WEBVTT - 60 Minutes’ Steve Kroft reflects on his acclaimed reporting career

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. My guest today is a renowned

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<v Speaker 1>journalist and former CBS correspondent for sixty Minutes. Known for

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<v Speaker 1>his acclaimed investigative reporting, Steve Croft has won five Peabody

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<v Speaker 1>Awards and eleven Emmy Awards, including a Lifetime Achievement Emmy

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<v Speaker 1>in two thousand and three. His legendary reporting career spans

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<v Speaker 1>international war coverage and major historical events such as the

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<v Speaker 1>Chernobyl disaster and the infamous nineteen ninety two interview with

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<v Speaker 1>Hillary and President Bill Clinton. Steve Croft got his starred

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<v Speaker 1>in journalism when he was drafted into the Army in

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<v Speaker 1>nineteen seventy. There he worked for the military newspaper Stars

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<v Speaker 1>and Stripes as a correspondent photographer in Vietnam. He received

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<v Speaker 1>an honorable discharge from the army a year later in

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<v Speaker 1>nineteen seventy one, although the war would not officially end

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<v Speaker 1>for another four years. I was curious if Croft had

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<v Speaker 1>any sense that the end of conflict was near when

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<v Speaker 1>he arrived in Vietnam.

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<v Speaker 2>We had a sense that it was supposed to wind down.

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<v Speaker 2>I'm not really sure I had much confidence in that

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<v Speaker 2>because it was still dangerous and actually actually nineteen sixty

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<v Speaker 2>nine was the bloodiest year of the war, more people killed.

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<v Speaker 2>I would have guessed sixty eight, but it was sixty nine,

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<v Speaker 2>and that was all fighting sort of geared up to

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<v Speaker 2>pulling the US troops out. I have to tell you

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<v Speaker 2>right now. I mean, this was the beginning of my

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<v Speaker 2>journalism career. Did you feel a.

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<v Speaker 1>Sense when you were there that you were managed in

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<v Speaker 1>terms of what reporting they expected from you.

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<v Speaker 2>Definitely. I mean the first ten months I was there,

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<v Speaker 2>I was with a headquarters company with the twenty fifth

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<v Speaker 2>Infantry Division, and I was in information SPECIALI Cucchi and

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<v Speaker 2>I did half an hour radio show for Armed Forces

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<v Speaker 2>Network every week, and one of my jobs was to

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<v Speaker 2>escort network correspondence and print correspondence in the field, and

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<v Speaker 2>we had a lot of those people come through the office,

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<v Speaker 2>and that was really what got me hooked when I

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<v Speaker 2>went in. I wanted to be an advertising That's what

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<v Speaker 2>I thought I wanted to do. Well. It was during

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<v Speaker 2>the great year of Doyle Daane burn Back and all

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<v Speaker 2>those great ideas. Yeah yeah, yeah, and television commercials were

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<v Speaker 2>the most in the newspaper magazine commercials were the most

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<v Speaker 2>interesting things and the most creative things around. I went

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<v Speaker 2>to Syracuse one of the most horrifying experiences of a

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<v Speaker 2>whole Vietnam. So it really took up five years of

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<v Speaker 2>my life because there were two years of worrying about

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<v Speaker 2>it and what the hell I was going to do,

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<v Speaker 2>because I was about to lose my student deferment and

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<v Speaker 2>I graduated in the sixty seven and in nineteen sixty

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<v Speaker 2>eight was you.

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<v Speaker 1>Know, they're taking everybody crazy, everybody. I got drafted in

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<v Speaker 1>the largest draft call of the war, so I had

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<v Speaker 1>to figure out how I was going to deal with it.

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<v Speaker 1>I certainly didn't want to go to officers Candidate school

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<v Speaker 1>because I didn't have strong feelings about the war one

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<v Speaker 1>way or the other. But I knew that if I

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<v Speaker 1>was an officer, I'd have to worry about getting shot

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<v Speaker 1>in the back and shot from the front because there

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<v Speaker 1>were a lot of lame second lieutenants who didn't know

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<v Speaker 1>what they were doing, who led a lot of people

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<v Speaker 1>into dangerous situations and were removed. So I had a

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<v Speaker 1>friend who had been in the army. He was the

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<v Speaker 1>editor of The Daily Orange, the Syracuse newspaper, and he

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<v Speaker 1>for one reason or another I can't remember. Had done

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<v Speaker 1>a stint with the eighty second Airborn sort of in

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<v Speaker 1>between his college years, and he said, what you should

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<v Speaker 1>do is you should go down and enlist in the Army.

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<v Speaker 1>Because the Navy was four years, in the Air Force

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<v Speaker 1>was four years, all these other things. The Army had

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<v Speaker 1>a program where you could go down and enlist for

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<v Speaker 1>three years and get to pick what you were going

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<v Speaker 1>to do more or less. And it turned out to

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<v Speaker 1>be a great decision because I got in this field,

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<v Speaker 1>this information field, and it became my sort of survival skill,

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<v Speaker 1>and it was a great experience.

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<v Speaker 2>I was very lucky. Carl Bernstein said to me, not

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<v Speaker 2>too long ago, you had a good war. But it

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<v Speaker 2>was also a great You know, my boss was like

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<v Speaker 2>on the staff at the general of the division, and

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<v Speaker 2>it was right next to command headquarters, and you would

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<v Speaker 2>see people coming in all the time from the battalions

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<v Speaker 2>and companies in the field, and you had a good

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<v Speaker 2>sense of how the war was going not all that well,

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<v Speaker 2>and you had a sense of what was being reported.

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<v Speaker 2>And I remember my boss having just shouting matches with

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<v Speaker 2>this guy named George Esper from the Associated Press, arguing

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<v Speaker 2>over battles and great reports that had come in. Now

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<v Speaker 2>there it was clear that I had that I was

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<v Speaker 2>doing the bidding of the twenty fifth. That was my job.

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<v Speaker 2>The difference in going to Stars at Stripes was was

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<v Speaker 2>that I had much more freedom to report, and it

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<v Speaker 2>was the newspaper of the Pacific Command and my boss,

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<v Speaker 2>my ultimate boss, who I used to care for when

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<v Speaker 2>he came to Vietnam was John McCain's father, who was

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<v Speaker 2>the Commander of Chief in the Pacific. There you could write,

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<v Speaker 2>You could get away with a lot of stuff, and

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<v Speaker 2>we didn't have to send it to the censors. We

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<v Speaker 2>had editors in Tokyo that looked at it, but I

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<v Speaker 2>didn't have to like send it down to Saigon for

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<v Speaker 2>the military censors to go through.

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<v Speaker 1>But you're somebody at sixty minutes, your career marks that

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<v Speaker 1>dedicated section. Yeah, the Steve Croft years are the years. Well,

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<v Speaker 1>I'm parked in front of the TV and it's sixty minutes.

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<v Speaker 1>Chinese food for dinner would arrive at the apartment right

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<v Speaker 1>the Sopranos. That was my Sunday every night. I was

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<v Speaker 1>a boomer representative.

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<v Speaker 2>When I first came there, I used to joke, I

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<v Speaker 2>said you know that you can divide this show into

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<v Speaker 2>two categories, the people who like rock and roll and

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<v Speaker 2>the people who think it's a passing fad. So I

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<v Speaker 2>was the first of the baby boomer.

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<v Speaker 1>Well, when I would watch the show, what I'm getting

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<v Speaker 1>to is that, you know, you were always somebody who

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<v Speaker 1>what came across effortlessly. Here's a guy that's reporting, and

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<v Speaker 1>inside and threading into that person is the person, and

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<v Speaker 1>therefore the reporting was your conscience.

