1
00:00:01,440 --> 00:00:05,200
Speaker 1: It's the Best Bits of the Week with Morgan number two.

2
00:00:06,280 --> 00:00:09,000
Speaker 1: Let us up, y'all, happy weekend. I'm so excited to

3
00:00:09,039 --> 00:00:11,720
Speaker 1: be catching you up on the Bobby Bones Show this weekend.

4
00:00:11,800 --> 00:00:14,400
Speaker 1: It's Morgan here and this is the Best Bits. Now,

5
00:00:14,440 --> 00:00:17,200
Speaker 1: this is just the bits, But in case you didn't know,

6
00:00:17,360 --> 00:00:19,439
Speaker 1: the Best Bits Part one is My favorite part of

7
00:00:19,480 --> 00:00:22,320
Speaker 1: doing this whole podcast is because I get to bring

8
00:00:22,360 --> 00:00:24,960
Speaker 1: on a show member and talk about some things that

9
00:00:25,200 --> 00:00:26,799
Speaker 1: maybe we didn't get to talk about on the show,

10
00:00:26,840 --> 00:00:28,880
Speaker 1: or maybe we recap something that happened on the show

11
00:00:28,880 --> 00:00:31,160
Speaker 1: and get an update. And this weekend I brought on Abby,

12
00:00:31,200 --> 00:00:33,600
Speaker 1: so we talked about her national anthem, how she's feeling

13
00:00:33,920 --> 00:00:37,120
Speaker 1: post singing the national anthem. We also talked about both

14
00:00:37,120 --> 00:00:39,519
Speaker 1: of our Valentine's Day and had kind of a single

15
00:00:39,680 --> 00:00:41,960
Speaker 1: ramp with Valentine's Day because we are both single and

16
00:00:42,200 --> 00:00:43,879
Speaker 1: on the opposite side of that. We talked about some

17
00:00:44,000 --> 00:00:47,160
Speaker 1: dating stories that we have recently, and we each shared

18
00:00:47,560 --> 00:00:50,240
Speaker 1: a life hack. So definitely go check out Part one.

19
00:00:50,680 --> 00:00:52,680
Speaker 1: You will love it. I promise give it a chance.

20
00:00:52,960 --> 00:00:56,000
Speaker 1: Maybe it'll be your new favorite diving right in this week,

21
00:00:56,080 --> 00:00:58,560
Speaker 1: I shared something crazy that happened to me when I

22
00:00:58,600 --> 00:01:01,640
Speaker 1: went to buy a bagel in Nashville, it costs me

23
00:01:01,840 --> 00:01:05,200
Speaker 1: sixty seven dollars, yes, a bagel. And I'll just let

24
00:01:05,280 --> 00:01:07,520
Speaker 1: you hear for yourself why that bagel costs me so

25
00:01:07,640 --> 00:01:11,280
Speaker 1: much money? And I'm still angry with myself. Number seven,

26
00:01:11,280 --> 00:01:13,319
Speaker 1: you're checking with Morgan, who runs all of our digital

27
00:01:13,440 --> 00:01:16,240
Speaker 1: of our web. And Morgan told me that she spent

28
00:01:16,319 --> 00:01:18,280
Speaker 1: a whole bunch of money on a bagel. And Morgan,

29
00:01:18,319 --> 00:01:20,959
Speaker 1: how much money on this bagel? I spent sixty seven

30
00:01:21,000 --> 00:01:26,640
Speaker 1: dollars on a bagel? Think about it? How did she

31
00:01:26,720 --> 00:01:29,720
Speaker 1: spend sixty seven dollars on a bagel? You'll each have

32
00:01:29,800 --> 00:01:33,760
Speaker 1: your own theory here. Let's see who gets to closest. So, Morgan,

33
00:01:33,800 --> 00:01:35,440
Speaker 1: what kind of shop? You want to ask? One question?

34
00:01:36,040 --> 00:01:40,679
Speaker 1: Yes or no question? Yeah or no? No? Okay, I'll

35
00:01:40,720 --> 00:01:42,399
Speaker 1: ask a couple of questions. Then may get sit over there?

36
00:01:43,280 --> 00:01:45,680
Speaker 1: What kind of a bagel place? Or where did you go?

37
00:01:45,880 --> 00:01:50,000
Speaker 1: They're hand rolled from New York Bagels? And what day

38
00:01:50,280 --> 00:01:54,280
Speaker 1: and what time? It was a Saturday morning? So like

39
00:01:54,440 --> 00:01:57,080
Speaker 1: eight nine o'clock? Yeah, like nine am? Was it packed?

40
00:01:57,320 --> 00:02:03,320
Speaker 1: It was packed? Very busy? Okay? And does this sixty

41
00:02:03,360 --> 00:02:06,520
Speaker 1: seven dollars have to do with you buying somebody else's bagel. No, okay,

42
00:02:06,640 --> 00:02:08,880
Speaker 1: this mine alone, just one bagel. There you go. So

43
00:02:08,919 --> 00:02:10,800
Speaker 1: she went to get a bagel, spend sixty seven dollars?

44
00:02:11,160 --> 00:02:13,280
Speaker 1: How did she do it? Who wants to deliver their

45
00:02:13,320 --> 00:02:15,240
Speaker 1: theory first, because if you go first, no one can

46
00:02:15,240 --> 00:02:17,639
Speaker 1: steal your theory. I'll go first, Eddie. Yeah, look it's

47
00:02:17,680 --> 00:02:20,040
Speaker 1: what's on the bagel. So she's a vegetari or she

48
00:02:20,120 --> 00:02:21,760
Speaker 1: might be a vegan. I don't know. No, no vegetarian.

49
00:02:21,960 --> 00:02:24,919
Speaker 1: So there's gotta be some like expensive cheese, so let's

50
00:02:24,960 --> 00:02:32,119
Speaker 1: go imported cheese from somewhere and macaroni and cheese, grilled

51
00:02:32,200 --> 00:02:34,200
Speaker 1: stuff on it. Do you think she meant to spend

52
00:02:34,240 --> 00:02:36,520
Speaker 1: sixty seven dollars or a surprise? No, she meant to

53
00:02:36,560 --> 00:02:38,920
Speaker 1: do it. Oh she saw the menus, She's like, I

54
00:02:38,960 --> 00:02:40,640
Speaker 1: want all of that on my bagel. Okay, So she

55
00:02:40,760 --> 00:02:42,919
Speaker 1: was hard, Yes, you think she went. It's just a

56
00:02:43,040 --> 00:02:44,960
Speaker 1: random day where she was like a deserved treat myself,

57
00:02:44,960 --> 00:02:48,280
Speaker 1: I went hard. Sixty seven dollars exactly. Lunchbox I at

58
00:02:48,320 --> 00:02:50,960
Speaker 1: first thought she ordered one from New York and had

59
00:02:50,960 --> 00:02:54,919
Speaker 1: it mailed to her. So she saw it online and

60
00:02:55,080 --> 00:02:56,840
Speaker 1: was like, this is supposed to be the best best

61
00:02:56,840 --> 00:02:59,240
Speaker 1: bagel in the world. So she had it delivered at

62
00:02:59,320 --> 00:03:03,079
Speaker 1: nine am to her house. Is that your answer, that's

63
00:03:03,120 --> 00:03:06,200
Speaker 1: my answer. So she's special ordered a bagel from New York.

64
00:03:06,520 --> 00:03:09,160
Speaker 1: She saw something on Instagram or TikTok talking about this

65
00:03:09,240 --> 00:03:11,320
Speaker 1: the best bagel in the world, and she got the

66
00:03:11,400 --> 00:03:15,280
Speaker 1: vegetarian option, had it overnighted to her house. Shipping okay.

67
00:03:15,440 --> 00:03:20,720
Speaker 1: Amy Morgan goes by a bagel sixty seven dollars. Well,

68
00:03:20,720 --> 00:03:23,480
Speaker 1: she said, it was packed, and so I feel like

69
00:03:23,760 --> 00:03:28,919
Speaker 1: maybe someone there hooked her up with the seven dollars

70
00:03:28,960 --> 00:03:33,920
Speaker 1: bagel faster. So she tipped them sixty. That's interesting. She

71
00:03:34,080 --> 00:03:38,400
Speaker 1: was feeling extra generous, Welgan Rady. Those theories correct, No

72
00:03:38,520 --> 00:03:40,200
Speaker 1: they are not. Well okay, okay, I want to give

73
00:03:40,200 --> 00:03:43,240
Speaker 1: you another clue or so okay okay. So she goes

74
00:03:44,760 --> 00:03:51,640
Speaker 1: unexpectedly it's sixty seven dollars. Okay. So was never a

75
00:03:51,680 --> 00:03:55,280
Speaker 1: plan to get a gold truffle bagel. But she went

76
00:03:55,320 --> 00:03:58,160
Speaker 1: into the bagel place. All said and done cost her

77
00:03:58,280 --> 00:04:03,920
Speaker 1: sixty seven dollars. They had to make a special dough

78
00:04:04,400 --> 00:04:07,920
Speaker 1: that just vegetarian. They had to clean the grills of

79
00:04:07,960 --> 00:04:10,840
Speaker 1: the ovens because of vegetarian reasons. So they said it's

80
00:04:10,840 --> 00:04:13,720
Speaker 1: going to be extra money to watch out for your

81
00:04:13,720 --> 00:04:17,200
Speaker 1: dietary needs. That's why it's sixty seven dollars. That's his

82
00:04:17,400 --> 00:04:22,440
Speaker 1: final arns go ahead normally, yeah, there's gold flex or

83
00:04:22,560 --> 00:04:26,839
Speaker 1: troubles involved, high goes. Then it's packed. She buys a bagel,

84
00:04:27,200 --> 00:04:32,120
Speaker 1: and when it's all said and done, sixty seven dollars.

85
00:04:32,120 --> 00:04:36,880
Speaker 1: Oh day. She didn't notice it was sixty seven till

86
00:04:37,040 --> 00:04:40,360
Speaker 1: later she gets home and realized they ripped her off.

87
00:04:41,560 --> 00:04:46,000
Speaker 1: Rang her up for all. That's good. That's good, Eddie,

88
00:04:46,040 --> 00:04:49,960
Speaker 1: I got it. She orders the bagel, looks up and

89
00:04:50,000 --> 00:04:52,200
Speaker 1: looks at the actual person that took her order. It's

90
00:04:52,240 --> 00:04:57,480
Speaker 1: Gordon Ramsey. It's celebrity day at the bagel's shop. Come on,

91
00:04:58,480 --> 00:05:03,040
Speaker 1: it's no I was Where was Gordon Ramsay? You got?

92
00:05:03,120 --> 00:05:07,120
Speaker 1: I'm gonna say this. Amy's the closest dish, wouldn't you say, Morgan? Yeah,

93
00:05:07,160 --> 00:05:09,920
Speaker 1: Amy's the closest. What do I get? You get? One more?

94
00:05:10,040 --> 00:05:12,280
Speaker 1: Guess that's what each of you get. Raise your hand

95
00:05:12,320 --> 00:05:16,440
Speaker 1: whenever you have it, So lunchbox. They charged Morgan for

96
00:05:16,480 --> 00:05:19,240
Speaker 1: the wrong order. She paid for someone else's order, and

97
00:05:19,680 --> 00:05:21,720
Speaker 1: when they called her name, she got her one bagel.

98
00:05:21,760 --> 00:05:25,000
Speaker 1: But they had rang up someone's order and never charged him.

99
00:05:25,000 --> 00:05:28,440
Speaker 1: So there was already something on the cash register, Eddie. Yeah,

100
00:05:28,480 --> 00:05:30,440
Speaker 1: it was Morgan's faults. She wrote on the tip line

101
00:05:31,000 --> 00:05:33,800
Speaker 1: for the total, and then the total was the total.

102
00:05:33,960 --> 00:05:35,560
Speaker 1: So I don't really know exactly what I'm saying, but

103
00:05:35,600 --> 00:05:39,360
Speaker 1: somehow she did the wrong thing. I like it, amy, Okay.

104
00:05:39,520 --> 00:05:41,080
Speaker 1: I mean those of those are good in the line

105
00:05:41,080 --> 00:05:43,320
Speaker 1: with her line, the line up with what I was

106
00:05:43,360 --> 00:05:45,000
Speaker 1: trying to say, But I'm trying to think of how

107
00:05:45,040 --> 00:05:48,120
Speaker 1: mine could be different. Maybe they didn't, okay, so they

108
00:05:48,120 --> 00:05:53,160
Speaker 1: didn't do it on purpose? They I don't know, That's

109
00:05:53,160 --> 00:05:56,080
Speaker 1: all I got. Oh, maybe the guy thought Morgan was

110
00:05:56,120 --> 00:05:57,839
Speaker 1: hot and I was hoping she would come back, so

111
00:05:57,880 --> 00:05:59,920
Speaker 1: he charged her wrong on purpose to get her back

112
00:06:00,040 --> 00:06:03,360
Speaker 1: in the store to ask for the digits. That'd be tough.

113
00:06:03,400 --> 00:06:06,719
Speaker 1: I'd be a tough way to do it though, Okay, Morgan,

114
00:06:06,800 --> 00:06:08,520
Speaker 1: So you went to buy a bagel? Yeah, ended up

115
00:06:08,520 --> 00:06:11,160
Speaker 1: costing a sixty seven dollars. None of them are right.

116
00:06:11,200 --> 00:06:13,839
Speaker 1: They've each had not three opportunities. What happened? Yeah, so

117
00:06:13,920 --> 00:06:17,120
Speaker 1: I walked in, I got my bagel. It was seven dollars,

118
00:06:17,160 --> 00:06:18,720
Speaker 1: and I was really excited. I was only in the

119
00:06:18,760 --> 00:06:21,880
Speaker 1: shop for about ten minutes. Walked outside. Didn't realize I

120
00:06:21,880 --> 00:06:23,800
Speaker 1: parked in a paid lot. I had a sixty dollars

121
00:06:23,800 --> 00:06:28,720
Speaker 1: ticket on my car, sixty seven dollars. I was definitely

122
00:06:28,720 --> 00:06:32,520
Speaker 1: not thinking that. That's that's ter I hate that. Okay,

123
00:06:32,880 --> 00:06:36,800
Speaker 1: that is messed up. Why because you feel bad you

124
00:06:36,800 --> 00:06:39,640
Speaker 1: didn't get it? Well, I would have never thought ever

125
00:06:39,800 --> 00:06:44,680
Speaker 1: about that. And I can't believe it's sixty dollars for

126
00:06:44,800 --> 00:06:47,159
Speaker 1: paying it a lot. I gotta think I's had the bun. Hey,

127
00:06:47,400 --> 00:06:50,479
Speaker 1: you've heard that before, but I'd never pay it. Yeah,

128
00:06:50,480 --> 00:06:52,800
Speaker 1: I gotta think it's at the jailbars. No, no, no, no,

129
00:06:53,320 --> 00:06:55,440
Speaker 1: it's not a city lot. You ain't gonna pay that. Oh.

130
00:06:55,480 --> 00:06:56,760
Speaker 1: I paid it right away and then I just threw

131
00:06:56,760 --> 00:06:59,880
Speaker 1: away the ticket and pretended it didn't happen. I made it.

132
00:06:59,640 --> 00:07:01,839
Speaker 1: If it city lot, you don't have to pay that. No,

133
00:07:01,880 --> 00:07:03,960
Speaker 1: I don't know. It's a private company. But I don't know.

134
00:07:04,120 --> 00:07:06,680
Speaker 1: I don't know that's true. I don't know why anybody

135
00:07:06,720 --> 00:07:08,479
Speaker 1: would pay it. Then, I don't know what he's saying.

136
00:07:08,480 --> 00:07:10,200
Speaker 1: I don't know if he's right or wrong. It's like

137
00:07:10,240 --> 00:07:11,520
Speaker 1: if you go to a college campus. It's like the

138
00:07:11,600 --> 00:07:13,320
Speaker 1: University of Texas in Austin. I used to get parking

139
00:07:13,320 --> 00:07:15,600
Speaker 1: tickets are all the time. Guess what if you got

140
00:07:15,640 --> 00:07:17,400
Speaker 1: a speed and ticket in a state and you left,

141
00:07:17,600 --> 00:07:18,640
Speaker 1: you don't have to pay it, but if you go

142
00:07:18,680 --> 00:07:21,200
Speaker 1: back to that state, you'll get arrested in jail. Can

143
00:07:21,240 --> 00:07:23,040
Speaker 1: you research this? The lunchbox says you don't have to

144
00:07:23,040 --> 00:07:25,640
Speaker 1: pay a ticket on a private lot. Go ahead, you

145
00:07:25,680 --> 00:07:27,120
Speaker 1: know something. I've looked it up before because I got

146
00:07:27,200 --> 00:07:30,640
Speaker 1: a ticket recently and they said they can enforce the law. Well,

147
00:07:30,640 --> 00:07:32,240
Speaker 1: you're not going to get a ticket. What do you

148
00:07:32,240 --> 00:07:34,120
Speaker 1: mean they can enforce the law, like if they wanted

149
00:07:34,160 --> 00:07:36,760
Speaker 1: to go the extra step of like prosecuting you or

150
00:07:37,080 --> 00:07:40,360
Speaker 1: debt collector, which will hurt your credit. Never sure will happen,

151
00:07:40,520 --> 00:07:41,840
Speaker 1: but you won't get in trouble with the law for

152
00:07:41,920 --> 00:07:43,400
Speaker 1: not paying it, right, But but it can hurt your

153
00:07:43,400 --> 00:07:45,760
Speaker 1: credit bad. Yeah. Yeah, I feel like so many lots

154
00:07:45,880 --> 00:07:49,440
Speaker 1: right now, I'll have the scanning your license like QR code.

155
00:07:49,440 --> 00:07:52,600
Speaker 1: It like recognizes you right when you and they're all consolidating.

156
00:07:52,640 --> 00:07:54,640
Speaker 1: So anytime you go try to park anywhere it's gonna

157
00:07:54,640 --> 00:07:57,480
Speaker 1: flag you. Well, he ain't paying for it. Dang it, Morgan,

158
00:07:57,600 --> 00:08:03,160
Speaker 1: thank you show. Let's stretch our minds a little. It's

159
00:08:03,240 --> 00:08:06,720
Speaker 1: the best bits of the week with Morgan. Number two,

160
00:08:07,920 --> 00:08:09,760
Speaker 1: we had Jordan Davis on the show this week. He

161
00:08:09,840 --> 00:08:12,760
Speaker 1: stopped by two talk about his new album, Blue Bird Days.

