WEBVTT - Episode 8

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>Hey, I said you could morn until Thursday. It's Thursday.

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<v Speaker 2>I brought you chicken nuggets. Take your time, not leaving

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<v Speaker 2>until you clear that plate. Like, I know what you're

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<v Speaker 2>going through. I know there's a voice in your head

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<v Speaker 2>telling you that Josie is your fault. That voice is

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<v Speaker 2>lying to you. Okay, don't listen to it, Listen to mine.

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<v Speaker 2>Are you trying to say something? Take a sip. Shut up,

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<v Speaker 2>I'll shut up when you get out of bed.

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<v Speaker 3>I about won her.

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<v Speaker 2>You saved my life.

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<v Speaker 3>I killed her.

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<v Speaker 2>Ever say that again, not to me, not to yourself.

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<v Speaker 2>Do you understand we're in the middle of something k

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<v Speaker 2>something new. Bad things are bound to happen.

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<v Speaker 3>So is that what you call it? A bad thing?

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<v Speaker 2>It's a tragedy.

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<v Speaker 3>I'm not like you when bad things happen. I can't

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<v Speaker 3>just go back to work.

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<v Speaker 2>You think I'm not having a hard time.

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<v Speaker 3>If you're going to give me a speech about being tough.

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<v Speaker 2>No, I'm not going to do that. That would make

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<v Speaker 2>me a bitch. I had my first manifold dream seven

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<v Speaker 2>years ago, and I was in the forest and there

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<v Speaker 2>were all these people there, and there was this little

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<v Speaker 2>kid Ian. I knew his name because that's what his

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<v Speaker 2>parents were screaming. The next day, I was walking down

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<v Speaker 2>the street in Boston and I saw him Ian. He

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<v Speaker 2>was with his parents, and they looked at me and

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<v Speaker 2>they recognized me. I didn't say anything, and they didn't

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<v Speaker 2>say anything. And then one night I saw them on

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<v Speaker 2>the news. They died in their sleep. Someone just found

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<v Speaker 2>them in their bedrooms. After that, I didn't dream for

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<v Speaker 2>a long time. I almost forgot about it. And then

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<v Speaker 2>one night I was back in the forest, and this

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<v Speaker 2>time I was with mom and dad.

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<v Speaker 3>That's why you came back to the house.

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<v Speaker 2>I tried, kay, I tried so fucking hard to figure

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<v Speaker 2>it out and do what I thought was best.

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<v Speaker 4>Seven years, seven years wasted hating you, and you were

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<v Speaker 4>right the whole time.

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<v Speaker 3>I'm sorry. I am so sorry.

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<v Speaker 2>Don't be my guy. Spent the last seven years hating

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<v Speaker 2>me too, wondering what I could have done differently. I

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<v Speaker 2>don't blame you for what you thought I did, or

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<v Speaker 2>what you thought of me. Yours was the better bet.

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<v Speaker 3>No, it wasn't so stupid. When I think I'm being smart,

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<v Speaker 3>that's when I'm the most stupid my whole life. I've

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<v Speaker 3>wished I could be you, smart like you, making big

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<v Speaker 3>decisions and doing the smart thing. That's just not me.

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<v Speaker 3>I thought that it's true.

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<v Speaker 2>I need you here. We're having a meeting in two hours.

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<v Speaker 2>What's the point I expect you at the meeting. You're

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<v Speaker 2>in the middle of this now too. You know what

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<v Speaker 2>we're up against. I can't, Sadie. Does the name or

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<v Speaker 2>word kit mean anything to you?

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<v Speaker 1>No?

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<v Speaker 4>Why?

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<v Speaker 2>This is an over and I need you to help

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<v Speaker 2>me figure it out or more people are going to

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<v Speaker 2>After mom and dad died, I used my grave to

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<v Speaker 2>build the marionaut What are you gonna do with yours?

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<v Speaker 2>Be tough, Okay, bitch, This meeting is long overdue. I

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<v Speaker 2>wanted to give everyone their own space to process what happened.

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<v Speaker 2>I don't expect any of you to be one hundred

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<v Speaker 2>percent right now. I understand that, just as I hope

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<v Speaker 2>you understand. We have work to do.

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<v Speaker 5>We don't have work to do. This is over. Two

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<v Speaker 5>people are dead, what, Sadie.

