WEBVTT - Episode 3: The Yearning

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<v Speaker 1>Pushkin previously on Deep Cover.

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<v Speaker 2>So he starts telling us how it went down. That

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<v Speaker 2>basically that he and Tommy decided one night to go

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<v Speaker 2>and find a black man, to kill that black man

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<v Speaker 2>so that they could get their spider web tattoos as skinheads.

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<v Speaker 3>How optimistic were you that you were going to be

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<v Speaker 3>able to get them what they needed to solve this.

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<v Speaker 4>I was actually very.

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<v Speaker 3>Optimistic, because we keep pretty good records on our dead bodies.

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<v Speaker 3>We have a name, we have a victim.

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<v Speaker 1>Last November, I traveled to Philadelphia to meet some of

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<v Speaker 1>Iron Wood's relatives.

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<v Speaker 5>Hello, my name is Michelle Wood, and Ron Wood is

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<v Speaker 5>my uncle.

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<v Speaker 1>It struck me right away that Michelle used the present

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<v Speaker 1>tense iroan is her uncle, as if on some level

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<v Speaker 1>he's still alive for her, and he kind of is.

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<v Speaker 1>He still looms in her memories, even though Michelle was

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<v Speaker 1>just three years old back in nineteen eighty nine when

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<v Speaker 1>he was murdered.

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<v Speaker 5>I always get this vision, but I don't know if

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<v Speaker 5>it was like me just thinking about what happened, or

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<v Speaker 5>if I actually remembered, but I always have this vision

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<v Speaker 5>of on my grandmom's living room and everybody like in

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<v Speaker 5>a circle. Hugging each other and crying.

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<v Speaker 1>For Michelle, this vision, this memory is from the time

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<v Speaker 1>that her uncle died, when they all gathered at her

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<v Speaker 1>grandmother's house in North Philadelphia to mourn. And you heard

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<v Speaker 1>her say, she can't even be sure if it's a

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<v Speaker 1>real memory or something that she's just been told about

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<v Speaker 1>so many times that it has slowly leached into her

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<v Speaker 1>consciousness and become a memory. That vision of her family

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<v Speaker 1>was something that she recalled and felt every time she

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<v Speaker 1>walked into her grandmother's living room. Growing up, Michelle says

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<v Speaker 1>she was very close with her grandmother, Dorothy Wood, Iran's mother.

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<v Speaker 1>Michelle often wanted to ask her grandmother to talk about

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<v Speaker 1>the past, to share some stories about her uncle Aran,

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<v Speaker 1>but Michelle didn't ask because she'd been warned not to.

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<v Speaker 5>My dad will always say like, if you have any

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<v Speaker 5>questions about your uncle, asks me. You know, don't really

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<v Speaker 5>try to talk to your grandma aboudy. So I would

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<v Speaker 5>just listen when someone says something, but I didn't ask

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<v Speaker 5>because I just felt like it was like a short topic.

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<v Speaker 1>Occasionally Dorothy would talk about Iran. Michelle says back then,

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<v Speaker 1>even as a child, she could sense her grandmother's pain,

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<v Speaker 1>and she also sensed that her grandmother was trying to

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<v Speaker 1>make sense of what had happened, of why Iran had

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<v Speaker 1>been killed, because no one had ever been able to

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<v Speaker 1>offer the family any explanation, not the police, or the neighbors,

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<v Speaker 1>or even Iran's friends, and then not knowing seemed to

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<v Speaker 1>eat away at Dorothy.

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<v Speaker 5>I think that when it comes to certain particular deaths,

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<v Speaker 5>I think that sometimes we put on a front with

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<v Speaker 5>the world like we've gotten over it, because maybe people

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<v Speaker 5>feel like they might be taught to hearing about it,

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<v Speaker 5>or it's been so long you should be over it.

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<v Speaker 1>Michelle remembers that her grandmother often recalled things that Iran

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<v Speaker 1>said before he died. Apparently there were certain Bible verses

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<v Speaker 1>to paraphrase, like when Jesus said, put your sword back

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<v Speaker 1>into its place, for all who take the sword will

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<v Speaker 1>perish by the sword. Dorothy wondered aloud, Why had Iron

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<v Speaker 1>quoted this particular verse? What was he trying to tell us?

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<v Speaker 1>Dorothy puzzled over this and other things that Iran said,

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<v Speaker 1>as if these memories or these cryptic bits somehow held

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<v Speaker 1>the secret to her son's fate.

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<v Speaker 5>I think she was trying to get answers. I feel

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<v Speaker 5>like she was still heartbroken a body.

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<v Speaker 1>In some ways, Michelle was also looking for answers. She

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<v Speaker 1>too wanted to know more about her uncle Iran, But

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<v Speaker 1>there was perhaps quite understandably, a sense among some family

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<v Speaker 1>members that the past was the past. It was painful,

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<v Speaker 1>so best to let it be, best to move on.

