WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan Number two.

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<v Speaker 1>What is up, y'all? Happy weekend. I'm so excited to

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<v Speaker 1>be hanging out with y'all. In case you don't know,

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<v Speaker 1>it's Morgan here and we are breaking down some of

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<v Speaker 1>the segments from the show this week. And this part

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<v Speaker 1>is where we share all the bits and the actual

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<v Speaker 1>things that happened. But Part one is actually my favorite

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<v Speaker 1>part of doing this podcast. It's where I bring on

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<v Speaker 1>a show member and we talk about a whole lot

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<v Speaker 1>of things. And this weekend I brought on Lunchbox. Not

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<v Speaker 1>only did I quiz him on emojis that he should

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<v Speaker 1>know the actual meanings of, but I also shared some

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<v Speaker 1>dating stuff with him and he could not believe that

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<v Speaker 1>I stopped talking to this guy on a dating app

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<v Speaker 1>because of something he said. He just was like, there's

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<v Speaker 1>no way. And he also had to do some math

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<v Speaker 1>and that didn't go over very well either. So make

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<v Speaker 1>sure to check out Part one of Best Bits. I

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<v Speaker 1>promise it'll be your favorite. Part two. One of our

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<v Speaker 1>listeners is a behavior therapist and she called into the

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<v Speaker 1>show because she wanted to give some perspective on Lunchbox

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<v Speaker 1>and hopefully convinced Bobby to do a contract with Lunchbox

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<v Speaker 1>to make him a nicer human being. Yeah, it was

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<v Speaker 1>a whole thing, and that basically whenever great on our

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<v Speaker 1>Facebook page as far as engagement, everybody was having a

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<v Speaker 1>lot of opinions on the matter. But you can hear

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<v Speaker 1>the phone call that happened that sparked this whole conversation

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<v Speaker 1>right here. Number seven on phone now is Christoph who

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<v Speaker 1>is a behavioral analyst. Hi Christa, good morning, Hi, good morey.

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<v Speaker 1>Hey what is a behavioral analysts? Like? What do you do? Specifically?

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<v Speaker 1>I primarily work with kids with autism or other disabilities

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<v Speaker 1>down syndrome, oppositional defiance disorder, but especially we create contingencies

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<v Speaker 1>to increase appropriate behaviors, decrease inappropriate behaviors, and build skills

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<v Speaker 1>alongside that. I could do some of that here, increase

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<v Speaker 1>having these guys increase appropriate, decrease inappropriate for us. Yeah, Christa,

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<v Speaker 1>you hear of the show. What would you like to

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<v Speaker 1>comment about when you hear it as a behavioral analyst? Well,

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<v Speaker 1>I think every day when I'm listening the Lunchbox would

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<v Speaker 1>probably benefit from some sort of a behavior contract to

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<v Speaker 1>help increase some of the appropriate behaviors would like to

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<v Speaker 1>see or decrease some of the negative statements. So a

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<v Speaker 1>contract would be like a literal contract where he signs

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<v Speaker 1>an agreement that says, if I'm a jerk, like for example,

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<v Speaker 1>Abby who loved to sing, she's not trying to really

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<v Speaker 1>make it as a same amount, but he's rude to her.

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<v Speaker 1>He's like, you'll never make it you. But if he

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<v Speaker 1>does something like that, we have a contract where he

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<v Speaker 1>has to like pay me five bucks or something something

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<v Speaker 1>like that, where there's a penalty. So the first thing

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<v Speaker 1>we like to focus on is the reinforcement of the

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<v Speaker 1>appropriate behaviors. So what if there are none of those yet?

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<v Speaker 1>Then he gets nothing? Okay, But what makes her the

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<v Speaker 1>right the sayer of what's right? Well, a degree doesn't

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<v Speaker 1>tell you what's right and wrong. Everybody has a different

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<v Speaker 1>opinion what's right and wrong. Because she says it's right

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<v Speaker 1>doesn't mean it's right that it's a matter of opinion.

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<v Speaker 1>Her job is nothing but opinions. However, a behavior contract

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<v Speaker 1>is much more effective when both parties, the one giving

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<v Speaker 1>the reinforcement and the lunchbox would be the client in

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<v Speaker 1>this situation, are in agreement of So what could I

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<v Speaker 1>put as a reward for him? I'm anxious. I mean

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<v Speaker 1>I'm eager, anxious to do it now. I'm like, let's

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<v Speaker 1>go to stroll. This could be cool. Yeah, Like, what's

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<v Speaker 1>a reward I could put for him in this contract? Well?

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<v Speaker 1>What is Lunchbox's primary reinforcement? I think we all know

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<v Speaker 1>what that money? Ticket? Yeah? Yeah, yeah, financial? Yeah, money.

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<v Speaker 1>He could spend the wheel, he could get something in return.

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<v Speaker 1>I mean, he's got listeners out here buying him two

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<v Speaker 1>hundred dollar watches. I'm sure we could figure something out. Well, No,

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<v Speaker 1>you tried to be an angel on a tree, a

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<v Speaker 1>charity tree at Christmas, and so I'm on bottom former. No, no, no,

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<v Speaker 1>they didn't a listener, did right, big teamer? Yeah, I

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<v Speaker 1>hear you. Okay, So what if we did this? If

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<v Speaker 1>can you do it per day? Let's say Lunchbox is

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<v Speaker 1>a good day where he does, he gets more dings

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<v Speaker 1>and ants, and then he gets to spend the well

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<v Speaker 1>at the end of the day. Does that work? Can

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<v Speaker 1>you do it like macro instead of micro a dollar

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<v Speaker 1>every time? Could you do it like that? Absolutely? And

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<v Speaker 1>I mean you could do two parts of it. You

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<v Speaker 1>could have the reinforcement part where he gets money or

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<v Speaker 1>spin if he does something good that we've all identified,

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<v Speaker 1>you know, and explicitly described what that goal is. But

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<v Speaker 1>then you could do a response cost also, so if

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<v Speaker 1>he has a negative statement or a rude statement, he

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<v Speaker 1>could lose the opportunity. So I like it. We'll draw

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<v Speaker 1>this up. So, what though, would be a punishment that

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<v Speaker 1>we could do for an adult man who doesn't have

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<v Speaker 1>to listen to her talk for longer. We'll just put

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<v Speaker 1>you all that would be negative, right, that'd go down

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<v Speaker 1>the negative? Yeah, go ahead. I'm sorry, Christa. Well, I

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<v Speaker 1>mean I think I would like lunch's inbox and our

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<v Speaker 1>lunchbox's input. He would he be interested in earning money

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<v Speaker 1>for appropriate behaviors? No, no, but my you know she's

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<v Speaker 1>asking you a question. Yeah, I would love that, but

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<v Speaker 1>you don't determine what my behavior is appropriate. Would a contract,

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<v Speaker 1>you would agree, but you would agree to the terms

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<v Speaker 1>of the contract. We're not forcing anything on you. We

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<v Speaker 1>together would go, we all agree. If you do this,

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<v Speaker 1>you're rewarded. If you do this, you're punished. Like if

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<v Speaker 1>I give my opinions, I'm rewarded. If I don't give

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<v Speaker 1>my opinions, I'm a punishment Kristad that is not seen

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<v Speaker 1>as unethical, like can we lock them in something that'd

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<v Speaker 1>be cool with snakes. I mean, you guys could come

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<v Speaker 1>up with whatever you want. You could spind the wheel

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<v Speaker 1>of you know, high items. You could you could come

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<v Speaker 1>up with the next a second wheel negative consequence, Yes,

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<v Speaker 1>the Bizarro wheel where it's all bad stuff spicy stuff. Wow, okay,

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<v Speaker 1>I Hey, Krista, thank you very much for this call.

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<v Speaker 1>This has has really put a lot of thoughts in

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<v Speaker 1>the old brainer. I'm thinking about some stuff. Maybe a

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<v Speaker 1>couple days lunchbocks will address the contract yer. I'll write

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<v Speaker 1>something up. If you like it, we'll agree to it.

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<v Speaker 1>If not, we'll move on. I will check it out,

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<v Speaker 1>see if my pen has any ink in it. Hey,

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<v Speaker 1>we'll do docu sign. All right, Christa, thank you really

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<v Speaker 1>appreciate you listen to the show. I hope you have

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<v Speaker 1>an awesome day. And I the line of work you're in,

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<v Speaker 1>it takes somebody with a special heart to do that,

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<v Speaker 1>so we also appreciate you doing that as well. Of course,

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<v Speaker 1>Love you guys. All right by Christe. It's the best

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<v Speaker 1>bits up the week with Morgan Number two Taylor Hicks

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<v Speaker 1>stop by the studio this week. And you may remember

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<v Speaker 1>him from winning American Idol back in two thousand and six,

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<v Speaker 1>and Bobby was a huge fan of him then and

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<v Speaker 1>still is today, and so he was totally geeking out

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<v Speaker 1>during this interview and it was super fun to watch

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<v Speaker 1>not only the conversation that happened, but also hear about

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<v Speaker 1>what Taylor's been up to post American Idol. And he

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<v Speaker 1>also performed his new song Porch Swing, which you won't

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<v Speaker 1>get to hear on the podcast, but you can go

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<v Speaker 1>watch it at Bobby Bones dot com number six. Waiting

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<v Speaker 1>since two thousand and six to do this next interview,

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<v Speaker 1>that's a long time. I've been a Taylor Hicks fan

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<v Speaker 1>and cement that I saw his pretty facing, oh abnormally

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<v Speaker 1>prettymature gray hair, and I'm asking about that like he

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<v Speaker 1>was in his twenties, he was already gray on American

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<v Speaker 1>Idol way back in the day. But man, it's soul patrol.

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<v Speaker 1>Like I was in the group, I voted for him.

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<v Speaker 1>But the thing about Taylor Hicks is like way back

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<v Speaker 1>in the day, he discovered he had perfect pitch. When

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<v Speaker 1>he was able to recognize the pitches of random things

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<v Speaker 1>like a car, driving by. We'll get into that hopefully

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<v Speaker 1>in a second. He's such a good singer. He's got

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<v Speaker 1>this new song called port Swing. So you guys can

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<v Speaker 1>you can leave if you want. It's just a moment, Taylor, Taylor,

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<v Speaker 1>not let you be. I've been waiting for this for

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<v Speaker 1>a long time. Here he is, Taylor Hicks on the

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<v Speaker 1>Bobby Bones Show. Now, Taylor Hicks, I've been waiting my

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<v Speaker 1>whole life for this. Taylor, Well, I'm just I'm just

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<v Speaker 1>letting you know right now. I didn't realize that you

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<v Speaker 1>liked my white shoes, my white billy white shoes. Yeah,

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<v Speaker 1>not like love. You mispronounced the word love. Let me

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<v Speaker 1>say this about Taylor Hicks. And I was obsessed for

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<v Speaker 1>like five years. I was gonna say obsessed as the word. Yeah.

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<v Speaker 1>I was just I was like when you would perform,

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<v Speaker 1>I'd be like, that's kind of music. I like, that's

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<v Speaker 1>the guy that's I bought shoes, the white shoes you had.

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<v Speaker 1>I was just like, everything about that dude is what

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<v Speaker 1>I like musically. I grew up in Arkansas and you're

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<v Speaker 1>very soulful. I remember, did you do an otist writing song? Yeah? Yep,

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<v Speaker 1>and then you did I should I actually I know

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<v Speaker 1>all of it. You did a queen's song, but there

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<v Speaker 1>was a nut did you do a Sam cook Oh

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<v Speaker 1>did you Sam Cooks? I did? Yeah, I did you

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<v Speaker 1>send me? Oh? Yeah? Well come on, okay. Look, so

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<v Speaker 1>I've been trying for this event to happen for a

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<v Speaker 1>long time, and I just got famous enough you'd answer

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<v Speaker 1>my call. Oh come on, that's rights pretty much. You know.

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<v Speaker 1>I've been waiting for something really cool and organic to

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<v Speaker 1>happen with this new music for ten years, and everybody's

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<v Speaker 1>been telling me. They were like, you've got to put

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<v Speaker 1>this music out. It's great. It's this soulful southern thing

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<v Speaker 1>that you got going on. And I just have really

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<v Speaker 1>just been waiting on a really beautiful moment in time.

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<v Speaker 1>And I get woken up by all of these amazing

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<v Speaker 1>texts right before Christmas, and Bobby's talking about being a

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<v Speaker 1>fan of you know, of me, and uh, the next

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<v Speaker 1>thing I know, within fifteen minutes, I mean, this is

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<v Speaker 1>like eight o'clock in the morning, and I'm like, oh, hell,

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<v Speaker 1>what did I do? I do what I do? And

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<v Speaker 1>then Steve emails my agent and says, we'd love you know,

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<v Speaker 1>Bobby would love to have you know, Taylor on me

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<v Speaker 1>on and I just was like, oh my god, this

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<v Speaker 1>is amazing. This is exactly how I'm going to release

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<v Speaker 1>new music. So it was a completely organic thing that's happened.

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<v Speaker 1>And I can't thank you all enough for for making

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<v Speaker 1>that happen for me. I really mean that. Well, that's

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<v Speaker 1>really cool. Taylor Hicks is here, then let's just do

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<v Speaker 1>this because I have a lot to talk about, but

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<v Speaker 1>I would like to hear this song. So this is

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<v Speaker 1>a new song called Porch Swing. Yeah, okay, I haven't

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<v Speaker 1>heard it yet. Yeah, it's great to make sure. It

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<v Speaker 1>was actually Judge Jason Deer and Jennifer Wayne and I

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<v Speaker 1>wrote it probably about eight or nine years ago, and

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<v Speaker 1>we just thought about this really iconic centerpiece of someone's

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<v Speaker 1>household all over the country, and I was like a

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<v Speaker 1>porch swing because I grew up on a porch swing.

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<v Speaker 1>So there's just a lot of things that happened around

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<v Speaker 1>that particular centerpiece. And uh, this one's about love and

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<v Speaker 1>a porch swing. So jen Wayne dear friend of mine

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<v Speaker 1>as well, great writer who's written a bunch of songs

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<v Speaker 1>in Runaway June as well as a professional tennis players.

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<v Speaker 1>You know that absolutely. Okay, Well I don't know anything.

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<v Speaker 1>He's got it all covered. Then here he is with

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<v Speaker 1>his new song Porch Swing. Here is Taylor Hicks. I

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<v Speaker 1>would like to say, first of all, I don't I

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<v Speaker 1>don't smoke, like I've never smoked. But after that, I

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<v Speaker 1>need a cigarette. Yeah. Man, it's a little it's a

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<v Speaker 1>little some some babymaking music and that is that. That's awesome, dude,

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<v Speaker 1>that's great. I mean all you guys, Johnny the whole man.

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<v Speaker 1>You guys are great. Thank you. Hey, that's that's a

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<v Speaker 1>great song. I can't I got more? Would you like

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<v Speaker 1>to hear? You know while we're on there. We we're

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<v Speaker 1>here with Taylor Hicks, who I'm just a massive fan

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<v Speaker 1>of his music. These guys next to you, how long

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<v Speaker 1>have they've been with you? About twelve years? And um,

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<v Speaker 1>last night? Oh cool? Hey, congratulations you guys I meet

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<v Speaker 1>at the bar. Yeah, pretty much. No, we've standing and

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<v Speaker 1>I've been uh, we've been playing together off and on

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<v Speaker 1>for about seven years. So when he's not on the

0:10:52.440 --> 0:10:55.280
<v Speaker 1>road with the Wallflowers or Jewel and we try to

0:10:55.400 --> 0:10:57.640
<v Speaker 1>mix some Mangland do some stuff. Are you playing a

0:10:57.679 --> 0:11:01.320
<v Speaker 1>lot of shows? Taylor? Now? Um, I have been lately. Yeah,

0:11:02.120 --> 0:11:04.400
<v Speaker 1>you know, I try to probably do five or six,

0:11:04.640 --> 0:11:08.040
<v Speaker 1>five or six a month, you know, without new music. Um,

0:11:08.679 --> 0:11:11.120
<v Speaker 1>I've got an Armed Forces Entertainment to where I'm doing

0:11:11.160 --> 0:11:14.280
<v Speaker 1>over in the Middle East and market that's crazy, which

0:11:14.320 --> 0:11:19.600
<v Speaker 1>I'm really excited about. We're doing eight shows in a

0:11:19.600 --> 0:11:21.960
<v Speaker 1>lot of the Middle Eastern countries on the bases, which

0:11:21.960 --> 0:11:24.760
<v Speaker 1>I'm extremely excited about. You know, I've done I've done

0:11:24.800 --> 0:11:28.439
<v Speaker 1>some USO stuff, but the Armed Forces Entertainment also is

0:11:28.800 --> 0:11:32.520
<v Speaker 1>a wonderful organization that puts artists and entertainers on the

0:11:32.600 --> 0:11:35.280
<v Speaker 1>road to to entertain the troops. And you get an

0:11:35.280 --> 0:11:40.960
<v Speaker 1>Instagram picture in a bulletproof vest, and that's always I

0:11:41.000 --> 0:11:42.560
<v Speaker 1>just don't want it. It's like holding up a fish

0:11:42.600 --> 0:11:44.120
<v Speaker 1>that you didn't catch. I never wanted to put one

0:11:44.120 --> 0:11:45.439
<v Speaker 1>on and take a picture and if I wasn't really

0:11:45.520 --> 0:11:48.240
<v Speaker 1>using it. So one day I'm gonna finally get to

0:11:48.240 --> 0:11:50.640
<v Speaker 1>do that picture. You know. Taylor Heck is here. He

0:11:50.640 --> 0:11:53.200
<v Speaker 1>played his new song ports Swing, which it is out

0:11:53.240 --> 0:11:54.800
<v Speaker 1>as of today. I want you guys to go check

0:11:54.840 --> 0:11:58.040
<v Speaker 1>it out. It's such a great song. And we're finishing.

