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Speaker 1: Good morning us say yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo.

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Speaker 2: Yo yo yo yo yo yo yo yo yo yo yo.

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Speaker 3: Jess is on va k lonla Rosa? Is he all?

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Speaker 4: Good morning y'all, Charlamagne, the guide peace to the planet

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Speaker 4: is Monday.

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Speaker 3: Good morning. How y'all feel out there?

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Speaker 1: I feel blessed, black and holly favorite, happy to be

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Speaker 1: here another day to serve off beautiful listeners.

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Speaker 3: What's happening there? That's right, it's a Monday. How was

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Speaker 3: your weekend? Long?

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Speaker 5: My weekend was great. I celebrated my grandmother's birthday, wrote

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Speaker 5: a book. She also loves you. She gave me a

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Speaker 5: book to give to Charlemagne, and we playing spades and

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Speaker 5: had a good time.

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Speaker 3: That's a beautiful thing. Good time with a book.

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Speaker 5: It's in the it's out there.

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Speaker 1: I got a free Oh see. She on't know how

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Speaker 1: to promote her aunt's book, right man. She want to

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Speaker 1: have This is the book. It's called Blah Blah.

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Speaker 5: Trip to the Motherland is about her going to Ghana

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Speaker 5: and all the enlightening that happened when she went. It's

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Speaker 5: my Phylis Sucker Sonders's available on Amazon right now. There

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Speaker 5: you go there it goes boom and she signed it

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Speaker 5: on the inside for you, Charlemagne.

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Speaker 1: Charlamage, you are so handsome. I would love for you

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Speaker 1: to journey with me through Ghana enjoy. I don't know

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Speaker 1: what that says, something or something something. Lauren's on it never.

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Speaker 5: Said you were.

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Speaker 6: It is not.

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Speaker 5: That's my that's my younger sister. She can see it.

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Speaker 5: Ain't no way to say that.

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Speaker 3: I'm just telling you what it says, man, okay, I'm

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Speaker 3: just reading what it.

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Speaker 5: Says right there that it's like three words over there.

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Speaker 3: Definitely not. You know.

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Speaker 4: I went to I went to Top Golf over the

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Speaker 4: week and I took the family to Top Golf. Had

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Speaker 4: such a great time at Top Golf. If you get

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Speaker 4: a chance to go, get you know, go out there

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Speaker 4: with bring the whole family.

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Speaker 3: My kids loved it.

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Speaker 7: I know.

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Speaker 4: I don't know how to golf, though I know that much.

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Speaker 4: I was hitting balls left right like it was baseball.

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Speaker 4: Didn't know what I was doing.

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Speaker 5: I saw you again with the video of you're teaching

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Speaker 5: her how to bring up.

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Speaker 3: I was trying to teach your wife how to hit balls.

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Speaker 7: Man.

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Speaker 1: Times have changed, boy, ladies, I know y'all got it

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Speaker 1: hard out here. Man, God, what you did this weekend

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Speaker 1: is crazy.

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Speaker 3: It's gone.

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Speaker 2: Man.

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Speaker 1: Teach the woman how to hit balls. Life has really

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Speaker 1: changed golf. What you did this weekend not a damn thing.

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Speaker 1: My favorite thing to do. Want to close bombs for

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Speaker 1: doing nothing, absolutely nothing. I watched the fight this weekend.

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Speaker 3: Oh my god, listen.

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Speaker 1: Like I said last week, the labar Roach just in

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Speaker 1: here having a conversation with him when he was up here.

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Speaker 1: When I was up here, I was just like, yo,

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Speaker 1: your confidence makes me want to put a couple of

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Speaker 1: dollars on you. And I mean his confidence showed in

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Speaker 1: the ring, did you No, I didn't put no money

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Speaker 1: on him.

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Speaker 3: But it was a draw. Oh, I actually think he

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Speaker 3: wanted to fight.

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Speaker 5: I feel like he wanted to fight too. I forgot

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Speaker 5: the draw thing, but we are gonna talk about that.

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Speaker 1: But as I said in the group chatnel, it was

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Speaker 1: the weekend. I was like, uh, I said, the judges

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Speaker 1: either gonna call it a draw or a split decision

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Speaker 1: for Roach, And he called it a draw. But I

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Speaker 1: mean I think no, I think he wanted to fight.

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Speaker 1: He wanted to fight just because he landed more punches.

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Speaker 1: Tank landed more power punches. But they should have counted

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Speaker 1: that knee a knock. That if they're the count that

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Speaker 1: kne as a knocked that he definite would have won.

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Speaker 1: I don't understand how you could pause. I don't even

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Speaker 1: think Tank was hurt, but just the fact you took

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Speaker 1: a knee that should have counted a Yeah, you can't

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Speaker 1: pause a fight like hold on, let me write this

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Speaker 1: sweat like I've never seen that before. You got you

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Speaker 1: got punched in the faith and you weren't hurt, but

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Speaker 1: you did take a knee and that's what the calendar.

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Speaker 4: Is not bad and should have won the fight. All right,

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Speaker 4: Well we'll talk about it was a great squaditals this squad.

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Speaker 4: It was a great fight, all right. Well, Rizza will

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Speaker 4: be joining us this morning. Rizza, of course, Wu Tan

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Speaker 4: is going on the Final Chamber Tour right running the

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Speaker 4: tail right now, yeah, run the Jewels will be co

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Speaker 4: headlining with them. So we're gonna talk to Riza this morning.

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Speaker 4: And we have to send a resting piece to Angie Stone.

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Speaker 4: She passed away over the.

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Speaker 1: Weekend, Columbia, South Carolina's own man resting piece to Angie Stone.

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Speaker 8: Yeah, we got a chance to interview her in twenty nineteen, and.

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Speaker 1: You know it's so crazy. I watched that conversation over

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Speaker 1: the weekend.

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Speaker 3: She's on there.

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Speaker 1: You know, she's talking about the movie she wanted to

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Speaker 1: do in the documentary she wanted to do about her

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Speaker 1: life because you know, Angie was, you know, a hip

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Speaker 1: hop pie in there, Neil soul pie in there, R

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Speaker 1: and B icon like she had a she lived.

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Speaker 3: A full life. That's right.

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Speaker 4: Yeah, we're gonna replay that interview this morning when she

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Speaker 4: stopped through. All right, well, let's get the show, Cracker.

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Speaker 4: We got front page news when we come back, so

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Speaker 4: don't go anywhere.

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Speaker 3: It's the Breakfast Club. Good morning morning.

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Speaker 4: Everybody is j n V, Jess hilarious, Charlamagne the guy.

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Speaker 4: We are the Breakfast Clublong the roads are filling in

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Speaker 4: for Jess. And let's get in some front page news.

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Speaker 4: So off quick as some sports ats. We were just

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Speaker 4: talking Javonte Davis, Lamont, Roach Junior.

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Speaker 3: It was a.

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Speaker 1: Draw Saturday night. Great squabble, man, it was a great fight.

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Speaker 1: I mean, like, you know, we were watching the fight

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Speaker 1: and I was in the group chat. I'm like, yo,

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Speaker 1: they either gonna call it a draw. It was gonna

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Speaker 1: be a real close decision for Roach. Yeah, but ended

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Speaker 1: up being a draw, which I think was the right call.

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Speaker 3: I think a drew was the right call.

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Speaker 4: Only think I just didn't like is once you need

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Speaker 4: that is a that is a down right that should have.

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Speaker 5: Been Yeah, I didn't think it was a drawing. Again,

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Speaker 5: I'm not like the business. I don't know all the

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Speaker 5: technical stuff, but I didn't think I thought that Lamont

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Speaker 5: Roach won.

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Speaker 3: Roach was the busiest fighter, you know what I'm saying.

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Speaker 1: He threw one hundred and twelve total punches, one hundred

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Speaker 1: and twelve total punches landed, and David I think take

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Speaker 1: was like one hundred and three or something like that.

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Speaker 1: But Roach was just the busier fighter. Tank landed more

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Speaker 1: power punches. Roach landed more jabs, more total punches. It

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Speaker 1: was just a good squabble, man.

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Speaker 3: It's a good fight. That should have been calendars. The knockdown,

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Speaker 3: you taking kne in the middle of a foot I

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Speaker 3: think so.

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Speaker 4: I would love to see him running back quickly, sooner

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Speaker 4: than later. But anyway, good morning, I know.

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Speaker 3: He says not gonna have he said. I guess he

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Speaker 3: got another fight planned. What's up Morgan?

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Speaker 9: Good morning, DJ, and Vy Charlemagne, Na God and Laura Larossa.

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Speaker 6: Have you Monday?

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Speaker 9: How y'all feeling all right?

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Speaker 1: Y'all?

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Speaker 9: Well, speaking of fights, did y'all see what happened on Friday?

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Speaker 9: We wasn't talking about the bout. But President Trump, he says,

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Speaker 9: his meeting with Ukrainian President Zelensky. It did not go well.

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Speaker 9: So the two had a heated exchange during a meeting

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Speaker 9: in the Oval Office on Friday. Trump told Zelensky he

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Speaker 9: is in no position to negotiate with Russia, adding that

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Speaker 9: without the US, you don't have the cards now. Trump

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Speaker 9: told Zelensky to make a deal or we're out. Let's

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Speaker 9: take a listen to that exchange between President Trump. You

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Speaker 9: can't Ukrainian President Zelensky and Vice President Jade Vance was

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Speaker 9: also there, but I'll get into his comments in a second.

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Speaker 6: From the word beginning of the war, not in a

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Speaker 6: good position.

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Speaker 10: You don't have the cards right now with US. You

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Speaker 10: start having card right now.

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Speaker 3: Players.

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Speaker 10: You're gambling with lives, millions of people. You're gambling with

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Speaker 10: world War three. You're gambling with World War three. And

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Speaker 10: what you're doing is very disrespectful to the country.

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Speaker 11: This country.

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Speaker 10: It's back to you, far more than a lot of people.

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Speaker 11: Said they should have.

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Speaker 12: So.

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Speaker 9: Vice President Jade Vance also entered the chat and told

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Speaker 9: Zelenski to use his manners, saying that he hasn't been

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Speaker 9: grateful for the aid that his country has received from

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Speaker 9: the US. Let's hear those comments from jade Vance. Vice

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Speaker 9: President Jady Vance, Have.

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Speaker 6: You said thank you once this entire meeting, No, in

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Speaker 6: this entire media you said thank you.

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Speaker 4: You went to Pennsylvania and campaigned for the opposition in October.

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Speaker 3: Offer some words of.

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Speaker 4: Appreciation for the United States of America and the president

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Speaker 4: who's trying to save your country.

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Speaker 11: Please, yes, you're seeing that if you will speak very

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Speaker 11: loudly about the war.

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Speaker 3: He's not speaking loudly.

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Speaker 11: He's not speaking loudly.

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Speaker 3: Your country in big trouble.

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Speaker 11: He've done a lot of talking.

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Speaker 9: What do you guys think about that exchange. I'm sure

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Speaker 9: you saw the video.

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Speaker 1: What I didn't understand is they was talking to Zilinsky

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Speaker 1: like he invaded Russia and not the other way around.

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Speaker 1: Like I literally for a second forgot who started all this.

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Speaker 1: Like they spoke to Zlensky the way they should be

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Speaker 1: speaking to the Putin.

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Speaker 3: But Putin is their guy. So you know, I guess

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Speaker 3: they're riding with their home.

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Speaker 4: I mean, I think they spoke to him like he

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Speaker 4: was a child. They didn't speak to him like he

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Speaker 4: was a president. They spoke to him like he was

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Speaker 4: beneath them. It just sounded crazy to see somebody and

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Speaker 4: you didn't even say thank you when to walk in office.

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Speaker 4: They didn't even let that man speak, They didn't even

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Speaker 4: let him have a conversation. I thought it was totally

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Speaker 4: disrespectful to talk to another president like that. I think

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Speaker 4: that one day. I don't think it should be filmed.

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Speaker 4: I think they should have did that behind the doors

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Speaker 4: where they were able to squash out and get everything

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Speaker 4: out on the table.

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Speaker 3: I just thought that was really disrespectful.

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Speaker 9: So Zelensky ended up leaving the White House in a

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Speaker 9: hurry without signing that planned minerals deal, you know for

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Speaker 9: the rare earths.

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Speaker 3: I thought they uncle filled them. I thought they uncle field. Yeah,

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Speaker 3: they kicked up.

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Speaker 9: They kicked him out to an extent, but he did

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Speaker 9: he supposedly Zelensky was interested in coming back to try to,

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Speaker 9: you know, do the deal, to which Trump was like, Nah,

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Speaker 9: you can't come back, na son. Zelenski has since released

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Speaker 9: a statement on social media thanking America. He did you

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Speaker 9: know issue his his thanks and his gratitude, express his

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Speaker 9: gratitude for the visit. And of course last week marks

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Speaker 9: three years since that full scale Russian invasion of Ukraine.

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Speaker 9: So uh, I'll keep you posted in the next hour

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Speaker 9: as to what some of the other leaders around the

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Speaker 9: world are saying about this and what we need to

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Speaker 9: do probably moving forward, And then I will also get

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Speaker 9: into the comments, those post fight comments from Tank Davis

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Speaker 9: and Lamar Roge.

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Speaker 3: All right, well, thank you. That is front page News.

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Speaker 4: Everybody else, Get it off your chest eight hundred five

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Speaker 4: eight five one five one. If you need to vent,

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Speaker 4: callt phone lines wide open again. Eight hundred five eight

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Speaker 4: five one five one.

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Speaker 3: Is the Breakfast Club Morning, the Breakfast Club? Wait, this

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Speaker 3: is your time to get it off your chest.

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Speaker 11: Eight hundred five one.

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Speaker 3: We want to hear from you on the Reckless Club. Hello.

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Speaker 3: What was this?

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Speaker 13: Nicole?

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Speaker 3: Hey Nicole?

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Speaker 7: Good morning?

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Speaker 8: Where you calling from?

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Speaker 13: Good one of DJ if I'm calling from Montgomery, Alabama.

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Speaker 3: Hey, how you feeling this morning?

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Speaker 1: Send me good?

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Speaker 14: How are you?

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Speaker 3: I'm good?

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Speaker 7: I'm good.

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Speaker 3: Get it off your chest?

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Speaker 13: Oh I want to say good one is suggestion shot

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Speaker 13: the man, are they there?

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Speaker 3: Peace? How are you just not here? But I'm here?

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Speaker 3: How you going?

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Speaker 13: I'm good, Sharla, man, I'm good. I want to give

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Speaker 13: my codgars to an age of soul. That was just

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Speaker 13: so terrible to hear. And I actually lived in the area,

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Speaker 13: so the hospitals and everything was flood and everybody was

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Speaker 13: trying to go to them, and it's just such a

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Speaker 13: sad situation. And I hate to hear at list of

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Speaker 13: spirits and theories. I feel like, when it's your time,

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Speaker 13: it's your time. That's a very dangerous and rugged, dark

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Speaker 13: highway that they were on, and at that time of morning,

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Speaker 13: those cycle things can happen. It's a lot of eighteen

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Speaker 13: Willis and I area. You know, Alabama's small, so I

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Speaker 13: could totally understand the accident. And I just had a

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Speaker 13: cousin who actually lost her mate in an excident the

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Speaker 13: same way.

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Speaker 3: Wow, that's horrible, man.

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Speaker 1: I mean car accidents when you they're the worse because,

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Speaker 1: like when you hear somebody die like health issues, you

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Speaker 1: kind of like, okay, they had health issues, but when

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Speaker 1: it's a car accident, you feel like you know their

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Speaker 1: time got cut short.

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Speaker 3: But like you said, man, when it's your time, it's

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Speaker 3: your time.

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Speaker 13: He is exactly when it's your time, is your time.

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Speaker 13: And she was actually coming from a Monograd VM mobile

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Speaker 13: and I had a friend who was there as well,

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Speaker 13: so it was just all drastic to hear. And I

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Speaker 13: personally just love the song because I'm like you, shutter man,

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Speaker 13: I love girlfriends, you know, every time out here girl friends?

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Speaker 13: I think easy.

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Speaker 3: That's right, she did the theme song for girlfriends. But

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Speaker 3: thank you, Why a King?

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Speaker 8: I have a good day, Yeah, a great morning.

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Speaker 11: Hello.

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Speaker 3: Who's this yo?

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Speaker 2: Good morning? Good morning, dj NB, Charlottage and guard This

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Speaker 2: is coach Davis. How you are doing?

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Speaker 3: Good morning, Coach Davis? How you Good morning man?

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Speaker 2: It's just been a minute. I talked to y'all, gentlemen.

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Speaker 2: But listen, I like to talk about President slynsky Man

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Speaker 2: and in forty seven and his part but that he

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Speaker 2: had next to him. You know, I'm fifty one years old, right,

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Speaker 2: I've seen a lot of presidential meetings in the oval,

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Speaker 2: you know that they they put on the news. I've

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Speaker 2: never in my life seen a vice president in a

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Speaker 2: meeting when we had two world leaders going on, right,

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Speaker 2: and they talked to that man like he was a kindergarten,

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Speaker 2: which was crazy to me. But you know, there's a

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Speaker 2: saying that kings talk to kings and just a standing place,

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Speaker 2: and JD. Vans is thegester that needed to stay in

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Speaker 2: his place accident telling this man he should apologize about

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Speaker 2: or be thankful. The nervous is fool.

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Speaker 3: But you know what I what I caught President Trump.

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Speaker 2: I hate to call his name, but he said in

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Speaker 2: that meeting, this would make for great teaving and that's

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Speaker 2: what he wants. He wants chieving. He's not a president.

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Speaker 7: Man.

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Speaker 2: I don't know how these voted a man, but you

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Speaker 2: know what, they're gonna f around and find out.

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Speaker 1: Well, you're right, he is the president. He also was

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Speaker 1: the executive producer of Celebrity Apprentice. But you know, it

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Speaker 1: is interesting with JD. Vance because I I was sitting

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Speaker 1: back thinking like, damn, I ain't even seen JD.

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Speaker 3: Van since they've been in office.

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Speaker 4: But I don't even seen that at the cabin of

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Speaker 4: meeting and the cabin meeting, I don't even see you.

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Speaker 1: I'm sure he was there, but I just haven't seen him.

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Speaker 1: This is the first time I can even remember Harry

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Speaker 1: I don't.

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Speaker 5: Know where you be at.

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Speaker 4: Get it off your chest. Eight hundred five eight five

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Speaker 4: one oh five one. If you need to vent, hit

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Speaker 4: us up now. It's the Breakfast Club. Good morning, the

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Speaker 4: Breakfast Club.

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Speaker 7: Right right, ray yo, Charlae man, Damfy, what up are

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Speaker 7: we lost?

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Speaker 3: This is your time to get it off your chest.

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Speaker 13: I got an indoor pool out.

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Speaker 3: We want to hear from you on the Breakfast Club.

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Speaker 13: Get on the phone right now.

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Speaker 15: He'll tell you what it is.

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Speaker 1: We lie, Hello, who's this?

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Speaker 3: Hey, good morning.

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Speaker 4: I'm gonna get it off your chest.

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Speaker 16: So I'm super excited.

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Speaker 14: I want to get a start out to you all.

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Speaker 14: I listened to you well every morning. I am a

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Speaker 14: super driver from Brooklyn, New York, and I do mobile

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Speaker 14: notary on the side. So I just wanted to say

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Speaker 14: good morning, and I wanted to get with my past.

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Speaker 16: How much they taxed in New York City.

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Speaker 14: I just woke up yesterday morning and he freaking cold

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Speaker 14: my car and they're starting to talk to me like

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Speaker 14: eight hundred dollars just to get my car back. And

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Speaker 14: it's quite completely ridiculous because they charged you to They

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Speaker 14: charge you a total seed, they chart you a service

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Speaker 14: feat even when they're cold, and it's just ridiculous, and

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Speaker 14: it's so sad because you know, we really out here

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Speaker 14: trying to make envy, and they just find me just

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Speaker 14: to practice and tractics and tractics to everything. So they

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Speaker 14: tell no car because I have to renew my registration. Yeah,

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Speaker 14: so exactly, And they just say, I woke up yesterday morning,

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Speaker 14: I tucked my airpag and my car was going so.

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Speaker 3: Straighttion what seventy dollars seventy one dollars something like that.

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Speaker 7: Fifty dollars.

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Speaker 16: Yeah, it's And.

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Speaker 14: Then also it also depends on how long it has

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Speaker 14: been it's gyre for, but they usually give you up

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Speaker 14: to years to renew it. But I just wasn't expecting

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Speaker 14: them to, like, you know, just up until the car

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Speaker 14: over there, like that's ridiculous.

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Speaker 3: Yeah, that's crazy.

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Speaker 8: So now you got to pay eight hundred fifty dollars

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Speaker 8: for a fifty dollars.

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Speaker 16: Registration, yes, and then charge you every day for storage exactly.

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Speaker 14: So I didn't want to say if I could tell

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Speaker 14: my task doubs out there, because like it's really hard.

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Speaker 16: Go ahead, mama, my cask at is s h a

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Speaker 16: y aa ja yy. If anyone wants to help me

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Speaker 16: because I'm really out here trying, and you.

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Speaker 14: Know, I have a lot of dihod it's like a

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Speaker 14: pty hard time to say.

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Speaker 3: I'll go out here all right in Mama, good luck,

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Speaker 3: thank you.

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Speaker 13: Oh, and I want to say how to travel.

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Speaker 14: I'm listen see you guys every morning and try to

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Speaker 14: have you crack it out ready to code to pp guys,

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Speaker 14: So keep it up, and I love people, and have

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Speaker 14: a great day.

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Speaker 13: Peace, Thank you.

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Speaker 3: Hello, who's this Dve?

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Speaker 12: What's going on?

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Speaker 11: Envy?

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Speaker 3: What's up?

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Speaker 7: Get it off your chesty?

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Speaker 12: Hey, I just want to say good morning to the

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Speaker 12: breakfast club. I listen to y'all every morning. Laura love Elsie,

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Speaker 12: you'd be killing it, Charlie May and I.

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Speaker 7: Love you, Vy, I love you.

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Speaker 17: I just want to comment on the front page.

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Speaker 12: You know there's news about where's.

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Speaker 17: The Linsky and Trump and everything. It's forty five minutes

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Speaker 17: worth a conversation. And actually Trum was very.

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Speaker 12: Nice and very quiet for a lot of the time.

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Speaker 17: Until Lensky threatened us, and stead, we ain't gonna feel

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00:15:32,960 --> 00:15:35,480
Speaker 17: it now, but you'll feel it later because we got

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Speaker 17: this beautiful ocean that's protecting us. And then that's when

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Speaker 17: Trump went off. So I just want y'all to I

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Speaker 17: love y'all, and I agree and disagree with everything you got.

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Speaker 12: Mean, people have the right to agree and disagree on everything.

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Speaker 12: But if you're gonna get the news, get the whole

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Speaker 12: story and not just And I.

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Speaker 17: Know we don't have necessarily time for it.

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Speaker 12: But we always focus he in on the negative, and

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Speaker 12: it's always like an attack. It's like, stand up for

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Speaker 12: America because this is where we are.

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Speaker 17: If people don't like where America, love America as a

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Speaker 17: country and that's.

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Speaker 12: Where they're born and where their roots are, people can leave.

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Speaker 12: I don't want that.

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Speaker 13: Nobody wants that stand for America.

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Speaker 1: Don't you think the representation of America matters though? Especially

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Speaker 1: you know when imagine, Oh.

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Speaker 12: I agree Charla Maye one hundred percent.

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Speaker 1: Imagine if you was an American ally and you saw that,

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Speaker 1: could you trust America at this point?

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Speaker 3: Would you trust what?

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Speaker 12: I trust America for walking us into a war that

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Speaker 12: they couldn't win. That is horrible.

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Speaker 17: People lives are being large and it's like that's more

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Speaker 17: important than anything than land.

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Speaker 12: You can't replace lives, and people are going in on him.

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Speaker 12: So I want people to stop being King.

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Speaker 1: No, I don't think that's the reason people are going

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Speaker 1: in on him. I think we all want the war

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Speaker 1: to be be stopped, but we also have remember who

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Speaker 1: started the war?

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Speaker 3: You do know Russia started the war?

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Speaker 12: Oh yeah, Russian started the war. But who provoked the war?

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Speaker 13: Let's keep going back to where did all of that?

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Speaker 12: It was a cold war before there was actually a war.

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Speaker 3: I have no idea what you're talking about anymore, Okay,

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Speaker 3: I just don't. I'm not well. Thank you for checking in,

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00:17:17,359 --> 00:17:20,879
Speaker 3: and thank you for listening. I love y'all, though I

440
00:17:20,880 --> 00:17:22,280
Speaker 3: have no idea what you're talking about. I'm not I

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Speaker 3: can't do it. I'm not going to have a conversation

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Speaker 3: with somebody if I don't know what you're talking.

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Speaker 4: Get it off your chest. Eight hundred and five eight five,

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Speaker 4: one oh five one. We got the mess coming up,

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Speaker 4: we do.

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Speaker 5: We are gonna, you know, take some time to send

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Speaker 5: some love to the family of Angie Stone who passed

448
00:17:34,680 --> 00:17:37,480
Speaker 5: away over the weekend, and just you know, talk through

449
00:17:37,840 --> 00:17:40,359
Speaker 5: just some of her big moments and things to remember.

450
00:17:40,680 --> 00:17:41,320
Speaker 5: Charves some love.

451
00:17:41,520 --> 00:17:43,360
Speaker 4: All right, we'll get into that next. It's the Breakfast Club.

452
00:17:43,400 --> 00:17:45,920
Speaker 4: Good Morning, The Breakfast Club.

453
00:17:47,960 --> 00:17:50,240
Speaker 3: Morning, everybody is j n V.

454
00:17:50,520 --> 00:17:52,920
Speaker 4: Jess, Hilarias Charlamagne, the God. We are the breakfast club

455
00:17:53,000 --> 00:17:55,120
Speaker 4: Law and the Roads a filling in for Jess. Let's

456
00:17:55,160 --> 00:17:55,960
Speaker 4: get to the mess.

457
00:17:57,600 --> 00:17:58,880
Speaker 3: Worldwide management.

458
00:18:00,440 --> 00:18:05,600
Speaker 1: On the breakfast clubs, the coach with Lauren Rosa and

459
00:18:05,680 --> 00:18:07,560
Speaker 1: I got the men Tom.

460
00:18:10,200 --> 00:18:12,560
Speaker 5: So we do want to take the time to send

461
00:18:12,640 --> 00:18:14,439
Speaker 5: a rest in peace to miss Angie Stone.

462
00:18:14,840 --> 00:18:15,119
Speaker 3: Man.

463
00:18:15,359 --> 00:18:18,879
Speaker 5: That is a crazy like that this weekend when that happened,

464
00:18:18,920 --> 00:18:22,800
Speaker 5: this really really really caught me off guard. Grammy nominated

465
00:18:23,600 --> 00:18:29,080
Speaker 5: and Soul Train Award winning singer, songwriter, actress, producer. Mother

466
00:18:29,320 --> 00:18:31,600
Speaker 5: just a trailblazer and everything that she did, one of

467
00:18:31,640 --> 00:18:36,639
Speaker 5: the pioneers of female rap. And so let's let's first

468
00:18:36,640 --> 00:18:40,240
Speaker 5: talk about like what happened. So over the weekend things

469
00:18:40,240 --> 00:18:43,320
Speaker 5: started circulating online because her I believe it was her

470
00:18:43,359 --> 00:18:45,200
Speaker 5: daughter had posted like my mother is gone. So people

471
00:18:45,200 --> 00:18:47,080
Speaker 5: are like, wait, what's happening right now? Then there have

472
00:18:47,119 --> 00:18:50,199
Speaker 5: been some conversation about a possible car accident. When I

473
00:18:50,240 --> 00:18:53,280
Speaker 5: got the call, I reached out to her publicist. Her

474
00:18:53,320 --> 00:18:55,720
Speaker 5: name is Miss Debora Champagne. She's been a publicist and

475
00:18:55,720 --> 00:18:58,400
Speaker 5: a friend for or fourteen years to Angie Stone who

476
00:18:58,440 --> 00:19:01,080
Speaker 5: then you know, confirmed to me that Angie Stone had

477
00:19:01,119 --> 00:19:03,639
Speaker 5: passed away in a tragic car accident. It was actually

478
00:19:03,680 --> 00:19:05,240
Speaker 5: a sprinter that she was in. She was one of

479
00:19:05,320 --> 00:19:08,880
Speaker 5: nine people in a sprinter in Alabama. They were traveling

480
00:19:08,920 --> 00:19:11,880
Speaker 5: from a show that she had done in Alabama to Baltimore,

481
00:19:11,920 --> 00:19:13,679
Speaker 5: CI double a weekend because she had some stuff that

482
00:19:13,720 --> 00:19:16,000
Speaker 5: she was going to do there as well. And she

483
00:19:16,119 --> 00:19:17,960
Speaker 5: was the only person as of now, she was the

484
00:19:17,960 --> 00:19:20,560
Speaker 5: only person in this sprinter that passed away.

485
00:19:20,720 --> 00:19:21,480
Speaker 3: And how many people were in?

486
00:19:22,240 --> 00:19:22,760
Speaker 5: Nine people?

