WEBVTT - Aur Naurnia

0:00:03.080 --> 0:00:04.840
<v Speaker 1>I just want to make you really mad with my

0:00:04.920 --> 0:00:07.440
<v Speaker 1>Florence and the Machine impression. Do you want to hear it? No? Wait,

0:00:07.480 --> 0:00:09.400
<v Speaker 1>I need to find a tambourine somewhere. Do you have

0:00:09.440 --> 0:00:12.959
<v Speaker 1>like a bag of beans I can grab? Well, he

0:00:13.280 --> 0:00:24.160
<v Speaker 1>fucked me in the bedroom. You're just trying. I'm Lawrence

0:00:24.239 --> 0:00:37.000
<v Speaker 1>in the Machine. I loved and people. Today we are

0:00:37.120 --> 0:00:41.160
<v Speaker 1>talking about something that honestly has been a very long

0:00:41.200 --> 0:00:44.600
<v Speaker 1>time coming. Um and let me tell you, Lord of

0:00:44.600 --> 0:00:49.199
<v Speaker 1>the Rings was easily top five most formative piece of

0:00:49.240 --> 0:00:53.040
<v Speaker 1>culture to Rose and I's childhoods. Maybe more so important

0:00:53.080 --> 0:00:55.480
<v Speaker 1>to Roads today than it is to me today. However,

0:00:56.360 --> 0:00:59.640
<v Speaker 1>it is something that we have effectively schooled each other

0:00:59.720 --> 0:01:02.440
<v Speaker 1>on time and time, and it is something that you,

0:01:02.560 --> 0:01:05.000
<v Speaker 1>the Virgins, have asked time and time again for us

0:01:05.000 --> 0:01:08.399
<v Speaker 1>to talk about. So for those reasons, today we are

0:01:08.440 --> 0:01:11.760
<v Speaker 1>talking about Lord of the Rings, the books, the movies,

0:01:11.840 --> 0:01:16.640
<v Speaker 1>the cultural phenomenon, the whole extended universe. Because this is

0:01:16.680 --> 0:01:19.039
<v Speaker 1>like a Virgin the show where we give yesterday's pop

0:01:19.120 --> 0:01:23.240
<v Speaker 1>culture today's takes. I am Rose, Damn you your resident

0:01:23.280 --> 0:01:26.319
<v Speaker 1>full of a tuk, and I am Fran Toronto, your

0:01:26.560 --> 0:01:31.720
<v Speaker 1>local Galandriel and Uh in the words of a wise man, fly,

0:01:36.920 --> 0:01:40.880
<v Speaker 1>how the hell are you so so good? So real,

0:01:41.120 --> 0:01:43.959
<v Speaker 1>so real? As the Black Eyed Peas would say, both

0:01:44.720 --> 0:01:49.560
<v Speaker 1>real and so real. We have been truly having a

0:01:49.600 --> 0:01:52.800
<v Speaker 1>black Eyed Peas spring, and I think it's going to

0:01:53.000 --> 0:01:56.320
<v Speaker 1>roll over into a black Eyed Peas summer and for

0:01:56.520 --> 0:01:59.600
<v Speaker 1>sure fall in winter as well. Wait, can we discuss

0:01:59.640 --> 0:02:01.800
<v Speaker 1>this be has Like all of a sudden, I had

0:02:01.800 --> 0:02:04.640
<v Speaker 1>a few friends that started listening to it again around

0:02:04.640 --> 0:02:07.320
<v Speaker 1>the same time that I was revisiting Monkey Business, which,

0:02:07.360 --> 0:02:09.400
<v Speaker 1>as I've said on the pod before, was one of

0:02:09.400 --> 0:02:11.480
<v Speaker 1>the first albums I ever purchased with my own money,

0:02:11.520 --> 0:02:14.040
<v Speaker 1>along with Love Angel Music Baby. And then there was

0:02:14.080 --> 0:02:16.680
<v Speaker 1>that Black Eyed Peas SNL sketch, and I was like,

0:02:16.919 --> 0:02:20.200
<v Speaker 1>there zons happening. Yeah, I think they truly have an

0:02:20.280 --> 0:02:24.520
<v Speaker 1>unshakable grip on all our necks, and yeah, I love

0:02:24.600 --> 0:02:28.720
<v Speaker 1>that for them. Pump it is an untouchable bob like

0:02:28.840 --> 0:02:32.520
<v Speaker 1>as an opener to an album, like it's still like

0:02:33.200 --> 0:02:36.480
<v Speaker 1>holds all the way up, Like it doesn't even feel dated.

0:02:36.800 --> 0:02:42.520
<v Speaker 1>It feels amazing, it feels current. It could be it's yesterday, today, tomorrow,

0:02:42.919 --> 0:02:45.359
<v Speaker 1>just for context, like we were like in Joshua Tree,

0:02:45.480 --> 0:02:48.040
<v Speaker 1>like listening to this whole album and then the interlude

0:02:48.040 --> 0:02:52.679
<v Speaker 1>from My Humps played where did they go Real Surreal?

0:02:52.880 --> 0:02:55.320
<v Speaker 1>And we were like Stone were like, are they saying

0:02:55.680 --> 0:03:01.959
<v Speaker 1>so real or are they saying surreal? And it is.

0:03:01.720 --> 0:03:05.400
<v Speaker 1>It's a enigma. Also, there was a really great moment

0:03:05.440 --> 0:03:07.480
<v Speaker 1>at the end of our trip where you asked Justin

0:03:07.520 --> 0:03:13.360
<v Speaker 1>and I were hugging and just started spontaneously singing, no, lie, no, no, no,

0:03:14.080 --> 0:03:18.120
<v Speaker 1>it's it's really it's really beautiful. Another standout from that

0:03:18.240 --> 0:03:20.840
<v Speaker 1>album was the bridge that I completely forgot about of

0:03:20.880 --> 0:03:29.800
<v Speaker 1>Pump It, where they go diamn, dim damn. I'm not

0:03:29.800 --> 0:03:33.480
<v Speaker 1>gonna start singing because then you'll start talking about singing. Wait,

0:03:33.560 --> 0:03:36.680
<v Speaker 1>speaking of singing, I did listen to the New Florence

0:03:36.680 --> 0:03:40.040
<v Speaker 1>and the Machine album in preparation for for today. Okay,

0:03:40.160 --> 0:03:42.680
<v Speaker 1>I'm not I'm not excited to hear your take on

0:03:42.720 --> 0:03:44.760
<v Speaker 1>it because I feel like it's going to be negative.

0:03:45.320 --> 0:03:48.160
<v Speaker 1>Are you saying maybe you're projecting because you also did

0:03:48.160 --> 0:03:50.000
<v Speaker 1>not like the album as much as you would have. No,

0:03:50.400 --> 0:03:53.120
<v Speaker 1>I do love it, but I know that you hate

0:03:53.160 --> 0:03:56.320
<v Speaker 1>me and want me to Is that the dynamic? I

0:03:56.760 --> 0:03:59.840
<v Speaker 1>So here's the thing I've already said before Florence was

0:04:00.200 --> 0:04:06.440
<v Speaker 1>like I'm an O G Florence stand Um, there was

0:04:06.560 --> 0:04:09.680
<v Speaker 1>really not a lot to latch onto with this album.

0:04:09.760 --> 0:04:13.640
<v Speaker 1>I fell I. I really liked Daffodil, I love um

0:04:13.680 --> 0:04:15.880
<v Speaker 1>Free is it Free? The one that's kind of like

0:04:16.080 --> 0:04:19.240
<v Speaker 1>Thumby and quick Free? Free was the last single she

0:04:19.320 --> 0:04:23.080
<v Speaker 1>released before the album came out. Yeah, Free is my

0:04:23.160 --> 0:04:26.560
<v Speaker 1>favorite song. But like when Florence arrived on the music scene,

0:04:27.760 --> 0:04:30.840
<v Speaker 1>she was a novelty and there was nothing that sounded

0:04:30.880 --> 0:04:36.080
<v Speaker 1>like her and it was just immediately ingenious. And now

0:04:36.200 --> 0:04:41.160
<v Speaker 1>I feel like she's made this album three times and

0:04:41.400 --> 0:04:44.680
<v Speaker 1>I wish that there was something more like the song

0:04:44.800 --> 0:04:49.360
<v Speaker 1>Free that would have changed her pace or made it

0:04:49.400 --> 0:04:53.600
<v Speaker 1>seem like more than sensual chamber music for people that

0:04:53.680 --> 0:04:56.120
<v Speaker 1>used to have tumbler you know what I mean. I

0:04:56.360 --> 0:05:01.400
<v Speaker 1>see merit in that critique. I'm going to love that. Um.

0:05:01.600 --> 0:05:07.600
<v Speaker 1>I do think that Florence makes a very specific kind

0:05:07.600 --> 0:05:12.120
<v Speaker 1>of music. I am very dialed into it and always

0:05:12.160 --> 0:05:16.120
<v Speaker 1>love it. And I think there's some really beautiful songs

0:05:16.160 --> 0:05:19.680
<v Speaker 1>on this album, Like I really loved the singles she

0:05:19.800 --> 0:05:23.720
<v Speaker 1>put out. UM since the album came out, Dreamgirl Evil

0:05:24.080 --> 0:05:25.840
<v Speaker 1>is what I've been listening to a lot. I really

0:05:25.880 --> 0:05:29.840
<v Speaker 1>like Cassandra, I really like Girls Against God. But yeah,

0:05:29.880 --> 0:05:33.640
<v Speaker 1>I think her last few records, and especially the last one,

0:05:34.000 --> 0:05:38.440
<v Speaker 1>Highest Hope I, have been a lot quieter and more introspective,

0:05:38.560 --> 0:05:40.800
<v Speaker 1>and like, I do think there are some bangers on

0:05:40.839 --> 0:05:43.520
<v Speaker 1>this album. But yes, it's it's a it's very different.

0:05:44.240 --> 0:05:47.479
<v Speaker 1>I love it. I love Florence. I love how committed

0:05:47.600 --> 0:05:52.320
<v Speaker 1>she is to her aesthetic, her sound, to making the

0:05:52.400 --> 0:05:55.440
<v Speaker 1>kind of music she makes. I will say, and like,

0:05:55.480 --> 0:05:58.160
<v Speaker 1>I don't think this is a good excuse when you're

0:05:58.160 --> 0:06:02.440
<v Speaker 1>talking about music, but seeing her live is such a

0:06:02.480 --> 0:06:06.800
<v Speaker 1>transcendent experience. And I did see her what she was

0:06:06.839 --> 0:06:10.359
<v Speaker 1>touring Highest Hope UM, and even with a record, and

0:06:10.440 --> 0:06:13.000
<v Speaker 1>that is probably my least favorite of her albums. But

0:06:13.120 --> 0:06:19.600
<v Speaker 1>even still, seeing the songs live, they just become completely transcendent,

0:06:20.160 --> 0:06:25.599
<v Speaker 1>and she is such a captivating performer and I just

0:06:25.680 --> 0:06:28.360
<v Speaker 1>love her. I love the album. I will defend her

0:06:28.520 --> 0:06:32.560
<v Speaker 1>until the end of the yea UM. But I I

0:06:32.600 --> 0:06:36.000
<v Speaker 1>do agree that you know, there was a couple of

0:06:36.040 --> 0:06:40.240
<v Speaker 1>years ago, I think after ceremonials, she said that she

0:06:40.400 --> 0:06:46.120
<v Speaker 1>wanted to make like an electronic dance album, and that

0:06:46.200 --> 0:06:48.960
<v Speaker 1>never happened. I think the closest we ever got to

0:06:49.000 --> 0:06:51.720
<v Speaker 1>it was when she did that song sweet Nothing I love,

0:06:52.000 --> 0:06:55.480
<v Speaker 1>which I which I love. I do think it might

0:06:55.520 --> 0:06:58.440
<v Speaker 1>be good for her at some point to do oh

0:06:58.520 --> 0:07:01.040
<v Speaker 1>like kind of one off experient, a mental album that

0:07:01.200 --> 0:07:04.240
<v Speaker 1>might sort of like just change things up for her

0:07:04.320 --> 0:07:08.760
<v Speaker 1>and probably will infuse her music going forward with kind

0:07:08.800 --> 0:07:12.720
<v Speaker 1>of different vibes. But all that to be said, I

0:07:12.800 --> 0:07:15.840
<v Speaker 1>really like Dance Fever. I would love to see her

0:07:16.120 --> 0:07:20.680
<v Speaker 1>tour this album because I think it would just hearing

0:07:20.720 --> 0:07:23.560
<v Speaker 1>the songs in that context would bring them even more

0:07:23.720 --> 0:07:26.680
<v Speaker 1>to life for me than they are now. And it's

0:07:26.680 --> 0:07:29.600
<v Speaker 1>an album that I certainly will spend a lot more

0:07:29.640 --> 0:07:32.040
<v Speaker 1>time with and have even since it came out. I've

0:07:32.080 --> 0:07:34.080
<v Speaker 1>been listening to it a lot um when I was

0:07:34.120 --> 0:07:35.760
<v Speaker 1>in New York this week. I was listening to a

0:07:35.800 --> 0:07:38.600
<v Speaker 1>lot when I was walking around Brooklyn, and it's just

0:07:38.680 --> 0:07:41.720
<v Speaker 1>like really beautiful. I love it, and I will kill

0:07:41.760 --> 0:07:43.880
<v Speaker 1>you for not liking. So here's the thing. It's not

0:07:43.920 --> 0:07:46.800
<v Speaker 1>that I'm even like criticizing her. I mean, okay, I

0:07:46.840 --> 0:07:50.800
<v Speaker 1>will say for an album called Dance Fever, there were

0:07:50.840 --> 0:07:54.200
<v Speaker 1>not a lot of dance songs. Okay, there are. It's

0:07:54.240 --> 0:07:56.720
<v Speaker 1>just it's they're like three first of all, second of all,

0:07:56.880 --> 0:08:02.000
<v Speaker 1>but like you can you but you slow dance girls,

0:08:02.000 --> 0:08:06.400
<v Speaker 1>She's no, but fran this is the thing. All you

0:08:06.480 --> 0:08:10.440
<v Speaker 1>listen to our fucking remixes and not not everything is

0:08:10.440 --> 0:08:14.360
<v Speaker 1>going to be like I fear out. I love remixes,

0:08:14.680 --> 0:08:20.480
<v Speaker 1>but I do not listen to majority remixes. I think that, Honestly,

0:08:20.920 --> 0:08:23.160
<v Speaker 1>the way I really do feel about Florence is that

0:08:23.640 --> 0:08:25.960
<v Speaker 1>she was like my like in my the top tier

0:08:26.080 --> 0:08:28.520
<v Speaker 1>of music artists that I adored for a really long

0:08:28.600 --> 0:08:31.840
<v Speaker 1>time in my tumbler era. And I think that because

0:08:31.880 --> 0:08:35.640
<v Speaker 1>she has not changed, but my taste has changed that

0:08:35.960 --> 0:08:39.319
<v Speaker 1>her music, which is sonically gorgeous and still of its own,

0:08:39.360 --> 0:08:41.760
<v Speaker 1>kind of just as you said, like unlike anything out there,

0:08:41.800 --> 0:08:45.040
<v Speaker 1>still is something that I, on a taste level, have

0:08:45.160 --> 0:08:51.080
<v Speaker 1>maybe outgrown. But I also feel like music artists, especially

0:08:51.120 --> 0:08:54.079
<v Speaker 1>women in music like shouldn't have to reinvent themselves over

0:08:54.080 --> 0:08:57.880
<v Speaker 1>and over again, like they are women like Lana or

0:08:57.920 --> 0:09:00.439
<v Speaker 1>even Adele. Honestly, although I do think A Dell's last

0:09:00.440 --> 0:09:03.120
<v Speaker 1>album was very different, like that can do the same

0:09:03.160 --> 0:09:05.240
<v Speaker 1>thing over and over again and they'll always have their base,

0:09:05.320 --> 0:09:07.200
<v Speaker 1>and I think that that is just something that you know,

0:09:07.360 --> 0:09:11.400
<v Speaker 1>I really honor and you are someone who like your

0:09:11.480 --> 0:09:16.240
<v Speaker 1>taste level is essentially you know, a pantheon of Caucasian

0:09:16.440 --> 0:09:21.120
<v Speaker 1>yodelers with lexapro prescriptions that that you idolize. You know,

0:09:21.280 --> 0:09:26.960
<v Speaker 1>the Fiona Apple, Alanis k Bush, Florence the Machine. There's

0:09:27.000 --> 0:09:31.760
<v Speaker 1>one more in there. Taylor doesn't yodel as much. I mean,

0:09:31.960 --> 0:09:34.640
<v Speaker 1>this is all not untrue, but I do I will

0:09:34.720 --> 0:09:37.400
<v Speaker 1>take I do take umbrage with the idea that Florence

0:09:37.440 --> 0:09:42.320
<v Speaker 1>hasn't changed, because I think her songwriting has gotten so much,

0:09:42.520 --> 0:09:49.880
<v Speaker 1>so much, both sharper and softer, like I think she

0:09:51.240 --> 0:09:54.920
<v Speaker 1>if you really take the time and really listen, the

0:09:55.440 --> 0:10:01.199
<v Speaker 1>lyrics are so beautiful and her voice is still just haunting.