0:11:58.360 --> 0:11:59.920
<v Speaker 1>I was like, hey, man, if you want to stick around,

0:12:00.040 --> 0:12:02.280
<v Speaker 1>play something else you can. So I don't know what

0:12:02.280 --> 0:12:04.160
<v Speaker 1>you're gonna play, what you're gonna do here, But tell me, Taylor,

0:12:04.160 --> 0:12:06.240
<v Speaker 1>what are we gonna get into now? Uh? This is

0:12:06.280 --> 0:12:10.640
<v Speaker 1>a song about the road, um and love and you know,

0:12:10.760 --> 0:12:14.080
<v Speaker 1>as all of us that are in entertainment or any

0:12:14.400 --> 0:12:18.000
<v Speaker 1>uh type of business that has to travel, Uh, it

0:12:18.080 --> 0:12:21.040
<v Speaker 1>can be tough on relationships. And this song has been

0:12:21.080 --> 0:12:24.199
<v Speaker 1>around me for for a long time and it's um,

0:12:24.240 --> 0:12:27.160
<v Speaker 1>it's it's it's out now, and it's it's we're building

0:12:27.240 --> 0:12:29.720
<v Speaker 1>up to a big album release. I haven't done music

0:12:29.760 --> 0:12:33.640
<v Speaker 1>in a long time, but this is, uh, every artist

0:12:33.760 --> 0:12:37.440
<v Speaker 1>and every musician kind of understands what the road does

0:12:38.320 --> 0:12:42.040
<v Speaker 1>um to relationships sometimes. So this is a song called

0:12:42.200 --> 0:12:47.079
<v Speaker 1>six Strings are Hard on Diamond Rings. I see what

0:12:47.120 --> 0:12:52.200
<v Speaker 1>you did there? All right, here we go Taylor Hicks. Taylor,

0:12:53.200 --> 0:12:59.880
<v Speaker 1>it's awesome too. Well? I got more? Yeah? So clastic

0:13:00.080 --> 0:13:02.000
<v Speaker 1>can you guys do for our audience who just tuned in?

0:13:02.120 --> 0:13:03.600
<v Speaker 1>This is Taylor Hicks. By the way, You can follow

0:13:03.720 --> 0:13:07.120
<v Speaker 1>on Instagram at Taylor Hicks Official. I'm a massive I've

0:13:07.160 --> 0:13:09.800
<v Speaker 1>been a fanboy, but I was standing Taylor Hicks before

0:13:09.800 --> 0:13:12.480
<v Speaker 1>standing was even a thing. For those wondering could you

0:13:12.559 --> 0:13:15.480
<v Speaker 1>do just the chorus again of port Swing, the song

0:13:15.520 --> 0:13:20.520
<v Speaker 1>that is out today? Right here we go jam so good.

0:13:20.559 --> 0:13:22.520
<v Speaker 1>Here's what I'm gonna do. That's just a really great

0:13:22.559 --> 0:13:25.240
<v Speaker 1>song too. I'm gonna maybe not this weekend, we may

0:13:25.280 --> 0:13:27.080
<v Speaker 1>have it booked up, but the next weekend we do

0:13:27.120 --> 0:13:29.000
<v Speaker 1>a national Countdown show I do. I'm gonna feature that

0:13:29.040 --> 0:13:31.560
<v Speaker 1>in the National AC Countdown Show. That song. This is

0:13:31.600 --> 0:13:35.840
<v Speaker 1>also a really good song. I'm gonna so also, I

0:13:35.920 --> 0:13:41.680
<v Speaker 1>have It's awesome. I know you're you haven't made Yeah,

0:13:42.040 --> 0:13:46.000
<v Speaker 1>you've made the Soul Patrol's day. By the way, the

0:13:46.080 --> 0:13:49.800
<v Speaker 1>leader of the Soul drum Um, I have Jen Wayne

0:13:49.800 --> 0:13:51.720
<v Speaker 1>from Runaway June. I'm gonna FaceTime her real quick and

0:13:51.720 --> 0:13:54.760
<v Speaker 1>to tell her the song is awesome. If she even answers,

0:13:55.280 --> 0:13:57.000
<v Speaker 1>you got to sing it to her though, and oh yeah,

0:13:57.000 --> 0:13:59.920
<v Speaker 1>she heard you sing it like with a instruments. She's heard.

0:14:00.280 --> 0:14:03.520
<v Speaker 1>She hasn't heard the final though, Hello, Jen, hold on,

0:14:03.559 --> 0:14:05.640
<v Speaker 1>let me do it. Let me flip you over real quick?

0:14:05.679 --> 0:14:09.080
<v Speaker 1>How do we do that? Boom? No, that's but they

0:14:09.160 --> 0:14:10.559
<v Speaker 1>just I've been in my iPhone and now I don't

0:14:10.559 --> 0:14:13.679
<v Speaker 1>want to flip it over anymore. Hold on how about

0:14:13.920 --> 0:14:16.040
<v Speaker 1>Oh got it? Boom there it is? So I'm here

0:14:16.040 --> 0:14:20.400
<v Speaker 1>with Taylor. Oh hey, Taylor, and go and love. I

0:14:20.440 --> 0:14:22.160
<v Speaker 1>texted her and said, how are you in? Taylor? So cool?

0:14:22.360 --> 0:14:23.840
<v Speaker 1>That's only what I texted, because sometimes you know, if

0:14:23.840 --> 0:14:25.160
<v Speaker 1>you wrote a song a long time ago, maybe you're

0:14:25.160 --> 0:14:29.520
<v Speaker 1>not cool anymore. Yeah, she said, she said, She said

0:14:29.560 --> 0:14:31.960
<v Speaker 1>that she loves you and this song port Swing is

0:14:32.000 --> 0:14:35.400
<v Speaker 1>really good. Do you remember writing it? Yes? You mean

0:14:35.600 --> 0:14:37.760
<v Speaker 1>anything he sings is going to be really good. You

0:14:37.760 --> 0:14:40.560
<v Speaker 1>can sing the phone Book. Well, I'm gonna play it

0:14:40.600 --> 0:14:42.200
<v Speaker 1>on the National Countdown show. And then when he said

0:14:42.200 --> 0:14:44.120
<v Speaker 1>he wrote it with you, I was like, well I

0:14:44.200 --> 0:14:46.280
<v Speaker 1>like it even more. Now, so are you? Are you

0:14:46.320 --> 0:14:51.040
<v Speaker 1>playing golf or something? Right now? I'm going to rite

0:14:52.080 --> 0:14:56.560
<v Speaker 1>the life of gen Wayne. What's writing music? It's so

0:14:56.600 --> 0:14:58.600
<v Speaker 1>annoying about her that she can sing and she's like

0:14:58.640 --> 0:15:02.880
<v Speaker 1>a like a plu athlete like everything. It's so and

0:15:03.680 --> 0:15:05.600
<v Speaker 1>that's so annoying. That's how you get on the Phone's

0:15:05.600 --> 0:15:08.280
<v Speaker 1>so annoying. Um, anyway, what's here with Taylor? And just

0:15:08.320 --> 0:15:10.720
<v Speaker 1>wanted to say hello and tell you that the song

0:15:10.800 --> 0:15:12.760
<v Speaker 1>that you wrote with him, you guys crushed it. And

0:15:12.800 --> 0:15:16.240
<v Speaker 1>he sings it so wonderfully. And that's all. Thanks Bobby.

0:15:16.680 --> 0:15:19.600
<v Speaker 1>I miss you guys. Have fun there. We will see you.

0:15:19.680 --> 0:15:21.760
<v Speaker 1>We'll see you soon. We'll see run Away June soon.

0:15:21.800 --> 0:15:24.760
<v Speaker 1>And I hope you you hit him good. Get them straight?

0:15:25.360 --> 0:15:29.000
<v Speaker 1>All right? Yeah, there you go. Yeah, she's awesome. Huh yep,

0:15:29.000 --> 0:15:33.360
<v Speaker 1>it's great. Okay, look here we are. We've played some songs. Um.

0:15:33.560 --> 0:15:35.840
<v Speaker 1>I I assume you don't know much about me, but

0:15:35.840 --> 0:15:37.720
<v Speaker 1>I worked on American Idol for four years. I worked

0:15:37.760 --> 0:15:40.240
<v Speaker 1>as the main like on camera mentor and taught him

0:15:40.720 --> 0:15:42.520
<v Speaker 1>or whatever you do on that show. You know, I

0:15:42.600 --> 0:15:44.640
<v Speaker 1>record ten hours and they use twenty minute, no, twenty

0:15:44.640 --> 0:15:46.000
<v Speaker 1>seconds of it, right, you know, this is kind of

0:15:46.000 --> 0:15:49.320
<v Speaker 1>how it worked over there. Um, So do people because

0:15:49.320 --> 0:15:50.640
<v Speaker 1>people will come up to me and be like, I

0:15:50.720 --> 0:15:53.760
<v Speaker 1>know you from somewhere because I'm just randomly on things,

0:15:53.840 --> 0:15:56.640
<v Speaker 1>I'm like, I know you, and it's weird to go

0:15:57.120 --> 0:15:59.160
<v Speaker 1>you probably know me from this. Do you get there

0:15:59.160 --> 0:16:02.160
<v Speaker 1>with people? It may be this, it could be the show,

0:16:02.520 --> 0:16:04.880
<v Speaker 1>the food show, it could be Do people come up

0:16:04.920 --> 0:16:06.560
<v Speaker 1>to you and not know where they know you, but

0:16:06.640 --> 0:16:09.480
<v Speaker 1>they know you and they're like, are you my mailman?

0:16:09.760 --> 0:16:12.080
<v Speaker 1>Does that ever happen. Oh yeah, And how do you

0:16:12.120 --> 0:16:14.200
<v Speaker 1>handle that if somebody goes, I know you from somewhere,

0:16:14.320 --> 0:16:17.400
<v Speaker 1>what do you say? Well, sometimes you have fun with

0:16:17.520 --> 0:16:21.000
<v Speaker 1>it and you're like, I don't know, you know, what

0:16:21.000 --> 0:16:23.080
<v Speaker 1>what do you think? And so I mean And then

0:16:23.080 --> 0:16:26.960
<v Speaker 1>finally usually I was on idol and they're like, oh yeah,

0:16:27.040 --> 0:16:29.040
<v Speaker 1>yeah they said that to me. They're like, oh, were

0:16:29.080 --> 0:16:34.040
<v Speaker 1>you on Judge Judy? No, I wasn't. I guess it

0:16:34.080 --> 0:16:35.680
<v Speaker 1>wasn't me. You were thinking about once I want to

0:16:35.680 --> 0:16:37.240
<v Speaker 1>get ice cream into place And she was like she

0:16:37.280 --> 0:16:39.360
<v Speaker 1>pulled up her phone and I Sawry Google me and

0:16:39.440 --> 0:16:41.920
<v Speaker 1>she was like, no, that's not him, and you should

0:16:41.920 --> 0:16:43.480
<v Speaker 1>put the phone down. Real It was like a really

0:16:43.480 --> 0:16:46.200
<v Speaker 1>good professional picture. I guess it looks like crap that day. Look,

0:16:46.240 --> 0:16:50.320
<v Speaker 1>Taylor Hicks is here. Um, you're so good that harmonica

0:16:50.360 --> 0:16:53.160
<v Speaker 1>that you have? What what? What key is that? Listen

0:16:53.640 --> 0:16:56.040
<v Speaker 1>the song e? I have an E and then I've

0:16:56.040 --> 0:16:59.200
<v Speaker 1>got probably twenty different keys they got from Blues Traveler.

0:16:59.240 --> 0:17:03.000
<v Speaker 1>He ain'ty good? Love him? Yeah, he's different stylistically. He

0:17:03.400 --> 0:17:07.600
<v Speaker 1>probably one of the more stylistic harmonica players in the world. Um,

0:17:08.760 --> 0:17:12.440
<v Speaker 1>he's a good friend and uh, oh, you know him. Yeah. Yeah,

0:17:12.440 --> 0:17:14.080
<v Speaker 1>I was just asking as harmonica playing because he wears

0:17:14.080 --> 0:17:15.560
<v Speaker 1>the vest all the harmonicas, and do you have one

0:17:15.600 --> 0:17:17.480
<v Speaker 1>of those great and a great writer too. I mean,

0:17:17.560 --> 0:17:19.359
<v Speaker 1>let's not Forgod. I mean, you know he wrote the

0:17:19.400 --> 0:17:23.040
<v Speaker 1>Hook and you know some of those really iconic hits

0:17:23.880 --> 0:17:26.600
<v Speaker 1>you know of the early nineties. I was wanted to

0:17:26.640 --> 0:17:28.480
<v Speaker 1>play harmonica, Taylor. I'm gonna tell you the little story

0:17:28.480 --> 0:17:30.920
<v Speaker 1>about me playing harmonica. I always wanted to play in Eddie,

0:17:30.960 --> 0:17:33.479
<v Speaker 1>who is the other half of my comedy duo, our

0:17:33.520 --> 0:17:34.919
<v Speaker 1>comedy due the Raging Idiots. He goes, so you can

0:17:34.920 --> 0:17:36.800
<v Speaker 1>play hermonica. I said, no, I can't, because they're good.

0:17:36.800 --> 0:17:38.399
<v Speaker 1>He goes, no, no no, no, no, here's the easy way

0:17:38.640 --> 0:17:40.239
<v Speaker 1>that they don't do because they're good, but you can

0:17:40.240 --> 0:17:42.840
<v Speaker 1>do because you're crappy. So we I think we played.

0:17:43.600 --> 0:17:45.480
<v Speaker 1>What song? Did we play? It was like an old

0:17:45.600 --> 0:17:47.800
<v Speaker 1>eighty was it? That's what I like about you. Yeah,

0:17:48.320 --> 0:17:49.919
<v Speaker 1>really know how to do. So he just gave me

0:17:49.960 --> 0:17:51.520
<v Speaker 1>the harmonica in the key and he goes just blowing

0:17:51.560 --> 0:17:52.920
<v Speaker 1>and out during the key and it'll match the song

0:17:52.960 --> 0:17:54.840
<v Speaker 1>completely and everybody'll think your harmonica player. And I was like,

0:17:54.840 --> 0:17:56.520
<v Speaker 1>all right, let's give it a running. We're on stage

0:17:56.520 --> 0:17:59.360
<v Speaker 1>and finally like five thousand people and I've never played

0:17:59.400 --> 0:18:02.600
<v Speaker 1>harmonica in my life except for just going that right

0:18:02.600 --> 0:18:05.639
<v Speaker 1>with harmonica, and so the whole song isn't whatever key

0:18:05.640 --> 0:18:07.800
<v Speaker 1>it was in Eddie hands me Harmonica goes trust me

0:18:07.840 --> 0:18:10.600
<v Speaker 1>on this, and there's the harmonica part in that song

0:18:10.840 --> 0:18:14.080
<v Speaker 1>where so I'm just not really I'm having like a

0:18:14.080 --> 0:18:15.520
<v Speaker 1>seizure or something up there because I'm just I don't

0:18:15.560 --> 0:18:16.919
<v Speaker 1>even know how to breathe. And I put the harmonica

0:18:17.000 --> 0:18:18.479
<v Speaker 1>lay in the crowds going nuts because they think I'll

0:18:18.640 --> 0:18:20.679
<v Speaker 1>just play. I just rocked the harmonica and I was like,

0:18:20.800 --> 0:18:23.159
<v Speaker 1>thank you, And I retired that day playing harmonica one

0:18:23.240 --> 0:18:27.080
<v Speaker 1>to Oh but that's not real. Well that's not real harmonica.

0:18:27.200 --> 0:18:29.400
<v Speaker 1>Like where did you start? When did you start playing harmonica?

0:18:29.840 --> 0:18:32.399
<v Speaker 1>M I probably I started playing when I was about

0:18:32.440 --> 0:18:35.359
<v Speaker 1>fourteen or fifteen, But interestingly enough, I was I was

0:18:35.400 --> 0:18:39.440
<v Speaker 1>an only child, and I bought my first harmonica at

0:18:39.760 --> 0:18:43.440
<v Speaker 1>the best summer flea market in Alabama. I would not

0:18:43.560 --> 0:18:47.080
<v Speaker 1>suggest buying your first harmonica a flea market. By the way,

0:18:47.119 --> 0:18:49.680
<v Speaker 1>what did you catch what disease going? I can't say.

