WEBVTT - CEO Bob Bakish Shares His Game Plan for Keeping Viacom Vital

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<v Speaker 1>Welcome to another episode of the Variety podcast Strictly Business,

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<v Speaker 1>where we chat with some of the smartest folks working

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<v Speaker 1>in the media industry today. I'm Variety co editor in

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<v Speaker 1>chief Andrew Wollensky. Last week at the c E S

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<v Speaker 1>Show in Las Vegas, I had the opportunity to sit

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<v Speaker 1>down with Viacom CEO Bob Backish, with speculation rampant of

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<v Speaker 1>that a potential merger with CBS Corp. He addressed what

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<v Speaker 1>his strategic approach to leading Viacom is at a time

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<v Speaker 1>when his competitors are all scaling up fast. But as

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<v Speaker 1>Backish explained to me, he's got a plan for building

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<v Speaker 1>on the assets he has without making a so called

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<v Speaker 1>transformational deal. Have a listen, So, I guess what I

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<v Speaker 1>want to get a sense of is two years or

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<v Speaker 1>so into the top job, you certainly inherited your share

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<v Speaker 1>of challenges. Where do you see things now or or

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<v Speaker 1>at it? Maybe it's not quite mission accomplished? But are

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<v Speaker 1>you happy with the progress made or is it more

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<v Speaker 1>about the improvements still to come? Yeah? Sure, well, um,

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<v Speaker 1>I wouldn't. I wouldn't ever say anything's mission accomplished, and

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<v Speaker 1>certainly not in the in the changing world we're living in.

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<v Speaker 1>But if if you looked at Viacom circa the end

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<v Speaker 1>of sixteen, which is when I was given the opportunity

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<v Speaker 1>to lead the company, UM, it was clear that there

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<v Speaker 1>were issues UM that and that the company was in

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<v Speaker 1>need of a turnaround. And and really our journey since

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<v Speaker 1>then has been about a turnaround and an evolution because,

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<v Speaker 1>as I said, as we all know, you know, the

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<v Speaker 1>world is changing, and just merely getting back to where

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<v Speaker 1>we were wouldn't be sufficient. So in the context of

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<v Speaker 1>the company at the end of sixteen, you know, we

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<v Speaker 1>had a Paramount Pictures unit that just came off a

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<v Speaker 1>year where it lost half a billion dollars and consumed

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<v Speaker 1>a billion two in cash, which is pretty good trick

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<v Speaker 1>for a company that's a library that throws off three

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<v Speaker 1>hundred million UM. So that was clearly a problem. UM.

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<v Speaker 1>You know, we had our our domestic networks, UM, iconic brands, etcetera.

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<v Speaker 1>But we had some real friction in the distribution space

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<v Speaker 1>and there was a bunch of noise around that, and candidly,

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<v Speaker 1>the audience performance of some of those networks UM wasn't

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<v Speaker 1>what we'd like to be. And it was really a

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<v Speaker 1>trend line that had been moving in the wrong direction. UM.

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<v Speaker 1>And so we got to work addressing those issues. And

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<v Speaker 1>if you look at Paramount as an example today, UH

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<v Speaker 1>circuit the end of eighteen calendar eighteen, you know, that's

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<v Speaker 1>a business that now we have. We just finished a quarter.

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<v Speaker 1>We haven't reported that quarter yet, so let's skip the

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<v Speaker 1>most recent quarter. But prior to that, you know, we

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<v Speaker 1>had seven straight quarters of earnings improvement UM in eighteen.

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<v Speaker 1>You know, we clearly showed that we could make films

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<v Speaker 1>that matter and make money on them. And I'd offer

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<v Speaker 1>A Quiet Place as an example. I'd offer Mission Impossible

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<v Speaker 1>fall Out as an example, which was the sixth installment

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<v Speaker 1>of that franchise. It was also the most successful on

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<v Speaker 1>a box office basis, not only globally but in the US,

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<v Speaker 1>and that doesn't usually happen in the sixth iteration. UM.

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<v Speaker 1>And we had a television business that came from literally

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<v Speaker 1>nowhere a couple of years ago to deliver four hundred

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<v Speaker 1>million dollars in revenue as we delivered UH nine series.

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<v Speaker 1>So Paramount is in a fundamentally better place. That's the

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<v Speaker 1>result of a really a complete overhaul of the team

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<v Speaker 1>there now led by Jim Jianopolis, who's awesome. UM, as

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<v Speaker 1>well as really rethink on the strategy and the slate

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<v Speaker 1>construction and all those other things. So feeling very good

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<v Speaker 1>about that. UH. The most recent proofpoint on that is

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<v Speaker 1>Bumblebee UM. And you know, while we wouldn't I wouldn't

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<v Speaker 1>get into all of it. If you look at the

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<v Speaker 1>review of that movie versus the last Transformers movie, UM,

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<v Speaker 1>everybody agrees is fundamentally a better movie. The last one

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<v Speaker 1>we lost over a hundred million dollars on UM. This

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<v Speaker 1>one's nicely profitable. UM done about three hundred million in

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<v Speaker 1>box office to date and it will continue to play. UM.

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<v Speaker 1>So paramounts of good place. The distribution landscape in US,

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<v Speaker 1>we all know that's um uh complicated. UM. Back in

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<v Speaker 1>early seventeen, there was a lot of conversation going around

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<v Speaker 1>that we were gonna get dropped by Charter. UH. That

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<v Speaker 1>obviously would have been a problem. UM. And you know,

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<v Speaker 1>through really focusing on UH partnership, evolving our strategy to

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<v Speaker 1>not only provide the right set of access to rights,

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<v Speaker 1>so really trueing up our on demand grant grants and

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<v Speaker 1>TV everywhere and the like, which we hadn't really fully

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<v Speaker 1>UM provided, but also broadening the aperture, entering into advanced

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<v Speaker 1>advertising partnerships UM, as well as in the case of Charter,

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<v Speaker 1>a co production partnership. We got that deal done, very

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<v Speaker 1>happy with that deal, and we went on to a

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<v Speaker 1>new or extend well over half our sub base. So

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<v Speaker 1>that's in a materially different place, uh than it was

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<v Speaker 1>at the time. So there's a lot of great things

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<v Speaker 1>going on, and we'll dig into some of these things.

