1 00:00:05,160 --> 00:00:07,800 Speaker 1: Hey, this is Annie and Samantha, and welcome to stuff. 2 00:00:07,800 --> 00:00:18,720 Speaker 1: I've never told your production to I Heeart Radio, and 3 00:00:19,440 --> 00:00:23,720 Speaker 1: today it is time for another feminist movie Friday, and 4 00:00:23,760 --> 00:00:31,480 Speaker 1: we're doing quite the undertaking movies. Yes, yes, good point, 5 00:00:31,520 --> 00:00:35,720 Speaker 1: because we are talking about the Matrix series, so that 6 00:00:35,800 --> 00:00:41,640 Speaker 1: being Matrix, Matrix Reloaded, Matrix Revolutions, Matrix Resurrections, not the 7 00:00:41,680 --> 00:00:46,240 Speaker 1: Anti Matrix because this is already quite long, but that 8 00:00:46,320 --> 00:00:51,720 Speaker 1: means there will be spoilers for the newest Matrix Resurrections 9 00:00:51,720 --> 00:00:54,080 Speaker 1: in here. Pretty a lot of spoilers, so if you 10 00:00:55,080 --> 00:00:59,320 Speaker 1: wanna watch it first, don't be spoiled. You can come back, 11 00:00:59,520 --> 00:01:03,120 Speaker 1: will be will be waiting. And it is on HBO 12 00:01:03,200 --> 00:01:06,080 Speaker 1: Max for those who have it. Yes, it is. It 13 00:01:06,240 --> 00:01:08,240 Speaker 1: is all of them, All of them is on it. Yeah. 14 00:01:08,319 --> 00:01:11,400 Speaker 1: I think the animated version too, which I watched them 15 00:01:11,440 --> 00:01:18,119 Speaker 1: all yesterday for work, and I was quite shocked how 16 00:01:18,200 --> 00:01:21,399 Speaker 1: much I remembered of them because I loved them. I 17 00:01:21,480 --> 00:01:24,160 Speaker 1: loved them when I was young, and I just would 18 00:01:24,200 --> 00:01:29,120 Speaker 1: watched them all the time. We actually, Samantha and if 19 00:01:29,200 --> 00:01:32,360 Speaker 1: we went to see this in theaters before we realized 20 00:01:32,400 --> 00:01:34,959 Speaker 1: just how terrible O Macron was. We went in the 21 00:01:34,959 --> 00:01:37,480 Speaker 1: middle of the day on a weekday with masks, so 22 00:01:37,520 --> 00:01:40,039 Speaker 1: I wasn't crowded by any means, but still, like a 23 00:01:40,080 --> 00:01:43,760 Speaker 1: week later, we were like, we've done this a couple 24 00:01:43,760 --> 00:01:47,240 Speaker 1: of times now, we had like not realizing how bad 25 00:01:47,280 --> 00:01:51,720 Speaker 1: it was, and then we're like, oh, damn, that was risky. 26 00:01:52,360 --> 00:01:55,440 Speaker 1: It was it was um, but if we hadn't have gone, 27 00:01:55,440 --> 00:01:57,520 Speaker 1: we would have missed out on this interaction we had 28 00:01:57,560 --> 00:02:02,120 Speaker 1: with this dude who saw I saw the movie with us, Um, 29 00:02:02,120 --> 00:02:04,760 Speaker 1: not with us, but he was in the theater and 30 00:02:04,840 --> 00:02:07,560 Speaker 1: afterwards he was so excited. He told us all of 31 00:02:07,600 --> 00:02:10,320 Speaker 1: his thoughts about about these movies and about how he 32 00:02:10,360 --> 00:02:12,200 Speaker 1: was in a cult and how these movies helped him 33 00:02:12,200 --> 00:02:14,600 Speaker 1: get out of a cult. And then Samantha and I 34 00:02:14,639 --> 00:02:16,720 Speaker 1: were like, huh, I guess there's a lot we could 35 00:02:16,720 --> 00:02:19,760 Speaker 1: talk about when it comes to these movies and feminism, 36 00:02:19,880 --> 00:02:23,760 Speaker 1: which we'll get to the cult part in a bit, 37 00:02:23,840 --> 00:02:27,000 Speaker 1: but basically the whole red Bill thing. So yeah, there 38 00:02:27,120 --> 00:02:30,200 Speaker 1: is there really is a lot in these movies for 39 00:02:30,320 --> 00:02:33,920 Speaker 1: us to discuss. And just as a reminder, there's a 40 00:02:33,960 --> 00:02:37,880 Speaker 1: lot of mixed reviews about the new one. Well, I'll 41 00:02:37,880 --> 00:02:40,680 Speaker 1: speak for myself. I liked it a lot, and I 42 00:02:40,760 --> 00:02:43,000 Speaker 1: liked the new taking on and I feel like it 43 00:02:43,040 --> 00:02:44,919 Speaker 1: was a progression for a reason. And we'll talk about 44 00:02:44,919 --> 00:02:48,040 Speaker 1: that in a bit. And just a reminder that the 45 00:02:48,080 --> 00:02:50,720 Speaker 1: matrix being successful does not mean that the other two 46 00:02:50,760 --> 00:02:53,919 Speaker 1: were that successful. They weren't not not successful, but they 47 00:02:53,960 --> 00:02:59,760 Speaker 1: weren't as loved as Yeah, for sure. I actually, as 48 00:02:59,760 --> 00:03:03,480 Speaker 1: I said that, I was watching these yesterday and having 49 00:03:03,520 --> 00:03:05,560 Speaker 1: all these memories because I was in middle school when 50 00:03:05,600 --> 00:03:07,799 Speaker 1: they were coming out, Yeah, with a new the two 51 00:03:07,800 --> 00:03:11,960 Speaker 1: new ones. I was in middle school, and uh, I 52 00:03:12,040 --> 00:03:15,280 Speaker 1: remember getting in a fight with a good friend of 53 00:03:15,320 --> 00:03:17,639 Speaker 1: mine at the time who told me that they sucked 54 00:03:18,560 --> 00:03:22,680 Speaker 1: and I was totally uncool for liking them, and I 55 00:03:22,760 --> 00:03:25,800 Speaker 1: remember having the worst comeback of like you you have 56 00:03:25,960 --> 00:03:35,040 Speaker 1: bad taste anyway. I mean, you're not wrong, yes, but ye. 57 00:03:35,040 --> 00:03:38,840 Speaker 1: At the point being, they were definitely not as loved 58 00:03:38,880 --> 00:03:43,000 Speaker 1: as the first one. Also, I was telling Samantha's story 59 00:03:43,080 --> 00:03:45,520 Speaker 1: of when because I was in middle school, I had 60 00:03:45,520 --> 00:03:47,520 Speaker 1: to we had to find an adult to take us 61 00:03:47,520 --> 00:03:50,840 Speaker 1: to the rated R movie and we convinced her dad 62 00:03:51,000 --> 00:03:53,920 Speaker 1: was very conservative in a lot of ways to take 63 00:03:54,000 --> 00:03:57,440 Speaker 1: us to this movie, and I she made me sit 64 00:03:57,560 --> 00:04:00,320 Speaker 1: next to him, and I had forgotten how long long 65 00:04:00,400 --> 00:04:03,240 Speaker 1: of an orgy scene there is in that movie. But 66 00:04:03,280 --> 00:04:10,320 Speaker 1: the memories came flooding back yesterday. I was watching so Yeah, 67 00:04:10,360 --> 00:04:12,520 Speaker 1: and I liked them my interpretation because I watched it 68 00:04:12,520 --> 00:04:14,240 Speaker 1: a little while later on a very small TV, and 69 00:04:14,240 --> 00:04:15,960 Speaker 1: I guess I wasn't paying attention as much as I 70 00:04:16,000 --> 00:04:18,440 Speaker 1: should have. Didn't realize it was an actual orgy. Say, 71 00:04:18,480 --> 00:04:19,960 Speaker 1: I thought it was just a dance party, Like, what's 72 00:04:20,000 --> 00:04:22,520 Speaker 1: going on? Why is everybody calling this dance party an orgy? 73 00:04:22,800 --> 00:04:25,080 Speaker 1: And then later I'm seeing all the boobs. I was like, Oh, 74 00:04:25,160 --> 00:04:28,600 Speaker 1: there's a lot of boobage in this movie. Yes, there's 75 00:04:28,640 --> 00:04:32,799 Speaker 1: also an orgasm. There's two orgasm scenes. Um, but there 76 00:04:32,920 --> 00:04:36,400 Speaker 1: that one is taking place during the orgy. And I 77 00:04:36,480 --> 00:04:42,039 Speaker 1: just remember the like dread and trying to focus on 78 00:04:42,080 --> 00:04:45,520 Speaker 1: the screen and act as if everything was totally normal. 79 00:04:46,720 --> 00:04:52,359 Speaker 1: I don't remember yes exactly, um, but I did. I 80 00:04:52,440 --> 00:04:55,400 Speaker 1: loved these movies. I loved them. I had all these 81 00:04:55,440 --> 00:04:59,240 Speaker 1: posters all over my walls. Um. I had a huge 82 00:04:59,440 --> 00:05:04,000 Speaker 1: crash on Keanu Reeves. I took a picture with a 83 00:05:04,120 --> 00:05:07,000 Speaker 1: like polaroid camera that would print it out like right away, 84 00:05:07,040 --> 00:05:11,800 Speaker 1: you know of him in that movie and just had 85 00:05:11,880 --> 00:05:16,320 Speaker 1: it on my mirror. My first like user name was 86 00:05:16,440 --> 00:05:19,600 Speaker 1: Neo's Angel. So wait, were you in love with Neo 87 00:05:19,760 --> 00:05:24,200 Speaker 1: or Kanu Neo? I guess because he actually um. I 88 00:05:24,240 --> 00:05:27,880 Speaker 1: had seen him in Point Break when I was far 89 00:05:27,920 --> 00:05:33,320 Speaker 1: too young to watch that movie and scared me. It 90 00:05:33,440 --> 00:05:38,599 Speaker 1: really scared me, yo, Yeah, but I did. It was 91 00:05:38,640 --> 00:05:42,560 Speaker 1: a huge crush. Oh my god, I like you fanning 92 00:05:42,600 --> 00:05:45,560 Speaker 1: yourself right now. I know, I know. I just remember 93 00:05:45,600 --> 00:05:47,320 Speaker 1: I would like lie awake at night and I would 94 00:05:47,440 --> 00:05:50,800 Speaker 1: listen to the soundtrack on repeat. It just think of 95 00:05:51,520 --> 00:05:54,800 Speaker 1: how cute Neo was. Is it fine? He got a 96 00:05:54,839 --> 00:05:59,000 Speaker 1: fine figure. I was watching it yesterday like mmmm. I. Also, 97 00:05:59,839 --> 00:06:02,719 Speaker 1: I won a costume contest when I went at Trinity. 98 00:06:02,800 --> 00:06:05,400 Speaker 1: I think it was the seventh grade. The same friend 99 00:06:05,640 --> 00:06:09,560 Speaker 1: who told me that I was very silly for liking 100 00:06:09,600 --> 00:06:12,760 Speaker 1: the Reloaded and Revolutions got mad at me for this too, 101 00:06:12,800 --> 00:06:15,520 Speaker 1: because she said the only reason I won was because 102 00:06:15,560 --> 00:06:18,280 Speaker 1: everybody like the Matrix and not because my costume was good. 103 00:06:18,640 --> 00:06:24,960 Speaker 1: But whatever. Sounds like she's not a good friend. We 104 00:06:25,000 --> 00:06:30,599 Speaker 1: had a few falling out our day. I'm not saying 105 00:06:30,680 --> 00:06:36,720 Speaker 1: she was wrong, but still come on now, Okay, but anyway, 106 00:06:37,200 --> 00:06:41,080 Speaker 1: my point being, these had a huge impact on me. 107 00:06:41,520 --> 00:06:43,279 Speaker 1: I loved them, and they did it. They had a 108 00:06:43,480 --> 00:06:46,400 Speaker 1: pretty big impact on a lot of people and on 109 00:06:46,839 --> 00:06:50,479 Speaker 1: our culture in society at large. It really did. Let's 110 00:06:50,480 --> 00:06:54,640 Speaker 1: just jump into this, you're ready, So, because Annie and 111 00:06:54,800 --> 00:06:56,720 Speaker 1: I are two to very different people, and you know this, 112 00:06:56,880 --> 00:06:59,039 Speaker 1: I will be taking on the three originals because I 113 00:06:59,040 --> 00:07:04,120 Speaker 1: felt like I could summit the little sooner quicker, not necessarily, 114 00:07:04,200 --> 00:07:08,039 Speaker 1: so this is my rendition, and I will say the 115 00:07:08,080 --> 00:07:12,920 Speaker 1: blessed hit of Matrix, which was released in nineteen. I 116 00:07:13,000 --> 00:07:16,000 Speaker 1: have so many of five memories myself, especially of our 117 00:07:16,040 --> 00:07:19,080 Speaker 1: friend group watching this on repeat. And now I was 118 00:07:19,120 --> 00:07:21,480 Speaker 1: a senior in high school, so you and are very 119 00:07:21,520 --> 00:07:24,480 Speaker 1: different grades. Um and and of course I thought you 120 00:07:24,520 --> 00:07:26,840 Speaker 1: were a child because I was a high school leaving 121 00:07:26,920 --> 00:07:31,160 Speaker 1: high school. But we loved this movie to the point 122 00:07:31,200 --> 00:07:33,720 Speaker 1: that we had a high school friend who resembled Keanu 123 00:07:33,840 --> 00:07:36,760 Speaker 1: reads a lot, like his face, everything, enough so that 124 00:07:36,800 --> 00:07:39,520 Speaker 1: we would call him Neo and when we would redo 125 00:07:39,640 --> 00:07:42,440 Speaker 1: some of the iconic fight scenes, yes we acted them out, 126 00:07:43,240 --> 00:07:47,600 Speaker 1: he would be the ultimate Neo. But obviously we're not 127 00:07:47,640 --> 00:07:51,320 Speaker 1: here to completely reminisce a little bit, a little bit so. 128 00:07:51,560 --> 00:07:54,880 Speaker 1: The movie was released in nineteen and was and still 129 00:07:55,000 --> 00:07:58,360 Speaker 1: a much loved successful film. All of these movies written 130 00:07:58,360 --> 00:08:01,800 Speaker 1: and directed by sisters Lily and Anna Wachowski, UH, starring 131 00:08:01,880 --> 00:08:05,560 Speaker 1: KIANU Reeves as Neo Carrie and Moss as Trinity, Laurence 132 00:08:05,560 --> 00:08:09,280 Speaker 1: Fishburn as Morpheus, Hugo Weaving as Mr Smith or Agent 133 00:08:09,400 --> 00:08:11,680 Speaker 1: Smith Um, and then of course so many others, but 134 00:08:11,760 --> 00:08:13,520 Speaker 1: those are the four that you will see on repeat. 