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Speaker 1: Welcome to Drink Champs, the production of the Black Effect

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Speaker 1: and I Heart Radio and his Drink Chess motherfucking podcast.

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Speaker 1: He's a legendary queen's rapper. He's segreed is your boy

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Speaker 1: in the r He's a Miami hippoper lioneer. Up is

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Speaker 1: d J e f N. Together they drink it up

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Speaker 1: with some of the biggest players in the most professional

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Speaker 1: unprofessional podcast and yet number one source for drunk fast

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Speaker 1: drinks motherfucking is New Year's e that his time for

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Speaker 1: Drink Champs drink up, motherfuck mother? Would it could be? Hopefully?

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Speaker 1: Would it should be? To see your point? And oh

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Speaker 1: what up is d J e FN and his drink

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Speaker 1: chest motherfucker? Yap our lord? Not this man right here.

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Speaker 1: He is not only a music wal legend, a music

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Speaker 1: who genius, he is also a sneaker of fishy yaddo.

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Speaker 1: I said it right, He's you know, think about it.

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Speaker 1: I'm so used to it was perfect, you know what

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Speaker 1: I mean? A video game expert got two songs on

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Speaker 1: the w W E whatever, then they got going. He

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Speaker 1: can work with anybody for Meek Mail, the Geasy, the

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Speaker 1: Lady Guy Guy, Chris Brown, the Rose, the Jerry fucking

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Speaker 1: sign foul to usual the Jake Cole. He is a

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Speaker 1: hit maker, no disrespect to young Bird getting big up

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Speaker 1: third he is he he got Wall. In case you

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Speaker 1: don't know the hell I'm talking about, we're talking about

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Speaker 1: the most famous rapper ever from d C. There's no

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Speaker 1: one more famous than him from d C. He his

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Speaker 1: hands down the whole, the Batman, the Superman of d C.

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Speaker 1: To what Okay. He is also one of the most

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Speaker 1: artistic artists and he is an artist that I've ever met.

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Speaker 1: In case you don't know who we're talking about, we

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Speaker 1: talking about the impeccable motherfucker w Now let's let's let's

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Speaker 1: take us to the beginning. One of the first records

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Speaker 1: that the people heard as on top was dig Doug.

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Speaker 1: How how did that come about? What? What? What? What?

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Speaker 1: What was that? What was was well, poo logo was classinate. Now,

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Speaker 1: I remember I was doing a lot of people don't

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Speaker 1: know this, but I was doing a lot of like

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Speaker 1: freestyles and stuff like just like just you know, bars

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Speaker 1: like I was just you know, I mean, and I

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Speaker 1: remember like mixtapes and stuff or just remember I was

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Speaker 1: with my man Marlon. What I'm saying name I want.

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Speaker 1: I'm already coming in high. I mean, I own my

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Speaker 1: man Mala that worked at Agan Monty. I don't know

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Speaker 1: if you remember, but back in Rocket Fell the days

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Speaker 1: he did the painting shot. Okay, so we went Marlon

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Speaker 1: and I remember Ryan Dvan his manager because bright he

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Speaker 1: Devinved the biggest artist black back room. And I was

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Speaker 1: one of his manager's crib or producing or something. And

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Speaker 1: I remember Marlin playing some of my records for dude,

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Speaker 1: because you know, just like man, there's been a nice

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Speaker 1: blah blah blah. And then I remember him saying, may

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Speaker 1: he's nice, but he can't make no song to my youth. Yeah,

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Speaker 1: because I was like swanty at the time. I wasn't

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Speaker 1: young thing like, so I didn't know what he really meant.

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Speaker 1: And then I started like he was like, gin't no

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Speaker 1: hook on. So my man Southeast Slam. He would feel

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Speaker 1: real tight at the time. He gave me that beat

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Speaker 1: with the Go Go Jones, and I was like, no,

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Speaker 1: I don't say it's to beat right to every single

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Speaker 1: part of this joint and make sure niggers know that

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Speaker 1: it ain't just bars, it ain't just you put balls

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Speaker 1: on go go beat and you know what I'm saying

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Speaker 1: that was like, yay, your respect to the d C. Yeah,

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Speaker 1: DC music. I had a song before that, don't when

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Speaker 1: they had to do um. But they're not like Boots light.

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Speaker 1: Boots came after them, right, Boots came after the dig. Yeah,

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Speaker 1: and you and Jim Jones got beef about like books

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Speaker 1: right now, right? I mean, what is this? What does

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Speaker 1: this discriborcy about? What is this going on? I just

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Speaker 1: think that I just know that, you know, I'm saying

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Speaker 1: that you my our region started, it started to night,

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Speaker 1: you know, and the hall cold on all later. I

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Speaker 1: think Donald was wearing like think Tim or White, Tim,

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Speaker 1: I love, I'm trying to rocking on. But nah, I

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Speaker 1: mean I just know that. I just I'm pretty sure

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Speaker 1: he's wanted that way before them. Okay, I mean, but

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Speaker 1: the revisionist history, we spoke too much, we don't, you know, Okay, Okay,

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Speaker 1: I see we're calling drunk facts over yeah, yeah, of

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Speaker 1: course to read make sure this wasn't yeah yeah, no, no, no, no, no,

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Speaker 1: what do you what do you think we all smoking bunkhead? Yeah? Well,

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Speaker 1: I was like, sust this is a celebration about you.

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Speaker 1: We know you want your tequilla. But what you want

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Speaker 1: me to drink? You want me to drink mix the

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Speaker 1: dark with the light. Really get her. Get y'all, y'all

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Speaker 1: you want me? That's cool? Obama, No, get big Barack Obama.

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Speaker 1: Get a shot of dark and put a shot of

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Speaker 1: light in there. Let's see that. When you say dunk,

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Speaker 1: you're trying some other liquors about this. I'm talk about champagne,

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Speaker 1: A much hampagne. Dude. No, I seen drink everything of

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Speaker 1: this South. Yeah. You know when we do shots, we're

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Speaker 1: gonna drink. We're gonna drink um um uh yeah yeah

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Speaker 1: before now I'm gonna drink. I'm gonna rink because you

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Speaker 1: know what I'm saying, umpers, I think that spain esthetically pleasing. No, Okay,

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Speaker 1: I love, I love, I love I love that. That

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Speaker 1: was mad, smart, that was mad. So let's pound surround.

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Speaker 1: Have you ever did a record with call? Yeah? That

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Speaker 1: never happened? Okay, cool? Cool? Are y'all cool? Were you're

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Speaker 1: staying that for you? One? I respect respected music. Okays,

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Speaker 1: last album I listened to him, acorded it or just

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Speaker 1: streamed it. You ain't hit the at what because it

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Speaker 1: was doing not many people are doing that anymore. Adding

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Speaker 1: when you stream albums, you don't worry. You know what

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Speaker 1: I'm saying. Adding is not the same as buying, Okay,

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Speaker 1: adding it's like streaming. Yeah, I hit the by Expresses ship.

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Speaker 1: You don't do that. Listen to it. When you're gonna win,

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Speaker 1: you're gonna WiFi, right. Yeah. So I also heard so

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Speaker 1: much to me, you are the best and all that.

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Speaker 1: You also you also wanted to just sign Young Dog

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Speaker 1: before anybody knew who Young Dog was. That true. A

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Speaker 1: lot of niggas in the streeting and everybody streeting. It

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Speaker 1: was early, early, early on. I couldn't afford that gonna

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Speaker 1: be you know what I'm saying, But we always laugh

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Speaker 1: about it now. But who you and Young Doug? That's

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Speaker 1: my man. So wait's describe this what you got this

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Speaker 1: mix tape or something like that. How did you know

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Speaker 1: about ms receipt? Everybody knowing Atlanta? She she would always

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Speaker 1: be playing like, like different songs, people like I've becoming

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Speaker 1: artists in the land when he was on tour and

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Speaker 1: like I just really like like the sound or whatever,

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Speaker 1: you know, when I'm met when I'm at Brad like

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Speaker 1: he was in when I met him. At him. But

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Speaker 1: he came to making at the studio man all his

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Speaker 1: big backpacker like momucking he was an art Yeah, and

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Speaker 1: Nigga was like no, no, this every day Like no,

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Speaker 1: I'm like, you know what I'm saying. So it's just

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Speaker 1: like you're different. This music was sounding like man, I mean,

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Speaker 1: I really knew what it was gonna be, know what

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Speaker 1: I'm saying. But the ship like something that is you

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Speaker 1: just can't afford. Like then, I knew what he was

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Speaker 1: gonna do. Even in the hood he was. She already

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Speaker 1: knew his value. He already knew I mean, you know

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Speaker 1: what I'm saying. But one thing I said my him,

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Speaker 1: he's really a loyal person. Like he's always like just

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Speaker 1: no matter what, he always you know, he reminds niggas

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Speaker 1: like any always show love what I'm saying. That's why

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Speaker 1: my my appreciation for him as a friend and as

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Speaker 1: an artist is just missing you well, not because I

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Speaker 1: got mad notes now okay, alright, cool, all right, right now,

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Speaker 1: all right, this is what some a lot of people

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Speaker 1: uh got shocked. Poke it out right now, right, Jay Cole,

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Speaker 1: you dropped the video first, correct, Yeah, I know song

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Speaker 1: the song first of the video Okay, I had it back,

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Speaker 1: but I thought the video came out and a lot

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Speaker 1: of people took shot to that because J Cole had

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Speaker 1: this song called what was It? False Profits, where a

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Speaker 1: lot of people said the second verse, what's going at you?

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Speaker 1: Did you think that? Did you feel that? I mean,

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Speaker 1: let me get the lighted back of I don't think that.

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Speaker 1: I mean, I don't know. I don't even know, like

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Speaker 1: you know, I mean the general republic, dude, whatever, whatever,

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Speaker 1: But I already I mean, I responded, and like I

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Speaker 1: woke up, so I saw the messages and everybody telling

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Speaker 1: me this. In third I didn't listen to it. Um.

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Speaker 1: I went to the gym for a little bit, just

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Speaker 1: to get the blood going, and then I went to

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Speaker 1: the studio and I listened to it twice and I

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Speaker 1: just wrote a response to it and then put it out,

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Speaker 1: you know, and it wouldn't became out that night, but

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Speaker 1: I didn't like to mix, so I had to mix

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Speaker 1: it in the morning, and I just put it out

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Speaker 1: and then I wanted to go see him at the

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Speaker 1: North Carolina State game. That's when you was on the floor. Okay,

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Speaker 1: and then how did you how did you work that out?

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Speaker 1: Don't I mean, you know, I ain't. We didn't really

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Speaker 1: really talk about it that much, bro. You know, we

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Speaker 1: never really really really talked about me. The crazy thing is,

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Speaker 1: we talked the night before they dropped, just talking about

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Speaker 1: kids and just life and all that. So I woke

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Speaker 1: up and heard it the next morning. I was a

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Speaker 1: little cart off guard, but it's like, you know what,

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Speaker 1: let's play like. That's what I'm saying. It's all good.

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Speaker 1: You know, that's love. Though it wasn't selationous malicious in there,

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Speaker 1: so you know, you know it's called drink chance. I

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Speaker 1: don't know, you know, yeah, I know. I don't want something.

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Speaker 1: Don't know what we got? We got patient on, come on,

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Speaker 1: let's get, let's get, let's get, let's get keep it

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Speaker 1: do organic food comes you can. Let time one shot.

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Speaker 1: Come on, let's do a shot. Let's do what a shot? Got? What?

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Speaker 1: Let me do all I want? I'm gonna do all.

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Speaker 1: I'm black, so I got watermelon, I got bought them out.

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Speaker 1: Somebody give me. Let's do it. We're gonna check all

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Speaker 1: the stereotype quotas and yeah yeah, and your album's out

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Speaker 1: by the times, come out. Let's make some noise for motherfucker.

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Speaker 1: Floor raining too. The first one was the mixtape, correct,

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Speaker 1: so this one is a full fledged album going or

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Speaker 1: the still um essentially, I mean they all this they

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Speaker 1: are all the same, you know right now, the way

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Speaker 1: the game is. But there's a lot of there's a

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Speaker 1: couple of similarities, but it's just it's an album. What

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Speaker 1: you want to call on their tape they called, they'd

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Speaker 1: be calling them there anything they tape anyways, goddamn you

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Speaker 1: got your shot. Yeah, but it's quite cool. God damn

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Speaker 1: because you don't law. God damn. Part two and our

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Speaker 1: show was about giving people they rolling live and we're

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Speaker 1: gonna get you a got damn Rose a live got

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Speaker 1: damn it shot loud about Roses and Rose. So what's

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Speaker 1: your favorite part of the game. Is it making the record,

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Speaker 1: of performing the record, like getting in front of that

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Speaker 1: core fan base on tour, probably because it's like the

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Speaker 1: energy you get from that rewarded. That's when you rewarded

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Speaker 1: from the deep cuts that that you did you feel

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Speaker 1: passionate about, you know, I mean we did the radio show.

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Speaker 1: Sometimes you just got to stick to the heads and

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Speaker 1: get the on. I'm saying because you put on tour

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Speaker 1: with you for Route J Cole. You open up with

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Speaker 1: j Right, what's the name of that tour that I

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Speaker 1: think it was the Blueprint three tour. I think it

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Speaker 1: was the first lag of the Blueprint three tour. But

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Speaker 1: I already toured with Hope um uh. But I think

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Speaker 1: maybe before I even dropped the album, the social media

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Speaker 1: wasn't set of the same thing, but I did. I

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Speaker 1: did like a UK doing. I think when I was

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Speaker 1: with Mark Ronson, Mark Ronson, all right, we're talking about

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Speaker 1: climb and Tim was it rich Climates climbing? Yeah, because

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Speaker 1: they told me you you don't want to watch Mark

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Speaker 1: said rich Climate around and that's the reason why they

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Speaker 1: managed KD to this day. Rich Um. Yeah, they met

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Speaker 1: around the time when I was with Rotten Nation and

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Speaker 1: they working together. Now they're doing a real big shout

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Speaker 1: to both of them. And but yere before I was.

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Speaker 1: I was torn with Mark first. Then that's when I

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Speaker 1: dropped out of school. So I dropped out when straight

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Speaker 1: to told Mark I was him in like Europe for like,

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Speaker 1: how did you connect with Mark Ronson? Originally? Ship so

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Speaker 1: long ago and it's it. I just know that he

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Speaker 1: played one of my songs. He was in the in

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Speaker 1: the UK still right now. He was in New York,

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Speaker 1: was in New York or whatever. You know what I'm saying.

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Speaker 1: He was playing my like some of my like mixtapes

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Speaker 1: so on this show. And I think one of the

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Speaker 1: sneakers uh stuff stores in Maryland. Somebody had told me,

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Speaker 1: and I believe maybe I told my manager at the time,

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Speaker 1: Danie Wiseman, or maybe Dan told it some some kind

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Speaker 1: of way I found out. So it was like he

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Speaker 1: was like, he wanted to meet you. He's and so

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Speaker 1: time I took the train from DC to Pho Madam

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Speaker 1: And I don't know how, I don't know how into

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Speaker 1: it he was, but I believe somebody a double X.

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Speaker 1: It might have been Vanessa said it might have been heard,

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Speaker 1: but definitely my double X. I was like, Yo, this

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Speaker 1: kid is on fire where he's from. And they talked.

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Speaker 1: They talked to Rich about it and Mark and then

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Speaker 1: Rich it was like Mark, let's do this his kids.

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Speaker 1: He got blah blah blah. And then I went on

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Speaker 1: tour Mark like for like a year and then that

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Speaker 1: was when the bid and war was going on with everybody,

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Speaker 1: and um, I believe this my host of the Depth

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Speaker 1: Jam and I remember him telling me on that elevator

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Speaker 1: or like Insinuay and he wasn't going to be there

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Speaker 1: long or whatever, like he's about to leave or something

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Speaker 1: of that. Yeah, and then I believe it was it

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Speaker 1: came out later, but I kept touring with Mark and then, uh,

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Speaker 1: I believe maybe Mark was opening for J and I

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Speaker 1: was the m C on Mark's joint. So that's when

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Speaker 1: me and him really started really hitting it off, like

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Speaker 1: being like bro cool like you and Jack. Yeah, Okay,

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Speaker 1: God damn, it's sticking on the shot. Got damn it.

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Speaker 1: Come on, let's do for what we're taking the shot

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Speaker 1: for your career. I got damn it. Come on, and

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Speaker 1: you got to show here later. So it's crazy Gold,

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Speaker 1: take a nap and come right back. It's okay, God

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Speaker 1: damn it, It's okay, God damn. We can playing this

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Speaker 1: out right. That's all part of the course. Yeah, playing

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Speaker 1: the quarter. I gotta, I gotta, yeah, you know, I

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Speaker 1: don't go and we go. I gott run errands to

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Speaker 1: I'm going to carbone that, damn it. Come on looking

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Speaker 1: for you about I don't worry about it. In the games, okay,

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Speaker 1: we got the games coming from time us line. Okay, cool,

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Speaker 1: you know you know, but this is this is just

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Speaker 1: for you for coming God damn it. We like for

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Speaker 1: d C for d C. Yeah, come on, come on,

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Speaker 1: come on, this is stat chat. Come on. This ain't

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Speaker 1: even virgin, but it's something say, we got cop Come on,

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Speaker 1: We're doing this for you, for me, for me. I'm

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Speaker 1: gonna go down for me. Did drinks? Get strong withall? Okay, yeah,

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Speaker 1: I'm ready. I got to do a quick time slie

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Speaker 1: right now. Okay, okay, all right, he's still making him

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Speaker 1: who um, yeah, I got notes and ship like that.

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Speaker 1: Hold on, harm let me go down. You go to

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Speaker 1: like y'alla y'alla. Okay, okay. You also brought Katie and

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Speaker 1: Victor Cruise to Rock Nation. I don't know what I don't.

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Speaker 1: I don't nobody, that's what they're saying Katie, Victor Cruise

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Speaker 1: and other athletes on rock Sports Radar before they were signed. No,

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Speaker 1: I'm gonna take that credit. I don't take I don't

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Speaker 1: that's no thing. I'm making music. I'm a rapper. But

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Speaker 1: you and Katie are both for him my man man

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Speaker 1: and you would being managed by Rock Nation at the time,

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Speaker 1: and then he came over or y'all hung out smooth

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Speaker 1: the blunt song. Uh, I'm not confirmed. I like that

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Speaker 1: coming smoke. No, no, Kate even my man, it's just

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Speaker 1: like man, I think like just when we're still on

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Speaker 1: the sidekicks, we're talking. That's my that's my man. You know,

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Speaker 1: because you're a football player, right yea? Like this everything off? Okay?

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Speaker 1: Like what kind of running back with you? Name name

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Speaker 1: a football player in the league that you resembles you

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Speaker 1: don't like, I'm gonna tell you right now, like when

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Speaker 1: I when I see k D and Lebron play like

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Speaker 1: that's a little me like that. I'm gonna just let

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Speaker 1: you know, like I say that I said, nothing of

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Speaker 1: these things got my moves. You ship, you know what

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Speaker 1: I'm saying. So like that's what I'll be saying. Like

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Speaker 1: who do you see grew on the running back with

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Speaker 1: this and you like that? He might have beat my moves? Nobody, nobody?

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Speaker 1: Could you have played quarterback? Yeah? I played a little quarterback,

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Speaker 1: but no I'm five. I'm five eight and a half okay,

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Speaker 1: nine okay. When leaving highspital I was like once sixty five,

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Speaker 1: So you know, I got a couple of scholarships. I

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Speaker 1: ended up playing ball in and at Robert Morris and

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Speaker 1: Pittsburgh Trust of the JA State. And then I got

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Speaker 1: into it with the coach over there and said the

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Speaker 1: Boys State and they said I couldn't play because it

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Speaker 1: was in the same conference. So what was it so

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Speaker 1: safe to say? Safe to say if you would have

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Speaker 1: kept going, what do you think you'd have been more

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Speaker 1: successful as a football player or as a rapper man?

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Speaker 1: Like the the longevity of of of of of a

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Speaker 1: running back man. I probably would have party. I probably

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Speaker 1: would have back the most. I probably could have played

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Speaker 1: like a year and a half in that league, like

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Speaker 1: most if anything, well, I'll probably be trying. But when

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Speaker 1: my mentality is out of just been in Canada, I

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Speaker 1: would have been playing in Canada somewhere get hit, getting

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Speaker 1: beat up in the code. But now you know, God

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Speaker 1: got he got it. You know what he's doing, um,

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Speaker 1: because Lord knows. I don't know what I than without football,

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Speaker 1: because that was the only thing that kept me like

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Speaker 1: like yeah, just like having something to look forward to,

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Speaker 1: going to practice, going to the game, whatever, some kind

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Speaker 1: of discipline putting them past one. That's the only thing.

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Speaker 1: I still missed that ship very August when I hit

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Speaker 1: my smarther grass cut and all of that still be

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Speaker 1: missing that ship. It's just it's a feeling like no other,

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00:18:18,800 --> 00:18:20,719
Speaker 1: like flaming sports. You don't try to play with your

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Speaker 1: boys on Thanksgiving. The last time I did, I was

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Speaker 1: I was almost in a body cast. Touch Yeah not

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Speaker 1: for show show now, I would definitely, But don't nobody

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Speaker 1: want to note? Everybody smoked too much and drink too much. Honeybody,

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Speaker 1: They're gonna hoop a little bit with you. I'm gonna

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Speaker 1: name a couple of songs for you, and I want

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Speaker 1: you to tell me what it means to you when

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Speaker 1: I name me. So, why isn't the water here? All

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Speaker 1: the alcohol? You got? Organic food, kings juice right there?

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Speaker 1: That's not That's it. You know what I'm saying. You

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00:18:53,000 --> 00:18:59,920
Speaker 1: need something more smoked the Nori lakes, blunt, no trick

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Speaker 1: been here left man, relationship truthleged with the truth. Serum

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Speaker 1: questions All right, so um asked you some some Oh yeah,

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00:19:13,480 --> 00:19:15,960
Speaker 1: we're gonna cover the waters, but all know now that

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00:19:16,000 --> 00:19:19,199
Speaker 1: the liquors is covered. No, we got we got Clarence

349
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Speaker 1: from from the Homie here, we got clearance it supporting.

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Speaker 1: That's cool, Okay, I got so much notes? Man, can

351
00:19:27,920 --> 00:19:30,920
Speaker 1: you go back to when you doing the underground ship,

352
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Speaker 1: You're doing the freestyles, the go go scene, like what's

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Speaker 1: the that scene in DC at that time? Ship man,

354
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Speaker 1: like who's popping? What's going on the house seemed to

355
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Speaker 1: go back and name are the pop and go back

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Speaker 1: because it's just been well not but just more or

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Speaker 1: less like what's what's in females? For sure? Back of

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Speaker 1: bad Big, gn Winsy and sauce Um. You got UCB,

359
00:19:51,240 --> 00:19:54,040
Speaker 1: who I've been torn with since we was doing black

360
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Speaker 1: parties and Nanny Helen Burrows. You know what I'm saying.

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Speaker 1: You got TCB to Bounce be Kings. They started where

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Speaker 1: they ushered in a new wave bounds beat. You got

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Speaker 1: t o B. There was a little bit after the

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Speaker 1: tc B got new impressions. You got red since I've

365
00:20:07,640 --> 00:20:09,120
Speaker 1: been doing it for years, you got junk out Bend

366
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Speaker 1: and starting sporking means you got um. I don't wanna

367
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Speaker 1: forget anybody d here. I don't like our ratio. We

368
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Speaker 1: gotta listen bad. We got Miss Kim, we got school,

369
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Speaker 1: but we got we got Yanni who who won that

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Speaker 1: the gospel reality show. We got we have a rich Chester.

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Speaker 1: Don't forget us to Chuck Brown in them. You know

372
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Speaker 1: what I'm saying. We got Northeast Groopers, rapper from Northeast groupers.

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Speaker 1: We got man, we got a lot of lessons. This

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Speaker 1: is own thing. Are we taking the shopper? Go go?

375
00:20:38,359 --> 00:20:42,399
Speaker 1: I'll do that for Let's go, y'all. Don't even like yo, man,

376
00:20:42,440 --> 00:20:44,800
Speaker 1: you know what. We're gonna take a shop for reason?

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00:20:44,920 --> 00:20:49,160
Speaker 1: Are you for your reason? Man? You see that flower,

378
00:20:51,240 --> 00:21:00,879
Speaker 1: Let's take another. I killed the flowers, So go, go,

379
00:21:01,000 --> 00:21:02,919
Speaker 1: go go. I look at Go Go almost like how

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00:21:02,960 --> 00:21:05,040
Speaker 1: I looked at Reggae Throne, Like Reggae Thorne was up,

381
00:21:05,160 --> 00:21:06,960
Speaker 1: was up, and how down here we looked at Miami

382
00:21:07,000 --> 00:21:09,040
Speaker 1: Base at the time, like it was the music that

383
00:21:09,119 --> 00:21:11,280
Speaker 1: Miami basis. It was like parallel to what was going

384
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Speaker 1: on with hip hop. Necessarily that the hip hop happ

385
00:21:13,400 --> 00:21:16,119
Speaker 1: but It's Go Go. It celebrated in other places other

386
00:21:16,200 --> 00:21:19,000
Speaker 1: than d C the spot I think it started. It's

387
00:21:19,040 --> 00:21:22,240
Speaker 1: not as mainstream, but you know, um, we're gonna do

388
00:21:22,320 --> 00:21:23,959
Speaker 1: what we gotta do. You know, we got we got

389
00:21:24,080 --> 00:21:26,720
Speaker 1: people like for Rell and you know, Travis Scott was

390
00:21:26,760 --> 00:21:28,640
Speaker 1: reached out to me about it. Jake Cole has reached out,

391
00:21:28,920 --> 00:21:30,639
Speaker 1: reached out to me about doing some ship would go go.

392
00:21:30,800 --> 00:21:34,560
Speaker 1: So you know, luckily we gotta go go record on

393
00:21:34,640 --> 00:21:38,520
Speaker 1: this new album. Well, but wasn't je of the artists

394
00:21:38,560 --> 00:21:40,680
Speaker 1: that like, one of the peoples that really helped. He said,

395
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Speaker 1: when d J cool, Yeah yeah, y'all, Propeller let me

396
00:21:43,680 --> 00:21:46,200
Speaker 1: from my throat. Yeah yeah, yeah, he's a legend back home.

397
00:21:46,960 --> 00:21:49,800
Speaker 1: They be fishing. Oh that's just big. That's big. That's

398
00:21:49,840 --> 00:21:51,600
Speaker 1: just big. That's just a dance. It's just like a

399
00:21:51,640 --> 00:21:55,160
Speaker 1: little that's that's I think that man. I was last

400
00:21:55,240 --> 00:21:57,080
Speaker 1: night one day, I was out there like that. I'm

401
00:21:57,119 --> 00:22:04,040
Speaker 1: out there on the book I took. I took for

402
00:22:04,160 --> 00:22:07,760
Speaker 1: Rel to go see uh tcb um and they had

403
00:22:07,800 --> 00:22:10,800
Speaker 1: this song called Babe were going fisher like. So we

404
00:22:10,920 --> 00:22:12,320
Speaker 1: was in the cut though nobody knew for Els in

405
00:22:12,359 --> 00:22:14,000
Speaker 1: the Go Go like he was in the Young Nigga

406
00:22:14,040 --> 00:22:16,320
Speaker 1: General too. This was like maybe ten years ago, maybe

407
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Speaker 1: maybe eight years ago. And no, okay, ain't gonna. I

408
00:22:21,000 --> 00:22:23,200
Speaker 1: can't be. I can't be off the super yells, I

409
00:22:23,760 --> 00:22:27,840
Speaker 1: can't be off, can't be not to go go, not

410
00:22:28,080 --> 00:22:34,400
Speaker 1: to go go, y'all, y'all y'all know that's the that's

411
00:22:34,440 --> 00:22:39,439
Speaker 1: the motherfucker y'all me now to a kid cutting one

412
00:22:39,480 --> 00:22:43,240
Speaker 1: time to finish started that. I had my eye my

413
00:22:43,359 --> 00:22:45,960
Speaker 1: share and nice like not to go not with Pete

414
00:22:45,960 --> 00:22:47,840
Speaker 1: though he like, don't even want you one of them

415
00:22:47,840 --> 00:22:49,720
Speaker 1: the head. You know, you can't even him a blunt

416
00:22:49,760 --> 00:22:52,520
Speaker 1: for he gonna be there. Yeah, yeah, calling the police,

417
00:22:53,600 --> 00:22:56,040
Speaker 1: no no, But I was listening to he was vibe man.

