WEBVTT - Rainbows: Delighting humanity since forever

0:00:01.080 --> 0:00:04.240
<v Speaker 1>Welcome to you stuff you should know from house stuff

0:00:04.280 --> 0:00:12.639
<v Speaker 1>Works dot com. Hey, and welcome to the podcast. I'm

0:00:12.760 --> 0:00:16.320
<v Speaker 1>Josh Clark with Charles W. Chuck Bryant and Jerry Rowland.

0:00:16.880 --> 0:00:19.759
<v Speaker 1>Have we ever said Jerry's last night? I don't think so.

0:00:20.160 --> 0:00:22.680
<v Speaker 1>Well we have now it's out there. It's on the internet.

0:00:22.720 --> 0:00:26.079
<v Speaker 1>Even someone really updated our Wikipedia page if you look lately.

0:00:26.920 --> 0:00:32.200
<v Speaker 1>It's robust that even says, uh, their producer Jerry Jerome Rowland.

0:00:32.560 --> 0:00:34.320
<v Speaker 1>How did they know that? I guess I've said it

0:00:34.360 --> 0:00:36.760
<v Speaker 1>on the podcast before. I am sure that you have.

0:00:37.520 --> 0:00:42.000
<v Speaker 1>So how are you doing? I'm great man, rainbows, As

0:00:42.080 --> 0:00:46.360
<v Speaker 1>the author points out, they've inspired countless fairytale songs and legends. Man,

0:00:46.440 --> 0:00:50.519
<v Speaker 1>I love rainbows. I think rainbows are just fantastic. They're

0:00:50.560 --> 0:00:53.760
<v Speaker 1>probably the greatest graphic design of all time. I just

0:00:53.800 --> 0:00:56.400
<v Speaker 1>think rainbows are great. Well, it is funny too when

0:00:56.400 --> 0:00:59.320
<v Speaker 1>you read the different articles how people it's kind of

0:00:59.320 --> 0:01:01.840
<v Speaker 1>corny when they talk about how they delight and astound.

0:01:01.920 --> 0:01:05.960
<v Speaker 1>But darn it, when you see a rainbow, even as

0:01:06.000 --> 0:01:10.240
<v Speaker 1>a jaded, cynical adult, I can I there's no way

0:01:10.280 --> 0:01:13.399
<v Speaker 1>you can't look and just go, oh, that's pretty neat. Yeah,

0:01:13.400 --> 0:01:15.640
<v Speaker 1>at the very least you'll go, oh, a rainbow. If

0:01:15.640 --> 0:01:18.440
<v Speaker 1>somebody says, hey, there's a rainbow over there, you're going

0:01:18.520 --> 0:01:21.399
<v Speaker 1>to look up. I don't care. And if you doubt,

0:01:21.520 --> 0:01:24.520
<v Speaker 1>if you doubt a rainbow's ability to astound adults, all

0:01:24.560 --> 0:01:26.560
<v Speaker 1>you have to do is look up Yosemite Bears double

0:01:26.680 --> 0:01:32.360
<v Speaker 1>Rainbow video, which I watched today. It's pretty pretty great stuff.

0:01:32.600 --> 0:01:38.480
<v Speaker 1>All bear vesque is what does it mean? I know

0:01:38.480 --> 0:01:42.320
<v Speaker 1>what it means. You're on pot. You know. Next time

0:01:42.480 --> 0:01:44.720
<v Speaker 1>someone does to see a rainbow and say that, I'm

0:01:44.720 --> 0:01:48.680
<v Speaker 1>gonna test everything and just say so now I'm gonna look,

0:01:49.040 --> 0:01:51.240
<v Speaker 1>all right, Let's see if they just think I'm dead inside.

0:01:51.400 --> 0:01:54.600
<v Speaker 1>Let's see what happens. I'm curious to see whether you

0:01:54.720 --> 0:01:59.280
<v Speaker 1>can not look. Of course I look, um, so chuck

0:01:59.320 --> 0:02:01.840
<v Speaker 1>that we're not the first to be delighted and amused

0:02:01.840 --> 0:02:07.120
<v Speaker 1>by rainbows. Several years, decades at least, they've been around forever.

0:02:07.280 --> 0:02:09.959
<v Speaker 1>There there is a lot of mythology surrounding them, because

0:02:09.960 --> 0:02:13.680
<v Speaker 1>you know, they're unusual. They don't happen every day, and well,

0:02:13.800 --> 0:02:16.959
<v Speaker 1>I guess they depends on where you live, but it's

0:02:16.960 --> 0:02:21.960
<v Speaker 1>not necessarily in a normal occurrence. No, I found that um.

0:02:22.120 --> 0:02:25.880
<v Speaker 1>The philosopher Descartes renee Decarte was the first to describe

0:02:26.680 --> 0:02:30.919
<v Speaker 1>kind of the modern accurate theory in six seven. Oh yeah,

0:02:31.520 --> 0:02:33.440
<v Speaker 1>he's the first one. It's like, hey, wait a minute,

0:02:33.720 --> 0:02:38.560
<v Speaker 1>there's some refraction and going on here, right, Well, most

0:02:38.560 --> 0:02:42.160
<v Speaker 1>people usually associate that with Newton. Yeah, well he's the

0:02:42.160 --> 0:02:44.680
<v Speaker 1>first one to describe the spectrum, right he was. And

0:02:44.760 --> 0:02:48.800
<v Speaker 1>apparently I saw this cool video by Philip Ball on

0:02:49.040 --> 0:02:54.520
<v Speaker 1>the Atlantic Um that basically said that Newton just made

0:02:54.600 --> 0:02:58.880
<v Speaker 1>up the roy G biv um spectrum. What do you mean?

0:02:59.200 --> 0:03:04.200
<v Speaker 1>So the the red, orange, yellow, green, blue, indigo, violet

0:03:05.160 --> 0:03:09.360
<v Speaker 1>is Newton's interpretation of the rainbow. Before that, all sorts

0:03:09.400 --> 0:03:11.840
<v Speaker 1>of different cultures had different ideas of what made up

0:03:11.880 --> 0:03:15.920
<v Speaker 1>a rainbow, how many colors there were, what the colors were, um,

0:03:15.960 --> 0:03:22.119
<v Speaker 1>and our interpretation of the rainbow spectrum is a Newtonian invention.

0:03:22.360 --> 0:03:25.040
<v Speaker 1>And a lot of people say it's not seven, it's

0:03:25.080 --> 0:03:29.959
<v Speaker 1>actually six indigo, not really bare Newton. And apparently Newton

0:03:30.040 --> 0:03:35.400
<v Speaker 1>was trying to shoehorn the rainbow spectrum into the musical octave.

0:03:35.680 --> 0:03:40.040
<v Speaker 1>So he's he tried. He's trying to shoehorn music which

0:03:40.040 --> 0:03:45.560
<v Speaker 1>has sound wavelengths with light which has wavelengths and making

0:03:45.600 --> 0:03:48.040
<v Speaker 1>them one and the same. But history has kind of

0:03:48.040 --> 0:03:51.000
<v Speaker 1>shown like, non, there's six, we'll go with six for

0:03:51.040 --> 0:03:54.120
<v Speaker 1>the rainbow. So roy G BIV, which we learned in school.