0:10:01.320 --> 0:10:04.560
<v Speaker 1>She is a siren, She is a banshee. She is

0:10:04.600 --> 0:10:07.439
<v Speaker 1>the moment for me? Do you did you not that

0:10:07.559 --> 0:10:09.760
<v Speaker 1>this is a stupid tangent, But did you notice that

0:10:09.800 --> 0:10:13.079
<v Speaker 1>like in the little like Spotify album art, Florence in

0:10:13.120 --> 0:10:18.880
<v Speaker 1>the Machine is is is abbreviated to ft Yeah, girl,

0:10:18.960 --> 0:10:21.760
<v Speaker 1>do you think so? Do you think she knows? Do

0:10:21.760 --> 0:10:24.520
<v Speaker 1>you think anyone's told her that? Do you think it's

0:10:26.320 --> 0:10:30.520
<v Speaker 1>so many trans friends? She's like good Judy's with Sean Fay,

0:10:30.720 --> 0:10:36.480
<v Speaker 1>Tommy Dorfman. Someone definitely love that your trans mask. Now, Okay,

0:10:36.679 --> 0:10:40.440
<v Speaker 1>I literally like, how do we become you know, among

0:10:40.480 --> 0:10:43.360
<v Speaker 1>the echelon of Florence's trans friends, Like, how do we

0:10:43.440 --> 0:10:45.920
<v Speaker 1>how do we accomplish this? Do you think I don't know?

0:10:46.120 --> 0:10:48.880
<v Speaker 1>I I have. I have been wondering about this for

0:10:48.880 --> 0:10:51.120
<v Speaker 1>a while, but I actually don't think I could ever

0:10:51.440 --> 0:10:56.480
<v Speaker 1>meet her because I'm she is and this is so

0:10:56.559 --> 0:11:01.560
<v Speaker 1>gay to say she's too important to me. I Similarly,

0:11:01.800 --> 0:11:03.560
<v Speaker 1>I would never want to meet a share because like,

0:11:03.600 --> 0:11:05.839
<v Speaker 1>I don't want Share to like ruin share for me,

0:11:06.000 --> 0:11:07.719
<v Speaker 1>you know what I mean? Yeah, there are you some

0:11:07.800 --> 0:11:10.240
<v Speaker 1>idols you just shouldn't meet. Although I have met Gaga

0:11:10.360 --> 0:11:13.720
<v Speaker 1>and it was a fun interaction. Okay, wait, I didn't

0:11:13.720 --> 0:11:17.040
<v Speaker 1>even ask you about your New York trip? How did

0:11:17.040 --> 0:11:20.120
<v Speaker 1>it go? It was um really good to be in

0:11:20.160 --> 0:11:23.080
<v Speaker 1>New York. It was also weird. It was disgusting the

0:11:23.080 --> 0:11:25.360
<v Speaker 1>whole time it was there. It's probably like the most

0:11:25.480 --> 0:11:30.040
<v Speaker 1>humid weekend of the year, so it was horrible for

0:11:30.160 --> 0:11:33.800
<v Speaker 1>like looking cute, but it was good. I it weirdly

0:11:34.000 --> 0:11:36.840
<v Speaker 1>ended up well, Okay, so ap peeling back the Curtain

0:11:37.080 --> 0:11:39.720
<v Speaker 1>for All the Virgins. For Christmas, friend got me the

0:11:39.920 --> 0:11:43.559
<v Speaker 1>very sweet gift of two tickets to see New York

0:11:43.600 --> 0:11:46.880
<v Speaker 1>City Centers On Corps production of Into the Which is

0:11:46.880 --> 0:11:52.760
<v Speaker 1>your favorite, it's my It's my time favorite, like tied

0:11:52.840 --> 0:11:55.920
<v Speaker 1>with Sweeney todd Um, but Into the Woods does kind

0:11:55.960 --> 0:12:02.800
<v Speaker 1>of like eke out a little bit forward and was incredible.

0:12:03.000 --> 0:12:05.760
<v Speaker 1>First of all, the tickets were amazing. Thank you so much.

0:12:05.920 --> 0:12:11.680
<v Speaker 1>I truly it was such a thoughtful gift and such

0:12:11.679 --> 0:12:15.080
<v Speaker 1>an amazing experience with my with my best friend Ryan.

0:12:15.960 --> 0:12:19.120
<v Speaker 1>It was great. The production was great. It was like

0:12:19.280 --> 0:12:23.840
<v Speaker 1>very simple orchestra was on stage, like very minimal staging.

0:12:24.440 --> 0:12:28.600
<v Speaker 1>Everyone was incredible. Heather, who originated the role of Aida,

0:12:28.640 --> 0:12:33.880
<v Speaker 1>and Aida was so fucking good as the Witch. Her

0:12:34.760 --> 0:12:39.800
<v Speaker 1>last Midnight gave me chills. Um Sarah Borellis, I like,

0:12:39.920 --> 0:12:44.760
<v Speaker 1>am not a huge Sarah Barella stand. She was so

0:12:45.160 --> 0:12:50.200
<v Speaker 1>fucking good. Her voice is like butter, her tone is

0:12:50.240 --> 0:12:53.560
<v Speaker 1>so pure. Everything she does is effortless, and the Baker's

0:12:53.559 --> 0:12:57.600
<v Speaker 1>wife really is like the sleeper hit role of that show.

0:12:58.280 --> 0:13:00.720
<v Speaker 1>I think she has some of the sup rising lee

0:13:01.120 --> 0:13:04.640
<v Speaker 1>memorable moments of the show. Um Neil Patrick Harris was

0:13:04.640 --> 0:13:09.040
<v Speaker 1>was really good to the one thing that is bad

0:13:09.040 --> 0:13:12.640
<v Speaker 1>about this production, and I think it's transferring to Broadway.

0:13:12.840 --> 0:13:16.880
<v Speaker 1>That's what the best the like Broadway dot com message

0:13:16.920 --> 0:13:19.880
<v Speaker 1>boards are saying. According to Ryan So, at the end

0:13:19.960 --> 0:13:23.600
<v Speaker 1>of the show, the most moving song on the show

0:13:23.640 --> 0:13:27.400
<v Speaker 1>for me is the finale. Children will listen, So the

0:13:27.400 --> 0:13:32.560
<v Speaker 1>finale is happening. I'm sobbing, And then like the emotional

0:13:32.640 --> 0:13:36.760
<v Speaker 1>crux of the finale, the house lights come on and

0:13:37.120 --> 0:13:42.400
<v Speaker 1>a like community theater group walks out into the aisles

0:13:42.880 --> 0:13:47.320
<v Speaker 1>to sing the end of the finale song with I

0:13:47.480 --> 0:13:53.000
<v Speaker 1>haven't never been taken out of a moment so abruptly

0:13:53.120 --> 0:13:58.520
<v Speaker 1>as the house slights. Not the house lights, that's because yes,

0:13:58.640 --> 0:14:03.120
<v Speaker 1>it was incredibly jarring. I I went from sobbing to

0:14:03.600 --> 0:14:08.280
<v Speaker 1>like confused so quickly. It was such a weird choice.

0:14:08.440 --> 0:14:11.560
<v Speaker 1>And actually, my my brother had seen the show already

0:14:12.040 --> 0:14:13.959
<v Speaker 1>and the night before had said to me, there's something

0:14:14.000 --> 0:14:15.920
<v Speaker 1>that happens in the show that I really didn't like.

0:14:15.960 --> 0:14:18.160
<v Speaker 1>I'm very interested to hear what your take on it is.

0:14:18.400 --> 0:14:20.920
<v Speaker 1>I won't spoil it for you, And it was this obviously,

0:14:21.680 --> 0:14:25.960
<v Speaker 1>it's it just really took you out of the moment um.

0:14:25.960 --> 0:14:30.120
<v Speaker 1>It really cut the like effect of the the effectiveness

0:14:30.320 --> 0:14:33.720
<v Speaker 1>of the emotional core of that song off in in

0:14:33.760 --> 0:14:37.400
<v Speaker 1>a really unfortunate way and undercut what the cast was

0:14:37.440 --> 0:14:41.360
<v Speaker 1>doing on stage, and like, you know, like the people

0:14:41.400 --> 0:14:45.200
<v Speaker 1>from this community theater, they're really going for it, like

0:14:45.400 --> 0:14:48.760
<v Speaker 1>standing in the aisles, they're like singing along and like

0:14:48.920 --> 0:14:51.800
<v Speaker 1>pointing and stuff, and it's it was just not good,

0:14:52.000 --> 0:14:54.640
<v Speaker 1>not right. I hope if it goes to Broadway they

0:14:54.680 --> 0:14:56.440
<v Speaker 1>won't do it. I mean, I'm sure it won't because

0:14:56.440 --> 0:14:58.680
<v Speaker 1>they would have to pay those people and like that

0:14:58.760 --> 0:15:02.200
<v Speaker 1>just won't happen at every mormants. But yeah, other other

0:15:02.280 --> 0:15:05.480
<v Speaker 1>than that, it was wonderful. I had a great time.

0:15:05.720 --> 0:15:13.160
<v Speaker 1>So thank you again. So okay, let's talk about Let's

0:15:13.160 --> 0:15:15.040
<v Speaker 1>talk about the real show of the week, which was

0:15:15.200 --> 0:15:18.360
<v Speaker 1>the premiere of Real Housewives of Beverly Hills season twelve.

0:15:19.000 --> 0:15:22.440
<v Speaker 1>Obviously a premiere episode that was very centered on one

0:15:22.560 --> 0:15:25.720
<v Speaker 1>thing that we all knew, what I actually forgot. I

0:15:25.760 --> 0:15:29.240
<v Speaker 1>was Derek and Pek's house getting broken into and Derek

0:15:29.240 --> 0:15:33.360
<v Speaker 1>getting held a gunpoint. And honestly, it feels like the

0:15:33.400 --> 0:15:36.000
<v Speaker 1>rest of the season is going to be around like

0:15:36.560 --> 0:15:40.640
<v Speaker 1>their PTSD. Yeah, the ramifications, you know, will be felt

0:15:40.720 --> 0:15:43.040
<v Speaker 1>throughout the rest of the season. The moment that was

0:15:43.080 --> 0:15:45.800
<v Speaker 1>the most chilling for me was at the end when

0:15:45.840 --> 0:15:50.160
<v Speaker 1>she was sitting outside alone, going I'm fine fine. People

0:15:50.160 --> 0:15:53.760
<v Speaker 1>are still saying that the Burglaries fake. I after seeing

0:15:53.760 --> 0:15:58.440
<v Speaker 1>this episode, do not believe it, like crying about not

0:15:58.560 --> 0:16:03.160
<v Speaker 1>being there. Wait, the most horrible and also entertaining moment

0:16:03.200 --> 0:16:07.920
<v Speaker 1>of the episode was Sutton talking Kyle and being a

0:16:08.000 --> 0:16:12.040
<v Speaker 1>completeth no other word for it. And that's like at

0:16:12.080 --> 0:16:16.560
<v Speaker 1>a very exact usage, like a sociopathic level of self involvement,

0:16:17.440 --> 0:16:20.120
<v Speaker 1>absolutely no empathy. Like it doesn't even matter how it

0:16:20.240 --> 0:16:22.960
<v Speaker 1>was edited, there's no way for it to have been

0:16:23.080 --> 0:16:28.760
<v Speaker 1>edited for it. It was bad. Horrible person, horrible person, great,

0:16:28.800 --> 0:16:32.800
<v Speaker 1>great reality character. I hate Sutton, and you can and

0:16:32.840 --> 0:16:35.520
<v Speaker 1>you can be both. You can be both, and actually

0:16:35.560 --> 0:16:40.240
<v Speaker 1>sometimes they are. They're required to yes, and every every season,

0:16:40.280 --> 0:16:43.320
<v Speaker 1>I unfortunately have to very toxically rank them. And I

0:16:43.360 --> 0:16:45.600
<v Speaker 1>really don't know where Sutton's gonna land for me because

0:16:45.720 --> 0:16:50.960
<v Speaker 1>I hate, hate, hate, hate Sutton, and yet she really

0:16:51.080 --> 0:16:55.640
<v Speaker 1>is endlessly entertaining because she's so horrible. Um, I have

0:16:55.720 --> 0:16:59.400
<v Speaker 1>to say like this, I think to read's thing, I'm

0:16:59.440 --> 0:17:02.240
<v Speaker 1>like on a horrified to find out that people are

0:17:02.400 --> 0:17:05.280
<v Speaker 1>like doubted that it was ever real, Like, well, that

0:17:05.400 --> 0:17:07.879
<v Speaker 1>was the thing everyone was saying when the news broke,

0:17:07.960 --> 0:17:10.359
<v Speaker 1>because I think because the timing of it, it happened

0:17:10.480 --> 0:17:14.880
<v Speaker 1>the day before they were supposed to start. But I don't.

0:17:14.920 --> 0:17:20.000
<v Speaker 1>I just think I could see sudden staging, yes, robbery,

0:17:20.040 --> 0:17:22.760
<v Speaker 1>but I know I don't. I just don't. That would

0:17:22.800 --> 0:17:26.239
<v Speaker 1>never be my immediate reaction. But I don't actually know

0:17:26.280 --> 0:17:28.560
<v Speaker 1>anybody that that felt that way, So it must be

0:17:28.600 --> 0:17:31.919
<v Speaker 1>like a lot of online sentiment. But like, I feel

0:17:31.960 --> 0:17:36.680
<v Speaker 1>like it's reminding me, honestly of Season two, where they're

0:17:36.720 --> 0:17:41.120
<v Speaker 1>dealing with an extremely real, painful traumatic event that has

0:17:41.160 --> 0:17:44.520
<v Speaker 1>been reality TV ified, and I'm it's gonna be hard

0:17:44.560 --> 0:17:48.040
<v Speaker 1>to watch. Yes, I actually on the plane to New York.

0:17:48.640 --> 0:17:51.679
<v Speaker 1>I hadn't watched the premier yet, but I was flying

0:17:51.720 --> 0:17:54.280
<v Speaker 1>Jet Blue there and they had live TV and there

0:17:54.359 --> 0:17:57.280
<v Speaker 1>was a Beverly Hills marathon happening on, so I tuned.

0:17:57.560 --> 0:17:59.840
<v Speaker 1>I tuned in for a little bit until my xanex

0:18:00.000 --> 0:18:04.520
<v Speaker 1>picked in UM and it was season two UM. The

0:18:04.680 --> 0:18:09.840
<v Speaker 1>episode where they're at Mauriceo's um birthday dinner. They go

0:18:09.920 --> 0:18:14.040
<v Speaker 1>to Hawaii birthday and Kim misses the plane and then

0:18:14.040 --> 0:18:18.880
<v Speaker 1>she and her boyfriend show up late, and I just horrible, horrible.