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<v Speaker 2>Yeah, you bring a lot of conscience to your work.

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<v Speaker 1>Yeah, people knew you were going to be fair and

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<v Speaker 1>not just progressive, lefty whatever. And you know, taking that stance,

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<v Speaker 1>you were going to be smart and fair and your

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<v Speaker 1>conscience was going.

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<v Speaker 2>Fair is important word. But then you then you can't

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<v Speaker 2>consider so much important anymore. Well, it's bag it's baggage.

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<v Speaker 1>But the thing is that when you're there, I'm assuming

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<v Speaker 1>there wasn't a lot of things you wanted to report,

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<v Speaker 1>un that they told you not to do that.

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<v Speaker 2>There wasn't much of that was there. The best story

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<v Speaker 2>that I ever covered for Stars and Stripes was not printed.

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<v Speaker 2>I was up in quang Nam Province outside the nang

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<v Speaker 2>and we were going out with what they called the

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<v Speaker 2>Rough Tough Unit sort of Vietnamese farmer who were militiamen.

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<v Speaker 2>And it was a very nasty area and we knew

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<v Speaker 2>going out that we were going to get hit, and

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<v Speaker 2>we did. And the Arvin, you know, they came in

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<v Speaker 2>and were the Vietnase commanders and pulled some women out

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<v Speaker 2>of the hooches and took one of them down and

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<v Speaker 2>tortured her by trying to drown her in the river.

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<v Speaker 2>I took some pictures of it. I wrote the story,

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<v Speaker 2>and they said, we're not going to print.

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<v Speaker 3>This.

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<v Speaker 2>Was this after Melai. Yes, yeah, so they were sensitive

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<v Speaker 2>about the Yes, about the US, and they're always sensitive

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<v Speaker 2>about the allies, which included the Koreans who are now

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<v Speaker 2>fighting the Northern Koreans who are now fighting for the

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<v Speaker 2>Russians in Ukraine.

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<v Speaker 1>Now you're when you're there during this period, you're writing

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<v Speaker 1>and you're doing some radio, but no television. Well when

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<v Speaker 1>you come home, it becomes TV. You get into TV

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<v Speaker 1>pretty quickly once you get home. Yeah, why why didn't

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<v Speaker 1>you say a writer? I'd always kind of wanted to

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<v Speaker 1>be in television. I had taken a lot of television courses,

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<v Speaker 1>and I had done the radios thing. So the Stars

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<v Speaker 1>and Stripes was really the only print journalism I did.

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<v Speaker 1>And you know, I had six months of like unemployment

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<v Speaker 1>insurance coming back from Vietnam.

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<v Speaker 2>But I had to go and like go to a

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<v Speaker 2>job interview. And one of the job interviews was for

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<v Speaker 2>a television station and the person who was the head

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<v Speaker 2>of the Chamber of Commerce was also the head of

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<v Speaker 2>the TV station and he hired me, so offered me

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<v Speaker 2>a job, and it was hard to get. Those jobs

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<v Speaker 2>were hard to get, and I took it. So, I mean,

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<v Speaker 2>it's just why I fell into place. Yeah, that's why.

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<v Speaker 2>That's why I are. You do s Yr But then

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<v Speaker 2>you go down to Florida. Correct? Why I went off

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<v Speaker 2>to Columbia, I'm sorry, a graduate degree at JO Why

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<v Speaker 2>did you want to do that? You were working?

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<v Speaker 3>Why?

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<v Speaker 2>I wanted to do it to get out of Syracuse

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<v Speaker 2>because I was finding it difficult to make a jump

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<v Speaker 2>to a major market, and I thought that the Columbia

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<v Speaker 2>thing would give me a little bit more credibility in

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<v Speaker 2>New York if I wanted it, because I wanted to

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<v Speaker 2>ultimately go to the networks.

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<v Speaker 1>Yeah and so, and they did give you the credibility

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<v Speaker 1>because you just work you're in Jacksonville, you're in Miami.

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<v Speaker 2>Both those stations owned by the Washington Post Company. What

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<v Speaker 2>was your just someone connection with them? Had you worked

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<v Speaker 2>for them? I didn't, but it was a great company

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<v Speaker 2>to work for Back then. I got hired to go

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<v Speaker 2>down to Jacksonville. I had a friend at CBS and

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<v Speaker 2>he says, why don't you go down talk to Jim Snyder,

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<v Speaker 2>who is the head of WTP, the CBS affiliate in Washington.

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<v Speaker 2>He runs Post newsweek stations. You know. I went down

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<v Speaker 2>and I talked to Jim, and Jim said, I've got

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<v Speaker 2>this investigator reporter's job opening Jacksonville. You know, I'd like

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<v Speaker 2>you to go down and talk to the news director

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<v Speaker 2>and we can put you in there because I've done

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<v Speaker 2>some investigative reporting at WSYR. So I get down there

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<v Speaker 2>and it turns out that everybody in town, all these people,

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<v Speaker 2>you know, the news director says, oh, we've got some

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<v Speaker 2>great stories down here. The town was run kind of

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<v Speaker 2>by independent authorities. It was like all these businessmen were

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<v Speaker 2>running the town. There was support authority, the electric all

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<v Speaker 2>of this stuff, and our license. Both stations were being

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<v Speaker 2>challenged by a group of very rich Republicans who had

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<v Speaker 2>gotten in trouble. If you may remember when I think

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<v Speaker 2>it was Bernstein or Woodward called up John Mitchell, who

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<v Speaker 2>was the Attorney General of the United States at the time,

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<v Speaker 2>and asked him a couple of questions about Watergate. Woke

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<v Speaker 2>come up and woke him up, And Mitchell's response was,

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<v Speaker 2>Katie Graham's going to get her kit in her ringer

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<v Speaker 2>if you print this story. But what they did was

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<v Speaker 2>they challenged the licenses of the two most profitable parts

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<v Speaker 2>of the Washington Post want the TV stations in Jacksonville

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<v Speaker 2>and Miami. So I was there and it ended up

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<v Speaker 2>I didn't know this at the time, but I was

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<v Speaker 2>doing stories on all the people that were behind the

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<v Speaker 2>license channel challenge. I wanted something about journalism that day.

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<v Speaker 2>They didn't prevail them.

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<v Speaker 1>They didn't prevail, right, And you were there for how

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<v Speaker 1>long in Florida before because eventually come to New York

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<v Speaker 1>after that two years?

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<v Speaker 2>I was there in Jacksonville two years and two years

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<v Speaker 2>in Miami.

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<v Speaker 1>What was your where had you spent even during your

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<v Speaker 1>su days and then of course during your Columbia days

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<v Speaker 1>you're uptown? But what did you think about when you

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<v Speaker 1>first came to New York. Did you see it potentially

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<v Speaker 1>as a place you were going to spend the rest

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<v Speaker 1>of your life? You being from Indiana, Yeah, and I

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<v Speaker 1>also been from Chappaqua. I graduated from high school at Chapequa,

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<v Speaker 1>so I knew it by taking the Harlem Line into

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<v Speaker 1>Grand Center and going to play.

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<v Speaker 2>You're familiar with New York obviously, Yeah, But did you

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<v Speaker 2>love New York?

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<v Speaker 1>Did you think you did you know it was going

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<v Speaker 1>to be I thought it was a big time, you know,

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<v Speaker 1>And I thought, here I am.

