Speaker 1: M Thirteen Days of Halloween Devil's Night, a production of
Speaker 1: I Heeart three D audio, Blumhouse Television and Grimm and
Speaker 1: Mild from Aaron Mackey headphones. Recommended Listener discretion advised. Zero
Speaker 1: errow errow errow please zero from that? How kow? Zero?
Speaker 1: Zero erro er? Stop? Get over here? Who were you thinking?
Speaker 1: Why would you do that to me? Look, it's not
Speaker 1: even real. It's just a scarecrow. Oh I'm sorry, boy.
Speaker 1: I shouldn't have yelled about you. I was just worried
Speaker 1: as all. But that's no excuse. You're just trying to
Speaker 1: protect me. And he does look pretty intimidating, especially that mask. Well, boy,
Speaker 1: they left without us. I don't know how long it
Speaker 1: will be to walk back to town. At least we
Speaker 1: found the road again. Okay, what is it boy? Any
Speaker 1: other night, I'd say we asked for a ride, but
Speaker 1: I don't know. We are wrote? We should be really careful.
Speaker 1: Aren't you cold out here? Son? Are you lost? No? Well,
Speaker 1: I was out working. We missed all right back to town.
Speaker 1: Bad night to be out all alone. At least, that's
Speaker 1: what they've been saying all over the radio. Oh, they
Speaker 1: do tend to exaggerate which way you headed Bradbury. You're
Speaker 1: pretty far out you want to lift, I don't want
Speaker 1: if you bother. Well, it's no bother, not really heading
Speaker 1: that way anyway. Oh hey, I get it. It's okay.
Speaker 1: I'm not looking at trouble you at all. Just saw
Speaker 1: you and your dog out here in the field. I
Speaker 1: thought you could use little help if you'd rather walk it.
Speaker 1: I understand you know the way. Yeah, yes, I thank you. Yes.
Speaker 1: If it's no trouble, we'll have just on the other
Speaker 1: side of town. We'll be there in no time. Hop
Speaker 1: on in oh Arrow, Not again. I'm sorry, Mr. He's friendly,
Speaker 1: he's just protective and doing a fine job of it.
Speaker 1: Have to worry now, erro. I bet your parents are
Speaker 1: worried sick about you. Yeah, I'm sure they won't be
Speaker 1: too happy. Oh boy, you are shivering like a cartoon dog.
Speaker 1: Well went up that glove box. There should be a
Speaker 1: blanket in there. I'll crank up the heat. Thanks, thank you.
Speaker 1: It's been a long night. Well it'll soon be over.
Speaker 1: Just let me know when to turn Nuver five one
Speaker 1: in a church. Another raging on the outskirts of Towth
Speaker 1: A case of vandalism in the cemetery. What could only
Speaker 1: be this? I do angry mob forming on main street
Speaker 1: and several people adult and children. I've already been reported.
Speaker 1: It's important to know what's going on in the outside world, yes,
Speaker 1: but sometimes sometimes we all just need a little break
Speaker 1: from it too. So just straight ahead then, yeah, yeah,
Speaker 1: just on the other side of town. But you might
Speaker 1: wat oh, oh, Void Race Street? Can do show? Do
Speaker 1: you live in Bradbury? Nope, just passing through. They're glad
Speaker 1: I happened by when I did. Oh, look the circus,
Speaker 1: but that's a madhouse tonight. Hi, bet m This is
Speaker 1: me on the left, the one with the steps to
Speaker 1: the front door. Very good, well, young man. I'm sure
Speaker 1: this isn't how you planned your night to go. You
Speaker 1: might have missed the trick or treating or Halloween party
Speaker 1: or what have you, but at least you made it
Speaker 1: home safely. Yes, thank you, Mr. I really can't thank
Speaker 1: you enough. And I hope we didn't fell up your
Speaker 1: night either. It's a welcome diversion, small adventure to break
Speaker 1: up the monotony. Um hm, I don't have much. The
Speaker 1: bank's supposed to foreclothes on our house tomorrow but I
Speaker 1: could spare a little, no, keep it. I wouldn't dream
Speaker 1: of it. I'm just happy to help. Okay, Carol, thank
Speaker 1: you again. I hope you enjoy the rest of your
Speaker 1: trip where if you're going, Yes, it could be quite far.