0:18:49.720 --> 0:18:51.919
<v Speaker 1>I'm not going to displose that that's for the next single,

0:18:51.960 --> 0:18:55.919
<v Speaker 1>but UM the uh. So I ended up actually playing

0:18:56.040 --> 0:19:00.480
<v Speaker 1>off of UM very kind of non traditional sounds. So

0:19:00.520 --> 0:19:03.560
<v Speaker 1>I would like go by behind the air conditioner and

0:19:03.600 --> 0:19:06.439
<v Speaker 1>I would find the key that the air conditioner was in,

0:19:07.000 --> 0:19:09.199
<v Speaker 1>and I would play off of the air conditioner so

0:19:09.280 --> 0:19:12.240
<v Speaker 1>that the air conditioner was was like, oh you know,

0:19:12.320 --> 0:19:15.359
<v Speaker 1>then there wasn't anybody around to play music, So I

0:19:15.400 --> 0:19:21.200
<v Speaker 1>would play off of air conditioners, airplanes, eighteen wheeler rigs

0:19:21.240 --> 0:19:23.359
<v Speaker 1>that would go down the road. How are you hearing keys? Though?

0:19:23.359 --> 0:19:25.159
<v Speaker 1>Where did you learn music or didn'taturally come to you?

0:19:25.320 --> 0:19:27.159
<v Speaker 1>You know, I think it's just, you know, it's an

0:19:27.240 --> 0:19:29.720
<v Speaker 1>ear thing for me. You know, that's all of these

0:19:29.760 --> 0:19:32.720
<v Speaker 1>sounds like that's kind of I didn't have a guitar

0:19:32.840 --> 0:19:35.480
<v Speaker 1>or anything, so that's kind of how I learned. It's

0:19:35.520 --> 0:19:37.320
<v Speaker 1>just very nontric And I would play off to the

0:19:37.400 --> 0:19:39.560
<v Speaker 1>radio too, But if I if I didn't have a

0:19:39.640 --> 0:19:42.560
<v Speaker 1>radio round, I would do UM. I would play off

0:19:42.560 --> 0:19:45.800
<v Speaker 1>of mostly air conditioners. So you trains are usually air

0:19:45.800 --> 0:19:48.480
<v Speaker 1>conditioners are shameless plug but they're in a they're in

0:19:48.560 --> 0:19:55.159
<v Speaker 1>a I would you would listen to the radio, I

0:19:55.240 --> 0:19:57.240
<v Speaker 1>just play along with songs like a drummer would, Yes,

0:19:57.800 --> 0:19:59.840
<v Speaker 1>but you would. But the thing about harmonica those is

0:20:00.119 --> 0:20:02.359
<v Speaker 1>you have to um, you know, you have to have

0:20:02.520 --> 0:20:04.639
<v Speaker 1>be in the right key. So you have to think

0:20:04.680 --> 0:20:08.240
<v Speaker 1>about harmonica playing. Is chromatic? Is the big fat one

0:20:08.320 --> 0:20:10.800
<v Speaker 1>that Stevie Wonder used where you could click in and

0:20:10.800 --> 0:20:14.240
<v Speaker 1>out of the keys. Um, but just you know, just

0:20:14.520 --> 0:20:18.640
<v Speaker 1>kind of traditional harmonica playing. Um, you have a lot

0:20:18.640 --> 0:20:20.440
<v Speaker 1>of keys. So that's the reason why we were talking

0:20:20.480 --> 0:20:23.080
<v Speaker 1>about paper with the belts and stuff, is because you

0:20:23.119 --> 0:20:25.800
<v Speaker 1>have to find the key. So show up you have

0:20:25.880 --> 0:20:27.320
<v Speaker 1>what do you have there in your hand? Um? I

0:20:27.400 --> 0:20:29.760
<v Speaker 1>just want to hear the difference. So this is an E.

0:20:33.040 --> 0:20:34.639
<v Speaker 1>I definitely got the blues from that. Let me hear

0:20:34.680 --> 0:20:37.360
<v Speaker 1>what I have now? Then this is this is an

0:20:37.359 --> 0:20:47.159
<v Speaker 1>E flash. Now I'm even sadder. That sounds like rose. Yeah.

0:20:47.240 --> 0:20:50.560
<v Speaker 1>So as a harmonica player, do you have to learn

0:20:50.640 --> 0:20:54.080
<v Speaker 1>Do you ever learn melodies and play like a melody

0:20:54.080 --> 0:20:56.320
<v Speaker 1>of a song or are you kind of just jumping

0:20:56.320 --> 0:20:58.399
<v Speaker 1>around with like a jazz player. Well, it's kind of

0:20:58.440 --> 0:21:01.159
<v Speaker 1>like a jazz thing for me. Yeah, sometimes I'll have

0:21:01.280 --> 0:21:09.840
<v Speaker 1>to find um, you know, like we're gonna love Let

0:21:09.880 --> 0:21:14.879
<v Speaker 1>me do some of those lines. Um and you know, hey,

0:21:14.920 --> 0:21:18.720
<v Speaker 1>hey man, I want to you know, those kinds of lines.

0:21:18.760 --> 0:21:20.560
<v Speaker 1>But for me, I just kind of dig it because

0:21:20.560 --> 0:21:23.240
<v Speaker 1>I'm singing. I kind of just dig into the solo

0:21:23.359 --> 0:21:24.920
<v Speaker 1>a little bit. I wanted to wear one of those

0:21:24.920 --> 0:21:26.200
<v Speaker 1>things when you put it on your neck with a

0:21:26.160 --> 0:21:27.800
<v Speaker 1>harmonica in it and do a whole show with them

0:21:27.840 --> 0:21:29.440
<v Speaker 1>and never actually play it. And many people think the

0:21:29.440 --> 0:21:31.000
<v Speaker 1>whole time I'm gonna go to it, but I never did.

0:21:32.400 --> 0:21:34.440
<v Speaker 1>I was like, wouldn't that be hilarious. I just wear

0:21:34.440 --> 0:21:37.760
<v Speaker 1>it the whole time, big harmonica and never even address it.

0:21:37.880 --> 0:21:40.480
<v Speaker 1>And then I'm like, thank you guys, good night. That's

0:21:40.600 --> 0:21:42.760
<v Speaker 1>my kind of comedy right there. You know, I've all

0:21:42.960 --> 0:21:47.000
<v Speaker 1>I've actually thought about, like like doing having a giant

0:21:47.040 --> 0:21:50.120
<v Speaker 1>one and then having a little bitty one like right here,

0:21:50.240 --> 0:21:52.080
<v Speaker 1>so it makes it looks like we're playing like I'll

0:21:52.080 --> 0:21:53.680
<v Speaker 1>see you put a little room behind it. We can't see,

0:21:54.880 --> 0:21:56.679
<v Speaker 1>and you just kind of come out and waddle with

0:21:56.760 --> 0:21:58.440
<v Speaker 1>it like it and you put on those big sunglasses

0:21:58.440 --> 0:22:02.760
<v Speaker 1>at the same time that are oversized, and it'll be awesome. See. Okay, look,

0:22:03.200 --> 0:22:05.359
<v Speaker 1>We've done it all. Taylor Hicks. He's got a new

0:22:05.400 --> 0:22:08.480
<v Speaker 1>song out today called port Swing. That's amazing that we're

0:22:08.480 --> 0:22:11.120
<v Speaker 1>also going to feature in a national countdown. You played

0:22:11.160 --> 0:22:14.600
<v Speaker 1>the second song, Uh, let me see title, six Strings

0:22:15.359 --> 0:22:18.320
<v Speaker 1>and diamond Ooh, I'm close. Diamond rings is what's it called?

0:22:18.320 --> 0:22:20.679
<v Speaker 1>Six strings and strings? And oh I had it, you did.

0:22:20.800 --> 0:22:22.480
<v Speaker 1>I thought it was like it was. They're hard on

0:22:22.640 --> 0:22:26.480
<v Speaker 1>the back, six strings, hard on diamond rings, diamond rings.

0:22:26.920 --> 0:22:30.440
<v Speaker 1>You just said the word never mind. Okay, okay, okay.

0:22:30.840 --> 0:22:33.680
<v Speaker 1>Also I'll say too, both songs, they're sort of like

0:22:34.040 --> 0:22:36.520
<v Speaker 1>both of them. I was picturing the whole story the

0:22:36.560 --> 0:22:38.800
<v Speaker 1>whole time you were singing, because and I was following

0:22:38.800 --> 0:22:40.600
<v Speaker 1>you along. I don't know if I had the narrative

0:22:40.680 --> 0:22:42.800
<v Speaker 1>right in my head. But what's funny is quincidentally, I'm

0:22:42.840 --> 0:22:45.000
<v Speaker 1>gonna follow him along after this see where he lives,

0:22:46.520 --> 0:22:52.040
<v Speaker 1>so control later, right, okay? Quickly uncomfortable questions from listeners.

0:22:52.160 --> 0:22:55.840
<v Speaker 1>Question number one, how old was Taylor when he was

0:22:55.880 --> 0:22:57.680
<v Speaker 1>on American Idol? Because your hair was already great, you

0:22:57.680 --> 0:23:01.119
<v Speaker 1>went great early high sixteen? You gray at sixteen. I

0:23:01.720 --> 0:23:03.840
<v Speaker 1>had people pluck them out of my head in class

0:23:03.880 --> 0:23:07.760
<v Speaker 1>actually because your parent would probably. Yeah, my whole family's

0:23:07.800 --> 0:23:10.399
<v Speaker 1>like gray early. Yeah, and did you ever think I'm

0:23:10.440 --> 0:23:13.200
<v Speaker 1>gonna dye my hair. No, although they wanted me too

0:23:13.240 --> 0:23:16.040
<v Speaker 1>on idol. I mean they were they were like they

0:23:16.080 --> 0:23:18.439
<v Speaker 1>were like you should. And then I know. Then I

0:23:18.440 --> 0:23:21.560
<v Speaker 1>had a manager that at one point in time, Jordan Felstein,

0:23:21.640 --> 0:23:26.400
<v Speaker 1>who who was um Maroon fives manager passed, loved him

0:23:26.400 --> 0:23:28.640
<v Speaker 1>to death. He and this is a great idea too,

0:23:28.640 --> 0:23:30.080
<v Speaker 1>and I mean, I guess I'll give it away. But

0:23:30.200 --> 0:23:33.199
<v Speaker 1>he wanted me to die at Pink for October for

0:23:33.400 --> 0:23:36.040
<v Speaker 1>breast cancer awareness, which I'm totally down to do it.

0:23:35.960 --> 0:23:37.840
<v Speaker 1>And it would be easier to do because it's already light. Yeah,

0:23:39.280 --> 0:23:41.840
<v Speaker 1>like two shades from Pink already, so you know, I

0:23:41.840 --> 0:23:44.639
<v Speaker 1>mean that's but no, they wanted me to diet on

0:23:44.640 --> 0:23:46.399
<v Speaker 1>on idol, but I just I didn't want to do it.

0:23:46.600 --> 0:23:50.080
<v Speaker 1>Question two with Taylor Hicks singing my wedding for twenty grand,

0:23:51.600 --> 0:23:58.639
<v Speaker 1>anything's possible. Any day, that's possible. Okay, I have to

0:23:58.640 --> 0:24:01.640
<v Speaker 1>go through my agent. But how tall is Taylor Hicks

0:24:02.080 --> 0:24:09.560
<v Speaker 1>six one? What about without your shoes? Five? Six? Exactly? Okay, entertainment,

0:24:09.720 --> 0:24:12.520
<v Speaker 1>that's it. Everyone, go check out, go follow Taylor Hicks

0:24:12.720 --> 0:24:15.879
<v Speaker 1>at Taylor Hicks Official. The new song is porch swing.

0:24:16.480 --> 0:24:18.679
<v Speaker 1>You guys, everybody awesome. You guess sounded great. It's been

0:24:18.720 --> 0:24:21.720
<v Speaker 1>a lot of fun for me, and anything from you

0:24:21.720 --> 0:24:24.840
<v Speaker 1>guys before we go. No, okay, it's great. It was great.

0:24:24.960 --> 0:24:27.159
<v Speaker 1>I've put one of those Apple Air tags on his

0:24:27.200 --> 0:24:28.920
<v Speaker 1>car so I know exactly where he goes after this

0:24:29.160 --> 0:24:32.480
<v Speaker 1>second track him Otherwise, Taylor, congratulations on a great performance

0:24:32.480 --> 0:24:34.480
<v Speaker 1>in a new song and hopefully we will see soon

0:24:34.520 --> 0:24:43.240
<v Speaker 1>my friend. Thanks. It's the best bits of the week

0:24:44.000 --> 0:24:49.399
<v Speaker 1>with Morgan. Number two, Lunchbox and I shared some recent

0:24:49.560 --> 0:24:52.560
<v Speaker 1>uber incidents that we've had. Lunchbox had a crazy driver

0:24:52.640 --> 0:24:55.479
<v Speaker 1>who just danced the entire time and didn't keep their

0:24:55.520 --> 0:24:57.399
<v Speaker 1>hands on the steering wheel. And I got into an

0:24:57.480 --> 0:24:59.480
<v Speaker 1>uber that had two people in it, and no it

0:24:59.520 --> 0:25:01.680
<v Speaker 1>was not I shared uber you know where you can

0:25:02.040 --> 0:25:04.840
<v Speaker 1>order an uber and it also can pick somebody else up. Yeah,

0:25:04.840 --> 0:25:06.520
<v Speaker 1>it wasn't one of those, but there was two people,

0:25:06.800 --> 0:25:08.720
<v Speaker 1>one of the driver's seat, one of the passenger's seat,

0:25:08.760 --> 0:25:11.920
<v Speaker 1>and so we shared what happened and what transpired out

0:25:11.920 --> 0:25:15.000
<v Speaker 1>of these kind of interesting uber experiences, and y'all also

0:25:15.040 --> 0:25:16.800
<v Speaker 1>shared them on our social media pages. So if you

0:25:16.840 --> 0:25:19.520
<v Speaker 1>have a crazy uber experience, make sure to hit me

0:25:19.600 --> 0:25:21.359
<v Speaker 1>up at web Girl Morgan or you can hit the

0:25:21.359 --> 0:25:24.119
<v Speaker 1>show up at Bobby Bones Show number five. We were

0:25:24.119 --> 0:25:26.760
<v Speaker 1>talking about our kids don't really want to drive like

0:25:26.840 --> 0:25:28.720
<v Speaker 1>we did when we were kids, mostly because it's ride

0:25:28.720 --> 0:25:31.880
<v Speaker 1>share Uber left they don't have to have a car

0:25:31.920 --> 0:25:33.720
<v Speaker 1>to get to the places they have to get to.

0:25:34.920 --> 0:25:36.840
<v Speaker 1>But that being said, we use Uber a decent amount,

0:25:37.000 --> 0:25:39.560
<v Speaker 1>even though we have cars and have two crazy Uber stories.

0:25:39.960 --> 0:25:42.800
<v Speaker 1>Lunchbox your first. So I took one home from your

0:25:43.040 --> 0:25:45.880
<v Speaker 1>million dollars show the other night, and the guy picks

0:25:45.920 --> 0:25:48.120
<v Speaker 1>me up by getting them back. And as we're driving,

0:25:49.080 --> 0:25:52.040
<v Speaker 1>he keeps taking his hands off the wheel because he's

0:25:52.119 --> 0:25:58.600
<v Speaker 1>jamming out to music. And I'm going, do you say

0:25:58.640 --> 0:26:01.840
<v Speaker 1>something like it? So I was like, hands on the wheel.

0:26:02.119 --> 0:26:05.199
<v Speaker 1>So you were telling him how to drive? Yes, because

0:26:05.960 --> 0:26:08.000
<v Speaker 1>my life is in his hands and he is getting

0:26:08.040 --> 0:26:10.640
<v Speaker 1>so lost in his music. What kind of music though?

0:26:10.840 --> 0:26:15.159
<v Speaker 1>It was outcast and he was just rocking it and

0:26:15.160 --> 0:26:16.719
<v Speaker 1>he was just throwing his hand and I was like,

0:26:16.840 --> 0:26:18.560
<v Speaker 1>hands on the wheel, hands on the wheel, and I

0:26:18.560 --> 0:26:20.280
<v Speaker 1>can't see him. His eyes are closed because when you're

0:26:20.320 --> 0:26:26.199
<v Speaker 1>jamming sometimes yeah, and I'm it, I hate your feeling it,

0:26:26.280 --> 0:26:28.439
<v Speaker 1>but put their hands on the wheel and bob your

0:26:28.480 --> 0:26:30.320
<v Speaker 1>head up and down. Did he do that? And then okay?

