WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>Let us up, y'all, happy weekend. I'm so excited to

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<v Speaker 1>be catching you up on the Bobby Bones Show this weekend.

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<v Speaker 1>It's Morgan here and this is the Best Bits. Now,

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<v Speaker 1>this is just the bits, But in case you didn't know,

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<v Speaker 1>the Best Bits Part one is My favorite part of

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<v Speaker 1>doing this whole podcast is because I get to bring

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<v Speaker 1>on a show member and talk about some things that

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<v Speaker 1>maybe we didn't get to talk about on the show,

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<v Speaker 1>or maybe we recap something that happened on the show

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<v Speaker 1>and get an update. And this weekend I brought on Abby,

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<v Speaker 1>so we talked about her national anthem, how she's feeling

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<v Speaker 1>post singing the national anthem. We also talked about both

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<v Speaker 1>of our Valentine's Day and had kind of a single

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<v Speaker 1>ramp with Valentine's Day because we are both single and

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<v Speaker 1>on the opposite side of that. We talked about some

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<v Speaker 1>dating stories that we have recently, and we each shared

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<v Speaker 1>a life hack. So definitely go check out Part one.

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<v Speaker 1>You will love it. I promise give it a chance.

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<v Speaker 1>Maybe it'll be your new favorite diving right in this week,

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<v Speaker 1>I shared something crazy that happened to me when I

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<v Speaker 1>went to buy a bagel in Nashville, it costs me

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<v Speaker 1>sixty seven dollars, yes, a bagel. And I'll just let

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<v Speaker 1>you hear for yourself why that bagel costs me so

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<v Speaker 1>much money? And I'm still angry with myself. Number seven,

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<v Speaker 1>you're checking with Morgan, who runs all of our digital

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<v Speaker 1>of our web. And Morgan told me that she spent

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<v Speaker 1>a whole bunch of money on a bagel. And Morgan,

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<v Speaker 1>how much money on this bagel? I spent sixty seven

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<v Speaker 1>dollars on a bagel? Think about it? How did she

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<v Speaker 1>spend sixty seven dollars on a bagel? You'll each have

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<v Speaker 1>your own theory here. Let's see who gets to closest. So, Morgan,

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<v Speaker 1>what kind of shop? You want to ask? One question?

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<v Speaker 1>Yes or no question? Yeah or no? No? Okay, I'll

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<v Speaker 1>ask a couple of questions. Then may get sit over there?

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<v Speaker 1>What kind of a bagel place? Or where did you go?

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<v Speaker 1>They're hand rolled from New York Bagels? And what day

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<v Speaker 1>and what time? It was a Saturday morning? So like

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<v Speaker 1>eight nine o'clock? Yeah, like nine am? Was it packed?

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<v Speaker 1>It was packed? Very busy? Okay? And does this sixty

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<v Speaker 1>seven dollars have to do with you buying somebody else's bagel. No, okay,

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<v Speaker 1>this mine alone, just one bagel. There you go. So

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<v Speaker 1>she went to get a bagel, spend sixty seven dollars?

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<v Speaker 1>How did she do it? Who wants to deliver their

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<v Speaker 1>theory first, because if you go first, no one can

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<v Speaker 1>steal your theory. I'll go first, Eddie. Yeah, look it's

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<v Speaker 1>what's on the bagel. So she's a vegetari or she

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<v Speaker 1>might be a vegan. I don't know. No, no vegetarian.

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<v Speaker 1>So there's gotta be some like expensive cheese, so let's

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<v Speaker 1>go imported cheese from somewhere and macaroni and cheese, grilled

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<v Speaker 1>stuff on it. Do you think she meant to spend

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<v Speaker 1>sixty seven dollars or a surprise? No, she meant to

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<v Speaker 1>do it. Oh she saw the menus, She's like, I

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<v Speaker 1>want all of that on my bagel. Okay, So she

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<v Speaker 1>was hard, Yes, you think she went. It's just a

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<v Speaker 1>random day where she was like a deserved treat myself,

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<v Speaker 1>I went hard. Sixty seven dollars exactly. Lunchbox I at

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<v Speaker 1>first thought she ordered one from New York and had

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<v Speaker 1>it mailed to her. So she saw it online and

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<v Speaker 1>was like, this is supposed to be the best best

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<v Speaker 1>bagel in the world. So she had it delivered at

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<v Speaker 1>nine am to her house. Is that your answer, that's

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<v Speaker 1>my answer. So she's special ordered a bagel from New York.

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<v Speaker 1>She saw something on Instagram or TikTok talking about this

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<v Speaker 1>the best bagel in the world, and she got the

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<v Speaker 1>vegetarian option, had it overnighted to her house. Shipping okay.

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<v Speaker 1>Amy Morgan goes by a bagel sixty seven dollars. Well,

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<v Speaker 1>she said, it was packed, and so I feel like

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<v Speaker 1>maybe someone there hooked her up with the seven dollars

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<v Speaker 1>bagel faster. So she tipped them sixty. That's interesting. She

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<v Speaker 1>was feeling extra generous, Welgan Rady. Those theories correct, No

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<v Speaker 1>they are not. Well okay, okay, I want to give

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<v Speaker 1>you another clue or so okay okay. So she goes

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<v Speaker 1>unexpectedly it's sixty seven dollars. Okay. So was never a

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<v Speaker 1>plan to get a gold truffle bagel. But she went

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<v Speaker 1>into the bagel place. All said and done cost her

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<v Speaker 1>sixty seven dollars. They had to make a special dough

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<v Speaker 1>that just vegetarian. They had to clean the grills of

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<v Speaker 1>the ovens because of vegetarian reasons. So they said it's

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<v Speaker 1>going to be extra money to watch out for your

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<v Speaker 1>dietary needs. That's why it's sixty seven dollars. That's his

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<v Speaker 1>final arns go ahead normally, yeah, there's gold flex or

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<v Speaker 1>troubles involved, high goes. Then it's packed. She buys a bagel,

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<v Speaker 1>and when it's all said and done, sixty seven dollars.

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<v Speaker 1>Oh day. She didn't notice it was sixty seven till

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<v Speaker 1>later she gets home and realized they ripped her off.

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<v Speaker 1>Rang her up for all. That's good. That's good, Eddie,

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<v Speaker 1>I got it. She orders the bagel, looks up and

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<v Speaker 1>looks at the actual person that took her order. It's

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<v Speaker 1>Gordon Ramsey. It's celebrity day at the bagel's shop. Come on,

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<v Speaker 1>it's no I was Where was Gordon Ramsay? You got?

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<v Speaker 1>I'm gonna say this. Amy's the closest dish, wouldn't you say, Morgan? Yeah,

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<v Speaker 1>Amy's the closest. What do I get? You get? One more?

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<v Speaker 1>Guess that's what each of you get. Raise your hand

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<v Speaker 1>whenever you have it, So lunchbox. They charged Morgan for

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<v Speaker 1>the wrong order. She paid for someone else's order, and

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<v Speaker 1>when they called her name, she got her one bagel.

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<v Speaker 1>But they had rang up someone's order and never charged him.

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<v Speaker 1>So there was already something on the cash register, Eddie. Yeah,

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<v Speaker 1>it was Morgan's faults. She wrote on the tip line

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<v Speaker 1>for the total, and then the total was the total.

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<v Speaker 1>So I don't really know exactly what I'm saying, but

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<v Speaker 1>somehow she did the wrong thing. I like it, amy, Okay.

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<v Speaker 1>I mean those of those are good in the line

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<v Speaker 1>with her line, the line up with what I was

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<v Speaker 1>trying to say, But I'm trying to think of how

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<v Speaker 1>mine could be different. Maybe they didn't, okay, so they

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<v Speaker 1>didn't do it on purpose? They I don't know, That's

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<v Speaker 1>all I got. Oh, maybe the guy thought Morgan was

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<v Speaker 1>hot and I was hoping she would come back, so

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<v Speaker 1>he charged her wrong on purpose to get her back

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<v Speaker 1>in the store to ask for the digits. That'd be tough.

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<v Speaker 1>I'd be a tough way to do it though, Okay, Morgan,

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<v Speaker 1>So you went to buy a bagel? Yeah, ended up

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<v Speaker 1>costing a sixty seven dollars. None of them are right.

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<v Speaker 1>They've each had not three opportunities. What happened? Yeah, so

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<v Speaker 1>I walked in, I got my bagel. It was seven dollars,

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<v Speaker 1>and I was really excited. I was only in the

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<v Speaker 1>shop for about ten minutes. Walked outside. Didn't realize I

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<v Speaker 1>parked in a paid lot. I had a sixty dollars

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<v Speaker 1>ticket on my car, sixty seven dollars. I was definitely

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<v Speaker 1>not thinking that. That's that's ter I hate that. Okay,

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<v Speaker 1>that is messed up. Why because you feel bad you

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<v Speaker 1>didn't get it? Well, I would have never thought ever

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<v Speaker 1>about that. And I can't believe it's sixty dollars for

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<v Speaker 1>paying it a lot. I gotta think I's had the bun. Hey,

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<v Speaker 1>you've heard that before, but I'd never pay it. Yeah,

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<v Speaker 1>I gotta think it's at the jailbars. No, no, no, no,

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<v Speaker 1>it's not a city lot. You ain't gonna pay that. Oh.

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<v Speaker 1>I paid it right away and then I just threw

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<v Speaker 1>away the ticket and pretended it didn't happen. I made it.

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<v Speaker 1>If it city lot, you don't have to pay that. No,

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<v Speaker 1>I don't know. It's a private company. But I don't know.

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<v Speaker 1>I don't know that's true. I don't know why anybody

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<v Speaker 1>would pay it. Then, I don't know what he's saying.

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<v Speaker 1>I don't know if he's right or wrong. It's like

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<v Speaker 1>if you go to a college campus. It's like the

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<v Speaker 1>University of Texas in Austin. I used to get parking

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<v Speaker 1>tickets are all the time. Guess what if you got

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<v Speaker 1>a speed and ticket in a state and you left,

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<v Speaker 1>you don't have to pay it, but if you go

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<v Speaker 1>back to that state, you'll get arrested in jail. Can

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<v Speaker 1>you research this? The lunchbox says you don't have to

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<v Speaker 1>pay a ticket on a private lot. Go ahead, you

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<v Speaker 1>know something. I've looked it up before because I got

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<v Speaker 1>a ticket recently and they said they can enforce the law. Well,

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<v Speaker 1>you're not going to get a ticket. What do you

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<v Speaker 1>mean they can enforce the law, like if they wanted

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<v Speaker 1>to go the extra step of like prosecuting you or

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<v Speaker 1>debt collector, which will hurt your credit. Never sure will happen,

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<v Speaker 1>but you won't get in trouble with the law for

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<v Speaker 1>not paying it, right, But but it can hurt your

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<v Speaker 1>credit bad. Yeah. Yeah, I feel like so many lots

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<v Speaker 1>right now, I'll have the scanning your license like QR code.

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<v Speaker 1>It like recognizes you right when you and they're all consolidating.

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<v Speaker 1>So anytime you go try to park anywhere it's gonna

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<v Speaker 1>flag you. Well, he ain't paying for it. Dang it, Morgan,

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<v Speaker 1>thank you show. Let's stretch our minds a little. It's

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<v Speaker 1>the best bits of the week with Morgan. Number two,

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<v Speaker 1>we had Jordan Davis on the show this week. He

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<v Speaker 1>stopped by two talk about his new album, Blue Bird Days.

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<v Speaker 1>But the catch was he had to do well in

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<v Speaker 1>a game, the Jordan Game. In the Davis Game, basically

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<v Speaker 1>he had to name famous Jordan's and famous Davis's and

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<v Speaker 1>if he did, he could talk about his new album. Well,

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<v Speaker 1>he didn't do too hot in these games. He's still

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<v Speaker 1>got you know. Bobby gave him a little bit. He

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<v Speaker 1>gave him a little crumb and let him talk about

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<v Speaker 1>his album. But let me tell you, Jordan is not

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<v Speaker 1>the best at the games. We have learned. Maybe next

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<v Speaker 1>time he'll be more prepared. But I don't know that

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<v Speaker 1>there's more Jordan's than we already went through. So make

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<v Speaker 1>sure to check out his new album. But he was

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<v Speaker 1>on the show this week and it was a super

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<v Speaker 1>fun interview. So here that is right now. Number six, Well,

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<v Speaker 1>we won't let Jordan Davis talk about his new project

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<v Speaker 1>unless he wins a game, So I'm not going to

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<v Speaker 1>tell you why he's possibly here, but he's got five

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<v Speaker 1>number ones. Let's start with singles. You up, and let's

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<v Speaker 1>go to it for me. Let's go to slow dance

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<v Speaker 1>in a parking lot, buy dirt. What my world spends around.

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<v Speaker 1>I mean, this dude graduated from LSU with a degree

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<v Speaker 1>in environmental science and he started doing it was like

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<v Speaker 1>environmental and then it's like I'm gonna go sing and

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<v Speaker 1>write songs, and good thing you did. He's got all

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<v Speaker 1>these number ones and I don't even know if he

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<v Speaker 1>has anything to promote today. That's the fun thing about it.

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<v Speaker 1>Jordan Davis, CMA winner is here. Let's talk to him

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<v Speaker 1>now on the Bobby Bones Show. Now, this guy's in

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<v Speaker 1>here more than I am. Jordan Davis, I have been.

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<v Speaker 1>I appreciate you having me as much as I've got. Idiot,

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<v Speaker 1>you do the sports show with us a lot, and

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<v Speaker 1>you're just part of the group. So it doesn't mean

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<v Speaker 1>the best podcast every twenty five whistle boom, Thank you

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<v Speaker 1>very much. Wow. So here's the deal. I know you

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<v Speaker 1>have something to promote, but we're not actually gonna let

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<v Speaker 1>you promote it unless you get three of five on

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<v Speaker 1>the Famous Jordan game. Okay, I should be. If you

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<v Speaker 1>get three out of five and Famous Jordan's, you can

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<v Speaker 1>promote your project for fifteen seconds, because then we're gonna

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<v Speaker 1>play the Famous Davis game. Oh wow. Yeah, and if

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<v Speaker 1>he gets five or five he gets to play a

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<v Speaker 1>song from it. Yeah all right, yeah, exactly, here we go.

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<v Speaker 1>Jordan Davis is here, but he has nothing to promote yet.

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<v Speaker 1>He just showed up. We don't know why he's here. Jordan,

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<v Speaker 1>it's the Famous Jordan game. Name the Jordan, a singer

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<v Speaker 1>known for his nineteen ninety five single This is how

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<v Speaker 1>we do it. Come on, dude, don't help him. I'm

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<v Speaker 1>not you know the song. This is how we do it.

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<v Speaker 1>I'm gonna say Jordan McKnight, Jordan mcnight. It sounds like

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<v Speaker 1>a meal at Burke's game McDonald's McDonald's. Well, b k

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<v Speaker 1>not yea whatever. So obviously it's not Jordan mcnn it's

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<v Speaker 1>not Jordan McKnight. It is actually montell Jordan, montell Jordan. Okay,

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<v Speaker 1>so last said nothing. Now he's the meme or the

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<v Speaker 1>video game player. I got ghost from sitting up to

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<v Speaker 1>leany Okay, okay, now I thought it was maybe first name.

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<v Speaker 1>That was my mistake. I'm not worried about it. What next?

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<v Speaker 1>Here we go. Singer and member of the boy band

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<v Speaker 1>New Kids on the Block, who rose to fame in

0:11:16.080 --> 0:11:26.360
<v Speaker 1>the eighties and the nineties, Famous Jordan John Jordan, John Jordan.

0:11:26.480 --> 0:11:30.000
<v Speaker 1>Wow is good? Isn't he the guy? That's my name too,

0:11:30.280 --> 0:11:35.480
<v Speaker 1>John Jordan, Jane Goleheimer, j Jacob. But the singer from

0:11:35.480 --> 0:11:38.840
<v Speaker 1>New Kids on the Block is Jordan Knight. Yes, Jordan Night.

0:11:39.800 --> 0:11:45.880
<v Speaker 1>I was I was one that most Yeah that's right, man, Yeah, yeah,

0:11:45.920 --> 0:11:49.199
<v Speaker 1>you were pretty kind. Is there Jordan McKnight? Maybe not.

0:11:49.400 --> 0:11:52.080
<v Speaker 1>I'm sure somewhere on the phone book and something. I

0:11:52.080 --> 0:11:54.520
<v Speaker 1>just thought there was a singer, all right, Jordan Davis.

0:11:54.640 --> 0:11:56.400
<v Speaker 1>Next one. We only play his old songs and never

0:11:56.400 --> 0:11:58.920
<v Speaker 1>promote the project. He's here. That's what would be hilarious.

0:11:59.240 --> 0:12:01.559
<v Speaker 1>He's Jordan's songs like by Dirt. Maybe you heard that

0:12:01.600 --> 0:12:04.120
<v Speaker 1>one before? Maybe you haven't. You gotta get these next

0:12:04.120 --> 0:12:09.160
<v Speaker 1>three in a row. Buddy Okay an American actor known

0:12:09.240 --> 0:12:14.880
<v Speaker 1>for movies like Creed, Black Panther, and Jess Mercy. Oh gosh,

0:12:15.120 --> 0:12:23.880
<v Speaker 1>uh name that famous Jordan? Uh? Oh my goodness, no anything,

0:12:24.040 --> 0:12:26.800
<v Speaker 1>no I do. It's like and it's your name B Jordan,

0:12:27.120 --> 0:12:31.720
<v Speaker 1>right something B B Jordan McKnight. I don't do that.

