WEBVTT - Episode 81 "Industry Talk" (Part 2)

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Everybody who loves honey glaze

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<v Speaker 1>carrots a great side dish for your springtime celebration and

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<v Speaker 1>a delicious compliment to a sweet, bright muscato. Wine is

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<v Speaker 1>made in virtually every country in the world, and I'm

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<v Speaker 1>ready to give you a tour to find the right

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<v Speaker 1>one serving lamb this season. Try it with a bold

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<v Speaker 1>cabernet from the trendy Apostle Robles region. Whether you're hosting

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<v Speaker 1>or just bring the wine we love to share are

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<v Speaker 1>always low prices and ridiculous selection this spring at Total

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<v Speaker 1>Wine and More. Cheers y'all. He's a legendary Queen's rapper,

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<v Speaker 1>Hang Segre is your boy in. He's a Miami hip

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<v Speaker 1>hop pioneer. What Up is d J e f N?

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<v Speaker 1>Together they drink it up with some of the biggest

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<v Speaker 1>players in music and sport. You know, I mean, the

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<v Speaker 1>most professional, unprofessional podcast and your number one source for

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<v Speaker 1>drunk facts. This is Drinks chap Radi wh every Day

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<v Speaker 1>is New Year's e N? What Up? Drink Champs, Army,

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<v Speaker 1>Drink Champs. Family to Boy d J E f Fen

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<v Speaker 1>I want to say a couple of words before we

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<v Speaker 1>get into part two of this Industry Talk episode. We

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<v Speaker 1>definitely want to thank all y'all who've been supporting us

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<v Speaker 1>through this transitional period were between our deals, and we're

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<v Speaker 1>gonna come back bigger and stronger. So you know, thank

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<v Speaker 1>you for bearing with us. But trust us, it's a

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<v Speaker 1>lot of good things happened behind the scenes and we're very,

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<v Speaker 1>very excited to to to just hit the ground running

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<v Speaker 1>with you know, season two of Drink Champs will Revolt

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<v Speaker 1>TV and our other partners. So thank you for supporting

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<v Speaker 1>us and thank you for rolling with us. Actually in

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<v Speaker 1>this in this episode, part two of Industry Talk, you know,

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<v Speaker 1>we're covering a lot. We're talking about the street team stuff,

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<v Speaker 1>we're talking about working records. There's a couple of people

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<v Speaker 1>that you know, I might have forgotten. There's so many

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<v Speaker 1>people that work behind the scenes. I definitely want to

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<v Speaker 1>shout out a couple of people like on Point, my

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<v Speaker 1>Boy Bugga, Off the Hook, Doc Fresh Rest in Peace

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<v Speaker 1>and my brother Dog Fresh fat Man Promotions, Payback Promotions,

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<v Speaker 1>my boy Big Teach with Big Mouth Promotions. Shout out

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<v Speaker 1>to Mike Monastein with Movement marketing, Sam Crespo, Al Lindstrom,

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<v Speaker 1>my boy Alfonso, and just basically you know, there's a

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<v Speaker 1>lot of people on forgetting but all the all the

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<v Speaker 1>street teams, from the regional guys to the national guys,

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<v Speaker 1>to the to the to the head of marketing, from

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<v Speaker 1>the labels or or the guys who worked the mixed

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<v Speaker 1>show at the record labels, from you know, from the

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<v Speaker 1>top all the way to the bottom to that to

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<v Speaker 1>that guy passing out flyers and and you know, and

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<v Speaker 1>whatever small small market each and one of y'all shout

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<v Speaker 1>out to y'all man, because you know, this industry is

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<v Speaker 1>built on the back of the street teams and the

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<v Speaker 1>DJ's and everybody that plays their position behind the scenes.

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<v Speaker 1>So we want to thank you all. This this whole

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<v Speaker 1>two part episode is dedicated to y'all. You know, from

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<v Speaker 1>me and Nori, we really thank y'all, and you know,

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<v Speaker 1>we want to show y'all love. Um and I come

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<v Speaker 1>from that, not not just as a DJ, but also

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<v Speaker 1>as a as a street team marketer. And you know

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<v Speaker 1>I understanding, I come from that, so thing you for

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<v Speaker 1>very much. So, you know, without further ado, let's get

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<v Speaker 1>into this episode. Make sure you follow us very important

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<v Speaker 1>at www. Dot Drink Champs dot Com, at Drink Champs

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<v Speaker 1>across the board, shout out to the whole team. Has

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<v Speaker 1>it as sounds rich Blanco, Akzy, Big Drain, Drink Chance Sports.

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<v Speaker 1>I mean everybody, Mr Lee, I mean everybody out Diego Ali,

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<v Speaker 1>Randy Acker, the whole team, Boris Beats in the Hood,

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<v Speaker 1>Um Eddie the ass Eater, Sunny DBT just you know,

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<v Speaker 1>shout out to everybody in the team. Drink Chance Family.

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<v Speaker 1>Let's just get it right into it. Let's go. So

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<v Speaker 1>what is what is the worst thing of the music industry?

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<v Speaker 1>What is the worst the word money? You know, the

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<v Speaker 1>worst thing A part of the worst thing about the

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<v Speaker 1>industry is about is this you worked so hard? That

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<v Speaker 1>is true. Sixty for promotion six I've never heard of.

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<v Speaker 1>It was next plain to them, all the people that

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<v Speaker 1>are promoting your records. When you want a major record label,

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<v Speaker 1>they don't get paid till net six. Net six is

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<v Speaker 1>an invoice. They get paid sixty days later. Six when

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<v Speaker 1>I know I'm not gonna no, no, I'm on your page.

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<v Speaker 1>I'm on your page. I'm not gonna label. I'm not

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<v Speaker 1>gonna some people page that one year shampoo when the

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<v Speaker 1>nets time, when checks you know, so the guys that

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<v Speaker 1>are working these records on the same I never heard

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<v Speaker 1>of this, all the same pigure. You gotta understand this,

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<v Speaker 1>no reason artists right, the artist has record label exact

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<v Speaker 1>and reps. We don't tell the artists what we go through.

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<v Speaker 1>We want to make sure the artists know you had

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<v Speaker 1>a good time. Yeah, and absolutely all the money it's

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<v Speaker 1>funded by the by the promoter. Absolutely fact we get

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<v Speaker 1>our check guys there and they're getting back to be

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<v Speaker 1>honest with they're not getting reimbursed, number one, just getting

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<v Speaker 1>their fact their check. And it's signs and and and

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<v Speaker 1>and it's times that you're with an artist I've never

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<v Speaker 1>heard of it. And it's times that you legal fees

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<v Speaker 1>for fucking sniper. It's time that you want. The thing

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<v Speaker 1>is the artist never knows. You don't want to put

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<v Speaker 1>your artists in that state of mind, like, don't worry

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<v Speaker 1>about that bullshit. That's why they hires caused what we

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<v Speaker 1>cause exactly we go through the storm we're going through.

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<v Speaker 1>Let me to you and I don't need I want

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<v Speaker 1>to ask you out something because from our era of

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<v Speaker 1>doing the street team stuff, y'all still signing the waiver

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<v Speaker 1>for for for like putting up but the snipe snipe,

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<v Speaker 1>snipe snipe, there's no more. Back in the day. Side, yeah,

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<v Speaker 1>back in the days, you know, you know how you

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<v Speaker 1>saw your posters everywhere. We had to sign a waiver

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<v Speaker 1>that released the label from the obligation. And I have

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<v Speaker 1>to get props real quick to Echo because we worked

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<v Speaker 1>for Echo Clothing and Echoes. The street dude to the

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<v Speaker 1>graffiti and they came in. They made us sign the

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<v Speaker 1>same waiver, but they flew me out to his headquarters.

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<v Speaker 1>We signed the waiver and then his lawyer was there

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<v Speaker 1>and when he walked away, and then the lawyer came

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<v Speaker 1>back and said, y'all signed that, that's official. But if

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<v Speaker 1>anybody in your team gets locked up for that, here's

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<v Speaker 1>my card, y'all call me and I'm gonna bail them out.

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<v Speaker 1>Not everybody to do that. But one thing, one thing

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<v Speaker 1>hardists don't know. That's the good every one thing artists

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<v Speaker 1>don't realize. One thing hartists don't realize. Right, it was

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<v Speaker 1>the era of back in the day when I was

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<v Speaker 1>working Jaro Exitus album and fed Joe's album, right, and

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<v Speaker 1>this is when the fifties cent and the fed Joe's ship,

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<v Speaker 1>and the ship was going down. It was going down,

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<v Speaker 1>it was going out, like people don't understand. People don't

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<v Speaker 1>understand the war on the street. That was campaign for right,

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<v Speaker 1>so hold on, let me, I want to cut your wisdom. Right.

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<v Speaker 1>This is this talking about how the artists are understand

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<v Speaker 1>being that like being that g unit. No, no, it

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<v Speaker 1>was Violator, God bless on Chris Lider, Violator, Violator writer.

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<v Speaker 1>Fat Joe was on Capitol at that time, so they

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<v Speaker 1>hired me to do Capital and I was doing death

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<v Speaker 1>Jam all right. So I'm doing I'm doing I'm doing

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<v Speaker 1>I'm doing Rules Exit this album, and I'm doing somebody

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<v Speaker 1>else right and I'm doing Um Terror Squad, I mean

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<v Speaker 1>Fat Joe's album. We're still doing that now. Violator, send

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<v Speaker 1>out now violated, hold on, violated. So Violator says, these

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<v Speaker 1>two niggas can't live in the street. So now they're

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<v Speaker 1>ripping down all the posters. So as you're working crazy

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<v Speaker 1>putting up the post you are all night. You are

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<v Speaker 1>all night, three four or five in the morning, and

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<v Speaker 1>these motherfucker's are ripping and shipped down. Remind you there

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<v Speaker 1>with the Krita hurricane that year, because it was the

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<v Speaker 1>empty award. Yeah, so now I'm fighting all these but

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<v Speaker 1>that year. But what I'm trying to explain to you

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<v Speaker 1>all is that the artists don't understand the war we

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<v Speaker 1>go through because why the labels like, yo, we have

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<v Speaker 1>to get John Rou's album Exodus moving. We need Fat

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<v Speaker 1>Joe ship moving and violated like anything, shake and tear

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<v Speaker 1>it down. So now, so now I'm out here putting

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<v Speaker 1>up the ship and I'm going three blocks down and

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<v Speaker 1>I come back all this ship's ripped down. So I'm like, yo,

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<v Speaker 1>who the fund is doing this ship? So I'm walking

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<v Speaker 1>around looking around. Finally, you know, going around, I see

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<v Speaker 1>a violated truck going bomb like they didn't go right there.

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<v Speaker 1>So now you gotta chase that motherfuck the truck down

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<v Speaker 1>and beat them niggers up as wall and it's real,

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<v Speaker 1>it's real life. It's real life beef. But remember you

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<v Speaker 1>don't know the artists and you're doing it. Yeah, they

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<v Speaker 1>don't even let you the You you don't even get

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<v Speaker 1>in the club because why they didn't give you a

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<v Speaker 1>wrist band. The street team guy stand outside and now

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<v Speaker 1>you're battling for for for position. So now violators ripping

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<v Speaker 1>everything down. Exodus j Rus no good in the street.

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<v Speaker 1>Fat Joe is no good in the street. These niggas

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<v Speaker 1>gotta go at fifty cent is raining, so we gotta

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<v Speaker 1>battle now. Is beef is real life beef. So now

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<v Speaker 1>we're fighting these niggas, we're scrapping. We like this is

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<v Speaker 1>real blood. Niggas is spelling real blood in street. And

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<v Speaker 1>then Sean present Pec had to come together out the

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<v Speaker 1>side of that time. They had to come to us

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<v Speaker 1>like Jaz and Puffy hangs out j M. You know

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<v Speaker 1>they know the fucking the hants that have fucking martinis.

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<v Speaker 1>You notice, right, y'all. Niggas gott happened to me had

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<v Speaker 1>a good We had a good vibe with helping on

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<v Speaker 1>with other teams. We never disched each other. Nobody fucked

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<v Speaker 1>with us. Now. It was fine. It was found real

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<v Speaker 1>talk we had when out of town niggers came in

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<v Speaker 1>out of town motherfuckers, and that's what we had to

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<v Speaker 1>fight them. That was that was difference. We always help

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<v Speaker 1>each other down, like we always say, Yo, get that

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<v Speaker 1>block over there, sweetness, something we overhere. You know, we

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<v Speaker 1>always help keep it going. But jah Ru ruined Fat Joe.

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<v Speaker 1>Then no I'm sorry, Fat Joe knew Ru didn't know

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<v Speaker 1>the battle we were going through in the shop, DJP,

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<v Speaker 1>I had the junior account and you had that account.

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<v Speaker 1>When you're talking about what unit, is that what you're

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<v Speaker 1>talking about. I remember I was his assistant. We remember

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<v Speaker 1>we even met up in the corner. We we started fighting. Nigga.

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<v Speaker 1>I'm looking at Pool. I'm like, holy ship Woo has

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<v Speaker 1>no idea that was me. I'm looking at you around

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<v Speaker 1>like it was me. It was wolf, it was unn.

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<v Speaker 1>It was on the street. All the buildings that you

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<v Speaker 1>see on Biscaine right, they were all being built when

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<v Speaker 1>we were doing street teams. So it's nothing but gates.

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<v Speaker 1>So all we did was put up our posters. But

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<v Speaker 1>then when niggas left at two am, I was there

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<v Speaker 1>at three am, and then this nigga was there at

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<v Speaker 1>four am posters. Yes you gotta. It was a competition war.

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<v Speaker 1>And I don't know you rule. I never made you.

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<v Speaker 1>And and the other part of the story is when

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<v Speaker 1>the cops catch you, ain't no label coming to save you.

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<v Speaker 1>No one. The label is not gonna bail you out.

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<v Speaker 1>Nobody You're doing it for it comes you, don't. We

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<v Speaker 1>just find That's why the street team stuff is a

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<v Speaker 1>culture in itself. It is a culture. And look look

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<v Speaker 1>at Pooh, he's no me for what years? For a minute,

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<v Speaker 1>like I grew up under him, Like I looked up

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<v Speaker 1>to him when I would be on conference calls and

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<v Speaker 1>I wasn't allowed to talk like you you're not You

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<v Speaker 1>can't talk. You don't know why why couldn't you talk?

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<v Speaker 1>Because she's just starting. I was starting staring. So he

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<v Speaker 1>wasn't a market leaders. You ain't battling this ship. But

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<v Speaker 1>you are Miami market leaders now. Now we're just starting.

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<v Speaker 1>She just starting at that time. What you guys are

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<v Speaker 1>in conference back then was was Jack's um epps? Yeah, Max,

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<v Speaker 1>who are you working for at the time? For all

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<v Speaker 1>those things that he just mentioned? But who were you

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<v Speaker 1>the Miami rep? No, she was just the conference call.