135 00:08:13,680 --> 00:08:16,600 Speaker 1: The movie starts with one of the most memorable fight 136 00:08:16,640 --> 00:08:20,400 Speaker 1: scenes to date. A badass Trinity is looking into finding 137 00:08:20,480 --> 00:08:24,400 Speaker 1: quote him when ambushed by local officers and some special 138 00:08:24,440 --> 00:08:28,120 Speaker 1: agents what we now know as sentients or who are 139 00:08:28,240 --> 00:08:31,760 Speaker 1: in the matrix to come after certain people's And though 140 00:08:31,760 --> 00:08:35,040 Speaker 1: it isn't new, the effects and in the overall like 141 00:08:36,160 --> 00:08:40,000 Speaker 1: digital art of it all are still mesmerizing and brings 142 00:08:40,040 --> 00:08:42,600 Speaker 1: a lot of discussion and all like we still talk 143 00:08:42,679 --> 00:08:45,160 Speaker 1: about how they did it, how they do it still, 144 00:08:45,480 --> 00:08:50,360 Speaker 1: and how it is mimicked repeatedly heavily influenced by martial 145 00:08:50,480 --> 00:08:54,440 Speaker 1: arts and anime and other old Asian martial arts movies. UH. 146 00:08:54,480 --> 00:08:56,840 Speaker 1: The Wachowski is bringing some of the best trainers and 147 00:08:56,880 --> 00:09:01,160 Speaker 1: martial artists, including Samed Hong Kong mark Arts coordinator and 148 00:09:01,280 --> 00:09:04,439 Speaker 1: fighter You and Wiping, who was sought out for all 149 00:09:04,480 --> 00:09:07,600 Speaker 1: three of the movies. UM, and he is very picky 150 00:09:07,640 --> 00:09:10,000 Speaker 1: by the way when you see interviews about doing Hollywood 151 00:09:10,000 --> 00:09:12,840 Speaker 1: movies at all. Really was taken with this one and 152 00:09:12,880 --> 00:09:14,520 Speaker 1: so came to be a part of it. And you 153 00:09:14,559 --> 00:09:17,400 Speaker 1: can tell by the styles and from what I understand, 154 00:09:17,840 --> 00:09:21,679 Speaker 1: he tailored each fighting style to that person. UM, So 155 00:09:21,720 --> 00:09:23,600 Speaker 1: he would watch them and see who they were and 156 00:09:23,600 --> 00:09:26,040 Speaker 1: taught them based on who they were. Like he said 157 00:09:26,160 --> 00:09:30,440 Speaker 1: of Moss specifically, like she had feminine agility and a 158 00:09:30,440 --> 00:09:33,040 Speaker 1: lot of grace, so he tailored the moves to her. 159 00:09:33,480 --> 00:09:35,600 Speaker 1: UM and apparently all of them got injured. All of 160 00:09:35,640 --> 00:09:38,319 Speaker 1: them got injured throughout. Sano Reas was in the hospital 161 00:09:38,360 --> 00:09:40,640 Speaker 1: for like a herniated disk that he was like, I 162 00:09:40,760 --> 00:09:42,680 Speaker 1: almost fell over in the shower, which I feel like 163 00:09:42,760 --> 00:09:46,360 Speaker 1: was replicated in the new movie. But whatever. He insisted 164 00:09:46,400 --> 00:09:48,160 Speaker 1: that there'd be a cart wheel in there, and every 165 00:09:48,200 --> 00:09:49,760 Speaker 1: time I watched the first one and he does that 166 00:09:49,800 --> 00:09:55,439 Speaker 1: cart wheel kind of makes me laugh because he herniated 167 00:09:55,520 --> 00:09:57,320 Speaker 1: his disc and couldn't do a lot of leg moves. 168 00:09:57,480 --> 00:09:59,319 Speaker 1: You don't see many kicks from him and that is 169 00:09:59,360 --> 00:10:02,520 Speaker 1: perfectful be because of his injuries, saying with Hugo Weaving 170 00:10:02,559 --> 00:10:04,680 Speaker 1: because he had a hip injury, and so you see 171 00:10:04,679 --> 00:10:07,240 Speaker 1: a lot of fisticos the two of them. And then 172 00:10:07,360 --> 00:10:12,240 Speaker 1: also you know back to again uh the fighting scene 173 00:10:12,320 --> 00:10:15,480 Speaker 1: with Moss and that is the infamous roof fight scene 174 00:10:15,520 --> 00:10:18,600 Speaker 1: where she you know, the whole your agents are already 175 00:10:18,600 --> 00:10:21,760 Speaker 1: dead line opens um and these stunts were actually done 176 00:10:21,880 --> 00:10:25,160 Speaker 1: by Moss uh as she did it well, although she 177 00:10:25,240 --> 00:10:27,960 Speaker 1: also got injured and had to stop halfway through with 178 00:10:28,000 --> 00:10:31,560 Speaker 1: all a lot of doing her own stunts. Boom back 179 00:10:31,559 --> 00:10:34,520 Speaker 1: to the plot. After narrowly escaping the agents that we 180 00:10:34,559 --> 00:10:37,200 Speaker 1: find out that they are looking for him, otherwise known 181 00:10:37,240 --> 00:10:40,400 Speaker 1: as Neo, otherwise known as the One a k a. 182 00:10:40,720 --> 00:10:43,400 Speaker 1: Thomas Anderson. What we know of him in the Matrix. 183 00:10:43,760 --> 00:10:47,160 Speaker 1: Thomas Anderson is a hacker slash also like a programmer 184 00:10:47,440 --> 00:10:50,800 Speaker 1: who is contacted by a mysterious person through the interwebs 185 00:10:50,880 --> 00:10:54,920 Speaker 1: about the Matrix. After doing some shady things see Shady Dealings, 186 00:10:55,080 --> 00:10:57,880 Speaker 1: we see him being led by the White Rabbit to 187 00:10:58,040 --> 00:11:01,000 Speaker 1: a very lively E. D. M. Bar Rave, where he 188 00:11:01,080 --> 00:11:03,520 Speaker 1: is approached by the one and only Trinity, who he 189 00:11:03,520 --> 00:11:08,640 Speaker 1: assumed was a man because of the badass reputation of Trinity. Wrong. 190 00:11:09,000 --> 00:11:12,000 Speaker 1: Here we find out Mr Anderson is looking for something someone, 191 00:11:12,480 --> 00:11:16,920 Speaker 1: and this includes the infamous Morpheus um. The next day, 192 00:11:17,080 --> 00:11:19,240 Speaker 1: he finds that not only is he in trouble with 193 00:11:19,280 --> 00:11:22,600 Speaker 1: his workplace because you know, he's overslept, but he's being hunted, 194 00:11:23,240 --> 00:11:26,240 Speaker 1: but has warnings thanks to the mysterious package that arrives 195 00:11:26,240 --> 00:11:29,400 Speaker 1: with the also cool sliding phone that we all wanted. 196 00:11:29,600 --> 00:11:32,319 Speaker 1: I wanted it, I wanted it bad. And this is 197 00:11:32,600 --> 00:11:35,199 Speaker 1: before I had a freaking cell phone, Like, this is 198 00:11:35,280 --> 00:11:37,960 Speaker 1: way before I didn't I didn't have one at that point. Yeah, 199 00:11:38,080 --> 00:11:42,400 Speaker 1: the technology was so good. So he's instructed on how 200 00:11:42,400 --> 00:11:44,719 Speaker 1: to escape the agents, but loses his nerves when he's 201 00:11:44,760 --> 00:11:47,200 Speaker 1: told to go out the window on the platform onto 202 00:11:47,320 --> 00:11:50,679 Speaker 1: the window washing platform, and he is arrested, taking into 203 00:11:50,760 --> 00:11:53,679 Speaker 1: questioning where some weird things happen, like his mouth disappearing 204 00:11:53,720 --> 00:11:56,760 Speaker 1: and him being injected with a very terrifying creature through 205 00:11:56,920 --> 00:12:00,760 Speaker 1: his belly button nightmares. Later, he makes thinking maybe it's 206 00:12:00,760 --> 00:12:03,840 Speaker 1: a dream, but a phone call from Morpheus, who instructs 207 00:12:03,880 --> 00:12:05,520 Speaker 1: to get him to go out and meet up with 208 00:12:05,520 --> 00:12:08,800 Speaker 1: the crew makes some think otherwise. Uh, And there he 209 00:12:08,840 --> 00:12:12,040 Speaker 1: starts to learn the truth. After getting rid of the 210 00:12:12,160 --> 00:12:15,280 Speaker 1: very real bug from his belly, he finally meets Orpheus, 211 00:12:15,320 --> 00:12:18,040 Speaker 1: who offers him an explanation or the red pill, which 212 00:12:18,080 --> 00:12:20,280 Speaker 1: will free you to see the truth, the Blue pill, 213 00:12:20,480 --> 00:12:22,440 Speaker 1: which will put you back to what you've always known. 214 00:12:22,920 --> 00:12:25,360 Speaker 1: After taking the red pill, he's soon released and comes 215 00:12:25,400 --> 00:12:28,800 Speaker 1: to the quote real world, the real world. After an 216 00:12:28,840 --> 00:12:32,800 Speaker 1: intense birthing scene, really intense birthing scene, he is repaired 217 00:12:32,840 --> 00:12:35,360 Speaker 1: adjusted for the new view on the real world. The 218 00:12:35,440 --> 00:12:37,360 Speaker 1: world is not what we know it, but has been 219 00:12:37,360 --> 00:12:40,360 Speaker 1: destroyed after years of war against the Ais and machines 220 00:12:40,679 --> 00:12:43,439 Speaker 1: who have come to being and have become self aware. 221 00:12:43,840 --> 00:12:46,840 Speaker 1: He discovers that they the humans, are nothing more than 222 00:12:46,920 --> 00:12:50,760 Speaker 1: batteries energy for the machines to live by. But there's 223 00:12:50,760 --> 00:12:53,880 Speaker 1: a small group of humans who have either awakened slash unplugged, 224 00:12:54,080 --> 00:12:55,800 Speaker 1: or have been born into this world which is much 225 00:12:55,880 --> 00:12:58,840 Speaker 1: much later, and are fighting against the machines. And it 226 00:12:58,960 --> 00:13:01,280 Speaker 1: is here that Morphea to reveal that there's a prophecy 227 00:13:01,360 --> 00:13:05,160 Speaker 1: of the One and that Neo is that one. The One. 228 00:13:05,679 --> 00:13:08,800 Speaker 1: After several action pack scenes and obvious bad guy trader scene, 229 00:13:08,880 --> 00:13:11,400 Speaker 1: we didn't get to meet the Oracle, the one who 230 00:13:11,400 --> 00:13:14,560 Speaker 1: has foreseen Neo and the possibility of winning the war. 231 00:13:14,920 --> 00:13:17,640 Speaker 1: After meeting with the Oracle, which reveals that Neo has 232 00:13:17,640 --> 00:13:21,680 Speaker 1: the potential to be the one he's not, but that 233 00:13:21,760 --> 00:13:24,880 Speaker 1: Morpheus also by the way, would sacrifice himself for Neo 234 00:13:24,960 --> 00:13:28,360 Speaker 1: and that Neo would have to choose between him or Morpheus. 235 00:13:28,840 --> 00:13:31,600 Speaker 1: I'm not doing okay with this. After returning to the 236 00:13:31,600 --> 00:13:33,839 Speaker 1: Czech exit point, we see that at Deja Vu or 237 00:13:33,920 --> 00:13:36,760 Speaker 1: glitch has occurred and they're attacked by the Agents against 238 00:13:36,760 --> 00:13:40,440 Speaker 1: the Sentience Um and other law enforcements. Morpheus sacrifices as 239 00:13:40,480 --> 00:13:42,200 Speaker 1: himself in order for the rest of the team to 240 00:13:42,280 --> 00:13:45,480 Speaker 1: lead Neo out and is caught by agents Smith, we 241 00:13:45,640 --> 00:13:48,240 Speaker 1: see Cipher, the trader that we were talking about, running 242 00:13:48,240 --> 00:13:50,040 Speaker 1: away from the rest of the team, arriving back to 243 00:13:50,080 --> 00:13:53,400 Speaker 1: the exit point earlier than them, and after being unplugged, 244 00:13:53,400 --> 00:13:55,559 Speaker 1: he perceives the sabotage to the rest of the team, 245 00:13:55,640 --> 00:13:59,280 Speaker 1: killing three of the members, but before he could kill Neo, Tank, 246 00:13:59,320 --> 00:14:01,600 Speaker 1: who was one of the operators of the ship, shoots 247 00:14:01,679 --> 00:14:05,400 Speaker 1: and kills Cipher. At this point, Neo and Trinity returned 248 00:14:05,400 --> 00:14:07,000 Speaker 1: to the ship, but quickly come up with a plan 249 00:14:07,080 --> 00:14:10,400 Speaker 1: to rescue Morpheus. After getting all kinds of armed up, 250 00:14:10,640 --> 00:14:12,640 Speaker 1: they go to find Morpheus, who has been tortured and 251 00:14:12,720 --> 00:14:16,360 Speaker 1: questioned by the agents to find the human location of Zion, 252 00:14:16,960 --> 00:14:19,640 Speaker 1: and here we see the powerhouse seen on the roof 253 00:14:19,760 --> 00:14:22,640 Speaker 1: with the very talked about a bullet time scene, which 254 00:14:22,640 --> 00:14:25,160 Speaker 1: I did not know was a real thing. Yeah, you 255 00:14:25,200 --> 00:14:27,600 Speaker 1: didn't know that. I didn't. I thought they were just 256 00:14:27,640 --> 00:14:29,320 Speaker 1: making stuff up in the new one and I was like, oh, 257 00:14:29,360 --> 00:14:33,320 Speaker 1: that's really okay. I didn't know, which shows that Neo 258 00:14:33,520 --> 00:14:36,040 Speaker 1: is as fast as the agents, which is not a 259 00:14:36,160 --> 00:14:39,080 Speaker 1: usual thing for the humans. We also get to see 260 00:14:39,080 --> 00:14:41,680 Speaker 1: Trinity flying on helicopter and then jumping out of it 261 00:14:41,760 --> 00:14:45,280 Speaker 1: after they successfully rescue Morpheus. Alas as they make it 262 00:14:45,360 --> 00:14:47,520 Speaker 1: to their exit point through phones by the way, just 263 00:14:47,560 --> 00:14:50,440 Speaker 1: in case I didn't put this in there by landlines, uh, 264 00:14:50,560 --> 00:14:53,800 Speaker 1: Neo is thwarted once again by the persistent Agent Smith. 265 00:14:54,120 --> 00:14:56,400 Speaker 1: We have another epic fight scene with a finger throat 266 00:14:56,440 --> 00:15:00,000 Speaker 1: punch boom, and of course trains after Mio once again 267 00:15:00,120 --> 00:15:02,840 Speaker 1: kicks Agent Smith's body, who runs trying to find another 268 00:15:02,840 --> 00:15:06,280 Speaker 1: exit point. All as he almost makes it, we find 269 00:15:06,360 --> 00:15:08,040 Speaker 1: Agent Smith on the other side of the door, and 270 00:15:08,120 --> 00:15:12,280 Speaker 1: Neo is shut down. But wait, the oracle also predicted 271 00:15:12,320 --> 00:15:15,440 Speaker 1: that Trinity would fall in love with the One, and 272 00:15:15,560 --> 00:15:18,160 Speaker 1: she knew he couldn't die and woke him up with 273 00:15:18,200 --> 00:15:22,040 Speaker 1: a power of love and a kiss. Yes, and just 274 00:15:22,160 --> 00:15:24,360 Speaker 1: in time too, because at this point we have the squids, 275 00:15:24,360 --> 00:15:26,400 Speaker 1: which are the machines that are sent to destroy the 276 00:15:26,400 --> 00:15:29,120 Speaker 1: shifts and kill humans but can be stopped by a 277 00:15:29,160 --> 00:15:32,160 Speaker 1: massive MP but can't be used when someone is plugged 278 00:15:32,160 --> 00:15:35,840 Speaker 1: in the system, And after miraculously coming to life, and 279 00:15:35,880 --> 00:15:39,160 Speaker 1: Neo not only defies death but can stop bullets going 280 00:15:39,240 --> 00:15:41,640 Speaker 1: credibly fast and jump into the body of the Agent 281 00:15:41,680 --> 00:15:44,240 Speaker 1: and make them explode. Neio was able to return just 282 00:15:44,400 --> 00:15:47,920 Speaker 1: in time to use the mp MP electric mimetic pulse 283 00:15:48,120 --> 00:15:50,840 Speaker 1: and kill off the squids and kiss the girl, of course, 284 00:15:51,120 --> 00:15:53,280 Speaker 1: and we end them at this amazing film with Neo 285 00:15:53,400 --> 00:15:55,880 Speaker 1: talking to the machines letting them know he was here 286 00:15:55,920 --> 00:15:57,920 Speaker 1: to fight and to warn them that he would find 287 00:15:57,960 --> 00:16:01,560 Speaker 1: them also then he flies away because of course, of course, 288 00:16:03,120 --> 00:16:10,840 Speaker 1: So what these movies are so difficult to explain? I 289 00:16:10,920 --> 00:16:12,720 Speaker 1: know you probably felt listened to you, But when I 290 00:16:12,720 --> 00:16:15,080 Speaker 1: was trying to describe it and condense it. I was 291 00:16:15,160 --> 00:16:18,360 Speaker 1: like this, if you haven't seen this, this makes no sense. 