WEBVTT - Eat Popcorn. Eat Popcorn. Eat Popcorn.

0:00:03.800 --> 0:00:06.680
<v Speaker 1>Welcome to Stuff to Blow your Mind from how Stuff

0:00:06.680 --> 0:00:14.080
<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

0:00:14.080 --> 0:00:16.920
<v Speaker 1>My name is Robert Lamb, and I'm Julie Douglas, and

0:00:17.239 --> 0:00:21.079
<v Speaker 1>you know Julie Popcorn. I've I've really been thinking a

0:00:21.079 --> 0:00:23.799
<v Speaker 1>lot about advertising recently. I'm just in all the ways

0:00:23.840 --> 0:00:26.639
<v Speaker 1>that it gets inside our head popcorn and uh and

0:00:26.640 --> 0:00:28.560
<v Speaker 1>and how the next thing we know, we're just uh,

0:00:29.120 --> 0:00:31.800
<v Speaker 1>we're just out there buying the products that these big

0:00:31.840 --> 0:00:34.880
<v Speaker 1>companies want us to buy. Popcorn. Yeah, I've I've heard

0:00:34.880 --> 0:00:38.440
<v Speaker 1>about this was um that this uh sort of messaging

0:00:38.479 --> 0:00:44.200
<v Speaker 1>that's subliminal. Um. I don't really think it excess I mean, um, god,

0:00:44.240 --> 0:00:47.760
<v Speaker 1>I'm gonna getting hungry. Um. But I mean when I

0:00:47.800 --> 0:00:51.120
<v Speaker 1>think about it, I always think about in the nineteen fifties, right, yes, indeed,

0:00:51.360 --> 0:00:55.840
<v Speaker 1>um especially, I mean basically the term for subliminal messaging

0:00:56.160 --> 0:00:59.240
<v Speaker 1>goes back to James Vickory, and he was a market

0:00:59.280 --> 0:01:02.600
<v Speaker 1>researcher now fifty seven. So you know, I'm instantly thinking,

0:01:02.800 --> 0:01:06.080
<v Speaker 1>you know, some of mad Men era type of stuff. Um,

0:01:06.120 --> 0:01:08.840
<v Speaker 1>And somewhere in a room smoking going I've got a

0:01:08.840 --> 0:01:11.840
<v Speaker 1>great idea. Yeah, I guess mad Men's a little lated

0:01:11.840 --> 0:01:14.560
<v Speaker 1>in this, but uh, anyway, he was big on the

0:01:14.600 --> 0:01:17.240
<v Speaker 1>idea of like, let's let's insert some images into these

0:01:17.280 --> 0:01:20.280
<v Speaker 1>movies in New Jersey and we'll just we'll just get

0:01:20.360 --> 0:01:21.600
<v Speaker 1>right in their brains. The next thing, you know, they

0:01:21.680 --> 0:01:23.880
<v Speaker 1>got it. They're gonna have to have coca cola or

0:01:23.880 --> 0:01:27.080
<v Speaker 1>even popcorn. That's right, that's that's the message, right, popcorn

0:01:27.600 --> 0:01:29.800
<v Speaker 1>and drink coca cola. Yeah, and they were flashing this

0:01:29.920 --> 0:01:33.360
<v Speaker 1>up for one three thousandth of a second, so it's

0:01:33.400 --> 0:01:35.880
<v Speaker 1>just you know, just flash like like to the point

0:01:35.880 --> 0:01:39.720
<v Speaker 1>where you know, supposedly you wouldn't even register, uh that

0:01:39.880 --> 0:01:42.319
<v Speaker 1>you saw it, but your brain would know it and

0:01:42.400 --> 0:01:44.520
<v Speaker 1>uh and then your brain would demand popcorn and coke.

0:01:44.640 --> 0:01:47.520
<v Speaker 1>Of course, this resulted in a whole new era of

0:01:47.560 --> 0:01:52.200
<v Speaker 1>advertising because people were just nuts about the subliminal advertising. Yeah,

0:01:52.240 --> 0:01:54.840
<v Speaker 1>and a lot of paranoia too, because it's the whole idea.

0:01:54.840 --> 0:01:57.680
<v Speaker 1>It's like you're inserting a random image and you're reprogramming

0:01:57.720 --> 0:02:00.480
<v Speaker 1>my brain, right, you're trying to manipulate me in the

0:02:00.520 --> 0:02:04.400
<v Speaker 1>government's involved and so on and so forth. Yeah, and

0:02:04.760 --> 0:02:06.200
<v Speaker 1>of course a lot of it turned out to be

0:02:06.480 --> 0:02:10.040
<v Speaker 1>kind of bunk. Yeah. Well, I mean he actually Uh, didn't.

0:02:10.040 --> 0:02:14.120
<v Speaker 1>He claimed that popcorn sales went up by eighteen percent

0:02:14.200 --> 0:02:18.440
<v Speaker 1>or something like that, or but this was a lot. Yes,

0:02:18.680 --> 0:02:20.600
<v Speaker 1>he said the coke sales went up by eighteen percent

0:02:20.639 --> 0:02:24.320
<v Speaker 1>and popcorn. So it's just according to him, it's just

0:02:24.360 --> 0:02:26.320
<v Speaker 1>like people aren't even finishing the movie. It's just turns

0:02:26.360 --> 0:02:30.600
<v Speaker 1>into an orgy of popcorn munching out out in the lobby. Right,

0:02:30.680 --> 0:02:33.040
<v Speaker 1>people are so excited about this. In between nineteen and

0:02:33.080 --> 0:02:37.440
<v Speaker 1>fifty and nineteen seventy, it's all the rage until want

0:02:37.440 --> 0:02:41.000
<v Speaker 1>want waht fcc Yep, they banned it and uh and

0:02:41.280 --> 0:02:45.120
<v Speaker 1>you can you continue to see see se uses off

0:02:45.160 --> 0:02:47.920
<v Speaker 1>and alleged uses of it pop up. There was an

0:02:47.960 --> 0:02:52.120
<v Speaker 1>instance in like a George W. Bush campaign, a bit

0:02:52.240 --> 0:02:54.440
<v Speaker 1>that had supposedly had a little bit of subliminal messaging

0:02:54.480 --> 0:02:56.519
<v Speaker 1>to threaten there this people got up in arms over.

0:02:56.960 --> 0:03:00.800
<v Speaker 1>And then there's the whole um uh side tangent of

0:03:01.120 --> 0:03:05.200
<v Speaker 1>satanic subliminal messaging and and you know the paranoria paranoia

0:03:05.280 --> 0:03:09.720
<v Speaker 1>over that. Right, most of that was pretty much distressed.

0:03:09.840 --> 0:03:12.200
<v Speaker 1>I can't remember which political figure this is. I can't

0:03:12.240 --> 0:03:13.560
<v Speaker 1>believe I can't remember this right now, but it was

0:03:13.680 --> 0:03:16.880
<v Speaker 1>a big Brujaja because they were filming him and there's

0:03:16.919 --> 0:03:20.320
<v Speaker 1>a bookcase behind him, but it was configured in such

0:03:20.360 --> 0:03:23.400
<v Speaker 1>a way that somehow, like the interstices of the bookcase

0:03:23.840 --> 0:03:26.680
<v Speaker 1>seemed to suggest across if you looked at it, which

0:03:26.720 --> 0:03:29.600
<v Speaker 1>you know, they said, okay, that's that's just a coincidence.

0:03:29.639 --> 0:03:32.280
<v Speaker 1>That's not really across behind me. But it was fascinating

0:03:32.320 --> 0:03:33.720
<v Speaker 1>because it was like, you know, what that does look

0:03:33.760 --> 0:03:36.960
<v Speaker 1>like across? So yeah, I mean, whether or not it's

0:03:37.440 --> 0:03:40.040
<v Speaker 1>meant to look like that or people are mean to

0:03:40.080 --> 0:03:44.880
<v Speaker 1>be inserting subliminal messages is still out there exactly. So,

0:03:45.160 --> 0:03:47.760
<v Speaker 1>I mean the big thing here is that, like anytime

0:03:47.800 --> 0:03:50.560
<v Speaker 1>you're trying to sell a product, or an experience or

0:03:50.760 --> 0:03:53.000
<v Speaker 1>or even a podcast, even though we don't charge for

0:03:53.040 --> 0:03:56.560
<v Speaker 1>this thing, you're gonna level any kind of skill you

0:03:56.600 --> 0:03:59.680
<v Speaker 1>can you can level to try and make people buy

0:03:59.680 --> 0:04:02.160
<v Speaker 1>it or buy into it. It's it's kind of like

0:04:02.160 --> 0:04:06.000
<v Speaker 1>the whole argument that, like the wars between armies, wars

0:04:06.000 --> 0:04:10.800
<v Speaker 1>are are one based on accumulating you know, tiny um

0:04:10.840 --> 0:04:15.120
<v Speaker 1>you know, relatively insignificant advantages, petty advantages, and if you

0:04:15.160 --> 0:04:17.560
<v Speaker 1>if you accumulate enough of these, then you can win

0:04:17.560 --> 0:04:21.200
<v Speaker 1>the battle and so you know, obviously market marketers are

0:04:21.200 --> 0:04:23.880
<v Speaker 1>gonna do is everything they can, everything from studies to

0:04:24.600 --> 0:04:27.800
<v Speaker 1>uh to throwing in maybe something subliminal, a little touches

0:04:27.880 --> 0:04:30.080
<v Speaker 1>like that. And as we're gonna explore in this podcast,

0:04:30.400 --> 0:04:34.159
<v Speaker 1>you know, different stimuli to affect our our sense of smell,

0:04:34.760 --> 0:04:37.919
<v Speaker 1>curing our site and uh and then where is this

0:04:37.960 --> 0:04:41.240
<v Speaker 1>going in the future? Right? Yeah, how are we? Uh?

