WEBVTT - INTERVIEW: Inspectah Deck Reflects On Wu-Tang's Legacy & Talks 'Dragon's Breath' RZA, Diddy + More

0:00:01.560 --> 0:00:02.760
<v Speaker 1>Every day up week ago.

0:00:03.040 --> 0:00:04.920
<v Speaker 2>Click your ass up the Breakfast Club.

0:00:05.160 --> 0:00:06.080
<v Speaker 1>You don't finished for y'all.

0:00:06.160 --> 0:00:11.040
<v Speaker 3>Done morning everybody. It's d J Envy, just hilarious. Charlamagne

0:00:11.080 --> 0:00:12.879
<v Speaker 3>the God. We are the Breakfast Club. We got a

0:00:12.880 --> 0:00:13.960
<v Speaker 3>special guest in the.

0:00:13.960 --> 0:00:17.799
<v Speaker 4>Building, Inspected Deck on the set from Tank Inspected that

0:00:17.880 --> 0:00:21.439
<v Speaker 4>welcome back. You know, it's the first time Inspected Deck

0:00:21.440 --> 0:00:23.840
<v Speaker 4>has been on the show. You know, it's the first

0:00:23.880 --> 0:00:27.080
<v Speaker 4>time I actually met Inspected Deck. I met remember of

0:00:28.120 --> 0:00:30.640
<v Speaker 4>what expected that wow? And when I when I first

0:00:30.680 --> 0:00:32.800
<v Speaker 4>seen it on the street, I thought you all was coming. Look,

0:00:32.800 --> 0:00:34.279
<v Speaker 4>I'm like, you no, expect the Deck. It's I'm like, damn,

0:00:34.280 --> 0:00:35.199
<v Speaker 4>this is the first time I ever met you.

0:00:35.200 --> 0:00:37.599
<v Speaker 1>Brother. How you doing, brother, I'm good man, it's good

0:00:37.600 --> 0:00:39.400
<v Speaker 1>to be here. I'm glad y'all let me up in

0:00:39.440 --> 0:00:39.880
<v Speaker 1>the building.

0:00:40.040 --> 0:00:43.120
<v Speaker 5>Of course, you got a new album called dragons Breath. Now,

0:00:43.600 --> 0:00:45.400
<v Speaker 5>we were coming up in the nineteen hundreds. The Dragons

0:00:45.440 --> 0:00:46.400
<v Speaker 5>Breath was not a good thing.

0:00:46.560 --> 0:00:49.360
<v Speaker 1>No, I wouldn't did not want that. But you know,

0:00:49.440 --> 0:00:55.240
<v Speaker 1>you know it's just it's d you know, spit hot fire. Yeah,

0:00:55.240 --> 0:00:57.480
<v Speaker 1>it's nothing. This is this is like a rap album,

0:00:57.560 --> 0:00:59.000
<v Speaker 1>you know what I mean. It's not like trying to

0:00:59.040 --> 0:01:02.000
<v Speaker 1>be King Pinn or King of New York and nothing

0:01:02.040 --> 0:01:04.280
<v Speaker 1>like that. It's just more of inspected Deck. Been off

0:01:04.280 --> 0:01:06.800
<v Speaker 1>the scene for a while, I still think I got it,

0:01:06.920 --> 0:01:09.080
<v Speaker 1>still got a little something left in it. So I

0:01:09.120 --> 0:01:10.840
<v Speaker 1>had a bunch of songs. I said, I'm gonna put

0:01:10.880 --> 0:01:13.560
<v Speaker 1>these things together, make these projects and put them out

0:01:13.560 --> 0:01:15.880
<v Speaker 1>one bout one, two to the Deck fans stuff, you know,

0:01:15.920 --> 0:01:17.840
<v Speaker 1>because I know it's a lot of new stuff going

0:01:17.880 --> 0:01:18.440
<v Speaker 1>on in hip hop.

0:01:18.480 --> 0:01:19.680
<v Speaker 2>Can we go? I want to go back, if you

0:01:19.800 --> 0:01:20.800
<v Speaker 2>don't mind respect that.

0:01:20.880 --> 0:01:21.800
<v Speaker 6>This is the first time here.

0:01:22.400 --> 0:01:25.280
<v Speaker 3>Of course, legendary group Wu Tang, the first album. You

0:01:25.319 --> 0:01:28.240
<v Speaker 3>were on that album, the second most artist on that album.

0:01:28.600 --> 0:01:29.280
<v Speaker 3>So let's start off.

0:01:29.280 --> 0:01:30.320
<v Speaker 1>You've been from the Bronx.

0:01:30.520 --> 0:01:32.800
<v Speaker 3>How a kid from the Bronx winds up in Staten

0:01:32.800 --> 0:01:37.759
<v Speaker 3>Island and then getting in this legendary group Bu Tang.

0:01:37.920 --> 0:01:40.440
<v Speaker 1>Yeah, so your shout out to the BX. I don't

0:01:40.440 --> 0:01:43.000
<v Speaker 1>wrap the Bronx enough. Bronx is like, that's my soul.

0:01:43.040 --> 0:01:45.520
<v Speaker 1>That's where I was born at Crazy America. Come from

0:01:45.520 --> 0:01:48.720
<v Speaker 1>the Bronx and all the Florida Yeah, VX Florida for sure. Yeah,

0:01:49.120 --> 0:01:53.280
<v Speaker 1>add some Texas to that. Texas to that. But yeah, man,

0:01:53.280 --> 0:01:55.920
<v Speaker 1>coming up with the Bronx was like hardcore on eighty

0:01:55.960 --> 0:02:01.920
<v Speaker 1>third Grand Concourse right there, Jerome, av But it was like, wow,

0:02:02.000 --> 0:02:04.040
<v Speaker 1>I was hectic up there. So my mom was like

0:02:04.120 --> 0:02:06.640
<v Speaker 1>looking out for our safety, like we're gonna She wanted

0:02:06.640 --> 0:02:09.440
<v Speaker 1>to go somewhere a little more peaceful, coming from Lower

0:02:09.480 --> 0:02:13.720
<v Speaker 1>East Side Manhattan, you know, and Staten Allen is just

0:02:13.720 --> 0:02:16.440
<v Speaker 1>like this little cut over to the side. It's away

0:02:16.440 --> 0:02:18.560
<v Speaker 1>from the city. So she felt like that was a

0:02:18.639 --> 0:02:20.440
<v Speaker 1>place for us to grow up and it'd be safer.

0:02:21.080 --> 0:02:24.400
<v Speaker 1>But you know, Staten Island is its own jungle to

0:02:24.480 --> 0:02:27.640
<v Speaker 1>be as as the Bronx. Staaten Island is the Bronx,

0:02:27.680 --> 0:02:30.400
<v Speaker 1>but it's just concentrated. Everybody knows each other, you know.

0:02:30.520 --> 0:02:33.160
<v Speaker 1>So you know, that little small place is where I

0:02:33.240 --> 0:02:36.840
<v Speaker 1>kind of learned, you know, all my little street savviness

0:02:36.880 --> 0:02:40.360
<v Speaker 1>or whatever the case. And butang was kind of like

0:02:40.400 --> 0:02:42.359
<v Speaker 1>already in the making because I went to school with Ray,

0:02:42.400 --> 0:02:45.400
<v Speaker 1>I went to school with you God Meth. Pretty much

0:02:45.440 --> 0:02:48.320
<v Speaker 1>everybody ghosts, so it was kind of like we knew

0:02:48.360 --> 0:02:50.079
<v Speaker 1>each other from way way back.

0:02:50.120 --> 0:02:51.720
<v Speaker 3>They didn't look at you as an outsider because you

0:02:51.800 --> 0:02:54.240
<v Speaker 3>wasn't born and raised there or was it just as

0:02:54.280 --> 0:02:55.840
<v Speaker 3>soon as you came everybody y'all just clicked.

0:02:55.919 --> 0:03:00.520
<v Speaker 1>Now, everybody came from somewhere. Rizzaiz from Brooklyn. You know,

0:03:00.560 --> 0:03:05.440
<v Speaker 1>Odds Kappa, you got everybody's from Brooklyn. I'm like one

0:03:05.480 --> 0:03:08.720
<v Speaker 1>of the only few brons mephis Long Island. So you know,

0:03:08.800 --> 0:03:10.960
<v Speaker 1>everybody kind of came together. Ghost is the only one

0:03:11.000 --> 0:03:13.959
<v Speaker 1>born us that now, so he was born there boy

0:03:14.480 --> 0:03:18.400
<v Speaker 1>going to school. We all knew Rizza. Rizza was the DJ,

0:03:18.919 --> 0:03:22.440
<v Speaker 1>had his raps, had everything going on. And you know,

0:03:22.600 --> 0:03:25.880
<v Speaker 1>Meth was somebody that was putting out tapes in the hood,

0:03:26.160 --> 0:03:28.320
<v Speaker 1>just be at people house making tape stuff like that.

0:03:29.040 --> 0:03:31.600
<v Speaker 1>I was doing the same thing one boy DJ Quincy,

0:03:32.160 --> 0:03:34.680
<v Speaker 1>and so you know, word gets around. Then we started

0:03:34.720 --> 0:03:36.880
<v Speaker 1>mixing and mingling. I get with Meth and you got

0:03:36.960 --> 0:03:40.560
<v Speaker 1>first Ray con Is overhead across the street with my

0:03:40.640 --> 0:03:44.720
<v Speaker 1>brother Power recipes, and so it just came to be,

0:03:44.880 --> 0:03:47.040
<v Speaker 1>like you know what you're doing. Ray had the idea

0:03:47.760 --> 0:03:51.080
<v Speaker 1>of coming to Rizza, Power put the thing together. Power

0:03:51.160 --> 0:03:53.840
<v Speaker 1>was the finances, say hey, yo, these dudes just don't

0:03:53.880 --> 0:03:54.760
<v Speaker 1>I'm gonna get behind that.

0:03:55.720 --> 0:03:59.360
<v Speaker 6>And you know, kind of like it was a thousand rappers.

0:03:59.400 --> 0:03:59.600
<v Speaker 1>It was.

0:03:59.640 --> 0:04:00.960
<v Speaker 6>It was there's many of us.

0:04:01.280 --> 0:04:03.000
<v Speaker 3>How did y'all break it down to that the core?

0:04:03.240 --> 0:04:05.200
<v Speaker 3>Because like you said, there were so many rappers. How

0:04:05.280 --> 0:04:05.920
<v Speaker 3>was the core?

0:04:07.280 --> 0:04:11.600
<v Speaker 1>That's great and stuff. So Rizza saw something. He definitely

0:04:11.640 --> 0:04:14.840
<v Speaker 1>saw something. He had the vision of this way before

0:04:15.560 --> 0:04:17.600
<v Speaker 1>any of this. And I remember him coming to me saying, Yo,

0:04:17.600 --> 0:04:20.120
<v Speaker 1>I'm gonna put this group together. You know, we're gonna

0:04:20.120 --> 0:04:22.360
<v Speaker 1>get these MC's. We're gonna reps that now. And I

0:04:22.360 --> 0:04:25.000
<v Speaker 1>didn't know it's gonna be me because I heard, you know,

0:04:25.080 --> 0:04:27.240
<v Speaker 1>this guy, this guy, this guy was so many people,

0:04:27.240 --> 0:04:31.240
<v Speaker 1>but he had the ear to know, Hey, put this

0:04:31.279 --> 0:04:34.320
<v Speaker 1>guy behind him or put him before him, and you

0:04:34.360 --> 0:04:36.360
<v Speaker 1>can get a certain sound. He'll he'll take you off

0:04:36.360 --> 0:04:39.240
<v Speaker 1>the record, you can have a dope verse you out

0:04:39.240 --> 0:04:42.520
<v Speaker 1>of here. He his voice sounds a little better. So

0:04:42.560 --> 0:04:45.280
<v Speaker 1>we're gonna put him there. And that was like, oh,

0:04:45.360 --> 0:04:48.880
<v Speaker 1>you know, you god, you know ooh what grad wn

0:04:48.920 --> 0:04:51.479
<v Speaker 1>us get screwed? It wasn't It wasn't sixteen, but it

0:04:51.560 --> 0:04:55.120
<v Speaker 1>was a nice bridge to lead you into Dirty First

0:04:55.120 --> 0:04:55.800
<v Speaker 1>teen's first man.

0:04:55.880 --> 0:04:56.000
<v Speaker 2>Yea.

0:04:56.920 --> 0:04:59.400
<v Speaker 1>But when we first did it, it wasn't like that. And

0:05:00.000 --> 0:05:02.800
<v Speaker 1>I had the knack to know how to line people

0:05:02.880 --> 0:05:05.000
<v Speaker 1>up and put things together. So I think that's really

0:05:05.800 --> 0:05:07.719
<v Speaker 1>how it came down to who was going to be who,

0:05:08.400 --> 0:05:11.040
<v Speaker 1>because there's still dudes like to this day that feel

0:05:11.080 --> 0:05:15.440
<v Speaker 1>like they Wu tang on Standyland, like and Stapleton Ghost

0:05:15.440 --> 0:05:18.480
<v Speaker 1>Face projects. They were the first ones the screen bhutang.

0:05:18.920 --> 0:05:21.240
<v Speaker 1>I'm gonna shout that out because Paul Kill we wasn't

0:05:21.279 --> 0:05:23.960
<v Speaker 1>really we wasn't into the karate and all of that

0:05:24.040 --> 0:05:26.040
<v Speaker 1>like that. So we came down to Stapleton, they already

0:05:26.040 --> 0:05:29.120
<v Speaker 1>had Wu tang. That meant fly to them. If your

0:05:29.120 --> 0:05:31.480
<v Speaker 1>shoes was wool, yo, those wool. This is wool. That's wool.

0:05:32.000 --> 0:05:35.200
<v Speaker 1>And I was like, okay, you know, we into Channel

0:05:35.200 --> 0:05:37.280
<v Speaker 1>five karate flicks and all that, so we knew the

0:05:37.839 --> 0:05:40.440
<v Speaker 1>principles and the brotherhood he was trying to preach. So

0:05:40.480 --> 0:05:42.440
<v Speaker 1>it's like, all right, I'm down with this. You know,

0:05:42.480 --> 0:05:45.240
<v Speaker 1>I'm running from the cops. I got two felonies at

0:05:45.240 --> 0:05:47.760
<v Speaker 1>the time, so I'm like, it makes sense to just

0:05:47.800 --> 0:05:50.280
<v Speaker 1>sit down and write some robs and see where you go.

0:05:50.480 --> 0:05:52.720
<v Speaker 5>So when it came to being like that MC who

0:05:53.279 --> 0:05:56.800
<v Speaker 5>what they call you the Master of the Opening opening brush, right,

0:05:56.920 --> 0:05:59.720
<v Speaker 5>that was Rizzard's idea, have you lead off everything.

0:06:00.520 --> 0:06:02.760
<v Speaker 6>I don't know if it was really his idea for me.

0:06:03.520 --> 0:06:06.160
<v Speaker 1>I was just ready, okay, Like you know, everybody else

0:06:06.200 --> 0:06:10.040
<v Speaker 1>had like a like a star power or some type

0:06:10.040 --> 0:06:12.120
<v Speaker 1>of or I was the humble, laid back dude. But

0:06:12.240 --> 0:06:14.000
<v Speaker 1>I was always like I got a book on you,

0:06:14.120 --> 0:06:16.440
<v Speaker 1>or I got something. When I'm writing, I'm jotting things down.

0:06:16.480 --> 0:06:19.560
<v Speaker 1>So when it came down to those moments, I was

0:06:19.600 --> 0:06:22.480
<v Speaker 1>always ready, we to throw the beat on. A lot

0:06:22.480 --> 0:06:24.440
<v Speaker 1>of cats had to write and get their stuff together,

0:06:24.480 --> 0:06:27.640
<v Speaker 1>while I had like ten joints. I just was on

0:06:27.680 --> 0:06:30.920
<v Speaker 1>the bus stop or on the ferry ready. So that's

0:06:30.920 --> 0:06:32.480
<v Speaker 1>what it came down to, like, yo, we'll to throw

0:06:32.480 --> 0:06:34.839
<v Speaker 1>the beat on. I'm already on the beat before you

0:06:34.839 --> 0:06:38.080
<v Speaker 1>could even write your rhymes. So that's I think that's

0:06:38.240 --> 0:06:41.040
<v Speaker 1>what that became. And then he saw it. Then he

0:06:41.120 --> 0:06:44.000
<v Speaker 1>figured out, okay, let's let deck set it off. Because

0:06:44.320 --> 0:06:46.680
<v Speaker 1>I look at it like double dutch. Let'll see, like

0:06:46.960 --> 0:06:49.960
<v Speaker 1>back in the days with kids warming up. That's how

0:06:49.960 --> 0:06:52.080
<v Speaker 1>the beat is to me. You get you to then

0:06:52.120 --> 0:06:54.120
<v Speaker 1>you jump in and you do you do your steps right.

0:06:54.200 --> 0:06:57.120
<v Speaker 1>So I always treated it like that like warm up

0:06:57.200 --> 0:06:58.599
<v Speaker 1>jumping and then.

0:06:58.480 --> 0:07:01.480
<v Speaker 2>Get out the first record. That's your recording.

0:07:02.080 --> 0:07:06.520
<v Speaker 1>No, we did Cream first, Wow, and Ray had three verses.

0:07:06.560 --> 0:07:09.680
<v Speaker 1>I had three verses on Cream and it wasn't structured

0:07:09.720 --> 0:07:12.040
<v Speaker 1>with meth with the hook in the middle, and it

0:07:12.080 --> 0:07:14.320
<v Speaker 1>was called like life of a drug Dealer or something

0:07:14.360 --> 0:07:16.040
<v Speaker 1>like that. I forget, but it's on YouTube though. You

0:07:16.040 --> 0:07:16.800
<v Speaker 1>can look that up.

0:07:17.240 --> 0:07:19.080
<v Speaker 6>Oh my god.

0:07:19.280 --> 0:07:21.600
<v Speaker 1>Yeah, on the versions three verses of Piece with us

0:07:22.080 --> 0:07:24.520
<v Speaker 1>took my verse just I'll tell you how smart Rizard

0:07:24.560 --> 0:07:28.320
<v Speaker 1>is with that. He took the back end, put it here,

0:07:29.120 --> 0:07:31.600
<v Speaker 1>took the front end, put that in the back, and

0:07:31.640 --> 0:07:32.840
<v Speaker 1>it took out the whole middle.

0:07:33.320 --> 0:07:33.680
<v Speaker 6>Wow.

0:07:33.760 --> 0:07:36.280
<v Speaker 1>And it made the verse on Cream that y'all here now.

0:07:37.000 --> 0:07:41.320
<v Speaker 1>But it's like thirty forty more bars to that that

0:07:41.520 --> 0:07:43.120
<v Speaker 1>I may release one day, I may say, I mean,

0:07:43.160 --> 0:07:45.560
<v Speaker 1>it's out there, but I may like say it on

0:07:45.600 --> 0:07:47.680
<v Speaker 1>the track. I figure that's a dope thing to do. Now.

0:07:47.680 --> 0:07:50.440
<v Speaker 3>You took my unreleased bars. They said that you were

0:07:50.440 --> 0:07:53.760
<v Speaker 3>on a record with Pak. Yeah, and then that record

0:07:53.760 --> 0:07:54.280
<v Speaker 3>never came out.

0:07:54.320 --> 0:07:57.000
<v Speaker 6>So I heard that wasn't in the flood.

0:07:57.080 --> 0:07:59.680
<v Speaker 1>That was That was an interesting day, So tell us

0:07:59.680 --> 0:08:03.560
<v Speaker 1>about that. I went with Mesh and Red CALLI. They

0:08:03.560 --> 0:08:05.080
<v Speaker 1>were doing the song they were going to be in

0:08:05.080 --> 0:08:07.200
<v Speaker 1>the Montell Jordan video. This is how we do it.

