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Speaker 1: I Am all In.

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Speaker 2: I Am all In with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: Hey Everybody, Scott Patterson, I Am all In Podcast, Season five,

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Speaker 1: Episodes seven, I Jump You Jump Jack and I know right,

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Speaker 1: you gotta you gotta Kenny Ortega. If you're if you're

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Speaker 1: playing cards and you're dealt the the Kenny Ortega card

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Speaker 1: and then the Dan Palladino card, you've already got two aces,

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Speaker 1: so you're betting heavy. You're going all in, right, you know, Kenny.

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Speaker 3: Is legit, like all his episodes are.

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Speaker 1: They look like they're very they're huge, They're always huge.

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Speaker 1: It's and uh, I gotta say, I don't know. I

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Speaker 1: don't You don't think the episodes can get better, and

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Speaker 1: then they get better and you don't. There's how much

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Speaker 1: more room is there for improvement? There seems to be

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Speaker 1: very little. Each time you see an amazing episode, it's like,

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Speaker 1: how does this get better? This one was better?

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Speaker 2: Yes, this is like one of the greatest ones with

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Speaker 2: you so annoyed from start to finish?

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Speaker 1: Why Why are you annoyed?

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Speaker 3: Because I'm just really annoyed and I don't want to

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Speaker 3: admit it.

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Speaker 1: Because you like you like logan, I didn't say that

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Speaker 1: you like Logan compelling and interesting.

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Speaker 3: Episode so much because I think he's cool.

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Speaker 2: I love that Scott fully new and fully just called

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Speaker 2: you out because Danielle and I were talking before and

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Speaker 2: she's like, oh, do admit it.

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Speaker 1: I like him.

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Speaker 2: I'm like, no kidding, he's he's a charmer. I know,

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Speaker 2: I know we need to go in order, which we will,

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Speaker 2: but I just find it fascinating. I mean, there are

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Speaker 2: two huge storylines like congruent in this episode, everything with

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Speaker 2: Rory and Logan and then everything with you Luke and

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Speaker 2: the Gilmours, Lorali, Richard, Emily, and I don't want to

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Speaker 2: like try to read into it, but it's sort of

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Speaker 2: a fascinating thing of privilege versus sort of regular.

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Speaker 1: It's almost like Rory's the boomerang and she's bringing the

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Speaker 1: family back into the one percent or the point zero

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Speaker 1: zero percent with the Logan titillation potential, and Laureli is

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Speaker 1: going so far away from it with Luke. Right, It's like,

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Speaker 1: you know, it's like the chickens are coming home to roost,

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Speaker 1: and in a different way than probably Laurel I realized,

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Speaker 1: because she thought her parents were you know, you know,

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Speaker 1: toxic or whatever you need? What about the Huntsburgers, what

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Speaker 1: are they going to be like?

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Speaker 4: Well, and that's the funny thing.

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Speaker 2: For for all of Laurel's rejection, which I do think

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Speaker 2: is genuine, and I think she's still rejecting it, which

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Speaker 2: we'll dig into Rory is by circumstance or happenstance dipping

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Speaker 2: her toe into it. And she is certainly at the

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Speaker 2: end not mad at it, and would be I wouldn't be.

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Speaker 1: Dean did some pretty Dean did everything he could possibly

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Speaker 1: do with what he had. He mean, he built her

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Speaker 1: a car, right, I mean it doesn't like Logan would

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Speaker 1: buy her an suv or or whatever, right and just

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Speaker 1: leave it in a bow with a mystery with a

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Speaker 1: mask and meet us here and we'll pick you up

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Speaker 1: and blindfold you and whatever you know, and you blindfold

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Speaker 1: yourself and it's all great and it's mysterious and it.

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Speaker 4: Yes.

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Speaker 1: Is that every girl's dream to meet a guy like

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Speaker 1: Logan who's filled with mystery and intrigue?

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Speaker 4: And it's a really great question?