292 00:16:19,560 --> 00:16:21,720 Speaker 1: You know what I love though, and I meant to 293 00:16:21,760 --> 00:16:23,440 Speaker 1: do this at the beginning. I kind of forgot is 294 00:16:23,520 --> 00:16:25,960 Speaker 1: to just give a one line explanation of the movie, 295 00:16:26,360 --> 00:16:30,440 Speaker 1: a ridiculously and simplified as it could be, because I 296 00:16:30,440 --> 00:16:33,360 Speaker 1: find that hilarious and honestly, we really can't. So this 297 00:16:33,400 --> 00:16:39,000 Speaker 1: is almost that level through very quickly, on this level 298 00:16:39,080 --> 00:16:41,280 Speaker 1: of what I know, because this is all from the brain. Yeah, 299 00:16:41,320 --> 00:16:58,240 Speaker 1: this is all can we go with Reloaded? And I 300 00:16:58,280 --> 00:16:59,800 Speaker 1: was trying to convince the two of them together, like 301 00:17:00,040 --> 00:17:03,160 Speaker 1: I really can't, I really can't. So yes, we are 302 00:17:03,200 --> 00:17:07,159 Speaker 1: also talking about the matrix Reloaded and Revolutions. Reloaded was 303 00:17:07,200 --> 00:17:09,639 Speaker 1: released in two thousand three, and I was telling Annie, 304 00:17:09,680 --> 00:17:12,160 Speaker 1: this is my very Christian portion of like, don't watch 305 00:17:12,240 --> 00:17:14,120 Speaker 1: rated our movies. So I missed out on the initial 306 00:17:14,400 --> 00:17:16,000 Speaker 1: which is also why again I think I missed out 307 00:17:16,000 --> 00:17:20,000 Speaker 1: on the oready scene. Um. And though it didn't get 308 00:17:20,000 --> 00:17:22,880 Speaker 1: the level of notoriety as the original, it was considered 309 00:17:22,880 --> 00:17:26,200 Speaker 1: successful and still overall well accepted, even broke the record 310 00:17:26,280 --> 00:17:29,040 Speaker 1: for the highest grossing R rated film until two thousand 311 00:17:29,000 --> 00:17:32,840 Speaker 1: and sixteen with the release of Deadpool and BT dub. 312 00:17:32,880 --> 00:17:35,560 Speaker 1: Six months later, Revolutions was released, so it was like 313 00:17:35,600 --> 00:17:38,760 Speaker 1: a back back. Yeah, they're kind of like a one 314 00:17:38,760 --> 00:17:42,160 Speaker 1: long story in two movies. Yeah, it's not as officially 315 00:17:42,200 --> 00:17:45,520 Speaker 1: it did like the first one did. So for reloaded, 316 00:17:45,560 --> 00:17:47,520 Speaker 1: we have the original four, but this time we were 317 00:17:47,520 --> 00:17:50,560 Speaker 1: adding Jada Pickett Smith as Naobe and instead of Tank 318 00:17:50,640 --> 00:17:53,440 Speaker 1: we or those are we have the brother in law link. 319 00:17:53,880 --> 00:17:56,040 Speaker 1: New programs added into the movie are the Mayor of 320 00:17:56,080 --> 00:17:59,959 Speaker 1: Indian played by Lambert Wilson and Persephone played by Monica Bellute. 321 00:18:00,680 --> 00:18:04,960 Speaker 1: Other key characters to know the Keymaker, the Architect, and Sarah, who, 322 00:18:04,960 --> 00:18:07,359 Speaker 1: by the way, was originally offered to Jet Lee, but 323 00:18:07,440 --> 00:18:10,160 Speaker 1: he refused because he didn't want his martial arts technique 324 00:18:10,240 --> 00:18:13,439 Speaker 1: to be digitally on records so that they cann't reuse it. 325 00:18:13,800 --> 00:18:15,679 Speaker 1: And that's a big question that we should talk about 326 00:18:15,920 --> 00:18:18,040 Speaker 1: how they were able to do so, because the new 327 00:18:18,040 --> 00:18:20,879 Speaker 1: one took a lot of liberties in extracting old movies 328 00:18:20,920 --> 00:18:24,240 Speaker 1: and old things on on record that they have to reuse. 329 00:18:25,080 --> 00:18:29,320 Speaker 1: Uh So this question so gently wasn't wrong, No one, 330 00:18:29,359 --> 00:18:32,400 Speaker 1: he decided not to do this. But anyway, so back 331 00:18:32,440 --> 00:18:35,000 Speaker 1: to the world of Matrix. We are now back here, 332 00:18:35,400 --> 00:18:38,119 Speaker 1: but we see the bigger picture, the war's brewing between 333 00:18:38,119 --> 00:18:40,639 Speaker 1: the machines and the humans of Zion. Their intel is 334 00:18:40,640 --> 00:18:44,120 Speaker 1: that the Sentience should arrive at Zion in seventy two hours. 335 00:18:44,480 --> 00:18:46,640 Speaker 1: At this time we meet the different captains of Zion, 336 00:18:46,720 --> 00:18:50,600 Speaker 1: including one time love interest of Morpheus, Niobe. They are 337 00:18:50,640 --> 00:18:53,160 Speaker 1: all being called back by the commander of Commander Locke, 338 00:18:53,160 --> 00:18:56,359 Speaker 1: who is the current love interest of Naiobe and seems 339 00:18:56,400 --> 00:18:59,600 Speaker 1: to have a bit of bad blood with Morpheus. Morpheus 340 00:18:59,600 --> 00:19:02,240 Speaker 1: request one crew to stay behind to wait for the oracle, 341 00:19:02,480 --> 00:19:05,239 Speaker 1: and they agree against the wishes of the commander, and 342 00:19:05,280 --> 00:19:08,119 Speaker 1: all the while we see that former agent Smith is 343 00:19:08,160 --> 00:19:10,679 Speaker 1: back and gives a gift to Neo, which was the 344 00:19:10,720 --> 00:19:13,919 Speaker 1: airpiece UH and said that he has been freed. And 345 00:19:13,960 --> 00:19:16,760 Speaker 1: then there's a new fight scene with several agents against Neo. 346 00:19:17,520 --> 00:19:20,879 Speaker 1: Um later the different ships returned to Zion. Here we 347 00:19:20,960 --> 00:19:25,040 Speaker 1: finally see the place that now holds the entire human population. 348 00:19:25,480 --> 00:19:27,680 Speaker 1: Loss of discussion has had over the fact that Neo 349 00:19:27,840 --> 00:19:30,600 Speaker 1: is the one and many flocked to him, but all 350 00:19:30,640 --> 00:19:34,280 Speaker 1: he wants is time alone with Trinity. But first their 351 00:19:34,320 --> 00:19:36,919 Speaker 1: meetings to be had discussing the incoming dangers and what 352 00:19:37,000 --> 00:19:40,280 Speaker 1: to do next bt dobs. While several also believe that 353 00:19:40,359 --> 00:19:43,040 Speaker 1: Neo is the Savor that they've been waiting for, many 354 00:19:43,240 --> 00:19:46,600 Speaker 1: don't believe this. Um And sees Morpheus as an eccentric. 355 00:19:47,160 --> 00:19:51,200 Speaker 1: So after an awkward org scene Um and love seeing 356 00:19:51,200 --> 00:19:53,359 Speaker 1: with Trinity and Neo, we come back to the crew, 357 00:19:53,600 --> 00:19:56,199 Speaker 1: leaving to go meet with the Oracle. In between all 358 00:19:56,240 --> 00:19:57,920 Speaker 1: of this, we can find that Smith has been able 359 00:19:57,920 --> 00:20:00,879 Speaker 1: to infect others with this rogue programming and are changing 360 00:20:00,880 --> 00:20:03,439 Speaker 1: others to be like him or to be him, and 361 00:20:03,520 --> 00:20:07,600 Speaker 1: he enters Zion by taking over another humans consciousness and 362 00:20:07,760 --> 00:20:10,840 Speaker 1: is now one of the bodies of the humans and 363 00:20:11,160 --> 00:20:14,720 Speaker 1: enters the real world. Neo, after a battle with the 364 00:20:14,720 --> 00:20:17,960 Speaker 1: Oracle's new body gods Sarah to prove himself, meets up 365 00:20:17,960 --> 00:20:20,600 Speaker 1: with the Oracle, then discusses the future, as well as 366 00:20:20,600 --> 00:20:24,320 Speaker 1: the fact that she herself is a program and with hesitation, 367 00:20:24,640 --> 00:20:26,479 Speaker 1: he doesn't know whether or not to trust her questions 368 00:20:26,520 --> 00:20:29,119 Speaker 1: all of these things, he still listens as she instructs 369 00:20:29,160 --> 00:20:31,679 Speaker 1: him to find the Keymaker, who is being held by 370 00:20:31,720 --> 00:20:35,119 Speaker 1: the Mayor of Vingian, again a roge program. After getting 371 00:20:35,160 --> 00:20:38,280 Speaker 1: this information, Neo encounters the Mini Smiths and how he 372 00:20:38,320 --> 00:20:40,400 Speaker 1: is able to clone himself and even attempts to take 373 00:20:40,440 --> 00:20:44,040 Speaker 1: over Neo, but fails. After the long battle, he's able 374 00:20:44,080 --> 00:20:46,199 Speaker 1: to meet up with Trinity and Morpheus, who then proceed 375 00:20:46,240 --> 00:20:47,960 Speaker 1: to meet with the Mayor of Injian, who is a 376 00:20:47,960 --> 00:20:51,320 Speaker 1: pampous cheater that refuses to give up the Keymaker, but 377 00:20:51,359 --> 00:20:54,720 Speaker 1: he's cheating ways has made his wife Persephone retaliate and 378 00:20:54,760 --> 00:20:57,280 Speaker 1: helped the trio after she makes Neo kiss her as 379 00:20:57,320 --> 00:20:59,880 Speaker 1: if she was Trinity super awkward as well. They sue 380 00:21:00,119 --> 00:21:02,960 Speaker 1: fine the Keymaker who's been waiting for them, and make 381 00:21:03,040 --> 00:21:06,159 Speaker 1: a very exciting battle exit, which leads Neo to the 382 00:21:06,240 --> 00:21:09,359 Speaker 1: highest snowy mountains while Trinity and Morpheus have to battle 383 00:21:09,400 --> 00:21:13,080 Speaker 1: all the canceled creatures like ghosts and vampires and etcetera. 384 00:21:13,760 --> 00:21:16,400 Speaker 1: We go to witness the exciting freeway chase, which ends 385 00:21:16,400 --> 00:21:20,359 Speaker 1: with Neo flying to Morpheus and the Keymaker's rescue, literally 386 00:21:20,359 --> 00:21:23,560 Speaker 1: flying and picking them up. They later make a plan 387 00:21:23,680 --> 00:21:26,680 Speaker 1: to find the source so that Neo could stop the war, 388 00:21:26,800 --> 00:21:29,480 Speaker 1: which includes uh the two ships that have been sent 389 00:21:29,600 --> 00:21:32,360 Speaker 1: by the Council to retrieve Neo and the said crew 390 00:21:32,400 --> 00:21:34,040 Speaker 1: because you know, they weren't supposed to be gone this long. 391 00:21:34,920 --> 00:21:37,320 Speaker 1: It's also during this time we see Neo request Trinity 392 00:21:37,400 --> 00:21:39,400 Speaker 1: stay out of the matrix in fear for her life. 393 00:21:39,440 --> 00:21:41,639 Speaker 1: Has he has seen her death in his dreams, and 394 00:21:41,720 --> 00:21:45,960 Speaker 1: she agrees, But of course things go wrong as one 395 00:21:46,000 --> 00:21:49,399 Speaker 1: crew accidentally dies, which throws off the elaborate plan and 396 00:21:49,440 --> 00:21:52,199 Speaker 1: turn off the power and break into the connection for 397 00:21:52,240 --> 00:21:55,399 Speaker 1: the source. Oh yeah, and Smith once again arrived to 398 00:21:55,520 --> 00:21:59,080 Speaker 1: fight Neo, but they do make it, although killing the Keymaker, 399 00:21:59,119 --> 00:22:01,080 Speaker 1: which I was like, oh seems like a sinceless death 400 00:22:01,119 --> 00:22:04,840 Speaker 1: but okay. Neo confronts the Architect, who explains that he 401 00:22:04,920 --> 00:22:08,760 Speaker 1: is actually Neo, is actually one of six the Ones, 402 00:22:09,200 --> 00:22:11,200 Speaker 1: and that he is simply a part of the program 403 00:22:11,240 --> 00:22:13,879 Speaker 1: and really not that special. He's chosen to help the 404 00:22:13,920 --> 00:22:17,760 Speaker 1: humans survive from complete extinction and not to stop the war. 405 00:22:18,240 --> 00:22:20,399 Speaker 1: And after a long explanation of how the system has 406 00:22:20,400 --> 00:22:22,800 Speaker 1: been working for years and this was merely a normal 407 00:22:22,840 --> 00:22:25,440 Speaker 1: plan of moment in the system, Neo has given the 408 00:22:25,520 --> 00:22:27,920 Speaker 1: choice of returning to Zion to choose the few who 409 00:22:27,960 --> 00:22:31,760 Speaker 1: would survive and repopulate the system, or rescue Trinity. Because 410 00:22:31,800 --> 00:22:34,440 Speaker 1: Trinity has now had to come in and help the 411 00:22:34,440 --> 00:22:37,840 Speaker 1: whole situation or everybody would have died. Thank you, Trinity, 412 00:22:37,960 --> 00:22:41,000 Speaker 1: And of course Neo chooses to save Trinity, even bringing 413 00:22:41,000 --> 00:22:44,320 Speaker 1: her back to life after dying. Uh. They returned to 414 00:22:44,320 --> 00:22:46,160 Speaker 1: the real world to find that things have gone wrong, 415 00:22:46,240 --> 00:22:49,880 Speaker 1: including the machines coming after them, and after they rush 416 00:22:49,960 --> 00:22:53,320 Speaker 1: off the now destroyed ship, Neo finds that he can 417 00:22:53,359 --> 00:22:56,400 Speaker 1: stop the sentinels with his thoughts, but then passes out 418 00:22:56,600 --> 00:22:59,160 Speaker 1: and the crew was saved by another ship. And that's 419 00:22:59,160 --> 00:23:05,119 Speaker 1: the end that to be concluded. Burns hanger that you 420 00:23:05,200 --> 00:23:07,480 Speaker 1: had to wait on for six months as he passes 421 00:23:07,480 --> 00:23:10,320 Speaker 1: out and everybody just say, they're like, what do we do? Yeah? 422 00:23:10,400 --> 00:23:13,800 Speaker 1: And then he's the agent Smith possessed body is right 423 00:23:13,840 --> 00:23:16,480 Speaker 1: next to him in the hospital, and they don't they're 424 00:23:16,560 --> 00:23:23,200 Speaker 1: sitting next to each other. Yes, all right, so let's 425 00:23:23,240 --> 00:23:25,960 Speaker 1: jump into the revolution, which is again by all of 426 00:23:26,000 --> 00:23:28,119 Speaker 1: these same people. Uh, and we come to what we 427 00:23:28,160 --> 00:23:31,840 Speaker 1: thought was the conclusion of the story. This movie was 428 00:23:32,080 --> 00:23:35,520 Speaker 1: the least successful of the three, but still made seven 429 00:23:35,560 --> 00:23:38,960 Speaker 1: million dollars in box office worldwide and was the first 430 00:23:39,080 --> 00:23:41,760 Speaker 1: live action movie to be released both in the regular 431 00:23:41,840 --> 00:23:45,240 Speaker 1: and Imax theaters. It's a really big moment here y'all. 432 00:23:45,920 --> 00:23:47,960 Speaker 1: And though this was the third film and last one 433 00:23:48,119 --> 00:23:51,719 Speaker 1: until recently, there's plenty of material, including video games and 434 00:23:51,840 --> 00:23:55,000 Speaker 1: animated stories of the matrix, so they kept going. It 435 00:23:55,119 --> 00:23:58,680 Speaker 1: keeps going. Oh, I played that video game. I played 436 00:23:58,840 --> 00:24:04,399 Speaker 1: that game? You win? Uh No, I think so the 437 00:24:04,480 --> 00:24:07,880 Speaker 1: video game I played it takes place between like during 438 00:24:08,200 --> 00:24:12,360 Speaker 1: reloaded and then between them. But I remember it has 439 00:24:12,400 --> 00:24:15,120 Speaker 1: actual cut scenes in it, so like I mean cut 440 00:24:15,160 --> 00:24:18,199 Speaker 1: scenes as in Hugo Weaving, the actor not animated is 441 00:24:18,280 --> 00:24:21,040 Speaker 1: in it. If he has this scene, I think