487
00:19:22,840 --> 00:19:25,040
Speaker 3: Wow? Tragic man, Yeah, nine people.

488
00:19:25,800 --> 00:19:29,120
Speaker 5: And now when I talked to Miss Deborah, of course,

489
00:19:29,119 --> 00:19:31,760
Speaker 5: it was very emotional for her. And what she told

490
00:19:31,800 --> 00:19:34,080
Speaker 5: me was that, you know, she had just talked to

491
00:19:34,400 --> 00:19:37,399
Speaker 5: Angie Stone the night prior, right before Angie Stone was

492
00:19:37,400 --> 00:19:38,760
Speaker 5: about to go on stage. She says she talked to

493
00:19:38,760 --> 00:19:41,360
Speaker 5: her around like a little bit after eight or nine o'clock,

494
00:19:42,080 --> 00:19:43,600
Speaker 5: and Angie had told her, you know, I'm about to

495
00:19:43,600 --> 00:19:44,720
Speaker 5: go on stage. I got to call you back, but

496
00:19:44,720 --> 00:19:46,960
Speaker 5: I'll see you tomorrow on Baltimore. She was literally getting

497
00:19:47,000 --> 00:19:49,360
Speaker 5: her rep was literally getting ready to head to Baltimore

498
00:19:49,400 --> 00:19:52,000
Speaker 5: to meet Angie and then got her phone started ringing crazy.

499
00:19:52,200 --> 00:19:53,960
Speaker 5: So she was in tears when she was talking to me,

500
00:19:54,000 --> 00:19:55,600
Speaker 5: and she just she wanted to make sure that we

501
00:19:55,640 --> 00:19:58,040
Speaker 5: took the time to, you know, just go through all

502
00:19:58,080 --> 00:20:01,239
Speaker 5: of her career accolades and just the light on the

503
00:20:01,240 --> 00:20:03,600
Speaker 5: world the way that Angie Stone would want to. She said,

504
00:20:03,640 --> 00:20:06,120
Speaker 5: specifically said to me, the Breakfast Club does a great

505
00:20:06,200 --> 00:20:07,560
Speaker 5: job of what they do, so we can call her

506
00:20:07,560 --> 00:20:09,520
Speaker 5: for anything when it comes to this, So let's take

507
00:20:09,520 --> 00:20:10,199
Speaker 5: the time to do that.

508
00:20:10,400 --> 00:20:12,080
Speaker 3: So well, you can't do it in ten minutes.

509
00:20:12,160 --> 00:20:13,600
Speaker 5: I can't do it in ten minutes. But I'm gonna

510
00:20:13,600 --> 00:20:15,760
Speaker 5: try to do her career spend across so much, but

511
00:20:15,800 --> 00:20:17,280
Speaker 5: I'm gonna try to do the best that i can.

512
00:20:17,960 --> 00:20:18,600
Speaker 5: Right now, I'm not to.

513
00:20:18,720 --> 00:20:20,520
Speaker 4: Cut you off, just telling people that we are gonna

514
00:20:20,520 --> 00:20:22,720
Speaker 4: be playing her interview that we did with her in

515
00:20:22,760 --> 00:20:24,520
Speaker 4: twenty nineteen when she came up.

516
00:20:24,400 --> 00:20:26,120
Speaker 3: Here and she broke down a lot of her history.

517
00:20:26,119 --> 00:20:27,520
Speaker 3: We're gonna be playing with a lot of her history.

518
00:20:27,560 --> 00:20:28,399
Speaker 3: I watched it.

519
00:20:28,960 --> 00:20:33,160
Speaker 1: I rewatched it this weekend, you know, just because and literally,

520
00:20:33,200 --> 00:20:34,880
Speaker 1: like she talks about wanting to do a movie about

521
00:20:34,920 --> 00:20:36,959
Speaker 1: her life, and the documentary and there was a lot

522
00:20:37,000 --> 00:20:38,440
Speaker 1: of things she didn't even want to fully get into

523
00:20:38,480 --> 00:20:38,960
Speaker 1: it because she was.

524
00:20:38,960 --> 00:20:40,120
Speaker 3: Like, this is gonna be for the movie. It's gonna

525
00:20:40,119 --> 00:20:41,960
Speaker 3: be for the movie. Yeah, yep, so we're gonna do

526
00:20:42,000 --> 00:20:44,080
Speaker 3: that in the eight o'clock hour.

527
00:20:44,000 --> 00:20:45,879
Speaker 5: Got You And I did look up that what she

528
00:20:45,920 --> 00:20:47,640
Speaker 5: was talking about. God Batch that interview too, it says

529
00:20:47,680 --> 00:20:49,159
Speaker 5: that it was still in development. So I'm gonna try

530
00:20:49,160 --> 00:20:50,399
Speaker 5: and figure out like where that left off to and

531
00:20:50,400 --> 00:20:52,760
Speaker 5: see if there's anything that we could talk about there eventually.

532
00:20:52,800 --> 00:20:54,920
Speaker 5: But yeah, so Angie Stone She was born in Columbia,

533
00:20:54,920 --> 00:20:57,960
Speaker 5: South Carolina, Carolina, and she was on three nominated for

534
00:20:58,000 --> 00:21:01,480
Speaker 5: three Grammys. She won two Soul Train Awards. Like I mentioned,

535
00:21:01,480 --> 00:21:03,719
Speaker 5: one of the pioneers of female raps. She started her

536
00:21:03,760 --> 00:21:06,639
Speaker 5: career in the hip hop group The Sequence in the

537
00:21:06,640 --> 00:21:08,879
Speaker 5: seventies with the song Funk You Up, where she was

538
00:21:08,920 --> 00:21:10,080
Speaker 5: angieb on that.

539
00:21:09,960 --> 00:21:12,200
Speaker 1: Record, her first female hip hop group of all time,

540
00:21:12,240 --> 00:21:14,119
Speaker 1: first female hip hop group to go gold.

541
00:21:14,359 --> 00:21:16,399
Speaker 5: Yeah, and I think a lot when I watched the interview,

542
00:21:16,400 --> 00:21:17,800
Speaker 5: I was like, oh shoot, I didn't know that.

543
00:21:17,840 --> 00:21:21,240
Speaker 3: I didn't know. During interview, I was proud.

544
00:21:20,600 --> 00:21:22,880
Speaker 5: Yep you were. She leaves behind, and she soon leaves

545
00:21:22,880 --> 00:21:25,920
Speaker 5: behind her two children, Diamond and Michael Diamonds her daughter

546
00:21:25,960 --> 00:21:27,760
Speaker 5: and the mother of her two grandchildren, and then Michael

547
00:21:27,840 --> 00:21:31,000
Speaker 5: is her son. Now her songs. Let's get into her

548
00:21:31,000 --> 00:21:34,080
Speaker 5: catalog again. We can't do everything, but if we're talking catalog,

549
00:21:34,119 --> 00:21:36,760
Speaker 5: there are so many big songs that she had No

550
00:21:36,880 --> 00:21:40,160
Speaker 5: More Rain, which was off of her debut album Black

551
00:21:40,200 --> 00:21:42,560
Speaker 5: Diamond in nineteen ninety nine. This album with Gold as

552
00:21:42,560 --> 00:21:45,280
Speaker 5: well to Wish I Didn't Miss You, my favorite one

553
00:21:45,760 --> 00:21:48,440
Speaker 5: from her second album, A Hogginy Soul. She has a brother.

554
00:21:49,080 --> 00:21:52,080
Speaker 5: She also is the voice of The Girlfriend's theme song,

555
00:21:52,119 --> 00:21:54,160
Speaker 5: which I watched a lot of people learn in real

556
00:21:54,240 --> 00:21:56,480
Speaker 5: time over this weekend as well too, God, which is good.

557
00:21:56,520 --> 00:21:57,960
Speaker 3: Yeah, I knew, but I forget I'm old.

558
00:21:58,160 --> 00:22:01,400
Speaker 1: I knew that the Girlfriend's fanatic and Angie's from Columbia,

559
00:22:01,400 --> 00:22:03,800
Speaker 1: South Carolina, so I'm not knocking anybody who didn't know that.

560
00:22:04,000 --> 00:22:05,159
Speaker 5: Yeah, there was a lot of people who didn't know.

561
00:22:05,160 --> 00:22:09,680
Speaker 5: I think because I because I'm into the interview exactly.

562
00:22:09,760 --> 00:22:11,040
Speaker 5: I mean, he's a big fan of the show as

563
00:22:11,040 --> 00:22:13,480
Speaker 5: well too. But she talked about it all the time,

564
00:22:13,480 --> 00:22:15,840
Speaker 5: and I remember watching interview where she talked about they

565
00:22:15,880 --> 00:22:18,119
Speaker 5: literally told her when they didn't play her rift the

566
00:22:18,520 --> 00:22:20,479
Speaker 5: ratings on the show would go down for that episode.

567
00:22:20,520 --> 00:22:22,240
Speaker 5: So whenever they did play the Rift, they called it

568
00:22:22,280 --> 00:22:24,840
Speaker 5: the good Luck Tron for their Girlfriends show. So she's

569
00:22:24,840 --> 00:22:27,000
Speaker 5: talked about that as well. So, yeah, I just wanted

570
00:22:27,040 --> 00:22:28,280
Speaker 5: to take that time, and we do have some of

571
00:22:28,280 --> 00:22:29,840
Speaker 5: her music that, you know, I want to make sure

572
00:22:29,840 --> 00:22:30,439
Speaker 5: that we get to.

573
00:22:30,760 --> 00:22:35,399
Speaker 1: Playgic Man Tragic Tragedy Tragedy Records's so tragic. God blessed

574
00:22:35,400 --> 00:22:37,919
Speaker 1: the soul of Angie Stone. It's just to remind that

575
00:22:38,000 --> 00:22:39,679
Speaker 1: when it's your time, is your time, Because you know,

576
00:22:39,720 --> 00:22:42,120
Speaker 1: you're in a vehicle, would you say with eight other people, Yeah,

577
00:22:42,160 --> 00:22:44,600
Speaker 1: and you're the only one who passed, you can't question

578
00:22:44,680 --> 00:22:46,960
Speaker 1: God when it's your time. You know, literally, you can

579
00:22:47,000 --> 00:22:49,320
Speaker 1: be here with somebody today and they're gone to marrows

580
00:22:49,359 --> 00:22:52,480
Speaker 1: and don't take anybody or any moment for granted at all.

581
00:22:53,080 --> 00:22:55,199
Speaker 3: Yeah, God bless her family. Man.

582
00:22:56,119 --> 00:22:57,600
Speaker 5: She was sixty three years old. I'm not for sure

583
00:22:57,600 --> 00:22:58,960
Speaker 5: if I said that at the beginning, but I wanted

584
00:22:58,960 --> 00:23:00,000
Speaker 5: to make sure I said that as well.

585
00:22:59,880 --> 00:23:02,399
Speaker 1: To imagine how all the folks that was in the

586
00:23:02,480 --> 00:23:05,960
Speaker 1: vehicle with her feel. Yeah, Jesus Christ, you know what

587
00:23:06,000 --> 00:23:08,399
Speaker 1: I'm saying. You You you're grateful that your life was

588
00:23:08,960 --> 00:23:11,640
Speaker 1: your life was fed, but then you grieving because your

589
00:23:12,400 --> 00:23:13,959
Speaker 1: Angie's gone.

590
00:23:14,280 --> 00:23:17,480
Speaker 3: My God, man, God, bless the soul Angie Stone. Man.

591
00:23:17,560 --> 00:23:19,840
Speaker 5: Yeah, I'm sending some prayers for the other people that

592
00:23:19,880 --> 00:23:23,760
Speaker 5: were in that vehicle because that the accident looked pretty horrible.

593
00:23:23,960 --> 00:23:25,000
Speaker 3: So looked crazy.

594
00:23:25,080 --> 00:23:28,159
Speaker 1: Yeah, hip O pioneered, Neo Soul Pioneer R and b

595
00:23:28,520 --> 00:23:33,160
Speaker 1: Icon South Carolina Legend, dropping the Clues bonds fang Stone. Absolutely,

596
00:23:33,640 --> 00:23:37,640
Speaker 1: all right, Well that is the mess in at eight am,

597
00:23:37,680 --> 00:23:39,639
Speaker 1: we will be playing back our conversation that we had

598
00:23:39,640 --> 00:23:42,359
Speaker 1: with Angie Stone in two thousand and nineteen nineteen.

599
00:23:42,400 --> 00:23:42,760
Speaker 3: That's right.

600
00:23:42,800 --> 00:23:44,760
Speaker 5: Some people are just like fairy tales. I feel like

601
00:23:44,760 --> 00:23:46,800
Speaker 5: she's one of them. It's really crazy to be saying

602
00:23:46,920 --> 00:23:48,679
Speaker 5: rip to you know, even though she's lived a very

603
00:23:48,680 --> 00:23:51,680
Speaker 5: full life. It's just I still am like, that's so crazy.

604
00:23:52,600 --> 00:23:54,200
Speaker 8: He's still young though, yeah, sixty three is young.

605
00:23:54,200 --> 00:23:56,480
Speaker 5: But it's just like you don't. I would never I

606
00:23:56,480 --> 00:23:58,320
Speaker 5: thought it was a lie. I just knew this was

607
00:23:58,320 --> 00:23:59,920
Speaker 5: like something Twitter created until I.

608
00:23:59,840 --> 00:24:02,960
Speaker 1: Call because any type of accident is always so abrupt,

609
00:24:03,240 --> 00:24:04,399
Speaker 1: you know what I mean. And I'm not saying like

610
00:24:04,400 --> 00:24:05,879
Speaker 1: when you when you die of health issues. It can

611
00:24:05,920 --> 00:24:07,920
Speaker 1: be abrupt too. But like you know when you feel

612
00:24:07,920 --> 00:24:09,760
Speaker 1: when you hear like a car accident.

613
00:24:10,080 --> 00:24:11,399
Speaker 3: You know, nothing was planned.

614
00:24:11,400 --> 00:24:13,760
Speaker 1: It was like, yeah, it just it just feels like

615
00:24:13,800 --> 00:24:15,679
Speaker 1: it just it just feels like things were cut short.

616
00:24:15,800 --> 00:24:19,040
Speaker 3: But no, when it's your time, it's your time, all.

617
00:24:19,000 --> 00:24:21,680
Speaker 4: Right, all right, when we come back, we got front

618
00:24:21,720 --> 00:24:24,040
Speaker 4: page news. It don't go anywhere. And again we're gonna

619
00:24:24,040 --> 00:24:27,280
Speaker 4: be replaying out Angie Stone interview from twenty nineteen and.

620
00:24:27,359 --> 00:24:29,280
Speaker 3: Eight o'clock hours, So don't move. It's the Breakfast Club.

621
00:24:29,280 --> 00:24:31,240
Speaker 7: Good morning everybody.

622
00:24:31,240 --> 00:24:35,240
Speaker 4: It's j Envy, Jess, Hilarrys, Charlamagne, the God. We are

623
00:24:35,400 --> 00:24:38,680
Speaker 4: the Breakfast Club. Long the roaster fillling and just let's

624
00:24:38,680 --> 00:24:40,199
Speaker 4: get in some front page news.

625
00:24:40,320 --> 00:24:43,119
Speaker 3: Now over we get in. The fight. Javonte Davis, Lamart

626
00:24:43,200 --> 00:24:45,840
Speaker 3: Roach Junior ended in a draw.

627
00:24:46,320 --> 00:24:49,159
Speaker 1: Good squabble. I mean, I think I think draw was

628
00:24:49,160 --> 00:24:49,880
Speaker 1: the right call.

629
00:24:50,000 --> 00:24:50,160
Speaker 12: Think.

630
00:24:50,200 --> 00:24:53,400
Speaker 1: So you know, when immediately when the fight was over,

631
00:24:53,640 --> 00:24:55,320
Speaker 1: you know, I was thinking to myself, Okay, they're either

632
00:24:55,320 --> 00:24:57,720
Speaker 1: gonna call it a draw or it's gonna be a

633
00:24:57,760 --> 00:25:01,960
Speaker 1: split decision that leans towards Roach. So you know, when

634
00:25:01,960 --> 00:25:03,800
Speaker 1: they called draw, I thought that was the right call

635
00:25:03,880 --> 00:25:06,400
Speaker 1: even though they should have counted Tank taking that knee

636
00:25:06,400 --> 00:25:07,080
Speaker 1: as a knockdown.

637
00:25:07,280 --> 00:25:09,160
Speaker 3: They do that Roach was to fight. Yeah, he definitely

638
00:25:09,200 --> 00:25:09,680
Speaker 3: went to fight.

639
00:25:09,880 --> 00:25:11,680
Speaker 4: And you know, I'm a casual boxer fan, like I'm

640
00:25:11,680 --> 00:25:13,760
Speaker 4: not a box of box of boxer fan, but when

641
00:25:13,760 --> 00:25:15,119
Speaker 4: I seen it, I thought that, you know, when you

642
00:25:15,200 --> 00:25:17,200
Speaker 4: take a knee, that's a knockdown.

643
00:25:16,880 --> 00:25:18,720
Speaker 3: One hundred percent of the knockdown. It should have been counted.

644
00:25:19,160 --> 00:25:19,879
Speaker 3: Can't call a time out.

645
00:25:19,920 --> 00:25:22,000
Speaker 1: He actually could have the actually could have called the

646
00:25:22,040 --> 00:25:23,879
Speaker 1: fight because if you take a knee and then you

647
00:25:24,000 --> 00:25:27,639
Speaker 1: run to your corner like that, yeah, that's like quittick.

648
00:25:27,840 --> 00:25:28,639
Speaker 3: Most people thought.

649
00:25:28,480 --> 00:25:30,280
Speaker 5: That that was what was going to happen after like

650
00:25:30,320 --> 00:25:31,720
Speaker 5: when he went to the corner that I thought it

651
00:25:31,760 --> 00:25:32,240
Speaker 5: was over.

652
00:25:32,119 --> 00:25:34,440
Speaker 4: Too well, he did say that there was he got

653
00:25:34,440 --> 00:25:36,280
Speaker 4: his hair braided and the grease was in his eye

654
00:25:36,320 --> 00:25:38,479
Speaker 4: and day he wanted to wipe that out of his eye.

655
00:25:38,680 --> 00:25:40,280
Speaker 1: There was a lack of focus from Tank the whole

656
00:25:40,320 --> 00:25:42,200
Speaker 1: fight that I saw though, even when he was chatting

657
00:25:42,200 --> 00:25:42,480
Speaker 1: with the.

658
00:25:42,440 --> 00:25:45,399
Speaker 3: Referee and everything like, like it was just I don't know,

659
00:25:45,400 --> 00:25:47,160
Speaker 3: he didn't look he didn't look like himself.

660
00:25:46,840 --> 00:25:48,399
Speaker 5: And he already be running to the side looking for

661
00:25:48,440 --> 00:25:50,159
Speaker 5: his people. But I felt like he's like when he

662
00:25:50,200 --> 00:25:51,840
Speaker 5: was doing that as well, I'm like, did he is he?

663
00:25:52,000 --> 00:25:52,080
Speaker 3: Like?

664
00:25:52,320 --> 00:25:52,560
Speaker 6: Did he?

665
00:25:52,640 --> 00:25:54,520
Speaker 5: I think he underestimated it a little bit.

666
00:25:54,440 --> 00:25:56,920
Speaker 1: Man, And I was very impressed at the way Roach

667
00:25:57,040 --> 00:25:59,440
Speaker 1: was able to take Tank's power. His Tank was laying

668
00:25:59,480 --> 00:26:02,800
Speaker 1: in some shots and Roach was eating them, like, well,

669
00:26:02,800 --> 00:26:03,880
Speaker 1: good morning, Morgan.

670
00:26:03,960 --> 00:26:04,480
Speaker 7: Good morning.

671
00:26:04,520 --> 00:26:06,720
Speaker 9: I'm like, dang, can I get into in this conversation

672
00:26:06,840 --> 00:26:09,359
Speaker 9: just a little bit? Uh, if for anything, they should

673
00:26:09,400 --> 00:26:10,600
Speaker 9: bring it back to the d m V. You know

674
00:26:10,640 --> 00:26:13,320
Speaker 9: what I'm saying. We got MGM, we got convention centers,

675
00:26:13,320 --> 00:26:14,800
Speaker 9: we got you know what I'm saying. So Barclays was

676
00:26:14,800 --> 00:26:18,800
Speaker 9: cool but everything. Yeah, So the reigning w n w

677
00:26:19,000 --> 00:26:22,000
Speaker 9: b A lightweight champion, Davonte Davis and Lamont Roach. They

678
00:26:22,000 --> 00:26:25,800
Speaker 9: clashed in about ending in a controversial draw and previously mentioned,

679
00:26:25,800 --> 00:26:31,520
Speaker 9: as you guys talked about controversial, controversial is controversial.

680
00:26:31,600 --> 00:26:33,800
Speaker 5: People are people. There's so many people that are like

681
00:26:33,880 --> 00:26:41,000
Speaker 5: what happened? People feel like he was.

682
00:26:41,000 --> 00:26:43,600
Speaker 3: Able to get back up, went on, Okay, it was controversial.

683
00:26:43,640 --> 00:26:45,040
Speaker 7: I'm let me get into it.

684
00:26:45,080 --> 00:26:45,280
Speaker 6: Okay.

685
00:26:45,359 --> 00:26:47,840
Speaker 9: So as previously mentioned, y'all, y'all talked about the knee

686
00:26:47,840 --> 00:26:50,040
Speaker 9: that Tank took in the ninth round that was not

687
00:26:50,160 --> 00:26:53,480
Speaker 9: ruled a knockout by referee Steve Willis. But to your

688
00:26:53,520 --> 00:26:55,879
Speaker 9: point of MV, let's take a listen to Tank's reason

689
00:26:55,920 --> 00:26:57,160
Speaker 9: why he took that knee.

690
00:26:57,440 --> 00:26:59,879
Speaker 18: I just got my head done two days ago as

691
00:27:00,119 --> 00:27:04,560
Speaker 18: picks in my shold was like, you know, like when

692
00:27:04,560 --> 00:27:06,720
Speaker 18: you sweating things like that and the Greeks come in

693
00:27:06,800 --> 00:27:09,520
Speaker 18: my face and burt my eyes.

694
00:27:10,160 --> 00:27:13,199
Speaker 7: Sham. Why y'all going like I'm saying, like this is

695
00:27:13,240 --> 00:27:13,879
Speaker 7: real fast.

696
00:27:14,480 --> 00:27:19,560
Speaker 3: Come on, man, look at my hair. But it's all

697
00:27:19,720 --> 00:27:20,280
Speaker 3: cool man.

698
00:27:20,320 --> 00:27:22,760
Speaker 6: You know, you know, I get that they love it

699
00:27:22,800 --> 00:27:23,680
Speaker 6: and then they hate you.

700
00:27:24,000 --> 00:27:26,320
Speaker 1: Excuses like that always sound weak in boxing, you know

701
00:27:26,320 --> 00:27:28,000
Speaker 1: what I mean, Like, the only excuses that work in

702
00:27:28,000 --> 00:27:30,040
Speaker 1: boxing is if you actually get hurt, like if your

703
00:27:30,040 --> 00:27:32,199
Speaker 1: hand gets hurt in the ring or its like like

704
00:27:32,200 --> 00:27:35,399
Speaker 1: there's an actual injury when you say things like grease.

705
00:27:35,160 --> 00:27:35,880
Speaker 3: Fell in my eye.

706
00:27:35,960 --> 00:27:39,560
Speaker 1: When Deontay Waders said his his his his outfit that

707
00:27:39,560 --> 00:27:41,200
Speaker 1: he watered the ring was too heavy so his legs

708
00:27:41,240 --> 00:27:42,720
Speaker 1: were tight like stuff like that.

709
00:27:42,600 --> 00:27:42,920
Speaker 3: He signed.

710
00:27:43,280 --> 00:27:46,800
Speaker 4: But I will say this though he didn't. He wasn't fazed.

711
00:27:46,840 --> 00:27:48,400
Speaker 4: It's not like he ran to the corner to get

712
00:27:48,400 --> 00:27:49,880
Speaker 4: some extra help. He looked, fine, you.

713
00:27:49,960 --> 00:27:51,680
Speaker 5: Feel like a little bit a little bit in that fight,

714
00:27:51,720 --> 00:27:53,320
Speaker 5: he gave a little bit of daze, a little bit

715
00:27:53,359 --> 00:27:55,640
Speaker 5: like he was a little shake it a little.

716
00:27:55,440 --> 00:27:56,880
Speaker 3: Bit after that point, not when he took that back.

717
00:27:57,080 --> 00:28:00,000
Speaker 5: Also to the Hairstyles said that that's not what happen.

718
00:28:00,040 --> 00:28:02,440
Speaker 5: But she did his hair Wednesday and she posted that

719
00:28:02,880 --> 00:28:04,879
Speaker 5: he's done so much substance Winday Wednesday. She said the

720
00:28:04,880 --> 00:28:07,240
Speaker 5: grease in question, it literally says no grease, no alcohol,

721
00:28:07,320 --> 00:28:08,240
Speaker 5: no flicking, no wax.

722
00:28:08,480 --> 00:28:11,520
Speaker 1: So something happened, like I don't know how hard that

723
00:28:11,560 --> 00:28:13,040
Speaker 1: point was Roach hit him with.

724
00:28:13,080 --> 00:28:15,280
Speaker 3: It didn't seem like it was that hard, but it

725
00:28:15,840 --> 00:28:16,359
Speaker 3: did something.

726
00:28:17,080 --> 00:28:19,160
Speaker 9: Well, let's hear from Lamont Roach. He also spoke after

727
00:28:19,160 --> 00:28:21,479
Speaker 9: the fight saying he put belt to butt. Let's hear

728
00:28:21,520 --> 00:28:23,120
Speaker 9: those comments from Lamont Roach.

729
00:28:23,760 --> 00:28:26,800
Speaker 3: I'm him. I'm telling you that I'm one of the best.

730
00:28:26,600 --> 00:28:28,920
Speaker 5: Fighters in the world man, and I showed it.

731
00:28:30,119 --> 00:28:32,560
Speaker 3: I don't he probably wasn't walling when he said that

732
00:28:32,760 --> 00:28:33,760
Speaker 3: grease got in his eye.

733
00:28:34,040 --> 00:28:35,879
Speaker 19: But if you voluntaried to take a knee and the

734
00:28:35,880 --> 00:28:38,040
Speaker 19: rep start count, it should be a knockdown. Like that's

735
00:28:38,040 --> 00:28:40,680
Speaker 19: a knockdown I win to fight show I mean, it

736
00:28:40,720 --> 00:28:43,040
Speaker 19: is what it is. I'm not banking on that knockdown

737
00:28:43,040 --> 00:28:45,600
Speaker 19: to win. I just you know, just I just thought

738
00:28:45,600 --> 00:28:47,240
Speaker 19: I pulled it out one of them's nush.

739
00:28:47,760 --> 00:28:49,040
Speaker 3: I want to hurn it back for show me.

740
00:28:49,720 --> 00:28:51,960
Speaker 9: So as a fight. As a result of this fight,

741
00:28:52,040 --> 00:28:56,080
Speaker 9: now Tank's record is no longer perfect. It was the

742
00:28:56,200 --> 00:28:58,280
Speaker 9: thirty and oh but now he has that one draw

743
00:28:58,760 --> 00:29:00,800
Speaker 9: and but at least he get to hold on to

744
00:29:00,880 --> 00:29:03,360
Speaker 9: his title. So to youall guys pointing to the point

745
00:29:03,360 --> 00:29:05,080
Speaker 9: of the fighters, they want to run it back and

746
00:29:05,120 --> 00:29:07,080
Speaker 9: we'll see what happens again. And I'm sure it'll be

747
00:29:07,160 --> 00:29:09,200
Speaker 9: highly highly anticipated. If it's not going to be in

748
00:29:09,200 --> 00:29:10,520
Speaker 9: the D and V, I gotta be in Vegas.

749
00:29:10,600 --> 00:29:11,440
Speaker 3: So I don't know.

750
00:29:12,120 --> 00:29:13,800
Speaker 9: But speaking of fights, let's get back on the top

751
00:29:13,800 --> 00:29:16,920
Speaker 9: of Zelensky and Trump. European leaders are pledging billions in

752
00:29:16,960 --> 00:29:21,720
Speaker 9: support to Ukraine following the emergency summit in London on Sunday. Now,

753
00:29:21,800 --> 00:29:24,640
Speaker 9: British Prime Minister Kure stammer He said UK France and

754
00:29:24,720 --> 00:29:27,200
Speaker 9: others will work to figure out a plan to stop

755
00:29:27,200 --> 00:29:29,520
Speaker 9: the fighting and present it to President Trump. He also

756
00:29:29,560 --> 00:29:32,360
Speaker 9: rejected a suggestion by a reporter that the US is

757
00:29:32,480 --> 00:29:36,080
Speaker 9: not a reliable ally after President Trump's heated exchange with

758
00:29:36,200 --> 00:29:38,960
Speaker 9: Ukrainian President Zelensky in the OVA Office. So let's hear

759
00:29:39,080 --> 00:29:41,760
Speaker 9: more from UK print Prime Minister kure Stammer.

