WEBVTT - The Haunting of Chill House

0:00:03.160 --> 0:00:08.039
<v Speaker 1>It's one am in Beaumont, South Carolina, and you're listening

0:00:08.039 --> 0:00:23.520
<v Speaker 1>to Nightcall. Hello, and welcome to Night Call, a podcast

0:00:23.600 --> 0:00:26.920
<v Speaker 1>for your strange days and lonely nights. I'm Tess Lynch

0:00:27.000 --> 0:00:30.080
<v Speaker 1>in Los Angeles, and with me is Molly Lambert, and

0:00:30.240 --> 0:00:34.520
<v Speaker 1>over in New York we have Emily Oshida. I should

0:00:34.520 --> 0:00:38.000
<v Speaker 1>have done my fake Southern accent like Kevin Klein. I

0:00:38.040 --> 0:00:40.280
<v Speaker 1>don't think it's fake. I looked him up and he's

0:00:40.360 --> 0:00:44.240
<v Speaker 1>from singt Louis, Missouri. But it's such a bad accent.

0:00:46.560 --> 0:00:48.360
<v Speaker 1>But it made me look up where Kevin Klein was

0:00:48.400 --> 0:00:50.320
<v Speaker 1>from because I realized I had no idea, you know

0:00:50.360 --> 0:00:52.280
<v Speaker 1>what it could be. Though. It's one of the thing

0:00:52.840 --> 0:00:55.639
<v Speaker 1>where like, for instance, if you try to do if

0:00:55.640 --> 0:00:57.880
<v Speaker 1>you're from Boston and you try and do a New

0:00:57.960 --> 0:01:02.640
<v Speaker 1>York accent, like it's still you know, you're still yeah, exactly.

0:01:02.760 --> 0:01:06.479
<v Speaker 1>Maybe it's a contrary to popular belief, there is more

0:01:06.520 --> 0:01:10.280
<v Speaker 1>than one Southern accent. And the Missouri accent is not

0:01:10.440 --> 0:01:16.240
<v Speaker 1>like the Carolina accent exactly. Well, is Missouri sort of midwesty?

0:01:16.600 --> 0:01:19.080
<v Speaker 1>Missouri's the South. It's the South. Yeah, it's not what

0:01:19.120 --> 0:01:21.559
<v Speaker 1>we would call the deep South. This movie takes place

0:01:21.600 --> 0:01:25.679
<v Speaker 1>in the Deep South. This movie that we're about to introduce. Yeah,

0:01:25.920 --> 0:01:29.440
<v Speaker 1>this movie. This this takes some preamble because I feel

0:01:29.480 --> 0:01:33.920
<v Speaker 1>like followers that know us from the hoodies days have

0:01:34.040 --> 0:01:37.040
<v Speaker 1>definitely heard us at least make threats to a Big

0:01:37.120 --> 0:01:42.560
<v Speaker 1>Chill UH Special, a Big Chill super Hour, and we

0:01:42.600 --> 0:01:47.360
<v Speaker 1>are finally making good on that. This week, uh two

0:01:47.440 --> 0:01:59.560
<v Speaker 1>thousand eighteen, we are doing the Big Chill episode, which

0:02:16.240 --> 0:02:19.639
<v Speaker 1>I proposed nothing really other than the fact that Molly

0:02:19.680 --> 0:02:23.280
<v Speaker 1>had never seen The Big Chill. And we're I guess

0:02:23.280 --> 0:02:27.800
<v Speaker 1>officially past spooky season pending election results. Well, this is

0:02:27.840 --> 0:02:30.840
<v Speaker 1>sort of a Thanksgiving movie. It turns out a little

0:02:31.240 --> 0:02:35.720
<v Speaker 1>deleted scene of the deleted scene, a notorious deletedorious deleted

0:02:35.720 --> 0:02:37.919
<v Speaker 1>scene to set up the Big Chill. I've never seen

0:02:37.919 --> 0:02:43.520
<v Speaker 1>The Big Chill. What a terrifying movie to watch in

0:02:43.560 --> 0:02:46.880
<v Speaker 1>your thirties, in your thirties for the first time, because

0:02:47.240 --> 0:02:49.440
<v Speaker 1>I could think about was how old are these people

0:02:49.520 --> 0:02:52.079
<v Speaker 1>supposed to be? And I wanted to say they're on

0:02:52.120 --> 0:02:54.240
<v Speaker 1>the brink of forty, but no, no, no, no, they

0:02:54.919 --> 0:02:58.680
<v Speaker 1>I looked it up. Jeff Goldbloomers thirty one, Glenn Close

0:02:58.760 --> 0:03:01.760
<v Speaker 1>and Kevin Klein were thirty six, but it's like it's

0:03:01.800 --> 0:03:04.840
<v Speaker 1>they didn't have all those k beauty masks back. It's

0:03:04.880 --> 0:03:08.400
<v Speaker 1>also just like it's so eighties that the way the

0:03:08.480 --> 0:03:13.480
<v Speaker 1>way everyone is dressed though, like eighties yuppie American Sloane

0:03:13.560 --> 0:03:18.239
<v Speaker 1>Ranger kind of style is so ancient looking. Well, it

0:03:18.320 --> 0:03:21.600
<v Speaker 1>also to us looks like our parents, who are forever old.

0:03:22.240 --> 0:03:24.799
<v Speaker 1>We will never be able to divorce that look from

0:03:24.880 --> 0:03:28.359
<v Speaker 1>exactly like my parents never dressed like that. You think

0:03:28.400 --> 0:03:30.920
<v Speaker 1>they didn't. But there's like a certain amount of the

0:03:31.040 --> 0:03:34.720
<v Speaker 1>hair dues. One thing I loved how they all have

0:03:34.880 --> 0:03:38.600
<v Speaker 1>the same haircut in this movie. Everybody, man and woman

0:03:38.760 --> 0:03:41.880
<v Speaker 1>has the exact same haircut, a little bit of a flue,

0:03:42.080 --> 0:03:44.880
<v Speaker 1>a little bit of a flue. Sometimes it's curly, sometimes

0:03:44.880 --> 0:03:49.560
<v Speaker 1>it's straight. It's growing out. They're all growing out their part.

0:03:52.720 --> 0:03:55.480
<v Speaker 1>Like speaking of our parents, we definitely respond to this

0:03:55.520 --> 0:03:58.040
<v Speaker 1>in a different way than maybe even listeners of our

0:03:58.080 --> 0:04:00.960
<v Speaker 1>podcasts that that are younger that may don't have boomer

0:04:01.040 --> 0:04:03.360
<v Speaker 1>parents might respond to it, who might just like watch

0:04:03.440 --> 0:04:07.040
<v Speaker 1>it purely for the aesthetics. Um, Like this really does

0:04:07.160 --> 0:04:10.760
<v Speaker 1>feel like the beginning of boomers running everything. This movie,

0:04:11.000 --> 0:04:13.760
<v Speaker 1>Like it feels like the cultural flag being planted of like, Okay,

0:04:13.760 --> 0:04:15.360
<v Speaker 1>now everything is going to have to do with like

0:04:15.400 --> 0:04:17.680
<v Speaker 1>what boomers were into and their college experience and the

0:04:17.760 --> 0:04:20.599
<v Speaker 1>music that they liked them blah blah blah blah. Um

0:04:20.720 --> 0:04:23.440
<v Speaker 1>and and boomers just talking and recording themselves talking and

0:04:23.440 --> 0:04:29.680
<v Speaker 1>then watching themselves talking and like feedback loop of Boomer interests. Uh.

0:04:29.720 --> 0:04:33.960
<v Speaker 1>But yeah, it's very Uh it's fun to imagine what

0:04:34.040 --> 0:04:37.360
<v Speaker 1>this movie would be like about any other generation. Um,

0:04:37.400 --> 0:04:40.560
<v Speaker 1>but it's also hard too because it's just so boomer. Yeah,

0:04:40.560 --> 0:04:42.919
<v Speaker 1>it's pretty boomery, I have to say that. So I

0:04:42.960 --> 0:04:45.400
<v Speaker 1>didn't believe that anyone hadn't seen The Big Chill until

0:04:45.400 --> 0:04:47.599
<v Speaker 1>we found out while we were talking about it. Um.

0:04:47.920 --> 0:04:49.440
<v Speaker 1>I don't remember if it was on the air when

0:04:49.440 --> 0:04:52.080
<v Speaker 1>we were recording Hoodies or before or after. I was

0:04:52.120 --> 0:04:55.200
<v Speaker 1>stunned because it's like I was saying, this is like

0:04:55.279 --> 0:04:59.080
<v Speaker 1>one of Tessa's favorite movies ever, and tests like that

0:04:59.279 --> 0:05:01.919
<v Speaker 1>came to it late. Man. Yeah, I feel like for

0:05:01.960 --> 0:05:04.680
<v Speaker 1>the entire time I've known you, since you were a teenager,

0:05:04.920 --> 0:05:08.280
<v Speaker 1>you've loved like midlife crisis movies. Love them, I love them.

0:05:08.320 --> 0:05:11.200
<v Speaker 1>I've been having a midlife crisis. You can't entire life.

0:05:11.480 --> 0:05:13.480
<v Speaker 1>You just can't wait to be like wearing a camel

0:05:13.560 --> 0:05:16.520
<v Speaker 1>code and smoking and like arguing on a pay phone

0:05:16.560 --> 0:05:20.159
<v Speaker 1>about the children a bunch of We're definitely all Donald

0:05:20.240 --> 0:05:29.760
<v Speaker 1>Sutherland and Animal House. Today's episode of Nightcall is brought

0:05:29.880 --> 0:05:33.160
<v Speaker 1>to you by Canvas People. We want to know what

0:05:33.320 --> 0:05:36.240
<v Speaker 1>you're planning on doing for your holiday shopping. I don't

0:05:36.240 --> 0:05:39.000
<v Speaker 1>know about you, guys, but I take so many pictures

0:05:39.000 --> 0:05:43.000
<v Speaker 1>on my phone every day, and half of them just disappear.

0:05:43.120 --> 0:05:45.440
<v Speaker 1>I don't do anything with them, you know, because of

0:05:45.440 --> 0:05:47.719
<v Speaker 1>the way that we now live off of our phones,

0:05:47.839 --> 0:05:50.880
<v Speaker 1>a lot of times we never get to actually look

0:05:50.920 --> 0:05:53.919
<v Speaker 1>at and cherish and remember some of these photos. Campus

0:05:53.920 --> 0:05:55.640
<v Speaker 1>People is a service where you can take some of

0:05:55.680 --> 0:05:59.320
<v Speaker 1>your photos and turn them into keepsake quality gifts for

0:05:59.400 --> 0:06:02.080
<v Speaker 1>your home and for your loved ones. It's a really

0:06:02.080 --> 0:06:04.600
<v Speaker 1>cool way to turn photos of your family into art

0:06:04.640 --> 0:06:07.839
<v Speaker 1>for the wall, framable art, and it makes a great

0:06:07.839 --> 0:06:11.039
<v Speaker 1>gift for the holiday season. Now, as a special, very

0:06:11.080 --> 0:06:15.240
<v Speaker 1>limited holiday offer, canvas people dot com is offering their

0:06:15.279 --> 0:06:19.960
<v Speaker 1>popular eleven by fourteen photo campuses for free. That's right,

0:06:20.240 --> 0:06:24.400
<v Speaker 1>for free. These normally selfur six, but for this week only,

0:06:24.480 --> 0:06:26.720
<v Speaker 1>you'll pay nothing. All you have to do is cover

0:06:26.760 --> 0:06:30.760
<v Speaker 1>shipping and handling. So to get your free canvas, text

0:06:30.800 --> 0:06:35.120
<v Speaker 1>call to eight for eight for eight. Just pay shipping

0:06:35.200 --> 0:06:38.680
<v Speaker 1>and handling. This offer won't last long, so night callers

0:06:38.760 --> 0:06:42.839
<v Speaker 1>text call C A L L to eight for eight

0:06:43.040 --> 0:06:46.280
<v Speaker 1>for eight. That's call to four eight for eight four eight.

0:06:47.200 --> 0:06:56.440
<v Speaker 1>Message and data rights may apply. Well, but let me

0:06:56.520 --> 0:06:58.680
<v Speaker 1>lay out the movie for anyone who hasn't seen it.