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<v Speaker 1>But you've been on record recently saying that you know,

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<v Speaker 1>Viacom doesn't require a transformational deal in this environment that

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<v Speaker 1>where companies even bigger than yours are consolidating. How is

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<v Speaker 1>that position tenable? Well, look, UM, we and I continue

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<v Speaker 1>to believe there's a lot of value in the assets

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<v Speaker 1>we already own. You look at that. I mean, in

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<v Speaker 1>the six Team, people thought MTV was dead and buried.

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<v Speaker 1>Today it's the fastest growing network in television. UM. It's

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<v Speaker 1>audiences up again in the current quarter double digits UM

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<v Speaker 1>and we're only beginning to benefit from that resurgence from

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<v Speaker 1>monetization standpoint, So I think there's a lot of value

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<v Speaker 1>in the assets we were we already own. We, unlike

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<v Speaker 1>most media companies, are truly global operating media company. We

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<v Speaker 1>don't just have say sales forces outside the US. You know,

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<v Speaker 1>we own the number one broadcast network in Argentina. We

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<v Speaker 1>have a major broadcast networking Chinnel five. We're making content

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<v Speaker 1>all over the world. Were on half of a leading

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<v Speaker 1>Indian media company called Viacot my team which owns the

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<v Speaker 1>Colors brand. There's a lot of value there. And you know,

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<v Speaker 1>if you think about the transition we're in from an

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<v Speaker 1>industry standpoint, back in February of seventeen, we started talking

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<v Speaker 1>about something called the Flagship brand, and and flagship brand

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<v Speaker 1>was partially about prioritization, but it was also about unlocking

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<v Speaker 1>opportunity through true multi platform expression. And so if you

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<v Speaker 1>look at MTV, it's not only a linear cable network

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<v Speaker 1>with a substantial original programming slate, but it's also has

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<v Speaker 1>a piece of the paramount film slate. We started a

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<v Speaker 1>digital native division called Viacom Digital STUDIOSUM, which produces original

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<v Speaker 1>content for in short form for distribution both in front

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<v Speaker 1>of the wall, social and in other places. UM. That

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<v Speaker 1>consumption has ramped up dramatically, taken us from number twenty

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<v Speaker 1>two in the Space two into the top ten. UM

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<v Speaker 1>we've gotten in the experience. With my point being, there's

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<v Speaker 1>a lot of opportunity. And when you got to our

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<v Speaker 1>fourth fiscal quarter of a team, you saw we returned

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<v Speaker 1>our company to earnings growth, something that hadn't been the

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<v Speaker 1>case since fourteen. So we think there's a lot of

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<v Speaker 1>road ahead. And in fact, I think relative to some

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<v Speaker 1>of our peers, we're further along in making this transition

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<v Speaker 1>UM than others that are. You look at our ad business,

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<v Speaker 1>it's not all thirty second spots. We got an advanced

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<v Speaker 1>ad business where significant branded content assets, significant data driven assets,

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<v Speaker 1>we can insert dynamically and v O D homes in

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<v Speaker 1>the US, something nobody else can do. UM. So there's

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<v Speaker 1>a lot of value there. So we don't need a

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<v Speaker 1>transformational deal. UM. We have been doing M and A.

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<v Speaker 1>We've been doing what what I call accelerant deals. So

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<v Speaker 1>we bought a company called who say, branded content company,

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<v Speaker 1>materially increased our capabilities and kind of the lower end

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<v Speaker 1>of the ended content space from a price perspective, which

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<v Speaker 1>is important. We bought a company called vid Con, which

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<v Speaker 1>is ground zero for social influencers. Really UM strengthened our

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<v Speaker 1>kind of legacy with young adult audiences and talent and

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<v Speaker 1>associated talent. UH, and it's also an extension of our

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<v Speaker 1>experiential business. We most recently bought a company called Awesomeness,

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<v Speaker 1>which people think of as a web company, and it's

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<v Speaker 1>true that they're expert in marketing of content on the web,

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<v Speaker 1>but it's also true that it's a studio in its

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<v Speaker 1>own right, and increasing our participation in the creation of content,

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<v Speaker 1>including for third parties, as a big push we're making

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<v Speaker 1>as a company, and that that Awesomeness asset proved among

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<v Speaker 1>other things this year, or the eighteen um to All

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<v Speaker 1>the Boys I've Loved Before, which is one of the

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<v Speaker 1>most consumed films on Netflix. But these are there all deals?

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<v Speaker 1>Are you gonna need to make bigger deals or are

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<v Speaker 1>you just gonna be looking for more of the same

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<v Speaker 1>smaller deals? You know, scale is very much in vogue.

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<v Speaker 1>Vertical integration is very much in vogue. Um. If you

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<v Speaker 1>look at the history of industry and certainly media, vertical

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<v Speaker 1>integration doesn't tend to work. Um, Bigger is not always better,

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<v Speaker 1>you know, So I don't think that is um the

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<v Speaker 1>necessary path. What is really important is that your plan,

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<v Speaker 1>you know where you're going, and you're executing against it

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<v Speaker 1>and you're achieving growth, and that's exactly what we're doing.

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<v Speaker 1>Of course, we look at lots of different things, UM,

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<v Speaker 1>but again, I feel very good about the path we're on.

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<v Speaker 1>We've got a couple other things UH in the pipeline

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<v Speaker 1>that are of a commercial nature, and you know, some

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<v Speaker 1>other smaller things we're looking at UH And I think

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<v Speaker 1>just as a team, we tracked through and it had

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<v Speaker 1>its twists and turns, but we emerged as a stronger

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<v Speaker 1>company than we were at the beginning of eighteen. I

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<v Speaker 1>believe nineteen will be the same. But let's address the

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<v Speaker 1>elephant in the room. There's plenty of speculation that Viacom

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<v Speaker 1>and CBS could be combined as as soon as this year.