760
00:29:42,120 --> 00:29:46,240
Speaker 20: Together with others, Europe must do the heavy listing. But

761
00:29:46,360 --> 00:29:50,360
Speaker 20: to support peace in our continent and to succeed, this

762
00:29:50,640 --> 00:29:54,880
Speaker 20: effort must have strong US backing. Nobody wanted to see

763
00:29:54,880 --> 00:29:59,000
Speaker 20: what happened last Friday, but I do not accept that

764
00:29:59,040 --> 00:30:02,239
Speaker 20: the US is an unre reliable ally. The US has

765
00:30:02,280 --> 00:30:05,280
Speaker 20: been a reliable ally to the UK for many, many

766
00:30:05,360 --> 00:30:08,040
Speaker 20: decades and continues to be That's good.

767
00:30:08,080 --> 00:30:08,400
Speaker 3: That's good.

768
00:30:08,400 --> 00:30:10,320
Speaker 1: He still has faith in the US to be a

769
00:30:10,320 --> 00:30:13,400
Speaker 1: good ally because you know, I can see you know,

770
00:30:14,120 --> 00:30:16,440
Speaker 1: people all over the country, I mean people all over

771
00:30:16,480 --> 00:30:20,240
Speaker 1: the world, you know, stocking up on nuclear weapons. I'm creating,

772
00:30:20,560 --> 00:30:22,959
Speaker 1: you know, new nuclear weapons just because they may not

773
00:30:22,960 --> 00:30:25,360
Speaker 1: feel safety, may not feel like the US is a

774
00:30:25,360 --> 00:30:26,040
Speaker 1: reliable ally.

775
00:30:26,360 --> 00:30:27,880
Speaker 3: So I'm glad that they still do well.

776
00:30:27,880 --> 00:30:30,520
Speaker 9: South Carolina Senator Lindsey Graham he also entered the chatting,

777
00:30:30,520 --> 00:30:32,000
Speaker 9: you know, there's a lot of reaction to all of this.

778
00:30:32,360 --> 00:30:34,280
Speaker 9: He said that a message was sent and he's proud

779
00:30:34,320 --> 00:30:38,200
Speaker 9: of how the President handled it. Meanwhile, Arizona Democratic Senator

780
00:30:38,360 --> 00:30:40,240
Speaker 9: Mark Kelly he said this is not good and said

781
00:30:40,280 --> 00:30:42,600
Speaker 9: the exchange was performative. Let's hear the comments from them.

782
00:30:42,880 --> 00:30:45,440
Speaker 1: I've never been more proud of President Trump for showing

783
00:30:45,480 --> 00:30:48,800
Speaker 1: the American people in the world, you don't trifle with

784
00:30:48,880 --> 00:30:50,080
Speaker 1: this man, you know.

785
00:30:50,120 --> 00:30:52,400
Speaker 3: Saying thank you in the Oval Office, being put on

786
00:30:52,440 --> 00:30:54,920
Speaker 3: a spot like that is you know.

787
00:30:54,960 --> 00:30:57,040
Speaker 21: It seemed to me that it was just you know,

788
00:30:57,160 --> 00:30:59,720
Speaker 21: JD Van saying, hey, look what I can do.

789
00:30:59,800 --> 00:31:00,200
Speaker 3: Dad.

790
00:31:00,480 --> 00:31:02,280
Speaker 9: Well, look, you guys, it's a lot going on, so

791
00:31:02,360 --> 00:31:03,680
Speaker 9: let me just try to wrap this thing up with

792
00:31:03,720 --> 00:31:06,200
Speaker 9: a bow. There's other news going on in South Carolina.

793
00:31:06,560 --> 00:31:08,680
Speaker 9: The state is currently under a state of emergency as

794
00:31:08,760 --> 00:31:12,040
Speaker 9: wildfires ravage the state Governor Henry McMaster. He made the

795
00:31:12,040 --> 00:31:15,440
Speaker 9: declaration on Sunday as one of the largest fires threatens

796
00:31:15,480 --> 00:31:18,440
Speaker 9: residents in the Myrtle Beach area. Now, the fire in

797
00:31:18,520 --> 00:31:21,240
Speaker 9: the Carolina Forest has burned over one thousand acres and

798
00:31:21,360 --> 00:31:23,920
Speaker 9: is zero percent contained as of last check. Meanwhile, the

799
00:31:23,920 --> 00:31:27,160
Speaker 9: North Carolina Fire Services wildfire in Polk County has destroyed

800
00:31:27,160 --> 00:31:29,920
Speaker 9: at least four hundred acres and it's also zero percent contained.

801
00:31:30,160 --> 00:31:32,120
Speaker 9: As of last check up, more than one hundred and

802
00:31:32,200 --> 00:31:35,760
Speaker 9: seventy wildfires have erupted across both states, blackening a combined

803
00:31:35,800 --> 00:31:41,080
Speaker 9: forty two hundred acres, enforcing mass evacuations. It's crazy because usually,

804
00:31:41,160 --> 00:31:43,120
Speaker 9: you know, South Carolina, North Carolina doesn't deal with these

805
00:31:43,120 --> 00:31:46,040
Speaker 9: type of situations. We were just seeming to wrap up

806
00:31:46,040 --> 00:31:49,120
Speaker 9: what was going on, the devastating wildfires that impacted LA.

807
00:31:49,600 --> 00:31:51,800
Speaker 9: So do you guys have any thoughts on this? Charlettne

808
00:31:51,840 --> 00:31:52,520
Speaker 9: I know that's where you're.

809
00:31:52,440 --> 00:31:55,240
Speaker 1: From, and I've never heard of South Carolina wildfires in

810
00:31:55,280 --> 00:31:58,920
Speaker 1: my life, but you know, definitely send in PRIs and

811
00:31:59,040 --> 00:32:01,640
Speaker 1: positive energy out everybody in real buchhit that have to

812
00:32:01,640 --> 00:32:02,680
Speaker 1: deal with that at this moment.

813
00:32:02,960 --> 00:32:05,560
Speaker 9: Absolutely all right, you guys, There's so much more to

814
00:32:05,560 --> 00:32:07,400
Speaker 9: talk about, but at the end of the day, the

815
00:32:07,520 --> 00:32:09,720
Speaker 9: day gone, and that's your front faced news. I'm Morgan.

816
00:32:09,760 --> 00:32:12,520
Speaker 9: Would follow me at Morgan Media for more news coverage,

817
00:32:12,520 --> 00:32:15,360
Speaker 9: follow app Black Information Network, download the free iHeartRadio app,

818
00:32:15,360 --> 00:32:17,360
Speaker 9: and visit us FBI in news dot com. Let's make

819
00:32:17,360 --> 00:32:18,400
Speaker 9: it a great week, all.

820
00:32:18,360 --> 00:32:19,920
Speaker 3: Right, Thank you, Morgan, Thank you.

821
00:32:20,240 --> 00:32:22,880
Speaker 4: Now when we come back, Rizza will be joining us,

822
00:32:22,920 --> 00:32:24,560
Speaker 4: of course, Riza for Wu Tang They're going on the

823
00:32:24,600 --> 00:32:27,719
Speaker 4: Final Tour Wu Tang Forever, the Final Chapter. Tickets are

824
00:32:27,720 --> 00:32:29,920
Speaker 4: on sale right now and we're gonna talk to Rizin

825
00:32:29,960 --> 00:32:30,560
Speaker 4: when we come back.

826
00:32:30,600 --> 00:32:36,400
Speaker 3: It's the Breakfast Club. Good morning, The Breakfast Club, Good morning.

827
00:32:36,400 --> 00:32:40,120
Speaker 4: Everybody is DJ Envy, Jesse, Larry Charlamage, the guy.

828
00:32:40,160 --> 00:32:42,080
Speaker 3: We are the Breakfast Club. We got a special guest

829
00:32:42,120 --> 00:32:46,160
Speaker 3: in the building, the legend Rizza. He's welcome Bong back

830
00:32:46,200 --> 00:32:46,840
Speaker 3: in the building.

831
00:32:46,920 --> 00:32:49,680
Speaker 4: How you feeling, brother, I feel super good. Yeah, yeah,

832
00:32:49,800 --> 00:32:52,480
Speaker 4: everything is lovely. I see you guys are back on tour.

833
00:32:52,840 --> 00:32:56,200
Speaker 3: Yes, indeed, Nu Tang Clan. The Final Chamber. How difficult

834
00:32:56,240 --> 00:32:58,240
Speaker 3: was that to put together? Not as difficult as it

835
00:32:58,360 --> 00:32:59,560
Speaker 3: used to be, you know what I mean?

836
00:32:59,680 --> 00:33:02,560
Speaker 1: But now this is our last chance to run around

837
00:33:02,600 --> 00:33:05,720
Speaker 1: the globe together, and uh, it kind of was. Everybody

838
00:33:06,280 --> 00:33:08,400
Speaker 1: you know, agreed that it was the time we start

839
00:33:08,440 --> 00:33:11,240
Speaker 1: thinking of a name. Everybody's like this one that that,

840
00:33:10,960 --> 00:33:15,280
Speaker 1: that that the Final Chamber and with that we are

841
00:33:15,440 --> 00:33:17,400
Speaker 1: Why the Final Chamber though, like, how do you know

842
00:33:17,440 --> 00:33:18,920
Speaker 1: you're putting the period on this?

843
00:33:19,400 --> 00:33:21,640
Speaker 3: Is it just for the tour just Wu Tang in general?

844
00:33:21,720 --> 00:33:21,880
Speaker 11: Oh?

845
00:33:21,920 --> 00:33:24,520
Speaker 3: No, for the I mean Wu Tangs's why that's why

846
00:33:24,520 --> 00:33:26,560
Speaker 3: we see that we put that Wu Tang forever in there,

847
00:33:27,040 --> 00:33:29,400
Speaker 3: because it's you know, who Tank is beyond just our

848
00:33:29,440 --> 00:33:31,400
Speaker 3: physical presence of it, you know what I mean. But

849
00:33:31,560 --> 00:33:34,360
Speaker 3: as far as us coming together and coming to your city,

850
00:33:34,680 --> 00:33:37,040
Speaker 3: all non members on stage, you know.

851
00:33:37,040 --> 00:33:37,360
Speaker 11: What I mean.

852
00:33:37,440 --> 00:33:39,440
Speaker 1: You know, when you get your ticket, you're getting all

853
00:33:39,600 --> 00:33:41,440
Speaker 1: You're getting that, you know what I mean, because sometimes

854
00:33:41,480 --> 00:33:43,600
Speaker 1: you go to a Woo show you might get four five,

855
00:33:43,720 --> 00:33:44,200
Speaker 1: you know what I mean.

856
00:33:44,240 --> 00:33:46,240
Speaker 3: So this is like now here we all are clear

857
00:33:46,280 --> 00:33:47,440
Speaker 3: your schedule for this, you.

858
00:33:47,440 --> 00:33:47,840
Speaker 11: Know what I mean?

859
00:33:47,880 --> 00:33:50,240
Speaker 1: And this running around the globe one more time together.

860
00:33:50,320 --> 00:33:52,600
Speaker 1: So we'll start right here in America, you know, then

861
00:33:52,680 --> 00:33:54,960
Speaker 1: shoot across the water, you know what I mean, show

862
00:33:55,040 --> 00:33:56,960
Speaker 1: some love and just kind of the best way I

863
00:33:57,000 --> 00:33:58,720
Speaker 1: can say it is take off that it's kind of

864
00:33:58,720 --> 00:34:02,320
Speaker 1: a burden to all come together because everybody got a.

865
00:34:01,960 --> 00:34:04,480
Speaker 3: Life, a job, or something going on in their lives.

866
00:34:04,560 --> 00:34:07,960
Speaker 1: And so what we said when that that sign go up,

867
00:34:08,200 --> 00:34:11,080
Speaker 1: we all come and the sign went up, and everybody said,

868
00:34:11,160 --> 00:34:14,120
Speaker 1: did the Residency make it easier for everybody to say, Yo,

869
00:34:14,200 --> 00:34:16,440
Speaker 1: we can do this the residency health But even at

870
00:34:16,440 --> 00:34:19,759
Speaker 1: the Residency, we have some absentees, you know what I mean,

871
00:34:20,760 --> 00:34:23,640
Speaker 1: But it really helped because it really helped just that

872
00:34:23,719 --> 00:34:27,319
Speaker 1: consistency of coming together, the consistency of our brotherhood, our

873
00:34:27,320 --> 00:34:30,759
Speaker 1: brotherhood really never never diminished over the years. And I

874
00:34:30,800 --> 00:34:34,280
Speaker 1: think for Wu Tang we represent community unity.

875
00:34:34,440 --> 00:34:36,799
Speaker 3: You know, so many of us was inspired by Ya.

876
00:34:37,040 --> 00:34:40,240
Speaker 3: The wo is like your whole neighborhood.

877
00:34:39,760 --> 00:34:41,680
Speaker 1: On stage, you know what I mean. And I think

878
00:34:41,760 --> 00:34:44,520
Speaker 1: that we could use that right now. I think you

879
00:34:44,560 --> 00:34:47,680
Speaker 1: know what I mean, Like even autistically for the culture,

880
00:34:47,880 --> 00:34:50,520
Speaker 1: we could come in and look at the example of

881
00:34:50,600 --> 00:34:50,959
Speaker 1: the wool.

882
00:34:51,239 --> 00:34:52,839
Speaker 3: Yeah, so the time is now, you know what I mean.

883
00:34:53,480 --> 00:34:55,040
Speaker 4: I've seen in an interview that you said you went

884
00:34:55,080 --> 00:34:57,400
Speaker 4: to each member and said what do you want to

885
00:34:57,400 --> 00:34:59,279
Speaker 4: be on this tour? What do you need? And you

886
00:34:59,360 --> 00:35:01,839
Speaker 4: was able to give everybody that. How difficult was that?

887
00:35:01,880 --> 00:35:04,440
Speaker 4: And was there anybody that you couldn't give what they wanted?

888
00:35:04,760 --> 00:35:06,560
Speaker 1: Now, at the end of the day, you know, you

889
00:35:06,680 --> 00:35:10,080
Speaker 1: gotta be satisfied, right, So we know we do with mathematics, right,

890
00:35:10,200 --> 00:35:15,359
Speaker 1: and we know that when there's dissatisfaction, it breeds confusion, right.

891
00:35:15,440 --> 00:35:17,600
Speaker 1: They say, you know, even with seventy percent of the

892
00:35:17,640 --> 00:35:21,080
Speaker 1: people were satisfied, the other thirty percent was dissatisfied, and

893
00:35:21,160 --> 00:35:23,840
Speaker 1: that other thirty percent winning started their own. Now you

894
00:35:23,920 --> 00:35:27,279
Speaker 1: got competition, so you got to strive to resatisfaction. And

895
00:35:27,320 --> 00:35:30,239
Speaker 1: satisfaction is when someone can say yo for me. You know,

896
00:35:30,360 --> 00:35:32,080
Speaker 1: I don't care if it's just like yo. I just

897
00:35:32,080 --> 00:35:34,960
Speaker 1: don't want bananas every night, my and my dressing. That's

898
00:35:34,960 --> 00:35:36,520
Speaker 1: what he wants, you know what I mean. It's a

899
00:35:36,640 --> 00:35:40,480
Speaker 1: commodate that it's accommodate the comfortability because I know I

900
00:35:40,520 --> 00:35:43,480
Speaker 1: see it different, My brother de Vine see it different.

901
00:35:43,480 --> 00:35:46,239
Speaker 1: Our whole management team, we know that when you all

902
00:35:46,280 --> 00:35:48,160
Speaker 1: going out on the road, you leave in your family,

903
00:35:48,680 --> 00:35:50,399
Speaker 1: you know what I mean, You're leaving with you your

904
00:35:50,520 --> 00:35:52,600
Speaker 1: routine of life, and so we want to make you

905
00:35:52,640 --> 00:35:55,560
Speaker 1: as comfortable as possible. So this becomes a moment of

906
00:35:55,680 --> 00:35:58,840
Speaker 1: joy versus a moment of work. Are you confident that

907
00:35:58,960 --> 00:36:01,120
Speaker 1: every single member he's gonna show up for the show.

908
00:36:01,200 --> 00:36:03,719
Speaker 3: I mean, I'm confident for confidence sake, and I mean,

909
00:36:03,760 --> 00:36:04,720
Speaker 3: of course I'm confident.

910
00:36:04,719 --> 00:36:05,960
Speaker 1: You know what I mean. But you know this, this

911
00:36:06,120 --> 00:36:07,520
Speaker 1: is life, you know what I mean. You make a

912
00:36:07,520 --> 00:36:09,080
Speaker 1: wrong turn on the ninety five.

913
00:36:09,480 --> 00:36:11,759
Speaker 3: Ended up in a small town for the night, you

914
00:36:11,840 --> 00:36:12,319
Speaker 3: know what I mean.

915
00:36:12,719 --> 00:36:15,080
Speaker 1: But nah, I mean far as the intention, it's all

916
00:36:15,080 --> 00:36:16,800
Speaker 1: about intention and then and the intention.

917
00:36:17,000 --> 00:36:20,440
Speaker 3: Everybody is intending to be here. So if there's the

918
00:36:20,480 --> 00:36:22,239
Speaker 3: glitch in the matrix, you know, we're deal with it

919
00:36:22,520 --> 00:36:24,239
Speaker 3: right and then and there's an album to come with

920
00:36:24,280 --> 00:36:24,640
Speaker 3: this too.

921
00:36:24,840 --> 00:36:26,880
Speaker 1: No, no, no, I mean a lot of Mathematics has

922
00:36:26,920 --> 00:36:29,799
Speaker 1: a new album that he's he put together called Black

923
00:36:29,840 --> 00:36:32,400
Speaker 1: sandsum Uh. He got a new song called Mandingo. He

924
00:36:32,440 --> 00:36:35,520
Speaker 1: took all like the Black Exploitation and Kung Fu movies

925
00:36:36,160 --> 00:36:38,799
Speaker 1: and did an album and got the entire Wu Tang

926
00:36:38,880 --> 00:36:41,600
Speaker 1: clan MC's on it, got Benny the Butcher, cool g

927
00:36:42,560 --> 00:36:45,359
Speaker 1: just one of those a lot of Mathematics albums. It's

928
00:36:45,440 --> 00:36:48,520
Speaker 1: that's dope and he so that's ironically it's coming out

929
00:36:48,680 --> 00:36:51,920
Speaker 1: around the same time. But it wasn't like a strategy plan.

930
00:36:52,000 --> 00:36:53,880
Speaker 1: It was just like he finished it at the time

931
00:36:54,080 --> 00:36:56,920
Speaker 1: when the when the when the tour is about to happen.

932
00:36:56,960 --> 00:36:59,640
Speaker 1: So that's a blessing for him. And then I did

933
00:36:59,680 --> 00:37:01,960
Speaker 1: hear I could say this on the air. I did

934
00:37:02,000 --> 00:37:04,160
Speaker 1: hear some of Ray Kwan's new album too.

935
00:37:04,239 --> 00:37:08,040
Speaker 4: He's yeah, yeah, yeah, one of those Yeah, I'm excited

936
00:37:08,080 --> 00:37:10,239
Speaker 4: to hear with little Man, so hopefully he gets that

937
00:37:10,320 --> 00:37:10,920
Speaker 4: out before the.

938
00:37:10,880 --> 00:37:13,959
Speaker 3: Tour drops and bunk bong. Are you involved? A rag album?

939
00:37:14,560 --> 00:37:16,319
Speaker 1: Just you know from the abbot, you know what I mean,

940
00:37:17,040 --> 00:37:19,640
Speaker 1: it comes to the temple and see if the abbot

941
00:37:19,640 --> 00:37:21,719
Speaker 1: you know, wanted to add some flavor to it or

942
00:37:22,600 --> 00:37:24,799
Speaker 1: get some wisdom or advice, you know what I mean.

943
00:37:25,080 --> 00:37:26,680
Speaker 3: But he's the foundation of it.

944
00:37:26,800 --> 00:37:29,680
Speaker 1: He came to me right for during the holidays when

945
00:37:29,680 --> 00:37:31,960
Speaker 1: he felt like he had a nice.

946
00:37:31,960 --> 00:37:34,000
Speaker 3: I just call it a body of work, your body

947
00:37:34,000 --> 00:37:35,800
Speaker 3: of work. I was gonna call it doe like piece

948
00:37:35,800 --> 00:37:37,480
Speaker 3: of dope. Gona mold that, you know what I mean.

949
00:37:37,800 --> 00:37:40,480
Speaker 1: But yeah, and we vibed out listen to it twice

950
00:37:40,480 --> 00:37:42,880
Speaker 1: and then say oh yeah I had some vision and

951
00:37:43,000 --> 00:37:44,080
Speaker 1: get shared my vision.

952
00:37:44,239 --> 00:37:45,600
Speaker 3: But you know that's just it's him doing it.

953
00:37:45,680 --> 00:37:47,920
Speaker 1: Ray Quon is always you know, he's a general always

954
00:37:48,000 --> 00:37:49,880
Speaker 1: you know, know how to lead hisself. But then it

955
00:37:50,080 --> 00:37:52,440
Speaker 1: also as a general, you know, as wise as the

956
00:37:52,520 --> 00:37:54,440
Speaker 1: check in with the abbot and be like, yo, your abbot,

957
00:37:54,600 --> 00:37:56,120
Speaker 1: what's your what's your two cents on this?

958
00:37:56,640 --> 00:37:58,640
Speaker 4: Who was the most difficult to get to do this?

959
00:37:58,719 --> 00:38:00,919
Speaker 4: And not because of them being different but maybe because

960
00:38:00,920 --> 00:38:04,040
Speaker 4: of scheduling. Right, you got Meth that's acting, you're acting

961
00:38:04,120 --> 00:38:06,600
Speaker 4: and producing. You got Ray Corn that owns a bunch

962
00:38:06,640 --> 00:38:08,800
Speaker 4: of businesses, and these brothers leaving their families.

963
00:38:08,800 --> 00:38:10,279
Speaker 8: Who was the most difficult to get? It was like

964
00:38:10,320 --> 00:38:11,439
Speaker 8: this is gonna be a little tough.

965
00:38:11,640 --> 00:38:14,600
Speaker 1: You know, I won't say difficult, but you know who

966
00:38:14,600 --> 00:38:16,480
Speaker 1: does the most shows out of all of us? Who's

967
00:38:17,360 --> 00:38:22,200
Speaker 1: no THEI were listen to Jigus. He's like a jazz musician.

968
00:38:22,280 --> 00:38:22,400
Speaker 21: Yo.

969
00:38:22,600 --> 00:38:24,719
Speaker 1: It's like you call him yo, want to do the

970
00:38:25,160 --> 00:38:27,640
Speaker 1: resident Say, oh, I got forty shows I'm going to

971
00:38:27,680 --> 00:38:30,520
Speaker 1: Europe or Yo, I'm going to twenty shows in Canada.

972
00:38:30,760 --> 00:38:33,480
Speaker 3: Wow, he just I mean he stays that Liquid Sward

973
00:38:33,520 --> 00:38:36,120
Speaker 3: album arguably one of the best hip hop albums of

974
00:38:36,160 --> 00:38:38,440
Speaker 3: all time. It's just go go.

975
00:38:39,040 --> 00:38:41,480
Speaker 1: So you got to check his schedule because he definitely

976
00:38:41,719 --> 00:38:43,960
Speaker 1: is knocking a hundred one hundred fifty shows out a year,

977
00:38:44,280 --> 00:38:47,279
Speaker 1: and so we actually have to pace and wait from it.

978
00:38:47,320 --> 00:38:49,719
Speaker 1: And I personally had to wait for Tool.

979
00:38:49,880 --> 00:38:52,520
Speaker 3: Yeah, I'll get him a calls like like, I your

980
00:38:52,560 --> 00:38:54,680
Speaker 3: scheduled for this year? Like you know what I mean?

981
00:38:54,800 --> 00:38:56,319
Speaker 3: He's like, I'm good, all right.

982
00:38:56,480 --> 00:38:58,840
Speaker 1: I didn't I need this much time right here and

983
00:38:59,160 --> 00:39:01,160
Speaker 1: Bunk Bunk yeah as well.

984
00:39:01,320 --> 00:39:02,279
Speaker 3: I want to get back to the top.

985
00:39:02,400 --> 00:39:03,800
Speaker 1: I want to ask you about Liquid Source since we

986
00:39:03,800 --> 00:39:05,480
Speaker 1: were on it, because we was having a whole debate

987
00:39:05,600 --> 00:39:07,959
Speaker 1: last night in the group chat just about Wu Tang

988
00:39:08,000 --> 00:39:09,879
Speaker 1: songs Wu Tang music because you know, my guy beat

989
00:39:09,960 --> 00:39:12,960
Speaker 1: Up put out a top ten creators Wu Tang Records

990
00:39:12,960 --> 00:39:16,839
Speaker 1: and on Liquid Swords Cold World, it goes co World

991
00:39:16,920 --> 00:39:19,799
Speaker 1: Labels Fourth Chamber in the shadow boxing, that's probably one

992
00:39:19,840 --> 00:39:21,920
Speaker 1: of the greatest sequences on an album.

993
00:39:22,000 --> 00:39:23,640
Speaker 3: Do you do you remember arranging that?

994
00:39:24,080 --> 00:39:28,279
Speaker 1: Yeah, definitely, definitely that was my That's one of my specialties.

995
00:39:28,320 --> 00:39:32,120
Speaker 1: I think, not knowing then right, the natural ability of

996
00:39:32,520 --> 00:39:35,960
Speaker 1: editing or having a through line of storytelling. But it

997
00:39:36,000 --> 00:39:39,120
Speaker 1: has always been my personality and at that time it

998
00:39:39,160 --> 00:39:41,920
Speaker 1: was only expressed music. Now it was being expressed and

999
00:39:42,280 --> 00:39:45,319
Speaker 1: I direct films and TV shows and all that, but

1000
00:39:45,320 --> 00:39:47,880
Speaker 1: it was it was it was the same type of energy,

1001
00:39:48,080 --> 00:39:50,600
Speaker 1: like I could feel the way it go. I could

1002
00:39:50,680 --> 00:39:53,120
Speaker 1: feel when the listener is listening, it's like, oh yo,

1003
00:39:53,360 --> 00:39:55,440
Speaker 1: I want your emotion to rise up, get them up.

1004
00:39:55,680 --> 00:39:58,120
Speaker 1: By the time you got the Fourth Chamber, you you're driving.

1005
00:39:58,280 --> 00:40:00,680
Speaker 1: You might get a ticket. You know what I mean,

1006
00:40:00,840 --> 00:40:03,200
Speaker 1: And I wanted you know, you know you feel that

1007
00:40:03,320 --> 00:40:06,080
Speaker 1: right here. Yeah, I always strive to get that feeling

1008
00:40:06,239 --> 00:40:08,920
Speaker 1: to have your spine for that, I said the lyrics.

1009
00:40:09,360 --> 00:40:11,879
Speaker 1: I said, walk to the wooden Soldiers, see cycle Punk

1010
00:40:11,920 --> 00:40:13,839
Speaker 1: shod a hold us a thousand in Washing. I want

1011
00:40:13,880 --> 00:40:16,960
Speaker 1: to hold to the square. We stand through like flair,

1012
00:40:17,320 --> 00:40:20,520
Speaker 1: escape from the Dragon's lair. In particular, my beats travel

1013
00:40:20,600 --> 00:40:22,920
Speaker 1: like a vortex off your spine to the top of

1014
00:40:22,920 --> 00:40:23,440
Speaker 1: your room.

1015
00:40:23,600 --> 00:40:27,560
Speaker 3: Cold. That's that's my that's my goal. It's hit you,

1016
00:40:27,800 --> 00:40:28,959
Speaker 3: bam and I'm good.

1017
00:40:29,680 --> 00:40:31,759
Speaker 4: How we got more with Rizza when we come back,

1018
00:40:31,840 --> 00:40:34,160
Speaker 4: don't move. It's the Breakfast Club. Good morning.

1019
00:40:34,200 --> 00:40:37,719
Speaker 8: Everybody's DNJ M V Jesse, Larry Charlamagne the guy.

1020
00:40:37,760 --> 00:40:39,759
Speaker 4: We are the Breakfast Club Lord the roster, filling in

1021
00:40:39,840 --> 00:40:41,960
Speaker 4: for Jess. And we're still kicking it with Riza. The

1022
00:40:42,000 --> 00:40:45,280
Speaker 4: Final Tour, the Final Wu Tang Forever Tour, the Final

1023
00:40:45,360 --> 00:40:48,600
Speaker 4: Chapter take it to on sale right now, and we're

1024
00:40:48,640 --> 00:40:49,720
Speaker 4: still kicking it with Riza.

1025
00:40:50,000 --> 00:40:50,480
Speaker 3: Charlamagne.

1026
00:40:50,600 --> 00:40:52,000
Speaker 1: What do I time You're listening to your verse on

1027
00:40:52,000 --> 00:40:54,359
Speaker 1: Fourth Chamber because it's so relevant to today. That's why

1028
00:40:54,400 --> 00:40:57,600
Speaker 1: I mean nah, I mean I've been I'm back into

1029
00:40:57,600 --> 00:40:59,640
Speaker 1: the study of what of everything over?

1030
00:41:00,160 --> 00:41:00,359
Speaker 2: Now?

