1 00:00:00,160 --> 00:00:05,400 Speaker 1: My World. Welcome to Stuff to Blow your Mind from 2 00:00:05,400 --> 00:00:13,920 Speaker 1: how Stuff Works dot com. Hey you, welcome to Stuff 3 00:00:13,960 --> 00:00:16,120 Speaker 1: to Blow your Mind. My name is Robert Lamb and 4 00:00:16,160 --> 00:00:18,599 Speaker 1: I'm Joe McCormick. And today we're gonna be starting off 5 00:00:18,600 --> 00:00:23,040 Speaker 1: by talking about theme parks. Just before we started recording, 6 00:00:23,120 --> 00:00:26,040 Speaker 1: Robert and I were talking about possible alternative theme parks 7 00:00:26,079 --> 00:00:28,479 Speaker 1: that just never got to be. I was thinking, you know, 8 00:00:28,640 --> 00:00:32,680 Speaker 1: we've got Disneyland and Disney World that we know some 9 00:00:32,720 --> 00:00:35,040 Speaker 1: people here in the office that are really into disney World. 10 00:00:35,280 --> 00:00:37,720 Speaker 1: We go all the time. But it's based on all 11 00:00:37,760 --> 00:00:41,239 Speaker 1: these classic animated characters, right, And I was thinking, there 12 00:00:41,240 --> 00:00:44,519 Speaker 1: should be an alternative theme park that's based on the 13 00:00:44,560 --> 00:00:48,000 Speaker 1: classic animated characters, not of Disney, but of Don Bluth. Okay, 14 00:00:48,040 --> 00:00:49,920 Speaker 1: so this would be like the Secretive Nim Yeah. So 15 00:00:49,960 --> 00:00:52,200 Speaker 1: you've got like a Secret of Nim ride where you 16 00:00:52,200 --> 00:00:54,520 Speaker 1: you like ride this cinder block to the lee of 17 00:00:54,520 --> 00:00:58,360 Speaker 1: the stone. And then you've got you've got like characters 18 00:00:58,400 --> 00:01:00,480 Speaker 1: walking around in the streets, of course, and costumes of 19 00:01:00,600 --> 00:01:04,640 Speaker 1: Rocketdoodle comes up to you. There's an old Dogs Go 20 00:01:04,720 --> 00:01:06,640 Speaker 1: to Heaven, you know, you get to be a dog 21 00:01:06,680 --> 00:01:09,080 Speaker 1: and go to dog Hell. Ride that. Yeah, that was 22 00:01:09,080 --> 00:01:12,280 Speaker 1: a disturbing portion of that movie. I remember. Yeah. But 23 00:01:12,319 --> 00:01:14,959 Speaker 1: then also there's gotta be a Dragon's Layer ride because 24 00:01:15,000 --> 00:01:16,640 Speaker 1: Don Blues worked on that. That's right. This is the 25 00:01:17,080 --> 00:01:20,280 Speaker 1: classic animation style video games. Yeah, where you die no 26 00:01:20,319 --> 00:01:22,280 Speaker 1: matter what you do all the time. Oh yeah, we 27 00:01:22,319 --> 00:01:24,759 Speaker 1: could have one for a ranking and bass rock box. 28 00:01:24,920 --> 00:01:29,200 Speaker 1: You get into all those old cool Disney alternative animated 29 00:01:29,760 --> 00:01:33,840 Speaker 1: classics like the Hobbit, the Lord of the Rings, Goblin singalongs. Yeah, 30 00:01:34,120 --> 00:01:37,280 Speaker 1: I'm all where there's a whip, there's a way, I'm 31 00:01:37,280 --> 00:01:40,280 Speaker 1: all for it. You have one hal that's just for 32 00:01:40,360 --> 00:01:45,360 Speaker 1: singing along with that Leonard Nimoy song about the Hobbit. Yeah, 33 00:01:45,400 --> 00:01:47,320 Speaker 1: I gotta work that in somehow though that that's not 34 00:01:47,360 --> 00:01:49,640 Speaker 1: actually in the movie, But the movie itself is full 35 00:01:49,640 --> 00:01:53,680 Speaker 1: of full of all sorts of wonderful tunes. Um. It's 36 00:01:53,720 --> 00:01:58,400 Speaker 1: interesting because we have all these various ridiculous and real 37 00:01:58,560 --> 00:02:01,440 Speaker 1: theme parks and then we have these fictional ones. So 38 00:02:01,480 --> 00:02:04,280 Speaker 1: we we have made up parks like Jurassic Park, we 39 00:02:04,360 --> 00:02:06,760 Speaker 1: have West World, we have Itchy and Scratchy Land. But 40 00:02:06,800 --> 00:02:10,640 Speaker 1: on the other hand, we do have Dollywood, the Dolly 41 00:02:10,680 --> 00:02:13,440 Speaker 1: Parton themed theme park, I don't think I've ever been 42 00:02:13,480 --> 00:02:16,400 Speaker 1: to Dollywood, but you gotta wonder what's there? Is it 43 00:02:16,520 --> 00:02:19,640 Speaker 1: just the same stuff, Like, it's just roller coasters and 44 00:02:19,960 --> 00:02:23,359 Speaker 1: carnival games and stuff, except it's Dolly Pardon themed. What's 45 00:02:23,360 --> 00:02:25,600 Speaker 1: all about the theme, right, It's all about the fluff. 46 00:02:25,880 --> 00:02:28,320 Speaker 1: Like I remember, I never went to Dollywood, but I 47 00:02:28,400 --> 00:02:32,720 Speaker 1: went to Opery Land in Nashville, Tennessee, back when that 48 00:02:32,880 --> 00:02:35,840 Speaker 1: was a theme park, a country music sort of country 49 00:02:35,880 --> 00:02:39,040 Speaker 1: themed theme park, and and that was fun. It wasn't 50 00:02:39,040 --> 00:02:42,840 Speaker 1: necessary that I was into the uh, into the flavoring 51 00:02:42,919 --> 00:02:45,880 Speaker 1: that was provided. But still, the basic rides, you do 52 00:02:45,960 --> 00:02:48,400 Speaker 1: need some reason to get on there. You need some 53 00:02:48,440 --> 00:02:50,880 Speaker 1: sort of character associated with it, to tell a story 54 00:02:50,960 --> 00:02:53,799 Speaker 1: with the ride. Dude, that Dollywood Joe Lene roller coaster 55 00:02:53,919 --> 00:02:57,680 Speaker 1: was a scream. So there are a lot of worthy 56 00:02:57,880 --> 00:03:01,440 Speaker 1: theme park destinations out there. But here's one that I 57 00:03:01,480 --> 00:03:04,840 Speaker 1: think most of us may not have heard of. I 58 00:03:04,880 --> 00:03:07,280 Speaker 1: had not heard of this one until we started researching 59 00:03:07,280 --> 00:03:09,360 Speaker 1: this episode. I had not heard of this until you 60 00:03:09,440 --> 00:03:11,800 Speaker 1: sent it to me. It's nestled in the Swiss Alps, 61 00:03:12,360 --> 00:03:16,600 Speaker 1: and it's called young Frau Park. Okay, does that mean 62 00:03:16,800 --> 00:03:20,040 Speaker 1: young woman? I believe so it's name for um, it's 63 00:03:20,080 --> 00:03:23,120 Speaker 1: name for a particular alpine peak in the immediate area. 64 00:03:23,520 --> 00:03:27,359 Speaker 1: It originally opened as Mystery Park, though it offers fun 65 00:03:27,440 --> 00:03:31,040 Speaker 1: and entertainment for the entire family, including Misty Land for 66 00:03:31,080 --> 00:03:36,680 Speaker 1: the children, a huge indoor outdoor children's paradise, segue rides, trampolines, 67 00:03:36,920 --> 00:03:41,120 Speaker 1: laser shows, a petting zoo, and of course multiple exhibits 68 00:03:41,120 --> 00:03:44,560 Speaker 1: in live shows addressing the mysteries of ancient history and 69 00:03:44,600 --> 00:03:49,200 Speaker 1: the possible answers to be found in ancient astronaut hypothesis. 70 00:03:49,280 --> 00:03:52,480 Speaker 1: What yes, yeah, this is I need to drive this home. 71 00:03:52,560 --> 00:03:55,120 Speaker 1: This is not some silly skit that Joe and I 72 00:03:55,160 --> 00:03:58,280 Speaker 1: have prepared for everybody. This is a real theme park 73 00:03:58,800 --> 00:04:02,200 Speaker 1: in Interlock and Swiss of Land, centered around the ideas 74 00:04:02,280 --> 00:04:06,120 Speaker 1: and writings of Eric van Donikin, author of the nineteen 75 00:04:06,760 --> 00:04:09,800 Speaker 1: book Chariots of the Gods. I like how the original 76 00:04:09,840 --> 00:04:12,440 Speaker 1: book title ends in a question mark. Yes, so, I 77 00:04:12,880 --> 00:04:14,840 Speaker 1: really think we should make a point when we're talking 78 00:04:14,880 --> 00:04:17,960 Speaker 1: about his book. We should we should pronounce it chariots 79 00:04:18,000 --> 00:04:21,480 Speaker 1: of the Gods of the Gods like they might be 80 00:04:21,560 --> 00:04:26,279 Speaker 1: chariots of somebody else's. I also love how it takes 81 00:04:26,320 --> 00:04:31,120 Speaker 1: what is otherwise a tremendously awesome title and kind of 82 00:04:31,160 --> 00:04:33,520 Speaker 1: screws it up by making a question. You know, you've 83 00:04:33,520 --> 00:04:36,880 Speaker 1: got that standard clickbait format these days, where like the 84 00:04:36,920 --> 00:04:40,280 Speaker 1: actual body text of an article might be fairly reasonable, 85 00:04:40,320 --> 00:04:43,920 Speaker 1: but the headline makes some outlandish claim not justified by 86 00:04:43,920 --> 00:04:46,359 Speaker 1: the article itself. This is sort of the opposite. This 87 00:04:46,440 --> 00:04:48,920 Speaker 1: is like the title is actually a little bit more 88 00:04:48,960 --> 00:04:51,640 Speaker 1: careful than the book. Yes, and we will definitely get 89 00:04:51,640 --> 00:04:55,000 Speaker 1: into that as we proceed. But this particular park again, 90 00:04:55,040 --> 00:04:58,640 Speaker 1: it opened as Mystery Park and two thousand three at 91 00:04:58,640 --> 00:05:02,240 Speaker 1: a reported cost of eighty six million Swiss francs or 92 00:05:02,320 --> 00:05:05,920 Speaker 1: sixty two million dollars American uh. But then it closed 93 00:05:05,920 --> 00:05:08,560 Speaker 1: in two thousand six. Then it opened reopened again in 94 00:05:08,640 --> 00:05:12,600 Speaker 1: two thousand nine as Young Frau Park. It's an exhibits 95 00:05:12,640 --> 00:05:15,600 Speaker 1: still focus on things like the Nazca lines, the construction 96 00:05:15,600 --> 00:05:19,520 Speaker 1: of the Pyramids, and other noted uh quote unquote examples 97 00:05:19,760 --> 00:05:24,640 Speaker 1: of ancient astronauts, speculation or a A s plus. Donikan 98 00:05:24,760 --> 00:05:28,440 Speaker 1: himself still gives lectures there and insists that quote everything 99 00:05:28,600 --> 00:05:32,400 Speaker 1: ends in a question mark, so as if it's all 100 00:05:32,760 --> 00:05:36,359 Speaker 1: just a consideration of these ideas rather than um, you know, 101 00:05:36,520 --> 00:05:39,440 Speaker 1: propaganda about it. Well, I must say that makes me 102 00:05:39,480 --> 00:05:41,440 Speaker 1: feel a little bit better about it, because I kind 103 00:05:41,440 --> 00:05:43,760 Speaker 1: of want to go. I don't put any stock whatsoever 104 00:05:43,880 --> 00:05:47,000 Speaker 1: in the ancient aliens hypothesis, but this sounds like a 105 00:05:47,040 --> 00:05:49,360 Speaker 1: good time. You've got a petting zoo, and you've got 106 00:05:49,360 --> 00:05:52,279 Speaker 1: a guy given lectures about how aliens probably talk to 107 00:05:52,320 --> 00:05:54,880 Speaker 1: our ancestors. Yeah, there's a sun sphere they have like 108 00:05:54,920 --> 00:05:58,000 Speaker 1: a ziggurat and a pyramid. You can, you can. I'll 109 00:05:58,000 --> 00:06:01,000 Speaker 1: try to make sure that we link to the homepage 110 00:06:01,240 --> 00:06:03,440 Speaker 1: for the park so that you can check it out, 111 00:06:03,440 --> 00:06:06,320 Speaker 1: because it does look fun. It looks you can children 112 00:06:06,320 --> 00:06:09,760 Speaker 1: can have their birthday parties there. It looks like an 113 00:06:09,800 --> 00:06:12,280 Speaker 1: interesting destination, and we would love to hear from anyone 114 00:06:12,320 --> 00:06:15,719 Speaker 1: who has ever gone there themselves. So I've been familiar 115 00:06:15,760 --> 00:06:18,040 Speaker 1: with Van Donkin for a long time. I remember seeing 116 00:06:18,120 --> 00:06:21,680 Speaker 1: him mentioned on old reruns of In Search of hosted 117 00:06:21,680 --> 00:06:24,880 Speaker 1: by Leonard nimoy A and a yeah. But but I 118 00:06:24,880 --> 00:06:27,560 Speaker 1: had no idea that this had been incorporated into a 119 00:06:27,680 --> 00:06:30,200 Speaker 1: theme park. This is the kind of thing you come 120 00:06:30,240 --> 00:06:33,200 Speaker 1: to expect from religious groups in the United States, like 121 00:06:33,400 --> 00:06:36,200 Speaker 1: the Holy Lands Theme Park. I believe it is in Florida. 122 00:06:36,360 --> 00:06:38,800 Speaker 1: Oh yeah, if you're not aware of this phenomenon. In 123 00:06:38,839 --> 00:06:42,960 Speaker 1: the United States, there are multiple, uh, not just Bible themed, 124 00:06:43,040 --> 00:06:46,839 Speaker 1: but specifically Young Earth creationist theme parks in the United 125 00:06:46,880 --> 00:06:50,440 Speaker 1: States that have like models and exhibits. It's sort of 126 00:06:50,480 --> 00:06:53,960 Speaker 1: like a cross between an amusement park and a museum 127 00:06:54,000 --> 00:06:56,680 Speaker 1: attempting to promote the idea, for example, that humans and 128 00:06:56,720 --> 00:06:59,080 Speaker 1: dinosaurs lived side by side and that the Earth is 129 00:06:59,120 --> 00:07:01,760 Speaker 1: six thousand years so old. Yeah, and you know, it 130 00:07:01,800 --> 00:07:03,800 Speaker 1: makes sense that we would have theme parks about this 131 00:07:03,839 --> 00:07:05,880 Speaker 1: because in the United States, two things that people take 132 00:07:06,000 --> 00:07:09,880 Speaker 1: very seriously our religion and their major entertainment brands. So 133 00:07:09,960 --> 00:07:12,240 Speaker 1: of course there's a Disney Park. Of course there's like 134 00:07:12,320 --> 00:07:17,560 Speaker 1: Universal Studios. But I just really wasn't expecting, uh, there 135 00:07:17,600 --> 00:07:21,080 Speaker 1: to be a theme park based around the concept of 136 00:07:21,080 --> 00:07:23,440 Speaker 1: ancient aliens. It really gives me hope that my son 137 00:07:23,520 --> 00:07:26,480 Speaker 1: can one day celebrate his tenth birthday party at a 138 00:07:26,600 --> 00:07:31,120 Speaker 1: Phantom Time hypothesis theme park. I want to Lizard People 139 00:07:31,160 --> 00:07:33,720 Speaker 1: theme park that would be good, yeah, with the costumes 140 00:07:33,760 --> 00:07:37,160 Speaker 1: it basically rights itself, or a good Flat Earth theme 141 00:07:37,200 --> 00:07:39,760 Speaker 1: park that'll do it. I wonder if that means the 142 00:07:39,840 --> 00:07:42,720 Speaker 1: roller coasters will be very boring though there's no looks. 143 00:07:42,760 --> 00:07:47,560 Speaker 1: It's just flat circle flat roller coasters. Yeah. So we've 144 00:07:47,560 --> 00:07:50,600 Speaker 1: had listeners in the past ask us to talk about 145 00:07:50,760 --> 00:07:54,160 Speaker 1: ancient aliens related topics. I think it's come up in 146 00:07:54,240 --> 00:07:57,040 Speaker 1: passing on the podcast quite a few times. Actually, we 147 00:07:57,200 --> 00:07:59,280 Speaker 1: just kind of mentioned it here and there as one 148 00:07:59,320 --> 00:08:01,600 Speaker 1: of those things that you know, it would be interesting 149 00:08:01,680 --> 00:08:04,000 Speaker 1: if there were some actual evidence for it, but there 150 00:08:04,040 --> 00:08:06,120 Speaker 1: doesn't seem to be any good evidence. It's all just 151 00:08:06,240 --> 00:08:09,640 Speaker 1: kind of like based on massive over interpretation of little 152 00:08:09,720 --> 00:08:13,119 Speaker 1: tidbits of interesting mythology and imagery from the ancient world, 153 00:08:13,440 --> 00:08:17,480 Speaker 1: and sometimes on outright fraud and and stuff like that. Yeah, 154 00:08:17,520 --> 00:08:19,280 Speaker 1: and we'll get into all that today. I do want 155 00:08:19,280 --> 00:08:21,160 Speaker 1: to before we get into it, I do want to 156 00:08:21,160 --> 00:08:24,280 Speaker 1: stress that we are going to approach this topic, like 157 00:08:24,760 --> 00:08:27,120 Speaker 1: all the topics we can approach, with a skeptical mind, 158 00:08:27,160 --> 00:08:31,000 Speaker 1: but an open mind. Okay, yeah, an open minded mind exactly. Yes. 159 00:08:31,480 --> 00:08:34,800 Speaker 1: And while we're gonna be talking about about von Donnikin 160 00:08:35,240 --> 00:08:38,280 Speaker 1: himself and his book at the top of this episode, 161 00:08:38,400 --> 00:08:41,880 Speaker 1: we are going to get into say Carl Sagan's thoughts 162 00:08:42,040 --> 00:08:46,200 Speaker 1: on the possibility of ancient aliens as we progress, and 163 00:08:46,200 --> 00:08:49,400 Speaker 1: of course through all of it, it is an exciting idea. 164 00:08:49,960 --> 00:08:52,200 Speaker 1: I mean, it factors into so many different works of 165 00:08:52,240 --> 00:08:56,640 Speaker 1: fiction that that we love. It's uh, it's just comes 166 00:08:56,679 --> 00:08:58,800 Speaker 1: down to the fact that, like you said, the evidence 167 00:08:59,480 --> 00:09:02,920 Speaker 1: is never there. Yeah, exactly. Now. I want to be 168 00:09:02,960 --> 00:09:06,600 Speaker 1: clear that I find the idea of ancient aliens visiting 169 00:09:06,640 --> 00:09:09,720 Speaker 1: Earth long ago in the past as fun and interesting 170 00:09:09,760 --> 00:09:12,720 Speaker 1: as anybody else would. It's something that I would love 171 00:09:12,760 --> 00:09:14,839 Speaker 1: to believe if there were good evidence for the I mean, 172 00:09:14,840 --> 00:09:18,480 Speaker 1: that's such a cool idea. Um, And so it's and 173 00:09:18,559 --> 00:09:21,959 Speaker 1: it's also not something that I would say is something 174 00:09:21,960 --> 00:09:24,559 Speaker 1: we should just dismiss out of hand. Like some people 175 00:09:24,600 --> 00:09:27,240 Speaker 1: make the argument that, Okay, if somebody shows up and says, 176 00:09:27,280 --> 00:09:30,240 Speaker 1: I've got a new propellantless drive that'll get us through 177 00:09:30,240 --> 00:09:33,559 Speaker 1: space without propellant, some people say, you know, if you're 178 00:09:33,640 --> 00:09:36,080 Speaker 1: violating the laws of physics, I don't even need to 179 00:09:36,120 --> 00:09:38,360 Speaker 1: listen to you to begin with. I don't feel like 180 00:09:38,400 --> 00:09:40,920 Speaker 1: that about ancient aliens. I'd say, Okay, this is something 181 00:09:40,960 --> 00:09:43,680 Speaker 1: that we don't know whether or not aliens exist. Maybe 182 00:09:43,760 --> 00:09:46,640 Speaker 1: they do. We don't know if they do exist, whether 183 00:09:46,679 --> 00:09:49,520 Speaker 1: they visited Earth in the past. Maybe they have. There's 184 00:09:49,559 --> 00:09:51,880 Speaker 1: no reason to rule it out out of hand. So 185 00:09:51,920 --> 00:09:54,280 Speaker 1: it's at least worth looking at the evidence if somebody 186 00:09:54,280 --> 00:09:57,920 Speaker 1: thinks they have some exactly, So let's return to Chariots 187 00:09:57,920 --> 00:10:01,840 Speaker 1: of the Gods uh the Night sixty eight book by 188 00:10:02,160 --> 00:10:05,319 Speaker 1: Eric von Donakin, And the basic idea here is again 189 00:10:05,320 --> 00:10:08,880 Speaker 1: that ancient that ancient astronauts visited Earth and serve as 190 00:10:08,920 --> 00:10:11,960 Speaker 1: the sort of god figures of our mythologies and religions, 191 00:10:11,960 --> 00:10:14,600 Speaker 1: and they wowed us with their technology and taught us 192 00:10:14,600 --> 00:10:18,440 Speaker 1: to do things like make bread and build pyramids, the 193 00:10:18,480 --> 00:10:22,040 Speaker 1: two primary activities of human civilization. Well they're they're also 194 00:10:22,840 --> 00:10:25,200 Speaker 1: we'll get into it, especially the pyramid thing more. But 195 00:10:25,240 --> 00:10:27,360 Speaker 1: these are the sort of things that it's easy to 196 00:10:27,400 --> 00:10:30,080 Speaker 1: look at and say, how did people ever figure this out? 197 00:10:30,800 --> 00:10:32,960 Speaker 1: I thought about that with bread before you know, I'm like, 198 00:10:33,280 --> 00:10:36,040 Speaker 1: this is amazing. It's so tasty, and I if you, 199 00:10:36,160 --> 00:10:38,640 Speaker 1: if you you show me where it came from, and 200 00:10:38,800 --> 00:10:41,840 Speaker 1: I would. I can't imagine ancient people putting that together. 