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Speaker 1: It's the Best Bits of the Week with Morgan Number two.

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Speaker 1: What is up, y'all? Happy weekend. I'm so excited to

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Speaker 1: be hanging out with y'all. In case you don't know,

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Speaker 1: it's Morgan here and we are breaking down some of

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Speaker 1: the segments from the show this week. And this part

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Speaker 1: is where we share all the bits and the actual

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Speaker 1: things that happened. But Part one is actually my favorite

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Speaker 1: part of doing this podcast. It's where I bring on

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Speaker 1: a show member and we talk about a whole lot

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Speaker 1: of things. And this weekend I brought on Lunchbox. Not

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Speaker 1: only did I quiz him on emojis that he should

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Speaker 1: know the actual meanings of, but I also shared some

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Speaker 1: dating stuff with him and he could not believe that

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Speaker 1: I stopped talking to this guy on a dating app

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Speaker 1: because of something he said. He just was like, there's

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Speaker 1: no way. And he also had to do some math

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Speaker 1: and that didn't go over very well either. So make

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Speaker 1: sure to check out Part one of Best Bits. I

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Speaker 1: promise it'll be your favorite. Part two. One of our

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Speaker 1: listeners is a behavior therapist and she called into the

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Speaker 1: show because she wanted to give some perspective on Lunchbox

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Speaker 1: and hopefully convinced Bobby to do a contract with Lunchbox

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Speaker 1: to make him a nicer human being. Yeah, it was

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Speaker 1: a whole thing, and that basically whenever great on our

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Speaker 1: Facebook page as far as engagement, everybody was having a

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Speaker 1: lot of opinions on the matter. But you can hear

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Speaker 1: the phone call that happened that sparked this whole conversation

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Speaker 1: right here. Number seven on phone now is Christoph who

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Speaker 1: is a behavioral analyst. Hi Christa, good morning, Hi, good morey.

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Speaker 1: Hey what is a behavioral analysts? Like? What do you do? Specifically?

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Speaker 1: I primarily work with kids with autism or other disabilities

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Speaker 1: down syndrome, oppositional defiance disorder, but especially we create contingencies

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Speaker 1: to increase appropriate behaviors, decrease inappropriate behaviors, and build skills

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Speaker 1: alongside that. I could do some of that here, increase

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Speaker 1: having these guys increase appropriate, decrease inappropriate for us. Yeah, Christa,

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Speaker 1: you hear of the show. What would you like to

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Speaker 1: comment about when you hear it as a behavioral analyst? Well,

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Speaker 1: I think every day when I'm listening the Lunchbox would

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Speaker 1: probably benefit from some sort of a behavior contract to

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Speaker 1: help increase some of the appropriate behaviors would like to

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Speaker 1: see or decrease some of the negative statements. So a

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Speaker 1: contract would be like a literal contract where he signs

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Speaker 1: an agreement that says, if I'm a jerk, like for example,

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Speaker 1: Abby who loved to sing, she's not trying to really

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Speaker 1: make it as a same amount, but he's rude to her.

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Speaker 1: He's like, you'll never make it you. But if he

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Speaker 1: does something like that, we have a contract where he

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Speaker 1: has to like pay me five bucks or something something

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Speaker 1: like that, where there's a penalty. So the first thing

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Speaker 1: we like to focus on is the reinforcement of the

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Speaker 1: appropriate behaviors. So what if there are none of those yet?

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Speaker 1: Then he gets nothing? Okay, But what makes her the

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Speaker 1: right the sayer of what's right? Well, a degree doesn't

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Speaker 1: tell you what's right and wrong. Everybody has a different

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Speaker 1: opinion what's right and wrong. Because she says it's right

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Speaker 1: doesn't mean it's right that it's a matter of opinion.

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Speaker 1: Her job is nothing but opinions. However, a behavior contract

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Speaker 1: is much more effective when both parties, the one giving

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Speaker 1: the reinforcement and the lunchbox would be the client in

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Speaker 1: this situation, are in agreement of So what could I

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Speaker 1: put as a reward for him? I'm anxious. I mean

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Speaker 1: I'm eager, anxious to do it now. I'm like, let's

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Speaker 1: go to stroll. This could be cool. Yeah, Like, what's

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Speaker 1: a reward I could put for him in this contract? Well?

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Speaker 1: What is Lunchbox's primary reinforcement? I think we all know

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Speaker 1: what that money? Ticket? Yeah? Yeah, yeah, financial? Yeah, money.

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Speaker 1: He could spend the wheel, he could get something in return.

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Speaker 1: I mean, he's got listeners out here buying him two

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Speaker 1: hundred dollar watches. I'm sure we could figure something out. Well, No,

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Speaker 1: you tried to be an angel on a tree, a

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Speaker 1: charity tree at Christmas, and so I'm on bottom former. No, no, no,

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Speaker 1: they didn't a listener, did right, big teamer? Yeah, I

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Speaker 1: hear you. Okay, So what if we did this? If

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Speaker 1: can you do it per day? Let's say Lunchbox is

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Speaker 1: a good day where he does, he gets more dings

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Speaker 1: and ants, and then he gets to spend the well

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Speaker 1: at the end of the day. Does that work? Can

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Speaker 1: you do it like macro instead of micro a dollar

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Speaker 1: every time? Could you do it like that? Absolutely? And

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Speaker 1: I mean you could do two parts of it. You

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Speaker 1: could have the reinforcement part where he gets money or

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Speaker 1: spin if he does something good that we've all identified,

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Speaker 1: you know, and explicitly described what that goal is. But

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Speaker 1: then you could do a response cost also, so if

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Speaker 1: he has a negative statement or a rude statement, he

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Speaker 1: could lose the opportunity. So I like it. We'll draw

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Speaker 1: this up. So, what though, would be a punishment that

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Speaker 1: we could do for an adult man who doesn't have

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Speaker 1: to listen to her talk for longer. We'll just put

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Speaker 1: you all that would be negative, right, that'd go down

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Speaker 1: the negative? Yeah, go ahead. I'm sorry, Christa. Well, I

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Speaker 1: mean I think I would like lunch's inbox and our

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Speaker 1: lunchbox's input. He would he be interested in earning money

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Speaker 1: for appropriate behaviors? No, no, but my you know she's

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Speaker 1: asking you a question. Yeah, I would love that, but

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Speaker 1: you don't determine what my behavior is appropriate. Would a contract,

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Speaker 1: you would agree, but you would agree to the terms

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Speaker 1: of the contract. We're not forcing anything on you. We

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Speaker 1: together would go, we all agree. If you do this,

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Speaker 1: you're rewarded. If you do this, you're punished. Like if

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Speaker 1: I give my opinions, I'm rewarded. If I don't give

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Speaker 1: my opinions, I'm a punishment Kristad that is not seen

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Speaker 1: as unethical, like can we lock them in something that'd

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Speaker 1: be cool with snakes. I mean, you guys could come

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Speaker 1: up with whatever you want. You could spind the wheel

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Speaker 1: of you know, high items. You could you could come

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Speaker 1: up with the next a second wheel negative consequence, Yes,

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Speaker 1: the Bizarro wheel where it's all bad stuff spicy stuff. Wow, okay,

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Speaker 1: I Hey, Krista, thank you very much for this call.

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Speaker 1: This has has really put a lot of thoughts in

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Speaker 1: the old brainer. I'm thinking about some stuff. Maybe a

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Speaker 1: couple days lunchbocks will address the contract yer. I'll write

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Speaker 1: something up. If you like it, we'll agree to it.

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Speaker 1: If not, we'll move on. I will check it out,

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Speaker 1: see if my pen has any ink in it. Hey,

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Speaker 1: we'll do docu sign. All right, Christa, thank you really

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Speaker 1: appreciate you listen to the show. I hope you have

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Speaker 1: an awesome day. And I the line of work you're in,

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Speaker 1: it takes somebody with a special heart to do that,

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Speaker 1: so we also appreciate you doing that as well. Of course,

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Speaker 1: Love you guys. All right by Christe. It's the best

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Speaker 1: bits up the week with Morgan Number two Taylor Hicks

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Speaker 1: stop by the studio this week. And you may remember

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Speaker 1: him from winning American Idol back in two thousand and six,

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Speaker 1: and Bobby was a huge fan of him then and

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Speaker 1: still is today, and so he was totally geeking out

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Speaker 1: during this interview and it was super fun to watch

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Speaker 1: not only the conversation that happened, but also hear about

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Speaker 1: what Taylor's been up to post American Idol. And he

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Speaker 1: also performed his new song Porch Swing, which you won't

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Speaker 1: get to hear on the podcast, but you can go

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Speaker 1: watch it at Bobby Bones dot com number six. Waiting

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Speaker 1: since two thousand and six to do this next interview,

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Speaker 1: that's a long time. I've been a Taylor Hicks fan

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Speaker 1: and cement that I saw his pretty facing, oh abnormally

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Speaker 1: prettymature gray hair, and I'm asking about that like he

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Speaker 1: was in his twenties, he was already gray on American

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Speaker 1: Idol way back in the day. But man, it's soul patrol.

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Speaker 1: Like I was in the group, I voted for him.

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Speaker 1: But the thing about Taylor Hicks is like way back

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Speaker 1: in the day, he discovered he had perfect pitch. When

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Speaker 1: he was able to recognize the pitches of random things

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Speaker 1: like a car, driving by. We'll get into that hopefully

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Speaker 1: in a second. He's such a good singer. He's got

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Speaker 1: this new song called port Swing. So you guys can

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Speaker 1: you can leave if you want. It's just a moment, Taylor, Taylor,

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Speaker 1: not let you be. I've been waiting for this for

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Speaker 1: a long time. Here he is, Taylor Hicks on the

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Speaker 1: Bobby Bones Show. Now, Taylor Hicks, I've been waiting my

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Speaker 1: whole life for this. Taylor, Well, I'm just I'm just

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Speaker 1: letting you know right now. I didn't realize that you

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Speaker 1: liked my white shoes, my white billy white shoes. Yeah,

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Speaker 1: not like love. You mispronounced the word love. Let me

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Speaker 1: say this about Taylor Hicks. And I was obsessed for

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Speaker 1: like five years. I was gonna say obsessed as the word. Yeah.

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Speaker 1: I was just I was like when you would perform,

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Speaker 1: I'd be like, that's kind of music. I like, that's

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Speaker 1: the guy that's I bought shoes, the white shoes you had.

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Speaker 1: I was just like, everything about that dude is what

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Speaker 1: I like musically. I grew up in Arkansas and you're

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Speaker 1: very soulful. I remember, did you do an otist writing song? Yeah? Yep,

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Speaker 1: and then you did I should I actually I know

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Speaker 1: all of it. You did a queen's song, but there

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Speaker 1: was a nut did you do a Sam cook Oh

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Speaker 1: did you Sam Cooks? I did? Yeah, I did you

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Speaker 1: send me? Oh? Yeah? Well come on, okay. Look, so

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Speaker 1: I've been trying for this event to happen for a

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Speaker 1: long time, and I just got famous enough you'd answer

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Speaker 1: my call. Oh come on, that's rights pretty much. You know.

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Speaker 1: I've been waiting for something really cool and organic to

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Speaker 1: happen with this new music for ten years, and everybody's

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Speaker 1: been telling me. They were like, you've got to put

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Speaker 1: this music out. It's great. It's this soulful southern thing

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Speaker 1: that you got going on. And I just have really

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Speaker 1: just been waiting on a really beautiful moment in time.

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Speaker 1: And I get woken up by all of these amazing

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Speaker 1: texts right before Christmas, and Bobby's talking about being a

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Speaker 1: fan of you know, of me, and uh, the next

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Speaker 1: thing I know, within fifteen minutes, I mean, this is

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Speaker 1: like eight o'clock in the morning, and I'm like, oh, hell,

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Speaker 1: what did I do? I do what I do? And

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Speaker 1: then Steve emails my agent and says, we'd love you know,

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Speaker 1: Bobby would love to have you know, Taylor on me

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Speaker 1: on and I just was like, oh my god, this

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Speaker 1: is amazing. This is exactly how I'm going to release

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Speaker 1: new music. So it was a completely organic thing that's happened.

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Speaker 1: And I can't thank you all enough for for making

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Speaker 1: that happen for me. I really mean that. Well, that's

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Speaker 1: really cool. Taylor Hicks is here, then let's just do

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Speaker 1: this because I have a lot to talk about, but

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Speaker 1: I would like to hear this song. So this is

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Speaker 1: a new song called Porch Swing. Yeah, okay, I haven't

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Speaker 1: heard it yet. Yeah, it's great to make sure. It

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Speaker 1: was actually Judge Jason Deer and Jennifer Wayne and I

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Speaker 1: wrote it probably about eight or nine years ago, and

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Speaker 1: we just thought about this really iconic centerpiece of someone's

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Speaker 1: household all over the country, and I was like a

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Speaker 1: porch swing because I grew up on a porch swing.

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Speaker 1: So there's just a lot of things that happened around

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Speaker 1: that particular centerpiece. And uh, this one's about love and

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Speaker 1: a porch swing. So jen Wayne dear friend of mine

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Speaker 1: as well, great writer who's written a bunch of songs

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Speaker 1: in Runaway June as well as a professional tennis players.

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Speaker 1: You know that absolutely. Okay, Well I don't know anything.

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Speaker 1: He's got it all covered. Then here he is with

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Speaker 1: his new song Porch Swing. Here is Taylor Hicks. I

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Speaker 1: would like to say, first of all, I don't I

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Speaker 1: don't smoke, like I've never smoked. But after that, I

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Speaker 1: need a cigarette. Yeah. Man, it's a little it's a

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Speaker 1: little some some babymaking music and that is that. That's awesome, dude,

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Speaker 1: that's great. I mean all you guys, Johnny the whole man.

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Speaker 1: You guys are great. Thank you. Hey, that's that's a

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Speaker 1: great song. I can't I got more? Would you like

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Speaker 1: to hear? You know while we're on there. We we're

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Speaker 1: here with Taylor Hicks, who I'm just a massive fan

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Speaker 1: of his music. These guys next to you, how long

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Speaker 1: have they've been with you? About twelve years? And um,

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Speaker 1: last night? Oh cool? Hey, congratulations you guys I meet

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Speaker 1: at the bar. Yeah, pretty much. No, we've standing and

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Speaker 1: I've been uh, we've been playing together off and on

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Speaker 1: for about seven years. So when he's not on the

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Speaker 1: road with the Wallflowers or Jewel and we try to

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Speaker 1: mix some Mangland do some stuff. Are you playing a

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Speaker 1: lot of shows? Taylor? Now? Um, I have been lately. Yeah,

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Speaker 1: you know, I try to probably do five or six,

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Speaker 1: five or six a month, you know, without new music. Um,

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Speaker 1: I've got an Armed Forces Entertainment to where I'm doing

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Speaker 1: over in the Middle East and market that's crazy, which

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Speaker 1: I'm really excited about. We're doing eight shows in a

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Speaker 1: lot of the Middle Eastern countries on the bases, which

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Speaker 1: I'm extremely excited about. You know, I've done I've done

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Speaker 1: some USO stuff, but the Armed Forces Entertainment also is

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Speaker 1: a wonderful organization that puts artists and entertainers on the

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Speaker 1: road to to entertain the troops. And you get an

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Speaker 1: Instagram picture in a bulletproof vest, and that's always I

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Speaker 1: just don't want it. It's like holding up a fish

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Speaker 1: that you didn't catch. I never wanted to put one

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Speaker 1: on and take a picture and if I wasn't really

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Speaker 1: using it. So one day I'm gonna finally get to

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Speaker 1: do that picture. You know. Taylor Heck is here. He

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Speaker 1: played his new song ports Swing, which it is out

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Speaker 1: as of today. I want you guys to go check

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Speaker 1: it out. It's such a great song. And we're finishing.