about 442 00:24:21,080 --> 00:24:23,720 Speaker 1: it all the time where he's like all the agent 443 00:24:23,760 --> 00:24:26,520 Speaker 1: Smiths are coming out into the hall and he's like, 444 00:24:26,840 --> 00:24:30,879 Speaker 1: I am the Alpha to eu Omega the beginning to 445 00:24:30,960 --> 00:24:35,399 Speaker 1: your End. He was so good, he like chewed on 446 00:24:35,440 --> 00:24:40,280 Speaker 1: that role. It kind of defined him. To see him 447 00:24:40,280 --> 00:24:43,359 Speaker 1: in another trilogy later on was like, what, he's nice. 448 00:24:44,560 --> 00:24:48,760 Speaker 1: Really okay? But back to with Neo and a Coma 449 00:24:48,960 --> 00:24:52,680 Speaker 1: and they are down several ships, including Captain Niolee's ship 450 00:24:52,720 --> 00:24:54,600 Speaker 1: and crew. They haven't found them yet. They were able 451 00:24:54,640 --> 00:24:58,200 Speaker 1: to find another, but only had one surviving passenger as 452 00:24:58,200 --> 00:25:01,800 Speaker 1: the e MP had been detonated, killing everyone else around them. Yep, 453 00:25:01,880 --> 00:25:04,560 Speaker 1: you guess that it's Smith Slash Baine who we see 454 00:25:04,680 --> 00:25:08,160 Speaker 1: laying there, who is also in a coma. While Zion 455 00:25:08,560 --> 00:25:11,199 Speaker 1: is preparing for an impending attack by the machines, we 456 00:25:11,280 --> 00:25:13,440 Speaker 1: have the rest of the crew trying to get back 457 00:25:13,480 --> 00:25:15,960 Speaker 1: to Zion as soon we find that Niobe and her 458 00:25:16,000 --> 00:25:18,520 Speaker 1: crew are alive, but their ship is down. With the 459 00:25:18,520 --> 00:25:20,520 Speaker 1: help of the others, they get the ship running again, 460 00:25:21,320 --> 00:25:23,680 Speaker 1: but as they plan to make their way back trying 461 00:25:23,680 --> 00:25:26,400 Speaker 1: to get back to the Battle of Zion, Morpheus receives 462 00:25:26,440 --> 00:25:29,119 Speaker 1: a message from Sarah, who is a message from the 463 00:25:29,160 --> 00:25:32,439 Speaker 1: Oracle about Neo. Neo we find is currently stuck in 464 00:25:32,480 --> 00:25:35,960 Speaker 1: a train station in Nowhere. Here we meet Sati, who 465 00:25:36,000 --> 00:25:38,640 Speaker 1: was another road program, and her parents who have secured 466 00:25:38,640 --> 00:25:41,240 Speaker 1: a passage to take her back to the Matrix instead 467 00:25:41,280 --> 00:25:46,800 Speaker 1: of deletion. All the while, Morpheus, Trinis and Sarah, after 468 00:25:46,840 --> 00:25:49,400 Speaker 1: being informed of Neo's location and who holds his key 469 00:25:49,440 --> 00:25:53,840 Speaker 1: to freedom, the merrow Vingian he's back, try to negotiate 470 00:25:53,920 --> 00:25:57,639 Speaker 1: Neo's return, which ends up being in a hostile moment. 471 00:25:58,480 --> 00:26:01,000 Speaker 1: Neo tries to board the train, but it's not allowed 472 00:26:01,040 --> 00:26:03,760 Speaker 1: as the conductor works for the mayor Vingian and it's stuck, 473 00:26:03,880 --> 00:26:06,840 Speaker 1: so he's just stuck, but we soon see that Trinity 474 00:26:06,880 --> 00:26:09,600 Speaker 1: is willing to take everyone down, including herself, to get 475 00:26:09,600 --> 00:26:13,439 Speaker 1: to Neo and wins and is reunited with Neo happy 476 00:26:13,520 --> 00:26:16,440 Speaker 1: days Before returning to the real world, though he meets 477 00:26:16,480 --> 00:26:18,800 Speaker 1: up with the Oracle one last time where he sees 478 00:26:18,800 --> 00:26:21,280 Speaker 1: Satia again as she is with her now um and 479 00:26:21,440 --> 00:26:23,600 Speaker 1: Arcle has changed her form due to the need to 480 00:26:23,680 --> 00:26:26,520 Speaker 1: hide and all the dangers here. She talks about the 481 00:26:26,560 --> 00:26:29,000 Speaker 1: real danger of Smith and his plan to take down 482 00:26:29,000 --> 00:26:31,600 Speaker 1: the real world and the Matrix. She talks about the 483 00:26:31,600 --> 00:26:33,640 Speaker 1: fact that they're in one and the same, or rather 484 00:26:33,680 --> 00:26:35,639 Speaker 1: opposites and the same, kind of like the Alpha and 485 00:26:35,640 --> 00:26:38,920 Speaker 1: the Omega, and soon after Neo leaves, we see Smith 486 00:26:38,960 --> 00:26:42,159 Speaker 1: taking over all the people there, including the Oracle. That 487 00:26:42,160 --> 00:26:45,359 Speaker 1: means he also has premonitions. Now. Upon their return, we 488 00:26:45,400 --> 00:26:47,800 Speaker 1: find the rest of the captains and crews trying to 489 00:26:47,800 --> 00:26:49,800 Speaker 1: find a way to make it back to Zion. They 490 00:26:49,800 --> 00:26:53,000 Speaker 1: are aware that the machines are coming. Bain Smith wakes 491 00:26:53,080 --> 00:26:55,600 Speaker 1: up kills the crew member after being questioned and saying 492 00:26:55,600 --> 00:26:58,960 Speaker 1: he didn't remember what happened. Uh Neo asked how take 493 00:26:58,960 --> 00:27:01,760 Speaker 1: a ship to the Machine city so that as he 494 00:27:01,840 --> 00:27:04,000 Speaker 1: now knows that he needs to be there and not 495 00:27:04,160 --> 00:27:07,160 Speaker 1: in Zions, so they're trying to separate. After a little 496 00:27:07,160 --> 00:27:09,560 Speaker 1: bit of an argument, Niobe gives him her ship as 497 00:27:09,600 --> 00:27:12,200 Speaker 1: she too had a visit with the Oracle, and though 498 00:27:12,200 --> 00:27:16,520 Speaker 1: not a believer in the One, believes in Neo. As 499 00:27:16,520 --> 00:27:18,760 Speaker 1: they part way, so we see that Baine has stuck 500 00:27:18,800 --> 00:27:20,879 Speaker 1: on the ship with Neo and the other crew members 501 00:27:20,880 --> 00:27:23,680 Speaker 1: discovered the body of the one who was killed. Oh 502 00:27:23,720 --> 00:27:26,919 Speaker 1: no um. Though they now know Neo is in danger, 503 00:27:27,119 --> 00:27:29,000 Speaker 1: they had to continue their way to Zion or it 504 00:27:29,040 --> 00:27:32,360 Speaker 1: will be too late. So right row, Neo and Trinity 505 00:27:32,440 --> 00:27:36,080 Speaker 1: are ambushed by Baine slash Smith who Baine who Neo 506 00:27:36,160 --> 00:27:38,760 Speaker 1: discovers a Smith and we have another great scene with 507 00:27:38,840 --> 00:27:42,359 Speaker 1: Neo being blinded and killing Bain in the most explosive 508 00:27:42,359 --> 00:27:44,840 Speaker 1: type of manner. But it's okay because now Neo can 509 00:27:44,840 --> 00:27:48,320 Speaker 1: truly see, so we're good. But Trinity now has to 510 00:27:48,359 --> 00:27:50,439 Speaker 1: pilot the ship As they make their way to the 511 00:27:50,480 --> 00:27:52,480 Speaker 1: Machine City. We get to see the beautiful sky for 512 00:27:52,520 --> 00:27:55,000 Speaker 1: a second, but then they plummet back down. As they 513 00:27:55,040 --> 00:27:57,560 Speaker 1: make their way into the center, they crash, which kills 514 00:27:57,600 --> 00:28:00,240 Speaker 1: Trinity slowly by the way, but she's a will to 515 00:28:00,240 --> 00:28:02,679 Speaker 1: confess her love to Neo and as she takes her 516 00:28:02,680 --> 00:28:06,160 Speaker 1: final breath, back to the other captains and the Hammer, 517 00:28:06,160 --> 00:28:08,960 Speaker 1: which is the ship they're currently on with Niobe at 518 00:28:09,000 --> 00:28:12,320 Speaker 1: the helm, they fly through perilous ways as they're being 519 00:28:12,359 --> 00:28:14,639 Speaker 1: attacked and the signals are trying to stop them from 520 00:28:14,680 --> 00:28:17,760 Speaker 1: returning to Zion, but we see all the action happening 521 00:28:17,760 --> 00:28:20,080 Speaker 1: all on the docks as well of Zion trying to 522 00:28:20,160 --> 00:28:22,720 Speaker 1: keep the machines out of the main city. So many 523 00:28:22,840 --> 00:28:25,960 Speaker 1: die trying to fend off the mini mini machines, but 524 00:28:26,040 --> 00:28:27,760 Speaker 1: they hear that the Hammer is coming in. The team 525 00:28:27,840 --> 00:28:29,760 Speaker 1: up to open the way for the Hammer to come in. 526 00:28:30,240 --> 00:28:33,240 Speaker 1: Niobe's skilled piloting brings them in, which allows them to 527 00:28:33,359 --> 00:28:35,399 Speaker 1: use the e MP to kill all the machines in 528 00:28:35,440 --> 00:28:39,560 Speaker 1: the city. However, the commander is not too happy as 529 00:28:39,560 --> 00:28:43,120 Speaker 1: it also kills all the defenses and leaves them vulnerable 530 00:28:43,160 --> 00:28:45,560 Speaker 1: for more attacks. And oh my god, we see the 531 00:28:45,600 --> 00:28:49,520 Speaker 1: giant swarm of machines coming to destroy Zion. But back 532 00:28:49,560 --> 00:28:51,440 Speaker 1: to Neo, who has made it to the center and 533 00:28:51,480 --> 00:28:54,160 Speaker 1: bargains with the Machine, who agrees and sends him back 534 00:28:54,160 --> 00:28:58,200 Speaker 1: into the Matrix to fight Smith. Another epic fight ensues 535 00:28:58,840 --> 00:29:00,880 Speaker 1: a lot of interesting effects. I do like the rain 536 00:29:00,920 --> 00:29:04,719 Speaker 1: scene and they make for pretty sounds, with Neo giving 537 00:29:04,880 --> 00:29:08,160 Speaker 1: up and being taken over by Smith, which then the 538 00:29:08,240 --> 00:29:11,880 Speaker 1: machine uses to infiltrate and explode all the other Smiths, 539 00:29:12,080 --> 00:29:15,640 Speaker 1: defeating him and ultimately killing Neo as well. So Neo 540 00:29:15,720 --> 00:29:20,160 Speaker 1: sacrificed himself. But with the deal made by Neo, this 541 00:29:20,200 --> 00:29:22,600 Speaker 1: stops the war with the Truth, and we see all 542 00:29:22,640 --> 00:29:26,080 Speaker 1: the machines leaving Zion, and as Zion celebrates in relief, 543 00:29:26,160 --> 00:29:28,840 Speaker 1: we see that the Matrix is rebooted and the return 544 00:29:28,880 --> 00:29:32,360 Speaker 1: of the Oracle, Sati and Seraf. As it ends, we 545 00:29:32,480 --> 00:29:35,040 Speaker 1: watched the Oracle and Architect, who by the way, is 546 00:29:35,080 --> 00:29:38,400 Speaker 1: the one at the source remember, who had referred to 547 00:29:38,440 --> 00:29:41,560 Speaker 1: themselves as the Mother and the Father of the Matrix, 548 00:29:42,000 --> 00:29:44,960 Speaker 1: discussed the current state of truth, allowing for peace for 549 00:29:45,120 --> 00:29:47,760 Speaker 1: quote as long as it can and the humans who 550 00:29:47,800 --> 00:29:50,800 Speaker 1: desire to be unplugged to do so. We also see Sati, 551 00:29:50,840 --> 00:29:53,760 Speaker 1: who has made a beautiful sunset to honor Neo, asking 552 00:29:53,760 --> 00:29:56,040 Speaker 1: me if they would ever see Neo again, to which 553 00:29:56,240 --> 00:29:59,720 Speaker 1: the Oracle replies, I think so, and it ends with 554 00:29:59,760 --> 00:30:02,520 Speaker 1: the Bay says of belief, meaning if not knowing for 555 00:30:02,560 --> 00:30:04,640 Speaker 1: sure if it would in this way, but believing it would, 556 00:30:04,680 --> 00:30:08,160 Speaker 1: because that's how she said when Sarah asked her, did 557 00:30:08,200 --> 00:30:11,560 Speaker 1: you know? And she says, I didn't, but I believed. Um. 558 00:30:11,600 --> 00:30:20,360 Speaker 1: So that's Finn or is it or is it? Gosh? 559 00:30:20,800 --> 00:30:22,960 Speaker 1: There will be a test at the end of this one. Listeners, 560 00:30:22,960 --> 00:30:40,400 Speaker 1: this is this is a lot. We finally arrive at 561 00:30:40,400 --> 00:30:44,760 Speaker 1: The Matrix Directions, which is a one American sci fi 562 00:30:44,800 --> 00:30:47,320 Speaker 1: action movie that is directed and produced and co written 563 00:30:47,320 --> 00:30:50,479 Speaker 1: by Lana Wachowski. Kana Reeves and Carrie and Fisher reprised 564 00:30:50,520 --> 00:30:53,640 Speaker 1: their roles of Neo and Trinity, and Jada Pinkett Smith 565 00:30:53,800 --> 00:30:56,560 Speaker 1: as a much older Naobe. I forgot how bad as 566 00:30:56,600 --> 00:30:59,600 Speaker 1: she is in those movies. Man, it's a good pilot. 567 00:31:00,120 --> 00:31:04,160 Speaker 1: So Lambert Wilson as the Maravenian returns and a plethora 568 00:31:04,280 --> 00:31:07,760 Speaker 1: of new actors playing old characters, including Yaha abdulma Team 569 00:31:07,880 --> 00:31:11,719 Speaker 1: the Second as Morpheus, Priyanka Chopra Jonas as Sati, and 570 00:31:11,920 --> 00:31:14,840 Speaker 1: Jonathan Groff as Agent Smith, and play of new characters 571 00:31:14,880 --> 00:31:18,560 Speaker 1: like Jessica Henwick as Bugs and Neil Patrick Harris as 572 00:31:18,680 --> 00:31:23,000 Speaker 1: the Analyst. Okay, but yeah, the plot is confusing to condense, 573 00:31:23,280 --> 00:31:26,600 Speaker 1: but essentially, this movie picks up sixty years after the 574 00:31:26,640 --> 00:31:30,440 Speaker 1: events of Matrix Revolutions Um, though in the Matrix construct 575 00:31:30,720 --> 00:31:34,920 Speaker 1: in the film has been twenty years okay um Neo 576 00:31:35,520 --> 00:31:38,240 Speaker 1: once again going by the name Thomas Anderson, is a 577 00:31:38,240 --> 00:31:42,440 Speaker 1: successful video game developer for the company Do Makina, who 578 00:31:42,480 --> 00:31:45,520 Speaker 1: created the hit series of The Matrix and is now 579 00:31:45,640 --> 00:31:48,360 Speaker 1: working on a series called Binary. But he has trouble 580 00:31:48,400 --> 00:31:52,760 Speaker 1: distinguishing reality from fiction, and as the audience, you do too, 581 00:31:52,840 --> 00:31:55,800 Speaker 1: and I think that's very purposeful. But um, Ever since 582 00:31:55,840 --> 00:31:59,400 Speaker 1: he's tried to fly by stepping off the roof out 583 00:31:59,400 --> 00:32:01,520 Speaker 1: in a wards there simony, he's been in therapy and 584 00:32:01,560 --> 00:32:04,800 Speaker 1: he takes blue pills. His therapist, played by Neil Patrick 585 00:32:04,840 --> 00:32:08,920 Speaker 1: Harris prescribes many of his episodes involve him believing the 586 00:32:08,920 --> 00:32:11,120 Speaker 1: Matrix is real and that he is, in fact Neo 587 00:32:11,280 --> 00:32:15,080 Speaker 1: and is once again trapped in a virtual world. There 588 00:32:15,080 --> 00:32:17,600 Speaker 1: are hints at the Matrix everywhere, including the therapist. Black 589 00:32:17,640 --> 00:32:20,960 