WEBVTT - "Correctamundo, Tro" (w/ Troye Sivan)

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<v Speaker 1>Look, man. Where? Oh, I see.

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<v Speaker 2>Wow.

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<v Speaker 1>Bowen, look over there. Wow. Is that culture? Yes. Oh,

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<v Speaker 1>my goodness. Wow. Las Culturistas. Ding dong. Las Culturistas calling.

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<v Speaker 1>And it's our first guest in the space. Amazing. And

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<v Speaker 1>the first thing he did was say, sort of encounter

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<v Speaker 1>what was on the table and say, what's that? And

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<v Speaker 1>we said, well, I've never tried that. I'm telling you,

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<v Speaker 1>we're giving it away for free. Because now they have

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<v Speaker 1>one of the world's beloved icons drinking it here.

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<v Speaker 3>And having mixed things to say.

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<v Speaker 1>Which is what they want. And we can be transparent

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<v Speaker 1>about that because they have not offered us some sort

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<v Speaker 1>of global brand deal. So we can sit here and

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<v Speaker 1>actually say how we feel about, and what's the one

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<v Speaker 1>that you have? Arctic Vibe.

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<v Speaker 3>And to the Celsius folks, y'all know it tastes crazy.

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<v Speaker 1>That's part of the appeal, isn't it? Out there, you

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<v Speaker 1>fucking freaks. You want us out here sipping your weird juice?

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<v Speaker 1>One of our crew called it vape juice. Yeah. Oh, no,

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<v Speaker 1>I think our guest called it vape juice. Oh, and

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<v Speaker 1>then it was confirmed by the crew. Our vaping crew.

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<v Speaker 1>I don't want to call anyone out of their name. Well,

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<v Speaker 1>we're about to. I... How dare our guest. How dare

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<v Speaker 1>our guest.

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<v Speaker 2>He..

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<v Speaker 1>Dropped this video on the world. So here's the thing.

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<v Speaker 1>You know Nicole Kidman. I'm talking to the guests at home.

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<v Speaker 1>From Las Culturistas. Not the guests in the chair. I'm

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<v Speaker 1>talking to the guests to this episode, a.k.a. the readers,

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<v Speaker 1>the people that listen to this podcast. You guys know

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<v Speaker 1>Nicole Kidman. You remember her from this podcast where she...

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<v Speaker 1>What happened to her when Tweety Bird came up?

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<v Speaker 3>I think she was just excited to see Tweety Bird.

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<v Speaker 1>Yeah.

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<v Speaker 3>And then I think she is an actor in the

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<v Speaker 3>sense that she... went into a reverie.

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<v Speaker 1>Yeah.

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<v Speaker 3>An embodied Tweety. And that girl, that girl, she's the best.

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<v Speaker 1>This guy, this guy, he's the best. So one of

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<v Speaker 1>the things that I share, um, that we all share

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<v Speaker 1>with our guests is a friend, collaborator, Brett Leland McLaughlin.

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<v Speaker 1>And so he does, I don't want to put him

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<v Speaker 1>on too much blast, but I have heard a large

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<v Speaker 1>portion of this project and, You know what I'm saying?

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<v Speaker 1>He shouldn't have done that. I'm not saying that he

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<v Speaker 1>did too much, but I am saying he did just

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<v Speaker 1>enough for me to know that this Troy era is

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<v Speaker 1>the Troy era. I am very, very, very excited that

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<v Speaker 1>you finally arrived here in this moment because I do believe...

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<v Speaker 1>People are going to say a lot of big things

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<v Speaker 1>because people are going to be excited, but I will

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<v Speaker 1>just be... one of the voices saying how exciting it

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<v Speaker 1>is to see our guest who has always done such

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<v Speaker 1>incredible work, like take it in even further and even

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<v Speaker 1>bolder a direction. And I am just incredibly excited for what,

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<v Speaker 1>what is on the horizon. It gave me ray of light,

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<v Speaker 1>which I told him, which is especially in this era

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<v Speaker 1>where Madonna is so top of mind to say something

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<v Speaker 1>that like this, you can't do it lightly.

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<v Speaker 3>That just hit me like a wave, like Tokyo.

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<v Speaker 1>Mm hmm.

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<v Speaker 3>And I think our guest is a really special person

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<v Speaker 3>to me. And I'm in a reverie. I'm looking at

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<v Speaker 3>Tweety Bird and I'm Nicole Kinman over here. Let's just

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<v Speaker 3>bring him in. Everyone, please welcome Troy Baby.

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<v Speaker 1>Troy Savana!

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<v Speaker 2>Can I talk?

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<v Speaker 1>Yes. You can talk. You're free to speak.

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<v Speaker 2>Guys, what's up?

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<v Speaker 1>Here's the thing.

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<v Speaker 3>And you can kick that however many times you want.

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<v Speaker 2>I'm going to. We're really... it's pokey i love the

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<v Speaker 2>new studio by the way.

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<v Speaker 1>Thank you do you you look perfect in.

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<v Speaker 2>It really thank you this is actually not my preferred side.

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<v Speaker 1>Do you have do you have one of those.

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<v Speaker 2>I do now yeah it's gotten worse over time.

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<v Speaker 3>What made you why why do you say you do

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<v Speaker 3>now what what brought this.

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<v Speaker 2>On age i think i have i have volume loss

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<v Speaker 2>under my left eye age gave you a side Age

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<v Speaker 2>gave me a side.

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<v Speaker 1>Yeah. You have what under your left eye?

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<v Speaker 2>Volume loss.

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<v Speaker 1>Volume loss.

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<v Speaker 3>Okay, but these are terms that we did not know.

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<v Speaker 2>No, my brain is rotten.

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<v Speaker 1>Tell us.

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<v Speaker 2>Just, I mean, I feel like I have the most

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<v Speaker 2>minor thought about volume loss under my left eye. And

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<v Speaker 2>then I'll open Instagram and there's like a reel about

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<v Speaker 2>volume loss under the left eye and how to fix it.

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<v Speaker 1>Yeah, it's incredibly powerful, whatever's happening with the technology that allows,

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<v Speaker 1>it allows your phone to know what you've thought. This happens.

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<v Speaker 2>And I haven't done anything about it yet, but we'll see.

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<v Speaker 1>What's there to do?

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<v Speaker 2>There's a few options. Okay. Filler, which nobody recommends.

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<v Speaker 1>Right, no.

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<v Speaker 2>It's apparently very dangerous to do under your eye. I

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<v Speaker 2>should say I'm not like a medical expert, so don't

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<v Speaker 2>take my advice no matter what.

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<v Speaker 1>You are. It would be incredible if you revealed that

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<v Speaker 1>you were. Yeah, you are.

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<v Speaker 4>Yes, you are.

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<v Speaker 1>I don't like that self-talk.

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<v Speaker 2>You're a Dr. Troy.

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<v Speaker 1>Don't let anyone tell you you're not a medical expert.

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<v Speaker 2>No, so I think that I had a consultation.

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<v Speaker 1>Okay.

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<v Speaker 2>And they told me about the filler and then they

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<v Speaker 2>were like, but don't do that. And then they also

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<v Speaker 2>told me that you can do like... plasma whatever and

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<v Speaker 2>I'm like is that real like am I going to

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<v Speaker 2>notice a difference and they were like maybe and I'm

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<v Speaker 2>like no what's like the real deal like how do

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<v Speaker 2>you actually do it and it's unfortunately fat transfer yeah fat.

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<v Speaker 3>Transfer from the eye or to the eye to the

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<v Speaker 3>eye from wherever they can find.

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<v Speaker 1>It they take it from your ass and put it

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<v Speaker 1>under your eye ass.

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<v Speaker 2>Fat under the eye wherever the.

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<v Speaker 3>Fat is sometimes some of us don't have fat.

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<v Speaker 2>There Someone's going to be into that. Like, you like

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<v Speaker 2>this fat ass?

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<v Speaker 1>You like my beautiful eyes? I took stuff from my

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<v Speaker 1>ass to make them even more beautiful. Jesus. Yeah.

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<v Speaker 2>Yeah, so they take fat, they purify it or something,

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<v Speaker 2>and then they put it under your eye. And then it's... Apparently,

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<v Speaker 2>it's for life. And that's what also scares me.

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<v Speaker 1>Yeah.

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<v Speaker 2>Is that they... Only, like, a certain percentage of it survives.

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<v Speaker 2>So they overfill with the fat. And then some of it...

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<v Speaker 2>dies in there and what survives is supposed to look

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<v Speaker 2>perfect and smooth and like whatever. And it just sounds

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<v Speaker 2>risky to me.

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<v Speaker 1>It sounds risky to me. Any sort of transfer of

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<v Speaker 1>fat from part of your body to it.

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<v Speaker 2>But then the third option is of course, self-acceptance.

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<v Speaker 1>Yeah yeah i thought you were gonna say bag of

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<v Speaker 1>peas when you first said p i thought bag of

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<v Speaker 1>peas i thought you meant just like oh put a

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<v Speaker 1>bag of peas under there like that's what they tell

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<v Speaker 1>you to do like you know just like put a

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<v Speaker 1>bag of ice or like you know whatever just like

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<v Speaker 1>sort of just sleep etc yeah.

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<v Speaker 2>Like anything that's not like upper bluff no just like

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<v Speaker 2>like just do the thing just do the actual thing

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<v Speaker 2>that's going to work like i don't want to i

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<v Speaker 2>don't want to do some weird like A skin cream

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<v Speaker 2>is not going to give me, you know what I mean?

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<v Speaker 1>Yeah, yeah, yeah.

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<v Speaker 3>But it seems like you don't know what the thing,

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<v Speaker 3>the trouble with this is we don't know what the

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<v Speaker 3>thing is.

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<v Speaker 2>What do you mean?

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<v Speaker 1>When you say like, just do the thing.

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<v Speaker 3>Oh, right.

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<v Speaker 1>But we don't know what the thing is.

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<v Speaker 2>It sounds like it's fat transfer, but I just like,

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<v Speaker 2>I just, I can't be bothered.

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<v Speaker 1>But then you got to do that.

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<v Speaker 2>Exactly. Then you get fat transfer under your eyes, which

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<v Speaker 2>just seems like. Such an insane thing to do.

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<v Speaker 1>And that's the thing is I do think we as

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<v Speaker 1>a society could benefit from stepping back a little bit

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<v Speaker 1>and being like, what is this? Right. And like, you

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<v Speaker 1>know what I mean? And sometimes it's like, oh, we're

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<v Speaker 1>talking about like something like salmon sperm. You know what

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<v Speaker 1>I mean? Like, which, which again, I heard is like

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<v Speaker 1>salmon sperm. That's, that's pretty whatever. Right. People like it.

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<v Speaker 1>And what is it? Is it an injection?

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<v Speaker 3>No.

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<v Speaker 2>See, that's something that I would be a skeptic about.

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<v Speaker 2>But I'm sure it's real.

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<v Speaker 1>Because it's the cum of fish.

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<v Speaker 2>Right, how can that be?

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<v Speaker 1>And we stepped back and it was the cum of

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<v Speaker 1>fish that we were talking about.

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<v Speaker 2>The whole time. Totally, when you zoom out.

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<v Speaker 4>Yeah.

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<v Speaker 3>But the cum of humans we put all over the

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<v Speaker 3>fucking place.

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<v Speaker 1>Speak for yourself. So who cares? Speak for yourself, says Troy.

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<v Speaker 1>Where do you guys put it? You guys. Meaning Australians.

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<v Speaker 2>Yes, it goes everywhere.

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<v Speaker 1>It goes everywhere. I mean, I don't know. We put

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<v Speaker 1>it on the face. If it helps. I mean, that's

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<v Speaker 1>the thing. I will try it if it helps. But

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<v Speaker 1>the thing is..

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<v Speaker 2>It's the only time you get cum on your face

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<v Speaker 2>is if there's a cosmetic benefit.

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<v Speaker 1>I wasn't ever the biggest fan anyway. You know what

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<v Speaker 1>I mean?

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<v Speaker 3>Yeah, what are your thoughts on cum? Sometimes it's cool.

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<v Speaker 1>Because you came to Lost Gulch. I did. And here

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<v Speaker 1>we are with our cum questions. I..

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<v Speaker 2>You know... Like, I'm kind of whatever about it.

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<v Speaker 1>Me too.

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<v Speaker 2>I'm not, like, obsessed.

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<v Speaker 1>I've never been like, that was unbelievable. Come.

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<v Speaker 2>I've had that thought.

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<v Speaker 1>No, you know what?

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<v Speaker 2>If the guy is, like, unbelievably hot, and I'm, like,

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<v Speaker 2>falling in love with him, by all means, whatever you want.

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<v Speaker 3>True or false, sometimes guys do, like, perform it too much.

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<v Speaker 1>What, the act of coming?

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<v Speaker 2>Have you ever faked an orgasm?

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<v Speaker 1>I have. I have.

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<v Speaker 2>Tell us about it.

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<v Speaker 1>Okay, so. Okay, yeah.

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<v Speaker 3>It's different for dick people.

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<v Speaker 2>I know, that's the thing, yeah.

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<v Speaker 1>So this happened about five years ago.

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<v Speaker 2>Do I know him?

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<v Speaker 1>I don't know. Whoa. It happened in L.A., and I

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<v Speaker 1>can't come swinging through here with a no with a

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<v Speaker 1>no um but anyway like I I was not bored

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<v Speaker 1>topping but it was kind of just like it wasn't really.

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<v Speaker 3>Happening you can fake it if you're topping yes and.

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<v Speaker 1>So that's why that's how I was able to do

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<v Speaker 1>so is because I was like oh wasn't that.

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<v Speaker 2>Over but then after doesn't he like realize well he.

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<v Speaker 1>Did ask me did you come and I was like

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<v Speaker 1>yeah oh so I said yeah like an older brother

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<v Speaker 1>in a sitcom yeah of course I did anyways.

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<v Speaker 2>He's like why are you talking like that feels like

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<v Speaker 2>you didn't come yeah.

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<v Speaker 1>I commend you for lying. I know. Sometimes lying is cool.

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<v Speaker 1>Sometimes lying is super cool. It's what I need to

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<v Speaker 1>do for survival in that moment. Have you? I have.

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<v Speaker 3>Yeah.

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<v Speaker 2>Very similar situation. Yeah, yeah, yeah. You just hedged. But

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<v Speaker 2>it wasn't our first time.

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<v Speaker 1>Yeah.

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<v Speaker 2>So I was like, this is the perfect crime. There's

0:10:46.580 --> 0:10:47.880
<v Speaker 2>no way that he's going to know.

0:10:47.900 --> 0:10:49.890
<v Speaker 1>This is the perfect crime. Because..

0:10:50.760 --> 0:10:54.040
<v Speaker 2>You know, it's like already happened. Yeah. So it's just

0:10:54.059 --> 0:10:55.679
<v Speaker 2>not happening again. Yeah.

0:10:55.700 --> 0:10:55.800
<v Speaker 1>Right.

0:10:55.960 --> 0:10:59.040
<v Speaker 2>So I was like, I did a gorgeous performance.

0:10:59.200 --> 0:10:59.460
<v Speaker 1>Yeah.

0:11:00.080 --> 0:11:01.120
<v Speaker 2>Very convincing, hopefully.

0:11:01.280 --> 0:11:01.500
<v Speaker 1>Yeah.

0:11:01.660 --> 0:11:02.320
<v Speaker 2>And I don't think you ever knew.

0:11:02.340 --> 0:11:03.980
<v Speaker 1>You're a really good actor. You are a great actor.

0:11:04.100 --> 0:11:05.740
<v Speaker 1>And that's one of the things I want to talk

0:11:05.760 --> 0:11:07.340
<v Speaker 1>to you about at some point when we move off

0:11:07.380 --> 0:11:11.810
<v Speaker 1>this topic, which I'm still interested in exploring. Hold on.

0:11:12.250 --> 0:11:13.689
<v Speaker 1>And this is my exploration. Go ahead.

0:11:14.110 --> 0:11:16.830
<v Speaker 3>Who's to say that we haven't had people fake it

0:11:16.850 --> 0:11:17.150
<v Speaker 3>with us?

0:11:17.550 --> 0:11:21.290
<v Speaker 1>You know what I mean? Mm-hmm. I've had people fake.

0:11:21.570 --> 0:11:24.480
<v Speaker 3>I'm sure statistically speaking, I don't know who, but I'm

0:11:24.500 --> 0:11:27.160
<v Speaker 3>sure someone's faked it with me. And I'm like, yeah,

0:11:27.200 --> 0:11:29.140
<v Speaker 3>that's just how the numbers go.

0:11:29.280 --> 0:11:29.579
<v Speaker 1>Yeah.

0:11:29.920 --> 0:11:30.160
<v Speaker 2>Right.

0:11:30.780 --> 0:11:32.200
<v Speaker 1>Oh, no. Is that so sad?

0:11:32.640 --> 0:11:35.140
<v Speaker 2>No, I just actually hadn't considered it for myself. I'm like,

0:11:35.420 --> 0:11:37.360
<v Speaker 2>I've done it for someone else, but of course no

0:11:37.380 --> 0:11:38.480
<v Speaker 2>one's ever done that for me. Yeah.

0:11:38.500 --> 0:11:39.819
<v Speaker 1>Well, you're always the exception.

0:11:39.880 --> 0:11:40.230
<v Speaker 2>Totally.

0:11:40.330 --> 0:11:41.040
<v Speaker 1>You may be.

0:11:41.090 --> 0:11:43.189
<v Speaker 2>I mean.

0:11:43.850 --> 0:11:46.250
<v Speaker 1>I want to know about your experience with poppers now.

0:11:46.850 --> 0:11:47.110
<v Speaker 2>Okay.

0:11:47.370 --> 0:11:49.150
<v Speaker 1>Because you felt the rush and made us all feel

0:11:49.170 --> 0:11:49.490
<v Speaker 1>the rush.

0:11:49.510 --> 0:11:49.630
<v Speaker 3>Mm-hmm.

0:11:50.970 --> 0:11:53.650
<v Speaker 1>The thing about poppers over time is they are a

0:11:53.690 --> 0:11:55.610
<v Speaker 1>drug that you inhale and they go right to your

0:11:55.650 --> 0:11:59.970
<v Speaker 1>brain and sort of, I would say, potentially wreck that

0:12:00.590 --> 0:12:03.130
<v Speaker 1>human organ that we need. So where are you at

0:12:03.170 --> 0:12:05.740
<v Speaker 1>with it now? And is fantasy reality?

0:12:06.320 --> 0:12:10.260
<v Speaker 2>Fantasy is definitely reality. I'm not like crazy obsessed, like

0:12:10.280 --> 0:12:14.000
<v Speaker 2>as in it's not that frequent. Yeah, yeah, yeah. I

0:12:14.020 --> 0:12:17.990
<v Speaker 2>would say the issue is now it's hard for me

0:12:18.020 --> 0:12:20.630
<v Speaker 2>to be like, in the moment with someone i'm like

0:12:20.870 --> 0:12:22.730
<v Speaker 2>do you like poppers like it just it feels like

0:12:22.770 --> 0:12:24.760
<v Speaker 2>kind of a joke almost or something like that like

0:12:24.780 --> 0:12:26.640
<v Speaker 2>if i if i whip out a bottle.

0:12:26.460 --> 0:12:29.600
<v Speaker 1>Of rush it's like you're mickey mouse totally yeah.

0:12:29.420 --> 0:12:31.760
<v Speaker 2>Totally doing like whatever mickey mouse does you know um

0:12:32.440 --> 0:12:34.459
<v Speaker 2>so yeah.

0:12:34.110 --> 0:12:36.250
<v Speaker 1>Mickey mouse tends to have like a great day yes

0:12:36.570 --> 0:12:38.170
<v Speaker 1>you know what i mean so like you being the

0:12:38.210 --> 0:12:40.469
<v Speaker 1>mickey mouse of poppers actually is perfect.

0:12:40.150 --> 0:12:42.349
<v Speaker 2>Right yeah so it's just like i feel like it

0:12:42.390 --> 0:12:44.980
<v Speaker 2>was maybe cooler before whereas now it's like a little

0:12:45.000 --> 0:12:47.120
<v Speaker 2>bit like wearing a t-shirt or something.

0:12:47.200 --> 0:12:48.350
<v Speaker 1>We know you feel the rush.

0:12:48.490 --> 0:12:51.050
<v Speaker 3>You did not, you're not responsible for the ways that

0:12:51.090 --> 0:12:54.250
<v Speaker 3>we all realize that like, this is maybe like destroying

0:12:54.309 --> 0:12:57.030
<v Speaker 3>our brains in a way that like you wish, you

0:12:57.250 --> 0:12:59.010
<v Speaker 3>wish someone would do that for phones.

0:12:59.590 --> 0:13:02.030
<v Speaker 1>You know what I mean? Like, can you tackle that?

0:13:02.050 --> 0:13:04.050
<v Speaker 1>Can you tackle, can you do a song about phones?

0:13:04.190 --> 0:13:04.430
<v Speaker 2>Yes.

0:13:04.750 --> 0:13:04.870
<v Speaker 4>Yeah.

0:13:05.010 --> 0:13:05.960
<v Speaker 1>Social media addiction.

0:13:06.000 --> 0:13:08.900
<v Speaker 2>I wrote a song about phones once. Um, I think

0:13:08.920 --> 0:13:10.140
<v Speaker 2>I've written two songs about phones.

0:13:10.540 --> 0:13:12.200
<v Speaker 1>Just like, what's the take?

0:13:12.980 --> 0:13:13.339
<v Speaker 2>Hate them.

0:13:13.640 --> 0:13:13.980
<v Speaker 4>Yeah.

0:13:14.120 --> 0:13:15.550
<v Speaker 1>Yeah. Yeah. Yeah.

0:13:15.650 --> 0:13:18.380
<v Speaker 2>I'm, I'm really, I do think that all of our

0:13:18.400 --> 0:13:19.460
<v Speaker 2>brains are like turning to mush.

0:13:20.800 --> 0:13:23.040
<v Speaker 1>What do you think of the credit card theory that

0:13:23.059 --> 0:13:25.360
<v Speaker 1>there's a credit card in all of our brains? Whoa.

0:13:25.440 --> 0:13:27.660
<v Speaker 1>That's because of microplastics though. That's not because of social

0:13:27.679 --> 0:13:30.440
<v Speaker 1>media addiction. Right. Yeah. But there's so many things to

0:13:30.480 --> 0:13:31.020
<v Speaker 1>be afraid of.

0:13:31.340 --> 0:13:31.820
<v Speaker 2>Totally.

0:13:31.980 --> 0:13:32.220
<v Speaker 4>Yeah.

0:13:32.660 --> 0:13:34.000
<v Speaker 1>But some people have good credit.

0:13:34.020 --> 0:13:34.090
<v Speaker 2>Wow.

0:13:37.090 --> 0:13:39.750
<v Speaker 1>Was that you feeling the rush? Yeah.

0:13:40.750 --> 0:13:43.090
<v Speaker 3>I did do poppers again for the first time in like,

0:13:43.150 --> 0:13:43.910
<v Speaker 3>I want to say over a year.

0:13:43.970 --> 0:13:45.550
<v Speaker 1>Yeah. the other week.

0:13:45.570 --> 0:13:47.970
<v Speaker 2>And I was like, recreationally or sexually?

0:13:49.050 --> 0:13:49.929
<v Speaker 1>Recreationally.

0:13:49.950 --> 0:13:50.350
<v Speaker 2>Okay.

0:13:50.710 --> 0:13:53.430
<v Speaker 1>Well, I know I was, I was recreational. Sometimes the

0:13:53.470 --> 0:13:55.830
<v Speaker 1>line is blurred. Sexually.

0:13:56.030 --> 0:13:56.449
<v Speaker 2>Yeah.

0:13:57.170 --> 0:14:00.810
<v Speaker 3>And I was like, I mean, it does really, you

0:14:00.870 --> 0:14:01.890
<v Speaker 3>are addicted.

0:14:01.500 --> 0:14:02.670
<v Speaker 1>To, I got addicted to them.

0:14:04.130 --> 0:14:05.550
<v Speaker 2>Oh, that's where you're coming from with this.

0:14:05.590 --> 0:14:05.860
<v Speaker 1>Yes, yes.

0:14:05.870 --> 0:14:07.870
<v Speaker 2>I forgot this about you. Yeah, yeah, yeah. And now

0:14:07.929 --> 0:14:10.850
<v Speaker 2>I remembered. Yes, you and another person that I know.

0:14:10.870 --> 0:14:10.950
<v Speaker 1>Yeah.

0:14:11.490 --> 0:14:13.360
<v Speaker 2>I only know two people and she's a girl.

0:14:13.410 --> 0:14:15.120
<v Speaker 1>Yeah, Rachel Tennant. Yeah. It's possible.

0:14:15.340 --> 0:14:15.860
<v Speaker 2>It's possible.

0:14:16.020 --> 0:14:18.340
<v Speaker 3>It's like when Gaga says, like, people don't realize that

0:14:18.360 --> 0:14:19.760
<v Speaker 3>you can get addicted to marijuana.

0:14:20.240 --> 0:14:22.540
<v Speaker 1>Right. It's that kind of thing. You can get addicted

0:14:22.560 --> 0:14:23.400
<v Speaker 1>to anything. Yeah.

0:14:23.460 --> 0:14:23.880
<v Speaker 2>Totally.

0:14:24.020 --> 0:14:26.580
<v Speaker 1>You can get addicted to anything that I guess has

0:14:26.600 --> 0:14:30.000
<v Speaker 1>a stimuli that you would then need again. Mm-hmm. my

0:14:30.010 --> 0:14:30.620
<v Speaker 1>strength addiction.

0:14:30.630 --> 0:14:32.840
<v Speaker 2>So Matt, do you, you don't like touch them anymore?

0:14:32.960 --> 0:14:34.400
<v Speaker 1>No, you know what it was? It was kind of

0:14:34.420 --> 0:14:37.320
<v Speaker 1>just like, I, they can be around. It's just that like,

0:14:37.440 --> 0:14:39.560
<v Speaker 1>it has to, well, they can't really be around. The

0:14:39.600 --> 0:14:41.620
<v Speaker 1>guest star has to bring them over. If the guest

0:14:41.640 --> 0:14:44.420
<v Speaker 1>star brings them over, then, then it's good and fine.

0:14:44.480 --> 0:14:48.400
<v Speaker 1>But it's just like, I spent a long time being

0:14:48.440 --> 0:14:51.580
<v Speaker 1>that person that would like wake up in the morning

0:14:51.620 --> 0:14:52.740
<v Speaker 1>and use them to jack off.

0:14:53.400 --> 0:14:54.120
<v Speaker 2>Oh, to jack off.