0:26:30.320 --> 0:26:32.879
<v Speaker 1>And he put his hands back on the wheel. And

0:26:32.920 --> 0:26:36.439
<v Speaker 1>then about five seconds later he starts jamming again hands

0:26:36.640 --> 0:26:38.080
<v Speaker 1>and he put one hand on the wheel and then

0:26:38.080 --> 0:26:40.480
<v Speaker 1>he'd have another hand in and I'm just like, dude,

0:26:40.520 --> 0:26:45.280
<v Speaker 1>what are you doing? Like please stop? And I got

0:26:45.320 --> 0:26:48.800
<v Speaker 1>home safely. Did you rate him anywhorse? No? Did you

0:26:48.800 --> 0:26:53.520
<v Speaker 1>tip him? Because he did have good music? Like shake?

0:26:54.359 --> 0:26:56.479
<v Speaker 1>Because it's like was it a friendly driver? He was friendly?

0:26:56.600 --> 0:26:58.760
<v Speaker 1>Was it a good like like clean car? It was

0:26:58.800 --> 0:27:00.960
<v Speaker 1>a clean car. It didn't say anything about did he

0:27:01.040 --> 0:27:03.199
<v Speaker 1>have his hands on the wheel? Did you enjoy outcast? Hey?

0:27:03.480 --> 0:27:05.560
<v Speaker 1>If so? Hit? I mean it was good. But it

0:27:05.600 --> 0:27:09.200
<v Speaker 1>was just like I was like, would you say something?

0:27:09.200 --> 0:27:11.399
<v Speaker 1>Do you say something? Because I did? And I was like,

0:27:11.440 --> 0:27:12.800
<v Speaker 1>I don't know if it's supposed to tell these people

0:27:12.800 --> 0:27:16.760
<v Speaker 1>about to drive. I don't know. I've corrected Uber drivers

0:27:16.760 --> 0:27:18.879
<v Speaker 1>before on the way they're going. Oh if I know

0:27:19.000 --> 0:27:21.000
<v Speaker 1>the place, they don't like that. I'm like, hey, this

0:27:21.640 --> 0:27:23.280
<v Speaker 1>especially to the the airport. I know the way to the airport.

0:27:23.320 --> 0:27:25.240
<v Speaker 1>I go all the time, and I know the traffic

0:27:25.280 --> 0:27:26.960
<v Speaker 1>and when it's bad and I was like, hey, I

0:27:27.040 --> 0:27:28.760
<v Speaker 1>know the GPS says this by promise you. We do

0:27:28.800 --> 0:27:29.960
<v Speaker 1>this all the time if you want to go up here.

0:27:30.200 --> 0:27:31.840
<v Speaker 1>I say it like that, like, hey, you're doing wrong.

0:27:32.040 --> 0:27:34.040
<v Speaker 1>If you want to go up here, you can do this,

0:27:34.240 --> 0:27:36.320
<v Speaker 1>and they'd be like no, and then I'll go, hey,

0:27:36.320 --> 0:27:38.200
<v Speaker 1>I really do think you should go this way because

0:27:38.200 --> 0:27:40.879
<v Speaker 1>I kind of want a time time crunch. Yeah, and

0:27:40.960 --> 0:27:45.000
<v Speaker 1>it's awkward, but I do know the way. So but

0:27:45.040 --> 0:27:48.320
<v Speaker 1>the hands, I don't know why I do about the hands.

0:27:48.359 --> 0:27:50.360
<v Speaker 1>Here's the other one, Morgan, what happened to you? So

0:27:50.480 --> 0:27:53.080
<v Speaker 1>when I got in, I realized somebody else was also

0:27:53.200 --> 0:27:55.200
<v Speaker 1>in the car, not just the driver. There was somebody

0:27:55.200 --> 0:27:58.359
<v Speaker 1>else sitting in the passenger seat. So it wasn't like

0:27:58.440 --> 0:28:00.159
<v Speaker 1>when Abby met the guy she wanted to go on

0:28:00.200 --> 0:28:01.840
<v Speaker 1>a date with. What do you share? You didn't do

0:28:01.960 --> 0:28:03.919
<v Speaker 1>never Share. I didn't do uber share. This was just

0:28:03.960 --> 0:28:06.000
<v Speaker 1>me picking up an uber I get in. There's two

0:28:06.000 --> 0:28:08.439
<v Speaker 1>people in the front seat. Oh, they're coming to kidnap

0:28:08.480 --> 0:28:10.679
<v Speaker 1>you and kill you. Yeah. Yeah, And it was a

0:28:10.720 --> 0:28:13.520
<v Speaker 1>guy and a girl and over. I sat in there

0:28:13.560 --> 0:28:16.000
<v Speaker 1>and contemplated getting out for a minute, but as I

0:28:16.040 --> 0:28:18.400
<v Speaker 1>started to hear their conversation, I realized they were friends.

0:28:19.000 --> 0:28:21.280
<v Speaker 1>This girl in the front seat was just riding along

0:28:21.320 --> 0:28:24.040
<v Speaker 1>with her guy friend. He should let you know. Then

0:28:24.040 --> 0:28:26.040
<v Speaker 1>as soon as you get in, there has to be

0:28:26.080 --> 0:28:29.480
<v Speaker 1>something said, Hey, I'm Mike Ipe, It's cool. This is

0:28:29.480 --> 0:28:32.359
<v Speaker 1>my friend. She's something that needs to be addressed. Otherwise

0:28:32.400 --> 0:28:36.600
<v Speaker 1>it feels completely unsafe. Yea, it's two verses one. Yeah,

0:28:36.800 --> 0:28:38.959
<v Speaker 1>that's why it feels unsafe. Yeah, So I sent my

0:28:39.040 --> 0:28:40.960
<v Speaker 1>uber ride to like all my friends and my mom.

0:28:41.000 --> 0:28:42.560
<v Speaker 1>I'm like, if I don't make it out of this car,

0:28:42.720 --> 0:28:45.120
<v Speaker 1>you guys know I'm not safe. And you didn't say

0:28:45.120 --> 0:28:47.880
<v Speaker 1>anything about it? No, because he didn't say anything, so

0:28:47.920 --> 0:28:50.160
<v Speaker 1>I just assumed. I'm like, does he just think this

0:28:50.240 --> 0:28:51.880
<v Speaker 1>is okay? Again? I don't know if I'd have said

0:28:51.880 --> 0:28:54.360
<v Speaker 1>anything either, unless they were going to the airport and

0:28:54.440 --> 0:28:55.880
<v Speaker 1>I've been like, hey you too, this is not the way.

0:28:56.920 --> 0:28:58.440
<v Speaker 1>By the way, why the two of you? I did

0:28:58.560 --> 0:29:00.360
<v Speaker 1>watch my tracking the whole time. I was like, are

0:29:00.360 --> 0:29:02.239
<v Speaker 1>we going to the right place? Yeah, that's bizarre too.

0:29:02.320 --> 0:29:04.040
<v Speaker 1>Would you have gotten out though, or would you have stayed?

0:29:05.240 --> 0:29:08.680
<v Speaker 1>I think I'd probably gotten in and just prayed to

0:29:08.680 --> 0:29:10.480
<v Speaker 1>God I didn't get murdered. But it's also give up

0:29:10.520 --> 0:29:14.160
<v Speaker 1>for guys and girls. I agree because Morgan is a woman. Yeah, yes,

0:29:14.360 --> 0:29:17.040
<v Speaker 1>who is small? I mean at some point I think

0:29:17.040 --> 0:29:18.920
<v Speaker 1>you got to say, and who is this? Like am

0:29:18.960 --> 0:29:21.080
<v Speaker 1>I praying for her? Ride? Like what's going on? Like weird,

0:29:21.080 --> 0:29:22.280
<v Speaker 1>that's a weird way to go at it, But I

0:29:22.320 --> 0:29:24.320
<v Speaker 1>do I don't think I do understand that, Like I

0:29:24.400 --> 0:29:27.760
<v Speaker 1>know your bill, but who is she? Maybe? Oh, let

0:29:27.800 --> 0:29:30.120
<v Speaker 1>me think I'm getting the car over and up? Oh

0:29:29.920 --> 0:29:33.760
<v Speaker 1>oh oh? Did I accidentally or order uber share? If so,

0:29:33.800 --> 0:29:35.200
<v Speaker 1>I messed up because there's somebody else in the car.

0:29:35.200 --> 0:29:37.040
<v Speaker 1>Maybe that's because that's what can of my mind instinctually,

0:29:37.480 --> 0:29:40.200
<v Speaker 1>and then that would make him address, well, no, no,

0:29:40.280 --> 0:29:44.480
<v Speaker 1>this is her and we've come together to kill you.

0:29:44.480 --> 0:29:46.880
<v Speaker 1>You get out. Have you ever had to prematurely like

0:29:47.360 --> 0:29:51.800
<v Speaker 1>get out of an uber No? But once I accidentally

0:29:51.920 --> 0:29:53.760
<v Speaker 1>ordered uber share and we stopped at somebody's house and

0:29:53.800 --> 0:29:57.240
<v Speaker 1>I'm like, what's happening here? And he's like, we're picking

0:29:57.360 --> 0:29:59.040
<v Speaker 1>and I'm and they got in the seat beside me. Yeah,

0:29:59.080 --> 0:30:02.320
<v Speaker 1>that's crazy, and I'm like, what what's happening? And then

0:30:02.360 --> 0:30:04.040
<v Speaker 1>I looked down and it said you're doing uber share

0:30:04.080 --> 0:30:05.920
<v Speaker 1>And I pushed the wrong button and then we had

0:30:05.920 --> 0:30:10.000
<v Speaker 1>to go. We stopped it like some pharmacy. So no,

0:30:10.120 --> 0:30:12.040
<v Speaker 1>but I've accidentally been in a weird situation like that.

0:30:12.040 --> 0:30:14.200
<v Speaker 1>It was my fault, have you. Yeah, when my uber

0:30:14.280 --> 0:30:17.520
<v Speaker 1>driver hit a person, Well, that's right, and you headed

0:30:17.560 --> 0:30:19.840
<v Speaker 1>the awkward thing. Hey I want to go. Oh yeah.

0:30:19.840 --> 0:30:22.120
<v Speaker 1>I was like, I'm get He's like, hey, hair, let

0:30:22.200 --> 0:30:27.080
<v Speaker 1>me go handle this. Hold on, hold on, was so

0:30:27.400 --> 0:30:30.520
<v Speaker 1>casual about it. And then he got out and you know, police,

0:30:30.600 --> 0:30:32.920
<v Speaker 1>fire trugs, all these things start arriving and I'm like,

0:30:34.240 --> 0:30:39.560
<v Speaker 1>nothing to see here, I'm ordering another umber. Yeah, it's

0:30:39.640 --> 0:30:43.160
<v Speaker 1>the best bits of the week with Morgan. Number two,

0:30:44.400 --> 0:30:48.200
<v Speaker 1>Lunchbox shared a pro tip on how to Valentine's like

0:30:48.360 --> 0:30:50.880
<v Speaker 1>a boss. Yes, we are past Valentine's Day and that

0:30:50.960 --> 0:30:52.960
<v Speaker 1>is the whole point of this segment, but you might

0:30:53.000 --> 0:30:55.120
<v Speaker 1>not be able to still do his tip even though

0:30:55.240 --> 0:30:58.120
<v Speaker 1>it is a little bit past until next year. So

0:30:58.400 --> 0:31:01.000
<v Speaker 1>you need this information because he thinks it's the best

0:31:01.000 --> 0:31:04.080
<v Speaker 1>way to handle Valentine's Day, and frankly, just about almost

0:31:04.080 --> 0:31:06.640
<v Speaker 1>any holiday. That's how he feels. So listen to this.

0:31:06.840 --> 0:31:08.680
<v Speaker 1>He thinks you need a pin and paper to write

0:31:08.720 --> 0:31:12.560
<v Speaker 1>this down and never forget this pro tip from Lunchbox

0:31:13.000 --> 0:31:15.520
<v Speaker 1>number four. It's a little late for a Valentine segment, No,

0:31:16.320 --> 0:31:18.360
<v Speaker 1>I don't think so, it's a perfect time. Actually, okay,

0:31:18.360 --> 0:31:20.720
<v Speaker 1>So what's the deal. This is how you Valentine's like

0:31:20.720 --> 0:31:22.560
<v Speaker 1>a boss. I told you, guys, last week I did

0:31:22.600 --> 0:31:25.280
<v Speaker 1>nothing for my wife or Valentine's Day. She cooked dinner,

0:31:25.360 --> 0:31:27.680
<v Speaker 1>she confirmed it. We had audio for telling you. But

0:31:27.760 --> 0:31:30.840
<v Speaker 1>what you do is you wait till days afterwards. You

0:31:30.880 --> 0:31:34.479
<v Speaker 1>go to the store. Guys, everything is on clearance. And

0:31:34.520 --> 0:31:37.400
<v Speaker 1>so I went to Walgreens this weekend and here it is.

0:31:37.440 --> 0:31:40.120
<v Speaker 1>This is what I say. Just the shelves are full

0:31:40.160 --> 0:31:43.120
<v Speaker 1>of valentine stuff eighty percent off. So then do you

0:31:43.160 --> 0:31:45.360
<v Speaker 1>save it and do it next year? Because Valentine's isn't

0:31:45.440 --> 0:31:47.320
<v Speaker 1>no no holiday, no, no, no no, no no. I just

0:31:47.360 --> 0:31:49.560
<v Speaker 1>give it to her when I get home. Oh just listen,

0:31:49.880 --> 0:31:52.080
<v Speaker 1>listen and look at just hit the clip. Here's lunch

0:31:52.080 --> 0:31:54.640
<v Speaker 1>Box in the store setting up his hack. Guys. This

0:31:54.760 --> 0:31:57.160
<v Speaker 1>is how you do Valentine today. Look eighty percent off?

0:31:57.240 --> 0:32:01.360
<v Speaker 1>Oh my goodness, seventy percent off? Are you kidding me?

0:32:01.440 --> 0:32:05.600
<v Speaker 1>So I can buy all this and you guys are

0:32:05.600 --> 0:32:09.200
<v Speaker 1>the chumps that bought it early saved that money. Areas

0:32:09.240 --> 0:32:11.080
<v Speaker 1>revealing what he bought and how much money he saved.

0:32:11.160 --> 0:32:13.320
<v Speaker 1>Go ahead, So what we end up getting? Guys? What

0:32:13.480 --> 0:32:17.440
<v Speaker 1>we end up getting? Oh, my goodness, chocolate twenty dollars

0:32:17.480 --> 0:32:20.560
<v Speaker 1>if you buy it on Valentine's Day? Two dollars today.

0:32:21.000 --> 0:32:23.240
<v Speaker 1>Oh you want to get your lady of boatcam of

0:32:23.280 --> 0:32:29.080
<v Speaker 1>flowers seventeen ninety nine, not today, three dollars. So I

0:32:29.160 --> 0:32:32.840
<v Speaker 1>got three dollars of flowers. Oh, another three dollars of flowers.

0:32:33.360 --> 0:32:38.080
<v Speaker 1>Another three dollars of flowers. Another three dollars of flowers. Guys,

0:32:38.120 --> 0:32:44.360
<v Speaker 1>I spent one twelve fourteen dollars. Whoa Valentines? Like a boss?

0:32:44.480 --> 0:32:45.880
<v Speaker 1>That's how you do it? Did you give it to

0:32:45.920 --> 0:32:47.680
<v Speaker 1>your wife? Gave it to my wife. She's like, oh,

0:32:47.720 --> 0:32:49.840
<v Speaker 1>thank you. What's great is you want to know why

0:32:49.840 --> 0:32:52.360
<v Speaker 1>they're eighteen dollars because they had hearts on the little

0:32:52.400 --> 0:32:55.120
<v Speaker 1>wrapping paper around the flowers. They're the exact same flowers

0:32:55.160 --> 0:32:57.120
<v Speaker 1>they would have out any other day, but they put

0:32:57.160 --> 0:32:59.080
<v Speaker 1>that little They could they could have taken that wrapping

0:32:59.120 --> 0:33:01.080
<v Speaker 1>off and let and put it back on there and

0:33:01.160 --> 0:33:03.600
<v Speaker 1>charge you what. No, you shut it on it's put

0:33:03.640 --> 0:33:06.120
<v Speaker 1>a Saint Patrick's trapping on it, like baby Saint Patrick's flow.

0:33:06.280 --> 0:33:08.080
<v Speaker 1>I mean you want to talk about I mean I

0:33:08.080 --> 0:33:10.560
<v Speaker 1>would have spent how much eighteen times four would because

0:33:10.560 --> 0:33:12.240
<v Speaker 1>you wouldn't have no know what I'm saying. Eighteen nins

0:33:12.240 --> 0:33:15.760
<v Speaker 1>four do it for me? Thirty six seventy two plus

0:33:15.840 --> 0:33:21.360
<v Speaker 1>twenty dollars for chocolates ninety two dollars and I spent fourteen. Ah,

0:33:21.720 --> 0:33:24.360
<v Speaker 1>that is how you. Valentine's like a boss. You get,

0:33:24.440 --> 0:33:26.960
<v Speaker 1>you save money, and your lady is happy. You guys,

0:33:27.040 --> 0:33:28.680
<v Speaker 1>you think she's happy. You think most ladies are happy

0:33:28.680 --> 0:33:31.280
<v Speaker 1>when you forget because she has two vases worth of flowers.