0:12:32.440 --> 0:12:41.400
<v Speaker 1>Uh oh my gosh, fantastic picture, fantastic, thanks Ebert. All Right,

0:12:44.160 --> 0:12:50.600
<v Speaker 1>I'm Bradley something, James B Jordan, James B Jordan's. That's

0:12:50.640 --> 0:12:57.080
<v Speaker 1>Michael B Jordan's Michael Jordan. Dang it, this is not good.

0:12:57.160 --> 0:12:59.480
<v Speaker 1>Maybe we give him, we throw him a scrap or something.

0:12:59.559 --> 0:13:02.280
<v Speaker 1>But I mean he did say be though, But he

0:13:02.320 --> 0:13:04.079
<v Speaker 1>also said he'll do really good at this game. You

0:13:04.320 --> 0:13:07.960
<v Speaker 1>remember that, Yeah, because I thought it was gonna be like, like,

0:13:08.000 --> 0:13:09.400
<v Speaker 1>what what did you think? I thought it was gonna

0:13:09.440 --> 0:13:12.840
<v Speaker 1>be like who seek singles? You up me? I thought

0:13:12.840 --> 0:13:14.800
<v Speaker 1>it was like we're gonna do a game where you

0:13:14.840 --> 0:13:17.840
<v Speaker 1>were the answer. I thought that would have been dumb. No,

0:13:18.120 --> 0:13:21.480
<v Speaker 1>I mean I was like, okay, played basketball twenty three?

0:13:21.600 --> 0:13:30.880
<v Speaker 1>Name are really dumb? Jordan Jordan Davis. Okay, this is

0:13:30.920 --> 0:13:33.160
<v Speaker 1>going awesome, this is great. Alright, Well you got one,

0:13:33.240 --> 0:13:36.440
<v Speaker 1>so you'll get a little sliver. Um actor turned director.

0:13:36.920 --> 0:13:38.960
<v Speaker 1>He started out on Mad TV and had a sketch

0:13:39.000 --> 0:13:42.200
<v Speaker 1>show on Comedy Central. He's directing movies like Get Out

0:13:43.000 --> 0:13:46.319
<v Speaker 1>Us and Nope, there's no chance he gets there, No,

0:13:46.400 --> 0:13:50.840
<v Speaker 1>I know this one. Jordan Peele correct got to Okay,

0:13:50.880 --> 0:13:52.720
<v Speaker 1>here's what we're gonna do. He just needed to warm up,

0:13:52.840 --> 0:13:57.720
<v Speaker 1>just get you. Yeah, I just needed to you know,

0:13:57.800 --> 0:14:00.199
<v Speaker 1>Oh you like that insult. That's your thing. You'd like

0:14:00.240 --> 0:14:03.600
<v Speaker 1>to be insulted so he feel better. No, okay, though

0:14:03.640 --> 0:14:06.520
<v Speaker 1>I knew I was gonna get that today. So okay, well, no,

0:14:06.679 --> 0:14:09.240
<v Speaker 1>you came in and said I'll nail that is true.

0:14:09.559 --> 0:14:11.760
<v Speaker 1>I brought it on myself. Okay. So here's what we're

0:14:11.760 --> 0:14:13.880
<v Speaker 1>gonna do. Jordan's here now. We're not gonna play a

0:14:13.880 --> 0:14:15.400
<v Speaker 1>new song. We're gonna pay old one from him, at

0:14:15.480 --> 0:14:17.880
<v Speaker 1>least good. Yeah. We're not promoting anything so far. There's

0:14:17.920 --> 0:14:21.400
<v Speaker 1>no announcement whatsoever, just another day. But I will let

0:14:21.400 --> 0:14:24.000
<v Speaker 1>you pick one word from your new album title and

0:14:24.040 --> 0:14:28.840
<v Speaker 1>say only one word from it. Two sons. That's not

0:14:28.880 --> 0:14:33.080
<v Speaker 1>in your album title? Oh name of Jordan that doesn't

0:14:33.080 --> 0:14:39.800
<v Speaker 1>know the name of his album Bluebird? Okay, okay, what

0:14:39.800 --> 0:14:41.320
<v Speaker 1>are you talking? Are you talking about the album title?

0:14:41.520 --> 0:14:45.440
<v Speaker 1>I just said, Dot's not say that. Okay, he's frazzled.

0:14:45.480 --> 0:14:48.400
<v Speaker 1>He's frazzled. We're gonna come back, so every buddy, We're good.

0:14:48.400 --> 0:14:51.120
<v Speaker 1>We're all here. Let me, let me, let me regroup. Yeah, regroup.

0:14:51.280 --> 0:14:55.240
<v Speaker 1>Jordan Davis is no, Jordan Davis is here? Does he know?

0:14:55.320 --> 0:15:00.320
<v Speaker 1>Famous Davis is here? We go? Question? Number one American

0:15:00.320 --> 0:15:02.960
<v Speaker 1>record producer, five time Grammy winner, and he was inducted

0:15:03.000 --> 0:15:04.360
<v Speaker 1>into the Rock and Roll Hall of Fame as a

0:15:04.400 --> 0:15:07.880
<v Speaker 1>non performer. From nineteen sixty seven to nineteen seventy three,

0:15:07.960 --> 0:15:10.080
<v Speaker 1>was the president of Columbia Records, and he signed artists

0:15:10.080 --> 0:15:12.720
<v Speaker 1>like Bruce Springsteen and Billy Joel. Can you name that

0:15:12.760 --> 0:15:19.480
<v Speaker 1>Famous Davis? I cannot? You are? What is it? He's joking?

0:15:19.600 --> 0:15:23.840
<v Speaker 1>You're being funny? Now Now lunchbox knows this? Stupid? They

0:15:23.880 --> 0:15:27.520
<v Speaker 1>no get it? Now? Are you playing stupid Clive Davis?

0:15:27.520 --> 0:15:33.520
<v Speaker 1>That's right, Clid Davis. Clive Davis. Okay, okay, I don't

0:15:33.520 --> 0:15:34.760
<v Speaker 1>know who he is, but I've heard of him in

0:15:34.840 --> 0:15:36.760
<v Speaker 1>associated with music. What if he comes in, he never

0:15:36.760 --> 0:15:39.640
<v Speaker 1>promotes what he came in for and he just goes home.

0:15:40.320 --> 0:15:42.520
<v Speaker 1>Get an answer? Right? It sounds like that's Zelos gonna

0:15:42.560 --> 0:15:45.640
<v Speaker 1>have so funny. Okay, let's try Cloud Davis. Here we go.

0:15:45.680 --> 0:15:48.240
<v Speaker 1>I do know of claud Davis, an NFL Hall of

0:15:48.280 --> 0:15:52.920
<v Speaker 1>Famer who played running back for the Denver Broncos from

0:15:53.040 --> 0:15:55.320
<v Speaker 1>NA from nineteen ninety five to two thousand one to

0:15:55.360 --> 0:15:58.880
<v Speaker 1>Roll Davis. That is correct. Wow, come on, that's not

0:15:58.960 --> 0:16:00.840
<v Speaker 1>that's not twenty five whist was coming on? Yeah, that

0:16:00.920 --> 0:16:03.840
<v Speaker 1>is awesome right there. I'm just gonna stand that lane.

0:16:03.880 --> 0:16:06.120
<v Speaker 1>I'm gonna throw the guy some some chum here. No, no, no,

0:16:06.400 --> 0:16:08.840
<v Speaker 1>quarterback for the Houston Texans. He played college football at

0:16:08.880 --> 0:16:11.000
<v Speaker 1>Stanford and was selected by the Texans in the third

0:16:11.080 --> 0:16:15.080
<v Speaker 1>round the twenty twenty one NFL Draft. Davis Mills. Correct,

0:16:15.560 --> 0:16:20.320
<v Speaker 1>like this guy, Davis Mills, so he knows sports, but

0:16:20.440 --> 0:16:27.520
<v Speaker 1>not five Davis Well priorities here, Amy, Okay, next up.

0:16:27.760 --> 0:16:30.560
<v Speaker 1>He's best known as the lead vocalist and frontman of

0:16:30.640 --> 0:16:33.720
<v Speaker 1>the band Corn. He was considered a pioneering act of

0:16:33.760 --> 0:16:35.800
<v Speaker 1>the new metal genre. Do you know the lead singer

0:16:35.800 --> 0:16:37.560
<v Speaker 1>of Corn? You can even go to somebody on the

0:16:37.600 --> 0:16:40.920
<v Speaker 1>show as a lifeline here if you'd like to. Obviously,

0:16:41.120 --> 0:16:43.400
<v Speaker 1>lunch knows everything. Why would you go there? We go,

0:16:43.560 --> 0:16:44.840
<v Speaker 1>he might hit this, but why would you go to

0:16:44.880 --> 0:16:49.360
<v Speaker 1>lunchbox a Corn? Yeah? Yeah, I know, I do know.

0:16:49.480 --> 0:16:55.920
<v Speaker 1>Like Davis famous Davis Mike d you got anything? He

0:16:56.040 --> 0:16:59.160
<v Speaker 1>knows it lunchbox, Who is it? I am no idea?

0:16:59.680 --> 0:17:10.560
<v Speaker 1>Go for Okay Davis, McKnight, go night. It is Jonathan Davis.

0:17:10.640 --> 0:17:15.320
<v Speaker 1>Jonathan Okay, you need this one? Are we just booking

0:17:15.320 --> 0:17:17.760
<v Speaker 1>for Monday? He comes back? Come on? After I read

0:17:17.800 --> 0:17:21.159
<v Speaker 1>about a Jordan A Favis Jordan to Davis people, all right,

0:17:21.200 --> 0:17:23.639
<v Speaker 1>Jordan Davis is here, an actress known for Thelma and Louise,

0:17:25.400 --> 0:17:28.640
<v Speaker 1>also a ligue of their own the Baseball movie. Linda Davis. Oh,

0:17:32.800 --> 0:17:37.560
<v Speaker 1>why do you hear it out? Because you went fast

0:17:37.600 --> 0:17:39.480
<v Speaker 1>to show us how smart you are the mob. Even

0:17:39.480 --> 0:17:41.240
<v Speaker 1>if you would have nailed it fast, it'd have been like,

0:17:41.320 --> 0:17:46.200
<v Speaker 1>what's her name, Davis? Well, that's it? Oh yeah, well

0:17:46.320 --> 0:17:53.320
<v Speaker 1>give it up for my aunt's name is Gina. You know? Okay,

0:17:53.400 --> 0:17:57.440
<v Speaker 1>isn't there? Then? No, Linda Davis is a different person.

0:17:58.440 --> 0:18:00.960
<v Speaker 1>What does Linda Davis do? She would be in music.

0:18:01.040 --> 0:18:02.560
<v Speaker 1>The reason why I said it so fast because I

0:18:02.600 --> 0:18:04.480
<v Speaker 1>was dead set that was Lynda David. Yeah, we know

0:18:04.520 --> 0:18:08.119
<v Speaker 1>wa um an American trumpet, an American trumpeter who was

0:18:08.119 --> 0:18:09.800
<v Speaker 1>among the most influent You want to claim figures in

0:18:09.800 --> 0:18:16.440
<v Speaker 1>the history of jazz. Come on, dude, Miles Davis, Miles Davis. Yeah, okay,

0:18:16.600 --> 0:18:18.680
<v Speaker 1>well look we're talking. Well, you know what, we put

0:18:18.720 --> 0:18:20.440
<v Speaker 1>him through the ringer, So this is what you get

0:18:20.440 --> 0:18:23.880
<v Speaker 1>as a consolation, well smoked out and talk about here

0:18:23.880 --> 0:18:28.280
<v Speaker 1>we go. Linda Davis is Hillary's mom. Lady Ah, she

0:18:28.440 --> 0:18:32.480
<v Speaker 1>love you. Yeah, we get it. You come here. You're

0:18:32.480 --> 0:18:34.760
<v Speaker 1>nervous you around all these big stars in this room. Yeah.

0:18:35.200 --> 0:18:37.719
<v Speaker 1>I knew I was gonna Yeah. Okay, Jordan has an

0:18:37.760 --> 0:18:42.320
<v Speaker 1>album is out. It is out today. Jordan, what's the

0:18:42.359 --> 0:18:45.320
<v Speaker 1>name of the album, Bluebird Days? Is it good? I

0:18:45.400 --> 0:18:49.000
<v Speaker 1>sure think so. I sure hope it is. I like that. Yeah. Um, which,

0:18:49.520 --> 0:18:51.240
<v Speaker 1>by the way, another number one you just had a

0:18:51.240 --> 0:18:53.480
<v Speaker 1>couple weeks ago, Yeah, which I think maybe one of

0:18:53.520 --> 0:18:55.440
<v Speaker 1>my favorite songs from you as far as like super

0:18:55.480 --> 0:18:57.280
<v Speaker 1>catchy and when it comes on, because yeah, you have

0:18:57.359 --> 0:18:59.280
<v Speaker 1>songs that are like really good and deep and make

0:18:59.320 --> 0:19:00.960
<v Speaker 1>me go oh man, and that's sweet. But then you

0:19:01.000 --> 0:19:03.920
<v Speaker 1>have where the when and those feels and it that

0:19:03.920 --> 0:19:06.440
<v Speaker 1>that one hits that's good goes. I definitely feel like

0:19:06.480 --> 0:19:11.720
<v Speaker 1>we we missed uh lyrical kind of meaning and h

0:19:11.840 --> 0:19:14.879
<v Speaker 1>definitely up tempo, good feel play a little bit of

0:19:14.880 --> 0:19:16.960
<v Speaker 1>what my world spins around from Jordan. If you don't mind.

0:19:17.040 --> 0:19:25.320
<v Speaker 1>Ray gives me the way that Yeah, I bet it

0:19:25.320 --> 0:19:27.240
<v Speaker 1>feels good. I bet it feels good in the set too.

0:19:27.280 --> 0:19:32.440
<v Speaker 1>To have another number one we start our show with that. Really, Yeah,

0:19:32.520 --> 0:19:35.399
<v Speaker 1>so that's a that's a good one to Kenna, But

0:19:35.560 --> 0:19:38.920
<v Speaker 1>where are you starting on the show with uh song

0:19:38.920 --> 0:19:40.800
<v Speaker 1>of mine called need to Not? So now you play

0:19:40.840 --> 0:19:43.720
<v Speaker 1>us all everybody knows the start. That's awesome. So between

0:19:43.760 --> 0:19:45.119
<v Speaker 1>you have five number ones and then you have almost

0:19:45.119 --> 0:19:46.680
<v Speaker 1>maybees which I feel like was a number one because

0:19:46.680 --> 0:19:49.160
<v Speaker 1>everybody knows that. Who are the good News? Mean dude?

0:19:49.200 --> 0:19:52.919
<v Speaker 1>That one six songs that everybody knows the words too.

0:19:53.200 --> 0:19:55.800
<v Speaker 1>Even if you're just a casual fan. That's how you

0:19:55.840 --> 0:19:57.800
<v Speaker 1>know things are going right that you can play with

0:19:57.840 --> 0:20:01.560
<v Speaker 1>somebody else and casual fans still know half of your list. Yeah,

0:20:01.600 --> 0:20:04.919
<v Speaker 1>it definitely makes uh makes making a set list easier,

0:20:05.000 --> 0:20:07.760
<v Speaker 1>which is so like I remember being early on and

0:20:07.920 --> 0:20:11.960
<v Speaker 1>just having to a play cover songs, which nobody really

0:20:11.960 --> 0:20:13.720
<v Speaker 1>likes to do. I feel like, I mean, maybe some

0:20:13.760 --> 0:20:16.320
<v Speaker 1>people do. I'm not a big fan of playing cover songs.

0:20:16.800 --> 0:20:19.600
<v Speaker 1>So now for a ninety minute set, we can spread

0:20:19.600 --> 0:20:23.520
<v Speaker 1>out our singles every three songs and at least like

0:20:23.560 --> 0:20:25.680
<v Speaker 1>you said, the casual fan or somebody that got drug

0:20:25.760 --> 0:20:27.840
<v Speaker 1>to a show was like, oh, I've heard this song before.

0:20:28.400 --> 0:20:30.600
<v Speaker 1>Jordan Davis has here the new albums out? Which track?

0:20:30.640 --> 0:20:33.640
<v Speaker 1>Because there's just seventeen try there's a lot. Yeah, it's

0:20:33.640 --> 0:20:36.119
<v Speaker 1>a lot. Which one would make people cry? If you

0:20:36.160 --> 0:20:37.840
<v Speaker 1>had to pick one that was gonna make people cry?