162
00:08:12,800 --> 00:08:16,360
Speaker 1: But the catch was he had to do well in

163
00:08:16,440 --> 00:08:18,960
Speaker 1: a game, the Jordan Game. In the Davis Game, basically

164
00:08:18,960 --> 00:08:22,840
Speaker 1: he had to name famous Jordan's and famous Davis's and

165
00:08:22,920 --> 00:08:25,480
Speaker 1: if he did, he could talk about his new album. Well,

166
00:08:25,760 --> 00:08:28,080
Speaker 1: he didn't do too hot in these games. He's still

167
00:08:28,120 --> 00:08:29,840
Speaker 1: got you know. Bobby gave him a little bit. He

168
00:08:29,880 --> 00:08:31,640
Speaker 1: gave him a little crumb and let him talk about

169
00:08:31,640 --> 00:08:34,000
Speaker 1: his album. But let me tell you, Jordan is not

170
00:08:34,120 --> 00:08:36,960
Speaker 1: the best at the games. We have learned. Maybe next

171
00:08:36,960 --> 00:08:38,959
Speaker 1: time he'll be more prepared. But I don't know that

172
00:08:39,040 --> 00:08:41,600
Speaker 1: there's more Jordan's than we already went through. So make

173
00:08:41,640 --> 00:08:43,200
Speaker 1: sure to check out his new album. But he was

174
00:08:43,200 --> 00:08:44,480
Speaker 1: on the show this week and it was a super

175
00:08:44,480 --> 00:08:48,320
Speaker 1: fun interview. So here that is right now. Number six, Well,

176
00:08:48,360 --> 00:08:50,560
Speaker 1: we won't let Jordan Davis talk about his new project

177
00:08:50,760 --> 00:08:52,240
Speaker 1: unless he wins a game, So I'm not going to

178
00:08:52,280 --> 00:08:54,880
Speaker 1: tell you why he's possibly here, but he's got five

179
00:08:54,960 --> 00:08:59,640
Speaker 1: number ones. Let's start with singles. You up, and let's

180
00:08:59,679 --> 00:09:03,960
Speaker 1: go to it for me. Let's go to slow dance

181
00:09:03,960 --> 00:09:11,960
Speaker 1: in a parking lot, buy dirt. What my world spends around.

182
00:09:13,120 --> 00:09:15,000
Speaker 1: I mean, this dude graduated from LSU with a degree

183
00:09:15,000 --> 00:09:17,800
Speaker 1: in environmental science and he started doing it was like

184
00:09:18,120 --> 00:09:19,880
Speaker 1: environmental and then it's like I'm gonna go sing and

185
00:09:19,920 --> 00:09:22,160
Speaker 1: write songs, and good thing you did. He's got all

186
00:09:22,200 --> 00:09:23,360
Speaker 1: these number ones and I don't even know if he

187
00:09:23,400 --> 00:09:25,360
Speaker 1: has anything to promote today. That's the fun thing about it.

188
00:09:25,960 --> 00:09:30,240
Speaker 1: Jordan Davis, CMA winner is here. Let's talk to him

189
00:09:30,280 --> 00:09:34,640
Speaker 1: now on the Bobby Bones Show. Now, this guy's in

190
00:09:34,679 --> 00:09:37,520
Speaker 1: here more than I am. Jordan Davis, I have been.

191
00:09:37,640 --> 00:09:40,320
Speaker 1: I appreciate you having me as much as I've got. Idiot,

192
00:09:40,320 --> 00:09:41,720
Speaker 1: you do the sports show with us a lot, and

193
00:09:41,760 --> 00:09:43,360
Speaker 1: you're just part of the group. So it doesn't mean

194
00:09:43,400 --> 00:09:45,560
Speaker 1: the best podcast every twenty five whistle boom, Thank you

195
00:09:45,600 --> 00:09:47,880
Speaker 1: very much. Wow. So here's the deal. I know you

196
00:09:47,920 --> 00:09:49,800
Speaker 1: have something to promote, but we're not actually gonna let

197
00:09:49,840 --> 00:09:54,440
Speaker 1: you promote it unless you get three of five on

198
00:09:54,520 --> 00:09:58,280
Speaker 1: the Famous Jordan game. Okay, I should be. If you

199
00:09:58,360 --> 00:10:00,760
Speaker 1: get three out of five and Famous Jordan's, you can

200
00:10:00,800 --> 00:10:04,160
Speaker 1: promote your project for fifteen seconds, because then we're gonna

201
00:10:04,200 --> 00:10:07,800
Speaker 1: play the Famous Davis game. Oh wow. Yeah, and if

202
00:10:07,800 --> 00:10:09,200
Speaker 1: he gets five or five he gets to play a

203
00:10:09,240 --> 00:10:15,839
Speaker 1: song from it. Yeah all right, yeah, exactly, here we go.

204
00:10:16,080 --> 00:10:18,839
Speaker 1: Jordan Davis is here, but he has nothing to promote yet.

205
00:10:18,880 --> 00:10:21,320
Speaker 1: He just showed up. We don't know why he's here. Jordan,

206
00:10:21,760 --> 00:10:28,920
Speaker 1: it's the Famous Jordan game. Name the Jordan, a singer

207
00:10:28,960 --> 00:10:32,080
Speaker 1: known for his nineteen ninety five single This is how

208
00:10:32,120 --> 00:10:37,760
Speaker 1: we do it. Come on, dude, don't help him. I'm

209
00:10:37,800 --> 00:10:41,000
Speaker 1: not you know the song. This is how we do it.

210
00:10:42,240 --> 00:10:45,480
Speaker 1: I'm gonna say Jordan McKnight, Jordan mcnight. It sounds like

211
00:10:45,520 --> 00:10:50,199
Speaker 1: a meal at Burke's game McDonald's McDonald's. Well, b k

212
00:10:50,600 --> 00:10:53,839
Speaker 1: not yea whatever. So obviously it's not Jordan mcnn it's

213
00:10:53,840 --> 00:10:58,240
Speaker 1: not Jordan McKnight. It is actually montell Jordan, montell Jordan. Okay,

214
00:10:58,440 --> 00:11:00,839
Speaker 1: so last said nothing. Now he's the meme or the

215
00:11:00,960 --> 00:11:03,839
Speaker 1: video game player. I got ghost from sitting up to

216
00:11:03,960 --> 00:11:07,840
Speaker 1: leany Okay, okay, now I thought it was maybe first name.

217
00:11:07,880 --> 00:11:10,360
Speaker 1: That was my mistake. I'm not worried about it. What next?

218
00:11:10,400 --> 00:11:14,240
Speaker 1: Here we go. Singer and member of the boy band

219
00:11:14,480 --> 00:11:16,080
Speaker 1: New Kids on the Block, who rose to fame in

220
00:11:16,080 --> 00:11:26,360
Speaker 1: the eighties and the nineties, Famous Jordan John Jordan, John Jordan.

221
00:11:26,480 --> 00:11:30,000
Speaker 1: Wow is good? Isn't he the guy? That's my name too,

222
00:11:30,280 --> 00:11:35,480
Speaker 1: John Jordan, Jane Goleheimer, j Jacob. But the singer from

223
00:11:35,480 --> 00:11:38,840
Speaker 1: New Kids on the Block is Jordan Knight. Yes, Jordan Night.

224
00:11:39,800 --> 00:11:45,880
Speaker 1: I was I was one that most Yeah that's right, man, Yeah, yeah,

225
00:11:45,920 --> 00:11:49,199
Speaker 1: you were pretty kind. Is there Jordan McKnight? Maybe not.

226
00:11:49,400 --> 00:11:52,080
Speaker 1: I'm sure somewhere on the phone book and something. I

227
00:11:52,080 --> 00:11:54,520
Speaker 1: just thought there was a singer, all right, Jordan Davis.

228
00:11:54,640 --> 00:11:56,400
Speaker 1: Next one. We only play his old songs and never

229
00:11:56,400 --> 00:11:58,920
Speaker 1: promote the project. He's here. That's what would be hilarious.

230
00:11:59,240 --> 00:12:01,559
Speaker 1: He's Jordan's songs like by Dirt. Maybe you heard that

231
00:12:01,600 --> 00:12:04,120
Speaker 1: one before? Maybe you haven't. You gotta get these next

232
00:12:04,120 --> 00:12:09,160
Speaker 1: three in a row. Buddy Okay an American actor known

233
00:12:09,240 --> 00:12:14,880
Speaker 1: for movies like Creed, Black Panther, and Jess Mercy. Oh gosh,

234
00:12:15,120 --> 00:12:23,880
Speaker 1: uh name that famous Jordan? Uh? Oh my goodness, no anything,

235
00:12:24,040 --> 00:12:26,800
Speaker 1: no I do. It's like and it's your name B Jordan,

236
00:12:27,120 --> 00:12:31,720
Speaker 1: right something B B Jordan McKnight. I don't do that.

237
00:12:32,440 --> 00:12:41,400
Speaker 1: Uh oh my gosh, fantastic picture, fantastic, thanks Ebert. All Right,

238
00:12:44,160 --> 00:12:50,600
Speaker 1: I'm Bradley something, James B Jordan, James B Jordan's. That's

239
00:12:50,640 --> 00:12:57,080
Speaker 1: Michael B Jordan's Michael Jordan. Dang it, this is not good.

240
00:12:57,160 --> 00:12:59,480
Speaker 1: Maybe we give him, we throw him a scrap or something.

241
00:12:59,559 --> 00:13:02,280
Speaker 1: But I mean he did say be though, But he

242
00:13:02,320 --> 00:13:04,079
Speaker 1: also said he'll do really good at this game. You

243
00:13:04,320 --> 00:13:07,960
Speaker 1: remember that, Yeah, because I thought it was gonna be like, like,

244
00:13:08,000 --> 00:13:09,400
Speaker 1: what what did you think? I thought it was gonna

245
00:13:09,440 --> 00:13:12,840
Speaker 1: be like who seek singles? You up me? I thought

246
00:13:12,840 --> 00:13:14,800
Speaker 1: it was like we're gonna do a game where you

247
00:13:14,840 --> 00:13:17,840
Speaker 1: were the answer. I thought that would have been dumb. No,

248
00:13:18,120 --> 00:13:21,480
Speaker 1: I mean I was like, okay, played basketball twenty three?

249
00:13:21,600 --> 00:13:30,880
Speaker 1: Name are really dumb? Jordan Jordan Davis. Okay, this is

250
00:13:30,920 --> 00:13:33,160
Speaker 1: going awesome, this is great. Alright, Well you got one,

251
00:13:33,240 --> 00:13:36,440
Speaker 1: so you'll get a little sliver. Um actor turned director.

252
00:13:36,920 --> 00:13:38,960
Speaker 1: He started out on Mad TV and had a sketch

253
00:13:39,000 --> 00:13:42,200
Speaker 1: show on Comedy Central. He's directing movies like Get Out

254
00:13:43,000 --> 00:13:46,319
Speaker 1: Us and Nope, there's no chance he gets there, No,

255
00:13:46,400 --> 00:13:50,840
Speaker 1: I know this one. Jordan Peele correct got to Okay,

256
00:13:50,880 --> 00:13:52,720
Speaker 1: here's what we're gonna do. He just needed to warm up,

257
00:13:52,840 --> 00:13:57,720
Speaker 1: just get you. Yeah, I just needed to you know,

258
00:13:57,800 --> 00:14:00,199
Speaker 1: Oh you like that insult. That's your thing. You'd like

259
00:14:00,240 --> 00:14:03,600
Speaker 1: to be insulted so he feel better. No, okay, though

260
00:14:03,640 --> 00:14:06,520
Speaker 1: I knew I was gonna get that today. So okay, well, no,

261
00:14:06,679 --> 00:14:09,240
Speaker 1: you came in and said I'll nail that is true.

262
00:14:09,559 --> 00:14:11,760
Speaker 1: I brought it on myself. Okay. So here's what we're

263
00:14:11,760 --> 00:14:13,880
Speaker 1: gonna do. Jordan's here now. We're not gonna play a

264
00:14:13,880 --> 00:14:15,400
Speaker 1: new song. We're gonna pay old one from him, at

265
00:14:15,480 --> 00:14:17,880
Speaker 1: least good. Yeah. We're not promoting anything so far. There's

266
00:14:17,920 --> 00:14:21,400
Speaker 1: no announcement whatsoever, just another day. But I will let

267
00:14:21,400 --> 00:14:24,000
Speaker 1: you pick one word from your new album title and

268
00:14:24,040 --> 00:14:28,840
Speaker 1: say only one word from it. Two sons. That's not

269
00:14:28,880 --> 00:14:33,080
Speaker 1: in your album title? Oh name of Jordan that doesn't

270
00:14:33,080 --> 00:14:39,800
Speaker 1: know the name of his album Bluebird? Okay, okay, what

271
00:14:39,800 --> 00:14:41,320
Speaker 1: are you talking? Are you talking about the album title?

272
00:14:41,520 --> 00:14:45,440
Speaker 1: I just said, Dot's not say that. Okay, he's frazzled.

273
00:14:45,480 --> 00:14:48,400
Speaker 1: He's frazzled. We're gonna come back, so every buddy, We're good.

274
00:14:48,400 --> 00:14:51,120
Speaker 1: We're all here. Let me, let me, let me regroup. Yeah, regroup.

275
00:14:51,280 --> 00:14:55,240
Speaker 1: Jordan Davis is no, Jordan Davis is here? Does he know?

276
00:14:55,320 --> 00:15:00,320
Speaker 1: Famous Davis is here? We go? Question? Number one American

277
00:15:00,320 --> 00:15:02,960
Speaker 1: record producer, five time Grammy winner, and he was inducted

278
00:15:03,000 --> 00:15:04,360
Speaker 1: into the Rock and Roll Hall of Fame as a

279
00:15:04,400 --> 00:15:07,880
Speaker 1: non performer. From nineteen sixty seven to nineteen seventy three,

280
00:15:07,960 --> 00:15:10,080
Speaker 1: was the president of Columbia Records, and he signed artists

281
00:15:10,080 --> 00:15:12,720
Speaker 1: like Bruce Springsteen and Billy Joel. Can you name that

282
00:15:12,760 --> 00:15:19,480
Speaker 1: Famous Davis? I cannot? You are? What is it? He's joking?

283
00:15:19,600 --> 00:15:23,840
Speaker 1: You're being funny? Now Now lunchbox knows this? Stupid? They

284
00:15:23,880 --> 00:15:27,520
Speaker 1: no get it? Now? Are you playing stupid Clive Davis?

285
00:15:27,520 --> 00:15:33,520
Speaker 1: That's right, Clid Davis. Clive Davis. Okay, okay, I don't

286
00:15:33,520 --> 00:15:34,760
Speaker 1: know who he is, but I've heard of him in

287
00:15:34,840 --> 00:15:36,760
Speaker 1: associated with music. What if he comes in, he never

288
00:15:36,760 --> 00:15:39,640
Speaker 1: promotes what he came in for and he just goes home.

289
00:15:40,320 --> 00:15:42,520
Speaker 1: Get an answer? Right? It sounds like that's Zelos gonna

290
00:15:42,560 --> 00:15:45,640
Speaker 1: have so funny. Okay, let's try Cloud Davis. Here we go.

291
00:15:45,680 --> 00:15:48,240
Speaker 1: I do know of claud Davis, an NFL Hall of

292
00:15:48,280 --> 00:15:52,920
Speaker 1: Famer who played running back for the Denver Broncos from

293
00:15:53,040 --> 00:15:55,320
Speaker 1: NA from nineteen ninety five to two thousand one to

294
00:15:55,360 --> 00:15:58,880
Speaker 1: Roll Davis. That is correct. Wow, come on, that's not

295
00:15:58,960 --> 00:16:00,840
Speaker 1: that's not twenty five whist was coming on? Yeah, that

296
00:16:00,920 --> 00:16:03,840
Speaker 1: is awesome right there. I'm just gonna stand that lane.

297
00:16:03,880 --> 00:16:06,120
Speaker 1: I'm gonna throw the guy some some chum here. No, no, no,

298
00:16:06,400 --> 00:16:08,840
Speaker 1: quarterback for the Houston Texans. He played college football at

299
00:16:08,880 --> 00:16:11,000
Speaker 1: Stanford and was selected by the Texans in the third

300
00:16:11,080 --> 00:16:15,080
Speaker 1: round the twenty twenty one NFL Draft. Davis Mills. Correct,

301
00:16:15,560 --> 00:16:20,320
Speaker 1: like this guy, Davis Mills, so he knows sports, but

302
00:16:20,440 --> 00:16:27,520
Speaker 1: not five Davis Well priorities here, Amy, Okay, next up.

303
00:16:27,760 --> 00:16:30,560
Speaker 1: He's best known as the lead vocalist and frontman of

304
00:16:30,640 --> 00:16:33,720
Speaker 1: the band Corn. He was considered a pioneering act of

305
00:16:33,760 --> 00:16:35,800
Speaker 1: the new metal genre. Do you know the lead singer

306
00:16:35,800 --> 00:16:37,560
Speaker 1: of Corn? You can even go to somebody on the

307
00:16:37,600 --> 00:16:40,920
Speaker 1: show as a lifeline here if you'd like to. Obviously,

308
00:16:41,120 --> 00:16:43,400
Speaker 1: lunch knows everything. Why would you go there? We go,

309
00:16:43,560 --> 00:16:44,840
Speaker 1: he might hit this, but why would you go to

310
00:16:44,880 --> 00:16:49,360
Speaker 1: lunchbox a Corn? Yeah? Yeah, I know, I do know.

311
00:16:49,480 --> 00:16:55,920
Speaker 1: Like Davis famous Davis Mike d you got anything? He

312
00:16:56,040 --> 00:16:59,160
Speaker 1: knows it lunchbox, Who is it? I am no idea?

313
00:16:59,680 --> 00:17:10,560
Speaker 1: Go for Okay Davis, McKnight, go night. It is Jonathan Davis.

314
00:17:10,640 --> 00:17:15,320
Speaker 1: Jonathan Okay, you need this one? Are we just booking

315
00:17:15,320 --> 00:17:17,760
Speaker 1: for Monday? He comes back? Come on? After I read

316
00:17:17,800 --> 00:17:21,159
Speaker 1: about a Jordan A Favis Jordan to Davis people, all right,

317
00:17:21,200 --> 00:17:23,639
Speaker 1: Jordan Davis is here, an actress known for Thelma and Louise,

318
00:17:25,400 --> 00:17:28,640
Speaker 1: also a ligue of their own the Baseball movie. Linda Davis. Oh,

319
00:17:32,800 --> 00:17:37,560
Speaker 1: why do you hear it out? Because you went fast

320
00:17:37,600 --> 00:17:39,480
Speaker 1: to show us how smart you are the mob. Even

321
00:17:39,480 --> 00:17:41,240
Speaker 1: if you would have nailed it fast, it'd have been like,

322
00:17:41,320 --> 00:17:46,200
Speaker 1: what's her name, Davis? Well, that's it? Oh yeah, well

323
00:17:46,320 --> 00:17:53,320
Speaker 1: give it up for my aunt's name is Gina. You know? Okay,

324
00:17:53,400 --> 00:17:57,440
Speaker 1: isn't there? Then? No, Linda Davis is a different person.

