WEBVTT - S3 – 6: Mismatch

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<v Speaker 1>Welcomed unobscured, a production of I Heart Radio and Aaron Minky.

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<v Speaker 1>Mrs Mortimer heard steps pass by in the street. That

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<v Speaker 1>was nothing unusual, though in fact she recognized these steps.

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<v Speaker 1>They were the heavy, measured tread of a constable passing

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<v Speaker 1>the house as he always did, walking his beat. Or

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<v Speaker 1>so she thought. It's hard to tell from just the

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<v Speaker 1>sound of footsteps slapping on wet cobble stones, but it

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<v Speaker 1>was a familiar sound to Missus Mortimer, and it brought

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<v Speaker 1>her to her front door. She stood there for a

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<v Speaker 1>while and took in the night air for what she

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<v Speaker 1>guessed was a half hour. The night was damp and

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<v Speaker 1>the stones and walls around her were wet. And then

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<v Speaker 1>someone else came walking by, and she watched him pass.

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<v Speaker 1>There were a few things she noticed about the man. First,

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<v Speaker 1>he was carrying a shiny black bag. Second, he was

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<v Speaker 1>moving quickly, and as he moved along the street, Missus

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<v Speaker 1>Mortimer noticed that he glanced at the Jewish socialist club

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<v Speaker 1>that stood four doors down from her home on Burner Street,

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<v Speaker 1>the club at Dutfield Yard. It was nearly one in

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<v Speaker 1>the morning, so Mrs Mortimer went back inside and prepared

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<v Speaker 1>for bed. That would have been when the steward of

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<v Speaker 1>the Socialist Club rattled by in his cart pulled by

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<v Speaker 1>a donkey. He was on his way back to the club,

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<v Speaker 1>and he tugged the reins to turn the cart through

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<v Speaker 1>the gates and into the yard, and that's when his

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<v Speaker 1>donkey bucked and shied away. He was trying to get

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<v Speaker 1>the animal to turn into Dutfield Yard so he could

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<v Speaker 1>unload his belongings from the market, but something was on

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<v Speaker 1>the ground in the shadows, blocking the way. He couldn't

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<v Speaker 1>see what it was, so he climbed down and got

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<v Speaker 1>a closer look. He pulled a box of matches from

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<v Speaker 1>his pocket and struck a light. In the flickering flame,

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<v Speaker 1>he could see the shape was the body of a woman,

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<v Speaker 1>Liz Stride. Israel Schwartz had fled the scene just minutes before.

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<v Speaker 1>He rushed into the club, where people were still dancing

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<v Speaker 1>and drinking together and where his wife was chatting with

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<v Speaker 1>the guests. When a few of them came out to

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<v Speaker 1>help the steward check on the woman, they found that

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<v Speaker 1>she was dead. A long cut cross Liz Stride's throats

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<v Speaker 1>under the scarf that had been frayed by the edge

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<v Speaker 1>of the knife that killed her. The resulting commotion brought

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<v Speaker 1>Mrs Mortimer out of her house and others too, even

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<v Speaker 1>in the early morning hours. The steward then went for

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<v Speaker 1>the police. When constables arrived, they shut the gate and

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<v Speaker 1>locked down the club. Clothes hands and the rooms in

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<v Speaker 1>the club were examined for blood. The toilets in the

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<v Speaker 1>yard were checked. The neighboring contages too, along with the neighbors.

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<v Speaker 1>White Chapels Inspector Reid was back from his holiday and

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<v Speaker 1>he was on the scene soon after. There was nothing

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<v Speaker 1>ordinary about the horrible murder that was coming to light

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<v Speaker 1>under the Steward's match, but by now all of London

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<v Speaker 1>knew the pattern. Soon enough, Liz Stride would be added

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<v Speaker 1>to the list of names women who had been killed

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<v Speaker 1>in the dark hours of the night, Taken to the

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<v Speaker 1>White Chapel mortuary, examined by a police surgeon, with an

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<v Speaker 1>inquest carried out by Wind Baxter. The first doctor to

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<v Speaker 1>examine the body arrived on the scene at one a m.

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<v Speaker 1>He was followed ten minutes later by Dr Phillips, the

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<v Speaker 1>Urgin who had observed Annie Chapman's body on Hanbury Street.

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<v Speaker 1>His influence had already been felt in the investigation when

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<v Speaker 1>he suggested to Win Baxter that the killer could be

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<v Speaker 1>a surgeon or maybe a butcher. Dr Phillips had come

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<v Speaker 1>to his conclusion because of the massive wounds to Annie Chapman.

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<v Speaker 1>But there was only one cut for doctors to examine

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<v Speaker 1>on Liz Stride, the one that crossed her neck. There

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<v Speaker 1>was no doubt it was a vicious murder. But this

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<v Speaker 1>challenge the speculations Dr Phillips had put forward before. If

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<v Speaker 1>the killer was attempting to collect organs from the women

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<v Speaker 1>he murdered, and Stride was killed by the same hand,

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<v Speaker 1>why hadn't the murderer done the same to her? But

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<v Speaker 1>if that struck the Burner Street neighborhood or the police

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<v Speaker 1>as unusual, it would hardly be the most startling thing

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<v Speaker 1>to happen that night, because on September the murderer would

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<v Speaker 1>kill twice. This is unobscured. I'm Aaron Manky. There were

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<v Speaker 1>more witnesses. The rain falling on Aldgates had kept the

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<v Speaker 1>three men inside the Imperial Club late into the night.

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<v Speaker 1>It was a Jewish club open just the year before

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<v Speaker 1>to provide a space to meet and talk. Across the

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<v Speaker 1>street was the Great Synagogue, which made sense. They were

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<v Speaker 1>on the inner edge of East London's Jewish neighborhoods. On

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<v Speaker 1>the twenty nine September. The Imperial Club had among its

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<v Speaker 1>visitors a White Chapel furniture dealer, a butcher who lived

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<v Speaker 1>in the neighborhood, and Joseph Lavenda, who worked as a

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<v Speaker 1>traveling cigarette salesman. When they finally stepped out into the rain,

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<v Speaker 1>Joseph looked at the club clock and chucked it against

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<v Speaker 1>his watch. It was even later than he thought, just

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<v Speaker 1>after one thirty in the morning. By now, Joseph was

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<v Speaker 1>a few steps behind the others, so he wasn't wrapped

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<v Speaker 1>up in conversation, and that meant that he had his

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<v Speaker 1>eyes open. As they stepped into the drizzle, Joseph looked

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<v Speaker 1>at the synagogue across the street, and he noticed something.

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<v Speaker 1>As they passed by the synagogue, his eyes moved to

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<v Speaker 1>the narrow passage running towards Miter Street. That's where a

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<v Speaker 1>couple stood talking together, a man and a woman. The

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<v Speaker 1>woman had her back to him, but even in the

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<v Speaker 1>dim light, he said, he noticed her clothes, a black

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<v Speaker 1>jacket and a black bonnet. Her hand was on the

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<v Speaker 1>chest of the man she was talking to. If there

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<v Speaker 1>was restraint in the woman's dress, the man's clothing sounded

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<v Speaker 1>much more like something wind Baxter might wear, a loose

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<v Speaker 1>salt and pepper jacket, a red neckerchief, and a gray

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<v Speaker 1>cloth cap with a peak. To the eyes of the

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<v Speaker 1>traveling salesman, he had the appearance of a sailor, of course,

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<v Speaker 1>a sailor talking with a woman in a dark passage.

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<v Speaker 1>That was nothing unusual for a London night, and they

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<v Speaker 1>all thought they knew what a couple like that was

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<v Speaker 1>up to. The butcher made a disgruntled mark about the

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<v Speaker 1>prostitutes in the city, and they all moved on. As

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<v Speaker 1>they walked, Joseph and the others probably passed by a

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<v Speaker 1>policeman at some point, because every few minutes a constable's

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<v Speaker 1>patrol route took him through Miters Square behind the synagogue,

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<v Speaker 1>and that was no accident. An order had gone out

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<v Speaker 1>for more constables to be in the streets every night.

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<v Speaker 1>There were special instructions that patrolman should keep close observation

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<v Speaker 1>on any women they thought were prostitutes. They should watch

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<v Speaker 1>them going in and out of pubs, they should watch

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<v Speaker 1>them walking in the streets. In fact, it wasn't just

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<v Speaker 1>the White Chapel Vigilance Committee that was bringing more watchful

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<v Speaker 1>eyes to the alleys and passages. The police also sent

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<v Speaker 1>extra men in playing clothes to surveil the neighborhoods where

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<v Speaker 1>the killings took place, not just in Whitechapel, but closer

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<v Speaker 1>to the city center as well, in places like Aldgates,

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<v Speaker 1>in places like Miter Square. The three men walked on,

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<v Speaker 1>and maybe Joseph would have forgotten that quick glance at

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<v Speaker 1>the couple of people in the passage next to the synagogue,

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<v Speaker 1>except for what happened next in Miter Square, when the

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<v Speaker 1>officer patrolling that night, a man named Edward Watkins, would

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<v Speaker 1>write his name into history. Most of watkins beat was unremarkable.

