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Speaker 1: Wine and More. Cheers y'all. He's a legendary Queen's rapper,

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Speaker 1: Hang Segre is your boy in. He's a Miami hip

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Speaker 1: Together they drink it up with some of the biggest

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Speaker 1: players in music and sport. You know, I mean, the

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Speaker 1: most professional, unprofessional podcast and your number one source for

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Speaker 1: drunk facts. This is Drinks chap Radi wh every Day

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Speaker 1: is New Year's e N? What Up? Drink Champs, Army,

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Speaker 1: Drink Champs. Family to Boy d J E f Fen

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Speaker 1: I want to say a couple of words before we

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Speaker 1: get into part two of this Industry Talk episode. We

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Speaker 1: definitely want to thank all y'all who've been supporting us

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Speaker 1: through this transitional period were between our deals, and we're

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Speaker 1: gonna come back bigger and stronger. So you know, thank

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Speaker 1: you for bearing with us. But trust us, it's a

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Speaker 1: lot of good things happened behind the scenes and we're very,

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Speaker 1: very excited to to to just hit the ground running

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Speaker 1: with you know, season two of Drink Champs will Revolt

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Speaker 1: TV and our other partners. So thank you for supporting

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Speaker 1: us and thank you for rolling with us. Actually in

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Speaker 1: this in this episode, part two of Industry Talk, you know,

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Speaker 1: we're covering a lot. We're talking about the street team stuff,

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Speaker 1: we're talking about working records. There's a couple of people

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Speaker 1: that you know, I might have forgotten. There's so many

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Speaker 1: people that work behind the scenes. I definitely want to

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Speaker 1: shout out a couple of people like on Point, my

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Speaker 1: Boy Bugga, Off the Hook, Doc Fresh Rest in Peace

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Speaker 1: and my brother Dog Fresh fat Man Promotions, Payback Promotions,

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Speaker 1: my boy Big Teach with Big Mouth Promotions. Shout out

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Speaker 1: to Mike Monastein with Movement marketing, Sam Crespo, Al Lindstrom,

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Speaker 1: my boy Alfonso, and just basically you know, there's a

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Speaker 1: lot of people on forgetting but all the all the

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Speaker 1: street teams, from the regional guys to the national guys,

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Speaker 1: to the to the to the head of marketing, from

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Speaker 1: the labels or or the guys who worked the mixed

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Speaker 1: show at the record labels, from you know, from the

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Speaker 1: top all the way to the bottom to that to

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Speaker 1: that guy passing out flyers and and you know, and

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Speaker 1: whatever small small market each and one of y'all shout

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Speaker 1: out to y'all man, because you know, this industry is

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Speaker 1: built on the back of the street teams and the

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Speaker 1: DJ's and everybody that plays their position behind the scenes.

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Speaker 1: So we want to thank you all. This this whole

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Speaker 1: two part episode is dedicated to y'all. You know, from

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Speaker 1: me and Nori, we really thank y'all, and you know,

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Speaker 1: we want to show y'all love. Um and I come

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Speaker 1: from that, not not just as a DJ, but also

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Speaker 1: as a as a street team marketer. And you know

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Speaker 1: I understanding, I come from that, so thing you for

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Speaker 1: very much. So, you know, without further ado, let's get

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Speaker 1: into this episode. Make sure you follow us very important

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Speaker 1: at www. Dot Drink Champs dot Com, at Drink Champs

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Speaker 1: across the board, shout out to the whole team. Has

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Speaker 1: it as sounds rich Blanco, Akzy, Big Drain, Drink Chance Sports.

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Speaker 1: I mean everybody, Mr Lee, I mean everybody out Diego Ali,

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Speaker 1: Randy Acker, the whole team, Boris Beats in the Hood,

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Speaker 1: Um Eddie the ass Eater, Sunny DBT just you know,

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Speaker 1: shout out to everybody in the team. Drink Chance Family.

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Speaker 1: Let's just get it right into it. Let's go. So

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Speaker 1: what is what is the worst thing of the music industry?

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Speaker 1: What is the worst the word money? You know, the

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Speaker 1: worst thing A part of the worst thing about the

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Speaker 1: industry is about is this you worked so hard? That

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Speaker 1: is true. Sixty for promotion six I've never heard of.

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Speaker 1: It was next plain to them, all the people that

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Speaker 1: are promoting your records. When you want a major record label,

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Speaker 1: they don't get paid till net six. Net six is

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Speaker 1: an invoice. They get paid sixty days later. Six when

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Speaker 1: I know I'm not gonna no, no, I'm on your page.

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Speaker 1: I'm on your page. I'm not gonna label. I'm not

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Speaker 1: gonna some people page that one year shampoo when the

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Speaker 1: nets time, when checks you know, so the guys that

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Speaker 1: are working these records on the same I never heard

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Speaker 1: of this, all the same pigure. You gotta understand this,

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Speaker 1: no reason artists right, the artist has record label exact

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Speaker 1: and reps. We don't tell the artists what we go through.

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Speaker 1: We want to make sure the artists know you had

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Speaker 1: a good time. Yeah, and absolutely all the money it's

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Speaker 1: funded by the by the promoter. Absolutely fact we get

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Speaker 1: our check guys there and they're getting back to be

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Speaker 1: honest with they're not getting reimbursed, number one, just getting

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Speaker 1: their fact their check. And it's signs and and and

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Speaker 1: and it's times that you're with an artist I've never

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Speaker 1: heard of it. And it's times that you legal fees

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Speaker 1: for fucking sniper. It's time that you want. The thing

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Speaker 1: is the artist never knows. You don't want to put

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Speaker 1: your artists in that state of mind, like, don't worry

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Speaker 1: about that bullshit. That's why they hires caused what we

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Speaker 1: cause exactly we go through the storm we're going through.

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Speaker 1: Let me to you and I don't need I want

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Speaker 1: to ask you out something because from our era of

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Speaker 1: doing the street team stuff, y'all still signing the waiver

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Speaker 1: for for for like putting up but the snipe snipe,

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Speaker 1: snipe snipe, there's no more. Back in the day. Side, yeah,

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Speaker 1: back in the days, you know, you know how you

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Speaker 1: saw your posters everywhere. We had to sign a waiver

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Speaker 1: that released the label from the obligation. And I have

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Speaker 1: to get props real quick to Echo because we worked

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Speaker 1: for Echo Clothing and Echoes. The street dude to the

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Speaker 1: graffiti and they came in. They made us sign the

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Speaker 1: same waiver, but they flew me out to his headquarters.

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Speaker 1: We signed the waiver and then his lawyer was there

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Speaker 1: and when he walked away, and then the lawyer came

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Speaker 1: back and said, y'all signed that, that's official. But if

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Speaker 1: anybody in your team gets locked up for that, here's

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Speaker 1: my card, y'all call me and I'm gonna bail them out.

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Speaker 1: Not everybody to do that. But one thing, one thing

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Speaker 1: hardists don't know. That's the good every one thing artists

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Speaker 1: don't realize. One thing hartists don't realize. Right, it was

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Speaker 1: the era of back in the day when I was

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Speaker 1: working Jaro Exitus album and fed Joe's album, right, and

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Speaker 1: this is when the fifties cent and the fed Joe's ship,

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Speaker 1: and the ship was going down. It was going down,

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Speaker 1: it was going out, like people don't understand. People don't

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Speaker 1: understand the war on the street. That was campaign for right,

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Speaker 1: so hold on, let me, I want to cut your wisdom. Right.

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Speaker 1: This is this talking about how the artists are understand

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Speaker 1: being that like being that g unit. No, no, it

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Speaker 1: was Violator, God bless on Chris Lider, Violator, Violator writer.

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Speaker 1: Fat Joe was on Capitol at that time, so they

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Speaker 1: hired me to do Capital and I was doing death

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Speaker 1: Jam all right. So I'm doing I'm doing I'm doing

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Speaker 1: I'm doing Rules Exit this album, and I'm doing somebody

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Speaker 1: else right and I'm doing Um Terror Squad, I mean

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Speaker 1: Fat Joe's album. We're still doing that now. Violator, send

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Speaker 1: out now violated, hold on, violated. So Violator says, these

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Speaker 1: two niggas can't live in the street. So now they're

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Speaker 1: ripping down all the posters. So as you're working crazy

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Speaker 1: putting up the post you are all night. You are

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Speaker 1: all night, three four or five in the morning, and

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Speaker 1: these motherfucker's are ripping and shipped down. Remind you there

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Speaker 1: with the Krita hurricane that year, because it was the

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Speaker 1: empty award. Yeah, so now I'm fighting all these but

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Speaker 1: that year. But what I'm trying to explain to you

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Speaker 1: all is that the artists don't understand the war we

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Speaker 1: go through because why the labels like, yo, we have

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Speaker 1: to get John Rou's album Exodus moving. We need Fat

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Speaker 1: Joe ship moving and violated like anything, shake and tear

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Speaker 1: it down. So now, so now I'm out here putting

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Speaker 1: up the ship and I'm going three blocks down and

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Speaker 1: I come back all this ship's ripped down. So I'm like, yo,

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Speaker 1: who the fund is doing this ship? So I'm walking

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Speaker 1: around looking around. Finally, you know, going around, I see

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Speaker 1: a violated truck going bomb like they didn't go right there.

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Speaker 1: So now you gotta chase that motherfuck the truck down

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Speaker 1: and beat them niggers up as wall and it's real,

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Speaker 1: it's real life. It's real life beef. But remember you

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Speaker 1: don't know the artists and you're doing it. Yeah, they

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Speaker 1: don't even let you the You you don't even get

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Speaker 1: in the club because why they didn't give you a

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Speaker 1: wrist band. The street team guy stand outside and now

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Speaker 1: you're battling for for for position. So now violators ripping

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Speaker 1: everything down. Exodus j Rus no good in the street.

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Speaker 1: Fat Joe is no good in the street. These niggas

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Speaker 1: gotta go at fifty cent is raining, so we gotta

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Speaker 1: battle now. Is beef is real life beef. So now

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Speaker 1: we're fighting these niggas, we're scrapping. We like this is

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Speaker 1: real blood. Niggas is spelling real blood in street. And

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Speaker 1: then Sean present Pec had to come together out the

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Speaker 1: side of that time. They had to come to us

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Speaker 1: like Jaz and Puffy hangs out j M. You know

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Speaker 1: they know the fucking the hants that have fucking martinis.

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Speaker 1: You notice, right, y'all. Niggas gott happened to me had

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Speaker 1: a good We had a good vibe with helping on

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Speaker 1: with other teams. We never disched each other. Nobody fucked

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Speaker 1: with us. Now. It was fine. It was found real

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Speaker 1: talk we had when out of town niggers came in

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Speaker 1: out of town motherfuckers, and that's what we had to

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Speaker 1: fight them. That was that was difference. We always help

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Speaker 1: each other down, like we always say, Yo, get that

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Speaker 1: block over there, sweetness, something we overhere. You know, we

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Speaker 1: always help keep it going. But jah Ru ruined Fat Joe.

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Speaker 1: Then no I'm sorry, Fat Joe knew Ru didn't know

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Speaker 1: the battle we were going through in the shop, DJP,

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Speaker 1: I had the junior account and you had that account.

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Speaker 1: When you're talking about what unit, is that what you're

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Speaker 1: talking about. I remember I was his assistant. We remember

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Speaker 1: we even met up in the corner. We we started fighting. Nigga.

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Speaker 1: I'm looking at Pool. I'm like, holy ship Woo has

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Speaker 1: no idea that was me. I'm looking at you around

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Speaker 1: like it was me. It was wolf, it was unn.

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Speaker 1: It was on the street. All the buildings that you

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Speaker 1: see on Biscaine right, they were all being built when

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Speaker 1: we were doing street teams. So it's nothing but gates.

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Speaker 1: So all we did was put up our posters. But

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Speaker 1: then when niggas left at two am, I was there

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Speaker 1: at three am, and then this nigga was there at

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Speaker 1: four am posters. Yes you gotta. It was a competition war.

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Speaker 1: And I don't know you rule. I never made you.

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Speaker 1: And and the other part of the story is when

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Speaker 1: the cops catch you, ain't no label coming to save you.

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Speaker 1: No one. The label is not gonna bail you out.

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Speaker 1: Nobody You're doing it for it comes you, don't. We

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Speaker 1: just find That's why the street team stuff is a

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Speaker 1: culture in itself. It is a culture. And look look

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Speaker 1: at Pooh, he's no me for what years? For a minute,

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Speaker 1: like I grew up under him, Like I looked up

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Speaker 1: to him when I would be on conference calls and

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Speaker 1: I wasn't allowed to talk like you you're not You

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Speaker 1: can't talk. You don't know why why couldn't you talk?

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Speaker 1: Because she's just starting. I was starting staring. So he

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Speaker 1: wasn't a market leaders. You ain't battling this ship. But

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Speaker 1: you are Miami market leaders now. Now we're just starting.

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Speaker 1: She just starting at that time. What you guys are

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Speaker 1: in conference back then was was Jack's um epps? Yeah, Max,

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Speaker 1: who are you working for at the time? For all

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Speaker 1: those things that he just mentioned? But who were you

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Speaker 1: the Miami rep? No, she was just the conference call.

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Speaker 1: I'm the Miami rep. Right, I'm talking with them. You

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Speaker 1: about it like the student became the teacher, Like I

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Speaker 1: played my position and did what I had to do,

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Speaker 1: and there was no no I know what you did.

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Speaker 1: And the more the what I'm trying to explain is

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Speaker 1: like when Nori what told me when I was working

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Speaker 1: his record before? He was like, yo, I didn't know

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Speaker 1: you go through this ship. I didn't know you never knew.

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Speaker 1: I never knew you did this. You know one one,

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Speaker 1: hold on, hold on, hold on, hold on. I definitely

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Speaker 1: want to pick up. I definitely want to pick up.

