WEBVTT - #401 - GoldToes & Mr. Lil One

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<v Speaker 1>Yeah, bluelet Cat Podcast Match special guests in here, two

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<v Speaker 1>of them, my guy go toes.

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<v Speaker 2>Yeah, what's happening? What's happening?

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<v Speaker 3>Mister little one A came you know, yo yo, yo yo.

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<v Speaker 3>Glad to be here.

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<v Speaker 1>We got the Bay in San Diego in the building

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<v Speaker 1>right now. Yeah, what's going on?

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<v Speaker 4>The first of all, why y'all sit out the game

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<v Speaker 4>one more time?

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<v Speaker 1>The Bay in San Diego?

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<v Speaker 2>Yeah, the West Coast?

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<v Speaker 1>Baby, Yeah, what brings you guys here together?

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<v Speaker 2>We got a few things.

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<v Speaker 5>Man. He had just wrote a song that I uh,

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<v Speaker 5>that he wrote for him. We didn't write, you know,

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<v Speaker 5>he wrote a song for me. I said, man, I

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<v Speaker 5>want to want to do something different, and he had

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<v Speaker 5>a track man, and I was like, man, I'm feeling

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<v Speaker 5>that one. Let me get on that. And he blessed

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<v Speaker 5>me with the writing and I got up on there

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<v Speaker 5>and it came out really good. So it's a new

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<v Speaker 5>song called wake Up. Actually, we're gonna be at KA today.

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<v Speaker 5>We're going to feature the song.

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<v Speaker 1>Wait so you're rapping?

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<v Speaker 5>Yeah yeah, I'm rapping on there.

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<v Speaker 1>How long have you Ben rap?

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<v Speaker 2>Ben Rapp? Yeah?

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<v Speaker 1>Well you know, oh I saw old school like album

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<v Speaker 1>cover yours?

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<v Speaker 2>Right?

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<v Speaker 1>Yeah?

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<v Speaker 2>Yeah, yeah, So this is not new to you.

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<v Speaker 5>No, nah, nah, I ain't new to me. But but

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<v Speaker 5>what I say, I don't consider myself a rap. I'm

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<v Speaker 5>a reciter.

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<v Speaker 2>Man.

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<v Speaker 5>I have fun because people got to write the raps

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<v Speaker 5>for me. So I just take the words, you know,

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<v Speaker 5>and do what I do, have some fun with it.

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<v Speaker 5>That's what music is about, if you put them out

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<v Speaker 5>back in the day. Yeah, the gold Rush about fifteen

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<v Speaker 5>years ago.

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<v Speaker 1>Fun.

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<v Speaker 5>Yeah, And I think.

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<v Speaker 1>People see you as like an executive.

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<v Speaker 5>I was I when I did Black and Brown Entertainment.

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<v Speaker 2>I was. I was an executive for.

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<v Speaker 5>The first you know, almost ten years of it before

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<v Speaker 5>I even hit the mic. The first song I did

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<v Speaker 5>whatever was the Walk on Toes with south Park Meskin

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<v Speaker 5>and that that hook he did, he wrote the hook

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<v Speaker 5>that that thing was.

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<v Speaker 2>All over the radio.

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<v Speaker 1>He's definitely in the headlines a lot, even.

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<v Speaker 2>Yeah saying jail, Yeah, you stay in the headline.

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<v Speaker 1>What is your take on kind of like that whole situation.

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<v Speaker 1>There's it seems as if people have like a hard

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<v Speaker 1>line in the sand and the letting hip hop community

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<v Speaker 1>where they're either like, you know, fuck him if you're

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<v Speaker 1>associated with him. I don't know, like it just feels like,

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<v Speaker 1>don't I don't know. I'm not fully educated on what

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<v Speaker 1>happened when right. I just know he got convicted, you know,

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<v Speaker 1>But what is your thought process on the controversy currently?

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<v Speaker 5>I mean, he just went, like I always said, when

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<v Speaker 5>he gets out, he's just gonna have to speak on it.

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<v Speaker 5>And you know, that's really all I gotta say.

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<v Speaker 1>When he gets out, he's gonna he's gonna get so

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<v Speaker 1>much shows.

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<v Speaker 5>Would I don't know, man, I mean, I don't know,

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<v Speaker 5>because you're gonna have uh, you know, it ain't just

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<v Speaker 5>happen like that. They're gonna have stipulations. I'm sure, you

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<v Speaker 5>know what I mean, especially with those type of charges.

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<v Speaker 1>That's fair.

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<v Speaker 4>You know.

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<v Speaker 1>What about you, man? What's going on with with you know?

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<v Speaker 4>Well, like you said, uh, you know, the Chicano Music

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<v Speaker 4>Festival is everything to me, But beyond the artists standpoint,

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<v Speaker 4>it's just connecting the doubts in the culture. And that's

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<v Speaker 4>kind of how me and go Toos just kind of

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<v Speaker 4>came together symmetrically and just organically, you know what I'm saying.

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<v Speaker 3>Besides the music.

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<v Speaker 4>So when we did that song, we started sharing more music,

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<v Speaker 4>start we spent more time together.

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<v Speaker 3>And I ended up doing a two album deal.

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<v Speaker 2>Yeah. Let me say something I really like.

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<v Speaker 5>Uh, I didn't. When I started really getting into his music,

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<v Speaker 5>he started sending me all these songs for me, you know,

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<v Speaker 5>and I started bumping.

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<v Speaker 2>I'm like, I started going it. I'm like, man, old man.

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<v Speaker 5>He gets down, you know, and I like the oldies

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<v Speaker 5>and he was flipping them tight. I'm like, oh, he

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<v Speaker 5>got something, you know what I'm saying. And I was,

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<v Speaker 5>I don't know, did you think I was gonna be

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<v Speaker 5>able to flip that song when I do?

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<v Speaker 4>Yeah?

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<v Speaker 3>So so when he's like, yo, let's do this song.

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<v Speaker 4>You you heard go to Go Too, got natural right,

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<v Speaker 4>natural spin, natural flow. You know. So when when he

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<v Speaker 4>asked me, I'm like, absolutely, you could do that. Then

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<v Speaker 4>you know, we got the lyrics out there, and then

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<v Speaker 4>one day he just hit me and the song was done.

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<v Speaker 2>Wow.

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<v Speaker 5>I got it done quick too, like in a couple

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<v Speaker 5>of hours. You know.

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<v Speaker 4>Yeah.

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<v Speaker 1>For people who don't know, you know, you're kind of

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<v Speaker 1>like you're like one of the O g's in the

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<v Speaker 1>Chicano rap world. How long have you been at this?

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<v Speaker 4>Because well, my first album, Once in a Decade, came

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<v Speaker 4>out in nineteen ninety six ship, you know, nainety six

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<v Speaker 4>and then and there was nine.

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<v Speaker 3>I gotta you know, what's crazy.

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<v Speaker 4>I had a nine year old the other day when

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<v Speaker 4>I was in Reno, and he was saying, now, this

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<v Speaker 4>could have been what homicide or maybe this could have

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<v Speaker 4>been suicide from once in a decade. And he's nice

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<v Speaker 4>and he's nine. That's crazy, right, But I mean, you know,

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<v Speaker 4>I've always I've always felt that, you know, the whole

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<v Speaker 4>chicono wrap thing, that's cool, but I've never really seen

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<v Speaker 4>it that way. I've always seen music, like he was saying,

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<v Speaker 4>like art like no no color, no age, no no label.

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<v Speaker 4>I've always looked at music like freedom and that and

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<v Speaker 4>and and so has go Tos. And I think that's

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<v Speaker 4>what's been able to to align us, you.

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<v Speaker 1>Know, not necessarily thinking in a box when it comes Yeah.

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<v Speaker 4>Yeah, like you know, we thought the culture and everything,

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<v Speaker 4>but ultimately, man, like the magnitude of what we're doing

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<v Speaker 4>is freedom.

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<v Speaker 1>Yeah. I always tell tell people like, I think, you know,

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<v Speaker 1>growing up because I'm from Phoenix, right, so we had

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<v Speaker 1>Empty Magic and MB Writers and Nasty Boy Click before

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<v Speaker 1>they MB writers and all that. But like I listened to, uh,

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<v Speaker 1>what was locals? I used to be the board off

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<v Speaker 1>and all that ship. Yeah, I used to all the

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<v Speaker 1>Lowrider shows, So I was like very hip to the culture,

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<v Speaker 1>but the music necessarily didn't ever really like a lot

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<v Speaker 1>of the Chicano rap shit was like very Hey, this

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<v Speaker 1>is for.

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<v Speaker 4>Us, yeah, yeah, yeah, yeah, And don't get me wrong,

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<v Speaker 4>and it is, But I mean that doesn't like there's

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<v Speaker 4>more than more than yeah, there's more than just sampling

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<v Speaker 4>a song and rapping.

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<v Speaker 1>Is there sh that I was like a fan of too.

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<v Speaker 4>Like, you know, everybody expects it to sound like Simon

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<v Speaker 4>right when there really is like skeletons being made out

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<v Speaker 4>of these melodies, remedies made to make memories, you know

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<v Speaker 4>what I'm saying.

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<v Speaker 1>Yeah, And then like I think some of the high

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<v Speaker 1>power guys are dropping shit with like Busy Bone like and.

