1 00:00:00,040 --> 00:00:07,440 Speaker 1: M Thirteen Days of Halloween Devil's Night, a production of 2 00:00:07,440 --> 00:00:10,719 Speaker 1: I Heeart three D audio, Blumhouse Television and Grimm and 3 00:00:10,800 --> 00:00:26,960 Speaker 1: Mild from Aaron Mackey headphones. Recommended Listener discretion advised. Zero 4 00:00:29,400 --> 00:00:53,520 Speaker 1: errow errow errow please zero from that? How kow? Zero? 5 00:00:54,600 --> 00:01:05,840 Speaker 1: Zero erro er? Stop? Get over here? Who were you thinking? 6 00:01:06,640 --> 00:01:10,560 Speaker 1: Why would you do that to me? Look, it's not 7 00:01:10,680 --> 00:01:20,160 Speaker 1: even real. It's just a scarecrow. Oh I'm sorry, boy. 8 00:01:21,080 --> 00:01:24,160 Speaker 1: I shouldn't have yelled about you. I was just worried 9 00:01:24,200 --> 00:01:29,240 Speaker 1: as all. But that's no excuse. You're just trying to 10 00:01:29,240 --> 00:01:42,039 Speaker 1: protect me. And he does look pretty intimidating, especially that mask. Well, boy, 11 00:01:42,400 --> 00:01:45,800 Speaker 1: they left without us. I don't know how long it 12 00:01:45,800 --> 00:01:48,960 Speaker 1: will be to walk back to town. At least we 13 00:01:49,000 --> 00:01:56,400 Speaker 1: found the road again. Okay, what is it boy? Any 14 00:01:56,480 --> 00:01:59,680 Speaker 1: other night, I'd say we asked for a ride, but 15 00:01:59,840 --> 00:02:02,920 Speaker 1: I don't know. We are wrote? We should be really careful. 16 00:02:05,240 --> 00:02:12,119 Speaker 1: Aren't you cold out here? Son? Are you lost? No? Well, 17 00:02:12,160 --> 00:02:15,200 Speaker 1: I was out working. We missed all right back to town. 18 00:02:16,000 --> 00:02:18,600 Speaker 1: Bad night to be out all alone. At least, that's 19 00:02:18,600 --> 00:02:21,799 Speaker 1: what they've been saying all over the radio. Oh, they 20 00:02:21,840 --> 00:02:28,240 Speaker 1: do tend to exaggerate which way you headed Bradbury. You're 21 00:02:28,280 --> 00:02:32,560 Speaker 1: pretty far out you want to lift, I don't want 22 00:02:32,600 --> 00:02:37,519 Speaker 1: if you bother. Well, it's no bother, not really heading 23 00:02:37,560 --> 00:02:43,640 Speaker 1: that way anyway. Oh hey, I get it. It's okay. 24 00:02:43,919 --> 00:02:46,640 Speaker 1: I'm not looking at trouble you at all. Just saw 25 00:02:46,720 --> 00:02:49,560 Speaker 1: you and your dog out here in the field. I 26 00:02:49,600 --> 00:02:52,400 Speaker 1: thought you could use little help if you'd rather walk it. 27 00:02:52,480 --> 00:03:00,400 Speaker 1: I understand you know the way. Yeah, yes, I thank you. Yes. 28 00:03:01,600 --> 00:03:04,720 Speaker 1: If it's no trouble, we'll have just on the other 29 00:03:04,760 --> 00:03:08,200 Speaker 1: side of town. We'll be there in no time. Hop 30 00:03:08,280 --> 00:03:15,200 Speaker 1: on in oh Arrow, Not again. I'm sorry, Mr. He's friendly, 31 00:03:15,320 --> 00:03:19,160 Speaker 1: he's just protective and doing a fine job of it. 32 00:03:19,720 --> 00:03:29,680 Speaker 1: Have to worry now, erro. I bet your parents are 33 00:03:29,680 --> 00:03:34,240 Speaker 1: worried sick about you. Yeah, I'm sure they won't be 34 00:03:34,280 --> 00:03:39,200 Speaker 1: too happy. Oh boy, you are shivering like a cartoon dog. 35 00:03:40,000 --> 