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<v Speaker 2>I'm working for CBS and a network correspondent. I'd got

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<v Speaker 2>in my dream the whole thing. It was absolutely the

0:11:37.400 --> 0:11:41.199
<v Speaker 2>most junior person at CBS at the time and worked

0:11:41.200 --> 0:11:42.839
<v Speaker 2>in the Northeast Bureau. And I did a lot of

0:11:42.880 --> 0:11:45.800
<v Speaker 2>crap work, a lot of stakouts. You know, you take

0:11:45.840 --> 0:11:47.800
<v Speaker 2>a camera crew and you wait all day waiting for

0:11:47.800 --> 0:11:50.400
<v Speaker 2>somebody to come out. Maybe they won't come out. I

0:11:50.440 --> 0:11:53.959
<v Speaker 2>don't know how many days I spent standing outside the

0:11:54.040 --> 0:11:57.120
<v Speaker 2>hospital where they thought the show of Iran was but

0:11:57.480 --> 0:12:00.559
<v Speaker 2>he was not there. Ever there and I spent two

0:12:00.640 --> 0:12:02.960
<v Speaker 2>miserable days in the rain outside the DA Code after

0:12:03.040 --> 0:12:06.160
<v Speaker 2>John Lennon got shot. Now and I got sent to Dallas,

0:12:06.920 --> 0:12:10.880
<v Speaker 2>and I said, we're making you a correspondent, because everybody

0:12:10.880 --> 0:12:14.000
<v Speaker 2>started off as a reporter. We're making a correspondent. That's

0:12:14.040 --> 0:12:15.760
<v Speaker 2>the good news. Bad news is we're sending you to

0:12:15.760 --> 0:12:18.880
<v Speaker 2>our Salvador. So I went down there and spent a

0:12:18.880 --> 0:12:21.719
<v Speaker 2>couple of months in our salad, which actually was more

0:12:21.800 --> 0:12:26.679
<v Speaker 2>dangerous for me than Vietnam.

0:12:26.880 --> 0:12:31.760
<v Speaker 1>Journalist and news correspondent Steve Croft. If you enjoy conversations

0:12:31.800 --> 0:12:35.440
<v Speaker 1>with world class journalists, check out my interview with Dan Rather.

0:12:36.320 --> 0:12:39.160
<v Speaker 3>When the first faint edges of what we came to

0:12:39.200 --> 0:12:42.200
<v Speaker 3>know is Watergate begun to emerge, I was skeptical that

0:12:42.240 --> 0:12:45.360
<v Speaker 3>it would reach the Oval Office itself. You never met

0:12:45.400 --> 0:12:48.199
<v Speaker 3>anybody who had more respect for the office of the

0:12:48.280 --> 0:12:51.199
<v Speaker 3>Presidency in the United States than I do. It was

0:12:51.400 --> 0:12:54.080
<v Speaker 3>very difficult for me to accept that the President himself

0:12:54.080 --> 0:12:58.120
<v Speaker 3>would be involved in any way. However, as time went along,

0:12:58.480 --> 0:13:01.920
<v Speaker 3>facts began the first wisp. Then they begin to speak

0:13:02.000 --> 0:13:04.360
<v Speaker 3>in fou voice, and then the facts begin to shout.

0:13:05.040 --> 0:13:09.440
<v Speaker 3>It isn't just lower level campaign operatuies, It isn't just

0:13:09.600 --> 0:13:12.840
<v Speaker 3>lower level members of the administration. That this probably goes

0:13:12.880 --> 0:13:15.080
<v Speaker 3>into the Oval Office itself.

0:13:17.280 --> 0:13:20.679
<v Speaker 1>To hear more of my conversation with Dan rather go

0:13:20.720 --> 0:13:24.520
<v Speaker 1>to Here's the Thing dot org. After the break, Steve

0:13:24.600 --> 0:13:28.680
<v Speaker 1>Croft tells the story of being attacked while reporting on location.

0:13:39.320 --> 0:13:42.679
<v Speaker 1>I'm Alec Baldwin and this is Here's the Thing. In

0:13:42.800 --> 0:13:46.760
<v Speaker 1>Steve Croft's final interview for sixty Minutes, he told fellow

0:13:46.800 --> 0:13:51.400
<v Speaker 1>correspondent Leslie Stall that in spite of interviewing intimidating figures

0:13:51.800 --> 0:13:55.400
<v Speaker 1>and traveling to dangerous places, he was never afraid while

0:13:55.440 --> 0:13:59.920
<v Speaker 1>doing an interview. The only exceptions Croft cited were interview

0:14:00.120 --> 0:14:04.040
<v Speaker 1>was in Beirut and Zimbabwe. I was curious what made

0:14:04.120 --> 0:14:06.800
<v Speaker 1>him nervous during those two particular stories.

0:14:07.840 --> 0:14:10.440
<v Speaker 2>Well, in Zimbabwe, we were attacked by a group of

0:14:10.520 --> 0:14:14.040
<v Speaker 2>black quote unquote war veterans who were trying to drive

0:14:14.120 --> 0:14:18.400
<v Speaker 2>the white farmers out of South Africa. I was doing

0:14:18.400 --> 0:14:21.040
<v Speaker 2>a story on one of the farmers and I thought

0:14:21.480 --> 0:14:23.920
<v Speaker 2>that was going to be really hairy. They had big,

0:14:24.360 --> 0:14:29.240
<v Speaker 2>huge clubs and they were very upset. But we got

0:14:29.280 --> 0:14:32.720
<v Speaker 2>out of it. In Beirute just because it was brute.

0:14:32.760 --> 0:14:35.960
<v Speaker 2>I mean there were buildings blowing up every fifteen minutes

0:14:36.520 --> 0:14:40.000
<v Speaker 2>and you had to really pay attention to where you

0:14:40.080 --> 0:14:42.600
<v Speaker 2>went and what you were doing. The place was out

0:14:42.640 --> 0:14:45.840
<v Speaker 2>of control. Are you a religious man? Do you think

0:14:45.880 --> 0:14:49.080
<v Speaker 2>you're alive because of a lot of war coverage? For you,

0:14:49.440 --> 0:14:52.200
<v Speaker 2>I did intense, intense period of this kind of very

0:14:52.280 --> 0:14:53.840
<v Speaker 2>dangerous reporting. Yeah.

0:14:54.360 --> 0:14:55.920
<v Speaker 1>I mean, other than being lucky, what else do you

0:14:55.960 --> 0:14:58.840
<v Speaker 1>attributed to You just had an eye for what to do.

0:14:58.960 --> 0:15:04.760
<v Speaker 1>He had a sense it's very exciting, Okay. Churchill said,

0:15:05.040 --> 0:15:07.840
<v Speaker 1>there's no feeling in the world. The most exhilarating feeling

0:15:07.840 --> 0:15:10.160
<v Speaker 1>in the world is to be shot at without result.

0:15:10.760 --> 0:15:14.160
<v Speaker 2>And it was. There was a lot of adrenaline, and

0:15:14.520 --> 0:15:18.200
<v Speaker 2>it was a great way to advance your career, and

0:15:18.440 --> 0:15:21.000
<v Speaker 2>because you were always going to be on the air

0:15:21.640 --> 0:15:24.600
<v Speaker 2>and I liked it. I liked it for a while,

0:15:25.080 --> 0:15:28.360
<v Speaker 2>and then the chance came to go to London and

0:15:28.440 --> 0:15:30.680
<v Speaker 2>I decided to do that. That's where I ended up

0:15:30.720 --> 0:15:33.360
<v Speaker 2>in Beirut when I was working in the London bureau,

0:15:33.840 --> 0:15:36.080
<v Speaker 2>which was I spent three years there and I was

0:15:36.120 --> 0:15:39.200
<v Speaker 2>traveling all over the world and that was really the

0:15:39.240 --> 0:15:42.040
<v Speaker 2>best time I had at CBS. I love that why,

0:15:42.640 --> 0:15:45.320
<v Speaker 2>because that's the reason I wanted to be a correspondent.

