1 00:00:02,960 --> 00:00:05,280 Speaker 1: Welcome to Stuff to Blow Your Mind, a production of 2 00:00:05,360 --> 00:00:11,160 Speaker 1: My Heart Radio. Hey, welcome to Stuff to Blow Your 3 00:00:11,200 --> 00:00:15,080 Speaker 1: Mind the Listener Mail. This is Robert Lamb and I'm 4 00:00:15,120 --> 00:00:18,239 Speaker 1: Joe McCormick. So we have someone. This is actually one 5 00:00:18,280 --> 00:00:21,599 Speaker 1: of these listener mails where we're recording this two weeks out, 6 00:00:21,840 --> 00:00:25,200 Speaker 1: I think, from when it's actually gonna air. So, um, 7 00:00:25,239 --> 00:00:27,960 Speaker 1: if you've sent out something more recently, well, it's just 8 00:00:28,000 --> 00:00:30,160 Speaker 1: accumulating in the mail bag and we'll have to get 9 00:00:30,200 --> 00:00:32,240 Speaker 1: to it. It's just in the bottom of the bag, 10 00:00:32,320 --> 00:00:34,720 Speaker 1: growing fungus in the dark. But I think it should 11 00:00:34,720 --> 00:00:36,760 Speaker 1: still be readable by the by the time we're back, 12 00:00:36,800 --> 00:00:39,680 Speaker 1: which if you're listening to this now we are. I'm 13 00:00:39,720 --> 00:00:42,120 Speaker 1: hoping it's going to be filled with lots of accounts 14 00:00:42,120 --> 00:00:45,120 Speaker 1: of people's pet hermit crabs, people's people writing in about 15 00:00:45,120 --> 00:00:50,400 Speaker 1: their hermes, telling us what they eat, sending photos. That's 16 00:00:50,400 --> 00:00:58,000 Speaker 1: what I'm looking forward to, all right, Let's see. This 17 00:00:58,080 --> 00:01:02,280 Speaker 1: first message comes from Benjamin and it is in regards 18 00:01:02,320 --> 00:01:07,080 Speaker 1: to Chainsaws and some previous listener mail. Benjamin says, hello, 19 00:01:07,200 --> 00:01:10,040 Speaker 1: stuff to blow your mind people. This message is in 20 00:01:10,080 --> 00:01:13,840 Speaker 1: reply to Chris's email from the Listener Mail episode released 21 00:01:14,000 --> 00:01:19,480 Speaker 1: on the fifteenth of November, after hearing about sideline enthusiasts 22 00:01:19,600 --> 00:01:22,880 Speaker 1: cheering on their favorite downhill mountain bike riders with a 23 00:01:23,040 --> 00:01:28,120 Speaker 1: bar less chainless chainsaw. I can understand your skepticism. I 24 00:01:28,120 --> 00:01:30,920 Speaker 1: would be willing to bet a brand new steel would 25 00:01:30,959 --> 00:01:36,560 Speaker 1: boss that this form of cheering has migrated over from motocross. Granted, 26 00:01:36,600 --> 00:01:40,120 Speaker 1: this is speculation. However, I remember seeing fans cheering on 27 00:01:40,240 --> 00:01:44,959 Speaker 1: motocross riders using chainsaws sands bar with a set of 28 00:01:45,000 --> 00:01:48,840 Speaker 1: handlebars and number plate attached across the top when I 29 00:01:48,880 --> 00:01:52,360 Speaker 1: attended a race outside Pittsburgh in the late nineteen nineties. 30 00:01:52,880 --> 00:01:56,640 Speaker 1: This display makes slightly more sense as motocross bikes at 31 00:01:56,680 --> 00:02:00,120 Speaker 1: the time were mostly powered by two stroke engines, just 32 00:02:00,320 --> 00:02:03,760 Speaker 1: like most chainsaws. Oh and rob By the way, when 33 00:02:03,800 --> 00:02:07,280 Speaker 1: I I went back after we we read that email 34 00:02:07,320 --> 00:02:08,920 Speaker 1: from Chris, and I looked it up just to make 35 00:02:08,919 --> 00:02:10,840 Speaker 1: sure Chris was not lying to us. I did find 36 00:02:10,880 --> 00:02:13,520 Speaker 1: evidence of people using chainsaws on the sidelines at the 37 00:02:13,680 --> 00:02:16,720 Speaker 1: at the mountain biking events, so that that is apparently 38 00:02:16,760 --> 00:02:20,800 Speaker 1: at least sometimes true. Benjamin goes on, While I'm on 39 00:02:20,840 --> 00:02:23,560 Speaker 1: the topic, I was waiting with bated breath through both 40 00:02:23,639 --> 00:02:26,840 Speaker 1: chainsaw episodes for Rob to at least mention all the 41 00:02:26,919 --> 00:02:30,400 Speaker 1: chain weapons in Warhammer forty thousand. While this class of 42 00:02:30,440 --> 00:02:32,920 Speaker 1: weapon is just as improbable as most of the weapons 43 00:02:32,960 --> 00:02:36,799 Speaker 1: technologies in said universe, your spotlight on the topic found 44 00:02:36,800 --> 00:02:39,640 Speaker 1: me looking at the forty K chain weapon art and 45 00:02:39,680 --> 00:02:42,960 Speaker 1: I noticed something I never had before. All the chain 46 00:02:43,000 --> 00:02:46,160 Speaker 1: weapons I've seen in forty K have the tooth pattern 47 00:02:46,240 --> 00:02:50,840 Speaker 1: associated with old saws, not the modern teeth patterned after 48 00:02:50,880 --> 00:02:54,000 Speaker 1: the grub mandibles. This hadn't come to my attention prior. 49 00:02:54,360 --> 00:02:57,760 Speaker 1: Thank you for all that you do, Benjamin. Wow, that 50 00:02:57,880 --> 00:03:01,200 Speaker 1: is some observation, Benjamin. So they've got the teeth would 51 00:03:01,240 --> 00:03:04,280 Speaker 1: be more like the scratching knife tip type teeth rather 52 00:03:04,400 --> 00:03:07,880 Speaker 1: than the uh, the the chiseling or chipper type teeth 53 00:03:07,919 --> 00:03:11,359 Speaker 1: that were designed by by Joseph Cox after observing the 54 00:03:11,919 --> 00:03:15,720 Speaker 1: pine sawyer beetle. Yeah, I hadn't really thought about this either. 