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Speaker 1: Warning.

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Speaker 2: Today's episode to day's mild spoilers for several movies that

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Speaker 2: came out in the current calendar year of twenty twenty four,

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Speaker 2: So be warned, be awall. Hello, my name is Jason Concepcion.

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Speaker 1: And I'm Rosy Night and baby, Welcome.

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Speaker 2: Of the podcast when we dive deep at dear favorite

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Speaker 2: shoes shows, excuse me, movies, comics and pop culture comedy

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Speaker 2: Revide our podcast We're Wearing You three episodes a week,

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Speaker 2: every Tuesday Thursday, and extra episode every Wednesday. It's movie time.

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Speaker 1: It's movie time, baby, and I love shoes. What is

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Speaker 1: my favorite shoe? I don't know, like Jordan one. Yeah,

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Speaker 1: that's pretty classic shoe. I'm a fan of a Kyrie

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Speaker 1: Kids pack. You know, I've got a few shoes. But

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Speaker 1: in today's episode, we will not be talking about shoes.

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Speaker 1: We will be talking about showtime at the Cinema in

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Speaker 1: hollod In the airlock, We're going to be talking about

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Speaker 1: our favorite movies of twenty twenty four and in more if,

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Speaker 1: we will be predicting the movies that we hope will

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Speaker 1: do well award season, as well as three movies that

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Speaker 1: we think will stand the test of time. From twenty

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Speaker 1: twenty four.

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Speaker 2: First stuff, we're stepping out of the airlock to talk

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Speaker 2: more movies. Okay, let's talk about our favorite slash the

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Speaker 2: best movies of this past slash current calendar year. As

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Speaker 2: we head into the twenty twenty five Awards season. What

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Speaker 2: are our takeaways from the state of the movies and

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Speaker 2: what I think is a very, very kind of weird

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Speaker 2: year for movie This is.

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Speaker 1: Such a weird year. Like I was going through this

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Speaker 1: year's releases, just kind of putting together a list of

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Speaker 1: notable stuff that we might want to talk about. I

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Speaker 1: think the biggest theme for this year is actually like

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Speaker 1: huge ip and sequel failures. Yeah, because you have Purio Joker, Folio,

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Speaker 1: dur Ghostbusters, Craven, Madam Ware, Borderlands, The Crow, The Fall Guy,

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Speaker 1: The Lord of the Rings, The War of the Rare Hero,

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Speaker 1: all of these movies that studios probably assumed were safe

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Speaker 1: bets because they were I p and all of them underperformed. Now,

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Speaker 1: I will say, out of all of those movies, Purioso

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Speaker 1: is actually a really fantastic movie that I think was

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Speaker 1: just too weird and complex and that will find its

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Speaker 1: own audience. But otherwise those movies were pretty renownedly panned.

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Speaker 2: Yeah, I think one of the things that my takeaway

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Speaker 2: from this year is that one IP still rules. I mean,

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Speaker 2: you look at the look at the earning movies of

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Speaker 2: the year, and it's like inside Out to Deadpool, Wolverine, Twister,

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Speaker 2: Twister sequel, God, you know it's on and on that said,

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Speaker 2: I think you put your finger on something rosy. And

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Speaker 2: that is when I when you you fail with IP,

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Speaker 2: it is you fall harder because it's not just it's

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Speaker 2: not just that you're not bringing in audience who will

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Speaker 2: want to see a good movie. You're also not bringing

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Speaker 2: the audience that you thought. Like you thought IP is

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Speaker 2: supposed to comment with a built in audience, people were

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Speaker 2: exactly interested in your story. But when those people reject it,

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Speaker 2: in addition to the kind of you know, fan on

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Speaker 2: the street coming in to watch a movie who knows

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Speaker 2: nothing about you know, the war and et cetera, about

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Speaker 2: about whatever story you may have, then I think I

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Speaker 2: just think it the failure is a lot more severe,

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Speaker 2: as we're saying with Craven and War of the rowom Like,

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Speaker 2: I just think in this IP world, either you hit

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Speaker 2: or you really really really fucking bomb.

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Speaker 1: Yeah, And I think as well. It's a good lesson,

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Speaker 1: like I said, aside from Period So and even Joker

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Speaker 1: Folio Dur, which you know, I'm not a fan of

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Speaker 1: that kind of thing. It's not for me at least

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Speaker 1: that those two, I would say, were like weird trying

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Speaker 1: to take a swing takes right. Everything else was like

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Speaker 1: they they did not bring in their best and even

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Speaker 1: if they did, like a movie like The Fall Guy,

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Speaker 1: which is actually a really great movie and people are

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Speaker 1: discovering now, they didn't know how to market it. And

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Speaker 1: also like there was there really was there really an

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Speaker 1: inbuilt audience for the Lee majors like syndicated TV show

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Speaker 1: The Full Guy. Probably not. But like I think as well,

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Speaker 1: the lesson is like you actually have to put effort in,

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Speaker 1: like the Lord of the Rings anime, the effort is