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Speaker 1: I was like, hey, man, if you want to stick around,

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Speaker 1: play something else you can. So I don't know what

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Speaker 1: you're gonna play, what you're gonna do here, But tell me, Taylor,

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Speaker 1: what are we gonna get into now? Uh? This is

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Speaker 1: a song about the road, um and love and you know,

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Speaker 1: as all of us that are in entertainment or any

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Speaker 1: uh type of business that has to travel, Uh, it

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Speaker 1: can be tough on relationships. And this song has been

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Speaker 1: around me for for a long time and it's um,

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Speaker 1: it's it's it's out now, and it's it's we're building

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Speaker 1: up to a big album release. I haven't done music

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Speaker 1: in a long time, but this is, uh, every artist

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Speaker 1: and every musician kind of understands what the road does

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Speaker 1: um to relationships sometimes. So this is a song called

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Speaker 1: six Strings are Hard on Diamond Rings. I see what

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Speaker 1: you did there? All right, here we go Taylor Hicks. Taylor,

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Speaker 1: it's awesome too. Well? I got more? Yeah? So clastic

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Speaker 1: can you guys do for our audience who just tuned in?

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Speaker 1: This is Taylor Hicks. By the way, You can follow

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Speaker 1: on Instagram at Taylor Hicks Official. I'm a massive I've

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Speaker 1: been a fanboy, but I was standing Taylor Hicks before

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Speaker 1: standing was even a thing. For those wondering could you

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Speaker 1: do just the chorus again of port Swing, the song

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Speaker 1: that is out today? Right here we go jam so good.

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Speaker 1: Here's what I'm gonna do. That's just a really great

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Speaker 1: song too. I'm gonna maybe not this weekend, we may

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Speaker 1: have it booked up, but the next weekend we do

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Speaker 1: a national Countdown show I do. I'm gonna feature that

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Speaker 1: in the National AC Countdown Show. That song. This is

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Speaker 1: also a really good song. I'm gonna so also, I

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Speaker 1: have It's awesome. I know you're you haven't made Yeah,

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Speaker 1: you've made the Soul Patrol's day. By the way, the

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Speaker 1: leader of the Soul drum Um, I have Jen Wayne

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Speaker 1: from Runaway June. I'm gonna FaceTime her real quick and

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Speaker 1: to tell her the song is awesome. If she even answers,

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Speaker 1: you got to sing it to her though, and oh yeah,

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Speaker 1: she heard you sing it like with a instruments. She's heard.

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Speaker 1: She hasn't heard the final though, Hello, Jen, hold on,

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Speaker 1: let me do it. Let me flip you over real quick?

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Speaker 1: How do we do that? Boom? No, that's but they

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Speaker 1: just I've been in my iPhone and now I don't

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Speaker 1: want to flip it over anymore. Hold on how about

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Speaker 1: Oh got it? Boom there it is? So I'm here

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Speaker 1: with Taylor. Oh hey, Taylor, and go and love. I

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Speaker 1: texted her and said, how are you in? Taylor? So cool?

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Speaker 1: That's only what I texted, because sometimes you know, if

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Speaker 1: you wrote a song a long time ago, maybe you're

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Speaker 1: not cool anymore. Yeah, she said, she said, She said

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Speaker 1: that she loves you and this song port Swing is

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Speaker 1: really good. Do you remember writing it? Yes? You mean

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Speaker 1: anything he sings is going to be really good. You

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Speaker 1: can sing the phone Book. Well, I'm gonna play it

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Speaker 1: on the National Countdown show. And then when he said

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Speaker 1: he wrote it with you, I was like, well I

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Speaker 1: like it even more. Now, so are you? Are you

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Speaker 1: playing golf or something? Right now? I'm going to rite

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Speaker 1: the life of gen Wayne. What's writing music? It's so

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Speaker 1: annoying about her that she can sing and she's like

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Speaker 1: a like a plu athlete like everything. It's so and

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Speaker 1: that's so annoying. That's how you get on the Phone's

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Speaker 1: so annoying. Um, anyway, what's here with Taylor? And just

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Speaker 1: wanted to say hello and tell you that the song

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Speaker 1: that you wrote with him, you guys crushed it. And

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Speaker 1: he sings it so wonderfully. And that's all. Thanks Bobby.

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Speaker 1: I miss you guys. Have fun there. We will see you.

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Speaker 1: We'll see you soon. We'll see run Away June soon.

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Speaker 1: And I hope you you hit him good. Get them straight?

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Speaker 1: All right? Yeah, there you go. Yeah, she's awesome. Huh yep,

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Speaker 1: it's great. Okay, look here we are. We've played some songs. Um.

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Speaker 1: I I assume you don't know much about me, but

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Speaker 1: I worked on American Idol for four years. I worked

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Speaker 1: as the main like on camera mentor and taught him

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Speaker 1: or whatever you do on that show. You know, I

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Speaker 1: record ten hours and they use twenty minute, no, twenty

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Speaker 1: seconds of it, right, you know, this is kind of

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Speaker 1: how it worked over there. Um, So do people because

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Speaker 1: people will come up to me and be like, I

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Speaker 1: know you from somewhere because I'm just randomly on things,

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Speaker 1: I'm like, I know you, and it's weird to go

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Speaker 1: you probably know me from this. Do you get there

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Speaker 1: with people? It may be this, it could be the show,

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Speaker 1: the food show, it could be Do people come up

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Speaker 1: to you and not know where they know you, but

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Speaker 1: they know you and they're like, are you my mailman?

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Speaker 1: Does that ever happen. Oh yeah, And how do you

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Speaker 1: handle that if somebody goes, I know you from somewhere,

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Speaker 1: what do you say? Well, sometimes you have fun with

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Speaker 1: it and you're like, I don't know, you know, what

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Speaker 1: what do you think? And so I mean And then

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Speaker 1: finally usually I was on idol and they're like, oh yeah,

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Speaker 1: yeah they said that to me. They're like, oh, were

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Speaker 1: you on Judge Judy? No, I wasn't. I guess it

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Speaker 1: wasn't me. You were thinking about once I want to

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Speaker 1: get ice cream into place And she was like she

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Speaker 1: pulled up her phone and I Sawry Google me and

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Speaker 1: she was like, no, that's not him, and you should

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Speaker 1: put the phone down. Real It was like a really

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Speaker 1: good professional picture. I guess it looks like crap that day. Look,

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Speaker 1: Taylor Hicks is here. Um, you're so good that harmonica

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Speaker 1: that you have? What what? What key is that? Listen

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Speaker 1: the song e? I have an E and then I've

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Speaker 1: got probably twenty different keys they got from Blues Traveler.

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Speaker 1: He ain'ty good? Love him? Yeah, he's different stylistically. He

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Speaker 1: probably one of the more stylistic harmonica players in the world. Um,

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Speaker 1: he's a good friend and uh, oh, you know him. Yeah. Yeah,

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Speaker 1: I was just asking as harmonica playing because he wears

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Speaker 1: the vest all the harmonicas, and do you have one

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Speaker 1: of those great and a great writer too. I mean,

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Speaker 1: let's not Forgod. I mean, you know he wrote the

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Speaker 1: Hook and you know some of those really iconic hits

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Speaker 1: you know of the early nineties. I was wanted to

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Speaker 1: play harmonica, Taylor. I'm gonna tell you the little story

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Speaker 1: about me playing harmonica. I always wanted to play in Eddie,

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Speaker 1: who is the other half of my comedy duo, our

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Speaker 1: comedy due the Raging Idiots. He goes, so you can

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Speaker 1: play hermonica. I said, no, I can't, because they're good.

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Speaker 1: He goes, no, no no, no, no, here's the easy way

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Speaker 1: that they don't do because they're good, but you can

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Speaker 1: do because you're crappy. So we I think we played.

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Speaker 1: What song? Did we play? It was like an old

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Speaker 1: eighty was it? That's what I like about you. Yeah,

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Speaker 1: really know how to do. So he just gave me

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Speaker 1: the harmonica in the key and he goes just blowing

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Speaker 1: and out during the key and it'll match the song

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Speaker 1: completely and everybody'll think your harmonica player. And I was like,

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Speaker 1: all right, let's give it a running. We're on stage

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Speaker 1: and finally like five thousand people and I've never played

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Speaker 1: harmonica in my life except for just going that right

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Speaker 1: with harmonica, and so the whole song isn't whatever key

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Speaker 1: it was in Eddie hands me Harmonica goes trust me

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Speaker 1: on this, and there's the harmonica part in that song

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Speaker 1: where so I'm just not really I'm having like a

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Speaker 1: seizure or something up there because I'm just I don't

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Speaker 1: even know how to breathe. And I put the harmonica

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Speaker 1: lay in the crowds going nuts because they think I'll

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Speaker 1: just play. I just rocked the harmonica and I was like,

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Speaker 1: thank you, And I retired that day playing harmonica one

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Speaker 1: to Oh but that's not real. Well that's not real harmonica.

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Speaker 1: Like where did you start? When did you start playing harmonica?

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Speaker 1: M I probably I started playing when I was about

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Speaker 1: fourteen or fifteen, But interestingly enough, I was I was

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Speaker 1: an only child, and I bought my first harmonica at

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Speaker 1: the best summer flea market in Alabama. I would not

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Speaker 1: suggest buying your first harmonica a flea market. By the way,

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Speaker 1: what did you catch what disease going? I can't say.

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Speaker 1: I'm not going to displose that that's for the next single,

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Speaker 1: but UM the uh. So I ended up actually playing

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Speaker 1: off of UM very kind of non traditional sounds. So

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Speaker 1: I would like go by behind the air conditioner and

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Speaker 1: I would find the key that the air conditioner was in,

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Speaker 1: and I would play off of the air conditioner so

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Speaker 1: that the air conditioner was was like, oh you know,

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Speaker 1: then there wasn't anybody around to play music, So I

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Speaker 1: would play off of air conditioners, airplanes, eighteen wheeler rigs

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Speaker 1: that would go down the road. How are you hearing keys? Though?

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Speaker 1: Where did you learn music or didn'taturally come to you?

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Speaker 1: You know, I think it's just, you know, it's an

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Speaker 1: ear thing for me. You know, that's all of these

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Speaker 1: sounds like that's kind of I didn't have a guitar

403
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Speaker 1: or anything, so that's kind of how I learned. It's

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Speaker 1: just very nontric And I would play off to the

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Speaker 1: radio too, But if I if I didn't have a

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Speaker 1: radio round, I would do UM. I would play off

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Speaker 1: of mostly air conditioners. So you trains are usually air

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Speaker 1: conditioners are shameless plug but they're in a they're in

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Speaker 1: a I would you would listen to the radio, I

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Speaker 1: just play along with songs like a drummer would, Yes,

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Speaker 1: but you would. But the thing about harmonica those is

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Speaker 1: you have to um, you know, you have to have

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Speaker 1: be in the right key. So you have to think

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Speaker 1: about harmonica playing. Is chromatic? Is the big fat one

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Speaker 1: that Stevie Wonder used where you could click in and

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Speaker 1: out of the keys. Um, but just you know, just

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Speaker 1: kind of traditional harmonica playing. Um, you have a lot

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Speaker 1: of keys. So that's the reason why we were talking

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Speaker 1: about paper with the belts and stuff, is because you

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Speaker 1: have to find the key. So show up you have

421
00:20:25,880 --> 00:20:27,320
Speaker 1: what do you have there in your hand? Um? I

422
00:20:27,400 --> 00:20:29,760
Speaker 1: just want to hear the difference. So this is an E.

423
00:20:33,040 --> 00:20:34,639
Speaker 1: I definitely got the blues from that. Let me hear

424
00:20:34,680 --> 00:20:37,360
Speaker 1: what I have now? Then this is this is an

425
00:20:37,359 --> 00:20:47,159
Speaker 1: E flash. Now I'm even sadder. That sounds like rose. Yeah.

426
00:20:47,240 --> 00:20:50,560
Speaker 1: So as a harmonica player, do you have to learn

427
00:20:50,640 --> 00:20:54,080
Speaker 1: Do you ever learn melodies and play like a melody

428
00:20:54,080 --> 00:20:56,320
Speaker 1: of a song or are you kind of just jumping

429
00:20:56,320 --> 00:20:58,399
Speaker 1: around with like a jazz player. Well, it's kind of

430
00:20:58,440 --> 00:21:01,159
Speaker 1: like a jazz thing for me. Yeah, sometimes I'll have

431
00:21:01,280 --> 00:21:09,840
Speaker 1: to find um, you know, like we're gonna love Let

432
00:21:09,880 --> 00:21:14,879
Speaker 1: me do some of those lines. Um and you know, hey,

433
00:21:14,920 --> 00:21:18,720
Speaker 1: hey man, I want to you know, those kinds of lines.

434
00:21:18,760 --> 00:21:20,560
Speaker 1: But for me, I just kind of dig it because

435
00:21:20,560 --> 00:21:23,240
Speaker 1: I'm singing. I kind of just dig into the solo

436
00:21:23,359 --> 00:21:24,920
Speaker 1: a little bit. I wanted to wear one of those

437
00:21:24,920 --> 00:21:26,200
Speaker 1: things when you put it on your neck with a

438
00:21:26,160 --> 00:21:27,800
Speaker 1: harmonica in it and do a whole show with them

439
00:21:27,840 --> 00:21:29,440
Speaker 1: and never actually play it. And many people think the

440
00:21:29,440 --> 00:21:31,000
Speaker 1: whole time I'm gonna go to it, but I never did.

441
00:21:32,400 --> 00:21:34,440
Speaker 1: I was like, wouldn't that be hilarious. I just wear

442
00:21:34,440 --> 00:21:37,760
Speaker 1: it the whole time, big harmonica and never even address it.

443
00:21:37,880 --> 00:21:40,480
Speaker 1: And then I'm like, thank you guys, good night. That's

444
00:21:40,600 --> 00:21:42,760
Speaker 1: my kind of comedy right there. You know, I've all

445
00:21:42,960 --> 00:21:47,000
Speaker 1: I've actually thought about, like like doing having a giant

446
00:21:47,040 --> 00:21:50,120
Speaker 1: one and then having a little bitty one like right here,

447
00:21:50,240 --> 00:21:52,080
Speaker 1: so it makes it looks like we're playing like I'll

448
00:21:52,080 --> 00:21:53,680
Speaker 1: see you put a little room behind it. We can't see,

449
00:21:54,880 --> 00:21:56,679
Speaker 1: and you just kind of come out and waddle with

450
00:21:56,760 --> 00:21:58,440
Speaker 1: it like it and you put on those big sunglasses

451
00:21:58,440 --> 00:22:02,760
Speaker 1: at the same time that are oversized, and it'll be awesome. See. Okay, look,

452
00:22:03,200 --> 00:22:05,359
Speaker 1: We've done it all. Taylor Hicks. He's got a new

453
00:22:05,400 --> 00:22:08,480
Speaker 1: song out today called port Swing. That's amazing that we're

454
00:22:08,480 --> 00:22:11,120
Speaker 1: also going to feature in a national countdown. You played

455
00:22:11,160 --> 00:22:14,600
Speaker 1: the second song, Uh, let me see title, six Strings

456
00:22:15,359 --> 00:22:18,320
Speaker 1: and diamond Ooh, I'm close. Diamond rings is what's it called?

457
00:22:18,320 --> 00:22:20,679
Speaker 1: Six strings and strings? And oh I had it, you did.

458
00:22:20,800 --> 00:22:22,480
Speaker 1: I thought it was like it was. They're hard on

459
00:22:22,640 --> 00:22:26,480
Speaker 1: the back, six strings, hard on diamond rings, diamond rings.

460
00:22:26,920 --> 00:22:30,440
Speaker 1: You just said the word never mind. Okay, okay, okay.

