1 00:00:02,560 --> 00:00:10,200 Speaker 1: Two Teas in a Pod with Teddy Mellancamp and Tamra Jedge. Hi, guys, 2 00:00:10,240 --> 00:00:13,600 Speaker 1: welcome to this week's Two Teas in a Pod with myself, 3 00:00:13,920 --> 00:00:18,120 Speaker 1: Teddy Mellencamp and Tamra Judge. Who we have it on today? 4 00:00:18,200 --> 00:00:20,520 Speaker 1: Tamp Oh my god, I am so excited for this 5 00:00:20,560 --> 00:00:23,120 Speaker 1: because this is one of my very good friends. He 6 00:00:23,200 --> 00:00:28,600 Speaker 1: knows everything about every housewife ever. Um it's Dave Quinn. 7 00:00:28,840 --> 00:00:31,760 Speaker 1: He's a journalist and also in New York Times best 8 00:00:31,920 --> 00:00:37,400 Speaker 1: seller author of Not All Done, Insen Rose. So very 9 00:00:37,440 --> 00:00:44,239 Speaker 1: on Dave. Hello, du beautiful. So you're coming to us 10 00:00:44,280 --> 00:00:46,199 Speaker 1: from New York. How is it in New York right now? 11 00:00:46,800 --> 00:00:51,559 Speaker 1: It's crazy. It's the Omni Crown or Santa cron as 12 00:00:51,600 --> 00:00:54,320 Speaker 1: I'm calling it variant. It's just spreading like crazy and 13 00:00:54,360 --> 00:00:58,959 Speaker 1: everyone is mar all over again. And you just got boosted. 14 00:00:59,520 --> 00:01:02,560 Speaker 1: I just got boosted. Now I feel more powerful than 15 00:01:02,600 --> 00:01:06,120 Speaker 1: ever to go to the holidays and deal with my family. 16 00:01:07,400 --> 00:01:12,160 Speaker 1: Right I'm that you can do it. I know I 17 00:01:12,200 --> 00:01:13,600 Speaker 1: can do it, but I feel like I can't do 18 00:01:13,640 --> 00:01:15,800 Speaker 1: it right now. It's holidays and years all that stuff, 19 00:01:15,840 --> 00:01:17,679 Speaker 1: and I'm afraid I'm gonna get sick. So many people 20 00:01:17,720 --> 00:01:19,959 Speaker 1: I know that got it got sick. You it was 21 00:01:19,959 --> 00:01:22,840 Speaker 1: only four I got sick, but it wasn't terrible. I 22 00:01:22,840 --> 00:01:25,440 Speaker 1: didn't actually get sick. Yeah, I got boosted, but it 23 00:01:25,520 --> 00:01:27,920 Speaker 1: was just like my arm and my neck hurt and 24 00:01:27,959 --> 00:01:30,480 Speaker 1: I was tired. Oh is that what you were laying 25 00:01:30,520 --> 00:01:32,280 Speaker 1: on the ground the other day? Yes, that's what I 26 00:01:32,319 --> 00:01:37,319 Speaker 1: was laying on the thing. Not dramatic at all. That 27 00:01:37,480 --> 00:01:40,600 Speaker 1: being said, I don't even know if it actually made 28 00:01:40,600 --> 00:01:43,319 Speaker 1: me feel that way or it's like the placebo sometimes, 29 00:01:43,360 --> 00:01:44,959 Speaker 1: like I'm the person like you will take an AD 30 00:01:44,959 --> 00:01:47,000 Speaker 1: film and I'll be like, oh, my headaches gone, no 31 00:01:47,120 --> 00:01:52,560 Speaker 1: idea for actually that one AD takes the property. Well, 32 00:01:52,640 --> 00:01:54,760 Speaker 1: I yeah I got. I got knocked on my butt 33 00:01:54,800 --> 00:01:56,760 Speaker 1: with it. But I was the same way with every dose. 34 00:01:56,840 --> 00:01:58,480 Speaker 1: It just it's the same thing. It's like just a 35 00:01:58,640 --> 00:02:01,400 Speaker 1: fever for twenty four hours goes away and and no 36 00:02:01,440 --> 00:02:04,400 Speaker 1: big deal. Yeah, we have like a mandate now mask 37 00:02:04,480 --> 00:02:06,520 Speaker 1: mandate in Orange County, which you know aren't Orange County 38 00:02:06,600 --> 00:02:10,919 Speaker 1: is very yeah, And I'm like, and I went to 39 00:02:10,960 --> 00:02:13,200 Speaker 1: the Malias day and I wore mine, and I'm like, 40 00:02:13,200 --> 00:02:16,280 Speaker 1: oh my god, everybody's actually not everybody, but nine ever 41 00:02:16,360 --> 00:02:20,240 Speaker 1: somewhere wearing masks. Really yeah, because only when I go 42 00:02:20,280 --> 00:02:22,480 Speaker 1: to Orange County, It's a completely different world out there. 43 00:02:22,520 --> 00:02:25,000 Speaker 1: I'm like, hello, what's happening l A. I can't even 44 00:02:25,120 --> 00:02:27,079 Speaker 1: leave my card out. I don't even like go into 45 00:02:27,160 --> 00:02:28,799 Speaker 1: l A right now. But I feel like it's just 46 00:02:29,560 --> 00:02:31,320 Speaker 1: so many people have it right now. I knew people 47 00:02:31,360 --> 00:02:33,720 Speaker 1: in the hospital with it right now. Um, and I 48 00:02:33,760 --> 00:02:36,440 Speaker 1: think everybody knows somebody that's gotten it. So people are 49 00:02:36,480 --> 00:02:40,360 Speaker 1: scared now. Yeah, I like them time, Yeah, about time, 50 00:02:40,440 --> 00:02:43,160 Speaker 1: right two years in, it's about time. I like the 51 00:02:43,200 --> 00:02:45,600 Speaker 1: mask because I like not being able to smile at anyone, 52 00:02:45,680 --> 00:02:48,640 Speaker 1: Like I like just kind of you know what. I like. 53 00:02:48,720 --> 00:02:51,160 Speaker 1: It's just so much easier to just be like yes 54 00:02:51,320 --> 00:02:53,320 Speaker 1: and not have to do all those things that you 55 00:02:53,400 --> 00:02:55,840 Speaker 1: do in public to kind of make people feel like, 56 00:02:56,120 --> 00:02:58,040 Speaker 1: you know, you're approachable. I don't have to worry about 57 00:02:58,040 --> 00:03:01,200 Speaker 1: at all. I was in a homegood yesterday and I 58 00:03:01,240 --> 00:03:03,840 Speaker 1: have my mask on and this lady breach for the 59 00:03:03,880 --> 00:03:05,760 Speaker 1: same thing as me, and it was a big one, 60 00:03:05,840 --> 00:03:09,080 Speaker 1: like one of those big and nine and whatever, and um, 61 00:03:09,120 --> 00:03:13,040 Speaker 1: I said, oh, I'm sorry, and she goes, do I 62 00:03:13,280 --> 00:03:17,360 Speaker 1: know you? Like? I don't think so, and she's like, wait, 63 00:03:18,160 --> 00:03:22,880 Speaker 1: your tama right, And I'm like, yeah, Like, how did 64 00:03:22,880 --> 00:03:26,919 Speaker 1: you even know how you suppose my eyeballs? So, Dave, 65 00:03:27,919 --> 00:03:29,960 Speaker 1: you're a New York Times bestseller. Now, can you give 66 00:03:30,000 --> 00:03:33,000 Speaker 1: us a little bit more history for those of listening 67 00:03:33,000 --> 00:03:36,000 Speaker 1: that aren't clear on who you are, how you got 68 00:03:36,040 --> 00:03:38,600 Speaker 1: involved in the book everything? Oh my god, Teddy, I 69 00:03:38,640 --> 00:03:40,320 Speaker 1: feel like nobody knows who I am, and I don't 70 00:03:40,320 --> 00:03:42,560 Speaker 1: want them to. I love being in the background. This 71 00:03:42,640 --> 00:03:45,640 Speaker 1: is the weirdest thing to be like the guest. I'm 72 00:03:45,720 --> 00:03:47,560 Speaker 1: used to interview with both of you, so it still 73 00:03:47,600 --> 00:03:50,200 Speaker 1: feels very strange. But I've worked for oh my gosh, 74 00:03:50,200 --> 00:03:53,080 Speaker 1: almost twenty years now as a journalist in the entertainment 75 00:03:53,320 --> 00:03:57,480 Speaker 1: fields for publications like People Magazine and Entertainment Weekly, amongst others, 76 00:03:57,880 --> 00:04:00,800 Speaker 1: and always reporting on Housewives. I kind of built a 77 00:04:00,920 --> 00:04:05,280 Speaker 1: long beat for myself in that world, and then about 78 00:04:05,280 --> 00:04:08,080 Speaker 1: two years ago started this process of what would it 79 00:04:08,080 --> 00:04:10,280 Speaker 1: be like if we did a book around housewives. I 80 00:04:10,320 --> 00:04:13,760 Speaker 1: was talking with Bravo about that and making it into 81 00:04:13,760 --> 00:04:17,920 Speaker 1: an oral history. In June when the world went you know, 82 00:04:17,960 --> 00:04:19,680 Speaker 1: it was in the midst of their lockdown and the 83 00:04:19,680 --> 00:04:23,680 Speaker 1: Black Lives Matter movement was beginning. I was. I was 84 00:04:23,880 --> 00:04:29,240 Speaker 1: interviewing women five, you know, five different ladies a day, 85 00:04:29,240 --> 00:04:32,360 Speaker 1: pretty pretty much. I spent the summer of doing this 86 00:04:32,400 --> 00:04:35,599 Speaker 1: book and doing uh, putting everybody together. So it was 87 00:04:35,640 --> 00:04:40,239 Speaker 1: a pretty intense experience. We talked to over five people 88 00:04:40,320 --> 00:04:45,000 Speaker 1: and about five hours of interviews, but getting it all 89 00:04:45,240 --> 00:04:48,320 Speaker 1: transcribed and put together it was wild. But yeah, that's 90 00:04:48,360 --> 00:04:53,119 Speaker 1: the process. And you just answered about ten of our questions. Sorry, 91 00:04:53,200 --> 00:04:59,159 Speaker 1: you know, it's good, it's good. Did anyone decline? Oh yeah, 92 00:04:59,320 --> 00:05:02,760 Speaker 1: already asked for money? Oh yeah, a lot of people 93 00:05:02,760 --> 00:05:05,400 Speaker 1: ask for money. I have. I was keeping track of 94 00:05:05,480 --> 00:05:07,039 Speaker 1: all that because I thought it was interesting. A lot 95 00:05:07,080 --> 00:05:08,960 Speaker 1: of people wanted to get paid for it. I was like, 96 00:05:09,040 --> 00:05:11,200 Speaker 1: I'm barely getting paid for this. What are you talking? 97 00:05:11,279 --> 00:05:16,080 Speaker 1: Any name names? I mean, I don't want to blow 98 00:05:16,080 --> 00:05:19,200 Speaker 1: anybody's spot up, but come on, give us one. I 99 00:05:19,240 --> 00:05:22,720 Speaker 1: think that you would say, Well, Vicky Gumbilson asked for money. 100 00:05:23,080 --> 00:05:26,360 Speaker 1: Of course she did, of course she did. She used 101 00:05:26,360 --> 00:05:28,360 Speaker 1: to ask for money to go and watch what happens Lives. 