1 00:00:00,480 --> 00:00:03,880 Speaker 1: Heard around the world on the iHeartRadio app Apple podcast 2 00:00:04,000 --> 00:00:07,440 Speaker 1: over wherever you get your podcast, It's Cannabis Talk one. 3 00:00:07,320 --> 00:00:09,319 Speaker 2: On one with Blue and Jill. 4 00:00:10,160 --> 00:00:12,400 Speaker 3: Hello one from cannas Talk one on one, the world's 5 00:00:12,440 --> 00:00:14,280 Speaker 3: number one source for everything cannabis. 6 00:00:14,360 --> 00:00:14,680 Speaker 4: Monday. 7 00:00:14,800 --> 00:00:15,640 Speaker 5: Blue alongside me. 8 00:00:15,680 --> 00:00:17,560 Speaker 3: Is the world famous historic Chiken. 9 00:00:17,920 --> 00:00:20,239 Speaker 5: Thank you, Christopher Wright. It's good to be here on 10 00:00:20,280 --> 00:00:22,200 Speaker 5: the show with everybody hanging out with you guys. Thank 11 00:00:22,239 --> 00:00:24,119 Speaker 5: you for the sting the podcast Cannabis Talk one on 12 00:00:24,200 --> 00:00:25,799 Speaker 5: one all around the world. To make sure you guys, 13 00:00:25,840 --> 00:00:28,560 Speaker 5: check out our website cannabis Talk one on one dot com. 14 00:00:28,720 --> 00:00:31,320 Speaker 5: We are the worlst number one source for everything cannabis 15 00:00:31,400 --> 00:00:33,599 Speaker 5: with so many great articles and blogs on our website. 16 00:00:33,600 --> 00:00:37,240 Speaker 5: Call us up anytime. One eight and four twenty nineteen eighty. Ooh, 17 00:00:37,520 --> 00:00:39,440 Speaker 5: this sounds like a group here right now. Money be 18 00:00:39,560 --> 00:00:41,880 Speaker 5: there coming after you, boy. Check it out. They're trying 19 00:00:41,920 --> 00:00:44,440 Speaker 5: to go on stage with you right there. They were 20 00:00:44,560 --> 00:00:47,320 Speaker 5: so on point right there. Check out our ig bases 21 00:00:47,360 --> 00:00:49,479 Speaker 5: at cannabis Stalk one O one. Where is that the 22 00:00:49,600 --> 00:00:53,159 Speaker 5: number one? Christopher Wright? I am at Joe Grande fifty two. 23 00:00:53,200 --> 00:00:54,840 Speaker 5: We're might have to get a group going because we 24 00:00:55,000 --> 00:00:57,840 Speaker 5: fly watch out for together. 25 00:00:58,000 --> 00:01:00,360 Speaker 3: That was right, and I all know. 26 00:01:00,360 --> 00:01:03,160 Speaker 5: What timing isn't here, right, God, tim that's right. I 27 00:01:03,240 --> 00:01:06,320 Speaker 5: think higher with Dime Industries. Find them in California, Arizona, 28 00:01:06,400 --> 00:01:09,479 Speaker 5: and Oklahoma. Check out the website dime Industries dot com 29 00:01:09,640 --> 00:01:13,400 Speaker 5: or on Instagramdime dot Industries. Our guest today. It's so 30 00:01:13,680 --> 00:01:17,880 Speaker 5: funny Blue because he walks in and he looks at 31 00:01:17,959 --> 00:01:21,399 Speaker 5: me like he doesn't even fucking know me. I don't 32 00:01:21,440 --> 00:01:24,000 Speaker 5: know that guy, right, And it was like, Hey, how 33 00:01:24,080 --> 00:01:26,559 Speaker 5: you doing? Money Be of Digital Underground huh Bay Area 34 00:01:26,680 --> 00:01:28,840 Speaker 5: hip hop pion here MC and host of that new 35 00:01:28,920 --> 00:01:31,440 Speaker 5: show he's doing the Going Way Back Show and he 36 00:01:31,520 --> 00:01:33,520 Speaker 5: don't know me, because why I go way back with 37 00:01:33,680 --> 00:01:36,920 Speaker 5: this motherfucker right here right? And I was like, Okay, 38 00:01:36,959 --> 00:01:38,600 Speaker 5: let me put on a couple hundred pounds and then 39 00:01:38,640 --> 00:01:40,800 Speaker 5: maybe you recognize me. But that being said, let me 40 00:01:40,840 --> 00:01:42,520 Speaker 5: give you your dues right here. Money Bee is a 41 00:01:42,560 --> 00:01:46,480 Speaker 5: founding member of the multi platinum Grammy nominated iconic group 42 00:01:46,600 --> 00:01:50,360 Speaker 5: Digital Underground Folks, the legendary group which sparked the foundation 43 00:01:51,120 --> 00:01:54,040 Speaker 5: of the late great Tupac Shakur. He is noted as 44 00:01:54,120 --> 00:01:56,800 Speaker 5: having one of the most recognizable voices in hip hop, 45 00:01:56,920 --> 00:02:00,080 Speaker 5: with his career spanning over three decades. He's also so 46 00:02:00,240 --> 00:02:03,480 Speaker 5: in the duo raw Fusion, which consists of DJ Fusion, 47 00:02:03,680 --> 00:02:05,760 Speaker 5: the real DJ Fusion, as he points out, not the 48 00:02:05,800 --> 00:02:07,840 Speaker 5: one in LA that I had a mixed player DJ Fuse. 49 00:02:07,880 --> 00:02:10,240 Speaker 5: Excuse me as we pointed that out earlier in one 50 00:02:10,240 --> 00:02:12,160 Speaker 5: of the mixes that I remixed, and he goes, oh, Joe, 51 00:02:12,200 --> 00:02:14,440 Speaker 5: you got a DJ fuse mix. That's not the original 52 00:02:14,520 --> 00:02:17,679 Speaker 5: one my DJ fus is. And no doubt he is 53 00:02:18,120 --> 00:02:21,040 Speaker 5: funny that that came up today earlier in random conversation 54 00:02:21,400 --> 00:02:24,960 Speaker 5: with you, money be as the MC money Bees music catalog, 55 00:02:25,040 --> 00:02:29,320 Speaker 5: though in entertainment collaborations stretches across various genres, working with 56 00:02:29,440 --> 00:02:31,160 Speaker 5: of course you heard me mention him already, the late 57 00:02:31,200 --> 00:02:37,079 Speaker 5: great Tupacxacorps, but George Clinton, doctor Dre, DJ Quick, Dave Hollister, 58 00:02:37,680 --> 00:02:41,000 Speaker 5: Dwayne Wiggins, Tony Tony Tony, and I'll say it again 59 00:02:41,080 --> 00:02:43,920 Speaker 5: and have a rains in Southern California, and so much more. 60 00:02:44,400 --> 00:02:47,720 Speaker 5: Money Bee also took his talents to Hollywood to contribute, 61 00:02:47,840 --> 00:02:50,320 Speaker 5: edit scripts, and do so much more on the big screen, 62 00:02:50,639 --> 00:02:54,119 Speaker 5: acted as himself, notably in that twenty seventeen bio pick 63 00:02:54,160 --> 00:02:57,079 Speaker 5: of TUPACX Core all eyes on me. Yeah, if you 64 00:02:57,160 --> 00:02:58,960 Speaker 5: didn't watch it, I don't know what rock you've been 65 00:02:59,000 --> 00:03:02,680 Speaker 5: living under. But without further ado, please give it up 66 00:03:02,720 --> 00:03:06,000 Speaker 5: from my dude money motherfucking in the building. 67 00:03:08,120 --> 00:03:11,480 Speaker 2: Like Franks, you guys having Joe, you forgot about the 68 00:03:12,480 --> 00:03:13,360 Speaker 2: the adult industry. 69 00:03:13,520 --> 00:03:15,760 Speaker 5: I was gonna go there too, because but I wanted 70 00:03:15,760 --> 00:03:17,799 Speaker 5: to just talk about it, right because and then's just 71 00:03:17,840 --> 00:03:19,359 Speaker 5: start off on that, you know, I mean, let's start 72 00:03:19,440 --> 00:03:22,040 Speaker 5: on there because as as you're right, I did. And 73 00:03:23,760 --> 00:03:25,680 Speaker 5: it's funny. No, no, I didn't do it on Priverse 74 00:03:25,720 --> 00:03:28,400 Speaker 5: because you were one of the I want to say 75 00:03:28,440 --> 00:03:32,280 Speaker 5: this right because in my opinion, as this intro continues, 76 00:03:32,639 --> 00:03:34,960 Speaker 5: you were one of the first because you got like 77 00:03:35,080 --> 00:03:37,000 Speaker 5: two live crew who went hard. But you're that same 78 00:03:37,040 --> 00:03:38,840 Speaker 5: era dog, you know what I'm saying. So it's like 79 00:03:39,080 --> 00:03:41,560 Speaker 5: you those started taking it to the next level of 80 00:03:41,720 --> 00:03:45,400 Speaker 5: coming to Hollywood and fucking producing in the valley porn 81 00:03:46,240 --> 00:03:46,920 Speaker 5: adult films. 82 00:03:47,360 --> 00:03:50,440 Speaker 2: That's right. Well, you know, and you you're very familiar 83 00:03:50,520 --> 00:03:52,960 Speaker 2: with freaks out industry. Of course some of the music 84 00:03:53,040 --> 00:03:56,600 Speaker 2: that we did, so we had some friends well before 85 00:03:56,640 --> 00:03:59,600 Speaker 2: they were friends. We got booked to perform at the 86 00:03:59,640 --> 00:04:02,840 Speaker 2: Players Ball, which was part of the A v In 87 00:04:02,920 --> 00:04:04,680 Speaker 2: which is in Vegas. 88 00:04:04,800 --> 00:04:07,360 Speaker 5: Yeah, in Vegas. Okay, the Players and. 89 00:04:09,280 --> 00:04:13,640 Speaker 2: Awards for the Adult And you know, my guy, since 90 00:04:13,760 --> 00:04:15,680 Speaker 2: I think it was like nineteen ninety nine, he was like, bro, 91 00:04:17,000 --> 00:04:18,920 Speaker 2: you're meant for this, but I kind of pushed it 92 00:04:19,000 --> 00:04:21,040 Speaker 2: off for a minute. But right around two thousand and 93 00:04:21,040 --> 00:04:23,440 Speaker 2: two thousand and one, we were like, we are meant 94 00:04:23,480 --> 00:04:24,920 Speaker 2: for this, you know what I mean. So we came 95 00:04:25,000 --> 00:04:28,840 Speaker 2: down and we produced a video series called Sex in 96 00:04:28,920 --> 00:04:30,880 Speaker 2: the Studio, which. 97 00:04:31,000 --> 00:04:34,880 Speaker 5: Fused hip hop and porn together. 98 00:04:35,000 --> 00:04:38,880 Speaker 2: Porn basically, so you know, if you're reading like Playboy magazine, 99 00:04:39,120 --> 00:04:41,279 Speaker 2: you have the articles and you have the pictures correct. 100 00:04:41,760 --> 00:04:44,880 Speaker 2: So what we did was we had the interviews with 101 00:04:45,040 --> 00:04:50,080 Speaker 2: the artists such as like Ludacris, Bone Crusher, DJ Premier, 102 00:04:51,040 --> 00:04:52,160 Speaker 2: Coolie Old Rest in Peace. 103 00:04:54,080 --> 00:04:55,880 Speaker 5: We'll talk about that today, and in. 104 00:04:55,960 --> 00:04:59,679 Speaker 2: Between these interviews we would have full on adult porn 105 00:04:59,760 --> 00:05:03,279 Speaker 2: site in our videos. And when we released it. 106 00:05:03,360 --> 00:05:06,159 Speaker 5: It was it was like the top grossing I remember 107 00:05:06,200 --> 00:05:08,760 Speaker 5: that show at the time and so much noise here. 108 00:05:08,880 --> 00:05:10,840 Speaker 2: The one thing that I still hear people talking about 109 00:05:10,839 --> 00:05:13,280 Speaker 2: because in the first one, we had a party and 110 00:05:13,560 --> 00:05:17,280 Speaker 2: it was we had the sex Olympics. So if you 111 00:05:17,360 --> 00:05:19,200 Speaker 2: go back and watch Sex in the Studio part one, 112 00:05:19,720 --> 00:05:22,080 Speaker 2: I can't fully explain it. If you weren't there, but 113 00:05:22,240 --> 00:05:23,920 Speaker 2: you just got to, you can only imagine what the 114 00:05:23,960 --> 00:05:27,520 Speaker 2: sex Olympics was. How many job contests? 115 00:05:28,880 --> 00:05:30,560 Speaker 5: It wasn't one of those like how fast can you 116 00:05:30,600 --> 00:05:32,440 Speaker 5: get him to shoot his type ship? 117 00:05:32,520 --> 00:05:32,719 Speaker 3: Yeah? 118 00:05:32,760 --> 00:05:35,159 Speaker 2: Yeah, so you know they Yeah, they was working hard. 119 00:05:35,360 --> 00:05:37,040 Speaker 5: Let me let me ask you, we should do crazy 120 00:05:37,040 --> 00:05:38,560 Speaker 5: shit like that here in the dark house, have some 121 00:05:38,600 --> 00:05:39,080 Speaker 5: fun stuff. 122 00:05:39,480 --> 00:05:40,800 Speaker 2: And we got some of the ideas from you. 123 00:05:42,160 --> 00:05:43,640 Speaker 5: Did you? I'm sure you guys really did we. 124 00:05:43,680 --> 00:05:45,520 Speaker 2: We didn't do the blowing the candles out the ass though. 125 00:05:47,120 --> 00:05:49,480 Speaker 5: Hold on as we say that. The funny thing is, 126 00:05:49,560 --> 00:05:52,040 Speaker 5: you guys Blue and Goldie like money be and I 127 00:05:52,160 --> 00:05:54,520 Speaker 5: go back to doing shows on stages together at the 128 00:05:54,640 --> 00:05:57,880 Speaker 5: sound Factory dog like when he was real young, starting 129 00:05:57,960 --> 00:06:00,840 Speaker 5: like money. The folks don't know that. Listen to the show. 130 00:06:00,920 --> 00:06:03,320 Speaker 5: We go back like that, like I got a picture 131 00:06:03,320 --> 00:06:09,279 Speaker 5: of Hot ninety seven seven that we chockc tucuc might 132 00:06:09,320 --> 00:06:11,120 Speaker 5: not even been in that picture. He might have took 133 00:06:11,200 --> 00:06:13,920 Speaker 5: the picture. He might have like some real ship like 134 00:06:14,040 --> 00:06:16,680 Speaker 5: that picture that I showed you today. Pac might have 135 00:06:16,800 --> 00:06:18,600 Speaker 5: tooken that picture because he was with us, and that 136 00:06:18,800 --> 00:06:20,640 Speaker 5: I remember him coming in that day. As I tell 137 00:06:20,720 --> 00:06:22,719 Speaker 5: the story when I met Pak, I swear to God, 138 00:06:23,040 --> 00:06:25,600 Speaker 5: you ready for this. He'll believe this, knows A repeats. 139 00:06:25,800 --> 00:06:27,560 Speaker 5: I met him when he was a Digital Underground. That's 140 00:06:27,600 --> 00:06:30,000 Speaker 5: what I always say. Yeah, so I always say that, 141 00:06:30,200 --> 00:06:31,120 Speaker 5: and I was with you guys. 142 00:06:31,320 --> 00:06:33,840 Speaker 2: Well people don't know, and you'll probably never say it, 143 00:06:34,040 --> 00:06:38,000 Speaker 2: but Joseph Bay Area legend. Yeah you know, I know 144 00:06:38,040 --> 00:06:40,240 Speaker 2: you'll call him Joe Grinde, I know Big Joe. 145 00:06:40,160 --> 00:06:43,000 Speaker 4: Big Joe from the doghouse the day. Yeah, yeah, well 146 00:06:43,040 --> 00:06:45,640 Speaker 4: he does say it, actually he says no. 147 00:06:45,800 --> 00:06:49,160 Speaker 5: But but the funny thing is, though, when I say this, 148 00:06:49,279 --> 00:06:51,800 Speaker 5: because you know, Tupac comes up here all the time, 149 00:06:51,920 --> 00:06:53,599 Speaker 5: high five who you want to get hired with Tupac? 150 00:06:53,680 --> 00:06:55,640 Speaker 5: And then it comes up out of my mouth all 151 00:06:55,680 --> 00:06:57,520 Speaker 5: the time, and I swear to God, I can't believe 152 00:06:57,560 --> 00:06:59,600 Speaker 5: that I'm saying this to you, going I always go 153 00:06:59,760 --> 00:07:02,240 Speaker 5: back to saying I met him with Digital Underground. And 154 00:07:02,320 --> 00:07:05,000 Speaker 5: the crazy part is dog As just today we looked 155 00:07:05,000 --> 00:07:07,560 Speaker 5: at that picture together. I swear to God, I think 156 00:07:07,640 --> 00:07:08,480 Speaker 5: he took that picture. 