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Speaker 1: What's happens way up?

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Speaker 2: But Angela Yee, I'm Angela Yee, and Jasmine from the

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Speaker 2: Jasmin brand dot Com is here with me, and this

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Speaker 2: is really way yep. Okay, we're lit today because Alicia

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Speaker 2: Keys is here.

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Speaker 3: Hey, what's going on?

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Speaker 1: Legendary?

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Speaker 3: He gees?

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Speaker 2: Okay, all right on tour right now, and I've been

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Speaker 2: saying some amazing reviews. One thing I was wondering, with

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Speaker 2: all the hit songs that you have, how do you

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Speaker 2: fit all of that into a show and decide what's

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Speaker 2: gonna play and how long? Because you got to be

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Speaker 2: cutting out some things that you love.

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Speaker 3: It's hard. It's definitely hard to get it.

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Speaker 4: But I think you know, I did tour last year

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Speaker 4: as well, and it's a completely different show. This show

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Speaker 4: is totally different. This is a three sixty show, so

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Speaker 4: it's all in the round. It's the first time I've

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Speaker 4: ever done a three sixty show and it is insane.

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Speaker 4: I mean, visually, it looks crazy, and musically it's amazing.

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Speaker 4: And I think part of what was able to fuel

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Speaker 4: what I chose to play the songs is whatever I

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Speaker 4: did last time. I really wanted to make it different,

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Speaker 4: you know what I mean? So that helped me this time.

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Speaker 3: But it's hard.

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Speaker 4: I mean, we're running through songs and we're hitting them

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Speaker 4: and then we go to the next one.

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Speaker 3: But I also like to keep.

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Speaker 4: It exciting, and you want people to be excited all

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Speaker 4: the time. And I've been choosing a few a few

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Speaker 4: songs that I don't usually play too, just so that

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Speaker 4: that that there's favorites of mine that like what One

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Speaker 4: of my favorites is a song called where Do We

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Speaker 4: Go From Here?

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Speaker 3: And I love this song.

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Speaker 4: I was actually inspired by Wu Tang when I wrote

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Speaker 4: this song, and so it's one of my favorites. The

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Speaker 4: Way to beat Knox is Bananas. And then another one

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Speaker 4: is called I Need You. That's one of my favorite

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Speaker 4: songs ever. It has kind of this rhythm to it,

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Speaker 4: but I don't usually play that song. So I'm putting

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Speaker 4: in a couple of pieces that don't usually happen on

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Speaker 4: I also have a second piano that flies up somewhere.

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Speaker 4: You'll see that piano is where I do a lot

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Speaker 4: of the songs that i'll that'll be requests like people

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Speaker 4: will say, man, you never play.

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Speaker 5: How do you get the requests? Like do you look

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Speaker 5: online on Twitter?

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Speaker 6: Okay?

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Speaker 5: So I'm going to ask you that.

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Speaker 6: What songs do you do you listen to your fans

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Speaker 6: like she didn't play this tonight. I wonder why is

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Speaker 6: that something you take into account or you just kind of.

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Speaker 3: Do or I'll ask, I'll ask like what do you

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Speaker 3: want to hear?

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Speaker 4: What have you been wanting to hear? Wow, it's exciting

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Speaker 4: for me to hear it and then I and then

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Speaker 4: I can kind of bring it back. So that's the

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Speaker 4: stage that I do a bunch of those songs on.

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Speaker 2: And you still make it number one hits too, So

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Speaker 2: that's hard because like, do you incorporate you know, Okay,

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Speaker 2: this song just went number one, so do.

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Speaker 4: So Come for Me just was number one for three

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Speaker 4: weeks in a row. And and so I definitely have

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Speaker 4: it in the show. And it's it's such it's so fresh.

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Speaker 4: It's kind of fresh to be able to kind of

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Speaker 4: go from here to there to there to hear and

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Speaker 4: let it all just flow. It flows really really good.

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Speaker 4: So I am absolutely a major stand of this show.

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Speaker 3: This show needs to show show, this is this show

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Speaker 3: is crazy. So but yeah, now we put it on,

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Speaker 3: we put it in everywhere.

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Speaker 1: And I love the fact that I've been seeing you

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Speaker 1: do things.

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Speaker 2: I saw the Foggy Raw video right where you were

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Speaker 2: with him, right, and you know how exciting that is

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Speaker 2: for him that people actually hit you up on so

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Speaker 2: media while he was trying to get this cleared couldn't

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Speaker 2: get through.

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Speaker 5: I can't believe he got it clear.

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Speaker 3: So I'm gonna be honest.

