WEBVTT - Paula Pell

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the thing.

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<v Speaker 1>Not long ago, there used to be two types of comedians,

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<v Speaker 1>comedians and female comedians. Today there are so many women

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<v Speaker 1>making us laugh that the qualifier has been rendered obsolete.

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<v Speaker 1>Saturday Night Live deserves a lot of the credit for

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<v Speaker 1>this development. The show has introduced us to Gilda Radner,

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<v Speaker 1>Jan Hooks, Maya Rudolph, Teina Fay, and Kristen Wigg, to

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<v Speaker 1>name just a few. But there's been another woman at

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<v Speaker 1>s n L, a woman who has been quietly working

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<v Speaker 1>day after day for seventeen years, often without sleeping, to

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<v Speaker 1>usher in this reality years. I've been there yet. Paula

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<v Speaker 1>Pell was working at a Florida theme park when she

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<v Speaker 1>got her dream job as a writer at Saturday Night Live.

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<v Speaker 1>Because the show has such a wide comedic range, it's

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<v Speaker 1>the perfect challenge for Paula. You've got the hard hitting

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<v Speaker 1>news parodies, and then on the other end, you know,

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<v Speaker 1>it's got fart jokes. It's got everything in it of

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<v Speaker 1>the low parts of comedy. Mostly me being responsible for Thailand.

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<v Speaker 1>ALBM of Baldwin taking a taking a ship in a

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<v Speaker 1>bed while he's sleeping, he Albim releases a gentle sleepaid

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<v Speaker 1>into your system that allows deep, restless sleep for up

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<v Speaker 1>to ten hours, so deep it turns off your brains

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<v Speaker 1>need to control the bodily functions most likely to wake you.

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<v Speaker 1>Rachel was like, did you yourself, I've slept like a baby. Done.

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<v Speaker 1>You tell me? You tell you tell me, tell me,

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<v Speaker 1>you tell me. In her memoir Bossy Pants, Tina Fey

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<v Speaker 1>writes that her proudest moment as head writer at SNL

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<v Speaker 1>was fighting for one of Pel's sketches introducing co text.

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<v Speaker 1>Classic Classic co text is a commercial for the feminine

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<v Speaker 1>protection of Yester, here featuring the sexy women proudly encumbered

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<v Speaker 1>with bulky pads connected to belts peeking out of their clothes.

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<v Speaker 1>I always you can't take the original room girls. Paula

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<v Speaker 1>pell In person is genuine, charming and easy, the kind

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<v Speaker 1>of person you might actually talk to if you sat

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<v Speaker 1>next to her on a plane, which, for those of

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<v Speaker 1>you not in the industry, is not a description of

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<v Speaker 1>the typical comedy writer. I was always a bit of

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<v Speaker 1>a class clown. I was. I was a good Catholic girl,

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<v Speaker 1>so I always wanted to be I never wanted to

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<v Speaker 1>get in trouble. But I really pushed the envelope because

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<v Speaker 1>I would be funny in class and I do things

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<v Speaker 1>like one of my teachers. I would um do a

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<v Speaker 1>bit where I would go by him and drag my

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<v Speaker 1>hand along the chalk line, you know, the chuck shelf,

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<v Speaker 1>And then I'd come over and I'd say, you know,

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<v Speaker 1>Mr Grocer, just a really great teacher, and I pat

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<v Speaker 1>him on the back and I'd leave like a hand pratt.

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<v Speaker 1>He'd let me make him a little bit the fool

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<v Speaker 1>for a moment, and then he'd do you know, he

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<v Speaker 1>looked like Rob Briner and all in the family at

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<v Speaker 1>the big bushy mustache and along there he just kind

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<v Speaker 1>of looked at camera three, you know, on existence and

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<v Speaker 1>the audience would you know, the audience the class would

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<v Speaker 1>crack up. Or I'd pass notes and say when I sneeze,

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<v Speaker 1>because I have a really good fake sneeze. And I

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<v Speaker 1>would say when I sneeze, everybody fall up their chairs.

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<v Speaker 1>And you know, I'd always be doing something. But I

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<v Speaker 1>grew up with an extremely funny dad, and my mom

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<v Speaker 1>is he worked for Ellinois Bell. We grew up in

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<v Speaker 1>Illinois and then moved to Orlando. When I was a teenager.

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<v Speaker 1>But my entire childhood, my grandpa was a watchmaker for

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<v Speaker 1>West Claks, So my dad always learned that from my grandpa.

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<v Speaker 1>And then when he came to Florida, he worked for

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<v Speaker 1>a T and T for many years, and then when

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<v Speaker 1>he retired, he became a teacher of watch repair, watch making,

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<v Speaker 1>all all of it. So that is the guy who

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<v Speaker 1>works for the phone company. And how does he and

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<v Speaker 1>he becomes watch tinkerer? How was the funny in his

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<v Speaker 1>life at home? He's just ungodly witty. He's really never

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<v Speaker 1>wanted to be in the business himself. Where did he

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<v Speaker 1>express lead? Probably did, But you know, I look at

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<v Speaker 1>all the people in my family and all the relatives

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<v Speaker 1>of different generations, and they all had their thing. You know,

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<v Speaker 1>my mom has a beautiful singing voice. They all had

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<v Speaker 1>something that they wanted to do. But the way they

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<v Speaker 1>grew up was you just you know, you have kids early,

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<v Speaker 1>and you you kind of figure out what you need

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<v Speaker 1>to do to pay for that. And and so they,

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<v Speaker 1>you know, a lot of times didn't have the luxury

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<v Speaker 1>that kids have now. Even though it's hard to get

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<v Speaker 1>a job to say, you know, I'm doing this, getting

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<v Speaker 1>into that you didn't sign onto that program. What was

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<v Speaker 1>wrong with you? Well, I, they wouldn't just do what

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<v Speaker 1>you were supposed to do. They knew that I was

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<v Speaker 1>pretty hopeless. I mean at my confirmation where you get

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<v Speaker 1>the Holy Spirit. I came down the stairs at my

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<v Speaker 1>party and had torn like eight holes in my pantios

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<v Speaker 1>and said I had the Holy Spirit and just would

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<v Speaker 1>do things like that all the time, you know. And

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<v Speaker 1>this was before I drank or smoked anything. I was

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<v Speaker 1>always a total hand. But my dad really taught me

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<v Speaker 1>that he's the king of like. I will tell you that.

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<v Speaker 1>One of the hardest times I laughed at him is

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<v Speaker 1>my mom and I were watching Die Yard on television.

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<v Speaker 1>My dad's cutting the yard, and he's outside cutting the yard.

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<v Speaker 1>He's got his little jean shorts on and his tank top,

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<v Speaker 1>and he keeps coming in and walking by and kind

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<v Speaker 1>of half listening. He's a really good quiet half listener.

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<v Speaker 1>But then he'll do something based on what he's been

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<v Speaker 1>listening to. I. You know, I was listening to my

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<v Speaker 1>mom and the terrorists had the long blond hair, you know,

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<v Speaker 1>the big like kind of Nordic guy at the beginning. Yeah,

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<v Speaker 1>and my mom says, you know, I don't know, but

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<v Speaker 1>I don't like long hair, but that is pretty foxy.

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<v Speaker 1>And she's like commenting on him. So we're laughing about

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<v Speaker 1>it and everything, and then I'm not getting Like an

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<v Speaker 1>hour later, my dad just walked through. He had gone

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<v Speaker 1>in my room and gotten a wig that I had

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<v Speaker 1>of all my ship in my room, put a long

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<v Speaker 1>wig on with just his grass cutting stuff, and just

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<v Speaker 1>walked through. He didn't stop, he didn't do a bit.

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<v Speaker 1>He just walked through. They also knew that rule like

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<v Speaker 1>that you keep the ball in the air and play along.

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<v Speaker 1>They were good, Yes, without the training, they were good

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<v Speaker 1>improv people. King of like a prop he'll just And

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<v Speaker 1>what I love about it is my parents are in

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<v Speaker 1>their seventies now, and you know, and my mom was

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<v Speaker 1>always like, you'd say, you know, you go, oh god,

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<v Speaker 1>dad is so funny. You thank god, Thank god he's funny.

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<v Speaker 1>We had so much laughter in our house, you know,

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<v Speaker 1>despite any any dysfunction, as any family, we always laugh.

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<v Speaker 1>You know, where did you go to college. I went

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<v Speaker 1>to college at University of Tennessee. I first went to

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<v Speaker 1>a local college in Orlando, a community college for two years.

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<v Speaker 1>So you moved to Florida I moved to Florida. My

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<v Speaker 1>dad went down for a T and T for that

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<v Speaker 1>antitrust suit that they had. Um, yeah, it was like

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<v Speaker 1>seven at late seventies. You know. We had gone a

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<v Speaker 1>few times down to Disney World with our little pop

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<v Speaker 1>up camper and like that was a vacation place that

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<v Speaker 1>wasn't a place you move. And my parents sent us

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<v Speaker 1>a little brought back a little polaroid of the house

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<v Speaker 1>they bought, and it was, you know, about seventy tho dollars,

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<v Speaker 1>but it had this gigantic pool because in our Lando

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<v Speaker 1>so many people have pools, even with you know, inexpensive houses,

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<v Speaker 1>and we just thought we won the lottery. You know.

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<v Speaker 1>It was just insane. But we got there, and it

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<v Speaker 1>was really hard the first year. I just never liked

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<v Speaker 1>to be I mean, I think being new is a

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<v Speaker 1>very important thing to do for growth. I think it

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<v Speaker 1>really galvanizes a lot of stuff inside you, of who

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<v Speaker 1>you are and everything. And I'm glad in hindsight, but

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<v Speaker 1>I used to just wake up in the morning and

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<v Speaker 1>just cry, and you know, just because I had so

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<v Speaker 1>much familiarity and comfort with all the kids that I

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<v Speaker 1>went to school with. It's just I was always quiet

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<v Speaker 1>at first, you know, and then by my senior year,

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<v Speaker 1>I got really involved in school and the girls, you know,

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<v Speaker 1>would go because I remember when you'd come in, you know,

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<v Speaker 1>you came in your junior year and I'd say, oh,

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<v Speaker 1>really really, because I came in my sophomore year and

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<v Speaker 1>sat next to you for an entire class and you were,

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<v Speaker 1>you know, a cold little as wipe to me. But

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<v Speaker 1>you know that's right. Now we're friends. And and what

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<v Speaker 1>was the difference for you in terms of the people,

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<v Speaker 1>if you can, if you can character from Illinois to Florida,

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<v Speaker 1>I mean Florida. I mean, one thing that really helped

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<v Speaker 1>me was I was always I always sang. So I

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<v Speaker 1>went in imediately into a concert choir, and so that

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<v Speaker 1>was wonderful because then I had a social group pretty quickly.