Speaker 1: Cat Deja Vu is its name, though it's implied this 590 00:32:21,000 --> 00:32:23,920 Speaker 1: is an instance of life influencing art, as in he 591 00:32:23,920 --> 00:32:26,160 Speaker 1: didn't like the cat, so he named something in his 592 00:32:26,240 --> 00:32:29,360 Speaker 1: game based on the cat. And there is a woman 593 00:32:29,440 --> 00:32:32,840 Speaker 1: named Tiffany played by Carrie in Moss who Neo keeps 594 00:32:33,360 --> 00:32:38,800 Speaker 1: running into at a coffee shop named simulatte Uh. Tiffany 595 00:32:39,080 --> 00:32:43,360 Speaker 1: is married mom, and she does remind you of Trinity, 596 00:32:43,480 --> 00:32:47,040 Speaker 1: and the two strike up a friendship. Neo is informed 597 00:32:47,080 --> 00:32:49,120 Speaker 1: by his boss that they are making a new matrix game, 598 00:32:49,160 --> 00:32:52,239 Speaker 1: despite the fact that Neo refused to do so and 599 00:32:52,320 --> 00:32:55,640 Speaker 1: doesn't want to do so. In the brainstorming process, Neo 600 00:32:55,720 --> 00:32:58,000 Speaker 1: starts to feel like he's on a treadmill getting nowhere 601 00:32:58,560 --> 00:33:01,720 Speaker 1: stops taking his pills. At the same time, he is 602 00:33:01,760 --> 00:33:04,880 Speaker 1: secretly running a modal Um, which for our purposes is 603 00:33:04,920 --> 00:33:09,200 Speaker 1: basically a simulation used to develop game characters. UH. It 604 00:33:09,320 --> 00:33:11,520 Speaker 1: is running on a loop, playing at the moment where 605 00:33:11,520 --> 00:33:14,040 Speaker 1: Trinity discovered Neo over and over again, but something's kind 606 00:33:14,040 --> 00:33:18,760 Speaker 1: of off about it. Real world Rebel Bugs discovers it 607 00:33:19,000 --> 00:33:22,520 Speaker 1: and a computer program embodying Morpheus in there, and she 608 00:33:22,680 --> 00:33:27,160 Speaker 1: rescues this UH program Morpheus. They also learned that Neo 609 00:33:27,360 --> 00:33:29,920 Speaker 1: is alive and in the matrix and make plans to 610 00:33:29,960 --> 00:33:33,960 Speaker 1: extract him. After I botched first attempt, Neo describes to 611 00:33:34,000 --> 00:33:36,120 Speaker 1: try his hand at flying again, only for Bugs stop 612 00:33:36,240 --> 00:33:38,440 Speaker 1: him and get him out, and it's revealed his boss 613 00:33:39,080 --> 00:33:42,600 Speaker 1: is Agent Smith, so he's like Boss at the Game 614 00:33:42,720 --> 00:33:48,080 Speaker 1: Company played by Jonathan Groff is Agent Smith. Okay, So, 615 00:33:49,120 --> 00:33:52,160 Speaker 1: Neo awakes in a pod and sees Trinity in the 616 00:33:52,160 --> 00:33:54,760 Speaker 1: pod next to him, but she has not rescued. He 617 00:33:54,800 --> 00:33:57,240 Speaker 1: has taken to a new human city that is led 618 00:33:57,240 --> 00:34:00,800 Speaker 1: by General Iobi, who tells Neo that thanks to him 619 00:34:00,840 --> 00:34:03,280 Speaker 1: and his efforts, some machines have defected and joined up 620 00:34:03,320 --> 00:34:07,000 Speaker 1: with the humans, something many never believe possible. Neo a 621 00:34:07,040 --> 00:34:09,239 Speaker 1: snob to allow him to try to rescue Trinity, but 622 00:34:09,280 --> 00:34:12,480 Speaker 1: she refuses, locking him up. With the help of Bugs 623 00:34:12,480 --> 00:34:14,520 Speaker 1: and crew at, Neo escapes in the inner of the Matrix, 624 00:34:14,560 --> 00:34:17,600 Speaker 1: where they encounter a bunch of exile programs, including Smith, 625 00:34:17,920 --> 00:34:20,880 Speaker 1: who is now kind of a Silicon Valley bro and 626 00:34:21,280 --> 00:34:24,360 Speaker 1: the Mayor of Engine. They want to return the Matrix 627 00:34:24,400 --> 00:34:28,440 Speaker 1: to its original form. In the ensuing fight, Neo slowly 628 00:34:28,480 --> 00:34:32,880 Speaker 1: recovers his abilities, the flight still eludes him. They locate Trinity, 629 00:34:32,920 --> 00:34:36,440 Speaker 1: but Neo's therapist, who reveals he's a program called the 630 00:34:36,520 --> 00:34:41,799 Speaker 1: Analyst who can manipulate time. He's got his villain monologue, 631 00:34:41,920 --> 00:34:44,840 Speaker 1: telling Neo He was created to study the human psyche, 632 00:34:44,880 --> 00:34:48,239 Speaker 1: and after Trinity and Neo's death, he resurrected them to 633 00:34:48,320 --> 00:34:51,560 Speaker 1: study them, eventually realizing that if he suppressed their memories, 634 00:34:51,560 --> 00:34:54,759 Speaker 1: that kept them close enough to each other that they 635 00:34:54,760 --> 00:34:58,279 Speaker 1: were like almost always touching, but not quite. This was 636 00:34:58,360 --> 00:35:01,520 Speaker 1: the most effective way to run the Matrix. It was 637 00:35:01,560 --> 00:35:04,120 Speaker 1: the most efficient. When Neo was freed from his pod, 638 00:35:04,160 --> 00:35:07,080 Speaker 1: it triggered a fail safe reboot, but the analyst convinced 639 00:35:07,160 --> 00:35:10,439 Speaker 1: his bosses to put it off that Neo would voluntarily 640 00:35:10,600 --> 00:35:14,040 Speaker 1: return if he's threatened to kill Trenity. Neo and co 641 00:35:14,239 --> 00:35:17,160 Speaker 1: make a very complicated plan to free Trinity, and Neo 642 00:35:17,239 --> 00:35:19,000 Speaker 1: makes a deal out of Trinity decides to stay in 643 00:35:19,000 --> 00:35:21,680 Speaker 1: the Matrix rather than wake up he will return to 644 00:35:21,719 --> 00:35:25,319 Speaker 1: his pod voluntarily. A confrontation in Zu's it looks like 645 00:35:25,360 --> 00:35:28,960 Speaker 1: all is lost, but then Trinity reclaims her identity. The 646 00:35:29,000 --> 00:35:31,400 Speaker 1: analyst tries to kill her, but it is attacked by Smith, 647 00:35:31,400 --> 00:35:34,000 Speaker 1: who is angry that he was trapped in the Matrix too. 648 00:35:34,640 --> 00:35:38,520 Speaker 1: A big end fight follows, and when cornered, Neo and 649 00:35:38,520 --> 00:35:40,520 Speaker 1: Trinity jump off a building, but it turns out now 650 00:35:40,640 --> 00:35:45,239 Speaker 1: Trinity can fly. Trinity has control over the matrix UM 651 00:35:45,360 --> 00:35:47,880 Speaker 1: and she and Neo returned to confront the analysts and 652 00:35:47,920 --> 00:35:49,640 Speaker 1: tell him they are going to make the matrix as 653 00:35:49,680 --> 00:35:54,279 Speaker 1: they see fit, and then they fly away together the end. 654 00:35:56,960 --> 00:35:58,920 Speaker 1: So far as yeah, like he said to me, this 655 00:35:59,000 --> 00:36:01,360 Speaker 1: gotten Mixture of you was, but it definitely has a 656 00:36:01,360 --> 00:36:05,560 Speaker 1: lot of interesting stuff going on. Also, after repeatedly saying 657 00:36:05,600 --> 00:36:07,640 Speaker 1: they did not want Tous equal to the matrix after 658 00:36:07,719 --> 00:36:11,279 Speaker 1: Matrix revolutions, Lana Wachowski says she came up with this 659 00:36:11,320 --> 00:36:13,480 Speaker 1: idea one night when she couldn't sleep after her parents 660 00:36:13,560 --> 00:36:16,160 Speaker 1: one of her best friends died in twenty nineteen in 661 00:36:16,239 --> 00:36:20,000 Speaker 1: separate instances, and she said it was comforting to return 662 00:36:20,040 --> 00:36:23,839 Speaker 1: to these characters. And that's where all this idea came from. 663 00:36:23,960 --> 00:36:28,600 Speaker 1: And so, first of all, listeners, thank you for sticking around. 664 00:36:29,239 --> 00:36:31,960 Speaker 1: There's a lot, but there are a lot of interesting 665 00:36:32,000 --> 00:36:36,000 Speaker 1: things when it comes to feminism around these um I 666 00:36:36,040 --> 00:36:38,520 Speaker 1: did want to touch on, you know, speaking of returning 667 00:36:38,560 --> 00:36:41,960 Speaker 1: to characters that are comforting to you. This movie is 668 00:36:42,000 --> 00:36:46,319 Speaker 1: extremely meta. This new one is extremely so meta. It's 669 00:36:46,480 --> 00:36:53,239 Speaker 1: very nostalgic. Christina Ricci pops up as Gwyndevere, which I thought, 670 00:36:53,280 --> 00:36:55,480 Speaker 1: I mean, these movies have always been very symbolic. There's 671 00:36:55,520 --> 00:37:00,840 Speaker 1: a lot thought around, you know, the names that people choose. 672 00:37:00,920 --> 00:37:05,080 Speaker 1: But also I remember my friend Katie's mom gave me 673 00:37:05,120 --> 00:37:08,279 Speaker 1: a book of like the Religion of the Matrix. It 674 00:37:08,360 --> 00:37:11,760 Speaker 1: is very like Neo the one Jesus you got signing, 675 00:37:11,960 --> 00:37:16,640 Speaker 1: like all of these things. I loved makin a Binary. 676 00:37:16,719 --> 00:37:18,799 Speaker 1: It's very on the nose with a lot of what 677 00:37:18,920 --> 00:37:22,840 Speaker 1: it's doing. I mean, I told you like when I 678 00:37:23,000 --> 00:37:26,040 Speaker 1: originally watched the sort, when this origion that came out, 679 00:37:26,200 --> 00:37:28,480 Speaker 1: I was really big into the Christian world and we 680 00:37:28,520 --> 00:37:30,200 Speaker 1: were teaching a lot of different courses, and of course 681 00:37:30,200 --> 00:37:32,879 Speaker 1: it had to be relevant, and at that point in time, 682 00:37:33,000 --> 00:37:36,560 Speaker 1: Matrix was very, very relevant, and it was used for 683 00:37:36,719 --> 00:37:40,799 Speaker 1: curriculums literally to teach about Jesus and being what it 684 00:37:40,840 --> 00:37:43,839 Speaker 1: looks like to have a savior and being unplugged, so 685 00:37:44,120 --> 00:37:46,480 Speaker 1: getting out of the secular world into the Christian world 686 00:37:46,480 --> 00:37:48,719 Speaker 1: and what that really looks like like it really made 687 00:37:48,719 --> 00:37:51,439 Speaker 1: a flip. And when I was reading about these things, 688 00:37:51,680 --> 00:37:55,839 Speaker 1: they said, there's thousands upon thousands of essays based on 689 00:37:55,920 --> 00:37:58,600 Speaker 1: these movies. To the point that the writer, I think 690 00:37:58,640 --> 00:38:00,799 Speaker 1: it was the box writer, that we're gonna talk about 691 00:38:00,840 --> 00:38:03,520 Speaker 1: a minute, so they couldn't find all of them, and 692 00:38:03,719 --> 00:38:06,600 Speaker 1: it was just like a very rough like look to it. 693 00:38:06,960 --> 00:38:09,680 Speaker 1: And of course it has. It has been translated into 694 00:38:09,840 --> 00:38:13,960 Speaker 1: so many whether it's conspiracy theories and or awakening ideas 695 00:38:14,239 --> 00:38:16,480 Speaker 1: and or any of these things. It has led to 696 00:38:16,600 --> 00:38:19,799 Speaker 1: a lot of reckoning within our culture, to the point 697 00:38:19,800 --> 00:38:23,640 Speaker 1: that the Matrix is literally people know what you're referring to? 698 00:38:24,120 --> 00:38:27,640 Speaker 1: Are we in the Matrix? Yeah? They had a huge 699 00:38:27,680 --> 00:38:31,640 Speaker 1: cultural impact. I mean, if if you somehow missed it, listeners, 700 00:38:32,120 --> 00:38:34,960 Speaker 1: everyone was quoting them. Everyone was doing the bullet time 701 00:38:35,000 --> 00:38:38,640 Speaker 1: stince discussing what they meant if it was possible we 702 00:38:38,640 --> 00:38:42,520 Speaker 1: were living in a computer simulation. It changed film technology 703 00:38:42,520 --> 00:38:45,279 Speaker 1: and film at large when they came out. These did 704 00:38:45,280 --> 00:38:48,120 Speaker 1: come out when we were slowly getting more and more people. 705 00:38:48,120 --> 00:38:50,000 Speaker 1: We'd had the Internet in our homes for a while, 706 00:38:50,120 --> 00:38:54,360 Speaker 1: more and more people had computers or phones. It was 707 00:38:54,560 --> 00:38:58,000 Speaker 1: like technologically kind of happening alongside, and we did have 708 00:38:58,080 --> 00:39:02,160 Speaker 1: these questions. So the commentary on the DVD for The 709 00:39:02,200 --> 00:39:06,560 Speaker 1: Matrix is the most awkward commentary I've ever heard. I 710 00:39:06,640 --> 00:39:08,919 Speaker 1: don't normally listen to DVD commentaries, but like I said, 711 00:39:08,920 --> 00:39:11,600 Speaker 1: I was a huge fan. And it was between like 712 00:39:11,600 --> 00:39:13,560 Speaker 1: the special effects guy who came up with bullet Time 713 00:39:13,560 --> 00:39:15,480 Speaker 1: and one of the producers and they got in like 714 00:39:15,560 --> 00:39:18,560 Speaker 1: a fight in the middle and there was just silence 715 00:39:18,640 --> 00:39:23,399 Speaker 1: for about thirty minutes. So if you want to if 716 00:39:23,400 --> 00:39:28,960 Speaker 1: you love that awkwardness, that's for you. But it's it's intense. 