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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch, to get you through. Yeah me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other, the backyard, to dig

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Speaker 1: into the dirt, our mission to uncover the truth, to

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Speaker 1: confront the myth, to reclaim the story. On this bonus episode,

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Speaker 1: we are talking about this week's full episode subject Waylon Jennings.

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Speaker 1: We're rewinding back to our two part sex Pistol Saga,

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Speaker 1: previewing this month's exclusive episode on Alice Cooper, our upcoming

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Speaker 1: new episode on Mark Lanigan, and we get into your voicemails, text, dms,

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Speaker 1: and as always, a whole lot of rosie. This is

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Speaker 1: the podcast for the musically obsessed, the outsiders, the independent

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Speaker 1: diggers who know that the best history is the history

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Speaker 1: that gets buried. Disgraceland is where I tell the stories

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Speaker 1: they didn't want told, the kind that you'll end up

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Speaker 1: telling someone else. All right, this goes, let's get into it,

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Speaker 1: all right, Disgraceland listeners, lots to talk about in this episode,

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Speaker 1: as you could have probably gleaned from the intro there,

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Speaker 1: we got a whole bunch of content coming your way

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Speaker 1: in the next seven days. We're in that seven day

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Speaker 1: spread right now. Two new episodes being released from Disgray

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Speaker 1: sand this week. Our new episode on Waylon Jennings, which

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Speaker 1: is available everywhere for you to listen to right now.

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Speaker 1: In our exclusive episode on Alice Cooper, which is available

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Speaker 1: to our Apple and Patreon All Access members. Later in

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Speaker 1: this episode, on that note, in the part that's available

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Speaker 1: only to subscribers, I'll be talking more about Waylon Jennings

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Speaker 1: and giving you a story about Whaleen that didn't make

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Speaker 1: it into our episode. Remember that whole Cocaine Bear thing.

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Speaker 1: Remember that movie that came out a couple years ago. Well,

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Speaker 1: as if Waylon Jennings wasn't crazy enough, he had a

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Speaker 1: role in that batshit crazy Cocaine Bear story. Not the movie,

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Speaker 1: the real story, and I'll give that to you. Like

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Speaker 1: I said in the exclusive section of this year After Party,

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Speaker 1: coming up in a bit. What I want to talk

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Speaker 1: about here though, what I want to shine a light

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Speaker 1: on You know, it's interesting. We spent a good portion

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Speaker 1: of the last week's after party talking about sort of

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Speaker 1: what we do here, so kind of resetting the board

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Speaker 1: a little bit and focusing our goal, our mission, what

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Speaker 1: we're trying to do. We're trying how we're trying to

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Speaker 1: entertain ourselves with stories that are that are for the

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Speaker 1: most part, kept under wraps, unknown, et cetera. And I

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Speaker 1: started thinking, you know, what story am I going to

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Speaker 1: give him? I thought about giving you all that cocaine

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Speaker 1: bear story here in the beginning, but I'm saving that

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Speaker 1: and this story. It's music related. It came to my

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Speaker 1: attention yesterday. I want to talk about this here. Okay,

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Speaker 1: I want to shine a light on this story. I

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Speaker 1: want to bring attention to it. It's little known at

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Speaker 1: the moment as of this recording, but it might be

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Speaker 1: the type of thing that by the time you hear

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Speaker 1: this episode. I'm recording it on Tuesday of this week.

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Speaker 1: You're going to get this episode on Thursday. By the

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Speaker 1: time you hear this, maybe the story will have blown up.

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Speaker 1: I don't know. Maybe the Internet will have done its thing,

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Speaker 1: done what it's good at, and that's spreading this story

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Speaker 1: far wide, hopefully. And no, I'm not talking about the

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Speaker 1: cold Play cheating scandal, although I could that story doesn't quit.

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Speaker 1: Fun fact, I went to high school with the wife

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Speaker 1: involved in that horrific story, but that's not what I

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Speaker 1: want to talk about. I want to talk about this

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Speaker 1: story that my wife brought to my attention yesterday that

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Speaker 1: was so incredible. I was like, it was one of

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Speaker 1: those things. I was like, that can't be true, and

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Speaker 1: she showed me the video online. I was a news

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Speaker 1: segment I believe from a West Coast local news program,

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Speaker 1: and I still didn't believe it, and I spent time

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Speaker 1: this morning researching it. And it's one of those stories

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Speaker 1: where you know there's enough credible evidence right now where

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Speaker 1: I believe the story to be true, but it's still

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Speaker 1: so insane to me that I kind of feel like

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Speaker 1: the wool might be being pulled over my eyes. That's

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Speaker 1: not happening. This story is true. I'd be shocked if

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Speaker 1: I if I got this wrong. But it's that type

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Speaker 1: of incredible story, So I don't want this story to

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Speaker 1: be true. Okay, that's the other part of this. So

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Speaker 1: you remember the horrific LA wildfires that took place back

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Speaker 1: in January. Thirty people died, about ten thousand homes were destroyed.

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Speaker 1: Of course, you remember this, A lot of us have

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Speaker 1: friends who lost homes or were otherwise directly affected by

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Speaker 1: that tragedy. And then, you know, a couple weeks after

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Speaker 1: that tragedy, they had this concert that they put on

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Speaker 1: to raise money for the victims of the wildfire. Green

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Speaker 1: Day played, Billie Eilish, Lady Gaga read Hot Chili. Pepper's

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Speaker 1: concert was streamed live on Apple Music, on Netflix elsewhere

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Speaker 1: as well. That event, that concert raised one hundred million

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Speaker 1: dollars to help the people who were devastated by that fire.

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Speaker 1: Great cause, great, great thing to do. And you know,

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Speaker 1: one of the things that I love about being an

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Speaker 1: American is when when tragedy happens, it just seems that

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Speaker 1: Americans step up, they put their money where their mouth is,

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Speaker 1: and they help out. And that was definitely in evidence

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Speaker 1: after this concert or during this concert again, they raised

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Speaker 1: one hundred million dollars. That's a lot of money and donations. Well,

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Speaker 1: it turns out none of that money aside from a

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Speaker 1: couple five hundred dollars gift cards. That's all I can

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Speaker 1: I can find here. For the most part, none of

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Speaker 1: that money has gone to the victims yet. Okay, about

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Speaker 1: seventy five million of the one hundred million raised, it's

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Speaker 1: been paid out. So the concert folks are like, you know,

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Speaker 1: we did our thing, and they did do their thing.

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Speaker 1: They gave their money, they sent the money out. Okay,

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Speaker 1: but not to the victims. That money went to nonprofits

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Speaker 1: who are supposed to distribute that money to the victims.

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Speaker 1: Now here's the sketchy part. Some of these nonprofits they

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Speaker 1: seem to have nothing to do you with aiding victims

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Speaker 1: of natural disaster. And the more you dig in to

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Speaker 1: this story, the more you dig into the process that

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Speaker 1: these nonprofits have to go through to receive this money,

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Speaker 1: the more you're gonna realize that the barrier of entry

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Speaker 1: to be considered as one of the recipients for this

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Speaker 1: bread it's very low. Some of the reporting I saw

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Speaker 1: said that it was. There was a simple sixth question

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Speaker 1: questionnaire that these nonprofits had to answer to qualify for

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Speaker 1: these millions of dollars in some cases. Now this information

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Speaker 1: is publicly available. You can go find this yourself with

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Speaker 1: very very little effort. Okay, I don't mean just find

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Speaker 1: somebody talking about it on x or Instagram or whatever.

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Speaker 1: You can, you can actually go to the organization responsible

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Speaker 1: for this, and you can you can find out everything.