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<v Speaker 1>I'm the Miami rep. Right, I'm talking with them. You

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<v Speaker 1>about it like the student became the teacher, Like I

0:13:05.120 --> 0:13:07.160
<v Speaker 1>played my position and did what I had to do,

0:13:08.200 --> 0:13:10.480
<v Speaker 1>and there was no no I know what you did.

0:13:11.559 --> 0:13:13.360
<v Speaker 1>And the more the what I'm trying to explain is

0:13:13.400 --> 0:13:16.280
<v Speaker 1>like when Nori what told me when I was working

0:13:16.400 --> 0:13:18.920
<v Speaker 1>his record before? He was like, yo, I didn't know

0:13:19.000 --> 0:13:21.839
<v Speaker 1>you go through this ship. I didn't know you never knew.

0:13:22.120 --> 0:13:27.760
<v Speaker 1>I never knew you did this. You know one one,

0:13:27.880 --> 0:13:29.920
<v Speaker 1>hold on, hold on, hold on, hold on. I definitely

0:13:29.920 --> 0:13:32.400
<v Speaker 1>want to pick up. I definitely want to pick up.

0:13:32.760 --> 0:13:34.920
<v Speaker 1>I definitely want to pick up Fat Joe because Fat

0:13:35.000 --> 0:13:38.120
<v Speaker 1>Joe when when he was independent and he said in

0:13:38.160 --> 0:13:40.280
<v Speaker 1>the Independent, but he had a capital deal, I mean

0:13:40.320 --> 0:13:43.280
<v Speaker 1>Battery Records, um deal, and he put out his album

0:13:43.640 --> 0:13:46.480
<v Speaker 1>and we was going told the toll war for everybody.

0:13:46.480 --> 0:13:49.360
<v Speaker 1>For Fat Joe. Fat Joe was like, Yo, Shampoo, where

0:13:49.360 --> 0:13:51.320
<v Speaker 1>you at? I said you, I'm over. He's like, yo,

0:13:51.440 --> 0:13:54.400
<v Speaker 1>meet me here and gave me a thousand dollars out

0:13:54.440 --> 0:13:56.840
<v Speaker 1>of his pocket. Like Yo, my nigga, I see what

0:13:56.880 --> 0:14:01.120
<v Speaker 1>you're doing. I appreciate you here. Artists ain't Niggies don't

0:14:01.120 --> 0:14:04.720
<v Speaker 1>do that. Biggs don't do that. They don't understand with

0:14:04.800 --> 0:14:08.719
<v Speaker 1>the sacrifice that we put in to get them their

0:14:08.840 --> 0:14:13.080
<v Speaker 1>visualility because there wasn't hot. There wasn't hot. They think

0:14:13.120 --> 0:14:15.240
<v Speaker 1>all the money that they're giving us we keep, but

0:14:15.320 --> 0:14:18.840
<v Speaker 1>we don't. Don't. We keep left in half because we're

0:14:18.880 --> 0:14:20.800
<v Speaker 1>taking care of the city because we don't need. First

0:14:20.840 --> 0:14:24.280
<v Speaker 1>of all, let's be honest. The regulator pays bullshit, absolutely,

0:14:24.440 --> 0:14:27.640
<v Speaker 1>and then we get because keep honest all the way

0:14:27.880 --> 0:14:34.000
<v Speaker 1>over pays bullshit. They pay all us as a company,

0:14:33.480 --> 0:14:39.080
<v Speaker 1>and you have employees and in the mood and I

0:14:39.080 --> 0:14:41.680
<v Speaker 1>ain't looking for no regular label or no deal or not.

0:14:42.280 --> 0:14:45.240
<v Speaker 1>But that's how the true. So how did they treat

0:14:45.560 --> 0:14:51.600
<v Speaker 1>the Street team or the street team? It was always

0:14:52.440 --> 0:14:55.440
<v Speaker 1>look if you allowed to be disrespected. I'm not and

0:14:55.440 --> 0:14:57.280
<v Speaker 1>I'm not saying this because I'm on the show and

0:14:57.280 --> 0:15:01.120
<v Speaker 1>I'm talking shit, I really promise you. I was always

0:15:01.160 --> 0:15:03.440
<v Speaker 1>the person that he was the boss. No, no, I

0:15:03.480 --> 0:15:06.520
<v Speaker 1>was always foul on the conference call. I was always argumentive,

0:15:06.880 --> 0:15:10.480
<v Speaker 1>but you know me, I was always talking, but I

0:15:10.520 --> 0:15:13.560
<v Speaker 1>was always talking back to the person runder the conference call.

0:15:13.600 --> 0:15:16.880
<v Speaker 1>I hated conference calls number one because you had someone

0:15:16.880 --> 0:15:21.280
<v Speaker 1>on the conference and they talk ship and everybody in

0:15:21.360 --> 0:15:24.480
<v Speaker 1>the sub in the submarkets were just listening and this

0:15:24.560 --> 0:15:28.920
<v Speaker 1>guy's barking on everybody, and it's like, yo, fucking dude, man,

0:15:29.640 --> 0:15:34.120
<v Speaker 1>fun this motherfucker you guys. And I'm not gonna name

0:15:34.120 --> 0:15:36.160
<v Speaker 1>no names, but one of those dudes came to Miami

0:15:36.640 --> 0:15:39.840
<v Speaker 1>embarked on me. I said, but where are you fell blue,

0:15:39.920 --> 0:15:42.840
<v Speaker 1>I'm coming. When I saw him, he said, no, I

0:15:42.920 --> 0:15:50.120
<v Speaker 1>was just playing brover. But I worked for death Jame

0:15:50.120 --> 0:15:52.120
<v Speaker 1>at the time. That's the only thing I'm gonna say

0:15:52.640 --> 0:16:01.000
<v Speaker 1>every time, and even worse, especially when when do you

0:16:01.000 --> 0:16:03.680
<v Speaker 1>just want to show their plats and all that the

0:16:03.720 --> 0:16:07.280
<v Speaker 1>bathroom bathroom for me? Do we get a bathroom bread? Yeah,

0:16:07.800 --> 0:16:12.640
<v Speaker 1>everybody gets a break hold on, hold on, not to

0:16:12.640 --> 0:16:16.120
<v Speaker 1>shake a break a cigarette break too. Everybody go to

0:16:16.120 --> 0:16:28.040
<v Speaker 1>the bathroom. Roll up you, Mr the Lee, give me

0:16:28.120 --> 0:16:32.560
<v Speaker 1>one a little a little bit of something I ain't know,

0:16:32.720 --> 0:16:35.800
<v Speaker 1>I don't know. Stopped. You've got so many accounts. Back guys,

0:16:35.840 --> 0:16:41.440
<v Speaker 1>told you to relax to right back guys, backus, backup, guys, guys, guys,

0:16:41.640 --> 0:16:43.840
<v Speaker 1>back guys. Was the one guy guys left you, but

0:16:44.440 --> 0:16:46.200
<v Speaker 1>I know he did. He left me. He went, he

0:16:46.240 --> 0:16:48.680
<v Speaker 1>went to our nation, became the big guy. But back

0:16:48.720 --> 0:16:51.000
<v Speaker 1>guys with the guy, God bless him. When he fired

0:16:51.160 --> 0:16:54.920
<v Speaker 1>THEO Brown. He came to me, you know, he came

0:16:54.960 --> 0:16:57.440
<v Speaker 1>to me. When he came to me and was like, yo, Pool,

0:16:57.680 --> 0:17:00.240
<v Speaker 1>come come outside with me. And like whenever of the

0:17:00.920 --> 0:17:03.960
<v Speaker 1>senior VP tells you, yo, come take a walk with you,

0:17:04.000 --> 0:17:07.160
<v Speaker 1>like you like, oh, here about to find me. So

0:17:07.200 --> 0:17:09.360
<v Speaker 1>he's like, yo, come walk with me. So I walk

0:17:09.400 --> 0:17:11.920
<v Speaker 1>outside with him. He's like, Yo, I know THEO brought

0:17:12.000 --> 0:17:15.600
<v Speaker 1>you in and that's your man, right. I'm like yeah.

0:17:15.680 --> 0:17:18.440
<v Speaker 1>He was like yo, but after for July weekend, we're

0:17:18.440 --> 0:17:20.560
<v Speaker 1>about to let him go. I just want to let

0:17:20.560 --> 0:17:22.960
<v Speaker 1>you know. You know what I mean. I want to

0:17:23.000 --> 0:17:31.639
<v Speaker 1>know what you're gonna do. I said with you sorry,

0:17:32.320 --> 0:17:34.640
<v Speaker 1>but to me, being a real nigger, I told they're

0:17:34.680 --> 0:17:41.520
<v Speaker 1>gonna fire you guys. It was like, nah, they I

0:17:41.600 --> 0:17:45.040
<v Speaker 1>got a contract. I got a contract, Like nah, I

0:17:45.119 --> 0:17:49.760
<v Speaker 1>was about to back you out there. He was like nah.

0:17:49.840 --> 0:17:54.360
<v Speaker 1>And and then he called me like some bullshit fun

0:17:54.480 --> 0:17:56.800
<v Speaker 1>these nigga they let me go. Then let me go

0:17:56.920 --> 0:17:59.720
<v Speaker 1>pull it in me like I told you told me.

0:18:00.040 --> 0:18:02.960
<v Speaker 1>And then Peg has Peg has a found name. Bull

0:18:03.000 --> 0:18:07.240
<v Speaker 1>coming on. I want to talk to you, yo, I

0:18:07.280 --> 0:18:13.240
<v Speaker 1>want you to deal job. I'm like, I'm in what

0:18:13.359 --> 0:18:15.320
<v Speaker 1>I gotta do? You ain't charging of all these niggas,

0:18:15.520 --> 0:18:19.159
<v Speaker 1>go go, go go. We got a new orders called

0:18:19.640 --> 0:18:22.720
<v Speaker 1>Fucking the snow Man. We got a new nigger called

0:18:23.000 --> 0:18:25.760
<v Speaker 1>Rick Cross. He got a record called Hustler, and we

0:18:25.840 --> 0:18:29.639
<v Speaker 1>got a new girl from Barbados. That's called Rihanna. That

0:18:29.800 --> 0:18:32.360
<v Speaker 1>was a big movement like we had, like we had

0:18:32.400 --> 0:18:36.400
<v Speaker 1>like millions of and we had to make it a lot.

0:18:36.760 --> 0:18:38.840
<v Speaker 1>You know. You look, you can relate. And I'm gonna

0:18:38.840 --> 0:18:41.359
<v Speaker 1>getting something that the Nori could relate to where he

0:18:41.440 --> 0:18:43.960
<v Speaker 1>understands a little bit more than now. You will, you will,

0:18:44.520 --> 0:18:46.400
<v Speaker 1>you can relate to it. By the way, when I

0:18:46.440 --> 0:18:49.440
<v Speaker 1>was pushing some rock on you, he likes to throw

0:18:49.480 --> 0:18:51.320
<v Speaker 1>this out there. No I have to. I have to

0:18:51.800 --> 0:18:53.919
<v Speaker 1>because it makes sense. So what we're talking about right now,

0:18:55.040 --> 0:19:01.399
<v Speaker 1>like the beginning is the beginning to push my job

0:19:01.720 --> 0:19:04.760
<v Speaker 1>working for President, they didn't even have the rock company

0:19:04.800 --> 0:19:08.400
<v Speaker 1>pushing it yet. It was going through p M I

0:19:08.840 --> 0:19:11.679
<v Speaker 1>Moves Inc. And President them. They would send me a

0:19:11.720 --> 0:19:14.240
<v Speaker 1>case and they were like, yo, push just to the tastemakers.

0:19:14.960 --> 0:19:19.200
<v Speaker 1>The taste makers was like, I don't want it. I

0:19:19.240 --> 0:19:25.200
<v Speaker 1>would push it to good. I couldn't give it away

0:19:25.680 --> 0:19:27.440
<v Speaker 1>what I'm saying. So what I'm trying to say the

0:19:27.480 --> 0:19:29.080
<v Speaker 1>point of this is is that it's the same thing,

0:19:29.200 --> 0:19:31.240
<v Speaker 1>like look at where it's at now. It takes so

0:19:31.320 --> 0:19:34.480
<v Speaker 1>much blood, sweat and tears, a lot of rejection. That's

0:19:34.520 --> 0:19:36.560
<v Speaker 1>what the Street Team world is that's what the promotion

0:19:36.640 --> 0:19:40.040
<v Speaker 1>world is. That's what we don't have. No means, we

0:19:40.080 --> 0:19:42.080
<v Speaker 1>don't have. And then when it's all said and done,

0:19:42.440 --> 0:19:45.879
<v Speaker 1>nobody remembers the person that was on the battlefield in

0:19:45.920 --> 0:19:50.040
<v Speaker 1>the beginning. But we know that absolutely, and we don't

0:19:50.040 --> 0:19:52.800
<v Speaker 1>have anybody to recognize that but ourselves. And to be fair,

0:19:52.880 --> 0:19:55.960
<v Speaker 1>it's only a small group of us. Like you, if

0:19:55.960 --> 0:19:58.000
<v Speaker 1>you hire a shampoo, you gotta hire a sweetness if

0:19:58.000 --> 0:20:01.000
<v Speaker 1>you are sweeten. But is there anybody? Is there anybody

0:20:01.080 --> 0:20:04.080
<v Speaker 1>that you personally felt like you did so much for

0:20:04.119 --> 0:20:07.760
<v Speaker 1>their career? Hell yeah, all of them and they don't

0:20:07.800 --> 0:20:10.160
<v Speaker 1>recognize you. But but you know what it is, it's

0:20:10.200 --> 0:20:18.520
<v Speaker 1>not that's the right. Yeah. Yeah, he's from Merrimories, from

0:20:18.520 --> 0:20:27.159
<v Speaker 1>Miami something my motherfucking couch. Yes, yeah, but you know what,

0:20:27.200 --> 0:20:29.720
<v Speaker 1>Like I said, who want? But like I said, I'm

0:20:29.720 --> 0:20:32.200
<v Speaker 1>in hip hop. He turned pop, which I knew he wouldn't.

0:20:32.240 --> 0:20:35.119
<v Speaker 1>Who wants to work with the person that soothes At

0:20:35.160 --> 0:20:36.480
<v Speaker 1>the end of the day, I'm in hip hop. I'm

0:20:36.480 --> 0:20:38.200
<v Speaker 1>not in the pop world, and I don't want to

0:20:38.200 --> 0:20:40.080
<v Speaker 1>be in the pop world. I don't want to do country,

0:20:40.080 --> 0:20:41.480
<v Speaker 1>I don't want to do nothing. I'm in hip hop.

0:20:41.840 --> 0:20:43.199
<v Speaker 1>That's what I want to be a part of. I

0:20:43.200 --> 0:20:45.920
<v Speaker 1>want to be a part of hip hop history. So yeah,

0:20:46.000 --> 0:20:48.440
<v Speaker 1>that's fine. Like I said, I will take that l

0:20:48.840 --> 0:20:50.960
<v Speaker 1>because at the end of the day, I am who

0:20:51.000 --> 0:20:53.359
<v Speaker 1>I am and I got so much more going on.