0:18:18.920 --> 0:18:23.000
<v Speaker 1>Boy was one of Mauricio's golden moments where he was

0:18:23.080 --> 0:18:27.040
<v Speaker 1>he literally called her on her bullshit. He was just like, no, like,

0:18:27.240 --> 0:18:29.720
<v Speaker 1>you were late and this is disrespectful, and I just

0:18:29.760 --> 0:18:32.000
<v Speaker 1>wanted we need to we need to get him back,

0:18:32.560 --> 0:18:35.440
<v Speaker 1>We need him back. Show there is there is nothing

0:18:35.680 --> 0:18:40.320
<v Speaker 1>like like a season of Real Housewives when people are

0:18:40.320 --> 0:18:43.280
<v Speaker 1>related and there is real family drama. That's why New

0:18:43.359 --> 0:18:46.280
<v Speaker 1>Jersey is still elite. And I will be watching New

0:18:46.359 --> 0:18:50.240
<v Speaker 1>Jersey the next time I get the stomach flu um.

0:18:50.280 --> 0:18:53.400
<v Speaker 1>I have to say that as far as like um,

0:18:53.440 --> 0:18:57.360
<v Speaker 1>just to go back to the Sutton thing, I really

0:18:57.640 --> 0:19:02.439
<v Speaker 1>really really hate Kyle when she is so spineless in

0:19:02.480 --> 0:19:05.359
<v Speaker 1>an interaction like that, to be kind of unable to

0:19:05.480 --> 0:19:08.480
<v Speaker 1>really say what's wrong with going with with what's going on?

0:19:08.600 --> 0:19:13.360
<v Speaker 1>Because if if you, my extremely good friend, acted like

0:19:13.520 --> 0:19:17.360
<v Speaker 1>that to me, I would I would like slap you.

0:19:17.600 --> 0:19:21.240
<v Speaker 1>I would say you're you. I'd be like you are lucky.

0:19:21.240 --> 0:19:23.320
<v Speaker 1>It's wrong with you. I'd be like, you are lucky.

0:19:23.359 --> 0:19:25.119
<v Speaker 1>There are another people now right now, get out of

0:19:25.160 --> 0:19:27.879
<v Speaker 1>my transgender home anyways. I was just like, it's moments

0:19:27.920 --> 0:19:29.760
<v Speaker 1>like that where I really I just like, have never

0:19:29.800 --> 0:19:35.200
<v Speaker 1>really loved Kyle as a protagonist for the entire franchise. Um,

0:19:35.240 --> 0:19:38.040
<v Speaker 1>but I really need her to like grow a spine,

0:19:38.080 --> 0:19:39.800
<v Speaker 1>because like right now, it's just like not cutting it.

0:19:39.920 --> 0:19:43.680
<v Speaker 1>She won't, she never will she. Unfortunately, I am back

0:19:43.720 --> 0:19:47.520
<v Speaker 1>on team Erica. I'm sorry. I'm sorry. I'm sorry. I'm sorry.

0:19:47.560 --> 0:19:51.800
<v Speaker 1>I'm not proud of this fact. I don't understand you

0:19:51.800 --> 0:19:54.080
<v Speaker 1>have you have gone on record saying that she's your favorite.

0:19:54.320 --> 0:19:57.919
<v Speaker 1>She's no longer my favorite housewife, unfortunately. But I do

0:19:58.080 --> 0:20:00.720
<v Speaker 1>think that there was a moment of the confessional where

0:20:01.040 --> 0:20:03.480
<v Speaker 1>she was really trying to evade questions that the producer

0:20:03.520 --> 0:20:05.920
<v Speaker 1>was asking her, and she was just like they ended

0:20:05.960 --> 0:20:08.560
<v Speaker 1>up like sharing what the producer was asking her because

0:20:08.600 --> 0:20:11.240
<v Speaker 1>she was being so indignant. She was like, well fucking duh,

0:20:11.600 --> 0:20:13.679
<v Speaker 1>like and I just thought that was so iconical. But

0:20:13.720 --> 0:20:18.400
<v Speaker 1>she was also like dodging questions about the Tom Girardi

0:20:18.520 --> 0:20:22.160
<v Speaker 1>of it all and like things being settled. She's so

0:20:22.359 --> 0:20:25.840
<v Speaker 1>she's I don't she's gonna be my favorite from this season.

0:20:25.880 --> 0:20:27.800
<v Speaker 1>I think the new villain, whatever her face is the

0:20:27.800 --> 0:20:31.200
<v Speaker 1>new girl coming in who apparently I heard, is rumored

0:20:31.520 --> 0:20:36.080
<v Speaker 1>to have once like been somewhat involved with Jeffrey Epstein,

0:20:37.960 --> 0:20:44.679
<v Speaker 1>like she was the sort of a Galaine. Yeah, I mean, god, truly,

0:20:45.200 --> 0:20:48.280
<v Speaker 1>I mean, honestly, they probably all have affiliation to Jeffrey Epstein, like,

0:20:48.400 --> 0:20:51.359
<v Speaker 1>let's to be real, like it's but I don't know.

0:20:51.400 --> 0:20:54.160
<v Speaker 1>We'll see, we'll see, we'll see. Um. But I think

0:20:54.200 --> 0:20:55.920
<v Speaker 1>you all will need to get used to the fact

0:20:55.960 --> 0:20:59.480
<v Speaker 1>that we will be probably discussing Beverly Hills weekly on

0:20:59.520 --> 0:21:03.440
<v Speaker 1>the weekly, and maybe we'll do a Housewives episode, because

0:21:03.440 --> 0:21:05.159
<v Speaker 1>I think that is one of the things that I

0:21:05.200 --> 0:21:10.760
<v Speaker 1>did pressure you into us. Are you were the kind

0:21:10.840 --> 0:21:12.800
<v Speaker 1>of thing to push me over the edge to start

0:21:12.800 --> 0:21:19.120
<v Speaker 1>watching You're you're calling me, I'm calling you no virgins.

0:21:19.160 --> 0:21:22.320
<v Speaker 1>It's been so fun engaging with you on Instagram. If

0:21:22.320 --> 0:21:27.160
<v Speaker 1>you aren't already, please follow our burner Finsta, alt whatever

0:21:27.760 --> 0:21:32.480
<v Speaker 1>like a virgin for We've been getting suggestions and I mean,

0:21:32.680 --> 0:21:35.520
<v Speaker 1>not criticism yet, but like I would accept criticism the

0:21:35.560 --> 0:21:38.680
<v Speaker 1>d M S. I wouldn't necessarily, you know, incorporated into

0:21:38.720 --> 0:21:41.159
<v Speaker 1>anything I do or say, but I would love to

0:21:41.200 --> 0:21:53.800
<v Speaker 1>hear what you have to say. How would an ORCS

0:21:53.880 --> 0:21:56.800
<v Speaker 1>dick even fit in a hobbit. I think Orc dicks

0:21:56.960 --> 0:22:00.320
<v Speaker 1>must be really spiky. As someone who has had a

0:22:00.320 --> 0:22:02.800
<v Speaker 1>lot of Lard of the Rings fan fiction, I have

0:22:02.880 --> 0:22:05.439
<v Speaker 1>spent a lot of time thinking about the anatomy of

0:22:05.480 --> 0:22:08.959
<v Speaker 1>the different races of Middle Earth, and and most of

0:22:08.960 --> 0:22:12.679
<v Speaker 1>my preoccupation is with how would a hobbit hole take

0:22:12.760 --> 0:22:20.200
<v Speaker 1>the dick of saying elf probable? Yeah, hobbitble multiple meanings, Honey,

0:22:20.359 --> 0:22:22.720
<v Speaker 1>we honestly need to Every time we like use terms,

0:22:22.720 --> 0:22:24.919
<v Speaker 1>we need to like explain them. For Phoebe, a hobbit

0:22:25.080 --> 0:22:30.840
<v Speaker 1>hobbit hole is a double entendre. You do Phoebe knows

0:22:30.840 --> 0:22:33.520
<v Speaker 1>about definition? Got it? Okay? Do you really see yourself

0:22:33.520 --> 0:22:35.679
<v Speaker 1>as a gladiol? Yeah? I mean what else would I

0:22:35.800 --> 0:22:38.119
<v Speaker 1>what else would I be? What do you see me as?

0:22:37.960 --> 0:22:41.760
<v Speaker 1>It's a very important but let's start here. Let's start here. Okay.

0:22:42.160 --> 0:22:47.560
<v Speaker 1>I think you are more of I don't know that

0:22:47.600 --> 0:22:51.879
<v Speaker 1>you're an elf. Yeah, they're way too graceful. Um, I

0:22:52.320 --> 0:22:57.040
<v Speaker 1>think hobbit. I'm probably hobbit. I'm anxious. I can't get

0:22:57.080 --> 0:23:00.360
<v Speaker 1>a lot done. I feel like, uh I I make

0:23:00.400 --> 0:23:04.120
<v Speaker 1>a mess of things, but I'm ultimately chaotic good. Yeah,

0:23:04.280 --> 0:23:07.680
<v Speaker 1>Hobbits get are giving me because of how much they

0:23:07.800 --> 0:23:13.920
<v Speaker 1>love their things and they love food and revelry. They're

0:23:13.920 --> 0:23:16.679
<v Speaker 1>giving me very torus energy. So I do think you

0:23:16.760 --> 0:23:20.520
<v Speaker 1>are a hobbit. The indulgences of Hobbits and their twelve

0:23:20.640 --> 0:23:23.760
<v Speaker 1>meals that they have a day is very torrey in behavior.

0:23:23.920 --> 0:23:27.119
<v Speaker 1>Sucking breakfast honestly, I mean, let's take it back to

0:23:27.560 --> 0:23:31.400
<v Speaker 1>their little hobbit holes full of plants. My hobbit hole

0:23:31.720 --> 0:23:34.040
<v Speaker 1>is not filled with plants. Okay, so what what what

0:23:34.240 --> 0:23:36.760
<v Speaker 1>of the Middle Earthian races do you think? I am well,

0:23:36.800 --> 0:23:39.480
<v Speaker 1>I was actually going to ask you, Okay, just to

0:23:39.520 --> 0:23:44.320
<v Speaker 1>answer your question very quickly, I think it's gonna be Wizard.

0:23:45.400 --> 0:23:47.959
<v Speaker 1>It's gonna be Wizard and Unford the Unfortunately, there are

0:23:48.000 --> 0:23:50.159
<v Speaker 1>no women in the Lord of the Rings franchise, so

0:23:50.200 --> 0:23:52.840
<v Speaker 1>I can't assign you like because I was going to say,

0:23:52.960 --> 0:23:54.960
<v Speaker 1>I was almost going to say I could see myself

0:23:54.960 --> 0:23:59.040
<v Speaker 1>as a dwarf. But there are witches in the Tolkien universe.

0:23:59.240 --> 0:24:01.800
<v Speaker 1>It just they didn't appear. But but um, I was

0:24:01.800 --> 0:24:05.040
<v Speaker 1>going to ask you growing up, when you were watching

0:24:05.080 --> 0:24:09.119
<v Speaker 1>these movies or reading the books, did you supplant yourself

0:24:09.160 --> 0:24:13.440
<v Speaker 1>on any specific character, because I really feel that this

0:24:13.480 --> 0:24:17.760
<v Speaker 1>is one of those unique entities where I really did

0:24:17.800 --> 0:24:20.600
<v Speaker 1>not relate to any character same I was. I was

0:24:20.680 --> 0:24:23.280
<v Speaker 1>an observer. I was very immersed in the world, but

0:24:23.920 --> 0:24:27.040
<v Speaker 1>there was no like I'm hermiony there. That's not what

0:24:27.119 --> 0:24:29.040
<v Speaker 1>the Lord of the Rings was for me, honestly, maybe

0:24:29.080 --> 0:24:32.480
<v Speaker 1>a testament to like the artifice of relatability and the

0:24:32.600 --> 0:24:35.400
<v Speaker 1>universal story and how like a lot of Hollywood execs

0:24:35.400 --> 0:24:37.720
<v Speaker 1>always talk about like you need to be able to

0:24:37.760 --> 0:24:40.159
<v Speaker 1>see yourself in this character and blah blah blah, and

0:24:40.160 --> 0:24:42.720
<v Speaker 1>it's like that's actually bullshit, Like a Lord of the

0:24:42.760 --> 0:24:45.600
<v Speaker 1>Rings had absolutely nothing to do with me. Even the

0:24:45.720 --> 0:24:48.920
<v Speaker 1>humanity of these characters behind all the fantasy really didn't

0:24:48.960 --> 0:24:51.359
<v Speaker 1>resonate with me at all. And yet it's a fucking

0:24:51.359 --> 0:24:53.840
<v Speaker 1>good story. Yes, well, okay, so I want to know

0:24:53.880 --> 0:24:58.400
<v Speaker 1>what was your first experience with J. R. Tolkien's creations.

0:24:58.720 --> 0:25:01.960
<v Speaker 1>You know, my dad Ad was a big C. S.

0:25:02.040 --> 0:25:05.439
<v Speaker 1>Lewis fan, and then by default our whole family was,

0:25:05.680 --> 0:25:07.800
<v Speaker 1>and so you know, we grew up with a lot

0:25:08.000 --> 0:25:14.000
<v Speaker 1>of Narnia things, reading books Narnia are Narnia or the

0:25:14.040 --> 0:25:18.159
<v Speaker 1>places you'l Gore Um, and so by association C. S.

0:25:18.240 --> 0:25:20.280
<v Speaker 1>Lewis was best friends with Tolkien. I think that was

0:25:20.320 --> 0:25:23.159
<v Speaker 1>something that my dad always talked about, the Witch and

0:25:23.160 --> 0:25:26.760
<v Speaker 1>the wardrobe boots the house, yes exactly, and so I

0:25:26.800 --> 0:25:29.720
<v Speaker 1>think by association my dad tried to get me to

0:25:29.920 --> 0:25:32.240
<v Speaker 1>read the Lord of the Rings books. I have a

0:25:32.320 --> 0:25:36.280
<v Speaker 1>d H D probably and so definitely couldn't finish any

0:25:36.280 --> 0:25:38.560
<v Speaker 1>of them, but I definitely checked out the Do you

0:25:38.600 --> 0:25:42.960
<v Speaker 1>remember the monster sized compilation of the three books with

0:25:43.160 --> 0:25:45.160
<v Speaker 1>the Ringwraith on the cover that they released in time

0:25:45.200 --> 0:25:48.040
<v Speaker 1>for the movies? I remember checking it was gorgeous, and

0:25:48.080 --> 0:25:50.119
<v Speaker 1>I remember checking that out and trying to read it.

0:25:50.400 --> 0:25:53.960
<v Speaker 1>But ultimately the movies is what solidified my love for

0:25:54.000 --> 0:25:58.920
<v Speaker 1>this franchise, and then through that the visual companions, the merchandise,

0:25:59.000 --> 0:26:03.280
<v Speaker 1>the extended edition, and like the theatrical releases, like everything

0:26:03.320 --> 0:26:06.480
<v Speaker 1>around the culture of Lord the Rings was an obsession

0:26:06.600 --> 0:26:09.879
<v Speaker 1>for my family, and I, um, did you ever have

0:26:10.160 --> 0:26:14.080
<v Speaker 1>the ring? Unfortunately I did. I absolutely had the nice

0:26:14.080 --> 0:26:16.320
<v Speaker 1>one girl, like the one from the catalog, like the

0:26:16.359 --> 0:26:19.760
<v Speaker 1>official Lord of the Rings jewelry catalog that's sold, like

0:26:19.800 --> 0:26:22.520
<v Speaker 1>the Elvin Star, and like this sword. The merch that

0:26:22.600 --> 0:26:24.359
<v Speaker 1>I had that was the most important to me was

0:26:24.400 --> 0:26:27.440
<v Speaker 1>I had an Rwin action figure. It was a set.