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<v Speaker 4>Some of that, But like there's real mcs too, like Shadows,

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<v Speaker 4>Ands and MC. You know there's real mcs too. But

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<v Speaker 4>so I always felt that we were so much more,

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<v Speaker 4>you know.

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<v Speaker 1>I think Bash did a good job of breaking that

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<v Speaker 1>door down to be like, hey, I happen to be Latin,

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<v Speaker 1>but I'm making party music that if you live in

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<v Speaker 1>New York.

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<v Speaker 3>You still bang it.

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<v Speaker 4>Out right, you can still bag it out and it's

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<v Speaker 4>it's still the same thing synonymously with the festival. Like

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<v Speaker 4>you know, the festival consists of all the cultural elements,

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<v Speaker 4>but it's just the dwarf for everyone to come through

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<v Speaker 4>and experience the culture for sure.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>On Sinco the Mayo.

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<v Speaker 4>Yes, it's gonna be crazy at the Legacy, the Midnighters,

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<v Speaker 4>Slash Slacking, the Wicked, del Phonics, Jay roxx O, bet

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<v Speaker 4>By the SHA's gonna be crazy, Coyote Dope, gold Toes

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<v Speaker 4>in the house for gold Toes coming through. We got, Man,

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<v Speaker 4>we got a whole bunch of stuff lined up. Like

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<v Speaker 4>I said, Man, you know, got.

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<v Speaker 2>A whole layout.

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<v Speaker 3>Yeah, we got a whole layout.

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<v Speaker 4>You know, I signed a two album deal with him.

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<v Speaker 4>The English album will be at Chicano and the Spanish

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<v Speaker 4>and Mexicano and you know, and then we got a

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<v Speaker 4>joint project that we're working on together as well. So

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<v Speaker 4>you know, we got a lot of music, we got

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<v Speaker 4>a lot of visuals, we got a lot of shows,

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<v Speaker 4>we got a lot.

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<v Speaker 1>Of a lot toes. I want to give you props

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<v Speaker 1>because I feel like you've been very instrument instrument in

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<v Speaker 1>terms of bridging the gap between Southern California Northern California Latinos.

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<v Speaker 2>Yeah, you know, we're just communicating with each other.

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<v Speaker 5>A lot more conversations are happening naturally, you know what

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<v Speaker 5>I'm saying.

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<v Speaker 2>Uh uh, you know, and more to come.

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<v Speaker 5>You know, it's gonna take some time, but you know,

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<v Speaker 5>you know, it's good to communicate and get on to

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<v Speaker 5>another uh, you know far future.

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<v Speaker 1>I was gonna say, do you think like in terms

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<v Speaker 1>of like where that like just kind of the relationships

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<v Speaker 1>of like certain artists with certain artists from from up

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<v Speaker 1>north to down south, or even guys like like you,

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<v Speaker 1>like who you've worked with, like like ten years ago.

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<v Speaker 1>Would any of that stuff have been possible five years ago,

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<v Speaker 1>because it feels like there's been a lot more putting

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<v Speaker 1>some of the politics shit to the side and just

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<v Speaker 1>kind of uniting.

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<v Speaker 5>Yeah, I mean, no, it wouldn't have been possible. I

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<v Speaker 5>mean it could have been, but I mean it would

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<v Speaker 5>have just been a lot more. It would have been

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<v Speaker 5>a lot more I would say, more complicated and difficult.

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<v Speaker 5>I think through the times now and what's going on, uh,

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<v Speaker 5>in the last few years within the prison system, I

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<v Speaker 5>believe has helped out things to help develop things in

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<v Speaker 5>the streets. And you know, there's a lot of Latins

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<v Speaker 5>that are not into no type of gangs or no

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<v Speaker 5>type of politics.

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<v Speaker 2>That still feel subject to uh just over front, just

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<v Speaker 2>to that.

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<v Speaker 5>And geographically, yeah, geographically, and there needs to be some

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<v Speaker 5>type of now you know, yeah, we're giving it. We're

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<v Speaker 5>giving it a chance to We're giving ourselves a chance

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<v Speaker 5>to shine a little bit and to work to work together,

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<v Speaker 5>you know what I'm saying. So you know, it's gonna

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<v Speaker 5>take some time, you know, and it's happening.

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<v Speaker 4>It's happening right now, you know, in your podcast. You know,

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<v Speaker 4>and again I think I think beyond anything. I think

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<v Speaker 4>that the thing that's important here is not we're not

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<v Speaker 4>trying to do anything that's just transactional. We want to

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<v Speaker 4>do things that are transformational, you know what I'm saying.

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<v Speaker 4>And that's the energy that we're on, you know, beyond

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<v Speaker 4>just music, like you know, really building something a found

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<v Speaker 4>that comes from a foundation of purity, you know, like

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<v Speaker 4>this is this isn't just about a monetary gain.

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<v Speaker 3>It's much more than set.

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<v Speaker 5>An example, when we got together, we were like all

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<v Speaker 5>your phone connected, connect colicted. When we have when we

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<v Speaker 5>have a lot in common. So everything is just coming in.

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<v Speaker 5>It's coming how it's supposed to be. We coming at

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<v Speaker 5>it how it's supposed to come. I wanted to go

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<v Speaker 5>to go back and give a shout out to Pocals

0:09:18.400 --> 0:09:21.080
<v Speaker 5>Spedal Locals because that was a legendary show. Yeah, because

0:09:21.080 --> 0:09:22.600
<v Speaker 5>I mean they put on a lot of that. Think

0:09:22.760 --> 0:09:27.280
<v Speaker 5>from everywhere. I think our tacos man, this guy's bro.

0:09:27.320 --> 0:09:28.719
<v Speaker 2>We're in the middle of the podcast where you.

0:09:28.679 --> 0:09:34.800
<v Speaker 5>At the doors locked ship, give us the white bed,

0:09:35.800 --> 0:09:37.040
<v Speaker 5>take my phone, man, my bad.

0:09:38.679 --> 0:09:39.360
<v Speaker 1>From the white angle.

0:09:39.360 --> 0:09:41.839
<v Speaker 5>We could keep calling me and call them like fuck.

0:09:44.360 --> 0:09:48.080
<v Speaker 1>Tell them you're coming. I was going to say, you know,

0:09:48.080 --> 0:09:50.760
<v Speaker 1>poke Spedal Locals obviously, like I feel like kool Aid,

0:09:50.840 --> 0:09:54.040
<v Speaker 1>I forget the DJ's name. He did a lot for

0:09:54.120 --> 0:09:55.920
<v Speaker 1>the culture, for sure, man, a lot.

0:09:56.080 --> 0:09:59.200
<v Speaker 4>You know. I remember kool Aid was a very big

0:09:59.240 --> 0:10:01.480
<v Speaker 4>believer in it, Big bad network, you know. Yeah, and

0:10:01.520 --> 0:10:04.400
<v Speaker 4>you know grew up in Oxnart. You know the ox

0:10:04.440 --> 0:10:07.480
<v Speaker 4>Snart is heavy with the culture. Five man, Yeah, shout

0:10:07.480 --> 0:10:09.800
<v Speaker 4>out today five And you know Koolaid opened that door

0:10:10.320 --> 0:10:12.199
<v Speaker 4>and we came in. The more they got syndicated, the

0:10:12.800 --> 0:10:14.360
<v Speaker 4>more we got out there, so that was a good

0:10:14.360 --> 0:10:15.240
<v Speaker 4>plug for us.

0:10:15.679 --> 0:10:18.920
<v Speaker 1>Yeah, those those og low Rider shows were crazy. I'm

0:10:18.920 --> 0:10:22.240
<v Speaker 1>talking about like six oh five oh seven. Then those

0:10:22.240 --> 0:10:26.080
<v Speaker 1>were yanking, cranking, you know what I'm saying. Tell me

0:10:26.200 --> 0:10:28.640
<v Speaker 1>kind of like for people who don't know, you have

0:10:28.920 --> 0:10:32.880
<v Speaker 1>GT Digital, which is your distribution distribution company, yep, And

0:10:33.240 --> 0:10:36.840
<v Speaker 1>these days there's so many distribution companies popping up.

0:10:36.960 --> 0:10:38.920
<v Speaker 5>Right everybody's trying to do it. A lot of people

0:10:39.000 --> 0:10:40.439
<v Speaker 5>try to do it, they just can't get clients.

0:10:40.600 --> 0:10:42.120
<v Speaker 1>Well, that's what I was gonna say for you, like,

0:10:42.559 --> 0:10:44.599
<v Speaker 1>because I'm really you know, obviously I'm real typ with

0:10:44.640 --> 0:10:47.120
<v Speaker 1>Gazi and Nina and those guys, and as you are.

0:10:47.200 --> 0:10:48.880
<v Speaker 1>You do a lot of business with Empire as well.

0:10:48.920 --> 0:10:53.400
<v Speaker 1>There's companies like Distro, Kid Tone Core and One r

0:10:53.520 --> 0:10:58.400
<v Speaker 1>PAN and so many independent distributors these days. What is

0:10:58.440 --> 0:11:01.440
<v Speaker 1>the what do you bring to the that is unique?