201 00:10:41,880 --> 00:10:44,160 Speaker 1: But of course they did put it together. Do you 202 00:10:44,200 --> 00:10:47,160 Speaker 1: think aliens were the ones that taught us to drink 203 00:10:47,240 --> 00:10:50,680 Speaker 1: the milk that comes out of goats and cows. Oh 204 00:10:50,800 --> 00:10:53,760 Speaker 1: well that is that isn't another interesting topic of topic. 205 00:10:53,920 --> 00:10:56,120 Speaker 1: I believe Julie and I did an episode that got 206 00:10:56,120 --> 00:10:57,559 Speaker 1: into some of that in the past. Because there are 207 00:10:57,600 --> 00:11:01,600 Speaker 1: different theories regarding how we made this leap. One of 208 00:11:01,640 --> 00:11:05,240 Speaker 1: them one of the theories is that it actually involved 209 00:11:05,280 --> 00:11:09,000 Speaker 1: a drinking contest, like essentially dares and double dares among 210 00:11:09,040 --> 00:11:12,320 Speaker 1: ancient people. I bet you can't down that glass of 211 00:11:12,320 --> 00:11:15,199 Speaker 1: of of sheep's milk. Let's see what happens. Okay, So 212 00:11:15,320 --> 00:11:18,640 Speaker 1: it would be like, drink this crocodile's urine, drink this 213 00:11:18,760 --> 00:11:21,720 Speaker 1: goat's milk, but then the goat milk was kind of tasty. Yeah, 214 00:11:21,800 --> 00:11:23,640 Speaker 1: I mean it actually would play into some of these 215 00:11:23,679 --> 00:11:27,600 Speaker 1: ancient astronaut ideas, like the aliens arrive and they're like, hey, 216 00:11:27,920 --> 00:11:31,000 Speaker 1: you uh monkey creature, Um, can you drink the milk 217 00:11:31,000 --> 00:11:33,400 Speaker 1: of that other one without becoming ill? Let's see what happens, 218 00:11:33,559 --> 00:11:37,040 Speaker 1: just doing experiments on us. Yeah. Uh. So we can't 219 00:11:37,200 --> 00:11:40,960 Speaker 1: rehash all of von Danikin's arguments from his book, but 220 00:11:41,040 --> 00:11:43,240 Speaker 1: I think just to give you a flavor of the 221 00:11:43,320 --> 00:11:46,880 Speaker 1: kinds of things he argues and and what it feels 222 00:11:47,000 --> 00:11:50,600 Speaker 1: like to participate with his arguments. We should just give 223 00:11:50,640 --> 00:11:53,560 Speaker 1: an example from several of his major lines of evidence, 224 00:11:53,880 --> 00:11:56,319 Speaker 1: and one of the major types of arguments he makes 225 00:11:56,480 --> 00:12:01,080 Speaker 1: is about ancient projects that supposedly we're beyond our power 226 00:12:01,160 --> 00:12:03,480 Speaker 1: to produce at the time. Right, So this is you 227 00:12:03,480 --> 00:12:05,720 Speaker 1: know you mentioned how do we learn to bake bread? 228 00:12:05,760 --> 00:12:09,120 Speaker 1: How do we learn to build pyramids? Von Dannikin essentially 229 00:12:09,160 --> 00:12:12,840 Speaker 1: will look back and say, hey, we couldn't have done 230 00:12:12,880 --> 00:12:15,319 Speaker 1: that back then. Must have been aliens showing us how 231 00:12:15,320 --> 00:12:18,080 Speaker 1: to do it or assisting us with their technology. So 232 00:12:18,240 --> 00:12:21,080 Speaker 1: classic example of this you'll often hear is the pyramids 233 00:12:21,080 --> 00:12:23,400 Speaker 1: of ancient Egypt. Right, if you've got an ancient Aliens 234 00:12:23,400 --> 00:12:26,240 Speaker 1: person talking to you, they'll say, look, there's no way 235 00:12:26,280 --> 00:12:29,319 Speaker 1: the ancient Egyptians could have built the pyramids. These these 236 00:12:29,400 --> 00:12:32,319 Speaker 1: stones that the pyramids are made of or gigantic How 237 00:12:32,360 --> 00:12:34,520 Speaker 1: did they get them to the site? How did they 238 00:12:34,520 --> 00:12:36,800 Speaker 1: build them with such precision? You know that, how do 239 00:12:36,880 --> 00:12:40,000 Speaker 1: they move them so far? It's just impossible. They couldn't 240 00:12:40,040 --> 00:12:42,160 Speaker 1: have done it, right, Why did they build it like that? 241 00:12:42,200 --> 00:12:45,000 Speaker 1: Why were they looking up? Yeah? Vandanakin makes that argument too. 242 00:12:45,040 --> 00:12:47,360 Speaker 1: He says the pyramids they seem to be oriented with 243 00:12:47,400 --> 00:12:50,600 Speaker 1: some kind of relationship to the stars, and Egyptian astronomy 244 00:12:50,679 --> 00:12:53,080 Speaker 1: was not advanced enough for them to have had this 245 00:12:53,200 --> 00:12:55,640 Speaker 1: kind of like knowledge of the stars when they built them. 246 00:12:55,720 --> 00:12:57,760 Speaker 1: That seems to be wrong. But yeah, if you look 247 00:12:57,800 --> 00:13:00,079 Speaker 1: at pyramids like the Great Pyramid of Giza built in 248 00:13:00,160 --> 00:13:03,440 Speaker 1: the twenty century BC, it's true that we used to 249 00:13:03,440 --> 00:13:07,320 Speaker 1: consider it a great mystery how these amazing marvels like 250 00:13:07,360 --> 00:13:10,800 Speaker 1: the Pyramids were built in a time before modern metal working. 251 00:13:10,840 --> 00:13:13,360 Speaker 1: I mean, these people didn't have iron tools or anything. 252 00:13:13,360 --> 00:13:16,280 Speaker 1: They were probably working with like copper tools. Uh, this 253 00:13:16,360 --> 00:13:19,600 Speaker 1: is really before any kind of advanced wheels of any sort. 254 00:13:19,960 --> 00:13:23,480 Speaker 1: But as best I can tell, modern archaeologists and Egyptologists 255 00:13:23,520 --> 00:13:26,280 Speaker 1: do not believe that it was beyond the power of 256 00:13:26,280 --> 00:13:29,280 Speaker 1: the ancient Egyptians to create these marvels like the Pyramids. 257 00:13:29,800 --> 00:13:32,160 Speaker 1: We now know a lot about the construction of the pyramids. 258 00:13:32,240 --> 00:13:35,920 Speaker 1: So the pyramids were built through massive coordination of engineers 259 00:13:35,960 --> 00:13:39,920 Speaker 1: and skilled workers. Granite building materials were probably floated down 260 00:13:39,920 --> 00:13:43,920 Speaker 1: the Nile on rafts from quarry locations upstream. Uh. And 261 00:13:43,920 --> 00:13:48,560 Speaker 1: we've discovered, through for example, ancient illustrations, that giant stone 262 00:13:48,600 --> 00:13:52,120 Speaker 1: blocks were dragged into place using ropes and sledges. So 263 00:13:52,200 --> 00:13:54,880 Speaker 1: workers would have ropes and they pull a sledge with 264 00:13:54,920 --> 00:13:57,600 Speaker 1: a stone on it. And there was even a recent 265 00:13:57,640 --> 00:14:01,400 Speaker 1: discovery about how wetting the sand underneath the sledge could 266 00:14:01,400 --> 00:14:04,120 Speaker 1: reduce the friction between the sledge and the ground, helping 267 00:14:04,160 --> 00:14:07,400 Speaker 1: ease the transport of the blocks. And then there's other 268 00:14:07,440 --> 00:14:10,240 Speaker 1: evidence that indicates, for example, the height of the pyramids 269 00:14:10,280 --> 00:14:13,760 Speaker 1: was achieved with the use of wait for it, ramps. 270 00:14:14,600 --> 00:14:17,800 Speaker 1: But where they get the ramps? Joe, clearly aliens crazy? No, 271 00:14:18,000 --> 00:14:20,040 Speaker 1: I mean, yeah, how could they have figured out that 272 00:14:20,080 --> 00:14:23,520 Speaker 1: you could pile earth up to make a ramp? But yeah, 273 00:14:23,520 --> 00:14:26,240 Speaker 1: So this kind of argumentation, it seems to me to 274 00:14:26,280 --> 00:14:29,760 Speaker 1: be based on basically just a type of prejudice, prejudice 275 00:14:29,800 --> 00:14:33,280 Speaker 1: against the abilities of the ancient people. Ancient people might 276 00:14:33,320 --> 00:14:36,560 Speaker 1: have had less scientific knowledge and less technology than we do, 277 00:14:36,640 --> 00:14:39,400 Speaker 1: but they weren't stupid. In fact, they were really clever, 278 00:14:39,520 --> 00:14:41,880 Speaker 1: often more clever than we are, because they had to 279 00:14:41,920 --> 00:14:45,640 Speaker 1: accomplish their great works with so much less. Yeah, they 280 00:14:45,640 --> 00:14:48,320 Speaker 1: were not, as the saying goes, standing on the shoulders 281 00:14:48,320 --> 00:14:50,400 Speaker 1: of giants. No, they had to they had to be 282 00:14:50,600 --> 00:14:53,800 Speaker 1: giants themselves in order to do great things. So that's 283 00:14:53,840 --> 00:14:56,080 Speaker 1: one type of argument, but then you've got a couple others. 284 00:14:56,120 --> 00:14:59,080 Speaker 1: One is like looking at ancient art and saying, well, 285 00:14:59,120 --> 00:15:02,480 Speaker 1: that depicts a lilians and spaceships. So you could look 286 00:15:02,520 --> 00:15:06,200 Speaker 1: at ancient figurines from Japan and say that looks like 287 00:15:06,240 --> 00:15:08,840 Speaker 1: an alien in a space suit. Or you can look 288 00:15:08,880 --> 00:15:11,920 Speaker 1: at the Nasca Lines of Peru, where von Danikin says 289 00:15:11,960 --> 00:15:15,560 Speaker 1: their quote very reminiscent of aircraft parking bays on a 290 00:15:15,640 --> 00:15:19,040 Speaker 1: modern airport. I look at that, I don't know, I mean, 291 00:15:19,080 --> 00:15:23,800 Speaker 1: it looks to me like their giant works of art. Yeah, 292 00:15:23,840 --> 00:15:25,960 Speaker 1: this is one of those cases where you're taking several 293 00:15:26,000 --> 00:15:29,800 Speaker 1: logical leaps to get to a more grandiose explanation. Yeah. 294 00:15:29,840 --> 00:15:31,840 Speaker 1: And it's not to say that things like the Nasca 295 00:15:31,880 --> 00:15:35,680 Speaker 1: lions aren't themselves very interesting and mysterious, Like who did 296 00:15:35,680 --> 00:15:38,080 Speaker 1: the people who created them think they were making them for? 297 00:15:38,240 --> 00:15:42,040 Speaker 1: If they're too big for the average human to actually see, Uh, 298 00:15:42,280 --> 00:15:44,360 Speaker 1: they must have had the idea of like gods in 299 00:15:44,360 --> 00:15:47,360 Speaker 1: the sky or even maybe somehow people traveling in the 300 00:15:47,400 --> 00:15:50,040 Speaker 1: sky to look down and see them. So you know 301 00:15:50,120 --> 00:15:53,040 Speaker 1: that's not impossible. But there are these mysteries and and 302 00:15:53,040 --> 00:15:55,520 Speaker 1: and they're very interesting, but I don't think you need 303 00:15:55,560 --> 00:15:58,560 Speaker 1: to jump to this is a landing strip for spacecraft 304 00:15:58,680 --> 00:16:02,600 Speaker 1: or this is in you know, an aircraft parking bay. Likewise, 305 00:16:02,720 --> 00:16:05,720 Speaker 1: another way he looks at ancient art is the Mayan 306 00:16:05,840 --> 00:16:09,280 Speaker 1: temple of the inscriptions at pelen k Robert. Had you 307 00:16:09,320 --> 00:16:12,400 Speaker 1: ever seen this carving before? Um? If I had, I'd 308 00:16:12,400 --> 00:16:14,920 Speaker 1: forgotten about it. It's it's very cool because you see 309 00:16:14,920 --> 00:16:19,640 Speaker 1: this individual that's kind of in a recline position. Uh. 310 00:16:19,640 --> 00:16:23,120 Speaker 1: And you know, I'm not sure how how I would 311 00:16:23,160 --> 00:16:27,320 Speaker 1: have interpreted it had I not been looking at it, 312 00:16:27,680 --> 00:16:30,280 Speaker 1: uh as part of the research for this episode, like 313 00:16:30,400 --> 00:16:33,200 Speaker 1: knowing what people would read into it, Because knowing what 314 00:16:33,240 --> 00:16:35,040 Speaker 1: people would read into it, I look at it and 315 00:16:35,080 --> 00:16:40,480 Speaker 1: I'm I'm reminded of hr Geeger's concept for the pilot 316 00:16:40,760 --> 00:16:44,320 Speaker 1: that they encounter in Alien, that the giant, you know, 317 00:16:44,360 --> 00:16:48,080 Speaker 1: that the Titan character that is uh fossilized in this 318 00:16:48,400 --> 00:16:53,640 Speaker 1: uh this command chair within the crashed Alien spaceship the engineer. Yeah. Yeah, 319 00:16:53,720 --> 00:16:57,720 Speaker 1: it's sort of a similar reclining pose surrounded by I 320 00:16:57,720 --> 00:16:59,880 Speaker 1: don't know what what you'd call it, kind of ornate 321 00:17:00,120 --> 00:17:02,400 Speaker 1: objects that look like all then maybe that could be 322 00:17:02,440 --> 00:17:06,040 Speaker 1: some form of technology. So this carving from this Mayan 323 00:17:06,080 --> 00:17:10,080 Speaker 1: temple is from the sarcophagus of the Mayan lord Pakal 324 00:17:10,240 --> 00:17:13,520 Speaker 1: the Great, who lived in the seventh century CE. And 325 00:17:13,600 --> 00:17:16,160 Speaker 1: from what I've read, the stuff in the carving are 326 00:17:16,560 --> 00:17:20,240 Speaker 1: common Mayan religious symbols. They're the kinds of things you 327 00:17:20,280 --> 00:17:23,920 Speaker 1: see on Mayan carvings that indicate things about the Mayan 328 00:17:24,000 --> 00:17:28,080 Speaker 1: mythology and cosmology. But of course von Dannikin and the 329 00:17:28,119 --> 00:17:30,760 Speaker 1: ancient Aliens people they say, well, it's got a guy 330 00:17:30,840 --> 00:17:34,680 Speaker 1: reclining and he's surrounded by all these objects and lines 331 00:17:34,800 --> 00:17:38,080 Speaker 1: and weird looking stuff, and so maybe what this is 332 00:17:38,080 --> 00:17:42,359 Speaker 1: is it's a person who is reclining in a spaceship 333 00:17:42,480 --> 00:17:45,480 Speaker 1: that's ready for takeoff, and they're surrounded by all these 334 00:17:45,480 --> 00:17:49,280 Speaker 1: technological objects. It's a fun read on a piece of art. 335 00:17:49,320 --> 00:17:52,919 Speaker 1: I love that idea, but but again it comes it 336 00:17:52,960 --> 00:17:55,080 Speaker 1: comes down to the question is this really the best 337 00:17:55,320 --> 00:17:59,400 Speaker 1: explanation for what we're looking at here? Yeah, good question. Again, 338 00:17:59,440 --> 00:18:02,600 Speaker 1: I think the answer is probably no. And then finally 339 00:18:02,760 --> 00:18:06,280 Speaker 1: another line of evidences, for example, ancient descriptions of things 340 00:18:06,320 --> 00:18:09,640 Speaker 1: in literature and religion. So we I think we've talked 341 00:18:09,640 --> 00:18:11,720 Speaker 1: on the podcast before about the first chapter of the 342 00:18:11,720 --> 00:18:14,199 Speaker 1: Book of Ezekiel in the Hebrew Bible. Robert, I have 343 00:18:14,240 --> 00:18:16,280 Speaker 1: we done this one before? I know it came up 344 00:18:16,280 --> 00:18:19,640 Speaker 1: when Christian and I talked about John d and sort 345 00:18:19,640 --> 00:18:23,280 Speaker 1: of the various occult ideas about angels, because we talked 346 00:18:23,280 --> 00:18:27,879 Speaker 1: about how how rad the angels are in the Old Testament, 347 00:18:28,000 --> 00:18:32,159 Speaker 1: you know, with interlocking wheels and uh a sense of 348 00:18:32,160 --> 00:18:35,600 Speaker 1: like multiple eyes and strange fires. Yeah. So just to 349 00:18:35,640 --> 00:18:39,080 Speaker 1: give a brief reading, the author, supposedly, the prophet Ezekiel 350 00:18:39,240 --> 00:18:41,399 Speaker 1: rights that he had a vision one day the heavens 351 00:18:41,400 --> 00:18:45,240 Speaker 1: were opened. Quote. Then I looked, and behold, a whirlwind 352 00:18:45,359 --> 00:18:48,080 Speaker 1: was coming out of the north, a great cloud with 353 00:18:48,280 --> 00:18:52,439 Speaker 1: raging fire engulfing itself, and brightness was all around it 354 00:18:52,600 --> 00:18:55,720 Speaker 1: and radiating out of its midst, like the color of amber. 355 00:18:55,920 --> 00:18:58,760 Speaker 1: Out of the midst of the fire. Also from within 356 00:18:58,800 --> 00:19:01,960 Speaker 1: it came the likeness of four living creatures. And this 357 00:19:02,080 --> 00:19:04,560 Speaker 1: was their appearance. They had the likeness of a man. 358 00:19:05,080 --> 00:19:08,600 Speaker 1: Each one had four faces, and each one had four wings. 