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<v Speaker 1>How do you manage for an uncertain future? Are you

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<v Speaker 1>do you have this distinct vision of the one you're

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<v Speaker 1>trying to build it Viacom through these smaller acquisitions, or

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<v Speaker 1>are you trying to like build for a bunch of

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<v Speaker 1>different possible futures at once. Well, I'm a huge believer

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<v Speaker 1>in having a plan. UM. I think that is one

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<v Speaker 1>of the big reasons I got the job, because when

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<v Speaker 1>when all our management met with the board, you know

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<v Speaker 1>in sixteen uh, we were I ran international and running

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<v Speaker 1>for a decade. UH. And we came in and we said, yeah,

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<v Speaker 1>here's where we are. By the way, here's where we

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<v Speaker 1>came from, and here's where we're going. Because it's hard

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<v Speaker 1>to get where you want to go if you don't

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<v Speaker 1>know where that is. So it's very important to have

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<v Speaker 1>a plan. UM. Our plan is fundamentally based on the

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<v Speaker 1>assets we have, because that's the only thing I can

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<v Speaker 1>bet on for sure. UM. But of course you have

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<v Speaker 1>plan A, Plan B, plan c UM, and you know

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<v Speaker 1>we track out accordingly. UM. And regarding the current narrative, look,

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<v Speaker 1>the more things change, and we all know our our

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<v Speaker 1>our world is changing, the more things data saying this

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<v Speaker 1>is now the third time this whole narrative has come

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<v Speaker 1>up in a relatively brief time. And I'll tell you

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<v Speaker 1>what I totally before and what more importantly I tell

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<v Speaker 1>my management team every day, which is we gotta focus, UM,

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<v Speaker 1>we gotta play through, we gotta execute, we gotta grow

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<v Speaker 1>because there's only one thing I know for sure. At

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<v Speaker 1>the end of the year, you're either gonna be talking

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<v Speaker 1>to me or you're gonna be talking to somebody else.

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<v Speaker 1>And what you don't want to have to say is, well, yeah,

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<v Speaker 1>we had this opportunity, but we kind of got distracted

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<v Speaker 1>and we didn't get it done. And so our mission

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<v Speaker 1>continues to be focused on the assets we have, focus

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<v Speaker 1>on execution, you know, look broadly to capture value, uh,

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<v Speaker 1>and then opportunistically see what else happens. And that's what

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<v Speaker 1>we do day in and day out, and that's what

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<v Speaker 1>we're gonna keep doing. So let's talk about some of

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<v Speaker 1>those core assets. Those flagship brands, MTV, Comedy Central, great

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<v Speaker 1>brands to have of However, in this climate where the

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<v Speaker 1>pay TV businesses challenged, Uh, you guys are dealing with

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<v Speaker 1>your tensions with some of the major distributors. Distributors that

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<v Speaker 1>could end up dropping key channels. MTV and a lot

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<v Speaker 1>of these channels were big for so many years because

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<v Speaker 1>they spun off all these additional channels. How do you

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<v Speaker 1>manage a future when there seems to be a secular

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<v Speaker 1>decline playing out for the business model that got you

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<v Speaker 1>so big in the first place. Sure, so, UM, I

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<v Speaker 1>think the essence of it is you have to make

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<v Speaker 1>sure you're adding value. Point one and point two is

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<v Speaker 1>you have to recognize how the world is changing. And

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<v Speaker 1>so to the first point, UM, you know, if we

0:12:41.360 --> 0:12:43.880
<v Speaker 1>talked about what we're doing in distribution, we broadened our

0:12:43.920 --> 0:12:47.160
<v Speaker 1>ability to add value for our mutual benefit both our

0:12:47.160 --> 0:12:51.600
<v Speaker 1>partners benefit an m v P d UH and Viacom's benefit,

0:12:51.720 --> 0:12:56.040
<v Speaker 1>and and certainly our whole extension into advanced advertising what

0:12:56.040 --> 0:12:59.079
<v Speaker 1>we call a MS UH you know, is fundamental to that.

0:12:59.160 --> 0:13:00.960
<v Speaker 1>The second thing I say, in terms of how the

0:13:00.960 --> 0:13:04.920
<v Speaker 1>world is changing, the fundamental thing that's going on UM

0:13:05.120 --> 0:13:09.440
<v Speaker 1>is fragmentation in terms of how people access content. The

0:13:09.520 --> 0:13:11.760
<v Speaker 1>world we used to live in was relatively simple. That

0:13:11.880 --> 0:13:14.240
<v Speaker 1>this is in the television space. Obviously we operate in

0:13:14.280 --> 0:13:17.840
<v Speaker 1>other spaces, but in the television space, you know everyone okay,

0:13:17.920 --> 0:13:21.280
<v Speaker 1>eighty five percent of people got the same product and

0:13:21.280 --> 0:13:25.560
<v Speaker 1>that was big basic UM and that was very nice structure. UM.

0:13:25.640 --> 0:13:28.680
<v Speaker 1>Today that's no longer true, and it continues to fragment.

0:13:28.760 --> 0:13:31.280
<v Speaker 1>So you have people still the vast majority of people

0:13:31.280 --> 0:13:34.400
<v Speaker 1>in the highest priced UM segment, but you've got people

0:13:34.480 --> 0:13:37.200
<v Speaker 1>at forty oh actually no forty five dollars because that

0:13:37.240 --> 0:13:39.920
<v Speaker 1>price is starting to creep up as people try to

0:13:39.920 --> 0:13:43.000
<v Speaker 1>make economic businesses there. You've got people in the teams,

0:13:43.480 --> 0:13:46.040
<v Speaker 1>you got uh you know, people are on ten bucks.

0:13:46.080 --> 0:13:48.040
<v Speaker 1>In terms of the s FOD space, you even have

0:13:48.120 --> 0:13:50.280
<v Speaker 1>some single digit numbers, and you have free out a

0:13:50.440 --> 0:13:53.040
<v Speaker 1>VOD and so that world is not gonna change. That's

0:13:53.080 --> 0:13:55.040
<v Speaker 1>the world we're gonna be living in. And what's important

0:13:55.080 --> 0:13:57.280
<v Speaker 1>is that we take these what we can now call

0:13:57.360 --> 0:14:00.000
<v Speaker 1>flagship brands and we make sure we can we participate

0:14:00.000 --> 0:14:03.679
<v Speaker 1>eight in all those levels, um, the big basic levels.