00:03:41,880 Speaker 1: Well went up that glove box. There should be a 36 00:03:41,880 --> 00:03:46,720 Speaker 1: blanket in there. I'll crank up the heat. Thanks, thank you. 37 00:03:47,720 --> 00:03:50,880 Speaker 1: It's been a long night. Well it'll soon be over. 38 00:03:51,800 --> 00:03:54,720 Speaker 1: Just let me know when to turn Nuver five one 39 00:03:54,760 --> 00:03:57,000 Speaker 1: in a church. Another raging on the outskirts of Towth 40 00:03:57,200 --> 00:03:59,480 Speaker 1: A case of vandalism in the cemetery. What could only 41 00:03:59,520 --> 00:04:01,960 Speaker 1: be this? I do angry mob forming on main street 42 00:04:02,080 --> 00:04:05,200 Speaker 1: and several people adult and children. I've already been reported. 43 00:04:08,280 --> 00:04:11,480 Speaker 1: It's important to know what's going on in the outside world, yes, 44 00:04:11,640 --> 00:04:15,480 Speaker 1: but sometimes sometimes we all just need a little break 45 00:04:15,520 --> 00:04:20,960 Speaker 1: from it too. So just straight ahead then, yeah, yeah, 46 00:04:21,680 --> 00:04:25,160 Speaker 1: just on the other side of town. But you might 47 00:04:25,240 --> 00:04:34,000 Speaker 1: wat oh, oh, Void Race Street? Can do show? Do 48 00:04:34,040 --> 00:04:38,360 Speaker 1: you live in Bradbury? Nope, just passing through. They're glad 49 00:04:38,400 --> 00:04:42,240 Speaker 1: I happened by when I did. Oh, look the circus, 50 00:04:43,200 --> 00:05:02,200 Speaker 1: but that's a madhouse tonight. Hi, bet m This is 51 00:05:02,240 --> 00:05:05,640 Speaker 1: me on the left, the one with the steps to 52 00:05:05,680 --> 00:05:12,880 Speaker 1: the front door. Very good, well, young man. I'm sure 53 00:05:13,000 --> 00:05:15,839 Speaker 1: this isn't how you planned your night to go. You 54 00:05:15,920 --> 00:05:18,920 Speaker 1: might have missed the trick or treating or Halloween party 55 00:05:18,960 --> 00:05:21,800 Speaker 1: or what have you, but at least you made it 56 00:05:21,839 --> 00:05:27,279 Speaker 1: home safely. Yes, thank you, Mr. I really can't thank 57 00:05:27,320 --> 00:05:31,479 Speaker 1: you enough. And I hope we didn't fell up your 58 00:05:31,600 --> 00:05:36,039 Speaker 1: night either. It's a welcome diversion, small adventure to break 59 00:05:36,120 --> 00:05:42,839 Speaker 1: up the monotony. Um hm, I don't have much. The 60 00:05:42,880 --> 00:05:47,159 Speaker 1: bank's supposed to foreclothes on our house tomorrow but I 61 00:05:47,200 --> 00:05:51,520 Speaker 1: could spare a little, no, keep it. I wouldn't dream 62 00:05:51,520 --> 00:05:59,000 Speaker 1: of it. I'm just happy to help. Okay, Carol, thank 63 00:05:59,040 --> 00:06:01,640 Speaker 1: you again. I hope you enjoy the rest of your 64 00:06:01,640 --> 00:06:06,440 Speaker 1: trip where if you're going, Yes, it could be quite far. 65 00:06:06,800 --> 00:06:09,920 Speaker 1: Who's to say. But maybe I will be back this 66 00:06:09,960 --> 00:06:13,600 Speaker 1: way again sometime. I'll just wait for you to get 67 00:06:13,640 --> 00:06:20,280 Speaker 1: in the front door. Then. Okay, well, Errol, we're a 68 00:06:20,279 --> 00:06:25,240 Speaker 1: little late, but we made it. I hope they're not 69 00:06:25,320 --> 00:06:51,720 Speaker 1: too mad. Wrong door kid, All points bulletin. Be on 