359 00:19:08,960 --> 00:19:11,600 Speaker 1: Their legs were straight, and the soles of their feet 360 00:19:11,600 --> 00:19:14,679 Speaker 1: were like the soles of calves feet. They sparkled like 361 00:19:14,760 --> 00:19:18,199 Speaker 1: the color of burnished bronze. Now, as I looked at 362 00:19:18,200 --> 00:19:20,879 Speaker 1: the living creatures, behold, a wheel was on the earth 363 00:19:20,960 --> 00:19:24,840 Speaker 1: beside each living creature, with its four faces. The appearance 364 00:19:24,840 --> 00:19:27,760 Speaker 1: of the wheels and their workings was like the color 365 00:19:27,880 --> 00:19:31,679 Speaker 1: of barrel, and all four had the same likeness. The 366 00:19:31,720 --> 00:19:34,920 Speaker 1: appearance of their workings was as it were, a wheel 367 00:19:35,040 --> 00:19:37,480 Speaker 1: in the middle of a wheel. When they moved, they 368 00:19:37,520 --> 00:19:40,480 Speaker 1: went toward any one of the four directions. They did 369 00:19:40,480 --> 00:19:43,760 Speaker 1: not turn aside when they went. As for their rims, 370 00:19:44,040 --> 00:19:47,240 Speaker 1: they were so high, they were awesome, and their rims 371 00:19:47,240 --> 00:19:50,800 Speaker 1: were full of eyes all around the four of them. 372 00:19:50,840 --> 00:19:54,840 Speaker 1: That is awesome imagery. You can't deny the amazing power 373 00:19:55,000 --> 00:19:58,639 Speaker 1: of that description. Yeah, it does it. It sounds and 374 00:19:58,760 --> 00:20:03,280 Speaker 1: feels like an counter with something beyond the human experience 375 00:20:03,880 --> 00:20:06,479 Speaker 1: and God. And certainly if you want to say it's 376 00:20:06,480 --> 00:20:09,600 Speaker 1: an alien, that would make sense to But are you 377 00:20:09,680 --> 00:20:12,639 Speaker 1: convinced that number one, the author really saw this and 378 00:20:12,720 --> 00:20:15,800 Speaker 1: this isn't merely a composed narrative serving a religious purpose. 379 00:20:16,480 --> 00:20:19,359 Speaker 1: Number two, if the author did actually see this, that 380 00:20:19,440 --> 00:20:23,680 Speaker 1: it wasn't a hallucination, right one, either caused by quote 381 00:20:23,720 --> 00:20:26,840 Speaker 1: unquote natural causes, you know, some sort of religious trance 382 00:20:26,960 --> 00:20:29,720 Speaker 1: or the consumption of some sort of psychedelic substance, either 383 00:20:29,760 --> 00:20:33,040 Speaker 1: one or or just a dream or dream too, or 384 00:20:33,080 --> 00:20:36,040 Speaker 1: pure daydreaming, pure imagination. We've talked about that before too. 385 00:20:36,359 --> 00:20:39,320 Speaker 1: We often want to limit just the pure imagination of 386 00:20:39,359 --> 00:20:41,879 Speaker 1: ancient people's and say, oh, well, they actually saw something, 387 00:20:42,160 --> 00:20:46,159 Speaker 1: or clearly they were eating strange mushrooms. But really you 388 00:20:46,960 --> 00:20:49,520 Speaker 1: can we I think everyone around us can attest to this. 389 00:20:49,720 --> 00:20:53,440 Speaker 1: You can create amazing things without bumping your head or 390 00:20:54,280 --> 00:20:57,840 Speaker 1: or or eating something odd. I totally agree. I always 391 00:20:57,840 --> 00:21:00,880 Speaker 1: want to emphasize that point. And then only are you convinced. 392 00:21:00,920 --> 00:21:03,960 Speaker 1: Even if this was something physical the author actually saw, 393 00:21:04,280 --> 00:21:07,560 Speaker 1: was it aliens? Maybe it's something else being described in 394 00:21:07,600 --> 00:21:11,320 Speaker 1: a kind of vague and imaginative way. So von Danikin 395 00:21:11,440 --> 00:21:15,200 Speaker 1: is convinced, He says, quote the description is astonishingly good. 396 00:21:15,440 --> 00:21:17,639 Speaker 1: Ezekiel says that each wheel was in the middle of 397 00:21:17,680 --> 00:21:21,119 Speaker 1: another one, an optical allusion to our present way of thinking. 398 00:21:21,119 --> 00:21:23,520 Speaker 1: What he saw was one of those special vehicles that 399 00:21:23,560 --> 00:21:27,920 Speaker 1: Americans use in the desert and swampy terrain. Ezekiel observed 400 00:21:27,920 --> 00:21:31,040 Speaker 1: that the wheels rose from the ground simultaneously with the 401 00:21:31,040 --> 00:21:34,600 Speaker 1: winged creatures. He was quite right. Naturally, the wheels of 402 00:21:34,600 --> 00:21:38,520 Speaker 1: a multipurpose vehicle, say an amphibious helicopter do not stay 403 00:21:38,560 --> 00:21:40,879 Speaker 1: on the ground when it takes off. What do you 404 00:21:40,880 --> 00:21:43,159 Speaker 1: think of that? Read Robert. So the idea is is 405 00:21:43,240 --> 00:21:45,800 Speaker 1: he beheld an alien in a in a a fan boat, 406 00:21:45,800 --> 00:21:49,080 Speaker 1: a swamp boat, right and buy you billy alien by 407 00:21:49,080 --> 00:21:51,320 Speaker 1: you billy. Well, that kind of that kind of kicks 408 00:21:51,359 --> 00:21:53,760 Speaker 1: the wind out of this for me. If I think 409 00:21:53,800 --> 00:21:56,040 Speaker 1: of it as that, I like the idea of it 410 00:21:56,160 --> 00:21:59,480 Speaker 1: just being interlocking cosmic wheels with eyeballs all over the place. 411 00:21:59,600 --> 00:22:03,640 Speaker 1: I like that too. Von Dannikin also argues that it 412 00:22:03,760 --> 00:22:07,600 Speaker 1: must have been aliens and not God's Ezekiel is describing, 413 00:22:07,720 --> 00:22:11,720 Speaker 1: because quote Ezekiel gives precise details of the landing of 414 00:22:11,720 --> 00:22:15,040 Speaker 1: this vehicle. He describes a craft that comes from the north, 415 00:22:15,400 --> 00:22:18,760 Speaker 1: emitting rays and gleaming and raising a gigantic cloud of 416 00:22:18,800 --> 00:22:21,679 Speaker 1: desert sand. Now, the God of the Old Testament was 417 00:22:21,720 --> 00:22:25,200 Speaker 1: supposed to be omnipotent. Then why does this almighty God 418 00:22:25,280 --> 00:22:28,439 Speaker 1: have to come hurtling up from a particular direction. Cannot 419 00:22:28,480 --> 00:22:31,639 Speaker 1: he be anywhere he wants without all this noise and fuss? 420 00:22:32,560 --> 00:22:35,120 Speaker 1: Now I have to say Again, I don't really buy 421 00:22:35,160 --> 00:22:37,560 Speaker 1: that argument at all, because it strikes me as a 422 00:22:37,680 --> 00:22:41,320 Speaker 1: pretty shallow and uninformed reading of the Old Testament. I 423 00:22:41,320 --> 00:22:44,280 Speaker 1: think the Bible is full of references to God and 424 00:22:44,320 --> 00:22:48,239 Speaker 1: other divine beings having physical bodies and physical limitations and 425 00:22:48,280 --> 00:22:52,760 Speaker 1: being subject to normal corporeal existence. Like remember after Adam 426 00:22:52,760 --> 00:22:55,560 Speaker 1: and Eve eating the forbidden fruit in the garden of Eden, 427 00:22:55,800 --> 00:22:58,639 Speaker 1: the Book of Genesis says that they quote heard the 428 00:22:58,680 --> 00:23:01,399 Speaker 1: sound of the Lord God walking in the garden in 429 00:23:01,440 --> 00:23:03,960 Speaker 1: the cool of the day, and Adam and his wife 430 00:23:04,000 --> 00:23:06,960 Speaker 1: hid themselves from the presence of the Lord God among 431 00:23:07,080 --> 00:23:10,600 Speaker 1: the trees of the garden. So he's walking in the 432 00:23:10,600 --> 00:23:12,880 Speaker 1: garden and he can't see them if they hide. Well. 433 00:23:12,880 --> 00:23:15,280 Speaker 1: This is one of the points that Julian James made 434 00:23:15,320 --> 00:23:18,400 Speaker 1: about the Bible, taking into account both Testaments, is that 435 00:23:18,840 --> 00:23:22,200 Speaker 1: in the beginning, things are very physical, and then they 436 00:23:22,200 --> 00:23:26,760 Speaker 1: become less physical as you progress. God begins as something 437 00:23:26,840 --> 00:23:31,320 Speaker 1: that is seen and nearly felt, and then he becomes 438 00:23:31,320 --> 00:23:35,360 Speaker 1: something that is occasionally seen and only heard, and then 439 00:23:35,400 --> 00:23:38,119 Speaker 1: the then it's a voice that one is is longing for, 440 00:23:38,320 --> 00:23:41,480 Speaker 1: one is reaching and grasping for. Well, I would absolutely 441 00:23:41,520 --> 00:23:44,479 Speaker 1: agree that there appears to be a chronological progression over 442 00:23:44,520 --> 00:23:48,119 Speaker 1: the history of religion, of the steady abstracting of religious 443 00:23:48,119 --> 00:23:51,600 Speaker 1: beings like a long long ago. If you look into 444 00:23:51,640 --> 00:23:54,280 Speaker 1: the most ancient religions, there does not seem to be 445 00:23:54,320 --> 00:23:57,240 Speaker 1: a problem with a vision of ancient angels approaching from 446 00:23:57,240 --> 00:23:59,399 Speaker 1: the north and blowing up a lot of dust and 447 00:23:59,440 --> 00:24:02,879 Speaker 1: causing a physical disturbance when they arrive. Um. I mean, 448 00:24:03,040 --> 00:24:04,800 Speaker 1: I've talked about this on the show before. I think 449 00:24:04,800 --> 00:24:08,920 Speaker 1: this clear distinction that we make between aliens and gods 450 00:24:09,000 --> 00:24:13,240 Speaker 1: is sort of a post Enlightenment distinction informed by scientific 451 00:24:13,280 --> 00:24:16,639 Speaker 1: thinking and discovery and ideas about physics and biology. And 452 00:24:16,680 --> 00:24:19,240 Speaker 1: I don't think that distinction would necessarily make a whole 453 00:24:19,280 --> 00:24:21,040 Speaker 1: lot of sense to all of the people of the 454 00:24:21,040 --> 00:24:24,160 Speaker 1: ancient world. And and an Old Testament angel might show 455 00:24:24,240 --> 00:24:27,040 Speaker 1: up and you might need invited into your house or 456 00:24:27,080 --> 00:24:30,800 Speaker 1: wrestle it out out in the yard. Uh, that that 457 00:24:30,920 --> 00:24:34,200 Speaker 1: sort of thing. The gods of the Greeks are taking 458 00:24:34,320 --> 00:24:38,040 Speaker 1: physical form and seeking to engage in intercourse with human 459 00:24:38,080 --> 00:24:42,720 Speaker 1: beings exactly so so we think like, Okay, gods are ethereal, 460 00:24:42,800 --> 00:24:47,359 Speaker 1: supernatural beings. They exist outside our spacetime universe. They're free 461 00:24:47,400 --> 00:24:50,040 Speaker 1: from the bounds of the laws of physics. And meanwhile, 462 00:24:50,080 --> 00:24:53,160 Speaker 1: aliens are biological organisms like us. You know, they they're 463 00:24:53,200 --> 00:24:56,200 Speaker 1: from some other planet. They may have powerful biological or 464 00:24:56,240 --> 00:24:58,879 Speaker 1: technological abilities that we don't have, but they're bound by 465 00:24:58,920 --> 00:25:02,280 Speaker 1: the laws of physics. And I just don't get a 466 00:25:02,320 --> 00:25:04,880 Speaker 1: lot of this distinction when you read ancient literature, when 467 00:25:04,880 --> 00:25:07,879 Speaker 1: you read these ancient religious texts, you don't get the 468 00:25:07,920 --> 00:25:10,960 Speaker 1: feeling that this distinction necessarily would have been salient to them. 469 00:25:11,000 --> 00:25:13,520 Speaker 1: Gods often had physical bodies, like you say, they could 470 00:25:13,520 --> 00:25:16,600 Speaker 1: be injured or killed. They lived in distant but physically 471 00:25:16,640 --> 00:25:19,480 Speaker 1: solid places in the mountains or in the sky, which 472 00:25:19,520 --> 00:25:21,440 Speaker 1: they believed there was ground in the sky that you 473 00:25:21,480 --> 00:25:23,600 Speaker 1: could walk around. They could be bound. That would be 474 00:25:23,640 --> 00:25:27,040 Speaker 1: like the ultimate doom for a god of Olympus to 475 00:25:27,080 --> 00:25:30,840 Speaker 1: be bound somewhere. Absolutely Prometheus. Yeah, And speaking of Prometheus, 476 00:25:30,880 --> 00:25:33,200 Speaker 1: here's one of the craziest things. Many of the gods, 477 00:25:33,280 --> 00:25:35,600 Speaker 1: not not always, but many of the gods in ancient 478 00:25:35,600 --> 00:25:38,639 Speaker 1: religions clearly get their power not from some kind of 479 00:25:38,680 --> 00:25:43,000 Speaker 1: supernatural nature, but from artifacts that they possess essentially, some 480 00:25:43,080 --> 00:25:46,320 Speaker 1: kind of ancient vision of a technology. Right, They've got 481 00:25:46,480 --> 00:25:50,640 Speaker 1: some thing that gives them power just like a technological 482 00:25:50,640 --> 00:25:54,600 Speaker 1: alien would. Yeah, magical items. So anyway, that wraps up 483 00:25:54,600 --> 00:25:58,320 Speaker 1: my basic description of of the flavor of von Danikin's 484 00:25:58,320 --> 00:26:01,439 Speaker 1: type of arguments. I think we can already see a 485 00:26:01,520 --> 00:26:04,280 Speaker 1: lot of the flaws within it, but I think it's 486 00:26:04,280 --> 00:26:08,400 Speaker 1: worth exploring more the history of how this idea developed 487 00:26:08,440 --> 00:26:11,280 Speaker 1: and what a better version of this type of hypothesis 488 00:26:11,359 --> 00:26:14,959 Speaker 1: might be. The thing about Chariots of the Gods, however, 489 00:26:15,119 --> 00:26:18,200 Speaker 1: is that it is an essential book to discuss because 490 00:26:18,240 --> 00:26:25,320 Speaker 1: it definitely launched ancient astronaut speculation into the public consciousness. Absolutely, 491 00:26:25,680 --> 00:26:28,120 Speaker 1: it emerged, and it came along I think really at 492 00:26:28,200 --> 00:26:30,840 Speaker 1: just the right time, because this is a period of 493 00:26:30,840 --> 00:26:32,639 Speaker 1: time we've discussed on the show before a period of 494 00:26:32,760 --> 00:26:35,959 Speaker 1: rapid technological change in the second half of the twentieth century. 495 00:26:36,000 --> 00:26:39,480 Speaker 1: And remember it was published in nine So just think 496 00:26:39,520 --> 00:26:40,800 Speaker 1: of all the things that are going on. You know, 497 00:26:40,880 --> 00:26:43,680 Speaker 1: we are reaching out into space. We are we're we're 498 00:26:43,680 --> 00:26:46,680 Speaker 1: reaching for the moon, We're sending out probes to study 499 00:26:46,960 --> 00:26:49,760 Speaker 1: the cosmos and even bring word of our existence to 500 00:26:50,200 --> 00:26:53,159 Speaker 1: potential other forms of life out there. I mean, this 501 00:26:53,240 --> 00:26:55,840 Speaker 1: is the same energy that's going to lead to the 502 00:26:55,920 --> 00:26:59,720 Speaker 1: establishment of ct IN. But it was also a period 503 00:26:59,760 --> 00:27:03,320 Speaker 1: of time mean which supernatural experiences took a decidedly sci 504 00:27:03,359 --> 00:27:08,400 Speaker 1: fi turn, in many cases entailing UFO sightings, alien abduction 505 00:27:08,480 --> 00:27:11,399 Speaker 1: experiences that we have a whole episodes about here. And 506 00:27:11,520 --> 00:27:15,760 Speaker 1: von Donnikin's book took the notion of alien inspired alternative 507 00:27:15,920 --> 00:27:19,679 Speaker 1: archaeology and ancient alien visitors and propelled it into the 508 00:27:19,680 --> 00:27:22,000 Speaker 1: mainstream consciousness, first as a book and then his various 509 00:27:22,000 --> 00:27:24,520 Speaker 1: spinoff bits of media. And we we should be clear 510 00:27:24,560 --> 00:27:28,360 Speaker 1: here von Donnikin popularized the notion, but he was not 511 00:27:28,600 --> 00:27:32,359 Speaker 1: the originator. Well it depends no, No, you're you're right 512 00:27:32,400 --> 00:27:34,439 Speaker 1: about that. He he was not the originator. I was 513 00:27:34,440 --> 00:27:36,679 Speaker 1: gonna say, I was gonna make a distinction between fiction 514 00:27:36,720 --> 00:27:41,400 Speaker 1: and nonfiction. Let's say, even in nonfiction, not necessarily the originator, right. 515 00:27:41,560 --> 00:27:43,199 Speaker 1: So one of the sources we looked to him this 516 00:27:43,359 --> 00:27:46,600 Speaker 1: was a Skeptic magazine article titled Chariot Rror of the 517 00:27:46,640 --> 00:27:51,800 Speaker 1: Gods by Jason Colavito, and he points out that you 518 00:27:51,840 --> 00:27:55,960 Speaker 1: had sci fi writers such as in specifically HP Lovecraft, 519 00:27:55,960 --> 00:28:00,240 Speaker 1: exploring the idea of ancient aliens visiting the Earth and 520 00:28:00,600 --> 00:28:04,560 Speaker 1: being basically the responsible agents for our various achievements and 521 00:28:04,600 --> 00:28:07,680 Speaker 1: our very existence. Yeah, absolutely, if if you're not familiar 522 00:28:07,680 --> 00:28:11,600 Speaker 1: with love Crafts alien agent aliens mythos, just to read 523 00:28:11,600 --> 00:28:13,800 Speaker 1: a quote from Call of Cthulhu that also appears in 524 00:28:13,840 --> 00:28:18,640 Speaker 1: Colavito's article. Quote, there had been eons when other things 525 00:28:18,720 --> 00:28:21,560 Speaker 1: ruled on the earth, and they had had great cities. 526 00:28:22,000 --> 00:28:25,200 Speaker 1: Remains of them were still to be found as Cyclopean 527 00:28:25,359 --> 00:28:28,919 Speaker 1: stones on islands in the Pacific. They all died vast 528 00:28:29,000 --> 00:28:32,120 Speaker 1: epics of time before men came, but there were arts 529 00:28:32,160 --> 00:28:34,920 Speaker 1: which could revive them when the stars had come round 530 00:28:34,960 --> 00:28:38,000 Speaker 1: again to the right positions in the cycle of eternity. 531 00:28:38,040 --> 00:28:41,920 Speaker 1: They had indeed come themselves from the stars and brought 532 00:28:42,040 --> 00:28:44,840 Speaker 1: their images with them. And of course the original title 533 00:28:44,920 --> 00:28:48,480 Speaker 1: for that that story by Lovecraft was the Call of Cthulhu. 