0:14:03.720 --> 0:14:07.040
<v Speaker 1>That's fairly obvious. Uh. You know we are active in

0:14:07.120 --> 0:14:09.439
<v Speaker 1>the V M, v P, D or O T T space.

0:14:10.320 --> 0:14:13.600
<v Speaker 1>We are also active, uh in in the s VOD

0:14:13.679 --> 0:14:16.600
<v Speaker 1>space through our third party production business, where we are

0:14:16.640 --> 0:14:20.200
<v Speaker 1>making product really for everyone, and we're not just making product,

0:14:20.240 --> 0:14:23.280
<v Speaker 1>we're making hits. Did you watch Jack Ryan on Amazon?

0:14:24.000 --> 0:14:29.080
<v Speaker 1>We made that? Um? Did you watch um Maniac on Netflix?

0:14:29.160 --> 0:14:31.080
<v Speaker 1>We made that? Did you watch to All the Boys?

0:14:31.120 --> 0:14:35.480
<v Speaker 1>We were I Love before we made that? Um? And

0:14:35.640 --> 0:14:38.480
<v Speaker 1>you know we in terms of paramount television is are

0:14:38.560 --> 0:14:41.520
<v Speaker 1>We're gonna go from nine series to sixteen series in

0:14:41.520 --> 0:14:45.320
<v Speaker 1>this fiscal year, growing that revenue about fift At the

0:14:45.400 --> 0:14:48.200
<v Speaker 1>same time, we've gotten the domestic brands. If you're gonna

0:14:48.200 --> 0:14:51.400
<v Speaker 1>watch the Real World this year, you're gonna watch it

0:14:51.560 --> 0:14:54.520
<v Speaker 1>on Facebook and you could watch it the US version,

0:14:54.560 --> 0:14:57.160
<v Speaker 1>you could watch a Latin version, you can watch an

0:14:57.240 --> 0:14:59.960
<v Speaker 1>Asian version, all of which will be produced and by

0:15:00.040 --> 0:15:02.080
<v Speaker 1>the way, they'll be interactive. So that's another way we're

0:15:02.080 --> 0:15:03.920
<v Speaker 1>participating in that space. And you could think of that

0:15:03.960 --> 0:15:10.040
<v Speaker 1>as an a VOD space. So UM our brands are evolving. UM.

0:15:10.120 --> 0:15:13.760
<v Speaker 1>The product we're providing is segmenting across price points. Don't

0:15:13.760 --> 0:15:17.720
<v Speaker 1>be surprised if you shortly see our brands participating in

0:15:17.760 --> 0:15:21.240
<v Speaker 1>a differentiated mobile bundle. Today, our brands are carried on

0:15:21.360 --> 0:15:23.560
<v Speaker 1>a T and T watching the US and by the way,

0:15:24.040 --> 0:15:26.280
<v Speaker 1>that whole mobile carriage. And there's been a lot of

0:15:26.280 --> 0:15:28.600
<v Speaker 1>conversation up five G as there should be. You know,

0:15:28.680 --> 0:15:31.640
<v Speaker 1>at at CES this year. UM I probably went to

0:15:31.720 --> 0:15:34.160
<v Speaker 1>Mobile World for the first time five or six years ago.

0:15:35.080 --> 0:15:37.840
<v Speaker 1>UM And in the last eighteen months we've done mobile

0:15:37.840 --> 0:15:40.680
<v Speaker 1>deals outside the US. We have about thirty of them

0:15:40.680 --> 0:15:46.240
<v Speaker 1>now where Telefonica carries our flagship brands across Latin America.

0:15:46.480 --> 0:15:49.240
<v Speaker 1>UM in terms of it's in a real kind of

0:15:49.920 --> 0:15:53.400
<v Speaker 1>substitute abal video product. There's other We have a Paramount

0:15:53.400 --> 0:15:56.520
<v Speaker 1>Plus product in Europe which is rolling out, which combines

0:15:56.600 --> 0:16:00.080
<v Speaker 1>Paramount first window you could think of as HBO window,

0:16:00.600 --> 0:16:05.840
<v Speaker 1>UM films with women, Vico Media Networks, television product all

0:16:05.880 --> 0:16:09.120
<v Speaker 1>in a consolidated app available both on set top and

0:16:09.560 --> 0:16:12.920
<v Speaker 1>UM with leading mobile operators. Are those deals the future?

0:16:12.960 --> 0:16:16.760
<v Speaker 1>Are they big enough? They're absolutely future. I mean the

0:16:16.840 --> 0:16:18.840
<v Speaker 1>thing like we're in this We're in the state of

0:16:18.880 --> 0:16:21.560
<v Speaker 1>transformation of our industry. And you can either view that

0:16:21.640 --> 0:16:23.920
<v Speaker 1>as glass half full or half empty. I view it

0:16:23.920 --> 0:16:30.400
<v Speaker 1>as half full. And mobile distribution really is the catalyst

0:16:30.440 --> 0:16:33.840
<v Speaker 1>that will turn this whole decline of television argument on

0:16:33.880 --> 0:16:39.320
<v Speaker 1>its head because you have multiples UM of today three

0:16:39.440 --> 0:16:43.040
<v Speaker 1>G soon four G, never mind five G because five

0:16:43.080 --> 0:16:46.600
<v Speaker 1>G initially is more about fixed broad them. But whatever UM,

0:16:46.680 --> 0:16:50.560
<v Speaker 1>it will eventually be hand sent UM. Those are if

0:16:50.600 --> 0:16:56.320
<v Speaker 1>you have maybe outside the US five million pay TV

0:16:56.480 --> 0:17:00.440
<v Speaker 1>homes at the high side, UM probably more like three

0:17:00.480 --> 0:17:03.360
<v Speaker 1>hundred million quality ones. If you take out India and China,

0:17:03.960 --> 0:17:06.600
<v Speaker 1>you've got a billion five three G homes and growing.