0:14:54.240 --> 0:14:55.600
<v Speaker 1>Yeah. Okay. I thought you were just saying like with

0:14:55.640 --> 0:14:56.640
<v Speaker 1>a coffee. Oh, no, no, no. Not to like do

0:14:56.700 --> 0:14:59.040
<v Speaker 1>my day. Yeah, yeah. Well, I gotta go get coffee.

0:14:59.120 --> 0:14:59.190
<v Speaker 2>Shh.

0:14:59.770 --> 0:15:01.870
<v Speaker 1>You know what I mean? Like, no, it wasn't like that.

0:15:01.970 --> 0:15:04.470
<v Speaker 1>But I think it's, there was like a cultural moment, like,

0:15:04.830 --> 0:15:09.570
<v Speaker 1>and this predated the, the rush moment, but it was like,

0:15:09.950 --> 0:15:12.050
<v Speaker 1>there was a time like in our mid twenties where

0:15:12.120 --> 0:15:15.980
<v Speaker 1>we were just ripping it in bars and clubs, like,

0:15:16.200 --> 0:15:19.060
<v Speaker 1>like even just watching RuPaul's Drag Race.

0:15:19.100 --> 0:15:21.010
<v Speaker 3>Yeah, no, we would just do it very recreationally. And I,

0:15:21.160 --> 0:15:22.720
<v Speaker 3>and I just came up with a term for, um,

0:15:22.900 --> 0:15:23.640
<v Speaker 3>you know, wake and bake.

0:15:23.980 --> 0:15:24.180
<v Speaker 2>Yes.

0:15:24.540 --> 0:15:27.390
<v Speaker 1>You were yawning yank. Yon and Yank.

0:15:27.580 --> 0:15:27.880
<v Speaker 2>Wow.

0:15:27.900 --> 0:15:28.440
<v Speaker 1>Yon and Yank.

0:15:28.600 --> 0:15:29.980
<v Speaker 2>I mean, that's amazing.

0:15:30.100 --> 0:15:31.920
<v Speaker 1>Thank you. That's really, really good.

0:15:32.000 --> 0:15:34.160
<v Speaker 2>Because it's not just specific to poppers. That's just like

0:15:34.200 --> 0:15:35.350
<v Speaker 2>a thing that people do.

0:15:35.470 --> 0:15:37.110
<v Speaker 1>You don't need poppers to do that.

0:15:37.130 --> 0:15:37.790
<v Speaker 2>Yon and Yank.

0:15:37.970 --> 0:15:40.670
<v Speaker 1>Wow. I love a Yon and Yank.

0:15:41.920 --> 0:15:43.600
<v Speaker 2>I woke up at 3 a.m. this morning because I'm

0:15:44.020 --> 0:15:44.460
<v Speaker 2>jet lagged.

0:15:44.640 --> 0:15:45.840
<v Speaker 1>Yeah. Time shifter.

0:15:45.860 --> 0:15:46.510
<v Speaker 2>I considered it.

0:15:46.720 --> 0:15:49.160
<v Speaker 1>Because it was too early for you.

0:15:49.230 --> 0:15:53.590
<v Speaker 3>It was too early. I don't want to get too personal.

0:15:53.750 --> 0:15:54.170
<v Speaker 2>Right, right.

0:15:54.370 --> 0:15:56.510
<v Speaker 1>Sorry. Time shifter.

0:15:57.570 --> 0:15:57.970
<v Speaker 2>I know.

0:15:57.990 --> 0:15:59.460
<v Speaker 1>But it doesn't work for you.

0:15:59.840 --> 0:16:01.320
<v Speaker 2>Well, I just sort of do it in my head

0:16:01.340 --> 0:16:03.830
<v Speaker 2>because I used it. It's quite expensive, that app.

0:16:04.610 --> 0:16:05.910
<v Speaker 1>But I think it's worth it. Really?

0:16:05.930 --> 0:16:09.510
<v Speaker 3>You don't lose the day. I will pay any price

0:16:09.550 --> 0:16:10.350
<v Speaker 3>to avoid jet lag.

0:16:10.950 --> 0:16:11.230
<v Speaker 2>Right.

0:16:11.270 --> 0:16:13.770
<v Speaker 1>Not any price, but reasonably. Do you know about this app?

0:16:14.290 --> 0:16:14.470
<v Speaker 3>Yes.

0:16:15.290 --> 0:16:17.310
<v Speaker 1>I attempted to use the Time Shifter app, and it

0:16:17.350 --> 0:16:19.550
<v Speaker 1>didn't work for me as well. I think what I

0:16:19.600 --> 0:16:21.720
<v Speaker 1>try to do is just try to go to sleep

0:16:21.960 --> 0:16:22.900
<v Speaker 1>at night. Right.

0:16:23.180 --> 0:16:24.320
<v Speaker 2>And you don't nap during the day.

0:16:25.080 --> 0:16:27.100
<v Speaker 1>No, not really. I'm not like a napper. It's not

0:16:27.160 --> 0:16:30.510
<v Speaker 1>as easy as that. Yeah, of course you're going to

0:16:30.550 --> 0:16:30.930
<v Speaker 1>try to go to sleep.

0:16:30.950 --> 0:16:33.190
<v Speaker 2>And you follow the rules, like no caffeine at this time.

0:16:33.870 --> 0:16:36.109
<v Speaker 3>Yes, I am supposed to be done with caffeine. Oh,

0:16:36.110 --> 0:16:37.690
<v Speaker 3>get this away from me. I'm supposed to be done

0:16:37.710 --> 0:16:38.010
<v Speaker 3>with caffeine.

0:16:38.030 --> 0:16:39.410
<v Speaker 1>Oh, because you're going to Berlin. I'm going to Berlin tomorrow.

0:16:39.470 --> 0:16:41.770
<v Speaker 1>Have you been to Berlin? Yeah, clearly. Hello.

0:16:41.950 --> 0:16:42.930
<v Speaker 2>We filmed the Rush video there.

0:16:43.010 --> 0:16:46.970
<v Speaker 1>Oh, duh, yeah. Me asking questions. Wait, wasn't Bloom there too?

0:16:47.310 --> 0:16:48.250
<v Speaker 2>No, Bloom was in New York.

0:16:50.430 --> 0:16:52.100
<v Speaker 3>Where was that warehouse? I love that warehouse.

0:16:52.140 --> 0:16:52.920
<v Speaker 2>I don't remember.

0:16:52.940 --> 0:16:54.979
<v Speaker 1>No, not Bloom. Sorry, sorry. My, my, my. My, my,

0:16:54.980 --> 0:16:55.550
<v Speaker 1>my was in L.A.

0:16:57.530 --> 0:16:58.490
<v Speaker 3>It looked like Europe to me.

0:16:58.730 --> 0:17:00.950
<v Speaker 2>Yeah. It was like a really sort of random like

0:17:01.150 --> 0:17:01.930
<v Speaker 2>power plant.

0:17:01.950 --> 0:17:02.850
<v Speaker 3>And it was rainy.

0:17:02.870 --> 0:17:05.150
<v Speaker 2>It was raining. I don't remember if that was real

0:17:05.230 --> 0:17:06.800
<v Speaker 2>or fake rain. I think it was maybe fake rain.

0:17:06.820 --> 0:17:08.820
<v Speaker 1>I love that video. I love my, my, my. And

0:17:08.920 --> 0:17:14.700
<v Speaker 1>I loved blonde, that you were blonde though, right? Blonde, dark,

0:17:14.940 --> 0:17:16.080
<v Speaker 1>but yet dark Troy.

0:17:16.140 --> 0:17:18.460
<v Speaker 2>Yes. The skinniest person you've ever seen in your life.

0:17:18.600 --> 0:17:20.669
<v Speaker 2>Like it was a, it was a crazy vibe I

0:17:20.710 --> 0:17:21.869
<v Speaker 2>had at the time. I'll see pictures of myself and

0:17:21.890 --> 0:17:23.990
<v Speaker 2>be like, whoa, I looked crazy kind of.

0:17:24.190 --> 0:17:26.810
<v Speaker 1>Really? Well, like, okay. So what's like the hair, is

0:17:26.830 --> 0:17:30.090
<v Speaker 1>there a hair logic to you? Like I was blonde

0:17:30.109 --> 0:17:31.990
<v Speaker 1>then because of this, or I have dark hair now

0:17:32.010 --> 0:17:32.590
<v Speaker 1>because of that.

0:17:33.330 --> 0:17:35.050
<v Speaker 2>Not really. I think the only, I mean like the

0:17:35.090 --> 0:17:39.170
<v Speaker 2>closest thing to it is, um, I think like last album,

0:17:39.280 --> 0:17:42.820
<v Speaker 2>even I felt remnants of feeling like I needed to

0:17:43.020 --> 0:17:48.060
<v Speaker 2>step into a role or something like that. And I

0:17:48.540 --> 0:17:50.320
<v Speaker 2>knew that this time I didn't want to do that.

0:17:50.400 --> 0:17:53.929
<v Speaker 2>So this feels like, I'm wearing a very cool hat today.

0:17:54.090 --> 0:17:55.169
<v Speaker 1>Yeah, you certainly are.

0:17:55.190 --> 0:17:56.410
<v Speaker 2>No noise for the hat so far.

0:17:56.430 --> 0:17:57.949
<v Speaker 1>No, no, no. I love that. I thought it was

0:17:57.990 --> 0:17:59.570
<v Speaker 1>going to be worked into the intro. The noise sort

0:17:59.609 --> 0:18:02.469
<v Speaker 1>of happened in the other room. Right, right. Where we

0:18:02.520 --> 0:18:05.500
<v Speaker 1>viewed the video and everything. And I immediately wanted to

0:18:05.560 --> 0:18:08.700
<v Speaker 1>compliment you on what I think is you finding your colors.

0:18:08.960 --> 0:18:09.560
<v Speaker 2>Thank you.

0:18:09.780 --> 0:18:12.560
<v Speaker 1>Because I recently found out I was in autumn, says Melissa.

0:18:12.760 --> 0:18:13.760
<v Speaker 2>Did you actually do the thing?

0:18:14.619 --> 0:18:16.970
<v Speaker 1>We didn't need, she used her eye. But we need

0:18:16.990 --> 0:18:19.930
<v Speaker 1>to do it. But you wearing things that would suggest

0:18:19.970 --> 0:18:21.310
<v Speaker 1>you've truly found your color.

0:18:21.330 --> 0:18:22.860
<v Speaker 2>Thank you so much. Thank you.

0:18:23.080 --> 0:18:27.139
<v Speaker 1>I think you're a summer. Yeah. That would rock for...

0:18:27.020 --> 0:18:27.639
<v Speaker 1>That would rock.

0:18:27.660 --> 0:18:30.280
<v Speaker 2>I think you're so right. It's not based on personality.

0:18:30.560 --> 0:18:30.780
<v Speaker 1>No.

0:18:30.880 --> 0:18:32.060
<v Speaker 2>It's purely aesthetics.

0:18:32.260 --> 0:18:34.500
<v Speaker 1>Purely your color rating. Right. You know what I mean?

0:18:34.680 --> 0:18:36.940
<v Speaker 1>But would you want to be anything other than a summer, though?

0:18:36.960 --> 0:18:38.530
<v Speaker 2>No, that's why I was so flattered for a second.

0:18:38.550 --> 0:18:39.030
<v Speaker 1>Yeah, yeah, yeah.

0:18:39.050 --> 0:18:40.070
<v Speaker 2>I thought you were saying that about me.

0:18:40.170 --> 0:18:42.429
<v Speaker 1>If someone points to you and says you're a summer.

0:18:42.450 --> 0:18:44.010
<v Speaker 2>It's huge. Love that.

0:18:44.030 --> 0:18:47.240
<v Speaker 3>I think you wrote the best song about... Gay travel.

0:18:48.119 --> 0:18:48.580
<v Speaker 2>Which one?

0:18:48.619 --> 0:18:50.800
<v Speaker 1>What's the time where you are? Oh, yeah. You know

0:18:50.820 --> 0:18:51.080
<v Speaker 1>what I mean?

0:18:51.180 --> 0:18:55.399
<v Speaker 2>Thank you. Yeah. Yeah, I really like that song. I

0:18:55.440 --> 0:18:56.740
<v Speaker 2>heard it the other day. The other day I was

0:18:56.760 --> 0:18:59.420
<v Speaker 2>driving home from a shoot and I had such a

0:18:59.480 --> 0:19:04.359
<v Speaker 2>sweet driver who decided that he thought that I would

0:19:04.380 --> 0:19:06.770
<v Speaker 2>want to listen to my own music the whole way home.

0:19:07.590 --> 0:19:12.790
<v Speaker 2>And it was on like... So every time a song

0:19:12.810 --> 0:19:15.200
<v Speaker 2>would end, I would like clench my bum.

0:19:15.540 --> 0:19:15.740
<v Speaker 1>Oh, no.

0:19:15.760 --> 0:19:18.360
<v Speaker 2>So nervous about what is going to play because he was,

0:19:18.640 --> 0:19:20.699
<v Speaker 2>I mean, Spotify or whatever was playing that music was

0:19:20.740 --> 0:19:24.940
<v Speaker 2>like pulling out some absolute wild cards, including like a

0:19:25.060 --> 0:19:27.820
<v Speaker 2>song from the Trolls soundtrack at one point that I

0:19:27.850 --> 0:19:28.919
<v Speaker 2>like forgot that I did.

0:19:29.830 --> 0:19:30.330
<v Speaker 1>Fright Fest.

0:19:30.430 --> 0:19:32.649
<v Speaker 2>And so, but that song came on and I was like,

0:19:32.670 --> 0:19:34.030
<v Speaker 2>this one's actually, I like this song.

0:19:34.630 --> 0:19:37.609
<v Speaker 3>Now, and I have to tell you what is so

0:19:37.650 --> 0:19:40.800
<v Speaker 3>aspirational about that song is every gig I once... some,

0:19:40.800 --> 0:19:47.359
<v Speaker 3>some guy leaving him a voice note. That's like joy, baby.

0:19:47.359 --> 0:19:49.020
<v Speaker 3>baby who did that.

0:19:49.240 --> 0:19:51.240
<v Speaker 2>So i put on my instagram i was like send

0:19:51.300 --> 0:19:54.760
<v Speaker 2>me voice notes of you saying um last night was

0:19:54.800 --> 0:19:59.320
<v Speaker 2>fucking crazy in like your language accent whatever yes and

0:19:59.820 --> 0:20:02.639
<v Speaker 2>that guy like failed the assignment but just sent me

0:20:02.660 --> 0:20:05.000
<v Speaker 2>a voice note anyway like just like a general like

0:20:05.020 --> 0:20:08.050
<v Speaker 2>what's up one and he started it with joy baby

0:20:08.170 --> 0:20:12.620
<v Speaker 2>like he was like talking and um dreamy it's actually

0:20:12.660 --> 0:20:17.070
<v Speaker 2>iconic he basically so i used it in that song

0:20:17.380 --> 0:20:20.210
<v Speaker 2>you used it in supernatural well so i use it

0:20:20.230 --> 0:20:21.330
<v Speaker 2>first and once a time where you are and we

0:20:21.350 --> 0:20:23.470
<v Speaker 2>got like a because everything obviously has to go through

0:20:23.510 --> 0:20:25.869
<v Speaker 2>the label so it's like you do like a license

0:20:25.990 --> 0:20:30.290
<v Speaker 2>or whatever for the for using his recording then it

0:20:30.310 --> 0:20:31.449
<v Speaker 2>came time to use it again because i was like

0:20:31.470 --> 0:20:33.790
<v Speaker 2>i'm gonna make this like my tag and he was

0:20:33.810 --> 0:20:38.230
<v Speaker 2>like Yes, I would love that. $ 50 million. Not actually,

0:20:38.290 --> 0:20:41.869
<v Speaker 2>but he was like, this is my opportunity to cash in.

0:20:41.900 --> 0:20:44.399
<v Speaker 2>This is what I've said is worth.

0:20:44.660 --> 0:20:44.940
<v Speaker 3>Yes.

0:20:45.619 --> 0:20:48.550
<v Speaker 2>And we did pay him. We paid him for it.

0:20:48.540 --> 0:20:49.219
<v Speaker 1>$ 50 million?

0:20:49.280 --> 0:20:51.379
<v Speaker 2>Not $ 50 million, but not far off.

0:20:51.680 --> 0:20:54.050
<v Speaker 1>But he'll be fine for the rest of his life.

0:20:54.070 --> 0:20:54.700
<v Speaker 2>Totally, yeah.

0:20:54.990 --> 0:20:56.990
<v Speaker 3>And his children and his children's children.

0:20:57.010 --> 0:20:58.410
<v Speaker 1>And his children's children.

0:20:58.430 --> 0:20:59.850
<v Speaker 2>And then I didn't use it on the new album.

0:21:00.369 --> 0:21:03.050
<v Speaker 2>So I've got this very expensive Sample.

0:21:03.109 --> 0:21:03.679
<v Speaker 1>Single use.

0:21:03.710 --> 0:21:05.949
<v Speaker 2>I tried to recreate it. Like I tried to do

0:21:06.010 --> 0:21:08.669
<v Speaker 2>it because if you just re-record it, then it's my recording,

0:21:08.710 --> 0:21:09.300
<v Speaker 2>not his anymore.

0:21:09.820 --> 0:21:10.540
<v Speaker 1>Your master's.

0:21:10.820 --> 0:21:14.220
<v Speaker 2>My master, exactly. So I tried to do it. And

0:21:14.240 --> 0:21:16.379
<v Speaker 2>so I'm like in the mic like, Troy baby. And

0:21:16.500 --> 0:21:16.870
<v Speaker 2>it just like..

0:21:16.840 --> 0:21:17.980
<v Speaker 1>That sounded good.

0:21:18.040 --> 0:21:20.980
<v Speaker 2>It didn't have the same vibe. I could feel something

0:21:21.020 --> 0:21:22.159
<v Speaker 2>was off.

0:21:22.540 --> 0:21:26.800
<v Speaker 3>Would it be legally sound for you to do another

0:21:27.140 --> 0:21:30.290
<v Speaker 3>open call for people to send in their version of

0:21:30.350 --> 0:21:30.950
<v Speaker 3>Troy baby?

0:21:31.109 --> 0:21:31.330
<v Speaker 1>Yes.

0:21:31.470 --> 0:21:35.159
<v Speaker 2>And we would just... like tighten up the legal in

0:21:35.180 --> 0:21:36.580
<v Speaker 2>the front half of that. You know what I mean?

0:21:36.600 --> 0:21:37.109
<v Speaker 2>Like on the front end.

0:21:37.119 --> 0:21:38.760
<v Speaker 3>Well, yeah, I mean, this is where, this is where

0:21:38.780 --> 0:21:41.120
<v Speaker 3>you can either it's, it's make or break for your lawyers.

0:21:41.260 --> 0:21:41.660
<v Speaker 2>Totally.

0:21:41.900 --> 0:21:44.460
<v Speaker 1>Like if they, if they can make this work, they're staying.

0:21:44.660 --> 0:21:47.680
<v Speaker 1>You know what? I just decided you don't even have

0:21:47.740 --> 0:21:50.130
<v Speaker 1>to ask me. We don't have to do any legal stuff.

0:21:50.290 --> 0:21:51.869
<v Speaker 1>I'm going to give it to you right now. There

0:21:51.890 --> 0:21:53.990
<v Speaker 1>you go. Quiet, quiet, quiet on set.

0:21:55.130 --> 0:21:55.270
<v Speaker 2>Okay.

0:21:58.400 --> 0:22:00.240
<v Speaker 3>Okay, you didn't have the consonants.

0:22:01.380 --> 0:22:03.480
<v Speaker 1>It was a little too much. I'm going to go.

0:22:04.330 --> 0:22:05.310
<v Speaker 1>Quiet on set.

0:22:07.330 --> 0:22:08.630
<v Speaker 3>Troy, baby.

0:22:09.270 --> 0:22:09.810
<v Speaker 2>It's French?

0:22:09.850 --> 0:22:10.830
<v Speaker 1>A little bit.

0:22:11.270 --> 0:22:11.590
<v Speaker 2>Cool.

0:22:11.950 --> 0:22:13.950
<v Speaker 1>Yeah, because maybe there was a little too much sauce

0:22:14.010 --> 0:22:16.810
<v Speaker 1>on the... Oh, you're giving me notes.

0:22:17.010 --> 0:22:18.450
<v Speaker 2>Yeah, is that okay?

0:22:18.630 --> 0:22:20.710
<v Speaker 1>We're trying to help each other here book Troy.

0:22:22.450 --> 0:22:29.100
<v Speaker 3>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:22:29.060 --> 0:22:31.440
<v Speaker 1>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:22:31.320 --> 0:22:39.980
<v Speaker 3>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:22:39.820 --> 0:22:42.600
<v Speaker 2>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:22:42.359 --> 0:22:44.400
<v Speaker 1>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt;.

0:22:44.340 --> 0:22:49.640
<v Speaker 2>&lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; &lt;HAL&gt; Tro. It doesn't sound like,

0:22:49.820 --> 0:22:51.850
<v Speaker 2>it sounds like you have to really try like to

0:22:51.930 --> 0:22:53.070
<v Speaker 2>say it. You know what I mean?

0:22:53.330 --> 0:22:54.350
<v Speaker 1>Coming pretty naturally to me.

0:22:54.410 --> 0:22:54.690
<v Speaker 3>Really?

0:22:54.970 --> 0:22:55.130
<v Speaker 1>Yeah.

0:22:55.350 --> 0:22:56.530
<v Speaker 2>Go for it. Be my guest.

0:22:56.630 --> 0:22:59.750
<v Speaker 1>Try to say it right now. Oh my God. Tro.

0:22:59.830 --> 0:23:02.959
<v Speaker 1>I love the new song. I think it sounds correctamundo.

0:23:03.460 --> 0:23:05.020
<v Speaker 1>I think it sounds correctamundo.

0:23:05.119 --> 0:23:05.919
<v Speaker 2>Yeah. That's really chic.

0:23:05.940 --> 0:23:06.760
<v Speaker 1>Correctamundo for sure.

0:23:06.840 --> 0:23:08.260
<v Speaker 2>I like that. I like it a lot.

0:23:08.800 --> 0:23:10.300
<v Speaker 3>Wait, what was I going to ask you? Oh, um,

0:23:10.840 --> 0:23:12.199
<v Speaker 3>Time shifter. Just try it.

0:23:12.400 --> 0:23:12.600
<v Speaker 2>Okay.

0:23:12.760 --> 0:23:13.399
<v Speaker 1>Try it, Tro.

0:23:13.480 --> 0:23:13.859
<v Speaker 2>I'll give it a go.

0:23:13.859 --> 0:23:15.580
<v Speaker 1>Are you going to be... Is it about to be

0:23:15.660 --> 0:23:17.380
<v Speaker 1>international moments?

0:23:17.460 --> 0:23:21.820
<v Speaker 2>No, because I moved to New York yesterday.

0:23:22.260 --> 0:23:23.060
<v Speaker 1>Fully moved?

0:23:23.460 --> 0:23:25.720
<v Speaker 2>I mean, I brought like three suitcases. I'm here for..

0:23:25.740 --> 0:23:26.080
<v Speaker 1>You're here.

0:23:26.260 --> 0:23:27.240
<v Speaker 2>I'm here till November.

0:23:27.260 --> 0:23:28.239
<v Speaker 1>Okay, I thought you said..

0:23:28.220 --> 0:23:30.060
<v Speaker 2>I mean, I'm traveling because of like album stuff, but

0:23:30.140 --> 0:23:31.760
<v Speaker 2>I'm like basing myself here.

0:23:32.520 --> 0:23:33.310
<v Speaker 1>Yeah.

0:23:33.330 --> 0:23:35.330
<v Speaker 3>But you're doing the thing that every gay guy does,

0:23:35.530 --> 0:23:35.960
<v Speaker 3>which is..

0:23:36.050 --> 0:23:36.620
<v Speaker 2>Come to the phone.

0:23:36.720 --> 0:23:39.790
<v Speaker 1>I live here now. Oh, right, right. And then you're like, great,

0:23:39.830 --> 0:23:44.080
<v Speaker 1>let's hang out. I'm in L.A. I'm in L.A. until 2027.

0:23:44.080 --> 0:23:49.240
<v Speaker 2>Totally. I know that I'm like, I'm not really moving.

0:23:49.280 --> 0:23:51.560
<v Speaker 2>I mean, like, I'm giving it a go. That's what

0:23:51.580 --> 0:23:52.020
<v Speaker 2>I'm trying.

0:23:52.320 --> 0:23:53.800
<v Speaker 1>Really, really try, Tro.

0:23:53.840 --> 0:23:54.100
<v Speaker 2>Yeah.

0:23:54.800 --> 0:23:58.140
<v Speaker 1>Because... All right, Bo. Well, we were saying with Terry,

0:24:00.590 --> 0:24:04.109
<v Speaker 1>is your husband in any other city? We don't know.

0:24:04.130 --> 0:24:08.909
<v Speaker 1>But likelihoods go up of husbands being..

0:24:09.480 --> 0:24:09.880
<v Speaker 2>I have theories.

0:24:09.940 --> 0:24:11.440
<v Speaker 1>In the city when we're talking about New York.

0:24:11.619 --> 0:24:11.860
<v Speaker 4>Go ahead.

0:24:12.020 --> 0:24:12.720
<v Speaker 1>Share your theories.

0:24:13.340 --> 0:24:14.080
<v Speaker 2>If I had to guess.

0:24:14.200 --> 0:24:14.440
<v Speaker 1>Yeah.

0:24:15.020 --> 0:24:16.899
<v Speaker 2>I think London. I think he's in London.

0:24:16.920 --> 0:24:17.900
<v Speaker 1>You think your husband's in London?

0:24:17.920 --> 0:24:22.800
<v Speaker 2>I think so. The British sensibility, sense of humor. I

0:24:22.840 --> 0:24:26.160
<v Speaker 2>just like when I'm there, I feel very comfortable. Yeah.

0:24:26.200 --> 0:24:32.459
<v Speaker 2>And at home, I like the vibes. Next, Melbourne.

0:24:32.980 --> 0:24:33.510
<v Speaker 1>You think so?

0:24:33.640 --> 0:24:33.880
<v Speaker 3>Yeah.

0:24:34.530 --> 0:24:35.220
<v Speaker 2>My family's there.

0:24:35.240 --> 0:24:35.480
<v Speaker 1>Home is home.

0:24:35.510 --> 0:24:36.510
<v Speaker 2>It would be very convenient.

0:24:36.530 --> 0:24:36.790
<v Speaker 1>Yeah.

0:24:37.630 --> 0:24:40.619
<v Speaker 2>Then New York. And then a million other cities. And

0:24:40.660 --> 0:24:41.220
<v Speaker 2>then LA.

0:24:41.480 --> 0:24:43.950
<v Speaker 1>But in terms of American cities, you think New York

0:24:44.210 --> 0:24:46.030
<v Speaker 1>is offering the most husband potential.

