WEBVTT - Listener Mail: I Remember

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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<v Speaker 2>Hey, welcome to Stuff to Blow Your Mind listener mail.

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<v Speaker 2>My name is Robert Lamb.

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<v Speaker 3>And my name is Joe McCormick. And it's Monday, the

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<v Speaker 3>day of each week we read back some messages from

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<v Speaker 3>the mail bag. We've gotten a lot of good responses

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<v Speaker 3>recently to our series on childhood amnesia to recent Weird

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<v Speaker 3>House Cinema episodes. But before we get into all that, Rob,

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<v Speaker 3>do you want to read this message we got from

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<v Speaker 3>Chandra Shekhar about the artifact episode you did on the

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<v Speaker 3>origins of the Pinata.

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<v Speaker 2>Absolutely, and by the way, this is not the individual's

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<v Speaker 2>full name. We just had to double check that off

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<v Speaker 2>my care Anyway, they write in and say hello, gentlemen,

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<v Speaker 2>thanks for the fantastic podcast. I was listening to the

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<v Speaker 2>latest episode and when you read through the listener mail

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<v Speaker 2>about the Philippines and the Pinata, it occurred to me

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<v Speaker 2>that we have something similar in India too. Jean mash

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<v Speaker 2>Tommy is the birthday of a Hindu hero god Krishan.

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<v Speaker 2>He's widely known and one of the most popular gods,

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<v Speaker 2>considering he spoke the Ghita Bagavad Gita closely translates to

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<v Speaker 2>sayings of the God, where Bagavon equals God and ghita

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<v Speaker 2>equals speech. On his birthday, one of the widely celebrated

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<v Speaker 2>traditions is to crack open a pot tied onto a

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<v Speaker 2>vertical pulley system. It is a game where the striker

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<v Speaker 2>has a stick and they run up and jump to

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<v Speaker 2>hit the pot. Simultaneously, the pot is hoisted up on

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<v Speaker 2>the pulley by other players, making it go out of reach.

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<v Speaker 2>The game continues until a striker breaks the pot, which

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<v Speaker 2>is filled with butter, coconut water, honey, and all the

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<v Speaker 2>delicious stuff. In other traditions of Hinduism, people form giant

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<v Speaker 2>human pyramids to reach the pot that is held high

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<v Speaker 2>up in the sky by a crane or some other contraption.

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<v Speaker 2>And I bet you there are a hundred or even

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<v Speaker 2>more ways. This same tradition is celebrated across India and

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<v Speaker 2>the surrounding countries. Something you might find interesting. I would

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<v Speaker 2>gladly listen to you to go down that rabbit hole

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<v Speaker 2>and experience our beautiful culture spiral out.

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<v Speaker 3>Really interesting. I'd never heard of this before. Thanks, thanks

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<v Speaker 3>for sending this. Yeah, all right, so we got a

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<v Speaker 3>lot of messages in response to our series on childhood amnesia.

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<v Speaker 3>A lot of people wanted to share their earliest memories

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<v Speaker 3>or memories that they think make have come from before

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<v Speaker 3>they were three years old. Let's see. We certainly can't

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<v Speaker 3>feature all of the ones we've gotten already on this episode,

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<v Speaker 3>but we'll plow through as many as we can. So

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<v Speaker 3>I'm going to start with this message from longtime correspondent

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<v Speaker 3>Jim in New Jersey.

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<v Speaker 2>Ah.

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<v Speaker 3>Yes, Jim says, Robert and Joe, Some of my first

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<v Speaker 3>memories involved seeing Mary Poppins in the theater in its

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<v Speaker 3>original release. According to my mom, it was the weekend

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<v Speaker 3>after the Kennedy assassination. She and some of her friends

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<v Speaker 3>were growing weary of the depressing TV coverage of the

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<v Speaker 3>tragedy in Dallas, Texas, so they decided to take their

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<v Speaker 3>kids to the movies to see Mary Poppins. Based upon

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<v Speaker 3>my mother's story, this would put my earliest memories before

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<v Speaker 3>two and a half years. Kennedy's assassination was in November

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<v Speaker 3>nineteen sixty three, but Mary Poppins wasn't released until August

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<v Speaker 3>nineteen sixty four, about nine months later. My mom has

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<v Speaker 3>definitely constructed a false memory of when we saw the movie.

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<v Speaker 3>She loves this story so much that I don't have

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<v Speaker 3>the heart to correct her. This place is my Mary

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<v Speaker 3>Poppins memory at a bit after age three, which is

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<v Speaker 3>a much more common age for early memory acquisitions. Once

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<v Speaker 3>I realized the timeline disconnect, I tried to find what

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<v Speaker 3>movie the moms could have taken the kids to see

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<v Speaker 3>on that weekend. I was unable to find any Disney

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<v Speaker 3>or family based movies that seem to fit the bill.