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Speaker 1: not there. People can feel it's not there. They feel

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Speaker 1: like it's that right scrab Craven Madam Webb. But those

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Speaker 1: movies are barely believable that they got released. Like but

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Speaker 1: if you do ip well, think about something like Alien

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Speaker 1: Romulus or you know, Inside Out too, King of the

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Speaker 1: Apes Kingdom and the Planet of the Apes. Even like

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Speaker 1: Inside Out two is currently still the biggest movie internationally

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Speaker 1: and domestically this year, and that is a movie where

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Speaker 1: they actively went out of their way to add to

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Speaker 1: the lore of the movie, to bring in this ideas

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Speaker 1: of anxiety. They brought in mental health experts to help

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Speaker 1: write it. They made that same profound movie they'd made

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Speaker 1: the first time, but they made it additive, right. I

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Speaker 1: think a lot of execs they just see IP as like, well,

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Speaker 1: someone will go and see this, Why make an effort

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Speaker 1: because the audience is already there incorrect, Like that is

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Speaker 1: where you fail. Oh.

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Speaker 2: I was just gonna say, like, just thinking about some

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Speaker 2: of these blockbusters, I mean, you mentioned Inside Out, I

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Speaker 2: think that institutional ability has a lot to do with

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Speaker 2: IP success. You know, Pixars had some recent semi flops,

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Speaker 2: I guess you could say. But as a company, it's

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Speaker 2: like kind of a company that's like never made a

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Speaker 2: movie that wasn't critically acclaimed. Worry it like recent kind

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Speaker 2: of struggles aside, they just thought that was to do

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Speaker 2: with COVID, and a lot of that was to do

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Speaker 2: with COVID, and then like movie like Elemental actually became

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Speaker 2: a hit later, so like there's whatever, but like that's

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Speaker 2: that's a studio that just understands what they do and

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Speaker 2: how to do it. It feels like that kind of

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Speaker 2: knowledge doesn't permeate the industry, especially to a place like

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Speaker 2: Sony that doesn't quite understand like how to deliver the

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Speaker 2: IP that it has. Anyway, Joelle, you wanted to talk

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Speaker 2: about horror.

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Speaker 3: Right, Well, I think it's really interesting to talk about

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Speaker 3: IP and these large scale films and then look at horror,

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Speaker 3: which I always sort of view as like the this

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Speaker 3: test for how the film industry is doing as a whole. Right,

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Speaker 3: and we had some gnarly weird horror, And if I

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Speaker 3: think back throughout the year about like what hit like

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Speaker 3: the ip's kind of came well, even like Malta two

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Speaker 3: did huge box offices. A children's film, not a lot

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Speaker 3: of new children's stuff out right now.

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Speaker 1: Also animation.

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Speaker 2: Everybody I know who has seen it as like not

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Speaker 2: as good as Mowana Want, I don't want.

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Speaker 3: None of the songs are trending on social songs are

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Speaker 3: not fun, but obviously still a hit. Yeah, yeah, And

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Speaker 3: so my point is like it's interesting then to look

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Speaker 3: at like the way social media reacted to all of

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Speaker 3: the horror films, like we are still talking about Long Legs.

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Speaker 3: I'm still seeing stuff about Substance. It's going strongest being

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Speaker 3: out in theaters for weeks.

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Speaker 1: Obviously, Terrifier three.

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Speaker 2: Terrified three is like an out of a movie that

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Speaker 2: I think the general movie going audience is not aware

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Speaker 2: of or.

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Speaker 1: Was aware that there were two A ton of money

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Speaker 1: made a ton of money. I would also say, like,

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Speaker 1: it's interesting you bring up My Mana too, because the

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Speaker 1: two things that are still basically guaranteed money makers in Hollywood,

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Speaker 1: animation and horror. Both of those this year proved, especially

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Speaker 1: because horror has such a low budget kind of constraint

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Speaker 1: and a low ceiling to kind of go through, so

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Speaker 1: you had like Immaculate the first Omen, Abigail, which didn't

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Speaker 1: even make a lot of money but was definitely a

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Speaker 1: cult hit and still didn't cost very much to make.

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Speaker 1: A Quiet Place Day one, Maxine, Long Legs, Cuckoo, Alien, Romula,

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Speaker 1: The Substance, Terrify A smile to heretic Like. There were

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Speaker 1: so many critically acclaimed horror movies this year, and all

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Speaker 1: of them did relatively well. I mean, I have to

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Speaker 1: say the first Omen is probably on my best list

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Speaker 1: of the year. It blew me away, how good that

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Speaker 1: movie was, Like it was legitimately incredible. And on the

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Speaker 1: animation side, you do have like some massive, massive movies

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Speaker 1: that are in that top five, Despicable Me four, Moana

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Speaker 1: two obviously, Inside Out to Kung Fu Panda four, like

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Speaker 1: those are reliable streams of income for studios, especially, like

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Speaker 1: Jason said, studios that know what they're doing. So I

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Speaker 1: think that we're going to see more animation. I think