461
00:22:30,840 --> 00:22:33,680
Speaker 1: Also I'll say too, both songs, they're sort of like

462
00:22:34,040 --> 00:22:36,520
Speaker 1: both of them. I was picturing the whole story the

463
00:22:36,560 --> 00:22:38,800
Speaker 1: whole time you were singing, because and I was following

464
00:22:38,800 --> 00:22:40,600
Speaker 1: you along. I don't know if I had the narrative

465
00:22:40,680 --> 00:22:42,800
Speaker 1: right in my head. But what's funny is quincidentally, I'm

466
00:22:42,840 --> 00:22:45,000
Speaker 1: gonna follow him along after this see where he lives,

467
00:22:46,520 --> 00:22:52,040
Speaker 1: so control later, right, okay? Quickly uncomfortable questions from listeners.

468
00:22:52,160 --> 00:22:55,840
Speaker 1: Question number one, how old was Taylor when he was

469
00:22:55,880 --> 00:22:57,680
Speaker 1: on American Idol? Because your hair was already great, you

470
00:22:57,680 --> 00:23:01,119
Speaker 1: went great early high sixteen? You gray at sixteen. I

471
00:23:01,720 --> 00:23:03,840
Speaker 1: had people pluck them out of my head in class

472
00:23:03,880 --> 00:23:07,760
Speaker 1: actually because your parent would probably. Yeah, my whole family's

473
00:23:07,800 --> 00:23:10,399
Speaker 1: like gray early. Yeah, and did you ever think I'm

474
00:23:10,440 --> 00:23:13,200
Speaker 1: gonna dye my hair. No, although they wanted me too

475
00:23:13,240 --> 00:23:16,040
Speaker 1: on idol. I mean they were they were like they

476
00:23:16,080 --> 00:23:18,439
Speaker 1: were like you should. And then I know. Then I

477
00:23:18,440 --> 00:23:21,560
Speaker 1: had a manager that at one point in time, Jordan Felstein,

478
00:23:21,640 --> 00:23:26,400
Speaker 1: who who was um Maroon fives manager passed, loved him

479
00:23:26,400 --> 00:23:28,640
Speaker 1: to death. He and this is a great idea too,

480
00:23:28,640 --> 00:23:30,080
Speaker 1: and I mean, I guess I'll give it away. But

481
00:23:30,200 --> 00:23:33,199
Speaker 1: he wanted me to die at Pink for October for

482
00:23:33,400 --> 00:23:36,040
Speaker 1: breast cancer awareness, which I'm totally down to do it.

483
00:23:35,960 --> 00:23:37,840
Speaker 1: And it would be easier to do because it's already light. Yeah,

484
00:23:39,280 --> 00:23:41,840
Speaker 1: like two shades from Pink already, so you know, I

485
00:23:41,840 --> 00:23:44,639
Speaker 1: mean that's but no, they wanted me to diet on

486
00:23:44,640 --> 00:23:46,399
Speaker 1: on idol, but I just I didn't want to do it.

487
00:23:46,600 --> 00:23:50,080
Speaker 1: Question two with Taylor Hicks singing my wedding for twenty grand,

488
00:23:51,600 --> 00:23:58,639
Speaker 1: anything's possible. Any day, that's possible. Okay, I have to

489
00:23:58,640 --> 00:24:01,640
Speaker 1: go through my agent. But how tall is Taylor Hicks

490
00:24:02,080 --> 00:24:09,560
Speaker 1: six one? What about without your shoes? Five? Six? Exactly? Okay, entertainment,

491
00:24:09,720 --> 00:24:12,520
Speaker 1: that's it. Everyone, go check out, go follow Taylor Hicks

492
00:24:12,720 --> 00:24:15,879
Speaker 1: at Taylor Hicks Official. The new song is porch swing.

493
00:24:16,480 --> 00:24:18,679
Speaker 1: You guys, everybody awesome. You guess sounded great. It's been

494
00:24:18,720 --> 00:24:21,720
Speaker 1: a lot of fun for me, and anything from you

495
00:24:21,720 --> 00:24:24,840
Speaker 1: guys before we go. No, okay, it's great. It was great.

496
00:24:24,960 --> 00:24:27,159
Speaker 1: I've put one of those Apple Air tags on his

497
00:24:27,200 --> 00:24:28,920
Speaker 1: car so I know exactly where he goes after this

498
00:24:29,160 --> 00:24:32,480
Speaker 1: second track him Otherwise, Taylor, congratulations on a great performance

499
00:24:32,480 --> 00:24:34,480
Speaker 1: in a new song and hopefully we will see soon

500
00:24:34,520 --> 00:24:43,240
Speaker 1: my friend. Thanks. It's the best bits of the week

501
00:24:44,000 --> 00:24:49,399
Speaker 1: with Morgan. Number two, Lunchbox and I shared some recent

502
00:24:49,560 --> 00:24:52,560
Speaker 1: uber incidents that we've had. Lunchbox had a crazy driver

503
00:24:52,640 --> 00:24:55,479
Speaker 1: who just danced the entire time and didn't keep their

504
00:24:55,520 --> 00:24:57,399
Speaker 1: hands on the steering wheel. And I got into an

505
00:24:57,480 --> 00:24:59,480
Speaker 1: uber that had two people in it, and no it

506
00:24:59,520 --> 00:25:01,680
Speaker 1: was not I shared uber you know where you can

507
00:25:02,040 --> 00:25:04,840
Speaker 1: order an uber and it also can pick somebody else up. Yeah,

508
00:25:04,840 --> 00:25:06,520
Speaker 1: it wasn't one of those, but there was two people,

509
00:25:06,800 --> 00:25:08,720
Speaker 1: one of the driver's seat, one of the passenger's seat,

510
00:25:08,760 --> 00:25:11,920
Speaker 1: and so we shared what happened and what transpired out

511
00:25:11,920 --> 00:25:15,000
Speaker 1: of these kind of interesting uber experiences, and y'all also

512
00:25:15,040 --> 00:25:16,800
Speaker 1: shared them on our social media pages. So if you

513
00:25:16,840 --> 00:25:19,520
Speaker 1: have a crazy uber experience, make sure to hit me

514
00:25:19,600 --> 00:25:21,359
Speaker 1: up at web Girl Morgan or you can hit the

515
00:25:21,359 --> 00:25:24,119
Speaker 1: show up at Bobby Bones Show number five. We were

516
00:25:24,119 --> 00:25:26,760
Speaker 1: talking about our kids don't really want to drive like

517
00:25:26,840 --> 00:25:28,720
Speaker 1: we did when we were kids, mostly because it's ride

518
00:25:28,720 --> 00:25:31,880
Speaker 1: share Uber left they don't have to have a car

519
00:25:31,920 --> 00:25:33,720
Speaker 1: to get to the places they have to get to.

520
00:25:34,920 --> 00:25:36,840
Speaker 1: But that being said, we use Uber a decent amount,

521
00:25:37,000 --> 00:25:39,560
Speaker 1: even though we have cars and have two crazy Uber stories.

522
00:25:39,960 --> 00:25:42,800
Speaker 1: Lunchbox your first. So I took one home from your

523
00:25:43,040 --> 00:25:45,880
Speaker 1: million dollars show the other night, and the guy picks

524
00:25:45,920 --> 00:25:48,120
Speaker 1: me up by getting them back. And as we're driving,

525
00:25:49,080 --> 00:25:52,040
Speaker 1: he keeps taking his hands off the wheel because he's

526
00:25:52,119 --> 00:25:58,600
Speaker 1: jamming out to music. And I'm going, do you say

527
00:25:58,640 --> 00:26:01,840
Speaker 1: something like it? So I was like, hands on the wheel.

528
00:26:02,119 --> 00:26:05,199
Speaker 1: So you were telling him how to drive? Yes, because

529
00:26:05,960 --> 00:26:08,000
Speaker 1: my life is in his hands and he is getting

530
00:26:08,040 --> 00:26:10,640
Speaker 1: so lost in his music. What kind of music though?

531
00:26:10,840 --> 00:26:15,159
Speaker 1: It was outcast and he was just rocking it and

532
00:26:15,160 --> 00:26:16,719
Speaker 1: he was just throwing his hand and I was like,

533
00:26:16,840 --> 00:26:18,560
Speaker 1: hands on the wheel, hands on the wheel, and I

534
00:26:18,560 --> 00:26:20,280
Speaker 1: can't see him. His eyes are closed because when you're

535
00:26:20,320 --> 00:26:26,199
Speaker 1: jamming sometimes yeah, and I'm it, I hate your feeling it,

536
00:26:26,280 --> 00:26:28,439
Speaker 1: but put their hands on the wheel and bob your

537
00:26:28,480 --> 00:26:30,320
Speaker 1: head up and down. Did he do that? And then okay?

538
00:26:30,320 --> 00:26:32,879
Speaker 1: And he put his hands back on the wheel. And

539
00:26:32,920 --> 00:26:36,439
Speaker 1: then about five seconds later he starts jamming again hands

540
00:26:36,640 --> 00:26:38,080
Speaker 1: and he put one hand on the wheel and then

541
00:26:38,080 --> 00:26:40,480
Speaker 1: he'd have another hand in and I'm just like, dude,

542
00:26:40,520 --> 00:26:45,280
Speaker 1: what are you doing? Like please stop? And I got

543
00:26:45,320 --> 00:26:48,800
Speaker 1: home safely. Did you rate him anywhorse? No? Did you

544
00:26:48,800 --> 00:26:53,520
Speaker 1: tip him? Because he did have good music? Like shake?

545
00:26:54,359 --> 00:26:56,479
Speaker 1: Because it's like was it a friendly driver? He was friendly?

546
00:26:56,600 --> 00:26:58,760
Speaker 1: Was it a good like like clean car? It was

547
00:26:58,800 --> 00:27:00,960
Speaker 1: a clean car. It didn't say anything about did he

548
00:27:01,040 --> 00:27:03,199
Speaker 1: have his hands on the wheel? Did you enjoy outcast? Hey?

549
00:27:03,480 --> 00:27:05,560
Speaker 1: If so? Hit? I mean it was good. But it

550
00:27:05,600 --> 00:27:09,200
Speaker 1: was just like I was like, would you say something?

551
00:27:09,200 --> 00:27:11,399
Speaker 1: Do you say something? Because I did? And I was like,

552
00:27:11,440 --> 00:27:12,800
Speaker 1: I don't know if it's supposed to tell these people

553
00:27:12,800 --> 00:27:16,760
Speaker 1: about to drive. I don't know. I've corrected Uber drivers

554
00:27:16,760 --> 00:27:18,879
Speaker 1: before on the way they're going. Oh if I know

555
00:27:19,000 --> 00:27:21,000
Speaker 1: the place, they don't like that. I'm like, hey, this

556
00:27:21,640 --> 00:27:23,280
Speaker 1: especially to the the airport. I know the way to the airport.

557
00:27:23,320 --> 00:27:25,240
Speaker 1: I go all the time, and I know the traffic

558
00:27:25,280 --> 00:27:26,960
Speaker 1: and when it's bad and I was like, hey, I

559
00:27:27,040 --> 00:27:28,760
Speaker 1: know the GPS says this by promise you. We do

560
00:27:28,800 --> 00:27:29,960
Speaker 1: this all the time if you want to go up here.

561
00:27:30,200 --> 00:27:31,840
Speaker 1: I say it like that, like, hey, you're doing wrong.

562
00:27:32,040 --> 00:27:34,040
Speaker 1: If you want to go up here, you can do this,

563
00:27:34,240 --> 00:27:36,320
Speaker 1: and they'd be like no, and then I'll go, hey,

564
00:27:36,320 --> 00:27:38,200
Speaker 1: I really do think you should go this way because

565
00:27:38,200 --> 00:27:40,879
Speaker 1: I kind of want a time time crunch. Yeah, and

566
00:27:40,960 --> 00:27:45,000
Speaker 1: it's awkward, but I do know the way. So but

567
00:27:45,040 --> 00:27:48,320
Speaker 1: the hands, I don't know why I do about the hands.

568
00:27:48,359 --> 00:27:50,360
Speaker 1: Here's the other one, Morgan, what happened to you? So

569
00:27:50,480 --> 00:27:53,080
Speaker 1: when I got in, I realized somebody else was also

570
00:27:53,200 --> 00:27:55,200
Speaker 1: in the car, not just the driver. There was somebody

571
00:27:55,200 --> 00:27:58,359
Speaker 1: else sitting in the passenger seat. So it wasn't like

572
00:27:58,440 --> 00:28:00,159
Speaker 1: when Abby met the guy she wanted to go on

573
00:28:00,200 --> 00:28:01,840
Speaker 1: a date with. What do you share? You didn't do

574
00:28:01,960 --> 00:28:03,919
Speaker 1: never Share. I didn't do uber share. This was just

575
00:28:03,960 --> 00:28:06,000
Speaker 1: me picking up an uber I get in. There's two

576
00:28:06,000 --> 00:28:08,439
Speaker 1: people in the front seat. Oh, they're coming to kidnap

577
00:28:08,480 --> 00:28:10,679
Speaker 1: you and kill you. Yeah. Yeah, And it was a

578
00:28:10,720 --> 00:28:13,520
Speaker 1: guy and a girl and over. I sat in there

579
00:28:13,560 --> 00:28:16,000
Speaker 1: and contemplated getting out for a minute, but as I

580
00:28:16,040 --> 00:28:18,400
Speaker 1: started to hear their conversation, I realized they were friends.

581
00:28:19,000 --> 00:28:21,280
Speaker 1: This girl in the front seat was just riding along

582
00:28:21,320 --> 00:28:24,040
Speaker 1: with her guy friend. He should let you know. Then

583
00:28:24,040 --> 00:28:26,040
Speaker 1: as soon as you get in, there has to be

584
00:28:26,080 --> 00:28:29,480
Speaker 1: something said, Hey, I'm Mike Ipe, It's cool. This is

585
00:28:29,480 --> 00:28:32,359
Speaker 1: my friend. She's something that needs to be addressed. Otherwise

586
00:28:32,400 --> 00:28:36,600
Speaker 1: it feels completely unsafe. Yea, it's two verses one. Yeah,

587
00:28:36,800 --> 00:28:38,959
Speaker 1: that's why it feels unsafe. Yeah, So I sent my

588
00:28:39,040 --> 00:28:40,960
Speaker 1: uber ride to like all my friends and my mom.

589
00:28:41,000 --> 00:28:42,560
Speaker 1: I'm like, if I don't make it out of this car,

590
00:28:42,720 --> 00:28:45,120
Speaker 1: you guys know I'm not safe. And you didn't say

591
00:28:45,120 --> 00:28:47,880
Speaker 1: anything about it? No, because he didn't say anything, so

592
00:28:47,920 --> 00:28:50,160
Speaker 1: I just assumed. I'm like, does he just think this

593
00:28:50,240 --> 00:28:51,880
Speaker 1: is okay? Again? I don't know if I'd have said

594
00:28:51,880 --> 00:28:54,360
Speaker 1: anything either, unless they were going to the airport and

595
00:28:54,440 --> 00:28:55,880
Speaker 1: I've been like, hey you too, this is not the way.

596
00:28:56,920 --> 00:28:58,440
Speaker 1: By the way, why the two of you? I did

597
00:28:58,560 --> 00:29:00,360
Speaker 1: watch my tracking the whole time. I was like, are

598
00:29:00,360 --> 00:29:02,239
Speaker 1: we going to the right place? Yeah, that's bizarre too.

599
00:29:02,320 --> 00:29:04,040
Speaker 1: Would you have gotten out though, or would you have stayed?