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<v Speaker 1>But the one thing about Florida that was so different

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<v Speaker 1>that freaked me out was that, you know, I never

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<v Speaker 1>thought I was growing up in Illinois and necessarily I

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<v Speaker 1>mean a cold sort of atmosphere. It was emotionally warm.

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<v Speaker 1>I had great friends, you know, my family warm. But

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<v Speaker 1>when I got to Florida, everybody hugged constantly. Everyone was

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<v Speaker 1>so affectionate in such a crazy way that I remember saying,

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<v Speaker 1>it's I remember coming home and going stop cupping my

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<v Speaker 1>nipples tenor I don't know you in the choir no,

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<v Speaker 1>but people would um. I kept thinking it was our

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<v Speaker 1>director's birthday or something. I was like, what the hell

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<v Speaker 1>is going on in here? Everyone is hugging our teacher,

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<v Speaker 1>hugging each other. I realized it was just that was

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<v Speaker 1>just the way everyone did, you know. And then my girl,

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<v Speaker 1>my um, who eventually became my girlfriend of many years,

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<v Speaker 1>was my best friend in high school and we were

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<v Speaker 1>very huggy, and that all works because it was the

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<v Speaker 1>right person, not the teacher, not until after we graduated exactly.

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<v Speaker 1>Then then you went to the college down there. I

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<v Speaker 1>went to the college for two years down there, and

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<v Speaker 1>I was, um, well, their theater department was amazing, their

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<v Speaker 1>art department was incredible, and I was also an artist

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<v Speaker 1>Seminole Community College. But I mean the heads of those

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<v Speaker 1>departments and the music department were so incredible that today

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<v Speaker 1>they still are some of my favorite people that have

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<v Speaker 1>gotten taught. Because my art professor, Grady Kimsey, who I'm

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<v Speaker 1>a really good friend with still he had gone to

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<v Speaker 1>ut years and years ago, just kept saying, you gotta

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<v Speaker 1>go check out ut And then my girlfriend was going

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<v Speaker 1>to North Carolina, so it kind of you know, i'd

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<v Speaker 1>go up and visit, and I'd never been up in

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<v Speaker 1>those mountains, and I just fell in love with the

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<v Speaker 1>because I'm such a nature freaking Yeah, I went crazy

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<v Speaker 1>for it. And when you left there, what happened? And

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<v Speaker 1>then I finished college and I came home and I

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<v Speaker 1>worked at the theme parks. What's that? How do you

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<v Speaker 1>get the job at Disney? Like, who's is there somebody

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<v Speaker 1>who's like a casting person? Yeah, there's talent people. And

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<v Speaker 1>you know, I had worked with an improv group called

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<v Speaker 1>sac Theater in Orlando. They at the time contracted out

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<v Speaker 1>to Disney. So they did all the like in Epcot

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<v Speaker 1>in Italy, the Comedian Dollar too. You know, they would

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<v Speaker 1>do all the comedy that's kind of the roaming atmospheric comedy.

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<v Speaker 1>And then they built Pleasure Island, which was the nighttime Disney.

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<v Speaker 1>You know, all the nightclubs Pleasure Island, Pleasure Island, Welcome Come.

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<v Speaker 1>Mickey has no panther. It was New Year's Eve every

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<v Speaker 1>night he slipped roof Asure Island, an entire island they

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<v Speaker 1>built that had all these clubs. They had like a

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<v Speaker 1>big discotheque. They had a country Western sort of music club.

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<v Speaker 1>It was just kind of like a strip of nighttime establishments,

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<v Speaker 1>but all in Disney, but it was late night and

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<v Speaker 1>kind of a downtown feel, like a cluster like and

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<v Speaker 1>they would have of like New Year's Eve every night,

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<v Speaker 1>so they'd have dancers come out and they dance. And

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<v Speaker 1>it was really a fabulous place to work as a

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<v Speaker 1>young actor because it felt cool and I could and

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<v Speaker 1>I did a lot of improvisation, but then we also

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<v Speaker 1>did like radio shows and singing. We could be kind

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<v Speaker 1>of dirty. I mean, it wasn't filthy. I didn't I

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<v Speaker 1>didn't go full till my typical filth that you know of.

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<v Speaker 1>I didn't pell out. But you would interact with the guests,

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<v Speaker 1>so there, you know, you'd be sitting there with some

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<v Speaker 1>old British dude who's getting drunk and just get into

0:11:33.040 --> 0:11:36.320
<v Speaker 1>a conversation. And I played Pamelia Perkins, the president of

0:11:36.360 --> 0:11:38.000
<v Speaker 1>the Adventurous Club, and it was kind of a Teddy

0:11:38.080 --> 0:11:39.920
<v Speaker 1>Roosevelt era sort of place. And I had this big

0:11:39.960 --> 0:11:44.120
<v Speaker 1>buffont and I could just be as body as hell.

0:11:44.200 --> 0:11:46.040
<v Speaker 1>I mean, I would get on guy's laps and you know,

0:11:46.120 --> 0:11:47.600
<v Speaker 1>have my legs up in the air because I was

0:11:47.640 --> 0:11:50.160
<v Speaker 1>like a matron sort of character. And we used to

0:11:50.240 --> 0:11:53.240
<v Speaker 1>have such a blast. But then also during that time,

0:11:53.640 --> 0:11:57.480
<v Speaker 1>I went down Penis Avenue for about two years. I

0:11:57.520 --> 0:11:59.559
<v Speaker 1>was dating men for a little while, and I would

0:11:59.559 --> 0:12:03.000
<v Speaker 1>hook up people, I mean just meeting like different people

0:12:03.200 --> 0:12:06.200
<v Speaker 1>I met, well, just guests, and you know, you'd meet

0:12:06.240 --> 0:12:09.560
<v Speaker 1>some super super charismatic, handsome person. You'd be sitting there

0:12:09.640 --> 0:12:12.240
<v Speaker 1>laughing and you being in costume, and then they'd be like,

0:12:12.400 --> 0:12:14.680
<v Speaker 1>what are you guys doing after you know the characters?

0:12:14.840 --> 0:12:16.840
<v Speaker 1>What do these characters do next? And there was a

0:12:16.920 --> 0:12:19.400
<v Speaker 1>restaurant and there were bars down the street that they

0:12:19.440 --> 0:12:21.520
<v Speaker 1>would let us after work go to. So you just

0:12:21.600 --> 0:12:23.719
<v Speaker 1>take change all your clothes and you know, blow drive

0:12:23.760 --> 0:12:25.640
<v Speaker 1>the ship out of your hair and go Now I'm

0:12:25.640 --> 0:12:29.000
<v Speaker 1>twenty five again. And I'd walk down there and and

0:12:29.040 --> 0:12:31.000
<v Speaker 1>it was New Year's Eve every day it was New

0:12:31.080 --> 0:12:35.520
<v Speaker 1>Year's but you vomited every day and lost your virginity

0:12:35.679 --> 0:12:41.280
<v Speaker 1>every day. Pamlion Pamelia Perkins. Pamelia Pamelia Perkins. Of course

0:12:41.320 --> 0:12:44.319
<v Speaker 1>he's banging the guests two at a time. I mean,

0:12:44.360 --> 0:12:47.360
<v Speaker 1>for an actor at that time, I was making really

0:12:47.400 --> 0:12:50.080
<v Speaker 1>good money and had full insurance everything, had a car,

0:12:50.240 --> 0:12:51.839
<v Speaker 1>rented a little house. You know. It was kind of

0:12:52.760 --> 0:12:56.640
<v Speaker 1>it was. It was a beautiful It was a beautiful life.

0:12:56.720 --> 0:12:58.320
<v Speaker 1>And then I got start crazy with it. And that

0:12:58.440 --> 0:13:01.200
<v Speaker 1>was just about when a thing happened. But how does

0:13:01.360 --> 0:13:04.160
<v Speaker 1>how does that happen? How did they find you? It was?

0:13:04.360 --> 0:13:08.600
<v Speaker 1>It was a beautifully random, amazing thing. I had worked

0:13:08.640 --> 0:13:12.080
<v Speaker 1>with Sick Theater. They had a theater downtown. They would

0:13:12.120 --> 0:13:13.839
<v Speaker 1>call me every so often and I go do a

0:13:13.880 --> 0:13:16.160
<v Speaker 1>set with them where I do a character that I

0:13:16.200 --> 0:13:18.680
<v Speaker 1>had written. And so they said, you know, we're going

0:13:18.720 --> 0:13:22.120
<v Speaker 1>to do this sketch comedy pilot called chuckle Head. And

0:13:22.160 --> 0:13:24.199
<v Speaker 1>they said, will you be in it and do those characters?

0:13:24.240 --> 0:13:26.200
<v Speaker 1>And I said sure. I mean I was doing like

0:13:26.240 --> 0:13:28.120
<v Speaker 1>I got beat up in America's most wanted you know,

0:13:28.160 --> 0:13:30.920
<v Speaker 1>all the local all the things that were shooting in Orlando.

0:13:30.960 --> 0:13:33.160
<v Speaker 1>I would do, you know, And I did this lottery

0:13:33.240 --> 0:13:36.920
<v Speaker 1>character for years in about three states that was played

0:13:36.960 --> 0:13:40.280
<v Speaker 1>the Wurlitz organ. You know, sexy characters, ale, you know,

0:13:41.120 --> 0:13:45.079
<v Speaker 1>but all from the Matron Handbook. I was born at

0:13:45.120 --> 0:13:48.920
<v Speaker 1>fifty Alec. But they called me. My agent called me

0:13:48.960 --> 0:13:50.720
<v Speaker 1>one day and she said, are you sitting down? I

0:13:50.760 --> 0:13:54.840
<v Speaker 1>said yes. She said, Saturday Night Live saw that pilot

0:13:55.559 --> 0:14:00.200
<v Speaker 1>Lauren wants to meet you. And I'm like, okay, for

0:14:00.280 --> 0:14:03.920
<v Speaker 1>what And she goes, now, it is not an audition,

0:14:04.360 --> 0:14:06.200
<v Speaker 1>but he wants to fly you up and talk to you.

0:14:06.200 --> 0:14:09.280
<v Speaker 1>And I'm like, well, what is it? Any am I

0:14:09.360 --> 0:14:15.479
<v Speaker 1>being summoned? What in the f And I said okay?

0:14:15.520 --> 0:14:18.880
<v Speaker 1>And so I flew up there. You know, talk about defecating.