0:03:54.400 --> 0:03:58.280
<v Speaker 1>Apparently I learned school. You did too, it's just roy

0:03:58.320 --> 0:04:03.920
<v Speaker 1>g h. Yeah. Well he was busy making is uh

0:04:04.720 --> 0:04:07.800
<v Speaker 1>cookies from figs too, so he had lots of stuff

0:04:07.840 --> 0:04:10.880
<v Speaker 1>going on. Those are good. Oh yeah, I can mount

0:04:10.960 --> 0:04:13.320
<v Speaker 1>some pig nets. Yeah, because they're good for you, so

0:04:13.520 --> 0:04:16.719
<v Speaker 1>you can eat the whole bag one sitting if you want. Yeah.

0:04:16.720 --> 0:04:19.320
<v Speaker 1>I'd never buy them, but um, if I see them

0:04:19.360 --> 0:04:21.240
<v Speaker 1>on like if you give blood or something, they're on

0:04:21.279 --> 0:04:27.200
<v Speaker 1>a snack table, that's when I get my fig Newton on. Yeah. So, um,

0:04:27.360 --> 0:04:30.000
<v Speaker 1>Newton wasn't the only one. Before Newton, there was like

0:04:30.040 --> 0:04:32.280
<v Speaker 1>a whole Celtic legend about the pot of gold at

0:04:32.279 --> 0:04:35.039
<v Speaker 1>the end of the rainbow. There was God saying more

0:04:35.279 --> 0:04:38.840
<v Speaker 1>bad after the Great flood and promising it would never

0:04:38.880 --> 0:04:41.960
<v Speaker 1>happen again by showing rainbows come out after rains like

0:04:42.000 --> 0:04:44.719
<v Speaker 1>it's fine, it's stopping, We're not going to flood the

0:04:44.760 --> 0:04:48.120
<v Speaker 1>earth again. Um. Of course you can't find a pot

0:04:48.120 --> 0:04:49.440
<v Speaker 1>of goal at the end of the rainbow because you

0:04:49.480 --> 0:04:52.560
<v Speaker 1>cannot go to the end of a rainbow. Yes, you never.

0:04:52.760 --> 0:04:55.159
<v Speaker 1>You can't go under a rainbow. You can't go over

0:04:55.200 --> 0:04:58.640
<v Speaker 1>a rainbow. And we'll explain all this why, Yeah, and

0:04:58.839 --> 0:05:01.400
<v Speaker 1>just a second, sure, but first we have to talk

0:05:01.400 --> 0:05:03.440
<v Speaker 1>about to get to the bottom of how rainbows work,

0:05:03.480 --> 0:05:05.320
<v Speaker 1>which to me I think is awesome. It's one of

0:05:05.320 --> 0:05:07.839
<v Speaker 1>those things where okay, this is how it works, we

0:05:07.960 --> 0:05:11.080
<v Speaker 1>understand it now. Yeah. I love science stuff like that,

0:05:11.560 --> 0:05:15.240
<v Speaker 1>um baked in science. Yes, just done. It's not like

0:05:15.640 --> 0:05:19.480
<v Speaker 1>scientists think this is what's happening, and that's probably true,

0:05:19.520 --> 0:05:21.599
<v Speaker 1>but that remains to be seen. This is one of

0:05:21.600 --> 0:05:23.599
<v Speaker 1>those ones where like, we know how rainbows work and

0:05:23.640 --> 0:05:26.400
<v Speaker 1>here's how. But to get to the bottom of rainbows,

0:05:27.279 --> 0:05:30.520
<v Speaker 1>we have to understand how light works first. Yeah, and

0:05:30.520 --> 0:05:32.560
<v Speaker 1>I thought this article, even though there was a lot

0:05:32.640 --> 0:05:35.880
<v Speaker 1>more digging in to do, I thought the shopping cart

0:05:35.960 --> 0:05:41.359
<v Speaker 1>explanation for for basically how light travels was pretty pretty

0:05:41.440 --> 0:05:44.599
<v Speaker 1>darn good, fantastic. You know, one reason they say visible

0:05:44.640 --> 0:05:48.360
<v Speaker 1>spectrum is because the light is moving so fast that

0:05:48.400 --> 0:05:51.400
<v Speaker 1>you can't see it. It's like in the combination of

0:05:51.400 --> 0:05:54.200
<v Speaker 1>all those is is white light like the sun is

0:05:54.240 --> 0:05:57.200
<v Speaker 1>white light because all those colors are superimposed on one another.

0:05:58.080 --> 0:06:00.680
<v Speaker 1>But when it hits like a water droplet or something else,

0:06:00.680 --> 0:06:03.320
<v Speaker 1>it's gonna slow down enough. And we'll get to all

0:06:03.400 --> 0:06:06.599
<v Speaker 1>this to where you can see those individual parts of

0:06:06.600 --> 0:06:11.240
<v Speaker 1>the spectrum, right, and and that that shopping cart explanation,

0:06:11.279 --> 0:06:14.320
<v Speaker 1>like you said, it definitely simplifies the whole thing, and

0:06:14.320 --> 0:06:16.240
<v Speaker 1>it's not quite right, but it does a pretty good

0:06:16.320 --> 0:06:19.880
<v Speaker 1>job of illustrating the principles that are going on. You know. Yeah,

0:06:20.040 --> 0:06:23.880
<v Speaker 1>So basically light is moving at different speeds depending on

0:06:24.040 --> 0:06:27.560
<v Speaker 1>what kind of medium, uh, it's traveling through. So, like

0:06:27.600 --> 0:06:29.440
<v Speaker 1>I said, when it hits water, it's gonna slow down

0:06:29.480 --> 0:06:31.880
<v Speaker 1>a lot. That's gonna change its speed. If you're pushing

0:06:31.880 --> 0:06:36.159
<v Speaker 1>a shopping cart, the asphalt is the medium. If you

0:06:36.160 --> 0:06:38.880
<v Speaker 1>push it onto grass, it's gonna slow down. That's a

0:06:38.880 --> 0:06:41.360
<v Speaker 1>new medium. It's a new medium. It's gone. It's transition

0:06:41.480 --> 0:06:44.320
<v Speaker 1>from one media to another. That's right. And if you

0:06:44.400 --> 0:06:48.360
<v Speaker 1>hit that grass at an angle, and we've probably done this.