0:24:46.710 --> 0:24:46.930
<v Speaker 3>Yes.

0:24:47.050 --> 0:24:49.649
<v Speaker 2>And this is not me saying like personality wise or

0:24:49.670 --> 0:24:52.010
<v Speaker 2>anything like that. I just, I'm just like thinking logistically,

0:24:52.050 --> 0:24:55.810
<v Speaker 2>like practically, I think it would be hard. I would love, like,

0:24:56.250 --> 0:25:01.129
<v Speaker 2>I feel no attachment to living in either LA or

0:25:01.170 --> 0:25:03.389
<v Speaker 2>New York. Like it sounds very nice to me to

0:25:03.410 --> 0:25:05.950
<v Speaker 2>like live in Seattle or something like that.

0:25:05.990 --> 0:25:06.210
<v Speaker 1>Yeah.

0:25:06.830 --> 0:25:10.959
<v Speaker 2>Um, It's more just like, if I'm being real with myself, like,

0:25:11.020 --> 0:25:12.320
<v Speaker 2>is that going to work?

0:25:12.380 --> 0:25:14.700
<v Speaker 1>LA was practical because it was kind of the closest

0:25:14.780 --> 0:25:15.370
<v Speaker 1>to Australia.

0:25:16.140 --> 0:25:17.810
<v Speaker 2>I just sort of thought that I had to live there.

0:25:17.930 --> 0:25:19.409
<v Speaker 2>That's what was so mind blowing. I came to New

0:25:19.450 --> 0:25:21.610
<v Speaker 2>York like a couple of months ago. I was supposed

0:25:21.630 --> 0:25:23.790
<v Speaker 2>to be here for 10 days. And then my friends

0:25:24.090 --> 0:25:26.070
<v Speaker 2>who have a place here, they, they were away and

0:25:26.090 --> 0:25:27.250
<v Speaker 2>they were like, just go stay for as long as

0:25:27.270 --> 0:25:29.590
<v Speaker 2>you want. And so I stayed here for like five

0:25:29.650 --> 0:25:33.370
<v Speaker 2>weeks and I was so productive. I worked. Yeah. And

0:25:33.609 --> 0:25:35.910
<v Speaker 2>I was like, oh, I didn't really realize that this

0:25:35.970 --> 0:25:37.980
<v Speaker 2>was like an option. I thought that I had to

0:25:38.000 --> 0:25:39.400
<v Speaker 2>live in LA and I don't think I do.

0:25:39.420 --> 0:25:41.160
<v Speaker 1>I don't think anyone does.

0:25:41.320 --> 0:25:44.390
<v Speaker 2>Yeah. So, I mean, I like LA, but.

0:25:45.850 --> 0:25:46.910
<v Speaker 1>Meanwhile, I'm moving there in January.

0:25:47.280 --> 0:25:47.520
<v Speaker 2>Are you?

0:25:47.859 --> 0:25:51.300
<v Speaker 3>Well, just to be with my bi-coastal girl.

0:25:51.800 --> 0:25:52.040
<v Speaker 2>Right.

0:25:52.100 --> 0:25:54.980
<v Speaker 1>He has now sort of, for the first time, started

0:25:55.000 --> 0:25:57.820
<v Speaker 1>to wrap his head around the idea of this very thing,

0:25:57.840 --> 0:25:59.629
<v Speaker 1>which is, well, I thought I had to live in

0:25:59.650 --> 0:26:00.609
<v Speaker 1>a certain place.

0:26:00.650 --> 0:26:01.869
<v Speaker 3>And I had to live in New York for the

0:26:01.890 --> 0:26:02.550
<v Speaker 3>past years.

0:26:02.650 --> 0:26:03.890
<v Speaker 2>Oh, you actually did, though.

0:26:03.930 --> 0:26:04.570
<v Speaker 1>Literally.

0:26:04.790 --> 0:26:06.250
<v Speaker 3>And now I'm like, oh, wait, I don't have to

0:26:06.330 --> 0:26:07.950
<v Speaker 3>be here in the fucking dead of winter.

0:26:07.970 --> 0:26:09.030
<v Speaker 2>Totally.

0:26:09.930 --> 0:26:11.170
<v Speaker 1>But are you on the husband hunt?

0:26:12.050 --> 0:26:12.210
<v Speaker 2>Yeah.

0:26:12.540 --> 0:26:15.689
<v Speaker 1>Because I feel like you are a more romantic person now.

0:26:16.820 --> 0:26:17.820
<v Speaker 1>then you may be led on.

0:26:18.480 --> 0:26:24.960
<v Speaker 2>Yeah, I think I'm like a very sensitive person. Yeah, yeah, yeah.

0:26:25.140 --> 0:26:26.980
<v Speaker 1>Like you give kisses to the air just there. It

0:26:27.480 --> 0:26:28.610
<v Speaker 1>showed how romantic you were.

0:26:28.720 --> 0:26:29.590
<v Speaker 2>Very sweet like that.

0:26:29.890 --> 0:26:30.310
<v Speaker 1>Yeah.

0:26:31.350 --> 0:26:36.190
<v Speaker 2>Yeah, I definitely, yeah, of course. I don't know. I'm

0:26:36.270 --> 0:26:37.970
<v Speaker 2>also 31.

0:26:37.970 --> 0:26:39.470
<v Speaker 1>Correctamundo. Correctamundo.

0:26:39.490 --> 0:26:43.750
<v Speaker 2>So I'm like, it's a funny story. I'm nervous that

0:26:43.790 --> 0:26:45.070
<v Speaker 2>he's going to listen to this. If he does, it's

0:26:45.109 --> 0:26:48.080
<v Speaker 2>totally fine because I'm saying this with love. I went

0:26:48.420 --> 0:26:50.860
<v Speaker 2>on a few dates and had a sort of like

0:26:51.640 --> 0:26:55.520
<v Speaker 2>very strong emotional connection, I would say, with a guy

0:26:55.640 --> 0:26:59.200
<v Speaker 2>who works in finance. And I was like, this is amazing.

0:26:59.780 --> 0:27:03.140
<v Speaker 2>He has no idea what's going on. And I love

0:27:03.160 --> 0:27:07.850
<v Speaker 2>that about him. But there's a point. And it was

0:27:07.910 --> 0:27:12.210
<v Speaker 2>after Coachella. And he was like, did you see that

0:27:12.290 --> 0:27:15.649
<v Speaker 2>Madonna came out with Sabrina Carpenter? He was like, I

0:27:15.750 --> 0:27:16.950
<v Speaker 2>thought that Madonna was dead.

0:27:17.630 --> 0:27:18.699
<v Speaker 1>Oh no.

0:27:18.940 --> 0:27:19.540
<v Speaker 2>There's a point.

0:27:19.619 --> 0:27:20.740
<v Speaker 1>That's the point.

0:27:21.180 --> 0:27:23.180
<v Speaker 2>That's a point, right?

0:27:23.480 --> 0:27:25.020
<v Speaker 1>Oh no, you can't, you can't do that.

0:27:25.300 --> 0:27:26.520
<v Speaker 2>Like, I can't.

0:27:27.520 --> 0:27:31.290
<v Speaker 1>I thought Madonna was dead. You can't tell someone, you

0:27:31.390 --> 0:27:35.430
<v Speaker 1>can't tell someone, oh, actually Madonna is alive and then

0:27:35.470 --> 0:27:36.990
<v Speaker 1>continue a relationship.

0:27:37.010 --> 0:27:39.330
<v Speaker 2>He was like, I thought she was like an old, old,

0:27:39.530 --> 0:27:43.200
<v Speaker 2>old artist. Right. Like, I guess because the name sort

0:27:43.240 --> 0:27:44.659
<v Speaker 2>of gives that, right?

0:27:45.320 --> 0:27:47.700
<v Speaker 1>We need to get him to the dance-a-teria first of all.

0:27:47.920 --> 0:27:48.240
<v Speaker 2>Yeah.

0:27:48.480 --> 0:27:51.270
<v Speaker 1>He needs to be educated ASAP about just how alive

0:27:51.330 --> 0:27:51.830
<v Speaker 1>she is.

0:27:52.070 --> 0:27:54.070
<v Speaker 2>But I just want to say, just in case he

0:27:54.090 --> 0:27:55.130
<v Speaker 2>does watch it, that guy's amazing.

0:27:55.470 --> 0:27:59.100
<v Speaker 1>Yeah, of course he is. He's the best. He actually

0:27:59.150 --> 0:28:02.359
<v Speaker 1>sounds like an incredible person, and I really do think

0:28:02.460 --> 0:28:05.780
<v Speaker 1>there is another world where it happens. It's just that

0:28:06.359 --> 0:28:08.850
<v Speaker 1>for the people in this room... You just can't date

0:28:08.890 --> 0:28:11.149
<v Speaker 1>someone who's like, I didn't know Madonna was alive.

0:28:11.650 --> 0:28:13.570
<v Speaker 2>At least not right now. Maybe when I slow down

0:28:13.630 --> 0:28:16.020
<v Speaker 2>with like music and stuff like that, and I don't

0:28:16.060 --> 0:28:18.000
<v Speaker 2>need someone to like bounce off of in the way

0:28:18.040 --> 0:28:21.719
<v Speaker 2>that I do right now. I think the person has

0:28:21.760 --> 0:28:22.960
<v Speaker 2>to know that Madonna's alive.

0:28:26.040 --> 0:28:29.220
<v Speaker 1>Sometimes the butt goes through a lot. When the butt speaks,

0:28:29.750 --> 0:28:30.990
<v Speaker 1>we listen. We sure do.

0:28:31.369 --> 0:28:34.169
<v Speaker 3>Preparation H is the butt care expert and the number

0:28:34.270 --> 0:28:37.629
<v Speaker 3>one doctor recommended brand helping people get relief from hemorrhoids

0:28:37.690 --> 0:28:38.530
<v Speaker 3>with confidence.

0:28:38.650 --> 0:28:41.830
<v Speaker 1>Because let's be honest, you know that moment when you're

0:28:41.870 --> 0:28:44.560
<v Speaker 1>trying to focus on literally anything else in your butt

0:28:44.670 --> 0:28:49.960
<v Speaker 1>is like, hi, excuse me? Yeah, that moment. The good news?

0:28:50.490 --> 0:28:54.110
<v Speaker 3>Preparation H offers relief in multiple forms to fit your needs.

0:28:54.350 --> 0:28:59.060
<v Speaker 1>Medicated wipes formulated with witch hazel, aloe, and vitamin E

0:28:59.080 --> 0:29:02.360
<v Speaker 1>to help keep things calm, cool, and collected. Even in

0:29:02.400 --> 0:29:04.080
<v Speaker 1>the case of dreaded hemorrhoids.

0:29:04.580 --> 0:29:08.460
<v Speaker 3>Multi-symptom relief cream for itching, burning.

0:29:09.120 --> 0:29:13.320
<v Speaker 1>And swelling. And for those more dramatic moments, rapid relief

0:29:13.360 --> 0:29:18.080
<v Speaker 1>spray with maximum strength lidocaine starts to numb pain on contact.

0:29:18.480 --> 0:29:24.250
<v Speaker 3>Together, it's a simple system. Wipe, cream, spray. Helping make

0:29:24.330 --> 0:29:25.970
<v Speaker 3>life feel manageable again.

0:29:26.370 --> 0:29:29.370
<v Speaker 1>Preparation H treats the issue rather than just masking it.

0:29:29.750 --> 0:29:32.130
<v Speaker 1>No shame here, only solutions.

0:29:32.430 --> 0:29:36.540
<v Speaker 3>So if your butt has been begging for a little kindness,

0:29:37.200 --> 0:29:39.890
<v Speaker 3>wipe and treat for better relief with Preparation H.

0:29:41.580 --> 0:29:41.900
<v Speaker 1>Troy.

0:29:41.920 --> 0:29:41.990
<v Speaker 2>Yep.

0:29:42.860 --> 0:29:46.060
<v Speaker 1>Tro. Correctamundo. Correctamundo.

0:29:46.560 --> 0:29:51.170
<v Speaker 3>Tro, would you recommend other people go into the fragrance business?

0:29:52.290 --> 0:29:53.870
<v Speaker 2>Hell yeah.

0:29:54.070 --> 0:29:55.970
<v Speaker 3>Because Greta and I want to start a new fragrance.

0:29:56.010 --> 0:29:57.310
<v Speaker 1>Do you? Do you?

0:29:57.350 --> 0:29:58.950
<v Speaker 3>We want to start a fragrance line called Faja.

0:29:59.600 --> 0:30:04.370
<v Speaker 1>Faja? From Austin Powers Goldmember. Yeah. What would it smell like? Well,

0:30:04.550 --> 0:30:05.750
<v Speaker 1>I think it would be..

0:30:05.570 --> 0:30:06.950
<v Speaker 2>It sounds expensive.

0:30:07.110 --> 0:30:07.550
<v Speaker 1>Faja.

0:30:07.590 --> 0:30:10.010
<v Speaker 3>Faja doesn't... But it's goofy. Okay.

0:30:10.130 --> 0:30:12.590
<v Speaker 1>But it's chic. It's like a comedian fragrance. It's a

0:30:12.610 --> 0:30:15.560
<v Speaker 1>comedian fragrance. Got it. You know what I mean? I

0:30:15.600 --> 0:30:18.000
<v Speaker 1>want to release one which is just... It's a blue

0:30:18.060 --> 0:30:21.020
<v Speaker 1>bottle and it's just the shape of my body and

0:30:21.040 --> 0:30:24.220
<v Speaker 1>I'm just like this. And it's called Bold.

0:30:24.760 --> 0:30:28.940
<v Speaker 2>Gorgeous. I love that. I wouldn't lead with the comedian

0:30:28.960 --> 0:30:31.020
<v Speaker 2>fragrance thing that, that like it was chic in my head.

0:30:31.040 --> 0:30:32.520
<v Speaker 1>It doesn't feel like it smells good.

0:30:32.620 --> 0:30:35.219
<v Speaker 2>I just feel like, like sweaty standup. You know what

0:30:35.260 --> 0:30:36.560
<v Speaker 2>I mean? Came to my mind.

0:30:37.900 --> 0:30:38.260
<v Speaker 1>You're right.

0:30:38.280 --> 0:30:39.600
<v Speaker 2>Like nervous sweat.

0:30:39.840 --> 0:30:40.540
<v Speaker 1>Nervous sweat standup.

0:30:40.780 --> 0:30:42.820
<v Speaker 3>But wait, you've, you've told us a million times, but

0:30:43.020 --> 0:30:44.420
<v Speaker 3>how did you come up with, with what was the,

0:30:44.440 --> 0:30:45.940
<v Speaker 3>what's the name origin of Sulane?

0:30:46.310 --> 0:30:50.350
<v Speaker 2>It's okay. So the name it's Yiddish. And even I get,

0:30:50.710 --> 0:30:54.000
<v Speaker 2>I'm like, I, I get, nervous to say it for

0:30:54.080 --> 0:30:55.580
<v Speaker 2>other people because i'm like i know how to say

0:30:55.600 --> 0:30:56.780
<v Speaker 2>it but i just i don't want to make.

0:30:56.760 --> 0:30:58.720
<v Speaker 3>People don't don't think about other people.

0:30:58.740 --> 0:31:02.180
<v Speaker 2>I know right so so it's yiddish it's and it

0:31:02.220 --> 0:31:03.850
<v Speaker 2>means to long years it's like a.

0:31:03.850 --> 0:31:06.290
<v Speaker 1>Toast to long years oh i love that.

0:31:06.410 --> 0:31:10.690
<v Speaker 2>When someone sneezes yes yeah when someone sneezes you say

0:31:11.670 --> 0:31:13.590
<v Speaker 2>which just means like bless you yeah i think and

0:31:13.610 --> 0:31:16.010
<v Speaker 2>that means to health and so then there's too long

0:31:16.030 --> 0:31:19.830
<v Speaker 2>years and um And I did it with my brother

0:31:19.870 --> 0:31:22.360
<v Speaker 2>and it was all about like family and heritage. And

0:31:22.520 --> 0:31:24.640
<v Speaker 2>we were like, you know what? Till like many, many years.

0:31:24.660 --> 0:31:26.140
<v Speaker 2>This is the one who now has two kids. I

0:31:26.140 --> 0:31:28.700
<v Speaker 2>was like to many years of like this vibe.

0:31:29.420 --> 0:31:30.980
<v Speaker 1>You are an artist. Wow.

0:31:31.060 --> 0:31:31.850
<v Speaker 2>Thank you. You are.

0:31:31.880 --> 0:31:34.400
<v Speaker 1>I'm sorry. Even just you talking about that. I have. Okay.

0:31:34.460 --> 0:31:36.800
<v Speaker 1>So this is, this is what I wanted to reveal

0:31:36.880 --> 0:31:39.080
<v Speaker 1>because I don't think there's lore that people don't know.

0:31:40.220 --> 0:31:43.380
<v Speaker 1>So I have been in the recording studio with Troy.

0:31:43.560 --> 0:31:44.340
<v Speaker 2>I wasn't going to bring it up.

0:31:44.660 --> 0:31:47.660
<v Speaker 1>I was finishing my album. Have you heard of Christmas?

0:31:47.780 --> 0:31:50.750
<v Speaker 1>The week. that the Rush music video was coming out.

0:31:50.790 --> 0:31:52.310
<v Speaker 1>So we were all on what I referred to at

0:31:52.350 --> 0:31:55.630
<v Speaker 1>the time and sometimes still do as The Compound at Leland's.

0:31:56.130 --> 0:31:58.560
<v Speaker 1>And you were there and it was so exciting because

0:31:58.780 --> 0:32:03.480
<v Speaker 1>it was coming out and we were literally putting my

0:32:03.560 --> 0:32:09.030
<v Speaker 1>album together and Troy's voice is all over my album.

0:32:09.230 --> 0:32:12.610
<v Speaker 2>It is. First of all, I might get in trouble

0:32:12.670 --> 0:32:14.320
<v Speaker 2>because I was signed at the time. Fuck him. I...

0:32:17.430 --> 0:32:21.160
<v Speaker 2>There's this weird like lull before something comes out where

0:32:21.200 --> 0:32:24.180
<v Speaker 2>like the rush video was done. Everything is done. And

0:32:24.200 --> 0:32:27.800
<v Speaker 2>so I'm like kind of free for a week, you know?

0:32:28.400 --> 0:32:30.140
<v Speaker 2>And cause I'm not even really doing press yet. Cause

0:32:30.180 --> 0:32:31.959
<v Speaker 2>it's not out yet. You know what I mean? And

0:32:32.020 --> 0:32:34.220
<v Speaker 2>so I was just chilling at the compound all the time.

0:32:34.580 --> 0:32:38.610
<v Speaker 2>And you guys are making this gorgeous Christmas album. And I,

0:32:38.910 --> 0:32:43.430
<v Speaker 2>if I'm at Leland's house and he's working, I like

0:32:43.570 --> 0:32:46.610
<v Speaker 2>almost 100% of the time will insert myself into his work. job,

0:32:46.710 --> 0:32:47.250
<v Speaker 2>whatever it is.

0:32:47.270 --> 0:32:47.969
<v Speaker 1>Which is wonderful.

0:32:48.030 --> 0:32:51.900
<v Speaker 2>So I love doing a little like sneaky writing for

0:32:52.260 --> 0:32:54.480
<v Speaker 2>X or Y or whatever. It's like very fun for me.

0:32:54.960 --> 0:32:57.360
<v Speaker 2>And you were writing this gorgeous Christmas album and you

0:32:57.380 --> 0:33:00.700
<v Speaker 2>needed some background vocals and you were amazing. And we

0:33:00.740 --> 0:33:03.060
<v Speaker 2>were vocal producing you and I remember giving you notes.

0:33:03.100 --> 0:33:06.240
<v Speaker 1>The best was, so there's like, I had like nine

0:33:06.280 --> 0:33:08.080
<v Speaker 1>songs I was doing and there was three where we

0:33:08.120 --> 0:33:11.690
<v Speaker 1>were writing kind of new. And so we were, there's

0:33:11.790 --> 0:33:15.250
<v Speaker 1>one called Rum Pum Pum. And I pitch, I like

0:33:15.290 --> 0:33:17.230
<v Speaker 1>sort of come in with my idea of what it is.

0:33:17.930 --> 0:33:21.450
<v Speaker 1>And then it's Leland and Troy. And I'm like, well,

0:33:21.530 --> 0:33:23.190
<v Speaker 1>here we go. Like, if I can't do it for them,

0:33:23.210 --> 0:33:25.510
<v Speaker 1>I can't do it for anyone. So I do it.

0:33:25.540 --> 0:33:27.900
<v Speaker 1>And they're like, mm-hmm. I leave the room. I come back.

0:33:27.960 --> 0:33:30.720
<v Speaker 1>And Troy's got the cans in his hand. And I'm like, oh, Troy.

0:33:31.020 --> 0:33:34.860
<v Speaker 1>Troy basically vocal produced Rum Pum Pum. So cool. With Brett.

0:33:36.040 --> 0:33:38.120
<v Speaker 1>Rum Pum Pum. It's the one that's like, shake that

0:33:38.200 --> 0:33:42.550
<v Speaker 1>fat Christmas ass. Let it go. Hit the snow.

0:33:43.130 --> 0:33:43.510
<v Speaker 3>Oh, my god.

0:33:43.530 --> 0:33:43.670
<v Speaker 1>Yes.

0:33:43.810 --> 0:33:44.650
<v Speaker 2>I remember this.

0:33:44.810 --> 0:33:45.690
<v Speaker 1>Rum Pum Pum.

0:33:46.010 --> 0:33:46.190
<v Speaker 2>Fuck.

0:33:47.770 --> 0:33:50.790
<v Speaker 1>It goes like that. It's like my banger. Yeah. The

0:33:50.830 --> 0:33:53.370
<v Speaker 1>girls throw ass at my shows when Rum Pum Pum

0:33:53.410 --> 0:33:54.650
<v Speaker 1>comes on. You have to come see it.

0:33:54.950 --> 0:33:57.110
<v Speaker 3>Are you vocally on that or are you producing?

0:33:57.190 --> 0:33:58.050
<v Speaker 2>Am I vocally on.

0:33:58.390 --> 0:34:02.270
<v Speaker 1>Rum Pum Pum? You are. You're vocally on Every Christmas Eve,

0:34:02.310 --> 0:34:04.590
<v Speaker 1>which is my song from the perspective of Mrs. Claus.

0:34:04.870 --> 0:34:07.020
<v Speaker 2>What's the gorgeous ballad?

0:34:07.040 --> 0:34:10.979
<v Speaker 1>You Still Make It Rain on Christmas. Oh, I love that. Yeah,

0:34:11.020 --> 0:34:13.319
<v Speaker 1>he's on that. And then he's on Rum Pum Pum,

0:34:13.360 --> 0:34:15.719
<v Speaker 1>which he's responsible for a lot of my vocal take

0:34:15.760 --> 0:34:18.069
<v Speaker 1>in that. Troye Sivan. And I was like, can I

0:34:18.130 --> 0:34:20.290
<v Speaker 1>credit Troye Sivan in the notes? And they were like, no,

0:34:20.330 --> 0:34:23.009
<v Speaker 1>he's a signed artist elsewhere. He can't. So it's only

0:34:23.070 --> 0:34:23.890
<v Speaker 1>now that we reveal.

0:34:24.030 --> 0:34:24.470
<v Speaker 2>Totally.

0:34:24.590 --> 0:34:25.940
<v Speaker 1>Totally.

0:34:26.360 --> 0:34:29.219
<v Speaker 3>I have to insert myself in this beautiful moment for

0:34:29.260 --> 0:34:31.660
<v Speaker 3>both of you. I don't know if you remember this,

0:34:31.739 --> 0:34:33.859
<v Speaker 3>but Matt and I got into a huge fight over

0:34:33.900 --> 0:34:35.020
<v Speaker 3>FaceTime that week.

0:34:35.940 --> 0:34:37.200
<v Speaker 1>You weren't there at the time. You weren't there at

0:34:37.239 --> 0:34:37.660
<v Speaker 1>the time.

0:34:37.860 --> 0:34:39.460
<v Speaker 2>I wasn't there, but I do remember.

0:34:39.520 --> 0:34:40.259
<v Speaker 1>But you heard about it.

0:34:40.500 --> 0:34:41.160
<v Speaker 2>Yeah, I heard about it.

0:34:41.160 --> 0:34:43.080
<v Speaker 1>This was when I was going through a fucking..

0:34:43.410 --> 0:34:45.790
<v Speaker 3>Breakdown because I was flying back and forth shooting Wicked

0:34:45.810 --> 0:34:47.830
<v Speaker 3>and doing SNL and it was in the summer but

0:34:47.850 --> 0:34:52.640
<v Speaker 3>I was like I have to get on medication it

0:34:52.680 --> 0:34:55.260
<v Speaker 3>was an important time that was that was a that was.

0:34:55.260 --> 0:34:58.259
<v Speaker 1>A moment in the culture like we were in Matt

0:34:58.280 --> 0:35:00.960
<v Speaker 1>and Bowen fighting I was just like so much was

0:35:01.020 --> 0:35:03.280
<v Speaker 1>going on with you and I was doing this thing

0:35:03.340 --> 0:35:07.030
<v Speaker 1>and then literally in the next room Troy was like, okay,

0:35:07.070 --> 0:35:09.070
<v Speaker 1>I guess the Rush music video is coming out in

0:35:09.170 --> 0:35:12.259
<v Speaker 1>three hours. And we were like, this is so exciting.

0:35:12.660 --> 0:35:15.980
<v Speaker 1>And someone made lasagna? Dave Mazzoni came over and made

0:35:16.000 --> 0:35:17.910
<v Speaker 1>lasagna for us all. So nice.

0:35:18.010 --> 0:35:18.290
<v Speaker 4>Wow.

0:35:19.100 --> 0:35:20.339
<v Speaker 2>Amazing memory, both of you.

0:35:20.360 --> 0:35:24.440
<v Speaker 1>Yeah, yeah, yeah. Also, Henry Kapurski, who wrote all of

0:35:24.600 --> 0:35:28.239
<v Speaker 1>my Christmas music with me, is the saxophone on... The saxophonist,

0:35:28.500 --> 0:35:30.620
<v Speaker 1>if you will. The saxophonist on your album.

0:35:30.640 --> 0:35:32.370
<v Speaker 2>Yeah, yeah, on How to Stay With You, on my

0:35:32.410 --> 0:35:32.830
<v Speaker 2>last album.

0:35:32.969 --> 0:35:33.209
<v Speaker 4>Yeah.