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<v Speaker 1>In the words of his later account, nothing excited my attention.

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<v Speaker 1>His circuit took him about fifteen minutes to walk, and

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<v Speaker 1>he had been at it for three and a half hours.

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<v Speaker 1>The lantern on his belt was on, and the swinging

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<v Speaker 1>light illuminated the various passages that he peeked into as

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<v Speaker 1>he went by. At one thirty in the morning, he

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<v Speaker 1>came through Miters Square and saw no one, and no one,

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<v Speaker 1>he emphasized, could have been in the square without him noticing.

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<v Speaker 1>Four large warehouses loomed over the wide space, and it

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<v Speaker 1>was lit by three lamps. There was really only one

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<v Speaker 1>dark corner. Just fifteen minutes later, as he walked through

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<v Speaker 1>the square again, Constable Watkins did what he had done before.

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<v Speaker 1>He passed his light over the one dark corner in

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<v Speaker 1>the square, the back of a framing shop, where during

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<v Speaker 1>the day the sound of work constructing picture frames would

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<v Speaker 1>have reached the street behind. In the stillness of the night, though,

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<v Speaker 1>Watkins flashed his light across the building's coal shoot, lifting

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<v Speaker 1>the darkness there, and he saw the crumpled shape of

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<v Speaker 1>a woman on the ground, her feet stretched out towards

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<v Speaker 1>the square. As he stepped forward, his light revealed her

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<v Speaker 1>whole body. Her clothes were pushed above her waist, and

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<v Speaker 1>she was lying in a pool of blood. The killer

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<v Speaker 1>had mutilated her body even more than any chapman's. What

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<v Speaker 1>he saw was horrible. Cuts crossed the woman's face as

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<v Speaker 1>well as her abdomen. The shape of an upside down

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<v Speaker 1>V was carved into each cheek, and slices crossed her

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<v Speaker 1>lower eyelids. Her nose had been cut off, and her

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<v Speaker 1>intestines had been pulled out and draped around her. Joseph

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<v Speaker 1>Lavenda had passed by just a few minutes before. Now, somehow,

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<v Speaker 1>in such a short span of time, Katherine Eddoes was dead,

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<v Speaker 1>her body cut to pieces, and Constable Watkins was running

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<v Speaker 1>for help. Here's Paul Beg. Two of the men walking

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<v Speaker 1>past would later identify the woman by her clothing as

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<v Speaker 1>Katherine Eddoes, and one of those men was the man

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<v Speaker 1>that I mentioned earlier, Joseph Lavender. But it is equally

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<v Speaker 1>likely that the woman was not Katherine Eddoes, or even

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<v Speaker 1>if it was Edos, that the man had just been

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<v Speaker 1>accosted by her when the three men walked by, and

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<v Speaker 1>had disengaged himself and walked on, leaving Edos to meet

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<v Speaker 1>Jack Arrippa. So again, as with all of these cases,

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<v Speaker 1>there are lots of variable So they did see a woman,

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<v Speaker 1>they did recognize her and identify her by a fairly

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<v Speaker 1>distinctive clothing as being Edos, So they probably did see

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<v Speaker 1>Eddos with somebody. But there was a small margin of

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<v Speaker 1>time during which the man that they saw could have

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<v Speaker 1>left her, and if she had wandered into the shadows

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<v Speaker 1>of Leiter Square, then she might well have encounter Jack

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<v Speaker 1>the ripper lurking there, listening to the thing that had

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<v Speaker 1>gone home. Whether or not the man in the peaked

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<v Speaker 1>cap spotted by Joseph Lavenda was the man who killed

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<v Speaker 1>Katherine Edtos, there was no doubt about the case in

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<v Speaker 1>the minds of the police. The Whitechapel murderer had killed again,

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<v Speaker 1>this time much closer to the city center. Constables and

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<v Speaker 1>inspectors gathered with a surgeon around the body once more,

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<v Speaker 1>and once again the police officers fanned out throughout the streets,

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<v Speaker 1>looking for any sign of a killer fleeing the scene,

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<v Speaker 1>anything they could follow in killing after killing, so far,

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<v Speaker 1>this had given them nothing. When Martha Tabram had been

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<v Speaker 1>killed in George Yard, nothing was found in the neighborhood

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<v Speaker 1>around her that would help the police identify the killer.

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<v Speaker 1>When Polly Nichols was killed on Buck's Row, the sweep

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<v Speaker 1>led to the discovery of her identity, but nothing else.

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<v Speaker 1>And when Annie Chapman was killed behind twenty nine Hanbury Street,

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<v Speaker 1>the discovery of the leather apron in the yard beside

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<v Speaker 1>her gave fodder for racist speculation, but little more. And

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<v Speaker 1>even as Katherine Edto's body was found in Minor Square,

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<v Speaker 1>police were still searching for clues around Duttfield Yard, where

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<v Speaker 1>Liz Stride had been killed just an hour before. They

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<v Speaker 1>also found nothing to put them on the trail of

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<v Speaker 1>the murderer. Things would be different in the case of

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<v Speaker 1>Katherine Edtos, though, because when police fanned out from the

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<v Speaker 1>place where her body lay, some of them went back

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<v Speaker 1>toward Whitechapel. Previous searches around the body of the victims

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<v Speaker 1>had come up empty handed. This time what they found

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<v Speaker 1>would become the very center of the hunt for the killer.

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<v Speaker 1>For years, Katherine Edtos had been a storyteller, or at

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<v Speaker 1>least she had been in the storytelling trade, because for

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<v Speaker 1>a long time she had traveled with her partner Thomas,

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<v Speaker 1>selling pamphlets town to town and pub to pub. Not

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<v Speaker 1>that her life started out that way though. She was

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<v Speaker 1>born to a cook and tinplate worker in Wolverhampton, just

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<v Speaker 1>a few miles northwest of Birmingham, and Catherine was part

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<v Speaker 1>of a large family. When I say large, I mean

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<v Speaker 1>she had eleven siblings. But Catherine was never one to

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<v Speaker 1>stay in one place for long, often because tragedy pushed

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<v Speaker 1>her on. As a child, she moved with her large

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<v Speaker 1>family to London, but both of her parents died while

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<v Speaker 1>she was just a teenager, and that event split up

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<v Speaker 1>the children. Some went to the workhouses, some went to

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<v Speaker 1>an industrial school where they would be raised and trained

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<v Speaker 1>for more work. Katherine's relatives back in Wolverhampton brought her

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<v Speaker 1>home and helped her find a job at the tin

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<v Speaker 1>works There, work, it seems, was eternal, but the arrangement

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<v Speaker 1>was temporary. Caught stealing, Katherine was on the road again,

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<v Speaker 1>this time to Birmingham to live with an uncle. In

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<v Speaker 1>his younger days, he had been a boxer, but now

0:12:39.160 --> 0:12:42.760
<v Speaker 1>set himself to making boots and shoes. Katherine found work

0:12:42.800 --> 0:12:45.640
<v Speaker 1>as a metal polisher, but she had better things in mind.

0:12:45.960 --> 0:12:48.400
<v Speaker 1>She had stories to live out, and so she fell

0:12:48.440 --> 0:12:53.120
<v Speaker 1>in with a dashing man named Thomas Conway. Thomas was Irish,

0:12:53.440 --> 0:12:55.800
<v Speaker 1>and like many other young irishmen, he had joined the

0:12:55.800 --> 0:12:58.760
<v Speaker 1>British Army. For two years. He had served to uphold

0:12:58.760 --> 0:13:01.800
<v Speaker 1>the Imperial order in India across the places that the

0:13:01.800 --> 0:13:06.200
<v Speaker 1>Imperial administrators called Bombay and Madras now Mumbai and Schennai.