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<v Speaker 1>For Dorothy, this brokenheartedness, this yearning for an answer, It

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<v Speaker 1>continued for a very long time, but there was no movement,

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<v Speaker 1>no news, nothing. It seemed possible she'd never know who

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<v Speaker 1>murdered her son or why. But then, seventeen years later,

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<v Speaker 1>in two thousand and six, the Phillip d showed up

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<v Speaker 1>at her house and knocked on her door. These cops

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<v Speaker 1>were acting on intel from Scott and Terry's investigation. This

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<v Speaker 1>door knock, it would set off a chain of events

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<v Speaker 1>that would upend the Wood family and its understanding of

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<v Speaker 1>the past, and it would instill in the family another yearning,

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<v Speaker 1>entirely a yearning for justice. I'm Jay Calburn and this

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<v Speaker 1>is Deep Cover, Season four, The Nameless Man, Episode three,

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<v Speaker 1>The Yearning. When I started working on this story, one

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<v Speaker 1>of the first things I did was reach out to

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<v Speaker 1>the Wood family. I wrote letters, emails, sent a few texts.

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<v Speaker 1>Initially I got no response, and then finally I heard

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<v Speaker 1>back from Michelle right away. She became my ambassador to

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<v Speaker 1>the Wood family. She told me that I really needed

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<v Speaker 1>to speak with her father and her uncle, Iran's brothers.

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<v Speaker 1>They were in their twenties when Iron died. Michelle suggested

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<v Speaker 1>that I come down to Philadelphia and that we all

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<v Speaker 1>get together. The Wood family had never really spoken publicly

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<v Speaker 1>about Iran's death, not in any depth or detail anyhow,

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<v Speaker 1>so I was surprised by this invitation, but I can't

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<v Speaker 1>take any credit for it. It was all Michelle. She

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<v Speaker 1>made it happen, and I got the sense it wasn't

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<v Speaker 1>even that she wanted to speak so much as she

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<v Speaker 1>wanted to listen to hear what her dad and her

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<v Speaker 1>uncle had to say. All these years later, Michelle still

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<v Speaker 1>yearned to know more about her own family and her

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<v Speaker 1>uncle Aran, the man who'd been murdered under mysterious circumstances

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<v Speaker 1>when she was just three years old. We all met

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<v Speaker 1>up in an apartment that I rented in the Fairmount

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<v Speaker 1>neighborhood of Philly. It was me, a producer, Amy, and

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<v Speaker 1>three members of the Wood family. Michelle, her dad Michael,

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<v Speaker 1>and her uncle Tyrone. The five of us crammed into

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<v Speaker 1>a tiny shoe box of a living room. I mean

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<v Speaker 1>the chairs were jammed in so tight our feet were

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<v Speaker 1>practically touching. Dorothy passed away a few years ago, so

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<v Speaker 1>sadly she wasn't there are we rolling on both?

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<v Speaker 4>Okay, so let's talk about names.

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<v Speaker 1>We're gonna pause for a second. That's my names, names,

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<v Speaker 1>because the first thing you got to know about the

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<v Speaker 1>Wood family is everyone has a nickname. Tyrone he's the

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<v Speaker 1>youngest child, the baby. He was almost eight years younger

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<v Speaker 1>than Iran. His nickname is the Golden Child because as

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<v Speaker 1>a kid he got away with everything. But was that

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<v Speaker 1>uh was that like a name that you embraced or

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<v Speaker 1>were you like, Oh.

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<v Speaker 4>I embraced it. I embraced it because I knew it

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<v Speaker 4>was true.

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<v Speaker 1>And then there's Michael, the middle child. He's Michelle's dad.

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<v Speaker 1>He was six years younger than Iran, and he has

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<v Speaker 1>a nickname too.

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<v Speaker 6>Just go erin from the seventies like that, because when

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<v Speaker 6>I started DJing in eighty two, that was still to

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<v Speaker 6>discover the air was still coming. So that's why a

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<v Speaker 6>lot of people, some people I grew up with. They

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<v Speaker 6>know me as they'll call me DJ Mike, They'll call

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<v Speaker 6>me Disco Mike.

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<v Speaker 4>Disco. Yeah.

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<v Speaker 1>It was clear to me from the start, just a

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<v Speaker 1>few minutes into our conversation that this is a family

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<v Speaker 1>that likes to laugh. They told me they've always enjoyed

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<v Speaker 1>each other's company. Tyrone the Golden Child remembers Thanksgivings when

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<v Speaker 1>he would cook dinner and then cuddle up with his

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<v Speaker 1>knees on the couch where he'd fall asleep instantly.

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<v Speaker 7>Yes, we had a you know, football game one because

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<v Speaker 7>I cooked and not all the time, not all the time.

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<v Speaker 7>But are you gonna talk about that?

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<v Speaker 5>Okay, okay, that's how I was at my grandma host

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<v Speaker 5>to a couch, always fell asleep on couch.

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<v Speaker 4>Oh yeah, that was a sleeping film.

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<v Speaker 2>Yeah.

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<v Speaker 4>Well, you guys said something.

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<v Speaker 1>You guys have a close family.

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<v Speaker 4>Yeah. Yeah.

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<v Speaker 1>At this point, there was a pause in our conversation.

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<v Speaker 1>No one spoke for a moment. You could almost feel

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<v Speaker 1>a muted sadness creep into the room like cold air

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<v Speaker 1>through a crack in the wall. And then, totally unprompted,

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<v Speaker 1>Michelle said, uh.