0:04:41.360 --> 0:04:43.719
<v Speaker 1>How are we playing with these new technologies? You know,

0:04:43.800 --> 0:04:47.320
<v Speaker 1>are we actually aiding and abetting advertisers? And that's what

0:04:47.360 --> 0:04:49.520
<v Speaker 1>we're thinking of, Like how what are the different ways

0:04:49.560 --> 0:04:52.800
<v Speaker 1>that we're being manipulated at this very moment and also

0:04:53.000 --> 0:04:56.480
<v Speaker 1>submitting ourselves to be manipulated by And to that end,

0:04:56.640 --> 0:04:59.479
<v Speaker 1>I want to talk about scent. Yes, scent is a

0:04:59.520 --> 0:05:02.719
<v Speaker 1>big one. Uh, I mean our very sense of taste.

0:05:02.720 --> 0:05:04.240
<v Speaker 1>It's like a large percent of it is smell. I

0:05:04.279 --> 0:05:06.839
<v Speaker 1>mean it's wherever you go, smell is going to play

0:05:06.839 --> 0:05:09.760
<v Speaker 1>a huge role in what you you you take in.

0:05:09.839 --> 0:05:12.760
<v Speaker 1>We end up a like like I don't know if

0:05:12.760 --> 0:05:14.520
<v Speaker 1>you ever get this sort of like a not really

0:05:14.520 --> 0:05:16.599
<v Speaker 1>a deja but like a smell memory, Like suddenly you'll

0:05:16.600 --> 0:05:18.640
<v Speaker 1>smell something and you'll instantly be able to go back

0:05:18.680 --> 0:05:22.120
<v Speaker 1>to where you remember smelling that like, right, right, that's

0:05:22.160 --> 0:05:27.080
<v Speaker 1>actually called the Pristine effect by Marcel Proust. I'm sure

0:05:27.120 --> 0:05:30.400
<v Speaker 1>you know of the author. His novel Remembrance of Things

0:05:30.480 --> 0:05:33.800
<v Speaker 1>Past was the first to explicitly link smell in memory.

0:05:34.320 --> 0:05:36.920
<v Speaker 1>So he talked about the emotional power. Um, I think

0:05:36.920 --> 0:05:40.880
<v Speaker 1>it was matteling cakes and how that called up his

0:05:40.960 --> 0:05:43.839
<v Speaker 1>images of his childhood. Yeah, Like I'll like, you know,

0:05:43.839 --> 0:05:45.400
<v Speaker 1>it's like I'll be walking down the street and suddenly

0:05:45.440 --> 0:05:49.279
<v Speaker 1>I smell inexplicably the like like the house that I

0:05:49.320 --> 0:05:51.000
<v Speaker 1>lived in when I was seven or something, you know,

0:05:51.440 --> 0:05:52.960
<v Speaker 1>and you'll be it'll be the kind of thing where

0:05:52.960 --> 0:05:55.640
<v Speaker 1>you could never like there's you can't really access this

0:05:55.720 --> 0:05:58.520
<v Speaker 1>catalog of smells or I can't normally, but then suddenly

0:05:58.560 --> 0:06:00.200
<v Speaker 1>it's out of the blue and they're like, hey, there's that.

0:06:00.360 --> 0:06:03.240
<v Speaker 1>The link is made well. And that's because the odorant

0:06:03.240 --> 0:06:06.680
<v Speaker 1>patterns are interpreted as different smells in the olfactory bulb, right,

0:06:07.360 --> 0:06:10.720
<v Speaker 1>And because the factory bulb is part of your limbic system,

0:06:10.720 --> 0:06:13.240
<v Speaker 1>which is our emotional center of the brain. Smell is

0:06:13.279 --> 0:06:17.800
<v Speaker 1>closely connected to the mink, della and hippocamus, and those

0:06:17.800 --> 0:06:21.000
<v Speaker 1>are both structures that influence our behavior, our mood, and

0:06:21.040 --> 0:06:23.400
<v Speaker 1>our memory. So you do have that little storehouse going

0:06:23.440 --> 0:06:26.240
<v Speaker 1>on there, and it's really effective, right. You know real

0:06:26.320 --> 0:06:29.200
<v Speaker 1>estate agents always say to bake cookies or you know,

0:06:29.680 --> 0:06:32.640
<v Speaker 1>or to spray the fake cookie smell, right, yeah, yeah,

0:06:32.680 --> 0:06:35.400
<v Speaker 1>because you know that that encourages people to linger more

0:06:35.720 --> 0:06:41.800
<v Speaker 1>have those cozy feelings of cookies being cooked. Yeah. Um.

0:06:41.839 --> 0:06:46.159
<v Speaker 1>But marketers of course have figured this out, and they've

0:06:46.680 --> 0:06:49.000
<v Speaker 1>in a big way, right, Like it's it's a science

0:06:49.000 --> 0:06:52.080
<v Speaker 1>for them. They've looked at how people are responding the

0:06:52.120 --> 0:06:55.560
<v Speaker 1>best smells, like their universal smells that people respond to well,

0:06:56.160 --> 0:06:58.839
<v Speaker 1>and they figured out all these different ways to employ

0:06:58.960 --> 0:07:01.680
<v Speaker 1>that in different retails faces. So if you go into

0:07:02.240 --> 0:07:06.159
<v Speaker 1>a let's say, a French themed UH store, you might

0:07:06.200 --> 0:07:10.080
<v Speaker 1>smell hints of lavender, which are just trying to underscore

0:07:10.120 --> 0:07:12.200
<v Speaker 1>the fact that it's you're in a French store, I suppose.

0:07:12.720 --> 0:07:14.680
<v Speaker 1>Or you might go into a home good store and

0:07:15.040 --> 0:07:20.040
<v Speaker 1>smell chocolate chip cookies. But it's not just making you feel,

0:07:20.560 --> 0:07:24.000
<v Speaker 1>you know, nice and cuddly inside. Right, there's an effect here.

0:07:24.080 --> 0:07:26.480
<v Speaker 1>They're buttering you up. They are buttering you up because

0:07:26.520 --> 0:07:29.600
<v Speaker 1>they know that if they pump out those aromas that

0:07:29.640 --> 0:07:31.480
<v Speaker 1>you're going to spend more money. In fact, there was

0:07:31.560 --> 0:07:35.800
<v Speaker 1>one study that was conducted in a Canadian mall and

0:07:35.800 --> 0:07:38.120
<v Speaker 1>they found that there was an increase of over fifty

0:07:38.160 --> 0:07:41.600
<v Speaker 1>dollars per customer that week. And that's from the author

0:07:41.640 --> 0:07:45.560
<v Speaker 1>Martin Howard from We Know What You Want. Well, I

0:07:45.560 --> 0:07:48.400
<v Speaker 1>I was, I forget how I came across this. You

0:07:48.440 --> 0:07:50.600
<v Speaker 1>know how you end up doing the internet searches and

0:07:50.640 --> 0:07:53.840
<v Speaker 1>you end up getting off course a little. But I

0:07:53.920 --> 0:07:56.160
<v Speaker 1>found that all these threads where people trying to figure

0:07:56.160 --> 0:08:00.040
<v Speaker 1>out what the smell was in subway sandwich restaurants, and

0:08:00.080 --> 0:08:01.960
<v Speaker 1>people are like, what does that smell? Or and then

0:08:02.000 --> 0:08:04.280
<v Speaker 1>and then I think some people would have been reading

0:08:04.280 --> 0:08:06.960
<v Speaker 1>from the same inture we we are and they're they

0:08:06.960 --> 0:08:10.040
<v Speaker 1>were like, oh, they're pumping it in their their brainwashing

0:08:10.120 --> 0:08:12.960
<v Speaker 1>us with their fake chemical sense. And then somebody, somebody

0:08:12.960 --> 0:08:16.960
<v Speaker 1>finally uh um enter the conversation was like, well, actually

0:08:17.040 --> 0:08:18.960
<v Speaker 1>it has something to do with the way they bring

0:08:18.960 --> 0:08:22.160
<v Speaker 1>in like frozen yeast and not frozen east, a frozen dough.

0:08:22.160 --> 0:08:25.520
<v Speaker 1>And then they thought before they cook it, um and

0:08:25.720 --> 0:08:30.200
<v Speaker 1>and baked the bread. But but but it's an interesting ways,

0:08:30.360 --> 0:08:34.040
<v Speaker 1>not nothing nefarious and nothing more nefarious than freezing dough.