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Speaker 1: we're going to see more horror. We've got, you know,

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Speaker 1: next year, January opens with The Wolf Man, which is

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Speaker 1: by Lee Wanor who did Invisible Man and Saw. And

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Speaker 1: I mean that's gonna probably be another one of those

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Speaker 1: like under ten million dollar budget horror movies that has

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Speaker 1: the potential to have really really pun intended long legs

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Speaker 1: at the theater. So I think, I think that's another

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Speaker 1: interesting thing, an early trend that I liked this year

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Speaker 1: that didn't kind of continue, but it's two of my

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Speaker 1: favorite movies of the year was like Monkey Man and

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Speaker 1: Love Life's Bleeding, like weird auter action movies. Yeah, that

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Speaker 1: were like just totally out there and both kind of

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Speaker 1: made their money and got their critical acclaim And I

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Speaker 1: thought that was a very movement I'd like to see

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Speaker 1: more of.

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Speaker 2: Yeah, those are two movies that I feel like are great,

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Speaker 2: like artur first or second movies where m listen. I

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Speaker 2: thought that well, I thought both of those movies are

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Speaker 2: worth seeing. I think they're also highly imperfect. Yeah, but

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Speaker 2: they're so original in the way that they have that

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Speaker 2: part they're doing listen, there's a there's a there's a

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Speaker 2: scene at the end of Love Lives Bleeding I will

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Speaker 2: never understand and I need someone to explain to me, dude.

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Speaker 2: And that said, everything up until then is aw. It's

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Speaker 2: like a perfect movie, really really great like neo noir.

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Speaker 2: Monkey Man is like light on story and needs to

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Speaker 2: figure that side of it out, but really really cool.

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Speaker 2: Challengers in another one that was like, oh yeah, really

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Speaker 2: great indie indie film, Kneecap.

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Speaker 1: Like, if you were a fan, oh my god, I

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Speaker 1: was gonna say.

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Speaker 2: Trouble Me, Yeah, then you're gonna love Mecap. I think

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Speaker 2: that there's a great year for indie movies and a

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Speaker 2: great year to look at what we're potentially like the

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Speaker 2: future of directing and producing and writing talent in the spaces.

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Speaker 1: That is like Rose Glass. I think that was only

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Speaker 1: her second movie after Saint Maude Love Life's Bleeding, and

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Speaker 1: obviously with Monkey Man that's like dev is Coming coming

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Speaker 1: kind of there's this like essentially as this like action

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Speaker 1: star which we hadn't seen before. I'm very excited to

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Speaker 1: see where those directors go, especially in a year where

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Speaker 1: like one of the biggest movies of the year is

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Speaker 1: Doomed Too, right Doune Part two, directed by Danny villin Up,

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Speaker 1: who used to be like an indie darling and now

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Speaker 1: is at the helm of this kind of almost billion

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Speaker 1: dollar franchise that is also gonna continue for at least

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Speaker 1: one more movie, and it's probably gonna be a big

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Speaker 1: Oscar contender, seeing as it's another weird year for Oscars,

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Speaker 1: Like there's not really any front runners for the Oscars

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Speaker 1: right now, so it's gonna be really weird. It's gonna

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Speaker 1: be like Dune Part two, wicked, like uh, probably Amelia

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Speaker 1: Perez from the Gotham Awards and stuff like that, which

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Speaker 1: is controversial, but like it's gonna be so Anora Common

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Speaker 1: come in and tell us it sucks. But yeah, like

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Speaker 1: I think it's gonna be a really weird year, but

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Speaker 1: I'm excited to see, like what does Roseglass do next, like,

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Speaker 1: what do you do after Love Life's Bleeding? Because that

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Speaker 1: movie is so wild.

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Speaker 2: Let's go to a word from responses. When we come back,

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Speaker 2: we're going to talk awards and try and figure out uh,

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Speaker 2: you know, just try and lay out what we think

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Speaker 2: the shape of the awards season discretion and we're back.

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Speaker 1: We're back, baby.

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Speaker 2: Let's talk awards slash our favorite movies of the year.

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Speaker 3: Can we start with Carmen style about like, what what

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Speaker 3: was hitting for you this year? You're a the movie

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Speaker 3: so often as well.

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Speaker 1: Common what what's your like realistic idea of the odd season?

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Speaker 1: And then what's your version like what would you want

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Speaker 1: to see when even if it's completely out there?

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Speaker 4: Well, I've yeah, so I am at the movies, like

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Speaker 4: every week I go see a movie. Unfortunately, I have

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Speaker 4: missed a lot of the movies that are like being

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Speaker 4: listed for Oscar Noms this year, so.

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Speaker 3: There's smaller releases. Typically most of them are festival darlings.

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Speaker 3: They're not as easy to see, especially if you're outside

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Speaker 3: in the LA or New York.

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Speaker 1: Hilariously, they'll probably get re releases in the new year

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Speaker 1: that whichever gets you're gonna get to see.