0:06:48.480 --> 0:06:50.520
<v Speaker 1>If you had a were able to steal a shopping

0:06:50.520 --> 0:06:52.960
<v Speaker 1>cart as a kid, you're pushing your friends around in it,

0:06:53.680 --> 0:06:56.680
<v Speaker 1>you're hauling through the neighborhood. And you hit that grass

0:06:56.720 --> 0:06:59.279
<v Speaker 1>at an angle, and it's gonna take a really sharp

0:06:59.320 --> 0:07:02.080
<v Speaker 1>turn because that front right wheel, let's say, is going

0:07:02.120 --> 0:07:04.920
<v Speaker 1>to hit the grass and all of a sudden, really quickly,

0:07:04.920 --> 0:07:07.320
<v Speaker 1>it's gonna be traveling at a much slower speed than

0:07:07.360 --> 0:07:09.760
<v Speaker 1>the rest of it, and your friends gonna tumble out

0:07:09.800 --> 0:07:12.160
<v Speaker 1>and everyone's gonna have a good time exactly just where

0:07:12.200 --> 0:07:15.400
<v Speaker 1>your helmet. So so that imagine that the shopping cart

0:07:15.680 --> 0:07:19.760
<v Speaker 1>is a photon of light or a beam of white

0:07:20.080 --> 0:07:26.640
<v Speaker 1>visible sunlight, and the grass is a prism. Yeah. So

0:07:26.840 --> 0:07:29.080
<v Speaker 1>the parking lot was air and it was moving through

0:07:29.160 --> 0:07:31.880
<v Speaker 1>just find no problem. But when it hit that prism,

0:07:31.880 --> 0:07:35.000
<v Speaker 1>it slowed down. And because it came at an angle,

0:07:35.240 --> 0:07:39.480
<v Speaker 1>one side of the light hit sooner and it made

0:07:39.480 --> 0:07:42.560
<v Speaker 1>it turn. And that it's called refraction. The bending of

0:07:42.680 --> 0:07:45.520
<v Speaker 1>light is refraction. Yeah. And in the case of a rainbow,

0:07:45.600 --> 0:07:48.920
<v Speaker 1>that prism is a rain drop. So I mean this

0:07:49.000 --> 0:07:51.320
<v Speaker 1>is the simple quick version. We'll get more detailed. But

0:07:51.360 --> 0:07:54.000
<v Speaker 1>when it hits that raindrop, it's gonna slow down and

0:07:54.040 --> 0:07:59.520
<v Speaker 1>it's gonna bend. Right. So depending on the um refractive index,

0:08:00.080 --> 0:08:06.680
<v Speaker 1>which is how much light bends depending on the wavelength um,

0:08:07.240 --> 0:08:11.520
<v Speaker 1>the the wavelength of light, which is another term for color,

0:08:11.920 --> 0:08:14.440
<v Speaker 1>is going to bend at a different angle. So when

0:08:14.480 --> 0:08:17.360
<v Speaker 1>that visible light, which is all the colors of of

0:08:17.400 --> 0:08:21.360
<v Speaker 1>the visible spectrum combined, hits a prism and it bends

0:08:21.480 --> 0:08:25.120
<v Speaker 1>or a rain drop, right, it bends at different angles

0:08:25.200 --> 0:08:28.400
<v Speaker 1>because the wavelengths are different, and so that visible light

0:08:28.760 --> 0:08:32.960
<v Speaker 1>comes undone into its component wavelengths, which are all the

0:08:33.000 --> 0:08:39.320
<v Speaker 1>colors of the rainbow, and they spread out. It's called dispersion, right, yeah,

0:08:39.440 --> 0:08:43.240
<v Speaker 1>and that's it really, But like I said, in this case,

0:08:43.280 --> 0:08:47.040
<v Speaker 1>we're talking about rain uh and because rain is um

0:08:47.240 --> 0:08:49.400
<v Speaker 1>you know, raindrops are all different shapes and sizes, it's

0:08:49.440 --> 0:08:52.760
<v Speaker 1>not gonna be as consistent as like a prism might be,

0:08:53.200 --> 0:08:56.160
<v Speaker 1>but it's gonna have the same effect. It's gonna hit

0:08:56.280 --> 0:08:59.800
<v Speaker 1>hit the rain drop, it's gonna slow down like the

0:09:00.000 --> 0:09:03.200
<v Speaker 1>field digging into the grass of the shopping cart, and

0:09:03.320 --> 0:09:07.000
<v Speaker 1>it's going to refract and some of it's gonna keep

0:09:07.000 --> 0:09:10.440
<v Speaker 1>going someone it's gonna bounce back, but different the different

0:09:10.480 --> 0:09:12.960
<v Speaker 1>color is going to bounce at a different angle, and

0:09:12.960 --> 0:09:16.440
<v Speaker 1>it's all relative to where you are on the ground. Like,

0:09:16.800 --> 0:09:20.560
<v Speaker 1>no person two people see the same rainbow. Right, So, um,

0:09:20.640 --> 0:09:24.000
<v Speaker 1>when Abe right. So when when light hits the prism

0:09:24.080 --> 0:09:27.560
<v Speaker 1>and it bends, like you said, because the different lights

0:09:27.559 --> 0:09:32.439
<v Speaker 1>have different wavelengths. Different colors have different wavelengths. Um red

0:09:32.679 --> 0:09:36.720
<v Speaker 1>has the longest wavelength, so it bends the least. I

0:09:36.720 --> 0:09:41.040
<v Speaker 1>believe violet has the u shortest wavelength, so it bends

0:09:41.040 --> 0:09:45.800
<v Speaker 1>the most. But because again because these different wavelengths, they

0:09:45.880 --> 0:09:49.360
<v Speaker 1>bend differently, so that the light spreads apart, and when

0:09:49.360 --> 0:09:54.040
<v Speaker 1>it exits the prism, it bends again and it forms

0:09:54.160 --> 0:09:58.839
<v Speaker 1>that spectrum of separated light separated out. And this, if

0:09:58.920 --> 0:10:00.880
<v Speaker 1>you notice we keep saying the had been that's why

0:10:00.920 --> 0:10:05.000
<v Speaker 1>a rainbow is an arc instead of like a right angle,

0:10:05.400 --> 0:10:08.000
<v Speaker 1>because the light is bending. So Chuck, we've been kind

0:10:08.000 --> 0:10:10.199
<v Speaker 1>of teasing this a little bit. But um, we'll get

0:10:10.240 --> 0:10:13.960
<v Speaker 1>into exactly how you go from prison to rain drop

0:10:14.320 --> 0:10:37.600
<v Speaker 1>and hence the rainbow right after this. All right, if

0:10:37.600 --> 0:10:40.000
<v Speaker 1>you want to see a rainbow, or if you're gonna

0:10:40.000 --> 0:10:43.720
<v Speaker 1>see a rainbow, there need to be three conditions. Uh,

0:10:43.760 --> 0:10:46.760
<v Speaker 1>the sun's got to be behind you, You're gonna have

0:10:46.880 --> 0:10:51.080
<v Speaker 1>moisture in front of you, and you the sun must

0:10:51.160 --> 0:10:54.480
<v Speaker 1>be shining. That sun, those sun's rays must be shining

0:10:54.600 --> 0:10:58.040
<v Speaker 1>at forty two degrees of what's called the anti solar point,

0:10:58.360 --> 0:11:00.679
<v Speaker 1>which is basically where the shadow of your head is

0:11:01.360 --> 0:11:04.920
<v Speaker 1>on the ground. So if you can see the shadow

0:11:04.960 --> 0:11:07.319
<v Speaker 1>of your head, that's that's going to be that forty

0:11:07.360 --> 0:11:10.800
<v Speaker 1>two degree anti solar point. So what you do is

0:11:10.840 --> 0:11:14.120
<v Speaker 1>you put your back directly to the sun right and

0:11:14.160 --> 0:11:17.679
<v Speaker 1>then turn forty two degrees, which I guess if it

0:11:17.800 --> 0:11:20.320
<v Speaker 1>were negative forty two degrees, you'll be turning to the left.