55 00:03:15,760 --> 00:03:19,760 Speaker 1: I mean, Warhammer forty K chainsaws are probably the chainsaws 56 00:03:19,800 --> 00:03:24,280 Speaker 1: I look at more than real life chainsaws. Um, And 57 00:03:24,400 --> 00:03:25,840 Speaker 1: I mean I guess part of it is like these 58 00:03:25,880 --> 00:03:28,480 Speaker 1: are based on miniatures that are gonna paint, and maybe 59 00:03:28,480 --> 00:03:31,280 Speaker 1: it works better to have those little teeth. And also Yeah, 60 00:03:31,320 --> 00:03:34,359 Speaker 1: they look like teeth. They look like jagged metal animal 61 00:03:34,400 --> 00:03:37,160 Speaker 1: teeth in this weird sword. So maybe it just works 62 00:03:37,200 --> 00:03:40,920 Speaker 1: better for a fantasy weapon. Rob. I don't know. I 63 00:03:41,000 --> 00:03:43,560 Speaker 1: guess I hadn't mentioned this off Mike. Since we did 64 00:03:43,560 --> 00:03:46,160 Speaker 1: our chainsaw episodes, I've actually had a chance to use 65 00:03:46,200 --> 00:03:52,200 Speaker 1: a chainsaw. Really. Yeah. My father in law brought one 66 00:03:52,240 --> 00:03:53,960 Speaker 1: over and we used it on some I was cutting 67 00:03:54,000 --> 00:03:56,720 Speaker 1: guns and brush in my yard. Yeah. Yeah, did you 68 00:03:56,800 --> 00:04:01,360 Speaker 1: do do proper safety and all that? I think, well, I, 69 00:04:02,240 --> 00:04:05,240 Speaker 1: you know, thinking back on it now, I didn't wear 70 00:04:05,480 --> 00:04:08,200 Speaker 1: goggles or eye protection and I did get some like 71 00:04:08,320 --> 00:04:10,560 Speaker 1: chips flying up in my eyes. So don't do what 72 00:04:10,640 --> 00:04:13,800 Speaker 1: Donnie don't does if you're using a chainsaw. In addition 73 00:04:13,840 --> 00:04:15,720 Speaker 1: to all the others that, yeah, you should probably cover 74 00:04:15,800 --> 00:04:18,400 Speaker 1: up your eyes. I can speak from experience that doesn't 75 00:04:18,440 --> 00:04:21,120 Speaker 1: feel good. Yeah, they never do this in the various 76 00:04:21,120 --> 00:04:23,640 Speaker 1: horror movies that we see, and um and you know 77 00:04:24,160 --> 00:04:26,760 Speaker 1: the Space Marines even they yes, they have the helmets, 78 00:04:26,760 --> 00:04:28,320 Speaker 1: they're supposed to be wearing the helmets, but there are 79 00:04:28,320 --> 00:04:32,360 Speaker 1: plenty of images and figures where they've taken the helmet 80 00:04:32,400 --> 00:04:35,479 Speaker 1: off and they have a roaring chainsaw or chain sword 81 00:04:35,600 --> 00:04:37,600 Speaker 1: rather uh, and like, what are you doing? Guys? You're 82 00:04:37,600 --> 00:04:39,680 Speaker 1: gonna get all sorts of weird gunk in your eyeballs. 83 00:04:40,040 --> 00:04:42,760 Speaker 1: So anyway, in the ensuing days, I've ordered about three 84 00:04:42,800 --> 00:04:45,560 Speaker 1: dozen chainsaws off the internet. They should be arriving over 85 00:04:45,600 --> 00:04:48,240 Speaker 1: the next few weeks. There are some really interesting chaine 86 00:04:48,279 --> 00:04:50,280 Speaker 1: I remember seeing one at a store once where I'm 87 00:04:50,279 --> 00:04:52,680 Speaker 1: not even sure what function this was for, but it 88 00:04:52,880 --> 00:04:55,800 Speaker 1: like had a pair of jaws at the end and 89 00:04:55,960 --> 00:04:58,120 Speaker 1: the little tiny chainsaw inside of it, kind of like 90 00:04:58,240 --> 00:05:01,120 Speaker 1: xeno morph jaws. I'm I guess for some sort of 91 00:05:01,160 --> 00:05:05,200 Speaker 1: specialized like gripping of a tree branch and using the 92 00:05:05,200 --> 00:05:07,960 Speaker 1: saw blade. But it was, well, it was weird. Oh 93 00:05:08,240 --> 00:05:11,400 Speaker 1: was it a what's called it? Like a lapper chainsaw? 94 00:05:11,520 --> 00:05:16,800 Speaker 1: It kind of like combines like like clippers and chainsaw blades. Oh, 95 00:05:16,920 --> 00:05:18,360 Speaker 1: I don't think it was. I just had to look 96 00:05:18,440 --> 00:05:20,560 Speaker 1: up this lapper chains how you're talking about, And this 97 00:05:20,600 --> 00:05:22,200 Speaker 1: is a strange device. It looks at it looks kind 98 00:05:22,240 --> 00:05:25,760 Speaker 1: of like scissors, but it's also a chainsaw. Crazy. There's 99 00:05:25,760 --> 00:05:29,280 Speaker 1: so many, so many chainsaw innovations these days. But I 100 00:05:29,320 --> 00:05:32,359 Speaker 1: guess it did kind of look like this, uh, But 101 00:05:32,440 --> 00:05:36,280 Speaker 1: imagine if it also had like a little chainsaw inside 102 00:05:36,279 --> 00:05:38,520 Speaker 1: its mouth. All I can think of now is like 103 00:05:39,320 --> 00:05:41,920 Speaker 1: a sort of cyborg form of dentures where your teeth 104 00:05:41,960 --> 00:05:45,440 Speaker 1: are replaced with tiny chainsaws for enhanced chewing. Uh, well 105 00:05:45,680 --> 00:05:48,680 Speaker 1: I have it now, Joe. I'm totally ruining my my 106 00:05:48,720 --> 00:05:51,320 Speaker 1: shopping algorithm here by looking these things up. But I 107 00:05:51,360 --> 00:05:56,240 Speaker 1: think what I saw it was a jaw saw. So um, yeah, 108 00:05:56,279 --> 00:05:59,720 Speaker 1: it looks like some sort of uh you know, a 109 00:06:00,920 --> 00:06:03,920 Speaker 1: Lows or home Depot Xeno morph with a little chainsaw 110 00:06:04,000 --> 00:06:06,640 Speaker 1: in its mouth. Oh, I see exactly what you mean. Yes, 111 00:06:06,760 --> 00:06:09,240 Speaker 1: so it's got a it's almost like a guide or 112 00:06:09,279 --> 00:06:11,800 Speaker 1: a guard in a y shape, and then coming out 113 00:06:11,839 --> 00:06:14,840 Speaker 1: like a tongue sticking out in between the jaws is 114 00:06:14,880 --> 00:06:17,479 Speaker 1: the end of the chainsaw. I guess this is like 115 00:06:17,520 --> 00:06:20,320 Speaker 1: a safety measure, Like it's a way of using making 116 00:06:20,440 --> 00:06:23,560 Speaker 1: use of the saw, but having within that protected like 117 00:06:24,400 --> 00:06:27,480 Speaker 1: the metal cuff of a mouth. That would make sense. 118 00:06:27,520 --> 00:06:29,880 Speaker 1: I bet this kind of design is less likely to 119 00:06:30,720 --> 00:06:33,080 Speaker 1: kick back and like accidentally nick you in the leg 120 00:06:33,200 --> 00:06:35,960 Speaker 1: or something. I'd be interested to hear from anyone out 121 00:06:35,960 --> 00:06:38,200 Speaker 1: there who's used one of these. What's it like, let's 122 00:06:38,279 --> 00:06:47,760 Speaker 1: keep the chainsaw chat going. All right, here's the speaking 123 00:06:47,800 --> 00:06:51,280 Speaker 1: of chainsaw chat. Here's one from Anna um Anna says, 124 00:06:51,320 --> 00:06:53,880 Speaker 1: I have enjoyed the episodes about chainsaws, and I have 125 00:06:54,000 --> 00:06:57,240 Speaker 1: also enjoyed listeners responses to them. One thing I was 126 00:06:57,279 --> 00:06:59,800 Speaker 1: thinking about when I was listening to the episode is 127 00:06:59,839 --> 00:07:02,640 Speaker 