534 00:28:49,200 --> 00:28:51,720 Speaker 1: But the Colavida even goes so far as to line 535 00:28:51,760 --> 00:28:55,640 Speaker 1: up the nineteen sixties European popularity of love Crafts fiction 536 00:28:55,800 --> 00:28:58,440 Speaker 1: with the publication of The Chariots of the Gods. Yeah, 537 00:28:58,480 --> 00:29:00,400 Speaker 1: that's totally right. I mean we should mention Morning of 538 00:29:00,440 --> 00:29:03,520 Speaker 1: the Magicians. Oh yes, so I've never read it, but 539 00:29:03,560 --> 00:29:06,080 Speaker 1: I'm familiar with it by reputation. This was in a 540 00:29:06,160 --> 00:29:10,600 Speaker 1: nineteen sixty book by Louis Paulis and Jacques Bergier. Uh. 541 00:29:11,000 --> 00:29:12,920 Speaker 1: And this is a book that I actually learned about 542 00:29:12,920 --> 00:29:16,280 Speaker 1: on the DVD special features for the Nazi zombie film 543 00:29:16,360 --> 00:29:19,880 Speaker 1: Shockwaves from seven, which is, if you haven't seen it, 544 00:29:20,160 --> 00:29:25,400 Speaker 1: a fabulous film, uh, with Nazi zombies in Florida. And 545 00:29:25,600 --> 00:29:29,200 Speaker 1: it was inspired at least in part by the Morning 546 00:29:29,240 --> 00:29:32,760 Speaker 1: of the Magicians, which supposedly also gets into uh, you know, 547 00:29:33,240 --> 00:29:38,440 Speaker 1: ideas and conspiracies related to Nazi interest in the occult. Well, 548 00:29:38,480 --> 00:29:41,080 Speaker 1: I mean so. Colavito points out that this book Morning 549 00:29:41,080 --> 00:29:45,560 Speaker 1: of the Magicians was inspired directly by Lovecraft's fiction, as 550 00:29:45,600 --> 00:29:48,920 Speaker 1: the authors were actually editors of a French magazine called 551 00:29:49,000 --> 00:29:53,520 Speaker 1: Planet or Planet I guess, which printed French translations of 552 00:29:53,560 --> 00:29:57,400 Speaker 1: Lovecraft throughout the sixties. In Traces of the Gods, Ancient 553 00:29:57,440 --> 00:30:00,400 Speaker 1: Astronauts as a vision of our future, Johan as Richter 554 00:30:00,560 --> 00:30:05,400 Speaker 1: points out several additional precursors here, uh so possible first 555 00:30:05,480 --> 00:30:09,720 Speaker 1: ancient astronauts speculation concept in sci fi comes from Edison's 556 00:30:09,760 --> 00:30:14,840 Speaker 1: Conquest of Mars by Garrett P. Service, published in eight 557 00:30:14,880 --> 00:30:17,080 Speaker 1: I've never heard of this, No, I had not either, 558 00:30:17,160 --> 00:30:19,840 Speaker 1: and that it basically discusses the idea that the Pyramids 559 00:30:19,840 --> 00:30:24,000 Speaker 1: were built by Martians. There's also an eighteen seven novel 560 00:30:24,080 --> 00:30:28,120 Speaker 1: by Kurd loss Fitz that explored this sort of contact 561 00:30:28,240 --> 00:30:33,040 Speaker 1: between interplanetary cultures, and of course he points out Lovecraft. 562 00:30:33,520 --> 00:30:37,440 Speaker 1: But then there's also Perry Roden, a German science fiction 563 00:30:37,520 --> 00:30:40,600 Speaker 1: series running since nineteen sixty one, and it apparently gets 564 00:30:40,600 --> 00:30:42,600 Speaker 1: into some of these ideas as well. So it seems like, 565 00:30:42,680 --> 00:30:45,120 Speaker 1: especially if you go into the fiction realm, the nineteen 566 00:30:45,200 --> 00:30:48,600 Speaker 1: sixties were full of ancient astronauts stuff. Yeah, it's just 567 00:30:49,040 --> 00:30:53,280 Speaker 1: von Donkin had the book that really just took it 568 00:30:53,560 --> 00:30:56,160 Speaker 1: and propelled it into the mainstream. Now, of course this 569 00:30:56,280 --> 00:30:59,040 Speaker 1: ended up making its way into other fictional properties that 570 00:30:59,080 --> 00:31:02,880 Speaker 1: were even more and stream like movies. Oh yes, uh, 571 00:31:02,960 --> 00:31:06,280 Speaker 1: you know, just to name a few here, I probably 572 00:31:06,280 --> 00:31:11,000 Speaker 1: the greatest example is two thousand and one, A Space Odyssey. 573 00:31:11,080 --> 00:31:13,040 Speaker 1: You know, I never think of that as an ancient 574 00:31:13,040 --> 00:31:15,240 Speaker 1: alien story, but that it is what it is, right, 575 00:31:15,320 --> 00:31:18,360 Speaker 1: the idea. Yeah, so there's a there's a monolith that 576 00:31:18,400 --> 00:31:20,840 Speaker 1: appears on Earth at some point during our evolution and 577 00:31:20,920 --> 00:31:24,680 Speaker 1: sparks this revolution and tool use among our ancient ancestors. Yeah, 578 00:31:24,760 --> 00:31:27,400 Speaker 1: and it's It's one of the reasons we don't think 579 00:31:27,400 --> 00:31:29,720 Speaker 1: about it much is because it is such a a 580 00:31:29,880 --> 00:31:33,560 Speaker 1: thoughtful and intelligent treatment of the concept. And we'll actually 581 00:31:33,560 --> 00:31:36,400 Speaker 1: get into to it when we start discussing Sagan's Carl 582 00:31:36,440 --> 00:31:39,680 Speaker 1: Sagan's thoughts on ancient alien speculation, because some of the 583 00:31:39,720 --> 00:31:44,120 Speaker 1: things that he say might might take place given a 584 00:31:44,240 --> 00:31:46,480 Speaker 1: situation like this line up directly with the plot of 585 00:31:46,480 --> 00:31:48,880 Speaker 1: two thousand and one. But then you have you have 586 00:31:49,000 --> 00:31:52,800 Speaker 1: other films as well. For instance, God told me to 587 00:31:52,960 --> 00:31:58,680 Speaker 1: the Larry Cohen film about Christ Like hermaphroditic aliens, that 588 00:31:58,680 --> 00:32:01,600 Speaker 1: that definitely has an ancient alien vibe to it. Of course, 589 00:32:01,600 --> 00:32:06,560 Speaker 1: the Ridley Scott film Prometheus is it's rich with with 590 00:32:06,640 --> 00:32:10,280 Speaker 1: ancient alien speculation as well. I didn't see this film, 591 00:32:10,280 --> 00:32:12,560 Speaker 1: but Indiana Jones and the Crystal Skull gets into this 592 00:32:12,600 --> 00:32:16,320 Speaker 1: as well, Right, it's this an ancient aliens uh speculation film. Yeah, 593 00:32:16,440 --> 00:32:19,560 Speaker 1: it is easily the weakest of the Indiana Jones movies, 594 00:32:19,600 --> 00:32:22,720 Speaker 1: I think explicitly because Indiana Jones it didn't need to 595 00:32:22,760 --> 00:32:25,040 Speaker 1: go into the sci fi realm. I think it works 596 00:32:25,080 --> 00:32:28,720 Speaker 1: best when it's integrated deeply with earth based mythology. Yeah, 597 00:32:28,800 --> 00:32:31,520 Speaker 1: I agree, like the Ark of the Covenant is terrifying 598 00:32:32,080 --> 00:32:35,920 Speaker 1: and awesome in in Raiders because you don't know what 599 00:32:36,040 --> 00:32:38,840 Speaker 1: it is. It is this mysterious supernatural thing and maybe 600 00:32:38,920 --> 00:32:41,000 Speaker 1: it is alien in nature, but it is it is 601 00:32:41,040 --> 00:32:46,200 Speaker 1: either it's so strange that it is alien. Either way. Also, 602 00:32:46,280 --> 00:32:51,280 Speaker 1: the c G I go for it didn't help um. Now, 603 00:32:51,360 --> 00:32:54,040 Speaker 1: one of my favorites that I almost didn't think to 604 00:32:54,080 --> 00:32:59,000 Speaker 1: include is The Life of Brian, the Monty Python religious epic. Uh, 605 00:33:00,040 --> 00:33:02,520 Speaker 1: there's a there's a brief alien interlude. I recall, there's 606 00:33:02,520 --> 00:33:06,400 Speaker 1: like a chase sequence with the character of Brian and 607 00:33:06,440 --> 00:33:09,240 Speaker 1: he is accidentally abducted by aliens and goes on a 608 00:33:09,280 --> 00:33:13,440 Speaker 1: brief adventure and it's it's so perfect because it's so accidental. 609 00:33:13,480 --> 00:33:15,840 Speaker 1: The aliens don't seem to be trying to do anything. 610 00:33:15,920 --> 00:33:19,640 Speaker 1: They just sort of happened to run into the story 611 00:33:19,720 --> 00:33:21,080 Speaker 1: for a little bit and then they're out of it 612 00:33:21,120 --> 00:33:23,360 Speaker 1: and no knowledge is getting like, there's no there's no 613 00:33:23,400 --> 00:33:27,360 Speaker 1: wisdom imparted upon Brian by this experience. It just scares 614 00:33:27,400 --> 00:33:29,160 Speaker 1: the crap out of him. I don't know this for sure, 615 00:33:29,160 --> 00:33:31,880 Speaker 1: but I'm going to speculate that the reason that is 616 00:33:31,920 --> 00:33:35,440 Speaker 1: in the film is simply because somebody wanted to create 617 00:33:35,520 --> 00:33:39,880 Speaker 1: some alien spaceships and alien sets and and alien costumes, 618 00:33:39,920 --> 00:33:41,520 Speaker 1: and they wanted a way to fit it in. So 619 00:33:41,560 --> 00:33:43,360 Speaker 1: they just said, oh, let's have them get abducted for 620 00:33:43,360 --> 00:33:44,960 Speaker 1: a couple of minutes. Yeah, I'm glad. I'm glad they 621 00:33:45,000 --> 00:33:46,440 Speaker 1: got to make it, because it does seem like the 622 00:33:46,520 --> 00:33:50,400 Speaker 1: kind of situation where producers might say, is this necessary 623 00:33:50,440 --> 00:33:52,840 Speaker 1: to the script, because we could cut this whole alien thing, 624 00:33:52,840 --> 00:33:55,360 Speaker 1: and then we don't have to build a spaceship or 625 00:33:55,400 --> 00:33:58,800 Speaker 1: an extraterrestrial and we could cut down and maybe you know, 626 00:33:58,880 --> 00:34:01,080 Speaker 1: at least a day's worth of filming, and then Terry 627 00:34:01,120 --> 00:34:05,920 Speaker 1: Gilliams like, I already built it. Uh. They're also less 628 00:34:06,000 --> 00:34:10,360 Speaker 1: memorable films that we might mention Stargate. I say less memorable, 629 00:34:10,400 --> 00:34:13,400 Speaker 1: but I definitely remember an Egyptian god having his his 630 00:34:13,440 --> 00:34:16,239 Speaker 1: head teleported off and that in that film that was 631 00:34:16,280 --> 00:34:19,400 Speaker 1: at least one awesome quality kill. Yeah. The best thing 632 00:34:19,440 --> 00:34:22,279 Speaker 1: about it I recall is like, is like attack by 633 00:34:22,520 --> 00:34:26,439 Speaker 1: Edge of Teleportation Zone. Of course, the fifth element has 634 00:34:26,600 --> 00:34:30,520 Speaker 1: ancient Aliens plot element as well. Yeah it does. And 635 00:34:30,680 --> 00:34:33,759 Speaker 1: uh and for any of our pyramids, Oh yeah, that's right, 636 00:34:33,760 --> 00:34:36,880 Speaker 1: And speaking of pyramids, Uh, here's one something for our 637 00:34:36,920 --> 00:34:40,080 Speaker 1: our Doctor Who listeners out there. If you're a fan 638 00:34:40,160 --> 00:34:43,239 Speaker 1: of the the The Old Doctor Who episodes, there was 639 00:34:43,360 --> 00:34:46,520 Speaker 1: an episode called the Pyramids of Mars that has some 640 00:34:46,600 --> 00:34:51,200 Speaker 1: ancient alien speculation um uh intrigue in it. And there's 641 00:34:51,239 --> 00:34:54,760 Speaker 1: this this wonderful moment where this uh like Egyptian deity 642 00:34:54,880 --> 00:34:57,880 Speaker 1: servant steps out of the like a portal and says, 643 00:34:57,960 --> 00:35:03,000 Speaker 1: I bring SUITEX gift of death to all humanity. And 644 00:35:03,040 --> 00:35:05,239 Speaker 1: of course there are plenty of other examples in the 645 00:35:05,440 --> 00:35:07,440 Speaker 1: film and literature that we could bring up, and we 646 00:35:07,480 --> 00:35:09,759 Speaker 1: would love to hear from you the listeners, what your 647 00:35:09,800 --> 00:35:14,120 Speaker 1: favorite bits of fictional ancient astronaut intrigue you happen to be. 648 00:35:14,320 --> 00:35:17,760 Speaker 1: But clearly it's been a very inspiring idea to many people, 649 00:35:17,840 --> 00:35:20,520 Speaker 1: Like it's something that caught on fast and we haven't 650 00:35:20,600 --> 00:35:24,440 Speaker 1: let go of since. Now. Mentioned of Prometheus is key here, 651 00:35:24,480 --> 00:35:26,960 Speaker 1: and we've already touched on both the movie and the 652 00:35:27,040 --> 00:35:31,520 Speaker 1: actual character the titan Prometheus who brought fire to the 653 00:35:31,560 --> 00:35:35,160 Speaker 1: ancient Greeks in in the myth And it's interesting because 654 00:35:35,160 --> 00:35:38,440 Speaker 1: we we see this motif time and time again a 655 00:35:38,520 --> 00:35:41,799 Speaker 1: myth in which a god red demigod gives a technology 656 00:35:42,160 --> 00:35:45,279 Speaker 1: to ancient people. UH. These are frequently referred to as 657 00:35:45,360 --> 00:35:49,040 Speaker 1: culture bearers. So we have Prometheus the firebringer. UH. In 658 00:35:49,200 --> 00:35:53,759 Speaker 1: Chinese mythology, we have Sujin the fire driller, who, who 659 00:35:53,840 --> 00:35:57,800 Speaker 1: fulfills the same role, brings the technology of fire to mortals. 660 00:35:58,320 --> 00:36:01,319 Speaker 1: Uh and UH. I have to admit that, even though 661 00:36:01,320 --> 00:36:03,719 Speaker 1: I don't personally put a lot of of stock or 662 00:36:03,800 --> 00:36:06,520 Speaker 1: faith in in a a s, I still read these 663 00:36:06,560 --> 00:36:09,799 Speaker 1: accounts or look at visual interpretations, and part of me 664 00:36:09,840 --> 00:36:12,600 Speaker 1: always thinks, oh, yeah, it was totally an ancient alien. 665 00:36:12,680 --> 00:36:14,960 Speaker 1: That it just makes sense. What else would Promethe this be? 666 00:36:15,520 --> 00:36:18,000 Speaker 1: But of course this is always flawed logic because I 667 00:36:18,000 --> 00:36:19,960 Speaker 1: feel like one of the big things to drive home 668 00:36:20,000 --> 00:36:23,280 Speaker 1: here is that God's in our myths are not merely 669 00:36:23,760 --> 00:36:27,920 Speaker 1: mislabeled aliens. Rather, I think it's the reverse. Aliens are 670 00:36:27,960 --> 00:36:31,240 Speaker 1: essentially rebranded gods. I agree with you a hundred percent 671 00:36:31,320 --> 00:36:34,360 Speaker 1: on that. I think you're exactly right. Our visions of 672 00:36:34,480 --> 00:36:39,360 Speaker 1: aliens come from our mythological visions of gods, and they 673 00:36:39,800 --> 00:36:42,440 Speaker 1: continually are influenced by them. I mean, think of the 674 00:36:42,480 --> 00:36:46,440 Speaker 1: way the movie Prometheus is echoing all of these echoing 675 00:36:46,480 --> 00:36:49,000 Speaker 1: all of these themes from Greek myth Yeah, exactly. I 676 00:36:49,040 --> 00:36:50,799 Speaker 1: guess we need to take a break, don't we. Yes, 677 00:36:50,840 --> 00:36:52,799 Speaker 1: we're gonna take a quick break, but we'll be right back. 678 00:36:53,400 --> 00:36:58,040 Speaker 1: Thank all right, we're back now, Robert, you mentioned I 679 00:36:58,080 --> 00:37:00,960 Speaker 1: think that you'd actually seen some of these Ancient Alien 680 00:37:01,000 --> 00:37:03,200 Speaker 1: shows that they show on what the History Channel or 681 00:37:03,239 --> 00:37:06,160 Speaker 1: one of those one of those subsidiary networks. I have 682 00:37:06,280 --> 00:37:08,560 Speaker 1: never watched any of the Ancient Alien shows, but I 683 00:37:08,600 --> 00:37:12,080 Speaker 1: did see Leonard Nemys in search Off or at least 684 00:37:12,080 --> 00:37:14,799 Speaker 1: reruns of it on A and E back in the 685 00:37:14,920 --> 00:37:18,360 Speaker 1: late nineties. Was that the sort of the proto Ancient Aliens? 686 00:37:18,440 --> 00:37:21,200 Speaker 1: In a way? I remember them exploring topics like this 687 00:37:21,520 --> 00:37:24,040 Speaker 1: and uh and and also stuff like big Foot? Was 688 00:37:24,080 --> 00:37:28,920 Speaker 1: Bigfoot an alien as well? Probably? Yeah, I want to 689 00:37:29,360 --> 00:37:31,839 Speaker 1: I'm gonna drop a fact on you. We'll see how 690 00:37:31,880 --> 00:37:34,239 Speaker 1: you deal with this. Did you know that Ancient Aliens 691 00:37:34,320 --> 00:37:38,520 Speaker 1: is still on still making new episodes. It's currently on 692 00:37:38,680 --> 00:37:44,759 Speaker 1: season thirteen. How you like them? Apple, It's it's I mean, 693 00:37:44,800 --> 00:37:46,680 Speaker 1: having looked at some of the examples that are frequently 694 00:37:46,719 --> 00:37:49,080 Speaker 1: brought up, there are a lot of There are a 695 00:37:49,160 --> 00:37:51,400 Speaker 1: number of examples that are used, that are brought up 696 00:37:51,400 --> 00:37:56,360 Speaker 1: to support uh, ancient alien speculation. But it seems like 697 00:37:56,400 --> 00:37:58,080 Speaker 1: you'd run out of the really good ones by at 698 00:37:58,160 --> 00:38:02,480 Speaker 1: least season eight. Yeah. God, I mean not to say 699 00:38:02,600 --> 00:38:05,120 Speaker 1: that Ancient Aliens is not a fun idea. It's fun 700 00:38:05,160 --> 00:38:08,440 Speaker 1: to speculate about, fun to play with. But given that, 701 00:38:08,600 --> 00:38:10,759 Speaker 1: I think you and I agree that there's really no 702 00:38:10,880 --> 00:38:14,520 Speaker 1: good evidence anywhere, how do they get that far? Yeah? 703 00:38:14,560 --> 00:38:17,239 Speaker 1: I think it's it's safe to say that they don't 704 00:38:17,239 --> 00:38:19,680 Speaker 1: get that get to this point by, you know, through 705 00:38:19,719 --> 00:38:23,200 Speaker 1: through anything resembling accurate balance, consideration of scientific fact or 706 00:38:23,280 --> 00:38:31,360 Speaker 1: archaeological fact. They're basically writing documentary fiction, right Yeah. Brian 707 00:38:31,800 --> 00:38:36,160 Speaker 1: Switek described the show in Smithsonian Magazine as what you quote, 708 00:38:36,200 --> 00:38:40,200 Speaker 1: what you would get if you drop some creationist propaganda, Uh, 709 00:38:40,560 --> 00:38:43,880 Speaker 1: Eric van Donnikin's Chariots of the Gods and stock footage 710 00:38:43,920 --> 00:38:47,400 Speaker 1: from Jurassic Fight Club into a blender. What results is 711 00:38:47,440 --> 00:38:52,400 Speaker 1: a slimy and incomprehensible mixture of idle speculation and outright fabrications. 