0:11:20.400 --> 0:11:22.280
<v Speaker 1>So I guess you'd be turning to the right a

0:11:22.280 --> 0:11:25.120
<v Speaker 1>little bit about forty two degrees, which you can kind

0:11:25.120 --> 0:11:26.920
<v Speaker 1>of measure off in your head. It's not quite forty

0:11:26.960 --> 0:11:30.560
<v Speaker 1>five degrees. And if you're looking at rain and the

0:11:30.600 --> 0:11:33.040
<v Speaker 1>sun is behind you, you're gonna see where that forty

0:11:33.040 --> 0:11:35.880
<v Speaker 1>two agrees is, because once you hit that point, there's

0:11:35.880 --> 0:11:38.840
<v Speaker 1>your rainbow. Yeah, but I mean you can move your

0:11:38.840 --> 0:11:41.760
<v Speaker 1>body around and still see the rainbow. I mean that's

0:11:41.760 --> 0:11:43.920
<v Speaker 1>where the sun is hitting. The Sun's got to be

0:11:44.000 --> 0:11:47.640
<v Speaker 1>hitting at forty two degrees. I see. Okay, so Chuck,

0:11:48.600 --> 0:11:53.080
<v Speaker 1>it doesn't matter then where your head is. It's it's

0:11:53.160 --> 0:11:57.800
<v Speaker 1>the rain drops relation to the sun needs to be

0:11:57.960 --> 0:12:01.600
<v Speaker 1>forty two degrees. The producer rainbow. Yeah, the sunshine must

0:12:01.640 --> 0:12:04.680
<v Speaker 1>be hitting it at forty two degrees. Okay, so let's

0:12:04.760 --> 0:12:07.880
<v Speaker 1>let's get back to basics again for a second. Um.

0:12:07.960 --> 0:12:12.280
<v Speaker 1>When the sunlight hits the rain drop, each individual raindrop

0:12:12.360 --> 0:12:16.240
<v Speaker 1>is acting like a prism, right, So that visible white

0:12:16.320 --> 0:12:19.760
<v Speaker 1>light is hitting a raindrop, it's hitting it at an angle.

0:12:20.320 --> 0:12:25.120
<v Speaker 1>It's going kaboom into like a colored spectrum inside the raindrop,

0:12:25.679 --> 0:12:30.400
<v Speaker 1>and then it's gonna reflect back again, refract again, exiting

0:12:30.400 --> 0:12:33.240
<v Speaker 1>the raindrop, so it bends again and it comes back

0:12:33.280 --> 0:12:40.160
<v Speaker 1>at you. The thing is is when you see light

0:12:40.280 --> 0:12:43.880
<v Speaker 1>colored light wavelength from a rain drop, you're not seeing

0:12:43.880 --> 0:12:46.720
<v Speaker 1>the whole spectrum. You're not seeing millions of little rainbows.

0:12:46.720 --> 0:12:49.760
<v Speaker 1>You're seeing one big rainbow. And the reason why is

0:12:49.800 --> 0:12:53.360
<v Speaker 1>because each individual raindrop, depending on its relation to you

0:12:53.679 --> 0:12:57.320
<v Speaker 1>and I guess to the sun, is shooting one color

0:12:57.400 --> 0:13:00.559
<v Speaker 1>at you. It's shooting all colors at you, but you're

0:13:00.600 --> 0:13:03.120
<v Speaker 1>only picking up on one color because there's only one

0:13:03.200 --> 0:13:08.120
<v Speaker 1>color from a rain drop that is angled correctly to

0:13:08.280 --> 0:13:12.360
<v Speaker 1>you and your line of sight, so that it's the

0:13:12.360 --> 0:13:15.280
<v Speaker 1>only one you're picking up on, his red. And then

0:13:15.480 --> 0:13:18.440
<v Speaker 1>all of the rain drops around that rain drop are

0:13:18.480 --> 0:13:21.679
<v Speaker 1>doing the same thing. They're shooting about in relation to

0:13:21.720 --> 0:13:25.160
<v Speaker 1>your line of sight red towards you. But then the

0:13:25.240 --> 0:13:28.680
<v Speaker 1>rain drops a little lower than that are shooting yellow,

0:13:29.120 --> 0:13:30.960
<v Speaker 1>and then lower than that green, and so on and

0:13:30.960 --> 0:13:33.080
<v Speaker 1>so on, and so you get the violet. And so

0:13:33.520 --> 0:13:36.559
<v Speaker 1>these groups of rain these groups of rain drops are

0:13:36.640 --> 0:13:42.040
<v Speaker 1>producing this rainbow cumulatively as far as your line of

0:13:42.080 --> 0:13:44.680
<v Speaker 1>sight is concerned. Yeah, because the rain is just falling,

0:13:44.720 --> 0:13:46.800
<v Speaker 1>so where it is in the sky, I mean, as

0:13:46.840 --> 0:13:49.320
<v Speaker 1>it falls, it's going to be changing color. You know,

0:13:49.440 --> 0:13:52.520
<v Speaker 1>it's not like frozen in midair or anything, but it

0:13:52.600 --> 0:13:55.199
<v Speaker 1>seems like it. But it seems like it, right exactly.

0:13:55.240 --> 0:13:58.640
<v Speaker 1>And't that phenomenal? It really is. I just think that's

0:13:58.679 --> 0:14:01.120
<v Speaker 1>just as cool as it gets. Yeah, it's super cool.

0:14:01.320 --> 0:14:03.920
<v Speaker 1>And um, you'll always notice to the sky under the

0:14:04.000 --> 0:14:06.760
<v Speaker 1>rainbow is going to be brighter than out. And when

0:14:06.840 --> 0:14:10.840
<v Speaker 1>you've got a double rainbow, which we'll get to the

0:14:10.840 --> 0:14:15.319
<v Speaker 1>the area between those two is usually really dark, right,

0:14:15.440 --> 0:14:19.560
<v Speaker 1>And that's called the Alexander's Dark Band. Yeah, Alexander's Band

0:14:19.600 --> 0:14:24.760
<v Speaker 1>because he was Alexander Frio. Aphrodiseus was the first dude

0:14:25.320 --> 0:14:30.560
<v Speaker 1>to describe that. That's a great name, Alexander Aphrodiseus. Yeah,

0:14:30.840 --> 0:14:34.160
<v Speaker 1>it's pretty good. It sounds like a seventies exploitation movie

0:14:34.280 --> 0:14:37.560
<v Speaker 1>or something. Um. But yeah, So the reason why in

0:14:37.600 --> 0:14:41.440
<v Speaker 1>between the double rainbows you have Alexander's band is because

0:14:41.640 --> 0:14:48.680
<v Speaker 1>the light there is reflecting away from you and it's

0:14:48.760 --> 0:14:52.360
<v Speaker 1>so it's a dark area. So, uh, the sunlight hitting

0:14:52.440 --> 0:14:55.480
<v Speaker 1>those rain drops is going away and you're like, oh,

0:14:55.480 --> 0:14:58.920
<v Speaker 1>it's dark inside the rainbow. All of that light is

0:14:58.960 --> 0:15:02.080
<v Speaker 1>reflecting back to you and you're seeing all of the

0:15:02.120 --> 0:15:05.600
<v Speaker 1>different colors come at you and they're recombining indivisible lights,

0:15:05.640 --> 0:15:10.000
<v Speaker 1>so there's no color, it's just bright sunlight in the middle. Yeah,

0:15:10.000 --> 0:15:12.320
<v Speaker 1>and that you know sunlight. They also always describe it

0:15:12.360 --> 0:15:15.520
<v Speaker 1>as white, I mean sunlight as all the colors. We

0:15:15.640 --> 0:15:17.720
<v Speaker 1>just you know, can't see it. Yeah, we should really

0:15:17.760 --> 0:15:22.280
<v Speaker 1>do a whole um How Color Works episode. It's fascinating stuff.