717 00:39:29,520 --> 00:39:31,680 Speaker 1: And then the producer tried to make amends and he 718 00:39:31,719 --> 00:39:38,440 Speaker 1: was like, I like that effect, and the guy was like, anyway, 719 00:39:38,760 --> 00:39:43,080 Speaker 1: in this new movie, there is a whole scene where 720 00:39:43,080 --> 00:39:46,040 Speaker 1: there's a brainstorming session where they asked, like what did 721 00:39:46,040 --> 00:39:47,960 Speaker 1: people like about the matrix and they you know, say 722 00:39:48,000 --> 00:39:52,560 Speaker 1: like bullet time or the big fight scenes, or that 723 00:39:52,719 --> 00:39:55,880 Speaker 1: it messed with your head, or that it was about 724 00:39:56,320 --> 00:40:03,560 Speaker 1: trans rights. And that has been one of the conversations 725 00:40:03,600 --> 00:40:09,080 Speaker 1: around these because when we're looking at, you know, directly 726 00:40:09,200 --> 00:40:13,880 Speaker 1: or not how people interpreted this um some people did think, 727 00:40:13,960 --> 00:40:17,319 Speaker 1: you know, it's trans politics and you know the dead 728 00:40:17,400 --> 00:40:20,280 Speaker 1: naming real name when Neo says like, my name is Neo. 729 00:40:21,160 --> 00:40:24,479 Speaker 1: And after Lana and Lily transition, this became a really 730 00:40:24,480 --> 00:40:28,680 Speaker 1: popular interpretation of the meaning of the first three, which 731 00:40:28,719 --> 00:40:31,800 Speaker 1: is directly commented on in the meta First act of 732 00:40:31,840 --> 00:40:34,440 Speaker 1: Resurrections when the developer says, like, yes, the Matrix was 733 00:40:34,480 --> 00:40:38,920 Speaker 1: about trans politics. The characters switch was written as trans 734 00:40:38,920 --> 00:40:41,719 Speaker 1: in the first movie, but the depiction was changed at 735 00:40:41,719 --> 00:40:44,960 Speaker 1: the last minute because the studio was confused. And in 736 00:40:45,000 --> 00:40:49,000 Speaker 1: the documentary Disclosure, Lily Wachowski said, the Matrix was all 737 00:40:49,000 --> 00:40:51,920 Speaker 1: about the desire for transformation, but it was all coming 738 00:40:51,960 --> 00:40:55,960 Speaker 1: from a closeted point of view. That was a huge 739 00:40:56,080 --> 00:40:59,000 Speaker 1: deal and coming a lot later, we kind of had 740 00:40:59,040 --> 00:41:01,560 Speaker 1: this conversation you and because when it came out it 741 00:41:01,600 --> 00:41:04,880 Speaker 1: was the Watowski brothers um and I was like, huh, 742 00:41:04,880 --> 00:41:07,160 Speaker 1: how does the sport because they made a huge name 743 00:41:07,200 --> 00:41:09,759 Speaker 1: for themselves and both of them transition. Of course, it 744 00:41:09,800 --> 00:41:12,719 Speaker 1: was a few years apart when they came out it's 745 00:41:12,760 --> 00:41:14,759 Speaker 1: beautiful and I'm like, well, this is amazing. I love 746 00:41:14,800 --> 00:41:17,560 Speaker 1: claiming this for the trans community because it really does 747 00:41:17,640 --> 00:41:20,120 Speaker 1: feel like, huh, there's a lot to be said when 748 00:41:20,120 --> 00:41:23,160 Speaker 1: you see the background. Now. Of course I don't think 749 00:41:23,600 --> 00:41:25,479 Speaker 1: they did say this, but I don't think they tried 750 00:41:25,520 --> 00:41:29,000 Speaker 1: to push that as what they were trying to say. 751 00:41:29,480 --> 00:41:31,759 Speaker 1: To the point, like there has been an argument about 752 00:41:31,800 --> 00:41:35,839 Speaker 1: who's claiming the movie for what it was, and of course, 753 00:41:36,239 --> 00:41:39,120 Speaker 1: being from that religious background, seeing this now, I'm not 754 00:41:39,120 --> 00:41:46,120 Speaker 1: gonna lie, I smile knowing that they were wrong. Yeah. Well, 755 00:41:46,120 --> 00:41:48,560 Speaker 1: it's funny because they've both been pretty outspoken about how 756 00:41:49,480 --> 00:41:53,520 Speaker 1: it kind of annoys them when people are so like, 757 00:41:54,400 --> 00:41:58,000 Speaker 1: what does the matrix mean? Um, and all all of 758 00:41:58,040 --> 00:42:00,840 Speaker 1: these examinations into it, and I think it's funny that 759 00:42:00,880 --> 00:42:04,520 Speaker 1: they sort of well they talk about it at the 760 00:42:04,560 --> 00:42:07,560 Speaker 1: beginning of resurrections of I think somebody says like, I 761 00:42:07,640 --> 00:42:08,920 Speaker 1: don't want to I don't want to have to have 762 00:42:09,000 --> 00:42:16,640 Speaker 1: a syllables to understand this game, but it is. Yeah, yeah, 763 00:42:16,760 --> 00:42:19,520 Speaker 1: it wasn't interesting. How let me put this when I 764 00:42:19,520 --> 00:42:21,719 Speaker 1: said they were wrong, I mean the Christian world was wrong, 765 00:42:21,760 --> 00:42:25,320 Speaker 1: but that that narrative, not the trance community, the narrative 766 00:42:25,320 --> 00:42:27,160 Speaker 1: of the Christian because I think I said that weirdly. 767 00:42:28,320 --> 00:42:30,879 Speaker 1: Yeah no, no, no, no, yeah, And then we're gonna 768 00:42:30,880 --> 00:42:34,400 Speaker 1: have returned to that in a second, because that's another 769 00:42:34,440 --> 00:42:37,160 Speaker 1: thing that I think it's been very frustrating as how 770 00:42:37,200 --> 00:42:40,920 Speaker 1: this has been co opted and completely used in a 771 00:42:40,960 --> 00:42:47,080 Speaker 1: way that was not the intent. Right, there are several 772 00:42:47,120 --> 00:42:52,239 Speaker 1: conversations around binary in in this new one, and even 773 00:42:52,280 --> 00:42:53,759 Speaker 1: if it comes down to the pill, you know, the 774 00:42:53,800 --> 00:42:57,399 Speaker 1: red or the blue. There's also the casting of two 775 00:42:57,440 --> 00:43:01,560 Speaker 1: gay men, Groff and Harris, as villains. While there's been 776 00:43:01,640 --> 00:43:04,600 Speaker 1: a very long and troubled history of having queer coded villains, 777 00:43:05,280 --> 00:43:08,200 Speaker 1: this choice seems very purposeful for Smith. Some of you 778 00:43:08,320 --> 00:43:11,600 Speaker 1: Hugo weavings betrayal of him in the original. That's sort 779 00:43:11,600 --> 00:43:14,560 Speaker 1: of a closeted like Preacher, a priest kind of thing, 780 00:43:14,920 --> 00:43:20,080 Speaker 1: self loathing, very conversion therapy type, like he just loves Yeah, 781 00:43:20,120 --> 00:43:23,000 Speaker 1: he hates himself. It's like dripping off of him. He's 782 00:43:23,000 --> 00:43:25,880 Speaker 1: always trying to squash anything outside of the accepted quote 783 00:43:25,960 --> 00:43:30,439 Speaker 1: natural order in resurrections. Many interpreted Groff is playing him 784 00:43:30,480 --> 00:43:33,240 Speaker 1: as out of the closet um and there are many 785 00:43:33,320 --> 00:43:38,759 Speaker 1: lines directly commenting on Neo and Agent smith shipping, which, well, 786 00:43:38,800 --> 00:43:40,879 Speaker 1: I that's when I was thinking of that video game 787 00:43:40,960 --> 00:43:44,840 Speaker 1: I am the alphits here. Omega's a different with the 788 00:43:44,880 --> 00:43:50,359 Speaker 1: fan fiction world now, oh dear, oh dear, oh nearro dear, 789 00:43:54,120 --> 00:43:57,480 Speaker 1: an infinite space thing, but maybe not come on, but 790 00:43:57,640 --> 00:44:00,040 Speaker 1: kind of going back to your point. They've also the 791 00:44:00,040 --> 00:44:05,040 Speaker 1: Witchaskis have also said, while like the reading of trans 792 00:44:05,360 --> 00:44:08,680 Speaker 1: rights and trance politics is you know, definitely part of it. 793 00:44:08,840 --> 00:44:13,520 Speaker 1: It's not it was like meant to be, not just that, 794 00:44:13,640 --> 00:44:16,640 Speaker 1: like also gay men also, like you know, everybody under 795 00:44:16,680 --> 00:44:21,120 Speaker 1: the queer umbrella, but that it was purposeful the the 796 00:44:21,239 --> 00:44:26,120 Speaker 1: casting choice here and including gay men because as the 797 00:44:26,160 --> 00:44:29,000 Speaker 1: audience we know, you know all these are two very 798 00:44:29,080 --> 00:44:32,520 Speaker 1: well known gay men. Some even think that having the 799 00:44:32,640 --> 00:44:36,960 Speaker 1: game series the matrix in the movie symbolized rainbow capitalism 800 00:44:36,960 --> 00:44:41,759 Speaker 1: are performative LGBTQ plus ally ship, which I thought was 801 00:44:41,760 --> 00:44:48,000 Speaker 1: an interesting, interesting interpretation the original movies they really did 802 00:44:48,160 --> 00:44:52,800 Speaker 1: believe in like that was a statement against capitalism in itself, 803 00:44:53,000 --> 00:44:55,319 Speaker 1: like they to that point, and I'm like, oh, and 804 00:44:55,400 --> 00:44:57,840 Speaker 1: as a high school are coming into college, I didn't 805 00:44:57,880 --> 00:45:00,680 Speaker 1: understand capitalism as it is, like what why are we 806 00:45:00,760 --> 00:45:03,680 Speaker 1: raging against capitalism? It just not a very communist like 807 00:45:03,719 --> 00:45:07,080 Speaker 1: type of talk, which you know we've grown. And I'm like, oh, 808 00:45:07,120 --> 00:45:08,960 Speaker 1: I get it, I get it, I get the impact. 809 00:45:09,360 --> 00:45:10,919 Speaker 1: But at that point then that's not what I saw. 810 00:45:11,040 --> 00:45:15,240 Speaker 1: Of course, again, movies like this fit to your narrative 811 00:45:15,320 --> 00:45:17,879 Speaker 1: oftentimes it's speaks to you in that point in of view. 812 00:45:17,960 --> 00:45:20,960 Speaker 1: So for me, it was not necessarily about capitalism. But 813 00:45:21,120 --> 00:45:24,080 Speaker 1: looking back, it was it was a conversation about who 814 00:45:24,120 --> 00:45:27,200 Speaker 1: controls what and how it's controlled, and who owns what 815 00:45:27,680 --> 00:45:30,360 Speaker 1: and who's allowed what. Yes, which is a great segue 816 00:45:30,480 --> 00:45:33,279 Speaker 1: into what we need to talk about now, which is 817 00:45:34,200 --> 00:45:39,000 Speaker 1: this whole red pill um choice and systems of control. 818 00:45:40,000 --> 00:45:43,680 Speaker 1: So these movies do look at various systems of control, 819 00:45:43,680 --> 00:45:46,560 Speaker 1: whether it is capitalism or whether it is you know, 820 00:45:46,640 --> 00:45:50,640 Speaker 1: machines or drudgery or what have you. Family for women, 821 00:45:50,680 --> 00:45:54,959 Speaker 1: for example, medication therapy. Though the messages that these things 822 00:45:54,960 --> 00:45:57,279 Speaker 1: are bad, it is that if they consume you, if 823 00:45:57,320 --> 00:46:00,640 Speaker 1: you can't look beyond anything else, that's bad. Another is 824 00:46:00,680 --> 00:46:03,440 Speaker 1: rebellion in itself at how these acts get co opted 825 00:46:03,800 --> 00:46:06,359 Speaker 1: in a capitalist system and lose their meaning or even 826 00:46:06,480 --> 00:46:09,040 Speaker 1: used to further control people. And we've talked about that 827 00:46:09,080 --> 00:46:13,720 Speaker 1: with feminism before, how companies don't have good feminist track records, 828 00:46:13,920 --> 00:46:17,399 Speaker 1: but they'll still sell stuff to make money off of feminism, right, 829 00:46:17,680 --> 00:46:20,040 Speaker 1: And I think, yeah, we could add religion into there 830 00:46:20,080 --> 00:46:24,919 Speaker 1: as well, because there was that interpretation and that kind 831 00:46:24,920 --> 00:46:27,799 Speaker 1: of as you said, not everyone believes Neo was the one, 832 00:46:28,000 --> 00:46:30,080 Speaker 1: and then for the architect to say, how you're just 833 00:46:30,160 --> 00:46:34,160 Speaker 1: another system of control. That's interesting. I mean, this definitely 834 00:46:34,239 --> 00:46:38,240 Speaker 1: goes back to what our fellow watcher was talking about 835 00:46:38,280 --> 00:46:41,480 Speaker 1: with his own experience and feeling like the cult and 836 00:46:41,760 --> 00:46:44,719 Speaker 1: being part of this system, and him like seeing this 837 00:46:44,920 --> 00:46:48,920 Speaker 1: and really enlightening him to leave what he considered a 838 00:46:49,000 --> 00:46:53,600 Speaker 1: cult and finding his own way. Again though, it's really 839 00:46:53,600 --> 00:46:56,319 Speaker 1: interesting to me because I saw the flip of trying 840 00:46:56,320 --> 00:47:00,800 Speaker 1: to convert people into their belief system so again, because 841 00:47:00,800 --> 00:47:03,239 Speaker 1: that would be morphous. Morpheus is the prophet who's trying 842 00:47:03,239 --> 00:47:05,440 Speaker 1: to bring it in. Neo could have been the one. 843 00:47:05,520 --> 00:47:08,400 Speaker 1: I think the idea that not only was Neo the 844 00:47:08,480 --> 00:47:12,120 Speaker 1: one that was essentially Morpheus becomes kind of a godlike 845 00:47:12,840 --> 00:47:15,239 Speaker 1: in themselves and when he becomes ahead of all of 846 00:47:15,239 --> 00:47:18,439 Speaker 1: the things, so a lot of conversations to be had 847 00:47:18,520 --> 00:47:21,480 Speaker 1: and whether and also Smith taking over all of those 848 00:47:21,719 --> 00:47:40,920 Speaker 1: others becoming his own god or savior. Yeah, one of 849 00:47:40,960 --> 00:47:43,200 Speaker 1: the things I would love to talk about at length, 850 00:47:43,400 --> 00:47:47,560 Speaker 1: but we don't have the time now. But one I 851 00:47:47,800 --> 00:47:51,880 Speaker 1: was really influenced by how these movies explained choice um 852 00:47:51,880 --> 00:47:55,440 Speaker 1: and destiny and fate should also be another another thing 853 00:47:55,440 --> 00:47:59,920 Speaker 1: of control, but I don't know. It just really influenced 854 00:48:00,000 --> 00:48:04,719 Speaker 1: how I how I think about that whole thing. But yeah, 855 00:48:05,000 --> 00:48:09,680 Speaker 1: um so, as you said, people will a lot of 856 00:48:09,719 --> 00:48:12,600 Speaker 1: stories like this, especially if it involves like I would say, 857 00:48:12,719 --> 00:48:16,560 Speaker 1: like feelings of disempowerment and rebellion. People will see it 858 00:48:17,239 --> 00:48:21,280 Speaker 1: and make sense of it in their in their lives 859 00:48:21,280 --> 00:48:25,000 Speaker 1: and how they view it. And one of those we 860 00:48:25,080 --> 00:48:28,400 Speaker 1: have seen from these movies is the whole idea of 861 00:48:28,440 --> 00:48:32,240 Speaker 1: the red pill when it comes to like end cells 862 00:48:32,400 --> 00:48:36,600 Speaker 1: or just you know, groups like don't that don't like women. 863 00:48:39,200 --> 00:48:42,600 Speaker 1: So in this new one they comment on that too. 864 00:48:42,640 --> 00:48:47,160 Speaker 1: There's discussion of sheeople conspiracy theories, how people believe anything, 865 00:48:47,760 --> 00:48:53,160 Speaker 1: all right, Matrix fans, it's definitely implied that the people 866 00:48:53,320 --> 00:48:58,760 Speaker 1: are the people who who are believe these conspiracy theories. Yeah, 867 00:48:58,800 --> 00:49:01,759 Speaker 1: there is a definitely not so subtle simmering rage and 868 00:49:01,800 --> 00:49:05,080 Speaker 1: condemnation of Red Pill all writers. We couldn't should do 869 00:49:05,120 --> 00:49:08,839 Speaker 1: a whole episode on this, but briefly in the Matrix, yes, 870 00:49:09,000 --> 00:49:11,640 Speaker 1: taking in the blue pill means staying in a false reality. 