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Speaker 1: I definitely want to pick up Fat Joe because Fat

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Speaker 1: Joe when when he was independent and he said in

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Speaker 1: the Independent, but he had a capital deal, I mean

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Speaker 1: Battery Records, um deal, and he put out his album

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Speaker 1: and we was going told the toll war for everybody.

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Speaker 1: For Fat Joe. Fat Joe was like, Yo, Shampoo, where

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Speaker 1: you at? I said you, I'm over. He's like, yo,

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Speaker 1: meet me here and gave me a thousand dollars out

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Speaker 1: of his pocket. Like Yo, my nigga, I see what

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Speaker 1: you're doing. I appreciate you here. Artists ain't Niggies don't

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Speaker 1: do that. Biggs don't do that. They don't understand with

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Speaker 1: the sacrifice that we put in to get them their

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Speaker 1: visualility because there wasn't hot. There wasn't hot. They think

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Speaker 1: all the money that they're giving us we keep, but

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Speaker 1: we don't. Don't. We keep left in half because we're

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Speaker 1: taking care of the city because we don't need. First

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Speaker 1: of all, let's be honest. The regulator pays bullshit, absolutely,

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Speaker 1: and then we get because keep honest all the way

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Speaker 1: over pays bullshit. They pay all us as a company,

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Speaker 1: and you have employees and in the mood and I

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Speaker 1: ain't looking for no regular label or no deal or not.

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Speaker 1: But that's how the true. So how did they treat

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Speaker 1: the Street team or the street team? It was always

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Speaker 1: look if you allowed to be disrespected. I'm not and

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Speaker 1: I'm not saying this because I'm on the show and

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Speaker 1: I'm talking shit, I really promise you. I was always

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Speaker 1: the person that he was the boss. No, no, I

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Speaker 1: was always foul on the conference call. I was always argumentive,

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Speaker 1: but you know me, I was always talking, but I

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Speaker 1: was always talking back to the person runder the conference call.

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Speaker 1: I hated conference calls number one because you had someone

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Speaker 1: on the conference and they talk ship and everybody in

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Speaker 1: the sub in the submarkets were just listening and this

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Speaker 1: guy's barking on everybody, and it's like, yo, fucking dude, man,

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Speaker 1: fun this motherfucker you guys. And I'm not gonna name

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Speaker 1: no names, but one of those dudes came to Miami

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Speaker 1: embarked on me. I said, but where are you fell blue,

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Speaker 1: I'm coming. When I saw him, he said, no, I

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Speaker 1: was just playing brover. But I worked for death Jame

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Speaker 1: at the time. That's the only thing I'm gonna say

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Speaker 1: every time, and even worse, especially when when do you

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Speaker 1: just want to show their plats and all that the

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Speaker 1: bathroom bathroom for me? Do we get a bathroom bread? Yeah,

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Speaker 1: everybody gets a break hold on, hold on, not to

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Speaker 1: shake a break a cigarette break too. Everybody go to

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Speaker 1: the bathroom. Roll up you, Mr the Lee, give me

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Speaker 1: one a little a little bit of something I ain't know,

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Speaker 1: I don't know. Stopped. You've got so many accounts. Back guys,

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Speaker 1: told you to relax to right back guys, backus, backup, guys, guys, guys,

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Speaker 1: back guys. Was the one guy guys left you, but

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Speaker 1: I know he did. He left me. He went, he

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Speaker 1: went to our nation, became the big guy. But back

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Speaker 1: guys with the guy, God bless him. When he fired

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Speaker 1: THEO Brown. He came to me, you know, he came

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Speaker 1: to me. When he came to me and was like, yo, Pool,

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Speaker 1: come come outside with me. And like whenever of the

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Speaker 1: senior VP tells you, yo, come take a walk with you,

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Speaker 1: like you like, oh, here about to find me. So

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Speaker 1: he's like, yo, come walk with me. So I walk

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Speaker 1: outside with him. He's like, Yo, I know THEO brought

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Speaker 1: you in and that's your man, right. I'm like yeah.

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Speaker 1: He was like yo, but after for July weekend, we're

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Speaker 1: about to let him go. I just want to let

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Speaker 1: you know. You know what I mean. I want to

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Speaker 1: know what you're gonna do. I said with you sorry,

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Speaker 1: but to me, being a real nigger, I told they're

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Speaker 1: gonna fire you guys. It was like, nah, they I

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Speaker 1: got a contract. I got a contract, Like nah, I

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Speaker 1: was about to back you out there. He was like nah.

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Speaker 1: And and then he called me like some bullshit fun

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Speaker 1: these nigga they let me go. Then let me go

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Speaker 1: pull it in me like I told you told me.

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Speaker 1: And then Peg has Peg has a found name. Bull

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Speaker 1: coming on. I want to talk to you, yo, I

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Speaker 1: want you to deal job. I'm like, I'm in what

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Speaker 1: I gotta do? You ain't charging of all these niggas,

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Speaker 1: go go, go go. We got a new orders called

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Speaker 1: Fucking the snow Man. We got a new nigger called

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Speaker 1: Rick Cross. He got a record called Hustler, and we

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Speaker 1: got a new girl from Barbados. That's called Rihanna. That

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Speaker 1: was a big movement like we had, like we had

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Speaker 1: like millions of and we had to make it a lot.

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Speaker 1: You know. You look, you can relate. And I'm gonna

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Speaker 1: getting something that the Nori could relate to where he

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Speaker 1: understands a little bit more than now. You will, you will,

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Speaker 1: you can relate to it. By the way, when I

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Speaker 1: was pushing some rock on you, he likes to throw

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Speaker 1: this out there. No I have to. I have to

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Speaker 1: because it makes sense. So what we're talking about right now,

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Speaker 1: like the beginning is the beginning to push my job

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Speaker 1: working for President, they didn't even have the rock company

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Speaker 1: pushing it yet. It was going through p M I

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Speaker 1: Moves Inc. And President them. They would send me a

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Speaker 1: case and they were like, yo, push just to the tastemakers.

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Speaker 1: The taste makers was like, I don't want it. I

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Speaker 1: would push it to good. I couldn't give it away

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Speaker 1: what I'm saying. So what I'm trying to say the

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Speaker 1: point of this is is that it's the same thing,

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Speaker 1: like look at where it's at now. It takes so

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Speaker 1: much blood, sweat and tears, a lot of rejection. That's

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Speaker 1: what the Street Team world is that's what the promotion

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Speaker 1: world is. That's what we don't have. No means, we

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Speaker 1: don't have. And then when it's all said and done,

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Speaker 1: nobody remembers the person that was on the battlefield in

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Speaker 1: the beginning. But we know that absolutely, and we don't

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Speaker 1: have anybody to recognize that but ourselves. And to be fair,

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Speaker 1: it's only a small group of us. Like you, if

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Speaker 1: you hire a shampoo, you gotta hire a sweetness if

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Speaker 1: you are sweeten. But is there anybody? Is there anybody

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Speaker 1: that you personally felt like you did so much for

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Speaker 1: their career? Hell yeah, all of them and they don't

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Speaker 1: recognize you. But but you know what it is, it's

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Speaker 1: not that's the right. Yeah. Yeah, he's from Merrimories, from

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Speaker 1: Miami something my motherfucking couch. Yes, yeah, but you know what,

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Speaker 1: Like I said, who want? But like I said, I'm

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Speaker 1: in hip hop. He turned pop, which I knew he wouldn't.

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Speaker 1: Who wants to work with the person that soothes At

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Speaker 1: the end of the day, I'm in hip hop. I'm

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Speaker 1: not in the pop world, and I don't want to

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Speaker 1: be in the pop world. I don't want to do country,

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Speaker 1: I don't want to do nothing. I'm in hip hop.

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Speaker 1: That's what I want to be a part of. I

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Speaker 1: want to be a part of hip hop history. So yeah,

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Speaker 1: that's fine. Like I said, I will take that l

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Speaker 1: because at the end of the day, I am who

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Speaker 1: I am and I got so much more going on.

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Speaker 1: So why so why are you even bothered? But you

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Speaker 1: don't have to take the l Quiet, that's why we're

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Speaker 1: talking right now. I mean right, what I'm saying, that's

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00:21:01,200 --> 00:21:06,439
Speaker 1: what I'm saying that never take that out quiet, But

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Speaker 1: in hip hobably you have to. You have to because

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Speaker 1: because now now you become a threat. Now you're aggressive.

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Speaker 1: Now be aggressive? Right right? Yeah? You better? And what

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Speaker 1: they do, what they do? What they do? Okay, I'm better. Yeah,

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Speaker 1: but what they do they fire you, and how are

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Speaker 1: you underling? And they've done that. You know what you do,

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Speaker 1: then you remix your career and you keep it moving down.

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Speaker 1: But then then it's hard for you to get back in. No, No,

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Speaker 1: I don't want to go back in. I elevated. I

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Speaker 1: moved forward, not to everybody. Is that for? Well? I

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Speaker 1: don't know if Sweetness remembers or nose or remembers. I

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Speaker 1: worked just like you. I worked every we work. We

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Speaker 1: worked actually the whole company. The whole company, we had

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Speaker 1: every account under the sun. I admire that. And then

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Speaker 1: you guys know, I'm sure you understand it as the

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Speaker 1: industry champion team right here. As the industry change, the

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Speaker 1: different underlings to undercut. So if you did it for

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Speaker 1: a thousand or a month, they did it for eight

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Speaker 1: hundred a month. And then and then it started shifting,

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00:22:12,960 --> 00:22:15,480
Speaker 1: right and the people that you kind of like trained

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00:22:16,280 --> 00:22:19,040
Speaker 1: and helped them and show them the way. We're checking

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00:22:19,040 --> 00:22:22,240
Speaker 1: your accounts. So what do you do. It's either one

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00:22:22,440 --> 00:22:25,640
Speaker 1: which I wanted to beat all the asses, and then

383
00:22:25,680 --> 00:22:28,439
Speaker 1: you just keep it moving and just remixing into another career,

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Speaker 1: do other things, other things. You know what I'm saying.

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00:22:30,520 --> 00:22:33,200
Speaker 1: We still kept other accounts, but that's that's the type

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Speaker 1: of career that we chose. That's the hold. I want

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00:22:35,600 --> 00:22:38,400
Speaker 1: to ask you a question, when did you stop and say,

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Speaker 1: you know what, I can't do that anymore because and

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Speaker 1: and and in our world we still doing that and

390
00:22:46,640 --> 00:22:51,919
Speaker 1: we're still what you say, like you don't even know

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Speaker 1: that transitioned from being a record promoter to im now

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Speaker 1: I'm a DJ manager And I know you had a

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Speaker 1: conversation one of my DJs, and he was like, yo,

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00:23:01,160 --> 00:23:03,359
Speaker 1: he actually thinks he's a great ideals Like absolutely, it

395
00:23:03,440 --> 00:23:05,199
Speaker 1: was natural for us because we've known each other for

396
00:23:05,240 --> 00:23:07,919
Speaker 1: so long. But let's let's be real and let's be

397
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Speaker 1: business with us. We know that I'm only as strong

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Speaker 1: as you and you're only as strong as me. As

399
00:23:12,480 --> 00:23:15,879
Speaker 1: we keep our positions together, I'm gonna use you and

400
00:23:16,000 --> 00:23:18,840
Speaker 1: use me, but let's be real with each other. What

401
00:23:18,920 --> 00:23:23,080
Speaker 1: you're asking me right now? Back to my question, what

402
00:23:23,119 --> 00:23:27,199
Speaker 1: made you say I don't want to work? It was

403
00:23:27,240 --> 00:23:30,000
Speaker 1: never about not It was that we were we were

404
00:23:30,280 --> 00:23:33,199
Speaker 1: we were doing something. It made money. We had a

405
00:23:33,240 --> 00:23:36,000
Speaker 1: recession in the United States. When the recession happened, you

406
00:23:36,040 --> 00:23:37,840
Speaker 1: have to look at the economically. Was it's not just

407
00:23:37,880 --> 00:23:41,719
Speaker 1: the industry. The industry was suffering then the recession at

408
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Speaker 1: this time. Yeah, well, I mean I'm always a DJ forever.

409
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Speaker 1: I paid my dues as a DJ. Some my motherfucking DJ.

410
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Speaker 1: You know what I'm saying. I did in the clubs

411
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Speaker 1: every day for mad years. So get through the recession. No,

412
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Speaker 1: we were the only people. We're the only people that

413
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Speaker 1: you can hire. Like. We made it a point that

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Speaker 1: when you come into this market, when you come into

415
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Speaker 1: this lane, when you come into this label and the

416
00:24:01,640 --> 00:24:04,240
Speaker 1: music business, and in this city, the only people you

417
00:24:04,320 --> 00:24:07,560
Speaker 1: can hire is this person or that person. But to

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Speaker 1: what he's asking me, though, not to cut you off,

419
00:24:10,720 --> 00:24:14,880
Speaker 1: but to what he's asking me. What the recession started

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00:24:14,920 --> 00:24:20,280
Speaker 1: to make people the underlings, like you mentioned, undercutting the

421
00:24:20,320 --> 00:24:22,640
Speaker 1: people in the market. And this I'm sure it's happening

422
00:24:22,720 --> 00:24:26,840
Speaker 1: market wise nationally. So the young dudes that were the

423
00:24:27,440 --> 00:24:32,119
Speaker 1: interns or whatever of all the promoters started saying, you

424
00:24:32,200 --> 00:24:35,520
Speaker 1: make a g I'll do it for five hunted. So

425
00:24:35,560 --> 00:24:38,200
Speaker 1: what happened was I can't do it for five hunted.