70 00:06:51,800 --> 00:06:53,960 Speaker 1: the look out for a twelve year old boy traveling 71 00:06:53,960 --> 00:06:56,919 Speaker 1: on foot accompanied by a white bull terrier, wanted in 72 00:06:56,960 --> 00:07:00,160 Speaker 1: connection with several crimes, suspected to be armed and an 73 00:07:00,839 --> 00:07:17,960 Speaker 1: that's him again? What you're running from? Song? You shouldn't 74 00:07:18,000 --> 00:07:23,320 Speaker 1: be here, boy, it isn't you have to play? Well? 75 00:07:23,520 --> 00:07:27,760 Speaker 1: Look at this, so we meet again? What a coincidence? 76 00:07:28,160 --> 00:07:30,920 Speaker 1: I could have sworn he left us for dead Tony, 77 00:07:31,240 --> 00:07:34,240 Speaker 1: but this worm just up and took off. What do 78 00:07:34,240 --> 00:07:36,320 Speaker 1: you think we should do to him? What do you 79 00:07:36,360 --> 00:07:39,080 Speaker 1: think we should do? What do you think we should do? 80 00:07:39,320 --> 00:07:41,480 Speaker 1: What do you think we should do? What do you 81 00:07:41,480 --> 00:07:43,600 Speaker 1: think we should do? What do you think we should do? 82 00:07:43,760 --> 00:08:07,240 Speaker 1: That oh, I know that you're lost again. Scram kid. 83 00:08:07,600 --> 00:08:15,800 Speaker 1: I ain't got no more space for you. But you 84 00:08:15,840 --> 00:08:21,240 Speaker 1: know how these things go, friend, Everything that sinks, most surface, 85 00:08:22,160 --> 00:08:37,480 Speaker 1: everything that rises. What are you doing out here? You're dead? 86 00:08:37,840 --> 00:08:41,199 Speaker 1: Got it dead on as fast as you can back. 87 00:08:41,880 --> 00:08:50,960 Speaker 1: You'll never make it. Don't stop. This is the good part. 88 00:09:01,760 --> 00:09:06,080 Speaker 1: Are you still there? I sir, please confirm if you're 89 00:09:06,080 --> 00:09:07,760 Speaker 1: still on the line, and I can connect to you 90 00:09:07,800 --> 00:09:14,440 Speaker 1: when ready. I'm here. Oh wonderful. I have to apologize. 91 00:09:14,559 --> 00:09:17,160 Speaker 1: We've had all kinds of trouble in the exchange this evening. 92 00:09:17,600 --> 00:09:19,880 Speaker 1: I'll repair crews are working over time to get it 93 00:09:19,920 --> 00:09:23,559 Speaker 1: all sorted out. I'm glad you're still with us. Now, 94 00:09:23,720 --> 00:09:27,439 Speaker 1: let's see. It looks like my switchboard may be mislabeled. 95 00:09:27,720 --> 00:09:32,080 Speaker 1: May I ask where you're calling from? I don't know. 96 00:09:33,760 --> 00:09:38,839 Speaker 1: I think I'm laws. Well, well, what's the last thing 97 00:09:38,920 --> 00:09:47,520 Speaker 1: you remember? I remember falling? I see, and then what happened? 98 00:09:48,440 --> 00:09:53,720 Speaker 1: I don't know. I don't think I made it, maybe 99 00:09:53,960 --> 00:10:00,560 Speaker 1: or maybe you're still falling? What should I do? M hmmm, 100 00:10:00,920 --> 00:10:04,280 Speaker 1: I don't know, but not to worry. I can connect 101 00:10:04,360 --> 00:10:07,440 Speaker 1: you with someone who does. He'll tell you exactly what 102 00:10:07,480 --> 00:10:10,679 Speaker 1: to do. In fact, he's been waiting to talk to 103 00:10:10,679 --> 00:10:13,760 Speaker 1: you for a long time. He has some important things 104 00:10:13,800 --> 00:10:17,280 Speaker 1: to tell