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<v Speaker 3>The actual events are still a mystery to me, but

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<v Speaker 3>I'm not curious enough to shatter my mother's memory by

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<v Speaker 3>asking her. Jim.

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<v Speaker 2>This is interesting because it brings to mind, just in general,

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<v Speaker 2>earliest memories of films seen, because they occupy kind of

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<v Speaker 2>an interesting place. Because on one hand, they are milestone events,

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<v Speaker 2>you know, the first time you take a child to

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<v Speaker 2>a movie theater, your first, your earliest cinema experiences. These

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<v Speaker 2>are notable. They also can be attached to a timeline

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<v Speaker 2>and can be fact checked to some degree. But the

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<v Speaker 2>other interesting thing about them is that they seem highly

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<v Speaker 2>susceptible to reinterpretation based on later viewings of the films.

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<v Speaker 2>You know, like I think back on the movies that

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<v Speaker 2>I know I saw at an early age, and it's

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<v Speaker 2>very easy to sort of build a false memory of

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<v Speaker 2>what that would be like because unlike other things in life,

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<v Speaker 2>like the movie is largely unchanged. You can account for,

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<v Speaker 2>you know, changes in film quality and cuts and so forth,

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<v Speaker 2>but for the most part, like Mary Poppins is the same,

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<v Speaker 2>and you can watch it now and you can get

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<v Speaker 2>a one hundred percent accurate representation of what the movie

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<v Speaker 2>would have been when you saw it in the theater.

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<v Speaker 3>Of course, the interesting thing about seeing a movie is,

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<v Speaker 3>of course it is not just the document that contributes

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<v Speaker 3>to your experience. It's like, you know, you're what you

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<v Speaker 3>understand going into it, the environment you saw it in,

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<v Speaker 3>and all that stuff, especially when you're a little kid,

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<v Speaker 3>because like when you're a little kid, you don't understand

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<v Speaker 3>so many things about the stories told in movies. It

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<v Speaker 3>just kind of like opens the door to all sorts

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<v Speaker 3>of wild interpretations and associations that I think there would

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<v Speaker 3>be less of when you're when you're an adult and

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<v Speaker 3>you essentially perceive the machinations of a plot more straightforwardly

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<v Speaker 3>or realistically. But also, Jim, I totally understand what you're

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<v Speaker 3>saying about like, so, like the way your mother tells

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<v Speaker 3>the story of when you saw Mary Poppins cannot be correct,

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<v Speaker 3>but not wanting to, you know, go like tell her

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<v Speaker 3>that this story that she loves remembering and sharing with

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<v Speaker 3>the family is wrong, because I mean, I don't know

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<v Speaker 3>what's really to be gained from that, right, So, yeah,

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<v Speaker 3>that's weird. But it also makes you wonder why, so

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<v Speaker 3>if this cannot be what literally happened, why did she

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<v Speaker 3>put together that false memory? Like what is it about

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<v Speaker 3>the experience of taking you to see Mary Poppins, which

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<v Speaker 3>you do still remember that she came to associate with

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<v Speaker 3>that weekend of the Kennedy assassination.

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<v Speaker 2>Yeah, yeah, fascinating to tease it all apart, all right.

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<v Speaker 2>This next one comes to us from Ranata. Ranata's email

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<v Speaker 2>is titled my earliest memories are Nightmares. One of the

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<v Speaker 2>wondrous things about memory that I think about every day

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<v Speaker 2>our ability to distinguish dream memories from other memories. Obviously,

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<v Speaker 2>if I remember something totally strange and counterfactual, I will

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<v Speaker 2>suspect it was a dream. But occasionally I do have

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<v Speaker 2>to stop and think if a mundane work conversation was

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<v Speaker 2>actually a real event or a dream. Yet, without fail,

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<v Speaker 2>my brain picks up on something about dream memories that's different.

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<v Speaker 2>It's like my brain puts that memory in a box

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<v Speaker 2>called dreams, and if I find a memory there, it

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<v Speaker 2>must be a dream. Like childhood amnesia, dreams seem to

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<v Speaker 2>disappear really quickly in memory. Unless you write them down

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<v Speaker 2>or rehearse remembering them, they get lost forever. And yet

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<v Speaker 2>some of my earliest memories are dreams and in fact nightmares. Joe,

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<v Speaker 2>you talked about a feeling of nostalgia that isn't like

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<v Speaker 2>nostalgia from a toy or a moment, but more like

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<v Speaker 2>being taken back to a specific emotional state of childhood.

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<v Speaker 2>That's how I feel about marbles due to one of

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<v Speaker 2>my earliest nightmares, which happened when my father had an

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<v Speaker 2>exotic fish tank. He put marbles in the tank as decoration,

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<v Speaker 2>and one night I dreamt that they floated out of

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<v Speaker 2>the tank and chased me around the living room trying

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<v Speaker 2>to bite me like pac Man.