1031
00:41:00,520 --> 00:41:03,319
Speaker 1: You know this tour, folks, So we got special guests

1032
00:41:03,360 --> 00:41:06,359
Speaker 1: run the during the Jews, and so it's like, this

1033
00:41:06,440 --> 00:41:07,920
Speaker 1: is gonna be a lyrical tour, you know.

1034
00:41:07,880 --> 00:41:08,200
Speaker 3: What I mean.

1035
00:41:08,200 --> 00:41:10,160
Speaker 1: It's gonna be one of those tours that you know,

1036
00:41:10,200 --> 00:41:12,319
Speaker 1: you're gonna get your sweat off, guarantee, you're gonna get

1037
00:41:12,320 --> 00:41:14,960
Speaker 1: your jumps, you're gonna get your your classics. But it's

1038
00:41:14,960 --> 00:41:17,000
Speaker 1: gonna be those moments you're gonna be like I needed that,

1039
00:41:17,200 --> 00:41:19,160
Speaker 1: you know what I mean, because no words in the

1040
00:41:19,200 --> 00:41:21,880
Speaker 1: beginning was the word, and the world became flesh. And

1041
00:41:21,920 --> 00:41:24,799
Speaker 1: so those words are healing. You know, we needed. I

1042
00:41:24,840 --> 00:41:26,440
Speaker 1: had something I was gonna say to y'all this morning.

1043
00:41:26,640 --> 00:41:30,000
Speaker 1: A law segregation and discrimination is a sickness to any nation.

1044
00:41:30,200 --> 00:41:33,279
Speaker 1: When you deny a portion of the population the chance

1045
00:41:33,320 --> 00:41:36,200
Speaker 1: to experience the elevation, it will only lead to the

1046
00:41:36,280 --> 00:41:39,520
Speaker 1: decimation of your system and the next generation will pay.

1047
00:41:39,320 --> 00:41:40,000
Speaker 3: For the mistake.

1048
00:41:40,280 --> 00:41:43,600
Speaker 1: That will result in economic inflation. Ghetto living, and it's

1049
00:41:43,640 --> 00:41:47,919
Speaker 1: in black Latinos and European immigrants stuffed inside housing tenements,

1050
00:41:48,239 --> 00:41:49,719
Speaker 1: low income recipients.

1051
00:41:49,880 --> 00:41:51,839
Speaker 3: They gotta choose between the food or the rent.

1052
00:41:52,080 --> 00:41:55,960
Speaker 1: Neighborhoods are cramped like pow camps and X mark the

1053
00:41:55,960 --> 00:41:59,400
Speaker 1: spot where the incitious policies will stamp bad health, increase

1054
00:41:59,480 --> 00:42:02,440
Speaker 1: in bad pas leasing, and it's gentrification that Michael then

1055
00:42:02,480 --> 00:42:05,160
Speaker 1: Brad is leasing. At night, they feel fright from the

1056
00:42:05,200 --> 00:42:07,919
Speaker 1: dimly lit street lights. My man, gee, he could beef

1057
00:42:07,960 --> 00:42:11,319
Speaker 1: and fight, but he couldn't eat right. Loud sounds echoing gunshots.

1058
00:42:11,360 --> 00:42:12,239
Speaker 1: He couldn't sleep right.

1059
00:42:12,520 --> 00:42:12,840
Speaker 3: Wild?

1060
00:42:12,840 --> 00:42:14,960
Speaker 1: What the life when your life ain't worried for loaf

1061
00:42:14,960 --> 00:42:17,760
Speaker 1: of bread or a box of white rice. Yeah, blessed

1062
00:42:17,760 --> 00:42:20,239
Speaker 1: be the meek. It's attorney of the cheek. But j

1063
00:42:20,400 --> 00:42:22,360
Speaker 1: Bonde just knocked them out with a sneaky right and

1064
00:42:22,400 --> 00:42:24,400
Speaker 1: put them off his feet. It could come last, It

1065
00:42:24,400 --> 00:42:27,000
Speaker 1: could come fast. In the blast knock your senses back

1066
00:42:27,040 --> 00:42:29,680
Speaker 1: to the past. It's like old popping sounds, a big

1067
00:42:29,719 --> 00:42:33,120
Speaker 1: brass section you hear from old jazz. Me I stick

1068
00:42:33,160 --> 00:42:36,280
Speaker 1: to a piano key, speak from a low a minor

1069
00:42:36,640 --> 00:42:37,440
Speaker 1: to a soprano.

1070
00:42:37,600 --> 00:42:40,520
Speaker 3: E B o b. It's the abadem c oh you're

1071
00:42:40,520 --> 00:42:42,120
Speaker 3: getting back in the booth. Didn't because it sounds like

1072
00:42:42,160 --> 00:42:44,480
Speaker 3: you you ready, It ain't you know, whether it's in

1073
00:42:44,520 --> 00:42:45,120
Speaker 3: the booth or not.

1074
00:42:45,440 --> 00:42:47,960
Speaker 1: This tour, like I said, this is like this is

1075
00:42:48,000 --> 00:42:51,640
Speaker 1: that moment for the wool, that w that wisdom that

1076
00:42:51,760 --> 00:42:54,919
Speaker 1: you that unpredictability, like let's let's get that back into

1077
00:42:54,960 --> 00:42:55,480
Speaker 1: the system.

1078
00:42:55,600 --> 00:42:55,759
Speaker 11: You know.

1079
00:42:55,800 --> 00:42:58,960
Speaker 1: I honestly feel that Woo is like a part of

1080
00:42:59,040 --> 00:43:00,839
Speaker 1: hip hop culture that's eat it, you know what I mean.

1081
00:43:01,160 --> 00:43:03,000
Speaker 1: And whether we could be the ones that continue to

1082
00:43:03,000 --> 00:43:06,080
Speaker 1: physically do it, or some young brothers are listening, they

1083
00:43:06,080 --> 00:43:07,880
Speaker 1: pick it up and they come and bring that wave.

1084
00:43:08,239 --> 00:43:11,319
Speaker 1: There's some young brothers I know, Coach Contract. I've been

1085
00:43:11,320 --> 00:43:14,440
Speaker 1: seeing them. Yeah, you know what I mean, good flows,

1086
00:43:14,520 --> 00:43:17,719
Speaker 1: good style, good everything. They once they started injecting a

1087
00:43:17,760 --> 00:43:20,960
Speaker 1: little more wisdom into that. You know, hip hop needs that.

1088
00:43:20,960 --> 00:43:21,319
Speaker 3: You know what I mean.

1089
00:43:21,360 --> 00:43:24,080
Speaker 1: It ain't all just about all our money, guns and

1090
00:43:24,680 --> 00:43:26,400
Speaker 1: sects and drugs, you know what I mean. That's a

1091
00:43:26,440 --> 00:43:28,960
Speaker 1: portion of it, but it's not the it's not all

1092
00:43:29,000 --> 00:43:30,680
Speaker 1: of it. I saw you say something recently when you

1093
00:43:30,680 --> 00:43:34,360
Speaker 1: said the Hot ninety seven banding Wutang's music contributed to

1094
00:43:34,600 --> 00:43:36,080
Speaker 1: I guess not just the decline of the group, but

1095
00:43:36,239 --> 00:43:39,480
Speaker 1: just the decline of York sound and everything. I mean,

1096
00:43:39,680 --> 00:43:42,000
Speaker 1: you know, we could date that, you know what I mean,

1097
00:43:42,200 --> 00:43:44,840
Speaker 1: we could look at it and see it happening. Because

1098
00:43:44,840 --> 00:43:47,200
Speaker 1: when you're dealing with business, like all of us, you know,

1099
00:43:47,280 --> 00:43:49,239
Speaker 1: we we got jobs, right, and so we got to

1100
00:43:49,280 --> 00:43:51,399
Speaker 1: come in and do our job. But the dude say,

1101
00:43:51,400 --> 00:43:53,759
Speaker 1: they're paint it blue, and you the painter, you got

1102
00:43:53,800 --> 00:43:55,959
Speaker 1: paint it blue, right, even though you know, like, man,

1103
00:43:56,080 --> 00:43:58,839
Speaker 1: this blue was gonna really turn everybody away, or it's

1104
00:43:58,880 --> 00:44:01,080
Speaker 1: really the paint got left in it or whatever, you

1105
00:44:01,120 --> 00:44:02,800
Speaker 1: still got to stick to the job. And I think

1106
00:44:02,880 --> 00:44:05,359
Speaker 1: like at that time and even maybe and people were

1107
00:44:05,360 --> 00:44:07,560
Speaker 1: scared to fight for each other, you know what I mean,

1108
00:44:07,840 --> 00:44:09,200
Speaker 1: And that's been one of our issues.

1109
00:44:09,320 --> 00:44:10,800
Speaker 3: I think as our culture.

1110
00:44:11,000 --> 00:44:13,840
Speaker 1: There was a point when the culture, because of money

1111
00:44:14,000 --> 00:44:16,919
Speaker 1: we did, started accepting each other. I remember when when

1112
00:44:16,960 --> 00:44:18,560
Speaker 1: like Master peeing them would come to New York and

1113
00:44:18,640 --> 00:44:20,640
Speaker 1: we accepted that, you know what I mean, when Dre

1114
00:44:20,800 --> 00:44:22,759
Speaker 1: and Snoop and Ice Cube, we accepted it. You know,

1115
00:44:23,280 --> 00:44:25,520
Speaker 1: first we accept it from the music, right and be

1116
00:44:25,719 --> 00:44:28,520
Speaker 1: that's private. But then when the money, when somebody's blowing money,

1117
00:44:28,560 --> 00:44:30,719
Speaker 1: then you accept it because of the money. And so

1118
00:44:30,840 --> 00:44:32,800
Speaker 1: now you're admire them because of his money, but not

1119
00:44:32,920 --> 00:44:35,040
Speaker 1: because of his skill because of the culture, you know

1120
00:44:35,080 --> 00:44:37,600
Speaker 1: what I mean. So when that starts happening, it's almost

1121
00:44:37,719 --> 00:44:40,719
Speaker 1: like you're diminishing the culture because of the money. So, yeah,

1122
00:44:40,719 --> 00:44:42,480
Speaker 1: a dude could make a hit at the end of

1123
00:44:42,520 --> 00:44:45,960
Speaker 1: the day, we talk about hip hop hits. Hammer Hammer

1124
00:44:46,040 --> 00:44:49,840
Speaker 1: had hits, baby, Okay, he was he was going diamond

1125
00:44:50,480 --> 00:44:51,080
Speaker 1: and people.

1126
00:44:50,880 --> 00:44:52,879
Speaker 3: Didn't accept that as hip hop for some reason back then.

1127
00:44:53,160 --> 00:44:55,000
Speaker 1: Even roast than that, right, And I know I was

1128
00:44:55,040 --> 00:44:56,920
Speaker 1: pretty hard on him on myself, So I'm not like

1129
00:44:57,000 --> 00:44:59,200
Speaker 1: I wasn't, you know, because I was on some more, right,

1130
00:44:59,239 --> 00:45:01,400
Speaker 1: But we don't even get him his accolades.

1131
00:45:01,480 --> 00:45:05,080
Speaker 3: So he opened the door at the end of the day. Commercials,

1132
00:45:05,520 --> 00:45:06,040
Speaker 3: we did all that.

1133
00:45:06,160 --> 00:45:08,600
Speaker 1: But yeah, yeah, you know, Pete. See, that's why I

1134
00:45:08,680 --> 00:45:10,960
Speaker 1: say a law is motionerful he takes a floor. Let

1135
00:45:11,000 --> 00:45:12,440
Speaker 1: me give you a quick metaphor. I want to go

1136
00:45:12,480 --> 00:45:14,680
Speaker 1: too deep, but let's look at two of our greatest,

1137
00:45:14,800 --> 00:45:17,759
Speaker 1: our greatest artists. Right fifty cents and I'm gonna say yay,

1138
00:45:18,200 --> 00:45:21,799
Speaker 1: both caught a floor in their jaw, right, one from

1139
00:45:21,840 --> 00:45:25,879
Speaker 1: a car, someone from a tragic street incident. But both

1140
00:45:26,120 --> 00:45:30,080
Speaker 1: now develop a tone that attracts the world. So from

1141
00:45:30,160 --> 00:45:33,000
Speaker 1: a floor and the jaw a loah blessed them. More

1142
00:45:33,280 --> 00:45:35,839
Speaker 1: like it's like it's like, nah, now you come back,

1143
00:45:36,040 --> 00:45:39,480
Speaker 1: and it's like this whole swag's whole, everything is. It's

1144
00:45:39,560 --> 00:45:42,680
Speaker 1: sharpened without even knowing, so hip hop itself. They say

1145
00:45:42,719 --> 00:45:45,279
Speaker 1: the DJ, the dude was like he said he was

1146
00:45:45,320 --> 00:45:47,239
Speaker 1: in his crib, one of the old DJ's right, he's

1147
00:45:47,239 --> 00:45:49,359
Speaker 1: in the crib and his mom's coming and he holds

1148
00:45:49,400 --> 00:45:52,279
Speaker 1: the record h and she's like, you know, turn it down,

1149
00:45:52,320 --> 00:45:52,919
Speaker 1: blah blah blah.

1150
00:45:52,920 --> 00:45:53,160
Speaker 3: He's like.

1151
00:45:55,200 --> 00:45:57,279
Speaker 11: Holding it now.

1152
00:45:57,360 --> 00:45:59,560
Speaker 3: The scratch is invented, you know what I mean?

1153
00:46:00,080 --> 00:46:00,520
Speaker 6: A flaw?

1154
00:46:01,280 --> 00:46:02,160
Speaker 3: You ever had one of those?

1155
00:46:02,600 --> 00:46:05,880
Speaker 1: So many to be quite frank, it's just like sometimes

1156
00:46:05,960 --> 00:46:07,839
Speaker 1: you could go to your to your to your beat

1157
00:46:07,920 --> 00:46:10,480
Speaker 1: machine and it's just glitches out, you know what I mean.

1158
00:46:10,520 --> 00:46:13,440
Speaker 1: I feel like method man. The original drum where it

1159
00:46:13,600 --> 00:46:15,000
Speaker 1: happened was almost like.

1160
00:46:15,040 --> 00:46:15,680
Speaker 3: A glitch out.

1161
00:46:15,880 --> 00:46:16,520
Speaker 11: But I liked it.

1162
00:46:16,719 --> 00:46:21,520
Speaker 1: Then I just immolated it. I immolated the mistake. I think, no,

1163
00:46:21,640 --> 00:46:24,680
Speaker 1: not that, the but the pact, the pat like that's

1164
00:46:24,719 --> 00:46:26,480
Speaker 1: the that's the bounce of it. So then so when

1165
00:46:26,520 --> 00:46:28,399
Speaker 1: a guy like him got the gout there on the mic,

1166
00:46:28,480 --> 00:46:31,120
Speaker 1: he he saw riding his riding his horse, you know

1167
00:46:31,160 --> 00:46:33,840
Speaker 1: what I mean. But there's others that it just happens

1168
00:46:33,960 --> 00:46:36,200
Speaker 1: like that. You know when it will flow. I mean

1169
00:46:36,239 --> 00:46:39,360
Speaker 1: even if you think about shame, right, I mean, Dirty

1170
00:46:39,760 --> 00:46:43,360
Speaker 1: came in late to the studio, but he did that

1171
00:46:43,520 --> 00:46:46,120
Speaker 1: verse right one take and things like shame.

1172
00:46:47,600 --> 00:46:48,120
Speaker 19: That was like.

1173
00:46:49,960 --> 00:46:52,400
Speaker 3: He just I said no, no, no, no, go through it.

1174
00:46:52,440 --> 00:46:54,120
Speaker 3: Over said, nah, God, they're gonna love it.

1175
00:46:54,480 --> 00:46:54,760
Speaker 2: Wow.

1176
00:46:55,040 --> 00:46:56,840
Speaker 3: I said, he was right exactly.

1177
00:46:57,200 --> 00:46:59,200
Speaker 1: I mean I actually actually I learned from that, like

1178
00:46:59,760 --> 00:47:04,000
Speaker 1: one but one three through that, but it got through

1179
00:47:04,040 --> 00:47:06,720
Speaker 1: all of that. I mean, that's the one thing about Dirty.

1180
00:47:06,719 --> 00:47:08,560
Speaker 1: If you could talk about him for a moment, shout

1181
00:47:08,600 --> 00:47:10,200
Speaker 1: out to y d B. He'll be on the tour

1182
00:47:10,280 --> 00:47:12,600
Speaker 1: with us. He'll be on the son that's his son,

1183
00:47:12,719 --> 00:47:15,080
Speaker 1: his first born son, bar Son. He'll be on the

1184
00:47:15,160 --> 00:47:17,839
Speaker 1: tour doing his father verses for us. He's been doing

1185
00:47:17,880 --> 00:47:19,439
Speaker 1: it for years and he's been doing a great job.

1186
00:47:19,680 --> 00:47:19,799
Speaker 11: Well.

1187
00:47:19,840 --> 00:47:23,279
Speaker 1: One thing about Dirty, he almost never say the lyric

1188
00:47:23,560 --> 00:47:26,280
Speaker 1: the same way twice. If he did it, should shoot

1189
00:47:26,280 --> 00:47:28,800
Speaker 1: me y'all shoo me yeam, shimy yay. Next time he

1190
00:47:28,880 --> 00:47:31,279
Speaker 1: do it, He's not gonna do it like that. He's

1191
00:47:31,320 --> 00:47:34,040
Speaker 1: almost like a once again. Like a jazz musician, he

1192
00:47:34,200 --> 00:47:36,480
Speaker 1: just goes with the spirit, you know what I mean,

1193
00:47:36,880 --> 00:47:38,520
Speaker 1: And he'll tell he'll he'll say a rhyme that we

1194
00:47:38,600 --> 00:47:41,160
Speaker 1: wrote when we was fourteen years old, and then he

1195
00:47:41,280 --> 00:47:43,800
Speaker 1: was saying it during the WO era and eating what

1196
00:47:43,960 --> 00:47:46,520
Speaker 1: was up because I'll go up the micro now damage

1197
00:47:46,520 --> 00:47:49,120
Speaker 1: you listen to his album. That lyric is on the

1198
00:47:49,160 --> 00:47:54,120
Speaker 1: album twice, yeah, right, because it was more of a performance,

1199
00:47:54,239 --> 00:47:56,920
Speaker 1: more of an energy that he would bring versus just

1200
00:47:57,320 --> 00:48:00,400
Speaker 1: the lyrical content. But he was very special and I

1201
00:48:00,480 --> 00:48:02,840
Speaker 1: think he helped bring freedom the hip hop exquession.

1202
00:48:02,920 --> 00:48:05,320
Speaker 4: Do you do you ever remember those records that you

1203
00:48:05,480 --> 00:48:07,640
Speaker 4: lost in the flood? Did you ever get any of

1204
00:48:07,719 --> 00:48:10,399
Speaker 4: that or we're able to produce that over or any

1205
00:48:10,440 --> 00:48:10,920
Speaker 4: of that at all?

1206
00:48:11,320 --> 00:48:14,320
Speaker 3: Nothing ever came back like it like it was. Actually,

1207
00:48:14,360 --> 00:48:16,560
Speaker 3: I'm glad you mentioned that. And we're building this time

1208
00:48:16,680 --> 00:48:20,400
Speaker 3: capsule for the tour, and we're going to invite our fans,

1209
00:48:20,680 --> 00:48:23,359
Speaker 3: you know, to come out and somebody will win every night.

1210
00:48:23,400 --> 00:48:26,640
Speaker 3: Where you could take something from your WO nostalgia or

1211
00:48:26,680 --> 00:48:29,640
Speaker 3: your WO history and put it in this time capsule,

1212
00:48:29,760 --> 00:48:31,480
Speaker 3: and we all know we're gonna put it that I

1213
00:48:31,560 --> 00:48:33,640
Speaker 3: may bury it somewhere. I may put it in the museum,

1214
00:48:34,080 --> 00:48:34,520
Speaker 3: but I'm.

1215
00:48:34,400 --> 00:48:38,280
Speaker 1: Going to collect something from every you know, city, from somebody.

1216
00:48:38,520 --> 00:48:40,000
Speaker 1: But the first thing I'm going to put in there,

1217
00:48:40,120 --> 00:48:42,560
Speaker 1: and I'm not I'm kind of telling you that for

1218
00:48:42,640 --> 00:48:45,240
Speaker 1: the first time because I was gonna surprise. I'm gonna

1219
00:48:45,280 --> 00:48:49,040
Speaker 1: take those discs that had inspected Decks album. I'm gonna

1220
00:48:49,040 --> 00:48:50,360
Speaker 1: put it in that time capsule.

1221
00:48:50,400 --> 00:48:50,600
Speaker 3: Wow.

1222
00:48:50,920 --> 00:48:53,200
Speaker 1: And if somebody find it years later and open it

1223
00:48:53,280 --> 00:48:55,359
Speaker 1: up and figure out that, you know, if technology could

1224
00:48:55,400 --> 00:48:58,120
Speaker 1: get all that or whatever is on it, I'm shock.

1225
00:48:58,160 --> 00:48:59,839
Speaker 3: You don't have that now. There's no technology that can

1226
00:49:00,080 --> 00:49:00,320
Speaker 3: get that.

1227
00:49:00,480 --> 00:49:00,600
Speaker 21: Now.

1228
00:49:00,800 --> 00:49:01,600
Speaker 3: It hasn't happened.

1229
00:49:01,680 --> 00:49:04,920
Speaker 1: We took that's Matt, you know, they snuck a few

1230
00:49:05,000 --> 00:49:07,080
Speaker 1: out and try to do it, you know what I mean,

1231
00:49:07,600 --> 00:49:09,759
Speaker 1: because uh, it's on floppy this yo.

1232
00:49:10,040 --> 00:49:12,880
Speaker 3: M They took it to the NASA people and they

1233
00:49:13,080 --> 00:49:14,040
Speaker 3: get it, you.

1234
00:49:14,120 --> 00:49:16,920
Speaker 4: Know, I mean, yeah, we got more with Rizzard when

1235
00:49:16,960 --> 00:49:19,439
Speaker 4: we come back to Wu Tang toward the final chapter.

1236
00:49:19,520 --> 00:49:21,640
Speaker 4: Tickets are on sale right now. It's the Breakfast Club.

1237
00:49:21,680 --> 00:49:25,000
Speaker 4: Good morning, Good morning. Everybody is the j Envy, Jess

1238
00:49:25,080 --> 00:49:27,959
Speaker 4: Hilariy and Charlamagne the Guy. We are the Breakfast Club.

1239
00:49:28,080 --> 00:49:28,840
Speaker 3: The rizad is.

1240
00:49:29,080 --> 00:49:31,400
Speaker 4: Here now that one album I can't remember his name

1241
00:49:31,440 --> 00:49:35,040
Speaker 4: that the Gentleman bought. Did you ever get that album back?

1242
00:49:35,040 --> 00:49:36,560
Speaker 4: Because I know there was a fight to get it back.

1243
00:49:37,040 --> 00:49:39,560
Speaker 4: Did you ever get it back? Not personally, but it's

1244
00:49:39,640 --> 00:49:42,120
Speaker 4: owned by a group of people called Please to Dial.

1245
00:49:42,360 --> 00:49:45,000
Speaker 4: It continues to increase in value and have his own life.

1246
00:49:45,440 --> 00:49:48,520
Speaker 4: I mean they bought it for like four million. Uh,

1247
00:49:48,640 --> 00:49:51,560
Speaker 4: and now there's people talking about like a whole other

1248
00:49:51,719 --> 00:49:53,600
Speaker 4: thing of what it could be. So it's kind of

1249
00:49:53,640 --> 00:49:55,560
Speaker 4: one of those things to have a life of his own.

1250
00:49:55,640 --> 00:49:56,480
Speaker 3: Are we ever going to hear that?

1251
00:49:56,840 --> 00:49:58,319
Speaker 8: Or that's part of the deal that they can never

1252
00:49:58,400 --> 00:49:59,360
Speaker 8: play it publicly.

1253
00:50:00,320 --> 00:50:03,600
Speaker 1: I'm striving now at this phase since since we're you know,

1254
00:50:03,760 --> 00:50:06,200
Speaker 1: at this age and kind of figure out something.

1255
00:50:06,480 --> 00:50:08,520
Speaker 3: I mean, the thing was there. It was like not

1256
00:50:08,640 --> 00:50:11,600
Speaker 3: to be it can't be commercialized, but for eighty eight years,

1257
00:50:11,960 --> 00:50:12,520
Speaker 3: you know what I mean.

1258
00:50:12,680 --> 00:50:14,919
Speaker 4: So it can't be sold, it can't be on, can't

1259
00:50:15,560 --> 00:50:17,360
Speaker 4: can't be commercialized streaming service.

1260
00:50:17,440 --> 00:50:18,279
Speaker 3: You could give it away.

1261
00:50:18,560 --> 00:50:21,600
Speaker 1: I told Missus Scully that in the beginning, I was like, yo, especially,

1262
00:50:22,080 --> 00:50:24,000
Speaker 1: just to give you a little backstory on that, I

1263
00:50:24,160 --> 00:50:27,759
Speaker 1: met him before he became the most evilst man in

1264
00:50:27,800 --> 00:50:29,600
Speaker 1: the world. I remember they had like the most evilst

1265
00:50:29,640 --> 00:50:31,719
Speaker 1: man in the world. So I met him before he

1266
00:50:31,800 --> 00:50:35,120
Speaker 1: became Lex Luthor, you know what I mean up and

1267
00:50:35,320 --> 00:50:37,480
Speaker 1: you know, we sat down and he was telling me,

1268
00:50:37,760 --> 00:50:39,759
Speaker 1: you know, he you know, I'm a wolf fan. I

1269
00:50:39,840 --> 00:50:42,880
Speaker 1: love fifty cent I love hip hop of may Pwon.

1270
00:50:43,360 --> 00:50:46,399
Speaker 1: Some of his lyrics has made me through business things.

1271
00:50:46,440 --> 00:50:48,960
Speaker 1: And he had a whole plan. He was gonna buy

1272
00:50:49,080 --> 00:50:50,880
Speaker 1: this Enigma machine. I don't know if you know what

1273
00:50:50,960 --> 00:50:54,319
Speaker 1: the Enigma machines are. Those are the decoding machines they

1274
00:50:54,440 --> 00:50:56,799
Speaker 1: used to make in World War Two when they had

1275
00:50:56,880 --> 00:50:59,800
Speaker 1: to figure out In fact, it led to the computer.

1276
00:51:00,440 --> 00:51:02,640
Speaker 1: So he wants and all the turning papers. Who was

1277
00:51:02,680 --> 00:51:04,880
Speaker 1: the guy who basically invented the computer? He was he

1278
00:51:05,040 --> 00:51:06,839
Speaker 1: was in the bu album. He was like, I'm gonna

1279
00:51:06,840 --> 00:51:09,120
Speaker 1: get all these things and he's gonna do something. I

1280
00:51:09,160 --> 00:51:12,160
Speaker 1: was said, Okay, what do But he had a plan

1281
00:51:12,360 --> 00:51:15,520
Speaker 1: like whatever he was gonna do, boom And then when

1282
00:51:15,560 --> 00:51:17,560
Speaker 1: he when when negative on him, like maybe a few

1283
00:51:17,600 --> 00:51:19,920
Speaker 1: months later, I saw it on TV. I saw him

1284
00:51:19,960 --> 00:51:21,680
Speaker 1: on the news. I said, I was telling my wife, Yo,

1285
00:51:21,760 --> 00:51:24,359
Speaker 1: that's the guy that'd be selling the album too. He said,

1286
00:51:24,440 --> 00:51:25,319
Speaker 1: I wouldn't sell it to him.

1287
00:51:25,320 --> 00:51:26,879
Speaker 3: I said, oh no, it's already like a deal.

1288
00:51:27,080 --> 00:51:29,920
Speaker 1: Even though it wasn't the money didn't exchange hands, it

1289
00:51:30,040 --> 00:51:32,160
Speaker 1: was already a deal and was in contract for him.

1290
00:51:32,239 --> 00:51:33,920
Speaker 1: So I was like, nah, I mean I sat down

1291
00:51:33,960 --> 00:51:35,920
Speaker 1: with him. I told him, yes, so now that we

1292
00:51:36,160 --> 00:51:38,120
Speaker 1: it's at the day that he gets it, and you know,

1293
00:51:38,360 --> 00:51:40,280
Speaker 1: he got he got a lot of security and everything,

1294
00:51:40,719 --> 00:51:42,839
Speaker 1: you know, and they kind of has some big dudes

1295
00:51:42,880 --> 00:51:45,160
Speaker 1: with him, and I said, so let me talk to

1296
00:51:45,280 --> 00:51:46,400
Speaker 1: him moment by himself.

1297
00:51:46,440 --> 00:51:48,360
Speaker 3: Commit a kid. He's still a kid to me. And

1298
00:51:48,440 --> 00:51:50,880
Speaker 3: so I'm like, yo, listen, if I was you, I

1299
00:51:51,080 --> 00:51:53,480
Speaker 3: was just kidded the way to the world, like do

1300
00:51:53,640 --> 00:51:57,040
Speaker 3: something good because people were saying, like you're bad right now.

1301
00:51:57,600 --> 00:51:59,960
Speaker 3: He was like just smiled at me and would work.