0:20:54.880 --> 0:20:56.480
<v Speaker 1>So why so why are you even bothered? But you

0:20:56.480 --> 0:20:58.880
<v Speaker 1>don't have to take the l Quiet, that's why we're

0:20:58.880 --> 0:21:01.200
<v Speaker 1>talking right now. I mean right, what I'm saying, that's

0:21:01.200 --> 0:21:06.439
<v Speaker 1>what I'm saying that never take that out quiet, But

0:21:06.480 --> 0:21:08.919
<v Speaker 1>in hip hobably you have to. You have to because

0:21:09.080 --> 0:21:13.520
<v Speaker 1>because now now you become a threat. Now you're aggressive.

0:21:13.680 --> 0:21:19.320
<v Speaker 1>Now be aggressive? Right right? Yeah? You better? And what

0:21:19.440 --> 0:21:22.560
<v Speaker 1>they do, what they do? What they do? Okay, I'm better. Yeah,

0:21:22.560 --> 0:21:24.560
<v Speaker 1>but what they do they fire you, and how are

0:21:24.600 --> 0:21:29.040
<v Speaker 1>you underling? And they've done that. You know what you do,

0:21:29.160 --> 0:21:32.480
<v Speaker 1>then you remix your career and you keep it moving down.

0:21:33.119 --> 0:21:36.000
<v Speaker 1>But then then it's hard for you to get back in. No, No,

0:21:36.040 --> 0:21:38.840
<v Speaker 1>I don't want to go back in. I elevated. I

0:21:38.880 --> 0:21:42.159
<v Speaker 1>moved forward, not to everybody. Is that for? Well? I

0:21:42.160 --> 0:21:44.720
<v Speaker 1>don't know if Sweetness remembers or nose or remembers. I

0:21:44.800 --> 0:21:47.520
<v Speaker 1>worked just like you. I worked every we work. We

0:21:47.560 --> 0:21:51.520
<v Speaker 1>worked actually the whole company. The whole company, we had

0:21:51.800 --> 0:21:55.080
<v Speaker 1>every account under the sun. I admire that. And then

0:21:55.119 --> 0:21:58.159
<v Speaker 1>you guys know, I'm sure you understand it as the

0:21:58.200 --> 0:22:01.840
<v Speaker 1>industry champion team right here. As the industry change, the

0:22:01.880 --> 0:22:06.199
<v Speaker 1>different underlings to undercut. So if you did it for

0:22:06.240 --> 0:22:08.920
<v Speaker 1>a thousand or a month, they did it for eight

0:22:08.960 --> 0:22:12.160
<v Speaker 1>hundred a month. And then and then it started shifting,

0:22:12.960 --> 0:22:15.480
<v Speaker 1>right and the people that you kind of like trained

0:22:16.280 --> 0:22:19.040
<v Speaker 1>and helped them and show them the way. We're checking

0:22:19.040 --> 0:22:22.240
<v Speaker 1>your accounts. So what do you do. It's either one

0:22:22.440 --> 0:22:25.640
<v Speaker 1>which I wanted to beat all the asses, and then

0:22:25.680 --> 0:22:28.439
<v Speaker 1>you just keep it moving and just remixing into another career,

0:22:28.560 --> 0:22:30.520
<v Speaker 1>do other things, other things. You know what I'm saying.

0:22:30.520 --> 0:22:33.200
<v Speaker 1>We still kept other accounts, but that's that's the type

0:22:33.200 --> 0:22:35.560
<v Speaker 1>of career that we chose. That's the hold. I want

0:22:35.600 --> 0:22:38.400
<v Speaker 1>to ask you a question, when did you stop and say,

0:22:38.440 --> 0:22:41.920
<v Speaker 1>you know what, I can't do that anymore because and

0:22:42.080 --> 0:22:46.639
<v Speaker 1>and and in our world we still doing that and

0:22:46.640 --> 0:22:51.919
<v Speaker 1>we're still what you say, like you don't even know

0:22:52.040 --> 0:22:56.160
<v Speaker 1>that transitioned from being a record promoter to im now

0:22:56.160 --> 0:22:58.240
<v Speaker 1>I'm a DJ manager And I know you had a

0:22:58.240 --> 0:23:00.680
<v Speaker 1>conversation one of my DJs, and he was like, yo,

0:23:01.160 --> 0:23:03.359
<v Speaker 1>he actually thinks he's a great ideals Like absolutely, it

0:23:03.440 --> 0:23:05.199
<v Speaker 1>was natural for us because we've known each other for

0:23:05.240 --> 0:23:07.919
<v Speaker 1>so long. But let's let's be real and let's be

0:23:07.960 --> 0:23:10.760
<v Speaker 1>business with us. We know that I'm only as strong

0:23:10.800 --> 0:23:12.439
<v Speaker 1>as you and you're only as strong as me. As

0:23:12.480 --> 0:23:15.879
<v Speaker 1>we keep our positions together, I'm gonna use you and

0:23:16.000 --> 0:23:18.840
<v Speaker 1>use me, but let's be real with each other. What

0:23:18.920 --> 0:23:23.080
<v Speaker 1>you're asking me right now? Back to my question, what

0:23:23.119 --> 0:23:27.199
<v Speaker 1>made you say I don't want to work? It was

0:23:27.240 --> 0:23:30.000
<v Speaker 1>never about not It was that we were we were

0:23:30.280 --> 0:23:33.199
<v Speaker 1>we were doing something. It made money. We had a

0:23:33.240 --> 0:23:36.000
<v Speaker 1>recession in the United States. When the recession happened, you

0:23:36.040 --> 0:23:37.840
<v Speaker 1>have to look at the economically. Was it's not just

0:23:37.880 --> 0:23:41.719
<v Speaker 1>the industry. The industry was suffering then the recession at

0:23:41.720 --> 0:23:45.040
<v Speaker 1>this time. Yeah, well, I mean I'm always a DJ forever.

0:23:45.080 --> 0:23:47.760
<v Speaker 1>I paid my dues as a DJ. Some my motherfucking DJ.

0:23:48.040 --> 0:23:49.560
<v Speaker 1>You know what I'm saying. I did in the clubs

0:23:49.600 --> 0:23:53.160
<v Speaker 1>every day for mad years. So get through the recession. No,

0:23:53.280 --> 0:23:56.080
<v Speaker 1>we were the only people. We're the only people that

0:23:56.119 --> 0:23:57.959
<v Speaker 1>you can hire. Like. We made it a point that

0:23:58.040 --> 0:23:59.640
<v Speaker 1>when you come into this market, when you come into

0:23:59.640 --> 0:24:01.560
<v Speaker 1>this lane, when you come into this label and the

0:24:01.640 --> 0:24:04.240
<v Speaker 1>music business, and in this city, the only people you

0:24:04.320 --> 0:24:07.560
<v Speaker 1>can hire is this person or that person. But to

0:24:07.680 --> 0:24:10.160
<v Speaker 1>what he's asking me, though, not to cut you off,

0:24:10.720 --> 0:24:14.880
<v Speaker 1>but to what he's asking me. What the recession started

0:24:14.920 --> 0:24:20.280
<v Speaker 1>to make people the underlings, like you mentioned, undercutting the

0:24:20.320 --> 0:24:22.640
<v Speaker 1>people in the market. And this I'm sure it's happening

0:24:22.720 --> 0:24:26.840
<v Speaker 1>market wise nationally. So the young dudes that were the

0:24:27.440 --> 0:24:32.119
<v Speaker 1>interns or whatever of all the promoters started saying, you

0:24:32.200 --> 0:24:35.520
<v Speaker 1>make a g I'll do it for five hunted. So

0:24:35.560 --> 0:24:38.200
<v Speaker 1>what happened was I can't do it for five hunted.

0:24:38.640 --> 0:24:41.080
<v Speaker 1>And then when and then there was a shift of

0:24:41.080 --> 0:24:44.480
<v Speaker 1>the guard. People from the labels started moving around because

0:24:44.480 --> 0:24:46.960
<v Speaker 1>of the because of the recession or because of some

0:24:47.000 --> 0:24:50.560
<v Speaker 1>other ship started shifting. They were leaving their positions. And

0:24:50.560 --> 0:24:53.560
<v Speaker 1>when people leave positions, they started looking for other people

0:24:53.600 --> 0:24:55.760
<v Speaker 1>who are gonna be loyal to them. And so all

0:24:55.800 --> 0:24:58.920
<v Speaker 1>that shifting it happened, started changing the money, changing the

0:25:00.000 --> 0:25:03.160
<v Speaker 1>accounts that were coming to us, and then we all

0:25:03.200 --> 0:25:04.879
<v Speaker 1>had to make What was the year that you just

0:25:04.920 --> 0:25:08.080
<v Speaker 1>said no no more, no more working records? I know

0:25:08.320 --> 0:25:12.439
<v Speaker 1>if you call me right now, say will what are

0:25:12.480 --> 0:25:22.080
<v Speaker 1>you pay? What are we doing? But to be fair,

0:25:22.160 --> 0:25:24.440
<v Speaker 1>can you really deliver where you delivered five years ago?

0:25:24.840 --> 0:25:27.800
<v Speaker 1>And that's my point. I will never point as to

0:25:27.840 --> 0:25:29.720
<v Speaker 1>what I was saying. I will never do anything that

0:25:29.760 --> 0:25:32.200
<v Speaker 1>I cannot do. Honestly, I get it. I'm saying that

0:25:32.320 --> 0:25:34.720
<v Speaker 1>we've cornered the market to the point it's like, if

0:25:34.720 --> 0:25:37.280
<v Speaker 1>you want to go that route, we're the only one's

0:25:37.280 --> 0:25:38.560
<v Speaker 1>that can do it. And that's why you gotta pass

0:25:38.560 --> 0:25:40.880
<v Speaker 1>where he passed at the end of the day, point

0:25:44.480 --> 0:25:48.040
<v Speaker 1>keep it going. What happened was what happened was the

0:25:48.080 --> 0:25:52.720
<v Speaker 1>street team guys became executives, so they forgot about the

0:25:52.840 --> 0:25:57.040
<v Speaker 1>beginning of it. Absolutely the conversation of the DJ now

0:25:57.160 --> 0:25:59.840
<v Speaker 1>their conversation is with the p D and the empty

0:26:00.640 --> 0:26:04.240
<v Speaker 1>It's not about yo, did you hear this record again? Now?

0:26:04.440 --> 0:26:08.359
<v Speaker 1>Is I need these slots? What? What? What's what's gonna

0:26:08.400 --> 0:26:12.159
<v Speaker 1>cost me? So it's a different conversations with the guys

0:26:12.200 --> 0:26:16.640
<v Speaker 1>that started all the guerrilla marketing. They're gone. There's only

0:26:16.640 --> 0:26:19.680
<v Speaker 1>a few of us that still believe in the beginning

0:26:20.119 --> 0:26:22.960
<v Speaker 1>of the roots of the ship. We're gonna start. We

0:26:23.000 --> 0:26:26.399
<v Speaker 1>need to start beating up DJs again. Why would and

0:26:26.440 --> 0:26:31.080
<v Speaker 1>I'm the one does it. Why But you're blaming the

0:26:31.080 --> 0:26:37.239
<v Speaker 1>wrong wrong, You're blaming the wrong d You can't do that.

0:26:39.000 --> 0:26:46.480
<v Speaker 1>They've done that because look, as a businessman, wor you now.

0:26:46.520 --> 0:26:49.960
<v Speaker 1>But as a businessman, we work multiple artists, so you

0:26:50.080 --> 0:26:52.879
<v Speaker 1>have to pick and choose your battles. So I'm working

0:26:52.920 --> 0:26:54.840
<v Speaker 1>for deaf Jam and working for Epic. I'm working for

0:26:54.920 --> 0:26:58.840
<v Speaker 1>Universal Epic. Epic got a hot ass record right now,

0:26:58.920 --> 0:27:01.560
<v Speaker 1>but def Jam is cold. I can't beat you all

0:27:01.680 --> 0:27:05.920
<v Speaker 1>because you working You're not working with records. But say, yo,

0:27:07.359 --> 0:27:09.240
<v Speaker 1>right now, I'm working with you. But that's the game.

0:27:09.280 --> 0:27:12.040
<v Speaker 1>You can't do that. You can't do that. Okay, right here,

0:27:12.600 --> 0:27:17.960
<v Speaker 1>we don't tell me you got you, but but you

0:27:18.040 --> 0:27:23.320
<v Speaker 1>got tough skins. But that's what But that's why he

0:27:23.400 --> 0:27:30.240
<v Speaker 1>said when bitter, you don't put plug my artist, and

0:27:30.359 --> 0:27:37.280
<v Speaker 1>you can't do that for you. But that's the funk,

0:27:37.320 --> 0:27:40.520
<v Speaker 1>whether it be m d's or p DS being honesty,

0:27:41.320 --> 0:27:43.760
<v Speaker 1>there's something that I call the industry talk. They will

0:27:43.760 --> 0:27:46.440
<v Speaker 1>tell you what the funding to tell you to get

0:27:46.480 --> 0:27:48.080
<v Speaker 1>you the funk out there back for that one point

0:27:48.119 --> 0:27:52.000
<v Speaker 1>five seconds, I got you, my dog whatever called sweetness,

0:27:52.080 --> 0:27:56.199
<v Speaker 1>you got me whatever whoever. But what you're doing is

0:27:59.000 --> 0:28:00.639
<v Speaker 1>when you're trying to get on a round the record.

0:28:00.680 --> 0:28:02.040
<v Speaker 1>You know, my favorite line is you know I like

0:28:02.119 --> 0:28:04.520
<v Speaker 1>to be yeah, but this is the thing. I'm good.

0:28:04.720 --> 0:28:08.280
<v Speaker 1>There's the thing about it. As a music executive, you

0:28:08.359 --> 0:28:12.040
<v Speaker 1>have to keep working the records no matter the ups

0:28:12.040 --> 0:28:15.760
<v Speaker 1>and downside, because you can't get caught up. You can't

0:28:15.800 --> 0:28:17.840
<v Speaker 1>get caught up in the label. You believe in the

0:28:18.760 --> 0:28:20.960
<v Speaker 1>know how to work the record. You have to keep going.