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<v Speaker 2>I don't know how to say this.

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<v Speaker 5>To say it, then, it's not two deaths.

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<v Speaker 2>It's four four confirmed Jesus Christ subjects one and two.

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<v Speaker 2>Craig Ingram and Annabel Roft also killed themselves three days ago.

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<v Speaker 6>They're not subjects, they're patience, my patience.

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<v Speaker 2>Yes, patience, your patients. I'm sorry, really I am. From

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<v Speaker 2>what I can tell from the police reports, they all

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<v Speaker 2>killed themselves within about fifteen minutes of each other. When

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<v Speaker 2>I said we have work to do, I wasn't talking

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<v Speaker 2>about working on visuals for the mayonaut I was talking

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<v Speaker 2>about tracking down patients three through six Anders they were

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<v Speaker 2>your patients. Can you make some calls?

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<v Speaker 6>Why didn't you tell me when you first knew.

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<v Speaker 2>I only found out a couple hours ago. Make your calls.

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<v Speaker 7>What are we supposed to do?

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<v Speaker 2>Animal suicide note was one word a Craigs was also

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<v Speaker 2>one word more Josie's one word kit. Does that mean

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<v Speaker 2>anything to any of you? Does anybody have anything? Anything

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<v Speaker 2>at all?

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<v Speaker 6>Yes?

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<v Speaker 8>I was mister Bricks therapist during a recent sleep study

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<v Speaker 8>for his parasomnia.

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<v Speaker 9>You did a great job.

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<v Speaker 6>Thank you. I'm inquiring.

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<v Speaker 9>John's dead. He killed himself.

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<v Speaker 6>I'm so sorry.

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<v Speaker 9>Help me with something. He left a suicide note. One

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<v Speaker 9>word to you. That's it. Nothing else?

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<v Speaker 5>Die more, Kit, It's nonsense.

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<v Speaker 7>It's missing words they're all.

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<v Speaker 5>Dead, aren't they.

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<v Speaker 2>I think so?

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<v Speaker 5>Yeah, you think they collaborated on their suicide notes?

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<v Speaker 2>Impossible? Then what what do you think?

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<v Speaker 7>We have a real deal problem here. We don't have

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<v Speaker 7>time to indulge in your weird ass fantasy theories about

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<v Speaker 7>ghouls and goblins.

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<v Speaker 2>If that's what you think, then you're five. I hurt

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<v Speaker 2>straight up. Get the fuck out of here. You're talking

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<v Speaker 2>about time. I don't have time to debate this shit anymore.

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<v Speaker 7>Are you serious?

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<v Speaker 2>Yes, I'm fucking serious.

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<v Speaker 3>Before you fire anybody, why don't you let me show

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<v Speaker 3>them the raw data for May seventeenth.

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<v Speaker 6>I'm terribly sorry.

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<v Speaker 9>He was a piece of shit.

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<v Speaker 8>If it means anything, I enjoyed his company very much.

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<v Speaker 8>I have a daughter who's an addict. I learned a

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<v Speaker 8>lot from your son. He said you were a good man,

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<v Speaker 8>and he let you down, and he wanted to do

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<v Speaker 8>better for you.

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<v Speaker 9>I appreciate that.

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<v Speaker 5>Seven thousand cardiac debts during sleep in one.

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<v Speaker 3>Night, and that's just in the US.

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<v Speaker 10>Did you say that Adrian started at sixteen years old?

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<v Speaker 10>Six six year old cardiac arress.

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<v Speaker 3>I'm not making it up. You can look at the

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<v Speaker 3>documents yourself. They're right in front of you.

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<v Speaker 7>The majority of these people had congenital heart defects.

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<v Speaker 3>When was the last time you heard about a six

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<v Speaker 3>year old having a heart attack for any reason?

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<v Speaker 7>You told me to look at the data. I'm looking

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<v Speaker 7>at the data.

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<v Speaker 3>Manifold targeted the week. That's what predators do.

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<v Speaker 7>And you're the first person to put this all together.

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<v Speaker 3>No, actually there are others. What's this face you're giving

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<v Speaker 3>me right now?