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Speaker 1: I just told you. It's right there. But you know,

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Speaker 1: you're also probably before you even get there, you're gonna

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Speaker 1: come upon two independent journalists, one of whom has positioned

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Speaker 1: herself as a sort of unintentional victim advocate here. Her

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Speaker 1: name is Sue Pasco, and she was just asked by

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Speaker 1: some of these victims like or notified, and it was like, hey, hey,

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Speaker 1: I can't this concert happened, we can't get this money.

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Speaker 1: How do we get this money? What's going on? So

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Speaker 1: she looked into it, and this is all kind of

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Speaker 1: breaking in the last twenty four hours. It's making the

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Speaker 1: rounds on various news outlets. What Sue Pasco here has

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Speaker 1: come up with. And Sue this woman, Sue Pasco, she

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Speaker 1: doesn't seem partisans, she doesn't seem political in the slightest.

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Speaker 1: She seems to be an honest broker. And again, this

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Speaker 1: information that I'm relaying to you that she has related

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Speaker 1: to everybody is out there. It's publicly available. Okay, The

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Speaker 1: story is this, They raised one hundred million dollars seventy

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Speaker 1: five million off it went to nonprofits. As far as

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Speaker 1: we can tell right now, none of that money has

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Speaker 1: gone to the victims. We haven't found any testimony public

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Speaker 1: testimony from any of these victims saying that they actually

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Speaker 1: applied for this money and received it. Not as of yet.

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Speaker 1: That might change. By the time you hear this, that

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Speaker 1: might change, but as of yet it hasn't. And this

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Speaker 1: news has been out there now again for more than

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Speaker 1: twenty four hours. It's making the rounds. Lots of people

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Speaker 1: have seen an interview Sue Pasco making these claims. So

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Speaker 1: you would think if this money had gotten to where

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Speaker 1: it was supposed to go, that that news would be

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Speaker 1: out there. However, it's not. Okay. Now the point we

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Speaker 1: need this story to get out there. This is one

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Speaker 1: of those stories that cannot be suppressed. This is one

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Speaker 1: of those stories that deserves the coverage. It is a

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Speaker 1: very simple way to do this. We need to get

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Speaker 1: the artists from the concert to get involved in demand

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Speaker 1: transparency so that the story gets out there and so

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Speaker 1: that the victims can get their hands on this bread

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Speaker 1: they can get the release that they need. The fires

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Speaker 1: were seven months ago. There may be a perfectly logical

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Speaker 1: explanation why this money has not been dispersed, But it

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Speaker 1: does not change the fact that the fires were seven

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Speaker 1: months ago, the concert was nearly seven months ago. These

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Speaker 1: people needed relief more than I'm guessing than they do now,

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Speaker 1: I'm sure, but they still need the relief and they're

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Speaker 1: still looking to get it clearly, and still, according to reports,

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Speaker 1: these victims are coming up with bubbkis, so where's the money?

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Speaker 1: Where's the money? Lebuski is? This story is scandal. I

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Speaker 1: don't know. There may be a perfectly logical exit, it

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Speaker 1: seems super dubious. Maybe the nonprofits will claim that it

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Speaker 1: takes time to process this money, but if so, that's

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Speaker 1: unacceptable and it needs to be solved. And again, the

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Speaker 1: simple truth is that people were hurt by this tragedy.

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Speaker 1: That people need the money that they're fellow Americans donated

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Speaker 1: to them generously. That money should not be sitting idle

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Speaker 1: in the accounts of nonprofits or worse, god forbid, paying

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Speaker 1: the salaries of nonprofit nonprofit executives. And here's the main

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Speaker 1: point again, the musicians here, the rock stars Flee, Billie Eilish,

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Speaker 1: Lady Gagat, Billy Joe Armstrong. They need to speak up

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Speaker 1: and demand transparency and force this story if true, and

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Speaker 1: again it appears to be that it is true. They

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Speaker 1: need to force this story into the news more fully

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Speaker 1: so that the people can get what they need. Okay,

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Speaker 1: I want to give the organizers of the concert the

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Speaker 1: benefit of the doubt, and I am and I even

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Speaker 1: want to give the nonprofits the benefit of the doubt,

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Speaker 1: but it doesn't change the fact that the money has

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Speaker 1: not gotten to where it needs to be and that

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Speaker 1: needs to change. Okay, So this story needs to get

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Speaker 1: out there, and I hope this isn't one big disgrace.

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Speaker 1: I hope that these rock stars can push this issue.

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Speaker 1: You know, maybe if you're tooling around on X you

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Speaker 1: can tag a couple of them and we're on Instagram

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Speaker 1: or wherever, and you can tell them the you know,

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Speaker 1: where's the money? Lebowski, get out there and say something,

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Speaker 1: Billy Joe, get out there and say something. Lady Gaga,

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Speaker 1: you guys aren't afraid of the microphone. All right, let's

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Speaker 1: get the story out there. Okay. Speaking to stories, let's

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Speaker 1: talk about what other stories we have going on this

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Speaker 1: week in the Exclusive Feed. This week, we have an

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Speaker 1: episode on Alice Cooper. Matt, let's go ahead and play

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Speaker 1: a clip here so that the disgrace and listeners who

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Speaker 1: are not All Access members can hear a little bit

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Speaker 1: about Alis and they can hear what they're missing. Okay,

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Speaker 1: give it a The Sunset Strip is living up to

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Speaker 1: its name. It was bathed in pink and orange light

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Speaker 1: as the evening sun sank into the Hollywood Hills. The

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Speaker 1: strip looked beautiful for just a moment, then it plunged

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Speaker 1: into darkness. However, the darkness was far from still and

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Speaker 1: far from silent, because the darkness had a voice, a

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Speaker 1: voice that called out to the creatures of the night,

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Speaker 1: the ones who slept in the daytime, staying hidden from

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Speaker 1: the sun. The voice of the Knight called out to them.

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Speaker 1: It pulled them out of their hiding spots. It demanded

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Speaker 1: they'd take to the streets to satiate their unquenchable thirst,

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Speaker 1: their thirst for blood, because at night, the Sunset Strip

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Speaker 1: was crawling with vampires if he knew where to look.

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Speaker 1: Not long after the sun finally disappeared behind the hills,

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Speaker 1: the vampires stirred. They slunk down the boulevards, staying hidden

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Speaker 1: in the shadows, and they crept through the alleyways stalking

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Speaker 1: their prey. These vampires would go to the ends of

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Speaker 1: the earth to satisfy their craving and further to get

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Speaker 1: their fix. We travel all the way over the rainbow.

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Speaker 1: All right, guys, that's the Alice Cooper episode being released

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Speaker 1: this week. That is part of our exclusive offering to

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Speaker 1: Disgraceland All Access members. Five bucks a month gets you

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Speaker 1: that extra episode per month, like Alice. Here gets you

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Speaker 1: ad free listening as well, Disgraceland and hollywood Land completely

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Speaker 1: ad free, no ads, and it gets you a little

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Speaker 1: more bonus after party as well. And you're gonna hear

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Speaker 1: me later in the bonus section of this after party

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Speaker 1: talking about Waylon Jennings and the Cocaine Bear. All right.

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Speaker 1: Also this week, in addition to that new Whylan Jennings episode,

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Speaker 1: and again that Whalan episode is not exclusive. It's going

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Speaker 1: to be available everywhere. It's available everywhere right now, I

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Speaker 1: should say. But in addition to that, we've got our

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Speaker 1: rewind episodes on the Sex Pistols Parts one and two

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Speaker 1: come in your way if you want a real take

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Speaker 1: on one of the greatest bands of all time, The

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Speaker 1: real mythology, not the sanitize bunk the Hulu excuse me

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Speaker 1: the Chasm. I haven't forgot about Chasm, the Chasm served

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Speaker 1: up a couple of years ago. Then check out these

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Speaker 1: episodes on the Sex Pistol, some of Zeth Lundy's best writing.