712 00:38:52,560 --> 00:38:56,200 Speaker 1: Now he's discussing an episode of the Ancient Aliens show. 713 00:38:56,360 --> 00:38:59,840 Speaker 1: I think where they they're they're talking about dinosaurs. Okay, 714 00:39:00,040 --> 00:39:03,600 Speaker 1: read I read this article and he says that there's 715 00:39:03,640 --> 00:39:07,080 Speaker 1: basically they've got all their quote experts on talking about 716 00:39:07,080 --> 00:39:11,200 Speaker 1: how aliens might have wiped out the dinosaurs in order 717 00:39:11,320 --> 00:39:16,120 Speaker 1: to make room for humankind to ascend, and so they've 718 00:39:16,120 --> 00:39:19,520 Speaker 1: got animations of dinosaurs running away from spaceships that are 719 00:39:19,520 --> 00:39:21,920 Speaker 1: blasting them and stuff. It does feel a lot like 720 00:39:22,320 --> 00:39:25,600 Speaker 1: creationist propaganda at that point where you just especially when 721 00:39:25,600 --> 00:39:27,759 Speaker 1: you start using the dinosaurs, you know, because I feel 722 00:39:27,760 --> 00:39:29,560 Speaker 1: like then you're really you're trying to get to the children. 723 00:39:29,719 --> 00:39:32,440 Speaker 1: That's true. It's despicable and unfair. It's like using cartoon 724 00:39:32,520 --> 00:39:35,239 Speaker 1: characters on cigarettes. Yeah. Yeah, that's that's why. Just the 725 00:39:35,239 --> 00:39:37,960 Speaker 1: other day I found a creationist book in a lending 726 00:39:38,000 --> 00:39:41,520 Speaker 1: library at at a state park, and I've moved it 727 00:39:41,600 --> 00:39:44,319 Speaker 1: directly from the lending library to a trash can. And 728 00:39:44,320 --> 00:39:46,600 Speaker 1: it was such a satisfying them. You know, some of 729 00:39:46,640 --> 00:39:49,560 Speaker 1: those creations books, they have some good illustrations in them 730 00:39:49,920 --> 00:39:53,560 Speaker 1: that I really enjoy. The illustrations are great. I just, uh, 731 00:39:53,600 --> 00:39:55,520 Speaker 1: I feel like there should be a warning label on 732 00:39:55,600 --> 00:39:58,239 Speaker 1: the front, uh, you know, letting you know that this 733 00:39:58,400 --> 00:40:00,799 Speaker 1: is uh, this is not science. Now there was one. 734 00:40:00,800 --> 00:40:02,600 Speaker 1: I'm trying to remember. I think it might have been 735 00:40:02,600 --> 00:40:06,360 Speaker 1: a creationist book by Dwayne Gish, but I'm not positive. Anyway, 736 00:40:06,440 --> 00:40:09,160 Speaker 1: it's it depicts a dinosaur. I think it's a parasar 737 00:40:09,200 --> 00:40:13,160 Speaker 1: alafus paras. How do you say that one? Parasar Lopuskay? 738 00:40:13,200 --> 00:40:14,719 Speaker 1: So that's the way one. That's the way my son 739 00:40:14,760 --> 00:40:17,759 Speaker 1: says it, and he's usually better at dinosaur named pronunciation 740 00:40:17,800 --> 00:40:20,520 Speaker 1: than than me. In the illustration, it's breathing fire on 741 00:40:20,600 --> 00:40:22,719 Speaker 1: a t rex. It's just like, yeah, that one it 742 00:40:22,800 --> 00:40:28,000 Speaker 1: breathes fire. Well, that explains the yeah, the complex nasal composition. 743 00:40:28,200 --> 00:40:31,520 Speaker 1: So anyway, back to Chariots of the Gods. We've recently 744 00:40:31,560 --> 00:40:35,920 Speaker 1: discussed some beautifully presented hypotheses by writers such as Julian 745 00:40:36,040 --> 00:40:39,239 Speaker 1: Jaynes and Letterard and Leonard Schlaine. Uh. You know that 746 00:40:39,360 --> 00:40:44,359 Speaker 1: that make a case for something that that you might 747 00:40:44,400 --> 00:40:48,680 Speaker 1: not accept completely. You know, it's maybe taking a radical 748 00:40:48,719 --> 00:40:51,880 Speaker 1: approach to our interpretation of the past and to just 749 00:40:51,960 --> 00:40:56,360 Speaker 1: how humans interact with with ideas. Chariots of the Gods 750 00:40:56,600 --> 00:40:58,879 Speaker 1: is not on the same level with these books. In fact, 751 00:40:58,880 --> 00:41:01,080 Speaker 1: I would say that the author of ann most reminds 752 00:41:01,120 --> 00:41:03,839 Speaker 1: me of is probably l Ron Hubbard, And I say 753 00:41:03,840 --> 00:41:06,000 Speaker 1: that as somebody who who picked up l Ron Hubbard 754 00:41:06,320 --> 00:41:08,439 Speaker 1: with an open mind, saying, you know, all right, this 755 00:41:08,440 --> 00:41:10,239 Speaker 1: this is this is a book that means a lot 756 00:41:10,320 --> 00:41:12,879 Speaker 1: to a fair number of people. I want to see 757 00:41:12,880 --> 00:41:16,520 Speaker 1: what there is to get excited about in the introduction alone. Uh, 758 00:41:16,880 --> 00:41:20,239 Speaker 1: von Donnikin immediately goes into attack mode on anyone who 759 00:41:20,320 --> 00:41:24,320 Speaker 1: might disagree with his notion that archaeological and religious evidence 760 00:41:24,440 --> 00:41:27,839 Speaker 1: definitely supports the idea that ancient aliens visited the earth 761 00:41:28,080 --> 00:41:33,799 Speaker 1: and kickstarted humans from that hate level. Uh and I 762 00:41:33,800 --> 00:41:35,319 Speaker 1: feel like I actually have to read just a little 763 00:41:35,320 --> 00:41:38,000 Speaker 1: bit of it here, he said, he writes quote, it 764 00:41:38,080 --> 00:41:40,120 Speaker 1: took courage to write this book, and it will take 765 00:41:40,120 --> 00:41:42,759 Speaker 1: courage to read it. Because its theories and proofs do 766 00:41:42,840 --> 00:41:46,480 Speaker 1: not fit into the mosaic of traditional archaeology constructed so 767 00:41:46,640 --> 00:41:50,840 Speaker 1: laboriously and firmly cemented down. Scholars will call it nonsense 768 00:41:50,880 --> 00:41:53,440 Speaker 1: and and put it on the index of those books 769 00:41:53,480 --> 00:41:56,960 Speaker 1: which are better left unmentioned. Layman will withdraw into the 770 00:41:57,000 --> 00:41:59,600 Speaker 1: snail shell of their familiar world when faced with a 771 00:41:59,640 --> 00:42:02,480 Speaker 1: probable ability that finding out about our past will be 772 00:42:02,520 --> 00:42:06,840 Speaker 1: even more mysterious and adventurous than finding out about the future. 773 00:42:07,800 --> 00:42:12,120 Speaker 1: So and that continues for for paragraphs afterwards as well, 774 00:42:12,120 --> 00:42:17,799 Speaker 1: where he's it's he's not saying exclamation points in it. Yes, yeah, 775 00:42:17,840 --> 00:42:20,400 Speaker 1: he's not making He's not saying I have an interesting idea. 776 00:42:20,480 --> 00:42:22,080 Speaker 1: Maybe it's true, maybe it's not, but I'd like you 777 00:42:22,120 --> 00:42:24,880 Speaker 1: to think about it. He's saying, Look, let's just get 778 00:42:24,960 --> 00:42:26,680 Speaker 1: this out of the way. If you're not down with 779 00:42:26,719 --> 00:42:28,959 Speaker 1: this idea, you're a coward. Well, I mean we should 780 00:42:29,000 --> 00:42:32,080 Speaker 1: try to be critical of ourselves and skeptical of the 781 00:42:32,120 --> 00:42:35,719 Speaker 1: skeptical mindset, right, But I mean we we discuss and 782 00:42:35,920 --> 00:42:40,239 Speaker 1: entertain radical hypotheses and strange ideas. We try to bring 783 00:42:40,239 --> 00:42:42,480 Speaker 1: a skeptical mind to them, say, Okay, are they actually 784 00:42:42,480 --> 00:42:45,680 Speaker 1: presenting any good evidence or not? Right? And we will 785 00:42:45,719 --> 00:42:47,080 Speaker 1: and we'll give it that give it that a fair 786 00:42:47,160 --> 00:42:48,560 Speaker 1: fair shake here. I mean, we are giving it a 787 00:42:48,560 --> 00:42:50,799 Speaker 1: fair shake here. But but I also have to say, like, 788 00:42:51,640 --> 00:42:53,840 Speaker 1: there's there's something in the way that the idea is 789 00:42:53,880 --> 00:42:56,479 Speaker 1: presented in the book that I think does not give 790 00:42:56,600 --> 00:43:01,239 Speaker 1: ancient alien speculation. Uh uh, doesn't do it any favors, 791 00:43:01,320 --> 00:43:07,000 Speaker 1: because it immediately feels a bit um aggressive. Yes, Now, 792 00:43:07,040 --> 00:43:09,799 Speaker 1: I I looked back to see like a little bit 793 00:43:09,800 --> 00:43:13,960 Speaker 1: more about what the the immediate reaction was to was 794 00:43:14,000 --> 00:43:15,800 Speaker 1: to the book and how it was received in the 795 00:43:16,080 --> 00:43:19,560 Speaker 1: years to follow. And I found a really interesting New 796 00:43:19,640 --> 00:43:23,279 Speaker 1: York Times review by a critic, Richard Lingaman. Uh. This 797 00:43:23,320 --> 00:43:26,880 Speaker 1: was from four and he really put the screws to 798 00:43:26,960 --> 00:43:31,040 Speaker 1: the book while also highlighting of von Donakan's background as 799 00:43:31,080 --> 00:43:35,040 Speaker 1: a convicted embezzler, fraud and forger. So here a few, uh, 800 00:43:35,400 --> 00:43:38,960 Speaker 1: a few highlights from the review. Quote. His method is 801 00:43:39,000 --> 00:43:41,560 Speaker 1: to use a negative ancient people's couldn't have done or 802 00:43:41,600 --> 00:43:44,320 Speaker 1: thought all the things they did, to prove a positive 803 00:43:44,480 --> 00:43:47,359 Speaker 1: that the ancient people were the beneficiaries of some kind 804 00:43:47,360 --> 00:43:52,200 Speaker 1: of cosmological point for program quote, von Donakin's evidence is 805 00:43:52,360 --> 00:43:55,840 Speaker 1: that of an enthusiastic amateur, not scholar, an amateur with 806 00:43:55,880 --> 00:43:59,319 Speaker 1: an axe to grind. There is a tendentiousness in his 807 00:43:59,400 --> 00:44:03,560 Speaker 1: book that lies in an urgent, recurring motif. A running 808 00:44:03,600 --> 00:44:07,279 Speaker 1: complaint against the quote high priests of organized religion, who, 809 00:44:07,320 --> 00:44:10,799 Speaker 1: along with the archaeologist, refused to admit the truth as 810 00:44:10,880 --> 00:44:14,279 Speaker 1: von Donakan has revealed it. Actually, most modern religion is 811 00:44:14,320 --> 00:44:17,480 Speaker 1: not anti scientific, though it might be might well be 812 00:44:17,600 --> 00:44:22,040 Speaker 1: anti von Donakin. The two aren't as synonymous. As for archaeologists, 813 00:44:22,040 --> 00:44:24,960 Speaker 1: I suspect that their professional tendency is to chip away 814 00:44:25,239 --> 00:44:28,040 Speaker 1: at the pot shards of truth rather than make cosmic 815 00:44:28,160 --> 00:44:31,120 Speaker 1: leaps of faith into outer space. And then he goes 816 00:44:31,160 --> 00:44:33,400 Speaker 1: on to say, ironically, for a man who is almost 817 00:44:33,400 --> 00:44:36,960 Speaker 1: gaga about space science, much of what von Donakin purveys 818 00:44:37,040 --> 00:44:41,160 Speaker 1: depends upon ancient religious myths, specifically the recurring references to 819 00:44:41,200 --> 00:44:44,880 Speaker 1: skyborn gods. We come full circle. The man who seeks 820 00:44:44,920 --> 00:44:48,680 Speaker 1: to overturn the religious explanation of man's origins goes not 821 00:44:48,800 --> 00:44:53,080 Speaker 1: to scientific evidence, but to the Bible and Ezekiel's fiery wheels. Now, 822 00:44:53,120 --> 00:44:56,160 Speaker 1: to push back against that somewhat, I would say, though 823 00:44:56,239 --> 00:44:59,319 Speaker 1: it would be very hard to be conclusive about the 824 00:44:59,360 --> 00:45:01,719 Speaker 1: idea that are have been visited by aliens if all 825 00:45:01,760 --> 00:45:04,719 Speaker 1: you had to go on was literature, I would say 826 00:45:04,719 --> 00:45:08,160 Speaker 1: that in many cases, if it actually did happen, the 827 00:45:08,200 --> 00:45:11,640 Speaker 1: only evidence we might have would be literature. Exactly. Yeah, 828 00:45:11,680 --> 00:45:14,640 Speaker 1: And as as we'll discuss later on, and Carl Sagan 829 00:45:14,680 --> 00:45:17,040 Speaker 1: said as much as well, this is where we would 830 00:45:17,080 --> 00:45:20,520 Speaker 1: find the evidence. Carl Sagan is a bit more cautious 831 00:45:21,040 --> 00:45:24,160 Speaker 1: and determining what, let's say, a lot more cautious, a 832 00:45:24,160 --> 00:45:27,400 Speaker 1: lot more cautious and in determined like what could possibly 833 00:45:28,280 --> 00:45:30,960 Speaker 1: be identified as evidence. But still he admits that like 834 00:45:31,040 --> 00:45:33,960 Speaker 1: this is what we have. We have this this, this 835 00:45:34,000 --> 00:45:36,000 Speaker 1: is that when you look back on an ancient people's 836 00:45:36,000 --> 00:45:38,480 Speaker 1: and the records they left, you're gonna get religion, You're 837 00:45:38,480 --> 00:45:41,200 Speaker 1: gonna get myth. But this is also uh, you know, 838 00:45:41,280 --> 00:45:44,200 Speaker 1: you see what he's doing here is he's operating off 839 00:45:44,320 --> 00:45:49,680 Speaker 1: of unanswered questions and then immediately navigating to a speculative answer. 840 00:45:50,160 --> 00:45:52,040 Speaker 1: I mean you see this in all kinds of people 841 00:45:52,040 --> 00:45:55,600 Speaker 1: who are trying to prove radical and speculative hypotheses, where 842 00:45:55,680 --> 00:45:59,160 Speaker 1: they take a thing that, you know, take an unknown 843 00:45:59,320 --> 00:46:01,799 Speaker 1: like we don't know how they built the pyramids, and 844 00:46:01,840 --> 00:46:04,280 Speaker 1: back in the sixties and seventies that was largely true. 845 00:46:04,320 --> 00:46:06,440 Speaker 1: I mean, we might have had some good hypotheses, but 846 00:46:06,480 --> 00:46:08,400 Speaker 1: it was like, oh wow, you know, there was this 847 00:46:08,480 --> 00:46:10,920 Speaker 1: feat accomplished in the ancient world. How could they have 848 00:46:11,000 --> 00:46:13,680 Speaker 1: done it? And so because that ends in a question 849 00:46:13,719 --> 00:46:16,959 Speaker 1: mark and it's a mystery, now you have license to say, well, 850 00:46:17,080 --> 00:46:19,400 Speaker 1: if we don't know, then it must have been X. 851 00:46:19,719 --> 00:46:22,560 Speaker 1: And that's exactly what you can't do. So then Donican 852 00:46:22,680 --> 00:46:25,960 Speaker 1: he makes some pretty broad assertions about the archaeological evidence 853 00:46:26,000 --> 00:46:27,880 Speaker 1: he presents. You know, it's not so much of the 854 00:46:27,920 --> 00:46:30,560 Speaker 1: Baghdad battery might have been a battery, now it was 855 00:46:30,600 --> 00:46:34,480 Speaker 1: a battery. It's not that the Japanese do goose sculptures 856 00:46:34,920 --> 00:46:37,600 Speaker 1: um kind of look like they their space suits, but 857 00:46:37,640 --> 00:46:40,680 Speaker 1: they you know, they're definitely representations of space suits. They 858 00:46:40,719 --> 00:46:43,279 Speaker 1: are spacemen. Now they do look really cool. And and 859 00:46:43,320 --> 00:46:46,440 Speaker 1: the thing is in any of these various bits of 860 00:46:46,480 --> 00:46:48,560 Speaker 1: evidence that are brought up, the ones that you know 861 00:46:48,600 --> 00:46:52,200 Speaker 1: aren't fraudulent in nature, they are fascinating. Even the ones 862 00:46:52,239 --> 00:46:54,680 Speaker 1: that are fraudulent in nature, we could potentially do a 863 00:46:54,680 --> 00:46:58,920 Speaker 1: whole episode on, but it's it's to to hold them 864 00:46:59,000 --> 00:47:01,920 Speaker 1: up then as proof of of ancient aliens. Is uh, 865 00:47:02,040 --> 00:47:04,319 Speaker 1: you know, is this is a step beyond all right, 866 00:47:04,360 --> 00:47:06,920 Speaker 1: So I think we've had we've we've had enough time 867 00:47:06,960 --> 00:47:10,400 Speaker 1: with with Chariots of the Gods. Let's take a break 868 00:47:10,520 --> 00:47:12,959 Speaker 1: and when we come back we will see what Karl 869 00:47:13,000 --> 00:47:17,160 Speaker 1: Sagan had to say about all of this. Thank thank alright, 870 00:47:17,160 --> 00:47:20,960 Speaker 1: we're back. Now we've been discussing Eric van denikin Chariots 871 00:47:20,960 --> 00:47:24,960 Speaker 1: of the Gods, the ancient aliens speculation, uh, and a 872 00:47:25,040 --> 00:47:27,680 Speaker 1: lot of the problems with it. But one thing that 873 00:47:27,719 --> 00:47:31,200 Speaker 1: this got me wondering about is, I'm reading von dannikin 874 00:47:31,239 --> 00:47:34,640 Speaker 1: I'm thinking that this argumentation is not very good. A 875 00:47:34,640 --> 00:47:38,840 Speaker 1: lot of the evidence seems very shaky. What would a good, 876 00:47:39,160 --> 00:47:43,080 Speaker 1: well presented case for ancient aliens speculation look like? What 877 00:47:43,080 --> 00:47:46,960 Speaker 1: would it look like if a responsible, thoughtful, skeptical scientist 878 00:47:47,280 --> 00:47:49,920 Speaker 1: approached the question and tried to put together the best 879 00:47:50,000 --> 00:47:52,880 Speaker 1: possible case for it. Yeah, because a lot of times 880 00:47:53,080 --> 00:47:55,200 Speaker 1: it seems like you have two types of people looking 881 00:47:55,239 --> 00:47:58,760 Speaker 1: at it. You have like quasi religious advocates of ancient 882 00:47:58,800 --> 00:48:02,600 Speaker 1: aliens and and you have skeptics that are in here 883 00:48:02,640 --> 00:48:05,600 Speaker 1: just to tear it down. You know that there they 884 00:48:05,600 --> 00:48:08,080 Speaker 1: don't seem like they would even entertain any of the 885 00:48:08,160 --> 00:48:11,279 Speaker 1: ideas like who would be the person to maybe not 886 00:48:11,320 --> 00:48:14,000 Speaker 1: take the middle ground, but at least approach it with 887 00:48:14,000 --> 00:48:17,600 Speaker 1: with skeptical open mindedness. Yeah, not middle ground, but just 888 00:48:17,800 --> 00:48:20,880 Speaker 1: giving it a fair skeptical shake. Yeah. And and luckily 889 00:48:21,120 --> 00:48:24,880 Speaker 1: this is where Karl Sagan enters the picture, because in 890 00:48:24,920 --> 00:48:28,520 Speaker 1: the book Intelligent Life in the Universe, Uh, Sagan teamed 891 00:48:28,600 --> 00:48:33,960 Speaker 1: up with the Soviet astrophysicist Josef Schowski and Uh. Indeed, 892 00:48:34,000 --> 00:48:36,640 Speaker 1: in the book they do consider they consider a number 893 