325
00:17:58,440 --> 00:18:00,960
Speaker 1: What does Linda Davis do? She would be in music.

326
00:18:01,040 --> 00:18:02,560
Speaker 1: The reason why I said it so fast because I

327
00:18:02,600 --> 00:18:04,480
Speaker 1: was dead set that was Lynda David. Yeah, we know

328
00:18:04,520 --> 00:18:08,119
Speaker 1: wa um an American trumpet, an American trumpeter who was

329
00:18:08,119 --> 00:18:09,800
Speaker 1: among the most influent You want to claim figures in

330
00:18:09,800 --> 00:18:16,440
Speaker 1: the history of jazz. Come on, dude, Miles Davis, Miles Davis. Yeah, okay,

331
00:18:16,600 --> 00:18:18,680
Speaker 1: well look we're talking. Well, you know what, we put

332
00:18:18,720 --> 00:18:20,440
Speaker 1: him through the ringer, So this is what you get

333
00:18:20,440 --> 00:18:23,880
Speaker 1: as a consolation, well smoked out and talk about here

334
00:18:23,880 --> 00:18:28,280
Speaker 1: we go. Linda Davis is Hillary's mom. Lady Ah, she

335
00:18:28,440 --> 00:18:32,480
Speaker 1: love you. Yeah, we get it. You come here. You're

336
00:18:32,480 --> 00:18:34,760
Speaker 1: nervous you around all these big stars in this room. Yeah.

337
00:18:35,200 --> 00:18:37,719
Speaker 1: I knew I was gonna Yeah. Okay, Jordan has an

338
00:18:37,760 --> 00:18:42,320
Speaker 1: album is out. It is out today. Jordan, what's the

339
00:18:42,359 --> 00:18:45,320
Speaker 1: name of the album, Bluebird Days? Is it good? I

340
00:18:45,400 --> 00:18:49,000
Speaker 1: sure think so. I sure hope it is. I like that. Yeah. Um, which,

341
00:18:49,520 --> 00:18:51,240
Speaker 1: by the way, another number one you just had a

342
00:18:51,240 --> 00:18:53,480
Speaker 1: couple weeks ago, Yeah, which I think maybe one of

343
00:18:53,520 --> 00:18:55,440
Speaker 1: my favorite songs from you as far as like super

344
00:18:55,480 --> 00:18:57,280
Speaker 1: catchy and when it comes on, because yeah, you have

345
00:18:57,359 --> 00:18:59,280
Speaker 1: songs that are like really good and deep and make

346
00:18:59,320 --> 00:19:00,960
Speaker 1: me go oh man, and that's sweet. But then you

347
00:19:01,000 --> 00:19:03,920
Speaker 1: have where the when and those feels and it that

348
00:19:03,920 --> 00:19:06,440
Speaker 1: that one hits that's good goes. I definitely feel like

349
00:19:06,480 --> 00:19:11,720
Speaker 1: we we missed uh lyrical kind of meaning and h

350
00:19:11,840 --> 00:19:14,879
Speaker 1: definitely up tempo, good feel play a little bit of

351
00:19:14,880 --> 00:19:16,960
Speaker 1: what my world spins around from Jordan. If you don't mind.

352
00:19:17,040 --> 00:19:25,320
Speaker 1: Ray gives me the way that Yeah, I bet it

353
00:19:25,320 --> 00:19:27,240
Speaker 1: feels good. I bet it feels good in the set too.

354
00:19:27,280 --> 00:19:32,440
Speaker 1: To have another number one we start our show with that. Really, Yeah,

355
00:19:32,520 --> 00:19:35,399
Speaker 1: so that's a that's a good one to Kenna, But

356
00:19:35,560 --> 00:19:38,920
Speaker 1: where are you starting on the show with uh song

357
00:19:38,920 --> 00:19:40,800
Speaker 1: of mine called need to Not? So now you play

358
00:19:40,840 --> 00:19:43,720
Speaker 1: us all everybody knows the start. That's awesome. So between

359
00:19:43,760 --> 00:19:45,119
Speaker 1: you have five number ones and then you have almost

360
00:19:45,119 --> 00:19:46,680
Speaker 1: maybees which I feel like was a number one because

361
00:19:46,680 --> 00:19:49,160
Speaker 1: everybody knows that. Who are the good News? Mean dude?

362
00:19:49,200 --> 00:19:52,919
Speaker 1: That one six songs that everybody knows the words too.

363
00:19:53,200 --> 00:19:55,800
Speaker 1: Even if you're just a casual fan. That's how you

364
00:19:55,840 --> 00:19:57,800
Speaker 1: know things are going right that you can play with

365
00:19:57,840 --> 00:20:01,560
Speaker 1: somebody else and casual fans still know half of your list. Yeah,

366
00:20:01,600 --> 00:20:04,919
Speaker 1: it definitely makes uh makes making a set list easier,

367
00:20:05,000 --> 00:20:07,760
Speaker 1: which is so like I remember being early on and

368
00:20:07,920 --> 00:20:11,960
Speaker 1: just having to a play cover songs, which nobody really

369
00:20:11,960 --> 00:20:13,720
Speaker 1: likes to do. I feel like, I mean, maybe some

370
00:20:13,760 --> 00:20:16,320
Speaker 1: people do. I'm not a big fan of playing cover songs.

371
00:20:16,800 --> 00:20:19,600
Speaker 1: So now for a ninety minute set, we can spread

372
00:20:19,600 --> 00:20:23,520
Speaker 1: out our singles every three songs and at least like

373
00:20:23,560 --> 00:20:25,680
Speaker 1: you said, the casual fan or somebody that got drug

374
00:20:25,760 --> 00:20:27,840
Speaker 1: to a show was like, oh, I've heard this song before.

375
00:20:28,400 --> 00:20:30,600
Speaker 1: Jordan Davis has here the new albums out? Which track?

376
00:20:30,640 --> 00:20:33,640
Speaker 1: Because there's just seventeen try there's a lot. Yeah, it's

377
00:20:33,640 --> 00:20:36,119
Speaker 1: a lot. Which one would make people cry? If you

378
00:20:36,160 --> 00:20:37,840
Speaker 1: had to pick one that was gonna make people cry?

379
00:20:37,880 --> 00:20:40,280
Speaker 1: Which one? Is it? Bluebird Days? Okay, we're gonna play

380
00:20:40,280 --> 00:20:42,200
Speaker 1: a little bit of this here. Here is Bluebird Days

381
00:20:42,400 --> 00:20:52,200
Speaker 1: from Jordan Davis. Bluebird Days? What does that mean? Mass

382
00:20:52,200 --> 00:20:54,399
Speaker 1: song I wrote about my parents divorce? Actually, you know,

383
00:20:54,480 --> 00:20:57,480
Speaker 1: just kind of from my perspective, I'd also say I

384
00:20:57,520 --> 00:20:59,280
Speaker 1: was like the toughest song I had to play, and

385
00:20:59,560 --> 00:21:02,760
Speaker 1: actually the toughest song I'll put on this record. Um,

386
00:21:03,119 --> 00:21:05,720
Speaker 1: but you know, I think with this album, I wanted

387
00:21:05,800 --> 00:21:09,679
Speaker 1: to be more honest as a songwriter and show growth

388
00:21:09,800 --> 00:21:14,200
Speaker 1: is not just a songwriter but also an artist as well. So, um,

389
00:21:14,240 --> 00:21:15,840
Speaker 1: you know, I think you got to kind of take

390
00:21:15,880 --> 00:21:19,119
Speaker 1: some chances and risk putting if he's song on a

391
00:21:19,200 --> 00:21:21,440
Speaker 1: record to do that, Let's just play it all, Let's

392
00:21:21,440 --> 00:21:23,200
Speaker 1: do the whole song here. We'll come back with Jordan

393
00:21:23,240 --> 00:21:24,919
Speaker 1: Davis in a second. There's no game needed for the

394
00:21:24,920 --> 00:21:28,840
Speaker 1: next segment. Thank god. Yeah, it would have been a

395
00:21:28,880 --> 00:21:31,720
Speaker 1: real waste of a real waste of a spotlight. Here.

396
00:21:32,119 --> 00:21:34,520
Speaker 1: A new album, Bluebird Days, is out right now. Just

397
00:21:34,520 --> 00:21:37,960
Speaker 1: to walk through some of Jordan's number ones twenty eighteen singles,

398
00:21:38,000 --> 00:21:43,280
Speaker 1: You Up, twenty nineteen, Take It from Me, Take It

399
00:21:43,280 --> 00:21:47,880
Speaker 1: from Me, twenty twenty slow Dance in a Parking Lot.

400
00:21:50,440 --> 00:21:53,359
Speaker 1: Looks like twenty twenty one was a lean year, no

401
00:21:53,480 --> 00:21:57,200
Speaker 1: number ones in that year. Man coming out of it.

402
00:21:57,119 --> 00:22:01,879
Speaker 1: It was a tough one, buy dirt Man, and it

403
00:22:01,920 --> 00:22:03,960
Speaker 1: was a good one, big one. And then twenty twenty

404
00:22:03,960 --> 00:22:05,399
Speaker 1: three he had a two week number one with this

405
00:22:05,440 --> 00:22:11,480
Speaker 1: one here recently happened. What my world spends around gives

406
00:22:11,560 --> 00:22:15,400
Speaker 1: me when you get. One of the fun things about

407
00:22:15,440 --> 00:22:18,320
Speaker 1: this is I was with Jordan and we saw Ryan

408
00:22:18,400 --> 00:22:22,560
Speaker 1: heard somewhere and this song had just been announced as

409
00:22:22,560 --> 00:22:25,080
Speaker 1: his single, and he's like, this is single in Jordan,

410
00:22:25,080 --> 00:22:26,879
Speaker 1: I write in the same golf cart together and we

411
00:22:26,920 --> 00:22:29,800
Speaker 1: see right, and I go, hey, there's Ryan, and he

412
00:22:29,840 --> 00:22:31,439
Speaker 1: goes right. They start talking each other. I'm like, I'm

413
00:22:31,440 --> 00:22:33,440
Speaker 1: gonna record this. This This would be a good moment first time.

414
00:22:33,560 --> 00:22:35,680
Speaker 1: And Ryan goes, don't record me. Now, why do you

415
00:22:35,720 --> 00:22:37,960
Speaker 1: think Ryan said that because he's a prima donna. No,

416
00:22:38,200 --> 00:22:39,760
Speaker 1: because he was supposed to be doing something else and

417
00:22:39,800 --> 00:22:42,119
Speaker 1: he's playing golf. Now, how awesome with that video? Have

418
00:22:42,200 --> 00:22:45,120
Speaker 1: been no point such a that end up being such

419
00:22:45,119 --> 00:22:47,639
Speaker 1: a big song. Yes, I actually was messaging around about that.

420
00:22:47,680 --> 00:22:49,000
Speaker 1: I was like, dude, if we could have had Bobby,

421
00:22:49,080 --> 00:22:50,639
Speaker 1: I wasn't even gonna post it right then. I was

422
00:22:50,680 --> 00:22:53,119
Speaker 1: just gonna save it as a nice moment. It's like,

423
00:22:53,119 --> 00:22:54,760
Speaker 1: don't record me. I'm supposed to be somewhere else right now.

424
00:22:54,760 --> 00:22:56,320
Speaker 1: For me, I canceled a co write to play goal.

425
00:22:56,400 --> 00:22:58,719
Speaker 1: I didn't even say that. That's Jordan. That's Jordan's say. Well,

426
00:22:58,720 --> 00:23:02,280
Speaker 1: who knows what data wasn't abound? Could have been any

427
00:23:02,320 --> 00:23:06,000
Speaker 1: date at all. So you like to play golf, obviously?

428
00:23:06,119 --> 00:23:08,480
Speaker 1: Do you ever hit anybody's house the golf ball? Are

429
00:23:08,520 --> 00:23:11,320
Speaker 1: like broken a window or anything? Yes, I have, and

430
00:23:11,359 --> 00:23:13,040
Speaker 1: then you know that you know I have? No, I

431
00:23:13,040 --> 00:23:15,040
Speaker 1: don't know. I'm just asking. I'm an interviewer. Your clue, yeah,

432
00:23:15,200 --> 00:23:18,919
Speaker 1: no clue here? So what happened? Can you give us more? So?

433
00:23:18,960 --> 00:23:22,480
Speaker 1: I was playing in Florida on a It was Jim

434
00:23:22,520 --> 00:23:26,960
Speaker 1: Furick's celebrity golf tournament. We've done them, and we're playing

435
00:23:26,960 --> 00:23:29,320
Speaker 1: on We're playing on TPC saw Grass, not the actual

436
00:23:29,359 --> 00:23:32,040
Speaker 1: stadium course, but a really nice course right next to it,

437
00:23:32,840 --> 00:23:37,120
Speaker 1: and I slice one. Never happens, you guys know that. Never? Yeah,

438
00:23:37,200 --> 00:23:40,520
Speaker 1: you know? Uh. And as I pull up to the

439
00:23:40,520 --> 00:23:43,159
Speaker 1: house that my ball kind of went into, there was

440
00:23:43,200 --> 00:23:47,160
Speaker 1: a guy standing outside in the backyard with my golf

441
00:23:47,160 --> 00:23:49,240
Speaker 1: ball and was like, you broke my window. It's a

442
00:23:49,280 --> 00:23:52,680
Speaker 1: double paned window. It's like it totals eight hundred and

443
00:23:52,720 --> 00:23:54,600
Speaker 1: seventy bucks. Give me your license, tells them that right,

444
00:23:54,600 --> 00:23:58,399
Speaker 1: then takes my license. I was like, why would you

445
00:23:58,440 --> 00:24:00,640
Speaker 1: give him your license? Because I was it's kind of like,

446
00:24:01,080 --> 00:24:03,200
Speaker 1: I mean, I just smashed this guy's window, but you

447
00:24:03,200 --> 00:24:05,560
Speaker 1: gave him your license. Well, he's like, I'm taking asked

448
00:24:05,560 --> 00:24:07,399
Speaker 1: for my kid, So I handed him over. Well he's like,

449
00:24:07,440 --> 00:24:08,879
Speaker 1: I need to take a photo of your license, and

450
00:24:08,920 --> 00:24:10,960
Speaker 1: I was like okay, and he was like then he

451
00:24:11,040 --> 00:24:13,760
Speaker 1: then he asked He's like you know depot. He was

452
00:24:13,760 --> 00:24:15,440
Speaker 1: like asking for like basically me pay him there. And

453
00:24:15,440 --> 00:24:18,200
Speaker 1: I was like, hey, man, like you have my address,

454
00:24:18,400 --> 00:24:21,080
Speaker 1: like send me the bill, Like if that's how this works?

455
00:24:21,080 --> 00:24:22,560
Speaker 1: I've never been on a golf course where if a

456
00:24:22,600 --> 00:24:25,240
Speaker 1: golfer breaks a window, especially in nice golf course, that

457
00:24:25,480 --> 00:24:28,520
Speaker 1: the homeowners doesn't pay for it or whatever. I hope

458
00:24:28,520 --> 00:24:30,639
Speaker 1: this guy listens to show because I'm actually really frustrated

459
00:24:31,920 --> 00:24:35,359
Speaker 1: and I get after the corps after the tournament, I

460
00:24:35,440 --> 00:24:37,280
Speaker 1: get back in and I actually go up to one

461
00:24:37,320 --> 00:24:39,840
Speaker 1: of the to one of Jim's buddies. I was like, hey, man,

462
00:24:39,880 --> 00:24:41,959
Speaker 1: on sixteen, I busted the guy's window. He's like, oh, Man,

463
00:24:41,960 --> 00:24:44,200
Speaker 1: don't worry about it, you know. I was like, well,

464
00:24:44,240 --> 00:24:46,920
Speaker 1: I told him I'd pay for it, and he was like, no, dude,

465
00:24:46,920 --> 00:24:49,640
Speaker 1: the homeowners takes kid like they fixed all broken windows.

466
00:24:49,920 --> 00:24:54,080
Speaker 1: Oh and when I got home, there was a bill

467
00:24:54,320 --> 00:24:58,520
Speaker 1: from the guy that was trying to squander me out

468
00:24:58,520 --> 00:25:00,640
Speaker 1: of eight hundred bucks. That's I was trying to shake

469
00:25:00,680 --> 00:25:04,520
Speaker 1: him down a nice neighborhood like this guy did. Again, Hey,

470
00:25:04,560 --> 00:25:06,720
Speaker 1: I broke you window. Probably got an expensive house and

471
00:25:06,800 --> 00:25:09,440
Speaker 1: made all that money from eight hundred bucks of bob. Yeah. So, dude,

472
00:25:09,440 --> 00:25:13,120
Speaker 1: wherever you're at in Pontovitra, Florida, I got and I'm

473
00:25:13,160 --> 00:25:15,760
Speaker 1: still not paying it still to this day. Take me

474
00:25:15,800 --> 00:25:18,399
Speaker 1: to court. So when you put out new music, right,

475
00:25:18,440 --> 00:25:22,120
Speaker 1: do you get anxious before it comes out? I think so? Right? Now,

476
00:25:23,200 --> 00:25:24,879
Speaker 1: what song do you feel the most vulnerable with on

477
00:25:24,920 --> 00:25:28,359
Speaker 1: this record? I mean blue birds there. I have a

478
00:25:28,359 --> 00:25:31,679
Speaker 1: song called short Fuse on this album that came from

479
00:25:32,000 --> 00:25:34,480
Speaker 1: over hearing a conversation with my wife. She was talking

480
00:25:34,520 --> 00:25:38,160
Speaker 1: a friend of hers and she I overheard her saying like, yeah,

481
00:25:38,200 --> 00:25:41,320
Speaker 1: Jordan's got a real short fuse and kind of led

482
00:25:41,320 --> 00:25:44,960
Speaker 1: to a conversation and I didn't like hearing that. So

483
00:25:45,440 --> 00:25:47,360
Speaker 1: this is kind of a song to myself about it's

484
00:25:47,359 --> 00:25:49,960
Speaker 1: just him breaking glass. It's all just a song of

485
00:25:50,040 --> 00:25:54,240
Speaker 1: him kicking in. Yeah. But yeah, so that one's pretty

486
00:25:54,280 --> 00:25:56,760
Speaker 1: That one's pretty pretty spot on. Here's a clip of

487
00:25:56,920 --> 00:26:03,879
Speaker 1: short Fuse. What do you guys gonna do now? For

488
00:26:04,080 --> 00:26:05,840
Speaker 1: as far as your single goes, you got that all

489
00:26:05,920 --> 00:26:08,400
Speaker 1: laid out. Yeah, next thing was gonna be a song

490
00:26:08,400 --> 00:26:12,080
Speaker 1: called Tucson Too Late too? Like what's the play there?