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Speaker 1: Or is it just a stereotype? I mean, I don't

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Speaker 1: want to stereo.

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Speaker 2: Well, there's a really good you're asking a really good question.

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Speaker 1: It's a fairy tale. There's a fairy tale.

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Speaker 4: Every girl's dream, because.

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Speaker 2: It's not just like some rich dude. Right there is

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Speaker 2: something extremely charming about Logan. That he's polarizing, I get it.

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Speaker 2: Everyone can comment, but he's very charming and he is thoughtful,

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Speaker 2: Like it is thoughtful what he dropped off at the

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Speaker 2: end of the episode, and it is essentially thoughtful that

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Speaker 2: he knew Rory's writing this story. Whether he likes it

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Speaker 2: or not is like unclear in the beginning, like like

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Speaker 2: likes her, but he is helping her out. He's invited her,

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Speaker 2: he's giving her the story. He's got her in the door,

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Speaker 2: like he's helping her out her.

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Speaker 4: He likes her too.

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Speaker 2: He's the only girl that gives him a run for

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Speaker 2: his money.

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Speaker 1: He's and she's unlike anyone in his circle.

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Speaker 3: And vice versa too, right, Like he's unlike anybody in

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Speaker 3: her circle right there.

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Speaker 1: But he's familiar to her through DNA, through Richard and Emily.

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Speaker 1: You know, she's she's been exposed to it a little bit.

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Speaker 2: Ch Rory for all her stars hollow existence is extremely privileged,

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Speaker 2: like they have tons of money. She wants for nothing. Essentially,

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Speaker 2: do you know what I mean, because like the Gilmore's

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Speaker 2: even bought her a car, Like she has a car

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Speaker 2: at school, which most kids would never have. Like she

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Speaker 2: can go to Yale, she can go to Chiltern, Like

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Speaker 2: even though she has this other existence, she is as privileged. Essentially,

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Speaker 2: she can go to Europe for two months totally, and

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Speaker 2: she has all these experiences that most kids would never

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Speaker 2: have because of her grandparents.

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Speaker 1: It's just, you know, in terms of storylines, I don't

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Speaker 1: think you can can write a storyline more powerful than young,

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Speaker 1: mysterious love discovering each other and itself without because I

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Speaker 1: think he's he's naturally keeping a distance because he doesn't

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Speaker 1: know what she is yet he just knows that he

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Speaker 1: is really likes her.

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Speaker 4: Yeah, yeah, he's and it's.

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Speaker 1: Happening fast for him. You know, he's he knows she's

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Speaker 1: not just another girl that he can sort of toy

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Speaker 1: around with. Yet he's toying around with her, right, that's right, right,

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Speaker 1: But for me, for him, he's more invested in this.

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Speaker 1: He's being more careful with this. He was so happy

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Speaker 1: that she jumped and they caught it on the camera,

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Speaker 1: on her camera, and he's sending that to her. That's

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Speaker 1: a love.

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Speaker 2: Life intentionally, right, He's like, no pictures and then he

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Speaker 2: gives her.

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Speaker 1: She's teaching him how to love, to use his heart

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Speaker 1: a little bit, because I don't know that he has

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Speaker 1: had that opportunity in his circle because it's all artifice,

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Speaker 1: it's all yeah, and it's.

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Speaker 2: Not coming easy for him, right, Like he has he

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Speaker 2: has to actually like put some effort in.

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Speaker 1: I get the feeling that Rory's going to save this

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Speaker 1: guy and he wants to be saved. He wants to

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Speaker 1: be saved the same way Laurel I wanted to be

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Speaker 1: saved and get away from all of that. I think

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Speaker 1: there's the same there's a similar pull there for him.

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Speaker 1: I just feel that I have I don't know the episodes.

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Speaker 1: I do remember at the beach where Logan and his

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Speaker 1: father Mitcham get into a shouting match, and it's just

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Speaker 1: like that's what he can.