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<v Speaker 3>That is a really good childhood nightmare. I'm sure it

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<v Speaker 3>must have been terrifying as a child, but yeah, the

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<v Speaker 3>thumbs up.

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<v Speaker 2>Now, I'm positive this was a real dream I had,

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<v Speaker 2>and not an implanted memory, because why would anyone be

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<v Speaker 2>telling me a story of my dream. I'm not sure

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<v Speaker 2>I've ever told anyone this dream until now I know

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<v Speaker 2>it must have occurred before my parents' divorce, so before

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<v Speaker 2>the age of five. When I recall that dream, and

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<v Speaker 2>anytime I look at a marble, I have that feeling

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<v Speaker 2>of being transported, unfortunately not in a positive way. I

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<v Speaker 2>don't have a phobia of marbles, but they have a

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<v Speaker 2>sinister quality to me even now. Is it possible to

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<v Speaker 2>implant a dream memory? I doubt it, but maybe. Plus,

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<v Speaker 2>dreams and nightmares are bizarrely specific, so they aren't like

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<v Speaker 2>memories of catching fireflies in a jar that could have

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<v Speaker 2>been a more general experience. So early dreams and nightmares

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<v Speaker 2>might be some of the earliest memories we can be

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<v Speaker 2>sure are real memories, even though they are about things

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<v Speaker 2>that never happened. I love the episodes about cognitive science

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<v Speaker 2>topics best'na.

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<v Speaker 3>Great email Ranata, so yes, as I said, I love

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<v Speaker 3>the idea of killer marbles coming out of the fish

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<v Speaker 3>tank attacking you like the ball from the Prisoner, except

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<v Speaker 3>I guess they're much smaller. Yeah, I wonder about this.

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<v Speaker 3>I mean, it is very interesting the way that we

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<v Speaker 3>we have a tendency to really rapidly forget dreams. I mean,

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<v Speaker 3>even on the course of minutes after waking, they can

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<v Speaker 3>become hard to recall. In fact, I almost seem to

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<v Speaker 3>remember that we've read hypotheses before about why that would be,

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<v Speaker 3>but I don't actually remember what the proposed answers are now.

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<v Speaker 3>But yeah, that is very interesting that we tend to

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<v Speaker 3>forget them so fast. But there are some that really stick,

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<v Speaker 3>and I would tend to think that those are the

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<v Speaker 3>ones that, much like our earliest childhood memories, that we

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<v Speaker 3>are likely to remember. They're the ones that we rehearse

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<v Speaker 3>the most often, with the paradox being that by coming

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<v Speaker 3>back to them and dwelling on them and thinking about

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<v Speaker 3>them and talking about them more often, it's also more

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<v Speaker 3>likely they are changing over time, and so we don't

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<v Speaker 3>remember them actually the same way we did the first

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<v Speaker 3>time we remembered them.

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<v Speaker 2>Yeah, this is a great topic though, because I know,

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<v Speaker 2>in my case, there are nightmares I remember from my

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<v Speaker 2>early childhood from time periods where I really probably don't

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<v Speaker 2>remember much else around them, you know, I mean, there

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<v Speaker 2>are other scattered memories but when you start lining them up,

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<v Speaker 2>it's like, how many memories do I have from this

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<v Speaker 2>year of my life? And and how how how many

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<v Speaker 2>of them are our dreams and how many are reality?

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<v Speaker 2>You know, like, what would be the percentile there? It's

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<v Speaker 2>probably kind of telling Granada thanks for writing in. That's

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<v Speaker 2>that's a twofer. We get an earliest memory and an

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<v Speaker 2>account of a dream, okay.

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<v Speaker 3>We also ask people, you know, if they have memories

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<v Speaker 3>from before the typical threshold of about three years that's

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<v Speaker 3>coming for most people, if they believe they have memories

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<v Speaker 3>from before this period. With the caveat that, in most

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<v Speaker 3>cases it's hard to verify whether these are real memories

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<v Speaker 3>or later confabulations that now feel like memories. It's often

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<v Speaker 3>hard to know for sure. But we did want to

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<v Speaker 3>hear from people, and so we heard from Lindsey, who said, Hello,

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<v Speaker 3>I often think about what it means to be alive

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<v Speaker 3>but not remember, especially as an infant. So your latest

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<v Speaker 3>show before you could remember part one was right up

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<v Speaker 3>my alley. My earliest memory has to be when I

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<v Speaker 3>was about fifteen months old. I know it's not from

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<v Speaker 3>a photo or anything because of the way I remember it,

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<v Speaker 3>although I did see a photo later to confirm that

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<v Speaker 3>what I remembered was actually an event that happened. My

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<v Speaker 3>great grandmother was in a nursing home until she died

