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Speaker 1: No Worrian. Welcome to another episode of The New Rory

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Speaker 1: and Maul. I am Maul, I'm Demeris, and we are

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Speaker 1: back after a weekend of experiences and life and bills

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Speaker 1: and headaches and trauma and depression and brief and life.

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Speaker 1: We learned.

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Speaker 2: We learned another fun fact. So I think there's three

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Speaker 2: episodes in a row. We found out Steven Spielberg directed

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Speaker 2: Color Purple.

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Speaker 1: Mm hm.

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Speaker 2: We found out Mal is indeed Puerto Rican.

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Speaker 1: No idea Querto Rican, Querto Rican, Querto Rican.

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Speaker 2: And we found out today that Maul's godfathers Earl the Pearl.

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Speaker 2: You're just be keeping ship from us.

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Speaker 3: Brother.

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Speaker 1: You don't know that.

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Speaker 2: No, I didn't go to your christening.

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Speaker 1: No, I don't know. I feel I feel like I

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Speaker 1: told you that years ago.

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Speaker 2: Though.

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Speaker 1: I feel like we was having a conversation about basketball

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Speaker 1: something I don't know.

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Speaker 2: Well, how is James doing? James This isn't his real name,

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Speaker 2: like James Monroe.

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Speaker 1: Yo. That is we got to can we talk about

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Speaker 1: that because that's the real thing. Like Bill's being William.

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Speaker 1: It's like somebody says William, like, who the fuck are

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Speaker 1: y'all talking about?

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Speaker 4: No?

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Speaker 1: Bill, Yeah, that's fucking Bill. That's not William Man. What

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Speaker 1: do you like? Who comes up with that? But he's great.

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Speaker 1: I haven't spoken to him in a while. I said,

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Speaker 1: I gotta go see him and pull up on him.

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Speaker 1: But he's doing good though.

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Speaker 2: That's I mean, we give you so much shit for Rockefeller.

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Speaker 2: I didn't know you just had the earl the pro

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Speaker 2: card chilling you guys.

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Speaker 3: Explain who that is for our younger listeners.

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Speaker 1: Oh, one of the greatest guards of all time NBA history.

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Speaker 1: One of the greatest collegiate players. I just sound like no,

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Speaker 1: but it's true. One of the greatest collegiate players, one

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Speaker 1: of the greatest guards in the NBA Top fifty, well,

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Speaker 1: top seventy five now, but top fifty.

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Speaker 2: Player Jesus Shuttlesworth is actually named after him.

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Speaker 1: Yeah, from Maryland, b more well, from Philadelphia. But he

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Speaker 1: played for the Baltimore But like the Baltimore Bullets that

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Speaker 1: it's his way back, Damn Baltimore Bullets.

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Speaker 2: Not I'm not that old.

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Speaker 1: Yeah, no, I'm not. I mean, obviously I'm not that old.

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Speaker 1: But yeah, you're like Supersonic Sold, super Sonics.

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Speaker 2: I'm super Sonic Sold. Yeah that's me.

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Speaker 1: Yeah, I'm a super. So I'm Charlotte nember A Charlotte.

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Speaker 2: I'm like on the Wizards old that was disgusting.

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Speaker 1: Michael and the Wizards was disgusting.

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Speaker 2: He may be all starting, of course he did.

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Speaker 1: He's Michael Jordan, He's the.

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Speaker 2: Greatest player ever and then drafted.

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Speaker 1: But I'm that Wizards jersey bro, Like we was never

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Speaker 1: suppoed to see Mike in a Wizards jersey. That's just

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Speaker 1: it sold a lot. Though it's Mike. Anything is going

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Speaker 1: to sell. But it's just like though he wasn't supposed

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Speaker 1: to be a wizard a wizard, No.

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Speaker 2: He probably had some gambling debt that they just discover

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Speaker 2: up after.

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Speaker 1: Yeah, Mike, you got to play another three years and

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Speaker 1: dates off in DC.

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Speaker 2: He had some gambling debt.

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Speaker 1: Uh So, how was your weekend?

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Speaker 3: Bro?

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Speaker 1: It was cool?

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Speaker 2: I just did Uh My mom was here for the

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Speaker 2: whole weekend. We started on my guest bed, guest bedroom.

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Speaker 2: It was yeh, one of those adulting Okay.

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Speaker 1: Good, that feels good to see the progress and everything

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Speaker 1: coming together.

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Speaker 2: Yeah, I just did that. I'm target raymore flannagain. Ike.

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Speaker 2: I can't go to any more the stories, so I'm

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Speaker 2: gonna lose my fucking mind. And on a Saturday and

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Speaker 2: a Sunday. Yeah, and with middle aged Irish woman on

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Speaker 2: top of all the chaos that happens. It was just

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Speaker 2: it was a lot. It was one of those. And

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Speaker 2: then I had to carry everything.

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Speaker 1: Of course, moms just picked things out, throwing the cart

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Speaker 1: and like.

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Speaker 2: Who's carrying on and who's paying for it?

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Speaker 1: You you? Uh? Yeah. It was a chill weekend for me, man.

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Speaker 1: Uh saw some friends, saw some family, Uh, you know,

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Speaker 1: just real chill, laid back. I wanted to. I was

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Speaker 1: gonna go out of town, but I was like, you know,

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Speaker 1: let me stay home. And it wasn't necessaries getting the

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Speaker 1: crib together, things like that, do things while I got

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Speaker 1: time in New York to just you know, enjoy myself.

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Speaker 2: So I know my mother is getting older, which that's

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Speaker 2: always a weird feeling when you realize your parents are

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Speaker 2: getting older. But what really had it set in this

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Speaker 2: weekend is my mom is starting to do what like

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Speaker 2: children do, Like when we'll just drive past something, she'll

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Speaker 2: just say say it out loud, like there's no context

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Speaker 2: to like, well, just a Wendy's yeah, and she'll just

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Speaker 2: do that.

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Speaker 1: It's been there for thirty years whenever.

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Speaker 2: I'm like, oh god, she's getting old because she's just

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Speaker 2: just yelling out shit, we're passing, and I'm like.

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Speaker 1: All right, yeah, my mom is, my mom is, she's

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Speaker 1: she's been at that point for a while. Like it's

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Speaker 1: but it's it's it's funny, but it's like it's a life.

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Speaker 1: It's like now I have to take care of my mom.

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Speaker 1: This is crazy.

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Speaker 2: Yeah, it was an interesting, interesting week. And Ikea is

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Speaker 2: insane from my thirty two year old niece, because you

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Speaker 2: can't really want you're in the maze. You can't get

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Speaker 2: out like that shit is.

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Speaker 1: You have to buy something in order to get out.

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Speaker 1: That's part of it for sure. With Ikia, they don't

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Speaker 1: let you out to do and let you buy something.

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Speaker 2: And then that with my patience and the amount of

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Speaker 2: families that were in there, with children who look at

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Speaker 2: Ikia as a playground, which I get. I'm thirty two

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Speaker 2: and kind of do.

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Speaker 1: Yeah.

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Speaker 2: It just and my mother can only walk so fast.

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Speaker 2: I just I'm just happy to be with everyone today.

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Speaker 1: Your mom at that age where she she yells to

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Speaker 1: random kids be careful.

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Speaker 2: Yo, for sure, she's done that all the time.

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Speaker 1: This is not your child. Leave that kid alone, be careful. Now,

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Speaker 1: this is her Her father is fucking six five. Now,

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Speaker 1: look who I got to have a conversation with.

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Speaker 3: That was always my mother.

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Speaker 4: My mother was, hey, get up, get off of that,

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Speaker 4: get off of that, get down, sit down.

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Speaker 1: Like it takes a village, is what they say, right,

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Speaker 1: It takes a village to real.

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Speaker 4: I'm that same way too, now, Like as I grow up,

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Speaker 4: I realized, like when I see kids doing shit, think

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Speaker 4: I know business, I don't just let get down now.

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Speaker 1: Yeah, and now is where it's letting you know that

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Speaker 1: you are approaching the danger zone. And yeah, the danger

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Speaker 1: zone next is going to become physical after the now.

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Speaker 2: So my mother picked coral as the color from my

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Speaker 2: guess bedroom, right, which I'm not mad at. I think

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Speaker 2: with the gray and everything, the coral look nice. So

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Speaker 2: I'm like, yeah, mom, I'm with coral. Let's just not

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Speaker 2: go too pinkish with the coral. Yeah, because you know,

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Speaker 2: far far it's more like that light than anything. And

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Speaker 2: of course when I walk into Target, I didn't know

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Speaker 2: Target is now sponsored by the color of coral. The

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Speaker 2: entire betting department at.

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Speaker 1: Target now of course their screen palette.

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Speaker 2: So it wasn't like I could just run in and

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Speaker 2: grab the first comforter that was there. We went through

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Speaker 2: every last sheet, every last combination. I just I think

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Speaker 2: that's probably why I'm not built for marriage, because I

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Speaker 2: could never imagine having to do that every day.

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Speaker 1: Well, when you're married, I think that they automatically did that.

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Speaker 1: But once they have their name and access to the

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Speaker 1: credit card and the account, you never see women again. Shot,

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Speaker 1: that's you just see ship at the door, like what

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Speaker 1: is this? And who pay for this? Amazon just keeps

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Speaker 1: just like yo, what is this? Now? What room? Does this? That?

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Speaker 2: Amazon on retainer?

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Speaker 1: Like what is this? Ship?

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Speaker 2: But I don't sound like I'm complaining. It was a

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Speaker 2: fun bonding time with me and my mom was something together.

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Speaker 1: I loved that.

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Speaker 2: I don't want to sound like I'm cold playing. It's

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Speaker 2: just saying starting to realize shit as your parents get.

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Speaker 1: Over and you have to like you have to prepare

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Speaker 1: yourself mentally, like we have to become very patient, you

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Speaker 1: have to become very understanding, you have to become very

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Speaker 1: like you know, you have to see him engaged in

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Speaker 1: the conversations again, Mama, this is great. This color would

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Speaker 1: go great with that. I don't care let's get the

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Speaker 1: fuck out of get the shit, and let's go. But

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Speaker 1: you have to see him invested and engaged with your mom,

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Speaker 1: because again, those are the moments that you know you'll cherish.

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Speaker 2: And I love now that both my parents were always

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Speaker 2: mad when I would be on my phone. Now they're

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Speaker 2: both kind of like leaning more into technology now that

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Speaker 2: my dad has an iPad and shit, they both have iPhones. Yeah,

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Speaker 2: so all those years my mother was yelling at me

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Speaker 2: because I wasn't engaged with whatever our conversation was because

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Speaker 2: I was on my phone. I now get my get back.

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Speaker 2: So the entire time we weren't target and she would like,

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Speaker 2: look at her phone because now she does the iPhone thing.

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Speaker 2: Can you pay attention, get off your phone.

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Speaker 1: You're addicted to that thing.

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Speaker 2: Yeah, I'm taking away for three hours.

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Speaker 1: It's the font like crazy big. The text you can

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Speaker 1: read the text from over there.

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Speaker 2: Good morning is like a whole.

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Speaker 1: Fart on my mom's phone is crazy. I'm like, my

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Speaker 1: the letters don't have to be that big. Listen.

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Speaker 2: I joke with my dad. I'm like, you couldn't sat

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Speaker 2: if you want to.

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Speaker 1: That's right now. All moms go through that. That's some

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Speaker 1: funny ship.

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Speaker 4: Let's start off by saying prayers to the victims of

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Speaker 4: the Buffalo.

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Speaker 1: Yes, yes, prayers and condolences to the entire community. Yeah

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Speaker 1: up in Buffalo, all of the families affected. Our prayers

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Speaker 1: and thoughts are with you all that that's it's just

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Speaker 1: such a tragic, tragic something as innocent and you know,

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Speaker 1: routine as grocery shopping. And you know, I thought about

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Speaker 1: my mom a lot in that moment, because that's something

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Speaker 1: that my mom does every Sunday. Yeah, you know what

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Speaker 1: I mean, she goes to the grocery store and you know,

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Speaker 1: pick up a few things like and to know that

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Speaker 1: a lot of these individuals were doing that same thing,

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Speaker 1: going to the store. They had plans to cook, you know,

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Speaker 1: later on and you know, sit down with their family, love,

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Speaker 1: and then something like this just a random act of terrorism,

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Speaker 1: a random act of hate, you know, and lives are

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Speaker 1: lost for what, just because somebody decided they hate people

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Speaker 1: so much and today is the day where I'm just

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Speaker 1: going to destroy families forever like that. It's just such

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Speaker 1: a selfish and horrible thing that people have to deal

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Speaker 1: with when it comes to shit like that, and something

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Speaker 1: needs to be done. Immediately with these gun laws.

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Speaker 2: I just don't understand how an eighteen year old that's

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Speaker 2: already been diagnosed is mentally ill, has already threatened to

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Speaker 2: shoot up at school, gets an automatic rifle.

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Speaker 1: Yeah.

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Speaker 2: I just don't understand.

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Speaker 1: How that has this has to be. And I do

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Speaker 1: believe that the Supreme Court is supposed to make a

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Speaker 1: decision almost like immediately or soon about gun laws. I

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Speaker 1: would hope so, because this is, uh, this is something

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Speaker 1: that you know, I just don't even understand how anybody

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Speaker 1: that is in control of gun laws in this country

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Speaker 1: could see this and and not feel like, Okay, we

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Speaker 1: have to make sure that this never happens again. We

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Speaker 1: have to do everything that we can to ensure that

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Speaker 1: something like this will never happen again. Like this is

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Speaker 1: there's nothing else to even protest about March about. It's like, listen,

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Speaker 1: get these fucking guns out of here, ban them. Whoever

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Speaker 1: is caught with these type of guns, automatic life sentence

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Speaker 1: in prison.

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Speaker 2: You have to go that harsh.

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Speaker 1: With these laws, because this is those are killing. Those

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Speaker 1: are war weapons. Like to just walk into a grocery

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Speaker 1: store and just gun people down like that, it's.

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Speaker 2: Not hunting, it's not it's collecting. It's a fucking murder weapon.

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Speaker 2: It's not a protection. It's made to kill in mass quantities.

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Speaker 1: Yes, so it's it's something that we just we have

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Speaker 1: to get rid of these We have to get rid

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Speaker 1: of these guns. We have to get rid of these guns.

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Speaker 1: We have to protect each other more than this. Nobody

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Speaker 1: needs that gun on the streets in these neighborhoods like that.

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Speaker 1: That has to be this has to go away immediately,

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Speaker 1: like they need to make a decison and get these

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Speaker 1: fucking guns out of here because this is not If

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Speaker 1: this continues, we'll be talking about this again. Yeah, And

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Speaker 1: that's the sad part about it. It's like this is

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Speaker 1: just like enough is enough, man, Like these guns, nobody,

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Speaker 1: nobody needs these weapons. Nobody needs these weapons. So prayers,

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Speaker 1: condolences to the families. I can only imagine, you know,

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Speaker 1: what they're going through to lose a love one like

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Speaker 1: that and then you know, have the world see it.

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Speaker 1: It's like it's just so unfortunate. And again, you know,

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Speaker 1: just all we can offer is our prayers and just

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Speaker 1: you know, continue to pray for these families because this

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Speaker 1: is something that these images and this you know, this

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Speaker 1: feeling is going to be with them forever.

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Speaker 4: So yeah, I made the mistake of watching the video

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Speaker 4: on accident, just not even knowing, like you know, just

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Speaker 4: scrolling through my timeline and I clicked it.

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Speaker 3: I didn't know what it was, and that shit completely.

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Speaker 4: Changed the course of my entire day in the next

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Speaker 4: couple of days, people please stop sharing that video.

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Speaker 2: Unfortunately, did not see it.

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Speaker 1: Thank god, I saw. I saw the beginning of it

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Speaker 1: only because again, like da mares that I didn't know

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Speaker 1: what it was. My homeboy sent sent the video.

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Speaker 2: And how I usually watched these videos, I don't know

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Speaker 2: what they like.

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Speaker 1: And I just clicked it, and I'm seeing somebody driving

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Speaker 1: and I'm like, you know, what is? I didn't know

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Speaker 1: what it was, and as soon as you know, you know,

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Speaker 1: tragically he kills the first victim. I closed that ship.

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Speaker 1: I say, yeah, but I can't what is that?

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Speaker 3: I didn't even know. I thought I was watching like

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Speaker 3: somebody playing a video game. Like I felt like it

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Speaker 3: looked like.

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Speaker 1: It looks it looks fake, it looks like there's no

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Speaker 1: way this really is, this is real.

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Speaker 3: It was insane, you.

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Speaker 1: Know what I mean. That's just it's bro that's it's

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Speaker 1: that's a tragedy. Man, that's a tragedy to lose people

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Speaker 1: like that, like that is really really really sickening and

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Speaker 1: horrible that that happened to these families and these people.

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Speaker 1: But again, man, it's something that's to be targeted.

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Speaker 2: You drove three hours the whole manifesto.

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Speaker 3: To go kill poor black people.

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Speaker 1: And was taken, taken without you know, taking, you know,

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Speaker 1: and it's just gently putting a car. You know. Yeah,

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Speaker 1: it's it's unfortunate, man.

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Speaker 2: But I still saw on Fox and other outlets still

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Speaker 2: trying to find ways to flip it, Like, no, there's

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Speaker 2: no question he wrote exactly why he did it, of.

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Speaker 1: Course, like you can't. No, this is not what we

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Speaker 1: have to guess and piece things together. We know what

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Speaker 1: it is. He said it. He it's on the gun,

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Speaker 1: it's in you know, like you said, manifesto things. He

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Speaker 1: had a conversation with people days prior. You know, he's

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Speaker 1: he this is.

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Speaker 2: What he's screaming, racial slurs.

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Speaker 1: This is what he meant to do.

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Speaker 2: Fox News they had a headline with like a two

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Speaker 2: to three minute video what constitutes a hate crime? Like,

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Speaker 2: I mean, I think this one hits the.