0:14:18.960 --> 0:14:22.200
<v Speaker 1>I mean it was like emmodium city the entire two

0:14:22.280 --> 0:14:24.600
<v Speaker 1>days of getting there. He was two hours, you know,

0:14:24.720 --> 0:14:28.200
<v Speaker 1>or three hours late for the meeting, but he was

0:14:28.760 --> 0:14:32.600
<v Speaker 1>super nice. And I sat with Marcy Klein and Ayala

0:14:32.720 --> 0:14:35.400
<v Speaker 1>in the talent room and I was so nervous that

0:14:35.520 --> 0:14:39.440
<v Speaker 1>they ordered food and they said, um, we're ordering zen Palette.

0:14:39.520 --> 0:14:42.320
<v Speaker 1>You know, vegetarian, we're ordering zen Palette. Do you want anything?

0:14:42.320 --> 0:14:45.840
<v Speaker 1>And I said, just just like a couple white rice

0:14:45.920 --> 0:14:48.080
<v Speaker 1>would be good, just like rice. And I just got

0:14:48.120 --> 0:14:50.680
<v Speaker 1>a dry cup of white rice and set and ate it.

0:14:51.160 --> 0:14:54.320
<v Speaker 1>I went in and he said we have just cleaned house.

0:14:54.360 --> 0:14:56.720
<v Speaker 1>It was it was win Well Ferrell and everybody ken.

0:14:56.720 --> 0:15:00.080
<v Speaker 1>He said, we've cleaned house. We're starting over. You know

0:15:00.680 --> 0:15:03.280
<v Speaker 1>it's gonna rise again, We're hoping, and we're going to

0:15:03.440 --> 0:15:06.160
<v Speaker 1>try to infuse it with new talent, and we would

0:15:06.240 --> 0:15:08.720
<v Speaker 1>like to hire you to be a writer. When I

0:15:08.760 --> 0:15:10.800
<v Speaker 1>was like, oh, well, I've never done that. I you know,

0:15:10.840 --> 0:15:12.640
<v Speaker 1>I don't even I mean, I didn't even use a

0:15:12.680 --> 0:15:14.760
<v Speaker 1>computer at that point. And I said, I can't, you know,

0:15:15.080 --> 0:15:17.240
<v Speaker 1>And if you tell them you can't, then they will.

0:15:17.520 --> 0:15:20.160
<v Speaker 1>You will keep saying well, and he said, well, we'll

0:15:20.200 --> 0:15:23.400
<v Speaker 1>show you, you know. But it was so quick that

0:15:23.520 --> 0:15:25.920
<v Speaker 1>it made me worry that there was something wrong, like

0:15:25.960 --> 0:15:28.360
<v Speaker 1>there was a scam or something like this was all

0:15:28.480 --> 0:15:30.880
<v Speaker 1>some kind of freaking joke, because I was like, this

0:15:30.920 --> 0:15:33.720
<v Speaker 1>can't be And how soon after that were you moving

0:15:33.720 --> 0:15:36.040
<v Speaker 1>to New York? Um? I had five days to move,

0:15:36.800 --> 0:15:39.000
<v Speaker 1>packed up my whole life, gave my animals to my mom,

0:15:39.040 --> 0:15:43.840
<v Speaker 1>temporarily went up to New York City, and you know,

0:15:44.000 --> 0:15:50.400
<v Speaker 1>just was just ungodly miserable and I mean with fear.

0:15:50.920 --> 0:15:54.320
<v Speaker 1>But Mike Shoemaker called me right before I left because

0:15:54.320 --> 0:15:56.880
<v Speaker 1>I was starting to freak out to the point of going,

0:15:57.080 --> 0:15:59.760
<v Speaker 1>I'm going to my dream place. I mean, I was

0:16:00.080 --> 0:16:01.680
<v Speaker 1>sessed with us. Now. When I was little, I used

0:16:01.720 --> 0:16:04.880
<v Speaker 1>to audiotape it I used to perform Rosanna, Rosanna Dana

0:16:04.960 --> 0:16:07.760
<v Speaker 1>from my high school in the auditorium, and I thought,

0:16:07.840 --> 0:16:10.360
<v Speaker 1>I'm just gonna be sitting around with like, you know,

0:16:10.440 --> 0:16:13.880
<v Speaker 1>ten Harvard dudes looking at me, going who the funk is? Who?

0:16:14.160 --> 0:16:17.880
<v Speaker 1>Who hired Kathy Bates light and you know, and why

0:16:18.000 --> 0:16:20.280
<v Speaker 1>is she here? And I adore Kathy Baits by the way,

0:16:20.320 --> 0:16:22.000
<v Speaker 1>but they were just you know, I thought that I

0:16:22.040 --> 0:16:24.840
<v Speaker 1>would be so not of their world, of these writer

0:16:24.840 --> 0:16:27.840
<v Speaker 1>early sort of people, and I didn't realize how many

0:16:27.880 --> 0:16:32.480
<v Speaker 1>writers there are performers. And so Shoemaker called me, and

0:16:32.520 --> 0:16:34.880
<v Speaker 1>I still thank him for this because he really is

0:16:34.920 --> 0:16:37.080
<v Speaker 1>the reason that I ended up getting the balls to

0:16:37.080 --> 0:16:39.880
<v Speaker 1>get there. But he called and he said, some people

0:16:39.920 --> 0:16:41.680
<v Speaker 1>want to say hi. And it was you know, Cindy

0:16:41.760 --> 0:16:44.360
<v Speaker 1>Capanair and Lori nas So and all these people that

0:16:44.440 --> 0:16:46.840
<v Speaker 1>were new that were terrified, and they all got on

0:16:46.880 --> 0:16:48.800
<v Speaker 1>the phone going, we can't wait to meet you. And

0:16:49.280 --> 0:16:51.440
<v Speaker 1>I hung up the phone and I just burst into tears.

0:16:51.480 --> 0:16:53.160
<v Speaker 1>I said, it's all gonna be okay, no matter what,

0:16:53.240 --> 0:16:55.440
<v Speaker 1>it's gonna be okay. It's just a group of people.

0:16:55.480 --> 0:16:57.640
<v Speaker 1>It's almost like of all the years of doing plays.

0:16:57.680 --> 0:17:01.440
<v Speaker 1>It's like it's a new cast getting Manicus seventeen years.

0:17:01.440 --> 0:17:06.640
<v Speaker 1>I've been there yet seventeen and well, I think in general,

0:17:06.720 --> 0:17:09.720
<v Speaker 1>comedy has gotten a little, you know, it's gone through

0:17:09.720 --> 0:17:13.520
<v Speaker 1>its ebbs and flows in terms of things being more

0:17:13.600 --> 0:17:16.720
<v Speaker 1>character driven or or you know, more conceptual. I mean,

0:17:16.760 --> 0:17:19.720
<v Speaker 1>I think that show always has a great amount of both,

0:17:20.280 --> 0:17:22.400
<v Speaker 1>and I always loved the fact that that show had

0:17:22.440 --> 0:17:24.280
<v Speaker 1>something for everybody. You know, I'd sit with a group

0:17:24.320 --> 0:17:28.080
<v Speaker 1>of people that I'd love certain things and they'd love

0:17:28.119 --> 0:17:31.840
<v Speaker 1>certain things, and so I, yeah, I love the band.

0:17:31.920 --> 0:17:33.920
<v Speaker 1>I love the balance, you know, I love the balance

0:17:33.960 --> 0:17:36.800
<v Speaker 1>of it. Um. But one of the biggest things that's

0:17:36.880 --> 0:17:40.960
<v Speaker 1>changed in general to me is the Internet. Because when

0:17:40.960 --> 0:17:43.199
<v Speaker 1>I was growing up and you were an actor, you

0:17:43.240 --> 0:17:46.080
<v Speaker 1>had to create a body of work by really doing

0:17:46.080 --> 0:17:48.760
<v Speaker 1>it and getting hired, and then they would give you

0:17:48.840 --> 0:17:52.440
<v Speaker 1>access to tape of it. You know, you couldn't just

0:17:52.560 --> 0:17:57.959
<v Speaker 1>go on machines and videotape yourself and make a beautifully edited,

0:17:58.119 --> 0:18:00.760
<v Speaker 1>great comedy piece and put that on the internet. I mean,

0:18:01.480 --> 0:18:03.520
<v Speaker 1>you just can't do it. I mean, my my real

0:18:03.680 --> 0:18:06.320
<v Speaker 1>I just remember, you know, I do a tiny role

0:18:06.359 --> 0:18:09.080
<v Speaker 1>in something and just love that. I was adding that

0:18:09.119 --> 0:18:10.879
<v Speaker 1>to my real and you'd have to go to like

0:18:10.920 --> 0:18:13.400
<v Speaker 1>a video place and pay the guy to sit there

0:18:13.440 --> 0:18:16.560
<v Speaker 1>and do it on the gigantic machine. The Internet has

0:18:16.640 --> 0:18:19.240
<v Speaker 1>changed things profound. Yeah, Its just and I think in

0:18:19.400 --> 0:18:22.480
<v Speaker 1>a bad way. It gave people a sense of entitlement

0:18:22.600 --> 0:18:25.160
<v Speaker 1>of there isn't as much awe of all of it

0:18:25.240 --> 0:18:27.920
<v Speaker 1>because they do it themselves. So it's like, oh, yeah,

0:18:27.960 --> 0:18:30.640
<v Speaker 1>I have you know this, I've done, I've done my show.

0:18:30.720 --> 0:18:33.760
<v Speaker 1>You know, they created themselves, which is very empowering and wonderful,

0:18:33.840 --> 0:18:35.920
<v Speaker 1>And it's also getting a lot more comedy out there

0:18:35.920 --> 0:18:38.919
<v Speaker 1>of hilarious people that would never usually walk into a

0:18:39.000 --> 0:18:43.080
<v Speaker 1>room nervous in an audition, right right right. That seems

0:18:43.119 --> 0:18:44.920
<v Speaker 1>to me to have been the condition for me, which

0:18:44.960 --> 0:18:49.359
<v Speaker 1>is I've come to us and now and um the

0:18:49.440 --> 0:18:52.840
<v Speaker 1>signals that I picked up Hooks and all that crowd

0:18:52.880 --> 0:18:59.600
<v Speaker 1>back then was you know, my career wasn't that iconic

0:19:00.160 --> 0:19:03.560
<v Speaker 1>to send up me in my career And so it's

0:19:03.560 --> 0:19:05.800
<v Speaker 1>not like I'm Stallone or Schwartz and Negress like that

0:19:05.840 --> 0:19:08.479
<v Speaker 1>where we do that. So you come in and right

0:19:08.520 --> 0:19:10.520
<v Speaker 1>away you pick up I've got to become like everybody

0:19:10.520 --> 0:19:12.879
<v Speaker 1>else and become a member of the company. And as

0:19:12.920 --> 0:19:14.400
<v Speaker 1>soon as I got that, as soon as I kind

0:19:14.400 --> 0:19:16.840
<v Speaker 1>of picked up that vibe from them, I was, you know,

0:19:17.080 --> 0:19:18.760
<v Speaker 1>asked to come back and come back and come back.