426
00:24:38,640 --> 00:24:41,080
Speaker 1: And then when and then there was a shift of

427
00:24:41,080 --> 00:24:44,480
Speaker 1: the guard. People from the labels started moving around because

428
00:24:44,480 --> 00:24:46,960
Speaker 1: of the because of the recession or because of some

429
00:24:47,000 --> 00:24:50,560
Speaker 1: other ship started shifting. They were leaving their positions. And

430
00:24:50,560 --> 00:24:53,560
Speaker 1: when people leave positions, they started looking for other people

431
00:24:53,600 --> 00:24:55,760
Speaker 1: who are gonna be loyal to them. And so all

432
00:24:55,800 --> 00:24:58,920
Speaker 1: that shifting it happened, started changing the money, changing the

433
00:25:00,000 --> 00:25:03,160
Speaker 1: accounts that were coming to us, and then we all

434
00:25:03,200 --> 00:25:04,879
Speaker 1: had to make What was the year that you just

435
00:25:04,920 --> 00:25:08,080
Speaker 1: said no no more, no more working records? I know

436
00:25:08,320 --> 00:25:12,439
Speaker 1: if you call me right now, say will what are

437
00:25:12,480 --> 00:25:22,080
Speaker 1: you pay? What are we doing? But to be fair,

438
00:25:22,160 --> 00:25:24,440
Speaker 1: can you really deliver where you delivered five years ago?

439
00:25:24,840 --> 00:25:27,800
Speaker 1: And that's my point. I will never point as to

440
00:25:27,840 --> 00:25:29,720
Speaker 1: what I was saying. I will never do anything that

441
00:25:29,760 --> 00:25:32,200
Speaker 1: I cannot do. Honestly, I get it. I'm saying that

442
00:25:32,320 --> 00:25:34,720
Speaker 1: we've cornered the market to the point it's like, if

443
00:25:34,720 --> 00:25:37,280
Speaker 1: you want to go that route, we're the only one's

444
00:25:37,280 --> 00:25:38,560
Speaker 1: that can do it. And that's why you gotta pass

445
00:25:38,560 --> 00:25:40,880
Speaker 1: where he passed at the end of the day, point

446
00:25:44,480 --> 00:25:48,040
Speaker 1: keep it going. What happened was what happened was the

447
00:25:48,080 --> 00:25:52,720
Speaker 1: street team guys became executives, so they forgot about the

448
00:25:52,840 --> 00:25:57,040
Speaker 1: beginning of it. Absolutely the conversation of the DJ now

449
00:25:57,160 --> 00:25:59,840
Speaker 1: their conversation is with the p D and the empty

450
00:26:00,640 --> 00:26:04,240
Speaker 1: It's not about yo, did you hear this record again? Now?

451
00:26:04,440 --> 00:26:08,359
Speaker 1: Is I need these slots? What? What? What's what's gonna

452
00:26:08,400 --> 00:26:12,159
Speaker 1: cost me? So it's a different conversations with the guys

453
00:26:12,200 --> 00:26:16,640
Speaker 1: that started all the guerrilla marketing. They're gone. There's only

454
00:26:16,640 --> 00:26:19,680
Speaker 1: a few of us that still believe in the beginning

455
00:26:20,119 --> 00:26:22,960
Speaker 1: of the roots of the ship. We're gonna start. We

456
00:26:23,000 --> 00:26:26,399
Speaker 1: need to start beating up DJs again. Why would and

457
00:26:26,440 --> 00:26:31,080
Speaker 1: I'm the one does it. Why But you're blaming the

458
00:26:31,080 --> 00:26:37,239
Speaker 1: wrong wrong, You're blaming the wrong d You can't do that.

459
00:26:39,000 --> 00:26:46,480
Speaker 1: They've done that because look, as a businessman, wor you now.

460
00:26:46,520 --> 00:26:49,960
Speaker 1: But as a businessman, we work multiple artists, so you

461
00:26:50,080 --> 00:26:52,879
Speaker 1: have to pick and choose your battles. So I'm working

462
00:26:52,920 --> 00:26:54,840
Speaker 1: for deaf Jam and working for Epic. I'm working for

463
00:26:54,920 --> 00:26:58,840
Speaker 1: Universal Epic. Epic got a hot ass record right now,

464
00:26:58,920 --> 00:27:01,560
Speaker 1: but def Jam is cold. I can't beat you all

465
00:27:01,680 --> 00:27:05,920
Speaker 1: because you working You're not working with records. But say, yo,

466
00:27:07,359 --> 00:27:09,240
Speaker 1: right now, I'm working with you. But that's the game.

467
00:27:09,280 --> 00:27:12,040
Speaker 1: You can't do that. You can't do that. Okay, right here,

468
00:27:12,600 --> 00:27:17,960
Speaker 1: we don't tell me you got you, but but you

469
00:27:18,040 --> 00:27:23,320
Speaker 1: got tough skins. But that's what But that's why he

470
00:27:23,400 --> 00:27:30,240
Speaker 1: said when bitter, you don't put plug my artist, and

471
00:27:30,359 --> 00:27:37,280
Speaker 1: you can't do that for you. But that's the funk,

472
00:27:37,320 --> 00:27:40,520
Speaker 1: whether it be m d's or p DS being honesty,

473
00:27:41,320 --> 00:27:43,760
Speaker 1: there's something that I call the industry talk. They will

474
00:27:43,760 --> 00:27:46,440
Speaker 1: tell you what the funding to tell you to get

475
00:27:46,480 --> 00:27:48,080
Speaker 1: you the funk out there back for that one point

476
00:27:48,119 --> 00:27:52,000
Speaker 1: five seconds, I got you, my dog whatever called sweetness,

477
00:27:52,080 --> 00:27:56,199
Speaker 1: you got me whatever whoever. But what you're doing is

478
00:27:59,000 --> 00:28:00,639
Speaker 1: when you're trying to get on a round the record.

479
00:28:00,680 --> 00:28:02,040
Speaker 1: You know, my favorite line is you know I like

480
00:28:02,119 --> 00:28:04,520
Speaker 1: to be yeah, but this is the thing. I'm good.

481
00:28:04,720 --> 00:28:08,280
Speaker 1: There's the thing about it. As a music executive, you

482
00:28:08,359 --> 00:28:12,040
Speaker 1: have to keep working the records no matter the ups

483
00:28:12,040 --> 00:28:15,760
Speaker 1: and downside, because you can't get caught up. You can't

484
00:28:15,800 --> 00:28:17,840
Speaker 1: get caught up in the label. You believe in the

485
00:28:18,760 --> 00:28:20,960
Speaker 1: know how to work the record. You have to keep going.

486
00:28:21,119 --> 00:28:24,560
Speaker 1: Didn't even think psychologically. But if you think psychologically, I

487
00:28:24,600 --> 00:28:26,240
Speaker 1: bet you. I can ask everybody in this room and

488
00:28:26,280 --> 00:28:29,760
Speaker 1: ain't know one radio commercial one a hundred phone one

489
00:28:29,800 --> 00:28:34,560
Speaker 1: pain consistency. And that's what I'm saying, like, if you consistently,

490
00:28:34,640 --> 00:28:36,960
Speaker 1: here's something, even if it's just a course, that's what

491
00:28:37,080 --> 00:28:40,040
Speaker 1: we're programming. That's what I'm saying that that's programming in

492
00:28:40,080 --> 00:28:42,200
Speaker 1: the brain. But that's what we do, even if the

493
00:28:42,280 --> 00:28:45,480
Speaker 1: DJ just plays the chorus and that's all they recognize

494
00:28:45,480 --> 00:28:50,080
Speaker 1: when they hear the radio. That's like Shampoo said, sometimes

495
00:28:50,120 --> 00:28:54,760
Speaker 1: feje someone she's saying right now, that's real, that's real,

496
00:28:57,880 --> 00:29:02,280
Speaker 1: that's real. But I'm in saying that science. What you're

497
00:29:02,280 --> 00:29:05,760
Speaker 1: saying to science, which is why I know for a fact,

498
00:29:05,760 --> 00:29:07,520
Speaker 1: like if I know if this DJ plays it at this,

499
00:29:07,600 --> 00:29:09,080
Speaker 1: that's why I tell I was like, all I need

500
00:29:09,080 --> 00:29:11,320
Speaker 1: is thirty seconds. I don't care. On the radio, we

501
00:29:11,400 --> 00:29:13,280
Speaker 1: only need a minute thirty second for it to register.

502
00:29:13,560 --> 00:29:16,080
Speaker 1: But I only need thirty seconds for somebody to be like,

503
00:29:16,160 --> 00:29:20,080
Speaker 1: I just heard this in the club last night over

504
00:29:20,200 --> 00:29:22,480
Speaker 1: that you had it in your pocket? Has a gun

505
00:29:23,920 --> 00:29:28,560
Speaker 1: you were doing? You had that? You just got pat Okay,

506
00:29:28,840 --> 00:29:31,000
Speaker 1: I'm sorry, No, I do have patience. I'm in the club.

507
00:29:31,160 --> 00:29:35,600
Speaker 1: That's why you don't worry. You don't know. But I've

508
00:29:35,600 --> 00:29:40,120
Speaker 1: been in the clubs time out. Listen, I've been in

509
00:29:40,160 --> 00:29:42,960
Speaker 1: the club. If you want to hear about patients. When

510
00:29:43,000 --> 00:29:46,320
Speaker 1: I started working ten minutes ago with y'all, and I can't,

511
00:29:46,320 --> 00:29:48,720
Speaker 1: we say no, let's speak from with Eddie. Eddie was

512
00:29:48,760 --> 00:29:50,760
Speaker 1: here because he was my comp He was your mentor

513
00:29:50,960 --> 00:29:55,360
Speaker 1: absolute no, he was my comp nobody. He was also

514
00:29:55,440 --> 00:29:58,040
Speaker 1: my teacher. He was my love. He was your son,

515
00:29:58,160 --> 00:30:01,080
Speaker 1: say hello. He was my son's saying say something. But

516
00:30:01,200 --> 00:30:03,160
Speaker 1: mind you, I had to be in the club. I

517
00:30:03,160 --> 00:30:05,479
Speaker 1: had to be at the club, forty pounds of vinyl

518
00:30:05,640 --> 00:30:09,360
Speaker 1: on my back at ten what are you fucking? That

519
00:30:09,400 --> 00:30:15,440
Speaker 1: was good day, That was a good day to day vinyl,

520
00:30:16,440 --> 00:30:21,080
Speaker 1: that was good good. That's a difference, But that's a

521
00:30:21,120 --> 00:30:24,560
Speaker 1: difference between how many the kitchen widow sweetness. But this

522
00:30:24,640 --> 00:30:28,320
Speaker 1: is the difference between then and now. Back then, DJs

523
00:30:28,320 --> 00:30:31,600
Speaker 1: appreciated when you was the record record and you get

524
00:30:31,680 --> 00:30:36,560
Speaker 1: that vinyl. God, remember that vinyl. I remember I used

525
00:30:36,600 --> 00:30:40,480
Speaker 1: to do that, met and greets Oxygen little posted on

526
00:30:40,600 --> 00:30:43,360
Speaker 1: your vinyl like thank you for holding me down, love you.

527
00:30:43,400 --> 00:30:48,720
Speaker 1: I had my post it back back in the day.

528
00:30:50,040 --> 00:30:53,920
Speaker 1: She's a girl, girl, don't forget, don't forget, she's a girl.

529
00:30:54,200 --> 00:30:56,800
Speaker 1: But telling the truth like for meal, like you was there,

530
00:30:56,840 --> 00:30:59,280
Speaker 1: he was even you was there. I'm sorry if you

531
00:30:59,440 --> 00:31:02,680
Speaker 1: was there, we've been no. No, what you're talking about.

532
00:31:05,920 --> 00:31:08,160
Speaker 1: The trailer he was, He was in the trailer. He

533
00:31:08,240 --> 00:31:10,040
Speaker 1: was in the trailer. I'm gonna tell you something for this,

534
00:31:10,240 --> 00:31:12,560
Speaker 1: For the sake of a segue, for the sake of

535
00:31:12,600 --> 00:31:15,440
Speaker 1: a segway, we used to have the DJ meeting greets

536
00:31:15,520 --> 00:31:20,160
Speaker 1: at Cream back in the days, all of us, calid included,

537
00:31:20,400 --> 00:31:23,440
Speaker 1: we have to come there and pick up records. And

538
00:31:23,480 --> 00:31:27,920
Speaker 1: for the sake of a segue, and Eddie copy and

539
00:31:27,960 --> 00:31:32,000
Speaker 1: then started a massive beat. People appreciated that that's when

540
00:31:32,040 --> 00:31:42,000
Speaker 1: the gun and that's this superway before that, before you

541
00:31:42,000 --> 00:31:43,640
Speaker 1: have to address the elephant in the room. You're an

542
00:31:43,640 --> 00:31:49,520
Speaker 1: addressed elephant with what was the elephant? Gucci for Dora?

543
00:31:52,160 --> 00:31:59,200
Speaker 1: Was there a problem with Colid and who? No, man, no, no,

544
00:31:59,520 --> 00:32:02,680
Speaker 1: what there is there's history, So I want to address

545
00:32:02,680 --> 00:32:04,440
Speaker 1: it when we come on the show with Calin, not

546
00:32:04,560 --> 00:32:07,120
Speaker 1: to address it on some negative ship, just to laugh

547
00:32:07,160 --> 00:32:10,400
Speaker 1: about it, because there's laughable history, laughable history and had

548
00:32:10,440 --> 00:32:11,880
Speaker 1: to do with you, and it had to do with you.

549
00:32:11,960 --> 00:32:15,040
Speaker 1: That's what I think. It's hilarious. Aga, you are a

550
00:32:15,160 --> 00:32:18,640
Speaker 1: common denominator of the history with Calin. I got to

551
00:32:18,720 --> 00:32:22,880
Speaker 1: relax for nothing because we're putting way too much on it.

