WEBVTT - S3/E13 | Home

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<v Speaker 1>M Thirteen Days of Halloween Devil's Night, a production of

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<v Speaker 1>I Heeart three D audio, Blumhouse Television and Grimm and

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<v Speaker 1>Mild from Aaron Mackey headphones. Recommended Listener discretion advised. Zero

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<v Speaker 1>errow errow errow please zero from that? How kow? Zero?

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<v Speaker 1>Zero erro er? Stop? Get over here? Who were you thinking?

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<v Speaker 1>Why would you do that to me? Look, it's not

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<v Speaker 1>even real. It's just a scarecrow. Oh I'm sorry, boy.

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<v Speaker 1>I shouldn't have yelled about you. I was just worried

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<v Speaker 1>as all. But that's no excuse. You're just trying to

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<v Speaker 1>protect me. And he does look pretty intimidating, especially that mask. Well, boy,

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<v Speaker 1>they left without us. I don't know how long it

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<v Speaker 1>will be to walk back to town. At least we

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<v Speaker 1>found the road again. Okay, what is it boy? Any

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<v Speaker 1>other night, I'd say we asked for a ride, but

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<v Speaker 1>I don't know. We are wrote? We should be really careful.

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<v Speaker 1>Aren't you cold out here? Son? Are you lost? No? Well,

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<v Speaker 1>I was out working. We missed all right back to town.

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<v Speaker 1>Bad night to be out all alone. At least, that's

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<v Speaker 1>what they've been saying all over the radio. Oh, they

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<v Speaker 1>do tend to exaggerate which way you headed Bradbury. You're

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<v Speaker 1>pretty far out you want to lift, I don't want

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<v Speaker 1>if you bother. Well, it's no bother, not really heading

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<v Speaker 1>that way anyway. Oh hey, I get it. It's okay.

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<v Speaker 1>I'm not looking at trouble you at all. Just saw

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<v Speaker 1>you and your dog out here in the field. I

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<v Speaker 1>thought you could use little help if you'd rather walk it.

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<v Speaker 1>I understand you know the way. Yeah, yes, I thank you. Yes.

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<v Speaker 1>If it's no trouble, we'll have just on the other

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<v Speaker 1>side of town. We'll be there in no time. Hop

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<v Speaker 1>on in oh Arrow, Not again. I'm sorry, Mr. He's friendly,

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<v Speaker 1>he's just protective and doing a fine job of it.

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<v Speaker 1>Have to worry now, erro. I bet your parents are

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<v Speaker 1>worried sick about you. Yeah, I'm sure they won't be

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<v Speaker 1>too happy. Oh boy, you are shivering like a cartoon dog.

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<v Speaker 1>Well went up that glove box. There should be a

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<v Speaker 1>blanket in there. I'll crank up the heat. Thanks, thank you.

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<v Speaker 1>It's been a long night. Well it'll soon be over.

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<v Speaker 1>Just let me know when to turn Nuver five one

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<v Speaker 1>in a church. Another raging on the outskirts of Towth

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<v Speaker 1>A case of vandalism in the cemetery. What could only

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<v Speaker 1>be this? I do angry mob forming on main street

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<v Speaker 1>and several people adult and children. I've already been reported.

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<v Speaker 1>It's important to know what's going on in the outside world, yes,

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<v Speaker 1>but sometimes sometimes we all just need a little break

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<v Speaker 1>from it too. So just straight ahead then, yeah, yeah,

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<v Speaker 1>just on the other side of town. But you might

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<v Speaker 1>wat oh, oh, Void Race Street? Can do show? Do

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<v Speaker 1>you live in Bradbury? Nope, just passing through. They're glad

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<v Speaker 1>I happened by when I did. Oh, look the circus,

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<v Speaker 1>but that's a madhouse tonight. Hi, bet m This is

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<v Speaker 1>me on the left, the one with the steps to

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<v Speaker 1>the front door. Very good, well, young man. I'm sure

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<v Speaker 1>this isn't how you planned your night to go. You

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<v Speaker 1>might have missed the trick or treating or Halloween party

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<v Speaker 1>or what have you, but at least you made it

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<v Speaker 1>home safely. Yes, thank you, Mr. I really can't thank

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<v Speaker 1>you enough. And I hope we didn't fell up your

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<v Speaker 1>night either. It's a welcome diversion, small adventure to break

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<v Speaker 1>up the monotony. Um hm, I don't have much. The

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<v Speaker 1>bank's supposed to foreclothes on our house tomorrow but I

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<v Speaker 1>could spare a little, no, keep it. I wouldn't dream

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<v Speaker 1>of it. I'm just happy to help. Okay, Carol, thank

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<v Speaker 1>you again. I hope you enjoy the rest of your

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<v Speaker 1>trip where if you're going, Yes, it could be quite far.