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<v Speaker 5>You know, I often wonder how it would have been

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<v Speaker 5>if my uncle was still up, you know, getting to

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<v Speaker 5>know him more.

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<v Speaker 1>Where does that thought leave you when you go down

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<v Speaker 1>that road?

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<v Speaker 5>Oh I guess now, I feel like this would be

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<v Speaker 5>a good time to start, you know, bridging the gifts

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<v Speaker 5>and stuff with our.

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<v Speaker 1>Family, bridging the gaps. Michelle was referring to other relatives

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<v Speaker 1>in the family who knew Iran that they'd lost touch with.

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<v Speaker 1>But as I saw it, there seemed to be other

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<v Speaker 1>gaps too, gaps in memory, things that Michelle couldn't remember

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<v Speaker 1>or never knew about her uncle Iran. And that's really

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<v Speaker 1>while we were here to talk about the one brother

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<v Speaker 1>who was absent. Iran, of course, had a nickname of

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<v Speaker 1>his own, Cat. Apparently it came from the animated cartoon

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<v Speaker 1>Top Cat. It was popular back in the sixties.

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<v Speaker 4>The top Cat.

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<v Speaker 1>Top Cat was the leader of a gang of alley

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<v Speaker 1>cats from Manhattan who were always hustling with get rich

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<v Speaker 1>quick schemes. Their plans usually backfired comically. So Iran was

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<v Speaker 1>a big fan of the show, and apparently he was

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<v Speaker 1>also a smooth operator.

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<v Speaker 7>Oh yeah, he was. He's a smooth, smooth dude. I mean,

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<v Speaker 7>you know, he, like I said, he wasn't the biggest guy.

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<v Speaker 7>But everybody respected him. I mean they just and they

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<v Speaker 7>listened to him. You know, old cat said, this cat

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<v Speaker 7>said that he loved he loved cats. Soon he loved cads.

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<v Speaker 6>I remember I was funny, right because I remember he

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<v Speaker 6>would when he would kiss the cats, he would kiss

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<v Speaker 6>him in the name off and my mom was, I'll tell

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<v Speaker 6>his girlfriend, I don't know.

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<v Speaker 4>Why you kiss.

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<v Speaker 6>On the line, he'd be kissing them cats in the.

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<v Speaker 1>In the neighborhood. Iran seemed to embrace the role of topcat,

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<v Speaker 1>a little guy with a lot of bluster. He was

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<v Speaker 1>a good basketball player and a ladies man too, a

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<v Speaker 1>real sharp dresser. In fact, as he got older and

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<v Speaker 1>could afford it, Iran had his clothing custom made by

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<v Speaker 1>a local tailor. Iran very much played the role of

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<v Speaker 1>the big brother, looking out for his siblings, keeping them safe.

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<v Speaker 1>When Michael or Tyrone played basketball or hung out at

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<v Speaker 1>the park, they never had to worry about people messing

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<v Speaker 1>with them. Everyone knew they were cats, younger brothers, and

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<v Speaker 1>according to Tyrone, this allowed them to remain just kids

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<v Speaker 1>much longer than they otherwise would have, even though there

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<v Speaker 1>was crime in their neighborhood. The Woods House never got burglarized.

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<v Speaker 1>This was Aron's doing. The brother told me, this was

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<v Speaker 1>his reputation, keeping them safe like a shield, or so

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<v Speaker 1>it seemed. In the late seventies and early eighties, when

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<v Speaker 1>the Wood brothers were coming of age, Philadelphia was grappling

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<v Speaker 1>with an uptick in homicides, and at times the threat

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<v Speaker 1>of danger felt very real to the Wood family. There

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<v Speaker 1>was one occasion when Iran was in his twenties, Aram

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<v Speaker 1>was at the park. Someone shot off a gun and

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<v Speaker 1>the bullet grazed at Iran's body. He had to go

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<v Speaker 1>to the hospital to get patched up. What was a

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<v Speaker 1>close call and reminder that no one was entirely safe.

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<v Speaker 1>The brothers say that Iran was the type of young

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<v Speaker 1>man who was always testing boundaries, pushing it a little bit,

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<v Speaker 1>which sometimes caused tension with their mom, Dorothy. Even so

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<v Speaker 1>Iran helped out. Whatever money he made, he always shared

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<v Speaker 1>it with their mom. Here's Michael, I.

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<v Speaker 4>Do not even give him money.

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<v Speaker 6>You know, whatever various jobs or whatever he did out

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<v Speaker 6>on the STREETL like that.

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<v Speaker 4>He wasn't no choir boy, you.

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<v Speaker 6>Know, because he was evolving different things. You know, he was,

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<v Speaker 6>I mean, I know he was in this you know,

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<v Speaker 6>selling drugs and stuff like that.