600
00:29:05,240 --> 00:29:08,680
Speaker 1: I think I'd probably gotten in and just prayed to

601
00:29:08,680 --> 00:29:10,480
Speaker 1: God I didn't get murdered. But it's also give up

602
00:29:10,520 --> 00:29:14,160
Speaker 1: for guys and girls. I agree because Morgan is a woman. Yeah, yes,

603
00:29:14,360 --> 00:29:17,040
Speaker 1: who is small? I mean at some point I think

604
00:29:17,040 --> 00:29:18,920
Speaker 1: you got to say, and who is this? Like am

605
00:29:18,960 --> 00:29:21,080
Speaker 1: I praying for her? Ride? Like what's going on? Like weird,

606
00:29:21,080 --> 00:29:22,280
Speaker 1: that's a weird way to go at it, But I

607
00:29:22,320 --> 00:29:24,320
Speaker 1: do I don't think I do understand that, Like I

608
00:29:24,400 --> 00:29:27,760
Speaker 1: know your bill, but who is she? Maybe? Oh, let

609
00:29:27,800 --> 00:29:30,120
Speaker 1: me think I'm getting the car over and up? Oh

610
00:29:29,920 --> 00:29:33,760
Speaker 1: oh oh? Did I accidentally or order uber share? If so,

611
00:29:33,800 --> 00:29:35,200
Speaker 1: I messed up because there's somebody else in the car.

612
00:29:35,200 --> 00:29:37,040
Speaker 1: Maybe that's because that's what can of my mind instinctually,

613
00:29:37,480 --> 00:29:40,200
Speaker 1: and then that would make him address, well, no, no,

614
00:29:40,280 --> 00:29:44,480
Speaker 1: this is her and we've come together to kill you.

615
00:29:44,480 --> 00:29:46,880
Speaker 1: You get out. Have you ever had to prematurely like

616
00:29:47,360 --> 00:29:51,800
Speaker 1: get out of an uber No? But once I accidentally

617
00:29:51,920 --> 00:29:53,760
Speaker 1: ordered uber share and we stopped at somebody's house and

618
00:29:53,800 --> 00:29:57,240
Speaker 1: I'm like, what's happening here? And he's like, we're picking

619
00:29:57,360 --> 00:29:59,040
Speaker 1: and I'm and they got in the seat beside me. Yeah,

620
00:29:59,080 --> 00:30:02,320
Speaker 1: that's crazy, and I'm like, what what's happening? And then

621
00:30:02,360 --> 00:30:04,040
Speaker 1: I looked down and it said you're doing uber share

622
00:30:04,080 --> 00:30:05,920
Speaker 1: And I pushed the wrong button and then we had

623
00:30:05,920 --> 00:30:10,000
Speaker 1: to go. We stopped it like some pharmacy. So no,

624
00:30:10,120 --> 00:30:12,040
Speaker 1: but I've accidentally been in a weird situation like that.

625
00:30:12,040 --> 00:30:14,200
Speaker 1: It was my fault, have you. Yeah, when my uber

626
00:30:14,280 --> 00:30:17,520
Speaker 1: driver hit a person, Well, that's right, and you headed

627
00:30:17,560 --> 00:30:19,840
Speaker 1: the awkward thing. Hey I want to go. Oh yeah.

628
00:30:19,840 --> 00:30:22,120
Speaker 1: I was like, I'm get He's like, hey, hair, let

629
00:30:22,200 --> 00:30:27,080
Speaker 1: me go handle this. Hold on, hold on, was so

630
00:30:27,400 --> 00:30:30,520
Speaker 1: casual about it. And then he got out and you know, police,

631
00:30:30,600 --> 00:30:32,920
Speaker 1: fire trugs, all these things start arriving and I'm like,

632
00:30:34,240 --> 00:30:39,560
Speaker 1: nothing to see here, I'm ordering another umber. Yeah, it's

633
00:30:39,640 --> 00:30:43,160
Speaker 1: the best bits of the week with Morgan. Number two,

634
00:30:44,400 --> 00:30:48,200
Speaker 1: Lunchbox shared a pro tip on how to Valentine's like

635
00:30:48,360 --> 00:30:50,880
Speaker 1: a boss. Yes, we are past Valentine's Day and that

636
00:30:50,960 --> 00:30:52,960
Speaker 1: is the whole point of this segment, but you might

637
00:30:53,000 --> 00:30:55,120
Speaker 1: not be able to still do his tip even though

638
00:30:55,240 --> 00:30:58,120
Speaker 1: it is a little bit past until next year. So

639
00:30:58,400 --> 00:31:01,000
Speaker 1: you need this information because he thinks it's the best

640
00:31:01,000 --> 00:31:04,080
Speaker 1: way to handle Valentine's Day, and frankly, just about almost

641
00:31:04,080 --> 00:31:06,640
Speaker 1: any holiday. That's how he feels. So listen to this.

642
00:31:06,840 --> 00:31:08,680
Speaker 1: He thinks you need a pin and paper to write

643
00:31:08,720 --> 00:31:12,560
Speaker 1: this down and never forget this pro tip from Lunchbox

644
00:31:13,000 --> 00:31:15,520
Speaker 1: number four. It's a little late for a Valentine segment, No,

645
00:31:16,320 --> 00:31:18,360
Speaker 1: I don't think so, it's a perfect time. Actually, okay,

646
00:31:18,360 --> 00:31:20,720
Speaker 1: So what's the deal. This is how you Valentine's like

647
00:31:20,720 --> 00:31:22,560
Speaker 1: a boss. I told you, guys, last week I did

648
00:31:22,600 --> 00:31:25,280
Speaker 1: nothing for my wife or Valentine's Day. She cooked dinner,

649
00:31:25,360 --> 00:31:27,680
Speaker 1: she confirmed it. We had audio for telling you. But

650
00:31:27,760 --> 00:31:30,840
Speaker 1: what you do is you wait till days afterwards. You

651
00:31:30,880 --> 00:31:34,479
Speaker 1: go to the store. Guys, everything is on clearance. And

652
00:31:34,520 --> 00:31:37,400
Speaker 1: so I went to Walgreens this weekend and here it is.

653
00:31:37,440 --> 00:31:40,120
Speaker 1: This is what I say. Just the shelves are full

654
00:31:40,160 --> 00:31:43,120
Speaker 1: of valentine stuff eighty percent off. So then do you

655
00:31:43,160 --> 00:31:45,360
Speaker 1: save it and do it next year? Because Valentine's isn't

656
00:31:45,440 --> 00:31:47,320
Speaker 1: no no holiday, no, no, no no, no no. I just

657
00:31:47,360 --> 00:31:49,560
Speaker 1: give it to her when I get home. Oh just listen,

658
00:31:49,880 --> 00:31:52,080
Speaker 1: listen and look at just hit the clip. Here's lunch

659
00:31:52,080 --> 00:31:54,640
Speaker 1: Box in the store setting up his hack. Guys. This

660
00:31:54,760 --> 00:31:57,160
Speaker 1: is how you do Valentine today. Look eighty percent off?

661
00:31:57,240 --> 00:32:01,360
Speaker 1: Oh my goodness, seventy percent off? Are you kidding me?

662
00:32:01,440 --> 00:32:05,600
Speaker 1: So I can buy all this and you guys are

663
00:32:05,600 --> 00:32:09,200
Speaker 1: the chumps that bought it early saved that money. Areas

664
00:32:09,240 --> 00:32:11,080
Speaker 1: revealing what he bought and how much money he saved.

665
00:32:11,160 --> 00:32:13,320
Speaker 1: Go ahead, So what we end up getting? Guys? What

666
00:32:13,480 --> 00:32:17,440
Speaker 1: we end up getting? Oh, my goodness, chocolate twenty dollars

667
00:32:17,480 --> 00:32:20,560
Speaker 1: if you buy it on Valentine's Day? Two dollars today.

668
00:32:21,000 --> 00:32:23,240
Speaker 1: Oh you want to get your lady of boatcam of

669
00:32:23,280 --> 00:32:29,080
Speaker 1: flowers seventeen ninety nine, not today, three dollars. So I

670
00:32:29,160 --> 00:32:32,840
Speaker 1: got three dollars of flowers. Oh, another three dollars of flowers.

671
00:32:33,360 --> 00:32:38,080
Speaker 1: Another three dollars of flowers. Another three dollars of flowers. Guys,

672
00:32:38,120 --> 00:32:44,360
Speaker 1: I spent one twelve fourteen dollars. Whoa Valentines? Like a boss?

673
00:32:44,480 --> 00:32:45,880
Speaker 1: That's how you do it? Did you give it to

674
00:32:45,920 --> 00:32:47,680
Speaker 1: your wife? Gave it to my wife. She's like, oh,

675
00:32:47,720 --> 00:32:49,840
Speaker 1: thank you. What's great is you want to know why

676
00:32:49,840 --> 00:32:52,360
Speaker 1: they're eighteen dollars because they had hearts on the little

677
00:32:52,400 --> 00:32:55,120
Speaker 1: wrapping paper around the flowers. They're the exact same flowers

678
00:32:55,160 --> 00:32:57,120
Speaker 1: they would have out any other day, but they put

679
00:32:57,160 --> 00:32:59,080
Speaker 1: that little They could they could have taken that wrapping

680
00:32:59,120 --> 00:33:01,080
Speaker 1: off and let and put it back on there and

681
00:33:01,160 --> 00:33:03,600
Speaker 1: charge you what. No, you shut it on it's put

682
00:33:03,640 --> 00:33:06,120
Speaker 1: a Saint Patrick's trapping on it, like baby Saint Patrick's flow.

683
00:33:06,280 --> 00:33:08,080
Speaker 1: I mean you want to talk about I mean I

684
00:33:08,080 --> 00:33:10,560
Speaker 1: would have spent how much eighteen times four would because

685
00:33:10,560 --> 00:33:12,240
Speaker 1: you wouldn't have no know what I'm saying. Eighteen nins

686
00:33:12,240 --> 00:33:15,760
Speaker 1: four do it for me? Thirty six seventy two plus

687
00:33:15,840 --> 00:33:21,360
Speaker 1: twenty dollars for chocolates ninety two dollars and I spent fourteen. Ah,

688
00:33:21,720 --> 00:33:24,360
Speaker 1: that is how you. Valentine's like a boss. You get,

689
00:33:24,440 --> 00:33:26,960
Speaker 1: you save money, and your lady is happy. You guys,

690
00:33:27,040 --> 00:33:28,680
Speaker 1: you think she's happy. You think most ladies are happy

691
00:33:28,680 --> 00:33:31,280
Speaker 1: when you forget because she has two vases worth of flowers.

692
00:33:31,320 --> 00:33:34,000
Speaker 1: There were so many flowers and it only calls me

693
00:33:34,080 --> 00:33:39,360
Speaker 1: twelve dollars. That's like a boss, everybody. I am thinking

694
00:33:39,400 --> 00:33:42,200
Speaker 1: from a parent's perspective. It's not a bad idea to

695
00:33:42,480 --> 00:33:47,800
Speaker 1: get Valentine's for your kids. That gets expensive too, So yeah,

696
00:33:47,840 --> 00:33:50,520
Speaker 1: I wonder if you could stock up. Valentine's is not practical.

697
00:33:51,040 --> 00:33:54,840
Speaker 1: It's it's a stupid holiday, but it's romantic. Romance is

698
00:33:54,840 --> 00:33:58,640
Speaker 1: not practical, So saving money's a practical thing. It doesn't

699
00:33:58,680 --> 00:34:02,680
Speaker 1: matter you Valentines. I'm like a bare segment. There. You

700
00:34:02,720 --> 00:34:04,080
Speaker 1: do it next year and your lady will love you

701
00:34:04,080 --> 00:34:05,520
Speaker 1: can go today. I don't have to go next year.

702
00:34:05,840 --> 00:34:09,040
Speaker 1: If they're still there, you'll put it absolutely so well

703
00:34:09,200 --> 00:34:11,239
Speaker 1: forty ninety. I never checked his math. I don't know

704
00:34:11,280 --> 00:34:15,279
Speaker 1: if that was right, but we're here for it. It's

705
00:34:15,320 --> 00:34:18,839
Speaker 1: the best bits of the week with Morgan. Number two,

706
00:34:20,120 --> 00:34:22,600
Speaker 1: another really awesome interview happened on the show this week.

707
00:34:22,640 --> 00:34:25,640
Speaker 1: The Records stop by. That's Michelle Branch and Jessica Harp,

708
00:34:26,000 --> 00:34:28,400
Speaker 1: and they reunited for the million Dollars show that happened

709
00:34:28,440 --> 00:34:31,719
Speaker 1: this week, and they performed. They're very iconic and song

710
00:34:31,800 --> 00:34:34,759
Speaker 1: everybody loves Leave the Pieces. But they also talked with

711
00:34:34,840 --> 00:34:37,480
Speaker 1: us on the show about how they started as a duo,

712
00:34:37,600 --> 00:34:40,560
Speaker 1: what happened, and if they're ever going to release new music.

713
00:34:40,600 --> 00:34:43,959
Speaker 1: And I'm just saying I'm freaking out based on the

714
00:34:44,000 --> 00:34:47,520
Speaker 1: answers that came out of this interview. Number three exciting

715
00:34:47,520 --> 00:34:49,880
Speaker 1: for me because the records are here in the studio.

716
00:34:50,160 --> 00:34:52,360
Speaker 1: You know, the records from their song Lead the Pieces,

717
00:34:53,200 --> 00:34:57,880
Speaker 1: all right, yeah, don't worry about this song. The records

718
00:34:57,880 --> 00:35:01,240
Speaker 1: are Michelle Branch and Jessica Harp. You know Michelle Branch

719
00:35:01,239 --> 00:35:03,719
Speaker 1: form a bunch of songs too, but here is everywhere.

720
00:35:07,000 --> 00:35:10,279
Speaker 1: They got nominated for a Grammy. They were vocal due

721
00:35:10,440 --> 00:35:12,640
Speaker 1: I mean, so many awards, and they haven't played together

722
00:35:12,719 --> 00:35:15,719
Speaker 1: in a long time. They played with us last night

723
00:35:15,880 --> 00:35:18,080
Speaker 1: at the Ryman Auditorium. Eddie and I the Raging Idiots,

724
00:35:18,400 --> 00:35:21,400
Speaker 1: super excited to have them here. Let's welcome in the

725
00:35:21,440 --> 00:35:25,680
Speaker 1: Wreckers on the Bobby Bones Show now, Michelle Branch and

726
00:35:25,840 --> 00:35:28,840
Speaker 1: Jessica Harp of the Wreckers, Guys, it's super cool to

727
00:35:28,840 --> 00:35:31,520
Speaker 1: have you here. Thank you for gumming here. I feel

728
00:35:31,560 --> 00:35:35,960
Speaker 1: like we've caught the white whale, honestly, Like I'm such

729
00:35:36,000 --> 00:35:39,360
Speaker 1: a fan of you guys together and individually, and Jessica,

730
00:35:39,440 --> 00:35:41,520
Speaker 1: you and I've spoken before, and Michelle, I mean, it's

731
00:35:41,560 --> 00:35:43,239
Speaker 1: just like I've been trying to track you guys down

732
00:35:43,239 --> 00:35:45,240
Speaker 1: forever and it took a hospital to get us all together.

733
00:35:46,480 --> 00:35:48,960
Speaker 1: So important thing. You're actually the reason why we got

734
00:35:48,960 --> 00:35:52,520
Speaker 1: back together. Yes, you made it happen. I don't know

735
00:35:52,560 --> 00:35:55,279
Speaker 1: if you're kidding or not, Michelle, because I don't know that.

736
00:35:55,480 --> 00:35:57,279
Speaker 1: I don't know that's true. But if that's I will

737
00:35:57,280 --> 00:35:59,240
Speaker 1: put that on my bio. It'll be on my Instagram bio.

738
00:36:01,440 --> 00:36:03,360
Speaker 1: So let me ask this, Let's go back to the

739
00:36:03,800 --> 00:36:07,080
Speaker 1: infancy of the rerecords. How why and how like how

740
00:36:07,080 --> 00:36:10,480
Speaker 1: did this thing come together? Michelle, I'll start with you, Um, Magic,

741
00:36:11,520 --> 00:36:14,560
Speaker 1: Were you living in Nashville. No, I wasn't at the time.