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Speaker 1: Box, discovers everything, and.

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Speaker 2: It was like an actual debate if this was like.

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Speaker 1: There's no you know, people will debate anything, you know,

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Speaker 1: but this is we know what this is. Just cut

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Speaker 1: it out. Change these gun laws, get these guns off

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Speaker 1: the streets, ban these fucking weapons, and you know, like,

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Speaker 1: let's just make sure that this families don't have to

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Speaker 1: go through nothing like this again. And it's just insane.

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Speaker 2: It happens everywhere too, Like before I would feel like

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Speaker 2: it would be you know, a lot of major cities

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Speaker 2: are super small towns. It's rural cities, small cities, medium cities,

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Speaker 2: big cities, church, work, grocery store, mall, concert, like every

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Speaker 2: last place has been hit with this mass shooting shit,

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Speaker 2: and no one thinks maybe something should change.

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Speaker 1: As a white male rory in America, how does that?

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Speaker 1: How does see something like this make you feel? Especially

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Speaker 1: because you're someone that has so many different friends from

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Speaker 1: different cultures, black, you know, whatever. Like you You're a

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Speaker 1: person that people know is generally you just love people.

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Speaker 1: But as a white man in America, when you see

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Speaker 1: things like this, how does that make you feel?

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Speaker 2: I can only be empathetic in it because I don't

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Speaker 2: know what that experience is like or what that fear

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Speaker 2: would be like, so it's really empathy and and I

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Speaker 2: guess support is the best way to go about it. Also,

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Speaker 2: in situations like this, feel like sometimes we should shut

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Speaker 2: up and let the people, the victims of what's happening speak, Like,

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Speaker 2: of course, I think white people should always speak up

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Speaker 2: against racism. They shouldn't be quiet about it. But when

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Speaker 2: it comes for like right like reactions right after certain

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Speaker 2: things are happening, it's not my place immediately to do so,

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Speaker 2: Like the victims of that it's actually happening to can

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Speaker 2: speak to this much better than my white ass khah.

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Speaker 2: So it's more so like listening in the beginning before speaking,

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Speaker 2: and then from there after you listen support. That's how

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Speaker 2: I've kind of looked at so many of these things

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Speaker 2: that have happened in the last few years, like, of

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Speaker 2: course I can see what's right or wrong, but it's

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Speaker 2: not actually happening to me. I could I'm only outside

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Speaker 2: looking in on it. I can identify that that's terrible

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Speaker 2: and awful and targeted, but I can't feel what that's

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Speaker 2: like because they're not attacking me. If I were in

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Speaker 2: that supermarket, he would have I would have been scared,

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Speaker 2: like oh fuck that somebody with a gun. But he

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Speaker 2: would have walked past me. So there's a different level

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Speaker 2: of me saying that's terrible and awful, but also benefiting

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Speaker 2: off him being running past me to go kill someone

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Speaker 2: of a different race. So it's it's empathy is what

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Speaker 2: I can give, but I can't speak to it directly.

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Speaker 1: It's just crazy because you know, that's part of the

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Speaker 1: beauty of this is just we're different culturally obviously, but

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Speaker 1: alike in a lot of ways because we're from the

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Speaker 1: same city. You know, we run around the same circles

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Speaker 1: and industry and things like that. Yeah, you know, but

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Speaker 1: it's like for you, that's your experience and how you feel.

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Speaker 1: For me, I automatically go into protection, protective mode. Yeah,

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Speaker 1: Like now I don't want my mom going to the

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Speaker 1: grocery store. I don't want my sister going to the

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Speaker 1: grocery store. I don't want my nieces going, you know

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Speaker 1: what I mean. I don't want my nephew's going because

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Speaker 1: it's kind of like we know that black people were targeted. Yeah,

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Speaker 1: so now it's like we're going to protect protection. You

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Speaker 1: go into empathy, you know, listening, trying to understand, but

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Speaker 1: like you said, you know that it wouldn't affect you

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Speaker 1: because had you been in the grocery store, he would

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Speaker 1: have walked right past you. Yeah.

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Speaker 2: And I saw a few people talking about like, oh, well,

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Speaker 2: white people are killed in mass shootings all the time.

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Speaker 2: I'm like, all right, well, you have to have some

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Speaker 2: common sense and see the difference in the two with

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Speaker 2: so many of mass shootings that involve white people. And

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Speaker 2: you know, they'll throw the stat out there, like more

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Speaker 2: white people were killed in mass shooting, but it's like,

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Speaker 2: all right, dog, this mass shooting was specifically targeted because

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Speaker 2: of the race they were. Now in other mass shootings,

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Speaker 2: these people were specifically targeted at school because they were bullies.

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Speaker 2: They weren't white bullies or like there weren't black, but

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Speaker 2: they were just bullies. So they killed them off the

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Speaker 2: strength of bully, not race. Was in Colorado with the

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Speaker 2: movie theater, he was just a very mentally ill person

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Speaker 2: too involved in the Batman movie.

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Speaker 1: He didn't go.

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Speaker 2: There and target a specific group. They just happened to

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Speaker 2: be there. So there's a large difference between a mass

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Speaker 2: shooting that is directed with a manifesto saying I'm going

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Speaker 2: to kill black people because of this stupid conspiracy theory

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Speaker 2: shit I read on YouTube and someone being mentally ill

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Speaker 2: and just sprang into a concert festival. Whoever gets hit

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Speaker 2: gets hit like it's different. And that's why I hate.

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Speaker 2: The people that are doing it are doing it intentionally.

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Speaker 2: They're not stupid people, they're smart people. That's why they're

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Speaker 2: trying to compare statistics of how many white people were

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Speaker 2: killed in mass shootings. And why is this a race thing?

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Speaker 2: Because it is, as those others are. Those mass shooting

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Speaker 2: things are not related to race. Anyone that was there

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Speaker 2: is getting killed or directly. These people did this to

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Speaker 2: me at school, so I'm killing them. It's not a

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Speaker 2: race thing. It's a mental illness thing, yeah, and a

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Speaker 2: gun thing when it comes to that stuff. Now, this

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Speaker 2: is a mental illness thing, a gun thing, and racism.

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Speaker 1: Yeah. And you know me, I'll put all of that

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Speaker 1: into mental health. I think racism is mental health. It's

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Speaker 1: all of that is. You know, it's people are out

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Speaker 1: here sick and they need help and they need you know,

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Speaker 1: they need to be I guess you know, put somewhere

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Speaker 1: where they can get help. And but this the bottom

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Speaker 1: line is, you know, this is actually this is an

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Speaker 1: act of terrorism. This is a white supremacist killing minorities,

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Speaker 1: black people, and you know, again, this country, this government,

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Speaker 1: they have to do something to protect us, to protect

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Speaker 1: the people, and just again make sure that's something like

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Speaker 1: this absolutely does not and it cannot happen again like

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Speaker 1: this is, this is you know, we're too we're too

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Speaker 1: We're too forward and progress in other areas, you know, technology,

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Speaker 1: and you know, financially, you know, people are making money

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Speaker 1: building businesses and things like that, ownership, and we're still

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Speaker 1: dealing with things like this. You know, it's it's time

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Speaker 1: to step up, make changes, make effective changes immediately and

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Speaker 1: make sure that this this doesn't happen again. And that's

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Speaker 1: just the bottom line. There's nothing that march protest about,

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Speaker 1: you know this. We have to do something. This has

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Speaker 1: to change. Bottom line, change these gun laws, ban these weapons,

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Speaker 1: and let's move forward in society and start to heal

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Speaker 1: and move in a better direction. But this ship like

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Speaker 1: this can't happen again.

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Speaker 2: On a lighter note, switching gears Billboard Awards. I didn't

437
00:20:45,359 --> 00:20:48,840
Speaker 2: watch it purposely. I don't really have much interesting I

438
00:20:48,880 --> 00:20:49,560
Speaker 2: didn't watch it.

439
00:20:50,520 --> 00:20:53,760
Speaker 1: I like the fact that did. He hosted and executive produced.

440
00:20:53,400 --> 00:20:55,000
Speaker 2: It, Okay, See, I don't even know that. Maybe I

441
00:20:55,040 --> 00:20:55,600
Speaker 2: would have watched that.

442
00:20:55,640 --> 00:20:58,800
Speaker 1: I know, I do. I do like that. I didn't

443
00:20:58,800 --> 00:21:00,879
Speaker 1: watch it, but I saw the some of the clips

444
00:21:00,880 --> 00:21:04,280
Speaker 1: of the performances online. I saw that Drake won everything.

445
00:21:04,480 --> 00:21:05,760
Speaker 2: Well here's the thing with that.

446
00:21:05,880 --> 00:21:09,040
Speaker 1: It was a Drake honor and Knight and I should.

447
00:21:08,960 --> 00:21:11,400
Speaker 2: Know this, but I've just never cared for the Billboard Awards.

448
00:21:13,280 --> 00:21:17,719
Speaker 2: People just watch for performances because there's no like debate

449
00:21:17,760 --> 00:21:18,480
Speaker 2: on who can win.

450
00:21:18,560 --> 00:21:22,719
Speaker 1: It's just yeah, like you know, it's the statistics. Yeah,

451
00:21:22,840 --> 00:21:24,679
Speaker 1: well that's why I said. I like the fact that

452
00:21:24,720 --> 00:21:28,080
Speaker 1: they let puff executive producers. I think they're trying to

453
00:21:28,080 --> 00:21:30,679
Speaker 1: make it to where and that's actually good idea to

454
00:21:30,760 --> 00:21:35,000
Speaker 1: let whoever's hosting every year with the artists, maybe let

455
00:21:35,080 --> 00:21:37,639
Speaker 1: them executive producers as well. Yeah, like this is just

456
00:21:37,680 --> 00:21:39,440
Speaker 1: the way to come on my birthday. But it's kind

457
00:21:39,440 --> 00:21:40,840
Speaker 1: of like, yo, let me put some let me put

458
00:21:40,840 --> 00:21:43,359
Speaker 1: this together visually, let's you know, let's get these people

459
00:21:43,359 --> 00:21:46,560
Speaker 1: to perform and things like that. But I didn't watch it,

460
00:21:46,600 --> 00:21:49,560
Speaker 1: but it looked like it was dope. I saw Tianna Taylor.

461
00:21:49,680 --> 00:21:54,320
Speaker 1: She looked great as usual. Meg looked great. Saw some

462
00:21:54,359 --> 00:21:57,679
Speaker 1: of her performance, saw some clips of it, and we

463
00:21:57,760 --> 00:22:01,800
Speaker 1: had a wardrobe malfunction the City Girls with JT. I

464
00:22:01,880 --> 00:22:04,080
Speaker 1: told everybody to relax. She had black panties on.

465
00:22:04,720 --> 00:22:08,200
Speaker 2: You know, it could have been intentional, but the.

466
00:22:08,119 --> 00:22:10,640
Speaker 1: Way that dress was cut, it's you know, you start

467
00:22:10,680 --> 00:22:13,960
Speaker 1: moving around walking too much, things shift and you know

468
00:22:14,040 --> 00:22:16,400
Speaker 1: people are down in the pit, you know, and you're

469
00:22:16,520 --> 00:22:18,639
Speaker 1: kind of up. People can look up and see you know,

470
00:22:18,720 --> 00:22:19,800
Speaker 1: it's you know, how it is?

471
00:22:19,880 --> 00:22:25,640
Speaker 2: Where does it ranking? Wardrobe malfunctions? Janet being probably number one?

472
00:22:27,040 --> 00:22:27,400
Speaker 1: Mm hmm.

473
00:22:28,680 --> 00:22:31,440
Speaker 2: I'm told Jesse Williams is coming up in a strong

474
00:22:31,520 --> 00:22:37,720
Speaker 2: number two wardrobe purposely, man, she's got to dick out

475
00:22:37,760 --> 00:22:38,280
Speaker 2: on stage.

476
00:22:38,600 --> 00:22:41,520
Speaker 4: Yeah, to go see my Broadway too.

477
00:22:42,080 --> 00:22:43,000
Speaker 2: You won't need Jesus.

478
00:22:44,800 --> 00:22:46,960
Speaker 1: You know. I tried that same thing a few years ago,

479
00:22:47,040 --> 00:22:49,399
Speaker 1: just to be naked in the windows, just you know,

480
00:22:49,520 --> 00:22:50,560
Speaker 1: they called the police on me.

481
00:22:50,800 --> 00:22:52,879
Speaker 2: It wasn't like a massive I think that's actually a crime.

482
00:22:53,320 --> 00:22:55,840
Speaker 1: It's like, it's like, but Jesse gets to stand on

483
00:22:55,920 --> 00:22:58,240
Speaker 1: Broadway butt naked in its art. Well, he was like

484
00:22:58,280 --> 00:22:59,800
Speaker 1: othello or something, So it's different.

485
00:23:00,320 --> 00:23:01,880
Speaker 2: I gotta change a sales minutes.

486
00:23:02,160 --> 00:23:04,240
Speaker 1: Why you thought he was Othello? I don't.

487
00:23:04,600 --> 00:23:07,160
Speaker 2: I don't know. I actually don't remember this story of Othello.

488
00:23:07,800 --> 00:23:09,399
Speaker 2: Did I make make a remark that I shouldn't have.

489
00:23:09,720 --> 00:23:11,240
Speaker 1: Did fried for play Othello?

490
00:23:11,359 --> 00:23:16,280
Speaker 2: Yes, but it was called Oh, oh, can we need

491
00:23:16,760 --> 00:23:17,480
Speaker 2: last day?

492
00:23:17,680 --> 00:23:20,399
Speaker 1: This is your last day? I promise you your last day.

493
00:23:20,520 --> 00:23:22,880
Speaker 2: Homework for the next episode. Everyone go back and watch

494
00:23:22,960 --> 00:23:24,200
Speaker 2: oh so we can break down.

495
00:23:24,240 --> 00:23:25,040
Speaker 1: Oh but.

496
00:23:27,080 --> 00:23:30,000
Speaker 2: Okay, it's a it's a classic, but it's a terrible classic.

497
00:23:32,240 --> 00:23:32,520
Speaker 1: Yeah.

498
00:23:32,800 --> 00:23:34,119
Speaker 2: And isn't Julius Styles in it?

499
00:23:34,359 --> 00:23:34,600
Speaker 1: Yes?

500
00:23:34,680 --> 00:23:39,119
Speaker 2: Why is she always in an interracial Uh? Is Julius

501
00:23:39,880 --> 00:23:41,879
Speaker 2: neither teaching her how to play basketball how to dance?

502
00:23:42,000 --> 00:23:44,960
Speaker 1: Like Julius was really married to a white man, I

503
00:23:44,960 --> 00:23:46,840
Speaker 1: mean a black man in real life. That's just hilarious.

504
00:23:47,119 --> 00:23:49,919
Speaker 1: Method act is Julia Styles? Uh?

505
00:23:50,720 --> 00:23:54,280
Speaker 3: She is a whites fan, mister Preston Cook. Yeah, that's

506
00:23:54,280 --> 00:23:55,720
Speaker 3: the white frison I've ever heard of my life.

507
00:23:55,760 --> 00:23:57,960
Speaker 2: So that she is Julia Cook. So she is a

508
00:23:57,960 --> 00:23:58,920
Speaker 2: really good actress stuff.

509
00:23:59,600 --> 00:24:02,560
Speaker 1: Absolutely, she loves she loves on camera.

510
00:24:02,760 --> 00:24:03,520
Speaker 2: I didn't say that.

511
00:24:05,440 --> 00:24:08,679
Speaker 3: The winners from uh from this, No, we all know

512
00:24:08,720 --> 00:24:09,200
Speaker 3: who won.

513
00:24:10,440 --> 00:24:14,040
Speaker 4: Reiterate my fucking point that I made with the Grammys.

514
00:24:14,320 --> 00:24:17,639
Speaker 4: They keep they keep putting doja cat at R and

515
00:24:17,680 --> 00:24:22,080
Speaker 4: B fucking categories and she's taking awards from actual R

516
00:24:22,160 --> 00:24:22,359
Speaker 4: and B.

517
00:24:22,800 --> 00:24:25,600
Speaker 2: XJ is not R an R and B. She didn't

518
00:24:25,640 --> 00:24:26,320
Speaker 2: say she's an R and B.

519
00:24:26,520 --> 00:24:29,520
Speaker 4: She was nominated in almost every category, and she only

520
00:24:29,600 --> 00:24:32,520
Speaker 4: won in the R and B categories, taking it away

521
00:24:32,520 --> 00:24:35,520
Speaker 4: from Summer And that's not fair. It's so fucked up.

522
00:24:35,600 --> 00:24:37,360
Speaker 2: I felt the same way about Lizzo, but that year

523
00:24:37,400 --> 00:24:39,359
Speaker 2: that that happened to because I didn't think she made

524
00:24:39,359 --> 00:24:41,000
Speaker 2: an RMB album and she took every fucking R and

525
00:24:41,040 --> 00:24:41,920
Speaker 2: B award ever that year.

526
00:24:42,080 --> 00:24:45,240
Speaker 3: Yeah, and it's it's obvious racism. It's so it's like

527
00:24:45,320 --> 00:24:47,919
Speaker 3: fucking obvious to a duck. Y'all will not let us

528
00:24:47,960 --> 00:24:50,360
Speaker 3: be pop artists? It's so fucked up.

529
00:24:50,520 --> 00:24:54,080
Speaker 1: Yeah, it's it's it's how is dose not pop? Yeah?

530
00:24:54,080 --> 00:24:55,960
Speaker 1: I don't. I don't get that. And and that is

531
00:24:56,000 --> 00:24:58,000
Speaker 1: you know, what Damara said is one hundred percent accurate.