0:28:21.119 --> 0:28:24.560
<v Speaker 1>Didn't even think psychologically. But if you think psychologically, I

0:28:24.600 --> 0:28:26.240
<v Speaker 1>bet you. I can ask everybody in this room and

0:28:26.280 --> 0:28:29.760
<v Speaker 1>ain't know one radio commercial one a hundred phone one

0:28:29.800 --> 0:28:34.560
<v Speaker 1>pain consistency. And that's what I'm saying, like, if you consistently,

0:28:34.640 --> 0:28:36.960
<v Speaker 1>here's something, even if it's just a course, that's what

0:28:37.080 --> 0:28:40.040
<v Speaker 1>we're programming. That's what I'm saying that that's programming in

0:28:40.080 --> 0:28:42.200
<v Speaker 1>the brain. But that's what we do, even if the

0:28:42.280 --> 0:28:45.480
<v Speaker 1>DJ just plays the chorus and that's all they recognize

0:28:45.480 --> 0:28:50.080
<v Speaker 1>when they hear the radio. That's like Shampoo said, sometimes

0:28:50.120 --> 0:28:54.760
<v Speaker 1>feje someone she's saying right now, that's real, that's real,

0:28:57.880 --> 0:29:02.280
<v Speaker 1>that's real. But I'm in saying that science. What you're

0:29:02.280 --> 0:29:05.760
<v Speaker 1>saying to science, which is why I know for a fact,

0:29:05.760 --> 0:29:07.520
<v Speaker 1>like if I know if this DJ plays it at this,

0:29:07.600 --> 0:29:09.080
<v Speaker 1>that's why I tell I was like, all I need

0:29:09.080 --> 0:29:11.320
<v Speaker 1>is thirty seconds. I don't care. On the radio, we

0:29:11.400 --> 0:29:13.280
<v Speaker 1>only need a minute thirty second for it to register.

0:29:13.560 --> 0:29:16.080
<v Speaker 1>But I only need thirty seconds for somebody to be like,

0:29:16.160 --> 0:29:20.080
<v Speaker 1>I just heard this in the club last night over

0:29:20.200 --> 0:29:22.480
<v Speaker 1>that you had it in your pocket? Has a gun

0:29:23.920 --> 0:29:28.560
<v Speaker 1>you were doing? You had that? You just got pat Okay,

0:29:28.840 --> 0:29:31.000
<v Speaker 1>I'm sorry, No, I do have patience. I'm in the club.

0:29:31.160 --> 0:29:35.600
<v Speaker 1>That's why you don't worry. You don't know. But I've

0:29:35.600 --> 0:29:40.120
<v Speaker 1>been in the clubs time out. Listen, I've been in

0:29:40.160 --> 0:29:42.960
<v Speaker 1>the club. If you want to hear about patients. When

0:29:43.000 --> 0:29:46.320
<v Speaker 1>I started working ten minutes ago with y'all, and I can't,

0:29:46.320 --> 0:29:48.720
<v Speaker 1>we say no, let's speak from with Eddie. Eddie was

0:29:48.760 --> 0:29:50.760
<v Speaker 1>here because he was my comp He was your mentor

0:29:50.960 --> 0:29:55.360
<v Speaker 1>absolute no, he was my comp nobody. He was also

0:29:55.440 --> 0:29:58.040
<v Speaker 1>my teacher. He was my love. He was your son,

0:29:58.160 --> 0:30:01.080
<v Speaker 1>say hello. He was my son's saying say something. But

0:30:01.200 --> 0:30:03.160
<v Speaker 1>mind you, I had to be in the club. I

0:30:03.160 --> 0:30:05.479
<v Speaker 1>had to be at the club, forty pounds of vinyl

0:30:05.640 --> 0:30:09.360
<v Speaker 1>on my back at ten what are you fucking? That

0:30:09.400 --> 0:30:15.440
<v Speaker 1>was good day, That was a good day to day vinyl,

0:30:16.440 --> 0:30:21.080
<v Speaker 1>that was good good. That's a difference, But that's a

0:30:21.120 --> 0:30:24.560
<v Speaker 1>difference between how many the kitchen widow sweetness. But this

0:30:24.640 --> 0:30:28.320
<v Speaker 1>is the difference between then and now. Back then, DJs

0:30:28.320 --> 0:30:31.600
<v Speaker 1>appreciated when you was the record record and you get

0:30:31.680 --> 0:30:36.560
<v Speaker 1>that vinyl. God, remember that vinyl. I remember I used

0:30:36.600 --> 0:30:40.480
<v Speaker 1>to do that, met and greets Oxygen little posted on

0:30:40.600 --> 0:30:43.360
<v Speaker 1>your vinyl like thank you for holding me down, love you.

0:30:43.400 --> 0:30:48.720
<v Speaker 1>I had my post it back back in the day.

0:30:50.040 --> 0:30:53.920
<v Speaker 1>She's a girl, girl, don't forget, don't forget, she's a girl.

0:30:54.200 --> 0:30:56.800
<v Speaker 1>But telling the truth like for meal, like you was there,

0:30:56.840 --> 0:30:59.280
<v Speaker 1>he was even you was there. I'm sorry if you

0:30:59.440 --> 0:31:02.680
<v Speaker 1>was there, we've been no. No, what you're talking about.

0:31:05.920 --> 0:31:08.160
<v Speaker 1>The trailer he was, He was in the trailer. He

0:31:08.240 --> 0:31:10.040
<v Speaker 1>was in the trailer. I'm gonna tell you something for this,

0:31:10.240 --> 0:31:12.560
<v Speaker 1>For the sake of a segue, for the sake of

0:31:12.600 --> 0:31:15.440
<v Speaker 1>a segway, we used to have the DJ meeting greets

0:31:15.520 --> 0:31:20.160
<v Speaker 1>at Cream back in the days, all of us, calid included,

0:31:20.400 --> 0:31:23.440
<v Speaker 1>we have to come there and pick up records. And

0:31:23.480 --> 0:31:27.920
<v Speaker 1>for the sake of a segue, and Eddie copy and

0:31:27.960 --> 0:31:32.000
<v Speaker 1>then started a massive beat. People appreciated that that's when

0:31:32.040 --> 0:31:42.000
<v Speaker 1>the gun and that's this superway before that, before you

0:31:42.000 --> 0:31:43.640
<v Speaker 1>have to address the elephant in the room. You're an

0:31:43.640 --> 0:31:49.520
<v Speaker 1>addressed elephant with what was the elephant? Gucci for Dora?

0:31:52.160 --> 0:31:59.200
<v Speaker 1>Was there a problem with Colid and who? No, man, no, no,

0:31:59.520 --> 0:32:02.680
<v Speaker 1>what there is there's history, So I want to address

0:32:02.680 --> 0:32:04.440
<v Speaker 1>it when we come on the show with Calin, not

0:32:04.560 --> 0:32:07.120
<v Speaker 1>to address it on some negative ship, just to laugh

0:32:07.160 --> 0:32:10.400
<v Speaker 1>about it, because there's laughable history, laughable history and had

0:32:10.440 --> 0:32:11.880
<v Speaker 1>to do with you, and it had to do with you.

0:32:11.960 --> 0:32:15.040
<v Speaker 1>That's what I think. It's hilarious. Aga, you are a

0:32:15.160 --> 0:32:18.640
<v Speaker 1>common denominator of the history with Calin. I got to

0:32:18.720 --> 0:32:22.880
<v Speaker 1>relax for nothing because we're putting way too much on it.

0:32:22.920 --> 0:32:25.680
<v Speaker 1>There's so much. There's so much history with Kalid and

0:32:26.360 --> 0:32:31.560
<v Speaker 1>even were insane. Lately there's a magazine cover with you

0:32:31.760 --> 0:32:39.680
<v Speaker 1>collegs and Iris and I said, Apps always been supposed

0:32:39.720 --> 0:32:41.280
<v Speaker 1>to be the smart guy. A lot of people don't

0:32:41.280 --> 0:32:53.040
<v Speaker 1>know that. Just do a lot. Wait wait, wait, daddy,

0:32:53.600 --> 0:33:03.840
<v Speaker 1>you know this ship ship ship ship, I never know.

0:33:05.400 --> 0:33:10.880
<v Speaker 1>I never know this sweetness years on the ball, sweetness.

0:33:10.920 --> 0:33:14.880
<v Speaker 1>I was about to say that did sweetness like came from?

0:33:14.920 --> 0:33:26.920
<v Speaker 1>Did Eddie give you that name? He said, leaky Lee? Who? Sorry, sorry,

0:33:31.040 --> 0:33:33.240
<v Speaker 1>it's nothing. He changed my life, he kept the real

0:33:33.640 --> 0:33:35.760
<v Speaker 1>he changed my life. I'll give you. I'll give him none.

0:33:35.800 --> 0:33:37.960
<v Speaker 1>Cry so what what the apps? Knock it down? Let's

0:33:38.000 --> 0:33:42.360
<v Speaker 1>just don't out there. But how do you change your life?

0:33:42.400 --> 0:33:45.560
<v Speaker 1>How do you change your life? He was like, you

0:33:45.600 --> 0:33:51.520
<v Speaker 1>really want to another story? Yes, yes, yes, I love

0:33:51.640 --> 0:33:53.720
<v Speaker 1>Miami stories. I'm gonna try to keep it as short

0:33:53.760 --> 0:33:55.960
<v Speaker 1>as I can. I got into a car accident and

0:33:56.080 --> 0:33:58.520
<v Speaker 1>senior year, right, one of my home girls, I was

0:33:58.560 --> 0:34:03.240
<v Speaker 1>working at another job, so surveys if anybody's from Kendall, everybody.

0:34:03.560 --> 0:34:06.640
<v Speaker 1>Everybody had a job there. Right, that was my senior year.

0:34:06.680 --> 0:34:08.440
<v Speaker 1>I warned I could get work experience. I got into

0:34:08.480 --> 0:34:11.080
<v Speaker 1>a car accident. One of the girls that was working there,

0:34:11.239 --> 0:34:13.839
<v Speaker 1>she was on probation. She was like, yo, I know

0:34:13.880 --> 0:34:15.640
<v Speaker 1>how you can get your car fixed for two thousand

0:34:15.680 --> 0:34:18.520
<v Speaker 1>dollars real quick and one or two nights. Mind you

0:34:18.600 --> 0:34:20.200
<v Speaker 1>that day job I was gonna take me three or

0:34:20.200 --> 0:34:23.480
<v Speaker 1>four months. I needed my car. Right, I went to

0:34:23.520 --> 0:34:25.200
<v Speaker 1>the club. I figured, oh, I could do this. He

0:34:25.280 --> 0:34:26.640
<v Speaker 1>was like, yo, what's what do you want to do it,

0:34:28.560 --> 0:34:46.120
<v Speaker 1>you have to. You have They're crazy. And I went

0:34:46.200 --> 0:34:47.560
<v Speaker 1>in there and I did my dance and I was like,

0:34:47.560 --> 0:34:49.400
<v Speaker 1>oh and I had a better body. Don't get it twisted.

0:34:50.320 --> 0:34:52.040
<v Speaker 1>So when I went in there, I was like, holy ship.

0:34:52.080 --> 0:34:53.840
<v Speaker 1>They threw so much money. I was like, holy sh it,

0:34:53.880 --> 0:34:57.279
<v Speaker 1>I could probably pay my car tonight. So when I

0:34:57.360 --> 0:34:59.840
<v Speaker 1>get on stage, like what's your name? And like go sweetheart,

0:34:59.880 --> 0:35:01.520
<v Speaker 1>he that we already have a bitch name sweet hard.

0:35:01.560 --> 0:35:09.239
<v Speaker 1>I was like, all right, huh no yet that I'm

0:35:09.239 --> 0:35:11.319
<v Speaker 1>trying to stop that cancer. Then if you get to

0:35:11.320 --> 0:35:13.520
<v Speaker 1>the point, you know, I'm like, all right, fun us

0:35:13.560 --> 0:35:16.000
<v Speaker 1>do sweetness. We're just sweetness. So I'm in that bitch.

0:35:16.040 --> 0:35:18.280
<v Speaker 1>I'm making stupid money. I'm move out of my mom's quips.

0:35:18.280 --> 0:35:19.920
<v Speaker 1>I'm like, all right, I can get my own place.

0:35:20.280 --> 0:35:22.560
<v Speaker 1>I'm eighteen years old. I'm doing work experience because I

0:35:22.600 --> 0:35:25.200
<v Speaker 1>get out at twelve o'clock. Right, So now all of

0:35:25.239 --> 0:35:28.120
<v Speaker 1>a sudden, I'm going to Oxygen on Tuesday nights. That

0:35:28.200 --> 0:35:38.040
<v Speaker 1>ship is popping. I'm buying exactly, I'm buying, right, I remember,

0:35:38.360 --> 0:35:44.719
<v Speaker 1>come on, be absolutely, I'm walking stripper friends right and

0:35:44.760 --> 0:35:47.919
<v Speaker 1>we're all buying bottles. At Oxygen at the time, buying

0:35:47.920 --> 0:35:56.920
<v Speaker 1>bottles is like a hundred dollars New York. That movie

0:35:57.960 --> 0:35:59.880
<v Speaker 1>we end up making a movie. And finally one of

0:35:59.880 --> 0:36:03.040
<v Speaker 1>the promoters, his name is Asa, he's still around and

0:36:03.200 --> 0:36:05.480
<v Speaker 1>I was like, Yo, we've been looking for a female promoter.

0:36:05.600 --> 0:36:09.480
<v Speaker 1>Do you think he sounds African? He like skilling curly here.

0:36:09.560 --> 0:36:12.160
<v Speaker 1>I don't know what that is. He avocan is I

0:36:12.160 --> 0:36:16.479
<v Speaker 1>wouldn't say, with it more Jamaican Haitian. No Jamaican, y'all

0:36:16.520 --> 0:36:20.239
<v Speaker 1>make it yeah, make it one a while, yak let

0:36:20.320 --> 0:36:26.279
<v Speaker 1>him train in the building. Yeah, continue, are buying for

0:36:26.280 --> 0:36:31.759
<v Speaker 1>a female from one I'm like, what Domai? Whatmal I

0:36:31.880 --> 0:36:36.719
<v Speaker 1>ever said? Make sure, make sure, make sure for the

0:36:36.840 --> 0:36:43.200
<v Speaker 1>listeners and you're strictly audio podcast. I just want everybody

0:36:43.200 --> 0:36:44.880
<v Speaker 1>in the podcast to know that I am the only

0:36:44.960 --> 0:36:53.439
<v Speaker 1>female in the building. No, there's one other gigs. I'm

0:36:53.480 --> 0:36:58.040
<v Speaker 1>not told this story and motherfucking tech years for everybody

0:36:58.200 --> 0:37:02.240
<v Speaker 1>whoa so it's been hurting you, so listen. And amber

0:37:02.400 --> 0:37:07.239
<v Speaker 1>Rose is not the only one like to started out.

0:37:07.760 --> 0:37:10.839
<v Speaker 1>She gave us a super story. We can't talk about

0:37:10.880 --> 0:37:15.320
<v Speaker 1>that because I made it a point to be fair locally.

0:37:15.440 --> 0:37:27.200
<v Speaker 1>Fatness Night don't. We're making your famous. Let's come out tomorrow.

0:37:27.760 --> 0:37:37.320
<v Speaker 1>What's your Instagram? Shampoo and ns? What is your joint?

0:37:37.480 --> 0:37:41.799
<v Speaker 1>I don't know. Come on, before you do it, do

0:37:41.880 --> 0:37:44.319
<v Speaker 1>your social real quick. If I get like a path

0:37:44.360 --> 0:37:48.120
<v Speaker 1>to follow tomorrow, man, what we do we do tomorrow?