102 00:05:28,360 --> 00:05:32,040 Speaker 1: They're like no, no, She's like, I'm not going anymore, 103 00:05:32,040 --> 00:05:33,960 Speaker 1: and then she goes the next time. Yeah, of course, 104 00:05:34,000 --> 00:05:37,800 Speaker 1: so she definitely wanted some coins. Okay, So the book 105 00:05:37,920 --> 00:05:40,400 Speaker 1: your idea or was it Bravo's idea and they came 106 00:05:40,440 --> 00:05:42,080 Speaker 1: to you or you went to them? How did that 107 00:05:42,120 --> 00:05:44,400 Speaker 1: work out? It was kind of a mutual discussion. They 108 00:05:44,440 --> 00:05:46,240 Speaker 1: asked me, like, if you wanted to write a book 109 00:05:46,240 --> 00:05:47,839 Speaker 1: about the house, it's what would you want it to 110 00:05:47,839 --> 00:05:51,160 Speaker 1: look like? And then I submitted a proposal about how 111 00:05:51,200 --> 00:05:53,600 Speaker 1: it would be, kind of outlining the idea of doing 112 00:05:53,600 --> 00:05:56,760 Speaker 1: in oral history and what that would look like. So 113 00:05:57,320 --> 00:06:00,720 Speaker 1: I like the way it's written because I'm not very 114 00:06:00,720 --> 00:06:04,719 Speaker 1: good about reading and get distructed, but this is very 115 00:06:04,720 --> 00:06:07,599 Speaker 1: It's an easy read. Yeah, that was the idea. And listen, 116 00:06:07,680 --> 00:06:10,200 Speaker 1: I don't want to be the one to say I 117 00:06:10,240 --> 00:06:14,160 Speaker 1: always say this is a book of It's a book 118 00:06:14,200 --> 00:06:18,960 Speaker 1: of opinions, of feelings, not a book of facts. So 119 00:06:19,040 --> 00:06:22,240 Speaker 1: it's like, everybody has their own opinions about it's not 120 00:06:22,360 --> 00:06:25,719 Speaker 1: a book of facts. It's not are you kidding me? 121 00:06:26,839 --> 00:06:30,760 Speaker 1: Everybody has their own opinion of how everything kind of happens. Well, 122 00:06:30,800 --> 00:06:34,760 Speaker 1: I want to talk about somebody's opinion and okay, sh 123 00:06:35,080 --> 00:06:39,960 Speaker 1: she pulls out the Obviously, this is like a reunion 124 00:06:40,040 --> 00:06:46,200 Speaker 1: day Okay, okay, So Kathleen French who worked for Evolution 125 00:06:46,320 --> 00:06:48,320 Speaker 1: if originally I don't know if you ever met her, Teddy, 126 00:06:48,360 --> 00:06:50,520 Speaker 1: she might have moved onto Bravo, but I met her 127 00:06:50,520 --> 00:06:53,640 Speaker 1: at Bravo. Yes, yes, okay, So she said tamer was 128 00:06:53,640 --> 00:06:57,120 Speaker 1: this girl from Glendora, California, with a working class roots. 129 00:06:57,120 --> 00:06:59,400 Speaker 1: Her mother was divorced. They didn't have a lot of 130 00:06:59,440 --> 00:07:04,839 Speaker 1: money in the house. This is a crocus ship. First 131 00:07:04,880 --> 00:07:06,799 Speaker 1: of all, my parents got divorced when I was twenty 132 00:07:06,880 --> 00:07:11,000 Speaker 1: seven years old. My dad had his own business, made 133 00:07:11,000 --> 00:07:13,760 Speaker 1: about two one or fifty thousand a year. We weren't 134 00:07:13,800 --> 00:07:16,360 Speaker 1: broke by any means. I was actually good money back then. 135 00:07:16,960 --> 00:07:20,559 Speaker 1: He was working classy under repair shop, used car sales 136 00:07:20,560 --> 00:07:22,960 Speaker 1: a lot, all that. But my mom didn't raise me. 137 00:07:23,400 --> 00:07:26,400 Speaker 1: Oh there you go. My parents were married until I 138 00:07:26,480 --> 00:07:28,600 Speaker 1: was twenty seven, so I don't know where she got 139 00:07:28,640 --> 00:07:33,040 Speaker 1: that information. I think that people's memories sometimes when they 140 00:07:33,040 --> 00:07:35,720 Speaker 1: tried to look back on things, could be a little fuzzy. 141 00:07:36,080 --> 00:07:39,400 Speaker 1: Did anybody try to rewrite what you know wasn't true? 142 00:07:39,560 --> 00:07:43,480 Speaker 1: Like you're like, I know what happened that didn't happen? Well, yeah, 143 00:07:43,520 --> 00:07:45,800 Speaker 1: I mean there were certain things that like I would 144 00:07:45,840 --> 00:07:48,280 Speaker 1: have to correct people on as they would tell me 145 00:07:48,320 --> 00:07:50,240 Speaker 1: their stories again and I would be like, but I 146 00:07:50,280 --> 00:07:53,040 Speaker 1: saw this on this show, like you ever caught this? 147 00:07:53,120 --> 00:07:56,880 Speaker 1: And they would say, well, oh, well did that happen first? 148 00:07:56,920 --> 00:07:59,280 Speaker 1: And so I caught some people in the process. But 149 00:07:59,320 --> 00:08:01,640 Speaker 1: I tried not to fact check everyone, right. I wanted 150 00:08:01,640 --> 00:08:04,560 Speaker 1: this to be a space for everybody. Just like if 151 00:08:04,600 --> 00:08:06,840 Speaker 1: I was to come back at you and take your 152 00:08:06,920 --> 00:08:09,840 Speaker 1: words out and remove things that you had said, yeah, 153 00:08:10,240 --> 00:08:12,200 Speaker 1: I wouldn't want to do that to someone else. I 154 00:08:12,280 --> 00:08:14,720 Speaker 1: was trying to hold the integrity of everything everyone was 155 00:08:14,720 --> 00:08:26,760 Speaker 1: staying as honestly as I could. Did your perspective change 156 00:08:26,840 --> 00:08:30,880 Speaker 1: on any Housewives after you wrote, like after you got 157 00:08:30,880 --> 00:08:34,800 Speaker 1: their interviews? Oh, that's so interesting, you know. I think 158 00:08:34,840 --> 00:08:38,080 Speaker 1: that everybody is really who they are pretty much down 159 00:08:38,120 --> 00:08:40,320 Speaker 1: to the core, and the people that we see on 160 00:08:40,360 --> 00:08:42,840 Speaker 1: TV are exactly who they are in front of the 161 00:08:42,920 --> 00:08:45,400 Speaker 1: camera as well. So if you were somebody who is 162 00:08:45,440 --> 00:08:48,040 Speaker 1: a little bit more guarded of a human on TV, 163 00:08:48,160 --> 00:08:50,280 Speaker 1: if you feel like when you're watching them that they're 164 00:08:50,320 --> 00:08:53,160 Speaker 1: putting out an act and they're trying to control a narrative, 165 00:08:53,200 --> 00:08:55,520 Speaker 1: that's exactly how they were in the interview as well, 166 00:08:55,760 --> 00:08:58,240 Speaker 1: so that didn't really shift that much. What I found 167 00:08:58,240 --> 00:09:01,080 Speaker 1: most interesting was talking to those produced hers and their 168 00:09:01,200 --> 00:09:04,280 Speaker 1: perspectives on people because it verified a lot of the 169 00:09:04,280 --> 00:09:07,560 Speaker 1: things that I felt as a viewer. And I mean, Teddy, 170 00:09:07,600 --> 00:09:10,040 Speaker 1: no one kind of encompasses that more than you. I 171 00:09:10,080 --> 00:09:12,200 Speaker 1: think that I was always such a fan of you 172 00:09:12,280 --> 00:09:14,720 Speaker 1: because as a viewer, I saw that you moved the 173 00:09:14,760 --> 00:09:18,319 Speaker 1: storyline along every season that you were on. You know, 174 00:09:19,040 --> 00:09:21,600 Speaker 1: there wasn't really conflict if it wasn't for the things 175 00:09:21,640 --> 00:09:25,040 Speaker 1: that you were doing. And I know, and we get, 176 00:09:25,080 --> 00:09:28,120 Speaker 1: both of us get shipped for that constantly, like yeah, 177 00:09:28,120 --> 00:09:30,800 Speaker 1: because people people don't really get that you have to 178 00:09:30,840 --> 00:09:34,200 Speaker 1: move story So, like example, what happened this year on 179 00:09:34,280 --> 00:09:37,760 Speaker 1: Housewives that felt on Beverly Hills that fell into their 180 00:09:37,840 --> 00:09:41,280 Speaker 1: lap and became a drama for them. We didn't have 181 00:09:41,400 --> 00:09:45,319 Speaker 1: that right. So we're like, they're looking to you to 182 00:09:45,520 --> 00:09:48,400 Speaker 1: be like, Okay, what's next? And so you have to 183 00:09:48,480 --> 00:09:52,600 Speaker 1: like live bigger than you may necessarily want to be. 184 00:09:52,760 --> 00:09:54,600 Speaker 1: You know, you have to make a show. But if 185 00:09:54,640 --> 00:09:57,960 Speaker 1: you remember, and somebody d mned me this, which was 186 00:09:58,000 --> 00:10:00,319 Speaker 1: a nice reminder because I had forgotten because I got 187 00:10:00,360 --> 00:10:03,120 Speaker 1: so much hate for so long. They said, listen, you 188 00:10:03,160 --> 00:10:05,640 Speaker 1: have to remember at the beginning, people loved you because 189 00:10:05,640 --> 00:10:08,320 Speaker 1: you're a fresh and opinionated But after you've gotten the 190 00:10:08,400 --> 00:10:10,920 Speaker 1: whole trouble with the dog thing and everything, then all 191 00:10:10,920 --> 00:10:13,080 Speaker 1: of a sudden, that's when you became boring. And it 192 00:10:13,200 --> 00:10:16,600 Speaker 1: was because that was an easy thing to say. That 193 00:10:16,679 --> 00:10:21,400 Speaker 1: hurts people's feelings, and people just shift. And you know, 194 00:10:21,440 --> 00:10:24,280 Speaker 1: if somebody has a strong fan base, they're gonna come 195 00:10:24,320 --> 00:10:26,200 Speaker 1: hard and they're gonna say the same thing over and 196 00:10:26,240 --> 00:10:28,560 Speaker 1: over again, just like in the show, to create a 197 00:10:28,559 --> 00:10:31,480 Speaker 1: storyline about somebody, right, And you're only as good as 198 00:10:31,559 --> 00:10:33,640 Speaker 1: this week's episode. So people love you one week and 199 00:10:33,720 --> 00:10:36,760 Speaker 1: they hate you the next. It's true and there's no winning. 200 00:10:36,800 --> 00:10:40,240 Speaker 1: I I joked, you know, watching this season of Beverly 201 00:10:40,360 --> 00:10:43,200 Speaker 1: Hills that there was fans saying, you know, it's bullshit 202 00:10:43,360 --> 00:10:46,200 Speaker 1: that Lisa Renna isn't talking about the fact that her 203 00:10:46,280 --> 00:10:49,480 Speaker 1: daughter is dating Scott Disick, she's hiding the truth. And 204 00:10:49,520 --> 00:10:51,880 Speaker 1: then the next episode she talked about it, and it 205 00:10:51,960 --> 00:10:55,200 Speaker 1: was the same person I saw on Twitter saying Lisa 206 00:10:55,280 --> 00:10:57,560 Speaker 1: Renna is using the fact that her daughter is dating 207 00:10:57,600 --> 00:11:01,840 Speaker 1: Scott Discac for line it's like, that's why you can't 208 00:11:01,880 --> 00:11:05,040 Speaker 1: take these serious, Like Teddy was saying, like she blocks 209 00:11:05,040 --> 00:11:07,840 Speaker 1: a lot of people right right to the point where 210 00:11:07,840 --> 00:11:09,920 Speaker 1: I don't even give a crap, like there's something wrong 211 00:11:09,960 --> 00:11:12,080 Speaker 1: with you if you're sending me these messages as long 212 00:11:12,120 --> 00:11:14,040 Speaker 1: as I'm talking about my kids. It makes me feel 213 00:11:14,080 --> 00:11:17,200 Speaker 1: really good to block somebody that repeatedly drives me nut, 214 00:11:17,360 --> 00:11:20,160 Speaker 1: like I'm like a go away because I've had to, 215 00:11:20,240 --> 00:11:23,079 Speaker 1: like because so much my business is online that I'm 216 00:11:23,080 --> 00:11:26,679 Speaker 1: like now blocked by Yeah, I know, but you should 217 00:11:26,720 --> 00:11:28,800 Speaker 1: restrict them instead of block them, because that way you 218 00:11:28,840 --> 00:11:30,480 Speaker 1: never know when they're gonna flop back and be like, 219 00:11:30,559 --> 00:11:33,800 Speaker 1: oh my god, I love Teddy. True, but makes me 220 00:11:33,840 --> 00:11:36,000 Speaker 1: feel better just to cut them out of my laugh completely. 