1: the image of the lumberjack. They are generally seen as 128 00:07:02,720 --> 00:07:05,680 Speaker 1: assault of the earth type of people. I grew up 129 00:07:05,720 --> 00:07:09,120 Speaker 1: in Tasmania. We're logging was a big thing, so much 130 00:07:09,120 --> 00:07:12,120 Speaker 1: so that wood shopping was a sport that people would 131 00:07:12,160 --> 00:07:14,360 Speaker 1: go and watch. I don't know that if this is 132 00:07:14,640 --> 00:07:17,840 Speaker 1: popular elsewhere, but competitors would compete to see who could 133 00:07:17,880 --> 00:07:20,520 Speaker 1: chop through a log the fastest. I know you were 134 00:07:20,520 --> 00:07:24,160 Speaker 1: talking about chainsaw horror movies. I was wondering if this 135 00:07:24,240 --> 00:07:27,440 Speaker 1: is just an upgrade of the ax murderer stories. I 136 00:07:27,520 --> 00:07:30,040 Speaker 1: had the idea that the chainsaw is seen as a 137 00:07:30,080 --> 00:07:33,080 Speaker 1: replacement for the hard working man with an AX. Now, 138 00:07:33,120 --> 00:07:35,760 Speaker 1: with this new technology, people are losing the value of 139 00:07:35,800 --> 00:07:37,920 Speaker 1: hard work, and maybe that is part of what makes 140 00:07:38,000 --> 00:07:41,400 Speaker 1: chainsaw murders so bad. I'm not sure if I am 141 00:07:41,440 --> 00:07:44,600 Speaker 1: overthinking this, but it was just a thought I had. Well, 142 00:07:44,680 --> 00:07:46,840 Speaker 1: Like we talked about in the episodes, at least in 143 00:07:46,880 --> 00:07:49,640 Speaker 1: the case of the original Texas Chainsaw Masker. I think 144 00:07:49,720 --> 00:07:54,960 Speaker 1: Toby Hooper seems to have had some ideas about about 145 00:07:55,040 --> 00:07:58,760 Speaker 1: economics and work and consumerism in mind when when he 146 00:07:58,840 --> 00:08:01,400 Speaker 1: was making the first movie. Uh. And and it certainly 147 00:08:01,440 --> 00:08:03,559 Speaker 1: comes through in some of the satire in the second movie, 148 00:08:03,600 --> 00:08:07,240 Speaker 1: because the second movie has my favorite scene, and the 149 00:08:07,240 --> 00:08:09,720 Speaker 1: whole thing is just a scene where Dennis Hopper goes 150 00:08:09,760 --> 00:08:13,000 Speaker 1: shopping for chainsaws. Oh yeah, and he gets the he 151 00:08:13,040 --> 00:08:16,920 Speaker 1: gets the two smaller saws to go in holsters, and 152 00:08:16,920 --> 00:08:19,720 Speaker 1: then he gets the big daddy saw as well. But yeah, 153 00:08:19,720 --> 00:08:22,560 Speaker 1: he's just at the place shopping, and the shopkeeper there 154 00:08:22,640 --> 00:08:26,000 Speaker 1: is watching him, like pretending to duel, like seeing like 155 00:08:26,040 --> 00:08:28,480 Speaker 1: how it feels in his hands, swinging it at things. 156 00:08:28,960 --> 00:08:30,680 Speaker 1: Oh yeah, we get We do get a little a 157 00:08:30,720 --> 00:08:33,400 Speaker 1: little chainsaw dueling in that film. I'm not sure if 158 00:08:33,400 --> 00:08:35,840 Speaker 1: that's the first place we see it cinematically. It might be, 159 00:08:36,280 --> 00:08:38,520 Speaker 1: but I know that chainsaw dueling also shows up in 160 00:08:38,640 --> 00:08:42,360 Speaker 1: I think the second Phantasm movie and uh. Of course, 161 00:08:42,400 --> 00:08:44,520 Speaker 1: more recently, there's a little bit of it in Mandy, 162 00:08:45,160 --> 00:08:47,640 Speaker 1: which I think was very much included as an homage 163 00:08:47,679 --> 00:08:50,800 Speaker 1: to these these pictures, I would say, and in reality, 164 00:08:50,880 --> 00:08:53,760 Speaker 1: based on what I have learned about chainsaws, it would 165 00:08:53,760 --> 00:08:55,880 Speaker 1: be a very poor idea to try and do a 166 00:08:55,960 --> 00:09:00,000 Speaker 1: chainsaw duel. That sounds like a terrible choice. Terrible. In fact, 167 00:09:00,120 --> 00:09:01,959 Speaker 1: I'm kind of curious to go back and watch these 168 00:09:01,960 --> 00:09:04,000 Speaker 1: sequences just to try and figure out how they did 169 00:09:04,000 --> 00:09:07,040 Speaker 1: it with any you know, even a monicum of safety, 170 00:09:07,080 --> 00:09:09,520 Speaker 1: you know, while making it look like the saws are 171 00:09:09,559 --> 00:09:17,760 Speaker 1: in fact running. Yeah, all right, Rob, you ready for 172 00:09:17,800 --> 00:09:23,720 Speaker 1: some messages about Dune? Oh always? Okay, Well, just real quickly, 173 00:09:23,760 --> 00:09:26,720 Speaker 1: I wanted to read from Sean, who is following up 174 00:09:26,760 --> 00:09:30,240 Speaker 1: from something I said in our Done episodes. Sean says, Hi, 175 00:09:30,320 --> 00:09:33,040 Speaker 1: Joe and Robert, I'm listening to the Binny Jessrite episode 176 00:09:33,040 --> 00:09:35,960 Speaker 1: while running. It had to stop quickly just to say, 177 00:09:36,080 --> 00:09:39,400 Speaker 1: I remember the same paperback copy of Done Joe had 178 00:09:40,000 --> 00:09:43,160 Speaker 1: with I would say six point font, the letters almost 179 00:09:43,240 --> 00:09:46,080 Speaker 1: the edge of the page, several lines on each page, 180 00:09:46,120 --> 00:09:50,480 Speaker 1: often at angles. Yeah, this I feel vindicated. This sounds 181 00:09:50,480 --> 00:09:53,560 Speaker 1: about right to my memory. Anyways, Sean says, love the 182 00:09:53,559 --> 00:09:57,920 Speaker 1: show back to the episode in my run, Yeah, I 183 00:09:58,000 --> 00:09:59,800 Speaker 1: might have had a copy like that at some point 184 00:10:00,080 --> 00:10:03,320 Speaker 1: when I was younger. I think, uh, I think text 185 00:10:03,360 --> 00:10:05,679 Speaker 1: that size would just be absolutely painful for me. At 186 00:10:05,679 --> 00:10:09,280 Speaker 1: this point, I'm currently rereading a Dune on a kindle, 187 00:10:09,440 --> 00:10:12,000 Speaker 1: so that it means I can change the font size 188 00:10:12,040 --> 00:10:20,640 Speaker 1: to whatever suits me. Seems perfect. All right, I'm gonna 189 00:10:20,679 --> 00:10:25,079 Speaker 1: read also this message from Renata discussing Dune as well 190 00:10:25,120 --> 00:10:30,160 Speaker 1: as a recent Vault episode about mushroom