WEBVTT - ALYSA VANDERHEYM: Getting Real About Overcoming Creative Ruts, Co-Writing & Producing Kelsea Ballerini’s Rolling Up the Welcome Mat + More

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<v Speaker 1>Carl n She's a queen and talking song She's getting

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<v Speaker 1>not afraid to favorite episode, so just let it flow.

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<v Speaker 1>No one can do we quiet, caryll Lyne, it is

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<v Speaker 1>sounding Caroline.

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<v Speaker 2>All Right. I am so excited to be on this

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<v Speaker 2>episode of Get Real podcast with Alisa Vanderheim. Hello, how's

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<v Speaker 2>it going.

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<v Speaker 3>I'm so happy to be here.

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<v Speaker 2>I'm so happy you're here. You're so cool.

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<v Speaker 3>Thank you.

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<v Speaker 4>I mean, and you're a part of one of the

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<v Speaker 4>coolest things that I feel like went on in country music?

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<v Speaker 2>Was it last year? Last year was the year of

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<v Speaker 2>you and Kelsey? Sorry? Yeah, yeah, Alisa Vanderheim. Do people

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<v Speaker 2>call you Alyssa all the time? So what a.

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<v Speaker 4>Year you've had. You're a huge songwriter in town. Like

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<v Speaker 4>there's a list of people you've written for. You've written

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<v Speaker 4>for like Florida, Georgia, Line, Blake Shelton, Little Big Town

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<v Speaker 4>Lady A, Luke Colmes, Coldbeer called My Name?

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<v Speaker 2>Who did you do that.

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<v Speaker 3>One with h Jameson Rogers?

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<v Speaker 2>Yeah, I mean you've also had like another big cut.

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<v Speaker 2>Who was that big pop song that you had one Republic?

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<v Speaker 4>And then here comes our girl Kelsey Ballerina, which I

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<v Speaker 4>feel like this is like, to me, as an outsider

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<v Speaker 4>looking in, I feel like you guys are like musical soulmates.

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<v Speaker 3>I think we are, you know, And I've seen.

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<v Speaker 2>That happen with other artists.

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<v Speaker 4>It's like when Carrie Underwood found her Hillary Lindsay, you know,

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<v Speaker 4>and then they like wrote all those songs and it's like, Oh,

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<v Speaker 4>there's Carrie Underwood.

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<v Speaker 2>She's found her partner in her voice, and it's like whoa.

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<v Speaker 4>And it's like, I'm speaking from my perspective, it's like

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<v Speaker 4>you and Kelsey like y'all's combination has created dis maagic

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<v Speaker 4>because you had eight songs on her Subject to Change album,

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<v Speaker 4>So that's like most of the album.

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<v Speaker 2>And how did y'all do rolling up the welcome Matt

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<v Speaker 2>for Good? I mean, where did that come from? I

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<v Speaker 2>know she was in the middle of a divorce, but like,

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<v Speaker 2>how did y'all get this idea to secretly go to

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<v Speaker 2>the studio and make this album?

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<v Speaker 5>So she had this like brainchild. I think when she

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<v Speaker 5>knew that it was over for her, she was like,

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<v Speaker 5>we have to write about it. So she was like

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<v Speaker 5>she warned me. She was like, we're gonna make a

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<v Speaker 5>divorce album. And I was like, Okay, I'm along for

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<v Speaker 5>the ride, like tell me what to do, coach, put

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<v Speaker 5>me in Captain, And so we just started writing for it,

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<v Speaker 5>and she kind of had like all the titles that

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<v Speaker 5>she wanted to write in the concepts I was. I

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<v Speaker 5>would say, there was like one song that didn't make

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<v Speaker 5>the project, like we basically just snipered it.

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<v Speaker 3>And then we're like in.

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<v Speaker 2>The middle of the night, sneaking into the.

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<v Speaker 3>Studio we would do Yeah, was she not.

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<v Speaker 2>Married when she was making this album?

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<v Speaker 6>Was it?

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<v Speaker 3>Because?

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<v Speaker 2>I mean it was probably like I'm the DL.

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<v Speaker 3>I mean no, I would what if you were trying

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<v Speaker 3>to remember? No?

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<v Speaker 4>Because when okay, I have I now have witnessed some

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<v Speaker 4>divorces happening in friendships, and it's like when especially a

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<v Speaker 4>woman is done being married, she's done.

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<v Speaker 3>She's done.

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<v Speaker 4>Before the divorce happens, like there's a moment where it's

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<v Speaker 4>like this has been over.

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<v Speaker 3>It's been over for a while.

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<v Speaker 5>Yeah, and if for the other party not to recognize that, yeah,

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<v Speaker 5>come on.

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<v Speaker 4>Are you blind, cited or just blind? What was the

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<v Speaker 4>song that didn't make the album?

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<v Speaker 2>What was that?

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<v Speaker 5>It was called better Off and the hook was like

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<v Speaker 5>it was like a better ring. Some things are better off.

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<v Speaker 3>It's cool.

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<v Speaker 2>It just didn't fit.

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<v Speaker 3>No, I would say, I mean, I think she just

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<v Speaker 3>wanted it so specific.

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<v Speaker 4>What was the full spectrum that it's like from start

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<v Speaker 4>to finish kind of.

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<v Speaker 5>Yeah, she just had this in her brain the whole time,

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<v Speaker 5>and I was just catching on as she was like,

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<v Speaker 5>I was just like cool, that's dope. Like she knew

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<v Speaker 5>the whole time, and I was just like all right,

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<v Speaker 5>like trying to keep up.

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<v Speaker 2>You know, were you all writing the songs in the studio.

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<v Speaker 3>Yeah, there's let's see.

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<v Speaker 5>Blindsided happened because I just had made a track for

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<v Speaker 5>her in mind, not not even for the EP, just

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<v Speaker 5>like this is a cool track whatever. And then so

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<v Speaker 5>we wrote that was I want to say that was

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<v Speaker 5>the first song we wrote. I can't remember actually, but

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<v Speaker 5>that was one of the first ones. And then that's

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<v Speaker 5>like spurred a lot of the other ones, and like

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<v Speaker 5>and half of the record she wrote by herself. So

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<v Speaker 5>we just like I just put music to it.

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<v Speaker 3>Okay.

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<v Speaker 4>When she said we're going to make a divorce album,

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<v Speaker 4>which A, that's so ballsy, you know, that's so scary.

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<v Speaker 4>It is, that's so vulnerable, that's so exposing.

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<v Speaker 3>It is, and it could go bad, real bad, Like

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<v Speaker 3>it could go bad.

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<v Speaker 4>How I mean, it could go she's exposing herself. But

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<v Speaker 4>then also there's this other person that was in the

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<v Speaker 4>marriage that is getting exposed to you know, like how

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<v Speaker 4>did that play out?

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<v Speaker 3>Yeah?

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<v Speaker 2>Yeah, I mean, and then you're talking about it, like

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<v Speaker 2>even for you, it's like hard to talk about it

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<v Speaker 2>because someone else is a divorce I know. But yeah,

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<v Speaker 2>we all are so interested and we're so happy to

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<v Speaker 2>hear the healing process. It's just so much.

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<v Speaker 3>It's crazy.

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<v Speaker 2>It's so much vulnerability.

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<v Speaker 5>It is so much vulnerability for both parties. Yeah. Yeah,

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<v Speaker 5>like someone else telling a story that you can't really

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<v Speaker 5>control how they sell it and the other way around. Yeah,

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<v Speaker 5>he had put out Morgan had put out this song

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<v Speaker 5>called over for You, and so that spread kel seeming

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<v Speaker 5>like oh shit, I need to like say my side.

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<v Speaker 3>Yeah, and he.

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<v Speaker 2>Put out like movies too, yeah, videos or something. Yeah.

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<v Speaker 2>I know. It's so crazy. It's so crazy.

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<v Speaker 4>Like I'm in this phase of life where it's like

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<v Speaker 4>I'm married, have a kid, I have friends who are

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<v Speaker 4>married have kids, and like divorces are starting to happen.

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<v Speaker 3>Divorce is so common, it's crazy.

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<v Speaker 4>It's so weird, though, when you see it, when you're

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<v Speaker 4>living it, when you're first hand to it, because it's

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<v Speaker 4>like you always hear about it, and then you hear

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<v Speaker 4>about you know, kids growing up, divorced family. Oh and

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<v Speaker 4>like even one of the songs she talks about, how

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<v Speaker 4>is it penthouse or whatever, she's like, you know, you're

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<v Speaker 4>just gonna say, I'm like my parents, you know, and

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<v Speaker 4>like then I'm just giving up too soon.

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<v Speaker 2>And it's just like all these things.

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<v Speaker 4>But it's like, to divorce is hard enough, but then

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<v Speaker 4>to be on a platform like her singing it out

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<v Speaker 4>loud for everyone to weigh in.

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<v Speaker 2>You're right, it could have just gone so many ways.

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<v Speaker 3>It could have really backfired.

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<v Speaker 2>Yeah, but she just was so ready.

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<v Speaker 5>She's already and she's such a good writer. Yeah, I mean,

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<v Speaker 5>she's such a she's one of the greatest songwriters in

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<v Speaker 5>this town artist or not, like just point blank and

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<v Speaker 5>so yeah, it was it was just like a treat,

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<v Speaker 5>honestly to like watch her, you know, dive.

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<v Speaker 3>To the bottom of her soul. Yeah, and just like.

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<v Speaker 2>That's very artistry.

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<v Speaker 5>That's so that's really true artistry, and that's a rare

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<v Speaker 5>thing in this town honestly, to.

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<v Speaker 2>Just share like that absolutely with no boundaries.

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<v Speaker 3>Yeah, no boundaries and have it actually work?

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<v Speaker 2>And I think don't you think that's probably why it

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<v Speaker 2>did work?

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<v Speaker 5>Yeah, honestly, Yeah, and like that those raw, like intimate

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<v Speaker 5>details that like you would never know, you know, people

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<v Speaker 5>like you love that shit, I know.

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<v Speaker 4>And then y'all came back and added a song, the

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<v Speaker 4>Healing version.

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<v Speaker 3>Yep, the Yeah, what was that interlude?

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<v Speaker 2>Was interlude? Because that was people were like dying for

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<v Speaker 2>that to be a full song.

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<v Speaker 3>It was just like a shorty little.

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<v Speaker 2>So what was interlude? Originally?

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<v Speaker 5>It was just it was like shorter, It was like

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<v Speaker 5>maybe thirty or forty seconds long. It was just kind

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<v Speaker 5>of like a little interlude type thing, like kind of more.

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<v Speaker 3>Like drake vibes. And then people like loved it and

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<v Speaker 3>so we just like kind of expounded on it.

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<v Speaker 2>And then made like the whole marriage was like an interlude. Yeah, right,

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<v Speaker 2>is that kind of like the especially name of it?

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<v Speaker 3>Yeah, she was.

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<v Speaker 5>There's a line that's like forever it's just the interload

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<v Speaker 5>or something like that.

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<v Speaker 3>I'm like, that's crazy.

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<v Speaker 4>Oh okay, So tell me about you, Like, how did

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<v Speaker 4>you get to Nashville? How did you become a songwriter?

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<v Speaker 4>Did you originally want to be an artist?

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<v Speaker 2>Like? Where are you from?

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<v Speaker 3>Tell me?

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<v Speaker 2>Tell me the sax story.

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<v Speaker 5>So originally from California, Northern California area.

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<v Speaker 2>Okay, yeah, okay if you went from the Bay Area

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<v Speaker 2>like or like you love the Bay Area?

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<v Speaker 3>I love the Bay but we're rare. We don't leave.

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<v Speaker 3>Why'd you leave from follow my dreams? Baby?

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<v Speaker 2>Because you're gonna be music. Did you know you're a songwriter? Yeah?

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<v Speaker 3>I always wanted to be a songwriter. Actually, did you

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<v Speaker 3>up too music?

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<v Speaker 2>Yeah?

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<v Speaker 3>I mean I would like write songs on tupperware and shit.

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<v Speaker 2>You know, Hey, what's your family like?

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<v Speaker 3>Chiropractors?

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<v Speaker 4>I love chiropractors. My grandfather's a chiropractor. I can't live

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<v Speaker 4>without chiropractical treatment. I say it's a blessing and a

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<v Speaker 4>curse because once you start, you can't stop.

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<v Speaker 5>Yeah, I haven't been going. I needed to probably find someone.

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<v Speaker 5>Do you have a recommendation A great Yeah?

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<v Speaker 4>The spot I'll just I'll give you a shout. It's

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<v Speaker 4>called Exodus in print Wood. They're amazed. And also the

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<v Speaker 4>spine Shop in East Nashville's amazing.

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<v Speaker 3>Oh okay, I live by there.

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<v Speaker 4>The spine shop, it's in a little shopping center. Yeah,

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<v Speaker 4>it's great. Okay, doctor Grande. What's up, doctor Grande?

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<v Speaker 2>Yeah? Okay, but once you how are you.

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<v Speaker 4>Living without chiropractor treatment? Because like I can't go more

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<v Speaker 4>than a month. Really, my neck walks up.

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<v Speaker 3>I mean I need it. Probably I'm just like sitting

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<v Speaker 3>like a shrimp.

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<v Speaker 2>Did you get adjustments all the time growing up? Like weekly?

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<v Speaker 3>Daily? Probably? Like weekly?

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<v Speaker 2>Okay, what's a like having a chiropractor?

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<v Speaker 5>Yeah, they like met in chiropractic college and stuff.

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<v Speaker 2>Yeah, and then they just started a clinic.

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<v Speaker 3>Yeah. Well so they're a Canadian.

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<v Speaker 5>They they met in Canada, and then my mom was

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<v Speaker 5>like selling her practice and then my dad was like

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<v Speaker 5>interested in buying it. This was like early days, like

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<v Speaker 5>so cup started out, but he didn't actually want to

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<v Speaker 5>buy it. He was just like flirting with her and

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<v Speaker 5>like wanted to Like that's a big flirt, Yeah, big flirt.

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<v Speaker 3>Like leading her on, like about to buy your practice,

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<v Speaker 3>come on.

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<v Speaker 6>Yeah.

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<v Speaker 3>And then so she was like I'm out here. I'm

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<v Speaker 3>like moving to the West Coast from Canada. Yeah, she

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<v Speaker 3>like wanted to move to organ and so my dad

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<v Speaker 3>just like followed her.

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<v Speaker 2>Good choice. Organ Why.

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<v Speaker 3>I think she was just like nature and like it

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<v Speaker 3>wasn't as cold.

0:09:20.960 --> 0:09:23.360
<v Speaker 4>Your parents are nature people. Yeah, well they're obviously very

0:09:23.440 --> 0:09:24.880
<v Speaker 4>holistic to chariapactic.

0:09:24.960 --> 0:09:25.200
<v Speaker 3>They are.

0:09:25.320 --> 0:09:27.000
<v Speaker 2>So did you grow up with the holistic background? Oh?

0:09:27.040 --> 0:09:28.120
<v Speaker 3>Yeah, organic food?

0:09:29.200 --> 0:09:31.200
<v Speaker 5>It was it was nice looking back, but like I

0:09:31.280 --> 0:09:32.840
<v Speaker 5>like didn't get like that much junk food.

0:09:32.880 --> 0:09:34.680
<v Speaker 2>I'm like, are you so pure and healthy? Are you

0:09:34.720 --> 0:09:35.559
<v Speaker 2>still organic?

0:09:36.240 --> 0:09:36.560
<v Speaker 3>Yeah?

0:09:36.679 --> 0:09:37.960
<v Speaker 2>You do? Do you feel great?

0:09:40.160 --> 0:09:42.320
<v Speaker 5>I mean, I don't want love the idea of eating pesticides,

0:09:42.400 --> 0:09:43.400
<v Speaker 5>but I know.

0:09:43.280 --> 0:09:44.760
<v Speaker 2>But how do you avoid them? Like? Where do you show?