532
00:24:58,040 --> 00:25:01,480
Speaker 1: That is unfortunate for artists like some wre because some

533
00:25:01,680 --> 00:25:04,879
Speaker 1: of walker had a phenomenal album she like I was

534
00:25:04,880 --> 00:25:08,040
Speaker 1: telling Rory she the numbers her first two or three weeks,

535
00:25:08,040 --> 00:25:10,959
Speaker 1: but I think only Beyonce at the time I had

536
00:25:11,040 --> 00:25:13,240
Speaker 1: numbers like that, and then Adele came a few months after,

537
00:25:13,320 --> 00:25:15,280
Speaker 1: and I obviously did what Adele does, but just the

538
00:25:15,280 --> 00:25:18,280
Speaker 1: fact that Summer as an R and B artist had

539
00:25:18,320 --> 00:25:21,800
Speaker 1: that year and had that project that was amazing, like

540
00:25:21,920 --> 00:25:27,680
Speaker 1: she should be. You know it's Dojah. Listen loved Doja.

541
00:25:27,760 --> 00:25:30,639
Speaker 1: I think she's a great artist. I think she's a

542
00:25:30,640 --> 00:25:32,760
Speaker 1: lot more talented than I thought at first, and I

543
00:25:32,800 --> 00:25:37,520
Speaker 1: believe that first. But she's not R and B not Yeah,

544
00:25:37,520 --> 00:25:39,199
Speaker 1: it's just it's just not R and what do they

545
00:25:39,200 --> 00:25:39,840
Speaker 1: put Adele in?

546
00:25:40,880 --> 00:25:42,200
Speaker 3: Adele is R and B as well.

547
00:25:43,040 --> 00:25:44,520
Speaker 1: I'm so as mad as Adele.

548
00:25:45,600 --> 00:25:47,760
Speaker 2: This last album was pretty R and B. Yeah, I'm

549
00:25:47,800 --> 00:25:49,320
Speaker 2: not mad at that, but I was curious if they

550
00:25:49,359 --> 00:25:52,040
Speaker 2: put Adele in recent years in pop because that's kind

551
00:25:52,040 --> 00:25:55,000
Speaker 2: of crazy R and B and Adele would be in pop.

552
00:25:55,040 --> 00:25:57,440
Speaker 1: I'm pretty sure Adele has won Grammy in pop.

553
00:25:57,600 --> 00:26:00,439
Speaker 4: So they nominated Doja in the pop category, but they

554
00:26:00,480 --> 00:26:02,720
Speaker 4: didn't give it to her. They gave it to Olivia

555
00:26:02,960 --> 00:26:06,240
Speaker 4: fucking Roger, who is the current Taylor Swift. And you

556
00:26:06,280 --> 00:26:07,480
Speaker 4: know what I mean when I say that.

557
00:26:09,119 --> 00:26:11,879
Speaker 3: But for Thojah to win in ar it's like they

558
00:26:11,960 --> 00:26:13,359
Speaker 3: just gave her the R and B. She's not. She

559
00:26:13,400 --> 00:26:15,399
Speaker 3: doesn't she has one R and B song. She doesn't

560
00:26:15,400 --> 00:26:16,080
Speaker 3: make R and B.

561
00:26:16,359 --> 00:26:19,880
Speaker 1: Yeah, that's not fair, which is why we.

562
00:26:19,840 --> 00:26:21,480
Speaker 2: Just need to put her in rap before I put her.

563
00:26:21,800 --> 00:26:24,240
Speaker 1: Yeah, we need to. We need to just create our

564
00:26:24,880 --> 00:26:29,600
Speaker 1: own award show. We have one and nobody goes but

565
00:26:29,680 --> 00:26:36,800
Speaker 1: the BT Awards, the Ambies. No, what did you say?

566
00:26:36,840 --> 00:26:38,920
Speaker 1: The Ambies? That's what I'm like, what is he talking about?

567
00:26:38,920 --> 00:26:40,640
Speaker 1: I know I heard the Ambies. I'm not tripping, Like, wait,

568
00:26:40,840 --> 00:26:45,800
Speaker 1: the Ammies are not ours, like we lost. Yeah, but

569
00:26:45,840 --> 00:26:48,760
Speaker 1: the BT even the BT Awards is uh just white

570
00:26:48,760 --> 00:26:51,679
Speaker 1: owned now though. Yeah, and it's not. We need like

571
00:26:51,760 --> 00:26:55,719
Speaker 1: a real you know, the culture for the culture award

572
00:26:55,760 --> 00:26:59,399
Speaker 1: show with source awards, the community something that feels like

573
00:26:59,440 --> 00:27:03,040
Speaker 1: that committee is like the current artists or like the

574
00:27:03,119 --> 00:27:05,119
Speaker 1: legends and they sit on the board and they're like, oh,

575
00:27:05,200 --> 00:27:07,320
Speaker 1: she had a great year, she deserves that, he deserves this.

576
00:27:07,560 --> 00:27:09,600
Speaker 2: I think Puff would be the perfect person.

577
00:27:09,440 --> 00:27:12,919
Speaker 1: To lead that. Yeah, like Puff Hole, Beyonce, you know

578
00:27:13,000 --> 00:27:20,040
Speaker 1: those Rihanna, Kanye, those artists like you know, design award,

579
00:27:20,160 --> 00:27:21,240
Speaker 1: design of.

580
00:27:20,920 --> 00:27:24,880
Speaker 2: A statue of trophy called the Dondas.

581
00:27:23,840 --> 00:27:26,199
Speaker 1: Whatever something you know, And let's just let's just do

582
00:27:26,280 --> 00:27:26,520
Speaker 1: it to.

583
00:27:26,480 --> 00:27:30,120
Speaker 2: Where it's like, you know that actually sounds like, yeah.

584
00:27:30,000 --> 00:27:32,720
Speaker 1: We salute our our artists and our culture, and you know,

585
00:27:32,800 --> 00:27:35,080
Speaker 1: you make it a make it a weekend even, and

586
00:27:35,119 --> 00:27:36,880
Speaker 1: then the award show was just the last day where

587
00:27:36,880 --> 00:27:39,640
Speaker 1: it's just like we're all somewhere on an island and

588
00:27:40,080 --> 00:27:41,879
Speaker 1: you know, the ward show is Sunday and a big

589
00:27:41,960 --> 00:27:42,880
Speaker 1: ass party on the beach.

590
00:27:43,080 --> 00:27:43,520
Speaker 3: Just do some.

591
00:27:43,480 --> 00:27:45,840
Speaker 1: Flyship for the culture, man. Yeah, or just like we

592
00:27:45,920 --> 00:27:49,240
Speaker 1: just this time we have enough power and control and

593
00:27:49,320 --> 00:27:51,880
Speaker 1: money and things like that to really just create our own,

594
00:27:52,040 --> 00:27:55,240
Speaker 1: you know, our own award show. Because again that's unfortunate

595
00:27:55,359 --> 00:27:57,920
Speaker 1: for artists like someone Walker because she had an amazing

596
00:27:57,920 --> 00:28:00,320
Speaker 1: album and she should have been rewarded for that. But

597
00:28:00,720 --> 00:28:04,600
Speaker 1: you know, speaking of Donda's, Kanye actually one top gospel artist,

598
00:28:06,920 --> 00:28:08,840
Speaker 1: really top gospel.

599
00:28:08,480 --> 00:28:14,080
Speaker 2: Artists Kanye's that makes sense. Well yeah, sorry, yeah that surprising.

600
00:28:15,000 --> 00:28:15,920
Speaker 1: And Christian artists.

601
00:28:17,200 --> 00:28:18,840
Speaker 2: Kanye, he would be the top. He could be the

602
00:28:18,880 --> 00:28:21,320
Speaker 2: top artist period. He also makes gospel, so it's gonna

603
00:28:21,320 --> 00:28:23,040
Speaker 2: be he'll be up there.

604
00:28:23,280 --> 00:28:25,280
Speaker 1: But yeah, I'm sure a real gospel artists fel some

605
00:28:25,480 --> 00:28:28,560
Speaker 1: word about that. But he did make a gospel I.

606
00:28:28,480 --> 00:28:32,159
Speaker 2: Would definitely be tight. If I was been doing this

607
00:28:32,160 --> 00:28:33,919
Speaker 2: gospel ship for real for a while and then you

608
00:28:34,000 --> 00:28:34,439
Speaker 2: just come.

609
00:28:34,320 --> 00:28:39,280
Speaker 1: Out absolutely absolutely, which is why you have gospel awards,

610
00:28:39,680 --> 00:28:40,560
Speaker 1: you know. Country.

611
00:28:40,680 --> 00:28:42,840
Speaker 2: It was like when Michelle Obama got into podcasting, I

612
00:28:42,880 --> 00:28:47,320
Speaker 2: was like, We've been doing this for so long. Michelle's

613
00:28:47,360 --> 00:28:48,280
Speaker 2: going to get everything.

614
00:28:49,440 --> 00:28:53,200
Speaker 1: So yeah. Shout out to the winners, the nominees, the

615
00:28:53,240 --> 00:28:55,600
Speaker 1: Billboard Award, Shout out the puff for doing a shout

616
00:28:55,640 --> 00:29:00,480
Speaker 1: out to shout out Award Mary Jay. Absolutely icon in

617
00:29:00,520 --> 00:29:04,080
Speaker 1: every sense of the word. Stevie Wonder still has not

618
00:29:04,240 --> 00:29:07,400
Speaker 1: been given a Lifetime Achievement Award BT. I just want

619
00:29:07,440 --> 00:29:09,160
Speaker 1: to put that out there. You'll see it. One day.

620
00:29:09,160 --> 00:29:10,920
Speaker 3: We're going to start up the petition for you.

621
00:29:11,160 --> 00:29:13,200
Speaker 1: Yeah, we have are you Stevie Wonder?

622
00:29:14,640 --> 00:29:15,240
Speaker 3: Even the blind?

623
00:29:15,280 --> 00:29:17,480
Speaker 1: Because see he has fourteen albums before he was twenty

624
00:29:17,480 --> 00:29:17,840
Speaker 1: one or some.

625
00:29:17,760 --> 00:29:19,800
Speaker 2: Shit like they gonna get Shit's a trick, Daddy befo him.

626
00:29:21,360 --> 00:29:24,200
Speaker 1: I will go to DT myself, yeah and say, listen,

627
00:29:24,280 --> 00:29:27,000
Speaker 1: everybody on the board, we have to square one by one.

628
00:29:27,000 --> 00:29:30,800
Speaker 1: I'm fighting all ya. If that ever happened, yo, Are

629
00:29:30,800 --> 00:29:31,440
Speaker 1: you kidding me?

630
00:29:31,600 --> 00:29:32,440
Speaker 2: He's done a lot?

631
00:29:32,920 --> 00:29:35,600
Speaker 1: Are you kidding me? I'm not saying Trick didn't do

632
00:29:35,640 --> 00:29:38,760
Speaker 1: a lot over Stevie a lifetime. Come on, man, we're

633
00:29:38,800 --> 00:29:40,960
Speaker 1: not doing that, man, we can't do that. No, enough's enough,

634
00:29:41,480 --> 00:29:43,920
Speaker 1: Live the life absolutely.

635
00:29:44,440 --> 00:29:48,080
Speaker 3: Talk about this Kendrick album. All came ready.

636
00:29:48,440 --> 00:29:51,280
Speaker 1: Yo, man born ready. You know, I'm just glad that,

637
00:29:51,400 --> 00:29:54,240
Speaker 1: you know, third Eyes of him. Nah, man, It's just

638
00:29:54,280 --> 00:29:59,960
Speaker 1: it just feels good to have artists that still believe

639
00:30:00,000 --> 00:30:05,000
Speaker 1: even freedom of speech and believe in you know, I

640
00:30:05,040 --> 00:30:07,600
Speaker 1: am an artist and this is art, and I am

641
00:30:07,720 --> 00:30:09,080
Speaker 1: art and this is what I do and I'm the

642
00:30:09,120 --> 00:30:13,480
Speaker 1: best added and but yes, I have trauma. I'm dealing

643
00:30:13,560 --> 00:30:15,880
Speaker 1: with mental health issues. I'm dealing with addiction, I'm dealing

644
00:30:15,920 --> 00:30:20,720
Speaker 1: with insecurities. I'm dealing with you know, lack of love

645
00:30:20,880 --> 00:30:26,720
Speaker 1: from family, and you know, generational depression and generational trauma

646
00:30:26,800 --> 00:30:30,840
Speaker 1: and sexual abuse. And like you said, I am all

647
00:30:30,880 --> 00:30:33,160
Speaker 1: of us, right, So it's like, yeah, we all, no

648
00:30:33,160 --> 00:30:35,120
Speaker 1: matter how much money you got, how much success you have,

649
00:30:35,720 --> 00:30:37,320
Speaker 1: we all have our things that we deal with in

650
00:30:37,360 --> 00:30:41,280
Speaker 1: life because nobody is exempt from you know, the ups

651
00:30:41,280 --> 00:30:43,920
Speaker 1: and downs of life. And I think Kendrick did a

652
00:30:43,960 --> 00:30:47,320
Speaker 1: beautiful job at expressing that and making it cool and

653
00:30:47,320 --> 00:30:50,160
Speaker 1: saying it in a cool way, but teaching at the

654
00:30:50,160 --> 00:30:53,680
Speaker 1: same time and trying to heal and you know, just

655
00:30:53,720 --> 00:30:56,560
Speaker 1: taking the band aid off and addressing things. And you know,

656
00:30:56,640 --> 00:30:57,840
Speaker 1: this is how you deal with it. You got to

657
00:30:57,880 --> 00:31:00,960
Speaker 1: address it and heal and move on, grieve. You gotta

658
00:31:01,480 --> 00:31:05,320
Speaker 1: you know, talk to each other and support each other.

659
00:31:05,360 --> 00:31:07,480
Speaker 1: Because even them talking about his relationship with his wife

660
00:31:07,560 --> 00:31:11,200
Speaker 1: and you know, her being strong enough to ask him

661
00:31:11,240 --> 00:31:13,600
Speaker 1: like do you have an addiction? Yeah? Why do you

662
00:31:13,680 --> 00:31:17,040
Speaker 1: keep doing this? Like just things like that. Man, It's like,

663
00:31:17,120 --> 00:31:19,200
Speaker 1: you know, it's like shit, this is such a grown

664
00:31:19,280 --> 00:31:24,200
Speaker 1: up adult. This is his Iris four forty four. Yeah,

665
00:31:24,320 --> 00:31:29,160
Speaker 1: where he's being vulnerable, he's being accountable, he's addressing you know,

666
00:31:29,560 --> 00:31:32,920
Speaker 1: real things, but still giving us art like this to

667
00:31:32,960 --> 00:31:36,239
Speaker 1: me is an audiobook. This is not even really an

668
00:31:36,360 --> 00:31:38,480
Speaker 1: album for me. I feel like he did such a

669
00:31:38,520 --> 00:31:41,960
Speaker 1: great job at you know, pulling from some of our

670
00:31:42,800 --> 00:31:46,800
Speaker 1: you know, most inspirational movies. You know, even the the

671
00:31:46,880 --> 00:31:49,440
Speaker 1: record with Taylor Page as it fuck You? Is that

672
00:31:49,440 --> 00:31:51,480
Speaker 1: the name of that one? Uh?

673
00:31:51,520 --> 00:31:52,520
Speaker 2: That is we Cry Together?

674
00:31:52,640 --> 00:31:57,040
Speaker 1: We Cry together? You know, that's a that's inspiration from

675
00:31:57,240 --> 00:32:00,040
Speaker 1: you know, the movie Baby Boy and Poetic Justice, and

676
00:32:00,200 --> 00:32:01,720
Speaker 1: you know, but he's putting it in a way where

677
00:32:01,760 --> 00:32:04,520
Speaker 1: it's like, Okay, we do deal with this type of

678
00:32:04,560 --> 00:32:06,680
Speaker 1: things and we disrespect each other. We hurt each other

679
00:32:06,720 --> 00:32:09,720
Speaker 1: because we're hurt and we're going through things and we're

680
00:32:09,760 --> 00:32:13,240
Speaker 1: dealing with insecurities and things like that. But you know,

681
00:32:14,120 --> 00:32:17,720
Speaker 1: talk about it, address it, and then you know, hopefully

682
00:32:17,760 --> 00:32:20,880
Speaker 1: you get to a place of healing and understanding and love.

683
00:32:21,040 --> 00:32:24,160
Speaker 1: You know, ultimately is the deciding factor of This is

684
00:32:24,200 --> 00:32:26,280
Speaker 1: my person. This is my wife, this is my husband.

685
00:32:26,560 --> 00:32:28,240
Speaker 1: This is somebody that I can't live with out or

686
00:32:28,240 --> 00:32:30,280
Speaker 1: don't want to do this life thing without them. This

687
00:32:30,320 --> 00:32:30,960
Speaker 1: is my partner.

688
00:32:31,000 --> 00:32:31,200
Speaker 2: You know.

689
00:32:31,280 --> 00:32:33,560
Speaker 1: Yes, we have our insecurities, and we have our issues,

690
00:32:33,560 --> 00:32:35,320
Speaker 1: and we have things that we deal with that we

691
00:32:35,320 --> 00:32:37,920
Speaker 1: don't necessarily talk about in address all the time, or

692
00:32:38,080 --> 00:32:41,640
Speaker 1: we find not healthy ways to talk about it. We

693
00:32:41,680 --> 00:32:44,280
Speaker 1: disrespect each other, you know what I mean. It's like

694
00:32:45,160 --> 00:32:47,719
Speaker 1: for Kendrick to do that and the way he did it,

695
00:32:47,840 --> 00:32:51,040
Speaker 1: and you know, I just think that he this is

696
00:32:51,160 --> 00:32:57,600
Speaker 1: him totally separating himself from any conversations or any you know,

697
00:32:57,760 --> 00:33:01,200
Speaker 1: lists or you know, pack of where think Kendrick belongs.