0:26:27.880 --> 0:26:31.400
<v Speaker 1>It was Urwin who had a horse, Bilbo, and then

0:26:31.440 --> 0:26:34.320
<v Speaker 1>the Ring Wraith also on a horse from the scene

0:26:34.400 --> 0:26:36.960
<v Speaker 1>where they chase Rwin and she goes through the river

0:26:37.080 --> 0:26:39.520
<v Speaker 1>and does her little Caroline Polcheck moment where she's like

0:26:42.760 --> 0:26:45.199
<v Speaker 1>and then the water comes up and yeah, and it

0:26:45.280 --> 0:26:47.880
<v Speaker 1>was one of my favorite scenes definitely in that movie,

0:26:47.960 --> 0:26:49.760
<v Speaker 1>if not the entire frame, and the only scene with

0:26:50.200 --> 0:26:53.720
<v Speaker 1>one of the three scenes woman exactly. Okay. But to

0:26:53.760 --> 0:26:56.600
<v Speaker 1>answer the question I asked you, because you didn't ask me.

0:26:56.640 --> 0:27:01.080
<v Speaker 1>It back. My entry point in all things Tolkien was

0:27:01.240 --> 0:27:04.640
<v Speaker 1>I received the book The Hobbit as a Hanukkah gift

0:27:04.760 --> 0:27:09.560
<v Speaker 1>one year when I was I want to say, nine

0:27:09.680 --> 0:27:13.040
<v Speaker 1>or ten, before the movies, before the movies, and even

0:27:13.119 --> 0:27:15.760
<v Speaker 1>though before we started recording, you told me that you

0:27:15.880 --> 0:27:18.439
<v Speaker 1>thought that I had never actually finished The Hobbit and

0:27:18.480 --> 0:27:22.800
<v Speaker 1>hated it, which um was very hurtful to me. I'm sorry,

0:27:23.160 --> 0:27:26.840
<v Speaker 1>because actually it is definitely one of the defining books

0:27:26.840 --> 0:27:31.480
<v Speaker 1>of my childhood and I remember receiving it so vividly,

0:27:31.560 --> 0:27:33.919
<v Speaker 1>and it's like such a route memory for me. And

0:27:33.960 --> 0:27:35.919
<v Speaker 1>that's when I fell in love with it and started

0:27:35.920 --> 0:27:38.160
<v Speaker 1>reading the books, and then the movies came out, and

0:27:39.280 --> 0:27:41.840
<v Speaker 1>I was so obsessed with the movies I had them

0:27:41.880 --> 0:27:44.879
<v Speaker 1>all on DVD. Well, I had them on VHS first

0:27:44.880 --> 0:27:46.920
<v Speaker 1>and then DVD. Every day for like a year, I

0:27:46.920 --> 0:27:50.080
<v Speaker 1>would start Fellowship of the Ring when I got into bed,

0:27:50.119 --> 0:27:53.040
<v Speaker 1>and that's what would like lull me to sleep. Wow, Okay,

0:27:53.119 --> 0:27:55.199
<v Speaker 1>I mean the answer to this question might be obvious,

0:27:55.280 --> 0:27:57.919
<v Speaker 1>but like, what about the world of the Hobbit or

0:27:57.960 --> 0:28:02.760
<v Speaker 1>just like tolkien Esque world building in general was so

0:28:03.040 --> 0:28:06.040
<v Speaker 1>captivating to you? Well, I think with the Hobbit itself,

0:28:06.280 --> 0:28:08.959
<v Speaker 1>it is the way that the story is told, and

0:28:09.000 --> 0:28:11.600
<v Speaker 1>I think some of that comes from part of the

0:28:11.640 --> 0:28:15.720
<v Speaker 1>back story of how the Hobbit was created. So you know,

0:28:15.840 --> 0:28:18.840
<v Speaker 1>obviously Lord of the Rings looms larger in the cultural

0:28:18.880 --> 0:28:22.320
<v Speaker 1>consciousness than the Hobbit does. But the Hobbit is what

0:28:22.440 --> 0:28:27.119
<v Speaker 1>was written first, and it wasn't actually written as a book.

0:28:27.200 --> 0:28:29.440
<v Speaker 1>It was a story that J. R. O. Tolkien used

0:28:29.480 --> 0:28:33.560
<v Speaker 1>to tell his kids, and then he turned it into

0:28:33.560 --> 0:28:37.160
<v Speaker 1>a book. And that's why the book itself is so episodic,

0:28:37.320 --> 0:28:40.560
<v Speaker 1>Like every chapter is a new adventure that Bilboo goes

0:28:40.600 --> 0:28:44.640
<v Speaker 1>on in which he learned something or find something or

0:28:44.880 --> 0:28:48.920
<v Speaker 1>like saves someone and in a very meta way. Um,

0:28:48.960 --> 0:28:53.720
<v Speaker 1>it's passed down through generations through children via an oral history. Yes,

0:28:53.880 --> 0:28:56.920
<v Speaker 1>and so that is what I immediately latched onto was

0:28:56.960 --> 0:29:01.280
<v Speaker 1>that kind of storytelling nature. I think the my favorite

0:29:01.840 --> 0:29:04.760
<v Speaker 1>part of the Hobbit books is the chapter with the

0:29:04.800 --> 0:29:11.120
<v Speaker 1>trolls where where Nowhere? Um, Yeah, where the trolls kidnapped

0:29:11.120 --> 0:29:15.960
<v Speaker 1>the dwarves and Bilbo and ganned off like outsmart them

0:29:16.000 --> 0:29:18.080
<v Speaker 1>and they turned to stone at the end. The premise

0:29:18.120 --> 0:29:21.280
<v Speaker 1>of the Hobbit for those that don't know, is Bilbo Baggins,

0:29:21.320 --> 0:29:23.360
<v Speaker 1>who is the kind of father figure in the Lord

0:29:23.360 --> 0:29:25.880
<v Speaker 1>of the Rings franchise. That's kind of puts a lot

0:29:26.000 --> 0:29:30.520
<v Speaker 1>of the um plot in motion. Um basically leaves Hobbit

0:29:30.640 --> 0:29:34.760
<v Speaker 1>in for the first time at kind of Gandalf's pressing

0:29:34.800 --> 0:29:36.880
<v Speaker 1>for the first time. He meets Gandalf as well to

0:29:37.440 --> 0:29:41.440
<v Speaker 1>basically go and defeat Smock the Dragons to help to

0:29:41.480 --> 0:29:45.440
<v Speaker 1>help thorn oaken Shield, who is the king under the Mountain,

0:29:45.560 --> 0:29:49.840
<v Speaker 1>reclaim his kingdom which has been usurped by Smock the Dragon,

0:29:50.080 --> 0:29:54.080
<v Speaker 1>and he and a company of twelve question mark Dwarves

0:29:54.200 --> 0:29:59.360
<v Speaker 1>um go travel to Smog's Layer to kind of reclaim it. Yes,

0:29:59.440 --> 0:30:02.760
<v Speaker 1>And then I was very much led into Lord of

0:30:02.800 --> 0:30:05.760
<v Speaker 1>the Rings in a really organic way because that is

0:30:06.400 --> 0:30:12.080
<v Speaker 1>how Tolkien intended it to be. Because Lord of the

0:30:12.160 --> 0:30:17.840
<v Speaker 1>Rings is in many ways. You know, Tolkien was creating

0:30:17.840 --> 0:30:20.480
<v Speaker 1>these stories for his children, and his children were growing up.

0:30:20.520 --> 0:30:25.920
<v Speaker 1>So then after he wrote The Hobbit, he then went

0:30:26.000 --> 0:30:29.000
<v Speaker 1>on to create Lord of the Rings, which is obviously

0:30:29.120 --> 0:30:32.040
<v Speaker 1>much more adult and you know, how to kind of

0:30:32.080 --> 0:30:34.240
<v Speaker 1>go and like rheticon a lot of what's in Lord

0:30:34.240 --> 0:30:36.520
<v Speaker 1>of the Rings to make it fit into the universe,

0:30:36.600 --> 0:30:39.280
<v Speaker 1>because the thing is in the books, like the ring

0:30:39.400 --> 0:30:44.560
<v Speaker 1>that Bilbo finds, it's just another like narrative thing. Like

0:30:45.160 --> 0:30:49.120
<v Speaker 1>it's it's not like when when the ring comes into

0:30:49.160 --> 0:30:52.640
<v Speaker 1>play in the Hobbit, it's not the ring of Lord

0:30:52.640 --> 0:30:54.800
<v Speaker 1>of the Rings. You know, it's just like a magical

0:30:54.880 --> 0:30:57.240
<v Speaker 1>ring that turns him invisible. And then in Lord of

0:30:57.280 --> 0:30:59.400
<v Speaker 1>the Rings, you know, he decides, Okay, this is actually

0:30:59.440 --> 0:31:03.120
<v Speaker 1>going to be like you know, the MacGuffin object that

0:31:03.200 --> 0:31:05.480
<v Speaker 1>has all this power and that everyone wants and needs

0:31:05.480 --> 0:31:08.160
<v Speaker 1>to be destroyed. Yeah, and and the Hobbits, I would

0:31:08.240 --> 0:31:12.560
<v Speaker 1>also say, as a race are an encapsulation of like

0:31:12.600 --> 0:31:16.560
<v Speaker 1>a kind of fundamental theme in Tolkien's work, which is

0:31:16.600 --> 0:31:21.400
<v Speaker 1>that heroism comes from the most unexpected places, and that

0:31:21.960 --> 0:31:24.800
<v Speaker 1>you can doubt all you want the like power and

0:31:24.800 --> 0:31:27.640
<v Speaker 1>ability of someone who doesn't look or feel or sound

0:31:27.840 --> 0:31:29.720
<v Speaker 1>like a hero, someone who doesn't even want to be

0:31:30.240 --> 0:31:33.400
<v Speaker 1>a hero um and yet here they are. And like

0:31:33.560 --> 0:31:37.080
<v Speaker 1>I think that in both The Hobbit and a little

0:31:37.080 --> 0:31:41.400
<v Speaker 1>bit of lorther Rings as well, they demonstrate basically Joseph

0:31:41.440 --> 0:31:45.000
<v Speaker 1>Campbell's hero's journey, but like the refusal of the call

0:31:45.640 --> 0:31:49.360
<v Speaker 1>is like a quintessential stage in Joseph Campbell's hero's journey,

0:31:49.720 --> 0:31:52.480
<v Speaker 1>and in The Hobbit Bill it was like, fuck not

0:31:52.600 --> 0:31:54.440
<v Speaker 1>am I leaving Hobbit in you know what I mean?

0:31:54.560 --> 0:31:58.240
<v Speaker 1>And like Freddie gets tricked into it and the movies,

0:31:58.320 --> 0:32:01.720
<v Speaker 1>that's changed and they and they make it his choice

0:32:01.840 --> 0:32:05.040
<v Speaker 1>on the trip, which I do think like is kind

0:32:05.040 --> 0:32:10.920
<v Speaker 1>of narratively better. I like that, but you know whatever whatever.

0:32:11.000 --> 0:32:15.080
<v Speaker 1>Whereas whereas in Lord of the Rings, Frodo does make

0:32:15.080 --> 0:32:17.400
<v Speaker 1>the choice to go on this journey. And you know,

0:32:17.600 --> 0:32:22.520
<v Speaker 1>when we were talking before about this episode, you brought

0:32:22.600 --> 0:32:24.360
<v Speaker 1>up the idea of the chosen one and I think

0:32:24.400 --> 0:32:29.360
<v Speaker 1>Lord of the Rings specifically, it's such a subversion of

0:32:29.400 --> 0:32:33.200
<v Speaker 1>that narrative of the Chosen One, which I think the

0:32:33.280 --> 0:32:37.200
<v Speaker 1>Chosen One is kind of like an almost more modern

0:32:37.440 --> 0:32:41.800
<v Speaker 1>fantasy take than fantasy that was being created in the

0:32:41.880 --> 0:32:46.080
<v Speaker 1>time that Tolkien was rightening this um it's actually very old.

0:32:46.160 --> 0:32:48.320
<v Speaker 1>It's like it like predates a lot of well, I

0:32:48.320 --> 0:32:52.200
<v Speaker 1>I just mean like in terms of like contemporary literature,

0:32:52.800 --> 0:32:56.200
<v Speaker 1>because you know, these this kind of book that Tolkien

0:32:56.240 --> 0:32:59.440
<v Speaker 1>was writing wasn't being really written for adults at the time,

0:32:59.720 --> 0:33:02.320
<v Speaker 1>and Chosen the Chosen One idea does feel very like

0:33:02.400 --> 0:33:06.080
<v Speaker 1>juvenile to me, because it's it's very something that like

0:33:06.880 --> 0:33:10.240
<v Speaker 1>a young person in a story is like is grafted

0:33:10.240 --> 0:33:13.120
<v Speaker 1>onto them that they're the only person and who can

0:33:13.200 --> 0:33:16.240
<v Speaker 1>like save the kingdom or like defeat the dark Lord

0:33:16.320 --> 0:33:19.520
<v Speaker 1>or whatever. And in Lord of the Rings, you know,

0:33:19.560 --> 0:33:23.600
<v Speaker 1>Frotto isn't chosen. He just like wines he inherits the

0:33:23.680 --> 0:33:26.680
<v Speaker 1>Ring and he makes the decision to go on this

0:33:26.800 --> 0:33:30.520
<v Speaker 1>very arduous journey, and there's nothing like inherently good in

0:33:30.640 --> 0:33:33.960
<v Speaker 1>him that helps him like defeat the bad guy, and

0:33:34.080 --> 0:33:37.840
<v Speaker 1>actually in the end he gives in to the evil.

0:33:38.400 --> 0:33:41.040
<v Speaker 1>He does not throw the ring into Mount Doom. He

0:33:41.200 --> 0:33:43.880
<v Speaker 1>actually is going to keep it for himself, and it's

0:33:43.920 --> 0:33:46.719
<v Speaker 1>only because Gallum attacks him that the ring ends up

0:33:46.760 --> 0:33:49.680
<v Speaker 1>being destroyed. On this whole choke, You're so right as well.

0:33:49.720 --> 0:33:52.920
<v Speaker 1>It's like such a spin on like the Chosen One narrative,

0:33:52.960 --> 0:33:55.840
<v Speaker 1>because like dating back to literally the Bible, which is

0:33:55.880 --> 0:33:58.560
<v Speaker 1>like maybe one of the o g like chosen narrative stories,

0:33:59.000 --> 0:34:02.160
<v Speaker 1>a story that maybe didn't. I don't think the Bible

0:34:02.280 --> 0:34:04.720
<v Speaker 1>necessarily influenced a lot of Tolkien's work, even though a

0:34:04.800 --> 0:34:07.960
<v Speaker 1>lot of Christians love to create allegories and like alignments

0:34:08.000 --> 0:34:11.480
<v Speaker 1>between Lord of the Rings and the Bible. But like C. S.

0:34:11.600 --> 0:34:15.120
<v Speaker 1>Lewis was very in her Bible, and they were best friends,

0:34:15.239 --> 0:34:18.759
<v Speaker 1>and so I think that or more than I mean,

0:34:18.800 --> 0:34:21.239
<v Speaker 1>do you think do you think they were? They were?