552
00:32:22,920 --> 00:32:25,680
Speaker 1: There's so much. There's so much history with Kalid and

553
00:32:26,360 --> 00:32:31,560
Speaker 1: even were insane. Lately there's a magazine cover with you

554
00:32:31,760 --> 00:32:39,680
Speaker 1: collegs and Iris and I said, Apps always been supposed

555
00:32:39,720 --> 00:32:41,280
Speaker 1: to be the smart guy. A lot of people don't

556
00:32:41,280 --> 00:32:53,040
Speaker 1: know that. Just do a lot. Wait wait, wait, daddy,

557
00:32:53,600 --> 00:33:03,840
Speaker 1: you know this ship ship ship ship, I never know.

558
00:33:05,400 --> 00:33:10,880
Speaker 1: I never know this sweetness years on the ball, sweetness.

559
00:33:10,920 --> 00:33:14,880
Speaker 1: I was about to say that did sweetness like came from?

560
00:33:14,920 --> 00:33:26,920
Speaker 1: Did Eddie give you that name? He said, leaky Lee? Who? Sorry, sorry,

561
00:33:31,040 --> 00:33:33,240
Speaker 1: it's nothing. He changed my life, he kept the real

562
00:33:33,640 --> 00:33:35,760
Speaker 1: he changed my life. I'll give you. I'll give him none.

563
00:33:35,800 --> 00:33:37,960
Speaker 1: Cry so what what the apps? Knock it down? Let's

564
00:33:38,000 --> 00:33:42,360
Speaker 1: just don't out there. But how do you change your life?

565
00:33:42,400 --> 00:33:45,560
Speaker 1: How do you change your life? He was like, you

566
00:33:45,600 --> 00:33:51,520
Speaker 1: really want to another story? Yes, yes, yes, I love

567
00:33:51,640 --> 00:33:53,720
Speaker 1: Miami stories. I'm gonna try to keep it as short

568
00:33:53,760 --> 00:33:55,960
Speaker 1: as I can. I got into a car accident and

569
00:33:56,080 --> 00:33:58,520
Speaker 1: senior year, right, one of my home girls, I was

570
00:33:58,560 --> 00:34:03,240
Speaker 1: working at another job, so surveys if anybody's from Kendall, everybody.

571
00:34:03,560 --> 00:34:06,640
Speaker 1: Everybody had a job there. Right, that was my senior year.

572
00:34:06,680 --> 00:34:08,440
Speaker 1: I warned I could get work experience. I got into

573
00:34:08,480 --> 00:34:11,080
Speaker 1: a car accident. One of the girls that was working there,

574
00:34:11,239 --> 00:34:13,839
Speaker 1: she was on probation. She was like, yo, I know

575
00:34:13,880 --> 00:34:15,640
Speaker 1: how you can get your car fixed for two thousand

576
00:34:15,680 --> 00:34:18,520
Speaker 1: dollars real quick and one or two nights. Mind you

577
00:34:18,600 --> 00:34:20,200
Speaker 1: that day job I was gonna take me three or

578
00:34:20,200 --> 00:34:23,480
Speaker 1: four months. I needed my car. Right, I went to

579
00:34:23,520 --> 00:34:25,200
Speaker 1: the club. I figured, oh, I could do this. He

580
00:34:25,280 --> 00:34:26,640
Speaker 1: was like, yo, what's what do you want to do it,

581
00:34:28,560 --> 00:34:46,120
Speaker 1: you have to. You have They're crazy. And I went

582
00:34:46,200 --> 00:34:47,560
Speaker 1: in there and I did my dance and I was like,

583
00:34:47,560 --> 00:34:49,400
Speaker 1: oh and I had a better body. Don't get it twisted.

584
00:34:50,320 --> 00:34:52,040
Speaker 1: So when I went in there, I was like, holy ship.

585
00:34:52,080 --> 00:34:53,840
Speaker 1: They threw so much money. I was like, holy sh it,

586
00:34:53,880 --> 00:34:57,279
Speaker 1: I could probably pay my car tonight. So when I

587
00:34:57,360 --> 00:34:59,840
Speaker 1: get on stage, like what's your name? And like go sweetheart,

588
00:34:59,880 --> 00:35:01,520
Speaker 1: he that we already have a bitch name sweet hard.

589
00:35:01,560 --> 00:35:09,239
Speaker 1: I was like, all right, huh no yet that I'm

590
00:35:09,239 --> 00:35:11,319
Speaker 1: trying to stop that cancer. Then if you get to

591
00:35:11,320 --> 00:35:13,520
Speaker 1: the point, you know, I'm like, all right, fun us

592
00:35:13,560 --> 00:35:16,000
Speaker 1: do sweetness. We're just sweetness. So I'm in that bitch.

593
00:35:16,040 --> 00:35:18,280
Speaker 1: I'm making stupid money. I'm move out of my mom's quips.

594
00:35:18,280 --> 00:35:19,920
Speaker 1: I'm like, all right, I can get my own place.

595
00:35:20,280 --> 00:35:22,560
Speaker 1: I'm eighteen years old. I'm doing work experience because I

596
00:35:22,600 --> 00:35:25,200
Speaker 1: get out at twelve o'clock. Right, So now all of

597
00:35:25,239 --> 00:35:28,120
Speaker 1: a sudden, I'm going to Oxygen on Tuesday nights. That

598
00:35:28,200 --> 00:35:38,040
Speaker 1: ship is popping. I'm buying exactly, I'm buying, right, I remember,

599
00:35:38,360 --> 00:35:44,719
Speaker 1: come on, be absolutely, I'm walking stripper friends right and

600
00:35:44,760 --> 00:35:47,919
Speaker 1: we're all buying bottles. At Oxygen at the time, buying

601
00:35:47,920 --> 00:35:56,920
Speaker 1: bottles is like a hundred dollars New York. That movie

602
00:35:57,960 --> 00:35:59,880
Speaker 1: we end up making a movie. And finally one of

603
00:35:59,880 --> 00:36:03,040
Speaker 1: the promoters, his name is Asa, he's still around and

604
00:36:03,200 --> 00:36:05,480
Speaker 1: I was like, Yo, we've been looking for a female promoter.

605
00:36:05,600 --> 00:36:09,480
Speaker 1: Do you think he sounds African? He like skilling curly here.

606
00:36:09,560 --> 00:36:12,160
Speaker 1: I don't know what that is. He avocan is I

607
00:36:12,160 --> 00:36:16,479
Speaker 1: wouldn't say, with it more Jamaican Haitian. No Jamaican, y'all

608
00:36:16,520 --> 00:36:20,239
Speaker 1: make it yeah, make it one a while, yak let

609
00:36:20,320 --> 00:36:26,279
Speaker 1: him train in the building. Yeah, continue, are buying for

610
00:36:26,280 --> 00:36:31,759
Speaker 1: a female from one I'm like, what Domai? Whatmal I

611
00:36:31,880 --> 00:36:36,719
Speaker 1: ever said? Make sure, make sure, make sure for the

612
00:36:36,840 --> 00:36:43,200
Speaker 1: listeners and you're strictly audio podcast. I just want everybody

613
00:36:43,200 --> 00:36:44,880
Speaker 1: in the podcast to know that I am the only

614
00:36:44,960 --> 00:36:53,439
Speaker 1: female in the building. No, there's one other gigs. I'm

615
00:36:53,480 --> 00:36:58,040
Speaker 1: not told this story and motherfucking tech years for everybody

616
00:36:58,200 --> 00:37:02,240
Speaker 1: whoa so it's been hurting you, so listen. And amber

617
00:37:02,400 --> 00:37:07,239
Speaker 1: Rose is not the only one like to started out.

618
00:37:07,760 --> 00:37:10,839
Speaker 1: She gave us a super story. We can't talk about

619
00:37:10,880 --> 00:37:15,320
Speaker 1: that because I made it a point to be fair locally.

620
00:37:15,440 --> 00:37:27,200
Speaker 1: Fatness Night don't. We're making your famous. Let's come out tomorrow.

621
00:37:27,760 --> 00:37:37,320
Speaker 1: What's your Instagram? Shampoo and ns? What is your joint?

622
00:37:37,480 --> 00:37:41,799
Speaker 1: I don't know. Come on, before you do it, do

623
00:37:41,880 --> 00:37:44,319
Speaker 1: your social real quick. If I get like a path

624
00:37:44,360 --> 00:37:48,120
Speaker 1: to follow tomorrow, man, what we do we do tomorrow?

625
00:37:48,200 --> 00:37:52,319
Speaker 1: We're not putting this out motion is d a real

626
00:37:52,400 --> 00:38:00,480
Speaker 1: sweet a go on shampoo y NBS and some motherfucker

627
00:38:01,200 --> 00:38:05,640
Speaker 1: right shout your ship out? Ship is uh for a

628
00:38:05,680 --> 00:38:11,880
Speaker 1: few good man productions? I love. Yeah, that's your Instagram.

629
00:38:12,000 --> 00:38:19,000
Speaker 1: Now you got ll give him the company. I'm just starting. Man,

630
00:38:19,000 --> 00:38:22,520
Speaker 1: I said, you're rated Instagram, You're ray. You have something

631
00:38:27,920 --> 00:38:31,920
Speaker 1: you follow. One thing, one thing I know we can

632
00:38:31,960 --> 00:38:34,359
Speaker 1: all agree on. One thing I know we can all

633
00:38:34,360 --> 00:38:37,360
Speaker 1: agree on at the end of the day, all your artists,

634
00:38:37,400 --> 00:38:39,680
Speaker 1: all you artists coming up, hold on, hold on, hold on,

635
00:38:39,680 --> 00:38:42,279
Speaker 1: hold on, hold on. I know one thing we all

636
00:38:42,320 --> 00:38:44,960
Speaker 1: could we we all could agree on. All your artists

637
00:38:44,960 --> 00:38:48,400
Speaker 1: coming up, and all you artists that's out there. Don't

638
00:38:48,440 --> 00:38:54,879
Speaker 1: forget so laughing on come down by I'm still there.

639
00:38:55,680 --> 00:39:10,480
Speaker 1: Wait up for giggles. It's so fast, happen so strong,

640
00:39:11,560 --> 00:39:19,879
Speaker 1: like a ball, tiger balls. You know it's not the time,

641
00:39:20,800 --> 00:39:31,560
Speaker 1: no fires on. Alright, guys, guys, please come it out

642
00:39:31,680 --> 00:39:33,879
Speaker 1: like what I was saying, one thing all right about

643
00:39:33,920 --> 00:39:49,239
Speaker 1: my friends what we do one thing, one thing, one

644
00:39:49,320 --> 00:39:51,400
Speaker 1: one one thing that I just want to make clip

645
00:39:51,440 --> 00:39:53,560
Speaker 1: for everybody and all the artists coming up and all

646
00:39:53,600 --> 00:39:57,040
Speaker 1: all this is out there, it's always the guys that's

647
00:39:57,080 --> 00:39:59,120
Speaker 1: on the bottom that works, and that works the hardest

648
00:39:59,160 --> 00:40:01,839
Speaker 1: for you and the times you don't understand the sacrifice

649
00:40:02,080 --> 00:40:05,480
Speaker 1: that these people are putting out for you. So for

650
00:40:05,520 --> 00:40:08,680
Speaker 1: all you artists coming up, give love man, because these

651
00:40:08,719 --> 00:40:11,120
Speaker 1: people that you see on the way coming up, you

652
00:40:11,160 --> 00:40:14,320
Speaker 1: see on the way down. So always remember that, you know,

653
00:40:14,360 --> 00:40:17,640
Speaker 1: I mean, just always respect everybody that's always at the

654
00:40:17,680 --> 00:40:20,799
Speaker 1: front line for you. Just because you know he ain't

655
00:40:20,800 --> 00:40:23,640
Speaker 1: in at Mr Child's and everything with you, don't mean

656
00:40:23,680 --> 00:40:28,280
Speaker 1: that he's not putting in that work about respect everybody

657
00:40:28,360 --> 00:40:30,879
Speaker 1: you come across. Facts that I'm saying, because you don't

658
00:40:30,880 --> 00:40:37,080
Speaker 1: know who that person is. I'm not no, I'm good,

659
00:40:37,120 --> 00:40:45,080
Speaker 1: I'm good. I don't want to come you know, say

660
00:40:45,640 --> 00:40:48,239
Speaker 1: say it to the people, saying to the people saying like, yeah,

661
00:40:48,280 --> 00:40:55,560
Speaker 1: you can respect them to come across this strange champ Chapo,

662
00:40:55,760 --> 00:40:59,919
Speaker 1: tell him tell him what artists about that. I feel

663
00:40:59,920 --> 00:41:09,040
Speaker 1: like coming right back, right back, price up. I got

664
00:41:09,120 --> 00:41:11,600
Speaker 1: old school beef. Yeah, I mean you can come in

665
00:41:11,600 --> 00:41:14,200
Speaker 1: and you like you remember that her posters when she

666
00:41:14,280 --> 00:41:24,640
Speaker 1: was trying to come ripping sweeteness did not rip none

667
00:41:24,680 --> 00:41:28,360
Speaker 1: of my posters down. Even that's facts. Let's be Claire.

668
00:41:29,200 --> 00:41:33,080
Speaker 1: She said she did made right. Yeah, I'm confusing that

669
00:41:33,360 --> 00:41:38,200
Speaker 1: time I see her, I don't remember that ship down.

670
00:41:38,320 --> 00:41:43,000
Speaker 1: And at that time it was dream all the time.