0:06:58.720 --> 0:07:01.159
<v Speaker 1>So it's three, which happens to be the year that

0:07:01.200 --> 0:07:03.720
<v Speaker 1>Molly and I were both born, So the movie belongs

0:07:03.760 --> 0:07:06.719
<v Speaker 1>to us. And it is a Lawrence Casnan movie about

0:07:06.839 --> 0:07:10.640
<v Speaker 1>a group of friends who are reunited by um the

0:07:10.760 --> 0:07:13.800
<v Speaker 1>death of their one of their other friends. Their friend

0:07:13.920 --> 0:07:16.200
<v Speaker 1>who died is played by Kevin Costner, but all of

0:07:16.200 --> 0:07:18.480
<v Speaker 1>his scenes were cut out of the movie, but apparently

0:07:18.520 --> 0:07:21.280
<v Speaker 1>there's a scene where he was like it was a

0:07:21.320 --> 0:07:24.600
<v Speaker 1>flashback scene where he's making Thanksgiving dinner with the rest

0:07:24.640 --> 0:07:27.640
<v Speaker 1>of the cast, and then that ended up being cut um.

0:07:27.680 --> 0:07:31.240
<v Speaker 1>But it's basically this group of you know, friends who

0:07:31.280 --> 0:07:33.960
<v Speaker 1>get together after a long time apart. They go to

0:07:34.000 --> 0:07:37.120
<v Speaker 1>a house in South Carolina and they all spend time

0:07:37.160 --> 0:07:40.600
<v Speaker 1>together surrounding this guy's funeral. Well, what I learned from

0:07:40.680 --> 0:07:43.600
<v Speaker 1>the IMDb trivia section that I read expensively after watching

0:07:43.600 --> 0:07:47.120
<v Speaker 1>it is that the flashback scene would have revealed the

0:07:47.160 --> 0:07:49.520
<v Speaker 1>information that these people all lived in a co op

0:07:49.600 --> 0:07:54.720
<v Speaker 1>together University of Michigan, much like Lawrence Kasden who was

0:07:54.760 --> 0:07:58.560
<v Speaker 1>in a food co op called the Eugene Debs Up,

0:07:58.960 --> 0:08:03.240
<v Speaker 1>like a socialist food up, which then explains why they

0:08:03.240 --> 0:08:06.320
<v Speaker 1>are so comfortable living in a house together and sharing

0:08:06.360 --> 0:08:09.760
<v Speaker 1>the duties of cooking and making food and stuff was

0:08:09.760 --> 0:08:12.360
<v Speaker 1>supposed to be. It is a crazy tale. And I

0:08:12.400 --> 0:08:14.360
<v Speaker 1>was also like, I've known a lot of people who've

0:08:14.440 --> 0:08:17.360
<v Speaker 1>lived in co ops, and there is that dynamic of

0:08:17.400 --> 0:08:19.600
<v Speaker 1>living in a co op with people where everybody's like

0:08:20.080 --> 0:08:24.320
<v Speaker 1>eating together and doing the dishes and like flirting with

0:08:24.360 --> 0:08:28.200
<v Speaker 1>each other all the time. And I liked this movie.

0:08:28.440 --> 0:08:31.560
<v Speaker 1>It was sad. Why sad? Well, I mean maybe it

0:08:31.640 --> 0:08:34.320
<v Speaker 1>wasn't sad. I don't know. It was definitely less like

0:08:34.360 --> 0:08:36.960
<v Speaker 1>peak eighties than I was expecting. I realized, Like as

0:08:36.960 --> 0:08:38.400
<v Speaker 1>I was watching it, I was like, oh, this is

0:08:38.400 --> 0:08:41.400
<v Speaker 1>like three this is kind of like almost still a

0:08:41.440 --> 0:08:45.120
<v Speaker 1>seventies movie. It's just kind of like a story about

0:08:45.200 --> 0:08:48.960
<v Speaker 1>some people with some problems. It's very much like Play.

0:08:49.720 --> 0:08:51.560
<v Speaker 1>Yeah it is. It's a total play and I thought

0:08:51.640 --> 0:08:53.199
<v Speaker 1>it was. Also it's kind of like a loose remake

0:08:53.240 --> 0:08:56.440
<v Speaker 1>of Rules of the Game. He said, it's like a

0:08:56.520 --> 0:08:59.600
<v Speaker 1>French country estate, but it's just like a you know,

0:08:59.760 --> 0:09:02.920
<v Speaker 1>a ntry house and some white yuppies who are having

0:09:02.920 --> 0:09:07.559
<v Speaker 1>a lot of issues but having fun having their issue. Well, okay,

0:09:07.559 --> 0:09:08.959
<v Speaker 1>this is what I'm gonna say is I thought the

0:09:09.000 --> 0:09:11.640
<v Speaker 1>reason I thought it wasn't maybe depressing because I was like,

0:09:11.800 --> 0:09:16.160
<v Speaker 1>is this like an upbeat ending spoiler alert, Like everybody

0:09:16.200 --> 0:09:19.080
<v Speaker 1>has sex at the end during like a lightning storm.

0:09:19.200 --> 0:09:22.720
<v Speaker 1>This movie is very horny. Um. But yeah, I was like,

0:09:23.400 --> 0:09:25.480
<v Speaker 1>this movie is sort of like it's like, at first,

0:09:25.520 --> 0:09:28.040
<v Speaker 1>it's all sad about like you've made all your choices

0:09:28.080 --> 0:09:31.000
<v Speaker 1>and you're stuck now in your life forever with your

0:09:31.040 --> 0:09:34.679
<v Speaker 1>like boring life that you chose. Um, nothing like the

0:09:34.720 --> 0:09:36.400
<v Speaker 1>fun life you thought you were going to have when

0:09:36.440 --> 0:09:38.160
<v Speaker 1>you were a hippie living in a co op with

0:09:38.200 --> 0:09:41.360
<v Speaker 1>your cool friends, and now you're confronting it in a

0:09:41.559 --> 0:09:44.640
<v Speaker 1>funeral scenario. But then at the end, it's like everybody

0:09:44.880 --> 0:09:48.080
<v Speaker 1>kind of is like, oh, actually, we still can change

0:09:48.080 --> 0:09:51.319
<v Speaker 1>our minds about stuff still and like let your friend's

0:09:51.360 --> 0:09:54.440
<v Speaker 1>husband knock you up, which is, yeah, that's one of

0:09:54.480 --> 0:09:57.960
<v Speaker 1>that you really wild plot points. I think that's is

0:09:57.960 --> 0:10:01.400
<v Speaker 1>that the transformative moment though, is that like when when

0:10:01.440 --> 0:10:05.040
<v Speaker 1>everybody realizes they still have that good old hippie community

0:10:05.760 --> 0:10:08.319
<v Speaker 1>because they're like, we're going to make a baby together

0:10:08.480 --> 0:10:12.640
<v Speaker 1>as like a friend. But then there's also the fact

0:10:12.760 --> 0:10:17.280
<v Speaker 1>that Nick, who's William hurt Um, decides to stay in

0:10:17.400 --> 0:10:24.959
<v Speaker 1>the house with Chloe's. It is the Haunting of Chill House. Yep,

0:10:25.520 --> 0:10:29.360
<v Speaker 1>is make Chilly like always always doing stretches and like

0:10:29.360 --> 0:10:34.640
<v Speaker 1>like doing contortions and a leotard because she's young and flexible. Yeah,

0:10:34.760 --> 0:10:38.320
<v Speaker 1>of course, because it's to show that it's the eighties. Well,

0:10:38.320 --> 0:10:43.600
<v Speaker 1>I mean like flexible metaphorically she's doing more like you know, Well,

0:10:43.640 --> 0:10:46.080
<v Speaker 1>they don't really. It's funny. They feel like they include her.

0:10:46.120 --> 0:10:48.120
<v Speaker 1>They're not like mean to her just because she's like

0:10:48.160 --> 0:10:50.240
<v Speaker 1>the young I mean, Glenn Close is giving her some

0:10:50.280 --> 0:10:52.520
<v Speaker 1>side eye. But I think at one point Meg Tilly's

0:10:52.600 --> 0:10:55.920
<v Speaker 1>character Chloe, they're all like waxing nostalgic, and then they

0:10:55.960 --> 0:10:57.959
<v Speaker 1>ask her about her past and she's like, oh, I

0:10:58.000 --> 0:11:00.360
<v Speaker 1>don't really talk about the past because I don't about

0:11:00.440 --> 0:11:02.080
<v Speaker 1>it as much as you guys. So she kind of

0:11:02.120 --> 0:11:05.920
<v Speaker 1>represents the like she's not nostalgic yet, because she's still

0:11:05.920 --> 0:11:09.480
<v Speaker 1>at a point where she's still like idealistic and anything

0:11:09.520 --> 0:11:12.280
<v Speaker 1>can happen in her life, and like she's just enjoying

0:11:12.280 --> 0:11:14.920
<v Speaker 1>her she's in her twice. It feels like she's more.

0:11:15.640 --> 0:11:18.439
<v Speaker 1>She doesn't have a tight group of friends though like

0:11:18.520 --> 0:11:22.679
<v Speaker 1>they do. She's yeah, she's a drifter. She's like seems

0:11:22.720 --> 0:11:26.000
<v Speaker 1>like she's just dated a series of older men and

0:11:26.440 --> 0:11:29.760
<v Speaker 1>like she says something to the effect of, I don't

0:11:29.800 --> 0:11:34.040
<v Speaker 1>know that many happy people or something like that. I

0:11:34.080 --> 0:11:40.160
<v Speaker 1>think she's secretly the greatest character. She is a great character.

0:11:40.400 --> 0:11:43.079
<v Speaker 1>And like the leotard that she's doing the stretches and

0:11:43.120 --> 0:11:46.080
<v Speaker 1>at the beginning is like very specifically such an eighties leotard,

0:11:46.520 --> 0:11:49.400
<v Speaker 1>like put me in a weird state of mind. Can

0:11:49.440 --> 0:11:51.240
<v Speaker 1>you imagine how hard it would be to pee if

0:11:51.240 --> 0:11:55.000
<v Speaker 1>you were wearing a leotard overtights? I mean I remember

0:11:55.040 --> 0:12:00.600
<v Speaker 1>how hard it was. Yeah, everyone did. Yeah. I mean

0:12:00.679 --> 0:12:02.600
<v Speaker 1>some of the things that I knew about this movie,

0:12:02.640 --> 0:12:06.559
<v Speaker 1>the like dancing around the kitchen island and the sixties soundtrack,

0:12:06.600 --> 0:12:10.839
<v Speaker 1>thing like none of it bothered me in the context

0:12:10.880 --> 0:12:13.400
<v Speaker 1>of the movie because it was like possible to see

0:12:13.400 --> 0:12:15.200
<v Speaker 1>it is like, oh, this was the first time some

0:12:15.280 --> 0:12:20.280
<v Speaker 1>of these things happened. Uh so so we should maybe

0:12:20.280 --> 0:12:23.120
<v Speaker 1>like like just do the boiler plate in case people

0:12:23.160 --> 0:12:25.319
<v Speaker 1>haven't seen this movie. Well, Test, I think set it

0:12:25.400 --> 0:12:29.199
<v Speaker 1>up that it's like a funeral friend, one of their friends.

0:12:29.640 --> 0:12:31.520
<v Speaker 1>It's interesting now to know that it's a commune. That's

0:12:31.520 --> 0:12:33.840
<v Speaker 1>like a that's an interesting Yeah. That made it a

0:12:33.840 --> 0:12:37.400
<v Speaker 1>lot more more interesting to me. So this friend of

0:12:37.400 --> 0:12:41.400
<v Speaker 1>there's Kevin Costner who plays corpse in it. Uh he's

0:12:41.440 --> 0:12:43.240
<v Speaker 1>the funk up, but they're all he's kind of a

0:12:43.280 --> 0:12:44.640
<v Speaker 1>funk up. But he's like one of these guys you

0:12:44.679 --> 0:12:46.320
<v Speaker 1>just couldn't decide on what he was going to be,

0:12:46.520 --> 0:12:48.520
<v Speaker 1>and he would like you know, drifted around from job's

0:12:48.600 --> 0:12:54.120
<v Speaker 1>job and then committed suicide while staying at the country

0:12:54.200 --> 0:12:58.360
<v Speaker 1>home of Kevin Klein and Glenn Close's characters who are

0:12:58.600 --> 0:13:00.840
<v Speaker 1>or they've kind of made it. They like own some

0:13:00.920 --> 0:13:05.520
<v Speaker 1>kind of chain of stores. It's going to get store

0:13:06.240 --> 0:13:09.480
<v Speaker 1>and that up. And it's called Running Dog And it's

0:13:09.520 --> 0:13:12.680
<v Speaker 1>from a quote. It's from a quote from Maw that

0:13:12.800 --> 0:13:18.560
<v Speaker 1>says something about the running dogs of capitalism. Whoa if

0:13:18.559 --> 0:13:23.400
<v Speaker 1>you weren't there was a socialist subtext to The Big Chill.