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<v Speaker 3>in April nineteen eighty six. In April nineteen eighty five,

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<v Speaker 3>my great aunt took her out and brought her home

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<v Speaker 3>for Passover slash Easter dinner. We didn't do a traditional Satyr,

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<v Speaker 3>but had a meal that conformed with being Kosher four Passover,

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<v Speaker 3>while also celebrating Easter for my dad, who was Catholic

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<v Speaker 3>close parentheses. The memory I have is my great grandmother

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<v Speaker 3>sitting in her wheelchair at the end of the table

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<v Speaker 3>set up in my great aunt's living room. I'm taken

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<v Speaker 3>out of my high chair and placed on her lap,

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<v Speaker 3>sit there for a bit, and then clamber down to

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<v Speaker 3>toddle over to the window. I remember walking up to

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<v Speaker 3>the window and looking out because she had a very

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<v Speaker 3>large picture window that went almost floor to ceiling, so

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<v Speaker 3>the ledge of it was perfect for a toddler to

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<v Speaker 3>lean on. The confirmation came from a photo taken of

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<v Speaker 3>me sitting on my great grandmother's lap and looking at

0:12:42.720 --> 0:12:45.599
<v Speaker 3>the camera. I saw this photo years later as a

0:12:45.679 --> 0:12:48.000
<v Speaker 3>child of seven or eight, and I told my mother

0:12:48.080 --> 0:12:50.880
<v Speaker 3>that I remembered my great grandmother being at dinner, but

0:12:50.960 --> 0:12:54.120
<v Speaker 3>I didn't remember having a picture taken of us. She said,

0:12:54.160 --> 0:12:57.040
<v Speaker 3>this was the only time my great grandmother had been

0:12:57.120 --> 0:12:59.200
<v Speaker 3>home like this since she was in the nursing home,

0:12:59.280 --> 0:13:01.720
<v Speaker 3>so it would have in a very special time all around,

0:13:02.040 --> 0:13:04.320
<v Speaker 3>and that's why the photo of us was taken. Perhaps

0:13:04.360 --> 0:13:07.240
<v Speaker 3>this contributed to me being able to remember it since

0:13:07.280 --> 0:13:10.000
<v Speaker 3>it was a novel event. I am looking forward to

0:13:10.040 --> 0:13:13.640
<v Speaker 3>hearing the other parts of the series. Sincerely, Lindsey. Yeah,

0:13:13.679 --> 0:13:17.440
<v Speaker 3>I guess this would connect to research we talked about,

0:13:17.480 --> 0:13:20.160
<v Speaker 3>I think in part two of the series, where you

0:13:20.200 --> 0:13:23.920
<v Speaker 3>know there there is maybe some connection between the the

0:13:24.040 --> 0:13:28.600
<v Speaker 3>richness or novelty of new declarative memories and one's ability

0:13:28.640 --> 0:13:30.760
<v Speaker 3>to remember them from an early age, especially if they

0:13:30.760 --> 0:13:33.320
<v Speaker 3>get rehearsed in the mind or in conversation as time

0:13:33.360 --> 0:13:33.680
<v Speaker 3>goes on.

0:13:34.320 --> 0:13:36.560
<v Speaker 2>Yeah, Now, for the sake of argument, it is interesting

0:13:36.640 --> 0:13:42.160
<v Speaker 2>that this is a this is a memory of remembering, yes,

0:13:43.640 --> 0:13:46.520
<v Speaker 2>and it's and there's also media involved in the stirring

0:13:46.559 --> 0:13:50.520
<v Speaker 2>of that that memory. So there's there's a lot going

0:13:50.559 --> 0:13:52.520
<v Speaker 2>on there that could you know, you can you can

0:13:52.559 --> 0:13:54.959
<v Speaker 2>imagine where at a young age, you see this picture

0:13:55.000 --> 0:13:58.120
<v Speaker 2>of yourself and you may be you know, encouraged to

0:13:58.360 --> 0:14:01.960
<v Speaker 2>remember what is in the picture, or you may you know,

0:14:02.040 --> 0:14:06.400
<v Speaker 2>create that memory based on the photographic evidence you're presented with,

0:14:06.800 --> 0:14:09.760
<v Speaker 2>and then later as you remember that act of remembering,

0:14:09.920 --> 0:14:13.760
<v Speaker 2>like you access the created memory of the thing. You know.

0:14:14.280 --> 0:14:16.400
<v Speaker 3>Yeah, it's totally true. Now again, of course, Lindsay, we're

0:14:16.440 --> 0:14:18.800
<v Speaker 3>not telling you your memory is wrong. You don't actually

0:14:18.840 --> 0:14:21.600
<v Speaker 3>remember that, but it's it is the thing that we

0:14:21.640 --> 0:14:23.800
<v Speaker 3>all have to face about. Like, it's hard to know

0:14:24.080 --> 0:14:27.800
<v Speaker 3>because if the memory were not real, it would still feel.