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Speaker 4: Them there, which is usually when I do get to

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Speaker 4: see them as after the Oscar season. Unfortunately, the theater

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Speaker 4: that screens all of these is like too far away

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Speaker 4: from me to even go too often featured in the

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Speaker 4: movie Doctor Sleep by the way the Plaza Theater at Atlanta.

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Speaker 4: But for me, I just out of the movies that

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Speaker 4: I did see that were kind of being talked about

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Speaker 4: for Oscar nom season, I think Denzel Washington for Gladiator two.

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Speaker 4: He was the best part of that. Yes, he made

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Speaker 4: that movie inside Out too. I mean Pixar almost always

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Speaker 4: takes away the animation category, but inside Out two is

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Speaker 4: genuinely such a good movie for me, though, it was

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Speaker 4: all about horror this year. Looking at the list of

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Speaker 4: horror movies, I saw almost every single horror movie on

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Speaker 4: the list this year, and uh, this was a really

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Speaker 4: big for good horror movies for me. My two standouts

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Speaker 4: so my personal favorite, which I was obsessed with from

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Speaker 4: the moment that I sat down on the theater and

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Speaker 4: just kept quoting for a month and I'm still quoting

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Speaker 4: it to this day. My personal favorite has been Long

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Speaker 4: Legs I as the Silence of.

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Speaker 1: The Leak Cage. Best supporting actor.

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Speaker 4: Yes, Nick Cage deserves Best Supporting Actor for Long And

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Speaker 4: that's what makes me sad is the movie. The horror

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Speaker 4: movies that I loved tend to not really get a

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Speaker 4: lot of Oscar Noms. But Long Legs great movie. I

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Speaker 4: loved it. I loved the storyline and all of that.

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Speaker 4: And then I also loved Cuckoo, which was such a

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Speaker 4: weird indie horror movie that I thought was executed really

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Speaker 4: really well. And I'm not seeing that an Aeschefa Dan Stevens. Yes,

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Speaker 4: they did such an amazing job and it was such

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Speaker 4: an interesting premise. I'm really enjoying these kind of creative

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Speaker 4: premises for horror movies that have been coming out lately.

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Speaker 4: Really weird to me to see Amelia Perez being talked

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Speaker 4: about out so much for Oscar Noms. I think the

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Speaker 4: actress who plays Amelia Perez, forgive me for forgetting her

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Speaker 4: name at the moment, but she did a fantastic job.

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Speaker 4: Not gonna no hate to her, no hate to her.

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Speaker 4: She did a great job. However, uh, Selena Gomez is

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Speaker 4: being talked about for best Supporting Actress for that movie. Horrible.

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Speaker 4: She can't even she can't even speak Spanish. I'm sorry,

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Speaker 4: like her Spanish was bad, like she she's like kind

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Speaker 4: of yeah, and the music. I hate musicals, So I'm sorry, everybody,

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Speaker 4: go ahead, I'm gonna go.

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Speaker 1: Ahead, Okay, Common said it's done.

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Speaker 3: Yes.

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Speaker 4: I hated the songs. I hated the premise. It was

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Speaker 4: it felt like, uh My Breckinridge, Myra Breckinridge. If it

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Speaker 4: Mayra Breckinridge was turned into a musical, so I say,

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Speaker 4: just go watch Mayrah Breckinridge. Amelia Perez was it was bad?

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Speaker 4: It was, it was bad. I'm sorry that the songs

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Speaker 4: were bad.

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Speaker 3: Carlo Sophia Gusson did her best, like she's really out

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Speaker 3: here performing, but yeah, I'm sort of I don't know.

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Speaker 3: So Soldana has been in like four of the top

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Speaker 3: grossing films.

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Speaker 1: Of all times.

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Speaker 3: She's, you know, out here really hustling. So to see

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Speaker 3: her get like a nod from the community, it's nice.

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Speaker 3: I don't know, you know, the OSCARS isn't known for

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Speaker 3: always getting it right, like which performances really deserve to

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Speaker 3: be elevated. But I'm glad she found a space in

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Speaker 3: the Golden Globes at least so far. To get a nod.

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Speaker 3: That's nice for her.

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Speaker 1: I'm I'm I'm thinking that it's going to be a

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Speaker 1: Cynthia Arrivo for best.

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Speaker 2: I think she's got.

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Speaker 1: I think in a different year, Wicked would not be

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Speaker 1: getting the potential hype that it's getting it. But honestly

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Speaker 1: it does deserve it. Calm and I'm sorry. I know

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Speaker 1: you that I loved Wicked.

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Speaker 4: I hold space.

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Speaker 1: I thought it was so I hold space for Wicked too.

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Speaker 1: I couldn't believe how fantastic it was. Also, it has

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Speaker 1: what I am calling the highest hater conversion rate of

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Speaker 1: any movie I've ever seen. Every single person I know

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Speaker 1: who wanted to hate that movie and went into it

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Speaker 1: specifically to hate myself included, came out a changed person

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Speaker 1: and was like, oh my god, something has changed within me.