871 00:49:11,680 --> 00:49:14,920 Speaker 1: Taking the red one means waking up, and the Wachowskis 872 00:49:14,960 --> 00:49:17,440 Speaker 1: were inspired by a scene in total recall for all 873 00:49:17,440 --> 00:49:20,960 Speaker 1: of this. Taking the Red pill also implied you got 874 00:49:20,960 --> 00:49:24,840 Speaker 1: cool fighting skills. Um, you've got to take on the man. 875 00:49:25,480 --> 00:49:28,000 Speaker 1: As the Internet and technology and concerns about AI became 876 00:49:28,040 --> 00:49:31,240 Speaker 1: more ubiquitous, it got co opted by bad faith Internet 877 00:49:31,280 --> 00:49:35,239 Speaker 1: people to mean waking up from the lies of liberalism 878 00:49:35,360 --> 00:49:39,439 Speaker 1: and democracy. The answer is fascism and hating women in 879 00:49:39,640 --> 00:49:44,000 Speaker 1: their eyes, and that you you wake up to see 880 00:49:44,040 --> 00:49:47,240 Speaker 1: that women are working against you and it's all rigged, 881 00:49:47,400 --> 00:49:51,839 Speaker 1: some systems against you. The Reddit page are slash red 882 00:49:51,840 --> 00:49:54,160 Speaker 1: pill went up in twenty twelve, though the term red 883 00:49:54,160 --> 00:49:58,000 Speaker 1: pill appilled in m R A in a post that 884 00:49:58,480 --> 00:50:02,160 Speaker 1: um contained this comment m r A being Men's right activists, 885 00:50:02,400 --> 00:50:05,080 Speaker 1: UM quote, women are the natural enemies of men, no 886 00:50:05,120 --> 00:50:07,560 Speaker 1: matter what anyone says and how good women claim to be. 887 00:50:07,800 --> 00:50:10,440 Speaker 1: That is just the truth. This will never stop, and 888 00:50:10,480 --> 00:50:16,000 Speaker 1: men will continue under the tyranny of women. Our slash 889 00:50:16,000 --> 00:50:19,600 Speaker 1: red Pill had three hundred thousand followers. The founder was 890 00:50:19,640 --> 00:50:23,120 Speaker 1: a Republican lawmaker named Robert Fisher, who once said every 891 00:50:23,120 --> 00:50:29,919 Speaker 1: woman wants to be attractive enough to be raped. So gross, 892 00:50:29,960 --> 00:50:34,839 Speaker 1: All of this is so gross. Um in. Elon Musk 893 00:50:34,880 --> 00:50:38,040 Speaker 1: tweeted take the red Pill, to which Ivanka Trump responded 894 00:50:38,280 --> 00:50:43,520 Speaker 1: taken and Lily, would you ask you responded. By the way, 895 00:50:43,560 --> 00:50:46,920 Speaker 1: when I was researching this, at one point someone claimed, 896 00:50:46,960 --> 00:50:48,319 Speaker 1: and I don't know if he did it with a 897 00:50:48,400 --> 00:50:51,560 Speaker 1: plant or what, but Elon Musk was the neo as 898 00:50:51,600 --> 00:50:56,440 Speaker 1: in like he would be the one, the one women, 899 00:50:56,480 --> 00:51:01,480 Speaker 1: I'm like, that is the biggest who who? Who said this? 900 00:51:01,600 --> 00:51:03,759 Speaker 1: And why? Why are you trying to ruin such an 901 00:51:03,760 --> 00:51:07,799 Speaker 1: amazing character with this? Yeah? Yeah, I mean that's the thing, 902 00:51:07,800 --> 00:51:11,560 Speaker 1: and it's just so tragic and frustrating. I can imagine 903 00:51:11,560 --> 00:51:14,319 Speaker 1: to have it like your work taken and us in 904 00:51:14,320 --> 00:51:20,120 Speaker 1: a way that is antithetical to who you are. He 905 00:51:20,160 --> 00:51:22,680 Speaker 1: would be the agent smith, he would be the architects 906 00:51:23,239 --> 00:51:26,600 Speaker 1: in this thing. What are y'all talking about? Right? Right? 907 00:51:26,680 --> 00:51:30,799 Speaker 1: And it's so commonplace, like to hear there's a documentary 908 00:51:30,800 --> 00:51:34,200 Speaker 1: about it. People use it in all kinds of parlance. 909 00:51:34,320 --> 00:51:37,399 Speaker 1: Is terms of phrase. Joe Rogan recently said, I took 910 00:51:37,400 --> 00:51:39,560 Speaker 1: iver mecton and it's part of my red pill regimen. 911 00:51:39,680 --> 00:51:43,239 Speaker 1: Is he drinking his own? Now? Oh lord, I don't know. 912 00:51:43,800 --> 00:51:48,759 Speaker 1: Just stay away from that, go ahead, and yeah, yeah, 913 00:51:48,760 --> 00:51:50,840 Speaker 1: as I was saying, more than scuff of this podcast. 914 00:51:50,840 --> 00:51:52,360 Speaker 1: But there's also a red Pill Black, which is a 915 00:51:52,400 --> 00:51:55,799 Speaker 1: YouTube channel by Candice Owens about anti liberal ideas around 916 00:51:55,840 --> 00:51:58,400 Speaker 1: black people. She made a big deal when she befriended 917 00:51:58,440 --> 00:52:03,080 Speaker 1: Connie she founded the organization. Yeah, it was ugly. And 918 00:52:03,360 --> 00:52:05,960 Speaker 1: when we were talking about red Pill black I said 919 00:52:06,239 --> 00:52:09,320 Speaker 1: black Pill, which we kind of mentioned earlier on another 920 00:52:09,360 --> 00:52:14,160 Speaker 1: episode in which they have taken the red pill, blue pill, 921 00:52:14,280 --> 00:52:17,760 Speaker 1: black pill, and black Pill has become a force of violence, 922 00:52:17,840 --> 00:52:21,920 Speaker 1: essentially taking down women by violence. And I was like, Wow, 923 00:52:22,320 --> 00:52:24,600 Speaker 1: that's a trend. And not only did they one up 924 00:52:24,600 --> 00:52:29,520 Speaker 1: what was already being completely tainted, uh and what was well? 925 00:52:29,960 --> 00:52:31,480 Speaker 1: And I was thinking about the super and we talked 926 00:52:31,480 --> 00:52:33,520 Speaker 1: about it because they don't overtly say it in the 927 00:52:33,640 --> 00:52:36,120 Speaker 1: new movie about who is the one that's taking the 928 00:52:36,160 --> 00:52:40,279 Speaker 1: red pill? So either side just kind of like the 929 00:52:40,280 --> 00:52:43,320 Speaker 1: original movies when it was the religious non religious either 930 00:52:43,440 --> 00:52:46,040 Speaker 1: so I could say I'm the hero in this movie, 931 00:52:46,160 --> 00:52:47,960 Speaker 1: I'm the right one in this movie because it was 932 00:52:48,000 --> 00:52:51,840 Speaker 1: never forced, like said out loud, which they shouldn't honestly 933 00:52:51,880 --> 00:52:55,719 Speaker 1: as a movie in something that's like you can't necessarily 934 00:52:55,800 --> 00:52:58,880 Speaker 1: lead the audience too much like that, I guess for 935 00:52:59,000 --> 00:53:01,040 Speaker 1: like a movie like Made Weaks, which already has the 936 00:53:01,080 --> 00:53:03,880 Speaker 1: conspiracy whatever they don't want to tell you the conspiracy. 937 00:53:03,920 --> 00:53:06,680 Speaker 1: You need to choose that for yourself. But it has 938 00:53:06,719 --> 00:53:09,720 Speaker 1: spawned so much so the black Pill has been created 939 00:53:09,760 --> 00:53:13,480 Speaker 1: as a whole other level in several different interpretations, And 940 00:53:13,520 --> 00:53:16,799 Speaker 1: the one that we mentioned in our TikTok episode was this, 941 00:53:17,160 --> 00:53:20,040 Speaker 1: which is really concerning because they're making this even worse, 942 00:53:20,200 --> 00:53:24,760 Speaker 1: like why, Yeah, it is very very concerning. And also 943 00:53:25,520 --> 00:53:27,480 Speaker 1: a point that you made in there that I think 944 00:53:27,560 --> 00:53:31,920 Speaker 1: is important is I just feel like we're seeing a 945 00:53:32,040 --> 00:53:36,919 Speaker 1: trend of mostly angry white dudes who feel like they 946 00:53:37,239 --> 00:53:41,560 Speaker 1: for some reason have been um limited in what they 947 00:53:41,560 --> 00:53:43,560 Speaker 1: can do. Are like everything that's gone wrong in their 948 00:53:43,560 --> 00:53:46,640 Speaker 1: life is because the system is against us, and that 949 00:53:46,719 --> 00:53:50,359 Speaker 1: being you know, like women, whatever it is. But it's 950 00:53:50,360 --> 00:53:53,880 Speaker 1: almost the level of LARPing and playing a game and 951 00:53:54,000 --> 00:53:58,000 Speaker 1: envisioning yourself as the hero um, which is very very 952 00:53:58,040 --> 00:54:02,920 Speaker 1: scary because that can lead to a lot of violence 953 00:54:03,760 --> 00:54:05,719 Speaker 1: and if you think, you know, you're the hero for 954 00:54:05,800 --> 00:54:09,960 Speaker 1: fighting against this system, it's just I think like the 955 00:54:10,360 --> 00:54:13,080 Speaker 1: insurrection at the Capital had that layer of it too, 956 00:54:13,360 --> 00:54:15,560 Speaker 1: people think, oh, I am the hero in this story 957 00:54:15,680 --> 00:54:19,879 Speaker 1: because I'm fighting against the system, And they also did 958 00:54:19,960 --> 00:54:22,120 Speaker 1: have a lot of the rhetoric with the Red film 959 00:54:22,560 --> 00:54:26,439 Speaker 1: h and conspiracy theories as well. Yeah, so moving on, 960 00:54:26,600 --> 00:54:30,240 Speaker 1: we did want to talk about trauma because again, women 961 00:54:30,320 --> 00:54:33,760 Speaker 1: and marginalized folks experience higher levels of trauma, and certainly 962 00:54:33,760 --> 00:54:37,160 Speaker 1: if you're taking the trans politics reading of this, there's 963 00:54:37,200 --> 00:54:38,960 Speaker 1: a lot of that going on. There's a lot of 964 00:54:39,000 --> 00:54:42,239 Speaker 1: dead naming. So in the new one, you get to 965 00:54:42,280 --> 00:54:44,760 Speaker 1: see Neo's reaction to realizing he is once again trapped 966 00:54:44,760 --> 00:54:49,040 Speaker 1: in a virtual reality, which is juxtaposed against disconcerting differences 967 00:54:49,120 --> 00:54:52,040 Speaker 1: like different actors playing the characters of Morpheus and Smith 968 00:54:52,560 --> 00:54:57,720 Speaker 1: Um that make this very upsetting and confusing experience for him. 969 00:54:57,840 --> 00:55:00,120 Speaker 1: There are flashbacks, and even if painful for you know, 970 00:55:00,239 --> 00:55:03,840 Speaker 1: sometimes these feel more real, though he fictionalizes some of 971 00:55:03,880 --> 00:55:06,560 Speaker 1: the most painful memories as something from a video game. 972 00:55:07,000 --> 00:55:09,640 Speaker 1: After the first encounter at the office with Morpheus and Smith, 973 00:55:09,719 --> 00:55:12,480 Speaker 1: Neo appears in his therapist office and he's breathing heavily, 974 00:55:12,520 --> 00:55:15,440 Speaker 1: he's clutching his genes. He's using these grounding techniques that 975 00:55:15,480 --> 00:55:18,640 Speaker 1: we've talked about, trying to grasp what is real, what 976 00:55:18,840 --> 00:55:21,160 Speaker 1: is past, and what is present. As the audience, we 977 00:55:21,200 --> 00:55:24,239 Speaker 1: are as confused as Neo Um at this juncture. Was 978 00:55:24,239 --> 00:55:26,800 Speaker 1: it all a mental break? Is the matrix real? However, 979 00:55:26,840 --> 00:55:31,080 Speaker 1: the therapist slash analyst is dismissive and controlling, kind of 980 00:55:31,120 --> 00:55:34,440 Speaker 1: like experiences we've talked about of what how damaging it 981 00:55:34,480 --> 00:55:38,960 Speaker 1: can be if you find a really bad therapist from 982 00:55:39,080 --> 00:55:41,759 Speaker 1: Emily vander Werf at vox and I hope I didn't 983 00:55:41,760 --> 00:55:44,360 Speaker 1: butcher your name quote, So let me pose it this 984 00:55:44,480 --> 00:55:47,320 Speaker 1: the matrix directions use of trauma as a seemingly trendy 985 00:55:47,360 --> 00:55:51,480 Speaker 1: buzzword is similarly in conversation with modern blockbuster culture. The 986 00:55:51,560 --> 00:55:54,520 Speaker 1: analyst invocation of trauma isn't meant as a strike against 987 00:55:54,520 --> 00:55:56,520 Speaker 1: the concept of trauma as one that blinds us to 988 00:55:56,560 --> 00:55:59,960 Speaker 1: the true nature of reality. It's a strike against any 989 00:56:00,000 --> 00:56:02,480 Speaker 1: one who would use trauma as an all purpose boogeyman. 990 00:56:02,719 --> 00:56:05,520 Speaker 1: It's a strike against trauma as a cheap storytelling device. 991 00:56:05,800 --> 00:56:08,680 Speaker 1: If we fans demand that our favorite characters return again 992 00:56:08,719 --> 00:56:11,200 Speaker 1: and again, then we never afford them any sort of 993 00:56:11,200 --> 00:56:14,239 Speaker 1: final peace or closure. We are asking them to constantly 994 00:56:14,239 --> 00:56:17,320 Speaker 1: relive their own worst moments the names of our entertainment. 995 00:56:17,960 --> 00:56:21,040 Speaker 1: We are inadvertently trapping them in a trauma spiral, and 996 00:56:21,080 --> 00:56:23,520 Speaker 1: then in stories that insist you can confront your trauma 997 00:56:23,520 --> 00:56:28,040 Speaker 1: and blow it up if you're sufficiently motivated. What's more, 998 00:56:28,040 --> 00:56:30,840 Speaker 1: the Analyst reveals late in the film that he recovered 999 00:56:30,880 --> 00:56:33,759 Speaker 1: Neo in Trinity's dead bodies and rebuilt them. He's the 1000 00:56:33,760 --> 00:56:37,080 Speaker 1: one who literally resurrected them. If we're talking about super fans, 1001 00:56:37,120 --> 00:56:40,520 Speaker 1: trapping characters and traumatic spirals, then the Analyst does that 1002 00:56:40,640 --> 00:56:43,239 Speaker 1: very thing with Neo and Trinity. He doesn't allow them 1003 00:56:43,280 --> 00:56:46,120 Speaker 1: even the closure of death. He resurrects them and forces 1004 00:56:46,200 --> 00:56:49,640 Speaker 1: them into the roles he likes best, ineffectual drones who 1005 00:56:49,680 --> 00:56:52,759 Speaker 1: are forever yearning to be together but never quite connecting. 