0:13:23.760 --> 0:13:25.600
<v Speaker 1>We found it. It's not even a subtext. It's like

0:13:25.640 --> 0:13:29.240
<v Speaker 1>in the movie again, it makes it interesting. I think

0:13:29.240 --> 0:13:31.840
<v Speaker 1>I teamed out because, yeah, they have the shoes delivered

0:13:31.880 --> 0:13:33.480
<v Speaker 1>from the store so that they can run around and

0:13:33.480 --> 0:13:38.199
<v Speaker 1>play like five football in the yard and the Yeah,

0:13:38.480 --> 0:13:42.480
<v Speaker 1>so there's just a tangle of feelings among these seven friends.

0:13:42.800 --> 0:13:46.400
<v Speaker 1>Is it seven plus plus Meg Tailling? I guess yeah,

0:13:46.600 --> 0:13:51.760
<v Speaker 1>Well if you also you have got account Richard husband

0:13:51.800 --> 0:13:55.040
<v Speaker 1>who eats a mayonnaise sandwich and a glass of milk,

0:13:56.520 --> 0:13:58.599
<v Speaker 1>and that's all you need to know about Richard. And

0:13:58.640 --> 0:14:01.160
<v Speaker 1>then he goes and then leaves the next morning. He's like,

0:14:01.480 --> 0:14:03.760
<v Speaker 1>I'm just here for the mannaise sandwich. Yeah. Um, I

0:14:03.840 --> 0:14:06.199
<v Speaker 1>was saying to tests, I found all of the men

0:14:06.240 --> 0:14:10.480
<v Speaker 1>in this movie very attractive. Who most who? Most of all? Uh, well,

0:14:10.520 --> 0:14:12.520
<v Speaker 1>you know, I know that it's just like a basic

0:14:12.679 --> 0:14:15.320
<v Speaker 1>take to be attracted to Jeff Goldbloom, But I was

0:14:15.440 --> 0:14:18.120
<v Speaker 1>never a person who was attracted to Jeff Goldbloom for

0:14:18.200 --> 0:14:22.479
<v Speaker 1>many years, and like suddenly I was like Jeff Goldbloom, Wow,

0:14:22.640 --> 0:14:26.680
<v Speaker 1>what a charming guy, very good at taking imaginary phone

0:14:26.720 --> 0:14:29.840
<v Speaker 1>calls and movies. Yeah, I'll tell you who I was

0:14:29.920 --> 0:14:32.320
<v Speaker 1>most attracted to, and that would be Mary kay Place.

0:14:32.480 --> 0:14:37.120
<v Speaker 1>Oh well, Mary kay Place, Mary Kay plays the maid. Yeah.

0:14:37.360 --> 0:14:39.800
<v Speaker 1>The people who were involved are Kevin. We got Kevin

0:14:39.800 --> 0:14:42.720
<v Speaker 1>and Glenn as Harold and Sarah, and they I read

0:14:42.720 --> 0:14:44.680
<v Speaker 1>something I don't remember where when I was sifting through

0:14:44.720 --> 0:14:47.360
<v Speaker 1>all of these big chill takes that you know, some

0:14:47.400 --> 0:14:49.720
<v Speaker 1>people argue that this is a Southern movie because it's

0:14:49.760 --> 0:14:52.920
<v Speaker 1>all about like looking back, you know, towards history and

0:14:52.960 --> 0:14:55.960
<v Speaker 1>like that. He's the person who's from the South and

0:14:56.000 --> 0:14:59.120
<v Speaker 1>then went to University of Michigan but returned to his

0:14:59.240 --> 0:15:01.960
<v Speaker 1>roots and now he's just returning to his past, but

0:15:02.040 --> 0:15:04.760
<v Speaker 1>everyone else went elsewhere and he's living in like a

0:15:04.800 --> 0:15:09.200
<v Speaker 1>plantation house. Basically yeah. Um. But then neither Kevin Klein

0:15:09.520 --> 0:15:12.200
<v Speaker 1>nor Glenn Close wanted like they thought those were the

0:15:12.240 --> 0:15:14.400
<v Speaker 1>boring roles, and they were a little bit pissed that

0:15:14.440 --> 0:15:17.040
<v Speaker 1>they were cast that way. Not pissed, but they were like,

0:15:17.400 --> 0:15:20.680
<v Speaker 1>all right, everybody wanted to be Mary kay Place. Of course,

0:15:21.280 --> 0:15:23.840
<v Speaker 1>I mean, who wouldn't. Um. And then we have Tom

0:15:23.840 --> 0:15:26.960
<v Speaker 1>Beranger as Sam Webber, who is the like you know,

0:15:27.040 --> 0:15:35.920
<v Speaker 1>kind of accidentally yes, also also also also needless to say,

0:15:36.200 --> 0:15:40.160
<v Speaker 1>Michael gold Jeff Goldblum, who is the entertainment journalist. He's

0:15:40.160 --> 0:15:44.080
<v Speaker 1>the one who's all of us unrelatable, trying to get

0:15:44.080 --> 0:15:45.920
<v Speaker 1>out of con He's trying to get out of content,

0:15:45.960 --> 0:15:48.000
<v Speaker 1>and he's trying to convince himself at the stories he's

0:15:48.000 --> 0:15:51.760
<v Speaker 1>writing for US magazine anything. You know, it's people, isn't

0:15:51.760 --> 0:15:56.360
<v Speaker 1>it people? It was the US, But he started opening

0:15:56.720 --> 0:16:00.720
<v Speaker 1>kids in Harlem and like then got into journalism for

0:16:00.760 --> 0:16:03.800
<v Speaker 1>the money, I guess. Yeah. And he's the one who

0:16:03.880 --> 0:16:08.240
<v Speaker 1>brought the camera to tape everyone very awkwardly but mostly

0:16:08.320 --> 0:16:11.960
<v Speaker 1>himself James Spader and Sexless and Video Tape eighties, bringing

0:16:11.960 --> 0:16:16.600
<v Speaker 1>the camera to tape everybody talking about um and nobody

0:16:16.600 --> 0:16:19.240
<v Speaker 1>wants to have sex with him, That's what and which

0:16:19.320 --> 0:16:23.880
<v Speaker 1>is very surprising. In like a deleted scene, he goes

0:16:23.960 --> 0:16:26.200
<v Speaker 1>up at the funeral, he's introducing himself, like no one

0:16:26.240 --> 0:16:28.880
<v Speaker 1>remembers him, which makes me think he was living in

0:16:28.920 --> 0:16:31.760
<v Speaker 1>the commune. But he was from a younger grade, so

0:16:31.840 --> 0:16:34.640
<v Speaker 1>I would well, he is a little bit younger, reads,

0:16:34.640 --> 0:16:36.680
<v Speaker 1>a little bit younger, so I think he was kind

0:16:36.680 --> 0:16:39.480
<v Speaker 1>of like the interloper who wanted to be cool. He's

0:16:39.480 --> 0:16:45.480
<v Speaker 1>bringing that new wave energy into this otherwise strictly classic

0:16:45.600 --> 0:16:50.160
<v Speaker 1>R and B household. And then there's William Hurt. Yes,

0:16:51.000 --> 0:16:57.560
<v Speaker 1>obviously Nick Carleton, who's a veteran. He is a Vietnam vet.

0:16:57.960 --> 0:17:01.760
<v Speaker 1>He he cannot get a boner or some or or

0:17:01.840 --> 0:17:04.320
<v Speaker 1>does I don't know. My husband is like his dick

0:17:04.680 --> 0:17:08.560
<v Speaker 1>was blown off. Is that it's not really but I

0:17:08.720 --> 0:17:11.120
<v Speaker 1>was envisioning the like born on the fourth of July,

0:17:11.280 --> 0:17:13.800
<v Speaker 1>like pulling your tube out. Yeah, there's something. That's what

0:17:13.840 --> 0:17:16.720
<v Speaker 1>I imagined. Um. He also does a lot of drugs,

0:17:17.280 --> 0:17:19.960
<v Speaker 1>and I find him to be the least attractive in

0:17:19.960 --> 0:17:24.960
<v Speaker 1>this film. He's a babe though still mannerisms wise and

0:17:25.000 --> 0:17:27.840
<v Speaker 1>the dryness of his his sense of humor. He is

0:17:27.840 --> 0:17:34.679
<v Speaker 1>the number one babe number not not exactly, but I like,

0:17:35.119 --> 0:17:37.639
<v Speaker 1>I dated somebody for a summer who was obsessed with

0:17:37.720 --> 0:17:41.880
<v Speaker 1>this movie and uh and obsessed with his character specifically,

0:17:41.960 --> 0:17:47.120
<v Speaker 1>and had the car, had that Porsche like the old Porsche,

0:17:47.240 --> 0:17:50.400
<v Speaker 1>and um and was very much like like him. But

0:17:50.560 --> 0:17:56.080
<v Speaker 1>obviously it did something for me. So interesting babe who's

0:17:56.160 --> 0:17:58.880
<v Speaker 1>drawn to whom I would not have expected that who

0:17:58.880 --> 0:18:02.680
<v Speaker 1>else we got? Okay, So then we have um Meg

0:18:02.760 --> 0:18:07.520
<v Speaker 1>Jones Mary kay Place my girlfriend. Now, um, she is

0:18:08.040 --> 0:18:14.600
<v Speaker 1>a single, professional woman. She's like, I feel like it's

0:18:14.440 --> 0:18:19.360
<v Speaker 1>she's she's a professional business she in Los Angeles. There's

0:18:19.400 --> 0:18:21.520
<v Speaker 1>a point where she's in her office and she's looking

0:18:21.560 --> 0:18:23.640
<v Speaker 1>out over the in the opening credits when you see

0:18:23.640 --> 0:18:27.000
<v Speaker 1>how she has to look at the briefs for the account. Yeah,

0:18:27.200 --> 0:18:31.720
<v Speaker 1>the exactly the briefs. Let's imagine that she works in

0:18:31.760 --> 0:18:34.199
<v Speaker 1>Century City as a lawyer, because that seems right, and

0:18:34.760 --> 0:18:37.920
<v Speaker 1>smoking merits and she just seems really cool. And then

0:18:37.960 --> 0:18:41.680
<v Speaker 1>we have Karen Bowen's Who's Joe Beth Williams. She's kind

0:18:41.680 --> 0:18:46.680
<v Speaker 1>of the token like soap opera cold Dish. She's entrapped

0:18:46.760 --> 0:18:48.880
<v Speaker 1>in a bad marriage to the boring guy, to boring

0:18:48.880 --> 0:18:51.240
<v Speaker 1>guy Richard Bowen. But she used, she clearly used to

0:18:51.280 --> 0:18:54.240
<v Speaker 1>be a fun babe in college and this is reminding

0:18:54.240 --> 0:18:56.720
<v Speaker 1>her of that. Yeah, and she gives a lot of

0:18:56.800 --> 0:19:02.359
<v Speaker 1>longing looks. Can I uh offer a hot take in

0:19:02.400 --> 0:19:06.080
<v Speaker 1>opposition to your enthusiasm for Mary Kay Place here? I

0:19:06.119 --> 0:19:08.840
<v Speaker 1>don't think that. I don't think there are any like

0:19:08.920 --> 0:19:11.119
<v Speaker 1>actually good female characters in this movie, and that was

0:19:11.359 --> 0:19:14.160
<v Speaker 1>that was a realization upon watching it this time, because

0:19:14.200 --> 0:19:17.280
<v Speaker 1>I didn't think that Chloe was the best character. That's

0:19:17.320 --> 0:19:21.120
<v Speaker 1>sort of that's that's the hottest take. But I mean

0:19:21.160 --> 0:19:23.280
<v Speaker 1>I think that if if they had added like one

0:19:23.400 --> 0:19:25.440
<v Speaker 1>or one or two more scenes with her, I think

0:19:25.480 --> 0:19:27.439
<v Speaker 1>you would have you would have an a plus character

0:19:27.520 --> 0:19:29.720
<v Speaker 1>and a very interesting character. And not to be too

0:19:29.880 --> 0:19:33.840
<v Speaker 1>like beck Deli reductionist about it, but like they that

0:19:34.000 --> 0:19:37.080
<v Speaker 1>feeling of like it's me watching Jeff Goldblum just you know,

0:19:37.200 --> 0:19:40.840
<v Speaker 1>in some of yes, the like the literal facts of