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<v Speaker 1>Who's to say. But maybe I will be back this

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<v Speaker 1>way again sometime. I'll just wait for you to get

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<v Speaker 1>in the front door. Then. Okay, well, Errol, we're a

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<v Speaker 1>little late, but we made it. I hope they're not

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<v Speaker 1>too mad. Wrong door kid, All points bulletin. Be on

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<v Speaker 1>the look out for a twelve year old boy traveling

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<v Speaker 1>on foot accompanied by a white bull terrier, wanted in

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<v Speaker 1>connection with several crimes, suspected to be armed and an

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<v Speaker 1>that's him again? What you're running from? Song? You shouldn't

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<v Speaker 1>be here, boy, it isn't you have to play? Well?

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<v Speaker 1>Look at this, so we meet again? What a coincidence?

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<v Speaker 1>I could have sworn he left us for dead Tony,

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<v Speaker 1>but this worm just up and took off. What do

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<v Speaker 1>you think we should do to him? What do you

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<v Speaker 1>think we should do? What do you think we should do?

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<v Speaker 1>What do you think we should do? What do you

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<v Speaker 1>think we should do? What do you think we should do?

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<v Speaker 1>That oh, I know that you're lost again. Scram kid.

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<v Speaker 1>I ain't got no more space for you. But you

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<v Speaker 1>know how these things go, friend, Everything that sinks, most surface,

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<v Speaker 1>everything that rises. What are you doing out here? You're dead?

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<v Speaker 1>Got it dead on as fast as you can back.

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<v Speaker 1>You'll never make it. Don't stop. This is the good part.

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<v Speaker 1>Are you still there? I sir, please confirm if you're

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<v Speaker 1>still on the line, and I can connect to you

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<v Speaker 1>when ready. I'm here. Oh wonderful. I have to apologize.

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<v Speaker 1>We've had all kinds of trouble in the exchange this evening.

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<v Speaker 1>I'll repair crews are working over time to get it

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<v Speaker 1>all sorted out. I'm glad you're still with us. Now,

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<v Speaker 1>let's see. It looks like my switchboard may be mislabeled.

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<v Speaker 1>May I ask where you're calling from? I don't know.

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<v Speaker 1>I think I'm laws. Well, well, what's the last thing

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<v Speaker 1>you remember? I remember falling? I see, and then what happened?

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<v Speaker 1>I don't know. I don't think I made it, maybe

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<v Speaker 1>or maybe you're still falling? What should I do? M hmmm,

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<v Speaker 1>I don't know, but not to worry. I can connect

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<v Speaker 1>you with someone who does. He'll tell you exactly what

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<v Speaker 1>to do. In fact, he's been waiting to talk to

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<v Speaker 1>you for a long time. He has some important things

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<v Speaker 1>to tell you, Max. Are you ready to hear them? Wait?

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<v Speaker 1>I don't think I shall, please hope. I'll put you

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<v Speaker 1>right in touch. All right, Max? I know you, I

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<v Speaker 1>don't know you. You should Why I see your life

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<v Speaker 1>all at once? The asked the future like a picture

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<v Speaker 1>in a book. What about it? Do you know what

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<v Speaker 1>you are? Max? Do you realize what you do? You'll

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<v Speaker 1>do a favor and another and another and get nothing

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<v Speaker 1>in return. You'll show mercy to anyone, and they'll bite

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<v Speaker 1>you in the back. The old ladies at church might say,

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<v Speaker 1>where what a nice sweet boy is? But do you

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<v Speaker 1>know what everyone really thinks? You're what people call a sucker,

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<v Speaker 1>a mark your whole life, pathetic, weak, not a rat's

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<v Speaker 1>chalice of respect for yourself. But you're not weak, are you, Max?

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<v Speaker 1>Not anymore? They don't know it yet, but they will

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<v Speaker 1>because you. You will show them. See this boy now

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<v Speaker 1>armed with a weapon of vengeance, formed before the birth

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<v Speaker 1>of Starlight, A sucker no more now a man? No

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<v Speaker 1>not a man, now a god with a god's power.