0:14:27.480 --> 0:14:30.480
<v Speaker 2>Real, right, And this would be a case too of

0:14:31.200 --> 0:14:34.680
<v Speaker 2>if this is a created memory, well then you have

0:14:35.000 --> 0:14:39.040
<v Speaker 2>over time created a memory of value then and this, yeah,

0:14:39.080 --> 0:14:42.280
<v Speaker 2>this is you know, it's not only harmless, it's it's beneficial.

0:14:42.320 --> 0:14:46.920
<v Speaker 2>So like, yeah, why not embrace it totally? So thank you, Lindsey.

0:14:47.320 --> 0:14:49.520
<v Speaker 2>All Right, This next one comes to us from Scott.

0:14:54.840 --> 0:14:57.760
<v Speaker 2>Scott says, Hi, Robert and Joe, regarding your recent episode

0:14:57.800 --> 0:15:00.840
<v Speaker 2>on childhood, amnesia and memory. I have an interesting first

0:15:00.880 --> 0:15:03.400
<v Speaker 2>memory for you, as it is precisely of a moment

0:15:03.440 --> 0:15:06.520
<v Speaker 2>of realizing I lacked certain kinds of previous memories I

0:15:06.600 --> 0:15:09.720
<v Speaker 2>was always a precocious child, reading Doctor Seuss before the

0:15:09.760 --> 0:15:11.920
<v Speaker 2>age of three, according to my parents, and having an

0:15:11.920 --> 0:15:15.360
<v Speaker 2>early vivid imagination and interest in science and philosophy, which

0:15:15.360 --> 0:15:18.040
<v Speaker 2>may help to explain the following event in my life.

0:15:18.360 --> 0:15:20.200
<v Speaker 2>When I was about three years old in our central

0:15:20.240 --> 0:15:22.760
<v Speaker 2>Minnesota home, I woke up in my bed in the

0:15:22.800 --> 0:15:25.080
<v Speaker 2>middle of the night and had the strange feeling of

0:15:25.160 --> 0:15:28.520
<v Speaker 2>never having been there before, or for that matter, having

0:15:28.560 --> 0:15:32.000
<v Speaker 2>been anywhere before. What struck me as most puzzling was

0:15:32.040 --> 0:15:34.320
<v Speaker 2>that I knew exactly where my room was in the house,

0:15:34.520 --> 0:15:36.400
<v Speaker 2>where my parents' room was, and so forth. I was

0:15:36.480 --> 0:15:39.200
<v Speaker 2>especially fixated on the fact that I knew where certain

0:15:39.240 --> 0:15:41.960
<v Speaker 2>trees were in our front yard, though it was night

0:15:42.040 --> 0:15:44.280
<v Speaker 2>and I wasn't even facing that way, so I couldn't

0:15:44.280 --> 0:15:47.040
<v Speaker 2>see them. How then, I wondered, did I know these things?

0:15:47.320 --> 0:15:49.120
<v Speaker 2>I walked to my parents' room and woke them up,

0:15:49.160 --> 0:15:51.720
<v Speaker 2>explaining this experience as best I could by saying I

0:15:51.760 --> 0:15:54.880
<v Speaker 2>just appeared in my bed. They didn't understand, so I elaborated,

0:15:55.200 --> 0:15:57.520
<v Speaker 2>you know how a magician can make a rabbit disappear, Well,

0:15:57.600 --> 0:16:00.640
<v Speaker 2>I just appeared. They still didn't understand, and how could

0:16:00.680 --> 0:16:03.880
<v Speaker 2>they for I surely didn't understand it either, and gently

0:16:04.000 --> 0:16:07.080
<v Speaker 2>put me back to bed. I have long interpreted this

0:16:07.120 --> 0:16:10.960
<v Speaker 2>as being my first or very first, persistent awareness of myself.

0:16:11.600 --> 0:16:13.840
<v Speaker 2>I had earlier memories of the house and the trees,

0:16:13.840 --> 0:16:16.520
<v Speaker 2>et cetera. I even have a very distinct early memory

0:16:16.520 --> 0:16:19.600
<v Speaker 2>of living temporarily in a relative's basement a few blocks

0:16:19.600 --> 0:16:22.320
<v Speaker 2>away before we moved into this particular house, when I

0:16:22.360 --> 0:16:24.360
<v Speaker 2>was only two years old, and my older sister and

0:16:24.360 --> 0:16:27.240
<v Speaker 2>I were put to bed with raggedy ann and andy dolls,

0:16:27.240 --> 0:16:30.760
<v Speaker 2>the scenario my parents later confirmed. But perhaps my earlier

0:16:30.840 --> 0:16:34.280
<v Speaker 2>awareness was only of these various external objects, and it

