since

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Speaker 3: you obviously you know you got out and.

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Speaker 1: Uh my little turn around, your little Yeah, it was quick.

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Speaker 3: It was about a year.

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Speaker 1: Round something light Monday night with nothing.

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Speaker 3: It's good. It's good to see you home. Now. We

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Speaker 3: were talking a little bit like obviously people who know

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Speaker 3: people who have been incarcerated or been incarcerated, when you

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Speaker 3: get out, that's not where it ends, right, So for you, like,

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Speaker 3: what is life like dealing with probation and all? You know,

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Speaker 3: because stiff stipulations, that's what happened to you before, right,

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Speaker 3: was it a violation?

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Speaker 1: Uh? Nah? So I built out.

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Speaker 2: I was actually on Bill, you know what I'm saying,

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Speaker 2: and uh so they had their stipulations on me. But

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Speaker 2: if you're talking about prior, yeah, that's what happened before.

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Speaker 1: I keep biling out. I got that.

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Speaker 3: Check mail, make bail every time.

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Speaker 1: I got that baggage clear.

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Speaker 3: But your stipulations are like, is it like a curfew?

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Speaker 3: Do they have to know where you are? Do you

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Speaker 3: have to piss like all?

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Speaker 1: Etcetera, etcetera, all of the above.

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Speaker 2: So I gotta piss, you know, little ankle, monitor, house arrests,

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Speaker 2: et cetera, et cetera. So you know they got me.

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Speaker 2: They got me like way fake race shackle. But I

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Speaker 2: can't complain none of these restraints.

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Speaker 3: Yeah, because you're free, you can and you can record from.

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Speaker 1: Home all this ship.

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Speaker 2: Yeah, cook cup, I'm still cooking, and you know it.

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Speaker 2: Give me more time with the girly face game.

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Speaker 3: For sure. I was talking to uh uh, there's a

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Speaker 3: kid in LA named X four, and he was saying

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Speaker 3: that like low key like him being on probation like

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Speaker 3: really like prevents him from He's like, it really keeps

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Speaker 3: me out of bullshit for real.

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Speaker 2: Now you got to look at it in a positive manner.

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Speaker 2: You've got to everything, I mean, the turn around positive manner,

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Speaker 2: you know, anything that's called accountability.

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Speaker 3: You know, do you feel like your legal situation because

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Speaker 3: your last album was your major label debut and you

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Speaker 3: really weren't around to kind of push it properly fucked

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Speaker 3: me up. What was that like just going through that?

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Speaker 1: Uh?

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Speaker 2: I mean I already know I had to go walk there,

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Speaker 2: turn around down, so I was already irritated, aggravated over

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Speaker 2: the fact. But uh, it was just like, damn, you

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Speaker 2: know what, that's what I wanted to see. I wanted

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Speaker 2: to see the way that machine. I wanted to Now

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Speaker 2: when I got behind the bars, Bruh hit me and

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Speaker 2: told me, like, peat the numbers they going crazy.

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Speaker 1: You feel me.

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Speaker 2: And that machine working. But it's like I didn't get that.

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Speaker 2: I ain't get to fill it. I ain't get to

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Speaker 2: do no content, I ain't get to push the envelope.

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Speaker 2: I feel like, you know, I didn't fulfill my part.

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Speaker 2: But uh, I'm excited. I'm excited to double back on

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Speaker 2: their try again. Yeah, still WITHG for sure.

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Speaker 1: Yeah, my loved ones.

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Speaker 3: What was it like? Obviously you've lost a lot of

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Speaker 3: people who were very close to you. We talked about

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Speaker 3: this a little bit of rolling loud, but god, he

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Speaker 3: losing his brother had to be a big loss to

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Speaker 3: the label, and just you know, he every time an

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Speaker 3: artist would coming from CMG, he'd be with.

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Speaker 2: Him, fella. He tapped into them trenches to streets. You know,

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Speaker 2: he grabbed him. He grabbed him once and so uh

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Speaker 2: you know you could see the outpour of them ones

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Speaker 2: reciprocate the love.

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Speaker 3: Did you guys have I mean, you weren't with CMG

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Speaker 3: too long before you know, obviously everything happened, But did

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Speaker 3: you guys have any sort of relationship? Yeah?

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Speaker 2: I funk I functioned with him heavy. Yeah, you know,

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Speaker 2: he was tapping in while I was locked. Uh, Nigga

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Speaker 2: tapped in on the regular, just checking on the mentality.

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Speaker 2: Was had it or he heard a new one, that

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Speaker 2: new one going crazy, et cetera. So I most definitely

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Speaker 2: functioned with him and peace joke.

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Speaker 3: The new album you have. You always have great collaborations

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Speaker 3: with singers. I'm a little sad there's no Blast on

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Speaker 3: this album, m because that's look, it's the one two

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Speaker 3: punch there.

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Speaker 1: Smell it, come on.

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Speaker 3: But you do have Eric's on the album. Shot you

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Speaker 3: be in a shot to Friday, who's got one of

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Speaker 3: the more incredible voices for I don't even know, bro,

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Speaker 3: his voice is like goose shirts for short shirts. How

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Speaker 3: did you end up working with Friday? Uh?

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Speaker 1: Fella?

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Speaker 2: He's just been functioning with me out the gate. You know,

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Speaker 2: I'll be pulling up to his events, checking on him,

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Speaker 2: in love with his music. The whole squadron maybe tweaking

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Speaker 2: off that ship. So uh, you know it's only righteous,

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Speaker 2: you feel me. He reciprocate the love anything I sent

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Speaker 2: on me a body slimming.

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Speaker 3: So he was like a fan of yours or like,

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Speaker 3: how did like was it just like you just.

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Speaker 1: Refucked with me? He fucked with me.

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Speaker 2: I fucked with him, And you know what I'm saying,

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Speaker 2: Dave put the al you together. We bumped into each

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Speaker 2: other a couple time, you know, But that nigga, his

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Speaker 2: music do something to me, and so I'm really a

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Speaker 2: fan of his shit, you know what I'm saying.

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Speaker 3: More than anything, you are a rappers. Rapper, you take

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Speaker 3: the skill of m seeing very serious. Look at you

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Speaker 3: as one of the top tier guys. I gotta ask you.

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Speaker 3: You've also been through your beefs in life and on records.

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Speaker 3: What did you think of Jake Hole apologizing to Kendrick.

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Speaker 2: I would like to utilize my rights to remain silent

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Speaker 2: because anything I can certain.

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Speaker 1: It's hip hop.

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Speaker 3: I mean a lot of people are saying him apologizing

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Speaker 3: was a non hip hop thing to do.

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Speaker 2: I feel that I can feel that everybody got their opinions.

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Speaker 1: You know what I'm saying. It's all opinion based. It's

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Speaker 1: hip hop.

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Speaker 2: And you know, I feel like he didn't want to

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Speaker 2: smut his brother out, or he was scared of the smoke.

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Speaker 2: Either way, he back and he back pedaling, and they

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Speaker 2: come with this ship.

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Speaker 1: Man.

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Speaker 2: You know, I'm waiting for Kate dot to double back

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Speaker 2: with the active release. He said, you heard Cole, he said,

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Speaker 2: I have my chin out there you go, yeah, there

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Speaker 2: you go.

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Speaker 3: Yeah, you see. I don't think. I don't think like

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Speaker 3: most of the smoke I thought was just going towards Drake.

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Speaker 3: Obviously the motherfucker Big three is this big mean?

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Speaker 1: I mean, who ever bite? Yeah, that's how this media

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Speaker 1: shit work.

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Speaker 2: Yeah, whoever bite, Nigga, bite what I'm saying, bite down.