you, Max. Are you ready to hear them? Wait? 105 00:10:18,080 --> 00:10:23,040 Speaker 1: I don't think I shall, please hope. I'll put you 106 00:10:23,160 --> 00:10:50,960 Speaker 1: right in touch. All right, Max? I know you, I 107 00:10:51,000 --> 00:10:56,840 Speaker 1: don't know you. You should Why I see your life 108 00:10:57,679 --> 00:11:03,600 Speaker 1: all at once? The asked the future like a picture 109 00:11:03,679 --> 00:11:07,800 Speaker 1: in a book. What about it? Do you know what 110 00:11:07,880 --> 00:11:13,160 Speaker 1: you are? Max? Do you realize what you do? You'll 111 00:11:13,200 --> 00:11:18,240 Speaker 1: do a favor and another and another and get nothing 112 00:11:18,320 --> 00:11:24,400 Speaker 1: in return. You'll show mercy to anyone, and they'll bite 113 00:11:24,440 --> 00:11:28,319 Speaker 1: you in the back. The old ladies at church might say, 114 00:11:28,880 --> 00:11:33,560 Speaker 1: where what a nice sweet boy is? But do you 115 00:11:33,640 --> 00:11:41,240 Speaker 1: know what everyone really thinks? You're what people call a sucker, 116 00:11:42,200 --> 00:11:47,800 Speaker 1: a mark your whole life, pathetic, weak, not a rat's 117 00:11:47,880 --> 00:11:53,120 Speaker 1: chalice of respect for yourself. But you're not weak, are you, Max? 118 00:11:53,960 --> 00:11:59,120 Speaker 1: Not anymore? They don't know it yet, but they will 119 00:12:00,160 --> 00:12:05,680 Speaker 1: because you. You will show them. See this boy now 120 00:12:06,120 --> 00:12:09,559 Speaker 1: armed with a weapon of vengeance, formed before the birth 121 00:12:09,559 --> 00:12:14,800 Speaker 1: of Starlight, A sucker no more now a man? No 122 00:12:15,520 --> 00:12:20,720 Speaker 1: not a man, now a god with a god's power. 123 00:12:21,360 --> 00:12:25,080 Speaker 1: From now on, when someone stands in your way. You 124 00:12:25,160 --> 00:12:29,480 Speaker 1: will not bow your head and step aside. You will 125 00:12:29,559 --> 00:12:35,160 Speaker 1: go through. You will go through, but no way out 126 00:12:35,280 --> 00:12:39,760 Speaker 1: but through, no way out but through no way out 127 00:12:39,920 --> 00:12:52,360 Speaker 1: but a room, no way, no way else, no way Max, Max, 128 00:12:55,520 --> 00:13:01,239 Speaker 1: what I said, you made it through, through through everything? 129 00:13:02,280 --> 00:13:08,880 Speaker 1: It is over? Over? What's over? Where? Am I you 130 00:13:09,040 --> 00:13:16,000 Speaker 1: a home? Max? Are is it real? I would say 131 00:13:16,080 --> 00:13:22,160 Speaker 1: so I was. It was also confusing. That has been 132 00:13:22,200 --> 00:13:27,200 Speaker 1: a long night, but you made it. Max. It's over. 133 00:13:28,480 --> 00:13:34,840 Speaker 1: It's finally over. That's a little I well, well, I 134 00:13:34,840 --> 00:13:39,960 Speaker 1: guess I should thank you. Oh, I mean, I know 135 00:13:40,080 --> 00:13:45,640 Speaker 1: I said I didn't want your help, but maybe maybe 136 00:13:45,640 --> 00:13:47,560 Speaker 1: it was a good thing that you were here after 137 00:13:47,640 --> 00:13:51,199 Speaker 1: all that last part you do not have to explain. 