0:33:31.320 --> 0:33:34.000
<v Speaker 1>There were so many flowers and it only calls me

0:33:34.080 --> 0:33:39.360
<v Speaker 1>twelve dollars. That's like a boss, everybody. I am thinking

0:33:39.400 --> 0:33:42.200
<v Speaker 1>from a parent's perspective. It's not a bad idea to

0:33:42.480 --> 0:33:47.800
<v Speaker 1>get Valentine's for your kids. That gets expensive too, So yeah,

0:33:47.840 --> 0:33:50.520
<v Speaker 1>I wonder if you could stock up. Valentine's is not practical.

0:33:51.040 --> 0:33:54.840
<v Speaker 1>It's it's a stupid holiday, but it's romantic. Romance is

0:33:54.840 --> 0:33:58.640
<v Speaker 1>not practical, So saving money's a practical thing. It doesn't

0:33:58.680 --> 0:34:02.680
<v Speaker 1>matter you Valentines. I'm like a bare segment. There. You

0:34:02.720 --> 0:34:04.080
<v Speaker 1>do it next year and your lady will love you

0:34:04.080 --> 0:34:05.520
<v Speaker 1>can go today. I don't have to go next year.

0:34:05.840 --> 0:34:09.040
<v Speaker 1>If they're still there, you'll put it absolutely so well

0:34:09.200 --> 0:34:11.239
<v Speaker 1>forty ninety. I never checked his math. I don't know

0:34:11.280 --> 0:34:15.279
<v Speaker 1>if that was right, but we're here for it. It's

0:34:15.320 --> 0:34:18.839
<v Speaker 1>the best bits of the week with Morgan. Number two,

0:34:20.120 --> 0:34:22.600
<v Speaker 1>another really awesome interview happened on the show this week.

0:34:22.640 --> 0:34:25.640
<v Speaker 1>The Records stop by. That's Michelle Branch and Jessica Harp,

0:34:26.000 --> 0:34:28.400
<v Speaker 1>and they reunited for the million Dollars show that happened

0:34:28.440 --> 0:34:31.719
<v Speaker 1>this week, and they performed. They're very iconic and song

0:34:31.800 --> 0:34:34.759
<v Speaker 1>everybody loves Leave the Pieces. But they also talked with

0:34:34.840 --> 0:34:37.480
<v Speaker 1>us on the show about how they started as a duo,

0:34:37.600 --> 0:34:40.560
<v Speaker 1>what happened, and if they're ever going to release new music.

0:34:40.600 --> 0:34:43.959
<v Speaker 1>And I'm just saying I'm freaking out based on the

0:34:44.000 --> 0:34:47.520
<v Speaker 1>answers that came out of this interview. Number three exciting

0:34:47.520 --> 0:34:49.880
<v Speaker 1>for me because the records are here in the studio.

0:34:50.160 --> 0:34:52.360
<v Speaker 1>You know, the records from their song Lead the Pieces,

0:34:53.200 --> 0:34:57.880
<v Speaker 1>all right, yeah, don't worry about this song. The records

0:34:57.880 --> 0:35:01.240
<v Speaker 1>are Michelle Branch and Jessica Harp. You know Michelle Branch

0:35:01.239 --> 0:35:03.719
<v Speaker 1>form a bunch of songs too, but here is everywhere.

0:35:07.000 --> 0:35:10.279
<v Speaker 1>They got nominated for a Grammy. They were vocal due

0:35:10.440 --> 0:35:12.640
<v Speaker 1>I mean, so many awards, and they haven't played together

0:35:12.719 --> 0:35:15.719
<v Speaker 1>in a long time. They played with us last night

0:35:15.880 --> 0:35:18.080
<v Speaker 1>at the Ryman Auditorium. Eddie and I the Raging Idiots,

0:35:18.400 --> 0:35:21.400
<v Speaker 1>super excited to have them here. Let's welcome in the

0:35:21.440 --> 0:35:25.680
<v Speaker 1>Wreckers on the Bobby Bones Show now, Michelle Branch and

0:35:25.840 --> 0:35:28.840
<v Speaker 1>Jessica Harp of the Wreckers, Guys, it's super cool to

0:35:28.840 --> 0:35:31.520
<v Speaker 1>have you here. Thank you for gumming here. I feel

0:35:31.560 --> 0:35:35.960
<v Speaker 1>like we've caught the white whale, honestly, Like I'm such

0:35:36.000 --> 0:35:39.360
<v Speaker 1>a fan of you guys together and individually, and Jessica,

0:35:39.440 --> 0:35:41.520
<v Speaker 1>you and I've spoken before, and Michelle, I mean, it's

0:35:41.560 --> 0:35:43.239
<v Speaker 1>just like I've been trying to track you guys down

0:35:43.239 --> 0:35:45.240
<v Speaker 1>forever and it took a hospital to get us all together.

0:35:46.480 --> 0:35:48.960
<v Speaker 1>So important thing. You're actually the reason why we got

0:35:48.960 --> 0:35:52.520
<v Speaker 1>back together. Yes, you made it happen. I don't know

0:35:52.560 --> 0:35:55.279
<v Speaker 1>if you're kidding or not, Michelle, because I don't know that.

0:35:55.480 --> 0:35:57.279
<v Speaker 1>I don't know that's true. But if that's I will

0:35:57.280 --> 0:35:59.240
<v Speaker 1>put that on my bio. It'll be on my Instagram bio.

0:36:01.440 --> 0:36:03.360
<v Speaker 1>So let me ask this, Let's go back to the

0:36:03.800 --> 0:36:07.080
<v Speaker 1>infancy of the rerecords. How why and how like how

0:36:07.080 --> 0:36:10.480
<v Speaker 1>did this thing come together? Michelle, I'll start with you, Um, Magic,

0:36:11.520 --> 0:36:14.560
<v Speaker 1>Were you living in Nashville. No, I wasn't at the time.

0:36:14.640 --> 0:36:19.680
<v Speaker 1>We met in the children, Yeah we met y We

0:36:19.800 --> 0:36:24.840
<v Speaker 1>literally met teenagers airport at teenagers like just crossing or

0:36:24.840 --> 0:36:26.640
<v Speaker 1>were you going to the same place like camp or something.

0:36:26.880 --> 0:36:29.239
<v Speaker 1>I lived in Kansas City, Okay, and she was coming

0:36:29.239 --> 0:36:31.399
<v Speaker 1>through on a radio tour and I and I had

0:36:31.440 --> 0:36:34.839
<v Speaker 1>heard her music, um, and was completely blown away by

0:36:34.840 --> 0:36:37.600
<v Speaker 1>her music and said like please, let's keep in touch,

0:36:37.680 --> 0:36:40.520
<v Speaker 1>let's meet, let's hang out. And um this was before

0:36:40.600 --> 0:36:43.839
<v Speaker 1>like the day the days of high security at airports. Yeah.

0:36:44.000 --> 0:36:45.960
<v Speaker 1>She's like, um, I'll just meet you when your layover

0:36:46.080 --> 0:36:48.480
<v Speaker 1>the airport and like we'll have a tcby and like

0:36:48.719 --> 0:36:55.120
<v Speaker 1>hang out. Yeah. Yeah, So, um we hung out at

0:36:55.120 --> 0:36:56.799
<v Speaker 1>the airport and then I was like you should come

0:36:56.800 --> 0:37:00.280
<v Speaker 1>out on tour and like we should write together, and

0:37:00.320 --> 0:37:03.600
<v Speaker 1>then it turned into her singing with me on stage

0:37:03.600 --> 0:37:06.040
<v Speaker 1>and then We're never going home. Yeah, And we kept

0:37:06.120 --> 0:37:10.040
<v Speaker 1>writing these songs on the tour bus and singing them

0:37:10.040 --> 0:37:13.360
<v Speaker 1>in harmony and they were clearly not Michelle Branch songs.

0:37:13.400 --> 0:37:14.759
<v Speaker 1>And I was like, wait, I want to work on

0:37:14.800 --> 0:37:17.360
<v Speaker 1>this instead of I was supposed to turn in another

0:37:17.440 --> 0:37:19.160
<v Speaker 1>solo record, and I was like, this is what I

0:37:19.200 --> 0:37:23.440
<v Speaker 1>want to do. And it just happened so naturally and quickly,

0:37:23.560 --> 0:37:26.879
<v Speaker 1>and yeah, and so what's the next step? You call her?

0:37:26.920 --> 0:37:28.960
<v Speaker 1>She says, yes, do you go? Okay? Now we needed

0:37:28.960 --> 0:37:31.360
<v Speaker 1>to come up with a name and is it going

0:37:31.440 --> 0:37:34.200
<v Speaker 1>to be an entity or were you just like seeing

0:37:34.239 --> 0:37:37.640
<v Speaker 1>what are you experimenting? Still? No, we knew we wanted

0:37:37.640 --> 0:37:39.359
<v Speaker 1>to be in a band. We had this portion of

0:37:39.920 --> 0:37:42.239
<v Speaker 1>my show she was singing back up, and we would

0:37:42.239 --> 0:37:45.520
<v Speaker 1>have this portion of the show where every the band

0:37:45.520 --> 0:37:47.120
<v Speaker 1>would leave the stage and it was just she and

0:37:47.120 --> 0:37:49.000
<v Speaker 1>I on stage and we would play a couple of songs.

0:37:49.040 --> 0:37:52.080
<v Speaker 1>And so we were like, we have to start thinking

0:37:52.120 --> 0:37:55.960
<v Speaker 1>of what to call this. And we actually played music

0:37:56.000 --> 0:37:58.319
<v Speaker 1>for our record label. I was on Maverick at the

0:37:58.360 --> 0:38:01.520
<v Speaker 1>time and in LA and I played it for them

0:38:01.520 --> 0:38:03.440
<v Speaker 1>and they were like, we don't know what to do

0:38:03.520 --> 0:38:06.680
<v Speaker 1>with this, Like you wait, you're wanting to do a

0:38:06.680 --> 0:38:10.520
<v Speaker 1>country project? Like we don't understand. So we went we

0:38:10.560 --> 0:38:14.360
<v Speaker 1>approached producer John levinthal Um and we were like, we

0:38:14.400 --> 0:38:16.319
<v Speaker 1>really want you to produce our record and we'll pay

0:38:16.360 --> 0:38:19.280
<v Speaker 1>for it and do this all like you had massive

0:38:19.360 --> 0:38:20.920
<v Speaker 1>success and you're like, now I want to go to

0:38:20.960 --> 0:38:23.920
<v Speaker 1>a country record. I literally got a call from someone

0:38:23.960 --> 0:38:26.839
<v Speaker 1>who worked at my publishing company and she was like,

0:38:26.960 --> 0:38:29.719
<v Speaker 1>I think we need to have an intervention like this

0:38:29.840 --> 0:38:32.200
<v Speaker 1>is we're really concerned about you. And I was like, no,

0:38:32.360 --> 0:38:34.160
<v Speaker 1>you guys are all crazy. And then, of course when

0:38:34.200 --> 0:38:36.640
<v Speaker 1>it was a massive success, everyone's like I knew of

0:38:36.640 --> 0:38:41.200
<v Speaker 1>course beginning, So the first single you guys put out

0:38:41.239 --> 0:38:43.839
<v Speaker 1>ever at Well, how did the Wreckers come up? How

0:38:43.840 --> 0:38:46.160
<v Speaker 1>did you settle on the name the Wreckers? Well, originally

0:38:46.200 --> 0:38:49.399
<v Speaker 1>we were the Cass County Home Wreckers, like as a joke. Yeah,

0:38:49.719 --> 0:38:53.160
<v Speaker 1>started as a total job and then we just shortened it.

0:38:53.480 --> 0:38:55.800
<v Speaker 1>And there was a band in Canada called the Wreckers,

0:38:55.920 --> 0:38:58.480
<v Speaker 1>and we didn't realize that until we had already kind

0:38:58.480 --> 0:39:01.000
<v Speaker 1>of the train had left the station. We actually had

0:39:01.000 --> 0:39:04.160
<v Speaker 1>to buy the band name. And now I wonder what

0:39:04.200 --> 0:39:06.640
<v Speaker 1>happened to the Canadians. Well, they're now known as the

0:39:06.680 --> 0:39:10.040
<v Speaker 1>Barnaked Ladies, so they've really done well since then. So

0:39:10.960 --> 0:39:13.239
<v Speaker 1>and how fast it success hit for you guys as

0:39:13.280 --> 0:39:16.839
<v Speaker 1>a as a performing duo. Um, you know in movies like,

0:39:17.040 --> 0:39:19.680
<v Speaker 1>for instance, the movie that thing you do when they

0:39:19.680 --> 0:39:23.000
<v Speaker 1>are recording and then they leave the studio and it's

0:39:23.040 --> 0:39:24.880
<v Speaker 1>playing in the car already, you know, that's how it

0:39:24.920 --> 0:39:27.880
<v Speaker 1>felt bad way. Yeah. So it also happened in the

0:39:27.920 --> 0:39:30.640
<v Speaker 1>Queen documentary where they're like, we're a queen, now we're

0:39:30.680 --> 0:39:32.080
<v Speaker 1>top of the pops. I'm like, that's not how it

0:39:32.080 --> 0:39:33.880
<v Speaker 1>happened at all, But for you guys, it was. It

0:39:34.000 --> 0:39:36.160
<v Speaker 1>was felt that way, feel that way. It just once

0:39:36.200 --> 0:39:39.040
<v Speaker 1>it started, it never stopped. We wrote the album, We

0:39:39.080 --> 0:39:42.960
<v Speaker 1>wrote the whole album my Nieces in my own Mind. Yeah,

0:39:43.000 --> 0:39:46.200
<v Speaker 1>in two weeks. And did you know that, you guys?

0:39:46.200 --> 0:39:48.799
<v Speaker 1>Had I asked this question and some people will be like, Noah,

0:39:48.800 --> 0:39:50.040
<v Speaker 1>we know we just wrote a bunch of good songs.

0:39:50.080 --> 0:39:52.320
<v Speaker 1>We didn't know, but you write that all in two weeks.

0:39:52.520 --> 0:39:54.600
<v Speaker 1>Did you feel like, man, this is like really special

0:39:54.640 --> 0:39:56.880
<v Speaker 1>because we dedicated our times to just this project. Or

0:39:56.880 --> 0:39:59.080
<v Speaker 1>were you like, I don't know what it's gonna do. No,

0:39:59.239 --> 0:40:01.920
<v Speaker 1>it felt it feel so exciting and special. Did you

0:40:01.960 --> 0:40:05.440
<v Speaker 1>know that Leave the Pieces was like the catchiest, biggest

0:40:05.480 --> 0:40:09.000
<v Speaker 1>sounding song yes and no though, because if you remember

0:40:09.280 --> 0:40:12.680
<v Speaker 1>the demo, I mean the demo was kind of lackluster truly.

0:40:12.719 --> 0:40:14.759
<v Speaker 1>I mean it was a good demo, but from the

0:40:14.840 --> 0:40:18.120
<v Speaker 1>demo you didn't get that feeling. And we were told

0:40:18.160 --> 0:40:21.520
<v Speaker 1>that many other artists had recorded that song little Bit

0:40:22.080 --> 0:40:27.160
<v Speaker 1>a Little Big Town cut it um someone else and

0:40:27.280 --> 0:40:30.840
<v Speaker 1>it never happened. And I heard it and I was like, no,

0:40:31.000 --> 0:40:33.080
<v Speaker 1>you guys, this is a really good song, Like please

0:40:33.640 --> 0:40:37.399
<v Speaker 1>trust me on this stuck to you. It was just

0:40:37.600 --> 0:40:41.279
<v Speaker 1>there's like an instant. One of my kind of things

0:40:41.320 --> 0:40:43.600
<v Speaker 1>that I've always noticed about songs that I love that

0:40:44.000 --> 0:40:47.840
<v Speaker 1>become known songs or big songs, is like when it finishes,

0:40:48.000 --> 0:40:50.040
<v Speaker 1>you immediately want to start it over and hear the

0:40:50.040 --> 0:40:52.959
<v Speaker 1>intro again. And for me, like there's something magical about

0:40:53.000 --> 0:40:56.000
<v Speaker 1>the intro. The lyrics I really loved and related to,

0:40:56.080 --> 0:40:58.480
<v Speaker 1>and the melody was so strong and the yeah yeah

0:40:58.640 --> 0:41:02.600
<v Speaker 1>and the yeah yeah yeah yeah yeah, Like past that up.

0:41:02.960 --> 0:41:05.000
<v Speaker 1>So you guys started playing, did you go on the

0:41:05.040 --> 0:41:07.759
<v Speaker 1>road and open for like any of the massive They're like, hey,

0:41:07.760 --> 0:41:10.280
<v Speaker 1>come out, and you were like the baby opener. Everybody, everybody,

0:41:10.560 --> 0:41:14.200
<v Speaker 1>Rascal flats almost immediately, who was awesome to you guys.