491
00:26:12,359 --> 00:26:15,280
Speaker 1: Too soon, too late, Tusson too late, Tusson too late?

492
00:26:15,520 --> 00:26:17,720
Speaker 1: Just got to Tucson too late? Oh so it literally

493
00:26:17,840 --> 00:26:20,320
Speaker 1: is the city? Yeah? Got it? And you wrote this

494
00:26:20,400 --> 00:26:22,399
Speaker 1: obviously with your brother's that the same guys. You want

495
00:26:22,400 --> 00:26:24,560
Speaker 1: the CMA with yeah, all for the all that crew

496
00:26:24,600 --> 00:26:29,360
Speaker 1: there Jenkins Bros. Jacob, Matt and Josh Yeah, uh what what?

497
00:26:28,800 --> 00:26:32,600
Speaker 1: What was this? So we you know, we've written that

498
00:26:32,880 --> 00:26:37,080
Speaker 1: group together, Me, Jacob, Matt, and Josh. We've been writing

499
00:26:37,080 --> 00:26:41,640
Speaker 1: together since twenty sixteen, so we've written a ton of songs. Obviously,

500
00:26:41,640 --> 00:26:45,119
Speaker 1: we had By Dirt together and I think we showed

501
00:26:45,160 --> 00:26:48,359
Speaker 1: up after that kind of not knowing really what to do,

502
00:26:48,359 --> 00:26:51,920
Speaker 1: where to go next and songwriting, and I credit them

503
00:26:51,960 --> 00:26:53,560
Speaker 1: to being like, hey man, let's do something different, like

504
00:26:53,640 --> 00:26:56,119
Speaker 1: let's push and write a song that we've never written before.

505
00:26:56,520 --> 00:27:00,240
Speaker 1: And actually the the kind of influence of this song

506
00:27:00,320 --> 00:27:03,200
Speaker 1: was Keith Whitley's Miami Miami, Like I've never really done

507
00:27:03,200 --> 00:27:06,399
Speaker 1: a story song and kind of just totally taking myself

508
00:27:06,440 --> 00:27:10,119
Speaker 1: out of it. So this was my take on on

509
00:27:10,400 --> 00:27:15,199
Speaker 1: kind of uh my my Keith with Keith Whitley inspired single.

510
00:27:15,400 --> 00:27:17,840
Speaker 1: All Right, we're gonna play Jordan's new single from his

511
00:27:17,880 --> 00:27:19,359
Speaker 1: new album, I hope you check it out. The new

512
00:27:19,359 --> 00:27:24,720
Speaker 1: album is called Bluebird Days. It's Jordan Davis Platinum recording artist,

513
00:27:25,520 --> 00:27:30,040
Speaker 1: multi sorry multi platform recording artists. Also go to Jordan

514
00:27:30,119 --> 00:27:33,920
Speaker 1: davis Official dot com for all the tour dates. You're

515
00:27:33,600 --> 00:27:37,800
Speaker 1: all over Europe March pretty much most of March, and

516
00:27:37,840 --> 00:27:41,600
Speaker 1: then he's all over here Bluxie in Tennessee, he's doing

517
00:27:41,680 --> 00:27:44,200
Speaker 1: I hear Country Festival. I mean, he's all over the place.

518
00:27:44,400 --> 00:27:47,359
Speaker 1: I'm so happy to see your success. Congrats on the record,

519
00:27:47,440 --> 00:27:49,520
Speaker 1: and I hope people listen to it like crazy. Absolutely

520
00:27:49,560 --> 00:27:54,600
Speaker 1: also much. It's the best Bits of the Week with Morgan.

521
00:27:54,720 --> 00:28:02,000
Speaker 1: Number two. Valentine's Day was this week and Bobby, along

522
00:28:02,000 --> 00:28:04,440
Speaker 1: with the help of Ronnie Dunne, we're able to surprise

523
00:28:04,520 --> 00:28:07,760
Speaker 1: a listener's wife. This listener had bought his wife Brooks

524
00:28:07,760 --> 00:28:09,680
Speaker 1: and Dune tickets and he wanted to find a cool

525
00:28:09,720 --> 00:28:11,439
Speaker 1: way to tell her that he got her those tickets

526
00:28:11,440 --> 00:28:13,960
Speaker 1: for Valentine's Day without putting them in a gift or

527
00:28:13,960 --> 00:28:15,600
Speaker 1: just showing him on her phone. And he was like,

528
00:28:15,640 --> 00:28:17,119
Speaker 1: how can I do that? So you call it Bobby.

529
00:28:17,400 --> 00:28:20,480
Speaker 1: Bobby called up Ronnie Dune and Ronnie put together a video.

530
00:28:20,720 --> 00:28:22,720
Speaker 1: Bobby did a video and it was a whole thing,

531
00:28:23,119 --> 00:28:25,840
Speaker 1: and they surprised his wife with tickets. The listener called

532
00:28:25,920 --> 00:28:27,879
Speaker 1: us back, let us know. It went off amazing and

533
00:28:28,000 --> 00:28:30,359
Speaker 1: the wife was so excited. So super cool moment that

534
00:28:30,359 --> 00:28:31,920
Speaker 1: you're going to hear right now and how it kind

535
00:28:31,920 --> 00:28:36,040
Speaker 1: of transpired and what happened. Number five, have Valentine's Day.

536
00:28:36,359 --> 00:28:38,520
Speaker 1: Jerry's on the phone. This is a quick work. We

537
00:28:38,520 --> 00:28:44,080
Speaker 1: got him back here, Jerry. Bobby. Okay, you haven't shown

538
00:28:44,120 --> 00:28:48,720
Speaker 1: your wife the tickets yet, have you? No? Not yet

539
00:28:48,720 --> 00:28:54,200
Speaker 1: open to hear from l Ronnie? So oh, Ronnie text

540
00:28:54,280 --> 00:28:56,680
Speaker 1: me back. Come on. And so what I'm gonna do,

541
00:28:57,000 --> 00:28:59,640
Speaker 1: Jerry is I'm going to send you a video with

542
00:28:59,720 --> 00:29:03,880
Speaker 1: me in it and then Ronnie and then you can

543
00:29:03,880 --> 00:29:05,719
Speaker 1: show it to her. Okay, because I do have him.

544
00:29:05,760 --> 00:29:09,880
Speaker 1: Do you want to hear the club? Well, I'm going

545
00:29:09,960 --> 00:29:13,680
Speaker 1: to play it for you first, Jerry. I'm gonna play

546
00:29:13,720 --> 00:29:16,640
Speaker 1: it first. So I just text Ronnie. I was like, hey,

547
00:29:16,640 --> 00:29:18,200
Speaker 1: are you awake. I don't even know that he's awake,

548
00:29:18,760 --> 00:29:21,800
Speaker 1: and he was like, yeah, we need said just do

549
00:29:21,960 --> 00:29:27,320
Speaker 1: this thing, Jerry. It's Sarah. Sarah. Yeah, Jerry, yep, Sir.

550
00:29:27,480 --> 00:29:30,040
Speaker 1: I was like, just say hey, but I think Ronnie

551
00:29:30,080 --> 00:29:33,080
Speaker 1: thought I was asking for free tickets because he says

552
00:29:33,120 --> 00:29:36,720
Speaker 1: that here, but I don't you already got tickets, So

553
00:29:36,800 --> 00:29:39,880
Speaker 1: just disregard that part. But here you go, Hey, Sarah,

554
00:29:39,920 --> 00:29:43,000
Speaker 1: this is Ronnie done from B and D Happy Valentine's

555
00:29:43,440 --> 00:29:46,720
Speaker 1: Jerry for you tickets for our show in May. We'll

556
00:29:46,760 --> 00:29:51,040
Speaker 1: see you there Everyboddy. So, Kerry, I got it. That's

557
00:29:51,080 --> 00:29:52,840
Speaker 1: all I said him, was like, hey say this, so

558
00:29:52,920 --> 00:29:55,760
Speaker 1: we have it. But Jerry, then you go, Ronnie already

559
00:29:55,760 --> 00:29:57,600
Speaker 1: gave me the tickets. No, no, don't do that because

560
00:29:57,600 --> 00:29:59,800
Speaker 1: you need credit for buying him. You say, hey, we

561
00:30:00,000 --> 00:30:02,320
Speaker 1: already have tickets, and that's it. So I will send

562
00:30:02,360 --> 00:30:04,880
Speaker 1: you a video Jerry in this next break of me

563
00:30:04,960 --> 00:30:08,720
Speaker 1: going hey, I'm here, Sarah, have Valentine's Day, Jerry loves

564
00:30:08,720 --> 00:30:10,760
Speaker 1: you very much, and here's my friend Ronnie done. And

565
00:30:10,760 --> 00:30:13,400
Speaker 1: then Ronnie will come on and go hey uh and

566
00:30:13,440 --> 00:30:17,160
Speaker 1: then you do the thing. Okay, that's awesome. I love it.

567
00:30:17,520 --> 00:30:20,920
Speaker 1: Do you feel like that's acceptable? That's pretty cool, right, yeah, awesome, Yeah, Okay,

568
00:30:20,960 --> 00:30:23,120
Speaker 1: I gotta feeling Ronnie's tickets are better than what he bought.

569
00:30:23,240 --> 00:30:24,960
Speaker 1: I'm not no, I'm not asking Ronnie for free tickets.

570
00:30:25,000 --> 00:30:26,800
Speaker 1: I'm just saying I know, no, I bet they're not.

571
00:30:27,800 --> 00:30:29,960
Speaker 1: And if Ronnie does come back to me and go, hey,

572
00:30:30,400 --> 00:30:32,520
Speaker 1: well you need those tickets, then I'll call Jerry back.

573
00:30:32,560 --> 00:30:35,040
Speaker 1: But Jerry already has tickets. We were just doing this

574
00:30:35,080 --> 00:30:37,520
Speaker 1: as a friend favorite. No, Jerry, don't gasp, I heard

575
00:30:37,600 --> 00:30:41,800
Speaker 1: Jerry gasp. Yeah, Jerry's our nosebleed. I mean, I am

576
00:30:41,840 --> 00:30:46,160
Speaker 1: bowling on a budget. But they already bought the tickets though. Yeah,

577
00:30:46,200 --> 00:30:50,160
Speaker 1: but he could he could pass those on to someone else. Right,

578
00:30:51,040 --> 00:30:53,360
Speaker 1: My brother and his fiance would love the Go two

579
00:30:53,960 --> 00:30:57,200
Speaker 1: even though it's somewhere else where. Do you love Louisville. Yeah,

580
00:30:57,240 --> 00:31:00,320
Speaker 1: I'm in Louisville and the concerts and Lexus in Okay,

581
00:31:00,320 --> 00:31:04,440
Speaker 1: Well do it. And it's in May May eleventh, yea, god,

582
00:31:04,520 --> 00:31:07,000
Speaker 1: dang it. Even if I can't, I'll get you tickets.

583
00:31:07,160 --> 00:31:09,560
Speaker 1: I'll get you tickets. Yeah. See, so I'm talking about

584
00:31:09,680 --> 00:31:11,520
Speaker 1: if this let's go, Jerry. This is one of those

585
00:31:11,520 --> 00:31:16,040
Speaker 1: things squeezed. I'm being squeezed here. Hey, Jerry, I asked

586
00:31:16,040 --> 00:31:18,720
Speaker 1: about that meet and greet. No, stop, stop, I don't

587
00:31:18,720 --> 00:31:21,080
Speaker 1: know if they don't be great. Listen, Jerry, I was

588
00:31:21,440 --> 00:31:24,400
Speaker 1: all kidding aside. I'll send you this video. I can

589
00:31:24,440 --> 00:31:27,000
Speaker 1: get you another pair of tickets, I'm sure. And if

590
00:31:27,000 --> 00:31:30,280
Speaker 1: I oh my goodness, and if I can't, I'll just

591
00:31:30,320 --> 00:31:32,920
Speaker 1: buy them. But I think Ronnie thinks he's giving me tickets. Yeah,

592
00:31:32,920 --> 00:31:34,400
Speaker 1: it sounds like it. We offered them, and he's one

593
00:31:34,400 --> 00:31:35,440
Speaker 1: of the Ronne is one of the few people I

594
00:31:35,480 --> 00:31:36,800
Speaker 1: can text and just go, hey, send me a video

595
00:31:36,840 --> 00:31:38,840
Speaker 1: you're doing this real quick, or send me you saying this.

596
00:31:39,040 --> 00:31:40,840
Speaker 1: It's like, yeah, I don't know what I'm doing it, Okay,

597
00:31:41,120 --> 00:31:43,320
Speaker 1: often asking for nudes for the same reason. Just trust

598
00:31:43,360 --> 00:31:45,000
Speaker 1: me to send me a picture of you hitting out

599
00:31:45,000 --> 00:31:48,360
Speaker 1: of the shower. Okay, Jerry, I got you. We're friends, right,

600
00:31:48,400 --> 00:31:51,800
Speaker 1: I got you taken care of absolutely. You go ahead

601
00:31:51,960 --> 00:31:55,320
Speaker 1: and if you want to give those tickets to your wife,

602
00:31:55,320 --> 00:32:01,600
Speaker 1: you can, or I will get you another pair of tickets. Okay, awesome, Okay,

603
00:32:01,720 --> 00:32:04,560
Speaker 1: he sounds excited. Man, he is excited. I think he's surprised,

604
00:32:04,560 --> 00:32:09,160
Speaker 1: Like I am. I've left a voicemail hating on lunchbox,

605
00:32:09,200 --> 00:32:11,800
Speaker 1: but lunchboxes at Homie Me and Lunchbox are good. Now

606
00:32:11,960 --> 00:32:15,040
Speaker 1: that was quick. Okay, but wait a minute. I just

607
00:32:15,040 --> 00:32:18,880
Speaker 1: shown through nineteen hoops for you, like I mean literally

608
00:32:19,240 --> 00:32:23,040
Speaker 1: called friends, got three tickets and then it's like, yo,

609
00:32:23,240 --> 00:32:24,520
Speaker 1: I just want to say this. It wasn't about how

610
00:32:24,600 --> 00:32:28,440
Speaker 1: nice Amy is or Eddie is or Bobby you've always

611
00:32:28,480 --> 00:32:31,600
Speaker 1: you've always been the homie. You the og homie. Okay,

612
00:32:31,800 --> 00:32:33,440
Speaker 1: I don't need it, but I just thought it was

613
00:32:33,480 --> 00:32:36,080
Speaker 1: a weird thing. That well, he didn't like me until

614
00:32:36,120 --> 00:32:39,040
Speaker 1: I helped him out right here. Yeah, what did you do?

615
00:32:39,160 --> 00:32:43,160
Speaker 1: You did nothing. I got him out of the nosebleeds. No, no,

616
00:32:43,400 --> 00:32:46,480
Speaker 1: Ronnie offered those tickets. Yeah, Ronnie hover, go ahead. What

617
00:32:46,520 --> 00:32:48,560
Speaker 1: did he call in to hate on lunchbox for? Yeah?

618
00:32:48,560 --> 00:32:51,640
Speaker 1: Why did you hate lunchbox? Jerry? It's been a well

619
00:32:51,640 --> 00:32:53,200
Speaker 1: I don't want to talk about him over it now now,

620
00:32:53,240 --> 00:32:55,360
Speaker 1: but what did you say? I'm not over it. Let's

621
00:32:55,360 --> 00:32:57,920
Speaker 1: just go let's walk in the time machine. Jerry, what

622
00:32:58,320 --> 00:33:01,280
Speaker 1: did you say before you grew as a human? I

623
00:33:01,360 --> 00:33:03,640
Speaker 1: called him a sissy boy because he was he was

624
00:33:03,640 --> 00:33:07,440
Speaker 1: whining about something. Yeah, I could be any day, any show, right,

625
00:33:07,520 --> 00:33:09,080
Speaker 1: you know what I saw? You put this sissy boy

626
00:33:09,120 --> 00:33:13,040
Speaker 1: back in the nose. Please give his brother the good tickets? No, no, no,

627
00:33:14,240 --> 00:33:18,160
Speaker 1: are you to talk in the bathroom? It sounds like, hey, Jerry,

628
00:33:18,160 --> 00:33:23,440
Speaker 1: are you pooping? Not right now? Okay? Are you hiding?

629
00:33:23,520 --> 00:33:26,080
Speaker 1: I think his wife maybe in the house, Yes, she

630
00:33:26,200 --> 00:33:29,680
Speaker 1: is in the other room. Okay, she's gonna think you're

631
00:33:29,720 --> 00:33:32,440
Speaker 1: cheating on her, dude, do you want do you want

632
00:33:32,480 --> 00:33:33,680
Speaker 1: me to talk to her and tell her and then

633
00:33:33,680 --> 00:33:35,120
Speaker 1: I'll send you the video, Jerry? Or do you just

634
00:33:35,160 --> 00:33:38,719
Speaker 1: want to do it all yourself. Well, she's sleep, so

635
00:33:38,760 --> 00:33:40,160
Speaker 1: I don't want to wake her up. That'll be kind

636
00:33:40,160 --> 00:33:42,840
Speaker 1: of fun to wake her on speaking phone. Hello, I

637
00:33:42,920 --> 00:33:48,640
Speaker 1: can't make noises kill me. Okay, I get that, or

638
00:33:48,880 --> 00:33:51,719
Speaker 1: I have my whistle if I'm torning my whistles speaker,

639
00:33:52,760 --> 00:33:57,760
Speaker 1: wake up. Okay, Jerry, you're my dude. Stay on hold

640
00:33:58,320 --> 00:34:00,120
Speaker 1: because I'm gonna get your text and then I'm going

641
00:34:00,240 --> 00:34:05,760
Speaker 1: to text you this video but not from my number. Okay, awesome,

642
00:34:05,840 --> 00:34:07,920
Speaker 1: all right, somebody, you're welcome. I hope you have a

643
00:34:07,920 --> 00:34:12,840
Speaker 1: great week. Don't hang up on him. It's the best

644
00:34:12,960 --> 00:34:18,280
Speaker 1: bits of the week with Morgan. Number two, Madeline Edwards

645
00:34:18,280 --> 00:34:20,440
Speaker 1: stopped to buy our show. You may have heard some

646
00:34:20,520 --> 00:34:23,240
Speaker 1: of her awesome songs before, but this was her first

647
00:34:23,239 --> 00:34:26,440
Speaker 1: official time in our studio and she performed and it

648
00:34:26,520 --> 00:34:29,239
Speaker 1: was totally killer, which you should definitely check out on

649
00:34:29,320 --> 00:34:32,320
Speaker 1: YouTube at Bobby Bones Show. But she also talked about

650
00:34:32,360 --> 00:34:35,719
Speaker 1: the job she had when she had first started pursuing music.