0:19:40.920 --> 0:19:43.320
<v Speaker 1>his character and his profession everything, but also just like

0:19:43.359 --> 0:19:44.840
<v Speaker 1>some of the mannerisms and the way he is and

0:19:44.920 --> 0:19:47.560
<v Speaker 1>everything that for me is not there for with any

0:19:47.600 --> 0:19:50.320
<v Speaker 1>of the female characters, mostly because we don't again, we

0:19:50.320 --> 0:19:52.400
<v Speaker 1>don't know what We don't know what Mary ky Place does,

0:19:52.520 --> 0:19:55.600
<v Speaker 1>and like everybody else is just like defined by like

0:19:55.720 --> 0:19:58.920
<v Speaker 1>whether or not they fucked the dead guy, or if

0:19:58.920 --> 0:20:01.800
<v Speaker 1>they like if they like their husbands or not, or

0:20:01.840 --> 0:20:03.560
<v Speaker 1>if they want to stay out of their marriages. Like

0:20:03.680 --> 0:20:07.359
<v Speaker 1>that seems to be the defining crises for most of

0:20:07.400 --> 0:20:09.600
<v Speaker 1>these characters. And yes, everything comes down to sex in

0:20:09.640 --> 0:20:12.320
<v Speaker 1>this movie in the end, but like it's always been

0:20:12.359 --> 0:20:15.800
<v Speaker 1>sex though for all represents not selling out. But I

0:20:15.840 --> 0:20:18.720
<v Speaker 1>thought Glenn Close had a pretty good like you had

0:20:18.720 --> 0:20:22.640
<v Speaker 1>a sense of her backstory. She was involved with Alex, Yeah, Alex,

0:20:22.760 --> 0:20:25.040
<v Speaker 1>but did she have an affair, Yeah, she cheated on

0:20:25.160 --> 0:20:28.240
<v Speaker 1>Kevin Klein with Alex, she gets to cry in their

0:20:28.240 --> 0:20:33.800
<v Speaker 1>shower and the shower early on. But then but then

0:20:33.840 --> 0:20:39.040
<v Speaker 1>by deciding to encourage spoiler again, Kevin Klein to father

0:20:39.200 --> 0:20:43.040
<v Speaker 1>Mary Kay places child, and then to have sex, it's

0:20:43.040 --> 0:20:46.239
<v Speaker 1>like retribution. She's like, now we're even because I had

0:20:46.280 --> 0:20:48.800
<v Speaker 1>an affair with Alex and I carried that guilt and

0:20:48.880 --> 0:20:52.000
<v Speaker 1>now I am basically like enlisting you to have sex

0:20:52.000 --> 0:20:54.840
<v Speaker 1>with my friend, and now it's even. Steven, I don't

0:20:54.840 --> 0:20:59.520
<v Speaker 1>know that feels feels that feels like a fairy. That

0:20:59.640 --> 0:21:07.240
<v Speaker 1>feels such a male screenwriter fabrication, the puppet matter in

0:21:07.280 --> 0:21:09.760
<v Speaker 1>this drange. No, I was test I like it. No,

0:21:09.880 --> 0:21:11.719
<v Speaker 1>it was real. It was co written with a woman,

0:21:12.040 --> 0:21:16.239
<v Speaker 1>a woman, Barbara Coppleson. Let's go with it. Let's go

0:21:16.320 --> 0:21:19.320
<v Speaker 1>with it because so wild to me that Lauren Kasten

0:21:19.400 --> 0:21:22.280
<v Speaker 1>wrote this like in the middle of doing Star Wars.

0:21:22.480 --> 0:21:26.359
<v Speaker 1>It's like, it's like the chaser for Star Wars for sure.

0:21:26.680 --> 0:21:28.399
<v Speaker 1>I mean again, that's like what I liked about is

0:21:28.440 --> 0:21:30.200
<v Speaker 1>I was like, Wow, this was a big hit movie

0:21:30.280 --> 0:21:32.360
<v Speaker 1>that got nominated for a lot of Oscars, and it's

0:21:32.400 --> 0:21:35.600
<v Speaker 1>just about a bunch of people having like personal crises.

0:21:36.200 --> 0:21:42.560
<v Speaker 1>It's not about space Wars. It's just like internal space Wars. Also,

0:21:42.680 --> 0:21:45.240
<v Speaker 1>I thought it was really interesting that he felt so

0:21:45.320 --> 0:21:47.760
<v Speaker 1>bad about cutting Kevin Costner out of the movie that

0:21:47.880 --> 0:21:51.040
<v Speaker 1>then his next movie, Silverado. He was like, come back, Kevin,

0:21:51.119 --> 0:21:54.600
<v Speaker 1>come on. Kevin was like, alright, fine, I'll do it.

0:21:55.000 --> 0:21:57.320
<v Speaker 1>But I mean that it's like interesting because when they

0:21:57.440 --> 0:22:00.199
<v Speaker 1>talk about cutting his scenes, And what's super weird is

0:22:00.240 --> 0:22:02.600
<v Speaker 1>that I have the Blu ray with like all the

0:22:02.600 --> 0:22:07.000
<v Speaker 1>deleted scenes, but you cannot get the deleted scenes of

0:22:07.119 --> 0:22:09.919
<v Speaker 1>Kevin Costner. They are not to be found. And apparently

0:22:09.920 --> 0:22:13.840
<v Speaker 1>it's because they felt like if Alex existed in that

0:22:14.160 --> 0:22:18.200
<v Speaker 1>universe that it would overshadow the impressions of Alex. That

0:22:18.359 --> 0:22:22.480
<v Speaker 1>make I think that's the right. Probably the wigs were

0:22:22.480 --> 0:22:25.480
<v Speaker 1>so bad and the Thanksgiving flashback that people laughed, that's

0:22:25.560 --> 0:22:28.000
<v Speaker 1>so awesome, Like we can't do it because they're supposed

0:22:28.000 --> 0:22:31.639
<v Speaker 1>to be like maybe maybe the wigs were, you know,

0:22:31.920 --> 0:22:33.800
<v Speaker 1>just fate telling them that. I mean, I think it

0:22:33.880 --> 0:22:35.720
<v Speaker 1>makes more sense to not have him around. I think

0:22:35.720 --> 0:22:37.919
<v Speaker 1>it's more effective. I think it's a good little like

0:22:38.320 --> 0:22:41.320
<v Speaker 1>Gotcha and the opening sequence, You're like, who's this dapper

0:22:41.440 --> 0:22:43.760
<v Speaker 1>gentleman getting ready for a night out on the town.

0:22:44.920 --> 0:22:49.320
<v Speaker 1>He's dead. It's a horror movie, you know what scene?

0:22:49.359 --> 0:22:52.160
<v Speaker 1>Really it's like so cliche and pathetic, but it gives

0:22:52.200 --> 0:22:55.280
<v Speaker 1>me chills every time. Is the organ doing? Um? You

0:22:55.320 --> 0:22:58.200
<v Speaker 1>can't always get what you Yeah, it's so good, you guys,

0:22:58.280 --> 0:23:01.000
<v Speaker 1>It's really like this movie way more than I expected.

0:23:01.400 --> 0:23:04.320
<v Speaker 1>I've seen. I've seen a lot of things that come

0:23:04.400 --> 0:23:09.920
<v Speaker 1>after this. I've seen uh Indian Summer, which I don't

0:23:09.960 --> 0:23:11.520
<v Speaker 1>know if anyone else has seen, but it's a big

0:23:11.560 --> 0:23:14.080
<v Speaker 1>chill rip off from the nineties about a group of

0:23:14.119 --> 0:23:17.640
<v Speaker 1>friends who meet at a camp and then come back

0:23:17.680 --> 0:23:23.000
<v Speaker 1>to the camp and I'll have sex, uh rekindle old relationships. Um.

0:23:23.040 --> 0:23:25.399
<v Speaker 1>And this movie was formative to me because it is

0:23:25.400 --> 0:23:29.080
<v Speaker 1>where I first learned the word boner. Yeah, because somebody

0:23:29.119 --> 0:23:32.119
<v Speaker 1>gives a long monologue in it about an embarrassing experience

0:23:32.160 --> 0:23:33.879
<v Speaker 1>they had at camp where they had a boner and

0:23:33.920 --> 0:23:35.720
<v Speaker 1>they had to keep. They tried to tape it down

0:23:35.760 --> 0:23:38.800
<v Speaker 1>and it didn't work. It like just like a long

0:23:39.119 --> 0:23:43.040
<v Speaker 1>boner monologue. And then because this was the early nineties

0:23:43.040 --> 0:23:45.320
<v Speaker 1>when when the Internet wasn't a thing really yet, we

0:23:45.400 --> 0:23:49.160
<v Speaker 1>like asked our friend's mom what boner, what a boner was,

0:23:49.520 --> 0:23:54.080
<v Speaker 1>and she was like, go ask your parents. Save parenting

0:23:54.119 --> 0:23:56.680
<v Speaker 1>move was suave. I don't know that I ever did

0:23:56.760 --> 0:23:59.600
<v Speaker 1>ask my own parents or if I just like probably

0:23:59.640 --> 0:24:02.040
<v Speaker 1>like went to the dictionary was something I would do.

0:24:03.880 --> 0:24:07.960
<v Speaker 1>Has a nerding through the paper Dictionary of Youth, You're

0:24:08.000 --> 0:24:10.120
<v Speaker 1>like hope that your parents won't be able to tell

0:24:10.160 --> 0:24:13.440
<v Speaker 1>that you opened up to the paget the word the

0:24:13.480 --> 0:24:31.120
<v Speaker 1>page for voters, it's dog here. Today's episode of Nightcall

0:24:31.240 --> 0:24:34.280
<v Speaker 1>is brought to you by Warby Parker. So when we

0:24:34.359 --> 0:24:37.359
<v Speaker 1>first started this podcast and we were talking about advertisers

0:24:37.359 --> 0:24:41.320
<v Speaker 1>that we were interested in featuring, we all mentioned Warby Parker,

0:24:41.440 --> 0:24:44.720
<v Speaker 1>and I in particular have been rallying really really hard

0:24:44.800 --> 0:24:47.520
<v Speaker 1>to talk about Warby Parkers because I've been wearing them

0:24:47.560 --> 0:24:50.520
<v Speaker 1>forever and I love them, and I honestly believe they're

0:24:50.520 --> 0:24:55.320
<v Speaker 1>the best classes. Basically, I started getting Warby Parkers when

0:24:55.359 --> 0:24:59.080
<v Speaker 1>I lost a pair of super super expensive glasses, and

0:24:59.119 --> 0:25:01.040
<v Speaker 1>I didn't have a back up pair of glasses because

0:25:01.040 --> 0:25:02.680
<v Speaker 1>they were so expensive, and I was like, funk, what

0:25:02.720 --> 0:25:05.879
<v Speaker 1>am I going to do? And I ended up finding

0:25:05.880 --> 0:25:10.679
<v Speaker 1>Warby Parker spending on new prescription glasses and it was

0:25:10.800 --> 0:25:13.680
<v Speaker 1>life changing. I'm on my eighth pair. I think they

0:25:13.720 --> 0:25:17.160
<v Speaker 1>make it super super easy to get the best pair

0:25:17.200 --> 0:25:20.080
<v Speaker 1>of glasses from their five day home try on, where

0:25:20.119 --> 0:25:22.400
<v Speaker 1>you can get up to five pairs of glasses, try

0:25:22.400 --> 0:25:25.240
<v Speaker 1>them on for five days, get other people's opinions, see

0:25:25.240 --> 0:25:27.520
<v Speaker 1>what works for you, and then send them back, and

0:25:27.560 --> 0:25:30.120
<v Speaker 1>then place an order for your frames and you can

0:25:30.160 --> 0:25:33.240
<v Speaker 1>easily upload your prescription. If you don't have your prescription

0:25:33.240 --> 0:25:36.560
<v Speaker 1>on handle, even call your doctor. It's awesome. The home

0:25:36.600 --> 0:25:38.560
<v Speaker 1>try on is free and you don't have to buy anything,

0:25:38.640 --> 0:25:41.480
<v Speaker 1>so shipping is free. They preprint the return address and

0:25:41.520 --> 0:25:44.280
<v Speaker 1>everything to you. Order five pairs of glasses, keep them

0:25:44.280 --> 0:25:46.919
<v Speaker 1>for five days, and it just couldn't be simpler. There

0:25:46.920 --> 0:25:49.080
<v Speaker 1>are always new styles coming in, so even though I've