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<v Speaker 1>Michael and Tyrone didn't know all the details, but they

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<v Speaker 1>understood their older brother was quote no choir boy. By

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<v Speaker 1>the time that he was in his late twenties, Iran

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<v Speaker 1>ran a local speakeasy and he also sold drugs. But

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<v Speaker 1>to his brothers he was top cat, the lovable rascal

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<v Speaker 1>who was always there for them. When it came time

0:14:46.716 --> 0:14:49.156
<v Speaker 1>for Disco Mike to go to the prom, it was

0:14:49.236 --> 0:14:52.316
<v Speaker 1>Iran who took him to get a snazzy suit at

0:14:52.356 --> 0:14:56.236
<v Speaker 1>a men's shop called Today's Man. Later, when Michael wanted

0:14:56.276 --> 0:14:59.076
<v Speaker 1>to find work as a DJ, Iran had him spin

0:14:59.156 --> 0:15:03.836
<v Speaker 1>records at his speakeasy. Tyrone, the youngest the Golden Child,

0:15:04.356 --> 0:15:07.596
<v Speaker 1>remembers fondly being in his twenties and going to Cats

0:15:07.596 --> 0:15:11.156
<v Speaker 1>speakeasy when Disco Mike would spend his records.

0:15:11.676 --> 0:15:14.476
<v Speaker 7>He would DJ and my brother would you know, run

0:15:14.516 --> 0:15:17.236
<v Speaker 7>the place, and you know, at the at the end

0:15:17.276 --> 0:15:19.356
<v Speaker 7>of the night we would go up there. He'd count

0:15:19.396 --> 0:15:23.916
<v Speaker 7>the money or whatever, give Michael whatever, And that was

0:15:23.956 --> 0:15:27.396
<v Speaker 7>like a really fun time for me because it was

0:15:27.756 --> 0:15:29.676
<v Speaker 7>a time I got to spend time with both my

0:15:29.716 --> 0:15:34.716
<v Speaker 7>brothers at the same time with no no, no drama

0:15:35.036 --> 0:15:38.556
<v Speaker 7>or no nothing wrong, if just a happy time.

0:15:43.756 --> 0:15:47.076
<v Speaker 1>Tyrone smiled when he told this story. You could see

0:15:47.156 --> 0:15:50.476
<v Speaker 1>him doing that thing where for a moment, you kind

0:15:50.476 --> 0:15:53.276
<v Speaker 1>of step away from yourself and go back in time.

0:15:54.116 --> 0:15:58.996
<v Speaker 1>It was sweet to watch, but also painful because I

0:15:59.036 --> 0:16:05.476
<v Speaker 1>knew what came next. We're gonna take a quick break.

0:16:19.796 --> 0:16:23.036
<v Speaker 1>There are single moments in time when fate takes a

0:16:23.116 --> 0:16:26.876
<v Speaker 1>jagged turn, like a dog like intersection that dumps you

0:16:26.916 --> 0:16:30.756
<v Speaker 1>into a dead end. For the Wood family, this moment

0:16:30.796 --> 0:16:36.676
<v Speaker 1>occurred in April of nineteen eighty nine. The Wood brothers

0:16:36.716 --> 0:16:40.556
<v Speaker 1>were adults. They had families of their own. Iran was

0:16:40.596 --> 0:16:44.436
<v Speaker 1>thirty three, Michael was twenty eight, and Tyrone, the baby,

0:16:44.676 --> 0:16:49.996
<v Speaker 1>the Golden Child, was twenty six. It was Tyrone who

0:16:49.996 --> 0:16:52.836
<v Speaker 1>got the call from their mother telling him that something

0:16:52.956 --> 0:16:56.316
<v Speaker 1>terrible had happened. Their oldest brother had been shot in

0:16:56.356 --> 0:17:00.436
<v Speaker 1>the head and left for dead. The police didn't have

0:17:00.476 --> 0:17:05.596
<v Speaker 1>a shooter. They didn't even have any leads either. Tyrone

0:17:05.636 --> 0:17:09.556
<v Speaker 1>and Michael were at a loss. Sure, maybe Ron was

0:17:09.636 --> 0:17:12.236
<v Speaker 1>no choir boy, but as far as they knew, he

0:17:12.236 --> 0:17:16.076
<v Speaker 1>didn't have any enemies either. As Tyrone recalled.

0:17:16.156 --> 0:17:17.436
<v Speaker 4>Everybody liked him.

0:17:17.556 --> 0:17:21.556
<v Speaker 7>That's why We was baffled, like, oh, somebody shot a

0:17:21.596 --> 0:17:26.996
<v Speaker 7>Ron shot Aron. You can't nah, no way, And I

0:17:26.996 --> 0:17:29.356
<v Speaker 7>guess that's what Pussimos beginning.

0:17:30.876 --> 0:17:31.756
<v Speaker 4>Couldn't figure that out.

0:17:34.316 --> 0:17:37.356
<v Speaker 1>Still in a state of shock, the brothers rushed over

0:17:37.436 --> 0:17:40.316
<v Speaker 1>to be with their mom. How did your mom? What

0:17:40.596 --> 0:17:41.316
<v Speaker 1>state was your mom?

0:17:41.396 --> 0:17:46.476
<v Speaker 7>And at that point, I know she was really out

0:17:46.476 --> 0:17:52.276
<v Speaker 7>of it. She was really destroyed. She was really destroyed.