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Speaker 1: If I do say so, Chasm can't keep us down, man,

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Speaker 1: just can't. All right, So after those Sex Pistols episodes,

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Speaker 1: we've got our Mark Landing and episode coming your way

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Speaker 1: next Tuesday. Great story in that episode on Mark and

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Speaker 1: Josh Hollmay from Queens to the Stone Age getting caught

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Speaker 1: up in all kinds of Detroit shakedowns. Listen when you're

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Speaker 1: when you're chilling out with your headphones on, you get

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Speaker 1: the Mark Lanning and episode playing. You're gonna be tempted

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Speaker 1: to think about Matt Dylan, but don't. Okay, when you

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Speaker 1: hear the Mark lanning an episode, you don't know what

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Speaker 1: I'm talking about. Try not to think about mat Dylan. Instead,

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Speaker 1: be thinking about all the underrated singer songwriters who are

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Speaker 1: out there. We just discussed bands who never lived up

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Speaker 1: to their expectations with the replacements, But Mark Lannigan such

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Speaker 1: an underrated singer songwriter, got me thinking what other singer

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Speaker 1: songwriters are wildly underrated? That's gonna be our question of

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Speaker 1: the week next week. Six one seven nine oh six

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Speaker 1: six six three eight to let me know, call me,

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Speaker 1: send me a text, and you may hear yourself your

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Speaker 1: voice on the next episode of After Party. You might.

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Speaker 1: You might hear me read your text as well. Again,

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Speaker 1: you get a call or you get a text to

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Speaker 1: make that happen. Six one seven nine oh six six

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Speaker 1: six three eight answered the question of the week, Who

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Speaker 1: are some of the most wildly underrated singer songwriters? All Right,

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Speaker 1: I will have more recommendations next week, but I wanna

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Speaker 1: just quickly say that I finished Chuck Hogan's Gangland and

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Speaker 1: I already missed Nikki Pins. I want to also just

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Speaker 1: let you know that I can't stop listening to this

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Speaker 1: song by the Eric Legnini leg Nini Eric Legnini Trio

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Speaker 1: called Don't let Me Be Lonely Tonight, And I invite

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Speaker 1: you to find that song and listen to it too,

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Speaker 1: and just you know, be sad with me, you know,

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Speaker 1: sad in the sophisticated kind of way. Okay, So damn you,

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Speaker 1: Eric Ignini, whoever the hell you are, I can't stop

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Speaker 1: listening to the song. You knocked it out of the park.

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Speaker 1: It's tremendous. If you guys want more recommendations from me,

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Speaker 1: get into the Patreon chat hit me up there. I'll

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Speaker 1: give you a couple more coming up next, music and

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Speaker 1: musicians you want to talk about with your voicemails, text,

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Speaker 1: dms and more. All right, we're back. Apple podcast listeners, listen.

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Speaker 1: Make sure you got auto downloads turned on so you

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Speaker 1: don't miss any disgrace Land episodes right now. You know

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Speaker 1: where I'm at. I'm in the phone booth. It's the

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Speaker 1: one across the hall. I'm hanging on the telephone six

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Speaker 1: one seven nine oh six sixty six three eight voicemail

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Speaker 1: and text for you guys to get in touch with me.

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Speaker 1: Make your voice be heard here on Disgraceland. Get me

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Speaker 1: the stories you want to hear, the stories you want

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Speaker 1: to tell, the stories you want to talk about. Just

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Speaker 1: like this listener in the six one two.

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Speaker 2: Hey Jake, what's going on? This is Nathan from Minneapolis.

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Speaker 2: Thoroughly enjoyed the repl Isman's episode. They're like rock gods

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Speaker 2: here in Minneapolis.

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Speaker 1: Just awesome.

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Speaker 2: Also, the Van Aalen episodes are amazing. That is my

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Speaker 2: favorite band of all time. But your question was who

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Speaker 2: is the most punk country artist? I'm gonna ask to

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Speaker 2: go with Whalen Jennings. I mean, the guy was a badass.

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Speaker 2: He played with Buddy Holly. I mean the whole coin

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Speaker 2: flip where he wasn't on the plane where he crashed.

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Speaker 2: That's that's that's crazy story right there. I got a

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Speaker 2: chance to see Whalen Jennings Lollapalooza nineteen ninety six des Moines, Iowa.

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Speaker 2: It was amazing. They played with Metallica, Rancid, Psychotica, Soundgarden.

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Speaker 2: I mean, that was an amazing lineup.

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Speaker 3: Absolutely crazy.

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Speaker 2: But thanks, podcast is awesome.

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Speaker 3: Rock and ROLLO.

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Speaker 1: Thanks man, but rock and ROLLA Nathan, thanks for calling in.

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Speaker 1: H First of all, thanks for your very kind comments

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Speaker 1: about the replacements of Van Halen episodes. But man, Waylon

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Speaker 1: Jennings at Lollapalooza in ninety six, I vaguely remember that.

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Speaker 1: I don't know, I don't think, I don't think. I

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Speaker 1: don't think my memory ever would have gotten there if

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Speaker 1: you didn't bring it up. That must have been incredible.

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Speaker 1: I was I went to that Lollapalooza, But I went

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Speaker 1: to Rhode Island in ninety six and I don't remember

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Speaker 1: Wayland Jennings, but you know they had different artists playing

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Speaker 1: at different parts of the country. Thanks for the call,

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Speaker 1: appreciate you. Nathan Guys is responding to the question of

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Speaker 1: the week from last week, which artist, which country artist

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Speaker 1: is the most punk rock? And of course that comes

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Speaker 1: from our Whitland Jennings episode that is live right now

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Speaker 1: for you to listen to. Nathan clearly did. Let's check

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Speaker 1: out the two seven oh see what their answer is

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Speaker 1: to the same question.

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Speaker 3: Hey, Jay seven Todd, I love all your questions, but

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Speaker 3: I especially love this one, the one about the which

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Speaker 3: country stars the most punk rock? Because, after all, what's

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Speaker 3: more punk rock than Whalen Jennings, George Jones or Johnny

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Speaker 3: Cash or any of these outlaw guys, more gangster, more

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Speaker 3: hardcore than any hip hop artist or hair metal guy

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Speaker 3: or whoever you want to name. But anyway, in a

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Speaker 3: close one, I'll probably go with Johnny Cash, pretty punk

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Speaker 3: rock guy for his time, especially and I mean closed,

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Speaker 3: you could go with Whalen. It's all interchangeable. One of

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Speaker 3: my favorite rock stars. Mike Ness Social Discortion, good podcast subject.

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Speaker 3: He was kind of a combo of Johnny Cash and

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Speaker 3: Joe Strummer. Also honorable mention. Maybe it's cheating a little.

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Speaker 3: Graham Parsons jump suits with marijuana. Lee's his best friend

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Speaker 3: was Keith Richards. He died in some crazy dramatic way,

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Speaker 3: not that that's good. And then the whole Joshua or whatever,

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Speaker 3: the burning of the body out in the desert thing,

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Speaker 3: pretty punk rock anyway. Thank you so much for all

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Speaker 3: your content. I'll look forward to it all the time.

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Speaker 1: See you two seven O Todd appreciate you. Lots to

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Speaker 1: get into there. First of all, I'll try to go backwards.