0:19:19.440 --> 0:19:21.560
<v Speaker 1>And what it does is it for me as a performer,

0:19:21.720 --> 0:19:25.120
<v Speaker 1>it's killed everything else that's supposed to be funny. Well,

0:19:25.160 --> 0:19:26.880
<v Speaker 1>and I wonder what that's like for you where you're

0:19:26.880 --> 0:19:29.560
<v Speaker 1>in the world, where you work with the funniest people.

0:19:29.560 --> 0:19:31.320
<v Speaker 1>No matter what people say about S and l you know,

0:19:31.359 --> 0:19:33.160
<v Speaker 1>it's not always gonna work, but when it works, it's

0:19:33.240 --> 0:19:36.040
<v Speaker 1>I think it's the best which has been like for you, well,

0:19:36.080 --> 0:19:39.000
<v Speaker 1>you get so you get so insolent, you know, isolated

0:19:39.040 --> 0:19:43.560
<v Speaker 1>there in great ways, in weird ways, because it's there's

0:19:43.680 --> 0:19:46.640
<v Speaker 1>nothing like it. You cannot compare that experience with anything.

0:19:46.800 --> 0:19:49.280
<v Speaker 1>But it really is so intense. And you you know,

0:19:49.359 --> 0:19:53.360
<v Speaker 1>I started writing movies two years ago and working into that,

0:19:53.520 --> 0:19:56.320
<v Speaker 1>I realized how stretched out the time is, to the

0:19:56.359 --> 0:19:59.600
<v Speaker 1>point where, you know, I mean we'll go between dress

0:19:59.600 --> 0:20:01.280
<v Speaker 1>and air and Lauren will say, I don't like the

0:20:01.280 --> 0:20:03.800
<v Speaker 1>whole top of that, like add you know, a couple

0:20:03.800 --> 0:20:06.040
<v Speaker 1>of new jokes, so you're you're coming up with new

0:20:06.119 --> 0:20:09.080
<v Speaker 1>jokes at eleven fifteen, And let me just put a

0:20:09.080 --> 0:20:12.479
<v Speaker 1>finer point on that for our radio audience, our podcast audience,

0:20:12.520 --> 0:20:17.080
<v Speaker 1>because um that SNL does a full dress rehearsal at

0:20:17.080 --> 0:20:19.800
<v Speaker 1>eight o'clock on Saturday night with an audience with a

0:20:19.920 --> 0:20:23.320
<v Speaker 1>lengthier show. And let's say normally they have seven sketches

0:20:23.359 --> 0:20:25.640
<v Speaker 1>in the air show, they do like eleven sketches at eight,

0:20:26.040 --> 0:20:28.000
<v Speaker 1>and they're gonna pick what worked best and then they're

0:20:28.000 --> 0:20:30.640
<v Speaker 1>going to be right. So when that finishes at ten,

0:20:31.640 --> 0:20:34.439
<v Speaker 1>maybe ten fifteen, maybe ten thirty, who knows. It's a

0:20:34.480 --> 0:20:37.200
<v Speaker 1>long show show, and then you've got an hour where

0:20:37.200 --> 0:20:39.760
<v Speaker 1>you're sitting in a room and in that hour between shows,

0:20:40.080 --> 0:20:42.880
<v Speaker 1>that's when Lauren and the producers and their VIDs edit

0:20:42.960 --> 0:20:44.320
<v Speaker 1>that show and choose what they're going to do and

0:20:44.359 --> 0:20:46.440
<v Speaker 1>ask for rewrites, and they're getting rid of that audience.

0:20:46.440 --> 0:20:49.000
<v Speaker 1>They're bringing in a new one. The band is warming

0:20:49.080 --> 0:20:52.080
<v Speaker 1>up the new audience, and you'll walk through and have

0:20:52.119 --> 0:20:54.400
<v Speaker 1>a task to change something, and you're walking by these

0:20:54.440 --> 0:20:57.399
<v Speaker 1>people that are walking in to their seats looking like

0:20:57.520 --> 0:20:59.280
<v Speaker 1>I'm so excited up here, and you're like, I don't

0:20:59.320 --> 0:21:01.560
<v Speaker 1>know what we're gonna have for you, but we're gonna

0:21:01.600 --> 0:21:03.600
<v Speaker 1>do it right now. You know. I did a Bobby

0:21:03.640 --> 0:21:07.560
<v Speaker 1>and Marty one time with Will and Anna and they

0:21:08.000 --> 0:21:11.399
<v Speaker 1>found out that we were losing time quickly, and so

0:21:11.440 --> 0:21:13.280
<v Speaker 1>they said, you have to take like two minutes out

0:21:13.280 --> 0:21:14.679
<v Speaker 1>of this. I mean, it was just and it was

0:21:15.040 --> 0:21:19.040
<v Speaker 1>between the commercial break. So I went downstairs and I

0:21:19.080 --> 0:21:23.520
<v Speaker 1>was kneeling down with the que card people. They were

0:21:23.560 --> 0:21:27.399
<v Speaker 1>just putting tape over sections and We're like, okay, does

0:21:27.440 --> 0:21:30.640
<v Speaker 1>that make sense? Does it does? And go with it? Children?

0:21:30.680 --> 0:21:33.480
<v Speaker 1>And I'm pretty sure that if like Dr Oz did

0:21:33.560 --> 0:21:35.480
<v Speaker 1>my actual age, you know how they test you and

0:21:35.560 --> 0:21:37.879
<v Speaker 1>your actually I'm probably a hundred and eighty now because

0:21:37.920 --> 0:21:41.560
<v Speaker 1>the stress of that. It's just such adrenaline. And you know,

0:21:41.840 --> 0:21:44.399
<v Speaker 1>but I mean the beautiful thing about s and l

0:21:44.640 --> 0:21:47.440
<v Speaker 1>is hosts will come in and and you know, never

0:21:47.520 --> 0:21:50.640
<v Speaker 1>you because you were always very approachable. Whenever anyone asked

0:21:50.680 --> 0:21:53.240
<v Speaker 1>me about hosts, I always tell them that, you know,

0:21:53.280 --> 0:21:55.479
<v Speaker 1>you are always one of my favorite hosts. I'm not

0:21:55.760 --> 0:21:59.880
<v Speaker 1>blowing air up here, you're COOLO. I got a little

0:22:00.640 --> 0:22:05.040
<v Speaker 1>I'm going to what is cool? And yeah, well yeah,

0:22:05.160 --> 0:22:07.479
<v Speaker 1>if you're blowing smoke up, but it's obviously could you

0:22:07.480 --> 0:22:12.320
<v Speaker 1>have men? Do have other holes? But like you know,

0:22:12.400 --> 0:22:14.840
<v Speaker 1>host will come in with their people and they're very

0:22:14.920 --> 0:22:18.280
<v Speaker 1>nice and very scared, but they have a little bit

0:22:18.320 --> 0:22:21.200
<v Speaker 1>of that sometimes because they're fearful and they have people

0:22:21.240 --> 0:22:24.080
<v Speaker 1>protecting them. And by the end of the week, they're

0:22:24.119 --> 0:22:26.200
<v Speaker 1>just always at that after party. You know, they're sitting

0:22:26.200 --> 0:22:29.359
<v Speaker 1>with everybody and laying across everybody because it feels like theater.

0:22:29.440 --> 0:22:33.159
<v Speaker 1>It feels like I'm in theater camp. And this is

0:22:33.160 --> 0:22:41.679
<v Speaker 1>what I miss doing. More from Paula Pell in a moment,

0:22:41.960 --> 0:22:45.080
<v Speaker 1>this is Alec Baldwin and you're listening to Here's the Thing.

0:22:56.840 --> 0:22:59.880
<v Speaker 1>This is Alec Baldwin, and you're listening to Here's the Thing.

0:23:01.000 --> 0:23:05.119
<v Speaker 1>Paula Pell has been writing sketches at SNL for seventeen years,

0:23:05.720 --> 0:23:08.720
<v Speaker 1>but like any of us, sometimes she just gets tired

0:23:08.760 --> 0:23:13.920
<v Speaker 1>of comedy. Oh my god, yeah, the pity now my

0:23:13.920 --> 0:23:18.200
<v Speaker 1>my gale of fourteen years. She watches a lot of TV,

0:23:18.359 --> 0:23:21.439
<v Speaker 1>and she watches shows that I wouldn't generally watch, like

0:23:21.600 --> 0:23:24.520
<v Speaker 1>Castle or you know, like Hawai Fi Bo or like

0:23:24.600 --> 0:23:27.639
<v Speaker 1>Murder Shore and I mean, you know, murder shows, C

0:23:27.920 --> 0:23:30.560
<v Speaker 1>S I and CIS. She'll watch all She'll take she'll

0:23:30.600 --> 0:23:33.320
<v Speaker 1>tape all these shows in like elementary all these new shows,

0:23:33.720 --> 0:23:36.679
<v Speaker 1>and I'll get totally hooked on things and realize that

0:23:36.880 --> 0:23:41.200
<v Speaker 1>I just love I always loved having drama and comedy together.

0:23:41.200 --> 0:23:43.000
<v Speaker 1>I mean, that's the fun thing about writing movies. Now

0:23:43.400 --> 0:23:45.720
<v Speaker 1>you can have a moment that's just a heart wrenching

0:23:46.080 --> 0:23:49.000
<v Speaker 1>moment in a comedy that's that's real. You know, that

0:23:49.119 --> 0:23:52.320
<v Speaker 1>feels more three dimensional, because after seventeen years of sketches,

0:23:52.359 --> 0:23:55.199
<v Speaker 1>you do get a little stir crazy with feeling like

0:23:55.240 --> 0:23:57.880
<v Speaker 1>you're just writing something on the surface. I mean, it's

0:23:57.920 --> 0:24:00.280
<v Speaker 1>great to make people laugh, but when I go home,

0:24:00.680 --> 0:24:04.560
<v Speaker 1>I love to watch dramas or some reality things. I

0:24:04.640 --> 0:24:07.960
<v Speaker 1>love to just not think about comedy. I do the

0:24:08.000 --> 0:24:10.600
<v Speaker 1>show and I go out there and it's really um

0:24:10.640 --> 0:24:13.600
<v Speaker 1>and I'll say, I'm never doing this. This is ridiculous.