0:08:07.240 --> 0:08:09.160
<v Speaker 1>I'm in that video. By the way, I got my

0:08:09.160 --> 0:08:12.080
<v Speaker 1>my Yankee hat backwards. I'm just in the back. I'm

0:08:12.120 --> 0:08:14.600
<v Speaker 1>happy to be there. I see Nate Dogg you know

0:08:14.680 --> 0:08:16.760
<v Speaker 1>all all all all the names we heard of being

0:08:16.760 --> 0:08:19.280
<v Speaker 1>with Snoop and I see Big Snoop. So I'm like, yo,

0:08:19.800 --> 0:08:21.800
<v Speaker 1>I'm having fun. We're on the golf course. They tore

0:08:21.840 --> 0:08:28.119
<v Speaker 1>the golf course, beat breaks people. What I remember seeing

0:08:28.160 --> 0:08:32.559
<v Speaker 1>in the fight recipes, Nate Dogg BG Knockout. They had

0:08:32.559 --> 0:08:33.320
<v Speaker 1>a war going on.

0:08:33.440 --> 0:08:34.240
<v Speaker 6>Me New York.

0:08:34.280 --> 0:08:35.880
<v Speaker 1>I don't know nothing about this, but I'm out there

0:08:35.920 --> 0:08:39.640
<v Speaker 1>and I see it and uh BG Knockouts comes with

0:08:39.720 --> 0:08:43.559
<v Speaker 1>a golf club swings it. Nate Dog slips, he got

0:08:43.640 --> 0:08:46.880
<v Speaker 1>on shoes on the on the grass, slips just the

0:08:46.920 --> 0:08:49.760
<v Speaker 1>time golf club goes clean over his head. They out

0:08:49.760 --> 0:08:52.480
<v Speaker 1>there squabbling and I said, they tore the golf called apart.

0:08:52.600 --> 0:08:55.360
<v Speaker 1>Meanwhile the video is going on. I'm having fun because

0:08:55.400 --> 0:08:57.480
<v Speaker 1>I'm like, I'm in the Montell video.

0:08:59.040 --> 0:09:00.439
<v Speaker 6>You know what I'm saying. I'll tell you.

0:09:00.480 --> 0:09:02.520
<v Speaker 1>I see me in the two seconds I got a

0:09:02.600 --> 0:09:05.880
<v Speaker 1>Yankee had backwards, right, But you know, I'm enjoying the moment.

0:09:06.600 --> 0:09:09.960
<v Speaker 1>You know, Methan Rader out there doing their thing, and

0:09:10.760 --> 0:09:14.920
<v Speaker 1>after the Mantel Jordan video, I'm just like, Okay, I

0:09:14.960 --> 0:09:16.800
<v Speaker 1>need to stay out here a little bit. It's kind

0:09:16.800 --> 0:09:20.200
<v Speaker 1>of fun out here. So we're going to dad house. Yeah,

0:09:20.240 --> 0:09:28.120
<v Speaker 1>we're going to Yeah, I'm gonna stay a couple more days.

0:09:28.160 --> 0:09:28.360
<v Speaker 6>Right.

0:09:28.440 --> 0:09:31.560
<v Speaker 1>So Dad is like, yo, come to my house. Math Rad,

0:09:32.240 --> 0:09:37.880
<v Speaker 1>I think Lady of Rage rb X. It's all of them,

0:09:37.960 --> 0:09:40.880
<v Speaker 1>you know, the whole dog Pound death Row situation. And

0:09:40.960 --> 0:09:43.600
<v Speaker 1>I'm like, I hear the beat. Das makes a beat

0:09:43.640 --> 0:09:47.240
<v Speaker 1>from Scratch and Meth and Rad is you know they happy.

0:09:47.280 --> 0:09:49.640
<v Speaker 1>Everybody's about to get on this. My name was never

0:09:49.720 --> 0:09:53.880
<v Speaker 1>mentioned in it, so I'm hearing. I hear Meth, I

0:09:53.920 --> 0:10:00.680
<v Speaker 1>hear Rad. A couple of people put their verses down corrupt, right, Okay,

0:10:00.720 --> 0:10:03.000
<v Speaker 1>the mic is open, and I'm just sitting there, like

0:10:05.480 --> 0:10:07.920
<v Speaker 1>I get to the mic, I set the mic in flames.

0:10:07.920 --> 0:10:10.360
<v Speaker 1>My name's Ain't. That's the Rebel Murder one staff Smashed

0:10:10.400 --> 0:10:12.960
<v Speaker 1>Mind says the Pebbles like I was in there. I

0:10:13.080 --> 0:10:16.200
<v Speaker 1>was Warmode New York with ca I'm in Cali Camo

0:10:16.320 --> 0:10:18.960
<v Speaker 1>down first of all, Tim, So that's the mode I

0:10:19.000 --> 0:10:20.560
<v Speaker 1>was in. I came in there like all these dudes

0:10:20.640 --> 0:10:23.360
<v Speaker 1>is everybody got a name. I got to come in

0:10:23.400 --> 0:10:25.640
<v Speaker 1>here and shake it up. I was here too, That's

0:10:25.640 --> 0:10:28.240
<v Speaker 1>one of my slogans. I'm here too, So you know

0:10:28.559 --> 0:10:31.640
<v Speaker 1>I'm here too. I'm gonna get on this mic. Now,

0:10:32.200 --> 0:10:33.760
<v Speaker 1>I wasn't. I guess I wasn't supposed to be on

0:10:33.760 --> 0:10:37.120
<v Speaker 1>the record, but it was like rage RBS. Everybody was there.

0:10:37.440 --> 0:10:43.839
<v Speaker 1>Then I heard that Poc came home signed to row Right.

0:10:44.000 --> 0:10:46.920
<v Speaker 1>This was supposed to be a dog Pound record over here.

0:10:47.720 --> 0:10:50.800
<v Speaker 1>So I didn't understand between Dads and Corrupt how my

0:10:51.480 --> 0:10:54.800
<v Speaker 1>lyrics came off. But it was a pock thing. He said, Yo,

0:10:54.880 --> 0:10:57.440
<v Speaker 1>he wanted a certain amount of people on the record,

0:10:58.040 --> 0:11:00.000
<v Speaker 1>and I remember Corrupt saying something like, yo.

0:11:00.040 --> 0:11:01.400
<v Speaker 6>That killed it. That killed it. He was like, man,

0:11:01.400 --> 0:11:03.120
<v Speaker 6>I want to hear that.

0:11:02.520 --> 0:11:05.240
<v Speaker 1>That rappidy rap blah blah blah. You know, and for

0:11:05.320 --> 0:11:07.520
<v Speaker 1>whatever reason, he took it off. But I'm laughing because

0:11:07.559 --> 0:11:08.120
<v Speaker 1>my ad lib.

0:11:08.400 --> 0:11:11.280
<v Speaker 2>They kept your and that's the rebel. Like why they keep.

0:11:11.160 --> 0:11:14.200
<v Speaker 1>That, I don't know to this day. It doesn't but

0:11:14.320 --> 0:11:18.840
<v Speaker 1>Das told me, Hey, that get you publishing. That's platinum. Yeah,

0:11:18.920 --> 0:11:22.640
<v Speaker 1>so that's a publisher went after that lady a Rage

0:11:22.679 --> 0:11:23.079
<v Speaker 1>record two.

0:11:23.760 --> 0:11:26.920
<v Speaker 6>No, I wasn't on. They took Rage off too.

0:11:26.960 --> 0:11:31.280
<v Speaker 1>They took off. It took everybody clean off. And those

0:11:31.280 --> 0:11:33.320
<v Speaker 1>are like some of them are those are those are

0:11:33.360 --> 0:11:36.559
<v Speaker 1>their peoples. And I'm like, y'all left my lyrics on it.

0:11:36.679 --> 0:11:38.720
<v Speaker 1>But you know, I think Daz did that on purpose.

0:11:39.120 --> 0:11:40.360
<v Speaker 2>You know, it's interesting record.

0:11:40.640 --> 0:11:42.560
<v Speaker 5>I'm a comic book guy, so I love like the

0:11:42.600 --> 0:11:45.240
<v Speaker 5>Marvel what ifs, Right, one of the biggest what ifs

0:11:45.520 --> 0:11:49.040
<v Speaker 5>is always you know, what would that first inspected that

0:11:49.200 --> 0:11:51.439
<v Speaker 5>album have sounded like like have you ever gotten over

0:11:51.480 --> 0:11:53.839
<v Speaker 5>the loss of the music that happened in the Wu

0:11:53.920 --> 0:11:56.600
<v Speaker 5>Tang flood, because everybody says you were impacted the most.

0:11:56.800 --> 0:11:57.920
<v Speaker 6>Yeah, yeah, yeah, yeah.

0:11:58.040 --> 0:12:02.480
<v Speaker 1>Man. If y'all saw the Hulu series that episode when

0:12:02.520 --> 0:12:04.680
<v Speaker 1>Rizzi opened his door and you saw the floppy disc

0:12:04.720 --> 0:12:07.760
<v Speaker 1>floating on top of the water, that's real. Like we

0:12:07.840 --> 0:12:10.680
<v Speaker 1>came back from tour, went to his house. House was flooded,

0:12:11.240 --> 0:12:14.720
<v Speaker 1>and I think I remember clearly seeing and inspected deck

0:12:14.720 --> 0:12:17.679
<v Speaker 1>floppy disc floating by. You know, we couldn't even get

0:12:17.720 --> 0:12:20.199
<v Speaker 1>to the bottom of the stairs. But yeah, man, I'm

0:12:20.240 --> 0:12:24.080
<v Speaker 1>not gonna say I didn't get over it. It jacked

0:12:24.080 --> 0:12:25.559
<v Speaker 1>me up for a minute, you know what I'm saying,

0:12:25.559 --> 0:12:28.240
<v Speaker 1>Because I'm like, I had a lot, I had momentum

0:12:28.280 --> 0:12:30.600
<v Speaker 1>coming into my album dropping, you know, I had the big.

0:12:30.480 --> 0:12:34.480
<v Speaker 6>Pond, I had a gangstar. You know it was. It

0:12:34.480 --> 0:12:35.839
<v Speaker 6>was a couple of records, a couple of features that

0:12:35.880 --> 0:12:36.920
<v Speaker 6>I did that set that up.

0:12:37.800 --> 0:12:41.680
<v Speaker 1>And I remember Loud got dropped by BMG, I believe,

0:12:42.040 --> 0:12:45.319
<v Speaker 1>picked up by Sony Columbia Relativity. All that. I now

0:12:45.440 --> 0:12:49.440
<v Speaker 1>went from being expected deck with Ray Kwan, got Joe

0:12:49.440 --> 0:12:52.000
<v Speaker 1>Old mab Deep you know, all a Loud. I'm over

0:12:52.040 --> 0:12:56.680
<v Speaker 1>here with crucial Conflict, Gangs, the bull, the Icons, you know,

0:12:56.960 --> 0:13:00.760
<v Speaker 1>a whole different ship. Shout out the Path, project Pat

0:13:00.800 --> 0:13:02.800
<v Speaker 1>Man Project, Patt Dope.

0:13:02.880 --> 0:13:03.319
<v Speaker 6>Dude. Man.

0:13:03.320 --> 0:13:05.480
<v Speaker 1>He held me down out there in the Midwest, south

0:13:05.520 --> 0:13:09.200
<v Speaker 1>of all these places where my music wasn't accepted like that.

0:13:09.600 --> 0:13:11.360
<v Speaker 1>Now he told me something dope too. He's like, yo,

0:13:11.440 --> 0:13:15.360
<v Speaker 1>kick kick the wou tang stuff off other beats. So

0:13:15.400 --> 0:13:16.960
<v Speaker 1>I was like, in the mix of doing my show,

0:13:17.040 --> 0:13:19.480
<v Speaker 1>I would throw on this is why I'm hot, Like

0:13:19.559 --> 0:13:23.439
<v Speaker 1>throwing mimes and kick something to that instead of you

0:13:23.440 --> 0:13:24.800
<v Speaker 1>know what I mean, like switching it up. But it

0:13:24.840 --> 0:13:28.080
<v Speaker 1>worked and he was just a real dude down the earth.

0:13:28.120 --> 0:13:30.920
<v Speaker 1>Oh and my man Bulldog from the Icons. These are

0:13:31.000 --> 0:13:33.679
<v Speaker 1>dudes that you know, you never thought that combination would happened.

0:13:33.720 --> 0:13:36.520
<v Speaker 1>But you know, I said, they held me down, and

0:13:36.559 --> 0:13:38.880
<v Speaker 1>you know, just going through that whole shift and all that,

0:13:38.960 --> 0:13:42.960
<v Speaker 1>Like the album got pushed back then the flood, So

0:13:43.000 --> 0:13:46.280
<v Speaker 1>it was like the uncontrolled substance that you hear. Now,

0:13:46.920 --> 0:13:49.040
<v Speaker 1>I had to make that on the fly on tour.

0:13:50.280 --> 0:13:52.640
<v Speaker 1>You know, I don't got I got three riz of beats.

0:13:53.400 --> 0:13:56.440
<v Speaker 1>That's going against what the formula was, if you know,

0:13:56.520 --> 0:13:59.000
<v Speaker 1>the for me in the beginning, produce all the beats

0:13:59.040 --> 0:14:02.679
<v Speaker 1>on all the albums, and that was like the successful formula.

0:14:02.760 --> 0:14:05.000
<v Speaker 1>So I was ready, like, okay, it's my turn now.

0:14:05.520 --> 0:14:09.000
<v Speaker 1>Oh wait a minute, Olive got dropped. Oh wait a minute.

0:14:09.040 --> 0:14:13.360
<v Speaker 1>Oh the flood Now now it takes me another six

0:14:13.920 --> 0:14:15.760
<v Speaker 1>months to a year to make this album because I'm

0:14:15.800 --> 0:14:16.559
<v Speaker 1>all over the place.

0:14:16.600 --> 0:14:17.520
<v Speaker 6>I'm going through life.

0:14:17.800 --> 0:14:20.080
<v Speaker 1>So by the time I actually got that album together,

0:14:21.280 --> 0:14:25.000
<v Speaker 1>I felt like I had already been lapped by the crew.

0:14:25.600 --> 0:14:27.160
<v Speaker 1>And so I was like Damn, I didn't even dropped

0:14:27.160 --> 0:14:30.040
<v Speaker 1>my first. You got methhas on the second. You know,

0:14:30.480 --> 0:14:33.480
<v Speaker 1>raying ghosts go raying ghost drop. Now ghost is dropping.

0:14:34.120 --> 0:14:35.720
<v Speaker 1>You know. It was that type of thing methis on

0:14:35.760 --> 0:14:38.040
<v Speaker 1>the second. So I'm just like, Damn, I gotta I

0:14:38.040 --> 0:14:41.000
<v Speaker 1>gotta do something. And me, in my anger, I could

0:14:41.040 --> 0:14:45.040
<v Speaker 1>admit it now, man, no f everybody, I'm doing this myself,

0:14:45.640 --> 0:14:47.840
<v Speaker 1>you know. And then I put it out. You know,

0:14:48.560 --> 0:14:52.120
<v Speaker 1>didn't really have the know how to push the record,

0:14:52.240 --> 0:14:54.520
<v Speaker 1>just going off of what I've been around and watching Rizza.

0:14:54.960 --> 0:14:57.240
<v Speaker 1>I thought that I knew. So it's like and then

0:14:57.280 --> 0:14:59.480
<v Speaker 1>you learn the hallway, you know, you f around to

0:14:59.520 --> 0:15:02.680
<v Speaker 1>find out that, yo, you you need to you need

0:15:02.720 --> 0:15:05.200
<v Speaker 1>to understand the business game. How the other side of

0:15:05.200 --> 0:15:07.720
<v Speaker 1>this work. Rapping is nothing. I can rappers like eggs

0:15:07.760 --> 0:15:11.280
<v Speaker 1>and cheese, you know, but the business side was what

0:15:11.320 --> 0:15:14.320
<v Speaker 1>you gotta learn. You gotta learn about returns, mechanical wards,

0:15:14.520 --> 0:15:18.120
<v Speaker 1>is the difference between you know, uh, royalties and and

0:15:18.280 --> 0:15:21.360
<v Speaker 1>and just it's all hitting type of under the table

0:15:21.360 --> 0:15:23.720
<v Speaker 1>stuff that you got to learn. So once I learned

0:15:23.760 --> 0:15:26.960
<v Speaker 1>a lot of that, I got out of the contracts

0:15:27.440 --> 0:15:30.480
<v Speaker 1>and kind of, like I tell people, the rebel was born.

0:15:31.000 --> 0:15:33.680
<v Speaker 1>I call myself rebel, I and S. That's when I

0:15:33.720 --> 0:15:36.720
<v Speaker 1>felt like, Yo, ain't nobody helping me. I'm out here

0:15:36.760 --> 0:15:39.720
<v Speaker 1>by myself. It's like being in the jungle. You got

0:15:39.760 --> 0:15:42.760
<v Speaker 1>a canteen and the radio, but you got nobody's in

0:15:42.800 --> 0:15:45.960
<v Speaker 1>the chopper. There's no there's no ground support, there's no

0:15:46.040 --> 0:15:48.240
<v Speaker 1>who do I call when I get jammed up? I

0:15:48.280 --> 0:15:50.520
<v Speaker 1>get pinned down? So I had to I had to

0:15:50.520 --> 0:15:52.200
<v Speaker 1>face a lot of that by myself, you know what

0:15:52.200 --> 0:15:54.760
<v Speaker 1>I'm saying. And a lot of people had units and

0:15:55.160 --> 0:15:57.880
<v Speaker 1>crews and clicks, and I just did it with like

0:15:57.920 --> 0:15:59.680
<v Speaker 1>a two man crew. Did you ever feel a way

0:15:59.720 --> 0:16:00.120
<v Speaker 1>about that?

0:16:00.160 --> 0:16:01.800
<v Speaker 3>Because if you talk to a lot of the members

0:16:01.800 --> 0:16:04.480
<v Speaker 3>of Wool, they always say but they say who's the nicest,

0:16:04.520 --> 0:16:05.440
<v Speaker 3>who's the most liberal?

0:16:05.520 --> 0:16:06.000
<v Speaker 2>Who gets busy?

0:16:06.040 --> 0:16:08.560
<v Speaker 3>They always say Deck and Gisel? Right, yeah, So did

0:16:08.600 --> 0:16:10.280
<v Speaker 3>that ever make you feel a way? Because you look

0:16:10.320 --> 0:16:12.840
<v Speaker 3>at all the members and they always praise you as

0:16:12.880 --> 0:16:16.000
<v Speaker 3>being the nicest, the most lyrical. But as far as

0:16:16.080 --> 0:16:19.280
<v Speaker 3>career is concerned, their careers took a jump from you.

0:16:19.560 --> 0:16:22.200
<v Speaker 1>I was hot. I can't lie I was I was.

0:16:22.240 --> 0:16:23.960
<v Speaker 1>I was burnt, But I didn't know why you know

0:16:24.000 --> 0:16:25.960
<v Speaker 1>what I'm saying. I didn't know why that was happening.

0:16:26.440 --> 0:16:30.560
<v Speaker 1>And then when I learned, it's like old dirty, He's

0:16:30.680 --> 0:16:34.200
<v Speaker 1>so extroverted that you notice him.

0:16:34.240 --> 0:16:37.080
<v Speaker 6>Even if he's quiet, you notice it. I'm the quiet one.

0:16:37.560 --> 0:16:40.480
<v Speaker 1>So I didn't know that me playing the background or

0:16:40.480 --> 0:16:43.920
<v Speaker 1>the pictures, you know, being humble, not talking so much

0:16:43.920 --> 0:16:46.360
<v Speaker 1>in the interviews, that comes back to hurt you.

0:16:47.400 --> 0:16:48.880
<v Speaker 6>So I learned that and I was like, okay.

0:16:49.680 --> 0:16:51.240
<v Speaker 1>When I did figure it out, so you know, I'm

0:16:51.240 --> 0:16:54.200
<v Speaker 1>gonna start stepping towards the front. No, now you see

0:16:54.600 --> 0:16:56.440
<v Speaker 1>later on in life as the pictures, I'm like, I'm

0:16:56.600 --> 0:16:59.960
<v Speaker 1>front row because I'm like, I'm front line when you talk,

0:17:01.040 --> 0:17:04.360
<v Speaker 1>I'm front line bro all the time, Like, no matter

0:17:04.440 --> 0:17:08.080
<v Speaker 1>how many songs I'm on, it's the impact of the verses.