0:34:21.320 --> 0:34:23.560
<v Speaker 1>They were think I think they at least jerked off

0:34:23.560 --> 0:34:27.000
<v Speaker 1>together once. They have definitely, yeah, pulled their padges in

0:34:27.040 --> 0:34:31.400
<v Speaker 1>a dark room, pulling your padge. Yeah, they were. They

0:34:31.400 --> 0:34:33.759
<v Speaker 1>were definitely circle jerking in a dark room together, well,

0:34:33.840 --> 0:34:37.600
<v Speaker 1>you know, creating a song song of Solomon and probably

0:34:38.120 --> 0:34:44.719
<v Speaker 1>um but uh I when you come no, not as

0:34:44.800 --> 0:34:47.439
<v Speaker 1>like Aslan and Gandalf are kind of like The Lion,

0:34:47.520 --> 0:34:51.160
<v Speaker 1>the Witch and the aster Glide, the Lion, the Witch

0:34:51.160 --> 0:34:55.520
<v Speaker 1>and the Boy, but not Aster Glade hopefully gun Oil.

0:34:55.880 --> 0:35:02.399
<v Speaker 1>Oh No, Anyways, I don't think that UM Tolkien and

0:35:02.520 --> 0:35:07.200
<v Speaker 1>UM C. S. Lewis's relationship. I think is actually very

0:35:07.360 --> 0:35:12.359
<v Speaker 1>reflected in Lord of the Rings, particularly homoerotic, if not

0:35:12.680 --> 0:35:17.680
<v Speaker 1>homo social, if not homo erotic, relations between all of

0:35:17.680 --> 0:35:19.960
<v Speaker 1>the male characters. Because let's get into that. I mean,

0:35:20.000 --> 0:35:21.920
<v Speaker 1>you talk a lot about I mean, you post a

0:35:21.960 --> 0:35:24.959
<v Speaker 1>lot of fans, a lot of fans are okay, Lord

0:35:24.960 --> 0:35:27.600
<v Speaker 1>of the Rings is gay down because there are no women.

0:35:27.719 --> 0:35:31.880
<v Speaker 1>There's no women. Um and Phoebe wants to know producer

0:35:31.880 --> 0:35:33.520
<v Speaker 1>Phoebe wants to know why there are no women and

0:35:33.520 --> 0:35:38.040
<v Speaker 1>there's no women, probably because Tolkien was like gay or

0:35:39.760 --> 0:35:43.399
<v Speaker 1>in the thirties when women basically didn't exist. Because I mean,

0:35:43.800 --> 0:35:46.319
<v Speaker 1>and that's honestly, there's a Sophoebe. There's a kind of

0:35:46.360 --> 0:35:48.239
<v Speaker 1>like lore within the Lord of the Rings that there

0:35:48.239 --> 0:35:52.719
<v Speaker 1>are no female dwarfs and that dwarves just spring out

0:35:52.719 --> 0:35:54.960
<v Speaker 1>of holes in the ground. And I think that that,

0:35:55.080 --> 0:35:59.279
<v Speaker 1>honestly is kind of indicative of how Tolkien was thinking

0:35:59.280 --> 0:36:02.960
<v Speaker 1>about and in that they really just did. The only

0:36:03.000 --> 0:36:06.000
<v Speaker 1>service they provided was to reproduce and even the women

0:36:06.120 --> 0:36:08.000
<v Speaker 1>that we think of when we think of Lord of

0:36:08.040 --> 0:36:11.759
<v Speaker 1>the Rings, like in the books, canonically there are two

0:36:11.840 --> 0:36:15.880
<v Speaker 1>women who actually appear in the plot, and that is

0:36:15.920 --> 0:36:18.840
<v Speaker 1>glad Reel and a Owen, because our Win is only

0:36:18.880 --> 0:36:22.120
<v Speaker 1>mentioned in the appendices, and they only beefed up her

0:36:22.239 --> 0:36:26.880
<v Speaker 1>roles for the movie because the scene where she rescues Frodo,

0:36:27.040 --> 0:36:30.600
<v Speaker 1>that's a whole different character in in the books, which

0:36:30.600 --> 0:36:33.319
<v Speaker 1>I love, and you know, Arewin was originally supposed to

0:36:33.320 --> 0:36:34.960
<v Speaker 1>have a much bigger part in the second movie. She

0:36:35.040 --> 0:36:37.000
<v Speaker 1>was supposed to be in the battle at Helm's Deep.

0:36:37.160 --> 0:36:39.160
<v Speaker 1>You broke that news to me when we watched together,

0:36:39.239 --> 0:36:42.239
<v Speaker 1>and I was, I'm so mad, and I think, like,

0:36:42.320 --> 0:36:47.360
<v Speaker 1>in some ways, it's kind I understand the narrative choice,

0:36:47.520 --> 0:36:52.000
<v Speaker 1>because especially in the second movie, we're supposed to understand

0:36:52.160 --> 0:36:56.120
<v Speaker 1>the singularity of a Owen as a female warrior, and

0:36:56.280 --> 0:36:58.799
<v Speaker 1>like people of the time, we're like, what, we can

0:36:58.920 --> 0:37:01.839
<v Speaker 1>have two of them, because like, you know, people want

0:37:01.840 --> 0:37:04.279
<v Speaker 1>to understand that, and I guess it like it does

0:37:04.440 --> 0:37:07.000
<v Speaker 1>maybe make it less impactful when in the third movie,

0:37:07.000 --> 0:37:09.239
<v Speaker 1>a when kills the Witch King of Angmar and says,

0:37:09.280 --> 0:37:11.680
<v Speaker 1>I am no man, but also like they're gonna be

0:37:11.760 --> 0:37:14.600
<v Speaker 1>more than one woman. They're also just unfortunately just not

0:37:14.719 --> 0:37:17.359
<v Speaker 1>very complex characters like a Win and Arwin are kind

0:37:17.400 --> 0:37:21.120
<v Speaker 1>of one. Like Darwin's whole arc is that, like she

0:37:21.719 --> 0:37:23.520
<v Speaker 1>is kind of bad us in the first movie, and

0:37:23.520 --> 0:37:25.880
<v Speaker 1>then the second movie she's like, oh my heart broken,

0:37:25.920 --> 0:37:28.640
<v Speaker 1>I'm dying. She literally spends both of those movies like

0:37:28.880 --> 0:37:32.719
<v Speaker 1>laying in repose, like in a gorgeous gown, being like father, like,

0:37:32.840 --> 0:37:35.520
<v Speaker 1>am I going to be immortal? Or will I find love? Like?

0:37:35.640 --> 0:37:38.399
<v Speaker 1>And then she gives up her immortality for a man.

0:37:38.920 --> 0:37:41.919
<v Speaker 1>For Vigo Mortenson, we've seen his dick. He has shown

0:37:41.960 --> 0:37:44.840
<v Speaker 1>his dick on screen. I don't think she's getting anything special.

0:37:44.880 --> 0:37:48.640
<v Speaker 1>And he's also famously short. He's very short. Did you

0:37:48.640 --> 0:37:52.480
<v Speaker 1>know that he's extremely short? Wait? Did they photoshop him

0:37:52.520 --> 0:37:55.680
<v Speaker 1>so that he was taller than Arwin? I actually don't

0:37:55.680 --> 0:37:59.040
<v Speaker 1>remember him feeling shorter in the movies. They really played

0:37:59.040 --> 0:38:02.160
<v Speaker 1>around with height in every way they could. They did.

0:38:02.160 --> 0:38:07.000
<v Speaker 1>There's lots of perspective um, you know, trickery in the

0:38:07.080 --> 0:38:10.000
<v Speaker 1>Lord of the Rings films, thanks to Peter Jackson and

0:38:10.080 --> 0:38:25.520
<v Speaker 1>the magic he created through these movies to go back

0:38:25.560 --> 0:38:27.960
<v Speaker 1>to this kind of like chosen one thing. You know,

0:38:28.520 --> 0:38:32.560
<v Speaker 1>Ericorn is kind of a chosen one narrative. Frodo's kind

0:38:32.600 --> 0:38:34.360
<v Speaker 1>of this. You know. There there are a lot of

0:38:34.360 --> 0:38:37.880
<v Speaker 1>different like ways we're in. Tolkien I think was really

0:38:37.920 --> 0:38:43.080
<v Speaker 1>a student of like the narrative, and he like was

0:38:43.200 --> 0:38:46.680
<v Speaker 1>extremely literary. They were both Cambridge girls and so they

0:38:46.680 --> 0:38:49.960
<v Speaker 1>were and like, you know, Tolkien was like a linguist,

0:38:50.040 --> 0:38:54.320
<v Speaker 1>Like he literally took the languages very seriously and created literal,

0:38:54.520 --> 0:38:57.120
<v Speaker 1>full languages. It wasn't just kind of like a oh,

0:38:57.160 --> 0:38:58.920
<v Speaker 1>I just need four lines and I'm gonna make up

0:38:58.960 --> 0:39:02.000
<v Speaker 1>some things, and then there is there's el He created

0:39:02.040 --> 0:39:06.160
<v Speaker 1>a whole language. He also, you know, there's so much text.

0:39:06.360 --> 0:39:10.879
<v Speaker 1>He not only wrote all of the appendices for Lord

0:39:10.920 --> 0:39:14.600
<v Speaker 1>of the Rings. There's the sill Marillion, which tells the

0:39:14.680 --> 0:39:19.200
<v Speaker 1>backstory of you know, sal RAN's rise to power and

0:39:19.280 --> 0:39:22.160
<v Speaker 1>kind of all the mythology of Middle Earth. There's tons

0:39:22.160 --> 0:39:25.320
<v Speaker 1>of short stories written in the world of Lord of

0:39:25.360 --> 0:39:28.840
<v Speaker 1>the Rings. There's actually one which explains the backstory between

0:39:29.239 --> 0:39:31.480
<v Speaker 1>Galadril and Gandalf. Did you know that they used to

0:39:31.480 --> 0:39:35.520
<v Speaker 1>fuck what, you know, Gandalf when he used to be

0:39:35.600 --> 0:39:39.400
<v Speaker 1>a mayor, which are like the like kind of angelic

0:39:39.560 --> 0:39:42.120
<v Speaker 1>beings that that the wizards are when they're not in

0:39:42.360 --> 0:39:45.960
<v Speaker 1>like human form. He and Galadriel used to be a thing,

0:39:46.080 --> 0:39:49.719
<v Speaker 1>like thousands and thousands of years ago. Yeah. But then

0:39:49.800 --> 0:39:52.080
<v Speaker 1>when he finally like comes to Middle Earth in the

0:39:52.120 --> 0:39:55.560
<v Speaker 1>form of Gandalf, she is married. Um, and so they

0:39:55.680 --> 0:39:57.919
<v Speaker 1>you know, can't be together. And that's why I guess

0:39:57.920 --> 0:39:59.680
<v Speaker 1>on the Hobbit movies they have kind of a weird

0:40:00.480 --> 0:40:04.560
<v Speaker 1>well Giandolf unfortunately still feels pretty gay to me, or

0:40:04.560 --> 0:40:09.799
<v Speaker 1>maybe everyone's gay and everyone's gay. Yeah, we go back

0:40:09.800 --> 0:40:12.520
<v Speaker 1>to the homo homo roticism of it all we have.

0:40:12.719 --> 0:40:15.200
<v Speaker 1>You know, you you you wrote some ships. I wrote

0:40:15.200 --> 0:40:18.839
<v Speaker 1>some ships down, so the big ones are Salmon Frodo. Obviously.

0:40:19.040 --> 0:40:22.560
<v Speaker 1>There's even you should go search um Lord of the

0:40:22.640 --> 0:40:27.919
<v Speaker 1>Rings Secret Lovers on YouTube because there's a TBS promo

0:40:28.040 --> 0:40:31.000
<v Speaker 1>in which they like have edited it to look as

0:40:31.040 --> 0:40:32.719
<v Speaker 1>the Lord of the Rings is a love story about

0:40:32.760 --> 0:40:37.600
<v Speaker 1>Salmon Frodo. Um in the Hobbit trilogy, which you know

0:40:38.160 --> 0:40:43.239
<v Speaker 1>is not good, but I definitely watched um. Bilbo and

0:40:43.360 --> 0:40:46.160
<v Speaker 1>Thorin very much have a vibe that it's a fan

0:40:46.239 --> 0:40:49.920
<v Speaker 1>fiction about them. Legolas and Ericorn are kind of a thing.

0:40:50.280 --> 0:40:53.040
<v Speaker 1>I personally am more interested in Legolas and Gimley. I

0:40:53.080 --> 0:40:56.960
<v Speaker 1>was gonna say, like Lass and Gimley, I Legolas was

0:40:57.000 --> 0:40:59.799
<v Speaker 1>there's lots of crouching down in that relationship. Let's just

0:40:59.840 --> 0:41:02.160
<v Speaker 1>say that. I'm sure. I'm sure they have, you know,

0:41:02.200 --> 0:41:06.440
<v Speaker 1>maybe a step stool involved at some point. Lego Loss

0:41:06.640 --> 0:41:12.000
<v Speaker 1>was really like the sexual wakening for so many fags,

0:41:12.160 --> 0:41:15.200
<v Speaker 1>and and for myself, I had the hugest crush on

0:41:15.440 --> 0:41:18.920
<v Speaker 1>Orlando Bloom as Lego Loss. To talk about that for

0:41:18.960 --> 0:41:22.000
<v Speaker 1>a little bit at the fense that Lego Loss this

0:41:22.080 --> 0:41:25.040
<v Speaker 1>is so corny, but Legolas was like a kind of

0:41:25.080 --> 0:41:28.880
<v Speaker 1>gender nonconforming, kind of like, you know, girl, Lego like

0:41:28.960 --> 0:41:34.520
<v Speaker 1>a lot giving is giving heathen skirt, tides wig, you know,

0:41:34.800 --> 0:41:37.480
<v Speaker 1>or maybe Legolass is given like in in their in

0:41:37.520 --> 0:41:41.319
<v Speaker 1>their Instagram bio. It's like any pronouns are fine, yeah, yeah,

0:41:41.360 --> 0:41:44.280
<v Speaker 1>any right, yeah, Lego Loss is giving that. All elves

0:41:44.280 --> 0:41:47.440
<v Speaker 1>in general, I think, are kind of like they their

0:41:47.480 --> 0:41:50.839
<v Speaker 1>their race and world seems to exist so much outside

0:41:50.920 --> 0:41:53.879
<v Speaker 1>of Middle Earth and like the forest, yes, and then

0:41:54.200 --> 0:41:57.160
<v Speaker 1>and then they like leave to go to war to

0:41:57.239 --> 0:42:00.799
<v Speaker 1>go to val Howl or something. They go to like

0:42:00.880 --> 0:42:04.400
<v Speaker 1>basically heaven, but it's like not really heaven. It's just

0:42:04.560 --> 0:42:07.439
<v Speaker 1>this like perfect world where they the undying land, which

0:42:07.480 --> 0:42:12.359
<v Speaker 1>is so sorry, uninteresting as like a as a like

0:42:13.120 --> 0:42:16.440
<v Speaker 1>in terms of a writer's perspective, like there's nothing interesting

0:42:16.480 --> 0:42:19.319
<v Speaker 1>to me about going to like a heaven place. And

0:42:19.800 --> 0:42:22.640
<v Speaker 1>in my opinion, controversially, I think that the last thirty

0:42:22.640 --> 0:42:26.200
<v Speaker 1>minutes of the third movie are extremely boring. Well there's well,

0:42:26.239 --> 0:42:29.160
<v Speaker 1>you know, there's so many fake endings and the movie

0:42:29.239 --> 0:42:33.200
<v Speaker 1>drags on, but you know the fact that the that

0:42:33.320 --> 0:42:36.879
<v Speaker 1>the elves go somewhere did give us the I think

0:42:36.920 --> 0:42:38.600
<v Speaker 1>the best line of all the movies, which is when

0:42:38.640 --> 0:42:41.839
<v Speaker 1>Galadriel says I passed the test, I will diminish and

0:42:41.880 --> 0:42:46.360
<v Speaker 1>go into the West and remain, which is my favorite

0:42:46.360 --> 0:42:48.640
<v Speaker 1>meme of all time. Yeah, it is the one that

0:42:48.680 --> 0:42:52.160
<v Speaker 1>I post like twenty times a year. Look all shall

0:42:52.239 --> 0:42:56.560
<v Speaker 1>love me and despair. That's my Twitter bio. No, it's

0:42:56.800 --> 0:42:59.759
<v Speaker 1>actually a perfect Twitter bio for you not gonna lie. Yes,

0:43:00.200 --> 0:43:03.960
<v Speaker 1>um okay. So, in terms of other queer coded characters,

0:43:04.080 --> 0:43:09.400
<v Speaker 1>the urukai um, which are the kind of bastardized or

0:43:10.080 --> 0:43:15.760
<v Speaker 1>that's that Saramon creates. He's bred to be killing machines. Yes, um,

0:43:15.960 --> 0:43:19.600
<v Speaker 1>they I guess it might be because they have a

0:43:19.719 --> 0:43:24.440
<v Speaker 1>high poet, definitely a marinator. The Hearts were coming in

0:43:24.480 --> 0:43:28.839
<v Speaker 1>with big stars and they were going, yeah, we're going

0:43:28.880 --> 0:43:37.560
<v Speaker 1>to get those hobbits. Yeah, I'm just like imagining an orc,

0:43:37.680 --> 0:43:41.680
<v Speaker 1>like like putting a third arrow into bor a mirror.