0:24:13.920 --> 0:24:18.440
<v Speaker 1>I can't be bothered with this toastiness. These people are

0:24:18.440 --> 0:24:21.600
<v Speaker 1>all young, and they're all crazy, and they're all puerile,

0:24:21.720 --> 0:24:24.520
<v Speaker 1>and all they talk about his thoughts and brazils and

0:24:24.560 --> 0:24:28.320
<v Speaker 1>so forth. And then I'm gonna go do as you

0:24:28.440 --> 0:24:30.959
<v Speaker 1>like it in the park. Then of course, you know,

0:24:31.080 --> 0:24:33.639
<v Speaker 1>Lauren calls me. I'm like, okay, yeah, he'll call me

0:24:33.680 --> 0:24:35.920
<v Speaker 1>like I get thrown off the plane on American airlines

0:24:35.960 --> 0:24:38.919
<v Speaker 1>for for playing words with friends. The phone rings like

0:24:39.400 --> 0:24:41.719
<v Speaker 1>three or four days there it's Lauren and he literally

0:24:42.000 --> 0:24:46.600
<v Speaker 1>he literally, he literally goes, so perhaps we should do something.

0:24:50.200 --> 0:24:52.480
<v Speaker 1>And I was like, oh my god, I can't believe you.

0:24:52.520 --> 0:24:54.920
<v Speaker 1>People are insane. This would be the week you should

0:24:56.880 --> 0:24:59.080
<v Speaker 1>wish would be the week, you know, which like that

0:24:59.240 --> 0:25:02.679
<v Speaker 1>thing where we have to do it now, but you

0:25:02.720 --> 0:25:05.479
<v Speaker 1>can't say no to them. You feel like you you

0:25:05.680 --> 0:25:08.880
<v Speaker 1>just forget how immediate it is. You know, years ago

0:25:08.920 --> 0:25:12.119
<v Speaker 1>I did a sketch with UM, with a little young,

0:25:12.800 --> 0:25:15.560
<v Speaker 1>little sweet faced Um justin timber Lake when he was

0:25:15.600 --> 0:25:18.200
<v Speaker 1>in in Sync. I used to write a sketch called

0:25:18.440 --> 0:25:21.280
<v Speaker 1>UM six Degrees Celsius and it was like a boy

0:25:21.320 --> 0:25:25.719
<v Speaker 1>group and Will Ferrell was their manager and you had

0:25:25.760 --> 0:25:28.520
<v Speaker 1>to stay threeet away from them because clearly he had

0:25:28.800 --> 0:25:31.359
<v Speaker 1>done some inappropriate things. He had tinted glasses. Of course,

0:25:31.760 --> 0:25:34.159
<v Speaker 1>you know. It was Jimmy Fallon and Chris Ktan and

0:25:34.200 --> 0:25:37.120
<v Speaker 1>Horatio and they were and they were in Chris Chris

0:25:37.160 --> 0:25:39.400
<v Speaker 1>Parnell and they were a boy group and then we'd

0:25:39.400 --> 0:25:42.120
<v Speaker 1>have the host in it. Well that week in Sync

0:25:42.280 --> 0:25:44.560
<v Speaker 1>was there. We asked and Sync to be another boy

0:25:44.600 --> 0:25:48.359
<v Speaker 1>group in this competition on the show, playing a fake

0:25:48.440 --> 0:25:50.680
<v Speaker 1>boy group, And so I wrote a song called hold

0:25:50.680 --> 0:25:54.560
<v Speaker 1>the Pickle, and they were like McDonald's employees and so

0:25:54.680 --> 0:25:57.280
<v Speaker 1>in sync came out with like McDonald's outfits on and

0:25:57.320 --> 0:26:00.200
<v Speaker 1>saying hold the pit Gill and they're so they were

0:26:00.200 --> 0:26:02.600
<v Speaker 1>so crazy talented, Like they got there and looked at

0:26:02.600 --> 0:26:05.800
<v Speaker 1>it for ten minutes and had full harmonies and full choreography.

0:26:05.800 --> 0:26:07.760
<v Speaker 1>I mean, they threw that ship together. I was just

0:26:07.880 --> 0:26:11.159
<v Speaker 1>amazed they came on. And then remember what was the

0:26:11.280 --> 0:26:14.960
<v Speaker 1>MTV thing every Sunday, like the big I can't think

0:26:14.960 --> 0:26:18.000
<v Speaker 1>of the name of it, but the show the like

0:26:18.560 --> 0:26:20.679
<v Speaker 1>show that they show all the videos and everything at

0:26:20.760 --> 0:26:23.399
<v Speaker 1>that time. Do you remember what those Okay, well, anyway,

0:26:23.400 --> 0:26:27.159
<v Speaker 1>it was. It was a very do you know the

0:26:27.200 --> 0:26:30.400
<v Speaker 1>big video show that the kids used to dance to. Um.

0:26:30.440 --> 0:26:33.560
<v Speaker 1>But the next morning, I'm in my little apartment and

0:26:33.640 --> 0:26:36.280
<v Speaker 1>you know, I probably ordered four entrees from some to

0:26:36.359 --> 0:26:39.200
<v Speaker 1>go things to eat my pain, because you always did.

0:26:39.200 --> 0:26:42.000
<v Speaker 1>On Sunday and I turned on the TV and Justin

0:26:42.040 --> 0:26:45.040
<v Speaker 1>timber Lake was on TV on the show at noon

0:26:45.760 --> 0:26:49.600
<v Speaker 1>in Times Square, and there were just hundreds of girls

0:26:49.640 --> 0:26:51.680
<v Speaker 1>down there waving to him, and they had a banner

0:26:51.840 --> 0:26:54.960
<v Speaker 1>with the words to the song hold the Pickle on

0:26:55.119 --> 0:26:58.160
<v Speaker 1>the banner that they had painted, and I was looking

0:26:58.200 --> 0:27:00.760
<v Speaker 1>at it, going, that cannot be because as we just

0:27:00.880 --> 0:27:03.359
<v Speaker 1>did this, like I just woke up and we just

0:27:03.720 --> 0:27:06.440
<v Speaker 1>and then I just remembered like I used to get obsessed.

0:27:06.480 --> 0:27:09.080
<v Speaker 1>You know, I didn't have the Internet, I didn't have videos.

0:27:09.560 --> 0:27:11.520
<v Speaker 1>But back at the day, I mean, my god, if

0:27:11.520 --> 0:27:13.760
<v Speaker 1>I would have grown up in the Internet era, I

0:27:13.760 --> 0:27:16.679
<v Speaker 1>would have been the queen of like, you know, just

0:27:17.640 --> 0:27:20.679
<v Speaker 1>having my own fans site. Yeah, because I just loved

0:27:20.720 --> 0:27:23.119
<v Speaker 1>it and I wanted And we were having a funny

0:27:23.240 --> 0:27:26.720
<v Speaker 1>conversation the other day. In my journals. When I was young,

0:27:26.760 --> 0:27:29.520
<v Speaker 1>I would talk about Rocky because I was obsessed with

0:27:29.600 --> 0:27:33.440
<v Speaker 1>Rocky Sylvester Stallone and the very first Rocky movie. And

0:27:33.760 --> 0:27:37.880
<v Speaker 1>I would talk about, like, in two weeks people magazine

0:27:37.920 --> 0:27:40.080
<v Speaker 1>is going to have an article about him, and I

0:27:40.119 --> 0:27:42.480
<v Speaker 1>would wait until we got that magazine and then I

0:27:42.520 --> 0:27:44.320
<v Speaker 1>would take it home and I cut it out and

0:27:44.520 --> 0:27:46.680
<v Speaker 1>put it in a script. You know, you you had

0:27:46.720 --> 0:27:49.960
<v Speaker 1>to wait to get information or a photo of someone,

0:27:50.080 --> 0:27:51.760
<v Speaker 1>or if you really loved a singer, you had to

0:27:51.800 --> 0:27:54.760
<v Speaker 1>wait for their album to come out, and now you

0:27:54.880 --> 0:27:58.879
<v Speaker 1>just you just when I was a kid, there was

0:27:58.920 --> 0:28:01.119
<v Speaker 1>no cable, there was no E v D that the

0:28:01.240 --> 0:28:04.280
<v Speaker 1>trailers for movies and and the build up, the ramp

0:28:04.359 --> 0:28:07.320
<v Speaker 1>up of a campaign to advertise a film was or

0:28:07.320 --> 0:28:10.320
<v Speaker 1>at least it seemed so far reaching back then. I'll

0:28:10.320 --> 0:28:12.480
<v Speaker 1>never forget. We went to The Godfather and I was

0:28:12.560 --> 0:28:15.600
<v Speaker 1>underage and we we snuck in. I forget how now

0:28:15.640 --> 0:28:18.000
<v Speaker 1>we stood in line and it was like three screening,

0:28:18.080 --> 0:28:20.919
<v Speaker 1>you know, like one o'clock, four o'clock, seven o'clock, and

0:28:20.960 --> 0:28:22.560
<v Speaker 1>you go to the top of the line and didn't

0:28:22.560 --> 0:28:25.560
<v Speaker 1>get in, so you waited another three hours, you know,

0:28:25.640 --> 0:28:28.840
<v Speaker 1>reading Mad magazine or some crap we read back then.

0:28:29.320 --> 0:28:31.359
<v Speaker 1>And I always say, now people wait to stream a

0:28:31.400 --> 0:28:33.679
<v Speaker 1>movie and it's like, you know, four minutes to stream

0:28:33.720 --> 0:28:37.200
<v Speaker 1>in their tap and their foot and going come on exactly.

0:28:37.280 --> 0:28:38.920
<v Speaker 1>And the other thing is that they'll watch twenty minutes

0:28:38.920 --> 0:28:40.240
<v Speaker 1>e and then they'll pause and they'll go talk on

0:28:40.280 --> 0:28:43.800
<v Speaker 1>the phone and they'll go play interest in it. Now

0:28:43.880 --> 0:28:48.200
<v Speaker 1>you are you left to do a television show? I left.

0:28:48.280 --> 0:28:50.840
<v Speaker 1>I left about six years ago to do I wrote

0:28:50.840 --> 0:28:53.560
<v Speaker 1>a pilot called Thick and Thin that was about too

0:28:54.240 --> 0:28:57.440
<v Speaker 1>fat sisters that grew up fat and one gets really

0:28:57.480 --> 0:29:02.680
<v Speaker 1>hot and thin and beautiful. NBC. Yeah, we shot the pilot.