0:37:48.200 --> 0:37:52.319
<v Speaker 1>We're not putting this out motion is d a real

0:37:52.400 --> 0:38:00.480
<v Speaker 1>sweet a go on shampoo y NBS and some motherfucker

0:38:01.200 --> 0:38:05.640
<v Speaker 1>right shout your ship out? Ship is uh for a

0:38:05.680 --> 0:38:11.880
<v Speaker 1>few good man productions? I love. Yeah, that's your Instagram.

0:38:12.000 --> 0:38:19.000
<v Speaker 1>Now you got ll give him the company. I'm just starting. Man,

0:38:19.000 --> 0:38:22.520
<v Speaker 1>I said, you're rated Instagram, You're ray. You have something

0:38:27.920 --> 0:38:31.920
<v Speaker 1>you follow. One thing, one thing I know we can

0:38:31.960 --> 0:38:34.359
<v Speaker 1>all agree on. One thing I know we can all

0:38:34.360 --> 0:38:37.360
<v Speaker 1>agree on at the end of the day, all your artists,

0:38:37.400 --> 0:38:39.680
<v Speaker 1>all you artists coming up, hold on, hold on, hold on,

0:38:39.680 --> 0:38:42.279
<v Speaker 1>hold on, hold on. I know one thing we all

0:38:42.320 --> 0:38:44.960
<v Speaker 1>could we we all could agree on. All your artists

0:38:44.960 --> 0:38:48.400
<v Speaker 1>coming up, and all you artists that's out there. Don't

0:38:48.440 --> 0:38:54.879
<v Speaker 1>forget so laughing on come down by I'm still there.

0:38:55.680 --> 0:39:10.480
<v Speaker 1>Wait up for giggles. It's so fast, happen so strong,

0:39:11.560 --> 0:39:19.879
<v Speaker 1>like a ball, tiger balls. You know it's not the time,

0:39:20.800 --> 0:39:31.560
<v Speaker 1>no fires on. Alright, guys, guys, please come it out

0:39:31.680 --> 0:39:33.879
<v Speaker 1>like what I was saying, one thing all right about

0:39:33.920 --> 0:39:49.239
<v Speaker 1>my friends what we do one thing, one thing, one

0:39:49.320 --> 0:39:51.400
<v Speaker 1>one one thing that I just want to make clip

0:39:51.440 --> 0:39:53.560
<v Speaker 1>for everybody and all the artists coming up and all

0:39:53.600 --> 0:39:57.040
<v Speaker 1>all this is out there, it's always the guys that's

0:39:57.080 --> 0:39:59.120
<v Speaker 1>on the bottom that works, and that works the hardest

0:39:59.160 --> 0:40:01.839
<v Speaker 1>for you and the times you don't understand the sacrifice

0:40:02.080 --> 0:40:05.480
<v Speaker 1>that these people are putting out for you. So for

0:40:05.520 --> 0:40:08.680
<v Speaker 1>all you artists coming up, give love man, because these

0:40:08.719 --> 0:40:11.120
<v Speaker 1>people that you see on the way coming up, you

0:40:11.160 --> 0:40:14.320
<v Speaker 1>see on the way down. So always remember that, you know,

0:40:14.360 --> 0:40:17.640
<v Speaker 1>I mean, just always respect everybody that's always at the

0:40:17.680 --> 0:40:20.799
<v Speaker 1>front line for you. Just because you know he ain't

0:40:20.800 --> 0:40:23.640
<v Speaker 1>in at Mr Child's and everything with you, don't mean

0:40:23.680 --> 0:40:28.280
<v Speaker 1>that he's not putting in that work about respect everybody

0:40:28.360 --> 0:40:30.879
<v Speaker 1>you come across. Facts that I'm saying, because you don't

0:40:30.880 --> 0:40:37.080
<v Speaker 1>know who that person is. I'm not no, I'm good,

0:40:37.120 --> 0:40:45.080
<v Speaker 1>I'm good. I don't want to come you know, say

0:40:45.640 --> 0:40:48.239
<v Speaker 1>say it to the people, saying to the people saying like, yeah,

0:40:48.280 --> 0:40:55.560
<v Speaker 1>you can respect them to come across this strange champ Chapo,

0:40:55.760 --> 0:40:59.919
<v Speaker 1>tell him tell him what artists about that. I feel

0:40:59.920 --> 0:41:09.040
<v Speaker 1>like coming right back, right back, price up. I got

0:41:09.120 --> 0:41:11.600
<v Speaker 1>old school beef. Yeah, I mean you can come in

0:41:11.600 --> 0:41:14.200
<v Speaker 1>and you like you remember that her posters when she

0:41:14.280 --> 0:41:24.640
<v Speaker 1>was trying to come ripping sweeteness did not rip none

0:41:24.680 --> 0:41:28.360
<v Speaker 1>of my posters down. Even that's facts. Let's be Claire.

0:41:29.200 --> 0:41:33.080
<v Speaker 1>She said she did made right. Yeah, I'm confusing that

0:41:33.360 --> 0:41:38.200
<v Speaker 1>time I see her, I don't remember that ship down.

0:41:38.320 --> 0:41:43.000
<v Speaker 1>And at that time it was dream all the time.

0:41:43.040 --> 0:41:47.680
<v Speaker 1>It was different times, different type of time. Baby. I

0:41:47.800 --> 0:41:51.279
<v Speaker 1>always said, your sweetens, you just said you ripped them down. No,

0:41:51.400 --> 0:41:55.080
<v Speaker 1>you know that was the type of you're not lying,

0:41:55.440 --> 0:42:00.319
<v Speaker 1>lying exact tag a ball make you think that yo,

0:42:00.480 --> 0:42:05.000
<v Speaker 1>I was that was me? Na. I think you told

0:42:05.000 --> 0:42:16.120
<v Speaker 1>me you caught her one time. I remember, I remember,

0:42:16.200 --> 0:42:23.399
<v Speaker 1>I remember to talk about homeboy. I've never seen that

0:42:23.680 --> 0:42:25.520
<v Speaker 1>he's making that one up. But I'm gonna roll with

0:42:25.560 --> 0:42:30.080
<v Speaker 1>the story. I never sorry. That just came up in

0:42:30.160 --> 0:42:35.959
<v Speaker 1>the show now for all these are the motherfucker guys

0:42:35.960 --> 0:42:45.120
<v Speaker 1>on the front line man expect the game. Welcome to Play,

0:42:45.360 --> 0:42:51.400
<v Speaker 1>a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

0:42:51.440 --> 0:42:55.879
<v Speaker 1>and more. Play it at Play dot it. We're back

0:42:55.960 --> 0:43:00.080
<v Speaker 1>to Drink Champs Radio with Rapper and R and dj A.

0:43:02.440 --> 0:43:04.600
<v Speaker 1>To name other street team people that's out there that's

0:43:04.640 --> 0:43:07.320
<v Speaker 1>doing it for other people that's just behind the scenes

0:43:07.360 --> 0:43:10.640
<v Speaker 1>that's doing it. How about this, how about that. I'm

0:43:10.680 --> 0:43:15.400
<v Speaker 1>gonna name a couple of people that's not stars, but

0:43:15.520 --> 0:43:22.280
<v Speaker 1>that work behind the scenes from various different labels, various various.

0:43:22.320 --> 0:43:27.359
<v Speaker 1>I think the various people don't forget it. All right,

0:43:28.080 --> 0:43:31.200
<v Speaker 1>all right, you want me to start, let's go and

0:43:31.239 --> 0:43:33.200
<v Speaker 1>then all right, so when I say the name, you

0:43:33.280 --> 0:43:42.719
<v Speaker 1>point to the person. Okay, okay, I'm with It's is

0:43:42.719 --> 0:43:50.080
<v Speaker 1>just like a sance death and he's alive. Russell Simmons

0:43:51.239 --> 0:43:56.120
<v Speaker 1>got shampoo hit it. Two things off the beginning, the Godfather, verything,

0:44:01.080 --> 0:44:05.080
<v Speaker 1>anybody out you're in the game. Just one person, Just

0:44:05.080 --> 0:44:14.040
<v Speaker 1>one person, okay, okay, okay, let the one person go in. Julie,

0:44:14.800 --> 0:44:19.759
<v Speaker 1>Julie Greenwall, when you know it back you fucking slapped

0:44:19.760 --> 0:44:24.400
<v Speaker 1>his neck. You for a body. I think you've caught you.

0:44:28.040 --> 0:44:31.399
<v Speaker 1>That means never cut never cut the check, and cut

0:44:31.440 --> 0:44:39.000
<v Speaker 1>the fucking cheese. What's going She's a very serious person.

0:44:39.080 --> 0:44:41.920
<v Speaker 1>I think he's a past question. I think it's a

0:44:41.960 --> 0:44:45.880
<v Speaker 1>FASTI question. I don't know, complicated. Next one, next one,

0:44:45.960 --> 0:44:53.560
<v Speaker 1>next one. He gave a thumb. Next gotta street chance,

0:44:53.960 --> 0:45:03.600
<v Speaker 1>We gotta let go, we gotta go, all right, very one.

0:45:03.760 --> 0:45:06.480
<v Speaker 1>Someone someone of the great same game. I love Julie

0:45:06.520 --> 0:45:10.560
<v Speaker 1>Guo on myself, Me too, you too, Come on, guy,

0:45:10.840 --> 0:45:14.160
<v Speaker 1>I don't know. One of the great of the game. Okay,

0:45:14.560 --> 0:45:20.000
<v Speaker 1>let's come with another one. Sean Press, Eddie, Sean Press

0:45:20.040 --> 0:45:24.120
<v Speaker 1>real read, one of the best in the game. Respect

0:45:24.160 --> 0:45:31.360
<v Speaker 1>the shop boss, great on the on the music tip.

0:45:33.000 --> 0:45:34.400
<v Speaker 1>I don't know whatever you want to give it. I

0:45:35.680 --> 0:45:38.000
<v Speaker 1>see a lot of people like I respect more like

0:45:38.120 --> 0:45:42.000
<v Speaker 1>jash Bow from Rock Nation. Um wait, wait, wait when

0:45:42.000 --> 0:45:50.200
<v Speaker 1>you're talking about Press, definitely okay's been a war. This

0:45:50.280 --> 0:45:59.400
<v Speaker 1>makes us a loose to DJ like President Stage. It

0:45:59.440 --> 0:46:01.640
<v Speaker 1>should be working records like one of the best in

0:46:01.680 --> 0:46:04.799
<v Speaker 1>the game. He's involved. Wait, hold on, I got one,

0:46:04.880 --> 0:46:08.239
<v Speaker 1>Kevin Black, No, no, no, no no, it's not it's not

0:46:08.280 --> 0:46:14.480
<v Speaker 1>your turn. Stop the way it works, it works stopping

0:46:14.520 --> 0:46:23.880
<v Speaker 1>out this called Okay, I had a good one. You

0:46:23.920 --> 0:46:29.879
<v Speaker 1>sucked me up. Damn Oh, I got one. Ready, Hold

0:46:30.320 --> 0:46:32.200
<v Speaker 1>I think I picked the personally, you picked the person

0:46:32.239 --> 0:46:37.840
<v Speaker 1>I say the name Rob Love my uncle. That's my

0:46:37.920 --> 0:46:42.000
<v Speaker 1>uncle on the g stop. I want to I want

0:46:42.000 --> 0:46:47.279
<v Speaker 1>to get everybody. You got to remember that difference. Okay,

0:46:47.320 --> 0:46:50.200
<v Speaker 1>I'm gonna start with Shampool there, one of the great

0:46:50.440 --> 0:46:53.319
<v Speaker 1>the person I always wanted to copycat, the person that

0:46:53.360 --> 0:46:56.680
<v Speaker 1>always made me go hard. He's the first guy that

0:46:57.000 --> 0:47:00.960
<v Speaker 1>I came to Miami. He had fifty young little motherfucker's

0:47:01.000 --> 0:47:05.280
<v Speaker 1>pushing the school to tearing up South Beach talking with Orange.

0:47:05.719 --> 0:47:08.839
<v Speaker 1>That was you behind my whole and he was never

0:47:09.200 --> 0:47:13.640
<v Speaker 1>Rob Love fact talking about and it was wearing a

0:47:14.000 --> 0:47:20.680
<v Speaker 1>shirts and it was exactly and that he actually what

0:47:20.680 --> 0:47:24.120
<v Speaker 1>I'm saying. But that was memories that made me be

0:47:24.280 --> 0:47:26.719
<v Speaker 1>like who came up with that made me be Rob

0:47:26.840 --> 0:47:29.480
<v Speaker 1>Loves when guys? That made me be like, yo, I

0:47:29.520 --> 0:47:32.040
<v Speaker 1>want to do that? That's dope. That was when you

0:47:32.160 --> 0:47:38.279
<v Speaker 1>was You're throwing me in this. I'm behind the scene, guy,

0:47:38.480 --> 0:47:41.439
<v Speaker 1>I'm making up behind the scene guys, I'm ain't front

0:47:41.520 --> 0:47:46.960
<v Speaker 1>the scene guy. Actually, I got Rob No. I gotta

0:47:47.000 --> 0:47:50.040
<v Speaker 1>say something about Rob Love real quick. Went to the office.

0:47:50.880 --> 0:47:53.800
<v Speaker 1>We worked Tommy Boys when he was on the beginning

0:47:54.520 --> 0:47:57.160
<v Speaker 1>from the beginning for Death Jam. And when I went

0:47:57.239 --> 0:48:00.799
<v Speaker 1>to death Jam, he actually suggests that you need to

0:48:00.840 --> 0:48:03.319
<v Speaker 1>get these guys in Miami. Makes a noise for that

0:48:03.360 --> 0:48:09.359
<v Speaker 1>guy when he signed to death Jam. I don't know how.

0:48:09.680 --> 0:48:11.440
<v Speaker 1>I mean, it's it's real to a degree because I

0:48:11.480 --> 0:48:16.080
<v Speaker 1>saw the picture framed in in Rob loves Like office.

0:48:16.680 --> 0:48:23.560
<v Speaker 1>He's there wearing a HP Crazy Good shirt signing the papers.

0:48:24.120 --> 0:48:29.279
<v Speaker 1>Got damn. I got damn. Part of my left real time.

0:48:31.120 --> 0:48:34.919
<v Speaker 1>So that's anybody else story. I got a roup story.

0:48:34.920 --> 0:48:37.000
<v Speaker 1>When I went to death Jam. He was like, Yo,

0:48:37.080 --> 0:48:39.160
<v Speaker 1>we're going somewhere, and I was like, what you're talking about.

0:48:39.320 --> 0:48:41.160
<v Speaker 1>He was like, Nana, we gotta be out. I said,

0:48:41.160 --> 0:48:43.040
<v Speaker 1>I'm gonna producer. I ain't trying to. I gotta show

0:48:43.080 --> 0:48:45.360
<v Speaker 1>you how radio is. I gotta show you how it was.