698
00:33:01,200 --> 00:33:06,000
Speaker 1: He's a standalone artist. I don't think that you can

699
00:33:06,440 --> 00:33:10,880
Speaker 1: really compare him to anybody anymore if you were, I

700
00:33:10,880 --> 00:33:14,840
Speaker 1: don't think that you can, you know, question him when

701
00:33:14,880 --> 00:33:18,280
Speaker 1: he disappears. What he's doing, Like, he's living life, he's healing,

702
00:33:18,320 --> 00:33:20,400
Speaker 1: he's with his family, he's you know what I mean,

703
00:33:20,440 --> 00:33:23,160
Speaker 1: he's taking time for hisself. And it's like, okay. He

704
00:33:23,600 --> 00:33:26,160
Speaker 1: basically let us know in a very mature, adult, cool

705
00:33:26,880 --> 00:33:30,360
Speaker 1: artistic way, like, bro, I'm human. I just have a

706
00:33:30,400 --> 00:33:32,160
Speaker 1: skill and of talent, you know what I mean, Like,

707
00:33:32,200 --> 00:33:34,360
Speaker 1: and I'm an artist, but I'm human. You know what

708
00:33:34,400 --> 00:33:36,440
Speaker 1: I'm saying. I heard I cry, I laugh, you know,

709
00:33:36,640 --> 00:33:39,760
Speaker 1: like I'm missing out on things because I'm working, and

710
00:33:39,800 --> 00:33:42,720
Speaker 1: you know, my family suffers, my lady suffers, my kids.

711
00:33:42,760 --> 00:33:44,800
Speaker 1: You know. It's like it's so many things that he

712
00:33:44,840 --> 00:33:46,760
Speaker 1: put into this album and just the sound of it

713
00:33:46,800 --> 00:33:50,320
Speaker 1: all just blended different sounds and even the way it's mixed.

714
00:33:50,360 --> 00:33:53,560
Speaker 1: It's like, you know, this is art. This is the

715
00:33:53,560 --> 00:33:58,040
Speaker 1: epitome of an artist in a zone where it's like

716
00:33:59,280 --> 00:34:03,000
Speaker 1: we're privileged that he shared this skill with us and

717
00:34:03,040 --> 00:34:06,000
Speaker 1: this talent with us. Like it's impressive. I think that

718
00:34:06,080 --> 00:34:10,520
Speaker 1: any artist has to be inspired from this. It's hard

719
00:34:10,520 --> 00:34:14,399
Speaker 1: for a real artist to listen to this and not

720
00:34:14,600 --> 00:34:19,200
Speaker 1: feel like it's oh shit, like damn, I.

721
00:34:19,080 --> 00:34:23,520
Speaker 2: Was gonna say after the first listen, my first thought

722
00:34:23,560 --> 00:34:26,759
Speaker 2: was this should have been called damn m because my

723
00:34:26,840 --> 00:34:28,759
Speaker 2: reaction at the end of it. I didn't have an

724
00:34:28,800 --> 00:34:31,160
Speaker 2: opinion yet, I didn't have much. I just kind of

725
00:34:31,160 --> 00:34:34,719
Speaker 2: had a sigh and was like, damn yeh, Like it

726
00:34:34,800 --> 00:34:37,759
Speaker 2: felt like when I've even and it's not even a

727
00:34:37,800 --> 00:34:40,760
Speaker 2: negative thing, like when I've had really good therapy sessions,

728
00:34:41,520 --> 00:34:43,719
Speaker 2: they still take a lot out of you. So like

729
00:34:43,719 --> 00:34:45,120
Speaker 2: for the rest of the day you're kind of like

730
00:34:45,680 --> 00:34:48,799
Speaker 2: fatigued mentally. Yeah, and I don't mean that in a

731
00:34:48,840 --> 00:34:51,000
Speaker 2: bad way with this album, but after that first last listen,

732
00:34:51,040 --> 00:34:53,040
Speaker 2: I was like, all right, I need a second.

733
00:34:53,760 --> 00:34:54,439
Speaker 1: Yeah, it's a lot.

734
00:34:54,840 --> 00:34:56,840
Speaker 2: It's a whole lot going on right now, even.

735
00:34:56,680 --> 00:34:59,359
Speaker 1: Though we cry together record, Like, you know, I've never

736
00:34:59,400 --> 00:35:02,840
Speaker 1: gotten into a a verbal argument with a woman like that.

737
00:35:02,880 --> 00:35:05,520
Speaker 1: It wasn't never that like, you know, disrespectful it, but

738
00:35:05,760 --> 00:35:09,960
Speaker 1: just you know, listening to that, it was like, damn,

739
00:35:10,000 --> 00:35:13,560
Speaker 1: Like that's a that's a lot, and you know I've

740
00:35:13,600 --> 00:35:15,680
Speaker 1: seen it. You know, I got friends that have had

741
00:35:15,840 --> 00:35:18,200
Speaker 1: arguments and things with their you know, with their with

742
00:35:18,239 --> 00:35:20,880
Speaker 1: their partners and stuff like that. Sometimes I'm around for

743
00:35:21,040 --> 00:35:23,960
Speaker 1: but you know you kind of like that stay business,

744
00:35:23,960 --> 00:35:26,040
Speaker 1: you stay out of it. But now listening to an

745
00:35:26,120 --> 00:35:29,120
Speaker 1: artist like you know, do it like that, and it's

746
00:35:29,200 --> 00:35:33,719
Speaker 1: just like wow, Like through all of that really is

747
00:35:34,640 --> 00:35:39,240
Speaker 1: you know, insecurities, love and uncertainties and you know, emotions.

748
00:35:39,480 --> 00:35:43,160
Speaker 1: But it's like, let's address it though, like let's get

749
00:35:43,160 --> 00:35:45,520
Speaker 1: it all out because we can't move forward because we

750
00:35:45,600 --> 00:35:47,600
Speaker 1: have all these things in our mind and all these

751
00:35:47,600 --> 00:35:50,399
Speaker 1: emotions bottled up that we can't get to that place

752
00:35:50,440 --> 00:35:53,279
Speaker 1: where it's like damn, like we really love each other

753
00:35:53,320 --> 00:35:55,160
Speaker 1: and we have a great time with each other. Like

754
00:35:55,600 --> 00:35:58,040
Speaker 1: so just hearing it like that was like wow.

755
00:35:58,600 --> 00:36:02,839
Speaker 2: Well halfway through that record, I was like, Okay, I

756
00:36:02,880 --> 00:36:07,560
Speaker 2: know Kendrick. He's super complex and does different angles, like

757
00:36:08,120 --> 00:36:10,640
Speaker 2: he's about to wrap her perspective after the fight and

758
00:36:10,680 --> 00:36:12,960
Speaker 2: then she's gonna understand and it just kind of just

759
00:36:13,120 --> 00:36:16,800
Speaker 2: straight through went not fuck you until they started fucking,

760
00:36:16,840 --> 00:36:19,439
Speaker 2: and I was like, yeah, I guess it's probably better

761
00:36:19,440 --> 00:36:21,440
Speaker 2: that there was no smart flip to this because this

762
00:36:21,520 --> 00:36:22,200
Speaker 2: is just how it goes.

763
00:36:22,360 --> 00:36:25,840
Speaker 1: How it goes. It's just screaming and yeah, screaming, yelling,

764
00:36:25,920 --> 00:36:28,160
Speaker 1: get all this shit out. But it's like, damn, I

765
00:36:28,160 --> 00:36:29,879
Speaker 1: love you though, you know what I mean, like and

766
00:36:29,960 --> 00:36:32,279
Speaker 1: you know it's toxic, it's you know, but it's like,

767
00:36:33,320 --> 00:36:36,160
Speaker 1: you know, love is real. It's like, you know, yeah,

768
00:36:36,160 --> 00:36:38,400
Speaker 1: I'm insecure and you know why. And I've cried and

769
00:36:38,440 --> 00:36:40,560
Speaker 1: I've told you things and I've shared things with you,

770
00:36:41,120 --> 00:36:43,600
Speaker 1: and now you're using those things to like stab me

771
00:36:43,680 --> 00:36:45,239
Speaker 1: with them, you know what I'm saying. It's like throwing

772
00:36:45,280 --> 00:36:45,880
Speaker 1: in my face.

773
00:36:46,640 --> 00:36:46,840
Speaker 3: You know.

774
00:36:46,880 --> 00:36:50,600
Speaker 1: It's it's an unfortunate and unhealthy way to navigate their relationship,

775
00:36:50,600 --> 00:36:52,600
Speaker 1: but it's a real way. And to me, that's what

776
00:36:52,680 --> 00:36:59,040
Speaker 1: this album. It's just a real album. It's a raw, emotional, vulnerable,

777
00:37:00,840 --> 00:37:03,440
Speaker 1: just dope ass fucking way to just put together music

778
00:37:03,480 --> 00:37:05,879
Speaker 1: and art and deliver it to us. Man and that shit.

779
00:37:06,320 --> 00:37:10,480
Speaker 1: You know again it this to me, this is what

780
00:37:10,520 --> 00:37:12,040
Speaker 1: you call you know, we'd like to use the word

781
00:37:12,040 --> 00:37:15,279
Speaker 1: classic and masterpieces and you know those type of this

782
00:37:15,560 --> 00:37:19,719
Speaker 1: is what you call a masterpiece in my opinion, and again,

783
00:37:19,760 --> 00:37:21,760
Speaker 1: in my opinion is just my opinion on music. Everything

784
00:37:21,840 --> 00:37:23,880
Speaker 1: like that and how we all look at art and

785
00:37:23,880 --> 00:37:27,759
Speaker 1: receive artists different. But to me this checks all of

786
00:37:27,800 --> 00:37:31,439
Speaker 1: the boxes of Okay, this dude is one of one.

787
00:37:31,960 --> 00:37:33,560
Speaker 2: Oh, I completely agree with this.

788
00:37:33,480 --> 00:37:35,560
Speaker 1: This artist is one of one. There's not many that

789
00:37:35,640 --> 00:37:39,440
Speaker 1: can do what he just did. And you know, again,

790
00:37:39,480 --> 00:37:42,720
Speaker 1: it was palatable. Even the record was Summer.

791
00:37:43,480 --> 00:37:44,520
Speaker 2: I loved that record.

792
00:37:44,560 --> 00:37:45,520
Speaker 1: The record was sam Fo.

793
00:37:45,840 --> 00:37:47,880
Speaker 2: I told you guys when I tech it back from

794
00:37:48,000 --> 00:37:51,520
Speaker 2: LA that I had heard that Summer record and I

795
00:37:51,560 --> 00:37:53,879
Speaker 2: couldn't stop talking about the hook because I just thought

796
00:37:53,880 --> 00:37:56,480
Speaker 2: that line was so brilliant. Shut the fuck up. When

797
00:37:56,520 --> 00:37:58,560
Speaker 2: you hear love talking like that, shit is kind of

798
00:37:58,719 --> 00:38:02,319
Speaker 2: like a reminder for when you're in a relationship, like.

799
00:38:02,280 --> 00:38:02,919
Speaker 1: All right, that's love.

800
00:38:02,960 --> 00:38:04,719
Speaker 2: That's love, even if it doesn't sound like love, that's

801
00:38:04,760 --> 00:38:06,680
Speaker 2: love talking to me right, let me shut the fuck up?

802
00:38:07,760 --> 00:38:11,360
Speaker 2: Which was perfect. Coming after that, we cry together exactly.

803
00:38:11,120 --> 00:38:13,640
Speaker 1: Even though in the sequencing everything, like I said, this

804
00:38:13,680 --> 00:38:16,200
Speaker 1: is why to me and just my humble opinion, this

805
00:38:16,360 --> 00:38:19,279
Speaker 1: is what we call a masterpiece. This was a masterclass.

806
00:38:19,840 --> 00:38:23,640
Speaker 1: And are rapping hip hop, you know, just pulling in

807
00:38:23,800 --> 00:38:27,480
Speaker 1: from life and drawing inspiration from real events that's going

808
00:38:27,520 --> 00:38:30,759
Speaker 1: on in your world and putting them all together in

809
00:38:30,800 --> 00:38:33,880
Speaker 1: this what I call audiobook. Because Kendrick can go on

810
00:38:33,920 --> 00:38:36,560
Speaker 1: toward with this album and he can literally take this

811
00:38:36,640 --> 00:38:40,080
Speaker 1: could be a Broadway play. Yeah, Like he can literally

812
00:38:40,160 --> 00:38:42,839
Speaker 1: perform this as a Broadway piece, and you know, it's

813
00:38:42,840 --> 00:38:45,080
Speaker 1: just refreshing and dope to see that and a time

814
00:38:45,080 --> 00:38:49,480
Speaker 1: where you know everything is like just for clicks and

815
00:38:49,600 --> 00:38:51,960
Speaker 1: numbers and it's not nothing that's really like sticks to

816
00:38:52,000 --> 00:38:55,480
Speaker 1: the ribs and stands the test of time. That will.

817
00:38:56,280 --> 00:38:58,160
Speaker 1: I'll always go back to this album and listen to

818
00:38:58,239 --> 00:39:02,080
Speaker 1: it just because I feel like if you're not there

819
00:39:02,160 --> 00:39:04,839
Speaker 1: yet as far as emotionally with a lot of these

820
00:39:04,840 --> 00:39:07,319
Speaker 1: songs and things like that, one day you will. And

821
00:39:07,360 --> 00:39:10,200
Speaker 1: it's like those songs imaginate more like oh shit, Like

822
00:39:10,400 --> 00:39:12,640
Speaker 1: that's where it's timeless, you know what I mean. But

823
00:39:12,800 --> 00:39:16,359
Speaker 1: that's also I feel privileged to be around the exact

824
00:39:16,400 --> 00:39:20,400
Speaker 1: same age as Kendrick and have grown up the same

825
00:39:20,800 --> 00:39:24,479
Speaker 1: damn near you're apart from his first album to this one,

826
00:39:25,400 --> 00:39:27,000
Speaker 1: with very much similar experiences.

827
00:39:27,000 --> 00:39:29,040
Speaker 2: Like I'm glad I'm thirty two listening to this album

828
00:39:29,200 --> 00:39:31,960
Speaker 2: because there's so much stuff that's currently resonating in my

829
00:39:32,080 --> 00:39:34,200
Speaker 2: thirty two year old life. If I was twenty four,

830
00:39:35,160 --> 00:39:38,160
Speaker 2: probably I wasn't emotionally mature enough. I'd probably like, oh

831
00:39:38,239 --> 00:39:40,239
Speaker 2: this is cool, and I might even like some of

832
00:39:40,280 --> 00:39:42,320
Speaker 2: the deeper therapy stuff at twenty four, but I wouldn't

833
00:39:42,360 --> 00:39:45,480
Speaker 2: connected to it very well, just like us a cool perspective.

834
00:39:45,640 --> 00:39:48,319
Speaker 1: Yeah, yeah, no, this album was great, man.

835
00:39:48,920 --> 00:39:51,640
Speaker 2: I do think We Cry Together is his ratchet happy birthday.

836
00:39:51,360 --> 00:39:55,440
Speaker 1: Though, Okay, I can see that. I can see that

837
00:39:55,480 --> 00:39:56,640
Speaker 1: being his ratchet apby birth.

838
00:39:56,520 --> 00:39:59,719
Speaker 2: It's his ratchetppy birthday. Yeah, Because we know Drake makes

839
00:39:59,800 --> 00:40:03,080
Speaker 2: mus for women to party to better than probably any

840
00:40:03,160 --> 00:40:09,239
Speaker 2: artist ever. Kendrick a Lot would say makes some of

841
00:40:09,280 --> 00:40:11,480
Speaker 2: the greatest conscious music that you could still jam out

842
00:40:11,520 --> 00:40:15,080
Speaker 2: to and still have replay value. Drake completely missed the

843
00:40:15,120 --> 00:40:19,000
Speaker 2: mark on making a song for a woman to play

844
00:40:19,000 --> 00:40:22,440
Speaker 2: at her birthday, and it's skipped on the album and

845
00:40:22,480 --> 00:40:24,439
Speaker 2: We Cry Together, Yeah, listen to it on the first

846
00:40:24,440 --> 00:40:26,719
Speaker 2: go round, on the second go round, and the rest

847
00:40:26,760 --> 00:40:30,600
Speaker 2: of the weekend. I did skip that record. Okay, it

848
00:40:31,040 --> 00:40:33,879
Speaker 2: was his conscious record that didn't hit.

849
00:40:34,239 --> 00:40:36,239
Speaker 1: It's it's a record that I get it.

850
00:40:36,239 --> 00:40:37,360
Speaker 2: It should be an interlude.

851
00:40:38,480 --> 00:40:39,080
Speaker 1: Did we crowded?

852
00:40:39,400 --> 00:40:41,800
Speaker 2: Yeah? I agree, and you could consider it one. It

853
00:40:42,200 --> 00:40:43,399
Speaker 2: just didn't have the title of it.

854
00:40:43,840 --> 00:40:47,160
Speaker 1: A raw it's such a raw song and roy emotions

855
00:40:47,160 --> 00:40:50,200
Speaker 1: in that that you almost can't listen to it every

856
00:40:50,239 --> 00:40:51,120
Speaker 1: time we listen to the album.

857
00:40:51,160 --> 00:40:54,640
Speaker 2: Well right, well, also it was our motherfucking birthday. Like

858
00:40:54,719 --> 00:40:56,000
Speaker 2: there's raw emotions and rashit.

859
00:40:57,280 --> 00:40:57,560
Speaker 3: It's you.

860
00:40:58,200 --> 00:41:00,520
Speaker 1: Yes, I don't I ever want to hear you that again.

861
00:41:00,560 --> 00:41:07,240
Speaker 1: But yeah, absolutely right, Anti di please stop. The Anti

862
00:41:07,280 --> 00:41:11,200
Speaker 1: Diaries record. I thought was another record on here that's

863
00:41:11,239 --> 00:41:16,719
Speaker 1: just like, wow, yeah, you would say Anti Diaries, Mother,

864
00:41:16,800 --> 00:41:18,280
Speaker 1: I Sober, father.