0:20:37.880 --> 0:20:40.280
<v Speaker 1>Which one? Is it? Bluebird Days? Okay, we're gonna play

0:20:40.280 --> 0:20:42.200
<v Speaker 1>a little bit of this here. Here is Bluebird Days

0:20:42.400 --> 0:20:52.200
<v Speaker 1>from Jordan Davis. Bluebird Days? What does that mean? Mass

0:20:52.200 --> 0:20:54.399
<v Speaker 1>song I wrote about my parents divorce? Actually, you know,

0:20:54.480 --> 0:20:57.480
<v Speaker 1>just kind of from my perspective, I'd also say I

0:20:57.520 --> 0:20:59.280
<v Speaker 1>was like the toughest song I had to play, and

0:20:59.560 --> 0:21:02.760
<v Speaker 1>actually the toughest song I'll put on this record. Um,

0:21:03.119 --> 0:21:05.720
<v Speaker 1>but you know, I think with this album, I wanted

0:21:05.800 --> 0:21:09.679
<v Speaker 1>to be more honest as a songwriter and show growth

0:21:09.800 --> 0:21:14.200
<v Speaker 1>is not just a songwriter but also an artist as well. So, um,

0:21:14.240 --> 0:21:15.840
<v Speaker 1>you know, I think you got to kind of take

0:21:15.880 --> 0:21:19.119
<v Speaker 1>some chances and risk putting if he's song on a

0:21:19.200 --> 0:21:21.440
<v Speaker 1>record to do that, Let's just play it all, Let's

0:21:21.440 --> 0:21:23.200
<v Speaker 1>do the whole song here. We'll come back with Jordan

0:21:23.240 --> 0:21:24.919
<v Speaker 1>Davis in a second. There's no game needed for the

0:21:24.920 --> 0:21:28.840
<v Speaker 1>next segment. Thank god. Yeah, it would have been a

0:21:28.880 --> 0:21:31.720
<v Speaker 1>real waste of a real waste of a spotlight. Here.

0:21:32.119 --> 0:21:34.520
<v Speaker 1>A new album, Bluebird Days, is out right now. Just

0:21:34.520 --> 0:21:37.960
<v Speaker 1>to walk through some of Jordan's number ones twenty eighteen singles,

0:21:38.000 --> 0:21:43.280
<v Speaker 1>You Up, twenty nineteen, Take It from Me, Take It

0:21:43.280 --> 0:21:47.880
<v Speaker 1>from Me, twenty twenty slow Dance in a Parking Lot.

0:21:50.440 --> 0:21:53.359
<v Speaker 1>Looks like twenty twenty one was a lean year, no

0:21:53.480 --> 0:21:57.200
<v Speaker 1>number ones in that year. Man coming out of it.

0:21:57.119 --> 0:22:01.879
<v Speaker 1>It was a tough one, buy dirt Man, and it

0:22:01.920 --> 0:22:03.960
<v Speaker 1>was a good one, big one. And then twenty twenty

0:22:03.960 --> 0:22:05.399
<v Speaker 1>three he had a two week number one with this

0:22:05.440 --> 0:22:11.480
<v Speaker 1>one here recently happened. What my world spends around gives

0:22:11.560 --> 0:22:15.400
<v Speaker 1>me when you get. One of the fun things about

0:22:15.440 --> 0:22:18.320
<v Speaker 1>this is I was with Jordan and we saw Ryan

0:22:18.400 --> 0:22:22.560
<v Speaker 1>heard somewhere and this song had just been announced as

0:22:22.560 --> 0:22:25.080
<v Speaker 1>his single, and he's like, this is single in Jordan,

0:22:25.080 --> 0:22:26.879
<v Speaker 1>I write in the same golf cart together and we

0:22:26.920 --> 0:22:29.800
<v Speaker 1>see right, and I go, hey, there's Ryan, and he

0:22:29.840 --> 0:22:31.439
<v Speaker 1>goes right. They start talking each other. I'm like, I'm

0:22:31.440 --> 0:22:33.440
<v Speaker 1>gonna record this. This This would be a good moment first time.

0:22:33.560 --> 0:22:35.680
<v Speaker 1>And Ryan goes, don't record me. Now, why do you

0:22:35.720 --> 0:22:37.960
<v Speaker 1>think Ryan said that because he's a prima donna. No,

0:22:38.200 --> 0:22:39.760
<v Speaker 1>because he was supposed to be doing something else and

0:22:39.800 --> 0:22:42.119
<v Speaker 1>he's playing golf. Now, how awesome with that video? Have

0:22:42.200 --> 0:22:45.120
<v Speaker 1>been no point such a that end up being such

0:22:45.119 --> 0:22:47.639
<v Speaker 1>a big song. Yes, I actually was messaging around about that.

0:22:47.680 --> 0:22:49.000
<v Speaker 1>I was like, dude, if we could have had Bobby,

0:22:49.080 --> 0:22:50.639
<v Speaker 1>I wasn't even gonna post it right then. I was

0:22:50.680 --> 0:22:53.119
<v Speaker 1>just gonna save it as a nice moment. It's like,

0:22:53.119 --> 0:22:54.760
<v Speaker 1>don't record me. I'm supposed to be somewhere else right now.

0:22:54.760 --> 0:22:56.320
<v Speaker 1>For me, I canceled a co write to play goal.

0:22:56.400 --> 0:22:58.719
<v Speaker 1>I didn't even say that. That's Jordan. That's Jordan's say. Well,

0:22:58.720 --> 0:23:02.280
<v Speaker 1>who knows what data wasn't abound? Could have been any

0:23:02.320 --> 0:23:06.000
<v Speaker 1>date at all. So you like to play golf, obviously?

0:23:06.119 --> 0:23:08.480
<v Speaker 1>Do you ever hit anybody's house the golf ball? Are

0:23:08.520 --> 0:23:11.320
<v Speaker 1>like broken a window or anything? Yes, I have, and

0:23:11.359 --> 0:23:13.040
<v Speaker 1>then you know that you know I have? No, I

0:23:13.040 --> 0:23:15.040
<v Speaker 1>don't know. I'm just asking. I'm an interviewer. Your clue, yeah,

0:23:15.200 --> 0:23:18.919
<v Speaker 1>no clue here? So what happened? Can you give us more? So?

0:23:18.960 --> 0:23:22.480
<v Speaker 1>I was playing in Florida on a It was Jim

0:23:22.520 --> 0:23:26.960
<v Speaker 1>Furick's celebrity golf tournament. We've done them, and we're playing

0:23:26.960 --> 0:23:29.320
<v Speaker 1>on We're playing on TPC saw Grass, not the actual

0:23:29.359 --> 0:23:32.040
<v Speaker 1>stadium course, but a really nice course right next to it,

0:23:32.840 --> 0:23:37.120
<v Speaker 1>and I slice one. Never happens, you guys know that. Never? Yeah,

0:23:37.200 --> 0:23:40.520
<v Speaker 1>you know? Uh. And as I pull up to the

0:23:40.520 --> 0:23:43.159
<v Speaker 1>house that my ball kind of went into, there was

0:23:43.200 --> 0:23:47.160
<v Speaker 1>a guy standing outside in the backyard with my golf

0:23:47.160 --> 0:23:49.240
<v Speaker 1>ball and was like, you broke my window. It's a

0:23:49.280 --> 0:23:52.680
<v Speaker 1>double paned window. It's like it totals eight hundred and

0:23:52.720 --> 0:23:54.600
<v Speaker 1>seventy bucks. Give me your license, tells them that right,

0:23:54.600 --> 0:23:58.399
<v Speaker 1>then takes my license. I was like, why would you

0:23:58.440 --> 0:24:00.640
<v Speaker 1>give him your license? Because I was it's kind of like,

0:24:01.080 --> 0:24:03.200
<v Speaker 1>I mean, I just smashed this guy's window, but you

0:24:03.200 --> 0:24:05.560
<v Speaker 1>gave him your license. Well, he's like, I'm taking asked

0:24:05.560 --> 0:24:07.399
<v Speaker 1>for my kid, So I handed him over. Well he's like,

0:24:07.440 --> 0:24:08.879
<v Speaker 1>I need to take a photo of your license, and

0:24:08.920 --> 0:24:10.960
<v Speaker 1>I was like okay, and he was like then he

0:24:11.040 --> 0:24:13.760
<v Speaker 1>then he asked He's like you know depot. He was

0:24:13.760 --> 0:24:15.440
<v Speaker 1>like asking for like basically me pay him there. And

0:24:15.440 --> 0:24:18.200
<v Speaker 1>I was like, hey, man, like you have my address,

0:24:18.400 --> 0:24:21.080
<v Speaker 1>like send me the bill, Like if that's how this works?

0:24:21.080 --> 0:24:22.560
<v Speaker 1>I've never been on a golf course where if a

0:24:22.600 --> 0:24:25.240
<v Speaker 1>golfer breaks a window, especially in nice golf course, that

0:24:25.480 --> 0:24:28.520
<v Speaker 1>the homeowners doesn't pay for it or whatever. I hope

0:24:28.520 --> 0:24:30.639
<v Speaker 1>this guy listens to show because I'm actually really frustrated

0:24:31.920 --> 0:24:35.359
<v Speaker 1>and I get after the corps after the tournament, I

0:24:35.440 --> 0:24:37.280
<v Speaker 1>get back in and I actually go up to one

0:24:37.320 --> 0:24:39.840
<v Speaker 1>of the to one of Jim's buddies. I was like, hey, man,

0:24:39.880 --> 0:24:41.959
<v Speaker 1>on sixteen, I busted the guy's window. He's like, oh, Man,

0:24:41.960 --> 0:24:44.200
<v Speaker 1>don't worry about it, you know. I was like, well,

0:24:44.240 --> 0:24:46.920
<v Speaker 1>I told him I'd pay for it, and he was like, no, dude,

0:24:46.920 --> 0:24:49.640
<v Speaker 1>the homeowners takes kid like they fixed all broken windows.

0:24:49.920 --> 0:24:54.080
<v Speaker 1>Oh and when I got home, there was a bill

0:24:54.320 --> 0:24:58.520
<v Speaker 1>from the guy that was trying to squander me out

0:24:58.520 --> 0:25:00.640
<v Speaker 1>of eight hundred bucks. That's I was trying to shake

0:25:00.680 --> 0:25:04.520
<v Speaker 1>him down a nice neighborhood like this guy did. Again, Hey,

0:25:04.560 --> 0:25:06.720
<v Speaker 1>I broke you window. Probably got an expensive house and

0:25:06.800 --> 0:25:09.440
<v Speaker 1>made all that money from eight hundred bucks of bob. Yeah. So, dude,

0:25:09.440 --> 0:25:13.120
<v Speaker 1>wherever you're at in Pontovitra, Florida, I got and I'm

0:25:13.160 --> 0:25:15.760
<v Speaker 1>still not paying it still to this day. Take me

0:25:15.800 --> 0:25:18.399
<v Speaker 1>to court. So when you put out new music, right,

0:25:18.440 --> 0:25:22.120
<v Speaker 1>do you get anxious before it comes out? I think so? Right? Now,

0:25:23.200 --> 0:25:24.879
<v Speaker 1>what song do you feel the most vulnerable with on

0:25:24.920 --> 0:25:28.359
<v Speaker 1>this record? I mean blue birds there. I have a

0:25:28.359 --> 0:25:31.679
<v Speaker 1>song called short Fuse on this album that came from

0:25:32.000 --> 0:25:34.480
<v Speaker 1>over hearing a conversation with my wife. She was talking

0:25:34.520 --> 0:25:38.160
<v Speaker 1>a friend of hers and she I overheard her saying like, yeah,

0:25:38.200 --> 0:25:41.320
<v Speaker 1>Jordan's got a real short fuse and kind of led

0:25:41.320 --> 0:25:44.960
<v Speaker 1>to a conversation and I didn't like hearing that. So

0:25:45.440 --> 0:25:47.360
<v Speaker 1>this is kind of a song to myself about it's

0:25:47.359 --> 0:25:49.960
<v Speaker 1>just him breaking glass. It's all just a song of

0:25:50.040 --> 0:25:54.240
<v Speaker 1>him kicking in. Yeah. But yeah, so that one's pretty

0:25:54.280 --> 0:25:56.760
<v Speaker 1>That one's pretty pretty spot on. Here's a clip of

0:25:56.920 --> 0:26:03.879
<v Speaker 1>short Fuse. What do you guys gonna do now? For

0:26:04.080 --> 0:26:05.840
<v Speaker 1>as far as your single goes, you got that all

0:26:05.920 --> 0:26:08.400
<v Speaker 1>laid out. Yeah, next thing was gonna be a song

0:26:08.400 --> 0:26:12.080
<v Speaker 1>called Tucson Too Late too? Like what's the play there?

0:26:12.359 --> 0:26:15.280
<v Speaker 1>Too soon, too late, Tusson too late, Tusson too late?

0:26:15.520 --> 0:26:17.720
<v Speaker 1>Just got to Tucson too late? Oh so it literally

0:26:17.840 --> 0:26:20.320
<v Speaker 1>is the city? Yeah? Got it? And you wrote this

0:26:20.400 --> 0:26:22.399
<v Speaker 1>obviously with your brother's that the same guys. You want

0:26:22.400 --> 0:26:24.560
<v Speaker 1>the CMA with yeah, all for the all that crew

0:26:24.600 --> 0:26:29.360
<v Speaker 1>there Jenkins Bros. Jacob, Matt and Josh Yeah, uh what what?

0:26:28.800 --> 0:26:32.600
<v Speaker 1>What was this? So we you know, we've written that

0:26:32.880 --> 0:26:37.080
<v Speaker 1>group together, Me, Jacob, Matt, and Josh. We've been writing

0:26:37.080 --> 0:26:41.640
<v Speaker 1>together since twenty sixteen, so we've written a ton of songs. Obviously,

0:26:41.640 --> 0:26:45.119
<v Speaker 1>we had By Dirt together and I think we showed

0:26:45.160 --> 0:26:48.359
<v Speaker 1>up after that kind of not knowing really what to do,

0:26:48.359 --> 0:26:51.920
<v Speaker 1>where to go next and songwriting, and I credit them

0:26:51.960 --> 0:26:53.560
<v Speaker 1>to being like, hey man, let's do something different, like

0:26:53.640 --> 0:26:56.119
<v Speaker 1>let's push and write a song that we've never written before.

0:26:56.520 --> 0:27:00.240
<v Speaker 1>And actually the the kind of influence of this song

0:27:00.320 --> 0:27:03.200
<v Speaker 1>was Keith Whitley's Miami Miami, Like I've never really done

0:27:03.200 --> 0:27:06.399
<v Speaker 1>a story song and kind of just totally taking myself

0:27:06.440 --> 0:27:10.119
<v Speaker 1>out of it. So this was my take on on

0:27:10.400 --> 0:27:15.199
<v Speaker 1>kind of uh my my Keith with Keith Whitley inspired single.

0:27:15.400 --> 0:27:17.840
<v Speaker 1>All Right, we're gonna play Jordan's new single from his

0:27:17.880 --> 0:27:19.359
<v Speaker 1>new album, I hope you check it out. The new

0:27:19.359 --> 0:27:24.720
<v Speaker 1>album is called Bluebird Days. It's Jordan Davis Platinum recording artist,

0:27:25.520 --> 0:27:30.040
<v Speaker 1>multi sorry multi platform recording artists. Also go to Jordan

0:27:30.119 --> 0:27:33.920
<v Speaker 1>davis Official dot com for all the tour dates. You're

0:27:33.600 --> 0:27:37.800
<v Speaker 1>all over Europe March pretty much most of March, and

0:27:37.840 --> 0:27:41.600
<v Speaker 1>then he's all over here Bluxie in Tennessee, he's doing

0:27:41.680 --> 0:27:44.200
<v Speaker 1>I hear Country Festival. I mean, he's all over the place.

0:27:44.400 --> 0:27:47.359
<v Speaker 1>I'm so happy to see your success. Congrats on the record,

0:27:47.440 --> 0:27:49.520
<v Speaker 1>and I hope people listen to it like crazy. Absolutely

0:27:49.560 --> 0:27:54.600
<v Speaker 1>also much. It's the best Bits of the Week with Morgan.

0:27:54.720 --> 0:28:02.000
<v Speaker 1>Number two. Valentine's Day was this week and Bobby, along

0:28:02.000 --> 0:28:04.440
<v Speaker 1>with the help of Ronnie Dunne, we're able to surprise

0:28:04.520 --> 0:28:07.760
<v Speaker 1>a listener's wife. This listener had bought his wife Brooks

0:28:07.760 --> 0:28:09.680
<v Speaker 1>and Dune tickets and he wanted to find a cool

0:28:09.720 --> 0:28:11.439
<v Speaker 1>way to tell her that he got her those tickets

0:28:11.440 --> 0:28:13.960
<v Speaker 1>for Valentine's Day without putting them in a gift or

0:28:13.960 --> 0:28:15.600
<v Speaker 1>just showing him on her phone. And he was like,

0:28:15.640 --> 0:28:17.119
<v Speaker 1>how can I do that? So you call it Bobby.

0:28:17.400 --> 0:28:20.480
<v Speaker 1>Bobby called up Ronnie Dune and Ronnie put together a video.

0:28:20.720 --> 0:28:22.720
<v Speaker 1>Bobby did a video and it was a whole thing,

0:28:23.119 --> 0:28:25.840
<v Speaker 1>and they surprised his wife with tickets. The listener called

0:28:25.920 --> 0:28:27.879
<v Speaker 1>us back, let us know. It went off amazing and

0:28:28.000 --> 0:28:30.359
<v Speaker 1>the wife was so excited. So super cool moment that

0:28:30.359 --> 0:28:31.920
<v Speaker 1>you're going to hear right now and how it kind

0:28:31.920 --> 0:28:36.040
<v Speaker 1>of transpired and what happened. Number five, have Valentine's Day.