0:08:35.440 --> 0:08:37.240
<v Speaker 1>It depends where you fall in that it was like

0:08:37.280 --> 0:08:40.720
<v Speaker 1>accidental marketing, I suppose, yeah, But but you could imagine

0:08:40.720 --> 0:08:43.800
<v Speaker 1>like a situation where say they changed, say Subway sandwiches

0:08:43.840 --> 0:08:46.520
<v Speaker 1>were to change their method, and then suddenly you didn't

0:08:46.559 --> 0:08:48.840
<v Speaker 1>have that smell, Like there might be an advantage in

0:08:49.080 --> 0:08:51.520
<v Speaker 1>figuring out a way to bottle it and pump it in. Yeah,

0:08:51.600 --> 0:08:53.960
<v Speaker 1>I don't know. I swear that the Gap has its

0:08:53.960 --> 0:08:56.760
<v Speaker 1>own signature sense because you know, it's not that I

0:08:56.840 --> 0:08:58.520
<v Speaker 1>hang out at the Gap all up, but anytime that

0:08:58.559 --> 0:09:00.360
<v Speaker 1>I've bought something from there and I've brought at home,

0:09:00.520 --> 0:09:03.319
<v Speaker 1>it still has that scent attached to it, and it's

0:09:03.360 --> 0:09:05.480
<v Speaker 1>a pleasant scent. And I was like, is that that

0:09:05.559 --> 0:09:08.600
<v Speaker 1>gap scent? You know? New car smells another big one

0:09:08.640 --> 0:09:10.360
<v Speaker 1>for people. You know, it's like you get they you

0:09:10.440 --> 0:09:12.319
<v Speaker 1>go on that test ride in that car. It'sme also

0:09:12.400 --> 0:09:15.160
<v Speaker 1>new and nice, right, I mean, I mean I'm not

0:09:15.200 --> 0:09:17.960
<v Speaker 1>particularly you know, enraptured by it, but I know many

0:09:18.000 --> 0:09:19.840
<v Speaker 1>people are. No, You're right, and then like You've got

0:09:19.880 --> 0:09:23.560
<v Speaker 1>your reptilian brain all excited and thinking, oh car, I

0:09:23.600 --> 0:09:25.400
<v Speaker 1>do request it when I go to like the Cactus

0:09:25.400 --> 0:09:26.760
<v Speaker 1>car wash to get the car. You know, they have

0:09:26.840 --> 0:09:28.360
<v Speaker 1>all the bottles and they're like, which one you want?

0:09:28.400 --> 0:09:30.680
<v Speaker 1>And I'll be like fresh, you know, new car, and

0:09:30.679 --> 0:09:33.040
<v Speaker 1>they're like, we're out, and then I have to make

0:09:33.080 --> 0:09:37.360
<v Speaker 1>do with like cum quad or something. Yeah, yeah, something weird.

0:09:37.520 --> 0:09:42.720
<v Speaker 1>Yeah yeah, I thought I smelled in your car yea um.

0:09:42.760 --> 0:09:45.240
<v Speaker 1>But it can actually go awry though. In two thousand

0:09:45.240 --> 0:09:49.240
<v Speaker 1>and six, California's Milk processor Board launched a series I've

0:09:49.280 --> 0:09:53.160
<v Speaker 1>Got Milk billboards in San Francisco bus shelters. So the

0:09:53.200 --> 0:09:56.280
<v Speaker 1>print ads um also featured the scent of chocolate chip

0:09:56.280 --> 0:09:59.120
<v Speaker 1>cookies and then the reason that people would smell the

0:09:59.160 --> 0:10:01.840
<v Speaker 1>chocolate chip ease and then they want some milk and

0:10:01.880 --> 0:10:05.400
<v Speaker 1>it would all work fabulously, but people actually complained about it,

0:10:05.480 --> 0:10:08.679
<v Speaker 1>and you know that's yeah, I think about it. That's

0:10:08.679 --> 0:10:13.440
<v Speaker 1>a situation where you've got ink ingruent elements going on.

0:10:13.600 --> 0:10:17.160
<v Speaker 1>You've got the smell of the streets and passers by

0:10:17.200 --> 0:10:21.120
<v Speaker 1>maybe they're smoking. And you know, in my own experience,

0:10:21.200 --> 0:10:22.480
<v Speaker 1>you know, if you're sitting in a bush shelter, it

0:10:22.559 --> 0:10:26.120
<v Speaker 1>might smell like you'urine sometimes. Yeah, well that's like the

0:10:26.200 --> 0:10:28.560
<v Speaker 1>Candler Park marta station here in Atlanta. It's really close

0:10:28.600 --> 0:10:31.959
<v Speaker 1>to a tipe of industrial baking facility, right, yeah, actually

0:10:32.000 --> 0:10:34.439
<v Speaker 1>it's a kash I can't remember the piemaker, but yes,

0:10:34.440 --> 0:10:36.920
<v Speaker 1>sarely or yeah. So it's like, so you're there and

0:10:36.960 --> 0:10:43.240
<v Speaker 1>it'll smell either like cakes baking, pies baking, or pies baking,

0:10:43.360 --> 0:10:46.080
<v Speaker 1>and like you're in you know it just you know

0:10:46.240 --> 0:10:49.120
<v Speaker 1>or or whatever. The the the bus I mean, the

0:10:49.120 --> 0:10:51.520
<v Speaker 1>trained terminal smells happened to be so yeah, you end

0:10:51.559 --> 0:10:53.959
<v Speaker 1>up with a weird mix there. Yeah. I actually tried

0:10:54.000 --> 0:10:58.480
<v Speaker 1>to take a tour of that factory. But you're arrested. Yeah,

0:10:58.600 --> 0:11:01.640
<v Speaker 1>I'm just gonna say they didn't me, but client, yes,

0:11:01.720 --> 0:11:09.360
<v Speaker 1>I was arrested. This presentation is brought to you by Intel,

0:11:09.559 --> 0:11:17.079
<v Speaker 1>sponsors of Tomorrow. Um. And then there's music. Right, we

0:11:17.120 --> 0:11:19.480
<v Speaker 1>already know how many it manipulate. I mean we used

0:11:19.480 --> 0:11:21.800
<v Speaker 1>it at the side of this podcast. That's right. You know,

0:11:21.880 --> 0:11:24.520
<v Speaker 1>it's sort of hopefully gets one in the mood. And uh.

0:11:24.920 --> 0:11:27.640
<v Speaker 1>And you know, you go to any fine dining establishment,

0:11:27.840 --> 0:11:29.959
<v Speaker 1>you're you're generally going to be you're paying for the

0:11:29.880 --> 0:11:32.719
<v Speaker 1>the andyhance as much as the food, and so a

0:11:32.800 --> 0:11:34.600
<v Speaker 1>huge part of that is the music. Let's play some

0:11:34.679 --> 0:11:37.400
<v Speaker 1>music that makes people relax, makes some calm down, makes

0:11:37.400 --> 0:11:39.880
<v Speaker 1>them feel like, you know, there's some more special like

0:11:40.080 --> 0:11:43.440
<v Speaker 1>you know, this is the evening's entertainment. Yeah, and you

0:11:43.480 --> 0:11:45.839
<v Speaker 1>know music, right, you've heard of music which I think

0:11:45.880 --> 0:11:48.559
<v Speaker 1>most of us associate with Elevator Music. They actually that's

0:11:48.559 --> 0:11:52.320
<v Speaker 1>a huge company and they actually create all sorts of

0:11:52.559 --> 0:11:57.160
<v Speaker 1>um different nuanced types of tracks depending on what your

0:11:57.200 --> 0:12:02.560
<v Speaker 1>retail businesses UM And there was actually another study again

0:12:02.720 --> 0:12:06.319
<v Speaker 1>author Martin Howard had talked about this that specially designed

0:12:06.400 --> 0:12:09.240
<v Speaker 1>music loops can keep shoppers in the supermarket for eight

0:12:09.400 --> 0:12:13.160
<v Speaker 1>percent longer, like the song never ends, so you never leave. No.

0:12:13.360 --> 0:12:15.480
<v Speaker 1>I think it's just sort of like if you maybe

0:12:15.520 --> 0:12:19.000
<v Speaker 1>put I don't know, like Enya in a supermarket, like

0:12:19.360 --> 0:12:21.679
<v Speaker 1>maybe it would just slow down people's actions. I don't know,

0:12:22.960 --> 0:12:25.400
<v Speaker 1>there was a time where that might have kept me going,

0:12:25.480 --> 0:12:28.440
<v Speaker 1>but yeah, now it would speed things up. That's it's

0:12:28.600 --> 0:12:32.320
<v Speaker 1>really amazing though how many places don't get this concept. Though.