1006 00:56:53,200 --> 00:56:55,840 Speaker 1: A new character played by Jessica Henwick, the super Rads 1007 00:56:55,920 --> 00:56:58,120 Speaker 1: ship Captain Bugs, who rescues a hero from the Matrix, 1008 00:56:58,160 --> 00:57:00,960 Speaker 1: isn't textually a mental health professional, but she serves as 1009 00:57:01,000 --> 00:57:03,120 Speaker 1: a mirror image of the analyst. She too is a 1010 00:57:03,160 --> 00:57:05,239 Speaker 1: Matrix fan, but she's a Matrix fan who wants to 1011 00:57:05,239 --> 00:57:06,840 Speaker 1: help me know, move on to another phase of his 1012 00:57:06,920 --> 00:57:09,279 Speaker 1: story and its life. She wants him to change and 1013 00:57:09,320 --> 00:57:11,879 Speaker 1: be capable of change. We can want that for him 1014 00:57:11,880 --> 00:57:16,680 Speaker 1: to well, I love that because we've talked about that 1015 00:57:16,760 --> 00:57:20,080 Speaker 1: a lot about you know, I'm about to see screen five, 1016 00:57:20,240 --> 00:57:21,840 Speaker 1: and I'm like, she's never gonna live a happy life 1017 00:57:21,840 --> 00:57:25,560 Speaker 1: as long as we're making these movies happy, and I 1018 00:57:25,560 --> 00:57:28,760 Speaker 1: want her to be happy. It's true, you know, I 1019 00:57:28,840 --> 00:57:31,800 Speaker 1: did think too, as I was saying from our beginning 1020 00:57:31,920 --> 00:57:36,120 Speaker 1: of describing all the movies, that she is at the 1021 00:57:36,160 --> 00:57:38,520 Speaker 1: beginning of this movie as the window washer. So I 1022 00:57:38,520 --> 00:57:40,880 Speaker 1: really feel like they did a parallel and making sure 1023 00:57:40,960 --> 00:57:43,080 Speaker 1: you had those two perspective because now he's not afraid 1024 00:57:43,080 --> 00:57:45,240 Speaker 1: of heis he trying to jump off but doesn't. The 1025 00:57:45,280 --> 00:57:48,680 Speaker 1: window washer watches and is unplugged. Because of that, that 1026 00:57:48,760 --> 00:57:51,600 Speaker 1: felt like very like on point to the which houses 1027 00:57:51,680 --> 00:57:54,200 Speaker 1: and what they would do, and that's how they introduced her, 1028 00:57:54,640 --> 00:57:57,400 Speaker 1: and she is now the Captain UM and her and 1029 00:57:57,520 --> 00:58:00,720 Speaker 1: Niobe are at odds because Niobe has now become more 1030 00:58:00,760 --> 00:58:03,520 Speaker 1: like the commander who she was at odds with so 1031 00:58:03,680 --> 00:58:06,800 Speaker 1: oftentimes and no longer believed. So there were so many 1032 00:58:06,840 --> 00:58:09,120 Speaker 1: things to that that I was like, it really does 1033 00:58:09,200 --> 00:58:11,720 Speaker 1: they do a good job of layering. They really do 1034 00:58:11,800 --> 00:58:15,800 Speaker 1: a good job of honoring UH these different UH players 1035 00:58:15,800 --> 00:58:19,760 Speaker 1: in the old School. Although there was something like controversy 1036 00:58:19,840 --> 00:58:22,800 Speaker 1: about where all the old characters and so a few 1037 00:58:22,840 --> 00:58:25,320 Speaker 1: of them saying, we didn't know this was happening. Congratulations, 1038 00:58:25,360 --> 00:58:29,680 Speaker 1: I guess essentially, but I think they did it really 1039 00:58:29,720 --> 00:58:33,280 Speaker 1: well and it makes sense to this point. And also 1040 00:58:33,600 --> 00:58:35,040 Speaker 1: with us, I did think it was important that we 1041 00:58:35,040 --> 00:58:38,320 Speaker 1: talked about the savior versus community, because one thing that 1042 00:58:38,400 --> 00:58:40,760 Speaker 1: can and has been co opted a lot is the 1043 00:58:40,800 --> 00:58:44,280 Speaker 1: idea of saviors or the one. Like almost every adventure 1044 00:58:44,360 --> 00:58:47,920 Speaker 1: movie we have it that one that is prophesied are 1045 00:58:48,320 --> 00:58:51,120 Speaker 1: the one which is the whole of the first movie, 1046 00:58:51,520 --> 00:58:53,680 Speaker 1: which is what we see with the Matrix. But I 1047 00:58:53,720 --> 00:58:56,200 Speaker 1: did love the other two, and in that same box 1048 00:58:56,320 --> 00:58:59,680 Speaker 1: article they mentioned loving the two just as much and 1049 00:58:59,720 --> 00:59:01,959 Speaker 1: having a while I to be like, calm down, calm down, 1050 00:59:02,160 --> 00:59:04,920 Speaker 1: don't hate me, because I really like these But because 1051 00:59:04,920 --> 00:59:06,680 Speaker 1: of what it was doing, with the fact that it 1052 00:59:06,760 --> 00:59:08,920 Speaker 1: was the community and it was a larger theme of 1053 00:59:09,280 --> 00:59:11,959 Speaker 1: battling it together, it really couldn't be just the one. 1054 00:59:12,560 --> 00:59:14,240 Speaker 1: They had to do it together or it would have 1055 00:59:14,280 --> 00:59:16,760 Speaker 1: all failed. Um and I I like that in the 1056 00:59:16,760 --> 00:59:18,320 Speaker 1: second and the third one, and they talk about the 1057 00:59:18,360 --> 00:59:20,960 Speaker 1: captains and the council who are part of the decision 1058 00:59:21,000 --> 00:59:24,240 Speaker 1: making holding things at bay Um. I also loved the 1059 00:59:24,280 --> 00:59:26,360 Speaker 1: little guy saving the day, the dude who was a 1060 00:59:26,400 --> 00:59:30,880 Speaker 1: sixteen year old that was idolized Neo but became one 1061 00:59:30,920 --> 00:59:33,280 Speaker 1: on his own and really took up the mantle to 1062 00:59:33,440 --> 00:59:36,160 Speaker 1: save the day because he was so grateful to be free. 1063 00:59:36,440 --> 00:59:38,720 Speaker 1: And then of course we have the trio the Trinity, 1064 00:59:38,800 --> 00:59:42,800 Speaker 1: Morpheus and Sarah coming in to rescue Neo. And that's 1065 00:59:42,840 --> 00:59:44,960 Speaker 1: the other part to that that I really did love 1066 00:59:45,080 --> 00:59:47,840 Speaker 1: is that Trinity is oftentimes rescuing him as much as 1067 00:59:47,960 --> 00:59:50,520 Speaker 1: she is rescuing her, and I think that needs to 1068 00:59:50,640 --> 00:59:54,480 Speaker 1: be said. I also do love the turn, and we're 1069 00:59:54,480 --> 00:59:56,600 Speaker 1: talking about this a minute in the New One where 1070 00:59:56,600 --> 01:00:00,840 Speaker 1: she becomes the one. Yeah, so let's talk about that, 1071 01:00:00,880 --> 01:00:05,720 Speaker 1: because Trinity, there's a lot of like speaking of red 1072 01:00:05,720 --> 01:00:11,120 Speaker 1: pills in this New Matrix. She is called Tiffany, she 1073 01:00:11,160 --> 01:00:14,160 Speaker 1: has kids, she's married to a guy named Chad, which 1074 01:00:14,240 --> 01:00:16,520 Speaker 1: is very in cell name. I was like, uh huh, 1075 01:00:16,640 --> 01:00:19,800 Speaker 1: see what you did there. And she just has a 1076 01:00:19,840 --> 01:00:23,840 Speaker 1: lot of interesting character notes where like there's at one 1077 01:00:23,840 --> 01:00:26,520 Speaker 1: point where she talks about how her husband laughed at 1078 01:00:26,560 --> 01:00:30,120 Speaker 1: her um at her observation that she was like Trinity 1079 01:00:30,120 --> 01:00:32,440 Speaker 1: in this game, and he was laughing as if you know, 1080 01:00:33,320 --> 01:00:37,200 Speaker 1: never you could never be and how angry that made her. 1081 01:00:37,960 --> 01:00:40,400 Speaker 1: And there's a lot of sexist language used against her 1082 01:00:40,560 --> 01:00:43,640 Speaker 1: by the analyst who says, like, why did you heal 1083 01:00:43,680 --> 01:00:46,360 Speaker 1: for a bit? For so long? He says, Tonio, can't 1084 01:00:46,400 --> 01:00:49,160 Speaker 1: you control her? Women used to be so much easier 1085 01:00:49,200 --> 01:00:53,800 Speaker 1: to control all of these things, And it was It 1086 01:00:53,920 --> 01:00:56,680 Speaker 1: was nice because I've always like, we're watching him, I'm like, oh, yeah, 1087 01:00:56,720 --> 01:01:00,680 Speaker 1: I loved Trinity. She was so awesome. Um, she's so badass, 1088 01:01:00,680 --> 01:01:04,520 Speaker 1: Like it's never a question. She is awesome and she's 1089 01:01:04,600 --> 01:01:06,600 Speaker 1: captain And I love that scene where she's like telling 1090 01:01:06,680 --> 01:01:08,320 Speaker 1: Neo like, if you don't like it, you can go 1091 01:01:08,400 --> 01:01:12,080 Speaker 1: to Hell. I'm the captain here, right, I'm going. But 1092 01:01:12,120 --> 01:01:14,600 Speaker 1: I also think it's really interesting and I'm glad to 1093 01:01:14,640 --> 01:01:18,080 Speaker 1: see kind of this progression that in the first one, 1094 01:01:18,160 --> 01:01:20,800 Speaker 1: the whole her whole Oracle thing is essentially like this guy, 1095 01:01:21,200 --> 01:01:23,200 Speaker 1: You're gonna fall in love with this guy and that's 1096 01:01:23,200 --> 01:01:27,120 Speaker 1: gonna kind of seal his fate, and so she's sort 1097 01:01:27,120 --> 01:01:30,560 Speaker 1: of defined like through loving Neo, which is at their core. 1098 01:01:30,800 --> 01:01:34,720 Speaker 1: I think these are like romance. Actually, they're very romantic. Well, 1099 01:01:34,760 --> 01:01:38,480 Speaker 1: the whole sequence with the architect and the second movie 1100 01:01:38,640 --> 01:01:41,960 Speaker 1: is the basis and the trivial nous of human emotion 1101 01:01:42,040 --> 01:01:45,360 Speaker 1: and love and love being the crux of destruction, which 1102 01:01:45,560 --> 01:01:49,400 Speaker 1: again it's kind of also the themes in many adventure 1103 01:01:49,440 --> 01:01:52,120 Speaker 1: movies such as this. You see that same level of 1104 01:01:52,120 --> 01:01:54,479 Speaker 1: like the level save you love, you'll save you, which 1105 01:01:54,520 --> 01:01:57,360 Speaker 1: is a nice thought. But I also think that I 1106 01:01:57,400 --> 01:02:00,120 Speaker 1: do love that in this third one she has the 1107 01:02:00,200 --> 01:02:02,920 Speaker 1: idyllic life, but that's not what she wanted. Um and 1108 01:02:02,760 --> 01:02:06,880 Speaker 1: and and it can resonate for many who I thought 1109 01:02:06,920 --> 01:02:09,640 Speaker 1: this is what they wanted, but maybe it wasn't and 1110 01:02:09,800 --> 01:02:13,160 Speaker 1: not seeing themselves, not seeing themselves fully. And I think 1111 01:02:13,160 --> 01:02:15,840 Speaker 1: it also says to something about trans women who are 1112 01:02:15,880 --> 01:02:18,600 Speaker 1: trying to figure themselves out and finding that perfect life 1113 01:02:18,600 --> 01:02:20,720 Speaker 1: and then realizing that's not what they wanted either. Because 1114 01:02:20,800 --> 01:02:25,520 Speaker 1: by all accounts, the Wachowskis were successful, uh and as 1115 01:02:25,720 --> 01:02:29,120 Speaker 1: technically as men, probably had a lot more opportunities given 1116 01:02:29,120 --> 01:02:31,760 Speaker 1: to them because they were seeing as white men, and 1117 01:02:31,800 --> 01:02:34,320 Speaker 1: we know when it comes to the hierarchy of who 1118 01:02:34,440 --> 01:02:37,920 Speaker 1: has more power, but now coming out as trans, you know, 1119 01:02:38,080 --> 01:02:40,320 Speaker 1: has a whole different point of view, and it's disrupts 1120 01:02:40,320 --> 01:02:43,240 Speaker 1: there there what would be idyllic life to this new 1121 01:02:43,320 --> 01:02:47,280 Speaker 1: found place of finding themselves again and knowing though that 1122 01:02:47,400 --> 01:02:50,840 Speaker 1: idyllic life wasn't what they wanted and so this it 1123 01:02:50,880 --> 01:02:53,400 Speaker 1: wasn't satisfying. And I feel like that could be a 1124 01:02:53,480 --> 01:02:56,760 Speaker 1: conversation in itself, which she does nicely, literally does nicely, 1125 01:02:56,800 --> 01:02:59,880 Speaker 1: and this portion of a scene, I think it reflects 1126 01:03:00,040 --> 01:03:02,720 Speaker 1: on her a little bit. Maybe I'm projecting, but I 1127 01:03:02,720 --> 01:03:05,400 Speaker 1: also like how that the first movie versus the two 1128 01:03:05,400 --> 01:03:07,720 Speaker 1: and three, so we're trying to find the one, and 1129 01:03:07,800 --> 01:03:12,120 Speaker 1: so her role is a guardian protector and she is 1130 01:03:12,240 --> 01:03:14,720 Speaker 1: badass ready there she's the one that's pulling him in 1131 01:03:14,840 --> 01:03:17,439 Speaker 1: and and and really mentoring him. And then the second 1132 01:03:17,480 --> 01:03:19,920 Speaker 1: and third one she kind of lies in the background 1133 01:03:20,000 --> 01:03:24,280 Speaker 1: as as like the the love interest, not really because 1134 01:03:24,280 --> 01:03:27,160 Speaker 1: she still does badass moves like that that you know, 1135 01:03:27,320 --> 01:03:30,360 Speaker 1: car City Chase, all of that, but still is like 1136 01:03:30,400 --> 01:03:32,400 Speaker 1: it's about her and him and her trying to find 1137 01:03:32,480 --> 01:03:34,200 Speaker 1: him and making sure he's in, you know, in the 1138 01:03:34,280 --> 01:03:36,320 Speaker 1: right place and right time. And then we come back 1139 01:03:36,360 --> 01:03:38,360 Speaker 1: in the fourth where they're trying to find her and 1140 01:03:38,480 --> 01:03:40,400 Speaker 1: she is the missing link and she is the one 1141 01:03:40,440 --> 01:03:42,480 Speaker 1: that's got that. So I do like that flip a 1142 01:03:42,520 --> 01:03:46,280 Speaker 1: lot I am imagining half the criticism is coming from 1143 01:03:46,360 --> 01:03:49,280 Speaker 1: men who are like, yeah, but I mean, neo, he's 1144 01:03:49,320 --> 01:03:52,160 Speaker 1: the one, why why would he? You know, really hating 1145 01:03:52,200 --> 01:03:55,640 Speaker 1: that portion of this, but again like I love the 1146 01:03:55,640 --> 01:03:58,240 Speaker 1: fact that yes, not only Asian one, but they are partners. 1147 01:03:58,520 --> 01:04:01,160 Speaker 1: We are back to this and she's ready to go. 1148 01:04:01,680 --> 01:04:05,840 Speaker 1: M Yeah. I like the their their partners and they're 1149 01:04:05,840 --> 01:04:12,320 Speaker 1: both so are so badass and together they're gonna fly 1150 01:04:12,400 --> 01:04:14,960 Speaker 1: off and faint rainbows into the matrix. It is implied 1151 01:04:16,040 --> 01:04:19,320 Speaker 1: also that whole like prophecy of loving somebody gave me 1152 01:04:19,560 --> 01:04:21,800 Speaker 1: what I think is one of my best stories I've 1153 01:04:21,800 --> 01:04:23,840 Speaker 1: ever written. And maybe we'll get to it on the 1154 01:04:23,880 --> 01:04:31,080 Speaker 1: Spin depiction one day, but for now, Wow, what a journey. 1155 01:04:31,560 --> 01:04:34,840 Speaker 1: There's so much we could expand on and here definitely 1156 01:04:34,880 --> 01:04:38,000 Speaker 1: a lot of things going on. So listeners, you've got 1157 01:04:38,000 --> 01:04:41,200 Speaker 1: any suggestions, things you would like us to talk about more, 1158 01:04:42,200 --> 01:04:44,200 Speaker 1: then we would love to hear from you. You can 1159 01:04:44,240 --> 01:04:45,720 Speaker 1: email us that stuff and your mom stuff that I 1160 01:04:45,760 --> 01:04:47,439 Speaker 1: Hurt me dot com. You can find us on Twitter 1161 01:04:47,480 --> 01:04:50,000 Speaker 1: at most stuff podcast or on Instagram stuff whatever told you. 1162 01:04:50,080 --> 01:04:54,320 Speaker 1: Thanks as always, you are a superproducer. Christina. Oh yeah, 1163 01:04:54,720 --> 01:04:56,800 Speaker 1: and thanks to you for listening stuff I never told 1164 01:04:56,840 --> 01:04:58,840 Speaker 1: his protection about. I Heart Radio for more podcast, I 1165 01:04:58,880 --> 01:05:01,080 Speaker 1: Heart Radio Bus. I heard you at Apple Podcasts or 1166 01:05:01,080 --> 01:05:13,760 Speaker 1: wherever you listen to your favorite shows. H