0:28:36.359 --> 0:28:38.520
<v Speaker 1>Jerry's on the phone. This is a quick work. We

0:28:38.520 --> 0:28:44.080
<v Speaker 1>got him back here, Jerry. Bobby. Okay, you haven't shown

0:28:44.120 --> 0:28:48.720
<v Speaker 1>your wife the tickets yet, have you? No? Not yet

0:28:48.720 --> 0:28:54.200
<v Speaker 1>open to hear from l Ronnie? So oh, Ronnie text

0:28:54.280 --> 0:28:56.680
<v Speaker 1>me back. Come on. And so what I'm gonna do,

0:28:57.000 --> 0:28:59.640
<v Speaker 1>Jerry is I'm going to send you a video with

0:28:59.720 --> 0:29:03.880
<v Speaker 1>me in it and then Ronnie and then you can

0:29:03.880 --> 0:29:05.719
<v Speaker 1>show it to her. Okay, because I do have him.

0:29:05.760 --> 0:29:09.880
<v Speaker 1>Do you want to hear the club? Well, I'm going

0:29:09.960 --> 0:29:13.680
<v Speaker 1>to play it for you first, Jerry. I'm gonna play

0:29:13.720 --> 0:29:16.640
<v Speaker 1>it first. So I just text Ronnie. I was like, hey,

0:29:16.640 --> 0:29:18.200
<v Speaker 1>are you awake. I don't even know that he's awake,

0:29:18.760 --> 0:29:21.800
<v Speaker 1>and he was like, yeah, we need said just do

0:29:21.960 --> 0:29:27.320
<v Speaker 1>this thing, Jerry. It's Sarah. Sarah. Yeah, Jerry, yep, Sir.

0:29:27.480 --> 0:29:30.040
<v Speaker 1>I was like, just say hey, but I think Ronnie

0:29:30.080 --> 0:29:33.080
<v Speaker 1>thought I was asking for free tickets because he says

0:29:33.120 --> 0:29:36.720
<v Speaker 1>that here, but I don't you already got tickets, So

0:29:36.800 --> 0:29:39.880
<v Speaker 1>just disregard that part. But here you go, Hey, Sarah,

0:29:39.920 --> 0:29:43.000
<v Speaker 1>this is Ronnie done from B and D Happy Valentine's

0:29:43.440 --> 0:29:46.720
<v Speaker 1>Jerry for you tickets for our show in May. We'll

0:29:46.760 --> 0:29:51.040
<v Speaker 1>see you there Everyboddy. So, Kerry, I got it. That's

0:29:51.080 --> 0:29:52.840
<v Speaker 1>all I said him, was like, hey say this, so

0:29:52.920 --> 0:29:55.760
<v Speaker 1>we have it. But Jerry, then you go, Ronnie already

0:29:55.760 --> 0:29:57.600
<v Speaker 1>gave me the tickets. No, no, don't do that because

0:29:57.600 --> 0:29:59.800
<v Speaker 1>you need credit for buying him. You say, hey, we

0:30:00.000 --> 0:30:02.320
<v Speaker 1>already have tickets, and that's it. So I will send

0:30:02.360 --> 0:30:04.880
<v Speaker 1>you a video Jerry in this next break of me

0:30:04.960 --> 0:30:08.720
<v Speaker 1>going hey, I'm here, Sarah, have Valentine's Day, Jerry loves

0:30:08.720 --> 0:30:10.760
<v Speaker 1>you very much, and here's my friend Ronnie done. And

0:30:10.760 --> 0:30:13.400
<v Speaker 1>then Ronnie will come on and go hey uh and

0:30:13.440 --> 0:30:17.160
<v Speaker 1>then you do the thing. Okay, that's awesome. I love it.

0:30:17.520 --> 0:30:20.920
<v Speaker 1>Do you feel like that's acceptable? That's pretty cool, right, yeah, awesome, Yeah, Okay,

0:30:20.960 --> 0:30:23.120
<v Speaker 1>I gotta feeling Ronnie's tickets are better than what he bought.

0:30:23.240 --> 0:30:24.960
<v Speaker 1>I'm not no, I'm not asking Ronnie for free tickets.

0:30:25.000 --> 0:30:26.800
<v Speaker 1>I'm just saying I know, no, I bet they're not.

0:30:27.800 --> 0:30:29.960
<v Speaker 1>And if Ronnie does come back to me and go, hey,

0:30:30.400 --> 0:30:32.520
<v Speaker 1>well you need those tickets, then I'll call Jerry back.

0:30:32.560 --> 0:30:35.040
<v Speaker 1>But Jerry already has tickets. We were just doing this

0:30:35.080 --> 0:30:37.520
<v Speaker 1>as a friend favorite. No, Jerry, don't gasp, I heard

0:30:37.600 --> 0:30:41.800
<v Speaker 1>Jerry gasp. Yeah, Jerry's our nosebleed. I mean, I am

0:30:41.840 --> 0:30:46.160
<v Speaker 1>bowling on a budget. But they already bought the tickets though. Yeah,

0:30:46.200 --> 0:30:50.160
<v Speaker 1>but he could he could pass those on to someone else. Right,

0:30:51.040 --> 0:30:53.360
<v Speaker 1>My brother and his fiance would love the Go two

0:30:53.960 --> 0:30:57.200
<v Speaker 1>even though it's somewhere else where. Do you love Louisville. Yeah,

0:30:57.240 --> 0:31:00.320
<v Speaker 1>I'm in Louisville and the concerts and Lexus in Okay,

0:31:00.320 --> 0:31:04.440
<v Speaker 1>Well do it. And it's in May May eleventh, yea, god,

0:31:04.520 --> 0:31:07.000
<v Speaker 1>dang it. Even if I can't, I'll get you tickets.

0:31:07.160 --> 0:31:09.560
<v Speaker 1>I'll get you tickets. Yeah. See, so I'm talking about

0:31:09.680 --> 0:31:11.520
<v Speaker 1>if this let's go, Jerry. This is one of those

0:31:11.520 --> 0:31:16.040
<v Speaker 1>things squeezed. I'm being squeezed here. Hey, Jerry, I asked

0:31:16.040 --> 0:31:18.720
<v Speaker 1>about that meet and greet. No, stop, stop, I don't

0:31:18.720 --> 0:31:21.080
<v Speaker 1>know if they don't be great. Listen, Jerry, I was

0:31:21.440 --> 0:31:24.400
<v Speaker 1>all kidding aside. I'll send you this video. I can

0:31:24.440 --> 0:31:27.000
<v Speaker 1>get you another pair of tickets, I'm sure. And if

0:31:27.000 --> 0:31:30.280
<v Speaker 1>I oh my goodness, and if I can't, I'll just

0:31:30.320 --> 0:31:32.920
<v Speaker 1>buy them. But I think Ronnie thinks he's giving me tickets. Yeah,

0:31:32.920 --> 0:31:34.400
<v Speaker 1>it sounds like it. We offered them, and he's one

0:31:34.400 --> 0:31:35.440
<v Speaker 1>of the Ronne is one of the few people I

0:31:35.480 --> 0:31:36.800
<v Speaker 1>can text and just go, hey, send me a video

0:31:36.840 --> 0:31:38.840
<v Speaker 1>you're doing this real quick, or send me you saying this.

0:31:39.040 --> 0:31:40.840
<v Speaker 1>It's like, yeah, I don't know what I'm doing it, Okay,

0:31:41.120 --> 0:31:43.320
<v Speaker 1>often asking for nudes for the same reason. Just trust

0:31:43.360 --> 0:31:45.000
<v Speaker 1>me to send me a picture of you hitting out

0:31:45.000 --> 0:31:48.360
<v Speaker 1>of the shower. Okay, Jerry, I got you. We're friends, right,

0:31:48.400 --> 0:31:51.800
<v Speaker 1>I got you taken care of absolutely. You go ahead

0:31:51.960 --> 0:31:55.320
<v Speaker 1>and if you want to give those tickets to your wife,

0:31:55.320 --> 0:32:01.600
<v Speaker 1>you can, or I will get you another pair of tickets. Okay, awesome, Okay,

0:32:01.720 --> 0:32:04.560
<v Speaker 1>he sounds excited. Man, he is excited. I think he's surprised,

0:32:04.560 --> 0:32:09.160
<v Speaker 1>Like I am. I've left a voicemail hating on lunchbox,

0:32:09.200 --> 0:32:11.800
<v Speaker 1>but lunchboxes at Homie Me and Lunchbox are good. Now

0:32:11.960 --> 0:32:15.040
<v Speaker 1>that was quick. Okay, but wait a minute. I just

0:32:15.040 --> 0:32:18.880
<v Speaker 1>shown through nineteen hoops for you, like I mean literally

0:32:19.240 --> 0:32:23.040
<v Speaker 1>called friends, got three tickets and then it's like, yo,

0:32:23.240 --> 0:32:24.520
<v Speaker 1>I just want to say this. It wasn't about how

0:32:24.600 --> 0:32:28.440
<v Speaker 1>nice Amy is or Eddie is or Bobby you've always

0:32:28.480 --> 0:32:31.600
<v Speaker 1>you've always been the homie. You the og homie. Okay,

0:32:31.800 --> 0:32:33.440
<v Speaker 1>I don't need it, but I just thought it was

0:32:33.480 --> 0:32:36.080
<v Speaker 1>a weird thing. That well, he didn't like me until

0:32:36.120 --> 0:32:39.040
<v Speaker 1>I helped him out right here. Yeah, what did you do?

0:32:39.160 --> 0:32:43.160
<v Speaker 1>You did nothing. I got him out of the nosebleeds. No, no,

0:32:43.400 --> 0:32:46.480
<v Speaker 1>Ronnie offered those tickets. Yeah, Ronnie hover, go ahead. What

0:32:46.520 --> 0:32:48.560
<v Speaker 1>did he call in to hate on lunchbox for? Yeah?

0:32:48.560 --> 0:32:51.640
<v Speaker 1>Why did you hate lunchbox? Jerry? It's been a well

0:32:51.640 --> 0:32:53.200
<v Speaker 1>I don't want to talk about him over it now now,

0:32:53.240 --> 0:32:55.360
<v Speaker 1>but what did you say? I'm not over it. Let's

0:32:55.360 --> 0:32:57.920
<v Speaker 1>just go let's walk in the time machine. Jerry, what

0:32:58.320 --> 0:33:01.280
<v Speaker 1>did you say before you grew as a human? I

0:33:01.360 --> 0:33:03.640
<v Speaker 1>called him a sissy boy because he was he was

0:33:03.640 --> 0:33:07.440
<v Speaker 1>whining about something. Yeah, I could be any day, any show, right,

0:33:07.520 --> 0:33:09.080
<v Speaker 1>you know what I saw? You put this sissy boy

0:33:09.120 --> 0:33:13.040
<v Speaker 1>back in the nose. Please give his brother the good tickets? No, no, no,

0:33:14.240 --> 0:33:18.160
<v Speaker 1>are you to talk in the bathroom? It sounds like, hey, Jerry,

0:33:18.160 --> 0:33:23.440
<v Speaker 1>are you pooping? Not right now? Okay? Are you hiding?

0:33:23.520 --> 0:33:26.080
<v Speaker 1>I think his wife maybe in the house, Yes, she

0:33:26.200 --> 0:33:29.680
<v Speaker 1>is in the other room. Okay, she's gonna think you're

0:33:29.720 --> 0:33:32.440
<v Speaker 1>cheating on her, dude, do you want do you want

0:33:32.480 --> 0:33:33.680
<v Speaker 1>me to talk to her and tell her and then

0:33:33.680 --> 0:33:35.120
<v Speaker 1>I'll send you the video, Jerry? Or do you just

0:33:35.160 --> 0:33:38.719
<v Speaker 1>want to do it all yourself. Well, she's sleep, so

0:33:38.760 --> 0:33:40.160
<v Speaker 1>I don't want to wake her up. That'll be kind

0:33:40.160 --> 0:33:42.840
<v Speaker 1>of fun to wake her on speaking phone. Hello, I

0:33:42.920 --> 0:33:48.640
<v Speaker 1>can't make noises kill me. Okay, I get that, or

0:33:48.880 --> 0:33:51.719
<v Speaker 1>I have my whistle if I'm torning my whistles speaker,

0:33:52.760 --> 0:33:57.760
<v Speaker 1>wake up. Okay, Jerry, you're my dude. Stay on hold

0:33:58.320 --> 0:34:00.120
<v Speaker 1>because I'm gonna get your text and then I'm going

0:34:00.240 --> 0:34:05.760
<v Speaker 1>to text you this video but not from my number. Okay, awesome,

0:34:05.840 --> 0:34:07.920
<v Speaker 1>all right, somebody, you're welcome. I hope you have a

0:34:07.920 --> 0:34:12.840
<v Speaker 1>great week. Don't hang up on him. It's the best

0:34:12.960 --> 0:34:18.280
<v Speaker 1>bits of the week with Morgan. Number two, Madeline Edwards

0:34:18.280 --> 0:34:20.440
<v Speaker 1>stopped to buy our show. You may have heard some

0:34:20.520 --> 0:34:23.240
<v Speaker 1>of her awesome songs before, but this was her first

0:34:23.239 --> 0:34:26.440
<v Speaker 1>official time in our studio and she performed and it

0:34:26.520 --> 0:34:29.239
<v Speaker 1>was totally killer, which you should definitely check out on

0:34:29.320 --> 0:34:32.320
<v Speaker 1>YouTube at Bobby Bones Show. But she also talked about

0:34:32.360 --> 0:34:35.719
<v Speaker 1>the job she had when she had first started pursuing music.

0:34:35.760 --> 0:34:39.560
<v Speaker 1>She was singing jazz at this millionaire's restaurant, and I

0:34:39.560 --> 0:34:41.960
<v Speaker 1>could totally hear her voice now, like now I need

0:34:42.000 --> 0:34:45.120
<v Speaker 1>a full jazz album from her, because holy craps. She

0:34:45.160 --> 0:34:47.520
<v Speaker 1>also did a cover of at Last when she was

0:34:47.520 --> 0:34:50.800
<v Speaker 1>in studio and it was so good. So I totally

0:34:50.800 --> 0:34:53.800
<v Speaker 1>see where this jazz influence comes from. But really awesome

0:34:53.800 --> 0:34:56.560
<v Speaker 1>to hear her story before she became a full blown

0:34:56.640 --> 0:34:59.520
<v Speaker 1>artist in country music that you see today. Number four

0:35:00.080 --> 0:35:05.560
<v Speaker 1>name is Madeleine Edwards from Texas, from California. She's toured

0:35:05.560 --> 0:35:09.080
<v Speaker 1>with Chris Stapleton. There's so much soul, so much soul,

0:35:09.160 --> 0:35:11.760
<v Speaker 1>so much country, so much given a little jazz singing.

0:35:11.800 --> 0:35:13.640
<v Speaker 1>Like when I say that, I mean like Ella Fitzgerald.

0:35:14.120 --> 0:35:17.640
<v Speaker 1>And so this is a story somebody who started working

0:35:17.680 --> 0:35:19.680
<v Speaker 1>really young, playing in a restaurant. We'll get to that

0:35:20.120 --> 0:35:22.120
<v Speaker 1>for years and years and years. And now she's in here,

0:35:22.160 --> 0:35:24.360
<v Speaker 1>she's got a piano and she's gonna crush it. She

0:35:24.400 --> 0:35:30.520
<v Speaker 1>has this song called the Wolves and an album called

0:35:30.560 --> 0:35:32.839
<v Speaker 1>Crash Landed that came out at the end of last year.

0:35:32.880 --> 0:35:40.239
<v Speaker 1>And here she is, Madeline Edwards on the Bobby Bones Show. Now, Madeline,

0:35:40.280 --> 0:35:42.000
<v Speaker 1>you know I was telling these guys about your story

0:35:42.000 --> 0:35:46.280
<v Speaker 1>a little bit because I'm a massive fan. Obviously I'm stalker.

0:35:46.320 --> 0:35:48.680
<v Speaker 1>You know it's true. I know, yeah, it's true. And

0:35:48.719 --> 0:35:51.040
<v Speaker 1>I was telling them how maybe you can help me

0:35:51.080 --> 0:35:53.160
<v Speaker 1>for a second. Who did you meet that lets you

0:35:53.160 --> 0:35:55.719
<v Speaker 1>play at their restaurants? Who did I meet? Yeah? Because

0:35:55.719 --> 0:35:57.360
<v Speaker 1>you were playing at a bunch of restaurants right, like

0:35:57.600 --> 0:36:00.840
<v Speaker 1>like yes, My employer at the time, Teche was Tilman

0:36:00.920 --> 0:36:04.080
<v Speaker 1>for Tita, who is who is the billion dollar buyer,

0:36:04.800 --> 0:36:07.440
<v Speaker 1>So he owns a lot of stuff in Houston. So

0:36:07.480 --> 0:36:09.839
<v Speaker 1>he just saw her. It's like knew she was really good,

0:36:09.880 --> 0:36:13.040
<v Speaker 1>so she would like she played restaurants like to cut

0:36:13.040 --> 0:36:16.160
<v Speaker 1>her teeth. Yeah, hours and hours and hours and hours,

0:36:16.280 --> 0:36:20.319
<v Speaker 1>like way over ten thousand hours, and so it's just

0:36:20.360 --> 0:36:22.320
<v Speaker 1>somebody going here, you're really good. And then she just

0:36:22.360 --> 0:36:25.160
<v Speaker 1>put him the time and played. When people would come

0:36:25.200 --> 0:36:27.200
<v Speaker 1>up to you, would you have a fish bowl? Yes?