138 00:13:52,200 --> 00:13:56,720 Speaker 1: Who knows. Maybe you really did not need me, But 139 00:13:56,840 --> 00:14:00,319 Speaker 1: all the same, I am glad I was here. Should 140 00:14:00,320 --> 00:14:03,480 Speaker 1: you find yourself in trouble again, Max, No, you can 141 00:14:03,600 --> 00:14:08,480 Speaker 1: always call on me. But for now, I think you 142 00:14:08,520 --> 00:14:12,240 Speaker 1: ought to go see your parents. I am sure they 143 00:14:12,280 --> 00:14:20,120 Speaker 1: have been worried about you. Right, Okay, Errol, let's go 144 00:14:20,120 --> 00:14:28,480 Speaker 1: goodbye besilll besilll mhm really does go like he comes 145 00:14:29,480 --> 00:14:34,880 Speaker 1: out of nowhere. But I don't know, Boy, I think 146 00:14:34,920 --> 00:14:42,400 Speaker 1: maybe this time, he's really gone for good. Okay, boy, 147 00:14:42,800 --> 00:14:50,120 Speaker 1: here we go. I hope they're not too mad. Oh no, 148 00:14:50,360 --> 00:14:58,800 Speaker 1: something's not right. It is something's wrong about this. Mom, Mom? 149 00:14:58,840 --> 00:15:01,440 Speaker 1: What's wrong? Is he finally here? Just go up to 150 00:15:01,480 --> 00:15:04,560 Speaker 1: your room, close the door. I know that's not a 151 00:15:04,560 --> 00:15:07,680 Speaker 1: trick or treater. It wasn't my fault. I was. You 152 00:15:07,800 --> 00:15:13,160 Speaker 1: better get your graft in. Just go come on Arrow. No, 153 00:15:13,320 --> 00:15:17,960 Speaker 1: you don't in here, Max, You'll like it even less 154 00:15:18,000 --> 00:15:27,720 Speaker 1: if I had to come find you. Where were you? 155 00:15:28,160 --> 00:15:31,280 Speaker 1: I'm sorry? We meant to be back here before nightfall. 156 00:15:31,400 --> 00:15:35,840 Speaker 1: I asked where were you? We missed a ride and 157 00:15:35,960 --> 00:15:37,960 Speaker 1: your ran off and I had to go. Lookie, I'm 158 00:15:38,000 --> 00:15:42,920 Speaker 1: not going to ask you again. Boy, where were you 159 00:15:44,720 --> 00:15:50,040 Speaker 1: in the fields? The apple orchard? Apple orchard? It's late? 160 00:15:50,280 --> 00:15:52,880 Speaker 1: What were you doing way out there? We've all probably 161 00:15:52,920 --> 00:15:56,040 Speaker 1: had a long nice Maybe better to straighten it all 162 00:15:56,040 --> 00:15:58,080 Speaker 1: out in the middetting to the bottom of everything, right 163 00:15:58,400 --> 00:16:02,600 Speaker 1: the fuck? Now? Tell me Max? What were you doing 164 00:16:02,680 --> 00:16:04,720 Speaker 1: clear on the other side of town when you know 165 00:16:04,880 --> 00:16:07,680 Speaker 1: you were supposed to be home hours ago. Please? You're 166 00:16:07,680 --> 00:16:11,640 Speaker 1: scaring him. Good, he should be scared. You scared the 167 00:16:11,720 --> 00:16:15,440 Speaker 1: living ship out of us. Now, tell me what was 168 00:16:15,560 --> 00:16:19,520 Speaker 1: so luring about the fucking apple orchard in the middle 169 00:16:19,560 --> 00:16:23,720 Speaker 1: of the night. You weren't in the fucking apple orchard. 