742
00:36:14,640 --> 00:36:19,680
Speaker 1: We met in the children, Yeah we met y We

743
00:36:19,800 --> 00:36:24,840
Speaker 1: literally met teenagers airport at teenagers like just crossing or

744
00:36:24,840 --> 00:36:26,640
Speaker 1: were you going to the same place like camp or something.

745
00:36:26,880 --> 00:36:29,239
Speaker 1: I lived in Kansas City, Okay, and she was coming

746
00:36:29,239 --> 00:36:31,399
Speaker 1: through on a radio tour and I and I had

747
00:36:31,440 --> 00:36:34,839
Speaker 1: heard her music, um, and was completely blown away by

748
00:36:34,840 --> 00:36:37,600
Speaker 1: her music and said like please, let's keep in touch,

749
00:36:37,680 --> 00:36:40,520
Speaker 1: let's meet, let's hang out. And um this was before

750
00:36:40,600 --> 00:36:43,839
Speaker 1: like the day the days of high security at airports. Yeah.

751
00:36:44,000 --> 00:36:45,960
Speaker 1: She's like, um, I'll just meet you when your layover

752
00:36:46,080 --> 00:36:48,480
Speaker 1: the airport and like we'll have a tcby and like

753
00:36:48,719 --> 00:36:55,120
Speaker 1: hang out. Yeah. Yeah, So, um we hung out at

754
00:36:55,120 --> 00:36:56,799
Speaker 1: the airport and then I was like you should come

755
00:36:56,800 --> 00:37:00,280
Speaker 1: out on tour and like we should write together, and

756
00:37:00,320 --> 00:37:03,600
Speaker 1: then it turned into her singing with me on stage

757
00:37:03,600 --> 00:37:06,040
Speaker 1: and then We're never going home. Yeah, And we kept

758
00:37:06,120 --> 00:37:10,040
Speaker 1: writing these songs on the tour bus and singing them

759
00:37:10,040 --> 00:37:13,360
Speaker 1: in harmony and they were clearly not Michelle Branch songs.

760
00:37:13,400 --> 00:37:14,759
Speaker 1: And I was like, wait, I want to work on

761
00:37:14,800 --> 00:37:17,360
Speaker 1: this instead of I was supposed to turn in another

762
00:37:17,440 --> 00:37:19,160
Speaker 1: solo record, and I was like, this is what I

763
00:37:19,200 --> 00:37:23,440
Speaker 1: want to do. And it just happened so naturally and quickly,

764
00:37:23,560 --> 00:37:26,879
Speaker 1: and yeah, and so what's the next step? You call her?

765
00:37:26,920 --> 00:37:28,960
Speaker 1: She says, yes, do you go? Okay? Now we needed

766
00:37:28,960 --> 00:37:31,360
Speaker 1: to come up with a name and is it going

767
00:37:31,440 --> 00:37:34,200
Speaker 1: to be an entity or were you just like seeing

768
00:37:34,239 --> 00:37:37,640
Speaker 1: what are you experimenting? Still? No, we knew we wanted

769
00:37:37,640 --> 00:37:39,359
Speaker 1: to be in a band. We had this portion of

770
00:37:39,920 --> 00:37:42,239
Speaker 1: my show she was singing back up, and we would

771
00:37:42,239 --> 00:37:45,520
Speaker 1: have this portion of the show where every the band

772
00:37:45,520 --> 00:37:47,120
Speaker 1: would leave the stage and it was just she and

773
00:37:47,120 --> 00:37:49,000
Speaker 1: I on stage and we would play a couple of songs.

774
00:37:49,040 --> 00:37:52,080
Speaker 1: And so we were like, we have to start thinking

775
00:37:52,120 --> 00:37:55,960
Speaker 1: of what to call this. And we actually played music

776
00:37:56,000 --> 00:37:58,319
Speaker 1: for our record label. I was on Maverick at the

777
00:37:58,360 --> 00:38:01,520
Speaker 1: time and in LA and I played it for them

778
00:38:01,520 --> 00:38:03,440
Speaker 1: and they were like, we don't know what to do

779
00:38:03,520 --> 00:38:06,680
Speaker 1: with this, Like you wait, you're wanting to do a

780
00:38:06,680 --> 00:38:10,520
Speaker 1: country project? Like we don't understand. So we went we

781
00:38:10,560 --> 00:38:14,360
Speaker 1: approached producer John levinthal Um and we were like, we

782
00:38:14,400 --> 00:38:16,319
Speaker 1: really want you to produce our record and we'll pay

783
00:38:16,360 --> 00:38:19,280
Speaker 1: for it and do this all like you had massive

784
00:38:19,360 --> 00:38:20,920
Speaker 1: success and you're like, now I want to go to

785
00:38:20,960 --> 00:38:23,920
Speaker 1: a country record. I literally got a call from someone

786
00:38:23,960 --> 00:38:26,839
Speaker 1: who worked at my publishing company and she was like,

787
00:38:26,960 --> 00:38:29,719
Speaker 1: I think we need to have an intervention like this

788
00:38:29,840 --> 00:38:32,200
Speaker 1: is we're really concerned about you. And I was like, no,

789
00:38:32,360 --> 00:38:34,160
Speaker 1: you guys are all crazy. And then, of course when

790
00:38:34,200 --> 00:38:36,640
Speaker 1: it was a massive success, everyone's like I knew of

791
00:38:36,640 --> 00:38:41,200
Speaker 1: course beginning, So the first single you guys put out

792
00:38:41,239 --> 00:38:43,839
Speaker 1: ever at Well, how did the Wreckers come up? How

793
00:38:43,840 --> 00:38:46,160
Speaker 1: did you settle on the name the Wreckers? Well, originally

794
00:38:46,200 --> 00:38:49,399
Speaker 1: we were the Cass County Home Wreckers, like as a joke. Yeah,

795
00:38:49,719 --> 00:38:53,160
Speaker 1: started as a total job and then we just shortened it.

796
00:38:53,480 --> 00:38:55,800
Speaker 1: And there was a band in Canada called the Wreckers,

797
00:38:55,920 --> 00:38:58,480
Speaker 1: and we didn't realize that until we had already kind

798
00:38:58,480 --> 00:39:01,000
Speaker 1: of the train had left the station. We actually had

799
00:39:01,000 --> 00:39:04,160
Speaker 1: to buy the band name. And now I wonder what

800
00:39:04,200 --> 00:39:06,640
Speaker 1: happened to the Canadians. Well, they're now known as the

801
00:39:06,680 --> 00:39:10,040
Speaker 1: Barnaked Ladies, so they've really done well since then. So

802
00:39:10,960 --> 00:39:13,239
Speaker 1: and how fast it success hit for you guys as

803
00:39:13,280 --> 00:39:16,839
Speaker 1: a as a performing duo. Um, you know in movies like,

804
00:39:17,040 --> 00:39:19,680
Speaker 1: for instance, the movie that thing you do when they

805
00:39:19,680 --> 00:39:23,000
Speaker 1: are recording and then they leave the studio and it's

806
00:39:23,040 --> 00:39:24,880
Speaker 1: playing in the car already, you know, that's how it

807
00:39:24,920 --> 00:39:27,880
Speaker 1: felt bad way. Yeah. So it also happened in the

808
00:39:27,920 --> 00:39:30,640
Speaker 1: Queen documentary where they're like, we're a queen, now we're

809
00:39:30,680 --> 00:39:32,080
Speaker 1: top of the pops. I'm like, that's not how it

810
00:39:32,080 --> 00:39:33,880
Speaker 1: happened at all, But for you guys, it was. It

811
00:39:34,000 --> 00:39:36,160
Speaker 1: was felt that way, feel that way. It just once

812
00:39:36,200 --> 00:39:39,040
Speaker 1: it started, it never stopped. We wrote the album, We

813
00:39:39,080 --> 00:39:42,960
Speaker 1: wrote the whole album my Nieces in my own Mind. Yeah,

814
00:39:43,000 --> 00:39:46,200
Speaker 1: in two weeks. And did you know that, you guys?

815
00:39:46,200 --> 00:39:48,799
Speaker 1: Had I asked this question and some people will be like, Noah,

816
00:39:48,800 --> 00:39:50,040
Speaker 1: we know we just wrote a bunch of good songs.

817
00:39:50,080 --> 00:39:52,320
Speaker 1: We didn't know, but you write that all in two weeks.

818
00:39:52,520 --> 00:39:54,600
Speaker 1: Did you feel like, man, this is like really special

819
00:39:54,640 --> 00:39:56,880
Speaker 1: because we dedicated our times to just this project. Or

820
00:39:56,880 --> 00:39:59,080
Speaker 1: were you like, I don't know what it's gonna do. No,

821
00:39:59,239 --> 00:40:01,920
Speaker 1: it felt it feel so exciting and special. Did you

822
00:40:01,960 --> 00:40:05,440
Speaker 1: know that Leave the Pieces was like the catchiest, biggest

823
00:40:05,480 --> 00:40:09,000
Speaker 1: sounding song yes and no though, because if you remember

824
00:40:09,280 --> 00:40:12,680
Speaker 1: the demo, I mean the demo was kind of lackluster truly.

825
00:40:12,719 --> 00:40:14,759
Speaker 1: I mean it was a good demo, but from the

826
00:40:14,840 --> 00:40:18,120
Speaker 1: demo you didn't get that feeling. And we were told

827
00:40:18,160 --> 00:40:21,520
Speaker 1: that many other artists had recorded that song little Bit

828
00:40:22,080 --> 00:40:27,160
Speaker 1: a Little Big Town cut it um someone else and

829
00:40:27,280 --> 00:40:30,840
Speaker 1: it never happened. And I heard it and I was like, no,

830
00:40:31,000 --> 00:40:33,080
Speaker 1: you guys, this is a really good song, Like please

831
00:40:33,640 --> 00:40:37,399
Speaker 1: trust me on this stuck to you. It was just

832
00:40:37,600 --> 00:40:41,279
Speaker 1: there's like an instant. One of my kind of things

833
00:40:41,320 --> 00:40:43,600
Speaker 1: that I've always noticed about songs that I love that

834
00:40:44,000 --> 00:40:47,840
Speaker 1: become known songs or big songs, is like when it finishes,

835
00:40:48,000 --> 00:40:50,040
Speaker 1: you immediately want to start it over and hear the

836
00:40:50,040 --> 00:40:52,959
Speaker 1: intro again. And for me, like there's something magical about

837
00:40:53,000 --> 00:40:56,000
Speaker 1: the intro. The lyrics I really loved and related to,

838
00:40:56,080 --> 00:40:58,480
Speaker 1: and the melody was so strong and the yeah yeah

839
00:40:58,640 --> 00:41:02,600
Speaker 1: and the yeah yeah yeah yeah yeah, Like past that up.

840
00:41:02,960 --> 00:41:05,000
Speaker 1: So you guys started playing, did you go on the

841
00:41:05,040 --> 00:41:07,759
Speaker 1: road and open for like any of the massive They're like, hey,

842
00:41:07,760 --> 00:41:10,280
Speaker 1: come out, and you were like the baby opener. Everybody, everybody,

843
00:41:10,560 --> 00:41:14,200
Speaker 1: Rascal flats almost immediately, who was awesome to you guys.

844
00:41:14,200 --> 00:41:18,720
Speaker 1: Everybody really Keith Urban was great. Yeah, everyone is really yeah,

845
00:41:18,760 --> 00:41:22,359
Speaker 1: really awesome. I mean that that time period too, I

846
00:41:22,400 --> 00:41:25,440
Speaker 1: just felt like it was so special, the circle of artists.

847
00:41:25,480 --> 00:41:28,000
Speaker 1: We'd all see each other on you know, radio shows

848
00:41:28,120 --> 00:41:31,440
Speaker 1: or tour and everyone really felt like family. It was, Um,

849
00:41:31,800 --> 00:41:35,839
Speaker 1: it was such a cool period of time in both

850
00:41:35,880 --> 00:41:38,440
Speaker 1: of our lives. It was I'm gonna ask the difficult

851
00:41:38,480 --> 00:41:40,120
Speaker 1: question now that we're together and we all feel good

852
00:41:40,120 --> 00:41:42,160
Speaker 1: with each other. I mean, I mean, we're all for

853
00:41:42,280 --> 00:41:45,279
Speaker 1: best friends. Like maybe I don't know, we cut something

854
00:41:45,320 --> 00:41:46,960
Speaker 1: at some point something I don't know, just throwing it

855
00:41:47,000 --> 00:41:50,040
Speaker 1: out there. Maybe we talked about that at all. Oh yeah, okay,

856
00:41:50,200 --> 00:41:53,799
Speaker 1: So Jess and I had plans to get together and

857
00:41:54,040 --> 00:41:56,200
Speaker 1: just write and hang out and catch up. And then

858
00:41:56,400 --> 00:42:01,759
Speaker 1: this you know thing called COVID happened, um and put

859
00:42:01,760 --> 00:42:05,480
Speaker 1: a damper in our socializing. Uh. And then and we

860
00:42:05,560 --> 00:42:08,719
Speaker 1: both had children having babies. Yeah, you don't know they're

861
00:42:08,719 --> 00:42:12,920
Speaker 1: coming all of a sudden. The I actually remember, I

862
00:42:12,960 --> 00:42:14,840
Speaker 1: think I wrote you and I was like, eh, I'm pregnant.

863
00:42:14,840 --> 00:42:18,000
Speaker 1: You were like, oh cool, coom too. Thank Let's just

864
00:42:18,080 --> 00:42:21,160
Speaker 1: keep kicking the can down the road until like we're

865
00:42:21,160 --> 00:42:24,279
Speaker 1: allowed to, you know, do this, so at some point

866
00:42:24,320 --> 00:42:29,040
Speaker 1: maybe there'll be another Wreckers project. Whatever it is. We

867
00:42:29,120 --> 00:42:31,200
Speaker 1: both we both love would like that a lot. Well,

868
00:42:31,280 --> 00:42:32,879
Speaker 1: let me thank you guys from the bottom of heart,

869
00:42:32,920 --> 00:42:35,239
Speaker 1: because I don't think I would have asked if it

870
00:42:35,280 --> 00:42:37,279
Speaker 1: wasn't a big deal that didn't include me, right, I mean,

871
00:42:37,280 --> 00:42:38,879
Speaker 1: we did the show last night, which, by the way,

872
00:42:39,040 --> 00:42:41,360
Speaker 1: just something for the listeners. We recorded this right before

873
00:42:41,400 --> 00:42:43,239
Speaker 1: the show that's airing after the show, because I was

874
00:42:43,239 --> 00:42:45,000
Speaker 1: never gonna make them play and they come up in

875
00:42:45,080 --> 00:42:48,439
Speaker 1: the morning. Yeah, we are both moms, so we would

876
00:42:48,520 --> 00:42:50,680
Speaker 1: were up anyway. So we're kind of in a time

877
00:42:50,680 --> 00:42:53,920
Speaker 1: machine here. Um, but thank you guys, because it's you know,

878
00:42:53,960 --> 00:42:55,719
Speaker 1: such a big deal to us to be able to

879
00:42:55,719 --> 00:42:58,240
Speaker 1: continue on with that hospital and this thing has turned

880
00:42:58,239 --> 00:43:00,480
Speaker 1: into it's a massive show at the rhyme, but it

881
00:43:00,520 --> 00:43:04,080
Speaker 1: gets it's played all over and we raised so much money,

882
00:43:04,120 --> 00:43:06,920
Speaker 1: So I would have never asked if it wasn't so important.