0:48:45.440 --> 0:48:48.120
<v Speaker 1>Keith Murray I never forget. And we went out to Philly.

0:48:48.560 --> 0:48:53.759
<v Speaker 1>So soon as we entered, you smoked us. Okay, it's

0:48:53.800 --> 0:48:57.360
<v Speaker 1>just natural high music. So then we go to Philly

0:48:57.640 --> 0:49:00.560
<v Speaker 1>and we entered this radio station. So me and Rob

0:49:00.680 --> 0:49:03.000
<v Speaker 1>Love go in and Keith Murray's in there, and we

0:49:03.120 --> 0:49:05.640
<v Speaker 1>walk in. We see nobody and we're like, what the funk,

0:49:05.640 --> 0:49:07.719
<v Speaker 1>where's everybody? But were hitting guns out so outside and

0:49:07.719 --> 0:49:11.480
<v Speaker 1>feeling you know what I'm saying. This little midget comes yo,

0:49:12.880 --> 0:49:15.239
<v Speaker 1>and I'm like, what the bus gonna keeps like? Yo,

0:49:15.520 --> 0:49:18.880
<v Speaker 1>what's up? It was a fucking midget and he just

0:49:19.000 --> 0:49:21.680
<v Speaker 1>taught me. He just taught me MiNet. I don't think

0:49:21.680 --> 0:49:26.520
<v Speaker 1>you say that. I don't think. I don't know what

0:49:26.520 --> 0:49:28.120
<v Speaker 1>I mean. Little people, I didn't. We don't stand by

0:49:28.200 --> 0:49:36.240
<v Speaker 1>his words and drinks. So I'm like, what little midget,

0:49:37.080 --> 0:49:41.960
<v Speaker 1>I don't little I'm just saying, just taught me that

0:49:42.160 --> 0:49:45.080
<v Speaker 1>you don't just focus making brackets. You know what I'm saying.

0:49:46.360 --> 0:49:52.000
<v Speaker 1>They're not mad at it. The next gotta be careful

0:49:52.440 --> 0:49:54.600
<v Speaker 1>at the next level. And taught me like this, it

0:49:54.680 --> 0:49:56.880
<v Speaker 1>is not all about just producing. I need you to

0:49:56.920 --> 0:49:58.960
<v Speaker 1>see how to work records. I need you out these

0:49:59.040 --> 0:50:01.680
<v Speaker 1>artists go so you can late when you created. So

0:50:01.800 --> 0:50:03.600
<v Speaker 1>he went the extra sta. You know what I'm saying,

0:50:04.400 --> 0:50:06.040
<v Speaker 1>strength and you know what I'm saying. So we can't

0:50:06.040 --> 0:50:08.399
<v Speaker 1>say the executives don't do that. You say, little people,

0:50:08.440 --> 0:50:11.520
<v Speaker 1>shout up? Are you going in again? You put your

0:50:11.560 --> 0:50:21.200
<v Speaker 1>back people, take a little class of wine. Can't next? Next? Next,

0:50:21.719 --> 0:50:29.840
<v Speaker 1>So Sean pays the Godfather shut up on one of

0:50:29.880 --> 0:50:33.120
<v Speaker 1>the best one one one that did it, one that

0:50:33.280 --> 0:50:36.120
<v Speaker 1>did it the best. Wish you would have not left music.

0:50:36.560 --> 0:50:39.000
<v Speaker 1>I asked him one time about you what you're thinking

0:50:39.040 --> 0:50:41.200
<v Speaker 1>about this, like shampoo. If you don't got a wicked jump,

0:50:41.239 --> 0:50:45.080
<v Speaker 1>shutow or left, don't talk to me no more. What

0:50:45.160 --> 0:50:47.160
<v Speaker 1>do you mean by that? Meanwhile, it's no more music

0:50:48.320 --> 0:50:53.400
<v Speaker 1>normal music teams like Packs was the original man the original,

0:50:53.680 --> 0:50:57.439
<v Speaker 1>he understood it. That's why that's why mans Man, God

0:50:57.520 --> 0:51:00.440
<v Speaker 1>blessed man. When Packs was in the game, nigga was

0:51:00.480 --> 0:51:06.120
<v Speaker 1>just getting money because niggas guys was putting hood niggas

0:51:06.200 --> 0:51:10.120
<v Speaker 1>on to show them niggas get money in the corporate world.

0:51:10.840 --> 0:51:13.640
<v Speaker 1>Like niggas wasn't doing that. Be guys was doing that.

0:51:14.360 --> 0:51:16.680
<v Speaker 1>Like I was, me and Motherfucker's on conference court like

0:51:16.760 --> 0:51:22.560
<v Speaker 1>who are you? Yeah from sounds I'm saying, like like

0:51:22.760 --> 0:51:25.360
<v Speaker 1>Begas was one of them dudes man that understood that

0:51:25.840 --> 0:51:28.160
<v Speaker 1>you need the streets. Uh, you know what I mean?

0:51:28.200 --> 0:51:30.560
<v Speaker 1>And that's gonna be lost hip got fixed to it

0:51:30.680 --> 0:51:37.239
<v Speaker 1>and questions. Of course Bax native, so you know what

0:51:37.239 --> 0:51:39.640
<v Speaker 1>I'm saying. That's another thing too, Like he went up,

0:51:39.880 --> 0:51:42.480
<v Speaker 1>he worked his butt off, you know, asked to do

0:51:42.600 --> 0:51:44.719
<v Speaker 1>what he had to do. And like every time he

0:51:44.800 --> 0:51:47.120
<v Speaker 1>came up, he'd take two people with him, then he'd

0:51:47.160 --> 0:51:49.160
<v Speaker 1>go back and take another two people. So he created

0:51:49.239 --> 0:51:52.239
<v Speaker 1>his own destiny. And the kid is still alive and

0:51:52.280 --> 0:51:54.520
<v Speaker 1>he's still rocking with one of the best. So shout

0:51:54.560 --> 0:52:01.120
<v Speaker 1>out Togs on the real tripe sweetness. I mean, he

0:52:01.239 --> 0:52:03.400
<v Speaker 1>calls like me to make sure with Shampoo that I

0:52:03.480 --> 0:52:06.120
<v Speaker 1>got my job at that champ. Right, I would always

0:52:06.120 --> 0:52:11.000
<v Speaker 1>be grateful because I worked for Death Champ. I remember

0:52:11.040 --> 0:52:14.000
<v Speaker 1>seeing l Coo j Rihanna and I'd be like, that's

0:52:14.040 --> 0:52:15.400
<v Speaker 1>then I want to get into a music business. I

0:52:15.440 --> 0:52:17.160
<v Speaker 1>don't know what I'm gonna do, but I want to

0:52:17.160 --> 0:52:19.040
<v Speaker 1>be in the music business. I don't want to be famous,

0:52:19.080 --> 0:52:21.640
<v Speaker 1>but I want to be behind the business. And Shampoo

0:52:21.680 --> 0:52:24.080
<v Speaker 1>and him they gave me. She took, So you took

0:52:24.160 --> 0:52:30.080
<v Speaker 1>LEXI spot here I did. Yeah, no, no, no. Next

0:52:30.200 --> 0:52:33.879
<v Speaker 1>was after us. But what happened was that I said

0:52:33.880 --> 0:52:40.160
<v Speaker 1>it earlier. I said Lex Lex was always king time out,

0:52:40.880 --> 0:52:46.920
<v Speaker 1>time out. We were rocking and rolling out. We'll all

0:52:47.160 --> 0:52:53.920
<v Speaker 1>respected Death right right right? X came later all right,

0:52:54.680 --> 0:52:58.920
<v Speaker 1>I don't know what that means. That sounds horrible. Not

0:52:59.000 --> 0:53:01.520
<v Speaker 1>Alex was was wrong game, but the thing was like

0:53:01.600 --> 0:53:06.120
<v Speaker 1>I was, like I was saying earlier talking about Lexmotion,

0:53:06.520 --> 0:53:09.840
<v Speaker 1>what what what happened with Lex? Alexus? It is always

0:53:09.880 --> 0:53:12.960
<v Speaker 1>like Lexus, that nigger. What I was telling, what we

0:53:13.040 --> 0:53:16.200
<v Speaker 1>were talking about earlier, lex wasn't focused on the beach

0:53:16.280 --> 0:53:20.000
<v Speaker 1>no more. He was moving on. He just not Miami

0:53:20.160 --> 0:53:22.600
<v Speaker 1>number one. But I'm just saying. She was saying that

0:53:22.719 --> 0:53:26.680
<v Speaker 1>it's not the labels at the label, they look you

0:53:26.840 --> 0:53:31.960
<v Speaker 1>have label on to know that. Of course she's been moving,

0:53:32.040 --> 0:53:39.560
<v Speaker 1>She's been moving right now. No, but I'm saying to

0:53:39.640 --> 0:53:42.560
<v Speaker 1>that when what happening was alexis still doing his numbers.

0:53:42.800 --> 0:53:46.160
<v Speaker 1>What I'm saying is that lex was doing other ship radio.

0:53:46.360 --> 0:53:56.319
<v Speaker 1>I know that, but I'm just saying that Lexus, that nigga. Man.

0:53:58.280 --> 0:54:01.960
<v Speaker 1>Alexis that nigga. What I'm saying that that sweetness sweetness

0:54:02.480 --> 0:54:06.719
<v Speaker 1>was doing other things that Flex wasn't what was in

0:54:06.800 --> 0:54:13.080
<v Speaker 1>the point, I wasn't camp. I'm trying to explain this

0:54:13.200 --> 0:54:24.520
<v Speaker 1>is because that's how we're going through respect. You're coming

0:54:24.560 --> 0:54:27.040
<v Speaker 1>from the New York angle. This is the streets in Miami.

0:54:27.840 --> 0:54:35.360
<v Speaker 1>This is different, different streets in Miami streets. That's my button.

0:54:35.560 --> 0:54:39.080
<v Speaker 1>He know that like his fan cool, but the streets

0:54:39.120 --> 0:54:42.800
<v Speaker 1>of Miami talking He's so cool until you need he

0:54:43.000 --> 0:54:48.680
<v Speaker 1>cool and teeny answers, Yeah, he's so cool, and so

0:54:48.800 --> 0:54:51.359
<v Speaker 1>you're wondering, like, why isn't my record doing what it's

0:54:51.360 --> 0:54:53.960
<v Speaker 1>supposed to be doing. I don't know where we at,

0:54:54.120 --> 0:55:00.239
<v Speaker 1>but I know we're in a deep sea. Baby him,

0:55:00.440 --> 0:55:03.239
<v Speaker 1>but can I take some real quick number. I want

0:55:03.280 --> 0:55:06.280
<v Speaker 1>to say something real quick moment with all he's doing

0:55:06.920 --> 0:55:10.719
<v Speaker 1>wa Haiti and I'm in Haiti to my brother and

0:55:10.760 --> 0:55:14.560
<v Speaker 1>I'm not even With all due respect to everybody involved,

0:55:15.160 --> 0:55:20.840
<v Speaker 1>this is is so cute. Yeah you sweethe come up, Relax,

0:55:20.880 --> 0:55:23.600
<v Speaker 1>relax and you co sign me or not. I'm gonna

0:55:23.640 --> 0:55:26.080
<v Speaker 1>say right now like we had, we had a lot

0:55:26.120 --> 0:55:28.560
<v Speaker 1>of We were doing the streets in Miami, crazy c

0:55:28.760 --> 0:55:32.640
<v Speaker 1>HP marketing promotions and Eddie Giggs right here because I

0:55:32.680 --> 0:55:34.440
<v Speaker 1>want to give him his props while he's right next

0:55:34.480 --> 0:55:39.800
<v Speaker 1>to me. He helped. The sweetness is the Lexus is

0:55:40.520 --> 0:55:45.720
<v Speaker 1>the world, absolutely, and they all people that were under

0:55:45.840 --> 0:55:48.880
<v Speaker 1>him in terms of learning the streets, absolutely, and I

0:55:48.960 --> 0:55:53.960
<v Speaker 1>give that ship. When Eddie calls me first ring, I

0:55:54.040 --> 0:55:56.840
<v Speaker 1>pick up. I know where I'm at and I'm not. No,

0:55:56.920 --> 0:55:58.239
<v Speaker 1>it's not where you're at. But I'm just saying, we

0:55:58.320 --> 0:56:02.120
<v Speaker 1>gotta pay homage all night. If Eddie, if Eddie calls

0:56:02.160 --> 0:56:06.399
<v Speaker 1>me and texted me, don't ever listen. See, let's can't

0:56:06.400 --> 0:56:08.520
<v Speaker 1>get into half of these class And we learned from

0:56:08.640 --> 0:56:13.800
<v Speaker 1>the what was the old Street Team games that I

0:56:13.920 --> 0:56:20.600
<v Speaker 1>like that though crazy next motion, Man, I'm gonna take advantage.

0:56:22.080 --> 0:56:24.040
<v Speaker 1>It would be nice shout to keep going the one,

0:56:25.080 --> 0:56:32.839
<v Speaker 1>next one, next one, next, next, next to the next one, next,

0:56:33.200 --> 0:56:41.520
<v Speaker 1>name my show age or maybe not because everybody might

0:56:41.520 --> 0:56:44.799
<v Speaker 1>be down. I'm gonna have to say the record label

0:56:44.880 --> 0:56:50.600
<v Speaker 1>just to not confuse the name Loud Records. Buddha, Oh no, right,

0:56:51.160 --> 0:56:55.279
<v Speaker 1>Big Pun. Big Pun was the dude Big Pun that

0:56:55.440 --> 0:56:58.160
<v Speaker 1>was the one of the dudes that you know Buddha.

0:56:58.440 --> 0:57:04.759
<v Speaker 1>Buddha was one of the the dude that I never

0:57:04.880 --> 0:57:07.280
<v Speaker 1>knew you could put up that many stickers in the world.

0:57:08.360 --> 0:57:10.560
<v Speaker 1>Buddha was one of the niggas man that blew a

0:57:10.680 --> 0:57:15.239
<v Speaker 1>big pun by putting up stickers, and that he was

0:57:15.360 --> 0:57:19.160
<v Speaker 1>the original one of them niggas that was like I

0:57:19.320 --> 0:57:22.640
<v Speaker 1>watched them niggas man him, his brother, you know, Gobby,

0:57:23.120 --> 0:57:31.680
<v Speaker 1>all the man, all of them man all like like

0:57:33.680 --> 0:57:38.320
<v Speaker 1>a lot of people don't know Elson and still shaking

0:57:38.400 --> 0:57:41.240
<v Speaker 1>up killing it. Used to work with at V I

0:57:41.600 --> 0:57:44.640
<v Speaker 1>record with Al Bazzaro. We used to check this out.

0:57:44.720 --> 0:57:49.720
<v Speaker 1>Me used to go take cabs with Fuji's, the Fuji's.