0:17:52.276 --> 0:17:54.236
<v Speaker 7>She was in kind of a bad way. So we

0:17:54.876 --> 0:17:57.436
<v Speaker 7>tried to just be there for her. I don't know

0:17:58.156 --> 0:18:03.196
<v Speaker 7>what can we say. You know, that's her oldest son.

0:18:03.516 --> 0:18:06.636
<v Speaker 7>You know, I didn't know how to react, especially to

0:18:06.676 --> 0:18:11.396
<v Speaker 7>a violent crime like that. I was kind of mad

0:18:11.436 --> 0:18:14.396
<v Speaker 7>at God. I was like, how can you do this

0:18:14.436 --> 0:18:16.516
<v Speaker 7>to me? I was thinking, well, what do we wanna

0:18:16.556 --> 0:18:19.516
<v Speaker 7>do now? You know that sort of thing, you know,

0:18:19.596 --> 0:18:22.796
<v Speaker 7>how do we how do we go on? And then

0:18:22.876 --> 0:18:25.676
<v Speaker 7>cause you know, that was the first real violence in

0:18:25.676 --> 0:18:29.916
<v Speaker 7>my life, and that at that time, it took me.

0:18:30.676 --> 0:18:35.036
<v Speaker 7>I went to a tailspind. I wasn't myself, you know,

0:18:35.116 --> 0:18:39.436
<v Speaker 7>cause I was just in self destruct mode. I guess

0:18:40.356 --> 0:18:47.316
<v Speaker 7>day before his funeral, I disappeared. I was drinking and

0:18:47.316 --> 0:18:49.756
<v Speaker 7>and you know, as a matter of fact, I came

0:18:49.796 --> 0:18:52.796
<v Speaker 7>to my mother's house the day before the funeral, uh

0:18:52.956 --> 0:18:54.636
<v Speaker 7>in the middle of the night, and they made me

0:18:54.636 --> 0:18:55.796
<v Speaker 7>go upstairs and go to bed.

0:18:57.076 --> 0:18:59.916
<v Speaker 1>They took away his keys. They didn't want him driving.

0:19:00.476 --> 0:19:03.916
<v Speaker 1>They just wanted to keep him safe. A few days later,

0:19:04.636 --> 0:19:07.156
<v Speaker 1>Tyrone went to the spot where his brother was killed

0:19:07.636 --> 0:19:10.036
<v Speaker 1>on the thirteen hundred block of Stillman Street.

0:19:12.276 --> 0:19:17.356
<v Speaker 7>I actually want to see, oh, where it happened. When

0:19:17.396 --> 0:19:22.916
<v Speaker 7>was the last place he was at? Yeah, I also

0:19:22.956 --> 0:19:24.356
<v Speaker 7>want to see the last place he was at.

0:19:24.756 --> 0:19:29.516
<v Speaker 1>Basically, did he give you any peace or anything?

0:19:29.676 --> 0:19:29.716
<v Speaker 5>No.

0:19:31.356 --> 0:19:36.596
<v Speaker 7>I wept a lot. I don't even I don't even

0:19:36.636 --> 0:19:38.756
<v Speaker 7>know who was with me. I don't know if I

0:19:38.796 --> 0:19:41.476
<v Speaker 7>was by myself. I don't know. I just know I

0:19:41.596 --> 0:19:47.876
<v Speaker 7>drove there and I just cried and cried and just

0:19:49.196 --> 0:19:50.796
<v Speaker 7>you know, but I had to see. I had to

0:19:50.796 --> 0:19:54.036
<v Speaker 7>see the last place my brother was here was on earth.

0:19:56.556 --> 0:20:00.996
<v Speaker 1>Meanwhile, Michael, the middle brother, he was also struggling. The

0:20:01.116 --> 0:20:03.796
<v Speaker 1>night before the service, he went to the funeral home

0:20:03.836 --> 0:20:06.956
<v Speaker 1>to see his brother in a coffin, and in this

0:20:07.076 --> 0:20:18.556
<v Speaker 1>quiet moment, he kissed around on the forehead. What Michael

0:20:18.556 --> 0:20:22.556
<v Speaker 1>remembers next is the wake. Everyone gathered at their mom's

0:20:22.556 --> 0:20:26.476
<v Speaker 1>house to grieve and pay their respects. Michael was still

0:20:26.516 --> 0:20:30.156
<v Speaker 1>grasping for answers. There was still no new information on

0:20:30.196 --> 0:20:34.716
<v Speaker 1>who murdered Iran, just rumors speculation about who might have

0:20:34.796 --> 0:20:38.716
<v Speaker 1>a motive, but it was all chatter. At some point,

0:20:38.956 --> 0:20:42.716
<v Speaker 1>Michael recalls, one of his aunts sat him down because

0:20:43.116 --> 0:20:45.676
<v Speaker 1>there was something important that you wanted to tell him.

0:20:46.436 --> 0:20:49.876
<v Speaker 6>She said, you have to forgive the person they killed

0:20:49.916 --> 0:20:52.196
<v Speaker 6>your brother. And I don't even know this person is.