157 00:07:08,880 --> 00:07:12,760 Speaker 3: He could have. Yeah, yeah, probably, like because it wasn't popular, 158 00:07:12,800 --> 00:07:14,600 Speaker 3: like that was relevant at the moment, you know what 159 00:07:14,600 --> 00:07:17,800 Speaker 3: I mean. It was still building hisself up. Yeah, Earl, 160 00:07:17,920 --> 00:07:21,880 Speaker 3: did you ever actually you know, come out in the 161 00:07:21,960 --> 00:07:23,920 Speaker 3: poorns yourself or you just did the production set? 162 00:07:24,760 --> 00:07:25,560 Speaker 2: I have one scene? 163 00:07:25,800 --> 00:07:32,080 Speaker 5: Okay, let you guys behind the curtain, right yeah. Yeah. 164 00:07:32,400 --> 00:07:36,480 Speaker 2: People was like, and everybody knows my wife Tom Teazy, 165 00:07:36,520 --> 00:07:39,120 Speaker 2: who is you know, was the co host on the 166 00:07:39,200 --> 00:07:42,520 Speaker 2: Going Away Back show, right, so you know there's one 167 00:07:42,600 --> 00:07:44,800 Speaker 2: scene where it opens up. Mister Marcus is in the 168 00:07:44,840 --> 00:07:47,440 Speaker 2: scene but at the very beginning, like I'm getting a 169 00:07:47,440 --> 00:07:50,080 Speaker 2: blow drop in his couch, but you know you see 170 00:07:50,080 --> 00:07:52,160 Speaker 2: it from that right or whatever. And people was like, bro, 171 00:07:52,280 --> 00:07:54,840 Speaker 2: how'd you do that? I'm like, Tyer was standing right 172 00:07:54,920 --> 00:07:55,920 Speaker 2: behind me. It was nothing. 173 00:07:56,320 --> 00:08:02,600 Speaker 3: Yeah, it was at like you be not squint, yeah man, yeah, yeah. 174 00:08:03,280 --> 00:08:05,480 Speaker 2: We were good at smoking mirrors. I'm in a scene, 175 00:08:05,520 --> 00:08:06,920 Speaker 2: but I'm but I wasn't in the scene. 176 00:08:07,080 --> 00:08:07,280 Speaker 3: Yeah. 177 00:08:07,640 --> 00:08:09,680 Speaker 5: And it's funny because you jumped so heavy in the game, 178 00:08:09,960 --> 00:08:12,400 Speaker 5: excuse me in the game. So with the wife being 179 00:08:12,480 --> 00:08:14,240 Speaker 5: in it, she was just cool with it. Let's ride 180 00:08:16,360 --> 00:08:18,440 Speaker 5: to an extent, you know what I mean. 181 00:08:18,520 --> 00:08:20,720 Speaker 2: Like I said, I was the I was the host 182 00:08:20,760 --> 00:08:22,160 Speaker 2: of it. So I used to do the interviews with 183 00:08:22,240 --> 00:08:24,800 Speaker 2: the artists and shout out to Cleatans Mack my cousin 184 00:08:24,880 --> 00:08:26,880 Speaker 2: also a member of Digital on the ground. Who's in 185 00:08:26,960 --> 00:08:31,880 Speaker 2: that picture, right, that's right? And you know we produced it. 186 00:08:32,120 --> 00:08:36,120 Speaker 2: He directed it and for the most part, he would 187 00:08:36,160 --> 00:08:38,160 Speaker 2: do most of the interacting with the girls. 188 00:08:38,480 --> 00:08:43,679 Speaker 3: Yes, because that was Yeah, unless you're marriage, it was 189 00:08:43,760 --> 00:08:44,840 Speaker 3: business and it was business. 190 00:08:45,040 --> 00:08:46,839 Speaker 5: Yeah. For me, it was a business, a business. It 191 00:08:46,920 --> 00:08:49,480 Speaker 5: was honestly money. Let me tell you right now. Sure 192 00:08:49,520 --> 00:08:51,720 Speaker 5: I swear to God too. And I remember you getting 193 00:08:51,760 --> 00:08:55,240 Speaker 5: into the game. A We've always kicked it, did many shows, 194 00:08:55,320 --> 00:08:57,400 Speaker 5: many things, hung out. That was when I partied too. 195 00:08:57,480 --> 00:08:59,160 Speaker 5: So I've been a mess in front of you when 196 00:08:59,160 --> 00:09:01,000 Speaker 5: I seen you get into game because you've always kept 197 00:09:01,040 --> 00:09:03,720 Speaker 5: yourself player. You're never you never out of pocket anywhere, right, 198 00:09:03,800 --> 00:09:06,800 Speaker 5: So it's like dude's always on point good, right, is 199 00:09:06,840 --> 00:09:09,200 Speaker 5: getting the porn game. My point is, I thought all 200 00:09:09,240 --> 00:09:11,360 Speaker 5: this going, Oh, that's a straight business movie. He's a 201 00:09:11,440 --> 00:09:14,240 Speaker 5: player with this. This is boss. I love it because 202 00:09:14,240 --> 00:09:16,800 Speaker 5: it goes hand in hand with everything you guys are 203 00:09:16,840 --> 00:09:19,360 Speaker 5: doing you're the freaks of the industry and Jack and. 204 00:09:19,440 --> 00:09:21,599 Speaker 3: To recap what it was is basically, it would be 205 00:09:21,800 --> 00:09:24,719 Speaker 3: a record that you guys had from Digital Underground, and 206 00:09:24,800 --> 00:09:28,439 Speaker 3: then in that record, part of the video would be 207 00:09:28,520 --> 00:09:31,199 Speaker 3: a section of porn that you guys would also produce 208 00:09:31,280 --> 00:09:31,920 Speaker 3: out is right. 209 00:09:32,080 --> 00:09:35,800 Speaker 2: Well, what was also amazing about that series was we 210 00:09:35,920 --> 00:09:39,959 Speaker 2: actually did soundtracks, so the so the DVD eight came 211 00:09:40,040 --> 00:09:42,319 Speaker 2: with a soundtrack, so we did new music for it 212 00:09:42,400 --> 00:09:43,240 Speaker 2: and everything. 213 00:09:43,000 --> 00:09:44,200 Speaker 3: Right, and the music was featured. 214 00:09:44,280 --> 00:09:45,680 Speaker 5: And if you guys never did anything when you did 215 00:09:45,720 --> 00:09:49,160 Speaker 5: the Playboy Mansion soundtrack, I work all. 216 00:09:49,360 --> 00:09:51,240 Speaker 4: I met him a few times out and about just 217 00:09:51,320 --> 00:09:54,079 Speaker 4: slap hands. But you know, I was. I did the 218 00:09:54,120 --> 00:09:55,600 Speaker 4: Playboy Mansion soundtrack, which. 219 00:09:55,400 --> 00:09:57,760 Speaker 2: Is referred to we performed at the Playboy Mansion. 220 00:09:57,880 --> 00:09:58,720 Speaker 4: Yeah, it's a great place. 221 00:09:58,760 --> 00:09:59,200 Speaker 3: It was fun. 222 00:09:59,400 --> 00:09:59,719 Speaker 2: Yeah it was. 223 00:10:02,840 --> 00:10:05,280 Speaker 5: And when you when you think about that crazy life 224 00:10:05,360 --> 00:10:08,280 Speaker 5: and this and that and you're still out banging Digital 225 00:10:08,400 --> 00:10:11,480 Speaker 5: Undergrounds doing it, is it still? Now there's the little 226 00:10:11,480 --> 00:10:13,120 Speaker 5: brother there's a look alike or something? What is this 227 00:10:13,640 --> 00:10:14,120 Speaker 5: I've been hearing? 228 00:10:14,360 --> 00:10:17,240 Speaker 2: We we do perform into our as Digital Underground, but 229 00:10:17,400 --> 00:10:20,400 Speaker 2: the group, the recording group that part of it. It's 230 00:10:20,480 --> 00:10:21,680 Speaker 2: Moneybee and Young Hump. 231 00:10:22,360 --> 00:10:23,560 Speaker 5: Young Hump, yes, is. 232 00:10:23,720 --> 00:10:26,520 Speaker 2: Actually he was actually hand picked by Shot to play 233 00:10:26,600 --> 00:10:28,800 Speaker 2: that character. And when people always come up to me 234 00:10:28,880 --> 00:10:31,800 Speaker 2: and they're like, well, that's not Humpty Hump is a 235 00:10:31,920 --> 00:10:35,319 Speaker 2: character that Shot created, just like Batman or James Bond. 236 00:10:35,800 --> 00:10:40,360 Speaker 2: Sean Connery played James Bond. How many James Bond and 237 00:10:40,400 --> 00:10:43,760 Speaker 2: how many Batman's were there? Humpty Hump is a fictational 238 00:10:43,920 --> 00:10:47,240 Speaker 2: character that Shock created to be played because even coming 239 00:10:47,320 --> 00:10:49,679 Speaker 2: up his brother when we toured. That's how we kept 240 00:10:49,720 --> 00:10:52,240 Speaker 2: the facade of it being two people so long, because 241 00:10:52,280 --> 00:10:55,040 Speaker 2: Shock always had his brother who looked just like him. 242 00:10:55,240 --> 00:10:57,439 Speaker 2: He would play Humpty Hump. On some tours that we did. 243 00:10:58,200 --> 00:11:02,400 Speaker 2: He had Webby who would who could look like shot 244 00:11:02,480 --> 00:11:03,520 Speaker 2: G while he played Humpty. 245 00:11:03,600 --> 00:11:05,480 Speaker 4: Help Well, it was Shocked G the one that put 246 00:11:05,520 --> 00:11:06,880 Speaker 4: the satin on the prim you know. 247 00:11:07,840 --> 00:11:10,400 Speaker 3: Yeah, so you know he talked to himself in third 248 00:11:10,880 --> 00:11:12,920 Speaker 3: language two I mean in you know, in another like 249 00:11:13,080 --> 00:11:13,800 Speaker 3: you would say. 250 00:11:13,600 --> 00:11:16,079 Speaker 4: Well Humpty's doing this and doing that. 251 00:11:16,240 --> 00:11:16,400 Speaker 3: Yeah. 252 00:11:16,440 --> 00:11:20,520 Speaker 2: But you know, Shot Shot pick Young Hump to play 253 00:11:20,600 --> 00:11:23,439 Speaker 2: the part. Because here's the thing. Shock was a musician 254 00:11:23,800 --> 00:11:28,040 Speaker 2: musician first, and he created that baseline for the Humpty Hump, right, 255 00:11:28,120 --> 00:11:30,960 Speaker 2: the humptys. One thing that he told me, he said 256 00:11:31,440 --> 00:11:36,000 Speaker 2: he never got to perform that baseline live on stage 257 00:11:36,040 --> 00:11:40,400 Speaker 2: because he always had to play the character. It was 258 00:11:40,440 --> 00:11:43,439 Speaker 2: easy to find people that looked like Humpty Hump, you know, 259 00:11:43,480 --> 00:11:46,719 Speaker 2: you put the nose on the right height. Yeah, he 260 00:11:46,840 --> 00:11:50,080 Speaker 2: finally found Young Hump is actually an MC a dope 261 00:11:50,200 --> 00:11:54,040 Speaker 2: MC dope performer. He's an actor. He played He played 262 00:11:54,080 --> 00:11:56,000 Speaker 2: Shock in the movie in the All Eyes on Me movie, 263 00:11:56,440 --> 00:11:59,000 Speaker 2: which was crazy because we both auditioned for it and 264 00:11:59,360 --> 00:12:02,360 Speaker 2: the producers the film didn't know we were already performing together. 265 00:12:03,000 --> 00:12:05,160 Speaker 2: We both got the part and we had to do 266 00:12:05,280 --> 00:12:06,360 Speaker 2: the performance on stage. 267 00:12:06,360 --> 00:12:08,319 Speaker 3: It was like, this is our performance. 268 00:12:09,160 --> 00:12:10,199 Speaker 2: It just what we do. 269 00:12:10,920 --> 00:12:13,439 Speaker 5: Yeah, and you guys are doing it now. Does it 270 00:12:13,520 --> 00:12:15,520 Speaker 5: feel just? I mean at first was it weird? Does 271 00:12:15,559 --> 00:12:18,480 Speaker 5: it still hit you sometimes? Like this is a take 272 00:12:18,559 --> 00:12:21,560 Speaker 5: back field moment, especially him looking so young. 273 00:12:22,679 --> 00:12:27,360 Speaker 2: Well, like I tell everyone, we've been We've been performing 274 00:12:27,400 --> 00:12:32,800 Speaker 2: as Money being Young Hump of Digital Underground since twenty fifteen, right, 275 00:12:32,920 --> 00:12:36,640 Speaker 2: so we're seven years in it, you know, and Shock 276 00:12:36,800 --> 00:12:38,440 Speaker 2: wanted us to go out and do it. He had 277 00:12:38,480 --> 00:12:42,679 Speaker 2: took it taken a hiatus and the plan was for 278 00:12:42,840 --> 00:12:45,600 Speaker 2: us to all come back because Digit running ground is deep. 279 00:12:46,000 --> 00:12:47,959 Speaker 2: And you know the one thing I hate not hate. 280 00:12:48,360 --> 00:12:51,839 Speaker 2: People always go like, didn't Tupac used to be in 281 00:12:51,920 --> 00:12:53,959 Speaker 2: your group or Sofia used to be in your group, 282 00:12:54,120 --> 00:12:57,760 Speaker 2: or Mystic used to be We never kicked anybody out, Yeah, everybody. 283 00:12:57,880 --> 00:13:00,800 Speaker 2: The plan was or Refusion, which was myself, the DJ fuse. 284 00:13:01,400 --> 00:13:03,920 Speaker 2: The plan was to come in well Digital around was 285 00:13:04,640 --> 00:13:08,760 Speaker 2: a huge production team, and Shop would say, come help 286 00:13:08,840 --> 00:13:10,640 Speaker 2: us do this, and I'll do everything that I can 287 00:13:10,760 --> 00:13:11,320 Speaker 2: to make sure that. 288 00:13:11,440 --> 00:13:15,240 Speaker 3: Your solo career ghost ghost too. 289 00:13:15,559 --> 00:13:15,760 Speaker 4: Yeah. 290 00:13:16,080 --> 00:13:20,560 Speaker 2: So anybody that was in Digital already had you couldn't 291 00:13:20,559 --> 00:13:22,599 Speaker 2: be in our group unless you had aspirations to do 292 00:13:22,800 --> 00:13:26,199 Speaker 2: your things. And we never kicked anything. 293 00:13:26,080 --> 00:13:28,240 Speaker 3: Now Offspring, it's kind of like it's kind of like 294 00:13:28,320 --> 00:13:30,600 Speaker 3: an incubator. Really come in, you start getting your name, 295 00:13:30,640 --> 00:13:32,079 Speaker 3: a little knowing, and then boom. 296 00:13:31,960 --> 00:13:34,560 Speaker 2: Would be a tell people we were wu tanged before 297 00:13:34,600 --> 00:13:39,559 Speaker 2: we right. Yeah, And I'm saying this to say that 298 00:13:39,920 --> 00:13:44,160 Speaker 2: Shop had this vision of you guys, go out young 299 00:13:44,240 --> 00:13:46,959 Speaker 2: hump you mastered this position, and then we're going to 300 00:13:47,040 --> 00:13:50,040 Speaker 2: do a huge reunion for we bring everybody back because 301 00:13:50,360 --> 00:13:52,160 Speaker 2: they're all still part of the one again. 302 00:13:52,679 --> 00:13:54,079 Speaker 3: You know. When we come back, I want to ask 303 00:13:54,160 --> 00:13:56,960 Speaker 3: you personally about when you started getting into the industry 304 00:13:57,360 --> 00:13:59,880 Speaker 3: and a little bit about your background on the music industry. 305 00:14:00,000 --> 00:14:01,000 Speaker 4: Cannabis Talk one on one. 306 00:14:00,920 --> 00:14:02,000 Speaker 3: We'll be right back at today. 