221 00:11:36,440 --> 00:11:39,600 Speaker 1: They just they just get a fake account. But Teddy, 222 00:11:39,600 --> 00:11:42,320 Speaker 1: it was interesting because talking to producers, they were all 223 00:11:42,320 --> 00:11:44,640 Speaker 1: saying the exact same things again that I had felt 224 00:11:44,679 --> 00:11:47,400 Speaker 1: about you, And there was a lot of feelings there 225 00:11:47,440 --> 00:11:50,559 Speaker 1: again in that process of saying like, oh my goodness, 226 00:11:50,960 --> 00:11:54,160 Speaker 1: this is exactly like they were saying, how how what 227 00:11:54,280 --> 00:11:57,040 Speaker 1: what an integral player you were for those seasons and 228 00:11:57,080 --> 00:11:59,520 Speaker 1: how much they loved you, And it made me feel 229 00:11:59,800 --> 00:12:02,760 Speaker 1: a getting very valid in my feelings as a as 230 00:12:02,800 --> 00:12:04,600 Speaker 1: a viewer that I think is often missed in the 231 00:12:04,600 --> 00:12:09,200 Speaker 1: grand scheme with your back, I'm okay this way, but like, 232 00:12:09,280 --> 00:12:12,240 Speaker 1: I think that the part I loved reading what Chris 233 00:12:12,280 --> 00:12:15,319 Speaker 1: Colin had to say and Alex Baskin and our our producers, 234 00:12:15,640 --> 00:12:18,600 Speaker 1: because the truth is, you know, you can love me 235 00:12:18,679 --> 00:12:20,959 Speaker 1: or you can hate me. But what I was saying 236 00:12:21,080 --> 00:12:24,840 Speaker 1: was actually what was happening. So who were the producers 237 00:12:24,920 --> 00:12:29,720 Speaker 1: most shady too? You know, like, oh yeah, I called 238 00:12:29,760 --> 00:12:34,200 Speaker 1: them out and straightened out the world. I think that. 239 00:12:34,440 --> 00:12:38,439 Speaker 1: I mean, I'm obviously just thinking about your seasons. Producers 240 00:12:38,880 --> 00:12:41,480 Speaker 1: were very honest. No, but I think the producers were 241 00:12:41,600 --> 00:12:46,520 Speaker 1: very honest about about Gretchen. Yeah, I think the producers 242 00:12:46,520 --> 00:12:49,320 Speaker 1: were very honest about Lisa. I think that, you know, 243 00:12:49,679 --> 00:12:52,360 Speaker 1: both of them didn't participate in the book, right, Lisa 244 00:12:52,400 --> 00:12:55,240 Speaker 1: Vanderpunk did but only very quickly. She didn't, only to 245 00:12:55,320 --> 00:13:00,320 Speaker 1: promote herself. And how great is she asked? She asking 246 00:13:00,320 --> 00:13:02,840 Speaker 1: for royalties because of the name of the book. I'm 247 00:13:02,840 --> 00:13:05,480 Speaker 1: sure she is somewhere, but she actually didn't. You haven't 248 00:13:05,480 --> 00:13:07,520 Speaker 1: gotten the legal letters. I haven't gotten the legal atter. 249 00:13:07,600 --> 00:13:10,080 Speaker 1: She didn't we had to get of course, that approved. 250 00:13:10,120 --> 00:13:12,400 Speaker 1: And she didn't write that line. That was written by 251 00:13:12,440 --> 00:13:16,720 Speaker 1: Alex Baskin. Actually, yeah, lots of the taglines are and 252 00:13:16,800 --> 00:13:20,040 Speaker 1: by so Alex Baskin gave us the approval to do that. 253 00:13:20,080 --> 00:13:22,480 Speaker 1: So I don't think she has much of a legal 254 00:13:22,520 --> 00:13:26,120 Speaker 1: ground to stand under surprise to come after us. So 255 00:13:26,160 --> 00:13:29,400 Speaker 1: who refused to do it? Of all the housewives, well, 256 00:13:29,400 --> 00:13:31,199 Speaker 1: there were just a lot of women that didn't want 257 00:13:31,200 --> 00:13:33,959 Speaker 1: to participate for one way or the other. You know. Uh, 258 00:13:34,160 --> 00:13:37,440 Speaker 1: Bethany and Nini had their own experiences that they weren't 259 00:13:37,480 --> 00:13:41,839 Speaker 1: interested in rehashing. I was I'm gonna say it's about 260 00:13:41,840 --> 00:13:46,240 Speaker 1: Bethany really quick now, she tweeted, and I'm from my memory, 261 00:13:46,280 --> 00:13:50,480 Speaker 1: I'm trying to something about way to put women down, 262 00:13:51,120 --> 00:13:53,280 Speaker 1: probably like this is the book about putting women down 263 00:13:53,360 --> 00:13:55,400 Speaker 1: or something. I'm like, wait, didn't you build your whole 264 00:13:55,440 --> 00:14:01,480 Speaker 1: career Real Housewives of New York putting women down? I mean, yeah, 265 00:14:02,200 --> 00:14:04,079 Speaker 1: I certainly think a lot of people feel the same 266 00:14:04,080 --> 00:14:06,440 Speaker 1: way that you do about that. I think that Bethany 267 00:14:06,559 --> 00:14:08,840 Speaker 1: certainly had a view towards this that she's trying to 268 00:14:08,880 --> 00:14:12,240 Speaker 1: kind of move on from that. And I understand that 269 00:14:12,240 --> 00:14:15,200 Speaker 1: I would have loved to have everybody participate, and you 270 00:14:15,240 --> 00:14:16,959 Speaker 1: were both on the other side of my interviews. My 271 00:14:17,080 --> 00:14:20,680 Speaker 1: questions weren't about putting people down. I'm not interested that 272 00:14:20,840 --> 00:14:23,280 Speaker 1: there were plenty of people who chose not to put 273 00:14:23,320 --> 00:14:27,960 Speaker 1: anybody down, just as the nature of who I think. 274 00:14:28,040 --> 00:14:30,600 Speaker 1: You know, people wanting to speak their truth. And I'm 275 00:14:30,640 --> 00:14:34,000 Speaker 1: sure that you know, we all know what Bethany thinks, 276 00:14:34,080 --> 00:14:36,400 Speaker 1: we all know what Nanny things. So even though they 277 00:14:36,440 --> 00:14:39,880 Speaker 1: weren't participating, I don't feel like we lose anything. Everyone 278 00:14:40,000 --> 00:14:41,680 Speaker 1: is in the book, whether you talk to me or not. 279 00:14:45,680 --> 00:14:48,840 Speaker 1: Is there anybody that Brobo said, don't talk to this housewife, 280 00:14:48,920 --> 00:14:53,120 Speaker 1: we don't want her contracted? No, they were. They weren't 281 00:14:53,120 --> 00:14:57,040 Speaker 1: at all restrictive of anyone that I spoke to. There 282 00:14:57,040 --> 00:14:59,520 Speaker 1: were certain people I was going after that they were like, 283 00:14:59,560 --> 00:15:01,920 Speaker 1: you know, it's okay. You know, like if we don't 284 00:15:01,920 --> 00:15:03,280 Speaker 1: get them, it's not going to be the end of 285 00:15:03,280 --> 00:15:06,840 Speaker 1: the world. I was very upset about not getting and 286 00:15:06,880 --> 00:15:09,160 Speaker 1: I've said this before, but I was very upset about 287 00:15:09,560 --> 00:15:13,320 Speaker 1: um not getting Alex McCord and Simon Van Campen from 288 00:15:13,320 --> 00:15:15,560 Speaker 1: the real Houses in New York City. Those the first 289 00:15:15,560 --> 00:15:17,760 Speaker 1: couple of seasons we were on. I just thought that 290 00:15:17,800 --> 00:15:21,240 Speaker 1: they would be so interesting. Well, alex Is like moved, 291 00:15:21,440 --> 00:15:26,520 Speaker 1: They've moved to Australia, and I think they do. I 292 00:15:26,560 --> 00:15:29,200 Speaker 1: think they're just like really gone from this whole world 293 00:15:29,240 --> 00:15:31,120 Speaker 1: and they don't really want to go back. But I 294 00:15:31,160 --> 00:15:33,400 Speaker 1: was super interested in what they had to say. But 295 00:15:33,640 --> 00:15:35,600 Speaker 1: you know, at a certain point, there were so many 296 00:15:35,680 --> 00:15:38,080 Speaker 1: voices that you just have to kind of keep moving forward. 297 00:15:39,120 --> 00:15:41,440 Speaker 1: Is there anyone that you talked to that you thought like, 298 00:15:41,640 --> 00:15:44,640 Speaker 1: this person is not being authentic, this person is not 299 00:15:45,120 --> 00:15:47,440 Speaker 1: this person is kind of lying to me, or that 300 00:15:47,520 --> 00:15:50,920 Speaker 1: I don't trust this person. Yeah, I mean certainly I 301 00:15:50,960 --> 00:15:54,560 Speaker 1: had my own doubts. Uh. I find it very hard 302 00:15:54,680 --> 00:15:56,680 Speaker 1: when people say like I don't want to go back 303 00:15:56,720 --> 00:15:58,200 Speaker 1: and I don't want to look at all this stuff 304 00:15:58,240 --> 00:16:00,400 Speaker 1: and I want to move forward. I kind kind of 305 00:16:00,520 --> 00:16:02,760 Speaker 1: there's part of me that's like, I understand that that's 306 00:16:02,840 --> 00:16:05,240 Speaker 1: like the higher ground to play, But you're a human. 