883
00:43:06,960 --> 00:43:09,160
Speaker 1: So I'm just really appreciative of both of you for

884
00:43:09,239 --> 00:43:11,759
Speaker 1: you for flying in yes and and being here from

885
00:43:11,800 --> 00:43:15,600
Speaker 1: cans road tripping hours four year old. Wait a minute, yeah,

886
00:43:17,120 --> 00:43:19,160
Speaker 1: I was like, we'll get her plane ticket they made you,

887
00:43:20,360 --> 00:43:23,759
Speaker 1: she she wanted to. She got to the airport, She's like,

888
00:43:23,880 --> 00:43:26,840
Speaker 1: is there a ticket? They're like no, I'm sorry, crap.

889
00:43:28,120 --> 00:43:30,239
Speaker 1: So does it fit like a glove? When you guys

890
00:43:30,280 --> 00:43:33,319
Speaker 1: try to sing it? Is it easy? Yeah? It's like

891
00:43:33,920 --> 00:43:36,520
Speaker 1: hair on your arms stand up. It's just back like

892
00:43:36,600 --> 00:43:39,040
Speaker 1: no time has passed exactly. Well, I can't wait till tonight.

893
00:43:39,120 --> 00:43:44,399
Speaker 1: Slash last night was awesome pressure and we just can't

894
00:43:44,400 --> 00:43:46,080
Speaker 1: wait to hear what you guys have in store. And

895
00:43:46,120 --> 00:43:47,880
Speaker 1: it's so nice to meet both of you in person.

896
00:43:48,640 --> 00:43:50,440
Speaker 1: Just have been a massive fan of both of you

897
00:43:50,520 --> 00:43:54,040
Speaker 1: as a unit. Individually. Um, I don't know aim anything

898
00:43:54,080 --> 00:43:57,759
Speaker 1: for for Michelle, for Jessica Jess, but Jessica called her Jess.

899
00:43:57,760 --> 00:43:59,359
Speaker 1: Now I'm like, I'm the nerve that doesn't know well

900
00:43:59,440 --> 00:44:03,120
Speaker 1: enough called her je My comment was that I'm just

901
00:44:03,200 --> 00:44:06,560
Speaker 1: kind of geeking out to see y'all performed tonight, but

902
00:44:06,640 --> 00:44:12,960
Speaker 1: it's actually tomorrow, so yeah, so I feel like, yes,

903
00:44:13,120 --> 00:44:16,000
Speaker 1: my hair on my arms are gonna stand down, so

904
00:44:16,200 --> 00:44:18,160
Speaker 1: you haven't hear background vocals? Are you're gonna here tonight?

905
00:44:19,040 --> 00:44:23,280
Speaker 1: I love it? Oh yeah, I'm kidding, it's gonna be great. Okay,

906
00:44:23,320 --> 00:44:26,319
Speaker 1: there they are the records. It's Michelle and my friend Jess.

907
00:44:26,480 --> 00:44:29,560
Speaker 1: By the way, you didn't know um, and we'll be

908
00:44:29,680 --> 00:44:32,560
Speaker 1: very excited to hear whatever you guys have having store

909
00:44:32,600 --> 00:44:34,960
Speaker 1: for us. Thank you, and let's clap him out there

910
00:44:34,960 --> 00:44:40,000
Speaker 1: the records, everybody. It's the best bits of the week

911
00:44:40,800 --> 00:44:45,680
Speaker 1: with Morgan. Number two, Amy has been putting kool aid

912
00:44:45,719 --> 00:44:47,839
Speaker 1: in her toilet. It's a pro tip she got from

913
00:44:47,840 --> 00:44:51,399
Speaker 1: a professional to help lower her water bill. Yeah, it's

914
00:44:51,440 --> 00:44:53,680
Speaker 1: a whole thing, and I'm gonna need you to hear this.

915
00:44:53,719 --> 00:44:55,600
Speaker 1: And if you're a professional, or maybe you've done this

916
00:44:55,640 --> 00:44:57,919
Speaker 1: and it worked, let us know. Because it turned into

917
00:44:57,920 --> 00:45:01,760
Speaker 1: a whole debate on the show. Number two, our listeners

918
00:45:01,760 --> 00:45:05,080
Speaker 1: are intrigued, why do you put kool aid in your toilet?

919
00:45:05,640 --> 00:45:08,680
Speaker 1: The water company told me to do it. So for

920
00:45:09,040 --> 00:45:11,839
Speaker 1: months we've had issues with our water bill. One month,

921
00:45:11,880 --> 00:45:13,680
Speaker 1: I came on and told you I was six hundred

922
00:45:13,680 --> 00:45:16,040
Speaker 1: dollars and five hundred. I was doing everything to try

923
00:45:16,040 --> 00:45:19,000
Speaker 1: to lower it. People came out, no issues. Finally got

924
00:45:19,000 --> 00:45:22,120
Speaker 1: it down to ninety dollars. But you didn't do anything different.

925
00:45:22,200 --> 00:45:24,520
Speaker 1: They just said I called in complain. Yeah, and all

926
00:45:24,520 --> 00:45:27,640
Speaker 1: of a sudden, your next bill is ninety dollars, right, Well,

927
00:45:27,680 --> 00:45:30,920
Speaker 1: I guess they couldn't keep up with that. So I

928
00:45:31,760 --> 00:45:35,000
Speaker 1: got a new bill high again three hundred or six

929
00:45:35,040 --> 00:45:39,799
Speaker 1: hundred again three almost four hundred. So I mean, it

930
00:45:39,840 --> 00:45:42,760
Speaker 1: doesn't make sense, right, So I asked the water company

931
00:45:42,840 --> 00:45:46,439
Speaker 1: to please send someone out. So he came checked the meter.

932
00:45:46,800 --> 00:45:50,520
Speaker 1: He said the meter numbers were basically saying like this

933
00:45:50,640 --> 00:45:52,799
Speaker 1: is just this is not actually what's happening, but the

934
00:45:52,880 --> 00:45:55,280
Speaker 1: numbers are representing that. Say I had a water faucet

935
00:45:55,360 --> 00:45:59,160
Speaker 1: just on all day long, water just blown out of there.

936
00:45:59,200 --> 00:46:01,879
Speaker 1: I'm like, okay, well that's not the case. There's nothing on.

937
00:46:02,400 --> 00:46:05,560
Speaker 1: So he said, Okay, let's let's do a little experiment

938
00:46:05,600 --> 00:46:08,200
Speaker 1: with your toilets. Go get some of that old school

939
00:46:08,360 --> 00:46:13,399
Speaker 1: great kool Aid powder and put it in one full

940
00:46:13,440 --> 00:46:16,040
Speaker 1: pack in all of your toilets, like the tank of it.

941
00:46:16,120 --> 00:46:20,920
Speaker 1: The tank and I don't have actual issues, but it

942
00:46:20,920 --> 00:46:26,160
Speaker 1: could be like a flapper issue and somehow if purple

943
00:46:26,880 --> 00:46:29,719
Speaker 1: from the purple kool Aid ends up in the bowl,

944
00:46:29,880 --> 00:46:33,919
Speaker 1: the toilet bowl, then there's an issue. And so yeah,

945
00:46:33,960 --> 00:46:36,760
Speaker 1: but that that can't be accurate either fully, because because

946
00:46:36,920 --> 00:46:39,520
Speaker 1: it can't use it, you can't use it. Yeah, no, no,

947
00:46:39,560 --> 00:46:42,279
Speaker 1: I know, but I'm saying, if it follow me here,

948
00:46:42,320 --> 00:46:44,920
Speaker 1: if there's purple in the tank and that purple goes

949
00:46:44,920 --> 00:46:47,200
Speaker 1: down to the bowl, but it's not leaving the bowl.

950
00:46:47,480 --> 00:46:52,000
Speaker 1: But if the flap's closed, yeah, you're not the right right,

951
00:46:52,040 --> 00:46:55,040
Speaker 1: But I'm saying it's not a NonStop situation. The water

952
00:46:55,160 --> 00:46:58,120
Speaker 1: it shouldn't be that high. Still, it's just one shift

953
00:46:58,160 --> 00:46:59,600
Speaker 1: down into the bowl. That's it. That's not gonna catch

954
00:46:59,640 --> 00:47:01,920
Speaker 1: four hund bucks if it's gone out of there. And

955
00:47:01,920 --> 00:47:04,480
Speaker 1: then it's gone out of the bowl too, that's where

956
00:47:04,560 --> 00:47:07,440
Speaker 1: it's all gone. Who knows how often that's circulating with

957
00:47:07,480 --> 00:47:10,120
Speaker 1: all that water. Okay, listen, so you need to do

958
00:47:10,160 --> 00:47:14,279
Speaker 1: grape on top, cherry on bottom. But it does make

959
00:47:14,320 --> 00:47:15,800
Speaker 1: sense though, just to see if the tank it was

960
00:47:15,800 --> 00:47:18,719
Speaker 1: a problem. Something's rotten and water's just running. And so

961
00:47:18,840 --> 00:47:20,960
Speaker 1: pretty much only one of my toilets was good to go.

962
00:47:21,160 --> 00:47:24,040
Speaker 1: The others all issues and it was all drinkable and

963
00:47:24,080 --> 00:47:29,960
Speaker 1: I had to have I know, my son, this is amazing.

964
00:47:30,120 --> 00:47:33,640
Speaker 1: All your bad to have Hiller the Happy Face Truck

965
00:47:33,880 --> 00:47:38,239
Speaker 1: today come out and fix these flappers. So this is

966
00:47:38,280 --> 00:47:40,880
Speaker 1: just step one in the mystery. So now we got

967
00:47:40,960 --> 00:47:45,400
Speaker 1: to wait for another bill cycle to see what it

968
00:47:45,400 --> 00:47:47,719
Speaker 1: seems fishy still, because like I said, it follow me

969
00:47:47,719 --> 00:47:51,400
Speaker 1: your tanks full of water. It's got water that's twelve

970
00:47:51,400 --> 00:47:54,239
Speaker 1: inches high. Yeah, it all is coolated up and goes

971
00:47:54,280 --> 00:47:57,080
Speaker 1: into your bowl. If your bowls just got coolated in it,

972
00:47:57,080 --> 00:47:59,120
Speaker 1: it's only twelve inches that's up there. Now that's going

973
00:47:59,160 --> 00:48:00,879
Speaker 1: to cost a little more, but it's gonna double your bill.

974
00:48:01,440 --> 00:48:03,080
Speaker 1: And if that's one or two toilets, it's not that

975
00:48:03,160 --> 00:48:05,520
Speaker 1: much water like leaving a water fawcet on the whole time. Well, yes,

976
00:48:05,760 --> 00:48:08,239
Speaker 1: if the flopper is not working, it'll never get back

977
00:48:08,239 --> 00:48:10,799
Speaker 1: to that twelve inches. So it consistently runs because it's

978
00:48:10,960 --> 00:48:12,680
Speaker 1: the ball would be higher. I mean, I didn't know,

979
00:48:12,680 --> 00:48:15,480
Speaker 1: you guys. I had to be Hey, real people know

980
00:48:15,480 --> 00:48:17,600
Speaker 1: what it's like to jiggle a handle a toilet even

981
00:48:17,600 --> 00:48:21,360
Speaker 1: stop running before. Yeah. So it's like I had to

982
00:48:21,400 --> 00:48:23,760
Speaker 1: kind of become a plumber when I grew up because

983
00:48:24,120 --> 00:48:25,960
Speaker 1: we had broken toilets all the time. But the fact

984
00:48:26,040 --> 00:48:28,000
Speaker 1: that you know that if it doesn't go down the

985
00:48:28,040 --> 00:48:31,319
Speaker 1: bowl and it fills back up, but it would it

986
00:48:31,320 --> 00:48:33,479
Speaker 1: would overflow the toilet if that were the case, because

987
00:48:33,480 --> 00:48:35,480
Speaker 1: it wouldn't stop. Every It doesn't naturally just go down

988
00:48:35,480 --> 00:48:38,120
Speaker 1: without fleshing. That's the case. If it does, then it's

989
00:48:38,120 --> 00:48:40,200
Speaker 1: like death. But no, it's not. She has Frank Cranberry

990
00:48:40,280 --> 00:48:44,680
Speaker 1: Delight in her toilet. I'm not buying it. And I'm like,

991
00:48:44,800 --> 00:48:46,320
Speaker 1: you know, that's probably a case a little bit, but

992
00:48:46,360 --> 00:48:49,040
Speaker 1: I'm not buying it. Yeah, that's that stinks. I bet

993
00:48:49,080 --> 00:48:50,359
Speaker 1: you get a cheaper bill. You get like a forty

994
00:48:50,360 --> 00:48:53,240
Speaker 1: dollar bill next month. Can't wait, mark my words, okay,

995
00:48:53,280 --> 00:48:54,839
Speaker 1: and you'll get some free kool aid in the mail.

996
00:48:56,080 --> 00:49:00,279
Speaker 1: All right. It's the Best Bits of the Week with

997
00:49:00,520 --> 00:49:04,560
Speaker 1: Morgan number two, and of course in this number one spot,

998
00:49:04,640 --> 00:49:07,200
Speaker 1: it's the million Dollars Show. We talked about it on

999
00:49:07,280 --> 00:49:09,080
Speaker 1: The Bobby Bones Show a little bit this week after

1000
00:49:09,120 --> 00:49:12,000
Speaker 1: it happened. But the coolest thing out of it Bobby

1001
00:49:12,000 --> 00:49:14,640
Speaker 1: Bones and the Raging Idiots, this show that they've put

1002
00:49:14,640 --> 00:49:17,080
Speaker 1: on for several years, but not only that, the radiothons

1003
00:49:17,080 --> 00:49:19,879
Speaker 1: and all these crazy awesome things we've done to help

1004
00:49:19,920 --> 00:49:25,080
Speaker 1: Saint Jude. This show particularly eclipsed twenty million dollars raised

1005
00:49:25,239 --> 00:49:28,600
Speaker 1: for Saint Jude. And that's so awesome in so many ways,

1006
00:49:28,960 --> 00:49:31,960
Speaker 1: and so Bobby received an award at the Million Dollars show,

1007
00:49:32,000 --> 00:49:34,640
Speaker 1: and he talked about the night and the surprise performances

1008
00:49:34,680 --> 00:49:37,359
Speaker 1: and the person that everybody freaked out when they came

1009
00:49:37,400 --> 00:49:39,840
Speaker 1: on stage. So this is a little highlight of what

1010
00:49:39,880 --> 00:49:41,839
Speaker 1: happened at the Million Dollars show. But there's also so

1011
00:49:41,880 --> 00:49:44,399
Speaker 1: many pictures up at Bobby Bones dot com, so if

1012
00:49:44,400 --> 00:49:46,600
Speaker 1: you weren't there, you can relive the night in a

1013
00:49:46,640 --> 00:49:50,160
Speaker 1: way through photo form number one. So apparently there was

1014
00:49:50,200 --> 00:49:53,240
Speaker 1: drama last night work. A lot of the show members

1015
00:49:53,520 --> 00:49:55,960
Speaker 1: went to the show that Eddie and I did at

1016
00:49:56,000 --> 00:49:59,479
Speaker 1: the Rhyme and last night, and I didn't know who's

1017
00:49:59,480 --> 00:50:01,440
Speaker 1: there or not. I was running, as I said, was

1018
00:50:01,440 --> 00:50:02,799
Speaker 1: like a chicken. Them a head cut off all day

1019
00:50:02,800 --> 00:50:05,239
Speaker 1: from the radio show to rehearsals, to the show to

1020
00:50:05,480 --> 00:50:07,800
Speaker 1: do impress and promos. Because we shot as a TV special,

1021
00:50:07,840 --> 00:50:09,759
Speaker 1: I know anything was happening. Thank you for keeping that

1022
00:50:09,800 --> 00:50:11,839
Speaker 1: from me. But who scoopa? Was a you who's telling

1023
00:50:11,840 --> 00:50:14,960
Speaker 1: me that Lunchbox is demanding backstage passes? Yes, And I

1024
00:50:14,960 --> 00:50:16,440
Speaker 1: don't know if you may say the reason why, but

1025
00:50:16,480 --> 00:50:18,279
Speaker 1: he's like, I need to be in the back No

1026
00:50:18,400 --> 00:50:19,800
Speaker 1: say the reason why, because I don't want to be

1027
00:50:19,800 --> 00:50:21,680
Speaker 1: around all the listeners and then bother me for photos

1028
00:50:21,680 --> 00:50:23,839
Speaker 1: and hanging out, so I gotta be away from them.