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Speaker 2: If you feel like I'm holing at you, you know

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Speaker 2: what I'm saying, let's run that cound curR. So uh nah,

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Speaker 2: I'm excited. I'm excited for it. You know, I know

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Speaker 2: it ain't over.

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Speaker 3: It can't be over.

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Speaker 1: Nah.

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Speaker 2: Still lingering, it's lingering too thick too, it's lingering too thick.

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Speaker 2: This's the topic of discussion. Somebody gotta do suffer.

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Speaker 3: Yeah, I'm just I don't know if now Drake's got

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Speaker 3: to say something you would think, right, man, listen, watch

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Speaker 3: watch we hear a leakage in a minute. I feel

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Speaker 3: like whatever Drake had in the chamber, once Jake Hole apologizes,

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Speaker 3: does he have to go back in and change some shit?

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Speaker 3: Oh like and address that too.

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Speaker 2: Oh you probably ain't lying.

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Speaker 1: You know he gonna tweak too when he do, is Douggie,

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Speaker 1: he's the caption guy.

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Speaker 3: Man.

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Speaker 1: Yeah, but you know, Nigga, come on, man, I'm team do.

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Speaker 3: Of course, I'm put on the Black Panther soundtrack.

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Speaker 2: That's my thug brou I'm saying that nigga Drake can't

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Speaker 2: spit a sleep walking verse.

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Speaker 1: Cole Case spit a sleep walking verse, Nigga.

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Speaker 3: I've been saying it. When it comes to Kendrick, it's like.

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Speaker 1: The different.

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Speaker 3: It's like, Yo, you could be the like the biggest

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Speaker 3: pop star rapper of all time and be a hell

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Speaker 3: of a MC, but Kendrick Lamar is like it's like

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Speaker 3: a tear and he's just all there alone.

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Speaker 1: When it comes to the like, it's like it's territory.

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Speaker 3: Yeah, that's why I don't think no. I don't think no.

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Speaker 3: I mean, we've never seen somebody of cold stature or

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Speaker 3: say sorry nah. He tweakering right two days later too,

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Speaker 3: he tweaking right now. And the other thing was like they.

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Speaker 1: Expect the growth and development though.

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Speaker 3: I do, because I actually think like there's a there's

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Speaker 3: a truth to that, because him and Kendrick are friends.

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Speaker 3: School Boy Q was on.

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Speaker 2: Homies put the battery in my back and yeah, so

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Speaker 2: you know he probably he probably did, sincerely and genuinely

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Speaker 2: mean that.

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Speaker 3: And that happens a lot, not even just in life.

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Speaker 3: Motherfuckers will put a battery in your back. And have

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Speaker 3: you had a character real quick, bro, I'll.

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Speaker 2: Show you a text message. You pumped me up, like Nigga.

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Speaker 2: You you let him talk to you like that? Yeah, okay,

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Speaker 2: hold on this, nigga. But now that's how so most

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Speaker 2: definitely I feel like, you know, he said it, he

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Speaker 2: said the homies pumped him up, and Nigga he bit

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Speaker 2: down on it, and Nigga he double heat backpedaling.

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Speaker 1: I'm smooth. I ain't really function what you like that.

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Speaker 1: I hope you ain't take that out of context for sure.

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Speaker 3: Talk to me about this album. I was talking to

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Speaker 3: David a bit about it. He's like, this is just

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Speaker 3: classic street Mazi.

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Speaker 2: Yeah, you know, I'm on that type of timing. You know,

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Speaker 2: I'm on that type of time.

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Speaker 3: With the album title, it's gotta be you gotta be.

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Speaker 1: Yeah, that's what niggas don't understand too.

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Speaker 2: They think they expected that that old school turned up.

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Speaker 1: Or man, listen, you see the title.

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Speaker 2: You know what I'm saying me, children are the slums. Yeah,

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Speaker 2: we're taking you straight there. You feel me in h

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Speaker 2: it's uh. I think it's one of my better projects

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Speaker 2: up to date. I'm in love with it. How make

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Speaker 2: you said it's only two features? I'm set a necklace

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Speaker 2: on there. Somebody told me I had like forty four

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Speaker 2: projects up under in the catalog.

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Speaker 1: I ain't believe him. I thought it was more like

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Speaker 1: a hunter.

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Speaker 3: That's still even if it's forty four, that's crazy.

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Speaker 2: I need a hundred, I need a hundred. I gotta

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Speaker 2: keep gunning. But yeah, that you know, that's that of work.

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Speaker 1: Ethic. Man.

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Speaker 2: I've been enjoying what I'm doing. I'm enjoying it. Shit lick,

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Speaker 2: It's been lifted ten summer straight. I'm ecstatic, and uh,

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Speaker 2: we're just staying at it.

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Speaker 3: I was gonna say, like everybody to get goes to

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Speaker 3: a point where we're doing something we love, but we

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Speaker 3: get burnt out.

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Speaker 1: For sure. I have to wait. I wake up a

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Speaker 1: day and have to reassure myself.

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Speaker 3: I was gonna take that. Like, have you ever hit

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Speaker 3: a period where you're like, man, I need to just

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Speaker 3: take I need to. I mean obviously you fell back

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Speaker 3: involuntarily for sure, for sure, but in just terms of like, man, like,

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Speaker 3: your output is so high, like especially like if we

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Speaker 3: go back three four years ago, you're putting out so

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Speaker 3: much music, Like it is it ever hard to be

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Speaker 3: motivated to hit the lab.

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Speaker 1: Or No, it just naturally ooze out me.

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Speaker 2: So you know, it ain't too much pressure on me

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Speaker 2: on that on that part, but just putting everything together

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Speaker 2: and you know, uh, going through the whole process, et cetera.

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Speaker 2: At motherfucker sometimes I'd just be like, fuck this shit

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Speaker 2: some other shit you feel me? And what I mean,

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Speaker 2: the process is just it's just it's like an internet

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Speaker 2: world we live in right now. That's crazy, you hear me,

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Speaker 2: Just sure, it's crazy. It's like nigga who could Who

239
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Speaker 2: could know? But it should be sucking me up. But

240
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Speaker 2: I'll be trying to disappear and stay away from that ship.

241
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Speaker 2: Run up a lucrative bag on another hYP right, but

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Speaker 2: this rap shit, it's in me.

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Speaker 1: I gotta let it do what it do.

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Speaker 3: So are you doing any of anything like investing in

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Speaker 3: outside of I.

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Speaker 2: Got to uh right now, I'm trying to get these

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Speaker 2: apartments in Vegas.

248
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Speaker 1: It's just it's a little ten dough complex.

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Speaker 2: I think they were like one point something but uh,

250
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Speaker 2: and then I think I'm a tweet to see if

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Speaker 2: the Airbnb shipped out there is doping in LA because

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Speaker 2: you know, we got rent control.

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Speaker 3: It's definitely better out there. La. It sucks, it is, yeah, yeah,

254
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Speaker 3: because like they'll let you squat if you stay if so. So,

255
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Speaker 3: someone gets to Airbnb too long. So let's say you

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Speaker 3: got someone who like stayed in there. I think it's

257
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Speaker 3: three months. This actually happened some dude without getting my chicken,

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Speaker 3: and they just they legally don't have to pay you

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Speaker 3: anymore and you can't kick them out.

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Speaker 1: That's crazy. I ain't running the Vegas play.

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Speaker 2: Yeah, I'm gonna run a Vegas play, but I've been

262
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Speaker 2: on that type of time, just really flood, taking my

263
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Speaker 2: chicken and putting and giving it straight the ass.

264
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Speaker 3: Bro, is it still like, are the police still making

265
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Speaker 3: it very hard for you to do shows at home?

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Speaker 2: Most definitely anything you put my you put the MAZI

267
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Speaker 2: stamp on anything, it's a problem. We're not doing that.