00:48:36,640 --> 00:48:41,560 Speaker 1: of possibilities of concerning uh aliens and the possible existence 894 00:48:41,600 --> 00:48:45,080 Speaker 1: of aliens, but they do specifically look at the idea 895 00:48:45,120 --> 00:48:47,680 Speaker 1: of ancient aliens as well. They get into it pretty 896 00:48:47,719 --> 00:48:49,440 Speaker 1: late in the book, but here's some of the basic 897 00:48:49,520 --> 00:48:52,400 Speaker 1: ideas they present. So they said that if interstellar travel 898 00:48:52,480 --> 00:48:55,319 Speaker 1: is technically possible, then it is quote likely to be 899 00:48:55,360 --> 00:48:58,719 Speaker 1: developed by a civilization substantially in advance of our own. 900 00:48:58,960 --> 00:49:01,120 Speaker 1: That kind of makes sense. Are not ready for interstellar 901 00:49:01,160 --> 00:49:04,319 Speaker 1: travel yet? And uh, and they argue that if you 902 00:49:04,400 --> 00:49:08,600 Speaker 1: have a technologically advanced group like this, the enterprise of 903 00:49:08,640 --> 00:49:11,080 Speaker 1: space travel is simply gonna be too rewarding for them 904 00:49:11,120 --> 00:49:14,160 Speaker 1: to give up. They're just they're going to to expand 905 00:49:14,200 --> 00:49:16,800 Speaker 1: beyond their own planet. I think maybe you could argue 906 00:49:16,800 --> 00:49:19,759 Speaker 1: with that, But then again, I don't know. I think 907 00:49:19,760 --> 00:49:22,279 Speaker 1: it's fair to assume that there's an exploratory nature in 908 00:49:22,360 --> 00:49:25,040 Speaker 1: most organisms. Yeah, I mean, certainly when we come back, 909 00:49:25,040 --> 00:49:26,760 Speaker 1: we always come back, of course, around to the idea 910 00:49:26,760 --> 00:49:28,880 Speaker 1: that we have to look to our only example of 911 00:49:28,960 --> 00:49:32,080 Speaker 1: life and intelligent life, and that's an intelligent life and 912 00:49:32,120 --> 00:49:34,560 Speaker 1: that's us, and therefore we tend to think, well, they 913 00:49:34,560 --> 00:49:37,440 Speaker 1: would do what we do, which is enlightening and at 914 00:49:37,440 --> 00:49:40,359 Speaker 1: times horrifying. Well, okay, so if you try to reason back, 915 00:49:40,360 --> 00:49:43,439 Speaker 1: whereas you say, if an organism has intelligence, it can 916 00:49:43,480 --> 00:49:47,479 Speaker 1: probably move right, and moving organisms tend to be either 917 00:49:47,600 --> 00:49:50,239 Speaker 1: like hunting or foraging types of organisms. They're not just 918 00:49:50,280 --> 00:49:53,640 Speaker 1: going to be sitting there and photosynthesizing. So if they 919 00:49:53,640 --> 00:49:56,560 Speaker 1: have to seek out types of food, then they probably 920 00:49:56,560 --> 00:49:59,160 Speaker 1: have some kind of exploration instinct. I don't know. I mean, 921 00:49:59,520 --> 00:50:03,600 Speaker 1: that's very rough, but trying to get there. No, No, 922 00:50:03,640 --> 00:50:07,560 Speaker 1: I think you're right. So they say that if interstellar 923 00:50:07,600 --> 00:50:11,160 Speaker 1: space flight is a feasible and then technological civilizations of 924 00:50:11,160 --> 00:50:14,719 Speaker 1: the galaxy will be uh An intercommunicating whole, but that 925 00:50:14,840 --> 00:50:17,759 Speaker 1: the communication will be sluggish. So at this point, the 926 00:50:18,000 --> 00:50:21,359 Speaker 1: Sagan uh and Schlovski they do some math and they 927 00:50:21,360 --> 00:50:24,160 Speaker 1: determine that quote if contacts are made on a purely 928 00:50:24,280 --> 00:50:28,640 Speaker 1: random basis, each star should be visited about once every 929 00:50:28,719 --> 00:50:30,680 Speaker 1: ten to the fifth power years, or I believe that's 930 00:50:30,760 --> 00:50:36,239 Speaker 1: what a hundred thousand years. Furthermore, quote, each communitive technological 931 00:50:36,239 --> 00:50:40,280 Speaker 1: civilization should be visited by another such civilization about once 932 00:50:40,320 --> 00:50:43,960 Speaker 1: every thousand years. So you see where this is going, right, 933 00:50:44,680 --> 00:50:48,800 Speaker 1: given their assumptions. Yes, so they say that it's possible 934 00:50:49,120 --> 00:50:52,720 Speaker 1: then that a starship might have come by the planet 935 00:50:52,800 --> 00:50:56,160 Speaker 1: during the earliest stages of intelligent life on Earth, and 936 00:50:56,200 --> 00:50:59,960 Speaker 1: that it's therefore possible that, yes, and an extracestrial civilization 937 00:51:00,160 --> 00:51:03,960 Speaker 1: could have visited the planet within historical times. Okay with you, 938 00:51:04,040 --> 00:51:07,840 Speaker 1: so far, all right? However, this is an important they 939 00:51:07,920 --> 00:51:10,719 Speaker 1: lay out here. Quote, there are no reliable reports of 940 00:51:10,760 --> 00:51:15,120 Speaker 1: direct contact with an extraterrestrial civilization during the last few centuries, 941 00:51:15,320 --> 00:51:20,279 Speaker 1: when critical scholarship and non superstitious reasoning have been fairly widespread. 942 00:51:20,880 --> 00:51:24,680 Speaker 1: Any earlier contact story must be encumbered with some degree 943 00:51:24,719 --> 00:51:28,440 Speaker 1: of fanciful embellishment due simply to the views prevailing at 944 00:51:28,480 --> 00:51:31,520 Speaker 1: the time of the contact. The extent to which subsequent 945 00:51:31,640 --> 00:51:34,799 Speaker 1: variation and embellishment alters the fat basic fabric of the 946 00:51:34,800 --> 00:51:39,040 Speaker 1: account varies with time and circumstance. And so they point 947 00:51:39,040 --> 00:51:42,640 Speaker 1: to an example made by historian Mercelles Lead in the 948 00:51:42,719 --> 00:51:46,040 Speaker 1: myth of the Eternal Return or Cosmos in history. And 949 00:51:46,239 --> 00:51:47,920 Speaker 1: this is this is an excellent book that I've referenced 950 00:51:47,960 --> 00:51:49,800 Speaker 1: on the show several times before. This is where you 951 00:51:49,840 --> 00:51:52,960 Speaker 1: get into the idea of the terror of history UH 952 00:51:53,000 --> 00:51:56,760 Speaker 1: and the cyclical versus linear time. But Eladi pointed out 953 00:51:56,960 --> 00:52:02,440 Speaker 1: just how supernaturally elaborate, elaborate it a simple Romanian romantic 954 00:52:02,480 --> 00:52:06,600 Speaker 1: tragedy became, so it became it transformed into a story 955 00:52:06,920 --> 00:52:11,520 Speaker 1: of ancient magical myth within the subject's own lifetime, so 956 00:52:11,560 --> 00:52:15,880 Speaker 1: that it's like a game of telephone to a certain extent. 957 00:52:15,960 --> 00:52:20,279 Speaker 1: Here it's the myth making just compounds everything, so the 958 00:52:20,280 --> 00:52:23,120 Speaker 1: the individual it's about is still alive, but the stories 959 00:52:23,200 --> 00:52:26,440 Speaker 1: about it have placed it in a magical mythic past. Well. 960 00:52:26,480 --> 00:52:30,360 Speaker 1: The myth making impulses not just to make up a story, 961 00:52:30,560 --> 00:52:32,680 Speaker 1: and for the listener, not just to repeat a story, 962 00:52:32,760 --> 00:52:36,279 Speaker 1: but to repeat a story with your own changes and abolishments. 963 00:52:36,400 --> 00:52:39,920 Speaker 1: Exactly so for our purposes here though, the idea if 964 00:52:39,960 --> 00:52:43,560 Speaker 1: there's if there's science occurring among the magical, then how 965 00:52:43,600 --> 00:52:46,360 Speaker 1: are we to tell them apart in the stories that 966 00:52:46,440 --> 00:52:49,839 Speaker 1: survived from the ancient past? Good question. On the other hand, 967 00:52:50,040 --> 00:52:53,160 Speaker 1: Sagan and Slowski point out that there's also, for instance, 968 00:52:53,200 --> 00:52:58,160 Speaker 1: the the account of six first contact between the telling 969 00:52:58,239 --> 00:53:02,280 Speaker 1: that people of North America and sailing vessels. Their quote 970 00:53:02,440 --> 00:53:06,640 Speaker 1: oral rendition contains sufficient information for later reconstruction of the 971 00:53:06,760 --> 00:53:10,600 Speaker 1: nature of the encounter. But also these stories contain myth 972 00:53:10,760 --> 00:53:14,080 Speaker 1: mythic descriptions of the ships. Is uh, the of the 973 00:53:14,080 --> 00:53:17,120 Speaker 1: the French ships as great black birds with white wings. 974 00:53:17,360 --> 00:53:19,520 Speaker 1: So they say, if you look at the myth, you 975 00:53:19,840 --> 00:53:24,080 Speaker 1: see clear embellishments. But you can also put together historical 976 00:53:24,160 --> 00:53:27,120 Speaker 1: details from them that we can verify as correct. Right. 977 00:53:27,200 --> 00:53:31,000 Speaker 1: So Sagan argues that this means that quote, under certain circumstances, 978 00:53:31,040 --> 00:53:34,680 Speaker 1: a brief contact with an alien civilization will be recorded 979 00:53:34,840 --> 00:53:39,440 Speaker 1: in a reconstructible manner. Uh. However, he drives home that 980 00:53:39,440 --> 00:53:41,600 Speaker 1: it needs to be first of all, committed to written 981 00:53:41,640 --> 00:53:44,280 Speaker 1: records soon after the event. It has to be there. 982 00:53:44,320 --> 00:53:47,560 Speaker 1: It has to result in major changes for the contacted people, 983 00:53:47,600 --> 00:53:50,520 Speaker 1: so not our life of Brian example, where nothing is 984 00:53:50,560 --> 00:53:54,440 Speaker 1: really affected. Uh. And then also the contactors can't be 985 00:53:54,520 --> 00:53:58,160 Speaker 1: a timpting attempting to disguise themselves, so the aliens can't 986 00:53:58,200 --> 00:54:00,920 Speaker 1: be pretending to be humans. So that's going to throw 987 00:54:00,960 --> 00:54:03,600 Speaker 1: everything off right right now, I know they wouldn't say 988 00:54:03,640 --> 00:54:06,239 Speaker 1: that unless we can verify all that stuff, we can 989 00:54:06,280 --> 00:54:09,120 Speaker 1: be sure that alien contact never happened in the past. 990 00:54:09,200 --> 00:54:11,640 Speaker 1: They would just say that, you know, we're not justified 991 00:54:11,960 --> 00:54:15,920 Speaker 1: in moving to that conclusion until we meet the following criteria, right. 992 00:54:15,960 --> 00:54:18,359 Speaker 1: And they also say that you just can't look for 993 00:54:18,360 --> 00:54:21,120 Speaker 1: sky gods. It's just too obvious. The sky is just 994 00:54:21,160 --> 00:54:24,200 Speaker 1: too obvious a place to position your gods, Like the 995 00:54:24,280 --> 00:54:27,440 Speaker 1: only other place to have your gods live is in 996 00:54:27,440 --> 00:54:29,799 Speaker 1: the deep ocean, or just in the ocean if you 997 00:54:29,800 --> 00:54:33,319 Speaker 1: are a seafaring people. Mountaintops or mountaintops. Yeah, but just 998 00:54:33,600 --> 00:54:36,000 Speaker 1: these are just obvious places for gods to be. You 999 00:54:36,040 --> 00:54:38,080 Speaker 1: can't say, oh, here's the story about a sky god, 1000 00:54:38,120 --> 00:54:41,799 Speaker 1: therefore ancient aliens. So instead they say that what you 1001 00:54:41,880 --> 00:54:44,080 Speaker 1: need is a visit from the sky, a return to 1002 00:54:44,120 --> 00:54:46,799 Speaker 1: the sky, and a gift of knowledge or technology. Now, 1003 00:54:47,239 --> 00:54:49,840 Speaker 1: I would charge that that might even be too broad 1004 00:54:50,360 --> 00:54:53,080 Speaker 1: based on some of the culture bear motifs that I 1005 00:54:53,120 --> 00:54:55,719 Speaker 1: mentioned earlier, I would agree with that. So this is 1006 00:54:55,760 --> 00:54:59,360 Speaker 1: a nineteen six book, so it came out before Chariots 1007 00:54:59,360 --> 00:55:02,880 Speaker 1: of the Gods Uh set the world on fire. So 1008 00:55:02,960 --> 00:55:06,800 Speaker 1: he's not responding in this book to specific evidence presented 1009 00:55:06,840 --> 00:55:13,080 Speaker 1: by von Donnikan, but he does talk briefly about some 1010 00:55:13,120 --> 00:55:17,920 Speaker 1: evidence that would have brought up, particularly by Soviet ethnologist M. M. August, 1011 00:55:18,640 --> 00:55:21,640 Speaker 1: and he just drives home that yeah, these you have 1012 00:55:21,760 --> 00:55:26,920 Speaker 1: these cases for past cultures encountering interstellar society, but that 1013 00:55:27,000 --> 00:55:31,759 Speaker 1: there are just ultimately no known alien artifacts that that 1014 00:55:31,880 --> 00:55:34,880 Speaker 1: are just definitely connected with this with such a visit. 1015 00:55:34,920 --> 00:55:39,360 Speaker 1: There's just no hard evidence. But the authors do offer 1016 00:55:39,480 --> 00:55:43,560 Speaker 1: one possible example from ancient sumer that they think might 1017 00:55:43,680 --> 00:55:47,279 Speaker 1: be a good starting point if you're going to consider, uh, 1018 00:55:47,680 --> 00:55:52,439 Speaker 1: examples of potential ancient alien contact. Yeah, so that they say, 1019 00:55:52,640 --> 00:55:54,759 Speaker 1: we don't have any hard evidence, but we need at 1020 00:55:54,840 --> 00:55:58,759 Speaker 1: least a framework for how to examine ancient literature and 1021 00:55:58,880 --> 00:56:01,359 Speaker 1: stories and stuff to see if they meet the great 1022 00:56:01,440 --> 00:56:04,800 Speaker 1: if they're actually worth considering. And they give this example 1023 00:56:04,840 --> 00:56:07,440 Speaker 1: of one that is maybe worth considering as an example 1024 00:56:07,480 --> 00:56:11,279 Speaker 1: of alien contact, not not necessarily as an evidence, but 1025 00:56:11,640 --> 00:56:14,400 Speaker 1: just worth looking at. So the story relates to the 1026 00:56:14,400 --> 00:56:17,960 Speaker 1: origin of the Sumerian civilization. Summer is one of the 1027 00:56:17,960 --> 00:56:21,000 Speaker 1: most ancient civilizations known on planet Earth, dating back to 1028 00:56:21,160 --> 00:56:25,040 Speaker 1: roughly the fifth millennium b CE. UH. These these versions 1029 00:56:25,080 --> 00:56:27,480 Speaker 1: of this one story can all be traced back to 1030 00:56:27,600 --> 00:56:32,200 Speaker 1: one Birosis, a priest of Bell Marduke in Babylon during 1031 00:56:32,200 --> 00:56:35,480 Speaker 1: the time of Alexander the Great, and supposedly Borrosis had 1032 00:56:35,600 --> 00:56:39,359 Speaker 1: access to ancient cune of form and pictographic records from 1033 00:56:39,440 --> 00:56:42,560 Speaker 1: thousands of years before his time. And there are multiple 1034 00:56:42,560 --> 00:56:47,759 Speaker 1: translations and retellings of Barrosis. And the authors of this 1035 00:56:47,800 --> 00:56:52,000 Speaker 1: book quote three passages about Borrosis and his writings at length. 1036 00:56:52,160 --> 00:56:56,080 Speaker 1: So I'll try to summarize. First. According to Alexander polyhistor 1037 00:56:56,520 --> 00:56:59,480 Speaker 1: and Borrosis is giving a summary of the history and 1038 00:56:59,560 --> 00:57:03,400 Speaker 1: geography of Babylon, with its native plants and crops, and 1039 00:57:03,440 --> 00:57:06,160 Speaker 1: its neighboring people's and so forth. And he comes to 1040 00:57:06,239 --> 00:57:09,839 Speaker 1: speak of beings variously known as ab Khalu and as 1041 00:57:10,080 --> 00:57:13,560 Speaker 1: Barrosa's himself calls the first one of these creatures Owanas 1042 00:57:13,920 --> 00:57:17,960 Speaker 1: or a Wannies or Adappa, and Barrosas tells that at 1043 00:57:17,960 --> 00:57:20,800 Speaker 1: the time in ancient Babylon, there were men of many 1044 00:57:20,880 --> 00:57:25,440 Speaker 1: nations who were yet uncivilized and quote lived without rule 1045 00:57:25,480 --> 00:57:28,800 Speaker 1: and order, like the beasts of the field. But then 1046 00:57:28,840 --> 00:57:32,480 Speaker 1: something happened quote in the first year there made its 1047 00:57:32,480 --> 00:57:35,280 Speaker 1: appearance from a part of the Persian Gulf which bordered 1048 00:57:35,360 --> 00:57:39,440 Speaker 1: upon Babylonia, an animal endowed with reason who was called 1049 00:57:39,480 --> 00:57:42,920 Speaker 1: as the whole body of the animal was like that 1050 00:57:43,080 --> 00:57:46,880 Speaker 1: of a fish, and had under a fish's head another head, 1051 00:57:47,280 --> 00:57:50,520 Speaker 1: and also feet below similar to those of a man 1052 00:57:50,880 --> 00:57:55,360 Speaker 1: subjoined to the fish's tail. His voice, too, and language 1053 00:57:55,440 --> 00:57:58,800 Speaker 1: was articulate and human, and a representation of him is 1054 00:57:58,880 --> 00:58:02,240 Speaker 1: preserved even to this day. Robert, I got a picture here, 1055 00:58:02,280 --> 00:58:06,480 Speaker 1: at least one picture of oh well, so that the 1056 00:58:06,760 --> 00:58:09,480 Speaker 1: picture of a honest uh, just kind of looks like 1057 00:58:09,520 --> 00:58:12,560 Speaker 1: a fishman, which I'm definitely into. But that description with 1058 00:58:12,600 --> 00:58:16,440 Speaker 1: the double faces that that is, that is creepy. It 1059 00:58:16,440 --> 00:58:19,120 Speaker 1: really reminds me of some stuff that our Scott Baker 1060 00:58:19,160 --> 00:58:23,160 Speaker 1: plays with in his um his second Apocalypse saga, which 1061 00:58:23,240 --> 00:58:27,680 Speaker 1: does involve a sort of ancient alien motif within a 1062 00:58:27,720 --> 00:58:33,000 Speaker 1: fantasy world. Interesting. I got more quote. This, being in 1063 00:58:33,040 --> 00:58:36,080 Speaker 1: the daytime, used to converse with men, but took no 1064 00:58:36,200 --> 00:58:38,880 Speaker 1: food at that season, and he gave them an insight 1065 00:58:38,960 --> 00:58:42,280 Speaker 1: into letters and sciences and every kind of art. He 1066 00:58:42,360 --> 00:58:46,440 Speaker 1: taught them to construct houses, to found temples, to compile laws, 1067 00:58:46,680 --> 00:58:50,160 Speaker 1: and explain to them the principles of geometrical knowledge. He 1068 00:58:50,240 --> 00:58:53,080 Speaker 1: made them distinguish the seeds of the earth, and showed 1069 00:58:53,120 --> 00:58:56,240 Speaker 1: them how to collect fruits. In short, he instructed them 1070 00:58:56,280 --> 00:58:59,800 Speaker 1: in everything which could tend to soften manners, and human 1071 00:58:59,840 --> 00:59:04,720 Speaker 1: I is mankind. From that time, so universal were his instructions, 1072 00:59:04,760 --> 00:59:08,040 Speaker 1: nothing material has been added by way of improvement. When 1073 00:59:08,080 --> 00:59:10,360 Speaker 1: the sun set, it was the custom of this being 1074 00:59:10,360 --> 00:59:13,360 Speaker 1: to plunge again into the sea and abide all night 1075 00:59:13,400 --> 00:59:18,360 Speaker 1: in the deep, for he was amphibious. Oh and then 1076 00:59:18,400 --> 00:59:22,400 Speaker 1: also quote after this there appeared other animals like Oenus, 1077 00:59:22,400 --> 00:59:25,160 Speaker 1: of which Barrosas promises to give an account when he 1078 00:59:25,200 --> 00:59:28,320 Speaker 1: comes to the history of the kings. And then, according 1079 00:59:28,360 --> 00:59:32,320 Speaker 1: to an ancient writer known as Avid nous Uh, he's 1080 00:59:32,360 --> 00:59:35,200 Speaker 1: giving an account of the borosis is giving an account 1081 00:59:35,200 --> 00:59:38,080 Speaker 1: of the king's of ancient Mesopotamia, and he mentions in 1082 00:59:38,120 --> 00:59:42,959 Speaker 1: passing o Honus and other quote double shaped personages who 1083 00:59:43,000 --> 00:59:46,000 Speaker 1: came out of the water at various points in history. Also, 1084 00:59:46,080 --> 00:59:50,080 Speaker 1: Apollodorus gives an account of this history, mentioning that fishmen 1085 00:59:50,440 --> 00:59:53,680 Speaker 1: appear out of the Persian Gulf at various points throughout history. 