0:13:06.640 --> 0:13:09.960
<v Speaker 1>But like Catherine polishing metal trays, Thomas's heart wasn't in

0:13:10.000 --> 0:13:12.160
<v Speaker 1>the work. In fact, he was sent back to England

0:13:12.200 --> 0:13:15.320
<v Speaker 1>with a diagnosis of heart disease. In eighteen sixty one,

0:13:15.320 --> 0:13:17.440
<v Speaker 1>he was discharged from the army at the age of

0:13:17.480 --> 0:13:22.160
<v Speaker 1>just twenty four. When Catherine's aunt found her romantically involved

0:13:22.200 --> 0:13:24.920
<v Speaker 1>with the young irishman on an army pension who made

0:13:25.000 --> 0:13:27.600
<v Speaker 1>his money selling chat books and penny ballads at the

0:13:27.640 --> 0:13:31.520
<v Speaker 1>local pubs, well she turned Catherine out. Soon Thomas and

0:13:31.600 --> 0:13:34.680
<v Speaker 1>Catherine were back in Birmingham and they were in business together,

0:13:35.400 --> 0:13:38.840
<v Speaker 1>the story business, and to keep their business afloat, they

0:13:38.840 --> 0:13:42.280
<v Speaker 1>turned to true crime and true punishment. They sold copy

0:13:42.360 --> 0:13:46.400
<v Speaker 1>after copy of wild, gruesome and shocking stories. Not least

0:13:46.440 --> 0:13:49.400
<v Speaker 1>among them were the pamphlets about the execution of criminals.

0:13:50.320 --> 0:13:52.720
<v Speaker 1>In fact, that chat books telling the stories of hangings

0:13:52.720 --> 0:13:56.080
<v Speaker 1>and other criminal executions were popular, whether you were someone

0:13:56.120 --> 0:13:58.680
<v Speaker 1>who couldn't make it to the gallows on hanging day

0:13:58.800 --> 0:14:01.560
<v Speaker 1>or if you did witness the and wanted to keepsake.

0:14:01.880 --> 0:14:05.120
<v Speaker 1>And that was true going back quite a ways. By

0:14:05.120 --> 0:14:07.680
<v Speaker 1>the end of the seventeen hundreds, every town had printers

0:14:07.720 --> 0:14:11.080
<v Speaker 1>that were turning out pamphlets with stories, ballads and gruesome

0:14:11.120 --> 0:14:15.160
<v Speaker 1>illustrations of corpses hanging on the gallows. One pamphlet telling

0:14:15.160 --> 0:14:17.760
<v Speaker 1>the story of a shocking murder was printed in London's

0:14:17.880 --> 0:14:21.960
<v Speaker 1>Seven Dials to the tune of half a million copies. Today,

0:14:22.000 --> 0:14:24.400
<v Speaker 1>we know that printing and binding chap books was often

0:14:24.400 --> 0:14:27.040
<v Speaker 1>done by hand on a manual press. Even if a

0:14:27.080 --> 0:14:29.920
<v Speaker 1>chat bookseller paid someone else to print the sheets, they

0:14:29.920 --> 0:14:33.720
<v Speaker 1>would still usually fold so and trim the pages themselves,

0:14:33.760 --> 0:14:36.880
<v Speaker 1>all by hand. So it's easy to imagine Catherine and

0:14:36.920 --> 0:14:41.040
<v Speaker 1>Thomas sitting side by side doing the work together. These

0:14:41.080 --> 0:14:43.800
<v Speaker 1>pamphlets would be sold for just a penny alongside the

0:14:43.800 --> 0:14:46.400
<v Speaker 1>growing list of tales of adventure and terror for a

0:14:46.480 --> 0:14:50.400
<v Speaker 1>younger audience of readers. The penny dreadful. The more unique

0:14:50.400 --> 0:14:53.480
<v Speaker 1>the stories, the better it went for the chapman selling them,

0:14:53.560 --> 0:14:56.640
<v Speaker 1>and Thomas was known for spinning them up himself. Like

0:14:56.760 --> 0:15:00.280
<v Speaker 1>many other itinerant storytellers, he was the self published author

0:15:00.320 --> 0:15:03.520
<v Speaker 1>of his day, and he turned every life experience into

0:15:03.560 --> 0:15:06.240
<v Speaker 1>something worth selling. Like one of the chat books that

0:15:06.360 --> 0:15:09.280
<v Speaker 1>Catherine and Thomas sold, That was their own eyewitness account.

0:15:10.400 --> 0:15:13.400
<v Speaker 1>It happened in January of eighteen sixty six when a

0:15:13.400 --> 0:15:16.960
<v Speaker 1>man was hanged in Wolverhampton for murdering his lover. Thomas

0:15:17.000 --> 0:15:19.600
<v Speaker 1>and Catherine were there to see that hanging. Along with

0:15:19.640 --> 0:15:22.720
<v Speaker 1>a crowd of four thousand others, there was an irresistible

0:15:22.720 --> 0:15:26.120
<v Speaker 1>gathering for someone with the story to distribute. Here's Paul

0:15:26.160 --> 0:15:30.240
<v Speaker 1>Beg once again Eddo's and the man that she was

0:15:30.400 --> 0:15:33.080
<v Speaker 1>living with at the time, he was, as far as

0:15:33.080 --> 0:15:37.440
<v Speaker 1>we can tell, the one who apparently wrote these little books,

0:15:37.480 --> 0:15:40.120
<v Speaker 1>and that they were cheap almost sort of pamphlets really

0:15:40.200 --> 0:15:44.080
<v Speaker 1>that described events that had happened in very often in

0:15:44.240 --> 0:15:48.920
<v Speaker 1>rhyme of some sort, and the as you said, gallows ballads.

0:15:49.520 --> 0:15:52.920
<v Speaker 1>And they had gone to witness this execution, and they

0:15:52.960 --> 0:15:56.600
<v Speaker 1>had produced one of the ballads. By all accounts, they

0:15:56.600 --> 0:15:59.120
<v Speaker 1>already had the story of the hanging printed and ready

0:15:59.160 --> 0:16:01.680
<v Speaker 1>to sell on a day it took place, and they've

0:16:01.680 --> 0:16:03.760
<v Speaker 1>made enough money that they were able to order another

0:16:03.800 --> 0:16:06.520
<v Speaker 1>four hundred copies from the printer. Not to mention that

0:16:06.680 --> 0:16:09.680
<v Speaker 1>Katherine was able to buy a new hat. There's just

0:16:09.840 --> 0:16:12.560
<v Speaker 1>one dark twist on that story though. The man who

0:16:12.560 --> 0:16:17.760
<v Speaker 1>had been executed was Katherine's cousin. As Thomas and Catherine

0:16:17.760 --> 0:16:21.120
<v Speaker 1>tramped from town to town, making pennies and spending them together,

0:16:21.160 --> 0:16:24.240
<v Speaker 1>they formed a strong bond. Katherine even had his initials

0:16:24.280 --> 0:16:26.840
<v Speaker 1>tattooed on her arm in blue Ink. After they had

0:16:26.880 --> 0:16:29.120
<v Speaker 1>their first child together, they made their way to London,

0:16:29.400 --> 0:16:31.600
<v Speaker 1>and things were going well enough that they set up

0:16:31.600 --> 0:16:34.760
<v Speaker 1>shop in Westminster, where their second and third children were born.

0:16:35.640 --> 0:16:38.240
<v Speaker 1>But if the relationship was on firm ground for a while,

0:16:38.320 --> 0:16:40.040
<v Speaker 1>it was one of the few things they had to

0:16:40.080 --> 0:16:44.560
<v Speaker 1>hold onto hands. Selling penny pamphlets wasn't lucrative business, not

0:16:44.640 --> 0:16:47.680
<v Speaker 1>to mention that the new penny dreadfuls were overshadowing chap

0:16:47.720 --> 0:16:51.000
<v Speaker 1>books in their popularity. Thomas added other kinds of work

0:16:51.080 --> 0:16:53.360
<v Speaker 1>when and where he could find it, but it came

0:16:53.400 --> 0:16:55.920
<v Speaker 1>and fits and starts. In that way. He was like

0:16:56.040 --> 0:16:58.960
<v Speaker 1>many of the other Irish laborers in London who picked

0:16:59.040 --> 0:17:01.400
<v Speaker 1>up shifts on the dock when ships came in and

0:17:01.480 --> 0:17:05.200
<v Speaker 1>otherwise just struggled to find a business to hire them.

0:17:05.240 --> 0:17:08.439
<v Speaker 1>And by all accounts, Thomas was a violent man. The

0:17:08.480 --> 0:17:12.119
<v Speaker 1>black eyes and bruises that Catherine often displayed communicated as

0:17:12.200 --> 0:17:15.320
<v Speaker 1>much to her sister to her own life. Catherine added

0:17:15.320 --> 0:17:19.960
<v Speaker 1>heavy drinking. Eventually, Thomas's violence shattered their marriage. In eighteen eighty,

0:17:20.119 --> 0:17:22.880
<v Speaker 1>Catherine left him and her two sons behind, but her

0:17:22.920 --> 0:17:26.520
<v Speaker 1>addiction bore her down, and her other relationships too, she

0:17:26.600 --> 0:17:29.280
<v Speaker 1>pushed her daughter away. The last time she saw one

0:17:29.280 --> 0:17:33.560
<v Speaker 1>of her sisters was in eighteen seventy seven. By eighteen

0:17:33.640 --> 0:17:36.040
<v Speaker 1>eighty one, she was in Spittle Fields in the East End.