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Speaker 1: Graham Parsons, the story of Graham Parsons. We we get

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Speaker 1: into that thoroughly in Disgraceland and in my book. Let's

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Speaker 1: just tell my son, my eleven year old, about Graham

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Speaker 1: Parsons the other day. I left out some choice details

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Speaker 1: once that you had here, you know, the whole Kaufman

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Speaker 1: Road mangler, Joshua Tree, burning of the body thing, uh,

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Speaker 1: social distortion, Mike Ness love Mike Ness loved that solo

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Speaker 1: record he put out back in I believe the nineties,

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Speaker 1: late nineties. Johnny Cash, Joe Strummercambo that's a good way

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Speaker 1: of describing Mike Ness. I'd like to do a Mike

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Speaker 1: Ness episode at some point. I feel like there's a

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Speaker 1: lot from that eighties LA Hardcore scene that I have

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Speaker 1: not died diet dove dove into, I have not submerged

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Speaker 1: myself into as of yet, and there's there's a lot

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Speaker 1: of stories out there. So thanks for prompting me. I

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Speaker 1: love that about this. That's what I love about this community,

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Speaker 1: you guys. I wouldn't I thought of Mike Ness in

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Speaker 1: an LA punk hardcore eighties episode today at all if

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Speaker 1: it were not for your call here to seven O Todd.

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Speaker 1: Appreciate you guys, be like two seven O Todd. Hit

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Speaker 1: me up six one seven nine oh six six six

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Speaker 1: three eight, voicemails, text, get answer the question of the week.

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Speaker 1: You can you can even just you know, tell me

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Speaker 1: about something you want to hear. You can tell me

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Speaker 1: about something you've already heard and then you like me

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Speaker 1: to tell So it's all kinds of different ways into

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Speaker 1: these conversations. Four one two called in brought up David

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Speaker 1: allen Coe at some point four one two I will

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Speaker 1: do a David allen Coe episode. I'm not ready to

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Speaker 1: do that yet six oh five? Now, six oh five,

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Speaker 1: I have one, let's kind of one two three messages

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Speaker 1: from Jenner Jennifer voicemails from Jennifer in the six oh

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Speaker 1: five uh. In the first two she makes a strong

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Speaker 1: case for a blind Blind Melon episode, and Jennifer, I

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Speaker 1: will have you know, Matt, we just recorded a Blind

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Speaker 1: Melon episode, and I believe Matt it's coming up. Correct

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Speaker 1: me if I'm wrong with that. It's an exclusive episode.

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Speaker 4: Correct, Yeah, Jake, that is an exclusive all Access episode.

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Speaker 4: It's actually last month's All Access episode. It's available right

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Speaker 4: now in the all Access feed. We've got an episode

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Speaker 4: on Blind Melon and shannonhon.

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Speaker 1: All right, thank you, my friend Jennifer. As Matt says,

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Speaker 1: this is an exclusive episode, You're going to be an

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Speaker 1: exclusive all Access member to hear the blind Mellon episode. Sorry,

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00:21:27,080 --> 00:21:29,240
Speaker 1: but you know good news is it's really simple to

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00:21:29,280 --> 00:21:31,520
Speaker 1: become an all Access Remember it's just five bucks a month,

401
00:21:31,520 --> 00:21:33,119
Speaker 1: and you get more than that Blind Melon episode. You

402
00:21:33,160 --> 00:21:35,240
Speaker 1: get a new episode like the Alice Cooper one this month,

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00:21:35,400 --> 00:21:36,879
Speaker 1: you get a new one every month, and you get

404
00:21:36,920 --> 00:21:39,399
Speaker 1: ad free listening to Disgrace Land and Hollywoodland. So you know,

405
00:21:39,840 --> 00:21:43,680
Speaker 1: go sign up, go to disgrace landpod dot com slash membership.

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Speaker 1: Don't be afraid, Jennifer, have no fear. You might not

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00:21:47,480 --> 00:21:49,840
Speaker 1: hear that all access member of Blind Melon, but you're

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00:21:49,880 --> 00:21:51,360
Speaker 1: gonna hear your voice.

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Speaker 5: This is Jennifer against is a three to three.

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Speaker 3: Oh.

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Speaker 5: I want to also mention colective fault. There are so

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Speaker 5: many I can mention to you. I'm a radio DJ

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Speaker 5: and a live radio DJSON about two thousand and nine

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00:22:04,800 --> 00:22:08,200
Speaker 5: somewhere in there anyways, so there as well. I wanted

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Speaker 5: to answer the question though, of this you, which was

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Speaker 5: who is the most punk in the country genre? Who

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Speaker 5: was the most and that would have to be Dwight

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Speaker 5: Yoakum White. Yoakum was found in a punk band in

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Speaker 5: the punk scene when they pulled him out and said, hey,

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Speaker 5: come seek country for us. So you know gonna make

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Speaker 5: a moolah, You're going to do it. Take care, rock a.

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Speaker 1: Rolla, Jennifer. Collective Soul. I don't know about Collector. I

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Speaker 1: don't know anything about Collective Soul, So I'm not sure

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Speaker 1: there's an episode in the works there. But if you

425
00:22:38,800 --> 00:22:41,080
Speaker 1: got some dirt, you got some stories, you got something dramatic,

426
00:22:41,080 --> 00:22:44,240
Speaker 1: you get something that is not part of the popular

427
00:22:44,560 --> 00:22:49,280
Speaker 1: sort of zeitgeist, you know, rock history. Something I can

428
00:22:49,320 --> 00:22:52,080
Speaker 1: dig my teeth into, the collective soul, something crimy about

429
00:22:52,080 --> 00:22:54,879
Speaker 1: all means get in touch. You mentioned County Crows in

430
00:22:54,960 --> 00:22:58,919
Speaker 1: one of your earlier voicemails that I didn't play, and yeah,

431
00:23:00,119 --> 00:23:03,840
Speaker 1: maybe maybe, I'm sure there's some stuff there. I saw

432
00:23:03,880 --> 00:23:09,280
Speaker 1: this great interview with Adam Durretz on Instagram the other day.

433
00:23:09,359 --> 00:23:10,879
Speaker 1: I don't know who he was being interviewed by, but

434
00:23:10,920 --> 00:23:13,720
Speaker 1: he was talking about his time as a bartender at

435
00:23:13,720 --> 00:23:17,119
Speaker 1: the Viper Room and I thought that's good. And he

436
00:23:17,280 --> 00:23:19,920
Speaker 1: was talking about Gibbey from Butthole Surfers teaching him how

437
00:23:19,920 --> 00:23:22,920
Speaker 1: to make ribs. I was like, Oh, that's some good stuff.

438
00:23:23,320 --> 00:23:25,720
Speaker 1: So yeah, maybe accounting Crows episode. Then you get the

439
00:23:25,720 --> 00:23:27,800
Speaker 1: whole friends connection. I like all that stuff, so that

440
00:23:27,920 --> 00:23:30,640
Speaker 1: that could be cool. Thank you, Jennifer, Jennifer real quick

441
00:23:30,680 --> 00:23:33,320
Speaker 1: on Dwight Yoakam. Dwight Yoakum would be a great episode

442
00:23:33,320 --> 00:23:36,960
Speaker 1: as well. Guitarists Cadillacs, hillbilly music, love me some Dwight,

443
00:23:37,359 --> 00:23:40,639
Speaker 1: love me some tight some tight faded blue jeans. Okay,

444
00:23:40,720 --> 00:23:44,200
Speaker 1: those long legs, those cowboy boots. You know what I'm

445
00:23:44,200 --> 00:23:47,040
Speaker 1: talking about, Jennifer, Don't act like you don't. All right, guys,

446
00:23:47,040 --> 00:23:49,200
Speaker 1: be like Jennifer and get in touch. Six one seven

447
00:23:49,280 --> 00:23:51,479
Speaker 1: nine oh six six six three eight. You know why,

448
00:23:51,560 --> 00:23:54,240
Speaker 1: because you, guys, you know that music history does not

449
00:23:54,400 --> 00:23:56,399
Speaker 1: have to be boring. You know that you've got a

450
00:23:56,440 --> 00:23:59,119
Speaker 1: line on these crazy ass stories just like I do.