0:17:08.160 --> 0:17:12.160
<v Speaker 1>It is everything combined, the setting it off. I said,

0:17:12.160 --> 0:17:14.040
<v Speaker 1>I'm front line, man, So I got to start playing

0:17:14.080 --> 0:17:17.000
<v Speaker 1>the front. And then when I changed that, I started

0:17:17.720 --> 0:17:19.800
<v Speaker 1>getting a little more trajectory, you know what I'm saying.

0:17:19.840 --> 0:17:21.320
<v Speaker 1>But I still in the back of my mind was

0:17:21.359 --> 0:17:23.680
<v Speaker 1>playing catch up to my brothers.

0:17:23.680 --> 0:17:25.800
<v Speaker 5>I felt how much of that first album did we hear?

0:17:26.440 --> 0:17:29.280
<v Speaker 5>Did anything that anything that you remember.

0:17:29.760 --> 0:17:31.520
<v Speaker 1>I did show improve word on the street. I put

0:17:31.560 --> 0:17:35.760
<v Speaker 1>out a couple of records. Yeah so, and then me

0:17:37.400 --> 0:17:40.800
<v Speaker 1>I raped different. I'm like the Marvin Gaye of the crew,

0:17:41.200 --> 0:17:43.680
<v Speaker 1>you know, I'm like the Langston Hughes Them type of dudes,

0:17:43.720 --> 0:17:46.639
<v Speaker 1>where it's more of a poetry. I study Gil Scott

0:17:46.680 --> 0:17:49.320
<v Speaker 1>Hemming a lot. I read Gillscott Herring books. I listened

0:17:49.320 --> 0:17:52.000
<v Speaker 1>to his music. I try to understand how he puts.

0:17:53.119 --> 0:17:55.720
<v Speaker 1>He has some of the most powerful words, but he

0:17:55.760 --> 0:17:58.680
<v Speaker 1>doesn't say a whole lot of big words and wordplay

0:17:58.800 --> 0:18:01.440
<v Speaker 1>like that. He you know, I can't pay my taxes,

0:18:01.440 --> 0:18:02.359
<v Speaker 1>but white he's on the moon.

0:18:03.000 --> 0:18:03.199
<v Speaker 6>You know.

0:18:03.280 --> 0:18:05.040
<v Speaker 1>It's the impact of that, you.

0:18:05.040 --> 0:18:05.560
<v Speaker 6>Know what I'm saying.

0:18:05.600 --> 0:18:07.959
<v Speaker 1>So I was figuring how I had to learn how

0:18:08.000 --> 0:18:10.159
<v Speaker 1>to write again. So I'm like, I'm not gonna be

0:18:10.600 --> 0:18:12.639
<v Speaker 1>We already got the street dudes, you know, even though

0:18:12.640 --> 0:18:14.800
<v Speaker 1>I'm from the streets to it. Six felonies, you know,

0:18:14.840 --> 0:18:17.920
<v Speaker 1>six miths to meetings, two felonies. I'm from the streets too.

0:18:18.160 --> 0:18:21.040
<v Speaker 1>I don't advocate or glorify that, you know what I'm saying.

0:18:21.040 --> 0:18:22.920
<v Speaker 1>I've been to jail more than anybody in my crew

0:18:23.280 --> 0:18:26.680
<v Speaker 1>besides Cap. So you know, I was like, I don't

0:18:26.720 --> 0:18:29.119
<v Speaker 1>want to be that Ray and goldst got that locked

0:18:29.160 --> 0:18:32.600
<v Speaker 1>you know, meth. I'm more in the meth category, in

0:18:32.640 --> 0:18:35.600
<v Speaker 1>the jigger category with styles and lyrics and just keeping

0:18:35.640 --> 0:18:37.480
<v Speaker 1>it hip hop. So you know, I said, I'm gonna

0:18:37.480 --> 0:18:39.920
<v Speaker 1>be that dude. I'll be the storyteller and I make

0:18:39.960 --> 0:18:42.760
<v Speaker 1>the creams, the cold Worlds something like that. But I

0:18:42.800 --> 0:18:46.720
<v Speaker 1>also play Devil's advocate and I talk about the street life.

0:18:46.760 --> 0:18:47.320
<v Speaker 6>You know what I'm saying.

0:18:47.359 --> 0:18:51.600
<v Speaker 1>And if you really look, there's inspected deck the artists,

0:18:52.440 --> 0:18:55.680
<v Speaker 1>there's inspected deck from Wu Tang, and then there's inspected

0:18:55.720 --> 0:18:58.320
<v Speaker 1>deck from Zarfa new crew I got. So I have

0:18:58.480 --> 0:19:04.080
<v Speaker 1>three different careers in one and that's really hard to do.

0:19:04.200 --> 0:19:07.000
<v Speaker 1>I didn't know that until it dawned on me, Like Yo,

0:19:07.760 --> 0:19:10.240
<v Speaker 1>zar Face is suffering because you're out here on Wu

0:19:10.280 --> 0:19:13.639
<v Speaker 1>Tang too, and then Wu Tang Tour, you know, is

0:19:14.200 --> 0:19:16.239
<v Speaker 1>taking up the time so expected that can't put an

0:19:16.240 --> 0:19:20.600
<v Speaker 1>album out. So it was like fighting personalities in yourself.

0:19:21.160 --> 0:19:23.960
<v Speaker 1>Then I learned how to mess them and now I

0:19:24.040 --> 0:19:26.320
<v Speaker 1>just make music for everybody and everything.

0:19:26.720 --> 0:19:28.679
<v Speaker 3>But you and Rizza are genius to where y'all put

0:19:28.720 --> 0:19:30.640
<v Speaker 3>it together. Because even if you think about it, right,

0:19:32.160 --> 0:19:35.000
<v Speaker 3>You don't do things that are supposed to be catchy,

0:19:35.359 --> 0:19:39.160
<v Speaker 3>but they're just a catchy Like I'm just thinking ibamatomically, socrleas,

0:19:39.200 --> 0:19:42.359
<v Speaker 3>philosophies and hypotheses like that's not supposed to be catchy,

0:19:42.400 --> 0:19:44.760
<v Speaker 3>but that's the line as soon as it comes on.

0:19:44.840 --> 0:19:47.280
<v Speaker 1>You know, that's the lyrical miracle they call. Right, that's

0:19:47.280 --> 0:19:50.400
<v Speaker 1>a lyrical miracle right now. You know, people don't even

0:19:50.480 --> 0:19:53.080
<v Speaker 1>use that many words nowadays. People ain't even trying to

0:19:53.080 --> 0:19:55.560
<v Speaker 1>read a paragraph. It's too long, bron you know what

0:19:55.560 --> 0:19:59.520
<v Speaker 1>I'm saying. So I learned that over time. Now, like

0:19:59.640 --> 0:20:03.639
<v Speaker 1>going to breath, I don't, I don't. I'm not that

0:20:03.840 --> 0:20:08.560
<v Speaker 1>technical anymore. And it's not like to dumb myself down.

0:20:08.680 --> 0:20:12.600
<v Speaker 1>I just know that I could just talk regular because

0:20:12.600 --> 0:20:15.959
<v Speaker 1>people are just like every day conversation, every day people. Now,

0:20:16.000 --> 0:20:19.480
<v Speaker 1>it's not a whole lot of big lyrical talk. There's

0:20:19.520 --> 0:20:22.399
<v Speaker 1>some people out there that get busy lyrically, like you know,

0:20:22.520 --> 0:20:26.960
<v Speaker 1>one of my favorites is Conway right, always dope. And

0:20:27.000 --> 0:20:29.159
<v Speaker 1>then there's just people that they don't really want to

0:20:29.200 --> 0:20:31.080
<v Speaker 1>hear all of that. They just want to hear how

0:20:31.119 --> 0:20:33.439
<v Speaker 1>to beat sound, how to hook sound? As a catchy

0:20:33.480 --> 0:20:35.600
<v Speaker 1>can I dance to it? And I don't knock none

0:20:35.640 --> 0:20:35.880
<v Speaker 1>of that.

0:20:36.760 --> 0:20:41.280
<v Speaker 6>I just know me. I'm more of a last poet,

0:20:41.640 --> 0:20:41.760
<v Speaker 6>you know.

0:20:41.760 --> 0:20:44.000
<v Speaker 1>What I'm saying. I still I consider myself one of

0:20:44.000 --> 0:20:48.399
<v Speaker 1>the last poets of today. And you know, getting over that,

0:20:48.400 --> 0:20:51.679
<v Speaker 1>that's when I finally realize that, like, bro, you're not

0:20:51.720 --> 0:20:53.480
<v Speaker 1>going to catch up to a method man, You're not

0:20:53.480 --> 0:20:55.800
<v Speaker 1>going to catch up to a ghost. You're not gonna

0:20:55.800 --> 0:21:00.000
<v Speaker 1>do none of that. But you are just as appreciated,

0:21:00.320 --> 0:21:02.960
<v Speaker 1>You're just as good, you're just as worthy. And so

0:21:03.160 --> 0:21:05.800
<v Speaker 1>with that mindset, I just carried myself different. Now now

0:21:05.800 --> 0:21:07.960
<v Speaker 1>it's not a competition. It was friendly competition for a

0:21:07.960 --> 0:21:10.359
<v Speaker 1>long time, but now it's not a competition.

0:21:10.400 --> 0:21:13.800
<v Speaker 6>It's like, yo, better, I saw that movie you did

0:21:13.840 --> 0:21:15.080
<v Speaker 6>the other day. Dope.

0:21:15.480 --> 0:21:19.280
<v Speaker 1>You know, it's like now it's it's super congratulatory. You know,

0:21:19.440 --> 0:21:21.880
<v Speaker 1>Ghost got a video game coming out, did a song

0:21:21.920 --> 0:21:24.240
<v Speaker 1>on this video game? Can't wait for that? You know

0:21:24.320 --> 0:21:26.360
<v Speaker 1>what I mean? Like, yeah, everything is now it's more

0:21:26.440 --> 0:21:30.720
<v Speaker 1>it's a supportive role for everybody. Now it's more as me, Like, well,

0:21:30.720 --> 0:21:31.399
<v Speaker 1>why it ain't me?

0:21:31.880 --> 0:21:33.040
<v Speaker 2>You know, when did that?

0:21:33.600 --> 0:21:34.560
<v Speaker 7>When did that change for you?

0:21:34.560 --> 0:21:36.240
<v Speaker 8>I saw you said you had to apologize to Riz

0:21:36.359 --> 0:21:39.879
<v Speaker 8>on my point for feeling like, you know, I blamed.

0:21:39.640 --> 0:21:42.800
<v Speaker 1>It on him, like for whatever reason, like yo, my

0:21:42.960 --> 0:21:45.199
<v Speaker 1>I didn't make it as far as this, or you

0:21:45.240 --> 0:21:48.000
<v Speaker 1>didn't produce this many tracks on my album or whatever

0:21:48.040 --> 0:21:49.960
<v Speaker 1>the case, like we did in the beginning we said

0:21:50.000 --> 0:21:53.760
<v Speaker 1>my seeds marry his seeds and saying money all in

0:21:53.800 --> 0:21:56.080
<v Speaker 1>the family. You know, I'm I'm living off of these

0:21:56.200 --> 0:21:58.520
<v Speaker 1>ideas and things. But I'm like, yo, it's not happening,

0:21:58.960 --> 0:22:02.359
<v Speaker 1>So what's going on? You know? Then there's times with

0:22:02.440 --> 0:22:06.479
<v Speaker 1>this like Wu Tang shifts, you know, Woutang's breaking up

0:22:06.520 --> 0:22:09.120
<v Speaker 1>and you know, the money, just like all of these

0:22:09.119 --> 0:22:11.920
<v Speaker 1>things going on, and I'm like, yo, I'm still I'm

0:22:11.960 --> 0:22:14.159
<v Speaker 1>still trying to put my feet in this wet cement

0:22:14.440 --> 0:22:15.320
<v Speaker 1>to make my stamp.

0:22:15.920 --> 0:22:17.520
<v Speaker 6>So you know, how do I do that?

0:22:18.440 --> 0:22:19.879
<v Speaker 1>And the first thing I did was like, you know,

0:22:20.400 --> 0:22:23.760
<v Speaker 1>like owning up to it, like you know what, this

0:22:23.880 --> 0:22:26.720
<v Speaker 1>brother helped me get out the streets. This brother saw

0:22:27.480 --> 0:22:29.119
<v Speaker 1>things in me that I didn't see it myself. He

0:22:29.200 --> 0:22:31.320
<v Speaker 1>gave me an opportunity to put you know, food on

0:22:31.400 --> 0:22:34.359
<v Speaker 1>the table. I thank him, you know what I mean,

0:22:34.440 --> 0:22:37.399
<v Speaker 1>I appreciate him, and if it didn't go right for me,

0:22:39.119 --> 0:22:41.720
<v Speaker 1>so be it right. You know, you take accountability for

0:22:41.760 --> 0:22:43.119
<v Speaker 1>what you could have did. There's plenty of things I

0:22:43.119 --> 0:22:46.720
<v Speaker 1>could have did better or just did in general, but

0:22:46.840 --> 0:22:51.200
<v Speaker 1>I was blinded by my own anger of it. Like this,

0:22:51.359 --> 0:22:54.439
<v Speaker 1>if that rebel rebel rebel like rebel is a character

0:22:54.480 --> 0:22:57.240
<v Speaker 1>I created, bro that got in my way, that got

0:22:57.280 --> 0:22:59.640
<v Speaker 1>in my way from actually seeing things clear. I'm more

0:22:59.680 --> 0:23:03.080
<v Speaker 1>of a back that, like you know, analyze, check things out,

0:23:03.359 --> 0:23:05.240
<v Speaker 1>then make a decision on it. But you know, when

0:23:05.240 --> 0:23:07.359
<v Speaker 1>you when you're dealing with emotions and dealing with anger,

0:23:07.400 --> 0:23:10.400
<v Speaker 1>you tend to just rat a off without thinking too much.

0:23:10.400 --> 0:23:12.720
<v Speaker 1>And so that was that. Man, I held that anger

0:23:12.760 --> 0:23:15.320
<v Speaker 1>in for a while. When I apologize to Riside, I

0:23:15.400 --> 0:23:18.679
<v Speaker 1>let it go. You know, he accepted that apology, and

0:23:18.720 --> 0:23:22.560
<v Speaker 1>I think it's been like an a doupe harmony since then.

0:23:22.640 --> 0:23:25.439
<v Speaker 1>You know, he's taught me so much since then that

0:23:26.160 --> 0:23:27.919
<v Speaker 1>you know, that's that's that's one of my brothers I

0:23:27.960 --> 0:23:29.640
<v Speaker 1>love in the game, and like I learned from him

0:23:29.680 --> 0:23:31.840
<v Speaker 1>each and every time I talk to him. So you know,

0:23:31.960 --> 0:23:36.160
<v Speaker 1>that was mandatory and just in general. Woutang in general, man,

0:23:36.240 --> 0:23:38.440
<v Speaker 1>Like you know, I Wu Tang. I blamed Wu Tang

0:23:38.480 --> 0:23:40.960
<v Speaker 1>for taking a lot of my life, if that makes sense.

0:23:41.000 --> 0:23:41.960
<v Speaker 2>I gave you a lot of life.

0:23:42.280 --> 0:23:44.600
<v Speaker 1>It gave me a lot of life, but it made

0:23:44.640 --> 0:23:48.359
<v Speaker 1>me miss graduations, It made me miss baby shadows, family members,

0:23:48.440 --> 0:23:50.000
<v Speaker 1>just different things like I might have been. I was

0:23:50.040 --> 0:23:52.560
<v Speaker 1>in Russia when my when my son was born. Wow,

0:23:52.680 --> 0:23:55.600
<v Speaker 1>you know, he waved. I couldn't even get back if

0:23:55.600 --> 0:23:58.199
<v Speaker 1>I wanted to. There was nothing flying out. But it's like,

0:23:58.280 --> 0:24:00.960
<v Speaker 1>you know, to this day, his mom he wasn't a

0:24:00.960 --> 0:24:04.000
<v Speaker 1>head bro. But that's a big thing, you know what

0:24:04.000 --> 0:24:05.760
<v Speaker 1>I'm saying. That's a big thing with your firstborn son.

0:24:05.800 --> 0:24:07.560
<v Speaker 1>You're supposed to be there, but there's no way for

0:24:07.600 --> 0:24:08.879
<v Speaker 1>me to get there. So I had to eat that.

0:24:08.920 --> 0:24:09.880
<v Speaker 1>I had to hold on to that.

0:24:10.359 --> 0:24:13.120
<v Speaker 3>But I was the money with that, because it's it's

0:24:13.119 --> 0:24:14.000
<v Speaker 3>so many of y'all.

0:24:14.040 --> 0:24:14.240
<v Speaker 6>Right.

0:24:14.720 --> 0:24:15.800
<v Speaker 2>So even if back.

0:24:15.640 --> 0:24:19.640
<v Speaker 3>Then you got fifty sixty thousand as a group, besides

0:24:19.720 --> 0:24:22.120
<v Speaker 3>management and touring and fees, this, that and theether, y'all

0:24:22.160 --> 0:24:25.199
<v Speaker 3>only making a couple of thousand dollars, So I know

0:24:25.280 --> 0:24:29.960
<v Speaker 3>that must have been yeahful difficult. Then you got I'm

0:24:29.960 --> 0:24:32.440
<v Speaker 3>the bigger there, and that's that.

0:24:32.480 --> 0:24:33.760
<v Speaker 1>So I was dealing with all.

0:24:33.680 --> 0:24:34.480
<v Speaker 6>That you had.

0:24:34.560 --> 0:24:37.960
<v Speaker 1>You had that like you know, Chef Raykan, Chef is

0:24:37.960 --> 0:24:39.280
<v Speaker 1>a very outspoken person.

0:24:39.320 --> 0:24:40.280
<v Speaker 6>That's my brother. I love her.

0:24:40.280 --> 0:24:43.000
<v Speaker 1>But Chef might be like, yo, why he getting that?

0:24:44.400 --> 0:24:46.640
<v Speaker 1>You know, I'm sos to get that. He might be right,

0:24:47.560 --> 0:24:49.359
<v Speaker 1>but then Rizzius looking at it, like yo, you know

0:24:49.800 --> 0:24:52.080
<v Speaker 1>it's all of us. It's all of us. We were

0:24:52.080 --> 0:24:54.680
<v Speaker 1>split and eating together. Well, he always had to righte

0:24:54.720 --> 0:24:56.760
<v Speaker 1>his mind. But you know, sometimes you got brothers say

0:24:56.800 --> 0:24:59.840
<v Speaker 1>I put in five times the work, I want.

0:24:59.640 --> 0:25:01.960
<v Speaker 3>Five I gotta do fifteen songs.

0:25:02.440 --> 0:25:04.359
<v Speaker 1>You see what I'm saying. So you know that's where

0:25:04.359 --> 0:25:06.080
<v Speaker 1>a lot of the confusion came in with Bu Tang.

0:25:06.160 --> 0:25:09.560
<v Speaker 1>It was never like a jealousy or I don't want

0:25:09.560 --> 0:25:12.600
<v Speaker 1>you to eat things. It was just like, yo, if

0:25:12.640 --> 0:25:14.879
<v Speaker 1>I baked you know, if I made the if I

0:25:14.920 --> 0:25:17.119
<v Speaker 1>baked this pizza and I made the crust by hand,

0:25:17.160 --> 0:25:19.800
<v Speaker 1>bro and I made the sauce, Like, how do you

0:25:19.840 --> 0:25:22.399
<v Speaker 1>feel you get five slices over that? How do you

0:25:22.400 --> 0:25:24.800
<v Speaker 1>feel you get half? Which you know a lot of

0:25:24.800 --> 0:25:26.959
<v Speaker 1>that was was righteous at the time, but you know,

0:25:27.040 --> 0:25:29.119
<v Speaker 1>we were trying to be brothers with each other to

0:25:29.119 --> 0:25:32.000
<v Speaker 1>say it don't matter, bro, we gonna split it if

0:25:32.000 --> 0:25:34.760
<v Speaker 1>it's if it's if it's a hundred fifty fifty. I

0:25:34.800 --> 0:25:37.080
<v Speaker 1>might have did ninety work to the work, but I'm

0:25:37.080 --> 0:25:39.760
<v Speaker 1>still giving you fifty because that's how we rave. And

0:25:39.920 --> 0:25:41.680
<v Speaker 1>you know a lot of that went down with Butang.