418
00:22:56,440 --> 00:23:01,800
Speaker 1: He was watching um TCB at the night. Um it

419
00:23:01,880 --> 00:23:04,359
Speaker 1: was Polo still what isn't it? But I forgot but

420
00:23:04,480 --> 00:23:07,760
Speaker 1: I remember well TCP Polo. Polo was their lead Mike

421
00:23:07,880 --> 00:23:11,000
Speaker 1: Man and we uh you know, Polo was a very

422
00:23:11,440 --> 00:23:14,000
Speaker 1: big part to that balancy movement. And I was explaining

423
00:23:14,040 --> 00:23:17,040
Speaker 1: the peak like, bro, this is a different kind of Gogo.

424
00:23:17,080 --> 00:23:18,760
Speaker 1: It's not what you probably heard, like this ain't like

425
00:23:19,480 --> 00:23:23,359
Speaker 1: Sardine's and Chuck Brown is like I love SARTI I

426
00:23:23,400 --> 00:23:31,080
Speaker 1: love I don't put black pepper and oh so let

427
00:23:31,080 --> 00:23:32,720
Speaker 1: me just I just I put. I took him to that,

428
00:23:32,800 --> 00:23:35,080
Speaker 1: then I took him to red Essence right after. Just

429
00:23:35,160 --> 00:23:37,679
Speaker 1: give him a balance of that. And um, I remember

430
00:23:37,840 --> 00:23:39,359
Speaker 1: him telling me the next day like, bro, you need

431
00:23:39,400 --> 00:23:41,080
Speaker 1: to you need to flip one of them joints. And

432
00:23:41,280 --> 00:23:43,720
Speaker 1: we just made we made. That's when we got debate

433
00:23:43,800 --> 00:23:47,479
Speaker 1: that can't form TCP. While I remember seeing the leaders

434
00:23:47,480 --> 00:23:50,680
Speaker 1: of the new School New Mount rushmall right right, and

435
00:23:51,000 --> 00:23:54,560
Speaker 1: I remember them seeing them have Cole. They happened, Kindred,

436
00:23:56,080 --> 00:23:59,400
Speaker 1: they happened Drake, and they remember the third the fourth

437
00:23:59,480 --> 00:24:03,840
Speaker 1: spot being empty. And I remember me feeling like, why

438
00:24:04,000 --> 00:24:06,880
Speaker 1: is this up for debate? Why isn't why they face

439
00:24:07,000 --> 00:24:09,639
Speaker 1: there because somebody having on camera because I don't know

440
00:24:09,720 --> 00:24:14,320
Speaker 1: if you're gonna you said that what I'm saying that? Yeah, yeah, yeah,

441
00:24:14,320 --> 00:24:19,720
Speaker 1: I'm saying it right now that I'm sinking I said.

442
00:24:19,880 --> 00:24:21,400
Speaker 1: So now I'm gonna show you how are we doing

443
00:24:21,480 --> 00:24:24,440
Speaker 1: this right now? Because in case you don't know, off

444
00:24:24,640 --> 00:24:27,400
Speaker 1: show was about giving flowers. Who want to literally give

445
00:24:27,440 --> 00:24:33,480
Speaker 1: you your flowers right now, make some noise, but motherfucking flowers.

446
00:24:36,480 --> 00:24:40,200
Speaker 1: Flowers got Darren. Yes, you deserve your motherfucking flowers. Brother,

447
00:24:40,440 --> 00:24:43,800
Speaker 1: you work hard and continue to work hard. Presper erance

448
00:24:44,000 --> 00:24:47,959
Speaker 1: and prospressory shout out to what the flowers shout out

449
00:24:47,960 --> 00:24:53,480
Speaker 1: to what the flowers? Baby, Sure, it's okay. I just

450
00:24:53,520 --> 00:24:54,960
Speaker 1: wanted to be I just want to have my static.

451
00:24:55,000 --> 00:24:57,560
Speaker 1: I'm just leaving. Yeah, yeah, go ahead, that's yours, baby.

452
00:25:01,720 --> 00:25:05,040
Speaker 1: Come you take a shot for you getting flowers. I mean,

453
00:25:05,480 --> 00:25:09,080
Speaker 1: I mean, come on, brother, you deserve your flowers. Brother,

454
00:25:09,359 --> 00:25:11,800
Speaker 1: Come on, my brother. I think it might be water

455
00:25:11,880 --> 00:25:14,320
Speaker 1: in your cup. Who you want? We can want to

456
00:25:14,359 --> 00:25:22,000
Speaker 1: test mines. That was your solut give me your flowers.

457
00:25:22,440 --> 00:25:30,200
Speaker 1: God damn. So let me ask you that question. I

458
00:25:30,240 --> 00:25:36,320
Speaker 1: did ask you the mountain Rushmore and some people throw

459
00:25:36,359 --> 00:25:38,320
Speaker 1: it off the air. That's does that ever bother you? Like?

460
00:25:39,600 --> 00:25:42,000
Speaker 1: Do you sue ca? More? Like you're gonna think what

461
00:25:42,080 --> 00:25:44,320
Speaker 1: you want to think? Those that know you know what

462
00:25:44,520 --> 00:25:46,639
Speaker 1: what what? What? What? It is what I'm saying, So

463
00:25:47,040 --> 00:25:50,199
Speaker 1: those who know no and just whatever and those who

464
00:25:50,280 --> 00:25:53,240
Speaker 1: don't don't. Is that something that we make a mistake

465
00:25:53,520 --> 00:25:55,960
Speaker 1: of our culture sometimes, like people get mad or not

466
00:25:56,040 --> 00:25:58,760
Speaker 1: winning a Grammy. Win the Grammy is not Bill. You

467
00:25:58,840 --> 00:26:01,560
Speaker 1: can't you can't. I can't like get mad at somebody

468
00:26:01,600 --> 00:26:05,320
Speaker 1: who feels that with We all have aspirations, Like I mean, okay,

469
00:26:05,359 --> 00:26:06,840
Speaker 1: so if you don't want your you don't. If you

470
00:26:06,840 --> 00:26:08,760
Speaker 1: don't want your accolades and what you want, what you

471
00:26:08,840 --> 00:26:10,320
Speaker 1: want you want? You just want to make a lot

472
00:26:10,359 --> 00:26:13,159
Speaker 1: of money. That might be a thing. That thing might

473
00:26:13,160 --> 00:26:18,480
Speaker 1: be accolades. Your thing might be um, like you know,

474
00:26:18,880 --> 00:26:23,359
Speaker 1: people giving you critical acclaim, you know, followers, It might

475
00:26:23,400 --> 00:26:26,200
Speaker 1: be whatever. Everybody got their own ship, you know what

476
00:26:26,240 --> 00:26:28,800
Speaker 1: I'm saying. Everybody got there on what they like. You know. Um.

477
00:26:29,440 --> 00:26:31,000
Speaker 1: Some people want to be employee of the month. Some

478
00:26:31,080 --> 00:26:33,119
Speaker 1: people want to promotion, some people just want to hear

479
00:26:33,119 --> 00:26:36,040
Speaker 1: acknowledgement that they're doing a good job, or everybody differently.

480
00:26:36,119 --> 00:26:38,000
Speaker 1: The same thing applies to music, I know, but I

481
00:26:38,119 --> 00:26:39,399
Speaker 1: know a thousand because it just be like, man, I

482
00:26:39,440 --> 00:26:41,120
Speaker 1: don't get funk about none of this. I let this money.

483
00:26:42,480 --> 00:26:43,680
Speaker 1: Some people be like, no, I don't give a funk

484
00:26:43,680 --> 00:26:45,240
Speaker 1: about this money. Man, I just want motherfucker's to know

485
00:26:45,280 --> 00:26:47,159
Speaker 1: what I do how I do. So it just no

486
00:26:47,200 --> 00:26:50,000
Speaker 1: matter what you want and what do you want all

487
00:26:50,080 --> 00:26:55,560
Speaker 1: of it? I think you stick a shot. I don't

488
00:26:55,560 --> 00:26:58,200
Speaker 1: even think there's no wrong answer for shots here. Yeah, yeah,

489
00:26:58,400 --> 00:27:00,400
Speaker 1: just are we ready for quick time? What do you want?

490
00:27:00,480 --> 00:27:11,720
Speaker 1: McDonald's right? Cool? All right, So this is a game

491
00:27:11,840 --> 00:27:22,119
Speaker 1: called quick Time of slim You say cocaine with let's alright.

492
00:27:22,160 --> 00:27:24,959
Speaker 1: So it's very simple. You either you can pick one

493
00:27:25,040 --> 00:27:26,679
Speaker 1: or the other. If you pick both of you take

494
00:27:26,720 --> 00:27:28,960
Speaker 1: a shot. If you pick neither, you take a shot,

495
00:27:29,160 --> 00:27:31,280
Speaker 1: but you can always pick one of the dogs. Okay,

496
00:27:31,640 --> 00:27:35,040
Speaker 1: so quick for disclaiming anybody. If I don't, if I

497
00:27:35,119 --> 00:27:38,160
Speaker 1: offend you, it's only because I'm trying to preserve myself. No, everyone,

498
00:27:38,320 --> 00:27:40,120
Speaker 1: this is this is this is jokes. This is jokes.

499
00:27:40,200 --> 00:27:46,280
Speaker 1: Don't worry about him right now, some of these questions. Man,

500
00:27:47,119 --> 00:27:51,800
Speaker 1: it's not just no okay, okay, alright, all right now

501
00:27:52,080 --> 00:27:54,000
Speaker 1: we're taking shots with him. Though we're taking shots with you.

502
00:27:54,040 --> 00:27:57,760
Speaker 1: We're not leaving the season. These nickers know how to drink. Man,

503
00:28:00,359 --> 00:28:01,800
Speaker 1: this is your platform while they just in case you

504
00:28:01,840 --> 00:28:09,119
Speaker 1: want know, listen coolg rap or rock Hill Rock h Okay,

505
00:28:11,119 --> 00:28:19,560
Speaker 1: j Cole or Kendrick. Yeah, you ain't gotta go crazy.

506
00:28:20,160 --> 00:28:22,840
Speaker 1: You're got with top Damn. Nika was just an intervention.

507
00:28:25,040 --> 00:28:32,600
Speaker 1: I don't know. We're gonna go with this is me.

508
00:28:33,000 --> 00:28:37,760
Speaker 1: It's like, nah, Nicky manage or Cardi b Sure, like

509
00:28:37,800 --> 00:28:43,120
Speaker 1: we're drinking Nicki. Nicki because it's longevity, and I do

510
00:28:43,240 --> 00:28:45,520
Speaker 1: think Cardi will achieve that though, But Nicky because of

511
00:28:45,600 --> 00:28:48,120
Speaker 1: what or contribution to the game. It can't be ignored

512
00:28:48,240 --> 00:28:50,440
Speaker 1: in any kind of way. That's hard, can't She from

513
00:28:50,520 --> 00:28:52,960
Speaker 1: queens like you. Yes, Yes, is that why you asked

514
00:28:53,000 --> 00:28:54,880
Speaker 1: that question? No, I just I'm trying to get you

515
00:28:54,960 --> 00:29:00,560
Speaker 1: to drink. Honestly, it's just transparency. Here a drink champ. Okay.

516
00:29:00,560 --> 00:29:01,760
Speaker 1: I don't know what we're gonna go with this one

517
00:29:02,160 --> 00:29:05,800
Speaker 1: mob deep or m O p mob deep, but I

518
00:29:05,880 --> 00:29:08,480
Speaker 1: love for a long blade. But the niggas just made

519
00:29:08,480 --> 00:29:10,440
Speaker 1: me feel like I got I gotta rob some mine.

520
00:29:10,640 --> 00:29:15,320
Speaker 1: Who Yeah, I thought I was getting fly. I wanna

521
00:29:15,320 --> 00:29:18,680
Speaker 1: hear hope just for now. But why y'all instigating y'all

522
00:29:18,720 --> 00:29:30,000
Speaker 1: making y'all bullying me to what? I just I'm thirteen?

523
00:29:33,960 --> 00:29:42,000
Speaker 1: Damn you want going on? Damn? Which not y'all sing

524
00:29:42,080 --> 00:29:45,440
Speaker 1: to me? Which one of y'all? Then you've got fred me, Okay,

525
00:29:45,440 --> 00:29:49,280
Speaker 1: I'm done all right, O d be a big punt.

526
00:29:50,440 --> 00:29:54,320
Speaker 1: It's so odd, big punt, big punt man. Okay, not

527
00:29:54,400 --> 00:29:58,920
Speaker 1: taking that away from you know you gotta stay that

528
00:29:59,120 --> 00:30:03,920
Speaker 1: niked was the fun going a little a little literally

529
00:30:04,000 --> 00:30:06,880
Speaker 1: that we know that we middle to middlehood didn't look

530
00:30:06,920 --> 00:30:12,240
Speaker 1: at the wolves like the niggas was ripping man od

531
00:30:12,360 --> 00:30:15,240
Speaker 1: b once too. But to me, I gravitated to to

532
00:30:15,400 --> 00:30:19,200
Speaker 1: pump Okay, puff daddy of Dr Dre buff. I like

533
00:30:19,280 --> 00:30:21,000
Speaker 1: to dance on stage. I love Drake, but I like that.

534
00:30:21,080 --> 00:30:22,840
Speaker 1: I like that. I like that dance. I like to

535
00:30:22,880 --> 00:30:25,680
Speaker 1: get my little three step on niggas don't know, nick

536
00:30:25,680 --> 00:30:28,280
Speaker 1: I gotta get that motherfucking slight work video slight work,

537
00:30:28,440 --> 00:30:31,360
Speaker 1: uh joint on streaming services because nickers don't know. I

538
00:30:31,440 --> 00:30:35,960
Speaker 1: did slap work brings with Puff and Mays. But just

539
00:30:36,040 --> 00:30:39,920
Speaker 1: almost this about like ten years ago there slap word ten. Yeah,

540
00:30:40,040 --> 00:30:42,440
Speaker 1: you see your big daddy kna versus. I didn't see

541
00:30:42,480 --> 00:30:44,680
Speaker 1: that joint you bro, I've been bro, have an album

542
00:30:44,720 --> 00:30:50,960
Speaker 1: coming up. I don't know if you know. Just I

543
00:30:51,000 --> 00:30:52,520
Speaker 1: don't know if I'm coming or going. My bad. I

544
00:30:53,240 --> 00:30:55,160
Speaker 1: know at a moment, my bad. I test. I forgot

545
00:30:55,240 --> 00:30:57,640
Speaker 1: my albums. What you was gonna say about Kano You

546
00:30:59,000 --> 00:31:03,720
Speaker 1: danced with scrap Lupa that scraplover over schools scrap Yeah, man,

547
00:31:03,880 --> 00:31:06,800
Speaker 1: they still got their knees together. I was. I got

548
00:31:06,880 --> 00:31:08,600
Speaker 1: nervous though. For a second, I thought they was gonna fall.

549
00:31:09,800 --> 00:31:11,760
Speaker 1: We gotta let this hip hop your age the right way.

550
00:31:12,880 --> 00:31:14,960
Speaker 1: It's so young, it's such a young genre. It's a

551
00:31:15,000 --> 00:31:17,400
Speaker 1: grand scheme of music touching being around for you, but

552
00:31:17,440 --> 00:31:20,360
Speaker 1: like like I don't know, that's why we do dream Chat.

553
00:31:20,400 --> 00:31:23,600
Speaker 1: I know what I'm just saying. We got to figure

554
00:31:23,600 --> 00:31:26,800
Speaker 1: out a way that niggas that like you know, all

555
00:31:26,880 --> 00:31:28,640
Speaker 1: of our o g s are like in a space

556
00:31:28,880 --> 00:31:31,360
Speaker 1: where they're they got money like the other niggas. That's

557
00:31:31,400 --> 00:31:33,120
Speaker 1: what Dream Champion is about to be. We we didn't

558
00:31:33,560 --> 00:31:36,480
Speaker 1: got money for niggas. Now we got money. Raise money

559
00:31:36,560 --> 00:31:40,959
Speaker 1: we got for you who got to figure out how

560
00:31:40,960 --> 00:31:43,480
Speaker 1: to make it. So yeah, niggas is like doing like

561
00:31:43,600 --> 00:31:45,200
Speaker 1: you know what I'm saying. Yeah, I mean versus is

562
00:31:45,240 --> 00:31:49,880
Speaker 1: making it like that the one to y'all versus he

563
00:31:50,000 --> 00:31:53,440
Speaker 1: bring it up, then they do versus what you should

564
00:31:53,480 --> 00:32:13,760
Speaker 1: drink by Meek Male Ross Hi show never So I

565
00:32:13,800 --> 00:32:18,400
Speaker 1: gotta ask everybody's in the same June that fast while

566
00:32:18,400 --> 00:32:20,840
Speaker 1: you take this shot. I take the whole shot though, sir, Yes,

567
00:32:21,200 --> 00:32:23,960
Speaker 1: come on, you know you're a drinking laer. One shot

568
00:32:24,000 --> 00:32:26,080
Speaker 1: I just had at his fast break. So we got

569
00:32:26,200 --> 00:32:29,400
Speaker 1: to ask because and the rumor is in Miami that

570
00:32:29,880 --> 00:32:34,080
Speaker 1: Meek Mill was Miami. Yeah, that's on Miami. The rumor

571
00:32:34,160 --> 00:32:37,080
Speaker 1: was Meek Mill was in club lived Ross came in

572
00:32:37,280 --> 00:32:39,200
Speaker 1: to say hi to I'm got sh about that that ship.

573
00:32:39,240 --> 00:32:41,200
Speaker 1: Don't that sh don't don't that don't even sound real

574
00:32:41,240 --> 00:32:43,360
Speaker 1: to me. I talked to both of them niggas all

575
00:32:43,400 --> 00:32:44,880
Speaker 1: the time. I ain't hear nothing like that. If I

576
00:32:44,920 --> 00:32:47,280
Speaker 1: ain't get nothing like that, I can't say I don't

577
00:32:47,320 --> 00:32:50,160
Speaker 1: think so, I don't, I don't don't. That's nothing I

578
00:32:50,200 --> 00:32:53,440
Speaker 1: don't know about that. I love the reflection. I think

579
00:32:53,440 --> 00:32:56,800
Speaker 1: the playing tender something. I think picked the ball back

580
00:32:56,840 --> 00:32:59,880
Speaker 1: on me. Hold up, that was great. First name Victor said,

581
00:33:00,080 --> 00:33:10,960
Speaker 1: y'all go right, Ali, Rizzle or Alchemists lizz It could

582
00:33:11,000 --> 00:33:14,920
Speaker 1: be little we could do. List I'm gonna take. I'm

583
00:33:14,960 --> 00:33:18,800
Speaker 1: gonna take Alchemists over Lizzo. No, no, no, Alchemists over

584
00:33:18,880 --> 00:33:21,720
Speaker 1: Lizzo because I really funk with I'm an alchemists what

585
00:33:21,840 --> 00:33:25,880
Speaker 1: he's doing. I love Lizzo too, though, but I'm about Rizzlemist.

586
00:33:25,920 --> 00:33:27,560
Speaker 1: I can't do the same person. You know what I'm

587
00:33:27,560 --> 00:33:29,720
Speaker 1: saying that I don't know. Lizzle was who you know

588
00:33:30,760 --> 00:33:37,480
Speaker 1: I heard Listen, Okay, Alchemists over Lizzo because hip hop

589
00:33:37,560 --> 00:33:40,120
Speaker 1: versus two thousand hip hop. I love it. You're taking

590
00:33:40,280 --> 00:33:42,160
Speaker 1: you're taking a lot of You're taking a lot of stuff.

591
00:33:42,160 --> 00:33:44,600
Speaker 1: And his his movie is gonna get tricky. Fox here

592
00:33:44,600 --> 00:33:53,240
Speaker 1: a little kim okay, okay, rate or ghost, let me

593
00:33:53,360 --> 00:34:03,000
Speaker 1: take a shot. You ain't gonna tak that hard, you

594
00:34:03,920 --> 00:34:10,760
Speaker 1: God damn feshionate make some noise of while they're taking shots. Allottle, solid,

595
00:34:10,880 --> 00:34:16,000
Speaker 1: solid follow. Welcome to peer pressure, brought to you by

596
00:34:16,040 --> 00:34:21,600
Speaker 1: all the alcoholic all right, gas sliding and peer pressure

597
00:34:22,000 --> 00:34:29,759
Speaker 1: puss by Victor. Still on the run, eating but he's

598
00:34:29,760 --> 00:34:37,400
Speaker 1: skating well to see. Are you ready to finish? You

599
00:34:37,440 --> 00:34:46,840
Speaker 1: gotta finish man? No? No, all right, um okay, this one.

600
00:34:46,880 --> 00:34:48,920
Speaker 1: I don't know where you're gonna go with DMX or

601
00:34:48,960 --> 00:34:54,640
Speaker 1: tuopop DMX looking at you right now, just throwing it

602
00:34:54,719 --> 00:34:58,200
Speaker 1: out there. Pockets too, okay, pockets too from that goring

603
00:34:59,239 --> 00:35:03,680
Speaker 1: I'm gonna say po. I say this because I felt

604
00:35:03,719 --> 00:35:06,279
Speaker 1: like he knew he was on the mission and he

605
00:35:06,440 --> 00:35:09,880
Speaker 1: just was on that type of time like and whatever

606
00:35:09,960 --> 00:35:12,000
Speaker 1: the funk where you want to The man was born

607
00:35:12,040 --> 00:35:14,080
Speaker 1: in Baltimore, and a lot of people don't even know

608
00:35:14,239 --> 00:35:16,520
Speaker 1: that because he when he was when he did, when

609
00:35:16,520 --> 00:35:18,080
Speaker 1: he was at what he had to do, was at

610
00:35:18,120 --> 00:35:20,279
Speaker 1: what he had to be at. He was like, I'm

611
00:35:20,320 --> 00:35:22,000
Speaker 1: here that's what I'm doing. I'm gonna say with my

612
00:35:22,120 --> 00:35:25,560
Speaker 1: chest out. Meanwhile, New York didn't move the bottom. All

613
00:35:26,120 --> 00:35:27,560
Speaker 1: I know. He went to school and ball for sure.

614
00:35:27,640 --> 00:35:29,759
Speaker 1: Yeah he went to school and boarding. Okay, born and

615
00:35:31,200 --> 00:35:41,960
Speaker 1: I want to take pic. Yeah that was he was

616
00:35:42,000 --> 00:35:44,920
Speaker 1: on the mission. He stuck to it. He did like

617
00:35:45,080 --> 00:35:47,439
Speaker 1: a lot of ship in a small amount of town,

618
00:35:48,120 --> 00:35:52,440
Speaker 1: and he did it well. And I mean, listen, the

619
00:35:52,480 --> 00:35:56,560
Speaker 1: man went to jail. Prison with the prison, he did

620
00:35:56,800 --> 00:36:04,040
Speaker 1: several movies seven h He released a lot of explosive,

621
00:36:04,200 --> 00:36:07,839
Speaker 1: important cultural records that's still relevant thirty years later. Um,

622
00:36:08,840 --> 00:36:11,000
Speaker 1: not to say both of them haven't been, but I'm

623
00:36:11,000 --> 00:36:14,359
Speaker 1: talking about how how how much he covered in that's

624
00:36:14,360 --> 00:36:16,880
Speaker 1: such a short time. And it's just like even if

625
00:36:16,960 --> 00:36:19,319
Speaker 1: Nigga's do won't be a fan of pop, you gotta

626
00:36:19,400 --> 00:36:21,040
Speaker 1: you gotta kind of put your favorite rapper in that

627
00:36:21,120 --> 00:36:23,239
Speaker 1: position and like could that person do this? This is

628
00:36:23,920 --> 00:36:26,640
Speaker 1: in this time? Not many can do that. You have

629
00:36:26,719 --> 00:36:28,440
Speaker 1: to have a level, you have to you have to

630
00:36:28,480 --> 00:36:31,960
Speaker 1: have a certain level of like excellent asset Rap City

631
00:36:32,040 --> 00:36:38,640
Speaker 1: or yoga TV wraps Crap City about mom because that's DC. Nah, Okay,

632
00:36:38,719 --> 00:36:40,560
Speaker 1: because I expect that I mean they do TV film

633
00:36:41,000 --> 00:36:44,359
Speaker 1: you donay they play videos? No, no, the mt raps.

634
00:36:44,400 --> 00:36:46,920
Speaker 1: He said, that's definitely yeah, we heard the first words.

635
00:36:47,960 --> 00:36:53,960
Speaker 1: Big ye, big up. Christopher Wallace, Okay, scarf Face, ice

636
00:36:54,000 --> 00:37:04,920
Speaker 1: Cube facing base mob prell for real, I lay on Miami. Damn. Yeah,

637
00:37:04,920 --> 00:37:08,480
Speaker 1: I said that way too fast. I love my I

638
00:37:08,560 --> 00:37:11,080
Speaker 1: love Miami culture, but nigga, every time I wake up

639
00:37:11,120 --> 00:37:13,120
Speaker 1: in Miami, I feel like I got a super hangover.

640
00:37:13,320 --> 00:37:16,320
Speaker 1: Like it's just like not even makes some noise of that.

641
00:37:18,160 --> 00:37:22,600
Speaker 1: All right, all right, Dave Chappelle, Chris Rock Da Chappelle. Damn,

642
00:37:22,960 --> 00:37:26,800
Speaker 1: it was very fast. DC man, Premo, that's got Premo

643
00:37:27,080 --> 00:37:39,719
Speaker 1: or just Blaze. We got to drink when I know

644
00:37:39,800 --> 00:37:44,720
Speaker 1: when it's nothing, I know, listen all that bullshit, Damn,

645
00:37:45,560 --> 00:37:48,160
Speaker 1: even though even though Premia Premia hit me. If I

646
00:37:48,239 --> 00:37:50,279
Speaker 1: hit PREMI hit me, but just Blaze and be like

647
00:37:50,400 --> 00:37:53,520
Speaker 1: you man, I'm in I'm in the museum in Japan,

648
00:37:53,719 --> 00:37:56,239
Speaker 1: like looking for a rare video game to not play

649
00:37:57,360 --> 00:38:04,120
Speaker 1: just Blaze, but and jath Blaze. Man, it's contribution, bro man. Listen, Okay, Okay,

650
00:38:05,560 --> 00:38:09,880
Speaker 1: I'm waiting. Hurry up. My first first ded me drink.

651
00:38:11,280 --> 00:38:19,200
Speaker 1: Then it's hurry up, bad bad. That's a sault in

652
00:38:19,280 --> 00:38:25,040
Speaker 1: some states. That's that was a little aggressive. That's so

653
00:38:25,160 --> 00:38:28,640
Speaker 1: ready to get to the next You're not in the

654
00:38:28,760 --> 00:38:34,680
Speaker 1: row these years steal freestyling. Well, I'm gonna give I'm

655
00:38:34,719 --> 00:38:36,439
Speaker 1: really gonna get your flowers after this, we're just gonna

656
00:38:36,480 --> 00:38:41,160
Speaker 1: find no, I mean, the real life or the bron

657
00:38:43,680 --> 00:38:45,120
Speaker 1: You can take a shot. You ain't gonna do it.

658
00:38:45,920 --> 00:38:49,279
Speaker 1: They both alive and they both follow you know. First

659
00:38:49,280 --> 00:38:51,160
Speaker 1: of all, Michael Jordan probably don't even know who I am.

660
00:38:51,280 --> 00:38:58,879
Speaker 1: But that's it's like, no, I can't, I can't. Damn

661
00:38:58,960 --> 00:39:05,160
Speaker 1: I was, I was. I can't micro I don't need

662
00:39:05,200 --> 00:39:08,880
Speaker 1: a microscope. I need a microscope. At this point, it's

663
00:39:08,920 --> 00:39:15,319
Speaker 1: getting it's the lights is so I'll see you got

664
00:39:15,520 --> 00:39:18,799
Speaker 1: very short. I can do that. Yeah, my ship got

665
00:39:18,920 --> 00:39:20,200
Speaker 1: very short of man, I don't know what the fun

666
00:39:20,320 --> 00:39:25,080
Speaker 1: is about to happen more go all my real answers

667
00:39:25,120 --> 00:39:30,240
Speaker 1: are coming later. Podcast and a radio radio radio. Everybody

668
00:39:30,320 --> 00:39:34,960
Speaker 1: named mother got a podcast, brod to an extent, everybody

669
00:39:35,040 --> 00:39:37,319
Speaker 1: got a podcast though that's just called I work at

670
00:39:37,480 --> 00:39:40,120
Speaker 1: x ON. Its over something, have the x ON podcast

671
00:39:40,520 --> 00:39:46,600
Speaker 1: just because I actually that been fired. Because let's talk

672
00:39:46,600 --> 00:39:48,439
Speaker 1: about the wild shid happened at the x on today.