0:09:44.800 --> 0:09:46.120
<v Speaker 3>You know? I mean, I mean I just go to

0:09:46.120 --> 0:09:48.440
<v Speaker 3>like turnip Trucker, Whole Foods or something. But I mean

0:09:48.440 --> 0:09:49.320
<v Speaker 3>if you go out to eat.

0:09:49.200 --> 0:09:51.600
<v Speaker 5>You're kind of screwed. You're eating organic. I go out

0:09:51.600 --> 0:09:53.480
<v Speaker 5>to eat all the time. So I'm like, how organic

0:09:53.559 --> 0:09:53.840
<v Speaker 5>am I?

0:09:53.920 --> 0:09:54.120
<v Speaker 3>You know?

0:09:54.240 --> 0:09:55.520
<v Speaker 2>I know, but at least you know how?

0:09:55.720 --> 0:09:57.480
<v Speaker 3>Yeah? Do I do it? I do it sometimes?

0:09:57.559 --> 0:09:58.520
<v Speaker 2>Stuff? Do you cook a lot?

0:09:59.120 --> 0:10:01.040
<v Speaker 3>Yeah? But I have like my go tos. I don't

0:10:01.080 --> 0:10:02.320
<v Speaker 3>really like adventure.

0:10:02.400 --> 0:10:04.080
<v Speaker 2>Yeah, because it's hard to do much work. It's too

0:10:04.160 --> 0:10:05.360
<v Speaker 2>much work. Man.

0:10:05.520 --> 0:10:07.360
<v Speaker 3>It is not about to like suck up some short ribs,

0:10:07.360 --> 0:10:08.839
<v Speaker 3>you know, right? Do eat?

0:10:08.880 --> 0:10:09.360
<v Speaker 2>You eat meat?

0:10:09.520 --> 0:10:09.760
<v Speaker 3>Yeah?

0:10:10.080 --> 0:10:11.800
<v Speaker 5>I actually went for like a two week stint where

0:10:11.800 --> 0:10:13.479
<v Speaker 5>I didn't eat meat in like January.

0:10:13.559 --> 0:10:14.599
<v Speaker 2>How was it?

0:10:14.600 --> 0:10:15.280
<v Speaker 3>It was interesting?

0:10:15.320 --> 0:10:16.040
<v Speaker 2>Why'd you do that?

0:10:16.520 --> 0:10:18.720
<v Speaker 3>Just because I was like watching all these documentaries and stuff.

0:10:18.800 --> 0:10:19.360
<v Speaker 2>Did you sad?

0:10:19.440 --> 0:10:21.520
<v Speaker 3>Yeah? And it's just like.

0:10:23.520 --> 0:10:27.000
<v Speaker 5>Cows are like the biggest contributor to global warming, Yeah,

0:10:27.040 --> 0:10:31.040
<v Speaker 5>which is crazy, more than like the entire transportation transportation

0:10:31.120 --> 0:10:31.839
<v Speaker 5>sector and stuff.

0:10:31.840 --> 0:10:33.240
<v Speaker 3>I'm like, that's crazy.

0:10:33.720 --> 0:10:36.079
<v Speaker 2>Yeah, I know, what do we do about these big problems?

0:10:36.520 --> 0:10:37.360
<v Speaker 3>The big problems?

0:10:37.400 --> 0:10:37.880
<v Speaker 2>I get hooked?

0:10:37.880 --> 0:10:39.280
<v Speaker 4>Like I went vegetarian for a year, but then I

0:10:39.360 --> 0:10:41.199
<v Speaker 4>end up getting like twenty pounds is all I did

0:10:41.240 --> 0:10:43.920
<v Speaker 4>was eat white bread and like terrible processed food because

0:10:43.920 --> 0:10:45.080
<v Speaker 4>I was not a good vegetarian.

0:10:45.160 --> 0:10:47.400
<v Speaker 3>Did you go vegetarian for the animals? Yeah?

0:10:47.679 --> 0:10:51.240
<v Speaker 4>Because I just got overwhelmed with the problems of the world.

0:10:51.240 --> 0:10:53.160
<v Speaker 4>How do you navigate these big problems of the world.

0:10:53.200 --> 0:10:56.920
<v Speaker 3>I know it's it's tough. Yeah, there's a lot of problems.

0:10:56.559 --> 0:11:00.000
<v Speaker 2>Do Yeah, I know it's overwhelming.

0:11:00.000 --> 0:11:00.840
<v Speaker 3>It's not good.

0:11:01.040 --> 0:11:02.480
<v Speaker 2>Well, I guess you can write about them.

0:11:02.679 --> 0:11:02.920
<v Speaker 3>Yeah.

0:11:03.640 --> 0:11:09.319
<v Speaker 4>So you grew up super organic, super aligned with your

0:11:09.360 --> 0:11:11.960
<v Speaker 4>body or your parents still together?

0:11:12.080 --> 0:11:15.720
<v Speaker 3>They are okay? Siblings, Yeah, I have a sister she's

0:11:15.760 --> 0:11:16.680
<v Speaker 3>five years younger than.

0:11:16.600 --> 0:11:18.160
<v Speaker 2>Me, And how was that? Y'all close?

0:11:18.160 --> 0:11:20.440
<v Speaker 5>We're close now, Okay. Growing up, I was definitely not

0:11:20.559 --> 0:11:23.200
<v Speaker 5>the best towards her. She was just like, I mean,

0:11:23.559 --> 0:11:26.400
<v Speaker 5>it was like an awkward age difference, you know, oh five, Yeah,

0:11:26.440 --> 0:11:28.400
<v Speaker 5>it's like you're not close enough to be friends, and

0:11:28.400 --> 0:11:30.040
<v Speaker 5>then it's too far to be like, you're so cute,

0:11:30.120 --> 0:11:30.320
<v Speaker 5>you know.

0:11:30.600 --> 0:11:32.040
<v Speaker 3>Okay, so it.

0:11:32.040 --> 0:11:34.200
<v Speaker 5>Was like a little bit of a I was probably

0:11:34.200 --> 0:11:34.960
<v Speaker 5>like a little mean to her.

0:11:35.040 --> 0:11:37.280
<v Speaker 3>But we've we've mended it.

0:11:37.400 --> 0:11:37.720
<v Speaker 2>Okay.

0:11:37.840 --> 0:11:38.200
<v Speaker 3>That's good.

0:11:38.200 --> 0:11:40.960
<v Speaker 4>You learned so much from your siblings, you know, like good, bad, ugly,

0:11:41.000 --> 0:11:41.320
<v Speaker 4>all of it.

0:11:41.320 --> 0:11:42.400
<v Speaker 2>It teaches you so many things.

0:11:42.480 --> 0:11:43.480
<v Speaker 3>Yeah, I love her so much.

0:11:43.559 --> 0:11:46.559
<v Speaker 5>She's going to college in Columbia right now, or not Columbia,

0:11:47.360 --> 0:11:48.680
<v Speaker 5>like the country, New York.

0:11:49.080 --> 0:11:52.640
<v Speaker 2>Okay, she's going to the college Columbia. Yeah, she's brilliant.

0:11:52.960 --> 0:11:54.360
<v Speaker 2>That's a really hard school to get into.

0:11:54.400 --> 0:11:55.960
<v Speaker 3>She's like doing some like climate change shit.

0:11:56.440 --> 0:11:58.320
<v Speaker 2>You're to stay in the world. You're writing music, saving

0:11:58.400 --> 0:12:00.600
<v Speaker 2>the world and opening up people's hearts.

0:12:00.600 --> 0:12:02.120
<v Speaker 4>And she's just gonna get in there and like fix

0:12:02.160 --> 0:12:03.840
<v Speaker 4>the climate warm global warming.

0:12:03.920 --> 0:12:07.679
<v Speaker 2>I mean, thank you, guys. Vanderheims Vanderheims. What would we

0:12:07.760 --> 0:12:10.280
<v Speaker 2>do without y'all seriously holding it down? I mean you're

0:12:10.280 --> 0:12:12.840
<v Speaker 2>just holding down for all of us. Thank you for that. Okay,

0:12:12.920 --> 0:12:14.559
<v Speaker 2>So you are in.

0:12:14.559 --> 0:12:18.720
<v Speaker 4>This beautiful Bay area of California with super organic, awesome

0:12:18.800 --> 0:12:22.360
<v Speaker 4>parents and living the life on the beach literally like

0:12:22.600 --> 0:12:23.319
<v Speaker 4>life is a dreak.

0:12:24.200 --> 0:12:25.719
<v Speaker 2>You're like, nope, I got to go.

0:12:25.920 --> 0:12:26.160
<v Speaker 1>Yeah.

0:12:26.679 --> 0:12:28.440
<v Speaker 3>I was like, I want to be a songwriter.

0:12:28.840 --> 0:12:31.079
<v Speaker 2>So you always grew up kind of playing music, loving music.

0:12:31.520 --> 0:12:33.240
<v Speaker 5>And for some reason, I just always like I didn't

0:12:33.240 --> 0:12:34.400
<v Speaker 5>want to be an artist. I didn't want to be

0:12:34.440 --> 0:12:36.000
<v Speaker 5>like a musician. I didn't like I wanted to be

0:12:36.040 --> 0:12:40.120
<v Speaker 5>a songwriter, which is so like sniper of a direction

0:12:40.200 --> 0:12:40.560
<v Speaker 5>to have.

0:12:40.520 --> 0:12:42.000
<v Speaker 2>That you even knew that you could do that for a job.

0:12:42.120 --> 0:12:46.200
<v Speaker 5>Yeah, yeah, I would like study like other writers like

0:12:46.240 --> 0:12:49.200
<v Speaker 5>Kerdia Guardi and Max Martin and like Luke Laired and

0:12:49.280 --> 0:12:50.679
<v Speaker 5>like a bunch of people that I didn't know that I

0:12:50.679 --> 0:12:52.199
<v Speaker 5>would ever even get to write with one day?

0:12:52.400 --> 0:12:52.840
<v Speaker 3>Have you wrote?

0:12:53.760 --> 0:12:54.200
<v Speaker 2>How is that?

0:12:54.280 --> 0:12:56.600
<v Speaker 3>Not? I mean not Max Martin, but awesome.

0:12:56.320 --> 0:12:59.040
<v Speaker 4>He's coming, that will be happening next, that's coming next,

0:12:59.200 --> 0:13:01.160
<v Speaker 4>coming next to me? You or on a Grammy Award

0:13:01.160 --> 0:13:03.720
<v Speaker 4>winning Album for the Year. So I mean just saying

0:13:04.320 --> 0:13:08.880
<v Speaker 4>Grammy losing, Grammy losing but still nominated Grammy Award nominated

0:13:08.960 --> 0:13:09.959
<v Speaker 4>Album of the Year.

0:13:10.040 --> 0:13:12.719
<v Speaker 2>That's huge, especially for like the secret project.

0:13:12.440 --> 0:13:14.600
<v Speaker 5>That you'll we had no idea and I'm so glad

0:13:14.600 --> 0:13:17.160
<v Speaker 5>we didn't know because we would have had in our heads.

0:13:16.880 --> 0:13:18.240
<v Speaker 3>Like I'm glad that we didn't know at all.

0:13:18.440 --> 0:13:19.080
<v Speaker 6>Yeah.

0:13:19.559 --> 0:13:22.520
<v Speaker 4>Okay, So going back to like studying songwriters, that's so

0:13:22.520 --> 0:13:24.079
<v Speaker 4>cool that even knew you could be a songwriter. Did

0:13:24.240 --> 0:13:25.600
<v Speaker 4>What was it like when you got to meet them

0:13:25.600 --> 0:13:27.439
<v Speaker 4>and write with them? Were you nervous or were you ready?

0:13:27.600 --> 0:13:30.920
<v Speaker 5>It was I was definitely a little nervous, Like holy shit, yeah,

0:13:31.240 --> 0:13:32.319
<v Speaker 5>like a little starstruck.

0:13:32.360 --> 0:13:36.840
<v Speaker 4>How do you get the right? Started with Kara do

0:13:36.880 --> 0:13:38.839
<v Speaker 4>you guardy? Because she was like an American idol.

0:13:38.880 --> 0:13:41.400
<v Speaker 5>She was she was such a fan. I know she's famous. Yeah,

0:13:41.559 --> 0:13:43.720
<v Speaker 5>I was just like she was so cool. But we

0:13:43.760 --> 0:13:45.200
<v Speaker 5>actually didn't end up getting a song.

0:13:45.480 --> 0:13:48.280
<v Speaker 2>Ironically crazy, like you could be so talented and it's

0:13:48.320 --> 0:13:51.679
<v Speaker 2>like that just goes to show it doesn't matter necessarily,

0:13:51.720 --> 0:13:53.400
<v Speaker 2>like the song just has to come right. Is that

0:13:53.440 --> 0:13:54.720
<v Speaker 2>how you feel about song? Any for sure?

0:13:54.720 --> 0:13:57.080
<v Speaker 5>It could be any combination of people. Hit writers are

0:13:57.120 --> 0:13:59.080
<v Speaker 5>not hit writers. You could still write something amazing.

0:13:59.240 --> 0:14:01.600
<v Speaker 2>Yeah. Yeah, songs are their own thing. Yeah, there their

0:14:01.640 --> 0:14:02.440
<v Speaker 2>own living creature.

0:14:02.520 --> 0:14:04.760
<v Speaker 3>They really are, and you just have to channel them.

0:14:05.280 --> 0:14:05.760
<v Speaker 3>It's weird.

0:14:05.920 --> 0:14:08.200
<v Speaker 2>Do you channel songs often?

0:14:08.480 --> 0:14:10.959
<v Speaker 4>Or are there times when you don't get something and

0:14:11.000 --> 0:14:12.680
<v Speaker 4>you know you're not getting something but it's actually turned

0:14:12.679 --> 0:14:13.400
<v Speaker 4>out to be something?

0:14:13.520 --> 0:14:15.360
<v Speaker 2>Or like what is your process? Like do you know

0:14:15.400 --> 0:14:16.080
<v Speaker 2>when you're on it?

0:14:16.280 --> 0:14:19.760
<v Speaker 5>Yeah, I would say usually, like and if I'm not

0:14:19.880 --> 0:14:22.080
<v Speaker 5>on it, I'll like, I know it's not gonna happen.

0:14:22.560 --> 0:14:24.920
<v Speaker 2>You call it a day. Usually finish or will we finish?

0:14:25.080 --> 0:14:28.400
<v Speaker 5>Usually we'll finish, but I don't know. Usually you know,

0:14:28.640 --> 0:14:32.240
<v Speaker 5>kind of in the middle, like yeah, but.

0:14:33.800 --> 0:14:36.200
<v Speaker 3>I don't know. The more the more you swing the bat,

0:14:36.240 --> 0:14:37.120
<v Speaker 3>the more you get shit.

0:14:37.240 --> 0:14:37.400
<v Speaker 6>You know.

0:14:37.560 --> 0:14:38.960
<v Speaker 2>Did that used to bum you out? Like when you

0:14:39.000 --> 0:14:40.480
<v Speaker 2>wouldn't get a song and like be like.

0:14:40.480 --> 0:14:41.160
<v Speaker 3>Oh, for sure.

0:14:41.240 --> 0:14:44.200
<v Speaker 5>Actually, last year ironically was one of the worst creative

0:14:44.280 --> 0:14:45.040
<v Speaker 5>years of my life.

0:14:45.200 --> 0:14:45.400
<v Speaker 3>Really.

0:14:45.400 --> 0:14:47.280
<v Speaker 5>I know that this project came out last year and

0:14:47.320 --> 0:14:50.520
<v Speaker 5>like everyone was like excited about it, but like in

0:14:50.560 --> 0:14:53.760
<v Speaker 5>real time it wasn't. I wasn't like writing good songs at.

0:14:53.720 --> 0:14:56.000
<v Speaker 2>All already, Why I don't know it was going on

0:14:56.080 --> 0:14:56.200
<v Speaker 2>with you.