865
00:41:18,160 --> 00:41:22,160
Speaker 2: Time, count me Out, Purple Hearts would probably be like

866
00:41:22,200 --> 00:41:27,120
Speaker 2: the Undeniable. I know N ninety five is the first single. Yeah,

867
00:41:27,280 --> 00:41:29,920
Speaker 2: but the ones I just named were the ones that,

868
00:41:30,000 --> 00:41:33,840
Speaker 2: like to me, were different different. I love Savior in

869
00:41:33,880 --> 00:41:37,280
Speaker 2: the Car mm hm. But yeah, Anti Diaries.

870
00:41:40,719 --> 00:41:44,239
Speaker 1: Speak to it. Anti Diaries, man. I mean, listen, we

871
00:41:44,320 --> 00:41:49,160
Speaker 1: all have, you know, family members that choose a lifestyle

872
00:41:49,719 --> 00:41:52,040
Speaker 1: that we may not always understand and always you know,

873
00:41:52,520 --> 00:41:58,719
Speaker 1: that's always uncomfortable to talk about. But again, Kendrick found

874
00:41:58,760 --> 00:42:03,120
Speaker 1: a way to put it together and say it where

875
00:42:03,160 --> 00:42:07,680
Speaker 1: it's like, exactly, that's exactly how well it was I felt,

876
00:42:07,760 --> 00:42:09,759
Speaker 1: that's exactly how I feel, That's exactly some of the

877
00:42:09,760 --> 00:42:12,440
Speaker 1: things that I went through, and I experienced, like, but

878
00:42:12,520 --> 00:42:14,359
Speaker 1: I love I don't care in my Auntie's a man now,

879
00:42:14,400 --> 00:42:17,719
Speaker 1: like I love I love her, I love him, you

880
00:42:17,719 --> 00:42:20,160
Speaker 1: know what I'm saying, Like that's just love. Like grew

881
00:42:20,239 --> 00:42:22,880
Speaker 1: up teaching me things like sharing things with me, like

882
00:42:23,400 --> 00:42:26,000
Speaker 1: just loving me, supporting me, Like I don't care what

883
00:42:26,560 --> 00:42:28,759
Speaker 1: the sexual preference is. I don't care about that.

884
00:42:28,840 --> 00:42:31,920
Speaker 2: Like, well, it's It's spoke a lot. It spoke to

885
00:42:31,960 --> 00:42:36,719
Speaker 2: the intelligent part of why cancel culture can be so

886
00:42:37,360 --> 00:42:43,480
Speaker 2: destructive and toxic because what she said perfectly, we all

887
00:42:43,560 --> 00:42:47,000
Speaker 2: have used that word when we were in middle school,

888
00:42:47,239 --> 00:42:47,520
Speaker 2: like that.

889
00:42:47,560 --> 00:42:49,799
Speaker 1: Was the worst. And you go back and listen to

890
00:42:49,800 --> 00:42:52,600
Speaker 1: some of our favorite rap songs, some of our favorite movies.

891
00:42:52,640 --> 00:42:55,520
Speaker 1: It's yes, it was. It was acceptable.

892
00:42:55,760 --> 00:42:59,680
Speaker 2: Now we learned that that word is not an acceptable word,

893
00:42:59,800 --> 00:43:01,440
Speaker 2: and we no longer we told I know, I know

894
00:43:01,440 --> 00:43:04,440
Speaker 2: other people do use it, but we no longer use

895
00:43:04,520 --> 00:43:06,399
Speaker 2: that because we had to learn and grow about it.

896
00:43:06,960 --> 00:43:10,800
Speaker 2: And even with a lot of transitioning and gender identities

897
00:43:10,800 --> 00:43:13,080
Speaker 2: and all that, that wasn't really something that was talked

898
00:43:13,120 --> 00:43:18,200
Speaker 2: about in our environments period. So yes, sometimes they would

899
00:43:18,239 --> 00:43:20,200
Speaker 2: get the butt of the jokes on stuff us not

900
00:43:20,280 --> 00:43:23,600
Speaker 2: really knowing how offensive that was to the person that

901
00:43:23,920 --> 00:43:26,640
Speaker 2: may even be quietly transitioning and not even telling anyone,

902
00:43:26,840 --> 00:43:28,800
Speaker 2: and we're using these words and they're taking it personally,

903
00:43:28,840 --> 00:43:31,479
Speaker 2: even if our intent was not to be talking about

904
00:43:31,800 --> 00:43:36,520
Speaker 2: any member of the LGBTQ community. That's how we were raised.

905
00:43:36,800 --> 00:43:38,920
Speaker 2: So now that we know and we don't use it anymore,

906
00:43:39,640 --> 00:43:44,040
Speaker 2: I guess we're undeservingly asking for the grace of saying, hey,

907
00:43:44,080 --> 00:43:47,040
Speaker 2: we really were raised to say that word and didn't

908
00:43:47,120 --> 00:43:51,120
Speaker 2: realize how offensive it was, so please don't condemn me

909
00:43:51,239 --> 00:43:55,080
Speaker 2: for something I didn't know and did way later on

910
00:43:55,120 --> 00:43:58,440
Speaker 2: in my life. Like I have used that word before,

911
00:43:59,320 --> 00:44:01,960
Speaker 2: once I realized that that was not even with mine

912
00:44:02,000 --> 00:44:03,440
Speaker 2: sound like you, I'm not talking about a gay person.

913
00:44:03,480 --> 00:44:08,000
Speaker 2: So I had to learn that that that word was

914
00:44:08,040 --> 00:44:11,120
Speaker 2: not appropriate and very fucking offensive and as can be

915
00:44:11,200 --> 00:44:13,520
Speaker 2: attached to actual violent acts, like it's not it's a

916
00:44:13,560 --> 00:44:17,200
Speaker 2: safety thing too. So I think Kendrick was putting in

917
00:44:17,239 --> 00:44:20,360
Speaker 2: the perspective of someone that grew up as any regular

918
00:44:20,440 --> 00:44:24,080
Speaker 2: kid and didn't know and then we learned, and we

919
00:44:24,160 --> 00:44:26,680
Speaker 2: want to be accepted too, that we were dumb and

920
00:44:26,760 --> 00:44:29,520
Speaker 2: just saying shit we didn't understand, Like, don't condemn me

921
00:44:29,560 --> 00:44:32,440
Speaker 2: as if I was intentionally using that word to say

922
00:44:32,440 --> 00:44:35,959
Speaker 2: it to you, to offend you or hurt your human

923
00:44:36,080 --> 00:44:38,719
Speaker 2: doesn't make it right or excuse it, but it adds

924
00:44:38,719 --> 00:44:39,719
Speaker 2: some understanding to it.

925
00:44:40,120 --> 00:44:43,600
Speaker 1: And that's what I love about the Auntie Diary, mister

926
00:44:43,680 --> 00:44:47,040
Speaker 1: Morale and the Big Steppers. Uh, you know? To me?

927
00:44:47,160 --> 00:44:50,160
Speaker 1: A masterpiece, a classic album?

928
00:44:50,880 --> 00:44:51,560
Speaker 3: Where does it rank?

929
00:44:51,640 --> 00:44:54,880
Speaker 1: A beautiful way to get out of cheating? We love it?

930
00:44:55,160 --> 00:44:59,040
Speaker 4: Where do you guys rank it? And Kindrick's discography.

931
00:44:59,840 --> 00:45:01,959
Speaker 2: I I don't know yet, It's it's too soon to tell.

932
00:45:02,600 --> 00:45:05,160
Speaker 2: I still have Good Kid, Mad City at number one.

933
00:45:06,560 --> 00:45:08,200
Speaker 1: I think this will be right after that.

934
00:45:09,560 --> 00:45:11,359
Speaker 2: Yeah, I'm gonna have to live with it. And that

935
00:45:11,480 --> 00:45:14,040
Speaker 2: includes like section eighty and hopefully dedicated to.

936
00:45:15,840 --> 00:45:17,799
Speaker 1: I think for me just because of where he is.

937
00:45:18,080 --> 00:45:20,680
Speaker 2: You know, if you could just give me like your

938
00:45:20,719 --> 00:45:22,240
Speaker 2: top three in order.

939
00:45:22,800 --> 00:45:28,600
Speaker 1: Good kid, mister Morale and I like damn Bro, it's.

940
00:45:28,520 --> 00:45:30,879
Speaker 2: Up between Dan and section eighty. I think for me, yeah,

941
00:45:31,480 --> 00:45:31,719
Speaker 2: I do.

942
00:45:32,120 --> 00:45:34,399
Speaker 1: I personally am damn good kid, mister.

943
00:45:34,840 --> 00:45:37,919
Speaker 2: So what's interesting? I saw I talked to a friend

944
00:45:37,960 --> 00:45:39,600
Speaker 2: of mine who's a rapper. Won't say his name because

945
00:45:39,680 --> 00:45:43,520
Speaker 2: rappers are sensitive, and he was disappointed with the production

946
00:45:44,239 --> 00:45:48,759
Speaker 2: on the album really, and I started talking to him

947
00:45:50,200 --> 00:45:52,839
Speaker 2: and he brought up Damn obviously, because Damn is like

948
00:45:52,880 --> 00:45:57,000
Speaker 2: a fucking masterclass in production, Like Damn is Damn is

949
00:45:57,080 --> 00:46:00,279
Speaker 2: kind of like my beautiful, dark, twisted fantasy, and that

950
00:46:00,320 --> 00:46:03,000
Speaker 2: it's like perfect. It's just there's not a single flaw.

951
00:46:03,480 --> 00:46:06,920
Speaker 2: It's like purposely the most high end music you can hear.

952
00:46:08,360 --> 00:46:10,560
Speaker 2: I don't think any of his messaging from this album

953
00:46:10,760 --> 00:46:15,480
Speaker 2: would have worked over Damn production. So it's like and

954
00:46:16,080 --> 00:46:18,400
Speaker 2: people with people with four forty four complained a lot

955
00:46:18,440 --> 00:46:20,840
Speaker 2: about the production that it was a little slow and

956
00:46:21,800 --> 00:46:24,680
Speaker 2: you know, different energy, Like but yeah, how you get

957
00:46:24,680 --> 00:46:27,080
Speaker 2: that type of shit off on the Damn beats?

958
00:46:27,480 --> 00:46:30,200
Speaker 1: Exactly? It's just different energy and you know that. And

959
00:46:30,200 --> 00:46:33,080
Speaker 1: that's that's not to say that Kendrick can't give you that,

960
00:46:33,120 --> 00:46:34,680
Speaker 1: because he gave us that. He gave us an album

961
00:46:34,719 --> 00:46:37,640
Speaker 1: with the production was you couldn't it was undeniable. Yeah,

962
00:46:37,760 --> 00:46:39,799
Speaker 1: I think this one just the energy and where he's

963
00:46:39,800 --> 00:46:43,880
Speaker 1: at in his life, this is what this is the

964
00:46:43,960 --> 00:46:47,920
Speaker 1: sound that it required some tracks when it was aggressive.

965
00:46:48,080 --> 00:46:50,359
Speaker 1: The drum of Kodak is Hard from Silent Hill loved

966
00:46:50,360 --> 00:46:53,120
Speaker 1: that record. I love the fact that Kendrick kind of

967
00:46:53,160 --> 00:46:55,919
Speaker 1: like snatched Kodak and kind of narrated it more or less.

968
00:46:56,200 --> 00:46:58,720
Speaker 1: And because you know, Kodak is one of those artists

969
00:46:58,719 --> 00:47:01,439
Speaker 1: that I've always you know, highly of that I see

970
00:47:01,440 --> 00:47:05,239
Speaker 1: the amazing talent and if he can just get out

971
00:47:05,280 --> 00:47:09,160
Speaker 1: of his own way, Yeah, so it's good to see

972
00:47:09,160 --> 00:47:12,640
Speaker 1: somebody like Kendrick reach back and kind of like give

973
00:47:12,719 --> 00:47:16,200
Speaker 1: him that stage in that platform, like, yeah, you're special, bro,

974
00:47:16,400 --> 00:47:17,040
Speaker 1: Like you know what I mean.

975
00:47:17,280 --> 00:47:20,239
Speaker 2: And I feel like even like kind of stereotypically within

976
00:47:20,320 --> 00:47:23,200
Speaker 2: hip hop because you know, the fan bases I'm not

977
00:47:23,200 --> 00:47:25,520
Speaker 2: even saying race related, but just the fan basis of

978
00:47:25,600 --> 00:47:27,920
Speaker 2: like the real hip hop and like the conscious hip

979
00:47:27,920 --> 00:47:32,400
Speaker 2: hop shit would look at Kodak without really giving him

980
00:47:32,400 --> 00:47:34,359
Speaker 2: a chance and be like that's not for me. Yeah,

981
00:47:34,400 --> 00:47:36,640
Speaker 2: I can't understand him, Like what the fuck is going on?

982
00:47:37,400 --> 00:47:41,640
Speaker 2: I like that Kendrick took Kodak, knowing Kodak probably has

983
00:47:41,680 --> 00:47:43,440
Speaker 2: a lot of the same experiences in his life that

984
00:47:43,520 --> 00:47:46,600
Speaker 2: Kendrick does, but from a different point of view. It's

985
00:47:46,600 --> 00:47:50,040
Speaker 2: from a Southern point of view, and you can highlight

986
00:47:50,080 --> 00:47:53,480
Speaker 2: how fucking intelligent Kodak really is and put him in

987
00:47:53,480 --> 00:47:55,879
Speaker 2: a conscious space and be like, see this doesn't sound weird. Yeah,

988
00:47:55,920 --> 00:47:58,600
Speaker 2: exactly like this sounds fine. This is y'all are judging

989
00:47:58,880 --> 00:48:01,359
Speaker 2: to y'all are judging hip hop incorrectly, right right?

990
00:48:01,600 --> 00:48:03,520
Speaker 1: I just I love that man. That just shows the

991
00:48:03,560 --> 00:48:06,040
Speaker 1: type of person that Kendrick is. You know, he recognizes

992
00:48:06,080 --> 00:48:09,160
Speaker 1: he's an artist that you know, if we just put

993
00:48:09,200 --> 00:48:11,840
Speaker 1: an arm around him and got him and kind of

994
00:48:11,880 --> 00:48:14,120
Speaker 1: you know, put him in different rooms and allow him

995
00:48:14,360 --> 00:48:16,680
Speaker 1: to be the genius that I believe he is and

996
00:48:16,760 --> 00:48:18,160
Speaker 1: just you know, get out of his way and take

997
00:48:18,200 --> 00:48:21,319
Speaker 1: him out of those environments and those temptations around him

998
00:48:21,400 --> 00:48:23,799
Speaker 1: that you know, pull at you and kind of keep

999
00:48:23,840 --> 00:48:26,120
Speaker 1: you in a certain space as far as your energy

1000
00:48:26,200 --> 00:48:29,919
Speaker 1: and just your thought process. Put him somewhere and bring

1001
00:48:29,960 --> 00:48:32,279
Speaker 1: him around a room with different energy and different type

1002
00:48:32,320 --> 00:48:35,040
Speaker 1: of love and different type of respect and support and

1003
00:48:35,120 --> 00:48:37,600
Speaker 1: watch him shine. And I thought, you know, shout out

1004
00:48:37,640 --> 00:48:39,839
Speaker 1: to Kendrick for that. It takes it takes a certain

1005
00:48:39,920 --> 00:48:42,000
Speaker 1: type of person to recognize that and see that and

1006
00:48:42,040 --> 00:48:45,520
Speaker 1: then to act on it and do things like give

1007
00:48:45,600 --> 00:48:47,120
Speaker 1: him this stage. He knew what this was going to

1008
00:48:47,200 --> 00:48:49,239
Speaker 1: do for Kodak. Yeah, and now puts them on a

1009
00:48:49,280 --> 00:48:53,399
Speaker 1: different respect level from other artists. People now go check

1010
00:48:53,400 --> 00:48:56,319
Speaker 1: out Kodak and you know, not just the songs that

1011
00:48:56,400 --> 00:48:59,640
Speaker 1: you hear going viral, like dig into his catalog like

1012
00:48:59,680 --> 00:49:02,640
Speaker 1: he's he has gems and bars in there with It's like,

1013
00:49:02,640 --> 00:49:04,640
Speaker 1: how old is this kid? Nineteen twenty?

1014
00:49:04,880 --> 00:49:07,080
Speaker 2: Like you were the one that because I would listen

1015
00:49:07,080 --> 00:49:09,839
Speaker 2: to Kodak records that everyone did, I never dug deep

1016
00:49:10,200 --> 00:49:12,680
Speaker 2: you started playing years ago Kodak around me.

1017
00:49:12,680 --> 00:49:15,920
Speaker 1: I was like, yeah, oh he he's different. No, no, no, Kodak.

1018
00:49:16,040 --> 00:49:18,440
Speaker 1: He's definitely one of those guys that you know, when

1019
00:49:18,440 --> 00:49:21,920
Speaker 1: you just listen to people with a different type of intent,

1020
00:49:22,640 --> 00:49:26,080
Speaker 1: you start to hear things like, oh his brain works

1021
00:49:26,360 --> 00:49:29,399
Speaker 1: on that frequency. He just is not dialed into that yet,

1022
00:49:29,719 --> 00:49:31,440
Speaker 1: you know what I mean. But he has things he's

1023
00:49:31,480 --> 00:49:33,759
Speaker 1: been saying throughout his career, and it's like for a

1024
00:49:33,840 --> 00:49:36,080
Speaker 1: kid to be this young talking about things like this

1025
00:49:36,200 --> 00:49:38,520
Speaker 1: and saying things like this, you know that it's in him,

1026
00:49:38,719 --> 00:49:39,640
Speaker 1: like it's.

1027
00:49:39,680 --> 00:49:41,840
Speaker 2: It's set differently because where he's from.