0:36:27.280 --> 0:36:30.240
<v Speaker 1>I had a fish bowl? And honestly it was really

0:36:30.239 --> 0:36:32.399
<v Speaker 1>really fun because they would have me learn a song

0:36:32.440 --> 0:36:34.040
<v Speaker 1>on the spot, and if I could learn it on

0:36:34.040 --> 0:36:36.000
<v Speaker 1>the spot, they'd like throw in hundreds and stuff. So

0:36:36.040 --> 0:36:38.440
<v Speaker 1>that's how I paid through college. So there she is

0:36:38.520 --> 0:36:41.239
<v Speaker 1>hustling her whole way through college playing restaurants. That's a

0:36:41.280 --> 0:36:43.680
<v Speaker 1>story I really wanted to share here, is that like

0:36:43.719 --> 0:36:46.120
<v Speaker 1>you really had. It's like the imody prayed to the

0:36:46.160 --> 0:36:49.319
<v Speaker 1>Beatles equal with that, so the Beatles. They would play

0:36:49.360 --> 0:36:51.000
<v Speaker 1>these clubs in Germany for like eight hours a night

0:36:51.040 --> 0:36:52.600
<v Speaker 1>and play the saying over and over again, these songs

0:36:52.600 --> 0:36:54.440
<v Speaker 1>over and over and over and over and over until

0:36:54.480 --> 0:36:56.480
<v Speaker 1>they were just in it. And then when when I

0:36:56.520 --> 0:36:59.640
<v Speaker 1>heard Madaline like actually sing the first time, I was like, dang,

0:37:00.200 --> 0:37:03.719
<v Speaker 1>so good. Your voice is so good. You definitely it's

0:37:03.920 --> 0:37:07.320
<v Speaker 1>it's like country music, and there's also like a jazz influence.

0:37:07.320 --> 0:37:08.960
<v Speaker 1>I don't even know what that meant until you taught me.

0:37:09.480 --> 0:37:12.319
<v Speaker 1>I just thought it was just good. Well, thanks, I

0:37:12.360 --> 0:37:14.920
<v Speaker 1>appreciate that. I'm a fan of yours, all of y'all's too.

0:37:15.120 --> 0:37:18.160
<v Speaker 1>I'm really thankful, though, who the least though, of all

0:37:18.200 --> 0:37:19.759
<v Speaker 1>of us? Who? You're not gonna say, would you be

0:37:19.760 --> 0:37:21.839
<v Speaker 1>the least fan, because it's gonna hurt your feelings if

0:37:21.840 --> 0:37:25.040
<v Speaker 1>I say who, Well, it's probably me so and that's okay, Madeleine.

0:37:25.120 --> 0:37:26.680
<v Speaker 1>So what I want to do is you have a piano,

0:37:26.719 --> 0:37:27.840
<v Speaker 1>and I want to listeners to hear you, and then

0:37:27.880 --> 0:37:30.200
<v Speaker 1>I want to talk to you, but and I do

0:37:30.239 --> 0:37:31.640
<v Speaker 1>want to talk to you about the grand ol Opry.

0:37:31.640 --> 0:37:34.160
<v Speaker 1>You have so many questions, but this is Madeleine Edwards.

0:37:34.400 --> 0:37:36.080
<v Speaker 1>What are you going to play for us? First? Because

0:37:36.080 --> 0:37:37.839
<v Speaker 1>I was just told you have two songs ready, which

0:37:37.840 --> 0:37:39.920
<v Speaker 1>I didn't know which I didn't know that either. I

0:37:39.960 --> 0:37:41.600
<v Speaker 1>think I'm playing two songs. Well, there we go, Oh,

0:37:41.680 --> 0:37:43.200
<v Speaker 1>there we go. If they said he had eight, I'd

0:37:43.200 --> 0:37:44.239
<v Speaker 1>be like, well, we're gonna be here for a while.

0:37:44.280 --> 0:37:47.640
<v Speaker 1>Everybody buckle in. Oh what are you gonna play? Madeline? Um,

0:37:47.719 --> 0:37:50.920
<v Speaker 1>I'm first gonna play the Wolves. Okay, here is Madeleine Edwards.

0:37:51.239 --> 0:37:55.400
<v Speaker 1>Brace yourself, everybody for the Wolves. You did some shows

0:37:55.400 --> 0:37:57.680
<v Speaker 1>with Chris Stapleton, and if I would have gone to

0:37:57.719 --> 0:37:59.680
<v Speaker 1>that show, I would have had like a nose injury

0:38:00.120 --> 0:38:02.000
<v Speaker 1>and like a lip injury because when you play, when

0:38:02.080 --> 0:38:03.840
<v Speaker 1>Chris plays, I get stink face Like this, I'm like,

0:38:04.080 --> 0:38:07.920
<v Speaker 1>I'm feeling it liked because I just feeling it so much.

0:38:08.160 --> 0:38:10.120
<v Speaker 1>Chase is the best compliment you can give it. Yeah,

0:38:10.719 --> 0:38:13.920
<v Speaker 1>And I just imagine you and Stapleton both, it'd be

0:38:13.920 --> 0:38:17.840
<v Speaker 1>all stink face all the time and l king. Yeah.

0:38:17.880 --> 0:38:20.400
<v Speaker 1>She was also on the road with what a performance.

0:38:20.440 --> 0:38:22.640
<v Speaker 1>Holy Moley. So you grew up in California and Texas.

0:38:22.680 --> 0:38:26.840
<v Speaker 1>What do you consider yourself m Californian or a Texan?

0:38:27.280 --> 0:38:30.759
<v Speaker 1>I consider myself Texan because that's kind of where I

0:38:30.800 --> 0:38:32.560
<v Speaker 1>did most of my growing up. I moved there, like

0:38:32.640 --> 0:38:34.279
<v Speaker 1>right before high school, So I feel like all the

0:38:34.320 --> 0:38:38.120
<v Speaker 1>really hard adult years came in Texas for sure. Do

0:38:38.160 --> 0:38:39.680
<v Speaker 1>you guys want to invite her back for another segment

0:38:39.760 --> 0:38:43.000
<v Speaker 1>or just yeah, it looks like you got to go Madeline. Sorry.

0:38:43.680 --> 0:38:47.160
<v Speaker 1>When you play the Grand ol Opry, Madeleine and finish,

0:38:47.560 --> 0:38:49.680
<v Speaker 1>you know you play. I imagine you play two songs

0:38:49.680 --> 0:38:52.560
<v Speaker 1>your first time je two I did. After you finish

0:38:52.600 --> 0:38:54.759
<v Speaker 1>your second song and they start to stand up and

0:38:54.760 --> 0:38:57.120
<v Speaker 1>they give you a standing ovation at the Grand ol Opry.

0:38:57.400 --> 0:39:00.160
<v Speaker 1>Can you remember that moment or was it just All's

0:39:00.160 --> 0:39:02.880
<v Speaker 1>it just all fog at this point? No, I definitely

0:39:02.920 --> 0:39:06.600
<v Speaker 1>remember it the year as a whole, and everything that

0:39:06.640 --> 0:39:08.759
<v Speaker 1>happened over the year as a fog, because it's just

0:39:08.840 --> 0:39:10.520
<v Speaker 1>a lot that happened in one year. But when I

0:39:10.560 --> 0:39:14.080
<v Speaker 1>think about those instances, and one of them being the

0:39:14.160 --> 0:39:16.960
<v Speaker 1>Opery and the first time I played there, but you

0:39:17.000 --> 0:39:19.279
<v Speaker 1>gotta say they stood up you got a standing ovation. Yeah,

0:39:19.360 --> 0:39:22.520
<v Speaker 1>I mean I was really overwhelmed. Honestly. My mom was

0:39:22.560 --> 0:39:24.920
<v Speaker 1>in the crowd. I mean, my in laws were there,

0:39:24.960 --> 0:39:28.439
<v Speaker 1>my husband's grandpa was there, and so it was kind

0:39:28.440 --> 0:39:31.160
<v Speaker 1>of one of those feelings where I think I get

0:39:31.200 --> 0:39:33.080
<v Speaker 1>to live this moment that not many people in the

0:39:33.080 --> 0:39:37.759
<v Speaker 1>world get to experience. And it was very humbling, for sure.

0:39:37.920 --> 0:39:39.439
<v Speaker 1>And it's harder for some of them at the opera

0:39:39.480 --> 0:39:41.040
<v Speaker 1>to even stand up at all, and yet they stood

0:39:41.040 --> 0:39:45.080
<v Speaker 1>for you. Oh gosh, that's right. No, I'm just saying

0:39:45.160 --> 0:39:46.640
<v Speaker 1>I have to play the opera sometimes too. I love

0:39:46.640 --> 0:39:48.040
<v Speaker 1>to play the but I'm saying it's old. It's an

0:39:48.040 --> 0:39:50.400
<v Speaker 1>older crowd. Some of them are older, and they stood

0:39:50.440 --> 0:39:53.399
<v Speaker 1>up for you. That does mean a lot because that demographic.

0:39:53.520 --> 0:39:55.919
<v Speaker 1>You always wonder like, oh am I too hip for this?

0:39:56.160 --> 0:39:58.040
<v Speaker 1>Or are they gonna like it? But the fact that

0:39:58.080 --> 0:40:00.920
<v Speaker 1>they really liked it was really cool. Nashville been for you.

0:40:00.920 --> 0:40:03.879
<v Speaker 1>How long have you been here? It'll be two years

0:40:03.960 --> 0:40:07.200
<v Speaker 1>next week, so you're just a baby in Nashville. Yeah,

0:40:07.280 --> 0:40:09.239
<v Speaker 1>So how did do you like? Is it feel like home? Yet?

0:40:10.480 --> 0:40:13.000
<v Speaker 1>It started to feel like home for the first time

0:40:13.040 --> 0:40:16.640
<v Speaker 1>this month. I think it takes a while to find

0:40:16.680 --> 0:40:19.360
<v Speaker 1>your corners, to find your community, find the people that

0:40:19.440 --> 0:40:22.520
<v Speaker 1>really care. And I feel like we got really lucky

0:40:22.600 --> 0:40:25.840
<v Speaker 1>in finding that early. So it's starting to feel a

0:40:25.880 --> 0:40:28.960
<v Speaker 1>little bit more like home. So I don't know, you

0:40:28.960 --> 0:40:31.759
<v Speaker 1>started playing piano at what age four? So when you're

0:40:31.800 --> 0:40:33.640
<v Speaker 1>four years old? And maybe you could just walk me

0:40:33.640 --> 0:40:35.319
<v Speaker 1>through and hit some keys or something when you're four,

0:40:35.360 --> 0:40:36.960
<v Speaker 1>Like what does a four year old learn? Or even

0:40:36.960 --> 0:40:38.640
<v Speaker 1>if you had a four year old that said, Madeline,

0:40:38.680 --> 0:40:39.960
<v Speaker 1>can you teach me how to play piano? Like what

0:40:39.960 --> 0:40:42.120
<v Speaker 1>would would you teach them? Like a scale? A finger thing?

0:40:42.520 --> 0:40:44.600
<v Speaker 1>I mean you probably just teach them scales first start

0:40:44.600 --> 0:40:46.440
<v Speaker 1>at middle C and then go all the way up

0:40:47.680 --> 0:40:51.520
<v Speaker 1>and it for what do you understand about music? Four? Five, six, seven?

0:40:51.719 --> 0:40:55.520
<v Speaker 1>Like you did you understand what the notes meant? At seven?

0:40:55.560 --> 0:40:59.640
<v Speaker 1>Could you actually play complicated things at seven years old? Yeah?

0:40:59.719 --> 0:41:02.160
<v Speaker 1>Just like like that three years Yeah, at seven I

0:41:02.200 --> 0:41:05.200
<v Speaker 1>was playing like classical music. Are you crazy? Yeah? So

0:41:05.560 --> 0:41:07.640
<v Speaker 1>I was. You know, I was trying to do concert

0:41:07.680 --> 0:41:10.399
<v Speaker 1>piano at that age, and you know, classical was kind

0:41:10.440 --> 0:41:12.000
<v Speaker 1>of what I started with, and jazz is what I

0:41:12.080 --> 0:41:14.319
<v Speaker 1>ended up doing when I was in middle school. Um,

0:41:14.760 --> 0:41:17.600
<v Speaker 1>so how many hours a day were you practicing? I

0:41:17.680 --> 0:41:20.880
<v Speaker 1>actually did not like playing piano until I was fifteen

0:41:21.120 --> 0:41:22.879
<v Speaker 1>and found a reason to be like, oh, I can

0:41:22.880 --> 0:41:25.960
<v Speaker 1>write songs about how much boys suck and how much

0:41:26.000 --> 0:41:28.000
<v Speaker 1>I hate my parents right now. And then I got

0:41:28.040 --> 0:41:30.920
<v Speaker 1>into piano. But I was I was kicking and screaming

0:41:31.000 --> 0:41:32.880
<v Speaker 1>when I was playing it at four, because I was like,

0:41:32.920 --> 0:41:35.719
<v Speaker 1>this isn't easy for me. It doesn't come naturally to me.

0:41:35.800 --> 0:41:38.160
<v Speaker 1>And my mom just kept me in it even if

0:41:38.160 --> 0:41:40.000
<v Speaker 1>I didn't like it. Do you remember the first song

0:41:40.040 --> 0:41:41.719
<v Speaker 1>you ever wrote that you were that you were like

0:41:41.760 --> 0:41:44.640
<v Speaker 1>I completed this song. The first song I ever wrote

0:41:44.640 --> 0:41:46.880
<v Speaker 1>on piano was a song called All I Need And

0:41:46.920 --> 0:41:48.560
<v Speaker 1>I was ten years old when I wrote it, and

0:41:48.600 --> 0:41:50.799
<v Speaker 1>it was like jazz seven s and stuff like, yeah,

0:41:50.800 --> 0:41:51.759
<v Speaker 1>we'll take a lot of that. Here we go. This

0:41:51.760 --> 0:41:54.120
<v Speaker 1>is you want to give me a little bit of

0:41:54.120 --> 0:41:55.480
<v Speaker 1>the first time you ever wrote it ten years old,

0:41:55.560 --> 0:42:02.319
<v Speaker 1>Let's see what we got. You can remember it and

0:42:02.440 --> 0:42:06.080
<v Speaker 1>all I need to say and all I need to

0:42:06.120 --> 0:42:13.719
<v Speaker 1>do is be with you? Who are you wanting to

0:42:13.760 --> 0:42:17.080
<v Speaker 1>be with I was wanting to be like Eda James

0:42:17.080 --> 0:42:19.200
<v Speaker 1>when I was ten. I was like, this is the goal.

0:42:20.320 --> 0:42:21.839
<v Speaker 1>I was just thinking, how did she do that at ten?

0:42:22.000 --> 0:42:24.359
<v Speaker 1>That's amazing. I took piano lessons at like twenty eight,

0:42:25.600 --> 0:42:27.680
<v Speaker 1>couldn't even do that for like months to a kind

0:42:27.719 --> 0:42:30.320
<v Speaker 1>of my house. Granted, I have tried to play guitar

0:42:30.360 --> 0:42:32.520
<v Speaker 1>for about ten years and I can't do it. That's

0:42:32.560 --> 0:42:34.719
<v Speaker 1>one instrument I just for some reason cannot pick up.

0:42:34.960 --> 0:42:37.080
<v Speaker 1>So you when do you decide you want to do

0:42:37.200 --> 0:42:40.120
<v Speaker 1>music or at least pursue music professionally, because that's a

0:42:40.120 --> 0:42:43.160
<v Speaker 1>whole different choice, meaning you're not just playing piano now

0:42:43.160 --> 0:42:45.680
<v Speaker 1>you're actually gonna go and try that against people. Yeah,

0:42:45.719 --> 0:42:48.000
<v Speaker 1>So going back to the Tilman for Tita stuff. When

0:42:48.000 --> 0:42:50.320
<v Speaker 1>I started playing in jazz bars and clubs and stuff,

0:42:50.360 --> 0:42:54.000
<v Speaker 1>I was fourteen, and you know, I was helping my

0:42:54.040 --> 0:42:55.719
<v Speaker 1>family keep the lights on. I come from a really

0:42:55.760 --> 0:42:58.480
<v Speaker 1>big family and we grew up in a poor situation.

0:42:58.600 --> 0:43:01.759
<v Speaker 1>So I think once I realized, oh, you can make

0:43:01.800 --> 0:43:04.359
<v Speaker 1>money doing this, that's when I was like, I think

0:43:04.400 --> 0:43:06.080
<v Speaker 1>I could do this for the rest of my life.

0:43:06.080 --> 0:43:08.080
<v Speaker 1>But it was something that I went into to help

0:43:08.120 --> 0:43:11.359
<v Speaker 1>my family. Um, but granted, I wanted to do that

0:43:11.400 --> 0:43:13.080
<v Speaker 1>for the rest of my life anyway, So I think

0:43:13.120 --> 0:43:16.200
<v Speaker 1>I was just trying to formulize a plan on how

0:43:16.239 --> 0:43:18.239
<v Speaker 1>I could do this and make a living doing it.

0:43:18.320 --> 0:43:21.319
<v Speaker 1>And yeah, Madeline Edwards is here. I'm a big fan

0:43:21.360 --> 0:43:23.680
<v Speaker 1>of her. She's gonna play with Eddie and I at

0:43:23.719 --> 0:43:26.320
<v Speaker 1>the million dollars show at the Rhyman. Can't wait. Which

0:43:26.840 --> 0:43:28.720
<v Speaker 1>have you played there? She already knows. It's not a surprise.