0:14:56.240 --> 0:14:58.000
<v Speaker 3>Last year. I had a lot of anxiety for some

0:14:58.080 --> 0:14:59.720
<v Speaker 3>reason because.

0:14:59.480 --> 0:15:01.720
<v Speaker 2>You shared so much in this album with Kelsey.

0:15:01.800 --> 0:15:03.920
<v Speaker 5>I don't know if it was like subconsciously that, but

0:15:04.120 --> 0:15:06.040
<v Speaker 5>because I wasn't the artist that was like putting myself

0:15:06.040 --> 0:15:06.360
<v Speaker 5>out there.

0:15:06.400 --> 0:15:08.560
<v Speaker 3>So but you were in a way involved.

0:15:08.600 --> 0:15:10.840
<v Speaker 4>Yeah, Becau, it's just you and her the whole thing, right, Yeah, yeah,

0:15:10.920 --> 0:15:12.720
<v Speaker 4>wrote everything and co produced it.

0:15:13.560 --> 0:15:15.840
<v Speaker 5>Yeah, but yeah, it was just I'd never experienced that

0:15:15.960 --> 0:15:19.040
<v Speaker 5>much anxiety before, so it was just weird. I wasn't

0:15:19.080 --> 0:15:23.200
<v Speaker 5>like I was very self doubting. Really yeah, I wasn't

0:15:23.240 --> 0:15:24.880
<v Speaker 5>like excited to write songs that much.

0:15:25.200 --> 0:15:27.560
<v Speaker 3>It was weird. It was weird year, Very glad it's over.

0:15:27.760 --> 0:15:31.080
<v Speaker 4>What did you How did you navigate all that anxiety?

0:15:31.320 --> 0:15:33.160
<v Speaker 4>Like had you already written the Kelsey album when you

0:15:33.160 --> 0:15:36.240
<v Speaker 4>had this anxiety? Did it happen after the Healthy album?

0:15:36.240 --> 0:15:38.200
<v Speaker 3>It must be because you, honestly it started when it

0:15:38.240 --> 0:15:39.000
<v Speaker 3>came out.

0:15:39.200 --> 0:15:41.120
<v Speaker 4>When the album came out, you were filled with anxiety

0:15:41.760 --> 0:15:44.200
<v Speaker 4>because it was such a vulnerable album.

0:15:44.280 --> 0:15:46.440
<v Speaker 5>Now that you're talking about it, yeah, I think maybe

0:15:46.600 --> 0:15:48.640
<v Speaker 5>because a lot of people in town like weren't about

0:15:48.640 --> 0:15:49.320
<v Speaker 5>it really.

0:15:49.440 --> 0:15:52.960
<v Speaker 2>Yeah, like when it first hit what it was.

0:15:52.960 --> 0:15:55.920
<v Speaker 3>Just like it was people were kind of afraid to

0:15:55.920 --> 0:15:56.880
<v Speaker 3>support it in a way.

0:15:57.280 --> 0:15:59.520
<v Speaker 2>I get that. I totally can see that.

0:15:59.440 --> 0:16:01.440
<v Speaker 3>Because in my own people that I'm close to.

0:16:01.800 --> 0:16:05.120
<v Speaker 2>Because they're like, she's divorcing her husband, this isn't right.

0:16:05.040 --> 0:16:07.640
<v Speaker 5>Right, or just like we don't want to like align

0:16:07.720 --> 0:16:09.720
<v Speaker 5>with one side or the other. And like people that

0:16:09.760 --> 0:16:13.160
<v Speaker 5>were like close to me like did that. And I

0:16:13.200 --> 0:16:15.520
<v Speaker 5>respect that, but that like definitely like gave me some

0:16:15.600 --> 0:16:17.080
<v Speaker 5>anxiety of like am I doing?

0:16:17.160 --> 0:16:18.880
<v Speaker 3>Am I the.

0:16:18.840 --> 0:16:21.600
<v Speaker 5>First thing that I've ever produced, I'm like getting backlash

0:16:21.640 --> 0:16:23.200
<v Speaker 5>for in a way, like is am I doing the

0:16:23.240 --> 0:16:23.560
<v Speaker 5>right thing?

0:16:23.600 --> 0:16:25.080
<v Speaker 3>Like? Is this? You know what I mean?

0:16:25.520 --> 0:16:30.480
<v Speaker 4>And it's because too also, maybe people can villainize someone,

0:16:30.600 --> 0:16:33.000
<v Speaker 4>which I feel though, like and I feel like I

0:16:33.000 --> 0:16:35.080
<v Speaker 4>saw Kelsey do an interview about this or something, or

0:16:35.160 --> 0:16:37.400
<v Speaker 4>it's like maybe if she even said I'm entering my

0:16:37.480 --> 0:16:38.360
<v Speaker 4>villain error or something.

0:16:38.480 --> 0:16:39.200
<v Speaker 2>I don't know if she said that.

0:16:39.280 --> 0:16:41.920
<v Speaker 4>I'm not quoting, but it's like for the first time,

0:16:42.000 --> 0:16:44.040
<v Speaker 4>someone like Kelsey, and I'm sure someone like you who's

0:16:44.080 --> 0:16:47.000
<v Speaker 4>just been a songwriter, you know, assisting people write these

0:16:47.040 --> 0:16:49.880
<v Speaker 4>great songs, never really like stacking a ground in a

0:16:50.040 --> 0:16:58.040
<v Speaker 4>huge like movement in like expressing someone's deepest, darkest painful life.

0:16:57.920 --> 0:16:58.640
<v Speaker 2>Yea divorce.

0:16:58.800 --> 0:17:01.560
<v Speaker 4>You know, it's like airing all that, like you're the

0:17:01.760 --> 0:17:05.040
<v Speaker 4>partner for that, You've always just assisted in these other

0:17:05.119 --> 0:17:07.840
<v Speaker 4>songs that really don't come back to you, and then

0:17:07.880 --> 0:17:10.320
<v Speaker 4>the other ways not it's not risky, it's not risky.

0:17:10.520 --> 0:17:14.159
<v Speaker 4>This is risky business. But I feel though, like and

0:17:14.240 --> 0:17:16.600
<v Speaker 4>I feel like I'm actually entering this error a little

0:17:16.600 --> 0:17:19.800
<v Speaker 4>bit in my own life where I have forever wanted

0:17:19.800 --> 0:17:22.719
<v Speaker 4>everyone to like me. I wanted everyone to think I'm

0:17:22.800 --> 0:17:25.800
<v Speaker 4>great and lovely and like I'm a giant people pleaser,

0:17:25.840 --> 0:17:28.000
<v Speaker 4>and like if I do anything to offend anyone, I

0:17:28.000 --> 0:17:30.679
<v Speaker 4>immediately feel regret and remorse and I'm so sorry, and

0:17:30.720 --> 0:17:33.399
<v Speaker 4>I overtalk it and I'm like, can you still love me?

0:17:33.440 --> 0:17:33.720
<v Speaker 3>Somehow?

0:17:33.760 --> 0:17:37.080
<v Speaker 4>But it's like, there comes a point in time where

0:17:37.119 --> 0:17:41.000
<v Speaker 4>you make decisions to be open and creatively open and

0:17:41.040 --> 0:17:44.199
<v Speaker 4>express yourself, and it's like people may not like it,

0:17:44.720 --> 0:17:45.159
<v Speaker 4>and they.

0:17:45.040 --> 0:17:48.959
<v Speaker 2>May judge you, and part of that is actually liberating.

0:17:49.040 --> 0:17:50.320
<v Speaker 2>Though when you've.

0:17:50.119 --> 0:17:53.399
<v Speaker 4>Gone so far into that that it's like, well, I

0:17:53.400 --> 0:17:53.960
<v Speaker 4>guess I don't have.

0:17:53.920 --> 0:17:55.240
<v Speaker 2>To worry about everyone liking me anymore.

0:17:56.000 --> 0:17:56.440
<v Speaker 3>Thank god.

0:17:57.359 --> 0:17:58.520
<v Speaker 2>Was that kind of a relief.

0:17:59.400 --> 0:18:02.080
<v Speaker 5>But also in actually had this was very similar to

0:18:02.160 --> 0:18:04.280
<v Speaker 5>your stories. She's always been like a people played here.

0:18:04.440 --> 0:18:06.320
<v Speaker 2>I feel that in her music too in the past,

0:18:06.440 --> 0:18:07.480
<v Speaker 2>even the way she looked.

0:18:07.480 --> 0:18:11.119
<v Speaker 4>She's so beautiful and blonde and bubbly and sparkly, and

0:18:11.440 --> 0:18:12.639
<v Speaker 4>you know, and then all of a sudden, she's like

0:18:12.680 --> 0:18:15.800
<v Speaker 4>hitting us with some depth and some pain and like

0:18:15.880 --> 0:18:17.119
<v Speaker 4>I'm going to bury.

0:18:17.480 --> 0:18:18.720
<v Speaker 2>I'll be there with you to bury the body.

0:18:18.720 --> 0:18:20.120
<v Speaker 4>I know that was from the past album or whatever,

0:18:20.119 --> 0:18:24.280
<v Speaker 4>But like, yeah, it's a lot.

0:18:24.240 --> 0:18:26.440
<v Speaker 3>There's a lot, but it's it's awesome to watch.

0:18:26.640 --> 0:18:29.960
<v Speaker 2>So this is your first album to produce, well for.

0:18:30.040 --> 0:18:31.040
<v Speaker 3>Like an entire project.

0:18:31.119 --> 0:18:35.520
<v Speaker 4>Yeah, and everybody's got an opinion and they're scared of it.

0:18:35.600 --> 0:18:36.159
<v Speaker 2>They're scared.

0:18:36.280 --> 0:18:39.280
<v Speaker 5>Yeah people, I mean, I think people like the music.

0:18:39.320 --> 0:18:44.280
<v Speaker 5>But then yeah, yeah, there's just a lot of different shades.

0:18:45.119 --> 0:18:48.480
<v Speaker 4>That's probably why this one means ultimately maybe means so

0:18:48.560 --> 0:18:51.200
<v Speaker 4>much to you and a Kelsey tell me if I'm wrong,

0:18:51.240 --> 0:18:54.719
<v Speaker 4>because the fans took this one. Yeah, it wasn't like

0:18:54.760 --> 0:18:57.719
<v Speaker 4>the industry was making this happen. Sure, it's like the

0:18:57.800 --> 0:18:59.520
<v Speaker 4>fans made this happen, right, true.

0:18:59.600 --> 0:19:03.400
<v Speaker 5>Yeah, I mean none of those songs are on the radio, right,

0:19:03.440 --> 0:19:04.120
<v Speaker 5>not a single one.

0:19:04.200 --> 0:19:05.440
<v Speaker 2>None of these songs have been on the radio.

0:19:05.480 --> 0:19:07.240
<v Speaker 4>But this album's blown up and was nominated for Album

0:19:07.320 --> 0:19:09.080
<v Speaker 4>of the Year as well because of the fans. Yeah,

0:19:09.800 --> 0:19:11.080
<v Speaker 4>so what do you learn from what do you take

0:19:11.080 --> 0:19:13.760
<v Speaker 4>away from all that? Because, let mean, you got the anxiety, you.

0:19:13.640 --> 0:19:15.680
<v Speaker 2>Know, yeah, because it's anxiety. Got the anxiety.

0:19:15.760 --> 0:19:18.359
<v Speaker 4>Yeah, but what do you take away from this, like

0:19:18.840 --> 0:19:23.520
<v Speaker 4>doing a deeply personal album, not trying to please anybody,

0:19:24.040 --> 0:19:25.760
<v Speaker 4>but get the art out correctly.

0:19:25.359 --> 0:19:27.000
<v Speaker 3>I think. I mean that's I want to do more

0:19:27.000 --> 0:19:27.840
<v Speaker 3>of it really.

0:19:27.960 --> 0:19:29.359
<v Speaker 2>Yeah, so now you're like, okay, got.

0:19:29.200 --> 0:19:30.400
<v Speaker 3>To double down.

0:19:30.480 --> 0:19:33.080
<v Speaker 5>Yeah, got through the anxious part. And now it's like,

0:19:33.800 --> 0:19:35.800
<v Speaker 5>I mean, what's the point if you're not doing that?

0:19:36.040 --> 0:19:38.359
<v Speaker 5>I mean, obviously you always want to write something that

0:19:38.400 --> 0:19:40.719
<v Speaker 5>everyone would like and like feels good and it's just

0:19:40.760 --> 0:19:44.280
<v Speaker 5>like whatever. But like that is art, That is music,

0:19:44.520 --> 0:19:46.240
<v Speaker 5>and we forget about it a lot when we're like

0:19:46.320 --> 0:19:49.639
<v Speaker 5>forced into this. We're not forced. We willingly are a part.

0:19:49.480 --> 0:19:52.560
<v Speaker 2>Of this whenever the game. There's a game to play, of.

0:19:52.560 --> 0:19:54.359
<v Speaker 5>Course, and everyone wants to make money. Everyone wants to

0:19:54.440 --> 0:19:57.520
<v Speaker 5>song on the radio, which is fair. Yeah, you know, yeah,

0:19:57.520 --> 0:19:58.200
<v Speaker 5>how to eat.

0:19:58.160 --> 0:20:00.000
<v Speaker 2>So when you go rogue, it's a little scary.

0:20:00.119 --> 0:20:04.200
<v Speaker 5>Yeah, but I mean I think it's it was rare,

0:20:04.320 --> 0:20:07.040
<v Speaker 5>so I think people that's why it was shocking. It's

0:20:07.040 --> 0:20:08.760
<v Speaker 5>because like, oh, like I haven't heard that, and I

0:20:08.760 --> 0:20:10.399
<v Speaker 5>haven't heard that before bold.

0:20:10.560 --> 0:20:13.719
<v Speaker 2>Yeah, yeah, it's so rare, and honestly, it sets you

0:20:13.840 --> 0:20:17.120
<v Speaker 2>up as this producer who's like someone who will go there,

0:20:17.400 --> 0:20:20.600
<v Speaker 2>which is so cool because yes, you can play the game.

0:20:20.640 --> 0:20:22.159
<v Speaker 4>You've had all these cuts which I want to dive

0:20:22.200 --> 0:20:23.840
<v Speaker 4>into some of these deep these songs that you have

0:20:23.880 --> 0:20:25.359
<v Speaker 4>because you have so many hit songs that are awesome.

0:20:25.359 --> 0:20:28.040
<v Speaker 4>But like, you have all these hit songs. But it's like, also,

0:20:28.119 --> 0:20:30.520
<v Speaker 4>you're gonna go Yeah, that's cool.

0:20:30.640 --> 0:20:32.920
<v Speaker 3>I love I love that. I love that. I mean

0:20:32.920 --> 0:20:33.760
<v Speaker 3>that's yeah.

0:20:33.960 --> 0:20:36.919
<v Speaker 4>Yeah, you're a female, a female producer who will go

0:20:37.200 --> 0:20:38.040
<v Speaker 4>deep into the world.

0:20:38.280 --> 0:20:40.320
<v Speaker 2>You know, like how many female producers are out there?

0:20:40.720 --> 0:20:41.480
<v Speaker 3>I mean, are you it?

0:20:42.000 --> 0:20:42.080
<v Speaker 2>No?

0:20:42.359 --> 0:20:45.080
<v Speaker 3>But are you're the only ones? Small? The ratio convertive

0:20:45.119 --> 0:20:48.119
<v Speaker 3>dudes is like it's crazy, yeah.

0:20:47.600 --> 0:20:49.399
<v Speaker 5>But I mean it is cool that to think of

0:20:49.440 --> 0:20:51.199
<v Speaker 5>other women like seeing this and being like, oh, I

0:20:51.200 --> 0:20:52.119
<v Speaker 5>can do that, you know.

0:21:00.640 --> 0:21:01.960
<v Speaker 2>Captain Morgan has a question.