0:29:02.720 --> 0:29:05.479
<v Speaker 1>It got picked up for like thirteen, but it was

0:29:06.360 --> 0:29:09.520
<v Speaker 1>a bad year for multi camera sitcoms. It was kind

0:29:09.520 --> 0:29:11.920
<v Speaker 1>of when they were getting phased out. And it was

0:29:12.040 --> 0:29:15.320
<v Speaker 1>also about a subject that was a little weird still

0:29:15.400 --> 0:29:18.080
<v Speaker 1>back in that era of you know, there wasn't a

0:29:18.080 --> 0:29:20.760
<v Speaker 1>whole bunch of stuff with weight stuff, and I really

0:29:20.760 --> 0:29:25.080
<v Speaker 1>wanted like real people that look fat, you know, that

0:29:25.120 --> 0:29:26.960
<v Speaker 1>look fat because I had struggled with my weight all

0:29:26.960 --> 0:29:28.720
<v Speaker 1>my life and lost huge amounts of weight a couple

0:29:28.760 --> 0:29:31.800
<v Speaker 1>of times in my life. Sharon Glass and Martin Maull

0:29:31.880 --> 0:29:34.720
<v Speaker 1>played the parents, and they played my parents, so it

0:29:34.880 --> 0:29:37.200
<v Speaker 1>was their names. They did all of my dad's stick

0:29:37.280 --> 0:29:40.320
<v Speaker 1>I mean, it was really a special thing. My parents

0:29:40.400 --> 0:29:42.280
<v Speaker 1>came to the pilot and that, you know, it was.

0:29:42.360 --> 0:29:45.280
<v Speaker 1>It was very emotional and wonderful and fun. But the

0:29:45.320 --> 0:29:48.840
<v Speaker 1>process of developing a network show like that is so hard,

0:29:49.040 --> 0:29:52.240
<v Speaker 1>and I really, in hindsight learned so you know, learned

0:29:52.280 --> 0:29:55.080
<v Speaker 1>so many things after the fact. You know which one

0:29:55.080 --> 0:29:59.120
<v Speaker 1>thing arned that you can say, um, well, the biggest

0:29:59.160 --> 0:30:03.160
<v Speaker 1>thing I learned as I'm I'm a people pleaser and

0:30:03.200 --> 0:30:05.800
<v Speaker 1>I always like to get to know people and see

0:30:05.840 --> 0:30:07.520
<v Speaker 1>the good sides of them, and I wanted to have

0:30:07.560 --> 0:30:10.040
<v Speaker 1>a lot of positive energy with with them because I

0:30:10.040 --> 0:30:12.080
<v Speaker 1>had known so many people that developed stuff that we're

0:30:12.120 --> 0:30:15.120
<v Speaker 1>like welcome to hell, you know, everyone just gets so

0:30:15.200 --> 0:30:17.000
<v Speaker 1>negative about it. I thought, you know what, I'm gonna

0:30:17.160 --> 0:30:19.240
<v Speaker 1>go into this. I'm so lucky to be doing this.

0:30:19.360 --> 0:30:24.240
<v Speaker 1>I'm so thrilled. But I befriended everyone so intensely, you know,

0:30:24.360 --> 0:30:27.640
<v Speaker 1>especially like network people and everything. I befriended everyone, so

0:30:27.680 --> 0:30:30.720
<v Speaker 1>then there was this sort of discomfort at telling them

0:30:30.720 --> 0:30:32.800
<v Speaker 1>things they didn't want to hear, or me pushing back

0:30:33.280 --> 0:30:36.560
<v Speaker 1>in bigger ways. And because I had already established that

0:30:36.560 --> 0:30:38.400
<v Speaker 1>we're all just friends and we're all having fun and

0:30:38.400 --> 0:30:41.560
<v Speaker 1>we're laughing, then they would suggest things that were just

0:30:42.040 --> 0:30:45.160
<v Speaker 1>show ruining and I would just be like, okay, well,

0:30:45.240 --> 0:30:47.200
<v Speaker 1>you know, and I just at the time didn't really

0:30:47.200 --> 0:30:50.600
<v Speaker 1>have my voice as a as a creative person to

0:30:50.720 --> 0:30:53.560
<v Speaker 1>lead something like that, you know, So I I regret that,

0:30:53.640 --> 0:30:56.760
<v Speaker 1>and I regret not um pushing more. I mean casting

0:30:56.880 --> 0:30:59.840
<v Speaker 1>was you know, a little brutal just because of the weight.

0:31:00.000 --> 0:31:02.320
<v Speaker 1>Thing is they would they would bring people in that

0:31:02.360 --> 0:31:05.360
<v Speaker 1>were I wanted real people that were you know, I

0:31:05.400 --> 0:31:08.640
<v Speaker 1>wanted the other sister to me a real heavy person.

0:31:08.840 --> 0:31:12.120
<v Speaker 1>And and when they'd audition heavy people sometimes I'd watch

0:31:12.240 --> 0:31:14.480
<v Speaker 1>their faces when they're auditioning them, and They're kind of

0:31:14.520 --> 0:31:16.280
<v Speaker 1>like looking at their bodies, and I'm going, this is

0:31:16.320 --> 0:31:18.320
<v Speaker 1>not good that they don't get it that like that.

0:31:18.440 --> 0:31:21.680
<v Speaker 1>You know, rose Anne was freaking huge hit show. It's like,

0:31:21.760 --> 0:31:24.000
<v Speaker 1>come on. I don't even remember who said this to me,

0:31:24.080 --> 0:31:26.840
<v Speaker 1>but one of the network people pulled me aside during

0:31:26.840 --> 0:31:28.720
<v Speaker 1>one of the castings and she said, did you audition

0:31:28.800 --> 0:31:31.000
<v Speaker 1>this other girl for that part for the heavy sister?

0:31:31.040 --> 0:31:33.960
<v Speaker 1>And I said no, I auditioned her for the thin sister.

0:31:34.000 --> 0:31:36.680
<v Speaker 1>And she said you couldn't pad her, could you. And

0:31:36.680 --> 0:31:38.920
<v Speaker 1>I just remember walking away going, this is so dead

0:31:38.920 --> 0:31:42.040
<v Speaker 1>in the water. You know, now movies, you're doing a

0:31:42.040 --> 0:31:44.760
<v Speaker 1>movie now, Yeah, I did. I worked a little bit

0:31:44.800 --> 0:31:47.880
<v Speaker 1>on Bridesmaids. I just came a couple of different times

0:31:47.920 --> 0:31:49.840
<v Speaker 1>and just you know, pitch jokes on the set, did

0:31:49.880 --> 0:31:52.480
<v Speaker 1>that kind of thing. Had never done anything movie wise ever,

0:31:53.040 --> 0:31:55.240
<v Speaker 1>And I really really had fun doing it. I really

0:31:55.320 --> 0:31:58.520
<v Speaker 1>enjoyed it. And then I Judd started hiring me to

0:31:58.560 --> 0:32:00.880
<v Speaker 1>do some rewrites on different movi vis and punch ups

0:32:00.880 --> 0:32:04.600
<v Speaker 1>and stuff, and I started to see, you know, because

0:32:04.600 --> 0:32:06.760
<v Speaker 1>I had tried to get into it before in other

0:32:06.960 --> 0:32:09.719
<v Speaker 1>eras of my life. Um. But at the same time,

0:32:09.840 --> 0:32:13.880
<v Speaker 1>I had had an idea for a while about my journal,

0:32:14.000 --> 0:32:17.000
<v Speaker 1>my childhood journal, of doing something with it. I wanted

0:32:17.040 --> 0:32:19.040
<v Speaker 1>to do a little play based on it. I wanted

0:32:19.080 --> 0:32:22.360
<v Speaker 1>to do something with it, and Tina had, you know,

0:32:22.480 --> 0:32:24.360
<v Speaker 1>I'd read it to her many times in s and L.

0:32:24.440 --> 0:32:26.960
<v Speaker 1>I'd read it to people before I came up with

0:32:26.960 --> 0:32:30.680
<v Speaker 1>an idea for a movie to do to pitch and

0:32:30.680 --> 0:32:33.080
<v Speaker 1>I pitched it to Universal and they bought it with

0:32:33.120 --> 0:32:36.160
<v Speaker 1>Tina attached to it as a producer and potentially to

0:32:36.240 --> 0:32:39.400
<v Speaker 1>be in it. And so I wrote that that's in

0:32:39.440 --> 0:32:41.400
<v Speaker 1>the work that we're waiting to find out all the

0:32:41.400 --> 0:32:43.720
<v Speaker 1>finals on you know, on that what's happening with that.

0:32:43.800 --> 0:32:46.680
<v Speaker 1>It's it's um, it's been you know, gone through three

0:32:46.760 --> 0:32:49.560
<v Speaker 1>rites and all that. So I'm excited about that about

0:32:49.560 --> 0:32:52.880
<v Speaker 1>two sisters. And then Judd and I just wrote a movie,

0:32:53.160 --> 0:32:56.160
<v Speaker 1>and then last summer I worked on my first full

0:32:56.200 --> 0:32:58.600
<v Speaker 1>movie experience with This is forty. I was the executive

0:32:58.600 --> 0:33:01.600
<v Speaker 1>producer on That is horrible. But do you ever wonder

0:33:01.640 --> 0:33:03.680
<v Speaker 1>what it would be like if you your wife were

0:33:03.720 --> 0:33:08.040
<v Speaker 1>separated by something bigger death like her death? I have

0:33:08.200 --> 0:33:10.840
<v Speaker 1>given it a fair amount of thought, not any painful way,

0:33:10.880 --> 0:33:14.280
<v Speaker 1>which is like a gentle floating off. It's got to

0:33:14.320 --> 0:33:16.760
<v Speaker 1>be peaceful. I mean, this is the mother of your children.

0:33:16.800 --> 0:33:18.800
<v Speaker 1>And then the new wife would be great. God, I

0:33:18.840 --> 0:33:21.840
<v Speaker 1>can't wait to meet my second wife. I hope she

0:33:21.880 --> 0:33:24.440
<v Speaker 1>likes me better than this one. I've finally kind of

0:33:24.480 --> 0:33:27.240
<v Speaker 1>gotten my foothold in the movie thing now and it's

0:33:27.280 --> 0:33:29.280
<v Speaker 1>like really fun. I really love it. I mean, it's

0:33:29.320 --> 0:33:31.760
<v Speaker 1>a lot of it's a lot of waiting around for

0:33:31.960 --> 0:33:33.719
<v Speaker 1>news on things. It's a lot of you know, I

0:33:33.760 --> 0:33:36.000
<v Speaker 1>can't plan anything because you don't know what your next

0:33:36.080 --> 0:33:39.480
<v Speaker 1>year is going to be. But so beautiful to be

0:33:39.520 --> 0:33:42.360
<v Speaker 1>able to work at home with my animals and d

0:33:42.720 --> 0:33:46.160
<v Speaker 1>and just like to be our home buddy, aren't you Well?