0:20:52.596 --> 0:20:54.996
<v Speaker 6>I know he's somewhere around, I don't know. It could

0:20:54.996 --> 0:20:58.156
<v Speaker 6>be somebody that came in in Allowance where I worked

0:20:58.156 --> 0:21:00.116
<v Speaker 6>at DJ and stuff like that. I don't even know

0:21:00.156 --> 0:21:02.476
<v Speaker 6>who this person is. Because it was like all kinds

0:21:02.516 --> 0:21:04.556
<v Speaker 6>of rumors or I think so and so did it

0:21:04.716 --> 0:21:06.676
<v Speaker 6>was he had an incident with this person. He had

0:21:06.676 --> 0:21:09.036
<v Speaker 6>an incidant with that person, you know, so we don't

0:21:09.196 --> 0:21:10.356
<v Speaker 6>even know who the enemy is.

0:21:11.796 --> 0:21:15.236
<v Speaker 1>Michael had no idea who'd killed his brother, not at all,

0:21:15.956 --> 0:21:18.876
<v Speaker 1>but his aunt was insistent that he needed to embrace

0:21:18.916 --> 0:21:22.356
<v Speaker 1>the Lord's Prayer one verse especially.

0:21:22.716 --> 0:21:25.196
<v Speaker 6>Which it says, particularly in the Lord's Prayer that in

0:21:25.276 --> 0:21:27.116
<v Speaker 6>order for God to forgive you for your sin, you

0:21:27.116 --> 0:21:28.836
<v Speaker 6>have to forgive your enemies like that.

0:21:29.396 --> 0:21:32.116
<v Speaker 1>But this raises his question of like, how do you

0:21:32.196 --> 0:21:35.156
<v Speaker 1>forgive someone that you don't even know who that person is?

0:21:35.196 --> 0:21:38.076
<v Speaker 6>You don't know because you don't. I mean, it's hard,

0:21:38.236 --> 0:21:44.276
<v Speaker 6>it's hard. I'm told this, and technically did I forgive

0:21:44.276 --> 0:21:46.756
<v Speaker 6>that person at the time? My aunt is telling me this,

0:21:46.876 --> 0:21:49.636
<v Speaker 6>and it's in my mind, but I don't think, be

0:21:49.716 --> 0:21:51.356
<v Speaker 6>honest with you, I don't think right then, and I'm

0:21:51.356 --> 0:21:52.516
<v Speaker 6>not forgiving that person.

0:21:54.076 --> 0:21:56.916
<v Speaker 1>And how could he? How can you forgive a person

0:21:56.956 --> 0:22:00.756
<v Speaker 1>you don't know, someone you can't picture, someone who has

0:22:00.796 --> 0:22:05.036
<v Speaker 1>no face and no name. And this underscores a central

0:22:05.196 --> 0:22:10.516
<v Speaker 1>irony and tragedy of this entire story. For the investigators

0:22:10.516 --> 0:22:13.316
<v Speaker 1>who were trying to solve this case, the federal agents,

0:22:14.116 --> 0:22:17.676
<v Speaker 1>their nameless man was the victim. Until they found him,

0:22:18.276 --> 0:22:22.516
<v Speaker 1>they had nothing, no case, and no closure. But for

0:22:22.556 --> 0:22:26.876
<v Speaker 1>the Woods, their nameless man was the perpetrator, the murderer,

0:22:27.596 --> 0:22:30.676
<v Speaker 1>and until they found out who he was, there could

0:22:30.676 --> 0:22:38.156
<v Speaker 1>be no forgiveness nor any peace either. In the aftermath

0:22:38.196 --> 0:22:41.396
<v Speaker 1>of Iran's death, everyone in the Wood family struggled in

0:22:41.436 --> 0:22:46.196
<v Speaker 1>their own way. Tyrone, the youngest, the golden child, struggled

0:22:46.196 --> 0:22:50.236
<v Speaker 1>with alcoholism.

0:22:48.316 --> 0:22:55.396
<v Speaker 7>Basically lost I lost a lot my first marriage. I

0:22:55.476 --> 0:22:59.356
<v Speaker 7>lost that, so I had to basically just built myself

0:22:59.396 --> 0:23:00.356
<v Speaker 7>back up again.

0:23:01.596 --> 0:23:05.956
<v Speaker 1>Tyrone went to rehab, got sober, and leaned into his faith.

0:23:06.756 --> 0:23:11.356
<v Speaker 7>I started reading the book again and that's basically what

0:23:11.396 --> 0:23:15.156
<v Speaker 7>got me back on track. I've realized that what am

0:23:15.156 --> 0:23:17.756
<v Speaker 7>I gaining by being mad at God? It I mean,

0:23:17.916 --> 0:23:19.476
<v Speaker 7>it wasn't God that pulled the trigger.

0:23:20.596 --> 0:23:23.196
<v Speaker 1>Tyrone says, it's not like he found all the answers.

0:23:23.636 --> 0:23:25.996
<v Speaker 1>He still struggled with the how and why of his

0:23:25.996 --> 0:23:31.316
<v Speaker 1>brother's death. Both brothers, Tyrone and Michael, did everything they

0:23:31.356 --> 0:23:32.956
<v Speaker 1>could to be there for their mom.