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<v Speaker 7>When I was young, I had an older cousin. He

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<v Speaker 7>was very obsessive, very smart. He calls me over in

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<v Speaker 7>a manicked state, and he has one hundred books on

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<v Speaker 7>UFOs open on his floor. He's trying to convince me

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<v Speaker 7>it's all real. He wants to take me outside, but

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<v Speaker 7>not until we're adorned in desert camo. He points into

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<v Speaker 7>the night sky and says, there's a large UFO hovering

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<v Speaker 7>in the distance, shining its light down on earth. I looked,

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<v Speaker 7>and you know what, I saw, nothing but a clear

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<v Speaker 7>sky and spotlights from a car dealership. To answer your question,

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<v Speaker 7>that's the face I'm giving you right now.

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<v Speaker 2>Give us the answer. Then.

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<v Speaker 7>The first answer is preferring ignorance to error. The second

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<v Speaker 7>is a series of coincidences like these suicide notes, random words,

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<v Speaker 7>and you think there's a deep message in it. There isn't.

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<v Speaker 7>Bad shit just happens.

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<v Speaker 2>That's still not an answer.

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<v Speaker 7>Doctor Andrews secretly he's an evil genius, and when we

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<v Speaker 7>think he's trying to help these patients, instead he's convincing

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<v Speaker 7>them to commit suicide. But first he tells them to

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<v Speaker 7>write down a word for him. He thinks it will

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<v Speaker 7>distract his coworkers from what he's done.

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<v Speaker 3>You don't actually believe that.

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<v Speaker 7>I describe to you an actual, real possibility is something

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<v Speaker 7>that's actually been done before, and you act like it's

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<v Speaker 7>the crazier one next years.

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<v Speaker 2>Doctor anders is not a psycho.

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<v Speaker 7>I know.

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<v Speaker 2>Then your theory has been disproven, unlike mine.

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<v Speaker 7>I guess I can't so Morgan, please talk some sense

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<v Speaker 7>into them.

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<v Speaker 5>Tell them I've seen things you haven't. What concon no

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<v Speaker 5>other things?

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<v Speaker 7>Not you too, Morgan?

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<v Speaker 5>Have you talked to Delahan? Are those two people okay?

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<v Speaker 3>You're dead? The same thing happened seven years ago, a

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<v Speaker 3>few people picked off before the main event. History is

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<v Speaker 3>repeating itself.

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<v Speaker 8>Johnny Brooks Hechtor, him and Eliza Mason are deceased. I

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<v Speaker 8>have been unable to get in contact with the survivors

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<v Speaker 8>of Helen Pazzetti.

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<v Speaker 2>Did they leave notes? They did one word Johnny's was

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<v Speaker 2>two spelling to.

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<v Speaker 6>Hector's was come, and Eliza's was May.

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<v Speaker 2>Helen Pizzetti was a loner, right, no family, no friends,

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<v Speaker 2>just coworkers.

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<v Speaker 6>Yes, I'll be right back.

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<v Speaker 5>More come die kid to May.

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<v Speaker 2>Yes, I'm Andelique Pizzetti, Helen Pazzetti's sister. I heard she

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<v Speaker 2>hasn't been coming into work. Shit, I have to call

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<v Speaker 2>you back.

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<v Speaker 3>Fuck.

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<v Speaker 2>Yes, how are you?

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<v Speaker 3>Mister kingship fantastic?

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<v Speaker 9>I'd ask you how you are, but my main concern

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<v Speaker 9>is where you are.

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<v Speaker 2>I am at the facility.

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<v Speaker 9>Considering the nature of this call, don't you think it

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<v Speaker 9>would be prudent to talk in a place with all

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<v Speaker 9>your sisters recording devices.

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<v Speaker 2>President, I'll step outside and call you back.

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<v Speaker 3>I get it. You don't believe in any of this,

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<v Speaker 3>but you can still help us.

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<v Speaker 7>Morgan, you're really on board the crazy train.

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<v Speaker 5>I'm not sure it's the crazy train anymore?

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<v Speaker 7>Fine, do you really think one more suicide note is

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<v Speaker 7>going to make this series of random words make any sense.

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<v Speaker 5>Let's just get as far as we can.

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<v Speaker 7>The words need to be rearranged hit me.

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<v Speaker 3>That pen and paper.

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<v Speaker 10>More die to come. Maybe it's just bad grammar, a

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<v Speaker 10>death threat, move the.

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<v Speaker 7>Other one may come die Kit? The game I A die.

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<v Speaker 3>You Okay, I'm fine. Did you get anything I did?