0:33:46.200 --> 0:33:47.720
<v Speaker 1>You always come back to the same thing when I've

0:33:47.720 --> 0:33:50.520
<v Speaker 1>spoken to you. I was despondent when you left, because

0:33:50.560 --> 0:33:52.720
<v Speaker 1>you know, you were such a great You're such a

0:33:52.720 --> 0:33:54.840
<v Speaker 1>great writer. You're one of my favorite writers of all times.

0:33:54.840 --> 0:33:56.760
<v Speaker 1>You're so funny. No, but I really mean that, and

0:33:57.080 --> 0:33:59.640
<v Speaker 1>you and then when you left and you said the

0:33:59.680 --> 0:34:01.040
<v Speaker 1>same that you like. I just want to go home

0:34:01.080 --> 0:34:04.120
<v Speaker 1>to d and my animals, animal animal. I want to

0:34:04.160 --> 0:34:06.760
<v Speaker 1>go live the lesbian life. I want to be on

0:34:06.760 --> 0:34:10.239
<v Speaker 1>a lesbian fire. I want to wear my dance go Clag's.

0:34:10.800 --> 0:34:13.279
<v Speaker 1>I want to get a mag light and go under

0:34:13.320 --> 0:34:15.839
<v Speaker 1>a dumpster and get some feral cats out of there.

0:34:18.080 --> 0:34:20.319
<v Speaker 1>I have a horse up there, I have, you know,

0:34:20.480 --> 0:34:23.360
<v Speaker 1>just it's so beautiful and inexpensive up there at the

0:34:23.440 --> 0:34:27.280
<v Speaker 1>Hudson Valley. It's like the amazing place. But also, um,

0:34:27.320 --> 0:34:30.560
<v Speaker 1>just I'm realizing to just the finite amount of time,

0:34:30.600 --> 0:34:32.759
<v Speaker 1>you know, I've I've spent more time since I've been

0:34:32.760 --> 0:34:35.160
<v Speaker 1>doing the movie stuff the last two years, I've spent

0:34:35.200 --> 0:34:37.720
<v Speaker 1>more time with my family. I've been down in Florida

0:34:37.719 --> 0:34:40.879
<v Speaker 1>a lot to visit them. It's just feeling so much

0:34:41.360 --> 0:34:44.640
<v Speaker 1>better for me. And also, I love like Lauren whenever

0:34:44.680 --> 0:34:46.560
<v Speaker 1>I'm there. I did the Louis c. K Show and

0:34:46.560 --> 0:34:50.320
<v Speaker 1>I'm doing this next to here, and um, and you know,

0:34:50.400 --> 0:34:52.920
<v Speaker 1>Lauren will say to me, it's still fun, right, it's fun.

0:34:53.239 --> 0:34:55.080
<v Speaker 1>You had fun, And I go, oh my god, it

0:34:55.080 --> 0:34:58.080
<v Speaker 1>it's amazing. But if I did it all the time now,

0:34:58.120 --> 0:35:00.160
<v Speaker 1>I would be like a you know, a bitter hay

0:35:00.280 --> 0:35:03.840
<v Speaker 1>because I just feel like I wasn't having time or

0:35:03.960 --> 0:35:06.520
<v Speaker 1>energy to do other things. And also everyone is is

0:35:06.600 --> 0:35:08.919
<v Speaker 1>very young. I mean my nieces and nephews I saw

0:35:09.280 --> 0:35:13.920
<v Speaker 1>delivered out of my sister's uh the gene and they're

0:35:14.000 --> 0:35:16.719
<v Speaker 1>in their mid twenties, and ones of physicians assistant ones.

0:35:17.040 --> 0:35:19.759
<v Speaker 1>I mean, I've named myself at SNL Nanny sn L

0:35:19.800 --> 0:35:21.799
<v Speaker 1>because I'll sit at the real rate table, like what

0:35:21.960 --> 0:35:25.440
<v Speaker 1>isn't the name of that where's that detective on television?

0:35:25.440 --> 0:35:28.680
<v Speaker 1>I'm like my grandpa, Oh my god, Grandpa. They'll kN

0:35:28.800 --> 0:35:30.480
<v Speaker 1>on the door and super ready and like Grandpa will

0:35:30.520 --> 0:35:34.120
<v Speaker 1>be right there. It'll be right there. God damn it.

0:35:34.600 --> 0:35:36.279
<v Speaker 1>But if you have a good night there, you feel

0:35:36.280 --> 0:35:38.120
<v Speaker 1>like you're twenty again. I mean, you know, if you

0:35:38.160 --> 0:35:41.040
<v Speaker 1>have a night where you feel like I mean, last

0:35:41.080 --> 0:35:43.759
<v Speaker 1>week I had a really fun Scotch I wrote with

0:35:43.800 --> 0:35:46.200
<v Speaker 1>Kate McKinnon for her and Louis c. K and it

0:35:46.239 --> 0:35:49.840
<v Speaker 1>was funny and dirty and where they were at last

0:35:49.840 --> 0:35:52.239
<v Speaker 1>call at a bar and they're just trying to find

0:35:52.280 --> 0:35:54.600
<v Speaker 1>common ground because they know they're the only two people left.

0:35:54.640 --> 0:35:56.560
<v Speaker 1>So they're like, wait, you're from Arizona. Oh my god,

0:35:56.560 --> 0:36:00.480
<v Speaker 1>I'm from northern California. That's crazy, and I'm they were.

0:36:00.520 --> 0:36:03.839
<v Speaker 1>They made out in the most disgusting, face eating way

0:36:03.880 --> 0:36:07.359
<v Speaker 1>you could ever imagine. And uh, I just went home

0:36:07.400 --> 0:36:10.840
<v Speaker 1>on that old school SNL high, just a whole high,

0:36:10.880 --> 0:36:13.400
<v Speaker 1>you know, like the whole weekend, just bouncing off the walls.

0:36:13.760 --> 0:36:15.239
<v Speaker 1>And then you start going, maybe I could do this

0:36:15.280 --> 0:36:17.480
<v Speaker 1>all the time. I got I'm gonna do it. I

0:36:18.040 --> 0:36:19.520
<v Speaker 1>would leave there on after a good show. I think

0:36:19.520 --> 0:36:22.600
<v Speaker 1>there's I'm gonna be a cast. Addition, I'll do even

0:36:22.840 --> 0:36:26.920
<v Speaker 1>even odd shows like the Gas No Twitter, You're on

0:36:26.960 --> 0:36:29.120
<v Speaker 1>Twitter on my Twitter, You're you kill me on Twitter?

0:36:29.200 --> 0:36:30.840
<v Speaker 1>Thank you? Talk about like I was laying on a

0:36:30.880 --> 0:36:32.279
<v Speaker 1>bed and I was having a great time and I

0:36:32.280 --> 0:36:34.000
<v Speaker 1>was eating sacks and I was really cozy and everything

0:36:34.040 --> 0:36:36.439
<v Speaker 1>was just I felt so great, and then security guard

0:36:36.440 --> 0:36:40.160
<v Speaker 1>came up. You target is closed. Man, It's like the

0:36:40.200 --> 0:36:43.520
<v Speaker 1>Tony Ben routine. People always really respond to my target tweets.

0:36:43.640 --> 0:36:46.120
<v Speaker 1>Twitter is just another form for you. Twitter is really

0:36:46.200 --> 0:36:48.480
<v Speaker 1>I got very addicted to it just because it's so

0:36:48.520 --> 0:36:50.920
<v Speaker 1>simple and it's like a video game for comedy writers

0:36:51.040 --> 0:36:53.839
<v Speaker 1>to just do a one liner about something. And I

0:36:53.880 --> 0:36:58.200
<v Speaker 1>started doing these hey young girl tweets and I might

0:36:58.239 --> 0:37:01.399
<v Speaker 1>do a little book of them, maybe um an illustrated.

0:37:01.600 --> 0:37:04.399
<v Speaker 1>You know, my nieces. I just used to drive them

0:37:04.400 --> 0:37:09.439
<v Speaker 1>insane when they were growing up, because I was, hey,

0:37:09.480 --> 0:37:12.120
<v Speaker 1>young girls, keep your boobs in your shirt, you're button

0:37:12.200 --> 0:37:15.080
<v Speaker 1>your pants, your eyes on your dreams, your head in

0:37:15.120 --> 0:37:16.920
<v Speaker 1>the cloud. You know, like you also say the thing

0:37:16.920 --> 0:37:19.920
<v Speaker 1>about you know if the guy does this. Yeah, remember

0:37:20.760 --> 0:37:22.920
<v Speaker 1>the hey young girls stuff just came out of my

0:37:23.000 --> 0:37:24.920
<v Speaker 1>nieces because I would bring them to tests and l

0:37:25.000 --> 0:37:27.440
<v Speaker 1>and they were just these dropped to gorgeous girls and

0:37:27.719 --> 0:37:29.960
<v Speaker 1>they would have people I'm not talking about people just

0:37:30.080 --> 0:37:32.239
<v Speaker 1>checking them out, but like at if I brought them

0:37:32.520 --> 0:37:35.600
<v Speaker 1>backstage or whatever, there'd be some some dude that would

0:37:35.680 --> 0:37:38.320
<v Speaker 1>just end up coming up and saying, you know, really

0:37:38.320 --> 0:37:41.120
<v Speaker 1>aggressive checking them out. And so they still imitate me

0:37:41.440 --> 0:37:44.320
<v Speaker 1>how I would grab them with my meaty, polish firm

0:37:44.600 --> 0:37:47.680
<v Speaker 1>wife arm and go, she's farting. You want to talk

0:37:47.719 --> 0:37:49.720
<v Speaker 1>about it? I mean I would just become this raving

0:37:50.160 --> 0:37:52.680
<v Speaker 1>crazy woman looking at them like get you know, and

0:37:52.719 --> 0:37:55.720
<v Speaker 1>so I always i'd always be like, are your sexually active.