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Speaker 1: When I was looking got to send down with you. Yeah.

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Speaker 4: You know what happened was, first of all, it got

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Speaker 4: got on my radar, and Foggy is fresh.

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Speaker 3: I really like Foggy a lot.

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Speaker 4: Like if you've seen this video the visuals sick. It

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Speaker 4: got on my radio radar like a while ago, and.

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Speaker 3: I was like, oh, this is fresh.

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Speaker 5: How did it get on your radar?

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Speaker 4: Different people were sending him, Oh did you see this

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Speaker 4: guy do the you know what I mean? And I

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Speaker 4: was and I would and I looked at and I

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Speaker 4: was like, oh, that's fresh. Then Pat time passed and

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Speaker 4: I didn't realize he was going to campaign.

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Speaker 2: He's like, y'all hit up Atlicia Keys and tell her

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Speaker 2: I need and it were many people about to do that.

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Speaker 3: Now though, don't hit me, by the way, it don't

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Speaker 3: hit me.

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Speaker 1: It make because after you leave, I'm going to try.

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Speaker 4: It, like now that you know, I have to be honest,

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Speaker 4: A lot of people do hit me for those particular songs.

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Speaker 3: You don't know. My name is a lot of burn.

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Speaker 4: There's a lot of songs that get like a lot

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Speaker 4: of a lot of burn that people want to use.

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Speaker 4: And I really appreciate how people love those songs, you know,

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Speaker 4: but it has to has to You can't do it

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Speaker 4: for everybody, you definitely can't. It kind of make it corny,

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Speaker 4: But he's he's special. I think he's a special guy,

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Speaker 4: and I think he has a vibe to him. So

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Speaker 4: I said, well, have him come meet me and let's

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Speaker 4: see if he's if he's the energy and he was

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Speaker 4: the energy that you feel like he is, and.

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Speaker 3: So it's good.

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Speaker 1: And little Derek, you played the therapist in his video.

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Speaker 4: About how about me being a therapist in real life?

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Speaker 5: Do you do you have that person? You to?

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Speaker 6: Well?

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Speaker 5: Are you the person? Also? Do you do therapy? Do

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Speaker 5: you have a therapist in real life?

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Speaker 4: Okay, okay, well let's answer both questions. The first question

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Speaker 4: is am I that kind of Am I that person?

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Speaker 4: I would definitely say I'm I'm a therapist esque type

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Speaker 4: of person. You know, I'm definitely a great person you

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Speaker 4: can trust. I'm a person that you can come and

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Speaker 4: get advice from. Or people will call and be like,

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Speaker 4: I'm going through this, like what do you think. I

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Speaker 4: feel like I give sound advice, so I'm good on that.

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Speaker 4: And then on the therapy side, I definitely it's kind

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Speaker 4: of hard to find a really great therapist, I think,

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Speaker 4: for anybody. But I do believe that therapy is a

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Speaker 4: beautiful thing. And I think that if I think everybody,

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Speaker 4: every boy the way, everybody needs therapy.

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Speaker 3: Everything that's not a person that she tells.

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Speaker 5: I can't tell all the time. First of all, you're

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Speaker 5: a therapist.

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Speaker 3: So she was looking at you like that.

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Speaker 2: She was looking at so I could tell what, Jasmin,

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Speaker 2: don't go to therapy. I'd be like, you need to

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Speaker 2: call your therapist.

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Speaker 6: But she's but Angela gives good advice. So also Angela

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Speaker 6: needs therapy. Though we all need therapy, some of us

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Speaker 6: needed more than others.

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Speaker 3: That's a fact.

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Speaker 6: Yeah, and we're in denial. I want to say weird,

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Speaker 6: I mean her so yeah. Also, I think maybe because

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Speaker 6: you give good advice. You said, she gives good advice

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Speaker 6: to it, and I feel like sometimes those type of people.

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Speaker 3: Feel like they don't need it, Yes, what they do.

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Speaker 3: One thing I did do is.

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Speaker 4: That I had a really phenomenal like she kind of

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Speaker 4: called herself a life coach. I don't know how I

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Speaker 4: found her through friends, so it was a trusted situation.

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Speaker 4: I mean, I would you know, you gotta definitely research

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Speaker 4: the people that you're spending time and want to make

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Speaker 4: sure they resonate with you. But I found her to

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Speaker 4: be really effective and and what got me she had

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Speaker 4: this kind of intro questionnaire. The questionnaire is selfish therapy.

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Speaker 4: I was like, if I just fill out this questionnaire,

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Speaker 4: I might be healed.