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<v Speaker 6>Seventeenth, May seventeenth.

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<v Speaker 3>Die more to come May seventeenth.

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<v Speaker 5>Kit still doesn't make any sense, but it's definitely a threat.

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<v Speaker 8>It's saying more will die on May seventeenth. That much

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<v Speaker 8>is certain.

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<v Speaker 3>Sadie, did you say Josie's note was Kit?

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<v Speaker 2>Yeah, it just hit me.

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<v Speaker 3>It's one of the last things we said to each

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<v Speaker 3>other before she left the facility. It's not KIT, it's K,

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<v Speaker 3>I T keep in touch.

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<v Speaker 2>It's taumpting us.

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<v Speaker 5>The die part doesn't make sense.

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<v Speaker 4>Well, that doesn't require much interpretation, does it, does it?

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<v Speaker 8>You know? The hardest thing about English is that a

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<v Speaker 8>series of letters might sound one way if they're connected

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<v Speaker 8>to something, and another way by themselves.

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<v Speaker 7>What's your point?

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<v Speaker 8>Maybe it's not die, Maybe it's d D is what

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<v Speaker 8>my mom and dad used to call me. That makes

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<v Speaker 8>the full message sad more to come May seventeenth, Keep

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<v Speaker 8>in touch?

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<v Speaker 4>Shit?

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<v Speaker 6>What does manifold want?

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<v Speaker 2>What every organism wants to thrive, but to do that

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<v Speaker 2>it has to go through us, us specifically, or like humanity,

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<v Speaker 2>first one then the other. I think of a relationship

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<v Speaker 2>with the next most of old species, how we dominate it.

0:13:26.800 --> 0:13:29.920
<v Speaker 2>That's what this organism is to us, the next level,

0:13:30.160 --> 0:13:34.280
<v Speaker 2>and it wants dominion. We have something going for us, though,

0:13:34.640 --> 0:13:39.280
<v Speaker 2>what's that? It's juvenile. It's a toddler grasping at anything,

0:13:39.360 --> 0:13:42.560
<v Speaker 2>seeing what it's capable of, what it can get away with.

0:13:42.720 --> 0:13:46.440
<v Speaker 2>It doesn't know. That's why its behavior is unfocused. It's

0:13:46.559 --> 0:13:49.760
<v Speaker 2>more powerful than we are, but less developed as a species.

0:13:50.920 --> 0:13:52.640
<v Speaker 2>That's why it's important that we.

0:13:54.360 --> 0:13:55.160
<v Speaker 3>What the hell.

0:13:56.440 --> 0:14:00.439
<v Speaker 2>It's a perimeter breach, probably a deer. Hang on, I'm

0:14:00.480 --> 0:14:02.600
<v Speaker 2>gonna pull the security com feeds on my phone.

0:14:03.960 --> 0:14:04.800
<v Speaker 7>That's no deer.

0:14:05.480 --> 0:14:08.720
<v Speaker 2>No, that's some fucking asshole with a camera.

0:14:08.960 --> 0:14:11.760
<v Speaker 7>What's he doing what most people do with cameras?

0:14:11.960 --> 0:14:16.479
<v Speaker 5>Yeah, but why.

0:14:16.080 --> 0:14:17.480
<v Speaker 3>Should we stop him or something?

0:14:17.720 --> 0:14:18.880
<v Speaker 2>Don't bother. It's too late.

0:14:19.640 --> 0:14:20.560
<v Speaker 3>He's gone.

0:14:22.680 --> 0:14:27.479
<v Speaker 5>Play it back, pause it. He looks familiar.

0:14:28.360 --> 0:14:31.000
<v Speaker 2>Does anyone recognize him?

0:14:31.280 --> 0:14:34.640
<v Speaker 3>Holy shit? I do. I met him at con Gone.

0:14:34.880 --> 0:14:36.440
<v Speaker 11>He said his name was Roach. He was asking me

0:14:36.480 --> 0:14:41.160
<v Speaker 11>all these questions about you, sady. Can I talk to

0:14:41.160 --> 0:14:48.440
<v Speaker 11>you in private? What's going on? Don't say nothing. Who

0:14:48.480 --> 0:14:49.320
<v Speaker 11>is that guy outside?

0:14:49.880 --> 0:14:53.040
<v Speaker 5>Do you know him?