1029
00:50:23,880 --> 00:50:26,640
Speaker 1: Put me in the back, please. That was about it, right,

1030
00:50:28,400 --> 00:50:31,720
Speaker 1: I'm gonna let you respond to that. Yeah, accurate, because

1031
00:50:31,960 --> 00:50:33,920
Speaker 1: if you do go out front, like which I did

1032
00:50:33,960 --> 00:50:35,680
Speaker 1: a couple times. I saw a video of you out front,

1033
00:50:36,000 --> 00:50:39,200
Speaker 1: yeas long, and guess what happens. You get mugged. And

1034
00:50:39,239 --> 00:50:41,319
Speaker 1: I'm like, listen, guys, I'm trying to enjoy the show,

1035
00:50:41,360 --> 00:50:42,759
Speaker 1: and I don't. You can't really enjoy it from the back.

1036
00:50:42,760 --> 00:50:44,960
Speaker 1: You can't hear anything really well. You can't enjoy it

1037
00:50:45,000 --> 00:50:46,560
Speaker 1: in the front because I mean you can't watch it.

1038
00:50:46,600 --> 00:50:48,400
Speaker 1: Because I went out there for like two minutes. You

1039
00:50:48,440 --> 00:50:49,840
Speaker 1: were singing as loud as you could, right in the

1040
00:50:49,840 --> 00:50:53,440
Speaker 1: middle of people, and You're like, what old bad whatever

1041
00:50:53,440 --> 00:50:55,920
Speaker 1: you're singing. It was like, of course that's you. Everyone

1042
00:50:55,960 --> 00:50:57,560
Speaker 1: else is enjoying the show. I don't think they're worried

1043
00:50:57,560 --> 00:50:59,520
Speaker 1: about Oh yeah they were. I mean they were all

1044
00:50:59,520 --> 00:51:01,080
Speaker 1: just jumping up and I mean I'm sitting there trying

1045
00:51:01,080 --> 00:51:02,839
Speaker 1: to watch Stone and people are turning around filming me

1046
00:51:03,120 --> 00:51:05,839
Speaker 1: watching the show. That's what I'm saying, so that's why

1047
00:51:05,880 --> 00:51:07,560
Speaker 1: I need a backstage passes. I couldn't. I was like,

1048
00:51:07,600 --> 00:51:09,120
Speaker 1: this is I thought you like to be Yeah, I

1049
00:51:09,160 --> 00:51:11,560
Speaker 1: just didn't. No, I do, but I mean it was

1050
00:51:11,600 --> 00:51:13,440
Speaker 1: just it was over. I mean, how many ten thousand

1051
00:51:13,440 --> 00:51:14,920
Speaker 1: people there? And it was I was going to say,

1052
00:51:15,000 --> 00:51:17,000
Speaker 1: hid all ten thousand? Like one time I tried to

1053
00:51:17,040 --> 00:51:18,880
Speaker 1: go to the bathroom because we got locked out of

1054
00:51:18,920 --> 00:51:21,040
Speaker 1: the back and I mean it took me thirty minutes

1055
00:51:21,040 --> 00:51:22,520
Speaker 1: to get to the bathroom because people kept on to

1056
00:51:22,520 --> 00:51:24,279
Speaker 1: take pictures. I was like, guys, I'm about to pee

1057
00:51:24,360 --> 00:51:27,280
Speaker 1: my pants. Sounds like your dream not peeing my pants

1058
00:51:27,400 --> 00:51:30,080
Speaker 1: right there. And so, yes, it was demanded backstage passes.

1059
00:51:30,080 --> 00:51:32,000
Speaker 1: Demanded back stage passes. I don't think that's it. There's

1060
00:51:32,000 --> 00:51:36,040
Speaker 1: anything wrong with that. I didn't know if it was true.

1061
00:51:36,080 --> 00:51:37,640
Speaker 1: I mean, how awkward with Look if I had to

1062
00:51:37,640 --> 00:51:41,440
Speaker 1: walk in the front door, like with a ticket, I

1063
00:51:41,480 --> 00:51:43,920
Speaker 1: mean everyone at all? You mean like everybody else? Yeah, yeah,

1064
00:51:44,120 --> 00:51:46,480
Speaker 1: that's weird. So is it about the listeners? That about

1065
00:51:46,480 --> 00:51:48,399
Speaker 1: walking through the front What I'm saying, it's like it

1066
00:51:48,440 --> 00:51:50,680
Speaker 1: looks bad if I'm walking with a regular ticket, Hey

1067
00:51:50,719 --> 00:51:52,879
Speaker 1: hundred knocking. I don't have back with the stage pass.

1068
00:51:52,960 --> 00:51:57,959
Speaker 1: I'm embarrassing. Huh yeah, exactly. Okay, so we got through that. Yeah,

1069
00:51:57,960 --> 00:51:59,480
Speaker 1: so I don't think that's a big deal. No big deal.

1070
00:51:59,560 --> 00:52:01,040
Speaker 1: Let's watch showed up. He just had his phone out.

1071
00:52:01,040 --> 00:52:03,319
Speaker 1: He's recording everything as he walked through, like recording other

1072
00:52:03,320 --> 00:52:05,799
Speaker 1: famous people back there. And I'm like, oh, maybe back here,

1073
00:52:05,840 --> 00:52:08,000
Speaker 1: we don't do that. But then I realized he's complaining

1074
00:52:08,000 --> 00:52:10,120
Speaker 1: of people doing that to him. You were doing to

1075
00:52:10,200 --> 00:52:11,960
Speaker 1: them what you didn't like done to you. No, No,

1076
00:52:12,000 --> 00:52:13,839
Speaker 1: I was giving up behind the scenes. Look, I'm also

1077
00:52:13,920 --> 00:52:15,440
Speaker 1: like a reporter, but you're not. We didn't ask you

1078
00:52:15,440 --> 00:52:16,800
Speaker 1: to do that. Maybe they were going on a reporter

1079
00:52:16,880 --> 00:52:19,439
Speaker 1: for the B team, um, and I was giving people

1080
00:52:19,640 --> 00:52:22,560
Speaker 1: what it's like backstage at this event the million dollars,

1081
00:52:22,600 --> 00:52:25,640
Speaker 1: saying it was hypocritical. You well, I didn't tell people

1082
00:52:25,640 --> 00:52:27,520
Speaker 1: to stop filming me. I just went back in the back.

1083
00:52:27,520 --> 00:52:30,279
Speaker 1: It's like, all right, Well they also didn't tell you. Well,

1084
00:52:30,280 --> 00:52:32,840
Speaker 1: I ain't going their dressing room. The Ryman's very the

1085
00:52:32,960 --> 00:52:35,239
Speaker 1: dressing rooms are upstairs. Yeah, that was weird. I mean

1086
00:52:35,280 --> 00:52:37,360
Speaker 1: I went upstairs a couple dressing rooms. Was a little weird.

1087
00:52:37,160 --> 00:52:39,040
Speaker 1: Were you going to a couple of dressing rooms. I'm

1088
00:52:39,080 --> 00:52:41,400
Speaker 1: just looking around. I've never been up there, Like, I

1089
00:52:41,400 --> 00:52:43,239
Speaker 1: didn't realize there was that many dressing rooms. I only

1090
00:52:43,360 --> 00:52:45,279
Speaker 1: knew there was that first floor. And then I saw

1091
00:52:45,320 --> 00:52:47,000
Speaker 1: people going up the stairs. I was like, what's up here?

1092
00:52:47,000 --> 00:52:49,880
Speaker 1: So I went up there and saw dressing rooms like

1093
00:52:49,960 --> 00:52:54,600
Speaker 1: I saw Scott Stabb's dressing room. I saw, like, you

1094
00:52:54,680 --> 00:52:57,279
Speaker 1: go in them? Yeah, no, they weren't there. You're walking

1095
00:52:57,280 --> 00:53:01,960
Speaker 1: to people's dressing roo know Scott staff was in there. Okay, okay.

1096
00:53:01,960 --> 00:53:04,799
Speaker 1: So Scott's staff is the lead singer of Creed who

1097
00:53:05,040 --> 00:53:08,840
Speaker 1: we did some Creed songs last night. That place erupted.

1098
00:53:08,920 --> 00:53:16,160
Speaker 1: It was awesome. So he did higher and I asked Scott.

1099
00:53:16,880 --> 00:53:18,600
Speaker 1: I said, hey, we're doing the show at the Rhyman

1100
00:53:18,680 --> 00:53:22,319
Speaker 1: my band, the Raging Idiots, and it's for Saint Jude.

1101
00:53:22,400 --> 00:53:24,960
Speaker 1: And he was like, yeah, I'm in. It's all done.

1102
00:53:25,400 --> 00:53:28,239
Speaker 1: It wasn't really because I'm in immediately, and we did

1103
00:53:28,280 --> 00:53:29,960
Speaker 1: an hour long podcast together and we kind of got

1104
00:53:30,000 --> 00:53:31,960
Speaker 1: to know each other there. But it's like Creed, Like

1105
00:53:32,000 --> 00:53:34,879
Speaker 1: I bought concert tickets to go watch Creed and they

1106
00:53:34,920 --> 00:53:38,520
Speaker 1: came and a rehearsal. He came in and if you've

1107
00:53:38,520 --> 00:53:41,080
Speaker 1: never worked with anybody, and he's also they were so successful,

1108
00:53:41,120 --> 00:53:43,200
Speaker 1: You're like, what is this guy gonna be like professionally

1109
00:53:43,800 --> 00:53:46,839
Speaker 1: walked in, talked with every member of the band, like

1110
00:53:47,480 --> 00:53:50,839
Speaker 1: stood around, just chilled, sang the songs. We were all like, oh,

1111
00:53:50,880 --> 00:53:53,680
Speaker 1: my goodness, that is he's awesome. He still had it was.

1112
00:53:53,840 --> 00:53:55,319
Speaker 1: It was just so good last night. It was so good.

1113
00:53:55,400 --> 00:53:57,399
Speaker 1: I think people it was a surprise and then people

1114
00:53:57,400 --> 00:53:59,880
Speaker 1: were like, oh yeah, Creed, oh man. It was that

1115
00:54:00,080 --> 00:54:02,720
Speaker 1: kind of moment. It was the eruption after he was done,

1116
00:54:02,800 --> 00:54:04,440
Speaker 1: I think was one of the biggest. They gave him

1117
00:54:04,440 --> 00:54:06,960
Speaker 1: a standing ovation. Yeah, and they wouldn't sit down and

1118
00:54:07,000 --> 00:54:08,359
Speaker 1: then he was like to do another one. We didn't

1119
00:54:08,360 --> 00:54:10,160
Speaker 1: practice another one, and I just do you get your

1120
00:54:10,200 --> 00:54:11,719
Speaker 1: good And that was his first time to play the

1121
00:54:11,800 --> 00:54:14,200
Speaker 1: rheman right, and it was the first time to play

1122
00:54:14,280 --> 00:54:17,080
Speaker 1: in like a year period because I haven't performed at all.

1123
00:54:17,080 --> 00:54:21,040
Speaker 1: It's amazing. It's amazing, Michelle Branch so good. You know,

1124
00:54:21,040 --> 00:54:23,520
Speaker 1: they were in earlier. I saw their dressing room. Okay,

1125
00:54:23,560 --> 00:54:27,960
Speaker 1: but okay, they were in earlier. But we actually recorded

1126
00:54:28,000 --> 00:54:30,040
Speaker 1: that yesterday before the show because I don't want them

1127
00:54:30,040 --> 00:54:31,680
Speaker 1: to have to wake up and come up here. But

1128
00:54:31,719 --> 00:54:34,880
Speaker 1: Michelle Branch sounded so good, so good, just like the record.

1129
00:54:35,360 --> 00:54:38,400
Speaker 1: And then the records came out, Jessica came out and

1130
00:54:38,440 --> 00:54:41,600
Speaker 1: they performed two songs together and it was just super

1131
00:54:41,640 --> 00:54:43,880
Speaker 1: cool because they hadn't performed together in ten years, not

1132
00:54:44,000 --> 00:54:46,520
Speaker 1: like that first time they reunited. She said it here.

1133
00:54:46,840 --> 00:54:48,719
Speaker 1: She was like, we got back together because you asked

1134
00:54:48,800 --> 00:54:51,560
Speaker 1: us to do this for Saint Jude. That's super cool. Yeah.

1135
00:54:52,360 --> 00:54:55,359
Speaker 1: Dina Carter did Strawberry Wine and the Place. She didn't

1136
00:54:55,360 --> 00:54:58,560
Speaker 1: even need to hit a note on her guitar. Everybody

1137
00:54:58,560 --> 00:55:01,600
Speaker 1: just want to sang the whole thing. And she's just

1138
00:55:01,640 --> 00:55:05,200
Speaker 1: the nicest. Another one of the surprise guests who we

1139
00:55:05,239 --> 00:55:07,920
Speaker 1: had closed the show was Jaco Onen, who an easy

1140
00:55:07,960 --> 00:55:10,480
Speaker 1: asked three. He's one of my best friends, and I

1141
00:55:10,480 --> 00:55:12,200
Speaker 1: didn't tell him he was doing three songs until he

1142
00:55:12,200 --> 00:55:13,359
Speaker 1: got there, and then he was like, oh, I guess

1143
00:55:13,400 --> 00:55:16,880
Speaker 1: I'm doing three songs. And we did Down to the

1144
00:55:16,880 --> 00:55:19,560
Speaker 1: Hockey Talk, and then we did is up There down

1145
00:55:19,600 --> 00:55:21,680
Speaker 1: Here as current single, and then at the end we

1146
00:55:21,680 --> 00:55:25,280
Speaker 1: did Barefoot Blue Gan Night, and again same type of situation.

1147
00:55:25,320 --> 00:55:27,560
Speaker 1: Everybody was just going nuts. What was funny was he

1148
00:55:27,560 --> 00:55:30,239
Speaker 1: was telling a story because his daughter Pearl was with

1149
00:55:30,320 --> 00:55:33,680
Speaker 1: him in Pearls ten and some guy went up to Pearl.

1150
00:55:33,680 --> 00:55:34,719
Speaker 1: I was like, I haven't known your dads since he

1151
00:55:34,760 --> 00:55:37,040
Speaker 1: was playing Barefoot Blue Jean and Pearl Goo. He still

1152
00:55:37,040 --> 00:55:41,880
Speaker 1: plays it. He still does that song. So that's pretty funny.

1153
00:55:41,960 --> 00:55:44,480
Speaker 1: But we raised a bunch of money. I mean, it

1154
00:55:44,520 --> 00:55:46,400
Speaker 1: was incredible. There are so many great moments. I mean,

1155
00:55:46,400 --> 00:55:49,640
Speaker 1: Madeline Edwards and Dave's Highway two new artists came out

1156
00:55:49,680 --> 00:55:53,279
Speaker 1: again and just leg swept everybody because you know, we

1157
00:55:53,320 --> 00:55:55,239
Speaker 1: had all this stuff happening. And I also like to

1158
00:55:55,280 --> 00:55:58,120
Speaker 1: introduce new artists during the show and some people are like,

1159
00:55:58,120 --> 00:56:00,000
Speaker 1: ok we had a couple of new artists, Parker McCall

1160
00:56:00,160 --> 00:56:02,520
Speaker 1: we had And then they're like, okay, new artists. Maybe

1161
00:56:02,560 --> 00:56:04,440
Speaker 1: we go get a beer or something, and all of

1162
00:56:04,440 --> 00:56:06,480
Speaker 1: a sudden they start singing like, oh, well, get back

1163
00:56:06,480 --> 00:56:09,000
Speaker 1: to your seat. Yeah. Had friends who are like, hey,

1164
00:56:09,000 --> 00:56:10,759
Speaker 1: what's that new group again? Or what was her name?