307 00:16:05,280 --> 00:16:07,880 Speaker 1: You must have real feelings about these things, and I 308 00:16:07,880 --> 00:16:10,760 Speaker 1: want to hear what you have to say, so that 309 00:16:10,920 --> 00:16:13,800 Speaker 1: for me always feels a little bit phony. You know, 310 00:16:14,720 --> 00:16:18,200 Speaker 1: did you have any juicy gossip about a certain housewife 311 00:16:18,320 --> 00:16:23,480 Speaker 1: that she just wouldn't talk about it. Yeah, you, I 312 00:16:23,480 --> 00:16:27,160 Speaker 1: stepped you. There was so much. There was stuff that 313 00:16:27,200 --> 00:16:29,560 Speaker 1: you had told me off the record that I was 314 00:16:29,600 --> 00:16:31,480 Speaker 1: trying to get you to tell me on the record, 315 00:16:31,920 --> 00:16:35,240 Speaker 1: stuff that I actually was physically present for and witnessed 316 00:16:35,240 --> 00:16:37,600 Speaker 1: with my own two eyes. So I couldn't get you 317 00:16:37,760 --> 00:16:41,240 Speaker 1: to talk talking about provo con. I'm talking about provo 318 00:16:41,320 --> 00:16:43,240 Speaker 1: con and I could not get you to go on 319 00:16:43,280 --> 00:16:50,120 Speaker 1: the record about it. Now you better believe she's going 320 00:16:50,160 --> 00:16:52,680 Speaker 1: to talk about it. But Ted, you have to remember that, 321 00:16:52,720 --> 00:16:55,560 Speaker 1: and Tamer doesn't remember this. When I was doing the 322 00:16:55,600 --> 00:16:59,800 Speaker 1: interviews for the book, she had recently been fired from 323 00:16:59,800 --> 00:17:04,199 Speaker 1: the Housewives, and you were pissed. You were like, you 324 00:17:04,320 --> 00:17:06,800 Speaker 1: called me up and you were like, Bravo, I'm not 325 00:17:06,840 --> 00:17:10,040 Speaker 1: doing this book. Shit, I'm not talking to anybody. I'm 326 00:17:10,080 --> 00:17:12,320 Speaker 1: never doing anything problem again, right, And I'm like, okay, 327 00:17:12,520 --> 00:17:16,000 Speaker 1: what do you want to know? I felt like it 328 00:17:16,080 --> 00:17:18,320 Speaker 1: took me kind of weeks to get you to I 329 00:17:18,400 --> 00:17:21,800 Speaker 1: was going through my bitter stage. Okay, it's fine, I understand, 330 00:17:22,240 --> 00:17:24,320 Speaker 1: first upset and I was crying, and then I was 331 00:17:24,920 --> 00:17:27,399 Speaker 1: I went through all the stages. Now I'm fine, of course, 332 00:17:27,480 --> 00:17:29,280 Speaker 1: but I wasn't going to get you. You know, I 333 00:17:29,320 --> 00:17:31,440 Speaker 1: didn't want to push you too hard because I didn't 334 00:17:31,440 --> 00:17:35,160 Speaker 1: want to lose yet. Yeah, that was the difference there. 335 00:17:35,560 --> 00:17:39,920 Speaker 1: Next time, just get me drunk anything. Well, Brandy Glanville 336 00:17:39,960 --> 00:17:42,480 Speaker 1: got drunk throughout the entire interview. She and there was 337 00:17:42,520 --> 00:17:47,000 Speaker 1: a certain point of like where I was like, Brandy, 338 00:17:47,040 --> 00:17:48,960 Speaker 1: I gotta stop talking to you because I think I 339 00:17:49,000 --> 00:17:51,960 Speaker 1: think you're a little loaded and it doesn't feel ethical anymore. 340 00:17:52,320 --> 00:17:54,919 Speaker 1: I haven't read the Beverly Hills section. What did she 341 00:17:55,040 --> 00:18:00,159 Speaker 1: have to say about the Denise Richard's situation? Is it 342 00:18:00,240 --> 00:18:02,439 Speaker 1: in a book? Yeah? Can you give us like a 343 00:18:02,600 --> 00:18:07,760 Speaker 1: little tease? I mean, she again stands by her experience. 344 00:18:08,160 --> 00:18:10,320 Speaker 1: And you know, everybody felt like the whole thing was 345 00:18:10,359 --> 00:18:15,520 Speaker 1: a total set up them going into that filming where 346 00:18:15,560 --> 00:18:18,040 Speaker 1: you were packing, Teddy, you were there, of course that 347 00:18:18,119 --> 00:18:21,280 Speaker 1: they feel a lot of people feel like that Kyle 348 00:18:21,320 --> 00:18:23,879 Speaker 1: and Teddy knew about this and that was all phony. 349 00:18:23,960 --> 00:18:27,920 Speaker 1: But according to everybody there that that was very real, 350 00:18:28,520 --> 00:18:30,720 Speaker 1: that none of you knew what was happening. If I 351 00:18:30,760 --> 00:18:33,399 Speaker 1: was going to know that that was the scene that 352 00:18:33,480 --> 00:18:36,240 Speaker 1: was going to change the entire season, I maybe would 353 00:18:36,240 --> 00:18:40,760 Speaker 1: have put makeup on would have made an effort. Normally, 354 00:18:40,800 --> 00:18:44,199 Speaker 1: packing scenes are never used, like one second of you 355 00:18:44,280 --> 00:18:47,639 Speaker 1: like pushing on your suitcase, like and so they're like, Teddy, 356 00:18:47,680 --> 00:18:50,040 Speaker 1: you have to go to Kyle's right now for packing. 357 00:18:50,040 --> 00:18:52,680 Speaker 1: I'm like, no, we leaved a lot. I'm not doing 358 00:18:52,760 --> 00:18:57,919 Speaker 1: that one. I'm tired. Anyone's pregnant. And they're like, we 359 00:18:57,920 --> 00:19:02,320 Speaker 1: we didn't get you packing. I'm like, and then went 360 00:19:02,400 --> 00:19:05,080 Speaker 1: over there bomb and then I knew. Once I was told, 361 00:19:05,119 --> 00:19:06,600 Speaker 1: I was like, well, I wonder who's going to be 362 00:19:06,600 --> 00:19:11,080 Speaker 1: the one to share it with everybody else? Yeah. The 363 00:19:11,640 --> 00:19:14,280 Speaker 1: way that I heard the story essentially go down was 364 00:19:14,320 --> 00:19:17,400 Speaker 1: that there were rumblings of this at Bravo Con. There 365 00:19:17,400 --> 00:19:19,760 Speaker 1: were rumblings of things that had happened at Bravocon, but 366 00:19:19,800 --> 00:19:23,240 Speaker 1: no one had said anything. And then a few Orange 367 00:19:23,280 --> 00:19:27,879 Speaker 1: County ladies let Chris Cullen know about their experience, and 368 00:19:27,920 --> 00:19:33,000 Speaker 1: then Chris Cullin flew from Bravo Con to Rome to start, 369 00:19:33,080 --> 00:19:35,240 Speaker 1: you know, the pre production process. On the trip, you 370 00:19:35,280 --> 00:19:38,160 Speaker 1: all flew from Bravocon back to New York and when 371 00:19:38,200 --> 00:19:41,680 Speaker 1: he was sorry, back to Beverly Hills, right, and when 372 00:19:41,720 --> 00:19:43,880 Speaker 1: he was in Rome, he got a phone call from 373 00:19:44,000 --> 00:19:47,359 Speaker 1: Kim saying I have this thing that Brandy wants to say, 374 00:19:47,359 --> 00:19:49,280 Speaker 1: and he said, oh my god, I just got hills. 375 00:19:49,520 --> 00:19:51,520 Speaker 1: She said, all right, well, and it was only because 376 00:19:51,600 --> 00:19:53,440 Speaker 1: that he had heard what had happened on Bravo con 377 00:19:53,560 --> 00:19:56,680 Speaker 1: that it had all made sense to him and said, okay, well, 378 00:19:56,720 --> 00:19:59,920 Speaker 1: there's a there's a packing scene going on tomorrow if 379 00:20:00,000 --> 00:20:11,720 Speaker 1: you want to stop by. Let me ask you both 380 00:20:11,760 --> 00:20:13,959 Speaker 1: because it's so interesting. You have a lot in common 381 00:20:14,000 --> 00:20:17,800 Speaker 1: in your experience on Housewives because both of you were, uh, 382 00:20:18,200 --> 00:20:21,320 Speaker 1: we're cast members that the producers I think, really leaned 383 00:20:21,400 --> 00:20:24,800 Speaker 1: on to expose things that were happening that were that 384 00:20:24,920 --> 00:20:27,879 Speaker 1: others were not courageous enough to do so. At that 385 00:20:27,920 --> 00:20:30,480 Speaker 1: dinner in Rome, Teddy, I mean it's in the book. 386 00:20:30,480 --> 00:20:33,200 Speaker 1: I know. We talked about it, like everybody was asked 387 00:20:33,240 --> 00:20:35,960 Speaker 1: to bring that up. Everybody was getting text messages under 388 00:20:36,000 --> 00:20:39,000 Speaker 1: the table. You were the one who answered it. Um. 389 00:20:39,040 --> 00:20:42,879 Speaker 1: I mean, in my the way that I am, truthfully, 390 00:20:42,920 --> 00:20:46,840 Speaker 1: the way I think that I had two options. I 391 00:20:46,880 --> 00:20:50,080 Speaker 1: could sit there and listen to us, waste our time 392 00:20:50,200 --> 00:20:53,600 Speaker 1: having the most stupid conversation that nobody was ever going 393 00:20:53,640 --> 00:20:56,919 Speaker 1: to use for anything, piss off all the production team 394 00:20:57,160 --> 00:21:01,359 Speaker 1: waste rome and then blindside Denise by her seeing the 395 00:21:01,400 --> 00:21:04,119 Speaker 1: conversation after the fact, or I could just get to 396 00:21:04,160 --> 00:21:07,320 Speaker 1: the point and handle it. And I was like, I'm 397 00:21:07,359 --> 00:21:10,200 Speaker 1: the only one here that can't drink, I'm pregnant, I'm 398 00:21:10,320 --> 00:21:13,280 Speaker 1: so tired, I'm jet lagged. Let's get this show on 399 00:21:13,280 --> 00:21:15,840 Speaker 1: the road. Like that's really how I looked at it, 400 00:21:16,640 --> 00:21:20,080 Speaker 1: and somebody had already and she was already so open. 401 00:21:20,160 --> 00:21:21,919 Speaker 1: And then when people came at me and said you 402 00:21:21,960 --> 00:21:24,640 Speaker 1: outed her, you did that, I was so confused because 403 00:21:24,640 --> 00:21:26,919 Speaker 1: I'm like, what are you talking about. She's already been 404 00:21:26,920 --> 00:21:30,440 Speaker 1: on Howard Stern sharing her experience with another woman. She's 405 00:21:30,760 --> 00:21:35,000 Speaker 1: blatantly sharing these experiences. Yeah, I for a few years. 406 00:21:35,080 --> 00:21:36,959 Speaker 1: I'm like, you know what, I'm not your puppet anymore. 