307 00:14:02,040 --> 00:14:06,199 Speaker 1: Hey, we'll be right back with Cannabis Talk one O one. 308 00:14:17,520 --> 00:14:19,840 Speaker 1: Welcome back to Cannabis Talk one O one. 309 00:14:20,120 --> 00:14:22,040 Speaker 5: If you're looking for a trusted cannabis seed at a 310 00:14:22,120 --> 00:14:24,000 Speaker 5: fair price, folks, you need to head to Rocket seeds 311 00:14:24,040 --> 00:14:27,680 Speaker 5: dot com or on Instagram at Rocket Underscore Seeds money Bee. 312 00:14:28,320 --> 00:14:30,320 Speaker 5: It's so cool to have you just hitting here talking 313 00:14:30,440 --> 00:14:31,920 Speaker 5: like this with you, to think of the history that 314 00:14:31,960 --> 00:14:33,880 Speaker 5: we'd rather and never like sat and talked like this 315 00:14:34,120 --> 00:14:36,000 Speaker 5: us she as we're older and grown now because we 316 00:14:36,040 --> 00:14:38,120 Speaker 5: were young and fucking crazy and still. 317 00:14:39,840 --> 00:14:41,080 Speaker 2: As we exactly I. 318 00:14:41,080 --> 00:14:43,960 Speaker 5: Mean as as Blue mentions you got ten more years. 319 00:14:44,400 --> 00:14:47,840 Speaker 5: Tell your story of where you're from and your music 320 00:14:47,960 --> 00:14:50,960 Speaker 5: career and how it starts, because I'm thinking it's from Oakland, 321 00:14:51,000 --> 00:14:53,400 Speaker 5: but I don't even know for sure. Actually I'm so curious. 322 00:14:54,120 --> 00:14:56,400 Speaker 2: Well it is, that's where it got it got started, 323 00:14:56,920 --> 00:15:00,280 Speaker 2: per se. But you know, a lot of people don't 324 00:15:00,320 --> 00:15:02,440 Speaker 2: know that I'm actually from Philadelphia. 325 00:15:02,560 --> 00:15:08,560 Speaker 5: That's that's family and I throw batteries. 326 00:15:10,280 --> 00:15:11,840 Speaker 2: You want to hear that story, I'll tell you that 327 00:15:13,560 --> 00:15:16,880 Speaker 2: right to it. But but here's why this is important. 328 00:15:17,280 --> 00:15:20,480 Speaker 2: You know, I grew up my father moved to Oakland 329 00:15:21,320 --> 00:15:23,280 Speaker 2: when I was like three. He was a member, he 330 00:15:23,360 --> 00:15:25,600 Speaker 2: was a member of the Black and I actually went 331 00:15:25,680 --> 00:15:30,920 Speaker 2: to the school, the Oakland Community School, which was you know, 332 00:15:31,000 --> 00:15:34,400 Speaker 2: the Black party school. So here we pon actually gave 333 00:15:34,480 --> 00:15:37,200 Speaker 2: me my problem of when I when I graduated from 334 00:15:37,240 --> 00:15:37,600 Speaker 2: the school. 335 00:15:37,840 --> 00:15:42,720 Speaker 4: No, uh yeah, Hampton, Fred Hampton and Fred Hampton Junior. 336 00:15:46,040 --> 00:15:49,240 Speaker 2: So you know that's where random, that's where I came up, right. 337 00:15:49,320 --> 00:15:52,400 Speaker 5: But you're part of the movement movement all your life. 338 00:15:52,920 --> 00:15:54,640 Speaker 5: And the same thing with my dad was like I 339 00:15:54,720 --> 00:15:58,640 Speaker 5: used to be in I'm still in the brother my neighbors, 340 00:15:58,680 --> 00:15:59,560 Speaker 5: mister Kirmy was there. 341 00:15:59,560 --> 00:16:02,160 Speaker 2: It was my dad is that guy? Shout out to 342 00:16:02,240 --> 00:16:06,400 Speaker 2: Bobby anyway. So what my parents would always send me 343 00:16:07,400 --> 00:16:10,160 Speaker 2: back home to Philly every summer. So when I would 344 00:16:10,200 --> 00:16:13,120 Speaker 2: go as I got older, my older cousins would take 345 00:16:13,160 --> 00:16:16,200 Speaker 2: me to these block parties and I would see DJ's 346 00:16:16,720 --> 00:16:19,760 Speaker 2: in the park and get this full hip hop experience. 347 00:16:20,240 --> 00:16:22,760 Speaker 2: And then you know, right around I guess was it 348 00:16:22,840 --> 00:16:24,960 Speaker 2: seventy nine when sugar Hill Gang came out. 349 00:16:25,080 --> 00:16:28,360 Speaker 5: I said that hip himIt to the hibbit the hip hobby, 350 00:16:28,560 --> 00:16:31,040 Speaker 5: don't stop the rocker, to the bank bank book, jump 351 00:16:31,080 --> 00:16:32,680 Speaker 5: the book, each of the rhythm, the book and B 352 00:16:33,800 --> 00:16:34,040 Speaker 5: and so. 353 00:16:34,160 --> 00:16:36,040 Speaker 2: You know, you'll hear a lot of cats out of 354 00:16:36,280 --> 00:16:38,560 Speaker 2: New York where the birthplace say that that's not where 355 00:16:38,600 --> 00:16:40,200 Speaker 2: it started. But for a lot of us, that's the 356 00:16:40,240 --> 00:16:40,640 Speaker 2: first time. 357 00:16:40,680 --> 00:16:42,840 Speaker 5: Now. I mean, that's what I feel like to here. Unfortunately, 358 00:16:42,960 --> 00:16:46,400 Speaker 5: fortunately I feel like Keavy care from from Stanford Radio 359 00:16:46,480 --> 00:16:48,080 Speaker 5: brought that ship today. I was like, what is that? 360 00:16:48,360 --> 00:16:50,000 Speaker 2: So I'm not I'm not gonna shine away from that. 361 00:16:50,080 --> 00:16:52,480 Speaker 2: I heard that and I was captivating. 362 00:16:52,680 --> 00:16:54,320 Speaker 5: That's so funny that that's the first song too that 363 00:16:54,400 --> 00:16:56,160 Speaker 5: I used to use a hip hop. I was six 364 00:16:56,280 --> 00:16:57,040 Speaker 5: years old when I say that. 365 00:16:57,440 --> 00:16:59,480 Speaker 2: After that, when I would go back to Philly in 366 00:16:59,520 --> 00:17:01,880 Speaker 2: the summer time, and then I learned Spoony G. Treacher's 367 00:17:01,880 --> 00:17:06,119 Speaker 2: three Crash Crew Feels four, just all of it. 368 00:17:06,280 --> 00:17:06,679 Speaker 3: I was just. 369 00:17:08,240 --> 00:17:12,800 Speaker 2: Absorbing, absorbing it, absorbing it, and you know, and as 370 00:17:12,840 --> 00:17:16,760 Speaker 2: I got into it, I always thought that you had 371 00:17:16,840 --> 00:17:19,200 Speaker 2: to be from the East Coast to put a record 372 00:17:19,280 --> 00:17:25,119 Speaker 2: out right, and it wasn't until nineteen eighty six. I 373 00:17:25,240 --> 00:17:27,080 Speaker 2: seen the twelve inch you said too short on it 374 00:17:27,640 --> 00:17:29,640 Speaker 2: and it was girl on one side and I think 375 00:17:29,680 --> 00:17:32,680 Speaker 2: it was short wrap on the other side, and I 376 00:17:32,840 --> 00:17:36,000 Speaker 2: was like, ah, you feel me, And that's when I 377 00:17:36,080 --> 00:17:36,399 Speaker 2: felt it. 378 00:17:36,560 --> 00:17:37,080 Speaker 3: We can do it. 379 00:17:37,400 --> 00:17:39,159 Speaker 2: And I always tell short when I see him, you know, 380 00:17:39,760 --> 00:17:43,480 Speaker 2: like it was too short. That sort of let me 381 00:17:43,600 --> 00:17:44,840 Speaker 2: know that I could. 382 00:17:44,720 --> 00:17:45,120 Speaker 3: Do it too. 383 00:17:45,560 --> 00:17:48,000 Speaker 5: Sprinkled you with the Wow, this is what I see. 384 00:17:48,080 --> 00:17:49,960 Speaker 2: I got a real product and somebody that you know, 385 00:17:50,040 --> 00:17:51,760 Speaker 2: I'd be riding the bus and I see him stand 386 00:17:51,800 --> 00:17:54,119 Speaker 2: in front of the mall too short that on Ye, 387 00:17:54,359 --> 00:17:55,359 Speaker 2: his teeth was fucked up. 388 00:17:56,640 --> 00:17:56,800 Speaker 3: Hey. 389 00:17:56,840 --> 00:17:58,440 Speaker 5: I bought a tape off him at the Barrier and 390 00:17:58,520 --> 00:17:59,520 Speaker 5: Flea market back in the day. 391 00:17:59,520 --> 00:18:00,640 Speaker 2: This is before where's new teeth? 392 00:18:00,720 --> 00:18:00,800 Speaker 3: Uh? 393 00:18:01,400 --> 00:18:04,800 Speaker 2: Yeah, yeah, you know, cut you up. 394 00:18:05,040 --> 00:18:06,560 Speaker 5: I remember seeing I told him we had him on 395 00:18:06,600 --> 00:18:07,840 Speaker 5: here and I told him, I remember seeing I'm on 396 00:18:07,920 --> 00:18:11,080 Speaker 5: Rap City. Remember that Bay Area show that uh devanted 397 00:18:11,160 --> 00:18:13,280 Speaker 5: that young lady used to do. Uh she used to 398 00:18:13,320 --> 00:18:15,560 Speaker 5: do a hip hop Saturday morning show. And I was like, dude, 399 00:18:15,560 --> 00:18:17,399 Speaker 5: I remember seeing one of your first interviews that you 400 00:18:17,560 --> 00:18:20,399 Speaker 5: ever did just young and silly like that. 401 00:18:20,600 --> 00:18:25,200 Speaker 2: Back then you could use to see for recycling, chop 402 00:18:25,280 --> 00:18:27,200 Speaker 2: them up, make sure you tell them. 403 00:18:29,840 --> 00:18:32,359 Speaker 5: Our like put that as a clip, that is the 404 00:18:32,440 --> 00:18:33,439 Speaker 5: clip go down. 405 00:18:34,640 --> 00:18:37,000 Speaker 2: But anyway, no, but for real though, like when I 406 00:18:38,280 --> 00:18:40,679 Speaker 2: saw that and experienced that, you know, because we've been 407 00:18:40,720 --> 00:18:43,440 Speaker 2: listening to two short tapes since like eighty to eighty three. 408 00:18:43,600 --> 00:18:45,840 Speaker 4: Oh yeah, so I grew up on that. 409 00:18:45,920 --> 00:18:47,920 Speaker 2: But then when he actually put a record out. I 410 00:18:48,040 --> 00:18:50,960 Speaker 2: remember that record came out in eighty six. That was 411 00:18:51,000 --> 00:18:52,439 Speaker 2: the same year as Run DMC. 412 00:18:53,000 --> 00:18:55,080 Speaker 5: Well yeah, you know what I mean. It was Raising 413 00:18:55,119 --> 00:18:57,040 Speaker 5: Hell put out that whole that album. 414 00:18:57,119 --> 00:18:59,919 Speaker 2: Yeah so did That's how long ago that an MTV. 415 00:19:00,040 --> 00:19:02,200 Speaker 5: He was just popping and they started popping with that 416 00:19:02,320 --> 00:19:04,760 Speaker 5: ship and the Beasties come after that too, but Run 417 00:19:04,920 --> 00:19:06,959 Speaker 5: was off. So that album was epic to that Run 418 00:19:07,040 --> 00:19:09,040 Speaker 5: DMC album. Still till this day, if I hear that ship, 419 00:19:09,080 --> 00:19:09,440 Speaker 5: I lose it. 420 00:19:09,560 --> 00:19:11,200 Speaker 2: That put the battery in my back. And you know, 421 00:19:11,440 --> 00:19:13,600 Speaker 2: and me and you know, my guy mac mahon, we 422 00:19:13,640 --> 00:19:16,359 Speaker 2: would make tapes locally, you know. 423 00:19:16,400 --> 00:19:17,280 Speaker 5: And the reason that that. 424 00:19:17,359 --> 00:19:20,959 Speaker 2: Actually started putting raps on tape is because I used 425 00:19:21,000 --> 00:19:23,399 Speaker 2: to go to Berkeley high, right, and it was this 426 00:19:23,560 --> 00:19:25,960 Speaker 2: dude you could say he was a bully, used to 427 00:19:25,960 --> 00:19:28,760 Speaker 2: talk shit about everybody and cap on you right right right, 428 00:19:28,960 --> 00:19:32,840 Speaker 2: and he was talking shit about me, right, But I 429 00:19:32,960 --> 00:19:35,800 Speaker 2: was you know, I was probably this tall right in 430 00:19:35,880 --> 00:19:38,560 Speaker 2: eleventh grade, right right right. Yeah, So I couldn't do ship. 431 00:19:38,640 --> 00:19:39,879 Speaker 2: So the only thing I could do I went and 432 00:19:39,960 --> 00:19:41,800 Speaker 2: made a rap about him, and I bought it to 433 00:19:41,840 --> 00:19:45,119 Speaker 2: school and then Ship started circulating and he was like, 434 00:19:45,160 --> 00:19:47,800 Speaker 2: when you're gonna make another another tape? And I was like, oh, Ship, 435 00:19:47,920 --> 00:19:48,320 Speaker 2: they like it. 436 00:19:48,480 --> 00:19:50,200 Speaker 3: Yeah, so you started disrapping. 437 00:19:50,680 --> 00:19:52,359 Speaker 5: Okay, I'm clowning you, motherfucker. 438 00:19:52,560 --> 00:19:54,800 Speaker 2: Right, But then I had to like duck and hide 439 00:19:54,800 --> 00:19:59,400 Speaker 2: at school, like looking for me, that's the word. 440 00:20:00,119 --> 00:20:03,560 Speaker 5: Had the trashy like can you make me another district royalty? 441 00:20:04,160 --> 00:20:04,720 Speaker 2: Exactly? 442 00:20:06,240 --> 00:20:08,680 Speaker 5: He got funny on some bully. Ship gets you to 443 00:20:08,800 --> 00:20:09,440 Speaker 5: the rap game. 444 00:20:09,640 --> 00:20:13,840 Speaker 2: So after that, you know, hooked up with Fuse. I'm 445 00:20:13,880 --> 00:20:14,480 Speaker 2: truncating it. 446 00:20:14,560 --> 00:20:16,439 Speaker 3: So, yeah, hooked up with Fuse. 447 00:20:16,880 --> 00:20:21,359 Speaker 2: We started performing locally talent shows and you know, shout 448 00:20:21,359 --> 00:20:23,399 Speaker 2: out to there was a group that we used dow 449 00:20:23,440 --> 00:20:26,040 Speaker 2: talent shows called the Dynamic Force, which we all know 450 00:20:26,200 --> 00:20:27,920 Speaker 2: is swaying tag Tech. 451 00:20:28,040 --> 00:20:29,760 Speaker 5: Yeah, swayn King Tech, King Tech. 452 00:20:29,880 --> 00:20:35,040 Speaker 2: They was. There was Rocking Cloud and Melo Mar and 453 00:20:35,119 --> 00:20:37,159 Speaker 2: all of these cats that we were just on the circuit. 454 00:20:37,240 --> 00:20:41,040 Speaker 2: And then nineteen eighty eight we do a show in 455 00:20:41,119 --> 00:20:43,320 Speaker 2: this group called Digital Underground that got the song called 456 00:20:43,400 --> 00:20:47,160 Speaker 2: Underwater Rams. They're rocket, right, But they needed a DJ. 457 00:20:48,280 --> 00:20:51,800 Speaker 2: So when chat Master J he knew somebody that knew 458 00:20:51,840 --> 00:20:54,560 Speaker 2: DJ Fuse, hooked up a meeting and they wanted Fuse 459 00:20:54,600 --> 00:20:58,280 Speaker 2: to be a DJ. And basically Fuse was like, well, 460 00:20:58,400 --> 00:21:01,119 Speaker 2: we're a group, so I'll DJ for you guys, but 461 00:21:01,240 --> 00:21:03,760 Speaker 2: money Bee is my guy, has to be part of it. 462 00:21:04,520 --> 00:21:06,119 Speaker 2: And that's where it started. 463 00:21:07,480 --> 00:21:10,160 Speaker 5: Fucking nuts. I had no idea of this elaborate story 464 00:21:10,280 --> 00:21:10,440 Speaker 5: like that. 465 00:21:10,800 --> 00:21:14,199 Speaker 2: You know, back then, you know Shot is originally from 466 00:21:14,240 --> 00:21:19,080 Speaker 2: the East Coast, you know, Tampa by way of right, 467 00:21:19,400 --> 00:21:24,840 Speaker 2: so he really wasn't fond of West Coast sounding rappers, right. 