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Speaker 2: Anything I've ever done in Sacramento, I had to sneakily

269
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Speaker 2: do it. You feel me slipping through the back door.

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Speaker 2: They just pop up unannounced, crazy unannounced special guests around

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Speaker 2: the s motherfucker he's here.

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Speaker 3: Well, I've been seeing the Kings have been tapping in

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Speaker 3: a little bit more with like some of the local

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Speaker 3: artists like dB and Ship Like has the Kings ever

275
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Speaker 3: reached out?

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Speaker 2: They fucked with me, but they don't fuck with me,

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Speaker 2: right hear me? Hey, I ain't gonna lie, nigga. The

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Speaker 2: Clippers putting me on the front row. You know what

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Speaker 2: I'm saying. Back to back dates had me performed back

280
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Speaker 2: the thing the Clippers game like three folks. Ship, stop

281
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Speaker 2: me when I'm lying. You gotta Dave.

282
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Speaker 3: Take that footage and send it to the Indian dude

283
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Speaker 3: on the King's doing? We doing? Yeah?

284
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Speaker 2: What is we doing? I don't be tripping though. I

285
00:13:03,320 --> 00:13:05,920
Speaker 2: still pop up on that front row once in a while.

286
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Speaker 2: You know, I'm like the bean O King get heart,

287
00:13:08,440 --> 00:13:11,160
Speaker 2: like the Bean. We was doing our thing. Huh this

288
00:13:11,280 --> 00:13:14,760
Speaker 2: year saying I ain't even paying attention. You know, it's

289
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Speaker 2: it's not bad. This is not what it was like.

290
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Speaker 2: Last year was like like the Bean last year, Yeah

291
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Speaker 2: for sure, od.

292
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Speaker 3: Yeah, and then y'all traded taller Halliburton, which.

293
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Speaker 1: Fucked it all off.

294
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Speaker 3: No, no, no, you guys did well without him last

295
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Speaker 3: year with some bonus. But the Halliburn kid is special.

296
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Speaker 3: Y'all let him walk. Y'all should have picked him over

297
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Speaker 3: over Deer Fox.

298
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Speaker 2: Nah, Fox Nigga, that's my thud. You ain't been seeing

299
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Speaker 2: how you perform.

300
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Speaker 3: Hey, man, Bro, you ain't come on, Bro, I'm just

301
00:13:43,480 --> 00:13:45,040
Speaker 3: telling you gonna do that.

302
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Speaker 2: We're not gonna do that over here, thug like nigga,

303
00:13:49,160 --> 00:13:50,679
Speaker 2: Fox Nigga, I was in jail.

304
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Speaker 1: They had the whole year going up.

305
00:13:53,320 --> 00:13:55,560
Speaker 3: Yeah, the whole Fox is great.

306
00:13:55,760 --> 00:13:59,040
Speaker 2: You know, when it's California smoke, everybody is relatable on

307
00:13:59,120 --> 00:14:02,000
Speaker 2: all sides. You know, either you a Lakers nigga, or

308
00:14:02,080 --> 00:14:04,719
Speaker 2: you Golden State or you Sacramento.

309
00:14:04,200 --> 00:14:05,680
Speaker 3: Where were you locked up at up North?

310
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Speaker 1: Uh?

311
00:14:07,040 --> 00:14:08,920
Speaker 2: Yeah, I was down here, damn there. I think that

312
00:14:09,000 --> 00:14:11,959
Speaker 2: motherfucker add water. It's corner from a desk sto or something.

313
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Speaker 3: Okay, yeah yeah, so everybody goes there, uh for sure

314
00:14:15,720 --> 00:14:16,920
Speaker 3: if you California base?

315
00:14:17,200 --> 00:14:18,480
Speaker 1: Yeah yeah.

316
00:14:18,640 --> 00:14:22,440
Speaker 3: Is it for you like being obviously you're a star

317
00:14:22,560 --> 00:14:25,720
Speaker 3: at this point when you're locked up with your status?

318
00:14:25,880 --> 00:14:27,920
Speaker 3: How how hard is it just to like sit down

319
00:14:27,920 --> 00:14:29,400
Speaker 3: and have like lunch?

320
00:14:30,000 --> 00:14:30,160
Speaker 4: Nah?

321
00:14:31,000 --> 00:14:33,640
Speaker 1: You know, you know that's a very masculine environment.

322
00:14:34,360 --> 00:14:37,200
Speaker 2: Like motherfuckers be like yo, man, I right, every fucking

323
00:14:37,280 --> 00:14:39,200
Speaker 2: with me, bro, But you know it's off the driber.

324
00:14:39,200 --> 00:14:41,520
Speaker 2: They got to get comfortable. They don't just walk in

325
00:14:41,680 --> 00:14:44,600
Speaker 2: eight brut Some niggas like that, right, but mostly you

326
00:14:44,640 --> 00:14:46,720
Speaker 2: feel me there. They're settle in like a nigga won't

327
00:14:46,760 --> 00:14:48,960
Speaker 2: say nothing to you for a minute, then a weik

328
00:14:49,080 --> 00:14:49,880
Speaker 2: letty pop out.

329
00:14:49,920 --> 00:14:50,960
Speaker 1: Bro, you mine's here.

330
00:14:51,400 --> 00:14:54,760
Speaker 3: Hey, by the way, you know I spent something for you.

331
00:14:54,800 --> 00:14:58,800
Speaker 1: It's cool. I'm let niggas do all that. This ship entertainment.

332
00:14:58,440 --> 00:15:01,360
Speaker 3: Never find somebody in it, Like, like, was there anybody

333
00:15:01,360 --> 00:15:03,040
Speaker 3: in prison this last go around who you were like?

334
00:15:03,040 --> 00:15:05,400
Speaker 3: Oh you actually you actually could you could rap like

335
00:15:06,200 --> 00:15:07,800
Speaker 3: keep you know, when you get out of here, you know,

336
00:15:08,160 --> 00:15:09,080
Speaker 3: take the shit serious.

337
00:15:09,560 --> 00:15:11,560
Speaker 2: Yeah, I had a couple of niggas. It was a

338
00:15:11,600 --> 00:15:14,480
Speaker 2: couple of niggas. They be you feel me for the yard.

339
00:15:14,840 --> 00:15:18,120
Speaker 2: They go crazy too. The niggas doper than me. But

340
00:15:18,800 --> 00:15:19,880
Speaker 2: hell yeah, would you rap?

341
00:15:20,120 --> 00:15:21,720
Speaker 3: Are you at this point wrapping on the yard in

342
00:15:21,760 --> 00:15:23,440
Speaker 3: your life? Or you just let everybody else do it?

343
00:15:23,600 --> 00:15:25,720
Speaker 2: I try to let everybody else do it. But every

344
00:15:25,720 --> 00:15:27,240
Speaker 2: once in a while, I got it. You feel me

345
00:15:27,280 --> 00:15:31,160
Speaker 2: showcase my talents. Uh, they be growling on me. Brush

346
00:15:31,200 --> 00:15:34,920
Speaker 2: spit that one youear me? So I might come with

347
00:15:34,960 --> 00:15:38,000
Speaker 2: some new shit, some exclusive something. NA ain't hers yet,

348
00:15:38,080 --> 00:15:40,920
Speaker 2: but uh, I was doing my daddy right about nowadays though,

349
00:15:41,000 --> 00:15:42,000
Speaker 2: Oh no, I'm bowling.

350
00:15:42,560 --> 00:15:44,880
Speaker 1: I ain't nigga. I'm not spending the rap for nothing

351
00:15:44,920 --> 00:15:45,840
Speaker 1: in the world. Nigga.

352
00:15:45,880 --> 00:15:47,560
Speaker 3: Are you writing in there? Yeah?