0:23:33.916 --> 0:23:35.756
<v Speaker 4>We all just made sure that she.

0:23:37.516 --> 0:23:39.956
<v Speaker 7>Didn't feel like she was alone, you know, so we

0:23:40.076 --> 0:23:42.676
<v Speaker 7>never let her be, and I think in time she

0:23:43.476 --> 0:23:45.396
<v Speaker 7>I can't say she completely.

0:23:44.956 --> 0:23:49.676
<v Speaker 4>Got over it, but she kind of being sided. She

0:23:49.716 --> 0:23:51.116
<v Speaker 4>was a Christian, she kind of.

0:23:53.876 --> 0:23:57.556
<v Speaker 7>Accepted it and for what it was, and she just

0:23:57.556 --> 0:23:59.156
<v Speaker 7>gravitated towards us.

0:23:59.876 --> 0:24:03.836
<v Speaker 1>She kind of accepted it. Tyrone said, I was reminded

0:24:03.876 --> 0:24:07.116
<v Speaker 1>of what Michelle had said from the beginning about her grandmother,

0:24:07.716 --> 0:24:10.636
<v Speaker 1>how sometimes it seemed she put up a front to

0:24:10.716 --> 0:24:13.996
<v Speaker 1>the whole world like she'd moved on, because that's what

0:24:14.036 --> 0:24:17.916
<v Speaker 1>people wanted her to do. But within the immediate family,

0:24:18.676 --> 0:24:22.196
<v Speaker 1>they all kind of knew that Dorothy still agonized over

0:24:22.236 --> 0:24:25.916
<v Speaker 1>her son's death, in part because she blamed herself for

0:24:25.996 --> 0:24:29.556
<v Speaker 1>not doing more to keep her on safe. Here's Michael,

0:24:29.836 --> 0:24:30.876
<v Speaker 1>the middle brother again.

0:24:31.956 --> 0:24:36.276
<v Speaker 6>I remember she was always saying that I wish I

0:24:36.316 --> 0:24:40.036
<v Speaker 6>could have really talked to him, or try to spend

0:24:40.036 --> 0:24:42.436
<v Speaker 6>more time with him, or try to reach him. She

0:24:42.596 --> 0:24:45.556
<v Speaker 6>kind of felt that she failed as a mother.

0:24:45.716 --> 0:24:50.676
<v Speaker 1>As far as Tyrone, the youngest, remembers this too, how

0:24:50.716 --> 0:24:52.436
<v Speaker 1>their mom kept blaming herself.

0:24:52.876 --> 0:24:55.756
<v Speaker 4>She wished she could have did things a little different.

0:24:56.836 --> 0:24:57.476
<v Speaker 4>But you can't.

0:24:57.996 --> 0:25:00.276
<v Speaker 7>You can't. And I told it all. I said, you can't.

0:25:00.956 --> 0:25:04.036
<v Speaker 7>You can't say that because you did the best you

0:25:04.076 --> 0:25:06.156
<v Speaker 7>could what you have. I got told her to say,

0:25:06.156 --> 0:25:08.316
<v Speaker 7>you didn't slack on him, you did the best you

0:25:08.356 --> 0:25:15.316
<v Speaker 7>could understand circumstances. And then you raised three boys three men.

0:25:15.476 --> 0:25:19.436
<v Speaker 7>You've made three boys into men. That's not easy. So

0:25:19.596 --> 0:25:23.436
<v Speaker 7>I'd say you the best, mom.

0:25:23.476 --> 0:25:27.556
<v Speaker 1>Even so, the question remained who was responsible for her

0:25:27.596 --> 0:25:31.876
<v Speaker 1>son's death. In truth, they all still wondered about Iran

0:25:32.196 --> 0:25:35.796
<v Speaker 1>and what had happened. Late at night, Tyrone found himself

0:25:35.796 --> 0:25:39.356
<v Speaker 1>at home on the couch watching true crime TV shows.

0:25:40.156 --> 0:25:41.476
<v Speaker 4>I used to watch.

0:25:43.036 --> 0:25:47.476
<v Speaker 7>The unsolved mischievey shows and I often thought about calling

0:25:48.276 --> 0:25:51.356
<v Speaker 7>because I was like, this is not right. How can

0:25:51.396 --> 0:25:54.076
<v Speaker 7>a person get killed and no one knows anything.

0:25:56.356 --> 0:25:59.276
<v Speaker 1>It wasn't until one day in two thousand and six,

0:26:00.076 --> 0:26:04.396
<v Speaker 1>nearly two decades after Iran's death, that the family thought

0:26:04.756 --> 0:26:06.476
<v Speaker 1>they might finally learn the truth.

0:26:08.156 --> 0:26:10.436
<v Speaker 4>A police officer came to my mother's house.

0:26:10.796 --> 0:26:14.596
<v Speaker 7>He said that we have a new lead about what

0:26:14.676 --> 0:26:18.476
<v Speaker 7>happened with your son in nineteen eighty nine. And you know,

0:26:18.516 --> 0:26:21.476
<v Speaker 7>she don't open the door for anybody, so she automatically

0:26:21.676 --> 0:26:22.236
<v Speaker 7>just told them.