170 00:16:23,920 --> 00:16:28,600 Speaker 1: I was all night. Well we started, oh you started there, 171 00:16:28,640 --> 00:16:32,600 Speaker 1: but then you made your way into town to what 172 00:16:33,080 --> 00:16:37,160 Speaker 1: meet up with your little goblin friends? Terrorized this city? 173 00:16:37,240 --> 00:16:40,880 Speaker 1: What did you do? Max toilet paper a house, smash 174 00:16:40,920 --> 00:16:44,360 Speaker 1: a few shop windows, start a little fire, something worse, 175 00:16:44,760 --> 00:16:49,760 Speaker 1: something that hurts somebody. Please, I know, please, let's just 176 00:16:49,800 --> 00:16:53,680 Speaker 1: sort this out in enough out of you. Now. I'm 177 00:16:53,720 --> 00:16:57,320 Speaker 1: talking to my son, and he's going to tell me 178 00:16:57,800 --> 00:17:05,000 Speaker 1: everything that happened, starting from the beginning. I was in 179 00:17:05,200 --> 00:17:10,639 Speaker 1: the apple orchard working what Mr maine Or pays kids 180 00:17:10,640 --> 00:17:13,720 Speaker 1: to google and apples from his trees. I've been doing 181 00:17:13,720 --> 00:17:16,159 Speaker 1: it for a little over a month now, and not 182 00:17:16,320 --> 00:17:21,320 Speaker 1: just there, sometimes other farms, sometimes in town, washing cars, 183 00:17:21,720 --> 00:17:25,000 Speaker 1: running errands, whatever I can. Why didn't you tell us? 184 00:17:25,640 --> 00:17:28,320 Speaker 1: I didn't want you to be mad. I had to 185 00:17:28,320 --> 00:17:31,480 Speaker 1: skip school a few times, but I just wanted to 186 00:17:31,520 --> 00:17:34,800 Speaker 1: help to save the house used to the bank is 187 00:17:34,840 --> 00:17:39,480 Speaker 1: coming tomorrow or today, I guess, and I know the 188 00:17:39,520 --> 00:17:43,320 Speaker 1: mortgage is fifty dollars. I didn't think i'd have enough 189 00:17:44,280 --> 00:17:47,760 Speaker 1: but tonight I made enough to hold this over. The 190 00:17:47,840 --> 00:17:50,600 Speaker 1: rest is in my room so when the bank comes, 191 00:17:50,920 --> 00:17:57,200 Speaker 1: we can pay them. Who do you think you are? 192 00:17:58,760 --> 00:18:03,680 Speaker 1: I is my house. You come into my house with 193 00:18:03,720 --> 00:18:08,400 Speaker 1: what your donation, money, your charity? You think I can't 194 00:18:08,440 --> 00:18:12,000 Speaker 1: care for my own family? Stop it. You've got a 195 00:18:12,080 --> 00:18:15,400 Speaker 1: lot to learn, boy, and I'm gonna teach it to you. 196 00:18:16,359 --> 00:18:23,200 Speaker 1: Please stop it? Who is that? What have you done now? Boy? 197 00:18:25,200 --> 00:18:27,119 Speaker 1: I don't know who you think you are, but if 198 00:18:27,160 --> 00:18:32,480 Speaker 1: you're from the bank, that is enough. Out of you. 199 00:18:32,640 --> 00:18:35,399 Speaker 1: All the things a boy should fear you do not 200 00:18:35,520 --> 00:18:38,600 Speaker 1: even make the list. He's a little no you know 201 00:18:38,720 --> 00:18:44,040 Speaker 1: this man? You are so insignificant threat. I did not 202 00:18:44,280 --> 00:18:48,840 Speaker 1: even consider you. Do you even know? Know what your 203 00:18:48,880 --> 00:18:54,000 Speaker 1: son is capable of? His power is beyond your comprehension. 204 00:18:54,600 --> 00:18:58,840 Speaker 1: And what are you? You are nothing? There's a little story. 205 00:19:00,160 --> 00:19:03,800 Speaker 1: Boy has face trials you could not even imagine, slain 206 00:19:03,880 --> 00:19:07,080 Speaker 1: foods to which you could not stand a chance. And you, 207 00:19:07,840 --> 00:19:13,520 Speaker 1: a sad, bitter old man, dare to lay hands on him. 208 00:19:13,800 --> 00:19:18,520 Speaker 1: Tell me why I should not kill you? Now? Please? Please? 