0:12:32.640 --> 0:12:36.480
<v Speaker 1>You'll go into um like like sometimes it will be

0:12:36.920 --> 0:12:38.760
<v Speaker 1>something like like a you know, the kind of place

0:12:38.760 --> 0:12:40.840
<v Speaker 1>where you get like your nails done. I mean not

0:12:40.840 --> 0:12:42.080
<v Speaker 1>that I go to these places a lot, but I

0:12:42.120 --> 0:12:44.720
<v Speaker 1>have on on a rare occasion than one, and they'll,

0:12:45.240 --> 0:12:47.680
<v Speaker 1>you know, they'll totally have their skill set down, but

0:12:47.720 --> 0:12:50.080
<v Speaker 1>they won't understand that you should maybe play music that

0:12:50.160 --> 0:12:53.400
<v Speaker 1>doesn't make you want to strangle yourself. Yeah. Yeah, And

0:12:53.520 --> 0:12:57.800
<v Speaker 1>I've actually noted this before. In breakfast places sometimes they

0:12:57.800 --> 0:13:01.880
<v Speaker 1>have will play extremely loud music, like really bad eighties music,

0:13:01.920 --> 0:13:04.319
<v Speaker 1>and I think, oh my god, really like not that

0:13:04.440 --> 0:13:07.000
<v Speaker 1>I'm hungover, but some of us here might be hungover.

0:13:07.040 --> 0:13:09.679
<v Speaker 1>It's it's not the right choice. So yeah, we know already.

0:13:10.080 --> 0:13:12.160
<v Speaker 1>We talked about this a lot too in the music

0:13:12.280 --> 0:13:16.880
<v Speaker 1>Rebuild Your Brain. How music can affect you. Yeah, mostly positively. Yeah,

0:13:17.040 --> 0:13:19.800
<v Speaker 1>I mean it leaches in and changes the way you

0:13:19.920 --> 0:13:23.600
<v Speaker 1>view the world. I mean, wouldn't. Yeah, it's just just

0:13:23.640 --> 0:13:25.120
<v Speaker 1>across the board. So the next topic sense that you

0:13:25.120 --> 0:13:28.960
<v Speaker 1>would want to leverage this in a marketing situation, right,

0:13:28.960 --> 0:13:31.079
<v Speaker 1>You would want someone's rewards center in the brain ding

0:13:31.160 --> 0:13:33.920
<v Speaker 1>ding dinging and releasing dopamen and you'd be feeling really

0:13:33.920 --> 0:13:38.720
<v Speaker 1>great and you might buy more. But another advertising technology

0:13:38.840 --> 0:13:41.120
<v Speaker 1>that's creeped up in the last couple of years is

0:13:41.240 --> 0:13:44.719
<v Speaker 1>beaming advertisements into people's ears, which is super creepy. I'm

0:13:44.720 --> 0:13:48.839
<v Speaker 1>sure you all have heard about it before, but it's

0:13:48.880 --> 0:13:52.360
<v Speaker 1>called the auditory spotlight. Yeah, and this is we have

0:13:52.400 --> 0:13:54.599
<v Speaker 1>to have a really cool article on the on the

0:13:54.640 --> 0:13:57.480
<v Speaker 1>website by John Fuller about this. Uh. And it's it's

0:13:57.520 --> 0:13:59.840
<v Speaker 1>basically what it sounds like, just sort of just directional,

0:14:00.120 --> 0:14:03.440
<v Speaker 1>like you're just directing the sound at a particular area

0:14:03.480 --> 0:14:07.240
<v Speaker 1>where a person would conceivably be and uh and and

0:14:07.280 --> 0:14:11.000
<v Speaker 1>they're hearing the message, right, yep, that's right. That's actually

0:14:11.400 --> 0:14:14.560
<v Speaker 1>a tiny being just like light, and it's a beam

0:14:14.640 --> 0:14:18.400
<v Speaker 1>from a rooftop speaker. Yeah. Now, so I really don't

0:14:18.400 --> 0:14:21.960
<v Speaker 1>know that I've encountered this in real life. No, I

0:14:22.000 --> 0:14:24.560
<v Speaker 1>haven't either. And I wonder if it's just been used

0:14:24.560 --> 0:14:26.760
<v Speaker 1>in larger cities or if it was just you know,

0:14:26.840 --> 0:14:29.240
<v Speaker 1>two thousand and seven, two thousand eight seemed to be

0:14:29.480 --> 0:14:32.560
<v Speaker 1>it's big years. Um. And I think that the main

0:14:32.600 --> 0:14:34.880
<v Speaker 1>brew ha ha was in New York when A and

0:14:34.960 --> 0:14:38.600
<v Speaker 1>he was promoting a show called Paranormal State, and people

0:14:38.600 --> 0:14:41.280
<v Speaker 1>would walk by and a woman's voice would say, who's there,

0:14:41.400 --> 0:14:44.240
<v Speaker 1>who's there? It's not your imagination, but people start to

0:14:44.240 --> 0:14:47.320
<v Speaker 1>get creeped out of course, but out of don't I

0:14:47.360 --> 0:14:50.880
<v Speaker 1>really haven't seen it being used outside of that, you know,

0:14:51.000 --> 0:14:55.120
<v Speaker 1>like outside of actually museums and libraries, places where you

0:14:55.160 --> 0:14:57.400
<v Speaker 1>need it to be quiet and you need this directed

0:14:57.440 --> 0:15:01.320
<v Speaker 1>sound and uh. And the other thing about this technology,

0:15:01.320 --> 0:15:03.320
<v Speaker 1>I think it like it instantly the the idea and

0:15:03.320 --> 0:15:06.520
<v Speaker 1>that the headlines associated with instantly captivated everybody because it

0:15:06.560 --> 0:15:09.880
<v Speaker 1>brought to mind the idea that they're beaming advertised like

0:15:09.960 --> 0:15:14.240
<v Speaker 1>visual advertisements directly into your brain, which which is a

0:15:14.280 --> 0:15:16.800
<v Speaker 1>gag that's featured in uh, one of one of my

0:15:16.880 --> 0:15:21.480
<v Speaker 1>favorite Futurama episodes where where Fry is having this dream

0:15:22.000 --> 0:15:24.680
<v Speaker 1>that that he's in his underwear and it turns into

0:15:24.680 --> 0:15:28.080
<v Speaker 1>an advertisement for underwear and anyway within his dream, Yeah,

0:15:28.120 --> 0:15:30.480
<v Speaker 1>within his dream anyway. Excepting's like, what was that all about?

0:15:30.600 --> 0:15:32.880
<v Speaker 1>And they're like, oh, that's just how how it is.

0:15:32.880 --> 0:15:34.920
<v Speaker 1>Is we all have advertisements in her in her dreams,

0:15:35.600 --> 0:15:39.120
<v Speaker 1>and and you know, it's like we joke about about

0:15:39.160 --> 0:15:41.240
<v Speaker 1>about that. But you know, some of the technology coming

0:15:41.280 --> 0:15:45.520
<v Speaker 1>along is really getting uh, it's really getting into your head.

0:15:45.520 --> 0:15:47.160
<v Speaker 1>It's really getting in your head starting and you can

0:15:47.200 --> 0:15:49.920
<v Speaker 1>see a future where a lot of this is going

0:15:49.960 --> 0:15:52.920
<v Speaker 1>to be kind of intrusive. Yeah, And we're talking about

0:15:53.000 --> 0:15:54.880
<v Speaker 1>m r s. Actually again, I feel like we talked

0:15:54.880 --> 0:15:57.560
<v Speaker 1>about mrs all the time, but they're being used everywhere,

0:15:57.600 --> 0:15:59.400
<v Speaker 1>all the time for everything. Yeah, and this is where

0:15:59.440 --> 0:16:02.880
<v Speaker 1>we're looking of the brain while someone is thinking, um,

0:16:03.040 --> 0:16:05.800
<v Speaker 1>and and watching the movement, watching how blood moves around

0:16:05.800 --> 0:16:09.800
<v Speaker 1>how and and just seeing the neural architecture in action. Yeah.

0:16:09.840 --> 0:16:11.520
<v Speaker 1>And I think at first, you know, of course, they

0:16:11.520 --> 0:16:14.800
<v Speaker 1>were doing this for many reasons that you know, science

0:16:14.840 --> 0:16:19.160
<v Speaker 1>medical based, but you know those crafty market here. Yeah,

0:16:19.440 --> 0:16:21.040
<v Speaker 1>I started to try to figure it out. I think

0:16:21.200 --> 0:16:25.120
<v Speaker 1>in fact, they're now calling it neuromarketing, right, yeah. Yeah.