forging. Alright, Renata says, Hi, 191 00:10:30,280 --> 00:10:32,559 Speaker 1: Joe and Rob, I loved your recent vault episode on 192 00:10:32,640 --> 00:10:36,160 Speaker 1: mushroom forging. You seem impressed that deer will eat just 193 00:10:36,320 --> 00:10:38,880 Speaker 1: enough of a toxic food to get a nutritional benefit 194 00:10:38,920 --> 00:10:42,200 Speaker 1: while avoiding the toxic effects. But I was surprised you 195 00:10:42,200 --> 00:10:45,400 Speaker 1: didn't mention that humans are masters at this game. The 196 00:10:45,440 --> 00:10:49,120 Speaker 1: most clear example of this to me is alcohol. I 197 00:10:49,160 --> 00:10:52,360 Speaker 1: can't remember where I heard this theory. Uh. She thinks 198 00:10:52,360 --> 00:10:54,840 Speaker 1: possibly from us, so I don't remember us talking about this, 199 00:10:55,120 --> 00:10:58,480 Speaker 1: but she says, um, it is that humans developed a 200 00:10:58,559 --> 00:11:02,880 Speaker 1: liking for alcohol because in our primate ancestors, it's signaled 201 00:11:02,960 --> 00:11:07,040 Speaker 1: that a fruit is ripe, therefore containing more sugars. If 202 00:11:07,080 --> 00:11:09,880 Speaker 1: they eat just enough of a fruit as it begins 203 00:11:09,920 --> 00:11:13,520 Speaker 1: to ferment, they get maximum sugars if they wait too long, 204 00:11:13,720 --> 00:11:16,920 Speaker 1: they get intoxicated or maybe worse. There are plenty of 205 00:11:17,000 --> 00:11:21,280 Speaker 1: other examples. Pineapples contain bromolin, which is used as a 206 00:11:21,320 --> 00:11:24,600 Speaker 1: meat tenderizer and can cause your tongue to go numb 207 00:11:24,679 --> 00:11:28,240 Speaker 1: if you eat enough. I recently developed a sensitivity to 208 00:11:28,400 --> 00:11:33,000 Speaker 1: keen wa because it contains small amounts of sappinin, which 209 00:11:33,040 --> 00:11:35,960 Speaker 1: is a toxin but usually thoroughly washed off when you 210 00:11:36,000 --> 00:11:39,600 Speaker 1: prepare keenoa, but apparently if you're exposed to too much 211 00:11:39,640 --> 00:11:42,800 Speaker 1: of it once a faithful salad from a cafe. In 212 00:11:42,800 --> 00:11:46,280 Speaker 1: my case, even consuming miniscule amounts of it after that 213 00:11:46,320 --> 00:11:49,280 Speaker 1: will cause a reaction. For me that's hours of intense 214 00:11:49,280 --> 00:11:54,520 Speaker 1: stomach cramps. Many foods naturally contain inulin, which is not digestible, 215 00:11:54,640 --> 00:11:57,680 Speaker 1: but which is a prebiotic that can promote gut health. 216 00:11:58,080 --> 00:12:01,920 Speaker 1: My favorite source is sun Chokes, but beware consuming too much. 217 00:12:02,320 --> 00:12:05,760 Speaker 1: Check out this Amazon review of gummy bears containing inulin 218 00:12:05,880 --> 00:12:09,040 Speaker 1: for some colorful descriptions of what can happen, and then 219 00:12:09,080 --> 00:12:11,760 Speaker 1: she links to Yeah use the reviews of a product 220 00:12:11,800 --> 00:12:16,439 Speaker 1: that apparently made people have a lot of defecation emergencies. 221 00:12:17,480 --> 00:12:21,240 Speaker 1: I do have to say sun chokes are are absolutely glorious. 222 00:12:21,480 --> 00:12:23,480 Speaker 1: I have not had them recently, but I love I 223 00:12:23,480 --> 00:12:26,280 Speaker 1: love my sun chokes or Jerusalem art at jokes if 224 00:12:26,280 --> 00:12:28,480 Speaker 1: you will also, I want to follow. I was reading 225 00:12:28,520 --> 00:12:32,120 Speaker 1: about sapping in on on Keenea. It is true that 226 00:12:32,280 --> 00:12:35,720 Speaker 1: um grains of quinoa are naturally they tend to be 227 00:12:35,760 --> 00:12:39,880 Speaker 1: coated in this uh, this organic substance called sapping in, 228 00:12:39,920 --> 00:12:43,720 Speaker 1: which kind of creates a foamy, soapy like texture sometimes 229 00:12:43,720 --> 00:12:47,000 Speaker 1: when when combined with water. But I don't think that's 230 00:12:47,040 --> 00:12:49,520 Speaker 1: like a reason to be concerned about eating quinoa, Like 231 00:12:49,760 --> 00:12:52,320 Speaker 1: it seems like there's not really usually enough of it 232 00:12:52,360 --> 00:12:55,439 Speaker 1: to hurt someone, and you can wash it off prior 233 00:12:55,440 --> 00:12:58,959 Speaker 1: to eating it. Apparently, some some types of quenwa that 234 00:12:59,120 --> 00:13:02,040 Speaker 1: they're sold will tell will instruct people to rinse it 235 00:13:02,080 --> 00:13:04,959 Speaker 1: before you cook it. Oh. But the thing about bromlin 236 00:13:05,040 --> 00:13:09,440 Speaker 1: too is interesting because I have seen bromelin used, like 237 00:13:09,520 --> 00:13:12,920 Speaker 1: Granada says, as a meat tenderizer, like people, uh, sort 238 00:13:12,960 --> 00:13:16,640 Speaker 1: of mashing up a big pineapple and then soaking some 239 00:13:16,640 --> 00:13:19,079 Speaker 1: some cut of meat in it in order to make 240 00:13:19,080 --> 00:13:22,360 Speaker 1: it make it more tender to the tooth. Yeah. Yeah, 241 00:13:22,400 --> 00:13:24,880 Speaker 1: I think I had an incident once where I had 242 00:13:25,320 --> 00:13:28,719 Speaker 1: some sort of this was I don't know, this is 243 00:13:28,720 --> 00:13:30,640 Speaker 1: probably I think the fish dish, or maybe it was 244 00:13:30,640 --> 00:13:33,439 Speaker 1: back when I had when I still like chicken. But uh, 245 00:13:33,520 --> 00:13:35,000 Speaker 1: there was some sort of meat and it had a 246 00:13:35,040 --> 00:13:38,360 Speaker 1: pineapple susa on it, and I let it set in 247 00:13:38,360 --> 00:13:42,199 Speaker 1: the fridge overnight, and by the next morning, the the 248 00:13:42,520 --> 00:13:47,040 Speaker 1: pineapple had like just reduced the meat to mush. It's 249 00:13:47,080 --> 00:13:49,920 Speaker 1: quite interesting. Oh yeah, you don't want to You don't 250 00:13:49,920 --> 00:13:52,080 Speaker 1: want to let your pineapple marinate go too long, or 251 00:13:52,120 --> 00:13:55,240 Speaker 1: your dinner will turn into a melt movie. Yeah, a fine, 252 00:13:55,440 --> 00:13:58,959 Speaker 1: a fine paste. Oh but Renata goes on talking about Dune, 253 00:13:59,320 --> 00:14:01,920 Speaker 1: so she says, I also wanted to comment that I 254 00:14:01,960 --> 00:14:05,800 Speaker 1: went into Dune nearly cold. I watched the Lynch adaptation 255 00:14:05,840 --> 00:14:08,640 Speaker 1: about six years ago, but was only half paying attention. 