671
00:41:43,040 --> 00:41:47,680
Speaker 1: It was different times, different type of time. Baby. I

672
00:41:47,800 --> 00:41:51,279
Speaker 1: always said, your sweetens, you just said you ripped them down. No,

673
00:41:51,400 --> 00:41:55,080
Speaker 1: you know that was the type of you're not lying,

674
00:41:55,440 --> 00:42:00,319
Speaker 1: lying exact tag a ball make you think that yo,

675
00:42:00,480 --> 00:42:05,000
Speaker 1: I was that was me? Na. I think you told

676
00:42:05,000 --> 00:42:16,120
Speaker 1: me you caught her one time. I remember, I remember,

677
00:42:16,200 --> 00:42:23,399
Speaker 1: I remember to talk about homeboy. I've never seen that

678
00:42:23,680 --> 00:42:25,520
Speaker 1: he's making that one up. But I'm gonna roll with

679
00:42:25,560 --> 00:42:30,080
Speaker 1: the story. I never sorry. That just came up in

680
00:42:30,160 --> 00:42:35,959
Speaker 1: the show now for all these are the motherfucker guys

681
00:42:35,960 --> 00:42:45,120
Speaker 1: on the front line man expect the game. Welcome to Play,

682
00:42:45,360 --> 00:42:51,400
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

683
00:42:51,440 --> 00:42:55,879
Speaker 1: and more. Play it at Play dot it. We're back

684
00:42:55,960 --> 00:43:00,080
Speaker 1: to Drink Champs Radio with Rapper and R and dj A.

685
00:43:02,440 --> 00:43:04,600
Speaker 1: To name other street team people that's out there that's

686
00:43:04,640 --> 00:43:07,320
Speaker 1: doing it for other people that's just behind the scenes

687
00:43:07,360 --> 00:43:10,640
Speaker 1: that's doing it. How about this, how about that. I'm

688
00:43:10,680 --> 00:43:15,400
Speaker 1: gonna name a couple of people that's not stars, but

689
00:43:15,520 --> 00:43:22,280
Speaker 1: that work behind the scenes from various different labels, various various.

690
00:43:22,320 --> 00:43:27,359
Speaker 1: I think the various people don't forget it. All right,

691
00:43:28,080 --> 00:43:31,200
Speaker 1: all right, you want me to start, let's go and

692
00:43:31,239 --> 00:43:33,200
Speaker 1: then all right, so when I say the name, you

693
00:43:33,280 --> 00:43:42,719
Speaker 1: point to the person. Okay, okay, I'm with It's is

694
00:43:42,719 --> 00:43:50,080
Speaker 1: just like a sance death and he's alive. Russell Simmons

695
00:43:51,239 --> 00:43:56,120
Speaker 1: got shampoo hit it. Two things off the beginning, the Godfather, verything,

696
00:44:01,080 --> 00:44:05,080
Speaker 1: anybody out you're in the game. Just one person, Just

697
00:44:05,080 --> 00:44:14,040
Speaker 1: one person, okay, okay, okay, let the one person go in. Julie,

698
00:44:14,800 --> 00:44:19,759
Speaker 1: Julie Greenwall, when you know it back you fucking slapped

699
00:44:19,760 --> 00:44:24,400
Speaker 1: his neck. You for a body. I think you've caught you.

700
00:44:28,040 --> 00:44:31,399
Speaker 1: That means never cut never cut the check, and cut

701
00:44:31,440 --> 00:44:39,000
Speaker 1: the fucking cheese. What's going She's a very serious person.

702
00:44:39,080 --> 00:44:41,920
Speaker 1: I think he's a past question. I think it's a

703
00:44:41,960 --> 00:44:45,880
Speaker 1: FASTI question. I don't know, complicated. Next one, next one,

704
00:44:45,960 --> 00:44:53,560
Speaker 1: next one. He gave a thumb. Next gotta street chance,

705
00:44:53,960 --> 00:45:03,600
Speaker 1: We gotta let go, we gotta go, all right, very one.

706
00:45:03,760 --> 00:45:06,480
Speaker 1: Someone someone of the great same game. I love Julie

707
00:45:06,520 --> 00:45:10,560
Speaker 1: Guo on myself, Me too, you too, Come on, guy,

708
00:45:10,840 --> 00:45:14,160
Speaker 1: I don't know. One of the great of the game. Okay,

709
00:45:14,560 --> 00:45:20,000
Speaker 1: let's come with another one. Sean Press, Eddie, Sean Press

710
00:45:20,040 --> 00:45:24,120
Speaker 1: real read, one of the best in the game. Respect

711
00:45:24,160 --> 00:45:31,360
Speaker 1: the shop boss, great on the on the music tip.

712
00:45:33,000 --> 00:45:34,400
Speaker 1: I don't know whatever you want to give it. I

713
00:45:35,680 --> 00:45:38,000
Speaker 1: see a lot of people like I respect more like

714
00:45:38,120 --> 00:45:42,000
Speaker 1: jash Bow from Rock Nation. Um wait, wait, wait when

715
00:45:42,000 --> 00:45:50,200
Speaker 1: you're talking about Press, definitely okay's been a war. This

716
00:45:50,280 --> 00:45:59,400
Speaker 1: makes us a loose to DJ like President Stage. It

717
00:45:59,440 --> 00:46:01,640
Speaker 1: should be working records like one of the best in

718
00:46:01,680 --> 00:46:04,799
Speaker 1: the game. He's involved. Wait, hold on, I got one,

719
00:46:04,880 --> 00:46:08,239
Speaker 1: Kevin Black, No, no, no, no no, it's not it's not

720
00:46:08,280 --> 00:46:14,480
Speaker 1: your turn. Stop the way it works, it works stopping

721
00:46:14,520 --> 00:46:23,880
Speaker 1: out this called Okay, I had a good one. You

722
00:46:23,920 --> 00:46:29,879
Speaker 1: sucked me up. Damn Oh, I got one. Ready, Hold

723
00:46:30,320 --> 00:46:32,200
Speaker 1: I think I picked the personally, you picked the person

724
00:46:32,239 --> 00:46:37,840
Speaker 1: I say the name Rob Love my uncle. That's my

725
00:46:37,920 --> 00:46:42,000
Speaker 1: uncle on the g stop. I want to I want

726
00:46:42,000 --> 00:46:47,279
Speaker 1: to get everybody. You got to remember that difference. Okay,

727
00:46:47,320 --> 00:46:50,200
Speaker 1: I'm gonna start with Shampool there, one of the great

728
00:46:50,440 --> 00:46:53,319
Speaker 1: the person I always wanted to copycat, the person that

729
00:46:53,360 --> 00:46:56,680
Speaker 1: always made me go hard. He's the first guy that

730
00:46:57,000 --> 00:47:00,960
Speaker 1: I came to Miami. He had fifty young little motherfucker's

731
00:47:01,000 --> 00:47:05,280
Speaker 1: pushing the school to tearing up South Beach talking with Orange.

732
00:47:05,719 --> 00:47:08,839
Speaker 1: That was you behind my whole and he was never

733
00:47:09,200 --> 00:47:13,640
Speaker 1: Rob Love fact talking about and it was wearing a

734
00:47:14,000 --> 00:47:20,680
Speaker 1: shirts and it was exactly and that he actually what

735
00:47:20,680 --> 00:47:24,120
Speaker 1: I'm saying. But that was memories that made me be

736
00:47:24,280 --> 00:47:26,719
Speaker 1: like who came up with that made me be Rob

737
00:47:26,840 --> 00:47:29,480
Speaker 1: Loves when guys? That made me be like, yo, I

738
00:47:29,520 --> 00:47:32,040
Speaker 1: want to do that? That's dope. That was when you

739
00:47:32,160 --> 00:47:38,279
Speaker 1: was You're throwing me in this. I'm behind the scene, guy,

740
00:47:38,480 --> 00:47:41,439
Speaker 1: I'm making up behind the scene guys, I'm ain't front

741
00:47:41,520 --> 00:47:46,960
Speaker 1: the scene guy. Actually, I got Rob No. I gotta

742
00:47:47,000 --> 00:47:50,040
Speaker 1: say something about Rob Love real quick. Went to the office.

743
00:47:50,880 --> 00:47:53,800
Speaker 1: We worked Tommy Boys when he was on the beginning

744
00:47:54,520 --> 00:47:57,160
Speaker 1: from the beginning for Death Jam. And when I went

745
00:47:57,239 --> 00:48:00,799
Speaker 1: to death Jam, he actually suggests that you need to

746
00:48:00,840 --> 00:48:03,319
Speaker 1: get these guys in Miami. Makes a noise for that

747
00:48:03,360 --> 00:48:09,359
Speaker 1: guy when he signed to death Jam. I don't know how.

748
00:48:09,680 --> 00:48:11,440
Speaker 1: I mean, it's it's real to a degree because I

749
00:48:11,480 --> 00:48:16,080
Speaker 1: saw the picture framed in in Rob loves Like office.

750
00:48:16,680 --> 00:48:23,560
Speaker 1: He's there wearing a HP Crazy Good shirt signing the papers.

751
00:48:24,120 --> 00:48:29,279
Speaker 1: Got damn. I got damn. Part of my left real time.

752
00:48:31,120 --> 00:48:34,919
Speaker 1: So that's anybody else story. I got a roup story.

753
00:48:34,920 --> 00:48:37,000
Speaker 1: When I went to death Jam. He was like, Yo,

754
00:48:37,080 --> 00:48:39,160
Speaker 1: we're going somewhere, and I was like, what you're talking about.

755
00:48:39,320 --> 00:48:41,160
Speaker 1: He was like, Nana, we gotta be out. I said,

756
00:48:41,160 --> 00:48:43,040
Speaker 1: I'm gonna producer. I ain't trying to. I gotta show

757
00:48:43,080 --> 00:48:45,360
Speaker 1: you how radio is. I gotta show you how it was.

758
00:48:45,440 --> 00:48:48,120
Speaker 1: Keith Murray I never forget. And we went out to Philly.

759
00:48:48,560 --> 00:48:53,759
Speaker 1: So soon as we entered, you smoked us. Okay, it's

760
00:48:53,800 --> 00:48:57,360
Speaker 1: just natural high music. So then we go to Philly

761
00:48:57,640 --> 00:49:00,560
Speaker 1: and we entered this radio station. So me and Rob

762
00:49:00,680 --> 00:49:03,000
Speaker 1: Love go in and Keith Murray's in there, and we

763
00:49:03,120 --> 00:49:05,640
Speaker 1: walk in. We see nobody and we're like, what the funk,

764
00:49:05,640 --> 00:49:07,719
Speaker 1: where's everybody? But were hitting guns out so outside and

765
00:49:07,719 --> 00:49:11,480
Speaker 1: feeling you know what I'm saying. This little midget comes yo,

766
00:49:12,880 --> 00:49:15,239
Speaker 1: and I'm like, what the bus gonna keeps like? Yo,

767
00:49:15,520 --> 00:49:18,880
Speaker 1: what's up? It was a fucking midget and he just

768
00:49:19,000 --> 00:49:21,680
Speaker 1: taught me. He just taught me MiNet. I don't think

769
00:49:21,680 --> 00:49:26,520
Speaker 1: you say that. I don't think. I don't know what

770
00:49:26,520 --> 00:49:28,120
Speaker 1: I mean. Little people, I didn't. We don't stand by

771
00:49:28,200 --> 00:49:36,240
Speaker 1: his words and drinks. So I'm like, what little midget,

772
00:49:37,080 --> 00:49:41,960
Speaker 1: I don't little I'm just saying, just taught me that

773
00:49:42,160 --> 00:49:45,080
Speaker 1: you don't just focus making brackets. You know what I'm saying.

774
00:49:46,360 --> 00:49:52,000
Speaker 1: They're not mad at it. The next gotta be careful

775
00:49:52,440 --> 00:49:54,600
Speaker 1: at the next level. And taught me like this, it

776
00:49:54,680 --> 00:49:56,880
Speaker 1: is not all about just producing. I need you to

777
00:49:56,920 --> 00:49:58,960
Speaker 1: see how to work records. I need you out these

778
00:49:59,040 --> 00:50:01,680
Speaker 1: artists go so you can late when you created. So

779
00:50:01,800 --> 00:50:03,600
Speaker 1: he went the extra sta. You know what I'm saying,

780
00:50:04,400 --> 00:50:06,040
Speaker 1: strength and you know what I'm saying. So we can't

781
00:50:06,040 --> 00:50:08,399
Speaker 1: say the executives don't do that. You say, little people,

782
00:50:08,440 --> 00:50:11,520
Speaker 1: shout up? Are you going in again? You put your

783
00:50:11,560 --> 00:50:21,200
Speaker 1: back people, take a little class of wine. Can't next? Next? Next,

784
00:50:21,719 --> 00:50:29,840
Speaker 1: So Sean pays the Godfather shut up on one of

785
00:50:29,880 --> 00:50:33,120
Speaker 1: the best one one one that did it, one that

786
00:50:33,280 --> 00:50:36,120
Speaker 1: did it the best. Wish you would have not left music.

787
00:50:36,560 --> 00:50:39,000
Speaker 1: I asked him one time about you what you're thinking

788
00:50:39,040 --> 00:50:41,200
Speaker 1: about this, like shampoo. If you don't got a wicked jump,

789
00:50:41,239 --> 00:50:45,080
Speaker 1: shutow or left, don't talk to me no more. What

790
00:50:45,160 --> 00:50:47,160
Speaker 1: do you mean by that? Meanwhile, it's no more music

791
00:50:48,320 --> 00:50:53,400
Speaker 1: normal music teams like Packs was the original man the original,

792
00:50:53,680 --> 00:50:57,439
Speaker 1: he understood it. That's why that's why mans Man, God

793
00:50:57,520 --> 00:51:00,440
Speaker 1: blessed man. When Packs was in the game, nigga was

794
00:51:00,480 --> 00:51:06,120
Speaker 1: just getting money because niggas guys was putting hood niggas

795
00:51:06,200 --> 00:51:10,120
Speaker 1: on to show them niggas get money in the corporate world.