451
00:23:59,600 --> 00:24:02,280
Speaker 1: You did, and you call, and you dig, and you

452
00:24:02,400 --> 00:24:04,960
Speaker 1: text and you dig and you DM and then we

453
00:24:04,960 --> 00:24:07,480
Speaker 1: get into it, and then we have this great, wonderful

454
00:24:07,720 --> 00:24:11,919
Speaker 1: library of incredible storytelling for music history that's all in

455
00:24:12,000 --> 00:24:14,280
Speaker 1: part because of you, guys, and I truly appreciate it.

456
00:24:14,480 --> 00:24:17,040
Speaker 1: On this whole dig baby dig things, You dig baby

457
00:24:17,040 --> 00:24:19,720
Speaker 1: dig dig, dig baby digs. Why's that hard for me

458
00:24:19,760 --> 00:24:22,399
Speaker 1: to say? Dig baby dig thing? That we talked about

459
00:24:22,400 --> 00:24:25,560
Speaker 1: for the first time? Last week, I got an email

460
00:24:25,760 --> 00:24:29,000
Speaker 1: from a gentleman by the name of Scott, who, Hey,

461
00:24:29,119 --> 00:24:31,560
Speaker 1: I loved your off the cuff comment about a dig

462
00:24:31,600 --> 00:24:35,159
Speaker 1: Baby Dig T shirt. I put the normal logo on front,

463
00:24:35,200 --> 00:24:38,679
Speaker 1: pocket size, and I put this on the back and

464
00:24:38,840 --> 00:24:43,159
Speaker 1: Scott here from the six two three sent in a

465
00:24:43,200 --> 00:24:46,840
Speaker 1: T shirt design that he made, and I dig it. Scott,

466
00:24:46,880 --> 00:24:49,080
Speaker 1: looks like you might have used a little artificial intelligence

467
00:24:49,119 --> 00:24:52,280
Speaker 1: here because that logo is not the actual logo of Scott,

468
00:24:52,359 --> 00:24:55,880
Speaker 1: so I can't use that. But I am inspired by

469
00:24:55,920 --> 00:24:59,520
Speaker 1: your inspiration, my friend, and we have the uh. We

470
00:24:59,600 --> 00:25:01,440
Speaker 1: have the monkeys over here at double el of his

471
00:25:01,480 --> 00:25:04,800
Speaker 1: headquarters digging in right now as we speak, whipping up

472
00:25:04,840 --> 00:25:07,280
Speaker 1: some dig Baby dig designs. I'll have that for you

473
00:25:07,320 --> 00:25:09,439
Speaker 1: guys soon to take a look at. Probably have some

474
00:25:09,480 --> 00:25:11,359
Speaker 1: designs you guys would choose from. I'll put them up

475
00:25:11,400 --> 00:25:14,640
Speaker 1: on Patreon. We can get into it, decide which ones

476
00:25:14,640 --> 00:25:16,080
Speaker 1: we like, and then I'll get some I don't know,

477
00:25:16,080 --> 00:25:18,440
Speaker 1: maybe shirts, maybe hats. We'll see, I don't know. We'll

478
00:25:18,440 --> 00:25:21,240
Speaker 1: see what the merch monkeys come back with. But Scott

479
00:25:21,520 --> 00:25:23,919
Speaker 1: appreciate the email. This's Grace Sapod at gmail dot com.

480
00:25:23,960 --> 00:25:25,840
Speaker 1: You guys want to email me about anything like Scott

481
00:25:25,880 --> 00:25:28,360
Speaker 1: b like Scott, email me can also text me six

482
00:25:28,400 --> 00:25:31,320
Speaker 1: one seven nine oh six six six three eight three

483
00:25:31,359 --> 00:25:33,800
Speaker 1: eight six texts and Root Boys Slim in the sex

484
00:25:33,920 --> 00:25:36,720
Speaker 1: change band. Root Boy's life is totally insane and the

485
00:25:36,720 --> 00:25:38,840
Speaker 1: fact that he got a major record deal from WB

486
00:25:39,080 --> 00:25:41,600
Speaker 1: I'm assuming that's Warner Brothers, and had some high caliber

487
00:25:41,680 --> 00:25:44,959
Speaker 1: musicians on his albums, both with the SCB and solo

488
00:25:45,280 --> 00:25:49,280
Speaker 1: is ridiculous because the songs are ridiculous but also somehow

489
00:25:49,280 --> 00:25:53,840
Speaker 1: infectious as hell. Stephen Daytona, Stephen Daytona, you sound like

490
00:25:53,880 --> 00:25:58,959
Speaker 1: a character in an Elmore Leonard book. And uh, that's cool.

491
00:25:59,320 --> 00:26:02,000
Speaker 1: I've never heard of Route Boy Slim in the sex

492
00:26:02,119 --> 00:26:04,800
Speaker 1: Change Band. Are you fucking with me, Stephen Daytona. I

493
00:26:04,800 --> 00:26:09,560
Speaker 1: just wanted to say, Stephen Daytona again. Hold on, I

494
00:26:09,680 --> 00:26:14,120
Speaker 1: am I seeing this right? Hold on? Oh man, I am.

495
00:26:14,480 --> 00:26:18,359
Speaker 1: I'm just seeing this. In the middle of reading Stephen

496
00:26:18,440 --> 00:26:25,400
Speaker 1: Daytona's email there, I got a notification here Ozzy Osbourne

497
00:26:25,440 --> 00:26:28,320
Speaker 1: has died. This is Tuesday. I mentioned that earlier that

498
00:26:28,359 --> 00:26:32,960
Speaker 1: I'm recording. This is Tuesday, July twenty second, damn man,

499
00:26:34,880 --> 00:26:38,280
Speaker 1: seventy six years old, and of course just weeks after

500
00:26:38,320 --> 00:26:43,480
Speaker 1: the Black Sabbath farewell show. Ozzy Osbourne for me one

501
00:26:43,520 --> 00:26:46,199
Speaker 1: of a kind, for sure, the first heavy metal I

502
00:26:46,200 --> 00:26:49,560
Speaker 1: ever heard. I remember hearing iron Man probably is a

503
00:26:49,560 --> 00:26:52,960
Speaker 1: five year old and I'm one of my buddy's moms

504
00:26:53,000 --> 00:26:55,879
Speaker 1: had that record. Mom, she had that record, And of

505
00:26:55,920 --> 00:26:58,720
Speaker 1: course we all love the sort of you know, robotic

506
00:26:58,800 --> 00:27:02,320
Speaker 1: voice in the beginning as a young kid. And I

507
00:27:02,359 --> 00:27:04,040
Speaker 1: heard that song the other day actually, when I was

508
00:27:04,119 --> 00:27:07,840
Speaker 1: driving with my son, and it was in the breakdown

509
00:27:07,880 --> 00:27:10,280
Speaker 1: part in the middle of the song, and that rhythm section,

510
00:27:10,520 --> 00:27:14,359
Speaker 1: the Black Sabbath rhythm section, is just crushing it. That

511
00:27:14,480 --> 00:27:16,360
Speaker 1: song has become, I don't want to say a novelty,

512
00:27:16,400 --> 00:27:19,119
Speaker 1: but it became this thing that gets played at hockey games.