1028
00:49:41,600 --> 00:49:43,880
Speaker 1: Exactly, and there's certain things that still you know, energy's

1029
00:49:43,920 --> 00:49:45,960
Speaker 1: still around, a certain energy that still pulls at him

1030
00:49:45,960 --> 00:49:48,440
Speaker 1: in a way and has him in bad situations but

1031
00:49:48,680 --> 00:49:50,600
Speaker 1: shout out to Kendrick for that thought. That was super dope.

1032
00:49:50,640 --> 00:49:52,560
Speaker 1: Definitely was a surprise to me. I didn't expect that.

1033
00:49:52,600 --> 00:49:55,240
Speaker 1: I didn't see that happening, but that was super fire.

1034
00:49:55,440 --> 00:49:56,360
Speaker 2: Shout out to Whitney.

1035
00:49:58,640 --> 00:50:01,960
Speaker 1: Shout out to Whitney. Why Shauna Whitney.

1036
00:50:03,120 --> 00:50:07,160
Speaker 2: For I'm sure Kendrick and his wife or ex wife.

1037
00:50:07,200 --> 00:50:09,840
Speaker 2: I didn't fully at the end of the album nowhere

1038
00:50:09,840 --> 00:50:13,080
Speaker 2: it landed. I'm sure they had a conversation. I believe

1039
00:50:13,080 --> 00:50:16,719
Speaker 2: that's her on the album cover. Yes, so obviously she

1040
00:50:16,840 --> 00:50:21,440
Speaker 2: was very much involved in this album. Now, if we

1041
00:50:21,600 --> 00:50:26,040
Speaker 2: go back into Kendrick's relationship, all we've known and loved

1042
00:50:26,080 --> 00:50:28,479
Speaker 2: about them is that they stayed to themselves. They shut

1043
00:50:28,520 --> 00:50:30,640
Speaker 2: the fuck up. It was all the memes, Like Kendrick

1044
00:50:30,680 --> 00:50:32,719
Speaker 2: has had the same girl since high school and they

1045
00:50:32,800 --> 00:50:36,040
Speaker 2: don't go in public, and like her life, the only

1046
00:50:36,040 --> 00:50:37,759
Speaker 2: thing we know publicly about her life is that it's

1047
00:50:37,800 --> 00:50:44,920
Speaker 2: not public and that's what she's known for. So whereas

1048
00:50:44,920 --> 00:50:49,000
Speaker 2: four forty four, yeah we got lemonade, Beyonce is the

1049
00:50:49,080 --> 00:50:54,920
Speaker 2: biggest star ever. Jay is huge. Their relationship has been

1050
00:50:54,960 --> 00:50:59,200
Speaker 2: picked apart. We saw the elevator like it wasn't something

1051
00:50:59,239 --> 00:51:03,319
Speaker 2: that I think would affect them drastically because they're so

1052
00:51:03,400 --> 00:51:06,120
Speaker 2: used to the public guy. Now Whitney has minded her

1053
00:51:06,120 --> 00:51:12,480
Speaker 2: fucking business right for Kendrick's whole career, and now we're

1054
00:51:12,520 --> 00:51:15,600
Speaker 2: about to shatter that perfect image of what we thought

1055
00:51:15,640 --> 00:51:20,960
Speaker 2: the high school sweetheart, private marriage. They're doing it right. Couples,

1056
00:51:21,000 --> 00:51:22,960
Speaker 2: real couples, goals like I would see people like now,

1057
00:51:22,960 --> 00:51:24,560
Speaker 2: I don't want that. I want Kendrick and Whitney have.

1058
00:51:25,600 --> 00:51:27,400
Speaker 2: Now that is going to be put in the public.

1059
00:51:27,440 --> 00:51:30,600
Speaker 2: You're not a public figure. This album is gonna sell

1060
00:51:30,640 --> 00:51:35,760
Speaker 2: half a million first week. Probably your business is out there, yeah,

1061
00:51:35,840 --> 00:51:36,919
Speaker 2: like out there out there.

1062
00:51:37,160 --> 00:51:40,799
Speaker 1: Yeah, she definitely uh. But you know, we talk about

1063
00:51:40,840 --> 00:51:45,479
Speaker 1: this a lot that women are definitely the gatekeepers quote

1064
00:51:45,560 --> 00:51:50,520
Speaker 1: unquote the driving force behind culture and hip hop. Some

1065
00:51:50,600 --> 00:51:55,319
Speaker 1: of our greatest records were inspired by women. Some of

1066
00:51:55,360 --> 00:51:59,600
Speaker 1: our greatest albums were inspired by women, you know what

1067
00:51:59,600 --> 00:52:02,520
Speaker 1: I mean. So it's just it's just dope to see

1068
00:52:03,440 --> 00:52:06,920
Speaker 1: a star like Kendrick, superstar like Kendrick be so vulnerable

1069
00:52:06,920 --> 00:52:12,439
Speaker 1: and honest about his life and relationship and how it's like, yeah,

1070
00:52:12,480 --> 00:52:16,200
Speaker 1: I go through the same thing that quote unquote normal

1071
00:52:16,280 --> 00:52:18,800
Speaker 1: every day, regular people go through we have the same issues.

1072
00:52:18,880 --> 00:52:20,719
Speaker 2: And I don't know if he's mister Morale if he

1073
00:52:20,760 --> 00:52:22,360
Speaker 2: explained the title, but how I perceived it after the

1074
00:52:22,400 --> 00:52:27,759
Speaker 2: album was we have given Kendrick that he has morals integrity.

1075
00:52:28,040 --> 00:52:32,800
Speaker 2: He's this conscious straight up like he's perfect, he's intelligent everything,

1076
00:52:33,520 --> 00:52:34,279
Speaker 2: and this album is.

1077
00:52:34,280 --> 00:52:39,160
Speaker 1: Like, no, I'm over here, Morale. I'm like here going.

1078
00:52:39,080 --> 00:52:41,400
Speaker 2: Through look at all the moral things I've done.

1079
00:52:41,520 --> 00:52:41,880
Speaker 1: Yeah.

1080
00:52:41,960 --> 00:52:44,399
Speaker 2: Yeah, So I thought that was ill and father time.

1081
00:52:45,680 --> 00:52:48,879
Speaker 2: That's a It's a very interesting one that I think

1082
00:52:48,920 --> 00:52:52,160
Speaker 2: a lot of men that have been in relationships and

1083
00:52:52,200 --> 00:52:59,279
Speaker 2: in therapy and had to have those conversations have felt

1084
00:52:59,520 --> 00:53:05,400
Speaker 2: because you can dig into cheating and insecurities and wanting

1085
00:53:05,440 --> 00:53:07,439
Speaker 2: to feel wanted, even if it's from a stranger, things

1086
00:53:07,440 --> 00:53:11,480
Speaker 2: like that, which can definitely derive from how men are raised.

1087
00:53:12,480 --> 00:53:16,760
Speaker 2: So once that becomes not really an excuse or reason

1088
00:53:17,680 --> 00:53:20,520
Speaker 2: to cheating, that's a difficult conversation to have with a

1089
00:53:20,600 --> 00:53:23,120
Speaker 2: human because cheating is something that we don't really put

1090
00:53:23,160 --> 00:53:24,160
Speaker 2: on mental health at all.

1091
00:53:24,520 --> 00:53:25,040
Speaker 1: You cheat, your.

1092
00:53:25,000 --> 00:53:28,399
Speaker 2: Scumbag, your dirt bag, line, piece of shit. It's never

1093
00:53:28,520 --> 00:53:31,600
Speaker 2: fully understood and it can almost come across as like, oh,

1094
00:53:31,640 --> 00:53:34,799
Speaker 2: you're using the mental health thing to do. The cheating part.

1095
00:53:36,280 --> 00:53:39,160
Speaker 2: Now it's explained, and I mean Kendrick kept it at

1096
00:53:39,160 --> 00:53:41,560
Speaker 2: a surface level that we could all make it palatable,

1097
00:53:41,600 --> 00:53:44,680
Speaker 2: as you said, But I think that's a conversation to

1098
00:53:44,719 --> 00:53:47,000
Speaker 2: be had, and I don't think it's just male specific.

1099
00:53:47,040 --> 00:53:50,000
Speaker 2: I think women cheat for very specific reasons that is

1100
00:53:50,000 --> 00:53:52,399
Speaker 2: attached to how they were raised and their mental health.

1101
00:53:53,880 --> 00:53:55,799
Speaker 2: I just don't know if the world's with how we

1102
00:53:55,920 --> 00:53:59,120
Speaker 2: view cheating, if the world is really ready to have

1103
00:53:59,200 --> 00:54:04,080
Speaker 2: mental health being a excuse and reason and maybe accepting

1104
00:54:05,160 --> 00:54:09,840
Speaker 2: of certain behaviors in relationships when it it's connected to cheating.

1105
00:54:11,440 --> 00:54:13,120
Speaker 1: I think that's the beauty of this album is that

1106
00:54:13,320 --> 00:54:17,719
Speaker 1: he's trying to make it to where it's okay to

1107
00:54:18,400 --> 00:54:21,880
Speaker 1: have those conversations. Like you said, his wife asks him, like,

1108
00:54:22,160 --> 00:54:25,920
Speaker 1: you have an addiction, bro. That's that takes a different

1109
00:54:25,920 --> 00:54:30,120
Speaker 1: type of woman to present it to her husband like that, yeah,

1110
00:54:30,360 --> 00:54:33,319
Speaker 1: her partner and just want to talk about it, like

1111
00:54:33,520 --> 00:54:35,440
Speaker 1: I think you may have an addiction. I love you.

1112
00:54:35,480 --> 00:54:38,160
Speaker 2: But because that's not usually obviously that was not the

1113
00:54:38,160 --> 00:54:42,680
Speaker 2: first time it was caught, so the typical person, male

1114
00:54:42,800 --> 00:54:46,480
Speaker 2: or female would be like, all right again, I'm out

1115
00:54:46,480 --> 00:54:48,960
Speaker 2: of here like I I allowed it the first few

1116
00:54:49,000 --> 00:54:51,120
Speaker 2: times whatever, Like you said, he was gonna stop, let

1117
00:54:51,120 --> 00:54:52,600
Speaker 2: me just get the fuck out of here, not like,

1118
00:54:53,080 --> 00:54:55,680
Speaker 2: all right, you have an addiction, I'm putting you in therby. Yeah,

1119
00:54:55,880 --> 00:54:57,000
Speaker 2: and then we'll figure it out from there.

1120
00:54:58,400 --> 00:55:04,000
Speaker 1: Strong, strong, powerful, powerful project, you know. Salute to Kendrick

1121
00:55:04,080 --> 00:55:07,640
Speaker 1: his entire team. This was amazing, Thank you for this.

1122
00:55:08,800 --> 00:55:11,040
Speaker 1: It was like I said, didn't I don't even know

1123
00:55:11,080 --> 00:55:13,120
Speaker 1: if anything else came out over the weekend. I didn't

1124
00:55:13,440 --> 00:55:16,160
Speaker 1: get a chance to hear it was he had anything. Sorry,

1125
00:55:17,960 --> 00:55:20,920
Speaker 1: but yeah, mister Morale and the Big Steppers supposed to

1126
00:55:20,920 --> 00:55:22,680
Speaker 1: do some crazy number. Not that I care about what

1127
00:55:22,719 --> 00:55:24,319
Speaker 1: it's going to do its first week. I don't care

1128
00:55:24,320 --> 00:55:26,840
Speaker 1: about that type of shit. But this is on record

1129
00:55:26,880 --> 00:55:28,680
Speaker 1: to be the biggest release.

1130
00:55:29,960 --> 00:55:34,279
Speaker 2: Of the year eight and he's damn Kendrick. This will

1131
00:55:34,320 --> 00:55:37,799
Speaker 2: probably be his biggest release because it's eighteen records. He

1132
00:55:37,960 --> 00:55:41,920
Speaker 2: was already streaming, obviously more than pretty much anyone besides

1133
00:55:42,000 --> 00:55:47,719
Speaker 2: Drake sometimes Yeah yeah with fourteen and under mhm, you

1134
00:55:47,760 --> 00:55:51,720
Speaker 2: get an eighteen. With these algorithms, Kendrick might do something stupid.

1135
00:55:52,560 --> 00:55:54,920
Speaker 1: Well, it's worth it, you know, it's worth it. It's a

1136
00:55:54,960 --> 00:55:59,320
Speaker 1: great project rappers, artists. I hope and pray that y'all

1137
00:55:59,320 --> 00:56:01,360
Speaker 1: take this in and the appreciated and just you know,

1138
00:56:01,520 --> 00:56:04,800
Speaker 1: understand what this is really about and how this is

1139
00:56:04,880 --> 00:56:07,880
Speaker 1: really supposed to go, and you know what hip hop is.

1140
00:56:08,719 --> 00:56:13,040
Speaker 1: It's supposed to be the soundtrack to our communities and

1141
00:56:13,040 --> 00:56:15,600
Speaker 1: our you know, homes and what's going on in our

1142
00:56:16,160 --> 00:56:17,960
Speaker 1: lives and things like that. But make it cool to

1143
00:56:18,000 --> 00:56:19,919
Speaker 1: talk about. And I think that Kendrick did that.

1144
00:56:20,239 --> 00:56:21,600
Speaker 2: Was it a shot at Drake that he left him

1145
00:56:21,600 --> 00:56:22,040
Speaker 2: off Savior?

1146
00:56:23,440 --> 00:56:25,080
Speaker 1: Well, he said, he you know, he said he has

1147
00:56:25,160 --> 00:56:26,920
Speaker 1: some maturing to do. He said when he saw Kanye

1148
00:56:26,960 --> 00:56:29,719
Speaker 1: and Drake makeup, he knew that he had. And even

1149
00:56:29,760 --> 00:56:32,920
Speaker 1: that was just honest to say that, Like I'm not

1150
00:56:33,000 --> 00:56:33,560
Speaker 1: there yet.

1151
00:56:33,600 --> 00:56:36,040
Speaker 2: Like I know a lot of people look at like

1152
00:56:36,040 --> 00:56:39,120
Speaker 2: what kind of goofy shit? Y'all just was going back

1153
00:56:39,160 --> 00:56:43,200
Speaker 2: and forth. Now y'all walking down to fucking steps together? Yeah, yeah,

1154
00:56:43,280 --> 00:56:44,400
Speaker 2: it's like, well, weird shit is this?

1155
00:56:44,480 --> 00:56:47,480
Speaker 1: Yeah? That's what I'm saying. This was this, This project

1156
00:56:47,560 --> 00:56:52,040
Speaker 1: I think is well hopefully it It just makes people

1157
00:56:52,239 --> 00:56:56,840
Speaker 1: just be more forthcoming with honest conversations and emotions, just

1158
00:56:56,880 --> 00:56:59,600
Speaker 1: be honest with your emotions and say what's on your

1159
00:56:59,600 --> 00:57:02,560
Speaker 1: mind and in your heart, you know, but from a

1160
00:57:02,600 --> 00:57:06,439
Speaker 1: place of not disrespect. Just like Yo, I'm just not there.

1161
00:57:06,480 --> 00:57:08,879
Speaker 1: I'm not into that. I don't It's not what I do.

1162
00:57:09,080 --> 00:57:11,200
Speaker 1: I don't fuck with that type of shit, like you know.

1163
00:57:11,920 --> 00:57:14,400
Speaker 1: I think that it's just this is going to promote

1164
00:57:14,440 --> 00:57:18,520
Speaker 1: a lot of healthy conversations, I hope for sure. So

1165
00:57:18,560 --> 00:57:20,640
Speaker 1: for that time, when's the next time I will be

1166
00:57:20,720 --> 00:57:21,440
Speaker 1: hearing from Kendrick?

1167
00:57:21,560 --> 00:57:21,880
Speaker 3: You think?

1168
00:57:22,960 --> 00:57:23,760
Speaker 1: Or is this the last one?

1169
00:57:24,040 --> 00:57:24,160
Speaker 4: Uh?

1170
00:57:25,880 --> 00:57:29,600
Speaker 2: I think the direction of the company with Dave is

1171
00:57:29,640 --> 00:57:32,600
Speaker 2: really don't. I don't think Kendrick's going to disappear. I

1172
00:57:32,640 --> 00:57:35,040
Speaker 2: think we'll see a lot more of Kendrick. He'll pop

1173
00:57:35,120 --> 00:57:38,160
Speaker 2: up on a lot of stuff, but an album, not sure,

1174
00:57:38,200 --> 00:57:40,400
Speaker 2: because he's about to start this whole well, he has

1175
00:57:40,480 --> 00:57:42,560
Speaker 2: launched the company with Dave already, but now obviously out

1176
00:57:42,600 --> 00:57:45,320
Speaker 2: of the TD shit, him and Dave can freely work

1177
00:57:45,600 --> 00:57:46,120
Speaker 2: just on this.

1178
00:57:46,840 --> 00:57:48,120
Speaker 1: I think King is the focus.

1179
00:57:48,360 --> 00:57:50,120
Speaker 2: King is definitely a focus. I just think we're gonna

1180
00:57:50,120 --> 00:57:53,160
Speaker 2: see Kendrick. He'll be more visible than he's ever been before. Yeah,

1181
00:57:53,200 --> 00:57:55,480
Speaker 2: because he's gonna have to develop these artists and of

1182
00:57:55,480 --> 00:57:59,840
Speaker 2: course they're gonna need the Kendrick help, as any rap

1183
00:58:00,160 --> 00:58:03,480
Speaker 2: rapper slash label head would do. Yeah, And I don't

1184
00:58:03,480 --> 00:58:05,240
Speaker 2: think it'll just be music. I think it's been clear

1185
00:58:05,240 --> 00:58:08,280
Speaker 2: that him and Dave want to work on creative stuff

1186
00:58:08,640 --> 00:58:12,200
Speaker 2: visual Yeah, from visuals, the movies, TV, et cetera. So

1187
00:58:12,480 --> 00:58:13,880
Speaker 2: I just think we'll see a lot more of them.