0:21:02.119 --> 0:21:04.359
<v Speaker 6>I have a question that just came up listening to

0:21:04.440 --> 0:21:07.520
<v Speaker 6>you speak at least about it being more rare to

0:21:07.560 --> 0:21:10.560
<v Speaker 6>be a female producer. What advice would you give to

0:21:10.800 --> 0:21:13.760
<v Speaker 6>maybe some Bellmont students or just girls out there listening

0:21:13.800 --> 0:21:17.000
<v Speaker 6>to this episode right now on how to get their start.

0:21:17.920 --> 0:21:20.920
<v Speaker 5>I would say, just pretend like you're no different and

0:21:21.000 --> 0:21:23.480
<v Speaker 5>just keep your head down and do it, because that's

0:21:23.520 --> 0:21:23.920
<v Speaker 5>what I did.

0:21:24.040 --> 0:21:24.639
<v Speaker 3>I just didn't.

0:21:25.400 --> 0:21:27.280
<v Speaker 5>I mean at Belmont, I was just kind of like

0:21:27.320 --> 0:21:29.280
<v Speaker 5>I didn't really I wouldn't recommend this to people, but

0:21:29.320 --> 0:21:31.400
<v Speaker 5>like I didn't really like make friends or like try

0:21:31.440 --> 0:21:33.520
<v Speaker 5>to do the social thing. I was just like very

0:21:34.320 --> 0:21:36.360
<v Speaker 5>I just moved to Nashville. I have to like get

0:21:36.400 --> 0:21:38.320
<v Speaker 5>to it and I have to get better like whatever.

0:21:38.440 --> 0:21:41.520
<v Speaker 5>It was very like laser focused. But yeah, I would

0:21:41.560 --> 0:21:45.920
<v Speaker 5>say make relationships and be a good energy. I think

0:21:45.920 --> 0:21:49.760
<v Speaker 5>your energy is really important, more important than talent because

0:21:49.760 --> 0:21:51.360
<v Speaker 5>no one wants to do you think so. I think,

0:21:51.400 --> 0:21:56.639
<v Speaker 5>so work ethic and energy, Like there's a million talented people.

0:21:56.920 --> 0:22:01.960
<v Speaker 6>Yeah, but technically, what is the first step, thinking logical

0:22:02.040 --> 0:22:04.200
<v Speaker 6>steps someone should take to get their start.

0:22:05.359 --> 0:22:08.680
<v Speaker 3>Learn your craft, learn study.

0:22:09.640 --> 0:22:12.320
<v Speaker 5>If you're trying to be a producer, like learn your

0:22:12.400 --> 0:22:15.080
<v Speaker 5>daw if it's logic, pro tools, whatever you feel more

0:22:15.080 --> 0:22:19.280
<v Speaker 5>comfortable in, and be self sufficient, like if you want,

0:22:19.320 --> 0:22:21.480
<v Speaker 5>like make your own demos, you know, kind of learn

0:22:21.520 --> 0:22:22.719
<v Speaker 5>how to make your own vocals.

0:22:23.280 --> 0:22:24.680
<v Speaker 2>I kind of just be a badass in your.

0:22:24.640 --> 0:22:26.600
<v Speaker 3>Own right, Yeah, I just kind of don't be dependent

0:22:26.640 --> 0:22:29.679
<v Speaker 3>on anyone else. Go to YouTube. Learn Like you can

0:22:29.760 --> 0:22:31.520
<v Speaker 3>learn every everything on YouTube.

0:22:31.640 --> 0:22:34.120
<v Speaker 2>So like learn everything. Learn if you want.

0:22:34.280 --> 0:22:35.440
<v Speaker 4>Yeah, if you want to be the if you want

0:22:35.440 --> 0:22:36.879
<v Speaker 4>to be the best, like learn it. Just learn how

0:22:36.880 --> 0:22:37.640
<v Speaker 4>to be self sufficient.

0:22:37.840 --> 0:22:39.639
<v Speaker 5>Self sufficiency is cool because then you don't have to

0:22:39.680 --> 0:22:41.879
<v Speaker 5>depend on a producer to be like I need this,

0:22:42.080 --> 0:22:43.600
<v Speaker 5>I need this mix like no one's sending it to me,

0:22:44.119 --> 0:22:46.080
<v Speaker 5>or like I need my vocals to sound a certain

0:22:46.119 --> 0:22:47.040
<v Speaker 5>way and they're not doing it.

0:22:47.560 --> 0:22:50.080
<v Speaker 3>If you figure it out, you can you have all

0:22:50.160 --> 0:22:50.560
<v Speaker 3>the control.

0:22:50.640 --> 0:22:53.000
<v Speaker 4>And then also you can the song in your head

0:22:53.040 --> 0:22:56.000
<v Speaker 4>you can actually get out instead of having to try

0:22:56.040 --> 0:22:57.760
<v Speaker 4>to explain to someone I want to sound like this

0:22:57.840 --> 0:22:58.720
<v Speaker 4>and like this, and like.

0:22:58.640 --> 0:23:02.080
<v Speaker 2>You use examples. It's like you actually hear the song.

0:23:01.960 --> 0:23:04.000
<v Speaker 4>In your head and you have all the capability to

0:23:04.040 --> 0:23:06.480
<v Speaker 4>get it into a song form that has to be

0:23:06.600 --> 0:23:07.480
<v Speaker 4>very free liberty.

0:23:07.560 --> 0:23:08.760
<v Speaker 5>Yeah, and you don't have to be like a master

0:23:08.840 --> 0:23:12.120
<v Speaker 5>product production wizard. Like so many songs that are amazing

0:23:12.160 --> 0:23:14.200
<v Speaker 5>and that are hitting are just like guitar vocal kind

0:23:14.200 --> 0:23:16.280
<v Speaker 5>of things, Like it's more sparse. I think more sparse

0:23:16.359 --> 0:23:17.879
<v Speaker 5>is really popular right now anyways.

0:23:18.240 --> 0:23:20.240
<v Speaker 6>But the advice you're giving right now, I feel like,

0:23:20.359 --> 0:23:23.200
<v Speaker 6>is the advice I give people on my side of things.

0:23:23.280 --> 0:23:26.119
<v Speaker 6>It's really good to be a Swiss army knife if

0:23:26.160 --> 0:23:28.600
<v Speaker 6>you can and just put that effort in. Like you said,

0:23:28.640 --> 0:23:31.120
<v Speaker 6>you can learn so much really about anything these days

0:23:31.160 --> 0:23:35.320
<v Speaker 6>on YouTube, TikTok all the places, and if you come

0:23:35.359 --> 0:23:38.520
<v Speaker 6>in with that skill set to any industry absolutely.

0:23:38.600 --> 0:23:40.480
<v Speaker 5>I mean that's kind of why I started producing, because

0:23:40.520 --> 0:23:42.919
<v Speaker 5>I was always a songwriter. And then I graduated from

0:23:42.960 --> 0:23:44.840
<v Speaker 5>Belmont and I was like, Okay, I really want a

0:23:44.840 --> 0:23:48.040
<v Speaker 5>pub deal. I was working at this restaurant called Marche.

0:23:48.320 --> 0:23:49.840
<v Speaker 3>I love Marchay so good.

0:23:49.920 --> 0:23:52.760
<v Speaker 2>It is Nashville. It's gone though, right gone. Yeah, they're great.

0:23:52.640 --> 0:23:55.159
<v Speaker 3>Crapes, so good. Oh my god, Like nobody.

0:23:54.920 --> 0:23:57.080
<v Speaker 2>Has crape, don't they didn't they have the crapes?

0:23:57.800 --> 0:24:00.680
<v Speaker 3>The place ruled it did. I was the barista there

0:24:00.720 --> 0:24:03.040
<v Speaker 3>for like the whole time I was at Belmont.

0:24:03.080 --> 0:24:05.200
<v Speaker 2>But so cool. You see, You're just cool. You're just

0:24:05.240 --> 0:24:06.960
<v Speaker 2>one of those cool people. Of course you were like

0:24:06.960 --> 0:24:09.239
<v Speaker 2>the barista Marshe.

0:24:09.560 --> 0:24:10.560
<v Speaker 3>Well that's a cool job.

0:24:10.800 --> 0:24:13.359
<v Speaker 2>Yeah, that is cool. It's like the cool restaurant and

0:24:13.440 --> 0:24:14.280
<v Speaker 2>like you're making all these.

0:24:14.119 --> 0:24:18.360
<v Speaker 4>Cool copy crazy yeah yeah.

0:24:18.160 --> 0:24:20.080
<v Speaker 5>But yeah, that was my motivation to get out of

0:24:20.119 --> 0:24:22.120
<v Speaker 5>the restaurant industry and like actually get a pub deal.

0:24:22.240 --> 0:24:24.040
<v Speaker 3>So that's why I learned production.

0:24:24.200 --> 0:24:26.680
<v Speaker 4>Okay, because you're like, yes, it's cool being at Marche

0:24:26.800 --> 0:24:29.400
<v Speaker 4>and being ASA, but like this is why I'm here.

0:24:29.520 --> 0:24:31.320
<v Speaker 5>Yeah, And I knew I wasn't an artist. I wasn't

0:24:31.359 --> 0:24:34.480
<v Speaker 5>like a comfortable with my singing. So I just wanted

0:24:34.520 --> 0:24:36.600
<v Speaker 5>to figure out how to get myself an edge up

0:24:36.720 --> 0:24:39.600
<v Speaker 5>to get a you know ya signed songwriter.

0:24:39.720 --> 0:24:40.840
<v Speaker 2>How'd you get a publishing though?

0:24:41.200 --> 0:24:43.840
<v Speaker 3>So I started just learning logic.

0:24:44.280 --> 0:24:46.040
<v Speaker 5>I kind of like locked myself in my room for

0:24:46.080 --> 0:24:48.720
<v Speaker 5>five months and had a plan to like have like

0:24:48.720 --> 0:24:51.120
<v Speaker 5>a handful of demos that I'd written and then also

0:24:51.160 --> 0:24:54.600
<v Speaker 5>did the demos for So that's what I did. And

0:24:54.640 --> 0:24:57.199
<v Speaker 5>then my mentor and the first guy that signed me,

0:24:57.720 --> 0:24:58.439
<v Speaker 5>Jesse Fraser.

0:24:58.880 --> 0:25:00.639
<v Speaker 4>Jesse Fraser is the reason I got started on the

0:25:00.680 --> 0:25:04.160
<v Speaker 4>music industry too. He was my first internship, Jesse Fraser.

0:25:04.280 --> 0:25:06.560
<v Speaker 4>He's like the Kevin b Jesse Is he like the

0:25:06.600 --> 0:25:08.679
<v Speaker 4>Kevin Bacon of music Rail everyone has a connection to

0:25:08.840 --> 0:25:12.520
<v Speaker 4>Just Fraser, I would say, ye, Jesse Fraser, So he

0:25:12.640 --> 0:25:13.120
<v Speaker 4>was your first.

0:25:13.240 --> 0:25:15.160
<v Speaker 5>He signed me to my first deal and then signed

0:25:15.160 --> 0:25:17.119
<v Speaker 5>me to my second dual and his publishing company, so

0:25:17.200 --> 0:25:18.920
<v Speaker 5>it was it was called Major Bob.

0:25:18.800 --> 0:25:22.840
<v Speaker 2>Major Bob. Yeah, George straight George, Garth Brooks S, Garth Brooks,

0:25:23.000 --> 0:25:26.119
<v Speaker 2>Garth Brooks, Yes, George and Garth Brooks me.

0:25:26.680 --> 0:25:28.560
<v Speaker 3>You know, I'm just kidding, but yeah.

0:25:28.560 --> 0:25:30.160
<v Speaker 5>He signed me because he had heard like some shit

0:25:30.240 --> 0:25:31.800
<v Speaker 5>that I had done, and he was like that's cool.

0:25:31.880 --> 0:25:34.680
<v Speaker 5>And then he had emailed me, cold email me, and I.

0:25:34.640 --> 0:25:36.480
<v Speaker 2>Was like, cold emailed you or I had sent it?

0:25:36.520 --> 0:25:37.520
<v Speaker 3>Sorry, I had sent them.

0:25:37.520 --> 0:25:39.720
<v Speaker 5>And he replied like a month later, a week later

0:25:39.760 --> 0:25:41.560
<v Speaker 5>to the songs, was like, hey, these are cool, like

0:25:41.640 --> 0:25:42.680
<v Speaker 5>want to come by the office.

0:25:42.760 --> 0:25:44.320
<v Speaker 2>And how many years ago is this?

0:25:44.320 --> 0:25:47.440
<v Speaker 5>This was twenty fifteen, Okay, okay, like six months after

0:25:47.480 --> 0:25:51.159
<v Speaker 5>I graduated, okay, okay, and then yeah, and then he

0:25:51.280 --> 0:25:52.359
<v Speaker 5>just like offered me a deal on the spot, and

0:25:52.359 --> 0:25:52.560
<v Speaker 5>I was like.

0:25:52.560 --> 0:25:56.840
<v Speaker 2>Are you kidding me. Go, Yeah, so you had just

0:25:56.960 --> 0:25:59.639
<v Speaker 2>moved to town. So you go to publishing jil very quickly.

0:26:00.560 --> 0:26:02.560
<v Speaker 3>How well, I was in Belmont, So I was. I

0:26:02.600 --> 0:26:03.880
<v Speaker 3>was in town for like two and a half years.

0:26:04.000 --> 0:26:06.240
<v Speaker 2>Okay, So you didn't do your full college at Belmont.

0:26:06.240 --> 0:26:06.639
<v Speaker 2>You transferred?

0:26:06.720 --> 0:26:08.000
<v Speaker 5>Yeah, I transferred, so I was going to school in

0:26:08.000 --> 0:26:10.680
<v Speaker 5>Seattle at the time. It was tough to leave because

0:26:10.680 --> 0:26:11.560
<v Speaker 5>I loved it. It was so fun.

0:26:12.680 --> 0:26:13.480
<v Speaker 3>Yeah.

0:26:13.680 --> 0:26:16.080
<v Speaker 2>I mean your family is doing it right the Bay,

0:26:16.359 --> 0:26:17.480
<v Speaker 2>then they're in Portland.

0:26:17.760 --> 0:26:20.399
<v Speaker 4>Canada is the greatest. I mean, Canada is like I

0:26:20.400 --> 0:26:23.240
<v Speaker 4>feel like heaven on Earth. Yeah, so beautiful, clean.

0:26:24.040 --> 0:26:25.960
<v Speaker 2>Yeah, you're hitting all the good spots.

0:26:25.960 --> 0:26:27.159
<v Speaker 4>Okay, so you think you would to stay out of it.

0:26:27.200 --> 0:26:29.520
<v Speaker 4>Now you got a publishing deal. So did you write

0:26:29.560 --> 0:26:32.080
<v Speaker 4>with Jesse a lot? When did these cuts start rolling in?

0:26:32.119 --> 0:26:33.879
<v Speaker 4>Because you've had a lot of cuts, Like you got

0:26:33.880 --> 0:26:36.800
<v Speaker 4>Blake Shelton. You got wait, what was the Blake Shelton?

0:26:36.800 --> 0:26:39.200
<v Speaker 4>Now I don't Florida Georgia line. You got a couple

0:26:39.200 --> 0:26:42.200
<v Speaker 4>of Florida Georgia line, right, and then you have cold

0:26:42.200 --> 0:26:44.560
<v Speaker 4>beer call. My name is Luke Calms. Lose somebody one Republic?

0:26:44.560 --> 0:26:46.400
<v Speaker 4>How does one to republic get your songs. So where

0:26:46.440 --> 0:26:48.400
<v Speaker 4>did these songs come from? How did the hits start rolling?

0:26:48.440 --> 0:26:48.880
<v Speaker 3>Oh? Those?

0:26:49.280 --> 0:26:51.359
<v Speaker 5>So that was like my first four years of my

0:26:51.400 --> 0:26:53.320
<v Speaker 5>first publishing deal about Major Bob, A lot of those

0:26:53.320 --> 0:26:54.320
<v Speaker 5>country cuts were happening.