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Speaker 5: I'm done forever, Like give us a question that was

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Speaker 5: on there.

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Speaker 3: It was deep, it was I don't even know if

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Speaker 3: I could. It was so long. It took me days days.

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Speaker 4: It was exhausted, but you had to go in and

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Speaker 4: I thought it was I thought it was awesome. She

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Speaker 4: definitely gave me some great advice kind of about how

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Speaker 4: you I thought. The thing that the thing that stuck

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Speaker 4: with me the most was how sometimes we ask people

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Speaker 4: to show up in a way that they're not capable

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Speaker 4: of showing up, and then we get mad at them

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Speaker 4: that they couldn't show up the way we wanted them

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Speaker 4: to show up. And she was like, if you know

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Speaker 4: this person can't show up for you like that, why

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Speaker 4: do you keep putting them in a position to fail you? Right,

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Speaker 4: so you're actually sabotaging them.

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Speaker 3: Don't do that.

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Speaker 4: Don't put them in a position that they can't they

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Speaker 4: can't meet for you.

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Speaker 1: It's like managing your expectations of people, right.

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Speaker 2: You can't put on other people what you want them

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Speaker 2: to be if that's not who they are. There are

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Speaker 2: certain people I know they're very flaky. There's an eighty

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Speaker 2: percent chance they're not going to show up. So don't

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Speaker 2: I know they're going to do this, So let me

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Speaker 2: at least make this plans because I know this might

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Speaker 2: not work.

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Speaker 4: Yeah, Like, don't ask them to do something that's you

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Speaker 4: really can't expect.

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Speaker 3: You know what I mean. Don't ask that person. They're

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Speaker 3: not the one for you. So I learned, you know,

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Speaker 3: there's some things I really learned. I do believe in it.

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Speaker 3: I think it's I think it's strong.

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Speaker 1: Now.

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Speaker 2: One thing I'm super excited about because I love a

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Speaker 2: good play.

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Speaker 1: Ooh ooh, you know I'm going to the theater.

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Speaker 2: Yeah, I love the House Kitchen. Yeah, man, and this

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Speaker 2: you've been working on this for ten years?

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Speaker 1: Yes, all right?

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Speaker 2: I mean, so is it that you knew this was

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Speaker 2: going to be a long term, like evolving project or

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Speaker 2: did you think you were going to do it sooner?

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Speaker 1: And you're like, I just it's not there yet.

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Speaker 4: I guess I didn't have any expectations. You know, the

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Speaker 4: theater world is very different from the music.

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Speaker 3: The music world.

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Speaker 4: Obviously, this is a musical, so we're bringing the music

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Speaker 4: into the into the into the piece, and there's new

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Speaker 4: songs in it as well, which are amazing. So I'm

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Speaker 4: really excited for this piece. This piece is undeniable. You

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Speaker 4: will not you cannot not.

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Speaker 3: Feel this piece. It's called Hell's Kitchen.

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Speaker 4: Like we said, you're gonna find a girl named Ali

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Speaker 4: in her seventeenth year and she really struggling. She's struggling

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Speaker 4: with her independence, she's struggling with her identities, she's struggling

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Speaker 4: with who she is, where she's going, what she's meant

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Speaker 4: to do, and.

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Speaker 3: You you really, you really feel for her.

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Speaker 4: Ultimately, it's a love story between a mother and a daughter,

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Speaker 4: and that's kind of ultimately where you get to.

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Speaker 3: But it's a lot of struggles.

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Speaker 1: This sounds familiar right for everybody? Yeah everybody related?

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Speaker 2: Yes, yes, crazy, Okay, But this is amazing to me though,

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Speaker 2: because I just feel like this experience. First of all,

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Speaker 2: when I go to the theater, I feel like we

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Speaker 2: don't see enough black people going right, because I'll go

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Speaker 2: see like I want to go see The Slave Play,

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Speaker 2: I want to go see Tina Turner, MJ the.

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Speaker 1: Mute, I'll go see all of those.

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Speaker 2: And I feel like this is something that everybody is

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Speaker 2: gonna want to go to, like no matter what.

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Speaker 4: You are, So like everybody's going to see themselves inside

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Speaker 4: of the piece.

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Speaker 3: You're gonna love it very It's very accessible, but it's.

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Speaker 4: Also very honest and very true and genuine, so you

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Speaker 4: feel wrapped up in it. The thing that's my favorite

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Speaker 4: thing about is the songs. A lot of times the

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Speaker 4: way I've arranged the songs, I asked myself, why didn't

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Speaker 4: I arrange these songs.

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Speaker 3: Like that before?