1302
00:52:01,760 --> 00:52:01,960
Speaker 7: Yeah.

1303
00:52:02,120 --> 00:52:04,680
Speaker 1: So but I think that that would be a beautiful

1304
00:52:04,719 --> 00:52:06,880
Speaker 1: thing if if it was a way to give it

1305
00:52:07,360 --> 00:52:09,840
Speaker 1: or yeah, I just think it'll be nice to share it.

1306
00:52:10,000 --> 00:52:10,120
Speaker 11: You know.

1307
00:52:10,520 --> 00:52:12,520
Speaker 3: That did the summer reason these top ten best Wu

1308
00:52:12,600 --> 00:52:13,120
Speaker 3: Tang songs.

1309
00:52:13,440 --> 00:52:17,160
Speaker 1: He had number ten with number nine, Win Awards, number eight,

1310
00:52:17,239 --> 00:52:19,960
Speaker 1: Mystery of Chest Boxing, number seven, Reunited, number six, This

1311
00:52:20,080 --> 00:52:22,640
Speaker 1: Yeard number five, Protecting Neck number four? Can it be

1312
00:52:22,719 --> 00:52:25,439
Speaker 1: also simple number three? Ice Cream number two, trime number

1313
00:52:25,480 --> 00:52:27,920
Speaker 1: one Cream We started flaming them in the group check.

1314
00:52:28,000 --> 00:52:29,680
Speaker 1: We just just just not a good list.

1315
00:52:32,520 --> 00:52:32,759
Speaker 6: The list.

1316
00:52:32,800 --> 00:52:39,879
Speaker 3: But they're like very commercialized that right there. But we're

1317
00:52:39,920 --> 00:52:42,080
Speaker 3: saying impossible is one of those songs that should be

1318
00:52:42,239 --> 00:52:44,040
Speaker 3: on it? What do you think of that list? First

1319
00:52:44,080 --> 00:52:45,880
Speaker 3: of all, well, no, the list is up to the

1320
00:52:46,280 --> 00:52:47,600
Speaker 3: to the list maker, you.

1321
00:52:47,640 --> 00:52:48,120
Speaker 11: Know what I mean.

1322
00:52:48,200 --> 00:52:50,200
Speaker 3: But but he gets that list from online. There's people

1323
00:52:50,239 --> 00:52:52,279
Speaker 3: like that going is online. They hit him while he's

1324
00:52:52,280 --> 00:52:55,320
Speaker 3: doing the live things. Just also, that list might be

1325
00:52:55,560 --> 00:52:57,920
Speaker 3: the top ten streamers. At the end of the day,

1326
00:52:58,000 --> 00:52:58,720
Speaker 3: you go and check.

1327
00:52:58,600 --> 00:53:00,880
Speaker 4: The top streamers, But those are the cost those are

1328
00:53:00,880 --> 00:53:03,719
Speaker 4: the ones that are casual wolfans, those are the ones that.

1329
00:53:03,920 --> 00:53:05,400
Speaker 3: Yeah yeah, those are the ones you better before.

1330
00:53:05,680 --> 00:53:07,319
Speaker 7: Yeah yeah, you know what I mean.

1331
00:53:07,680 --> 00:53:09,360
Speaker 1: We come make you better, hit us, hit us, and

1332
00:53:09,960 --> 00:53:14,200
Speaker 1: look the beautiful things went towards cap came out of nowhere,

1333
00:53:14,320 --> 00:53:15,279
Speaker 1: right remember that.

1334
00:53:15,440 --> 00:53:17,800
Speaker 3: I mean that's some time ago. But once again, talent,

1335
00:53:18,200 --> 00:53:19,000
Speaker 3: nobody knew this.

1336
00:53:19,120 --> 00:53:20,680
Speaker 1: Guy, you know what I mean, we knew him, you

1337
00:53:20,680 --> 00:53:22,600
Speaker 1: know what I mean, I knew that y'all He's one

1338
00:53:22,640 --> 00:53:25,120
Speaker 1: of the dopest mcs on it on Staten Island. While

1339
00:53:25,120 --> 00:53:27,720
Speaker 1: we was growing up, me and him always had tapes together,

1340
00:53:27,840 --> 00:53:31,080
Speaker 1: like we had our tapes were circulating before who had tapes.

1341
00:53:31,200 --> 00:53:33,840
Speaker 1: That's why he's like men reservoir name putting in the

1342
00:53:33,880 --> 00:53:37,279
Speaker 1: tablet under vets. We paid our debts for mad years.

1343
00:53:37,520 --> 00:53:38,160
Speaker 11: He was like, we was.

1344
00:53:38,160 --> 00:53:41,840
Speaker 1: Already having takes. The others was doing the thing. But

1345
00:53:42,280 --> 00:53:44,520
Speaker 1: he comes out of the out of the now and

1346
00:53:44,719 --> 00:53:47,720
Speaker 1: uh you God brings them to the crib and Boomer.

1347
00:53:47,760 --> 00:53:49,520
Speaker 1: I was just happy to see him, you know, because

1348
00:53:49,800 --> 00:53:52,319
Speaker 1: capa Donna is his name at first was original legit,

1349
00:53:52,800 --> 00:53:55,680
Speaker 1: I mean original, right, So I was the original, you

1350
00:53:55,719 --> 00:53:57,640
Speaker 1: know what I mean? And he was like, yeah, you know,

1351
00:53:58,040 --> 00:54:01,240
Speaker 1: his slang is ridiculous. You know, it's like not Donna

1352
00:54:01,320 --> 00:54:04,239
Speaker 1: J Bird. It was that in capp of Donna. And

1353
00:54:04,280 --> 00:54:06,520
Speaker 1: it wasn't no cap of Donna Street on Staten Island yet,

1354
00:54:07,080 --> 00:54:09,160
Speaker 1: like maybe five years later there's like a cap of

1355
00:54:09,239 --> 00:54:11,560
Speaker 1: Donna named after I didn't I didn't know what Cappa

1356
00:54:11,640 --> 00:54:12,200
Speaker 1: Donna was.

1357
00:54:13,040 --> 00:54:14,239
Speaker 3: Who's your favorite m seeing?

1358
00:54:14,800 --> 00:54:18,720
Speaker 1: I mean the gigs is that I argue with people.

1359
00:54:19,080 --> 00:54:21,719
Speaker 1: If you want to argue then especially at that time.

1360
00:54:22,080 --> 00:54:23,920
Speaker 1: If you go and check the Jesus lyrics and his

1361
00:54:24,040 --> 00:54:26,080
Speaker 1: catalog the lyrics, I don't think you're gonna find no

1362
00:54:26,239 --> 00:54:29,960
Speaker 1: other MC. You know that that have given that compared

1363
00:54:29,960 --> 00:54:32,920
Speaker 1: to him lyrically. I mean, I put Jizzer as my

1364
00:54:33,000 --> 00:54:35,600
Speaker 1: favorite MC. And and the way that he approached the

1365
00:54:35,680 --> 00:54:38,959
Speaker 1: mic and the things that he's done. You think about

1366
00:54:39,040 --> 00:54:42,680
Speaker 1: labels back then, well, he's using every label, but he's

1367
00:54:42,719 --> 00:54:46,600
Speaker 1: telling you a cohesive, clear story, you know what I mean,

1368
00:54:46,920 --> 00:54:50,600
Speaker 1: with metaphors and wit and yeah, and then he goes

1369
00:54:50,680 --> 00:54:52,400
Speaker 1: on to do it again with Fame, and then he

1370
00:54:52,480 --> 00:54:54,960
Speaker 1: goes on and do it with Animal Planet. You know

1371
00:54:55,040 --> 00:54:56,920
Speaker 1: when he did it with Animal Planet, which is crazy

1372
00:54:56,920 --> 00:54:59,080
Speaker 1: because he says use all the football teams.

1373
00:54:59,480 --> 00:55:02,440
Speaker 3: And with talking about how the jaguarse against the Lions,

1374
00:55:02,480 --> 00:55:05,000
Speaker 3: and I was like, yo, that's like it's just us.

1375
00:55:05,600 --> 00:55:06,000
Speaker 3: He's deep.

1376
00:55:06,040 --> 00:55:07,919
Speaker 1: But it might take him like a year to write

1377
00:55:07,960 --> 00:55:11,160
Speaker 1: a Folks, like he won't write it like like Ray Hits,

1378
00:55:11,160 --> 00:55:12,520
Speaker 1: you hit the pin.

1379
00:55:12,800 --> 00:55:15,000
Speaker 3: And be done in an hour and fly.

1380
00:55:15,880 --> 00:55:18,719
Speaker 1: It's just a it's like he's still working on it,

1381
00:55:18,960 --> 00:55:21,680
Speaker 1: Like he got songs he's still been working on for

1382
00:55:21,760 --> 00:55:24,440
Speaker 1: ten years. Because he won't say it if he done

1383
00:55:24,480 --> 00:55:26,719
Speaker 1: and if he done something quick, he'll do it just

1384
00:55:26,800 --> 00:55:28,680
Speaker 1: because he has to do it. But that's not his

1385
00:55:29,000 --> 00:55:31,399
Speaker 1: best intention as an MC. His intention as an MC

1386
00:55:32,000 --> 00:55:36,160
Speaker 1: is to make it almost biblical or something almost like

1387
00:55:36,440 --> 00:55:37,120
Speaker 1: everything is.

1388
00:55:37,480 --> 00:55:40,840
Speaker 3: There's no filler, no words of feeling the ideas.

1389
00:55:40,920 --> 00:55:43,640
Speaker 1: You know, man, what's the most underrated Wu Tang song

1390
00:55:44,080 --> 00:55:46,680
Speaker 1: that you think deserves more love? And that when y'all

1391
00:55:46,760 --> 00:55:50,160
Speaker 1: performed on tour, everybody just goes crazy. Well, depending where

1392
00:55:50,160 --> 00:55:52,120
Speaker 1: you're at, right, But I know one Wu Tang song

1393
00:55:52,239 --> 00:55:54,879
Speaker 1: that definitely seemed like I don't think New York has

1394
00:55:54,880 --> 00:55:55,560
Speaker 1: ever even heard it.

1395
00:55:55,719 --> 00:55:59,120
Speaker 3: Gravel Pit. Oh of course that was what the video.

1396
00:55:59,320 --> 00:56:02,120
Speaker 3: You drifts, like the flintstones and all that. Yeah, exactly,

1397
00:56:02,239 --> 00:56:03,320
Speaker 3: all the fur coats and all that.

1398
00:56:03,440 --> 00:56:06,200
Speaker 1: But man, overseas, you could play it twice in the

1399
00:56:06,320 --> 00:56:08,600
Speaker 1: in the concert, I love it, yeah, But in New

1400
00:56:08,680 --> 00:56:12,799
Speaker 1: York play that, you know what I mean, somebody get

1401
00:56:12,880 --> 00:56:15,120
Speaker 1: mad that come on like goost to Somebody stopped frowning

1402
00:56:15,200 --> 00:56:16,160
Speaker 1: at you, like, yo, God.

1403
00:56:16,760 --> 00:56:22,520
Speaker 3: You're math math like doing my verse, whether the video or.

1404
00:56:22,560 --> 00:56:24,520
Speaker 1: Just if you know what I think I was reaching.

1405
00:56:24,680 --> 00:56:27,200
Speaker 1: I was like I attempted to make a song in

1406
00:56:27,280 --> 00:56:30,279
Speaker 1: the Reserve way that was like poppy commercial radio.

1407
00:56:30,680 --> 00:56:30,879
Speaker 11: Yeah.

1408
00:56:31,520 --> 00:56:34,239
Speaker 1: Yeah, but we never needed that, I know, but I

1409
00:56:34,280 --> 00:56:37,840
Speaker 1: didn't know hi of the backstory of that song real quick. No,

1410
00:56:38,000 --> 00:56:39,560
Speaker 1: that song was meant for Leah.

1411
00:56:39,760 --> 00:56:41,120
Speaker 2: So Leah.

1412
00:56:41,320 --> 00:56:43,520
Speaker 1: Yeah, we was in the studio, you know, we talked

1413
00:56:43,520 --> 00:56:45,160
Speaker 1: about it and I said, I want to have this

1414
00:56:45,239 --> 00:56:48,600
Speaker 1: whole Flinchstone concept and have you dressed up like like

1415
00:56:49,640 --> 00:56:53,960
Speaker 1: Betty Yeah, black pebbles, pebbles, but you know because a

1416
00:56:54,000 --> 00:56:55,759
Speaker 1: lios you know, that's in great shape and all that.

1417
00:56:56,040 --> 00:56:57,840
Speaker 3: And I just had this whole plan and she was

1418
00:56:57,880 --> 00:56:59,799
Speaker 3: to be like, yeah, we agreed, and it just.

1419
00:57:00,320 --> 00:57:02,759
Speaker 1: Thanks when Yeah, so she was gonna sing over that

1420
00:57:02,840 --> 00:57:11,279
Speaker 1: beat and everything. Wow, and imagine how on it yeah,

1421
00:57:11,280 --> 00:57:13,439
Speaker 1: because there was more dancing and I get what you're saying.

1422
00:57:13,480 --> 00:57:16,720
Speaker 8: Okay, well, we had thank you, appreciate you for joining us.

1423
00:57:16,760 --> 00:57:19,640
Speaker 4: The tickets are on sale right now for the would

1424
00:57:19,680 --> 00:57:21,840
Speaker 4: run the Jewels tickets, and we appreciate you.

1425
00:57:21,920 --> 00:57:25,240
Speaker 3: Riz appreciate you too. It's the Breakfast Club. It's well,

1426
00:57:25,280 --> 00:57:30,960
Speaker 3: let's get to the mess worldwide mess on the Breakfast

1427
00:57:31,040 --> 00:57:35,960
Speaker 3: Club the Coach with Lauren. Lauren and I got the

1428
00:57:36,080 --> 00:57:37,440
Speaker 3: mess talk Tommy.

1429
00:57:39,840 --> 00:57:43,440
Speaker 5: Okay, So y'all remember the whole legal back and forth

1430
00:57:43,480 --> 00:57:45,600
Speaker 5: that Drake had happened in Texas with like iHeart, and

1431
00:57:45,680 --> 00:57:48,200
Speaker 5: he was a legend that Universal Music Group was paying

1432
00:57:48,360 --> 00:57:51,480
Speaker 5: money to iHeart over not like a Universal Music Group

1433
00:57:51,520 --> 00:57:53,840
Speaker 5: was paying money to the radio stations on her radio

1434
00:57:53,880 --> 00:57:57,160
Speaker 5: stations over, not like US inbusing boosting the streams. So

1435
00:57:57,280 --> 00:58:01,640
Speaker 5: there have been reports that there was an alleged between

1436
00:58:01,840 --> 00:58:05,360
Speaker 5: Drake and UMG when it came to that whole airplay,

1437
00:58:05,480 --> 00:58:10,960
Speaker 5: radio play not like US situation. So you originally he

1438
00:58:11,080 --> 00:58:14,040
Speaker 5: was alleging that UMG was paying iHeart to play, not

1439
00:58:14,200 --> 00:58:17,000
Speaker 5: like us more payola. Now there have been these reports,

1440
00:58:17,040 --> 00:58:18,720
Speaker 5: so there's been a settlement, so that this is all

1441
00:58:18,760 --> 00:58:20,280
Speaker 5: over now, right, and that's all that.

1442
00:58:20,320 --> 00:58:20,720
Speaker 7: Was out there.

1443
00:58:20,840 --> 00:58:24,680
Speaker 5: But with iHeart, yes, so there's a settlement with iHeart, yes,

1444
00:58:24,800 --> 00:58:27,920
Speaker 5: not WITHG with iHeart, but that is not what happened.

1445
00:58:28,120 --> 00:58:30,080
Speaker 1: What happened, Well, we know nobody cares about the truth

1446
00:58:30,160 --> 00:58:32,680
Speaker 1: and the lives more entertainment, entertaining. But I need DJ

1447
00:58:32,840 --> 00:58:35,400
Speaker 1: academics and all the Drake fan pages to gather around

1448
00:58:36,120 --> 00:58:38,720
Speaker 1: to get the truth regardless. Okay, facts, it's simple. What

1449
00:58:38,880 --> 00:58:41,080
Speaker 1: Drake filed against iHeart wasn't a lawsuit. What he filed

1450
00:58:41,160 --> 00:58:43,320
Speaker 1: was a petition, yes, and it was a petition to

1451
00:58:43,400 --> 00:58:46,320
Speaker 1: try to make iHeart give a deposition. So Drake wasn't

1452
00:58:46,320 --> 00:58:48,880
Speaker 1: asking for money, he was asking for information. So iHeart

1453
00:58:49,040 --> 00:58:51,480
Speaker 1: could not have made a payment. iHeart couldn't negotiate to

1454
00:58:51,520 --> 00:58:54,640
Speaker 1: give Drake documents or something else showing they didn't do

1455
00:58:54,720 --> 00:58:57,160
Speaker 1: anything wrong. And once Drake received those documents and saw

1456
00:58:57,160 --> 00:58:59,720
Speaker 1: that there was nothing there, he could agree to drop

1457
00:58:59,800 --> 00:59:00,440
Speaker 1: his petition.

1458
00:59:00,880 --> 00:59:02,120
Speaker 3: And that's exactly what happened.

1459
00:59:03,400 --> 00:59:05,480
Speaker 1: He simply dropped his petition because after he saw what

1460
00:59:05,560 --> 00:59:08,400
Speaker 1: he needed to see, he realized iHeart was not engaged

1461
00:59:08,400 --> 00:59:10,760
Speaker 1: in any of the actions that he was accusing them

1462
00:59:10,840 --> 00:59:13,480
Speaker 1: of in the story. And I know, Drake fan pages

1463
00:59:13,760 --> 00:59:16,000
Speaker 1: won't run with that because it's not as entertaining as saying,

1464
00:59:16,040 --> 00:59:17,400
Speaker 1: you know, iHeart set.

1465
00:59:17,360 --> 00:59:20,320
Speaker 3: It with drip for money and Drake was right all along.

1466
00:59:20,440 --> 00:59:23,000
Speaker 1: But you know, no, your guy, Drake simply dropped the lawsuit,

1467
00:59:23,560 --> 00:59:25,400
Speaker 1: dropped the petition because there was nothing there.

1468
00:59:25,960 --> 00:59:29,120
Speaker 5: Yes, that is what happened. Now, speaking of not like us,

1469
00:59:29,280 --> 00:59:32,120
Speaker 5: the Oscars went down last night, the ninety seventh Oscars.

1470
00:59:32,120 --> 00:59:35,320
Speaker 5: They happened Academy Awards I'm sorry. They happened in Hollywood

1471
00:59:35,320 --> 00:59:39,120
Speaker 5: Adobe Theater. Conan O'Brien was the host and he is

1472
00:59:39,360 --> 00:59:42,959
Speaker 5: currently trending right now because of a Drake Kendrick Lamar

1473
00:59:43,000 --> 00:59:44,919
Speaker 5: related joke that he dropped the halfway through the show.

1474
00:59:45,000 --> 00:59:46,520
Speaker 5: So let's take a listen to that joke real quick.

1475
00:59:46,960 --> 00:59:50,040
Speaker 4: Well, we're halfway through the show, which means it's time

1476
00:59:50,120 --> 00:59:52,880
Speaker 4: for Kendrick Lamar to come out and called Drake a pedophile.

1477
00:59:57,760 --> 01:00:02,120
Speaker 3: Don't worry, I'm lawyered up. Well, how soon is he

1478
01:00:02,240 --> 01:00:03,640
Speaker 3: going to get him a position or.

1479
01:00:03,600 --> 01:00:04,200
Speaker 11: A letter.

1480
01:00:05,720 --> 01:00:06,760
Speaker 3: To get one for that one?

1481
01:00:06,920 --> 01:00:10,240
Speaker 5: Okay? Now, the show went down with over twenty three

1482
01:00:10,240 --> 01:00:13,080
Speaker 5: different categories being announced. The most awarded films last night

1483
01:00:13,160 --> 01:00:16,480
Speaker 5: were Honora. They took home five Oscars, The Brutalist took

1484
01:00:16,520 --> 01:00:19,600
Speaker 5: home three, but Wicked took home two. They were actually

1485
01:00:19,640 --> 01:00:22,720
Speaker 5: nominated for ten Oscars, but only one two. They won

1486
01:00:22,880 --> 01:00:25,680
Speaker 5: one for Best Costume Design, which was Paul Taswell. He

1487
01:00:26,320 --> 01:00:28,000
Speaker 5: is now the first black man and want an Oscar

1488
01:00:28,080 --> 01:00:29,560
Speaker 5: for costume design to take a listen to him.

1489
01:00:30,360 --> 01:00:35,160
Speaker 22: This is absolutely astounding. Thank you Academy for this very

1490
01:00:35,280 --> 01:00:41,840
Speaker 22: significant honor. I'm the first black man to receive Costume

1491
01:00:41,920 --> 01:00:44,600
Speaker 22: Design Award for my work on Richard.

1492
01:00:46,320 --> 01:00:47,360
Speaker 3: I'm so proud of this.

1493
01:00:48,160 --> 01:00:51,440
Speaker 22: Thank you, mother and Emma so much. Thank you everyone

1494
01:00:51,800 --> 01:00:54,720
Speaker 22: in the UK for all of your beautiful work. I

1495
01:00:54,800 --> 01:00:57,960
Speaker 22: could not have done this without you, my Ozzie and Muses,

1496
01:00:58,480 --> 01:01:02,280
Speaker 22: Cynthia and Arianna, I love you so much. All the

1497
01:01:02,360 --> 01:01:06,240
Speaker 22: other casts, thank you, thank you. Thank you for trusting

1498
01:01:06,320 --> 01:01:08,600
Speaker 22: me with bringing your characters to life.

1499
01:01:09,000 --> 01:01:09,200
Speaker 6: Yeah.

1500
01:01:09,280 --> 01:01:12,360
Speaker 5: So, he joins Ruthie Carter, who was also a black woman,

1501
01:01:12,520 --> 01:01:17,200
Speaker 5: to win an Oscar for Black Panther. Yep, and they

1502
01:01:17,280 --> 01:01:20,320
Speaker 5: also won. Wicked also won for Best Production Design.

1503
01:01:20,880 --> 01:01:21,000
Speaker 2: Uh.

1504
01:01:21,160 --> 01:01:24,000
Speaker 5: Now, if Cynthia or Rivo would have won the category

1505
01:01:24,080 --> 01:01:27,080
Speaker 5: she was nominated for, specifically, she would have been she

1506
01:01:27,120 --> 01:01:29,760
Speaker 5: would have unseated a few people for the Youngest egot

1507
01:01:30,000 --> 01:01:34,040
Speaker 5: like that, you know, Emmy Grammy Oscar. Uh, what's the

1508
01:01:34,120 --> 01:01:38,440
Speaker 5: t Tony Award? Yes, but she didn't win last night,

1509
01:01:38,520 --> 01:01:39,760
Speaker 5: so she so she didn't get that.

1510
01:01:40,960 --> 01:01:42,560
Speaker 3: She said, what's the tea? I was like, you're supposed

1511
01:01:42,560 --> 01:01:43,120
Speaker 3: to be telling us.

1512
01:01:47,520 --> 01:01:50,800
Speaker 5: I know what you meant, girl, But she didn't get that.

1513
01:01:51,080 --> 01:01:53,280
Speaker 5: But so let me just tell y'all.

1514
01:01:53,360 --> 01:01:55,280
Speaker 8: The sweep they made it seem like Wicked was going

1515
01:01:55,320 --> 01:01:55,920
Speaker 8: to sweep this year.

1516
01:01:56,000 --> 01:01:59,360
Speaker 5: They were supposed to came in and took it though,

1517
01:01:59,440 --> 01:02:02,560
Speaker 5: but they did have such big moments. Ariana Grande and

1518
01:02:02,560 --> 01:02:04,960
Speaker 5: Cynthia Rivo opened the show performing some of the songs

1519
01:02:04,960 --> 01:02:07,040
Speaker 5: from Wicked and I'm gonna just tell y'all right now,

1520
01:02:07,160 --> 01:02:08,480
Speaker 5: when I tell you you say the mic is.

1521
01:02:08,480 --> 01:02:08,880
Speaker 2: On or not.

1522
01:02:09,360 --> 01:02:11,720
Speaker 5: Cynthia Rivo she invented the mic at this point because

1523
01:02:11,760 --> 01:02:15,520
Speaker 5: she sounded so great live last night. She sounded amazing.

1524
01:02:15,560 --> 01:02:17,440
Speaker 5: Ariana Grande had to like sit back like it was.

1525
01:02:17,760 --> 01:02:20,120
Speaker 5: It just was like such her moment. I was like, Yo,

1526
01:02:20,360 --> 01:02:22,920
Speaker 5: she sounds amazing live that it's very hard to do.

1527
01:02:23,880 --> 01:02:26,440
Speaker 5: They also did a tribute to Quincy Jones. Whoopee and

1528
01:02:26,560 --> 01:02:29,439
Speaker 5: Oprah came out and kicked off the tribute. We don't

1529
01:02:29,440 --> 01:02:31,640
Speaker 5: have time to play the audio for them, but hey.

1530
01:02:31,560 --> 01:02:32,880
Speaker 3: Yo, Whoopy looked good last night.

1531
01:02:32,960 --> 01:02:33,080
Speaker 11: Yo.

1532
01:02:33,440 --> 01:02:33,840
Speaker 3: I would look.

1533
01:02:33,840 --> 01:02:36,200
Speaker 1: I was looking at her, no disrespect of looking at

1534
01:02:36,240 --> 01:02:42,160
Speaker 1: her body. Her body looked good in shape. I don't

1535
01:02:42,160 --> 01:02:44,640
Speaker 1: know that was like that, but I don't.

1536
01:02:44,800 --> 01:02:51,320
Speaker 3: Yeah great yesterday, I'm talking about her shoulders like, she

1537
01:02:51,480 --> 01:02:52,040
Speaker 3: just looked good.

1538
01:02:52,920 --> 01:02:55,440
Speaker 5: I like the dress too. I didn't didn't even crossed

1539
01:02:55,440 --> 01:02:55,640
Speaker 5: my mind.

1540
01:02:55,720 --> 01:02:56,280
Speaker 7: Whoop, be out of.

1541
01:03:00,000 --> 01:03:01,360
Speaker 3: Okay anymore?

1542
01:03:06,480 --> 01:03:11,760
Speaker 5: Yes, she was what they saw un they did. Yes,

1543
01:03:11,800 --> 01:03:13,000
Speaker 5: I was trying to get to it, but then we

1544
01:03:13,080 --> 01:03:17,400
Speaker 5: got distracted because he saw Whoopy. Yes, Zoe's Audania. She

1545
01:03:17,640 --> 01:03:20,640
Speaker 5: also won. She took home Best Actress in the Supporting Role,

1546
01:03:21,120 --> 01:03:24,240
Speaker 5: and she made history as the what's the actual title?

1547
01:03:24,720 --> 01:03:26,280
Speaker 5: She made history as.

1548
01:03:26,840 --> 01:03:31,760
Speaker 3: The I seen I've seen Whoopy last night.

1549
01:03:31,800 --> 01:03:36,160
Speaker 5: Bro Jesus, I can't even get Zoe's up.

1550
01:03:36,160 --> 01:03:38,680
Speaker 4: Well, salutes zoways. She's from Queens and Jersey. You know,

1551
01:03:38,760 --> 01:03:40,360
Speaker 4: she's Dominican and Puerto Rican.

1552
01:03:40,440 --> 01:03:44,320
Speaker 5: I think she's the best. She was first Dominican. I

1553
01:03:44,400 --> 01:03:45,080
Speaker 5: got to get this right.

1554
01:03:45,640 --> 01:03:48,520
Speaker 4: So she won last night, so congratulations. Her mother was

1555
01:03:48,560 --> 01:03:50,040
Speaker 4: in the building, so she was happy to do that

1556
01:03:50,160 --> 01:03:50,680
Speaker 4: for her mother.

1557
01:03:50,840 --> 01:03:54,280
Speaker 5: Yeah, she's the first Dominican American actress to win a Oscar.

1558
01:03:54,360 --> 01:03:55,680
Speaker 5: So when her mom was in the building and she

1559
01:03:55,760 --> 01:03:57,040
Speaker 5: cried out for her mom, she came up and was

1560
01:03:57,040 --> 01:03:59,080
Speaker 5: looking for her mama. Go that that like tear jerked

1561
01:03:59,120 --> 01:03:59,640
Speaker 5: me a little bit.

1562
01:04:00,760 --> 01:04:01,280
Speaker 3: You good.

1563
01:04:01,400 --> 01:04:03,000
Speaker 5: Did you see Zoe's Zodna last night?

1564
01:04:03,920 --> 01:04:04,080
Speaker 2: Uh?

1565
01:04:04,400 --> 01:04:05,160
Speaker 3: No, he didn't.

1566
01:04:05,160 --> 01:04:06,919
Speaker 8: Actually, Zoey's story is crazy.

1567
01:04:06,960 --> 01:04:08,760
Speaker 4: Her pops passed away when she was younger in a

1568
01:04:08,840 --> 01:04:11,560
Speaker 4: car accident and her mother had to send her back

1569
01:04:11,600 --> 01:04:14,160
Speaker 4: to dr to put her in school while she worked,

1570
01:04:14,160 --> 01:04:15,760
Speaker 4: and then brought her back over here, and it was

1571
01:04:15,960 --> 01:04:17,040
Speaker 4: it was a tough in her life.