1086 00:59:54,040 --> 00:59:57,280 Speaker 1: And Alexander Polyhisto, or the source of the first version 1087 00:59:57,280 --> 00:59:59,960 Speaker 1: of the story uh tells a version of the common 1088 01:00:00,040 --> 01:00:03,200 Speaker 1: flood myth with a king of ancient sumeer being warned 1089 01:00:03,280 --> 01:00:06,400 Speaker 1: by the gods of a coming flood catastrophe, and he's 1090 01:00:06,440 --> 01:00:10,680 Speaker 1: told how to preserve his himself in civilization to survive it. So, 1091 01:00:10,720 --> 01:00:14,200 Speaker 1: according to these ancient accounts, Sumerian civilization was not the 1092 01:00:14,240 --> 01:00:18,000 Speaker 1: invention of humans, but a gift bestowed and guided by 1093 01:00:18,040 --> 01:00:23,400 Speaker 1: several waves of semi humanoid fish like visitors. Kind of interesting. 1094 01:00:23,600 --> 01:00:27,120 Speaker 1: Oh yeah, Now this may have once been more impressive 1095 01:00:27,160 --> 01:00:30,680 Speaker 1: evidence at a time when many archaeologists believe Sumerian civilization 1096 01:00:31,040 --> 01:00:33,240 Speaker 1: sort of sprang up out of nowhere at the time 1097 01:00:33,280 --> 01:00:36,000 Speaker 1: the myths described. The authors of the book now note 1098 01:00:36,040 --> 01:00:39,480 Speaker 1: that it seems there was probably a more gradual technological 1099 01:00:39,480 --> 01:00:42,680 Speaker 1: and cultural evolution to the first Sumerian cities. It is 1100 01:00:42,720 --> 01:00:45,760 Speaker 1: interesting to think that this same the same kind of 1101 01:00:45,840 --> 01:00:48,240 Speaker 1: questions we might ask today, like how did bread? How 1102 01:00:48,240 --> 01:00:50,400 Speaker 1: did they ever figure that out? Or you know, or 1103 01:00:51,000 --> 01:00:54,000 Speaker 1: making fire that what was it like when when somebody 1104 01:00:54,040 --> 01:00:57,520 Speaker 1: discovered this, Like even in ancient times, I'm imagining you 1105 01:00:57,720 --> 01:01:00,240 Speaker 1: could still have someone that might think, wow, I just 1106 01:01:00,280 --> 01:01:02,080 Speaker 1: don't see how anyone figured this out. It must have 1107 01:01:02,080 --> 01:01:04,560 Speaker 1: been fished people, right, It's not like they knew who 1108 01:01:04,760 --> 01:01:07,160 Speaker 1: first drank milk out of the cow right, they needed 1109 01:01:07,160 --> 01:01:10,840 Speaker 1: a myth for that too, um So. The authors also 1110 01:01:10,920 --> 01:01:15,480 Speaker 1: point out interesting features of Sumerian pictographic art on cylinder seals, 1111 01:01:15,760 --> 01:01:18,920 Speaker 1: which show mysterious symbols that appear like they could be 1112 01:01:19,000 --> 01:01:22,640 Speaker 1: representations of solar systems. So there will be a symbol 1113 01:01:22,640 --> 01:01:25,440 Speaker 1: where there's like a central sphere with rays appearing to 1114 01:01:25,480 --> 01:01:28,840 Speaker 1: come out of it, and it's being circled by smaller spheres. 1115 01:01:29,040 --> 01:01:31,720 Speaker 1: The idea of planet circling a son, of course, wouldn't 1116 01:01:31,720 --> 01:01:35,680 Speaker 1: catch on until centuries later. And more interestingly, there are 1117 01:01:35,760 --> 01:01:38,960 Speaker 1: images of this type with different numbers of planets that 1118 01:01:39,000 --> 01:01:42,280 Speaker 1: seem to be associated with different gods, almost suggesting that 1119 01:01:42,360 --> 01:01:45,320 Speaker 1: it's like, Okay, this god came from this solar system 1120 01:01:45,400 --> 01:01:49,080 Speaker 1: and this other god came from this other solar system. However, 1121 01:01:49,160 --> 01:01:52,040 Speaker 1: as fun as it can be to draw connections like this, 1122 01:01:52,160 --> 01:01:54,880 Speaker 1: the author's stress that we should not get carried away 1123 01:01:55,040 --> 01:01:58,960 Speaker 1: quote these cylinder seals maybe nothing more than the experiments 1124 01:01:59,000 --> 01:02:02,440 Speaker 1: of the ancient uncons anscious mind to understand and portray 1125 01:02:02,480 --> 01:02:07,240 Speaker 1: a sometimes incomprehensible, sometimes hostile environment. The stories of the 1126 01:02:07,280 --> 01:02:09,480 Speaker 1: op Kalu may have been made out of whole cloth, 1127 01:02:09,760 --> 01:02:13,600 Speaker 1: perhaps as late as Babylonian times, perhaps by Barrosas himself. 1128 01:02:14,040 --> 01:02:17,960 Speaker 1: Sumerian society may have developed gradually over many thousands of years. 1129 01:02:18,240 --> 01:02:22,120 Speaker 1: In any event, a completely convincing demonstration of past contact 1130 01:02:22,160 --> 01:02:26,320 Speaker 1: with an extraterrestrial civilization will always be difficult to provide 1131 01:02:26,320 --> 01:02:30,360 Speaker 1: on textual grounds alone. But stories like the Oanes legend 1132 01:02:30,440 --> 01:02:34,240 Speaker 1: and representations especially of the earliest civilizations on the Earth, 1133 01:02:34,480 --> 01:02:37,480 Speaker 1: deserve much more critical studies than have been performed here 1134 01:02:37,480 --> 01:02:40,600 Speaker 1: to four, with the possibility of direct contact with an 1135 01:02:40,600 --> 01:02:46,320 Speaker 1: extraterrestrial civilization as one of the many possible alternative interpretations. 1136 01:02:46,360 --> 01:02:48,320 Speaker 1: So they're saying, it's a high bar, you know, if 1137 01:02:48,320 --> 01:02:51,720 Speaker 1: you're going to try to go from ancient textual evidence 1138 01:02:52,120 --> 01:02:56,040 Speaker 1: and just like storytelling to okay, aliens came here, it's 1139 01:02:56,040 --> 01:02:58,560 Speaker 1: going to be a really high bar to jump over, right, 1140 01:02:58,600 --> 01:03:01,280 Speaker 1: But we should at least be open to the idea 1141 01:03:01,400 --> 01:03:04,760 Speaker 1: that such contact could have possibly happened, and have a 1142 01:03:04,800 --> 01:03:08,240 Speaker 1: good idea of what evidence for it would look like. Yeah, 1143 01:03:08,280 --> 01:03:12,120 Speaker 1: So they summarized that given the numbers they discussed, it's 1144 01:03:12,200 --> 01:03:16,040 Speaker 1: possible that Earth has been visited maybe many times, maybe 1145 01:03:16,040 --> 01:03:21,040 Speaker 1: by numerous galactic civilizations even during geologic time, and that 1146 01:03:21,120 --> 01:03:24,640 Speaker 1: they might have a base of operations within our solar system. 1147 01:03:25,080 --> 01:03:26,680 Speaker 1: So in the point out that the moon makes the 1148 01:03:26,720 --> 01:03:30,240 Speaker 1: most sense here, just as author C. Clark explored in 1149 01:03:30,320 --> 01:03:33,040 Speaker 1: his science fiction specifically two thousand and one, we should 1150 01:03:33,080 --> 01:03:36,440 Speaker 1: stress again appears to be no evidence of that. No, yeah, no, 1151 01:03:36,440 --> 01:03:39,600 Speaker 1: no evidence. But but basically they're saying, like, all right, 1152 01:03:39,760 --> 01:03:43,320 Speaker 1: somebody comes through here, they see, oh, there's something interesting 1153 01:03:43,400 --> 01:03:46,760 Speaker 1: going on in this Earth. But we're important aliens. We 1154 01:03:46,760 --> 01:03:49,040 Speaker 1: have things to do. We can't hang out around here 1155 01:03:49,040 --> 01:03:51,240 Speaker 1: and watch. We can't wait for it to get interesting. 1156 01:03:51,560 --> 01:03:54,520 Speaker 1: Let's leave something behind, so we leave Larry. Yeah, let's 1157 01:03:54,560 --> 01:03:56,760 Speaker 1: leave Larry. Uh, Larry, But we don't want to leave 1158 01:03:56,840 --> 01:03:58,880 Speaker 1: Larry in plain sight because they're really looking at the 1159 01:03:58,920 --> 01:04:01,280 Speaker 1: stars a lot, and they're right things down. I guess 1160 01:04:01,280 --> 01:04:02,600 Speaker 1: we're gonna have to put it on the other side 1161 01:04:02,600 --> 01:04:06,680 Speaker 1: of the moon just to keep it under wraps. Uh. 1162 01:04:06,720 --> 01:04:08,600 Speaker 1: But now we've surveyed the other side of the moon 1163 01:04:08,640 --> 01:04:11,120 Speaker 1: and no Larry so far. Yeah, so you know they 1164 01:04:11,240 --> 01:04:13,760 Speaker 1: need to they say that, Yeah, they would. They might 1165 01:04:13,800 --> 01:04:15,800 Speaker 1: want to create an automated system to keep track of 1166 01:04:15,840 --> 01:04:19,840 Speaker 1: technological developments on Earth because that thousand year interval it 1167 01:04:20,000 --> 01:04:23,440 Speaker 1: wouldn't be enough to avoid self annihilation incidents. You know, 1168 01:04:23,520 --> 01:04:24,840 Speaker 1: they don't want to miss anything. You don't want to 1169 01:04:24,840 --> 01:04:26,480 Speaker 1: come back a thousand years later and it's like, oh, 1170 01:04:26,520 --> 01:04:29,000 Speaker 1: those what happened to those ape creatures? Oh they discovered 1171 01:04:29,080 --> 01:04:32,240 Speaker 1: nuclear whatps man, They're gone already and we missed it now. 1172 01:04:32,240 --> 01:04:34,280 Speaker 1: They also point out that the other thing to keep 1173 01:04:34,280 --> 01:04:37,840 Speaker 1: in mind is that if if if extraterrestrials wanted to 1174 01:04:37,880 --> 01:04:40,760 Speaker 1: contact us, they wouldn't necessarily need to show up and 1175 01:04:40,800 --> 01:04:44,600 Speaker 1: do it. They could simply transmit a message, And certainly 1176 01:04:44,640 --> 01:04:48,880 Speaker 1: the work of the set has revolved around that, like, 1177 01:04:48,960 --> 01:04:52,360 Speaker 1: let's listen, let's see if their signals coming. That seems 1178 01:04:52,400 --> 01:04:56,040 Speaker 1: to be a far more plausible way for first contact 1179 01:04:56,040 --> 01:04:59,200 Speaker 1: to occur. Yeah. Absolutely. I mean people when they imagine 1180 01:04:59,240 --> 01:05:01,560 Speaker 1: first contact happening, they think we're going to be looking 1181 01:05:01,600 --> 01:05:04,040 Speaker 1: at the aliens face to face. I'd say they're at 1182 01:05:04,080 --> 01:05:06,560 Speaker 1: least two things more likely than that. Number one is that, 1183 01:05:06,640 --> 01:05:09,600 Speaker 1: of course we would get their electromagnetic signals first. But 1184 01:05:09,680 --> 01:05:12,160 Speaker 1: also still more likely than encountering them face to face 1185 01:05:12,240 --> 01:05:17,840 Speaker 1: is simply encountering their technology in person. They're they're unscrewed probes. Now, 1186 01:05:17,840 --> 01:05:19,600 Speaker 1: the good news that the authors present here is an 1187 01:05:19,600 --> 01:05:22,800 Speaker 1: advance civilization like this wouldn't have to enslave us or 1188 01:05:22,840 --> 01:05:25,480 Speaker 1: eat us good because they would probably be be on 1189 01:05:25,640 --> 01:05:31,120 Speaker 1: that however, so so the Cathulu theory is off. Yeah, 1190 01:05:31,240 --> 01:05:34,040 Speaker 1: I guess that one's off the table. Maybe, But then 1191 01:05:34,760 --> 01:05:38,360 Speaker 1: when you get into questions of religious or cultural conversion, 1192 01:05:38,920 --> 01:05:42,000 Speaker 1: well we can't really rule that out. The other possibility 1193 01:05:42,040 --> 01:05:45,600 Speaker 1: is that perhaps humans have some unique talent that aliens 1194 01:05:45,600 --> 01:05:49,160 Speaker 1: would require, even if it's just mere amusement, or they 1195 01:05:49,240 --> 01:05:51,120 Speaker 1: might just want to crush us to prevent us from 1196 01:05:51,120 --> 01:05:54,400 Speaker 1: posing a threat, just say, oh, well they have promised 1197 01:05:54,440 --> 01:05:57,040 Speaker 1: they have spunk these humans, we need to cut that out. 1198 01:05:58,360 --> 01:06:00,520 Speaker 1: Or or also even worse, they get to be something 1199 01:06:00,720 --> 01:06:04,720 Speaker 1: that they call the cockroach response, which is simply it's different. 1200 01:06:04,800 --> 01:06:07,160 Speaker 1: We better kill it. But then again, if it hasn't 1201 01:06:07,160 --> 01:06:13,560 Speaker 1: happened already, then then maybe we're safe. Now Again, that 1202 01:06:13,600 --> 01:06:16,600 Speaker 1: book came out The Four Chariots of the Gods. Uh, 1203 01:06:16,760 --> 01:06:21,960 Speaker 1: Sagan definitely lived long enough to reconsider some of this 1204 01:06:22,040 --> 01:06:24,480 Speaker 1: and to and to sort of revisit the idea of 1205 01:06:24,520 --> 01:06:29,200 Speaker 1: ancient aliens in light of the ancient alien madness. I 1206 01:06:29,200 --> 01:06:31,280 Speaker 1: guess you could say that kind of gripped the culture. 1207 01:06:31,920 --> 01:06:33,760 Speaker 1: Let's hear it. Yeah, so he he wrote about it 1208 01:06:34,080 --> 01:06:38,560 Speaker 1: this time solo. In the book Broke's Brain, Reflections on 1209 01:06:38,560 --> 01:06:41,800 Speaker 1: the Romance of Science, He wrote that he believed that 1210 01:06:41,800 --> 01:06:45,160 Speaker 1: those excited by ancient alien speculation, you know, they're generally 1211 01:06:45,280 --> 01:06:50,760 Speaker 1: motivated by sincere scientific and occasionally religious feelings that you know, 1212 01:06:51,040 --> 01:06:54,600 Speaker 1: their their passion for science is real. But quote, for 1213 01:06:54,680 --> 01:06:58,760 Speaker 1: many people, the shoddily thought out doctrines of borderline science 1214 01:06:58,960 --> 01:07:03,320 Speaker 1: are the closest to oximation, to comprehensible science readily available. 1215 01:07:04,080 --> 01:07:08,080 Speaker 1: So the idea here is you're scientifically curious, but then 1216 01:07:08,120 --> 01:07:09,760 Speaker 1: where do you go to get your information? Like you 1217 01:07:09,760 --> 01:07:12,880 Speaker 1: turn on the TV, and if you're presented with in 1218 01:07:12,880 --> 01:07:16,680 Speaker 1: search of if you're presented with ancient aliens, then that 1219 01:07:16,800 --> 01:07:19,200 Speaker 1: is what is going to feed your hunger. Yeah. I 1220 01:07:19,200 --> 01:07:20,960 Speaker 1: mean a lot of times you see people who are 1221 01:07:20,960 --> 01:07:24,520 Speaker 1: attracted to pseudoscience or people who have not had the 1222 01:07:24,680 --> 01:07:28,040 Speaker 1: right kind of exposure to how inspiring real science can be. 1223 01:07:28,440 --> 01:07:31,640 Speaker 1: Yeah yeah, or or or for instance, how inspiring real 1224 01:07:31,720 --> 01:07:36,440 Speaker 1: archaeology can be, how how legitimate studies of mythology, how 1225 01:07:36,560 --> 01:07:40,400 Speaker 1: how they can inspire us. So most of his criticism 1226 01:07:40,480 --> 01:07:43,440 Speaker 1: is really not leveled at people who enjoy it or 1227 01:07:43,560 --> 01:07:45,960 Speaker 1: or buy into it, but rather those certainly those who 1228 01:07:46,000 --> 01:07:51,280 Speaker 1: peddle it. Uh and he he responds broadly to some 1229 01:07:51,360 --> 01:07:54,240 Speaker 1: of the evidence and chariots of the gods and points 1230 01:07:54,240 --> 01:07:57,120 Speaker 1: out that quote in every case, the artifacts in question 1231 01:07:57,200 --> 01:08:00,280 Speaker 1: have plausible and much simpler explanations. I agree with that 1232 01:08:00,480 --> 01:08:04,320 Speaker 1: our ancestors were no dummies. They may have lacked high technology, 1233 01:08:04,360 --> 01:08:06,840 Speaker 1: but they were as smart as we, and they sometimes 1234 01:08:06,920 --> 01:08:11,080 Speaker 1: combined dedication, intelligence, and hard work to produce results that 1235 01:08:11,160 --> 01:08:14,680 Speaker 1: impress even us. So against killing it. Yeah. He also 1236 01:08:14,720 --> 01:08:17,960 Speaker 1: pointed out that a s may have remained a popular 1237 01:08:18,000 --> 01:08:21,640 Speaker 1: idea in Russia at the time because it presented religious 1238 01:08:21,680 --> 01:08:24,200 Speaker 1: ideas within a scientific framework. So if you're in a 1239 01:08:24,240 --> 01:08:27,120 Speaker 1: communist state, that's sort of got an anti religious position, 1240 01:08:27,160 --> 01:08:29,640 Speaker 1: but you've still got a religious disposition. You want to 1241 01:08:29,680 --> 01:08:32,679 Speaker 1: believe in mythological types of ideas, but it's not cool 1242 01:08:32,800 --> 01:08:35,240 Speaker 1: to say be a Christian or anything like that anymore. 