0:16:34.320 --> 0:16:36.200
<v Speaker 2>was only after months in the newer house that I

0:16:36.240 --> 0:16:39.520
<v Speaker 2>became abruptly aware in some deeper and persistent sense of

0:16:39.560 --> 0:16:43.320
<v Speaker 2>myself as a being in that world. My cousin reported

0:16:43.320 --> 0:16:45.960
<v Speaker 2>a memory of a similar experience he had outside during

0:16:45.960 --> 0:16:50.040
<v Speaker 2>the daytime of Oh here I am, But most others

0:16:50.120 --> 0:16:53.960
<v Speaker 2>I have related it to, including a few psychologists, were

0:16:54.080 --> 0:16:57.400
<v Speaker 2>unfamiliar with any similar reports and could shed no light

0:16:57.440 --> 0:17:00.200
<v Speaker 2>on it. But surely other people have had or can

0:17:00.320 --> 0:17:03.920
<v Speaker 2>remember similar experiences, So I wish this phenomenon could get

0:17:03.960 --> 0:17:04.479
<v Speaker 2>more attention.

0:17:04.720 --> 0:17:08.199
<v Speaker 3>Scott, that's very interesting. So the idea is that you

0:17:08.320 --> 0:17:13.400
<v Speaker 3>suddenly became aware of yourself as as a subject independent

0:17:13.520 --> 0:17:14.680
<v Speaker 3>from the world.

0:17:16.160 --> 0:17:18.399
<v Speaker 2>Yeah, that's interesting. I don't know that I have anything

0:17:18.520 --> 0:17:20.399
<v Speaker 2>like that. I think I was just watching I watched

0:17:20.400 --> 0:17:21.160
<v Speaker 2>TV instead.

0:17:24.040 --> 0:17:26.000
<v Speaker 3>One way in which I can definitely relate to this

0:17:26.240 --> 0:17:30.960
<v Speaker 3>is that I distinctly recall a feeling when I was

0:17:31.400 --> 0:17:35.199
<v Speaker 3>a young child of having not exactly this realization, but

0:17:35.320 --> 0:17:41.639
<v Speaker 3>lots of realizations that seemed to me incredibly profound, but

0:17:42.000 --> 0:17:44.800
<v Speaker 3>not in a way that I could explain to anybody else,

0:17:44.840 --> 0:17:48.360
<v Speaker 3>in the same way that realizations that people believe they

0:17:48.400 --> 0:17:51.800
<v Speaker 3>have while on psychedelic drugs often are that there's like

0:17:51.840 --> 0:17:55.840
<v Speaker 3>an ineffability of the profundity of your realizations, Like you

0:17:55.880 --> 0:17:58.960
<v Speaker 3>try to put into words and it just doesn't sound

0:17:59.000 --> 0:18:01.800
<v Speaker 3>all that interesting or compelling to somebody else, But like

0:18:02.240 --> 0:18:05.040
<v Speaker 3>in the moment, it feels like you have stumbled across

0:18:05.080 --> 0:18:08.679
<v Speaker 3>some type of truth that is earthshaking, and that truth

0:18:08.800 --> 0:18:12.040
<v Speaker 3>might be the question of like why am I me

0:18:12.359 --> 0:18:14.920
<v Speaker 3>when I could have been somebody else. I remember having

0:18:15.000 --> 0:18:15.800
<v Speaker 3>that thought.

0:18:16.400 --> 0:18:20.520
<v Speaker 2>Oh yeah, yeah, yeah, this were there but for fortune moments,

0:18:20.600 --> 0:18:25.399
<v Speaker 2>Yeah yeah, it can be quite even you know today,

0:18:25.520 --> 0:18:28.520
<v Speaker 2>when when you really stop and engage with those thoughts

0:18:28.520 --> 0:18:30.280
<v Speaker 2>that it can be quite overwhelming.

0:18:30.840 --> 0:18:32.800
<v Speaker 3>Okay, we're going to do a message about Weird House

0:18:32.840 --> 0:18:34.560
<v Speaker 3>Cinema and then close things up.

0:18:35.240 --> 0:18:36.879
<v Speaker 2>Yes, please read Lurch's email.

0:18:42.080 --> 0:18:47.239
<v Speaker 3>Okay, Lurch says, subject line Weird House definitive explanation. Maybe so,

0:18:47.359 --> 0:18:50.240
<v Speaker 3>this I think is related to our questions about the

0:18:50.720 --> 0:18:53.960
<v Speaker 3>bird Eye Gordon movie Attack of the Puppet People. We

0:18:53.960 --> 0:18:56.760
<v Speaker 3>were a little bit shaky on the title there, since

0:18:56.840 --> 0:18:59.800
<v Speaker 3>the people in the movie who seem to be referred

0:18:59.800 --> 0:19:02.280
<v Speaker 3>to as the puppet people in the title people Will

0:19:02.280 --> 0:19:06.440
<v Speaker 3>Get Shrunk do not attack anyone except a literal, inanimate puppet.