0:25:49.080 --> 0:25:50.800
<v Speaker 1>been ordering for a while, I always do the home

0:25:50.840 --> 0:25:53.640
<v Speaker 1>try on um Right now I have the Lucy's. They're

0:25:53.720 --> 0:25:56.600
<v Speaker 1>very cute and if you're indecisive You even get an

0:25:56.600 --> 0:25:59.240
<v Speaker 1>email reminder from Warby Parker when you're five day windows

0:25:59.280 --> 0:26:01.480
<v Speaker 1>closing and you just put the glasses back in their

0:26:01.520 --> 0:26:04.320
<v Speaker 1>box and ship them back. Also, if you have an

0:26:04.320 --> 0:26:07.000
<v Speaker 1>iPhone X, there's even a nifty app with a new

0:26:07.040 --> 0:26:09.720
<v Speaker 1>feature called Find Your Fit. So Find your Fit uses

0:26:09.760 --> 0:26:12.159
<v Speaker 1>the iPhone x is True depth camera to map and

0:26:12.160 --> 0:26:15.640
<v Speaker 1>measure key facial features. Using these measurements, Find your Fit

0:26:15.680 --> 0:26:18.800
<v Speaker 1>recommends about twelve Warby Parker frames that are likely the

0:26:18.800 --> 0:26:21.280
<v Speaker 1>best fit for your face. It only takes a second

0:26:21.320 --> 0:26:23.600
<v Speaker 1>and it eliminates a lot of the guesswork. I know

0:26:23.640 --> 0:26:26.359
<v Speaker 1>that I have like a weirdly broad face, so it's

0:26:26.440 --> 0:26:29.080
<v Speaker 1>kind of helpful to narrow down the selection. Also, they

0:26:29.080 --> 0:26:32.159
<v Speaker 1>have great prescriptions sunglasses which started a hundred and seventy

0:26:32.200 --> 0:26:35.240
<v Speaker 1>five dollars, and I have plans to make Molly order

0:26:35.280 --> 0:26:37.200
<v Speaker 1>those because the other day I caught her wearing her

0:26:37.200 --> 0:26:39.960
<v Speaker 1>glasses with sunglasses over them and I was like, that

0:26:40.000 --> 0:26:43.080
<v Speaker 1>makes me very nervous, So that's next on the agenda.

0:26:43.320 --> 0:26:45.480
<v Speaker 1>We also love that for every pair of glasses sold,

0:26:45.480 --> 0:26:48.560
<v Speaker 1>Warby Parker donates a pair to someone in need, So

0:26:48.800 --> 0:26:51.439
<v Speaker 1>go to Warby Parker dot com. Forward slash call to

0:26:51.560 --> 0:26:54.159
<v Speaker 1>order your free home tryons for five pairs of frames

0:26:54.160 --> 0:26:56.840
<v Speaker 1>to find the best glasses for you. After you head

0:26:56.840 --> 0:26:59.399
<v Speaker 1>over to Warby Parker dot com slash call, you can

0:26:59.440 --> 0:27:02.200
<v Speaker 1>try out the rby Parker app on the iTunes App Store,

0:27:02.400 --> 0:27:04.800
<v Speaker 1>where you can use the home try on companion feature

0:27:04.800 --> 0:27:07.080
<v Speaker 1>to snap photos of you and your frames, stitch it

0:27:07.119 --> 0:27:09.040
<v Speaker 1>into a video, and let your loved ones pick the

0:27:09.040 --> 0:27:11.480
<v Speaker 1>best ones for you. If there's a tiebreaker, again, that's

0:27:11.480 --> 0:27:23.120
<v Speaker 1>warby Parker dot com forward slash call, guys. I spent

0:27:23.160 --> 0:27:31.160
<v Speaker 1>way too much time thinking about the astrology. Let's start

0:27:31.200 --> 0:27:35.119
<v Speaker 1>off with Harold Kevin Klein. I'm gonna go ahead and

0:27:35.160 --> 0:27:38.600
<v Speaker 1>be like Leo. There's just no question for me. The

0:27:38.640 --> 0:27:41.880
<v Speaker 1>way that he lounges around, the way that he kind

0:27:41.880 --> 0:27:44.840
<v Speaker 1>of has this like confidence that can come off as

0:27:44.880 --> 0:27:49.359
<v Speaker 1>a little bit like just obnoxious. He's kind of commandeering.

0:27:49.560 --> 0:27:52.239
<v Speaker 1>He has his own business, he wears the shirts of

0:27:52.280 --> 0:27:54.560
<v Speaker 1>his own business just to hang out with friends. That's

0:27:54.600 --> 0:27:57.040
<v Speaker 1>totally Leo move. I think he's I think he's an

0:27:57.040 --> 0:28:01.080
<v Speaker 1>Earth sign. I think I didn't know we were doing

0:28:01.119 --> 0:28:03.800
<v Speaker 1>I thought we were just going to be like, well,

0:28:06.119 --> 0:28:10.280
<v Speaker 1>I saw your thread, I started thinking about this and

0:28:11.040 --> 0:28:13.600
<v Speaker 1>I should I think he's a I think he's a

0:28:13.640 --> 0:28:17.119
<v Speaker 1>Taurist or Virgo, but I'm leaving Tauris. I could go

0:28:17.240 --> 0:28:19.639
<v Speaker 1>Virgo because I will tell you who's the Taurists, and

0:28:19.720 --> 0:28:23.000
<v Speaker 1>that would be William hurt is the Taurus. This is

0:28:23.200 --> 0:28:29.000
<v Speaker 1>confusing to me. Okay, so listen. Everyone thinks of the

0:28:29.080 --> 0:28:33.879
<v Speaker 1>Taurists as like the sturdy, reliable, sovereign. No, but I

0:28:33.920 --> 0:28:36.879
<v Speaker 1>think like a person who likes their house, like they

0:28:36.920 --> 0:28:39.840
<v Speaker 1>have two houses. No, they like their drugs and they

0:28:39.880 --> 0:28:43.040
<v Speaker 1>like their cars. I'm married to a Taurus. He's not

0:28:43.080 --> 0:28:49.040
<v Speaker 1>a drug addict. Like, but I really like Island Race.

0:28:50.440 --> 0:28:55.040
<v Speaker 1>It is now Lyndlray over here. I'll just go with

0:28:55.160 --> 0:28:57.240
<v Speaker 1>the ones I felt really strongly about. And I want

0:28:57.240 --> 0:28:59.040
<v Speaker 1>to hear what you thought William Hurt was too, But

0:28:59.080 --> 0:29:01.680
<v Speaker 1>I'm going to say that the taurusts for William Hurt

0:29:01.800 --> 0:29:05.160
<v Speaker 1>And then I really feel like, um, Jeff Goldbloom is

0:29:05.280 --> 0:29:09.160
<v Speaker 1>a cancer. M yeah, I can see that. I feel

0:29:09.240 --> 0:29:13.720
<v Speaker 1>much debate because he's like, he's kind of capricious, but

0:29:13.840 --> 0:29:15.960
<v Speaker 1>he also he has like his own motives and he's

0:29:16.000 --> 0:29:18.080
<v Speaker 1>really bad at hiding them, and he goes after them,

0:29:18.120 --> 0:29:21.240
<v Speaker 1>and he's pretty charming, so eventually you kind of forgive him.

0:29:21.400 --> 0:29:22.920
<v Speaker 1>There's not a lot like what you see is what

0:29:23.000 --> 0:29:25.600
<v Speaker 1>you get emotionally with him, I think, which exactly, which

0:29:25.640 --> 0:29:27.400
<v Speaker 1>is what I think of as a as a cancer.

0:29:27.840 --> 0:29:31.000
<v Speaker 1>And he's tortured. They're very tortured. I think you were

0:29:31.040 --> 0:29:32.760
<v Speaker 1>dead on. I think you said that that Mary kay

0:29:32.840 --> 0:29:36.720
<v Speaker 1>places a Capricorn, which I think that's dead on. Okay,

0:29:36.800 --> 0:29:39.600
<v Speaker 1>thank you. What do you think about Glenn? I said

0:29:39.600 --> 0:29:42.920
<v Speaker 1>Glenn was either a Sagittarius or a Virgo. I'm leaning

0:29:42.920 --> 0:29:45.880
<v Speaker 1>towards Sagittarius kind of like I think she's a Libra.

0:29:46.480 --> 0:29:51.040
<v Speaker 1>A libra. You guys have such strong feelings. I'm thought

0:29:51.280 --> 0:29:54.840
<v Speaker 1>Tom Bringer was, Oh yeah, he could be a Libra too.

0:29:54.920 --> 0:29:56.600
<v Speaker 1>I don't know. I mean he's like I mean, he's

0:29:56.640 --> 0:29:59.120
<v Speaker 1>the famous person so usually like the famous people in

0:29:59.560 --> 0:30:04.320
<v Speaker 1>fictional work, sorry the leoso. Yeah, but he's reluctantly famous.

0:30:04.440 --> 0:30:07.000
<v Speaker 1>That's what I liked about his character. He's a great character.

0:30:07.240 --> 0:30:11.080
<v Speaker 1>He's he's a fantastic character. He shrinks from himself. Yeah,

0:30:11.160 --> 0:30:13.959
<v Speaker 1>I like that. Tom Barren from Berenger was a great character.

0:30:14.320 --> 0:30:16.440
<v Speaker 1>He was very good. He was sort of I knew

0:30:16.480 --> 0:30:18.880
<v Speaker 1>nothing about him and he was the secret Ace, although

0:30:18.920 --> 0:30:21.160
<v Speaker 1>he was on Cheers for like five seconds. Yeah, how

0:30:21.200 --> 0:30:24.280
<v Speaker 1>did you miss the Tom Berenger connection there? Or you didn't,

0:30:24.360 --> 0:30:27.040
<v Speaker 1>I didn't know. I didn't put it in context. I'm

0:30:27.040 --> 0:30:29.239
<v Speaker 1>trying to find the factoid I saw about how they

0:30:29.280 --> 0:30:31.400
<v Speaker 1>were there was a haunting during the filming. Yeah, I

0:30:31.400 --> 0:30:33.560
<v Speaker 1>want to know about the haunting. But also so you

0:30:33.600 --> 0:30:36.000
<v Speaker 1>thought we were going to say who Yeah, yeah, but

0:30:36.080 --> 0:30:37.800
<v Speaker 1>this is this is what I came to like, this

0:30:38.000 --> 0:30:40.040
<v Speaker 1>is my my my take about the female characters. And

0:30:40.120 --> 0:30:42.200
<v Speaker 1>I was really thinking about who I am, and I'm like, well,

0:30:42.280 --> 0:30:44.959
<v Speaker 1>I went like for two of the male characters. Uh,

0:30:45.600 --> 0:30:47.800
<v Speaker 1>I don't know. There was nothing about the female characters

0:30:47.840 --> 0:30:50.840
<v Speaker 1>where I was like that felt deep enough to be

0:30:51.080 --> 0:30:53.280
<v Speaker 1>like to even have a strong opinion like oh absolutely

0:30:53.320 --> 0:30:55.720
<v Speaker 1>no I'm not like that, or yes, I'm definitely like that.

0:30:55.840 --> 0:30:57.640
<v Speaker 1>So I don't know. That's that's that's how I kind

0:30:57.680 --> 0:31:01.280
<v Speaker 1>of arrived at that. But so you just identify mostly

0:31:01.360 --> 0:31:07.440
<v Speaker 1>with um, with with gold Woman and hurt Uh really? Yeah,

0:31:07.560 --> 0:31:10.080
<v Speaker 1>I would not have expected that. I mean, I think

0:31:10.120 --> 0:31:12.440
<v Speaker 1>if you had a little bit more time with MiG Tilly,

0:31:12.560 --> 0:31:15.520
<v Speaker 1>then I might be able to to lean more towards her,

0:31:15.640 --> 0:31:18.880
<v Speaker 1>but I think that there their relationship feels sort of

0:31:18.920 --> 0:31:21.880
<v Speaker 1>recognizable in a way to me. I don't know, Yeah,

0:31:23.600 --> 0:31:27.920
<v Speaker 1>I think she's a she's a scorpio. You think Chloe's

0:31:27.960 --> 0:31:30.600
<v Speaker 1>a scorpio, I said, aquarious. I thought she was an

0:31:30.640 --> 0:31:33.080
<v Speaker 1>aquarius because it's so hard to get a read on her,

0:31:33.640 --> 0:31:35.560
<v Speaker 1>and then she just comes out with some crying and

0:31:35.640 --> 0:31:37.920
<v Speaker 1>you're like what, and then she's stretching and then she's

0:31:38.000 --> 0:31:42.520
<v Speaker 1>laughing and you're like, this makes sense, total aquarious. I

0:31:42.640 --> 0:31:46.640
<v Speaker 1>thought that Richard Richard is the scorpio for sure. Richard

0:31:46.720 --> 0:31:49.040
<v Speaker 1>being a bad husband whose name you can't ever know,

0:31:49.400 --> 0:31:52.239
<v Speaker 1>he's not sexy enough to be a scorpio. I've known

0:31:52.320 --> 0:31:54.600
<v Speaker 1>a lot of really on sexy scorpios, and I mean,

0:31:54.680 --> 0:31:56.840
<v Speaker 1>I think it's like they just pull out their stinger

0:31:57.200 --> 0:31:59.000
<v Speaker 1>and you're just like I didn't want that, and then

0:31:59.040 --> 0:32:02.080
<v Speaker 1>they check out, like they're just like You're like no.