256 00:14:09,080 --> 00:14:12,160 Speaker 1: When I heard about the latest adaptation, I purposely avoided 257 00:14:12,240 --> 00:14:14,880 Speaker 1: Dune content so I could go in as cold as possible. 258 00:14:15,200 --> 00:14:17,920 Speaker 1: I found it exceedingly easy to follow, and I thoroughly 259 00:14:18,000 --> 00:14:20,680 Speaker 1: enjoyed the film like you. I felt that it found 260 00:14:20,760 --> 00:14:24,920 Speaker 1: inventive ways to make the necessary exposition diverse, fun and clear. 261 00:14:25,480 --> 00:14:27,840 Speaker 1: The narration and on screen text at the beginning gave 262 00:14:27,880 --> 00:14:30,640 Speaker 1: way to dialogue that helped explain what was happening. But 263 00:14:30,760 --> 00:14:34,080 Speaker 1: most impressive to me was the way Vilnov teaches you 264 00:14:34,240 --> 00:14:37,840 Speaker 1: a visual and auditory language that lets you intuitively follow 265 00:14:37,880 --> 00:14:42,080 Speaker 1: the story without endless exposition all dialogue. My favorite example 266 00:14:42,160 --> 00:14:45,120 Speaker 1: was that of the force fields, which are blue when 267 00:14:45,120 --> 00:14:49,239 Speaker 1: they are effectively maintaining protection and read when they're penetrated. 268 00:14:49,760 --> 00:14:52,880 Speaker 1: This adaptation of Dune rivals my favorite film two thousand 269 00:14:52,880 --> 00:14:55,640 Speaker 1: one of Space Odyssey for being as close to cinematically 270 00:14:55,640 --> 00:14:58,840 Speaker 1: and technically flawless as you can get. Uh. Well, glad 271 00:14:58,840 --> 00:15:01,160 Speaker 1: to hear another good review. I I loved it as well. 272 00:15:01,800 --> 00:15:04,600 Speaker 1: I agree with Hi, think everything you say. I also 273 00:15:04,640 --> 00:15:08,200 Speaker 1: really enjoyed the color coding of of how the shields, 274 00:15:08,240 --> 00:15:11,560 Speaker 1: the energy shields were We're working because yeah, you could 275 00:15:11,560 --> 00:15:14,720 Speaker 1: see even from a distance, when somebody had managed to 276 00:15:14,720 --> 00:15:17,040 Speaker 1: to move the knife through the shields slow enough that 277 00:15:17,120 --> 00:15:21,600 Speaker 1: it wasn't deflected because everything would turn red suddenly. Yeah, finally, 278 00:15:21,640 --> 00:15:24,480 Speaker 1: she says, deeply appreciate your show. I can't stop sharing 279 00:15:24,520 --> 00:15:27,040 Speaker 1: anecdotes I learned with my friends, and listening has become 280 00:15:27,080 --> 00:15:29,480 Speaker 1: a big part of my daily routine. Thanks for making 281 00:15:29,480 --> 00:15:34,040 Speaker 1: new episodes and picking great Vault episodes. To share best Renata. Well, 282 00:15:34,080 --> 00:15:36,840 Speaker 1: thank you for writing in. Yeah, yeah, these are some 283 00:15:36,880 --> 00:15:40,240 Speaker 1: excellent thoughts. Uh yeah, I'm enjoying continuing to hear from 284 00:15:40,280 --> 00:15:44,160 Speaker 1: folks about the latest the latest Dune adaptation. Um, since 285 00:15:44,200 --> 00:15:47,680 Speaker 1: everyone enjoys fan casting so much, we should really get 286 00:15:47,720 --> 00:15:49,880 Speaker 1: in on this. This window we have right now before 287 00:15:49,880 --> 00:15:55,000 Speaker 1: they officially cast Um the Emperor and uh fade Ratha. 288 00:15:55,640 --> 00:15:58,240 Speaker 1: Who do you think would be ideal to play these roles? 289 00:15:58,240 --> 00:16:00,600 Speaker 1: And I'm I'm excited to see who they pick. Fade 290 00:16:00,680 --> 00:16:07,000 Speaker 1: Rapha Sting again, Yeah, I mean stink Sting could totally 291 00:16:07,040 --> 00:16:09,120 Speaker 1: do it. That would be that would be interesting. He 292 00:16:09,200 --> 00:16:12,240 Speaker 1: has not actually aged a single day since the last movie. 293 00:16:12,520 --> 00:16:14,920 Speaker 1: For fade Ratha, I don't know, it's tempting to to 294 00:16:14,920 --> 00:16:16,840 Speaker 1: to want to go with one of the scars Guard children. 295 00:16:16,880 --> 00:16:19,720 Speaker 1: Since we have Papa scars Guard doing such a great 296 00:16:19,760 --> 00:16:22,920 Speaker 1: job as the Baron. Maybe get Bill scars Guard in there. 297 00:16:25,560 --> 00:16:29,040 Speaker 1: I'm not endorsing this choice, but some people on the 298 00:16:29,040 --> 00:16:32,520 Speaker 1: internet apparently suggesting the guy who plays Joffrey in Game 299 00:16:32,560 --> 00:16:35,840 Speaker 1: of Thrones. I mean, I don't know, I haven't seen 300 00:16:35,840 --> 00:16:39,200 Speaker 1: what he looks like these days. Um, he's still basically 301 00:16:39,200 --> 00:16:42,360 Speaker 1: a child actor. At the time, so maybe he's maybe 302 00:16:42,360 --> 00:16:44,720 Speaker 1: he's perfect for it. Now, I don't know. I don't know. 303 00:16:44,800 --> 00:16:47,080 Speaker 1: I would if I were him, I would if they 304 00:16:47,120 --> 00:16:50,080 Speaker 1: reached out, I would be hesitant because even as great 305 00:16:50,120 --> 00:16:51,360 Speaker 1: of a role as this would be, you don't want 306 00:16:51,360 --> 00:16:53,200 Speaker 1: to be typecast for the rest of your career as 307 00:16:53,200 --> 00:16:57,720 Speaker 1: a little fancy tyrant. Yeah, yeah, I mean, I don't know. 308 00:16:57,840 --> 00:17:00,160 Speaker 1: I don't know. I'm looking at a present, you know, 309 00:17:00,240 --> 00:17:02,520 Speaker 1: current picture of him, and uh, I don't know. Maybe 310 00:17:02,520 --> 00:17:04,480 Speaker 1: he could do it, maybe maybe, maybe he is perfect 311 00:17:04,520 --> 00:17:07,120 Speaker 1: for it. I don't know. I'm still going with with 312 00:17:07,160 --> 00:17:10,040 Speaker 1: my gut and saying Bill scars guard. But but but again, 313 00:17:10,080 --> 00:17:12,280 Speaker 1: I'm excited to see what actually happens. And hey, I'm 314 00:17:12,320 --> 00:17:15,840 Speaker 1: excited to see what sort of suggestions are listeners make. 315 00:17:16,200 --> 00:17:27,440 Speaker 1: Vin Diesel al Right, here's another bit of listener mail. 316 00:17:27,480 --> 00:17:30,159 Speaker 1: Listen comes from Jim in New Jersey, and it's in 317 00:17:30,280 --> 00:17:34,400 Speaker 1: a response to the episode on luck Robert and Joe. 318 00:17:34,440 --> 00:17:37,040 Speaker 1: When it comes to luck, here are my two favorite quotes. 