0:43:41.920 --> 0:43:46.760
<v Speaker 1>Like just keep dying and Dyane and Diane and Dane.

0:43:47.200 --> 0:43:50.200
<v Speaker 1>We got there, We got there. Funny enough, the Orcs

0:43:50.360 --> 0:43:55.200
<v Speaker 1>were the only roles up in the show outside of

0:43:55.239 --> 0:43:57.160
<v Speaker 1>the main characters that were played by women. I think

0:43:57.239 --> 0:44:00.520
<v Speaker 1>I think almost a third, they say, of the Orcs

0:44:00.680 --> 0:44:04.800
<v Speaker 1>in the movie franchise were played by women. Love. Um,

0:44:05.000 --> 0:44:13.600
<v Speaker 1>diversity and inclusion representation matters. Sure. Oh my god, Phoebe

0:44:13.760 --> 0:44:16.239
<v Speaker 1>is dying in the booth hearing things about Tolkeen very

0:44:16.239 --> 0:44:18.279
<v Speaker 1>basically the first time, because Phoebe's never seen the little

0:44:18.280 --> 0:44:20.360
<v Speaker 1>of the Rings trilogy and were like the book context

0:44:20.480 --> 0:44:22.719
<v Speaker 1>or read the books, so we're like contextualizing all of

0:44:22.719 --> 0:44:26.920
<v Speaker 1>this and it's just bizarre out of context. Um. But yeah,

0:44:27.440 --> 0:44:29.799
<v Speaker 1>I I feel like I growing up. I don't know

0:44:29.800 --> 0:44:32.279
<v Speaker 1>if I really picked up on the homo eroticism of

0:44:32.320 --> 0:44:36.359
<v Speaker 1>like these male friendships, but male homo social friendships were

0:44:36.840 --> 0:44:40.759
<v Speaker 1>the string that pulled a lot of you are you

0:44:40.800 --> 0:44:42.680
<v Speaker 1>know that that kind of vibe? Yeah, and they like

0:44:42.719 --> 0:44:45.840
<v Speaker 1>caress each other's cheek for like like like a fully

0:44:45.920 --> 0:44:50.759
<v Speaker 1>holding yeah, I love you well, even um when Boromir

0:44:50.920 --> 0:44:55.880
<v Speaker 1>dies in Fellowship of the Ring, like I mean obviously

0:44:55.920 --> 0:44:58.359
<v Speaker 1>he and Ericorn were fucking and sucking you know when

0:44:58.360 --> 0:45:01.240
<v Speaker 1>the Hobbits were sleeping at night. That was a loss

0:45:01.320 --> 0:45:04.920
<v Speaker 1>for sure. Also, maybe there's maybe some like incest a

0:45:05.040 --> 0:45:08.960
<v Speaker 1>foot between like bar Mere and far Mere or Larmer

0:45:09.320 --> 0:45:12.640
<v Speaker 1>so hot fer Farmer is maybe hottest next to like

0:45:12.719 --> 0:45:14.759
<v Speaker 1>you know what I hate is that a Win is

0:45:14.800 --> 0:45:17.319
<v Speaker 1>like I'm this girl boss warrior. I killed the witch

0:45:17.360 --> 0:45:19.680
<v Speaker 1>king of Angmer, and then at the end she's like, oh,

0:45:19.719 --> 0:45:22.120
<v Speaker 1>I'm going to lay down my sword and Mary farm here.

0:45:22.200 --> 0:45:25.239
<v Speaker 1>That was so boring, so lazy, because a Owen and

0:45:25.400 --> 0:45:29.239
<v Speaker 1>Rwin obviously should have hooked up. Yeah, absolutely, but like

0:45:29.280 --> 0:45:31.200
<v Speaker 1>a Owen falling in love with Farming here, Like I

0:45:31.200 --> 0:45:34.160
<v Speaker 1>don't think they even expanded on that in the extended edition,

0:45:34.200 --> 0:45:37.440
<v Speaker 1>Like it was just this is what I'm saying born,

0:45:37.480 --> 0:45:39.319
<v Speaker 1>which is why the second movie is the best movie

0:45:39.360 --> 0:45:42.720
<v Speaker 1>and a win. Oh the second movie, absolutely, True Towers

0:45:42.920 --> 0:45:45.960
<v Speaker 1>is the best movie. True Beard. Are you kidding me? Yes? Absolutely?

0:45:46.120 --> 0:45:49.880
<v Speaker 1>Tree Beard is giving radical Ferry, also played by Jonathan

0:45:49.880 --> 0:45:53.080
<v Speaker 1>Rees Davies, who played Gimli, who also played the elephant

0:45:53.080 --> 0:45:55.919
<v Speaker 1>in my favorite childhood film, Cats Don't Dance. Get ready

0:45:55.960 --> 0:45:58.120
<v Speaker 1>for that episode. By my god, you are going to

0:45:58.200 --> 0:46:01.920
<v Speaker 1>have to watch it, I know looking forward to it. Um.

0:46:01.960 --> 0:46:05.440
<v Speaker 1>I would love to ask you if you thought Gandalf

0:46:05.440 --> 0:46:08.520
<v Speaker 1>was gay because it was played by Ian McKellen, who

0:46:08.600 --> 0:46:12.319
<v Speaker 1>is famously gay, but Sean Connery, who is famously not gay,

0:46:12.400 --> 0:46:19.640
<v Speaker 1>did turn down the role. Um. I think Gandolf transcends sexuality,

0:46:19.800 --> 0:46:25.400
<v Speaker 1>so he's a gender. I think Gandolf is a um

0:46:25.440 --> 0:46:30.760
<v Speaker 1>trans elder. Oh oh, I love that trans elder, trans elder,

0:46:30.800 --> 0:46:35.239
<v Speaker 1>no transferm trans elder who is kind of like, I

0:46:35.320 --> 0:46:40.239
<v Speaker 1>don't care about shaving anymore. You know. She said, I

0:46:40.320 --> 0:46:42.680
<v Speaker 1>do not have to present to you in a certain way.

0:46:43.320 --> 0:46:46.279
<v Speaker 1>Non binary trans elder, non binary people don't owe you.

0:46:46.360 --> 0:46:51.279
<v Speaker 1>Androgen is exactly exactly. Oh my gosh, especially when she

0:46:51.320 --> 0:46:56.240
<v Speaker 1>comes back as Gandalf the White with that lace laid.

0:46:56.400 --> 0:46:59.960
<v Speaker 1>What were the hair and makeup? People on Lord of

0:47:00.000 --> 0:47:04.440
<v Speaker 1>the Rings doing that people in current day movies cannot replicate.

0:47:04.480 --> 0:47:06.880
<v Speaker 1>Like we saw Doctor Strange in the Multiverse of Madness

0:47:06.960 --> 0:47:11.239
<v Speaker 1>last night, and Doctor Stranger's hairline was so clocky. And

0:47:11.320 --> 0:47:16.440
<v Speaker 1>then in fucking nine the nineties, we had people blending

0:47:16.480 --> 0:47:22.360
<v Speaker 1>Gandalf edges like butter but it was melted. I honestly, okay,

0:47:22.480 --> 0:47:25.320
<v Speaker 1>I would love to talk about like watching the franchise

0:47:25.520 --> 0:47:29.000
<v Speaker 1>in adulthood versus watching his childhood, because I recently rewatched

0:47:29.040 --> 0:47:31.359
<v Speaker 1>and that was actually one of the things that I

0:47:31.440 --> 0:47:35.960
<v Speaker 1>noticed was the way that Gandalf really was kind of queenie,

0:47:36.200 --> 0:47:39.640
<v Speaker 1>Like he loved a reveal, Okay, like when he came

0:47:39.719 --> 0:47:42.839
<v Speaker 1>up all pretended to be Saramon just for the gang,

0:47:43.680 --> 0:47:47.160
<v Speaker 1>just for and then he did it again when he

0:47:47.200 --> 0:47:49.600
<v Speaker 1>went to Um not Helm's Deep, when he went to

0:47:49.800 --> 0:47:53.120
<v Speaker 1>rohan to to find the poisoned king. I think they

0:47:54.000 --> 0:47:56.080
<v Speaker 1>would play Gandalf in The Lord of the Rings happening

0:47:56.440 --> 0:47:59.040
<v Speaker 1>the funk up. Absolutely not, but like literally when he

0:47:59.120 --> 0:48:01.200
<v Speaker 1>came to rohan On and he was, you know, trying

0:48:01.239 --> 0:48:07.200
<v Speaker 1>to um basically eradicate the poison from Theoden and like

0:48:07.560 --> 0:48:10.719
<v Speaker 1>is giving gand off the gray and then like you thought,

0:48:10.920 --> 0:48:16.640
<v Speaker 1>you thought if the White she brings it to you

0:48:16.760 --> 0:48:22.600
<v Speaker 1>every bush. She took out her cloak and she said yeah,

0:48:27.320 --> 0:48:29.840
<v Speaker 1>and then like you know, um aer Gornett and like

0:48:29.880 --> 0:48:36.520
<v Speaker 1>a last backup dance kind of like you were telling

0:48:36.560 --> 0:48:40.080
<v Speaker 1>me that. Ian McKellen turned down another role to do this. Yeah.

0:48:40.200 --> 0:48:43.840
<v Speaker 1>Oh yeah, so Ian McKellen did not play Dumbledore because

0:48:43.920 --> 0:48:45.920
<v Speaker 1>he was like, well, I already played Gandoff, so like

0:48:45.960 --> 0:48:49.920
<v Speaker 1>I'm not going to do another wizard moment. Yeah, I

0:48:49.960 --> 0:48:52.360
<v Speaker 1>would be way too repetitive. Like those are the two

0:48:52.800 --> 0:48:57.560
<v Speaker 1>most famous Elder Wizards ever aside from Merlin, you know

0:48:57.640 --> 0:48:59.839
<v Speaker 1>what I mean, So like for one person to play

0:49:00.080 --> 0:49:03.239
<v Speaker 1>all of them just would be not right. Um. I

0:49:03.280 --> 0:49:07.960
<v Speaker 1>do love the battle between Saramon and Gandalf and Fellowship

0:49:08.000 --> 0:49:10.920
<v Speaker 1>of the Rings where they're just basically like grunting at

0:49:10.960 --> 0:49:13.600
<v Speaker 1>each other. They're like with their staffs are like just

0:49:13.680 --> 0:49:19.960
<v Speaker 1>like hours of footage that are just welcome to like

0:49:20.000 --> 0:49:22.960
<v Speaker 1>a virgin. And then when she's like Seremon is like

0:49:23.000 --> 0:49:26.040
<v Speaker 1>spinning the staff and then goes up into the ceiling. Yeah,

0:49:26.120 --> 0:49:30.799
<v Speaker 1>that is actually and then like does a tip. I

0:49:30.800 --> 0:49:33.040
<v Speaker 1>am by no means a gamer, but at the time

0:49:33.080 --> 0:49:35.680
<v Speaker 1>I will I was a loser and had no friends.

0:49:35.680 --> 0:49:38.120
<v Speaker 1>So the Lord of the Rings games. Video games are

0:49:38.120 --> 0:49:43.359
<v Speaker 1>extention course, they're all I'm not. I'm not a video game.

0:49:43.640 --> 0:49:46.360
<v Speaker 1>And anyway, The Two Towers was kind of the first

0:49:46.560 --> 0:49:49.440
<v Speaker 1>real video game to hit the market and it was amazing,

0:49:49.520 --> 0:49:51.799
<v Speaker 1>and then they really leveled up with the Return of

0:49:51.840 --> 0:49:54.480
<v Speaker 1>the King, which is definitely the best video game. But like,

0:49:55.000 --> 0:49:57.400
<v Speaker 1>I'm just bringing it up because like the majority of

0:49:57.440 --> 0:50:00.560
<v Speaker 1>you playing this game is like Gandalf and others just

0:50:00.680 --> 0:50:05.239
<v Speaker 1>doing ha ha, you know, like the entire time, um,

0:50:05.280 --> 0:50:07.880
<v Speaker 1>and it never it never got old. Like I remember,

0:50:07.920 --> 0:50:10.879
<v Speaker 1>I like completed the Return of the King video game

0:50:10.960 --> 0:50:14.880
<v Speaker 1>like seventeen times in my in my childhood. I love that.

0:50:15.120 --> 0:50:17.960
<v Speaker 1>I just searched Lord of the Rings thunderpost remix in

0:50:18.080 --> 0:50:22.520
<v Speaker 1>YouTube and John John Williams really upset M. But you

0:50:22.520 --> 0:50:26.120
<v Speaker 1>know what, I was obsessed with the song that Billie

0:50:26.280 --> 0:50:31.080
<v Speaker 1>Boyd who plays Pippin um sings. What is that and

0:50:31.120 --> 0:50:35.120
<v Speaker 1>that has a great remix? Yes, yes, yes, literally google

0:50:35.160 --> 0:50:36.880
<v Speaker 1>and we should listen to it right now. It's an

0:50:36.920 --> 0:50:44.520
<v Speaker 1>amazing club remix of Pippins song Edge of Night. This

0:50:44.600 --> 0:50:46.440
<v Speaker 1>is not the one that I was thinking of, but

0:50:46.640 --> 0:50:51.800
<v Speaker 1>I'm still feeling it. Yeah, it's good. It's good as skips. Okay,

0:50:51.880 --> 0:50:54.200
<v Speaker 1>that was kind of post. Will be adding this to

0:50:54.320 --> 0:50:58.920
<v Speaker 1>my UM Hot Girl Walk playlist. Love that. Um anyways,

0:50:58.960 --> 0:51:01.960
<v Speaker 1>I did love that song as well. I I will

0:51:02.000 --> 0:51:07.040
<v Speaker 1>complain briefly that, um, there are too many songs in

0:51:07.080 --> 0:51:10.920
<v Speaker 1>general in the Lord of the Rings books, too many songs,

0:51:11.000 --> 0:51:13.279
<v Speaker 1>too many poems. They love to sing a song, they

0:51:13.320 --> 0:51:16.920
<v Speaker 1>love to say riddles in rhyme riddles. Oh my god,

0:51:17.480 --> 0:51:21.080
<v Speaker 1>Oh my god. The Hobbit is prime predominantly riddles like it. Well,

0:51:21.120 --> 0:51:26.040
<v Speaker 1>that's how in the original you know, telling of the Hobbit,

0:51:26.160 --> 0:51:29.800
<v Speaker 1>Gallum is much more of a sort of like tricksie

0:51:30.200 --> 0:51:33.719
<v Speaker 1>character than an outright villain. Yeah. But the riddles were

0:51:33.760 --> 0:51:38.319
<v Speaker 1>like very like snriddles in the very snapple bottle cap

0:51:38.440 --> 0:51:42.440
<v Speaker 1>kind of riddles like and then and then a popsicle.