651
00:34:35,760 --> 00:34:39,560
Speaker 1: She was singing jazz at this millionaire's restaurant, and I

652
00:34:39,560 --> 00:34:41,960
Speaker 1: could totally hear her voice now, like now I need

653
00:34:42,000 --> 00:34:45,120
Speaker 1: a full jazz album from her, because holy craps. She

654
00:34:45,160 --> 00:34:47,520
Speaker 1: also did a cover of at Last when she was

655
00:34:47,520 --> 00:34:50,800
Speaker 1: in studio and it was so good. So I totally

656
00:34:50,800 --> 00:34:53,800
Speaker 1: see where this jazz influence comes from. But really awesome

657
00:34:53,800 --> 00:34:56,560
Speaker 1: to hear her story before she became a full blown

658
00:34:56,640 --> 00:34:59,520
Speaker 1: artist in country music that you see today. Number four

659
00:35:00,080 --> 00:35:05,560
Speaker 1: name is Madeleine Edwards from Texas, from California. She's toured

660
00:35:05,560 --> 00:35:09,080
Speaker 1: with Chris Stapleton. There's so much soul, so much soul,

661
00:35:09,160 --> 00:35:11,760
Speaker 1: so much country, so much given a little jazz singing.

662
00:35:11,800 --> 00:35:13,640
Speaker 1: Like when I say that, I mean like Ella Fitzgerald.

663
00:35:14,120 --> 00:35:17,640
Speaker 1: And so this is a story somebody who started working

664
00:35:17,680 --> 00:35:19,680
Speaker 1: really young, playing in a restaurant. We'll get to that

665
00:35:20,120 --> 00:35:22,120
Speaker 1: for years and years and years. And now she's in here,

666
00:35:22,160 --> 00:35:24,360
Speaker 1: she's got a piano and she's gonna crush it. She

667
00:35:24,400 --> 00:35:30,520
Speaker 1: has this song called the Wolves and an album called

668
00:35:30,560 --> 00:35:32,839
Speaker 1: Crash Landed that came out at the end of last year.

669
00:35:32,880 --> 00:35:40,239
Speaker 1: And here she is, Madeline Edwards on the Bobby Bones Show. Now, Madeline,

670
00:35:40,280 --> 00:35:42,000
Speaker 1: you know I was telling these guys about your story

671
00:35:42,000 --> 00:35:46,280
Speaker 1: a little bit because I'm a massive fan. Obviously I'm stalker.

672
00:35:46,320 --> 00:35:48,680
Speaker 1: You know it's true. I know, yeah, it's true. And

673
00:35:48,719 --> 00:35:51,040
Speaker 1: I was telling them how maybe you can help me

674
00:35:51,080 --> 00:35:53,160
Speaker 1: for a second. Who did you meet that lets you

675
00:35:53,160 --> 00:35:55,719
Speaker 1: play at their restaurants? Who did I meet? Yeah? Because

676
00:35:55,719 --> 00:35:57,360
Speaker 1: you were playing at a bunch of restaurants right, like

677
00:35:57,600 --> 00:36:00,840
Speaker 1: like yes, My employer at the time, Teche was Tilman

678
00:36:00,920 --> 00:36:04,080
Speaker 1: for Tita, who is who is the billion dollar buyer,

679
00:36:04,800 --> 00:36:07,440
Speaker 1: So he owns a lot of stuff in Houston. So

680
00:36:07,480 --> 00:36:09,839
Speaker 1: he just saw her. It's like knew she was really good,

681
00:36:09,880 --> 00:36:13,040
Speaker 1: so she would like she played restaurants like to cut

682
00:36:13,040 --> 00:36:16,160
Speaker 1: her teeth. Yeah, hours and hours and hours and hours,

683
00:36:16,280 --> 00:36:20,319
Speaker 1: like way over ten thousand hours, and so it's just

684
00:36:20,360 --> 00:36:22,320
Speaker 1: somebody going here, you're really good. And then she just

685
00:36:22,360 --> 00:36:25,160
Speaker 1: put him the time and played. When people would come

686
00:36:25,200 --> 00:36:27,200
Speaker 1: up to you, would you have a fish bowl? Yes?

687
00:36:27,280 --> 00:36:30,240
Speaker 1: I had a fish bowl? And honestly it was really

688
00:36:30,239 --> 00:36:32,399
Speaker 1: really fun because they would have me learn a song

689
00:36:32,440 --> 00:36:34,040
Speaker 1: on the spot, and if I could learn it on

690
00:36:34,040 --> 00:36:36,000
Speaker 1: the spot, they'd like throw in hundreds and stuff. So

691
00:36:36,040 --> 00:36:38,440
Speaker 1: that's how I paid through college. So there she is

692
00:36:38,520 --> 00:36:41,239
Speaker 1: hustling her whole way through college playing restaurants. That's a

693
00:36:41,280 --> 00:36:43,680
Speaker 1: story I really wanted to share here, is that like

694
00:36:43,719 --> 00:36:46,120
Speaker 1: you really had. It's like the imody prayed to the

695
00:36:46,160 --> 00:36:49,319
Speaker 1: Beatles equal with that, so the Beatles. They would play

696
00:36:49,360 --> 00:36:51,000
Speaker 1: these clubs in Germany for like eight hours a night

697
00:36:51,040 --> 00:36:52,600
Speaker 1: and play the saying over and over again, these songs

698
00:36:52,600 --> 00:36:54,440
Speaker 1: over and over and over and over and over until

699
00:36:54,480 --> 00:36:56,480
Speaker 1: they were just in it. And then when when I

700
00:36:56,520 --> 00:36:59,640
Speaker 1: heard Madaline like actually sing the first time, I was like, dang,

701
00:37:00,200 --> 00:37:03,719
Speaker 1: so good. Your voice is so good. You definitely it's

702
00:37:03,920 --> 00:37:07,320
Speaker 1: it's like country music, and there's also like a jazz influence.

703
00:37:07,320 --> 00:37:08,960
Speaker 1: I don't even know what that meant until you taught me.

704
00:37:09,480 --> 00:37:12,319
Speaker 1: I just thought it was just good. Well, thanks, I

705
00:37:12,360 --> 00:37:14,920
Speaker 1: appreciate that. I'm a fan of yours, all of y'all's too.

706
00:37:15,120 --> 00:37:18,160
Speaker 1: I'm really thankful, though, who the least though, of all

707
00:37:18,200 --> 00:37:19,759
Speaker 1: of us? Who? You're not gonna say, would you be

708
00:37:19,760 --> 00:37:21,839
Speaker 1: the least fan, because it's gonna hurt your feelings if

709
00:37:21,840 --> 00:37:25,040
Speaker 1: I say who, Well, it's probably me so and that's okay, Madeleine.

710
00:37:25,120 --> 00:37:26,680
Speaker 1: So what I want to do is you have a piano,

711
00:37:26,719 --> 00:37:27,840
Speaker 1: and I want to listeners to hear you, and then

712
00:37:27,880 --> 00:37:30,200
Speaker 1: I want to talk to you, but and I do

713
00:37:30,239 --> 00:37:31,640
Speaker 1: want to talk to you about the grand ol Opry.

714
00:37:31,640 --> 00:37:34,160
Speaker 1: You have so many questions, but this is Madeleine Edwards.

715
00:37:34,400 --> 00:37:36,080
Speaker 1: What are you going to play for us? First? Because

716
00:37:36,080 --> 00:37:37,839
Speaker 1: I was just told you have two songs ready, which

717
00:37:37,840 --> 00:37:39,920
Speaker 1: I didn't know which I didn't know that either. I

718
00:37:39,960 --> 00:37:41,600
Speaker 1: think I'm playing two songs. Well, there we go, Oh,

719
00:37:41,680 --> 00:37:43,200
Speaker 1: there we go. If they said he had eight, I'd

720
00:37:43,200 --> 00:37:44,239
Speaker 1: be like, well, we're gonna be here for a while.

721
00:37:44,280 --> 00:37:47,640
Speaker 1: Everybody buckle in. Oh what are you gonna play? Madeline? Um,

722
00:37:47,719 --> 00:37:50,920
Speaker 1: I'm first gonna play the Wolves. Okay, here is Madeleine Edwards.

723
00:37:51,239 --> 00:37:55,400
Speaker 1: Brace yourself, everybody for the Wolves. You did some shows

724
00:37:55,400 --> 00:37:57,680
Speaker 1: with Chris Stapleton, and if I would have gone to

725
00:37:57,719 --> 00:37:59,680
Speaker 1: that show, I would have had like a nose injury

726
00:38:00,120 --> 00:38:02,000
Speaker 1: and like a lip injury because when you play, when

727
00:38:02,080 --> 00:38:03,840
Speaker 1: Chris plays, I get stink face Like this, I'm like,

728
00:38:04,080 --> 00:38:07,920
Speaker 1: I'm feeling it liked because I just feeling it so much.

729
00:38:08,160 --> 00:38:10,120
Speaker 1: Chase is the best compliment you can give it. Yeah,

730
00:38:10,719 --> 00:38:13,920
Speaker 1: And I just imagine you and Stapleton both, it'd be

731
00:38:13,920 --> 00:38:17,840
Speaker 1: all stink face all the time and l king. Yeah.

732
00:38:17,880 --> 00:38:20,400
Speaker 1: She was also on the road with what a performance.

733
00:38:20,440 --> 00:38:22,640
Speaker 1: Holy Moley. So you grew up in California and Texas.

734
00:38:22,680 --> 00:38:26,840
Speaker 1: What do you consider yourself m Californian or a Texan?

735
00:38:27,280 --> 00:38:30,759
Speaker 1: I consider myself Texan because that's kind of where I

736
00:38:30,800 --> 00:38:32,560
Speaker 1: did most of my growing up. I moved there, like

737
00:38:32,640 --> 00:38:34,279
Speaker 1: right before high school, So I feel like all the

738
00:38:34,320 --> 00:38:38,120
Speaker 1: really hard adult years came in Texas for sure. Do

739
00:38:38,160 --> 00:38:39,680
Speaker 1: you guys want to invite her back for another segment

740
00:38:39,760 --> 00:38:43,000
Speaker 1: or just yeah, it looks like you got to go Madeline. Sorry.

741
00:38:43,680 --> 00:38:47,160
Speaker 1: When you play the Grand ol Opry, Madeleine and finish,

742
00:38:47,560 --> 00:38:49,680
Speaker 1: you know you play. I imagine you play two songs

743
00:38:49,680 --> 00:38:52,560
Speaker 1: your first time je two I did. After you finish

744
00:38:52,600 --> 00:38:54,759
Speaker 1: your second song and they start to stand up and

745
00:38:54,760 --> 00:38:57,120
Speaker 1: they give you a standing ovation at the Grand ol Opry.

746
00:38:57,400 --> 00:39:00,160
Speaker 1: Can you remember that moment or was it just All's

747
00:39:00,160 --> 00:39:02,880
Speaker 1: it just all fog at this point? No, I definitely

748
00:39:02,920 --> 00:39:06,600
Speaker 1: remember it the year as a whole, and everything that

749
00:39:06,640 --> 00:39:08,759
Speaker 1: happened over the year as a fog, because it's just

750
00:39:08,840 --> 00:39:10,520
Speaker 1: a lot that happened in one year. But when I

751
00:39:10,560 --> 00:39:14,080
Speaker 1: think about those instances, and one of them being the

752
00:39:14,160 --> 00:39:16,960
Speaker 1: Opery and the first time I played there, but you

753
00:39:17,000 --> 00:39:19,279
Speaker 1: gotta say they stood up you got a standing ovation. Yeah,

754
00:39:19,360 --> 00:39:22,520
Speaker 1: I mean I was really overwhelmed. Honestly. My mom was

755
00:39:22,560 --> 00:39:24,920
Speaker 1: in the crowd. I mean, my in laws were there,

756
00:39:24,960 --> 00:39:28,439
Speaker 1: my husband's grandpa was there, and so it was kind

757
00:39:28,440 --> 00:39:31,160
Speaker 1: of one of those feelings where I think I get

758
00:39:31,200 --> 00:39:33,080
Speaker 1: to live this moment that not many people in the

759
00:39:33,080 --> 00:39:37,759
Speaker 1: world get to experience. And it was very humbling, for sure.

760
00:39:37,920 --> 00:39:39,439
Speaker 1: And it's harder for some of them at the opera

761
00:39:39,480 --> 00:39:41,040
Speaker 1: to even stand up at all, and yet they stood

762
00:39:41,040 --> 00:39:45,080
Speaker 1: for you. Oh gosh, that's right. No, I'm just saying

763
00:39:45,160 --> 00:39:46,640
Speaker 1: I have to play the opera sometimes too. I love

764
00:39:46,640 --> 00:39:48,040
Speaker 1: to play the but I'm saying it's old. It's an

765
00:39:48,040 --> 00:39:50,400
Speaker 1: older crowd. Some of them are older, and they stood

766
00:39:50,440 --> 00:39:53,399
Speaker 1: up for you. That does mean a lot because that demographic.

767
00:39:53,520 --> 00:39:55,919
Speaker 1: You always wonder like, oh am I too hip for this?

768
00:39:56,160 --> 00:39:58,040
Speaker 1: Or are they gonna like it? But the fact that

769
00:39:58,080 --> 00:40:00,920
Speaker 1: they really liked it was really cool. Nashville been for you.

770
00:40:00,920 --> 00:40:03,879
Speaker 1: How long have you been here? It'll be two years

771
00:40:03,960 --> 00:40:07,200
Speaker 1: next week, so you're just a baby in Nashville. Yeah,

772
00:40:07,280 --> 00:40:09,239
Speaker 1: So how did do you like? Is it feel like home? Yet?

773
00:40:10,480 --> 00:40:13,000
Speaker 1: It started to feel like home for the first time

774
00:40:13,040 --> 00:40:16,640
Speaker 1: this month. I think it takes a while to find

775
00:40:16,680 --> 00:40:19,360
Speaker 1: your corners, to find your community, find the people that

776
00:40:19,440 --> 00:40:22,520
Speaker 1: really care. And I feel like we got really lucky

777
00:40:22,600 --> 00:40:25,840
Speaker 1: in finding that early. So it's starting to feel a

778
00:40:25,880 --> 00:40:28,960
Speaker 1: little bit more like home. So I don't know, you

779
00:40:28,960 --> 00:40:31,759
Speaker 1: started playing piano at what age four? So when you're

780
00:40:31,800 --> 00:40:33,640
Speaker 1: four years old? And maybe you could just walk me

781
00:40:33,640 --> 00:40:35,319
Speaker 1: through and hit some keys or something when you're four,

782
00:40:35,360 --> 00:40:36,960
Speaker 1: Like what does a four year old learn? Or even

783
00:40:36,960 --> 00:40:38,640
Speaker 1: if you had a four year old that said, Madeline,

784
00:40:38,680 --> 00:40:39,960
Speaker 1: can you teach me how to play piano? Like what

785
00:40:39,960 --> 00:40:42,120
Speaker 1: would would you teach them? Like a scale? A finger thing?

786
00:40:42,520 --> 00:40:44,600
Speaker 1: I mean you probably just teach them scales first start

787
00:40:44,600 --> 00:40:46,440
Speaker 1: at middle C and then go all the way up

788
00:40:47,680 --> 00:40:51,520
Speaker 1: and it for what do you understand about music? Four? Five, six, seven?

789
00:40:51,719 --> 00:40:55,520
Speaker 1: Like you did you understand what the notes meant? At seven?

790
00:40:55,560 --> 00:40:59,640
Speaker 1: Could you actually play complicated things at seven years old? Yeah?

791
00:40:59,719 --> 00:41:02,160
Speaker 1: Just like like that three years Yeah, at seven I

792
00:41:02,200 --> 00:41:05,200
Speaker 1: was playing like classical music. Are you crazy? Yeah? So

793
00:41:05,560 --> 00:41:07,640
Speaker 1: I was. You know, I was trying to do concert

794
00:41:07,680 --> 00:41:10,399
Speaker 1: piano at that age, and you know, classical was kind

795
00:41:10,440 --> 00:41:12,000
Speaker 1: of what I started with, and jazz is what I

796
00:41:12,080 --> 00:41:14,319
Speaker 1: ended up doing when I was in middle school. Um,

797
00:41:14,760 --> 00:41:17,600
Speaker 1: so how many hours a day were you practicing? I

798
00:41:17,680 --> 00:41:20,880
Speaker 1: actually did not like playing piano until I was fifteen

799
00:41:21,120 --> 00:41:22,879
Speaker 1: and found a reason to be like, oh, I can

800
00:41:22,880 --> 00:41:25,960
Speaker 1: write songs about how much boys suck and how much

801
00:41:26,000 --> 00:41:28,000
Speaker 1: I hate my parents right now. And then I got

802
00:41:28,040 --> 00:41:30,920
Speaker 1: into piano. But I was I was kicking and screaming

803
00:41:31,000 --> 00:41:32,880
Speaker 1: when I was playing it at four, because I was like,

804
00:41:32,920 --> 00:41:35,719
Speaker 1: this isn't easy for me. It doesn't come naturally to me.

805
00:41:35,800 --> 00:41:38,160
Speaker 1: And my mom just kept me in it even if

806
00:41:38,160 --> 00:41:40,000
Speaker 1: I didn't like it. Do you remember the first song

807
00:41:40,040 --> 00:41:41,719
Speaker 1: you ever wrote that you were that you were like

808
00:41:41,760 --> 00:41:44,640
Speaker 1: I completed this song. The first song I ever wrote

809
00:41:44,640 --> 00:41:46,880
Speaker 1: on piano was a song called All I Need And

810
00:41:46,920 --> 00:41:48,560
Speaker 1: I was ten years old when I wrote it, and

811
00:41:48,600 --> 00:41:50,799
Speaker 1: it was like jazz seven s and stuff like, yeah,

812
00:41:50,800 --> 00:41:51,759
Speaker 1: we'll take a lot of that. Here we go. This

813
00:41:51,760 --> 00:41:54,120
Speaker 1: is you want to give me a little bit of

814
00:41:54,120 --> 00:41:55,480
Speaker 1: the first time you ever wrote it ten years old,

815
00:41:55,560 --> 00:42:02,319
Speaker 1: Let's see what we got. You can remember it and

816
00:42:02,440 --> 00:42:06,080
Speaker 1: all I need to say and all I need to

817
00:42:06,120 --> 00:42:13,719
Speaker 1: do is be with you? Who are you wanting to

818
00:42:13,760 --> 00:42:17,080
Speaker 1: be with I was wanting to be like Eda James

819
00:42:17,080 --> 00:42:19,200
Speaker 1: when I was ten. I was like, this is the goal.