796
00:51:10,840 --> 00:51:13,640
Speaker 1: Like niggas wasn't doing that. Be guys was doing that.

797
00:51:14,360 --> 00:51:16,680
Speaker 1: Like I was, me and Motherfucker's on conference court like

798
00:51:16,760 --> 00:51:22,560
Speaker 1: who are you? Yeah from sounds I'm saying, like like

799
00:51:22,760 --> 00:51:25,360
Speaker 1: Begas was one of them dudes man that understood that

800
00:51:25,840 --> 00:51:28,160
Speaker 1: you need the streets. Uh, you know what I mean?

801
00:51:28,200 --> 00:51:30,560
Speaker 1: And that's gonna be lost hip got fixed to it

802
00:51:30,680 --> 00:51:37,239
Speaker 1: and questions. Of course Bax native, so you know what

803
00:51:37,239 --> 00:51:39,640
Speaker 1: I'm saying. That's another thing too, Like he went up,

804
00:51:39,880 --> 00:51:42,480
Speaker 1: he worked his butt off, you know, asked to do

805
00:51:42,600 --> 00:51:44,719
Speaker 1: what he had to do. And like every time he

806
00:51:44,800 --> 00:51:47,120
Speaker 1: came up, he'd take two people with him, then he'd

807
00:51:47,160 --> 00:51:49,160
Speaker 1: go back and take another two people. So he created

808
00:51:49,239 --> 00:51:52,239
Speaker 1: his own destiny. And the kid is still alive and

809
00:51:52,280 --> 00:51:54,520
Speaker 1: he's still rocking with one of the best. So shout

810
00:51:54,560 --> 00:52:01,120
Speaker 1: out Togs on the real tripe sweetness. I mean, he

811
00:52:01,239 --> 00:52:03,400
Speaker 1: calls like me to make sure with Shampoo that I

812
00:52:03,480 --> 00:52:06,120
Speaker 1: got my job at that champ. Right, I would always

813
00:52:06,120 --> 00:52:11,000
Speaker 1: be grateful because I worked for Death Champ. I remember

814
00:52:11,040 --> 00:52:14,000
Speaker 1: seeing l Coo j Rihanna and I'd be like, that's

815
00:52:14,040 --> 00:52:15,400
Speaker 1: then I want to get into a music business. I

816
00:52:15,440 --> 00:52:17,160
Speaker 1: don't know what I'm gonna do, but I want to

817
00:52:17,160 --> 00:52:19,040
Speaker 1: be in the music business. I don't want to be famous,

818
00:52:19,080 --> 00:52:21,640
Speaker 1: but I want to be behind the business. And Shampoo

819
00:52:21,680 --> 00:52:24,080
Speaker 1: and him they gave me. She took, So you took

820
00:52:24,160 --> 00:52:30,080
Speaker 1: LEXI spot here I did. Yeah, no, no, no. Next

821
00:52:30,200 --> 00:52:33,879
Speaker 1: was after us. But what happened was that I said

822
00:52:33,880 --> 00:52:40,160
Speaker 1: it earlier. I said Lex Lex was always king time out,

823
00:52:40,880 --> 00:52:46,920
Speaker 1: time out. We were rocking and rolling out. We'll all

824
00:52:47,160 --> 00:52:53,920
Speaker 1: respected Death right right right? X came later all right,

825
00:52:54,680 --> 00:52:58,920
Speaker 1: I don't know what that means. That sounds horrible. Not

826
00:52:59,000 --> 00:53:01,520
Speaker 1: Alex was was wrong game, but the thing was like

827
00:53:01,600 --> 00:53:06,120
Speaker 1: I was, like I was saying earlier talking about Lexmotion,

828
00:53:06,520 --> 00:53:09,840
Speaker 1: what what what happened with Lex? Alexus? It is always

829
00:53:09,880 --> 00:53:12,960
Speaker 1: like Lexus, that nigger. What I was telling, what we

830
00:53:13,040 --> 00:53:16,200
Speaker 1: were talking about earlier, lex wasn't focused on the beach

831
00:53:16,280 --> 00:53:20,000
Speaker 1: no more. He was moving on. He just not Miami

832
00:53:20,160 --> 00:53:22,600
Speaker 1: number one. But I'm just saying. She was saying that

833
00:53:22,719 --> 00:53:26,680
Speaker 1: it's not the labels at the label, they look you

834
00:53:26,840 --> 00:53:31,960
Speaker 1: have label on to know that. Of course she's been moving,

835
00:53:32,040 --> 00:53:39,560
Speaker 1: She's been moving right now. No, but I'm saying to

836
00:53:39,640 --> 00:53:42,560
Speaker 1: that when what happening was alexis still doing his numbers.

837
00:53:42,800 --> 00:53:46,160
Speaker 1: What I'm saying is that lex was doing other ship radio.

838
00:53:46,360 --> 00:53:56,319
Speaker 1: I know that, but I'm just saying that Lexus, that nigga. Man.

839
00:53:58,280 --> 00:54:01,960
Speaker 1: Alexis that nigga. What I'm saying that that sweetness sweetness

840
00:54:02,480 --> 00:54:06,719
Speaker 1: was doing other things that Flex wasn't what was in

841
00:54:06,800 --> 00:54:13,080
Speaker 1: the point, I wasn't camp. I'm trying to explain this

842
00:54:13,200 --> 00:54:24,520
Speaker 1: is because that's how we're going through respect. You're coming

843
00:54:24,560 --> 00:54:27,040
Speaker 1: from the New York angle. This is the streets in Miami.

844
00:54:27,840 --> 00:54:35,360
Speaker 1: This is different, different streets in Miami streets. That's my button.

845
00:54:35,560 --> 00:54:39,080
Speaker 1: He know that like his fan cool, but the streets

846
00:54:39,120 --> 00:54:42,800
Speaker 1: of Miami talking He's so cool until you need he

847
00:54:43,000 --> 00:54:48,680
Speaker 1: cool and teeny answers, Yeah, he's so cool, and so

848
00:54:48,800 --> 00:54:51,359
Speaker 1: you're wondering, like, why isn't my record doing what it's

849
00:54:51,360 --> 00:54:53,960
Speaker 1: supposed to be doing. I don't know where we at,

850
00:54:54,120 --> 00:55:00,239
Speaker 1: but I know we're in a deep sea. Baby him,

851
00:55:00,440 --> 00:55:03,239
Speaker 1: but can I take some real quick number. I want

852
00:55:03,280 --> 00:55:06,280
Speaker 1: to say something real quick moment with all he's doing

853
00:55:06,920 --> 00:55:10,719
Speaker 1: wa Haiti and I'm in Haiti to my brother and

854
00:55:10,760 --> 00:55:14,560
Speaker 1: I'm not even With all due respect to everybody involved,

855
00:55:15,160 --> 00:55:20,840
Speaker 1: this is is so cute. Yeah you sweethe come up, Relax,

856
00:55:20,880 --> 00:55:23,600
Speaker 1: relax and you co sign me or not. I'm gonna

857
00:55:23,640 --> 00:55:26,080
Speaker 1: say right now like we had, we had a lot

858
00:55:26,120 --> 00:55:28,560
Speaker 1: of We were doing the streets in Miami, crazy c

859
00:55:28,760 --> 00:55:32,640
Speaker 1: HP marketing promotions and Eddie Giggs right here because I

860
00:55:32,680 --> 00:55:34,440
Speaker 1: want to give him his props while he's right next

861
00:55:34,480 --> 00:55:39,800
Speaker 1: to me. He helped. The sweetness is the Lexus is

862
00:55:40,520 --> 00:55:45,720
Speaker 1: the world, absolutely, and they all people that were under

863
00:55:45,840 --> 00:55:48,880
Speaker 1: him in terms of learning the streets, absolutely, and I

864
00:55:48,960 --> 00:55:53,960
Speaker 1: give that ship. When Eddie calls me first ring, I

865
00:55:54,040 --> 00:55:56,840
Speaker 1: pick up. I know where I'm at and I'm not. No,

866
00:55:56,920 --> 00:55:58,239
Speaker 1: it's not where you're at. But I'm just saying, we

867
00:55:58,320 --> 00:56:02,120
Speaker 1: gotta pay homage all night. If Eddie, if Eddie calls

868
00:56:02,160 --> 00:56:06,399
Speaker 1: me and texted me, don't ever listen. See, let's can't

869
00:56:06,400 --> 00:56:08,520
Speaker 1: get into half of these class And we learned from

870
00:56:08,640 --> 00:56:13,800
Speaker 1: the what was the old Street Team games that I

871
00:56:13,920 --> 00:56:20,600
Speaker 1: like that though crazy next motion, Man, I'm gonna take advantage.

872
00:56:22,080 --> 00:56:24,040
Speaker 1: It would be nice shout to keep going the one,

873
00:56:25,080 --> 00:56:32,839
Speaker 1: next one, next one, next, next, next to the next one, next,

874
00:56:33,200 --> 00:56:41,520
Speaker 1: name my show age or maybe not because everybody might

875
00:56:41,520 --> 00:56:44,799
Speaker 1: be down. I'm gonna have to say the record label

876
00:56:44,880 --> 00:56:50,600
Speaker 1: just to not confuse the name Loud Records. Buddha, Oh no, right,

877
00:56:51,160 --> 00:56:55,279
Speaker 1: Big Pun. Big Pun was the dude Big Pun that

878
00:56:55,440 --> 00:56:58,160
Speaker 1: was the one of the dudes that you know Buddha.

879
00:56:58,440 --> 00:57:04,759
Speaker 1: Buddha was one of the the dude that I never

880
00:57:04,880 --> 00:57:07,280
Speaker 1: knew you could put up that many stickers in the world.

881
00:57:08,360 --> 00:57:10,560
Speaker 1: Buddha was one of the niggas man that blew a

882
00:57:10,680 --> 00:57:15,239
Speaker 1: big pun by putting up stickers, and that he was

883
00:57:15,360 --> 00:57:19,160
Speaker 1: the original one of them niggas that was like I

884
00:57:19,320 --> 00:57:22,640
Speaker 1: watched them niggas man him, his brother, you know, Gobby,

885
00:57:23,120 --> 00:57:31,680
Speaker 1: all the man, all of them man all like like

886
00:57:33,680 --> 00:57:38,320
Speaker 1: a lot of people don't know Elson and still shaking

887
00:57:38,400 --> 00:57:41,240
Speaker 1: up killing it. Used to work with at V I

888
00:57:41,600 --> 00:57:44,640
Speaker 1: record with Al Bazzaro. We used to check this out.

889
00:57:44,720 --> 00:57:49,720
Speaker 1: Me used to go take cabs with Fuji's, the Fuji's.

890
00:57:50,000 --> 00:57:53,320
Speaker 1: Everybody promoted damn record and jumping. In a matter of fact,

891
00:57:53,320 --> 00:57:55,640
Speaker 1: I'll even take it more back. We was at Summer

892
00:57:55,720 --> 00:57:57,800
Speaker 1: Jam and we suck in White Cleft with me and

893
00:57:57,880 --> 00:58:03,280
Speaker 1: Fat Joe. So everybody needs assistance. That is about but

894
00:58:03,880 --> 00:58:07,160
Speaker 1: but though, That's what we're saying is we don't have

895
00:58:07,360 --> 00:58:12,760
Speaker 1: those type of exacts anymore. Those exacts and respect to

896
00:58:12,920 --> 00:58:16,120
Speaker 1: those people that did what they did. Those exacts put

897
00:58:16,280 --> 00:58:20,680
Speaker 1: niggas on These new niggas. They ain't looking out for

898
00:58:20,760 --> 00:58:24,880
Speaker 1: nobody but themselves. They're not like, yo, I see what

899
00:58:24,960 --> 00:58:29,480
Speaker 1: you're doing. And that's fine because in two years, what

900
00:58:29,640 --> 00:58:32,320
Speaker 1: we do is we just keep working where from the

901
00:58:32,400 --> 00:58:38,480
Speaker 1: block and every artist is a whole right. Me and

902
00:58:38,600 --> 00:58:41,600
Speaker 1: Shampoo are the pimps. Shampoo is the pimp of monthuck

903
00:58:41,640 --> 00:58:44,360
Speaker 1: in New York on the pimp of Miami, and they's

904
00:58:44,400 --> 00:58:50,120
Speaker 1: a artists on every block. Like cohol always heard, the

905
00:58:50,240 --> 00:58:54,040
Speaker 1: jobs reconnected to art City. Because we don't fucking leave.

906
00:58:54,440 --> 00:58:57,160
Speaker 1: We feed our city. I don't have to be a champion.

907
00:58:57,200 --> 00:58:59,880
Speaker 1: You don't gotta be nothing. We keep motherfucker's a lot.

908
00:59:00,320 --> 00:59:02,720
Speaker 1: We pay the rent. We help them do everything they

909
00:59:02,760 --> 00:59:10,280
Speaker 1: can do. Better man the words, just to be better.

910
00:59:10,400 --> 00:59:14,280
Speaker 1: Wanting to be a businessman. I want to be shot

911
00:59:14,360 --> 00:59:16,440
Speaker 1: like DJ A fact shout out to him and I'm

912
00:59:16,440 --> 00:59:21,880
Speaker 1: gonna plug that in, Mr, exactly. So it's not just

913
00:59:21,960 --> 00:59:32,160
Speaker 1: about being a DJ. Is about being a business exactly.

914
00:59:32,200 --> 00:59:34,080
Speaker 1: Because I've been working me for ten years and you

915
00:59:34,240 --> 00:59:37,320
Speaker 1: was do you feel me? Look where you're at. Support

916
00:59:37,360 --> 00:59:40,280
Speaker 1: your man even when there were nothing to something. But

917
00:59:41,480 --> 00:59:44,200
Speaker 1: I live on Sunday, every Sunday. I'll see Stevie jam

918
00:59:44,320 --> 00:59:47,440
Speaker 1: on Tuesday. But to say, but to say that what

919
00:59:47,560 --> 00:59:51,480
Speaker 1: I was saying earlier, just with y'all every yeah, you

920
00:59:51,640 --> 00:59:56,320
Speaker 1: come from the old school executive mind, Like I'll come up.