0:15:22.320 --> 0:15:25.960
<v Speaker 1>But yeah, depending on whether you're a painter, um who's

0:15:26.000 --> 0:15:29.880
<v Speaker 1>mixing chemical color, whether you're a chemist or a physicist,

0:15:30.560 --> 0:15:33.520
<v Speaker 1>white is either the presence of all colors or the

0:15:33.600 --> 0:15:36.960
<v Speaker 1>absence of color. You know, it's kind of mind blowing.

0:15:37.000 --> 0:15:40.160
<v Speaker 1>We should totally do how color works. Uh. Well, I

0:15:40.200 --> 0:15:42.080
<v Speaker 1>guess after this break we'll talk a little bit more

0:15:42.080 --> 0:15:46.480
<v Speaker 1>about the double rainbow all the way and even well,

0:15:46.520 --> 0:16:09.920
<v Speaker 1>well we'll just leave it at that. What does it mean, so, Chuck,

0:16:10.240 --> 0:16:13.360
<v Speaker 1>you want to talk about double rainbows and what forms them,

0:16:13.360 --> 0:16:16.280
<v Speaker 1>it's pretty much the same thing, right, Yeah, the lights

0:16:16.320 --> 0:16:20.560
<v Speaker 1>refracted twice. Yeah, it's just a double refraction. Yeah. Well,

0:16:20.600 --> 0:16:22.720
<v Speaker 1>what's cool is if you look at a double rainbow,

0:16:23.200 --> 0:16:26.800
<v Speaker 1>the one on top, the higher one, that's the second refraction,

0:16:27.680 --> 0:16:32.640
<v Speaker 1>um is reversed, so rather than red being on the top,

0:16:33.440 --> 0:16:36.800
<v Speaker 1>it's on the bottom. Yeah, it's the reverse rainbow. Is

0:16:36.840 --> 0:16:38.720
<v Speaker 1>what a double rainbow is. And you can have a

0:16:38.760 --> 0:16:43.200
<v Speaker 1>triple and even a quad, but it's rare, Like I've

0:16:43.240 --> 0:16:45.520
<v Speaker 1>seen a little bit of a triple once. I think,

0:16:46.360 --> 0:16:49.800
<v Speaker 1>um to where you just see the faintest hint of

0:16:49.880 --> 0:16:53.200
<v Speaker 1>that third one, And if you're seeing that, that means

0:16:53.280 --> 0:16:56.040
<v Speaker 1>the initially I think it's called the primary and secondary.

0:16:56.080 --> 0:16:59.480
<v Speaker 1>That means your primary is super super super sharp. Yeah,

0:17:00.000 --> 0:17:02.400
<v Speaker 1>to where it looks like it's drawn on the sky,

0:17:02.560 --> 0:17:05.280
<v Speaker 1>painted on the sky, and then your secondary is gonna

0:17:05.280 --> 0:17:06.960
<v Speaker 1>be a little more faint than the third one because

0:17:07.320 --> 0:17:10.280
<v Speaker 1>the triple refraction, you know, it's it's not the easiest

0:17:10.320 --> 0:17:13.159
<v Speaker 1>thing to occur in nature. Yeah, and one of the

0:17:13.200 --> 0:17:16.280
<v Speaker 1>things that makes the primary rainbow and then hence the

0:17:16.359 --> 0:17:19.280
<v Speaker 1>secondary and I guess herst ayan so on rainbows bright

0:17:19.920 --> 0:17:23.800
<v Speaker 1>is the amount of sunlight and the number of raindrops,

0:17:24.119 --> 0:17:29.040
<v Speaker 1>because remember those raindrops that you're seeing, that the spectrum

0:17:29.359 --> 0:17:32.560
<v Speaker 1>is made up of light wavelengths that's coming at you

0:17:32.600 --> 0:17:35.200
<v Speaker 1>from a bunch of different raindrops, and they reinforce one another,

0:17:35.240 --> 0:17:37.600
<v Speaker 1>and the more they reinforce one another, the brighter the

0:17:37.680 --> 0:17:40.480
<v Speaker 1>rainbow is. Yeah, And you know, I mean I feel

0:17:40.480 --> 0:17:42.720
<v Speaker 1>like I usually see rainbows when it's not raining where

0:17:42.760 --> 0:17:46.840
<v Speaker 1>I'm standing, but um, that doesn't matter. It's you know,

0:17:47.320 --> 0:17:49.639
<v Speaker 1>you can be being rained on and still see the rainbow.

0:17:49.800 --> 0:17:52.600
<v Speaker 1>Well yeah, but it's like sometimes it's like a super

0:17:52.680 --> 0:17:54.880
<v Speaker 1>light rain where it has just rain really hard. Maybe

0:17:54.880 --> 0:17:57.359
<v Speaker 1>it's tapering off or maybe stopped all together. But the

0:17:57.400 --> 0:18:00.560
<v Speaker 1>point is where the rainbow is. It's it's not like

0:18:00.680 --> 0:18:03.120
<v Speaker 1>they said earlier, you can't drive up to a rainbow.

0:18:03.960 --> 0:18:06.680
<v Speaker 1>I'm gonna go up and find that thing because it's

0:18:06.720 --> 0:18:10.240
<v Speaker 1>a it's just a perspective trick basically, right. The only

0:18:10.320 --> 0:18:14.560
<v Speaker 1>apparently from this Scientific American article you sent, the only

0:18:14.760 --> 0:18:18.440
<v Speaker 1>visual information we get from a rainbow is the band

0:18:18.480 --> 0:18:23.280
<v Speaker 1>of its arc. Yeah, and everything else is what's around it, right, right, So, like,

0:18:23.320 --> 0:18:26.440
<v Speaker 1>if a rainbow seems really huge, it's because, say, the

0:18:26.480 --> 0:18:29.600
<v Speaker 1>mountains in the background looks small, which makes the rainbow,

0:18:29.640 --> 0:18:34.080
<v Speaker 1>by contrast, look very big and majestic. If we're close to, say,

0:18:34.160 --> 0:18:36.359
<v Speaker 1>like the mountains are like a cell phone tower or

0:18:36.440 --> 0:18:41.080
<v Speaker 1>something like that, the rainbow may look very small by comparison. Yeah,

0:18:41.119 --> 0:18:43.640
<v Speaker 1>and the way they like in it, and that I think, um,

0:18:43.680 --> 0:18:46.560
<v Speaker 1>and that article I think was like the human head.

0:18:46.600 --> 0:18:49.639
<v Speaker 1>It's like roughly the same size, but if it was

0:18:49.720 --> 0:18:51.200
<v Speaker 1>right in front of your face, it would block out

0:18:51.200 --> 0:18:53.879
<v Speaker 1>a whole movie screen. But it was further way, it

0:18:53.960 --> 0:18:56.000
<v Speaker 1>would just be like, hey, and there's that guy's head.