0:15:45.360 --> 0:15:48.720
<v Speaker 2>I wanted to see the world and learn about things.

0:15:49.120 --> 0:15:53.560
<v Speaker 2>We traveled in those days, first class, and you stayed

0:15:53.560 --> 0:15:56.680
<v Speaker 2>in the best hotels, and it was you were like

0:15:56.720 --> 0:16:00.520
<v Speaker 2>a dignitary. It was a different world for journals expect then.

0:16:00.600 --> 0:16:03.920
<v Speaker 1>Yeah, now when you finally land at sixty minutes, you

0:16:04.000 --> 0:16:05.880
<v Speaker 1>join sixty Minutes in what year?

0:16:05.920 --> 0:16:07.560
<v Speaker 2>Is it eighty nine?

0:16:07.640 --> 0:16:11.440
<v Speaker 1>I think eighty nine, So eighty nine, fifty six plus

0:16:11.520 --> 0:16:15.480
<v Speaker 1>years after it started. Sixty Minutes is better and more

0:16:15.560 --> 0:16:19.120
<v Speaker 1>substantive than any other TV news program today, not just

0:16:19.160 --> 0:16:21.640
<v Speaker 1>in prime time, but still the gold standard.

0:16:21.800 --> 0:16:25.600
<v Speaker 2>Why do you think they maintained that authority because it

0:16:25.640 --> 0:16:29.600
<v Speaker 2>was a very good show. It came in generally followed

0:16:29.600 --> 0:16:32.960
<v Speaker 2>the NFL football games on CBS, which gave us a

0:16:33.040 --> 0:16:39.240
<v Speaker 2>huge leading, particularly among males. And it had a genius

0:16:39.280 --> 0:16:42.240
<v Speaker 2>and Don Hewett was the executive producer and sort of

0:16:42.240 --> 0:16:45.080
<v Speaker 2>the inventor of the show. And it had Mike Wallace

0:16:45.120 --> 0:16:48.680
<v Speaker 2>and Morley Safer and Ed Bradley and Leslie Stall and

0:16:49.080 --> 0:16:52.840
<v Speaker 2>you know the best. You know, all these people had,

0:16:53.040 --> 0:16:56.640
<v Speaker 2>like myself, gone out and done all the stuff that

0:16:56.720 --> 0:16:59.400
<v Speaker 2>I had done. And I think that was one of

0:16:59.400 --> 0:17:02.400
<v Speaker 2>the reasons why I was under consideration. You know, I've

0:17:02.440 --> 0:17:05.920
<v Speaker 2>been overseas and knew how to handle myself. I could

0:17:06.200 --> 0:17:08.560
<v Speaker 2>was a good writer, but I think that the success

0:17:08.640 --> 0:17:13.840
<v Speaker 2>for the show was I think that people felt smart

0:17:13.880 --> 0:17:18.639
<v Speaker 2>watching it. We would take on very difficult subjects, but

0:17:18.720 --> 0:17:21.640
<v Speaker 2>we never talked down to the audience, and we would

0:17:21.680 --> 0:17:24.959
<v Speaker 2>go to great links to try and give the story

0:17:25.080 --> 0:17:28.719
<v Speaker 2>context and explain what was going on and why we

0:17:28.720 --> 0:17:32.520
<v Speaker 2>were doing this story. And people just they like that,

0:17:32.600 --> 0:17:37.000
<v Speaker 2>I think, and they learned something from it, and I

0:17:37.000 --> 0:17:40.840
<v Speaker 2>think that's really important. I mean television today and television

0:17:40.920 --> 0:17:44.119
<v Speaker 2>generally talks down to people. They don't give the audience

0:17:44.240 --> 0:17:47.800
<v Speaker 2>much credit for being smart, and I think sixty Minutes

0:17:47.840 --> 0:17:51.280
<v Speaker 2>did that, and I think the audience appreciated it. Also.

0:17:51.400 --> 0:17:53.920
<v Speaker 2>I thought people always thought sixty Minutes was a really

0:17:54.000 --> 0:17:57.000
<v Speaker 2>liberal show, and I don't think it was liberal. I

0:17:57.040 --> 0:17:59.720
<v Speaker 2>think that it was we did. There's no show in

0:17:59.760 --> 0:18:03.080
<v Speaker 2>tell Vision that did more stories about the waste and

0:18:03.440 --> 0:18:06.520
<v Speaker 2>dysfunction of the US government right than sixty minutes.

0:18:06.560 --> 0:18:09.359
<v Speaker 1>Right now, when you're working for the network prior to

0:18:09.400 --> 0:18:12.359
<v Speaker 1>the appointment to sixty Minutes, you're running against some of

0:18:12.400 --> 0:18:15.000
<v Speaker 1>these guys in a lot of headbutting with your competitors,

0:18:15.000 --> 0:18:16.760
<v Speaker 1>if you will, I mean the other guys on the show.

0:18:16.840 --> 0:18:19.680
<v Speaker 1>Reisner safer. You guys don't want to cover the same story.

0:18:19.640 --> 0:18:22.439
<v Speaker 1>Yeah yeah, And that was even before sixty minutes when

0:18:22.480 --> 0:18:24.359
<v Speaker 1>your correspondence or no, yeah, no.

0:18:24.480 --> 0:18:27.240
<v Speaker 2>I had some huge fights with Morley when I was

0:18:27.280 --> 0:18:30.160
<v Speaker 2>in London over who is going to do what story?

0:18:30.200 --> 0:18:32.560
<v Speaker 2>Whether you know, I'd be I'd been working on it,

0:18:32.560 --> 0:18:34.840
<v Speaker 2>and he wanted to do the story with John Tiffin,

0:18:34.880 --> 0:18:37.879
<v Speaker 2>who is a very powerful producer, and we would, you know,

0:18:38.119 --> 0:18:41.320
<v Speaker 2>take the gloves off and have at it and have

0:18:41.400 --> 0:18:41.720
<v Speaker 2>at it.

0:18:42.000 --> 0:18:43.360
<v Speaker 1>And then when you got on the show, the same

0:18:43.359 --> 0:18:45.520
<v Speaker 1>thing when it's sixteen minutes, same thing, A lot of competition.

0:18:45.600 --> 0:18:48.720
<v Speaker 2>Who's going to do what story? Yes, now you do it.

0:18:48.800 --> 0:18:50.760
<v Speaker 1>And one thing that was mentioned to me was you

0:18:50.840 --> 0:18:54.280
<v Speaker 1>interview me obviously every president during your term there and

0:18:54.359 --> 0:18:57.960
<v Speaker 1>their term you and you interview Obama several times. To me,

0:18:58.080 --> 0:19:01.159
<v Speaker 1>the presidency is you you have to have a special

0:19:01.720 --> 0:19:03.600
<v Speaker 1>land in your body to want to do that job

0:19:03.640 --> 0:19:06.720
<v Speaker 1>and believe you can succeed, especially the contemporary presidence, let's

0:19:06.720 --> 0:19:10.840
<v Speaker 1>say since nineteen eighty and as monolithic as the budget

0:19:10.880 --> 0:19:12.840
<v Speaker 1>is and everything, what was it you got from each

0:19:12.880 --> 0:19:15.119
<v Speaker 1>of them that you interviewed that you thought was the

0:19:15.200 --> 0:19:18.520
<v Speaker 1>reason they won? Name each president won by one that

0:19:18.600 --> 0:19:21.960
<v Speaker 1>you interviewed. Most of them I interviewed were just short,

0:19:22.400 --> 0:19:26.280
<v Speaker 1>short interviews, no long profiles, no long profiles, not sixty minutes.