0:32:02.800 --> 0:32:05.920
<v Speaker 1>I spent literally two hours last night thinking I couldn't

0:32:05.920 --> 0:32:08.760
<v Speaker 1>turn off my brain. I have like election anxiety, and

0:32:08.880 --> 0:32:10.480
<v Speaker 1>I was just like, no, I need to think, like

0:32:12.840 --> 0:32:15.360
<v Speaker 1>you needed to do the chart of yeah, I'm gonna

0:32:15.400 --> 0:32:17.680
<v Speaker 1>do the chart. I mean, I think like for me,

0:32:18.400 --> 0:32:26.880
<v Speaker 1>I'm like sixty percent Mary kay Place. Maybe like Glenn Close,

0:32:27.720 --> 0:32:31.120
<v Speaker 1>Jeff Goldbloom, can you even is it allowed to split?

0:32:31.440 --> 0:32:34.360
<v Speaker 1>Which is which is your sun moon and rising? I

0:32:34.480 --> 0:32:37.600
<v Speaker 1>don't know. That's a whole other evening. Spent a week

0:32:37.720 --> 0:32:41.280
<v Speaker 1>thinking about this stuff. Honestly, Um, the Big Chill is

0:32:41.320 --> 0:32:44.680
<v Speaker 1>really good escapism because that's what they're doing too is

0:32:44.800 --> 0:32:47.480
<v Speaker 1>and the house is like, looks so comfortable in such

0:32:47.520 --> 0:32:50.440
<v Speaker 1>an eighties way. Like I think I enjoy a lot

0:32:50.480 --> 0:32:52.640
<v Speaker 1>of things in this genre. Have do you guys like

0:32:52.760 --> 0:32:56.400
<v Speaker 1>Wander Last the David Wayne movie. Oh yeah, it's great.

0:32:56.520 --> 0:32:58.360
<v Speaker 1>I always bring it up because I love it so

0:32:58.560 --> 0:33:00.880
<v Speaker 1>much and I feel like it's like a gen X

0:33:01.000 --> 0:33:05.000
<v Speaker 1>Big Chill. You know, it's about people being like, oh,

0:33:05.160 --> 0:33:08.760
<v Speaker 1>like being a yuppie sucks, Like, let's move into this commune. Uh.

0:33:10.720 --> 0:33:12.720
<v Speaker 1>I want to I want to talk about what this

0:33:12.960 --> 0:33:14.520
<v Speaker 1>movie would look like if you if you were to

0:33:14.600 --> 0:33:18.040
<v Speaker 1>do say for the era that we went to college in, Like,

0:33:18.200 --> 0:33:20.400
<v Speaker 1>what would that look like? And if if there's a

0:33:20.480 --> 0:33:24.480
<v Speaker 1>Big Chill circa say we graduated an average of two

0:33:24.520 --> 0:33:28.080
<v Speaker 1>thousand five or two elector yeah, the electric Clash of

0:33:28.120 --> 0:33:30.200
<v Speaker 1>the block House Big Chill, I mean it's really hard,

0:33:30.320 --> 0:33:32.880
<v Speaker 1>Like now that there's we have a better idea of

0:33:32.960 --> 0:33:35.440
<v Speaker 1>like the things that we will be nostalgic for as

0:33:35.440 --> 0:33:38.560
<v Speaker 1>a generation, and like have a clearer picture of a

0:33:38.600 --> 0:33:41.160
<v Speaker 1>clear hindsight of like what was in the air when

0:33:41.240 --> 0:33:43.600
<v Speaker 1>we were in college and what shaped us in that way.

0:33:43.720 --> 0:33:47.040
<v Speaker 1>I really want to know what the odds college graduate,

0:33:47.280 --> 0:33:52.360
<v Speaker 1>the millennial, the millennial big chill would look like, like

0:33:52.480 --> 0:33:54.800
<v Speaker 1>what would be the what would be this on that soundtrack?

0:33:55.040 --> 0:33:57.800
<v Speaker 1>And and what would what would we what would those

0:33:57.840 --> 0:34:00.920
<v Speaker 1>characters do? Yeah, definitely the rapture strokes. I mean you

0:34:00.960 --> 0:34:03.720
<v Speaker 1>could not escape that in college party. I mean LCD

0:34:03.800 --> 0:34:07.920
<v Speaker 1>sound system. I guess if you're going to have it

0:34:08.080 --> 0:34:11.400
<v Speaker 1>was so pervasive, I guess it's starting. Yeah, all your friends.

0:34:11.680 --> 0:34:14.800
<v Speaker 1>I resented its own its own self announcement is like

0:34:15.000 --> 0:34:17.920
<v Speaker 1>I'm the music that signifies this time, but because I

0:34:18.080 --> 0:34:20.560
<v Speaker 1>agree something else. But because of that, you have to

0:34:20.680 --> 0:34:23.359
<v Speaker 1>like acknowledge it. Maybe it's that everyone maybe they make

0:34:23.440 --> 0:34:27.000
<v Speaker 1>fun of it. Why, Like what's the stuff that accidentally

0:34:27.200 --> 0:34:31.120
<v Speaker 1>just became part of the soundtrack? You know. The thing

0:34:31.200 --> 0:34:35.279
<v Speaker 1>that's most strongly conjures college to me is heyya oh yeah,

0:34:36.719 --> 0:34:42.680
<v Speaker 1>wasn't that that would yeah, Hey, I was my freshman

0:34:42.760 --> 0:34:45.400
<v Speaker 1>year of college. I remember dancing at like a Halloween

0:34:45.480 --> 0:34:48.160
<v Speaker 1>party that I associate that was senior year of high school.

0:34:48.160 --> 0:34:51.200
<v Speaker 1>But I'll allow it. I will allow it. Also, Modest

0:34:51.320 --> 0:34:53.800
<v Speaker 1>Mouse was like in the ether, but that was the

0:34:53.920 --> 0:34:57.279
<v Speaker 1>bad time of modest time. It was on its way

0:34:57.400 --> 0:34:58.880
<v Speaker 1>for sure. I mean when did the moon and I

0:34:58.920 --> 0:35:03.880
<v Speaker 1>guess that was that was minute article or something. Maybe earlier,

0:35:05.080 --> 0:35:09.040
<v Speaker 1>Um built a spill I think of as being very collogy.

0:35:09.200 --> 0:35:11.000
<v Speaker 1>Molly and I went to a Bill to Spill concert.

0:35:11.080 --> 0:35:14.000
<v Speaker 1>I think freshman year. Maybe this is like colle This

0:35:14.120 --> 0:35:16.839
<v Speaker 1>was high school for me. But still like deep deep

0:35:16.960 --> 0:35:21.000
<v Speaker 1>nostalgic buttons being pushed to spill are great. We all

0:35:21.040 --> 0:35:37.600
<v Speaker 1>still read for Bill to Spill. Five. American Hysteria is

0:35:37.640 --> 0:35:41.080
<v Speaker 1>a brand new podcast from Skylark and me Chelsea Webber Smith.

0:35:41.360 --> 0:35:44.640
<v Speaker 1>It explores our moral panics, urban legends, and conspiracy theories,

0:35:44.760 --> 0:35:47.239
<v Speaker 1>how they shape our psychology and culture, and why we

0:35:47.360 --> 0:35:50.920
<v Speaker 1>end up believing them. I'll cover moral panics like stranger danger,

0:35:51.160 --> 0:35:55.600
<v Speaker 1>satanic panic, and Tinky Winky's homosexuality, urban legends like poison,

0:35:55.680 --> 0:35:59.560
<v Speaker 1>Halloween candy, and conspiracy theories like the Illuminati secret plan

0:35:59.680 --> 0:36:02.440
<v Speaker 1>for old domination. I was raised around a ton of

0:36:02.520 --> 0:36:05.160
<v Speaker 1>wild conspiracy theories, and I know how easy it could

0:36:05.200 --> 0:36:07.840
<v Speaker 1>be to freak out over the sensational, the rare, and

0:36:07.920 --> 0:36:10.800
<v Speaker 1>the untrue. I want to understand why we fear the

0:36:10.840 --> 0:36:14.040
<v Speaker 1>wrong things, and how these fears shape our past, present,

0:36:14.160 --> 0:36:18.000
<v Speaker 1>and future in sometimes devastating ways, and also what these

0:36:18.040 --> 0:36:21.279
<v Speaker 1>bizarre panics might be covering up. I promised to show

0:36:21.320 --> 0:36:23.480
<v Speaker 1>you a good old time. Well, I try to figure

0:36:23.480 --> 0:36:26.600
<v Speaker 1>it all out. The first two episodes of American Hysteria

0:36:26.680 --> 0:36:30.160
<v Speaker 1>dropped November twelve. Head over and subscribe now wherever you

0:36:30.200 --> 0:36:46.960
<v Speaker 1>get your podcasts. Watching this movie is bizarre to me

0:36:47.080 --> 0:36:49.680
<v Speaker 1>because I did the opposite of like communal living in

0:36:49.800 --> 0:36:55.960
<v Speaker 1>college where I wanted to be an adult. I feel like, well,

0:36:56.000 --> 0:36:58.800
<v Speaker 1>I had like I had like a borderline nervous breakdown

0:36:58.880 --> 0:37:01.279
<v Speaker 1>my freshman year where I just I couldn't sleep and

0:37:01.280 --> 0:37:03.359
<v Speaker 1>I stayed up for about five days and I ended

0:37:03.440 --> 0:37:05.799
<v Speaker 1>up getting a job so that I could move off

0:37:05.880 --> 0:37:09.520
<v Speaker 1>campus because um, I couldn't get what's called a psycho single,

0:37:09.760 --> 0:37:12.600
<v Speaker 1>which is when you which is not a nice way

0:37:12.680 --> 0:37:15.799
<v Speaker 1>of swimming this, but everyone was like, oh, you need

0:37:15.840 --> 0:37:18.879
<v Speaker 1>a psycho single. I I still have this thing where

0:37:18.920 --> 0:37:20.919
<v Speaker 1>it's if I'm around people for too much, I feel

0:37:20.960 --> 0:37:22.719
<v Speaker 1>like I need to like have like a day or

0:37:22.760 --> 0:37:28.000
<v Speaker 1>two of solitude um, which is harder communal communal living

0:37:29.080 --> 0:37:33.239
<v Speaker 1>only children. I yeah, you're both only children. It kind

0:37:33.280 --> 0:37:36.480
<v Speaker 1>of like just sucks all the life out of the opposite. Yes,

0:37:36.760 --> 0:37:40.279
<v Speaker 1>I love the socialize. Well, it was always interesting to

0:37:40.440 --> 0:37:43.160
<v Speaker 1>visit you because you lived with the same group of people,

0:37:43.200 --> 0:37:45.680
<v Speaker 1>and I fake lived with the same group of people

0:37:46.080 --> 0:37:49.000
<v Speaker 1>throughout college because I had to have a dorm room,

0:37:49.360 --> 0:37:52.399
<v Speaker 1>so I had like a ghost room, you know, until

0:37:52.440 --> 0:37:54.600
<v Speaker 1>a certain point. And I'm still friends with them and

0:37:54.680 --> 0:37:57.880
<v Speaker 1>we actually still get together. You do reunion trips with

0:37:57.960 --> 0:38:01.359
<v Speaker 1>friends from college, and they're very not like the Big Chill.

0:38:01.800 --> 0:38:03.960
<v Speaker 1>But I mean there is like not like the Big Chill.