468 00:21:25,200 --> 00:21:27,159 Speaker 2: But you know, I had a conversation, so I always 469 00:21:27,240 --> 00:21:28,920 Speaker 2: just say Shot, he didn't like me, he didn't want me, 470 00:21:29,000 --> 00:21:31,159 Speaker 2: but he was just saying that he wasn't fond of 471 00:21:31,240 --> 00:21:34,840 Speaker 2: that style. But if he didn't like me, he wouldn't 472 00:21:34,840 --> 00:21:36,760 Speaker 2: have let me in the group just because of a DJ. 473 00:21:37,000 --> 00:21:37,679 Speaker 3: Yeah, period. 474 00:21:37,800 --> 00:21:39,760 Speaker 5: Yeah, so yeah, if he didn't have the like, yeah, 475 00:21:40,119 --> 00:21:41,840 Speaker 5: I'll get another DJ. Ya if he thought I was wack, 476 00:21:41,920 --> 00:21:42,720 Speaker 5: I'll get another DJ. 477 00:21:42,960 --> 00:21:43,560 Speaker 3: Period of the DJ. 478 00:21:43,720 --> 00:21:44,399 Speaker 5: But he was like all right. 479 00:21:44,480 --> 00:21:47,639 Speaker 2: And then from eighty eight that's when it started. 480 00:21:47,920 --> 00:21:51,879 Speaker 4: Wow, what was your first record that you feel like? 481 00:21:52,040 --> 00:21:52,200 Speaker 2: You know? 482 00:21:52,760 --> 00:21:58,399 Speaker 3: There was the like before the Humpty song, right, I 483 00:21:58,440 --> 00:22:00,960 Speaker 3: mean obviously that song right hit so fucking hard that 484 00:22:01,080 --> 00:22:05,200 Speaker 3: everybody knew Digital Underground overnight. But prior to that, what 485 00:22:05,359 --> 00:22:06,920 Speaker 3: was the big record that was on the streets that 486 00:22:06,960 --> 00:22:09,159 Speaker 3: you guys were bumping that maybe like was on the 487 00:22:09,240 --> 00:22:11,040 Speaker 3: b side that people really didn't know about, you know 488 00:22:11,040 --> 00:22:11,360 Speaker 3: what I mean? 489 00:22:11,400 --> 00:22:14,440 Speaker 2: That was? Yeah, Well, the first record that I recorded 490 00:22:14,800 --> 00:22:17,119 Speaker 2: with do You was do what you Like? 491 00:22:17,440 --> 00:22:18,240 Speaker 4: Do what you Like? 492 00:22:19,160 --> 00:22:21,119 Speaker 5: That made it in the movie, didn't It wasn't that 493 00:22:21,160 --> 00:22:23,440 Speaker 5: in the movie? Yeah, you guys made some movie ones 494 00:22:24,760 --> 00:22:28,280 Speaker 5: in the graveyard. Yeah, y'all made some anthem Halloween Show. 495 00:22:29,400 --> 00:22:35,440 Speaker 5: It was the same song, the same I love it. 496 00:22:35,680 --> 00:22:40,320 Speaker 2: That song was number one in Europe when it came out, 497 00:22:40,760 --> 00:22:43,639 Speaker 2: So we actually toured Europe for like two months before 498 00:22:43,680 --> 00:22:45,879 Speaker 2: anybody even in the US even heard of heard of 499 00:22:46,400 --> 00:22:47,080 Speaker 2: you know, Do what you Like? 500 00:22:47,240 --> 00:22:47,600 Speaker 5: Did well? 501 00:22:47,680 --> 00:22:51,440 Speaker 2: In La and a few spots. But we got to 502 00:22:51,600 --> 00:22:53,720 Speaker 2: Europe and that ship was huge. 503 00:22:54,240 --> 00:22:59,280 Speaker 3: Right, we're great, funny, but it's like, how did it 504 00:22:59,400 --> 00:23:00,879 Speaker 3: hit Europe before it hit you know? 505 00:23:01,680 --> 00:23:03,399 Speaker 4: No, I know, but it's just like, you know, we 506 00:23:03,480 --> 00:23:04,520 Speaker 4: didn't have the internet like that. 507 00:23:05,480 --> 00:23:08,159 Speaker 5: You threw an album over there, actually, and this is 508 00:23:08,200 --> 00:23:10,520 Speaker 5: what really happens. And then they produced that album over there. 509 00:23:10,560 --> 00:23:13,040 Speaker 5: They literally took that album or actually, better yet, they 510 00:23:13,119 --> 00:23:15,719 Speaker 5: literally took the plates to get them over there. They 511 00:23:15,760 --> 00:23:17,280 Speaker 5: probably had to take the fucking plates. 512 00:23:17,480 --> 00:23:17,600 Speaker 3: Well. 513 00:23:17,640 --> 00:23:20,439 Speaker 2: No, we had a distributor, d CM Records was our 514 00:23:20,520 --> 00:23:25,679 Speaker 2: distributor Europe Germany, And like I said, we were huge. 515 00:23:26,200 --> 00:23:27,800 Speaker 2: We didn't even know we got there, didn't know how 516 00:23:27,840 --> 00:23:30,480 Speaker 2: big we were. But we toured Europe for two months 517 00:23:31,240 --> 00:23:34,280 Speaker 2: and we were fucking superstars. Wow. We come back home. 518 00:23:34,400 --> 00:23:36,560 Speaker 2: I go to my job. I had a job. Yeah. 519 00:23:37,160 --> 00:23:38,640 Speaker 2: I told my boss. I was like, bro, I gotta 520 00:23:38,640 --> 00:23:39,960 Speaker 2: go to Europe a little bit. It's cool if I 521 00:23:40,040 --> 00:23:40,800 Speaker 2: get my job back. 522 00:23:41,080 --> 00:23:41,280 Speaker 3: Yeah. 523 00:23:41,440 --> 00:23:43,400 Speaker 2: I came back and just went right back to work 524 00:23:43,520 --> 00:23:46,040 Speaker 2: because I'm like, oh, yeah, that was Europe. We come back. 525 00:23:46,480 --> 00:23:50,320 Speaker 2: I'm sitting at work and we had a cassette at 526 00:23:50,400 --> 00:23:52,720 Speaker 2: work where I used to where you could play, you know, 527 00:23:52,960 --> 00:23:57,040 Speaker 2: play yeah, and you know, we used to play all 528 00:23:57,040 --> 00:24:00,240 Speaker 2: our demo tapes and let the people hear us. And 529 00:24:00,359 --> 00:24:03,800 Speaker 2: one day I'm sitting at work and then my guy goes, hey, Ron, 530 00:24:04,680 --> 00:24:06,359 Speaker 2: isn't that your song on the radio? It was the 531 00:24:06,400 --> 00:24:09,440 Speaker 2: Humpty Dance, right, because I'm just thinking somebody's playing my tape. 532 00:24:10,000 --> 00:24:12,080 Speaker 2: And then I was like, oh, ship yeah, hell yeah. 533 00:24:12,640 --> 00:24:17,520 Speaker 5: After that it was I quit. I didn't quit. 534 00:24:17,640 --> 00:24:21,000 Speaker 2: But while we were we were set to go on 535 00:24:21,160 --> 00:24:23,240 Speaker 2: our first US tour, which is the first tour that 536 00:24:23,320 --> 00:24:25,960 Speaker 2: Tupac came with us. I asked my boss again. I 537 00:24:26,080 --> 00:24:26,879 Speaker 2: was like, hey, bro, I gotta go. 538 00:24:27,880 --> 00:24:28,639 Speaker 5: Where were you working at? 539 00:24:29,040 --> 00:24:32,080 Speaker 2: It was a company called Solo Graphics. They did educational toys. 540 00:24:32,480 --> 00:24:35,480 Speaker 2: Was a warehouse. I was in there packing them and. 541 00:24:39,880 --> 00:24:40,280 Speaker 5: Where is that. 542 00:24:42,080 --> 00:24:42,280 Speaker 3: Down? 543 00:24:42,640 --> 00:24:42,880 Speaker 2: Down? 544 00:24:43,600 --> 00:24:44,360 Speaker 3: When did you quit? 545 00:24:44,400 --> 00:24:44,879 Speaker 4: When was it? 546 00:24:45,000 --> 00:24:49,399 Speaker 3: Like, y'all know, he owns a company now the company. 547 00:24:51,240 --> 00:24:51,880 Speaker 5: I never quit. 548 00:24:52,720 --> 00:24:54,640 Speaker 2: I left for the tour, and then when we got back, 549 00:24:54,840 --> 00:24:55,920 Speaker 2: we had to go on another tour. 550 00:24:56,000 --> 00:24:56,879 Speaker 3: And then so what I did? 551 00:24:56,960 --> 00:25:00,440 Speaker 2: I just asked my boss if my younger bro could 552 00:25:00,440 --> 00:25:03,320 Speaker 2: work there and my friend back home. I got them jobs. 553 00:25:03,640 --> 00:25:05,440 Speaker 2: Oh great, sort of replace me so that kind of 554 00:25:05,480 --> 00:25:05,800 Speaker 2: worked out. 555 00:25:05,960 --> 00:25:07,520 Speaker 5: Still, if you're any go back, I might go back 556 00:25:07,560 --> 00:25:10,480 Speaker 5: with it. I might go back and working there and 557 00:25:10,520 --> 00:25:13,560 Speaker 5: it's still working there. That is so fucking cool dog 558 00:25:13,680 --> 00:25:15,560 Speaker 5: to think of all those random things that you've done 559 00:25:15,640 --> 00:25:17,920 Speaker 5: like that, and then we just have a passion of 560 00:25:18,040 --> 00:25:20,720 Speaker 5: somebody that's great that just passed away in hip hop. 561 00:25:20,880 --> 00:25:22,800 Speaker 5: And when we think about this and look at that, 562 00:25:23,760 --> 00:25:27,640 Speaker 5: I go, Coolio, it's the same era of yourself. I'm 563 00:25:27,640 --> 00:25:29,520 Speaker 5: sure you've done many tours with them, You've been on 564 00:25:29,640 --> 00:25:33,000 Speaker 5: stages with them. I feel like we've done something back 565 00:25:33,040 --> 00:25:35,720 Speaker 5: to back at the Sound Factory together with you and 566 00:25:35,920 --> 00:25:38,359 Speaker 5: him back in those days as well, because we did 567 00:25:38,440 --> 00:25:41,240 Speaker 5: so many shows like that. So how did you and 568 00:25:41,520 --> 00:25:44,159 Speaker 5: your relationship with Coolio starts, because I'm sure you have 569 00:25:44,520 --> 00:25:46,159 Speaker 5: a story right as we cut it off earlier and 570 00:25:46,160 --> 00:25:47,199 Speaker 5: we didn't talk about it at all. 571 00:25:47,480 --> 00:25:51,440 Speaker 2: Yeah, me and Coolio's relationship goes back to in the 572 00:25:51,480 --> 00:25:52,080 Speaker 2: Mad Circle. 573 00:25:52,480 --> 00:25:55,400 Speaker 3: Yeah, I remember that, of course, Hi man. 574 00:25:55,600 --> 00:25:59,400 Speaker 2: So we developed that friendship circle way early and even 575 00:25:59,480 --> 00:26:01,560 Speaker 2: so and so when we did Sex in the Studio, 576 00:26:02,000 --> 00:26:04,000 Speaker 2: Coolio was actually one of the artists that came and 577 00:26:04,040 --> 00:26:06,359 Speaker 2: did an interview and he did a great interview. But 578 00:26:06,480 --> 00:26:09,720 Speaker 2: we we toured a lot, and Coolio had the most 579 00:26:09,760 --> 00:26:13,080 Speaker 2: amazing stories because he just he's done everything, and he's 580 00:26:13,119 --> 00:26:14,800 Speaker 2: been everywhere, you know what, I be on. 581 00:26:14,840 --> 00:26:16,600 Speaker 3: Some big tours and some major people. 582 00:26:16,680 --> 00:26:18,480 Speaker 5: And when he won that Grammy too, it just took 583 00:26:18,560 --> 00:26:19,800 Speaker 5: him to that next level. 584 00:26:19,880 --> 00:26:22,159 Speaker 6: And he's got the playing movie though he had a 585 00:26:22,200 --> 00:26:24,120 Speaker 6: couple of more, but that songs playing with this white 586 00:26:24,160 --> 00:26:25,920 Speaker 6: girl as the face of that song, though, dog, it 587 00:26:26,040 --> 00:26:28,200 Speaker 6: just took that hip hop and the ghettos and you know, 588 00:26:28,280 --> 00:26:30,280 Speaker 6: the main actress of that movie is a white and 589 00:26:30,320 --> 00:26:31,480 Speaker 6: it's just it's powerful. 590 00:26:31,600 --> 00:26:34,560 Speaker 4: Yeah, Dangerous minds, Dangerous mind. 591 00:26:34,440 --> 00:26:37,280 Speaker 5: That's a movie. Thank you, Dangerous Mindsous Paradise. 592 00:26:37,440 --> 00:26:39,120 Speaker 2: He was the type of person that if he called 593 00:26:39,160 --> 00:26:41,320 Speaker 2: him and asked for something, he tried to figure out 594 00:26:41,359 --> 00:26:44,040 Speaker 2: a way to do it for you. Who was that guy? 595 00:26:44,600 --> 00:26:46,720 Speaker 4: You know what's crazy is is like you know, I shared, 596 00:26:47,160 --> 00:26:48,959 Speaker 4: you know, several several moments with them. 597 00:26:49,000 --> 00:26:50,240 Speaker 3: You know. In fact, my. 598 00:26:51,880 --> 00:26:55,760 Speaker 4: My mom, you know, at that time, was the manager or. 599 00:26:55,840 --> 00:26:59,440 Speaker 3: The operations manager for Giovanni Wheels and they were doing 600 00:26:59,480 --> 00:27:02,760 Speaker 3: a big thing dub magazine and they ended up giving uh, 601 00:27:03,000 --> 00:27:06,119 Speaker 3: Coolio Shack and Mini Me wheels, you know, and at 602 00:27:06,160 --> 00:27:07,639 Speaker 3: the time, I was rapping, so I'm like, you know, 603 00:27:07,800 --> 00:27:09,919 Speaker 3: I want to meet Coolio and and you know. 604 00:27:10,600 --> 00:27:13,760 Speaker 4: Shack yeah all day yeah yeah yeah, yeah, yeah, yeah yeah. 605 00:27:14,680 --> 00:27:22,040 Speaker 4: We were hooking all that. Yeah yeah, so we were. 606 00:27:22,600 --> 00:27:24,199 Speaker 3: My mom was the one that was putting them all 607 00:27:24,240 --> 00:27:27,200 Speaker 3: on everybody's you know, cars and stuff like that, and 608 00:27:27,359 --> 00:27:31,080 Speaker 3: and and sponsoring different artists, like my mom's company was 609 00:27:31,200 --> 00:27:33,840 Speaker 3: pretty much the pioneers of really making that pop. 610 00:27:33,960 --> 00:27:35,560 Speaker 5: And so I would Agreelio. 611 00:27:35,640 --> 00:27:39,240 Speaker 3: Yeah, Coolio was one of the uh the the the 612 00:27:39,359 --> 00:27:41,159 Speaker 3: cats that ended up with wheels. So I ended up 613 00:27:41,160 --> 00:27:43,520 Speaker 3: meeting Coolio at the spot and then we hung out 614 00:27:43,560 --> 00:27:44,959 Speaker 3: that whole day. Of course, he gave me a lot 615 00:27:44,960 --> 00:27:46,600 Speaker 3: of love. My mom just hooked them up with fucking 616 00:27:46,640 --> 00:27:48,399 Speaker 3: like four sets of wheels for you know, two of 617 00:27:48,440 --> 00:27:53,000 Speaker 3: his cars and two whoever's were there. But so that yeah, 618 00:27:53,080 --> 00:27:55,439 Speaker 3: So then so then you know, uh, I went over 619 00:27:55,520 --> 00:27:58,080 Speaker 3: to Chain was having ah, you know, an event. I 620 00:27:58,160 --> 00:28:00,960 Speaker 3: think it was uh uh you know, rock the bells 621 00:28:01,040 --> 00:28:02,280 Speaker 3: or something, you know what I mean. And and and 622 00:28:02,400 --> 00:28:04,000 Speaker 3: I'm walking and ship and then all of a sudden, 623 00:28:04,040 --> 00:28:06,240 Speaker 3: I hear blue and I look at it's Coolio and 624 00:28:06,320 --> 00:28:08,399 Speaker 3: I wasn't even backstage really, I was still kind of 625 00:28:08,520 --> 00:28:10,200 Speaker 3: just on the outside. I had a little camera guy 626 00:28:10,240 --> 00:28:12,720 Speaker 3: with me and I was doing some interviews. But we 627 00:28:12,840 --> 00:28:14,600 Speaker 3: ended up, you know, he coming, what are you doing 628 00:28:14,640 --> 00:28:14,919 Speaker 3: over there? 