0:51:43.000 --> 0:51:46.840
<v Speaker 1>The songs were giving very like dove secrets chocolate like

0:51:46.840 --> 0:51:49.480
<v Speaker 1>like I don't know, like I just feel like a

0:51:49.480 --> 0:51:54.239
<v Speaker 1>lot of the songs were very sacharin and did not

0:51:54.320 --> 0:51:56.080
<v Speaker 1>move the plot at all, and very just as a

0:51:56.120 --> 0:51:59.400
<v Speaker 1>writer from a writer's perspective, like indulgent and like Tolkien

0:51:59.440 --> 0:52:02.759
<v Speaker 1>needed an I'm sorry like they both of them needed editors.

0:52:02.800 --> 0:52:04.760
<v Speaker 1>I think C. S. Lewis is better at editing himself

0:52:04.760 --> 0:52:07.360
<v Speaker 1>because his books were like a little bit more for children.

0:52:07.400 --> 0:52:09.120
<v Speaker 1>But like when they were sitting there, like at the

0:52:09.120 --> 0:52:11.440
<v Speaker 1>Eagleman Child, the pub that they famously wrote, like their

0:52:11.480 --> 0:52:15.120
<v Speaker 1>books at together, they should have edited. They're just like

0:52:15.239 --> 0:52:18.120
<v Speaker 1>us writing books in a fucking coffee shop and a

0:52:18.280 --> 0:52:21.399
<v Speaker 1>fucking guy. Yeah. Yeah, Tolkien and C. S Lewis sitting

0:52:21.440 --> 0:52:24.319
<v Speaker 1>at their laptops across from each other, each with ice

0:52:24.360 --> 0:52:27.319
<v Speaker 1>oat latte is being like, oh yeah, I'm thinking that

0:52:27.440 --> 0:52:29.759
<v Speaker 1>like maybe Gimbly is going to have like an arc

0:52:29.840 --> 0:52:32.239
<v Speaker 1>here and then and then C. S Lewis is like, yeah,

0:52:32.280 --> 0:52:34.399
<v Speaker 1>that sounds great, bro, and then like do you want

0:52:34.400 --> 0:52:37.959
<v Speaker 1>to go in the bathroom and each other all, hey,

0:52:38.160 --> 0:52:39.799
<v Speaker 1>do you think that you can send this stuff to

0:52:39.840 --> 0:52:42.399
<v Speaker 1>your agent? Like, oh, I don't have an agent, bro,

0:52:42.840 --> 0:52:44.480
<v Speaker 1>I'm sorry, but like that is a kind of like,

0:52:44.760 --> 0:52:49.840
<v Speaker 1>you know, Hollywood, I wonder if they're CS Lewis, j R. R.

0:52:50.000 --> 0:52:54.080
<v Speaker 1>Tolkien real person fan pic ship. Definitely, there's one thousand

0:52:54.120 --> 0:53:07.640
<v Speaker 1>percent us. Yep, there is, Okay, one grade I have

0:53:07.840 --> 0:53:11.120
<v Speaker 1>with Lord of the Rings, which is first side from

0:53:11.120 --> 0:53:13.720
<v Speaker 1>the women the side from the back of the No women. Okay,

0:53:13.719 --> 0:53:16.719
<v Speaker 1>first of all, it's very gay. Lord of the Rings,

0:53:16.719 --> 0:53:19.399
<v Speaker 1>that obviously is very gay. Everyone's fighting over a piece

0:53:19.400 --> 0:53:23.160
<v Speaker 1>of jewelry. Um, I love that, love that they really

0:53:23.560 --> 0:53:26.279
<v Speaker 1>just go check out the s and sale. There's like

0:53:26.320 --> 0:53:32.239
<v Speaker 1>always fifteen. But what the fuck does Saron even want

0:53:32.320 --> 0:53:34.960
<v Speaker 1>with the ring? Like there's no there's nothing, there's no

0:53:35.040 --> 0:53:39.160
<v Speaker 1>like specification about what it's going to do. When he

0:53:39.200 --> 0:53:43.839
<v Speaker 1>gets it, it's just like he becomes more powerful. That's

0:53:43.920 --> 0:53:47.759
<v Speaker 1>kind of whine. Cambellian narratives are often very flat and

0:53:47.840 --> 0:53:51.640
<v Speaker 1>like like especially when it's like in action, but like

0:53:53.200 --> 0:53:55.000
<v Speaker 1>it's like the same thing as we like we always

0:53:55.040 --> 0:53:57.279
<v Speaker 1>talk about with Marvel movies. It's like they spend the

0:53:57.280 --> 0:54:00.879
<v Speaker 1>whole movie looking for this thing that like you don't

0:54:00.880 --> 0:54:03.880
<v Speaker 1>even really get why they need. The motivation is not

0:54:03.960 --> 0:54:07.000
<v Speaker 1>necessarily there, and the villain is not that interesting because

0:54:07.040 --> 0:54:09.279
<v Speaker 1>all he wants is power and immortality. And I guess

0:54:09.280 --> 0:54:11.239
<v Speaker 1>it's not about the destination, it's about the journey. It's

0:54:11.239 --> 0:54:13.120
<v Speaker 1>about the journey. It really is, um and and the

0:54:13.280 --> 0:54:17.319
<v Speaker 1>the films are like the plots are really complex and

0:54:17.400 --> 0:54:22.000
<v Speaker 1>yet extremely simple because they follow archetypes and I think

0:54:22.000 --> 0:54:24.880
<v Speaker 1>it's a cock ring. I think Salaron is a huge

0:54:24.960 --> 0:54:29.239
<v Speaker 1>cock and the ring will um adjust. I was going

0:54:29.320 --> 0:54:32.319
<v Speaker 1>to say the ring famously adjusted size, and so if

0:54:32.320 --> 0:54:35.360
<v Speaker 1>you put it around your keen um, that would actually

0:54:35.360 --> 0:54:41.200
<v Speaker 1>be a really useful invention, like a metal adjustable cock ring. Okay, well,

0:54:41.239 --> 0:54:43.680
<v Speaker 1>like how I feel like Hobbits probably have a lot

0:54:43.719 --> 0:54:48.040
<v Speaker 1>of orgies in Hobbitant. Also, we have said this on

0:54:48.080 --> 0:54:51.040
<v Speaker 1>the podcast before we need to go to New Zealand

0:54:51.160 --> 0:54:54.960
<v Speaker 1>and go to Hobbiton. Someone needs to sponsor us to

0:54:55.080 --> 0:54:58.080
<v Speaker 1>do this. We will do ads for whatever fucking New

0:54:58.160 --> 0:55:02.640
<v Speaker 1>Zealand Board of Tourism, anyone, they are the borders even

0:55:02.680 --> 0:55:04.799
<v Speaker 1>open in New Zealand. I don't care. They just like

0:55:04.880 --> 0:55:07.400
<v Speaker 1>have they are they holding? Lord? You can you can

0:55:07.440 --> 0:55:09.200
<v Speaker 1>put me in a barrel like the dwarves in the

0:55:09.200 --> 0:55:11.799
<v Speaker 1>hobbit and send me down the river. I just want

0:55:11.800 --> 0:55:14.319
<v Speaker 1>to go to Hobbiton. Yeah, and Lord will be there

0:55:14.360 --> 0:55:17.319
<v Speaker 1>at at the edges, at the edges of the and

0:55:17.320 --> 0:55:20.440
<v Speaker 1>she she's you know, she's in full eleven GARB and

0:55:20.520 --> 0:55:24.160
<v Speaker 1>she's like, oh, do you think Lord likes Lord of

0:55:24.200 --> 0:55:27.240
<v Speaker 1>the Rings? Lord of the Rings? I mean she obviously

0:55:27.360 --> 0:55:29.000
<v Speaker 1>I think that Lord of the Rings has to be

0:55:29.080 --> 0:55:32.279
<v Speaker 1>integral to New Zealand like Kiwi culture, right, Like they're

0:55:32.320 --> 0:55:36.080
<v Speaker 1>probably inextricably linked. So I would imagine that she is

0:55:36.480 --> 0:55:38.439
<v Speaker 1>a Lord of the Rings fan, but she famously only

0:55:38.480 --> 0:55:41.120
<v Speaker 1>watches a few movies a year. Has Lord ever uttered

0:55:41.160 --> 0:55:44.200
<v Speaker 1>the words fool of a too? No, she hasn't, unfortunately,

0:55:44.239 --> 0:55:46.600
<v Speaker 1>but she has shushed a lot of people, which Gandalf

0:55:46.760 --> 0:55:52.359
<v Speaker 1>does do. This is what the whole podcast has been.

0:55:55.680 --> 0:56:02.080
<v Speaker 1>I think and Sarmon are giving such x energy, Like, yeah,

0:56:02.120 --> 0:56:06.520
<v Speaker 1>they so obviously used to date, and there's a lot

0:56:06.560 --> 0:56:09.560
<v Speaker 1>and there was a bad breakup. Yeah, and Gandolf like

0:56:09.960 --> 0:56:15.000
<v Speaker 1>you know, like really wants his like Joni Mitchell vinyl collection. Okay,

0:56:15.040 --> 0:56:18.520
<v Speaker 1>I'm retracting my earlier sting. Oh no, here's what it is, bitch,

0:56:19.040 --> 0:56:20.920
<v Speaker 1>here's what it is. So I was gonna say I

0:56:20.920 --> 0:56:23.759
<v Speaker 1>was going to retract my statement that Gandalf was like

0:56:23.960 --> 0:56:27.440
<v Speaker 1>trans Elder because I was gonna say, like, no, Gandolf's

0:56:27.480 --> 0:56:30.719
<v Speaker 1>gay because he and No they were excess and then

0:56:30.800 --> 0:56:37.240
<v Speaker 1>Gandalf and Transition and and Sourmont has been a bitter

0:56:37.719 --> 0:56:41.000
<v Speaker 1>bitch about it ever since. Yeah, it's giving homeop a

0:56:41.080 --> 0:56:44.560
<v Speaker 1>bit it's giving, trans transporobic, transphobic gay. Oh my god,

0:56:44.640 --> 0:56:47.799
<v Speaker 1>we just unlocked this bitch. How could you be transphobic

0:56:47.840 --> 0:56:49.880
<v Speaker 1>and have a lace front like that? Like, come on,

0:56:50.719 --> 0:56:54.359
<v Speaker 1>have you met any drag queens ever? Have you met RuPaul? Well,

0:56:54.440 --> 0:56:56.879
<v Speaker 1>RuPaul's lace front is so, I mean, the best lace

0:56:56.920 --> 0:57:00.640
<v Speaker 1>front of money money can buy. Who's your favorite Lord

0:57:00.680 --> 0:57:04.640
<v Speaker 1>of the Rings villain? Probably the witch King of Angmar.

0:57:05.040 --> 0:57:09.919
<v Speaker 1>He was pretty sick from the first movie to the end.

0:57:10.880 --> 0:57:14.280
<v Speaker 1>You're actually a percent right forgive me, um, I would

0:57:14.280 --> 0:57:17.360
<v Speaker 1>say in the words, in the words of Charlene, if

0:57:17.360 --> 0:57:19.280
<v Speaker 1>you don't have any pronouns, I'm going to use the

0:57:19.320 --> 0:57:26.160
<v Speaker 1>one that you look like, Oh my god, that's please

0:57:26.200 --> 0:57:30.760
<v Speaker 1>don't follow. Don't don't follow anyways. Um. I think they

0:57:31.000 --> 0:57:34.400
<v Speaker 1>were um a kind of transcendent villain that had so

0:57:34.440 --> 0:57:37.800
<v Speaker 1>many different had, you know, an elevation onto the dragon

0:57:38.080 --> 0:57:41.600
<v Speaker 1>that was really satiating and Gallum to me got repetitive

0:57:41.600 --> 0:57:45.919
<v Speaker 1>and annoying. Saramon was queeny, but actually removed himself from

0:57:45.960 --> 0:57:48.560
<v Speaker 1>a lot of the movie. He wasn't he was supposed

0:57:48.600 --> 0:57:51.200
<v Speaker 1>to be. I'm sure you know this, Like a big

0:57:51.320 --> 0:57:56.120
<v Speaker 1>part of the third film, Slash Book. We're in even

0:57:56.160 --> 0:58:00.200
<v Speaker 1>after Um destroys the Ring, they have to go back

0:58:00.520 --> 0:58:04.880
<v Speaker 1>to Eisngard to fight Saruman and take over Rising Guard.

0:58:05.320 --> 0:58:08.520
<v Speaker 1>But to me, like, yeah, the witching of Angmar is

0:58:08.600 --> 0:58:13.280
<v Speaker 1>like maybe the most boss as bitch of the villains.

0:58:13.320 --> 0:58:17.960
<v Speaker 1>What about you, Well, I'm gonna I'm gonna actually throw

0:58:18.000 --> 0:58:21.080
<v Speaker 1>out a little surprise here and let you know that

0:58:22.120 --> 0:58:25.840
<v Speaker 1>maybe not my favorite, but I think in terms of performances,

0:58:26.400 --> 0:58:30.680
<v Speaker 1>Benedict Cumberbatch of smileg actually eats in the Hobbit trilogy.

0:58:30.720 --> 0:58:32.439
<v Speaker 1>I forgot that he did that. We have not really

0:58:32.480 --> 0:58:36.400
<v Speaker 1>touched on the Hobbit trilogy much because it's bad. The

0:58:36.400 --> 0:58:38.960
<v Speaker 1>first movie is actually really good. Well, when you know

0:58:39.120 --> 0:58:42.680
<v Speaker 1>the story behind the Hobbit trilogy, it's actually really sad

0:58:42.840 --> 0:58:45.000
<v Speaker 1>the way it all went down, And I would I

0:58:45.040 --> 0:58:47.640
<v Speaker 1>would suggest I'm going to give like a very like

0:58:47.760 --> 0:58:51.880
<v Speaker 1>truncated explainer on this, and if you want something that's

0:58:51.920 --> 0:58:55.120
<v Speaker 1>a little more in depth, I would really recommend watching

0:58:55.800 --> 0:59:00.600
<v Speaker 1>Lindsay Ellis's trio of video essays about the Hobbit on YouTube.

0:59:01.080 --> 0:59:05.280
<v Speaker 1>But basically, The Hobbit was initially supposed to be two

0:59:05.280 --> 0:59:09.480
<v Speaker 1>movies directed by Gamma del Toro, which would have been incredible,

0:59:10.000 --> 0:59:13.080
<v Speaker 1>and they were going to be much more like truer

0:59:13.360 --> 0:59:15.720
<v Speaker 1>to the books, like they were going to be really

0:59:15.760 --> 0:59:20.240
<v Speaker 1>like for children, like have a like a distinctive visual

0:59:20.280 --> 0:59:23.400
<v Speaker 1>style that was much more Del Toro than it was

0:59:24.080 --> 0:59:27.960
<v Speaker 1>Peter Jackson and Lord of the Rings. And then they

0:59:28.000 --> 0:59:32.400
<v Speaker 1>had already done two years of pre production on The

0:59:32.480 --> 0:59:38.040
<v Speaker 1>Hobbit when Gammo del Toro was fired and they brought

0:59:38.120 --> 0:59:43.840
<v Speaker 1>Peter Jackson into take over the movies and make them

0:59:43.960 --> 0:59:47.120
<v Speaker 1>much more stylistically in line with Lord of the Ring

0:59:47.920 --> 0:59:52.360
<v Speaker 1>and to reference Lord of the Rings much more, because

0:59:52.400 --> 0:59:56.040
<v Speaker 1>you know, there's Um in the Hobbit, there's a necromancer who,

0:59:56.080 --> 1:00:00.600
<v Speaker 1>like you find out, is actually into sky Is, but

1:00:00.760 --> 1:00:04.280
<v Speaker 1>like it's kind of just like an afterthought in the books,

1:00:04.320 --> 1:00:06.360
<v Speaker 1>and like they make it such a big plot in

1:00:06.400 --> 1:00:10.640
<v Speaker 1>the movies and Um. There's also a lot of stories

1:00:10.680 --> 1:00:13.400
<v Speaker 1>about how like when they were shooting the films, like

1:00:13.880 --> 1:00:15.920
<v Speaker 1>it was originally supposed to be two and then they

1:00:15.960 --> 1:00:18.200
<v Speaker 1>made the decision to make them three, but it happened

1:00:18.200 --> 1:00:21.440
<v Speaker 1>while the movies were already shooting, and then none of

1:00:21.480 --> 1:00:24.720
<v Speaker 1>the cast ever knew like which movie the scene they

1:00:24.760 --> 1:00:27.600
<v Speaker 1>were shooting was supposed to go in. Um that a

1:00:27.640 --> 1:00:30.720
<v Speaker 1>lot of the actors who played the dwarves were like

1:00:30.920 --> 1:00:35.760
<v Speaker 1>really mistreated by the production company, and um it, actually

1:00:36.000 --> 1:00:39.440
<v Speaker 1>the Hobbit had this whole political controversy in which like

1:00:39.560 --> 1:00:43.040
<v Speaker 1>labor laws were written in New Zealand because of it.