921
00:59:56,440 --> 00:59:58,800
Speaker 1: My man is still with me, you mean, That's what

922
00:59:58,880 --> 01:00:01,520
Speaker 1: I'm talking about. We don't have that no more. No more.

923
01:00:02,200 --> 01:00:05,720
Speaker 1: Ain't about like yo, I'm moving yo. Yo. They got

924
01:00:05,800 --> 01:00:07,920
Speaker 1: this position right here. Let me let me put my

925
01:00:08,040 --> 01:00:10,160
Speaker 1: man in there. But we've always been like we still

926
01:00:10,240 --> 01:00:17,920
Speaker 1: got a team. That's what I'm talking about. It's look

927
01:00:18,440 --> 01:00:21,240
Speaker 1: like this is beautiful. This is what hip hop is about.

928
01:00:21,720 --> 01:00:24,640
Speaker 1: If you win, your team win. But these new generations

929
01:00:24,680 --> 01:00:27,400
Speaker 1: they skipping steps then think social media, so they cut

930
01:00:27,440 --> 01:00:29,160
Speaker 1: everybody off because they don't know what it is to

931
01:00:29,200 --> 01:00:31,240
Speaker 1: be loyal to somebody. They don't know what it is

932
01:00:31,280 --> 01:00:34,800
Speaker 1: to be loved, she says. They don't know nobody's social media.

933
01:00:34,880 --> 01:00:38,840
Speaker 1: They skip stats and because I don't want to I

934
01:00:38,880 --> 01:00:41,120
Speaker 1: don't want to do a record And in two years

935
01:00:41,160 --> 01:00:43,640
Speaker 1: you're nobody because I'm not gonna see you and tell you, oh,

936
01:00:43,800 --> 01:00:46,320
Speaker 1: this is the next great idea. Fuck you your artists.

937
01:00:46,560 --> 01:00:48,480
Speaker 1: Tell me what the next great idea is, and let

938
01:00:48,560 --> 01:00:50,439
Speaker 1: me tell you what I can do with it. That's

939
01:00:50,480 --> 01:00:52,520
Speaker 1: the point of being a marketing director. That's the point

940
01:00:52,560 --> 01:00:54,720
Speaker 1: of being in the streets. That's the point of keeping

941
01:00:54,720 --> 01:00:56,960
Speaker 1: you connected to the streets. So you want to keep

942
01:00:57,000 --> 01:01:04,200
Speaker 1: social media, but wait, wait, I want to seckway this

943
01:01:04,360 --> 01:01:34,800
Speaker 1: or something else. Hold on, hold now, wat to social media?

944
01:01:35,800 --> 01:02:00,480
Speaker 1: To social media? Take this violent baby you've but you

945
01:02:00,520 --> 01:02:05,880
Speaker 1: don't really pick the money. I don't expect that. Let

946
01:02:05,920 --> 01:02:10,800
Speaker 1: me show you show you people how lonely. Let me

947
01:02:10,920 --> 01:02:41,400
Speaker 1: show you this at his new age, eat my at it.

948
01:02:49,360 --> 01:02:53,479
Speaker 1: Have used this media plug my nigga. I was trying

949
01:02:53,480 --> 01:03:01,080
Speaker 1: to serious, but to use the n no loves buddy.

950
01:03:05,360 --> 01:03:13,240
Speaker 1: The point if you want to try, when you want

951
01:03:17,800 --> 01:03:21,080
Speaker 1: to relax, I don't know where we wait, why they can't?

952
01:03:22,120 --> 01:03:26,000
Speaker 1: We just got to cancel. Everybody's going to relax her now, please?

953
01:03:26,600 --> 01:03:33,600
Speaker 1: Why get bored always? Since he wants to be as

954
01:03:34,720 --> 01:03:42,040
Speaker 1: I had the father. I'm like, no, he's come back tomorrow,

955
01:03:42,400 --> 01:03:46,480
Speaker 1: come back tomorrow call that. No no, no, no, no, no,

956
01:03:47,520 --> 01:03:57,480
Speaker 1: you don't ruin him. He's still working. Nor's gonna be

957
01:03:57,600 --> 01:04:05,320
Speaker 1: cool or later sometimes right, shout out your jobs working

958
01:04:05,480 --> 01:04:15,640
Speaker 1: again where you work? Foul so jam yet big what

959
01:04:15,800 --> 01:04:25,320
Speaker 1: up niggah big conglomerate to write? Yeah dam him no

960
01:04:28,280 --> 01:04:33,000
Speaker 1: best bust rug Happy birthday busting run. I saw the

961
01:04:33,040 --> 01:04:39,240
Speaker 1: picture live. How was living? Birthday, Biggie, fantastic times my brother,

962
01:04:39,320 --> 01:04:43,160
Speaker 1: Happy birthday buster once again? You know what I mean? Well, um,

963
01:04:43,920 --> 01:04:46,080
Speaker 1: there's a couple of other people birthday too, uncle Wise

964
01:04:49,800 --> 01:04:55,440
Speaker 1: birthday coming up, Big East Birthdays Wise happy day coming up.

965
01:04:55,560 --> 01:04:59,320
Speaker 1: We flew out to Virginia, all our people and we

966
01:04:59,480 --> 01:05:03,000
Speaker 1: spent his the birthday with him. Um uh so happy

967
01:05:03,040 --> 01:05:09,280
Speaker 1: birthday wash Yeah, Wait, what what's going on? Thank you Avalon.

968
01:05:09,400 --> 01:05:13,960
Speaker 1: You don't know about me, so you know, happy birthday

969
01:05:14,000 --> 01:05:16,160
Speaker 1: to uncle was well two more, I don't got the

970
01:05:16,240 --> 01:05:22,400
Speaker 1: more week, right, is incredible. He's incredible, bro. I just

971
01:05:22,560 --> 01:05:27,680
Speaker 1: keep seeing more coming this way. This is an incredible

972
01:05:27,760 --> 01:05:32,680
Speaker 1: show in the world. We had you on the icy episode. Yeah,

973
01:05:32,800 --> 01:05:36,200
Speaker 1: thank you friend, we had you Daddy episode. I want

974
01:05:36,240 --> 01:05:40,880
Speaker 1: to thank relations to y'all. Keep more winning. You don't

975
01:05:40,920 --> 01:05:44,840
Speaker 1: believe you know what I mean? Just again and again

976
01:05:45,320 --> 01:05:49,320
Speaker 1: and as real motherfucker's door, keep putting off of the

977
01:05:49,440 --> 01:05:53,200
Speaker 1: city called me, he called sweetness, he called my nigger

978
01:05:53,680 --> 01:05:57,640
Speaker 1: read it, motherfucking all that, and I appreciate it, man,

979
01:05:58,360 --> 01:06:00,200
Speaker 1: because a lot of people like us, we don't get

980
01:06:00,240 --> 01:06:02,960
Speaker 1: that proper shign. So you know what I'm saying, We

981
01:06:03,120 --> 01:06:05,640
Speaker 1: sometimes we need to behind the scenes and behind the scenes.

982
01:06:06,120 --> 01:06:07,840
Speaker 1: And no reason I'm saying, you don't tell you. He

983
01:06:07,960 --> 01:06:12,000
Speaker 1: was like, Yo, come through my radio shoe eight o'clock

984
01:06:12,120 --> 01:06:15,800
Speaker 1: be there. So I'm like, all right, I'm coming through.

985
01:06:15,880 --> 01:06:21,560
Speaker 1: I'm not even thinking me. She called me and was like, Yo,

986
01:06:21,920 --> 01:06:23,320
Speaker 1: I want to come with you to Nor because I

987
01:06:23,320 --> 01:06:25,120
Speaker 1: gotta teak to Nor about something, because I want to

988
01:06:25,120 --> 01:06:30,000
Speaker 1: tell you about it. You know, before you before we

989
01:06:30,040 --> 01:06:31,680
Speaker 1: get out of here. I have one thing. I wanted

990
01:06:31,720 --> 01:06:36,800
Speaker 1: to get this out. Got a piece, No, I keep talking, No,

991
01:06:36,960 --> 01:06:39,000
Speaker 1: I wanted to do. I wanted to hear something from

992
01:06:39,040 --> 01:06:42,600
Speaker 1: these guys right here right, an experience when you was promoting.

993
01:06:42,600 --> 01:06:44,000
Speaker 1: I'm gonna tell you something. I'm gonna give you the

994
01:06:44,080 --> 01:06:49,520
Speaker 1: example when Pun died, right, he just died. I was

995
01:06:49,640 --> 01:06:51,800
Speaker 1: just about to take a piss right now, now I

996
01:06:51,880 --> 01:06:56,240
Speaker 1: got to stay. We were working for Echo Clothing. Right.

997
01:06:56,760 --> 01:06:59,400
Speaker 1: They flew us out to the Puerto Rican Day Parade

998
01:06:59,400 --> 01:07:06,000
Speaker 1: in New York, right, and they had a float and

999
01:07:06,080 --> 01:07:12,480
Speaker 1: they played for the first time to everybody there, and

1000
01:07:12,560 --> 01:07:16,560
Speaker 1: then it had us passing out the Pun towels and

1001
01:07:16,680 --> 01:07:19,480
Speaker 1: it was on the floor. Was Fat Joe Raima and

1002
01:07:19,480 --> 01:07:26,160
Speaker 1: who else anybody else Cuba that was I can't I

1003
01:07:26,240 --> 01:07:30,600
Speaker 1: will never forget the energy that I felt there. You know,

1004
01:07:30,680 --> 01:07:33,840
Speaker 1: they played like a hundred times real talk. We walked

1005
01:07:33,880 --> 01:07:36,560
Speaker 1: out and every time it played, it was like the

1006
01:07:36,680 --> 01:07:39,880
Speaker 1: first time I ever heard it. That was the energy

1007
01:07:39,960 --> 01:07:44,240
Speaker 1: that was popping right there. Yeah, it was given. I'm

1008
01:07:44,280 --> 01:07:46,120
Speaker 1: telling you right now, me and myself. I was out

1009
01:07:46,200 --> 01:07:49,480
Speaker 1: there promoting myself and it was the best experience in

1010
01:07:49,520 --> 01:07:53,160
Speaker 1: my life. So as a as a as a marketer

1011
01:07:53,240 --> 01:07:56,480
Speaker 1: and a promoter, what what experience like that did you

1012
01:07:56,560 --> 01:08:03,120
Speaker 1: guys ever have? My experience was once once, once THEO

1013
01:08:03,280 --> 01:08:05,200
Speaker 1: Brown got you know what I mean, salute to theol

1014
01:08:05,240 --> 01:08:07,000
Speaker 1: Brown when we use the t VT. He got the

1015
01:08:07,120 --> 01:08:09,520
Speaker 1: job at def Jam and he was like, Yo, we

1016
01:08:09,640 --> 01:08:13,840
Speaker 1: got this new artist name Jule Santana, Uh, new artists

1017
01:08:13,840 --> 01:08:17,400
Speaker 1: from Atlanta called a Snowman, another guy called Rick Ross

1018
01:08:17,439 --> 01:08:20,559
Speaker 1: and his girl named Rihanna, and we have poster boards.

1019
01:08:20,920 --> 01:08:22,439
Speaker 1: He was like, yo, we need to go on this.

1020
01:08:22,720 --> 01:08:26,280
Speaker 1: We we need to move crazy. I took it upon

1021
01:08:26,360 --> 01:08:28,960
Speaker 1: myself to buy a shopping cart and we hit the

1022
01:08:29,040 --> 01:08:32,040
Speaker 1: whole one in nine. This is we're talking about Jersey

1023
01:08:32,400 --> 01:08:35,479
Speaker 1: one in nine, route three all the way to Summer Jam.

1024
01:08:36,479 --> 01:08:39,560
Speaker 1: The next morning, how nany seven said, Yo, if you

1025
01:08:39,720 --> 01:08:42,120
Speaker 1: look at if you don't know how to get to

1026
01:08:42,200 --> 01:08:46,760
Speaker 1: Summer Jam, just follow the poster boards. That was a

1027
01:08:46,880 --> 01:08:50,559
Speaker 1: mobile moment because they was like, yo, my nigga. They

1028
01:08:50,640 --> 01:08:54,200
Speaker 1: just said follow the poster boards. And as a street team, dude,

1029
01:08:55,160 --> 01:08:57,519
Speaker 1: you you we we gotta we we get up early

1030
01:08:57,720 --> 01:09:01,519
Speaker 1: to put in that work. And I was that was crazy.

1031
01:09:02,240 --> 01:09:05,840
Speaker 1: Never but that was one moment for me that nobody knew.

1032
01:09:05,920 --> 01:09:11,320
Speaker 1: It was a moment, you know, the personality just said

1033
01:09:11,360 --> 01:09:14,639
Speaker 1: it naturally, like yo, if you're trying to find out

1034
01:09:14,760 --> 01:09:17,880
Speaker 1: how to get this to summer jam, follow the poster boys,

1035
01:09:19,120 --> 01:09:23,639
Speaker 1: but to you like, yeah, I told you I caught

1036
01:09:23,720 --> 01:09:26,960
Speaker 1: these thinkers. I told you they can't funk with us.

1037
01:09:27,800 --> 01:09:30,040
Speaker 1: That's the excitement that we don't have no more. But

1038
01:09:30,160 --> 01:09:37,080
Speaker 1: that was a moment, sweetness, what you got. I'm fine.