1572
01:04:17,080 --> 01:04:18,600
Speaker 8: So the fact that she called out for her mom

1573
01:04:18,720 --> 01:04:19,200
Speaker 8: was amazing.

1574
01:04:19,280 --> 01:04:21,800
Speaker 3: So yeah, I learned that Dominican history school.

1575
01:04:22,240 --> 01:04:24,160
Speaker 5: No, we just learned that just now last night and

1576
01:04:24,240 --> 01:04:25,080
Speaker 5: made it go. Look her up.

1577
01:04:25,080 --> 01:04:27,120
Speaker 1: I didn't know she was Dominican to the Dominican, I'm

1578
01:04:27,160 --> 01:04:30,560
Speaker 1: not talking your problem. Representation matters. And when the Dominican talking,

1579
01:04:30,560 --> 01:04:31,840
Speaker 1: you won't let him finish the story.

1580
01:04:32,800 --> 01:04:34,120
Speaker 5: Them last night you only saw.

1581
01:04:36,560 --> 01:04:41,480
Speaker 4: Women won the clue bumper wof you go Berg? Okay, sir,

1582
01:04:41,600 --> 01:04:44,840
Speaker 4: there's no Dominican in there. Bren's Puerto Rican, I'm black,

1583
01:04:45,720 --> 01:04:48,080
Speaker 4: you're black. She's black Dominican yep.

1584
01:04:48,160 --> 01:04:50,760
Speaker 5: And Zoe's o'donna is as well, Dominica. She says, she's

1585
01:04:50,800 --> 01:04:53,080
Speaker 5: the first, she's the child of immigrant parents and first

1586
01:04:53,120 --> 01:04:55,919
Speaker 5: American of Dominican descent to want an oscar. So shout

1587
01:04:55,960 --> 01:04:56,960
Speaker 5: out to them as we wrap.

1588
01:04:56,960 --> 01:04:59,240
Speaker 3: This on up. Absolute to her. All right, Charlamann, who

1589
01:04:59,240 --> 01:05:00,280
Speaker 3: are you giving a donkey too? Man?

1590
01:05:00,360 --> 01:05:04,320
Speaker 1: For after the hour of it is a perverted as optometrist.

1591
01:05:04,360 --> 01:05:06,360
Speaker 1: That's what you call him, right, the people that give

1592
01:05:06,360 --> 01:05:06,800
Speaker 1: you glasses.

1593
01:05:08,920 --> 01:05:11,959
Speaker 3: I was like, do you mean collegestris.

1594
01:05:12,080 --> 01:05:13,480
Speaker 1: He needs to come to the front of the gngregation.

1595
01:05:13,560 --> 01:05:15,680
Speaker 1: We would like to have a word with him. Freaky

1596
01:05:15,720 --> 01:05:16,280
Speaker 1: ass newman.

1597
01:05:16,320 --> 01:05:18,400
Speaker 8: How could you be per We'll find out when we

1598
01:05:18,440 --> 01:05:19,760
Speaker 8: come back at the breakfast So come on here.

1599
01:05:21,480 --> 01:05:24,280
Speaker 3: Don't be out here at that like a donkey. He bitch,

1600
01:05:25,560 --> 01:05:28,280
Speaker 3: it's time for Donkey of the Day. I'm a big boy.

1601
01:05:28,280 --> 01:05:29,840
Speaker 1: I could take it if he feel out deserve It

1602
01:05:29,920 --> 01:05:33,680
Speaker 1: ain't no big Denny say, got to.

1603
01:05:33,640 --> 01:05:35,120
Speaker 3: Say something you may not agree with. It doesn't mean

1604
01:05:35,120 --> 01:05:36,720
Speaker 3: I'm doing Who's getting that donky?

1605
01:05:36,800 --> 01:05:39,880
Speaker 1: That donkey that don't don't don't don't don't donkey other

1606
01:05:39,960 --> 01:05:40,720
Speaker 1: day right here.

1607
01:05:42,280 --> 01:05:44,760
Speaker 3: The breakfast club. Bitches, you can call me the donkey

1608
01:05:44,840 --> 01:05:47,720
Speaker 3: of the day, but like I mean no harm. Yes,

1609
01:05:47,840 --> 01:05:48,920
Speaker 3: donkey today for Monday.

1610
01:05:49,000 --> 01:05:51,640
Speaker 1: March third goes to a man named Brian Steiner. Bryan

1611
01:05:51,760 --> 01:05:55,080
Speaker 1: is from Pennsylvania and he's a freaky ass human twenty

1612
01:05:55,160 --> 01:05:57,280
Speaker 1: twenty vision god. What do you mean he's a twenty

1613
01:05:57,360 --> 01:06:00,760
Speaker 1: twenty vision god? Uncle Shola. Well, apparently times are very

1614
01:06:00,840 --> 01:06:04,560
Speaker 1: hard in the slums of Delaware County, Pennsylvania, because this man,

1615
01:06:04,680 --> 01:06:11,040
Speaker 1: Bryan Steiner, was offering free glasses an exchange for sexual acts. Yes, glasses,

1616
01:06:11,200 --> 01:06:15,040
Speaker 1: face readers, I spires, magnifying marbles, okay, vision vanquishers. This

1617
01:06:15,240 --> 01:06:19,080
Speaker 1: man was botering optical for oral I can't make this

1618
01:06:19,240 --> 01:06:19,880
Speaker 1: kind of stuff up.

1619
01:06:20,000 --> 01:06:21,959
Speaker 3: Let's go to six ABC news for the report. Police

1620
01:06:22,040 --> 01:06:23,000
Speaker 3: a Delaware.

1621
01:06:22,640 --> 01:06:26,120
Speaker 23: County optician faces some serious charges. Police aa offer customers

1622
01:06:26,160 --> 01:06:30,320
Speaker 23: free eyeglasses and exchange for sex. Investigators say that forty

1623
01:06:30,400 --> 01:06:33,400
Speaker 23: year old Brian Steiner, who worked at Philly Vision careen Fallcroft,

1624
01:06:33,640 --> 01:06:34,680
Speaker 23: solicited sex.

1625
01:06:34,520 --> 01:06:35,280
Speaker 7: From his customers.

1626
01:06:35,320 --> 01:06:37,440
Speaker 23: They say in return, he would give out free glasses

1627
01:06:37,760 --> 01:06:40,840
Speaker 23: and waive charges and copays. Steiner admitted to police he

1628
01:06:40,920 --> 01:06:44,200
Speaker 23: had received or performed sexual acts inside the business at

1629
01:06:44,320 --> 01:06:45,600
Speaker 23: least thirty different times.

1630
01:06:46,080 --> 01:06:47,720
Speaker 3: He wants assets for glasses.

1631
01:06:48,480 --> 01:06:50,400
Speaker 1: Now, I was born in nineteen hundred and seventy eight,

1632
01:06:50,560 --> 01:06:52,280
Speaker 1: so I've heard of a lot of discounts in my day,

1633
01:06:52,360 --> 01:06:56,520
Speaker 1: buy one, get one free, percentage sales, early payment discounts,

1634
01:06:56,560 --> 01:06:59,800
Speaker 1: seasonal discounts, referral discounts, or what I've never heard of

1635
01:07:00,400 --> 01:07:02,840
Speaker 1: is to bust it open for some bifocals discount.

1636
01:07:03,320 --> 01:07:04,800
Speaker 3: You want to get freaking with some frames.

1637
01:07:05,440 --> 01:07:08,120
Speaker 1: Brian, You're supposed to have a vision care plan, not

1638
01:07:08,200 --> 01:07:11,520
Speaker 1: a perverted rewards program. This is predatory on so many

1639
01:07:11,640 --> 01:07:14,640
Speaker 1: levels because you have to know who this will work on.

1640
01:07:14,800 --> 01:07:16,880
Speaker 1: You have to know that there are people who can't

1641
01:07:16,920 --> 01:07:19,280
Speaker 1: afford glasses, and the fact that you are praying on

1642
01:07:19,400 --> 01:07:22,800
Speaker 1: the financially challenged amongst us is what really makes me

1643
01:07:23,200 --> 01:07:25,600
Speaker 1: want to see you buried under the jail. Okay, we

1644
01:07:25,720 --> 01:07:27,760
Speaker 1: are in an era where we should be attempting to

1645
01:07:27,880 --> 01:07:30,600
Speaker 1: help people if they aren't in the best position financially,

1646
01:07:30,680 --> 01:07:34,000
Speaker 1: but no, you out here taking advantage of people. And

1647
01:07:34,080 --> 01:07:36,720
Speaker 1: the irony of this situation is you work in an

1648
01:07:36,760 --> 01:07:37,520
Speaker 1: eyeglass store.

1649
01:07:37,840 --> 01:07:38,960
Speaker 3: Your whole job is.

1650
01:07:39,080 --> 01:07:42,120
Speaker 1: Helping people see clearly, but you couldn't even see that

1651
01:07:42,400 --> 01:07:46,160
Speaker 1: this wouldn't end well. Do you know how financially desperate

1652
01:07:46,240 --> 01:07:48,520
Speaker 1: you have to be the one to give up sex

1653
01:07:48,840 --> 01:07:52,360
Speaker 1: for specs and for Brian to know these people we're

1654
01:07:52,520 --> 01:07:55,800
Speaker 1: desperate and take advantage of that desperation. I don't even

1655
01:07:55,840 --> 01:07:57,400
Speaker 1: believe in heaven of the hell, but damn it, if

1656
01:07:57,440 --> 01:07:58,760
Speaker 1: there is a hell, please give.

1657
01:07:58,680 --> 01:08:00,720
Speaker 3: This guy the hottest seat in the house.

1658
01:08:00,760 --> 01:08:03,680
Speaker 1: Okay, I have a rule, and my rule is never

1659
01:08:03,800 --> 01:08:07,240
Speaker 1: trust people who will take advantage of others for their

1660
01:08:07,320 --> 01:08:13,360
Speaker 1: own benefit, especially when the person actually could use your kindness. Proverbs,

1661
01:08:13,440 --> 01:08:17,840
Speaker 1: chapter twenty two, verses twenty two and twenty three says,

1662
01:08:18,280 --> 01:08:21,559
Speaker 1: don't take advantage of the poor just because you can.

1663
01:08:21,720 --> 01:08:25,160
Speaker 1: I repeat, don't take advantage of the poor just because

1664
01:08:25,160 --> 01:08:29,559
Speaker 1: you can. Self explanatory. Okay, if you believe in hell, Brian, you.

1665
01:08:29,680 --> 01:08:30,599
Speaker 3: Going to it? Okay.

1666
01:08:30,680 --> 01:08:32,679
Speaker 1: And I'm gonna tell you the sickest part of the story.

1667
01:08:33,080 --> 01:08:36,960
Speaker 1: After the patients agreed to do the sexual favors for

1668
01:08:37,120 --> 01:08:40,240
Speaker 1: the glasses, when he would give these visually impaired people

1669
01:08:40,360 --> 01:08:49,840
Speaker 1: the glasses, he would play this song sick, sick, sick sick,

1670
01:08:49,960 --> 01:08:53,719
Speaker 1: Oh my god, sick world. Right, that's how I feel.

1671
01:08:54,439 --> 01:08:56,320
Speaker 1: Please let me me mar give Brian's sign of the

1672
01:08:56,320 --> 01:08:57,400
Speaker 1: biggest he hall what he.

1673
01:08:59,280 --> 01:09:00,360
Speaker 6: You stupid? Mother?

1674
01:09:00,760 --> 01:09:01,439
Speaker 3: Are you dumb?

1675
01:09:01,560 --> 01:09:02,160
Speaker 7: You crazy?

1676
01:09:02,920 --> 01:09:04,880
Speaker 5: That song with that story is crazy.

1677
01:09:05,560 --> 01:09:06,280
Speaker 3: That's what happened.

1678
01:09:06,360 --> 01:09:08,040
Speaker 5: I know, but it's just insane.

1679
01:09:08,240 --> 01:09:09,960
Speaker 3: I didn't make that's what happened. I didn't make that up.

1680
01:09:10,479 --> 01:09:14,320
Speaker 3: I'm just reading this news. What Mac, Why is Mack

1681
01:09:14,360 --> 01:09:14,639
Speaker 3: in here?

1682
01:09:14,800 --> 01:09:14,960
Speaker 20: Mac?

1683
01:09:15,000 --> 01:09:19,439
Speaker 3: Why did you walk in? I just Mac what's the problem.

1684
01:09:19,600 --> 01:09:21,360
Speaker 3: I was back there talking to Eddie and I was

1685
01:09:21,439 --> 01:09:24,680
Speaker 3: just like, could you imagine the eye test? You cover

1686
01:09:24,800 --> 01:09:27,280
Speaker 3: one eye up and read the first line, and it's like,

1687
01:09:27,640 --> 01:09:28,880
Speaker 3: d I.

1688
01:09:34,680 --> 01:09:35,160
Speaker 11: Right now.

1689
01:09:36,840 --> 01:09:42,280
Speaker 3: At stage e left? Please could you go? Could you

1690
01:09:42,439 --> 01:09:44,240
Speaker 3: leave now? Thank you very much.

1691
01:09:44,479 --> 01:09:46,560
Speaker 5: The longer the eye tests, the longer the duration, like,

1692
01:09:46,640 --> 01:09:47,000
Speaker 5: how did this?

1693
01:09:47,240 --> 01:09:51,120
Speaker 3: This was crazy? Y'all need to stop? All right? Well,

1694
01:09:51,200 --> 01:09:54,880
Speaker 3: thank you for that donkey today. Yes, indeed, you.

1695
01:09:54,920 --> 01:09:57,000
Speaker 5: Imagine the people that couldn't still see after they got

1696
01:09:57,000 --> 01:09:58,280
Speaker 5: the glass and didn't know what was going on.

1697
01:10:02,000 --> 01:10:04,599
Speaker 4: Thank you again for the donkey of the day. Let's reset, guys,

1698
01:10:04,680 --> 01:10:07,920
Speaker 4: Come on, come on, fine, we've immature people in here.

1699
01:10:08,160 --> 01:10:11,200
Speaker 3: USA. It's all you immature people, all right now.

1700
01:10:11,760 --> 01:10:14,280
Speaker 4: Now when we come back, we got to send a

1701
01:10:14,320 --> 01:10:17,759
Speaker 4: resting piece to Angie Stone and Condoless Neo.

1702
01:10:17,720 --> 01:10:22,559
Speaker 1: Soul pioneer, Hip hop pioneer R and b icon South

1703
01:10:22,640 --> 01:10:25,160
Speaker 1: Carolina legend man the good sister any Stone came up

1704
01:10:25,160 --> 01:10:27,880
Speaker 1: here in twenty nineteen. And what I found so interesting

1705
01:10:27,920 --> 01:10:31,040
Speaker 1: about that conversation is she was talking about just how

1706
01:10:31,080 --> 01:10:33,120
Speaker 1: she wanted her life to be documented, you know, and she.

1707
01:10:33,200 --> 01:10:36,400
Speaker 3: Was talking about a movie that she was gonna be

1708
01:10:36,439 --> 01:10:37,679
Speaker 3: working on movie and document.

1709
01:10:37,760 --> 01:10:40,599
Speaker 4: Yeah, so we're gonna we're gonna replay that interview next,

1710
01:10:40,640 --> 01:10:42,400
Speaker 4: all right, and this is Angie Stone when she was

1711
01:10:42,439 --> 01:10:45,800
Speaker 4: on a Breakfast Club in twenty nineteen. We're gonna get

1712
01:10:45,800 --> 01:10:47,519
Speaker 4: that on next. It don't go anywhere. It's to Breakfast Club,

1713
01:10:47,560 --> 01:10:55,000
Speaker 4: Good Morning, the Breakfast Club. Warning, everybody is DJ Envy, Jesse,

1714
01:10:55,120 --> 01:10:56,280
Speaker 4: Larry Charlamage, the guy.

1715
01:10:56,320 --> 01:10:58,840
Speaker 3: We are the Breakfast Club. Lona Rosa is here as well.

1716
01:10:59,320 --> 01:11:02,320
Speaker 4: Now we're about to get on an interview we did

1717
01:11:02,400 --> 01:11:04,400
Speaker 4: with Angie Stone in twenty nineteen.

1718
01:11:04,600 --> 01:11:06,800
Speaker 3: Yeah, this is twenty nineteen. The good sister Angie Stone

1719
01:11:06,880 --> 01:11:08,000
Speaker 3: came up here to build with us.

1720
01:11:08,120 --> 01:11:08,240
Speaker 10: Man.

1721
01:11:08,320 --> 01:11:10,880
Speaker 1: And you know, this is the reason I love having

1722
01:11:10,960 --> 01:11:14,080
Speaker 1: conversations with people because it documents.

1723
01:11:14,160 --> 01:11:16,479
Speaker 3: We documents documents their life view and they get to

1724
01:11:16,560 --> 01:11:19,320
Speaker 3: tell their own stories. And you know, she's no longer.

1725
01:11:19,160 --> 01:11:21,439
Speaker 1: Here with us, but she told a lot about her life.

1726
01:11:21,479 --> 01:11:23,400
Speaker 1: She told a lot about her career, and you know,

1727
01:11:23,520 --> 01:11:25,840
Speaker 1: she talked about basically how she wanted her movie to

1728
01:11:25,840 --> 01:11:27,760
Speaker 1: play out. You know, that's that's what she was working on.

1729
01:11:27,880 --> 01:11:29,680
Speaker 8: But let's jump into it now. It's the Breakfast Club,

1730
01:11:29,720 --> 01:11:30,080
Speaker 8: Come morning.

1731
01:11:30,200 --> 01:11:31,519
Speaker 3: How are you I'm good.

1732
01:11:31,720 --> 01:11:32,479
Speaker 7: I can't complain.

1733
01:11:32,560 --> 01:11:35,280
Speaker 15: You know, I've been lasted for a long time, forty

1734
01:11:35,320 --> 01:11:36,559
Speaker 15: plus years in this business.

1735
01:11:36,720 --> 01:11:37,320
Speaker 11: You already know.

1736
01:11:37,680 --> 01:11:40,280
Speaker 1: Yeah, people, I don't think people realize that Angie's one

1737
01:11:40,280 --> 01:11:43,800
Speaker 1: of the Pine is a rap The Sequence the first.

1738
01:11:44,040 --> 01:11:45,160
Speaker 7: Female got to go go.

1739
01:11:45,720 --> 01:11:48,599
Speaker 15: Yeah, the first female group period to do an original

1740
01:11:48,680 --> 01:11:51,640
Speaker 15: rap record, to do a rap record that gone up

1741
01:11:51,640 --> 01:11:54,280
Speaker 15: the world. We had our neighborhood rappers, we had our

1742
01:11:54,360 --> 01:11:57,839
Speaker 15: New York City rappers, but Sequence was the world's rappers.

1743
01:11:57,920 --> 01:11:59,679
Speaker 7: And I think people get it twisted.

1744
01:12:00,280 --> 01:12:02,680
Speaker 3: Funk funk it up with the song funk you up

1745
01:12:02,920 --> 01:12:03,240
Speaker 3: until you.

1746
01:12:03,280 --> 01:12:05,000
Speaker 7: Got that mixed up with Bruno mothers, I ain't gonna

1747
01:12:05,040 --> 01:12:10,720
Speaker 7: go didn't well what he did, did an interpolation of it.

1748
01:12:13,040 --> 01:12:16,040
Speaker 15: Town funk it up. We're gonna uptown funkus funk you

1749
01:12:16,439 --> 01:12:18,800
Speaker 15: right on up. We're gonna funk you the same thing.

1750
01:12:21,200 --> 01:12:23,160
Speaker 15: We're getting paid no attention right now. But guess what,

1751
01:12:23,360 --> 01:12:24,120
Speaker 15: it's all great.

1752
01:12:26,479 --> 01:12:26,679
Speaker 2: Yeah.

1753
01:12:26,760 --> 01:12:28,680
Speaker 7: Well, my attorney went in and we.

1754
01:12:28,760 --> 01:12:31,360
Speaker 15: Tried to do some stuff, and of course, because there's

1755
01:12:31,400 --> 01:12:33,880
Speaker 15: three group members and I've been doing my thing for

1756
01:12:33,960 --> 01:12:37,080
Speaker 15: a minute, it kind of pulled the scenes at who's

1757
01:12:37,400 --> 01:12:39,760
Speaker 15: who's with who? And who's down with And I just said,

1758
01:12:39,760 --> 01:12:41,400
Speaker 15: you know what, let it rest because we're getting a

1759
01:12:41,400 --> 01:12:43,840
Speaker 15: lot of negative slack because a lot of people that

1760
01:12:43,960 --> 01:12:45,880
Speaker 15: don't know about the sequence or that song.

1761
01:12:46,400 --> 01:12:48,200
Speaker 7: We getting a lot of negative flat because they like

1762
01:12:48,400 --> 01:12:49,280
Speaker 7: that don't sound nothing like.

1763
01:12:49,360 --> 01:12:53,280
Speaker 15: I'm like, they don't understand the interpolation process and how

1764
01:12:53,560 --> 01:12:57,000
Speaker 15: you know the reason we were upset because Bruno admitted

1765
01:12:57,720 --> 01:13:01,360
Speaker 15: that it was influenced by to See Wow and uh

1766
01:13:01,760 --> 01:13:04,599
Speaker 15: he did that on Instagram and and somebody snatched it down.

1767
01:13:04,640 --> 01:13:07,759
Speaker 5: Right, and people do interpolations so that they don't sample.

1768
01:13:08,080 --> 01:13:10,040
Speaker 5: So then they well, doctor did keep.

1769
01:13:09,920 --> 01:13:12,200
Speaker 7: Your hands ringing? That was a direct rip from funk

1770
01:13:12,280 --> 01:13:14,720
Speaker 7: you up? They did. I mean, we wrote the song,

1771
01:13:14,840 --> 01:13:16,080
Speaker 7: we wrote the melody, wrote the.

1772
01:13:16,120 --> 01:13:20,120
Speaker 15: Chant, we added singing to hip hop, and now everybody's

1773
01:13:20,200 --> 01:13:22,760
Speaker 15: doing it. It's okay, And I think it's wrong for

1774
01:13:22,880 --> 01:13:25,240
Speaker 15: them to try to overlook we're from South Carolina.

1775
01:13:25,600 --> 01:13:28,840
Speaker 3: I mean, what did that go with? Nothing? So y'all

1776
01:13:28,880 --> 01:13:30,120
Speaker 3: didn't get paid from doctor Drinea?

1777
01:13:30,720 --> 01:13:35,600
Speaker 7: Yes we did, Okay, Okay, but we had he admitted it.

1778
01:13:35,800 --> 01:13:37,479
Speaker 3: He had kept that post got paid.

1779
01:13:37,520 --> 01:13:39,559
Speaker 5: But you know it's still there. Everything that's been on it, Well.

1780
01:13:40,120 --> 01:13:41,680
Speaker 7: The beauty of it is.

1781
01:13:42,200 --> 01:13:45,400
Speaker 15: They admitted it, but the minute the elephant is brought

1782
01:13:45,439 --> 01:13:48,160
Speaker 15: out of the closet, everybody runs because nobody wants to

1783
01:13:48,200 --> 01:13:49,840
Speaker 15: be labeled a thief. And we just say that I'm

1784
01:13:50,080 --> 01:13:52,439
Speaker 15: very honored and I got my girl blinding from the

1785
01:13:52,479 --> 01:13:54,200
Speaker 15: sequence here just something back.

1786
01:13:55,720 --> 01:13:56,799
Speaker 3: Snoop was so excited.

1787
01:13:57,320 --> 01:14:00,519
Speaker 15: Yeah, well you know Snoop, I've worked with Snoop he did.

1788
01:14:00,560 --> 01:14:03,080
Speaker 15: I want to thank you along with me and Jazzy

1789
01:14:03,120 --> 01:14:04,960
Speaker 15: Fay back in the day. But he wants me to

1790
01:14:05,040 --> 01:14:06,920
Speaker 15: work with his daughter. He wants to work with my son.

1791
01:14:07,240 --> 01:14:11,880
Speaker 15: So we have a kindred spirit. And La hip Hop

1792
01:14:12,080 --> 01:14:17,120
Speaker 15: was reminiscent sequence that whole funk era. So I just

1793
01:14:17,240 --> 01:14:22,560
Speaker 15: think overall people need to respect the fact that it

1794
01:14:22,680 --> 01:14:23,200
Speaker 15: is what it is.

1795
01:14:23,560 --> 01:14:25,160
Speaker 1: I think that you should be getting credit as a

1796
01:14:25,200 --> 01:14:27,880
Speaker 1: pioneer female rap like I don't think that, then y'all

1797
01:14:27,920 --> 01:14:28,320
Speaker 1: go gold.

1798
01:14:28,760 --> 01:14:29,240
Speaker 3: We would go.

1799
01:14:29,360 --> 01:14:31,599
Speaker 7: We were the first group to go go sell twelve

1800
01:14:31,640 --> 01:14:32,240
Speaker 7: inch records.

1801
01:14:32,320 --> 01:14:35,160
Speaker 15: That means twelve inch records along with the Sugar Hill

1802
01:14:35,240 --> 01:14:40,200
Speaker 15: Gang toward the world pretty much. We never get the recognition,

1803
01:14:40,240 --> 01:14:42,120
Speaker 15: and of course you know that's probably platinum ten times

1804
01:14:42,200 --> 01:14:46,160
Speaker 15: over by now, but we don't get the recognition because

1805
01:14:46,160 --> 01:14:49,120
Speaker 15: I think the New Yorkers got a little salty because

1806
01:14:49,320 --> 01:14:51,040
Speaker 15: you know, we made it out of starting gates.

1807
01:14:51,080 --> 01:14:52,920
Speaker 7: I mean it's like a race, a marathon race.

1808
01:14:53,280 --> 01:14:55,160
Speaker 15: You're doing the full forty relay, you passed the time,

1809
01:14:55,240 --> 01:14:56,639
Speaker 15: whoever you end up at the finish line.

1810
01:14:56,960 --> 01:14:58,280
Speaker 7: Hey, it's fair game.

1811
01:14:58,720 --> 01:15:01,280
Speaker 4: You know, nobody knows the story because well, I'm in

1812
01:15:01,360 --> 01:15:04,000
Speaker 4: New York and is as deep in Miami as in

1813
01:15:04,120 --> 01:15:04,439
Speaker 4: hip hop.

1814
01:15:04,560 --> 01:15:08,479
Speaker 3: Maybe I know, you know, had no, I had no

1815
01:15:08,600 --> 01:15:10,080
Speaker 3: clue what funk you up?

1816
01:15:10,200 --> 01:15:10,240
Speaker 24: No?

1817
01:15:10,320 --> 01:15:12,479
Speaker 3: I knew funk you up? But I didn't know that sequence.

1818
01:15:12,560 --> 01:15:14,560
Speaker 6: The sequence was the first group that pretty much go

1819
01:15:14,760 --> 01:15:15,720
Speaker 6: gold but as a girl.

1820
01:15:16,080 --> 01:15:17,920
Speaker 7: But who did you think would gold first?

1821
01:15:18,200 --> 01:15:19,320
Speaker 3: Salt pepper?

1822
01:15:19,520 --> 01:15:22,720
Speaker 7: Ooh? And we were ten, well ten fifteen years before them.

1823
01:15:23,840 --> 01:15:25,479
Speaker 15: There used to be a thing you probably wouldn't know

1824
01:15:25,560 --> 01:15:28,320
Speaker 15: to see the cash box called cash box and billboard.

1825
01:15:28,920 --> 01:15:31,519
Speaker 7: If you do your research, it's there.

1826
01:15:32,120 --> 01:15:35,360
Speaker 15: We were the first female group hip hop group period

1827
01:15:35,720 --> 01:15:39,080
Speaker 15: to make cash box and uh, Rolling Stone just did

1828
01:15:39,120 --> 01:15:41,760
Speaker 15: a big article on us because a lot of the

1829
01:15:41,800 --> 01:15:45,679
Speaker 15: people that were back then, they knew why they getting

1830
01:15:45,680 --> 01:15:49,240
Speaker 15: any attention. And you know, I just think it's sad

1831
01:15:49,320 --> 01:15:52,360
Speaker 15: because a lot of the females hip Hoppers, and I

1832
01:15:52,560 --> 01:15:55,879
Speaker 15: trust me, I love them all big respect props.

1833
01:15:56,160 --> 01:15:57,960
Speaker 7: But learn he'll loves Andrew.

1834
01:15:57,720 --> 01:16:01,439
Speaker 15: Stone because it's reminiscent to what she did, right with

1835
01:16:01,840 --> 01:16:04,240
Speaker 15: uh who's her group rap sing?

1836
01:16:04,439 --> 01:16:05,280
Speaker 7: And that's what we did.

1837
01:16:05,479 --> 01:16:07,160
Speaker 5: And you guys are all still cool with each other.

1838
01:16:07,360 --> 01:16:08,599
Speaker 7: Yeah, that's good.

1839
01:16:08,680 --> 01:16:10,320
Speaker 5: So it was never like a falling out with the

1840
01:16:10,360 --> 01:16:13,479
Speaker 5: group broke up? Who uh with sequence?