407 00:21:37,200 --> 00:21:39,360 Speaker 1: Like I would be the one where I was at 408 00:21:39,400 --> 00:21:42,720 Speaker 1: a group party and they'd be like and then the 409 00:21:43,000 --> 00:21:45,000 Speaker 1: rest of the cast starts to resent you because they 410 00:21:45,040 --> 00:21:47,199 Speaker 1: know what's going on. They're like, oh, there, she got 411 00:21:47,320 --> 00:21:50,240 Speaker 1: us there having her us something or and you know, 412 00:21:50,280 --> 00:21:52,520 Speaker 1: they don't tell you what to say, but they'll be like, hey, 413 00:21:52,600 --> 00:21:55,200 Speaker 1: let's get this rolling, Like you know, why don't talk 414 00:21:55,240 --> 00:21:59,680 Speaker 1: about what happened. You know, Yeah, let's talk about having 415 00:21:59,680 --> 00:22:02,600 Speaker 1: a bass like and they'll they'll be like, you know, 416 00:22:02,640 --> 00:22:05,040 Speaker 1: I'll be like, Okay, I will because I'm just I'm 417 00:22:05,080 --> 00:22:08,200 Speaker 1: like a team player. Well, also, i'd rather say somebody's 418 00:22:08,240 --> 00:22:11,320 Speaker 1: face them behind their back. Yeah, so a conversation has 419 00:22:11,359 --> 00:22:13,200 Speaker 1: already had on camera. Of course I'm gonna say it 420 00:22:13,240 --> 00:22:15,480 Speaker 1: to somebody's face rather than talk about it with every 421 00:22:15,520 --> 00:22:18,320 Speaker 1: one of the other women, have them suffer and by 422 00:22:18,359 --> 00:22:23,239 Speaker 1: me doing terrible confessionals. And also you assume you like 423 00:22:23,359 --> 00:22:27,399 Speaker 1: I didn't. I assumed my last season on Housewives it 424 00:22:27,440 --> 00:22:29,320 Speaker 1: wasn't gonna be I wasn't gonna be so cut out 425 00:22:29,359 --> 00:22:34,720 Speaker 1: of it. You barely knew I was pregnant, Like I didn't. 426 00:22:34,800 --> 00:22:37,920 Speaker 1: I thought there would be other things to show of me, 427 00:22:38,160 --> 00:22:41,119 Speaker 1: that it wasn't just me coming for Denise. But what 428 00:22:41,280 --> 00:22:44,240 Speaker 1: ends up happening is you build those relationships. You think 429 00:22:44,240 --> 00:22:46,360 Speaker 1: that you're filming so much that you think, Wow, they're 430 00:22:46,359 --> 00:22:48,440 Speaker 1: going to show all these different aspects of my life, 431 00:22:48,680 --> 00:22:50,439 Speaker 1: and then they just show one, and of course the 432 00:22:50,440 --> 00:22:52,560 Speaker 1: audience isn't gonna relate to it. Wow, you're just a 433 00:22:53,000 --> 00:22:55,199 Speaker 1: ship ster. They're not doing that. You're a mom, you're 434 00:22:55,200 --> 00:22:57,720 Speaker 1: a business person. Now, that's what they do. And I 435 00:22:57,800 --> 00:23:00,439 Speaker 1: had that issue for many years because I didn't have 436 00:23:00,560 --> 00:23:02,520 Speaker 1: my kids in the show, so they never really saw 437 00:23:02,560 --> 00:23:05,000 Speaker 1: me as a mom. They just saw like the strongest 438 00:23:05,040 --> 00:23:07,040 Speaker 1: part of my personality on the show, and that was 439 00:23:07,320 --> 00:23:10,000 Speaker 1: stirring the ship. And I was good at it. So 440 00:23:10,280 --> 00:23:12,199 Speaker 1: you know, I got labeled the ship stir and I'm like, 441 00:23:12,320 --> 00:23:19,119 Speaker 1: whatever cut me employed for twelve years. I mean, listen, 442 00:23:19,160 --> 00:23:20,840 Speaker 1: I think that's why we called the book not all 443 00:23:20,880 --> 00:23:22,919 Speaker 1: diamonds and or a Truthfully, we wanted it to be 444 00:23:23,000 --> 00:23:25,240 Speaker 1: something that, you know, called back to the show. But 445 00:23:25,359 --> 00:23:27,879 Speaker 1: it's also it's not easy to be a housewife, Like 446 00:23:27,920 --> 00:23:30,679 Speaker 1: there are a lot of negative things that you have 447 00:23:30,760 --> 00:23:32,680 Speaker 1: to deal with on a daily basis that I think 448 00:23:32,720 --> 00:23:35,359 Speaker 1: that a lot of people don't really understand. So do 449 00:23:35,400 --> 00:23:39,040 Speaker 1: you have any other books in the works? Not yet, 450 00:23:39,119 --> 00:23:41,680 Speaker 1: but I mean I'm ready to continue down this path. 451 00:23:41,800 --> 00:23:45,080 Speaker 1: I I said that Below Deck, another popular franchise on Bravo, 452 00:23:45,560 --> 00:23:47,239 Speaker 1: is kind of perfect for this, so I would love 453 00:23:47,280 --> 00:23:49,040 Speaker 1: to jump in it. But I could also write a 454 00:23:49,080 --> 00:23:52,520 Speaker 1: sequel because there was so much in the book that 455 00:23:52,640 --> 00:23:54,679 Speaker 1: we couldn't keep in the book because it was just 456 00:23:54,760 --> 00:23:57,639 Speaker 1: too big, so I could write a whole another books. 457 00:23:57,760 --> 00:24:00,399 Speaker 1: Was there anything really juicy that they cut out that 458 00:24:00,440 --> 00:24:02,800 Speaker 1: You're like, why would they cut that out? Well? I 459 00:24:02,920 --> 00:24:06,440 Speaker 1: was surprised, you know, as a fan that there were 460 00:24:06,480 --> 00:24:11,040 Speaker 1: so many women who would film sometimes as test housewives, 461 00:24:11,040 --> 00:24:14,800 Speaker 1: possible housewives who wouldn't become housewives, who were then just removed. 462 00:24:14,840 --> 00:24:17,480 Speaker 1: There were two of them in Orange County. That really 463 00:24:17,520 --> 00:24:21,080 Speaker 1: shocked me that You're like, she was just around season ten. 464 00:24:21,160 --> 00:24:25,760 Speaker 1: There was one right Tamara um uh, Katie I believe 465 00:24:25,760 --> 00:24:29,800 Speaker 1: in human Katie Danielle, Yeah, yeah, who just filmed. They 466 00:24:29,800 --> 00:24:32,080 Speaker 1: filmed all season and we have a lot of those 467 00:24:32,119 --> 00:24:33,960 Speaker 1: stories on the record, but there was just no room 468 00:24:34,320 --> 00:24:37,240 Speaker 1: to kind of fit them in. And that really surprised 469 00:24:37,240 --> 00:24:39,520 Speaker 1: me as a fan. You know, it's like to think 470 00:24:39,560 --> 00:24:42,080 Speaker 1: that there was someone else in all those you know, 471 00:24:42,280 --> 00:24:44,320 Speaker 1: trips and and all those moments, and it was at 472 00:24:44,320 --> 00:24:47,159 Speaker 1: the same time filming confessionals and behind the scenes and 473 00:24:47,560 --> 00:24:49,560 Speaker 1: with her family and you just didn't see any of 474 00:24:49,600 --> 00:24:52,080 Speaker 1: that really shocks me. I'm kind of shocked that they 475 00:24:52,240 --> 00:24:54,199 Speaker 1: decided to do the book. Now, I would think that 476 00:24:54,240 --> 00:24:57,360 Speaker 1: this is something you would do, like when it's coming 477 00:24:57,400 --> 00:25:00,959 Speaker 1: to an end, don't know if it's coming to an 478 00:25:01,080 --> 00:25:04,040 Speaker 1: end or it's slow me down? What do you think? 479 00:25:04,560 --> 00:25:05,960 Speaker 1: I don't think it's coming to an end, but I 480 00:25:05,960 --> 00:25:08,240 Speaker 1: think there's a new chapter for sure. Starter you think 481 00:25:08,240 --> 00:25:11,080 Speaker 1: these crossover shows that you know you're a part of 482 00:25:11,240 --> 00:25:14,600 Speaker 1: one of them, and I think just new franchises coming. 483 00:25:14,640 --> 00:25:16,359 Speaker 1: I think it's kind of like turning a bit of 484 00:25:16,400 --> 00:25:20,359 Speaker 1: a page. Not to be too cheesy and puny about it, 485 00:25:20,400 --> 00:25:22,959 Speaker 1: but in the chapter of Housewives, I think it's like 486 00:25:23,359 --> 00:25:26,800 Speaker 1: the old days of the show feeling the way it 487 00:25:26,880 --> 00:25:30,800 Speaker 1: felt is kind of over, and it's it's the right time, 488 00:25:30,840 --> 00:25:33,280 Speaker 1: I think, to get people excited about what might be 489 00:25:34,040 --> 00:25:37,359 Speaker 1: coming next. Yeah, I mean there's new stuff. There were 490 00:25:37,440 --> 00:25:40,560 Speaker 1: just two new Housewives announced in Beverly Hills. Did you 491 00:25:40,560 --> 00:25:43,840 Speaker 1: see that, Teddy? I did. Do you know Diana Jenkins? 492 00:25:44,480 --> 00:25:48,760 Speaker 1: I do. I met her this year, So any t 493 00:25:49,000 --> 00:25:50,720 Speaker 1: that you can give us, like what would she be like? 494 00:25:51,160 --> 00:25:55,440 Speaker 1: I really like her. I thought, like immediately, I think 495 00:25:55,480 --> 00:26:02,800 Speaker 1: that especially coming into the setting, I I you, especially 496 00:26:02,840 --> 00:26:04,760 Speaker 1: meeting new people, you don't really know how to be. 497 00:26:04,880 --> 00:26:08,239 Speaker 1: She was immediately like chatty and easy going and like 498 00:26:09,480 --> 00:26:12,439 Speaker 1: showed herself. I think that you know she's going to have. 499 00:26:13,800 --> 00:26:16,640 Speaker 1: She's very opinionated, which is good. But she's funny and 500 00:26:16,720 --> 00:26:19,760 Speaker 1: she's beautiful, and she's got a true story, and you know, 501 00:26:19,800 --> 00:26:31,040 Speaker 1: so I think I think she'll be good. Teddy. Are 502 00:26:31,040 --> 00:26:35,960 Speaker 1: you filming this season? I am not, but I did 503 00:26:37,480 --> 00:26:41,639 Speaker 1: make a true I did something for extra and while 504 00:26:41,720 --> 00:26:45,440 Speaker 1: I was doing that, I may or may not be right. 505 00:26:46,920 --> 00:26:49,200 Speaker 1: I have to say. It's so interesting because you both 506 00:26:49,280 --> 00:26:53,159 Speaker 1: joined your respective franchises at very different times in the 507 00:26:53,280 --> 00:26:55,919 Speaker 1: history of them. Timber was just in the third season 508 00:26:55,960 --> 00:26:59,320 Speaker 1: at that point. I mean, she's a very revolutionary housewife, Teddy, 509 00:26:59,320 --> 00:27:02,800 Speaker 1: because she is the first housewife ever to express opinion 510 00:27:02,840 --> 00:27:06,399 Speaker 1: about another housewife. Up until that point, for two years, 511 00:27:06,480 --> 00:27:09,439 Speaker 1: nobody had said anything negative about the other. But she 512 00:27:09,600 --> 00:27:13,120 Speaker 1: was the first. Really. It was like I swear, they 513 00:27:13,119 --> 00:27:16,160 Speaker 1: had just been filming them almost like separately and then 514 00:27:16,160 --> 00:27:19,600 Speaker 1: occasional group scene, but it wasn't even like what it 515 00:27:19,680 --> 00:27:21,920 Speaker 1: is now, where it's group scenes and parties and all 516 00:27:21,960 --> 00:27:24,719 Speaker 1: that stuff. Um. But Camera was the first one who 517 00:27:24,840 --> 00:27:27,280 Speaker 1: joined and was like, you know, Gina ki ug I 518 00:27:27,280 --> 00:27:31,560 Speaker 1: could I could sell her under the table or whatever. Um. 519 00:27:31,680 --> 00:27:34,960 Speaker 1: And that changed the direction of the show. Teddy, when 520 00:27:35,000 --> 00:27:38,159 Speaker 1: you came into the franchise, Like now this show is 521 00:27:38,200 --> 00:27:40,640 Speaker 1: like a well oiled machine, and I think it's much 522 00:27:40,680 --> 00:27:43,360 Speaker 1: harder to kind of come in around the time when 523 00:27:43,400 --> 00:27:46,560 Speaker 1: you didn't now, uh, to get your footing with it, 524 00:27:46,640 --> 00:27:48,439 Speaker 1: and then what happens is it takes years for you 525 00:27:48,480 --> 00:27:52,200 Speaker 1: to actually build