0:17:07.440 --> 0:17:09.680
<v Speaker 1>And so I think these kind of deals where you're

0:17:09.680 --> 0:17:13.040
<v Speaker 1>bringing product either product that looks like what you get

0:17:13.080 --> 0:17:17.680
<v Speaker 1>exactly on television. So that's Telephonica example, UM an aggregated

0:17:17.720 --> 0:17:20.359
<v Speaker 1>product UM that combines a lot of different things under

0:17:20.359 --> 0:17:22.760
<v Speaker 1>one brand. So that's like a paramount plus. With Telenore

0:17:22.880 --> 0:17:27.040
<v Speaker 1>product UM, you know, we're on We're in Indonesia with

0:17:27.119 --> 0:17:29.119
<v Speaker 1>a with a mobile care that's a hundred and sixty

0:17:29.160 --> 0:17:32.320
<v Speaker 1>million subs. Uh. We're on their data tier with our

0:17:32.440 --> 0:17:35.959
<v Speaker 1>Nick Play and Nick jr Play apps, which provides access

0:17:36.040 --> 0:17:38.800
<v Speaker 1>to you know that product on an on demand basis.

0:17:38.880 --> 0:17:41.120
<v Speaker 1>So and and by the way, some of these are

0:17:41.960 --> 0:17:44.679
<v Speaker 1>D two C, so you're opting in as a consumer

0:17:44.960 --> 0:17:48.400
<v Speaker 1>through an app store. We're taking sevent somebody's taken thirty.

0:17:49.400 --> 0:17:54.280
<v Speaker 1>Some of these are UM through a third party intermediary.

0:17:54.359 --> 0:17:57.959
<v Speaker 1>You could think Amazon Channel store, UM. Some of these

0:17:58.080 --> 0:17:59.960
<v Speaker 1>are what we call B two B two C deal.

0:18:00.000 --> 0:18:03.119
<v Speaker 1>Those with carriers you could think about Telefonica or Telenore

0:18:03.920 --> 0:18:06.760
<v Speaker 1>or UM telcom Cell which is the Indonesian one and that.

0:18:07.280 --> 0:18:10.040
<v Speaker 1>So I think this this kind of hybrid economy of

0:18:10.080 --> 0:18:14.800
<v Speaker 1>distribution where unfortunately everybody doesn't get the same thing. People

0:18:14.800 --> 0:18:19.439
<v Speaker 1>are getting different products, bigger bundles, smaller bundles UM, but

0:18:19.680 --> 0:18:22.720
<v Speaker 1>fundamentally you have more reach. And by the way, all

0:18:22.840 --> 0:18:27.479
<v Speaker 1>those type platforms are addressable advertising. So you look at

0:18:27.480 --> 0:18:31.800
<v Speaker 1>the difference between UM sling and Dish in the US.

0:18:31.840 --> 0:18:35.240
<v Speaker 1>For us, we're carried on both. That's good, UM, but

0:18:35.400 --> 0:18:38.679
<v Speaker 1>actually all the sling ads are dynamic. We can insert

0:18:38.680 --> 0:18:41.879
<v Speaker 1>a specific add to a specific person based on specific data.

0:18:42.520 --> 0:18:45.280
<v Speaker 1>On the Dish platform. We can't do that for obvious reasons.

0:18:45.320 --> 0:18:47.439
<v Speaker 1>It's the DTH going down. I mean, you can do

0:18:47.480 --> 0:18:51.159
<v Speaker 1>it because with some technical work. But that is another

0:18:51.520 --> 0:18:54.639
<v Speaker 1>UM big move forward in terms of our ability to

0:18:54.640 --> 0:18:56.199
<v Speaker 1>create value in the space, and we are in the

0:18:56.280 --> 0:18:59.960
<v Speaker 1>super early days of that UM so anyway, exciting time.

0:19:00.320 --> 0:19:03.800
<v Speaker 1>So you're focused more and more on production though, And

0:19:04.000 --> 0:19:07.360
<v Speaker 1>what's interesting about that is I wonder if there's sort

0:19:07.400 --> 0:19:10.320
<v Speaker 1>of a double edged sword to the success there. You

0:19:10.560 --> 0:19:13.159
<v Speaker 1>empower the Netflix is and the facebooks of the world

0:19:13.200 --> 0:19:17.080
<v Speaker 1>with your content. That makes it harder, doesn't it for

0:19:17.119 --> 0:19:20.920
<v Speaker 1>the comedy centrals and mtvs to get as many eyeballs

0:19:20.960 --> 0:19:25.679
<v Speaker 1>on their content because there these people are watching on Facebook.

0:19:25.960 --> 0:19:29.359
<v Speaker 1>So doesn't it kind of hurt your core business? Now

0:19:29.640 --> 0:19:32.439
<v Speaker 1>it doesn't, but here because for two reasons. One is

0:19:32.960 --> 0:19:35.080
<v Speaker 1>whether we make a show for Facebook or not, it's

0:19:35.080 --> 0:19:38.600
<v Speaker 1>not going to influence whether they have shows on their platform. Right,

0:19:38.640 --> 0:19:40.600
<v Speaker 1>So I'd rather have a young adult show with the

0:19:40.680 --> 0:19:44.159
<v Speaker 1>MTV brand than not. Point one point two is the

0:19:44.240 --> 0:19:49.399
<v Speaker 1>most important thing for from Rykom from a consumer perspective

0:19:49.440 --> 0:19:52.400
<v Speaker 1>is to continue to have our flagship brands be top

0:19:52.440 --> 0:19:55.439
<v Speaker 1>of mind for consumers as they think about entertainment. And

0:19:55.480 --> 0:19:58.000
<v Speaker 1>that entertainment might be going to see a movie in

0:19:58.000 --> 0:20:02.480
<v Speaker 1>the theater. That entertainment might be flipping on your flat

0:20:02.520 --> 0:20:05.280
<v Speaker 1>screen and watching a pay video bundle, that might be

0:20:05.600 --> 0:20:08.040
<v Speaker 1>accessing product on an app. That might be going to

0:20:08.119 --> 0:20:11.159
<v Speaker 1>a festival like slime Fest outside of Chicago, which we

0:20:11.200 --> 0:20:13.840
<v Speaker 1>do in the summer with Nickelodeon. That's what we want

0:20:14.000 --> 0:20:19.919
<v Speaker 1>and having a extended ecosystem of entertainment experience associated with

0:20:19.960 --> 0:20:23.720
<v Speaker 1>these brands that cross this fragmenting environment is what it's

0:20:23.720 --> 0:20:27.120
<v Speaker 1>all about because it will reinforce itself. It provides great

0:20:27.160 --> 0:20:30.840
<v Speaker 1>solutions for advertisers. I was with a major CMO last night,

0:20:31.160 --> 0:20:35.320
<v Speaker 1>UM talking about this before one of the many parties UM.