673
00:39:48,600 --> 00:39:51,920
Speaker 1: Actually that actually is a good idea. And I'm not

674
00:39:51,920 --> 00:39:54,200
Speaker 1: even shipping on nigg that work. But how about this,

675
00:39:54,520 --> 00:39:56,319
Speaker 1: how about this? It's the niggas that don't got nothing

676
00:39:56,440 --> 00:39:59,759
Speaker 1: going on, ain't doing ship, that might have a podcast

677
00:40:00,280 --> 00:40:03,320
Speaker 1: with like three or four or five, five followers or

678
00:40:03,320 --> 00:40:05,640
Speaker 1: whatever the funk. And then it's just like I get

679
00:40:05,680 --> 00:40:08,000
Speaker 1: the dream, I get to whatever whatever. But then like

680
00:40:08,080 --> 00:40:10,759
Speaker 1: a lot of podcasts, a lot, not at all, not

681
00:40:10,880 --> 00:40:14,200
Speaker 1: even most, but a lot happening entitlement. It's what happened

682
00:40:14,200 --> 00:40:17,640
Speaker 1: with music, The same thing happened. And then I say,

683
00:40:17,760 --> 00:40:19,600
Speaker 1: I say, it's the same thing with Twitter and social

684
00:40:19,640 --> 00:40:21,960
Speaker 1: media when everybody got in the pen. So it's just

685
00:40:22,040 --> 00:40:25,719
Speaker 1: like podcast talk about the production of it. Everybody could

686
00:40:25,719 --> 00:40:31,680
Speaker 1: produce music now because of technology past and absolutely, But

687
00:40:31,760 --> 00:40:34,120
Speaker 1: if everybody in the game, who the fund is going

688
00:40:34,200 --> 00:40:37,960
Speaker 1: to watch the game? Understand no more, there's no fans,

689
00:40:38,080 --> 00:40:43,600
Speaker 1: the fansiest coaches, fans critical only fans only. That's where

690
00:40:43,680 --> 00:40:49,120
Speaker 1: the stay wold kings. I was that stop for fun

691
00:40:49,320 --> 00:40:57,080
Speaker 1: because finish your shot. There's no sipping on every up.

692
00:40:57,280 --> 00:40:59,040
Speaker 1: Come on, it is the next question. I don't even

693
00:40:59,120 --> 00:41:01,239
Speaker 1: know what this is. But I'm just gonna put it

694
00:41:01,320 --> 00:41:03,359
Speaker 1: right there. Put it over there. Y'all liked my Jada.

695
00:41:04,120 --> 00:41:05,960
Speaker 1: I'm gonna leave a little bit, and I'm a scientists

696
00:41:06,239 --> 00:41:08,440
Speaker 1: that listen, don't worry about it. We have a come

697
00:41:08,480 --> 00:41:13,840
Speaker 1: back with the from Baru. Just the road blocks came in,

698
00:41:14,120 --> 00:41:19,880
Speaker 1: like though you wrote the chase here. Yeah, come on,

699
00:41:20,120 --> 00:41:22,200
Speaker 1: I didn't bring no grass. I ain't your weed. Lordest,

700
00:41:22,920 --> 00:41:24,759
Speaker 1: we're good. I don't know what the flips some of

701
00:41:24,800 --> 00:41:27,560
Speaker 1: the he right in your face. He's gonna roll it

702
00:41:27,600 --> 00:41:30,680
Speaker 1: in your face. Listen, everybody's watching this. Everybody's watching on,

703
00:41:31,000 --> 00:41:35,320
Speaker 1: everybody's watching. Everybody is watching this. If they don't tell you,

704
00:41:35,320 --> 00:41:39,239
Speaker 1: if it's candidates, so Sativa, just don't even just do

705
00:41:39,520 --> 00:41:43,360
Speaker 1: this with them. Alright, but what is this? Yeah, I

706
00:41:43,400 --> 00:41:45,960
Speaker 1: know it's no problem, but it's switching to sweet Yeah yeah, yeah,

707
00:41:46,239 --> 00:41:49,600
Speaker 1: I'm I'm sposed to do. Yeah, come on, last from

708
00:41:49,600 --> 00:41:52,160
Speaker 1: the past. I just I kind of smell because if

709
00:41:52,160 --> 00:41:54,759
Speaker 1: you want, you want to joint paper roll you don't want. Guys,

710
00:41:54,840 --> 00:41:57,160
Speaker 1: I'm good, I'm good. Mad. I'm just speak time to Slimy.

711
00:41:57,200 --> 00:41:59,320
Speaker 1: Won't get deep, all right, I don't. I'm not getting

712
00:41:59,360 --> 00:42:01,560
Speaker 1: not the clip. Time has been a very long time

713
00:42:03,080 --> 00:42:13,080
Speaker 1: out castle ug Cat drinking, Let's drink. I love because

714
00:42:13,600 --> 00:42:16,880
Speaker 1: he played the game playing. He doesn't like it right

715
00:42:16,880 --> 00:42:28,640
Speaker 1: now than we were the same Sol Sol was in

716
00:42:28,680 --> 00:42:34,040
Speaker 1: the lab coms like massive alcohol point. All right, I

717
00:42:34,080 --> 00:42:36,880
Speaker 1: don't know who you're gonna go with this one tribe

718
00:42:36,920 --> 00:42:41,040
Speaker 1: called Questo did soul trip. I'll expect that it's called

719
00:42:41,080 --> 00:42:43,040
Speaker 1: poke it out, kicking priest called phone poke it out.

720
00:42:43,080 --> 00:42:46,160
Speaker 1: It's called poke it out, Yeah, because you your sample,

721
00:42:46,239 --> 00:42:48,160
Speaker 1: vibran thing, but also cute tip give me so much

722
00:42:48,200 --> 00:42:49,880
Speaker 1: game early when I first got on. But that was

723
00:42:49,960 --> 00:42:52,640
Speaker 1: vibrant thing. That's your sample. That's delling, that's dealing a

724
00:42:52,719 --> 00:42:58,600
Speaker 1: cute tip. Let's never forget that. Wait, Dilla, remember cute

725
00:42:58,600 --> 00:43:02,480
Speaker 1: tip discovered the Oh, I really to see the shot

726
00:43:02,560 --> 00:43:05,040
Speaker 1: between the shots that we already taken. But you don't know.

727
00:43:05,160 --> 00:43:09,360
Speaker 1: You didn't know how Dealer copro that joint, man, I

728
00:43:09,360 --> 00:43:12,080
Speaker 1: didn't know. It's a big that's a big deal for

729
00:43:12,160 --> 00:43:14,120
Speaker 1: me and co to do that record in might like

730
00:43:14,200 --> 00:43:16,120
Speaker 1: I wanted to make sure we keep that ship alive.

731
00:43:16,280 --> 00:43:19,120
Speaker 1: Like and Dealer gave that you beat direct or how

732
00:43:19,160 --> 00:43:21,239
Speaker 1: did this you say the dealer gave you. I don't

733
00:43:21,280 --> 00:43:25,640
Speaker 1: know he's passed away, but I'm saying passed away. Did

734
00:43:25,640 --> 00:43:27,359
Speaker 1: you know him? And he no, I never met him,

735
00:43:27,719 --> 00:43:29,719
Speaker 1: Like he passed when I was just started touring. So

736
00:43:30,200 --> 00:43:31,480
Speaker 1: you know, so how did you get? I gotta I

737
00:43:31,560 --> 00:43:33,800
Speaker 1: gotta know that's cool and Drede that's all cool, and

738
00:43:33,880 --> 00:43:37,279
Speaker 1: dred right there, Miami that's Miami Loud. I was there

739
00:43:37,719 --> 00:43:40,840
Speaker 1: and Dre cool and they my my big brothers. Like

740
00:43:40,880 --> 00:43:42,399
Speaker 1: I go over there and just smoke and not even

741
00:43:42,440 --> 00:43:44,680
Speaker 1: do no music. But I didn't feel like making no

742
00:43:44,840 --> 00:43:49,200
Speaker 1: music that day. And I heard the first maybe like

743
00:43:50,239 --> 00:43:52,840
Speaker 1: one point five seconds of it, and I was like,

744
00:43:53,640 --> 00:43:55,520
Speaker 1: drop that. Let me just play around with it. And

745
00:43:55,600 --> 00:43:57,560
Speaker 1: then that's how that ship came out, you know what

746
00:43:57,560 --> 00:43:59,880
Speaker 1: I'm saying. And I just did like a little bit.

747
00:44:00,040 --> 00:44:02,200
Speaker 1: And then the next day Dre was like, nigga, boy,

748
00:44:02,600 --> 00:44:05,120
Speaker 1: this crazy, you know what I'm saying. And you know,

749
00:44:05,480 --> 00:44:08,800
Speaker 1: the great thing about Dre is like he's gonna remind you, like, nigga,

750
00:44:09,080 --> 00:44:11,239
Speaker 1: this is perfect. This is what it is. And Fat

751
00:44:11,320 --> 00:44:13,960
Speaker 1: Joe too, shot the Fat Joe that's my nigga, my niggas.

752
00:44:14,000 --> 00:44:15,920
Speaker 1: But did he he was like, Yo, this is good,

753
00:44:16,000 --> 00:44:17,880
Speaker 1: like not a lot of people can do this joint

754
00:44:18,160 --> 00:44:20,680
Speaker 1: and it sounds like sound like they're at home. Sure

755
00:44:20,880 --> 00:44:23,080
Speaker 1: that's what happened and what I'm saying. And then cold

756
00:44:23,360 --> 00:44:25,960
Speaker 1: you know, you know, he comes come to the studio

757
00:44:26,000 --> 00:44:27,160
Speaker 1: and he listened to a couple of records and he

758
00:44:27,400 --> 00:44:29,480
Speaker 1: was like, yeah, I want to jump on this. Okay,

759
00:44:29,520 --> 00:44:33,440
Speaker 1: so kicking pre or phone Flux, kicking pre Red Man,

760
00:44:33,560 --> 00:44:58,960
Speaker 1: let Red Man or easy should and easy for sure show.

761
00:44:59,520 --> 00:45:03,000
Speaker 1: I'm as he was my like one of my favorite rappers,

762
00:45:03,160 --> 00:45:05,520
Speaker 1: especially when I was in like middle school and high school.

763
00:45:06,000 --> 00:45:08,680
Speaker 1: As he was one of favorite rappers. He still he

764
00:45:08,680 --> 00:45:13,160
Speaker 1: got a new door to do too. He went to

765
00:45:13,239 --> 00:45:18,440
Speaker 1: see Harry One name was the Visualize something visualized, Reality

766
00:45:18,800 --> 00:45:24,279
Speaker 1: was the matter status sits money oriented, a living Dunion

767
00:45:24,320 --> 00:45:26,920
Speaker 1: for peace ever made it? It was beginning in the

768
00:45:26,960 --> 00:45:36,839
Speaker 1: Hood of five Centers and centers come on, you know Dominican, right, yeah,

769
00:45:37,239 --> 00:45:39,480
Speaker 1: him and he got the waves even when you wake up,

770
00:45:39,520 --> 00:45:40,680
Speaker 1: do you just wake up with the way he just

771
00:45:40,760 --> 00:45:44,680
Speaker 1: do this, Tosh, we got wet everybody. Here's what I

772
00:45:44,680 --> 00:45:47,000
Speaker 1: don't know if you're going with this one. Boys in

773
00:45:47,080 --> 00:45:54,759
Speaker 1: the hood or ministers, society, man, this is decide, and

774
00:45:54,960 --> 00:45:57,160
Speaker 1: I felt like it was like the most like brutally

775
00:45:57,280 --> 00:46:00,720
Speaker 1: honest joint. When I was a kid, dog I remember

776
00:46:00,760 --> 00:46:03,399
Speaker 1: I was scared to go outside when I was a kid.

777
00:46:03,560 --> 00:46:06,879
Speaker 1: I was a little real, real, real small. I was like, man,

778
00:46:07,960 --> 00:46:10,400
Speaker 1: I remember like how that joint made me feel. It

779
00:46:10,520 --> 00:46:13,719
Speaker 1: was just like brutally honest in your face what I'm saying.

780
00:46:13,760 --> 00:46:15,440
Speaker 1: And boys in the hood has definitely got that too.

781
00:46:15,800 --> 00:46:20,960
Speaker 1: But I say minutes by, like I hed, I like

782
00:46:21,040 --> 00:46:31,480
Speaker 1: that answer, okay, red alert, mala rather alert, rather alert,

783
00:46:31,520 --> 00:46:34,000
Speaker 1: I would saying, because that's whose name I heard the most.

784
00:46:34,040 --> 00:46:36,799
Speaker 1: I am a little young like below that. But dj

785
00:46:36,920 --> 00:46:38,719
Speaker 1: alx A would be mad if I didn't answer that

786
00:46:38,800 --> 00:46:48,239
Speaker 1: ship if I keep he said, dj Alxi that's my

787
00:46:48,320 --> 00:46:51,759
Speaker 1: brother bro for life. That's my brother right there. Yeah,

788
00:46:52,920 --> 00:46:55,359
Speaker 1: this is the very last question ever for a quick

789
00:46:55,400 --> 00:46:57,640
Speaker 1: time or slam. Even though this is not being ever forever.

790
00:46:59,640 --> 00:47:02,640
Speaker 1: You weren't of it, like it was over with, were

791
00:47:02,640 --> 00:47:07,279
Speaker 1: getting deep now. But what do you what do you like?

792
00:47:07,480 --> 00:47:13,120
Speaker 1: Loyalty or respect? Respect? Loyalty loyalty got to like kind

793
00:47:13,160 --> 00:47:16,000
Speaker 1: of more of an expiration quicker expiration date. Respect kind

794
00:47:16,000 --> 00:47:18,680
Speaker 1: of last long. If you do something, you get anybody respect,

795
00:47:18,680 --> 00:47:20,480
Speaker 1: They're gonna respect you for a while, they might not

796
00:47:20,520 --> 00:47:23,520
Speaker 1: think about your every day. Loyalty kind of requires you

797
00:47:23,560 --> 00:47:26,240
Speaker 1: to think about somebody more. Respect can just come around

798
00:47:26,400 --> 00:47:28,680
Speaker 1: like oh yeah, all right, I ain't seen this thing

799
00:47:28,760 --> 00:47:30,440
Speaker 1: a long time, but all I know is that respect

800
00:47:30,520 --> 00:47:33,839
Speaker 1: this nigga. Loyalty is just kind of like, alright, I'm

801
00:47:33,920 --> 00:47:36,960
Speaker 1: loyal for like a three months or if until. If

802
00:47:37,040 --> 00:47:40,280
Speaker 1: you're not getting fed, you're not loyal no more. Loyalty

803
00:47:40,360 --> 00:47:43,480
Speaker 1: is a motherfucker lordie. Got a lot of niggas. A

804
00:47:43,520 --> 00:47:46,240
Speaker 1: lot of niggas in cask is carried by the nigga

805
00:47:46,600 --> 00:47:49,320
Speaker 1: that they wasn't going too or that that's not wasn't what,

806
00:47:49,400 --> 00:47:52,120
Speaker 1: that wasn't lawd to them. Respect ain't gonna put them.

807
00:47:52,160 --> 00:47:54,600
Speaker 1: Respect ain't gonna kill you, niggle. Respect. You ain't gonna

808
00:47:54,680 --> 00:47:56,440
Speaker 1: murk you. He ain't gonna do nothing. A't gonna do nothing.

809
00:47:56,480 --> 00:47:58,839
Speaker 1: Gonna sunk with your family not being respect you. They

810
00:47:58,920 --> 00:48:01,680
Speaker 1: could be lord to Monday Wednesday. You don't got lore.

811
00:48:01,920 --> 00:48:05,560
Speaker 1: You turning up like that's the easiest question you ask me, brother,

812
00:48:10,719 --> 00:48:12,799
Speaker 1: you're not drinking to that? I think made the most

813
00:48:12,880 --> 00:48:23,640
Speaker 1: complicated everybody that was actually the best. Everybody play money, cocaine,

814
00:48:23,719 --> 00:48:31,000
Speaker 1: business controls America. You know all right now that we

815
00:48:31,080 --> 00:48:33,200
Speaker 1: got quick time and slim done. I'm gonna just tell

816
00:48:33,200 --> 00:48:40,200
Speaker 1: you it's two things. Yeah. One, I want to look

817
00:48:40,239 --> 00:48:43,560
Speaker 1: at you face to know you glasses off. I don't know.

818
00:48:43,640 --> 00:48:46,200
Speaker 1: I want you to just this one thing because I'm

819
00:48:46,239 --> 00:48:48,239
Speaker 1: mean thanking you. Listen, listen, listen, I don't know. I

820
00:48:48,280 --> 00:48:50,000
Speaker 1: want you to look. I'm watch I'm looking. I'm good.

821
00:48:50,280 --> 00:48:52,040
Speaker 1: I'm you know I'm good. I just like to this second,

822
00:48:52,120 --> 00:48:54,320
Speaker 1: like the Little dark, I was an old school wrapper

823
00:48:56,040 --> 00:48:59,200
Speaker 1: who I got this? I got this when he was young,

824
00:48:59,280 --> 00:49:01,360
Speaker 1: when he was young around It's my turn. I'm an

825
00:49:01,360 --> 00:49:04,840
Speaker 1: old school bop man. Let me get this white do

826
00:49:05,000 --> 00:49:07,120
Speaker 1: this story. I'm gonna hit this late Snory Blunt got

827
00:49:07,200 --> 00:49:10,239
Speaker 1: a light up. Yeah, it's definitely not lace. But I

828
00:49:10,400 --> 00:49:13,400
Speaker 1: loved you. I called you, I said your wile? Can

829
00:49:13,440 --> 00:49:17,040
Speaker 1: you do a joint with me? What a song? Yeah?

830
00:49:17,160 --> 00:49:21,719
Speaker 1: When who's that? You don't even remember you? A? Hey?

831
00:49:21,800 --> 00:49:24,200
Speaker 1: Should we should we dress? I'm bigging you up right now.

832
00:49:24,440 --> 00:49:26,120
Speaker 1: Can you just relax? Can let me pick you up?

833
00:49:26,200 --> 00:49:32,720
Speaker 1: Let me I gotta get you. I hate you were

834
00:49:32,719 --> 00:49:35,560
Speaker 1: a cousin Victor, your brother Victor who is ye moons

835
00:49:36,080 --> 00:49:38,920
Speaker 1: he wor you gotta be he going it down? No, no,

836
00:49:39,080 --> 00:49:41,640
Speaker 1: no he We always talked about you always show that

837
00:49:41,719 --> 00:49:44,719
Speaker 1: nigga love like shout the big moves man, shout glenn On.

838
00:49:45,520 --> 00:49:51,520
Speaker 1: But more I'm in purgatory. What that means is people

839
00:49:51,560 --> 00:49:55,879
Speaker 1: who don't understand industry language. Purgatory is in betweens being

840
00:49:56,040 --> 00:49:59,320
Speaker 1: lit and being dead. You're saying at the time that

841
00:49:59,360 --> 00:50:02,360
Speaker 1: you're talking about right now, And I man, no, no,

842
00:50:02,760 --> 00:50:06,399
Speaker 1: I like this prodect called this man and I said,

843
00:50:06,440 --> 00:50:09,640
Speaker 1: while I need you, you're one of my favorite number.

844
00:50:09,680 --> 00:50:11,120
Speaker 1: What can you can you give us a year so

845
00:50:11,160 --> 00:50:14,160
Speaker 1: I could do? Wasn't it people that's paid It wasn't

846
00:50:14,200 --> 00:50:21,800
Speaker 1: During the Crazyhood studio sessions back, I said, yeah, it

847
00:50:21,880 --> 00:50:24,200
Speaker 1: was the craziest studios to the studio. No, but I'm

848
00:50:24,200 --> 00:50:27,520
Speaker 1: saying those days, okay, when we had the serious extime

849
00:50:27,600 --> 00:50:30,680
Speaker 1: show and the only even look at your phone because

850
00:50:30,680 --> 00:50:32,359
Speaker 1: this is this is your flowers. He's got a text

851
00:50:34,000 --> 00:50:36,560
Speaker 1: and you you you one of the biggest things out there.

852
00:50:37,719 --> 00:50:39,840
Speaker 1: And I called you and I said I need a

853
00:50:39,880 --> 00:50:43,840
Speaker 1: record with you, and you said yes, I sent you

854
00:50:43,960 --> 00:50:47,080
Speaker 1: the record and you've seen it back immediately. You have

855
00:50:47,320 --> 00:50:51,919
Speaker 1: my bad and I appreciate this so much. I don't

856
00:50:51,960 --> 00:50:54,239
Speaker 1: know if do you do you notice because I said

857
00:50:54,320 --> 00:50:57,319
Speaker 1: this on the podcasting, and that's all documents you can

858
00:50:57,320 --> 00:51:05,080
Speaker 1: say that you had one time they didn't talk. That

859
00:51:05,200 --> 00:51:08,399
Speaker 1: was my talk. Told me to come here and talk, okay,

860
00:51:08,440 --> 00:51:14,840
Speaker 1: I gottes twenty two minutes two minutes. So I just

861
00:51:14,960 --> 00:51:17,160
Speaker 1: want to say, Viole, let me tell you something. You

862
00:51:17,239 --> 00:51:19,160
Speaker 1: was the top of the game. You did not have

863
00:51:19,280 --> 00:51:21,840
Speaker 1: to do my record. I didn't have to come to

864
00:51:21,960 --> 00:51:24,440
Speaker 1: my video. You didn't have to do none of that.

865
00:51:25,880 --> 00:51:28,400
Speaker 1: And I really, sincerely I wish you would take your

866
00:51:28,400 --> 00:51:31,279
Speaker 1: glasses off. It's okay, keep them on. I really wish

867
00:51:31,320 --> 00:51:33,560
Speaker 1: you would know that. Let me just tell you something.

868
00:51:33,800 --> 00:51:37,719
Speaker 1: I mean music purgatory. You know what that means. You

869
00:51:37,840 --> 00:51:40,040
Speaker 1: just told him a second said, but I want you

870
00:51:40,120 --> 00:51:42,279
Speaker 1: to know I don't believe in it. But you don't

871
00:51:42,320 --> 00:51:45,560
Speaker 1: believe in music. Pect hypothetically you could believe in it.

872
00:51:45,680 --> 00:51:48,520
Speaker 1: That you're in a place that's between popping and nut popping.

873
00:51:51,400 --> 00:51:53,480
Speaker 1: I just did diverse right, he said, I was doing this,

874
00:51:53,600 --> 00:51:55,560
Speaker 1: and then the third I didn't see that when I

875
00:51:55,640 --> 00:51:58,239
Speaker 1: did that, I did it so you're saying that you

876
00:51:58,400 --> 00:52:02,600
Speaker 1: got purgatory. Didn't mean anything, was the Santiago. I'm just

877
00:52:02,680 --> 00:52:04,560
Speaker 1: a hustler doing what the hustles do. I'm just a

878
00:52:04,640 --> 00:52:12,279
Speaker 1: hospital around from times. Naship. Man. Don't be getting me

879
00:52:12,680 --> 00:52:19,600
Speaker 1: like dog. Tell me she's the voodoo dog like you think.

880
00:52:19,600 --> 00:52:28,359
Speaker 1: You think the industry cultural purgatory. He does understand. But listen,

881
00:52:28,440 --> 00:52:30,880
Speaker 1: let me just pick him up. You're the biggest thing

882
00:52:31,000 --> 00:52:36,480
Speaker 1: in the world. And you come to my video in Brooklyn.

883
00:52:37,840 --> 00:52:42,160
Speaker 1: You know I'm not from Brooklyn. He was hoping and

884
00:52:43,360 --> 00:52:47,640
Speaker 1: there on defense anyway, like I'm out there like this.

885
00:52:47,800 --> 00:52:49,759
Speaker 1: Let's listen. I'm from Queens, but I got It's the

886
00:52:49,840 --> 00:52:52,839
Speaker 1: only thing I got and wild they can't. That ship

887
00:52:52,960 --> 00:52:56,160
Speaker 1: meant the world to me. Look look at me. It

888
00:52:56,400 --> 00:52:59,520
Speaker 1: meant the world to me. I want to tell you,

889
00:52:59,640 --> 00:53:02,880
Speaker 1: face to face, man and man like a man. Thank you,

890
00:53:03,160 --> 00:53:09,680
Speaker 1: my brother. Absolutely, I really appreciate that because a lot

891
00:53:09,719 --> 00:53:16,000
Speaker 1: of people say, how you know, Drake good good looking

892
00:53:16,000 --> 00:53:17,879
Speaker 1: at the Drake, But a lot of people say how Drake,

893
00:53:17,920 --> 00:53:20,719
Speaker 1: how he'll go and he with a new nigger. But

894
00:53:20,800 --> 00:53:23,719
Speaker 1: the difference between you is he'll funk with anybody who

895
00:53:23,800 --> 00:53:29,120
Speaker 1: foks with you, and respect that that is dope to me,

896
00:53:30,040 --> 00:53:33,920
Speaker 1: and I appreciate that. Um, you don't always get when

897
00:53:33,960 --> 00:53:38,080
Speaker 1: you don't. And m Drake. First of all, Drake has

898
00:53:38,120 --> 00:53:40,719
Speaker 1: a great air fatality, Like I think Drake can have

899
00:53:41,880 --> 00:53:44,600
Speaker 1: be like on some Clyde David's mixed with a little Wayne,

900
00:53:44,920 --> 00:53:47,600
Speaker 1: like he could be Craig, like he could be doing

901
00:53:47,680 --> 00:53:52,000
Speaker 1: both at some point in his career. Um to me, like,

902
00:53:52,120 --> 00:53:53,920
Speaker 1: it's like, I come from a place we don't have

903
00:53:54,000 --> 00:53:55,799
Speaker 1: no rappers. We don't have we didn't have very much.

904
00:53:55,960 --> 00:53:59,000
Speaker 1: All my homies was go gol niggas, and um, I

905
00:53:59,239 --> 00:54:01,120
Speaker 1: was just like I was fucking who I funk with.

906
00:54:01,719 --> 00:54:03,800
Speaker 1: I remember I had to drive an hour on the

907
00:54:03,880 --> 00:54:06,680
Speaker 1: fucking little ass bus to get to my school. I

908
00:54:06,840 --> 00:54:09,920
Speaker 1: was listening to his ship right there. Me and Big

909
00:54:10,000 --> 00:54:12,040
Speaker 1: Moves was listening to this ship. I was in this ship,

910
00:54:12,400 --> 00:54:14,920
Speaker 1: you know what I'm saying. Like, I remember remember the

911
00:54:15,040 --> 00:54:18,600
Speaker 1: nine CDs for one penny Joints. I remember being elementary school.