1841
01:16:13,880 --> 01:16:15,800
Speaker 15: Oh no, you know you you you girl group, you

1842
01:16:15,840 --> 01:16:17,560
Speaker 15: have you, you have your red Pack moments. But we

1843
01:16:17,760 --> 01:16:19,760
Speaker 15: are sisters, right and at the end of the day,

1844
01:16:19,840 --> 01:16:21,519
Speaker 15: we love each other. We look out for each other,

1845
01:16:21,800 --> 01:16:24,720
Speaker 15: We got each other. We don't always agree, I mean,

1846
01:16:25,040 --> 01:16:28,719
Speaker 15: nobody always agreed. But I decided to leave the group

1847
01:16:28,880 --> 01:16:32,240
Speaker 15: early on because I moved to New York. I I

1848
01:16:32,439 --> 01:16:35,680
Speaker 15: learned a lot of stuff about songwriting. I was a

1849
01:16:35,760 --> 01:16:39,800
Speaker 15: songwriter and uh a brother named Craigdary who used to

1850
01:16:39,840 --> 01:16:41,800
Speaker 15: be with the sugar Hill Click said you need to

1851
01:16:41,800 --> 01:16:43,760
Speaker 15: get out and go to New York your adventures.

1852
01:16:43,720 --> 01:16:44,360
Speaker 3: Uh blah blah.

1853
01:16:44,600 --> 01:16:47,080
Speaker 7: And I moved to New York and I learned a

1854
01:16:47,160 --> 01:16:48,920
Speaker 7: lot of stuff. Well, let's listen what I want.

1855
01:16:48,960 --> 01:16:50,519
Speaker 3: I want to start cause this is a history lesson

1856
01:16:50,520 --> 01:16:51,839
Speaker 3: for for a lot of myself.

1857
01:16:52,240 --> 01:16:53,920
Speaker 6: So you signed the sugar Hill Gang. How did you

1858
01:16:53,960 --> 01:16:55,599
Speaker 6: get signed? How did how did you? First of all,

1859
01:16:55,600 --> 01:16:57,160
Speaker 6: how did you get into hip hop? How did you

1860
01:16:57,240 --> 01:16:57,679
Speaker 6: get signed?

1861
01:16:57,720 --> 01:16:58,599
Speaker 8: And how did you get your deal?

1862
01:16:58,640 --> 01:17:01,880
Speaker 4: Cause it wasn't like before where now where's internet is

1863
01:17:01,960 --> 01:17:03,519
Speaker 4: TV that's playing hip hop?

1864
01:17:03,680 --> 01:17:05,920
Speaker 6: Radio wasn't playing hip hop back then? How did you

1865
01:17:06,040 --> 01:17:06,640
Speaker 6: get into it?

1866
01:17:07,960 --> 01:17:08,160
Speaker 3: Yeah?

1867
01:17:08,240 --> 01:17:10,920
Speaker 15: Coming from Columbia, South Carolina, and we was sixteen seventeen,

1868
01:17:11,000 --> 01:17:14,000
Speaker 15: eighteen years old. We had a group that was doing

1869
01:17:14,080 --> 01:17:18,120
Speaker 15: Wrapped back then, kingkon Third was out and we wrote

1870
01:17:18,120 --> 01:17:21,040
Speaker 15: a song called funk You Up. I think Sylvie Robinson

1871
01:17:21,160 --> 01:17:24,680
Speaker 15: came to South Carolina. It was the first leg of

1872
01:17:24,880 --> 01:17:28,840
Speaker 15: the first sugar Hill Game tour, the first show, the

1873
01:17:28,960 --> 01:17:29,679
Speaker 15: first city.

1874
01:17:30,360 --> 01:17:31,559
Speaker 7: We happened to be in the concert.

1875
01:17:32,080 --> 01:17:35,519
Speaker 15: The road manager from sugar Hill Gang saw me and

1876
01:17:35,720 --> 01:17:37,479
Speaker 15: thought I was just pretty chocolate chick.

1877
01:17:38,200 --> 01:17:39,160
Speaker 7: I'll come back safe.

1878
01:17:39,880 --> 01:17:41,960
Speaker 15: And so I said, well, if you let me, and

1879
01:17:42,000 --> 01:17:44,080
Speaker 15: you gotta let my friends in, that's right. So we

1880
01:17:44,200 --> 01:17:47,519
Speaker 15: all came in and got backstage. Sylvie was backstage, was

1881
01:17:48,160 --> 01:17:51,160
Speaker 15: literally on the stage, and we said, hey, we wrap

1882
01:17:51,840 --> 01:17:53,120
Speaker 15: and she said, well, let me hear what you got

1883
01:17:53,520 --> 01:17:54,720
Speaker 15: right there on the side of the state, on the

1884
01:17:54,760 --> 01:17:57,040
Speaker 15: set side of the stage, and we went, funk you

1885
01:17:57,600 --> 01:18:00,040
Speaker 15: right on up. We're gonna funk you right on and

1886
01:18:00,240 --> 01:18:02,920
Speaker 15: she flipped. She said, oh my god, Oh my god.

1887
01:18:03,520 --> 01:18:05,280
Speaker 15: The next thing I know, we were sitting in the

1888
01:18:05,600 --> 01:18:08,320
Speaker 15: dresser room giving our phone number. She says, I'm gonna

1889
01:18:08,320 --> 01:18:09,160
Speaker 15: make you girls start.

1890
01:18:09,880 --> 01:18:10,000
Speaker 21: Now.

1891
01:18:10,120 --> 01:18:12,680
Speaker 15: We had already been a group, I mean, and you know,

1892
01:18:12,920 --> 01:18:17,280
Speaker 15: being a cheerleader, seeing Johnson writing cheers and creating stuff like.

1893
01:18:17,320 --> 01:18:18,800
Speaker 7: That was what we did.

1894
01:18:19,520 --> 01:18:23,200
Speaker 15: And she called us the very next week. Wow, blew

1895
01:18:23,280 --> 01:18:26,559
Speaker 15: us to New Jersey and we cut the record funk

1896
01:18:26,640 --> 01:18:29,120
Speaker 15: You Up. And a couple of weeks later, I thank you.

1897
01:18:29,200 --> 01:18:31,360
Speaker 15: Three weeks the record went gold in three Wow.

1898
01:18:33,720 --> 01:18:34,800
Speaker 3: They take advantage of y'all.

1899
01:18:34,880 --> 01:18:35,919
Speaker 7: Of course they took advantage.

1900
01:18:40,680 --> 01:18:40,800
Speaker 10: Well.

1901
01:18:40,840 --> 01:18:42,639
Speaker 7: We did have a lawyer, but he was a South

1902
01:18:42,680 --> 01:18:43,400
Speaker 7: Carolina lawyer.

1903
01:18:46,800 --> 01:18:49,720
Speaker 15: We thought we were doing the right thing. But you know,

1904
01:18:50,320 --> 01:18:52,720
Speaker 15: one thing I've learned in life is you have to

1905
01:18:52,800 --> 01:18:57,679
Speaker 15: have experience. Uh, Sylvie Robinson, I give him mad props because,

1906
01:18:58,200 --> 01:19:00,680
Speaker 15: quite contrary to what a lot of people think, you know,

1907
01:19:00,800 --> 01:19:03,320
Speaker 15: when you're the first at anything, you're gonna make mistakes.

1908
01:19:03,840 --> 01:19:07,680
Speaker 7: So I lean heavily to that because she.

1909
01:19:07,800 --> 01:19:11,320
Speaker 15: Did something phenomenal that turned out to be greatful a

1910
01:19:11,400 --> 01:19:13,559
Speaker 15: lot of people, but you had to have some crash

1911
01:19:13,720 --> 01:19:14,320
Speaker 15: just done too.

1912
01:19:14,880 --> 01:19:17,719
Speaker 4: All right, that's part one of our interview with Angie Stone.

1913
01:19:17,760 --> 01:19:19,280
Speaker 4: If you want to see the full interview, you can

1914
01:19:19,360 --> 01:19:22,800
Speaker 4: hit up our YouTube page. Resting piece Angie Stone, condolences

1915
01:19:22,880 --> 01:19:24,760
Speaker 4: to her family. We're just getting on the interview we

1916
01:19:24,840 --> 01:19:27,080
Speaker 4: did with her in twenty nineteen, and we'll get into

1917
01:19:27,120 --> 01:19:28,000
Speaker 4: part two when we come back.

1918
01:19:28,040 --> 01:19:28,920
Speaker 3: It's the Breakfast Club, Go.

1919
01:19:28,960 --> 01:19:33,160
Speaker 4: Morning Morning everybody. It's the DJ NV, Jesse, Larry Charlamagne,

1920
01:19:33,160 --> 01:19:33,400
Speaker 4: the guy.

1921
01:19:33,439 --> 01:19:35,519
Speaker 3: We are the Breakfast Club. La La Rosa is here

1922
01:19:35,680 --> 01:19:36,160
Speaker 3: as well.

1923
01:19:36,800 --> 01:19:39,040
Speaker 4: Now we are getting on our interview we did with

1924
01:19:39,160 --> 01:19:43,320
Speaker 4: Angie Stone in twenty nineteen. Our resting peace to Angie

1925
01:19:43,360 --> 01:19:46,000
Speaker 4: Stone and again the condolences to her family, and let's

1926
01:19:46,000 --> 01:19:46,479
Speaker 4: get it back on.

1927
01:19:46,720 --> 01:19:49,040
Speaker 1: What did the standpower been like like transitioning from a

1928
01:19:49,120 --> 01:19:51,640
Speaker 1: hip hop artist to R and B trio to a

1929
01:19:51,800 --> 01:19:53,320
Speaker 1: legendary soul singer Like.

1930
01:19:54,160 --> 01:19:57,840
Speaker 15: Yeah, writer, well, I'll tell you the blessing For me,

1931
01:19:57,880 --> 01:20:00,960
Speaker 15: I'm a sage and I think out the bot. One

1932
01:20:01,000 --> 01:20:03,960
Speaker 15: of the things I always hated was when I saw

1933
01:20:04,120 --> 01:20:07,720
Speaker 15: groups that were from the fifties and sixties, in the

1934
01:20:07,840 --> 01:20:11,600
Speaker 15: seventies and eighties, still in the same uniform doing a

1935
01:20:11,760 --> 01:20:12,280
Speaker 15: old hit.

1936
01:20:12,360 --> 01:20:15,360
Speaker 7: I said, never want that mean.

1937
01:20:16,479 --> 01:20:20,160
Speaker 15: So what I did was I learned to be a chameleon,

1938
01:20:20,560 --> 01:20:22,760
Speaker 15: and I wanted to change with the times. So what

1939
01:20:22,880 --> 01:20:26,479
Speaker 15: I did was I kept myself around fresh hotness, and

1940
01:20:26,960 --> 01:20:30,240
Speaker 15: I learned everything in life is a learning process. The

1941
01:20:30,360 --> 01:20:33,120
Speaker 15: moment we think we know everything, we absolutely know nothing

1942
01:20:33,160 --> 01:20:36,519
Speaker 15: that's right. So I learned to be a comedian and

1943
01:20:36,680 --> 01:20:38,680
Speaker 15: change with the time. So the stay in power has

1944
01:20:38,720 --> 01:20:41,360
Speaker 15: been number one. My faith is unshakable in Christ. I

1945
01:20:41,400 --> 01:20:44,600
Speaker 15: love the Lord and that's my rock, my salvation. So

1946
01:20:45,360 --> 01:20:49,800
Speaker 15: I decided when the music changed, you changed too. But

1947
01:20:49,960 --> 01:20:51,880
Speaker 15: you can't straight too far away from who.

1948
01:20:51,800 --> 01:20:52,439
Speaker 12: You are with you.

1949
01:20:52,960 --> 01:20:55,320
Speaker 1: But it seems like you're such a great singer that

1950
01:20:55,400 --> 01:20:56,360
Speaker 1: it's like I can't see.

1951
01:20:56,240 --> 01:20:57,280
Speaker 3: You ever doing anything else.

1952
01:20:57,280 --> 01:21:00,439
Speaker 7: I can't believe you even used to rap, beauty if

1953
01:21:00,520 --> 01:21:02,200
Speaker 7: that was when we got discovered as rappers.

1954
01:21:02,520 --> 01:21:05,759
Speaker 15: One the first question I asked Sylvie Robinson is Robinson,

1955
01:21:06,200 --> 01:21:08,160
Speaker 15: is it okay if I sing too? Because I wanted

1956
01:21:08,160 --> 01:21:09,920
Speaker 15: to put a hook, you know, I wanted to sing.

1957
01:21:10,000 --> 01:21:12,000
Speaker 15: So when you say that Hey, you said, know that

1958
01:21:12,520 --> 01:21:14,280
Speaker 15: I was begging to do that because I knew one

1959
01:21:14,360 --> 01:21:17,000
Speaker 15: day in life I wanted to sing from the church.

1960
01:21:17,040 --> 01:21:20,439
Speaker 15: So I mean, I love rap, but I can sing too,

1961
01:21:20,640 --> 01:21:23,519
Speaker 15: so can we combine it too? And she's so excited

1962
01:21:23,520 --> 01:21:24,720
Speaker 15: about the rap, she said, Oh, I need to do

1963
01:21:24,760 --> 01:21:25,280
Speaker 15: what you want to do.

1964
01:21:25,600 --> 01:21:25,840
Speaker 3: Wow.

1965
01:21:26,160 --> 01:21:28,759
Speaker 15: And that that is what kind of set the segue

1966
01:21:28,880 --> 01:21:31,840
Speaker 15: up for me to make the transition from after being

1967
01:21:31,920 --> 01:21:34,240
Speaker 15: thirty years old, you want to transition from hip hop

1968
01:21:34,360 --> 01:21:37,400
Speaker 15: to hooray. So I just went ahead and started singing

1969
01:21:37,560 --> 01:21:40,040
Speaker 15: and you know, kind of juggling now when I did

1970
01:21:40,160 --> 01:21:43,560
Speaker 15: my deal with Arista. The one reason you don't know

1971
01:21:43,600 --> 01:21:45,960
Speaker 15: a lot about the hip hop is one of the

1972
01:21:46,080 --> 01:21:48,920
Speaker 15: things that Clive Davis and Peter Edge wanted to do

1973
01:21:49,120 --> 01:21:50,880
Speaker 15: was say, Okay, look, we don't want to date you.

1974
01:21:51,200 --> 01:21:53,040
Speaker 7: I'm like, I'm still young. What are you talking about?

1975
01:21:53,280 --> 01:21:54,679
Speaker 15: Well, we don't want to talk about all that stuff

1976
01:21:54,720 --> 01:21:57,320
Speaker 15: at sugarhar So they kind of gag ORed.

1977
01:21:57,200 --> 01:21:59,479
Speaker 7: At me not to talk about to date.

1978
01:22:00,600 --> 01:22:02,000
Speaker 5: Coming out right, got you?

1979
01:22:02,600 --> 01:22:05,720
Speaker 15: And because I'm a singer now and they want to

1980
01:22:05,800 --> 01:22:08,560
Speaker 15: focus on that, and I'm like, I don't have a

1981
01:22:09,080 --> 01:22:12,200
Speaker 15: telescope into the future, not knowing what it was going

1982
01:22:12,280 --> 01:22:13,720
Speaker 15: to be, how it was going to be. All I

1983
01:22:13,840 --> 01:22:16,479
Speaker 15: know is I'm in this game for somebody, gotcha.

1984
01:22:17,000 --> 01:22:18,720
Speaker 3: So it happens when people recognize you, you pull up

1985
01:22:18,760 --> 01:22:22,439
Speaker 3: the radiation. You're like, okay, okay, okay.

1986
01:22:23,160 --> 01:22:25,440
Speaker 5: She just wasn't talking about it in interviews.

1987
01:22:25,120 --> 01:22:26,880
Speaker 7: Like I couldn't talk about it in the interviews. It's

1988
01:22:26,880 --> 01:22:27,840
Speaker 7: not that I didn't want to.

1989
01:22:28,280 --> 01:22:30,240
Speaker 5: I never heard of anything like that that they put

1990
01:22:30,280 --> 01:22:30,559
Speaker 5: a gag.

1991
01:22:31,600 --> 01:22:33,960
Speaker 7: Well I'm using that word gag. But when your boss

1992
01:22:34,160 --> 01:22:34,559
Speaker 7: tells you.

1993
01:22:36,720 --> 01:22:38,240
Speaker 4: Try to make the music, like how to do a

1994
01:22:38,320 --> 01:22:39,960
Speaker 4: sixteen and do a hook and all that because you

1995
01:22:39,960 --> 01:22:43,360
Speaker 4: said time, Wow what I was hungry.

1996
01:22:43,439 --> 01:22:46,960
Speaker 15: I was thirsty, I was ambitious and I went I started.

1997
01:22:47,200 --> 01:22:50,759
Speaker 15: It's like now I'm developing film and you know, reality

1998
01:22:50,840 --> 01:22:56,040
Speaker 15: shows up. It's having that bug to say, I'm I'm

1999
01:22:56,080 --> 01:22:58,080
Speaker 15: a rubber band. You can stretch me, but I won't.

2000
01:22:58,720 --> 01:23:02,880
Speaker 15: I'm always do me. So you know, being a rapper

2001
01:23:03,720 --> 01:23:07,400
Speaker 15: is a life lesson for me. But it hurts when

2002
01:23:07,479 --> 01:23:10,160
Speaker 15: you've put over forty years in the game and the

2003
01:23:10,280 --> 01:23:14,640
Speaker 15: people that are now eating off of the foundation that

2004
01:23:14,800 --> 01:23:18,320
Speaker 15: you created don't look back and say, yo, good looking.

2005
01:23:18,600 --> 01:23:21,479
Speaker 15: That's why Snoop shows us love. That's why dodged draining them,

2006
01:23:21,520 --> 01:23:25,360
Speaker 15: show us love. The people in La embrace us because

2007
01:23:25,840 --> 01:23:29,240
Speaker 15: Yo Yo can say hey, EMC like and say Yo, hey,

2008
01:23:29,479 --> 01:23:32,880
Speaker 15: it's because of y'all that we're doing this. She thanked me,

2009
01:23:33,240 --> 01:23:35,880
Speaker 15: Yo yo, thank me. We gotta show our first show

2010
01:23:35,960 --> 01:23:40,040
Speaker 15: coming up with EMCE light and Salt and Pepper and

2011
01:23:40,280 --> 01:23:42,599
Speaker 15: just don't I said, you know, I got to bring

2012
01:23:42,800 --> 01:23:46,120
Speaker 15: girls just go like that Rodney and Philly.

2013
01:23:46,280 --> 01:23:48,000
Speaker 7: So that's coming up and I'm excited about that.

2014
01:23:48,240 --> 01:23:49,960
Speaker 6: Has any of the new Yard artist thank you?

2015
01:23:50,200 --> 01:23:51,519
Speaker 3: City girls ain't never thank y'all.

2016
01:23:52,040 --> 01:24:01,360
Speaker 15: No, they don't know, but but I promise you they

2017
01:24:01,400 --> 01:24:03,599
Speaker 15: will know because I'm actually getting ready to do We're

2018
01:24:03,600 --> 01:24:04,519
Speaker 15: working on a biopic.

2019
01:24:04,680 --> 01:24:06,479
Speaker 5: That's what I was gonna ask. I saw you said,

2020
01:24:06,680 --> 01:24:08,000
Speaker 5: is Jamie Fox working on that too?

2021
01:24:08,080 --> 01:24:10,320
Speaker 15: Or was that you know Jamie and our work? Jamie

2022
01:24:10,320 --> 01:24:13,400
Speaker 15: wants to do another film with me, But Ralph foxwats

2023
01:24:13,400 --> 01:24:13,960
Speaker 15: who I'm working?

2024
01:24:14,000 --> 01:24:14,160
Speaker 2: Well?

2025
01:24:14,880 --> 01:24:16,160
Speaker 7: Who did Hollywood husbands?

2026
01:24:16,439 --> 01:24:16,599
Speaker 3: Uh?

2027
01:24:17,400 --> 01:24:20,240
Speaker 7: On the on the biopic? And We're gonna have to

2028
01:24:20,360 --> 01:24:21,879
Speaker 7: cross all these lanes.

2029
01:24:22,200 --> 01:24:24,639
Speaker 15: So I'm very excited about my journey and my career

2030
01:24:24,640 --> 01:24:27,280
Speaker 15: and my life coming from hip Hop through Neil So

2031
01:24:27,600 --> 01:24:30,840
Speaker 15: all the way up through my vertical whole days and

2032
01:24:31,400 --> 01:24:33,880
Speaker 15: just having a bird's eye view like I'm gonna I'm

2033
01:24:33,880 --> 01:24:34,639
Speaker 15: gonna blow your mind?

2034
01:24:35,080 --> 01:24:35,680
Speaker 7: You ready for this.

2035
01:24:36,960 --> 01:24:39,600
Speaker 15: One of the things that I can't wait for the

2036
01:24:39,640 --> 01:24:42,559
Speaker 15: world to see is hip hop was in the Bronx

2037
01:24:43,760 --> 01:24:45,440
Speaker 15: before it ever came downtown.

2038
01:24:46,040 --> 01:24:48,120
Speaker 7: It was something in the Bronx.

2039
01:24:49,000 --> 01:24:52,760
Speaker 15: It was myself and Little Rodney See that introduced hip

2040
01:24:52,800 --> 01:24:53,759
Speaker 15: hop to downtown.

2041
01:24:54,240 --> 01:24:57,000
Speaker 7: We did the first party of the show in the

2042
01:24:57,120 --> 01:25:00,320
Speaker 7: club that was called the Roxy. We used to be

2043
01:25:00,320 --> 01:25:02,240
Speaker 7: a skating ring. We made it into the club.

2044
01:25:02,320 --> 01:25:05,559
Speaker 15: It was Andre Harrel myself with the sequence the Funky

2045
01:25:05,600 --> 01:25:08,880
Speaker 15: Four plus one More Africa Body. This was a show

2046
01:25:08,960 --> 01:25:12,120
Speaker 15: that my money paid for, made the flyers for Put

2047
01:25:12,200 --> 01:25:15,640
Speaker 15: Together and his fourth. Hip Hop moved from Uptown to

2048
01:25:15,800 --> 01:25:20,000
Speaker 15: Downtown single handily, and it never changed. Madonna used to

2049
01:25:20,080 --> 01:25:22,040
Speaker 15: serve us drinks at Danceteria.

2050
01:25:22,520 --> 01:25:27,240
Speaker 7: That's how I really get okay. That was a club

2051
01:25:27,640 --> 01:25:28,599
Speaker 7: she was a waitress at.

2052
01:25:29,080 --> 01:25:29,880
Speaker 3: How do you remember her?

2053
01:25:30,240 --> 01:25:31,400
Speaker 7: Because she served me drinks?

2054
01:25:31,720 --> 01:25:32,000
Speaker 1: Wow?

2055
01:25:33,479 --> 01:25:37,160
Speaker 7: You she was a waitress. I was a performer there.

2056
01:25:37,720 --> 01:25:38,479
Speaker 3: Wow was she?

2057
01:25:38,800 --> 01:25:40,920
Speaker 5: Did she say? You know I'm an aspiring singer? Also?

2058
01:25:41,400 --> 01:25:43,639
Speaker 7: No, she didn't have to say that she was working.

2059
01:25:43,760 --> 01:25:46,000
Speaker 5: She was just you know, sometimes people will do that.

2060
01:25:46,120 --> 01:25:48,519
Speaker 15: They'll be like, but I'm just giving shedding a little

2061
01:25:48,560 --> 01:25:51,360
Speaker 15: light on stuff because a lot of people when they

2062
01:25:51,520 --> 01:25:55,240
Speaker 15: disrespect the sequence, they disrespect the culture of hip hop

2063
01:25:55,400 --> 01:25:57,479
Speaker 15: because they don't even know how they got from uptown

2064
01:25:57,720 --> 01:25:58,480
Speaker 15: to downtown.

2065
01:25:58,720 --> 01:25:59,080
Speaker 3: And when you.

2066
01:25:59,200 --> 01:26:02,160
Speaker 15: Overlook the fact that hey, little Run and see m

2067
01:26:02,240 --> 01:26:07,560
Speaker 15: GP booked this show, paid everybody for the show, and

2068
01:26:07,640 --> 01:26:11,840
Speaker 15: he fourth the wild style movie bab Fire Freddy, He'll

2069
01:26:11,880 --> 01:26:15,439
Speaker 15: tell you all these people know. So when you overlook that,

2070
01:26:15,640 --> 01:26:18,840
Speaker 15: you overlook a movement. It's not just about the one song.

2071
01:26:19,240 --> 01:26:19,400
Speaker 11: Yep.

2072
01:26:19,520 --> 01:26:21,599
Speaker 15: You have to look at the legacy of what hip

2073
01:26:21,640 --> 01:26:25,040
Speaker 15: hop really stood for back then and the sacrifices that

2074
01:26:25,160 --> 01:26:25,559
Speaker 15: were made.

2075
01:26:25,760 --> 01:26:26,840
Speaker 7: And I can't wait for the story.

2076
01:26:27,120 --> 01:26:27,280
Speaker 11: Yeah.

2077
01:26:27,280 --> 01:26:29,000
Speaker 1: When I think of like sugar Hill Gang, I'm like,

2078
01:26:29,000 --> 01:26:31,479
Speaker 1: there's no reason for anybody ever mentioned sugar Hill Records

2079
01:26:31,479 --> 01:26:32,960
Speaker 1: and I mentioned sequels thank you.

2080
01:26:33,280 --> 01:26:34,479
Speaker 3: Yeah, I don't understand when the.

2081
01:26:34,439 --> 01:26:36,400
Speaker 7: Sugarhill Girl they called us that, but we wrote all

2082
01:26:36,479 --> 01:26:36,960
Speaker 7: their hits.

2083
01:26:37,240 --> 01:26:41,720
Speaker 15: Yeah, apache Ah, wonder all the songs we wrote. We

2084
01:26:41,840 --> 01:26:44,200
Speaker 15: were the West Street Mob that Let's stance.

2085
01:26:44,520 --> 01:26:47,519
Speaker 7: I know you got the fever. That's the sequence were

2086
01:26:47,560 --> 01:26:49,800
Speaker 7: all getting paid? Yeah, good money.

2087
01:26:52,800 --> 01:26:54,320
Speaker 5: Is a movie gonna be? Do you know where it's

2088
01:26:54,360 --> 01:26:55,479
Speaker 5: going to be? Is it going to be on like

2089
01:26:55,560 --> 01:26:57,680
Speaker 5: a like a BT series or is it going to

2090
01:26:57,680 --> 01:26:58,160
Speaker 5: be in the theater?

2091
01:26:58,320 --> 01:26:59,680
Speaker 3: It will be, It will be.

2092
01:27:00,160 --> 01:27:03,639
Speaker 15: Uh, it won't be just one episode. It'll be a series,

2093
01:27:03,720 --> 01:27:06,240
Speaker 15: a mini series. That's what we're working on because it

2094
01:27:06,360 --> 01:27:10,519
Speaker 15: spans too far. Talking about nineteen seventy nine up until today,

2095
01:27:11,160 --> 01:27:14,560
Speaker 15: and and and just releasing the album that's already my

2096
01:27:14,680 --> 01:27:18,600
Speaker 15: single drop that it went straight to number two. Oh certain, so,

2097
01:27:18,880 --> 01:27:21,800
Speaker 15: my my, it's a reason for everything. I think God

2098
01:27:21,920 --> 01:27:25,160
Speaker 15: preserved this time for us to get the story right.

2099
01:27:25,280 --> 01:27:27,080
Speaker 3: So you know, are you trying somebody to play you yet?

2100
01:27:27,120 --> 01:27:27,720
Speaker 11: For the bi pick?

2101
01:27:28,080 --> 01:27:31,080
Speaker 15: I got some ideas. I got some ideas a couple

2102
01:27:31,120 --> 01:27:34,200
Speaker 15: of people that I really really am interested in. I

2103
01:27:34,280 --> 01:27:37,680
Speaker 15: know one segment of Andie Stone is your daughter got

2104
01:27:37,760 --> 01:27:41,280
Speaker 15: to be in it, of course, but the young lady

2105
01:27:41,360 --> 01:27:42,800
Speaker 15: that used to be Burning Max's daughter.

2106
01:27:43,720 --> 01:27:47,559
Speaker 3: Okay, oh yeah, we appreciate you for joining us.

2107
01:27:48,880 --> 01:27:51,679
Speaker 6: Yes, thank you well, Edie Stone, thank you for joining

2108
01:27:51,760 --> 01:27:53,519
Speaker 6: us you Edgie Stone.

2109
01:27:53,600 --> 01:27:56,840
Speaker 3: It's the Breakfast Club. Good morning, The Breakfast Club.

2110
01:28:00,120 --> 01:28:03,160
Speaker 4: Do your cej M V Jess, Hilary Charlamagne the God.

2111
01:28:03,200 --> 01:28:05,120
Speaker 4: We are the Breakfast Club long the Rosa filling in

2112
01:28:05,200 --> 01:28:06,599
Speaker 4: for Jess and let's get to the mess.

2113
01:28:08,280 --> 01:28:08,759
Speaker 2: Worldwide.