319 00:17:37,480 --> 00:17:39,560 Speaker 1: The harder I work, the luckier I get. This is 320 00:17:39,600 --> 00:17:43,480 Speaker 1: attributed to too many to find its original author, and 321 00:17:43,520 --> 00:17:46,920 Speaker 1: then luck is when preparation meets opportunity. Uh. And this 322 00:17:47,000 --> 00:17:51,080 Speaker 1: is from Roman philosopher Seneca. I don't believe in luck, 323 00:17:51,119 --> 00:17:53,320 Speaker 1: but I consider myself a lucky person. I'm not sure 324 00:17:53,320 --> 00:17:58,000 Speaker 1: how to resolve those inconsistencies. I never believed in lucky items, 325 00:17:58,080 --> 00:18:01,680 Speaker 1: but I had a few habits while taking tests in college. 326 00:18:01,720 --> 00:18:04,720 Speaker 1: Some may consider them superstitious based upon luck, but I 327 00:18:04,800 --> 00:18:07,919 Speaker 1: thought of them as rituals and traditions. They included wearing 328 00:18:07,960 --> 00:18:10,000 Speaker 1: a wearing dark blue on the day of the test. 329 00:18:10,400 --> 00:18:13,560 Speaker 1: This was easy since it was a school color. Uh. 330 00:18:13,600 --> 00:18:16,399 Speaker 1: Taking four number two pencils wrapped in a rubber band 331 00:18:16,560 --> 00:18:20,199 Speaker 1: and a handheld eraser, and never taking any books or 332 00:18:20,240 --> 00:18:22,880 Speaker 1: notes unless it was an open book test or one 333 00:18:22,880 --> 00:18:25,840 Speaker 1: that allowed notes during the exam. These rituals got me 334 00:18:25,880 --> 00:18:29,040 Speaker 1: into a test taking mental state on the test day. 335 00:18:29,040 --> 00:18:31,600 Speaker 1: Taking books or notes not allowed during the test would 336 00:18:31,600 --> 00:18:34,639 Speaker 1: only encourage me to cram in the hallway immediately before 337 00:18:34,680 --> 00:18:37,320 Speaker 1: the test. I felt that was a crutch and I 338 00:18:37,359 --> 00:18:40,520 Speaker 1: wanted to enter the testing room with confidence. I wasn't 339 00:18:40,560 --> 00:18:43,480 Speaker 1: sure if I felt pity or disdain for those cramming 340 00:18:43,560 --> 00:18:45,720 Speaker 1: in the halls. I did pretty well in tests, so 341 00:18:45,760 --> 00:18:48,240 Speaker 1: I guess it worked for me. Jim in New Jersey. Wow, 342 00:18:48,320 --> 00:18:53,800 Speaker 1: Jim coming in with like nerd swagger. Yeah, I mean 343 00:18:53,840 --> 00:18:55,879 Speaker 1: this is just a yeah, you can get into the 344 00:18:55,920 --> 00:18:59,320 Speaker 1: topic of luck, though it gets so it's all over 345 00:18:59,359 --> 00:19:01,600 Speaker 1: the place. So is the different ways we think about it, 346 00:19:01,640 --> 00:19:04,360 Speaker 1: and uh, you know, I don't even certainly I don't 347 00:19:04,359 --> 00:19:06,320 Speaker 1: think we got into this conversation. But then there's this 348 00:19:06,400 --> 00:19:12,200 Speaker 1: whole like area two of like luck as how it 349 00:19:12,240 --> 00:19:15,880 Speaker 1: can be utilized as kind of like a toxic positivity, 350 00:19:16,560 --> 00:19:19,879 Speaker 1: you know, like like overly reminding somebody of how lucky 351 00:19:19,920 --> 00:19:21,840 Speaker 1: they are. Oh, you're lucky for this. You're like, you're 352 00:19:21,920 --> 00:19:24,399 Speaker 1: lucky to have this or that or the other. Um. So, 353 00:19:24,440 --> 00:19:26,840 Speaker 1: I mean there's just so many, so many dimensions to 354 00:19:27,280 --> 00:19:30,160 Speaker 1: the human concept of luck that you could you could 355 00:19:30,240 --> 00:19:38,159 Speaker 1: just discuss it almost endlessly. All right, Well, maybe we 356 00:19:38,160 --> 00:19:41,280 Speaker 1: should round things out with one last message on Weird 357 00:19:41,320 --> 00:19:44,600 Speaker 1: House Cinema And this, this one is a real treat 358 00:19:44,720 --> 00:19:47,040 Speaker 1: because this is a bit of listener mail from our 359 00:19:47,119 --> 00:19:50,840 Speaker 1: own producer Seth. It came into the mailbox and I 360 00:19:50,920 --> 00:19:53,639 Speaker 1: was like, what, Seth, is this from you? And he 361 00:19:53,720 --> 00:19:57,639 Speaker 1: confirmed it was. So I feel truly honored that that 362 00:19:57,760 --> 00:20:00,919 Speaker 1: Seth was inspired to chime in and take you to task. 363 00:20:01,280 --> 00:20:04,320 Speaker 1: That's right, because so recently people were asking about the 364 00:20:04,320 --> 00:20:08,959 Speaker 1: Friday thirteen franchise, and I think a listener wrote in 365 00:20:09,000 --> 00:20:11,879 Speaker 1: to say, hey, I'm not sure you were right that 366 00:20:11,880 --> 00:20:16,600 Speaker 1: that Jason Vorhees becomes a revenant in the sixth movie. 367 00:20:16,400 --> 00:20:20,160 Speaker 1: I think he's a revenant since the beginning because they 368 00:20:20,200 --> 00:20:22,399 Speaker 1: say that he drowned many years ago. That's sort of 369 00:20:22,400 --> 00:20:25,240 Speaker 1: the backstory, and my feeling on that as well, I 370 00:20:25,320 --> 00:20:27,880 Speaker 1: think it's just a sloppy red con. You know, they 371 00:20:27,880 --> 00:20:29,600 Speaker 1: say that at the beginning, and then they wanted to 372 00:20:29,600 --> 00:20:31,439 Speaker 1: make a second movie and they're like, well, you know 373 00:20:31,520 --> 00:20:35,480 Speaker 1: he's alive now, okay. But but Seth has an alternative vision, 374 00:20:35,560 --> 00:20:38,800 Speaker 1: so he says, in response to last week's Listener Maile episode, 375 00:20:38,800 --> 00:20:42,399 Speaker 1: where the concept of Jason Vorhees supernatural nature was discussed, 376 00:20:42,760 --> 00:20:44,879 Speaker 1: I feel the need to deliver what I believe is 377 00:20:44,880 --> 00:20:49,240 Speaker 1: the definitive answer to this question. Jason