0:25:41.720 --> 0:25:44.280
<v Speaker 1>We kind of just split things and try to take

0:25:44.320 --> 0:25:48.640
<v Speaker 1>care of each other regardless. It went left though somewhere,

0:25:48.680 --> 0:25:49.960
<v Speaker 1>you know what I'm saying. It went left by the

0:25:50.000 --> 0:25:52.000
<v Speaker 1>time my album came. So I'm out here. I'm taking

0:25:52.000 --> 0:25:53.840
<v Speaker 1>care of myself, you know what I'm saying, like in

0:25:53.920 --> 0:25:55.439
<v Speaker 1>the jungle, doing what I got to do. But I

0:25:55.520 --> 0:25:58.160
<v Speaker 1>never complained. I never cried, and never came on none

0:25:58.160 --> 0:26:01.080
<v Speaker 1>of these shows and bashed nobody. I just I just

0:26:01.640 --> 0:26:04.359
<v Speaker 1>if you want to say, suffered in silence, you know,

0:26:04.480 --> 0:26:05.399
<v Speaker 1>I just kept pushing.

0:26:06.840 --> 0:26:09.240
<v Speaker 9>Being a part of Wu Tang right, one of the

0:26:09.280 --> 0:26:11.359
<v Speaker 9>biggest groups in music back in the day. What you

0:26:11.440 --> 0:26:14.280
<v Speaker 9>think of versus would have looked like back in the days?

0:26:14.520 --> 0:26:17.960
<v Speaker 9>Like yeah, but like going against like a public enemy

0:26:18.280 --> 0:26:22.280
<v Speaker 9>w A or like groups? Yeah, Like what would you

0:26:22.280 --> 0:26:24.400
<v Speaker 9>think the verses would look like back in the day.

0:26:24.800 --> 0:26:27.200
<v Speaker 1>I don't know. I think us we would have felt

0:26:27.200 --> 0:26:31.119
<v Speaker 1>like we'd have smoked anybody. But you know, and w

0:26:31.200 --> 0:26:37.359
<v Speaker 1>a way would have been Crazy dog Bone through boot

0:26:37.400 --> 0:26:39.480
<v Speaker 1>Camp Click. You know, you got to figure who got

0:26:39.600 --> 0:26:42.280
<v Speaker 1>enough rappers? Who who had at least nine men in

0:26:42.280 --> 0:26:43.520
<v Speaker 1>the dope?

0:26:45.000 --> 0:26:46.840
<v Speaker 2>I love all of them groups Who Tang would have

0:26:46.840 --> 0:26:47.480
<v Speaker 2>smoked all.

0:26:47.400 --> 0:26:48.520
<v Speaker 1>Of it everybody.

0:26:49.359 --> 0:26:51.159
<v Speaker 2>You can't say no Limit because no Limit was like

0:26:51.200 --> 0:26:53.679
<v Speaker 2>a label. Yeah, Wu Tang was a group.

0:26:53.440 --> 0:26:55.960
<v Speaker 3>But you had a Cube, Dre Easy that.

0:26:56.440 --> 0:26:58.280
<v Speaker 1>One that have been a good one. Yeah, all of

0:26:58.320 --> 0:27:00.240
<v Speaker 1>them groups was good. But I feel like it it

0:27:00.240 --> 0:27:01.920
<v Speaker 1>would have been dope for hip hop back then.

0:27:02.040 --> 0:27:04.639
<v Speaker 2>You know, like what what year? What year would you

0:27:04.680 --> 0:27:05.280
<v Speaker 2>even do that?

0:27:05.320 --> 0:27:05.399
<v Speaker 1>Like?

0:27:05.440 --> 0:27:05.960
<v Speaker 6>Where do you like?

0:27:06.119 --> 0:27:09.960
<v Speaker 2>You can't? Oh please.

0:27:11.440 --> 0:27:11.920
<v Speaker 6>Ninety five?

0:27:11.960 --> 0:27:12.320
<v Speaker 2>Who?

0:27:12.359 --> 0:27:14.520
<v Speaker 6>We got five? Like, you know, I.

0:27:14.480 --> 0:27:16.480
<v Speaker 1>Feel like that regardless like we did, would have gave

0:27:16.480 --> 0:27:18.800
<v Speaker 1>anybody the business. But you know there's some people that

0:27:18.960 --> 0:27:21.200
<v Speaker 1>say they would have gave it to us. And however

0:27:21.280 --> 0:27:22.240
<v Speaker 1>you feel how you feel?

0:27:22.920 --> 0:27:23.240
<v Speaker 6>Family?

0:27:24.440 --> 0:27:28.560
<v Speaker 10>Yeah, groups like that, you're combining, you know what I'm saying, Like,

0:27:28.640 --> 0:27:35.800
<v Speaker 10>but there's no real nimble that's imagine family, That's what

0:27:35.800 --> 0:27:36.200
<v Speaker 10>I'm saying.

0:27:36.240 --> 0:27:38.880
<v Speaker 2>Where was that solo album supposed to fall? The original

0:27:38.920 --> 0:27:39.520
<v Speaker 2>solo album?

0:27:39.600 --> 0:27:43.440
<v Speaker 1>It was supposed to fall right after Ray.

0:27:44.400 --> 0:27:44.760
<v Speaker 6>Wow.

0:27:45.119 --> 0:27:50.040
<v Speaker 1>So but Ray Ray decided your Ghosts come on, like

0:27:50.200 --> 0:27:52.720
<v Speaker 1>because ghost was gonna come like after me or whatever

0:27:52.720 --> 0:27:54.520
<v Speaker 1>the case. It was just going to go in in

0:27:54.560 --> 0:27:57.960
<v Speaker 1>a row. But Ray told Ghosts, you'll come in. And

0:27:58.000 --> 0:28:00.680
<v Speaker 1>I remember they went to Miami and wrote the whole

0:28:00.680 --> 0:28:03.320
<v Speaker 1>Cuban links like they was really on a scar face

0:28:03.359 --> 0:28:05.920
<v Speaker 1>and manny type of thing. You know, when when when

0:28:05.960 --> 0:28:09.119
<v Speaker 1>when South Florida was kind of just came back with

0:28:09.200 --> 0:28:12.360
<v Speaker 1>all this craziness. Man, when I heard MGM and all

0:28:12.400 --> 0:28:16.159
<v Speaker 1>of that stuff, It's like I gotta come with some fire, like,

0:28:16.240 --> 0:28:19.520
<v Speaker 1>you know, I'm just mess with everything that was out

0:28:19.640 --> 0:28:20.639
<v Speaker 1>just with liquid swords.

0:28:20.640 --> 0:28:23.000
<v Speaker 6>I said, yeah, yeah, my album gotta gotta mass away.

0:28:23.080 --> 0:28:25.400
<v Speaker 1>So I came with the Spider Man thing, like we're

0:28:25.400 --> 0:28:27.960
<v Speaker 1>gonna come with all this you know, inner city type,

0:28:28.480 --> 0:28:30.520
<v Speaker 1>you know, watching the city from the rooftops on some

0:28:30.560 --> 0:28:34.159
<v Speaker 1>Spider Man like patrolling and yeah, it was like it

0:28:34.240 --> 0:28:37.000
<v Speaker 1>was a great idea. He had some good beats protecting

0:28:37.080 --> 0:28:42.880
<v Speaker 1>neck wound up being uh one of my beats. So

0:28:43.160 --> 0:28:44.960
<v Speaker 1>one of the beasts that I had called natcha average

0:28:44.960 --> 0:28:47.800
<v Speaker 1>flow on that album being that it got lost, it

0:28:47.840 --> 0:28:50.720
<v Speaker 1>got rebamped, brought it back and it was it's protecting

0:28:50.760 --> 0:28:53.640
<v Speaker 1>that and it's Dirty Brooklyn Zoo.

0:28:53.840 --> 0:28:55.840
<v Speaker 2>Hold on the flood happened before thirty six Chambers.

0:28:55.840 --> 0:28:58.120
<v Speaker 1>I thought the fed the flood happened at but that

0:28:58.160 --> 0:29:01.760
<v Speaker 1>beat was that's stuck around for ages. I had that

0:29:02.000 --> 0:29:05.640
<v Speaker 1>first for even protecting that right, and I did the song.

0:29:06.320 --> 0:29:08.840
<v Speaker 1>So it's like there's a song called Nacha average Flow

0:29:08.920 --> 0:29:12.120
<v Speaker 1>that we never got used. So when the flood happened,

0:29:12.560 --> 0:29:15.160
<v Speaker 1>we was able to save that beat and brought it back.

0:29:15.880 --> 0:29:18.960
<v Speaker 1>Protecting that has been like it's like four different songs

0:29:19.720 --> 0:29:24.600
<v Speaker 1>on Dirty's album, my album saying album just brought the drum.

0:29:24.640 --> 0:29:25.520
<v Speaker 2>You had a different drum pet.

0:29:25.560 --> 0:29:28.600
<v Speaker 1>Okay, okay, yeah he brought it back, you know, after

0:29:28.600 --> 0:29:35.320
<v Speaker 1>the flood. But yeah, like that flood, like I just

0:29:35.360 --> 0:29:37.960
<v Speaker 1>had I had a dream that before I retire, I'm

0:29:37.960 --> 0:29:40.240
<v Speaker 1>gonna put that album out. Me and Rizz are gonna

0:29:40.240 --> 0:29:42.560
<v Speaker 1>go back to the table. He's gonna produce the whole thing,

0:29:42.640 --> 0:29:45.120
<v Speaker 1>and we might just call it the flood, right and

0:29:45.280 --> 0:29:49.320
<v Speaker 1>just just give them what we never gave him. I've

0:29:49.360 --> 0:29:51.400
<v Speaker 1>been having that vision lately to do that.

0:29:51.760 --> 0:29:54.200
<v Speaker 5>I do wonder about the Rhyme book though, because you

0:29:54.320 --> 0:29:56.440
<v Speaker 5>had to have a rhyme book back then. Yeah, even

0:29:56.480 --> 0:29:58.480
<v Speaker 5>though you lost the music, you didn't still have old.

0:29:58.400 --> 0:30:01.240
<v Speaker 6>Songs still to love. I get a bunch of them books.

0:30:01.440 --> 0:30:03.160
<v Speaker 1>Yeah, Hey, I got a bunch of books in my

0:30:03.200 --> 0:30:06.240
<v Speaker 1>crib right now. I don't know which ones go to which,

0:30:06.320 --> 0:30:08.120
<v Speaker 1>but yeah, all those rhymes are in there, like not

0:30:08.240 --> 0:30:10.040
<v Speaker 1>your average flow. I had a song called Christen.

0:30:10.800 --> 0:30:11.120
<v Speaker 6>Uh.

0:30:11.360 --> 0:30:14.400
<v Speaker 1>You know, just all types of music, man, that I

0:30:14.480 --> 0:30:16.360
<v Speaker 1>never really got to release. So I had to go

0:30:16.440 --> 0:30:19.040
<v Speaker 1>back to the drawing board, figure how do I not

0:30:19.160 --> 0:30:21.960
<v Speaker 1>put this back out? And some of them, some of

0:30:21.960 --> 0:30:24.920
<v Speaker 1>them things. Sometimes moments in time you lose, man, you

0:30:24.960 --> 0:30:27.240
<v Speaker 1>try to go back and get it, it ain't there

0:30:27.280 --> 0:30:29.440
<v Speaker 1>no more. You just got to push forward. So I said,

0:30:29.440 --> 0:30:32.160
<v Speaker 1>you know what, let's do a future version. Can't go

0:30:32.200 --> 0:30:34.600
<v Speaker 1>back and get that, but me and you we can.

0:30:34.680 --> 0:30:38.080
<v Speaker 1>We can lay down a good ten eleven tracks and

0:30:38.240 --> 0:30:39.600
<v Speaker 1>just bombing time and leaf for real.

0:30:40.680 --> 0:30:42.800
<v Speaker 3>I just want to say apologize, like were talking about before,

0:30:42.840 --> 0:30:44.960
<v Speaker 3>but I'm missing things. My daughter has a pageant, so

0:30:45.960 --> 0:30:46.560
<v Speaker 3>I'm out of here.

0:30:46.600 --> 0:30:53.760
<v Speaker 10>But thank you, oh, thank you, thank you manratulations, congratulations, No,

0:30:54.080 --> 0:30:55.200
<v Speaker 10>I appreciate you.

0:30:55.200 --> 0:31:01.000
<v Speaker 5>You know, every uh, every bought up to trying verse right,

0:31:01.360 --> 0:31:04.320
<v Speaker 5>and people still talk about that verse like it's a scripture.

0:31:05.080 --> 0:31:07.000
<v Speaker 5>Do you ever feel pressure to live up to that

0:31:07.240 --> 0:31:09.640
<v Speaker 5>one verse? Or you've made peace with the fact that

0:31:09.880 --> 0:31:12.080
<v Speaker 5>was you were just in a different zone when.

0:31:12.000 --> 0:31:12.360
<v Speaker 2>You did that.

0:31:13.360 --> 0:31:17.240
<v Speaker 1>Nah, I'd be like, I say, check my catalog, bro,

0:31:17.360 --> 0:31:20.240
<v Speaker 1>I got a bunch of triumphs. You know what I'm saying.

0:31:20.360 --> 0:31:23.680
<v Speaker 1>I don't make the average song for the average person,

0:31:23.760 --> 0:31:25.320
<v Speaker 1>so you know you might overlook it.

0:31:25.360 --> 0:31:27.280
<v Speaker 6>I'm not in the strip club. You ain't playing my music,

0:31:27.680 --> 0:31:28.200
<v Speaker 6>you know what I'm saying.

0:31:28.240 --> 0:31:31.920
<v Speaker 2>So yeah, gilly verse on that.

0:31:32.880 --> 0:31:35.760
<v Speaker 1>You know, I got a I got a song where

0:31:35.800 --> 0:31:37.959
<v Speaker 1>we like, you can't party your life away, drink your

0:31:37.960 --> 0:31:39.760
<v Speaker 1>life away, because you see you grow up the same way.

0:31:41.640 --> 0:31:44.960
<v Speaker 1>You know, America's dying slowly. There's so many records where

0:31:45.520 --> 0:31:49.120
<v Speaker 1>I'm in that same zone and I'm talking the same thing.

0:31:49.200 --> 0:31:51.320
<v Speaker 1>But you know, it's people like what they like. You know,

0:31:51.480 --> 0:31:54.600
<v Speaker 1>you like what you like. I can't control that. But

0:31:54.680 --> 0:31:57.320
<v Speaker 1>if you look at my catalog, man, I got a

0:31:57.360 --> 0:31:59.600
<v Speaker 1>bunch of triumphs. I got a bunch of creams. Cold

0:31:59.640 --> 0:32:02.520
<v Speaker 1>World on just as album. It's like Cream Part two,

0:32:03.360 --> 0:32:06.400
<v Speaker 1>you know. So these are things that I do regularly,

0:32:06.440 --> 0:32:09.400
<v Speaker 1>Like if you listen to my clouds above the above

0:32:09.440 --> 0:32:12.640
<v Speaker 1>the clouds, you know my new single now a Day

0:32:12.640 --> 0:32:14.840
<v Speaker 1>in the Life, off the Dragon's Breath, and I'm like,

0:32:14.960 --> 0:32:18.040
<v Speaker 1>you know, fiends twitched to the beat kicks. Indeed, I

0:32:18.080 --> 0:32:20.400
<v Speaker 1>sleep with machines, ripped, they thuging on the screen. Ain't

0:32:20.400 --> 0:32:23.720
<v Speaker 1>seen no deep you know what. These dudes ain't been

0:32:23.760 --> 0:32:27.520
<v Speaker 1>through life. They ain't experienced nothing. You Your raps come

0:32:27.560 --> 0:32:30.440
<v Speaker 1>from what you've been through, you know, or even if

0:32:30.560 --> 0:32:33.200
<v Speaker 1>you haven't been through it, it's somebody closer, something that

0:32:33.240 --> 0:32:35.320
<v Speaker 1>you've seen or you could relate to, you know, you

0:32:35.560 --> 0:32:38.880
<v Speaker 1>could rap about it. It could still be your story. But

0:32:39.000 --> 0:32:43.240
<v Speaker 1>people don't do that. Man, right now, rappers microwave, I'm

0:32:43.280 --> 0:32:45.840
<v Speaker 1>still from the grandma in the kitchen over the stove

0:32:46.000 --> 0:32:48.560
<v Speaker 1>for twelve hours. Don't touch it, not get out the kitchen.

0:32:48.680 --> 0:32:51.120
<v Speaker 1>You can't taste it till it's done. I'm still at

0:32:51.120 --> 0:32:51.640
<v Speaker 1>that school.

0:32:51.680 --> 0:32:53.040
<v Speaker 7>That's how this project starts, though.

0:32:53.080 --> 0:32:55.400
<v Speaker 8>It's kind of like, stay out the kitchen if you

0:32:55.440 --> 0:32:57.880
<v Speaker 8>can't handle And if I wasn't really step in here, y'all, wuldn't.

0:32:57.600 --> 0:32:57.960
<v Speaker 7>Even really know what?

0:32:58.320 --> 0:33:00.720
<v Speaker 1>Yeah? Or do you really know what you're about to

0:33:00.720 --> 0:33:02.840
<v Speaker 1>get you about to get some healthy food. But you

0:33:02.880 --> 0:33:05.800
<v Speaker 1>know you're looking for the grease, You're looking for all

0:33:05.840 --> 0:33:07.880
<v Speaker 1>the you know, the MSG.

0:33:08.120 --> 0:33:08.600
<v Speaker 6>I got that.

0:33:09.040 --> 0:33:11.160
<v Speaker 1>Yeah, you know, so I'm like, yo, I'm we're right

0:33:11.200 --> 0:33:14.560
<v Speaker 1>here home cooking. Every song is not a party record.

0:33:14.640 --> 0:33:15.880
<v Speaker 1>There's songs that take you through.

0:33:17.080 --> 0:33:17.200
<v Speaker 5>You know.

0:33:17.240 --> 0:33:19.960
<v Speaker 1>I got a song called Hector, which says, you know,

0:33:20.280 --> 0:33:22.560
<v Speaker 1>hustle every day. Can't trust or a live it's just

0:33:22.560 --> 0:33:25.360
<v Speaker 1>an acronym, you know. Just give a shout out to

0:33:25.440 --> 0:33:27.320
<v Speaker 1>my Mexican people who get their hustle on.

0:33:27.400 --> 0:33:28.960
<v Speaker 6>They work. You know what I'm saying.

0:33:29.000 --> 0:33:32.760
<v Speaker 1>He's the skits like, you know, hustle every day. You can't.

0:33:32.920 --> 0:33:35.480
<v Speaker 1>I got kids singing it because you're talking to the kids.

0:33:35.600 --> 0:33:37.320
<v Speaker 2>Just gonna love that. She's married to a Mexican.

0:33:37.520 --> 0:33:41.000
<v Speaker 9>Yeah yeah, but he black to you, Yes, he black

0:33:41.080 --> 0:33:42.800
<v Speaker 9>in Mexican and he do be working a lot.

0:33:44.240 --> 0:33:46.560
<v Speaker 2>What.

0:33:47.800 --> 0:33:50.640
<v Speaker 1>Yeah, you know, shout out to all my hectors out there, man.

0:33:50.680 --> 0:33:54.800
<v Speaker 1>And it's not derogatory, there's no disrespect. It's paying respect

0:33:54.840 --> 0:33:57.400
<v Speaker 1>to you know, my Mexican people that be up in

0:33:57.440 --> 0:34:00.800
<v Speaker 1>the morning hustling, getting busy bringing the other people's and

0:34:00.840 --> 0:34:03.200
<v Speaker 1>you know, it'd be like twelve Mexicans on one pickup

0:34:03.200 --> 0:34:06.480
<v Speaker 1>truck making moves, you know. So that's that's a shout

0:34:06.480 --> 0:34:09.560
<v Speaker 1>out to them. And I'm telling my people, hustle, bro like,

0:34:09.680 --> 0:34:11.360
<v Speaker 1>get up. I don't care if you got to sell

0:34:12.480 --> 0:34:15.719
<v Speaker 1>you sell biscuits online, man, like do something, you know

0:34:15.760 --> 0:34:17.040
<v Speaker 1>what I'm saying, Hector.