0:11:01.520 --> 0:11:04.160
<v Speaker 5>I think that being my years of being in the

0:11:04.200 --> 0:11:06.800
<v Speaker 5>record business, you know, Black and Brown entertainment. There's Latin

0:11:06.840 --> 0:11:09.160
<v Speaker 5>Records knowing how to be a record label, on the

0:11:10.160 --> 0:11:13.320
<v Speaker 5>necessity of communication, dealing with the artists. People do want

0:11:13.360 --> 0:11:15.560
<v Speaker 5>to give you their life, of their heart, and then

0:11:15.600 --> 0:11:16.800
<v Speaker 5>all of a sudden you got to talk to an

0:11:16.840 --> 0:11:19.360
<v Speaker 5>email and you can't speak to nobody, you know, with us,

0:11:19.480 --> 0:11:20.800
<v Speaker 5>I have a staff. We're going to talk to you.

0:11:20.880 --> 0:11:23.200
<v Speaker 5>I talk to you. I listen to the music. I'm

0:11:23.280 --> 0:11:25.720
<v Speaker 5>in tune with everybody. And there's a lot of artists

0:11:25.720 --> 0:11:28.160
<v Speaker 5>out there. You know what I'm saying. But I'm able

0:11:28.200 --> 0:11:31.800
<v Speaker 5>to decipher who really wants it and who is necessary

0:11:31.880 --> 0:11:34.800
<v Speaker 5>of that time to talk to them. Of course everybody is,

0:11:34.840 --> 0:11:36.760
<v Speaker 5>and we do. I believe there's enough time in our

0:11:36.840 --> 0:11:39.000
<v Speaker 5>day to talk to everybody. That's the whole thing. I

0:11:39.000 --> 0:11:40.240
<v Speaker 5>don't you know, we want to talk to you. I

0:11:40.400 --> 0:11:41.760
<v Speaker 5>leave give you five minutes to chop it.

0:11:41.760 --> 0:11:42.080
<v Speaker 2>Up with you.

0:11:42.360 --> 0:11:44.720
<v Speaker 5>See what's going on? How you doing with your marketing?

0:11:44.800 --> 0:11:46.640
<v Speaker 5>What do you need help in? Let me listen to

0:11:46.640 --> 0:11:49.400
<v Speaker 5>your best song? First thing I do. What's your best song?

0:11:49.920 --> 0:11:51.760
<v Speaker 5>What's your best Let me see it? You know what

0:11:51.840 --> 0:11:53.520
<v Speaker 5>I mean? That ain't nothing. This is what I'm doing.

0:11:53.559 --> 0:11:55.079
<v Speaker 5>I'm in the music business. I want to listen to

0:11:55.120 --> 0:11:58.120
<v Speaker 5>the music. You know, there's some people that there's other

0:11:58.160 --> 0:12:00.160
<v Speaker 5>companies that don't do none of that.

0:12:00.160 --> 0:12:02.240
<v Speaker 1>That is true. Not to send an email, You got.

0:12:02.040 --> 0:12:02.640
<v Speaker 2>It, that's it.

0:12:03.160 --> 0:12:06.160
<v Speaker 5>Just your kid ain't listening to your ship too, for sure.

0:12:06.160 --> 0:12:08.280
<v Speaker 5>You think the motherfucker's day is not listening to your ship.

0:12:08.320 --> 0:12:09.040
<v Speaker 2>They don't give you.

0:12:09.040 --> 0:12:10.880
<v Speaker 5>You just loaded it up, put it in, and you

0:12:10.960 --> 0:12:12.960
<v Speaker 5>gonna get They're gonna get their money, they gonna pay it.

0:12:13.000 --> 0:12:18.200
<v Speaker 1>Is it hard though, like trying to be accessible to everybody, you.

0:12:18.120 --> 0:12:19.240
<v Speaker 2>Know what, Actually it ain't.

0:12:19.440 --> 0:12:22.800
<v Speaker 5>Nah, Yeah, they ain't because most people, most I'm gonna

0:12:22.800 --> 0:12:25.280
<v Speaker 5>say most artists are only doing an album or too.

0:12:26.679 --> 0:12:28.360
<v Speaker 2>So they're putting a date some of them.

0:12:28.360 --> 0:12:30.320
<v Speaker 5>Some mother uckers they forget about they even put something

0:12:30.400 --> 0:12:31.960
<v Speaker 5>up right, you know what I'm saying. Then you got

0:12:31.960 --> 0:12:33.880
<v Speaker 5>something that are seriously into it, and then you can

0:12:33.920 --> 0:12:35.600
<v Speaker 5>talk to him. They're gonna put something out. I mean,

0:12:36.120 --> 0:12:39.120
<v Speaker 5>it's it's you know, like I said, ten minute conversation

0:12:39.240 --> 0:12:40.360
<v Speaker 5>is gonna go a long way.

0:12:41.120 --> 0:12:43.480
<v Speaker 4>I think that's what he does different, you know, because

0:12:43.800 --> 0:12:45.800
<v Speaker 4>like he was talking about the communication, I think when

0:12:45.800 --> 0:12:51.000
<v Speaker 4>there's communication with comprehension, it changes the dynamic of just communicating.

0:12:51.000 --> 0:12:54.199
<v Speaker 4>When you communicate with comprehension, you understand what you're talking about.

0:12:54.559 --> 0:12:56.319
<v Speaker 4>And I think he's really good at that. He's really

0:12:56.360 --> 0:12:58.000
<v Speaker 4>good at letting him know, like, look, this is A,

0:12:58.160 --> 0:13:00.559
<v Speaker 4>B and C. This is the way it's supposed to happened.

0:13:00.720 --> 0:13:01.520
<v Speaker 1>You do your part.

0:13:01.600 --> 0:13:02.360
<v Speaker 3>I do my part.

0:13:02.440 --> 0:13:06.400
<v Speaker 4>Everybody wins instead of like, oh my ship's out all

0:13:06.440 --> 0:13:08.760
<v Speaker 4>over the you know, in every platform.

0:13:08.920 --> 0:13:11.800
<v Speaker 1>So what Yeah, the destro game is interesting because I

0:13:11.840 --> 0:13:13.960
<v Speaker 1>just see, I feel like every major label has their

0:13:14.000 --> 0:13:17.199
<v Speaker 1>own version of I guess. With Empires, I feel like

0:13:17.280 --> 0:13:19.600
<v Speaker 1>kind of revolutionized in terms of like, you know, they

0:13:19.640 --> 0:13:22.000
<v Speaker 1>kind of kicked the door down and now everybody, everybody's

0:13:22.000 --> 0:13:25.160
<v Speaker 1>got their own Empire under their umbrella, you know, like

0:13:25.200 --> 0:13:27.640
<v Speaker 1>three hundred Sparta and you know, go on and on

0:13:27.679 --> 0:13:30.680
<v Speaker 1>and on. So I just always am wondering, like, you know,

0:13:30.720 --> 0:13:32.400
<v Speaker 1>I just I'm intrigued.

0:13:32.000 --> 0:13:33.920
<v Speaker 5>By me and Me and Gazi both started off with

0:13:34.080 --> 0:13:38.760
<v Speaker 5>Ingrous I was I started. I started, I started INgrooves

0:13:38.840 --> 0:13:41.719
<v Speaker 5>is Rap Division was their first rap I was their

0:13:41.760 --> 0:13:44.560
<v Speaker 5>first rap label. Actually hooked up Gazi with them for

0:13:44.640 --> 0:13:46.520
<v Speaker 5>the job. For him to get in there, It's crazy,

0:13:46.520 --> 0:13:48.120
<v Speaker 5>you know what I'm saying. Gazi was, you know, my

0:13:48.200 --> 0:13:51.120
<v Speaker 5>engineer for Black and Browning Entertainment at that time, you

0:13:51.160 --> 0:13:51.680
<v Speaker 5>know what I'm saying.

0:13:51.720 --> 0:13:55.319
<v Speaker 1>So me, we we's still engineering too a whole album.

0:13:55.080 --> 0:13:58.840
<v Speaker 5>You know, because there's there's a YouTube video Gazi saying

0:13:58.840 --> 0:14:00.360
<v Speaker 5>I want to be like Julio and our grow up.

0:14:00.400 --> 0:14:02.360
<v Speaker 2>I'm like, now, god, he blew up.

0:14:02.559 --> 0:14:05.280
<v Speaker 5>That means all this to say is at any point

0:14:05.600 --> 0:14:08.120
<v Speaker 5>you could get you can blow. It could take one day,

0:14:08.200 --> 0:14:11.200
<v Speaker 5>any point, man, in this game, it could happen. You know,

0:14:11.320 --> 0:14:14.760
<v Speaker 5>dreams can happen overnight overall with the you know, stuff

0:14:14.800 --> 0:14:17.360
<v Speaker 5>goes viral all of a sudden boom you're on.

0:14:17.600 --> 0:14:19.200
<v Speaker 1>I was gonna ask both of you guys, because you

0:14:19.240 --> 0:14:21.560
<v Speaker 1>guys eas have had so much independent success in the

0:14:21.640 --> 0:14:23.400
<v Speaker 1>rap game. I feel like I always correlate the Bay

0:14:23.400 --> 0:14:26.360
<v Speaker 1>Area with like just the real roots of this independent

0:14:26.440 --> 0:14:28.040
<v Speaker 1>rap shit, like getting it out the Trump. You know

0:14:28.080 --> 0:14:31.920
<v Speaker 1>what I'm saying. Yeah, how do you guys like being

0:14:31.960 --> 0:14:34.160
<v Speaker 1>on both sides of the game right Like in twenty

0:14:34.200 --> 0:14:37.200
<v Speaker 1>twenty three, the music game is so different. There's got

0:14:37.200 --> 0:14:39.840
<v Speaker 1>to be like other ways to monetize your music besides

0:14:40.320 --> 0:14:42.080
<v Speaker 1>the streaming, because the streaming is you know it is

0:14:42.120 --> 0:14:42.400
<v Speaker 1>what it is.