912
00:54:19,040 --> 00:54:21,799
Speaker 1: I remember, well, I don't know, I might be burnt out,

913
00:54:21,840 --> 00:54:24,160
Speaker 1: but I felt like him and Camp's first CD came

914
00:54:24,200 --> 00:54:27,840
Speaker 1: out around the same I got this guy at the

915
00:54:27,960 --> 00:54:30,319
Speaker 1: same time, and I just remember playing both of them

916
00:54:30,400 --> 00:54:33,640
Speaker 1: jams and playing like video games. I was a kid,

917
00:54:34,040 --> 00:54:36,680
Speaker 1: but I never forget that, Like I just the albums

918
00:54:36,680 --> 00:54:38,920
Speaker 1: when I just grew my the artists alike, and then

919
00:54:38,920 --> 00:54:42,279
Speaker 1: it's like, you know, I become this artist I've become

920
00:54:42,360 --> 00:54:44,200
Speaker 1: and I get to be able to pole with these

921
00:54:44,280 --> 00:54:46,000
Speaker 1: niggers that I was growing up on. You know what

922
00:54:46,040 --> 00:54:48,840
Speaker 1: I'm saying. Who I was listening to. It was a

923
00:54:48,880 --> 00:54:50,080
Speaker 1: part of my life. I had to be on a

924
00:54:50,160 --> 00:54:52,360
Speaker 1: bus two hours a day, so I was listening to

925
00:54:52,400 --> 00:54:55,200
Speaker 1: any CD that I got whatever. You know what I'm saying,

926
00:54:55,200 --> 00:54:56,640
Speaker 1: So I knew you know what I'm saying, Like I

927
00:54:57,080 --> 00:54:58,960
Speaker 1: didn't know what your saying over the time, but I

928
00:54:59,000 --> 00:55:00,920
Speaker 1: was like, I like this ship. You know, I know,

929
00:55:01,000 --> 00:55:03,799
Speaker 1: I was a bump of you. The band for TV

930
00:55:04,000 --> 00:55:07,080
Speaker 1: was like like one of the probably the top fifteen

931
00:55:07,880 --> 00:55:10,960
Speaker 1: greatest hip hop bees Um Camp Blow. I was listening

932
00:55:11,040 --> 00:55:16,839
Speaker 1: up to Saturday Night Reasonable Dot Blueprint, Uh that card

933
00:55:16,840 --> 00:55:19,160
Speaker 1: of One or whatever um I was. I was in

934
00:55:19,239 --> 00:55:21,320
Speaker 1: the mixing a lot of no limit, a lot of limits,

935
00:55:21,520 --> 00:55:24,200
Speaker 1: no limits even down South Africata go with Max So

936
00:55:24,840 --> 00:55:26,640
Speaker 1: and Yellow bas. I got it from a no limit

937
00:55:26,880 --> 00:55:30,920
Speaker 1: So that hook um fen Fen is that's my that's

938
00:55:30,960 --> 00:55:33,520
Speaker 1: my boy, like that's my nigger like I used to

939
00:55:33,600 --> 00:55:35,560
Speaker 1: listen to them. Was my favorite No Limit artists. My

940
00:55:35,600 --> 00:55:40,239
Speaker 1: second one was mad right. You didn't know you know,

941
00:55:40,280 --> 00:55:43,239
Speaker 1: I listen where shot my og Matt Mac just came

942
00:55:43,280 --> 00:55:46,080
Speaker 1: home from doing one. I'm talking to Mac. I mean,

943
00:55:46,160 --> 00:55:47,880
Speaker 1: I'm I'm I'm listening to Mac on the way to

944
00:55:47,960 --> 00:55:50,760
Speaker 1: this fucking school for everybody that got a probation officer

945
00:55:50,800 --> 00:55:53,239
Speaker 1: that work in the school. And I'm listening in the

946
00:55:53,320 --> 00:55:56,680
Speaker 1: shell Shock by Matt. You know what I'm saying. What

947
00:55:57,160 --> 00:55:59,759
Speaker 1: A couple of years later, I get get on as

948
00:55:59,800 --> 00:56:01,480
Speaker 1: a operend is that the third and Mac doing twenty

949
00:56:01,520 --> 00:56:04,640
Speaker 1: one years? The man come home and he reached out

950
00:56:04,760 --> 00:56:07,000
Speaker 1: like because I'm saying I'm using some of his stuff.

951
00:56:07,000 --> 00:56:09,960
Speaker 1: He see the vibe that should be that should be

952
00:56:10,040 --> 00:56:12,800
Speaker 1: mattering to me more than like anything else. Like Q

953
00:56:13,000 --> 00:56:15,839
Speaker 1: Tip hitting me. Uh q Tip hit me like three

954
00:56:15,920 --> 00:56:18,600
Speaker 1: days ago about the Polkado record. He's like, bro, like

955
00:56:18,680 --> 00:56:20,239
Speaker 1: I love it. I just I'm just happy. Before you

956
00:56:20,280 --> 00:56:22,000
Speaker 1: do anything you need for me, that ship goes a

957
00:56:22,080 --> 00:56:25,000
Speaker 1: long way with me more than all other stuff. If

958
00:56:25,040 --> 00:56:26,920
Speaker 1: y'all niggers want me to make an album when if

959
00:56:26,960 --> 00:56:29,400
Speaker 1: I have ten number ones, I'll shoot for that. But

960
00:56:29,920 --> 00:56:31,200
Speaker 1: at this point in my life, I just want to

961
00:56:31,239 --> 00:56:33,800
Speaker 1: wrap good and funk with niggas who fun with me.

962
00:56:34,680 --> 00:56:42,719
Speaker 1: Ricis ship also all right? I just want to you know,

963
00:56:44,360 --> 00:56:48,200
Speaker 1: at this time, you and me, you don't want those blunts.

964
00:56:48,760 --> 00:56:52,359
Speaker 1: It's just you're just smoking blood for like old DC sake,

965
00:56:53,000 --> 00:56:59,640
Speaker 1: bringing city for the city for the city. But you

966
00:57:00,040 --> 00:57:02,440
Speaker 1: and Meek was the first two people signed to Rock

967
00:57:02,600 --> 00:57:07,000
Speaker 1: Nation Management. Is that true? I don't think we came

968
00:57:07,040 --> 00:57:09,359
Speaker 1: in a little like a while after me because that's

969
00:57:09,360 --> 00:57:13,399
Speaker 1: sound about National management immediately, you know what I'm saying. Yeah,

970
00:57:14,920 --> 00:57:19,120
Speaker 1: and that after before not mmg, No, I sounded before

971
00:57:19,400 --> 00:57:25,720
Speaker 1: before hope, before hope was the hope was like the

972
00:57:27,000 --> 00:57:32,000
Speaker 1: not nah because I met I met Ross at Delaware

973
00:57:32,200 --> 00:57:35,280
Speaker 1: State home coming at the show and it was like

974
00:57:35,360 --> 00:57:38,720
Speaker 1: three other artists that was big, that was popping, and

975
00:57:38,840 --> 00:57:41,160
Speaker 1: I was dropped from minutes ago. But I was after.

976
00:57:41,640 --> 00:57:43,240
Speaker 1: But I was right before Ross and he's like this,

977
00:57:43,400 --> 00:57:45,600
Speaker 1: how is this nigga having a crowd on like this?

978
00:57:45,800 --> 00:57:48,680
Speaker 1: That's when we first met. Then we met at uh

979
00:57:50,720 --> 00:57:54,120
Speaker 1: in my Yeah, we met at Charlot. I was by myself.

980
00:57:54,680 --> 00:57:56,160
Speaker 1: I was a while and I was lunching out. I

981
00:57:56,200 --> 00:57:58,520
Speaker 1: don't know what like looking back on what I'm charty

982
00:57:58,560 --> 00:58:02,720
Speaker 1: by myself. No, no, no, no, we should drink for

983
00:58:02,800 --> 00:58:07,200
Speaker 1: that text some shots in the club by yourself on

984
00:58:07,320 --> 00:58:10,720
Speaker 1: some take your shot? What is you doing by yourself?

985
00:58:10,760 --> 00:58:12,440
Speaker 1: But he saw me and even that, he just laugh

986
00:58:12,520 --> 00:58:24,760
Speaker 1: He's like, you crazy Stone. Then get the rose out

987
00:58:24,760 --> 00:58:26,120
Speaker 1: of stone. The same thing now, trying to line this

988
00:58:26,240 --> 00:58:27,960
Speaker 1: up outside. We tell you, we tell you, be good.

989
00:58:28,040 --> 00:58:36,760
Speaker 1: You get the fucking talk me go flack black tooth,

990
00:58:36,840 --> 00:58:45,280
Speaker 1: you relax something, come on his black thin. That's what basketball.

991
00:58:48,600 --> 00:58:54,360
Speaker 1: We're together. Man, you're saying this, saying yo, man, okay,

992
00:58:55,800 --> 00:59:00,600
Speaker 1: that is I'm really googled. Ask everyone, you are the

993
00:59:00,720 --> 00:59:05,040
Speaker 1: first rock Nation management. You first artists on Rock Nation

994
00:59:05,080 --> 00:59:09,320
Speaker 1: manage management. I didn't know that. Maybe I should have God,

995
00:59:09,360 --> 00:59:13,439
Speaker 1: trust me, I'm trusting everyone. Talk to Emery. I didn't.

996
00:59:13,480 --> 00:59:16,400
Speaker 1: I don't know what's going on. I'm just listening, Lenny.

997
00:59:16,880 --> 00:59:19,960
Speaker 1: I just did you say, Lenny, I want to I

998
00:59:20,000 --> 00:59:22,120
Speaker 1: didn't say I don't know what's happening. Let me tell

999
00:59:22,120 --> 00:59:27,080
Speaker 1: you that I don't know. I just whatever, this is

1000
00:59:27,120 --> 00:59:28,600
Speaker 1: what I do. I'm like, I don't know if you know,

1001
00:59:28,840 --> 00:59:32,560
Speaker 1: I'm like kind of good. Alright, so some people that

1002
00:59:32,600 --> 00:59:35,160
Speaker 1: you reach out, did you hit me? So yeah, okay,

1003
00:59:35,160 --> 00:59:39,040
Speaker 1: I don't know what you mean, but doubles. But but

1004
00:59:39,200 --> 00:59:43,160
Speaker 1: but listen, you are the technically first it is you

1005
00:59:43,520 --> 00:59:47,560
Speaker 1: and Meek Mail. It is technically the first Rock Nation

1006
00:59:48,000 --> 00:59:54,240
Speaker 1: management artist. I'm pretty sure. I think I don't know

1007
00:59:54,600 --> 00:59:57,840
Speaker 1: because I know I signed. I signed with them early,

1008
00:59:58,320 --> 01:00:00,320
Speaker 1: like before I was even on MMG, So I don't

1009
01:00:00,360 --> 01:00:02,680
Speaker 1: know who they was managing. I think I don't know

1010
01:00:02,760 --> 01:00:04,560
Speaker 1: who was management, who was artists. I know, like it

1011
01:00:04,640 --> 01:00:09,000
Speaker 1: was like the ting Tings, it was like versus what.

1012
01:00:09,160 --> 01:00:11,320
Speaker 1: I didn't know who what. I just knew that I

1013
01:00:11,440 --> 01:00:14,040
Speaker 1: go to Risch's office, I see me nearly, I see whole,

1014
01:00:14,200 --> 01:00:16,720
Speaker 1: I see tal top and like that's and then that's

1015
01:00:16,800 --> 01:00:18,400
Speaker 1: o G walk from time to time, and I was

1016
01:00:18,520 --> 01:00:20,720
Speaker 1: that That's all I really knew. I was really I

1017
01:00:20,880 --> 01:00:23,760
Speaker 1: was really green all this ship though, all right, because

1018
01:00:23,920 --> 01:00:30,240
Speaker 1: also it was like the first artist to say I

1019
01:00:30,440 --> 01:00:39,080
Speaker 1: want to move on from at some point, Um, well

1020
01:00:39,600 --> 01:00:41,160
Speaker 1: tell us about I don't know how to. I don't know.

1021
01:00:41,240 --> 01:00:43,560
Speaker 1: All right, Well, it's like reverse engineering right now, let's

1022
01:00:43,560 --> 01:00:48,640
Speaker 1: go now, Um, so what happened was going on the

1023
01:00:48,680 --> 01:00:52,320
Speaker 1: shot first. I was taking a shot for this, trying

1024
01:00:52,320 --> 01:00:54,720
Speaker 1: to get me killed before I get to the airport. Now, um,

1025
01:00:55,560 --> 01:01:00,520
Speaker 1: now I was, I was, I was. I was in

1026
01:01:00,640 --> 01:01:04,520
Speaker 1: the whole site for for long time. And you said

1027
01:01:04,600 --> 01:01:09,240
Speaker 1: a whole site, whole the world level from the torn

1028
01:01:09,320 --> 01:01:12,919
Speaker 1: or anything. And I don't know. There was a time

1029
01:01:14,000 --> 01:01:17,400
Speaker 1: that I was on tour with j Cole at this point,

1030
01:01:17,560 --> 01:01:20,240
Speaker 1: I was opening for him. They told me it was

1031
01:01:20,280 --> 01:01:23,880
Speaker 1: like a Cold headline TourBook whatever. Um I was opening

1032
01:01:24,120 --> 01:01:25,440
Speaker 1: for him, and it was like it was kind of

1033
01:01:25,440 --> 01:01:29,600
Speaker 1: an elaborate stage and it's in a third and somebody

1034
01:01:31,160 --> 01:01:34,520
Speaker 1: of no, somebody in my circle was like, yo, you know,

1035
01:01:34,600 --> 01:01:36,640
Speaker 1: you're losing like five brand ors ain't going on stage,

1036
01:01:36,640 --> 01:01:38,360
Speaker 1: You're not even You're you're not not only are you

1037
01:01:38,480 --> 01:01:41,480
Speaker 1: not breaking even, you're losing money. And it was it

1038
01:01:41,640 --> 01:01:43,919
Speaker 1: was like at me and at that point in my life,

1039
01:01:44,040 --> 01:01:45,760
Speaker 1: it was just like I remember I was in I

1040
01:01:45,800 --> 01:01:47,880
Speaker 1: forgot what city was in, but I remember I was

1041
01:01:47,960 --> 01:01:52,000
Speaker 1: on the bus and I remember I had got an

1042
01:01:52,000 --> 01:01:55,720
Speaker 1: offer to do another tour with two other artists, and

1043
01:01:57,360 --> 01:01:59,439
Speaker 1: I wanted to go with Cold because that's like my brother.

1044
01:01:59,520 --> 01:02:02,000
Speaker 1: We just did hold tour together whatever whatever I'm saying,

1045
01:02:02,680 --> 01:02:06,120
Speaker 1: and I remember being like, all right, cool, I'm gonna

1046
01:02:06,160 --> 01:02:09,640
Speaker 1: just be like, let's let me do this tour. I'm saying, uh,

1047
01:02:10,720 --> 01:02:13,920
Speaker 1: you know, I'm cold or whatever, So I um he

1048
01:02:14,040 --> 01:02:16,280
Speaker 1: was on the road and I was just like, man, um,

1049
01:02:17,480 --> 01:02:20,040
Speaker 1: I heard that from whatever. It doesn't matter where I

1050
01:02:20,040 --> 01:02:22,520
Speaker 1: heard it from. It was somebody that was closer to

1051
01:02:22,520 --> 01:02:26,560
Speaker 1: the joint. And then yeah, I'm losing. I'm losing. You're

1052
01:02:26,560 --> 01:02:29,560
Speaker 1: losing it. You're not even breaking. Yeah, the shows ain't

1053
01:02:29,720 --> 01:02:33,160
Speaker 1: the show was sold out, and I just couldn't Again,

1054
01:02:33,160 --> 01:02:34,959
Speaker 1: I'm a young nick. I couldn't make sense of because

1055
01:02:34,960 --> 01:02:37,440
Speaker 1: I'm like, bro, I think this was the Gift that

1056
01:02:37,560 --> 01:02:39,360
Speaker 1: was out, and I think the Gifted one number two

1057
01:02:39,520 --> 01:02:41,800
Speaker 1: or one on Billboard. And I just couldn't understand it

1058
01:02:42,200 --> 01:02:44,360
Speaker 1: because I'm like, man, I could literally just be hosting

1059
01:02:44,400 --> 01:02:46,600
Speaker 1: club and just be like making like this to night

1060
01:02:46,840 --> 01:02:49,760
Speaker 1: x y Z and I couldn't understand it. And I

1061
01:02:49,880 --> 01:02:53,520
Speaker 1: just really had a meltdown real and I remember whatever

1062
01:02:53,600 --> 01:02:56,320
Speaker 1: city I was in, it was like three days left,

1063
01:02:56,400 --> 01:02:58,800
Speaker 1: and I just quit the tour. I just quit. And

1064
01:02:58,840 --> 01:03:00,440
Speaker 1: I just remember one of me see how I was

1065
01:03:00,440 --> 01:03:03,240
Speaker 1: towards this is bluecere, no, this is this is cold,

1066
01:03:03,560 --> 01:03:07,240
Speaker 1: this is the code whatever, boring, center and gifted, right,

1067
01:03:07,320 --> 01:03:09,360
Speaker 1: I think, and the and the difference is J Cole's

1068
01:03:09,360 --> 01:03:11,320
Speaker 1: science of rock nation as an artist, right. I wasn't

1069
01:03:11,320 --> 01:03:12,760
Speaker 1: even thinking about that. What I'm saying is that the

1070
01:03:12,840 --> 01:03:16,560
Speaker 1: case still in the in this situation your management. He's

1071
01:03:16,560 --> 01:03:18,520
Speaker 1: an artist. But I didn't. I didn't at that point.

1072
01:03:18,560 --> 01:03:20,120
Speaker 1: I wasn't. I didn't know that. I just knew he

1073
01:03:20,240 --> 01:03:22,640
Speaker 1: was all of like. So I just was like, man,

1074
01:03:22,640 --> 01:03:26,280
Speaker 1: I'm losing. I'm like man, because I was. If I

1075
01:03:26,360 --> 01:03:28,880
Speaker 1: was doing I was torn by myself. I could I

1076
01:03:28,960 --> 01:03:32,240
Speaker 1: could be like probably like blessing it crazy every night,

1077
01:03:32,840 --> 01:03:35,040
Speaker 1: but you know what I mean. So I was. I

1078
01:03:35,120 --> 01:03:38,800
Speaker 1: just kind of had a meltdown and I didn't I

1079
01:03:38,840 --> 01:03:41,240
Speaker 1: didn't know who to call, like who like if my

1080
01:03:41,360 --> 01:03:43,920
Speaker 1: lord in my count and I was just like okay,

1081
01:03:44,080 --> 01:03:51,760
Speaker 1: um the next day I called somebody and that was

1082
01:03:51,840 --> 01:03:55,200
Speaker 1: like to get this option or this option, and you know,

1083
01:03:55,440 --> 01:03:57,800
Speaker 1: but it's been all love since, you know. I just was.

1084
01:03:57,920 --> 01:04:01,040
Speaker 1: I just wasn't like, privy to this fucking music industry

1085
01:04:01,040 --> 01:04:02,960
Speaker 1: should high work. I just thought that I was like, yo,

1086
01:04:03,600 --> 01:04:05,440
Speaker 1: there's there's many people in the room. I know that

1087
01:04:06,000 --> 01:04:08,440
Speaker 1: you know this is happening, blah blah blah, but you know,

1088
01:04:08,680 --> 01:04:10,880
Speaker 1: but again I learned. I learned it, and you know

1089
01:04:10,920 --> 01:04:13,280
Speaker 1: I learned a lot from them. And that's the man.

1090
01:04:13,400 --> 01:04:15,840
Speaker 1: Jay still my idol, bro, He's still my favorite. Rather

1091
01:04:15,880 --> 01:04:17,880
Speaker 1: was still my you know. Last time I talked to

1092
01:04:17,960 --> 01:04:20,520
Speaker 1: him was that Beyonce was I believe when Beyonce was

1093
01:04:20,560 --> 01:04:24,080
Speaker 1: doing her Arenas tour and I talked to him. But like,

1094
01:04:24,200 --> 01:04:26,800
Speaker 1: I still got all them, all the love and all

1095
01:04:26,880 --> 01:04:29,000
Speaker 1: of them. You know, I was this ship. I was

1096
01:04:29,040 --> 01:04:31,920
Speaker 1: a little bit early in this ship. Though. What do

1097
01:04:31,960 --> 01:04:34,920
Speaker 1: you think the takeaway would be for a new artist? Like,

1098
01:04:35,240 --> 01:04:37,800
Speaker 1: if you were able to talk to yourself going to

1099
01:04:37,920 --> 01:04:41,320
Speaker 1: that deal, what would you say to yourself? Great question.

1100
01:04:43,120 --> 01:04:48,600
Speaker 1: Everybody deserves grace. That would be management, you know, uh

1101
01:04:50,360 --> 01:04:52,840
Speaker 1: of other people that you're working with. Everybody deserves like

1102
01:04:52,880 --> 01:04:54,640
Speaker 1: a little bit of grace, a little bit of like

1103
01:04:54,800 --> 01:04:57,919
Speaker 1: yo understanding, you know, and don't be like so quick

1104
01:04:57,960 --> 01:05:00,400
Speaker 1: to just be like kind of don't lead with your

1105
01:05:00,440 --> 01:05:03,560
Speaker 1: emotions sometimes in business, don't lead with your emotions. You

1106
01:05:03,600 --> 01:05:05,720
Speaker 1: can have your emotions, but don't leave with them. So

1107
01:05:05,800 --> 01:05:07,800
Speaker 1: let's be directly with it right now. Well, I wanted

1108
01:05:07,840 --> 01:05:10,520
Speaker 1: that specific to the contract, Like what would you say

1109
01:05:10,560 --> 01:05:13,880
Speaker 1: to yourself going back to that contract, what could you

1110
01:05:13,960 --> 01:05:17,880
Speaker 1: have avoided? I only even who contract with whatever? You

1111
01:05:17,960 --> 01:05:20,680
Speaker 1: weren't getting out of that situation, Like I just just

1112
01:05:20,840 --> 01:05:22,800
Speaker 1: I just don't. I don't know if I maybe my

1113
01:05:22,920 --> 01:05:25,080
Speaker 1: overhead was higher than I thought it was. I didn't

1114
01:05:25,120 --> 01:05:28,000
Speaker 1: really know the game like that. You know, that's that's

1115
01:05:28,000 --> 01:05:30,160
Speaker 1: just like an oversight boy. You might have done something

1116
01:05:30,240 --> 01:05:32,800
Speaker 1: yourself outside that you didn't even understand that you was

1117
01:05:32,840 --> 01:05:36,160
Speaker 1: going over the budget. I just wasn't privy to torn

1118
01:05:36,480 --> 01:05:39,320
Speaker 1: like I just was. I did spot dats and did

1119
01:05:39,360 --> 01:05:41,120
Speaker 1: my own little small rooms and stuff like that. I

1120
01:05:41,200 --> 01:05:44,240
Speaker 1: didn't know. So you know, you know, we was we

1121
01:05:44,400 --> 01:05:46,360
Speaker 1: was all young around that time, the people, everybody I

1122
01:05:46,440 --> 01:05:48,080
Speaker 1: was moving when we was all, we was all figuring

1123
01:05:48,120 --> 01:05:50,680
Speaker 1: on the game. None of us was in the industry before,

1124
01:05:51,040 --> 01:05:53,520
Speaker 1: you know what I'm saying. So just like being where

1125
01:05:53,560 --> 01:05:55,200
Speaker 1: we're from, we don't really we didn't really had none

1126
01:05:55,240 --> 01:05:57,280
Speaker 1: of there, Like like that's why you do this is

1127
01:05:57,360 --> 01:06:00,120
Speaker 1: how you do that. I wish I did. But the

1128
01:06:00,160 --> 01:06:03,680
Speaker 1: game is a game. Game is the motherfucker. The game

1129
01:06:03,800 --> 01:06:06,400
Speaker 1: is a game. It makes you take a shot for

1130
01:06:06,440 --> 01:06:09,840
Speaker 1: the game is a game? Not really? I really feel

1131
01:06:09,840 --> 01:06:12,600
Speaker 1: like I really ain't fun again. Yo, y'all said left

1132
01:06:12,600 --> 01:06:14,320
Speaker 1: North be the only one clapp at one time, just

1133
01:06:14,400 --> 01:06:17,520
Speaker 1: to see like what happened? Were like, Yo, just take

1134
01:06:17,560 --> 01:06:23,080
Speaker 1: a shot for Are you a nah? It's your sure

1135
01:06:23,200 --> 01:06:25,480
Speaker 1: trying to do my numbers. This is a part of

1136
01:06:25,560 --> 01:06:33,080
Speaker 1: the podcast where he does astrology. Are you Oh, there's

1137
01:06:33,120 --> 01:06:35,320
Speaker 1: no way you can tell me. I'm first of all,

1138
01:06:35,680 --> 01:06:38,480
Speaker 1: I know that if you didn't any research. He he

1139
01:06:38,680 --> 01:06:40,880
Speaker 1: knows that I'm that's part of it. That's part of

1140
01:06:40,880 --> 01:06:44,320
Speaker 1: the shenanigans. But ah, go on continue came. But also

1141
01:06:44,520 --> 01:06:48,880
Speaker 1: also you guys are the same person. First thing to apology,

1142
01:06:49,920 --> 01:06:52,640
Speaker 1: also like, that's what your notes told you to do

1143
01:06:52,760 --> 01:06:54,440
Speaker 1: right now. It wasn't in your heart. It's not in

1144
01:06:54,480 --> 01:06:56,720
Speaker 1: your heart, but it's in your phone. That's in my

1145
01:06:56,840 --> 01:07:00,040
Speaker 1: heart and my respect. What are your POSI didn't I

1146
01:07:00,200 --> 01:07:03,840
Speaker 1: know as a virgo. Listen, you really got my phone number.

1147
01:07:04,200 --> 01:07:06,840
Speaker 1: So if I offended you when I said that young

1148
01:07:07,000 --> 01:07:11,160
Speaker 1: Chris was around, I'll take a shot for that, all right.

1149
01:07:11,760 --> 01:07:17,080
Speaker 1: I didn't extract you anything. That's probably anyway, no, no

1150
01:07:17,200 --> 01:07:21,360
Speaker 1: death serious, I was kind of trying to make a joke,

1151
01:07:21,480 --> 01:07:25,000
Speaker 1: and I didn't understand how this could. I don't know

1152
01:07:25,040 --> 01:07:27,760
Speaker 1: what you're talking about, so leave it alone. No, I

1153
01:07:27,800 --> 01:07:29,840
Speaker 1: don't know. No, I don't know what. Doesn't know that,

1154
01:07:29,960 --> 01:07:31,760
Speaker 1: Just leave it alone. No, I don't know what's happening.

1155
01:07:31,800 --> 01:07:35,440
Speaker 1: But he's apologizing for something that had go for it.

1156
01:07:35,560 --> 01:07:38,800
Speaker 1: Just gone to booping your ass, right, just bring it up.

1157
01:07:38,880 --> 01:07:43,120
Speaker 1: Just I don't know what your you guys called you.

1158
01:07:44,840 --> 01:07:47,000
Speaker 1: And then he was like, I don't know it because

1159
01:07:47,000 --> 01:07:49,400
Speaker 1: he said that young Christmas around he's writing my raps

1160
01:07:49,520 --> 01:07:51,880
Speaker 1: or something like that, and I did not say that.

1161
01:07:52,480 --> 01:07:58,840
Speaker 1: I said young Christmas around. M Leave it alone. I

1162
01:07:59,160 --> 01:08:01,200
Speaker 1: don't know. Just the edit. Do you really think someone?

1163
01:08:01,440 --> 01:08:03,360
Speaker 1: Do you really think? Do you really think? Do you

1164
01:08:03,400 --> 01:08:05,600
Speaker 1: really think anybody? Not? Honestly, do you really think anybody

1165
01:08:05,840 --> 01:08:08,560
Speaker 1: come right? Like anybody on the Filone plane? I don't.

1166
01:08:09,120 --> 01:08:10,880
Speaker 1: I was trying to be funny. I was playing around,

1167
01:08:10,920 --> 01:08:14,120
Speaker 1: not get it. He said that on Drink Champs you

1168
01:08:14,200 --> 01:08:19,799
Speaker 1: were dear Na. Reasonly, Hey, listen, listen to Hollywood's Emmy's

1169
01:08:20,439 --> 01:08:24,320
Speaker 1: this is Emmy worthy like that. I'm going on. We

1170
01:08:24,439 --> 01:08:31,600
Speaker 1: don't Yeah, yeah, it's recorded, but nobody knows what's going on.

1171
01:08:32,600 --> 01:08:34,479
Speaker 1: I'm gonna be I played the peruvie on the llama

1172
01:08:34,560 --> 01:08:37,719
Speaker 1: that rolls all the bloods. That's why you gotta smoke

1173
01:08:37,760 --> 01:08:41,519
Speaker 1: the Nori Lacey joints Queen's Bridge. You should drink that

1174
01:08:41,640 --> 01:08:44,600
Speaker 1: lava juice we gave you. Listen left right from left right.

1175
01:08:44,600 --> 01:08:51,840
Speaker 1: It's a totally different place. Are we drinking this hut us?

1176
01:08:53,360 --> 01:09:02,200
Speaker 1: There's black money. Let's tell you face to face, man

1177
01:09:02,280 --> 01:09:06,360
Speaker 1: and man out of I that I was playing around

1178
01:09:06,600 --> 01:09:10,320
Speaker 1: when I said that. But I could understand and realize

1179
01:09:10,360 --> 01:09:15,080
Speaker 1: how you could took that personal because nobody wrote my

1180
01:09:15,160 --> 01:09:19,000
Speaker 1: mom and when I personally be accused of that, that's

1181
01:09:19,040 --> 01:09:23,080
Speaker 1: the terriblest thing. So I positive I was playing around. Well,

1182
01:09:23,360 --> 01:09:25,120
Speaker 1: I never knew the context of the show in the

1183
01:09:25,200 --> 01:09:27,439
Speaker 1: first place. I never knew a little because I don't,

1184
01:09:27,439 --> 01:09:29,640
Speaker 1: I don't want, I don't. So this is the thing

1185
01:09:29,680 --> 01:09:32,920
Speaker 1: about me. No, No, I have a I have a

1186
01:09:33,000 --> 01:09:35,760
Speaker 1: lot of like like things like with the industry that

1187
01:09:35,960 --> 01:09:38,160
Speaker 1: makes me uncomfortable. So I when I when I'm in

1188
01:09:38,280 --> 01:09:41,559
Speaker 1: my space, I don't watch interviews, I don't watch videos.