0:26:22.316 --> 0:26:24.876
<v Speaker 4>She said, look, give me your card. My son's going

0:26:24.956 --> 0:26:25.396
<v Speaker 4>to call you.

0:26:25.796 --> 0:26:29.156
<v Speaker 7>So she's talking about me because she said she wasn't

0:26:29.196 --> 0:26:30.076
<v Speaker 7>able to deal with it.

0:26:31.236 --> 0:26:34.236
<v Speaker 1>Tyrone told his mother not to worry about it. He

0:26:34.276 --> 0:26:37.956
<v Speaker 1>would call the detectives. So I'm kind of nervous, and

0:26:37.956 --> 0:26:39.156
<v Speaker 1>then I just called.

0:26:39.356 --> 0:26:41.996
<v Speaker 7>The detective said we were still investigating, but then we

0:26:42.036 --> 0:26:43.556
<v Speaker 7>found out who killed your brother.

0:26:46.036 --> 0:26:49.116
<v Speaker 1>And at first that's really all the police tell the

0:26:49.156 --> 0:26:53.756
<v Speaker 1>Wood family, but it was enough to kindle some hope,

0:26:53.996 --> 0:26:57.476
<v Speaker 1>to make them believe that maybe, after all these years

0:26:57.476 --> 0:27:01.756
<v Speaker 1>of guessing and speculation, that they might finally learn what

0:27:01.836 --> 0:27:02.636
<v Speaker 1>happened to Iran.

0:27:03.596 --> 0:27:07.676
<v Speaker 7>We didn't like the speculation the family, and I thought

0:27:07.716 --> 0:27:10.676
<v Speaker 7>that this would be good good if we found at

0:27:10.756 --> 0:27:13.276
<v Speaker 7>least what happened to them. Can't do nothing about it,

0:27:13.276 --> 0:27:15.956
<v Speaker 7>can't bring them back, but if we'll find out the truth,

0:27:16.636 --> 0:27:19.876
<v Speaker 7>and the truth will probably help us help everybody in

0:27:19.916 --> 0:27:20.396
<v Speaker 7>the family.

0:27:22.596 --> 0:27:26.036
<v Speaker 1>That was the hope that the truth would help them,

0:27:26.516 --> 0:27:30.996
<v Speaker 1>heal them, bring them some closure. But it would be many,

0:27:31.116 --> 0:27:34.156
<v Speaker 1>many months before they would learn the full extent of

0:27:34.196 --> 0:27:38.436
<v Speaker 1>what the authorities at pieced together. And during this time,

0:27:38.836 --> 0:27:43.276
<v Speaker 1>Scott Duffy and Terry Mortimer, along with the PHILLYPD, they

0:27:43.276 --> 0:27:47.236
<v Speaker 1>were hard at work scrambling to gather evidence with the

0:27:47.276 --> 0:27:50.516
<v Speaker 1>hope that they might build a strong enough case to

0:27:50.596 --> 0:28:06.876
<v Speaker 1>make an arrest and go to trial next time. On

0:28:06.956 --> 0:28:10.316
<v Speaker 1>deep cover, it was definitely a different type of case.

0:28:10.836 --> 0:28:12.476
<v Speaker 4>You know, a skinhead coming.

0:28:12.236 --> 0:28:16.636
<v Speaker 5>To Philadelphi to kill somebody, a cowardly act.

0:28:17.476 --> 0:28:19.956
<v Speaker 3>We'd say it to Craig. You were there, we weren't.

0:28:20.996 --> 0:28:27.036
<v Speaker 3>Perhaps you blocked it out. Let's just drive and unlock

0:28:27.076 --> 0:28:27.556
<v Speaker 3>your mind.

0:28:28.716 --> 0:28:31.676
<v Speaker 2>So we're like, police, please get down, get down, And

0:28:31.716 --> 0:28:34.436
<v Speaker 2>I'm yelling. Others are yelling tough for our lungs. And

0:28:34.516 --> 0:28:36.836
<v Speaker 2>he just stands there like a deer in the headlights,

0:28:37.356 --> 0:28:40.156
<v Speaker 2>just staring at it, staring at me, staring at them.

0:28:40.636 --> 0:28:42.116
<v Speaker 2>And I could see in his mind, I can see

0:28:42.116 --> 0:28:43.636
<v Speaker 2>in his face he's deciding what to do.

0:28:51.396 --> 0:28:55.036
<v Speaker 1>Deep Cover is produced by Amy Gaines McQuaid and Jacob Smith.

0:28:55.756 --> 0:29:00.396
<v Speaker 1>It's edited by Karen Shakergee mastering by Jake Gorski. Our

0:29:00.436 --> 0:29:03.916
<v Speaker 1>show art was designed by Sean Carney. Original scoring in

0:29:03.956 --> 0:29:07.516
<v Speaker 1>our theme was composed by Luis Gara, fact checking by

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<v Speaker 1>Arthur Gomberts. Our story consultant was James Foreman Junior. Special

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<v Speaker 1>thanks to Jerry Williams, Sarah Nis, Greta Cone and Jake Flanagan.

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<v Speaker 1>I'm Jake Calpert.

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<v Speaker 6>H