820
00:42:20,320 --> 00:42:21,839
Speaker 1: I was just thinking, how did she do that at ten?

821
00:42:22,000 --> 00:42:24,359
Speaker 1: That's amazing. I took piano lessons at like twenty eight,

822
00:42:25,600 --> 00:42:27,680
Speaker 1: couldn't even do that for like months to a kind

823
00:42:27,719 --> 00:42:30,320
Speaker 1: of my house. Granted, I have tried to play guitar

824
00:42:30,360 --> 00:42:32,520
Speaker 1: for about ten years and I can't do it. That's

825
00:42:32,560 --> 00:42:34,719
Speaker 1: one instrument I just for some reason cannot pick up.

826
00:42:34,960 --> 00:42:37,080
Speaker 1: So you when do you decide you want to do

827
00:42:37,200 --> 00:42:40,120
Speaker 1: music or at least pursue music professionally, because that's a

828
00:42:40,120 --> 00:42:43,160
Speaker 1: whole different choice, meaning you're not just playing piano now

829
00:42:43,160 --> 00:42:45,680
Speaker 1: you're actually gonna go and try that against people. Yeah,

830
00:42:45,719 --> 00:42:48,000
Speaker 1: So going back to the Tilman for Tita stuff. When

831
00:42:48,000 --> 00:42:50,320
Speaker 1: I started playing in jazz bars and clubs and stuff,

832
00:42:50,360 --> 00:42:54,000
Speaker 1: I was fourteen, and you know, I was helping my

833
00:42:54,040 --> 00:42:55,719
Speaker 1: family keep the lights on. I come from a really

834
00:42:55,760 --> 00:42:58,480
Speaker 1: big family and we grew up in a poor situation.

835
00:42:58,600 --> 00:43:01,759
Speaker 1: So I think once I realized, oh, you can make

836
00:43:01,800 --> 00:43:04,359
Speaker 1: money doing this, that's when I was like, I think

837
00:43:04,400 --> 00:43:06,080
Speaker 1: I could do this for the rest of my life.

838
00:43:06,080 --> 00:43:08,080
Speaker 1: But it was something that I went into to help

839
00:43:08,120 --> 00:43:11,359
Speaker 1: my family. Um, but granted, I wanted to do that

840
00:43:11,400 --> 00:43:13,080
Speaker 1: for the rest of my life anyway, So I think

841
00:43:13,120 --> 00:43:16,200
Speaker 1: I was just trying to formulize a plan on how

842
00:43:16,239 --> 00:43:18,239
Speaker 1: I could do this and make a living doing it.

843
00:43:18,320 --> 00:43:21,319
Speaker 1: And yeah, Madeline Edwards is here. I'm a big fan

844
00:43:21,360 --> 00:43:23,680
Speaker 1: of her. She's gonna play with Eddie and I at

845
00:43:23,719 --> 00:43:26,320
Speaker 1: the million dollars show at the Rhyman. Can't wait. Which

846
00:43:26,840 --> 00:43:28,720
Speaker 1: have you played there? She already knows. It's not a surprise.

847
00:43:28,760 --> 00:43:31,080
Speaker 1: I called her and I was like, Hey, will you

848
00:43:31,080 --> 00:43:33,719
Speaker 1: do this? You haven't played the Rhyman yet? No, Oh,

849
00:43:33,800 --> 00:43:36,920
Speaker 1: that's awesome. I can't wait for people to see you perform.

850
00:43:36,960 --> 00:43:39,120
Speaker 1: Last yallar in for a treat. We have some really

851
00:43:39,120 --> 00:43:41,080
Speaker 1: good songs lined up. I won't say what, but what

852
00:43:41,120 --> 00:43:43,400
Speaker 1: if you said the opposite? What if she came those guys,

853
00:43:43,600 --> 00:43:47,480
Speaker 1: we've really planned our worst stuff for you. Whenever you're playing,

854
00:43:47,680 --> 00:43:50,560
Speaker 1: and again, you're playing all these hours. You're helping, you know,

855
00:43:50,600 --> 00:43:54,320
Speaker 1: make money so you guys can eat. But you're playing

856
00:43:54,560 --> 00:43:57,640
Speaker 1: obviously cover songs at a restaurant as a fourteen to

857
00:43:57,640 --> 00:43:59,200
Speaker 1: fifteen sixteen year old? Were there any songs that you

858
00:43:59,239 --> 00:44:00,840
Speaker 1: played were adult? I just thought it was so funny

859
00:44:00,840 --> 00:44:04,239
Speaker 1: a kid was playing this song. Yeah, I mean at

860
00:44:04,320 --> 00:44:08,080
Speaker 1: last BAYEDA James. I remember playing Tennessee whiskey at times.

861
00:44:08,320 --> 00:44:10,839
Speaker 1: And when I was fourteen, my voice was as deep

862
00:44:10,880 --> 00:44:13,680
Speaker 1: as it is now, So imagine this voice coming out

863
00:44:13,680 --> 00:44:15,839
Speaker 1: of a fourteen year old. It's never changed. My voice

864
00:44:15,880 --> 00:44:18,120
Speaker 1: has always kind of stayed the same. So that was

865
00:44:18,239 --> 00:44:20,880
Speaker 1: more the shocker to people is that a voice like

866
00:44:20,960 --> 00:44:23,360
Speaker 1: this was coming out of a fourteen year old. And

867
00:44:23,440 --> 00:44:26,319
Speaker 1: obviously I've like tuned it and you know, shaped it

868
00:44:26,360 --> 00:44:29,400
Speaker 1: over time. But yeah, I think that was the shock value.

869
00:44:29,560 --> 00:44:32,239
Speaker 1: When I was working on American Idol, it worked there

870
00:44:32,280 --> 00:44:34,200
Speaker 1: for four years. People would always sing it last. It

871
00:44:34,239 --> 00:44:35,719
Speaker 1: was like the song they wanted to audition. I was like,

872
00:44:35,719 --> 00:44:38,239
Speaker 1: please stop singing this song. Please stop singing the song

873
00:44:38,400 --> 00:44:40,359
Speaker 1: because everybody does it all the time. But what then

874
00:44:41,239 --> 00:44:44,200
Speaker 1: when somebody does it right, you're reminded it just how

875
00:44:44,320 --> 00:44:47,440
Speaker 1: right she was and that song is for sure? Do

876
00:44:47,480 --> 00:44:50,319
Speaker 1: you still perform that? I do? You can? You give

877
00:44:50,360 --> 00:44:51,919
Speaker 1: us a little bit because we haven't talked. I didn't

878
00:44:51,920 --> 00:44:56,000
Speaker 1: ask for this, do you know if not, we can

879
00:44:56,080 --> 00:44:59,319
Speaker 1: move on. I mean it, just give me twenty seven,

880
00:44:59,400 --> 00:45:15,800
Speaker 1: like yeah, yeah, last my Loves come along and my

881
00:45:16,120 --> 00:45:24,080
Speaker 1: lonely Days are over and laugh is lack a song

882
00:45:25,760 --> 00:45:30,440
Speaker 1: I would put everybody on the spot. Yeahs so good.

883
00:45:30,800 --> 00:45:32,200
Speaker 1: I wish I had a billion dollars I could to

884
00:45:32,239 --> 00:45:34,239
Speaker 1: have a restaurant and make you play there like that's all.

885
00:45:34,280 --> 00:45:36,080
Speaker 1: My goal is now to have a billion dollars to

886
00:45:36,080 --> 00:45:38,000
Speaker 1: buy restaurant so I can hire Madeline to play there

887
00:45:38,080 --> 00:45:40,239
Speaker 1: the whole time. Oh man, So are you? Are you

888
00:45:40,239 --> 00:45:42,040
Speaker 1: on dream? Are you on the road? A bunch? You

889
00:45:42,080 --> 00:45:44,279
Speaker 1: feel like I'm about to be. I'm going out on

890
00:45:44,320 --> 00:45:47,879
Speaker 1: the road with Ingridy Andrews actually starting in two weeks um,

891
00:45:47,920 --> 00:45:50,600
Speaker 1: and then We're doing a whole festival season. So I'm

892
00:45:50,640 --> 00:45:53,040
Speaker 1: playing a whole bunch of festivals that I've never played before,

893
00:45:53,120 --> 00:45:56,759
Speaker 1: like Stagecoach and Watershed and yeah, I don't know what

894
00:45:56,880 --> 00:46:00,879
Speaker 1: other ones I'm supposed to announce, but see to see you, guys,

895
00:46:00,920 --> 00:46:03,000
Speaker 1: go to Madeline Edwards music dot com to see all

896
00:46:03,000 --> 00:46:06,799
Speaker 1: the dates, or go go to our socials. M will

897
00:46:06,840 --> 00:46:08,919
Speaker 1: you play another one of your songs? Of course? Which

898
00:46:08,960 --> 00:46:10,600
Speaker 1: one would you like to play? I would love to

899
00:46:10,600 --> 00:46:13,560
Speaker 1: play hold my Horses? Okay, So you guys follow making

900
00:46:13,600 --> 00:46:17,160
Speaker 1: Madeleine on Instagram on all Over she's doing the Million

901
00:46:17,200 --> 00:46:20,200
Speaker 1: Dollars Show. I'm just a big fan. And her album

902
00:46:20,320 --> 00:46:24,000
Speaker 1: came out into last year right November. Um it's called

903
00:46:24,040 --> 00:46:27,400
Speaker 1: crash Landed and here is hold my Horses from Madeline Edwards.

904
00:46:29,560 --> 00:46:32,239
Speaker 1: Can I cheer now? Can I cheer now? I don't

905
00:46:32,280 --> 00:46:36,480
Speaker 1: know when to cheer? Can I cheer now? Yeah? I

906
00:46:36,520 --> 00:46:38,120
Speaker 1: don't know. I don't know. I don't know what You're

907
00:46:38,120 --> 00:46:39,880
Speaker 1: gonna go back and do it. I'm like, I don't know.

908
00:46:40,160 --> 00:46:43,400
Speaker 1: I want to cheer the hold. So I'm like, Madlen,

909
00:46:43,480 --> 00:46:46,480
Speaker 1: you're awesome. I hope everybody that's listening to this and

910
00:46:46,520 --> 00:46:48,440
Speaker 1: maybe they're exposed to you for the first time. I

911
00:46:48,480 --> 00:46:51,080
Speaker 1: hope they check out crash Landed. We've played so many

912
00:46:51,120 --> 00:46:53,440
Speaker 1: of your songs on the Women of Our Country and

913
00:46:53,680 --> 00:46:57,200
Speaker 1: on the Countdown, so we're just big fans. Eddie and

914
00:46:57,200 --> 00:46:58,640
Speaker 1: I are super excited you're gonna play with us as

915
00:46:58,680 --> 00:47:02,399
Speaker 1: the Million Dollars Show. So excited and it's just it's

916
00:47:02,440 --> 00:47:04,719
Speaker 1: just beginning for you. It's crazy. Thank you. You know.

917
00:47:04,800 --> 00:47:08,319
Speaker 1: I'm a fan. I was told by somebody and said, hey,

918
00:47:08,320 --> 00:47:11,480
Speaker 1: you should get to know Madeleine and they were like, man,

919
00:47:11,920 --> 00:47:14,440
Speaker 1: she's be careful. She's like you, and I was like,

920
00:47:14,440 --> 00:47:15,560
Speaker 1: what does that mean? And then I met her. I

921
00:47:15,560 --> 00:47:18,000
Speaker 1: was like, oh, I get it. We're saying the same

922
00:47:18,040 --> 00:47:21,080
Speaker 1: thing about Bobby too. They were like, they were like,

923
00:47:21,080 --> 00:47:23,040
Speaker 1: she'll come at you, She'll come out, And I think

924
00:47:23,080 --> 00:47:24,920
Speaker 1: that's why we get along. I think that's why too.

925
00:47:25,160 --> 00:47:28,799
Speaker 1: At making Madeline. It's Madeline Edwards, Madeleine. We'll see us soon.

926
00:47:28,840 --> 00:47:34,760
Speaker 1: There she is everybody, let's cloud. It's the best bits

927
00:47:34,760 --> 00:47:39,080
Speaker 1: of the week with Morgan. Number two, Amy shared a

928
00:47:39,160 --> 00:47:41,959
Speaker 1: pro tip after she had a moment in the grocery store.

929
00:47:42,000 --> 00:47:44,760
Speaker 1: The sour cream spell to win everywhere and she cried,

930
00:47:45,040 --> 00:47:47,239
Speaker 1: so she gave us the story of why that all

931
00:47:47,320 --> 00:47:50,520
Speaker 1: happened and why you need to be aware of what's

932
00:47:50,520 --> 00:47:54,000
Speaker 1: going on, especially when it comes to your feelings. Number three,

933
00:47:54,280 --> 00:47:56,960
Speaker 1: what happened? Well, I just have a reminder for people,

934
00:47:57,000 --> 00:47:59,719
Speaker 1: if you're overwhelmed by something or got something going on,

935
00:48:00,040 --> 00:48:02,640
Speaker 1: don't stuff it down because if you do, you might

936
00:48:02,719 --> 00:48:05,440
Speaker 1: end up crying on the dairy aisle at the grocery store.

937
00:48:05,840 --> 00:48:09,680
Speaker 1: That sounds very specific because that's what happened to me. Okay,

938
00:48:10,080 --> 00:48:14,400
Speaker 1: but at the stage, what when was this yesterday? That

939
00:48:15,600 --> 00:48:18,120
Speaker 1: the grocery store getting a few things. You're already an

940
00:48:18,200 --> 00:48:22,160
Speaker 1: emotional Do you know you're emotional? No? I think it's

941
00:48:22,680 --> 00:48:25,839
Speaker 1: we're getting close to that time. But so I know

942
00:48:26,080 --> 00:48:28,600
Speaker 1: that maybe I get to blame it on that if

943
00:48:28,640 --> 00:48:30,880
Speaker 1: I start. That's always a girl's hope. It's like when

944
00:48:30,880 --> 00:48:33,120
Speaker 1: you're acting crazy and then you start the next day,

945
00:48:33,120 --> 00:48:37,239
Speaker 1: you're like, whoop, not crazy. Okay, You're like in retrospect, yes, yes,

946
00:48:37,600 --> 00:48:40,799
Speaker 1: it's like affirmation that you're not crazy. So I feel

947
00:48:40,800 --> 00:48:43,200
Speaker 1: like that ties into this as well. But I was

948
00:48:43,239 --> 00:48:47,200
Speaker 1: getting sour cream and I dropped it and it didn't

949
00:48:47,239 --> 00:48:50,280
Speaker 1: just it's splattered everywhere, like it popped, the lit off popped,

950
00:48:50,320 --> 00:48:53,080
Speaker 1: the thing popped, and so then I had to go

951
00:48:53,120 --> 00:48:55,640
Speaker 1: get someone to clean it up or help, and it

952
00:48:55,719 --> 00:48:58,160
Speaker 1: just was this whole thing and it just overwhelmed me

953
00:48:58,520 --> 00:49:01,479
Speaker 1: and I just started crying. But I know it wasn't

954
00:49:01,480 --> 00:49:04,480
Speaker 1: over the sour cream. I went. Once I got home

955
00:49:04,520 --> 00:49:06,400
Speaker 1: and I really thought about it, I was like, Okay,

956
00:49:06,840 --> 00:49:08,520
Speaker 1: I know what this really is and I'm going to

957
00:49:08,600 --> 00:49:11,759
Speaker 1: work through it. But also if I started soon, I'll

958
00:49:11,840 --> 00:49:14,959
Speaker 1: know that's what it was too. In retrospect. Yeah, yeah,

959
00:49:14,680 --> 00:49:20,640
Speaker 1: So okay, Well, humor my questions here, did you cry

960
00:49:20,760 --> 00:49:23,040
Speaker 1: as soon as the sour cream popped, or as you

961
00:49:23,040 --> 00:49:24,960
Speaker 1: were going to get somebody, or as they were cleaning

962
00:49:25,040 --> 00:49:27,160
Speaker 1: or what? When did it hit you emotionally? And I

963
00:49:27,200 --> 00:49:28,840
Speaker 1: had to go get somebody And they came and we

964
00:49:28,920 --> 00:49:30,759
Speaker 1: were cleaning it up, so as you were cleaning it

965
00:49:30,760 --> 00:49:33,560
Speaker 1: with them, but they didn't I don't did they know

966
00:49:33,600 --> 00:49:35,960
Speaker 1: you were? Was it a guy as a guy? Yeah?

967
00:49:36,239 --> 00:49:37,880
Speaker 1: He was like, what is going on? No, it's like

968
00:49:37,880 --> 00:49:41,120
Speaker 1: a teenager. He was like, what is it going on? Sure?

969
00:49:41,400 --> 00:49:44,680
Speaker 1: And what version of a cry was it? It wasn't bad.

970
00:49:44,960 --> 00:49:47,200
Speaker 1: It wasn't bad. Couldn't you? Could the kid tell you

971
00:49:47,200 --> 00:49:50,479
Speaker 1: were crying? I don't think so, I hope not. But

972
00:49:50,719 --> 00:49:52,640
Speaker 1: did you buy the groceries when you left you already had?