0:35:33.350 --> 0:35:38.189
<v Speaker 1>Love. Yes, yes, I knew that. And it doesn't end there,

0:35:38.230 --> 0:35:39.870
<v Speaker 1>because you also, and this is what I wanted to

0:35:39.910 --> 0:35:43.440
<v Speaker 1>say earlier, because this movie needs its flowers. You're the

0:35:43.500 --> 0:35:47.840
<v Speaker 1>star of three months, which is Jared Freider's writing and

0:35:47.880 --> 0:35:51.739
<v Speaker 1>directorial debut. And that's on Paramount Plus now. And you

0:35:51.800 --> 0:35:53.469
<v Speaker 1>are fantastic. You're so good.

0:35:53.770 --> 0:35:56.509
<v Speaker 2>And then Jared wins Gay Guy Normal, right?

0:35:56.550 --> 0:35:56.690
<v Speaker 3>Yes.

0:35:56.710 --> 0:35:58.569
<v Speaker 1>He won Best Gay Guy Normal. And I believe, did

0:35:58.610 --> 0:35:59.850
<v Speaker 1>you win Best Gay Guy Famous?

0:36:00.030 --> 0:36:01.230
<v Speaker 2>I think I've won it before, yeah.

0:36:01.290 --> 0:36:01.630
<v Speaker 1>Yeah.

0:36:01.670 --> 0:36:03.570
<v Speaker 2>And I get offended every time I'm not nominated.

0:36:04.380 --> 0:36:06.879
<v Speaker 1>I don't want you to be offended. But people generally

0:36:06.900 --> 0:36:08.670
<v Speaker 1>take it, you take it personally. And I understand why.

0:36:08.680 --> 0:36:09.140
<v Speaker 1>Very much so.

0:36:09.239 --> 0:36:11.080
<v Speaker 2>Especially because I've been nominated before. So I was like,

0:36:11.100 --> 0:36:14.640
<v Speaker 2>what did I do? Between last year and this year.

0:36:14.680 --> 0:36:20.379
<v Speaker 1>I guess, why don't we see how the album goes? Wow.

0:36:21.400 --> 0:36:23.339
<v Speaker 3>Would you be okay if you were nominated and would

0:36:23.380 --> 0:36:27.339
<v Speaker 3>win another category? That's not gay guy at all. That's like,

0:36:27.420 --> 0:36:29.920
<v Speaker 3>oh my God, like best hat wearer, Troye Sivan.

0:36:30.300 --> 0:36:32.200
<v Speaker 1>Is hats going to be a big part of the rollout?

0:36:33.380 --> 0:36:35.480
<v Speaker 2>TBD. Today's literally day one. Like you guys are one

0:36:35.500 --> 0:36:36.320
<v Speaker 2>of my first interviews.

0:36:36.340 --> 0:36:38.120
<v Speaker 1>I love wearing a hat. I think this feels like

0:36:38.160 --> 0:36:38.479
<v Speaker 1>a thing.

0:36:38.600 --> 0:36:39.140
<v Speaker 2>Does it really?

0:36:39.180 --> 0:36:40.600
<v Speaker 1>You need to look into Ziggy Chen.

0:36:41.060 --> 0:36:42.799
<v Speaker 2>It's that weird thing where I put it on and

0:36:42.840 --> 0:36:44.180
<v Speaker 2>I'm like, I look at myself in the mirror and

0:36:44.200 --> 0:36:46.120
<v Speaker 2>I'm like, is this? It's really good.

0:36:46.280 --> 0:36:46.620
<v Speaker 1>It's you.

0:36:47.320 --> 0:36:48.180
<v Speaker 2>Do I believe myself?

0:36:48.540 --> 0:36:49.879
<v Speaker 1>Yes. It's not wearing you.

0:36:50.440 --> 0:36:50.739
<v Speaker 2>Oh, really?

0:36:50.880 --> 0:36:53.420
<v Speaker 1>Well, nothing does. No, you look at everything.

0:36:53.440 --> 0:36:55.259
<v Speaker 2>No, when I wear it forwards, it's wearing me.

0:36:55.989 --> 0:36:57.609
<v Speaker 1>Can we say that or no?

0:36:58.469 --> 0:37:00.390
<v Speaker 2>I mean, all of a sudden I'm like. I don't know.

0:37:00.469 --> 0:37:03.989
<v Speaker 1>I like this. Now it's giving actor. The other one

0:37:04.030 --> 0:37:07.690
<v Speaker 1>was giving musician. This is a musician.

0:37:07.930 --> 0:37:08.210
<v Speaker 4>Really?

0:37:08.410 --> 0:37:08.670
<v Speaker 1>Yeah.

0:37:08.790 --> 0:37:09.110
<v Speaker 3>Okay.

0:37:09.270 --> 0:37:10.229
<v Speaker 1>The other way was an actor.

0:37:10.930 --> 0:37:13.310
<v Speaker 2>Wow i know yeah i mean it's like immediately i

0:37:13.330 --> 0:37:14.950
<v Speaker 2>want to like do a british accent or something like

0:37:14.969 --> 0:37:16.650
<v Speaker 2>that when it's on the yeah so.

0:37:16.530 --> 0:37:19.330
<v Speaker 3>You do want a british boyfriend i just think.

0:37:19.219 --> 0:37:23.020
<v Speaker 2>They're funny they're very british irish whatever like yeah you

0:37:23.040 --> 0:37:24.680
<v Speaker 2>know like funny.

0:37:24.920 --> 0:37:27.000
<v Speaker 3>Funny and they funny in a way that we're like

0:37:27.020 --> 0:37:27.980
<v Speaker 3>they don't give a shit.

0:37:28.000 --> 0:37:29.779
<v Speaker 2>They don't give a shit at all yeah i can

0:37:29.820 --> 0:37:33.080
<v Speaker 2>like get a beer with someone that i've just met

0:37:33.280 --> 0:37:36.420
<v Speaker 2>and immediately we're like off to the races shooting the shit. Yeah.

0:37:36.500 --> 0:37:37.860
<v Speaker 3>I went on one day with a British guy in

0:37:38.320 --> 0:37:40.299
<v Speaker 3>the UK and was like, Oh, this is, this is

0:37:40.340 --> 0:37:41.009
<v Speaker 3>really nice.

0:37:41.180 --> 0:37:41.450
<v Speaker 2>Yeah.

0:37:41.469 --> 0:37:42.110
<v Speaker 3>I haven't heard from him.

0:37:42.370 --> 0:37:45.830
<v Speaker 1>The way they describe things is very, very fun. Enchanting.

0:37:45.989 --> 0:37:48.070
<v Speaker 1>I mean, that was one of my favorite things about

0:37:48.310 --> 0:37:54.109
<v Speaker 1>dating a Brit was the descriptions of things in, in

0:37:54.190 --> 0:37:58.130
<v Speaker 1>their slang is very, it's, it's always entertaining.

0:37:58.850 --> 0:38:02.739
<v Speaker 2>There's also a, um, there's kind of like a, chillness,

0:38:02.800 --> 0:38:07.910
<v Speaker 2>a baseline chillness that I respond really well to. I find,

0:38:08.610 --> 0:38:13.129
<v Speaker 2>no offense, Americans, I had this issue when I first

0:38:13.170 --> 0:38:17.710
<v Speaker 2>moved to LA where people, I heard from like two

0:38:17.770 --> 0:38:20.390
<v Speaker 2>or three people, or I heard from other people about

0:38:20.410 --> 0:38:22.609
<v Speaker 2>those people that they thought that I didn't like them.

0:38:23.239 --> 0:38:23.860
<v Speaker 1>Because you're chill.

0:38:24.280 --> 0:38:26.950
<v Speaker 2>And I was appalled because I... One of them I

0:38:26.989 --> 0:38:29.649
<v Speaker 2>actually didn't like. The other ones I did.

0:38:29.670 --> 0:38:31.250
<v Speaker 1>You were like, God, I'm not doing a good job

0:38:31.310 --> 0:38:31.860
<v Speaker 1>of faking it.

0:38:31.910 --> 0:38:36.469
<v Speaker 2>Yeah, exactly. But it upset me because I was like,

0:38:36.570 --> 0:38:38.850
<v Speaker 2>I hope that I'm not giving like this rancid vibe.

0:38:38.930 --> 0:38:39.290
<v Speaker 1>Yeah.

0:38:39.570 --> 0:38:43.810
<v Speaker 2>And I think that British people wouldn't get it mixed up.

0:38:43.830 --> 0:38:46.690
<v Speaker 2>I just think that there's like a way, especially in

0:38:46.850 --> 0:38:48.690
<v Speaker 2>LA of like, you know, the vibe where it's like

0:38:48.710 --> 0:38:50.589
<v Speaker 2>you meet someone 10 minutes before and then they're like,

0:38:51.430 --> 0:38:53.370
<v Speaker 2>we have to go to Palm Springs. We got a

0:38:53.430 --> 0:38:56.049
<v Speaker 2>Joshua tree together. You know what I mean? And it's like,

0:38:56.950 --> 0:38:59.830
<v Speaker 2>to me that is such a terrifying idea and prospect

0:39:00.390 --> 0:39:03.319
<v Speaker 2>and so i would never say that to.

0:39:03.239 --> 0:39:06.900
<v Speaker 1>Anyone that is very american saying i love you at

0:39:06.920 --> 0:39:08.799
<v Speaker 1>the end of a conversation where you just met i'm

0:39:08.860 --> 0:39:09.460
<v Speaker 1>obsessed with.

0:39:09.340 --> 0:39:11.860
<v Speaker 2>You i love you like i i really like that

0:39:12.620 --> 0:39:14.379
<v Speaker 2>i like the idea of it but i just don't

0:39:14.460 --> 0:39:15.859
<v Speaker 2>feel it in my heart so i don't i don't

0:39:15.920 --> 0:39:18.370
<v Speaker 2>say it like i don't do that and i think.

0:39:18.260 --> 0:39:21.010
<v Speaker 1>That um right I don't feel it in my heart,

0:39:21.110 --> 0:39:23.609
<v Speaker 1>so I don't say it. I don't do that. But

0:39:24.010 --> 0:39:26.640
<v Speaker 1>there's no Aussie or British equivalent to that, you think?

0:39:26.860 --> 0:39:29.180
<v Speaker 1>Of like, oh, you're lovely.

0:39:29.260 --> 0:39:34.719
<v Speaker 2>I just, I can't imagine, I think an Australian would

0:39:34.739 --> 0:39:37.759
<v Speaker 2>be like, why are you being like so full on?

0:39:37.840 --> 0:39:38.980
<v Speaker 1>Yeah, yeah, yeah.

0:39:39.120 --> 0:39:43.670
<v Speaker 2>Like it's, I think if anything, maybe, and maybe this

0:39:43.690 --> 0:39:45.810
<v Speaker 2>was the issue, maybe there's like a standoffish thing where

0:39:45.850 --> 0:39:48.330
<v Speaker 2>it's like, you know, you want to be super friendly

0:39:48.370 --> 0:39:51.820
<v Speaker 2>and polite. Yeah. And part of being polite is that

0:39:51.840 --> 0:39:55.200
<v Speaker 2>you don't want to make the person feel like attacked

0:39:55.219 --> 0:39:56.060
<v Speaker 2>or like, you know what I mean?

0:39:56.300 --> 0:39:56.520
<v Speaker 1>Right.

0:39:56.540 --> 0:39:58.140
<v Speaker 2>And so you just want to be like kind of chill.

0:39:58.180 --> 0:40:01.640
<v Speaker 3>No, everyone, everyone treats everyone like, like British culture is like,

0:40:02.360 --> 0:40:03.540
<v Speaker 3>it's like everyone's a cat.

0:40:03.920 --> 0:40:04.340
<v Speaker 2>Yeah.

0:40:04.400 --> 0:40:05.700
<v Speaker 3>And like in American culture, everyone's a dog.

0:40:06.570 --> 0:40:07.609
<v Speaker 2>I don't know.

0:40:07.810 --> 0:40:10.230
<v Speaker 1>The one and only time I went to Australia, I

0:40:10.270 --> 0:40:12.660
<v Speaker 1>actually saw you there because it was World Pride. Yes.

0:40:12.840 --> 0:40:15.240
<v Speaker 1>And I went to that restaurant. That place was so good.

0:40:15.300 --> 0:40:15.900
<v Speaker 2>The Italian one?

0:40:16.140 --> 0:40:16.420
<v Speaker 3>Yeah.

0:40:16.660 --> 0:40:18.480
<v Speaker 2>I love that place. I was there like three days ago.

0:40:18.700 --> 0:40:21.900
<v Speaker 1>Literally. And everyone there is so, it's like you're saying,

0:40:21.920 --> 0:40:24.000
<v Speaker 1>everyone there is so kind. And the one thing I

0:40:24.140 --> 0:40:26.540
<v Speaker 1>loved the most about being in Sydney for World Pride

0:40:27.080 --> 0:40:30.400
<v Speaker 1>is how excited they were to be hosting Pride.

0:40:30.440 --> 0:40:31.420
<v Speaker 2>So cool.

0:40:31.460 --> 0:40:33.779
<v Speaker 1>Who performed that? Was it Kylie? It was Kylie. Kylie.

0:40:34.510 --> 0:40:35.950
<v Speaker 1>And it was major.

0:40:35.989 --> 0:40:36.290
<v Speaker 2>Major.

0:40:36.489 --> 0:40:40.970
<v Speaker 1>And it was just, there was a citywide, I don't

0:40:41.010 --> 0:40:44.180
<v Speaker 1>know if I was necessarily in a gay part. It

0:40:44.219 --> 0:40:46.560
<v Speaker 1>didn't feel like that. It was like everyone in the

0:40:46.620 --> 0:40:50.400
<v Speaker 1>city is proud that it's hosting gay pride. And then

0:40:50.460 --> 0:40:55.200
<v Speaker 1>it also didn't feel like an overwhelming party-like celebration. It

0:40:55.320 --> 0:40:58.920
<v Speaker 1>felt more joyous and jovial and everyone was included. And

0:40:58.960 --> 0:41:02.380
<v Speaker 1>maybe that's speaking to this thing. It didn't feel too much.

0:41:02.520 --> 0:41:04.479
<v Speaker 1>It felt like a lot of enough. Yeah.

0:41:04.760 --> 0:41:08.460
<v Speaker 2>You know, Mardi Gras didn't like pride didn't get politicized

0:41:08.500 --> 0:41:11.259
<v Speaker 2>in the same way that it has in like the

0:41:11.320 --> 0:41:14.649
<v Speaker 2>U S I feel like, like the whole city really, really,

0:41:14.670 --> 0:41:16.730
<v Speaker 2>really gets around it. It's really, it's very special.

0:41:17.350 --> 0:41:19.890
<v Speaker 1>It's not like a topic that's taboo, like whether or

0:41:19.950 --> 0:41:22.850
<v Speaker 1>not we're going to, you know, speak about who in

0:41:22.870 --> 0:41:25.750
<v Speaker 1>this community is actually deserving of this treatment or whatever.

0:41:25.810 --> 0:41:28.330
<v Speaker 2>It's just kind of like, no, and like people, like

0:41:28.410 --> 0:41:31.109
<v Speaker 2>everyone comes to the parade cause it's fun and you know,

0:41:31.170 --> 0:41:33.740
<v Speaker 2>like it's not like, A thing like that.

0:41:33.840 --> 0:41:35.200
<v Speaker 1>It's not like a statement.

0:41:35.400 --> 0:41:35.839
<v Speaker 2>Not at all.

0:41:36.140 --> 0:41:42.399
<v Speaker 1>Yeah. Well, speaking of Australia, which is where you're birthed from,

0:41:42.540 --> 0:41:45.420
<v Speaker 1>we should go to the beginning and ask you the question, really.

0:41:46.160 --> 0:41:48.439
<v Speaker 1>The central question of this podcast, which is, Troye Sivan,

0:41:48.460 --> 0:41:50.219
<v Speaker 1>what was the culture that made you say culture was

0:41:50.280 --> 0:41:50.640
<v Speaker 1>for you?

0:41:51.020 --> 0:41:56.940
<v Speaker 2>I think it was seeing Nicole Kidman in Moulin Rouge.

0:41:58.080 --> 0:42:01.520
<v Speaker 2>Because I was young enough to... that I found the

0:42:01.600 --> 0:42:04.660
<v Speaker 2>first 10 minutes of the movie scary. Like I was

0:42:04.680 --> 0:42:08.569
<v Speaker 2>like afraid because it's like, it's a panic.

0:42:08.790 --> 0:42:10.450
<v Speaker 1>It's a cut every half second.

0:42:10.550 --> 0:42:13.509
<v Speaker 2>It's so crazy. And I remember I was watching it

0:42:13.530 --> 0:42:15.850
<v Speaker 2>with my mom and I was like, I don't like this.

0:42:16.550 --> 0:42:19.210
<v Speaker 2>And then once it calms down and you start to

0:42:19.230 --> 0:42:22.719
<v Speaker 2>get into the story and I saw Nicole giving this

0:42:22.760 --> 0:42:25.810
<v Speaker 2>performance that's like perfectly nuanced, but also kind of like

0:42:25.930 --> 0:42:27.969
<v Speaker 2>camp sometimes when she's like, you know, when she's like,

0:42:27.989 --> 0:42:31.400
<v Speaker 2>like all that stuff, I was like, what is going on?

0:42:31.410 --> 0:42:34.870
<v Speaker 2>And then the songs. And I was like, Oh, something

0:42:34.969 --> 0:42:39.560
<v Speaker 2>interesting is happening in my spirit right now. And actually

0:42:39.660 --> 0:42:41.960
<v Speaker 2>that's part of the reason why, because my other answer

0:42:42.219 --> 0:42:45.690
<v Speaker 2>for that question was going to be, Nicole talking about

0:42:45.710 --> 0:42:49.030
<v Speaker 2>Tweety Bird on this podcast.

0:42:49.090 --> 0:42:50.150
<v Speaker 1>You didn't like culture until then.

0:42:50.190 --> 0:42:53.680
<v Speaker 2>There was a hint of sateen in there. Oh yeah.

0:42:53.700 --> 0:42:57.940
<v Speaker 1>The breathiness. She was beginning to have, she was feeling

0:42:57.980 --> 0:42:58.560
<v Speaker 1>the frisson.

0:42:58.820 --> 0:42:59.380
<v Speaker 2>Totally.

0:42:59.580 --> 0:42:59.799
<v Speaker 1>Yeah.

0:42:59.920 --> 0:43:02.060
<v Speaker 2>Totally. She was like overcome in the same way that,

0:43:02.280 --> 0:43:03.859
<v Speaker 2>you know, so I recognized a little bit of what

0:43:03.880 --> 0:43:06.080
<v Speaker 2>made me like fall in love with her. Wow.

0:43:06.440 --> 0:43:10.250
<v Speaker 3>Which is like, um, a campiness, but like something so

0:43:10.330 --> 0:43:12.129
<v Speaker 3>inviting and she's always been inviting.

0:43:12.150 --> 0:43:12.250
<v Speaker 1>Yeah.

0:43:12.510 --> 0:43:13.350
<v Speaker 2>So warm.

0:43:13.489 --> 0:43:16.969
<v Speaker 3>Even though she presents sometimes as like statuesque and like

0:43:17.090 --> 0:43:19.969
<v Speaker 3>impervious and like icy, but not icy, but just like,

0:43:20.650 --> 0:43:22.410
<v Speaker 3>you're just like, whoa, what's going on here?

0:43:22.430 --> 0:43:24.319
<v Speaker 1>But she's warm. She invites you in.

0:43:24.550 --> 0:43:27.100
<v Speaker 2>She is. I asked her to do the music video.

0:43:27.120 --> 0:43:32.740
<v Speaker 2>So good. And I was on a FaceTime call or Zoom, sorry.

0:43:33.980 --> 0:43:36.340
<v Speaker 2>And I made a joke to the person that I

0:43:36.380 --> 0:43:38.459
<v Speaker 2>was on Zoom with because my phone started to ring

0:43:39.060 --> 0:43:41.219
<v Speaker 2>and it was an unknown number. And I was like,

0:43:42.520 --> 0:43:44.640
<v Speaker 2>without any context to the person, I was like, if

0:43:44.660 --> 0:43:45.860
<v Speaker 2>this is Nicole Kim and I'm going to have to

0:43:45.920 --> 0:43:49.110
<v Speaker 2>leave the call. Right. And then I wasn't going to answer.

0:43:49.120 --> 0:43:51.430
<v Speaker 2>I thought I was just sort of being like funny. Um,

0:43:51.710 --> 0:43:53.549
<v Speaker 2>and then, you know how Apple does the like voice

0:43:53.570 --> 0:43:57.210
<v Speaker 2>note as it's coming in. I see. Hi, darling, Troy.

0:43:57.310 --> 0:44:00.270
<v Speaker 2>It's Nick. And I was like, Oh, and you knew

0:44:00.550 --> 0:44:03.660
<v Speaker 2>I slammed my laptop close, answered the phone. And she

0:44:03.680 --> 0:44:07.160
<v Speaker 2>was like, I just watched your video. Cause I, I

0:44:07.180 --> 0:44:08.910
<v Speaker 2>made a video, you know, asking her to do it.

0:44:09.780 --> 0:44:12.430
<v Speaker 2>And I listened to the song and, I would love

0:44:12.510 --> 0:44:15.200
<v Speaker 2>to do it. And then I was, I was silent

0:44:15.239 --> 0:44:17.100
<v Speaker 2>because I was waiting for a butt.

0:44:17.620 --> 0:44:17.880
<v Speaker 1>Yeah.

0:44:18.060 --> 0:44:19.779
<v Speaker 2>And it was a butt that never came. And she

0:44:19.840 --> 0:44:22.779
<v Speaker 2>was like, I, I'm so down. Like I, she was

0:44:22.800 --> 0:44:24.759
<v Speaker 2>just the sweetest in the world. And then it was

0:44:24.780 --> 0:44:25.859
<v Speaker 2>like the funnest day ever.

0:44:26.160 --> 0:44:28.259
<v Speaker 1>Yeah. How long have you been connected to her? Was

0:44:28.320 --> 0:44:29.279
<v Speaker 1>it before Boy Erased?

0:44:29.300 --> 0:44:29.939
<v Speaker 2>No, Boy Erased.

0:44:30.000 --> 0:44:30.759
<v Speaker 1>It was Boy Erased.

0:44:30.840 --> 0:44:32.620
<v Speaker 2>So we did Boy Erased. I don't remember what year

0:44:32.640 --> 0:44:34.850
<v Speaker 2>that was. Maybe like 2018.

0:44:34.830 --> 0:44:35.029
<v Speaker 1>Yeah.

0:44:35.469 --> 0:44:38.090
<v Speaker 2>Um, I met her for the first time there. Um,

0:44:40.380 --> 0:44:43.740
<v Speaker 2>And I mean, especially as an Australian, like she's just everything.

0:44:43.900 --> 0:44:44.180
<v Speaker 3>Yeah.

0:44:44.200 --> 0:44:45.300
<v Speaker 2>Truly everything.

0:44:45.960 --> 0:44:48.900
<v Speaker 3>And, and, and can we just put some, some respect

0:44:48.980 --> 0:44:50.300
<v Speaker 3>on Baz? Yes.

0:44:50.860 --> 0:44:51.140
<v Speaker 1>Like.

0:44:51.640 --> 0:44:51.819
<v Speaker 2>Yes.

0:44:51.880 --> 0:44:53.620
<v Speaker 1>Always Baz. Always Baz.

0:44:53.760 --> 0:44:54.660
<v Speaker 2>Love his vibe.

0:44:54.739 --> 0:44:57.220
<v Speaker 1>He is the kook of all kooks.

0:44:57.219 --> 0:44:59.339
<v Speaker 2>100%. Yeah. I love him.

0:44:59.560 --> 0:45:00.760
<v Speaker 1>And apparently, I guess.

0:45:00.660 --> 0:45:04.219
<v Speaker 3>I can't really talk about this, but he, and I

0:45:04.500 --> 0:45:08.780
<v Speaker 3>totally forgot about it, but after the Taylor wedding.

0:45:08.800 --> 0:45:09.300
<v Speaker 1>Mm-hmm.

0:45:09.870 --> 0:45:13.290
<v Speaker 3>Multiple texts of people being like, so you and Baz, like,

0:45:15.090 --> 0:45:18.990
<v Speaker 3>were like, fighting each other in a way that like.

0:45:19.230 --> 0:45:20.910
<v Speaker 2>At the wedding, you fought?

0:45:21.180 --> 0:45:26.380
<v Speaker 1>Baz and, Baz has a bit with me. Oh, you bitch. Exactly.

0:45:26.880 --> 0:45:29.500
<v Speaker 3>He'll run up to me at something. If we're at

0:45:29.540 --> 0:45:30.420
<v Speaker 3>the same place, he'd be like.

0:45:31.000 --> 0:45:34.640
<v Speaker 1>Oh, you bitch. Oh, you bitch. And then he'll just like,

0:45:34.739 --> 0:45:35.259
<v Speaker 1>say that like.

0:45:35.300 --> 0:45:36.180
<v Speaker 2>I really want to do that.

0:45:36.340 --> 0:45:36.600
<v Speaker 1>Huh?

0:45:36.739 --> 0:45:38.070
<v Speaker 2>I really want to do that. Like next time I

0:45:38.110 --> 0:45:38.340
<v Speaker 2>see you.

0:45:39.910 --> 0:45:43.110
<v Speaker 1>To me anyone can do this with me I actually

0:45:43.150 --> 0:45:45.230
<v Speaker 1>I love them and I black out because I'm just

0:45:45.270 --> 0:45:47.050
<v Speaker 1>like having a blast.

0:45:46.570 --> 0:45:50.430
<v Speaker 2>Totally how do you respond I'm just like I start

0:45:50.590 --> 0:45:52.839
<v Speaker 2>laughing and I'm like yes Baz it's me I'm so

0:45:52.860 --> 0:45:55.160
<v Speaker 2>so yes I am I'm such a bitch to you

0:45:55.180 --> 0:45:56.700
<v Speaker 2>I just.

0:45:55.980 --> 0:45:58.100
<v Speaker 1>Play along with it but I just throw my hands

0:45:58.120 --> 0:45:59.279
<v Speaker 1>up we gotta get him in here I think he

0:45:59.320 --> 0:46:01.239
<v Speaker 1>would thrive on our set he would thrive on our

0:46:01.320 --> 0:46:03.380
<v Speaker 1>set there's so many things that's a good guess you

0:46:03.400 --> 0:46:08.259
<v Speaker 1>know what I mean what's this he's superb Yeah.

0:46:08.360 --> 0:46:11.739
<v Speaker 2>Oh my God. And such a character.

0:46:11.940 --> 0:46:13.040
<v Speaker 1>He's like, that's what, that's what it is.

0:46:13.060 --> 0:46:15.060
<v Speaker 2>I had a, I had a zoom with him once.