0:26:54.560 --> 0:26:56.520
<v Speaker 2>So you got a lot of cuts the first publishing.

0:26:56.240 --> 0:26:58.199
<v Speaker 5>Well, I mean there was a few years where I

0:26:58.240 --> 0:27:00.520
<v Speaker 5>still was still learning and stuff, but like I would say,

0:27:00.560 --> 0:27:02.280
<v Speaker 5>it started hitting like probably two or three years into

0:27:02.320 --> 0:27:02.640
<v Speaker 5>my deal.

0:27:02.840 --> 0:27:05.120
<v Speaker 4>That's huge, the fact that you're getting outside cuts. It's

0:27:05.160 --> 0:27:06.080
<v Speaker 4>so hard to get a cut.

0:27:06.720 --> 0:27:07.840
<v Speaker 2>Yeah, it was your first one.

0:27:08.880 --> 0:27:13.480
<v Speaker 3>Oh that's a great question. But I remember my first

0:27:13.720 --> 0:27:14.320
<v Speaker 3>single was.

0:27:14.359 --> 0:27:16.480
<v Speaker 2>Talk You Out of It by fgl And how did

0:27:16.480 --> 0:27:16.720
<v Speaker 2>that go?

0:27:16.840 --> 0:27:18.879
<v Speaker 5>That was so fun? I was like so stoked. Tyler

0:27:19.119 --> 0:27:21.320
<v Speaker 5>called me to tell me personally. I was like, Tyler,

0:27:21.359 --> 0:27:22.000
<v Speaker 5>you're so sweet.

0:27:22.080 --> 0:27:23.480
<v Speaker 2>Did you write it with them or did they cut

0:27:23.480 --> 0:27:23.840
<v Speaker 2>your song?

0:27:24.080 --> 0:27:24.159
<v Speaker 6>No?

0:27:24.520 --> 0:27:29.480
<v Speaker 5>We it was like Hardy James, Hardy, Jamison Rogers, Hunter

0:27:29.480 --> 0:27:31.320
<v Speaker 5>Phelps and I like wrote together all the time.

0:27:31.359 --> 0:27:33.399
<v Speaker 2>And that was before Hardy was Hardy was Hardy.

0:27:33.400 --> 0:27:36.840
<v Speaker 5>Before yeah, before anything. Okay, we're all just writers.

0:27:37.119 --> 0:27:39.199
<v Speaker 4>All y'all were just writers and you pitched it so

0:27:39.359 --> 0:27:41.600
<v Speaker 4>like for everyone listening like there's no.

0:27:41.760 --> 0:27:43.359
<v Speaker 3>I remember we asked Ashley to come in on that

0:27:43.359 --> 0:27:44.560
<v Speaker 3>session when he couldn't come.

0:27:44.600 --> 0:27:47.800
<v Speaker 2>So actually, as well, who's to say you would have

0:27:47.840 --> 0:27:48.440
<v Speaker 2>gotten that song?

0:27:48.520 --> 0:27:50.880
<v Speaker 3>Well he still he still got publishing on that, okay.

0:27:52.840 --> 0:27:55.760
<v Speaker 4>But but for everyone listening though, when you're a songwriter

0:27:55.840 --> 0:27:58.200
<v Speaker 4>and you write a song that isn't with an artist

0:27:58.200 --> 0:28:00.240
<v Speaker 4>in the room, even though Hardy was an artist, but

0:28:00.240 --> 0:28:02.119
<v Speaker 4>I guess he wasn't an artist, then it's like to

0:28:02.160 --> 0:28:04.600
<v Speaker 4>get the song to an artist and have them actually

0:28:04.640 --> 0:28:06.880
<v Speaker 4>cut it, put it on their album, and then put

0:28:06.880 --> 0:28:07.679
<v Speaker 4>it out as a single.

0:28:07.840 --> 0:28:08.800
<v Speaker 3>It's like winning the lottery.

0:28:08.880 --> 0:28:11.200
<v Speaker 2>It is like winning the lottery. It is so hard.

0:28:11.400 --> 0:28:13.560
<v Speaker 3>It's crazy because yeah, yeah, it's insane.

0:28:13.240 --> 0:28:16.280
<v Speaker 4>Because most artists want to co write their songs, and

0:28:16.359 --> 0:28:18.399
<v Speaker 4>if they don't, then they have like a lot of

0:28:18.640 --> 0:28:21.520
<v Speaker 4>certain writers that they listen to that they you know

0:28:21.640 --> 0:28:23.439
<v Speaker 4>that they only really kind of like they trust this

0:28:23.480 --> 0:28:26.120
<v Speaker 4>person's writing stuff fits for them. So it's just hard

0:28:26.119 --> 0:28:27.000
<v Speaker 4>to get one in there, it is.

0:28:27.040 --> 0:28:28.600
<v Speaker 5>And then if you don't have a relationship with the artists,

0:28:28.600 --> 0:28:30.439
<v Speaker 5>you have to go through the an r like whatever

0:28:30.480 --> 0:28:31.200
<v Speaker 5>manager and they.

0:28:31.160 --> 0:28:33.360
<v Speaker 2>Used to say they'll hear it. Yeah, exactly, So many

0:28:33.400 --> 0:28:35.399
<v Speaker 2>gate keepers exactly. So how'd you get into FGL.

0:28:35.480 --> 0:28:37.640
<v Speaker 5>I just texted it to Tyler because he had been

0:28:37.680 --> 0:28:39.560
<v Speaker 5>inviting me out to on the Tree Vibes bus.

0:28:40.000 --> 0:28:40.880
<v Speaker 3>You remember what that was?

0:28:40.880 --> 0:28:43.560
<v Speaker 2>Oh yeah, yeah, did you take some trips on the tree?

0:28:43.920 --> 0:28:45.320
<v Speaker 5>I mean that was like how a lot of writers

0:28:45.320 --> 0:28:47.240
<v Speaker 5>got their first like kind of like juice, you know.

0:28:47.280 --> 0:28:47.720
<v Speaker 2>From the tree.

0:28:47.760 --> 0:28:48.280
<v Speaker 3>Was so fun.

0:28:48.360 --> 0:28:50.120
<v Speaker 5>Yeah, what happened on the Tree bus? I mean you

0:28:50.160 --> 0:28:53.000
<v Speaker 5>just wrote a bunch of songs. It was really fun,

0:28:53.040 --> 0:28:54.840
<v Speaker 5>and we got to see like FGL shows every night

0:28:54.880 --> 0:28:57.640
<v Speaker 5>which were just like filled with hits energy was awesome.

0:28:57.920 --> 0:29:00.880
<v Speaker 2>Yeah. So Tree Vibes is fgl's publishing, Yes, but not

0:29:01.000 --> 0:29:01.480
<v Speaker 2>no longer.

0:29:01.520 --> 0:29:03.560
<v Speaker 5>But yeah, they would have a bus that would be

0:29:03.600 --> 0:29:06.440
<v Speaker 5>that is designated to writing, and so they would invite

0:29:06.480 --> 0:29:08.800
<v Speaker 5>like writers, young writers out to write with the boys.

0:29:09.520 --> 0:29:11.560
<v Speaker 5>And there would also be like openers, so like we'd

0:29:11.560 --> 0:29:13.800
<v Speaker 5>write with whoever's like Chris Lane or whoever would be opening.

0:29:14.120 --> 0:29:14.640
<v Speaker 2>So fun.

0:29:14.760 --> 0:29:17.680
<v Speaker 3>Yeah, oh my, I went on a few of those trips.

0:29:17.760 --> 0:29:18.360
<v Speaker 3>It was really fun.

0:29:18.520 --> 0:29:20.640
<v Speaker 2>Okay, so you became friends with FGL.

0:29:20.720 --> 0:29:22.800
<v Speaker 5>Yeah, So we developed a relationship through that, and so

0:29:22.840 --> 0:29:24.000
<v Speaker 5>then when we wrote that song, I was just like

0:29:24.000 --> 0:29:25.400
<v Speaker 5>I'm just gonna text it to him because it's that

0:29:25.480 --> 0:29:29.239
<v Speaker 5>nerve wrecking sometimes. But like, as long as you know

0:29:29.280 --> 0:29:30.840
<v Speaker 5>what you're as long as you are confident in the

0:29:30.880 --> 0:29:32.440
<v Speaker 5>song that you're pitching, I think it's fine.

0:29:32.600 --> 0:29:34.320
<v Speaker 2>I know, because there's always that line of like, oh,

0:29:34.360 --> 0:29:36.080
<v Speaker 2>am I crossing a line? Are we friends?

0:29:36.400 --> 0:29:38.040
<v Speaker 4>Am I supposed to just only be a friend and not?

0:29:38.240 --> 0:29:40.320
<v Speaker 4>But you're also like you're a songwriter.

0:29:40.360 --> 0:29:43.920
<v Speaker 3>I mean, he's yeah, we're more like coworkers and friends.

0:29:44.040 --> 0:29:45.920
<v Speaker 4>Yeah, so when you have something, it's like, okay, let

0:29:45.920 --> 0:29:47.240
<v Speaker 4>me text it to you, and you don't abuse it.

0:29:47.280 --> 0:29:48.960
<v Speaker 2>You know, if it's like gonna be.

0:29:49.040 --> 0:29:50.719
<v Speaker 5>If you're confident in it, send it. Yeah, as long

0:29:50.760 --> 0:29:51.920
<v Speaker 5>as you're not like blowing them up.

0:29:52.000 --> 0:29:52.200
<v Speaker 2>Yeah.

0:29:52.280 --> 0:29:53.000
<v Speaker 3>Yeah.

0:29:53.200 --> 0:29:54.840
<v Speaker 5>So he and he happened to like it and he

0:29:54.920 --> 0:29:56.520
<v Speaker 5>was like, awesome, let me play it for BK. And

0:29:56.560 --> 0:29:59.280
<v Speaker 5>then I was actually friends with their photographer or I

0:29:59.320 --> 0:30:02.120
<v Speaker 5>was roomates Woul their photographer at the time, so like

0:30:02.360 --> 0:30:04.120
<v Speaker 5>he was also like talking to them about me, which

0:30:04.160 --> 0:30:06.960
<v Speaker 5>was which was cute. And then so then I just

0:30:07.040 --> 0:30:09.680
<v Speaker 5>got a call from Justin who was the photographer at

0:30:09.680 --> 0:30:11.280
<v Speaker 5>the time, and he was like, hey, like someone wants

0:30:11.280 --> 0:30:12.520
<v Speaker 5>to talk to you and it was like it was

0:30:12.520 --> 0:30:14.200
<v Speaker 5>like at like nine a pm on like a weeknight.

0:30:14.280 --> 0:30:15.640
<v Speaker 5>I was like, Oh, he's definitely on the road. It's

0:30:15.640 --> 0:30:18.080
<v Speaker 5>probably Tyler. I was like, oh my god, was it?

0:30:18.160 --> 0:30:18.320
<v Speaker 6>Yeah?

0:30:18.360 --> 0:30:18.600
<v Speaker 3>It was?

0:30:18.640 --> 0:30:20.160
<v Speaker 5>And what Tyler was like, Hey, I just want to

0:30:20.200 --> 0:30:21.840
<v Speaker 5>let you know, like you like talking out of this

0:30:22.000 --> 0:30:22.880
<v Speaker 5>new FGL single.

0:30:23.040 --> 0:30:25.480
<v Speaker 2>I was like, oh my god, So your first cut

0:30:25.680 --> 0:30:26.560
<v Speaker 2>was the FGL single.

0:30:26.560 --> 0:30:28.520
<v Speaker 3>It was my first. I had cuts before that, but

0:30:28.680 --> 0:30:30.440
<v Speaker 3>it was my first. Like, oh god, I can like

0:30:30.480 --> 0:30:31.440
<v Speaker 3>pay off my loans.

0:30:31.840 --> 0:30:34.680
<v Speaker 2>And was it? Do you see financial success from that?

0:30:34.720 --> 0:30:35.120
<v Speaker 3>For sure?

0:30:35.160 --> 0:30:37.520
<v Speaker 2>Was that like back before? Because like singles used to

0:30:37.560 --> 0:30:38.400
<v Speaker 2>like used to like a lot of.

0:30:38.320 --> 0:30:42.600
<v Speaker 3>Money mechanicals when actually sold. I mean I missed that

0:30:42.760 --> 0:30:43.560
<v Speaker 3>entire era of music.

0:30:43.560 --> 0:30:45.160
<v Speaker 4>Hey, I know when CD sold and you had a

0:30:45.200 --> 0:30:47.480
<v Speaker 4>cut on a CD, you could make tons of money.

0:30:47.280 --> 0:30:48.840
<v Speaker 3>Hunts, you could get an album cut and be set

0:30:48.880 --> 0:30:49.280
<v Speaker 3>for life.

0:30:49.360 --> 0:30:52.239
<v Speaker 2>Yeah, I mean insane. Yeah, what is it now when

0:30:52.320 --> 0:30:54.120
<v Speaker 2>you get a cut? What was it like back A couple.

0:30:53.880 --> 0:30:56.200
<v Speaker 3>Of thousand dollars? Back then you would probably make.

0:30:56.520 --> 0:30:59.280
<v Speaker 2>Wait wait did you say a couple thousand dollars on it?

0:30:59.320 --> 0:31:04.520
<v Speaker 3>If you have like a medium selling album cut, Yeah.

0:31:04.280 --> 0:31:07.240
<v Speaker 2>Well thousand dollars. That's just wrong.

0:31:07.440 --> 0:31:09.080
<v Speaker 3>Yeah, it's really messed up.

0:31:09.400 --> 0:31:11.880
<v Speaker 5>What if you get a single, I mean it depends

0:31:11.920 --> 0:31:14.200
<v Speaker 5>on the splits, but then you're in six figures.

0:31:14.440 --> 0:31:17.240
<v Speaker 2>Okay, that's nice. Yeah, but it probably used to be

0:31:17.280 --> 0:31:18.000
<v Speaker 2>like seven figures.

0:31:18.080 --> 0:31:20.520
<v Speaker 5>Yeah, I mean yeah, I feel like so much money.

0:31:20.520 --> 0:31:21.920
<v Speaker 5>I feel like an album cut was like a single.

0:31:22.200 --> 0:31:22.400
<v Speaker 6>Yeah.

0:31:22.800 --> 0:31:24.400
<v Speaker 3>Yeah, it's terms of money.

0:31:24.440 --> 0:31:26.600
<v Speaker 4>Right, like it's it's all gone back a step, like

0:31:26.960 --> 0:31:29.440
<v Speaker 4>an album cut would be probably like six figures and

0:31:29.440 --> 0:31:29.720
<v Speaker 4>then a.

0:31:29.720 --> 0:31:32.160
<v Speaker 2>Single million dollars million, yeah, but.

0:31:32.160 --> 0:31:34.320
<v Speaker 4>Now it's like you'll get a couple hundred thousand if

0:31:34.320 --> 0:31:35.560
<v Speaker 4>you have a single.

0:31:35.400 --> 0:31:37.200
<v Speaker 3>Exactly, which is why there's such a grind.

0:31:37.240 --> 0:31:39.120
<v Speaker 2>I mean such a grind because you can't call it.

0:31:39.200 --> 0:31:41.000
<v Speaker 3>You can't be like oh, and you can't be done.

0:31:41.080 --> 0:31:41.880
<v Speaker 2>You can't be done.

0:31:42.080 --> 0:31:43.720
<v Speaker 4>There's actually probably is there a whole new wave of

0:31:43.760 --> 0:31:45.480
<v Speaker 4>pressure once you get that first cut, because you're like,

0:31:45.480 --> 0:31:47.960
<v Speaker 4>now I gotta find yeah, I gotta catch myself.