0:19:27.000 --> 0:19:30.480
<v Speaker 1>The two presidents that I interviewed for sixty minutes were

0:19:30.560 --> 0:19:34.880
<v Speaker 1>Clinton several times and Obama many times. I think Obama

0:19:35.040 --> 0:19:39.040
<v Speaker 1>was a bit a class by himself, simply for the

0:19:39.080 --> 0:19:44.000
<v Speaker 1>fact that he was so knowledgeable and he was very articulate.

0:19:44.560 --> 0:19:46.800
<v Speaker 1>When you go down and interview with somebody in Washington,

0:19:46.840 --> 0:19:49.800
<v Speaker 1>whether it's the president or whatever, there's a lot of

0:19:49.840 --> 0:19:52.399
<v Speaker 1>things you ask them that they don't know, and they

0:19:52.600 --> 0:19:55.760
<v Speaker 1>constantly have to check with their aids, and they always

0:19:55.800 --> 0:19:59.000
<v Speaker 1>have them in the room. In all the times I interviewed,

0:19:59.119 --> 0:20:03.280
<v Speaker 1>Obama never stopped to ask any questions, and I never

0:20:03.320 --> 0:20:07.200
<v Speaker 1>had anybody maybe one time somebody from his staff called

0:20:07.200 --> 0:20:10.919
<v Speaker 1>and wanted to correct a small factual era. He knew

0:20:10.960 --> 0:20:15.560
<v Speaker 1>what he was talking about, and he was able to

0:20:15.600 --> 0:20:18.879
<v Speaker 1>give people, I think, a sense of what it was

0:20:18.960 --> 0:20:21.760
<v Speaker 1>like being in that job, which is why I liked

0:20:21.800 --> 0:20:24.639
<v Speaker 1>so much about interviewing. The reason we interviewed him so

0:20:24.720 --> 0:20:27.000
<v Speaker 1>many times. What sense did you get? What was his

0:20:27.119 --> 0:20:27.720
<v Speaker 1>view of the job.

0:20:27.960 --> 0:20:30.600
<v Speaker 2>Did he enjoy it? I think he enjoyed it less

0:20:30.600 --> 0:20:36.040
<v Speaker 2>over time. I think his wife never really she didn't

0:20:36.080 --> 0:20:38.439
<v Speaker 2>want him to run. Originally, the first time I interviewed

0:20:39.280 --> 0:20:44.040
<v Speaker 2>was the week before he declared, and she was very successful,

0:20:44.040 --> 0:20:48.920
<v Speaker 2>had her own career, and she had lived through time

0:20:48.960 --> 0:20:50.879
<v Speaker 2>in the Senate and he was gone all the time.

0:20:51.240 --> 0:20:54.640
<v Speaker 2>She hated that. I think both of them took great

0:20:54.760 --> 0:20:57.400
<v Speaker 2>solace in the fact that it was going to be Basically,

0:20:57.440 --> 0:21:00.600
<v Speaker 2>they had a place to live and he was going

0:21:00.640 --> 0:21:03.040
<v Speaker 2>to be there, so this will be together. Yeah, So

0:21:03.119 --> 0:21:06.160
<v Speaker 2>from a family point of view, it worked out very well.

0:21:06.240 --> 0:21:08.760
<v Speaker 2>I think he was ready to leave when he left,

0:21:09.600 --> 0:21:13.120
<v Speaker 2>and I think that I know that they had a deal.

0:21:13.240 --> 0:21:16.080
<v Speaker 2>You know that that you know that he was going

0:21:16.160 --> 0:21:18.480
<v Speaker 2>to be there for the eight years and then and

0:21:18.520 --> 0:21:20.720
<v Speaker 2>then it was going to be a private life of

0:21:20.760 --> 0:21:22.120
<v Speaker 2>a private life.

0:21:22.240 --> 0:21:24.880
<v Speaker 1>Well, I mean I interviewed Michael Wolfe when he had

0:21:24.920 --> 0:21:27.200
<v Speaker 1>Fire and Fury coming in right for his book about Trumph.

0:21:27.240 --> 0:21:29.200
<v Speaker 2>He's what a character he is. Yeah, he has a character.

0:21:29.800 --> 0:21:31.680
<v Speaker 1>But when we did Fire and Fury at town Hall,

0:21:32.119 --> 0:21:34.400
<v Speaker 1>and I said to him that the presidency is this

0:21:34.520 --> 0:21:37.320
<v Speaker 1>cockpit that very few people can ever occupy, and your

0:21:37.400 --> 0:21:40.359
<v Speaker 1>vista is something that's only the most singular experience in

0:21:40.400 --> 0:21:40.680
<v Speaker 1>the world.

0:21:40.720 --> 0:21:42.360
<v Speaker 2>You see the high high and the low low.

0:21:43.000 --> 0:21:45.200
<v Speaker 1>Is it only one man has gone into that cockpit

0:21:45.280 --> 0:21:48.359
<v Speaker 1>and come out of that cockpit unchanged, exactly the same

0:21:48.440 --> 0:21:52.119
<v Speaker 1>in his worldview and his behavior as went And that's Trump.

0:21:52.960 --> 0:21:54.960
<v Speaker 1>You didn't cover Trump obviously when he were you you

0:21:55.080 --> 0:21:57.760
<v Speaker 1>left the show what year? I left the show in

0:21:57.880 --> 0:22:00.720
<v Speaker 1>twenty nineteen, so you were there for the first three Trumps.

0:22:00.960 --> 0:22:02.400
<v Speaker 1>I was, But I didn't interview him.

0:22:02.440 --> 0:22:04.800
<v Speaker 2>Did you want to? I didn't want to. You didn't

0:22:04.880 --> 0:22:07.640
<v Speaker 2>why I didn't have the opportunity, And I watched other

0:22:07.640 --> 0:22:11.840
<v Speaker 2>people interview him, and he didn't answer any questions, and

0:22:12.000 --> 0:22:13.879
<v Speaker 2>you know, he's a bully, and it didn't seem to

0:22:13.920 --> 0:22:14.480
<v Speaker 2>be productive.

0:22:14.520 --> 0:22:17.040
<v Speaker 1>It wasn't what I wanted to do. And I knew

0:22:17.080 --> 0:22:20.679
<v Speaker 1>him from New York because he loved the press. He

0:22:20.800 --> 0:22:23.199
<v Speaker 1>liked to hang around with reporters. And you know, if

0:22:23.200 --> 0:22:25.280
<v Speaker 1>you see him out in town, around town or at

0:22:25.280 --> 0:22:26.760
<v Speaker 1>a party or something like that.

0:22:27.560 --> 0:22:30.200
<v Speaker 2>Screening, he was in front of the camera. Yeah, he

0:22:30.359 --> 0:22:33.080
<v Speaker 2>just come up to you and schmooze.