973
00:49:52,680 --> 00:49:53,920
Speaker 1: Or did you get some sour cream? Or did you

974
00:49:53,920 --> 00:49:56,040
Speaker 1: just run out of there? No? I paid for my

975
00:49:56,080 --> 00:49:58,320
Speaker 1: groceries when I got to my car, Like, I definitely

976
00:49:58,360 --> 00:50:00,359
Speaker 1: got it out a little bit more. And like I said,

977
00:50:00,360 --> 00:50:03,120
Speaker 1: when I got home, I processed. I try. I trying

978
00:50:03,160 --> 00:50:05,600
Speaker 1: to really pay attention to stuff and be in tune

979
00:50:05,600 --> 00:50:09,120
Speaker 1: with what's happening. And I'm like, oh, this is something

980
00:50:09,239 --> 00:50:11,799
Speaker 1: I've not I didn't realize how overwhelmed I was by

981
00:50:11,840 --> 00:50:15,560
Speaker 1: this situation. And now I'm gonna breathe through it a

982
00:50:15,600 --> 00:50:18,959
Speaker 1: little bit maybe journal and then see what happens. Sound

983
00:50:19,040 --> 00:50:21,520
Speaker 1: cream does pop like when the thing hits Oh yeah,

984
00:50:21,680 --> 00:50:24,520
Speaker 1: yeah yeah everywhere. Yeah. So I'm gonna cry just because

985
00:50:24,560 --> 00:50:26,239
Speaker 1: of that or just run out of there. So I

986
00:50:26,280 --> 00:50:28,440
Speaker 1: do commend you for and then thanks for sharing thy

987
00:50:28,520 --> 00:50:31,400
Speaker 1: thanks for being vulnerable. This is a safe space sometimes

988
00:50:31,800 --> 00:50:33,680
Speaker 1: sometimes hardly. Ever, I'll be honest with you, it never

989
00:50:33,760 --> 00:50:35,880
Speaker 1: feels that safe. It never What do we learn from

990
00:50:35,920 --> 00:50:37,440
Speaker 1: this though? What are you saying to our audience? It

991
00:50:37,880 --> 00:50:41,839
Speaker 1: doesn't serve us to stuff anything down or to nom

992
00:50:41,920 --> 00:50:45,160
Speaker 1: out in any way, because it's just gonna come. It's

993
00:50:45,160 --> 00:50:48,439
Speaker 1: gonna come up. You never know when, but it's gonna

994
00:50:48,520 --> 00:50:50,600
Speaker 1: pop up. So do yourself a favor, you know what,

995
00:50:50,600 --> 00:50:52,279
Speaker 1: I'll you'll be in when it does happen. Yeah, and

996
00:50:52,360 --> 00:50:54,279
Speaker 1: try to work through it as best as you can.

997
00:50:54,440 --> 00:50:55,960
Speaker 1: You know, some little stone or fifteen year old went

998
00:50:56,000 --> 00:51:00,960
Speaker 1: to his friends like this whole lady fifteen or sixteen

999
00:51:01,000 --> 00:51:03,279
Speaker 1: year old. I don't think so. Twenty five year old

1000
00:51:03,320 --> 00:51:06,080
Speaker 1: was an old lady to a fifteen or sixteen year sorry, Amy, Yeah,

1001
00:51:06,239 --> 00:51:07,440
Speaker 1: you know he went back to it. He's like, you

1002
00:51:07,480 --> 00:51:11,600
Speaker 1: guys are gonna believe this. It's the best bits of

1003
00:51:11,600 --> 00:51:17,960
Speaker 1: the Week with Morgan. Number two Scuba Steve has caused

1004
00:51:18,040 --> 00:51:20,600
Speaker 1: a lot of controversy on our social media pages with

1005
00:51:20,680 --> 00:51:22,839
Speaker 1: this one. And he has mentioned before that he doesn't

1006
00:51:22,880 --> 00:51:24,200
Speaker 1: want to get up a sect to me, but his

1007
00:51:24,239 --> 00:51:27,000
Speaker 1: wife really wants him to right now, and this subject

1008
00:51:27,160 --> 00:51:29,839
Speaker 1: got brought up again, and I quote Scuba Steve tells

1009
00:51:29,920 --> 00:51:32,120
Speaker 1: us in this bit coming up that he would rather

1010
00:51:32,160 --> 00:51:34,360
Speaker 1: have more kids than get one. He's just not about it,

1011
00:51:34,480 --> 00:51:36,480
Speaker 1: not having it. But I'm gonna let you hear from

1012
00:51:36,520 --> 00:51:38,840
Speaker 1: the man himself why he doesn't want to go on

1013
00:51:39,000 --> 00:51:41,080
Speaker 1: and what's kind of happening in his house right now.

1014
00:51:41,640 --> 00:51:45,000
Speaker 1: Number two s twics talking about having open throat surgery.

1015
00:51:45,680 --> 00:51:49,080
Speaker 1: She had Lyme disease and when she's been in this studio.

1016
00:51:49,120 --> 00:51:53,240
Speaker 1: The last time she was in studio, she struggled talking

1017
00:51:53,360 --> 00:51:55,800
Speaker 1: because of her lyme disease. Like she talked for a

1018
00:51:55,840 --> 00:51:58,560
Speaker 1: little bit, but it was but again she had this

1019
00:51:58,719 --> 00:52:01,360
Speaker 1: throat surgery. Now she's again, which is amazing to see.

1020
00:52:01,640 --> 00:52:05,600
Speaker 1: When I saw her at the Grammys, she was just

1021
00:52:05,640 --> 00:52:07,719
Speaker 1: like full health. It seemed full health at least with

1022
00:52:07,719 --> 00:52:09,640
Speaker 1: her voice and so and I don't think she would

1023
00:52:09,680 --> 00:52:11,560
Speaker 1: have put out a record and had done all this

1024
00:52:11,640 --> 00:52:13,880
Speaker 1: press if she wasn't feeling a lot better. But she

1025
00:52:13,960 --> 00:52:17,000
Speaker 1: had this surgery and they said, hey, look you may

1026
00:52:17,040 --> 00:52:20,560
Speaker 1: never sing again. Oh we got this procedure and you

1027
00:52:20,640 --> 00:52:23,400
Speaker 1: got to be awake while we do it, which is crazy.

1028
00:52:23,719 --> 00:52:26,000
Speaker 1: So she said, quote, you have to be awake. She said,

1029
00:52:26,000 --> 00:52:29,160
Speaker 1: I was more afraid of never singing again than getting

1030
00:52:29,160 --> 00:52:31,280
Speaker 1: through the operation. The reason you have to be awake

1031
00:52:31,320 --> 00:52:34,200
Speaker 1: for the operation is that you have to sing during

1032
00:52:34,239 --> 00:52:37,400
Speaker 1: it so they know exactly what to do. WHOA. She

1033
00:52:37,520 --> 00:52:41,480
Speaker 1: described the experience as depressing and devastating, and then also

1034
00:52:41,719 --> 00:52:43,520
Speaker 1: having a ton of gratitude for being able to sing

1035
00:52:43,560 --> 00:52:46,279
Speaker 1: and speak again. She released a new album, Queen of Me,

1036
00:52:46,400 --> 00:52:48,600
Speaker 1: which is Our First sense the surgery, calling it her

1037
00:52:48,600 --> 00:52:52,239
Speaker 1: celebration album. That's from Yahoo to be awake during a surgery.

1038
00:52:52,400 --> 00:52:55,520
Speaker 1: Hopefully they got you numbed up good. Yeah, but your throat.

1039
00:52:55,640 --> 00:52:56,920
Speaker 1: Then you wake up once in all of it, like

1040
00:52:56,960 --> 00:52:59,040
Speaker 1: a colin oscary or something. Yeah, you woke up. You

1041
00:52:59,040 --> 00:53:01,279
Speaker 1: weren't supposed to. Yeah, my eyes open and I could

1042
00:53:01,320 --> 00:53:04,520
Speaker 1: see my insides on the screen because the camera's up there,

1043
00:53:05,040 --> 00:53:10,520
Speaker 1: and I heard them talking and it was creepy. Yeah,

1044
00:53:10,680 --> 00:53:12,799
Speaker 1: but I mean that one wake up during that one.

1045
00:53:13,040 --> 00:53:17,760
Speaker 1: That's a light sedation. Scuba has been thinking about having

1046
00:53:17,800 --> 00:53:21,800
Speaker 1: a vasectomy. Scuba, Steve, we've talked about this sad music, please,

1047
00:53:21,920 --> 00:53:26,439
Speaker 1: and you're not right now going to get one. No,

1048
00:53:26,480 --> 00:53:28,640
Speaker 1: I'm not. I'm still nervous even just even thinking about.

1049
00:53:28,800 --> 00:53:30,799
Speaker 1: But so many guys have had this, no issue. It's

1050
00:53:30,800 --> 00:53:34,399
Speaker 1: a perfect time March madness, that weekend pop pop goes

1051
00:53:34,400 --> 00:53:35,799
Speaker 1: the weasel, and you can say I'm watch games all

1052
00:53:35,840 --> 00:53:37,319
Speaker 1: the time. I thought about that, like just to do

1053
00:53:37,400 --> 00:53:40,120
Speaker 1: the absolute quintessential thing, to stay home and watch college basketball.

1054
00:53:40,120 --> 00:53:42,399
Speaker 1: But I'm still very nervous to do it. And why

1055
00:53:42,440 --> 00:53:44,560
Speaker 1: don't you want to do it? It has nothing to

1056
00:53:44,600 --> 00:53:49,879
Speaker 1: do with the masculinity thing that lunchbox doesn't. It has

1057
00:53:49,920 --> 00:53:52,880
Speaker 1: to do with the pain in that region. I'm not

1058
00:53:52,960 --> 00:53:55,200
Speaker 1: up for it. And then now knowing that I found

1059
00:53:55,200 --> 00:53:58,239
Speaker 1: out that you have to be awake for it, like

1060
00:53:58,400 --> 00:54:01,600
Speaker 1: count me out. They can't give you some light sedation,

1061
00:54:01,719 --> 00:54:03,440
Speaker 1: and obviously if they cut any part of you, it's

1062
00:54:03,440 --> 00:54:05,240
Speaker 1: going to be sore. But I don't think it's that bad.

1063
00:54:06,080 --> 00:54:10,200
Speaker 1: Have you done it every Wednesday? It isn't like a

1064
00:54:10,200 --> 00:54:12,000
Speaker 1: catheter involved, which I've never had, and I don't want

1065
00:54:12,000 --> 00:54:15,359
Speaker 1: to do that either. There's so many dudes I've gotten

1066
00:54:15,400 --> 00:54:18,160
Speaker 1: this done. Yeah, I think if it were something you

1067
00:54:18,160 --> 00:54:20,040
Speaker 1: really wanted to do, you should do it. But you

1068
00:54:20,040 --> 00:54:21,719
Speaker 1: don't really want to do it. And I think it's

1069
00:54:21,719 --> 00:54:24,719
Speaker 1: the masculinity part. It's even though you're saying it's not,

1070
00:54:25,239 --> 00:54:27,439
Speaker 1: my feeling is that's what it is. Yeah, why would

1071
00:54:27,440 --> 00:54:28,840
Speaker 1: you get a sect? Me? Why don't you have your

1072
00:54:28,880 --> 00:54:32,000
Speaker 1: wife get or tubes tied much more invasive? Yes, exactly,

1073
00:54:32,160 --> 00:54:34,400
Speaker 1: this can be fixed super quick. He's complaining he used

1074
00:54:34,400 --> 00:54:37,360
Speaker 1: to get a catheter. A catheter seems amazing to me.

1075
00:54:39,480 --> 00:54:41,680
Speaker 1: I'm on team not scuba, but it does not seem amazing.

1076
00:54:42,000 --> 00:54:44,280
Speaker 1: I'm saying that you get to go to the bathroom

1077
00:54:44,320 --> 00:54:46,799
Speaker 1: and it's just taken care of. Well, that's why we're

1078
00:54:46,840 --> 00:54:50,080
Speaker 1: a diaper. So does she want you to have a sectiment?

1079
00:54:50,120 --> 00:54:52,480
Speaker 1: Your wife? She's pushing forward mostly because she doesn't one

1080
00:54:52,520 --> 00:54:55,360
Speaker 1: a fourth child, and so I respect that because obviously

1081
00:54:55,360 --> 00:54:56,480
Speaker 1: she has to do all the work to have the

1082
00:54:56,560 --> 00:54:59,160
Speaker 1: child and everything. But I would like to do things

1083
00:54:59,160 --> 00:55:03,000
Speaker 1: that were she she takes earth control or calendar method

1084
00:55:03,040 --> 00:55:05,120
Speaker 1: like we used to do, but I don't. I just

1085
00:55:05,160 --> 00:55:06,960
Speaker 1: can't go with the calendar method. I'll full load house

1086
00:55:06,960 --> 00:55:12,160
Speaker 1: in the prairie. Huhar is full proof. I'll get you.

1087
00:55:13,040 --> 00:55:14,960
Speaker 1: I mean it worked for us the first three times.

1088
00:55:15,200 --> 00:55:17,000
Speaker 1: What would she have to do to make that happen?

1089
00:55:17,800 --> 00:55:20,040
Speaker 1: I don't I don't know. I mean, I don't even

1090
00:55:20,040 --> 00:55:21,640
Speaker 1: know what it would be. There's nothing on the table

1091
00:55:21,640 --> 00:55:23,680
Speaker 1: that would make me want to do it. So you're

1092
00:55:23,680 --> 00:55:25,840
Speaker 1: out out. I'm out out. Anything I think about it,

1093
00:55:25,840 --> 00:55:27,360
Speaker 1: I want to throw up. Would you rather get a

1094
00:55:27,400 --> 00:55:28,920
Speaker 1: pesseecond me or have another kid? If those aren't like you,

1095
00:55:29,239 --> 00:55:32,680
Speaker 1: I'd have ten more kids in a vasect to me, Okay, then, okay,

1096
00:55:32,719 --> 00:55:35,280
Speaker 1: this is the thing. He doesn't have to carry the baby,

1097
00:55:35,480 --> 00:55:39,120
Speaker 1: deliver the baby, breastfeed the baby, all that stuff is awesome.

1098
00:55:39,120 --> 00:55:40,880
Speaker 1: But if she doesn't want anymore, she doesn't want anymore

1099
00:55:40,880 --> 00:55:42,600
Speaker 1: and you want ten and you can fix it. I'm

1100
00:55:42,600 --> 00:55:44,440
Speaker 1: saying I'd rather have ten than the besect to me, Yeah,

1101
00:55:44,440 --> 00:55:46,799
Speaker 1: but you can fix it. Okay, you're not talking sense

1102
00:55:46,840 --> 00:55:49,080
Speaker 1: into you. You're not going to Now what if we

1103
00:55:49,080 --> 00:55:50,800
Speaker 1: spin the wheel? You could spend all the wheels in

1104
00:55:50,800 --> 00:55:52,520
Speaker 1: the world, put a million dollars on it. I still

1105
00:55:52,560 --> 00:55:54,759
Speaker 1: don't want to do but there's like all kinds of cash,

1106
00:55:54,800 --> 00:55:58,800
Speaker 1: but there's a pair of scissors on what I'm not

1107
00:55:58,840 --> 00:56:02,480
Speaker 1: done to try it out. It's the Best Bits of

1108
00:56:02,520 --> 00:56:07,360
Speaker 1: the Week with Morgan. Number two, our phone screener, Abby

1109
00:56:07,520 --> 00:56:10,680
Speaker 1: sang her biggest national anthem yet. She's saying at the

1110
00:56:10,680 --> 00:56:14,120
Speaker 1: Predators game and most of the show showed up to

1111
00:56:14,160 --> 00:56:17,040
Speaker 1: see it all happen. But this all came about because

1112
00:56:17,120 --> 00:56:21,480
Speaker 1: of our show Christmas. Raymundo had gifted her this whole

1113
00:56:21,520 --> 00:56:24,120
Speaker 1: present with the help of their mascot Nash. She showed

1114
00:56:24,200 --> 00:56:26,320
Speaker 1: up with the jersey asked if she would sing the

1115
00:56:26,400 --> 00:56:29,400
Speaker 1: national anthem. It was a really cool gift from Raymundo

1116
00:56:29,480 --> 00:56:33,000
Speaker 1: that finally happened just this week, and she killed it.

1117
00:56:33,000 --> 00:56:35,799
Speaker 1: She totally crushed it. The national anthem was amazing and

1118
00:56:35,880 --> 00:56:38,080
Speaker 1: of course we talked about that when she came on

1119
00:56:38,239 --> 00:56:40,760
Speaker 1: this week for the Best Bits Part one, I asked

1120
00:56:40,760 --> 00:56:42,719
Speaker 1: her what happened? Has she gotten any phone calls from

1121
00:56:42,719 --> 00:56:45,480
Speaker 1: any professionals since then? Has she gotten more calls to

1122
00:56:45,520 --> 00:56:48,279
Speaker 1: do more national anthems? I needed the full update and

1123
00:56:48,480 --> 00:56:51,040
Speaker 1: how she'd been feeling post doing this, because, like I said,

1124
00:56:51,360 --> 00:56:53,560
Speaker 1: she crushed it and you're about to hear right now

1125
00:56:53,680 --> 00:56:55,440
Speaker 1: the whole audio from it, and you can tell us

1126
00:56:55,480 --> 00:56:58,640
Speaker 1: how you feel. Just make sure, like Abby and I

1127
00:56:58,680 --> 00:57:03,000
Speaker 1: mentioned on the other part of this podcast, constructive criticism,

1128
00:57:03,000 --> 00:57:04,680
Speaker 1: if you're going to be mean, okay, let's just not

1129
00:57:04,719 --> 00:57:06,839
Speaker 1: totally troll and be vile to people. All right, Let's

1130
00:57:06,840 --> 00:57:09,120
Speaker 1: just you know, a little constructive goes a long way.

1131
00:57:09,680 --> 00:57:12,720
Speaker 1: Number One. Big night for Abby, who answers the phones

1132
00:57:12,840 --> 00:57:15,200
Speaker 1: during the show, also produces a bunch of stuff before

1133
00:57:15,239 --> 00:57:18,320
Speaker 1: and after the show. Abby moved to Nashville to sing.

1134
00:57:18,560 --> 00:57:20,600
Speaker 1: It didn't quite work out for her. She works in

1135
00:57:20,680 --> 00:57:27,000
Speaker 1: media now, but I love that for fun semi professional reasons,

1136
00:57:27,040 --> 00:57:30,400
Speaker 1: she still goes after her dream. And last night, in

1137
00:57:30,440 --> 00:57:32,960
Speaker 1: front of what twenty thousand people at the NHL game

1138
00:57:33,000 --> 00:57:36,360
Speaker 1: the Nashville Predators hockey she was told she could sing

1139
00:57:36,400 --> 00:57:38,880
Speaker 1: the national anthem. Abby, tell me about what it was

1140
00:57:38,920 --> 00:57:41,600
Speaker 1: like when you just drove there. Were you so nervous

1141
00:57:41,680 --> 00:57:45,200
Speaker 1: driving your car into the arena? Yes? I was. Were

1142
00:57:45,200 --> 00:57:48,080
Speaker 1: you excited at all or just all nerves? I was

1143
00:57:48,120 --> 00:57:51,280
Speaker 1: excited at that point. I was like, when I get nervous,

1144
00:57:51,320 --> 00:57:53,040
Speaker 1: I psych myself out. So I was like, you can't

1145
00:57:53,080 --> 00:57:55,480
Speaker 1: get nervous, just like you know what you're doing, You've

1146
00:57:55,480 --> 00:57:58,080
Speaker 1: been practicing it, so just go for it. So you

1147
00:57:58,160 --> 00:58:01,080
Speaker 1: get there and where do they take you? So we

1148
00:58:01,640 --> 00:58:04,760
Speaker 1: Morgan met with us, the contact and I, and then

1149
00:58:04,760 --> 00:58:07,880
Speaker 1: we walked down to by It's called the Lexus Lounge,

1150
00:58:07,880 --> 00:58:10,120
Speaker 1: which is like a really nice, you know, all inclusive

1151
00:58:10,120 --> 00:58:12,360
Speaker 1: bar that everybody's at, but it's right by the doors

1152
00:58:12,440 --> 00:58:15,480
Speaker 1: to where the players come out. And so how long

1153
00:58:15,520 --> 00:58:17,360
Speaker 1: do you sit there and get yourself psyched out? Oh?