0:17:36.520 --> 0:17:39.040
<v Speaker 1>Her life there looked very much like Liz Strides or

0:17:39.080 --> 0:17:42.040
<v Speaker 1>Annie Chapman's. She would clean in the Jewish homes when

0:17:42.040 --> 0:17:44.239
<v Speaker 1>there was work for her. She would sometimes take up

0:17:44.240 --> 0:17:46.919
<v Speaker 1>sex work to pay for lodging houses, and later she

0:17:47.000 --> 0:17:49.080
<v Speaker 1>met a man named John Kelly and struck up a

0:17:49.080 --> 0:17:51.720
<v Speaker 1>partnership with him, making their way through the world as

0:17:51.760 --> 0:17:54.720
<v Speaker 1>best they could. She was remembered for trekking out to

0:17:54.800 --> 0:17:57.119
<v Speaker 1>Kent every summer with John to pick hops in the

0:17:57.160 --> 0:18:00.119
<v Speaker 1>fields there, along with thousands of Londoners who relied the

0:18:00.160 --> 0:18:03.280
<v Speaker 1>seasonal work. In fact, in eight she made enough money

0:18:03.280 --> 0:18:05.119
<v Speaker 1>to buy herself a new pair of boots and a

0:18:05.160 --> 0:18:08.600
<v Speaker 1>new jacket before her return to London. But, as John

0:18:08.600 --> 0:18:10.760
<v Speaker 1>would later recount, by the time they were back in

0:18:10.800 --> 0:18:13.280
<v Speaker 1>the East End in late September, the money they made

0:18:13.280 --> 0:18:16.480
<v Speaker 1>on the hop harvest was already gone. All of a sudden,

0:18:16.680 --> 0:18:20.680
<v Speaker 1>their future was in question. Bad days, it seems we're

0:18:20.760 --> 0:18:25.239
<v Speaker 1>headed their way. Sadly, though they had no idea just

0:18:25.320 --> 0:18:32.600
<v Speaker 1>how bad it would get there was no justice in it.

0:18:33.280 --> 0:18:36.240
<v Speaker 1>Women like Liz Stride and Katherine Eddos had already suffered

0:18:36.280 --> 0:18:39.119
<v Speaker 1>so much. They had fought back from their losses. They

0:18:39.160 --> 0:18:43.840
<v Speaker 1>had worked for something more, scraped, saved, built, and lost again.

0:18:44.960 --> 0:18:47.400
<v Speaker 1>Even in their deaths, the stories of women like Liz

0:18:47.440 --> 0:18:50.359
<v Speaker 1>Stride and Katherine Eddos would be told, would be used

0:18:50.359 --> 0:18:53.280
<v Speaker 1>in ways they never imagined. What their lives meant to

0:18:53.359 --> 0:18:56.040
<v Speaker 1>themselves was one thing, but it's become clear as we

0:18:56.119 --> 0:18:59.240
<v Speaker 1>followed the history of eight eight so far what their

0:18:59.280 --> 0:19:01.719
<v Speaker 1>lives meant to others was out of their hands and

0:19:01.800 --> 0:19:05.320
<v Speaker 1>out of their control. Even the stories we tell about

0:19:05.359 --> 0:19:08.399
<v Speaker 1>them now, what we know about their lives comes to

0:19:08.480 --> 0:19:11.439
<v Speaker 1>us because of what they suffered. Their names were written

0:19:11.480 --> 0:19:15.480
<v Speaker 1>into the historical record, not by themselves, but by the killer.

0:19:16.560 --> 0:19:18.840
<v Speaker 1>So this is probably the right point to take a

0:19:18.880 --> 0:19:21.800
<v Speaker 1>step back, because it's an important part of the story

0:19:21.840 --> 0:19:24.560
<v Speaker 1>of Jack the Ripper and the White Chapel murders. The

0:19:24.720 --> 0:19:27.159
<v Speaker 1>version of events that we have repeated for over a

0:19:27.240 --> 0:19:29.720
<v Speaker 1>hundred years makes the East end of London out to

0:19:29.760 --> 0:19:32.679
<v Speaker 1>be the place explored in Dr Jekyll and Mr Hyde,

0:19:33.000 --> 0:19:35.680
<v Speaker 1>a place where the sum total of women's lives are

0:19:35.720 --> 0:19:38.520
<v Speaker 1>the threats and violence that come their way, where they

0:19:38.560 --> 0:19:42.600
<v Speaker 1>are disrespected and cast aside at every turn. As we've seen,

0:19:42.960 --> 0:19:45.600
<v Speaker 1>it's the same story that London writers were telling at

0:19:45.600 --> 0:19:47.959
<v Speaker 1>the time, and it might be fair to say that

0:19:48.000 --> 0:19:50.560
<v Speaker 1>no one bought into that story more than the killer.

0:19:51.840 --> 0:19:54.560
<v Speaker 1>And let's not be coy about it. The brutality of

0:19:54.600 --> 0:19:57.920
<v Speaker 1>the things we're talking about are undeniable. But I hope

0:19:57.960 --> 0:20:00.399
<v Speaker 1>that as we've come this far into our story, we

0:20:00.480 --> 0:20:04.360
<v Speaker 1>can tell that each of these women, Martha Tabram, Pauline Nichols,

0:20:04.400 --> 0:20:08.720
<v Speaker 1>Annie Chapman, Liz Stride and Katherine Ettos were so much

0:20:08.760 --> 0:20:13.360
<v Speaker 1>more than just the victims they became. The Whitechapel murders

0:20:13.359 --> 0:20:17.000
<v Speaker 1>in London's East End are a terrible story and cruel

0:20:17.119 --> 0:20:20.679
<v Speaker 1>violence against vulnerable women is at its heart. There's not

0:20:20.760 --> 0:20:23.159
<v Speaker 1>an honest way to tell the story without creating that

0:20:23.240 --> 0:20:26.080
<v Speaker 1>list of terrible things that were done to vulnerable women.

0:20:26.680 --> 0:20:29.080
<v Speaker 1>But it's not the only story that women in the

0:20:29.080 --> 0:20:31.800
<v Speaker 1>East End of London were part of in eighteen eighty eight,

0:20:32.280 --> 0:20:35.679
<v Speaker 1>because East End women weren't just victims. They were so

0:20:35.800 --> 0:20:38.960
<v Speaker 1>much more than that, and there were world shaking events

0:20:39.119 --> 0:20:42.560
<v Speaker 1>in the East End that year. For that bigger picture.

0:20:42.640 --> 0:20:45.679
<v Speaker 1>We returned to the Match factory on Bow Road because

0:20:45.800 --> 0:20:48.639
<v Speaker 1>that's where poor and working women decided they had suffered

0:20:48.760 --> 0:20:51.760
<v Speaker 1>enough and the story of their lives was something quite different.

0:20:52.280 --> 0:20:55.080
<v Speaker 1>We saw the way they fumed against the underhanded dealing

0:20:55.119 --> 0:20:57.880
<v Speaker 1>of Theodore Bryant when he called their wages to pay

0:20:57.920 --> 0:21:02.400
<v Speaker 1>for his Statue of Gladstone. In eight the smoldering conflict

0:21:02.440 --> 0:21:06.760
<v Speaker 1>between bosses and workers finally burst into flames. One spark

0:21:06.840 --> 0:21:09.199
<v Speaker 1>that set things going was an article published at the

0:21:09.280 --> 0:21:11.880
<v Speaker 1>end of June in a socialist journal called The Link.

0:21:12.480 --> 0:21:15.639
<v Speaker 1>Like the Maiden Tribute of Modern Babylon Reports, it was

0:21:15.680 --> 0:21:18.439
<v Speaker 1>a piece that set out to expose injustice with a

0:21:18.520 --> 0:21:22.840
<v Speaker 1>sensational list title. It ran under the headline white Slavery

0:21:22.920 --> 0:21:25.640
<v Speaker 1>in London, and it set its sites on the Bryant

0:21:25.680 --> 0:21:29.840
<v Speaker 1>and May Match Factory. The author of the article, Annie Bessant,

0:21:29.880 --> 0:21:32.480
<v Speaker 1>had heard about the working conditions in the factory at

0:21:32.480 --> 0:21:36.320
<v Speaker 1>a socialist meeting Match workers had attended and testified to

0:21:36.359 --> 0:21:39.720
<v Speaker 1>their treatments. Annie had also heard about the enormous profits

0:21:39.760 --> 0:21:42.639
<v Speaker 1>the Bryants were making on their merchandise and the dividends

0:21:42.640 --> 0:21:45.360
<v Speaker 1>they were paying out to their shareholders, so she set

0:21:45.359 --> 0:21:48.760
<v Speaker 1>out to investigate. What she found was even worse than

0:21:48.800 --> 0:21:52.240
<v Speaker 1>she had feared. Not only were the women and girls

0:21:52.280 --> 0:21:56.160
<v Speaker 1>working in the factory being paid barely starvation wages, they

0:21:56.160 --> 0:21:59.920
<v Speaker 1>were also suffering a condition known as Fossey jaw because

0:22:00.000 --> 0:22:02.760
<v Speaker 1>the Brian's in May match factory was making their matches

0:22:02.800 --> 0:22:06.680
<v Speaker 1>with white phosphorus. Here's Dr Louise Rat to tell us more.