1189
01:09:41,920 --> 01:09:44,400
Speaker 1: I barely listened to us out very now. I just know. No,

1190
01:09:44,600 --> 01:09:46,120
Speaker 1: that's the thing with me, that's like a real thing.

1191
01:09:46,200 --> 01:09:48,960
Speaker 1: So I don't know. So I might hear something on

1192
01:09:49,080 --> 01:09:51,840
Speaker 1: Twitter or like get a clipicip because I don't know.

1193
01:09:52,040 --> 01:09:54,679
Speaker 1: I can't I physically can't watch my ship. I can't

1194
01:09:54,680 --> 01:09:58,639
Speaker 1: do it because it's like I just I'm tapped out,

1195
01:09:58,760 --> 01:10:00,920
Speaker 1: like when I put my all into that studio to

1196
01:10:00,960 --> 01:10:03,559
Speaker 1: that move into this pen and pant, I can't really

1197
01:10:03,600 --> 01:10:05,040
Speaker 1: do it. So I don't really be nor on what's

1198
01:10:05,040 --> 01:10:07,719
Speaker 1: going on. And then you know, in that sense, ignorance

1199
01:10:07,760 --> 01:10:09,880
Speaker 1: is blissed because I just don't think I'm the type

1200
01:10:09,880 --> 01:10:12,120
Speaker 1: of nigger that need to be listening and ship. I

1201
01:10:12,200 --> 01:10:18,240
Speaker 1: mean I'm already like rebercluse or introvert whatever, I don't

1202
01:10:18,280 --> 01:10:20,760
Speaker 1: need to be listening to what what else is going on?

1203
01:10:20,920 --> 01:10:23,760
Speaker 1: For real? I feel like we should make noise for that,

1204
01:10:23,880 --> 01:10:25,439
Speaker 1: take a shot for the album. I mean, I don't

1205
01:10:25,439 --> 01:10:27,400
Speaker 1: know about to take a shot. Noise part was accurate,

1206
01:10:27,479 --> 01:10:30,840
Speaker 1: but he he went left. He's like, make a noise,

1207
01:10:30,880 --> 01:10:32,519
Speaker 1: take a shot, Lets drink a whole bottle right now,

1208
01:10:32,680 --> 01:10:39,559
Speaker 1: Let's do a line, but a lot I was thinking.

1209
01:10:47,760 --> 01:10:51,000
Speaker 1: So we established that this not might might not be

1210
01:10:51,240 --> 01:10:54,679
Speaker 1: considered a mixtape or album. This is just just dropping

1211
01:10:54,760 --> 01:10:59,600
Speaker 1: who is on this album? Floran into right, who was

1212
01:10:59,680 --> 01:11:04,040
Speaker 1: on this out? It's out now, so it's I'm sure

1213
01:11:04,080 --> 01:11:07,080
Speaker 1: you know, yeah yeah, but we need you to reiterate

1214
01:11:08,200 --> 01:11:10,599
Speaker 1: because this is gonna be out already, because right now

1215
01:11:10,640 --> 01:11:12,679
Speaker 1: it's coming out tomorrow. But tell us what whose pieces

1216
01:11:12,720 --> 01:11:16,400
Speaker 1: on the souse? Throw it off the backboard. I really

1217
01:11:16,439 --> 01:11:19,000
Speaker 1: wanted to make this joint like more about me, like whatever,

1218
01:11:19,200 --> 01:11:21,280
Speaker 1: I don't. I wasn't. I don't really care. I don't

1219
01:11:21,320 --> 01:11:23,320
Speaker 1: care about no streams and nothing like, I'm like, you

1220
01:11:23,360 --> 01:11:26,200
Speaker 1: know what, there's new things happening in my life and

1221
01:11:26,280 --> 01:11:28,200
Speaker 1: my career that I promise you I will come back

1222
01:11:28,240 --> 01:11:31,880
Speaker 1: and talk about. But I didn't want it. I didn't

1223
01:11:31,920 --> 01:11:33,600
Speaker 1: want to, like, hang, this is not the latest one

1224
01:11:33,600 --> 01:11:36,840
Speaker 1: because you hit it, know that one has. I just

1225
01:11:36,960 --> 01:11:39,160
Speaker 1: wanted to. I wanted to just do it, just you

1226
01:11:39,200 --> 01:11:42,559
Speaker 1: can hit more. Take your own blood. It's a Russian

1227
01:11:42,600 --> 01:11:45,280
Speaker 1: roulette and that one. Let me don't listen to this

1228
01:11:45,400 --> 01:11:50,639
Speaker 1: motherfucker he's cuting. What does that? He's like, he wants

1229
01:11:50,640 --> 01:11:58,439
Speaker 1: to go ahead? What I got by, so drunker Now

1230
01:11:59,360 --> 01:12:07,280
Speaker 1: let's go bas America, keep my blood back and smoking

1231
01:12:07,320 --> 01:12:14,559
Speaker 1: niggas your love man over here, got may or may

1232
01:12:14,600 --> 01:12:16,120
Speaker 1: not be. I don't know. I don't want to be

1233
01:12:16,280 --> 01:12:22,560
Speaker 1: rac don't I don't know. I'm not far if I

1234
01:12:22,600 --> 01:12:28,960
Speaker 1: said for Ruby and then like nigga, what right the

1235
01:12:29,080 --> 01:12:33,080
Speaker 1: jay you're fighting in the contep Listen, he got money too?

1236
01:12:33,160 --> 01:12:36,360
Speaker 1: He really old llamas with sub wolfers on. I already know.

1237
01:12:36,479 --> 01:12:41,280
Speaker 1: Let's holy Shi. By the way, while you didn't finish

1238
01:12:41,320 --> 01:12:43,760
Speaker 1: the smoke, because that's gonna probably lace. Why do you

1239
01:12:43,840 --> 01:12:46,120
Speaker 1: keep thinking it's not because we already started smoking. So

1240
01:12:46,200 --> 01:12:49,040
Speaker 1: what is it? Little true sermony but not too much?

1241
01:12:50,200 --> 01:12:52,080
Speaker 1: He's like, man, I'm no he put a den in

1242
01:12:52,120 --> 01:12:55,120
Speaker 1: that bottle on front though. Listen, I'm not some You've

1243
01:12:55,120 --> 01:12:57,360
Speaker 1: been knocking down a lot of bitches in there. I

1244
01:12:57,479 --> 01:13:01,320
Speaker 1: know this one too. Listen. I'm merried to the game,

1245
01:13:02,400 --> 01:13:04,559
Speaker 1: that's all. I got samurgy to the motherfucker. I'm merried

1246
01:13:04,600 --> 01:13:07,519
Speaker 1: to the art phone. That's it because it says one

1247
01:13:07,600 --> 01:13:09,920
Speaker 1: of your songs, you gotta get a fine woman to

1248
01:13:10,000 --> 01:13:12,000
Speaker 1: come here, be from the bartender. And then didn't ask

1249
01:13:12,080 --> 01:13:15,519
Speaker 1: that question. That's gonna be easier to answer. There's another

1250
01:13:15,560 --> 01:13:18,240
Speaker 1: way it works, saying you don't want to step the bag.

1251
01:13:18,439 --> 01:13:22,559
Speaker 1: You don't want to you you were the kids all right?

1252
01:13:22,720 --> 01:13:24,880
Speaker 1: But you knocked down a lot of a lot. No. No,

1253
01:13:25,760 --> 01:13:31,320
Speaker 1: I don't like people in my space. I don't like

1254
01:13:31,439 --> 01:13:33,120
Speaker 1: the I don't like God. I don't like the dilemma

1255
01:13:33,160 --> 01:13:34,720
Speaker 1: of having to wake up not to somebody. I don't

1256
01:13:34,720 --> 01:13:37,400
Speaker 1: really care to talk because more of a problem. Yeah,

1257
01:13:37,720 --> 01:13:39,600
Speaker 1: I don't. I don't like that. I don't like the

1258
01:13:39,840 --> 01:13:44,080
Speaker 1: publicist did a great job. Look all, look she's like,

1259
01:13:46,400 --> 01:13:49,120
Speaker 1: he answered. I wish I wished we could say that.

1260
01:13:49,360 --> 01:13:51,680
Speaker 1: I wish we could say that was rehearsed. But that

1261
01:13:51,840 --> 01:13:54,559
Speaker 1: was just being on night boot. You was taking it down.

1262
01:13:54,880 --> 01:13:57,360
Speaker 1: You know. I had a girlfriend at the time, beautiful,

1263
01:13:57,400 --> 01:14:00,720
Speaker 1: beautiful woman. She was from land and she was in

1264
01:14:00,800 --> 01:14:04,719
Speaker 1: cot In, the Florida Landover and she went to school

1265
01:14:05,200 --> 01:14:08,280
Speaker 1: and we lived in Soho were less slightly after that,

1266
01:14:08,439 --> 01:14:11,000
Speaker 1: and she was rocking on me. He sat rocking so

1267
01:14:11,080 --> 01:14:13,439
Speaker 1: hard at that time. I feel like sacking. I don't

1268
01:14:13,439 --> 01:14:15,240
Speaker 1: know what got to do with the story, but yeah,

1269
01:14:15,680 --> 01:14:18,120
Speaker 1: I just feel like taking the shoulders right now, right,

1270
01:14:18,160 --> 01:14:23,439
Speaker 1: Let's go as soon as possible. Don't put it on

1271
01:14:23,560 --> 01:14:27,160
Speaker 1: the rock, drink your shot, go ahead. Let me pull

1272
01:14:27,200 --> 01:14:30,599
Speaker 1: your ship pulled, my ship, my shi my ship pull

1273
01:14:30,880 --> 01:14:36,160
Speaker 1: my ship, alcoholic babies on your ship, and I'm running

1274
01:14:36,200 --> 01:14:38,439
Speaker 1: drink chimps. Now, So Nori tell us what it was

1275
01:14:38,479 --> 01:14:40,439
Speaker 1: like working with Chico to bark. Did you'll do coke?

1276
01:14:44,800 --> 01:14:47,240
Speaker 1: You know us about getting heading the whip without crashing?

1277
01:14:47,400 --> 01:14:51,240
Speaker 1: Did you actually crash a whip while getting head? Can

1278
01:14:51,280 --> 01:14:54,920
Speaker 1: you take a shot? I was like these days he

1279
01:14:55,080 --> 01:14:58,840
Speaker 1: owned pluck you, he's rich, pluck your chicken. Yes, you

1280
01:14:58,920 --> 01:15:02,599
Speaker 1: take your shot off tonally, Damn, I got too excited

1281
01:15:02,680 --> 01:15:04,920
Speaker 1: up the drink champs. You can't even I can't even

1282
01:15:04,960 --> 01:15:06,679
Speaker 1: answer your ship to you take a shot? Oh? They'll

1283
01:15:06,680 --> 01:15:09,599
Speaker 1: be answering question? Yeah, yeah, yeah, you can't know. No, don't.

1284
01:15:09,920 --> 01:15:11,840
Speaker 1: But this is the first time, so I gotta make

1285
01:15:11,880 --> 01:15:18,360
Speaker 1: other rules right now. So I apologize for saying thinking

1286
01:15:18,439 --> 01:15:20,639
Speaker 1: of the written ship. I apologize, and I also pick

1287
01:15:20,720 --> 01:15:23,680
Speaker 1: you up for you with me when I was in purgatory.

1288
01:15:24,360 --> 01:15:26,400
Speaker 1: It never was in purgatory. He was always Noriaga and

1289
01:15:26,520 --> 01:15:29,439
Speaker 1: without asked. Whatever you asked for, you remember, will be

1290
01:15:29,479 --> 01:15:34,880
Speaker 1: the asked for. We're on the West Side Highway. Let's

1291
01:15:34,880 --> 01:15:36,280
Speaker 1: take a shot. You're gonna give me the inst rental?

1292
01:15:36,600 --> 01:15:38,639
Speaker 1: I ain't got it? Can we find it? We're gonna

1293
01:15:38,640 --> 01:15:41,439
Speaker 1: find let's drop it clad get clari You're gonna get

1294
01:15:41,439 --> 01:15:44,760
Speaker 1: the clear on this? Thinking about getting the clear? Not

1295
01:15:44,920 --> 01:15:49,439
Speaker 1: do it? You want to do it joint? Right now,

1296
01:15:50,200 --> 01:15:55,800
Speaker 1: we're on the West side. Do you remember who produced it?

1297
01:15:55,920 --> 01:15:58,800
Speaker 1: At least I don't know. I'm gonna figure it out

1298
01:15:58,840 --> 01:16:02,559
Speaker 1: tomorrow because somebody, somebody in the research department figured out

1299
01:16:02,600 --> 01:16:05,200
Speaker 1: West Highway. I think it was in the component Norrea,

1300
01:16:05,240 --> 01:16:09,840
Speaker 1: I believe, No, yes, it was. Was it? Okay, So

1301
01:16:10,000 --> 01:16:13,360
Speaker 1: now I'm gonna ask you about this record. No hands

1302
01:16:13,640 --> 01:16:21,320
Speaker 1: ye Roscoe dash yep? What does that mean? Like it's

1303
01:16:21,360 --> 01:16:25,320
Speaker 1: just sucking your dick with no hands? I was referring

1304
01:16:25,400 --> 01:16:29,960
Speaker 1: to like just praying without putting your hands together. That's

1305
01:16:30,000 --> 01:16:32,559
Speaker 1: what I was talking about. I was talking about reading,

1306
01:16:32,880 --> 01:16:35,639
Speaker 1: reading with just like with your brain, with your mind,

1307
01:16:36,439 --> 01:16:38,840
Speaker 1: That's what I was talking about. Yeah, people don't even

1308
01:16:38,920 --> 01:16:41,559
Speaker 1: understand I was. It was it's a higher meaning. It's

1309
01:16:41,560 --> 01:16:43,479
Speaker 1: like I was talking about like just like like like

1310
01:16:43,640 --> 01:16:48,320
Speaker 1: living your life without like touching stuff. Yeah, I don't

1311
01:16:48,320 --> 01:16:51,719
Speaker 1: believe what you don't have Listen, you talk about sucking

1312
01:16:51,800 --> 01:16:57,240
Speaker 1: dick with no hands. I don't know. I was just

1313
01:16:57,320 --> 01:16:59,360
Speaker 1: thinking about talking about being on a higher level with

1314
01:16:59,560 --> 01:17:02,960
Speaker 1: like like what I was like actually praying or touching

1315
01:17:03,000 --> 01:17:09,160
Speaker 1: the higher light. That's what he was ahead. We are

1316
01:17:09,240 --> 01:17:12,519
Speaker 1: taking a shot together because he's got a little dash

1317
01:17:13,800 --> 01:17:17,759
Speaker 1: waker flocker. And they had a show called No Hands,

1318
01:17:18,000 --> 01:17:21,360
Speaker 1: No Hands, and what happened she monel like David was

1319
01:17:21,400 --> 01:17:26,000
Speaker 1: taking bitches down with no hands. I was walking in

1320
01:17:26,120 --> 01:17:30,920
Speaker 1: the studio and when Google and googlehen uh a Google

1321
01:17:30,920 --> 01:17:34,920
Speaker 1: op just came home. Didn't go toc he just came

1322
01:17:35,000 --> 01:17:38,479
Speaker 1: home and I had loan. I was with twin shots

1323
01:17:38,479 --> 01:17:42,920
Speaker 1: to twin from Motown, you know he uh he was,

1324
01:17:43,360 --> 01:17:46,320
Speaker 1: that's my guy. Like we weren't like the five six clubs.

1325
01:17:46,960 --> 01:17:50,720
Speaker 1: And I remember Recy Mr Recy again. She was there.

1326
01:17:51,439 --> 01:17:54,240
Speaker 1: She was a Gucci and then I remember he wasn't

1327
01:17:54,280 --> 01:17:56,320
Speaker 1: dre any more and she was like, yo, just going

1328
01:17:56,400 --> 01:18:00,120
Speaker 1: to this room. I remember Walker was there and I

1329
01:18:00,120 --> 01:18:03,080
Speaker 1: don't think, Yeah, all tho niggas would him. And I

1330
01:18:03,200 --> 01:18:05,360
Speaker 1: was I was burnt, I was tired. I was smoked out.

1331
01:18:05,600 --> 01:18:15,120
Speaker 1: Probably a little sec tonight. I'm a little They did it.

1332
01:18:15,520 --> 01:18:17,720
Speaker 1: Nobody didn't nobod. Yeah, we don't make it. Don't make

1333
01:18:17,760 --> 01:18:20,600
Speaker 1: those every time. Oh yeah, they didn't roll with me.

1334
01:18:21,640 --> 01:18:24,639
Speaker 1: There's no love at that time A great. I don't,

1335
01:18:24,640 --> 01:18:26,080
Speaker 1: I don't, I don't, I don't, I don't. I don't

1336
01:18:26,120 --> 01:18:29,599
Speaker 1: know what the bill, I don't know. Just stop your bullshit.

1337
01:18:29,920 --> 01:18:32,840
Speaker 1: Are you're acting up right? That is that tiring? STA

1338
01:18:33,200 --> 01:18:39,320
Speaker 1: limitations over now. We did that joint and he asked,

1339
01:18:39,360 --> 01:18:41,080
Speaker 1: you asked for it, and then I got it for you.

1340
01:18:41,160 --> 01:18:43,960
Speaker 1: That's all that happened. What's going on right now? And

1341
01:18:44,040 --> 01:18:47,920
Speaker 1: he saw this is nobody heard it. You got the

1342
01:18:47,960 --> 01:18:50,880
Speaker 1: Cadillacs and said, okay, I got the Catalec we don't

1343
01:18:50,880 --> 01:18:54,679
Speaker 1: know anything about. And then I focused the Cadillacs, the memoles.

1344
01:18:55,479 --> 01:18:57,559
Speaker 1: I don't know what we're talking about. We're talking about

1345
01:18:58,439 --> 01:19:00,599
Speaker 1: I'm just trying to get to the question. We're gonna

1346
01:19:00,600 --> 01:19:04,600
Speaker 1: take a shot? No, we're not anymore. You got the

1347
01:19:04,680 --> 01:19:13,439
Speaker 1: rest anymore finish and you got the rock star a

1348
01:19:13,560 --> 01:19:15,760
Speaker 1: ring right there? Wait, don't, don't, You're just I don't

1349
01:19:15,800 --> 01:19:19,519
Speaker 1: know what's going on. Tell us about your album, but

1350
01:19:19,720 --> 01:19:21,560
Speaker 1: I love your hat, But tell us about you know,

1351
01:19:21,720 --> 01:19:25,200
Speaker 1: but check that out of there. He's a D D

1352
01:19:25,720 --> 01:19:41,040
Speaker 1: for the curse. D don't. We're never gonna virgo yes shot,

1353
01:19:41,120 --> 01:19:44,000
Speaker 1: yes shot right there? You professional for yeah? Yeah, yeah,

1354
01:19:44,439 --> 01:19:45,720
Speaker 1: you got you to do it all right, let's go

1355
01:19:45,840 --> 01:19:52,040
Speaker 1: rock and roll. Mama Darren saying, I know you're gonna

1356
01:19:52,080 --> 01:19:58,000
Speaker 1: miss me, but we've been like this, Chrispiel, I don't know,

1357
01:19:58,080 --> 01:20:00,040
Speaker 1: I'm gonna. I'm gonna just get through this joint the

1358
01:20:00,120 --> 01:20:03,519
Speaker 1: grace of God and like reflexes, get the no, I'm good.

1359
01:20:04,120 --> 01:20:07,639
Speaker 1: What's the question? Finish your ship and then we can question.

1360
01:20:07,640 --> 01:20:09,479
Speaker 1: It's the way it works when you finish it and

1361
01:20:10,080 --> 01:20:12,360
Speaker 1: gets to yeah, yah, y'all don't have me going out

1362
01:20:12,439 --> 01:20:14,360
Speaker 1: sat and I know I'm don't worry about it. We're

1363
01:20:14,360 --> 01:20:17,000
Speaker 1: gonna we're gonna be at your party tonight. Here I

1364
01:20:17,120 --> 01:20:20,680
Speaker 1: might not be in my party and boys will be

1365
01:20:20,760 --> 01:20:30,960
Speaker 1: here with a law Holy Molly guacamo. So now everybody

1366
01:20:31,040 --> 01:20:42,320
Speaker 1: day the Holly with bitches. That's a great story. Women. No,

1367
01:20:43,560 --> 01:20:46,000
Speaker 1: I don't know where then, did you said, you know

1368
01:20:46,080 --> 01:20:49,120
Speaker 1: what I'm going with this? That's some ship. Let's take

1369
01:20:49,160 --> 01:20:51,760
Speaker 1: a shot for that day one of the y'all wod

1370
01:20:51,840 --> 01:20:55,160
Speaker 1: y'all of y'alls, y'all, Oh, that's what you're doing with it.

1371
01:20:55,720 --> 01:21:00,439
Speaker 1: That's not how you give it up? Oh things though,

1372
01:21:01,120 --> 01:21:08,439
Speaker 1: never remember, I'm expect that. I don't think anybody understands

1373
01:21:08,520 --> 01:21:12,840
Speaker 1: that all the Auto sisters and queens doing anything in Hollywood,

1374
01:21:13,000 --> 01:21:16,360
Speaker 1: but you live in we're your primary residents at l A. Outside.

1375
01:21:16,800 --> 01:21:18,840
Speaker 1: I remember one time, me and Buster. I'm not from

1376
01:21:18,880 --> 01:21:20,720
Speaker 1: I'm not, I'm not you know I'm in l A.

1377
01:21:21,600 --> 01:21:23,760
Speaker 1: I've seen you in l A. Just what you're seen

1378
01:21:23,800 --> 01:21:26,360
Speaker 1: in New York too. Yeah, but I've seen one tip

1379
01:21:26,560 --> 01:21:29,479
Speaker 1: me and Boster in the club. Girl, you jumped on

1380
01:21:29,600 --> 01:21:33,519
Speaker 1: top of it, yourn like dinner. That's how he was dancing.

1381
01:21:33,680 --> 01:21:35,840
Speaker 1: I feel like it's completely made up. That's how you

1382
01:21:35,960 --> 01:21:39,479
Speaker 1: dancing up, just like I think I can go abouster.

1383
01:21:39,880 --> 01:21:42,040
Speaker 1: You don't remember how he dance again? How do you

1384
01:21:42,160 --> 01:21:46,719
Speaker 1: dance again like this? Remember what year was this before

1385
01:21:46,720 --> 01:21:52,880
Speaker 1: the pat different seventy eight pemic studio You don't remember.

1386
01:21:52,920 --> 01:21:55,200
Speaker 1: And you came up as me and Buster. You came

1387
01:21:55,280 --> 01:22:00,040
Speaker 1: up to it, she said, come to my crib. This

1388
01:22:00,560 --> 01:22:04,639
Speaker 1: is this pitch the Cartoon Network. I'm sure that's about

1389
01:22:04,680 --> 01:22:08,040
Speaker 1: the at you jumped on top of the ball. You

1390
01:22:08,080 --> 01:22:10,960
Speaker 1: know what. I thought it was a stage. I thought

1391
01:22:10,960 --> 01:22:12,880
Speaker 1: it was a stage too, but now it became a

1392
01:22:12,960 --> 01:22:17,640
Speaker 1: bull in five minutes that stage you jumped out the

1393
01:22:18,640 --> 01:22:26,000
Speaker 1: smart stay in l a could have been Wisconsin. You

1394
01:22:26,040 --> 01:22:28,800
Speaker 1: got footage, yeah, definitely got Sam and black busting then

1395
01:22:28,840 --> 01:22:31,280
Speaker 1: with me, I don't know what the language that work.

1396
01:22:31,479 --> 01:22:34,000
Speaker 1: Sell it to TMC. I will never do that and

1397
01:22:34,080 --> 01:22:36,360
Speaker 1: bust it down with whatever they pay you. If you

1398
01:22:36,439 --> 01:22:39,280
Speaker 1: know they were up to freak, chance were up to

1399
01:22:39,439 --> 01:22:44,040
Speaker 1: fish first of all. First of all, y'all more up

1400
01:22:44,120 --> 01:22:47,400
Speaker 1: than most of us. But just saying you got some

1401
01:22:48,040 --> 01:22:51,360
Speaker 1: don't bass footage like that? Like, no, let's take we

1402
01:22:51,520 --> 01:22:57,280
Speaker 1: might n that, bitch. Let's go up. Let me we

1403
01:22:57,360 --> 01:23:01,960
Speaker 1: got a great wine with why hunt it? Though it's drinks,

1404
01:23:02,520 --> 01:23:07,400
Speaker 1: it's called drink the champions of drinking. Its water is

1405
01:23:07,439 --> 01:23:09,720
Speaker 1: not a thing. We know what this bottle is, but

1406
01:23:09,840 --> 01:23:16,320
Speaker 1: it doesn't exist here. Go ahead. I really don't know

1407
01:23:16,360 --> 01:23:18,080
Speaker 1: why we started talking, but all right, let's ky just

1408
01:23:18,120 --> 01:23:20,400
Speaker 1: feel like she's doing another shot. I think I think

1409
01:23:20,439 --> 01:23:23,000
Speaker 1: we should do another shot shore throwing the bottle of

1410
01:23:23,320 --> 01:23:27,680
Speaker 1: what that was? Flori is out Florine. This nicker don't

1411
01:23:27,720 --> 01:23:31,559
Speaker 1: even know how to say my album tight. You got

1412
01:23:31,640 --> 01:23:38,280
Speaker 1: flor I promise you. I'm not y'alls about that. Y'all

1413
01:23:39,200 --> 01:23:43,439
Speaker 1: y'alls about right now, Yo, you should change your album

1414
01:23:43,520 --> 01:23:46,960
Speaker 1: to Florine. Though no, no, no, no no, that's gonna

1415
01:23:47,000 --> 01:23:49,240
Speaker 1: be kicking his ass. It's really with his ass right now.

1416
01:23:49,280 --> 01:23:52,360
Speaker 1: That's cool though. That the last name right, my mother,

1417
01:23:52,479 --> 01:23:55,519
Speaker 1: last name, my mother last na yea shop your maid

1418
01:23:55,600 --> 01:24:00,639
Speaker 1: a name. Well, let's do it. And that's that's another

1419
01:24:00,680 --> 01:24:01,840
Speaker 1: thing they told me. They told me you had the

1420
01:24:01,880 --> 01:24:06,080
Speaker 1: trickiest parents. However, the trickiest. It wasn't. That wasn't that

1421
01:24:06,200 --> 01:24:07,640
Speaker 1: wasn't tricky. He got they didn't know how to do

1422
01:24:07,680 --> 01:24:12,880
Speaker 1: a kickflip on m They you know, I was, I was,

1423
01:24:13,040 --> 01:24:16,000
Speaker 1: I was not, I was. I was really going to

1424
01:24:17,360 --> 01:24:19,400
Speaker 1: he said. I put out there I was going left

1425
01:24:19,680 --> 01:24:21,880
Speaker 1: and she was going left when him, he said, stop

1426
01:24:22,040 --> 01:24:25,840
Speaker 1: going left when you should go drinking going I don't

1427
01:24:25,840 --> 01:24:29,000
Speaker 1: want to hear the story until you don't want thoughts.

1428
01:24:29,360 --> 01:24:31,240
Speaker 1: I want to know when you don't have control over

1429
01:24:31,280 --> 01:24:34,720
Speaker 1: your thoughts. That's nail. It's cool though, man, he said,

1430
01:24:34,800 --> 01:24:36,439
Speaker 1: joined the main Strea. I've seen like four or five

1431
01:24:36,520 --> 01:24:39,880
Speaker 1: niggas do this ship. They like, I don't drink. I'm like, nigga,

1432
01:24:39,880 --> 01:24:42,080
Speaker 1: why did you go to drink? Tis like, nigga, don't

1433
01:24:42,160 --> 01:24:47,640
Speaker 1: tell me if you don't speak, finish that ship. But

1434
01:24:47,880 --> 01:24:51,080
Speaker 1: this is not that wasn't the ad. Don't know, we're

1435
01:24:51,080 --> 01:24:52,880
Speaker 1: gonna put that in the ad for him and boom

1436
01:24:53,080 --> 01:24:59,760
Speaker 1: is out you We didn't say it's the first though.