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Speaker 4: Like I'm hearing the songs in a way that I've

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Speaker 4: never heard them, and so you get a chance because

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Speaker 4: different different characters in the player are singing them in

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Speaker 4: unexpected ways, so you've never heard these songs like that

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Speaker 4: even though you know them so and they're killing. By

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Speaker 4: the way, all everybody who is in this play is

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Speaker 4: a monster.

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Speaker 1: How did you find the character that's representative of you?

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Speaker 4: Malayia is her name, Malia is her name. And it

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Speaker 4: was hard.

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Speaker 1: I can't imagine.

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Speaker 4: It was hard to find somebody who is simultaneously a

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Speaker 4: great actor and also a phenomenal singer.

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Speaker 6: Yeah, that's tough because I feel like usually you're really

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Speaker 6: st get one of them, the other one you maybe

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Speaker 6: not so much.

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Speaker 4: And I've been like a beast monster in regards to casting,

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Speaker 4: like it really has to be strong on both sides.

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Speaker 4: Shoshana Bean is playing her mother.

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Speaker 3: She is a monster as well.

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Speaker 4: Everybody who's in the piece is like really really strong

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Speaker 4: on all sides.

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Speaker 3: And it was hard. It's hard, but it's meant to be.

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Speaker 4: And they show up and it's and you're like wow

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Speaker 4: every time, I'm like, this is crazy.

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Speaker 1: So you've been seeing the previews and everything.

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Speaker 4: Right, So we've been putting it all together actually right

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Speaker 4: now in the set building phase, which is incredible. We're

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Speaker 4: doing costuming and it's set in the nineties, so it's

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Speaker 4: not too much costume like the nineties fires.

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Speaker 1: But Hell's Kitchen a little different. Now, it's still different.

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Speaker 2: There's still things happening, but it is definitely how was it,

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Speaker 2: because we're not far from Hell's Kitchen right here?

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Speaker 5: How was it then? What's the biggest difference?

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Speaker 3: You think everything, like every single thing, it's just much more.

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Speaker 3: You know, it's a lot happened, and it was. It

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Speaker 3: was hard. Now it's very pretty, very Disney.

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Speaker 2: But it's a lot of new high rises and things

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Speaker 2: like luxury buildings and stuff like that popping up everywhere.

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Speaker 4: So November nineteen that opens up the public theater. October

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Speaker 4: twenty fourth it starts previews. So it's happened to be there.

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Speaker 3: You're going to be there.

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Speaker 1: I'm not even playing games about that. You know I'm

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Speaker 1: gonna be right there.

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Speaker 2: And then you've also done like some scoring right for

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Speaker 2: movies as well. You've been doing everything. I don't even

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Speaker 2: understand how. And documentaries.

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Speaker 4: I know we did do the She's the Music Documentary,

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Speaker 4: which is an organization that really brings to light women

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Speaker 4: in the music industry and particularly in the creative space,

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Speaker 4: but all across the board, just all across the board,

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Speaker 4: because we know there's a deficit there and in regards

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Speaker 4: to women producers, women and women engineers. It's called Uncharted.

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Speaker 4: So they really follow these about twelve women because we

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Speaker 4: do this all female songwriting camps that benefit different artists,

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Speaker 4: that different artists can pull from. And so we follow

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Speaker 4: these twelve women on their journey in this songwriting camp

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Speaker 4: and it goes into their stories and how they're also

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Speaker 4: artists or their writers or they're you know, having the

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Speaker 4: work jobs on the side and all the things, and

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Speaker 4: it's an amazing story. So Uncharted it just debut at

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Speaker 4: Tribeca Film Festival, and it's really special.

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Speaker 2: That is true because think about as far as producers

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Speaker 2: or even engineers, like you don't hear of many women

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Speaker 2: the way that we shared songwriters. I feel like we

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Speaker 2: I do know you know that. But as far as

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Speaker 2: like engineers producers, we haven't worked with artists. I don't

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Speaker 2: think I've ever seen in the studio and seen a

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Speaker 2: woman engineer.

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Speaker 4: Mine my engineer, am Ncli. She's been with me since

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Speaker 4: the beginning. She's one of the I think it's three percent.

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Speaker 1: What wow, that is insane.

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Speaker 4: You will see female engineers and uncharted like you will

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Speaker 4: see them, and it's giving them an opportunity also to

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Speaker 4: work and create relationships and be able to build and

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Speaker 4: show their skill and get better. And producers are obviously

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Speaker 4: I'm a producer, but as producers, I think it's two

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Speaker 4: or three percent as well.