Vorhees is a 378 00:20:49,320 --> 00:20:53,080 Speaker 1: dead EyeT, if anyone is unaware, A dead EyeT is 379 00:20:53,119 --> 00:20:56,639 Speaker 1: a parasitic demon that feasts on the souls of living creatures, 380 00:20:56,920 --> 00:21:00,560 Speaker 1: found primarily in the Evil Dead franchise. And then he's 381 00:21:00,560 --> 00:21:02,440 Speaker 1: even got a whole timeline laid out, so he says 382 00:21:02,480 --> 00:21:06,480 Speaker 1: the truncated timeline would go like this. Pamela Vorhees was 383 00:21:06,560 --> 00:21:09,720 Speaker 1: the cook at Camp Crystal Lake. Her son Jason, drowned 384 00:21:09,760 --> 00:21:11,600 Speaker 1: while swimming in the lake because of a lack of 385 00:21:11,640 --> 00:21:16,160 Speaker 1: supervision from the counselors. Distraught, Pamela turns to dark magic 386 00:21:16,240 --> 00:21:20,720 Speaker 1: to revive her dead son. She uses the necronomicon Ex 387 00:21:20,760 --> 00:21:24,119 Speaker 1: Mortis to cast a resurrection spell of some sort, but 388 00:21:24,400 --> 00:21:28,080 Speaker 1: a human sacrifice is required. This is why she begins 389 00:21:28,080 --> 00:21:30,920 Speaker 1: her killing spree. By the end of the first film, 390 00:21:31,040 --> 00:21:34,040 Speaker 1: she has very nearly obtained the number of deaths required, 391 00:21:34,440 --> 00:21:38,119 Speaker 1: but while attempting to obtain her last soul, Alice, the 392 00:21:38,160 --> 00:21:42,080 Speaker 1: main character of the first Friday thirteenth movie, Pamela herself 393 00:21:42,280 --> 00:21:47,080 Speaker 1: is beheaded, thus becoming the final sacrificed soul. Very soon after, 394 00:21:47,160 --> 00:21:50,120 Speaker 1: we see a fully revived but quite ghoule ish Jason 395 00:21:50,320 --> 00:21:52,960 Speaker 1: erupt from the lake in the film's final jump scare. 396 00:21:53,440 --> 00:21:55,760 Speaker 1: There are fan theories of plenty on this topic, but 397 00:21:55,840 --> 00:21:59,840 Speaker 1: there is official corroboration as well. The director of Friday 398 00:21:59,840 --> 00:22:03,960 Speaker 1: the Thirteen Part nine Jason goes to Hell, which, to 399 00:22:04,000 --> 00:22:08,720 Speaker 1: add my side on this is an absolutely miserable atrocity 400 00:22:08,800 --> 00:22:12,120 Speaker 1: of a movie. Um even even like like a lot 401 00:22:12,119 --> 00:22:14,399 Speaker 1: of the other ones are bad but very fun. I 402 00:22:14,440 --> 00:22:16,639 Speaker 1: feel like Jason goes to Hell. I just dare you 403 00:22:16,720 --> 00:22:19,160 Speaker 1: to try to finish watching it, because I think you've 404 00:22:19,160 --> 00:22:21,159 Speaker 1: mentioned before he does not actually go to Hell in 405 00:22:21,240 --> 00:22:24,520 Speaker 1: this right, This is not like Dante's Inferno sort of 406 00:22:25,280 --> 00:22:28,160 Speaker 1: uh plot line. Not only does he not go to Hell, 407 00:22:28,200 --> 00:22:30,280 Speaker 1: most of the time, he doesn't even appear on screen. 408 00:22:30,440 --> 00:22:34,359 Speaker 1: He just like Jason, possesses people. So it's just actors 409 00:22:34,440 --> 00:22:38,320 Speaker 1: walking around with like his soul in them. Man, that's 410 00:22:38,359 --> 00:22:42,000 Speaker 1: just false advertising. Yeah, But anyway, to continue with seth 411 00:22:42,119 --> 00:22:45,520 Speaker 1: thoughts here, Seth says, the director of this movie, Jason 412 00:22:45,560 --> 00:22:47,880 Speaker 1: goes to Hell, Adam Marcus, went out of his way 413 00:22:47,920 --> 00:22:50,720 Speaker 1: to make sure that Jason's dead eye status is an 414 00:22:50,760 --> 00:22:54,120 Speaker 1: official part of the Friday the Thirteenth canon by having 415 00:22:54,119 --> 00:22:58,879 Speaker 1: the Necronomicon ex mortis and the Candarian dagger. This is 416 00:22:58,920 --> 00:23:02,159 Speaker 1: a magic dagger. It appears in the ninth movie that is, 417 00:23:02,240 --> 00:23:04,600 Speaker 1: for some reason, the only thing that can kill Jason. 418 00:23:05,240 --> 00:23:08,679 Speaker 1: Um uh. To have these items be discovered in the 419 00:23:08,760 --> 00:23:12,480 Speaker 1: Vorhees home. Seth finishes up by saying, there there are 420 00:23:12,480 --> 00:23:14,760 Speaker 1: other bits of proof to be found throughout the series, 421 00:23:14,800 --> 00:23:17,520 Speaker 1: and it definitely adds an interesting layer of complexity the 422 00:23:17,560 --> 00:23:22,959 Speaker 1: whole franchise. Keep up the great work, Seth um Well, Seth, I, 423 00:23:22,760 --> 00:23:25,520 Speaker 1: I couldn't be more appreciative of you your sharing your 424 00:23:25,520 --> 00:23:29,120 Speaker 1: thoughts on the subject. But I'm gonna say I think 425 00:23:29,160 --> 00:23:33,760 Speaker 1: this is also obviously a late redcon. Surely Steve Minor 426 00:23:33,840 --> 00:23:36,720 Speaker 1: when he made the second Friday Thirteenth movie, did not 427 00:23:36,800 --> 00:23:40,119 Speaker 1: have any of this in his head. But but that's okay, 428 00:23:40,160 --> 00:23:42,640 Speaker 1: that's okay. I I accept the you know, the sort 429 00:23:42,640 --> 00:23:45,760 Speaker 1: of franchise crossing Red Coons, that that that that works 430 00:23:45,800 --> 00:23:48,399 Speaker 1: for me well, and and then I think the other 431 00:23:48,520 --> 00:23:50,760 Speaker 1: part of this is that we at least we're going 432 00:23:50,800 --> 00:23:52,879 Speaker 1: to get At some point, they were talking about doing 433 00:23:52,960 --> 00:23:57,560 Speaker 1: Ash from Evil Dad versus Freddie versus Jason type of 434 00:23:57,560 --> 00:23:59,520 Speaker 1: a film, and I think we ended up getting a 435 00:23:59,520 --> 00:24:02,920 Speaker 1: comic book instead, because you know, the forces didn't properly 436 00:24:02,960 --> 00:24:08,000 Speaker 1: align there, so the franchises were going to further converge, 437 00:24:08,400 --> 00:24:13,720 Speaker 1: like like star systems crashing into each other. I may 438 00:24:13,760 --> 00:24:17,960 Speaker 1: have mentioned this thought on the show before, but coming 439 00:24:17,960 --> 00:24:20,119 Speaker 1: back to the episode that Seth and I did in 440 00:24:20,160 --> 00:24:23,680 Speaker 1: October about a horror movie music. I would hold up 441 00:24:23,800 --> 00:24:27,840 Speaker 1: Jason Goes to Hell as probably the worst example of 442 00:24:27,920 --> 00:24:32,320 Speaker 1: film scoring I have ever heard it. The music in 443 00:24:32,320 --> 00:24:37,440 Speaker 1: that movie is so bad. The music is actually funny. Yeah, 444 00:24:37,480 --> 00:24:39,760 Speaker 1: I haven't seen it, but you've mentioned this before, and 445 00:24:39,840 --> 00:24:42,280 Speaker 1: I remember looking it up thinking, well, it couldn't be 446 00:24:42,280 --> 00:24:44,480 Speaker 1: that bad, surely, but it's it is that bad. It's 447 00:24:44,520 --> 00:24:47,800 Speaker 1: that I remember it being wretched, especially since I mean 448 00:24:47,960 --> 00:24:51,000 Speaker 1: the Friday Thirteenth movies. Of the things they're known for. 449 00:24:51,160 --> 00:24:55,720 Speaker 1: One of the great things is that that little sound 450 00:24:55,760 --> 00:24:57,560 Speaker 1: effect that that that part of the I guess you 451 00:24:57,560 --> 00:25:00,200 Speaker 1: would consider that part of the score, part of the 452 00:24:59,800 --> 00:25:04,520 Speaker 1: h the audio realm that Jason lives in, like that's 453 00:25:04,560 --> 00:25:08,640 Speaker 1: so effective. Oh yeah, yeah, the classic Harry man Fordini theme. Um, 454 00:25:08,680 --> 00:25:12,000 Speaker 1: and I think they still use that in in Jason 455 00:25:12,040 --> 00:25:15,800 Speaker 1: goes to Hell, but it I don't know. Allegedly the 456 00:25:15,920 --> 00:25:18,760 Speaker 1: music in in Jason Goes to Hell is by the 457 00:25:18,800 --> 00:25:21,720 Speaker 1: same composer as as the original one, Harry man Fordini, 458 00:25:21,800 --> 00:25:24,520 Speaker 1: but I don't know. Something is wrong with it. It's 459 00:25:24,600 --> 00:25:27,840 Speaker 1: the dynamics of it are just so It's just full 460 00:25:27,880 --> 00:25:31,920 Speaker 1: of constant stings that are not associated with anything happening 461 00:25:31,920 --> 00:25:35,119 Speaker 1: on the screen. So you just get like, like minutes 462 00:25:35,200 --> 00:25:37,920 Speaker 1: at a time of just done, dudda done, dudda done. 463 00:25:38,119 --> 00:25:40,800 Speaker 1: It just stings and stings and stings, and it doesn't 464 00:25:40,840 --> 00:25:43,520 Speaker 1: add up to anything. It's bizarre. Now, this is not 465 00:25:43,560 --> 00:25:47,879 Speaker 1: to be confused with the disco hit that that sprang 466 00:25:47,960 --> 00:25:51,720 Speaker 1: out of the Friday the thirteenth franchise. Right if we've 467 00:25:51,760 --> 00:25:54,240 Speaker 1: talked about that. I think we've talked about that on 468 00:25:54,240 --> 00:25:57,159 Speaker 1: the show before, right, disco hit. I don't know what 469 00:25:57,160 --> 00:26:00,520 Speaker 1: you're talking about. Yeah, there was some bit of the 470 00:26:00,520 --> 00:26:02,399 Speaker 1: there was some musical bit from one of the Friday 471 00:26:02,440 --> 00:26:05,679 Speaker 1: the third teen films that became this big like disco 472 00:26:05,800 --> 00:26:09,320 Speaker 1: hit during the at that time. Okay, once again Seth 473 00:26:09,359 --> 00:26:11,040 Speaker 1: has the answers on this. He just cut in to 474 00:26:11,160 --> 00:26:13,320 Speaker 1: let us know. This is the theme song from Friday 475 00:26:13,320 --> 00:26:16,520 Speaker 1: Part three, another one of the worst entries in the franchise. 476 00:26:16,560 --> 00:26:18,960 Speaker 1: I think, oh yeah, yeah, but the music is solid. 477 00:26:19,040 --> 00:26:22,240 Speaker 1: This is great. Okay, Well, maybe I gotta go listen 478 00:26:22,240 --> 00:26:24,239 Speaker 1: to that right now. Well, I have a cute up 479 00:26:24,280 --> 00:26:27,119 Speaker 1: as well, so I'm gonna I'm gonna listen listen to 480 00:26:27,119 --> 00:26:30,080 Speaker 1: it right after we wrap here. So speaking of which 481 00:26:30,160 --> 00:26:33,120 Speaker 1: let's go ahead and close out this mail bag. But hey, 482 00:26:33,119 --> 00:26:35,280 Speaker 1: it's gonna be it's gonna be two weeks for us 483 00:26:35,400 --> 00:26:39,560 Speaker 1: before we record another listener mail, so that's ample time 484 00:26:39,760 --> 00:26:41,639 Speaker 1: for folks to get in there with their thoughts on 485 00:26:41,720 --> 00:26:45,399 Speaker 1: recent episodes, some of our Crab episodes, perhaps uh, some 486 00:26:45,480 --> 00:26:47,680 Speaker 1: of the Vault episodes that are coming out, the more 487 00:26:47,720 --> 00:26:50,320 Speaker 1: recent Weird House Cinemas. All of it is fair game, 488 00:26:50,960 --> 00:26:53,919 Speaker 1: right in let us know what you're thinking. In the meantime, 489 00:26:53,920 --> 00:26:55,960 Speaker 1: if you want to check out other listener mail episodes, 490 00:26:56,000 --> 00:26:57,840 Speaker 1: they are every Monday, and the Stuff to Blow your 491 00:26:57,840 --> 00:27:01,240 Speaker 1: Mind podcast feed core episodes on Tuesday, using Thursday's artifact 492 00:27:01,240 --> 00:27:04,320 Speaker 1: on Wednesday, Weird House Cinema on Friday. That's just our 493 00:27:04,359 --> 00:27:06,600 Speaker 1: time to focus in on a strange movie and put 494 00:27:06,640 --> 00:27:09,800 Speaker 1: most serious matters aside. Huge thanks as always to our 495 00:27:09,840 --> 00:27:13,320 Speaker 1: excellent audio producer Seth Nicholas Johnson. If you would like 496 00:27:13,400 --> 00:27:15,479 Speaker 1: to get in touch with us with feedback on this 497 00:27:15,520 --> 00:27:18,040 Speaker 1: episode or any other, to suggest topic for the future, 498 00:27:18,119 --> 00:27:20,120 Speaker 1: or just to say hello, you can email us at 499 00:27:20,480 --> 00:27:31,240 Speaker 1: contact at stuff to Blow your Mind dot com. Stuff 500 00:27:31,240 --> 00:27:33,480 Speaker 1: to Blow Your Mind is a production of I Heart Radio. 501 00:27:33,800 --> 00:27:36,160 Speaker 1: For more podcasts, my heart Radio, visit the i heart 502 00:27:36,200 --> 00:27:38,919 Speaker 1: Radio app, Apple podcasts, or wherever you listen to your 503 00:27:38,960 --> 00:27:39,639 Speaker 1: favorite shows.