353
00:15:47,760 --> 00:15:51,280
Speaker 1: Ay day, but I ain't walking around spit. Nigga. We solidified,

354
00:15:51,440 --> 00:15:52,160
Speaker 1: you know what I'm saying.

355
00:15:52,200 --> 00:15:56,320
Speaker 2: But initially on the come up, for sure, Yeah, I

356
00:15:56,440 --> 00:16:00,560
Speaker 2: enjoyed anything. This shit been a crazy come up too crazy.

357
00:16:00,800 --> 00:16:04,160
Speaker 1: We well we hear teen summer straight. It's crazy. It's

358
00:16:04,160 --> 00:16:05,160
Speaker 1: crazy in summer straight.

359
00:16:05,240 --> 00:16:09,440
Speaker 3: No break I'm no, it's wild. Yes, I mean ship,

360
00:16:09,480 --> 00:16:11,320
Speaker 3: we're twenty twenty four. I think the first time we

361
00:16:11,360 --> 00:16:13,560
Speaker 3: had you up at the station was twenty seventeen. Okay,

362
00:16:13,640 --> 00:16:15,800
Speaker 3: when you kick that Wu Tang freestyle.

363
00:16:15,400 --> 00:16:17,920
Speaker 2: Yeah, I think I think I PLoP. I think I

364
00:16:18,000 --> 00:16:19,480
Speaker 2: applied twenty fifteen.

365
00:16:20,000 --> 00:16:22,760
Speaker 3: Yeah, yeah, you were buzzing you already. This you came

366
00:16:23,040 --> 00:16:25,880
Speaker 3: right before h on up top ot drop was what

367
00:16:26,080 --> 00:16:28,800
Speaker 3: was when you when you came to the station twenty seventeen?

368
00:16:28,920 --> 00:16:31,480
Speaker 1: Right? Yeah? Yeah? Yeah?

369
00:16:31,840 --> 00:16:35,760
Speaker 3: Any more other independent plaques happening? I feel like you

370
00:16:35,760 --> 00:16:37,880
Speaker 3: have so many records out there that they're damn near gold.

371
00:16:38,600 --> 00:16:40,200
Speaker 2: I got some other shit on the way, you know, bro,

372
00:16:40,360 --> 00:16:43,440
Speaker 2: be keeping me updated. You'll send me a little text message. Nigga,

373
00:16:43,480 --> 00:16:45,800
Speaker 2: we thirty thousand away from this, right, you know what

374
00:16:45,840 --> 00:16:49,240
Speaker 2: I'm saying, seventy five thousand away from this. I can't

375
00:16:49,320 --> 00:16:51,600
Speaker 2: name them right off the back, but we most definitely

376
00:16:51,640 --> 00:16:53,200
Speaker 2: got some on the way plaques.

377
00:16:53,800 --> 00:16:56,800
Speaker 3: I'd like to hear that. Man. Yeah, you and YG

378
00:16:56,960 --> 00:16:59,680
Speaker 3: obviously put out a couple, not a couple of a

379
00:16:59,720 --> 00:17:03,680
Speaker 3: single dope project. You guys got some amazing records together.

380
00:17:03,800 --> 00:17:05,680
Speaker 3: We need a couple, y'all need another one.

381
00:17:05,760 --> 00:17:06,800
Speaker 1: Yeah, we need a couple.

382
00:17:08,359 --> 00:17:10,920
Speaker 3: What was that like, because you guys, I remember seeing

383
00:17:10,960 --> 00:17:13,240
Speaker 3: Nima and everybody going out to Mexico and y'all shooting

384
00:17:13,240 --> 00:17:15,960
Speaker 3: that video and yeah, that that looked just looked like

385
00:17:15,960 --> 00:17:17,280
Speaker 3: a fun thing for you guys to do. And it

386
00:17:17,320 --> 00:17:19,000
Speaker 3: also kind of made to me, It kind of made

387
00:17:19,080 --> 00:17:21,200
Speaker 3: yg like step up his ship, you know, like, oh.

388
00:17:21,200 --> 00:17:23,439
Speaker 2: Yeah, that nigga was tweaking on that album like he

389
00:17:23,560 --> 00:17:25,560
Speaker 2: had to. Yeah, he was doing this ship.

390
00:17:26,000 --> 00:17:28,840
Speaker 3: So so it was like, you know, still still sharp

391
00:17:28,880 --> 00:17:30,040
Speaker 3: and steel, you know what I'm saying.

392
00:17:29,960 --> 00:17:33,320
Speaker 2: Nah, for sure, but that motherfucker was at that whole

393
00:17:33,359 --> 00:17:36,000
Speaker 2: trip was lit. I think that Nigga brung like twenty

394
00:17:36,080 --> 00:17:38,959
Speaker 2: GAG members, you feel me. I had like twenty niggas

395
00:17:38,960 --> 00:17:41,320
Speaker 2: in a in a in a federal building trying to

396
00:17:41,359 --> 00:17:46,160
Speaker 2: get they passport, you get them. Niggas just came home

397
00:17:46,240 --> 00:17:49,760
Speaker 2: from doing eleven and seven and shit, niggas trying to

398
00:17:49,760 --> 00:17:50,080
Speaker 2: get it.

399
00:17:50,040 --> 00:17:52,439
Speaker 1: And they was getting them too, busting, you feel me.

400
00:17:52,440 --> 00:17:55,960
Speaker 2: And that we jumped on that flint night, yeah, and uh,

401
00:17:56,080 --> 00:17:57,080
Speaker 2: it was lit over there.

402
00:17:57,200 --> 00:17:58,160
Speaker 1: We fucked around.

403
00:17:58,480 --> 00:18:00,719
Speaker 3: What was that? Because you've done a lot of collab

404
00:18:00,720 --> 00:18:03,800
Speaker 3: projects with a lot of people over your career obviously,

405
00:18:03,920 --> 00:18:08,000
Speaker 3: especially being independent. But was that project, what was that

406
00:18:08,200 --> 00:18:10,919
Speaker 3: like because there was like a real push y'all had

407
00:18:10,920 --> 00:18:13,840
Speaker 3: a radio single and you know what I'm saying, and

408
00:18:14,000 --> 00:18:16,760
Speaker 3: YG's I mean, you've done shit with Burner, with gun Play,

409
00:18:16,800 --> 00:18:19,159
Speaker 3: with hell of people, but like YG's fucking YG, you

410
00:18:19,200 --> 00:18:20,560
Speaker 3: know what i mean, Like been holding the West down

411
00:18:20,560 --> 00:18:22,400
Speaker 3: for a decade, is kind of the face of this shit.

412
00:18:22,520 --> 00:18:24,600
Speaker 3: Like for sure, that had to be like just cool

413
00:18:24,600 --> 00:18:26,320
Speaker 3: to be like, well, shit, it ain't all on me

414
00:18:26,400 --> 00:18:26,919
Speaker 3: this time.

415
00:18:27,280 --> 00:18:28,119
Speaker 1: Nah, for sure.

416
00:18:28,359 --> 00:18:31,560
Speaker 2: It's a you know, I ain't gonna lie with any

417
00:18:31,600 --> 00:18:34,440
Speaker 2: collab project. That was one of the dopest collab projects

418
00:18:34,480 --> 00:18:35,240
Speaker 2: most definitely my.

419
00:18:35,160 --> 00:18:36,360
Speaker 3: Favorite ones on Burner though.

420
00:18:37,000 --> 00:18:38,840
Speaker 1: I like burn Burn Go Brazy.

421
00:18:38,920 --> 00:18:42,119
Speaker 3: That album's crazy though, That a record. YG's on that

422
00:18:42,160 --> 00:18:42,920
Speaker 3: record and.