0:57:50.000 --> 0:57:53.320
<v Speaker 1>Everybody promoted damn record and jumping. In a matter of fact,

0:57:53.320 --> 0:57:55.640
<v Speaker 1>I'll even take it more back. We was at Summer

0:57:55.720 --> 0:57:57.800
<v Speaker 1>Jam and we suck in White Cleft with me and

0:57:57.880 --> 0:58:03.280
<v Speaker 1>Fat Joe. So everybody needs assistance. That is about but

0:58:03.880 --> 0:58:07.160
<v Speaker 1>but though, That's what we're saying is we don't have

0:58:07.360 --> 0:58:12.760
<v Speaker 1>those type of exacts anymore. Those exacts and respect to

0:58:12.920 --> 0:58:16.120
<v Speaker 1>those people that did what they did. Those exacts put

0:58:16.280 --> 0:58:20.680
<v Speaker 1>niggas on These new niggas. They ain't looking out for

0:58:20.760 --> 0:58:24.880
<v Speaker 1>nobody but themselves. They're not like, yo, I see what

0:58:24.960 --> 0:58:29.480
<v Speaker 1>you're doing. And that's fine because in two years, what

0:58:29.640 --> 0:58:32.320
<v Speaker 1>we do is we just keep working where from the

0:58:32.400 --> 0:58:38.480
<v Speaker 1>block and every artist is a whole right. Me and

0:58:38.600 --> 0:58:41.600
<v Speaker 1>Shampoo are the pimps. Shampoo is the pimp of monthuck

0:58:41.640 --> 0:58:44.360
<v Speaker 1>in New York on the pimp of Miami, and they's

0:58:44.400 --> 0:58:50.120
<v Speaker 1>a artists on every block. Like cohol always heard, the

0:58:50.240 --> 0:58:54.040
<v Speaker 1>jobs reconnected to art City. Because we don't fucking leave.

0:58:54.440 --> 0:58:57.160
<v Speaker 1>We feed our city. I don't have to be a champion.

0:58:57.200 --> 0:58:59.880
<v Speaker 1>You don't gotta be nothing. We keep motherfucker's a lot.

0:59:00.320 --> 0:59:02.720
<v Speaker 1>We pay the rent. We help them do everything they

0:59:02.760 --> 0:59:10.280
<v Speaker 1>can do. Better man the words, just to be better.

0:59:10.400 --> 0:59:14.280
<v Speaker 1>Wanting to be a businessman. I want to be shot

0:59:14.360 --> 0:59:16.440
<v Speaker 1>like DJ A fact shout out to him and I'm

0:59:16.440 --> 0:59:21.880
<v Speaker 1>gonna plug that in, Mr, exactly. So it's not just

0:59:21.960 --> 0:59:32.160
<v Speaker 1>about being a DJ. Is about being a business exactly.

0:59:32.200 --> 0:59:34.080
<v Speaker 1>Because I've been working me for ten years and you

0:59:34.240 --> 0:59:37.320
<v Speaker 1>was do you feel me? Look where you're at. Support

0:59:37.360 --> 0:59:40.280
<v Speaker 1>your man even when there were nothing to something. But

0:59:41.480 --> 0:59:44.200
<v Speaker 1>I live on Sunday, every Sunday. I'll see Stevie jam

0:59:44.320 --> 0:59:47.440
<v Speaker 1>on Tuesday. But to say, but to say that what

0:59:47.560 --> 0:59:51.480
<v Speaker 1>I was saying earlier, just with y'all every yeah, you

0:59:51.640 --> 0:59:56.320
<v Speaker 1>come from the old school executive mind, Like I'll come up.

0:59:56.440 --> 0:59:58.800
<v Speaker 1>My man is still with me, you mean, That's what

0:59:58.880 --> 1:00:01.520
<v Speaker 1>I'm talking about. We don't have that no more. No more.

1:00:02.200 --> 1:00:05.720
<v Speaker 1>Ain't about like yo, I'm moving yo. Yo. They got

1:00:05.800 --> 1:00:07.920
<v Speaker 1>this position right here. Let me let me put my

1:00:08.040 --> 1:00:10.160
<v Speaker 1>man in there. But we've always been like we still

1:00:10.240 --> 1:00:17.920
<v Speaker 1>got a team. That's what I'm talking about. It's look

1:00:18.440 --> 1:00:21.240
<v Speaker 1>like this is beautiful. This is what hip hop is about.

1:00:21.720 --> 1:00:24.640
<v Speaker 1>If you win, your team win. But these new generations

1:00:24.680 --> 1:00:27.400
<v Speaker 1>they skipping steps then think social media, so they cut

1:00:27.440 --> 1:00:29.160
<v Speaker 1>everybody off because they don't know what it is to

1:00:29.200 --> 1:00:31.240
<v Speaker 1>be loyal to somebody. They don't know what it is

1:00:31.280 --> 1:00:34.800
<v Speaker 1>to be loved, she says. They don't know nobody's social media.

1:00:34.880 --> 1:00:38.840
<v Speaker 1>They skip stats and because I don't want to I

1:00:38.880 --> 1:00:41.120
<v Speaker 1>don't want to do a record And in two years

1:00:41.160 --> 1:00:43.640
<v Speaker 1>you're nobody because I'm not gonna see you and tell you, oh,

1:00:43.800 --> 1:00:46.320
<v Speaker 1>this is the next great idea. Fuck you your artists.

1:00:46.560 --> 1:00:48.480
<v Speaker 1>Tell me what the next great idea is, and let

1:00:48.560 --> 1:00:50.439
<v Speaker 1>me tell you what I can do with it. That's

1:00:50.480 --> 1:00:52.520
<v Speaker 1>the point of being a marketing director. That's the point

1:00:52.560 --> 1:00:54.720
<v Speaker 1>of being in the streets. That's the point of keeping

1:00:54.720 --> 1:00:56.960
<v Speaker 1>you connected to the streets. So you want to keep

1:00:57.000 --> 1:01:04.200
<v Speaker 1>social media, but wait, wait, I want to seckway this

1:01:04.360 --> 1:01:34.800
<v Speaker 1>or something else. Hold on, hold now, wat to social media?

1:01:35.800 --> 1:02:00.480
<v Speaker 1>To social media? Take this violent baby you've but you

1:02:00.520 --> 1:02:05.880
<v Speaker 1>don't really pick the money. I don't expect that. Let

1:02:05.920 --> 1:02:10.800
<v Speaker 1>me show you show you people how lonely. Let me

1:02:10.920 --> 1:02:41.400
<v Speaker 1>show you this at his new age, eat my at it.

1:02:49.360 --> 1:02:53.479
<v Speaker 1>Have used this media plug my nigga. I was trying

1:02:53.480 --> 1:03:01.080
<v Speaker 1>to serious, but to use the n no loves buddy.

1:03:05.360 --> 1:03:13.240
<v Speaker 1>The point if you want to try, when you want

1:03:17.800 --> 1:03:21.080
<v Speaker 1>to relax, I don't know where we wait, why they can't?

1:03:22.120 --> 1:03:26.000
<v Speaker 1>We just got to cancel. Everybody's going to relax her now, please?

1:03:26.600 --> 1:03:33.600
<v Speaker 1>Why get bored always? Since he wants to be as

1:03:34.720 --> 1:03:42.040
<v Speaker 1>I had the father. I'm like, no, he's come back tomorrow,

1:03:42.400 --> 1:03:46.480
<v Speaker 1>come back tomorrow call that. No no, no, no, no, no,

1:03:47.520 --> 1:03:57.480
<v Speaker 1>you don't ruin him. He's still working. Nor's gonna be

1:03:57.600 --> 1:04:05.320
<v Speaker 1>cool or later sometimes right, shout out your jobs working

1:04:05.480 --> 1:04:15.640
<v Speaker 1>again where you work? Foul so jam yet big what

1:04:15.800 --> 1:04:25.320
<v Speaker 1>up niggah big conglomerate to write? Yeah dam him no

1:04:28.280 --> 1:04:33.000
<v Speaker 1>best bust rug Happy birthday busting run. I saw the

1:04:33.040 --> 1:04:39.240
<v Speaker 1>picture live. How was living? Birthday, Biggie, fantastic times my brother,

1:04:39.320 --> 1:04:43.160
<v Speaker 1>Happy birthday buster once again? You know what I mean? Well, um,

1:04:43.920 --> 1:04:46.080
<v Speaker 1>there's a couple of other people birthday too, uncle Wise

1:04:49.800 --> 1:04:55.440
<v Speaker 1>birthday coming up, Big East Birthdays Wise happy day coming up.

1:04:55.560 --> 1:04:59.320
<v Speaker 1>We flew out to Virginia, all our people and we

1:04:59.480 --> 1:05:03.000
<v Speaker 1>spent his the birthday with him. Um uh so happy

1:05:03.040 --> 1:05:09.280
<v Speaker 1>birthday wash Yeah, Wait, what what's going on? Thank you Avalon.

1:05:09.400 --> 1:05:13.960
<v Speaker 1>You don't know about me, so you know, happy birthday

1:05:14.000 --> 1:05:16.160
<v Speaker 1>to uncle was well two more, I don't got the

1:05:16.240 --> 1:05:22.400
<v Speaker 1>more week, right, is incredible. He's incredible, bro. I just

1:05:22.560 --> 1:05:27.680
<v Speaker 1>keep seeing more coming this way. This is an incredible

1:05:27.760 --> 1:05:32.680
<v Speaker 1>show in the world. We had you on the icy episode. Yeah,

1:05:32.800 --> 1:05:36.200
<v Speaker 1>thank you friend, we had you Daddy episode. I want

1:05:36.240 --> 1:05:40.880
<v Speaker 1>to thank relations to y'all. Keep more winning. You don't

1:05:40.920 --> 1:05:44.840
<v Speaker 1>believe you know what I mean? Just again and again

1:05:45.320 --> 1:05:49.320
<v Speaker 1>and as real motherfucker's door, keep putting off of the

1:05:49.440 --> 1:05:53.200
<v Speaker 1>city called me, he called sweetness, he called my nigger

1:05:53.680 --> 1:05:57.640
<v Speaker 1>read it, motherfucking all that, and I appreciate it, man,

1:05:58.360 --> 1:06:00.200
<v Speaker 1>because a lot of people like us, we don't get

1:06:00.240 --> 1:06:02.960
<v Speaker 1>that proper shign. So you know what I'm saying, We

1:06:03.120 --> 1:06:05.640
<v Speaker 1>sometimes we need to behind the scenes and behind the scenes.

1:06:06.120 --> 1:06:07.840
<v Speaker 1>And no reason I'm saying, you don't tell you. He

1:06:07.960 --> 1:06:12.000
<v Speaker 1>was like, Yo, come through my radio shoe eight o'clock

1:06:12.120 --> 1:06:15.800
<v Speaker 1>be there. So I'm like, all right, I'm coming through.

1:06:15.880 --> 1:06:21.560
<v Speaker 1>I'm not even thinking me. She called me and was like, Yo,

1:06:21.920 --> 1:06:23.320
<v Speaker 1>I want to come with you to Nor because I

1:06:23.320 --> 1:06:25.120
<v Speaker 1>gotta teak to Nor about something, because I want to

1:06:25.120 --> 1:06:30.000
<v Speaker 1>tell you about it. You know, before you before we

1:06:30.040 --> 1:06:31.680
<v Speaker 1>get out of here. I have one thing. I wanted

1:06:31.720 --> 1:06:36.800
<v Speaker 1>to get this out. Got a piece, No, I keep talking, No,

1:06:36.960 --> 1:06:39.000
<v Speaker 1>I wanted to do. I wanted to hear something from

1:06:39.040 --> 1:06:42.600
<v Speaker 1>these guys right here right, an experience when you was promoting.

1:06:42.600 --> 1:06:44.000
<v Speaker 1>I'm gonna tell you something. I'm gonna give you the

1:06:44.080 --> 1:06:49.520
<v Speaker 1>example when Pun died, right, he just died. I was

1:06:49.640 --> 1:06:51.800
<v Speaker 1>just about to take a piss right now, now I

1:06:51.880 --> 1:06:56.240
<v Speaker 1>got to stay. We were working for Echo Clothing. Right.

1:06:56.760 --> 1:06:59.400
<v Speaker 1>They flew us out to the Puerto Rican Day Parade

1:06:59.400 --> 1:07:06.000
<v Speaker 1>in New York, right, and they had a float and

1:07:06.080 --> 1:07:12.480
<v Speaker 1>they played for the first time to everybody there, and

1:07:12.560 --> 1:07:16.560
<v Speaker 1>then it had us passing out the Pun towels and

1:07:16.680 --> 1:07:19.480
<v Speaker 1>it was on the floor. Was Fat Joe Raima and

1:07:19.480 --> 1:07:26.160
<v Speaker 1>who else anybody else Cuba that was I can't I

1:07:26.240 --> 1:07:30.600
<v Speaker 1>will never forget the energy that I felt there. You know,

1:07:30.680 --> 1:07:33.840
<v Speaker 1>they played like a hundred times real talk. We walked

1:07:33.880 --> 1:07:36.560
<v Speaker 1>out and every time it played, it was like the

1:07:36.680 --> 1:07:39.880
<v Speaker 1>first time I ever heard it. That was the energy

1:07:39.960 --> 1:07:44.240
<v Speaker 1>that was popping right there. Yeah, it was given. I'm

1:07:44.280 --> 1:07:46.120
<v Speaker 1>telling you right now, me and myself. I was out

1:07:46.200 --> 1:07:49.480
<v Speaker 1>there promoting myself and it was the best experience in

1:07:49.520 --> 1:07:53.160
<v Speaker 1>my life. So as a as a as a marketer

1:07:53.240 --> 1:07:56.480
<v Speaker 1>and a promoter, what what experience like that did you

1:07:56.560 --> 1:08:03.120
<v Speaker 1>guys ever have? My experience was once once, once THEO

1:08:03.280 --> 1:08:05.200
<v Speaker 1>Brown got you know what I mean, salute to theol

1:08:05.240 --> 1:08:07.000
<v Speaker 1>Brown when we use the t VT. He got the

1:08:07.120 --> 1:08:09.520
<v Speaker 1>job at def Jam and he was like, Yo, we

1:08:09.640 --> 1:08:13.840
<v Speaker 1>got this new artist name Jule Santana, Uh, new artists

1:08:13.840 --> 1:08:17.400
<v Speaker 1>from Atlanta called a Snowman, another guy called Rick Ross

1:08:17.439 --> 1:08:20.559
<v Speaker 1>and his girl named Rihanna, and we have poster boards.

1:08:20.920 --> 1:08:22.439
<v Speaker 1>He was like, yo, we need to go on this.

1:08:22.720 --> 1:08:26.280
<v Speaker 1>We we need to move crazy. I took it upon

1:08:26.360 --> 1:08:28.960
<v Speaker 1>myself to buy a shopping cart and we hit the

1:08:29.040 --> 1:08:32.040
<v Speaker 1>whole one in nine. This is we're talking about Jersey

1:08:32.400 --> 1:08:35.479
<v Speaker 1>one in nine, route three all the way to Summer Jam.