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<v Speaker 1>From now on, when someone stands in your way. You

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<v Speaker 1>will not bow your head and step aside. You will

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<v Speaker 1>go through. You will go through, but no way out

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<v Speaker 1>but through, no way out but through no way out

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<v Speaker 1>but a room, no way, no way else, no way Max, Max,

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<v Speaker 1>what I said, you made it through, through through everything?

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<v Speaker 1>It is over? Over? What's over? Where? Am I you

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<v Speaker 1>a home? Max? Are is it real? I would say

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<v Speaker 1>so I was. It was also confusing. That has been

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<v Speaker 1>a long night, but you made it. Max. It's over.

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<v Speaker 1>It's finally over. That's a little I well, well, I

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<v Speaker 1>guess I should thank you. Oh, I mean, I know

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<v Speaker 1>I said I didn't want your help, but maybe maybe

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<v Speaker 1>it was a good thing that you were here after

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<v Speaker 1>all that last part you do not have to explain.

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<v Speaker 1>Who knows. Maybe you really did not need me, But

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<v Speaker 1>all the same, I am glad I was here. Should

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<v Speaker 1>you find yourself in trouble again, Max, No, you can

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<v Speaker 1>always call on me. But for now, I think you

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<v Speaker 1>ought to go see your parents. I am sure they

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<v Speaker 1>have been worried about you. Right, Okay, Errol, let's go

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<v Speaker 1>goodbye besilll besilll mhm really does go like he comes

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<v Speaker 1>out of nowhere. But I don't know, Boy, I think

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<v Speaker 1>maybe this time, he's really gone for good. Okay, boy,

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<v Speaker 1>here we go. I hope they're not too mad. Oh no,

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<v Speaker 1>something's not right. It is something's wrong about this. Mom, Mom?

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<v Speaker 1>What's wrong? Is he finally here? Just go up to

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<v Speaker 1>your room, close the door. I know that's not a

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<v Speaker 1>trick or treater. It wasn't my fault. I was. You

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<v Speaker 1>better get your graft in. Just go come on Arrow. No,

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<v Speaker 1>you don't in here, Max, You'll like it even less

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<v Speaker 1>if I had to come find you. Where were you?

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<v Speaker 1>I'm sorry? We meant to be back here before nightfall.

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<v Speaker 1>I asked where were you? We missed a ride and

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<v Speaker 1>your ran off and I had to go. Lookie, I'm

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<v Speaker 1>not going to ask you again. Boy, where were you

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<v Speaker 1>in the fields? The apple orchard? Apple orchard? It's late?

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<v Speaker 1>What were you doing way out there? We've all probably

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<v Speaker 1>had a long nice Maybe better to straighten it all

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<v Speaker 1>out in the middetting to the bottom of everything, right

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<v Speaker 1>the fuck? Now? Tell me Max? What were you doing

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<v Speaker 1>clear on the other side of town when you know

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<v Speaker 1>you were supposed to be home hours ago. Please? You're

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<v Speaker 1>scaring him. Good, he should be scared. You scared the

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<v Speaker 1>living ship out of us. Now, tell me what was

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<v Speaker 1>so luring about the fucking apple orchard in the middle

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<v Speaker 1>of the night. You weren't in the fucking apple orchard.

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<v Speaker 1>I was all night. Well we started, oh you started there,

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<v Speaker 1>but then you made your way into town to what

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<v Speaker 1>meet up with your little goblin friends? Terrorized this city?

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<v Speaker 1>What did you do? Max toilet paper a house, smash

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<v Speaker 1>a few shop windows, start a little fire, something worse,

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<v Speaker 1>something that hurts somebody. Please, I know, please, let's just

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<v Speaker 1>sort this out in enough out of you. Now. I'm

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<v Speaker 1>talking to my son, and he's going to tell me

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<v Speaker 1>everything that happened, starting from the beginning. I was in

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<v Speaker 1>the apple orchard working what Mr maine Or pays kids

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<v Speaker 1>to google and apples from his trees. I've been doing

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<v Speaker 1>it for a little over a month now, and not

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<v Speaker 1>just there, sometimes other farms, sometimes in town, washing cars,

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<v Speaker 1>running errands, whatever I can. Why didn't you tell us?

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<v Speaker 1>I didn't want you to be mad. I had to

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<v Speaker 1>skip school a few times, but I just wanted to

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<v Speaker 1>help to save the house used to the bank is

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<v Speaker 1>coming tomorrow or today, I guess, and I know the

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<v Speaker 1>mortgage is fifty dollars. I didn't think i'd have enough

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<v Speaker 1>but tonight I made enough to hold this over. The

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<v Speaker 1>rest is in my room so when the bank comes,

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<v Speaker 1>we can pay them. Who do you think you are?