1188
00:58:13,920 --> 00:58:15,520
Speaker 2: I don't know if that's going to be musically, but

1189
00:58:15,680 --> 00:58:17,960
Speaker 2: Kendrick will be present way more than he's ever then,

1190
00:58:18,800 --> 00:58:21,560
Speaker 2: is my guess the matters of a woman's point of

1191
00:58:21,640 --> 00:58:24,200
Speaker 2: view on the album, I actually.

1192
00:58:23,960 --> 00:58:24,560
Speaker 3: Have not heard it.

1193
00:58:25,680 --> 00:58:26,600
Speaker 1: Oh you didn't hit album yet.

1194
00:58:26,680 --> 00:58:29,840
Speaker 3: I haven't had a chance to really busy weekend.

1195
00:58:30,640 --> 00:58:32,520
Speaker 4: When you get a chance, you know, I definitely know,

1196
00:58:32,520 --> 00:58:34,240
Speaker 4: I definitely I plan I catch it up by all

1197
00:58:34,280 --> 00:58:35,640
Speaker 4: the albums that released this month.

1198
00:58:35,880 --> 00:58:38,840
Speaker 3: I just haven't been listening to music.

1199
00:58:38,960 --> 00:58:40,880
Speaker 4: I don't listen to music like most people do, like

1200
00:58:41,040 --> 00:58:44,080
Speaker 4: who have to hear it like constantly, like when they're cleaning,

1201
00:58:44,120 --> 00:58:47,320
Speaker 4: when they're cooking, when they're like when they're walking, like

1202
00:58:47,440 --> 00:58:49,360
Speaker 4: I very rarely play music.

1203
00:58:49,560 --> 00:58:51,760
Speaker 1: Funny enough, Now, this was I mean, this was obviously

1204
00:58:51,760 --> 00:58:53,800
Speaker 1: the one that we was waiting on. Yeah, so this

1205
00:58:53,880 --> 00:58:58,880
Speaker 1: was I made sure that I took all of Saturday nights,

1206
00:58:59,040 --> 00:59:02,400
Speaker 1: Sunday morning, Sunday afternoon to really just keep it playing.

1207
00:59:02,720 --> 00:59:04,200
Speaker 1: Even if I'm in the house clean and it's just

1208
00:59:04,240 --> 00:59:07,800
Speaker 1: like rotating. I'm just listening to hearing songs differently catching lines.

1209
00:59:09,160 --> 00:59:11,120
Speaker 1: But you're a great project, man. This is this is

1210
00:59:11,160 --> 00:59:16,200
Speaker 1: a beautiful, beautiful project that summer set I got Kendrick

1211
00:59:16,280 --> 00:59:17,040
Speaker 1: and Bad Bunny.

1212
00:59:17,520 --> 00:59:19,840
Speaker 2: You're gonna be You're gonna be going cut crazy, You're.

1213
00:59:19,760 --> 00:59:20,880
Speaker 1: Gonna be twerking and praying.

1214
00:59:23,000 --> 00:59:30,080
Speaker 3: Yo. What so who's coming next? Out of Kendrick South

1215
00:59:30,080 --> 00:59:31,160
Speaker 3: the way? Who was coming next?

1216
00:59:31,240 --> 00:59:34,520
Speaker 1: Some people are gonna sit out for It's not gonna

1217
00:59:34,520 --> 00:59:35,320
Speaker 1: be some releases for that.

1218
00:59:35,320 --> 00:59:38,040
Speaker 4: I don't mean like next like immediately, I mean this year.

1219
00:59:38,800 --> 00:59:40,200
Speaker 4: Oh you think will be next?

1220
00:59:40,200 --> 00:59:42,600
Speaker 2: We'd I think it kind of left room. That's why

1221
00:59:42,600 --> 00:59:44,439
Speaker 2: I did like this album too, because you know there's

1222
00:59:44,480 --> 00:59:46,480
Speaker 2: some albums where it's like, all right, no one can

1223
00:59:46,520 --> 00:59:49,000
Speaker 2: really put ship out because it's gonna sound weird.

1224
00:59:49,200 --> 00:59:51,720
Speaker 1: Yeah, like this is like nobody's not do this.

1225
00:59:51,760 --> 00:59:55,800
Speaker 2: It's not Butterfly, Like maybe people should wait and like

1226
00:59:56,320 --> 00:59:59,600
Speaker 2: clear the palate. This is something else can go against

1227
00:59:59,640 --> 01:00:01,360
Speaker 2: this that's nothing like totally different.

1228
01:00:01,440 --> 01:00:03,480
Speaker 1: Yeah, so it's still room and don't get it twisted

1229
01:00:03,720 --> 01:00:06,200
Speaker 1: all about balance here. I played the Kendrick ship and

1230
01:00:06,240 --> 01:00:08,200
Speaker 1: then I went right back to es TG and for

1231
01:00:08,400 --> 01:00:10,760
Speaker 1: two dug on my thumb ship. Don't get it twisted

1232
01:00:10,760 --> 01:00:12,760
Speaker 1: like we keep balancing all that around here, Like I'm

1233
01:00:12,760 --> 01:00:15,520
Speaker 1: gonna I'm gonna get the consciousness and the mental health ship.

1234
01:00:15,560 --> 01:00:17,080
Speaker 1: But then we're gonna put on some E. S T

1235
01:00:17,200 --> 01:00:19,920
Speaker 1: and we're gonna we're gonna roll up and do what

1236
01:00:19,960 --> 01:00:24,320
Speaker 1: we do. But yeah, I think that obviously. I think

1237
01:00:24,400 --> 01:00:27,120
Speaker 1: I think Hova's coming this year. You think, yeah, I

1238
01:00:27,120 --> 01:00:28,400
Speaker 1: think Beyonce is coming this year.

1239
01:00:29,640 --> 01:00:30,560
Speaker 3: Do you have insights?

1240
01:00:31,040 --> 01:00:32,520
Speaker 2: I think I could see b.

1241
01:00:32,560 --> 01:00:35,800
Speaker 1: Before hoobahs Hovas. We already got a verse from him

1242
01:00:35,840 --> 01:00:38,840
Speaker 1: with push Like once you see Hove doing things like that,

1243
01:00:38,840 --> 01:00:40,880
Speaker 1: that means he's.

1244
01:00:40,520 --> 01:00:42,520
Speaker 3: Jay always throw a little verse out every once in

1245
01:00:42,600 --> 01:00:42,919
Speaker 3: a while.

1246
01:00:43,000 --> 01:00:45,960
Speaker 1: No, but that means he's like he's creating.

1247
01:00:46,080 --> 01:00:47,080
Speaker 3: He's an album mode.

1248
01:00:47,160 --> 01:00:50,000
Speaker 1: Yeah, he's an album. Beyonce is an album d I believe.

1249
01:00:50,160 --> 01:00:52,520
Speaker 2: I mean, Gurus even said in interviews publicly like he's

1250
01:00:52,560 --> 01:00:55,800
Speaker 2: always working. It's just if something sticks that it feels

1251
01:00:55,800 --> 01:00:57,760
Speaker 2: like it could carry the rest of the project. Yeah,

1252
01:00:57,960 --> 01:00:59,240
Speaker 2: like he'll record every day.

1253
01:01:00,000 --> 01:01:02,760
Speaker 1: It's just say, I think albums like this shake the

1254
01:01:03,440 --> 01:01:08,880
Speaker 1: It wakes the those guys. Yeah, it's like, oh they

1255
01:01:08,880 --> 01:01:11,480
Speaker 1: feel inspired. Yeah, that's what I'm saying. It's just it

1256
01:01:11,960 --> 01:01:16,240
Speaker 1: shakes the tree where it's like, okay, like he's Kendrick

1257
01:01:16,320 --> 01:01:18,360
Speaker 1: has arrived. You know what I'm saying, Like, oh, he's

1258
01:01:19,480 --> 01:01:22,680
Speaker 1: he's here, He's one of He's one of the greats

1259
01:01:22,720 --> 01:01:23,240
Speaker 1: at this point.

1260
01:01:23,480 --> 01:01:26,560
Speaker 2: Like ship Hop does it with three Stacks after Life

1261
01:01:26,560 --> 01:01:28,600
Speaker 2: of the Party Verse, which was very similar to the

1262
01:01:28,600 --> 01:01:36,120
Speaker 2: content that's on Kendrick's album, just down to childhood, analyzing it, therapy,

1263
01:01:36,240 --> 01:01:40,160
Speaker 2: how you react to it. That's the bag Andre's in

1264
01:01:40,240 --> 01:01:42,360
Speaker 2: right now. And Kendrick just put this out. I hope

1265
01:01:42,360 --> 01:01:46,240
Speaker 2: that kind of leads Andre back into something. Yeah that's

1266
01:01:46,280 --> 01:01:47,160
Speaker 2: not just flute related.

1267
01:01:48,200 --> 01:01:50,640
Speaker 1: Yeah, man, stacks put the flutes down, goddamn it and

1268
01:01:50,640 --> 01:01:52,880
Speaker 1: getting the booth. You can bring the flute with you.

1269
01:01:52,960 --> 01:01:55,280
Speaker 2: Yeah, I don't mind bring the flu with you, but

1270
01:01:55,320 --> 01:01:56,200
Speaker 2: you can unleash the flut.

1271
01:01:56,240 --> 01:01:58,000
Speaker 1: Yeah. We need some bars, man, we need some. We

1272
01:01:58,000 --> 01:02:01,200
Speaker 1: need some bars. I need some I need some some captions, man.

1273
01:02:01,320 --> 01:02:04,000
Speaker 2: Some melody something yeah, or just let me get a

1274
01:02:04,000 --> 01:02:05,880
Speaker 2: photo and so if not, you'll.

1275
01:02:05,720 --> 01:02:08,040
Speaker 1: See him and just I promise you stayed it on

1276
01:02:08,040 --> 01:02:08,400
Speaker 1: the corner.

1277
01:02:08,440 --> 01:02:11,040
Speaker 2: Just chill him. But what the what else happened over

1278
01:02:11,040 --> 01:02:13,640
Speaker 2: the weekend? Like I was fully in fully Kendrick mode,

1279
01:02:13,680 --> 01:02:17,040
Speaker 2: I was in mom mode. I was I have no

1280
01:02:17,080 --> 01:02:17,560
Speaker 2: idea what.

1281
01:02:17,560 --> 01:02:21,080
Speaker 3: Happened Kendrick and the b the BBM as.

1282
01:02:21,600 --> 01:02:23,040
Speaker 2: No, no cool gossip happened?

1283
01:02:23,160 --> 01:02:29,040
Speaker 1: No, no, guy, you know some gossip happened. Why would

1284
01:02:29,040 --> 01:02:30,080
Speaker 1: you think that I know the gossip?

1285
01:02:30,560 --> 01:02:35,880
Speaker 4: Well, Corney, uh just got married Cornashi bye, Eden, You're welcome,

1286
01:02:36,160 --> 01:02:36,520
Speaker 4: thank you.

1287
01:02:36,640 --> 01:02:41,360
Speaker 2: That's was the best man, mall you were the best man?

1288
01:02:41,440 --> 01:02:42,960
Speaker 1: No, I was not.

1289
01:02:43,320 --> 01:02:44,560
Speaker 2: He was the flower girl.

1290
01:02:44,600 --> 01:02:47,280
Speaker 1: Why would you hold that from us? Definitely was not

1291
01:02:47,400 --> 01:02:49,439
Speaker 1: the the best, the best guy?

1292
01:02:49,840 --> 01:02:50,840
Speaker 3: Will you be my best guy?

1293
01:02:51,480 --> 01:02:53,520
Speaker 1: At your absolutely? Well?

1294
01:02:54,560 --> 01:02:55,000
Speaker 3: Thank you?

1295
01:02:55,080 --> 01:02:58,720
Speaker 1: Yeah? Hell yeah, you want to tell you something? No

1296
01:03:00,120 --> 01:03:04,360
Speaker 1: to say like it's been a hell of a weekend?

1297
01:03:01,520 --> 01:03:06,480
Speaker 1: Yeah you last Monday? Now is all of a sudden, like, yo,

1298
01:03:06,520 --> 01:03:08,400
Speaker 1: would you be my best Like? Wait? What happened over the.

1299
01:03:08,400 --> 01:03:11,000
Speaker 4: We Those are the best type of marriages, though, to

1300
01:03:11,080 --> 01:03:13,920
Speaker 4: know when I was engaged would be the last to know.

1301
01:03:14,040 --> 01:03:16,440
Speaker 3: I want my engagement to last. I want to get.

1302
01:03:16,520 --> 01:03:18,160
Speaker 2: You're the last one to know.

1303
01:03:19,000 --> 01:03:22,160
Speaker 1: Yeah you think we would the girls the last one

1304
01:03:22,160 --> 01:03:23,320
Speaker 1: to know. Yeah, I wouldn't.

1305
01:03:23,680 --> 01:03:25,200
Speaker 2: Everyone else around here knows it's coming.

1306
01:03:25,640 --> 01:03:35,919
Speaker 1: Yeah. Roots Picnic coming up June fourth, June fifth, right, Philadelphia, Yes, sir,

1307
01:03:35,960 --> 01:03:37,720
Speaker 1: if you don't have your tickets, to get your tickets now.

1308
01:03:38,520 --> 01:03:41,600
Speaker 1: Shout out to all the other podcasts on the stage

1309
01:03:41,640 --> 01:03:45,920
Speaker 1: that night. Uh, Wheezy, Mandy, Hardwood, Decisions and Alsiah, all

1310
01:03:45,960 --> 01:03:48,000
Speaker 1: those people, hold the people, Gilly Willow. Shout out to them.

1311
01:03:48,000 --> 01:03:50,520
Speaker 1: Shout out to quest Love, shout out to Black Thought,

1312
01:03:50,560 --> 01:03:53,280
Speaker 1: shout out to the entire roots. Uh. Yeah, so let's

1313
01:03:53,320 --> 01:03:55,920
Speaker 1: all let's have a good time that weekend. Hopefully it's

1314
01:03:56,000 --> 01:03:56,439
Speaker 1: nice out.

1315
01:03:56,560 --> 01:03:56,760
Speaker 4: Yeah.

1316
01:03:56,800 --> 01:03:58,040
Speaker 1: I've got a lot of fun that weekend.

1317
01:03:58,400 --> 01:04:00,160
Speaker 2: Some live dates that we're gonna announce soon.

1318
01:04:00,360 --> 01:04:03,360
Speaker 1: Lovells coming up. Uh what else?

1319
01:04:03,440 --> 01:04:03,600
Speaker 3: Oh?

1320
01:04:03,960 --> 01:04:07,440
Speaker 1: Playoffs, Man, Jesus Christ, Chris Paul Man broke my heart.

1321
01:04:07,680 --> 01:04:10,120
Speaker 1: I hated to see Chris paul go out like that. Yeah,

1322
01:04:10,440 --> 01:04:14,480
Speaker 1: totally embarrassing him and Devin Booker. I had either Phoenix

1323
01:04:14,520 --> 01:04:17,720
Speaker 1: or Golden State winning it all this year. Luka made

1324
01:04:17,720 --> 01:04:21,080
Speaker 1: them look like full Yeah, Luca, but Luca's special. He's

1325
01:04:21,080 --> 01:04:24,240
Speaker 1: pretty good at Yeah, he's a special talent, man, a

1326
01:04:24,320 --> 01:04:27,680
Speaker 1: special talent. But Devin Booker and Chris Paul. Just I

1327
01:04:27,720 --> 01:04:30,360
Speaker 1: can't believe Game seven at home and they didn't show

1328
01:04:30,440 --> 01:04:33,600
Speaker 1: up like that. That's just terrible. Man. I heartbreak. Yeah,

1329
01:04:33,680 --> 01:04:35,560
Speaker 1: that was just I didn't think it was go down

1330
01:04:35,600 --> 01:04:35,840
Speaker 1: like that.

1331
01:04:35,880 --> 01:04:36,880
Speaker 2: But does he retire?

1332
01:04:36,920 --> 01:04:39,880
Speaker 1: You think? No way? Not on that note. Not Chris Paul.

1333
01:04:40,440 --> 01:04:42,080
Speaker 2: I think they break the team up or trying.

1334
01:04:41,840 --> 01:04:43,520
Speaker 1: To No, no, no, they'd be back. It'd be some

1335
01:04:43,600 --> 01:04:46,840
Speaker 1: additional pieces. But Devin Booker and Chris Paul and DeAndre

1336
01:04:46,880 --> 01:04:50,720
Speaker 1: Aight and moving back next year. Yeah. A shout out

1337
01:04:50,760 --> 01:04:52,800
Speaker 1: to the Mavericks though they they handled their business on

1338
01:04:52,880 --> 01:04:54,960
Speaker 1: the road. Game seven, they even kept they didn't come

1339
01:04:55,000 --> 01:04:57,680
Speaker 1: to play. They jumped on them and stayed on them

1340
01:04:58,520 --> 01:05:00,560
Speaker 1: like a pimp with one ross team.

1341
01:05:03,120 --> 01:05:06,680
Speaker 2: It's not a very successful pim. He should watch American.

1342
01:05:06,320 --> 01:05:09,680
Speaker 1: Pim or read Iceberg Slim because guy, let me tell you,

1343
01:05:09,720 --> 01:05:13,480
Speaker 1: he was a fucking genius. Uh yeah, man, shout out

1344
01:05:13,520 --> 01:05:18,040
Speaker 1: to the Mavericks. Golden State Dallas should be a fun series.

1345
01:05:18,240 --> 01:05:21,760
Speaker 1: I think Steph Curry has that championship look in his

1346
01:05:21,840 --> 01:05:28,760
Speaker 1: eye once again. That list he's just uh, level, Well, no,

1347
01:05:28,840 --> 01:05:34,680
Speaker 1: I don't want to demonstrate steph championship demeanor, but but we.

1348
01:05:34,640 --> 01:05:36,439
Speaker 2: Want to see it. We don't know what you're talking about.