1154
00:58:17,400 --> 00:58:19,520
Speaker 1: That was forever. It was like twenty five minutes. It

1155
00:58:19,600 --> 00:58:22,440
Speaker 1: seemed like an eternity. They gave you a jersey. Yeah,

1156
00:58:22,520 --> 00:58:24,800
Speaker 1: they gave me the jersey, the one that they brought

1157
00:58:24,840 --> 00:58:27,880
Speaker 1: in it's the Christmas show. So I wore that or

1158
00:58:27,920 --> 00:58:30,480
Speaker 1: the gifted change, so I wore that. They gave me

1159
00:58:30,520 --> 00:58:32,360
Speaker 1: in ears to put, you know, in my ears, and

1160
00:58:32,400 --> 00:58:35,160
Speaker 1: they were super staticky the whole time, like they were

1161
00:58:35,200 --> 00:58:37,880
Speaker 1: super windy, and I was like, oh my gosh, what

1162
00:58:38,000 --> 00:58:39,360
Speaker 1: is going to happen? Did you pull them out in

1163
00:58:39,360 --> 00:58:41,040
Speaker 1: the middle of performance or you just hang with them? No?

1164
00:58:41,200 --> 00:58:44,880
Speaker 1: I put them at full blast because I had heard that,

1165
00:58:45,000 --> 00:58:46,920
Speaker 1: you know, the echo and the stadium, and then I

1166
00:58:46,920 --> 00:58:49,440
Speaker 1: didn't want people yelling and like distracting me because they

1167
00:58:49,480 --> 00:58:51,360
Speaker 1: don't yell to pres agains at the beginning national anthem.

1168
00:58:51,400 --> 00:58:54,480
Speaker 1: It's like a chance. Yes, so they say, okay, Abbey,

1169
00:58:54,480 --> 00:58:57,080
Speaker 1: it's time to go. Is your heart just it? It

1170
00:58:57,200 --> 00:58:59,760
Speaker 1: actually wasn't. It was so weird, how like calm I

1171
00:59:00,320 --> 00:59:02,680
Speaker 1: It was crazy. You walk out on the ice, but

1172
00:59:02,720 --> 00:59:04,760
Speaker 1: there's a carpet on the ice, right so you don't fall.

1173
00:59:05,520 --> 00:59:07,680
Speaker 1: They can't go ahead? Oh no. They told me I

1174
00:59:07,720 --> 00:59:09,520
Speaker 1: was gonna walk out like halfway through the ice and

1175
00:59:09,560 --> 00:59:11,040
Speaker 1: it was just like a small mat right there, so

1176
00:59:11,040 --> 00:59:12,400
Speaker 1: I didn't have to walk very far because then I

1177
00:59:12,440 --> 00:59:15,600
Speaker 1: got nervous I was going to fall. They hand you

1178
00:59:15,680 --> 00:59:18,280
Speaker 1: the microphone. Do you do any sort of like h

1179
00:59:19,200 --> 00:59:21,080
Speaker 1: just to see if you're on? See that's what. No,

1180
00:59:21,200 --> 00:59:23,080
Speaker 1: you can't. You can't do that because they'll hear it,

1181
00:59:23,200 --> 00:59:25,120
Speaker 1: you know, And so I just trusted that it was

1182
00:59:25,160 --> 00:59:27,640
Speaker 1: going to be on. I followed the color guard out.

1183
00:59:28,040 --> 00:59:31,480
Speaker 1: They announced my name and then I started singing Is

1184
00:59:31,520 --> 00:59:33,600
Speaker 1: it at all a blur? Or were you able to

1185
00:59:33,680 --> 00:59:35,680
Speaker 1: kind of calm your heart right down and remember every

1186
00:59:35,720 --> 00:59:37,720
Speaker 1: little part of it? It's kind of a blur at

1187
00:59:37,760 --> 00:59:40,600
Speaker 1: the beginning, and like Morgan went live and I'm just

1188
00:59:40,640 --> 00:59:42,840
Speaker 1: standing there a lot of the time, like in my zone,

1189
00:59:43,640 --> 00:59:45,920
Speaker 1: but it was crazy. How do you feel like you

1190
00:59:45,960 --> 00:59:48,920
Speaker 1: did before I play it back. I feel like I

1191
00:59:48,960 --> 00:59:52,440
Speaker 1: had a significant improvement from when I recorded it a

1192
00:59:52,480 --> 00:59:54,840
Speaker 1: while back, so I feel like I did good and

1193
00:59:54,880 --> 00:59:58,040
Speaker 1: there was good feedback, so I think it was good.

1194
00:59:58,080 --> 01:00:00,560
Speaker 1: Did you remember all the words? I did, no problem

1195
01:00:00,560 --> 01:00:02,400
Speaker 1: with the words, because even if you know all the

1196
01:00:02,440 --> 01:00:04,640
Speaker 1: words by the back of your hand, as soon as

1197
01:00:04,760 --> 01:00:09,960
Speaker 1: something isn't exactly normal, you're kind of out of your

1198
01:00:09,960 --> 01:00:12,440
Speaker 1: normal elements, so then everything starts to feel weird. I

1199
01:00:12,440 --> 01:00:14,680
Speaker 1: can understand somebody forgetting the words even if they've sang

1200
01:00:14,760 --> 01:00:17,960
Speaker 1: in a million times, because you're just not comfortable because

1201
01:00:18,040 --> 01:00:20,600
Speaker 1: you're nervous. People are looking at you, you're thinking about

1202
01:00:21,080 --> 01:00:23,600
Speaker 1: So you got all the words regardless of what I

1203
01:00:23,640 --> 01:00:25,720
Speaker 1: hear here. I want to say two things. One great

1204
01:00:25,760 --> 01:00:28,680
Speaker 1: job I'm getting the words right, and two just showing

1205
01:00:28,800 --> 01:00:32,360
Speaker 1: up and doing it. And the camera was very close

1206
01:00:32,400 --> 01:00:34,720
Speaker 1: to me and all of the players were facing me

1207
01:00:35,640 --> 01:00:39,000
Speaker 1: and they're very good looking, then we can I didn't

1208
01:00:39,040 --> 01:00:41,360
Speaker 1: look at I didn't look at that. I was focused.

1209
01:00:41,440 --> 01:00:43,760
Speaker 1: Here's Abby last night in front of twenty thousand people.

1210
01:00:44,520 --> 01:00:46,120
Speaker 1: I'm a little nervous. I haven't heard this yet. I'm

1211
01:00:46,120 --> 01:00:52,480
Speaker 1: a little nervous. Nervous too. Here's Abbe singing the national anthem?

1212
01:00:56,040 --> 01:01:09,920
Speaker 1: Were the singing osake? Can you see by the dawnslyling?

1213
01:01:11,440 --> 01:01:19,640
Speaker 1: What's so proudly? He had the two wine lights, last

1214
01:01:19,840 --> 01:01:32,000
Speaker 1: gleaming whose frostcribed sabern stars through the pair find for

1215
01:01:32,400 --> 01:01:43,160
Speaker 1: the reparts we watched were so gallingly streaming hand the

1216
01:01:43,400 --> 01:01:55,120
Speaker 1: rock cans wagon, the man's burstinging gay pool through the

1217
01:01:55,960 --> 01:02:03,640
Speaker 1: night and then a flag wat you them? Oh say

1218
01:02:04,160 --> 01:02:22,280
Speaker 1: does that startspingled mania? Oh? The limb bro and the

1219
01:02:26,560 --> 01:02:35,360
Speaker 1: broad That was awesome. I was gonna be like Nick

1220
01:02:35,400 --> 01:02:39,600
Speaker 1: Sirianni started crying right here on came Wow, thank you.

1221
01:02:39,760 --> 01:02:41,240
Speaker 1: I mean, that's the best I've ever heard you saying,

1222
01:02:41,280 --> 01:02:44,760
Speaker 1: aside from it being the national anthem and what an honor,

1223
01:02:45,120 --> 01:02:47,959
Speaker 1: that's the best I've ever heard you sing, really ever

1224
01:02:48,120 --> 01:02:51,480
Speaker 1: in the your biggest ever that's not a show, but

1225
01:02:51,520 --> 01:02:54,720
Speaker 1: your biggest ever audience, the most pressure. I mean, you've

1226
01:02:54,920 --> 01:02:56,040
Speaker 1: come out and saying with Eddie and I are the

1227
01:02:56,080 --> 01:02:58,000
Speaker 1: raging idiots. But what are there three thousand people there

1228
01:02:58,320 --> 01:03:01,560
Speaker 1: and you're doing heads Carolina, You're doing karaoke on this show,

1229
01:03:01,600 --> 01:03:03,240
Speaker 1: and we're doing a bit that's the best I've ever

1230
01:03:03,240 --> 01:03:05,280
Speaker 1: heard you saying, oh, thank you. I'm not gonna lie.

1231
01:03:05,280 --> 01:03:07,400
Speaker 1: I feel like it's more nerve wracking. In studio. For

1232
01:03:07,440 --> 01:03:10,120
Speaker 1: some reason, you were hitting some of those scary high

1233
01:03:10,240 --> 01:03:12,440
Speaker 1: runs because they always tell you start the national anthem

1234
01:03:12,480 --> 01:03:15,800
Speaker 1: low because it goes, oh say can you see and

1235
01:03:15,840 --> 01:03:17,720
Speaker 1: then by the time you're over, it's like it's way

1236
01:03:17,800 --> 01:03:21,080
Speaker 1: up here. And when you started to go and chase

1237
01:03:21,080 --> 01:03:22,600
Speaker 1: some of those high notes, I was like, oh boy,

1238
01:03:23,120 --> 01:03:30,560
Speaker 1: you nailed them. Ooh thank you, Wow. Thanks so proud

1239
01:03:30,560 --> 01:03:33,400
Speaker 1: of you. I'm like, not surprised, I'm just super proud.

1240
01:03:33,480 --> 01:03:36,200
Speaker 1: That's really cool. You have gotten so much better. And

1241
01:03:36,560 --> 01:03:40,880
Speaker 1: regardless you crush that, you crush it. Thanks shout out

1242
01:03:40,880 --> 01:03:44,360
Speaker 1: to my voice coach Tabitha. We've been working on it,

1243
01:03:45,360 --> 01:03:48,000
Speaker 1: but I want to thank everybody for the support nerbody

1244
01:03:48,000 --> 01:03:51,040
Speaker 1: being here. That is amazing. Eddie. What do you think

1245
01:03:51,040 --> 01:03:54,800
Speaker 1: about it? Man? I mean I was Shock's not the

1246
01:03:54,880 --> 01:03:57,080
Speaker 1: right word, but I just didn't know what to expect

1247
01:03:57,120 --> 01:03:59,480
Speaker 1: and when she's sang it, and especially like you said,

1248
01:03:59,520 --> 01:04:01,760
Speaker 1: those high notes, dude, I was like blown away. I

1249
01:04:02,080 --> 01:04:06,680
Speaker 1: was get a little nervous because you know, yeah, yes,

1250
01:04:07,040 --> 01:04:09,080
Speaker 1: I told her too. I was like, I know you

1251
01:04:09,080 --> 01:04:12,200
Speaker 1: were nervous because I know you, but you didn't look nervous,

1252
01:04:12,360 --> 01:04:14,840
Speaker 1: you didn't sound nervous. I thought she did an amazing job.

1253
01:04:14,960 --> 01:04:17,439
Speaker 1: I want to go talk to Randy, who is at

1254
01:04:17,440 --> 01:04:23,640
Speaker 1: the game last night. Let's go, Randy, what's going on, buddy? Hey,

1255
01:04:23,680 --> 01:04:28,720
Speaker 1: you guys morning studio morning. She did an absolutely great job.

1256
01:04:28,840 --> 01:04:31,480
Speaker 1: You guys are mailed giving her all the props. In fact,

1257
01:04:31,560 --> 01:04:33,360
Speaker 1: I think if you take that audio and she didn't

1258
01:04:33,400 --> 01:04:35,800
Speaker 1: do the NFL, she should be singing at the next

1259
01:04:35,840 --> 01:04:45,840
Speaker 1: Super Bowl. R CO sign on that one, Randy. I

1260
01:04:45,880 --> 01:04:49,959
Speaker 1: appreciate that call. Thank you for sharing that with us. Yeah,

1261
01:04:50,000 --> 01:04:54,560
Speaker 1: she did great graduations. Good job. Than Andrea is on

1262
01:04:54,600 --> 01:04:57,680
Speaker 1: the phone now as well. Take one more Andrea, good morning,

1263
01:04:58,680 --> 01:05:03,520
Speaker 1: morning studio today. Thank you. Hey. So, I was also

1264
01:05:03,600 --> 01:05:06,280
Speaker 1: at the game and just so proud of our girl Abby.

1265
01:05:06,400 --> 01:05:10,680
Speaker 1: She sounded amazing, she looked so poised. Um. I actually

1266
01:05:10,720 --> 01:05:13,880
Speaker 1: sought some video of her on the Jumbo Tron and

1267
01:05:14,280 --> 01:05:16,680
Speaker 1: posted it on the B team Facebook group and just

1268
01:05:16,760 --> 01:05:19,360
Speaker 1: all the love that the team is showing her. Just

1269
01:05:19,400 --> 01:05:22,480
Speaker 1: couldn't be more proud and excited for her. She's amazing too.

1270
01:05:22,520 --> 01:05:25,160
Speaker 1: Thank you, Andrea, I have a great job. Thank you.

1271
01:05:25,360 --> 01:05:28,120
Speaker 1: That was so cool when you hear it back. And

1272
01:05:28,160 --> 01:05:29,600
Speaker 1: when you heard that bad you heard that back yet,

1273
01:05:29,640 --> 01:05:31,680
Speaker 1: by the way, that club, No, I had not. How

1274
01:05:31,680 --> 01:05:34,560
Speaker 1: do you feel about it? I thought it sounded good.

1275
01:05:34,760 --> 01:05:38,760
Speaker 1: Oh that sounded great. Yeah, I'm yes, great better. I'm

1276
01:05:38,840 --> 01:05:41,000
Speaker 1: very critical of myself, so I thought it sounded great.

1277
01:05:42,720 --> 01:05:44,560
Speaker 1: I'm doing all right. We're gonna go ahead and jump out,

1278
01:05:45,680 --> 01:05:47,160
Speaker 1: checking up a lunch seed, make sure he's over there.

1279
01:05:47,160 --> 01:05:50,680
Speaker 1: If Michael still worked. Really, I'm not gonna yeah, we're good.

1280
01:05:50,800 --> 01:05:52,520
Speaker 1: I mean, because you're just gonna be rude for no reason.

1281
01:05:52,600 --> 01:05:54,040
Speaker 1: I'm just gonna ask if I'm the only one that

1282
01:05:54,200 --> 01:05:57,320
Speaker 1: heard it heard No, No, we're not. We're not. We're

1283
01:05:57,320 --> 01:05:59,720
Speaker 1: not taking this into any negative space. I just have one,

1284
01:06:00,240 --> 01:06:02,280
Speaker 1: no no questions. All we should do go to the

1285
01:06:02,280 --> 01:06:04,560
Speaker 1: bathroom and asking you the toilet. Yeah, let's know what

1286
01:06:04,560 --> 01:06:10,520
Speaker 1: it says, the abby great job. Yeah, goodness your cheerios,

1287
01:06:10,560 --> 01:06:16,160
Speaker 1: because this morning tastes good. I like it. Yeah, okay,

1288
01:06:18,800 --> 01:06:22,320
Speaker 1: it's the best bits of the week with Morgan number

1289
01:06:22,360 --> 01:06:25,800
Speaker 1: two and another weekend has gone. It was so much

1290
01:06:25,840 --> 01:06:28,320
Speaker 1: fun hanging out with y'all this weekend on The Best

1291
01:06:28,320 --> 01:06:30,919
Speaker 1: Bits Part one and Part two. Make sure to go

1292
01:06:31,160 --> 01:06:33,400
Speaker 1: check out the other one if you haven't listened, but

1293
01:06:33,720 --> 01:06:35,520
Speaker 1: if you just listen to the Best Bits, I'm glad

1294
01:06:35,560 --> 01:06:36,920
Speaker 1: to have you here. I hope I caught you up

1295
01:06:36,920 --> 01:06:38,160
Speaker 1: on the show this week. And if you want to

1296
01:06:38,200 --> 01:06:40,400
Speaker 1: see even more content from the Bobby Bones Show, make

1297
01:06:40,440 --> 01:06:42,000
Speaker 1: sure you go to Bobby Bones dot com for more

1298
01:06:42,000 --> 01:06:45,560
Speaker 1: of that, and of course our YouTube, Twitter, Instagram, TikTok

1299
01:06:45,680 --> 01:06:47,800
Speaker 1: all the things we got videos going up on there

1300
01:06:47,800 --> 01:06:50,080
Speaker 1: and those are all at Bobby Bones Show. And if

1301
01:06:50,080 --> 01:06:51,360
Speaker 1: you want to and you want to come hang out

1302
01:06:51,360 --> 01:06:54,120
Speaker 1: with me on social media, I am also on TikTok

1303
01:06:54,160 --> 01:06:57,120
Speaker 1: and Twitter and Instagram and Facebook and be real web

1304
01:06:57,120 --> 01:06:59,160
Speaker 1: girl Morgan. I love hanging out with y'all in there

1305
01:06:59,160 --> 01:07:01,400
Speaker 1: and answering questions and if you have any thoughts from

1306
01:07:01,400 --> 01:07:03,600
Speaker 1: ever the Best Bits, I love when you all message

1307
01:07:03,640 --> 01:07:05,800
Speaker 1: them to me and I try to respond to everybody

1308
01:07:05,840 --> 01:07:08,520
Speaker 1: in some capacity, So please come hang out with me

1309
01:07:08,560 --> 01:07:10,520
Speaker 1: on there. I love seeing you. I hope you'll have

1310
01:07:10,600 --> 01:07:14,240
Speaker 1: a fabulous weekend. I'll see you next one. Bye. This

1311
01:07:14,480 --> 01:07:15,280
Speaker 1: is a bund