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<v Speaker 1>I is my house. You come into my house with

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<v Speaker 1>what your donation, money, your charity? You think I can't

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<v Speaker 1>care for my own family? Stop it. You've got a

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<v Speaker 1>lot to learn, boy, and I'm gonna teach it to you.

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<v Speaker 1>Please stop it? Who is that? What have you done now? Boy?

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<v Speaker 1>I don't know who you think you are, but if

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<v Speaker 1>you're from the bank, that is enough. Out of you.

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<v Speaker 1>All the things a boy should fear you do not

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<v Speaker 1>even make the list. He's a little no you know

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<v Speaker 1>this man? You are so insignificant threat. I did not

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<v Speaker 1>even consider you. Do you even know? Know what your

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<v Speaker 1>son is capable of? His power is beyond your comprehension.

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<v Speaker 1>And what are you? You are nothing? There's a little story.

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<v Speaker 1>Boy has face trials you could not even imagine, slain

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<v Speaker 1>foods to which you could not stand a chance. And you,

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<v Speaker 1>a sad, bitter old man, dare to lay hands on him.

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<v Speaker 1>Tell me why I should not kill you? Now? Please? Please?

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<v Speaker 1>Says hello? Put him down. The He is just like

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<v Speaker 1>all the others. Max Ill Will you might be right,

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<v Speaker 1>But he's my dad. His intentions are evil, Max. But

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<v Speaker 1>this is my fight, not yours. Attacked you Max, It

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<v Speaker 1>is dangerous for you here alone. For me, it would

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<v Speaker 1>be so easy. I made it home. Now it's my turn.

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<v Speaker 1>That's well, this ends now, Max, Max? Who is this man? Wait?

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<v Speaker 1>Just wait dad? Max? Listen, you come with me in

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<v Speaker 1>half an hour? You mean now follow me? Max? No

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<v Speaker 1>more words, just walk here. I do not understand what

0:20:15.320 --> 0:20:22.000
<v Speaker 1>you want. Just stand here as you wish. I get

0:20:22.040 --> 0:20:26.080
<v Speaker 1>it now, I really do. What do you get? Max?

0:20:26.520 --> 0:20:30.680
<v Speaker 1>You've said it already. You exist because of me, it

0:20:30.800 --> 0:20:34.719
<v Speaker 1>would seem I do. In that case? Could I make

0:20:34.720 --> 0:20:39.440
<v Speaker 1>it so you don't exist? I was just trying to help.

0:20:39.640 --> 0:20:44.080
<v Speaker 1>You said that. You've said that all along, and you

0:20:44.160 --> 0:20:50.600
<v Speaker 1>did help sometimes. And now it's time to stop. This

0:20:50.640 --> 0:20:54.320
<v Speaker 1>is what's going to happen. You are going to stay

0:20:54.359 --> 0:21:00.600
<v Speaker 1>here and wait. No moving, no disappearing. This is where

0:21:00.600 --> 0:21:05.800
<v Speaker 1>you live now. I do not understand. That's okay, you

0:21:05.840 --> 0:21:11.160
<v Speaker 1>don't need to understand. Just listen. Will you come here

0:21:11.160 --> 0:21:18.000
<v Speaker 1>so I can look at your face? Okay? All night.

0:21:18.920 --> 0:21:22.639
<v Speaker 1>Everyone sees something different when they look at you, but

0:21:22.760 --> 0:21:29.080
<v Speaker 1>it really is just a mask. Max, waite, How will

0:21:29.160 --> 0:21:32.560
<v Speaker 1>they know if you need me again? If I want

0:21:32.600 --> 0:21:35.840
<v Speaker 1>to call on you, I'll know where to find you,

0:21:37.440 --> 0:21:59.359
<v Speaker 1>but I won't come on Arrow. Good morning, Bradberry, and

0:21:59.440 --> 0:22:02.119
<v Speaker 1>we start it's All Saints Day broadcast with a couple

0:22:02.200 --> 0:22:05.160
<v Speaker 1>of correction. In an effort to bring you information as

0:22:05.200 --> 0:22:07.440
<v Speaker 1>fast as we were receiving it, we made a few

0:22:07.440 --> 0:22:10.159
<v Speaker 1>oversights in reporting the events of last night, and for

0:22:10.200 --> 0:22:13.720
<v Speaker 1>that rare lapse and judgment this station and this reporter

0:22:13.760 --> 0:22:19.720
<v Speaker 1>in particular. Oh, each and every one of you, an apology.