0:20:35.600 --> 0:20:39.439
<v Speaker 1>Just last week we were with another UM and with

0:20:39.520 --> 0:20:43.240
<v Speaker 1>another CMO in a different category, and it's all about

0:20:44.240 --> 0:20:47.840
<v Speaker 1>being able to get reach into say men eighteen and

0:20:47.920 --> 0:20:50.000
<v Speaker 1>thirty four, which is not an easy demo to reach

0:20:50.080 --> 0:20:54.480
<v Speaker 1>these days. Harder than ever use UM a cross section

0:20:55.080 --> 0:21:00.240
<v Speaker 1>of platforms, you know, leveraging our linear distribution at NG,

0:21:00.280 --> 0:21:05.440
<v Speaker 1>our app distribution, adding um are over the top distribution,

0:21:06.040 --> 0:21:09.919
<v Speaker 1>adding our vds, Vacom Digital studios, product that's resident, and

0:21:10.080 --> 0:21:15.800
<v Speaker 1>variety of social media platforms. UM doing branded content in

0:21:15.880 --> 0:21:18.920
<v Speaker 1>and UH in a program that's synchronized to reach that.

0:21:19.000 --> 0:21:22.760
<v Speaker 1>In this example, man male eighteen to thirty four, who

0:21:23.000 --> 0:21:25.080
<v Speaker 1>this particular client and a whole set of clients for

0:21:25.119 --> 0:21:30.119
<v Speaker 1>that matter, you know, are interested in influencing to buy

0:21:30.160 --> 0:21:32.640
<v Speaker 1>a product or service. And I think that's very much

0:21:32.640 --> 0:21:36.880
<v Speaker 1>the future. And and unless you believe, unless you realistically

0:21:36.960 --> 0:21:39.919
<v Speaker 1>understand that's what's going on. If you go to crawl

0:21:39.960 --> 0:21:42.600
<v Speaker 1>into the ivory tower of we got to only stay here,

0:21:42.800 --> 0:21:46.800
<v Speaker 1>you'll never go your company and as a as a

0:21:47.040 --> 0:21:50.120
<v Speaker 1>you know, public company, UM and a company that wants

0:21:50.119 --> 0:21:53.440
<v Speaker 1>to create opportunities for its employees. By the way, and

0:21:53.480 --> 0:21:55.440
<v Speaker 1>we've been doing lots of work on culture and made

0:21:55.520 --> 0:21:59.040
<v Speaker 1>a lot of progress there as well. UM that growth

0:21:59.119 --> 0:22:01.600
<v Speaker 1>is very important. People have to see that there's opportunity

0:22:01.640 --> 0:22:03.359
<v Speaker 1>they can grow with. And so you've got to deal

0:22:03.400 --> 0:22:05.680
<v Speaker 1>with this environment. So let's talk about that culture though,

0:22:05.720 --> 0:22:09.479
<v Speaker 1>because via Com has been through a lot prior to

0:22:09.520 --> 0:22:13.919
<v Speaker 1>you coming in there, How do you energize thousands of

0:22:13.960 --> 0:22:17.719
<v Speaker 1>employees who especially it's not even about via conversation when

0:22:17.760 --> 0:22:21.520
<v Speaker 1>you look at it that broader macro media world. There's pessimism,

0:22:21.560 --> 0:22:25.160
<v Speaker 1>there's negativity. So how do you get people going? Well,

0:22:25.200 --> 0:22:27.480
<v Speaker 1>I think it starts with you gotta have a plan,

0:22:27.960 --> 0:22:29.840
<v Speaker 1>and you have to make sure people understand what it

0:22:29.920 --> 0:22:32.159
<v Speaker 1>is so they can understand how they fit in. And

0:22:32.200 --> 0:22:34.520
<v Speaker 1>they can and you both you and they can understand

0:22:34.560 --> 0:22:36.480
<v Speaker 1>if you're making progress and if so, you can put

0:22:36.520 --> 0:22:38.840
<v Speaker 1>more fuel in the tank, or if you're not making

0:22:38.880 --> 0:22:40.520
<v Speaker 1>progress in one area, you can you can decide to

0:22:40.560 --> 0:22:43.760
<v Speaker 1>go some you know, a different direction. That's fundamental. And

0:22:44.000 --> 0:22:46.879
<v Speaker 1>I can tell you you know, circa sixteen when I

0:22:46.920 --> 0:22:48.840
<v Speaker 1>was running international, I didn't know if I was gonna

0:22:48.880 --> 0:22:51.440
<v Speaker 1>stay black because I didn't believe there was a plan

0:22:51.520 --> 0:22:54.800
<v Speaker 1>with the future. If you talked to and I'm somewhat

0:22:54.800 --> 0:22:56.920
<v Speaker 1>biased obviously, but I think you'll find if you talk

0:22:56.960 --> 0:22:59.560
<v Speaker 1>to people in Vitam today, they fundamentally believe we have

0:22:59.560 --> 0:23:02.920
<v Speaker 1>a plan. They see there's no question that we've effectuated

0:23:02.920 --> 0:23:05.679
<v Speaker 1>a turnaround. You know at our at our studio on

0:23:05.720 --> 0:23:08.399
<v Speaker 1>the West coast, that we have. We are in a

0:23:08.480 --> 0:23:11.760
<v Speaker 1>far better place from a distribution relationship standpoint, and I've

0:23:11.760 --> 0:23:15.720
<v Speaker 1>been expanding that business. That we are actively participating in

0:23:15.760 --> 0:23:20.200
<v Speaker 1>places that we hadn't before, including, you know, providing original

0:23:20.240 --> 0:23:22.679
<v Speaker 1>content on a day and day out basis to the

0:23:23.280 --> 0:23:28.120
<v Speaker 1>avid you know, Digital um, I don't know, Stratosphere um.