0:19:06.760 --> 0:19:10.320
<v Speaker 3>So I don't know, kind of confusing there, But Lurch says,

0:19:10.640 --> 0:19:13.960
<v Speaker 3>good morning, gentlemen. After a brief hiatus, I'm binging stuff

0:19:14.000 --> 0:19:16.040
<v Speaker 3>to blow your mind and just finish the Weird House

0:19:16.080 --> 0:19:19.439
<v Speaker 3>episode covering Bert Eye Gordon's Attack of the Puppet People.

0:19:19.960 --> 0:19:22.800
<v Speaker 3>I suggest the title is actually more accurate than you

0:19:22.880 --> 0:19:25.960
<v Speaker 3>might think, though, I'm guessing the bulls Eye either ended

0:19:26.040 --> 0:19:28.520
<v Speaker 3>up on the cutting room floor or came up a

0:19:28.640 --> 0:19:31.840
<v Speaker 3>victim of a script rewrite. I'm betting the ladder, knowing

0:19:31.960 --> 0:19:36.560
<v Speaker 3>what little I know of the divine Gordon's habits. Besides,

0:19:36.600 --> 0:19:39.760
<v Speaker 3>if it's the former, my flight of fancy crashes on takeoff.

0:19:40.000 --> 0:19:42.480
<v Speaker 3>So if you squint just a little and hold your

0:19:42.480 --> 0:19:45.520
<v Speaker 3>tongue over your right lower molar, you can accept that

0:19:45.640 --> 0:19:48.960
<v Speaker 3>mister Franz, the villain of the movie, as a puppeteer,

0:19:49.200 --> 0:19:54.040
<v Speaker 3>could readily be considered a puppet person. Okay, assume a

0:19:54.160 --> 0:19:58.520
<v Speaker 3>rewrite changed his old colleague to a past friend from

0:19:58.680 --> 0:20:03.040
<v Speaker 3>a current collaborat. Thus you have the requisite plurality to

0:20:03.240 --> 0:20:07.000
<v Speaker 3>justify the collective people in the title. There's no question

0:20:07.080 --> 0:20:10.840
<v Speaker 3>mister Franz attacks his various victims. Of course, the title

0:20:10.880 --> 0:20:14.240
<v Speaker 3>allows for this twofold interpretation, which seems to me to

0:20:14.280 --> 0:20:17.360
<v Speaker 3>be a relatively common device from the era, especially when

0:20:17.359 --> 0:20:22.119
<v Speaker 3>considering movies from Gordon or Corman for Indie Roger. Okay,

0:20:22.119 --> 0:20:23.840
<v Speaker 3>so I think I see what Lurg is saying here

0:20:23.920 --> 0:20:25.879
<v Speaker 3>that if there was an earlier version of the movie

0:20:26.000 --> 0:20:30.040
<v Speaker 3>in which mister Franz was currently a puppeteer like his

0:20:30.280 --> 0:20:33.800
<v Speaker 3>friend Amiel, they were both puppeteers, and they were both

0:20:33.880 --> 0:20:36.800
<v Speaker 3>turning people into puppets, maybe to I don't know, use

0:20:36.960 --> 0:20:40.080
<v Speaker 3>in their puppet shows or something like that, they would

0:20:40.119 --> 0:20:43.480
<v Speaker 3>be the puppet people as in The Puppet Masters turning

0:20:43.480 --> 0:20:46.840
<v Speaker 3>people into puppets, in which case they're obviously attacking people.

0:20:46.880 --> 0:20:50.720
<v Speaker 3>It's not you know, there's no ambiguity there. Okay, Lurch

0:20:50.800 --> 0:20:53.680
<v Speaker 3>goes on on another note, I'm glad one of your

0:20:53.720 --> 0:20:58.400
<v Speaker 3>other listeners mentioned Ringo, Starr and Caveman. I actually saw

0:20:58.440 --> 0:21:00.520
<v Speaker 3>this in a theater and it's been a guilty pleasure

0:21:00.520 --> 0:21:03.960
<v Speaker 3>ever since. I've been compiling a small list of movie suggestions,

0:21:03.960 --> 0:21:06.359
<v Speaker 3>and Caveman is right at the top, even above the

0:21:06.359 --> 0:21:10.040
<v Speaker 3>happiness of the Katakuris. The list of actors is surprising.