0:16:25.200 --> 0:16:28.680
<v Speaker 1>Basically what they have figured out is that you can

0:16:28.720 --> 0:16:30.960
<v Speaker 1>map the data. You can look at someone's thoughts, right,

0:16:31.000 --> 0:16:33.800
<v Speaker 1>like someone For instance, the sixty minutes piece that we watched,

0:16:34.560 --> 0:16:38.720
<v Speaker 1>a person was looking at ten different objects and then

0:16:38.760 --> 0:16:41.080
<v Speaker 1>the m R I was scanning that. And then what

0:16:41.120 --> 0:16:43.200
<v Speaker 1>they did is they took that data, fed it to

0:16:43.200 --> 0:16:46.240
<v Speaker 1>a computer and then told the computer later on, okay,

0:16:46.240 --> 0:16:48.640
<v Speaker 1>well here are two objects based on that one scan

0:16:48.840 --> 0:16:51.080
<v Speaker 1>what is this person looking at? Yeah, and stuff like

0:16:51.480 --> 0:16:53.280
<v Speaker 1>is it a knife for a house? Right? And then

0:16:53.280 --> 0:16:56.360
<v Speaker 1>they would be it's a knife, and that's right. So

0:16:56.480 --> 0:16:58.840
<v Speaker 1>the brain was saying, I'm looking at a knife. That's

0:16:58.840 --> 0:17:01.880
<v Speaker 1>the first scan. Second it was a house, third hammer,

0:17:01.920 --> 0:17:04.400
<v Speaker 1>so on and so forth, And the computer was given

0:17:04.440 --> 0:17:07.360
<v Speaker 1>two choices from what I recall and saying which which

0:17:07.400 --> 0:17:09.280
<v Speaker 1>one was this person looking at? And the computer was

0:17:09.359 --> 0:17:12.120
<v Speaker 1>choosing right almost every time. Of course, there there are

0:17:12.160 --> 0:17:16.760
<v Speaker 1>some oddities that happened, because your brain might light up differently,

0:17:17.200 --> 0:17:19.520
<v Speaker 1>say with a hammer, if you've had a bad experience

0:17:19.560 --> 0:17:21.679
<v Speaker 1>with the hammers. Yeah, it's like every brain is going

0:17:21.720 --> 0:17:23.240
<v Speaker 1>to be a little and it's like a fingerprint, you know,

0:17:23.280 --> 0:17:26.320
<v Speaker 1>it's it's very complicated fingerprints, so it's not going to

0:17:26.440 --> 0:17:28.879
<v Speaker 1>be perfect. But they can also look at it in

0:17:29.000 --> 0:17:32.560
<v Speaker 1>terms of which of two decisions is someone going to make? Yeah,

0:17:32.640 --> 0:17:34.800
<v Speaker 1>we're trying to predict yeah, which with marketing that comes

0:17:34.840 --> 0:17:37.840
<v Speaker 1>down to a very basic, uh decision. You know, it's

0:17:37.880 --> 0:17:40.159
<v Speaker 1>like it's this person going to buy this object or not?

0:17:40.200 --> 0:17:43.560
<v Speaker 1>Are they interested in this or they repulsed by it? Right?

0:17:43.880 --> 0:17:45.919
<v Speaker 1>And this is in Carnegie. Mellon was looking at this right,

0:17:45.920 --> 0:17:49.159
<v Speaker 1>and they were actually trying to have the ability to

0:17:49.320 --> 0:17:52.360
<v Speaker 1>map nuance thoughts within the next three years. So yes,

0:17:52.440 --> 0:17:56.560
<v Speaker 1>this this idea of not just saying Okay, we based

0:17:56.600 --> 0:18:01.159
<v Speaker 1>on this information to everybody's there's universal qualities right that

0:18:01.400 --> 0:18:03.960
<v Speaker 1>um come up when you look at an image, and

0:18:04.000 --> 0:18:06.920
<v Speaker 1>so everybody's going to think about this object this way

0:18:07.000 --> 0:18:09.640
<v Speaker 1>most of the time. But no, I mean it's it's

0:18:09.640 --> 0:18:11.600
<v Speaker 1>more than that. It's like what choices are people going

0:18:11.640 --> 0:18:13.959
<v Speaker 1>to make? And where have you been? The one they

0:18:13.960 --> 0:18:15.800
<v Speaker 1>looked at was you know, it's like we have these

0:18:15.800 --> 0:18:19.000
<v Speaker 1>sort of mintal images of places and they can they

0:18:19.000 --> 0:18:20.879
<v Speaker 1>can you know, answer the question have you seen this

0:18:21.000 --> 0:18:23.560
<v Speaker 1>environment before? And that has a whole there's a whole

0:18:23.560 --> 0:18:26.760
<v Speaker 1>possibility there with like criminal investigations, like you know you

0:18:26.800 --> 0:18:28.800
<v Speaker 1>have the scene of the crime, Well we we just

0:18:28.840 --> 0:18:31.119
<v Speaker 1>scanned you and it said you were in fact e

0:18:31.320 --> 0:18:33.480
<v Speaker 1>g was used to convict a woman of poisoning and

0:18:33.520 --> 0:18:37.040
<v Speaker 1>ex fiance in India. That's right, because they were describing

0:18:37.119 --> 0:18:40.000
<v Speaker 1>the circumstances around his death and at the same time

0:18:40.040 --> 0:18:42.560
<v Speaker 1>she was getting scanned, right, and they said, okay, we

0:18:42.640 --> 0:18:45.800
<v Speaker 1>see all this activity going on. Now you can sort

0:18:45.800 --> 0:18:47.600
<v Speaker 1>of lay that on her for agreeing to the scan,

0:18:47.640 --> 0:18:49.639
<v Speaker 1>because that's the other big thing we have to mentioneer

0:18:49.640 --> 0:18:53.840
<v Speaker 1>when we're talking about getting your getting scanned. It's it's

0:18:53.920 --> 0:18:55.800
<v Speaker 1>it's one of these situations where it's it's like getting

0:18:55.800 --> 0:18:58.719
<v Speaker 1>an m R. I. You know, you're you're going, you're

0:18:58.800 --> 0:19:02.359
<v Speaker 1>laying down, you're being really still very cooperative while this

0:19:02.560 --> 0:19:06.479
<v Speaker 1>uh this you basically go on this giant donut right right,

0:19:06.520 --> 0:19:09.960
<v Speaker 1>As far as we know, governments, corporations cannot stuff us

0:19:09.960 --> 0:19:12.520
<v Speaker 1>into this donut and make us do this. Even in

0:19:12.560 --> 0:19:15.040
<v Speaker 1>total recall, they had trouble get it keeping Arnold Swartzenegger

0:19:15.119 --> 0:19:17.320
<v Speaker 1>and that that that chair, you know, he ended up

0:19:17.359 --> 0:19:20.399
<v Speaker 1>breaking out of it. So well, he's right, So we

0:19:20.440 --> 0:19:22.359
<v Speaker 1>either have this thing was so we're gonna either have

0:19:22.400 --> 0:19:27.720
<v Speaker 1>to develop stronger chairs um or or develop scanning systems

0:19:27.760 --> 0:19:30.399
<v Speaker 1>that are not so that don't demand so much cooperation,

0:19:31.359 --> 0:19:33.800
<v Speaker 1>portable ones and ones that can just sort of scan

0:19:33.880 --> 0:19:36.000
<v Speaker 1>you in a second. Right, and there is a man

0:19:36.119 --> 0:19:38.439
<v Speaker 1>named Paul root Wolpe. He's the director of ethics at

0:19:38.440 --> 0:19:40.800
<v Speaker 1>Emory University, and he says, this is possible that you

0:19:40.840 --> 0:19:44.600
<v Speaker 1>can beam light into your front cortex and that receptors

0:19:44.640 --> 0:19:47.920
<v Speaker 1>would get the reflection of that light, essentially reading your

0:19:47.960 --> 0:19:51.480
<v Speaker 1>thoughts that correspond what you're looking at at that time. Yeah,

0:19:51.520 --> 0:19:53.359
<v Speaker 1>so we'd be able to do it, not only remotely

0:19:53.359 --> 0:19:56.960
<v Speaker 1>but also covertly, you know, they like you might be

0:19:57.440 --> 0:19:59.200
<v Speaker 1>I'm just throwing this out there, like you're you're looking

0:19:59.240 --> 0:20:03.000
<v Speaker 1>at the billboard the trains station, and it's looking at you.

0:20:03.000 --> 0:20:05.560
<v Speaker 1>You don't even realize that it's it's gauging your reaction

0:20:05.640 --> 0:20:09.080
<v Speaker 1>to the advertisement. And maybe based on those readings, it

0:20:09.160 --> 0:20:11.800
<v Speaker 1>might be able to throw up something that interests you

0:20:11.840 --> 0:20:14.840
<v Speaker 1>more or intereste or or or would you know, interest

0:20:14.880 --> 0:20:17.240
<v Speaker 1>you or not interest you less. But but you know,

0:20:17.280 --> 0:20:19.919
<v Speaker 1>it would be able to if you've ever filled out

0:20:20.000 --> 0:20:24.800
<v Speaker 1>like a survey online or these basic like recommendation engines

0:20:24.840 --> 0:20:26.879
<v Speaker 1>that say like, oh, you like this movie. In this movie,

0:20:27.040 --> 0:20:30.359
<v Speaker 1>you probably love this um. You know it's as wrong

0:20:30.400 --> 0:20:33.480
<v Speaker 1>as Netflix seems to get that on my account. You know,

0:20:33.520 --> 0:20:35.000
<v Speaker 1>it's like that that that's the sort of thing that

0:20:35.040 --> 0:20:37.880
<v Speaker 1>everyone seems to be interested and uh, and this would

0:20:37.880 --> 0:20:40.679
<v Speaker 1>be like a laser shining not a laser, but like