0:34:18.000 --> 0:34:20.440
<v Speaker 9>The whole album right is twenty songs on these are

0:34:20.480 --> 0:34:24.440
<v Speaker 9>all like compiled over time or yeah, some of them new,

0:34:24.560 --> 0:34:25.280
<v Speaker 9>some of them old.

0:34:25.360 --> 0:34:29.440
<v Speaker 1>Are some of them knew, some old, some some newer

0:34:29.640 --> 0:34:31.120
<v Speaker 1>than you know. I was like, I went back in

0:34:31.160 --> 0:34:32.680
<v Speaker 1>and did a couple of new ones, but yeah, it's

0:34:32.719 --> 0:34:36.080
<v Speaker 1>just mostly like I went through a period in time

0:34:36.280 --> 0:34:41.440
<v Speaker 1>like over the last let's say twenty fifteen, right from

0:34:41.480 --> 0:34:43.720
<v Speaker 1>twenty fifteen about twenty twenty one to the cold whatever.

0:34:43.840 --> 0:34:47.799
<v Speaker 1>It's going through a whole lot like like like like

0:34:47.960 --> 0:34:52.120
<v Speaker 1>you know, bad relationships, breakups, different things things in life,

0:34:52.120 --> 0:34:55.319
<v Speaker 1>financial struggles. And I went to a point where I

0:34:55.360 --> 0:34:57.279
<v Speaker 1>was like, yo, I had to my back was on

0:34:57.320 --> 0:35:00.160
<v Speaker 1>the wall. You don't really have so many people to

0:35:00.200 --> 0:35:01.799
<v Speaker 1>talk to. I had to. I had to go to

0:35:01.840 --> 0:35:04.719
<v Speaker 1>the therapist. I had to go to the therapist. I

0:35:04.760 --> 0:35:06.680
<v Speaker 1>had a court ordered therapist. And then I had a

0:35:06.719 --> 0:35:10.880
<v Speaker 1>therapist that I went to myself, and I honestly didn't

0:35:10.920 --> 0:35:13.279
<v Speaker 1>know how bad I needed that. I didn't know how

0:35:13.280 --> 0:35:15.440
<v Speaker 1>bad I needed to talk to a therapist, to somebody

0:35:15.480 --> 0:35:18.440
<v Speaker 1>with an unbiased opinion that could tell you about you

0:35:18.520 --> 0:35:21.000
<v Speaker 1>based on what you gave them. You know what I'm saying,

0:35:21.000 --> 0:35:25.640
<v Speaker 1>And it's not personal. And so dealing with that, man,

0:35:25.640 --> 0:35:29.200
<v Speaker 1>and I had a very close friend that stuck through

0:35:29.239 --> 0:35:31.719
<v Speaker 1>it with me, that helped me down make sure I

0:35:31.800 --> 0:35:35.759
<v Speaker 1>was good the best way they could, you know, and

0:35:35.840 --> 0:35:39.080
<v Speaker 1>you know, thank you V. Thank you V. She definitely

0:35:39.080 --> 0:35:42.400
<v Speaker 1>held me down on that and it just helped me

0:35:42.520 --> 0:35:44.959
<v Speaker 1>see things clear. Like, yo, bro, you're your own worst

0:35:44.960 --> 0:35:47.400
<v Speaker 1>sending me. You're in your own way. You could achieve

0:35:47.520 --> 0:35:48.720
<v Speaker 1>anything you want to achieve.

0:35:49.520 --> 0:35:50.000
<v Speaker 6>Just do it.

0:35:50.760 --> 0:35:53.839
<v Speaker 1>Stop doubting yourself, have the confidence, you know what I mean,

0:35:53.920 --> 0:35:54.839
<v Speaker 1>and have a plan.

0:35:55.520 --> 0:35:58.720
<v Speaker 2>Was it childhood trauma or was it industry related trauma?

0:35:58.840 --> 0:36:00.160
<v Speaker 6>Or was it I think it was a little but

0:36:00.200 --> 0:36:00.800
<v Speaker 6>of everything.

0:36:00.880 --> 0:36:02.960
<v Speaker 1>Man. You know, my pop's dying when I was six.

0:36:03.320 --> 0:36:05.359
<v Speaker 1>You know, my mom's passed in two thousand and nine.

0:36:05.440 --> 0:36:09.279
<v Speaker 1>I was on stage at a show in Baltimore, you know,

0:36:09.400 --> 0:36:11.799
<v Speaker 1>and like you know, according to my therapist. I never

0:36:11.880 --> 0:36:14.279
<v Speaker 1>processed it like my pot my mom died. I just

0:36:14.360 --> 0:36:16.920
<v Speaker 1>kept moving. I kept okay. I still got to go

0:36:16.960 --> 0:36:18.840
<v Speaker 1>out there and make the donuts. I still got to.

0:36:18.840 --> 0:36:20.520
<v Speaker 6>Take care of all these people. I gotta do this.

0:36:20.640 --> 0:36:23.239
<v Speaker 1>But I never really took time to be like my

0:36:23.239 --> 0:36:25.759
<v Speaker 1>mom's past, you know what I'm saying.

0:36:25.480 --> 0:36:28.120
<v Speaker 2>And staying busy as a response to trauma.

0:36:28.440 --> 0:36:32.640
<v Speaker 1>Yeah, and it is because as soon as you stop, yeah,

0:36:32.800 --> 0:36:35.239
<v Speaker 1>now you're by yourself. You know, when you're alone, it's

0:36:35.280 --> 0:36:37.560
<v Speaker 1>like now you become overwhelmed.

0:36:37.600 --> 0:36:37.759
<v Speaker 5>Man.

0:36:37.920 --> 0:36:40.480
<v Speaker 1>I remember not eating, couldn't be able to sleep. But

0:36:40.520 --> 0:36:42.680
<v Speaker 1>the one thing I do remember was Nas walking up

0:36:42.680 --> 0:36:46.400
<v Speaker 1>to me after that happened on stage in Baltimore. He

0:36:46.480 --> 0:36:48.279
<v Speaker 1>told you he had lost his mom, I think like

0:36:48.320 --> 0:36:50.920
<v Speaker 1>a year or two before, but he was just like, yo,

0:36:50.960 --> 0:36:55.040
<v Speaker 1>I understand how that feels, man, Like nobody nobody can

0:36:55.239 --> 0:36:58.120
<v Speaker 1>replace your mom. You know, Na's got that even killed voice.

0:36:58.800 --> 0:37:01.640
<v Speaker 1>Nobody can place your mom, man, Like you know, like

0:37:01.880 --> 0:37:03.960
<v Speaker 1>I feel your pain, and you know, like just him

0:37:04.000 --> 0:37:06.319
<v Speaker 1>saying those little words like that, that moment kind of

0:37:06.719 --> 0:37:09.560
<v Speaker 1>snapped me back to earth where I was at like okay,

0:37:09.840 --> 0:37:12.960
<v Speaker 1>but trying to perform, like I know the footage is

0:37:12.960 --> 0:37:14.920
<v Speaker 1>out there somewhere. I had to stop performing, like, yo,

0:37:15.160 --> 0:37:17.799
<v Speaker 1>I can't do it. My mom just passed. I told

0:37:17.840 --> 0:37:21.520
<v Speaker 1>the crowd. I remember hearing the like collective gas, collective

0:37:21.600 --> 0:37:24.800
<v Speaker 1>sigh in the building, and I walked up the stage

0:37:24.840 --> 0:37:27.719
<v Speaker 1>and I just sat over there somewhere because I was like,

0:37:27.800 --> 0:37:32.160
<v Speaker 1>you know, my mom, My mom was like the hood.

0:37:32.200 --> 0:37:33.720
<v Speaker 6>Everybody in the hood know my mom.

0:37:33.640 --> 0:37:34.880
<v Speaker 1>Is sent there. You know, you can come to my

0:37:34.920 --> 0:37:36.480
<v Speaker 1>if you if you my people, you can come to

0:37:36.480 --> 0:37:38.200
<v Speaker 1>my house. I ain't got to be there, you know

0:37:38.200 --> 0:37:40.160
<v Speaker 1>what I'm saying. Like she's worked in the hospital, she's

0:37:40.160 --> 0:37:42.200
<v Speaker 1>a nurse. She's telling me, hey, man, your friends such

0:37:42.200 --> 0:37:45.200
<v Speaker 1>and such got shot. You know, she knew everything, but

0:37:45.280 --> 0:37:47.600
<v Speaker 1>she also knew you know, keep your head on swivel,

0:37:47.640 --> 0:37:50.239
<v Speaker 1>don't beat Kenny Roger, just don't count your money. While

0:37:50.239 --> 0:37:52.120
<v Speaker 1>he was sitting at the table. She had all these

0:37:52.200 --> 0:37:55.200
<v Speaker 1>hood jewels like to do because that's how we grew up,

0:37:55.239 --> 0:37:57.200
<v Speaker 1>coming from the Bronx and stating all and so she

0:37:57.280 --> 0:38:00.080
<v Speaker 1>knew the streets and so her putting me onto that

0:38:01.040 --> 0:38:02.600
<v Speaker 1>and then you know, when I first got a little

0:38:02.640 --> 0:38:04.000
<v Speaker 1>bit of money, you know, what are you gonna do

0:38:04.040 --> 0:38:06.360
<v Speaker 1>with that? You're gonna get like a time in account,

0:38:06.360 --> 0:38:10.400
<v Speaker 1>you're gonna get a separate count. My mom's was like

0:38:10.440 --> 0:38:12.759
<v Speaker 1>a partner, like telling me how to how to make

0:38:12.800 --> 0:38:14.520
<v Speaker 1>it happen, Like what are you gonna do? What are

0:38:14.520 --> 0:38:16.799
<v Speaker 1>you gonna do with this money? Because easily as fast

0:38:16.800 --> 0:38:19.359
<v Speaker 1>as you get it, as fast as it goes absolutely

0:38:19.520 --> 0:38:22.600
<v Speaker 1>and so you know, when that happened, I you know,

0:38:22.800 --> 0:38:25.480
<v Speaker 1>like I lost that person to talk to, like you know,

0:38:25.640 --> 0:38:29.680
<v Speaker 1>just your your best friend. Yeah, and yeah, it's like

0:38:29.800 --> 0:38:31.600
<v Speaker 1>I'm still processing it now to be.

0:38:31.800 --> 0:38:34.920
<v Speaker 8>I was gonna ask you because that battle between like

0:38:34.960 --> 0:38:36.680
<v Speaker 8>I know you love music and I know you love

0:38:36.719 --> 0:38:38.839
<v Speaker 8>what you doing rap, but it seems like a lot

0:38:38.840 --> 0:38:41.319
<v Speaker 8>of your trauma also came from the life that you

0:38:41.360 --> 0:38:43.680
<v Speaker 8>said it took from you, like and missing things and

0:38:43.760 --> 0:38:46.440
<v Speaker 8>just your mom passing you on stage. There has to

0:38:46.480 --> 0:38:48.239
<v Speaker 8>be some like middle point where even when you're putting

0:38:48.239 --> 0:38:50.920
<v Speaker 8>out this project, it's hard for you to still love

0:38:51.080 --> 0:38:53.359
<v Speaker 8>music because you also blame music as well.

0:38:55.040 --> 0:38:59.040
<v Speaker 1>Yeah, it's teetering on both sides, but it used to

0:38:59.080 --> 0:38:59.920
<v Speaker 1>be bad.

0:39:00.280 --> 0:39:01.160
<v Speaker 6>It used to be bad.

0:39:01.280 --> 0:39:03.480
<v Speaker 1>Like now I believe I have that part under control

0:39:03.560 --> 0:39:06.920
<v Speaker 1>because I'm back. I'm on like a redemption tour with

0:39:06.960 --> 0:39:10.040
<v Speaker 1>my family, two kids and everybody that I wasn't around

0:39:10.120 --> 0:39:13.120
<v Speaker 1>for just chasing Wu Tang. You know, I'm out in

0:39:13.160 --> 0:39:15.239
<v Speaker 1>Russia where my son's born, those type of things. So

0:39:15.280 --> 0:39:18.600
<v Speaker 1>now I have that chance to like to redeem myself

0:39:18.640 --> 0:39:20.600
<v Speaker 1>with my children, and that's what I've been doing, Like

0:39:20.800 --> 0:39:25.040
<v Speaker 1>just music is my life. But I learned how to

0:39:25.080 --> 0:39:28.279
<v Speaker 1>put that secondary, you know what I mean, or put

0:39:28.280 --> 0:39:30.319
<v Speaker 1>it on the scale and let it, let it teeter, right.

0:39:30.800 --> 0:39:32.960
<v Speaker 1>So yeah, I'm doing better with it now. But that's

0:39:33.000 --> 0:39:35.239
<v Speaker 1>a good question because I was. I was jacked up for.

0:39:35.200 --> 0:39:37.160
<v Speaker 5>A while with that, Like how do you balance it

0:39:38.280 --> 0:39:40.880
<v Speaker 5>in a in a small in a way pieces cost you.

0:39:41.680 --> 0:39:45.800
<v Speaker 1>Yeah, yeah, I feel like as much as Wu Tang

0:39:45.960 --> 0:39:48.800
<v Speaker 1>gave me, it took a lot too, you know what

0:39:48.880 --> 0:39:51.279
<v Speaker 1>I mean. And it's not a bad thing. It's just

0:39:51.960 --> 0:39:54.440
<v Speaker 1>there's a trade off for everything, you know, there's a

0:39:54.480 --> 0:39:57.000
<v Speaker 1>give and take. So you know, I had to. I

0:39:57.000 --> 0:39:58.600
<v Speaker 1>had to live with the good and the bad man.

0:39:58.640 --> 0:40:00.640
<v Speaker 1>So now I'm happy that I'm coming out on the

0:40:00.640 --> 0:40:04.040
<v Speaker 1>better side. I'm the phoenix coming out the ash right now.

0:40:04.080 --> 0:40:06.880
<v Speaker 1>I feel like with the dragons brassing, you know, and

0:40:06.920 --> 0:40:10.879
<v Speaker 1>now we're just gonna remind everybody like, bro, I've been

0:40:10.920 --> 0:40:12.560
<v Speaker 1>doing this.

0:40:12.280 --> 0:40:13.319
<v Speaker 6>This is nothing new.

0:40:13.400 --> 0:40:15.919
<v Speaker 1>So if you're feeling what's going on right now, there's

0:40:15.920 --> 0:40:16.680
<v Speaker 1>more of that to come.

0:40:17.239 --> 0:40:17.440
<v Speaker 6>You know.

0:40:17.520 --> 0:40:21.319
<v Speaker 5>Sometimes protecting your peace means walking away from money, or

0:40:21.360 --> 0:40:23.440
<v Speaker 5>opportunities or even relationships.

0:40:23.440 --> 0:40:27.040
<v Speaker 2>What has protecting your piece costs you?

0:40:28.280 --> 0:40:31.720
<v Speaker 1>Protecting my piece cost me that, like the friends, the relationships.

0:40:31.840 --> 0:40:35.160
<v Speaker 1>You know. I live in Texas now, I'm away from

0:40:35.200 --> 0:40:37.719
<v Speaker 1>a lot. I'm not in the clubs, I'm not in

0:40:37.760 --> 0:40:41.160
<v Speaker 1>the strip spots. I like, I don't gamble. So yeah,

0:40:41.360 --> 0:40:45.120
<v Speaker 1>it'll cost you the people you think are friends or whatever.

0:40:45.239 --> 0:40:49.000
<v Speaker 1>You know, people that that look to you for something

0:40:49.040 --> 0:40:54.200
<v Speaker 1>other than with, you know, something useful or manipulative. You know,

0:40:54.320 --> 0:40:56.400
<v Speaker 1>Like when I backed up, I started telling people no,

0:40:57.320 --> 0:40:59.440
<v Speaker 1>I started getting a lot of feedback, started getting a

0:40:59.480 --> 0:41:02.480
<v Speaker 1>lot of flat from people like, yo, he's switching up,

0:41:02.480 --> 0:41:05.640
<v Speaker 1>he changing he is? Nah, Bro, I just I don't

0:41:05.680 --> 0:41:07.880
<v Speaker 1>see no benefit in this no more, you know what

0:41:07.880 --> 0:41:10.399
<v Speaker 1>I'm saying, Like, I'm not I come back.

0:41:10.320 --> 0:41:10.759
<v Speaker 6>To the hood.

0:41:10.800 --> 0:41:12.600
<v Speaker 1>I see people I know I grew up with. I'm

0:41:12.640 --> 0:41:15.000
<v Speaker 1>not gonna stand on the block with you for four

0:41:15.040 --> 0:41:16.319
<v Speaker 1>hours in front of the building like.

0:41:16.280 --> 0:41:16.880
<v Speaker 6>We used to do.

0:41:18.000 --> 0:41:20.880
<v Speaker 1>Because back then, I had nothing to do. So now

0:41:21.000 --> 0:41:23.000
<v Speaker 1>it's too much. It's too costly for me to sit

0:41:23.080 --> 0:41:25.120
<v Speaker 1>up here and get jammed up in something that you doing.

0:41:25.920 --> 0:41:31.120
<v Speaker 6>So but you ain't the same, bro, I I'm basically not.

0:41:31.840 --> 0:41:34.440
<v Speaker 1>I'm not. Yeah, I know, I'm not gonna sacrifice myself,

0:41:34.800 --> 0:41:37.120
<v Speaker 1>you know, for for others. If I'm gonna sacrifice myself,

0:41:37.160 --> 0:41:40.360
<v Speaker 1>it's gonna be for me definitely, not for you know, No,

0:41:40.480 --> 0:41:41.120
<v Speaker 1>five to ten.

0:41:41.680 --> 0:41:44.160
<v Speaker 6>It's in the twenty in the pen, not now now if.

0:41:44.120 --> 0:41:48.000
<v Speaker 1>I turn fifty six on the sixth, fifty.

0:41:47.719 --> 0:41:51.799
<v Speaker 6>Six, Yeah, I'm like, I ain't trying to see jam

0:41:51.920 --> 0:41:53.399
<v Speaker 6>I'm not. You know what I'm saying.

0:41:53.480 --> 0:41:55.560
<v Speaker 1>You're trying to be in no monkey suits. It changed

0:41:55.640 --> 0:41:57.400
<v Speaker 1>up to nobody, bro. So it's like now you just

0:41:57.480 --> 0:41:59.319
<v Speaker 1>you gotta get out there and you got to show love,

0:41:59.400 --> 0:42:03.239
<v Speaker 1>give respect and you can hope that it comes in

0:42:03.320 --> 0:42:05.560
<v Speaker 1>return because I ain't guarantee, but you still got to

0:42:05.600 --> 0:42:07.920
<v Speaker 1>go out there and walk your and walk your path.

0:42:08.280 --> 0:42:10.880
<v Speaker 5>I love the fact that you're honest about how you

0:42:10.960 --> 0:42:14.680
<v Speaker 5>felt about other group members' success, right because you know,

0:42:14.680 --> 0:42:16.360
<v Speaker 5>a lot of times people could be a part of

0:42:16.400 --> 0:42:18.439
<v Speaker 5>a group. You know, in certain individuals in that group

0:42:18.480 --> 0:42:21.440
<v Speaker 5>may have more success than others, and you know, a

0:42:21.440 --> 0:42:23.880
<v Speaker 5>lot of people don't know how to deal with that.

0:42:24.040 --> 0:42:27.719
<v Speaker 5>They end up projecting, you know, their actual jealousy and.

0:42:27.640 --> 0:42:29.000
<v Speaker 6>Then be on the real feelings.

0:42:29.320 --> 0:42:32.160
<v Speaker 2>I ain't you know what's not happening for you.

0:42:32.200 --> 0:42:36.320
<v Speaker 1>And that's that's that's exactly what it is. Like those brothers,

0:42:36.680 --> 0:42:39.960
<v Speaker 1>my brothers have nothing to do with what happened or

0:42:40.000 --> 0:42:43.520
<v Speaker 1>didn't happen with me. Most of my brothers supported me

0:42:44.440 --> 0:42:47.200
<v Speaker 1>on my journey, you know what I'm saying. So, yeah, man,

0:42:47.280 --> 0:42:49.799
<v Speaker 1>I'm just I'm honest with me now. And it took

0:42:49.840 --> 0:42:52.160
<v Speaker 1>a while to get here. You know, like you're lie

0:42:52.200 --> 0:42:54.239
<v Speaker 1>to yourself, you're gonna lie to everybody else, know what

0:42:54.239 --> 0:42:55.719
<v Speaker 1>I'm saying. So it took a while for me to

0:42:55.719 --> 0:42:57.719
<v Speaker 1>get here, to be so honest with myself that it

0:42:57.719 --> 0:42:59.719
<v Speaker 1>don't matter what you think. You know what I'm saying,

0:43:00.000 --> 0:43:01.720
<v Speaker 1>tell you what it is. Yeah, I went through depression.