423
00:18:42,760 --> 00:18:46,400
Speaker 2: On my Mama Yeah, with Logic Hey, but anything like

424
00:18:46,600 --> 00:18:51,320
Speaker 2: whenever I'm functioning with another individual, it's kind of like

425
00:18:51,600 --> 00:18:54,080
Speaker 2: hella easier cause it's like I'm letting them lead.

426
00:18:54,440 --> 00:18:57,240
Speaker 1: I'm letting them lead what direction we're going with it?

427
00:18:57,400 --> 00:18:59,000
Speaker 2: You feel me, I can and that just give me

428
00:18:59,000 --> 00:19:01,840
Speaker 2: an opportunity to flourishing different, you know what I'm saying.

429
00:19:01,840 --> 00:19:03,360
Speaker 1: The avenues like right now.

430
00:19:03,359 --> 00:19:05,880
Speaker 2: I got one coming with Kaitlin for real, and it's

431
00:19:05,960 --> 00:19:08,120
Speaker 2: like focused on functioning with the vibes.

432
00:19:08,359 --> 00:19:10,800
Speaker 1: How many records we probably do, like.

433
00:19:11,119 --> 00:19:15,600
Speaker 5: A little EP six sept Yeah, and it's I mean,

434
00:19:15,640 --> 00:19:18,359
Speaker 5: because he got the vibes on lock. So what killings

435
00:19:18,359 --> 00:19:22,760
Speaker 5: ship shot I need that I need in besides Kaitlin?

436
00:19:24,080 --> 00:19:25,359
Speaker 3: How many unreleased songs?

437
00:19:25,400 --> 00:19:25,480
Speaker 1: Like?

438
00:19:25,480 --> 00:19:27,520
Speaker 3: Which artists you have the most unreleased records with sitting

439
00:19:27,560 --> 00:19:28,120
Speaker 3: on a hard drive?

440
00:19:29,400 --> 00:19:32,240
Speaker 1: Probably my gang members, the Maji gang.

441
00:19:32,480 --> 00:19:36,760
Speaker 2: Yeah, whether it's Ema Zi Snubs, you know what I'm saying,

442
00:19:37,520 --> 00:19:39,199
Speaker 2: Little Nick, little Dallas.

443
00:19:39,960 --> 00:19:42,680
Speaker 1: Uh, it's my gang members. That's who you know. That's

444
00:19:42,680 --> 00:19:46,320
Speaker 1: what niggas grew up doing music with. So it's undisputable.

445
00:19:46,800 --> 00:19:49,800
Speaker 3: I feel like someone else who you've worked with would

446
00:19:49,800 --> 00:19:53,280
Speaker 3: be done with y'all the ep is millies or that

447
00:19:53,359 --> 00:19:55,359
Speaker 3: Sho would go crazy. He's the white Mazi.

448
00:19:55,600 --> 00:20:00,159
Speaker 2: What one of my favorite cards. Niggas ain't fucking with

449
00:20:00,200 --> 00:20:02,840
Speaker 2: that nigga hard for sure?

450
00:20:02,960 --> 00:20:03,840
Speaker 3: Yeah, for sure?

451
00:20:04,480 --> 00:20:07,600
Speaker 2: He tweaky Uh. Yeah, he one of the niggas. You're

452
00:20:07,600 --> 00:20:11,879
Speaker 2: getting that laboratory with free surf another one? Yeah, you

453
00:20:11,960 --> 00:20:14,520
Speaker 2: getting that laboratory which you gotta you gotta you gotta

454
00:20:14,560 --> 00:20:17,040
Speaker 2: raise the board for sure. You know they gonna they

455
00:20:17,119 --> 00:20:19,800
Speaker 2: gonna put that press on you make you perform.

456
00:20:19,960 --> 00:20:22,679
Speaker 3: What on this on this album? What's your what's like?

457
00:20:22,840 --> 00:20:24,280
Speaker 1: Uh?

458
00:20:24,400 --> 00:20:25,280
Speaker 3: Your favorite record?

459
00:20:26,400 --> 00:20:30,080
Speaker 2: Red Nose Bully. I think Red Nose Bully. I just

460
00:20:30,200 --> 00:20:32,680
Speaker 2: dropped that like on the Radar some games and ship

461
00:20:33,359 --> 00:20:33,520
Speaker 2: on the.

462
00:20:33,560 --> 00:20:34,360
Speaker 3: Radar Ship that you did.

463
00:20:34,520 --> 00:20:36,800
Speaker 1: Yeah, Red Nose Bully, that's my favorite song.

464
00:20:37,440 --> 00:20:40,080
Speaker 2: It's just showing my growth, you know what, I'm seeing

465
00:20:40,160 --> 00:20:44,280
Speaker 2: me as an artist, as a man, and uh, I'm

466
00:20:44,320 --> 00:20:46,920
Speaker 2: really excited about y'all, you know, being able to tweak

467
00:20:46,960 --> 00:20:50,159
Speaker 2: on that. I think another song is Ebony from twelve,

468
00:20:50,920 --> 00:20:54,000
Speaker 2: a kind of lightweight, just started the whole thing for

469
00:20:54,040 --> 00:20:57,520
Speaker 2: the album, the theme you know what I'm saying, et cetera.

470
00:20:58,080 --> 00:20:59,640
Speaker 1: Uh So that's one of my favorite songs.

471
00:20:59,680 --> 00:21:01,960
Speaker 2: It's a up Like I said, I'm damn there to

472
00:21:02,000 --> 00:21:03,600
Speaker 2: the necklace on the whole project.

473
00:21:04,000 --> 00:21:07,200
Speaker 3: So I gonna ask you, I feel like your fan

474
00:21:07,240 --> 00:21:12,040
Speaker 3: base is so like dedicated, but it's because you're you're

475
00:21:12,080 --> 00:21:14,520
Speaker 3: so vulnerable and you're so relatable on your records, like

476
00:21:14,560 --> 00:21:17,000
Speaker 3: you're you're a gangster rapper, but you're not afraid to, like,

477
00:21:17,920 --> 00:21:20,800
Speaker 3: you know, pull the fucking too hard.

478
00:21:21,080 --> 00:21:23,159
Speaker 2: They be too hard, but they be insecure with that

479
00:21:23,320 --> 00:21:26,640
Speaker 2: gangster you know what I'm saying, They're still chasing something.

480
00:21:27,119 --> 00:21:29,760
Speaker 2: We adults, you gotta be able to merge in adulhood,

481
00:21:29,800 --> 00:21:34,200
Speaker 2: transition to adlhood and uh you know, uh, I think

482
00:21:34,240 --> 00:21:37,879
Speaker 2: that come with being vulnerable and come with accountability, you

483
00:21:37,920 --> 00:21:41,439
Speaker 2: know what I'm saying me, And so uh that's it.

484
00:21:42,080 --> 00:21:44,840
Speaker 2: I'm just I'm just I'm just applying my doorhood to

485
00:21:44,920 --> 00:21:46,000
Speaker 2: this gangster ship man.

486
00:21:46,600 --> 00:21:49,840
Speaker 3: You know how annoying is it for you to always

487
00:21:49,840 --> 00:21:52,240
Speaker 3: get called from like people thinking from the Bay. Like

488
00:21:52,280 --> 00:21:55,639
Speaker 3: people always be like, yo, Barry Rapper Mazi. I'll be like, Bruh,

489
00:21:55,880 --> 00:21:57,200
Speaker 3: Sacramento is not the bag.

490
00:21:58,320 --> 00:21:59,240
Speaker 1: I already get it.

491
00:21:59,280 --> 00:22:01,439
Speaker 3: That's what happens all the time. People will talk to

492
00:22:01,480 --> 00:22:03,080
Speaker 3: me about you and they'll be like, yeah, Mazy from

493
00:22:03,080 --> 00:22:05,520
Speaker 3: the Bay, and I'm like, I'm not Mai from the Bay.