0:41:14.200 --> 0:41:18.720
<v Speaker 1>Everybody really Keith Urban was great. Yeah, everyone is really yeah,

0:41:18.760 --> 0:41:22.359
<v Speaker 1>really awesome. I mean that that time period too, I

0:41:22.400 --> 0:41:25.440
<v Speaker 1>just felt like it was so special, the circle of artists.

0:41:25.480 --> 0:41:28.000
<v Speaker 1>We'd all see each other on you know, radio shows

0:41:28.120 --> 0:41:31.440
<v Speaker 1>or tour and everyone really felt like family. It was, Um,

0:41:31.800 --> 0:41:35.839
<v Speaker 1>it was such a cool period of time in both

0:41:35.880 --> 0:41:38.440
<v Speaker 1>of our lives. It was I'm gonna ask the difficult

0:41:38.480 --> 0:41:40.120
<v Speaker 1>question now that we're together and we all feel good

0:41:40.120 --> 0:41:42.160
<v Speaker 1>with each other. I mean, I mean, we're all for

0:41:42.280 --> 0:41:45.279
<v Speaker 1>best friends. Like maybe I don't know, we cut something

0:41:45.320 --> 0:41:46.960
<v Speaker 1>at some point something I don't know, just throwing it

0:41:47.000 --> 0:41:50.040
<v Speaker 1>out there. Maybe we talked about that at all. Oh yeah, okay,

0:41:50.200 --> 0:41:53.799
<v Speaker 1>So Jess and I had plans to get together and

0:41:54.040 --> 0:41:56.200
<v Speaker 1>just write and hang out and catch up. And then

0:41:56.400 --> 0:42:01.759
<v Speaker 1>this you know thing called COVID happened, um and put

0:42:01.760 --> 0:42:05.480
<v Speaker 1>a damper in our socializing. Uh. And then and we

0:42:05.560 --> 0:42:08.719
<v Speaker 1>both had children having babies. Yeah, you don't know they're

0:42:08.719 --> 0:42:12.920
<v Speaker 1>coming all of a sudden. The I actually remember, I

0:42:12.960 --> 0:42:14.840
<v Speaker 1>think I wrote you and I was like, eh, I'm pregnant.

0:42:14.840 --> 0:42:18.000
<v Speaker 1>You were like, oh cool, coom too. Thank Let's just

0:42:18.080 --> 0:42:21.160
<v Speaker 1>keep kicking the can down the road until like we're

0:42:21.160 --> 0:42:24.279
<v Speaker 1>allowed to, you know, do this, so at some point

0:42:24.320 --> 0:42:29.040
<v Speaker 1>maybe there'll be another Wreckers project. Whatever it is. We

0:42:29.120 --> 0:42:31.200
<v Speaker 1>both we both love would like that a lot. Well,

0:42:31.280 --> 0:42:32.879
<v Speaker 1>let me thank you guys from the bottom of heart,

0:42:32.920 --> 0:42:35.239
<v Speaker 1>because I don't think I would have asked if it

0:42:35.280 --> 0:42:37.279
<v Speaker 1>wasn't a big deal that didn't include me, right, I mean,

0:42:37.280 --> 0:42:38.879
<v Speaker 1>we did the show last night, which, by the way,

0:42:39.040 --> 0:42:41.360
<v Speaker 1>just something for the listeners. We recorded this right before

0:42:41.400 --> 0:42:43.239
<v Speaker 1>the show that's airing after the show, because I was

0:42:43.239 --> 0:42:45.000
<v Speaker 1>never gonna make them play and they come up in

0:42:45.080 --> 0:42:48.439
<v Speaker 1>the morning. Yeah, we are both moms, so we would

0:42:48.520 --> 0:42:50.680
<v Speaker 1>were up anyway. So we're kind of in a time

0:42:50.680 --> 0:42:53.920
<v Speaker 1>machine here. Um, but thank you guys, because it's you know,

0:42:53.960 --> 0:42:55.719
<v Speaker 1>such a big deal to us to be able to

0:42:55.719 --> 0:42:58.240
<v Speaker 1>continue on with that hospital and this thing has turned

0:42:58.239 --> 0:43:00.480
<v Speaker 1>into it's a massive show at the rhyme, but it

0:43:00.520 --> 0:43:04.080
<v Speaker 1>gets it's played all over and we raised so much money,

0:43:04.120 --> 0:43:06.920
<v Speaker 1>So I would have never asked if it wasn't so important.

0:43:06.960 --> 0:43:09.160
<v Speaker 1>So I'm just really appreciative of both of you for

0:43:09.239 --> 0:43:11.759
<v Speaker 1>you for flying in yes and and being here from

0:43:11.800 --> 0:43:15.600
<v Speaker 1>cans road tripping hours four year old. Wait a minute, yeah,

0:43:17.120 --> 0:43:19.160
<v Speaker 1>I was like, we'll get her plane ticket they made you,

0:43:20.360 --> 0:43:23.759
<v Speaker 1>she she wanted to. She got to the airport, She's like,

0:43:23.880 --> 0:43:26.840
<v Speaker 1>is there a ticket? They're like no, I'm sorry, crap.

0:43:28.120 --> 0:43:30.239
<v Speaker 1>So does it fit like a glove? When you guys

0:43:30.280 --> 0:43:33.319
<v Speaker 1>try to sing it? Is it easy? Yeah? It's like

0:43:33.920 --> 0:43:36.520
<v Speaker 1>hair on your arms stand up. It's just back like

0:43:36.600 --> 0:43:39.040
<v Speaker 1>no time has passed exactly. Well, I can't wait till tonight.

0:43:39.120 --> 0:43:44.399
<v Speaker 1>Slash last night was awesome pressure and we just can't

0:43:44.400 --> 0:43:46.080
<v Speaker 1>wait to hear what you guys have in store. And

0:43:46.120 --> 0:43:47.880
<v Speaker 1>it's so nice to meet both of you in person.

0:43:48.640 --> 0:43:50.440
<v Speaker 1>Just have been a massive fan of both of you

0:43:50.520 --> 0:43:54.040
<v Speaker 1>as a unit. Individually. Um, I don't know aim anything

0:43:54.080 --> 0:43:57.759
<v Speaker 1>for for Michelle, for Jessica Jess, but Jessica called her Jess.

0:43:57.760 --> 0:43:59.359
<v Speaker 1>Now I'm like, I'm the nerve that doesn't know well

0:43:59.440 --> 0:44:03.120
<v Speaker 1>enough called her je My comment was that I'm just

0:44:03.200 --> 0:44:06.560
<v Speaker 1>kind of geeking out to see y'all performed tonight, but

0:44:06.640 --> 0:44:12.960
<v Speaker 1>it's actually tomorrow, so yeah, so I feel like, yes,

0:44:13.120 --> 0:44:16.000
<v Speaker 1>my hair on my arms are gonna stand down, so

0:44:16.200 --> 0:44:18.160
<v Speaker 1>you haven't hear background vocals? Are you're gonna here tonight?

0:44:19.040 --> 0:44:23.280
<v Speaker 1>I love it? Oh yeah, I'm kidding, it's gonna be great. Okay,

0:44:23.320 --> 0:44:26.319
<v Speaker 1>there they are the records. It's Michelle and my friend Jess.

0:44:26.480 --> 0:44:29.560
<v Speaker 1>By the way, you didn't know um, and we'll be

0:44:29.680 --> 0:44:32.560
<v Speaker 1>very excited to hear whatever you guys have having store

0:44:32.600 --> 0:44:34.960
<v Speaker 1>for us. Thank you, and let's clap him out there

0:44:34.960 --> 0:44:40.000
<v Speaker 1>the records, everybody. It's the best bits of the week

0:44:40.800 --> 0:44:45.680
<v Speaker 1>with Morgan. Number two, Amy has been putting kool aid

0:44:45.719 --> 0:44:47.839
<v Speaker 1>in her toilet. It's a pro tip she got from

0:44:47.840 --> 0:44:51.399
<v Speaker 1>a professional to help lower her water bill. Yeah, it's

0:44:51.440 --> 0:44:53.680
<v Speaker 1>a whole thing, and I'm gonna need you to hear this.

0:44:53.719 --> 0:44:55.600
<v Speaker 1>And if you're a professional, or maybe you've done this

0:44:55.640 --> 0:44:57.919
<v Speaker 1>and it worked, let us know. Because it turned into

0:44:57.920 --> 0:45:01.760
<v Speaker 1>a whole debate on the show. Number two, our listeners

0:45:01.760 --> 0:45:05.080
<v Speaker 1>are intrigued, why do you put kool aid in your toilet?

0:45:05.640 --> 0:45:08.680
<v Speaker 1>The water company told me to do it. So for

0:45:09.040 --> 0:45:11.839
<v Speaker 1>months we've had issues with our water bill. One month,

0:45:11.880 --> 0:45:13.680
<v Speaker 1>I came on and told you I was six hundred

0:45:13.680 --> 0:45:16.040
<v Speaker 1>dollars and five hundred. I was doing everything to try

0:45:16.040 --> 0:45:19.000
<v Speaker 1>to lower it. People came out, no issues. Finally got

0:45:19.000 --> 0:45:22.120
<v Speaker 1>it down to ninety dollars. But you didn't do anything different.

0:45:22.200 --> 0:45:24.520
<v Speaker 1>They just said I called in complain. Yeah, and all

0:45:24.520 --> 0:45:27.640
<v Speaker 1>of a sudden, your next bill is ninety dollars, right, Well,

0:45:27.680 --> 0:45:30.920
<v Speaker 1>I guess they couldn't keep up with that. So I

0:45:31.760 --> 0:45:35.000
<v Speaker 1>got a new bill high again three hundred or six

0:45:35.040 --> 0:45:39.799
<v Speaker 1>hundred again three almost four hundred. So I mean, it

0:45:39.840 --> 0:45:42.760
<v Speaker 1>doesn't make sense, right, So I asked the water company

0:45:42.840 --> 0:45:46.439
<v Speaker 1>to please send someone out. So he came checked the meter.

0:45:46.800 --> 0:45:50.520
<v Speaker 1>He said the meter numbers were basically saying like this

0:45:50.640 --> 0:45:52.799
<v Speaker 1>is just this is not actually what's happening, but the

0:45:52.880 --> 0:45:55.280
<v Speaker 1>numbers are representing that. Say I had a water faucet

0:45:55.360 --> 0:45:59.160
<v Speaker 1>just on all day long, water just blown out of there.

0:45:59.200 --> 0:46:01.879
<v Speaker 1>I'm like, okay, well that's not the case. There's nothing on.

0:46:02.400 --> 0:46:05.560
<v Speaker 1>So he said, Okay, let's let's do a little experiment

0:46:05.600 --> 0:46:08.200
<v Speaker 1>with your toilets. Go get some of that old school

0:46:08.360 --> 0:46:13.399
<v Speaker 1>great kool Aid powder and put it in one full

0:46:13.440 --> 0:46:16.040
<v Speaker 1>pack in all of your toilets, like the tank of it.

0:46:16.120 --> 0:46:20.920
<v Speaker 1>The tank and I don't have actual issues, but it

0:46:20.920 --> 0:46:26.160
<v Speaker 1>could be like a flapper issue and somehow if purple

0:46:26.880 --> 0:46:29.719
<v Speaker 1>from the purple kool Aid ends up in the bowl,

0:46:29.880 --> 0:46:33.919
<v Speaker 1>the toilet bowl, then there's an issue. And so yeah,

0:46:33.960 --> 0:46:36.760
<v Speaker 1>but that that can't be accurate either fully, because because

0:46:36.920 --> 0:46:39.520
<v Speaker 1>it can't use it, you can't use it. Yeah, no, no,

0:46:39.560 --> 0:46:42.279
<v Speaker 1>I know, but I'm saying, if it follow me here,

0:46:42.320 --> 0:46:44.920
<v Speaker 1>if there's purple in the tank and that purple goes

0:46:44.920 --> 0:46:47.200
<v Speaker 1>down to the bowl, but it's not leaving the bowl.

0:46:47.480 --> 0:46:52.000
<v Speaker 1>But if the flap's closed, yeah, you're not the right right,

0:46:52.040 --> 0:46:55.040
<v Speaker 1>But I'm saying it's not a NonStop situation. The water

0:46:55.160 --> 0:46:58.120
<v Speaker 1>it shouldn't be that high. Still, it's just one shift

0:46:58.160 --> 0:46:59.600
<v Speaker 1>down into the bowl. That's it. That's not gonna catch

0:46:59.640 --> 0:47:01.920
<v Speaker 1>four hund bucks if it's gone out of there. And

0:47:01.920 --> 0:47:04.480
<v Speaker 1>then it's gone out of the bowl too, that's where

0:47:04.560 --> 0:47:07.440
<v Speaker 1>it's all gone. Who knows how often that's circulating with

0:47:07.480 --> 0:47:10.120
<v Speaker 1>all that water. Okay, listen, so you need to do

0:47:10.160 --> 0:47:14.279
<v Speaker 1>grape on top, cherry on bottom. But it does make

0:47:14.320 --> 0:47:15.800
<v Speaker 1>sense though, just to see if the tank it was

0:47:15.800 --> 0:47:18.719
<v Speaker 1>a problem. Something's rotten and water's just running. And so

0:47:18.840 --> 0:47:20.960
<v Speaker 1>pretty much only one of my toilets was good to go.

0:47:21.160 --> 0:47:24.040
<v Speaker 1>The others all issues and it was all drinkable and

0:47:24.080 --> 0:47:29.960
<v Speaker 1>I had to have I know, my son, this is amazing.

0:47:30.120 --> 0:47:33.640
<v Speaker 1>All your bad to have Hiller the Happy Face Truck

0:47:33.880 --> 0:47:38.239
<v Speaker 1>today come out and fix these flappers. So this is

0:47:38.280 --> 0:47:40.880
<v Speaker 1>just step one in the mystery. So now we got

0:47:40.960 --> 0:47:45.400
<v Speaker 1>to wait for another bill cycle to see what it

0:47:45.400 --> 0:47:47.719
<v Speaker 1>seems fishy still, because like I said, it follow me

0:47:47.719 --> 0:47:51.400
<v Speaker 1>your tanks full of water. It's got water that's twelve

0:47:51.400 --> 0:47:54.239
<v Speaker 1>inches high. Yeah, it all is coolated up and goes

0:47:54.280 --> 0:47:57.080
<v Speaker 1>into your bowl. If your bowls just got coolated in it,

0:47:57.080 --> 0:47:59.120
<v Speaker 1>it's only twelve inches that's up there. Now that's going

0:47:59.160 --> 0:48:00.879
<v Speaker 1>to cost a little more, but it's gonna double your bill.

0:48:01.440 --> 0:48:03.080
<v Speaker 1>And if that's one or two toilets, it's not that

0:48:03.160 --> 0:48:05.520
<v Speaker 1>much water like leaving a water fawcet on the whole time. Well, yes,

0:48:05.760 --> 0:48:08.239
<v Speaker 1>if the flopper is not working, it'll never get back

0:48:08.239 --> 0:48:10.799
<v Speaker 1>to that twelve inches. So it consistently runs because it's

0:48:10.960 --> 0:48:12.680
<v Speaker 1>the ball would be higher. I mean, I didn't know,

0:48:12.680 --> 0:48:15.480
<v Speaker 1>you guys. I had to be Hey, real people know

0:48:15.480 --> 0:48:17.600
<v Speaker 1>what it's like to jiggle a handle a toilet even

0:48:17.600 --> 0:48:21.360
<v Speaker 1>stop running before. Yeah. So it's like I had to

0:48:21.400 --> 0:48:23.760
<v Speaker 1>kind of become a plumber when I grew up because

0:48:24.120 --> 0:48:25.960
<v Speaker 1>we had broken toilets all the time. But the fact

0:48:26.040 --> 0:48:28.000
<v Speaker 1>that you know that if it doesn't go down the

0:48:28.040 --> 0:48:31.319
<v Speaker 1>bowl and it fills back up, but it would it

0:48:31.320 --> 0:48:33.479
<v Speaker 1>would overflow the toilet if that were the case, because

0:48:33.480 --> 0:48:35.480
<v Speaker 1>it wouldn't stop. Every It doesn't naturally just go down

0:48:35.480 --> 0:48:38.120
<v Speaker 1>without fleshing. That's the case. If it does, then it's

0:48:38.120 --> 0:48:40.200
<v Speaker 1>like death. But no, it's not. She has Frank Cranberry

0:48:40.280 --> 0:48:44.680
<v Speaker 1>Delight in her toilet. I'm not buying it. And I'm like,

0:48:44.800 --> 0:48:46.320
<v Speaker 1>you know, that's probably a case a little bit, but

0:48:46.360 --> 0:48:49.040
<v Speaker 1>I'm not buying it. Yeah, that's that stinks. I bet

0:48:49.080 --> 0:48:50.359
<v Speaker 1>you get a cheaper bill. You get like a forty

0:48:50.360 --> 0:48:53.240
<v Speaker 1>dollar bill next month. Can't wait, mark my words, okay,

0:48:53.280 --> 0:48:54.839
<v Speaker 1>and you'll get some free kool aid in the mail.