0:43:01.760 --> 0:43:04.320
<v Speaker 1>I went through I had to see the therapist, lost

0:43:04.360 --> 0:43:06.399
<v Speaker 1>my family was living in an empty house for a while,

0:43:06.440 --> 0:43:07.759
<v Speaker 1>like you know what I'm saying. I went through all

0:43:07.800 --> 0:43:09.880
<v Speaker 1>them things. I went through that fire, the trials, Like,

0:43:10.640 --> 0:43:13.040
<v Speaker 1>but it's dope when you can come out of that,

0:43:13.760 --> 0:43:15.360
<v Speaker 1>and you can come out of that a better person.

0:43:15.400 --> 0:43:17.560
<v Speaker 1>You can come out of that with a better mind state.

0:43:17.680 --> 0:43:21.080
<v Speaker 1>And always say like I'm a work in progress. I'm

0:43:21.120 --> 0:43:23.120
<v Speaker 1>not sitting here acting like I got it, Dawn Pack,

0:43:23.160 --> 0:43:24.399
<v Speaker 1>you know what I'm saying. Like I just I had

0:43:24.400 --> 0:43:27.400
<v Speaker 1>a revelation though, and it was like, Yo, you are

0:43:27.440 --> 0:43:29.759
<v Speaker 1>your own worst enemy, but you can change that.

0:43:30.800 --> 0:43:33.520
<v Speaker 8>So when you first started this, it was like, all right,

0:43:33.560 --> 0:43:36.160
<v Speaker 8>the world needs to know about my gift. Then everything

0:43:36.200 --> 0:43:38.799
<v Speaker 8>happens with the flood, the rebel is born. But like,

0:43:38.840 --> 0:43:39.640
<v Speaker 8>who are you now?

0:43:39.840 --> 0:43:40.360
<v Speaker 7>In music?

0:43:40.440 --> 0:43:42.839
<v Speaker 8>Like what is the you know, there's always like these

0:43:42.840 --> 0:43:43.600
<v Speaker 8>different phases.

0:43:44.239 --> 0:43:47.040
<v Speaker 6>I don't know. I just think I'm a dope artist. Man.

0:43:47.080 --> 0:43:48.640
<v Speaker 1>I think I'm a dope artist. I think I could

0:43:48.640 --> 0:43:51.040
<v Speaker 1>do anything I want to do. I got records out

0:43:51.040 --> 0:43:55.120
<v Speaker 1>there where you know you're not. You wouldn't even think

0:43:55.120 --> 0:43:55.600
<v Speaker 1>that was me.

0:43:56.239 --> 0:43:56.400
<v Speaker 8>You know.

0:43:56.440 --> 0:43:59.359
<v Speaker 1>I just did a record with Nicole Bus. If you're

0:43:59.400 --> 0:44:03.000
<v Speaker 1>familiar with the whole Bus. She has this big, strong voice.

0:44:03.000 --> 0:44:05.759
<v Speaker 1>She's working with our DJ A long mathematics to the

0:44:05.840 --> 0:44:08.879
<v Speaker 1>song with her called Reasons. And it took me out

0:44:08.920 --> 0:44:12.440
<v Speaker 1>of my normal box to create something else, and I

0:44:12.520 --> 0:44:14.879
<v Speaker 1>think it's a dope record. So I'm just like, Yo,

0:44:15.160 --> 0:44:19.000
<v Speaker 1>I feel like I'm just a a dope artist. I'm

0:44:19.040 --> 0:44:25.080
<v Speaker 1>definitely a creative, you know, intelligent black man on this planet.

0:44:25.120 --> 0:44:27.440
<v Speaker 1>And I'm just I feel like whatever I apply my

0:44:27.640 --> 0:44:30.839
<v Speaker 1>brain to, I could accomplish it, and accomplish it well

0:44:30.920 --> 0:44:33.040
<v Speaker 1>well enough to be like, Yo, he's good at that,

0:44:33.760 --> 0:44:37.439
<v Speaker 1>you know, and just being being a father, being, being

0:44:38.120 --> 0:44:44.319
<v Speaker 1>a good partner. You know. I'm humble, you know, but

0:44:44.440 --> 0:44:46.839
<v Speaker 1>in the music game, I'm still that threat. I feel

0:44:46.920 --> 0:44:50.640
<v Speaker 1>like that like any beat, any rapper. I'm not out

0:44:50.680 --> 0:44:53.440
<v Speaker 1>here trying to cause beefs or any of that with anybody,

0:44:53.480 --> 0:44:55.440
<v Speaker 1>but I feel I can go to toe anybody, toe

0:44:55.480 --> 0:44:58.719
<v Speaker 1>to toe if my name is mentioned. You know, I'm

0:44:58.800 --> 0:45:02.040
<v Speaker 1>kind of wanting somebody to mention in my name, you know,

0:45:02.160 --> 0:45:04.719
<v Speaker 1>steal some sneak, sneak back in on some relevance right now,

0:45:04.880 --> 0:45:05.160
<v Speaker 1>to be.

0:45:06.080 --> 0:45:07.560
<v Speaker 2>How often do you get mistaken for JB.

0:45:07.640 --> 0:45:08.959
<v Speaker 6>Smooth all the time.

0:45:10.160 --> 0:45:12.040
<v Speaker 1>As a matter of fact, I need JB. Smooth to

0:45:12.040 --> 0:45:15.120
<v Speaker 1>pull up somewhere. We need to do something somewhere. I've

0:45:15.160 --> 0:45:17.360
<v Speaker 1>heard that so many times. I even was on the

0:45:17.400 --> 0:45:18.960
<v Speaker 1>plane acting like, yeah, I'm JM.

0:45:19.080 --> 0:45:19.400
<v Speaker 6>Smooth.

0:45:19.600 --> 0:45:24.560
<v Speaker 1>Just yeah, I would love to do something where he's

0:45:24.640 --> 0:45:26.319
<v Speaker 1>me and I'm him. You know what I'm saying, I'm

0:45:26.320 --> 0:45:28.160
<v Speaker 1>trying to do comedy or he's trying to rap or

0:45:28.200 --> 0:45:30.840
<v Speaker 1>you know, that would be something dope. But yeah, shout

0:45:30.840 --> 0:45:33.480
<v Speaker 1>out to that brother I get. I get him all

0:45:33.520 --> 0:45:36.360
<v Speaker 1>the time, and even now I get Sinko, which is funny.

0:45:37.080 --> 0:45:37.319
<v Speaker 7>M hm.

0:45:37.440 --> 0:45:42.319
<v Speaker 9>I would say trade the truth you in Texas yea, but.

0:45:42.239 --> 0:45:44.680
<v Speaker 2>I see from goddamn Kirby enthusiastic.

0:45:44.960 --> 0:45:48.359
<v Speaker 5>Definitely sure that I get that all the time.

0:45:48.440 --> 0:45:48.640
<v Speaker 6>Bro.

0:45:48.760 --> 0:45:52.160
<v Speaker 1>So to the point where I'm like, yeah, okay.

0:45:52.640 --> 0:45:55.840
<v Speaker 5>You know, you know Wu Tang taught us that individuality

0:45:55.880 --> 0:45:59.760
<v Speaker 5>can coexist with brotherhood, right. You think in today's music

0:46:00.040 --> 0:46:02.720
<v Speaker 5>as artists know how to build collectives anymore?

0:46:02.840 --> 0:46:05.080
<v Speaker 2>Or is everything just too individualistic?

0:46:05.560 --> 0:46:08.720
<v Speaker 1>I don't think they want collectors. I don't think the

0:46:08.800 --> 0:46:11.560
<v Speaker 1>industry want the collective at that too. You know, having

0:46:11.680 --> 0:46:16.600
<v Speaker 1>like like Mutang coming today with ten brothers who feel

0:46:16.640 --> 0:46:19.120
<v Speaker 1>like you know they right, just they got knowledge yourself,

0:46:19.320 --> 0:46:21.320
<v Speaker 1>you coming in here trying to be your own industry.

0:46:21.360 --> 0:46:24.160
<v Speaker 1>I don't even think that would work today. They probably

0:46:24.200 --> 0:46:27.680
<v Speaker 1>wouldn't sign all nine of us. They're to try to

0:46:27.719 --> 0:46:30.759
<v Speaker 1>break meth and dirty and everybody up from off top

0:46:30.800 --> 0:46:31.719
<v Speaker 1>in the beginning.

0:46:31.440 --> 0:46:33.320
<v Speaker 8>And then deal Rezi did in the beginning kind of

0:46:33.360 --> 0:46:35.760
<v Speaker 8>set y'all up for solo stuff too. That probably wouldn't

0:46:35.760 --> 0:46:36.400
<v Speaker 8>be as possible.

0:46:36.440 --> 0:46:38.879
<v Speaker 1>That probably wouldn't be possible neither, because in this state,

0:46:38.920 --> 0:46:41.439
<v Speaker 1>you probably want to keep that all in one pot, right,

0:46:41.520 --> 0:46:43.799
<v Speaker 1>if you're going to be in control, like, the last

0:46:43.880 --> 0:46:46.560
<v Speaker 1>you want to do is let everybody go their own way.

0:46:46.680 --> 0:46:49.600
<v Speaker 1>Steve Rifkins was was dope for that. Shout out Steve Rifkins,

0:46:49.600 --> 0:46:51.959
<v Speaker 1>because nobody else was going to do that at the time.

0:46:52.680 --> 0:46:56.920
<v Speaker 1>I remember going up to offices with Rizza getting shot down.

0:46:58.040 --> 0:47:04.360
<v Speaker 1>My boy, what's that dude's name? Pendulum Records used to

0:47:04.400 --> 0:47:07.280
<v Speaker 1>have uh, Diggable Planets.

0:47:06.920 --> 0:47:10.799
<v Speaker 6>Right, Rodriguez Rodriguez.

0:47:11.280 --> 0:47:13.840
<v Speaker 1>I remember him specifically because he was at Pendlam Records.

0:47:13.840 --> 0:47:15.719
<v Speaker 1>He went up there and he told us that we

0:47:15.760 --> 0:47:18.880
<v Speaker 1>should sound more like Digable Planets were playing them the

0:47:18.920 --> 0:47:22.680
<v Speaker 1>same records, pro taking that cream all that. How you

0:47:22.680 --> 0:47:25.239
<v Speaker 1>guys should be like this. You know, I'm cool like that,

0:47:25.600 --> 0:47:27.920
<v Speaker 1>smooth like that. In no disrespect to them, because I

0:47:27.960 --> 0:47:28.560
<v Speaker 1>like that record.

0:47:29.239 --> 0:47:31.360
<v Speaker 2>No y'all didn't do that. If y'all tried.

0:47:32.760 --> 0:47:33.960
<v Speaker 6>We're not from that.

0:47:33.960 --> 0:47:37.520
<v Speaker 1>That's not that's not our lyrical, genetic makeup, you know,

0:47:37.680 --> 0:47:40.040
<v Speaker 1>like we do we can't, we can't do nothing like that.

0:47:40.120 --> 0:47:42.520
<v Speaker 1>But at the same time, like you're telling us to

0:47:42.560 --> 0:47:47.160
<v Speaker 1>be that at a time where KRS was like assaulting

0:47:47.920 --> 0:47:51.000
<v Speaker 1>PM Dawns and all not, you know, the hip hop,

0:47:51.040 --> 0:47:56.120
<v Speaker 1>the hardcore EPMD crossover, you know, it was around those times.

0:47:56.120 --> 0:47:58.200
<v Speaker 6>So we like, we can't do that, bro.

0:47:58.280 --> 0:48:01.880
<v Speaker 1>But I remember him specifically like almost kicking us out

0:48:01.920 --> 0:48:04.799
<v Speaker 1>the office because naw, this ain't what we want's there's

0:48:04.800 --> 0:48:06.479
<v Speaker 1>too many people. How are you gonna split the money?

0:48:06.520 --> 0:48:08.480
<v Speaker 1>It was like, why you ain't about how we're gonna

0:48:08.480 --> 0:48:11.480
<v Speaker 1>split the money? It was just crazy. But I remember

0:48:11.520 --> 0:48:16.080
<v Speaker 1>him specifically because he was like, now that's not it. Yeah,

0:48:16.600 --> 0:48:18.360
<v Speaker 1>that's never gonna work. That's never gonna work. You know

0:48:18.360 --> 0:48:20.320
<v Speaker 1>you guys, it's nice talking to you, you know what

0:48:20.320 --> 0:48:24.400
<v Speaker 1>I'm saying, Like next and just seeing him later on

0:48:24.480 --> 0:48:28.200
<v Speaker 1>in life, like you know, you never had nothing after

0:48:28.280 --> 0:48:29.480
<v Speaker 1>Diggable Planets.

0:48:29.640 --> 0:48:31.279
<v Speaker 6>Wow, But you were telling us to.

0:48:32.719 --> 0:48:35.320
<v Speaker 1>Yeah, like you're trying to switch us, I was saying,

0:48:35.320 --> 0:48:36.560
<v Speaker 1>and we're like, nah, but we don't do that.

0:48:36.640 --> 0:48:39.600
<v Speaker 6>But that was like the what.

0:48:39.480 --> 0:48:42.520
<v Speaker 1>We faced in the beginning, trying to even shop Bulltang

0:48:42.600 --> 0:48:45.520
<v Speaker 1>with nine em c's. You got these songs and no

0:48:45.640 --> 0:48:48.920
<v Speaker 1>hooks on a lot of them. At that time, you know,

0:48:48.960 --> 0:48:52.319
<v Speaker 1>everything was so structured. You know, it's radio friendly, and

0:48:52.480 --> 0:48:54.160
<v Speaker 1>you know you had to make you had to make

0:48:54.200 --> 0:48:58.040
<v Speaker 1>records for the Hot nine at five, the Hot five

0:48:58.120 --> 0:48:59.920
<v Speaker 1>or nine, the Hot twelve or twelve, like it was.

0:49:00.040 --> 0:49:02.399
<v Speaker 1>It was a different scene at that time.

0:49:02.920 --> 0:49:03.080
<v Speaker 6>You know.

0:49:03.200 --> 0:49:05.000
<v Speaker 1>Now I don't even I don't even hear none of that.

0:49:05.040 --> 0:49:08.799
<v Speaker 1>No more like countdowns and you know it's it's just

0:49:08.920 --> 0:49:12.759
<v Speaker 1>dance challenges off of records, off tiktoks mostly now. But

0:49:13.480 --> 0:49:16.399
<v Speaker 1>I don't know, y'all can tell me better, Like how

0:49:16.440 --> 0:49:17.640
<v Speaker 1>do y'all like the music?

0:49:18.280 --> 0:49:19.399
<v Speaker 6>Like y'all got to play?

0:49:19.400 --> 0:49:21.960
<v Speaker 5>It's I mean, I'm not rated, but there's a lot

0:49:22.000 --> 0:49:23.520
<v Speaker 5>of dope ship out there, you know what I'm saying.

0:49:23.560 --> 0:49:27.600
<v Speaker 5>There's a lot of dope ass lyricists, like especially young lyrics.

0:49:28.280 --> 0:49:30.960
<v Speaker 5>Guys like Marco Plus you got you know, he's from Atlanta.

0:49:30.960 --> 0:49:33.160
<v Speaker 5>You got guys like Ruby Vincent from Charlotte, you got

0:49:33.239 --> 0:49:37.640
<v Speaker 5>like podcast from you know, Brooklyn. Like it's it's some

0:49:37.719 --> 0:49:41.680
<v Speaker 5>really dope season. Yeah, but you gotta find you gotta

0:49:41.719 --> 0:49:42.080
<v Speaker 5>find him.

0:49:42.160 --> 0:49:44.319
<v Speaker 6>Yeah, absolutely, I believe that. I believe that one of

0:49:44.320 --> 0:49:44.680
<v Speaker 6>my favors.

0:49:44.719 --> 0:49:48.120
<v Speaker 1>I like call Day, I just make dope.

0:49:48.440 --> 0:49:50.440
<v Speaker 8>He's dope musically and as a person. I was just

0:49:50.440 --> 0:49:53.440
<v Speaker 8>watching an interview that about mental health and getting into that, Like,

0:49:53.480 --> 0:49:56.960
<v Speaker 8>I think he's like a well rounded like brand of

0:49:57.000 --> 0:49:59.720
<v Speaker 8>an artist and that isn't as common to it's not common.

0:49:59.800 --> 0:50:00.000
<v Speaker 6>Yeah.

0:50:00.239 --> 0:50:02.080
<v Speaker 1>I saw him at a Dave Chapelle concert and just

0:50:02.160 --> 0:50:06.279
<v Speaker 1>kicked it with a real quick a lot. Yeah he's

0:50:06.360 --> 0:50:10.440
<v Speaker 1>moving with Dave, yeah together. Yeah, he's a smart kid man,

0:50:10.520 --> 0:50:12.640
<v Speaker 1>smart dude. I was like, he'd be a dope dude

0:50:12.680 --> 0:50:15.040
<v Speaker 1>to do a song with, like falty young generation.

0:50:15.760 --> 0:50:18.640
<v Speaker 2>But do you think humility has helped your longevity?

0:50:19.040 --> 0:50:21.600
<v Speaker 5>Has it been something that kept you from like I

0:50:21.600 --> 0:50:23.160
<v Speaker 5>guess getting the credit.

0:50:22.920 --> 0:50:23.680
<v Speaker 2>You deserve.

0:50:25.560 --> 0:50:26.200
<v Speaker 6>The question.

0:50:26.320 --> 0:50:28.960
<v Speaker 1>I mean it could, it could, it could see the tide.

0:50:30.440 --> 0:50:33.040
<v Speaker 1>I think it. I think it more helped me survive

0:50:33.800 --> 0:50:38.120
<v Speaker 1>more than it like cut that cut any opportunities for me,

0:50:38.120 --> 0:50:42.120
<v Speaker 1>because it definitely did both. But survival is key out here,

0:50:42.320 --> 0:50:45.560
<v Speaker 1>and you know longevity. Survival is key to longevity and

0:50:45.920 --> 0:50:52.000
<v Speaker 1>vice versa. I don't think that I saturated the game

0:50:52.120 --> 0:50:54.680
<v Speaker 1>so much and put out a whole bunch of like

0:50:54.920 --> 0:50:57.640
<v Speaker 1>garbage to the point where nobody wants to listen to me. Now,

0:50:58.440 --> 0:51:02.400
<v Speaker 1>I think I put out enough to between my solo career,

0:51:02.680 --> 0:51:06.120
<v Speaker 1>wou tank career, and now so our face. I think

0:51:06.719 --> 0:51:10.719
<v Speaker 1>I made new fans. I think I resurrected my name

0:51:10.760 --> 0:51:14.799
<v Speaker 1>a little bit. And you know, and for me, it

0:51:14.880 --> 0:51:17.160
<v Speaker 1>was never the fame chase, man like. For me, this

0:51:17.320 --> 0:51:20.359
<v Speaker 1>was all about putting food on the table for my kids,

0:51:20.360 --> 0:51:22.920
<v Speaker 1>getting out the hood, doing better in life, and setting

0:51:22.920 --> 0:51:24.640
<v Speaker 1>them up so that they didn't have to go through

0:51:25.440 --> 0:51:27.880
<v Speaker 1>you know, the pissy elevator and all that. You know,

0:51:28.239 --> 0:51:31.680
<v Speaker 1>hoods on the staircase and the elevator ain't working. So

0:51:31.760 --> 0:51:34.320
<v Speaker 1>you know, giving my giving my kids that better life

0:51:34.719 --> 0:51:37.279
<v Speaker 1>was kind of my goal and my aim. And to

0:51:37.360 --> 0:51:39.320
<v Speaker 1>give my mom that, you know, she passed away, so

0:51:39.360 --> 0:51:41.640
<v Speaker 1>I wasn't able to do that. But you know, those

0:51:41.640 --> 0:51:44.080
<v Speaker 1>are the reasons I really got into this game. And

0:51:44.160 --> 0:51:47.200
<v Speaker 1>you know, struggling growing up, not having a whole lot.