0:14:53.080 --> 0:14:54.600
<v Speaker 2>Not specifically, not personally.

0:14:54.760 --> 0:14:55.320
<v Speaker 5>Just tell me.

0:14:58.560 --> 0:14:59.200
<v Speaker 2>I messed up?

0:15:00.200 --> 0:15:00.640
<v Speaker 5>How bad?

0:15:00.800 --> 0:15:01.360
<v Speaker 2>Pretty bad?

0:15:02.640 --> 0:15:08.800
<v Speaker 5>What did you do? What did you do in this relationship?

0:15:08.800 --> 0:15:11.080
<v Speaker 5>I've had the hard part, not you. Who is that

0:15:11.120 --> 0:15:11.800
<v Speaker 5>guy outside?

0:15:12.160 --> 0:15:14.000
<v Speaker 2>FDA, FBI? I don't know.

0:15:14.760 --> 0:15:17.040
<v Speaker 5>Why would someone from the government be spying on us?

0:15:18.920 --> 0:15:21.640
<v Speaker 2>This experiment isn't approved.

0:15:22.320 --> 0:15:22.920
<v Speaker 5>What do you mean?

0:15:23.680 --> 0:15:27.440
<v Speaker 2>I mean it's never been approved by anybody. No one

0:15:27.480 --> 0:15:31.520
<v Speaker 2>knows about it, no one except for me and Kingship.

0:15:34.160 --> 0:15:36.440
<v Speaker 5>I saw the Institutional Review Board documents.

0:15:36.600 --> 0:15:40.720
<v Speaker 2>I faked them. Oh my god, I lied to you.

0:15:41.040 --> 0:15:42.720
<v Speaker 2>I'm sorry.

0:15:43.240 --> 0:15:46.000
<v Speaker 5>They can take everything from us. Then it won't even

0:15:46.000 --> 0:15:47.840
<v Speaker 5>be hard.

0:15:48.800 --> 0:15:51.120
<v Speaker 2>Why because we don't have time to wait.

0:15:52.400 --> 0:15:54.920
<v Speaker 10>Do you know what this looks like without approval from

0:15:54.960 --> 0:15:57.760
<v Speaker 10>the board, and eight dead people will look like Nazi scientists.

0:15:57.880 --> 0:15:59.200
<v Speaker 5>This is why there are rules.

0:15:59.360 --> 0:16:01.440
<v Speaker 2>Oh, come on, on some level, you must have known there

0:16:01.480 --> 0:16:05.280
<v Speaker 2>was no fast track status. You must have known that

0:16:05.360 --> 0:16:07.240
<v Speaker 2>was bullshit, and you look the other way because you

0:16:07.280 --> 0:16:08.280
<v Speaker 2>didn't want to wait either.

0:16:10.520 --> 0:16:13.600
<v Speaker 10>It must be so sad to be you. You think

0:16:13.640 --> 0:16:17.600
<v Speaker 10>the world's populated by a bunch of sades. It's such

0:16:17.680 --> 0:16:18.760
<v Speaker 10>a better place than that.

0:16:19.320 --> 0:16:21.920
<v Speaker 2>I'm always the one who's had to make the hard decisions,

0:16:21.960 --> 0:16:24.480
<v Speaker 2>that that burden has always fallen on me, and you

0:16:24.520 --> 0:16:27.840
<v Speaker 2>get the luxury to sit around and judge. You're standing

0:16:27.840 --> 0:16:29.240
<v Speaker 2>there thinking, how dare you guess?

0:16:29.280 --> 0:16:29.480
<v Speaker 3>What?

0:16:29.960 --> 0:16:30.400
<v Speaker 2>So am I?

0:16:30.640 --> 0:16:33.000
<v Speaker 5>This isn't right? You aren't right?

0:16:34.200 --> 0:16:37.480
<v Speaker 2>Gone to your head? Yes or no? Do you think

0:16:37.520 --> 0:16:38.440
<v Speaker 2>Benifold is real?

0:16:41.120 --> 0:16:41.440
<v Speaker 5>Yes?