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Speaker 1: And I think that's gonna Also, I think it's gonna

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Speaker 1: be Wicked and Doune Part two essentially for every single

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Speaker 1: kind of production below the line, costume design, hair and makeup,

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Speaker 1: you know, all those kind of awards. I think that's

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Speaker 1: gonna be Doune Part two and Wicked. Those two I

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Speaker 1: think will get the highest amount of awards too. I

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Speaker 1: do think we'll see some nods for Anora. I would

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Speaker 1: like to see Mikey Madison get nom She was really

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Speaker 1: great in that movie. I would I saw that in

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Speaker 1: the Variety predictions. They have the guy who play is Igor,

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Speaker 1: who is just so fantastic up for Best Supporting So

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Speaker 1: I'd love to see that, But there's no way he's

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Speaker 1: winning against Denzel his awards. He say he made Gladiator

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Speaker 1: to a movie that people wanted to go and see.

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Speaker 1: It's going to be very interesting in animation because I

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Speaker 1: do think like the Wild Robot is like and I

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Speaker 1: think it's I don't want to I think I probably

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Speaker 1: going to edge out inside Out too.

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Speaker 2: I just think it's I think it's I think it's

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Speaker 2: the best animated movie of the year. In a year

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Speaker 2: where there's been some really good ones, I just think.

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Speaker 1: There's been some incredible ones. Yeah, Okay, Chason, what do

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Speaker 1: you think any have you seen any potential Best Picture

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Speaker 1: norms that you you're you're kind of fluting for.

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Speaker 2: I will say that I agree with you that I

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Speaker 2: think that Wicked is going to clean up with a

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Speaker 2: smattering of Dune, And I think it's for the following

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Speaker 2: reason that you know, and Hollywood has been a in

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Speaker 2: lurching kind of from crisis to crisis, and particularly the

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Speaker 2: oscars have been like lurching from like crisis here to

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Speaker 2: crisis here over the last several years. And I think

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Speaker 2: there is a strong desire, you know, for a movie

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Speaker 2: to appear that is both critically acclaimed in a huge

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Speaker 2: box office hit that they can give awards to. And

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Speaker 2: I think Wicked is deservedly that movie. And so I

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Speaker 2: agree with you. I think that Wicked is going to

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Speaker 2: clean up other movies that I enjoyed that I could

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Speaker 2: see getting something. I could see Conclave getting adapted.

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Speaker 1: I was going to say, I'd like to see some

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Speaker 1: Conclave lamp. That's a good movie.

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Speaker 2: It's a it's a great kind of like classic political

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Speaker 2: thriller set in the Vatican as the deliberations for the

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Speaker 2: new Pope kind of like bubble around. It's worth It's

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Speaker 2: certainly worthy of of a rental of and great performance

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Speaker 2: is good movie I could see. Oh gosh, I think

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Speaker 2: I agree with you that dn Zell like should be

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Speaker 2: a strong first front runner. I will say that I

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Speaker 2: wish that there was less of a bias against genre

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Speaker 2: and agree, I agree, yes, like I think that this

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Speaker 2: is I think the Wild Robot should be should be

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Speaker 2: nominated for Best.

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Speaker 1: Picture Best Picture.

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Speaker 2: I agree saying it should win, but I think it's

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Speaker 2: when you look at like the contenders for Best Picture

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Speaker 2: this year, I think it's certainly one of them. And

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Speaker 2: the same thing with Horror, like I think.

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Speaker 1: Yeah, long Legs, I think that could definitely be up.

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Speaker 1: Also oscod Pakinst's like Hollywood Royalties, Literary, Anthony Packins, Sun

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Speaker 1: guys if you're going to make an exception here and

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Speaker 1: the nerdy guy.

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Speaker 4: Mm hmm.

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Speaker 3: Yeah. Rose and I were talking about this is such

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Speaker 3: an odd year for films. We're kind of going over

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Speaker 3: the last couple of oscars this morning and looking at

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Speaker 3: like what was winning, what was pulling, and like if

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Speaker 3: you go back to twenty twenty, you're looking at like

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Speaker 3: Parasite and then you have no Manland, which was divisive

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Speaker 3: and not like a cohesive. Everyone was like, yes, this

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Speaker 3: is so great. And then what was the.

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Speaker 1: You had the Code year, which was kind of the

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Speaker 1: coda was twenty twenty three, which was like your COVID year,

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Speaker 1: really impacted by COVID. You have your first deaf man

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Speaker 1: to win an oscar. You also have the first movie

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Speaker 1: really about like deafness. Also Apple TV movie, so that

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Speaker 1: was like a big deal industry wise. Last year was

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Speaker 1: the Oppenheimer year, which I think honestly very forgettable already

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Speaker 1: in my opinion that year.

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Speaker 2: But the kind of movie that you feel like that,

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Speaker 2: you know, the Academy is just hoping for ye critically acclaimed, big.

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Speaker 1: Hit big made a lot of money.

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Speaker 2: It'd be like, hey, the movies Emily blown video, Yeah.

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Speaker 1: Silly and muppy, like everybody's here. Yeah, I'm very interested.