494
00:22:05,640 --> 00:22:08,200
Speaker 2: When I had the little yeah yeah, we slid down

495
00:22:08,280 --> 00:22:13,080
Speaker 2: Nigga a bird bank to go get some chicken. But

496
00:22:13,119 --> 00:22:16,840
Speaker 2: the whole time, I'm thinking, I'm in la we in Burbank, right.

497
00:22:16,920 --> 00:22:17,359
Speaker 1: You hear me?

498
00:22:17,640 --> 00:22:19,960
Speaker 3: No, But it's not even not that Burbank's a lot

499
00:22:20,000 --> 00:22:22,800
Speaker 3: closer to La than Nah, it's like, what a two

500
00:22:22,840 --> 00:22:23,240
Speaker 3: hour drive?

501
00:22:23,240 --> 00:22:25,080
Speaker 1: I hear you, But that's what you naturally feel.

502
00:22:25,119 --> 00:22:28,800
Speaker 2: If you go to a long beach, you feel like La,

503
00:22:28,960 --> 00:22:31,080
Speaker 2: a northern northern California individual.

504
00:22:31,160 --> 00:22:33,120
Speaker 3: It mean, it's more like if someone from San Diego

505
00:22:33,160 --> 00:22:35,040
Speaker 3: got called LA Rapper.

506
00:22:35,200 --> 00:22:37,080
Speaker 1: Oh okay, all right.

507
00:22:38,119 --> 00:22:42,840
Speaker 3: San Diego is like an hour fifty minutes away, forty.

508
00:22:42,560 --> 00:22:49,879
Speaker 4: Five an hour an hour. Yeah, look at damn. I like,

509
00:22:50,400 --> 00:22:53,040
Speaker 4: but nah, you know, don't mind, you know, because I understand.

510
00:22:53,040 --> 00:22:55,879
Speaker 1: They lingo. Hey, you know what I'm sammy. They just popping,

511
00:22:55,920 --> 00:22:56,320
Speaker 1: they lingo.

512
00:22:56,400 --> 00:22:59,280
Speaker 2: You hear a nigga from New from from Buffalo, you

513
00:22:59,320 --> 00:23:00,960
Speaker 2: hear him talk like you're from New York.

514
00:23:00,960 --> 00:23:05,639
Speaker 3: Broth, No, then Buffalo guys got there.

515
00:23:06,119 --> 00:23:07,080
Speaker 1: What about Jersey?

516
00:23:07,359 --> 00:23:11,200
Speaker 3: Jersey? For sure? Very simil. That's fair, that's fair. What's

517
00:23:11,200 --> 00:23:13,320
Speaker 3: the next few though? Bro? Like, obviously, you know being

518
00:23:13,320 --> 00:23:16,680
Speaker 3: with CMG, you know you had a crazy run with Empire,

519
00:23:17,520 --> 00:23:20,280
Speaker 3: dropped the last album on Interscope. This album is still CMG,

520
00:23:20,320 --> 00:23:24,880
Speaker 3: but it's still independent. What is your plans for the future, bro?

521
00:23:25,560 --> 00:23:31,399
Speaker 2: Uh, just transition to cold, transition, that's ship. I just

522
00:23:31,440 --> 00:23:35,399
Speaker 2: want to transition and just diversify my portfolio. Like, just

523
00:23:35,440 --> 00:23:39,080
Speaker 2: get on some different, totally different ship, hear me, like

524
00:23:40,560 --> 00:23:43,159
Speaker 2: business wise, Yeah, I just want to jump in the

525
00:23:43,280 --> 00:23:46,160
Speaker 2: business field, like functioning with the houses.

526
00:23:46,880 --> 00:23:49,160
Speaker 1: Uh tweaking on the day trading.

527
00:23:49,400 --> 00:23:50,480
Speaker 3: You'll be seeing day trade.

528
00:23:50,520 --> 00:23:52,960
Speaker 2: You be seeing niggas balling off day trading. Oh you

529
00:23:53,000 --> 00:23:55,560
Speaker 2: wanted them what? No, but you wanted them on was

530
00:23:57,320 --> 00:23:59,880
Speaker 2: sh Yeah, I'm start it off. I'm still on robber Hood.

531
00:24:00,280 --> 00:24:01,120
Speaker 2: I ain't on we Bull.

532
00:24:01,240 --> 00:24:03,439
Speaker 1: Yeah. When I get bull, I'm gonna let you know.

533
00:24:04,200 --> 00:24:06,600
Speaker 1: So so you you trade every day, Yeah, I'll be

534
00:24:06,600 --> 00:24:07,320
Speaker 1: functioning with it.

535
00:24:07,359 --> 00:24:09,320
Speaker 3: Hell, it's fun. It's kind of like it's kind of

536
00:24:09,320 --> 00:24:10,880
Speaker 3: like gambling gamblers.

537
00:24:10,600 --> 00:24:11,440
Speaker 1: That's what it is.

538
00:24:11,720 --> 00:24:13,920
Speaker 2: But they told me, they told me, when you get

539
00:24:13,960 --> 00:24:17,240
Speaker 2: your ship right, once you learn it, it's the percentages

540
00:24:17,359 --> 00:24:18,480
Speaker 2: just raised for sure.

541
00:24:19,080 --> 00:24:21,480
Speaker 3: So what's like your best performing stock so far?

542
00:24:22,080 --> 00:24:22,480
Speaker 1: Uh?

543
00:24:22,640 --> 00:24:25,920
Speaker 2: Of course, Tesla. I was just telling somebody I had

544
00:24:26,000 --> 00:24:27,280
Speaker 2: those coin, those cords.

545
00:24:27,280 --> 00:24:29,600
Speaker 3: Oh that's the crypto. Oh yeah, the doge. What year

546
00:24:29,640 --> 00:24:30,280
Speaker 3: did you have dose?

547
00:24:30,440 --> 00:24:33,000
Speaker 2: I had it win a year and and didn't sit

548
00:24:33,160 --> 00:24:35,400
Speaker 2: there and when it didn't sell it bro.

549
00:24:35,560 --> 00:24:37,600
Speaker 3: Hey sends the story of everyone in crypto.

550
00:24:40,200 --> 00:24:41,399
Speaker 1: That's the famous oneever.

551
00:24:41,640 --> 00:24:45,400
Speaker 3: Bruh. I had doge coin, and then Elon Musk went

552
00:24:45,440 --> 00:24:49,560
Speaker 3: on Saturday Night Live and everybody was like, yo if.

553
00:24:49,760 --> 00:24:52,439
Speaker 3: During his monologue he mentions dosee coin, it's about to

554
00:24:52,720 --> 00:24:55,720
Speaker 3: blow this ship up. He mentioned it, and the opposite happened.

555
00:24:55,880 --> 00:25:00,080
Speaker 3: You're fucking taintd And I was like, god, damn, I.

556
00:25:00,040 --> 00:25:02,719
Speaker 2: Ain't know what was going on. I put like ten thousand,

557
00:25:02,800 --> 00:25:06,080
Speaker 2: and the motherfucking hit for a hundred K. I'm like, oh,

558
00:25:06,080 --> 00:25:08,280
Speaker 2: it's gonna go to a dollar, so you should have

559
00:25:08,359 --> 00:25:10,520
Speaker 2: sold should have sold it on damn.

560
00:25:10,760 --> 00:25:13,560
Speaker 1: So no bigcoin, not no bitcoin on the fucking around.

561
00:25:13,640 --> 00:25:14,440
Speaker 3: Bigcoin's back.

562
00:25:14,960 --> 00:25:17,440
Speaker 1: I know, I seen it moving. It's moving.

563
00:25:18,160 --> 00:25:20,240
Speaker 3: So Tesla stock has been good for you?