0:18:56.160 --> 0:18:59.600
<v Speaker 1>It's the same thing, same thing. Um. And then Phil Plate,

0:18:59.680 --> 0:19:03.800
<v Speaker 1>who is a who does the Bad astronomer Um blog

0:19:03.880 --> 0:19:09.159
<v Speaker 1>for Slate, he did a pretty good explanation of um

0:19:09.359 --> 0:19:11.800
<v Speaker 1>full circle rainbows. Yeah, I had never ever heard of

0:19:11.840 --> 0:19:14.520
<v Speaker 1>that until you sent me that, so it makes sense though,

0:19:14.560 --> 0:19:17.119
<v Speaker 1>it totally does. So. Remember we talked about a rainbow

0:19:17.200 --> 0:19:20.200
<v Speaker 1>arching over the sky and because the light is bent

0:19:20.480 --> 0:19:23.000
<v Speaker 1>out of the prism, Well, no, it's because it starts

0:19:23.000 --> 0:19:24.639
<v Speaker 1>on one part of the ground. And ends on another

0:19:24.680 --> 0:19:28.719
<v Speaker 1>part where the goal is. Um. The reason why it

0:19:28.800 --> 0:19:32.639
<v Speaker 1>has that arc is because what you're seeing is part

0:19:32.760 --> 0:19:36.080
<v Speaker 1>of what really is a full circle, and it's depending

0:19:36.119 --> 0:19:39.560
<v Speaker 1>on where you are. Now, you have a certain amount

0:19:39.560 --> 0:19:46.320
<v Speaker 1>of raindrops available for to reflect the light to you. Right,

0:19:46.480 --> 0:19:49.440
<v Speaker 1>So when you're on the ground and you're looking up

0:19:49.560 --> 0:19:51.640
<v Speaker 1>or just over to the horizon, you have a certain

0:19:51.680 --> 0:19:54.400
<v Speaker 1>amount of raindrops available to you to form a rainbow.

0:19:55.160 --> 0:19:57.879
<v Speaker 1>If you were able to get away from the ground,

0:19:58.320 --> 0:20:01.560
<v Speaker 1>you have even more raindrops that's just above you, but

0:20:01.680 --> 0:20:04.760
<v Speaker 1>now below you as well, and you can see a

0:20:04.760 --> 0:20:08.560
<v Speaker 1>full circle. That is the actual real rainbow. Yeah. So

0:20:08.600 --> 0:20:11.120
<v Speaker 1>a real a real rainbow, depending on where you are

0:20:11.280 --> 0:20:14.199
<v Speaker 1>in relation to the ground, is either a part of

0:20:14.200 --> 0:20:17.399
<v Speaker 1>a circle, an arc, or a full circle. Yeah. And

0:20:17.440 --> 0:20:19.400
<v Speaker 1>there was a picture. I mean he said that pilots

0:20:19.600 --> 0:20:22.440
<v Speaker 1>see him all the time or I guess if you're

0:20:22.520 --> 0:20:25.680
<v Speaker 1>an astute flyer, that's not just like asleep with a

0:20:25.720 --> 0:20:29.199
<v Speaker 1>black blanket of your face. Right. Um, you can look

0:20:29.240 --> 0:20:30.640
<v Speaker 1>out a window of a plane and see one two

0:20:30.640 --> 0:20:33.639
<v Speaker 1>because you're above it. It's pretty neat. I mean, there

0:20:33.680 --> 0:20:36.359
<v Speaker 1>was a photo of one and it was like, oh wow,

0:20:36.600 --> 0:20:39.320
<v Speaker 1>there's a full circle rainbow, full circle rainbow. It looks

0:20:39.440 --> 0:20:42.199
<v Speaker 1>it looks kind of like a lens flare a little bit,

0:20:42.200 --> 0:20:45.880
<v Speaker 1>but it's a rainbow lens flare. And um, phil Plate

0:20:45.960 --> 0:20:50.920
<v Speaker 1>had in that same blog post a double circle rainbow,

0:20:51.800 --> 0:20:55.200
<v Speaker 1>which was really neat. Yea, so go check that out.

0:20:55.440 --> 0:20:59.199
<v Speaker 1>I agree that was pretty cool. Um. Yeah, you know

0:20:59.280 --> 0:21:01.679
<v Speaker 1>that thing we're talking about earlier to about the perspective.

0:21:01.760 --> 0:21:04.879
<v Speaker 1>That's why the I think I thought you did it.

0:21:04.880 --> 0:21:06.960
<v Speaker 1>Don't be dumb about why the moon looks bigger? Have

0:21:07.040 --> 0:21:10.280
<v Speaker 1>you done that? No? It's so why can you see

0:21:10.280 --> 0:21:13.960
<v Speaker 1>the moon during the day sometimes? Why is that? Well

0:21:14.000 --> 0:21:15.919
<v Speaker 1>I'll tell you why, because I saw it like a

0:21:16.440 --> 0:21:18.200
<v Speaker 1>one the other day that was like super late in

0:21:18.240 --> 0:21:21.600
<v Speaker 1>the day. Well, the reason why, A better question is

0:21:21.640 --> 0:21:23.840
<v Speaker 1>why can't you see the moon all the time, even

0:21:23.920 --> 0:21:26.560
<v Speaker 1>during the day. So it's not the moon is very bright,

0:21:26.640 --> 0:21:29.359
<v Speaker 1>it's it's the brightest object in the sky, second only

0:21:29.400 --> 0:21:31.920
<v Speaker 1>to the sun. Sure, but it also gets its light

0:21:31.960 --> 0:21:34.600
<v Speaker 1>from the sun. So most of the time when you

0:21:34.680 --> 0:21:39.400
<v Speaker 1>can't see the moon during the day, it's because the

0:21:39.400 --> 0:21:43.680
<v Speaker 1>moon is behind you. So the light that it's getting

0:21:43.720 --> 0:21:46.000
<v Speaker 1>from the sun is behind you. Now, if the moon

0:21:46.160 --> 0:21:49.080
<v Speaker 1>is closer to the Sun. Like depending on where the

0:21:49.119 --> 0:21:52.320
<v Speaker 1>moon is in its lunar phase, then you can look

0:21:52.400 --> 0:21:54.760
<v Speaker 1>up and see the Sun and the Moon at the

0:21:54.800 --> 0:21:58.360
<v Speaker 1>same time. It's above the horizon. In other words, so

0:21:58.480 --> 0:22:01.600
<v Speaker 1>if you if the moon were always visible above the horizon,

0:22:01.640 --> 0:22:03.400
<v Speaker 1>you'd always be able to see it during the day.