0:38:04.040 --> 0:38:05.960
<v Speaker 1>You all rent a house together. We rent a house,

0:38:06.680 --> 0:38:08.400
<v Speaker 1>but we don't all have sex with each other. No,

0:38:08.520 --> 0:38:10.600
<v Speaker 1>but you all like leave your children upstairs, so you

0:38:10.680 --> 0:38:14.040
<v Speaker 1>can probably smoke weed. Well only some of us smoke weed.

0:38:14.600 --> 0:38:16.560
<v Speaker 1>We do. We played, We played a lot of like

0:38:16.719 --> 0:38:20.719
<v Speaker 1>charades and rounds and stuff. It's very weird. But I

0:38:20.840 --> 0:38:23.200
<v Speaker 1>find that, you know, I don't know, I mean maybe

0:38:23.600 --> 0:38:27.760
<v Speaker 1>just because of things like having such a different vibe

0:38:27.880 --> 0:38:32.160
<v Speaker 1>right now, there's a lot less pleasure taken in nostalgia.

0:38:32.200 --> 0:38:34.440
<v Speaker 1>It's almost painful to think back on how different things

0:38:34.520 --> 0:38:37.120
<v Speaker 1>were when we were in college and where we are

0:38:37.280 --> 0:38:39.719
<v Speaker 1>as a country now. But it's also like it's very

0:38:39.800 --> 0:38:42.640
<v Speaker 1>easy to look back at any earlier time and be

0:38:42.800 --> 0:38:44.759
<v Speaker 1>like it was so great, but like I always have

0:38:44.880 --> 0:38:47.719
<v Speaker 1>to remind myself like, oh no, like I've never been

0:38:47.800 --> 0:38:51.480
<v Speaker 1>happy in any time in my life. Politically, when we

0:38:51.560 --> 0:38:55.200
<v Speaker 1>were in college, it was a difficult. Obviously, yeah, we

0:38:55.320 --> 0:38:59.240
<v Speaker 1>thought brings bad and just like there were just times

0:38:59.280 --> 0:39:01.640
<v Speaker 1>like specifically where I'm like, oh, I wish I hadn't

0:39:01.680 --> 0:39:04.719
<v Speaker 1>been so depressed, like in the end of college. And

0:39:04.760 --> 0:39:07.040
<v Speaker 1>then it's just like, I think the thing is that

0:39:07.239 --> 0:39:10.160
<v Speaker 1>the difference with Big Chills that they were like literally

0:39:10.320 --> 0:39:12.800
<v Speaker 1>living in the sixties or they were going to college

0:39:12.800 --> 0:39:14.439
<v Speaker 1>in the sixties. And I think we use the idea

0:39:14.440 --> 0:39:16.600
<v Speaker 1>of like the sixties as a metaphor of some kind

0:39:16.640 --> 0:39:19.120
<v Speaker 1>of like salad days when everybody was optimistic, but that's

0:39:19.200 --> 0:39:22.000
<v Speaker 1>like literally when they were young and relevant in everything,

0:39:22.120 --> 0:39:25.160
<v Speaker 1>and the driving plot of Big Chill, if if you

0:39:25.239 --> 0:39:28.839
<v Speaker 1>see it as them trying to reconnect with their idealistic

0:39:29.000 --> 0:39:32.759
<v Speaker 1>college days when they were literally in the most idealistic time,

0:39:32.840 --> 0:39:36.200
<v Speaker 1>and the twentieth century like we don't have that. It's

0:39:36.200 --> 0:39:37.880
<v Speaker 1>in a way, it's like it's it's kind of like

0:39:37.960 --> 0:39:40.560
<v Speaker 1>a mirror image of just ours was so kind of

0:39:40.640 --> 0:39:44.239
<v Speaker 1>cloaked in negativity. I mean, there are the hopefulness of

0:39:44.320 --> 0:39:46.640
<v Speaker 1>the sixties and then in a way the hopefulness of

0:39:46.719 --> 0:39:50.719
<v Speaker 1>the eighties of this boomer kind of idealistic like we're

0:39:50.719 --> 0:39:55.239
<v Speaker 1>on top of the world, but like diametrically opposed optimism.

0:39:56.040 --> 0:39:58.040
<v Speaker 1>They're like, we all sold out, but look how much

0:39:58.080 --> 0:40:00.880
<v Speaker 1>money we made. Yeah, And what's interesting is, you know

0:40:01.400 --> 0:40:05.200
<v Speaker 1>kind of how how our experience has been kind of contradicted.

0:40:05.640 --> 0:40:07.560
<v Speaker 1>We had the recession, so we didn't even have that

0:40:07.680 --> 0:40:09.840
<v Speaker 1>option at all. So I feel like a lot of

0:40:09.920 --> 0:40:13.719
<v Speaker 1>our generation is like getting radicalized now because now is

0:40:13.760 --> 0:40:15.719
<v Speaker 1>the time when people are like, oh, where are all

0:40:15.760 --> 0:40:18.120
<v Speaker 1>those yuppy things that I was like told all the

0:40:18.160 --> 0:40:21.040
<v Speaker 1>adult stuff if I followed the rules, and it's like, oh,

0:40:21.120 --> 0:40:24.640
<v Speaker 1>it's never coming, and everyone took all the stuff and

0:40:24.760 --> 0:40:27.560
<v Speaker 1>that's it. Like, well, that's where the depression angle comes

0:40:27.600 --> 0:40:30.120
<v Speaker 1>in that you were talking about when Molly, when you said, um,

0:40:30.360 --> 0:40:32.920
<v Speaker 1>that looking up their ages was such a like horrible

0:40:33.040 --> 0:40:36.160
<v Speaker 1>thing because I think that that I mean to think

0:40:36.239 --> 0:40:39.120
<v Speaker 1>of like people in their early to mid thirties, and

0:40:39.440 --> 0:40:43.840
<v Speaker 1>all of them, without questions, seemed to be totally financially stable.

0:40:45.840 --> 0:40:48.239
<v Speaker 1>Well yeah, he's no, but he's he's doing something for

0:40:48.360 --> 0:40:50.719
<v Speaker 1>the money. He's got to pitch those stories. He's living

0:40:50.760 --> 0:40:52.719
<v Speaker 1>in New York. Man, I don't know if he's able

0:40:52.760 --> 0:40:55.320
<v Speaker 1>to fly from New York to South Caroline and that club.

0:40:55.960 --> 0:40:58.640
<v Speaker 1>And I bet being being a columnist for People magazine

0:40:58.680 --> 0:41:01.600
<v Speaker 1>and the eighties probably was a pretty cushy jobs, especially

0:41:01.640 --> 0:41:04.440
<v Speaker 1>at thirty one, you know. I mean, and that's what's

0:41:04.480 --> 0:41:07.960
<v Speaker 1>really craziest to think of how few people can afford

0:41:08.040 --> 0:41:10.919
<v Speaker 1>to even like the coats that Joe Beth Williams is wearing.

0:41:11.000 --> 0:41:15.560
<v Speaker 1>Come on, that's Kashmir. Those are dusters like that, you know,

0:41:15.800 --> 0:41:18.600
<v Speaker 1>very impressive. I mean, it's they're all it's it's something

0:41:18.640 --> 0:41:20.880
<v Speaker 1>that's so taken for granted, whereas a big chill movie

0:41:21.360 --> 0:41:25.319
<v Speaker 1>now would inevitably have to encompass, you know, a lot

0:41:25.400 --> 0:41:28.680
<v Speaker 1>of economic Yeah. I say, like when I see a

0:41:28.760 --> 0:41:31.319
<v Speaker 1>lot of old friends, like I feel like sometimes there's

0:41:31.320 --> 0:41:34.040
<v Speaker 1>a lot of just like class, anxiety baked in all

0:41:34.440 --> 0:41:37.920
<v Speaker 1>how is everyone doing? And like, who's got what going on?

0:41:38.719 --> 0:41:40.919
<v Speaker 1>I had a boyfriend throughout call it with two different

0:41:40.960 --> 0:41:43.000
<v Speaker 1>boyfriends throughout college, but neither of them went to school

0:41:43.040 --> 0:41:47.040
<v Speaker 1>with me. So it's well, I'm sorry, but you wouldn't know.

0:41:47.200 --> 0:41:49.640
<v Speaker 1>You wouldn't know my boyfriend he goes to a different school.

0:41:51.440 --> 0:41:54.239
<v Speaker 1>He lives in Canada. Is it fair to say you

0:41:54.320 --> 0:41:58.839
<v Speaker 1>were both too cool for school? I was. I had

0:41:58.880 --> 0:42:01.920
<v Speaker 1>a cat man, were very cool, and I made a

0:42:01.960 --> 0:42:05.040
<v Speaker 1>lot of like roast chicken. I moved at a certain

0:42:05.080 --> 0:42:08.840
<v Speaker 1>point from my like really cute, super tiny studio to

0:42:09.360 --> 0:42:12.200
<v Speaker 1>um it ended up unbeknownst to me. I was like,

0:42:12.360 --> 0:42:16.480
<v Speaker 1>oh wait, is it a retirement community? Into retirement? Everybody

0:42:16.920 --> 0:42:20.800
<v Speaker 1>I moved into her resire and the only other person

0:42:20.960 --> 0:42:23.560
<v Speaker 1>did live in a dorm of sorts. Yes, And the

0:42:23.640 --> 0:42:25.760
<v Speaker 1>only other person who was under the age of fifty

0:42:26.120 --> 0:42:28.719
<v Speaker 1>was a med student. And he was like thrilled that

0:42:28.840 --> 0:42:30.520
<v Speaker 1>I was there, and I was like, no, I'm not

0:42:30.680 --> 0:42:34.120
<v Speaker 1>exciting at all. But they called the people in their

0:42:34.239 --> 0:42:37.160
<v Speaker 1>nineties referred to me as Britney Spears because I would.

0:42:37.400 --> 0:42:42.560
<v Speaker 1>I loved it. I love college. It was my rushmore.

0:42:43.120 --> 0:42:45.560
<v Speaker 1>I totally, just like I just always wanted to go

0:42:45.680 --> 0:42:47.480
<v Speaker 1>to college, and then I did, and I was like,

0:42:47.560 --> 0:42:50.000
<v Speaker 1>this is great. I would like to keep doing this forever.

0:42:50.640 --> 0:42:53.480
<v Speaker 1>I was so jealous of your college experience. My college

0:42:53.600 --> 0:42:56.320
<v Speaker 1>was going back home to Iowa during the summers. Like

0:42:56.440 --> 0:42:58.680
<v Speaker 1>that was the most collegiate experience for me, I think

0:42:58.680 --> 0:43:02.160
<v Speaker 1>because I grew up been a college town, uh and

0:43:02.320 --> 0:43:04.719
<v Speaker 1>so kind of had like got primed on what like

0:43:04.800 --> 0:43:09.400
<v Speaker 1>the most stereotypical like big ten Midwestern college experience is

0:43:09.440 --> 0:43:11.560
<v Speaker 1>going to be like, and then kind of had it

0:43:11.600 --> 0:43:13.520
<v Speaker 1>out of my system by the time I actually went

0:43:13.600 --> 0:43:16.439
<v Speaker 1>to college. But then like I would come back home

0:43:17.040 --> 0:43:19.720
<v Speaker 1>and just go to like the college bars and stuff

0:43:19.760 --> 0:43:22.160
<v Speaker 1>in Iowa City and then go back to school and

0:43:22.280 --> 0:43:24.000
<v Speaker 1>just like work and work and work and not hang

0:43:24.040 --> 0:43:27.200
<v Speaker 1>out with anybody like that. That was my way. So

0:43:27.360 --> 0:43:31.120
<v Speaker 1>you never went to that that weird brewery in Westwood Village.

0:43:31.520 --> 0:43:34.400
<v Speaker 1>I went to Westwood Brewery, the Bruco. Yeah, the Bruco.

0:43:34.719 --> 0:43:36.840
<v Speaker 1>I definitely went to some comedy shows at the Bruco.

0:43:37.920 --> 0:43:41.080
<v Speaker 1>I definitely had my friend give me her old idea

0:43:41.160 --> 0:43:43.680
<v Speaker 1>so that I could get into the Bruco. They took

0:43:43.760 --> 0:43:47.480
<v Speaker 1>any I did that was actually a heart. I had

0:43:47.520 --> 0:43:53.680
<v Speaker 1>to be snuck in the back of the Bruco one. Well,

0:43:53.760 --> 0:43:55.800
<v Speaker 1>the rest of it was in Koreatown, like all the

0:43:55.880 --> 0:43:58.840
<v Speaker 1>rest of my like early twenties bar going was in

0:43:59.080 --> 0:44:02.040
<v Speaker 1>kay Town, because that's right. My first apartment in Los

0:44:02.080 --> 0:44:06.120
<v Speaker 1>Angeles was I'm jealous of that. I'm jealous of both

0:44:06.200 --> 0:44:08.880
<v Speaker 1>of you guys. Why was I living in a retirement community?