Speaker 1: Who's to say. But maybe I will be back this
Speaker 1: way again sometime. I'll just wait for you to get
Speaker 1: in the front door. Then. Okay, well, Errol, we're a
Speaker 1: little late, but we made it. I hope they're not
Speaker 1: too mad. Wrong door kid, All points bulletin. Be on
Speaker 1: the look out for a twelve year old boy traveling
Speaker 1: on foot accompanied by a white bull terrier, wanted in
Speaker 1: connection with several crimes, suspected to be armed and an
Speaker 1: that's him again? What you're running from? Song? You shouldn't
Speaker 1: be here, boy, it isn't you have to play? Well?
Speaker 1: Look at this, so we meet again? What a coincidence?
Speaker 1: I could have sworn he left us for dead Tony,
Speaker 1: but this worm just up and took off. What do
Speaker 1: you think we should do to him? What do you
Speaker 1: think we should do? What do you think we should do?
Speaker 1: What do you think we should do? What do you
Speaker 1: think we should do? What do you think we should do?
Speaker 1: That oh, I know that you're lost again. Scram kid.
Speaker 1: I ain't got no more space for you. But you
Speaker 1: know how these things go, friend, Everything that sinks, most surface,
Speaker 1: everything that rises. What are you doing out here? You're dead?
Speaker 1: Got it dead on as fast as you can back.
Speaker 1: You'll never make it. Don't stop. This is the good part.
Speaker 1: Are you still there? I sir, please confirm if you're
Speaker 1: still on the line, and I can connect to you
Speaker 1: when ready. I'm here. Oh wonderful. I have to apologize.
Speaker 1: We've had all kinds of trouble in the exchange this evening.
Speaker 1: I'll repair crews are working over time to get it
Speaker 1: all sorted out. I'm glad you're still with us. Now,
Speaker 1: let's see. It looks like my switchboard may be mislabeled.
Speaker 1: May I ask where you're calling from? I don't know.
Speaker 1: I think I'm laws. Well, well, what's the last thing
Speaker 1: you remember? I remember falling? I see, and then what happened?
Speaker 1: I don't know. I don't think I made it, maybe
Speaker 1: or maybe you're still falling? What should I do? M hmmm,
Speaker 1: I don't know, but not to worry. I can connect
Speaker 1: you with someone who does. He'll tell you exactly what
Speaker 1: to do. In fact, he's been waiting to talk to
Speaker 1: you for a long time. He has some important things
Speaker 1: to tell you, Max. Are you ready to hear them? Wait?
Speaker 1: I don't think I shall, please hope. I'll put you
Speaker 1: right in touch. All right, Max? I know you, I
Speaker 1: don't know you. You should Why I see your life
Speaker 1: all at once? The asked the future like a picture
Speaker 1: in a book. What about it? Do you know what
Speaker 1: you are? Max? Do you realize what you do? You'll
Speaker 1: do a favor and another and another and get nothing
Speaker 1: in return. You'll show mercy to anyone, and they'll bite
Speaker 1: you in the back. The old ladies at church might say,
Speaker 1: where what a nice sweet boy is? But do you
Speaker 1: know what everyone really thinks? You're what people call a sucker,
Speaker 1: a mark your whole life, pathetic, weak, not a rat's
Speaker 1: chalice of respect for yourself. But you're not weak, are you, Max?
Speaker 1: Not anymore? They don't know it yet, but they will
Speaker 1: because you. You will show them. See this boy now
Speaker 1: armed with a weapon of vengeance, formed before the birth
Speaker 1: of Starlight, A sucker no more now a man? No
Speaker 1: not a man, now a god with a god's power.
Speaker 1: From now on, when someone stands in your way. You
Speaker 1: will not bow your head and step aside. You will
Speaker 1: go through. You will go through, but no way out
Speaker 1: but through, no way out but through no way out
Speaker 1: but a room, no way, no way else, no way Max, Max,
Speaker 1: what I said, you made it through, through through everything?
Speaker 1: It is over? Over? What's over? Where? Am I you
Speaker 1: a home? Max? Are is it real? I would say
Speaker 1: so I was. It was also confusing. That has been
Speaker 1: a long night, but you made it. Max. It's over.
Speaker 1: It's finally over. That's a little I well, well, I
Speaker 1: guess I should thank you. Oh, I mean, I know
Speaker 1: I said I didn't want your help, but maybe maybe
Speaker 1: it was a good thing that you were here after
Speaker 1: all that last part you do not have to explain.