0:37:55.719 --> 0:37:58.160
<v Speaker 1>I would always want to know all their details and everything,

0:37:58.280 --> 0:38:00.279
<v Speaker 1>like a character out of a rock huts and yeah,

0:38:00.480 --> 0:38:03.719
<v Speaker 1>the chaperone, Yeah, and the chaperone. That's that's uh all

0:38:03.840 --> 0:38:09.360
<v Speaker 1>storrying my son away from the hoogie dancers. You know, um,

0:38:09.520 --> 0:38:12.040
<v Speaker 1>you're a woman, and you're a woman in comedy, and

0:38:12.600 --> 0:38:16.359
<v Speaker 1>comedy has changed a lot over the last forty years.

0:38:16.360 --> 0:38:18.040
<v Speaker 1>But I you know, I feel like it's changed a

0:38:18.040 --> 0:38:21.080
<v Speaker 1>lot over the last fifteen years. It's even more You've

0:38:21.120 --> 0:38:22.759
<v Speaker 1>got people who were much more you know, they're just

0:38:22.800 --> 0:38:24.680
<v Speaker 1>like the guys I mean, Sarah Silverman and people who

0:38:24.680 --> 0:38:27.320
<v Speaker 1>are much more in living color. If you will, I

0:38:27.400 --> 0:38:29.880
<v Speaker 1>wanted to ask you, you know, your assessment of that,

0:38:29.920 --> 0:38:33.800
<v Speaker 1>how that's changed for women over your career. And also

0:38:34.000 --> 0:38:37.000
<v Speaker 1>do you think that there's like certain glass ceilings still,

0:38:37.000 --> 0:38:39.239
<v Speaker 1>like on late night comedy shows, like do you think

0:38:39.280 --> 0:38:42.799
<v Speaker 1>they'll ever replace Letterman? Or like can a woman do

0:38:42.880 --> 0:38:45.640
<v Speaker 1>that job? Because you have women hosting daytime shows and

0:38:45.640 --> 0:38:48.000
<v Speaker 1>no one's on during the day, but the big three

0:38:48.040 --> 0:38:49.959
<v Speaker 1>of the networks they don't have a woman doing that show.

0:38:50.000 --> 0:38:52.480
<v Speaker 1>Do you think that will ever change? I don't know.

0:38:52.520 --> 0:38:54.839
<v Speaker 1>I mean, it's you know, I remember that era, we're

0:38:54.880 --> 0:38:57.440
<v Speaker 1>a couple of them were doing it, Joan Rivers and

0:38:57.480 --> 0:38:59.360
<v Speaker 1>different people were trying it and they were you know,

0:38:59.400 --> 0:39:01.680
<v Speaker 1>they were all and ups. But they had been around

0:39:01.719 --> 0:39:04.640
<v Speaker 1>for a long time, but not lately. So I feel

0:39:04.640 --> 0:39:09.000
<v Speaker 1>like now a lot of those young funny girls are

0:39:09.040 --> 0:39:12.160
<v Speaker 1>either getting their own show, you know, doing a show,

0:39:12.400 --> 0:39:15.200
<v Speaker 1>a television show, but not a talk show, you know.

0:39:15.239 --> 0:39:18.040
<v Speaker 1>I mean Jimmy, he's such a fan of everyone and

0:39:18.080 --> 0:39:20.799
<v Speaker 1>so enthusiastic and joyful about music and everything that that

0:39:20.840 --> 0:39:23.920
<v Speaker 1>was like a perfect fit for him and hilarious. So

0:39:24.000 --> 0:39:26.560
<v Speaker 1>he worked out so great for that. But I think

0:39:26.800 --> 0:39:29.680
<v Speaker 1>with women it's also sometimes hard at s and L

0:39:29.760 --> 0:39:32.719
<v Speaker 1>Like with auditions now, where you go, well, you see

0:39:32.760 --> 0:39:35.640
<v Speaker 1>people and you go where where are a lot of

0:39:35.680 --> 0:39:38.799
<v Speaker 1>the super funny you know, super funny women and you

0:39:38.840 --> 0:39:41.680
<v Speaker 1>know they're around, you know they exist, but a lot

0:39:41.719 --> 0:39:44.399
<v Speaker 1>of them do they they are young, and they they're

0:39:44.440 --> 0:39:48.320
<v Speaker 1>aggressively getting their own shows and stuff like that. The

0:39:48.400 --> 0:39:50.319
<v Speaker 1>second year I was at SNL, second or third, I

0:39:50.360 --> 0:39:53.160
<v Speaker 1>remember having an agent say to me, um, yeah, we

0:39:53.200 --> 0:39:55.160
<v Speaker 1>gotta get you, uh you know, we gotta get a

0:39:55.160 --> 0:39:56.799
<v Speaker 1>game plan for you and get you know, so you

0:39:56.800 --> 0:39:59.600
<v Speaker 1>can get get out of here and and get a

0:39:59.680 --> 0:40:01.440
<v Speaker 1>get a show going on. All that I remember thinking

0:40:02.400 --> 0:40:04.400
<v Speaker 1>talking about, like, what are you talking about? You know,

0:40:04.440 --> 0:40:07.120
<v Speaker 1>this is like the dream job. So but I think

0:40:07.200 --> 0:40:09.920
<v Speaker 1>I think for women it's just like I've always said

0:40:09.920 --> 0:40:12.719
<v Speaker 1>about us, and now it's like the funny rises to

0:40:12.840 --> 0:40:15.440
<v Speaker 1>the top with it. And if somebody's super funny and

0:40:15.800 --> 0:40:18.319
<v Speaker 1>has abandoned and enjoy and they're not trying, you know,

0:40:18.360 --> 0:40:21.440
<v Speaker 1>I don't like ever with a comedy person them acting

0:40:21.480 --> 0:40:24.400
<v Speaker 1>like someone else or acting dirty just to be funny.

0:40:24.400 --> 0:40:26.200
<v Speaker 1>I'm the filthiest person on earth. But if it's not

0:40:26.239 --> 0:40:29.520
<v Speaker 1>funny dirty, if I'm not being funny nobody, you know,

0:40:29.600 --> 0:40:32.360
<v Speaker 1>then forget it, because there's got to be some class

0:40:32.400 --> 0:40:36.279
<v Speaker 1>to my. To my all of a joke does not

0:40:36.440 --> 0:40:39.919
<v Speaker 1>have a class to it to, then forget it. But

0:40:40.080 --> 0:40:42.640
<v Speaker 1>you know, for a while, they're some auditions I would

0:40:42.680 --> 0:40:45.520
<v Speaker 1>watch where girls would come out and just try to

0:40:45.560 --> 0:40:47.560
<v Speaker 1>just sex it up and be funny and dirty, you know,

0:40:47.640 --> 0:40:49.759
<v Speaker 1>and it's like it's funny. You feel like not all

0:40:49.800 --> 0:40:51.400
<v Speaker 1>of them, certainly, but enough of them. They go out

0:40:51.440 --> 0:40:52.840
<v Speaker 1>in front of a camera, a lot of them in

0:40:52.840 --> 0:40:54.480
<v Speaker 1>the comedy world, and they think feel like, well, I

0:40:54.480 --> 0:40:55.960
<v Speaker 1>don't want to go too far over this song because

0:40:56.000 --> 0:40:58.000
<v Speaker 1>I don't want to lose this oven thing. I really

0:40:58.000 --> 0:41:00.080
<v Speaker 1>would like to kiss Leo in a movie, right, I

0:41:00.080 --> 0:41:01.879
<v Speaker 1>want to be as much. You don't want to see

0:41:01.920 --> 0:41:04.640
<v Speaker 1>anyone thinking too hard while they're you know, the the

0:41:04.680 --> 0:41:07.680
<v Speaker 1>greatest auditions at SNL were people that came in purely

0:41:08.160 --> 0:41:11.240
<v Speaker 1>as themselves, came in did a bunch of craziest characters

0:41:11.360 --> 0:41:13.280
<v Speaker 1>and you just went, this is a force of nature.

0:41:13.320 --> 0:41:15.719
<v Speaker 1>What is this? What is this human? Like? They were

0:41:15.760 --> 0:41:17.560
<v Speaker 1>making me laugh so hard and I don't even know

0:41:17.680 --> 0:41:20.160
<v Speaker 1>what where they're getting it from. When when women have

0:41:20.239 --> 0:41:22.160
<v Speaker 1>that the condition though, where it's like it's like they

0:41:22.200 --> 0:41:23.759
<v Speaker 1>sit there and they you know, I mean I've seen

0:41:23.800 --> 0:41:26.600
<v Speaker 1>women who they would make fun of actresses, I mean

0:41:27.000 --> 0:41:30.040
<v Speaker 1>a comedy Yeah, they would just tear apart. They would

0:41:30.160 --> 0:41:34.200
<v Speaker 1>laceerate actresses who they thought were leaning too much on

0:41:34.239 --> 0:41:38.360
<v Speaker 1>the sex button. And then those comedy actresses became stars

0:41:38.719 --> 0:41:41.200
<v Speaker 1>and they popped another button and they put the makeup

0:41:41.239 --> 0:41:43.000
<v Speaker 1>on their cleavage and they were like and they were

0:41:43.040 --> 0:41:45.320
<v Speaker 1>just like they were camera ready. I mean, they became

0:41:45.320 --> 0:41:47.319
<v Speaker 1>the thing they made fun of. Yeah, and you and

0:41:47.360 --> 0:41:50.080
<v Speaker 1>you realize for women, that's a tough angle, you know,

0:41:50.200 --> 0:41:53.040
<v Speaker 1>comedy and comedy girls tended to grow up being the

0:41:53.040 --> 0:41:55.520
<v Speaker 1>goofy looking you know, the goofy looking ones that weren't

0:41:55.560 --> 0:41:58.400
<v Speaker 1>getting the attention that way. So when they become famous

0:41:58.400 --> 0:42:01.040
<v Speaker 1>and have a lot of my me and people putting

0:42:01.120 --> 0:42:03.719
<v Speaker 1>beautiful dresses on them, I think they go They do

0:42:03.800 --> 0:42:05.520
<v Speaker 1>go that way, you know. I mean, I've got a

0:42:05.520 --> 0:42:07.640
<v Speaker 1>lot of pretty sparkly pants suits I wear to the

0:42:07.640 --> 0:42:10.800
<v Speaker 1>Emmy's now, and I really get up my own ass

0:42:10.800 --> 0:42:19.080
<v Speaker 1>on it because Paula Pell will soon be stepping out

0:42:19.120 --> 0:42:22.080
<v Speaker 1>in those pants for the release of This Is forty,

0:42:22.400 --> 0:42:27.040
<v Speaker 1>a film she helped produce set to open December. This

0:42:27.120 --> 0:42:29.919
<v Speaker 1>is Alec Baldwin and you're listening to Here's the Thing