513
00:27:19,119 --> 00:27:25,000
Speaker 1: But the musicianship on it is incredible. Ozzy Osbourne lots

514
00:27:25,040 --> 00:27:28,400
Speaker 1: to say about Ozzy Osbourne. People have said a ton

515
00:27:28,480 --> 00:27:32,119
Speaker 1: They filled books about Ozzie, They've made documentaries about Ozzie.

516
00:27:32,160 --> 00:27:35,240
Speaker 1: We've made an episode on Ozzie, plus a Black Sabbath

517
00:27:35,600 --> 00:27:37,520
Speaker 1: episode as well. And one of the things that I

518
00:27:37,520 --> 00:27:40,480
Speaker 1: feel like does not get mentioned enough when it comes

519
00:27:40,520 --> 00:27:45,160
Speaker 1: to Ozzy Osbourne is the fact that he was an

520
00:27:45,200 --> 00:27:51,600
Speaker 1: incredible singer, Just an incredible singer, and an incredible melodicist.

521
00:27:51,920 --> 00:27:54,680
Speaker 1: That is that the right word, Matt, melodicist, you know

522
00:27:54,760 --> 00:28:00,160
Speaker 1: what I mean? Just those melodies unbelievable. One of the

523
00:28:00,160 --> 00:28:03,760
Speaker 1: things that I always think about, and I started thinking

524
00:28:03,800 --> 00:28:07,000
Speaker 1: about this as an adolescent and when I first heard

525
00:28:07,080 --> 00:28:09,800
Speaker 1: Black Sabbath, and by the time I was an adolescent teenager,

526
00:28:10,280 --> 00:28:12,640
Speaker 1: I kind of knew a little bit about music, and

527
00:28:13,160 --> 00:28:15,840
Speaker 1: I had this thought then somebody probably it probably came

528
00:28:15,840 --> 00:28:17,959
Speaker 1: from somebody else, and I just don't remember who it was.

529
00:28:19,119 --> 00:28:22,880
Speaker 1: But you know, Ozzie's main influence was the Beatles. Black

530
00:28:22,920 --> 00:28:26,000
Speaker 1: Sabbath came out in the late sixties, early seventies. How

531
00:28:26,040 --> 00:28:30,720
Speaker 1: do you get from the Beatles to Black Sabbath, Black Sabbath?

532
00:28:31,520 --> 00:28:36,800
Speaker 1: How do they do that? And I know Tonyaomi, bill Ward,

533
00:28:37,119 --> 00:28:41,080
Speaker 1: Geezer Butler, they obviously, you know, had so much to

534
00:28:41,120 --> 00:28:45,760
Speaker 1: do with the creative spark of that band. But Ozzie

535
00:28:45,760 --> 00:28:48,760
Speaker 1: did as well, and he gets he's been characterized as

536
00:28:48,800 --> 00:28:51,840
Speaker 1: this madman, and he's known for his wild antics and

537
00:28:51,840 --> 00:28:53,520
Speaker 1: the whole thing with the bat and the biting off

538
00:28:53,520 --> 00:28:55,880
Speaker 1: the head of the all that stuff, But it doesn't

539
00:28:55,880 --> 00:28:59,680
Speaker 1: erase the fact that what he created at the time

540
00:29:00,320 --> 00:29:04,080
Speaker 1: was almost completely novel. Nobody had done that before he

541
00:29:04,240 --> 00:29:07,200
Speaker 1: was part of that. And his voice is completely unique.

542
00:29:07,800 --> 00:29:10,560
Speaker 1: It's singular in the history of rock and roll, in

543
00:29:10,600 --> 00:29:13,880
Speaker 1: the history of music. And he'll be remembered forever and

544
00:29:13,960 --> 00:29:18,920
Speaker 1: for good reason. Just a tremendous, tremendous musician, tremendous life.

545
00:29:19,400 --> 00:29:22,560
Speaker 1: And uh, he's going to be missed by so many,

546
00:29:22,880 --> 00:29:24,920
Speaker 1: and I love that they got these concerts off in

547
00:29:24,960 --> 00:29:28,240
Speaker 1: the last couple of weeks before he passed away. My

548
00:29:28,280 --> 00:29:30,800
Speaker 1: heart goes out to his kids, to his wife, the

549
00:29:30,800 --> 00:29:33,720
Speaker 1: rest of his family, to all the bandmates who played

550
00:29:33,760 --> 00:29:39,040
Speaker 1: with him both throughout his solo career. Black Sabbath, Ozzy Osbourne,

551
00:29:39,040 --> 00:29:41,720
Speaker 1: Rest in peace. You know we're supposed to We're supposed

552
00:29:41,760 --> 00:29:48,239
Speaker 1: to release those sex Pistols episodes this weekend. Matt Ah.

553
00:29:48,320 --> 00:29:51,320
Speaker 1: I'm thinking maybe we release we re released the Ozzy

554
00:29:51,360 --> 00:29:54,440
Speaker 1: Osbourne in the Black Sabbath episodes, maybe in reverse or order,

555
00:29:54,560 --> 00:29:58,960
Speaker 1: Black Sabbath, Black Sabbath, Excuse Me and then Azzy and

556
00:29:59,120 --> 00:30:02,880
Speaker 1: just kind of do our own little tribute here to

557
00:30:02,920 --> 00:30:06,040
Speaker 1: the Prince of Darkness. Save the sex Pistols for another time.

558
00:30:07,160 --> 00:30:09,160
Speaker 1: I don't know. Like I said, I'm hearing this in

559
00:30:09,240 --> 00:30:12,720
Speaker 1: real time as I'm recording, and I got a notif

560
00:30:12,840 --> 00:30:15,600
Speaker 1: I said I got a notification that's not entirely accurate.

561
00:30:15,640 --> 00:30:17,680
Speaker 1: What actually happened was I got a text from one

562
00:30:17,720 --> 00:30:20,400
Speaker 1: of you guys from the seven to four our ip

563
00:30:20,600 --> 00:30:23,400
Speaker 1: to Ozzy. Thursday's after party is gonna hit different when

564
00:30:23,400 --> 00:30:28,720
Speaker 1: you mentioned it. Yeah, you're right, definitely feel strange to

565
00:30:28,720 --> 00:30:32,000
Speaker 1: get this get this information in the midst of a recording.

566
00:30:32,440 --> 00:30:37,080
Speaker 1: But as every great entertainer will tell you, Ozzy Osbourne included,

567
00:30:37,840 --> 00:30:41,400
Speaker 1: the show must go on. It's rule number one. So

568
00:30:41,800 --> 00:30:43,960
Speaker 1: with that, we're gonna take a quick break and we'll

569
00:30:43,960 --> 00:31:00,440
Speaker 1: be back in the flash. All right, we our back,

570
00:31:00,520 --> 00:31:03,160
Speaker 1: ladies and gentlemen here in the after party. Ozzy Osbourne

571
00:31:03,160 --> 00:31:05,960
Speaker 1: has passed away. We just got this news, and the

572
00:31:06,040 --> 00:31:10,200
Speaker 1: skies have opened up outside the studio. It's pouring rain

573
00:31:10,320 --> 00:31:11,880
Speaker 1: right now. You might be able to hear some of

574
00:31:11,880 --> 00:31:15,760
Speaker 1: that rain, Black Sabbath, Black Sabbath style and the opening

575
00:31:15,880 --> 00:31:21,000
Speaker 1: seconds little thunder, little rain, and the opening seconds of

576
00:31:21,600 --> 00:31:25,920
Speaker 1: Ozzy Osborne's great debut. I think it's I think it's apropos.