0:16:42.280 --> 0:16:44.480
<v Speaker 2>That's why I did what I did. I don't know

0:16:44.480 --> 0:16:46.280
<v Speaker 2>who that guy is outside. I don't know how close

0:16:46.320 --> 0:16:48.520
<v Speaker 2>he is to ruining my life. What I do know

0:16:48.640 --> 0:16:50.960
<v Speaker 2>is something is going to happen on May seventeenth, So

0:16:51.120 --> 0:16:53.760
<v Speaker 2>please put that other shit aside, just for a few

0:16:53.760 --> 0:16:54.760
<v Speaker 2>more days and help me.

0:16:57.560 --> 0:17:02.280
<v Speaker 5>I don't know how you always do this. What's the plan?

0:17:04.600 --> 0:17:06.400
<v Speaker 2>We need to kill this thing as soon as possible,

0:17:06.480 --> 0:17:09.280
<v Speaker 2>before it matures, before it knows just what it's capable of.

0:17:10.200 --> 0:17:12.320
<v Speaker 2>We need another patient for the marionaut.

0:17:13.080 --> 0:17:13.639
<v Speaker 7>You're kidding?

0:17:14.040 --> 0:17:14.240
<v Speaker 2>No?

0:17:16.160 --> 0:17:16.320
<v Speaker 9>Then?

0:17:16.359 --> 0:17:18.200
<v Speaker 3>Who? Who else?

0:17:18.320 --> 0:17:20.159
<v Speaker 6>Morgan me?

0:18:18.240 --> 0:18:21.679
<v Speaker 1>You're listening to dream Sequence, written and created by Andrew

0:18:21.720 --> 0:18:26.840
<v Speaker 1>Martin Robinson, directed by Dave Beasley and John Brooks. Executive

0:18:26.880 --> 0:18:31.120
<v Speaker 1>producers are Molly Barton, John Brooks, Dave Beasley, and Marcy Wiseman.

0:18:31.240 --> 0:18:35.119
<v Speaker 1>For realm Alex Williams, Matt Frederick and Trevor Young for

0:18:35.200 --> 0:18:39.320
<v Speaker 1>iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television,

0:18:39.920 --> 0:18:44.200
<v Speaker 1>starring Jesse Case and Alice Kremmelberg, with performances by Shalinie,

0:18:44.200 --> 0:18:51.439
<v Speaker 1>Bethina Einer, Gunn, Nick Osborne, Winifred, Annekincannon, Tara Brown, Emily Barry,

0:18:51.840 --> 0:18:58.240
<v Speaker 1>Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson,

0:18:58.680 --> 0:19:04.680
<v Speaker 1>Joel Haberlee, samaj Miller, Dean Simone and Brian Fiddie. Additional

0:19:04.760 --> 0:19:09.520
<v Speaker 1>voices by Patrick Higney, Fred Greenhoalch, John Brooks, Christina Telesca

0:19:09.560 --> 0:19:13.879
<v Speaker 1>and Kaylan West. Casting by Sunday Bowling, Kennedy CSA and

0:19:13.920 --> 0:19:17.720
<v Speaker 1>Meg Mormon CSA. Producers for A Realm are Fred Greenholg,

0:19:18.200 --> 0:19:22.960
<v Speaker 1>Marcus Thorne, Bagala and Rhoda Bayessa. Associate producer Michael Colter,

0:19:23.880 --> 0:19:29.280
<v Speaker 1>Production manager Devin Sheppard, Production coordinator Angela Yee. Dialogue editing

0:19:29.280 --> 0:19:33.440
<v Speaker 1>by Corey Barton, Sound design by roy o'shay Dan Powell

0:19:33.520 --> 0:19:37.800
<v Speaker 1>and Kaylan West. Final mix by Kaylan West. Original score

0:19:37.840 --> 0:19:41.840
<v Speaker 1>composed by Marcus Thorne. Bagala Songs for Josie by Kaylan West.

0:19:42.240 --> 0:19:45.680
<v Speaker 1>Recorded at Real Voice Los Angeles and Citybox.

0:19:45.160 --> 0:19:45.800
<v Speaker 5>New York City.

0:19:46.280 --> 0:19:49.920
<v Speaker 1>This podcast was recorded under a SAG after collective bargaining agreement.

0:19:50.600 --> 0:19:54.320
<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

0:19:54.359 --> 0:19:58.399
<v Speaker 1>and Realm. Find more great podcasts by visiting the iHeartRadio app,

0:19:58.600 --> 0:20:01.680
<v Speaker 1>Apple Podcasts, or where wherever you listen to your favorite show.