0:22:35.359 --> 0:22:40.399
<v Speaker 1>Journalist and news correspondent Steve Kroft. If you're enjoying this conversation,

0:22:40.880 --> 0:22:43.560
<v Speaker 1>tell a friend and be sure to follow Here's the

0:22:43.640 --> 0:22:48.320
<v Speaker 1>Thing on the iHeartRadio app, Spotify or wherever you get

0:22:48.359 --> 0:22:52.800
<v Speaker 1>your podcasts. When we come back, Steve Croft shares what

0:22:52.880 --> 0:22:56.440
<v Speaker 1>he thinks of journalism today and what has changed since

0:22:56.480 --> 0:23:13.040
<v Speaker 1>he started over fifty years ago. I I'm Alec Baldwin,

0:23:13.119 --> 0:23:16.640
<v Speaker 1>and this is here's the thing. Steve Croft interviewed many

0:23:16.680 --> 0:23:21.240
<v Speaker 1>politicians throughout his impressive career. He famously spoke with President

0:23:21.280 --> 0:23:26.280
<v Speaker 1>Barack Obama sixteen times during his presidency. While he found

0:23:26.400 --> 0:23:29.720
<v Speaker 1>Obama to be highly informed on these subjects at hand,

0:23:30.160 --> 0:23:33.160
<v Speaker 1>I was curious what Croft thought of the current political

0:23:33.200 --> 0:23:36.159
<v Speaker 1>climate and the caliber of people we see in the

0:23:36.200 --> 0:23:41.160
<v Speaker 1>public eye today. What worries me even more, I think

0:23:41.359 --> 0:23:43.959
<v Speaker 1>is that I think the two major political parties, the

0:23:43.960 --> 0:23:47.520
<v Speaker 1>only parties we have, are just in terrible shape. It's

0:23:47.560 --> 0:23:51.399
<v Speaker 1>hard to tell which one is in worse shape. I

0:23:51.440 --> 0:23:54.399
<v Speaker 1>think that the Democrats have plenty of problems and the

0:23:54.480 --> 0:23:59.760
<v Speaker 1>Republicans have lots of problems. And I don't think people

0:24:00.000 --> 0:24:02.439
<v Speaker 1>fel a real affinity for either party.

0:24:03.000 --> 0:24:07.919
<v Speaker 2>And I think that Trump was elected. Somebody gave me

0:24:08.000 --> 0:24:09.360
<v Speaker 2>this analysis the other day.

0:24:09.440 --> 0:24:11.920
<v Speaker 1>I thought it was pretty interesting. It's you know, you

0:24:12.160 --> 0:24:14.960
<v Speaker 1>people out there. They don't pay that close attention to

0:24:15.000 --> 0:24:17.800
<v Speaker 1>what's going on, but they'll see clips of Trump on

0:24:17.880 --> 0:24:22.600
<v Speaker 1>television and they like what he said, and they like

0:24:22.680 --> 0:24:26.480
<v Speaker 1>the way he says it, and they want that and

0:24:26.520 --> 0:24:28.720
<v Speaker 1>they'll give it another you know, they'll give him another

0:24:28.760 --> 0:24:36.119
<v Speaker 1>shot without really knowing that much about his history, about

0:24:36.200 --> 0:24:39.679
<v Speaker 1>the criminal cases that had been brought against him, and

0:24:39.760 --> 0:24:44.000
<v Speaker 1>about what happened on January sixth. I think people very

0:24:44.040 --> 0:24:45.800
<v Speaker 1>easy for those people to say.

0:24:45.600 --> 0:24:47.240
<v Speaker 2>Well, this is just politics.

0:24:47.240 --> 0:24:50.200
<v Speaker 1>This it's just that this is the Democrats making throwing

0:24:50.240 --> 0:24:53.600
<v Speaker 1>a lot of dirt, and they don't really analyze it.

0:24:53.720 --> 0:24:56.200
<v Speaker 1>I think, you know, people in this country are not stupid,

0:24:56.480 --> 0:24:58.920
<v Speaker 1>and I think they're very upset with the way the country,

0:24:59.080 --> 0:25:01.360
<v Speaker 1>the shape that the country is in, the way it's

0:25:01.400 --> 0:25:04.879
<v Speaker 1>been run for a while, the levels of corruption, debt,

0:25:05.280 --> 0:25:10.720
<v Speaker 1>the debt, the income inequality, all of these things, the

0:25:10.760 --> 0:25:12.360
<v Speaker 1>medical system.

0:25:12.760 --> 0:25:14.520
<v Speaker 2>I mean, everybody has a lot of complaints.

0:25:15.600 --> 0:25:17.920
<v Speaker 1>But when you were the last season, you were doing

0:25:17.920 --> 0:25:21.000
<v Speaker 1>the show, you were doing sixty minutes, you knew how

0:25:21.040 --> 0:25:23.560
<v Speaker 1>far in advance, Like I'm always thinking of this in

0:25:23.600 --> 0:25:26.000
<v Speaker 1>kind of a wistful way, how far away from you

0:25:26.080 --> 0:25:26.760
<v Speaker 1>leaving did you.

0:25:26.720 --> 0:25:28.840
<v Speaker 2>Know you were going to leave. I knew at the

0:25:28.840 --> 0:25:31.080
<v Speaker 2>beginning of the last year, so that last year you

0:25:31.119 --> 0:25:33.240
<v Speaker 2>knew would be her last year. I did for a

0:25:33.280 --> 0:25:36.240
<v Speaker 2>number of reasons. One, I had thought very seriously about

0:25:36.320 --> 0:25:39.239
<v Speaker 2>leaving a couple of years before that. At the end

0:25:39.280 --> 0:25:41.520
<v Speaker 2>of every year, I would sit back, I'd say, do

0:25:41.600 --> 0:25:44.560
<v Speaker 2>I really want to do this anymore? The job? If

0:25:44.600 --> 0:25:47.960
<v Speaker 2>you did that job right, it was really a killer, really,

0:25:48.600 --> 0:25:50.720
<v Speaker 2>and I thought, you know, I was about to turn

0:25:50.760 --> 0:25:51.320
<v Speaker 2>seventy four.

0:25:51.400 --> 0:25:53.240
<v Speaker 1>I thought I'd been there. It was going to be

0:25:53.520 --> 0:25:57.119
<v Speaker 1>my fortieth year at CPS and my thirtieth year. At

0:25:57.119 --> 0:26:00.200
<v Speaker 1>sixty minutes, the numbers were all aligned, and I thought, Okay,

0:26:00.359 --> 0:26:01.720
<v Speaker 1>I'm not going to do this anymore.

0:26:02.200 --> 0:26:05.679
<v Speaker 2>And also CBS was in a real state of turmoil,

0:26:06.280 --> 0:26:08.879
<v Speaker 2>which was not an insignificant part.

0:26:09.400 --> 0:26:11.639
<v Speaker 1>What happened to them, without you getting personal and whatever,

0:26:11.920 --> 0:26:13.359
<v Speaker 1>say what you can, but what do you think.

0:26:13.240 --> 0:26:17.240
<v Speaker 2>Happened to them? Well, I think that it was there's

0:26:17.280 --> 0:26:19.680
<v Speaker 2>no way to avoid this. I think that it started

0:26:19.720 --> 0:26:23.360
<v Speaker 2>with the merger between CBS and Viacom, and I think

0:26:23.400 --> 0:26:26.520
<v Speaker 2>that they were two different cultures and it was a

0:26:26.640 --> 0:26:33.320
<v Speaker 2>very painful, dirty split up. And last Moonvez was regardless

0:26:33.359 --> 0:26:36.280
<v Speaker 2>of what you think about some of the allegations that

0:26:36.320 --> 0:26:39.960
<v Speaker 2>were made, most of which were involved events long before

0:26:39.960 --> 0:26:42.960
<v Speaker 2>he came to CBS. Was very good at his job,

0:26:43.400 --> 0:26:46.480
<v Speaker 2>and he was a very powerful person in Hollywood. And

0:26:46.920 --> 0:26:49.720
<v Speaker 2>I think the people at Viacom are really mostly just

0:26:49.800 --> 0:26:50.760
<v Speaker 2>interested in the money.