0:43:28.760 --> 0:43:31.080
<v Speaker 1>I called her and I was like, Hey, will you

0:43:31.080 --> 0:43:33.719
<v Speaker 1>do this? You haven't played the Rhyman yet? No, Oh,

0:43:33.800 --> 0:43:36.920
<v Speaker 1>that's awesome. I can't wait for people to see you perform.

0:43:36.960 --> 0:43:39.120
<v Speaker 1>Last yallar in for a treat. We have some really

0:43:39.120 --> 0:43:41.080
<v Speaker 1>good songs lined up. I won't say what, but what

0:43:41.120 --> 0:43:43.400
<v Speaker 1>if you said the opposite? What if she came those guys,

0:43:43.600 --> 0:43:47.480
<v Speaker 1>we've really planned our worst stuff for you. Whenever you're playing,

0:43:47.680 --> 0:43:50.560
<v Speaker 1>and again, you're playing all these hours. You're helping, you know,

0:43:50.600 --> 0:43:54.320
<v Speaker 1>make money so you guys can eat. But you're playing

0:43:54.560 --> 0:43:57.640
<v Speaker 1>obviously cover songs at a restaurant as a fourteen to

0:43:57.640 --> 0:43:59.200
<v Speaker 1>fifteen sixteen year old? Were there any songs that you

0:43:59.239 --> 0:44:00.840
<v Speaker 1>played were adult? I just thought it was so funny

0:44:00.840 --> 0:44:04.239
<v Speaker 1>a kid was playing this song. Yeah, I mean at

0:44:04.320 --> 0:44:08.080
<v Speaker 1>last BAYEDA James. I remember playing Tennessee whiskey at times.

0:44:08.320 --> 0:44:10.839
<v Speaker 1>And when I was fourteen, my voice was as deep

0:44:10.880 --> 0:44:13.680
<v Speaker 1>as it is now, So imagine this voice coming out

0:44:13.680 --> 0:44:15.839
<v Speaker 1>of a fourteen year old. It's never changed. My voice

0:44:15.880 --> 0:44:18.120
<v Speaker 1>has always kind of stayed the same. So that was

0:44:18.239 --> 0:44:20.880
<v Speaker 1>more the shocker to people is that a voice like

0:44:20.960 --> 0:44:23.360
<v Speaker 1>this was coming out of a fourteen year old. And

0:44:23.440 --> 0:44:26.319
<v Speaker 1>obviously I've like tuned it and you know, shaped it

0:44:26.360 --> 0:44:29.400
<v Speaker 1>over time. But yeah, I think that was the shock value.

0:44:29.560 --> 0:44:32.239
<v Speaker 1>When I was working on American Idol, it worked there

0:44:32.280 --> 0:44:34.200
<v Speaker 1>for four years. People would always sing it last. It

0:44:34.239 --> 0:44:35.719
<v Speaker 1>was like the song they wanted to audition. I was like,

0:44:35.719 --> 0:44:38.239
<v Speaker 1>please stop singing this song. Please stop singing the song

0:44:38.400 --> 0:44:40.359
<v Speaker 1>because everybody does it all the time. But what then

0:44:41.239 --> 0:44:44.200
<v Speaker 1>when somebody does it right, you're reminded it just how

0:44:44.320 --> 0:44:47.440
<v Speaker 1>right she was and that song is for sure? Do

0:44:47.480 --> 0:44:50.319
<v Speaker 1>you still perform that? I do? You can? You give

0:44:50.360 --> 0:44:51.919
<v Speaker 1>us a little bit because we haven't talked. I didn't

0:44:51.920 --> 0:44:56.000
<v Speaker 1>ask for this, do you know if not, we can

0:44:56.080 --> 0:44:59.319
<v Speaker 1>move on. I mean it, just give me twenty seven,

0:44:59.400 --> 0:45:15.800
<v Speaker 1>like yeah, yeah, last my Loves come along and my

0:45:16.120 --> 0:45:24.080
<v Speaker 1>lonely Days are over and laugh is lack a song

0:45:25.760 --> 0:45:30.440
<v Speaker 1>I would put everybody on the spot. Yeahs so good.

0:45:30.800 --> 0:45:32.200
<v Speaker 1>I wish I had a billion dollars I could to

0:45:32.239 --> 0:45:34.239
<v Speaker 1>have a restaurant and make you play there like that's all.

0:45:34.280 --> 0:45:36.080
<v Speaker 1>My goal is now to have a billion dollars to

0:45:36.080 --> 0:45:38.000
<v Speaker 1>buy restaurant so I can hire Madeline to play there

0:45:38.080 --> 0:45:40.239
<v Speaker 1>the whole time. Oh man, So are you? Are you

0:45:40.239 --> 0:45:42.040
<v Speaker 1>on dream? Are you on the road? A bunch? You

0:45:42.080 --> 0:45:44.279
<v Speaker 1>feel like I'm about to be. I'm going out on

0:45:44.320 --> 0:45:47.879
<v Speaker 1>the road with Ingridy Andrews actually starting in two weeks um,

0:45:47.920 --> 0:45:50.600
<v Speaker 1>and then We're doing a whole festival season. So I'm

0:45:50.640 --> 0:45:53.040
<v Speaker 1>playing a whole bunch of festivals that I've never played before,

0:45:53.120 --> 0:45:56.759
<v Speaker 1>like Stagecoach and Watershed and yeah, I don't know what

0:45:56.880 --> 0:46:00.879
<v Speaker 1>other ones I'm supposed to announce, but see to see you, guys,

0:46:00.920 --> 0:46:03.000
<v Speaker 1>go to Madeline Edwards music dot com to see all

0:46:03.000 --> 0:46:06.799
<v Speaker 1>the dates, or go go to our socials. M will

0:46:06.840 --> 0:46:08.919
<v Speaker 1>you play another one of your songs? Of course? Which

0:46:08.960 --> 0:46:10.600
<v Speaker 1>one would you like to play? I would love to

0:46:10.600 --> 0:46:13.560
<v Speaker 1>play hold my Horses? Okay, So you guys follow making

0:46:13.600 --> 0:46:17.160
<v Speaker 1>Madeleine on Instagram on all Over she's doing the Million

0:46:17.200 --> 0:46:20.200
<v Speaker 1>Dollars Show. I'm just a big fan. And her album

0:46:20.320 --> 0:46:24.000
<v Speaker 1>came out into last year right November. Um it's called

0:46:24.040 --> 0:46:27.400
<v Speaker 1>crash Landed and here is hold my Horses from Madeline Edwards.

0:46:29.560 --> 0:46:32.239
<v Speaker 1>Can I cheer now? Can I cheer now? I don't

0:46:32.280 --> 0:46:36.480
<v Speaker 1>know when to cheer? Can I cheer now? Yeah? I

0:46:36.520 --> 0:46:38.120
<v Speaker 1>don't know. I don't know. I don't know what You're

0:46:38.120 --> 0:46:39.880
<v Speaker 1>gonna go back and do it. I'm like, I don't know.

0:46:40.160 --> 0:46:43.400
<v Speaker 1>I want to cheer the hold. So I'm like, Madlen,

0:46:43.480 --> 0:46:46.480
<v Speaker 1>you're awesome. I hope everybody that's listening to this and

0:46:46.520 --> 0:46:48.440
<v Speaker 1>maybe they're exposed to you for the first time. I

0:46:48.480 --> 0:46:51.080
<v Speaker 1>hope they check out crash Landed. We've played so many

0:46:51.120 --> 0:46:53.440
<v Speaker 1>of your songs on the Women of Our Country and

0:46:53.680 --> 0:46:57.200
<v Speaker 1>on the Countdown, so we're just big fans. Eddie and

0:46:57.200 --> 0:46:58.640
<v Speaker 1>I are super excited you're gonna play with us as

0:46:58.680 --> 0:47:02.399
<v Speaker 1>the Million Dollars Show. So excited and it's just it's

0:47:02.440 --> 0:47:04.719
<v Speaker 1>just beginning for you. It's crazy. Thank you. You know.

0:47:04.800 --> 0:47:08.319
<v Speaker 1>I'm a fan. I was told by somebody and said, hey,

0:47:08.320 --> 0:47:11.480
<v Speaker 1>you should get to know Madeleine and they were like, man,

0:47:11.920 --> 0:47:14.440
<v Speaker 1>she's be careful. She's like you, and I was like,

0:47:14.440 --> 0:47:15.560
<v Speaker 1>what does that mean? And then I met her. I

0:47:15.560 --> 0:47:18.000
<v Speaker 1>was like, oh, I get it. We're saying the same

0:47:18.040 --> 0:47:21.080
<v Speaker 1>thing about Bobby too. They were like, they were like,

0:47:21.080 --> 0:47:23.040
<v Speaker 1>she'll come at you, She'll come out, And I think

0:47:23.080 --> 0:47:24.920
<v Speaker 1>that's why we get along. I think that's why too.

0:47:25.160 --> 0:47:28.799
<v Speaker 1>At making Madeline. It's Madeline Edwards, Madeleine. We'll see us soon.

0:47:28.840 --> 0:47:34.760
<v Speaker 1>There she is everybody, let's cloud. It's the best bits

0:47:34.760 --> 0:47:39.080
<v Speaker 1>of the week with Morgan. Number two, Amy shared a

0:47:39.160 --> 0:47:41.959
<v Speaker 1>pro tip after she had a moment in the grocery store.

0:47:42.000 --> 0:47:44.760
<v Speaker 1>The sour cream spell to win everywhere and she cried,

0:47:45.040 --> 0:47:47.239
<v Speaker 1>so she gave us the story of why that all

0:47:47.320 --> 0:47:50.520
<v Speaker 1>happened and why you need to be aware of what's

0:47:50.520 --> 0:47:54.000
<v Speaker 1>going on, especially when it comes to your feelings. Number three,

0:47:54.280 --> 0:47:56.960
<v Speaker 1>what happened? Well, I just have a reminder for people,

0:47:57.000 --> 0:47:59.719
<v Speaker 1>if you're overwhelmed by something or got something going on,

0:48:00.040 --> 0:48:02.640
<v Speaker 1>don't stuff it down because if you do, you might

0:48:02.719 --> 0:48:05.440
<v Speaker 1>end up crying on the dairy aisle at the grocery store.

0:48:05.840 --> 0:48:09.680
<v Speaker 1>That sounds very specific because that's what happened to me. Okay,

0:48:10.080 --> 0:48:14.400
<v Speaker 1>but at the stage, what when was this yesterday? That

0:48:15.600 --> 0:48:18.120
<v Speaker 1>the grocery store getting a few things. You're already an

0:48:18.200 --> 0:48:22.160
<v Speaker 1>emotional Do you know you're emotional? No? I think it's

0:48:22.680 --> 0:48:25.839
<v Speaker 1>we're getting close to that time. But so I know

0:48:26.080 --> 0:48:28.600
<v Speaker 1>that maybe I get to blame it on that if

0:48:28.640 --> 0:48:30.880
<v Speaker 1>I start. That's always a girl's hope. It's like when

0:48:30.880 --> 0:48:33.120
<v Speaker 1>you're acting crazy and then you start the next day,

0:48:33.120 --> 0:48:37.239
<v Speaker 1>you're like, whoop, not crazy. Okay, You're like in retrospect, yes, yes,

0:48:37.600 --> 0:48:40.799
<v Speaker 1>it's like affirmation that you're not crazy. So I feel

0:48:40.800 --> 0:48:43.200
<v Speaker 1>like that ties into this as well. But I was

0:48:43.239 --> 0:48:47.200
<v Speaker 1>getting sour cream and I dropped it and it didn't

0:48:47.239 --> 0:48:50.280
<v Speaker 1>just it's splattered everywhere, like it popped, the lit off popped,

0:48:50.320 --> 0:48:53.080
<v Speaker 1>the thing popped, and so then I had to go

0:48:53.120 --> 0:48:55.640
<v Speaker 1>get someone to clean it up or help, and it

0:48:55.719 --> 0:48:58.160
<v Speaker 1>just was this whole thing and it just overwhelmed me

0:48:58.520 --> 0:49:01.479
<v Speaker 1>and I just started crying. But I know it wasn't

0:49:01.480 --> 0:49:04.480
<v Speaker 1>over the sour cream. I went. Once I got home

0:49:04.520 --> 0:49:06.400
<v Speaker 1>and I really thought about it, I was like, Okay,

0:49:06.840 --> 0:49:08.520
<v Speaker 1>I know what this really is and I'm going to

0:49:08.600 --> 0:49:11.759
<v Speaker 1>work through it. But also if I started soon, I'll

0:49:11.840 --> 0:49:14.959
<v Speaker 1>know that's what it was too. In retrospect. Yeah, yeah,

0:49:14.680 --> 0:49:20.640
<v Speaker 1>So okay, Well, humor my questions here, did you cry

0:49:20.760 --> 0:49:23.040
<v Speaker 1>as soon as the sour cream popped, or as you

0:49:23.040 --> 0:49:24.960
<v Speaker 1>were going to get somebody, or as they were cleaning

0:49:25.040 --> 0:49:27.160
<v Speaker 1>or what? When did it hit you emotionally? And I

0:49:27.200 --> 0:49:28.840
<v Speaker 1>had to go get somebody And they came and we

0:49:28.920 --> 0:49:30.759
<v Speaker 1>were cleaning it up, so as you were cleaning it

0:49:30.760 --> 0:49:33.560
<v Speaker 1>with them, but they didn't I don't did they know

0:49:33.600 --> 0:49:35.960
<v Speaker 1>you were? Was it a guy as a guy? Yeah?

0:49:36.239 --> 0:49:37.880
<v Speaker 1>He was like, what is going on? No, it's like

0:49:37.880 --> 0:49:41.120
<v Speaker 1>a teenager. He was like, what is it going on? Sure?

0:49:41.400 --> 0:49:44.680
<v Speaker 1>And what version of a cry was it? It wasn't bad.

0:49:44.960 --> 0:49:47.200
<v Speaker 1>It wasn't bad. Couldn't you? Could the kid tell you

0:49:47.200 --> 0:49:50.479
<v Speaker 1>were crying? I don't think so, I hope not. But

0:49:50.719 --> 0:49:52.640
<v Speaker 1>did you buy the groceries when you left you already had?

0:49:52.680 --> 0:49:53.920
<v Speaker 1>Or did you get some sour cream? Or did you

0:49:53.920 --> 0:49:56.040
<v Speaker 1>just run out of there? No? I paid for my

0:49:56.080 --> 0:49:58.320
<v Speaker 1>groceries when I got to my car, Like, I definitely

0:49:58.360 --> 0:50:00.359
<v Speaker 1>got it out a little bit more. And like I said,

0:50:00.360 --> 0:50:03.120
<v Speaker 1>when I got home, I processed. I try. I trying

0:50:03.160 --> 0:50:05.600
<v Speaker 1>to really pay attention to stuff and be in tune

0:50:05.600 --> 0:50:09.120
<v Speaker 1>with what's happening. And I'm like, oh, this is something

0:50:09.239 --> 0:50:11.799
<v Speaker 1>I've not I didn't realize how overwhelmed I was by

0:50:11.840 --> 0:50:15.560
<v Speaker 1>this situation. And now I'm gonna breathe through it a

0:50:15.600 --> 0:50:18.959
<v Speaker 1>little bit maybe journal and then see what happens. Sound

0:50:19.040 --> 0:50:21.520
<v Speaker 1>cream does pop like when the thing hits Oh yeah,

0:50:21.680 --> 0:50:24.520
<v Speaker 1>yeah yeah everywhere. Yeah. So I'm gonna cry just because

0:50:24.560 --> 0:50:26.239
<v Speaker 1>of that or just run out of there. So I

0:50:26.280 --> 0:50:28.440
<v Speaker 1>do commend you for and then thanks for sharing thy

0:50:28.520 --> 0:50:31.400
<v Speaker 1>thanks for being vulnerable. This is a safe space sometimes

0:50:31.800 --> 0:50:33.680
<v Speaker 1>sometimes hardly. Ever, I'll be honest with you, it never

0:50:33.760 --> 0:50:35.880
<v Speaker 1>feels that safe. It never What do we learn from

0:50:35.920 --> 0:50:37.440
<v Speaker 1>this though? What are you saying to our audience? It

0:50:37.880 --> 0:50:41.839
<v Speaker 1>doesn't serve us to stuff anything down or to nom

0:50:41.920 --> 0:50:45.160
<v Speaker 1>out in any way, because it's just gonna come. It's

0:50:45.160 --> 0:50:48.439
<v Speaker 1>gonna come up. You never know when, but it's gonna

0:50:48.520 --> 0:50:50.600
<v Speaker 1>pop up. So do yourself a favor, you know what,

0:50:50.600 --> 0:50:52.279
<v Speaker 1>I'll you'll be in when it does happen. Yeah, and

0:50:52.360 --> 0:50:54.279
<v Speaker 1>try to work through it as best as you can.