0:21:10.320 --> 0:21:14.800
<v Speaker 3>You mentioned Ringo, Dennis Quaid, and Barbara Bach, who is

0:21:14.960 --> 0:21:17.679
<v Speaker 3>dumped by Ringo's character in the movie but married to

0:21:17.760 --> 0:21:23.040
<v Speaker 3>him in real life. There's Shelley Long, Jack Guilford, John mattushak,

0:21:23.640 --> 0:21:27.760
<v Speaker 3>Evan Kim dot dot. What's not to like? This does

0:21:27.800 --> 0:21:30.719
<v Speaker 3>bring me to another guilty pleasure. Besides monster movies, I

0:21:30.760 --> 0:21:34.919
<v Speaker 3>love utterly silly spy movies. James Bond is okay, But

0:21:35.000 --> 0:21:39.560
<v Speaker 3>when Derek Flint, James Coburn, Matt Helm, Dean Martin, or

0:21:39.800 --> 0:21:43.520
<v Speaker 3>Modesty Blaze Monica Viti are on, I'm parked on the

0:21:43.560 --> 0:21:45.919
<v Speaker 3>couch wishing I could teach my dog to get me

0:21:45.960 --> 0:21:48.800
<v Speaker 3>a soda and chips. I'm not sure if they strictly

0:21:48.840 --> 0:21:51.720
<v Speaker 3>fit your weird house criteria, but they do fit mine.

0:21:52.160 --> 0:21:54.280
<v Speaker 3>Keep your eyes on the road, your foot on the floor,

0:21:54.320 --> 0:21:57.480
<v Speaker 3>and your gravy warm regards lurch ah.

0:21:57.480 --> 0:22:01.800
<v Speaker 2>Oh, there's a lot of good stuff too to discuss there.

0:22:03.160 --> 0:22:05.560
<v Speaker 2>I'm not sure what to make about the puppet people argument.

0:22:05.800 --> 0:22:08.800
<v Speaker 2>I guess I can see, I can I have. It's

0:22:08.840 --> 0:22:14.760
<v Speaker 2>a valid hypothesis as far as Ringo Star's Caveman goes. Yeah,

0:22:15.280 --> 0:22:19.240
<v Speaker 2>my curiosity is is perked. And I don't know, in

0:22:19.320 --> 0:22:21.479
<v Speaker 2>terms of spy movies, it would be neat for us

0:22:21.480 --> 0:22:23.919
<v Speaker 2>to do a proper spy movie. I don't know that

0:22:23.960 --> 0:22:27.560
<v Speaker 2>we've done a real, even a groovy, weird spy movie.

0:22:27.560 --> 0:22:29.200
<v Speaker 2>And there that's the thing. There are plenty of weird

0:22:29.200 --> 0:22:31.879
<v Speaker 2>spy movies out there. I mean, even the James Bond

0:22:32.440 --> 0:22:36.000
<v Speaker 2>franchise gets weird enough for us with films like Moonraker.

0:22:36.240 --> 0:22:38.399
<v Speaker 3>I think we could do Moonraker, or we could do

0:22:39.119 --> 0:22:42.119
<v Speaker 3>maybe one of the Bava spy movies like Danger, Diabolic

0:22:42.240 --> 0:22:42.720
<v Speaker 3>or something.

0:22:43.200 --> 0:22:44.840
<v Speaker 2>Yeah, you know, have nothing else. It's going to be

0:22:44.880 --> 0:22:47.600
<v Speaker 2>a colorful affair, all right. Well, thanks for writing in lurch,

0:22:47.640 --> 0:22:49.959
<v Speaker 2>and yeah, let us know if any other films than

0:22:50.040 --> 0:22:53.119
<v Speaker 2>genres come to mind. And in the meantime, if you

0:22:53.160 --> 0:22:55.119
<v Speaker 2>want to catch up on listener mail episodes, well those

0:22:55.119 --> 0:22:57.000
<v Speaker 2>are on Mondays and the Stuff to Wild Mind podcast

0:22:57.080 --> 0:23:00.200
<v Speaker 2>feed Core episodes on Tuesdays and Thursdays, Artifact on Snster

0:23:00.200 --> 0:23:02.400
<v Speaker 2>Effect on Wednesdays, and on Friday, we set aside most

0:23:02.400 --> 0:23:04.720
<v Speaker 2>serious concerns to just talk about a weird film on

0:23:04.840 --> 0:23:06.040
<v Speaker 2>Weird House Cinema.

0:23:06.160 --> 0:23:09.639
<v Speaker 3>Huge thanks to our audio producer JJ Posway. If you

0:23:09.640 --> 0:23:11.680
<v Speaker 3>would like to get in touch with us with feedback

0:23:11.720 --> 0:23:14.399
<v Speaker 3>on this episode or any other, to suggest a topic

0:23:14.440 --> 0:23:16.320
<v Speaker 3>for the future, or just to say hello, you can

0:23:16.359 --> 0:23:19.000
<v Speaker 3>email us at contact at stuff to Blow your Mind

0:23:19.200 --> 0:23:26.640
<v Speaker 3>dot com.

0:23:26.760 --> 0:23:29.679
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