these real friendships like you have with everybody, 526 00:27:52,200 --> 00:27:54,800 Speaker 1: and then now you're on the show. Yeah. I think 527 00:27:54,880 --> 00:27:58,159 Speaker 1: what people don't remember about my first season. It's like 528 00:27:58,240 --> 00:28:01,800 Speaker 1: I came in what was like already five years old, uh, 529 00:28:02,119 --> 00:28:05,240 Speaker 1: didn't know any of them, and I'm sitting in Vegas 530 00:28:05,840 --> 00:28:09,040 Speaker 1: my first first time meeting everybody, and like they are 531 00:28:10,200 --> 00:28:13,080 Speaker 1: they are not having it, and I was like, this 532 00:28:13,280 --> 00:28:16,480 Speaker 1: is hard, you know, like this is so much harder 533 00:28:16,480 --> 00:28:19,040 Speaker 1: than I expect. I'm in my like, you know, pretty much, 534 00:28:19,040 --> 00:28:22,280 Speaker 1: I look like I'm a Tanya Harding's outfit, like my 535 00:28:23,000 --> 00:28:28,360 Speaker 1: still outfit, and they're all dressed there. I didn't get. 536 00:28:28,400 --> 00:28:31,879 Speaker 1: I glad myself. It's like a whole situation like I 537 00:28:31,960 --> 00:28:34,960 Speaker 1: just didn't know. You don't know until you know, and 538 00:28:35,000 --> 00:28:37,080 Speaker 1: then once you do know, you're like, wow, I really 539 00:28:37,119 --> 00:28:39,160 Speaker 1: I wish I never knew because this makes it so 540 00:28:39,240 --> 00:28:42,000 Speaker 1: much easier before. But I think you know, ultimately the 541 00:28:42,040 --> 00:28:43,920 Speaker 1: fact that I can have good friends with some of 542 00:28:43,960 --> 00:28:48,040 Speaker 1: the women shows that you can live at peace with 543 00:28:48,080 --> 00:28:49,520 Speaker 1: that you can go you know what. I may have 544 00:28:49,560 --> 00:28:51,200 Speaker 1: caused a lot of ship on the show. I may 545 00:28:51,240 --> 00:28:54,600 Speaker 1: have started a lot of drama, but ultimately the people 546 00:28:55,120 --> 00:28:58,800 Speaker 1: that I created relationships with their real and that shows 547 00:28:58,880 --> 00:29:01,640 Speaker 1: you know, long term, yeah, not so much. On my franchise, 548 00:29:02,440 --> 00:29:05,480 Speaker 1: we're gone nually, they don't talk to you anymore. I 549 00:29:05,520 --> 00:29:09,680 Speaker 1: know your your friend Trees became like Survivor. Uh we 550 00:29:09,800 --> 00:29:13,080 Speaker 1: talked about that before, Like on the podcast. It's like, 551 00:29:13,400 --> 00:29:17,720 Speaker 1: we're definitely like Survivor. Like people just want to bring 552 00:29:17,760 --> 00:29:20,040 Speaker 1: you down and take a business down and your family down. 553 00:29:20,120 --> 00:29:24,320 Speaker 1: And we're Beverly Hills like everybody's you know, they have conflict, 554 00:29:24,400 --> 00:29:28,360 Speaker 1: but they stand together like they're they're like true friends. 555 00:29:29,200 --> 00:29:32,320 Speaker 1: And again, it takes years to do that. In New Jersey, 556 00:29:32,440 --> 00:29:36,520 Speaker 1: Jackie Goldscheiner and Jennifer Aiden came in four seasons ago 557 00:29:36,600 --> 00:29:40,200 Speaker 1: now and they've built real friendships with these women and 558 00:29:40,320 --> 00:29:42,160 Speaker 1: now it's like now it's at a point where there's 559 00:29:42,520 --> 00:29:44,480 Speaker 1: long term. You know, they've known each other for four 560 00:29:44,560 --> 00:29:48,320 Speaker 1: or five years. They really have deep roots in some 561 00:29:48,400 --> 00:29:52,680 Speaker 1: of their arguments and they it is richer. So yes, absolutely, 562 00:29:52,720 --> 00:29:55,520 Speaker 1: And I think that's the problem with Orange County right now, 563 00:29:56,080 --> 00:30:00,600 Speaker 1: there's no real true friends since there's no I don't know, yeah, 564 00:30:00,640 --> 00:30:02,920 Speaker 1: well I do think it's the problem with the franchises 565 00:30:02,960 --> 00:30:06,240 Speaker 1: that they go down the years. It's difficult to maintain 566 00:30:06,320 --> 00:30:09,960 Speaker 1: that sort of thing, which is why the criticism towards 567 00:30:09,960 --> 00:30:13,239 Speaker 1: Beverly Hills always. I find very funny that people are like, 568 00:30:13,280 --> 00:30:17,080 Speaker 1: well there's a click or you know, Lisa of course 569 00:30:17,120 --> 00:30:20,720 Speaker 1: got tons of criticism and about standing by Erica, and 570 00:30:20,760 --> 00:30:23,640 Speaker 1: it's like, you want these people, these are real friendships, 571 00:30:23,800 --> 00:30:27,120 Speaker 1: Like it's so much more interesting if if they were 572 00:30:27,160 --> 00:30:30,640 Speaker 1: just co stars, none of it would matter. Well yeah, 573 00:30:30,680 --> 00:30:32,360 Speaker 1: I mean when even when it came to Lisa Wrenna 574 00:30:32,360 --> 00:30:34,800 Speaker 1: and everybody would say, well why are you standing? You know, 575 00:30:34,840 --> 00:30:36,880 Speaker 1: you didn't stand by Denise or you didn't stand by 576 00:30:36,880 --> 00:30:39,440 Speaker 1: so and so, but you're standing by Erica. I just 577 00:30:39,480 --> 00:30:41,400 Speaker 1: wanted to be like, well, yeah, she's my best friend. 578 00:30:41,480 --> 00:30:43,440 Speaker 1: You know, she's so I'm closest to what do you 579 00:30:43,440 --> 00:30:47,520 Speaker 1: think I'm gonna do? That's reality? Like, well, then there's 580 00:30:47,560 --> 00:30:50,200 Speaker 1: Lisa in Salt Lake City who's not was not standing 581 00:30:50,240 --> 00:30:52,560 Speaker 1: by jen Shaw, who she was friends with, and was 582 00:30:52,640 --> 00:30:55,080 Speaker 1: kind of like, I don't think I want anything to 583 00:30:55,080 --> 00:30:58,120 Speaker 1: do with us, But then when she saw her in person, 584 00:30:58,240 --> 00:31:00,800 Speaker 1: it was she didn't really say that, but her first 585 00:31:00,840 --> 00:31:03,880 Speaker 1: instinct was like, I don't want to get involved, and 586 00:31:03,920 --> 00:31:07,040 Speaker 1: that was her friend. So it's like, well, I would 587 00:31:07,040 --> 00:31:09,840 Speaker 1: probably if I s friend to somebody, be there for 588 00:31:09,920 --> 00:31:13,360 Speaker 1: them myself, right. I think you have to be there 589 00:31:13,400 --> 00:31:19,320 Speaker 1: for somebody until they're guilty they're guilty, or even figuring 590 00:31:19,360 --> 00:31:21,440 Speaker 1: out those steps like being a person that they can 591 00:31:21,480 --> 00:31:24,120 Speaker 1: actually communicate with during their hard times because it's not 592 00:31:24,120 --> 00:31:26,840 Speaker 1: always going to be good. Yeah, And again, it's so 593 00:31:26,920 --> 00:31:29,400 Speaker 1: black and white in everybody's eyes when they're at home. 594 00:31:29,440 --> 00:31:32,320 Speaker 1: But it's like if you've been criticizing somebody for five years, 595 00:31:32,360 --> 00:31:34,760 Speaker 1: six years, however, in the years now for repeating the 596 00:31:34,840 --> 00:31:38,240 Speaker 1: same behavior, and then that person changes and literally does 597 00:31:38,280 --> 00:31:40,160 Speaker 1: what you've been asking them to do, which is like 598 00:31:40,240 --> 00:31:43,440 Speaker 1: grow and change, and then you're still criticizing them for 599 00:31:43,600 --> 00:31:48,120 Speaker 1: that being the way they were. Ye, there's no winning 600 00:31:48,160 --> 00:31:52,400 Speaker 1: for anybody. Do you have a favorite franchise? I love 601 00:31:52,480 --> 00:31:55,920 Speaker 1: them all, really, Potomac has become one that I that 602 00:31:56,040 --> 00:31:59,240 Speaker 1: I kind of really enjoy it because I've never watched 603 00:31:59,240 --> 00:32:02,440 Speaker 1: not one Soda Potomac. You have to. It's crazy, it's 604 00:32:02,600 --> 00:32:04,920 Speaker 1: so good. I hear so many great things. I'm don't 605 00:32:04,920 --> 00:32:07,840 Speaker 1: well now that I have profit again, yes, I'm gonna 606 00:32:07,880 --> 00:32:11,480 Speaker 1: have to watch and timer they've had four cast members 607 00:32:11,520 --> 00:32:13,760 Speaker 1: now that they just wrapped season six, and they've had 608 00:32:13,800 --> 00:32:16,760 Speaker 1: four O g s who have remained on the show 609 00:32:16,760 --> 00:32:18,960 Speaker 1: in all six seasons, which is kind of a bit 610 00:32:18,960 --> 00:32:21,680 Speaker 1: of a record. So it's like, it's interesting to see 611 00:32:21,720 --> 00:32:25,360 Speaker 1: that core for still remain. Um, it's just very good. 612 00:32:25,440 --> 00:32:27,880 Speaker 1: It's I enjoyed that. I also, I'm a New Yorker. 613 00:32:28,600 --> 00:32:30,960 Speaker 1: I love New York. I love New Jersey because of 614 00:32:31,000 --> 00:32:33,120 Speaker 1: the fact that I'm Italian too, So I don't know, 615 00:32:33,520 --> 00:32:36,320 Speaker 1: it's very hard to pick a favorite. But so I 616 00:32:36,360 --> 00:32:39,160 Speaker 1: know we're running out of time, but I do a 617 00:32:39,160 --> 00:32:42,080 Speaker 1: little thing on my Instagram where I asked them to 618 00:32:42,120 --> 00:32:44,920 Speaker 1: ask questions for whoever is coming on and a common 619 00:32:45,000 --> 00:32:48,440 Speaker 1: question that I got which I really can't remember. So 620 00:32:48,520 --> 00:32:50,560 Speaker 1: I'm gonna have to ask you. While you were doing 621 00:32:50,680 --> 00:32:55,040 Speaker 1: the interviews for this book, did you ever say, well 622 00:32:55,120 --> 00:32:58,240 Speaker 1: so and so said blah blah blah. Did you use 623 00:32:58,400 --> 00:33:01,040 Speaker 1: any sort of to get more ormation or how did 624 00:33:01,040 --> 00:33:04,320 Speaker 1: you do it? No, So I tried to interview everybody 625 00:33:04,360 --> 00:33:07,760 Speaker 1: separately in your own little bubble because I didn't want 626 00:33:08,680 --> 00:33:11,000 Speaker 1: just like again, it's integrity is really important to me. 627 00:33:11,040 --> 00:33:13,640 Speaker 1: I didn't want to ever take anything you had said 628 00:33:13,680 --> 00:33:16,280 Speaker 1: an interview and bring it to someone else either, right. 