1:00:43.040 --> 1:00:46.320
<v Speaker 1>It's just like it was a huge mess and you

1:00:46.320 --> 1:00:48.920
<v Speaker 1>can definitely feel it in those movies, which are like

1:00:49.040 --> 1:00:52.560
<v Speaker 1>the first one is pretty good, the second one is

1:00:52.640 --> 1:00:56.720
<v Speaker 1>good because of Benedict Cumberbatch's smile and if you go

1:00:56.760 --> 1:00:58.760
<v Speaker 1>and look at any of the behind the scenes info

1:00:58.800 --> 1:01:02.560
<v Speaker 1>of him doing the most and capture like it's obviously

1:01:02.600 --> 1:01:04.680
<v Speaker 1>like kind of funny because he's crawling around on the floor,

1:01:04.720 --> 1:01:07.880
<v Speaker 1>but like it's a good performance. And his scenes with

1:01:07.960 --> 1:01:13.160
<v Speaker 1>Bilbo in the cavern are so good, and they have

1:01:13.240 --> 1:01:16.240
<v Speaker 1>great chemistry obviously, like anyone who's ever watched the BBC

1:01:16.400 --> 1:01:18.800
<v Speaker 1>Sherlock knows the ben Nick Coombrad and Martin Freeman have

1:01:18.840 --> 1:01:21.919
<v Speaker 1>really good chemistry. But um, yeah, he's just a really

1:01:21.920 --> 1:01:23.880
<v Speaker 1>fun villain. And I wish that we had gotten to

1:01:23.920 --> 1:01:27.240
<v Speaker 1>see Gammo del Toro's version of the Hobbit. I also

1:01:27.320 --> 1:01:30.400
<v Speaker 1>do love there's an animated movie of the Hobbit that

1:01:30.440 --> 1:01:32.280
<v Speaker 1>I watched a lot when I was a kid that

1:01:32.360 --> 1:01:34.720
<v Speaker 1>I'm obsessed with. I didn't watch that either. There also,

1:01:34.760 --> 1:01:37.600
<v Speaker 1>similarly is an animated version of the line The Witch

1:01:37.640 --> 1:01:39.440
<v Speaker 1>and the Wardrobe. But I was obsessed and I was

1:01:39.480 --> 1:01:43.040
<v Speaker 1>a good Oh my god, the Witch in that movie.

1:01:43.080 --> 1:01:47.479
<v Speaker 1>It's with her little skull cat. So yeah, um, okay,

1:01:47.560 --> 1:01:51.720
<v Speaker 1>we should do a Narnia episode honestly more nor it's

1:01:51.720 --> 1:01:55.800
<v Speaker 1>too wholesome, that's honestly, like um. Something that I resent

1:01:56.320 --> 1:01:59.160
<v Speaker 1>for no logistical reason, only for a personal one is

1:01:59.200 --> 1:02:03.920
<v Speaker 1>that like Narnia and Middle Earth and the stories that

1:02:03.960 --> 1:02:08.480
<v Speaker 1>come with them are extremely like family friendly stories, like

1:02:08.800 --> 1:02:13.480
<v Speaker 1>because they were both very Christian and very oxford Ian

1:02:13.640 --> 1:02:16.400
<v Speaker 1>and very like kind of conservative, like there were no

1:02:16.440 --> 1:02:18.720
<v Speaker 1>women and there, you know, And I think that, like

1:02:18.840 --> 1:02:21.400
<v Speaker 1>I I do think that the film franchise of The

1:02:21.440 --> 1:02:24.040
<v Speaker 1>Lord Rings is like untouchable, Like I would not change

1:02:24.080 --> 1:02:25.800
<v Speaker 1>a thing about it, aside for the fact that has

1:02:25.840 --> 1:02:28.320
<v Speaker 1>no women and no people. But that's also why we

1:02:28.440 --> 1:02:32.560
<v Speaker 1>have Game of Thrones, because the whole point of Game

1:02:32.600 --> 1:02:38.000
<v Speaker 1>of Thrones is it's a deconstruction of these classical fantasy

1:02:38.040 --> 1:02:44.040
<v Speaker 1>books where the women have no agency and everyone's like

1:02:44.040 --> 1:02:48.240
<v Speaker 1>like really just and true and like good triumphs of evil,

1:02:48.920 --> 1:02:51.440
<v Speaker 1>and you know, Game of Thrones is like such a

1:02:51.480 --> 1:02:55.040
<v Speaker 1>subversion of that, and I think it's why it was

1:02:55.120 --> 1:02:58.080
<v Speaker 1>so popular. But also like we we wouldn't have that

1:02:58.440 --> 1:03:01.480
<v Speaker 1>if Lord of the Rings hadn't saved the way for

1:03:01.920 --> 1:03:05.400
<v Speaker 1>you know, the mainstream success of fantasy, because we also

1:03:05.520 --> 1:03:09.440
<v Speaker 1>can't forget that these movies were huge box office successes

1:03:09.840 --> 1:03:14.280
<v Speaker 1>and one like a trillion oscars. They literally the third

1:03:14.320 --> 1:03:17.840
<v Speaker 1>movie tied from most oscars ever awarded to a film

1:03:17.920 --> 1:03:22.280
<v Speaker 1>with Titanic, and then after that Avatar, I believe. But um,

1:03:22.320 --> 1:03:24.320
<v Speaker 1>you can't wait for Avatar the Way of Water, I know,

1:03:24.840 --> 1:03:29.040
<v Speaker 1>um speaking of like future future stuff and like what

1:03:29.040 --> 1:03:33.160
<v Speaker 1>what happens now to this franchise in mainstream media? Amazon

1:03:33.320 --> 1:03:35.680
<v Speaker 1>is going to make a TV show about the stories

1:03:35.720 --> 1:03:38.439
<v Speaker 1>of the Cima Realian I believe. I think it'll be

1:03:38.560 --> 1:03:42.360
<v Speaker 1>extremely tough for them to build a mythology without referencing

1:03:42.400 --> 1:03:46.440
<v Speaker 1>Peter Jackson's work, even though it looks it looks pretty

1:03:46.480 --> 1:03:50.040
<v Speaker 1>stylistically different, and also like there's people of color and

1:03:50.080 --> 1:03:54.200
<v Speaker 1>women and I love, Yeah, that'll that'll matter enough to me.

1:03:54.320 --> 1:03:56.960
<v Speaker 1>I I although it already has created a lot, it

1:03:57.040 --> 1:04:00.720
<v Speaker 1>has unearthed a lot of really ugly racism on line.

1:04:01.880 --> 1:04:05.800
<v Speaker 1>I'm not looking forward to what that like, At least, thankfully,

1:04:05.840 --> 1:04:08.240
<v Speaker 1>I'm not on the part of the Internet where there's

1:04:08.280 --> 1:04:12.840
<v Speaker 1>any discourse about that happening, so thank god too. Yeah,

1:04:13.120 --> 1:04:16.560
<v Speaker 1>but it fucking sucks that it's happening, and like you

1:04:16.600 --> 1:04:21.400
<v Speaker 1>all are fucking racist. Yeah, And I think, honestly, Peter

1:04:21.520 --> 1:04:25.800
<v Speaker 1>Jackson's like kind of greatest weakness was the level of

1:04:25.840 --> 1:04:29.600
<v Speaker 1>detail in his textual awareness of the books, like he

1:04:29.800 --> 1:04:33.240
<v Speaker 1>was a student of the appendices and like all the

1:04:33.360 --> 1:04:36.600
<v Speaker 1>stories that came with the films. And even though the

1:04:36.640 --> 1:04:40.560
<v Speaker 1>adaptation is as true as an adaptation can get in

1:04:40.680 --> 1:04:43.680
<v Speaker 1>terms of trying to service the original fandom of the books,

1:04:44.120 --> 1:04:48.000
<v Speaker 1>that that ultimately gave us, you know, some of the

1:04:48.000 --> 1:04:50.320
<v Speaker 1>problems that we're talking about now in terms of what irscasting,

1:04:50.360 --> 1:04:53.880
<v Speaker 1>but also like story wise, making it a little boring

1:04:54.000 --> 1:04:57.680
<v Speaker 1>sometimes because what we find entertaining in terms of plot

1:04:57.680 --> 1:05:01.000
<v Speaker 1>and character in the nineteen thirties is very different than

1:05:01.040 --> 1:05:03.640
<v Speaker 1>what we find entertaining today. Well, that's why I'm very

1:05:03.640 --> 1:05:06.200
<v Speaker 1>interested to see what this new era of Lord of

1:05:06.200 --> 1:05:10.600
<v Speaker 1>the Rings media looks like telling different stories in that universe.

1:05:11.000 --> 1:05:12.920
<v Speaker 1>And there is kind of a parallel to that happening

1:05:12.920 --> 1:05:15.400
<v Speaker 1>with Game of Thrones, because you know, right around the

1:05:15.440 --> 1:05:17.600
<v Speaker 1>same time that the new Lord of the Rings show

1:05:18.160 --> 1:05:20.480
<v Speaker 1>comes out, we're getting a new Game of Throne series

1:05:20.520 --> 1:05:24.400
<v Speaker 1>on HBO Max that similarly takes place in that universe,

1:05:24.440 --> 1:05:29.080
<v Speaker 1>but a different time period. So I'm, I guess excited

1:05:29.120 --> 1:05:33.280
<v Speaker 1>for this new era of you know, looking at these

1:05:33.560 --> 1:05:39.680
<v Speaker 1>legacy fantasy properties and finding ways to tell expanded, more inclusive,

1:05:39.800 --> 1:05:45.200
<v Speaker 1>and maybe more interesting stories in familiar worlds, maybe grounded

1:05:45.400 --> 1:05:50.920
<v Speaker 1>in kind of contemporary sensibility more, you know, I think that,

1:05:51.040 --> 1:05:53.280
<v Speaker 1>So maybe we'll finally get to see someone eat a

1:05:53.320 --> 1:05:56.760
<v Speaker 1>hobbit hole. Yeah, Like the most contemporary thing about the

1:05:56.800 --> 1:06:00.960
<v Speaker 1>film franchise is maybe its sense of er and how

1:06:01.080 --> 1:06:03.320
<v Speaker 1>you know those jokes are still funny when we watch

1:06:03.400 --> 1:06:08.120
<v Speaker 1>them now, yeah, exactly, or like touch me, you know

1:06:08.160 --> 1:06:10.680
<v Speaker 1>what I mean. Like those are like moments that are

1:06:10.720 --> 1:06:14.480
<v Speaker 1>still funny because the characters are built really nicely. But

1:06:14.680 --> 1:06:21.800
<v Speaker 1>I shall not past talk about transphobia. I mean, well,

1:06:21.840 --> 1:06:25.520
<v Speaker 1>I mean but talking to herself, That's what I was

1:06:25.520 --> 1:06:27.600
<v Speaker 1>going to ask you, what does that mean in context

1:06:27.600 --> 1:06:29.919
<v Speaker 1>of her as a trans elder. It's that it's why

1:06:30.000 --> 1:06:31.880
<v Speaker 1>she you know, she's just she's like, I'm going to

1:06:31.960 --> 1:06:33.920
<v Speaker 1>give my life. I'm gonna sacrifice my life for these

1:06:33.920 --> 1:06:36.439
<v Speaker 1>hobbits and fight the ball rog and it's okay because

1:06:36.440 --> 1:06:39.360
<v Speaker 1>I'll never pass. Yeah, because she's the moans not worth it.

1:06:48.560 --> 1:06:51.240
<v Speaker 1>We'll be back next week with the discussion on all

1:06:51.360 --> 1:06:55.560
<v Speaker 1>things theme parks with Matt Rogers. Very excited to talk

1:06:55.600 --> 1:06:59.960
<v Speaker 1>about Disney Universal six Flags and I'll be the virgin

1:07:00.000 --> 1:07:03.280
<v Speaker 1>is I've only really been to two theme parks, so yeah,

1:07:03.320 --> 1:07:06.120
<v Speaker 1>so it's going to be quite a roller coaster if

1:07:06.200 --> 1:07:09.120
<v Speaker 1>you will. If you will, you can follow our Instagram

1:07:09.120 --> 1:07:13.280
<v Speaker 1>at like a Virgin for updates on future episodes, and

1:07:13.720 --> 1:07:16.320
<v Speaker 1>you know, tag us in what you think we should

1:07:16.320 --> 1:07:18.200
<v Speaker 1>talk about next, or you can side into our d

1:07:18.400 --> 1:07:20.760
<v Speaker 1>m s because we do check them. You can also tweet.

1:07:20.800 --> 1:07:24.760
<v Speaker 1>You can leave a suggestion as a review on Apple podcasts.

1:07:24.800 --> 1:07:27.440
<v Speaker 1>You know a book, a show, a movie, a phenomenon

1:07:27.480 --> 1:07:30.200
<v Speaker 1>we want to hear from you. And of course the

1:07:30.240 --> 1:07:32.480
<v Speaker 1>hotline is still open. You can call to confess at

1:07:32.520 --> 1:07:35.400
<v Speaker 1>three to three pennants. That's three two three seven three

1:07:35.480 --> 1:07:38.680
<v Speaker 1>six two six two three. I'm your co host, Fran Toronto.

1:07:38.720 --> 1:07:40.560
<v Speaker 1>You can find me at Friends Squish go wherever you

1:07:40.600 --> 1:07:43.600
<v Speaker 1>want on social and I'm Rose Damn You. You can

1:07:43.600 --> 1:07:47.360
<v Speaker 1>find me at Rose Damn You wherever you can subscribe

1:07:47.360 --> 1:07:49.240
<v Speaker 1>to Like a Virgin anywhere you listen, leave us a

1:07:49.320 --> 1:07:52.080
<v Speaker 1>rating on Spotify or a review on Apple Podcasts. Like

1:07:52.160 --> 1:07:54.600
<v Speaker 1>a Virgin is an I Heart Radio production. Our producer

1:07:54.760 --> 1:07:58.480
<v Speaker 1>is the Phoebe Unter, with support from Lindsay Hoffman, Julian Weller,

1:07:58.600 --> 1:08:03.360
<v Speaker 1>jess Cranchitch, and Nikkia to or until next week, Sionada Virgins.

1:08:04.640 --> 1:08:08.840
<v Speaker 1>I passed the test. I will diminish and go into

1:08:08.880 --> 1:08:17.760
<v Speaker 1>the west and remain. Let it be goad, and then

1:08:17.760 --> 1:08:21.080
<v Speaker 1>they'd have to be slow quiet ta Marines. And she

1:08:21.080 --> 1:08:23.200
<v Speaker 1>would kind of chant, and she chance a little more