1243 01:08:35,280 --> 01:08:39,040 Speaker 1: You could be essentially of the ancient aliens religion, right, Yeah, 1244 01:08:39,280 --> 01:08:43,160 Speaker 1: it is quasi religious at least. He also speculated that 1245 01:08:43,280 --> 01:08:46,240 Speaker 1: the interest in UFOs and ancient astronauts quote seems at 1246 01:08:46,320 --> 01:08:50,400 Speaker 1: least partially the result of unfulfilled religious needs. So again 1247 01:08:50,400 --> 01:08:54,559 Speaker 1: you have tales of wise, powerful, benign humanoid entities that 1248 01:08:54,640 --> 01:08:57,120 Speaker 1: attend to the human race. And this is an idea 1249 01:08:57,160 --> 01:09:00,040 Speaker 1: that definitely ends up becoming central to a numb a 1250 01:09:00,200 --> 01:09:05,880 Speaker 1: different ufo uh New religions, the idea that the aliens 1251 01:09:05,920 --> 01:09:08,599 Speaker 1: will save us from ourselves, that the aliens have an 1252 01:09:08,600 --> 01:09:12,240 Speaker 1: answer to our essentially our religious needs. And he he 1253 01:09:12,280 --> 01:09:15,360 Speaker 1: also mentions that that he had given the idea of 1254 01:09:15,600 --> 01:09:18,760 Speaker 1: ancient aliens far far more attention than he cared to 1255 01:09:18,800 --> 01:09:21,639 Speaker 1: think about, and that he loved the idea. But but 1256 01:09:21,880 --> 01:09:24,160 Speaker 1: you know, as you might expect Sagan to him, and 1257 01:09:24,200 --> 01:09:26,960 Speaker 1: clearly he didn't write about it previously and in this 1258 01:09:27,080 --> 01:09:30,840 Speaker 1: volume because he thought it was just ridiculous and above consideration. No, 1259 01:09:31,000 --> 01:09:34,080 Speaker 1: clearly Sagan doesn't like hate this and want to crush it. 1260 01:09:34,240 --> 01:09:38,160 Speaker 1: He just wants to be responsible when entertaining the idea. Yeah, 1261 01:09:38,200 --> 01:09:41,759 Speaker 1: he's but he says that the the supposed evidence rarely 1262 01:09:41,800 --> 01:09:44,920 Speaker 1: requires more than just passing attention. Quote in the long 1263 01:09:45,000 --> 01:09:49,120 Speaker 1: litany of ancient astronaut pop archaeology, the cases of apparent 1264 01:09:49,200 --> 01:09:54,280 Speaker 1: interest have perfectly reasonable alternative explanations or have been misreported, 1265 01:09:54,400 --> 01:09:59,439 Speaker 1: or are simple pre varications, hoaxes and distortions. And then 1266 01:09:59,439 --> 01:10:02,160 Speaker 1: he makes these final points. He says that even if 1267 01:10:02,200 --> 01:10:05,320 Speaker 1: an advanced alien civilization had really wanted to leave a 1268 01:10:05,320 --> 01:10:08,280 Speaker 1: calling card, there would be no question. They could have 1269 01:10:08,320 --> 01:10:12,120 Speaker 1: left a metal artifact that, due to elemental composition, would 1270 01:10:12,120 --> 01:10:15,400 Speaker 1: have clearly been from beyond. Or yeah, they could have 1271 01:10:15,439 --> 01:10:18,760 Speaker 1: left a silicon semiconductor chip, yeah, yeah, they could have 1272 01:10:18,800 --> 01:10:21,600 Speaker 1: left a mathematical proof as a calling card. There there 1273 01:10:21,600 --> 01:10:24,760 Speaker 1: are various things that could have done. Here's Fermat's last theorem. Yeah, 1274 01:10:24,960 --> 01:10:27,679 Speaker 1: but but they didn't. They didn't leave any of these things. 1275 01:10:27,960 --> 01:10:30,960 Speaker 1: This book broke his brain. Reflections on the romance of science. 1276 01:10:31,120 --> 01:10:33,160 Speaker 1: This is still in print. You can you can definitely 1277 01:10:33,200 --> 01:10:36,040 Speaker 1: obtain a copy, and I would advise anyone who's interested 1278 01:10:36,040 --> 01:10:37,519 Speaker 1: to check it out because he does go into greater 1279 01:10:37,640 --> 01:10:41,400 Speaker 1: detail on some of the arguments for a s namely 1280 01:10:41,560 --> 01:10:45,760 Speaker 1: the serious mystery of the dogon people. Uh, it's all 1281 01:10:45,840 --> 01:10:47,880 Speaker 1: very interesting. We don't really have time to discuss it here, 1282 01:10:47,920 --> 01:10:51,040 Speaker 1: but the book is out there. Sagan's writing is always 1283 01:10:51,040 --> 01:10:54,080 Speaker 1: a joy, So I invite everyone to check it out. 1284 01:10:54,360 --> 01:10:56,200 Speaker 1: So I'd say my takeaway at the end of this 1285 01:10:56,360 --> 01:10:59,360 Speaker 1: is that there's nothing inherently wrong with the idea that 1286 01:10:59,439 --> 01:11:01,920 Speaker 1: Earth may have been visited by aliens at some point. 1287 01:11:02,080 --> 01:11:04,960 Speaker 1: It's possible for all we know. There's nothing wrong with 1288 01:11:05,000 --> 01:11:08,439 Speaker 1: playing with speculation or looking for evidence there. But don't 1289 01:11:08,479 --> 01:11:11,120 Speaker 1: get carried away. Don't let it become your religion, and 1290 01:11:11,360 --> 01:11:14,720 Speaker 1: don't don't lower your standard of evidence just because it's 1291 01:11:14,760 --> 01:11:17,559 Speaker 1: a cool idea and you want it to be true. Yeah, 1292 01:11:17,560 --> 01:11:20,080 Speaker 1: I agree, Like, don't make it your religion. But if 1293 01:11:20,080 --> 01:11:21,800 Speaker 1: you do make it your religion, just be open about 1294 01:11:21,840 --> 01:11:25,400 Speaker 1: the fact that you've made it your religion. That's fine too, sure, Yeah, yeah, uh. 1295 01:11:25,640 --> 01:11:28,200 Speaker 1: Don't make it your religion and then pretended science and 1296 01:11:28,320 --> 01:11:30,840 Speaker 1: try to convince people. One last thing, I want to 1297 01:11:30,880 --> 01:11:34,800 Speaker 1: test your intuitions on something or discigional audience just you. 1298 01:11:34,880 --> 01:11:37,320 Speaker 1: I mean, the audience can play to play along at home. 1299 01:11:37,360 --> 01:11:41,520 Speaker 1: But Robert, I want to think about ranking some probability. 1300 01:11:41,640 --> 01:11:43,360 Speaker 1: So let's say you're in a scenario where you find 1301 01:11:43,360 --> 01:11:46,960 Speaker 1: out archaeologists have discovered a tomb in the Nile Valley 1302 01:11:47,000 --> 01:11:51,240 Speaker 1: with multiple lines of evidence independently confirming to every major 1303 01:11:51,360 --> 01:11:56,440 Speaker 1: archaeologist satisfaction that the tomb has remained buried and undisturbed 1304 01:11:56,479 --> 01:12:02,120 Speaker 1: since at the latest. And also inside the tomb they 1305 01:12:02,160 --> 01:12:06,760 Speaker 1: discover a clay jar containing silicon, semiconductor chips and say 1306 01:12:06,960 --> 01:12:12,160 Speaker 1: lithium ion batteries. All other things being equal, what do 1307 01:12:12,240 --> 01:12:15,200 Speaker 1: you think would be the ranking of the most likely 1308 01:12:15,240 --> 01:12:19,439 Speaker 1: interpretations of this? Would it be that there was ancient 1309 01:12:19,520 --> 01:12:23,040 Speaker 1: lost technology, right, that some ancient Egyptians figured out how 1310 01:12:23,040 --> 01:12:26,960 Speaker 1: to make these inventions semiconductor chips and batteries, and somehow 1311 01:12:27,000 --> 01:12:29,600 Speaker 1: this is the first we're finding out about this capability 1312 01:12:29,640 --> 01:12:33,920 Speaker 1: of theirs, or ancient aliens. Aliens came and brought this 1313 01:12:34,120 --> 01:12:36,120 Speaker 1: or taught humans how to make it and it was lost, 1314 01:12:36,560 --> 01:12:39,719 Speaker 1: or they just you know, shared a few trinkets, or 1315 01:12:39,920 --> 01:12:45,080 Speaker 1: time travel or all the experts are wrong and this 1316 01:12:45,160 --> 01:12:47,519 Speaker 1: is some kind of hoax. Well, I have to throw 1317 01:12:47,560 --> 01:12:52,360 Speaker 1: out time travel because that definitely breaks our understanding of 1318 01:12:52,360 --> 01:12:54,559 Speaker 1: of cosmos. I was going to say the same. I 1319 01:12:54,560 --> 01:12:58,800 Speaker 1: think I actually ranked time travel below ancient aliens, and 1320 01:12:58,840 --> 01:13:01,719 Speaker 1: I would I can see where though, I can see 1321 01:13:01,720 --> 01:13:04,519 Speaker 1: where someone would be more inclined for ancient Aliens over 1322 01:13:04,640 --> 01:13:08,000 Speaker 1: the two remaining options, simply because if you go to 1323 01:13:08,080 --> 01:13:10,600 Speaker 1: ancient aliens, then you kind of have an out. You 1324 01:13:10,640 --> 01:13:14,040 Speaker 1: don't have to admit that, oh well, we simply missed 1325 01:13:14,040 --> 01:13:17,400 Speaker 1: it in the in the in the archaeological record. We 1326 01:13:17,520 --> 01:13:22,080 Speaker 1: just somehow missed the fact that the ancient Egyptians developed batteries. Yeah, 1327 01:13:22,080 --> 01:13:24,760 Speaker 1: it's a tough question actually knowing how to rank these 1328 01:13:24,800 --> 01:13:27,719 Speaker 1: other ones. I think for me, the top option would 1329 01:13:27,720 --> 01:13:30,679 Speaker 1: be a tie between all all the experts are wrong 1330 01:13:30,760 --> 01:13:33,120 Speaker 1: and it's some kind of hoax that's been very cleverly 1331 01:13:33,600 --> 01:13:35,920 Speaker 1: designed to fool all the The hoax is really the 1332 01:13:35,960 --> 01:13:38,599 Speaker 1: place I think I would go first, because it's just 1333 01:13:39,439 --> 01:13:43,040 Speaker 1: it seems so outrageous, like it it's too much of 1334 01:13:43,080 --> 01:13:45,920 Speaker 1: a leap of faith to think aliens like time travel 1335 01:13:46,040 --> 01:13:49,200 Speaker 1: is is impossible as we understand uh the underworkings of 1336 01:13:49,200 --> 01:13:52,160 Speaker 1: the universe. And then the idea that we simply missed 1337 01:13:52,160 --> 01:13:57,480 Speaker 1: all record of this technology also seems unlikely. Lost technology 1338 01:13:57,600 --> 01:14:02,480 Speaker 1: is very hard to hard to believe because of the context. 1339 01:14:02,680 --> 01:14:06,280 Speaker 1: Right um, that technology doesn't come to exist in a vacuum, 1340 01:14:06,439 --> 01:14:09,880 Speaker 1: but comes as a result of other technologies. So if 1341 01:14:09,920 --> 01:14:14,479 Speaker 1: you suddenly found lithium ion batteries and silicon semiconductor chips 1342 01:14:14,520 --> 01:14:17,040 Speaker 1: in ancient Egypt, it wouldn't just be that, like, Wow, 1343 01:14:17,080 --> 01:14:19,080 Speaker 1: how do they figure out how to make those? They 1344 01:14:19,120 --> 01:14:23,240 Speaker 1: would be missing many many steps along the chain of 1345 01:14:23,320 --> 01:14:26,400 Speaker 1: technological progress that would lead you to be able to 1346 01:14:26,479 --> 01:14:29,000 Speaker 1: make those. So you'd have to assume not just that, 1347 01:14:29,040 --> 01:14:31,000 Speaker 1: but you'd have to assume the step before it, and 1348 01:14:31,080 --> 01:14:33,599 Speaker 1: before that and before that, like all the metal working 1349 01:14:33,680 --> 01:14:37,280 Speaker 1: and all the fine machining and machining tolerances and things 1350 01:14:37,320 --> 01:14:39,960 Speaker 1: like that. Yeah, it's like if you suddenly found out 1351 01:14:40,000 --> 01:14:43,760 Speaker 1: that you're significant other was a drug lord, you know, 1352 01:14:43,880 --> 01:14:45,960 Speaker 1: and would and they were you, and you would say, 1353 01:14:46,040 --> 01:14:47,559 Speaker 1: how did I not know they were a drug lord? 1354 01:14:47,560 --> 01:14:49,160 Speaker 1: Like you would think there would be there would be 1355 01:14:49,200 --> 01:14:51,640 Speaker 1: other steps up to becoming a drug lord, right, I 1356 01:14:51,640 --> 01:14:54,040 Speaker 1: would have been surprised at something way earlier in the 1357 01:14:54,120 --> 01:14:57,240 Speaker 1: chain of this progression. Yeah, so that's hard to entertain too, 1358 01:14:57,240 --> 01:15:00,479 Speaker 1: But I don't know. I think maybe I I probably 1359 01:15:00,479 --> 01:15:04,400 Speaker 1: go with hoax first, and then maybe it's hard to 1360 01:15:04,439 --> 01:15:09,639 Speaker 1: decide whether ancient aliens or lost technology is a better 1361 01:15:10,800 --> 01:15:16,160 Speaker 1: because one of those those answers at least has an 1362 01:15:16,200 --> 01:15:19,880 Speaker 1: answer built into it for why there's no evidence of 1363 01:15:19,920 --> 01:15:24,479 Speaker 1: its development and construction or it's travel beyond that region, 1364 01:15:24,760 --> 01:15:27,120 Speaker 1: like because it's simply an alien dropped it. But in 1365 01:15:27,160 --> 01:15:31,080 Speaker 1: any case, I think clever hoax beats the other two definitely, 1366 01:15:31,240 --> 01:15:33,760 Speaker 1: and it's sad, like that's the sad answer. Nobody wants 1367 01:15:33,800 --> 01:15:36,479 Speaker 1: that to be the answer to their either they're great 1368 01:15:36,560 --> 01:15:40,240 Speaker 1: archaeological find or their unique insight into some bit of 1369 01:15:40,280 --> 01:15:44,320 Speaker 1: existing mythological, archaic archaeological evidence. But I would have to 1370 01:15:44,360 --> 01:15:46,599 Speaker 1: wonder we'd at least do an episode on it. We 1371 01:15:46,760 --> 01:15:48,839 Speaker 1: try to give it a fair shake, right, yeah, exactly, 1372 01:15:48,880 --> 01:15:50,360 Speaker 1: all right, so there you have it again. We did 1373 01:15:50,439 --> 01:15:54,519 Speaker 1: not have time here to discuss every example that is 1374 01:15:54,600 --> 01:15:58,880 Speaker 1: often brought up as as potential evidence for ancient aliens, 1375 01:15:59,240 --> 01:16:01,360 Speaker 1: though many of them are are just fascinating in their 1376 01:16:01,360 --> 01:16:03,160 Speaker 1: own ride. I think one or two we've discussed on 1377 01:16:03,200 --> 01:16:06,320 Speaker 1: the show before, like the idea that uh that that 1378 01:16:06,479 --> 01:16:10,760 Speaker 1: the Hindu epics describe the use of nuclear super weapons. 1379 01:16:11,080 --> 01:16:12,920 Speaker 1: It's a fabulous concept, but we just didn't have time 1380 01:16:12,920 --> 01:16:15,640 Speaker 1: to get into it today. But again, there is ultimately 1381 01:16:15,760 --> 01:16:19,240 Speaker 1: no evidence for for that being true. I agree, certainly 1382 01:16:19,240 --> 01:16:22,400 Speaker 1: no physical evidence, which is what the real standard would be. 1383 01:16:22,439 --> 01:16:24,680 Speaker 1: Even with physical evidence, as we've said, it would be 1384 01:16:24,680 --> 01:16:27,599 Speaker 1: hard to know exactly what to make what to make 1385 01:16:27,640 --> 01:16:30,639 Speaker 1: of it. And with all this uh, literary and artistic 1386 01:16:30,680 --> 01:16:33,720 Speaker 1: evidence that's heavily based on interpretation, you've got all the 1387 01:16:33,720 --> 01:16:37,000 Speaker 1: problems that we discussed with say again and trying to 1388 01:16:37,040 --> 01:16:41,040 Speaker 1: make sense of what's this story from ancient summer about? Um, Yeah, 1389 01:16:41,160 --> 01:16:44,240 Speaker 1: it's it's a hard hill to climb up if you 1390 01:16:44,280 --> 01:16:46,519 Speaker 1: want to say that there were ancient aliens. But if 1391 01:16:46,560 --> 01:16:48,479 Speaker 1: you must climb that hill, do your best to do 1392 01:16:48,520 --> 01:16:51,640 Speaker 1: it in a responsible, skeptical, evidence based way. Yeah, or 1393 01:16:51,680 --> 01:16:53,600 Speaker 1: certainly give it your best shot, go wild within the 1394 01:16:53,640 --> 01:16:56,920 Speaker 1: realms of fiction. Again. I hope that we I hope 1395 01:16:56,920 --> 01:17:00,840 Speaker 1: we keep getting great ancient astronaut fiction because I can't 1396 01:17:00,840 --> 01:17:04,400 Speaker 1: get enough of it. So there you have it. Hey, 1397 01:17:04,479 --> 01:17:06,280 Speaker 1: if you want more episodes of Stuff to Blow your 1398 01:17:06,280 --> 01:17:08,400 Speaker 1: Mind and head on over to Stuff to Blow your 1399 01:17:08,400 --> 01:17:10,960 Speaker 1: Mind dot com. That's where you'll find all the past 1400 01:17:11,000 --> 01:17:14,040 Speaker 1: episodes that we've recorded. You'll also find links out to 1401 01:17:14,120 --> 01:17:18,759 Speaker 1: various social media accounts such as Facebook, Twitter, Instagram, whatever 1402 01:17:18,840 --> 01:17:21,679 Speaker 1: the kids are using these days. And Hey, as always, 1403 01:17:21,840 --> 01:17:23,960 Speaker 1: if you want to support this show, a great way 1404 01:17:24,000 --> 01:17:26,960 Speaker 1: to do it is to rate and review wherever you 1405 01:17:27,000 --> 01:17:30,519 Speaker 1: get your podcasts. Huge thanks as always to our wonderful 1406 01:17:30,560 --> 01:17:34,160 Speaker 1: audio producers Alex Williams and Tarry Harrison, If you would 1407 01:17:34,160 --> 01:17:35,960 Speaker 1: like to get in touch with us and let us 1408 01:17:35,960 --> 01:17:38,439 Speaker 1: know your feedback on this, this episode or any other, 1409 01:17:38,920 --> 01:17:40,800 Speaker 1: or just to say hi, let us know who you are, 1410 01:17:40,840 --> 01:17:43,200 Speaker 1: where you listen to the show from, what got you 1411 01:17:43,240 --> 01:17:46,400 Speaker 1: into it, or suggest a topic for future episodes, any 1412 01:17:46,439 --> 01:17:48,960 Speaker 1: of that stuff. You can email us at blow the 1413 01:17:49,080 --> 01:18:00,720 Speaker 1: Mind at how stuff works dot com for more on 1414 01:18:00,840 --> 01:18:03,320 Speaker 1: this and thousands of other topics. Is it how Stuff 1415 01:18:03,320 --> 01:18:15,559 Speaker 1: workstock column, The Big