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Speaker 1: Because also this year the Oscars is going to be,

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Speaker 1: you know, hosted by Conan, which I think is like

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Speaker 1: a Conan, which.

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Speaker 5: I think is like, so I know, I can't help

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Speaker 5: feel like, yeah, so I truly love him so much,

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Speaker 5: and I think that Jason, You're right.

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Speaker 1: I think that him combined with kind of the epic

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Speaker 1: scope of like what they could do with having live

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Speaker 1: wicked performances or having kind of like plays on this

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Speaker 1: kind of strange year of Hollywood, Like if they allow

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Speaker 1: him to be his absurd, kind of fantastic self, I

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Speaker 1: think that we could be in for an Oscars that,

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Speaker 1: for the first time since probably twenty twenty was like

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Speaker 1: that Oscars where Parasite won everything was like legit one

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Speaker 1: of the best experiences I've ever had is like an

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Speaker 1: Oscar's viewer. And I'm hoping that even though the movies

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Speaker 1: are weirder this year, I'm hoping that the ceremony itself

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Speaker 1: can kind of bring a little bit of that magic.

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Speaker 3: I'd love to see a return to form for them,

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Speaker 3: since they booted some of the most important awards, like Cinematographer.

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Speaker 2: Off of the broadcast, I.

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Speaker 3: Would like to see some making more space sure that

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Speaker 3: the Game Awards has such a lovely idea for like

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Speaker 3: how to operate that where the smaller awards were awarded

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Speaker 3: in the first half hour of the show and it

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Speaker 3: was real speedy. It was like, here's everybody that's been nominated,

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Speaker 3: here's the winner. You have like two minutes, give your speech,

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Speaker 3: next one, let's go. And I think like the ability

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Speaker 3: to give space to people who craft these films and

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Speaker 3: are really important to the filmmaking process. I think a

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Speaker 3: lot of people who watch the Oscars are like diehard

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Speaker 3: film lovers. They're not just here for the A list talent.

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Speaker 3: They really want to know about the behind the scenes.

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Speaker 3: And because it is such a return to form in

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Speaker 3: the fact that it's really honoring the classic essence of

433
00:23:50,119 --> 00:23:53,399
Speaker 3: cinema with this is very grand opening using the old logo.

434
00:23:53,800 --> 00:23:55,439
Speaker 3: I think there's a lot you countinue to be like

435
00:23:55,760 --> 00:23:59,200
Speaker 3: old Hollywood blitz and glam is all here on display.

436
00:23:59,280 --> 00:24:01,760
Speaker 3: And and then with Denzel winning, like if he wins,

437
00:24:01,760 --> 00:24:04,680
Speaker 3: he'll be one of like four people to what Francis

438
00:24:04,760 --> 00:24:07,520
Speaker 3: McDormand has three oscars, Daniel d Lewis's three, Ingrid Bergmann

439
00:24:07,520 --> 00:24:11,080
Speaker 3: has three fing cabra and William three.

440
00:24:11,520 --> 00:24:14,240
Speaker 1: Very overdue that third oscar, like he should.

441
00:24:13,960 --> 00:24:17,480
Speaker 2: Have ask we need to and among our he needs

442
00:24:17,520 --> 00:24:21,560
Speaker 2: to be up like Thespians for sure, and so you can.

443
00:24:21,560 --> 00:24:23,920
Speaker 3: Get that honored in the same year as like that,

444
00:24:23,960 --> 00:24:25,960
Speaker 3: I think the show itself, to your point, Rosie, could

445
00:24:25,960 --> 00:24:26,920
Speaker 3: be really spectacular.

446
00:24:27,000 --> 00:24:29,760
Speaker 1: So fingers crossed, we're going to take a quick break

447
00:24:29,840 --> 00:24:47,600
Speaker 1: and we'll be right back. We're back, Okay, guys, if

448
00:24:47,640 --> 00:24:50,639
Speaker 1: you had to pick three movies that you've seen this

449
00:24:50,720 --> 00:24:52,800
Speaker 1: year that you think people will still be talking about

450
00:24:52,800 --> 00:24:58,000
Speaker 1: in like ten years, what would they be in ten years? Yeah, Like,

451
00:24:58,080 --> 00:25:00,320
Speaker 1: which films from this year have had which.

452
00:25:00,200 --> 00:25:05,600
Speaker 2: One's hat I'll start? I think I think June, I

453
00:25:05,640 --> 00:25:08,639
Speaker 2: think I get it, and I think for Horror, the Substance.

454
00:25:08,840 --> 00:25:11,000
Speaker 2: I think The Substance has all the makings of like

455
00:25:11,040 --> 00:25:18,520
Speaker 2: a cult CULTI classic with a really strong like theme

456
00:25:18,760 --> 00:25:22,480
Speaker 2: and message, And I think the people weren't ready maybe

457
00:25:22,480 --> 00:25:25,480
Speaker 2: for the fucking gorg shock of it.

458
00:25:25,440 --> 00:25:26,680
Speaker 1: It was very society.