0:22:07.800 --> 0:22:11.000
<v Speaker 1>If it caught hold of your teeth, as the women said,

0:22:11.080 --> 0:22:14.040
<v Speaker 1>if it got into your jaw bone often threw holes

0:22:14.080 --> 0:22:16.399
<v Speaker 1>in your teeth because you couldn't afford the dentist in

0:22:16.440 --> 0:22:20.199
<v Speaker 1>those days, it would start to rot and decay your bone.

0:22:20.760 --> 0:22:27.240
<v Speaker 1>So you're alive, but you've got this horrible, separating, stinking abscesses. Sorry,

0:22:27.240 --> 0:22:30.880
<v Speaker 1>I thing was just eaten in your gun and pieces

0:22:30.880 --> 0:22:33.800
<v Speaker 1>of bone, your own bone. You're spitting them out there,

0:22:33.840 --> 0:22:36.920
<v Speaker 1>working their way out through these abscesses. As if all

0:22:37.000 --> 0:22:40.200
<v Speaker 1>of this wasn't bad enough, Brian and May constantly made

0:22:40.200 --> 0:22:42.879
<v Speaker 1>it worse. And one of the reasons they made it

0:22:43.000 --> 0:22:45.200
<v Speaker 1>was was they should have provided a separate dining room

0:22:45.359 --> 0:22:48.200
<v Speaker 1>so that women could eat out of the fumes, eat

0:22:48.240 --> 0:22:50.359
<v Speaker 1>their own food. By the way, Branton May weren't going

0:22:50.400 --> 0:22:53.359
<v Speaker 1>to provide them with a single crumb, but perhaps their

0:22:53.400 --> 0:22:55.879
<v Speaker 1>own bit of stale bread if they were lucky that

0:22:55.920 --> 0:22:58.280
<v Speaker 1>they brought him for home. So they would set it

0:22:58.280 --> 0:23:01.600
<v Speaker 1>on their work bench until it was time to eat,

0:23:02.040 --> 0:23:04.560
<v Speaker 1>and then crammicked out as quickly as they could when

0:23:04.560 --> 0:23:07.480
<v Speaker 1>they could. And if you imagine, the phosphorus pass coals

0:23:07.520 --> 0:23:10.560
<v Speaker 1>in the air have settled now on your lunch, so

0:23:10.600 --> 0:23:15.639
<v Speaker 1>you've got deadly seasoning, and so it's immediately in your mouth,

0:23:16.000 --> 0:23:20.399
<v Speaker 1>and it's got away into your guns. Did Bryant and

0:23:20.520 --> 0:23:22.920
<v Speaker 1>May try to take care of the workers who developed

0:23:22.960 --> 0:23:26.440
<v Speaker 1>this condition. Far from it. It's true that they didn't

0:23:26.440 --> 0:23:29.560
<v Speaker 1>want their workers to have fossy jaw, but they had

0:23:29.560 --> 0:23:32.080
<v Speaker 1>a way to brush the problem under the rug. Instead

0:23:32.080 --> 0:23:35.040
<v Speaker 1>of changing their ways, they simply change their workers. If

0:23:35.080 --> 0:23:37.760
<v Speaker 1>one of the managers saw a woman showing symptoms, that

0:23:37.880 --> 0:23:40.840
<v Speaker 1>worker was simply turned out on the street. And Bryant

0:23:40.840 --> 0:23:43.560
<v Speaker 1>and May could continue to say, there is no fossy

0:23:43.680 --> 0:23:46.680
<v Speaker 1>jaw here. But of course the women who worked in

0:23:46.720 --> 0:23:49.480
<v Speaker 1>their factory weren't blind to any of this. They saw

0:23:49.480 --> 0:23:53.040
<v Speaker 1>it happening over and over, and they got angrier and angrier.

0:23:53.440 --> 0:23:56.679
<v Speaker 1>When Annie Bessent came around and started asking questions. Some

0:23:56.800 --> 0:23:58.880
<v Speaker 1>of them were only too happy to tell her all

0:23:58.920 --> 0:24:03.080
<v Speaker 1>about it. When her article hit the paper, Annie made

0:24:03.080 --> 0:24:05.879
<v Speaker 1>sure that Bryant and May themselves got a copy. She

0:24:06.040 --> 0:24:08.640
<v Speaker 1>sent them a telegram saying that they would be very

0:24:08.680 --> 0:24:11.720
<v Speaker 1>interested in the day's news. Her goal, it seems, was

0:24:11.800 --> 0:24:15.600
<v Speaker 1>to provoke them into suing her for libel. Annie had

0:24:15.640 --> 0:24:18.479
<v Speaker 1>been hoping that, like the maid in Tribute story, this

0:24:18.520 --> 0:24:21.600
<v Speaker 1>would somehow find its way into court. Then she could

0:24:21.680 --> 0:24:24.920
<v Speaker 1>stand and testify before the magistrates and the public about

0:24:24.960 --> 0:24:27.800
<v Speaker 1>the plight of the London poor. But there were two

0:24:27.840 --> 0:24:30.840
<v Speaker 1>things that she didn't count on. One was the cruelty

0:24:30.920 --> 0:24:34.680
<v Speaker 1>of the factory bosses, and the other was the courage

0:24:34.680 --> 0:24:43.720
<v Speaker 1>of the women Under their thumb. They started with threats.

0:24:44.600 --> 0:24:47.480
<v Speaker 1>The word went out throughout the matchworks. The Bryants wanted

0:24:47.520 --> 0:24:49.560
<v Speaker 1>to know who had talked. They thought that if they

0:24:49.560 --> 0:24:52.080
<v Speaker 1>could figure out who was telling Annie Bessent about the

0:24:52.080 --> 0:24:54.800
<v Speaker 1>conditions of their factory, they could put the problem to rest.

0:24:55.280 --> 0:24:58.720
<v Speaker 1>Fire those women scare the rest into silence that would

0:24:58.800 --> 0:25:01.640
<v Speaker 1>keep the matches going out and the money coming in.

0:25:02.560 --> 0:25:05.119
<v Speaker 1>They didn't care enough about Annie Bessont to sue her

0:25:05.160 --> 0:25:07.919
<v Speaker 1>for libel, and as she was fond of remarking. They

0:25:08.000 --> 0:25:11.520
<v Speaker 1>knew that they wouldn't win, Plus she wasn't under their power,

0:25:12.000 --> 0:25:14.119
<v Speaker 1>so they decided their best course of action was to

0:25:14.160 --> 0:25:17.920
<v Speaker 1>take it out on their employees. But if you're getting

0:25:17.920 --> 0:25:20.479
<v Speaker 1>to understand the spirit of the match women, you know

0:25:20.720 --> 0:25:23.960
<v Speaker 1>they wouldn't take that quietly. They kept talking. In fact,

0:25:24.040 --> 0:25:26.479
<v Speaker 1>they told Annie Besson about the efforts to shut them up,

0:25:26.840 --> 0:25:31.000
<v Speaker 1>and she published that too, so a real crackdown began.

0:25:31.520 --> 0:25:33.560
<v Speaker 1>Even as the Bryants were telling the press that the

0:25:33.600 --> 0:25:36.320
<v Speaker 1>news was lies and that the unrest in their factory

0:25:36.400 --> 0:25:39.800
<v Speaker 1>was the result of outside agitators like Annie Bessant upsetting

0:25:39.800 --> 0:25:43.440
<v Speaker 1>their happy employees. They went about identifying the women inside

0:25:43.440 --> 0:25:46.040
<v Speaker 1>the factories who they thought were truly to blame. They

0:25:46.040 --> 0:25:49.320
<v Speaker 1>made a list of so called troublemakers, and they started

0:25:49.320 --> 0:25:52.160
<v Speaker 1>to freeze them out, sending them home day after day,

0:25:52.160 --> 0:25:54.560
<v Speaker 1>telling them that there wasn't enough work for them to do.