1:08:36.479 --> 1:08:39.560
<v Speaker 1>The next morning, how nany seven said, Yo, if you

1:08:39.720 --> 1:08:42.120
<v Speaker 1>look at if you don't know how to get to

1:08:42.200 --> 1:08:46.760
<v Speaker 1>Summer Jam, just follow the poster boards. That was a

1:08:46.880 --> 1:08:50.559
<v Speaker 1>mobile moment because they was like, yo, my nigga. They

1:08:50.640 --> 1:08:54.200
<v Speaker 1>just said follow the poster boards. And as a street team, dude,

1:08:55.160 --> 1:08:57.519
<v Speaker 1>you you we we gotta we we get up early

1:08:57.720 --> 1:09:01.519
<v Speaker 1>to put in that work. And I was that was crazy.

1:09:02.240 --> 1:09:05.840
<v Speaker 1>Never but that was one moment for me that nobody knew.

1:09:05.920 --> 1:09:11.320
<v Speaker 1>It was a moment, you know, the personality just said

1:09:11.360 --> 1:09:14.639
<v Speaker 1>it naturally, like yo, if you're trying to find out

1:09:14.760 --> 1:09:17.880
<v Speaker 1>how to get this to summer jam, follow the poster boys,

1:09:19.120 --> 1:09:23.639
<v Speaker 1>but to you like, yeah, I told you I caught

1:09:23.720 --> 1:09:26.960
<v Speaker 1>these thinkers. I told you they can't funk with us.

1:09:27.800 --> 1:09:30.040
<v Speaker 1>That's the excitement that we don't have no more. But

1:09:30.160 --> 1:09:37.080
<v Speaker 1>that was a moment, sweetness, what you got. I'm fine.

1:09:37.080 --> 1:09:39.440
<v Speaker 1>I'm not was listening to him because I was like reminiscence,

1:09:42.360 --> 1:09:45.760
<v Speaker 1>Like I was like I remember when it was like

1:09:46.720 --> 1:09:50.040
<v Speaker 1>it's like twelve postes up the pole, like you weren't

1:09:50.080 --> 1:09:53.720
<v Speaker 1>all black, Like it's like a whole like scheme, Like

1:09:53.840 --> 1:09:56.880
<v Speaker 1>you gotta like you know what I mean you you

1:09:57.000 --> 1:09:59.080
<v Speaker 1>was asking him like the best moment of his was

1:09:59.200 --> 1:10:09.320
<v Speaker 1>racking promoter. My moment. My moment was met Eddie, my

1:10:09.640 --> 1:10:13.240
<v Speaker 1>baby Eddie. I love you wherever you are at. I

1:10:13.320 --> 1:10:16.400
<v Speaker 1>don't see him in the room. Listen, Eddie's my guy.

1:10:16.520 --> 1:10:24.439
<v Speaker 1>Um um, my best moment in hip hop, there's gotta

1:10:24.439 --> 1:10:29.840
<v Speaker 1>be one. Buster called me like you got you gotta

1:10:29.920 --> 1:10:32.600
<v Speaker 1>understand Like when when Buster called me, I was I

1:10:32.720 --> 1:10:37.800
<v Speaker 1>was about three years seven, seven. Yeah, no no, no, no, no, no,

1:10:38.720 --> 1:10:41.320
<v Speaker 1>three years from now and it's been almost twelve, so

1:10:41.640 --> 1:10:45.680
<v Speaker 1>nine years in the game. And I was called by

1:10:45.760 --> 1:10:48.479
<v Speaker 1>a record label rep who does the whole nationality. His

1:10:48.560 --> 1:10:52.320
<v Speaker 1>name is Shadow, and he was like, Yo, busted, Yeah,

1:10:52.400 --> 1:10:56.599
<v Speaker 1>shout out to Shadow, one of my biggest mentors. Yeah,

1:10:56.760 --> 1:10:58.920
<v Speaker 1>like Busters about to call you. And I was like,

1:10:59.400 --> 1:11:02.599
<v Speaker 1>for what, Like what's going on? And this was actually,

1:11:03.720 --> 1:11:08.080
<v Speaker 1>um about a week and a half before Revolt, the

1:11:08.200 --> 1:11:13.080
<v Speaker 1>first Revolt, not just Revo, the first revoltwork. Yeah, like

1:11:13.200 --> 1:11:19.559
<v Speaker 1>the whole Miami conference. Yeah, and it's like it's gonna

1:11:19.600 --> 1:11:23.639
<v Speaker 1>be in Miami. And Shadow was like, I've had I've

1:11:23.720 --> 1:11:26.639
<v Speaker 1>called to other people and they're the one they represent.

1:11:26.800 --> 1:11:30.120
<v Speaker 1>They said that you're the one. He's like, but I

1:11:30.160 --> 1:11:33.080
<v Speaker 1>don't know how Bus is going to feel about a female,

1:11:33.960 --> 1:11:36.679
<v Speaker 1>you know, trying to get a record played in the standing.

1:11:36.800 --> 1:11:39.639
<v Speaker 1>It's like, just have him call me. So when Buster

1:11:39.720 --> 1:11:43.280
<v Speaker 1>calls me, honestly, I didn't believe it. I don't know

1:11:43.320 --> 1:11:48.240
<v Speaker 1>about him. I was like, all right, Shadow, y'all cute,

1:11:49.280 --> 1:11:53.280
<v Speaker 1>hung up and calls me back. He's like, Yo, you're

1:11:53.280 --> 1:11:55.760
<v Speaker 1>sweep us from Miami. You work records. I was like, yeah,

1:11:56.000 --> 1:11:58.280
<v Speaker 1>I was like, yeah, he's like this this bust the ROMs,

1:11:58.960 --> 1:12:01.880
<v Speaker 1>Like I all right, I hung up with you on

1:12:01.960 --> 1:12:04.240
<v Speaker 1>the first time, so talk to me. He said, So

1:12:04.280 --> 1:12:06.120
<v Speaker 1>I got this new artist him was Oti Gens and

1:12:06.200 --> 1:12:08.439
<v Speaker 1>we got this Coco record. I was like, all right.

1:12:08.520 --> 1:12:13.439
<v Speaker 1>He's like, so I've never really hired a female before

1:12:13.680 --> 1:12:18.120
<v Speaker 1>to work records. Uh, Gorilla wise or whatever? You know.

1:12:18.280 --> 1:12:21.880
<v Speaker 1>I hear from Shadow that year the one. I was like,

1:12:21.960 --> 1:12:26.519
<v Speaker 1>all right, yeah, I obviously talked a lot. He let

1:12:26.600 --> 1:12:28.760
<v Speaker 1>me speak and he was like all right. So the

1:12:28.920 --> 1:12:34.120
<v Speaker 1>check came in the next day. O T came into

1:12:34.160 --> 1:12:36.439
<v Speaker 1>the market with Buster and Buster was like, whatever I

1:12:36.520 --> 1:12:39.439
<v Speaker 1>gotta do to make this nigga popping, I'll do. And

1:12:39.520 --> 1:12:41.519
<v Speaker 1>I was like, does that mean that you're gonna get

1:12:42.200 --> 1:12:44.799
<v Speaker 1>on the mic? Understanding like mine, this is a living nudgeon.

1:12:45.320 --> 1:12:48.240
<v Speaker 1>This is somebody that's had the hits for years. Like

1:12:48.400 --> 1:12:51.200
<v Speaker 1>for him to say I'll do whatever I can, I'll

1:12:51.240 --> 1:12:54.760
<v Speaker 1>do whatever I can my for my artist was a

1:12:54.800 --> 1:12:57.200
<v Speaker 1>big deal to me because I've had artists have been

1:12:57.240 --> 1:13:00.360
<v Speaker 1>signed to other like ludicrits. I haven't had other small

1:13:00.439 --> 1:13:03.880
<v Speaker 1>world signed to other big artists. Little Chris, like little Chris,

1:13:04.080 --> 1:13:06.880
<v Speaker 1>you said like little Chris, like the artists that they

1:13:06.920 --> 1:13:09.200
<v Speaker 1>want me to work sound records and they're signed to

1:13:09.200 --> 1:13:12.439
<v Speaker 1>a bigger artist, like little Chris, You said little Chris

1:13:12.600 --> 1:13:15.800
<v Speaker 1>and was going to say Buster put out a lot

1:13:15.880 --> 1:13:19.960
<v Speaker 1>more effort than other bigger artists. What are they for

1:13:20.080 --> 1:13:21.840
<v Speaker 1>their artists? And that was the big thing with me.

1:13:21.960 --> 1:13:23.840
<v Speaker 1>I was like, yeah, you're signed to this person, but

1:13:23.960 --> 1:13:27.320
<v Speaker 1>what is they doing that. Let's be real Zoey dollars

1:13:27.479 --> 1:13:37.280
<v Speaker 1>future like then and we completed my point. My point

1:13:37.360 --> 1:13:42.599
<v Speaker 1>is the best for me was the best of hip

1:13:42.840 --> 1:13:48.679
<v Speaker 1>for me was living legend. When a living legend says

1:13:48.720 --> 1:13:51.000
<v Speaker 1>to me, I wanted to do whatever I can to

1:13:51.200 --> 1:13:54.760
<v Speaker 1>put this and trusted you, somebody that I used to do,

1:13:54.920 --> 1:13:58.680
<v Speaker 1>like Coreygraph dances to in middle school and calls my

1:13:58.840 --> 1:14:02.040
<v Speaker 1>phone personally until me, whatever you whatever you need me

1:14:02.120 --> 1:14:05.280
<v Speaker 1>to do to make this happen, I will do that.

1:14:05.479 --> 1:14:14.320
<v Speaker 1>Stare crazy, right? What was that I would? It's like

1:14:15.640 --> 1:14:23.479
<v Speaker 1>you let me hanging you listen, we have fun tonight,

1:14:24.400 --> 1:14:27.519
<v Speaker 1>I want to think, but listen. This is the behind

1:14:27.560 --> 1:14:30.000
<v Speaker 1>the scenes of the behind the scenes, behind the scenes

1:14:30.520 --> 1:14:32.640
<v Speaker 1>the remix to the remix of the remix of the

1:14:32.720 --> 1:14:37.920
<v Speaker 1>remixer like other remix after that. I like it buy

1:14:37.960 --> 1:14:43.560
<v Speaker 1>a big ball times two times seventeen. You like you

1:14:43.680 --> 1:14:49.400
<v Speaker 1>talking to the piece, talking about and a lot of alcohol.

1:14:49.520 --> 1:14:52.320
<v Speaker 1>Let's clarify what little pieces because because the case, people

1:14:52.360 --> 1:15:02.200
<v Speaker 1>think you're taking one on one not even molly ringing

1:15:02.240 --> 1:15:07.040
<v Speaker 1>all that bitch boy, that was definitely good old days,

1:15:08.000 --> 1:15:11.200
<v Speaker 1>good old days. That's good. Isn't a bad I'm too

1:15:11.240 --> 1:15:14.439
<v Speaker 1>old to do that. I don't know what my left

1:15:14.520 --> 1:15:19.000
<v Speaker 1>leg's gonna do. Isn't a bad man, all right? I

1:15:19.040 --> 1:15:25.320
<v Speaker 1>don't even know what this one skin? Im a bad studios,

1:15:26.479 --> 1:15:29.959
<v Speaker 1>you know, sweetness, shout out? Hold on, hold on, sweetness,

1:15:30.000 --> 1:15:40.880
<v Speaker 1>Ain't you like conglomerate like director senior marketing rat it

1:15:40.960 --> 1:15:44.160
<v Speaker 1>all what you're doing right now? Submitting like crazy? You

1:15:44.240 --> 1:15:47.440
<v Speaker 1>know what I'm saying, fighting with these this war, submitting,

1:15:48.880 --> 1:15:53.080
<v Speaker 1>telling about submitting records, be submitting crazy, putting on younger niggers,

1:15:53.160 --> 1:15:55.240
<v Speaker 1>not frying like I did the beat. You know what

1:15:56.640 --> 1:15:59.000
<v Speaker 1>a bigger big MC so like you gotta give back

1:15:59.479 --> 1:16:01.200
<v Speaker 1>and you know what I'm saying. And you know, at

1:16:01.240 --> 1:16:03.120
<v Speaker 1>the end of the day, I learned in this game,

1:16:03.160 --> 1:16:05.160
<v Speaker 1>and my father he told me how they pay you

1:16:05.400 --> 1:16:07.640
<v Speaker 1>is how they respect you. So if they paying you

1:16:07.840 --> 1:16:14.000
<v Speaker 1>the respect, you shampoo. Still working. Records got conan new artists,

1:16:14.160 --> 1:16:17.160
<v Speaker 1>pay pay attention, lookout phone, we got my nigger TV

1:16:17.680 --> 1:16:21.320
<v Speaker 1>dot dollars female artist Brooklyn and we're just working man

1:16:21.400 --> 1:16:24.200
<v Speaker 1>wine Vas Records. Man. Just kiss kiss, keep on the lookout.

1:16:24.280 --> 1:16:27.840
<v Speaker 1>We're working and I'm still working Records, Death Jam Epic.

1:16:28.080 --> 1:16:32.479
<v Speaker 1>He one wanna Atlantic, same same around. He wants still work.

1:16:35.800 --> 1:16:40.160
<v Speaker 1>He baby shout the gab he because she used to

1:16:40.200 --> 1:16:44.519
<v Speaker 1>be at Death Game. What's her last name? Gabriel? Uh, yeah,

1:16:45.640 --> 1:16:53.320
<v Speaker 1>she's married this game. I got love original and bigger

1:16:53.360 --> 1:16:57.439
<v Speaker 1>same dollar. Yeah, I love um quite girl. Correct. Yeah,

1:16:57.479 --> 1:16:59.519
<v Speaker 1>she used to She's the one deaths to be the

1:16:59.600 --> 1:17:04.519
<v Speaker 1>jam at that definite damn. Yeah, that's my pet one.

1:17:04.640 --> 1:17:06.599
<v Speaker 1>Yeah man, big up. And I wish I wished when

1:17:06.600 --> 1:17:09.720
<v Speaker 1>I did business eat once she was there. Um, but

1:17:09.800 --> 1:17:12.160
<v Speaker 1>hopefully we can take us to me and m Alan Graham.

1:17:12.800 --> 1:17:14.840
<v Speaker 1>I owe him something, so I got him, you know

1:17:14.880 --> 1:17:21.960
<v Speaker 1>what I mean, do one record album, gotta relax, give

1:17:22.000 --> 1:17:24.439
<v Speaker 1>a little pace, a little bag for later, a little

1:17:24.520 --> 1:17:27.240
<v Speaker 1>pig and you gotta and you listen even when you

1:17:27.360 --> 1:17:30.479
<v Speaker 1>take a little pace for now, you gotta always remember,

1:17:31.400 --> 1:18:06.719
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