0:22:04.400 --> 0:22:06.600
<v Speaker 1>And it just has to do with where it is

0:22:06.600 --> 0:22:09.520
<v Speaker 1>in relation to the Sun in the lunar phase. Does

0:22:09.560 --> 0:22:12.639
<v Speaker 1>that make sense? Yeah, if if if it's man, just

0:22:12.760 --> 0:22:14.720
<v Speaker 1>go watch that. Don't be dumb on it. Yeah. They

0:22:14.720 --> 0:22:19.000
<v Speaker 1>call that a bonus, an impromptu bonus. But the reason

0:22:19.040 --> 0:22:21.000
<v Speaker 1>why the moon will look really huge in the sky

0:22:21.119 --> 0:22:23.159
<v Speaker 1>is because the same thing we're talking about with the

0:22:23.200 --> 0:22:26.119
<v Speaker 1>perspective like the mountains, is like when you're low on

0:22:26.160 --> 0:22:30.000
<v Speaker 1>the horizon, it's gonna look enormous. Um if there's a

0:22:30.000 --> 0:22:34.520
<v Speaker 1>lot less stuff. Yeah, and near close to you, it's

0:22:34.520 --> 0:22:37.399
<v Speaker 1>gonna look very big. Yeah. And when I went to

0:22:37.800 --> 0:22:41.680
<v Speaker 1>Montana years ago, my explanation I got because you step

0:22:41.720 --> 0:22:45.080
<v Speaker 1>off the plane and you think, wow, this sky does

0:22:45.080 --> 0:22:47.440
<v Speaker 1>look bigger, Like what's the deal? They call it big

0:22:47.480 --> 0:22:49.919
<v Speaker 1>Sky Country and it really does look bigger. And the

0:22:49.920 --> 0:22:52.680
<v Speaker 1>explation I got from the locals, what's it's because the clouds.

0:22:53.400 --> 0:22:56.159
<v Speaker 1>So again it's just a perspective trick. So like the

0:22:56.200 --> 0:22:58.560
<v Speaker 1>mountains are way over there. I think it's just the

0:22:58.560 --> 0:23:01.680
<v Speaker 1>clouds that they typically out of, the big, huge puffy

0:23:02.320 --> 0:23:05.119
<v Speaker 1>clouds and um, but they look big in relation to

0:23:05.160 --> 0:23:08.000
<v Speaker 1>the mountains in the distance. Yeah, I think that's the deal.

0:23:08.119 --> 0:23:10.720
<v Speaker 1>So it makes the sky appear to look larger. Plus

0:23:10.760 --> 0:23:14.400
<v Speaker 1>I I imagine also there's fewer obstacles and obstructions, so

0:23:14.480 --> 0:23:17.200
<v Speaker 1>that it's just there's more sky to see and take

0:23:17.280 --> 0:23:19.600
<v Speaker 1>in just looking around, right, Yeah. Yeah, Like when I

0:23:19.640 --> 0:23:21.359
<v Speaker 1>lived in Yuma and you go out in the desert

0:23:21.400 --> 0:23:24.240
<v Speaker 1>and you can see like a hundred and eight degrees

0:23:24.280 --> 0:23:27.359
<v Speaker 1>from horizon to horizon, um, but they don't have the

0:23:27.720 --> 0:23:31.520
<v Speaker 1>cloud formations. Um. So the sky looks bigger in Montana

0:23:31.560 --> 0:23:33.040
<v Speaker 1>than it does like in the middle of the desert,

0:23:33.520 --> 0:23:35.399
<v Speaker 1>because most of the time in the desert you're going

0:23:35.440 --> 0:23:38.919
<v Speaker 1>to see that, you know, just blue, nothing but blue.

0:23:39.119 --> 0:23:42.919
<v Speaker 1>So there's no perspective, you know, like when you take

0:23:42.960 --> 0:23:44.960
<v Speaker 1>a picture of something to sell on eBay, you put

0:23:44.960 --> 0:23:47.320
<v Speaker 1>your fists next to it so people know how big

0:23:47.400 --> 0:23:51.200
<v Speaker 1>it is. Is that what people do? Any seeing quarters

0:23:51.200 --> 0:23:55.040
<v Speaker 1>and rulers never seen this, Yeah, that's quarters and rulers.

0:23:55.040 --> 0:23:58.320
<v Speaker 1>That's probably a better rule of them, right Yeah. Um, so, Chuck,

0:23:58.359 --> 0:24:01.520
<v Speaker 1>I got a couple other things. Apparently, when you look

0:24:01.520 --> 0:24:04.879
<v Speaker 1>at a rainbow, it's not uh an even division or

0:24:04.920 --> 0:24:08.960
<v Speaker 1>an even representation of all the colors. Um you see

0:24:09.040 --> 0:24:12.640
<v Speaker 1>the most red, it's the most visible. Apparently thirty eight

0:24:12.640 --> 0:24:16.600
<v Speaker 1>percent of a rainbow is red. Green is second at fifteen.

0:24:17.359 --> 0:24:22.960
<v Speaker 1>Blue is the least um with just eleven percent. What

0:24:23.160 --> 0:24:30.359
<v Speaker 1>is green? Green? Is? Okay? Rainbow green? Interesting? I wonder

0:24:30.400 --> 0:24:32.760
<v Speaker 1>what color blind We need to do one on color blindness,

0:24:32.800 --> 0:24:35.960
<v Speaker 1>but it's um. I looked into the article and it

0:24:36.040 --> 0:24:39.119
<v Speaker 1>was just sort of started to melt my brain, like

0:24:39.160 --> 0:24:41.680
<v Speaker 1>all this stuff, so I just said, no, put that

0:24:41.720 --> 0:24:43.320
<v Speaker 1>on the back burner. I think you did a great

0:24:43.400 --> 0:24:45.960
<v Speaker 1>job with this. Well we'll see, I'm sure we'll get

0:24:46.400 --> 0:24:51.240
<v Speaker 1>stuff wrong. H And lastly, the LGBT rainbow flag designed

0:24:51.240 --> 0:24:54.760
<v Speaker 1>in by a guy named Gilbert Baker really and it

0:24:54.840 --> 0:24:57.399
<v Speaker 1>used to have eight had turquoise and hot pink on

0:24:57.440 --> 0:25:00.640
<v Speaker 1>it before um, but apparently they ran out of fabric

0:25:00.720 --> 0:25:03.280
<v Speaker 1>for hot pink because the things like started to take off,

0:25:04.160 --> 0:25:06.440
<v Speaker 1>so they discontinued that. And I think the same went

0:25:06.480 --> 0:25:09.000
<v Speaker 1>for the turquoise one too interesting. We just went with

0:25:09.080 --> 0:25:12.960
<v Speaker 1>six and now is it a is it's a It's

0:25:12.960 --> 0:25:18.280
<v Speaker 1>a shining monument for establishments, for people to say I

0:25:18.320 --> 0:25:20.160
<v Speaker 1>want to go in there, and some people to say

0:25:20.240 --> 0:25:23.159
<v Speaker 1>I don't want to go in there. Sadly. You know.

0:25:24.480 --> 0:25:28.760
<v Speaker 1>We went to a gay bar in Philadelphia one afternoon, um,

0:25:29.680 --> 0:25:31.879
<v Speaker 1>and I say by accident, not like it was a

0:25:31.920 --> 0:25:36.119
<v Speaker 1>big deal. Was it the Blue Oyster? Now? And it

0:25:36.200 --> 0:25:37.919
<v Speaker 1>was in the afternoon, so it was just you know,

0:25:38.440 --> 0:25:40.160
<v Speaker 1>you know how it is in some bars in the afternoon,

0:25:40.520 --> 0:25:43.959
<v Speaker 1>like the that the serious regulars are in there. It

0:25:44.000 --> 0:25:47.200
<v Speaker 1>doesn't matter, gay, straight, whatever. And they were very cool guys,

0:25:47.200 --> 0:25:48.880
<v Speaker 1>and they were like, uh, and it was a big

0:25:48.880 --> 0:25:51.639
<v Speaker 1>group of us, and I think they were like, you know,

0:25:51.760 --> 0:25:53.560
<v Speaker 1>you know you're in a gay bar, right, And they

0:25:53.600 --> 0:25:56.680
<v Speaker 1>were kind of pointing that out. And I was like, oh, well, great,

0:25:57.560 --> 0:26:00.879
<v Speaker 1>serve me, bloody Mary. Then like I didn't know if

0:26:00.920 --> 0:26:02.680
<v Speaker 1>he thought we were I think he knew here from

0:26:02.680 --> 0:26:07.240
<v Speaker 1>out of town, so he was yeah, yeah, like, uh,

0:26:07.440 --> 0:26:10.520
<v Speaker 1>he didn't want any trouble. Oh got you. You know.