0:50:54.440 --> 0:50:55.960
<v Speaker 1>You know, some little stone or fifteen year old went

0:50:56.000 --> 0:51:00.960
<v Speaker 1>to his friends like this whole lady fifteen or sixteen

0:51:01.000 --> 0:51:03.279
<v Speaker 1>year old. I don't think so. Twenty five year old

0:51:03.320 --> 0:51:06.080
<v Speaker 1>was an old lady to a fifteen or sixteen year sorry, Amy, Yeah,

0:51:06.239 --> 0:51:07.440
<v Speaker 1>you know he went back to it. He's like, you

0:51:07.480 --> 0:51:11.600
<v Speaker 1>guys are gonna believe this. It's the best bits of

0:51:11.600 --> 0:51:17.960
<v Speaker 1>the Week with Morgan. Number two Scuba Steve has caused

0:51:18.040 --> 0:51:20.600
<v Speaker 1>a lot of controversy on our social media pages with

0:51:20.680 --> 0:51:22.839
<v Speaker 1>this one. And he has mentioned before that he doesn't

0:51:22.880 --> 0:51:24.200
<v Speaker 1>want to get up a sect to me, but his

0:51:24.239 --> 0:51:27.000
<v Speaker 1>wife really wants him to right now, and this subject

0:51:27.160 --> 0:51:29.839
<v Speaker 1>got brought up again, and I quote Scuba Steve tells

0:51:29.920 --> 0:51:32.120
<v Speaker 1>us in this bit coming up that he would rather

0:51:32.160 --> 0:51:34.360
<v Speaker 1>have more kids than get one. He's just not about it,

0:51:34.480 --> 0:51:36.480
<v Speaker 1>not having it. But I'm gonna let you hear from

0:51:36.520 --> 0:51:38.840
<v Speaker 1>the man himself why he doesn't want to go on

0:51:39.000 --> 0:51:41.080
<v Speaker 1>and what's kind of happening in his house right now.

0:51:41.640 --> 0:51:45.000
<v Speaker 1>Number two s twics talking about having open throat surgery.

0:51:45.680 --> 0:51:49.080
<v Speaker 1>She had Lyme disease and when she's been in this studio.

0:51:49.120 --> 0:51:53.240
<v Speaker 1>The last time she was in studio, she struggled talking

0:51:53.360 --> 0:51:55.800
<v Speaker 1>because of her lyme disease. Like she talked for a

0:51:55.840 --> 0:51:58.560
<v Speaker 1>little bit, but it was but again she had this

0:51:58.719 --> 0:52:01.360
<v Speaker 1>throat surgery. Now she's again, which is amazing to see.

0:52:01.640 --> 0:52:05.600
<v Speaker 1>When I saw her at the Grammys, she was just

0:52:05.640 --> 0:52:07.719
<v Speaker 1>like full health. It seemed full health at least with

0:52:07.719 --> 0:52:09.640
<v Speaker 1>her voice and so and I don't think she would

0:52:09.680 --> 0:52:11.560
<v Speaker 1>have put out a record and had done all this

0:52:11.640 --> 0:52:13.880
<v Speaker 1>press if she wasn't feeling a lot better. But she

0:52:13.960 --> 0:52:17.000
<v Speaker 1>had this surgery and they said, hey, look you may

0:52:17.040 --> 0:52:20.560
<v Speaker 1>never sing again. Oh we got this procedure and you

0:52:20.640 --> 0:52:23.400
<v Speaker 1>got to be awake while we do it, which is crazy.

0:52:23.719 --> 0:52:26.000
<v Speaker 1>So she said, quote, you have to be awake. She said,

0:52:26.000 --> 0:52:29.160
<v Speaker 1>I was more afraid of never singing again than getting

0:52:29.160 --> 0:52:31.280
<v Speaker 1>through the operation. The reason you have to be awake

0:52:31.320 --> 0:52:34.200
<v Speaker 1>for the operation is that you have to sing during

0:52:34.239 --> 0:52:37.400
<v Speaker 1>it so they know exactly what to do. WHOA. She

0:52:37.520 --> 0:52:41.480
<v Speaker 1>described the experience as depressing and devastating, and then also

0:52:41.719 --> 0:52:43.520
<v Speaker 1>having a ton of gratitude for being able to sing

0:52:43.560 --> 0:52:46.279
<v Speaker 1>and speak again. She released a new album, Queen of Me,

0:52:46.400 --> 0:52:48.600
<v Speaker 1>which is Our First sense the surgery, calling it her

0:52:48.600 --> 0:52:52.239
<v Speaker 1>celebration album. That's from Yahoo to be awake during a surgery.

0:52:52.400 --> 0:52:55.520
<v Speaker 1>Hopefully they got you numbed up good. Yeah, but your throat.

0:52:55.640 --> 0:52:56.920
<v Speaker 1>Then you wake up once in all of it, like

0:52:56.960 --> 0:52:59.040
<v Speaker 1>a colin oscary or something. Yeah, you woke up. You

0:52:59.040 --> 0:53:01.279
<v Speaker 1>weren't supposed to. Yeah, my eyes open and I could

0:53:01.320 --> 0:53:04.520
<v Speaker 1>see my insides on the screen because the camera's up there,

0:53:05.040 --> 0:53:10.520
<v Speaker 1>and I heard them talking and it was creepy. Yeah,

0:53:10.680 --> 0:53:12.799
<v Speaker 1>but I mean that one wake up during that one.

0:53:13.040 --> 0:53:17.760
<v Speaker 1>That's a light sedation. Scuba has been thinking about having

0:53:17.800 --> 0:53:21.800
<v Speaker 1>a vasectomy. Scuba, Steve, we've talked about this sad music, please,

0:53:21.920 --> 0:53:26.439
<v Speaker 1>and you're not right now going to get one. No,

0:53:26.480 --> 0:53:28.640
<v Speaker 1>I'm not. I'm still nervous even just even thinking about.

0:53:28.800 --> 0:53:30.799
<v Speaker 1>But so many guys have had this, no issue. It's

0:53:30.800 --> 0:53:34.399
<v Speaker 1>a perfect time March madness, that weekend pop pop goes

0:53:34.400 --> 0:53:35.799
<v Speaker 1>the weasel, and you can say I'm watch games all

0:53:35.840 --> 0:53:37.319
<v Speaker 1>the time. I thought about that, like just to do

0:53:37.400 --> 0:53:40.120
<v Speaker 1>the absolute quintessential thing, to stay home and watch college basketball.

0:53:40.120 --> 0:53:42.399
<v Speaker 1>But I'm still very nervous to do it. And why

0:53:42.440 --> 0:53:44.560
<v Speaker 1>don't you want to do it? It has nothing to

0:53:44.600 --> 0:53:49.879
<v Speaker 1>do with the masculinity thing that lunchbox doesn't. It has

0:53:49.920 --> 0:53:52.880
<v Speaker 1>to do with the pain in that region. I'm not

0:53:52.960 --> 0:53:55.200
<v Speaker 1>up for it. And then now knowing that I found

0:53:55.200 --> 0:53:58.239
<v Speaker 1>out that you have to be awake for it, like

0:53:58.400 --> 0:54:01.600
<v Speaker 1>count me out. They can't give you some light sedation,

0:54:01.719 --> 0:54:03.440
<v Speaker 1>and obviously if they cut any part of you, it's

0:54:03.440 --> 0:54:05.240
<v Speaker 1>going to be sore. But I don't think it's that bad.

0:54:06.080 --> 0:54:10.200
<v Speaker 1>Have you done it every Wednesday? It isn't like a

0:54:10.200 --> 0:54:12.000
<v Speaker 1>catheter involved, which I've never had, and I don't want

0:54:12.000 --> 0:54:15.359
<v Speaker 1>to do that either. There's so many dudes I've gotten

0:54:15.400 --> 0:54:18.160
<v Speaker 1>this done. Yeah, I think if it were something you

0:54:18.160 --> 0:54:20.040
<v Speaker 1>really wanted to do, you should do it. But you

0:54:20.040 --> 0:54:21.719
<v Speaker 1>don't really want to do it. And I think it's

0:54:21.719 --> 0:54:24.719
<v Speaker 1>the masculinity part. It's even though you're saying it's not,

0:54:25.239 --> 0:54:27.439
<v Speaker 1>my feeling is that's what it is. Yeah, why would

0:54:27.440 --> 0:54:28.840
<v Speaker 1>you get a sect? Me? Why don't you have your

0:54:28.880 --> 0:54:32.000
<v Speaker 1>wife get or tubes tied much more invasive? Yes, exactly,

0:54:32.160 --> 0:54:34.400
<v Speaker 1>this can be fixed super quick. He's complaining he used

0:54:34.400 --> 0:54:37.360
<v Speaker 1>to get a catheter. A catheter seems amazing to me.

0:54:39.480 --> 0:54:41.680
<v Speaker 1>I'm on team not scuba, but it does not seem amazing.

0:54:42.000 --> 0:54:44.280
<v Speaker 1>I'm saying that you get to go to the bathroom

0:54:44.320 --> 0:54:46.799
<v Speaker 1>and it's just taken care of. Well, that's why we're

0:54:46.840 --> 0:54:50.080
<v Speaker 1>a diaper. So does she want you to have a sectiment?

0:54:50.120 --> 0:54:52.480
<v Speaker 1>Your wife? She's pushing forward mostly because she doesn't one

0:54:52.520 --> 0:54:55.360
<v Speaker 1>a fourth child, and so I respect that because obviously

0:54:55.360 --> 0:54:56.480
<v Speaker 1>she has to do all the work to have the

0:54:56.560 --> 0:54:59.160
<v Speaker 1>child and everything. But I would like to do things

0:54:59.160 --> 0:55:03.000
<v Speaker 1>that were she she takes earth control or calendar method

0:55:03.040 --> 0:55:05.120
<v Speaker 1>like we used to do, but I don't. I just

0:55:05.160 --> 0:55:06.960
<v Speaker 1>can't go with the calendar method. I'll full load house

0:55:06.960 --> 0:55:12.160
<v Speaker 1>in the prairie. Huhar is full proof. I'll get you.

0:55:13.040 --> 0:55:14.960
<v Speaker 1>I mean it worked for us the first three times.

0:55:15.200 --> 0:55:17.000
<v Speaker 1>What would she have to do to make that happen?

0:55:17.800 --> 0:55:20.040
<v Speaker 1>I don't I don't know. I mean, I don't even

0:55:20.040 --> 0:55:21.640
<v Speaker 1>know what it would be. There's nothing on the table

0:55:21.640 --> 0:55:23.680
<v Speaker 1>that would make me want to do it. So you're

0:55:23.680 --> 0:55:25.840
<v Speaker 1>out out. I'm out out. Anything I think about it,

0:55:25.840 --> 0:55:27.360
<v Speaker 1>I want to throw up. Would you rather get a

0:55:27.400 --> 0:55:28.920
<v Speaker 1>pesseecond me or have another kid? If those aren't like you,

0:55:29.239 --> 0:55:32.680
<v Speaker 1>I'd have ten more kids in a vasect to me, Okay, then, okay,

0:55:32.719 --> 0:55:35.280
<v Speaker 1>this is the thing. He doesn't have to carry the baby,

0:55:35.480 --> 0:55:39.120
<v Speaker 1>deliver the baby, breastfeed the baby, all that stuff is awesome.

0:55:39.120 --> 0:55:40.880
<v Speaker 1>But if she doesn't want anymore, she doesn't want anymore

0:55:40.880 --> 0:55:42.600
<v Speaker 1>and you want ten and you can fix it. I'm

0:55:42.600 --> 0:55:44.440
<v Speaker 1>saying I'd rather have ten than the besect to me, Yeah,

0:55:44.440 --> 0:55:46.799
<v Speaker 1>but you can fix it. Okay, you're not talking sense

0:55:46.840 --> 0:55:49.080
<v Speaker 1>into you. You're not going to Now what if we

0:55:49.080 --> 0:55:50.800
<v Speaker 1>spin the wheel? You could spend all the wheels in

0:55:50.800 --> 0:55:52.520
<v Speaker 1>the world, put a million dollars on it. I still

0:55:52.560 --> 0:55:54.759
<v Speaker 1>don't want to do but there's like all kinds of cash,

0:55:54.800 --> 0:55:58.800
<v Speaker 1>but there's a pair of scissors on what I'm not

0:55:58.840 --> 0:56:02.480
<v Speaker 1>done to try it out. It's the Best Bits of

0:56:02.520 --> 0:56:07.360
<v Speaker 1>the Week with Morgan. Number two, our phone screener, Abby

0:56:07.520 --> 0:56:10.680
<v Speaker 1>sang her biggest national anthem yet. She's saying at the

0:56:10.680 --> 0:56:14.120
<v Speaker 1>Predators game and most of the show showed up to

0:56:14.160 --> 0:56:17.040
<v Speaker 1>see it all happen. But this all came about because

0:56:17.120 --> 0:56:21.480
<v Speaker 1>of our show Christmas. Raymundo had gifted her this whole

0:56:21.520 --> 0:56:24.120
<v Speaker 1>present with the help of their mascot Nash. She showed

0:56:24.200 --> 0:56:26.320
<v Speaker 1>up with the jersey asked if she would sing the

0:56:26.400 --> 0:56:29.400
<v Speaker 1>national anthem. It was a really cool gift from Raymundo

0:56:29.480 --> 0:56:33.000
<v Speaker 1>that finally happened just this week, and she killed it.

0:56:33.000 --> 0:56:35.799
<v Speaker 1>She totally crushed it. The national anthem was amazing and

0:56:35.880 --> 0:56:38.080
<v Speaker 1>of course we talked about that when she came on

0:56:38.239 --> 0:56:40.760
<v Speaker 1>this week for the Best Bits Part one, I asked

0:56:40.760 --> 0:56:42.719
<v Speaker 1>her what happened? Has she gotten any phone calls from

0:56:42.719 --> 0:56:45.480
<v Speaker 1>any professionals since then? Has she gotten more calls to

0:56:45.520 --> 0:56:48.279
<v Speaker 1>do more national anthems? I needed the full update and

0:56:48.480 --> 0:56:51.040
<v Speaker 1>how she'd been feeling post doing this, because, like I said,

0:56:51.360 --> 0:56:53.560
<v Speaker 1>she crushed it and you're about to hear right now

0:56:53.680 --> 0:56:55.440
<v Speaker 1>the whole audio from it, and you can tell us

0:56:55.480 --> 0:56:58.640
<v Speaker 1>how you feel. Just make sure, like Abby and I

0:56:58.680 --> 0:57:03.000
<v Speaker 1>mentioned on the other part of this podcast, constructive criticism,

0:57:03.000 --> 0:57:04.680
<v Speaker 1>if you're going to be mean, okay, let's just not

0:57:04.719 --> 0:57:06.839
<v Speaker 1>totally troll and be vile to people. All right, Let's

0:57:06.840 --> 0:57:09.120
<v Speaker 1>just you know, a little constructive goes a long way.

0:57:09.680 --> 0:57:12.720
<v Speaker 1>Number One. Big night for Abby, who answers the phones

0:57:12.840 --> 0:57:15.200
<v Speaker 1>during the show, also produces a bunch of stuff before

0:57:15.239 --> 0:57:18.320
<v Speaker 1>and after the show. Abby moved to Nashville to sing.

0:57:18.560 --> 0:57:20.600
<v Speaker 1>It didn't quite work out for her. She works in

0:57:20.680 --> 0:57:27.000
<v Speaker 1>media now, but I love that for fun semi professional reasons,

0:57:27.040 --> 0:57:30.400
<v Speaker 1>she still goes after her dream. And last night, in

0:57:30.440 --> 0:57:32.960
<v Speaker 1>front of what twenty thousand people at the NHL game

0:57:33.000 --> 0:57:36.360
<v Speaker 1>the Nashville Predators hockey she was told she could sing

0:57:36.400 --> 0:57:38.880
<v Speaker 1>the national anthem. Abby, tell me about what it was

0:57:38.920 --> 0:57:41.600
<v Speaker 1>like when you just drove there. Were you so nervous

0:57:41.680 --> 0:57:45.200
<v Speaker 1>driving your car into the arena? Yes? I was. Were

0:57:45.200 --> 0:57:48.080
<v Speaker 1>you excited at all or just all nerves? I was

0:57:48.120 --> 0:57:51.280
<v Speaker 1>excited at that point. I was like, when I get nervous,

0:57:51.320 --> 0:57:53.040
<v Speaker 1>I psych myself out. So I was like, you can't

0:57:53.080 --> 0:57:55.480
<v Speaker 1>get nervous, just like you know what you're doing, You've

0:57:55.480 --> 0:57:58.080
<v Speaker 1>been practicing it, so just go for it. So you

0:57:58.160 --> 0:58:01.080
<v Speaker 1>get there and where do they take you? So we

0:58:01.640 --> 0:58:04.760
<v Speaker 1>Morgan met with us, the contact and I, and then

0:58:04.760 --> 0:58:07.880
<v Speaker 1>we walked down to by It's called the Lexus Lounge,

0:58:07.880 --> 0:58:10.120
<v Speaker 1>which is like a really nice, you know, all inclusive

0:58:10.120 --> 0:58:12.360
<v Speaker 1>bar that everybody's at, but it's right by the doors

0:58:12.440 --> 0:58:15.480
<v Speaker 1>to where the players come out. And so how long

0:58:15.520 --> 0:58:17.360
<v Speaker 1>do you sit there and get yourself psyched out? Oh?