0:48:56.080 --> 0:49:00.279
<v Speaker 1>All right. It's the Best Bits of the Week with

0:49:00.520 --> 0:49:04.560
<v Speaker 1>Morgan number two, and of course in this number one spot,

0:49:04.640 --> 0:49:07.200
<v Speaker 1>it's the million Dollars Show. We talked about it on

0:49:07.280 --> 0:49:09.080
<v Speaker 1>The Bobby Bones Show a little bit this week after

0:49:09.120 --> 0:49:12.000
<v Speaker 1>it happened. But the coolest thing out of it Bobby

0:49:12.000 --> 0:49:14.640
<v Speaker 1>Bones and the Raging Idiots, this show that they've put

0:49:14.640 --> 0:49:17.080
<v Speaker 1>on for several years, but not only that, the radiothons

0:49:17.080 --> 0:49:19.879
<v Speaker 1>and all these crazy awesome things we've done to help

0:49:19.920 --> 0:49:25.080
<v Speaker 1>Saint Jude. This show particularly eclipsed twenty million dollars raised

0:49:25.239 --> 0:49:28.600
<v Speaker 1>for Saint Jude. And that's so awesome in so many ways,

0:49:28.960 --> 0:49:31.960
<v Speaker 1>and so Bobby received an award at the Million Dollars show,

0:49:32.000 --> 0:49:34.640
<v Speaker 1>and he talked about the night and the surprise performances

0:49:34.680 --> 0:49:37.359
<v Speaker 1>and the person that everybody freaked out when they came

0:49:37.400 --> 0:49:39.840
<v Speaker 1>on stage. So this is a little highlight of what

0:49:39.880 --> 0:49:41.839
<v Speaker 1>happened at the Million Dollars show. But there's also so

0:49:41.880 --> 0:49:44.399
<v Speaker 1>many pictures up at Bobby Bones dot com, so if

0:49:44.400 --> 0:49:46.600
<v Speaker 1>you weren't there, you can relive the night in a

0:49:46.640 --> 0:49:50.160
<v Speaker 1>way through photo form number one. So apparently there was

0:49:50.200 --> 0:49:53.240
<v Speaker 1>drama last night work. A lot of the show members

0:49:53.520 --> 0:49:55.960
<v Speaker 1>went to the show that Eddie and I did at

0:49:56.000 --> 0:49:59.479
<v Speaker 1>the Rhyme and last night, and I didn't know who's

0:49:59.480 --> 0:50:01.440
<v Speaker 1>there or not. I was running, as I said, was

0:50:01.440 --> 0:50:02.799
<v Speaker 1>like a chicken. Them a head cut off all day

0:50:02.800 --> 0:50:05.239
<v Speaker 1>from the radio show to rehearsals, to the show to

0:50:05.480 --> 0:50:07.800
<v Speaker 1>do impress and promos. Because we shot as a TV special,

0:50:07.840 --> 0:50:09.759
<v Speaker 1>I know anything was happening. Thank you for keeping that

0:50:09.800 --> 0:50:11.839
<v Speaker 1>from me. But who scoopa? Was a you who's telling

0:50:11.840 --> 0:50:14.960
<v Speaker 1>me that Lunchbox is demanding backstage passes? Yes, And I

0:50:14.960 --> 0:50:16.440
<v Speaker 1>don't know if you may say the reason why, but

0:50:16.480 --> 0:50:18.279
<v Speaker 1>he's like, I need to be in the back No

0:50:18.400 --> 0:50:19.800
<v Speaker 1>say the reason why, because I don't want to be

0:50:19.800 --> 0:50:21.680
<v Speaker 1>around all the listeners and then bother me for photos

0:50:21.680 --> 0:50:23.839
<v Speaker 1>and hanging out, so I gotta be away from them.

0:50:23.880 --> 0:50:26.640
<v Speaker 1>Put me in the back, please. That was about it, right,

0:50:28.400 --> 0:50:31.720
<v Speaker 1>I'm gonna let you respond to that. Yeah, accurate, because

0:50:31.960 --> 0:50:33.920
<v Speaker 1>if you do go out front, like which I did

0:50:33.960 --> 0:50:35.680
<v Speaker 1>a couple times. I saw a video of you out front,

0:50:36.000 --> 0:50:39.200
<v Speaker 1>yeas long, and guess what happens. You get mugged. And

0:50:39.239 --> 0:50:41.319
<v Speaker 1>I'm like, listen, guys, I'm trying to enjoy the show,

0:50:41.360 --> 0:50:42.759
<v Speaker 1>and I don't. You can't really enjoy it from the back.

0:50:42.760 --> 0:50:44.960
<v Speaker 1>You can't hear anything really well. You can't enjoy it

0:50:45.000 --> 0:50:46.560
<v Speaker 1>in the front because I mean you can't watch it.

0:50:46.600 --> 0:50:48.400
<v Speaker 1>Because I went out there for like two minutes. You

0:50:48.440 --> 0:50:49.840
<v Speaker 1>were singing as loud as you could, right in the

0:50:49.840 --> 0:50:53.440
<v Speaker 1>middle of people, and You're like, what old bad whatever

0:50:53.440 --> 0:50:55.920
<v Speaker 1>you're singing. It was like, of course that's you. Everyone

0:50:55.960 --> 0:50:57.560
<v Speaker 1>else is enjoying the show. I don't think they're worried

0:50:57.560 --> 0:50:59.520
<v Speaker 1>about Oh yeah they were. I mean they were all

0:50:59.520 --> 0:51:01.080
<v Speaker 1>just jumping up and I mean I'm sitting there trying

0:51:01.080 --> 0:51:02.839
<v Speaker 1>to watch Stone and people are turning around filming me

0:51:03.120 --> 0:51:05.839
<v Speaker 1>watching the show. That's what I'm saying, so that's why

0:51:05.880 --> 0:51:07.560
<v Speaker 1>I need a backstage passes. I couldn't. I was like,

0:51:07.600 --> 0:51:09.120
<v Speaker 1>this is I thought you like to be Yeah, I

0:51:09.160 --> 0:51:11.560
<v Speaker 1>just didn't. No, I do, but I mean it was

0:51:11.600 --> 0:51:13.440
<v Speaker 1>just it was over. I mean, how many ten thousand

0:51:13.440 --> 0:51:14.920
<v Speaker 1>people there? And it was I was going to say,

0:51:15.000 --> 0:51:17.000
<v Speaker 1>hid all ten thousand? Like one time I tried to

0:51:17.040 --> 0:51:18.880
<v Speaker 1>go to the bathroom because we got locked out of

0:51:18.920 --> 0:51:21.040
<v Speaker 1>the back and I mean it took me thirty minutes

0:51:21.040 --> 0:51:22.520
<v Speaker 1>to get to the bathroom because people kept on to

0:51:22.520 --> 0:51:24.279
<v Speaker 1>take pictures. I was like, guys, I'm about to pee

0:51:24.360 --> 0:51:27.280
<v Speaker 1>my pants. Sounds like your dream not peeing my pants

0:51:27.400 --> 0:51:30.080
<v Speaker 1>right there. And so, yes, it was demanded backstage passes.

0:51:30.080 --> 0:51:32.000
<v Speaker 1>Demanded back stage passes. I don't think that's it. There's

0:51:32.000 --> 0:51:36.040
<v Speaker 1>anything wrong with that. I didn't know if it was true.

0:51:36.080 --> 0:51:37.640
<v Speaker 1>I mean, how awkward with Look if I had to

0:51:37.640 --> 0:51:41.440
<v Speaker 1>walk in the front door, like with a ticket, I

0:51:41.480 --> 0:51:43.920
<v Speaker 1>mean everyone at all? You mean like everybody else? Yeah, yeah,

0:51:44.120 --> 0:51:46.480
<v Speaker 1>that's weird. So is it about the listeners? That about

0:51:46.480 --> 0:51:48.399
<v Speaker 1>walking through the front What I'm saying, it's like it

0:51:48.440 --> 0:51:50.680
<v Speaker 1>looks bad if I'm walking with a regular ticket, Hey

0:51:50.719 --> 0:51:52.879
<v Speaker 1>hundred knocking. I don't have back with the stage pass.

0:51:52.960 --> 0:51:57.959
<v Speaker 1>I'm embarrassing. Huh yeah, exactly. Okay, so we got through that. Yeah,

0:51:57.960 --> 0:51:59.480
<v Speaker 1>so I don't think that's a big deal. No big deal.

0:51:59.560 --> 0:52:01.040
<v Speaker 1>Let's watch showed up. He just had his phone out.

0:52:01.040 --> 0:52:03.319
<v Speaker 1>He's recording everything as he walked through, like recording other

0:52:03.320 --> 0:52:05.799
<v Speaker 1>famous people back there. And I'm like, oh, maybe back here,

0:52:05.840 --> 0:52:08.000
<v Speaker 1>we don't do that. But then I realized he's complaining

0:52:08.000 --> 0:52:10.120
<v Speaker 1>of people doing that to him. You were doing to

0:52:10.200 --> 0:52:11.960
<v Speaker 1>them what you didn't like done to you. No, No,

0:52:12.000 --> 0:52:13.839
<v Speaker 1>I was giving up behind the scenes. Look, I'm also

0:52:13.920 --> 0:52:15.440
<v Speaker 1>like a reporter, but you're not. We didn't ask you

0:52:15.440 --> 0:52:16.800
<v Speaker 1>to do that. Maybe they were going on a reporter

0:52:16.880 --> 0:52:19.439
<v Speaker 1>for the B team, um, and I was giving people

0:52:19.640 --> 0:52:22.560
<v Speaker 1>what it's like backstage at this event the million dollars,

0:52:22.600 --> 0:52:25.640
<v Speaker 1>saying it was hypocritical. You well, I didn't tell people

0:52:25.640 --> 0:52:27.520
<v Speaker 1>to stop filming me. I just went back in the back.

0:52:27.520 --> 0:52:30.279
<v Speaker 1>It's like, all right, Well they also didn't tell you. Well,

0:52:30.280 --> 0:52:32.840
<v Speaker 1>I ain't going their dressing room. The Ryman's very the

0:52:32.960 --> 0:52:35.239
<v Speaker 1>dressing rooms are upstairs. Yeah, that was weird. I mean

0:52:35.280 --> 0:52:37.360
<v Speaker 1>I went upstairs a couple dressing rooms. Was a little weird.

0:52:37.160 --> 0:52:39.040
<v Speaker 1>Were you going to a couple of dressing rooms. I'm

0:52:39.080 --> 0:52:41.400
<v Speaker 1>just looking around. I've never been up there, Like, I

0:52:41.400 --> 0:52:43.239
<v Speaker 1>didn't realize there was that many dressing rooms. I only

0:52:43.360 --> 0:52:45.279
<v Speaker 1>knew there was that first floor. And then I saw

0:52:45.320 --> 0:52:47.000
<v Speaker 1>people going up the stairs. I was like, what's up here?

0:52:47.000 --> 0:52:49.880
<v Speaker 1>So I went up there and saw dressing rooms like

0:52:49.960 --> 0:52:54.600
<v Speaker 1>I saw Scott Stabb's dressing room. I saw, like, you

0:52:54.680 --> 0:52:57.279
<v Speaker 1>go in them? Yeah, no, they weren't there. You're walking

0:52:57.280 --> 0:53:01.960
<v Speaker 1>to people's dressing roo know Scott staff was in there. Okay, okay.

0:53:01.960 --> 0:53:04.799
<v Speaker 1>So Scott's staff is the lead singer of Creed who

0:53:05.040 --> 0:53:08.840
<v Speaker 1>we did some Creed songs last night. That place erupted.

0:53:08.920 --> 0:53:16.160
<v Speaker 1>It was awesome. So he did higher and I asked Scott.

0:53:16.880 --> 0:53:18.600
<v Speaker 1>I said, hey, we're doing the show at the Rhyman

0:53:18.680 --> 0:53:22.319
<v Speaker 1>my band, the Raging Idiots, and it's for Saint Jude.

0:53:22.400 --> 0:53:24.960
<v Speaker 1>And he was like, yeah, I'm in. It's all done.

0:53:25.400 --> 0:53:28.239
<v Speaker 1>It wasn't really because I'm in immediately, and we did

0:53:28.280 --> 0:53:29.960
<v Speaker 1>an hour long podcast together and we kind of got

0:53:30.000 --> 0:53:31.960
<v Speaker 1>to know each other there. But it's like Creed, Like

0:53:32.000 --> 0:53:34.879
<v Speaker 1>I bought concert tickets to go watch Creed and they

0:53:34.920 --> 0:53:38.520
<v Speaker 1>came and a rehearsal. He came in and if you've

0:53:38.520 --> 0:53:41.080
<v Speaker 1>never worked with anybody, and he's also they were so successful,

0:53:41.120 --> 0:53:43.200
<v Speaker 1>You're like, what is this guy gonna be like professionally

0:53:43.800 --> 0:53:46.839
<v Speaker 1>walked in, talked with every member of the band, like

0:53:47.480 --> 0:53:50.839
<v Speaker 1>stood around, just chilled, sang the songs. We were all like, oh,

0:53:50.880 --> 0:53:53.680
<v Speaker 1>my goodness, that is he's awesome. He still had it was.

0:53:53.840 --> 0:53:55.319
<v Speaker 1>It was just so good last night. It was so good.

0:53:55.400 --> 0:53:57.399
<v Speaker 1>I think people it was a surprise and then people

0:53:57.400 --> 0:53:59.880
<v Speaker 1>were like, oh yeah, Creed, oh man. It was that

0:54:00.080 --> 0:54:02.720
<v Speaker 1>kind of moment. It was the eruption after he was done,

0:54:02.800 --> 0:54:04.440
<v Speaker 1>I think was one of the biggest. They gave him

0:54:04.440 --> 0:54:06.960
<v Speaker 1>a standing ovation. Yeah, and they wouldn't sit down and

0:54:07.000 --> 0:54:08.359
<v Speaker 1>then he was like to do another one. We didn't

0:54:08.360 --> 0:54:10.160
<v Speaker 1>practice another one, and I just do you get your

0:54:10.200 --> 0:54:11.719
<v Speaker 1>good And that was his first time to play the

0:54:11.800 --> 0:54:14.200
<v Speaker 1>rheman right, and it was the first time to play

0:54:14.280 --> 0:54:17.080
<v Speaker 1>in like a year period because I haven't performed at all.

0:54:17.080 --> 0:54:21.040
<v Speaker 1>It's amazing. It's amazing, Michelle Branch so good. You know,

0:54:21.040 --> 0:54:23.520
<v Speaker 1>they were in earlier. I saw their dressing room. Okay,

0:54:23.560 --> 0:54:27.960
<v Speaker 1>but okay, they were in earlier. But we actually recorded

0:54:28.000 --> 0:54:30.040
<v Speaker 1>that yesterday before the show because I don't want them

0:54:30.040 --> 0:54:31.680
<v Speaker 1>to have to wake up and come up here. But

0:54:31.719 --> 0:54:34.880
<v Speaker 1>Michelle Branch sounded so good, so good, just like the record.

0:54:35.360 --> 0:54:38.400
<v Speaker 1>And then the records came out, Jessica came out and

0:54:38.440 --> 0:54:41.600
<v Speaker 1>they performed two songs together and it was just super

0:54:41.640 --> 0:54:43.880
<v Speaker 1>cool because they hadn't performed together in ten years, not

0:54:44.000 --> 0:54:46.520
<v Speaker 1>like that first time they reunited. She said it here.

0:54:46.840 --> 0:54:48.719
<v Speaker 1>She was like, we got back together because you asked

0:54:48.800 --> 0:54:51.560
<v Speaker 1>us to do this for Saint Jude. That's super cool. Yeah.

0:54:52.360 --> 0:54:55.359
<v Speaker 1>Dina Carter did Strawberry Wine and the Place. She didn't

0:54:55.360 --> 0:54:58.560
<v Speaker 1>even need to hit a note on her guitar. Everybody

0:54:58.560 --> 0:55:01.600
<v Speaker 1>just want to sang the whole thing. And she's just

0:55:01.640 --> 0:55:05.200
<v Speaker 1>the nicest. Another one of the surprise guests who we

0:55:05.239 --> 0:55:07.920
<v Speaker 1>had closed the show was Jaco Onen, who an easy

0:55:07.960 --> 0:55:10.480
<v Speaker 1>asked three. He's one of my best friends, and I

0:55:10.480 --> 0:55:12.200
<v Speaker 1>didn't tell him he was doing three songs until he

0:55:12.200 --> 0:55:13.359
<v Speaker 1>got there, and then he was like, oh, I guess

0:55:13.400 --> 0:55:16.880
<v Speaker 1>I'm doing three songs. And we did Down to the

0:55:16.880 --> 0:55:19.560
<v Speaker 1>Hockey Talk, and then we did is up There down

0:55:19.600 --> 0:55:21.680
<v Speaker 1>Here as current single, and then at the end we

0:55:21.680 --> 0:55:25.280
<v Speaker 1>did Barefoot Blue Gan Night, and again same type of situation.