0:46:15.140 --> 0:46:17.839
<v Speaker 2>That was the first time I actually met him. And he,

0:46:18.489 --> 0:46:20.770
<v Speaker 2>he does this iconic thing on his Instagram where he,

0:46:20.950 --> 0:46:22.650
<v Speaker 2>have you seen, he covers the camera and he says

0:46:23.030 --> 0:46:26.450
<v Speaker 2>action and he starts filming himself. And it's so amazing.

0:46:26.590 --> 0:46:28.390
<v Speaker 2>I have not seen this on Instagram.

0:46:28.489 --> 0:46:28.910
<v Speaker 1>Action.

0:46:29.110 --> 0:46:33.710
<v Speaker 2>It's perfect. And so I, I'm so nervous because I'm

0:46:33.730 --> 0:46:35.810
<v Speaker 2>about to do a zoom with Baz Luhrmann. And as

0:46:35.830 --> 0:46:38.460
<v Speaker 2>I said, we learned, we were just like, Formative experience.

0:46:38.500 --> 0:46:38.739
<v Speaker 3>Yeah.

0:46:39.460 --> 0:46:43.280
<v Speaker 2>And I get on the zoom and it's like, uh,

0:46:43.510 --> 0:46:45.989
<v Speaker 2>it's a weird blank screen, but I can tell that

0:46:46.010 --> 0:46:48.140
<v Speaker 2>it's not a digital blank screen. Like it's not, the

0:46:48.160 --> 0:46:49.960
<v Speaker 2>video is not paused or anything like that. I'm like,

0:46:50.000 --> 0:46:52.029
<v Speaker 2>why is it moving? I realized it's a piece of paper.

0:46:52.070 --> 0:46:53.110
<v Speaker 1>I was going to say it's a piece of paper.

0:46:53.270 --> 0:46:55.509
<v Speaker 2>Being held up in front of the camera. And for

0:46:55.530 --> 0:47:00.009
<v Speaker 2>the zoom, he goes, action. And it was truly one

0:47:00.030 --> 0:47:01.390
<v Speaker 2>of the best moments of my life.

0:47:01.660 --> 0:47:05.600
<v Speaker 3>Like that saying, like my life, a movie, like everyone's life,

0:47:05.620 --> 0:47:09.640
<v Speaker 3>a movie. Everyone's life, a movie when Baz is in

0:47:09.660 --> 0:47:10.060
<v Speaker 3>the space.

0:47:10.160 --> 0:47:14.320
<v Speaker 1>That's rule of culture number 19. Everyone's life, a movie

0:47:14.380 --> 0:47:17.400
<v Speaker 1>when Baz is in the space. I won't even talk

0:47:17.460 --> 0:47:21.680
<v Speaker 1>to people who say they don't like Moulin Rouge. I'm like, okay, great.

0:47:21.739 --> 0:47:23.049
<v Speaker 1>You've told me everything I need to know.

0:47:23.070 --> 0:47:23.770
<v Speaker 2>I've never heard that.

0:47:24.290 --> 0:47:27.750
<v Speaker 1>People, in the context of Baz Luhrmann films? No, just

0:47:27.810 --> 0:47:32.830
<v Speaker 1>like people who, I don't know, there's like an opinionated

0:47:33.010 --> 0:47:36.930
<v Speaker 1>flavor of person that's just like, they think it's too

0:47:36.969 --> 0:47:40.400
<v Speaker 1>chaotic for its own good. Interesting. That's the point. I

0:47:40.440 --> 0:47:43.040
<v Speaker 1>really do, I mean, I get it. If you're sitting

0:47:43.080 --> 0:47:45.219
<v Speaker 1>in front of it and you just don't like watching it, whatever,

0:47:45.239 --> 0:47:46.879
<v Speaker 1>I'm not going to tell you that you're wrong, but

0:47:47.360 --> 0:47:47.719
<v Speaker 1>I don't.

0:47:48.250 --> 0:47:52.130
<v Speaker 3>It's a classic example of when some, when people point

0:47:52.270 --> 0:47:55.000
<v Speaker 3>out a thing that they don't like about a specific work,

0:47:55.180 --> 0:47:57.000
<v Speaker 3>it's like, that's the point.

0:47:57.180 --> 0:47:58.820
<v Speaker 1>Yeah. The point is that it's chaotic.

0:47:58.840 --> 0:48:01.799
<v Speaker 3>The point is that there's like random song choices that

0:48:01.820 --> 0:48:04.450
<v Speaker 3>then get translated to the musical version on Broadway. It's like,

0:48:05.180 --> 0:48:07.750
<v Speaker 3>It is on purpose. And if you don't like it,

0:48:07.750 --> 0:48:08.930
<v Speaker 3>then that's fine. Then it's good that you recognize that

0:48:08.950 --> 0:48:10.589
<v Speaker 3>you don't like it. Like move along.

0:48:10.610 --> 0:48:13.029
<v Speaker 1>But it's a lot better for our culture that we

0:48:13.070 --> 0:48:16.530
<v Speaker 1>have it. I can't see the fabric of pop culture

0:48:16.570 --> 0:48:18.810
<v Speaker 1>without it, to be honest with you. Like I remember

0:48:18.870 --> 0:48:20.010
<v Speaker 1>the soundtrack album.

0:48:20.030 --> 0:48:20.650
<v Speaker 2>Lady Marmalade.

0:48:20.850 --> 0:48:24.580
<v Speaker 1>Lady Marmalade. I mean, just it has dimension as a project.

0:48:24.640 --> 0:48:28.259
<v Speaker 1>And he is responsible for creating all of the dimensions

0:48:28.320 --> 0:48:31.590
<v Speaker 1>of that, especially on something that exists in culture. Yes.

0:48:31.920 --> 0:48:34.660
<v Speaker 1>that then he then explodes like it's just what it's

0:48:34.760 --> 0:48:38.880
<v Speaker 1>injected with is so unique to him and so vital

0:48:39.000 --> 0:48:43.180
<v Speaker 1>to everything else in the pop culture ecosystem and it

0:48:43.239 --> 0:48:47.459
<v Speaker 1>really did make him an international yeah and he's australian.

0:48:47.120 --> 0:48:49.319
<v Speaker 3>Brand he's australian yeah and it was the first time

0:48:49.460 --> 0:48:52.380
<v Speaker 3>so like i like kind of sheltered ish culturally like

0:48:52.420 --> 0:48:55.569
<v Speaker 3>did not grow up with like marilyn monroe movies or

0:48:55.620 --> 0:48:58.750
<v Speaker 3>like David Bowie albums. Like it was the first time

0:48:58.910 --> 0:49:00.980
<v Speaker 3>I heard like heroes. It was the first time I

0:49:01.040 --> 0:49:02.799
<v Speaker 3>heard like diamonds are gold's best friend. I was like,

0:49:02.840 --> 0:49:05.759
<v Speaker 3>it was like, it was, it is a perfect, yeah. Right.

0:49:05.800 --> 0:49:08.420
<v Speaker 3>It's like, it's, it's a, that's, it's a perfect answer

0:49:08.480 --> 0:49:10.950
<v Speaker 3>for the question, which is what is the culture that

0:49:10.969 --> 0:49:13.049
<v Speaker 3>made you say cultures for me? It's like, it is

0:49:13.090 --> 0:49:16.330
<v Speaker 3>a perfect like sampling menu. Yes.

0:49:16.489 --> 0:49:17.250
<v Speaker 2>It's an entry point.

0:49:21.940 --> 0:49:27.529
<v Speaker 1>There's also something about giving a truly crazy performance in

0:49:27.570 --> 0:49:29.589
<v Speaker 1>the blank like that. Like, you know what I mean? Like,

0:49:29.890 --> 0:49:31.529
<v Speaker 1>she is taking the space as the lead of that

0:49:31.570 --> 0:49:35.360
<v Speaker 1>movie and giving a batshit performance. And there's no scoring

0:49:35.420 --> 0:49:38.160
<v Speaker 1>or anything that's telling her, like, yeah, you're matching the tone. Like,

0:49:38.540 --> 0:49:42.660
<v Speaker 1>they're creating a tone together and also totally underrated Jim Broadbent.

0:49:42.980 --> 0:49:45.100
<v Speaker 1>So good. Jim Broadbent and Moulin Rouge.

0:49:45.120 --> 0:49:45.779
<v Speaker 2>Wait, who is that?

0:49:46.320 --> 0:49:51.940
<v Speaker 1>Ziegler. Ziegler. Like absolutely tearing it up, like doing something

0:49:51.980 --> 0:49:53.899
<v Speaker 1>that had to feel nuts in the room. I know.

0:49:54.540 --> 0:49:55.560
<v Speaker 1>But you have to just.

0:49:55.620 --> 0:49:58.009
<v Speaker 2>I've never thought about that. That is so fascinating to

0:49:58.050 --> 0:50:01.010
<v Speaker 2>me that like they all, how did they all know?

0:50:01.930 --> 0:50:03.450
<v Speaker 2>They all must have really seen the wood from the trees.

0:50:03.469 --> 0:50:05.410
<v Speaker 2>I mean, I guess testament to a good director.

0:50:05.530 --> 0:50:05.750
<v Speaker 4>Yeah.

0:50:05.830 --> 0:50:07.970
<v Speaker 2>He's like, no, no, no, this is going to be mega.

0:50:09.170 --> 0:50:13.990
<v Speaker 1>Scream. This is a fat boy slim song. Yeah. Like, Can, can, can.

0:50:14.070 --> 0:50:17.710
<v Speaker 3>It's the can, can, but it's like a 90s remake.

0:50:17.770 --> 0:50:19.009
<v Speaker 3>It's like so crazy.

0:50:19.030 --> 0:50:21.009
<v Speaker 1>Yeah, and then he does it, and then his, because

0:50:21.030 --> 0:50:25.030
<v Speaker 1>you can, can, can! Becomes iconic.

0:50:25.310 --> 0:50:25.790
<v Speaker 2>So good.

0:50:26.250 --> 0:50:28.549
<v Speaker 3>So fucking good. Wait, I would say, is the new

0:50:28.590 --> 0:50:30.360
<v Speaker 3>music a little Fatboy Slim coded?

0:50:30.380 --> 0:50:31.239
<v Speaker 2>A little bit, yeah.

0:50:31.520 --> 0:50:35.640
<v Speaker 1>I was saying Marcy Playground, like late 90s, like grunge pop.

0:50:36.300 --> 0:50:39.010
<v Speaker 2>There's moments of that for sure, yeah. I mean, it's like, I...

0:50:39.800 --> 0:50:42.660
<v Speaker 2>I do feel like this album, I wanted it to

0:50:42.700 --> 0:50:45.180
<v Speaker 2>feel a little like, first of all, chaotic because I

0:50:45.200 --> 0:50:48.719
<v Speaker 2>think my life feels a little bit chaotic. And, and, um,

0:50:49.340 --> 0:50:51.540
<v Speaker 2>so yeah, I wanted it to have layers, but then

0:50:51.700 --> 0:50:53.859
<v Speaker 2>also I do feel like this is the most like

0:50:54.719 --> 0:50:59.589
<v Speaker 2>potent distillation of the references, musical references that have made

0:50:59.620 --> 0:51:02.930
<v Speaker 2>me the person that I am. There's like, all of

0:51:02.989 --> 0:51:05.370
<v Speaker 2>it is in there for me. And maybe, who knows?

0:51:05.430 --> 0:51:07.509
<v Speaker 2>It might be honestly like, maybe people are going to

0:51:07.530 --> 0:51:09.029
<v Speaker 2>be like, I don't, what is this kind of thing?

0:51:09.460 --> 0:51:14.859
<v Speaker 2>But I can listen through and, like, identify, honestly, like,

0:51:14.900 --> 0:51:17.969
<v Speaker 2>moments in my life where I'm like, this sweetness of

0:51:18.030 --> 0:51:20.710
<v Speaker 2>this melody reminds me of the first time that I heard, like,

0:51:20.750 --> 0:51:22.930
<v Speaker 2>Together Again by Janet Jackson. You know what I mean?

0:51:23.270 --> 0:51:27.420
<v Speaker 2>That's really, really, really. So, yes. It's, like, it's all

0:51:27.460 --> 0:51:27.700
<v Speaker 2>in there.

0:51:28.400 --> 0:51:34.259
<v Speaker 3>Like, I think you've been able to really... not bypass,

0:51:34.300 --> 0:51:35.990
<v Speaker 3>but it's like, you don't, you've never had to do

0:51:36.030 --> 0:51:38.710
<v Speaker 3>the thing that pop stars do, which is that we're

0:51:38.770 --> 0:51:40.969
<v Speaker 3>requiring them to do now in a way where it's like.

0:51:41.870 --> 0:51:43.570
<v Speaker 1>What's the authentic you.

0:51:44.350 --> 0:51:46.730
<v Speaker 3>It's like, you've, you've kind of been that the whole

0:51:46.810 --> 0:51:49.790
<v Speaker 3>time so that you've, I don't think you've ever had

0:51:49.830 --> 0:51:52.530
<v Speaker 3>to earn this album, which is, these are the references

0:51:52.570 --> 0:51:54.020
<v Speaker 3>that truly define me.

0:51:54.160 --> 0:51:54.560
<v Speaker 2>Totally.

0:51:54.580 --> 0:51:55.840
<v Speaker 1>Does that make sense? Yeah.

0:51:56.239 --> 0:52:03.950
<v Speaker 2>I think in a way it's like a relief because, um, Yeah,

0:52:03.989 --> 0:52:06.530
<v Speaker 2>I'm just kind of going to keep doing that exact thing.

0:52:06.660 --> 0:52:13.359
<v Speaker 2>I think the whole Kia Asylum thing doesn't really get

0:52:13.580 --> 0:52:16.399
<v Speaker 2>said about boys that much. I don't think, right?

0:52:16.440 --> 0:52:18.800
<v Speaker 1>Because there aren't that many of them.

0:52:18.989 --> 0:52:26.410
<v Speaker 2>I think it's sort of like a spectrum of how

0:52:26.570 --> 0:52:30.800
<v Speaker 2>much people nitpick at you. And I think that pop

0:52:30.820 --> 0:52:32.339
<v Speaker 2>girls have it really bad.

0:52:32.360 --> 0:52:32.440
<v Speaker 3>Yeah.

0:52:33.000 --> 0:52:38.260
<v Speaker 2>I think that it's like insane. Um, then like the

0:52:38.440 --> 0:52:42.300
<v Speaker 2>straight boys, they might like talk shit about you online,

0:52:42.800 --> 0:52:46.130
<v Speaker 2>but either the straight boys just don't care, which is

0:52:46.489 --> 0:52:50.710
<v Speaker 2>hilarious and kind of amazing, honestly. Um, or they, or

0:52:51.150 --> 0:52:53.240
<v Speaker 2>they don't get it as, as bad. You know, like

0:52:53.300 --> 0:52:56.020
<v Speaker 2>I do think that like straight boys can get away

0:52:56.280 --> 0:53:01.360
<v Speaker 2>with releasing stuff that like, if a queer artist or

0:53:01.400 --> 0:53:04.319
<v Speaker 2>a female artist released it, I just think that they

0:53:04.340 --> 0:53:09.200
<v Speaker 2>would get kind of like ripped to shreds. Um, and so, yeah, I,

0:53:09.280 --> 0:53:12.140
<v Speaker 2>I think that for queer artists, it's like, or for,

0:53:12.520 --> 0:53:15.700
<v Speaker 2>I guess, gay guy artists, there's, uh, it's, it's a

0:53:15.760 --> 0:53:18.700
<v Speaker 2>weird like middle ground almost between the two where it's like,

0:53:19.120 --> 0:53:21.759
<v Speaker 2>no one is expecting me to, you know, they're not

0:53:21.780 --> 0:53:23.560
<v Speaker 2>holding me to the standards. I don't think of like

0:53:23.600 --> 0:53:25.920
<v Speaker 2>a pop girl where it's like, I mean, I do,

0:53:26.140 --> 0:53:27.760
<v Speaker 2>I was going to say something about like my body.

0:53:27.920 --> 0:53:31.890
<v Speaker 2>I do get that a lot. Um, I don't know.

0:53:32.210 --> 0:53:34.569
<v Speaker 2>I think maybe the, the like reinvention of it all

0:53:34.590 --> 0:53:37.590
<v Speaker 2>is not necessarily expected from like male artists. Like I

0:53:37.610 --> 0:53:40.720
<v Speaker 2>think that male artists can kind of release the same

0:53:40.820 --> 0:53:43.600
<v Speaker 2>album a bunch of times and like, no one seems

0:53:43.640 --> 0:53:47.690
<v Speaker 2>to be too fast. Like it'll do well. Um, Whereas

0:53:47.870 --> 0:53:50.650
<v Speaker 2>I think female artists, there's this insane expectation to reinvent

0:53:50.830 --> 0:53:51.190
<v Speaker 2>all the time.

0:53:51.370 --> 0:53:55.489
<v Speaker 3>There's like a risk assessment that's like different depending on

0:53:55.570 --> 0:54:00.120
<v Speaker 3>who the artist is. Certainly along like gendered lines, but

0:54:00.200 --> 0:54:01.980
<v Speaker 3>I'm saying, I'm not, I'm even like removing the gender

0:54:02.000 --> 0:54:03.060
<v Speaker 3>of it, but like, I mean, it's good that you're

0:54:03.080 --> 0:54:03.899
<v Speaker 3>acknowledging that, but.

0:54:03.840 --> 0:54:04.500
<v Speaker 1>I feel like.

0:54:06.300 --> 0:54:10.800
<v Speaker 3>You've never had to like, you've given people what they've wanted.

0:54:10.840 --> 0:54:13.180
<v Speaker 3>And I feel like people have been very satisfied and

0:54:13.200 --> 0:54:14.520
<v Speaker 3>like thankful for that.

0:54:14.820 --> 0:54:15.239
<v Speaker 1>But you're right.

0:54:15.300 --> 0:54:17.930
<v Speaker 3>Like I think, the expectation for like a female artist

0:54:18.930 --> 0:54:22.359
<v Speaker 3>is to like have them reinvent and therefore do something risky.

0:54:22.800 --> 0:54:25.700
<v Speaker 3>And if it fails, then it's like off to the

0:54:25.739 --> 0:54:26.439
<v Speaker 3>asylum you go.

0:54:26.460 --> 0:54:27.080
<v Speaker 2>Right.

0:54:27.300 --> 0:54:28.580
<v Speaker 1>And like, that's crazy.

0:54:28.600 --> 0:54:30.500
<v Speaker 2>Also another thing that for me personally, just the way

0:54:30.520 --> 0:54:32.899
<v Speaker 2>that I feel about it is like, I have never

0:54:32.940 --> 0:54:35.380
<v Speaker 2>had a, like, I think the only song that I've

0:54:35.420 --> 0:54:40.060
<v Speaker 2>ever really had chart even close to like, I don't know.

0:54:40.080 --> 0:54:41.920
<v Speaker 2>I think it was maybe number 15 or something like

0:54:41.940 --> 0:54:46.910
<v Speaker 2>that was youth. My first album. Yes. And, I love

0:54:46.950 --> 0:54:48.720
<v Speaker 2>my life and you know what I mean? So like, I,

0:54:48.930 --> 0:54:52.730
<v Speaker 2>I don't, my metric of kind of like what I'm

0:54:52.790 --> 0:54:56.569
<v Speaker 2>trying to do, I is not really informed by that.

0:54:56.610 --> 0:55:01.120
<v Speaker 2>So I'm yeah. I, maybe I don't feel it as

0:55:01.200 --> 0:55:03.660
<v Speaker 2>much because I'm not like, I honest to God could

0:55:03.680 --> 0:55:06.440
<v Speaker 2>not tell you what, like my first week sales, I

0:55:06.460 --> 0:55:08.970
<v Speaker 2>couldn't tell you anyone's. I don't, I like, I've just

0:55:09.010 --> 0:55:11.910
<v Speaker 2>never really been like numbers minded when it comes to

0:55:12.190 --> 0:55:17.250
<v Speaker 2>music stuff. Um, So that's also maybe a thing where

0:55:17.270 --> 0:55:19.089
<v Speaker 2>I'm like, I feel okay about it no matter what.

0:55:19.290 --> 0:55:21.930
<v Speaker 2>I think to me, the heartbreaking thing, like rather than

0:55:21.950 --> 0:55:26.950
<v Speaker 2>it only sold however many thousand or whatever would be

0:55:27.530 --> 0:55:32.070
<v Speaker 2>if it went by without any sort of like cultural impact. Exactly.

0:55:32.090 --> 0:55:34.350
<v Speaker 2>That would be the heartbreaking, I would be devastated. Like,

0:55:34.370 --> 0:55:36.680
<v Speaker 2>what am I doing this for? If not to kind

0:55:36.700 --> 0:55:39.140
<v Speaker 2>of like, at least just give, you know, cause I

0:55:39.400 --> 0:55:42.060
<v Speaker 2>think back to those moments of like, first time I

0:55:42.080 --> 0:55:43.640
<v Speaker 2>watched Moulin Rouge or the first time I saw like,

0:55:44.070 --> 0:55:45.989
<v Speaker 2>the dirty video by Christina Aguilera or whatever. You know

0:55:46.010 --> 0:55:49.450
<v Speaker 2>what I mean? Like those things, those sort of moments,

0:55:50.969 --> 0:55:52.910
<v Speaker 2>I'm obsessed with the idea of being able to try

0:55:53.330 --> 0:55:55.970
<v Speaker 2>and give that to people, you know, where like they

0:55:56.070 --> 0:56:00.890
<v Speaker 2>remember the sweat tour forever or, you know, like whatever,

0:56:01.450 --> 0:56:03.840
<v Speaker 2>the one of your girls video or something like that. I,

0:56:03.989 --> 0:56:06.290
<v Speaker 2>and so, yeah, for me, I would be devastated if,

0:56:06.650 --> 0:56:09.810
<v Speaker 2>if the thing came and went and no one like

0:56:09.950 --> 0:56:12.410
<v Speaker 2>batted an eye or knew about it or anything like that,

0:56:12.730 --> 0:56:13.710
<v Speaker 2>that would be a failure.

0:56:15.260 --> 0:56:15.900
<v Speaker 1>Of course.

0:56:15.980 --> 0:56:17.839
<v Speaker 3>I don't think you have to worry about that because

0:56:17.880 --> 0:56:21.450
<v Speaker 3>I feel like the cultural impact is like an emotional

0:56:21.469 --> 0:56:24.029
<v Speaker 3>impact on an individual level. And like, I think individually,

0:56:24.050 --> 0:56:27.129
<v Speaker 3>like there's so many people who watched one of your girls,

0:56:27.170 --> 0:56:30.310
<v Speaker 3>let's say, and they're like, holy fuck, like I'll never

0:56:30.410 --> 0:56:31.390
<v Speaker 3>forget that.

0:56:31.750 --> 0:56:34.529
<v Speaker 1>You know? I think it's more just like the idea

0:56:34.670 --> 0:56:37.969
<v Speaker 1>that people expect they come to. I feel like when,

0:56:38.010 --> 0:56:40.610
<v Speaker 1>when like a new album comes out or like someone

0:56:40.680 --> 0:56:42.930
<v Speaker 1>introduces a new era and it almost feels like the

0:56:43.010 --> 0:56:46.160
<v Speaker 1>audience expectation is that they're going to get it and

0:56:46.239 --> 0:56:50.580
<v Speaker 1>enjoy it right away and have a language about what

0:56:50.640 --> 0:56:54.100
<v Speaker 1>it was and how it was contextualized, et cetera. So

0:56:54.160 --> 0:56:56.680
<v Speaker 1>that's like a weird daunting thing that happens now, which

0:56:56.800 --> 0:57:00.969
<v Speaker 1>is like an era comes out and because the, um,

0:57:01.390 --> 0:57:04.649
<v Speaker 1>we're not talking that much about album sales because that's

0:57:04.670 --> 0:57:07.570
<v Speaker 1>all traditionally broken down in the way that it was.

0:57:07.630 --> 0:57:10.960
<v Speaker 1>And like, no one really knows how to talk about like,

0:57:11.870 --> 0:57:15.620
<v Speaker 1>success in the many different ways you can metrically talk

0:57:15.660 --> 0:57:18.060
<v Speaker 1>about it. You can talk about like whether or not

0:57:18.100 --> 0:57:23.600
<v Speaker 1>it's being felt and people, I think conflate that with like,

0:57:24.500 --> 0:57:26.860
<v Speaker 1>and I get it too. You know what I mean?

0:57:26.900 --> 0:57:29.640
<v Speaker 1>It's like, it's like with any of the recent albums

0:57:29.660 --> 0:57:31.860
<v Speaker 1>that have come out, it's like, it almost feels like

0:57:31.900 --> 0:57:34.490
<v Speaker 1>it landed weird if people don't know how to talk

0:57:34.530 --> 0:57:36.410
<v Speaker 1>about it immediately.

0:57:36.430 --> 0:57:40.650
<v Speaker 2>You know, I, I'm really excited about like, I think

0:57:40.710 --> 0:57:43.530
<v Speaker 2>that's part of the fun, honestly, is like being able

0:57:43.590 --> 0:57:47.230
<v Speaker 2>to try and imagine, because also this album is very,

0:57:47.530 --> 0:57:51.310
<v Speaker 2>like I said, it's sort of chaotic. It's like basically, hmm.

0:57:51.530 --> 0:57:52.350
<v Speaker 1>It's eclectic.

0:57:52.650 --> 0:57:57.450
<v Speaker 2>It's eclectic for sure. And I think that I am

0:57:57.550 --> 0:58:01.490
<v Speaker 2>very excited to give them one thing and then know,

0:58:02.150 --> 0:58:04.290
<v Speaker 2>I know what's coming next. You know what I mean?

0:58:04.690 --> 0:58:08.050
<v Speaker 2>And so I think like trying to kind of imagine

0:58:08.200 --> 0:58:11.310
<v Speaker 2>how might this land for people, Well, also then having

0:58:11.330 --> 0:58:15.190
<v Speaker 2>the sort of like confidence to be like, first of all,

0:58:15.210 --> 0:58:15.830
<v Speaker 2>I have to love it.

0:58:16.030 --> 0:58:16.530
<v Speaker 1>Yeah, yeah, yeah.

0:58:16.550 --> 0:58:20.690
<v Speaker 2>Otherwise, like, no way, Jose. Nobody Jose. What?

0:58:20.930 --> 0:58:21.590
<v Speaker 1>Nobody Jose.

0:58:21.710 --> 0:58:23.830
<v Speaker 2>Nobody Jose. Sure.

0:58:24.570 --> 0:58:25.330
<v Speaker 1>That's what you said.

0:58:25.550 --> 0:58:25.790
<v Speaker 3>Yes.

0:58:28.240 --> 0:58:30.480
<v Speaker 1>Nobody Jose. Correctamundo.