629 00:28:15,000 --> 00:28:15,240 Speaker 5: Come on? 630 00:28:15,520 --> 00:28:17,399 Speaker 4: Takes me backstage with him, you know, we're hanging out. 631 00:28:17,840 --> 00:28:20,000 Speaker 3: And then and then after that, him and I started, 632 00:28:20,040 --> 00:28:22,040 Speaker 3: you know, just randomly talking like you said, we jump 633 00:28:22,080 --> 00:28:23,800 Speaker 3: on you know, phone calls where we'd show up in 634 00:28:23,840 --> 00:28:25,000 Speaker 3: little places and bullshit. 635 00:28:25,480 --> 00:28:26,919 Speaker 4: Just a great dude, man, and it's. 636 00:28:26,840 --> 00:28:30,639 Speaker 3: It's it's for for hip hop and rap and and 637 00:28:30,920 --> 00:28:33,120 Speaker 3: our culture of the music industry. 638 00:28:33,320 --> 00:28:35,920 Speaker 4: Uh, we lost a real one, you know, I mean sincerely. 639 00:28:36,359 --> 00:28:38,560 Speaker 5: Well, hearing both of your personal stories, I don't I 640 00:28:38,600 --> 00:28:40,720 Speaker 5: don't have a personal for him. So that's a great, great. 641 00:28:40,480 --> 00:28:44,960 Speaker 2: Story about Coolio. Right. So when Fuse and I we 642 00:28:45,080 --> 00:28:48,600 Speaker 2: got our deals with Hollywood Records Hollywood Basics with a 643 00:28:48,720 --> 00:28:52,360 Speaker 2: funking Climb, but it was on Hollywood Records was owned 644 00:28:52,360 --> 00:28:55,200 Speaker 2: by Disney, right, and so it was on the Disney 645 00:28:55,280 --> 00:28:58,040 Speaker 2: lot and my brother Casualty, used to work there, and 646 00:28:58,160 --> 00:29:00,200 Speaker 2: so you know we see Coolio and my but you 647 00:29:00,280 --> 00:29:02,720 Speaker 2: always say, like, yo, man, anytime you tickets to Disneyland. 648 00:29:03,040 --> 00:29:06,280 Speaker 2: I got you, I got you right. So my brother 649 00:29:06,400 --> 00:29:08,560 Speaker 2: was living in Pasadena. I was out here. I don't 650 00:29:08,560 --> 00:29:12,040 Speaker 2: know what year it was, and I'm at his house 651 00:29:12,080 --> 00:29:14,440 Speaker 2: and we're on the porch and you can see somebody 652 00:29:14,520 --> 00:29:19,680 Speaker 2: walking up and Coolio is walking with like you ever 653 00:29:19,760 --> 00:29:21,680 Speaker 2: see like a school of ducks, like the ducks, and 654 00:29:21,760 --> 00:29:24,560 Speaker 2: then all the kids right right, He's walking up with 655 00:29:25,040 --> 00:29:27,720 Speaker 2: like five kids. He's like, yo, man, you said you 656 00:29:27,720 --> 00:29:28,640 Speaker 2: can give me a Disneyland. 657 00:29:30,120 --> 00:29:36,760 Speaker 5: Shut up like some kid we go today? 658 00:29:37,120 --> 00:29:37,960 Speaker 2: Yeah, like today? 659 00:29:38,120 --> 00:29:39,960 Speaker 5: And that they were no cell phones back. I like 660 00:29:40,240 --> 00:29:43,840 Speaker 5: you care. There was no different beers. 661 00:29:43,880 --> 00:29:46,040 Speaker 3: Actually I begin to be hooked it up. 662 00:29:46,040 --> 00:29:47,760 Speaker 2: But it was just funny seeing Coolio walking. 663 00:29:47,960 --> 00:29:51,000 Speaker 5: Oh my god, yo, bro, he said, you can give 664 00:29:51,040 --> 00:29:52,880 Speaker 5: me a Disney Rest. 665 00:29:53,120 --> 00:29:56,719 Speaker 3: Period were little the star tack flip phones. Bro. 666 00:29:56,880 --> 00:29:58,640 Speaker 4: We all had them, come on, they just didn't work. 667 00:29:59,600 --> 00:30:01,640 Speaker 2: This is this is back when he was just the 668 00:30:01,680 --> 00:30:02,520 Speaker 2: hypeman for. 669 00:30:08,280 --> 00:30:08,640 Speaker 3: Yeah. 670 00:30:09,960 --> 00:30:11,360 Speaker 5: Just that's the ship we used to have to go 671 00:30:11,520 --> 00:30:13,320 Speaker 5: through it. Dear man, it's cannabis talk. One on one 672 00:30:13,360 --> 00:30:15,120 Speaker 5: money bees in the building. We're gonna come back with 673 00:30:15,240 --> 00:30:17,680 Speaker 5: more with him, more stories and of course the high five. 674 00:30:17,720 --> 00:30:18,480 Speaker 5: It's cannabis talk. 675 00:30:18,520 --> 00:30:18,880 Speaker 4: One on one. 676 00:30:19,040 --> 00:30:20,320 Speaker 5: We'll be right back after this break. 677 00:30:20,720 --> 00:30:23,760 Speaker 1: Yeah, you'll be right back with Cannabis Talk one O one. 678 00:30:35,080 --> 00:30:37,400 Speaker 1: Welcome back to Cannabis Talk one O one. 679 00:30:37,600 --> 00:30:40,160 Speaker 5: Advanced Nutrients. You guys, I got a complete growing system 680 00:30:40,200 --> 00:30:43,120 Speaker 5: for cannabis that optimizes all phases and cycles to bring 681 00:30:43,160 --> 00:30:45,600 Speaker 5: your true crops and their genetics to their true potential. 682 00:30:45,680 --> 00:30:48,320 Speaker 5: Discover more at advanced nutrients dot com. I want to 683 00:30:48,320 --> 00:30:50,560 Speaker 5: thank everybody here that makes us all happen. Money Be 684 00:30:50,760 --> 00:30:53,040 Speaker 5: thank you for being here with us today. But Daniel Caw, 685 00:30:53,200 --> 00:30:57,640 Speaker 5: Christian A Christians, Danny p. Bunk, Connor Sager, Jessica Cash, cam, 686 00:30:57,800 --> 00:31:03,600 Speaker 5: Isaiah Dallas, Eric Elgin, Alexa, Sarah Jack, Jasmine Natt, Maddie Planets, 687 00:31:03,680 --> 00:31:09,480 Speaker 5: I love that name, Jessica Peep and Pianki Salar, Ali Cousin, 688 00:31:09,560 --> 00:31:13,400 Speaker 5: Ray Goldie Pitt, Mark Carnes, Chris Frankino, Jennifer Erica, and Elvis. 689 00:31:13,440 --> 00:31:15,600 Speaker 3: Thank you. Thanks so much, so much, man, We appreciate it. 690 00:31:15,680 --> 00:31:18,080 Speaker 5: Love you guys, and that money Bee. It's really great 691 00:31:18,240 --> 00:31:20,360 Speaker 5: to sit here with you and talk. I want to 692 00:31:20,440 --> 00:31:22,840 Speaker 5: go to a story that you kind of shared outside, 693 00:31:22,840 --> 00:31:24,120 Speaker 5: but I really want you to share it on the 694 00:31:24,160 --> 00:31:27,640 Speaker 5: air because it's just funny to think your sports fans 695 00:31:27,720 --> 00:31:30,719 Speaker 5: story of being such a die hard Niner fan. As 696 00:31:30,760 --> 00:31:34,920 Speaker 5: we touched on this earlier, but your realization of when 697 00:31:34,960 --> 00:31:38,760 Speaker 5: you realize what sports were where the story that you 698 00:31:38,880 --> 00:31:41,160 Speaker 5: told me at the Sound Factor, which is a nightclub 699 00:31:41,200 --> 00:31:42,680 Speaker 5: that we used to hang out all the time. Which 700 00:31:42,760 --> 00:31:45,640 Speaker 5: is funny because when we're coming up in the Bay 701 00:31:45,680 --> 00:31:48,600 Speaker 5: Area at that time after certain football games, tell the 702 00:31:48,640 --> 00:31:50,440 Speaker 5: story of what happened and how pissed off you were. 703 00:31:50,800 --> 00:31:52,600 Speaker 2: All right, so before we get to that story, right, 704 00:31:53,200 --> 00:31:55,640 Speaker 2: you know, because people I'm from Oakland and people always 705 00:31:55,680 --> 00:31:56,000 Speaker 2: ask me. 706 00:31:56,320 --> 00:32:01,400 Speaker 5: Wow, writers, of course not I so oh and you 707 00:32:01,480 --> 00:32:01,840 Speaker 5: can't be. 708 00:32:03,560 --> 00:32:05,920 Speaker 2: I don't understand these New York fuckers. I'm Giants and 709 00:32:06,040 --> 00:32:08,520 Speaker 2: jet Like, what the if you can't be a Raiders 710 00:32:08,600 --> 00:32:09,440 Speaker 2: fan and a Niners fan. 711 00:32:09,480 --> 00:32:11,080 Speaker 5: It's just so, how did it even happen? 712 00:32:11,160 --> 00:32:11,320 Speaker 3: Yeah? 713 00:32:11,400 --> 00:32:14,320 Speaker 2: So how it happened was my dad used to work 714 00:32:14,320 --> 00:32:17,320 Speaker 2: at Candlestick Park back in the day, like this is 715 00:32:17,600 --> 00:32:20,560 Speaker 2: seventy eight, seventy nine. Through he worked for. 716 00:32:22,200 --> 00:32:24,560 Speaker 5: The old Candlestick there was. 717 00:32:24,560 --> 00:32:27,400 Speaker 2: Only one candid He worked at Candlestick Park, and he 718 00:32:27,480 --> 00:32:31,120 Speaker 2: worked for the Niners games and Giants game even when 719 00:32:31,160 --> 00:32:35,000 Speaker 2: they moved to att Att. He worked there so when 720 00:32:35,040 --> 00:32:37,920 Speaker 2: I was younger, you know, because he was a server 721 00:32:38,800 --> 00:32:40,800 Speaker 2: right in the in the luxury boxes and shit. So 722 00:32:41,640 --> 00:32:45,080 Speaker 2: when the Niners would win, he would get more tips, 723 00:32:45,640 --> 00:32:47,960 Speaker 2: which will mean I would get bigger allowances, and you know, 724 00:32:48,120 --> 00:32:52,360 Speaker 2: so I was like, hell yeah. So I remember going 725 00:32:52,440 --> 00:32:55,240 Speaker 2: to the games when Steve de Berg was our quarterback. 726 00:32:55,680 --> 00:32:57,880 Speaker 2: We weren't winning. Ship, Like I don't remember it, but 727 00:32:58,000 --> 00:33:00,840 Speaker 2: my dad said, I was at the game, the preseason 728 00:33:00,920 --> 00:33:03,120 Speaker 2: game with the Bird got knocked out and they put 729 00:33:03,160 --> 00:33:06,000 Speaker 2: Joe Montana in for the first time. So I go 730 00:33:06,120 --> 00:33:08,600 Speaker 2: back to when we used to go see Niner games 731 00:33:08,640 --> 00:33:12,160 Speaker 2: for the for the other players, cribs and yeah, all 732 00:33:12,200 --> 00:33:15,360 Speaker 2: of that ship. So it ain't like no fair weather ship. 733 00:33:15,480 --> 00:33:17,880 Speaker 2: So the story he's talking about, I became a diehard 734 00:33:18,000 --> 00:33:21,560 Speaker 2: Niner fan where it used to upset me when we 735 00:33:21,600 --> 00:33:23,880 Speaker 2: would lose and get knocked out the playoffs. Like I 736 00:33:24,000 --> 00:33:28,800 Speaker 2: remember being on an audition for a play right and 737 00:33:28,880 --> 00:33:31,200 Speaker 2: the and the Niners lost to the Packers the year 738 00:33:31,200 --> 00:33:33,240 Speaker 2: they win Super Bowl and I couldn't even do my lines. 739 00:33:33,280 --> 00:33:36,640 Speaker 2: I was fucked up, man. 740 00:33:36,760 --> 00:33:41,080 Speaker 5: So I used to be like that a recovery. I recovery. 741 00:33:41,440 --> 00:33:44,240 Speaker 2: So I remember being at the Sound Factor asked to 742 00:33:44,480 --> 00:33:47,320 Speaker 2: kick it and they had like this VI people where 743 00:33:47,360 --> 00:33:49,920 Speaker 2: you can look behind the glass, so you're in the 744 00:33:50,040 --> 00:33:51,760 Speaker 2: VI people, but there's glass so. 745 00:33:51,760 --> 00:33:52,440 Speaker 3: You're inside it. 746 00:33:52,880 --> 00:33:55,320 Speaker 2: And I just remember being there. I'm drinking kicking it. 747 00:33:55,440 --> 00:33:58,400 Speaker 2: I look up and I see Michael Irvin, who was 748 00:33:58,440 --> 00:34:00,280 Speaker 2: a wide receiver for the Niners. 749 00:34:00,120 --> 00:34:02,840 Speaker 5: Right, and Jerry Rice and like six I mean the 750 00:34:02,880 --> 00:34:07,120 Speaker 5: Cowboys and those yeah together all hang it out. 751 00:34:07,160 --> 00:34:08,799 Speaker 2: They hanging out, And I was like, why the fuck 752 00:34:08,840 --> 00:34:09,319 Speaker 2: am I getting? 753 00:34:09,520 --> 00:34:13,800 Speaker 3: Yeah, upset about that and they're kicking it, and you know, 754 00:34:13,800 --> 00:34:16,560 Speaker 3: it's funny because I think I think if they showed 755 00:34:16,640 --> 00:34:19,360 Speaker 3: that more often, I think people would kind of you. 756 00:34:19,400 --> 00:34:21,879 Speaker 5: Know, not fighting with fans all the time. 757 00:34:22,080 --> 00:34:23,439 Speaker 4: Said that it made perfect sense. 758 00:34:23,520 --> 00:34:25,840 Speaker 3: It's like, you know, I mean, you see you know 759 00:34:26,040 --> 00:34:28,400 Speaker 3: someone like Ronnie Lot with you know someone else, and 760 00:34:28,440 --> 00:34:30,520 Speaker 3: you're like, man, they play on opposite teams, but they're 761 00:34:30,520 --> 00:34:30,920 Speaker 3: hanging out. 762 00:34:30,920 --> 00:34:31,440 Speaker 4: They're cool with you. 763 00:34:31,719 --> 00:34:32,880 Speaker 5: We used to kick it. They should to come to 764 00:34:32,880 --> 00:34:34,919 Speaker 5: the clubs that we used to hang out all the time. 765 00:34:35,040 --> 00:34:35,920 Speaker 5: It would be popping. 766 00:34:36,040 --> 00:34:37,400 Speaker 2: After I saw that, I was like, you know what. 767 00:34:39,239 --> 00:34:42,239 Speaker 3: I was like, And people are die hard man. 768 00:34:42,400 --> 00:34:43,760 Speaker 4: Oh my god, especially niners. 769 00:34:43,920 --> 00:34:45,600 Speaker 2: You know, back in the day, I would to put 770 00:34:45,640 --> 00:34:49,960 Speaker 2: something in his drink. Yeah, you'd have been dead by now, 771 00:34:50,600 --> 00:34:50,840 Speaker 2: you know what. 772 00:34:51,360 --> 00:34:53,600 Speaker 5: And let's getting this cannabis space right here, as you say, 773 00:34:53,640 --> 00:34:57,480 Speaker 5: putting something to somebody's drink. Your cannabis love, your cannabistry. 774 00:34:57,560 --> 00:34:59,600 Speaker 5: You've been looking, you've been doing, You've been in part 775 00:34:59,640 --> 00:35:01,799 Speaker 5: of this aim for so long too. So not only 776 00:35:01,880 --> 00:35:04,120 Speaker 5: having you with the culture and everything else, but where 777 00:35:04,160 --> 00:35:06,839 Speaker 5: does your love from cannabis come from? It comes? 778 00:35:06,880 --> 00:35:09,200 Speaker 2: I got to shout out my cousin Cletus Mac, you know. 779 00:35:09,719 --> 00:35:13,200 Speaker 2: And remember I talked about sex in the studio. The 780 00:35:13,280 --> 00:35:17,480 Speaker 2: seed money came from cannabis to start that. Yeah, and 781 00:35:17,600 --> 00:35:20,160 Speaker 2: this is before it was legal, you know what I mean? 782 00:35:20,320 --> 00:35:24,280 Speaker 5: So legacy shit baby do you started the videos? 783 00:35:24,920 --> 00:35:29,160 Speaker 2: And really more so the the healing properties of it 784 00:35:29,200 --> 00:35:32,560 Speaker 2: because coming from the Bay, the weed was always so great. 