1349
01:05:36,480 --> 01:05:38,480
Speaker 1: He said he got Wednesday, you'll see it.

1350
01:05:38,520 --> 01:05:40,680
Speaker 2: But he's got that little But they're watching now and

1351
01:05:40,720 --> 01:05:42,760
Speaker 2: maybe we can't identify the way you can. You can

1352
01:05:42,760 --> 01:05:43,960
Speaker 2: see between the Lune.

1353
01:05:43,760 --> 01:05:46,520
Speaker 1: And Tuesday, Tuesday, Wednesday to I think Tuesday, they play

1354
01:05:46,800 --> 01:05:50,080
Speaker 1: Wednesday Wednesday, Okay, so tune in Wednesday to see Steph's

1355
01:05:50,280 --> 01:05:56,160
Speaker 1: championship face. Yeah, man in uh Celtics one Celtics shout

1356
01:05:56,160 --> 01:06:01,200
Speaker 1: out to the Celtics, Jason Tatum, Jaylen Brown. Uh. I

1357
01:06:01,200 --> 01:06:04,480
Speaker 1: don't know if they get past Miami though, I don't

1358
01:06:04,480 --> 01:06:07,200
Speaker 1: think so. I don't know if they get I like

1359
01:06:07,280 --> 01:06:08,640
Speaker 1: Jason Tatum a lot. I don't know if they get

1360
01:06:08,640 --> 01:06:11,160
Speaker 1: past Miami. I think that series is gonna go six games.

1361
01:06:12,200 --> 01:06:14,560
Speaker 1: I think Miami get him in six, though I want

1362
01:06:14,600 --> 01:06:16,280
Speaker 1: to see Boston win. I would love to see Jason

1363
01:06:16,280 --> 01:06:19,000
Speaker 1: Tatum in the finals. I think he's that he's the

1364
01:06:19,040 --> 01:06:21,960
Speaker 1: next superstar in the league, so I would love to

1365
01:06:21,960 --> 01:06:24,960
Speaker 1: see him get his shot at the finals. Yeah, what

1366
01:06:25,040 --> 01:06:25,360
Speaker 1: are all.

1367
01:06:25,240 --> 01:06:27,919
Speaker 2: The players that have been eliminated saying in the NBA

1368
01:06:27,960 --> 01:06:31,479
Speaker 2: group chats who's the saltiest. What are predictions amongst the league?

1369
01:06:32,160 --> 01:06:36,440
Speaker 1: Everybody says Golden State. Okay, everybody has Steph because the

1370
01:06:36,480 --> 01:06:39,280
Speaker 1: last time those three were healthy, Steph, Draymonic Clay, they won,

1371
01:06:39,320 --> 01:06:40,960
Speaker 1: a champion won, So that.

1372
01:06:40,960 --> 01:06:42,680
Speaker 2: Would be what number four for them?

1373
01:06:43,440 --> 01:06:49,840
Speaker 1: Yeah, yeah, yeah, that's kind of crazy. New movies coming out,

1374
01:06:50,040 --> 01:06:52,800
Speaker 1: damaras we still didn't go see that.

1375
01:06:53,360 --> 01:06:54,160
Speaker 3: I'm not playing you.

1376
01:06:54,160 --> 01:06:57,040
Speaker 1: Guys want the show. I want the record this show.

1377
01:06:57,160 --> 01:06:59,000
Speaker 1: I told her we can go. No, I went.

1378
01:06:59,120 --> 01:06:59,960
Speaker 3: Somebody took me on to.

1379
01:07:02,440 --> 01:07:04,440
Speaker 1: You were replaced, right, This is what black women do,

1380
01:07:04,600 --> 01:07:06,840
Speaker 1: y'all wanna talk about black women? This is what black

1381
01:07:06,880 --> 01:07:11,760
Speaker 1: women do. Y'all replaced. Y'all saw and y'all always your

1382
01:07:11,800 --> 01:07:13,640
Speaker 1: monkey bar on the nigga. Y'all got one nigga in

1383
01:07:13,680 --> 01:07:15,400
Speaker 1: one hand and you swing it to the next nigga's

1384
01:07:15,400 --> 01:07:18,000
Speaker 1: with the monkey ball, and that's what black women do.

1385
01:07:18,120 --> 01:07:21,320
Speaker 1: That was you invited me to the movies. I said yes,

1386
01:07:21,760 --> 01:07:23,320
Speaker 1: and then you decided you want to go on a

1387
01:07:23,400 --> 01:07:25,840
Speaker 1: date with somebody else. That was mamat that.

1388
01:07:26,200 --> 01:07:28,720
Speaker 2: Yeah, it was me to suggest that movie when he

1389
01:07:28,760 --> 01:07:29,480
Speaker 2: asked you on a date.

1390
01:07:30,280 --> 01:07:32,600
Speaker 3: He said, what, No, he knew I liked Marvel, so

1391
01:07:32,640 --> 01:07:34,600
Speaker 3: he knew that. He was like, no, well did he.

1392
01:07:34,600 --> 01:07:35,520
Speaker 1: Know that you invited me?

1393
01:07:35,760 --> 01:07:37,920
Speaker 3: Yes? He did. You also knew you was going to

1394
01:07:38,000 --> 01:07:39,200
Speaker 3: cancel on me like you've been doing.

1395
01:07:39,240 --> 01:07:40,040
Speaker 1: I didn't cancel.

1396
01:07:40,440 --> 01:07:42,959
Speaker 2: You could have just brought could have been a three y'all.

1397
01:07:43,280 --> 01:07:44,800
Speaker 1: Yeah, I wasn't.

1398
01:07:44,840 --> 01:07:46,040
Speaker 2: Dayton time would have been.

1399
01:07:46,280 --> 01:07:47,160
Speaker 3: I wasn't in New York.

1400
01:07:47,920 --> 01:07:48,240
Speaker 1: Bring you.

1401
01:07:48,360 --> 01:07:49,000
Speaker 2: He would have drove.

1402
01:07:49,640 --> 01:07:51,800
Speaker 1: Oh you went up there with Stovey thoughing the.

1403
01:07:52,560 --> 01:07:55,439
Speaker 2: You know, mas a sprinter. He would have came your

1404
01:07:55,560 --> 01:07:56,760
Speaker 2: spread sprinter.

1405
01:07:58,080 --> 01:08:00,400
Speaker 3: Four hours to Syracuse is insane.

1406
01:08:00,080 --> 01:08:03,040
Speaker 2: To watch a Marvel movie with stove God right here

1407
01:08:04,840 --> 01:08:09,320
Speaker 2: you passed holy ship, not just here as.

1408
01:08:09,240 --> 01:08:11,360
Speaker 3: You passed from here to fair Mall was going through

1409
01:08:11,400 --> 01:08:12,200
Speaker 3: something last week.

1410
01:08:12,440 --> 01:08:14,920
Speaker 1: I didn't watch. No, I know, I understand.

1411
01:08:15,000 --> 01:08:17,040
Speaker 2: It feels like you guys are doing this for that.

1412
01:08:17,000 --> 01:08:20,559
Speaker 1: Ship of another coming out that I want to see

1413
01:08:20,680 --> 01:08:23,360
Speaker 1: that you should probably see the first one. Top Gun

1414
01:08:23,360 --> 01:08:26,360
Speaker 1: two is coming out with Tom Cruise. Watched the first

1415
01:08:26,360 --> 01:08:26,840
Speaker 1: Top Gun.

1416
01:08:27,960 --> 01:08:29,400
Speaker 4: I never watched it, but it was so funny. I

1417
01:08:29,400 --> 01:08:31,599
Speaker 4: was Maverick for Halloween last year, but I never watched

1418
01:08:31,640 --> 01:08:34,160
Speaker 4: Top Gun. I just it was a pilot. No, I

1419
01:08:34,160 --> 01:08:37,360
Speaker 4: thought it was a regular pilot costume. Everybody kept calling

1420
01:08:37,400 --> 01:08:39,439
Speaker 4: me Maverick, but parrass I was.

1421
01:08:39,520 --> 01:08:40,880
Speaker 3: I went to work. It was two years ago.

1422
01:08:41,040 --> 01:08:41,599
Speaker 2: I went to work.

1423
01:08:41,720 --> 01:08:43,240
Speaker 3: Everything I was at a bar. I worked at a bar.

1424
01:08:43,520 --> 01:08:44,639
Speaker 2: Was your boyfriend Goose?

1425
01:08:46,280 --> 01:08:48,040
Speaker 3: I wasn't. I was actually with my girlfriend. That's along.

1426
01:08:48,160 --> 01:08:50,840
Speaker 1: Go watch Top Gun one and then we're gonna go

1427
01:08:50,840 --> 01:08:52,080
Speaker 1: see Top Gun too.

1428
01:08:52,439 --> 01:08:53,639
Speaker 2: Do you want to see Top Gun two?

1429
01:08:53,800 --> 01:08:54,480
Speaker 1: Absolutely?

1430
01:08:54,840 --> 01:08:57,240
Speaker 3: Did you see the trip? I watched the trailer. I

1431
01:08:57,320 --> 01:08:59,200
Speaker 3: want to go see multi.

1432
01:08:59,320 --> 01:09:01,240
Speaker 1: Yeah, I want to see I'm going to That's one

1433
01:09:01,280 --> 01:09:02,519
Speaker 1: of my favorite movies, is Top Gun.

1434
01:09:02,600 --> 01:09:06,040
Speaker 2: I love Top Gun. I just don't Tom Cruise now scientology.

1435
01:09:06,280 --> 01:09:07,519
Speaker 2: I just don't know if I'm.

1436
01:09:07,600 --> 01:09:10,120
Speaker 1: Here about to about to chase the aliens. Now. You

1437
01:09:10,120 --> 01:09:12,280
Speaker 1: thought Independence Day was great? What do you see with

1438
01:09:12,400 --> 01:09:14,680
Speaker 1: Cruise in this technology and these cameras do double down

1439
01:09:14,680 --> 01:09:14,800
Speaker 1: with it?

1440
01:09:15,120 --> 01:09:16,000
Speaker 2: Finished with Will Smith?

1441
01:09:16,000 --> 01:09:20,679
Speaker 1: Couldn't absolutely kidding me? Top Top Gun? Maverick? Hell Yeah,

1442
01:09:20,680 --> 01:09:21,960
Speaker 1: so yeah, we need to go see that demeris.

1443
01:09:22,040 --> 01:09:23,519
Speaker 2: Does he have a new does he have a new Goose?

1444
01:09:24,240 --> 01:09:28,520
Speaker 1: It's a I think I think Goose's son. Oh gosh,

1445
01:09:28,960 --> 01:09:31,000
Speaker 1: I think Goose's son is in this one because the

1446
01:09:31,040 --> 01:09:33,639
Speaker 1: guy it's a guy that's in it and he looks

1447
01:09:33,680 --> 01:09:35,840
Speaker 1: like he could be Goose but got you, So I'm like,

1448
01:09:35,880 --> 01:09:36,679
Speaker 1: that must be his son.

1449
01:09:36,880 --> 01:09:40,200
Speaker 2: Well, listen man. Salute to Tom Cruise for serving this

1450
01:09:40,280 --> 01:09:44,360
Speaker 2: long in the military services. He's still still fighting. How

1451
01:09:44,400 --> 01:09:46,280
Speaker 2: long ago was topping thirty years ago?

1452
01:09:46,400 --> 01:09:48,400
Speaker 3: They came back and got him to train a new group.

1453
01:09:48,960 --> 01:09:52,240
Speaker 1: Yeah, it's such a crazy mission going on and they

1454
01:09:52,240 --> 01:09:54,840
Speaker 1: need one of the greatest pilot that with the trained.

1455
01:09:54,600 --> 01:09:56,240
Speaker 2: One person and you know they have to find him

1456
01:09:56,240 --> 01:09:58,040
Speaker 2: in some distreet location. She's like, I'm just trying to

1457
01:09:58,040 --> 01:09:59,000
Speaker 2: get away from the world.

1458
01:09:59,479 --> 01:10:01,040
Speaker 1: Yeah, off the grid.

1459
01:10:01,200 --> 01:10:01,519
Speaker 2: Yeah.

1460
01:10:01,560 --> 01:10:03,439
Speaker 1: And then he opens up a secret room that has

1461
01:10:03,479 --> 01:10:05,240
Speaker 1: all of his technology in it, Like I knew what

1462
01:10:05,280 --> 01:10:07,639
Speaker 1: you've been doing for the last forty years, been following everyone.

1463
01:10:07,920 --> 01:10:10,400
Speaker 2: And then they guilt tripping with his patriotism, like.

1464
01:10:11,280 --> 01:10:14,040
Speaker 1: Doing for the Red, the White, and the Blue. They

1465
01:10:14,080 --> 01:10:15,760
Speaker 1: lose all hope and then he shows up. He's like,

1466
01:10:16,160 --> 01:10:18,519
Speaker 1: save the time. You know what happens the last ride

1467
01:10:18,560 --> 01:10:20,360
Speaker 1: into the sun for sure. You know they're gonna say

1468
01:10:20,360 --> 01:10:21,519
Speaker 1: some corny ship like this this is the.

1469
01:10:21,560 --> 01:10:22,759
Speaker 3: Last gonna die in this one.

1470
01:10:23,240 --> 01:10:26,040
Speaker 1: I hold not I would cry if they kill Maverick. Yeah,

1471
01:10:26,080 --> 01:10:29,080
Speaker 1: going back to kill him. I mean I was enjoying life.

1472
01:10:29,320 --> 01:10:32,000
Speaker 2: Hey, there was many moments in the first one.

1473
01:10:32,000 --> 01:10:35,799
Speaker 3: He deserves that they had cancer.

1474
01:10:36,080 --> 01:10:38,919
Speaker 2: Okay, they brought her back to he's in a fighter jet.

1475
01:10:39,520 --> 01:10:43,439
Speaker 1: Right, Yeah, but you kick Wait, no, you dying in

1476
01:10:43,479 --> 01:10:47,040
Speaker 1: a fucking fight as a fighter, as a pilot to cancer.

1477
01:10:47,320 --> 01:10:49,519
Speaker 2: I think they probably have the same probability of death.

1478
01:10:49,680 --> 01:10:51,000
Speaker 1: Yeah, pretty high.

1479
01:10:52,400 --> 01:10:52,519
Speaker 4: Up.

1480
01:10:52,680 --> 01:10:54,719
Speaker 3: I mean everybody who's is suffering, which has.

1481
01:10:54,640 --> 01:10:56,920
Speaker 1: Been another episode of the cancer.

1482
01:10:56,960 --> 01:10:57,960
Speaker 3: We're sending you prayers.

1483
01:10:58,040 --> 01:11:00,280
Speaker 1: Not we want to thank you for tuning in. We

1484
01:11:00,320 --> 01:11:02,240
Speaker 1: want to thank you for continuing to come back weekly

1485
01:11:02,439 --> 01:11:05,960
Speaker 1: and deal with our ship and uh talk about us

1486
01:11:05,960 --> 01:11:08,160
Speaker 1: in the comments and say that we have hips or

1487
01:11:08,200 --> 01:11:11,599
Speaker 1: I have hips like Shakira, they don't lie, and uh,

1488
01:11:11,720 --> 01:11:14,920
Speaker 1: it would be more like James and j Lo And is.

1489
01:11:14,920 --> 01:11:16,160
Speaker 2: Adam Sandler movie good?

1490
01:11:16,439 --> 01:11:16,880
Speaker 1: A new one?

1491
01:11:17,120 --> 01:11:18,519
Speaker 2: He's like an NBA recruiter.

1492
01:11:20,080 --> 01:11:21,880
Speaker 1: Yeah. Always at the end they shot him. You want

1493
01:11:21,880 --> 01:11:23,000
Speaker 1: the Jewelry movie.

1494
01:11:22,920 --> 01:11:28,240
Speaker 2: That's he's everyone died in. And then she went on

1495
01:11:28,280 --> 01:11:29,280
Speaker 2: to dake Kanye West.

1496
01:11:29,960 --> 01:11:32,200
Speaker 3: I never saw that movie, guys, but thanks for ruining

1497
01:11:32,240 --> 01:11:32,639
Speaker 3: the ending.

1498
01:11:32,880 --> 01:11:35,880
Speaker 1: She looked great in that movie Julia. Oh my god,

1499
01:11:36,120 --> 01:11:38,640
Speaker 1: she has so much ass.

1500
01:11:38,000 --> 01:11:39,960
Speaker 2: She gave her hips to Mall because I don't know

1501
01:11:39,960 --> 01:11:41,120
Speaker 2: where they went after that movie.

1502
01:11:41,640 --> 01:11:44,160
Speaker 1: She was This has been another episode of New Rory Mall.

1503
01:11:44,280 --> 01:11:45,880
Speaker 1: It might be back next week, might just be more

1504
01:11:46,160 --> 01:11:49,639
Speaker 1: because I'm gonna kill him. I'm gonna kill this white boy.

1505
01:11:50,040 --> 01:11:52,720
Speaker 1: I'm gonna choke the ship out him.

1506
01:11:53,040 --> 01:11:55,160
Speaker 3: Oh, I just had an asth attack. We gotta go.

1507
01:11:55,360 --> 01:11:58,080
Speaker 1: We'll be back. See y'all. Have a great week, be safe,

1508
01:11:58,160 --> 01:12:02,960
Speaker 1: have fun, love, live life, proceed pros and you know,

1509
01:12:03,120 --> 01:12:06,600
Speaker 1: just watch your surroundings and watching Energy Man, because it's

1510
01:12:06,880 --> 01:12:08,840
Speaker 1: strange things happen in the world right now. So just

1511
01:12:08,880 --> 01:12:10,920
Speaker 1: protect and love each other. We'll see y'a in a

1512
01:12:10,920 --> 01:12:12,160
Speaker 1: couple of days. Peace.

1513
01:12:12,400 --> 01:12:15,559
Speaker 3: Peace, Willian now