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Speaker 6: Why do you think it is such a lack of

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Speaker 6: us in that field. Is it the same as any

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Speaker 6: other field where they're not a lot of the worst

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Speaker 6: male dominated?

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Speaker 3: Yeah, I think there is kind of a system.

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Speaker 4: I think people get used to working with who they

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Speaker 4: get used to working with. It's not like they don't

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Speaker 4: want to work with new people. I think sometimes you

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Speaker 4: just don't know where to find, you know, if you

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Speaker 4: if you meet your engineer and then you trust them,

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Speaker 4: you kind of.

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Speaker 3: Rock with them.

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Speaker 4: If they happen to be a guy, you're you're with

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Speaker 4: your guy, and if you're a guy in the business.

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Speaker 3: You're gonna probabe rock with the guy.

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Speaker 4: Yeah, you know, And so I think it kind of

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Speaker 4: happens like that, and then the door doesn't become open

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Speaker 4: for different people for different circumstances. So that's exactly what

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Speaker 4: it's about, kind of opening the door. And everybody's a

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Speaker 4: part of She is the music, by the way, you know,

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Speaker 4: there's tons of many male executives, male artists, obviously, female artists,

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Speaker 4: females executives. It's all about, you know, even business managers

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Speaker 4: and lawyers and creators and creatives and and everybody kind

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Speaker 4: of coming together to support each other. And so she

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Speaker 4: is the music dot or you. We have a really

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Speaker 4: big database, and that database is one way to try

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Speaker 4: to find people that you connect with in the business.

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Speaker 3: So I'm not that this is fresh.

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Speaker 1: It's fresh, all right. And now I saw, of course

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Speaker 1: we saw you drink chance interview.

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Speaker 3: Oh god, and that's my favorite interview in.

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Speaker 1: Two and a half hours.

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Speaker 5: When I saw them teasing, I was like, oh, she

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Speaker 5: did drink. I know, okay, okay.

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Speaker 3: He wasn't ready for that. He was trying to get

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Speaker 3: me drunk though, I said, but you know, I can

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Speaker 3: hold it.

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Speaker 2: I with Swiss one time and he said this moment

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Speaker 2: went viral because he was saying some stuff that was like,

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Speaker 2: you know, nor it'd be like, hmm, it's really excited

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Speaker 2: if you say something that's like deep and right. But

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Speaker 2: one thing you talked about was Empire state of mind

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Speaker 2: and how jay Z was like, oh those vocals can

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Speaker 2: you now with you working with people like Khali Lucky day.

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Speaker 2: Have you ever had to send back vocals and be

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Speaker 2: like can you do this overse?

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Speaker 5: How do you say? How do you? How does one

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Speaker 5: say that?

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Speaker 4: You know, it was harder for Jake because we were

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Speaker 4: in separate places. So I did have to send it

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Speaker 4: because we were trying to meet the deadline, and then

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Speaker 4: he did have to figure out how to tell me back.

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Speaker 3: That had to be hard.

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Speaker 5: He doesn't tell the story quick first.

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Speaker 4: All right, So basically what happened is when I first

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Speaker 4: did Empire. First of all, Empire almost didn't even happen

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Speaker 4: because Jay was trying to get to me.

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Speaker 1: It's nine times platinum by the way, right now, by.

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Speaker 3: The way, we about to be diamond on Empire. Let's

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Speaker 3: do it.

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Speaker 4: But the but the he was trying to get to me,

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Speaker 4: and you know, different people kind of weren't relaying a message.

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Speaker 4: Whatever the case, was he going to get to me.

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Speaker 4: He finally had to talk to somebody said like is

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Speaker 4: she down to do this record or no? So, first

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Speaker 4: of all, I almost was not on Empire.

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Speaker 3: So that's one two. When I finally did do it,

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Speaker 3: I was I was.

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Speaker 4: I was in LA and I had to cut the

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Speaker 4: record because he needed it for the deadline of the record,

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Speaker 4: and I'm cutting it in LA and I'm sick, but

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Speaker 4: I'm like, it's okay, I could do it.

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Speaker 3: I could do it. I could do it. I get in,

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Speaker 3: I do it.

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Speaker 4: I'm singing it, giving all my heart, all my passion.

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Speaker 4: I send it back. I feel like I killed it.

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Speaker 4: And he basically had to call me and tell me

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Speaker 4: that I needed to do it again because it wasn't

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Speaker 4: good enough and how.

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Speaker 5: Do you say it?

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Speaker 3: You know?

401
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Speaker 1: He's like, oh, you know, He's like, so personally.

402
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Speaker 3: Call me, he says, So, I mean, I just listen.