0:31:48.080 --> 0:31:49.720
<v Speaker 5>Yeah, and then you have to think about which I

0:31:49.720 --> 0:31:51.280
<v Speaker 5>had never thought about this when I was coming up,

0:31:51.400 --> 0:31:53.520
<v Speaker 5>like a catalog sale, oh yeah, because like when I

0:31:53.520 --> 0:31:55.400
<v Speaker 5>first learned about catalog sales, I was like, oh, I

0:31:55.400 --> 0:31:57.240
<v Speaker 5>can make more money on the songs I already made

0:31:57.240 --> 0:31:57.600
<v Speaker 5>money on.

0:31:58.520 --> 0:31:59.800
<v Speaker 2>Well, now you're gonna have great catalog sale.

0:31:59.840 --> 0:32:01.960
<v Speaker 3>Yah. But like that's that was like blowing my mind.

0:32:02.000 --> 0:32:03.040
<v Speaker 3>I was like, I didn't think about that.

0:32:03.360 --> 0:32:05.320
<v Speaker 5>Yeah, but you want you want more of those hits

0:32:05.320 --> 0:32:07.200
<v Speaker 5>in there so you can have a bigger catalog number

0:32:07.240 --> 0:32:08.680
<v Speaker 5>when you sell right.

0:32:09.080 --> 0:32:11.680
<v Speaker 3>So but yeah, if you ever wanted to do that.

0:32:11.960 --> 0:32:13.880
<v Speaker 2>So where did Blake Shelton come from? And his cut?

0:32:13.960 --> 0:32:15.320
<v Speaker 2>And where and how did the Luke Holms cut?

0:32:15.400 --> 0:32:18.040
<v Speaker 5>I always wanted to Blake Shelk's like song that was

0:32:18.080 --> 0:32:20.320
<v Speaker 5>always like my because I would study his He was

0:32:20.360 --> 0:32:22.480
<v Speaker 5>like one of the artists that I would study his

0:32:22.520 --> 0:32:24.400
<v Speaker 5>songs like when I was at Oma, like studying how

0:32:24.400 --> 0:32:25.440
<v Speaker 5>to write a freaking country song?

0:32:25.800 --> 0:32:27.000
<v Speaker 3>Like you really didn't grow up on country?

0:32:27.040 --> 0:32:27.800
<v Speaker 2>What did you grow up on?

0:32:28.520 --> 0:32:29.920
<v Speaker 5>Like a lot of R and B and like Bob

0:32:29.960 --> 0:32:32.320
<v Speaker 5>Marley and Beatles and stuff, like a bunch of stuff

0:32:32.320 --> 0:32:33.360
<v Speaker 5>but not country.

0:32:33.520 --> 0:32:35.920
<v Speaker 2>Okay, Interesting that you knew you wanted to come write

0:32:35.920 --> 0:32:36.400
<v Speaker 2>country songs.

0:32:36.480 --> 0:32:37.760
<v Speaker 3>I mean I just wanted to write songs, okay.

0:32:37.800 --> 0:32:41.600
<v Speaker 5>And I think this was just like the easiest, Like, oh,

0:32:41.680 --> 0:32:43.000
<v Speaker 5>you want to go to la It.

0:32:43.000 --> 0:32:44.680
<v Speaker 3>Seems so intimidating to me at the time.

0:32:44.760 --> 0:32:48.200
<v Speaker 4>I get that, Yeah, totally okay, But okay, so you

0:32:48.240 --> 0:32:51.160
<v Speaker 4>studied Blake Shelton and he doesn't always even write all

0:32:51.160 --> 0:32:51.760
<v Speaker 4>his own songs.

0:32:51.760 --> 0:32:53.640
<v Speaker 3>No, he honestly barely writes. Yeah.

0:32:53.680 --> 0:32:55.280
<v Speaker 2>So he's a great picker, great picker.

0:32:55.400 --> 0:32:57.480
<v Speaker 3>Yeah yeah, great and ring there.

0:32:57.480 --> 0:32:59.320
<v Speaker 2>He So he knows his brand, he knows how he is.

0:32:59.360 --> 0:33:01.320
<v Speaker 2>What did you learn by setting Blake Children's song?

0:33:01.440 --> 0:33:05.680
<v Speaker 5>I mean, just how specific? Like what makes something right?

0:33:05.800 --> 0:33:08.040
<v Speaker 5>And like what lyric will make you feel something?

0:33:08.080 --> 0:33:08.520
<v Speaker 3>Honestly?

0:33:08.720 --> 0:33:10.200
<v Speaker 2>Okay, explain that a little more.

0:33:10.360 --> 0:33:13.280
<v Speaker 5>I mean, so, Jesse Alexander is like a songwriter that

0:33:13.400 --> 0:33:15.240
<v Speaker 5>I think is. I was actually thinking about this last

0:33:15.280 --> 0:33:17.840
<v Speaker 5>night when I was laying in bed. She's she's my

0:33:17.880 --> 0:33:19.040
<v Speaker 5>favorite songwriter.

0:33:18.800 --> 0:33:22.400
<v Speaker 2>Jesse Alexander. Yeah, tell me why I love her? I don't.

0:33:22.440 --> 0:33:23.479
<v Speaker 3>I can't put my finger on it.

0:33:23.600 --> 0:33:24.400
<v Speaker 2>She wrote The Climb.

0:33:24.480 --> 0:33:27.640
<v Speaker 3>She wrote the Climb, which is like so many best

0:33:27.640 --> 0:33:28.560
<v Speaker 3>songs of all times to me?

0:33:28.680 --> 0:33:29.520
<v Speaker 2>Like which other ones?

0:33:29.520 --> 0:33:31.680
<v Speaker 3>Sad? She write? She wrote, I can't even freaking mine?

0:33:31.680 --> 0:33:33.160
<v Speaker 3>Would be? You done it?

0:33:33.240 --> 0:33:33.400
<v Speaker 6>Oh?

0:33:33.440 --> 0:33:36.080
<v Speaker 3>Yeah? She wrote, don't think Jesus.

0:33:36.080 --> 0:33:38.400
<v Speaker 5>Morgan Wallan, she wrote The Way I Talk Morgan Wallen

0:33:38.760 --> 0:33:40.600
<v Speaker 5>like she writes songs that have so much heart but

0:33:40.640 --> 0:33:43.960
<v Speaker 5>are still so commercial, and like she's just she's literally

0:33:44.000 --> 0:33:44.280
<v Speaker 5>the best.

0:33:44.280 --> 0:33:45.280
<v Speaker 2>To me, it's a fine art.

0:33:45.280 --> 0:33:46.240
<v Speaker 3>That's a start.

0:33:46.760 --> 0:33:51.360
<v Speaker 5>Her melodies are magical, she's just like classic, she's just

0:33:51.600 --> 0:33:52.880
<v Speaker 5>I mean, I don't know.

0:33:53.400 --> 0:33:55.400
<v Speaker 4>She's married to John Randall, who's a huge producer. He

0:33:55.400 --> 0:33:57.280
<v Speaker 4>produced actually the latest Thousand Horses record.

0:33:57.920 --> 0:33:58.120
<v Speaker 2>Yeah.

0:33:58.320 --> 0:34:03.480
<v Speaker 4>So John Randall's a badass and he's done Parker McCollum,

0:34:03.520 --> 0:34:07.600
<v Speaker 4>Miranda Derk Spinley. So they're just like a freaking power

0:34:07.640 --> 0:34:10.080
<v Speaker 4>house musical family for sure. I can't even imagine what

0:34:10.120 --> 0:34:12.080
<v Speaker 4>goes on the high closed doors there. I know, you know,

0:34:12.200 --> 0:34:15.240
<v Speaker 4>they're just singing and making beautiful songs in the bathroom,

0:34:15.400 --> 0:34:15.560
<v Speaker 4>you know.

0:34:26.120 --> 0:34:29.000
<v Speaker 2>Okay, So what is it about?

0:34:29.040 --> 0:34:31.200
<v Speaker 4>How do you walk that line of having commercial success

0:34:31.239 --> 0:34:33.360
<v Speaker 4>but being super vulnerable and like having the hooks?

0:34:33.480 --> 0:34:35.520
<v Speaker 5>Yeah, I mean I think that's why you can't really

0:34:35.560 --> 0:34:37.880
<v Speaker 5>have a great country song without being a little bit

0:34:37.960 --> 0:34:39.280
<v Speaker 5>vulnerable sometimes.

0:34:39.360 --> 0:34:42.480
<v Speaker 2>Does it have to be a real message, No, it doesn't, as.

0:34:42.320 --> 0:34:44.759
<v Speaker 5>Long as it's a well written hook. I think, like

0:34:45.040 --> 0:34:46.760
<v Speaker 5>if you listen to like drink on It, for example,

0:34:46.840 --> 0:34:50.200
<v Speaker 5>we just talked about that, like it's just like it's

0:34:50.239 --> 0:34:51.279
<v Speaker 5>just the clever like.

0:34:51.440 --> 0:34:53.240
<v Speaker 2>Use of a hook, Like so tell me, let's.

0:34:53.120 --> 0:34:55.000
<v Speaker 3>Say on it. We could drink on it.

0:34:55.040 --> 0:34:57.799
<v Speaker 5>Like it's just like it just just they wrote it

0:34:57.840 --> 0:34:59.759
<v Speaker 5>to the wall, Like it's just a song about picking

0:34:59.800 --> 0:35:00.000
<v Speaker 5>a girl.

0:35:00.520 --> 0:35:03.400
<v Speaker 3>But it's just like so clever and like well done.

0:35:04.200 --> 0:35:06.359
<v Speaker 4>Is that hard from you too? Is that hard for

0:35:06.480 --> 0:35:10.840
<v Speaker 4>you to like switch from? Obviously all your songs are masterful,

0:35:10.880 --> 0:35:13.160
<v Speaker 4>but like you know, like Colber calling My Name is

0:35:13.160 --> 0:35:15.000
<v Speaker 4>more about drinking. But I mean, obviously you got some

0:35:15.320 --> 0:35:18.440
<v Speaker 4>mastership in that song. But like to go from writing

0:35:18.560 --> 0:35:22.879
<v Speaker 4>drinking songs to rolling up the milk welcome at for Good,

0:35:22.880 --> 0:35:25.200
<v Speaker 4>I mean that is a big leap.

0:35:25.320 --> 0:35:28.120
<v Speaker 5>It's cool, it's kind of like a little it's a

0:35:28.160 --> 0:35:30.320
<v Speaker 5>fun little challenge to like keep you on your toes.

0:35:30.400 --> 0:35:32.279
<v Speaker 3>Like, yeah, those are a different world.

0:35:32.280 --> 0:35:34.719
<v Speaker 2>Obviously they're different worlds. How do you switch from the world?

0:35:34.920 --> 0:35:35.879
<v Speaker 2>But what do you do?

0:35:35.960 --> 0:35:38.920
<v Speaker 4>How do you what is your little navigator brain do

0:35:39.080 --> 0:35:42.319
<v Speaker 4>when you just like know how to fit the artist

0:35:42.400 --> 0:35:42.879
<v Speaker 4>that you're with.

0:35:42.960 --> 0:35:44.760
<v Speaker 5>I would say, I guess and then just like follow

0:35:44.800 --> 0:35:48.120
<v Speaker 5>my instinct and and trust the people I'm writing with,

0:35:48.200 --> 0:35:50.480
<v Speaker 5>because like sometimes you just have to like get out

0:35:50.480 --> 0:35:53.879
<v Speaker 5>of the way, you know, and that's someone when someone

0:35:54.000 --> 0:35:55.719
<v Speaker 5>is caring. You're always going to be changing roles in

0:35:55.760 --> 0:35:57.759
<v Speaker 5>a writing room. Sometimes you're going to be more of

0:35:57.760 --> 0:36:00.680
<v Speaker 5>an editor. Sometimes you're going to be driving it. Sometimes

0:36:00.719 --> 0:36:04.839
<v Speaker 5>you're like sometimes it's really like everyone's just all in it.

0:36:04.800 --> 0:36:05.640
<v Speaker 2>Like all hands on board.

0:36:05.719 --> 0:36:07.680
<v Speaker 3>Yeah, so it can switch. So you just kind of

0:36:07.680 --> 0:36:07.960
<v Speaker 3>have to.

0:36:10.000 --> 0:36:12.480
<v Speaker 5>Like, yeah, I don't know, kind of settle into where

0:36:13.080 --> 0:36:15.840
<v Speaker 5>you have the most offer. And that's particular combination of

0:36:15.840 --> 0:36:16.200
<v Speaker 5>the room.

0:36:16.800 --> 0:36:21.760
<v Speaker 4>Yeah, it's really an art to be a songwriter like yourself.

0:36:21.800 --> 0:36:25.360
<v Speaker 2>Like it's a fine art because you are.

0:36:27.800 --> 0:36:32.680
<v Speaker 4>Totally immersing into the artist energy because you're not You

0:36:32.880 --> 0:36:33.879
<v Speaker 4>said you don't want to be an artist.

0:36:33.880 --> 0:36:34.800
<v Speaker 2>You don't want to be a songwriter.

0:36:34.880 --> 0:36:36.960
<v Speaker 4>So it's like you are an artist because you have

0:36:37.000 --> 0:36:38.920
<v Speaker 4>all the stuff to give, but it's like you are

0:36:39.239 --> 0:36:42.480
<v Speaker 4>totally having to get into their fine thing.

0:36:42.719 --> 0:36:43.480
<v Speaker 3>Yeah.

0:36:44.040 --> 0:36:47.919
<v Speaker 5>Yeah, and that's why we're working with Kelsey. I feel

0:36:47.920 --> 0:36:50.360
<v Speaker 5>so spoiled because she's such a good writer. There are

0:36:50.400 --> 0:36:53.240
<v Speaker 5>plenty of artists that like writing is not their number

0:36:53.239 --> 0:36:53.719
<v Speaker 5>one thing.

0:36:55.640 --> 0:36:58.240
<v Speaker 2>So do you have a favorite lyric of the Kelsey Project?

0:36:58.400 --> 0:37:02.319
<v Speaker 3>Oh, I don't know.

0:37:04.680 --> 0:37:08.080
<v Speaker 5>I think I think the hook of Blindsided is absolutely brilliant.

0:37:08.360 --> 0:37:09.560
<v Speaker 2>Were you Yeah?

0:37:09.600 --> 0:37:12.000
<v Speaker 3>I was like Jesus Christ, were.

0:37:11.920 --> 0:37:14.799
<v Speaker 2>You like blindsided or just blind? It's so simple, so.

0:37:16.440 --> 0:37:19.239
<v Speaker 4>Impact, it's so good. Yeah, I mean that one hits.

0:37:19.280 --> 0:37:20.799
<v Speaker 4>I feel like that's like how Tom Petty hit with

0:37:20.800 --> 0:37:22.680
<v Speaker 4>his lyrics. You know, like they're all so simple and

0:37:22.719 --> 0:37:24.960
<v Speaker 4>you can totally digest them, but you're like, whoa, right,

0:37:25.239 --> 0:37:29.360
<v Speaker 4>how Yeah, Like how did something so intense it's so

0:37:29.520 --> 0:37:30.879
<v Speaker 4>big it put into that?

0:37:31.000 --> 0:37:33.200
<v Speaker 5>And I think that's like the heart of like country

0:37:33.360 --> 0:37:36.520
<v Speaker 5>writing too, because like there's so many like big ideas

0:37:36.520 --> 0:37:38.680
<v Speaker 5>that people write about and it's just like, oh you

0:37:38.760 --> 0:37:40.360
<v Speaker 5>just like spot that out in like that line, Like

0:37:40.680 --> 0:37:43.319
<v Speaker 5>the efficiency in the economy of a lyric blows my mind.

0:37:43.320 --> 0:37:44.160
<v Speaker 5>Like that's magic to me.

0:37:44.440 --> 0:37:50.400
<v Speaker 4>The efficiency in the economy of a lyric fact. So

0:37:50.440 --> 0:37:52.320
<v Speaker 4>it's like you gotta get it down, you got to

0:37:52.320 --> 0:37:55.880
<v Speaker 4>whittle it down. So yeah, you got to take this

0:37:55.960 --> 0:37:59.680
<v Speaker 4>complex idea and get it so boiled down.