0:25:56.160 --> 0:25:58.080
<v Speaker 1>But they knew that they had to do more than that.

0:25:58.520 --> 0:26:00.560
<v Speaker 1>They might not be ready to win a able suit

0:26:00.600 --> 0:26:03.680
<v Speaker 1>against Annie Bessent, but they certainly had a public relations

0:26:03.720 --> 0:26:06.280
<v Speaker 1>battle on their hands, so they drafted up a statement

0:26:06.320 --> 0:26:09.159
<v Speaker 1>for the match women to sign. Here's dr Louise Ra

0:26:09.440 --> 0:26:14.720
<v Speaker 1>once again. What they do is to gather together the

0:26:14.760 --> 0:26:18.720
<v Speaker 1>workers give them preprinted statesments which are laid around in

0:26:18.760 --> 0:26:21.959
<v Speaker 1>every work for him by the foreman, which pre prepared,

0:26:22.000 --> 0:26:23.920
<v Speaker 1>and they say, you know, we love working for Brian

0:26:24.000 --> 0:26:26.600
<v Speaker 1>to May. They're wonderful employers. We don't mind about the FOSSi.

0:26:26.720 --> 0:26:29.520
<v Speaker 1>Jordan didn't actually say that, but this is the idea

0:26:29.720 --> 0:26:33.159
<v Speaker 1>they're supposed to say. This journalist has lied. Nothing she

0:26:33.200 --> 0:26:36.040
<v Speaker 1>said is true. We couldn't be happier. And they know

0:26:36.119 --> 0:26:39.800
<v Speaker 1>they'll be sacked if they don't sign those papers, and

0:26:39.800 --> 0:26:43.160
<v Speaker 1>they need their jobs, they need them desperately, but they refuse.

0:26:43.560 --> 0:26:45.760
<v Speaker 1>Every single one of these women are so proud of them,

0:26:46.440 --> 0:26:50.600
<v Speaker 1>refuses to sign. And when the foreman come back into

0:26:50.640 --> 0:26:54.239
<v Speaker 1>the room, there are these blank sheets of paper and

0:26:54.320 --> 0:26:58.760
<v Speaker 1>they are absolutely lived. That's when they decided to make

0:26:58.800 --> 0:27:02.159
<v Speaker 1>an example of one men on a pretext. She was fired.

0:27:02.560 --> 0:27:04.639
<v Speaker 1>The managers hoped that this would bring the rest of

0:27:04.640 --> 0:27:09.399
<v Speaker 1>them in line, but the plan backfired as one the

0:27:09.440 --> 0:27:14.000
<v Speaker 1>women laid down their tools, wipe their hands on their aprons,

0:27:15.000 --> 0:27:20.200
<v Speaker 1>and stream out of these imposing gates of the fair

0:27:20.280 --> 0:27:24.960
<v Speaker 1>Field Works Match factory onto the Fairfield Road and onto

0:27:25.080 --> 0:27:29.360
<v Speaker 1>the Bow Road. They swung into action. They had an

0:27:29.359 --> 0:27:34.400
<v Speaker 1>election there at the gates, and they elected six women

0:27:34.880 --> 0:27:39.040
<v Speaker 1>from all the major significant workshops within the factory, one

0:27:39.080 --> 0:27:41.840
<v Speaker 1>from each to go back in and put their demands.

0:27:42.080 --> 0:27:44.960
<v Speaker 1>So instantly they walked back in and they confront the directors.

0:27:45.000 --> 0:27:47.720
<v Speaker 1>I can just imagine how this went down, and said, right,

0:27:48.080 --> 0:27:51.720
<v Speaker 1>we'll come back, but only if you let us form

0:27:51.760 --> 0:27:54.720
<v Speaker 1>a union. Belove me. They were not bright and they

0:27:54.800 --> 0:27:58.520
<v Speaker 1>were not expecting that, and they made their demands clear.

0:27:58.960 --> 0:28:02.200
<v Speaker 1>They wanted better hey, they wanted a separate dining room

0:28:02.280 --> 0:28:05.119
<v Speaker 1>for their food. They wanted to live decent lives for

0:28:05.160 --> 0:28:09.000
<v Speaker 1>the work they were doing. Seeing only six women before them,

0:28:09.040 --> 0:28:12.000
<v Speaker 1>the directors of the match factory scoffed, but the strike

0:28:12.119 --> 0:28:14.760
<v Speaker 1>was on. As each new wave of women finished their

0:28:14.800 --> 0:28:17.359
<v Speaker 1>shifts at the factory, they were met outside by the

0:28:17.400 --> 0:28:20.520
<v Speaker 1>strike leaders. One of them was Mary Driscoll, who we

0:28:20.600 --> 0:28:23.520
<v Speaker 1>met last time. She was clever enough to find a

0:28:23.520 --> 0:28:26.080
<v Speaker 1>way for her family to get help from the Salvation Army.

0:28:26.440 --> 0:28:28.959
<v Speaker 1>Now she was putting her clever thinking to use by

0:28:29.000 --> 0:28:31.639
<v Speaker 1>finding a way for the working women to help themselves.

0:28:32.119 --> 0:28:34.760
<v Speaker 1>By the end of the day, over one thousand women

0:28:34.800 --> 0:28:37.640
<v Speaker 1>were on strike, Bryant and May had more on their

0:28:37.680 --> 0:28:41.200
<v Speaker 1>hands than they had bargained for. The striking women marched

0:28:41.200 --> 0:28:44.120
<v Speaker 1>through the East End like a salvation army band, singing

0:28:44.160 --> 0:28:46.560
<v Speaker 1>at the top of their lungs. East Enders, with a

0:28:46.560 --> 0:28:49.760
<v Speaker 1>little cash despair started pooling their money to support them

0:28:49.800 --> 0:28:52.880
<v Speaker 1>for their days without wages. It took some time for

0:28:52.960 --> 0:28:56.440
<v Speaker 1>outside support to reach them. Even Annie Bessent lagged behind.

0:28:56.960 --> 0:28:59.080
<v Speaker 1>At first. She was still waiting for a notice of

0:28:59.120 --> 0:29:02.360
<v Speaker 1>a libel suit to acquire her appearance in court. Appearing

0:29:02.400 --> 0:29:04.520
<v Speaker 1>in the streets of the East End beside a column

0:29:04.600 --> 0:29:08.040
<v Speaker 1>of marching women was not what she expected, but soon enough,

0:29:08.120 --> 0:29:11.680
<v Speaker 1>the column of marching women came for her. She was

0:29:11.760 --> 0:29:14.120
<v Speaker 1>working in the upstairs room of her office on Fleet

0:29:14.160 --> 0:29:16.760
<v Speaker 1>Streets in central London when a voice called out to

0:29:16.800 --> 0:29:19.320
<v Speaker 1>her there were some women who wanted to meet her,

0:29:19.760 --> 0:29:22.160
<v Speaker 1>and those some women turned out to be a group

0:29:22.160 --> 0:29:25.040
<v Speaker 1>of one hundred, with Mary Driscoll and the other strike

0:29:25.120 --> 0:29:27.760
<v Speaker 1>leaders at their head. It was the first Annie had

0:29:27.800 --> 0:29:30.080
<v Speaker 1>heard of a strike that had begun two days before,

0:29:30.480 --> 0:29:32.720
<v Speaker 1>but she was ready to turn her pen into support

0:29:32.760 --> 0:29:36.520
<v Speaker 1>for them once again. Annie Bessant wasn't the only one

0:29:36.560 --> 0:29:39.440
<v Speaker 1>writing for their cause, though, soon enough, the Star was

0:29:39.480 --> 0:29:42.480
<v Speaker 1>publishing a series of reports and interviews with the matchwomen.

0:29:42.680 --> 0:29:45.280
<v Speaker 1>They organized meetings with guest speakers who would cheer on

0:29:45.320 --> 0:29:48.640
<v Speaker 1>their efforts and suggest what to do next. The organizer

0:29:48.680 --> 0:29:52.000
<v Speaker 1>of the local Jewish tailor's union thundered so forcefully that

0:29:52.040 --> 0:29:56.120
<v Speaker 1>he was arrested for agitating. Word of the strike reached

0:29:56.120 --> 0:29:58.640
<v Speaker 1>as high as the halls of Parliament, where the Bryant's

0:29:58.760 --> 0:30:02.560
<v Speaker 1>ordinarily expected their interests to be served. Soon enough, though,

0:30:02.680 --> 0:30:05.400
<v Speaker 1>Mary Driscoll and a committee of fifty match women marched

0:30:05.400 --> 0:30:08.440
<v Speaker 1>into appear before that hallowed assembly and make their case.