0:14:42.480 --> 0:14:45.560
<v Speaker 5>I mean, cross marketing of course with other artists, you

0:14:45.600 --> 0:14:48.400
<v Speaker 5>know what I'm saying, paying for you know, getting ads,

0:14:48.520 --> 0:14:52.560
<v Speaker 5>YouTube ads, TikTok ads, doing sure marketing, spend money, gotta

0:14:52.600 --> 0:14:54.880
<v Speaker 5>spend money, man, you know, and it may not come back.

0:14:55.400 --> 0:14:56.840
<v Speaker 5>You know, at least you gave yours. At least you

0:14:56.880 --> 0:14:58.360
<v Speaker 5>gave it a shot to shine though.

0:14:58.200 --> 0:14:59.520
<v Speaker 3>And you gotta be okay with that.

0:14:59.760 --> 0:15:00.640
<v Speaker 2>Yeah, you gotta be okay.

0:15:00.640 --> 0:15:03.960
<v Speaker 4>You gotta be That's acceptance to that is a huge

0:15:04.080 --> 0:15:07.480
<v Speaker 4>part of being an artist, you know what I'm saying.

0:15:08.320 --> 0:15:09.960
<v Speaker 3>I've always been a firm believer of that.

0:15:10.000 --> 0:15:14.400
<v Speaker 4>Like sometimes Deepak Chop process, expectancy determines outcomes. When you're

0:15:14.440 --> 0:15:17.600
<v Speaker 4>not attached to the outcome, the outcome is guaranteed. Sometimes

0:15:17.640 --> 0:15:21.560
<v Speaker 4>that desire and that one creates an actual barrier between

0:15:21.600 --> 0:15:23.280
<v Speaker 4>you and your success.

0:15:23.600 --> 0:15:27.800
<v Speaker 2>I think you know, of course, doing the visual it's

0:15:27.800 --> 0:15:29.720
<v Speaker 2>the truth. I think your visuals too.

0:15:29.760 --> 0:15:31.040
<v Speaker 5>You got to get in you know, you got to

0:15:31.040 --> 0:15:31.960
<v Speaker 5>get creative.

0:15:31.600 --> 0:15:34.040
<v Speaker 2>With your videos and your visuals. You know what I'm saying.

0:15:34.320 --> 0:15:37.240
<v Speaker 4>Yeah, sometimes the song you think is the one may not.

0:15:37.200 --> 0:15:38.880
<v Speaker 1>Be the one. You gotta be okay with that, and

0:15:38.880 --> 0:15:40.040
<v Speaker 1>you gotta be okay.

0:15:40.320 --> 0:15:42.120
<v Speaker 2>Gamble, bro, this is all a gamble.

0:15:42.160 --> 0:15:43.720
<v Speaker 5>That's why I say, like, I have fun with this

0:15:43.760 --> 0:15:45.520
<v Speaker 5>ship man, like when he wrote the song having fun

0:15:45.520 --> 0:15:46.560
<v Speaker 5>with I'm gonna go do a video.

0:15:46.560 --> 0:15:47.000
<v Speaker 1>Both have it?

0:15:47.200 --> 0:15:48.800
<v Speaker 5>You having fun. That's what I do with my music.

0:15:48.840 --> 0:15:50.520
<v Speaker 5>That's how I enjoy it. If I spend, I go

0:15:50.680 --> 0:15:53.320
<v Speaker 5>spend ten twenty thousand, but if I don't make it back,

0:15:53.360 --> 0:15:55.840
<v Speaker 5>at least I have fun doing it.

0:15:55.920 --> 0:15:57.880
<v Speaker 4>When he told me about the music, I was like, ah, bro,

0:15:57.960 --> 0:16:00.240
<v Speaker 4>that's like fifth on the list for me. You know

0:16:00.280 --> 0:16:04.200
<v Speaker 4>what I'm saying it is, you know, I'm bringing the

0:16:04.240 --> 0:16:07.280
<v Speaker 4>culture together doing these festivals all over the country, you know,

0:16:07.320 --> 0:16:11.200
<v Speaker 4>closing that paradoxic Divided slash Divided gap.

0:16:11.480 --> 0:16:12.880
<v Speaker 1>Yeah. I mean you've been doing your thing as a

0:16:12.880 --> 0:16:15.280
<v Speaker 1>promoter for a long time, long time, yeah, which is

0:16:15.320 --> 0:16:17.000
<v Speaker 1>in the whole other side of the game is.

0:16:17.000 --> 0:16:19.920
<v Speaker 4>Yeah, you know, but again, resource and strategy. You know,

0:16:19.920 --> 0:16:22.560
<v Speaker 4>there's been some shows that didn't go so well, so what.

0:16:23.280 --> 0:16:26.560
<v Speaker 4>There's been some shows that were phenomenal. There's some records

0:16:26.600 --> 0:16:29.400
<v Speaker 4>that didn't do so well. So what some records that

0:16:29.440 --> 0:16:33.200
<v Speaker 4>did phenomenal. I've been on Power one on six, I've

0:16:33.240 --> 0:16:36.200
<v Speaker 4>been in Boise, Like, you know, it doesn't matter. You know,

0:16:36.280 --> 0:16:39.120
<v Speaker 4>every single aspect of what you do to contribute to

0:16:39.160 --> 0:16:42.720
<v Speaker 4>what you're doing matters, you know what I'm saying. So

0:16:42.760 --> 0:16:45.320
<v Speaker 4>I think a lot of artists have this idea this

0:16:45.440 --> 0:16:48.040
<v Speaker 4>fallacy of what they're their.

0:16:47.880 --> 0:16:49.480
<v Speaker 3>Dreaming, and they ain't nothing wrong with that.

0:16:49.560 --> 0:16:53.280
<v Speaker 4>But ultimately, you can't let money consume you. You got

0:16:53.320 --> 0:16:55.560
<v Speaker 4>to have passion for what you do. You got to

0:16:55.600 --> 0:16:58.200
<v Speaker 4>have passion for your art. You still got One of

0:16:58.240 --> 0:17:00.200
<v Speaker 4>the things that people say about Florida Mayweather is that

0:17:00.240 --> 0:17:03.360
<v Speaker 4>he was still training like he was broke for sure.

0:17:03.880 --> 0:17:06.199
<v Speaker 4>You know what I'm saying, Like, the passion has to

0:17:06.240 --> 0:17:09.800
<v Speaker 4>be your purpose, your art. I always look at music

0:17:09.920 --> 0:17:12.719
<v Speaker 4>like art. That's why it comes so naturally. I've been

0:17:12.720 --> 0:17:14.240
<v Speaker 4>doing it for a long time. But I was never

0:17:14.680 --> 0:17:17.480
<v Speaker 4>like an ABC person just to do songs to do songs,

0:17:18.040 --> 0:17:21.679
<v Speaker 4>especially as I got older, and especially as life itself

0:17:21.720 --> 0:17:26.119
<v Speaker 4>became more meaningful to me. Relationships become more meaningful. You

0:17:26.200 --> 0:17:29.560
<v Speaker 4>magnetize and allie with other people that are living a

0:17:29.600 --> 0:17:32.400
<v Speaker 4>meaningful life, and then whatever you do becomes meaningful.

0:17:32.680 --> 0:17:34.560
<v Speaker 3>So therefore it happens organically.

0:17:35.000 --> 0:17:36.720
<v Speaker 1>Yo, go Tos. I wanted to ask you, and obviously

0:17:36.760 --> 0:17:38.560
<v Speaker 1>you had a lot to do with this too, just

0:17:38.560 --> 0:17:41.040
<v Speaker 1>with the name of your label. But why do you

0:17:41.080 --> 0:17:44.919
<v Speaker 1>think that Northern California, it feels like Black artists and

0:17:44.960 --> 0:17:48.400
<v Speaker 1>Latin artists are more privy and naturally working together because

0:17:48.440 --> 0:17:50.720
<v Speaker 1>I feel like when it comes to southern California, it

0:17:51.320 --> 0:17:53.040
<v Speaker 1>it feels like the rap Games a little more divided.

0:17:53.119 --> 0:17:55.160
<v Speaker 5>It's just the way we grew up in the Bay,

0:17:55.320 --> 0:17:57.879
<v Speaker 5>in northern Cally, It's just you know, we grew up

0:17:57.920 --> 0:17:59.520
<v Speaker 5>black and brown. I mean even in La they grew

0:17:59.560 --> 0:18:01.159
<v Speaker 5>up black and around two. But I think, you know,

0:18:01.320 --> 0:18:04.960
<v Speaker 5>just from you know what I know is changing.

0:18:05.000 --> 0:18:06.800
<v Speaker 1>But I just mean, like historically, it just feels like

0:18:06.880 --> 0:18:08.240
<v Speaker 1>a little more like different.