0:51:47.360 --> 0:51:49.080
<v Speaker 1>It's like, yo, I want my mom to be like,

0:51:50.400 --> 0:51:52.520
<v Speaker 1>just wake up and go plant in the garden. Just

0:51:52.560 --> 0:51:54.520
<v Speaker 1>go back a water your flowers. And stuff like that.

0:51:54.560 --> 0:51:56.840
<v Speaker 1>You know what I'm saying, Like my mom's working for

0:51:57.239 --> 0:52:00.759
<v Speaker 1>three four jobs for us growing up, that type of mother,

0:52:00.920 --> 0:52:04.000
<v Speaker 1>Like you know, you're gonna eat before me. We got

0:52:04.000 --> 0:52:06.080
<v Speaker 1>a sandwich, she's gonna bust it down and we're gonna eat.

0:52:06.080 --> 0:52:08.640
<v Speaker 1>But she don't eat nothing. You know. I'm like, nah, man,

0:52:08.719 --> 0:52:11.680
<v Speaker 1>he go take my half back. I'm gonna go get it,

0:52:12.480 --> 0:52:15.320
<v Speaker 1>you know. And that's always been my mentality.

0:52:15.680 --> 0:52:18.840
<v Speaker 5>I think as a Wu Tang fan me me speaking,

0:52:18.880 --> 0:52:23.080
<v Speaker 5>I feel like Deck never got his proper shot.

0:52:23.800 --> 0:52:25.520
<v Speaker 2>Being that he never got his proper shot.

0:52:25.560 --> 0:52:28.839
<v Speaker 5>It's kind of hard to even rink it's placed because

0:52:28.840 --> 0:52:30.879
<v Speaker 5>you know he's dope. You know he kills You've heard

0:52:30.920 --> 0:52:33.960
<v Speaker 5>him killed so many you know, Wu Tang albums. But

0:52:34.000 --> 0:52:37.040
<v Speaker 5>we also know that there is this masterpiece that got

0:52:37.080 --> 0:52:38.080
<v Speaker 5>lost in this flood.

0:52:38.760 --> 0:52:42.920
<v Speaker 2>So where do you even.

0:52:41.480 --> 0:52:43.960
<v Speaker 1>I'm like a I'm like an NBA player that made

0:52:44.000 --> 0:52:45.719
<v Speaker 1>the Hall of Fame, but they ain't get the ring.

0:52:46.640 --> 0:52:49.239
<v Speaker 1>I didn't get my own chick. That's all that I'm saying.

0:52:49.280 --> 0:52:52.239
<v Speaker 1>But it doesn't it doesn't take away from the from

0:52:52.280 --> 0:52:55.680
<v Speaker 1>the from my stats, you know, or the work I put.

0:52:55.560 --> 0:52:58.120
<v Speaker 2>In, because that that you're part of the Wu Tang core.

0:52:58.600 --> 0:53:01.320
<v Speaker 5>I know people say math and Ghost to my favorite

0:53:01.360 --> 0:53:04.000
<v Speaker 5>rapping of course Ray and Just, but you can't have

0:53:04.080 --> 0:53:05.400
<v Speaker 5>that core without.

0:53:05.200 --> 0:53:07.960
<v Speaker 1>And not saying my name. And I'm good with that.

0:53:08.239 --> 0:53:09.760
<v Speaker 8>The talent is there, and a lot of the stuff

0:53:09.760 --> 0:53:11.239
<v Speaker 8>that was happening around the time where you would have

0:53:11.239 --> 0:53:13.240
<v Speaker 8>came back with the album wasn't under Like you can't

0:53:13.239 --> 0:53:15.279
<v Speaker 8>control that, Like there was a lot going on that

0:53:15.320 --> 0:53:18.200
<v Speaker 8>you were trying to come up within at the moment.

0:53:18.480 --> 0:53:23.960
<v Speaker 1>And add on to that, you're not really knowing like

0:53:24.040 --> 0:53:26.600
<v Speaker 1>the game, Like that's kind of like just feeling your

0:53:26.640 --> 0:53:29.120
<v Speaker 1>way around in the dark, you know, until you grab

0:53:29.200 --> 0:53:34.200
<v Speaker 1>something that's like okay. But that that itself was one

0:53:34.239 --> 0:53:36.440
<v Speaker 1>of the lessons I need to learn, Like, yo, you

0:53:36.520 --> 0:53:38.920
<v Speaker 1>learn your own strength, you learn your own value out

0:53:38.920 --> 0:53:39.320
<v Speaker 1>of that.

0:53:39.320 --> 0:53:41.280
<v Speaker 8>That was around the time too, when you were supposed

0:53:41.280 --> 0:53:43.040
<v Speaker 8>to drop your album, when all the radio stuff was

0:53:43.040 --> 0:53:45.040
<v Speaker 8>happening with y'all right where they weren't playing certain songs.

0:53:44.920 --> 0:53:47.000
<v Speaker 6>On the radio, playing the radio ninety seven.

0:53:47.080 --> 0:53:49.719
<v Speaker 1>Yeah, you know. Then we found out later there was

0:53:50.520 --> 0:53:54.040
<v Speaker 1>forces behind that that was making that happen. Yeah, saw

0:53:54.080 --> 0:53:57.080
<v Speaker 1>the Shadow band it was for what there was so

0:53:57.320 --> 0:53:59.719
<v Speaker 1>wide you heard what she said.

0:54:00.160 --> 0:54:01.839
<v Speaker 7>That it was because of Diddy? Is that was that

0:54:02.080 --> 0:54:02.640
<v Speaker 7>really a thing?

0:54:03.120 --> 0:54:05.719
<v Speaker 6>That's what I heard.

0:54:05.000 --> 0:54:06.880
<v Speaker 1>I heard the did stir.

0:54:07.320 --> 0:54:10.640
<v Speaker 2>Diddler the Diddler. The boy was so red hot that

0:54:10.640 --> 0:54:11.919
<v Speaker 2>he just didn't want nobody else.

0:54:12.080 --> 0:54:15.400
<v Speaker 1>He didn't want bu Tang being. I guess we was

0:54:15.400 --> 0:54:17.759
<v Speaker 1>in New York fight, you know, fight for New York

0:54:17.880 --> 0:54:23.239
<v Speaker 1>who's supremacy over that? And they was bad boy was dope.

0:54:23.560 --> 0:54:25.600
<v Speaker 1>You know, It's like we was looking at them too,

0:54:26.560 --> 0:54:29.640
<v Speaker 1>you know, Biggie with the hypnotized billion dollar video and

0:54:29.680 --> 0:54:31.719
<v Speaker 1>you know everything he was doing, like yo, them them

0:54:31.760 --> 0:54:34.040
<v Speaker 1>dudes is dope. They competition if we're gonna make it

0:54:34.120 --> 0:54:37.480
<v Speaker 1>like that, But you know, we didn't really look at

0:54:37.520 --> 0:54:40.000
<v Speaker 1>it to say they's gonna be such a problem. We

0:54:40.040 --> 0:54:41.920
<v Speaker 1>need to shut them down, right, Like we got to

0:54:41.960 --> 0:54:45.200
<v Speaker 1>start paying people to not play they records, Like that's crazy.

0:54:45.800 --> 0:54:48.399
<v Speaker 6>Then to learn that later on, like that's the reason why, like.

0:54:50.239 --> 0:54:53.239
<v Speaker 1>You had you had a bunch of hits that hits,

0:54:53.280 --> 0:54:57.080
<v Speaker 1>it hits after hits total to I mean, mag Magic, Biggie,

0:54:57.160 --> 0:55:03.399
<v Speaker 1>everybody right, one twelve, yeah, everything, little old us from

0:55:03.400 --> 0:55:04.040
<v Speaker 1>Staten Allen.

0:55:04.120 --> 0:55:06.239
<v Speaker 6>That's how we was feeling. But then you know, we

0:55:06.280 --> 0:55:06.600
<v Speaker 6>got them.

0:55:07.360 --> 0:55:12.600
<v Speaker 9>Y'all impactfool though, like y'all had man, I can see

0:55:12.600 --> 0:55:15.440
<v Speaker 9>why y'all were competition, or he would think y'all were

0:55:15.520 --> 0:55:16.640
<v Speaker 9>competition like.

0:55:17.320 --> 0:55:18.000
<v Speaker 6>Dogs on us.

0:55:18.280 --> 0:55:21.200
<v Speaker 9>People referred to Wu Tang as a lifestyle at one point,

0:55:21.360 --> 0:55:25.240
<v Speaker 9>like it's the whole thing, really big, what's.

0:55:25.080 --> 0:55:27.680
<v Speaker 5>The whole I gotta I want to ask Ghost about that.

0:55:27.719 --> 0:55:29.080
<v Speaker 5>But I want to ask him, well, why did you

0:55:29.160 --> 0:55:31.879
<v Speaker 5>still do records with him? Remember Ghost was on special

0:55:31.960 --> 0:55:35.040
<v Speaker 5>Delivery remakes, like you know he was. He did a

0:55:35.080 --> 0:55:37.160
<v Speaker 5>couple of joints, A couple of joints.

0:55:37.480 --> 0:55:39.200
<v Speaker 1>I don't know. Yeah, you might have to ask Ghost.

0:55:40.080 --> 0:55:45.000
<v Speaker 1>I like that joint he did with Delivery, but I didn't.

0:55:45.000 --> 0:55:47.400
<v Speaker 1>I didn't understand why they was like trying to shut

0:55:47.400 --> 0:55:50.360
<v Speaker 1>the shut the clan down. Well, yeah, later on I

0:55:50.360 --> 0:55:53.160
<v Speaker 1>could see why. It's just like, yeah, math forgot we

0:55:53.239 --> 0:55:56.040
<v Speaker 1>got different people who are you.

0:55:55.920 --> 0:55:56.920
<v Speaker 6>Know, in that class.

0:55:56.960 --> 0:56:01.240
<v Speaker 1>And even when Ray and Ghosts and Biggie and Nas,

0:56:01.280 --> 0:56:04.640
<v Speaker 1>remember they had their little thing going around and that

0:56:04.840 --> 0:56:06.960
<v Speaker 1>was that was dope too for me, Like because I'm

0:56:06.960 --> 0:56:09.040
<v Speaker 1>sitting there watching all these you know, all these are

0:56:09.000 --> 0:56:15.279
<v Speaker 1>all my people's and they're subliminally doing this. Nobody's saying names,

0:56:15.719 --> 0:56:17.960
<v Speaker 1>you know with you know Ray Goes. They never said

0:56:18.120 --> 0:56:19.200
<v Speaker 1>Biggie name on the Apple.

0:56:19.360 --> 0:56:21.360
<v Speaker 2>He was so obvious on the Shock, But.

0:56:21.400 --> 0:56:24.279
<v Speaker 6>Biggie responded that he never said Ray name.

0:56:24.920 --> 0:56:29.279
<v Speaker 2>You know, uh, that wasn't the leprech What line was it.

0:56:29.880 --> 0:56:31.759
<v Speaker 1>You was talking about? Yo, these dudes getting money now,

0:56:31.880 --> 0:56:33.440
<v Speaker 1>like you know did He was saying it too, like

0:56:33.480 --> 0:56:36.319
<v Speaker 1>you know, everybody get where did they get money from?

0:56:35.960 --> 0:56:38.879
<v Speaker 1>The record was a victory or something like that. Yeah,

0:56:39.000 --> 0:56:42.799
<v Speaker 1>they were all speaking to each other on low key

0:56:42.920 --> 0:56:45.400
<v Speaker 1>indirectly without saying names. And you know, Nas was in

0:56:45.440 --> 0:56:47.840
<v Speaker 1>the middle, like, you know, Na's no Biggie an't nowhere

0:56:47.920 --> 0:56:48.040
<v Speaker 1>to go.

0:56:48.239 --> 0:56:50.759
<v Speaker 6>So he was just like, you know, what do I do?

0:56:50.880 --> 0:56:51.000
<v Speaker 2>Bro?

0:56:51.239 --> 0:56:53.279
<v Speaker 1>I love all of y'all, like I'm gonna fall back,

0:56:53.280 --> 0:56:55.640
<v Speaker 1>And the Biggie got mad at Nas, and Nas on

0:56:55.680 --> 0:56:57.359
<v Speaker 1>the other record took about it. You know, I had

0:56:57.360 --> 0:56:58.440
<v Speaker 1>to put it in the right and to keep me

0:56:58.440 --> 0:57:00.879
<v Speaker 1>and Biggie, he had to put in writing to keep

0:57:00.920 --> 0:57:01.960
<v Speaker 1>me and Brooklyn from fighting.

0:57:02.280 --> 0:57:03.400
<v Speaker 6>When he's talking about the BIGEF.

0:57:04.000 --> 0:57:06.480
<v Speaker 1>I was just listening to that Wild Survived. So it

0:57:06.560 --> 0:57:09.200
<v Speaker 1>was like there's a bunch of records with subliminal shots

0:57:09.200 --> 0:57:11.800
<v Speaker 1>going at each other and then it is somebody really caught.

0:57:11.880 --> 0:57:14.520
<v Speaker 6>Okay, but for me, I'm like this is dope.

0:57:15.360 --> 0:57:17.920
<v Speaker 1>Then Biggie called Meth to do the what right. So

0:57:19.560 --> 0:57:22.240
<v Speaker 1>if there's beef going on, SOI beef And like you said,

0:57:22.280 --> 0:57:23.880
<v Speaker 1>dudes is doing records together.

0:57:24.640 --> 0:57:26.760
<v Speaker 8>I don't know, Like you know, on the Bootleg CAMF

0:57:26.800 --> 0:57:29.120
<v Speaker 8>podcast where ghost Face staid it that was in twenty

0:57:29.160 --> 0:57:30.920
<v Speaker 8>twenty five, he said that Rizzid just told him that

0:57:30.960 --> 0:57:32.960
<v Speaker 8>a year like a year ago, so he was saying

0:57:32.960 --> 0:57:35.800
<v Speaker 8>that he didn't know distinctively that that had happened until

0:57:35.800 --> 0:57:38.000
<v Speaker 8>twenty twenty four. But if you're telling me what you're

0:57:38.040 --> 0:57:40.360
<v Speaker 8>saying right now, it's like y'all knew. Maybe I didn't

0:57:40.400 --> 0:57:41.640
<v Speaker 8>know it was that to that extent, but there was

0:57:41.640 --> 0:57:44.120
<v Speaker 8>like creative competition outre.

0:57:43.960 --> 0:57:46.280
<v Speaker 1>Yeah we knew that part. We didn't know until Rizzard

0:57:46.320 --> 0:57:50.000
<v Speaker 1>told us that we was being blocked. Yeah, like you

0:57:50.040 --> 0:57:52.800
<v Speaker 1>know there was payola involved too, Like we're paying these

0:57:52.840 --> 0:57:54.600
<v Speaker 1>people not to play our records.

0:57:54.640 --> 0:57:56.480
<v Speaker 8>So do you think because I've always heard stories about

0:57:56.480 --> 0:57:58.960
<v Speaker 8>like around like ninety nine or something like that, like

0:57:59.080 --> 0:58:01.760
<v Speaker 8>the there was like a like the fanfare around you

0:58:01.760 --> 0:58:03.400
<v Speaker 8>guys kind of started to like kind of lay low

0:58:03.400 --> 0:58:03.640
<v Speaker 8>a bit.

0:58:03.720 --> 0:58:03.880
<v Speaker 5>Was that?

0:58:03.960 --> 0:58:05.920
<v Speaker 8>Is that a real thing or is that like a

0:58:05.960 --> 0:58:08.720
<v Speaker 8>folk tell like off? Yeah, but do you think that

0:58:08.720 --> 0:58:10.560
<v Speaker 8>that what do you where you think? Do you think

0:58:10.560 --> 0:58:13.120
<v Speaker 8>that that was orchestrated by people because y'all were really big?

0:58:13.200 --> 0:58:15.120
<v Speaker 8>Or do you think I've always heard that you guys

0:58:15.120 --> 0:58:17.360
<v Speaker 8>oversaturated the market, which I don't know if I feel

0:58:17.400 --> 0:58:19.920
<v Speaker 8>like that's a real thing now because now everybody idolizes

0:58:19.960 --> 0:58:22.360
<v Speaker 8>you guys as like legends and not real people.

0:58:22.480 --> 0:58:26.160
<v Speaker 5>So how there was never a time where Wu Tang

0:58:26.280 --> 0:58:26.840
<v Speaker 5>fell off?

0:58:26.880 --> 0:58:28.040
<v Speaker 2>Now, let's not get crapy.

0:58:28.120 --> 0:58:31.360
<v Speaker 1>I heard everything, man, Wu Tang fell off. They washed

0:58:31.800 --> 0:58:35.280
<v Speaker 1>nice white people music. Now you know you've heard everything,

0:58:35.400 --> 0:58:38.640
<v Speaker 1>But I'm like white people music, white people like, you know,

0:58:38.720 --> 0:58:41.440
<v Speaker 1>only white people come to our shows and stuff like that.

0:58:41.560 --> 0:58:44.080
<v Speaker 1>But I'm like, yo, there was a time where everything

0:58:44.120 --> 0:58:46.640
<v Speaker 1>we did was hood. It was one hundred deep in

0:58:46.680 --> 0:58:50.680
<v Speaker 1>every club with Wu Tang shirts on, right. That got

0:58:50.680 --> 0:58:53.760
<v Speaker 1>it to the level of us being able to play

0:58:53.800 --> 0:58:56.600
<v Speaker 1>the white venue. So then we get to that level

0:58:56.600 --> 0:58:58.480
<v Speaker 1>of playing the white venues, then we start selling out

0:58:58.480 --> 0:58:59.360
<v Speaker 1>the white venues.

0:59:00.160 --> 0:59:04.400
<v Speaker 6>Now the black venues are like they Hollywood. Now, what

0:59:04.440 --> 0:59:04.920
<v Speaker 6>can you do?

0:59:05.160 --> 0:59:07.160
<v Speaker 1>You know, what I'm saying, like if we go from

0:59:08.400 --> 0:59:11.960
<v Speaker 1>if we go from Joe's Pub in the hood to

0:59:12.080 --> 0:59:19.000
<v Speaker 1>taking it to a twenty five thousand amphitheater, that's growth

0:59:19.000 --> 0:59:21.840
<v Speaker 1>and progression. That's growth and development. Like you can't knock that.

0:59:22.520 --> 0:59:24.720
<v Speaker 1>It don't matter if green people was coming to see it.

0:59:24.760 --> 0:59:27.320
<v Speaker 1>I don't care if aliens come rock with us. That's

0:59:27.320 --> 0:59:29.680
<v Speaker 1>who we're doing it. We're doing it for the aliens now.

0:59:30.520 --> 0:59:35.240
<v Speaker 1>But they'll say that we fell off because of that transition.

0:59:35.360 --> 0:59:37.320
<v Speaker 1>It's crazy, Like we was going on tour with Rage

0:59:37.360 --> 0:59:40.320
<v Speaker 1>against the Machine, you know, when the Hot ninety seven

0:59:40.360 --> 0:59:45.960
<v Speaker 1>thing happened. So you know, how could you where's the

0:59:46.040 --> 0:59:46.600
<v Speaker 1>fall off?

0:59:47.160 --> 0:59:49.600
<v Speaker 2>It can't be a fall off. It was Wu Tang forever.

0:59:50.120 --> 0:59:53.600
<v Speaker 5>That was the mindset always, And Laurence said ninety nine,

0:59:53.720 --> 0:59:57.080
<v Speaker 5>Supreme Clientele came out in ninety nine, So Supreme Clientel

0:59:57.240 --> 1:00:00.280
<v Speaker 5>is probably I like Alron Man, but it's probably goes

1:00:00.280 --> 1:00:02.040
<v Speaker 5>to the best body of work, right, So when you

1:00:02.080 --> 1:00:02.920
<v Speaker 5>think about.

1:00:02.640 --> 1:00:04.200
<v Speaker 2>That, that's still Wu Tang.

1:00:04.560 --> 1:00:07.760
<v Speaker 5>Yeah, like y'all people were still featured on those albums

1:00:07.800 --> 1:00:09.160
<v Speaker 5>like that, Like that was all wood to me.