0:20:40.680 --> 0:20:42.720
<v Speaker 1>a beam of light shining at your head. And then

0:20:42.920 --> 0:20:45.320
<v Speaker 1>you could easily imagine a computerized system that wouldn't that

0:20:45.400 --> 0:20:47.800
<v Speaker 1>would then give you recommendations based on your reactions. Well

0:20:47.840 --> 0:20:49.480
<v Speaker 1>that's what I was thinking. I was thinking, Okay, maybe

0:20:49.480 --> 0:20:51.520
<v Speaker 1>I'm at the gap, you know, it's five it's five

0:20:51.600 --> 0:20:53.160
<v Speaker 1>years from now. I'm at the gap. I'm I happen

0:20:53.200 --> 0:20:56.000
<v Speaker 1>to be looking at a red shirt, and you know,

0:20:56.119 --> 0:21:01.159
<v Speaker 1>the beam of light gets that information than it interfaces

0:21:01.200 --> 0:21:03.960
<v Speaker 1>with a marketing company, which then, you know, real time

0:21:04.080 --> 0:21:07.560
<v Speaker 1>tells the salesperson get more red stuff. She loves it,

0:21:07.640 --> 0:21:11.359
<v Speaker 1>you know. Um. And it's it's interesting to think that

0:21:11.359 --> 0:21:14.240
<v Speaker 1>that might happen. But it's also I also feel like

0:21:14.320 --> 0:21:17.360
<v Speaker 1>in this day and age that you know, I don't

0:21:17.400 --> 0:21:19.680
<v Speaker 1>necessarily want that to happen, but I feel like I'm

0:21:19.680 --> 0:21:23.600
<v Speaker 1>giving up so much of my own information to advertisers

0:21:23.640 --> 0:21:26.159
<v Speaker 1>already just to get a quick fix, a quick you know,

0:21:26.400 --> 0:21:30.439
<v Speaker 1>ten percent off of something. Um, that I'm almost a

0:21:30.440 --> 0:21:33.360
<v Speaker 1>willing participant, you know. And I can see this sort

0:21:33.400 --> 0:21:35.520
<v Speaker 1>of thing being used in the future where it's like, okay,

0:21:35.600 --> 0:21:40.119
<v Speaker 1>well if you buy into our lightbeam program, well you

0:21:40.160 --> 0:21:43.399
<v Speaker 1>get an extra off your purchases, you know, and then

0:21:43.440 --> 0:21:45.880
<v Speaker 1>I'm complicit in this act. Well, you know, it's it's

0:21:46.040 --> 0:21:47.800
<v Speaker 1>I can easily see it. It's because I'm on one

0:21:47.840 --> 0:21:49.840
<v Speaker 1>Level's easy to imagine people like I do not want

0:21:49.920 --> 0:21:52.240
<v Speaker 1>machines reading my mind and trying to sell me things.

0:21:52.640 --> 0:21:55.479
<v Speaker 1>But I mean We're already letting machines read our personal

0:21:55.520 --> 0:21:58.000
<v Speaker 1>emails and give us little ads you over to the

0:21:58.040 --> 0:22:00.800
<v Speaker 1>side in our our Google accounts, Right, so I could

0:22:00.800 --> 0:22:02.880
<v Speaker 1>easily see a situation where you would be like, yes,

0:22:02.920 --> 0:22:06.119
<v Speaker 1>I will let this computer that somebody has assured me

0:22:06.680 --> 0:22:09.840
<v Speaker 1>UM is gonna, you know, keep my secrets. I will

0:22:09.840 --> 0:22:12.560
<v Speaker 1>allow that to scan my brain and give me movie recommendations.

0:22:13.560 --> 0:22:15.920
<v Speaker 1>God only knows what kind of movie recommendations we would

0:22:15.920 --> 0:22:19.679
<v Speaker 1>get on an accurate scan of our of our complex thoughts.

0:22:19.880 --> 0:22:21.400
<v Speaker 1>Because that's the thing you're as soun as you're saying

0:22:21.400 --> 0:22:24.600
<v Speaker 1>with like, within the next five years, the same technology

0:22:24.600 --> 0:22:27.000
<v Speaker 1>that's enabling people to say, hey, are you thinking of

0:22:27.000 --> 0:22:29.560
<v Speaker 1>a knife or a bowl of pudding will be able

0:22:29.600 --> 0:22:34.199
<v Speaker 1>to decipher us so much much more complex thoughts. So,

0:22:34.280 --> 0:22:35.639
<v Speaker 1>I mean, it's kind of amazing to think of it

0:22:35.720 --> 0:22:39.560
<v Speaker 1>that way. And also there's that element of gratification, Like

0:22:39.760 --> 0:22:43.000
<v Speaker 1>we want instant gratification, we want it now. So if

0:22:43.080 --> 0:22:45.080
<v Speaker 1>we if someone, if there's the promise of that, then

0:22:45.080 --> 0:22:48.560
<v Speaker 1>we're willing to exchange something of ourselves for it. Right,

0:22:49.240 --> 0:22:51.639
<v Speaker 1>And you know, you really begin to think, too, is

0:22:51.640 --> 0:22:54.359
<v Speaker 1>there is the technology inclusible? We reach the point where

0:22:55.119 --> 0:23:00.080
<v Speaker 1>various forms of entertainment respond to the way to to

0:23:00.080 --> 0:23:02.000
<v Speaker 1>our to our brain scans. Like maybe you're in a

0:23:02.200 --> 0:23:04.280
<v Speaker 1>you're in a restroom, so you're in a private room, right,

0:23:04.440 --> 0:23:07.000
<v Speaker 1>maybe there's a scanning system that can tell if you're

0:23:07.040 --> 0:23:10.320
<v Speaker 1>digging the music and in either you know, shift the

0:23:10.400 --> 0:23:13.720
<v Speaker 1>mix to accommodate you, or even shift the music itself.

0:23:13.800 --> 0:23:16.760
<v Speaker 1>You can getting the whole area of intelligent music where

0:23:16.760 --> 0:23:19.080
<v Speaker 1>where there won't be a composition as much, but a

0:23:19.119 --> 0:23:24.360
<v Speaker 1>composition that changes according to your neural requirements. Or yeah,

0:23:24.400 --> 0:23:26.480
<v Speaker 1>I mean it's just the sky's the limit. Movies that

0:23:26.560 --> 0:23:29.200
<v Speaker 1>sort of right themselves. Uh, you know, depending on how

0:23:29.200 --> 0:23:32.800
<v Speaker 1>you're responding to it in your in your brain, I

0:23:32.880 --> 0:23:35.400
<v Speaker 1>kind of dig that. Actually, yeah, see, now you're you're

0:23:35.400 --> 0:23:39.480
<v Speaker 1>coming around, here's my personal information in exchange for that.

0:23:40.280 --> 0:23:41.920
<v Speaker 1>And then I mean, as long as we're talking about

0:23:42.280 --> 0:23:44.400
<v Speaker 1>things that we can manipulate in the brain, I mean

0:23:44.440 --> 0:23:49.680
<v Speaker 1>they're our brain has as these different pleasure systems. For instance,

0:23:49.880 --> 0:23:53.240
<v Speaker 1>there is a portion of the brain known as the

0:23:53.359 --> 0:23:58.040
<v Speaker 1>orbitofrontal cortex and this is where umu, the joy one

0:23:58.080 --> 0:24:02.439
<v Speaker 1>experiences during sex or um or you know, eating a

0:24:02.480 --> 0:24:05.880
<v Speaker 1>really tasty sandwich take place. So um, you know, they've

0:24:05.920 --> 0:24:09.560
<v Speaker 1>been they've been exploring ways to manipulate that, uh, mainly

0:24:09.640 --> 0:24:13.000
<v Speaker 1>for things like treating like Parkinson's disease, you know, or

0:24:13.200 --> 0:24:17.640
<v Speaker 1>um or or various neurological conditions. But of course, marketing

0:24:18.040 --> 0:24:22.959
<v Speaker 1>initially eventually pokes its head into any research facility and

0:24:23.240 --> 0:24:25.200
<v Speaker 1>starts dreaming about ways you could you could do this.

0:24:25.240 --> 0:24:27.760
<v Speaker 1>So imagine that like you're you're in a store and

0:24:27.800 --> 0:24:30.200
<v Speaker 1>you're you know, you're suddenly you're just feeling really great

0:24:30.200 --> 0:24:32.480
<v Speaker 1>about this purchase you're about to make. Now, I think

0:24:32.480 --> 0:24:35.120
<v Speaker 1>that would probably be invasive, but yeah, just a little bit.