0:18:08.320 --> 0:18:10.800
<v Speaker 5>I think it's just in the Bay it's always been

0:18:10.880 --> 0:18:13.280
<v Speaker 5>like that. You know, the Blacks and the Mexicans. We

0:18:13.320 --> 0:18:15.960
<v Speaker 5>grew up together, so it's just always had that. We've

0:18:16.000 --> 0:18:18.639
<v Speaker 5>had that that How can I say the lingo? You

0:18:18.640 --> 0:18:21.399
<v Speaker 5>know what I'm saying. San Francisco, you know it's a

0:18:21.440 --> 0:18:23.360
<v Speaker 5>little different, that's all. It's just what it is. It's

0:18:23.440 --> 0:18:26.879
<v Speaker 5>just different, you know geographically that we raised different, we

0:18:27.320 --> 0:18:30.800
<v Speaker 5>interact differently, and you know that's it. Really at the

0:18:30.880 --> 0:18:31.560
<v Speaker 5>end of the day.

0:18:32.040 --> 0:18:33.400
<v Speaker 1>How are you feeling about San Francisco?

0:18:33.480 --> 0:18:36.480
<v Speaker 5>Man? In fact, every time, man, everybody moving out, It's like,

0:18:36.640 --> 0:18:37.359
<v Speaker 5>what the funk happened?

0:18:37.400 --> 0:18:37.840
<v Speaker 1>In my city?

0:18:37.880 --> 0:18:40.240
<v Speaker 4>Everybody goes got moms everywhere, I.

0:18:40.200 --> 0:18:42.680
<v Speaker 5>Mean, the city is still the city, but.

0:18:42.320 --> 0:18:46.040
<v Speaker 1>The Chinese president came through and they cleaned that shit up. Frisco.

0:18:46.520 --> 0:18:49.800
<v Speaker 2>Frisco, Man, now Frisco. You know, city is still a city.

0:18:49.840 --> 0:18:52.199
<v Speaker 5>But you know a lot of everybody's been moving out, uh,

0:18:52.359 --> 0:18:54.760
<v Speaker 5>you know, hitting the suburbs and moving to different states.

0:18:54.800 --> 0:18:56.000
<v Speaker 5>But at the end of the day, man, you know,

0:18:56.040 --> 0:18:56.800
<v Speaker 5>I love my city.

0:18:56.920 --> 0:18:59.359
<v Speaker 1>Every time I go there, I'm just paranoid. I'm just like, everyone,

0:18:59.400 --> 0:19:01.879
<v Speaker 1>take everything out of your car. Not get bit.

0:19:02.000 --> 0:19:04.480
<v Speaker 5>We're doing the Splash City, you know me and yeah,

0:19:04.480 --> 0:19:06.200
<v Speaker 5>we're doing the splashy with Four Ways Entertainment.

0:19:06.240 --> 0:19:08.800
<v Speaker 1>So I met them. I was at his compound a

0:19:08.840 --> 0:19:10.320
<v Speaker 1>couple of months ago and I met the guys who

0:19:10.400 --> 0:19:12.919
<v Speaker 1>I think help wrote it. They came through. Yeah, I

0:19:12.920 --> 0:19:15.639
<v Speaker 1>think the trailer just dropped. Yeah, we just dropped the trailer. Yeah,

0:19:15.800 --> 0:19:17.959
<v Speaker 1>what's that coming. It's going to be coming out hopefully.

0:19:18.160 --> 0:19:20.760
<v Speaker 1>We're going to start filming in January, so sometime by

0:19:20.760 --> 0:19:22.720
<v Speaker 1>the end of the year. It's big twenty twenty four. Yeah,

0:19:22.720 --> 0:19:24.199
<v Speaker 1>Because I think Burne was saying that, it's like, you know,

0:19:24.320 --> 0:19:26.240
<v Speaker 1>if you think about all like these Netflix series and

0:19:26.280 --> 0:19:28.760
<v Speaker 1>like gangster movies, there's never been like anything that's really

0:19:28.840 --> 0:19:31.960
<v Speaker 1>there's been Boston gangster movies, New York gangster movies. There

0:19:31.960 --> 0:19:35.200
<v Speaker 1>ain't never been no like real spotlight on the Bay

0:19:35.280 --> 0:19:36.800
<v Speaker 1>and like what goes on in the Bay, and there's

0:19:36.800 --> 0:19:39.360
<v Speaker 1>so much culture there, there's so much like.

0:19:39.480 --> 0:19:41.520
<v Speaker 5>Man, it's just about that time and start time with Sean.

0:19:42.040 --> 0:19:44.320
<v Speaker 3>That's why we're here building bridges everywhere.

0:19:44.400 --> 0:19:49.360
<v Speaker 4>Even the Mexicans in Texas different than the Mexicans in California.

0:19:49.480 --> 0:19:51.359
<v Speaker 1>Trust me, I just went hog hunting with that Mexican.

0:19:51.400 --> 0:19:53.639
<v Speaker 1>Oh yeah, I saw that, yeah, and that was fun.

0:19:53.800 --> 0:19:55.880
<v Speaker 4>But you see building a bridge, like you said, from

0:19:55.920 --> 0:20:01.760
<v Speaker 4>the Bay to here here to Texas and even California

0:20:01.960 --> 0:20:03.200
<v Speaker 4>and Texas to Mexico.

0:20:04.160 --> 0:20:04.920
<v Speaker 3>The Mexico.

0:20:05.119 --> 0:20:08.080
<v Speaker 4>The movement with music is crazier, going nuts, for sure,

0:20:08.119 --> 0:20:08.760
<v Speaker 4>it's crazy.

0:20:09.119 --> 0:20:10.720
<v Speaker 3>So that's what me and Gold is doing.

0:20:10.760 --> 0:20:13.679
<v Speaker 5>We here building bridges, just putting our resources together and

0:20:13.680 --> 0:20:15.879
<v Speaker 5>communicating and see what we can make happen, you know,

0:20:16.240 --> 0:20:17.960
<v Speaker 5>And it's good for the culture. It's good for all

0:20:18.000 --> 0:20:19.040
<v Speaker 5>of us for sure.

0:20:19.200 --> 0:20:20.520
<v Speaker 1>What do you guys think of a guy like Mexicano

0:20:20.680 --> 0:20:23.360
<v Speaker 1>T who is funk? You just got a gold record.

0:20:23.160 --> 0:20:26.679
<v Speaker 5>He's make it, He's all right.

0:20:26.760 --> 0:20:30.840
<v Speaker 3>I think he's yeah, yeah, yeah.

0:20:30.840 --> 0:20:33.639
<v Speaker 2>But I see how fast he popped up boom, you

0:20:33.680 --> 0:20:34.200
<v Speaker 2>know what I'm saying.

0:20:34.240 --> 0:20:36.440
<v Speaker 4>But he said it exactly like how go Tos was

0:20:36.480 --> 0:20:38.919
<v Speaker 4>talking about about the ward and He's.

0:20:38.800 --> 0:20:41.160
<v Speaker 1>Like, it's just culture where he was raised.

0:20:41.240 --> 0:20:43.000
<v Speaker 3>He was like, this is where we grew up. Man,

0:20:43.040 --> 0:20:43.520
<v Speaker 3>it's just cod.

0:20:43.680 --> 0:20:45.119
<v Speaker 1>I went to a city where he grew up. I

0:20:45.119 --> 0:20:45.560
<v Speaker 1>saw it.

0:20:45.720 --> 0:20:48.760
<v Speaker 5>You know, Texas different Texas and Texas. You know, they

0:20:48.800 --> 0:20:50.840
<v Speaker 5>got a lot of slang out there, they do. They

0:20:50.880 --> 0:20:53.960
<v Speaker 5>got a lot of slang and Mexicans out there sound

0:20:54.080 --> 0:20:58.080
<v Speaker 5>black black. I thought we sound black, and I'm like, damn.

0:20:59.240 --> 0:21:03.480
<v Speaker 1>Yeah, yeah, though Texas is wild. Yeah, everybody got a strap.

0:21:04.320 --> 0:21:05.800
<v Speaker 5>We were cracking out there, man.

0:21:05.840 --> 0:21:07.160
<v Speaker 2>We were like we.

0:21:07.040 --> 0:21:12.760
<v Speaker 1>Were in the middle of nowhere, just stalking hogs on

0:21:12.840 --> 0:21:14.800
<v Speaker 1>a helicopter. No, no, we did, and then we did

0:21:14.840 --> 0:21:16.480
<v Speaker 1>it on foot. It like two in the morning with

0:21:16.640 --> 0:21:18.440
<v Speaker 1>night vision and ship. It was fucking great.

0:21:18.520 --> 0:21:19.400
<v Speaker 3>Yeah, but that was dope.

0:21:19.440 --> 0:21:21.720
<v Speaker 4>I'm sure that's a different experience, but that's how he

0:21:21.760 --> 0:21:22.159
<v Speaker 4>grew up.

0:21:22.240 --> 0:21:22.920
<v Speaker 1>Yeah, for sure.

0:21:23.200 --> 0:21:24.359
<v Speaker 3>You know that's what makes it dope.

0:21:24.400 --> 0:21:26.760
<v Speaker 1>We do you guys put a guy like Magic in

0:21:26.840 --> 0:21:28.960
<v Speaker 1>the pantheon of like Latin hip hop because he obviously

0:21:28.960 --> 0:21:30.720
<v Speaker 1>he makes love music, but he's also empty magic.