0:58:30.780 --> 0:58:34.060
<v Speaker 2>Yeah, so I have to absolutely love it. And then also,

0:58:34.080 --> 0:58:38.180
<v Speaker 2>I'm excited to, you know, my last album, my goal

0:58:38.560 --> 0:58:41.150
<v Speaker 2>was like, perfect pop. You know what I mean? I'm

0:58:41.170 --> 0:58:46.180
<v Speaker 2>a student of the school of Max Martin and Swedish people.

0:58:46.780 --> 0:58:50.940
<v Speaker 2>And I'm like, I am fascinated by this perfect pop

0:58:50.960 --> 0:58:53.920
<v Speaker 2>song that like every, the second pre-chorus has a little

0:58:53.940 --> 0:58:55.440
<v Speaker 2>bit more harmony than the, you know what I mean?

0:58:55.480 --> 0:58:57.020
<v Speaker 2>And it's like half length and whatever, all these little

0:58:57.060 --> 0:58:59.120
<v Speaker 2>tricks and stuff like that you can do. So fun

0:58:59.140 --> 0:59:00.630
<v Speaker 2>to do. And I will do that probably for the

0:59:00.650 --> 0:59:03.490
<v Speaker 2>rest of my life. But then like a natural pendulum swing,

0:59:03.610 --> 0:59:05.230
<v Speaker 2>I was like, I want to make something that just

0:59:05.310 --> 0:59:09.610
<v Speaker 2>feels very, very, very like expressive. And so I made

0:59:09.630 --> 0:59:11.540
<v Speaker 2>a lot of the album with my little brother I

0:59:11.860 --> 0:59:14.700
<v Speaker 2>made a lot of the album at home and I'm

0:59:14.740 --> 0:59:19.840
<v Speaker 2>kind of like excited to yeah I'm just sort of

0:59:19.860 --> 0:59:23.020
<v Speaker 2>excited to see how I think for me personally this

0:59:23.200 --> 0:59:27.050
<v Speaker 2>one is going to age well to me personally like

0:59:27.370 --> 0:59:29.510
<v Speaker 2>I think I'm going to look back on it in

0:59:29.570 --> 0:59:31.960
<v Speaker 2>like 50 years and be able to play a couple

0:59:31.980 --> 0:59:34.500
<v Speaker 2>of the songs or all of the songs and be like, wow,

0:59:34.700 --> 0:59:38.220
<v Speaker 2>I'm really proud of like 31 year old Troy for

0:59:38.280 --> 0:59:39.000
<v Speaker 2>doing that. You know?

0:59:39.200 --> 0:59:41.220
<v Speaker 3>I feel like all of your albums have aged well.

0:59:41.620 --> 0:59:46.660
<v Speaker 2>Thank you. They, they feel like, um, it's so corny

0:59:46.700 --> 0:59:49.010
<v Speaker 2>cause it's like, everyone says this, but it really does

0:59:49.030 --> 0:59:50.590
<v Speaker 2>feel like opening a journal from when you were like

0:59:50.590 --> 0:59:52.850
<v Speaker 2>50 or something like that. You think that you're not

0:59:52.870 --> 0:59:54.850
<v Speaker 2>that different and then you go back and you like

0:59:54.910 --> 0:59:57.090
<v Speaker 2>read something you wrote or you whatever. And you're like,

0:59:57.410 --> 1:00:00.620
<v Speaker 2>Oh my God, this is like, Slightly mortifying, but also

1:00:00.700 --> 1:00:01.280
<v Speaker 2>very sweet.

1:00:01.320 --> 1:00:02.400
<v Speaker 1>Yeah. And very true.

1:00:02.800 --> 1:00:03.300
<v Speaker 2>Very true.

1:00:03.400 --> 1:00:03.640
<v Speaker 3>Yeah.

1:00:03.660 --> 1:00:06.780
<v Speaker 2>It was like, I had a sinus surgery to, cause

1:00:06.800 --> 1:00:10.780
<v Speaker 2>I had like a terrible deviated septum and I can

1:00:10.880 --> 1:00:13.220
<v Speaker 2>hear in my career pre and post.

1:00:13.540 --> 1:00:14.340
<v Speaker 1>Where the septum was.

1:00:14.640 --> 1:00:18.610
<v Speaker 2>Where the septum was. Because I was so stuffy. Like

1:00:18.620 --> 1:00:23.210
<v Speaker 2>there's songs on Blue Neighborhood where I am just completely blocked.

1:00:23.310 --> 1:00:24.130
<v Speaker 1>Interesting.

1:00:24.310 --> 1:00:26.030
<v Speaker 2>And thankfully that doesn't happen anymore.

1:00:26.230 --> 1:00:26.530
<v Speaker 4>Yeah.

1:00:26.550 --> 1:00:27.090
<v Speaker 2>Uh huh.

1:00:27.510 --> 1:00:27.810
<v Speaker 4>Uh huh.

1:00:28.130 --> 1:00:28.270
<v Speaker 2>Yeah.

1:00:28.310 --> 1:00:31.930
<v Speaker 3>I guess like you're, Like, your, like, belt on Blue,

1:00:32.110 --> 1:00:38.380
<v Speaker 3>or not your belt, but, like, your placement on Blue Neighborhood, it's, like, younger,

1:00:38.530 --> 1:00:42.580
<v Speaker 3>but it's, like, more, it's brighter, and yet it's more, like, there's, like,

1:00:42.620 --> 1:00:44.000
<v Speaker 3>a dome over it or something.

1:00:44.080 --> 1:00:45.060
<v Speaker 1>Totally. You know what I mean?

1:00:45.100 --> 1:00:45.340
<v Speaker 2>Yes.

1:00:45.640 --> 1:00:47.780
<v Speaker 1>That's interesting. I think you're going to listen to this

1:00:47.860 --> 1:00:51.780
<v Speaker 1>album in 50 years, and you're going to say one word. Correctamundo. Correctamundo.

1:00:51.800 --> 1:00:52.580
<v Speaker 2>Correctamundo.

1:00:52.800 --> 1:00:54.420
<v Speaker 1>Volume, what is it? Volume..

1:00:55.060 --> 1:00:55.700
<v Speaker 2>Volume loss.

1:00:55.760 --> 1:00:56.320
<v Speaker 1>Volume loss.

1:00:57.540 --> 1:00:59.540
<v Speaker 2>I hope you don't honestly I know it's.

1:00:59.460 --> 1:01:01.580
<v Speaker 1>Too late volume loss please listen.

1:01:01.260 --> 1:01:05.610
<v Speaker 4>To this podcast listen to no Troy no Tro no

1:01:06.220 --> 1:01:09.310
<v Speaker 4>Tro okay so here's when we reveal there's been two

1:01:09.350 --> 1:01:11.410
<v Speaker 4>games we were playing on this episode with you and you.

1:01:11.390 --> 1:01:12.590
<v Speaker 1>One of them you know about one of them you

1:01:12.610 --> 1:01:14.770
<v Speaker 1>don't one of them Bowen revealed which is he was

1:01:14.810 --> 1:01:15.470
<v Speaker 1>gonna call you.

1:01:15.430 --> 1:01:17.750
<v Speaker 2>Tro Tro right which I loved.

1:01:17.770 --> 1:01:19.330
<v Speaker 1>Yeah you loved that what about what about this one

1:01:19.350 --> 1:01:21.870
<v Speaker 1>what do you think what do you think was the

1:01:21.890 --> 1:01:24.710
<v Speaker 1>second the second unusual thing the game you've been.

1:01:24.630 --> 1:01:28.240
<v Speaker 2>Saying correctamundo a lot I just thought, I was like,

1:01:28.280 --> 1:01:29.650
<v Speaker 2>that was weird.

1:01:29.690 --> 1:01:31.530
<v Speaker 1>So you did think it was weird and there was

1:01:31.610 --> 1:01:34.310
<v Speaker 1>no world in which you thought like, I guess Correctamundo

1:01:34.330 --> 1:01:35.660
<v Speaker 1>was back and I didn't know.

1:01:35.740 --> 1:01:38.600
<v Speaker 2>No, no. So my honest, my honest deep fear was,

1:01:38.780 --> 1:01:41.010
<v Speaker 2>I was like, you know, I, I listened to the pod.

1:01:41.830 --> 1:01:42.370
<v Speaker 2>I'm a reader.

1:01:42.490 --> 1:01:42.729
<v Speaker 3>Yeah.

1:01:42.830 --> 1:01:45.330
<v Speaker 2>But I'm not like a religious reader. No offense. Sorry, guys.

1:01:45.390 --> 1:01:46.590
<v Speaker 2>No problem. I'm a busy boy.

1:01:46.630 --> 1:01:48.350
<v Speaker 1>Some of our episodes are fucking flop as fuck. They're

1:01:48.390 --> 1:01:49.030
<v Speaker 1>pretty bad.

1:01:49.070 --> 1:01:50.870
<v Speaker 2>And so, no, I just assumed that this was something,

1:01:51.090 --> 1:01:53.610
<v Speaker 2>maybe one of the more recent episodes that I hadn't caught. No.

1:01:53.670 --> 1:01:54.230
<v Speaker 4>Yeah, yeah, yeah.

1:01:54.250 --> 1:01:55.190
<v Speaker 1>You must be like, oh, God.

1:01:55.210 --> 1:01:56.380
<v Speaker 2>That's why I wasn't going to bring it up.

1:01:57.140 --> 1:01:59.170
<v Speaker 1>I think, I think this is, oh, oh, my God.

1:01:59.180 --> 1:02:00.130
<v Speaker 3>And there's one more thing that we have to do,

1:02:00.140 --> 1:02:01.580
<v Speaker 3>but it's not a secret, but it's a thing that

1:02:01.600 --> 1:02:02.460
<v Speaker 3>you're going to contribute to.

1:02:02.580 --> 1:02:02.880
<v Speaker 1>Oh, yes.

1:02:03.140 --> 1:02:05.900
<v Speaker 3>But I think in this, this set is really inspiring

1:02:05.960 --> 1:02:08.040
<v Speaker 3>us creatively. And like, we want to do like, I

1:02:08.060 --> 1:02:09.740
<v Speaker 3>think we're going to, we're going to do like games

1:02:09.780 --> 1:02:12.410
<v Speaker 3>for all of our guests. And I think this is

1:02:12.450 --> 1:02:15.070
<v Speaker 3>a great, and you are really so easygoing.

1:02:15.090 --> 1:02:15.670
<v Speaker 2>Thank you.

1:02:15.710 --> 1:02:17.810
<v Speaker 3>And you're really rolling with this in such a nice way.

1:02:17.830 --> 1:02:19.770
<v Speaker 3>This is the new thing. Any other thing else on

1:02:19.790 --> 1:02:20.740
<v Speaker 3>Correctamundo that you want to talk about?

1:02:20.780 --> 1:02:24.080
<v Speaker 1>I was just thinking, I was getting excited about another thing,

1:02:24.200 --> 1:02:26.100
<v Speaker 1>which is we should figure out a way to use

1:02:26.160 --> 1:02:28.580
<v Speaker 1>the phone. There's a phone over there.

1:02:28.740 --> 1:02:29.080
<v Speaker 2>Wow.

1:02:29.100 --> 1:02:33.120
<v Speaker 1>There's just so many things in stimulus now that are

1:02:33.160 --> 1:02:35.540
<v Speaker 1>in the room that we're sort of getting excited. But

1:02:35.580 --> 1:02:38.620
<v Speaker 1>that's a separate topic. This is what Bowen is talking about.

1:02:38.660 --> 1:02:42.210
<v Speaker 3>We want to establish... The queer handshake.

1:02:42.750 --> 1:02:43.680
<v Speaker 2>The queer handshake?

1:02:43.840 --> 1:02:47.700
<v Speaker 1>Yeah. So we have created the first two steps of it.

1:02:47.720 --> 1:02:48.500
<v Speaker 1>And we want you to add the next one. And

1:02:48.520 --> 1:02:50.600
<v Speaker 1>we want you to help create the third step. Perfect.

1:02:50.840 --> 1:02:54.540
<v Speaker 1>And maybe by the end of time, we will have

1:02:54.560 --> 1:02:56.520
<v Speaker 1>the whole thing. The whole handshake. And we'll all do

1:02:56.540 --> 1:02:57.860
<v Speaker 1>it together. And it's like, if you know, you know.

1:02:57.880 --> 1:02:59.180
<v Speaker 1>If you see someone on the street. If like.

1:02:59.470 --> 1:02:59.709
<v Speaker 3>Yeah.

1:02:59.830 --> 1:03:01.669
<v Speaker 2>Cause like, I think it's just going to get longer

1:03:01.790 --> 1:03:02.590
<v Speaker 2>and longer.

1:03:02.610 --> 1:03:03.430
<v Speaker 1>We'll call it.

1:03:03.650 --> 1:03:06.050
<v Speaker 2>And are you only inviting queer people to do it or? Yes.

1:03:06.510 --> 1:03:09.190
<v Speaker 1>Wow. Well, so you're on the podcast this week and

1:03:09.210 --> 1:03:11.150
<v Speaker 1>then next week is Spike and Honey. Spike and Honey.

1:03:11.170 --> 1:03:13.490
<v Speaker 1>And they're, they're very queer. And then the week after

1:03:13.530 --> 1:03:15.450
<v Speaker 1>that is Carly Rae Jepsen. And I do think we

1:03:15.470 --> 1:03:17.990
<v Speaker 1>should allow her to contribute. She can do it. Like

1:03:18.070 --> 1:03:21.800
<v Speaker 1>Carly Rae Jepsen. I think she's earned that. She's going

1:03:21.820 --> 1:03:22.939
<v Speaker 1>to come out on the pod.

1:03:22.960 --> 1:03:23.260
<v Speaker 2>Yeah.

1:03:23.500 --> 1:03:23.680
<v Speaker 1>Yeah.

1:03:24.100 --> 1:03:27.020
<v Speaker 3>I think she's going to be like, surrender my heart.

1:03:27.320 --> 1:03:28.280
<v Speaker 1>One of my favorite songs.

1:03:29.690 --> 1:03:31.130
<v Speaker 2>I'm sorry, I just thought about Emotion.

1:03:32.370 --> 1:03:34.520
<v Speaker 1>The best album of all time. What's your favorite track

1:03:34.560 --> 1:03:35.120
<v Speaker 1>on Emotion?

1:03:37.720 --> 1:03:40.260
<v Speaker 2>It's the one... Dev Hines did it.

1:03:40.380 --> 1:03:41.180
<v Speaker 1>All That?

1:03:42.120 --> 1:03:44.380
<v Speaker 2>Is that what it's called?

1:03:44.400 --> 1:03:49.870
<v Speaker 1>All That. So good. I also love When I Needed You.

1:03:50.110 --> 1:03:50.910
<v Speaker 1>When I Needed You.

1:03:51.510 --> 1:03:51.690
<v Speaker 2>Yeah.

1:03:52.190 --> 1:03:52.840
<v Speaker 1>Which I think..

1:03:53.770 --> 1:03:54.870
<v Speaker 2>Is Runaway with me on Emotion?

1:03:54.950 --> 1:03:56.930
<v Speaker 1>Yes. Opening track. Opening track.

1:03:57.390 --> 1:03:59.350
<v Speaker 2>My different Noonie wrote that song and it's like, I'm

1:03:59.430 --> 1:04:01.510
<v Speaker 2>still starstruck by her.

1:04:01.710 --> 1:04:03.630
<v Speaker 1>Of course. That's one of the best pop songs of

1:04:03.710 --> 1:04:04.090
<v Speaker 1>all time.

1:04:04.110 --> 1:04:04.370
<v Speaker 2>Truly.

1:04:04.390 --> 1:04:07.090
<v Speaker 1>Wait, what are you looking up? I'm looking up what

1:04:07.150 --> 1:04:11.280
<v Speaker 1>my actual favorite is on. Um, first of all, you

1:04:11.300 --> 1:04:18.730
<v Speaker 1>want to come me everywhere. Jizzing anywhere. Um, not faking it,

1:04:18.740 --> 1:04:23.380
<v Speaker 1>not faking it at all. No need. Okay. My favorite

1:04:23.440 --> 1:04:27.280
<v Speaker 1>song on this album, I think is your type. yeah

1:04:27.940 --> 1:04:29.240
<v Speaker 1>i'm not the type.

1:04:29.140 --> 1:04:32.180
<v Speaker 2>Of girl for you i'm not going.

1:04:31.810 --> 1:04:34.410
<v Speaker 1>To pretend just the way the words in which.

1:04:34.330 --> 1:04:37.610
<v Speaker 3>She puts emphasis yeah i'm like i'll make time for

1:04:37.630 --> 1:04:38.910
<v Speaker 3>you wailing.

1:04:38.490 --> 1:04:41.830
<v Speaker 1>That that voice cuts.

1:04:41.200 --> 1:04:44.400
<v Speaker 3>Through that is a radio ready that's radio ready yes

1:04:44.480 --> 1:04:46.520
<v Speaker 3>i mean call me maybe okay this is this is

1:04:46.560 --> 1:04:48.220
<v Speaker 3>this is what we have so far so simple okay.

1:04:52.720 --> 1:04:54.300
<v Speaker 1>That's all we have so far. So it's sort of

1:04:54.340 --> 1:04:57.720
<v Speaker 1>like a grip? And then it's burned like it's hot.

1:04:57.780 --> 1:05:00.830
<v Speaker 1>And then you have choices. You can either reunite or

1:05:00.870 --> 1:05:03.050
<v Speaker 1>you can do whatever you want.

1:05:03.090 --> 1:05:05.200
<v Speaker 2>My first thought was like a..

1:05:05.550 --> 1:05:06.610
<v Speaker 1>So you guys do it.

1:05:07.890 --> 1:05:08.530
<v Speaker 2>Is it inhale?

1:05:09.130 --> 1:05:09.430
<v Speaker 1>Whatever.

1:05:09.510 --> 1:05:09.930
<v Speaker 2>Oh, yeah, sure.

1:05:09.950 --> 1:05:13.030
<v Speaker 1>We both did it, so yeah. And then I kind

1:05:13.070 --> 1:05:15.340
<v Speaker 1>of want like a... Yeah, okay, great. That's great.

1:05:15.360 --> 1:05:15.600
<v Speaker 2>Love it.

1:05:15.660 --> 1:05:19.400
<v Speaker 1>Okay. You guys do it.

1:05:19.660 --> 1:05:20.160
<v Speaker 3>Ready?

1:05:20.220 --> 1:05:26.800
<v Speaker 1>Ready? Yes! I mean, we could end it right there

1:05:26.820 --> 1:05:28.940
<v Speaker 1>if we want. I think for now it's ended. And

1:05:28.980 --> 1:05:30.820
<v Speaker 1>then we can see. If we're moved to do it.

1:05:30.840 --> 1:05:33.180
<v Speaker 1>Let's just see what next week brings. You know what

1:05:33.220 --> 1:05:36.050
<v Speaker 1>I mean? But in terms of where it's at right now,

1:05:36.070 --> 1:05:39.770
<v Speaker 1>I feel really happy. I think the space is giving

1:05:39.830 --> 1:05:40.890
<v Speaker 1>a lot of.

1:05:41.450 --> 1:05:44.190
<v Speaker 3>Like there should be like queer handshakes.

1:05:44.190 --> 1:05:46.330
<v Speaker 2>100%. I mean, there's nothing more petrifying in the world

1:05:46.350 --> 1:05:49.300
<v Speaker 2>than like a straight man walking up to you. about

1:05:49.340 --> 1:05:51.020
<v Speaker 2>to do something this.

1:05:50.640 --> 1:05:52.900
<v Speaker 3>Is exactly what this is exactly what inspired me i

1:05:52.920 --> 1:05:55.800
<v Speaker 3>was like why did we all get so terrified when

1:05:55.820 --> 1:05:56.380
<v Speaker 3>that happens.

1:05:56.200 --> 1:05:58.720
<v Speaker 2>The same as for me when a ball gets kicked

1:05:58.760 --> 1:06:00.760
<v Speaker 2>over a fence right and i'm the one standing on

1:06:00.780 --> 1:06:03.520
<v Speaker 2>the other side of the fence like oh yeah just.

1:06:03.340 --> 1:06:05.800
<v Speaker 3>Terrifying just terrifying i know it's really scary a.

1:06:05.760 --> 1:06:07.820
<v Speaker 1>Chill just ran up my spine i had a physical

1:06:07.900 --> 1:06:11.180
<v Speaker 1>moment because i thought of when guys do that thing

1:06:11.320 --> 1:06:14.430
<v Speaker 1>where they shake your hand and they pull oh you

1:06:14.890 --> 1:06:15.950
<v Speaker 1>Has anyone ever done this to you?

1:06:16.250 --> 1:06:17.110
<v Speaker 2>I think I'd get hard.

1:06:17.210 --> 1:06:19.670
<v Speaker 1>No, I know. It's really... What would you say?

1:06:19.810 --> 1:06:22.050
<v Speaker 2>I think I'd get hard. I would love that. Yeah, yeah, yeah.

1:06:23.110 --> 1:06:25.180
<v Speaker 1>So you are on the husband line. Yeah, you're just

1:06:25.200 --> 1:06:27.490
<v Speaker 1>looking for a man to grip it and rip it.

1:06:27.700 --> 1:06:31.980
<v Speaker 3>Hey, if you're in New York or Melbourne and you

1:06:32.000 --> 1:06:33.920
<v Speaker 3>run into Troy, make sure you pull it.

1:06:34.020 --> 1:06:38.340
<v Speaker 1>Run into Tro, pull in. Run into Tro? Correctamundo, babe. Correctamundo.

1:06:38.360 --> 1:06:41.560
<v Speaker 2>Correctamundo's tough.

1:06:41.580 --> 1:06:44.120
<v Speaker 1>Do you like Correctamundo? Yeah.

1:06:45.390 --> 1:06:48.300
<v Speaker 2>I think it was good for this episode. I don't

1:06:48.320 --> 1:06:49.820
<v Speaker 2>know that it needs to be like a thing forever.

1:06:50.200 --> 1:06:52.300
<v Speaker 1>You really did bail on the bit with Tro. You

1:06:52.320 --> 1:06:54.760
<v Speaker 1>told him right away. Cause you would have been like,

1:06:54.780 --> 1:06:58.530
<v Speaker 1>I would have, I just would have loved it. Really?

1:06:58.550 --> 1:06:59.570
<v Speaker 2>I absolutely love it.

1:06:59.990 --> 1:07:01.390
<v Speaker 1>At first you were like, I don't know.

1:07:02.050 --> 1:07:03.490
<v Speaker 2>I've never been called that before.

1:07:03.570 --> 1:07:06.830
<v Speaker 1>So I loved the, the name Troy is incredible.

1:07:07.190 --> 1:07:07.530
<v Speaker 2>Thank you.

1:07:08.030 --> 1:07:09.070
<v Speaker 1>You've never wavered on that.

1:07:09.860 --> 1:07:12.120
<v Speaker 2>No, but Savannah's not my last name. Right. It's my

1:07:12.160 --> 1:07:12.520
<v Speaker 2>middle name.

1:07:13.400 --> 1:07:16.970
<v Speaker 3>But, but, And Savannah's gorgeous. But Troy as a first name,

1:07:17.550 --> 1:07:18.510
<v Speaker 3>something you're hearing all the time.

1:07:18.590 --> 1:07:21.140
<v Speaker 1>I've also met your cool parents because they came to

1:07:21.180 --> 1:07:22.420
<v Speaker 1>my Christmas show in LA.

1:07:22.860 --> 1:07:23.120
<v Speaker 2>Right.

1:07:23.160 --> 1:07:25.380
<v Speaker 1>And I met them after. Troy was like, I brought

1:07:25.420 --> 1:07:28.360
<v Speaker 1>my parents. And I was like, hey. So cool. Yeah,

1:07:28.380 --> 1:07:28.960
<v Speaker 1>they are cool.

1:07:29.320 --> 1:07:32.160
<v Speaker 2>Yeah, they're amazing. They come to a lot of things

1:07:32.200 --> 1:07:32.480
<v Speaker 2>with me.

1:07:32.940 --> 1:07:33.940
<v Speaker 1>Do they come to America a lot?

1:07:34.160 --> 1:07:35.760
<v Speaker 2>They do, yeah.

1:07:35.840 --> 1:07:37.340
<v Speaker 3>Before we do, I don't think so, honey. We were

1:07:37.420 --> 1:07:40.120
<v Speaker 3>told that we would be watching something.

1:07:40.400 --> 1:07:44.540
<v Speaker 1>Oh, right. Oh, here we go. Dan, is that it? Oh,

1:07:44.740 --> 1:07:47.960
<v Speaker 1>I am really excited. Okay, so how is this going

1:07:47.980 --> 1:07:49.990
<v Speaker 1>to be a moment where we... Oh, do you have

1:07:50.010 --> 1:07:56.250
<v Speaker 1>the capabilities? I can't believe sometimes how... You guys stay ready,

1:07:56.310 --> 1:07:58.410
<v Speaker 1>so you don't have to get ready. This is an

1:07:58.450 --> 1:07:59.870
<v Speaker 1>unreleased song. We've heard it.

1:08:00.250 --> 1:08:00.930
<v Speaker 2>You have heard it.

1:08:00.930 --> 1:08:02.270
<v Speaker 1>Can we say the name of the track or no?

1:08:02.570 --> 1:08:03.490
<v Speaker 2>No.

1:08:03.510 --> 1:08:04.080
<v Speaker 1>Let's not risk it.

1:08:04.360 --> 1:08:09.030
<v Speaker 2>No, but I just was... I'm very, very, very excited..

1:08:11.250 --> 1:08:13.650
<v Speaker 3>Anything you want to preface for us before we hit play?

1:08:13.670 --> 1:08:16.350
<v Speaker 3>I'm obsessed with, I have not stopped thinking about this song.

1:08:16.450 --> 1:08:20.110
<v Speaker 2>Really? For the readers at home, I am playing them

1:08:20.430 --> 1:08:22.790
<v Speaker 2>the second single from my album, She's the Best.

1:08:23.150 --> 1:08:27.680
<v Speaker 3>And this is going to be played everywhere.

1:08:28.020 --> 1:08:31.120
<v Speaker 2>The music video, I'm just so proud of it and

1:08:31.160 --> 1:08:33.070
<v Speaker 2>so excited about it. But I was like, I kind

1:08:33.090 --> 1:08:33.870
<v Speaker 2>of just want to show them.

1:08:33.890 --> 1:08:36.110
<v Speaker 1>Oh, my God. Thank you. So this is when I

1:08:36.130 --> 1:08:38.730
<v Speaker 1>have to say, Terry O'Connor, you do have to come

1:08:38.770 --> 1:08:41.269
<v Speaker 1>in here and make a cameo to open up the laptop.