0:23:28.200 --> 0:23:30.800
<v Speaker 1>That we're active in events and that in total, we

0:23:30.880 --> 0:23:34.200
<v Speaker 1>actually grew the earnings of the company and and we're

0:23:34.240 --> 0:23:36.640
<v Speaker 1>doing in such way and I'm talking about it. We're

0:23:36.680 --> 0:23:38.800
<v Speaker 1>just kind of starting to talk about this. But what

0:23:38.920 --> 0:23:43.720
<v Speaker 1>unites all of that is a culture of content. That

0:23:43.920 --> 0:23:48.520
<v Speaker 1>is what viacom is. Whether you make short form, long form,

0:23:48.800 --> 0:23:51.320
<v Speaker 1>feature length, or an event, whether you're actually on the

0:23:51.359 --> 0:23:54.600
<v Speaker 1>creative side, the monetization side, of the sports side, they're

0:23:54.640 --> 0:23:58.640
<v Speaker 1>all working in this culture of content. And they see

0:23:58.680 --> 0:24:00.760
<v Speaker 1>the progress we're making. I know because I talked to

0:24:00.800 --> 0:24:03.400
<v Speaker 1>them at least quarterly. I talked to the whole employee

0:24:03.400 --> 0:24:05.879
<v Speaker 1>based on Facebook Live and take questions and do all

0:24:05.880 --> 0:24:08.359
<v Speaker 1>those things, and obviously talk to people every day, but

0:24:08.520 --> 0:24:10.880
<v Speaker 1>they see the progress and that's how you get people excited,

0:24:11.080 --> 0:24:13.760
<v Speaker 1>because at the end of the day, people are pretty simple.

0:24:14.320 --> 0:24:17.200
<v Speaker 1>It comes down to what's in it. For them, and

0:24:17.280 --> 0:24:20.440
<v Speaker 1>what's in it for them is a future. And if

0:24:20.480 --> 0:24:25.240
<v Speaker 1>you look at Viacom circa you know, January of versus

0:24:25.680 --> 0:24:32.520
<v Speaker 1>January of, there's a lot broader and deeper understanding that

0:24:32.760 --> 0:24:35.919
<v Speaker 1>the future is looking pretty interesting. And and that's how

0:24:35.920 --> 0:24:39.639
<v Speaker 1>you keep you engaged. We're here in Las Vegas and cees.

0:24:40.240 --> 0:24:42.600
<v Speaker 1>You know you're gonna spend your time on the show floor.

0:24:42.600 --> 0:24:46.560
<v Speaker 1>What are the kind of technologies that are catching your

0:24:46.640 --> 0:24:50.160
<v Speaker 1>eye that are relevant to your business? Is future? Sure?

0:24:50.200 --> 0:24:53.720
<v Speaker 1>So I actually was on the floor yesterday, um and uh,

0:24:54.000 --> 0:24:55.760
<v Speaker 1>because I think this is an opportunity to be a

0:24:55.760 --> 0:24:57.679
<v Speaker 1>bit a bit of a sponge and see what's going on.

0:24:58.480 --> 0:25:01.080
<v Speaker 1>And if you think about the fun the metals of

0:25:01.119 --> 0:25:04.680
<v Speaker 1>our business, the entertainment business, UM, there's kind of two

0:25:04.720 --> 0:25:08.280
<v Speaker 1>things that are important. One is you get consumers to

0:25:08.480 --> 0:25:11.440
<v Speaker 1>want to spend time with your product. That's important, um.

0:25:11.440 --> 0:25:13.639
<v Speaker 1>And two as you get paid for it. If you

0:25:13.640 --> 0:25:16.520
<v Speaker 1>can have those two things, everything else can probably sort

0:25:16.560 --> 0:25:19.959
<v Speaker 1>itself out. And if you look at the arc of consumption.

0:25:20.560 --> 0:25:22.840
<v Speaker 1>I remember, because I've been in this business, you know,

0:25:23.040 --> 0:25:28.080
<v Speaker 1>thirty years when second television sets started really showing up

0:25:28.119 --> 0:25:31.159
<v Speaker 1>at scale in kids bedrooms and other places and that

0:25:31.320 --> 0:25:34.320
<v Speaker 1>drove more minutes. That was a good thing. And then

0:25:34.600 --> 0:25:39.199
<v Speaker 1>you know, more recently computers with infrastructure started showing up

0:25:39.240 --> 0:25:42.080
<v Speaker 1>in places like offices and that you know, that wasn't

0:25:42.119 --> 0:25:44.800
<v Speaker 1>really a heavy video space, but there was more impressions.

0:25:45.200 --> 0:25:47.200
<v Speaker 1>And then, of course much more recently you get into

0:25:47.240 --> 0:25:49.520
<v Speaker 1>over the top and you get into mobile, and that's

0:25:49.600 --> 0:25:52.800
<v Speaker 1>much more time with product. And what I saw yesterday,

0:25:53.119 --> 0:25:56.720
<v Speaker 1>UM was clearly you know, there's two things that are coming,

0:25:56.880 --> 0:26:00.680
<v Speaker 1>and they're coming like a freight train, and they're fundamentally good. UM.

0:26:00.760 --> 0:26:05.840
<v Speaker 1>One is the continuing acceleration of broadband infrastructure, both in

0:26:05.880 --> 0:26:09.120
<v Speaker 1>the name of five G, which is definitely coming, as

0:26:09.160 --> 0:26:11.960
<v Speaker 1>you all know. Maybe it's fixed broadband first, but it'll

0:26:12.000 --> 0:26:15.160
<v Speaker 1>be wireless that's gonna fun. And and all the wireless

0:26:15.160 --> 0:26:17.359
<v Speaker 1>carriers and we talk to them all we do business

0:26:17.359 --> 0:26:20.040
<v Speaker 1>fall and they're all times we need use cases, and

0:26:20.119 --> 0:26:23.439
<v Speaker 1>certainly entertainment is is a use case. UM. And the

0:26:23.440 --> 0:26:28.320
<v Speaker 1>other thing that's gotten less less uh press at CES

0:26:28.440 --> 0:26:32.680
<v Speaker 1>is ten G. And that's the cable industry talking about

0:26:32.720 --> 0:26:35.840
<v Speaker 1>their next line because they're delivering one G right now. Uh.