0:58:17.400 --> 0:58:19.520
<v Speaker 1>That was forever. It was like twenty five minutes. It

0:58:19.600 --> 0:58:22.440
<v Speaker 1>seemed like an eternity. They gave you a jersey. Yeah,

0:58:22.520 --> 0:58:24.800
<v Speaker 1>they gave me the jersey, the one that they brought

0:58:24.840 --> 0:58:27.880
<v Speaker 1>in it's the Christmas show. So I wore that or

0:58:27.920 --> 0:58:30.480
<v Speaker 1>the gifted change, so I wore that. They gave me

0:58:30.520 --> 0:58:32.360
<v Speaker 1>in ears to put, you know, in my ears, and

0:58:32.400 --> 0:58:35.160
<v Speaker 1>they were super staticky the whole time, like they were

0:58:35.200 --> 0:58:37.880
<v Speaker 1>super windy, and I was like, oh my gosh, what

0:58:38.000 --> 0:58:39.360
<v Speaker 1>is going to happen? Did you pull them out in

0:58:39.360 --> 0:58:41.040
<v Speaker 1>the middle of performance or you just hang with them? No?

0:58:41.200 --> 0:58:44.880
<v Speaker 1>I put them at full blast because I had heard that,

0:58:45.000 --> 0:58:46.920
<v Speaker 1>you know, the echo and the stadium, and then I

0:58:46.920 --> 0:58:49.440
<v Speaker 1>didn't want people yelling and like distracting me because they

0:58:49.480 --> 0:58:51.360
<v Speaker 1>don't yell to pres agains at the beginning national anthem.

0:58:51.400 --> 0:58:54.480
<v Speaker 1>It's like a chance. Yes, so they say, okay, Abbey,

0:58:54.480 --> 0:58:57.080
<v Speaker 1>it's time to go. Is your heart just it? It

0:58:57.200 --> 0:58:59.760
<v Speaker 1>actually wasn't. It was so weird, how like calm I

0:59:00.320 --> 0:59:02.680
<v Speaker 1>It was crazy. You walk out on the ice, but

0:59:02.720 --> 0:59:04.760
<v Speaker 1>there's a carpet on the ice, right so you don't fall.

0:59:05.520 --> 0:59:07.680
<v Speaker 1>They can't go ahead? Oh no. They told me I

0:59:07.720 --> 0:59:09.520
<v Speaker 1>was gonna walk out like halfway through the ice and

0:59:09.560 --> 0:59:11.040
<v Speaker 1>it was just like a small mat right there, so

0:59:11.040 --> 0:59:12.400
<v Speaker 1>I didn't have to walk very far because then I

0:59:12.440 --> 0:59:15.600
<v Speaker 1>got nervous I was going to fall. They hand you

0:59:15.680 --> 0:59:18.280
<v Speaker 1>the microphone. Do you do any sort of like h

0:59:19.200 --> 0:59:21.080
<v Speaker 1>just to see if you're on? See that's what. No,

0:59:21.200 --> 0:59:23.080
<v Speaker 1>you can't. You can't do that because they'll hear it,

0:59:23.200 --> 0:59:25.120
<v Speaker 1>you know, And so I just trusted that it was

0:59:25.160 --> 0:59:27.640
<v Speaker 1>going to be on. I followed the color guard out.

0:59:28.040 --> 0:59:31.480
<v Speaker 1>They announced my name and then I started singing Is

0:59:31.520 --> 0:59:33.600
<v Speaker 1>it at all a blur? Or were you able to

0:59:33.680 --> 0:59:35.680
<v Speaker 1>kind of calm your heart right down and remember every

0:59:35.720 --> 0:59:37.720
<v Speaker 1>little part of it? It's kind of a blur at

0:59:37.760 --> 0:59:40.600
<v Speaker 1>the beginning, and like Morgan went live and I'm just

0:59:40.640 --> 0:59:42.840
<v Speaker 1>standing there a lot of the time, like in my zone,

0:59:43.640 --> 0:59:45.920
<v Speaker 1>but it was crazy. How do you feel like you

0:59:45.960 --> 0:59:48.920
<v Speaker 1>did before I play it back. I feel like I

0:59:48.960 --> 0:59:52.440
<v Speaker 1>had a significant improvement from when I recorded it a

0:59:52.480 --> 0:59:54.840
<v Speaker 1>while back, so I feel like I did good and

0:59:54.880 --> 0:59:58.040
<v Speaker 1>there was good feedback, so I think it was good.

0:59:58.080 --> 1:00:00.560
<v Speaker 1>Did you remember all the words? I did, no problem

1:00:00.560 --> 1:00:02.400
<v Speaker 1>with the words, because even if you know all the

1:00:02.440 --> 1:00:04.640
<v Speaker 1>words by the back of your hand, as soon as

1:00:04.760 --> 1:00:09.960
<v Speaker 1>something isn't exactly normal, you're kind of out of your

1:00:09.960 --> 1:00:12.440
<v Speaker 1>normal elements, so then everything starts to feel weird. I

1:00:12.440 --> 1:00:14.680
<v Speaker 1>can understand somebody forgetting the words even if they've sang

1:00:14.760 --> 1:00:17.960
<v Speaker 1>in a million times, because you're just not comfortable because

1:00:18.040 --> 1:00:20.600
<v Speaker 1>you're nervous. People are looking at you, you're thinking about

1:00:21.080 --> 1:00:23.600
<v Speaker 1>So you got all the words regardless of what I

1:00:23.640 --> 1:00:25.720
<v Speaker 1>hear here. I want to say two things. One great

1:00:25.760 --> 1:00:28.680
<v Speaker 1>job I'm getting the words right, and two just showing

1:00:28.800 --> 1:00:32.360
<v Speaker 1>up and doing it. And the camera was very close

1:00:32.400 --> 1:00:34.720
<v Speaker 1>to me and all of the players were facing me

1:00:35.640 --> 1:00:39.000
<v Speaker 1>and they're very good looking, then we can I didn't

1:00:39.040 --> 1:00:41.360
<v Speaker 1>look at I didn't look at that. I was focused.

1:00:41.440 --> 1:00:43.760
<v Speaker 1>Here's Abby last night in front of twenty thousand people.

1:00:44.520 --> 1:00:46.120
<v Speaker 1>I'm a little nervous. I haven't heard this yet. I'm

1:00:46.120 --> 1:00:52.480
<v Speaker 1>a little nervous. Nervous too. Here's Abbe singing the national anthem?

1:00:56.040 --> 1:01:09.920
<v Speaker 1>Were the singing osake? Can you see by the dawnslyling?

1:01:11.440 --> 1:01:19.640
<v Speaker 1>What's so proudly? He had the two wine lights, last

1:01:19.840 --> 1:01:32.000
<v Speaker 1>gleaming whose frostcribed sabern stars through the pair find for

1:01:32.400 --> 1:01:43.160
<v Speaker 1>the reparts we watched were so gallingly streaming hand the

1:01:43.400 --> 1:01:55.120
<v Speaker 1>rock cans wagon, the man's burstinging gay pool through the

1:01:55.960 --> 1:02:03.640
<v Speaker 1>night and then a flag wat you them? Oh say

1:02:04.160 --> 1:02:22.280
<v Speaker 1>does that startspingled mania? Oh? The limb bro and the

1:02:26.560 --> 1:02:35.360
<v Speaker 1>broad That was awesome. I was gonna be like Nick

1:02:35.400 --> 1:02:39.600
<v Speaker 1>Sirianni started crying right here on came Wow, thank you.

1:02:39.760 --> 1:02:41.240
<v Speaker 1>I mean, that's the best I've ever heard you saying,

1:02:41.280 --> 1:02:44.760
<v Speaker 1>aside from it being the national anthem and what an honor,

1:02:45.120 --> 1:02:47.959
<v Speaker 1>that's the best I've ever heard you sing, really ever

1:02:48.120 --> 1:02:51.480
<v Speaker 1>in the your biggest ever that's not a show, but

1:02:51.520 --> 1:02:54.720
<v Speaker 1>your biggest ever audience, the most pressure. I mean, you've

1:02:54.920 --> 1:02:56.040
<v Speaker 1>come out and saying with Eddie and I are the

1:02:56.080 --> 1:02:58.000
<v Speaker 1>raging idiots. But what are there three thousand people there

1:02:58.320 --> 1:03:01.560
<v Speaker 1>and you're doing heads Carolina, You're doing karaoke on this show,

1:03:01.600 --> 1:03:03.240
<v Speaker 1>and we're doing a bit that's the best I've ever

1:03:03.240 --> 1:03:05.280
<v Speaker 1>heard you saying, oh, thank you. I'm not gonna lie.

1:03:05.280 --> 1:03:07.400
<v Speaker 1>I feel like it's more nerve wracking. In studio. For

1:03:07.440 --> 1:03:10.120
<v Speaker 1>some reason, you were hitting some of those scary high

1:03:10.240 --> 1:03:12.440
<v Speaker 1>runs because they always tell you start the national anthem

1:03:12.480 --> 1:03:15.800
<v Speaker 1>low because it goes, oh say can you see and

1:03:15.840 --> 1:03:17.720
<v Speaker 1>then by the time you're over, it's like it's way

1:03:17.800 --> 1:03:21.080
<v Speaker 1>up here. And when you started to go and chase

1:03:21.080 --> 1:03:22.600
<v Speaker 1>some of those high notes, I was like, oh boy,

1:03:23.120 --> 1:03:30.560
<v Speaker 1>you nailed them. Ooh thank you, Wow. Thanks so proud

1:03:30.560 --> 1:03:33.400
<v Speaker 1>of you. I'm like, not surprised, I'm just super proud.

1:03:33.480 --> 1:03:36.200
<v Speaker 1>That's really cool. You have gotten so much better. And

1:03:36.560 --> 1:03:40.880
<v Speaker 1>regardless you crush that, you crush it. Thanks shout out

1:03:40.880 --> 1:03:44.360
<v Speaker 1>to my voice coach Tabitha. We've been working on it,

1:03:45.360 --> 1:03:48.000
<v Speaker 1>but I want to thank everybody for the support nerbody

1:03:48.000 --> 1:03:51.040
<v Speaker 1>being here. That is amazing. Eddie. What do you think

1:03:51.040 --> 1:03:54.800
<v Speaker 1>about it? Man? I mean I was Shock's not the

1:03:54.880 --> 1:03:57.080
<v Speaker 1>right word, but I just didn't know what to expect

1:03:57.120 --> 1:03:59.480
<v Speaker 1>and when she's sang it, and especially like you said,

1:03:59.520 --> 1:04:01.760
<v Speaker 1>those high notes, dude, I was like blown away. I

1:04:02.080 --> 1:04:06.680
<v Speaker 1>was get a little nervous because you know, yeah, yes,

1:04:07.040 --> 1:04:09.080
<v Speaker 1>I told her too. I was like, I know you

1:04:09.080 --> 1:04:12.200
<v Speaker 1>were nervous because I know you, but you didn't look nervous,

1:04:12.360 --> 1:04:14.840
<v Speaker 1>you didn't sound nervous. I thought she did an amazing job.

1:04:14.960 --> 1:04:17.439
<v Speaker 1>I want to go talk to Randy, who is at

1:04:17.440 --> 1:04:23.640
<v Speaker 1>the game last night. Let's go, Randy, what's going on, buddy? Hey,

1:04:23.680 --> 1:04:28.720
<v Speaker 1>you guys morning studio morning. She did an absolutely great job.

1:04:28.840 --> 1:04:31.480
<v Speaker 1>You guys are mailed giving her all the props. In fact,

1:04:31.560 --> 1:04:33.360
<v Speaker 1>I think if you take that audio and she didn't

1:04:33.400 --> 1:04:35.800
<v Speaker 1>do the NFL, she should be singing at the next

1:04:35.840 --> 1:04:45.840
<v Speaker 1>Super Bowl. R CO sign on that one, Randy. I

1:04:45.880 --> 1:04:49.959
<v Speaker 1>appreciate that call. Thank you for sharing that with us. Yeah,

1:04:50.000 --> 1:04:54.560
<v Speaker 1>she did great graduations. Good job. Than Andrea is on

1:04:54.600 --> 1:04:57.680
<v Speaker 1>the phone now as well. Take one more Andrea, good morning,

1:04:58.680 --> 1:05:03.520
<v Speaker 1>morning studio today. Thank you. Hey. So, I was also

1:05:03.600 --> 1:05:06.280
<v Speaker 1>at the game and just so proud of our girl Abby.

1:05:06.400 --> 1:05:10.680
<v Speaker 1>She sounded amazing, she looked so poised. Um. I actually

1:05:10.720 --> 1:05:13.880
<v Speaker 1>sought some video of her on the Jumbo Tron and

1:05:14.280 --> 1:05:16.680
<v Speaker 1>posted it on the B team Facebook group and just

1:05:16.760 --> 1:05:19.360
<v Speaker 1>all the love that the team is showing her. Just

1:05:19.400 --> 1:05:22.480
<v Speaker 1>couldn't be more proud and excited for her. She's amazing too.

1:05:22.520 --> 1:05:25.160
<v Speaker 1>Thank you, Andrea, I have a great job. Thank you.

1:05:25.360 --> 1:05:28.120
<v Speaker 1>That was so cool when you hear it back. And

1:05:28.160 --> 1:05:29.600
<v Speaker 1>when you heard that bad you heard that back yet,

1:05:29.640 --> 1:05:31.680
<v Speaker 1>by the way, that club, No, I had not. How

1:05:31.680 --> 1:05:34.560
<v Speaker 1>do you feel about it? I thought it sounded good.

1:05:34.760 --> 1:05:38.760
<v Speaker 1>Oh that sounded great. Yeah, I'm yes, great better. I'm

1:05:38.840 --> 1:05:41.000
<v Speaker 1>very critical of myself, so I thought it sounded great.

1:05:42.720 --> 1:05:44.560
<v Speaker 1>I'm doing all right. We're gonna go ahead and jump out,

1:05:45.680 --> 1:05:47.160
<v Speaker 1>checking up a lunch seed, make sure he's over there.

1:05:47.160 --> 1:05:50.680
<v Speaker 1>If Michael still worked. Really, I'm not gonna yeah, we're good.

1:05:50.800 --> 1:05:52.520
<v Speaker 1>I mean, because you're just gonna be rude for no reason.

1:05:52.600 --> 1:05:54.040
<v Speaker 1>I'm just gonna ask if I'm the only one that

1:05:54.200 --> 1:05:57.320
<v Speaker 1>heard it heard No, No, we're not. We're not. We're

1:05:57.320 --> 1:05:59.720
<v Speaker 1>not taking this into any negative space. I just have one,

1:06:00.240 --> 1:06:02.280
<v Speaker 1>no no questions. All we should do go to the

1:06:02.280 --> 1:06:04.560
<v Speaker 1>bathroom and asking you the toilet. Yeah, let's know what

1:06:04.560 --> 1:06:10.520
<v Speaker 1>it says, the abby great job. Yeah, goodness your cheerios,

1:06:10.560 --> 1:06:16.160
<v Speaker 1>because this morning tastes good. I like it. Yeah, okay,

1:06:18.800 --> 1:06:22.320
<v Speaker 1>it's the best bits of the week with Morgan number

1:06:22.360 --> 1:06:25.800
<v Speaker 1>two and another weekend has gone. It was so much

1:06:25.840 --> 1:06:28.320
<v Speaker 1>fun hanging out with y'all this weekend on The Best

1:06:28.320 --> 1:06:30.919
<v Speaker 1>Bits Part one and Part two. Make sure to go

1:06:31.160 --> 1:06:33.400
<v Speaker 1>check out the other one if you haven't listened, but

1:06:33.720 --> 1:06:35.520
<v Speaker 1>if you just listen to the Best Bits, I'm glad

1:06:35.560 --> 1:06:36.920
<v Speaker 1>to have you here. I hope I caught you up

1:06:36.920 --> 1:06:38.160
<v Speaker 1>on the show this week. And if you want to

1:06:38.200 --> 1:06:40.400
<v Speaker 1>see even more content from the Bobby Bones Show, make

1:06:40.440 --> 1:06:42.000
<v Speaker 1>sure you go to Bobby Bones dot com for more

1:06:42.000 --> 1:06:45.560
<v Speaker 1>of that, and of course our YouTube, Twitter, Instagram, TikTok

1:06:45.680 --> 1:06:47.800
<v Speaker 1>all the things we got videos going up on there

1:06:47.800 --> 1:06:50.080
<v Speaker 1>and those are all at Bobby Bones Show. And if

1:06:50.080 --> 1:06:51.360
<v Speaker 1>you want to and you want to come hang out

1:06:51.360 --> 1:06:54.120
<v Speaker 1>with me on social media, I am also on TikTok

1:06:54.160 --> 1:06:57.120
<v Speaker 1>and Twitter and Instagram and Facebook and be real web

1:06:57.120 --> 1:06:59.160
<v Speaker 1>girl Morgan. I love hanging out with y'all in there

1:06:59.160 --> 1:07:01.400
<v Speaker 1>and answering questions and if you have any thoughts from

1:07:01.400 --> 1:07:03.600
<v Speaker 1>ever the Best Bits, I love when you all message

1:07:03.640 --> 1:07:05.800
<v Speaker 1>them to me and I try to respond to everybody

1:07:05.840 --> 1:07:08.520
<v Speaker 1>in some capacity, So please come hang out with me

1:07:08.560 --> 1:07:10.520
<v Speaker 1>on there. I love seeing you. I hope you'll have

1:07:10.600 --> 1:07:14.240
<v Speaker 1>a fabulous weekend. I'll see you next one. Bye. This

1:07:14.480 --> 1:07:15.280
<v Speaker 1>is a bund