0:21:30.840 --> 0:21:33.000
<v Speaker 4>Yeah. But in my opinion, I mean, you know, I

0:21:33.000 --> 0:21:34.439
<v Speaker 4>love I love the freedom of his art.

0:21:34.680 --> 0:21:36.399
<v Speaker 3>Yeah, he stayed true to his roots.

0:21:36.800 --> 0:21:42.200
<v Speaker 4>He you know, he he he gets music and provides

0:21:42.880 --> 0:21:45.959
<v Speaker 4>his art to the music and everybody hears an empty

0:21:46.000 --> 0:21:47.639
<v Speaker 4>magic beat and knows it.

0:21:48.000 --> 0:21:50.520
<v Speaker 1>And he's doing more shows now, yeah, everyone in his career.

0:21:50.720 --> 0:21:56.600
<v Speaker 1>Yeah that's what's so crazy. And yeah, him Bash and

0:21:56.600 --> 0:21:57.440
<v Speaker 1>little Robert.

0:21:57.200 --> 0:21:59.200
<v Speaker 5>Running it, yeah, running it.

0:22:00.320 --> 0:22:02.040
<v Speaker 1>They're doing more shows than they've ever done. And it's

0:22:02.040 --> 0:22:04.320
<v Speaker 1>crazy because like like they'll set out the novel like

0:22:04.320 --> 0:22:06.640
<v Speaker 1>twice a year, you know what I'm saying. Like, it's

0:22:06.680 --> 0:22:08.520
<v Speaker 1>just it's just wild, because always feel like magic like

0:22:08.560 --> 0:22:10.040
<v Speaker 1>for us and easy. He's like kind of like the

0:22:10.080 --> 0:22:11.920
<v Speaker 1>fucking biggest thing has ever come out of Phoenix, you

0:22:11.920 --> 0:22:12.280
<v Speaker 1>know what I mean.

0:22:12.320 --> 0:22:14.760
<v Speaker 4>So, but I mean he's always treated that music like

0:22:14.800 --> 0:22:15.520
<v Speaker 4>guard for.

0:22:15.520 --> 0:22:18.359
<v Speaker 1>Sure, and he's always been a professional, always.

0:22:19.560 --> 0:22:20.040
<v Speaker 3>Lockdowns.

0:22:20.119 --> 0:22:21.760
<v Speaker 4>Yeah, yeah, you know, I just saw him in San

0:22:21.760 --> 0:22:24.760
<v Speaker 4>Diego maybe a few months ago when he was out

0:22:24.760 --> 0:22:27.040
<v Speaker 4>there shooting the video and we chopped it up for

0:22:27.040 --> 0:22:28.800
<v Speaker 4>a little bit. But he's also a really good dude.

0:22:28.840 --> 0:22:31.960
<v Speaker 1>For the best, he's got you know, he's kind of

0:22:32.000 --> 0:22:33.720
<v Speaker 1>taking a page from your book and he's doing his

0:22:33.760 --> 0:22:34.160
<v Speaker 1>own shows.

0:22:34.240 --> 0:22:35.600
<v Speaker 4>Yeah, he's doing his own shows too.

0:22:35.720 --> 0:22:37.359
<v Speaker 1>You know, it's crazy because if you go to a

0:22:37.359 --> 0:22:42.439
<v Speaker 1>magic show, he's on, like if Rob's opening or someone's

0:22:42.480 --> 0:22:45.280
<v Speaker 1>opening for him, like or anyone that goes on before him,

0:22:45.280 --> 0:22:46.960
<v Speaker 1>Like he's on the side of the stage running the show.

0:22:47.280 --> 0:22:47.680
<v Speaker 4>Yeah.

0:22:47.880 --> 0:22:49.360
<v Speaker 1>Like I was standing there with him. I was like, oh,

0:22:49.359 --> 0:22:52.640
<v Speaker 1>you're fucking yeah, like handling, like he's playing the graphics

0:22:52.640 --> 0:22:55.680
<v Speaker 1>on the screen and ship, Like, don't you have some

0:22:55.840 --> 0:22:57.480
<v Speaker 1>who could do this so that.

0:22:57.520 --> 0:22:59.399
<v Speaker 4>You know, when I was doing the Latin Lockdown, I

0:22:59.440 --> 0:23:02.080
<v Speaker 4>was getting him on the show. Then I've seen him

0:23:02.119 --> 0:23:05.439
<v Speaker 4>doing this thing too. But you know, even even just

0:23:05.560 --> 0:23:08.200
<v Speaker 4>being motivated to do the festival because of things like that.

0:23:08.600 --> 0:23:10.000
<v Speaker 4>You know, there's a lot of people that use the

0:23:10.040 --> 0:23:14.120
<v Speaker 4>word tackle, the word Michelada, the word just add festival

0:23:14.160 --> 0:23:14.920
<v Speaker 4>to it for sure.

0:23:15.000 --> 0:23:16.760
<v Speaker 1>And you know I went to my Alreadys did one

0:23:16.760 --> 0:23:18.440
<v Speaker 1>in present. I think it was like called Taco throw Down.

0:23:18.560 --> 0:23:19.239
<v Speaker 3>Yeah, there you go.

0:23:19.600 --> 0:23:22.200
<v Speaker 4>You know, there's there's millions of dollars being generated off

0:23:22.240 --> 0:23:25.320
<v Speaker 4>the culture, you know what I'm saying, Sure, so why.

0:23:25.160 --> 0:23:27.440
<v Speaker 1>Not let why I mean shot out to Bobby d two.

0:23:27.840 --> 0:23:30.920
<v Speaker 5>Yeah, Bobby, shout out to Bobby on the big concert, Bobby,

0:23:30.960 --> 0:23:34.080
<v Speaker 5>He's got based, He's fucking But you know, like that's

0:23:34.119 --> 0:23:34.920
<v Speaker 5>the objective here.

0:23:35.000 --> 0:23:36.560
<v Speaker 3>The objective is is beyond that.

0:23:36.640 --> 0:23:39.800
<v Speaker 4>I mean, you know, there's always this microscopic fucking lens

0:23:40.280 --> 0:23:43.240
<v Speaker 4>in the inner city, like nobody gives it the telescopic

0:23:43.359 --> 0:23:45.719
<v Speaker 4>lens about the beautiful ship that happens in the culture,

0:23:46.160 --> 0:23:48.399
<v Speaker 4>you know what I'm saying. So bringing acts like and

0:23:48.480 --> 0:23:50.760
<v Speaker 4>like Malo and del Phonics because the oldies are part

0:23:50.760 --> 0:23:51.000
<v Speaker 4>of the.

0:23:50.920 --> 0:23:53.320
<v Speaker 1>Culture for sure. Have you obviously your hip to like

0:23:53.400 --> 0:23:55.680
<v Speaker 1>what Desi Hollow is doing an ocean size Yeah, yeah, yeah,

0:23:55.680 --> 0:23:57.159
<v Speaker 1>you doing a great job with the whole school.

0:23:57.240 --> 0:23:59.359
<v Speaker 4>Yeah yeah, for sure. He's dope as fuck too. And

0:23:59.400 --> 0:24:01.480
<v Speaker 4>I got abed by the yea. Yeah, you know he's

0:24:01.520 --> 0:24:03.920
<v Speaker 4>dope as fuck too. But again, you know, being able

0:24:03.960 --> 0:24:07.520
<v Speaker 4>to bring the motown side of it, the latinos side

0:24:07.520 --> 0:24:10.879
<v Speaker 4>of it, hip hop side of it with little Weirdo

0:24:11.000 --> 0:24:14.440
<v Speaker 4>Kryota and still got Conako and Shadow you know, and

0:24:14.240 --> 0:24:15.720
<v Speaker 4>uh and just being a being.

0:24:15.560 --> 0:24:17.640
<v Speaker 1>Whirdos to id to get him on the show. Weirdos dope.

0:24:17.920 --> 0:24:20.720
<v Speaker 4>Yeah, we're those dope, you know, and connect connecting with

0:24:20.800 --> 0:24:22.520
<v Speaker 4>go to's, you know, man and being able to do

0:24:22.640 --> 0:24:24.440
<v Speaker 4>we want to take this to the Bay. We want

0:24:24.440 --> 0:24:25.440
<v Speaker 4>to take this to Texas.

0:24:25.600 --> 0:24:27.240
<v Speaker 1>Got it doesn't ask you what do you think is

0:24:27.320 --> 0:24:32.040
<v Speaker 1>like a key to kind of helping some of these uh,

0:24:32.080 --> 0:24:34.359
<v Speaker 1>like like smaller cities in the middle of Cali because

0:24:34.600 --> 0:24:36.880
<v Speaker 1>I think of a guy like GB who have had

0:24:36.920 --> 0:24:39.640
<v Speaker 1>on the show shot to him ghetto boy. But there's

0:24:39.680 --> 0:24:42.760
<v Speaker 1>like cities like Fresno. There's cities like Bakersfield. Their city

0:24:42.840 --> 0:24:45.040
<v Speaker 1>is like Stockton, Stockton's booming.

0:24:45.040 --> 0:24:46.960
<v Speaker 5>They they got to cross market themselves.

0:24:46.960 --> 0:24:49.000
<v Speaker 2>I mean you can even I mean even.