0:26:35.840 --> 0:26:38.439
<v Speaker 1>They're the only people doing that, by the way. UM.

0:26:38.520 --> 0:26:41.000
<v Speaker 1>And now their next pushes to deliver ten x that

0:26:41.359 --> 0:26:43.879
<v Speaker 1>over the next you know, five years or something. So

0:26:43.960 --> 0:26:46.920
<v Speaker 1>you put those two things together, you have a lot

0:26:46.960 --> 0:26:51.120
<v Speaker 1>of people wanting to drive increased broadband consumption and needing

0:26:51.119 --> 0:26:53.520
<v Speaker 1>stuff to put through it. That's good and so that's

0:26:53.560 --> 0:26:56.040
<v Speaker 1>the one. And the second thing was if you walk

0:26:56.119 --> 0:26:59.960
<v Speaker 1>the floor of the cars, Um, that's another freight train

0:27:00.119 --> 0:27:03.840
<v Speaker 1>that's coming, five G autonomous cars that people don't have

0:27:03.920 --> 0:27:06.399
<v Speaker 1>to drive. Now. I don't know what you're gonna do

0:27:06.520 --> 0:27:10.760
<v Speaker 1>if your brand is the ultimate driving machine. It's a

0:27:10.840 --> 0:27:16.879
<v Speaker 1>serious question because that's gonna be a niche business. But

0:27:17.119 --> 0:27:19.280
<v Speaker 1>people are going to be look at them. They've got people,

0:27:19.320 --> 0:27:22.080
<v Speaker 1>movers and monitors. People are gonna be And so just

0:27:22.160 --> 0:27:24.840
<v Speaker 1>like adding a TV set to a bedroom or adding

0:27:24.880 --> 0:27:29.560
<v Speaker 1>mobile on the go, the last vestige of video free

0:27:29.640 --> 0:27:33.719
<v Speaker 1>consumption is the automobile. And that's coming and that's going

0:27:33.760 --> 0:27:37.760
<v Speaker 1>to be thinking about how it plays in absolutely absolutely

0:27:37.800 --> 0:27:39.800
<v Speaker 1>And so what do you fork is that like relevant

0:27:39.840 --> 0:27:41.600
<v Speaker 1>two years from now? Five years? So now are you

0:27:41.680 --> 0:27:45.360
<v Speaker 1>able to say at this point, um, look, I think

0:27:45.400 --> 0:27:47.560
<v Speaker 1>you know, in terms of at at scale, it's more

0:27:47.640 --> 0:27:49.960
<v Speaker 1>five years than two years for sure, because I think

0:27:49.960 --> 0:27:52.200
<v Speaker 1>there's still some liability issues that got to get worked

0:27:52.240 --> 0:27:55.200
<v Speaker 1>out in that space. Um, like, you own the car,

0:27:55.280 --> 0:27:57.520
<v Speaker 1>but you didn't drive the car and it crashed. Who's

0:27:57.520 --> 0:28:01.000
<v Speaker 1>who's that on? I don't know, But but at those

0:28:01.000 --> 0:28:03.680
<v Speaker 1>are details that will get worked out. The fundamental thing

0:28:03.840 --> 0:28:06.879
<v Speaker 1>is time. And yeah, sure some people will work in cars.

0:28:07.760 --> 0:28:09.520
<v Speaker 1>You know, when I'm when I'm being driven, I typically

0:28:09.520 --> 0:28:11.439
<v Speaker 1>have a loptome I'm working. But a hell of a

0:28:11.440 --> 0:28:13.399
<v Speaker 1>lot more people are going to be entertained in cars

0:28:14.240 --> 0:28:16.840
<v Speaker 1>and that's a good thing. So between what's going on

0:28:16.880 --> 0:28:19.440
<v Speaker 1>in broadband, which is only going to accelerate on a

0:28:19.480 --> 0:28:24.400
<v Speaker 1>global basis, including mobility and this next wild card, which

0:28:24.480 --> 0:28:28.600
<v Speaker 1>is the automobile, there's just gonna be more demand and

0:28:28.960 --> 0:28:30.960
<v Speaker 1>everyone and their brother is trying to get a piece

0:28:30.960 --> 0:28:33.840
<v Speaker 1>of that pie, and most of them don't make content.

0:28:35.200 --> 0:28:38.440
<v Speaker 1>So back to our studio production initiative, there's a lot

0:28:38.520 --> 0:28:40.840
<v Speaker 1>of legs to this game, and what what we're focused

0:28:40.840 --> 0:28:44.560
<v Speaker 1>on is making sure our brands Paramount, MTV, Nickelodeon, etcetera,

0:28:44.840 --> 0:28:50.400
<v Speaker 1>are resident in this growing, albeit complicated ecosystem. Well, it's

0:28:50.440 --> 0:28:52.920
<v Speaker 1>going to be interesting to see where your brand is

0:28:53.080 --> 0:28:56.600
<v Speaker 1>in this very interesting future. Bob, thanks for coming in

0:28:56.680 --> 0:29:01.760
<v Speaker 1>and talking with me about it. It's like pure This

0:29:01.840 --> 0:29:05.120
<v Speaker 1>has been another episode of Strictly Business. Tune in next

0:29:05.160 --> 0:29:08.920
<v Speaker 1>week for another helping a scintillating conversation with media movers

0:29:08.920 --> 0:29:11.560
<v Speaker 1>and shakers, and please make sure you subscribe to the

0:29:11.600 --> 0:29:15.640
<v Speaker 1>podcast to hear future episodes. Also, leave a review in

0:29:15.720 --> 0:29:18.640
<v Speaker 1>Apple Podcast let us know how we're doing. M