2114
01:28:08,840 --> 01:28:13,799
Speaker 3: Matam on the Breakfast Club. He's the coaches ships with Lauren.

2115
01:28:14,040 --> 01:28:18,240
Speaker 3: Lauren and I got the mess talked to me.

2116
01:28:20,400 --> 01:28:23,280
Speaker 5: Okay. So there's some more happening now. Because of the

2117
01:28:23,400 --> 01:28:25,439
Speaker 5: interview that Jim Jones did when he was up here

2118
01:28:25,439 --> 01:28:29,000
Speaker 5: at the Breakfast Club, Cameron has actually responded to Jim Jones.

2119
01:28:29,320 --> 01:28:29,400
Speaker 10: Now.

2120
01:28:29,479 --> 01:28:31,040
Speaker 5: Jim Jones talked about a couple of things. He talked

2121
01:28:31,040 --> 01:28:33,400
Speaker 5: about wanting to fight Caim for ten million dollars, and

2122
01:28:33,439 --> 01:28:36,240
Speaker 5: then he also talks about the Versus situation with Kim

2123
01:28:36,320 --> 01:28:37,519
Speaker 5: and the rest of the dip set. Let's take a

2124
01:28:37,560 --> 01:28:39,160
Speaker 5: listen to Jim Jones on versus.

2125
01:28:40,120 --> 01:28:42,040
Speaker 24: I need triple what I had last time to where

2126
01:28:42,080 --> 01:28:43,880
Speaker 24: we put that versus on fire too. We had that

2127
01:28:44,000 --> 01:28:46,640
Speaker 24: thing looking like a championship game. Yes, switch hogh at

2128
01:28:46,680 --> 01:28:48,800
Speaker 24: me and you backdoored me. Gave that man some business

2129
01:28:48,880 --> 01:28:50,840
Speaker 24: that you ain't give all of us. You definitely got

2130
01:28:50,960 --> 01:28:52,640
Speaker 24: to give me triple Swiss and you gotta give me

2131
01:28:52,720 --> 01:28:53,400
Speaker 24: some real business.

2132
01:28:53,479 --> 01:28:56,479
Speaker 3: This time. Well, yeah, yeah, I wanted to bag, but

2133
01:28:56,880 --> 01:28:57,639
Speaker 3: we got the bag.

2134
01:28:57,840 --> 01:28:59,800
Speaker 24: But boy still went back door, Like yo, for us,

2135
01:29:00,080 --> 01:29:01,400
Speaker 24: for me to do the verses, you got to give

2136
01:29:01,439 --> 01:29:03,479
Speaker 24: me part of this business that had nothing to do

2137
01:29:03,600 --> 01:29:04,960
Speaker 24: with us, you heard, But.

2138
01:29:05,000 --> 01:29:06,760
Speaker 3: He said, that's me being a business man now as

2139
01:29:06,760 --> 01:29:07,920
Speaker 3: you being a sucker doing.

2140
01:29:07,840 --> 01:29:10,240
Speaker 5: Back doors when you went to camp about that, he

2141
01:29:10,320 --> 01:29:12,040
Speaker 5: said that, like, it's just me being a businessman.

2142
01:29:12,280 --> 01:29:14,160
Speaker 3: No, Swiss told me how to tell Swiss.

2143
01:29:14,160 --> 01:29:14,920
Speaker 7: I know what was going on.

2144
01:29:15,120 --> 01:29:17,120
Speaker 3: Jack, call Swiss on the line. They tell you I

2145
01:29:17,240 --> 01:29:19,439
Speaker 3: did bad. You know, how did you find out about it?

2146
01:29:19,520 --> 01:29:19,640
Speaker 11: Then?

2147
01:29:19,880 --> 01:29:21,160
Speaker 3: Because I found out about a lot.

2148
01:29:22,200 --> 01:29:25,200
Speaker 5: So Kim has responded he's fined it two ways. He

2149
01:29:25,240 --> 01:29:28,120
Speaker 5: posted to Instagram. He posted some text messages between him

2150
01:29:28,120 --> 01:29:31,400
Speaker 5: and Jim, and the text message basically are to sum

2151
01:29:31,479 --> 01:29:34,320
Speaker 5: it up, it's Jim saying that you know Versus was

2152
01:29:34,360 --> 01:29:36,160
Speaker 5: on his bucket list and that essentially he would do

2153
01:29:36,200 --> 01:29:38,360
Speaker 5: it for free just to touch the stage because it

2154
01:29:38,720 --> 01:29:40,479
Speaker 5: does so much for the artists that touch the stage. Right,

2155
01:29:40,800 --> 01:29:43,200
Speaker 5: So Kim's caption says, I don't pay half of the

2156
01:29:43,240 --> 01:29:45,280
Speaker 5: stuff that people say, no mind, but you know I

2157
01:29:45,400 --> 01:29:47,280
Speaker 5: keep the files you wanted to do verses for free.

2158
01:29:47,560 --> 01:29:49,599
Speaker 5: So if you made a dollar, be happy talking about

2159
01:29:49,600 --> 01:29:51,719
Speaker 5: what was on your bucket list. Stop trying to rewrite history.

2160
01:29:52,080 --> 01:29:53,640
Speaker 5: Now you got a lost in the garden in the

2161
01:29:54,160 --> 01:29:57,200
Speaker 5: Barclays with the laughing emojis, and y'all not eat and

2162
01:29:57,640 --> 01:29:59,960
Speaker 5: your homiees not eating unless they came with their own brand.

2163
01:30:00,640 --> 01:30:02,640
Speaker 5: The boys Sugar Dia got more money than you, and

2164
01:30:02,920 --> 01:30:05,240
Speaker 5: let's bet ten ms on that. Go get hand some

2165
01:30:05,360 --> 01:30:07,040
Speaker 5: a car in a crib in Jersey or something. I'm

2166
01:30:07,080 --> 01:30:10,760
Speaker 5: done for now, so then it is what it is

2167
01:30:10,880 --> 01:30:13,320
Speaker 5: air this morning. This actually aired about I would say,

2168
01:30:13,360 --> 01:30:17,759
Speaker 5: like twenty thirty minutes ago, and Kim indirectly or God directly,

2169
01:30:17,800 --> 01:30:20,320
Speaker 5: but just to say Jim's name, throw some more shots there. Well,

2170
01:30:20,360 --> 01:30:21,320
Speaker 5: let's say a listen to that.

2171
01:30:22,120 --> 01:30:24,280
Speaker 11: I had a tour for us, lock up for the

2172
01:30:24,400 --> 01:30:25,280
Speaker 11: Lots of Difference.

2173
01:30:25,400 --> 01:30:28,960
Speaker 21: Always says, yo, don't bring this out with you because

2174
01:30:29,000 --> 01:30:31,600
Speaker 21: they're not gonna win if you bring this out with

2175
01:30:31,720 --> 01:30:35,120
Speaker 21: you talking about football games, basketball day and I'll be

2176
01:30:35,160 --> 01:30:37,640
Speaker 21: sitting here like I don't really know, But then I

2177
01:30:37,760 --> 01:30:39,920
Speaker 21: got it when the fight went on, when you got

2178
01:30:40,040 --> 01:30:44,200
Speaker 21: that type of energy and you breathing that energy when

2179
01:30:44,320 --> 01:30:48,160
Speaker 21: everybody's sad and mad and depressed and try to look

2180
01:30:48,240 --> 01:30:49,840
Speaker 21: happy but they not really happy.

2181
01:30:50,120 --> 01:30:50,920
Speaker 7: It gets in you.

2182
01:30:51,200 --> 01:30:54,880
Speaker 21: The people you with could possibly your energy up for

2183
01:30:55,000 --> 01:30:57,599
Speaker 21: something that you post to do. You can't come out

2184
01:30:57,680 --> 01:30:59,960
Speaker 21: with that energy, man, It's bad energy.

2185
01:31:00,280 --> 01:31:00,439
Speaker 17: Man.

2186
01:31:00,640 --> 01:31:01,920
Speaker 3: You gotta have greatness with you.

2187
01:31:02,000 --> 01:31:04,360
Speaker 1: I remember were talking about the Eagle game and I said,

2188
01:31:04,880 --> 01:31:05,960
Speaker 1: Meek Mill walked them out.

2189
01:31:05,960 --> 01:31:08,439
Speaker 3: They're not gonna win a championship. Meet didn't walk them

2190
01:31:08,439 --> 01:31:10,280
Speaker 3: out then that winning that championship.

2191
01:31:10,479 --> 01:31:13,439
Speaker 21: This is what the Lions up when you bring out Jelo,

2192
01:31:13,880 --> 01:31:16,479
Speaker 21: Jelo or not from Brooklyn and them wasn't from Brooklyn?

2193
01:31:17,000 --> 01:31:20,000
Speaker 3: Why crazy? Straight right?

2194
01:31:22,720 --> 01:31:27,800
Speaker 5: Because G three performed that the Allions the game. Yeah,

2195
01:31:27,800 --> 01:31:29,479
Speaker 5: they tried to blame it and say that's why he lost.

2196
01:31:29,520 --> 01:31:30,760
Speaker 3: So what lost?

2197
01:31:30,760 --> 01:31:32,519
Speaker 5: They said, Yeah, that's how the Lions lost. What Cameron

2198
01:31:32,600 --> 01:31:35,280
Speaker 5: is alluding to is the fact that Joel's Santanna and

2199
01:31:35,400 --> 01:31:38,280
Speaker 5: Jim Jones walked Davonte Tank Davis out the fight that

2200
01:31:38,400 --> 01:31:40,400
Speaker 5: just happened with Lamont Roach over the weekend at the

2201
01:31:40,439 --> 01:31:43,360
Speaker 5: Barclay Center, and a lot of people online were saying, hey,

2202
01:31:43,720 --> 01:31:45,960
Speaker 5: you lost because you walked out with such and such jokingly,

2203
01:31:46,080 --> 01:31:47,920
Speaker 5: but Cam brought that to it is what it is.

2204
01:31:48,320 --> 01:31:49,439
Speaker 5: So that's what he's talking about.

2205
01:31:49,520 --> 01:31:49,680
Speaker 21: Now.

2206
01:31:50,320 --> 01:31:52,840
Speaker 3: I hate them brothers fight, man, I hate seeing them

2207
01:31:52,880 --> 01:31:56,400
Speaker 3: brothers fight. Yeah, I hope Jimmy Cam find some peace. Awesome.

2208
01:31:56,840 --> 01:31:59,080
Speaker 1: I hope Jimmy Cam find some peace with some closure,

2209
01:31:59,280 --> 01:32:01,720
Speaker 1: meaning they either a way to be at peace with

2210
01:32:01,760 --> 01:32:03,799
Speaker 1: each other or they find some clothes on their relationship

2211
01:32:04,400 --> 01:32:05,479
Speaker 1: because I hate it.

2212
01:32:06,160 --> 01:32:08,719
Speaker 8: Yeah, like they were brothers, like they were crue clear.

2213
01:32:08,840 --> 01:32:09,360
Speaker 3: We watched it.

2214
01:32:09,560 --> 01:32:12,400
Speaker 8: Yeah, we see it. I like, I said, it's entertaining,

2215
01:32:12,439 --> 01:32:13,600
Speaker 8: but I hate seeing this.

2216
01:32:14,880 --> 01:32:16,320
Speaker 5: I agree, And I did want to play this on

2217
01:32:16,720 --> 01:32:18,840
Speaker 5: this other audio that we have of camera he sat

2218
01:32:18,880 --> 01:32:21,200
Speaker 5: down with us Steve Stout, and he talked about exactly

2219
01:32:21,240 --> 01:32:22,760
Speaker 5: what he did when it came to negotiating the verses.

2220
01:32:22,800 --> 01:32:24,120
Speaker 5: Do I just want to play this because kind of

2221
01:32:24,120 --> 01:32:25,479
Speaker 5: like clearing that up a little bit. Let's say listen

2222
01:32:25,479 --> 01:32:25,640
Speaker 5: to that.

2223
01:32:26,160 --> 01:32:28,360
Speaker 21: I had a tour for us locked up for the

2224
01:32:28,479 --> 01:32:31,439
Speaker 21: lots of diseent, literally lined up, and it was about

2225
01:32:31,760 --> 01:32:35,080
Speaker 21: at the time, maybe like two and a half million dollars.

2226
01:32:34,800 --> 01:32:36,599
Speaker 11: If I'm not mistaken. You know this is a few

2227
01:32:36,720 --> 01:32:37,120
Speaker 11: years ago.

2228
01:32:37,360 --> 01:32:39,880
Speaker 21: Jim really wanted to do the verses, and I'm like, bro,

2229
01:32:40,200 --> 01:32:42,679
Speaker 21: we can do the verses after the tour, yah, y'all,

2230
01:32:42,760 --> 01:32:44,840
Speaker 21: And I got two and a half million dollars waiting,

2231
01:32:44,920 --> 01:32:47,200
Speaker 21: and that was just for like ten cities.

2232
01:32:47,479 --> 01:32:49,839
Speaker 11: It could have been moved up to like six million dollars.

2233
01:32:50,040 --> 01:32:52,920
Speaker 11: A y'all out voted Steve. Nobody was listening to me

2234
01:32:53,040 --> 01:32:53,720
Speaker 11: about the tour.

2235
01:32:54,040 --> 01:32:56,800
Speaker 21: So what I said to myself was, I told Swissland Temple,

2236
01:32:56,920 --> 01:32:59,320
Speaker 21: and I said, for everybody, y'all get the least six digits.

2237
01:32:59,600 --> 01:33:02,320
Speaker 11: That's artists got everybody the money.

2238
01:33:02,680 --> 01:33:05,519
Speaker 21: I started, probably in my own I want the door money,

2239
01:33:06,000 --> 01:33:09,240
Speaker 21: I want stocks and Triller, I want beats from Templand

2240
01:33:09,360 --> 01:33:10,639
Speaker 21: and Swiss for free.

2241
01:33:11,080 --> 01:33:13,800
Speaker 11: I want percentage of the views the story go on.

2242
01:33:14,160 --> 01:33:15,400
Speaker 11: And I got all that too.

2243
01:33:16,800 --> 01:33:18,560
Speaker 5: So basically he was The way that it sounds to

2244
01:33:18,640 --> 01:33:20,040
Speaker 5: me is like, you know, they missed the tour, so

2245
01:33:20,120 --> 01:33:21,800
Speaker 5: that he was just trying to make what he could

2246
01:33:21,840 --> 01:33:23,880
Speaker 5: off of them doing the versus a situation or whatever.

2247
01:33:23,960 --> 01:33:25,920
Speaker 5: But yeah, to y'all point, the back and forth with

2248
01:33:26,000 --> 01:33:28,439
Speaker 5: them is kind of crazy, especially the shots at the

2249
01:33:28,520 --> 01:33:29,120
Speaker 5: bark clay thing.

2250
01:33:29,160 --> 01:33:33,040
Speaker 1: I'm like, dang, it just still happened. If Dip said

2251
01:33:33,080 --> 01:33:36,120
Speaker 1: wins against the locks on that faithful versus night.

2252
01:33:36,280 --> 01:33:36,920
Speaker 5: Yeah, I don't think so.

2253
01:33:37,080 --> 01:33:38,840
Speaker 3: I think so. You think so, I don't. I think so.

2254
01:33:38,960 --> 01:33:39,519
Speaker 6: Why do you think so?

2255
01:33:40,160 --> 01:33:40,439
Speaker 7: I don't.

2256
01:33:40,439 --> 01:33:40,679
Speaker 3: I don't.

2257
01:33:40,680 --> 01:33:42,200
Speaker 8: I don't think they were seeing out of eye even

2258
01:33:42,280 --> 01:33:42,800
Speaker 8: during that night.

2259
01:33:42,960 --> 01:33:46,479
Speaker 1: But the versus story has a lot to do with

2260
01:33:46,600 --> 01:33:48,960
Speaker 1: all of this. You do realize that, like we played

2261
01:33:49,000 --> 01:33:51,040
Speaker 1: three clips just now and two of them were But

2262
01:33:51,600 --> 01:33:53,120
Speaker 1: but you know, this happened before that they like they

2263
01:33:53,160 --> 01:33:57,080
Speaker 1: weren't seeing versus. I feel like something else happened that

2264
01:33:57,200 --> 01:34:00,080
Speaker 1: night that really, uh, that really set.

2265
01:33:59,880 --> 01:34:00,720
Speaker 3: It set it off.

2266
01:34:01,120 --> 01:34:03,080
Speaker 5: We talked about that in the interview too. I asked him, like, Yo,

2267
01:34:03,120 --> 01:34:05,560
Speaker 5: it seems like y'all at least cordial publicly before the

2268
01:34:05,680 --> 01:34:08,120
Speaker 5: verses a little bit. Then verses happened and it was

2269
01:34:08,200 --> 01:34:10,439
Speaker 5: like shots are just everywhere, coming from each side.

2270
01:34:10,439 --> 01:34:12,599
Speaker 1: But Jim also said that in all conversation. He said,

2271
01:34:12,680 --> 01:34:14,640
Speaker 1: and I'm paraphrasing here, he was like he can't get

2272
01:34:14,680 --> 01:34:15,960
Speaker 1: over getting booed.

2273
01:34:16,240 --> 01:34:18,960
Speaker 5: Yeah, Cameron couldn't get over that. But it got to

2274
01:34:19,000 --> 01:34:19,439
Speaker 5: be more than that.

2275
01:34:19,560 --> 01:34:21,759
Speaker 4: I thought it was the conversation when Cam interviewed fifty,

2276
01:34:21,800 --> 01:34:24,120
Speaker 4: and that's that's what I thought reunited it because before that,

2277
01:34:24,640 --> 01:34:25,519
Speaker 4: you know, they weren't seeing that.

2278
01:34:25,600 --> 01:34:28,639
Speaker 3: I but it was quiet. But after that interview, fireworks,

2279
01:34:28,760 --> 01:34:30,559
Speaker 3: I mean big fireworks have been reignited.

2280
01:34:31,680 --> 01:34:32,439
Speaker 8: Yeah, they were public.

2281
01:34:32,800 --> 01:34:35,040
Speaker 5: The fireworks been happening so much. I just I don't

2282
01:34:35,080 --> 01:34:35,320
Speaker 5: know that.

2283
01:34:36,040 --> 01:34:38,639
Speaker 3: Hey man, I wish them brothers peace. Man our closure

2284
01:34:38,960 --> 01:34:41,400
Speaker 3: one of the two and leave me. Leave meek alone

2285
01:34:41,479 --> 01:34:42,600
Speaker 3: for me. I need to know.

2286
01:34:46,560 --> 01:34:47,880
Speaker 6: What happened with me the night.

2287
01:34:47,920 --> 01:34:48,280
Speaker 5: I don't know.

2288
01:34:48,760 --> 01:34:50,479
Speaker 3: I do his business.

2289
01:34:50,920 --> 01:34:51,400
Speaker 21: This is what.

2290
01:34:53,840 --> 01:34:54,040
Speaker 11: Twitter.

2291
01:34:54,160 --> 01:34:55,439
Speaker 7: Let me see. Did he tweet already?

2292
01:34:56,840 --> 01:35:00,320
Speaker 3: He can't hear that yet? All right, that's it, all right,

2293
01:35:00,400 --> 01:35:01,600
Speaker 3: well that was the mess. All right.

2294
01:35:01,600 --> 01:35:03,240
Speaker 4: Well let's get to the People's choice makes get your

2295
01:35:03,280 --> 01:35:06,360
Speaker 4: request eight hundred five eight five one on five to one.

2296
01:35:06,439 --> 01:35:08,960
Speaker 8: And also, uh, this hour will last hour.

2297
01:35:08,960 --> 01:35:09,360
Speaker 3: I should say.

2298
01:35:09,400 --> 01:35:11,720
Speaker 4: We played our interview with Angie Stone, resting piece of

2299
01:35:11,720 --> 01:35:14,120
Speaker 4: Angie Stone. If you haven't heard it, go to our

2300
01:35:14,160 --> 01:35:16,840
Speaker 4: YouTube page. Definitely check it out. It's a great interview.

2301
01:35:16,960 --> 01:35:19,519
Speaker 4: It details her life, how she started, what it wanted

2302
01:35:19,600 --> 01:35:22,000
Speaker 4: to do. It's a lot of history in that interview.

2303
01:35:22,040 --> 01:35:23,920
Speaker 3: Definitely check it out. All Right, it's the Breakfast Club.

2304
01:35:23,960 --> 01:35:28,040
Speaker 3: Good morning, you're checking out the Breakfast Club. Morning everybody.

2305
01:35:28,080 --> 01:35:31,559
Speaker 4: It's DJ Envy Jess hilarious, Charlamagne the guy. We are

2306
01:35:31,640 --> 01:35:34,200
Speaker 4: the breakfast club, lawing the roster, filling in for Jess.

2307
01:35:34,520 --> 01:35:36,160
Speaker 4: Now I know you're heading the d all right.

2308
01:35:36,280 --> 01:35:42,360
Speaker 5: Oh yes, I am March March Dan. Can you stop

2309
01:35:42,439 --> 01:35:45,280
Speaker 5: saying that because you know people are gonna really believe

2310
01:35:45,320 --> 01:35:46,760
Speaker 5: it and it's not true.

2311
01:35:48,080 --> 01:35:50,360
Speaker 3: He's projecting whenever he goes out of the country. That's

2312
01:35:50,400 --> 01:35:51,360
Speaker 3: what he does, Laura.

2313
01:35:51,640 --> 01:35:52,680
Speaker 5: He ain't touched that by it at all.

2314
01:35:52,680 --> 01:35:54,360
Speaker 3: You see that you got a those job. He ain't

2315
01:35:54,640 --> 01:35:55,479
Speaker 3: stand you want all the way to.

2316
01:35:55,479 --> 01:35:57,160
Speaker 5: D off for a those job. I feel bad for

2317
01:35:57,240 --> 01:35:58,800
Speaker 5: you jail those job.

2318
01:35:59,040 --> 01:35:59,599
Speaker 3: Well, we're better.

2319
01:35:59,640 --> 01:36:02,080
Speaker 8: Stop about my legs and my moms too. Why I

2320
01:36:02,120 --> 01:36:02,880
Speaker 8: don't know, people say the.

2321
01:36:05,320 --> 01:36:05,479
Speaker 18: Boy.

2322
01:36:05,880 --> 01:36:07,400
Speaker 5: If you would like to join me, I could find

2323
01:36:07,439 --> 01:36:09,000
Speaker 5: you a doctor. My homegirls know where to go in

2324
01:36:09,120 --> 01:36:11,080
Speaker 5: order to recovery houses. So just let me know your

2325
01:36:11,120 --> 01:36:13,760
Speaker 5: home nowhere. But but you know, while you're there healing,

2326
01:36:13,840 --> 01:36:15,160
Speaker 5: I can check in on you. I'm gonna be over

2327
01:36:15,240 --> 01:36:17,960
Speaker 5: at the memorial they get away May twenty seventh, twenty

2328
01:36:18,000 --> 01:36:22,120
Speaker 5: second through the twenty seventh. It's a five night, six days.

2329
01:36:22,400 --> 01:36:25,120
Speaker 5: It's a HBCU Black Alumni weekend. I'll be hosting a

2330
01:36:25,160 --> 01:36:26,479
Speaker 5: bunch of different events out there. We gonna have a

2331
01:36:26,520 --> 01:36:29,200
Speaker 5: good time. Visit Memorial Day, getaway dot com and at

2332
01:36:29,280 --> 01:36:31,280
Speaker 5: check out, tell them Laurena Rosa sent you because I'm

2333
01:36:31,280 --> 01:36:32,040
Speaker 5: gonna seeyall there.

2334
01:36:32,160 --> 01:36:33,960
Speaker 3: All right now when we come back. We got the

2335
01:36:34,000 --> 01:36:35,800
Speaker 3: positive notes. They don't move. It's the Breakfast Club. Good

2336
01:36:35,800 --> 01:36:36,839
Speaker 3: morning to everybody.

2337
01:36:36,880 --> 01:36:39,920
Speaker 8: It's dj MV just hilarious, Charlamagne the God.

2338
01:36:39,960 --> 01:36:42,080
Speaker 4: We are the Breakfast Club law La Rosa is here

2339
01:36:42,360 --> 01:36:43,840
Speaker 4: and we got a salute to the riser for joining

2340
01:36:43,920 --> 01:36:44,439
Speaker 4: us this morning.

2341
01:36:44,680 --> 01:36:46,000
Speaker 3: Louted to them. Make sure you gonna get your tickets.

2342
01:36:46,000 --> 01:36:48,080
Speaker 1: I'm definitely going to that show because you know, I

2343
01:36:48,160 --> 01:36:50,760
Speaker 1: got a top seven favorite rappers of all time and

2344
01:36:51,080 --> 01:36:53,280
Speaker 1: ghost Face Killer is my favorite rapper of all time

2345
01:36:53,320 --> 01:36:55,759
Speaker 1: and Killer Mic is also on my top seven favorite

2346
01:36:55,800 --> 01:36:58,000
Speaker 1: Rappers of all time list. WU Tang is my favorite group,

2347
01:36:58,040 --> 01:37:00,519
Speaker 1: so I'm definitely going to see Wo Tanging running Jews.

2348
01:37:00,360 --> 01:37:00,760
Speaker 3: Ye head Man.

2349
01:37:00,880 --> 01:37:03,479
Speaker 5: It kicks off on June sixth and Baltimore and a

2350
01:37:03,560 --> 01:37:06,120
Speaker 5: CONTENTI b The'll be in New York at the at msg.

2351
01:37:06,160 --> 01:37:09,840
Speaker 8: Win sixteenth of July and then Prudential seventeenth of July.

2352
01:37:10,200 --> 01:37:12,640
Speaker 1: Okay, I'll be at one of those. Definitely be at

2353
01:37:12,680 --> 01:37:14,599
Speaker 1: one of those and listen. I want to tell everybody too.

2354
01:37:14,680 --> 01:37:14,840
Speaker 10: Man.

2355
01:37:14,880 --> 01:37:18,960
Speaker 1: The third Annual Black Effect Podcast Festival is happening Saturday

2356
01:37:19,040 --> 01:37:23,160
Speaker 1: April sixth, April twenty six at poll Minyards in Atlanta, Georgia. Okay,

2357
01:37:23,240 --> 01:37:26,360
Speaker 1: Saturday April twenty six at Polman Yards in Atlanta, Georgia.

2358
01:37:26,560 --> 01:37:29,640
Speaker 1: We got Mandy and Weezy from Decisions Decisions hosting. We

2359
01:37:29,800 --> 01:37:32,240
Speaker 1: have the Trap Nerds podcast for all the gamers out there.

2360
01:37:32,520 --> 01:37:35,800
Speaker 1: We got Good Mom's Bad Choices podcast gonna be out there.

2361
01:37:36,120 --> 01:37:38,880
Speaker 1: Neked Sports with Carrie Champion, the R and B Money

2362
01:37:38,960 --> 01:37:42,520
Speaker 1: Podcast with Tanking Jay Valentine, and we got the Woman.

2363
01:37:42,400 --> 01:37:46,799
Speaker 3: Evolved Podcast with Sarah Jake Roberts. Yes, Sarah Jakes Roberts.

2364
01:37:47,080 --> 01:37:49,559
Speaker 1: All of them will be at the third Annual Black

2365
01:37:49,560 --> 01:37:51,840
Speaker 1: Effect Podcast Festival. You know, we got the food trucks,

2366
01:37:51,880 --> 01:37:55,400
Speaker 1: We got to Pitch your Podcast booth presented by Nissan.

2367
01:37:55,479 --> 01:37:58,160
Speaker 1: We got the Black Effect Marketplace, all types of good stuff.

2368
01:37:58,200 --> 01:38:01,200
Speaker 1: So see y'all Saturday April twenty six. You can go

2369
01:38:01,280 --> 01:38:03,280
Speaker 1: get your tickets right now at Black Effect dot Com

2370
01:38:03,520 --> 01:38:05,440
Speaker 1: Slash Podcast Festival.

2371
01:38:05,800 --> 01:38:08,720
Speaker 3: Okay, okay, you got a positive note. I do have

2372
01:38:08,800 --> 01:38:10,000
Speaker 3: a positive note and it's simple.

2373
01:38:10,080 --> 01:38:10,240
Speaker 17: Man.

2374
01:38:10,760 --> 01:38:12,960
Speaker 1: Do your best because you want to Okay, you do

2375
01:38:13,120 --> 01:38:15,200
Speaker 1: your best when you are enjoying the action, are doing

2376
01:38:15,240 --> 01:38:17,400
Speaker 1: it in a way that will not have negative repercussions

2377
01:38:17,439 --> 01:38:19,400
Speaker 1: for you. You do your best because you want to

2378
01:38:19,479 --> 01:38:21,360
Speaker 1: do it, not because you have to do it, not

2379
01:38:21,479 --> 01:38:23,400
Speaker 1: because you are trying to please the judge, and not

2380
01:38:23,520 --> 01:38:25,080
Speaker 1: because you are trying to please other people.

2381
01:38:25,439 --> 01:38:28,280
Speaker 3: Do your best because you want to have a great day.

2382
01:38:28,640 --> 01:38:31,040
Speaker 7: Breakfast club bitches, you don't finish for y'all.

2383
01:38:31,120 --> 01:38:31,280
Speaker 2: Done.