1:08:41.380 --> 1:08:43.939
<v Speaker 1>And Terry's going to come make a short cameo to

1:08:44.020 --> 1:08:44.620
<v Speaker 1>open this up.

1:08:44.820 --> 1:08:47.000
<v Speaker 3>Culture Digest's Terrence O'Connor.

1:08:47.020 --> 1:08:50.660
<v Speaker 1>You know him, you love him. On the husband hunt

1:08:50.700 --> 1:08:54.510
<v Speaker 1>as well. On the husband hunt as well. Terrence and

1:08:54.530 --> 1:08:59.950
<v Speaker 1>Culture Digest. Yes, come. No, it's not. We need Touch ID, Pat.

1:09:00.720 --> 1:09:03.540
<v Speaker 3>You gotta put your finger on it honey there you go.

1:09:03.780 --> 1:09:06.620
<v Speaker 1>This is a great moment wave to the camera.

1:09:06.400 --> 1:09:08.760
<v Speaker 3>Okay alright hey everybody there he is there he is

1:09:08.880 --> 1:09:12.440
<v Speaker 3>okay we're gonna press play ready pressing play I wanna

1:09:12.460 --> 1:09:16.000
<v Speaker 3>do brightness yeah yeah yeah okay get away from me

1:09:16.040 --> 1:09:18.440
<v Speaker 3>Mike oh my god can I go around the back

1:09:18.520 --> 1:09:20.070
<v Speaker 3>yeah come come come Yeah, come around.

1:09:20.110 --> 1:09:20.590
<v Speaker 1>Sit, sit, sit.

1:09:20.910 --> 1:09:21.189
<v Speaker 2>Sit.

1:09:21.370 --> 1:09:21.670
<v Speaker 4>Oh, okay.

1:09:22.689 --> 1:09:24.349
<v Speaker 1>Oh, my God. This is already stunning.

1:09:25.310 --> 1:09:25.870
<v Speaker 3>Oh, my God.

1:09:26.490 --> 1:09:27.150
<v Speaker 1>Oh, come on.

1:09:27.210 --> 1:09:27.740
<v Speaker 2>This is..

1:09:28.830 --> 1:09:36.210
<v Speaker 1>What? When... How did you do this? Oh! Oh. I'm

1:09:36.250 --> 1:09:44.040
<v Speaker 1>really happy. This is huge. Yes! Oh. Really good.

1:09:44.439 --> 1:09:47.920
<v Speaker 3>The location scouting must have been really fun. That's all

1:09:47.939 --> 1:09:48.460
<v Speaker 3>I'm going to say.

1:09:48.479 --> 1:09:56.240
<v Speaker 1>Oh, my God. Oh. Wow. Oh, my God. That was amazing. Oh,

1:09:56.280 --> 1:09:59.360
<v Speaker 1>my God. Wow. You know how to press. You look

1:09:59.380 --> 1:10:01.519
<v Speaker 1>perfect in this setting. You know how to press with

1:10:01.560 --> 1:10:07.170
<v Speaker 1>the eye contact. Oh, my God. Tro.

1:10:07.290 --> 1:10:07.590
<v Speaker 4>In it.

1:10:07.610 --> 1:10:14.210
<v Speaker 1>Yes. That's going to be a huge fucking moment, bitch.

1:10:14.870 --> 1:10:15.370
<v Speaker 2>Unbelievable.

1:10:15.410 --> 1:10:19.450
<v Speaker 1>Oh, my God. Thank you. That was incredible. I am...

1:10:20.410 --> 1:10:22.570
<v Speaker 1>I don't know how to like over hype that. I'm

1:10:22.610 --> 1:10:24.370
<v Speaker 1>so sorry. I mean, thank you. Thank you. Thank you.

1:10:24.729 --> 1:10:28.769
<v Speaker 1>That is really fucking cool. You are galvanized. Like you

1:10:28.790 --> 1:10:30.550
<v Speaker 1>have not, are you, um, okay.

1:10:30.570 --> 1:10:33.799
<v Speaker 3>Without revealing too much, you're, you're like, you're in your

1:10:33.810 --> 1:10:35.840
<v Speaker 3>dancing bag in that video.

1:10:36.040 --> 1:10:39.060
<v Speaker 1>You kind of were already, but it's like, it's like,

1:10:39.180 --> 1:10:42.140
<v Speaker 1>this is like rush was amazing.

1:10:42.160 --> 1:10:43.760
<v Speaker 3>And get me started with me. But like this, this

1:10:43.820 --> 1:10:45.600
<v Speaker 3>is like, this is like a level up.

1:10:45.800 --> 1:10:49.280
<v Speaker 2>Thank you. I think it's, it's so, it was so interesting.

1:10:49.320 --> 1:10:53.380
<v Speaker 2>Cause I think, um, dancers like pick things up like that.

1:10:53.460 --> 1:10:56.380
<v Speaker 2>And it's so crazy. And the first time I tried

1:10:56.420 --> 1:11:00.270
<v Speaker 2>to dance was for rush. And I remember thinking like, it's, it's, I,

1:11:00.370 --> 1:11:03.269
<v Speaker 2>these are neural pathways that I just don't have. Like

1:11:03.590 --> 1:11:06.610
<v Speaker 2>it was so confusing. And now it feels a little

1:11:06.630 --> 1:11:08.770
<v Speaker 2>bit easier where like, I feel like I can look

1:11:08.810 --> 1:11:12.400
<v Speaker 2>at someone and be like, damn, their core is really

1:11:12.580 --> 1:11:15.300
<v Speaker 2>tight right now while they are doing that. You know

1:11:15.320 --> 1:11:17.519
<v Speaker 2>what I mean? It's like, Kind of, you can understand

1:11:17.540 --> 1:11:20.280
<v Speaker 2>what that would feel like. Whereas before, I had no idea.

1:11:20.300 --> 1:11:24.970
<v Speaker 2>I just didn't... There was no correlation between seeing what

1:11:24.990 --> 1:11:27.349
<v Speaker 2>someone was doing and knowing what it would feel like.

1:11:27.850 --> 1:11:31.950
<v Speaker 1>Everything about that video is what they should be.

1:11:32.750 --> 1:11:37.140
<v Speaker 3>You really gotta keep it going with all the acting stuff, too.

1:11:37.540 --> 1:11:41.240
<v Speaker 1>Really? You have such presence. Thank you. It's really incredible.

1:11:42.220 --> 1:11:43.860
<v Speaker 1>You're really fucking good on camera.

1:11:44.080 --> 1:11:44.500
<v Speaker 2>Thank you.

1:11:45.260 --> 1:11:45.890
<v Speaker 1>I just feel..

1:11:46.540 --> 1:11:51.300
<v Speaker 2>Like, I have friends who sleep, eat, breathe, acting.

1:11:51.320 --> 1:11:51.880
<v Speaker 1>I totally get this.

1:11:52.020 --> 1:11:53.220
<v Speaker 2>And I have never been like that.

1:11:53.520 --> 1:11:53.700
<v Speaker 3>Yeah.

1:11:53.880 --> 1:11:54.380
<v Speaker 1>You don't have to be.

1:11:54.420 --> 1:11:58.000
<v Speaker 2>And I... Yeah, so it's just, like, it's not something

1:11:58.020 --> 1:11:59.780
<v Speaker 2>that I, like, I'm dying for.

1:12:00.020 --> 1:12:06.360
<v Speaker 1>I mean, I feel like it's that thing of because...

1:12:07.220 --> 1:12:11.200
<v Speaker 1>you have so much to give. You should only give

1:12:12.080 --> 1:12:14.930
<v Speaker 1>it to a project that's going to like actually, you know,

1:12:15.590 --> 1:12:18.370
<v Speaker 1>I get what you're saying because there's a lot of

1:12:18.410 --> 1:12:21.750
<v Speaker 1>people who it's like, yeah, because they are an actor

1:12:21.970 --> 1:12:24.059
<v Speaker 1>and they're going to grind for that and they're going

1:12:24.070 --> 1:12:26.780
<v Speaker 1>to want that. They should be given certain opportunities to

1:12:26.820 --> 1:12:27.939
<v Speaker 1>do it. I feel like you're not going to be

1:12:27.979 --> 1:12:30.620
<v Speaker 1>someone that's just going to take a part because like,

1:12:30.970 --> 1:12:33.670
<v Speaker 1>you want to act because you know that there's like

1:12:33.689 --> 1:12:36.030
<v Speaker 1>something that feeds your soul that you're able to do.

1:12:36.470 --> 1:12:38.229
<v Speaker 1>And so if there's going to be an opportunity for

1:12:38.330 --> 1:12:41.150
<v Speaker 1>someone whose soul is going to be fed by doing something,

1:12:41.170 --> 1:12:42.530
<v Speaker 1>I totally get that.

1:12:42.570 --> 1:12:44.769
<v Speaker 2>But, but I just know how I feel about music

1:12:44.990 --> 1:12:47.880
<v Speaker 2>and I'm like, yeah, I am so obsessed with it.

1:12:48.380 --> 1:12:51.000
<v Speaker 1>You don't have that same feeling towards, towards.

1:12:51.680 --> 1:12:53.640
<v Speaker 2>I haven't, but maybe if the right project came along,

1:12:53.680 --> 1:12:55.300
<v Speaker 2>I would feel differently. Or maybe it's about, maybe I

1:12:55.300 --> 1:12:57.420
<v Speaker 2>need to be a bit more involved like on the

1:12:57.460 --> 1:13:00.720
<v Speaker 2>production side or something like that. Because I just find music,

1:13:01.370 --> 1:13:04.710
<v Speaker 2>really stimulates like every part of my brain and then

1:13:04.790 --> 1:13:08.230
<v Speaker 2>showing up and acting i just i don't know i

1:13:08.290 --> 1:13:10.870
<v Speaker 2>enjoy it but it's like like i said i'm not like.

1:13:10.850 --> 1:13:13.229
<v Speaker 3>There's so much bill my thing with at least uh

1:13:13.870 --> 1:13:16.030
<v Speaker 3>for film and television or whatever it's like there's just

1:13:16.070 --> 1:13:17.639
<v Speaker 3>so much and even with like theater it's like there's

1:13:17.650 --> 1:13:20.980
<v Speaker 3>so much build-up to it you're not doing it really

1:13:21.060 --> 1:13:25.439
<v Speaker 3>like it doesn't feel complete until it's like until it's done,

1:13:25.479 --> 1:13:27.320
<v Speaker 3>if that makes sense, until like you're doing it in

1:13:27.340 --> 1:13:30.280
<v Speaker 3>front of, you're presenting it. But with music, it's like,

1:13:30.390 --> 1:13:33.990
<v Speaker 3>I'm sure you understand this. It's like the building of

1:13:34.030 --> 1:13:34.969
<v Speaker 3>it is the thing.

1:13:35.110 --> 1:13:35.349
<v Speaker 2>Yes.

1:13:35.430 --> 1:13:37.750
<v Speaker 3>And then it's another special stage of it when it's

1:13:37.850 --> 1:13:40.790
<v Speaker 3>being presented. It's like there's, I don't know, which is

1:13:40.830 --> 1:13:42.230
<v Speaker 3>not to say that that's not true for acting, but

1:13:42.250 --> 1:13:44.220
<v Speaker 3>it's like for you guys, it's like the fact that you're,

1:13:44.800 --> 1:13:47.160
<v Speaker 3>if you're near music, if you're near music being made,

1:13:47.200 --> 1:13:48.960
<v Speaker 3>like with Matt's album, it's like, you're just going to

1:13:48.979 --> 1:13:50.820
<v Speaker 3>jump in there. There's no second thought about it.

1:13:50.840 --> 1:13:52.180
<v Speaker 2>It's cool. Yeah.

1:13:52.700 --> 1:13:52.860
<v Speaker 3>Yeah.

1:13:54.080 --> 1:13:54.340
<v Speaker 4>Wow.

1:13:55.000 --> 1:13:58.340
<v Speaker 1>I am shook. Honestly, it's like I wouldn't have placed

1:13:58.380 --> 1:14:01.760
<v Speaker 1>it in that world. And now I'm like, that's the

1:14:01.800 --> 1:14:03.760
<v Speaker 1>world in which it will live forever, which is such

1:14:03.840 --> 1:14:09.700
<v Speaker 1>an interesting experience to have. It's like, I don't know. Actually,

1:14:09.720 --> 1:14:12.179
<v Speaker 1>I know exactly what I heard when I first heard

1:14:12.300 --> 1:14:14.360
<v Speaker 1>the song, which we're not going to say what it is.

1:14:14.930 --> 1:14:18.590
<v Speaker 1>But now that I have that visual context for it,

1:14:18.729 --> 1:14:22.490
<v Speaker 1>it's just so exciting because you realize there's um, boundless

1:14:22.510 --> 1:14:24.729
<v Speaker 1>opportunities for its visual context.

1:14:24.750 --> 1:14:24.820
<v Speaker 2>Yes.

1:14:25.450 --> 1:14:28.100
<v Speaker 1>Yes. Blank in the wherever you want, really.

1:14:28.110 --> 1:14:29.240
<v Speaker 2>I know.

1:14:29.260 --> 1:14:31.960
<v Speaker 3>I mean, it must be really confounding for everyone to

1:14:31.979 --> 1:14:33.920
<v Speaker 3>like not know what we're talking about, but just like

1:14:34.000 --> 1:14:37.179
<v Speaker 3>trust that you will, there's no way you don't love it.

1:14:37.490 --> 1:14:39.620
<v Speaker 1>That's all. You're going to want to take repeat rides.

1:14:39.640 --> 1:14:43.340
<v Speaker 1>That's for sure. Um, well that was fucking incredible. Thank

1:14:43.360 --> 1:14:46.160
<v Speaker 1>you for sharing that with us and stay tuned. Do

1:14:46.200 --> 1:14:48.840
<v Speaker 1>you have any dates to share about things about the

1:14:48.920 --> 1:14:49.460
<v Speaker 1>album and stuff?

1:14:49.479 --> 1:14:50.800
<v Speaker 2>You're asking me about my dating life again.

1:14:51.100 --> 1:14:53.519
<v Speaker 1>No, I mean like in terms of like when, when

1:14:53.600 --> 1:14:55.400
<v Speaker 1>we can expect this stuff.

1:14:55.420 --> 1:14:58.540
<v Speaker 2>It's, you know what? I have no idea what will

1:14:58.580 --> 1:15:01.160
<v Speaker 2>be known by the time this comes out. So all

1:15:01.180 --> 1:15:03.059
<v Speaker 2>I'll say is it's a very quick rollout.

1:15:03.380 --> 1:15:03.680
<v Speaker 1>Yeah.

1:15:04.080 --> 1:15:06.420
<v Speaker 2>It's a very quick rollout. Is that good or bad?

1:15:06.820 --> 1:15:09.939
<v Speaker 2>great for me yeah love love that absolutely love especially

1:15:09.960 --> 1:15:11.460
<v Speaker 2>i think because it is such a kind of like

1:15:12.400 --> 1:15:16.750
<v Speaker 2>eclectic or uh you know i i think maybe people

1:15:17.930 --> 1:15:19.630
<v Speaker 2>humbly i made it obviously i think this i think

1:15:19.650 --> 1:15:21.650
<v Speaker 2>that the album is best experienced when listened top to

1:15:21.670 --> 1:15:23.470
<v Speaker 2>bottom it's like a very it's a journey you know

1:15:23.490 --> 1:15:26.429
<v Speaker 2>what i mean and so i think um that's also

1:15:26.550 --> 1:15:27.810
<v Speaker 2>kind of why we wanted to do a quick rollout

1:15:27.850 --> 1:15:29.710
<v Speaker 2>is i'm like i just want people to have the

1:15:29.729 --> 1:15:31.230
<v Speaker 2>whole thing yeah yeah.

1:15:31.110 --> 1:15:37.870
<v Speaker 1>That's very generous All right, time for I Don't Think

1:15:37.890 --> 1:15:38.210
<v Speaker 1>So Honey.

1:15:38.630 --> 1:15:38.810
<v Speaker 2>Yes.

1:15:39.070 --> 1:15:42.470
<v Speaker 1>This is our 60-second segment where we sort of, you know,

1:15:43.140 --> 1:15:48.000
<v Speaker 1>just we let loose on a topic that needs a reckoning.

1:15:48.800 --> 1:15:51.150
<v Speaker 1>And I have something. Fabulous. Yeah.

1:15:52.030 --> 1:15:54.130
<v Speaker 3>This is Matt Rogers' I Don't Think So Honey's Time

1:15:54.150 --> 1:15:54.470
<v Speaker 3>Starts Now.

1:15:54.820 --> 1:15:58.060
<v Speaker 1>Okay, so I don't think so, honey. Apparently on Disney +,

1:15:57.820 --> 1:16:00.780
<v Speaker 1>there is something called The Descendants, which is about the

1:16:00.820 --> 1:16:05.730
<v Speaker 1>descendants of like, it's like the children of like Lumiere

1:16:05.790 --> 1:16:09.430
<v Speaker 1>and Mrs. Clock. What's her name, Mrs. Clock? Mrs. Potts. Mrs. Potts.

1:16:10.290 --> 1:16:11.830
<v Speaker 1>I don't think so, honey. Cogsworth is the, oh yeah.

1:16:12.030 --> 1:16:14.110
<v Speaker 1>I don't think so, honey, that I need to think

1:16:14.170 --> 1:16:18.660
<v Speaker 1>about like how these things reproduced. Um, it's all about like, oh,

1:16:18.760 --> 1:16:20.560
<v Speaker 1>like even though it's his son, is he going to

1:16:20.600 --> 1:16:23.160
<v Speaker 1>be a lot like his dad? It's like, I understand

1:16:23.200 --> 1:16:25.070
<v Speaker 1>we're living in a world where like, oh yeah, this

1:16:25.150 --> 1:16:27.570
<v Speaker 1>inanimate object is for, this is for children and it

1:16:27.610 --> 1:16:30.990
<v Speaker 1>has a daughter. But I just feel like I can't

1:16:31.170 --> 1:16:33.189
<v Speaker 1>stop thinking when you're talking about like, oh, are they

1:16:33.210 --> 1:16:35.340
<v Speaker 1>going to be just like their mom? Why would they be?

1:16:35.420 --> 1:16:35.740
<v Speaker 4>Oh, right.

1:16:35.780 --> 1:16:38.420
<v Speaker 1>Because they had parents that fucked. And I don't want

1:16:38.439 --> 1:16:41.090
<v Speaker 1>to think about like Mrs. Potts and Lumiere having sex.

1:16:41.729 --> 1:16:44.170
<v Speaker 1>sex like i don't think it's worth having the show

1:16:44.710 --> 1:16:46.590
<v Speaker 1>and i'm in a great place with disney right now

1:16:46.610 --> 1:16:49.430
<v Speaker 1>we had an amazing time at the theme parks um

1:16:49.729 --> 1:16:52.070
<v Speaker 1>but i just i personally don't think so honey that

1:16:52.150 --> 1:16:54.810
<v Speaker 1>i need to think about like you know right after

1:16:54.890 --> 1:16:57.110
<v Speaker 1>be my guest like she was like that was amazing

1:16:57.189 --> 1:16:59.729
<v Speaker 1>baby and then they fucked and as a result like

1:17:00.189 --> 1:17:03.809
<v Speaker 1>now we have a little child from the descendants.

1:17:03.270 --> 1:17:06.980
<v Speaker 3>And that's one minute now i have so many questions

1:17:07.240 --> 1:17:13.050
<v Speaker 3>same i guess didn't they all turn back to humans Right.

1:17:13.590 --> 1:17:19.710
<v Speaker 1>So, Becca Ramos, in the series The Descendants on Disney +,

1:17:19.790 --> 1:17:23.490
<v Speaker 1>can you just double check, are they little inanimate objects,

1:17:23.550 --> 1:17:26.080
<v Speaker 1>household things? Or are they humans?

1:17:26.140 --> 1:17:29.520
<v Speaker 3>Because they were people who were turned by that witch.

1:17:30.140 --> 1:17:31.939
<v Speaker 1>I wouldn't want to watch a show about them if

1:17:32.000 --> 1:17:33.400
<v Speaker 1>it was about the human version of them.

1:17:33.939 --> 1:17:37.140
<v Speaker 2>I have no context for this whatsoever. I've got no

1:17:37.160 --> 1:17:38.000
<v Speaker 2>idea what you're talking about.

1:17:38.020 --> 1:17:39.080
<v Speaker 1>It says most of the main.

1:17:39.000 --> 1:17:44.560
<v Speaker 3>Characters are human, though several possess... Magical or non-human heritage.

1:17:44.580 --> 1:17:47.160
<v Speaker 1>So then they can turn into things. Sorry, what? They

1:17:47.200 --> 1:17:48.680
<v Speaker 1>have non-human heritage?

1:17:48.760 --> 1:17:51.400
<v Speaker 3>I think it's live action on Disney +. It's like

1:17:51.500 --> 1:17:56.769
<v Speaker 3>expanding the universe. Like the kids, the descendants of these characters.

1:17:56.790 --> 1:17:59.430
<v Speaker 1>So it's like, you know, Mrs. Clock. Mrs.

1:17:59.470 --> 1:17:59.670
<v Speaker 2>Potts.

1:17:59.689 --> 1:17:59.790
<v Speaker 3>Yeah.

1:17:59.830 --> 1:18:00.570
<v Speaker 1>It says, be the.

1:18:02.150 --> 1:18:04.500
<v Speaker 3>Daughter of the evil queen, Jay, son of the bar.

1:18:05.320 --> 1:18:09.960
<v Speaker 1>It's... it's descendants of a bunch of Disney characters oh

1:18:09.979 --> 1:18:13.120
<v Speaker 1>yeah it's all and they're all for some reason human

1:18:13.140 --> 1:18:14.760
<v Speaker 1>teenagers and the whole thing is like am I gonna

1:18:14.800 --> 1:18:16.880
<v Speaker 1>be like my like fucked mom and dad who was

1:18:16.920 --> 1:18:19.170
<v Speaker 1>a spoon and a clock or like am I gonna

1:18:19.229 --> 1:18:21.969
<v Speaker 1>be like fucked like my mom's like my dad's scar

1:18:22.110 --> 1:18:22.809
<v Speaker 1>you know what I mean.

1:18:22.970 --> 1:18:26.509
<v Speaker 2>So is Jafar's son he's human or what.

1:18:26.790 --> 1:18:29.210
<v Speaker 1>First of all Jafar having a son is crazy to

1:18:29.229 --> 1:18:31.059
<v Speaker 1>me because he's about as gay as the day is

1:18:31.070 --> 1:18:33.780
<v Speaker 1>long Sargassi What? Oh, surrogacy, yeah.

1:18:33.800 --> 1:18:34.000
<v Speaker 3>Surrogacy.

1:18:34.100 --> 1:18:37.059
<v Speaker 1>Okay, so Becca, can you check in the show, did

1:18:37.120 --> 1:18:39.460
<v Speaker 1>Jafar have a son by surrogacy and that's why we

1:18:39.500 --> 1:18:41.679
<v Speaker 1>can believe that he procreated?

1:18:43.310 --> 1:18:44.889
<v Speaker 2>Never mind the fact that his son is human.

1:18:45.530 --> 1:18:46.350
<v Speaker 1>He's human.

1:18:46.750 --> 1:18:47.950
<v Speaker 2>He's human. Oh my God, you're right.

1:18:47.970 --> 1:18:50.540
<v Speaker 1>Yeah, yeah, yeah. He's a genie. He can just become

1:18:50.600 --> 1:18:52.520
<v Speaker 1>a snake. Jafar and who? It's going to be like,

1:18:52.800 --> 1:18:56.639
<v Speaker 1>he had a girlfriend named Megan in college. Like Jafar

1:18:56.700 --> 1:18:59.990
<v Speaker 1>and Megan haven't spoken, but Megan came to the, I guess,

1:19:00.070 --> 1:19:05.280
<v Speaker 1>where did he live? Agrabah. Agrabah. Okay, it feels like

1:19:05.320 --> 1:19:08.309
<v Speaker 1>this is an involved answer from Becca. And I know

1:19:08.360 --> 1:19:11.010
<v Speaker 1>enough to know I still don't think so, honey. Got it.

1:19:11.150 --> 1:19:15.370
<v Speaker 1>But especially after hearing that some of them have, in

1:19:15.410 --> 1:19:20.570
<v Speaker 1>your words, non-human heritage. Like my heritage is half cupboard,

1:19:20.630 --> 1:19:22.210
<v Speaker 1>half Italian.

1:19:22.630 --> 1:19:24.940
<v Speaker 3>There is a child of Beauty and the Beast.

1:19:26.600 --> 1:19:29.510
<v Speaker 1>Oh, Jesus Christ. Right.

1:19:29.850 --> 1:19:32.710
<v Speaker 3>That's not a human heritage. But what we're forgetting is

1:19:32.750 --> 1:19:35.170
<v Speaker 3>that they were all human at one point in Beauty

1:19:35.189 --> 1:19:35.730
<v Speaker 3>and the Beast.

1:19:36.430 --> 1:19:41.150
<v Speaker 1>Sure. I don't know. I just wanted to bring it up. Okay. Look,

1:19:41.210 --> 1:19:45.389
<v Speaker 1>this is our podcast. I just wanted to bring it up. Yeah. Respect.

1:19:45.410 --> 1:19:48.100
<v Speaker 1>Do you have anything to say on this topic? I'm ready. No.

1:19:49.140 --> 1:19:49.479
<v Speaker 1>I'm ready.

1:19:49.500 --> 1:19:51.300
<v Speaker 3>And mine also has to do with the work of

1:19:51.900 --> 1:19:52.939
<v Speaker 3>Alan McKinnon and Howard Ashman.

1:19:53.100 --> 1:19:55.980
<v Speaker 1>Oh, okay. Oh, great. This is Bowen Yang. I don't

1:19:56.000 --> 1:19:57.020
<v Speaker 1>think so, honey. His time starts now.

1:19:57.120 --> 1:19:59.479
<v Speaker 3>I don't think so, honey. The story of Little Shop

1:19:59.520 --> 1:20:03.010
<v Speaker 3>of Horrors. I did not understand and realize until we

1:20:03.030 --> 1:20:07.710
<v Speaker 3>had seen it off Broadway this weekend that an amazing performance.

1:20:07.810 --> 1:20:08.160
<v Speaker 1>Loved it.

1:20:08.210 --> 1:20:12.730
<v Speaker 3>Run, Don't Walk, Eaton Slater, Claiborne Elder, Betsy Wolfe, incredible

1:20:12.750 --> 1:20:15.309
<v Speaker 3>cast of Little Shop of Horrors. I, I've always.

1:20:15.130 --> 1:20:16.689
<v Speaker 1>Been familiar with the music in all my life.