785 00:35:32,640 --> 00:35:35,719 Speaker 2: I had to stop because a pinner joint would get 786 00:35:35,719 --> 00:35:39,080 Speaker 2: me super high, and I was like, let me slow down. Yeah, right, 787 00:35:39,560 --> 00:35:41,840 Speaker 2: if I was smoking, you have a terrible interview. 788 00:35:42,000 --> 00:35:46,480 Speaker 5: Right, there's some people that have blood knee. I don't 789 00:35:46,480 --> 00:35:48,279 Speaker 5: smoke at all. I've been over twenty four years. 790 00:35:49,080 --> 00:35:52,440 Speaker 2: But that being said, like the business side of it, 791 00:35:52,880 --> 00:35:53,920 Speaker 2: you know, we've been involved. 792 00:35:53,960 --> 00:35:54,600 Speaker 3: Everything's great. 793 00:35:54,760 --> 00:35:58,440 Speaker 2: Yeah, you know, so we've had like a few different ventures. 794 00:35:58,480 --> 00:35:59,960 Speaker 2: I'm not going to say any names because. 795 00:35:59,719 --> 00:36:01,080 Speaker 3: I work with them anymore. Yeah. 796 00:36:01,640 --> 00:36:03,120 Speaker 5: Yeah, but that's what I'm saying. I've seen you. Guys, 797 00:36:03,200 --> 00:36:04,040 Speaker 5: have seen you in the business. 798 00:36:04,320 --> 00:36:05,600 Speaker 2: We've been in the space for a while. 799 00:36:05,800 --> 00:36:06,000 Speaker 3: Yeah. 800 00:36:06,680 --> 00:36:08,640 Speaker 4: Anything you got working on right now that you're looking 801 00:36:08,680 --> 00:36:13,239 Speaker 4: at producing or putting out, we do. But nothing that 802 00:36:13,320 --> 00:36:15,640 Speaker 4: I not yet, nothing that you can speak on that 803 00:36:15,680 --> 00:36:17,160 Speaker 4: and we'll get you back when you're Yeah. 804 00:36:17,040 --> 00:36:21,480 Speaker 2: But let's just say you're talking about aspects of you know, 805 00:36:21,800 --> 00:36:23,520 Speaker 2: the vape. You know, we used to do vape oils, 806 00:36:23,600 --> 00:36:26,640 Speaker 2: vape pins, we did a little bit of we had 807 00:36:26,680 --> 00:36:29,200 Speaker 2: some some flower for a while. But you know, I 808 00:36:29,280 --> 00:36:31,399 Speaker 2: want to shout out everybody in hip hop community that's 809 00:36:31,480 --> 00:36:33,120 Speaker 2: doing it and doing it big and doing it strong, 810 00:36:33,360 --> 00:36:36,160 Speaker 2: esc guys like be real exhibit short. 811 00:36:37,239 --> 00:36:39,719 Speaker 5: You know, it's funny that you said something that I'm 812 00:36:39,760 --> 00:36:42,759 Speaker 5: going to elaborate on because I'm going to make a 813 00:36:43,360 --> 00:36:47,520 Speaker 5: hypothesis guests and say, just like you gave props right 814 00:36:47,600 --> 00:36:51,640 Speaker 5: now for cannabis funding that video that was the first 815 00:36:51,800 --> 00:36:54,320 Speaker 5: video ever by a hip hop artist to do some 816 00:36:54,480 --> 00:36:56,839 Speaker 5: porn on a hip hop track right there, right first, 817 00:36:57,360 --> 00:37:01,279 Speaker 5: Cannabis funded that. I cannot I can imagine that. There's 818 00:37:01,480 --> 00:37:06,760 Speaker 5: so many other major hip hop artists that Cannabis funded 819 00:37:07,000 --> 00:37:12,880 Speaker 5: their first album set video. Dog. That's my point to that. 820 00:37:13,160 --> 00:37:15,799 Speaker 5: That point that you made is like another side thing 821 00:37:15,880 --> 00:37:18,239 Speaker 5: if we just elaborated on that a little bit and 822 00:37:18,400 --> 00:37:20,840 Speaker 5: talk to more artists, because look at that Dog, like 823 00:37:21,040 --> 00:37:24,160 Speaker 5: realistically think because early on when du started and everything 824 00:37:24,200 --> 00:37:26,640 Speaker 5: else he came from, said, well, y'all had to put 825 00:37:26,680 --> 00:37:27,880 Speaker 5: money together to get it all together. 826 00:37:27,920 --> 00:37:30,680 Speaker 4: Well, the legend tell of things. 827 00:37:30,480 --> 00:37:33,799 Speaker 2: Like people don't know. So me and Cleue we all 828 00:37:34,120 --> 00:37:38,840 Speaker 2: also used to do a streaming segment for this network 829 00:37:38,880 --> 00:37:41,000 Speaker 2: when we were doing the Going Way Back show called 830 00:37:41,080 --> 00:37:43,960 Speaker 2: herb is the word. So we would just research history 831 00:37:44,000 --> 00:37:46,719 Speaker 2: on cannabis, right and I didn't know I found We 832 00:37:46,840 --> 00:37:50,279 Speaker 2: found out that you know, George Washington had. 833 00:37:50,200 --> 00:37:52,439 Speaker 5: Slaves yep, right, and you had the first crop. 834 00:37:52,600 --> 00:37:55,960 Speaker 2: But what we found out is back then and it's 835 00:37:56,000 --> 00:37:58,600 Speaker 2: not mentioned that in order to sometimes in order to 836 00:37:58,680 --> 00:38:02,200 Speaker 2: have plantations, you had to grow a specific amount of 837 00:38:02,280 --> 00:38:05,160 Speaker 2: hemp on your plantation and able to be eligible to 838 00:38:05,280 --> 00:38:08,920 Speaker 2: have slaves. So it was being grown back then. 839 00:38:09,360 --> 00:38:12,280 Speaker 5: So they were using the hamp probably to keep everybody 840 00:38:12,400 --> 00:38:13,280 Speaker 5: strong and healthy. 841 00:38:13,800 --> 00:38:16,600 Speaker 3: You know. I mean what he's saying is into in 842 00:38:16,760 --> 00:38:20,000 Speaker 3: order to if I'm not mistaken, in order to have slaves, 843 00:38:20,040 --> 00:38:23,800 Speaker 3: you had to have a certain crop size so and 844 00:38:24,000 --> 00:38:26,040 Speaker 3: and they were using hemp as that size to be 845 00:38:26,880 --> 00:38:30,439 Speaker 3: you have to have hamp slaves. Correct what you're saying. 846 00:38:30,520 --> 00:38:33,360 Speaker 2: You had to have a certain amount of hemp to 847 00:38:33,560 --> 00:38:34,240 Speaker 2: run your. 848 00:38:35,000 --> 00:38:37,399 Speaker 4: Plantation in order to happen. 849 00:38:38,760 --> 00:38:40,160 Speaker 2: Just so having that slaves was the one that was 850 00:38:40,239 --> 00:38:40,840 Speaker 2: That's crazy. 851 00:38:41,160 --> 00:38:42,560 Speaker 5: I mean, there is a fund up part about it, 852 00:38:42,640 --> 00:38:44,200 Speaker 5: but I mean of the fund up part about it 853 00:38:44,440 --> 00:38:46,280 Speaker 5: is at least they had some cannabis. 854 00:38:45,960 --> 00:38:46,640 Speaker 4: There, you know. 855 00:38:46,719 --> 00:38:51,120 Speaker 5: I mean, I mean, I mean, think about it. 856 00:38:55,360 --> 00:38:57,800 Speaker 2: Let's make it illegal because the profits in it. 857 00:38:57,880 --> 00:38:58,920 Speaker 1: Because when you think about it. 858 00:38:59,320 --> 00:39:02,920 Speaker 2: If every plantation had to have hemp in order to 859 00:39:03,000 --> 00:39:03,600 Speaker 2: be functioned, and. 860 00:39:03,560 --> 00:39:07,040 Speaker 5: I wonder why they had, what was that had to for? 861 00:39:07,280 --> 00:39:09,879 Speaker 5: Like things that had you for medical use, for what use? 862 00:39:10,080 --> 00:39:15,480 Speaker 2: Like what they had they had to vilify marijuana and 863 00:39:15,640 --> 00:39:19,640 Speaker 2: himp is back you know, even before prohibition, liquor was 864 00:39:20,040 --> 00:39:22,520 Speaker 2: was what they were making the money on. Right, and 865 00:39:22,600 --> 00:39:24,920 Speaker 2: then after prohibition, now all the money was being made 866 00:39:24,920 --> 00:39:27,600 Speaker 2: off liquor, but they had to, you know, because people 867 00:39:27,640 --> 00:39:31,279 Speaker 2: were smoking and drinking. But in order to maximize the 868 00:39:31,360 --> 00:39:34,759 Speaker 2: profits of the liquor, they vilified it. That's why what's 869 00:39:34,800 --> 00:39:38,840 Speaker 2: that first movie where they showed people smoking whatever that was? 870 00:39:39,000 --> 00:39:41,680 Speaker 2: It was made to and like you said, they didn't 871 00:39:41,760 --> 00:39:44,319 Speaker 2: have the governments couldn't. 872 00:39:45,480 --> 00:39:49,440 Speaker 5: What do you call it, uh, monetize on it, you 873 00:39:49,520 --> 00:39:49,880 Speaker 5: know what I mean. 874 00:39:50,760 --> 00:39:54,800 Speaker 2: They couldn't control it. So if they couldn't control it, 875 00:39:54,880 --> 00:39:55,879 Speaker 2: then then they had. 876 00:39:55,840 --> 00:39:56,400 Speaker 4: No use for it. 877 00:39:57,840 --> 00:40:00,560 Speaker 3: Yeah. You know, it's funny because you know, a lot 878 00:40:00,640 --> 00:40:03,600 Speaker 3: of people they go back and they think, Okay, you know, 879 00:40:03,680 --> 00:40:06,080 Speaker 3: cannabis is so bad. It's only been illegal for about 880 00:40:06,160 --> 00:40:08,480 Speaker 3: you know, four thousand years or four hundred years or 881 00:40:08,520 --> 00:40:10,239 Speaker 3: something like that. It hasn't been that long, right, It's 882 00:40:10,239 --> 00:40:13,160 Speaker 3: like four hundred years and or thirty years. So it's 883 00:40:13,160 --> 00:40:15,520 Speaker 3: a thirty or fifty years after I think thirty yeah, 884 00:40:15,640 --> 00:40:16,279 Speaker 3: thirty years. 885 00:40:16,360 --> 00:40:18,920 Speaker 4: Yeah, no, no, no, seventy. 886 00:40:19,880 --> 00:40:21,319 Speaker 2: It is either four hundred and no, no, no, I. 887 00:40:21,360 --> 00:40:22,680 Speaker 4: Almost had four thousand. 888 00:40:22,440 --> 00:40:22,799 Speaker 1: So you. 889 00:40:24,680 --> 00:40:25,400 Speaker 4: Hold, let me hit this. 890 00:40:27,200 --> 00:40:28,440 Speaker 5: It's either one or three thousand. 891 00:40:29,120 --> 00:40:32,840 Speaker 4: It's like like thirty years too. We'll fact check that. 892 00:40:33,160 --> 00:40:33,560 Speaker 4: Pull it up. 893 00:40:33,600 --> 00:40:34,880 Speaker 5: For us, it's got some pull it up. 894 00:40:35,200 --> 00:40:35,920 Speaker 4: It's like thirty years. 895 00:40:35,960 --> 00:40:39,080 Speaker 3: I think it's like thirty Yeah, from thirty to forty 896 00:40:39,120 --> 00:40:43,400 Speaker 3: to four thousand, like thirty years, right, and so and 897 00:40:43,480 --> 00:40:46,600 Speaker 3: so the narrative hasn't been you know, for us, it's 898 00:40:46,719 --> 00:40:48,800 Speaker 3: it seems like a lifetime because you know, you know, 899 00:40:49,120 --> 00:40:51,440 Speaker 3: thirty and fifty years old, you're young whatever. But it 900 00:40:51,680 --> 00:40:54,879 Speaker 3: just became illegal, you know, in the bord the whole 901 00:40:54,960 --> 00:40:55,759 Speaker 3: movement too, for. 902 00:40:55,920 --> 00:40:59,160 Speaker 5: Like, you know, so many of us minorities going under 903 00:40:59,280 --> 00:41:01,920 Speaker 5: for the same shit that everybody else is doing, and 904 00:41:02,080 --> 00:41:04,120 Speaker 5: we see how we're getting treated differently over it. 905 00:41:04,400 --> 00:41:07,040 Speaker 3: Yeah, people walked in prison for it, right, I mean, 906 00:41:07,160 --> 00:41:09,080 Speaker 3: and that goes handled back into that part, you know 907 00:41:09,120 --> 00:41:11,440 Speaker 3: what I mean, that's a big part, Like you know, 908 00:41:11,480 --> 00:41:14,000 Speaker 3: it's it's one of those parts that people don't for 909 00:41:14,640 --> 00:41:17,840 Speaker 3: forty nineteen seventy it became illegal. 910 00:41:18,320 --> 00:41:21,719 Speaker 5: So fifty two years, forty two years, I was fifty 911 00:41:21,760 --> 00:41:23,000 Speaker 5: two years, two years. 912 00:41:23,040 --> 00:41:23,719 Speaker 4: I was on the four. 913 00:41:23,800 --> 00:41:25,799 Speaker 5: It was close when you said three hundred, it was. 914 00:41:25,840 --> 00:41:27,879 Speaker 2: It was kind of it was kind of four hundred years. 915 00:41:29,760 --> 00:41:31,600 Speaker 3: But fifty years ain't that long. You know what I mean, 916 00:41:31,640 --> 00:41:33,800 Speaker 3: if you think about it, I mean, it's it's our lifetime. 917 00:41:33,880 --> 00:41:36,239 Speaker 3: So now it's going to be hopefully reverted back to 918 00:41:36,480 --> 00:41:39,640 Speaker 3: being completely legal. As we know, the plant isn't really legal, 919 00:41:40,400 --> 00:41:42,319 Speaker 3: and they could get everybody out of prison that's still 920 00:41:42,360 --> 00:41:45,560 Speaker 3: in prison for for non violent I guess, you know, cannabis, 921 00:41:45,719 --> 00:41:49,040 Speaker 3: you know, crimes, because there's still people in jail right 922 00:41:49,120 --> 00:41:51,200 Speaker 3: now in these little cities and these little towns that 923 00:41:51,239 --> 00:41:53,360 Speaker 3: we don't even hear about that are getting you know, 924 00:41:53,960 --> 00:41:56,120 Speaker 3: you know, twenty five to life for fucking plant. 925 00:41:56,200 --> 00:41:58,399 Speaker 5: I would just think, too money be how how many 926 00:41:58,600 --> 00:42:01,240 Speaker 5: times and how much we would be on the tours. 