1437
01:25:00,520 --> 01:25:06,040
Speaker 1: I love his d I don't know who you never,

1438
01:25:06,920 --> 01:25:09,479
Speaker 1: I don't know what they see niggas bad. It really

1439
01:25:09,600 --> 01:25:12,040
Speaker 1: wasn't as important as the other thought. Yeah, I forgot

1440
01:25:12,160 --> 01:25:16,000
Speaker 1: his other thought is great. So he's the guy that

1441
01:25:16,080 --> 01:25:17,720
Speaker 1: brings it back when he gets too fried. But he's

1442
01:25:17,760 --> 01:25:20,360
Speaker 1: too fried now, so he got a good fay. Now

1443
01:25:20,640 --> 01:25:23,160
Speaker 1: there's probably somebody else that he got to look to together.

1444
01:25:23,320 --> 01:25:25,280
Speaker 1: And the Peruvian guy doesn't speaking of it doesn't help

1445
01:25:25,320 --> 01:25:30,439
Speaker 1: at all. And the Colombian engineer that does cocaine not true,

1446
01:25:30,479 --> 01:25:32,280
Speaker 1: he doesn't really do cocaine. It's a part of the joke.

1447
01:25:32,840 --> 01:25:37,160
Speaker 1: And uh, what's this guy? He's Dominican. He just laughs.

1448
01:25:38,680 --> 01:25:42,080
Speaker 1: He gets the social information, but he's doing this thing

1449
01:25:42,200 --> 01:25:43,400
Speaker 1: and I don't know. I know he know how to

1450
01:25:43,479 --> 01:25:45,840
Speaker 1: roller j I'm pretty sure not to be racist, but

1451
01:25:45,880 --> 01:25:48,080
Speaker 1: I know you know how to do chicken, because Peruvians

1452
01:25:48,160 --> 01:25:50,559
Speaker 1: know how to do chicken. No, he does each real good.

1453
01:25:50,640 --> 01:25:52,360
Speaker 1: Yeah that's not chicken. I know you know. Do you

1454
01:25:52,400 --> 01:26:00,360
Speaker 1: have you done? Have you been challenged the vegan. I

1455
01:26:00,520 --> 01:26:03,479
Speaker 1: think somebody in but in the in your context, knows

1456
01:26:03,520 --> 01:26:08,519
Speaker 1: how to do chicken racist. I know that might be racist,

1457
01:26:08,560 --> 01:26:12,680
Speaker 1: but first it's not racist at all. I hold the

1458
01:26:14,479 --> 01:26:17,760
Speaker 1: don't just like the Columbian guy. I'm pretty sure someone

1459
01:26:17,800 --> 01:26:20,559
Speaker 1: knows how to make the cocaine over there. That's how

1460
01:26:20,640 --> 01:26:25,719
Speaker 1: racist is can we? How is that not? It says

1461
01:26:25,840 --> 01:26:29,440
Speaker 1: National Federal Garments. The whole series about it called Narcos.

1462
01:26:34,360 --> 01:26:39,200
Speaker 1: What's happening? You follow Japanese whisky, bro, I'm not mixing. Listen,

1463
01:26:39,280 --> 01:26:44,360
Speaker 1: go in this pero. Can you throw up tight? You

1464
01:26:44,439 --> 01:26:47,479
Speaker 1: can make it throw up and throw up right here

1465
01:26:47,479 --> 01:26:53,640
Speaker 1: in this art. No, don't do that would be a

1466
01:26:53,680 --> 01:26:57,400
Speaker 1: grid at that. That's a good look. But hold on, no, no, no,

1467
01:26:57,479 --> 01:26:59,880
Speaker 1: hold on. That's also big up to Fat Trail who

1468
01:26:59,920 --> 01:27:06,120
Speaker 1: just came home. DC relagid it right, that's DC. I

1469
01:27:06,200 --> 01:27:09,200
Speaker 1: see him shoot that niggas in real life. That is

1470
01:27:09,280 --> 01:27:12,040
Speaker 1: what I was talking about. But first of all, allegedly

1471
01:27:12,080 --> 01:27:13,720
Speaker 1: because I don't know, I didn't see anything. I don't

1472
01:27:13,720 --> 01:27:16,040
Speaker 1: know what's the past seven years I saw it, it happened.

1473
01:27:16,320 --> 01:27:17,960
Speaker 1: I don't know what's going on. But all I know

1474
01:27:18,479 --> 01:27:21,360
Speaker 1: is we was around and she got crazy. Word. I

1475
01:27:21,400 --> 01:27:23,719
Speaker 1: don't even remember when we was at, but I remember

1476
01:27:24,080 --> 01:27:27,080
Speaker 1: and that is my main memory from you. And that's

1477
01:27:27,120 --> 01:27:29,680
Speaker 1: when I really realized, like, yo, it's making not an

1478
01:27:29,680 --> 01:27:32,640
Speaker 1: interesting because she got a little bit crazy right there.

1479
01:27:32,960 --> 01:27:34,680
Speaker 1: But we was all calm. He was like, oh, no,

1480
01:27:34,800 --> 01:27:37,160
Speaker 1: that's just That's when I was like, yo, But also

1481
01:27:37,240 --> 01:27:39,120
Speaker 1: I feel like that I feel like you kind of

1482
01:27:39,160 --> 01:27:41,600
Speaker 1: sized me up that day a little bit, like on

1483
01:27:41,760 --> 01:27:45,640
Speaker 1: something like no, no, in a way of like it

1484
01:27:45,760 --> 01:27:47,120
Speaker 1: was I don't want to get into the detail. It

1485
01:27:47,200 --> 01:27:50,720
Speaker 1: was crazy. It was fucking crazy. And we was like

1486
01:27:50,880 --> 01:27:56,120
Speaker 1: just like that's whatever, like and that ship that that

1487
01:27:56,240 --> 01:27:58,320
Speaker 1: moment lives with me to this day and big moments

1488
01:27:58,400 --> 01:28:00,559
Speaker 1: and trail all and them. That's that was. That was crazy.

1489
01:28:00,760 --> 01:28:02,479
Speaker 1: I won't get into it though I could ask him,

1490
01:28:03,240 --> 01:28:08,080
Speaker 1: you could ask me fat that thing. No, he just

1491
01:28:08,200 --> 01:28:12,720
Speaker 1: come home yet that he did show up for that

1492
01:28:12,920 --> 01:28:16,200
Speaker 1: video shout to do baby too. That was It was

1493
01:28:16,280 --> 01:28:18,320
Speaker 1: fun though, And I was like, that was that was.

1494
01:28:19,120 --> 01:28:21,000
Speaker 1: That was a moment when I realized, like, there's different

1495
01:28:21,040 --> 01:28:24,400
Speaker 1: parts in the industry New York, my industry that was

1496
01:28:24,439 --> 01:28:26,800
Speaker 1: in the industry that was New York because you could

1497
01:28:26,800 --> 01:28:28,799
Speaker 1: have here you could have went to one part of Hallom,

1498
01:28:29,360 --> 01:28:30,920
Speaker 1: but that part of hall of Them that we was

1499
01:28:31,000 --> 01:28:33,040
Speaker 1: at at that point, I don't even know if he

1500
01:28:33,120 --> 01:28:35,280
Speaker 1: was in Hallom or not. I can't Hard or not.

1501
01:28:35,280 --> 01:28:37,360
Speaker 1: I don't know where I was at we were Hard

1502
01:28:37,680 --> 01:28:39,760
Speaker 1: was in the part of the Got No Rules. I

1503
01:28:39,840 --> 01:28:44,000
Speaker 1: don't know, right across the street the video video will

1504
01:28:44,040 --> 01:28:45,600
Speaker 1: do Baby. I don't know what happened, but we just

1505
01:28:46,240 --> 01:28:49,479
Speaker 1: went inside and got it was like super cold. You know,

1506
01:28:49,600 --> 01:28:56,320
Speaker 1: we still love. We can't tell you what happens because

1507
01:28:56,360 --> 01:28:58,400
Speaker 1: that's not what happened. No, I mean, I don't even

1508
01:28:58,439 --> 01:28:59,960
Speaker 1: know what that is. What you're saying, what I'm to say?

1509
01:29:00,000 --> 01:29:06,800
Speaker 1: I mean, all right, so what the speaking Cambodian? How

1510
01:29:06,880 --> 01:29:09,120
Speaker 1: the funk you got Jerry sign firm? Like, let me

1511
01:29:09,240 --> 01:29:13,440
Speaker 1: just be clear. I've watched about seven sign for all episodes,

1512
01:29:13,600 --> 01:29:16,760
Speaker 1: but I watched Old Kirby Enthusiasm. I think that you

1513
01:29:16,760 --> 01:29:19,280
Speaker 1: would really love if you start from the beginning. The

1514
01:29:19,400 --> 01:29:21,360
Speaker 1: first season is a little bit like if they didn't

1515
01:29:21,360 --> 01:29:23,120
Speaker 1: get into the group to like they were trying to

1516
01:29:23,160 --> 01:29:25,680
Speaker 1: figure it out. Yeah, but I really think Nigga, like

1517
01:29:25,760 --> 01:29:27,920
Speaker 1: you would really appreciate that show. Now he loves that

1518
01:29:27,960 --> 01:29:30,639
Speaker 1: ship now he loves the city on need seven six.

1519
01:29:30,960 --> 01:29:32,679
Speaker 1: But you're right though about he was trying to set

1520
01:29:32,720 --> 01:29:34,840
Speaker 1: you up. You just say some good ship about sign

1521
01:29:36,400 --> 01:29:39,800
Speaker 1: you got you got deep? Jerry, my man, that's my man.

1522
01:29:39,880 --> 01:29:42,360
Speaker 1: So how how does this happen? How do y'all connect?

1523
01:29:42,760 --> 01:29:44,920
Speaker 1: Dane Wiseman, my old my old man. He don't want

1524
01:29:44,920 --> 01:29:47,519
Speaker 1: to do music no more. But that's my old manager,

1525
01:29:47,640 --> 01:29:51,320
Speaker 1: Dane Wiseman, Da Wiseman. Yeah, that was something to do

1526
01:29:51,360 --> 01:29:53,599
Speaker 1: with him before I went with everybody, Before I went

1527
01:29:53,680 --> 01:29:57,040
Speaker 1: with like Roney, he was managing me and I did.

1528
01:29:57,200 --> 01:29:59,280
Speaker 1: I don't know what DYSLEXI ship. You just said for

1529
01:29:59,400 --> 01:30:01,760
Speaker 1: you to see it before you did you read my

1530
01:30:01,840 --> 01:30:04,719
Speaker 1: work before you guys are virgals. You guys should definitely

1531
01:30:04,800 --> 01:30:07,679
Speaker 1: understand each other. I'm not gonna start. I'm not gonna

1532
01:30:07,680 --> 01:30:10,639
Speaker 1: do this anymore before you who you said something, He's

1533
01:30:10,640 --> 01:30:17,120
Speaker 1: gonna google you. He's gonna try to translated before we

1534
01:30:17,160 --> 01:30:23,639
Speaker 1: can tell you when we leave. Go ahead, So sign connection?

1535
01:30:23,680 --> 01:30:30,120
Speaker 1: How did this that? My manager? Daniel wise Man? At

1536
01:30:30,160 --> 01:30:34,760
Speaker 1: that time, I was really inspired by the show. Jerry

1537
01:30:34,800 --> 01:30:37,960
Speaker 1: Simfld has a lot of philosophy in his stand up

1538
01:30:38,600 --> 01:30:41,439
Speaker 1: and in the show. And I turned over to raps

1539
01:30:41,600 --> 01:30:44,599
Speaker 1: because that's where what I felt like doing, and then

1540
01:30:44,720 --> 01:30:48,320
Speaker 1: we did the first one and then it got back

1541
01:30:48,360 --> 01:30:51,720
Speaker 1: to him. I gotta talk slower from yah, please a

1542
01:30:51,800 --> 01:30:58,640
Speaker 1: little bit. I think you're talking fantastic. We uh. My

1543
01:30:58,800 --> 01:31:00,680
Speaker 1: manager of the time was like, yo, he has a

1544
01:31:00,720 --> 01:31:04,559
Speaker 1: show in Baltimore. You're right now. Wait wait son fil

1545
01:31:04,600 --> 01:31:08,639
Speaker 1: had a show in Baltomore. This was like, oh six,

1546
01:31:08,880 --> 01:31:11,160
Speaker 1: maybe I don't remember a picture. So I felt to

1547
01:31:11,200 --> 01:31:19,759
Speaker 1: shooting in bortom Are No, no, no. I was outside

1548
01:31:19,800 --> 01:31:24,479
Speaker 1: of Sefeld all right, chill, like almost hurt my feelings

1549
01:31:24,560 --> 01:31:28,680
Speaker 1: that was being filmed the bottom all now, I'm just

1550
01:31:28,760 --> 01:31:30,479
Speaker 1: doing it because I'm just like just trying to pass

1551
01:31:30,520 --> 01:31:34,320
Speaker 1: the time. Minority's don't know what's going on. Get you,

1552
01:31:34,800 --> 01:31:40,160
Speaker 1: that's what we're doing on his on his on his sword.

1553
01:31:40,280 --> 01:31:42,680
Speaker 1: And then I remember what I was like, Yo, um,

1554
01:31:43,360 --> 01:31:45,400
Speaker 1: Jerry's here. Do you want to meet him? And I

1555
01:31:45,520 --> 01:31:48,040
Speaker 1: was kind of nervous, but I met him and we

1556
01:31:48,160 --> 01:31:51,160
Speaker 1: kind of stay cool. Right the god damn, let's go

1557
01:31:51,560 --> 01:31:57,960
Speaker 1: to the police. Do the motherfucking patrol police. He's rock security.

1558
01:32:00,200 --> 01:32:03,560
Speaker 1: You go backstage meet Jerry. Yeah, we go back and

1559
01:32:03,600 --> 01:32:05,600
Speaker 1: take our flip whatever I was. I was young. I

1560
01:32:05,600 --> 01:32:08,280
Speaker 1: ain't really but wait, wait, hold up, but before that happens,

1561
01:32:08,400 --> 01:32:10,640
Speaker 1: why is it that y'all have to connect like you

1562
01:32:10,720 --> 01:32:12,760
Speaker 1: already a fan of Yeah, I already didn't. I did

1563
01:32:13,280 --> 01:32:16,200
Speaker 1: more about mixtape about Nothing first, I believe. I don't

1564
01:32:16,200 --> 01:32:17,519
Speaker 1: know if it was mix tape about nothing or more

1565
01:32:17,520 --> 01:32:19,840
Speaker 1: about nothing what we meant, but it was. I think

1566
01:32:19,880 --> 01:32:22,439
Speaker 1: it was mixape or nothing, but I don't know. Okay,

1567
01:32:22,520 --> 01:32:26,840
Speaker 1: let's be clear. Know that was trying to connect the

1568
01:32:26,880 --> 01:32:30,320
Speaker 1: dots that we got something. I don't want to see it.

1569
01:32:31,360 --> 01:32:34,800
Speaker 1: Let's be clear. Because the sign for All show was

1570
01:32:34,920 --> 01:32:39,840
Speaker 1: the Show about Nothing? Correct? Yes? So you related the

1571
01:32:39,960 --> 01:32:45,000
Speaker 1: mixtape about Nothing to the show about Nothing? Yes? Yes,

1572
01:32:45,520 --> 01:32:47,400
Speaker 1: because I thought and that that show it was a

1573
01:32:47,439 --> 01:32:49,320
Speaker 1: lot of philosophy, a lot of things that were like

1574
01:32:50,280 --> 01:32:53,360
Speaker 1: I talked about a blind spots in the culture, and

1575
01:32:53,479 --> 01:32:55,720
Speaker 1: I was just like, you know, I was just like,

1576
01:32:55,840 --> 01:32:58,439
Speaker 1: you know, I do what I want. I didn't overthink

1577
01:32:58,479 --> 01:32:59,880
Speaker 1: nothing back then. I just like, let me just do

1578
01:33:00,640 --> 01:33:02,799
Speaker 1: what do you think about Cramer? When Cramer was racist?

1579
01:33:03,640 --> 01:33:06,200
Speaker 1: That's what the if? He didn't to the Kramer on

1580
01:33:06,360 --> 01:33:09,559
Speaker 1: this unsaid project, the first one the Kramer on mixtape

1581
01:33:09,560 --> 01:33:14,479
Speaker 1: about nothing the first iteration, that's what the Kramer is about.

1582
01:33:14,960 --> 01:33:19,280
Speaker 1: Exactly that question. You knew Creamer was racist by that time,

1583
01:33:19,439 --> 01:33:21,920
Speaker 1: Edd already been out and over like that moment that

1584
01:33:22,160 --> 01:33:25,840
Speaker 1: yet so it's Cramer races on the show. No, do

1585
01:33:25,880 --> 01:33:27,840
Speaker 1: you think m see what the headache? Motherfucker on? No,

1586
01:33:27,920 --> 01:33:32,400
Speaker 1: I'm asking me that want show man and show Man.

1587
01:33:33,000 --> 01:33:35,439
Speaker 1: It's just make his whole ship, is all. Kramer is

1588
01:33:35,439 --> 01:33:43,639
Speaker 1: not on two episodes. Listen, I know the latest checks him,

1589
01:33:44,520 --> 01:33:46,559
Speaker 1: but how many episodes is that? It's just season five?

1590
01:33:46,680 --> 01:33:50,720
Speaker 1: I believe you want. But he's been there, but the

1591
01:33:50,800 --> 01:33:53,840
Speaker 1: one that has the later on. But he's the one

1592
01:33:53,920 --> 01:33:57,439
Speaker 1: that has the stand up issue later yes, yes, yes, yes, yes, yes,

1593
01:33:57,560 --> 01:34:01,880
Speaker 1: yes yeah yes. I've never met him, but on a

1594
01:34:01,960 --> 01:34:05,479
Speaker 1: mixtaple or nothing I touched. Oh wait, So when you

1595
01:34:05,600 --> 01:34:07,880
Speaker 1: say you knew he was a racist, not the character

1596
01:34:08,080 --> 01:34:09,680
Speaker 1: and sentiment. This is what happened with people don't really

1597
01:34:09,720 --> 01:34:11,280
Speaker 1: know your music, but they know that they fun with

1598
01:34:11,320 --> 01:34:12,840
Speaker 1: you and they just want a kid together real quick.

1599
01:34:13,040 --> 01:34:18,639
Speaker 1: Absolutely correct. Listen, no, listen, my brother. So you're talking

1600
01:34:18,640 --> 01:34:22,040
Speaker 1: about not that he's racist in the show, he's racist

1601
01:34:22,080 --> 01:34:24,360
Speaker 1: in real life. He was racist in real life. First

1602
01:34:24,360 --> 01:34:26,479
Speaker 1: of all, the show's on NBC. There's no way in

1603
01:34:26,520 --> 01:34:31,880
Speaker 1: the way can be racist NBC. That's what I don't.

1604
01:34:32,439 --> 01:34:37,519
Speaker 1: I don't know. I don't. I've never met the man.

1605
01:34:37,560 --> 01:34:39,599
Speaker 1: I don't know. I don't. I just think they they

1606
01:34:39,680 --> 01:34:43,280
Speaker 1: they His meltdown that they had was like popularized, and

1607
01:34:43,360 --> 01:34:46,880
Speaker 1: I don't know, but I used that as a okay, alright,

1608
01:34:47,320 --> 01:34:49,920
Speaker 1: most of us can't meet Jerry side fell right, none

1609
01:34:49,920 --> 01:34:52,680
Speaker 1: of us? Maybe no, I don't think I can. I

1610
01:34:52,720 --> 01:34:57,559
Speaker 1: don't know. Maybe your point at me for second, I'm

1611
01:34:57,560 --> 01:35:00,880
Speaker 1: just saying, but you act into here, But it's cool,

1612
01:35:01,640 --> 01:35:04,240
Speaker 1: I one of meet. How do you how do you

1613
01:35:04,400 --> 01:35:07,360
Speaker 1: feel fund of him in the time of uncertainty at

1614
01:35:07,400 --> 01:35:10,280
Speaker 1: that time like this, this is the only one of

1615
01:35:10,560 --> 01:35:13,280
Speaker 1: DJ Vider. What does that have to do it? He

1616
01:35:13,360 --> 01:35:16,439
Speaker 1: don't want to see, he don't want to bringing them back.

1617
01:35:16,560 --> 01:35:20,280
Speaker 1: But I don't understand what I'm saying. That's what you mean, Jerry,

1618
01:35:20,600 --> 01:35:23,200
Speaker 1: I meet Jerry sound what makes you say I want

1619
01:35:23,240 --> 01:35:25,439
Speaker 1: you to host my mixtape? And what makes you have

1620
01:35:25,600 --> 01:35:29,680
Speaker 1: the falls or the Gaultier areas? The Gaultier areas, I

1621
01:35:29,680 --> 01:35:32,920
Speaker 1: don't even think that that's a great word to make

1622
01:35:33,000 --> 01:35:34,720
Speaker 1: up though, by the way, and you say, and then

1623
01:35:34,800 --> 01:35:37,120
Speaker 1: he does. It feel like he comes up with these

1624
01:35:37,400 --> 01:35:40,320
Speaker 1: joints and like a notebook in praying, it's got to

1625
01:35:40,320 --> 01:35:44,560
Speaker 1: be in crayon. It's like, it's like just whatever I

1626
01:35:44,600 --> 01:35:48,200
Speaker 1: think it's. I think it's I think it's gets you

1627
01:35:48,320 --> 01:35:54,920
Speaker 1: raised on somebody's paper and the sopranos too much. No,

1628
01:35:57,680 --> 01:36:00,080
Speaker 1: but okay, get back to that. You meet Jerry, we

1629
01:36:00,160 --> 01:36:03,880
Speaker 1: saw you just you just see d c SA you

1630
01:36:05,360 --> 01:36:09,120
Speaker 1: you say, mixtape. I ain't look at it like that.

1631
01:36:09,400 --> 01:36:11,839
Speaker 1: I was using the stuff that he that already existed.

1632
01:36:11,920 --> 01:36:15,840
Speaker 1: It made one. It wasn't hosting. He didn't do it originally. Nah,

1633
01:36:16,360 --> 01:36:18,080
Speaker 1: album enough. He did a lot of originals. We spent

1634
01:36:18,160 --> 01:36:20,280
Speaker 1: a lot of time together. But what he's talking about

1635
01:36:20,360 --> 01:36:24,360
Speaker 1: is that you took clips. Yeah, he hosted. He act

1636
01:36:24,439 --> 01:36:30,280
Speaker 1: like Darren sean Field, DJ CLUEI DJ. You know what

1637
01:36:30,320 --> 01:36:35,479
Speaker 1: I'm saying, don't hurt my So hold on, but you

1638
01:36:35,560 --> 01:36:40,800
Speaker 1: got students so Nazi Nazi, Nazi, Nati Nazi. You do

1639
01:36:40,960 --> 01:36:50,320
Speaker 1: remember ship? Do you remember? Do remember? Remember remember what

1640
01:36:51,200 --> 01:36:55,400
Speaker 1: my domain? What studio? You got? Jerry star FLD hit Factory.

1641
01:36:55,680 --> 01:37:01,080
Speaker 1: Who's Jerry Steinfeld. It's probably winning some somebody race somebody.

1642
01:37:01,680 --> 01:37:07,760
Speaker 1: It's like somebody that was in fuck. Wait, was that

1643
01:37:07,960 --> 01:37:12,760
Speaker 1: when we got Jerry shot the Black Marciano. He's one

1644
01:37:12,760 --> 01:37:15,080
Speaker 1: of the vps. That morning we did the album together,

1645
01:37:15,600 --> 01:37:17,400
Speaker 1: I forgot what we was. That it was it was

1646
01:37:17,600 --> 01:37:21,360
Speaker 1: somewhere that I had never been before. Electrical Lady. Actually

1647
01:37:21,479 --> 01:37:24,040
Speaker 1: we was an Electric Lady, but the first two sessions,

1648
01:37:24,600 --> 01:37:27,680
Speaker 1: the first two but um man, I used to be.

1649
01:37:32,160 --> 01:37:35,439
Speaker 1: While I'm recovering these things from like unexpected question that

1650
01:37:35,520 --> 01:37:40,800
Speaker 1: he had a whole day and night in three? Who's

1651
01:37:40,800 --> 01:37:45,240
Speaker 1: the Electric Lady studio? Jimmy Hendricks, Jimmy Hendricks, the Cat's

1652
01:37:45,280 --> 01:37:48,120
Speaker 1: White Cat, the cat and I gotta give me, let me.

1653
01:37:49,640 --> 01:37:52,240
Speaker 1: I'm gonna flower from the jo that is your flowers

1654
01:37:53,880 --> 01:37:59,760
Speaker 1: makes some noise. You got one of you got one

1655
01:37:59,760 --> 01:38:05,760
Speaker 1: of the us back. That's the least I can The

1656
01:38:05,880 --> 01:38:09,559
Speaker 1: Lace ones coming there coming to join the Laces, got

1657
01:38:09,600 --> 01:38:13,080
Speaker 1: you left? He's our problem. He's our problem. Foy Moli

1658
01:38:13,120 --> 01:38:16,960
Speaker 1: guaka pol We got the Holy Work of Moly dream chapter.

1659
01:38:17,280 --> 01:38:19,920
Speaker 1: We got the more questions. What's up? I got? I

1660
01:38:19,960 --> 01:38:22,040
Speaker 1: got crazy? Are you related lines or is this like

1661
01:38:22,160 --> 01:38:24,200
Speaker 1: something like just like my chance? Your names in the

1662
01:38:24,320 --> 01:38:26,080
Speaker 1: same way, if I tell you we got to kill you,

1663
01:38:27,000 --> 01:38:30,680
Speaker 1: I'm sure you already gotta lined up. We got line up,

1664
01:38:31,080 --> 01:38:37,240
Speaker 1: the line up, and I don't know this fashion week? Yeah, sir,

1665
01:38:37,600 --> 01:38:43,040
Speaker 1: are you really into fashion week? What you think? What

1666
01:38:43,200 --> 01:38:46,080
Speaker 1: an interesting? What the question is that? So? Riven in

1667
01:38:46,920 --> 01:38:54,120
Speaker 1: taking a show from Noise hit On? Where is that? No? No,

1668
01:38:54,439 --> 01:38:56,840
Speaker 1: go back, give me another one exactly? That were bad?

1669
01:38:58,000 --> 01:39:01,760
Speaker 1: I love you, bro, know what you know? I'm not

1670
01:39:01,960 --> 01:39:06,280
Speaker 1: hoting myself from you. You have to drink. We drink

1671
01:39:06,360 --> 01:39:13,080
Speaker 1: for bad questions. Actually, actually no, no, no, we loved

1672
01:39:13,200 --> 01:39:15,400
Speaker 1: Faster Week to song. We don't like Faster Week the

1673
01:39:15,479 --> 01:39:18,240
Speaker 1: actual why of work, you know, like girls walking down

1674
01:39:19,040 --> 01:39:22,719
Speaker 1: looking like like like money and and and something. Girls

1675
01:39:22,840 --> 01:39:26,280
Speaker 1: that's different. We do like the girls walking down fa

1676
01:39:28,560 --> 01:39:30,599
Speaker 1: something you want to tell us that was going crazy?

1677
01:39:30,800 --> 01:39:33,479
Speaker 1: I'm gonna take a shotting myself. Come on, I'm can

1678
01:39:33,520 --> 01:39:37,240
Speaker 1: I use the restaurant though, because you yeah, whatever that

1679
01:39:37,320 --> 01:39:41,200
Speaker 1: funk they putting this ship is probably looking food. Take

1680
01:39:41,280 --> 01:39:43,280
Speaker 1: a shot before we don't don't take a baby's man?

1681
01:39:43,600 --> 01:39:45,479
Speaker 1: Who want? Who wants? Telling me? Whatever the funk they

1682
01:39:45,560 --> 01:39:49,400
Speaker 1: try to do before I get hey, no problem, we're

1683
01:39:49,439 --> 01:39:52,080
Speaker 1: gonna do. Are you telling someone to get you. I

1684
01:39:52,120 --> 01:39:55,240
Speaker 1: didn't hear. No, I just gotta go, man, I don't

1685
01:39:55,280 --> 01:39:58,160
Speaker 1: trust something. We gonna do that. I just wanted you

1686
01:39:58,240 --> 01:40:03,080
Speaker 1: can go to I'm going to he called quick, just

1687
01:40:03,160 --> 01:40:05,880
Speaker 1: like this thing, what are you thing is gonna happen,

1688
01:40:06,760 --> 01:40:25,519
Speaker 1: like literally happen. That's it. I first going, like I could,

1689
01:40:25,520 --> 01:40:28,000
Speaker 1: I'd probably drink out, but I just oh, really that

1690
01:40:28,120 --> 01:40:31,559
Speaker 1: we're going there. If you want to go there, answer

1691
01:40:31,640 --> 01:40:33,600
Speaker 1: the questions and doing more press out, I leave it.