0:55:25.320 --> 0:55:27.560
<v Speaker 1>Everybody was just going nuts. What was funny was he

0:55:27.560 --> 0:55:30.239
<v Speaker 1>was telling a story because his daughter Pearl was with

0:55:30.320 --> 0:55:33.680
<v Speaker 1>him in Pearls ten and some guy went up to Pearl.

0:55:33.680 --> 0:55:34.719
<v Speaker 1>I was like, I haven't known your dads since he

0:55:34.760 --> 0:55:37.040
<v Speaker 1>was playing Barefoot Blue Jean and Pearl Goo. He still

0:55:37.040 --> 0:55:41.880
<v Speaker 1>plays it. He still does that song. So that's pretty funny.

0:55:41.960 --> 0:55:44.480
<v Speaker 1>But we raised a bunch of money. I mean, it

0:55:44.520 --> 0:55:46.400
<v Speaker 1>was incredible. There are so many great moments. I mean,

0:55:46.400 --> 0:55:49.640
<v Speaker 1>Madeline Edwards and Dave's Highway two new artists came out

0:55:49.680 --> 0:55:53.279
<v Speaker 1>again and just leg swept everybody because you know, we

0:55:53.320 --> 0:55:55.239
<v Speaker 1>had all this stuff happening. And I also like to

0:55:55.280 --> 0:55:58.120
<v Speaker 1>introduce new artists during the show and some people are like,

0:55:58.120 --> 0:56:00.000
<v Speaker 1>ok we had a couple of new artists, Parker McCall

0:56:00.160 --> 0:56:02.520
<v Speaker 1>we had And then they're like, okay, new artists. Maybe

0:56:02.560 --> 0:56:04.440
<v Speaker 1>we go get a beer or something, and all of

0:56:04.440 --> 0:56:06.480
<v Speaker 1>a sudden they start singing like, oh, well, get back

0:56:06.480 --> 0:56:09.000
<v Speaker 1>to your seat. Yeah. Had friends who are like, hey,

0:56:09.000 --> 0:56:10.759
<v Speaker 1>what's that new group again? Or what was her name?

0:56:10.760 --> 0:56:15.200
<v Speaker 1>Madeline Edwards? So just a great night. What I had

0:56:15.239 --> 0:56:16.879
<v Speaker 1>a lot of fun, man, thank you for having well

0:56:16.920 --> 0:56:21.279
<v Speaker 1>those two So Madeline and Dave's those when they were performing,

0:56:21.360 --> 0:56:24.719
<v Speaker 1>not only were they amazing, and totally killed it. But

0:56:24.800 --> 0:56:29.400
<v Speaker 1>backstage they also had so much gratitude for you inviting

0:56:29.440 --> 0:56:30.840
<v Speaker 1>them to be a part of it, Like they couldn't

0:56:30.880 --> 0:56:34.000
<v Speaker 1>stop talking about how does in the contract if you

0:56:34.000 --> 0:56:36.839
<v Speaker 1>got back there talking about me the whole time. Well,

0:56:36.880 --> 0:56:38.600
<v Speaker 1>I mean, but I just thought that was cool to

0:56:38.680 --> 0:56:41.560
<v Speaker 1>see too, like just their excitement and they were so

0:56:41.640 --> 0:56:43.839
<v Speaker 1>thankful instead of being you know, you never know how

0:56:43.880 --> 0:56:46.719
<v Speaker 1>some newer artists are going to be, and they just

0:56:46.760 --> 0:56:49.560
<v Speaker 1>couldn't have been more thankful. I'm not sure what their

0:56:49.680 --> 0:56:52.600
<v Speaker 1>record label status is, meaning if they even have a deal.

0:56:53.080 --> 0:56:55.319
<v Speaker 1>I mean them or Madeline, and I was talking to

0:56:55.360 --> 0:56:56.640
<v Speaker 1>them after. I was like, it just takes one person

0:56:56.719 --> 0:57:00.439
<v Speaker 1>who's halfway smart to realize, especially them, because Madeline was early,

0:57:00.520 --> 0:57:02.560
<v Speaker 1>so she wasn't around way after the show we were

0:57:02.560 --> 0:57:05.680
<v Speaker 1>packing up, but they were because they played later, and

0:57:05.719 --> 0:57:07.880
<v Speaker 1>I was just takes one person to see a brother

0:57:08.320 --> 0:57:11.799
<v Speaker 1>and two sisters who sound like this there's and you're good.

0:57:11.840 --> 0:57:14.000
<v Speaker 1>You're absolutely good enough. You're better than a lot of

0:57:14.000 --> 0:57:15.360
<v Speaker 1>folks that come in here that are supposed to be

0:57:15.360 --> 0:57:17.800
<v Speaker 1>the best. It just takes one smart person to go, oh,

0:57:17.880 --> 0:57:20.480
<v Speaker 1>there's a niche for a good group. That's brother and sister,

0:57:20.600 --> 0:57:23.960
<v Speaker 1>not just people put together. And because they're grinding, they're

0:57:23.960 --> 0:57:27.040
<v Speaker 1>working real jobs every day, like normal person jobs, and

0:57:27.120 --> 0:57:29.360
<v Speaker 1>like I admire that, like we're not stopping. But we

0:57:29.400 --> 0:57:31.680
<v Speaker 1>also got to pay the bills, so it's cool. It

0:57:31.760 --> 0:57:34.240
<v Speaker 1>was really cool. And I didn't know that last night

0:57:34.320 --> 0:57:37.560
<v Speaker 1>was going to be where it would eclipse twenty million

0:57:37.640 --> 0:57:40.640
<v Speaker 1>dollars raised for Saint Jude through either the radio thon

0:57:40.800 --> 0:57:43.680
<v Speaker 1>or these live shows or specific one offs that we do.

0:57:43.840 --> 0:57:48.000
<v Speaker 1>But over the past almost ten years it's been twenty

0:57:48.000 --> 0:57:50.960
<v Speaker 1>million dollars. And Jake came out and presented me with

0:57:51.000 --> 0:57:53.960
<v Speaker 1>a big award, and that's always awkward because I don't

0:57:54.040 --> 0:57:58.480
<v Speaker 1>like surprise. They're tough. Oh you had no idea that

0:57:58.560 --> 0:58:00.920
<v Speaker 1>was happening. Well, okay, and it was on TV, but

0:58:00.960 --> 0:58:03.320
<v Speaker 1>then I didn't didn't know how to. I was just like,

0:58:03.320 --> 0:58:04.720
<v Speaker 1>I don't do my face. How do'll do my face?

0:58:05.680 --> 0:58:08.160
<v Speaker 1>Like I don't want to act like because it's very important,

0:58:08.200 --> 0:58:10.160
<v Speaker 1>but if you're like, oh, yeah, this is I don't know.

0:58:10.240 --> 0:58:11.480
<v Speaker 1>There's just a fine line. And I was like, I

0:58:11.480 --> 0:58:12.800
<v Speaker 1>gotta do my face. I don't want to look like

0:58:13.440 --> 0:58:16.960
<v Speaker 1>like like sad, but I also want to be happy.

0:58:17.080 --> 0:58:19.520
<v Speaker 1>But so no, you did great. We'll have to see

0:58:19.520 --> 0:58:20.600
<v Speaker 1>how that goes. And the yet it you did great

0:58:20.600 --> 0:58:22.120
<v Speaker 1>because I didn't notice any awkward in this when you

0:58:22.120 --> 0:58:23.919
<v Speaker 1>got it filled awkward because I was like, oh no,

0:58:24.520 --> 0:58:26.200
<v Speaker 1>I don't like people talking about about me. You're people

0:58:26.200 --> 0:58:28.640
<v Speaker 1>talking good about me. That's tough. Then they can't win.

0:58:28.680 --> 0:58:31.320
<v Speaker 1>I don't like that's right. I don't like I'm a

0:58:31.400 --> 0:58:34.800
<v Speaker 1>control freak because I never had control. So when people

0:58:34.800 --> 0:58:37.000
<v Speaker 1>are like he's not good, I'm like, oh shut up.

0:58:37.000 --> 0:58:39.280
<v Speaker 1>They're like he's good. Oh shut up. I'll be the

0:58:39.280 --> 0:58:41.240
<v Speaker 1>only person. I'll say all the bad stuff about me,

0:58:41.280 --> 0:58:42.680
<v Speaker 1>and I'll say all the good stuff about me. That's

0:58:42.720 --> 0:58:44.160
<v Speaker 1>kind of how I've lived because I like to have

0:58:44.200 --> 0:58:47.360
<v Speaker 1>the control. Not not the healthiest, but it was. It

0:58:47.440 --> 0:58:50.040
<v Speaker 1>was just a great night. And I took and gave

0:58:50.080 --> 0:58:52.680
<v Speaker 1>a bunch of friends five five pair I think of

0:58:52.760 --> 0:58:55.280
<v Speaker 1>tickets that were mine, and so I gave him different

0:58:55.280 --> 0:58:56.880
<v Speaker 1>friends and a couple of them texts me before the show,

0:58:58.080 --> 0:59:00.200
<v Speaker 1>but they're like, we're here because traffic was terrible. Hey

0:59:00.200 --> 0:59:02.400
<v Speaker 1>we made it, and they were sitting in like the nosebleeds,

0:59:02.800 --> 0:59:04.400
<v Speaker 1>and I was like, I don't even have good tickets

0:59:04.440 --> 0:59:07.560
<v Speaker 1>to give my friends. No. Apparently every seat was good.

0:59:08.560 --> 0:59:10.360
<v Speaker 1>They say, yeah, that's what they say about the rhyme.

0:59:10.520 --> 0:59:12.200
<v Speaker 1>But I like saw a bird landing next to one

0:59:12.200 --> 0:59:14.520
<v Speaker 1>of them in a picture. They were so high up there,

0:59:14.800 --> 0:59:16.320
<v Speaker 1>and I'm like, Dann, we can't even get like good

0:59:16.320 --> 0:59:21.040
<v Speaker 1>tickets for my buddies. So a great show, just maybe

0:59:21.120 --> 0:59:23.520
<v Speaker 1>my favorite ever. I will shout out Dirk Spentley too,

0:59:23.520 --> 0:59:26.080
<v Speaker 1>because Tracy Lawrence got sick, he bronchitis, could not come

0:59:26.080 --> 0:59:29.720
<v Speaker 1>and sing and I told Dirks and he was like, well,

0:59:29.760 --> 0:59:31.760
<v Speaker 1>what songs? And I said, well, one of them was

0:59:31.760 --> 0:59:34.040
<v Speaker 1>he find out who your friends are here. He was,

0:59:34.080 --> 0:59:36.720
<v Speaker 1>I know that. But Dirk says an album coming out

0:59:36.720 --> 0:59:38.320
<v Speaker 1>this week. He's gonna be on the show Friday, and

0:59:38.360 --> 0:59:39.920
<v Speaker 1>I know he's going to New York to do Jimmy

0:59:40.040 --> 0:59:42.160
<v Speaker 1>Fallon and do And I was like, are you can

0:59:42.160 --> 0:59:43.560
<v Speaker 1>you do it? He's like, yeah, I'll drive over. And

0:59:43.560 --> 0:59:45.120
<v Speaker 1>so he came out and did to Tracy Lawrence that

0:59:45.240 --> 0:59:47.960
<v Speaker 1>song and then did one of his own just two

0:59:48.040 --> 0:59:50.080
<v Speaker 1>hour notice. Yeah, so you know what, I found out

0:59:50.480 --> 0:59:55.400
<v Speaker 1>who my friends were. My friends were, So it was

0:59:55.440 --> 0:59:58.320
<v Speaker 1>a great night. I'm so tired. I probably slept an

0:59:58.360 --> 1:00:02.120
<v Speaker 1>hour and a half o, not purposefully. I got home

1:00:02.800 --> 1:00:07.280
<v Speaker 1>and it's eleven fifteen or so. It was late because

1:00:07.320 --> 1:00:09.720
<v Speaker 1>it show didn't until ten twenty, so I got eleven

1:00:09.720 --> 1:00:12.520
<v Speaker 1>fifteen eleven twenty, maybe a little later because it stayed.

1:00:12.560 --> 1:00:14.080
<v Speaker 1>Took a bunch of pictures with listeners. I don't mind

1:00:14.080 --> 1:00:16.480
<v Speaker 1>that lunch bucks. I don't mind going out and stuff

1:00:16.760 --> 1:00:19.760
<v Speaker 1>um And then Kaylen not, we're starving, so we ordered

1:00:19.760 --> 1:00:22.400
<v Speaker 1>a pizza. Why am I good? Going hard? We did,

1:00:22.480 --> 1:00:25.480
<v Speaker 1>and we ordered it like eleven thirty five or so,

1:00:25.560 --> 1:00:28.040
<v Speaker 1>and it said pizza will be here between like eleven

1:00:28.080 --> 1:00:29.440
<v Speaker 1>fifty five and twelve. I guess, not a lot of

1:00:29.480 --> 1:00:31.560
<v Speaker 1>order so they could grab it his midnight. I'm still

1:00:31.600 --> 1:00:33.960
<v Speaker 1>working on today's show. And the pizza still isn't there,

1:00:34.600 --> 1:00:36.600
<v Speaker 1>and she's like, I'm tired, I have to go to bed,

1:00:37.080 --> 1:00:38.960
<v Speaker 1>but there's no food. So she goes quickly and makes

1:00:39.000 --> 1:00:40.960
<v Speaker 1>us both like a like a little healthy nacho thing

1:00:41.000 --> 1:00:44.800
<v Speaker 1>like c at chips, like um, beef and whatever. She's like,

1:00:44.840 --> 1:00:46.920
<v Speaker 1>eat this and if pizza has it come, well, pizza

1:00:46.960 --> 1:00:49.360
<v Speaker 1>out there like twelve fifty so would you eat that too? No,

1:00:50.000 --> 1:00:53.800
<v Speaker 1>it's too late. So finally felt safe about one fifteen

1:00:53.880 --> 1:00:57.320
<v Speaker 1>or so and then woke up about three thirty. Yeah,

1:00:58.800 --> 1:01:01.080
<v Speaker 1>it felt like an app that is an app that

1:01:01.200 --> 1:01:04.480
<v Speaker 1>is sleep. Yes, but it wasn't because that was on Hell.

1:01:04.520 --> 1:01:06.000
<v Speaker 1>I just we've had a late show and then I

1:01:06.000 --> 1:01:08.360
<v Speaker 1>had to stay up and work on this show. By

1:01:08.400 --> 1:01:09.960
<v Speaker 1>the way, I'm lucky enough that I get to do that.

1:01:10.200 --> 1:01:11.680
<v Speaker 1>But our boss was there last night, Rod and he

1:01:11.680 --> 1:01:13.560
<v Speaker 1>was like, you shouldn't work on the show tonight. I

1:01:13.600 --> 1:01:14.760
<v Speaker 1>was like, that's easy for you to say. You don't

1:01:14.760 --> 1:01:16.000
<v Speaker 1>have to do it, you want to do it. I'm

1:01:16.000 --> 1:01:17.120
<v Speaker 1>gonna get in here and just said, I'm a thumb

1:01:17.120 --> 1:01:18.160
<v Speaker 1>all morning. What do you want from me? You know

1:01:18.160 --> 1:01:20.120
<v Speaker 1>how you could have got home earlier if you didn't

1:01:20.120 --> 1:01:23.720
<v Speaker 1>take all those pictures. That's a good point. That's a

1:01:23.760 --> 1:01:28.479
<v Speaker 1>good point. It's the best bits of the week with

1:01:28.560 --> 1:01:31.880
<v Speaker 1>Morgan Number two. Thank y'all for hanging out with me

1:01:32.000 --> 1:01:35.080
<v Speaker 1>again on another weekend. I hope your weekend is as

1:01:35.080 --> 1:01:37.240
<v Speaker 1>fabulous as the last one or better than the last one,

1:01:37.280 --> 1:01:40.080
<v Speaker 1>depending on what happened. And maybe you have some fun

1:01:40.120 --> 1:01:43.080
<v Speaker 1>plans to either relax or catch up with loved ones,

1:01:43.120 --> 1:01:45.400
<v Speaker 1>whatever it may be. I appreciate you taking some time

1:01:45.440 --> 1:01:47.080
<v Speaker 1>to hang out with me and catch up on the

1:01:47.080 --> 1:01:49.480
<v Speaker 1>Bobby Bones Show. I love y'all so much. You can

1:01:49.520 --> 1:01:51.360
<v Speaker 1>follow me, hang out with me at web Girl Morgan

1:01:51.440 --> 1:01:54.400
<v Speaker 1>on All the Things, and of course the show at

1:01:54.440 --> 1:01:56.360
<v Speaker 1>Bobby Bones Show on All the Things as well. I

1:01:56.440 --> 1:02:06.000
<v Speaker 1>love y'all. Bye, no uh huh m hm