0:24:49.240 --> 0:24:50.880
<v Speaker 5>I mean there's a lot of rappers and you could

0:24:50.880 --> 0:24:53.520
<v Speaker 5>be cracking locally, but I'm gonna be honest. You got

0:24:53.560 --> 0:24:55.080
<v Speaker 5>to get out even, got to get out the state

0:24:55.119 --> 0:24:57.080
<v Speaker 5>to start moving around. I mean, most of these guys

0:24:57.119 --> 0:24:59.200
<v Speaker 5>they put out an album name even making ten thousand

0:24:59.280 --> 0:25:01.280
<v Speaker 5>dollars in a year, they're most of them probably making

0:25:01.280 --> 0:25:03.280
<v Speaker 5>about three rats at the most. I mean it's like,

0:25:03.359 --> 0:25:04.320
<v Speaker 5>for real, you feel.

0:25:04.119 --> 0:25:05.960
<v Speaker 1>Me well, I mean yeah, especially if you start doing

0:25:05.960 --> 0:25:06.760
<v Speaker 1>the math on the stream.

0:25:06.840 --> 0:25:07.800
<v Speaker 2>Yeah, I started staying there.

0:25:07.800 --> 0:25:10.000
<v Speaker 5>You know that you think they popping, but they really

0:25:10.000 --> 0:25:13.880
<v Speaker 5>when you start really seeing the numbers.

0:25:13.160 --> 0:25:15.040
<v Speaker 1>Right about four grand last year. You know, if you

0:25:15.119 --> 0:25:19.199
<v Speaker 1>got a million streams.

0:25:17.480 --> 0:25:19.480
<v Speaker 5>Going, man, you got to keep pushing, you feel me?

0:25:19.520 --> 0:25:23.720
<v Speaker 5>So uh, you know you got music? Like I tell everybody,

0:25:23.840 --> 0:25:25.399
<v Speaker 5>do it, you love it, and keep doing it and

0:25:25.480 --> 0:25:28.120
<v Speaker 5>keep being consistent with it. And look, look we're fifty

0:25:28.200 --> 0:25:29.720
<v Speaker 5>years old. I was doing this shit when I was

0:25:29.720 --> 0:25:30.240
<v Speaker 5>twenty three.

0:25:30.400 --> 0:25:34.000
<v Speaker 4>Right, that's crazy, you know that, Sear, that's the timeless

0:25:34.000 --> 0:25:36.600
<v Speaker 4>aspect of it, you know again, but it goes back.

0:25:36.840 --> 0:25:39.119
<v Speaker 4>You know, you either inspired, like if you go you

0:25:39.160 --> 0:25:43.480
<v Speaker 4>go to a football player's baseball players mom's house, you'll

0:25:43.520 --> 0:25:44.960
<v Speaker 4>see him doing that sport when he.

0:25:44.960 --> 0:25:45.720
<v Speaker 3>Was ten, for sure.

0:25:45.840 --> 0:25:48.240
<v Speaker 4>So it's got to be it's got to be passion.

0:25:48.480 --> 0:25:50.320
<v Speaker 1>Yeah, it has to be the first thing.

0:25:50.520 --> 0:25:53.480
<v Speaker 4>It can be like chains, the broads and the car

0:25:53.680 --> 0:25:54.080
<v Speaker 4>I mean.

0:25:53.960 --> 0:25:57.359
<v Speaker 1>I always tell people like, uh, if you are willing

0:25:57.440 --> 0:26:00.600
<v Speaker 1>to spend money on a belt or a fun wallet

0:26:00.840 --> 0:26:03.960
<v Speaker 1>or a fucking half ass chain, but your videos look

0:26:04.040 --> 0:26:06.560
<v Speaker 1>like ship yeah, and the artwork on your album is

0:26:06.600 --> 0:26:09.200
<v Speaker 1>a joke and you and you ain't doing social media

0:26:09.280 --> 0:26:12.600
<v Speaker 1>content the right way. Like fuck your belt, bro, fuck

0:26:12.640 --> 0:26:14.200
<v Speaker 1>the Louis belt with the Gucci shooting.

0:26:14.520 --> 0:26:16.840
<v Speaker 4>I would say that, you know, it's more like that

0:26:16.920 --> 0:26:19.680
<v Speaker 4>the mute that the videos looked the way the music sounds.

0:26:19.920 --> 0:26:22.320
<v Speaker 1>Yeah, you gotta brand yourself, you know, you gotta.

0:26:22.560 --> 0:26:24.560
<v Speaker 2>Make everything a little ice cream. You want to cover

0:26:24.600 --> 0:26:26.320
<v Speaker 2>to be right. You want your videos to be right.

0:26:26.400 --> 0:26:28.120
<v Speaker 5>Like right now, everything I'm doing, I'm trying to take

0:26:28.119 --> 0:26:30.120
<v Speaker 5>my time, like even though I don't do songs all

0:26:30.160 --> 0:26:32.440
<v Speaker 5>the time, but when I do it now, I want

0:26:32.440 --> 0:26:35.280
<v Speaker 5>to make sure everything is tight, everything's looking right, the

0:26:35.359 --> 0:26:36.920
<v Speaker 5>rollouts nice, you know what I'm saying.

0:26:38.320 --> 0:26:42.040
<v Speaker 1>Somebody who was I arguing with somebody from San Francisco

0:26:42.240 --> 0:26:48.560
<v Speaker 1>in my comments lied, they said that what they say.

0:26:49.080 --> 0:26:52.160
<v Speaker 1>Somebody said the Bay has the best Mexican food, which

0:26:52.200 --> 0:26:54.320
<v Speaker 1>is just a bullfaced lie obviously, because.

0:26:54.119 --> 0:26:56.720
<v Speaker 3>San Diego got good.

0:26:58.200 --> 0:26:59.800
<v Speaker 1>I am not san Diego.

0:27:00.880 --> 0:27:04.200
<v Speaker 4>San Diego, San Diego has the best Mexican best.

0:27:05.440 --> 0:27:07.239
<v Speaker 5>I'm gonna take no, no, no, no, I let's say no

0:27:07.240 --> 0:27:08.520
<v Speaker 5>no no no no no.

0:27:08.359 --> 0:27:11.800
<v Speaker 2>No no no no no. San Diego is good. San Jose,

0:27:12.480 --> 0:27:14.040
<v Speaker 2>San hol got some good ship though.

0:27:14.240 --> 0:27:17.000
<v Speaker 3>San Diego ne SEMy I'm gonna say.

0:27:17.000 --> 0:27:17.840
<v Speaker 2>I'm gonna say, neck and.

0:27:17.880 --> 0:27:20.720
<v Speaker 4>Neck sane man, San Diego.

0:27:20.880 --> 0:27:22.639
<v Speaker 2>I might have to ride with San Jo Man twenty

0:27:23.080 --> 0:27:24.159
<v Speaker 2>twenty the market.

0:27:24.640 --> 0:27:27.520
<v Speaker 1>Listen, san Diego got the craziest Mexican food I ever had,

0:27:27.840 --> 0:27:30.080
<v Speaker 1>And well, Tijuana is my ship. Though there's a place

0:27:30.119 --> 0:27:33.600
<v Speaker 1>in TJ called Lionfish that's all so good, but that's

0:27:33.600 --> 0:27:35.920
<v Speaker 1>like my school is like more of the Spanish ship,

0:27:35.920 --> 0:27:38.240
<v Speaker 1>but more than the seafood chip. But now, because you're.

0:27:38.119 --> 0:27:42.040
<v Speaker 2>Crazy, you're a liar, man, San Jogo.

0:27:42.960 --> 0:27:46.040
<v Speaker 1>I say Phoenix has the best, and it doesn't San

0:27:46.040 --> 0:27:46.720
<v Speaker 1>Diego does.

0:27:46.840 --> 0:27:48.120
<v Speaker 4>San Diego's got the best.

0:27:49.320 --> 0:27:51.400
<v Speaker 2>I'm gonna tell you one thing, twenty one thing.

0:27:51.440 --> 0:27:51.879
<v Speaker 3>I get it.

0:27:52.400 --> 0:27:54.640
<v Speaker 5>I get upset about being in Texas if they don't

0:27:54.640 --> 0:27:59.040
<v Speaker 5>fucking have burritos. Bro, Bro, Texas, I mean you'll find

0:27:59.080 --> 0:28:01.280
<v Speaker 5>it in California.

0:28:01.320 --> 0:28:03.760
<v Speaker 1>Bro, who would we argue with from Texas? Was it ot?

0:28:04.200 --> 0:28:06.400
<v Speaker 1>I'm like you can't, obviously, but you can't really think

0:28:06.760 --> 0:28:09.280
<v Speaker 1>like Texas Mexican food is better than anything in California.

0:28:09.320 --> 0:28:11.080
<v Speaker 4>I remember, I remember one time I was in Houston

0:28:11.119 --> 0:28:12.960
<v Speaker 4>and I hit Bash and I'm like, yo, dog, was,

0:28:13.240 --> 0:28:15.840
<v Speaker 4>where do they have roll tacos out here? He sent

0:28:15.880 --> 0:28:18.000
<v Speaker 4>me to this spot and they're like dip like in

0:28:18.160 --> 0:28:21.240
<v Speaker 4>Sauce Video. Na, No no, no, no, it was not be.

0:28:21.680 --> 0:28:22.880
<v Speaker 3>It was it was just all bad.