1692
01:40:34,040 --> 01:40:38,880
Speaker 1: But my came out in about ten hours. No, it

1693
01:40:39,000 --> 01:40:44,240
Speaker 1: came out. Bet. I was trying to give him any

1694
01:40:44,320 --> 01:40:52,599
Speaker 1: other brothers. You are here with the right Mr Lee

1695
01:40:52,760 --> 01:40:57,040
Speaker 1: and the lama. Writer. Bro, I'm gonna we're gonna exchange

1696
01:40:57,120 --> 01:40:59,519
Speaker 1: names after they. Don't you deserve better than this. He

1697
01:40:59,720 --> 01:41:03,080
Speaker 1: is Peru wrestler. Don't worry. He got he got beats,

1698
01:41:03,120 --> 01:41:05,600
Speaker 1: he got beats, soup. No, you're gonna bout beats and

1699
01:41:05,720 --> 01:41:08,519
Speaker 1: just how you wrote these motherfucking Paris and then don't

1700
01:41:08,520 --> 01:41:10,880
Speaker 1: worry about them. That his lama you got to bring

1701
01:41:10,920 --> 01:41:15,439
Speaker 1: his lama had a lama. That is a daytona is

1702
01:41:16,360 --> 01:41:20,160
Speaker 1: a bait. Watch that's a babe. Yes, baby niggas that

1703
01:41:20,640 --> 01:41:25,599
Speaker 1: a baby's bathing ape. You're the ba bathing you left

1704
01:41:25,840 --> 01:41:30,960
Speaker 1: niggas about any of that ship. Wait a minute that

1705
01:41:31,200 --> 01:41:34,200
Speaker 1: you guys, I don't got a big You know, I

1706
01:41:34,320 --> 01:41:36,400
Speaker 1: was the first person to wear a pair of babes.

1707
01:41:38,080 --> 01:41:40,719
Speaker 1: That's a line, but continue the story is interesting. Okay,

1708
01:41:40,840 --> 01:41:44,800
Speaker 1: who do you think was the first president? Williams? Well? Okay, yeah,

1709
01:41:45,240 --> 01:41:49,880
Speaker 1: I apologize. Let me reiterate my story. First person, we

1710
01:41:49,960 --> 01:41:53,800
Speaker 1: got a pair of babing New York City. Farrell gave

1711
01:41:53,920 --> 01:41:57,200
Speaker 1: me a pair of I know it was in Burgundy.

1712
01:41:57,600 --> 01:42:01,880
Speaker 1: It was brown on brown, and I wore him through

1713
01:42:01,880 --> 01:42:04,679
Speaker 1: the cot toe seem when Nigga said anxiously, they fake

1714
01:42:04,720 --> 01:42:08,960
Speaker 1: while you wearing fakeh They told me why And I

1715
01:42:09,040 --> 01:42:11,800
Speaker 1: was watching your show, you know, and you know how

1716
01:42:11,840 --> 01:42:13,840
Speaker 1: I like like bait. Owe me a little bit of

1717
01:42:14,240 --> 01:42:19,000
Speaker 1: like love. Biggie warded Shirley too, though Biggie Biggie was dead.

1718
01:42:19,280 --> 01:42:21,960
Speaker 1: When Biggie came out, he had the baby down. No. No,

1719
01:42:22,080 --> 01:42:24,639
Speaker 1: when you're bugging, oh, you're about I'm about to school

1720
01:42:24,640 --> 01:42:26,880
Speaker 1: You're ready to pull you and you will be schooling

1721
01:42:26,960 --> 01:42:33,120
Speaker 1: me if you do what year is we're talking about? Due? Dude, dude, dude,

1722
01:42:33,240 --> 01:42:36,920
Speaker 1: do I love Google. I need a double I need

1723
01:42:36,960 --> 01:42:39,640
Speaker 1: a double shot from him. And I mean you can

1724
01:42:39,680 --> 01:42:44,360
Speaker 1: pull my shot. You can pull my shot. Put the shot.

1725
01:42:44,479 --> 01:42:46,760
Speaker 1: You can pull my shot for your shot. You pull

1726
01:42:46,800 --> 01:42:51,879
Speaker 1: my shot, he said, drink the bottom. Hey, relax, buddy, relax,

1727
01:42:51,960 --> 01:42:56,040
Speaker 1: don't don't prematurely drink because he already know he's from

1728
01:42:57,479 --> 01:43:02,479
Speaker 1: finding on Google. Biggie drinking vague is a lie. They

1729
01:43:02,640 --> 01:43:06,719
Speaker 1: live into you. That's a falsified all right, right, that's

1730
01:43:06,720 --> 01:43:13,280
Speaker 1: a falsified ps what the man? Look listen, you know

1731
01:43:13,360 --> 01:43:15,920
Speaker 1: what you want me to deet the rumor right now?

1732
01:43:17,880 --> 01:43:23,600
Speaker 1: Listen and me connected in seven and seven, Biggest that

1733
01:43:23,920 --> 01:43:30,920
Speaker 1: dead in six. There's no way that can see that baby.

1734
01:43:33,120 --> 01:43:35,800
Speaker 1: But he made them popular and when they came out,

1735
01:43:35,960 --> 01:43:38,840
Speaker 1: Nico and all of them, that was gonna pick a

1736
01:43:39,000 --> 01:43:41,120
Speaker 1: big way in bathing here. That's not that's not right,

1737
01:43:41,280 --> 01:43:44,439
Speaker 1: that's that's not real. Right, I lift him. I'm gonna say, yes,

1738
01:43:44,520 --> 01:43:48,600
Speaker 1: I respect to see the Biggie really were big. This

1739
01:43:48,720 --> 01:43:55,080
Speaker 1: is just Google answer that. It turns out Biggie the

1740
01:43:55,120 --> 01:44:03,400
Speaker 1: first rap is actually that clear. We're a babe during

1741
01:44:03,439 --> 01:44:08,800
Speaker 1: the shoot, Bigy like the Mortonson jacket, the baby piece picture, Okay,

1742
01:44:08,880 --> 01:44:14,640
Speaker 1: would you so much for a single shot. And of

1743
01:44:14,800 --> 01:44:18,600
Speaker 1: course Papa was a big fella. He couldn't fit it,

1744
01:44:19,200 --> 01:44:22,679
Speaker 1: so he draped it over his shoulders. That is the answer.

1745
01:44:22,920 --> 01:44:24,960
Speaker 1: That's in the unit. Where can I see the picture

1746
01:44:25,760 --> 01:44:31,320
Speaker 1: because that's not real face everywhere? I don't I don't know,

1747
01:44:32,120 --> 01:44:36,320
Speaker 1: but this isn't. Everybody's got the picture. I'm gonna roll

1748
01:44:36,360 --> 01:44:41,760
Speaker 1: with you. You don't have to take I'm not knocking. Wake.

1749
01:44:42,400 --> 01:44:46,160
Speaker 1: You gotta take a shot. Come on, you pulling my shot?

1750
01:44:46,920 --> 01:44:49,800
Speaker 1: Hold on, where's my cup? Cup? This is your motherfucking cup?

1751
01:44:49,840 --> 01:44:57,720
Speaker 1: And he threw your cup away. He said, you put

1752
01:44:57,760 --> 01:45:00,120
Speaker 1: a t v M A on? How much I off

1753
01:45:00,160 --> 01:45:02,720
Speaker 1: for this nigga? Just like block the ship out? No, no,

1754
01:45:02,840 --> 01:45:07,439
Speaker 1: we don't block all the way. Oh that's nasty. Oh no,

1755
01:45:07,600 --> 01:45:10,160
Speaker 1: I don't want that for my friend anymore. Bro. This

1756
01:45:10,360 --> 01:45:14,599
Speaker 1: is just that past turn to integrations. This intervention, Bro?

1757
01:45:14,760 --> 01:45:18,679
Speaker 1: Is that? Like? What's going on? What's up? What's up? Everything? Okay?

1758
01:45:18,720 --> 01:45:23,920
Speaker 1: At home? You get money, things are going well? Can

1759
01:45:23,960 --> 01:45:26,920
Speaker 1: you can you cry for us? You're doing your thing?

1760
01:45:27,160 --> 01:45:29,800
Speaker 1: What's going on? Like? How can we give you your flowers?

1761
01:45:31,160 --> 01:45:36,160
Speaker 1: You can't tell your flowers. We don't finish the whole bottle.

1762
01:45:38,120 --> 01:45:45,800
Speaker 1: That's you invention. You never I don't know what that's.

1763
01:45:45,880 --> 01:45:48,799
Speaker 1: That sounds like an animal to me. That's that's definitely

1764
01:45:48,800 --> 01:45:58,920
Speaker 1: an animal in the Philippines. There's nothing way it works.

1765
01:46:00,120 --> 01:46:04,800
Speaker 1: Face that all the great Norieger. You found the great

1766
01:46:04,840 --> 01:46:09,479
Speaker 1: Noriega uncomfortable in the Philippines. Guys, guys, stop stop your book.

1767
01:46:09,520 --> 01:46:17,240
Speaker 1: I know what this is. Yeah, yeah, yeah, somebody place

1768
01:46:17,360 --> 01:46:34,720
Speaker 1: too soon too. No listen, isn't it No? Put it

1769
01:46:34,800 --> 01:46:38,639
Speaker 1: to the mike. He all right, we can you stop.

1770
01:46:41,800 --> 01:46:44,400
Speaker 1: You don't like this glower? You don't like it? Flower

1771
01:46:44,800 --> 01:46:47,280
Speaker 1: nigga flowers, the bean. That's all I was that you

1772
01:46:47,360 --> 01:46:49,840
Speaker 1: can't smell a little bit down't like when they get day.

1773
01:46:51,640 --> 01:46:55,080
Speaker 1: It's your day, it's your time, and it's your moment

1774
01:46:55,400 --> 01:46:58,320
Speaker 1: to get your flowers. And I kind of want to

1775
01:46:58,360 --> 01:47:00,519
Speaker 1: sit here out of face to face and tell you

1776
01:47:01,000 --> 01:47:05,320
Speaker 1: how much we really appreciate you. And I know you're

1777
01:47:05,320 --> 01:47:11,560
Speaker 1: a genius. So sometimes you like a little crazy, a

1778
01:47:11,680 --> 01:47:16,200
Speaker 1: little crazy Virgo no things, Virgo ship and nose, just things.

1779
01:47:16,240 --> 01:47:18,280
Speaker 1: Don't blame it on verso, blame it on the Virgo.

1780
01:47:18,400 --> 01:47:23,240
Speaker 1: No sich things the genius will balance don't exists. You

1781
01:47:23,600 --> 01:47:27,280
Speaker 1: say for yourself. Okay, no, a genius with balance don't exist.

1782
01:47:27,800 --> 01:47:30,040
Speaker 1: I promise you that you can't find one does not exist.

1783
01:47:30,439 --> 01:47:31,920
Speaker 1: But that's what he was one of the first things

1784
01:47:32,000 --> 01:47:34,320
Speaker 1: to work with, one of the biggest producers of all times,

1785
01:47:34,520 --> 01:47:38,400
Speaker 1: that they're happy. I'm so, how do that mean? That's

1786
01:47:38,400 --> 01:47:41,920
Speaker 1: all might not exist without you? Stop? Stop stop it,

1787
01:47:42,080 --> 01:47:48,640
Speaker 1: because that's all might not exist? Put out you. Have

1788
01:47:48,800 --> 01:47:51,519
Speaker 1: you thought about that song might not have been existed

1789
01:47:51,600 --> 01:47:55,080
Speaker 1: without you? I believe that's true, and also understand that.

1790
01:47:55,360 --> 01:47:58,640
Speaker 1: I also understand that you have done a lot for

1791
01:47:58,720 --> 01:48:01,200
Speaker 1: a lot of people. It might not get your your

1792
01:48:01,280 --> 01:48:05,080
Speaker 1: your respect or like the notoration that you probably deserve.

1793
01:48:05,439 --> 01:48:07,320
Speaker 1: And I know what that's like. So I'm gonna tell

1794
01:48:07,360 --> 01:48:10,760
Speaker 1: you right now again. Happy one of the biggest songs

1795
01:48:10,800 --> 01:48:13,439
Speaker 1: in White America and Ellen and all the white kids,

1796
01:48:13,520 --> 01:48:17,439
Speaker 1: the incident along that might not fucking exist without up

1797
01:48:17,520 --> 01:48:22,720
Speaker 1: without Why are you turning this ship on me? I

1798
01:48:22,760 --> 01:48:26,200
Speaker 1: don't like it. I don't like Listen, I'm getting twisted.

1799
01:48:29,400 --> 01:48:34,920
Speaker 1: Don't you don't get it means being racist? Now? What

1800
01:48:35,120 --> 01:48:38,439
Speaker 1: the fuck? Speaking? That was the joke? That was because

1801
01:48:38,439 --> 01:48:41,439
Speaker 1: he took a fensive means I did not take a

1802
01:48:42,439 --> 01:48:46,120
Speaker 1: little bit like kind of shut up. No, no, I'm

1803
01:48:46,160 --> 01:48:51,280
Speaker 1: gonna be honest while you No, no, you are one

1804
01:48:51,320 --> 01:48:56,920
Speaker 1: of the people that the people really champion for. We're

1805
01:48:56,960 --> 01:49:00,840
Speaker 1: really champion for you, like like oh you the people. Yeah,

1806
01:49:00,880 --> 01:49:03,880
Speaker 1: I'm a part of the people, Millionaire, No, relax, why

1807
01:49:06,280 --> 01:49:09,320
Speaker 1: I was just asking you. People know, the people really

1808
01:49:09,520 --> 01:49:12,920
Speaker 1: champion for you. And I appreciate that. That ship means

1809
01:49:12,920 --> 01:49:14,640
Speaker 1: a lot to me because I know, sometimes do you

1810
01:49:14,760 --> 01:49:16,800
Speaker 1: not recognize the people that just coming off when I

1811
01:49:16,840 --> 01:49:19,160
Speaker 1: was getting my little Yeah, no, I always recognize people.

1812
01:49:19,920 --> 01:49:21,720
Speaker 1: One thing that I struggled to deal with is when

1813
01:49:21,760 --> 01:49:24,400
Speaker 1: it's not genuine because I don't even we don't gotta

1814
01:49:24,400 --> 01:49:27,040
Speaker 1: waste each other time with the They're like all right, yeah,

1815
01:49:27,120 --> 01:49:29,439
Speaker 1: the like we don't gotta do it, just say what's something?

1816
01:49:30,000 --> 01:49:32,400
Speaker 1: It's love and you with some of this stuff, we

1817
01:49:32,479 --> 01:49:34,519
Speaker 1: don't gotta do nothing. They're like, oh, yeah, you wanted.

1818
01:49:35,320 --> 01:49:37,639
Speaker 1: I know that already. So who's time are you wasting?

1819
01:49:37,680 --> 01:49:39,360
Speaker 1: Because I know that already. If you don't believe that,

1820
01:49:39,479 --> 01:49:41,240
Speaker 1: you're just wasting one of our time and it's not

1821
01:49:41,320 --> 01:49:43,280
Speaker 1: mine Because I know that. So a lot of times

1822
01:49:43,320 --> 01:49:45,200
Speaker 1: people be like, yo, you this you have you the third,

1823
01:49:45,479 --> 01:49:48,400
Speaker 1: and I don't. It don't move me because sometimes I

1824
01:49:48,439 --> 01:49:51,320
Speaker 1: know it ain't don't be real. It might be close

1825
01:49:51,400 --> 01:49:54,720
Speaker 1: to being real, but then don't be broth. And I

1826
01:49:54,880 --> 01:49:57,320
Speaker 1: know that what I've done and what I've been, what

1827
01:49:57,400 --> 01:50:00,519
Speaker 1: I've been put up against, it's like seconds and nobody,

1828
01:50:00,720 --> 01:50:03,439
Speaker 1: and I'm really proud of what I've done. So it's

1829
01:50:03,479 --> 01:50:05,719
Speaker 1: just like, I don't like when people be like yo, third,

1830
01:50:07,080 --> 01:50:09,880
Speaker 1: and then the next time you see them on camera

1831
01:50:09,960 --> 01:50:11,880
Speaker 1: they ask them the same question. They can come up

1832
01:50:11,920 --> 01:50:15,120
Speaker 1: with ten other niggas even before they say my name,

1833
01:50:15,160 --> 01:50:18,439
Speaker 1: but they say my name like first second. I don't

1834
01:50:18,520 --> 01:50:21,560
Speaker 1: like that. Um not that I don't. I don't. I

1835
01:50:21,640 --> 01:50:23,640
Speaker 1: empathize because you probably just want to say the right

1836
01:50:23,680 --> 01:50:25,479
Speaker 1: thing whatever whatever, but I don't. I don't need that

1837
01:50:25,560 --> 01:50:27,000
Speaker 1: in my life because I know what I've done, I

1838
01:50:27,080 --> 01:50:29,680
Speaker 1: know what I'm doing, and I promise you this, if

1839
01:50:29,680 --> 01:50:32,000
Speaker 1: you take nothing else from this interview, you know that

1840
01:50:32,120 --> 01:50:35,880
Speaker 1: my next move will be that's my best move by

1841
01:50:36,040 --> 01:50:42,400
Speaker 1: a mom. Because we can take a shot, take the shot.

1842
01:50:43,120 --> 01:50:45,719
Speaker 1: We're gonna take the shot of all shots forever, because

1843
01:50:45,760 --> 01:50:51,800
Speaker 1: my move, whatever, the fun, my little shot. He's yeah

1844
01:50:53,040 --> 01:50:58,360
Speaker 1: to give me a shot from the bottom. But go ahead, man,

1845
01:50:58,400 --> 01:51:00,800
Speaker 1: you got the puff puff shot want to y'all, y'all,

1846
01:51:01,240 --> 01:51:03,960
Speaker 1: but listen, get here here, give him get this, get

1847
01:51:04,040 --> 01:51:09,160
Speaker 1: him here here the ultimate question, the ultimate ultimate who

1848
01:51:09,200 --> 01:51:14,000
Speaker 1: would you go against? Verses? I think his phone is

1849
01:51:14,040 --> 01:51:17,040
Speaker 1: going to be the ultimate who would you go against? Verses?

1850
01:51:17,160 --> 01:51:19,360
Speaker 1: Give me, like like thirty seconds before I get to

1851
01:51:19,439 --> 01:51:22,200
Speaker 1: hit the danswer, I just want to see someone? But

1852
01:51:23,520 --> 01:51:25,960
Speaker 1: is anybody you know what? In the meantime, I'm waiting

1853
01:51:26,000 --> 01:51:28,120
Speaker 1: on this text? Can you can? I know who? You

1854
01:51:28,320 --> 01:51:31,519
Speaker 1: want to see me in versus? But good question? Yeah,

1855
01:51:31,920 --> 01:51:36,400
Speaker 1: it's better that way. I could see you and Meek

1856
01:51:36,760 --> 01:51:40,000
Speaker 1: in the verses. That's a good one. That's a good one.

1857
01:51:40,720 --> 01:51:44,320
Speaker 1: What about you better bust Ryan? But I was like, nah,

1858
01:51:44,520 --> 01:51:46,600
Speaker 1: I can't. I don't see bust of Rys got a

1859
01:51:46,640 --> 01:51:55,120
Speaker 1: lot of we go back to reality. First of all,

1860
01:51:55,160 --> 01:51:57,840
Speaker 1: I don't know Buster busting Missy gotta probably go with

1861
01:51:57,920 --> 01:52:02,479
Speaker 1: each other because I best versus the best verse. But

1862
01:52:02,640 --> 01:52:06,920
Speaker 1: the thing is, the thing is what I'm gonna say that.

1863
01:52:06,920 --> 01:52:10,439
Speaker 1: I'm gonna say Missy can probably beat them, just because

1864
01:52:10,640 --> 01:52:13,679
Speaker 1: she's wrote so many joints for other people that aren't

1865
01:52:13,680 --> 01:52:17,880
Speaker 1: her songs. That's the only thing that bless blesses and

1866
01:52:18,080 --> 01:52:20,400
Speaker 1: he's in his own thing and it's in this generation. Okay,

1867
01:52:20,479 --> 01:52:24,400
Speaker 1: peer pressure, What the fuck? What's up with you? All right?

1868
01:52:25,000 --> 01:52:28,120
Speaker 1: You know, get wrong track it all? Yeah, go co

1869
01:52:28,320 --> 01:52:36,760
Speaker 1: co Come dude, you're good. Cure take. But who would

1870
01:52:36,800 --> 01:52:43,720
Speaker 1: you want? Could you? Big Sean? I want that's what

1871
01:52:43,880 --> 01:52:48,120
Speaker 1: we invented, Pia life. That's what I wanted. So you

1872
01:52:48,200 --> 01:52:51,400
Speaker 1: want the c of p LNG to wrap against you? Yes,

1873
01:52:51,600 --> 01:52:54,519
Speaker 1: that's what I want. That's it. We got it done.

1874
01:52:54,760 --> 01:52:56,960
Speaker 1: But Big Big Sean is my that's my brother. I

1875
01:52:57,040 --> 01:52:59,080
Speaker 1: don't know if I got appear in that, but you

1876
01:52:59,160 --> 01:53:03,200
Speaker 1: gotta check the shot. I didn't talk about it. Thanks,

1877
01:53:03,280 --> 01:53:08,080
Speaker 1: thank you for being tr champion. That's what he wants. No,

1878
01:53:08,160 --> 01:53:09,880
Speaker 1: I don't know. I don't know. I just don't know how.

1879
01:53:10,000 --> 01:53:11,479
Speaker 1: I don't know that. I don't know the metrics in

1880
01:53:11,560 --> 01:53:14,960
Speaker 1: my my my my space. I ain't been always like

1881
01:53:15,040 --> 01:53:18,639
Speaker 1: the most like like Nigga the media dollar Nigga ever,

1882
01:53:18,960 --> 01:53:21,280
Speaker 1: and I never really knew how to do that. But

1883
01:53:24,320 --> 01:53:27,000
Speaker 1: I don't know. I really, honestly, in my my heart

1884
01:53:27,040 --> 01:53:28,920
Speaker 1: of hearts, I don't know who I would do versus for.

1885
01:53:30,040 --> 01:53:32,000
Speaker 1: I just don't know. I don't know where like thought

1886
01:53:32,080 --> 01:53:37,000
Speaker 1: of it at all a little bit, but I don't

1887
01:53:37,040 --> 01:53:38,600
Speaker 1: think about it that much. I look at like, I

1888
01:53:38,720 --> 01:53:42,840
Speaker 1: just don't think that that that that that space, at

1889
01:53:43,000 --> 01:53:44,840
Speaker 1: least with my host. But you know what's one thing

1890
01:53:44,880 --> 01:53:48,320
Speaker 1: we haven't at talked about is Lady Gaga. Right, yeah,

1891
01:53:49,040 --> 01:53:53,880
Speaker 1: let's talk about that collection. This is this is this

1892
01:53:54,040 --> 01:53:58,160
Speaker 1: is a great foreheadline. All right, some of the Lady

1893
01:53:59,320 --> 01:54:06,040
Speaker 1: Lady Gaga. Yeah, first of all, get your mind. Yeah, see,

1894
01:54:06,160 --> 01:54:08,240
Speaker 1: I love the dissension. Before I'm gonna do to my

1895
01:54:08,439 --> 01:54:11,519
Speaker 1: w W ship gona be fighting the wrestle Mania. Now

1896
01:54:11,600 --> 01:54:16,439
Speaker 1: we actually united, we're very united, but we would you

1897
01:54:16,439 --> 01:54:18,400
Speaker 1: go to w W with me on some vibe, like

1898
01:54:18,479 --> 01:54:20,600
Speaker 1: just on some like would you do? Would you like

1899
01:54:20,840 --> 01:54:22,360
Speaker 1: like be a part of it? If I was like, yo,

1900
01:54:22,520 --> 01:54:25,840
Speaker 1: this is what flair is gonna be there? That was

1901
01:54:25,920 --> 01:54:29,120
Speaker 1: that was like, why would you be the Newark Flair?

1902
01:54:29,680 --> 01:54:34,640
Speaker 1: Why don't you be the new Work Flair? The pitch

1903
01:54:35,400 --> 01:54:39,040
Speaker 1: there's a group, right, they just got signed. It's It's

1904
01:54:39,120 --> 01:54:42,400
Speaker 1: It's It's it's not the Imagy, No, it's the Restless.

1905
01:54:42,480 --> 01:54:45,880
Speaker 1: But they like part of the culture. You need to

1906
01:54:45,920 --> 01:54:48,080
Speaker 1: be a part of that and be like the manager

1907
01:54:48,120 --> 01:54:52,320
Speaker 1: didn't be talking like Yo, this is yeah McMahon, ya

1908
01:54:52,440 --> 01:54:54,120
Speaker 1: do what you do, what you're doing, what you're doing

1909
01:54:54,200 --> 01:55:01,080
Speaker 1: the rot Rock Show, the Rock showed when he's counting

1910
01:55:01,160 --> 01:55:04,160
Speaker 1: the I feel like I feel like Rory and Techno.

1911
01:55:04,160 --> 01:55:06,760
Speaker 1: I feel like Nori could do that. I feel I

1912
01:55:06,800 --> 01:55:08,720
Speaker 1: feel like he could come but because they just got

1913
01:55:08,800 --> 01:55:12,080
Speaker 1: signed to SmackDown and smackdowns on Fox on Fridays, I

1914
01:55:12,120 --> 01:55:14,560
Speaker 1: feel like it's called hit ro. It's called hit ro,

1915
01:55:15,040 --> 01:55:17,480
Speaker 1: so they make it. No. I swear to god, I

1916
01:55:17,560 --> 01:55:19,760
Speaker 1: know he could come down and be like yo, I

1917
01:55:19,880 --> 01:55:21,240
Speaker 1: know he can do that because that's what he do.

1918
01:55:21,520 --> 01:55:28,440
Speaker 1: He talks, That's what he do. Be over. Am I

1919
01:55:28,520 --> 01:55:31,680
Speaker 1: making a car town? You guys are in, I'm coming

1920
01:55:31,720 --> 01:55:34,640
Speaker 1: in with Technic and I'm getting I'm getting a piece

1921
01:55:34,640 --> 01:55:36,840
Speaker 1: of that. If there this is wait wait, what the

1922
01:55:36,920 --> 01:55:39,600
Speaker 1: fun was? I asking them? I feel like we lost

1923
01:55:39,680 --> 01:55:44,040
Speaker 1: track him. I'm so good at at it. Please, lady,

1924
01:55:44,720 --> 01:55:48,080
Speaker 1: let's talk about lady about record. That's a that's an

1925
01:55:48,160 --> 01:55:52,640
Speaker 1: awfully like like egregious thing to even say. Though I'm

1926
01:55:52,680 --> 01:55:56,080
Speaker 1: not the only one. I didn't ask that. Yeah, that

1927
01:55:56,200 --> 01:55:58,400
Speaker 1: was that was intense. I don't know, that's finger popping.

1928
01:55:58,520 --> 01:56:00,320
Speaker 1: Let's just talk about that was not that was like,

1929
01:56:00,400 --> 01:56:02,760
Speaker 1: you gotta respect lady, guy, Like, that's not what I'm saying.

1930
01:56:03,080 --> 01:56:06,840
Speaker 1: She's in America horror stories. Yeah, I mean, I guess

1931
01:56:06,920 --> 01:56:09,680
Speaker 1: that's what I think. So that's weird, you know. So

1932
01:56:09,760 --> 01:56:12,520
Speaker 1: what's the question. What's the question about making the record

1933
01:56:12,600 --> 01:56:16,480
Speaker 1: with her? So about when we did chilling? Um all,

1934
01:56:16,520 --> 01:56:18,480
Speaker 1: I remember, this was a long time. This is more

1935
01:56:18,520 --> 01:56:21,120
Speaker 1: than two years ago. I remember we went out to

1936
01:56:21,200 --> 01:56:24,160
Speaker 1: the club in d C. He was just out. She's

1937
01:56:24,200 --> 01:56:28,200
Speaker 1: in the club, but no school. By the time, I

1938
01:56:28,600 --> 01:56:33,280
Speaker 1: believe it was right right, made the whore, made the

1939
01:56:33,360 --> 01:56:37,040
Speaker 1: rac a con right. But I was like twenty years old.

1940
01:56:37,080 --> 01:56:40,400
Speaker 1: I didn't. I don't remember. I just remember, like I remember,

1941
01:56:40,440 --> 01:56:43,000
Speaker 1: we got a sprinter and we went to the club.

1942
01:56:43,160 --> 01:56:45,200
Speaker 1: I was fade. I just slept in the car and

1943
01:56:45,280 --> 01:56:48,720
Speaker 1: I woke up and was in New York. But here's

1944
01:56:48,720 --> 01:56:51,320
Speaker 1: what we need to understand. Are you signed to Jimmy?