0:37:59.800 --> 0:38:02.680
<v Speaker 2>To where it's just so refined, so refined.

0:38:02.360 --> 0:38:06.120
<v Speaker 5>The exact words say the exact thing, Like every adjective

0:38:06.160 --> 0:38:06.640
<v Speaker 5>has to be.

0:38:06.600 --> 0:38:09.080
<v Speaker 2>Perfect, every word is so chosen.

0:38:09.800 --> 0:38:11.879
<v Speaker 3>Yeah, you have four you have two verses and maybe

0:38:11.880 --> 0:38:12.880
<v Speaker 3>a bridge and a chorus.

0:38:13.840 --> 0:38:16.200
<v Speaker 2>It's such a work of art. Yeah, is there a

0:38:16.239 --> 0:38:19.000
<v Speaker 2>song that hits you the hardest? Like in the in

0:38:19.040 --> 0:38:21.560
<v Speaker 2>they're rolling up to welcome Matt I.

0:38:21.640 --> 0:38:28.399
<v Speaker 5>Let's say, honestly, just married is No one really talks

0:38:28.400 --> 0:38:28.920
<v Speaker 5>about that song.

0:38:28.960 --> 0:38:31.440
<v Speaker 3>But she wrote that by herself, and that hook.

0:38:31.280 --> 0:38:33.440
<v Speaker 2>Is crazy because tell me the hook.

0:38:34.320 --> 0:38:37.640
<v Speaker 5>Like first we were just married. It's like it's like

0:38:37.640 --> 0:38:38.880
<v Speaker 5>the play on just married, m M.

0:38:40.239 --> 0:38:42.040
<v Speaker 2>And then it's like were we in we were in love?

0:38:42.120 --> 0:38:44.759
<v Speaker 5>Or yeah we were Oh, we were just married, like

0:38:45.160 --> 0:38:47.239
<v Speaker 5>you know the sign of the car, just married and

0:38:47.239 --> 0:38:48.839
<v Speaker 5>then but then we were just married.

0:38:48.960 --> 0:38:49.800
<v Speaker 2>And then we're just married.

0:38:49.880 --> 0:38:51.320
<v Speaker 3>Yeah. Yeah, it's brilliant.

0:38:51.520 --> 0:38:52.280
<v Speaker 2>It's so good.

0:38:52.960 --> 0:38:55.200
<v Speaker 5>That song is underrated. No one really talks about that

0:38:55.200 --> 0:38:56.800
<v Speaker 5>song because it's like kind of sad and stuff.

0:38:56.800 --> 0:38:59.839
<v Speaker 4>But but do people but do people lose their mind

0:38:59.840 --> 0:39:00.440
<v Speaker 4>on the Penthouse?

0:39:00.719 --> 0:39:01.960
<v Speaker 2>Oh my, they lose their mind.

0:39:02.040 --> 0:39:02.959
<v Speaker 3>They lose their minds.

0:39:03.040 --> 0:39:03.840
<v Speaker 2>It just like Mayhem.

0:39:04.040 --> 0:39:06.040
<v Speaker 3>It's it's like they have an exorcism.

0:39:06.320 --> 0:39:08.239
<v Speaker 2>What is that? What happens? Why do you think that is?

0:39:08.280 --> 0:39:11.360
<v Speaker 3>I think it's just like so like what's the word

0:39:11.640 --> 0:39:15.360
<v Speaker 3>like catharism? Like people just like scream. Really some of

0:39:15.360 --> 0:39:15.760
<v Speaker 3>the words.

0:39:15.840 --> 0:39:17.640
<v Speaker 4>Do you think it's because so many people like are

0:39:17.719 --> 0:39:19.640
<v Speaker 4>kind of feeling this in their own way, and they're like,

0:39:19.640 --> 0:39:20.879
<v Speaker 4>I can't believe this isn't a song.

0:39:20.960 --> 0:39:21.840
<v Speaker 3>I think so many people.

0:39:21.920 --> 0:39:23.640
<v Speaker 5>I've had so much, so much feedback from people that

0:39:23.680 --> 0:39:25.480
<v Speaker 5>are like, I'm happily married, but like, why am I

0:39:25.600 --> 0:39:27.480
<v Speaker 5>like sobbing my eyes out of this divorce album.

0:39:29.520 --> 0:39:33.120
<v Speaker 4>It's kind of like the first divorce album that I

0:39:33.160 --> 0:39:36.200
<v Speaker 4>can like recall. I mean, I'm sure like Loretta Linne

0:39:36.200 --> 0:39:37.759
<v Speaker 4>touched on all this shit back in the day, you know,

0:39:38.000 --> 0:39:38.759
<v Speaker 4>but it's just like.

0:39:38.760 --> 0:39:41.000
<v Speaker 2>Do you do you feel that way? Like a straight

0:39:41.080 --> 0:39:42.200
<v Speaker 2>up divorce album?

0:39:42.360 --> 0:39:44.919
<v Speaker 3>I know, you know that's so pointed at that. Yeah,

0:39:44.960 --> 0:39:45.960
<v Speaker 3>and so many people.

0:39:45.800 --> 0:39:48.200
<v Speaker 2>Are divorced or divorcing or like so common.

0:39:48.360 --> 0:39:52.480
<v Speaker 5>Yeah, and the relationship's not working out is like that's everywhere.

0:39:52.040 --> 0:39:55.319
<v Speaker 2>And Kelsey being the one who's making decision who could

0:39:55.360 --> 0:39:57.040
<v Speaker 2>be painted as the bad guy because it's not like

0:39:57.040 --> 0:39:58.480
<v Speaker 2>she was married to like a bad human.

0:39:59.280 --> 0:40:00.000
<v Speaker 3>Organ's very sweet.

0:40:00.080 --> 0:40:02.560
<v Speaker 2>Yeah, great guy and she says that all the time.

0:40:02.600 --> 0:40:05.360
<v Speaker 4>It's like great human. He's gonna be a great partner

0:40:05.360 --> 0:40:07.760
<v Speaker 4>for somebody. But like they just hit the end. Yeah,

0:40:07.840 --> 0:40:08.680
<v Speaker 4>you know, so it's like.

0:40:08.760 --> 0:40:11.480
<v Speaker 5>And there was she was so young when he married her, yeah,

0:40:11.600 --> 0:40:14.400
<v Speaker 5>or she married him, yeah, like she's twenty two or

0:40:14.400 --> 0:40:15.160
<v Speaker 5>twenty three, Like.

0:40:15.160 --> 0:40:17.640
<v Speaker 2>Who knows anything at that age, right, seriously?

0:40:17.800 --> 0:40:20.160
<v Speaker 5>Yeah, you know, and like they were traveling and like

0:40:20.280 --> 0:40:21.399
<v Speaker 5>they're they're a part all the time.

0:40:21.480 --> 0:40:22.200
<v Speaker 3>Like that's really hard.

0:40:22.719 --> 0:40:25.359
<v Speaker 4>Yeah, So what's been a bucketless moment for you? What's

0:40:25.400 --> 0:40:27.560
<v Speaker 4>been in this journey? I know you said twenty twenty

0:40:27.560 --> 0:40:30.120
<v Speaker 4>three was a very hard year for you because you

0:40:30.200 --> 0:40:33.839
<v Speaker 4>went so deep and you know you but what has

0:40:33.880 --> 0:40:38.120
<v Speaker 4>been like something that's happened that was like amazing that

0:40:38.160 --> 0:40:39.160
<v Speaker 4>you could have never dreamed of.

0:40:39.320 --> 0:40:42.240
<v Speaker 5>I mean honestly, like sitting at the floor of the Grammys.

0:40:42.600 --> 0:40:44.520
<v Speaker 5>I know that's like probably basic, but.

0:40:44.680 --> 0:40:47.200
<v Speaker 2>It's not basic. Sitting at the floor of the Grammys

0:40:47.239 --> 0:40:48.759
<v Speaker 2>is not basic. What does that feel like?

0:40:48.960 --> 0:40:49.240
<v Speaker 3>Wild?

0:40:49.280 --> 0:40:53.800
<v Speaker 5>Like I was just like looking around. We were sitting there, Withel, Yeah, sorry,

0:40:53.920 --> 0:40:56.080
<v Speaker 5>we were. It was just me and Kelsey and we're

0:40:56.080 --> 0:40:57.359
<v Speaker 5>sitting at a table's Lionel and.

0:40:57.239 --> 0:40:58.839
<v Speaker 2>His wife and how are they?

0:40:58.880 --> 0:40:59.640
<v Speaker 3>They're beautiful?

0:41:00.160 --> 0:41:01.200
<v Speaker 2>Great, they're doing great.

0:41:01.280 --> 0:41:02.000
<v Speaker 3>My pal Linel.

0:41:02.480 --> 0:41:06.240
<v Speaker 5>It was two dollar bills, actually was yeah, two dollar bills?

0:41:06.400 --> 0:41:06.680
<v Speaker 1>Have them?

0:41:06.719 --> 0:41:07.960
<v Speaker 3>I guess someone gave it to them and he's like,

0:41:07.960 --> 0:41:08.879
<v Speaker 3>I want you guys to have one.

0:41:08.880 --> 0:41:10.080
<v Speaker 2>I was like, oh, did you frame it?

0:41:10.160 --> 0:41:13.200
<v Speaker 3>I will, That's adorable, so cute.

0:41:13.200 --> 0:41:15.000
<v Speaker 2>So you're just hanging with Line on the fam it was.

0:41:15.080 --> 0:41:17.920
<v Speaker 3>I was just looking around like I just I just

0:41:17.960 --> 0:41:18.920
<v Speaker 3>like got my ass.

0:41:18.719 --> 0:41:20.719
<v Speaker 4>Here, and you're like here, I am in the room

0:41:20.760 --> 0:41:23.560
<v Speaker 4>with the Greatest of All, which means you are also

0:41:23.640 --> 0:41:26.360
<v Speaker 4>the greatest of All and your album is nominated for

0:41:26.400 --> 0:41:27.239
<v Speaker 4>the Greatest.

0:41:26.880 --> 0:41:28.960
<v Speaker 3>Of All album all these legends this year.

0:41:29.000 --> 0:41:30.680
<v Speaker 2>What does that feel like to be nominated with the

0:41:30.680 --> 0:41:31.399
<v Speaker 2>greatest of All?

0:41:31.480 --> 0:41:35.520
<v Speaker 5>It was, I mean, it's so like rewarding. It's just like, Okay,

0:41:35.560 --> 0:41:36.480
<v Speaker 5>you're on the right track.

0:41:36.480 --> 0:41:38.560
<v Speaker 3>You're doing keep doing it majorly on the right track.

0:41:38.840 --> 0:41:40.680
<v Speaker 5>I mean it makes you like, it doesn't make you

0:41:40.719 --> 0:41:43.719
<v Speaker 5>want to write anything different than the way you've been

0:41:43.719 --> 0:41:44.120
<v Speaker 5>doing it.

0:41:44.320 --> 0:41:46.160
<v Speaker 4>So who did you talk to the Grammys? I saw

0:41:46.280 --> 0:41:48.479
<v Speaker 4>Kelsey and Taylor hanging out. Did you hang out with Taylor?

0:41:48.480 --> 0:41:51.320
<v Speaker 5>And we weren't there for that long? Actually, I was

0:41:51.400 --> 0:41:53.760
<v Speaker 5>just like watching. I didn't really like talk to them anyone.

0:41:54.320 --> 0:41:56.839
<v Speaker 4>You didn't like run up to Taylor and Blake House, Travis, No,

0:41:57.080 --> 0:41:57.680
<v Speaker 4>that's so lame.

0:41:57.680 --> 0:41:58.080
<v Speaker 2>I wouldn't.

0:41:58.200 --> 0:41:58.879
<v Speaker 3>I was just like.

0:42:01.440 --> 0:42:01.880
<v Speaker 2>Beyonce.

0:42:02.200 --> 0:42:03.000
<v Speaker 3>Beyonce was there?

0:42:03.600 --> 0:42:05.279
<v Speaker 2>Is that cool to to be breathing all the same

0:42:05.280 --> 0:42:06.560
<v Speaker 2>are as, all these legends in one room.

0:42:06.600 --> 0:42:07.720
<v Speaker 3>Yeah, it was crazy. Yeah.

0:42:07.760 --> 0:42:10.080
<v Speaker 5>And then yeah, and being able to like watch you know,

0:42:10.120 --> 0:42:12.400
<v Speaker 5>Scissor's performance right there, I was like we were dancing.

0:42:12.800 --> 0:42:15.000
<v Speaker 5>I definitely got caught eating grapes on camera, so I

0:42:15.000 --> 0:42:15.959
<v Speaker 5>won't be doing that again.

0:42:16.719 --> 0:42:20.080
<v Speaker 3>I will not be eating I won't be eating single shred.

0:42:20.360 --> 0:42:21.680
<v Speaker 2>Did y'all do any after parties?

0:42:22.000 --> 0:42:23.560
<v Speaker 5>We went to We all like went to dinner with

0:42:23.560 --> 0:42:26.359
<v Speaker 5>like Kelsey's parents and my parents were cute and like

0:42:26.560 --> 0:42:28.520
<v Speaker 5>some of our friends and Kelsey's team.

0:42:28.840 --> 0:42:30.160
<v Speaker 3>It was very wholesome and cute.

0:42:30.360 --> 0:42:32.160
<v Speaker 2>Afterwards, that is so wholesome and cute.

0:42:32.239 --> 0:42:34.080
<v Speaker 5>Yeah, So we actually didn't do it the after parties thing,

0:42:34.160 --> 0:42:36.200
<v Speaker 5>but we definitely celebrated though.

0:42:36.480 --> 0:42:37.000
<v Speaker 3>It was fun.

0:42:37.520 --> 0:42:40.080
<v Speaker 2>Was it was it, y'all?

0:42:40.280 --> 0:42:42.240
<v Speaker 4>Y'all don't make this album trying to make Country Album

0:42:42.239 --> 0:42:44.800
<v Speaker 4>of New Year for the Grammys, but then you're nominated

0:42:44.800 --> 0:42:45.040
<v Speaker 4>for it?

0:42:45.160 --> 0:42:47.319
<v Speaker 2>Was it hard to not win?

0:42:47.880 --> 0:42:48.120
<v Speaker 3>Yeah?

0:42:48.840 --> 0:42:52.120
<v Speaker 4>Yeah, Lanny One, which I mean, she's amazing, it's so cool,

0:42:52.200 --> 0:42:54.920
<v Speaker 4>was amazing a female, but like yeah, when you're you've

0:42:54.960 --> 0:42:55.840
<v Speaker 4>made it that far.

0:42:55.920 --> 0:42:57.960
<v Speaker 3>It's like, oh it's it was like it would have

0:42:57.960 --> 0:42:59.319
<v Speaker 3>been cool. It would have been cool.

0:42:59.440 --> 0:43:01.080
<v Speaker 5>And I think else he took a little harder than

0:43:01.120 --> 0:43:02.840
<v Speaker 5>I did, because just because she's been nominated more the

0:43:02.840 --> 0:43:03.680
<v Speaker 5>times than me, and.

0:43:04.320 --> 0:43:06.799
<v Speaker 3>She put her heart. I mean she literally put her.

0:43:06.680 --> 0:43:09.480
<v Speaker 5>Heart on the floor and like just offered her heart

0:43:09.560 --> 0:43:11.880
<v Speaker 5>to like the world and lent to not get the

0:43:11.880 --> 0:43:12.400
<v Speaker 5>gold for that.

0:43:12.600 --> 0:43:13.759
<v Speaker 3>I've I felt that for her.

0:43:14.320 --> 0:43:16.719
<v Speaker 2>Has she Have you seen the healing that's happened in

0:43:16.760 --> 0:43:17.840
<v Speaker 2>her because of this album?