0:28:23.040 --> 0:28:25.040
<v Speaker 1>Noah, yeah, yeah, listen. Texta was his own thing. But

0:28:25.040 --> 0:28:27.120
<v Speaker 1>it ain't fucking with Cali. It ain't fucking with Azy either.

0:28:27.240 --> 0:28:31.720
<v Speaker 1>Tucson Phoenix shipping on Texas. So no San Jose.

0:28:34.320 --> 0:28:36.199
<v Speaker 3>In San Diego and you been the mark.

0:28:36.240 --> 0:28:38.720
<v Speaker 1>I say this. The best papoosas I ever had were

0:28:38.840 --> 0:28:41.080
<v Speaker 1>off mission. In the mission.

0:28:41.200 --> 0:28:44.440
<v Speaker 5>Yeah, I had one of the little spot thirtieth Street.

0:28:44.640 --> 0:28:47.640
<v Speaker 1>Oh my god, were you there, Cyrus when we have

0:28:47.720 --> 0:28:51.240
<v Speaker 1>papoosas in the bay. Oh man, they were so good.

0:28:51.320 --> 0:28:55.080
<v Speaker 1>Shots of the savvy's. Man. I love papoosas. But yeah, look,

0:28:55.360 --> 0:28:57.520
<v Speaker 1>so we got two albums coming out.

0:28:57.720 --> 0:29:01.440
<v Speaker 3>Two albums in Chicano and Michicano Gold.

0:29:01.760 --> 0:29:05.080
<v Speaker 5>We're working on something together joint and they joined album

0:29:05.080 --> 0:29:08.080
<v Speaker 5>and then we got the song that he he wrote

0:29:08.120 --> 0:29:09.720
<v Speaker 5>for you, he wrote for me right now, wake Up,

0:29:09.920 --> 0:29:12.920
<v Speaker 5>wake Up, Wake Up in the future of Mary Will if.

0:29:12.800 --> 0:29:16.800
<v Speaker 1>You just help put together the record with Berner, and.

0:29:16.080 --> 0:29:17.520
<v Speaker 2>So we did. Berner, I just did.

0:29:17.920 --> 0:29:21.800
<v Speaker 5>I remixed Berner, Jay Diggs and Too Short. I threw

0:29:21.880 --> 0:29:24.640
<v Speaker 5>Jenny six y nine on there right, Jenny did her verse.

0:29:24.920 --> 0:29:26.240
<v Speaker 5>Then I brought her up to the bay. We just

0:29:26.320 --> 0:29:30.200
<v Speaker 5>knocked out the video her short burn digs lit up

0:29:30.240 --> 0:29:32.400
<v Speaker 5>the bay and that should be chopping at the top

0:29:32.440 --> 0:29:32.800
<v Speaker 5>of the year.

0:29:33.120 --> 0:29:33.239
<v Speaker 4>Yo.

0:29:33.360 --> 0:29:36.240
<v Speaker 1>What I always for people who I always say, people

0:29:36.280 --> 0:29:41.440
<v Speaker 1>don't quite understand if you're not like so mac dre right.

0:29:41.480 --> 0:29:43.480
<v Speaker 1>I've talked with people in the Bay. They always say that,

0:29:43.600 --> 0:29:46.959
<v Speaker 1>like he really wasn't fully appreciated until he passed.

0:29:47.360 --> 0:29:49.840
<v Speaker 5>True, he was very much like that's because the radio

0:29:49.920 --> 0:29:53.239
<v Speaker 5>really got on him. But everything just really just intensive by.

0:29:53.320 --> 0:29:55.320
<v Speaker 5>But that really happens whatever.

0:29:55.120 --> 0:29:57.080
<v Speaker 1>I mean, even Nipsey do a standard, right, like Nipse

0:29:57.520 --> 0:29:58.240
<v Speaker 1>fully appreciated.

0:29:58.320 --> 0:30:00.600
<v Speaker 5>Yeah, the Jack Lie And it's just this is what happens,

0:30:00.640 --> 0:30:02.840
<v Speaker 5>you know what I'm saying. People start really listening to

0:30:02.840 --> 0:30:05.200
<v Speaker 5>and appreciating with you with the music you left behind.

0:30:05.520 --> 0:30:07.400
<v Speaker 1>It's just crazy because you think about like the Hyphie

0:30:07.440 --> 0:30:12.000
<v Speaker 1>era and how he really wasn't there to I guess

0:30:12.040 --> 0:30:13.920
<v Speaker 1>really enjoy enjoy the peak of it.

0:30:13.960 --> 0:30:16.360
<v Speaker 5>But he was the one that started it. He was light,

0:30:16.520 --> 0:30:17.280
<v Speaker 5>he was the fire.

0:30:17.360 --> 0:30:19.200
<v Speaker 1>He was going to start it up. But it's crazy

0:30:19.200 --> 0:30:21.080
<v Speaker 1>because I just like, like at that.

0:30:21.360 --> 0:30:23.600
<v Speaker 5>I guess I guess you don't appreciate you like you

0:30:23.600 --> 0:30:26.040
<v Speaker 5>don't appreciate things when they're right there in front of

0:30:26.040 --> 0:30:26.840
<v Speaker 5>you until they're gone.

0:30:26.960 --> 0:30:29.320
<v Speaker 4>Then you're like, man, but we're here giving it up

0:30:29.320 --> 0:30:30.120
<v Speaker 4>to him though, So for.

0:30:30.080 --> 0:30:31.800
<v Speaker 2>Sure, Yeah, r P mac dre Man.

0:30:33.200 --> 0:30:35.840
<v Speaker 1>All right, well look go stream your song is out.

0:30:36.200 --> 0:30:36.640
<v Speaker 2>Wake up.

0:30:36.960 --> 0:30:38.800
<v Speaker 1>People want to sign up for some distro. They could

0:30:38.800 --> 0:30:39.160
<v Speaker 1>go to what.

0:30:39.400 --> 0:30:42.240
<v Speaker 2>You can go to my GT Digital distribution on i G.

0:30:42.440 --> 0:30:44.680
<v Speaker 5>There's a click the link in the bi or you

0:30:44.680 --> 0:30:46.600
<v Speaker 5>can you know, you can follow me at go tos

0:30:46.760 --> 0:30:48.880
<v Speaker 5>link link in the bar on IG. Just fill it out.

0:30:48.960 --> 0:30:50.840
<v Speaker 5>My staff is gonna get right to you. We're gonna

0:30:50.840 --> 0:30:53.320
<v Speaker 5>sign you up, check you out, you know, listen to

0:30:53.320 --> 0:30:55.960
<v Speaker 5>your music and then we'll get you going real easy,

0:30:56.000 --> 0:30:56.400
<v Speaker 5>you know what I mean.

0:30:56.480 --> 0:30:59.120
<v Speaker 1>Then the show people people can buy tickets.

0:30:59.160 --> 0:31:01.040
<v Speaker 4>Yet you go out on music fest dot com the

0:31:01.080 --> 0:31:02.640
<v Speaker 4>Chicano Music Festival next year.

0:31:03.160 --> 0:31:04.240
<v Speaker 3>It's gonna be historical.

0:31:04.520 --> 0:31:06.840
<v Speaker 1>Good to Mario san Diego, stay tuned for all of it.

0:31:07.120 --> 0:31:07.680
<v Speaker 2>I want to say.

0:31:07.800 --> 0:31:10.000
<v Speaker 5>I want to say, it's been a pleasure though seeing you,

0:31:10.360 --> 0:31:14.200
<v Speaker 5>uh you know, develop yourself, appreciate it in the entertainment business,

0:31:15.440 --> 0:31:17.400
<v Speaker 5>and uh, you know, it's an honor right now to

0:31:17.480 --> 0:31:19.680
<v Speaker 5>be at this time in the rap game. Especially for

0:31:19.720 --> 0:31:23.480
<v Speaker 5>Latin rap. Uh you know right, it's the best it's

0:31:23.480 --> 0:31:23.920
<v Speaker 5>ever been.

0:31:24.160 --> 0:31:25.680
<v Speaker 2>Yeah, I mean it's we are.

0:31:25.920 --> 0:31:29.080
<v Speaker 5>We are at a point to where us as Latinos

0:31:29.080 --> 0:31:32.880
<v Speaker 5>in the entertainment business, we have an opportunity to really

0:31:33.000 --> 0:31:36.320
<v Speaker 5>be great and to come together to even be greater,

0:31:36.880 --> 0:31:39.240
<v Speaker 5>to help each other because I believe we've been held

0:31:39.240 --> 0:31:42.360
<v Speaker 5>back a lot and now's the time to shine and

0:31:42.400 --> 0:31:44.920
<v Speaker 5>to put our powers together to be the best that

0:31:44.920 --> 0:31:45.120
<v Speaker 5>we can.

0:31:45.200 --> 0:31:49.240
<v Speaker 1>There's been there really dope media platforms like food Community developing.

0:31:48.840 --> 0:31:51.719
<v Speaker 5>And don't let no motherfucker stop you man, stop being scary,

0:31:51.760 --> 0:31:52.880
<v Speaker 5>get there and get it done.

0:31:53.000 --> 0:31:54.000
<v Speaker 2>That's the fuck we're doing.

0:31:54.160 --> 0:31:57.360
<v Speaker 5>That's it, man, I'm standing on this ship.

0:31:57.560 --> 0:31:59.440
<v Speaker 3>There it go, solute boom.