403
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Speaker 4: I really appreciate you being on the record, Like it

404
00:16:19,960 --> 00:16:22,920
Speaker 4: sounds great, it really is good. I was just thinking, though,

405
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Speaker 4: you know, you know how you do those like you

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Speaker 4: do a little more. Could you put a little more

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Speaker 4: of that on the record, And also you think maybe

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Speaker 4: we can go one more time for the hook?

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Speaker 2: He was like, I was like, wait, what is that

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Speaker 2: the only time anybody's ever said something back and been

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Speaker 2: like can you redo this?

412
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Speaker 4: I feel like I've said okay, I have to redo it.

413
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Speaker 4: Like I've personally been like I need to do this again.

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Speaker 4: But I think that's the only time.

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Speaker 5: And what she's what she's she's saying what he said.

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Speaker 6: I'm just like I can like I can feel it, like,

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Speaker 6: oh my gosh.

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Speaker 3: But you know what, he was right. I mean, honestly,

419
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Speaker 3: he was right, and I'm really glad that he pushed.

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Speaker 3: That's what big brothers do. You know, they helped you better.

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Speaker 3: And I think it's we gotta be honest with each other.

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Speaker 4: And he don't want me out there not looking at

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Speaker 4: my best, and he obviously wants to be his best.

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Speaker 1: So I want to hear the other version.

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Speaker 4: I don't think you're gonna definitely hear it sounded like

426
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Speaker 4: more nasal, like whole that cold sound.

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Speaker 3: So I did it. I brought it back to New York.

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Speaker 3: He did it again. I think that was the right thing, had.

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Speaker 6: To be in New York. But was for that situation.

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Speaker 2: Have you ever had to do that, because that's a

431
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Speaker 2: hard call to make. But you know, you also want

432
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Speaker 2: to make sure your record you have a vision of

433
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Speaker 2: how you want it to sound.

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Speaker 3: You know what.

435
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Speaker 4: I can't remember particular one that felt like I usually

436
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Speaker 4: I really like to do records together. I really really

437
00:17:46,560 --> 00:17:48,720
Speaker 4: try my best to have artists together.

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Speaker 3: Maybe my boo, maybe my.

439
00:17:51,720 --> 00:17:55,960
Speaker 4: Boo, And it was less about like the vocals, but

440
00:17:56,000 --> 00:17:58,360
Speaker 4: more about the music. I remember calling Jamaine Ill said,

441
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Speaker 4: your Maine, I can I get a live bass in

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00:18:01,480 --> 00:18:03,880
Speaker 4: a song? Can I get a live guitar and a song?

443
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Speaker 4: Because because it was just at that time of that record,

444
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Speaker 4: all those damn guitars was that one keyboard that everyone used.

445
00:18:11,320 --> 00:18:12,800
Speaker 3: It drove me crazy.

446
00:18:13,080 --> 00:18:13,840
Speaker 5: That's what your artist.

447
00:18:14,359 --> 00:18:15,120
Speaker 1: Please, you could just.

448
00:18:15,080 --> 00:18:17,119
Speaker 3: Put a real guitar in a song? Please? And he

449
00:18:17,240 --> 00:18:18,639
Speaker 3: actually he actually did it for me.

450
00:18:18,760 --> 00:18:21,679
Speaker 2: It feels like you're a perfectionist just because this is

451
00:18:21,680 --> 00:18:24,040
Speaker 2: what you do write. Some people they go in they

452
00:18:24,080 --> 00:18:27,959
Speaker 2: lay down their vocals, but you also produce and you know,

453
00:18:28,040 --> 00:18:30,639
Speaker 2: play instruments. So it's a bit of a different feel

454
00:18:30,720 --> 00:18:33,359
Speaker 2: and I feel like coming from you, it's not It

455
00:18:33,359 --> 00:18:34,120
Speaker 2: doesn't feel harsh.

456
00:18:34,200 --> 00:18:35,679
Speaker 1: It just feels like, Okay, this is.

457
00:18:35,680 --> 00:18:36,840
Speaker 3: A musical collaboration.

458
00:18:36,960 --> 00:18:40,959
Speaker 2: Yes, let's collaborate. And then the other thing is the

459
00:18:41,000 --> 00:18:44,560
Speaker 2: makeup line. Okay, we know we got to talk about

460
00:18:44,560 --> 00:18:45,960
Speaker 2: that real QUI because I know you gotta go but

461
00:18:46,080 --> 00:18:48,720
Speaker 2: keys soul care, so give us that. Because first of all,

462
00:18:48,760 --> 00:18:51,679
Speaker 2: I love tinted moisturizer. That is my go to on

463
00:18:51,800 --> 00:18:53,719
Speaker 2: days that I don't have to work and put on

464
00:18:53,760 --> 00:18:56,800
Speaker 2: like real makeup. I just love a good tinted moisturire.