0:44:09.000 --> 0:44:15.480
<v Speaker 1>Why why did I do that? Oh my god? I

0:44:15.600 --> 0:44:18.680
<v Speaker 1>guess on my soundtrack for for for My Big Chill,

0:44:19.000 --> 0:44:21.000
<v Speaker 1>I would you know what would have to be on there,

0:44:21.080 --> 0:44:23.320
<v Speaker 1>and it would be the thing where everybody would be like,

0:44:23.600 --> 0:44:26.160
<v Speaker 1>oh no, not this song, but then realized then I'll

0:44:26.200 --> 0:44:30.080
<v Speaker 1>start crying and dancing to it. Power out by Arcade Fire,

0:44:30.680 --> 0:44:35.200
<v Speaker 1>Oh yeah, totally. I listened to tunnels so much when

0:44:35.239 --> 0:44:37.560
<v Speaker 1>it was like freezing cold and super snowy and I

0:44:37.680 --> 0:44:39.680
<v Speaker 1>was in my retirement home trying to be like, how

0:44:39.760 --> 0:44:42.200
<v Speaker 1>do I get to a bar? And then I was like, oh, look,

0:44:42.360 --> 0:44:46.000
<v Speaker 1>literally you could dig a tunnel, but you're not going

0:44:46.040 --> 0:44:48.879
<v Speaker 1>to do that because it's really cold to go out

0:44:48.960 --> 0:44:51.879
<v Speaker 1>to a bar. I listened to when I was very

0:44:52.400 --> 0:44:55.160
<v Speaker 1>depressed my senior year of college, I like would only

0:44:55.239 --> 0:44:58.080
<v Speaker 1>listen to rap because it would make me less depressed,

0:44:58.200 --> 0:45:01.560
<v Speaker 1>and like indie rock would make me depressed, so obviously,

0:45:02.640 --> 0:45:06.479
<v Speaker 1>so I listened to some cut by Trillville. Oh yeah,

0:45:06.680 --> 0:45:09.080
<v Speaker 1>that's my follow that ass in the mall, that is

0:45:09.160 --> 0:45:13.080
<v Speaker 1>my my take me away nostalgia. So I went through

0:45:13.120 --> 0:45:15.160
<v Speaker 1>this weird period where Molly made me. She made me

0:45:15.200 --> 0:45:17.239
<v Speaker 1>a bunch of mixes. I still have them, and one

0:45:17.320 --> 0:45:21.280
<v Speaker 1>of them, senior year, had um Paul Barman's cock Mobster

0:45:21.480 --> 0:45:25.520
<v Speaker 1>on it, and for some reason, when I was really

0:45:25.680 --> 0:45:28.759
<v Speaker 1>like I'm not feeling not feeling great, I would just

0:45:28.840 --> 0:45:31.759
<v Speaker 1>put on cock Mobster. And I totally remember being in

0:45:31.840 --> 0:45:34.759
<v Speaker 1>the car with my mom to visit my grandmother and

0:45:34.960 --> 0:45:37.960
<v Speaker 1>just being like just letting it play, you know, and

0:45:38.120 --> 0:45:42.000
<v Speaker 1>just like inside dying. But it's like worse to change it.

0:45:42.600 --> 0:45:47.200
<v Speaker 1>It was just a nightmare of an expense, Like Paul

0:45:47.280 --> 0:45:50.479
<v Speaker 1>Barman is not even cool, no, but to me, Paul

0:45:50.520 --> 0:45:54.000
<v Speaker 1>Barman is, like it just it packs you up. You're

0:45:54.040 --> 0:45:57.080
<v Speaker 1>in a mood. You want to listen to a cornucopia

0:45:57.080 --> 0:46:04.000
<v Speaker 1>of warmthlopia. Oh my god, it's all all of the

0:46:04.160 --> 0:46:07.080
<v Speaker 1>lyrics are still in my brain ready to come out

0:46:07.120 --> 0:46:09.480
<v Speaker 1>into the microphone. But I don't want to embarrass anyone

0:46:09.520 --> 0:46:15.920
<v Speaker 1>who my dandy voice makes the most anti choice Granny's

0:46:15.960 --> 0:46:20.080
<v Speaker 1>panties voys. And there we have it and we stoop

0:46:20.160 --> 0:46:22.640
<v Speaker 1>no lower. This is Big Chill podcast for you guys.

0:46:22.680 --> 0:46:25.520
<v Speaker 1>But yeah, I like the idea of the underground, the

0:46:25.560 --> 0:46:29.359
<v Speaker 1>backpack or Big Chill. Yeah. Yeah, we should ask our

0:46:29.440 --> 0:46:32.600
<v Speaker 1>listeners for any Big Chill thoughts and also our millennium

0:46:32.680 --> 0:46:34.799
<v Speaker 1>listeners what they think would be on the Millennium Big

0:46:34.880 --> 0:46:38.200
<v Speaker 1>Chill soundtrack. Um, I think it's like the fifth highest

0:46:38.239 --> 0:46:40.319
<v Speaker 1>selling soundtracks of all time. It was on the charts

0:46:40.360 --> 0:46:42.960
<v Speaker 1>for like eighty four weeks. I think it was bananas

0:46:43.040 --> 0:46:46.879
<v Speaker 1>and I feel like Big Chill never won, at least

0:46:46.880 --> 0:46:49.200
<v Speaker 1>never won an Oscar, but was nominated, I think. But

0:46:49.400 --> 0:46:53.320
<v Speaker 1>the soundtrack was like King of the Soundtracks. If you

0:46:53.400 --> 0:46:56.520
<v Speaker 1>put the weight on anything, it's just gonna The weight

0:46:56.680 --> 0:47:01.840
<v Speaker 1>is like a magical there's your rolling Stone song and

0:47:01.920 --> 0:47:04.640
<v Speaker 1>there's your you have the weight, Like there's a couple

0:47:04.680 --> 0:47:07.920
<v Speaker 1>there's like a couple of songs that hit more in

0:47:08.040 --> 0:47:10.680
<v Speaker 1>the like Jefferson Airplane direction. The soundtrack could go on,

0:47:10.719 --> 0:47:12.480
<v Speaker 1>but then the rest of it is just like all Motown,

0:47:14.040 --> 0:47:16.400
<v Speaker 1>which is part of what adds to the like upbeat

0:47:16.480 --> 0:47:20.800
<v Speaker 1>feeling of the yea, maybe you're the sense of this

0:47:20.920 --> 0:47:23.960
<v Speaker 1>isn't like necessarily the clearest cross section of what they

0:47:24.000 --> 0:47:25.520
<v Speaker 1>were listening to at the time, But it's like the

0:47:25.640 --> 0:47:27.960
<v Speaker 1>thing that they would listen to you to like keep

0:47:28.040 --> 0:47:30.360
<v Speaker 1>themselves up. It's the stuff they would pard of morning,

0:47:30.640 --> 0:47:33.040
<v Speaker 1>the records they would listen to in their co op

0:47:33.120 --> 0:47:36.200
<v Speaker 1>when they were like all cooking together, cooking their their

0:47:36.320 --> 0:47:45.040
<v Speaker 1>vegan toss in some romanet give us a nightcall with

0:47:45.200 --> 0:47:50.360
<v Speaker 1>your with your big Chill memories, slash um reboot ideas.

0:47:50.960 --> 0:47:53.560
<v Speaker 1>Who you are from Big Chill? Who's the best person

0:47:53.640 --> 0:47:56.200
<v Speaker 1>in Big Chill? Mary kay place? We'll take it all.

0:47:57.040 --> 0:48:00.040
<v Speaker 1>Should we all get the big chill haircut together? Know

0:48:01.320 --> 0:48:05.920
<v Speaker 1>I already have it. I just Emily just got a

0:48:06.000 --> 0:48:09.400
<v Speaker 1>fresh haircut. She doesn't. Yeah it looks good. Yeah, I

0:48:09.440 --> 0:48:13.279
<v Speaker 1>got my anime haircut for the end times. Congratulations. Well,

0:48:13.360 --> 0:48:16.279
<v Speaker 1>maybe we'll all get big Chill perms for the end times.

0:48:16.320 --> 0:48:19.640
<v Speaker 1>I don't need always wanted a really Yeah, I got

0:48:19.680 --> 0:48:22.320
<v Speaker 1>a perm once. I wasn't. I was obsessed with getting

0:48:22.360 --> 0:48:24.440
<v Speaker 1>a perm for such a long time. My hair is

0:48:24.520 --> 0:48:26.440
<v Speaker 1>very hard to perm so it took a lot of Um.

0:48:26.600 --> 0:48:28.520
<v Speaker 1>It took a lot of energy to actually get it

0:48:28.560 --> 0:48:31.719
<v Speaker 1>to like fluffy perfection. I can't explain to you what

0:48:31.840 --> 0:48:34.080
<v Speaker 1>it's like to hear people with straight hair talk about

0:48:34.120 --> 0:48:37.200
<v Speaker 1>how much they want curly. Oh I've been, it's been

0:48:37.280 --> 0:48:41.360
<v Speaker 1>my whole life. I'm like, why straight hair? Why There's

0:48:41.400 --> 0:48:44.759
<v Speaker 1>like that episode of Fresh off the Boat where they

0:48:44.880 --> 0:48:47.800
<v Speaker 1>talk about like the status the status perm or like

0:48:47.960 --> 0:48:50.120
<v Speaker 1>the if they have some name for it, or it's

0:48:50.160 --> 0:48:53.000
<v Speaker 1>like the family is just projected onto the idea of

0:48:53.040 --> 0:48:54.600
<v Speaker 1>a perm as being like the way that you show

0:48:54.640 --> 0:48:58.160
<v Speaker 1>off that you're like a real American family, like to

0:48:58.360 --> 0:49:01.360
<v Speaker 1>four oh four six night there us a call about perms,

0:49:01.600 --> 0:49:07.640
<v Speaker 1>about the end times, about the big Chill, about movie soundtracks, Yeah,

0:49:07.960 --> 0:49:10.719
<v Speaker 1>any and all were post spooky times now, so now

0:49:10.760 --> 0:49:14.200
<v Speaker 1>we're getting into comfort material, comfort food material. Oh yeah.

0:49:14.320 --> 0:49:18.279
<v Speaker 1>Also send us your best recipes for Thanksgiving foods and

0:49:18.680 --> 0:49:22.520
<v Speaker 1>your least favorite Thanksgiving foods. And we won't talk about

0:49:22.680 --> 0:49:25.400
<v Speaker 1>the condiment that we dare not speak its name, but

0:49:26.920 --> 0:49:28.960
<v Speaker 1>I know we did, but we had to. It was

0:49:29.040 --> 0:49:31.239
<v Speaker 1>part of the movie. It was part of the movie movie.

0:49:31.320 --> 0:49:34.600
<v Speaker 1>Yeah exactly. Um, but yeah, give us all your Thanksgiving

0:49:34.640 --> 0:49:38.399
<v Speaker 1>me fall thoughts and stories, and you can also email

0:49:38.480 --> 0:49:41.560
<v Speaker 1>us Nightcall Podcast at gmail dot com. Follow us on

0:49:41.640 --> 0:49:45.680
<v Speaker 1>Twitter and Instagram and Facebook we're Nightcall Podcast. Except on

0:49:45.760 --> 0:49:49.200
<v Speaker 1>Twitter we're Nightcall Pod. And don't forget to rate, review

0:49:49.239 --> 0:49:51.520
<v Speaker 1>and subscribe. If you like us, and if you are

0:49:51.560 --> 0:49:55.080
<v Speaker 1>in Los Angeles around the time of Thanksgiving, come to

0:49:55.400 --> 0:49:59.880
<v Speaker 1>our nights Giving dj event at gold Diggers in Hollywood

0:50:00.080 --> 0:50:05.000
<v Speaker 1>the night before Thanksgiving one and we will be djaying.

0:50:05.040 --> 0:50:07.120
<v Speaker 1>Tess and I will be there, Emily will be ghost

0:50:07.160 --> 0:50:16.360
<v Speaker 1>djaying spooky Spirit with Morgjas and perhaps some magic perhaps

0:50:17.000 --> 0:50:21.720
<v Speaker 1>and definitely some merch. Definitely merch. Thanks for listening, Happy,

0:50:21.760 --> 0:50:22.640
<v Speaker 1>big chill everybody,