1:20:16.720 --> 1:20:19.740
<v Speaker 3>Howard Ashman is one of our greatest lyricists, writers, composers, or,

1:20:19.860 --> 1:20:22.960
<v Speaker 3>I'm sorry, lyricists and writers. 30 seconds.

1:20:23.800 --> 1:20:26.560
<v Speaker 1>It's a sad ending. That's all I'll say. Yeah. Really,

1:20:26.720 --> 1:20:28.680
<v Speaker 1>kind of Shakespearean. Well, yeah, I guess it's, it's like

1:20:28.720 --> 1:20:31.460
<v Speaker 1>a 30 year old story at this point. Much longer.

1:20:31.479 --> 1:20:32.979
<v Speaker 1>Everybody dies. Yeah, yeah, yeah.

1:20:32.979 --> 1:20:33.799
<v Speaker 4>30 plus, 40.

1:20:33.800 --> 1:20:39.339
<v Speaker 1>Yeah. Everyone dies. 15 seconds, yeah. It's kind of sad.

1:20:39.939 --> 1:20:42.140
<v Speaker 3>And it's about the Faustian bargain of fame, which we're

1:20:42.200 --> 1:20:47.120
<v Speaker 3>all familiar with, aren't we? And I guess that portends

1:20:47.160 --> 1:20:47.640
<v Speaker 3>doom for us.

1:20:47.760 --> 1:20:48.200
<v Speaker 1>Five seconds.

1:20:48.220 --> 1:20:51.000
<v Speaker 3>We're all going to get eaten by the plant. And

1:20:51.020 --> 1:20:51.760
<v Speaker 3>that's what fame is.

1:20:53.180 --> 1:20:55.759
<v Speaker 1>That's one minute. I hadn't thought of Little Shop of

1:20:55.770 --> 1:20:58.120
<v Speaker 1>Horrors as a Faustian bargain with fame today.

1:20:58.140 --> 1:21:00.580
<v Speaker 2>Wow. Yeah, that didn't cross my desk either.

1:21:00.960 --> 1:21:03.520
<v Speaker 1>Isn't that what it is? I think that what happens

1:21:03.560 --> 1:21:05.180
<v Speaker 1>in Little... Are you familiar with Little Shop of Horrors?

1:21:05.200 --> 1:21:06.800
<v Speaker 2>Once again, I have absolutely no idea what you're talking about.

1:21:06.840 --> 1:21:08.160
<v Speaker 1>I think you would really like this show.

1:21:08.880 --> 1:21:09.300
<v Speaker 2>Okay.

1:21:09.560 --> 1:21:09.820
<v Speaker 1>Yeah.

1:21:10.080 --> 1:21:10.420
<v Speaker 2>You know..

1:21:11.100 --> 1:21:12.540
<v Speaker 1>What? You don't like Madonna's Alive?

1:21:12.560 --> 1:21:13.490
<v Speaker 2>I don't think it's like a musical gay.

1:21:13.820 --> 1:21:15.470
<v Speaker 1>That's okay. You're not? Madonna's Alive.

1:21:15.650 --> 1:21:16.450
<v Speaker 2>I didn't grow up with it.

1:21:16.750 --> 1:21:19.730
<v Speaker 1>You hate Wicked? No. You loved it. I..

1:21:20.110 --> 1:21:20.170
<v Speaker 3>I..

1:21:21.939 --> 1:21:24.750
<v Speaker 2>Loved it, but I still would... I was like, I...

1:21:25.270 --> 1:21:27.650
<v Speaker 2>This is not my culture. I don't know what's going on.

1:21:27.710 --> 1:21:29.570
<v Speaker 3>What if someone was like, we're going to make a

1:21:29.590 --> 1:21:30.910
<v Speaker 3>Troye Sivan musical?

1:21:31.850 --> 1:21:36.270
<v Speaker 2>I would say that's a bad idea. Genuinely. No, and

1:21:36.310 --> 1:21:38.429
<v Speaker 2>I love it. I love it. It's the same reason

1:21:38.450 --> 1:21:43.050
<v Speaker 2>that I've never seen... Sometimes when things get so big

1:21:43.170 --> 1:21:45.850
<v Speaker 2>and involved... I understand. There is a culture here that

1:21:45.890 --> 1:21:46.730
<v Speaker 2>I'm not a part of.

1:21:46.750 --> 1:21:46.970
<v Speaker 4>Sure.

1:21:47.490 --> 1:21:49.570
<v Speaker 2>It is too late for me to start watching Game

1:21:49.610 --> 1:21:52.240
<v Speaker 2>of Thrones. It is too late for me to... I

1:21:52.260 --> 1:21:53.880
<v Speaker 2>don't know. You know what I mean? There's just things

1:21:53.900 --> 1:21:56.100
<v Speaker 2>that I don't know about, and I'm kind of okay

1:21:56.140 --> 1:21:56.420
<v Speaker 2>with that.

1:21:56.500 --> 1:21:58.860
<v Speaker 1>As a lover of music, doesn't it appeal to you?

1:22:00.680 --> 1:22:02.000
<v Speaker 1>You don't have to know. It's a safe space.

1:22:04.960 --> 1:22:05.460
<v Speaker 2>Let me do mine.

1:22:06.540 --> 1:22:08.019
<v Speaker 1>Here's what I'll say to you before you do yours.

1:22:08.720 --> 1:22:10.260
<v Speaker 1>Little Shop of Horrors would be a good one for

1:22:10.300 --> 1:22:12.620
<v Speaker 1>you because it's dark and in a way kind of queer.

1:22:13.550 --> 1:22:19.490
<v Speaker 1>Very queer. It's not something that if you watch, you

1:22:19.510 --> 1:22:22.570
<v Speaker 1>wouldn't be like, because you don't love musicals already. You're

1:22:22.590 --> 1:22:25.060
<v Speaker 1>not like comparing it to everything else, which I would

1:22:25.140 --> 1:22:27.900
<v Speaker 1>think would help see it as like this, like weird

1:22:27.920 --> 1:22:31.720
<v Speaker 1>alt kind of bizarre piece of art. Cause it is.

1:22:31.740 --> 1:22:35.000
<v Speaker 2>I didn't grow up in a city with a lot

1:22:35.140 --> 1:22:35.980
<v Speaker 2>of theater.

1:22:36.000 --> 1:22:36.780
<v Speaker 1>You weren't exposed.

1:22:36.920 --> 1:22:39.840
<v Speaker 2>And so my first exposure to theater was when, um,

1:22:40.780 --> 1:22:42.820
<v Speaker 2>I did it for the first time when I was

1:22:42.850 --> 1:22:44.939
<v Speaker 2>like 12 and I loved being a part of it.

1:22:44.970 --> 1:22:47.650
<v Speaker 2>And I was like, wow, this is incredible. But even

1:22:47.670 --> 1:22:50.150
<v Speaker 2>then I remember being like, people were talking about musicals

1:22:50.170 --> 1:22:51.490
<v Speaker 2>that they loved and they had like listened to the

1:22:51.530 --> 1:22:53.210
<v Speaker 2>soundtrack and stuff like that. And I was like, oh

1:22:53.229 --> 1:22:56.570
<v Speaker 2>my God, I've totally missed this boat. And I just

1:22:56.670 --> 1:22:58.350
<v Speaker 2>never really caught it.

1:22:58.710 --> 1:22:59.429
<v Speaker 1>It is a culture.

1:22:59.450 --> 1:23:02.390
<v Speaker 2>Yeah. Maybe it'll happen later in life for me. Yeah.

1:23:02.410 --> 1:23:03.750
<v Speaker 2>Where I fall in love with it.

1:23:04.110 --> 1:23:05.930
<v Speaker 3>Well, speaking of, I'm sorry I interrupted you. Speaking of

1:23:05.990 --> 1:23:08.380
<v Speaker 3>catching it, it's like, it is, it reminds me of

1:23:08.410 --> 1:23:09.240
<v Speaker 3>like Pokemon.

1:23:09.640 --> 1:23:09.860
<v Speaker 4>Yeah.

1:23:09.939 --> 1:23:10.320
<v Speaker 1>Where it's like.

1:23:10.970 --> 1:23:12.229
<v Speaker 3>Well, have you seen this and this and this? Or

1:23:12.250 --> 1:23:13.490
<v Speaker 3>it's like, I've collected this and this and this.

1:23:13.510 --> 1:23:13.729
<v Speaker 2>Oh, right.

1:23:13.990 --> 1:23:14.910
<v Speaker 1>I thought that was a musical name.

1:23:14.950 --> 1:23:17.330
<v Speaker 2>Yeah, yeah, yeah. You're like, have you seen this and this?

1:23:17.350 --> 1:23:18.889
<v Speaker 2>I'm like, no, girl. I haven't seen any of it.

1:23:18.900 --> 1:23:20.340
<v Speaker 1>You thought Pokemon was a musical game?

1:23:20.360 --> 1:23:22.000
<v Speaker 2>No, no, no. I thought you said, have you seen this, this,

1:23:22.040 --> 1:23:22.400
<v Speaker 2>and this?

1:23:22.880 --> 1:23:27.400
<v Speaker 1>This, this, and this. Yes. The musical. This, this, and this,

1:23:27.460 --> 1:23:29.589
<v Speaker 1>the musical is a great title.

1:23:29.610 --> 1:23:30.350
<v Speaker 2>Yeah, it actually is.

1:23:30.910 --> 1:23:33.070
<v Speaker 3>Title of ep is Correctamundo of this episode.

1:23:33.920 --> 1:23:37.400
<v Speaker 1>Correctamundo. Are you okay with that? There's also volume loss.

1:23:37.479 --> 1:23:40.340
<v Speaker 1>Volume loss. There's a lot going on titles wise in

1:23:40.360 --> 1:23:41.840
<v Speaker 1>the episode. I did want to say one thing, which

1:23:41.880 --> 1:23:45.180
<v Speaker 1>is it's crazy that the big version of your Wolverine

1:23:45.240 --> 1:23:45.720
<v Speaker 1>is Mr.

1:23:45.740 --> 1:23:47.339
<v Speaker 2>Musical. I know.

1:23:47.979 --> 1:23:48.740
<v Speaker 1>You know what I mean?

1:23:49.300 --> 1:23:50.660
<v Speaker 2>I mean, Moulin Rouge is one of my favorite movies.

1:23:50.880 --> 1:23:51.500
<v Speaker 1>Exactly.

1:23:52.280 --> 1:23:54.719
<v Speaker 2>It's not like an absolute no-go zone. I just need,

1:23:55.020 --> 1:23:57.880
<v Speaker 2>I need maybe a, maybe I should add this to

1:23:57.900 --> 1:24:00.420
<v Speaker 2>the criteria for my husband. Someone who is willing to

1:24:00.460 --> 1:24:04.309
<v Speaker 2>handhold me and teach me about musicals.

1:24:04.590 --> 1:24:06.250
<v Speaker 1>Okay, you ready to do your I Don't Think So Honey?

1:24:06.410 --> 1:24:07.090
<v Speaker 2>Sure, I think so.

1:24:07.090 --> 1:24:09.370
<v Speaker 1>All right, here we go. This is Troy Sivan's I

1:24:09.390 --> 1:24:10.889
<v Speaker 1>Don't Think So Honey as time starts now.

1:24:11.990 --> 1:24:17.019
<v Speaker 2>I Don't Think So Honey singing. I am not fishing

1:24:17.060 --> 1:24:20.940
<v Speaker 2>for compliments. I'm not that good at it. And I'm

1:24:20.979 --> 1:24:23.740
<v Speaker 2>okay with that. No. But I think sometimes I will

1:24:23.760 --> 1:24:26.700
<v Speaker 2>be in the car and I'll sing. It's just me.

1:24:27.330 --> 1:24:31.520
<v Speaker 2>And something so... diabolical will come out of my mouth,

1:24:31.540 --> 1:24:35.800
<v Speaker 2>but I'm like, I truly scammed the world. And the

1:24:35.820 --> 1:24:39.960
<v Speaker 2>fact that I have the same job as Beyonce is

1:24:40.420 --> 1:24:44.080
<v Speaker 2>just an insane thought. But now I will say I

1:24:44.479 --> 1:24:48.200
<v Speaker 2>care a lot about tone and storytelling. And so I do,

1:24:48.600 --> 1:24:52.460
<v Speaker 2>I understand, I get it. The real magic though, is

1:24:52.500 --> 1:24:55.460
<v Speaker 2>when somebody has tone storytelling and they can sing, sing

1:24:55.660 --> 1:24:59.520
<v Speaker 2>like Ariana Grande, Whitney Houston, Sade. These are like, you know, technical.

1:24:59.939 --> 1:25:02.920
<v Speaker 2>But I'm just saying the idea of me doing karaoke

1:25:03.240 --> 1:25:05.990
<v Speaker 2>or like singing at any point where I don't absolutely

1:25:06.229 --> 1:25:08.970
<v Speaker 2>have to, I will not do it. And it's not

1:25:09.010 --> 1:25:12.030
<v Speaker 2>that fun. It's fun at my shows because I'm in control.

1:25:12.270 --> 1:25:15.230
<v Speaker 2>But any other time, absolutely not. No, thank you. Doing

1:25:15.260 --> 1:25:18.860
<v Speaker 2>TV performances, hell on earth. Hell on earth. The least

1:25:18.880 --> 1:25:20.280
<v Speaker 2>fun thing you can possibly do as a human being.

1:25:20.750 --> 1:25:22.520
<v Speaker 1>I don't think so, honey, he says, and that's his

1:25:22.600 --> 1:25:25.420
<v Speaker 1>one minute plus. And now it's time for Troye Sivan

1:25:25.439 --> 1:25:25.890
<v Speaker 1>to sing.

1:25:26.550 --> 1:25:27.510
<v Speaker 2>Oh my God.

1:25:27.530 --> 1:25:28.670
<v Speaker 1>Well, here's the thing.

1:25:28.689 --> 1:25:30.540
<v Speaker 2>Even happy birthday, like, I'm just like.

1:25:30.560 --> 1:25:33.050
<v Speaker 1>Oh no, well that's, yeah. I remember, I remember when

1:25:33.090 --> 1:25:35.470
<v Speaker 1>we were at Brett's together and I was for the

1:25:35.510 --> 1:25:38.850
<v Speaker 1>first time ever putting like background vocals on something. And

1:25:38.890 --> 1:25:40.530
<v Speaker 1>you were saying like, that's like one of your favorite

1:25:40.570 --> 1:25:43.240
<v Speaker 1>parts because it's like scaping. You know what I mean?

1:25:43.260 --> 1:25:45.780
<v Speaker 1>It's like, it's not the quote unquote singing part. And

1:25:45.800 --> 1:25:48.600
<v Speaker 1>then I remember you said like, I barely sing. And

1:25:48.620 --> 1:25:51.180
<v Speaker 1>I remember I heard you say that. And then the

1:25:51.220 --> 1:25:52.560
<v Speaker 1>back of my mind, I was like, that's so funny

1:25:52.600 --> 1:25:53.960
<v Speaker 1>that he said he barely sings.

1:25:55.310 --> 1:25:57.730
<v Speaker 2>I am a good like talk singer.

1:25:57.970 --> 1:25:58.530
<v Speaker 4>No, no, no.

1:25:58.689 --> 1:25:59.310
<v Speaker 1>Here's what's happening.

1:25:59.960 --> 1:26:08.610
<v Speaker 3>You're placing value in a kind of vocal quality that

1:26:08.710 --> 1:26:09.689
<v Speaker 3>people prize.

1:26:09.710 --> 1:26:10.610
<v Speaker 1>Right.

1:26:10.910 --> 1:26:15.180
<v Speaker 3>But just because you don't sing the right note in

1:26:15.200 --> 1:26:17.700
<v Speaker 3>the car doesn't mean you're a bad singer.

1:26:17.720 --> 1:26:22.700
<v Speaker 2>No, I'm being self-deprecating because I really do value... Some

1:26:22.760 --> 1:26:26.469
<v Speaker 2>of my favorite singers are not very good technically. Maybe

1:26:26.490 --> 1:26:27.910
<v Speaker 2>they've got a very small range or something like that.

1:26:28.150 --> 1:26:29.370
<v Speaker 2>But I like believe them.

1:26:29.490 --> 1:26:29.790
<v Speaker 1>Yes.

1:26:30.130 --> 1:26:31.990
<v Speaker 2>But like I said, the magic zone is when somebody

1:26:32.010 --> 1:26:33.530
<v Speaker 2>can just do all of it. And that must be

1:26:33.550 --> 1:26:35.800
<v Speaker 2>so fun. If you're, if you're Ariana.

1:26:36.060 --> 1:26:36.260
<v Speaker 4>Yeah.

1:26:36.380 --> 1:26:40.420
<v Speaker 2>Or if you're Whitney or whatever, or like Zara Larson,

1:26:40.620 --> 1:26:42.500
<v Speaker 2>that would, that must be so fun.

1:26:42.700 --> 1:26:42.860
<v Speaker 3>Yeah.

1:26:42.880 --> 1:26:44.519
<v Speaker 2>To be able to just like do that all the time,

1:26:44.580 --> 1:26:44.840
<v Speaker 2>you know?

1:26:45.000 --> 1:26:47.460
<v Speaker 3>But even there, even Ari is like, on this album

1:26:47.500 --> 1:26:49.280
<v Speaker 3>is like, I'm not going to give you like the belt.

1:26:49.340 --> 1:26:51.460
<v Speaker 3>I'm going to keep it like really restrained.

1:26:51.479 --> 1:26:53.650
<v Speaker 2>She can do, she can do it all. Like she,

1:26:53.890 --> 1:26:57.559
<v Speaker 2>her restraint is gorgeous. Her belt is gorgeous. Right. you know,

1:26:57.580 --> 1:26:59.060
<v Speaker 2>there's an endless possibility.

1:26:59.600 --> 1:27:02.080
<v Speaker 1>The thing that she said recently, which is I think

1:27:02.120 --> 1:27:05.340
<v Speaker 1>sometimes people forget about Ariana when they're talking about the

1:27:05.360 --> 1:27:08.889
<v Speaker 1>fact that she's not belting on her recent albums like

1:27:08.900 --> 1:27:11.470
<v Speaker 1>people know she can. It's that if anyone knows her

1:27:11.530 --> 1:27:15.990
<v Speaker 1>voice and what it can do, it's Ariana Grande. She

1:27:16.150 --> 1:27:19.490
<v Speaker 1>literally is someone who is a studied vocalist. So when

1:27:19.570 --> 1:27:22.990
<v Speaker 1>she is not doing those things, it is on purpose

1:27:23.030 --> 1:27:26.460
<v Speaker 1>because that is what best suits her musical output. And

1:27:26.500 --> 1:27:29.570
<v Speaker 1>I think She even says while she knows her voice

1:27:29.630 --> 1:27:32.850
<v Speaker 1>is super special, she actually thinks her best quality is

1:27:32.890 --> 1:27:34.710
<v Speaker 1>her ear and the way that she can hear everything

1:27:34.750 --> 1:27:37.910
<v Speaker 1>together because as an artist, her voice is not her

1:27:38.070 --> 1:27:42.769
<v Speaker 1>only instrument. So she's like allowed to do whatever the

1:27:42.810 --> 1:27:46.390
<v Speaker 1>fuck she wants with it and she's still using the

1:27:46.450 --> 1:27:51.230
<v Speaker 1>entire breadth of her artistic tool. And guess who also

1:27:51.270 --> 1:27:53.889
<v Speaker 1>hates karaoke? Ariana Grande. Really?

1:27:54.350 --> 1:27:56.590
<v Speaker 3>We invited her to come to karaoke with us after

1:27:56.650 --> 1:27:58.960
<v Speaker 3>her show. which was, and then I laughed.

1:27:59.220 --> 1:28:00.459
<v Speaker 1>I was like, to.

1:28:00.840 --> 1:28:04.780
<v Speaker 2>Be fair, I'm surprised. Like I'm acting surprised, but I

1:28:04.860 --> 1:28:06.420
<v Speaker 2>also think if singers don't like it.

1:28:06.740 --> 1:28:06.920
<v Speaker 3>Yeah.

1:28:06.979 --> 1:28:08.720
<v Speaker 2>If you're a singer and you like go with your

1:28:08.800 --> 1:28:11.410
<v Speaker 2>friends and then you sing in front of them, like

1:28:11.430 --> 1:28:13.290
<v Speaker 2>it's like everyone knows that you can sing.

1:28:13.390 --> 1:28:15.550
<v Speaker 1>We just wanted her to come and like hang. Right.

1:28:15.830 --> 1:28:18.070
<v Speaker 3>Cause like her friends were like, like, like we were

1:28:18.090 --> 1:28:20.229
<v Speaker 3>all going, like her friends were all going. And then

1:28:20.570 --> 1:28:22.190
<v Speaker 3>I was like, come to karaoke. And she was like,

1:28:22.780 --> 1:28:23.760
<v Speaker 3>I'm not going to do that.

1:28:25.860 --> 1:28:29.870
<v Speaker 2>Everyone must think that she's going to like, it must

1:28:29.890 --> 1:28:31.430
<v Speaker 2>be no fun. She has to go up there and

1:28:31.450 --> 1:28:34.610
<v Speaker 2>sing like a perfect, you know, insane performance. And that's

1:28:34.650 --> 1:28:35.850
<v Speaker 2>the gag of the night. Like, no, what if she

1:28:35.890 --> 1:28:37.590
<v Speaker 2>just wants to like get drunk and hang out with

1:28:37.630 --> 1:28:39.150
<v Speaker 2>everyone and sing terribly.

1:28:39.340 --> 1:28:41.100
<v Speaker 1>But can you imagine if she was the kind of

1:28:41.140 --> 1:28:43.240
<v Speaker 1>person that was like I love karaoke and then she

1:28:43.280 --> 1:28:46.200
<v Speaker 1>was like no chance no way and did like all

1:28:47.160 --> 1:28:49.190
<v Speaker 1>ram the show in karaoke you'd be like oh I

1:28:49.210 --> 1:28:51.150
<v Speaker 1>didn't expect this I don't know if I love.

1:28:51.010 --> 1:28:56.090
<v Speaker 2>It there's a powerhouse like famous amazing diva who loves

1:28:56.130 --> 1:28:58.530
<v Speaker 2>karaoke and does it like full out.

1:28:58.550 --> 1:29:03.900
<v Speaker 1>Is it Adele That's charming and that makes it. I

1:29:03.900 --> 1:29:04.760
<v Speaker 1>knew that about her.

1:29:04.840 --> 1:29:06.120
<v Speaker 3>It's a personality thing.

1:29:06.140 --> 1:29:08.120
<v Speaker 1>I knew that about her. That's what a gag it is.

1:29:08.180 --> 1:29:11.080
<v Speaker 1>It's like I love that someone is just like. It's

1:29:11.100 --> 1:29:13.190
<v Speaker 1>a personality thing. I'm coming and I'm shredding. I think

1:29:13.200 --> 1:29:14.940
<v Speaker 1>Kelly Clarkson too loves karaoke.

1:29:15.120 --> 1:29:17.330
<v Speaker 2>See, that is really fun. I take it back what

1:29:17.350 --> 1:29:20.010
<v Speaker 2>I said. That's really fun to be there while they

1:29:20.030 --> 1:29:20.309
<v Speaker 2>do that.

1:29:20.470 --> 1:29:23.790
<v Speaker 1>Yeah, oh my God. Also, I have a friend of

1:29:23.870 --> 1:29:26.570
<v Speaker 1>ours years and years and years ago was at a wedding.

1:29:26.689 --> 1:29:29.880
<v Speaker 1>I was at the same wedding as Cynthia Erivo. This

1:29:30.400 --> 1:29:35.280
<v Speaker 1>is like post Color Purple, but pre her being Cynthia

1:29:36.660 --> 1:29:38.190
<v Speaker 1>in the way that we know her now. And I

1:29:38.210 --> 1:29:40.809
<v Speaker 1>guess at some point, How Will I Know by Whitney

1:29:40.850 --> 1:29:44.270
<v Speaker 1>Houston came on, and Cynthia just in the middle of

1:29:44.350 --> 1:29:47.530
<v Speaker 1>the floor just gave How Will I Know full power.

1:29:47.550 --> 1:29:49.450
<v Speaker 1>No mic at the wedding? No mic, just while they're

1:29:49.470 --> 1:29:51.840
<v Speaker 1>all dancing at the wedding. Everyone's just on the ground

1:29:52.650 --> 1:29:55.100
<v Speaker 1>enjoying How Will I Know while the band or the

1:29:55.120 --> 1:29:59.280
<v Speaker 1>DJ played, but then Cynthia was absolutely giving people eye contact,

1:29:59.560 --> 1:30:02.719
<v Speaker 1>ripping How Will I Know. Everyone was just like, it's

1:30:02.880 --> 1:30:06.950
<v Speaker 1>so good. Wow. We're nutted. Some people just love to sing.

1:30:07.229 --> 1:30:09.610
<v Speaker 1>Troy has to go. The little computer over there is saying,

1:30:09.650 --> 1:30:12.130
<v Speaker 1>which breaks our heart because this has been so fun.

1:30:12.170 --> 1:30:14.270
<v Speaker 2>So fun guys. Thank you for having me.

1:30:14.490 --> 1:30:16.010
<v Speaker 1>This is, I really feel like this is going to

1:30:16.050 --> 1:30:18.599
<v Speaker 1>be a very special moment for you and you deserve it.

1:30:19.110 --> 1:30:19.470
<v Speaker 2>We'll see.

1:30:19.710 --> 1:30:21.760
<v Speaker 3>Let's sing a song as we end every episode.

1:30:21.770 --> 1:30:26.360
<v Speaker 1>Okay. Should we go to an oldie? You know, I've actually,

1:30:26.580 --> 1:30:31.939
<v Speaker 1>this song actually helped me. Okay. I bloom, I bloom

1:30:32.280 --> 1:30:36.810
<v Speaker 1>just for you. I bloom just for you. Just for you.

1:30:37.370 --> 1:30:39.389
<v Speaker 1>And now this is... Yeah, that wasn't bad.

1:30:39.410 --> 1:30:40.610
<v Speaker 2>That was good. I liked that little..

1:30:40.990 --> 1:30:41.530
<v Speaker 3>You.

1:30:41.550 --> 1:30:42.230
<v Speaker 1>You.

1:30:43.600 --> 1:30:44.410
<v Speaker 2>Competitive with each other?

1:30:44.900 --> 1:30:49.420
<v Speaker 1>No, never. We do a full howl I know against

1:30:49.479 --> 1:30:49.820
<v Speaker 1>each other.

1:30:49.840 --> 1:30:50.120
<v Speaker 3>Yeah.

1:30:51.560 --> 1:30:54.100
<v Speaker 1>There's a... We gotta go. Bye.

1:30:54.189 --> 1:30:54.570
<v Speaker 2>Bye.