564
00:25:20,520 --> 00:25:23,040
Speaker 2: Yeah, I mean that's the one in my portfolio that's

565
00:25:23,040 --> 00:25:24,639
Speaker 2: been performing the best.

566
00:25:25,720 --> 00:25:26,240
Speaker 1: For sure.

567
00:25:26,720 --> 00:25:27,760
Speaker 3: Would you get a cyber truck?

568
00:25:28,800 --> 00:25:31,040
Speaker 2: I was plotting on it. I was plotting on it,

569
00:25:31,080 --> 00:25:33,199
Speaker 2: but you know I can't be plump faking playing with

570
00:25:33,240 --> 00:25:38,560
Speaker 2: these pre orders and ship nah, the little charge and stations.

571
00:25:38,000 --> 00:25:40,360
Speaker 3: And oh yeah, it can't be your only car.

572
00:25:40,840 --> 00:25:43,320
Speaker 2: Now, it can't be your only car. But now I

573
00:25:43,440 --> 00:25:46,440
Speaker 2: like it. That's a fucker doe zo d. I'm getting

574
00:25:47,000 --> 00:25:48,280
Speaker 2: they tweaking it right now too.

575
00:25:48,320 --> 00:25:51,119
Speaker 1: Two weeks are you on your way? Yeah? Oh you

576
00:25:51,119 --> 00:25:53,119
Speaker 1: ain't playing with them? What you spend it? Two fifty?

577
00:25:53,280 --> 00:25:56,040
Speaker 3: N It was like one ten, two fifty. What kind

578
00:25:56,040 --> 00:25:57,600
Speaker 3: of fucking stop? They don't even got a two undred

579
00:25:57,600 --> 00:25:58,680
Speaker 3: three thousand of cyber truck.

580
00:26:00,040 --> 00:26:02,320
Speaker 1: I was just on the internet tweaking on that motherfucker.

581
00:26:02,359 --> 00:26:04,840
Speaker 3: But ten something wait on the Tesla app.

582
00:26:05,840 --> 00:26:08,520
Speaker 1: Bro, don't make me pull my phone out.

583
00:26:08,800 --> 00:26:12,240
Speaker 3: BRO, I'll show you right now. Look you should one

584
00:26:12,240 --> 00:26:15,400
Speaker 3: tear yeah, one ten for the foundation. One Look.

585
00:26:16,720 --> 00:26:19,840
Speaker 1: I think at this one t just type in Tesla

586
00:26:19,920 --> 00:26:21,840
Speaker 1: truck for a seal.

587
00:26:22,680 --> 00:26:26,280
Speaker 3: Someone's trying to hustle. Look if you get it from

588
00:26:26,320 --> 00:26:39,320
Speaker 3: the actual look one hundred one on one. But I

589
00:26:39,359 --> 00:26:41,399
Speaker 3: bought the battery pack, so it second next year, like

590
00:26:41,440 --> 00:26:43,320
Speaker 3: seven that they're going to release.

591
00:26:43,480 --> 00:26:45,760
Speaker 1: You ain't putting me up on it, bro.

592
00:26:45,880 --> 00:26:49,159
Speaker 3: They a two hundred thousand. That's that's like the flip

593
00:26:49,320 --> 00:26:51,679
Speaker 3: someone's flipping there s But the thing is, if you

594
00:26:51,680 --> 00:26:54,600
Speaker 3: buy a Tesla truck, you can't sell it legally. They'll

595
00:26:54,600 --> 00:26:56,600
Speaker 3: sue you if you sell it within two years for real,

596
00:26:56,800 --> 00:27:00,240
Speaker 3: because they don't want people flipping them. So somebody got

597
00:27:00,240 --> 00:27:02,680
Speaker 3: caught trying to like flip their Tesla truck and their

598
00:27:02,720 --> 00:27:06,679
Speaker 3: banned for life from buying Teslas, which is crazy, that

599
00:27:06,720 --> 00:27:07,680
Speaker 3: crazy thing to ban somebody.

600
00:27:07,880 --> 00:27:10,120
Speaker 2: They know what they're doing. They know what they're doing.

601
00:27:10,160 --> 00:27:11,760
Speaker 2: Watch out, quit playing with our ship.

602
00:27:11,880 --> 00:27:14,639
Speaker 3: Yeah, shouts to you, damn show you you so do

603
00:27:14,640 --> 00:27:16,960
Speaker 3: you day trade man? That ship? How do you like

604
00:27:17,040 --> 00:27:19,439
Speaker 3: to do your research for day trading? You? Just like?

605
00:27:19,560 --> 00:27:21,679
Speaker 3: Are you on fucking MSNBC in the morning? Like?

606
00:27:22,200 --> 00:27:24,000
Speaker 2: Nah, So I've been tweaking on a hell of a

607
00:27:24,000 --> 00:27:27,359
Speaker 2: little different websites and apps, but I also got my

608
00:27:27,480 --> 00:27:28,439
Speaker 2: pot and texting.

609
00:27:28,520 --> 00:27:29,439
Speaker 1: What you what you've been on?

610
00:27:29,760 --> 00:27:30,480
Speaker 3: What you like today?

611
00:27:31,080 --> 00:27:32,400
Speaker 1: What you're putting it on? Man?

612
00:27:32,680 --> 00:27:33,639
Speaker 3: You ever been on sports?

613
00:27:34,240 --> 00:27:34,359
Speaker 1: Nah?

614
00:27:34,359 --> 00:27:37,120
Speaker 2: I don't fuck with that. That's too many smart. I'm

615
00:27:37,119 --> 00:27:39,520
Speaker 2: scared of that now. Stock's smart. Yeah, I don't watch

616
00:27:39,600 --> 00:27:41,520
Speaker 2: enough sports for it. But stocks, I'll just be playing

617
00:27:41,520 --> 00:27:42,520
Speaker 2: with it. I'll be flirting with.

618
00:27:42,480 --> 00:27:44,240
Speaker 3: It because even if your stock has a bad month,

619
00:27:44,560 --> 00:27:47,240
Speaker 3: you still double it can go back double best hold

620
00:27:47,240 --> 00:27:47,639
Speaker 3: on to it.

621
00:27:47,720 --> 00:27:50,000
Speaker 1: Yeah, I've been doing that. I've been doing that.

622
00:27:50,320 --> 00:27:53,119
Speaker 3: Damn shock at Mazie the day Trader. Oh, I go

623
00:27:53,359 --> 00:27:57,880
Speaker 3: up like stock podcast and fuck them off. Oh, Yeah,

624
00:27:58,280 --> 00:27:59,040
Speaker 3: that'd be crazy.

625
00:27:59,040 --> 00:28:00,760
Speaker 1: But you're gonna pull up a function with me?

626
00:28:00,840 --> 00:28:04,680
Speaker 3: Of course, I would you ever host a podcast?

627
00:28:05,280 --> 00:28:07,359
Speaker 1: No, I don't think I fucking around, Bobby Brown.

628
00:28:07,440 --> 00:28:09,760
Speaker 3: I was gonna say, like, the podcast interview circuit has

629
00:28:09,760 --> 00:28:10,840
Speaker 3: gotten really toxic.

630
00:28:10,880 --> 00:28:11,040
Speaker 1: Bro.

631
00:28:11,119 --> 00:28:15,200
Speaker 3: It's like it's all like it just feels like if

632
00:28:15,240 --> 00:28:16,879
Speaker 3: I was an artist and I was on the come up,

633
00:28:16,920 --> 00:28:18,720
Speaker 3: I would I would turn down most of this shit

634
00:28:20,560 --> 00:28:24,120
Speaker 3: because if you really think about it, most platforms they

635
00:28:24,200 --> 00:28:26,320
Speaker 3: gonna bait you into like saying some shit that's gonna

636
00:28:26,359 --> 00:28:30,159
Speaker 3: have you looking crazy. We're talking about some some gang shit, or.