1165
00:56:10,760 --> 00:56:15,200
Speaker 1: Madeline Edwards? So just a great night. What I had

1166
00:56:15,239 --> 00:56:16,879
Speaker 1: a lot of fun, man, thank you for having well

1167
00:56:16,920 --> 00:56:21,279
Speaker 1: those two So Madeline and Dave's those when they were performing,

1168
00:56:21,360 --> 00:56:24,719
Speaker 1: not only were they amazing, and totally killed it. But

1169
00:56:24,800 --> 00:56:29,400
Speaker 1: backstage they also had so much gratitude for you inviting

1170
00:56:29,440 --> 00:56:30,840
Speaker 1: them to be a part of it, Like they couldn't

1171
00:56:30,880 --> 00:56:34,000
Speaker 1: stop talking about how does in the contract if you

1172
00:56:34,000 --> 00:56:36,839
Speaker 1: got back there talking about me the whole time. Well,

1173
00:56:36,880 --> 00:56:38,600
Speaker 1: I mean, but I just thought that was cool to

1174
00:56:38,680 --> 00:56:41,560
Speaker 1: see too, like just their excitement and they were so

1175
00:56:41,640 --> 00:56:43,839
Speaker 1: thankful instead of being you know, you never know how

1176
00:56:43,880 --> 00:56:46,719
Speaker 1: some newer artists are going to be, and they just

1177
00:56:46,760 --> 00:56:49,560
Speaker 1: couldn't have been more thankful. I'm not sure what their

1178
00:56:49,680 --> 00:56:52,600
Speaker 1: record label status is, meaning if they even have a deal.

1179
00:56:53,080 --> 00:56:55,319
Speaker 1: I mean them or Madeline, and I was talking to

1180
00:56:55,360 --> 00:56:56,640
Speaker 1: them after. I was like, it just takes one person

1181
00:56:56,719 --> 00:57:00,439
Speaker 1: who's halfway smart to realize, especially them, because Madeline was early,

1182
00:57:00,520 --> 00:57:02,560
Speaker 1: so she wasn't around way after the show we were

1183
00:57:02,560 --> 00:57:05,680
Speaker 1: packing up, but they were because they played later, and

1184
00:57:05,719 --> 00:57:07,880
Speaker 1: I was just takes one person to see a brother

1185
00:57:08,320 --> 00:57:11,799
Speaker 1: and two sisters who sound like this there's and you're good.

1186
00:57:11,840 --> 00:57:14,000
Speaker 1: You're absolutely good enough. You're better than a lot of

1187
00:57:14,000 --> 00:57:15,360
Speaker 1: folks that come in here that are supposed to be

1188
00:57:15,360 --> 00:57:17,800
Speaker 1: the best. It just takes one smart person to go, oh,

1189
00:57:17,880 --> 00:57:20,480
Speaker 1: there's a niche for a good group. That's brother and sister,

1190
00:57:20,600 --> 00:57:23,960
Speaker 1: not just people put together. And because they're grinding, they're

1191
00:57:23,960 --> 00:57:27,040
Speaker 1: working real jobs every day, like normal person jobs, and

1192
00:57:27,120 --> 00:57:29,360
Speaker 1: like I admire that, like we're not stopping. But we

1193
00:57:29,400 --> 00:57:31,680
Speaker 1: also got to pay the bills, so it's cool. It

1194
00:57:31,760 --> 00:57:34,240
Speaker 1: was really cool. And I didn't know that last night

1195
00:57:34,320 --> 00:57:37,560
Speaker 1: was going to be where it would eclipse twenty million

1196
00:57:37,640 --> 00:57:40,640
Speaker 1: dollars raised for Saint Jude through either the radio thon

1197
00:57:40,800 --> 00:57:43,680
Speaker 1: or these live shows or specific one offs that we do.

1198
00:57:43,840 --> 00:57:48,000
Speaker 1: But over the past almost ten years it's been twenty

1199
00:57:48,000 --> 00:57:50,960
Speaker 1: million dollars. And Jake came out and presented me with

1200
00:57:51,000 --> 00:57:53,960
Speaker 1: a big award, and that's always awkward because I don't

1201
00:57:54,040 --> 00:57:58,480
Speaker 1: like surprise. They're tough. Oh you had no idea that

1202
00:57:58,560 --> 00:58:00,920
Speaker 1: was happening. Well, okay, and it was on TV, but

1203
00:58:00,960 --> 00:58:03,320
Speaker 1: then I didn't didn't know how to. I was just like,

1204
00:58:03,320 --> 00:58:04,720
Speaker 1: I don't do my face. How do'll do my face?

1205
00:58:05,680 --> 00:58:08,160
Speaker 1: Like I don't want to act like because it's very important,

1206
00:58:08,200 --> 00:58:10,160
Speaker 1: but if you're like, oh, yeah, this is I don't know.

1207
00:58:10,240 --> 00:58:11,480
Speaker 1: There's just a fine line. And I was like, I

1208
00:58:11,480 --> 00:58:12,800
Speaker 1: gotta do my face. I don't want to look like

1209
00:58:13,440 --> 00:58:16,960
Speaker 1: like like sad, but I also want to be happy.

1210
00:58:17,080 --> 00:58:19,520
Speaker 1: But so no, you did great. We'll have to see

1211
00:58:19,520 --> 00:58:20,600
Speaker 1: how that goes. And the yet it you did great

1212
00:58:20,600 --> 00:58:22,120
Speaker 1: because I didn't notice any awkward in this when you

1213
00:58:22,120 --> 00:58:23,919
Speaker 1: got it filled awkward because I was like, oh no,

1214
00:58:24,520 --> 00:58:26,200
Speaker 1: I don't like people talking about about me. You're people

1215
00:58:26,200 --> 00:58:28,640
Speaker 1: talking good about me. That's tough. Then they can't win.

1216
00:58:28,680 --> 00:58:31,320
Speaker 1: I don't like that's right. I don't like I'm a

1217
00:58:31,400 --> 00:58:34,800
Speaker 1: control freak because I never had control. So when people

1218
00:58:34,800 --> 00:58:37,000
Speaker 1: are like he's not good, I'm like, oh shut up.

1219
00:58:37,000 --> 00:58:39,280
Speaker 1: They're like he's good. Oh shut up. I'll be the

1220
00:58:39,280 --> 00:58:41,240
Speaker 1: only person. I'll say all the bad stuff about me,

1221
00:58:41,280 --> 00:58:42,680
Speaker 1: and I'll say all the good stuff about me. That's

1222
00:58:42,720 --> 00:58:44,160
Speaker 1: kind of how I've lived because I like to have

1223
00:58:44,200 --> 00:58:47,360
Speaker 1: the control. Not not the healthiest, but it was. It

1224
00:58:47,440 --> 00:58:50,040
Speaker 1: was just a great night. And I took and gave

1225
00:58:50,080 --> 00:58:52,680
Speaker 1: a bunch of friends five five pair I think of

1226
00:58:52,760 --> 00:58:55,280
Speaker 1: tickets that were mine, and so I gave him different

1227
00:58:55,280 --> 00:58:56,880
Speaker 1: friends and a couple of them texts me before the show,

1228
00:58:58,080 --> 00:59:00,200
Speaker 1: but they're like, we're here because traffic was terrible. Hey

1229
00:59:00,200 --> 00:59:02,400
Speaker 1: we made it, and they were sitting in like the nosebleeds,

1230
00:59:02,800 --> 00:59:04,400
Speaker 1: and I was like, I don't even have good tickets

1231
00:59:04,440 --> 00:59:07,560
Speaker 1: to give my friends. No. Apparently every seat was good.

1232
00:59:08,560 --> 00:59:10,360
Speaker 1: They say, yeah, that's what they say about the rhyme.

1233
00:59:10,520 --> 00:59:12,200
Speaker 1: But I like saw a bird landing next to one

1234
00:59:12,200 --> 00:59:14,520
Speaker 1: of them in a picture. They were so high up there,

1235
00:59:14,800 --> 00:59:16,320
Speaker 1: and I'm like, Dann, we can't even get like good

1236
00:59:16,320 --> 00:59:21,040
Speaker 1: tickets for my buddies. So a great show, just maybe

1237
00:59:21,120 --> 00:59:23,520
Speaker 1: my favorite ever. I will shout out Dirk Spentley too,

1238
00:59:23,520 --> 00:59:26,080
Speaker 1: because Tracy Lawrence got sick, he bronchitis, could not come

1239
00:59:26,080 --> 00:59:29,720
Speaker 1: and sing and I told Dirks and he was like, well,

1240
00:59:29,760 --> 00:59:31,760
Speaker 1: what songs? And I said, well, one of them was

1241
00:59:31,760 --> 00:59:34,040
Speaker 1: he find out who your friends are here. He was,

1242
00:59:34,080 --> 00:59:36,720
Speaker 1: I know that. But Dirk says an album coming out

1243
00:59:36,720 --> 00:59:38,320
Speaker 1: this week. He's gonna be on the show Friday, and

1244
00:59:38,360 --> 00:59:39,920
Speaker 1: I know he's going to New York to do Jimmy

1245
00:59:40,040 --> 00:59:42,160
Speaker 1: Fallon and do And I was like, are you can

1246
00:59:42,160 --> 00:59:43,560
Speaker 1: you do it? He's like, yeah, I'll drive over. And

1247
00:59:43,560 --> 00:59:45,120
Speaker 1: so he came out and did to Tracy Lawrence that

1248
00:59:45,240 --> 00:59:47,960
Speaker 1: song and then did one of his own just two

1249
00:59:48,040 --> 00:59:50,080
Speaker 1: hour notice. Yeah, so you know what, I found out

1250
00:59:50,480 --> 00:59:55,400
Speaker 1: who my friends were. My friends were, So it was

1251
00:59:55,440 --> 00:59:58,320
Speaker 1: a great night. I'm so tired. I probably slept an

1252
00:59:58,360 --> 01:00:02,120
Speaker 1: hour and a half o, not purposefully. I got home

1253
01:00:02,800 --> 01:00:07,280
Speaker 1: and it's eleven fifteen or so. It was late because

1254
01:00:07,320 --> 01:00:09,720
Speaker 1: it show didn't until ten twenty, so I got eleven

1255
01:00:09,720 --> 01:00:12,520
Speaker 1: fifteen eleven twenty, maybe a little later because it stayed.

1256
01:00:12,560 --> 01:00:14,080
Speaker 1: Took a bunch of pictures with listeners. I don't mind

1257
01:00:14,080 --> 01:00:16,480
Speaker 1: that lunch bucks. I don't mind going out and stuff

1258
01:00:16,760 --> 01:00:19,760
Speaker 1: um And then Kaylen not, we're starving, so we ordered

1259
01:00:19,760 --> 01:00:22,400
Speaker 1: a pizza. Why am I good? Going hard? We did,

1260
01:00:22,480 --> 01:00:25,480
Speaker 1: and we ordered it like eleven thirty five or so,

1261
01:00:25,560 --> 01:00:28,040
Speaker 1: and it said pizza will be here between like eleven

1262
01:00:28,080 --> 01:00:29,440
Speaker 1: fifty five and twelve. I guess, not a lot of

1263
01:00:29,480 --> 01:00:31,560
Speaker 1: order so they could grab it his midnight. I'm still

1264
01:00:31,600 --> 01:00:33,960
Speaker 1: working on today's show. And the pizza still isn't there,

1265
01:00:34,600 --> 01:00:36,600
Speaker 1: and she's like, I'm tired, I have to go to bed,

1266
01:00:37,080 --> 01:00:38,960
Speaker 1: but there's no food. So she goes quickly and makes

1267
01:00:39,000 --> 01:00:40,960
Speaker 1: us both like a like a little healthy nacho thing

1268
01:00:41,000 --> 01:00:44,800
Speaker 1: like c at chips, like um, beef and whatever. She's like,

1269
01:00:44,840 --> 01:00:46,920
Speaker 1: eat this and if pizza has it come, well, pizza

1270
01:00:46,960 --> 01:00:49,360
Speaker 1: out there like twelve fifty so would you eat that too? No,

1271
01:00:50,000 --> 01:00:53,800
Speaker 1: it's too late. So finally felt safe about one fifteen

1272
01:00:53,880 --> 01:00:57,320
Speaker 1: or so and then woke up about three thirty. Yeah,

1273
01:00:58,800 --> 01:01:01,080
Speaker 1: it felt like an app that is an app that

1274
01:01:01,200 --> 01:01:04,480
Speaker 1: is sleep. Yes, but it wasn't because that was on Hell.

1275
01:01:04,520 --> 01:01:06,000
Speaker 1: I just we've had a late show and then I

1276
01:01:06,000 --> 01:01:08,360
Speaker 1: had to stay up and work on this show. By

1277
01:01:08,400 --> 01:01:09,960
Speaker 1: the way, I'm lucky enough that I get to do that.

1278
01:01:10,200 --> 01:01:11,680
Speaker 1: But our boss was there last night, Rod and he

1279
01:01:11,680 --> 01:01:13,560
Speaker 1: was like, you shouldn't work on the show tonight. I

1280
01:01:13,600 --> 01:01:14,760
Speaker 1: was like, that's easy for you to say. You don't

1281
01:01:14,760 --> 01:01:16,000
Speaker 1: have to do it, you want to do it. I'm

1282
01:01:16,000 --> 01:01:17,120
Speaker 1: gonna get in here and just said, I'm a thumb

1283
01:01:17,120 --> 01:01:18,160
Speaker 1: all morning. What do you want from me? You know

1284
01:01:18,160 --> 01:01:20,120
Speaker 1: how you could have got home earlier if you didn't

1285
01:01:20,120 --> 01:01:23,720
Speaker 1: take all those pictures. That's a good point. That's a

1286
01:01:23,760 --> 01:01:28,479
Speaker 1: good point. It's the best bits of the week with

1287
01:01:28,560 --> 01:01:31,880
Speaker 1: Morgan Number two. Thank y'all for hanging out with me

1288
01:01:32,000 --> 01:01:35,080
Speaker 1: again on another weekend. I hope your weekend is as

1289
01:01:35,080 --> 01:01:37,240
Speaker 1: fabulous as the last one or better than the last one,

1290
01:01:37,280 --> 01:01:40,080
Speaker 1: depending on what happened. And maybe you have some fun

1291
01:01:40,120 --> 01:01:43,080
Speaker 1: plans to either relax or catch up with loved ones,

1292
01:01:43,120 --> 01:01:45,400
Speaker 1: whatever it may be. I appreciate you taking some time

1293
01:01:45,440 --> 01:01:47,080
Speaker 1: to hang out with me and catch up on the

1294
01:01:47,080 --> 01:01:49,480
Speaker 1: Bobby Bones Show. I love y'all so much. You can

1295
01:01:49,520 --> 01:01:51,360
Speaker 1: follow me, hang out with me at web Girl Morgan

1296
01:01:51,440 --> 01:01:54,400
Speaker 1: on All the Things, and of course the show at

1297
01:01:54,440 --> 01:01:56,360
Speaker 1: Bobby Bones Show on All the Things as well. I

1298
01:01:56,440 --> 01:02:06,000
Speaker 1: love y'all. Bye, no uh huh m hm