459
00:25:26,840 --> 00:25:29,439
Speaker 2: But I think as the film builds a reputation, I

460
00:25:29,440 --> 00:25:31,440
Speaker 2: think it'll be the type of film that people talk

461
00:25:31,520 --> 00:25:33,320
Speaker 2: about going forward. What about you.

462
00:25:33,359 --> 00:25:37,560
Speaker 3: I'm gonna go Alien Romulus. I think has like really

463
00:25:37,560 --> 00:25:43,240
Speaker 3: revitalized that entire I p really I really like put

464
00:25:43,280 --> 00:25:44,720
Speaker 3: a bunch of new kids on the front or I

465
00:25:44,800 --> 00:25:46,600
Speaker 3: think that's the movie you can return to for a

466
00:25:46,640 --> 00:25:48,560
Speaker 3: long time and have a good time with. I'm also

467
00:25:48,560 --> 00:25:53,000
Speaker 3: gonna say Monkey Man. People love Dempateel for obviously he's adorable,

468
00:25:53,040 --> 00:25:58,080
Speaker 3: he's very talented. He's really highlighting spaces in like Indian

469
00:25:58,119 --> 00:26:01,160
Speaker 3: culture that especially on a global are not being looked at.

470
00:26:01,200 --> 00:26:03,920
Speaker 3: But I mean, just have like trans women fighting off

471
00:26:03,920 --> 00:26:06,800
Speaker 3: oligarchs and CEOs. It's the best thing I saw on

472
00:26:06,880 --> 00:26:10,960
Speaker 3: screen this year. It was amazing. And then yeah, I

473
00:26:11,359 --> 00:26:14,240
Speaker 3: do think that Dune Part two slash Wicked, I'm gonna

474
00:26:14,240 --> 00:26:16,359
Speaker 3: I'm gonna throw them both in one category. Are I

475
00:26:16,400 --> 00:26:21,720
Speaker 3: mean legend makers like people didn't know about Ariana Grande before,

476
00:26:22,280 --> 00:26:24,520
Speaker 3: whether they're like, oh, she's that pop star with the ponytail,

477
00:26:24,800 --> 00:26:27,320
Speaker 3: maybe they saw her on SNL. They really solidified her

478
00:26:27,359 --> 00:26:29,679
Speaker 3: as like a talent, and I think it's gonna like

479
00:26:29,880 --> 00:26:32,560
Speaker 3: change her career trajectory. And then it puts Cynthia on

480
00:26:32,600 --> 00:26:36,240
Speaker 3: an entirely new platform outside of the Broadway, Like she's

481
00:26:36,280 --> 00:26:39,280
Speaker 3: given really great performances in film before. Nobody saw Widows,

482
00:26:39,280 --> 00:26:40,920
Speaker 3: but it's one of my favorite films of that year.

483
00:26:42,000 --> 00:26:44,199
Speaker 3: But I think he's changed these two women's lives forever.

484
00:26:44,359 --> 00:26:46,040
Speaker 3: Not to be too corny in reference to musical, but

485
00:26:46,080 --> 00:26:48,359
Speaker 3: I really do think that they're on a new level

486
00:26:48,400 --> 00:26:51,240
Speaker 3: of stardom and those kinds of films tend to last.

487
00:26:51,480 --> 00:26:55,720
Speaker 4: What about you, Carmen, Oh goodness, Okay, So I've of

488
00:26:55,760 --> 00:26:58,520
Speaker 4: course got to say long legs. That has long legs,

489
00:26:58,560 --> 00:27:02,159
Speaker 4: and I think you're right. I'm also gonna go with

490
00:27:02,840 --> 00:27:06,119
Speaker 4: So I hate to go with obviously Wicked and Doom too,

491
00:27:06,200 --> 00:27:07,800
Speaker 4: but I think those are gonna be really big. But

492
00:27:07,880 --> 00:27:10,399
Speaker 4: there is what is the one I really want to

493
00:27:10,440 --> 00:27:13,880
Speaker 4: see them make a sequel to. I was literally just, oh,

494
00:27:13,920 --> 00:27:18,199
Speaker 4: I'm gonna say fur Yosa Yah Saga, because I really I.

495
00:27:18,200 --> 00:27:20,800
Speaker 1: Think people will be talking about it in ten years.

496
00:27:20,920 --> 00:27:21,439
Speaker 1: I agree.

497
00:27:21,600 --> 00:27:25,119
Speaker 4: I really hope that we get another another movie in

498
00:27:25,119 --> 00:27:25,840
Speaker 4: that franchise.