0:43:18.040 --> 0:43:19.720
<v Speaker 3>Oh my god, she's like a different person.

0:43:19.840 --> 0:43:21.520
<v Speaker 2>Do you think it's because she got it out she

0:43:21.520 --> 0:43:22.360
<v Speaker 2>had an exorcism?

0:43:22.400 --> 0:43:25.640
<v Speaker 5>Absolutely, because she's different. I mean she's she has the

0:43:25.680 --> 0:43:29.400
<v Speaker 5>same she's the same sweet girl, but like she's grown up,

0:43:29.440 --> 0:43:30.880
<v Speaker 5>Like she's unrecognizable.

0:43:31.120 --> 0:43:33.600
<v Speaker 2>So what's coming up next? Are you producing more?

0:43:34.120 --> 0:43:36.920
<v Speaker 5>More in the middle of her next album? Which is exciting,

0:43:37.840 --> 0:43:39.239
<v Speaker 5>it's a lot of work, but it's fun.

0:43:39.520 --> 0:43:40.680
<v Speaker 2>Is it a totally different feel?

0:43:41.360 --> 0:43:43.480
<v Speaker 3>I would say it's not totally different. It's like kind

0:43:43.480 --> 0:43:43.879
<v Speaker 3>of the same.

0:43:44.080 --> 0:43:46.960
<v Speaker 4>We're not heartbroken anymore, We're not well, we're not heartbroken,

0:43:47.000 --> 0:43:47.600
<v Speaker 4>but we still got me.

0:43:47.760 --> 0:43:50.320
<v Speaker 3>But it's not it's not all the way, but she gushy, Yeah.

0:43:50.120 --> 0:43:52.280
<v Speaker 2>We still got it. Yeah, that you're coming.

0:43:52.080 --> 0:43:53.799
<v Speaker 3>Out in a new relationship, which is awesome.

0:43:54.280 --> 0:43:56.760
<v Speaker 2>Obsessed with watching them, Yeah, yeah, it's great.

0:43:56.600 --> 0:43:58.359
<v Speaker 5>To see their journey and like how they like fight

0:43:58.400 --> 0:43:59.920
<v Speaker 5>for each other and is he the cutest?

0:44:00.040 --> 0:44:02.760
<v Speaker 3>He's awesome? Yeah, very sweet, Yeah, very sweet.

0:44:02.840 --> 0:44:06.200
<v Speaker 4>She's dating John b everyone from out of branks, out

0:44:06.200 --> 0:44:08.919
<v Speaker 4>of ranks, which I think they're a hot couple for sure.

0:44:08.920 --> 0:44:09.960
<v Speaker 2>They're such a hotel.

0:44:10.080 --> 0:44:15.799
<v Speaker 4>I'm like, dang, it actually like makes me like seeing

0:44:15.800 --> 0:44:18.600
<v Speaker 4>how hot they are. They're both so beautiful and their

0:44:18.600 --> 0:44:20.160
<v Speaker 4>models so crazy in love with each other.

0:44:20.280 --> 0:44:22.319
<v Speaker 3>Yeah, they really are so.

0:44:22.920 --> 0:44:26.839
<v Speaker 4>Okay, So, so does this all this love and all

0:44:26.920 --> 0:44:29.000
<v Speaker 4>this writing about someone else's love life, how does that

0:44:29.200 --> 0:44:31.880
<v Speaker 4>interplant to your like world of romance?

0:44:32.000 --> 0:44:32.879
<v Speaker 2>Like, what do you mean?

0:44:33.400 --> 0:44:35.440
<v Speaker 5>I mean, I'm just like helping. It's like kind of

0:44:35.520 --> 0:44:37.319
<v Speaker 5>the same as the other thing. I'm just like not,

0:44:37.960 --> 0:44:40.760
<v Speaker 5>I don't really have much going on, Like I'm.

0:44:40.560 --> 0:44:43.800
<v Speaker 2>Over here fending fielding all this for everyone.

0:44:43.840 --> 0:44:46.800
<v Speaker 3>I've just holded down exactly. I'm holding it down exactly. Carol.

0:44:47.040 --> 0:44:49.440
<v Speaker 2>You're not You're not feeling all the love and the

0:44:49.440 --> 0:44:54.600
<v Speaker 2>heartbreak and the turmoil. That's kind of nice, I guess. Yeah,

0:44:54.640 --> 0:44:57.239
<v Speaker 2>well I missed the dating apps like I have been

0:44:57.360 --> 0:45:00.520
<v Speaker 2>with my husband Michael forever, which I am so great

0:45:00.560 --> 0:45:05.680
<v Speaker 2>beufore ten years married in August, thank you, and five

0:45:05.760 --> 0:45:07.640
<v Speaker 2>years before that, so we've been together fifteen years. So

0:45:07.680 --> 0:45:09.919
<v Speaker 2>I missed the dating apps. I feel like I would

0:45:09.920 --> 0:45:10.719
<v Speaker 2>have crushed them.

0:45:10.760 --> 0:45:14.839
<v Speaker 3>You definitely would have crushed them. I mean, but would

0:45:14.840 --> 0:45:15.600
<v Speaker 3>they have crushed me?

0:45:16.480 --> 0:45:17.759
<v Speaker 2>That is a question.

0:45:19.120 --> 0:45:21.160
<v Speaker 5>Though it's just like a waste of time, it is,

0:45:21.440 --> 0:45:24.360
<v Speaker 5>I mean, the ratio of how many people are worth

0:45:24.440 --> 0:45:25.320
<v Speaker 5>any anything?

0:45:25.719 --> 0:45:26.520
<v Speaker 3>I don't know. I don't know.

0:45:26.719 --> 0:45:27.880
<v Speaker 2>Is it just not even?

0:45:28.200 --> 0:45:29.240
<v Speaker 3>But I'm just like so picky.

0:45:29.239 --> 0:45:30.640
<v Speaker 2>Also, so what are you looking for?

0:45:31.800 --> 0:45:33.520
<v Speaker 3>No one all in dating app when you know, think,

0:45:33.640 --> 0:45:36.040
<v Speaker 3>I don't know, maybe you never know.

0:45:36.239 --> 0:45:38.040
<v Speaker 2>Would you want to be with another artist, like an

0:45:38.160 --> 0:45:39.520
<v Speaker 2>artistic mind or is that too?

0:45:39.760 --> 0:45:41.240
<v Speaker 3>I definitely have to be inspired by someone.

0:45:41.560 --> 0:45:45.000
<v Speaker 5>I've learned that, yes, yes, be inspired by them. Yeah,

0:45:45.080 --> 0:45:47.600
<v Speaker 5>well if they're an artist or like in another realm.

0:45:47.640 --> 0:45:49.279
<v Speaker 5>I don't know, but I don't think I could date

0:45:49.320 --> 0:45:49.840
<v Speaker 5>like a Normy.

0:45:50.400 --> 0:45:53.680
<v Speaker 2>No no, no, absolutely not no. You could not date

0:45:53.719 --> 0:45:54.160
<v Speaker 2>a nor me?

0:45:54.680 --> 0:45:55.319
<v Speaker 3>Are you kidding me?

0:45:55.360 --> 0:45:57.600
<v Speaker 4>Your life from the start has not been normy. You're

0:45:57.640 --> 0:45:59.920
<v Speaker 4>from the Bay with chiropractical parents who are from Canada

0:46:00.080 --> 0:46:02.640
<v Speaker 4>who lived in Portland, like are on the beach, Like

0:46:02.960 --> 0:46:04.880
<v Speaker 4>you're creative, so you can't be normal.

0:46:05.200 --> 0:46:07.960
<v Speaker 2>You don't even know what that is, you know. I

0:46:08.000 --> 0:46:10.120
<v Speaker 2>mean maybe that would be fun to do something a banker.

0:46:11.400 --> 0:46:14.399
<v Speaker 2>Oh no, no, no, no. You'll have a certain crew

0:46:14.400 --> 0:46:15.160
<v Speaker 2>that you always write with.

0:46:16.120 --> 0:46:19.280
<v Speaker 5>It's either her and I or then we write with Hillary, Jesse,

0:46:19.400 --> 0:46:22.120
<v Speaker 5>Joe and Karen for this kind of record, which kind

0:46:22.120 --> 0:46:26.280
<v Speaker 5>of just formed a little gang. Yeah, okay, it's Hillary,

0:46:26.400 --> 0:46:29.840
<v Speaker 5>Hillary Lindsay Sorry, oh Hillary, Jesse, Joe Dylon. He was

0:46:29.880 --> 0:46:32.319
<v Speaker 5>nominated for Songwriter the Year at the and then Karen

0:46:32.320 --> 0:46:34.040
<v Speaker 5>Fairchild from a little big town.

0:46:34.480 --> 0:46:36.960
<v Speaker 3>Yeah, it's just so fun. We just like drink wine

0:46:36.960 --> 0:46:39.680
<v Speaker 3>and write your truth. Yeah, it's so fun.

0:46:39.719 --> 0:46:41.239
<v Speaker 2>Do you really think to yourself like, oh my god,

0:46:41.280 --> 0:46:41.799
<v Speaker 2>I'm doing it?

0:46:41.960 --> 0:46:44.880
<v Speaker 3>Yeah? Actually, what does it like to like? Check? It's wild?

0:46:45.239 --> 0:46:48.000
<v Speaker 3>It's wild. It's so cool.

0:46:48.719 --> 0:46:50.319
<v Speaker 2>Is it more than you could have imagined when you

0:46:50.360 --> 0:46:51.560
<v Speaker 2>moved here from the bank? Oh?

0:46:51.680 --> 0:46:53.520
<v Speaker 5>I think about that all the time to day we

0:46:53.520 --> 0:46:55.800
<v Speaker 5>were in the studio, like cutting at Black River last

0:46:55.800 --> 0:46:58.080
<v Speaker 5>week or the week before I think with Kelsey for

0:46:58.160 --> 0:47:00.000
<v Speaker 5>the new stuff, and I was just like walking down

0:47:00.080 --> 0:47:02.080
<v Speaker 5>on the alleyway like I'd gone and coffee on the

0:47:02.120 --> 0:47:03.520
<v Speaker 5>lunch break, and I was like, I was like I

0:47:03.520 --> 0:47:04.640
<v Speaker 5>remember walking down music grub.

0:47:04.640 --> 0:47:06.879
<v Speaker 3>I me like wide eyed.

0:47:06.880 --> 0:47:08.560
<v Speaker 5>I wondered wondering how man get it my foot in

0:47:08.600 --> 0:47:10.719
<v Speaker 5>the door, what it's going to look like? You know,

0:47:11.040 --> 0:47:13.880
<v Speaker 5>so outside of it, and then I'm just like in it.

0:47:13.880 --> 0:47:14.680
<v Speaker 3>It's so crazy.

0:47:15.400 --> 0:47:16.279
<v Speaker 2>Do you think it's so cool?

0:47:16.320 --> 0:47:19.680
<v Speaker 3>It's like everyone it's so freaking cheesy. But like, if

0:47:19.719 --> 0:47:20.000
<v Speaker 3>you have.

0:47:19.960 --> 0:47:22.440
<v Speaker 5>A dream, like do it go The dream is for

0:47:22.440 --> 0:47:24.960
<v Speaker 5>a reason, Yes, for a reason, and you can do it.

0:47:25.360 --> 0:47:26.239
<v Speaker 3>You can literally do it.

0:47:26.280 --> 0:47:28.760
<v Speaker 2>You just have to keep following. Like they say in prison,

0:47:28.840 --> 0:47:29.799
<v Speaker 2>just do the next right thing.

0:47:29.760 --> 0:47:31.839
<v Speaker 3>The next right thing. It seems so far away until

0:47:31.880 --> 0:47:33.520
<v Speaker 3>you're in it and then just like oh shit.

0:47:33.920 --> 0:47:35.719
<v Speaker 2>And the only real guidance you can do is just

0:47:35.760 --> 0:47:37.640
<v Speaker 2>do the next thing that you're called exactly.

0:47:37.880 --> 0:47:41.160
<v Speaker 5>Just follow your gut. Literally, your gut is everything got intuition.

0:47:42.040 --> 0:47:44.360
<v Speaker 2>That's so hard to like let that be the answer,

0:47:44.400 --> 0:47:45.160
<v Speaker 2>but it is the answer.

0:47:45.239 --> 0:47:47.920
<v Speaker 3>I know. When you have a million people telling you things, Yeah.

0:47:47.719 --> 0:47:49.600
<v Speaker 4>There's always formulas and all this stuff, but it's really

0:47:49.680 --> 0:47:51.000
<v Speaker 4>like you just have to follow your.

0:47:51.160 --> 0:47:53.600
<v Speaker 5>Yeah, And that's like in a macroway, in a microway,

0:47:53.640 --> 0:47:54.920
<v Speaker 5>like when you're writing a song if you have a

0:47:54.960 --> 0:47:57.440
<v Speaker 5>feeling about a lyric that's not right, or like a

0:47:57.440 --> 0:47:59.560
<v Speaker 5>big picture thing, it's.

0:47:59.480 --> 0:48:00.840
<v Speaker 3>Like, thank God, do we have our intuition?

0:48:01.120 --> 0:48:01.319
<v Speaker 2>I know?

0:48:01.440 --> 0:48:02.120
<v Speaker 3>Where would we be?

0:48:02.480 --> 0:48:04.759
<v Speaker 2>I feel like that is the God inside of us?

0:48:04.920 --> 0:48:05.400
<v Speaker 2>Is how we know?

0:48:05.520 --> 0:48:05.880
<v Speaker 3>That is?

0:48:06.239 --> 0:48:08.680
<v Speaker 2>Yeah. I always wrap up. I would talk to you forever.

0:48:08.680 --> 0:48:10.239
<v Speaker 2>I always wrap up with leave your light.

0:48:10.560 --> 0:48:15.120
<v Speaker 4>And it is a super open ended question, just on

0:48:15.160 --> 0:48:18.680
<v Speaker 4>your journey, all the things that you've experienced, all these

0:48:18.760 --> 0:48:22.040
<v Speaker 4>highs and lows and magic and you know, anxiety and

0:48:22.080 --> 0:48:23.719
<v Speaker 4>the whole gamut.

0:48:24.080 --> 0:48:26.120
<v Speaker 2>What do you want people to know? Just to leave

0:48:26.120 --> 0:48:27.000
<v Speaker 2>them a little inspired.

0:48:27.960 --> 0:48:30.000
<v Speaker 5>I just think kind of touched on what I just said,

0:48:30.040 --> 0:48:35.400
<v Speaker 5>like you can literally do it if you want, Like

0:48:36.239 --> 0:48:38.120
<v Speaker 5>the world is yours and that's so cheesy, but like

0:48:39.560 --> 0:48:43.480
<v Speaker 5>we're very powerful, more powerful than we think, and we

0:48:43.520 --> 0:48:44.280
<v Speaker 5>have all the tools.

0:48:45.040 --> 0:48:45.600
<v Speaker 2>I love that.

0:48:46.680 --> 0:48:50.239
<v Speaker 4>Thank you so much for joining me, thank you for

0:48:50.280 --> 0:48:52.680
<v Speaker 4>sharing your heart and talent and all these incredible songs

0:48:52.760 --> 0:48:53.880
<v Speaker 4>and albums that you're part of.

0:48:53.960 --> 0:48:56.319
<v Speaker 2>I'm so excited to hear the next Kelsey record. Thanks,

0:48:57.120 --> 0:49:00.319
<v Speaker 2>thank you for joining and if you're cool, we have

0:49:00.360 --> 0:49:02.920
<v Speaker 2>a few burning questions. We get a little extra episode

0:49:02.960 --> 0:49:06.160
<v Speaker 2>where we get a little burning question so stick around

0:49:06.320 --> 0:49:09.960
<v Speaker 2>and Thursday we're gonna have some burning questions, so tune in.

0:49:10.000 --> 0:49:16.080
<v Speaker 2>Thank you for joining mea