629 00:33:16,320 --> 00:33:20,800 Speaker 1: I wanted everybody to be individual. So I would say 630 00:33:20,880 --> 00:33:26,479 Speaker 1: things sometimes like well, oftentimes like fans think this, or 631 00:33:26,520 --> 00:33:29,719 Speaker 1: people think this, and maybe that was repeating something another 632 00:33:29,720 --> 00:33:32,000 Speaker 1: woman had said, but I never said like well, I 633 00:33:32,080 --> 00:33:35,040 Speaker 1: talked to Renna and she told me this, and it's 634 00:33:35,080 --> 00:33:41,360 Speaker 1: just it didn't trying not to be outs in that way. 635 00:33:41,400 --> 00:33:43,480 Speaker 1: So I didn't do it that way. So who is 636 00:33:43,520 --> 00:33:47,760 Speaker 1: your favorite interview? I mean Carol Razwell and I to 637 00:33:53,640 --> 00:33:58,040 Speaker 1: Carol Razwel and I talked for twelve hours straight straight, 638 00:33:58,800 --> 00:34:01,000 Speaker 1: So that for me is it's always going to be 639 00:34:01,040 --> 00:34:04,280 Speaker 1: my favorite. She is a journalist and as well and 640 00:34:04,280 --> 00:34:07,320 Speaker 1: and has a lot of twelve hours experience. Yeah, she 641 00:34:07,480 --> 00:34:10,320 Speaker 1: just kind of had like a very interesting zoom out perspective. 642 00:34:10,400 --> 00:34:13,200 Speaker 1: She's actually the one who told me that a lot 643 00:34:13,239 --> 00:34:15,840 Speaker 1: of the arguments that you see on the show have 644 00:34:16,440 --> 00:34:18,839 Speaker 1: nothing to do with what they're arguing about and more 645 00:34:18,880 --> 00:34:21,600 Speaker 1: to do with the show in and of itself. That 646 00:34:21,760 --> 00:34:27,440 Speaker 1: that like framing of the show often encourages disagreement that 647 00:34:27,480 --> 00:34:30,720 Speaker 1: people can't actually say, which I thought was so interesting 648 00:34:30,760 --> 00:34:33,440 Speaker 1: and it's certain It's a slight red track red flag 649 00:34:33,480 --> 00:34:37,359 Speaker 1: to me that somebody could talk about themselves for twelve hours. 650 00:34:37,360 --> 00:34:41,080 Speaker 1: But she was journalist as well. Yeah, yeah, it was 651 00:34:41,160 --> 00:34:44,080 Speaker 1: more we were talking about the show and less about her, 652 00:34:44,719 --> 00:34:46,640 Speaker 1: but she was really interesting. I don't know that all 653 00:34:46,680 --> 00:34:49,319 Speaker 1: the interviews were super good, I can tell you. I mean, 654 00:34:49,640 --> 00:34:52,040 Speaker 1: I have still questions that I wish I would have 655 00:34:52,080 --> 00:34:54,560 Speaker 1: asked both of you. Okay, you have you have you 656 00:34:54,560 --> 00:34:56,920 Speaker 1: can ask? Is is each one question before we go? 657 00:34:57,480 --> 00:35:01,839 Speaker 1: It us your juiciest one star with Tam Okay, Uh gosh, 658 00:35:02,040 --> 00:35:06,239 Speaker 1: Tamera Okay. So, salary is always such an interesting thing, 659 00:35:06,280 --> 00:35:09,120 Speaker 1: and everybody talked very openly about how much they make, 660 00:35:09,200 --> 00:35:12,160 Speaker 1: how much they don't make, but there's always rumors about 661 00:35:12,200 --> 00:35:15,319 Speaker 1: how much people make. And knowing what your structure is, 662 00:35:15,360 --> 00:35:17,120 Speaker 1: knowing how much you made and you don't have to 663 00:35:17,160 --> 00:35:20,000 Speaker 1: give the number, what do you think about when you hear, 664 00:35:20,600 --> 00:35:23,440 Speaker 1: you know, these rumors about how much people make on 665 00:35:23,480 --> 00:35:26,840 Speaker 1: the Housewives shows. Do you buy into anything? No, I don't. 666 00:35:26,920 --> 00:35:28,799 Speaker 1: I mean certain times, I remember there's a time where 667 00:35:28,920 --> 00:35:31,640 Speaker 1: Vicky's like, can you believe so and so st arnin 668 00:35:31,719 --> 00:35:35,359 Speaker 1: he's making two million dollars a year and I'm like, yeah, 669 00:35:35,400 --> 00:35:37,040 Speaker 1: I don't know if that's true. And of course she 670 00:35:37,080 --> 00:35:39,720 Speaker 1: would send it right to Alex or Doug or somebody 671 00:35:39,719 --> 00:35:42,040 Speaker 1: out production and or Andy and like, why is she 672 00:35:42,200 --> 00:35:44,680 Speaker 1: making this much? I'm the o G. But I don't 673 00:35:44,680 --> 00:35:48,000 Speaker 1: really buy too much into it, Like forever they say 674 00:35:48,280 --> 00:35:51,160 Speaker 1: I make make six hundred dollars a year because when 675 00:35:51,160 --> 00:35:54,160 Speaker 1: I was going through a divorce twelve years ago, it 676 00:35:54,239 --> 00:35:57,360 Speaker 1: was in the court records, right. But we get raisons 677 00:35:57,440 --> 00:36:02,000 Speaker 1: every single year, so so yeah, and Robert does not 678 00:36:02,280 --> 00:36:05,239 Speaker 1: like us to talk about our contract or money or 679 00:36:05,239 --> 00:36:07,080 Speaker 1: anything like that. Yeah, But I mean you have to 680 00:36:07,160 --> 00:36:09,280 Speaker 1: laugh about the fact that when you see a report 681 00:36:09,360 --> 00:36:12,080 Speaker 1: and it's like Kathy Hilton is holding out for two 682 00:36:12,120 --> 00:36:14,600 Speaker 1: million dollars and now they've got her and she's making 683 00:36:14,640 --> 00:36:16,840 Speaker 1: two million. As a friend of that, you you have 684 00:36:16,920 --> 00:36:18,480 Speaker 1: to be sitting on the other end of this room. 685 00:36:19,760 --> 00:36:22,480 Speaker 1: I know that's not true. I've worked with them for 686 00:36:22,520 --> 00:36:25,319 Speaker 1: twelve years. A true who I don't care who you are. 687 00:36:25,680 --> 00:36:28,000 Speaker 1: Money wise, I can't tell you this. You make more. 688 00:36:28,280 --> 00:36:31,000 Speaker 1: You spend more of your first year on housewives than 689 00:36:31,000 --> 00:36:36,239 Speaker 1: you make. Yeah, and everybody told me the same thing, 690 00:36:36,920 --> 00:36:41,440 Speaker 1: especially if you were me, and especially it's funny with 691 00:36:41,480 --> 00:36:46,319 Speaker 1: glam squads and back then. To be honest, I wish 692 00:36:46,400 --> 00:36:50,400 Speaker 1: we never had glam squads because then every day because 693 00:36:50,440 --> 00:36:52,920 Speaker 1: like once it's like Beverly Hill started doing that and 694 00:36:53,000 --> 00:36:56,359 Speaker 1: it just became a constant. Then it's like, it's not 695 00:36:56,440 --> 00:37:01,000 Speaker 1: that you're trying to metamorphos yourself into other people, but 696 00:37:01,040 --> 00:37:03,120 Speaker 1: if you show up and you have not been glammed, 697 00:37:03,760 --> 00:37:06,520 Speaker 1: and everybody else's glad and in a costume, and you 698 00:37:06,560 --> 00:37:10,160 Speaker 1: show up and you're like, and you're messy, bun you 699 00:37:10,160 --> 00:37:13,920 Speaker 1: you're a spore thumb in the picture. Okay, you know 700 00:37:14,000 --> 00:37:16,440 Speaker 1: that more than anyone. Somebody was telling me the other day, 701 00:37:16,480 --> 00:37:19,239 Speaker 1: I wish they never did glam squads. Can't they have 702 00:37:19,320 --> 00:37:22,280 Speaker 1: one housewife strong enough to just show up as herself? 703 00:37:22,320 --> 00:37:23,920 Speaker 1: And I was like, yeah, they did. Her name is 704 00:37:23,960 --> 00:37:28,160 Speaker 1: Teddy Mellencapin. Everyone ragged on her at all. They're like, 705 00:37:28,480 --> 00:37:33,400 Speaker 1: get a silence. No one's ever happy. So I watched 706 00:37:35,040 --> 00:37:38,080 Speaker 1: Miami and everybody's going to a pool party and everybody's 707 00:37:38,120 --> 00:37:41,319 Speaker 1: getting their glam except for Gertie, And I mean she's 708 00:37:41,360 --> 00:37:44,960 Speaker 1: so beautiful anyway. So I'm like, a movie doesn't have 709 00:37:45,040 --> 00:37:50,720 Speaker 1: glamp Squad yet when it comes in the package. Um okay, So, Teddy, 710 00:37:50,760 --> 00:37:54,360 Speaker 1: you and I interviewed before while you were still a housewife, 711 00:37:54,400 --> 00:38:00,920 Speaker 1: before you learned of your exit, and I'm curious whether 712 00:38:01,280 --> 00:38:03,399 Speaker 1: you thought that was coming at all. Were you at 713 00:38:03,400 --> 00:38:07,280 Speaker 1: all surprised by it? I was completely surprised, to be honest, 714 00:38:07,320 --> 00:38:12,200 Speaker 1: because I had such a great relationship with production and 715 00:38:14,239 --> 00:38:16,440 Speaker 1: I had already had my meeting to come back, you know, 716 00:38:16,520 --> 00:38:18,640 Speaker 1: like all of these things, Like we had already talked 717 00:38:18,680 --> 00:38:20,359 Speaker 1: about what was going on in my life for the night, 718 00:38:20,440 --> 00:38:24,640 Speaker 1: Like I absolutely had no idea. I do know that 719 00:38:24,680 --> 00:38:29,080 Speaker 1: there was a new showrunner, so there was changes that 720 00:38:29,120 --> 00:38:31,799 Speaker 1: were being made, and that was kind of all I knew. 721 00:38:32,400 --> 00:38:35,919 Speaker 1: And then yeah, no, I mean when I when my friend, 722 00:38:36,160 --> 00:38:37,759 Speaker 1: when of my best he texted me and he's like, hey, 723 00:38:37,800 --> 00:38:41,960 Speaker 1: it's in daily mail that you got fired, I was like, well, 724 00:38:42,000 --> 00:38:46,640 Speaker 1: you found out on daily Mail. Yeah, So I mean 725 00:38:46,719 --> 00:38:50,319 Speaker 1: I think, do you did they telling you the producers 726 00:38:50,480 --> 00:38:54,360 Speaker 1: are Invidio, Bravo. What goes into deciding who's going to 727 00:38:54,400 --> 00:38:58,440 Speaker 1: be fired? Yeah, I mean my understanding is that production 728 00:38:59,040 --> 00:39:02,400 Speaker 1: often you know, advocates for who they want, but the 729 00:39:02,440 --> 00:39:06,319 Speaker 1: decision is always made by Bravo. Um and oftentimes in 730 00:39:06,400 --> 00:39:10,279 Speaker 1: both of your cases, in fact, producers very much disagree 731 00:39:10,719 --> 00:39:14,080 Speaker 1: with Bravo and those things and will fight back and say, 732 00:39:14,200 --> 00:39:16,520 Speaker 1: this is how necessary this person is to the show. 733 00:39:16,600 --> 00:39:20,360 Speaker 1: But Bravo makes the choices ultimately, and it seems to 734 00:39:20,440 --> 00:39:23,279 Speaker 1: be from from what they told me and uh and 735 00:39:23,320 --> 00:39:25,560 Speaker 1: we had that. I think in the book it seems 736 00:39:25,560 --> 00:39:28,000 Speaker 1: to be, you know, decisions that are made by like 737 00:39:28,080 --> 00:39:31,960 Speaker 1: three people at Bravo, and I think it's very subjective. 