465
00:18:56,800 --> 00:18:58,240
Speaker 4: I need to send it to you too, because you're

466
00:18:58,240 --> 00:19:00,200
Speaker 4: gonna love it. So Keith, So, first of all, start

467
00:19:00,240 --> 00:19:04,320
Speaker 4: from the beginning. Key's Soul Care is really I really

468
00:19:04,320 --> 00:19:07,600
Speaker 4: created it because I always had challenge challenges with my skin.

469
00:19:07,680 --> 00:19:10,840
Speaker 4: I had really challenging skin breakouts. Ever so since I

470
00:19:10,920 --> 00:19:12,880
Speaker 4: was till I was thirty plus.

471
00:19:13,119 --> 00:19:16,080
Speaker 3: It's just crazy. And so I realized that it wasn't

472
00:19:16,119 --> 00:19:16,800
Speaker 3: just about.

473
00:19:16,520 --> 00:19:18,520
Speaker 4: What you put on your skin, but what you were

474
00:19:18,640 --> 00:19:21,840
Speaker 4: allowing around you. And I found that for me, I

475
00:19:21,880 --> 00:19:23,199
Speaker 4: was having a lot of people that were in my

476
00:19:23,280 --> 00:19:25,200
Speaker 4: space that were just toxic energy.

477
00:19:25,200 --> 00:19:27,160
Speaker 3: They didn't have a good vibe.

478
00:19:27,200 --> 00:19:29,360
Speaker 6: You feel like that was affecting your skin. Yes, see

479
00:19:29,440 --> 00:19:30,560
Speaker 6: Jazzmins it is.

480
00:19:31,480 --> 00:19:32,720
Speaker 1: She's actually got medication.

481
00:19:32,840 --> 00:19:34,679
Speaker 2: And it's hard because then you have to go and

482
00:19:34,720 --> 00:19:37,360
Speaker 2: do things and it makes you feel very self conscious.

483
00:19:37,520 --> 00:19:38,600
Speaker 3: Yeah are you kidding me?

484
00:19:38,640 --> 00:19:43,320
Speaker 4: And especially being on TV or everywhere recorded and you

485
00:19:43,359 --> 00:19:46,960
Speaker 4: do feel like something's like you felt people judging you,

486
00:19:47,000 --> 00:19:47,600
Speaker 4: which they are.

487
00:19:47,760 --> 00:19:50,120
Speaker 2: Man, it was in here counting her pimples was like

488
00:19:50,600 --> 00:19:56,239
Speaker 2: you he was like one, two, three, four, but it

489
00:19:56,280 --> 00:19:56,880
Speaker 2: was really bad.

490
00:19:57,200 --> 00:19:58,480
Speaker 5: It was like it was bad.

491
00:19:58,520 --> 00:20:02,399
Speaker 6: I was like, I'm gonna wear a okay, sorry gone,

492
00:20:02,800 --> 00:20:04,080
Speaker 6: but I feel you. So this was me.

493
00:20:04,400 --> 00:20:05,280
Speaker 3: This was me too.

494
00:20:05,760 --> 00:20:07,879
Speaker 4: And so that's why I created Key soul Care because

495
00:20:07,920 --> 00:20:10,640
Speaker 4: we developed it with a dermatologist and everything with Key

496
00:20:10,680 --> 00:20:14,560
Speaker 4: soul Care, it's all about protecting your skin because I

497
00:20:14,680 --> 00:20:17,680
Speaker 4: just needed something that was protecting my skin. And there's

498
00:20:17,680 --> 00:20:21,040
Speaker 4: a there's a there's a soulful part about it that ooh,

499
00:20:21,080 --> 00:20:23,800
Speaker 4: it's my fault. There's a soulful part of it about

500
00:20:23,840 --> 00:20:25,960
Speaker 4: it that every offering I call it an offering because

501
00:20:25,960 --> 00:20:27,919
Speaker 4: I don't believe it's a product. I feel like products

502
00:20:27,960 --> 00:20:30,879
Speaker 4: sound transactional. This is about a deeper conversation about how

503
00:20:30,920 --> 00:20:34,160
Speaker 4: you're taking care of yourself. And every offering has a

504
00:20:34,240 --> 00:20:35,960
Speaker 4: mantra on it that really just.