637
00:28:30,320 --> 00:28:33,280
Speaker 2: They body slamming niggas, they body slamming niggas. But it'd

638
00:28:33,280 --> 00:28:36,480
Speaker 2: be like, you know, it'd be due to a lack

639
00:28:36,520 --> 00:28:39,680
Speaker 2: of conversation. Else they gonna talk about and what nigga's

640
00:28:39,680 --> 00:28:40,360
Speaker 2: gonna talk about.

641
00:28:40,400 --> 00:28:42,520
Speaker 3: Kid, It's up to you whether or not you answer

642
00:28:42,560 --> 00:28:45,560
Speaker 3: the question. It's accountability. Like you said, if you could,

643
00:28:45,600 --> 00:28:46,240
Speaker 3: you could pass.

644
00:28:46,400 --> 00:28:49,200
Speaker 2: I'd like to utilize my rights to remain silent one

645
00:28:49,240 --> 00:28:49,880
Speaker 2: hundred percent.

646
00:28:50,360 --> 00:28:53,520
Speaker 3: One hundred percent. Man, So we got stock, we got

647
00:28:53,520 --> 00:28:55,920
Speaker 3: real estate shit going. Yeah, the album's coming out on

648
00:28:55,960 --> 00:28:59,360
Speaker 3: the nineteenth, nineteen. Children of the slums. How much? How

649
00:28:59,400 --> 00:29:01,120
Speaker 3: much are you record? And still are you like every

650
00:29:01,160 --> 00:29:02,320
Speaker 3: every week still in the lab?

651
00:29:02,480 --> 00:29:04,680
Speaker 1: No, I flirt with it during this process.

652
00:29:04,840 --> 00:29:08,000
Speaker 2: So uh, you know my schedule is full of pulling

653
00:29:08,080 --> 00:29:09,360
Speaker 2: up on niggas like you.

654
00:29:09,720 --> 00:29:10,640
Speaker 1: Yeah, you know what I'm saying.

655
00:29:10,640 --> 00:29:12,480
Speaker 3: So well, you're not allowed to really move around and

656
00:29:12,520 --> 00:29:13,840
Speaker 3: like really like travel right now.

657
00:29:13,920 --> 00:29:16,600
Speaker 1: They got me restricted. So I'm restricted as of right now.

658
00:29:16,640 --> 00:29:19,440
Speaker 3: But you was at a when you did you have

659
00:29:19,480 --> 00:29:20,480
Speaker 3: to get a pass? Come on?

660
00:29:20,760 --> 00:29:22,840
Speaker 1: You know he looked out for me, throw me you.

661
00:29:23,280 --> 00:29:24,560
Speaker 1: So is it fellow for that?

662
00:29:24,840 --> 00:29:26,720
Speaker 3: Any show? Will you get a pass?

663
00:29:27,160 --> 00:29:27,400
Speaker 2: Nah?

664
00:29:27,560 --> 00:29:28,240
Speaker 1: California?

665
00:29:28,560 --> 00:29:31,120
Speaker 3: Only Cali because you when you first got out, then

666
00:29:31,160 --> 00:29:33,320
Speaker 3: you go to a show in like Midwest and there

667
00:29:33,400 --> 00:29:35,520
Speaker 3: was some shit they got ugly. Yeah, and they try

668
00:29:35,560 --> 00:29:36,280
Speaker 3: to put it on you.

669
00:29:36,360 --> 00:29:38,440
Speaker 1: I don't know why they do some merror ship like that.

670
00:29:39,360 --> 00:29:41,240
Speaker 3: You was just there. I'm like, bro, I'm here. Ship

671
00:29:41,320 --> 00:29:42,320
Speaker 3: be happening at the club?

672
00:29:42,400 --> 00:29:43,040
Speaker 1: Come on, bro.

673
00:29:43,640 --> 00:29:47,160
Speaker 3: I feel that it's so crazy because like that's one

674
00:29:47,160 --> 00:29:50,200
Speaker 3: thing like being a club owner, Like you know, an

675
00:29:50,280 --> 00:29:53,480
Speaker 3: artist could be booked somewhere and if some shit happens

676
00:29:53,520 --> 00:29:57,160
Speaker 3: at that club, you responsible. No, the artist gets a

677
00:29:57,160 --> 00:29:58,440
Speaker 3: bad rep with the police department.

678
00:29:58,800 --> 00:30:00,720
Speaker 2: Oh yeah, they ain't functional with us. No more we

679
00:30:00,880 --> 00:30:03,640
Speaker 2: out it. I don't care it, don't even got it.

680
00:30:03,640 --> 00:30:05,480
Speaker 3: Because they think, go you know you brought you brought that.

681
00:30:06,160 --> 00:30:08,640
Speaker 1: It's like us, I don't have nothing to do with us.

682
00:30:08,800 --> 00:30:10,880
Speaker 3: But if a fight happens when there's no artists at that,

683
00:30:10,960 --> 00:30:11,480
Speaker 3: ain't club.

684
00:30:13,120 --> 00:30:16,000
Speaker 2: Ain't nobody that ain't nobody depended on. So look through

685
00:30:16,040 --> 00:30:17,200
Speaker 2: how that club like treating you.

686
00:30:17,240 --> 00:30:20,320
Speaker 1: It's lit. Oh yeah, but come on, I got to

687
00:30:20,320 --> 00:30:20,600
Speaker 1: book you.

688
00:30:20,720 --> 00:30:23,240
Speaker 3: I can't book you yet, but nah for sure, but

689
00:30:23,440 --> 00:30:25,280
Speaker 3: you so you you did my birthday party at the

690
00:30:25,320 --> 00:30:26,960
Speaker 3: place I own now, but it was a different club.

691
00:30:27,800 --> 00:30:28,600
Speaker 1: I'm trying to get in.

692
00:30:28,640 --> 00:30:30,720
Speaker 2: I'm ready to say for school, get money with you off.

693
00:30:31,240 --> 00:30:32,600
Speaker 1: Come on, man, let's get it.

694
00:30:32,600 --> 00:30:34,880
Speaker 3: We'll listen. The new album is out on the nineteenth,

695
00:30:34,920 --> 00:30:38,080
Speaker 3: Go support it. Hopefully we get some more music after that.

696
00:30:38,120 --> 00:30:40,800
Speaker 3: I mean, your output is wow, appreciate. Is there gonna

697
00:30:40,800 --> 00:30:43,080
Speaker 3: be another CMG compilation.

698
00:30:42,840 --> 00:30:45,040
Speaker 1: As soon as that? Soon as that motherfucker drop? You know?

699
00:30:45,120 --> 00:30:48,400
Speaker 1: Hell gang manzi on it. There it is, man for sure.

700
00:30:48,840 --> 00:30:51,800
Speaker 3: I'm proud of you. Haven't started saying like cubing on

701
00:30:51,880 --> 00:30:57,840
Speaker 3: crubing the Memphis. It ain't rubbed off on you yet. No, Bros,

702
00:30:59,000 --> 00:31:01,920
Speaker 3: Memphis with actions my favorite shit in music. I've been listening,

703
00:31:02,080 --> 00:31:03,760
Speaker 3: just listening to Whole Glow Real album and she said,

704
00:31:04,680 --> 00:31:07,000
Speaker 3: she said one word. I was like, damn, I gotta

705
00:31:07,040 --> 00:31:11,120
Speaker 3: take that. They got a little curbans, my guy. I

706
00:31:11,160 --> 00:31:11,880
Speaker 3: appreciate you, bro.

707
00:31:11,920 --> 00:31:12,480
Speaker 1: Appreciate you.

708
00:31:13,920 --> 00:31:14,360
Speaker 3: Yes, sir,