0:24:36.200 --> 0:24:39.200
<v Speaker 1>But yeah, they're working on this sex chip thing, which

0:24:39.720 --> 0:24:46.359
<v Speaker 1>which shows supposed yeah and uh, and they're you know,

0:24:46.480 --> 0:24:49.879
<v Speaker 1>hoping to say, help people with a condition called and

0:24:50.000 --> 0:24:54.439
<v Speaker 1>head donia, yeah, and and hedonia, which means you just

0:24:54.440 --> 0:24:58.359
<v Speaker 1>can't you can't feel joy, uh in regards to sex

0:24:58.400 --> 0:25:00.960
<v Speaker 1>and food. And so they would treat this by putting

0:25:00.960 --> 0:25:02.880
<v Speaker 1>a chip in. But that's like just creating a chip

0:25:02.880 --> 0:25:05.399
<v Speaker 1>for that is years away, much less the idea of

0:25:05.400 --> 0:25:08.440
<v Speaker 1>some sort of external, um, you know, laser device that's

0:25:08.440 --> 0:25:11.479
<v Speaker 1>gonna being july directly into your brain. So the idea

0:25:11.600 --> 0:25:15.040
<v Speaker 1>is that this implant, right, is it's going to be

0:25:15.080 --> 0:25:19.480
<v Speaker 1>stimulated the orbital or orbital frontal cortex. And so I'm

0:25:19.520 --> 0:25:25.119
<v Speaker 1>just trying to imagine, like, you know, wearing that during

0:25:25.280 --> 0:25:28.280
<v Speaker 1>intimate moments, I mean, or just on the train, you know,

0:25:28.359 --> 0:25:30.200
<v Speaker 1>to work in the morning, you know, and then yeah,

0:25:30.200 --> 0:25:32.000
<v Speaker 1>and people are like, look, I see what you have on.

0:25:32.240 --> 0:25:33.920
<v Speaker 1>I know what you're doing over there because you see.

0:25:33.960 --> 0:25:35.679
<v Speaker 1>But what if we all had them? Like, like, I

0:25:35.720 --> 0:25:38.320
<v Speaker 1>can imagine a situation where everybody gets seas installed so

0:25:38.359 --> 0:25:41.520
<v Speaker 1>you can better interface with your movie that rights itself.

0:25:41.600 --> 0:25:43.800
<v Speaker 1>You know, It's like it's righting itself based on how

0:25:43.800 --> 0:25:46.080
<v Speaker 1>you're responding to it. And it's also pumping you with

0:25:46.160 --> 0:25:48.480
<v Speaker 1>pleasure every time there's a you know, a shot of

0:25:48.520 --> 0:25:50.600
<v Speaker 1>a slice of pie on the screen. Wow. You just

0:25:50.680 --> 0:25:52.440
<v Speaker 1>never would have to leave your home? You just, yeah,

0:25:52.440 --> 0:25:55.520
<v Speaker 1>I never would. Yeah. Um. According to the Scientific American

0:25:55.600 --> 0:25:59.000
<v Speaker 1>article that I read, Stuart Malloy a North Carolina physician

0:25:59.040 --> 0:26:03.919
<v Speaker 1>who specializes in implanting spinal electrodes for pain, mostly or

0:26:03.960 --> 0:26:06.600
<v Speaker 1>to relieve pain. Rather, he found by chance that a

0:26:06.680 --> 0:26:10.000
<v Speaker 1>slightly off kilter placement in the lower spine caused one

0:26:10.000 --> 0:26:12.359
<v Speaker 1>woman to exclaim, you're going to have to teach my

0:26:12.440 --> 0:26:16.120
<v Speaker 1>husband how to do that, and here we go. Um,

0:26:16.160 --> 0:26:19.960
<v Speaker 1>he has actually created a machine explicitly for what we're

0:26:19.960 --> 0:26:24.320
<v Speaker 1>talking about, and it's a modified spinal cord stimulator and

0:26:24.359 --> 0:26:29.480
<v Speaker 1>the name is really subtle. It's called the Orgasmatron. Okay, yeah,

0:26:30.280 --> 0:26:32.879
<v Speaker 1>it sounds fake, but yeah, yeah yeah, it's actually I

0:26:32.920 --> 0:26:35.560
<v Speaker 1>think it's an homage to Woody Allen in the film Sleeper.

0:26:35.760 --> 0:26:39.920
<v Speaker 1>What was the device? And Barbara Ella? I do not recall.

0:26:40.000 --> 0:26:42.920
<v Speaker 1>There's like the scene where Duran Duran has barb Barbarella

0:26:43.040 --> 0:26:44.879
<v Speaker 1>in the I don't know. It has some sort of

0:26:44.880 --> 0:26:48.520
<v Speaker 1>crazy name. It looks like a big organ just called

0:26:48.520 --> 0:26:52.480
<v Speaker 1>the organ or maybe not. That's an unfortunate name. Yeah,

0:26:53.040 --> 0:26:56.280
<v Speaker 1>but I don't know. That's that's some technology that's far

0:26:56.320 --> 0:26:58.239
<v Speaker 1>off and it's kind of crude sounding right now, right,

0:26:58.280 --> 0:27:00.800
<v Speaker 1>that's Barbara Alla territory. Yeah, and we'll get there eventually.

0:27:00.880 --> 0:27:04.000
<v Speaker 1>Yeah yeah. Oh but again it begs that question, like

0:27:04.080 --> 0:27:08.440
<v Speaker 1>what are we willingly allowing ourselves to participate in? And

0:27:09.400 --> 0:27:13.520
<v Speaker 1>it made me think about this new interface that students

0:27:13.520 --> 0:27:15.399
<v Speaker 1>at m I T Media Lab have developed. It's a

0:27:15.440 --> 0:27:20.639
<v Speaker 1>wearable computing system that turns any surface your arm, table, wall,

0:27:20.720 --> 0:27:24.840
<v Speaker 1>whatever into an interactive display screen. Yeah. And the where

0:27:24.960 --> 0:27:28.199
<v Speaker 1>can summon virtual gadgets and internet data at will just

0:27:28.320 --> 0:27:30.119
<v Speaker 1>on their arm. Yeah. But if you were like what

0:27:30.200 --> 0:27:33.320
<v Speaker 1>time it is, you could just draw a watch and yeah,

0:27:33.400 --> 0:27:36.560
<v Speaker 1>it's so it's very cool. Um. Their goal is to

0:27:36.600 --> 0:27:40.240
<v Speaker 1>harness computers to feed us information in an organic fashion,

0:27:40.359 --> 0:27:43.680
<v Speaker 1>like our existing senses. So it's this idea that computers

0:27:43.800 --> 0:27:47.960
<v Speaker 1>might become our sixth sense. Yeah. Um, and and in fact,

0:27:48.000 --> 0:27:51.399
<v Speaker 1>I mean it's so nuts that, um, you could encounter

0:27:51.440 --> 0:27:53.439
<v Speaker 1>someone at a party in this system would project a

0:27:53.440 --> 0:27:56.400
<v Speaker 1>cloud of words onto that person's body and provide more

0:27:56.400 --> 0:27:59.400
<v Speaker 1>information about that person, like a blog. You are all

0:27:59.520 --> 0:28:05.000
<v Speaker 1>the name of his company, likes dislikes, so like we

0:28:05.080 --> 0:28:08.600
<v Speaker 1>become our Facebook profile. Yeah, pretty much like the end

0:28:08.640 --> 0:28:10.680
<v Speaker 1>of the Black Hole where the mad scientists and the

0:28:10.760 --> 0:28:13.520
<v Speaker 1>robot and merge into one horrifying thing. Well, that's what

0:28:13.560 --> 0:28:17.040
<v Speaker 1>I was thinking. I mean, not specifically that specifically that,

0:28:18.200 --> 0:28:20.919
<v Speaker 1>but I was thinking, like, that's the juncture of where

0:28:21.400 --> 0:28:26.119
<v Speaker 1>advertisers and and ourselves like come together, right, because you

0:28:26.160 --> 0:28:29.440
<v Speaker 1>know that in that situation that you're there's no privacy, right,

0:28:29.480 --> 0:28:33.080
<v Speaker 1>that you're sharing everything about yourself in exchange for the

0:28:33.160 --> 0:28:37.680
<v Speaker 1>ability to move throughout the world in a more fluid way.

0:28:38.200 --> 0:28:40.120
<v Speaker 1>It's a little scary, and again, I know I've heard

0:28:40.080 --> 0:28:41.840
<v Speaker 1>it up before, but it's like super sad, true love

0:28:41.920 --> 0:28:46.240
<v Speaker 1>story in which people wear an apparatus are apparatti around

0:28:46.280 --> 0:28:49.520
<v Speaker 1>their necks and it gives everybody's credit scores and so

0:28:49.560 --> 0:28:51.840
<v Speaker 1>on and so forth. Well, no, you're allowed to continually

0:28:52.000 --> 0:28:55.360
<v Speaker 1>compos you like I did it. Just I keep being

0:28:55.440 --> 0:28:58.800
<v Speaker 1>reminded of that story. It's super true, super sad, and

0:28:58.840 --> 0:29:02.960
<v Speaker 1>it's a love story. Well, excellent, Well, um, popcorn, I'm

0:29:03.040 --> 0:29:05.600
<v Speaker 1>going to um turn to our listener mail. Now we

0:29:05.680 --> 0:29:09.880
<v Speaker 1>have a couple here from some listeners. Um, here's one

0:29:09.960 --> 0:29:13.320
<v Speaker 1>from Nathaniel's gonna have a snack over here. Yeah, alright.