1:00:09.200 --> 1:00:11.280
<v Speaker 1>But I think I think what she's talking about is

1:00:11.320 --> 1:00:14.720
<v Speaker 1>like the the affiliates and everything else, like it maybe

1:00:14.800 --> 1:00:17.120
<v Speaker 1>a Killer Army or Sons of Man or you know,

1:00:17.160 --> 1:00:19.400
<v Speaker 1>one of these groups that come under the Wu Tang flag.

1:00:19.960 --> 1:00:24.440
<v Speaker 1>I felt like that too. I felt like it's too saturated.

1:00:24.480 --> 1:00:27.479
<v Speaker 1>We got a bunch of dudes coming under the name,

1:00:27.920 --> 1:00:30.120
<v Speaker 1>and you're making it hard for me. Bro, I was.

1:00:30.080 --> 1:00:32.240
<v Speaker 8>Wondering how you felt in all of that, right, because

1:00:32.280 --> 1:00:34.560
<v Speaker 8>you're still trying to like get back what you felt

1:00:34.560 --> 1:00:35.320
<v Speaker 8>like had happened.

1:00:35.400 --> 1:00:38.760
<v Speaker 1>Yeah, but before I could drop my album, we got

1:00:38.920 --> 1:00:43.200
<v Speaker 1>you know, Wu Tang Central America Group, you know what

1:00:43.200 --> 1:00:46.640
<v Speaker 1>I'm saying. So it's like and then the fans don't

1:00:46.640 --> 1:00:48.640
<v Speaker 1>take to that. So now my album goes through heat

1:00:48.680 --> 1:00:50.240
<v Speaker 1>coming out, you know. So I was just like, yeah,

1:00:50.240 --> 1:00:51.720
<v Speaker 1>dealing with all of that, Bro, I was just like

1:00:51.840 --> 1:00:55.080
<v Speaker 1>to me, and I purposely sat down for a second.

1:00:55.360 --> 1:00:57.600
<v Speaker 1>I purposely sat down. I didn't put the music out.

1:00:58.080 --> 1:01:00.480
<v Speaker 1>I felt like I had some bad contracts early on.

1:01:01.240 --> 1:01:03.240
<v Speaker 1>Let me figure this out. I'm gonna do this independent.

1:01:03.280 --> 1:01:05.880
<v Speaker 1>I'm not signing them on contracts. And then I started

1:01:05.880 --> 1:01:08.560
<v Speaker 1>putting out you know, zar Face through Brick Records and

1:01:08.600 --> 1:01:11.800
<v Speaker 1>stuff like that. You know, was able to eat. Zar

1:01:11.880 --> 1:01:15.160
<v Speaker 1>Face kept me alive when Bu Tang wasn't working, you know,

1:01:15.760 --> 1:01:18.240
<v Speaker 1>and then inspected that would come out and pop out

1:01:18.280 --> 1:01:20.320
<v Speaker 1>and do shows and do different things that when zar

1:01:20.360 --> 1:01:22.960
<v Speaker 1>Fase ain't active. So I had the blessing to be

1:01:23.000 --> 1:01:27.320
<v Speaker 1>able to manage those three avenues. But yeah, man, I

1:01:27.600 --> 1:01:29.880
<v Speaker 1>just trying to drop in the MIXICU even. I remember

1:01:29.880 --> 1:01:32.960
<v Speaker 1>before I dropped un Control Substance cap Donna dropped the

1:01:32.960 --> 1:01:37.200
<v Speaker 1>Pillars cap Donna was locked up. So the trajectory for

1:01:37.280 --> 1:01:40.240
<v Speaker 1>me was to just come right out. I just came

1:01:40.280 --> 1:01:43.080
<v Speaker 1>home and and dropped before me. Then there was a

1:01:43.080 --> 1:01:46.960
<v Speaker 1>little controversy with that, like how did this? And you

1:01:46.960 --> 1:01:48.760
<v Speaker 1>know in the in the Hulu series, you see me

1:01:49.560 --> 1:01:52.080
<v Speaker 1>give the vine back the keys to the wo Man's

1:01:52.120 --> 1:01:54.640
<v Speaker 1>in the jersey. I'm out of here. That's a real story.

1:01:55.200 --> 1:01:57.760
<v Speaker 1>I'm like, what am I sticking around for? You know

1:01:57.760 --> 1:02:00.840
<v Speaker 1>what I'm saying, I'm not. I'm not I'm not a

1:02:00.960 --> 1:02:02.440
<v Speaker 1>role player. That's how I felt like, you know what

1:02:02.440 --> 1:02:04.000
<v Speaker 1>I'm saying, Like I felt like I could get twenty

1:02:04.000 --> 1:02:06.640
<v Speaker 1>five starting, but y'all want me to get ten off

1:02:06.640 --> 1:02:09.960
<v Speaker 1>the bench. Okay, I'll do that for a while, but

1:02:10.000 --> 1:02:13.720
<v Speaker 1>after after a while, then you're watching the starters. They

1:02:13.800 --> 1:02:16.280
<v Speaker 1>not putting up twenty five no more. So I'm like, yo,

1:02:16.480 --> 1:02:19.080
<v Speaker 1>I feel like you should switch it up, switch the lineup.

1:02:19.840 --> 1:02:22.760
<v Speaker 1>But you know, when you when it's a family owned business,

1:02:22.800 --> 1:02:24.880
<v Speaker 1>if you ain't got the last name, you don't.

1:02:24.640 --> 1:02:27.800
<v Speaker 6>Even don't even make a menu suggestion change.

1:02:27.680 --> 1:02:29.560
<v Speaker 1>You know, like if you ain't got the same last

1:02:29.640 --> 1:02:33.320
<v Speaker 1>name as the family owned business, don't suggest nothing because

1:02:33.320 --> 1:02:36.120
<v Speaker 1>you can be replaced like that. You know, Oh you

1:02:36.120 --> 1:02:39.320
<v Speaker 1>don't like our menu. You know, we had this menu

1:02:39.480 --> 1:02:42.240
<v Speaker 1>here for you know, one hundred years in the family peace.

1:02:43.440 --> 1:02:46.560
<v Speaker 1>So that's how that's how things are when you don't

1:02:46.640 --> 1:02:48.160
<v Speaker 1>own you know.

1:02:48.920 --> 1:02:51.400
<v Speaker 6>I we me personally.

1:02:51.080 --> 1:02:53.960
<v Speaker 1>I never owned any of the Wu Tang music. I

1:02:53.960 --> 1:02:56.320
<v Speaker 1>didn't really know the publishing game until I started putting

1:02:56.320 --> 1:03:00.760
<v Speaker 1>the albums outside of Wu Tang. So, like you know,

1:03:00.960 --> 1:03:04.320
<v Speaker 1>in the long run of things, like yeah, ownership is big.

1:03:04.400 --> 1:03:07.280
<v Speaker 1>If you're not owning what you're doing, you're just out

1:03:07.280 --> 1:03:09.560
<v Speaker 1>here working for somebody and it could be your brother,

1:03:10.200 --> 1:03:13.880
<v Speaker 1>you know. At the same time, Yo, bro, I'm out

1:03:13.880 --> 1:03:16.840
<v Speaker 1>of this contract. Love you to death, but I got

1:03:16.840 --> 1:03:19.040
<v Speaker 1>to go. I want to build my own house. I

1:03:19.080 --> 1:03:20.360
<v Speaker 1>don't want to live in the house, but.

1:03:20.360 --> 1:03:22.200
<v Speaker 8>From the stories I've always heard, though it seemed like

1:03:22.280 --> 1:03:24.400
<v Speaker 8>Rizzo was always and like the rest of y'all were

1:03:24.440 --> 1:03:27.720
<v Speaker 8>always collaborative and open when people had pushback about things,

1:03:27.720 --> 1:03:28.920
<v Speaker 8>regardless of ownership or not.

1:03:29.600 --> 1:03:29.840
<v Speaker 1>Yeah.

1:03:29.960 --> 1:03:31.040
<v Speaker 2>Yeah, so we have.

1:03:31.160 --> 1:03:34.720
<v Speaker 1>We've had our classes and we've had our demonstrations. But

1:03:34.760 --> 1:03:38.280
<v Speaker 1>for the most part, you know, there were stories about

1:03:38.320 --> 1:03:40.640
<v Speaker 1>Riz of robbing us and stuff like that, and I

1:03:40.680 --> 1:03:43.240
<v Speaker 1>was saying, like, I don't have I don't recall any

1:03:43.800 --> 1:03:47.600
<v Speaker 1>personal story of them robbing me. Now, there was times

1:03:47.600 --> 1:03:50.040
<v Speaker 1>where money went here when they should have been there,

1:03:50.080 --> 1:03:52.720
<v Speaker 1>and things like that, and all that, you know, to

1:03:52.760 --> 1:03:57.600
<v Speaker 1>me got rectified. Butang doesn't owe me any money and

1:03:58.600 --> 1:04:01.120
<v Speaker 1>you know, publishing or anything like that. So I'm out

1:04:01.160 --> 1:04:03.440
<v Speaker 1>of I'm at a clean slate. I got out.

1:04:03.640 --> 1:04:05.320
<v Speaker 6>I got out of the contract long time ago.

1:04:07.000 --> 1:04:08.840
<v Speaker 7>You've been out since like twenty ten, right.

1:04:08.720 --> 1:04:12.240
<v Speaker 1>Yeah, I've been a free agent. I do this because

1:04:12.280 --> 1:04:15.760
<v Speaker 1>I want to, And you know that's something mef tol

1:04:15.840 --> 1:04:17.120
<v Speaker 1>me do it because you want to now, because you

1:04:17.160 --> 1:04:19.840
<v Speaker 1>have to, you know, so you have to. You have

1:04:19.920 --> 1:04:22.800
<v Speaker 1>to make that your priority, Like I have fun with it.

1:04:22.800 --> 1:04:24.240
<v Speaker 1>If you're not having fun with it, and you just

1:04:24.280 --> 1:04:26.760
<v Speaker 1>do it as stressful as why do it?

1:04:27.720 --> 1:04:30.320
<v Speaker 5>You know, what do you want your legacy to be

1:04:30.360 --> 1:04:32.880
<v Speaker 5>one of the greatest lyricists, a great man, or just

1:04:32.920 --> 1:04:33.400
<v Speaker 5>something else?

1:04:33.440 --> 1:04:33.720
<v Speaker 1>In time?

1:04:36.120 --> 1:04:37.640
<v Speaker 6>I'm still writing my chapters.

1:04:37.680 --> 1:04:41.080
<v Speaker 1>Man, I'm writing a book right now, doing a documentary,

1:04:41.240 --> 1:04:44.560
<v Speaker 1>and I'm in search of a title, you know, I'm

1:04:44.600 --> 1:04:48.360
<v Speaker 1>in search of a title that best describes this journey,

1:04:49.080 --> 1:04:51.959
<v Speaker 1>you know. And I had like a ibamatomically and things

1:04:52.000 --> 1:04:53.640
<v Speaker 1>like that. I don't want to be cliche. It just

1:04:53.720 --> 1:04:56.040
<v Speaker 1>it could be like the life and Times of Jason Hunter,

1:04:56.240 --> 1:04:59.080
<v Speaker 1>like as simple as that, because that's what it really is.

1:04:59.120 --> 1:05:03.440
<v Speaker 1>It's just describe. And you know, me before Woultang, I'm

1:05:03.800 --> 1:05:08.560
<v Speaker 1>Cynthia's son, you know. I'm born in the seventies. I'm

1:05:08.600 --> 1:05:11.000
<v Speaker 1>a child of the pro Black movement. You know. I

1:05:11.040 --> 1:05:14.840
<v Speaker 1>feel like my soul is still intact. I'm not walking

1:05:14.840 --> 1:05:16.120
<v Speaker 1>around here like a zombie.

1:05:16.240 --> 1:05:16.480
<v Speaker 6>You know.

1:05:18.160 --> 1:05:20.120
<v Speaker 1>I say, if you ain't feeling this, check your post.

1:05:20.200 --> 1:05:22.720
<v Speaker 1>That's another one of my slowes. You ain't feeling this

1:05:23.200 --> 1:05:26.160
<v Speaker 1>right here, check your posts. Man, you might be a zombie.

1:05:26.200 --> 1:05:27.200
<v Speaker 1>You might be walking dead.

1:05:27.840 --> 1:05:28.000
<v Speaker 6>You know.

1:05:28.120 --> 1:05:30.600
<v Speaker 1>We walk around people don't feel things no more right.

1:05:31.520 --> 1:05:31.680
<v Speaker 2>You know.

1:05:31.720 --> 1:05:36.280
<v Speaker 1>Another thing that I hate is this grown man thing right,

1:05:37.080 --> 1:05:40.280
<v Speaker 1>and it's just like I could do like this. How

1:05:40.360 --> 1:05:45.280
<v Speaker 1>you looking at another grown man's computer put the grown

1:05:45.320 --> 1:05:49.720
<v Speaker 1>man in front of you to the pause is crazy?

1:05:50.240 --> 1:05:52.400
<v Speaker 1>My guy with me shot out my bro health fire.

1:05:52.480 --> 1:05:55.640
<v Speaker 1>He's like pause, can't even catching pauses that you didn't

1:05:55.640 --> 1:06:01.280
<v Speaker 1>even know existed. You know, he be catching stuff or

1:06:01.280 --> 1:06:03.880
<v Speaker 1>the front end of the day. It's like it's hilarious.

1:06:04.240 --> 1:06:07.960
<v Speaker 1>But you know, nah, it's just the grown man. You're

1:06:07.960 --> 1:06:11.360
<v Speaker 1>watching another grown man's You know, he painted his fingernails.

1:06:11.360 --> 1:06:13.360
<v Speaker 1>Why you want around another grown man fingernails?

1:06:13.360 --> 1:06:13.440
<v Speaker 6>Like?

1:06:13.480 --> 1:06:19.640
<v Speaker 1>Who said I was worried? I'm just making I just

1:06:19.720 --> 1:06:23.120
<v Speaker 1>noticed you got the black sparkly joint on it. But

1:06:23.760 --> 1:06:25.439
<v Speaker 1>you know that that's for them. Man, I ain't.

1:06:25.680 --> 1:06:28.080
<v Speaker 6>I never painted my nails. I don't think I ever will.

1:06:28.720 --> 1:06:30.960
<v Speaker 1>You know, it's just not to me. It's not masculine.

1:06:31.560 --> 1:06:33.800
<v Speaker 1>You know, I'm still from the masculine school of man.

1:06:33.840 --> 1:06:37.640
<v Speaker 1>I don't care call me. People call me toxic all that. Yeah,

1:06:37.640 --> 1:06:39.400
<v Speaker 1>I'm a rebel, that's what it is. You know what

1:06:39.440 --> 1:06:41.920
<v Speaker 1>I'm saying, like I'm gonna put my foot down. You know,

1:06:42.000 --> 1:06:44.320
<v Speaker 1>women nowadays to call you sassy if you say.

1:06:44.160 --> 1:06:46.960
<v Speaker 9>Something you know what I mean, Like, yeah, like they

1:06:46.960 --> 1:06:49.520
<v Speaker 9>were just talking about we had a topic today. We

1:06:49.560 --> 1:06:51.960
<v Speaker 9>was talking about washing gas.

1:06:52.000 --> 1:06:53.080
<v Speaker 2>Like, man, I heard y'all.

1:06:54.680 --> 1:06:57.200
<v Speaker 1>I meant to bring the twenty four pack of Pauses

1:06:57.200 --> 1:07:01.920
<v Speaker 1>in for y'all. I heard some crazy watch it, No

1:07:02.000 --> 1:07:02.439
<v Speaker 1>I do.

1:07:02.840 --> 1:07:03.960
<v Speaker 6>I didn't listen to none of that.

1:07:05.560 --> 1:07:12.360
<v Speaker 8>About worry about another girl man wants.

1:07:12.800 --> 1:07:14.360
<v Speaker 6>But now, you know, it's just.

1:07:14.320 --> 1:07:18.480
<v Speaker 1>That that's crazy, ain't it. That's crazy. That's a new generation, bro.

1:07:18.520 --> 1:07:20.880
<v Speaker 1>I just you know then, like you said, you got

1:07:20.880 --> 1:07:22.400
<v Speaker 1>to have a couple of rags too. You know, you

1:07:22.440 --> 1:07:25.520
<v Speaker 1>don't put your don't put your body rag on your face?

1:07:26.800 --> 1:07:27.000
<v Speaker 2>Right.

1:07:27.520 --> 1:07:29.240
<v Speaker 1>I get, I get where y'all coming from. But yeah,

1:07:29.480 --> 1:07:30.920
<v Speaker 1>a lot of a lot of people do a lot

1:07:30.920 --> 1:07:33.320
<v Speaker 1>of weird stuff now, man, you can't even gauge it.

1:07:33.480 --> 1:07:38.000
<v Speaker 2>You know, well suspected deck Man, Dragon's Breakfast.

1:07:37.680 --> 1:07:40.560
<v Speaker 1>Out right now, Dragon's Breath. We got the single Day

1:07:40.560 --> 1:07:43.880
<v Speaker 1>in the Life out produced by p Dre. That videos out, man,

1:07:43.880 --> 1:07:46.480
<v Speaker 1>it's doing real goods, doing real nice got the internet buzzing.

1:07:46.960 --> 1:07:50.640
<v Speaker 1>Dropping another single Friday called Shaling Rebel Part two. I

1:07:50.680 --> 1:07:54.160
<v Speaker 1>think that's gonna that's gonna wake hip hop up. If

1:07:54.160 --> 1:07:57.480
<v Speaker 1>I'm predicting this right because it's got a wu tang

1:07:57.600 --> 1:08:02.160
<v Speaker 1>sounds produced for up and coming Kenya Highness. That's another

1:08:02.200 --> 1:08:05.040
<v Speaker 1>thing when you hear my music, I don't always got

1:08:05.040 --> 1:08:09.400
<v Speaker 1>to reach for the famous names, the producers or artists.

1:08:09.400 --> 1:08:11.720
<v Speaker 1>I like to give people a shot. You know, I

1:08:11.800 --> 1:08:13.720
<v Speaker 1>might have met you in the train station. Next you know,

1:08:13.760 --> 1:08:16.120
<v Speaker 1>I got a song which you know, it's just more.

1:08:16.720 --> 1:08:19.439
<v Speaker 1>That's my way of giving back or lending my voice

1:08:19.479 --> 1:08:24.240
<v Speaker 1>to somebody else's struggle, you know. And uh, yeah, the

1:08:24.280 --> 1:08:28.680
<v Speaker 1>album eight seven August seventh, my son Elijah's birthday, you know,

1:08:28.760 --> 1:08:33.320
<v Speaker 1>he'll be nineteen. And uh, then we got I was born. Yeah,

1:08:33.320 --> 1:08:35.439
<v Speaker 1>and then right after that we got a czarre face

1:08:35.520 --> 1:08:40.040
<v Speaker 1>with Frankie Pullitzer featuring Frankie Puller. I know what Frankie

1:08:40.040 --> 1:08:42.719
<v Speaker 1>Pullerser is. You know, we can't say the name face Puller,

1:08:43.200 --> 1:08:51.360
<v Speaker 1>but oh no, wow.

1:08:52.280 --> 1:08:53.680
<v Speaker 6>I don't know. I don't know what's.

1:08:53.400 --> 1:09:03.519
<v Speaker 1>Pause panky Pullers. We don't call him frank Frankie pull

1:09:05.080 --> 1:09:11.360
<v Speaker 1>that's like soul snatcher, soul snatcher, that's a pause no no,

1:09:11.360 --> 1:09:11.760
<v Speaker 1>no no.

1:09:11.800 --> 1:09:15.320
<v Speaker 7>But I'm saying like, if you fake, if you nowhere, Yeah.

1:09:15.280 --> 1:09:19.840
<v Speaker 1>I don't know the pause laws, the laws of.

1:09:23.000 --> 1:09:24.719
<v Speaker 2>Inspected deck is the breakfast club.

1:09:26.320 --> 1:09:27.599
<v Speaker 1>Every day a week ago.

1:09:27.800 --> 1:09:30.040
<v Speaker 2>Click your glass up, the breakfast club you

1:09:30.040 --> 1:09:31.160
<v Speaker 1>Don't finished for y'all done,