499
00:27:26,280 --> 00:27:29,800
Speaker 1: Okay, I'm gonna go I'm gonna go Wild Robot, because

500
00:27:29,800 --> 00:27:31,720
Speaker 1: I do think people will still be talking about that

501
00:27:31,760 --> 00:27:36,720
Speaker 1: in ten years. Absolutely. I'm also gonna say I'm going

502
00:27:36,800 --> 00:27:38,840
Speaker 1: to say love Lies Bleeding because I actually think that

503
00:27:38,960 --> 00:27:41,320
Speaker 1: crazy divisive ending is going to keep it in the

504
00:27:41,359 --> 00:27:45,880
Speaker 1: conversation for you know, ten years. And I also think

505
00:27:45,960 --> 00:27:50,240
Speaker 1: like it is a pretty iconic kind of scuzzy, lesbian

506
00:27:50,480 --> 00:27:52,600
Speaker 1: eroic thriller that I don't think we get many of.

507
00:27:53,080 --> 00:27:55,320
Speaker 1: I'm gonna go, my last one is not gonna be

508
00:27:55,320 --> 00:27:57,600
Speaker 1: people remembering it for a good reason. But I do

509
00:27:57,600 --> 00:28:00,240
Speaker 1: still believe that in ten years people will be talking

510
00:28:00,280 --> 00:28:06,639
Speaker 1: about Megalopolis. I think people are gonna be people are

511
00:28:06,640 --> 00:28:08,680
Speaker 1: going to be saying, like, how did we let this happen?

512
00:28:08,800 --> 00:28:15,159
Speaker 1: Like this is gone mad? Like how is this this?

513
00:28:15,920 --> 00:28:16,200
Speaker 4: Yeah?

514
00:28:16,280 --> 00:28:19,439
Speaker 1: Exactly, Like like let's let's put this like this man

515
00:28:19,480 --> 00:28:21,680
Speaker 1: should have put this whole film in the group chat

516
00:28:21,800 --> 00:28:23,320
Speaker 1: like that should never have gone.

517
00:28:24,160 --> 00:28:27,280
Speaker 2: I need to do a whole episode about Let's do

518
00:28:28,400 --> 00:28:33,720
Speaker 2: episode so fucking insane.

519
00:28:34,160 --> 00:28:35,800
Speaker 1: There are parts of that believe it.

520
00:28:36,520 --> 00:28:39,040
Speaker 2: There are parts of that movie where you're like, I

521
00:28:39,080 --> 00:28:42,800
Speaker 2: can't believe this is happening, and then it gets crazier.

522
00:28:43,200 --> 00:28:43,800
Speaker 4: Oh my god.

523
00:28:45,080 --> 00:28:47,600
Speaker 1: When Jason was watching it, I texted the group chat

524
00:28:47,600 --> 00:28:49,960
Speaker 1: and I was like, bro, like the end of the movie,

525
00:28:50,040 --> 00:28:52,520
Speaker 1: I just couldn't believe it even existed. And then Jason

526
00:28:52,520 --> 00:28:53,800
Speaker 1: got to the end and he was like, I don't

527
00:28:53,800 --> 00:28:54,920
Speaker 1: even know which part you mean.

528
00:28:55,040 --> 00:28:58,120
Speaker 2: I don't know understand, so which part you were talking about?

529
00:28:58,160 --> 00:29:01,520
Speaker 2: Because everything that was happening was nuts.

530
00:29:01,800 --> 00:29:02,080
Speaker 1: It is.

531
00:29:02,280 --> 00:29:06,280
Speaker 2: It was completely bizar film complete is.

532
00:29:06,320 --> 00:29:08,320
Speaker 3: Not here, but he says Venom the Last Dance is

533
00:29:08,320 --> 00:29:09,720
Speaker 3: his favorite movie of the.

534
00:29:12,560 --> 00:29:16,240
Speaker 1: What you x ray Vision listeners, what do you think?

535
00:29:16,400 --> 00:29:17,040
Speaker 1: Extra vision?

536
00:29:17,120 --> 00:29:20,320
Speaker 2: Just on the discord to us as on social media?

537
00:29:20,880 --> 00:29:24,080
Speaker 2: What your opinions on movies in the year twenty twenty

538
00:29:24,080 --> 00:29:26,240
Speaker 2: four are On the next episode of x ray Vision,

539
00:29:26,240 --> 00:29:28,840
Speaker 2: we're covering stuff. That's it for this episode.

540
00:29:29,720 --> 00:29:38,160
Speaker 5: Bye, I Love Stuff Bye.

541
00:29:39,080 --> 00:29:42,400
Speaker 2: X ray Vision is hosted by Jason Consumsion and Rosie

542
00:29:42,480 --> 00:29:46,720
Speaker 2: Knight and is a production of iHeart Podcasts. Our Executive

543
00:29:46,720 --> 00:29:50,960
Speaker 2: producers are Joelle Smith and Aaron Kaufman. Our Supervising producer

544
00:29:51,320 --> 00:29:56,080
Speaker 2: is a Boo Zafar. Our producers are Carmen Lron and

545
00:29:56,200 --> 00:29:59,640
Speaker 2: Mia Taylor. Our theme song is by Brian Basquez.

546
00:30:00,120 --> 00:30:04,400
Speaker 1: Special thanks to Soul Rubin and Chris Lord. Kenny Goodman

547
00:30:04,760 --> 00:30:06,800
Speaker 1: and Heidi are Discord moderator