0:26:51.800 --> 0:26:53.920
<v Speaker 1>So when you're looking at that last year, you're pretty clear,

0:26:53.920 --> 0:26:55.080
<v Speaker 1>now it's going to be your last year.

0:26:55.160 --> 0:26:55.480
<v Speaker 2>Yeah.

0:26:55.520 --> 0:26:57.320
<v Speaker 1>Do you pick the shows with an eye tour? Do

0:26:57.359 --> 0:26:59.919
<v Speaker 1>I want to have my final season? Did you do

0:27:00.040 --> 0:27:02.280
<v Speaker 1>picked them with an eye toward this is it? I

0:27:02.280 --> 0:27:03.520
<v Speaker 1>want to go out with a great year?

0:27:04.040 --> 0:27:04.240
<v Speaker 2>Yeah?

0:27:04.720 --> 0:27:06.159
<v Speaker 1>And you thought to yourself, well, I want to do

0:27:06.200 --> 0:27:07.680
<v Speaker 1>this person that I want to do this story. I

0:27:07.680 --> 0:27:09.640
<v Speaker 1>don't want to do that, right. Yes, you're a little

0:27:09.680 --> 0:27:11.959
<v Speaker 1>bit more precious about it that final year. Yeah, there

0:27:11.960 --> 0:27:14.600
<v Speaker 1>were things I wanted. Look, I had a rule with

0:27:14.680 --> 0:27:16.960
<v Speaker 1>my producers. I reserved the rut to say no to

0:27:17.000 --> 0:27:19.640
<v Speaker 1>any story I didn't want to do, and I would

0:27:19.720 --> 0:27:22.679
<v Speaker 1>not impose a story that the producers didn't want to

0:27:22.720 --> 0:27:26.160
<v Speaker 1>do on them. So when you were last year, what's

0:27:26.160 --> 0:27:27.639
<v Speaker 1>a story that really really spoke to you that you

0:27:27.720 --> 0:27:28.520
<v Speaker 1>really enjoyed doing.

0:27:28.880 --> 0:27:30.720
<v Speaker 2>I think one of the last stories I did was

0:27:30.760 --> 0:27:33.399
<v Speaker 2>about this place called the Isle of Egg, which was,

0:27:34.000 --> 0:27:37.040
<v Speaker 2>you know, just a little speck in the ocean. That

0:27:37.320 --> 0:27:39.359
<v Speaker 2>was a very interesting place, and I wanted to go

0:27:39.480 --> 0:27:42.399
<v Speaker 2>do that story, and I really wanted to do an

0:27:42.400 --> 0:27:45.679
<v Speaker 2>interview with Samuel L. Jackson, who I've always admired as

0:27:45.720 --> 0:27:49.199
<v Speaker 2>an actor and knew very little about him when I

0:27:49.240 --> 0:27:52.879
<v Speaker 2>started researching the story, and it ended up being one

0:27:52.880 --> 0:27:55.600
<v Speaker 2>of my favorite stories. Those are the two things. In

0:27:55.680 --> 0:27:58.479
<v Speaker 2>the last story I did was about money laundering, and

0:27:59.000 --> 0:28:01.679
<v Speaker 2>you know, talk about how things are screwed up in

0:28:01.680 --> 0:28:04.680
<v Speaker 2>the country and the corrupt level of the level of corruption.

0:28:05.280 --> 0:28:07.480
<v Speaker 2>This was mostly going on and written, but it was

0:28:07.480 --> 0:28:11.720
<v Speaker 2>a story about a little bank, a Danish branch of

0:28:11.720 --> 0:28:15.320
<v Speaker 2>a Danish bank that was wandering all this money coming

0:28:15.359 --> 0:28:18.000
<v Speaker 2>out of the Soviet Union. And it was such this

0:28:18.359 --> 0:28:21.159
<v Speaker 2>the scam was so easy to pick and see, and

0:28:21.320 --> 0:28:24.000
<v Speaker 2>all the American banks knew about it, and they were

0:28:24.040 --> 0:28:29.760
<v Speaker 2>all handling this corrupt Russian money and only one bank,

0:28:30.400 --> 0:28:34.159
<v Speaker 2>Jamie and Jamie Diamond, You refused to do business with them.

0:28:34.640 --> 0:28:36.360
<v Speaker 1>Is there anybody, I mean, I'm sure there were some

0:28:36.440 --> 0:28:39.240
<v Speaker 1>name one or two where they surprised you in the interview,

0:28:39.280 --> 0:28:41.000
<v Speaker 1>they weren't at all what you thought they might be.

0:28:41.160 --> 0:28:44.280
<v Speaker 2>I'd say the biggest surprise was Clint Eastwood, because I

0:28:44.360 --> 0:28:47.880
<v Speaker 2>thought that he was, you know, the real macho man

0:28:48.800 --> 0:28:52.960
<v Speaker 2>and you know, staunch Republican and all this, which both

0:28:53.000 --> 0:28:55.719
<v Speaker 2>of which are true, right, But he is a really

0:28:56.480 --> 0:29:03.600
<v Speaker 2>interesting character, very smart, great businessman, very polite, very well

0:29:03.640 --> 0:29:06.520
<v Speaker 2>mannered and interesting. I mean he had you know, he

0:29:06.560 --> 0:29:10.200
<v Speaker 2>wrote all the music, you know, he's for all of

0:29:10.240 --> 0:29:14.760
<v Speaker 2>his movies. He's multifaceted, multifaceted, and everybody loved him. And

0:29:14.960 --> 0:29:18.200
<v Speaker 2>he didn't have the best reputation. When I went out

0:29:18.200 --> 0:29:20.920
<v Speaker 2>there and started spending time with him, and you know,

0:29:21.040 --> 0:29:23.320
<v Speaker 2>stayed in touch with him over the years, I just

0:29:23.360 --> 0:29:26.920
<v Speaker 2>thought he was really a first class individual. Impressed you. Yes,

0:29:27.360 --> 0:29:29.200
<v Speaker 2>I'll tell you the worst interview I ever tell you.

0:29:30.360 --> 0:29:34.520
<v Speaker 2>I'll rie Cardier Brossan, the French photographer earlier. He's a

0:29:34.520 --> 0:29:38.560
<v Speaker 2>great photographer, you know, one of the best, truly, but

0:29:38.600 --> 0:29:40.760
<v Speaker 2>he didn't want to talk about photography. He wanted to

0:29:40.800 --> 0:29:44.000
<v Speaker 2>talk about art, which was his new fascination, and he

0:29:44.040 --> 0:29:45.920
<v Speaker 2>didn't really want to talk at all. And he was

0:29:45.960 --> 0:29:50.479
<v Speaker 2>a really old, glumpy Frenchman. And I was like, I

0:29:50.560 --> 0:29:52.160
<v Speaker 2>really regretted doing that story.

0:29:52.920 --> 0:29:55.480
<v Speaker 1>My last question for you, it started working in non

0:29:55.520 --> 0:29:58.520
<v Speaker 1>military journalism when you were thirty. If you were thirty

0:29:58.600 --> 0:30:01.520
<v Speaker 1>right now, would you become a journalist. I probably wouldn't.