Speaker 1: Who knows. Maybe you really did not need me, But
Speaker 1: all the same, I am glad I was here. Should
Speaker 1: you find yourself in trouble again, Max, No, you can
Speaker 1: always call on me. But for now, I think you
Speaker 1: ought to go see your parents. I am sure they
Speaker 1: have been worried about you. Right, Okay, Errol, let's go
Speaker 1: goodbye besilll besilll mhm really does go like he comes
Speaker 1: out of nowhere. But I don't know, Boy, I think
Speaker 1: maybe this time, he's really gone for good. Okay, boy,
Speaker 1: here we go. I hope they're not too mad. Oh no,
Speaker 1: something's not right. It is something's wrong about this. Mom, Mom?
Speaker 1: What's wrong? Is he finally here? Just go up to
Speaker 1: your room, close the door. I know that's not a
Speaker 1: trick or treater. It wasn't my fault. I was. You
Speaker 1: better get your graft in. Just go come on Arrow. No,
Speaker 1: you don't in here, Max, You'll like it even less
Speaker 1: if I had to come find you. Where were you?
Speaker 1: I'm sorry? We meant to be back here before nightfall.
Speaker 1: I asked where were you? We missed a ride and
Speaker 1: your ran off and I had to go. Lookie, I'm
Speaker 1: not going to ask you again. Boy, where were you
Speaker 1: in the fields? The apple orchard? Apple orchard? It's late?
Speaker 1: What were you doing way out there? We've all probably
Speaker 1: had a long nice Maybe better to straighten it all
Speaker 1: out in the middetting to the bottom of everything, right
Speaker 1: the fuck? Now? Tell me Max? What were you doing
Speaker 1: clear on the other side of town when you know
Speaker 1: you were supposed to be home hours ago. Please? You're
Speaker 1: scaring him. Good, he should be scared. You scared the
Speaker 1: living ship out of us. Now, tell me what was
Speaker 1: so luring about the fucking apple orchard in the middle
Speaker 1: of the night. You weren't in the fucking apple orchard.
Speaker 1: I was all night. Well we started, oh you started there,
Speaker 1: but then you made your way into town to what
Speaker 1: meet up with your little goblin friends? Terrorized this city?
Speaker 1: What did you do? Max toilet paper a house, smash
Speaker 1: a few shop windows, start a little fire, something worse,
Speaker 1: something that hurts somebody. Please, I know, please, let's just
Speaker 1: sort this out in enough out of you. Now. I'm
Speaker 1: talking to my son, and he's going to tell me
Speaker 1: everything that happened, starting from the beginning. I was in
Speaker 1: the apple orchard working what Mr maine Or pays kids
Speaker 1: to google and apples from his trees. I've been doing
Speaker 1: it for a little over a month now, and not
Speaker 1: just there, sometimes other farms, sometimes in town, washing cars,
Speaker 1: running errands, whatever I can. Why didn't you tell us?
Speaker 1: I didn't want you to be mad. I had to
Speaker 1: skip school a few times, but I just wanted to
Speaker 1: help to save the house used to the bank is
Speaker 1: coming tomorrow or today, I guess, and I know the
Speaker 1: mortgage is fifty dollars. I didn't think i'd have enough
Speaker 1: but tonight I made enough to hold this over. The
Speaker 1: rest is in my room so when the bank comes,
Speaker 1: we can pay them. Who do you think you are?
Speaker 1: I is my house. You come into my house with
Speaker 1: what your donation, money, your charity? You think I can't
Speaker 1: care for my own family? Stop it. You've got a
Speaker 1: lot to learn, boy, and I'm gonna teach it to you.
Speaker 1: Please stop it? Who is that? What have you done now? Boy?
Speaker 1: I don't know who you think you are, but if
Speaker 1: you're from the bank, that is enough. Out of you.
Speaker 1: All the things a boy should fear you do not
Speaker 1: even make the list. He's a little no you know
Speaker 1: this man? You are so insignificant threat. I did not
Speaker 1: even consider you. Do you even know? Know what your
Speaker 1: son is capable of? His power is beyond your comprehension.
Speaker 1: And what are you? You are nothing? There's a little story.
Speaker 1: Boy has face trials you could not even imagine, slain
Speaker 1: foods to which you could not stand a chance. And you,
Speaker 1: a sad, bitter old man, dare to lay hands on him.
Speaker 1: Tell me why I should not kill you? Now? Please? Please?
Speaker 1: Says hello? Put him down. The He is just like
Speaker 1: all the others. Max Ill Will you might be right,
Speaker 1: But he's my dad. His intentions are evil, Max. But
Speaker 1: this is my fight, not yours. Attacked you Max, It
Speaker 1: is dangerous for you here alone. For me, it would
Speaker 1: be so easy. I made it home. Now it's my turn.