1039
01:09:37,080 --> 01:09:39,440
Speaker 1: I'm not was listening to him because I was like reminiscence,

1040
01:09:42,360 --> 01:09:45,760
Speaker 1: Like I was like I remember when it was like

1041
01:09:46,720 --> 01:09:50,040
Speaker 1: it's like twelve postes up the pole, like you weren't

1042
01:09:50,080 --> 01:09:53,720
Speaker 1: all black, Like it's like a whole like scheme, Like

1043
01:09:53,840 --> 01:09:56,880
Speaker 1: you gotta like you know what I mean you you

1044
01:09:57,000 --> 01:09:59,080
Speaker 1: was asking him like the best moment of his was

1045
01:09:59,200 --> 01:10:09,320
Speaker 1: racking promoter. My moment. My moment was met Eddie, my

1046
01:10:09,640 --> 01:10:13,240
Speaker 1: baby Eddie. I love you wherever you are at. I

1047
01:10:13,320 --> 01:10:16,400
Speaker 1: don't see him in the room. Listen, Eddie's my guy.

1048
01:10:16,520 --> 01:10:24,439
Speaker 1: Um um, my best moment in hip hop, there's gotta

1049
01:10:24,439 --> 01:10:29,840
Speaker 1: be one. Buster called me like you got you gotta

1050
01:10:29,920 --> 01:10:32,600
Speaker 1: understand Like when when Buster called me, I was I

1051
01:10:32,720 --> 01:10:37,800
Speaker 1: was about three years seven, seven. Yeah, no no, no, no, no, no,

1052
01:10:38,720 --> 01:10:41,320
Speaker 1: three years from now and it's been almost twelve, so

1053
01:10:41,640 --> 01:10:45,680
Speaker 1: nine years in the game. And I was called by

1054
01:10:45,760 --> 01:10:48,479
Speaker 1: a record label rep who does the whole nationality. His

1055
01:10:48,560 --> 01:10:52,320
Speaker 1: name is Shadow, and he was like, Yo, busted, Yeah,

1056
01:10:52,400 --> 01:10:56,599
Speaker 1: shout out to Shadow, one of my biggest mentors. Yeah,

1057
01:10:56,760 --> 01:10:58,920
Speaker 1: like Busters about to call you. And I was like,

1058
01:10:59,400 --> 01:11:02,599
Speaker 1: for what, Like what's going on? And this was actually,

1059
01:11:03,720 --> 01:11:08,080
Speaker 1: um about a week and a half before Revolt, the

1060
01:11:08,200 --> 01:11:13,080
Speaker 1: first Revolt, not just Revo, the first revoltwork. Yeah, like

1061
01:11:13,200 --> 01:11:19,559
Speaker 1: the whole Miami conference. Yeah, and it's like it's gonna

1062
01:11:19,600 --> 01:11:23,639
Speaker 1: be in Miami. And Shadow was like, I've had I've

1063
01:11:23,720 --> 01:11:26,639
Speaker 1: called to other people and they're the one they represent.

1064
01:11:26,800 --> 01:11:30,120
Speaker 1: They said that you're the one. He's like, but I

1065
01:11:30,160 --> 01:11:33,080
Speaker 1: don't know how Bus is going to feel about a female,

1066
01:11:33,960 --> 01:11:36,679
Speaker 1: you know, trying to get a record played in the standing.

1067
01:11:36,800 --> 01:11:39,639
Speaker 1: It's like, just have him call me. So when Buster

1068
01:11:39,720 --> 01:11:43,280
Speaker 1: calls me, honestly, I didn't believe it. I don't know

1069
01:11:43,320 --> 01:11:48,240
Speaker 1: about him. I was like, all right, Shadow, y'all cute,

1070
01:11:49,280 --> 01:11:53,280
Speaker 1: hung up and calls me back. He's like, Yo, you're

1071
01:11:53,280 --> 01:11:55,760
Speaker 1: sweep us from Miami. You work records. I was like, yeah,

1072
01:11:56,000 --> 01:11:58,280
Speaker 1: I was like, yeah, he's like this this bust the ROMs,

1073
01:11:58,960 --> 01:12:01,880
Speaker 1: Like I all right, I hung up with you on

1074
01:12:01,960 --> 01:12:04,240
Speaker 1: the first time, so talk to me. He said, So

1075
01:12:04,280 --> 01:12:06,120
Speaker 1: I got this new artist him was Oti Gens and

1076
01:12:06,200 --> 01:12:08,439
Speaker 1: we got this Coco record. I was like, all right.

1077
01:12:08,520 --> 01:12:13,439
Speaker 1: He's like, so I've never really hired a female before

1078
01:12:13,680 --> 01:12:18,120
Speaker 1: to work records. Uh, Gorilla wise or whatever? You know.

1079
01:12:18,280 --> 01:12:21,880
Speaker 1: I hear from Shadow that year the one. I was like,

1080
01:12:21,960 --> 01:12:26,519
Speaker 1: all right, yeah, I obviously talked a lot. He let

1081
01:12:26,600 --> 01:12:28,760
Speaker 1: me speak and he was like all right. So the

1082
01:12:28,920 --> 01:12:34,120
Speaker 1: check came in the next day. O T came into

1083
01:12:34,160 --> 01:12:36,439
Speaker 1: the market with Buster and Buster was like, whatever I

1084
01:12:36,520 --> 01:12:39,439
Speaker 1: gotta do to make this nigga popping, I'll do. And

1085
01:12:39,520 --> 01:12:41,519
Speaker 1: I was like, does that mean that you're gonna get

1086
01:12:42,200 --> 01:12:44,799
Speaker 1: on the mic? Understanding like mine, this is a living nudgeon.

1087
01:12:45,320 --> 01:12:48,240
Speaker 1: This is somebody that's had the hits for years. Like

1088
01:12:48,400 --> 01:12:51,200
Speaker 1: for him to say I'll do whatever I can, I'll

1089
01:12:51,240 --> 01:12:54,760
Speaker 1: do whatever I can my for my artist was a

1090
01:12:54,800 --> 01:12:57,200
Speaker 1: big deal to me because I've had artists have been

1091
01:12:57,240 --> 01:13:00,360
Speaker 1: signed to other like ludicrits. I haven't had other small

1092
01:13:00,439 --> 01:13:03,880
Speaker 1: world signed to other big artists. Little Chris, like little Chris,

1093
01:13:04,080 --> 01:13:06,880
Speaker 1: you said like little Chris, like the artists that they

1094
01:13:06,920 --> 01:13:09,200
Speaker 1: want me to work sound records and they're signed to

1095
01:13:09,200 --> 01:13:12,439
Speaker 1: a bigger artist, like little Chris, You said little Chris

1096
01:13:12,600 --> 01:13:15,800
Speaker 1: and was going to say Buster put out a lot

1097
01:13:15,880 --> 01:13:19,960
Speaker 1: more effort than other bigger artists. What are they for

1098
01:13:20,080 --> 01:13:21,840
Speaker 1: their artists? And that was the big thing with me.

1099
01:13:21,960 --> 01:13:23,840
Speaker 1: I was like, yeah, you're signed to this person, but

1100
01:13:23,960 --> 01:13:27,320
Speaker 1: what is they doing that. Let's be real Zoey dollars

1101
01:13:27,479 --> 01:13:37,280
Speaker 1: future like then and we completed my point. My point

1102
01:13:37,360 --> 01:13:42,599
Speaker 1: is the best for me was the best of hip

1103
01:13:42,840 --> 01:13:48,679
Speaker 1: for me was living legend. When a living legend says

1104
01:13:48,720 --> 01:13:51,000
Speaker 1: to me, I wanted to do whatever I can to

1105
01:13:51,200 --> 01:13:54,760
Speaker 1: put this and trusted you, somebody that I used to do,

1106
01:13:54,920 --> 01:13:58,680
Speaker 1: like Coreygraph dances to in middle school and calls my

1107
01:13:58,840 --> 01:14:02,040
Speaker 1: phone personally until me, whatever you whatever you need me

1108
01:14:02,120 --> 01:14:05,280
Speaker 1: to do to make this happen, I will do that.

1109
01:14:05,479 --> 01:14:14,320
Speaker 1: Stare crazy, right? What was that I would? It's like

1110
01:14:15,640 --> 01:14:23,479
Speaker 1: you let me hanging you listen, we have fun tonight,

1111
01:14:24,400 --> 01:14:27,519
Speaker 1: I want to think, but listen. This is the behind

1112
01:14:27,560 --> 01:14:30,000
Speaker 1: the scenes of the behind the scenes, behind the scenes

1113
01:14:30,520 --> 01:14:32,640
Speaker 1: the remix to the remix of the remix of the

1114
01:14:32,720 --> 01:14:37,920
Speaker 1: remixer like other remix after that. I like it buy

1115
01:14:37,960 --> 01:14:43,560
Speaker 1: a big ball times two times seventeen. You like you

1116
01:14:43,680 --> 01:14:49,400
Speaker 1: talking to the piece, talking about and a lot of alcohol.

1117
01:14:49,520 --> 01:14:52,320
Speaker 1: Let's clarify what little pieces because because the case, people

1118
01:14:52,360 --> 01:15:02,200
Speaker 1: think you're taking one on one not even molly ringing

1119
01:15:02,240 --> 01:15:07,040
Speaker 1: all that bitch boy, that was definitely good old days,

1120
01:15:08,000 --> 01:15:11,200
Speaker 1: good old days. That's good. Isn't a bad I'm too

1121
01:15:11,240 --> 01:15:14,439
Speaker 1: old to do that. I don't know what my left

1122
01:15:14,520 --> 01:15:19,000
Speaker 1: leg's gonna do. Isn't a bad man, all right? I

1123
01:15:19,040 --> 01:15:25,320
Speaker 1: don't even know what this one skin? Im a bad studios,

1124
01:15:26,479 --> 01:15:29,959
Speaker 1: you know, sweetness, shout out? Hold on, hold on, sweetness,

1125
01:15:30,000 --> 01:15:40,880
Speaker 1: Ain't you like conglomerate like director senior marketing rat it

1126
01:15:40,960 --> 01:15:44,160
Speaker 1: all what you're doing right now? Submitting like crazy? You

1127
01:15:44,240 --> 01:15:47,440
Speaker 1: know what I'm saying, fighting with these this war, submitting,

1128
01:15:48,880 --> 01:15:53,080
Speaker 1: telling about submitting records, be submitting crazy, putting on younger niggers,

1129
01:15:53,160 --> 01:15:55,240
Speaker 1: not frying like I did the beat. You know what

1130
01:15:56,640 --> 01:15:59,000
Speaker 1: a bigger big MC so like you gotta give back

1131
01:15:59,479 --> 01:16:01,200
Speaker 1: and you know what I'm saying. And you know, at

1132
01:16:01,240 --> 01:16:03,120
Speaker 1: the end of the day, I learned in this game,

1133
01:16:03,160 --> 01:16:05,160
Speaker 1: and my father he told me how they pay you

1134
01:16:05,400 --> 01:16:07,640
Speaker 1: is how they respect you. So if they paying you

1135
01:16:07,840 --> 01:16:14,000
Speaker 1: the respect, you shampoo. Still working. Records got conan new artists,

1136
01:16:14,160 --> 01:16:17,160
Speaker 1: pay pay attention, lookout phone, we got my nigger TV

1137
01:16:17,680 --> 01:16:21,320
Speaker 1: dot dollars female artist Brooklyn and we're just working man

1138
01:16:21,400 --> 01:16:24,200
Speaker 1: wine Vas Records. Man. Just kiss kiss, keep on the lookout.

1139
01:16:24,280 --> 01:16:27,840
Speaker 1: We're working and I'm still working Records, Death Jam Epic.

1140
01:16:28,080 --> 01:16:32,479
Speaker 1: He one wanna Atlantic, same same around. He wants still work.

1141
01:16:35,800 --> 01:16:40,160
Speaker 1: He baby shout the gab he because she used to

1142
01:16:40,200 --> 01:16:44,519
Speaker 1: be at Death Game. What's her last name? Gabriel? Uh, yeah,

1143
01:16:45,640 --> 01:16:53,320
Speaker 1: she's married this game. I got love original and bigger

1144
01:16:53,360 --> 01:16:57,439
Speaker 1: same dollar. Yeah, I love um quite girl. Correct. Yeah,

1145
01:16:57,479 --> 01:16:59,519
Speaker 1: she used to She's the one deaths to be the

1146
01:16:59,600 --> 01:17:04,519
Speaker 1: jam at that definite damn. Yeah, that's my pet one.

1147
01:17:04,640 --> 01:17:06,599
Speaker 1: Yeah man, big up. And I wish I wished when

1148
01:17:06,600 --> 01:17:09,720
Speaker 1: I did business eat once she was there. Um, but

1149
01:17:09,800 --> 01:17:12,160
Speaker 1: hopefully we can take us to me and m Alan Graham.

1150
01:17:12,800 --> 01:17:14,840
Speaker 1: I owe him something, so I got him, you know

1151
01:17:14,880 --> 01:17:21,960
Speaker 1: what I mean, do one record album, gotta relax, give

1152
01:17:22,000 --> 01:17:24,439
Speaker 1: a little pace, a little bag for later, a little

1153
01:17:24,520 --> 01:17:27,240
Speaker 1: pig and you gotta and you listen even when you

1154
01:17:27,360 --> 01:17:30,479
Speaker 1: take a little pace for now, you gotta always remember,

1155
01:17:31,400 --> 01:18:06,719
Speaker 1: say a little bit like that. Find all your favorite

1156
01:18:06,760 --> 01:18:09,040
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1157
01:18:09,120 --> 01:18:11,840
Speaker 1: excellent voice remote to search across live duty, on demand,

1158
01:18:11,960 --> 01:18:15,320
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1159
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Speaker 1: Go to Exfinity dot com, call one, Exity or visitor

1160
01:18:18,400 --> 01:18:19,880
Speaker 1: store Today restricts to supply