0:22:19.800 --> 0:22:25.800
<v Speaker 1>Ninety There you go. That's all of it for this month, kid,

0:22:26.520 --> 0:22:30.400
<v Speaker 1>But you know we'll be back. We'll be ready, Arrow

0:22:30.480 --> 0:22:35.879
<v Speaker 1>will see you out on that humble note. We are

0:22:35.920 --> 0:22:37.719
<v Speaker 1>glad to have made it through the night here at

0:22:37.720 --> 0:22:39.800
<v Speaker 1>the station and are hoping that all of you out

0:22:39.840 --> 0:23:02.040
<v Speaker 1>there in radio land are still with us. Arrow, Come

0:23:02.080 --> 0:24:26.640
<v Speaker 1>on back, boy, good dog M M blindly M. Thirteen

0:24:26.720 --> 0:24:32.080
<v Speaker 1>Days of Halloween Devil's Night, starring Carter Rockwood and Clancy Brown.

0:24:32.840 --> 0:24:38.120
<v Speaker 1>Episode thirteen home written by Alexander Williams with additional material

0:24:38.280 --> 0:24:42.399
<v Speaker 1>by Joe McCormick, featuring the voices of Travis Burnett, Genta,

0:24:42.480 --> 0:24:49.160
<v Speaker 1>Sambi lasak An, Shell Masters Brian Bickerstaff, Gina Rickiki, Lauren Vogelbaum,

0:24:49.200 --> 0:24:55.000
<v Speaker 1>Noah Finberg, Olivia Castineau, Jeffrey Kennedy, Joe hart Stig, Michael Eldred,

0:24:55.280 --> 0:25:00.919
<v Speaker 1>Clayton Frowning, Clayton Ferris, Laura Shine, Raphael Corkill, Eve Gordon,

0:25:01.240 --> 0:25:06.679
<v Speaker 1>and Vinnie Belbo. Directed by Alexander Williams. Script supervision by

0:25:06.760 --> 0:25:10.560
<v Speaker 1>Nicolas Takoski. Casting by Sunday Bowling c s A and

0:25:10.680 --> 0:25:15.280
<v Speaker 1>Meg Mormon c s A. Production coordinator, Wayna Calderon. Production

0:25:15.320 --> 0:25:20.280
<v Speaker 1>assistants Zoe Shay and Amber Ferris. Animal recording by Ben James,

0:25:20.640 --> 0:25:25.840
<v Speaker 1>closing theme by Rose Azerti. Loyalty Freak Music dot Com

0:25:26.000 --> 0:25:30.600
<v Speaker 1>Recorded at d G Entertainment in Los Angeles, California. Engineered

0:25:30.600 --> 0:25:35.320
<v Speaker 1>by Gary Forbes and Jody Abbott. Additional recording by Wally's

0:25:35.359 --> 0:25:41.040
<v Speaker 1>Hideout in San Francisco, California. Engineered by Chris mcru SoundBite Inc.

0:25:41.080 --> 0:25:46.560
<v Speaker 1>In Atlanta, Georgia, Engineered by Chase Nixon, Studio manager Cathy

0:25:46.680 --> 0:25:51.320
<v Speaker 1>Roberts and Burnt Orange Sound In Sara Sota, Florida. Engineered

0:25:51.320 --> 0:25:56.000
<v Speaker 1>by Matt de Seer. Executive producers Aaron Manky, Noah Fineberg,

0:25:56.280 --> 0:26:01.760
<v Speaker 1>Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor

0:26:01.840 --> 0:26:06.440
<v Speaker 1>Young and Josh Thane. Producers Jesse Funk and rema Il Kali.

0:26:07.240 --> 0:26:10.000
<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

0:26:10.040 --> 0:26:13.800
<v Speaker 1>Alexander Williams and is a production of iHeart three D Audio,

0:26:13.960 --> 0:26:17.960
<v Speaker 1>Blumhouse Television, and Grim and Mild from Aaron Mackey. Learn

0:26:18.000 --> 0:26:20.719
<v Speaker 1>more about the show at Grimm and Mild dot com,

0:26:20.760 --> 0:26:24.040
<v Speaker 1>slash thirteen Days and find more podcasts from I heart

0:26:24.080 --> 0:26:27.280
<v Speaker 1>Radio by visiting the i Heart Radio app, Apple Podcasts,

0:26:27.400 --> 0:26:29.399
<v Speaker 1>or wherever you listen to your favorite shows.