Speaker 1: That's well, this ends now, Max, Max? Who is this man? Wait?
Speaker 1: Just wait dad? Max? Listen, you come with me in
Speaker 1: half an hour? You mean now follow me? Max? No
Speaker 1: more words, just walk here. I do not understand what
Speaker 1: you want. Just stand here as you wish. I get
Speaker 1: it now, I really do. What do you get? Max?
Speaker 1: You've said it already. You exist because of me, it
Speaker 1: would seem I do. In that case? Could I make
Speaker 1: it so you don't exist? I was just trying to help.
Speaker 1: You said that. You've said that all along, and you
Speaker 1: did help sometimes. And now it's time to stop. This
Speaker 1: is what's going to happen. You are going to stay
Speaker 1: here and wait. No moving, no disappearing. This is where
Speaker 1: you live now. I do not understand. That's okay, you
Speaker 1: don't need to understand. Just listen. Will you come here
Speaker 1: so I can look at your face? Okay? All night.
Speaker 1: Everyone sees something different when they look at you, but
Speaker 1: it really is just a mask. Max, waite, How will
Speaker 1: they know if you need me again? If I want
Speaker 1: to call on you, I'll know where to find you,
Speaker 1: but I won't come on Arrow. Good morning, Bradberry, and
Speaker 1: we start it's All Saints Day broadcast with a couple
Speaker 1: of correction. In an effort to bring you information as
Speaker 1: fast as we were receiving it, we made a few
Speaker 1: oversights in reporting the events of last night, and for
Speaker 1: that rare lapse and judgment this station and this reporter
Speaker 1: in particular. Oh, each and every one of you, an apology.
Speaker 1: Ninety There you go. That's all of it for this month, kid,
Speaker 1: But you know we'll be back. We'll be ready, Arrow
Speaker 1: will see you out on that humble note. We are
Speaker 1: glad to have made it through the night here at
Speaker 1: the station and are hoping that all of you out
Speaker 1: there in radio land are still with us. Arrow, Come
Speaker 1: on back, boy, good dog M M blindly M. Thirteen
Speaker 1: Days of Halloween Devil's Night, starring Carter Rockwood and Clancy Brown.
Speaker 1: Episode thirteen home written by Alexander Williams with additional material
Speaker 1: by Joe McCormick, featuring the voices of Travis Burnett, Genta,
Speaker 1: Sambi lasak An, Shell Masters Brian Bickerstaff, Gina Rickiki, Lauren Vogelbaum,
Speaker 1: Noah Finberg, Olivia Castineau, Jeffrey Kennedy, Joe hart Stig, Michael Eldred,
Speaker 1: Clayton Frowning, Clayton Ferris, Laura Shine, Raphael Corkill, Eve Gordon,
Speaker 1: and Vinnie Belbo. Directed by Alexander Williams. Script supervision by
Speaker 1: Nicolas Takoski. Casting by Sunday Bowling c s A and
Speaker 1: Meg Mormon c s A. Production coordinator, Wayna Calderon. Production
Speaker 1: assistants Zoe Shay and Amber Ferris. Animal recording by Ben James,
Speaker 1: closing theme by Rose Azerti. Loyalty Freak Music dot Com
Speaker 1: Recorded at d G Entertainment in Los Angeles, California. Engineered
Speaker 1: by Gary Forbes and Jody Abbott. Additional recording by Wally's
Speaker 1: Hideout in San Francisco, California. Engineered by Chris mcru SoundBite Inc.
Speaker 1: In Atlanta, Georgia, Engineered by Chase Nixon, Studio manager Cathy
Speaker 1: Roberts and Burnt Orange Sound In Sara Sota, Florida. Engineered
Speaker 1: by Matt de Seer. Executive producers Aaron Manky, Noah Fineberg,
Speaker 1: Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor
Speaker 1: Young and Josh Thane. Producers Jesse Funk and rema Il Kali.
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and
Speaker 1: Alexander Williams and is a production of iHeart three D Audio,
Speaker 1: Blumhouse Television, and Grim and Mild from Aaron Mackey. Learn
Speaker 1: more about the show at Grimm and Mild dot com,
Speaker 1: slash thirteen Days and find more podcasts from I heart
Speaker 1: Radio by visiting the i Heart Radio app, Apple Podcasts,
Speaker 1: or wherever you listen to your favorite shows.