0:26:11.440 --> 0:26:13.920
<v Speaker 1>I was like, We're not like that, my friend. That's

0:26:13.960 --> 0:26:15.879
<v Speaker 1>just a happy accident. It does a good ending to

0:26:15.960 --> 0:26:19.239
<v Speaker 1>the Rainbow episode. Uh. If you want to know more

0:26:19.280 --> 0:26:23.680
<v Speaker 1>about rainbows, go check out our article on the site Rainbows.

0:26:23.760 --> 0:26:25.720
<v Speaker 1>Just type that word into how stuff works. Go check

0:26:25.720 --> 0:26:28.840
<v Speaker 1>out that Slate post and Scientific American in the Atlantic.

0:26:28.920 --> 0:26:31.879
<v Speaker 1>Some good stuff out there. Uh. And I said a

0:26:32.000 --> 0:26:34.159
<v Speaker 1>search bar, I think, and they're somewhere, which means it's

0:26:34.200 --> 0:26:39.720
<v Speaker 1>time for listener mail. That's right. I'm gonna call this,

0:26:39.920 --> 0:26:46.440
<v Speaker 1>uh Pliny the Beer. Uh. And this is from Corey

0:26:47.200 --> 0:26:50.800
<v Speaker 1>and I think Corries in San Francisco. Hey, guys, love

0:26:50.880 --> 0:26:53.879
<v Speaker 1>the podcast. I was listening to Cinnamon today and there

0:26:53.920 --> 0:26:56.760
<v Speaker 1>was an exchange about Pliny in a comment that there

0:26:56.840 --> 0:26:59.920
<v Speaker 1>was one and only I think anyone in the Bay

0:27:00.040 --> 0:27:02.919
<v Speaker 1>Area would know that there are two Plenties, the Elder

0:27:02.920 --> 0:27:05.800
<v Speaker 1>and the Younger. Um. That's because one of our local

0:27:05.800 --> 0:27:08.199
<v Speaker 1>breweries has a beer called Plenty the Elder, which is

0:27:08.240 --> 0:27:11.520
<v Speaker 1>known by beer officionados as one of the best beers

0:27:11.840 --> 0:27:14.960
<v Speaker 1>out there. In fact, it sells out weekly from local groceries.

0:27:15.000 --> 0:27:17.960
<v Speaker 1>They also make though a Plenty of the Younger, which

0:27:18.000 --> 0:27:21.480
<v Speaker 1>only comes out for two weeks a year. People wait

0:27:21.520 --> 0:27:24.160
<v Speaker 1>in line for hours just to get a pint. Uh.

0:27:24.200 --> 0:27:26.919
<v Speaker 1>And there was also a real historical Plenty the Elder

0:27:26.960 --> 0:27:30.040
<v Speaker 1>and Plenty the Younger who is his nephew. I didn't

0:27:30.040 --> 0:27:33.400
<v Speaker 1>realize it, and that is from Corey, and I did

0:27:33.440 --> 0:27:36.120
<v Speaker 1>look it up because the two weeks thing, I did

0:27:36.200 --> 0:27:37.960
<v Speaker 1>not believe it, but I just you know, sometimes you

0:27:37.960 --> 0:27:40.480
<v Speaker 1>want to see it with your own eyes. And uh, yeah,

0:27:40.520 --> 0:27:42.560
<v Speaker 1>Plenty of the Younger is a triple I p a.

0:27:43.640 --> 0:27:46.280
<v Speaker 1>Oh wow, that sounds awesome, named for the nephew and

0:27:46.359 --> 0:27:50.760
<v Speaker 1>adopted son evidently, and uh it is pub draft only.

0:27:50.800 --> 0:27:55.480
<v Speaker 1>They don't even bottle it. Very limited distribution locally, um,

0:27:55.800 --> 0:27:58.760
<v Speaker 1>and it's seasonal, so for just two weeks a year

0:27:59.520 --> 0:28:03.160
<v Speaker 1>um in February at the Bay of Bengal you can

0:28:03.200 --> 0:28:05.800
<v Speaker 1>get it in in a bar, I guess in San Francisco.

0:28:06.920 --> 0:28:12.880
<v Speaker 1>And it is a ten point two five center wow. Yeah,

0:28:13.600 --> 0:28:17.280
<v Speaker 1>as opposed to eight for the elder. Huh. And they're

0:28:17.280 --> 0:28:20.000
<v Speaker 1>both I p A s Yeah, ones that the double

0:28:20.040 --> 0:28:22.880
<v Speaker 1>and the triple so that yeah, and you can get

0:28:22.880 --> 0:28:24.439
<v Speaker 1>the Plenty of the Elder in the bottles. It's not

0:28:24.920 --> 0:28:28.960
<v Speaker 1>quite as exclusive. We'll have to try that on our tour. Yeah,

0:28:28.960 --> 0:28:31.800
<v Speaker 1>I guess only the elder and there's someone uh unless

0:28:31.800 --> 0:28:33.520
<v Speaker 1>we luck out and happen to be there during that

0:28:33.560 --> 0:28:37.520
<v Speaker 1>two week period. Huh. Well, now it's in February. But

0:28:37.600 --> 0:28:40.080
<v Speaker 1>if there's a bar out there that maybe wanted to

0:28:40.080 --> 0:28:42.640
<v Speaker 1>just say we're out, put it under the bar, save

0:28:42.720 --> 0:28:44.400
<v Speaker 1>it for a month for us, we'll be there. I

0:28:44.400 --> 0:28:47.760
<v Speaker 1>don't think that's gonna happen. If you want to correct

0:28:47.920 --> 0:28:51.720
<v Speaker 1>us after we get something flagrantly wrong, like we did

0:28:51.760 --> 0:28:54.800
<v Speaker 1>with the whole pliny thing, you can tweet to us

0:28:54.840 --> 0:28:57.200
<v Speaker 1>at s y s K podcast. You can post it

0:28:57.200 --> 0:28:59.480
<v Speaker 1>on Facebook dot com, slash stuff you Should Know. You

0:28:59.520 --> 0:29:02.040
<v Speaker 1>can send us an email to Stuff Podcast at how

0:29:02.080 --> 0:29:04.840
<v Speaker 1>stuff Works dot com, and, as always, join us at

0:29:04.840 --> 0:29:12.960
<v Speaker 1>our home on the web, Stuff you Should Know dot com.

0:29:13.000 --> 0:29:15.440
<v Speaker 1>For more on this and thousands of other topics, is

0:29:15.440 --> 0:29:24.240
<v Speaker 1>it how stuff Works dot com