209 00:19:18,600 --> 00:19:21,479 Speaker 1: Says hello? Put him down. The He is just like 210 00:19:21,520 --> 00:19:24,720 Speaker 1: all the others. Max Ill Will you might be right, 211 00:19:25,480 --> 00:19:28,480 Speaker 1: But he's my dad. His intentions are evil, Max. But 212 00:19:28,520 --> 00:19:32,879 Speaker 1: this is my fight, not yours. Attacked you Max, It 213 00:19:33,040 --> 00:19:37,040 Speaker 1: is dangerous for you here alone. For me, it would 214 00:19:37,040 --> 00:19:42,520 Speaker 1: be so easy. I made it home. Now it's my turn. 215 00:19:43,359 --> 00:19:53,320 Speaker 1: That's well, this ends now, Max, Max? Who is this man? Wait? 216 00:19:54,000 --> 00:19:58,639 Speaker 1: Just wait dad? Max? Listen, you come with me in 217 00:19:58,840 --> 00:20:04,960 Speaker 1: half an hour? You mean now follow me? Max? No 218 00:20:05,160 --> 00:20:15,240 Speaker 1: more words, just walk here. I do not understand what 219 00:20:15,320 --> 00:20:22,000 Speaker 1: you want. Just stand here as you wish. I get 220 00:20:22,040 --> 00:20:26,080 Speaker 1: it now, I really do. What do you get? Max? 221 00:20:26,520 --> 00:20:30,680 Speaker 1: You've said it already. You exist because of me, it 222 00:20:30,800 --> 00:20:34,719 Speaker 1: would seem I do. In that case? Could I make 223 00:20:34,720 --> 00:20:39,440 Speaker 1: it so you don't exist? I was just trying to help. 224 00:20:39,640 --> 00:20:44,080 Speaker 1: You said that. You've said that all along, and you 225 00:20:44,160 --> 00:20:50,600 Speaker 1: did help sometimes. And now it's time to stop. This 226 00:20:50,640 --> 00:20:54,320 Speaker 1: is what's going to happen. You are going to stay 227 00:20:54,359 --> 00:21:00,600 Speaker 1: here and wait. No moving, no disappearing. This is where 228 00:21:00,600 --> 00:21:05,800 Speaker 1: you live now. I do not understand. That's okay, you 229 00:21:05,840 --> 00:21:11,160 Speaker 1: don't need to understand. Just listen. Will you come here 230 00:21:11,160 --> 00:21:18,000 Speaker 1: so I can look at your face? Okay? All night. 231 00:21:18,920 --> 00:21:22,639 Speaker 1: Everyone sees something different when they look at you, but 232 00:21:22,760 --> 00:21:29,080 Speaker 1: it really is just a mask. Max, waite, How will 233 00:21:29,160 --> 00:21:32,560 Speaker 1: they know if you need me again? If I want 234 00:21:32,600 --> 00:21:35,840 Speaker 1: to call on you, I'll know where to find you, 235 00:21:37,440 --> 00:21:59,359 Speaker 1: but I won't come on Arrow. Good morning, Bradberry, and 236 00:21:59,440 --> 00:22:02,119 Speaker 1: we start it's All Saints Day broadcast with a couple 237 00:22:02,200 --> 00:22:05,160 Speaker 1: of correction. In an effort to bring you information as 238 00:22:05,200 --> 00:22:07,440 Speaker 1: fast as we were receiving it, we made a few 239 00:22:07,440 --> 00:22:10,159 Speaker 1: oversights in reporting the events of last night, and for 240 00:22:10,200 --> 00:22:13,720 Speaker 1: that rare lapse and judgment this station and this reporter 241 00:22:13,760 --> 00:22:19,720 Speaker 1: in particular. Oh, each and every one of you, an apology. 