505
00:20:35,960 --> 00:20:38,520
Speaker 3: Reminds you to turn routine into ritual.

506
00:20:38,560 --> 00:20:41,840
Speaker 4: Wow, they really want to talk to me, so so

507
00:20:42,000 --> 00:20:44,800
Speaker 4: I turned off the phone. So so that that has

508
00:20:44,880 --> 00:20:48,359
Speaker 4: shown itself in skin care, body care, air care, like

509
00:20:48,480 --> 00:20:50,600
Speaker 4: candles and things like that. But I realized we have

510
00:20:50,640 --> 00:20:52,560
Speaker 4: all these cares and we don't have soul care because

511
00:20:52,560 --> 00:20:55,080
Speaker 4: we're not taking care of ourselves, which is why our

512
00:20:55,119 --> 00:20:57,240
Speaker 4: skin and our bodies in our minds are going crazy.

513
00:20:57,680 --> 00:21:00,400
Speaker 4: So that's the premise of Key Soul Care, which I love,

514
00:21:00,560 --> 00:21:03,959
Speaker 4: is so good, it's amazing, it feels good. You can

515
00:21:03,960 --> 00:21:05,000
Speaker 4: trust I'm setting it to you.

516
00:21:05,040 --> 00:21:09,960
Speaker 3: I'm setting it to you. You feel you feel it.

517
00:21:10,000 --> 00:21:13,400
Speaker 4: So recently, you know what we developed was was this

518
00:21:13,920 --> 00:21:17,080
Speaker 4: was an offering that is a tinted moist. It's a

519
00:21:17,200 --> 00:21:20,440
Speaker 4: tinted it's a tint and a concealer, so it has

520
00:21:20,480 --> 00:21:24,439
Speaker 4: a beautiful light touch to it. But you feel that

521
00:21:24,640 --> 00:21:28,680
Speaker 4: glow is coming from in and out and it's beautiful.

522
00:21:29,080 --> 00:21:30,000
Speaker 3: So we have that.

523
00:21:30,040 --> 00:21:32,359
Speaker 4: We also have kind of cheek. We call it skin

524
00:21:32,520 --> 00:21:36,800
Speaker 4: care color hybrids, so it's really good for your skin

525
00:21:37,119 --> 00:21:39,000
Speaker 4: as it also gives you a little color on your cheek,

526
00:21:39,000 --> 00:21:40,840
Speaker 4: a little color on your lip, a little glow on

527
00:21:40,840 --> 00:21:43,000
Speaker 4: your face. That's the vibe. So that and you can

528
00:21:43,000 --> 00:21:44,280
Speaker 4: do what you want with it. You want to feel

529
00:21:44,280 --> 00:21:45,800
Speaker 4: like you do less, you do less, You want to

530
00:21:45,800 --> 00:21:46,560
Speaker 4: do more, you do more?

531
00:21:46,600 --> 00:21:49,280
Speaker 1: You do you do you? I love that, well, thank you.

532
00:21:49,320 --> 00:21:50,960
Speaker 2: I trust it because it's coming from you, because I

533
00:21:51,000 --> 00:21:52,679
Speaker 2: think there's a lot of products that we find out

534
00:21:52,760 --> 00:21:55,240
Speaker 2: have harmful ingredients that you're like, how is this even

535
00:21:55,280 --> 00:22:01,720
Speaker 2: allowed to be on the shelves here, but we got you. Lisa, Well,

536
00:22:01,760 --> 00:22:03,439
Speaker 2: thank you so much for coming by. I know you

537
00:22:03,440 --> 00:22:07,800
Speaker 2: have a really packed, tight schedule. The tour is happening, so.

538
00:22:08,040 --> 00:22:10,080
Speaker 4: I can't wait to see everybody. I had to come

539
00:22:10,080 --> 00:22:14,080
Speaker 4: on the stage. It's definitely Everyone says like this is

540
00:22:14,080 --> 00:22:17,200
Speaker 4: the best they see me, and I'm only gonna get better.

541
00:22:17,240 --> 00:22:19,360
Speaker 2: All right, Thank you, Alicia Keys, make sure you check

542
00:22:19,359 --> 00:22:20,880
Speaker 2: it out. Where can people get tickets?

543
00:22:21,280 --> 00:22:21,760
Speaker 3: Everywhere?

544
00:22:21,800 --> 00:22:22,280
Speaker 1: Everywhere?

545
00:22:22,400 --> 00:22:26,520
Speaker 4: Yeah, everywhere, but maybe not for long, so hurry up,

546
00:22:28,000 --> 00:22:28,440
Speaker 4: all right.