0:30:09.040 --> 0:30:14.160
<v Speaker 1>Here's Dr Louise Raw once more. The women march to

0:30:14.240 --> 0:30:16.920
<v Speaker 1>Parliament and this is where people are so shocked to

0:30:17.040 --> 0:30:21.320
<v Speaker 1>see these poor girls out of their area that they

0:30:21.360 --> 0:30:23.880
<v Speaker 1>get shouted at. You know, can't stop in the street.

0:30:24.000 --> 0:30:25.560
<v Speaker 1>Things are thrown at them, what on earth are you doing?

0:30:25.600 --> 0:30:27.680
<v Speaker 1>Get back to the East End. But they won't. They

0:30:27.720 --> 0:30:30.000
<v Speaker 1>hold their heads high and when they're finally in with

0:30:30.040 --> 0:30:34.560
<v Speaker 1>the MPs again, this fascinating clash of classes. The MP's

0:30:34.560 --> 0:30:37.680
<v Speaker 1>are probably never sat and talked to an Eastern woman

0:30:38.320 --> 0:30:40.520
<v Speaker 1>on an equal basis, or a working class women, so

0:30:40.640 --> 0:30:44.280
<v Speaker 1>this really hits them where they live. These MPs have

0:30:44.320 --> 0:30:46.959
<v Speaker 1>invested in Brian and May. This is all rather embarrassing,

0:30:47.000 --> 0:30:50.480
<v Speaker 1>isn't it. Liberal MPs who were supposed to support the poor,

0:30:50.760 --> 0:30:53.480
<v Speaker 1>and yet they're profiting off this. They tell them about

0:30:53.480 --> 0:30:56.520
<v Speaker 1>for Seguel, and the MPs are impressed that they're so

0:30:56.640 --> 0:31:01.880
<v Speaker 1>intelligent and so eloquent. They call for an independent investigation

0:31:02.000 --> 0:31:06.880
<v Speaker 1>into conditions at the factory. And this investigation shows that,

0:31:07.880 --> 0:31:11.520
<v Speaker 1>or any bestness, that wasn't quite right, because actually conditions

0:31:11.560 --> 0:31:15.240
<v Speaker 1>are worse. The company fought back, though they fought in

0:31:15.280 --> 0:31:17.720
<v Speaker 1>the press. They fought in the back rooms and the

0:31:17.760 --> 0:31:20.280
<v Speaker 1>dining rooms where they were accustomed to making their deals.

0:31:20.720 --> 0:31:23.320
<v Speaker 1>But with the women campaigning across the city and in

0:31:23.360 --> 0:31:26.440
<v Speaker 1>those same halls of government, the playing field was finally

0:31:26.520 --> 0:31:29.520
<v Speaker 1>just a little closer to level. And with the reports

0:31:29.520 --> 0:31:32.160
<v Speaker 1>of a commission in hand and their stock prices plummeting,

0:31:32.240 --> 0:31:35.200
<v Speaker 1>there was little Bryant could do but concede. They gave

0:31:35.200 --> 0:31:38.040
<v Speaker 1>in to the demand for a safer workspace. They gave

0:31:38.120 --> 0:31:40.640
<v Speaker 1>into the demand to share more profits with the women

0:31:40.680 --> 0:31:44.640
<v Speaker 1>who did the work. The Matchwomen's Union was formed and

0:31:44.680 --> 0:31:49.040
<v Speaker 1>the strike was one in many ways, the achievement of

0:31:49.080 --> 0:31:52.240
<v Speaker 1>Mary Driskell and the other striking match Women was overshadowed

0:31:52.280 --> 0:31:55.240
<v Speaker 1>by the events of the next few months. Reporters turned

0:31:55.240 --> 0:31:58.080
<v Speaker 1>their creative energies to chronicling the violence of a killer

0:31:58.320 --> 0:32:01.000
<v Speaker 1>and telling the stories of the East End women he targeted.

0:32:01.720 --> 0:32:04.800
<v Speaker 1>But Mary driscoll story was far from over, and, as

0:32:04.840 --> 0:32:07.400
<v Speaker 1>will soon see, the threat of Jack the Ripper was

0:32:07.440 --> 0:32:10.160
<v Speaker 1>headed toward the Matchwomen, who were finally laying claim to

0:32:10.200 --> 0:32:13.960
<v Speaker 1>their neighborhood and making their workplace their own. But their

0:32:14.000 --> 0:32:18.600
<v Speaker 1>meeting wouldn't be a happy one. Instead, it would be

0:32:18.680 --> 0:32:27.880
<v Speaker 1>a collision. The match Women had won their fight. It

0:32:27.920 --> 0:32:30.520
<v Speaker 1>wasn't an easy battle, but it showed what was possible

0:32:30.560 --> 0:32:32.760
<v Speaker 1>when the working women of the East End stood together

0:32:32.960 --> 0:32:36.400
<v Speaker 1>and stood up for themselves. But if they're struggled to

0:32:36.440 --> 0:32:39.000
<v Speaker 1>have some say over their workplace had them going head

0:32:39.040 --> 0:32:41.680
<v Speaker 1>to head with the factory bosses. It wasn't the only

0:32:41.800 --> 0:32:45.560
<v Speaker 1>territorial battle with major implications for the East End because

0:32:45.560 --> 0:32:48.360
<v Speaker 1>the murder in Miter Square brought the City of London

0:32:48.400 --> 0:32:52.160
<v Speaker 1>police into the murder investigation. Now, if you're not a

0:32:52.160 --> 0:32:54.840
<v Speaker 1>Londoner and already familiar with the ins and outs of

0:32:54.840 --> 0:32:58.360
<v Speaker 1>the city, here's the confusing part. The City of London

0:32:58.400 --> 0:33:02.280
<v Speaker 1>Police is not the same thing as the London Metropolitan Police.

0:33:02.640 --> 0:33:05.960
<v Speaker 1>The Metropolitan Forces are the police we've already met the

0:33:06.120 --> 0:33:09.960
<v Speaker 1>officers patrolling Whitechapel under the command of Charles Warren. They

0:33:09.960 --> 0:33:13.120
<v Speaker 1>answered to the Home Office, as did Warren himself. They

0:33:13.120 --> 0:33:16.280
<v Speaker 1>were the force organized by Robert Peel in eighteen twenty nine,

0:33:17.120 --> 0:33:19.320
<v Speaker 1>but Peel had left the center of the city out

0:33:19.360 --> 0:33:22.480
<v Speaker 1>of his new force. It was a political move and

0:33:22.520 --> 0:33:25.440
<v Speaker 1>it worked. It got his bill passed. The City of

0:33:25.520 --> 0:33:28.920
<v Speaker 1>London Police was formed ten years later. It used Peel's

0:33:28.920 --> 0:33:32.000
<v Speaker 1>model to organize the force, but kept it entirely separate.

0:33:32.400 --> 0:33:34.880
<v Speaker 1>It was funded and run by the City of London,

0:33:35.200 --> 0:33:37.560
<v Speaker 1>and it had its own commissioner and operated under the

0:33:37.600 --> 0:33:41.320
<v Speaker 1>authority of London's Lord Mayor. It had no obligation, at

0:33:41.360 --> 0:33:43.960
<v Speaker 1>least according to the law, to report to the Home

0:33:44.000 --> 0:33:48.680
<v Speaker 1>Office or share information with the Metropolitan Police. So you

0:33:48.720 --> 0:33:51.480
<v Speaker 1>can imagine what sort of trouble this caused. Right from

0:33:51.480 --> 0:33:55.280
<v Speaker 1>the very start in the eighteen thirties, investigators, judges and

0:33:55.440 --> 0:33:59.400
<v Speaker 1>London citizens recognized that the two jurisdictions were played against

0:33:59.400 --> 0:34:02.760
<v Speaker 1>each other. Someone set on committing a crime could carry

0:34:02.760 --> 0:34:06.200
<v Speaker 1>out their plan and then slip across the border, moving

0:34:06.240 --> 0:34:09.240
<v Speaker 1>from jurisdiction of one force into the territory of another.

0:34:10.160 --> 0:34:13.280
<v Speaker 1>Not that this always worked. One was no more aware

0:34:13.280 --> 0:34:16.040
<v Speaker 1>of the challenges presented by this arrangement than the two

0:34:16.040 --> 0:34:19.840
<v Speaker 1>police departments themselves, and when Donald Swanson would later report

0:34:19.880 --> 0:34:22.360
<v Speaker 1>on the investigation, he would say that the efforts of

0:34:22.400 --> 0:34:25.720
<v Speaker 1>the City Police merged with his own investigation quite easily,

0:34:26.120 --> 0:34:30.799
<v Speaker 1>with each force cordially communicating to the other daily. But

0:34:30.920 --> 0:34:33.000
<v Speaker 1>that's not what it looked like. In the early morning

0:34:33.040 --> 0:34:37.160
<v Speaker 1>hours of September. Constable Edward Watkins was a City of

0:34:37.239 --> 0:34:40.640
<v Speaker 1>London police officer. The backup he called for was the same.