577
00:31:26,040 --> 00:31:28,080
Speaker 1: I could wait until the rain dies down, but I'm

578
00:31:28,120 --> 00:31:30,160
Speaker 1: not gonna. I'm just gonna. I'm just gonna record here

579
00:31:30,200 --> 00:31:33,920
Speaker 1: in honor of Ozzy Osbourne. But like I said at

580
00:31:33,920 --> 00:31:36,440
Speaker 1: the end of that last block, the show must go on,

581
00:31:36,560 --> 00:31:37,880
Speaker 1: and we're gonna do a little bit of business here.

582
00:31:37,880 --> 00:31:40,160
Speaker 1: We've got to get into our sixty second sports rant

583
00:31:40,160 --> 00:31:43,760
Speaker 1: and under thirty seconds where you guys indulge me, you

584
00:31:43,800 --> 00:31:45,960
Speaker 1: give me just a little teensy bit of space to

585
00:31:46,040 --> 00:31:48,680
Speaker 1: vent on what's happening in sports this week, because yeah,

586
00:31:49,080 --> 00:31:51,080
Speaker 1: I'm a music guy, and I'm a books guy, and

587
00:31:51,120 --> 00:31:54,040
Speaker 1: I'm a movies guy. Sure, but I'm also a sports guy.

588
00:31:54,360 --> 00:31:56,480
Speaker 1: And this week's sixty second sports rant and under thirty

589
00:31:56,480 --> 00:31:58,640
Speaker 1: seconds is once again brought to you by five Hour Energy,

590
00:31:58,680 --> 00:32:01,080
Speaker 1: so big thanks to them. I was up late last

591
00:32:01,160 --> 00:32:04,480
Speaker 1: night on purpose. Okay, golf this past weekend. Once again

592
00:32:04,520 --> 00:32:07,160
Speaker 1: I was not good, but five Hour Energy's new transfusion

593
00:32:07,200 --> 00:32:09,360
Speaker 1: flavor it helped all right, and I was at least

594
00:32:09,400 --> 00:32:11,080
Speaker 1: better on the putting green than the Red Sox were

595
00:32:11,080 --> 00:32:13,320
Speaker 1: in the tenth inning last night. Matt, are we rolling here?

596
00:32:14,040 --> 00:32:16,360
Speaker 1: Let's get that buzzy beeater going. Okay, let's do this

597
00:32:16,400 --> 00:32:18,840
Speaker 1: because I'm definitely rolling here. First of all, Okay, Red

598
00:32:18,880 --> 00:32:21,040
Speaker 1: Sox should have won that game in the ninth inning

599
00:32:21,160 --> 00:32:24,000
Speaker 1: against the Phillies on Monday night. But then they end

600
00:32:24,080 --> 00:32:26,320
Speaker 1: up in extras in the tent and I get that, okay,

601
00:32:26,440 --> 00:32:30,800
Speaker 1: but to lose in extra innings on catcher interference is pathetic.

602
00:32:31,320 --> 00:32:33,360
Speaker 1: The Red Sox should be jamming with that five Hour

603
00:32:33,440 --> 00:32:35,640
Speaker 1: Energy transfusion flavor. You know, you know, what I'm saying

604
00:32:36,160 --> 00:32:38,960
Speaker 1: nine other baseball players and five Hour Energies Transfusion Flavor

605
00:32:39,000 --> 00:32:41,280
Speaker 1: is inspired by golf on official cocktail. It's the hints

606
00:32:41,320 --> 00:32:44,920
Speaker 1: of grape and lime and ginger, but Narvez. Come on, man,

607
00:32:45,280 --> 00:32:48,560
Speaker 1: there's no alcohol in transfusion. Head to your local retailer

608
00:32:48,640 --> 00:32:51,360
Speaker 1: or www. Dot five hour energy dot com to order

609
00:32:51,400 --> 00:32:53,960
Speaker 1: yours today. Give yourself some extra energy out on the

610
00:32:53,960 --> 00:32:55,640
Speaker 1: golf course or even in the tenth inning if you're

611
00:32:55,640 --> 00:32:58,600
Speaker 1: a sleeping Red Sox catcher. All right, Matt, how'd I do?

612
00:32:58,760 --> 00:33:01,360
Speaker 1: Did I maintain my streak? Jake? The training?

613
00:33:01,480 --> 00:33:05,680
Speaker 4: The five hour Energy it's paying off thirty nine seconds,

614
00:33:05,760 --> 00:33:07,880
Speaker 4: so we're getting close to that goal.

615
00:33:08,120 --> 00:33:10,280
Speaker 1: A big improvement from last week. Let's keep it up,

616
00:33:10,280 --> 00:33:14,959
Speaker 1: all right? Well like the Red Sox, better luck next time. Okay.

617
00:33:15,200 --> 00:33:17,120
Speaker 1: That was the sixty second sports rant and under thirty

618
00:33:17,120 --> 00:33:20,680
Speaker 1: seconds sponsored by five Hour Energies New Transfusion Flavor with

619
00:33:20,760 --> 00:33:23,160
Speaker 1: as much caffeine as a premium cup of coffee with

620
00:33:23,320 --> 00:33:26,400
Speaker 1: zero sugar and a compact bottle. Five Hour Energy is

621
00:33:26,440 --> 00:33:28,520
Speaker 1: ready when and where you are, even if you're not

622
00:33:28,560 --> 00:33:31,160
Speaker 1: a golfer like me, So grab your crew, get your

623
00:33:31,320 --> 00:33:33,480
Speaker 1: energy and tee off with five Hour Energies and new

624
00:33:33,480 --> 00:33:37,280
Speaker 1: Transfusion flavor available in stores or online at www Dot

625
00:33:37,320 --> 00:33:40,360
Speaker 1: five hour Energy dot com. All right, before I tell you, guys,

626
00:33:40,400 --> 00:33:43,800
Speaker 1: this is Waylon Jennings Cocaine Bear story, I got to

627
00:33:43,840 --> 00:33:46,040
Speaker 1: remind you that over in the Hollywood Land Feed there's

628
00:33:46,080 --> 00:33:48,760
Speaker 1: a new episode on Jane Mansfield, and there's a new

629
00:33:48,800 --> 00:33:52,440
Speaker 1: rap party bonus episode with Me and Zeth talking Anton LaVey,

630
00:33:52,560 --> 00:33:55,520
Speaker 1: Corey Ham, Bonnie, Prince Billy and a whole bunch more

631
00:33:55,560 --> 00:33:57,960
Speaker 1: So you're not gonna want to miss that. All right, Now,

632
00:33:58,280 --> 00:34:01,160
Speaker 1: I mentioned the cocaine Bear Whalen Jenning story that's only

633
00:34:01,200 --> 00:34:03,640
Speaker 1: coming to your ears if you're Ozzy Osbourne and can

634
00:34:03,640 --> 00:34:06,000
Speaker 1: listen in from the astral plane, or if you're a

635
00:34:06,520 --> 00:34:10,520
Speaker 1: Disgrace Sland All Access member and you will therefore be

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00:34:10,560 --> 00:34:13,359
Speaker 1: granted access into the after after party here in a Minute,

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00:34:13,360 --> 00:34:15,640
Speaker 1: which of course has a cover charge of only five

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00:34:15,680 --> 00:34:17,759
Speaker 1: dollars a month and also gets you unlimited commercial free

639
00:34:17,800 --> 00:34:20,319
Speaker 1: listening to Disgrace Land and Hollywood Land, and you get

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00:34:20,320 --> 00:34:25,640
Speaker 1: that extra full episode of Disgraceland per month, plus access