738 00:39:32,040 --> 00:39:35,399 Speaker 1: I understanding they do focus scripts to right so they 739 00:39:35,400 --> 00:39:37,440 Speaker 1: get feedback. I don't know how much of that they 740 00:39:37,600 --> 00:39:40,160 Speaker 1: take to heart, but yeah, I mean, look, data is data, 741 00:39:40,200 --> 00:39:43,759 Speaker 1: is what my understanding is, Like, you can interpret data 742 00:39:43,800 --> 00:39:45,799 Speaker 1: any way that you want to interpret data. So if 743 00:39:45,840 --> 00:39:49,120 Speaker 1: you're trying to look at something to you know, stand 744 00:39:49,120 --> 00:39:51,440 Speaker 1: by your decision, you're going to do that. But I 745 00:39:51,440 --> 00:39:54,279 Speaker 1: I talk to people throughout this and I would ask 746 00:39:54,320 --> 00:39:57,160 Speaker 1: about bringing people back or why did you fire this person? 747 00:39:57,200 --> 00:40:01,279 Speaker 1: And ultimately what I learned is at the it's very 748 00:40:01,320 --> 00:40:05,200 Speaker 1: subjective because they set rules. They'll say about one housewife, well, 749 00:40:05,280 --> 00:40:07,400 Speaker 1: she doesn't really have much more of a storyline, what 750 00:40:07,440 --> 00:40:09,440 Speaker 1: else is there to explore? And then I'm like, but 751 00:40:09,600 --> 00:40:12,920 Speaker 1: how about these five housewives who you've kept around, who 752 00:40:13,040 --> 00:40:15,600 Speaker 1: don't really have much of at That doesn't make any 753 00:40:15,640 --> 00:40:17,600 Speaker 1: sense to me. There's so many O g s on 754 00:40:17,600 --> 00:40:20,080 Speaker 1: the show that you know, they're just living their life, 755 00:40:20,200 --> 00:40:22,520 Speaker 1: and that's what I thought the show was about. But 756 00:40:22,560 --> 00:40:26,360 Speaker 1: if you're not, like, you know, getting divorced or robbing 757 00:40:26,360 --> 00:40:31,880 Speaker 1: a bank or you know whatever, you're not interested anymore. Again, 758 00:40:31,920 --> 00:40:34,560 Speaker 1: it's these are the sorts of things I'm saying. It's like, 759 00:40:34,880 --> 00:40:37,839 Speaker 1: you can't actually make a rule book towards it because 760 00:40:37,880 --> 00:40:41,440 Speaker 1: it is all totally subjective based on these three people. 761 00:40:41,520 --> 00:40:44,239 Speaker 1: From what I understand in their decision, I hear the 762 00:40:44,320 --> 00:40:46,799 Speaker 1: sirens in the background, and I missed New York. I'm 763 00:40:46,840 --> 00:40:49,560 Speaker 1: miss New York too. I can say one thing that 764 00:40:49,640 --> 00:40:51,920 Speaker 1: I did make a mistake on so right at the 765 00:40:52,000 --> 00:40:56,560 Speaker 1: end of my season, my last season, I was mad 766 00:40:56,719 --> 00:40:58,839 Speaker 1: because I was like, listen, you guys are using me 767 00:40:59,000 --> 00:41:01,799 Speaker 1: in negative like only and not showing any other part 768 00:41:01,800 --> 00:41:04,719 Speaker 1: of my life. I texted. The quote I text was, 769 00:41:04,920 --> 00:41:09,359 Speaker 1: I've trended on Twitter every single week from hate, and 770 00:41:09,400 --> 00:41:13,800 Speaker 1: you guys are giving me anything else but the negative. 771 00:41:13,880 --> 00:41:17,080 Speaker 1: Please like, I'm doing the work, I'm showing up. I 772 00:41:17,120 --> 00:41:20,359 Speaker 1: need you to show my life in some other capacity. 773 00:41:21,120 --> 00:41:26,000 Speaker 1: And ultimately the goodbye happened two weeks later. So well, 774 00:41:26,040 --> 00:41:28,759 Speaker 1: you know, for me, I was threatening not to go 775 00:41:28,800 --> 00:41:31,399 Speaker 1: to the reunion because I was so mad at how 776 00:41:31,480 --> 00:41:33,759 Speaker 1: it's kind of the same thing every way that they 777 00:41:33,800 --> 00:41:35,759 Speaker 1: could make me look bad. They made me look bad 778 00:41:35,840 --> 00:41:40,080 Speaker 1: my last season, and I was involved in this big 779 00:41:40,160 --> 00:41:42,520 Speaker 1: lawsuit and people were ringing it up. There's just a 780 00:41:42,560 --> 00:41:45,160 Speaker 1: lot going on. They show any my business and whatever. 781 00:41:45,760 --> 00:41:47,600 Speaker 1: And then so I'm like, I'm not going to the reunion. 782 00:41:47,640 --> 00:41:50,680 Speaker 1: There's no reason I'm quitting. I'm quitting. I was so dramatic, right, 783 00:41:51,239 --> 00:41:54,000 Speaker 1: and the day before the reunion, I was telling Alex, 784 00:41:54,080 --> 00:41:55,839 Speaker 1: I think I'm just gonna go and I'm gonna say that, 785 00:41:56,000 --> 00:41:58,800 Speaker 1: you know, I want to be the first housewife to resign. 786 00:41:59,800 --> 00:42:01,600 Speaker 1: I the reunion, this is my last season. It was 787 00:42:01,680 --> 00:42:06,000 Speaker 1: great piece out right. He's like, you're emotional. Don't do that, Please, 788 00:42:06,000 --> 00:42:07,759 Speaker 1: don't do that. You never know what you're gonna be 789 00:42:07,800 --> 00:42:10,239 Speaker 1: when they need to pick up letters come and then yeah, 790 00:42:10,320 --> 00:42:14,320 Speaker 1: no pick up letter came. Not to burst your bubble, 791 00:42:14,360 --> 00:42:16,440 Speaker 1: but you wouldn't have been the first housewife to do it. 792 00:42:16,520 --> 00:42:18,920 Speaker 1: Adrian did it by not showing up Brill union. She 793 00:42:19,080 --> 00:42:22,160 Speaker 1: was the first one because Andy made the rule of 794 00:42:22,960 --> 00:42:24,840 Speaker 1: if you don't show up to the reunion, then you 795 00:42:24,840 --> 00:42:27,000 Speaker 1: don't get to be a housewife. Oh and Lisa did 796 00:42:27,000 --> 00:42:29,319 Speaker 1: it too, right, right, but she did it after and 797 00:42:29,400 --> 00:42:32,200 Speaker 1: she had already let the press know before she didn't show. Well, 798 00:42:32,239 --> 00:42:35,680 Speaker 1: I showed up. I did my job. Yeah, no one's ever, 799 00:42:35,840 --> 00:42:38,640 Speaker 1: No one's ever showed up and quit. That's the thing, Teddy, 800 00:42:38,760 --> 00:42:42,239 Speaker 1: and I was encouraging you to do that, Teddy to time. 801 00:42:42,280 --> 00:42:44,160 Speaker 1: I remember I was like, you should just go and 802 00:42:44,239 --> 00:42:48,160 Speaker 1: quit it. It was I was so emotional. I had 803 00:42:48,200 --> 00:42:51,120 Speaker 1: a hard season. I had a lawsuit. I had just 804 00:42:51,320 --> 00:42:54,680 Speaker 1: found out days before the reunion that my ex husband 805 00:42:54,719 --> 00:42:58,439 Speaker 1: father and my kids had stage three throat cancer. I 806 00:42:58,480 --> 00:43:00,279 Speaker 1: was just like, how am I going to go back 807 00:43:00,320 --> 00:43:02,680 Speaker 1: to the show. My kids need me at home full time, 808 00:43:02,719 --> 00:43:06,200 Speaker 1: which it ultimately worked out for the best because they did. 809 00:43:06,520 --> 00:43:09,400 Speaker 1: I had Sophia full time and it would been just 810 00:43:09,440 --> 00:43:11,839 Speaker 1: too hard. I had to be there for her. Do 811 00:43:11,880 --> 00:43:13,440 Speaker 1: you think it worked out for the best for you 812 00:43:13,480 --> 00:43:18,040 Speaker 1: to Teddy? I think ultimately there are parts that I 813 00:43:18,080 --> 00:43:20,359 Speaker 1: think you go through a grieving process. I think there's 814 00:43:20,400 --> 00:43:22,560 Speaker 1: parts that are really challenging. You get used to it. 815 00:43:22,560 --> 00:43:24,800 Speaker 1: It's a new life for you. It opens more doors. 816 00:43:24,880 --> 00:43:26,839 Speaker 1: There are things that happen, and then once you get 817 00:43:26,840 --> 00:43:28,759 Speaker 1: through that, you let you gotta let yourself be sad 818 00:43:28,760 --> 00:43:30,239 Speaker 1: a little bit, and then all of a sudden, now 819 00:43:30,280 --> 00:43:32,680 Speaker 1: the things that I've been able to do since and 820 00:43:32,719 --> 00:43:34,520 Speaker 1: the life that I've been able to live since, I'm 821 00:43:34,520 --> 00:43:37,160 Speaker 1: really grateful for. And it's not I mean, I'm making 822 00:43:37,200 --> 00:43:39,040 Speaker 1: way more money than I ever made on the show, 823 00:43:39,320 --> 00:43:42,359 Speaker 1: so that's what it is. But I mean I missed 824 00:43:42,400 --> 00:43:45,439 Speaker 1: the fun times, I missed the travel. But you know, yeah, 825 00:43:45,560 --> 00:43:49,440 Speaker 1: I mean it's quite an experience, good and bad, and 826 00:43:49,480 --> 00:43:52,279 Speaker 1: it's hard to go back to your old life. Day. 827 00:43:52,280 --> 00:43:57,279 Speaker 1: Will you come back again for us? Literally any time now. 828 00:43:57,320 --> 00:44:03,799 Speaker 1: I've loved to hear all your opinions on Yeah, where 829 00:44:03,800 --> 00:44:07,920 Speaker 1: do people find you? I'm on both Instagram and Twitter 830 00:44:07,960 --> 00:44:10,719 Speaker 1: at nine days and I any d a d E 831 00:44:10,960 --> 00:44:13,759 Speaker 1: s well now that you are a public person. I 832 00:44:13,800 --> 00:44:17,040 Speaker 1: think you need to change your handles, Dave Quinn. Let's see, 833 00:44:17,040 --> 00:44:20,560 Speaker 1: I would love to number one author, number one best 834 00:44:20,560 --> 00:44:24,360 Speaker 1: selling author of Not All Diamonds and Rose. You guys 835 00:44:24,360 --> 00:44:26,799 Speaker 1: have to get it so any place you want to keep, 836 00:44:27,040 --> 00:44:29,480 Speaker 1: any place you want to send people to buy the book, 837 00:44:30,000 --> 00:44:35,560 Speaker 1: anywhere it's sold. Great. Thank you so much, big, thank 838 00:44:35,560 --> 00:44:38,759 Speaker 1: you so much. Thank you, Dave, Love you,