0:34:41.000 --> 0:34:43.440
<v Speaker 1>When they spread out to begin chasing evidence of Katherine

0:34:43.480 --> 0:34:47.560
<v Speaker 1>Etto's killer. They went into Whitechapel, crossing into the jurisdiction

0:34:47.640 --> 0:34:51.439
<v Speaker 1>of the Metropolitan Forces. One detective, who had been out

0:34:51.440 --> 0:34:54.600
<v Speaker 1>in playing clothes, took Wentworth Street to Golston Street, but

0:34:54.719 --> 0:34:57.600
<v Speaker 1>didn't see anything of notes and turned back. He joined

0:34:57.600 --> 0:35:00.920
<v Speaker 1>the doctors examining Catherine's body and belonging, and as he

0:35:01.000 --> 0:35:03.320
<v Speaker 1>did he realized that the apron she had been wearing

0:35:03.400 --> 0:35:07.480
<v Speaker 1>was cut a piece of it was missing. It was

0:35:07.520 --> 0:35:10.680
<v Speaker 1>now almost three in the morning, and a Metropolitan constable

0:35:10.760 --> 0:35:13.279
<v Speaker 1>was patrolling Galston Street, where the detective had been a

0:35:13.320 --> 0:35:15.840
<v Speaker 1>half hour before. In the light of his lamp, he

0:35:15.880 --> 0:35:18.680
<v Speaker 1>spotted something that his previous rounds had not turned up.

0:35:19.120 --> 0:35:21.920
<v Speaker 1>At the opening of some model dwellings, a scrap of

0:35:21.960 --> 0:35:25.480
<v Speaker 1>apron lay on the ground, covered in blood, and above it,

0:35:25.640 --> 0:35:28.400
<v Speaker 1>on the wall in white chalk, where scrawled the words

0:35:28.960 --> 0:35:31.560
<v Speaker 1>the Jews are the men that will not be blamed

0:35:31.600 --> 0:35:36.239
<v Speaker 1>for nothing. It was strange enough that the constable reported it.

0:35:36.560 --> 0:35:38.719
<v Speaker 1>He called for backup to guard the writing, and he

0:35:38.760 --> 0:35:41.000
<v Speaker 1>took the piece of apron to the police station, where

0:35:41.040 --> 0:35:43.640
<v Speaker 1>he handed it to Dr Phillips, the surgeon who had

0:35:43.680 --> 0:35:47.320
<v Speaker 1>been examining Liz Stride for a moment. Word passed swiftly.

0:35:47.719 --> 0:35:50.200
<v Speaker 1>Soon enough, the city police detectives were on their way

0:35:50.239 --> 0:35:52.800
<v Speaker 1>to confirm that the scrap of bloody cloth was taken

0:35:52.880 --> 0:35:57.200
<v Speaker 1>from Catherine's clothes, but the chalk writing was something altogether.

0:35:57.640 --> 0:36:00.120
<v Speaker 1>City detectives arrived at the spot where the scrap of

0:36:00.160 --> 0:36:02.560
<v Speaker 1>apron was found, and they saw the writing on the wall.

0:36:03.000 --> 0:36:05.200
<v Speaker 1>They thought that it should be photographed, so one of

0:36:05.239 --> 0:36:08.480
<v Speaker 1>them sent for their superintendent. When he heard he immediately

0:36:08.480 --> 0:36:11.719
<v Speaker 1>gave the order to photograph the scene, but word had

0:36:11.760 --> 0:36:15.560
<v Speaker 1>also gone up through the Metropolitan ranks. Charles Warren, himself,

0:36:15.719 --> 0:36:19.600
<v Speaker 1>Commissioner of the Metropolitan Police, was at the nearest police station,

0:36:19.680 --> 0:36:21.759
<v Speaker 1>where he was being briefed on the events of the night.

0:36:22.200 --> 0:36:24.400
<v Speaker 1>Word came to him that two clues had been found

0:36:24.400 --> 0:36:26.839
<v Speaker 1>on Galston Street, so he set out to see it

0:36:26.880 --> 0:36:31.200
<v Speaker 1>for himself. He arrived before the Superintendent of the City

0:36:31.200 --> 0:36:34.880
<v Speaker 1>Police and he consulted with his officers. Liz Stride had

0:36:34.880 --> 0:36:38.759
<v Speaker 1>been killed outside a Jewish socialist club. Katherine Eddoes had

0:36:38.760 --> 0:36:42.080
<v Speaker 1>been accosted and murdered behind the Great Synagogue on Miter Street.

0:36:42.600 --> 0:36:46.360
<v Speaker 1>Now this message was scrawled on the wall. As Warren

0:36:46.360 --> 0:36:48.719
<v Speaker 1>would later write, it seemed obvious to him that it

0:36:48.760 --> 0:36:52.240
<v Speaker 1>was written with the intention of inflaming the public mind

0:36:52.360 --> 0:36:55.880
<v Speaker 1>against the Jews. After all, the neighborhood was always crowded

0:36:55.880 --> 0:36:59.640
<v Speaker 1>on Sunday mornings by Jewish vendors and Christian shoppers from

0:36:59.640 --> 0:37:04.040
<v Speaker 1>all for London. Charles Warren's officers were standing by with

0:37:04.080 --> 0:37:07.640
<v Speaker 1>a sponge. They worried that if the graffiti became publicly known,

0:37:08.000 --> 0:37:11.319
<v Speaker 1>the racist fury already stirred up by the star might

0:37:11.360 --> 0:37:15.320
<v Speaker 1>be unleashed, so Warren gave the order. By the time

0:37:15.320 --> 0:37:18.799
<v Speaker 1>the city police returned with instructions to photograph the message,

0:37:19.200 --> 0:37:22.560
<v Speaker 1>the writing on the wall at Gulston Street had been

0:37:22.600 --> 0:37:28.439
<v Speaker 1>scrubbed away. That's it for this week's episode of Unobscured.

0:37:29.000 --> 0:37:32.280
<v Speaker 1>Stick around after this short sponsor break for a preview

0:37:32.400 --> 0:37:40.120
<v Speaker 1>of what's in store for next week. The irony wasn't

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<v Speaker 1>lost on London journalists that the commissioner who had muzzled

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<v Speaker 1>the dogs of London was now trying to use those

0:37:46.000 --> 0:37:48.759
<v Speaker 1>dogs to solve a crime. But the journalist who had

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<v Speaker 1>witnessed the trial didn't have any of that criticism, only

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<v Speaker 1>hope in what might come next, and that hope made

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<v Speaker 1>it into the papers that the murderer's cunning will not

0:37:58.520 --> 0:38:01.399
<v Speaker 1>avail him against the your hounds that will be laid

0:38:01.480 --> 0:38:05.560
<v Speaker 1>on his track, and soon, they claimed, London would ring

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<v Speaker 1>with the news of his capture. It was one of

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<v Speaker 1>the few hopeful voices in a storm of confusion and

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<v Speaker 1>righteous anger at the police of London who had failed

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<v Speaker 1>for months to catch a killer who seemed to be

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<v Speaker 1>slaughtering with impunity. But as you might guess, those hopes

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<v Speaker 1>we're false. Lon Obscured was created by me Aaron Manky

0:38:43.440 --> 0:38:46.680
<v Speaker 1>and produced by Matt Frederick, Alex Williams, and Josh Thane

0:38:46.760 --> 0:38:50.160
<v Speaker 1>in partnership with I Heart Radio. Research and writing for

0:38:50.200 --> 0:38:52.359
<v Speaker 1>this season is all the work of my right hand

0:38:52.360 --> 0:38:55.600
<v Speaker 1>man Carl Nellis and the brilliant Chad Lawson composed the

0:38:55.640 --> 0:38:59.880
<v Speaker 1>brand new soundtrack. Learn more about our contributing historians, source

0:39:00.040 --> 0:39:03.120
<v Speaker 1>material and links to our other shows over at history

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<v Speaker 1>unobscured dot com, and until next time, thanks for listening.

0:39:15.640 --> 0:39:18.360
<v Speaker 1>Unobscured is a production of I Heart Radio and Aaron Minkey.

0:39:18.440 --> 0:39:21.000
<v Speaker 1>For more podcasts for My heart Radio, visit i heeart Radio, app,

0:39:21.080 --> 0:39:23.560
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite shows.

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<v Speaker 1>H