1945
01:56:51,400 --> 01:56:55,240
Speaker 1: I bean first, and then the lady got got to

1946
01:56:55,240 --> 01:57:05,720
Speaker 1: think about what's y'all? Still don't take five? Sorry, sorry, yo,

1947
01:57:06,280 --> 01:57:09,280
Speaker 1: I'm gonna just yo this. Niken talked to me. Yeah, yeah,

1948
01:57:09,480 --> 01:57:14,560
Speaker 1: just yo. You got some of the gatorad Man. This

1949
01:57:15,080 --> 01:57:20,640
Speaker 1: segment has been sponsored rate pills, whenever used, whenever you

1950
01:57:20,720 --> 01:57:25,160
Speaker 1: don't know what's going on. Just got you, I got you,

1951
01:57:26,200 --> 01:57:29,680
Speaker 1: I got you. So yeah, so that record, how did

1952
01:57:29,720 --> 01:57:32,800
Speaker 1: it get made? Um? So we went out, he was out.

1953
01:57:32,920 --> 01:57:34,960
Speaker 1: It was like me and my knicks was out. And

1954
01:57:35,040 --> 01:57:39,120
Speaker 1: then I remember, I know, Cooling Dre. That's your record though, right, yeah, yeah,

1955
01:57:39,360 --> 01:57:42,640
Speaker 1: because if you're go on YouTube, they made remixes her

1956
01:57:42,760 --> 01:57:46,839
Speaker 1: record that was a different time, but that's your record. Yeah.

1957
01:57:47,720 --> 01:57:49,640
Speaker 1: I went through a lot of hurdles with that one,

1958
01:57:49,680 --> 01:57:52,960
Speaker 1: but I remember I didn't right here in my UM

1959
01:57:53,400 --> 01:57:57,600
Speaker 1: factory and cool and Dre was so like like like

1960
01:57:58,200 --> 01:58:01,320
Speaker 1: like understanding with me. They I think early on Trey

1961
01:58:01,440 --> 01:58:04,040
Speaker 1: realized like, oh ship, this is just a nigger that

1962
01:58:04,240 --> 01:58:06,880
Speaker 1: knows how to dress and knows how to rap. He

1963
01:58:06,960 --> 01:58:10,360
Speaker 1: doesn't really know how to make songs. So we were

1964
01:58:10,480 --> 01:58:13,800
Speaker 1: like just coming up stuff and we were just vibe

1965
01:58:13,840 --> 01:58:15,520
Speaker 1: and I was like, yo, all right, I'm gonna follow

1966
01:58:15,600 --> 01:58:18,680
Speaker 1: you and like that. So like most of that joint

1967
01:58:18,800 --> 01:58:25,120
Speaker 1: is just like them, So maybe absolutely absolutely, and then

1968
01:58:25,680 --> 01:58:28,320
Speaker 1: and then later down the road, I don't even remember

1969
01:58:28,400 --> 01:58:29,960
Speaker 1: how long it was, and it could be two weeks

1970
01:58:30,040 --> 01:58:31,720
Speaker 1: or two months, I don't remember, but I remember I

1971
01:58:31,800 --> 01:58:35,920
Speaker 1: was in d C. And I don't never forget Lady Gaga.

1972
01:58:36,960 --> 01:58:40,240
Speaker 1: She uh because you know, all my niggas made sure

1973
01:58:40,240 --> 01:58:42,000
Speaker 1: that I got to the studio, like even no matter

1974
01:58:42,040 --> 01:58:45,960
Speaker 1: where it was at that time, to the studio. So

1975
01:58:46,040 --> 01:58:48,840
Speaker 1: we went to the Club one studio. I remember, um

1976
01:58:50,640 --> 01:58:55,440
Speaker 1: so that night, oh this ship like go crazy and

1977
01:58:55,680 --> 01:59:00,680
Speaker 1: just make sure. So that night we drove and all

1978
01:59:00,720 --> 01:59:03,560
Speaker 1: of them. I woke up in the studio. I feel

1979
01:59:03,640 --> 01:59:08,400
Speaker 1: like it might have been electorally. It was something smart

1980
01:59:08,480 --> 01:59:10,480
Speaker 1: Kane in all right, he was the eight Vibe and

1981
01:59:11,000 --> 01:59:13,240
Speaker 1: at the time, yeah, I wasn't. We weren't. We just

1982
01:59:13,280 --> 01:59:15,360
Speaker 1: spend that much time in the studio and I was

1983
01:59:15,440 --> 01:59:17,920
Speaker 1: so new that I didn't know how big she was.

1984
01:59:18,040 --> 01:59:22,520
Speaker 1: I just like I was just like I wasn't but

1985
01:59:22,560 --> 01:59:25,320
Speaker 1: I wasn't smoking Jay's and that big at that point.

1986
01:59:25,400 --> 01:59:28,760
Speaker 1: I do not even really remember. I just know I

1987
01:59:28,880 --> 01:59:30,880
Speaker 1: was just like, I feel like it's pretty equal at

1988
01:59:30,920 --> 01:59:34,280
Speaker 1: that point. I just definitely bigger than me because she

1989
01:59:34,360 --> 01:59:36,000
Speaker 1: was telling me about like radio and all of us,

1990
01:59:36,560 --> 01:59:42,320
Speaker 1: so we need the studio. All I remember. I just

1991
01:59:42,360 --> 01:59:44,200
Speaker 1: remember the stupid ship, like I remember she had a

1992
01:59:46,560 --> 01:59:49,000
Speaker 1: ribbon in her hair, but it was rubber. It was

1993
01:59:49,040 --> 01:59:52,200
Speaker 1: big ship and it's like like Nigga, I'm literally coming

1994
01:59:52,280 --> 01:59:56,280
Speaker 1: from a go go and like super Odi trapped out club.

1995
01:59:57,040 --> 01:59:59,120
Speaker 1: See I'm doing this and it's just like I'm just

1996
01:59:59,200 --> 02:00:01,880
Speaker 1: like okay. And I'll never forget that she was telling me,

1997
02:00:02,000 --> 02:00:05,040
Speaker 1: like I won't get into detail, but I remember she

1998
02:00:05,360 --> 02:00:08,240
Speaker 1: was talking about like how hard it is the work

1999
02:00:08,280 --> 02:00:11,560
Speaker 1: of records and like this ship isn't never enough fighting

2000
02:00:12,760 --> 02:00:15,800
Speaker 1: and whoo, and I remember we spent a lot of

2001
02:00:15,880 --> 02:00:18,840
Speaker 1: time that day. I don't know how much he did,

2002
02:00:19,000 --> 02:00:22,800
Speaker 1: but I know that her Mark was working like a

2003
02:00:22,920 --> 02:00:27,160
Speaker 1: lot and she gave that record No Cool and Dre.

2004
02:00:27,880 --> 02:00:29,200
Speaker 1: But I don't know that. I think it was just

2005
02:00:29,280 --> 02:00:31,840
Speaker 1: kind of just exploring wherever the record to take it

2006
02:00:32,440 --> 02:00:36,280
Speaker 1: and it wasn't much. But I do know that there

2007
02:00:36,360 --> 02:00:39,520
Speaker 1: wasn't there wasn't there was there was There was a

2008
02:00:39,600 --> 02:00:43,680
Speaker 1: remus recorded by Lady Gaga on that record that Cool

2009
02:00:43,760 --> 02:00:47,880
Speaker 1: and Dre kind of arranged and Mark produced. There did

2010
02:00:48,000 --> 02:00:50,000
Speaker 1: that exists? I don't know where it is. I don't

2011
02:00:50,040 --> 02:00:53,880
Speaker 1: know what's going on, but that happened for sure. So

2012
02:00:55,280 --> 02:00:59,560
Speaker 1: at some point in the school, Yeah, yeah, part of it.

2013
02:00:59,640 --> 02:01:03,920
Speaker 1: Wait yeah, yeah, So in the Schoope thing was um man,

2014
02:01:04,400 --> 02:01:07,080
Speaker 1: I just I hate telling stories that happened and then

2015
02:01:07,240 --> 02:01:09,240
Speaker 1: making it feel like I'm trying to throw anybody under

2016
02:01:09,240 --> 02:01:13,120
Speaker 1: the bus that's not my child. So what happened was

2017
02:01:14,400 --> 02:01:18,600
Speaker 1: um Mark Ronson had to deal with Aldo that was

2018
02:01:18,680 --> 02:01:24,240
Speaker 1: a Leado and that was on dscote and I was

2019
02:01:24,280 --> 02:01:28,680
Speaker 1: signed to a leader. So I didn't really you know,

2020
02:01:29,360 --> 02:01:31,120
Speaker 1: my old my eyes are older now you know what

2021
02:01:31,120 --> 02:01:34,120
Speaker 1: I'm saying, My ears are strong. I didn't really know that.

2022
02:01:35,240 --> 02:01:38,280
Speaker 1: I didn't really understand how much Jimmy and Mark was

2023
02:01:38,360 --> 02:01:40,320
Speaker 1: in business. But I was just like, you know, I'm

2024
02:01:40,360 --> 02:01:42,040
Speaker 1: just like a young nick. I'm just wrapping them with

2025
02:01:42,120 --> 02:01:43,680
Speaker 1: Cutty and with Dred and we're doing a d Q

2026
02:01:43,800 --> 02:01:48,320
Speaker 1: sh and it just what happened was they just I

2027
02:01:48,360 --> 02:01:51,080
Speaker 1: don't know they I'm sure they're probably still in great

2028
02:01:51,200 --> 02:01:53,800
Speaker 1: places together and I got left both of them, but

2029
02:01:53,880 --> 02:02:00,200
Speaker 1: at that time something happened where like they were on

2030
02:02:00,240 --> 02:02:02,400
Speaker 1: the same page and that kind of was like, uh,

2031
02:02:04,920 --> 02:02:09,080
Speaker 1: a casualty award, I would say, right, So that's how

2032
02:02:09,280 --> 02:02:12,920
Speaker 1: that happened. And I don't know. I just wasn't I

2033
02:02:13,120 --> 02:02:15,080
Speaker 1: didn't know enough I didn't even if I if I

2034
02:02:15,160 --> 02:02:16,480
Speaker 1: knew what I knew now, I would have knew it

2035
02:02:16,560 --> 02:02:19,320
Speaker 1: was coming. But I'm good. I'm glad that I didn't know,

2036
02:02:19,440 --> 02:02:23,040
Speaker 1: because I was like I was a tip Gucci yr guard.

2037
02:02:23,520 --> 02:02:24,960
Speaker 1: I didn't even know it was about to be drying.

2038
02:02:24,960 --> 02:02:27,240
Speaker 1: I didn't even know. So I was in a good

2039
02:02:27,320 --> 02:02:29,040
Speaker 1: place and I was just like on the on the

2040
02:02:29,160 --> 02:02:31,480
Speaker 1: on the road, I was doing shows and all of that.

2041
02:02:31,640 --> 02:02:34,360
Speaker 1: But at the time, I had no, no fucking clue

2042
02:02:34,720 --> 02:02:39,080
Speaker 1: that Mark and Jimmy were not on the same page.

2043
02:02:41,160 --> 02:02:44,240
Speaker 1: But he cleared it. We got left for Mark and Jimmy.

2044
02:02:44,280 --> 02:02:48,520
Speaker 1: I mean, we love everybody ever? Did we love everybody?

2045
02:02:48,840 --> 02:02:52,640
Speaker 1: Noriega him? He doesn't know what. He doesn't know what.

2046
02:02:54,240 --> 02:02:59,720
Speaker 1: Yeah did we did? We'll drink a bit too, Santiago. Yeah,

2047
02:03:02,920 --> 02:03:09,200
Speaker 1: so now this is why you separate from him. Let's

2048
02:03:09,200 --> 02:03:12,400
Speaker 1: getting to the real ship. This whole time almost faking. No,

2049
02:03:12,480 --> 02:03:14,520
Speaker 1: I'm just playing. No, no, you gotta put the mic down.

2050
02:03:14,560 --> 02:03:16,640
Speaker 1: You gotta put the mic down. I don't like it

2051
02:03:16,840 --> 02:03:19,440
Speaker 1: right here, but okay, but no, no, no, that was

2052
02:03:19,640 --> 02:03:21,720
Speaker 1: that was a moment, and I know I learned from it,

2053
02:03:21,800 --> 02:03:26,160
Speaker 1: and it was I felt like I haven't all the

2054
02:03:26,200 --> 02:03:31,000
Speaker 1: way recovered from that moment where I imagine being twenty

2055
02:03:31,240 --> 02:03:34,640
Speaker 1: two three and being like, Okay, your dropped from your

2056
02:03:34,720 --> 02:03:38,000
Speaker 1: dream job, but you're still popping into your city, like

2057
02:03:38,560 --> 02:03:40,080
Speaker 1: you know. I didn't even know who to blame. I

2058
02:03:40,080 --> 02:03:41,880
Speaker 1: didn't know. I didn't even get mad. I just was

2059
02:03:42,000 --> 02:03:46,760
Speaker 1: in Atlanta. I was with Gucci, Joe GODDI before may

2060
02:03:46,840 --> 02:03:50,120
Speaker 1: back wait yeah wait wait wait before yeah? Absolutely, So

2061
02:03:50,400 --> 02:03:52,760
Speaker 1: what is the transition to may back after all of this?

2062
02:03:53,800 --> 02:03:55,840
Speaker 1: How does that feel? Like? What does that mean to you?

2063
02:03:56,120 --> 02:03:58,680
Speaker 1: My brother? I've boy, I've been with niggas that are

2064
02:03:59,240 --> 02:04:02,000
Speaker 1: crazy and they and then they can't wrap. I was

2065
02:04:02,040 --> 02:04:05,200
Speaker 1: ready for whatever they came with me back? How did

2066
02:04:05,240 --> 02:04:08,640
Speaker 1: that come about? What I'm saying to God? Was Delta,

2067
02:04:09,400 --> 02:04:15,720
Speaker 1: Delaware State right there? He saw me, saw me at KLD.

2068
02:04:17,160 --> 02:04:20,240
Speaker 1: We were step and then and then I believe he

2069
02:04:20,480 --> 02:04:27,480
Speaker 1: offered a deal. And I was at somebody house and

2070
02:04:27,520 --> 02:04:30,120
Speaker 1: I remember talking to whole and I was like, um,

2071
02:04:31,040 --> 02:04:33,640
Speaker 1: I want to do this. What do you think you know? Mind?

2072
02:04:34,800 --> 02:04:37,120
Speaker 1: This is a death jam kind of color. No no no, no,

2073
02:04:37,200 --> 02:04:39,560
Speaker 1: no no no no no no, this is I picked

2074
02:04:39,600 --> 02:04:44,880
Speaker 1: this out. This is ross know if you can't figure

2075
02:04:44,920 --> 02:04:54,880
Speaker 1: it out then don't answer it as I love the k.

2076
02:05:01,200 --> 02:05:03,040
Speaker 1: Don't let him stay down crazy because you're gonna say

2077
02:05:03,040 --> 02:05:07,520
Speaker 1: them crazy. You ain't saying them damn nigga, you ain't

2078
02:05:07,600 --> 02:05:15,840
Speaker 1: gonna speaks Freddy. Yeah, hey you're freddy. Hey Bro, Hey, bros.

2079
02:05:15,920 --> 02:05:22,160
Speaker 1: Nigga's friend is a man. Bro, nigga, you've been making

2080
02:05:22,360 --> 02:05:25,480
Speaker 1: We know what she's been doing. The bami look look out,

2081
02:05:25,640 --> 02:05:29,520
Speaker 1: look at fact. They got fried u nordea. Yeah he fried,

2082
02:05:29,600 --> 02:05:33,040
Speaker 1: go ahead, Yeah, I want to. I want the drink

2083
02:05:33,120 --> 02:05:43,040
Speaker 1: tims and became the drink him up? Bro? Where are

2084
02:05:43,040 --> 02:05:47,400
Speaker 1: you at food? Friends? No hold on what he says.

2085
02:05:48,000 --> 02:05:49,720
Speaker 1: All we do is talk to like this is each other.

2086
02:05:50,040 --> 02:05:57,040
Speaker 1: What would you say? Bro? He said? Why do you

2087
02:05:57,280 --> 02:06:01,600
Speaker 1: bring him? Hello? They're quieting that all they got their drinks,

2088
02:06:01,640 --> 02:06:03,760
Speaker 1: they drink. I'm ready for Afraid to come through when

2089
02:06:05,000 --> 02:06:06,880
Speaker 1: we gotta be. If we are at the same time,

2090
02:06:07,080 --> 02:06:09,520
Speaker 1: we're gonna break the internet, especially with this nigked. But

2091
02:06:09,600 --> 02:06:12,160
Speaker 1: he's too fried right now. You don't see the vision. Hey,

2092
02:06:12,960 --> 02:06:15,360
Speaker 1: I ain't never bro, I've been writing. I've probably seen

2093
02:06:15,440 --> 02:06:20,320
Speaker 1: like seventy drink. Yeah that's a lot. I don't but

2094
02:06:20,480 --> 02:06:23,560
Speaker 1: I just played video games and it's a good percentage. Yeah,

2095
02:06:23,680 --> 02:06:27,240
Speaker 1: but look he fried, No this nigga fried. Hey, bro,

2096
02:06:27,520 --> 02:06:34,240
Speaker 1: that nigga is cooked. That nigga cooked blessing books at

2097
02:06:34,280 --> 02:06:37,280
Speaker 1: mogga fried. Look got him. He trying to get to

2098
02:06:37,440 --> 02:06:44,800
Speaker 1: and he's like like, can we bury this nigga? I'm done. God,

2099
02:06:44,920 --> 02:06:46,680
Speaker 1: you already know about it. But I'm gonna hit you

2100
02:06:46,720 --> 02:06:48,640
Speaker 1: when I Liva because I think I gotta try to

2101
02:06:48,640 --> 02:06:51,280
Speaker 1: get him. I gotta get nois in my special. Uh

2102
02:06:54,280 --> 02:06:57,920
Speaker 1: I'm missing a little bit like twenty minute. Und I mean,

2103
02:07:01,160 --> 02:07:05,000
Speaker 1: this is what happening? Thank you? What happening? My bad food?

2104
02:07:05,600 --> 02:07:09,120
Speaker 1: That's anything said? Everything you say you should have said.

2105
02:07:10,080 --> 02:07:12,360
Speaker 1: I'm just playing with this nigga. Man he needed though.

2106
02:07:13,640 --> 02:07:15,800
Speaker 1: I'm glad I got this nik go on his toes though,

2107
02:07:16,200 --> 02:07:19,520
Speaker 1: because I see how he be colastest and ship excuse me,

2108
02:07:19,760 --> 02:07:22,960
Speaker 1: he's smoking, sparking, talking, and he's just nine nigga. You

2109
02:07:23,000 --> 02:07:26,280
Speaker 1: want nine? You want them ropes right now? You were

2110
02:07:26,520 --> 02:07:32,160
Speaker 1: you with your brother, do it? Remember? Listen, listen, No, no, no,

2111
02:07:34,600 --> 02:07:36,960
Speaker 1: that's just no. I'm just trying to get Charlotte. That's

2112
02:07:36,960 --> 02:07:39,200
Speaker 1: how you get it up together. You want to vote.

2113
02:07:39,640 --> 02:07:42,520
Speaker 1: We was in that thing in that place at that time,

2114
02:07:42,840 --> 02:07:45,360
Speaker 1: and we know it's a different level. Woman. You slim

2115
02:07:45,880 --> 02:07:49,120
Speaker 1: and round because around not because I'm not. Because I

2116
02:07:49,160 --> 02:07:53,240
Speaker 1: cut it on the down. You know what I do. No, no,

2117
02:07:53,640 --> 02:07:55,920
Speaker 1: when the nigga, when that nigga, when the just wanted

2118
02:07:55,920 --> 02:08:05,760
Speaker 1: to do polo, I don't know what the funk was

2119
02:08:05,760 --> 02:08:08,680
Speaker 1: about to happen. Listen, all right, come, let's cut assist,

2120
02:08:08,760 --> 02:08:11,000
Speaker 1: let's finish this. Let's finish this. Let's go. Don't just

2121
02:08:11,320 --> 02:08:15,880
Speaker 1: jump me now, huh yeah, jump him jump We should

2122
02:08:15,960 --> 02:08:19,160
Speaker 1: jump him now the way he said jump him. I

2123
02:08:19,600 --> 02:08:22,680
Speaker 1: washed him right now, my hand, my hand game is crazy.

2124
02:08:23,080 --> 02:08:27,240
Speaker 1: But he Dominican or brodo Vigan or someone again. But fight.

2125
02:08:27,480 --> 02:08:28,920
Speaker 1: We will jump you. If you have to jump you

2126
02:08:28,960 --> 02:08:32,080
Speaker 1: with the jump out and see him, we'll jump the

2127
02:08:32,160 --> 02:08:34,040
Speaker 1: funk out of you. Right now. I can't get him

2128
02:08:34,040 --> 02:08:36,440
Speaker 1: out the way and like quickly because but I don't

2129
02:08:36,480 --> 02:08:38,880
Speaker 1: fix you'll fight you. You're a little bit better. But

2130
02:08:39,160 --> 02:08:42,200
Speaker 1: I'm I'm in. I'm in, Yeah, I'm in, I'm in.

2131
02:08:42,280 --> 02:08:48,520
Speaker 1: I'm in talking you are. I don't let the party.

2132
02:08:48,960 --> 02:08:52,320
Speaker 1: I don't. Don't. If you see say property too, don't

2133
02:08:52,320 --> 02:08:56,800
Speaker 1: trust that you don't chuck up, don't tuck him, don't

2134
02:08:56,840 --> 02:08:59,440
Speaker 1: trust up point your I was liking this question. Bro.

2135
02:09:00,040 --> 02:09:10,920
Speaker 1: I to more more, two more, but no two more.

2136
02:09:11,240 --> 02:09:13,520
Speaker 1: He got two questions, not getting my trust up. The

2137
02:09:13,600 --> 02:09:19,000
Speaker 1: he got comfort give me two minutes and you ain't

2138
02:09:19,160 --> 02:09:22,120
Speaker 1: two minutes more. It's time with the problem club to

2139
02:09:22,160 --> 02:09:27,840
Speaker 1: sit down. Line, where are you going? He's in the

2140
02:09:27,920 --> 02:09:35,280
Speaker 1: Philippines and he's in the past's interviewing them and that's done.

2141
02:09:35,320 --> 02:09:44,440
Speaker 1: That that that from last run the engl I gotta

2142
02:09:44,480 --> 02:09:46,640
Speaker 1: call his plain we're on the runner. No, it ain't

2143
02:09:46,680 --> 02:09:51,200
Speaker 1: no fun. But I go where did you go? Where

2144
02:09:51,240 --> 02:09:54,320
Speaker 1: did you go? Mr? Satiago trusts? Tell us all where

2145
02:09:54,320 --> 02:09:56,680
Speaker 1: you want? His bathroom breaks up the fastest batas ever

2146
02:09:56,760 --> 02:09:59,440
Speaker 1: seen in my life. I think he never goes to

2147
02:09:59,480 --> 02:10:02,200
Speaker 1: the bathroom. So I'm gonna tell you how it is.

2148
02:10:03,320 --> 02:10:05,880
Speaker 1: I uh, put put the mic down, Put the mic down.

2149
02:10:06,280 --> 02:10:10,120
Speaker 1: I um. I went through a decent amount of time

2150
02:10:10,240 --> 02:10:14,080
Speaker 1: going through a lot of the interviews because nor be

2151
02:10:14,120 --> 02:10:16,200
Speaker 1: thinking I don't like I got fell away that that

2152
02:10:16,480 --> 02:10:19,080
Speaker 1: that's not that. I just don't want to show my

2153
02:10:19,160 --> 02:10:21,440
Speaker 1: hand all the time because I want to make sure

2154
02:10:21,520 --> 02:10:24,320
Speaker 1: like this go down. If you understand that's not what

2155
02:10:24,440 --> 02:10:27,600
Speaker 1: we do here right. Yeah. No, I've seen a lot

2156
02:10:27,680 --> 02:10:29,600
Speaker 1: of your interviews and you believe that we do the

2157
02:10:29,640 --> 02:10:31,920
Speaker 1: fun no not the fun ship. No no no no

2158
02:10:32,440 --> 02:10:36,280
Speaker 1: with me and him because you guys had something like before.

2159
02:10:36,600 --> 02:10:39,120
Speaker 1: It wasn't never, it wasn't like that wasn't real friction. No,

2160
02:10:39,200 --> 02:10:41,280
Speaker 1: I wasn't. But I just wanted to be like, you know,

2161
02:10:41,720 --> 02:10:45,600
Speaker 1: let me make it fun because I know how he

2162
02:10:46,000 --> 02:10:47,880
Speaker 1: I know how the questions he asked. So I just

2163
02:10:47,960 --> 02:10:50,480
Speaker 1: want to make sure that you know how I feel

2164
02:10:50,480 --> 02:11:00,520
Speaker 1: a little bit big. It's how the way motherfuckers Japanese

2165
02:11:00,560 --> 02:11:04,720
Speaker 1: whiskey you like? Yo? Can you let him ask you

2166
02:11:04,760 --> 02:11:07,360
Speaker 1: the two questions? Please sit down and down, bro, I

2167
02:11:07,360 --> 02:11:11,280
Speaker 1: would like to do a questions. Please please ask these

2168
02:11:11,360 --> 02:11:14,160
Speaker 1: journalistic questions that we need in life. Do you see

2169
02:11:14,240 --> 02:11:17,800
Speaker 1: do you see your flowers? I want you to see

2170
02:11:17,840 --> 02:11:22,680
Speaker 1: your yeah, a lot. I don't disrespect those flowers. Mother.

2171
02:11:23,440 --> 02:11:26,560
Speaker 1: I'm a plan. I'm really like you know, I'm gonna

2172
02:11:26,600 --> 02:11:33,960
Speaker 1: start a sculpturing fund all those flowers Christmas. Come on.

2173
02:11:34,040 --> 02:11:41,160
Speaker 1: Let's said, yo, thank you so much. Freaking We really

2174
02:11:41,240 --> 02:11:43,960
Speaker 1: love you and that's why I want you to know

2175
02:11:44,120 --> 02:11:50,440
Speaker 1: that hold you really love you like you're a good dude, man,

2176
02:11:51,280 --> 02:11:56,440
Speaker 1: your real dude, your legend, let's say, and we're gonna

2177
02:11:56,560 --> 02:12:01,800
Speaker 1: hold you down every step for the way. And we

2178
02:12:01,960 --> 02:12:06,280
Speaker 1: wanted to give you your flowers. Thank you. I appreciate it.

2179
02:12:06,760 --> 02:12:09,320
Speaker 1: When we want to send some too as well, so hopefully,

2180
02:12:09,440 --> 02:12:11,800
Speaker 1: hopefully I'll get them before the business day is over.

2181
02:12:12,440 --> 02:12:15,320
Speaker 1: But I gave you something too, We got something that

2182
02:12:15,520 --> 02:12:24,680
Speaker 1: it's about you today, so everybody, So everybody, let's go one, two,

2183
02:12:24,920 --> 02:12:34,040
Speaker 1: three until you struggle. You struggle with taking condiments too. Yeah, yeah,

2184
02:12:34,600 --> 02:12:36,320
Speaker 1: it's all good. I don't want to call South good,

2185
02:12:36,760 --> 02:12:41,400
Speaker 1: but we like, we like. Thanks for joining us for

2186
02:12:41,440 --> 02:12:44,160
Speaker 1: another episode of Drink Champs, hosted by Yours truly, d

2187
02:12:44,280 --> 02:12:47,000
Speaker 1: J e F and n R E. Please make sure

2188
02:12:47,040 --> 02:12:49,360
Speaker 1: to follow us on all our socials. Let's add drink

2189
02:12:49,440 --> 02:12:52,880
Speaker 1: Champs across all platforms at the Real Noriegan, I g

2190
02:12:53,600 --> 02:12:56,720
Speaker 1: at Noriega on Twitter, mine is at Who's Crazy on

2191
02:12:56,880 --> 02:13:00,080
Speaker 1: I g at d J e FN on Twitter, and

2192
02:13:00,160 --> 02:13:02,520
Speaker 1: most importantly, stay up to date with the latest releases,

2193
02:13:02,920 --> 02:13:06,080
Speaker 1: news and merch by going to drink Champs dot com.

2194
02:13:10,920 --> 02:13:14,240
Speaker 1: For more podcasts from my Heart Radio, visit the iHeart

2195
02:13:14,320 --> 02:13:18,160
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

2196
02:13:18,200 --> 02:13:18,880
Speaker 1: favorite shows,