0:30:01.880 --> 0:30:05.400
<v Speaker 2>I think the word journalism is it almost doesn't exist anymore.

0:30:06.360 --> 0:30:09.360
<v Speaker 2>I mean it does. I mean that's too harsh judgment.

0:30:10.240 --> 0:30:12.600
<v Speaker 2>The New York Times and the major newspapers are still

0:30:12.640 --> 0:30:16.760
<v Speaker 2>capable of doing really good journalism, but it doesn't exist

0:30:16.760 --> 0:30:21.680
<v Speaker 2>on the cable news networks for sure. It doesn't really exist,

0:30:21.880 --> 0:30:26.720
<v Speaker 2>with a few possible exceptions, on network television. So it's

0:30:26.720 --> 0:30:29.520
<v Speaker 2>hard to say. Because I had I mean to talk

0:30:29.560 --> 0:30:32.560
<v Speaker 2>about journalism, that's a whole other thing. I mean, journalism

0:30:32.640 --> 0:30:35.640
<v Speaker 2>is really in trouble. Yeah, I wanted to talk about,

0:30:35.840 --> 0:30:37.920
<v Speaker 2>to a certain extent, what's wrong with it and what

0:30:38.000 --> 0:30:42.160
<v Speaker 2>is that? And the same thing that's wrong with everything

0:30:42.160 --> 0:30:45.240
<v Speaker 2>else in this country right now, the corporate imperative. Money,

0:30:46.560 --> 0:30:51.440
<v Speaker 2>not so much the corporate imperative. It's historical. During COVID,

0:30:51.480 --> 0:30:53.080
<v Speaker 2>I was supposed to go out and give a speech

0:30:53.120 --> 0:30:55.880
<v Speaker 2>at the law school at the University of Iowa, and

0:30:55.920 --> 0:30:58.960
<v Speaker 2>it got postponed because of COVID, and I spent a

0:30:59.000 --> 0:31:02.320
<v Speaker 2>lot of time while during COVID trying to figure out

0:31:02.360 --> 0:31:05.160
<v Speaker 2>what I was going to say in this speech, and

0:31:05.240 --> 0:31:07.280
<v Speaker 2>people were stopping me on the street and saying, you're

0:31:07.320 --> 0:31:10.520
<v Speaker 2>in the news business. What's wrong with this country? Those

0:31:10.520 --> 0:31:13.720
<v Speaker 2>are really screwed up. It's not working the way it

0:31:13.880 --> 0:31:16.160
<v Speaker 2>used to. So I decided that I would do some

0:31:16.200 --> 0:31:18.600
<v Speaker 2>reporting on it and try to figure out what the

0:31:18.680 --> 0:31:21.680
<v Speaker 2>answer to the question was. I mean, I would usually

0:31:21.720 --> 0:31:23.520
<v Speaker 2>when people would come up to me, I'd say, I

0:31:23.680 --> 0:31:27.360
<v Speaker 2>just have some flip answer, like algorithms or you know.

0:31:27.960 --> 0:31:30.080
<v Speaker 2>And then I started reading up on it, and there

0:31:30.120 --> 0:31:32.800
<v Speaker 2>was this book that was written in nineteen seventy called

0:31:32.880 --> 0:31:37.000
<v Speaker 2>Future Shock Alvin Toffler, Yes, which just turned out to

0:31:37.040 --> 0:31:41.640
<v Speaker 2>be one of the most pressured books ever written because

0:31:41.680 --> 0:31:45.040
<v Speaker 2>it describes all the things that have happened. And at

0:31:45.080 --> 0:31:48.880
<v Speaker 2>the time he wrote it, all of the technology that

0:31:49.000 --> 0:31:54.160
<v Speaker 2>is screwing us up was in the incubator in science

0:31:54.160 --> 0:31:57.000
<v Speaker 2>slabs and MIT and places like that while they tried

0:31:57.040 --> 0:31:59.680
<v Speaker 2>to figure out, you know, how can we make money off?

0:32:01.280 --> 0:32:05.720
<v Speaker 2>And it's changed too fast. It's changed everything too fast,

0:32:06.280 --> 0:32:10.800
<v Speaker 2>and it's fractured our society and it's changed our institutions,

0:32:11.480 --> 0:32:17.479
<v Speaker 2>which is why nobody everybody feels so alienated, Toffler predicted.

0:32:17.560 --> 0:32:20.520
<v Speaker 2>He said, you know, it's going to be great opportunity.

0:32:20.560 --> 0:32:23.000
<v Speaker 2>You know, it's going to make a lot of people

0:32:23.160 --> 0:32:25.560
<v Speaker 2>a lot of money, but it's going to have a

0:32:25.600 --> 0:32:29.720
<v Speaker 2>really not great effect on people on the population, and

0:32:30.560 --> 0:32:33.800
<v Speaker 2>talked about how the businesses and products were going to

0:32:33.840 --> 0:32:40.400
<v Speaker 2>become disposable, and entire industries would be disappear and be

0:32:40.520 --> 0:32:46.600
<v Speaker 2>replaced by something completely different. It would require people moving

0:32:47.280 --> 0:32:50.760
<v Speaker 2>out of neighborhoods and out of cities to go and

0:32:50.840 --> 0:32:54.160
<v Speaker 2>find work other places. It was going to be hard

0:32:54.200 --> 0:32:57.240
<v Speaker 2>on people, and I think that's the problem, and that's

0:32:57.280 --> 0:33:00.360
<v Speaker 2>why everything is kind of screwed up, because we're forced

0:33:00.440 --> 0:33:04.120
<v Speaker 2>now to change and deal with so many things that

0:33:04.160 --> 0:33:09.560
<v Speaker 2>are artists. Yes, it's very incredibly stressful, and people don't

0:33:09.720 --> 0:33:13.120
<v Speaker 2>quite know what to make of it and don't like it.

0:33:13.720 --> 0:33:15.800
<v Speaker 2>And I think it's one of the things that's happened

0:33:15.840 --> 0:33:19.960
<v Speaker 2>to journalism. We're now bombarded with so much information from

0:33:20.040 --> 0:33:26.320
<v Speaker 2>so many different sources, some of them really questionable. You've

0:33:26.320 --> 0:33:29.840
<v Speaker 2>got so many conflicting narratives you don't know who to believe,

0:33:30.680 --> 0:33:35.560
<v Speaker 2>and it's had this impact on our trust of institutions,

0:33:36.320 --> 0:33:40.240
<v Speaker 2>and that is one of the deeply rooted problems in

0:33:40.280 --> 0:33:41.240
<v Speaker 2>the country right now.

0:33:45.800 --> 0:33:50.640
<v Speaker 1>My thanks to journalist and former sixty Minutes correspondent Steve Kroft.

0:33:51.400 --> 0:33:55.680
<v Speaker 1>This episode was recorded at CDM Studios in New York City.

0:33:55.960 --> 0:33:59.920
<v Speaker 1>Were produced by Kathleen Russo, Zach MacNeice, and Victoria de Martin.

0:34:00.240 --> 0:34:03.680
<v Speaker 1>Our engineer is Frank Imperial. Our social media manager is

0:34:03.760 --> 0:34:07.200
<v Speaker 1>Danielle Gingrich. I'm Alec Baldwin. Here's the thing is brought

0:34:07.200 --> 0:34:19.800
<v Speaker 1>to you by iHeart Radio.