927 00:42:01,920 --> 00:42:04,160 Speaker 5: I mean because even Blue Sale made the tours that 928 00:42:04,200 --> 00:42:06,239 Speaker 5: he'd go on and just the weed. Everybody just it's 929 00:42:06,280 --> 00:42:08,600 Speaker 5: just part of the culture, part of the life, part 930 00:42:08,640 --> 00:42:11,080 Speaker 5: of what It is just funny to think I followed 931 00:42:11,080 --> 00:42:12,280 Speaker 5: the Cypress Hill tour. 932 00:42:12,640 --> 00:42:15,960 Speaker 4: With with with weed to get you were the guy. 933 00:42:16,120 --> 00:42:18,320 Speaker 4: You were the guy follow this I was. You know, 934 00:42:18,400 --> 00:42:22,279 Speaker 4: I sneak on to some and you know what I'm saying, 935 00:42:22,719 --> 00:42:22,960 Speaker 4: I've been. 936 00:42:23,120 --> 00:42:25,440 Speaker 3: I mean there's there's stories that I think every you 937 00:42:25,520 --> 00:42:28,759 Speaker 3: know hip hop artist, uh probably has encounters with it 938 00:42:28,880 --> 00:42:30,359 Speaker 3: was a just it's a second love. 939 00:42:30,440 --> 00:42:32,200 Speaker 4: It's the second nature. It's something that you know, you 940 00:42:32,360 --> 00:42:33,160 Speaker 4: just relate it with. 941 00:42:33,880 --> 00:42:36,120 Speaker 3: Everybody had weed on the tours, you know, and you 942 00:42:36,280 --> 00:42:38,040 Speaker 3: touch down in the town, even if you didn't have it, 943 00:42:38,440 --> 00:42:40,080 Speaker 3: someone would be like, I'll be right back and come 944 00:42:40,160 --> 00:42:42,080 Speaker 3: up with announce or a quarter pound or whatever you 945 00:42:42,200 --> 00:42:42,440 Speaker 3: need it. 946 00:42:42,560 --> 00:42:45,440 Speaker 4: That's just how the ca And then it was like, 947 00:42:45,520 --> 00:42:47,080 Speaker 4: you need something, Yeah, let's let's work. 948 00:42:48,320 --> 00:42:50,960 Speaker 5: One of the most memorable tours that you were ever on, 949 00:42:51,280 --> 00:42:53,080 Speaker 5: what would it be if you're like, fuck? That one 950 00:42:53,280 --> 00:42:56,600 Speaker 5: was just the most standout, Like, because there's always something 951 00:42:56,680 --> 00:42:57,680 Speaker 5: that stands out in life. 952 00:42:58,719 --> 00:43:01,200 Speaker 2: It probably was the Public And tour with Heavy D 953 00:43:01,480 --> 00:43:05,600 Speaker 2: and I just remember we did like thirty seven to 954 00:43:05,680 --> 00:43:11,279 Speaker 2: forty cities and every night me, Tupac and Tretch from 955 00:43:11,320 --> 00:43:13,560 Speaker 2: Naughty by Nature. We would go in the audience and 956 00:43:13,680 --> 00:43:16,520 Speaker 2: watch that the Public Enemy show every night like it 957 00:43:16,600 --> 00:43:18,600 Speaker 2: was brand new. The show was so dope. 958 00:43:19,600 --> 00:43:21,920 Speaker 5: I love Chuck D and one of the best. 959 00:43:22,280 --> 00:43:24,279 Speaker 2: We can make side bets of his flavor. Flavor was 960 00:43:24,280 --> 00:43:27,280 Speaker 2: gonna show up or not shut up. Sometimes he wouldn't 961 00:43:27,760 --> 00:43:30,560 Speaker 2: yeah or or he get on stage. I remember one 962 00:43:30,640 --> 00:43:33,640 Speaker 2: time we were in like, uh, let's just say we 963 00:43:33,719 --> 00:43:38,800 Speaker 2: were in like Memphis and flav gets on Greenville, North Carolina. 964 00:43:39,000 --> 00:43:39,560 Speaker 4: What's up? 965 00:43:40,840 --> 00:43:42,440 Speaker 3: Rock City, Rock Place. 966 00:43:44,160 --> 00:43:47,200 Speaker 5: They literally made that fucking Geico commercial after him. Probably 967 00:43:47,280 --> 00:43:51,400 Speaker 5: somebody watched thatd me of that. It was that exactly right, Like, 968 00:43:51,640 --> 00:43:53,759 Speaker 5: oh my god when they did that, I thought of 969 00:43:53,880 --> 00:43:56,160 Speaker 5: so many artists on stage, going, how many people do this? 970 00:43:56,400 --> 00:43:57,120 Speaker 5: He really did that? 971 00:43:57,360 --> 00:43:59,880 Speaker 3: Oh man? I was I always try to hit just 972 00:44:00,120 --> 00:44:02,680 Speaker 3: broad you know, like California, don't hit the city, you 973 00:44:02,719 --> 00:44:04,200 Speaker 3: know what I mean, Like you start going to the city, 974 00:44:04,200 --> 00:44:07,080 Speaker 3: we all sudden people like boom, you're the wrong area. 975 00:44:07,200 --> 00:44:08,880 Speaker 2: You know. I did that. 976 00:44:09,280 --> 00:44:09,759 Speaker 3: I did that. 977 00:44:10,560 --> 00:44:13,080 Speaker 2: I didn't say the wrong city. I just pronounced the 978 00:44:13,200 --> 00:44:17,600 Speaker 2: initials wrong. Yeah, And everybody's looking at me like waiting 979 00:44:17,640 --> 00:44:19,200 Speaker 2: for the screams and there's no screams. 980 00:44:19,239 --> 00:44:20,120 Speaker 4: I was like, what was it? 981 00:44:21,040 --> 00:44:24,520 Speaker 2: It was in We were in Texas and it's like 982 00:44:25,560 --> 00:44:29,080 Speaker 2: south of Corpus Christie whatever. It's like the bottom of Texas. 983 00:44:29,560 --> 00:44:32,080 Speaker 2: Like you know how Texas has that tip. It's a city, 984 00:44:32,200 --> 00:44:36,480 Speaker 2: but it's it's like a almost like a try city area, 985 00:44:36,800 --> 00:44:39,359 Speaker 2: but they have a name for it. That's something something 986 00:44:39,520 --> 00:44:41,879 Speaker 2: Valley and I just fucked up the initials when I said, 987 00:44:41,920 --> 00:44:43,480 Speaker 2: because it was like either supposed to be like r. 988 00:44:43,640 --> 00:44:47,520 Speaker 5: N L or yeah, whatever it happens, you know what 989 00:44:47,520 --> 00:44:49,600 Speaker 5: I'm saying, No matter what it does, happen, you know, 990 00:44:49,680 --> 00:44:51,120 Speaker 5: it's part of the things, part of the gigs. 991 00:44:50,920 --> 00:44:52,920 Speaker 4: Part of Then we did the Humpty Dass and then 992 00:44:52,960 --> 00:44:53,160 Speaker 4: it was. 993 00:44:54,880 --> 00:44:57,120 Speaker 5: Everybody had a good real quick are you guys? 994 00:44:57,160 --> 00:44:58,719 Speaker 4: What are you guys doing now? You guys got any 995 00:44:58,840 --> 00:45:00,440 Speaker 4: you know, shows and so going on. 996 00:45:00,719 --> 00:45:03,400 Speaker 2: Yeah, we're we're we're on the road, like we're booked. 997 00:45:03,560 --> 00:45:07,240 Speaker 4: Yeah, how those shows just online? 998 00:45:07,480 --> 00:45:11,520 Speaker 2: You can go to follow me on Instagram at money 999 00:45:11,560 --> 00:45:14,160 Speaker 2: B sixty nine on Twitter, or go to the Digital 1000 00:45:14,160 --> 00:45:17,160 Speaker 2: on the Ground Facebook page on Facebook. And we're always 1001 00:45:17,200 --> 00:45:21,960 Speaker 2: posting about what we're doing. But we're we're doing shows. 1002 00:45:22,040 --> 00:45:24,680 Speaker 2: We actually have new music that we'll be releasing first. 1003 00:45:24,760 --> 00:45:27,640 Speaker 2: As an NFT I'm heavy into the crypto in n 1004 00:45:27,719 --> 00:45:31,680 Speaker 2: f T space. We have a digital Underground headquarters partial 1005 00:45:31,760 --> 00:45:34,239 Speaker 2: in voxos. Go to boxes dot com. If you're in 1006 00:45:34,280 --> 00:45:37,200 Speaker 2: the gaming the Going Way Back show we'll be coming 1007 00:45:37,280 --> 00:45:41,680 Speaker 2: back probably on Twitch, and there's a new streaming network. 1008 00:45:41,719 --> 00:45:43,279 Speaker 2: I can't think of it off the top of my head, 1009 00:45:43,560 --> 00:45:47,880 Speaker 2: but I'm you know it's gonna it's it's crypto monetizable. 1010 00:45:48,200 --> 00:45:48,439 Speaker 3: Wow. 1011 00:45:48,560 --> 00:45:49,440 Speaker 5: Okay you know what I mean. 1012 00:45:49,560 --> 00:45:49,799 Speaker 3: Wow. 1013 00:45:50,040 --> 00:45:54,000 Speaker 2: So we're we're like I told that, we're moving and shaking. 1014 00:45:54,320 --> 00:45:54,759 Speaker 3: Good man. 1015 00:45:55,239 --> 00:45:57,200 Speaker 2: If you mentioned something else, oh yeah, we're doing that too. 1016 00:45:58,280 --> 00:45:59,719 Speaker 5: Well that's good. Well, now what we want to do 1017 00:45:59,800 --> 00:46:01,440 Speaker 5: with you, you money be is the high five that 1018 00:46:01,520 --> 00:46:03,200 Speaker 5: we'd like to ask every guest that come in here, 1019 00:46:03,320 --> 00:46:06,200 Speaker 5: nice simple, fun questions. Question number one, how old are 1020 00:46:06,200 --> 00:46:08,120 Speaker 5: you the first time you smoke cannabis? And where'd you 1021 00:46:08,160 --> 00:46:08,560 Speaker 5: get it from? 1022 00:46:09,600 --> 00:46:15,239 Speaker 2: I was fourteen and I was at at Berkeley High 1023 00:46:16,000 --> 00:46:20,880 Speaker 2: standing in the underneath the like there used to be 1024 00:46:20,960 --> 00:46:23,360 Speaker 2: this thing where you can eat lunch. They had like 1025 00:46:23,440 --> 00:46:25,600 Speaker 2: this building and I was standing underneath it and it 1026 00:46:25,680 --> 00:46:26,960 Speaker 2: was like, bro, you want to try this? I was 1027 00:46:27,040 --> 00:46:29,279 Speaker 2: like trying to be cool and shit. 1028 00:46:29,320 --> 00:46:31,320 Speaker 3: I was like, yeah, oh yeah I heard. Did you 1029 00:46:31,360 --> 00:46:36,480 Speaker 3: get high? Fuck? Yeah, you got really high? 1030 00:46:36,640 --> 00:46:36,960 Speaker 2: I did. 1031 00:46:37,080 --> 00:46:39,200 Speaker 3: Yeah, that's a good time. Question number two of. 1032 00:46:39,200 --> 00:46:41,200 Speaker 4: The high five, what is your favorite way to use 1033 00:46:41,360 --> 00:46:42,440 Speaker 4: or smoke cannabis? 1034 00:46:44,840 --> 00:46:50,120 Speaker 2: It would probably be only because we had, you know, 1035 00:46:50,200 --> 00:46:51,840 Speaker 2: we had our vape pins. I used to smoke it 1036 00:46:51,920 --> 00:46:54,279 Speaker 2: out of you know, vape it a lot, but if 1037 00:46:54,320 --> 00:46:58,440 Speaker 2: I really had to think about it. My worst experience 1038 00:46:58,560 --> 00:46:59,600 Speaker 2: has been with edibles. 1039 00:47:00,040 --> 00:47:03,040 Speaker 3: You don't know how much that ship and you preach 1040 00:47:04,200 --> 00:47:06,200 Speaker 3: Jesus too, Yeah. 1041 00:47:06,520 --> 00:47:08,480 Speaker 2: That ship, And then woke up the next morning. 1042 00:47:08,320 --> 00:47:12,680 Speaker 3: Still yeah, still ripped, smelling like yeah, everything's bad. Yeah, 1043 00:47:13,719 --> 00:47:15,120 Speaker 3: I've got it too. I've done it too. 1044 00:47:15,520 --> 00:47:18,040 Speaker 5: Yeah, that is so funny. I just can't imagine just 1045 00:47:18,080 --> 00:47:19,759 Speaker 5: beat on God just sitting there. 1046 00:47:20,360 --> 00:47:24,480 Speaker 2: I gotta fucking can. I got a soda in my fridge, 1047 00:47:24,520 --> 00:47:24,719 Speaker 2: has just. 1048 00:47:24,760 --> 00:47:27,360 Speaker 3: Been sitting there like I'm not hitting it. Yeah. Just 1049 00:47:27,440 --> 00:47:29,200 Speaker 3: low dose, man, When you do it real low, it's 1050 00:47:29,280 --> 00:47:31,480 Speaker 3: it's really cool. But like if you don't know your 1051 00:47:31,560 --> 00:47:33,840 Speaker 3: your dose or what you're getting, like you get it 1052 00:47:33,880 --> 00:47:36,879 Speaker 3: from a store and then and really use the milligrams count. 1053 00:47:36,880 --> 00:47:38,640 Speaker 4: And I do like three or five milligrams. 1054 00:47:39,040 --> 00:47:39,520 Speaker 3: I'm cool. 1055 00:47:39,840 --> 00:47:42,520 Speaker 4: I got into you know, twenty four and thirty milligrams. 1056 00:47:42,560 --> 00:47:44,880 Speaker 3: I'm over here like yeah because right before the you know, 1057 00:47:44,960 --> 00:47:47,919 Speaker 3: I mean either or I'm laughing uncontrollably or whatever. 1058 00:47:48,600 --> 00:47:50,839 Speaker 4: Laugh when some people don't some people eat. 1059 00:47:51,080 --> 00:47:55,120 Speaker 2: No, we did, you know, we used to do the 1060 00:47:55,200 --> 00:47:56,880 Speaker 2: sessions and stuff when we were selling our you know, 1061 00:47:57,000 --> 00:47:58,960 Speaker 2: we had our little pop ups and whatnot. So we 1062 00:47:59,080 --> 00:48:01,400 Speaker 2: had the thing and I was like, I'm hungry. Brings 1063 00:48:01,440 --> 00:48:04,320 Speaker 2: me some tacos, eat them ships and I was like, 1064 00:48:04,480 --> 00:48:06,600 Speaker 2: then he tells me you know those things refused. I 1065 00:48:06,719 --> 00:48:11,120 Speaker 2: was like, and I was like, well, give me some water. 1066 00:48:11,239 --> 00:48:13,799 Speaker 2: So I calmed down and I get the water I'm 1067 00:48:13,840 --> 00:48:18,520 Speaker 2: drinking and it was like, oh yeah, that's just went in. 1068 00:48:19,440 --> 00:48:22,560 Speaker 2: You were like, hey, go hang out, they told me afterwards. 1069 00:48:22,760 --> 00:48:26,719 Speaker 5: Yeah, it's like, dude, oh man, question number three of 1070 00:48:26,760 --> 00:48:30,200 Speaker 5: the high five craziest place you ever used or smoked 1071 00:48:30,280 --> 00:48:33,440 Speaker 5: cannabis because that place right there eating fun and that's crazy. 1072 00:48:33,480 --> 00:48:34,160 Speaker 3: But maybe they're. 1073 00:48:35,560 --> 00:48:37,640 Speaker 2: Used or the craziest place. 1074 00:48:39,920 --> 00:48:40,680 Speaker 3: Different country. 1075 00:48:41,960 --> 00:48:44,440 Speaker 2: Well can I can I include crazy? 1076 00:48:44,520 --> 00:48:48,759 Speaker 5: Could be crazy? Yeah whatever whatever. When we heroin ship, 1077 00:48:49,040 --> 00:48:50,160 Speaker 5: remember we we toured. 1078 00:48:50,400 --> 00:48:52,239 Speaker 2: I told you we tore Europe, right, so I think 1079 00:48:52,280 --> 00:48:55,200 Speaker 2: we were in fucking Germany something. 1080 00:48:55,200 --> 00:48:55,719 Speaker 3: It was in some. 1081 00:48:58,160 --> 00:49:02,120 Speaker 2: Netherlands or somewhere wherever we were, and I just remembered that. 1082 00:49:02,160 --> 00:49:03,480 Speaker 2: She was like, you want to do some hash and 1083 00:49:03,560 --> 00:49:06,360 Speaker 2: she's like she did all that ship. 1084 00:49:08,040 --> 00:49:08,600 Speaker 3: Hit that ship? 1085 00:49:08,880 --> 00:49:11,960 Speaker 2: No I did. I was like, you know, I thought 1086 00:49:11,960 --> 00:49:12,840 Speaker 2: I was gonna go down. 1087 00:49:12,680 --> 00:49:16,239 Speaker 5: To the hash and no ask Damn. 1088 00:49:17,520 --> 00:49:18,920 Speaker 2: I was trying to help it out. But we were 1089 00:49:18,920 --> 00:49:21,840 Speaker 2: in one of those crazy far countries and I was like, 1090 00:49:22,120 --> 00:49:25,640 Speaker 2: she was crazy because they didn't have weed, right, and 1091 00:49:25,680 --> 00:49:27,200 Speaker 2: then they you know, they make the bats and they 1092 00:49:27,239 --> 00:49:28,680 Speaker 2: put the tobacco in Yeah, and. 1093 00:49:30,440 --> 00:49:30,640 Speaker 3: You know. 1094 00:49:32,120 --> 00:49:33,879 Speaker 2: They sprinkled a little hash and ship in there. 1095 00:49:33,920 --> 00:49:35,800 Speaker 3: They also put a little bit of a tobacco in it. 1096 00:49:36,080 --> 00:49:36,640 Speaker 5: Yeah, well. 1097 00:49:38,800 --> 00:49:40,200 Speaker 4: Yeah, put the hash in there. 