0:29:13.560 --> 0:29:16.040
<v Speaker 1>I was listening to your awesome podcast on alien abduction,

0:29:16.160 --> 0:29:19.640
<v Speaker 1>and I realized that something similar to that paraplysis thing

0:29:19.760 --> 0:29:21.760
<v Speaker 1>was going on. On occasion, I will wake up during

0:29:21.800 --> 0:29:23.920
<v Speaker 1>a moment of pain in my dream, such as being

0:29:24.080 --> 0:29:26.400
<v Speaker 1>hit in the face with a baseball or being kicked

0:29:26.440 --> 0:29:28.760
<v Speaker 1>in the chest by a thug. At this moment, I

0:29:28.840 --> 0:29:31.239
<v Speaker 1>wake up with intense pain all over my body at

0:29:31.320 --> 0:29:34.520
<v Speaker 1>some horrible hour, and typically can't fall asleep. Again, I

0:29:34.560 --> 0:29:37.320
<v Speaker 1>don't know that this is unusual, and was wondering if

0:29:37.360 --> 0:29:39.520
<v Speaker 1>you could use your epic minds and power to explain

0:29:39.640 --> 0:29:42.160
<v Speaker 1>this huge fan love the show and you will never

0:29:42.240 --> 0:29:46.200
<v Speaker 1>cease to figuratively blow my mind. Um well that's pretty interesting.

0:29:46.520 --> 0:29:48.960
<v Speaker 1>Uh well, one possibility is that thugs are kicking you

0:29:49.160 --> 0:29:52.280
<v Speaker 1>in your chest during the night, and I would look

0:29:52.320 --> 0:29:55.719
<v Speaker 1>into that possibility first. Yeah, it's happened to me before. Yeah. Um,

0:29:56.160 --> 0:29:58.040
<v Speaker 1>but yeah, beyond that, we'd have to we'd have to

0:29:58.080 --> 0:30:00.280
<v Speaker 1>look into it. I mean it's certainly it sounds off

0:30:00.320 --> 0:30:04.640
<v Speaker 1>hand like it's similar to the phenomena where supposedly we

0:30:04.680 --> 0:30:07.600
<v Speaker 1>have this evolutionary hold over where we're afraid of falling

0:30:07.640 --> 0:30:11.320
<v Speaker 1>out of tree and beaten by ground uh predators, and

0:30:11.760 --> 0:30:13.800
<v Speaker 1>so that we'll if we feel like we're slipping in

0:30:13.840 --> 0:30:16.560
<v Speaker 1>our dream or or falling over, like I'll have it

0:30:16.600 --> 0:30:18.640
<v Speaker 1>where I'm like slipping on milk or something and then

0:30:18.680 --> 0:30:21.560
<v Speaker 1>I'll just fly away. I think you've been hanging out

0:30:21.600 --> 0:30:26.360
<v Speaker 1>with sloths too much. I mean the SLOs monkey. I

0:30:26.400 --> 0:30:28.360
<v Speaker 1>did see a monkey. Thought of the tree and of

0:30:28.480 --> 0:30:31.600
<v Speaker 1>Costa Rica. Yeah, plummeted. I mean just not just like

0:30:31.680 --> 0:30:35.560
<v Speaker 1>a little fall, but like a really embarrassing fall monkey. Okay, yeah,

0:30:36.800 --> 0:30:39.360
<v Speaker 1>I mean I think he was embarrassed, feel shamed. But

0:30:40.520 --> 0:30:42.720
<v Speaker 1>we're all watching me just falls out of the Maybe

0:30:42.760 --> 0:30:44.840
<v Speaker 1>that's part of their truck, you know, like, all right

0:30:44.840 --> 0:30:47.320
<v Speaker 1>now you're gonna fall and we'll get a gasp from

0:30:47.360 --> 0:30:50.360
<v Speaker 1>the audience. Well, Nathaniel, I will say that we do

0:30:50.480 --> 0:30:53.200
<v Speaker 1>need to we will. We will return to the world

0:30:53.240 --> 0:30:55.560
<v Speaker 1>of dreams in a future podcast. I would really like

0:30:55.680 --> 0:30:58.600
<v Speaker 1>to do one with having to do with nightmares and

0:30:58.760 --> 0:31:01.920
<v Speaker 1>night terrors specific quick, so we'll keep you posted on

0:31:02.000 --> 0:31:03.920
<v Speaker 1>all that. So we have another listener mail from someone

0:31:03.960 --> 0:31:08.720
<v Speaker 1>who wishes UH to remain anonymous. UH and he writes

0:31:08.760 --> 0:31:11.040
<v Speaker 1>in I'm a long time listener, first time writer, and

0:31:11.320 --> 0:31:13.440
<v Speaker 1>I have come back from a trip to Japan, where

0:31:13.520 --> 0:31:15.479
<v Speaker 1>I just happened to listen to your episode is your

0:31:15.520 --> 0:31:17.880
<v Speaker 1>Gut of Genius. On the sixth day of battling about

0:31:17.920 --> 0:31:21.040
<v Speaker 1>of constipation, while this happens basically every time I leave

0:31:21.080 --> 0:31:23.400
<v Speaker 1>the country, as you could imagine, after six days, it

0:31:23.480 --> 0:31:26.000
<v Speaker 1>was pretty irritable and I was getting pretty anxious about

0:31:26.280 --> 0:31:28.160
<v Speaker 1>being clogged up for so long. But listening to the

0:31:28.240 --> 0:31:30.640
<v Speaker 1>podcast and finding out that this happens to most people

0:31:31.040 --> 0:31:33.880
<v Speaker 1>along with you guys providing an explanation for it just

0:31:34.000 --> 0:31:37.840
<v Speaker 1>seemed to lift the anxiety immediately. Don't know whether it

0:31:38.040 --> 0:31:40.320
<v Speaker 1>was the fact that I now understood what was happening

0:31:40.360 --> 0:31:42.760
<v Speaker 1>in my brain talked to my bowels, or whether it

0:31:42.960 --> 0:31:44.920
<v Speaker 1>was just me, but suffice to say that before the

0:31:45.000 --> 0:31:47.920
<v Speaker 1>podcast was over, I did the deed as nature intended.

0:31:48.600 --> 0:31:51.320
<v Speaker 1>Unfortunately it was using a Japanese style toilet on a

0:31:51.400 --> 0:31:55.680
<v Speaker 1>moving bullet train. However, I was grateful nonetheless. So you know,

0:31:55.840 --> 0:31:58.560
<v Speaker 1>I'm I'm glad to know that our our poets from

0:31:58.600 --> 0:32:03.200
<v Speaker 1>our listeners find our podcasts a moving, nice nice upon there. Um,

0:32:03.280 --> 0:32:04.880
<v Speaker 1>I know, and that makes me think about something called

0:32:04.920 --> 0:32:06.719
<v Speaker 1>the sphincter law, which we don't have time to get

0:32:06.760 --> 0:32:09.960
<v Speaker 1>into now, but it's it's definitely something that I think

0:32:10.120 --> 0:32:13.840
<v Speaker 1>we need to talk about in some other format. Okay, well,

0:32:13.880 --> 0:32:16.320
<v Speaker 1>look look for that title to show up and gets

0:32:17.080 --> 0:32:20.640
<v Speaker 1>the law of the sphincter excellent. Why if you have

0:32:20.720 --> 0:32:26.520
<v Speaker 1>any tales of toiletry tears on the on your travels,

0:32:26.560 --> 0:32:29.000
<v Speaker 1>then you know, stop by our Facebook page where we

0:32:29.000 --> 0:32:30.560
<v Speaker 1>will blow the mind and we'll also blow the mind

0:32:30.600 --> 0:32:33.719
<v Speaker 1>on Twitter and where we update that feat pretty regularly

0:32:33.800 --> 0:32:37.720
<v Speaker 1>with Cool Happenings at how stuff Works Discovery and just

0:32:37.800 --> 0:32:39.520
<v Speaker 1>neat Stuff, We find out what's so swarre in the Whip.

0:32:39.840 --> 0:32:42.560
<v Speaker 1>If you have any questions or you're interested to find

0:32:42.600 --> 0:32:45.200
<v Speaker 1>out more about some of our research notes or links

0:32:45.280 --> 0:32:47.520
<v Speaker 1>that we've used in this episode, or any others, feel

0:32:47.560 --> 0:32:49.520
<v Speaker 1>free to drop us a line at blow the Mind

0:32:49.520 --> 0:32:56.280
<v Speaker 1>at how stuff works dot com For more on this

0:32:56.440 --> 0:32:58.800
<v Speaker 1>and thousands of other topics. Is it how stuff works

0:32:58.840 --> 0:33:01.400
<v Speaker 1>dot com. To learn more a about the podcast, click

0:33:01.440 --> 0:33:03.720
<v Speaker 1>on the podcast icon in the upper right corner of

0:33:03.800 --> 0:33:07.200
<v Speaker 1>our homepage. The House stuff Works iPhone app has a ride.

0:33:07.360 --> 0:33:09.280
<v Speaker 1>Download it today on iTunes