242 00:22:19,800 --> 00:22:25,800 Speaker 1: Ninety There you go. That's all of it for this month, kid, 243 00:22:26,520 --> 00:22:30,400 Speaker 1: But you know we'll be back. We'll be ready, Arrow 244 00:22:30,480 --> 00:22:35,879 Speaker 1: will see you out on that humble note. We are 245 00:22:35,920 --> 00:22:37,719 Speaker 1: glad to have made it through the night here at 246 00:22:37,720 --> 00:22:39,800 Speaker 1: the station and are hoping that all of you out 247 00:22:39,840 --> 00:23:02,040 Speaker 1: there in radio land are still with us. Arrow, Come 248 00:23:02,080 --> 00:24:26,640 Speaker 1: on back, boy, good dog M M blindly M. Thirteen 249 00:24:26,720 --> 00:24:32,080 Speaker 1: Days of Halloween Devil's Night, starring Carter Rockwood and Clancy Brown. 250 00:24:32,840 --> 00:24:38,120 Speaker 1: Episode thirteen home written by Alexander Williams with additional material 251 00:24:38,280 --> 00:24:42,399 Speaker 1: by Joe McCormick, featuring the voices of Travis Burnett, Genta, 252 00:24:42,480 --> 00:24:49,160 Speaker 1: Sambi lasak An, Shell Masters Brian Bickerstaff, Gina Rickiki, Lauren Vogelbaum, 253 00:24:49,200 --> 00:24:55,000 Speaker 1: Noah Finberg, Olivia Castineau, Jeffrey Kennedy, Joe hart Stig, Michael Eldred, 254 00:24:55,280 --> 00:25:00,919 Speaker 1: Clayton Frowning, Clayton Ferris, Laura Shine, Raphael Corkill, Eve Gordon, 255 00:25:01,240 --> 00:25:06,679 Speaker 1: and Vinnie Belbo. Directed by Alexander Williams. Script supervision by 256 00:25:06,760 --> 00:25:10,560 Speaker 1: Nicolas Takoski. Casting by Sunday Bowling c s A and 257 00:25:10,680 --> 00:25:15,280 Speaker 1: Meg Mormon c s A. Production coordinator, Wayna Calderon. Production 258 00:25:15,320 --> 00:25:20,280 Speaker 1: assistants Zoe Shay and Amber Ferris. Animal recording by Ben James, 259 00:25:20,640 --> 00:25:25,840 Speaker 1: closing theme by Rose Azerti. Loyalty Freak Music dot Com 260 00:25:26,000 --> 00:25:30,600 Speaker 1: Recorded at d G Entertainment in Los Angeles, California. Engineered 261 00:25:30,600 --> 00:25:35,320 Speaker 1: by Gary Forbes and Jody Abbott. Additional recording by Wally's 262 00:25:35,359 --> 00:25:41,040 Speaker 1: Hideout in San Francisco, California. Engineered by Chris mcru SoundBite Inc. 263 00:25:41,080 --> 00:25:46,560 Speaker 1: In Atlanta, Georgia, Engineered by Chase Nixon, Studio manager Cathy 264 00:25:46,680 --> 00:25:51,320 Speaker 1: Roberts and Burnt Orange Sound In Sara Sota, Florida. Engineered 265 00:25:51,320 --> 00:25:56,000 Speaker 1: by Matt de Seer. Executive producers Aaron Manky, Noah Fineberg, 266 00:25:56,280 --> 00:26:01,760 Speaker 1: Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor 267 00:26:01,840 --> 00:26:06,440 Speaker 1: Young and Josh Thane. Producers Jesse Funk and rema Il Kali. 268 00:26:07,240 --> 00:26:10,000 Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and 269 00:26:10,040 --> 00:26:13,800 Speaker 1: Alexander Williams and is a production of iHeart three D Audio, 270 00:26:13,960 --> 00:26:17,960 Speaker 1: Blumhouse Television, and Grim and Mild from Aaron Mackey. Learn 271 00:26:18,000 --> 00:26:20,719 Speaker 1: more about the show at Grimm and Mild dot com, 272 00:26:20,760 --> 00:26:24,040 Speaker 1: slash thirteen Days and find more podcasts from I heart 273 00:26:24,080 --> 00:26:27,280 Speaker 1: Radio by visiting the i Heart Radio app, Apple Podcasts, 274 00:26:27,400 --> 00:26:29,399 Speaker 1: or wherever you listen to your favorite shows.