1098 00:49:42,040 --> 00:49:46,120 Speaker 2: No, but it was whatever whateversag whatever country we were in, 1099 00:49:46,280 --> 00:49:50,040 Speaker 2: it was illegal. So it was like if you got caught, yeah, 1100 00:49:51,400 --> 00:49:51,719 Speaker 2: that was like. 1101 00:49:51,960 --> 00:49:52,880 Speaker 5: That makes it crazy as fu. 1102 00:49:53,080 --> 00:49:54,560 Speaker 3: Oh yeah, that was a big deal. 1103 00:49:54,680 --> 00:49:57,080 Speaker 4: Question numberfore the High five, What is your go to 1104 00:49:57,280 --> 00:49:58,719 Speaker 4: munchie after you get high? 1105 00:49:59,840 --> 00:50:06,359 Speaker 2: I usually is there's some pizza hanging out. 1106 00:50:06,400 --> 00:50:09,080 Speaker 3: You got some pizza here for to hit a pin. 1107 00:50:09,560 --> 00:50:12,520 Speaker 2: There's some pizza somewhere. This might be off the wall, 1108 00:50:12,560 --> 00:50:13,919 Speaker 2: but some cereal. 1109 00:50:14,239 --> 00:50:15,040 Speaker 3: What kind of cereal? 1110 00:50:16,320 --> 00:50:18,880 Speaker 5: Oh ship charms like. 1111 00:50:20,440 --> 00:50:22,440 Speaker 2: You want, well, you want to talk about Back then 1112 00:50:22,520 --> 00:50:24,759 Speaker 2: it would have been some sweet cereal now you know. 1113 00:50:24,840 --> 00:50:32,319 Speaker 5: Now, yeah, makes it easier, peanut butter bowls. I can 1114 00:50:32,400 --> 00:50:36,239 Speaker 5: bust it out exactly. Question number four of the High 1115 00:50:36,320 --> 00:50:37,800 Speaker 5: five Money five. 1116 00:50:40,200 --> 00:50:41,680 Speaker 2: Question another four point two. 1117 00:50:43,160 --> 00:50:46,239 Speaker 5: Struggles over question number five of the High five money. 1118 00:50:46,400 --> 00:50:49,760 Speaker 5: If you can smoke cannabis with anyone dead or alive, 1119 00:50:50,400 --> 00:50:50,880 Speaker 5: who would it. 1120 00:50:50,960 --> 00:50:55,680 Speaker 2: Be and why anyone? 1121 00:50:56,680 --> 00:50:56,960 Speaker 3: You know what? 1122 00:50:57,400 --> 00:51:02,640 Speaker 2: It would probably be. Willie Nelson was interested, I know, 1123 00:51:02,719 --> 00:51:04,040 Speaker 2: because he got his products and everything. 1124 00:51:04,160 --> 00:51:04,960 Speaker 4: Ladies and gentlemen. 1125 00:51:09,960 --> 00:51:13,880 Speaker 2: He's looking around like, you know, I was like, who 1126 00:51:13,920 --> 00:51:14,520 Speaker 2: looks like Willy? 1127 00:51:15,320 --> 00:51:16,279 Speaker 5: Would be great if we did. 1128 00:51:16,760 --> 00:51:18,120 Speaker 3: Nobody was over there looking like. 1129 00:51:21,560 --> 00:51:23,120 Speaker 2: I was like, who's this guy that looks like Willy? 1130 00:51:24,160 --> 00:51:29,760 Speaker 2: Because here's what I tell people, like reggae and country 1131 00:51:29,840 --> 00:51:33,719 Speaker 2: is the only soul music left. It's music that you 1132 00:51:33,800 --> 00:51:37,799 Speaker 2: know outside of hip hop, where usually these songs are 1133 00:51:37,840 --> 00:51:39,920 Speaker 2: a lot of times written by the artists and they 1134 00:51:40,040 --> 00:51:43,320 Speaker 2: just talk about their experiences. You know what country everybody 1135 00:51:43,360 --> 00:51:46,840 Speaker 2: shot their dog, the wife left, all this loozy ship and. 1136 00:51:46,920 --> 00:51:49,880 Speaker 3: Reggae, and I like what you're saying. It hit me 1137 00:51:51,120 --> 00:51:52,840 Speaker 3: as soon as you said that, I understood it. 1138 00:51:54,280 --> 00:51:56,759 Speaker 2: It wasn't like because soul music is from the soul 1139 00:51:56,760 --> 00:51:58,920 Speaker 2: about your experience, and even if you didn't write it, 1140 00:51:59,000 --> 00:52:01,160 Speaker 2: it's it's it's it's so soul music. 1141 00:52:01,280 --> 00:52:04,319 Speaker 4: Yeah, I never thought of it like that, And so you. 1142 00:52:04,360 --> 00:52:07,640 Speaker 2: Know, if I was I'd like to just fucking rowing 1143 00:52:07,719 --> 00:52:09,600 Speaker 2: and ask him about the same ship. 1144 00:52:09,960 --> 00:52:10,719 Speaker 3: Is Willy here yet? 1145 00:52:12,680 --> 00:52:15,719 Speaker 5: Would ask him just learning the history of it, like 1146 00:52:15,760 --> 00:52:17,759 Speaker 5: where did it come from? Where? Yeah, Willy would be 1147 00:52:17,800 --> 00:52:19,319 Speaker 5: one of those guys that you just want to sit 1148 00:52:19,400 --> 00:52:19,840 Speaker 5: back with and. 1149 00:52:19,920 --> 00:52:21,840 Speaker 2: You tell yeah, I bang Martha Stewart. 1150 00:52:22,239 --> 00:52:26,560 Speaker 5: Yeah, I don't know twice because you know, he's had 1151 00:52:26,600 --> 00:52:30,000 Speaker 5: a crazy life and he and he and he was 1152 00:52:30,080 --> 00:52:33,800 Speaker 5: able to cross everyone, Like you say this as a 1153 00:52:34,000 --> 00:52:38,280 Speaker 5: young black man going this old white man Willie Nelson. 1154 00:52:38,360 --> 00:52:40,680 Speaker 5: You know, he crosses over and they all love him. 1155 00:52:41,000 --> 00:52:41,560 Speaker 3: Yeah, and just. 1156 00:52:41,600 --> 00:52:46,600 Speaker 5: Imagine who he smoked with. That's what I'm saying, his stories, 1157 00:52:46,640 --> 00:52:47,359 Speaker 5: That's what I'm saying. 1158 00:52:47,680 --> 00:52:49,359 Speaker 2: I smoked with Martin Luther King one time. 1159 00:52:49,440 --> 00:52:52,840 Speaker 5: You know, remember everybody, he crosses over everything. 1160 00:52:52,920 --> 00:52:55,279 Speaker 3: Yeah, he was around money. Is there anything else that 1161 00:52:55,600 --> 00:52:57,120 Speaker 3: you know you want to say before we get y'all 1162 00:52:57,160 --> 00:52:57,480 Speaker 3: out of here? 1163 00:52:57,560 --> 00:52:57,680 Speaker 4: Man? 1164 00:52:59,239 --> 00:53:01,719 Speaker 2: Yeah? So you mentioned the going away back show to 1165 00:53:01,800 --> 00:53:04,560 Speaker 2: actually do our tagline was classic keep out, roll and uncut. 1166 00:53:04,760 --> 00:53:06,560 Speaker 2: Of course, I'm bringing that back, but this time I'm 1167 00:53:06,560 --> 00:53:11,360 Speaker 2: bringing it back into the NFT and crypto space. So 1168 00:53:11,640 --> 00:53:15,520 Speaker 2: we're gonna be broadcasting from from our partial g u 1169 00:53:15,680 --> 00:53:19,560 Speaker 2: HQ in boxes right through Twitch and probably through another 1170 00:53:19,600 --> 00:53:22,480 Speaker 2: streaming network that you can monetize. I forget what the 1171 00:53:22,560 --> 00:53:26,600 Speaker 2: coin is, but just tune into that. And when I 1172 00:53:26,680 --> 00:53:29,120 Speaker 2: say that, I'll be you know, because I have interviews 1173 00:53:29,200 --> 00:53:33,799 Speaker 2: with like five Dog and and just Coolioh and all 1174 00:53:33,840 --> 00:53:38,880 Speaker 2: these great artists that their information is just timeless, right 1175 00:53:39,200 --> 00:53:41,239 Speaker 2: because it's their story that I can just bring back. 1176 00:53:41,719 --> 00:53:44,360 Speaker 2: And so it's I haven't done the show. You know, 1177 00:53:44,800 --> 00:53:47,239 Speaker 2: when shot passed, it kind of fucked me up, so 1178 00:53:47,280 --> 00:53:49,759 Speaker 2: I just stopped doing it, right, But I feel, okay, 1179 00:53:49,800 --> 00:53:51,320 Speaker 2: there's enough time. I'm ready to bring it back. But 1180 00:53:51,360 --> 00:53:53,800 Speaker 2: this time I'm going to bring it back into the metaverse. 1181 00:53:55,080 --> 00:53:58,239 Speaker 3: Huge you know. Snoop's got a huge, you know, metaverse 1182 00:53:58,520 --> 00:54:01,000 Speaker 3: set up where he has this whole his house and 1183 00:54:01,080 --> 00:54:03,040 Speaker 3: his neighborhood that he lives in and there's a whole 1184 00:54:03,239 --> 00:54:04,799 Speaker 3: metaverse that they're all involved. Yeah. 1185 00:54:04,880 --> 00:54:07,480 Speaker 4: Yeah, they have clubs in it and smoke out session. 1186 00:54:07,680 --> 00:54:09,680 Speaker 2: And if you've seen that and you're into that, that's 1187 00:54:09,680 --> 00:54:12,400 Speaker 2: where you wait till you see DUHQ come to do 1188 00:54:12,560 --> 00:54:16,880 Speaker 2: UHQ in boxes forty seven Court Street in crypto boxes. 1189 00:54:17,000 --> 00:54:17,480 Speaker 3: I love it. 1190 00:54:17,560 --> 00:54:20,080 Speaker 2: He got the house and they got a fucking address. Yeah, 1191 00:54:20,680 --> 00:54:24,000 Speaker 2: see me yeah, I want to buy a house next door. 1192 00:54:24,520 --> 00:54:28,480 Speaker 4: Hey, is there some property available? 1193 00:54:29,600 --> 00:54:31,239 Speaker 3: Oh no, that's is we're gonna find out. 1194 00:54:32,320 --> 00:54:34,520 Speaker 2: You're know I bought in early, so yeah, yeah, yeah, 1195 00:54:34,560 --> 00:54:35,560 Speaker 2: you know I got the thing going. 1196 00:54:36,360 --> 00:54:38,600 Speaker 5: It's so dope, man. So people just go online and 1197 00:54:38,640 --> 00:54:40,640 Speaker 5: they can search it. What you gotta wear. I don't 1198 00:54:40,640 --> 00:54:43,000 Speaker 5: even know how that shit works well in real estate. 1199 00:54:43,120 --> 00:54:48,919 Speaker 2: It's it's it's on the Polygon blockchain with a side 1200 00:54:49,000 --> 00:54:50,920 Speaker 2: chain of ethereum, so you have to own that. You 1201 00:54:51,000 --> 00:54:54,160 Speaker 2: get an avatar, and you dressed. The thing about is 1202 00:54:54,200 --> 00:54:57,080 Speaker 2: when you're in these meta versus, you want to dress 1203 00:54:57,120 --> 00:54:59,240 Speaker 2: your avatar up. So, like I said, I have wearable 1204 00:54:59,280 --> 00:55:03,880 Speaker 2: so the Digital Underground Merchandise du merch dot com is 1205 00:55:03,960 --> 00:55:08,160 Speaker 2: where you can only get official Digital Underground merchandise at 1206 00:55:08,200 --> 00:55:10,600 Speaker 2: deemarch dot com. But I also have the wearables for 1207 00:55:10,680 --> 00:55:15,080 Speaker 2: your avatar and crypto boxes. So that's so, and then 1208 00:55:15,280 --> 00:55:18,319 Speaker 2: you know I'll do I'll do like air drops or say, 1209 00:55:18,400 --> 00:55:22,120 Speaker 2: if you have this, I'll give you the the the 1210 00:55:22,280 --> 00:55:24,080 Speaker 2: digital twin that save you by a shirt. You can 1211 00:55:24,080 --> 00:55:24,960 Speaker 2: get the digital. 1212 00:55:25,640 --> 00:55:27,520 Speaker 3: Which makes it more for your avatar, which makes it 1213 00:55:27,560 --> 00:55:28,040 Speaker 3: more valuable. 1214 00:55:28,080 --> 00:55:29,520 Speaker 2: So when you dress it up and you have your 1215 00:55:29,680 --> 00:55:32,799 Speaker 2: unique avatar. That's what makes you. It gives you your 1216 00:55:32,960 --> 00:55:36,160 Speaker 2: your your personality within the space, and that's what a 1217 00:55:36,200 --> 00:55:37,040 Speaker 2: lot of people like to do. 1218 00:55:37,480 --> 00:55:37,959 Speaker 5: That's sick. 1219 00:55:38,160 --> 00:55:40,520 Speaker 3: Man. We appreciate you, man. So is that that? 1220 00:55:40,719 --> 00:55:42,960 Speaker 4: That's that's that's the big new get out? You got 1221 00:55:43,000 --> 00:55:43,520 Speaker 4: anything else? 1222 00:55:44,960 --> 00:55:48,120 Speaker 2: I don't know, No, No, let's check it out. 1223 00:55:48,440 --> 00:55:48,719 Speaker 3: Hey man. 1224 00:55:48,760 --> 00:55:50,120 Speaker 4: It's been a pleasure honestly. 1225 00:55:51,480 --> 00:55:53,600 Speaker 5: And whatever we could do together docs Seriously, I we 1226 00:55:53,719 --> 00:55:55,680 Speaker 5: go way back so much that we've been doing. It's 1227 00:55:55,719 --> 00:55:56,520 Speaker 5: just crazy. 1228 00:55:57,080 --> 00:55:58,880 Speaker 2: I know what's coming on the horizon as the release 1229 00:55:58,920 --> 00:56:01,680 Speaker 2: of the Money Being Young Hump single It Up, which 1230 00:56:02,000 --> 00:56:03,239 Speaker 2: you know it's going to be dropped as an n 1231 00:56:03,320 --> 00:56:10,279 Speaker 2: f T and we actually have fifty versions of the song. 1232 00:56:10,960 --> 00:56:12,520 Speaker 2: So if you're a holder of it. Some of the 1233 00:56:12,600 --> 00:56:17,000 Speaker 2: unlockables is access to digital round shows for a limited 1234 00:56:17,040 --> 00:56:21,680 Speaker 2: amount of time. You get you get the pack of 1235 00:56:21,800 --> 00:56:25,680 Speaker 2: stems where you can do your own remixes. It's a 1236 00:56:25,760 --> 00:56:30,160 Speaker 2: lot if you're if you're a gamer, yeah, we gamified 1237 00:56:30,239 --> 00:56:30,680 Speaker 2: our single. 1238 00:56:31,200 --> 00:56:32,439 Speaker 3: Wow, that's cool. 1239 00:56:32,680 --> 00:56:37,760 Speaker 5: Next level ship right and and exactly that next. 1240 00:56:37,680 --> 00:56:40,960 Speaker 2: Level right and and there's generative art along with it. 1241 00:56:41,280 --> 00:56:43,320 Speaker 2: So you buy it every and when you get the 1242 00:56:43,400 --> 00:56:46,040 Speaker 2: art with it. It's a unique piece. You know, you 1243 00:56:46,120 --> 00:56:47,120 Speaker 2: own it as an n F two. 1244 00:56:47,200 --> 00:56:48,440 Speaker 4: You own that, you own the stems. 1245 00:56:48,520 --> 00:56:50,920 Speaker 3: You can own something. I mean owning the stems and 1246 00:56:51,040 --> 00:56:54,320 Speaker 3: being able to create your own that right there is 1247 00:56:55,000 --> 00:56:57,600 Speaker 3: next level almost like you guys, you know the freaks 1248 00:56:57,640 --> 00:57:00,080 Speaker 3: of the industry, you know, coming out like that, that's very. 1249 00:57:00,080 --> 00:57:01,239 Speaker 4: Yeah, something I haven't heard yet. 1250 00:57:01,320 --> 00:57:02,319 Speaker 5: So yeah, this is all new. 1251 00:57:02,440 --> 00:57:04,600 Speaker 3: Kudos to that, man. I'm glad I was able to 1252 00:57:04,640 --> 00:57:08,400 Speaker 3: pull before. Yeah. There it is. 1253 00:57:08,480 --> 00:57:08,640 Speaker 5: Man. 1254 00:57:08,680 --> 00:57:10,640 Speaker 3: We appreciate you on the show. And check this out, guys. 1255 00:57:10,680 --> 00:57:12,480 Speaker 3: This is Cannabis Talk one on one and remember this. 1256 00:57:12,880 --> 00:57:14,640 Speaker 3: If no one else loves you, we do. 1257 00:57:15,719 --> 00:57:18,320 Speaker 2: Yeah, anyding, he's out. 1258 00:57:18,760 --> 00:57:21,080 Speaker 1: Thank you for listening to Cannabis Talk one on one 1259 00:57:21,160 --> 00:57:24,760 Speaker 1: on the iHeartRadio app, Apple Podcasts or wherever you get 1260 00:57:24,800 --> 00:57:25,600 Speaker 1: your podcasts.