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00:34:25,640 --> 00:34:28,200
Speaker 1: to me and all your discos in the Patreon chat

642
00:34:28,520 --> 00:34:30,920
Speaker 1: if you crave that little extra something, that little extra

643
00:34:30,920 --> 00:34:33,480
Speaker 1: community buzz for me and your fellow Disgrace Sland listeners

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00:34:33,560 --> 00:34:50,799
Speaker 1: back in the flash. All right, welcome back to the

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00:34:50,840 --> 00:34:52,400
Speaker 1: after party. We're about to get out of here. I

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00:34:52,480 --> 00:34:54,279
Speaker 1: want to get into the vault section here mention the

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00:34:54,440 --> 00:34:57,440
Speaker 1: now we got all screwed up here today in today's episode,

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00:34:57,480 --> 00:35:01,400
Speaker 1: because you know, originally I started to talking about the

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00:35:01,480 --> 00:35:04,400
Speaker 1: rewind episodes we're gonna be the sex Pistols episodes. And

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00:35:04,440 --> 00:35:06,600
Speaker 1: then in the course of recording this episode, we got

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00:35:06,680 --> 00:35:11,480
Speaker 1: news that Ozzy Osbourne had passed away, so sex Pistols

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00:35:11,560 --> 00:35:14,319
Speaker 1: will not be in the rewind slots this week. We

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00:35:14,400 --> 00:35:17,239
Speaker 1: made a programming decision in real time while recording this

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00:35:17,400 --> 00:35:21,440
Speaker 1: and we will have the Black Sabbath and Ozzy Osbourne episodes,

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00:35:21,440 --> 00:35:24,400
Speaker 1: two episodes for you and the rewind slots at the

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00:35:24,520 --> 00:35:26,879
Speaker 1: end of this week, all right, so you can dive

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00:35:26,920 --> 00:35:29,359
Speaker 1: into that and then your sex Pistols episodes. Those will

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00:35:29,400 --> 00:35:31,279
Speaker 1: remain in the archive for I don't know, I don't

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00:35:31,320 --> 00:35:33,279
Speaker 1: know for how much longer, but Matt will have the

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00:35:33,360 --> 00:35:36,000
Speaker 1: show information on those Pistols EPs for you. You want

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00:35:36,000 --> 00:35:38,200
Speaker 1: to go check those out. And again, Zeth Lundy wrote

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00:35:38,200 --> 00:35:41,560
Speaker 1: his ass off on those also mentioned Johnny Cash, and

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00:35:41,600 --> 00:35:43,400
Speaker 1: we of course of a Johnny Cash episodes, so you

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00:35:43,400 --> 00:35:45,279
Speaker 1: can listen to that. Matt will have that info for

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00:35:45,360 --> 00:35:47,719
Speaker 1: you as well in the show notes. So I got

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00:35:47,719 --> 00:35:49,640
Speaker 1: to get out of here. I'm taking off. I'm doing

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00:35:49,640 --> 00:35:54,640
Speaker 1: a little tiny vacation tomorrow. And it's uh five point

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00:35:54,640 --> 00:35:58,160
Speaker 1: fifty two here Eastern Time on a Tuesday. It's it's

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00:35:58,719 --> 00:36:01,280
Speaker 1: I get some Black Sabbath rain happening outside my window

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00:36:01,360 --> 00:36:03,600
Speaker 1: right now. I have so much to record tonight. I

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00:36:03,600 --> 00:36:06,280
Speaker 1: haven't packed anything. I gotta get out all right, Let's

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00:36:06,320 --> 00:36:10,239
Speaker 1: recap number one this week's full episode Waylon Jennings. That

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00:36:10,320 --> 00:36:12,720
Speaker 1: is live for you right now, coming at you next

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00:36:12,760 --> 00:36:16,439
Speaker 1: for you All Access members are Alice Cooper. Episode that'll

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00:36:16,480 --> 00:36:18,560
Speaker 1: pair well with our rewind episodes at the end of

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00:36:18,600 --> 00:36:20,680
Speaker 1: the week. In the Wide Feed on Ozzy Osbourne and

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00:36:20,680 --> 00:36:23,880
Speaker 1: Black Sabbath next week on Tuesday, our Mark landing in

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00:36:23,920 --> 00:36:25,759
Speaker 1: episode You're gonna want to get in on that action

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00:36:25,880 --> 00:36:29,120
Speaker 1: number five Over in the Hollywood land Feed, Jane Mansfield

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00:36:29,480 --> 00:36:31,880
Speaker 1: and Zeth and I and the Rap Party talking Bonnie

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00:36:31,880 --> 00:36:36,680
Speaker 1: Prince Billy's acting career. Who Knew Damn Number six six

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00:36:36,760 --> 00:36:38,880
Speaker 1: one seven ninet of six six sixty three eight voicemail

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00:36:38,880 --> 00:36:41,840
Speaker 1: and text dm me at this graceland pod on Instagram, TikTok,

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00:36:41,880 --> 00:36:45,680
Speaker 1: Facebook and exus gracelamdpod at gmail dot com to email me. Listen.

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00:36:45,800 --> 00:36:49,840
Speaker 1: Your voice helps uncover what gets buried. Okay, your takes

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00:36:50,080 --> 00:36:52,600
Speaker 1: they propel me into the dark corners of music history.

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00:36:52,640 --> 00:36:55,279
Speaker 1: So keep them coming. Dig baby, dig, get in touch

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00:36:55,320 --> 00:36:57,040
Speaker 1: and let me know what you know, all right? Number seven,

689
00:36:57,120 --> 00:37:00,560
Speaker 1: don't forget. This isn't just content discos. This is a community,

690
00:37:00,760 --> 00:37:03,400
Speaker 1: a community of the obsessed. No one cares about music, books,

691
00:37:03,440 --> 00:37:05,560
Speaker 1: records in the crime and crime that ties them all together,

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00:37:05,640 --> 00:37:08,360
Speaker 1: like you do. And well that's a disgrace. Rock and

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00:37:08,480 --> 00:37:10,319
Speaker 1: ROLLA I get to take off, but before I do.

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00:37:10,440 --> 00:37:14,600
Speaker 1: On August twenty fourth, nineteen seventy seven, federal agents rated

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00:37:14,640 --> 00:37:18,120
Speaker 1: Wayland Jennings Studio, and this was what America was listening

696
00:37:18,160 --> 00:37:21,640
Speaker 1: to that day. According to the Billboard Charts, Number one

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00:37:22,120 --> 00:37:26,640
Speaker 1: best of My Love the Emotions, last week three weeks

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00:37:26,640 --> 00:37:30,239
Speaker 1: on the chart eleven. Number two, I just want to

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00:37:30,280 --> 00:37:34,600
Speaker 1: be here everything, Andy Gibb last week one peak position

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00:37:34,960 --> 00:37:39,759
Speaker 1: one weeks on chart eighteens. Number three, Your Love has

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00:37:39,840 --> 00:37:44,399
Speaker 1: lifted Me higher and hire readA Coolidge last week four

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00:37:44,719 --> 00:37:48,919
Speaker 1: peak position three p weeks on Chart sixty number four.

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00:37:49,480 --> 00:37:54,320
Speaker 1: I'm number one Peter Frampton last week two, peak position

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00:37:54,440 --> 00:38:00,600
Speaker 1: two weeks on Chart thirteen number five. Commodore started last

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00:38:00,600 --> 00:38:05,880
Speaker 1: week the seventh feat. Physician on five five twenty number

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Speaker 1: six five. Quit talking and start mixing it.

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Speaker 4: Thank you for the bottom up.

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Speaker 3: I love you re