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Speaker 2: Were you aware because it's such an iconic Gilmore image

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Speaker 2: of the jump, like did you when you watch that?

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Speaker 4: Really?

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Speaker 1: I saw pictures of it. I didn't know what was

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Speaker 1: leading up to it. I didn't know that they were,

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Speaker 1: you know, attached to a trapeze type safety hard that

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Speaker 1: so I was very curious about it. Of course I

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Speaker 1: was really curious about it.

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Speaker 2: I mean I wish and we will have we will

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Speaker 2: have guests that will be able to answer this because

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Speaker 2: I'm so curious about that day of shooting and like

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Speaker 2: what they actually built out there.

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Speaker 1: Yeah, I don't think I've seen anything more clever, more disturbing,

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Speaker 1: and more entertaining than human clay pigeons. I mean, it's

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Speaker 1: just like, how do you not just blurt out laughing the.

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Speaker 4: Whole thing when you and the reveal.

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Speaker 2: So she's blindfolded and she's in the car and then

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Speaker 2: you reveal this.

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Speaker 3: White, magical town.

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Speaker 4: Like glamping to its finest.

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Speaker 1: Human is every guy's fantasy, whether they realize it or not.

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Speaker 1: Because once I saw that, I said, yes, that's perfect, and.

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Speaker 2: Just the whole fanciness, the fancy food, the caters, the servers,

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Speaker 2: the everything, and the talking without the ease and just

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Speaker 2: the whole thing. And like, you know, these kids all

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Speaker 2: go to Yale, right, so not only are they like

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Speaker 2: privileged and fancy, but they're smart.

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Speaker 4: Like these kids all go to Yale. Logan is smart.

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Speaker 2: Yeah, yeah, I mean right, she's met her match sort

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Speaker 2: of sort of, all right, so let's go backwards.

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Speaker 1: We shall see how this unfolds. I am so hooked,

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Speaker 1: I am so intrigued to Daniel. I know you're I

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Speaker 1: know you're on that horse now. You can roll your

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Speaker 1: eyes all you want, but you are digging this journey.

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Speaker 3: I'm getting there. And the reason what I had told

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Speaker 3: Amy was he wasn't such an a hole this episode,

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Speaker 3: you know what I mean, Like he was like just

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Speaker 3: very mysterious and charming and like we'll get there. But

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Speaker 3: left the dress under you know, the bed, like all

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Speaker 3: these things that you're just like, whoa, You're cool, you know,

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Speaker 3: like you're not like trying too hard, and it just

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Speaker 3: came effortlessly to him.

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Speaker 2: Okay, I want to ask something, What is this is

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Speaker 2: going to have to really be for Daniel because I

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Speaker 2: think Scott will just not even be able to answer.

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Speaker 1: All right, I'll turn my mic off.

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Speaker 4: No, no, no, we want.

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Speaker 2: You to stay in here on pure physical attraction. Dean, Guess, Logan,

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Speaker 2: not their personalities nothing.

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Speaker 4: What are your thoughts, Jess one hundred percent? Like all

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Speaker 4: the way. Yes, yeah, I wonder if that plays.

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Speaker 3: In Winds by a long shot. But I'm also obsessed

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Speaker 3: with Milo now, so I might be biased, right, right.

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Speaker 2: I wonder if that plays into like which team we're on.

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Speaker 2: Essentially it may be whether consciously or subconsciously, because Logan

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Speaker 2: slash Matt Zoukery is just to me like, oh my gosh,

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Speaker 2: he's so cute, his perfect hair, and he always looks

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Speaker 2: the cute outfit.

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Speaker 4: And he comes in that tux that I'm swooning like.

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Speaker 2: So I mean and I get it like Jared Padiluki

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Speaker 2: mylather are all three so handsome. So I think it's

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Speaker 2: just like which handsome piece of the pie?

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Speaker 1: Do you why? I don't I can be in this conversation,

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Speaker 1: So what do you think? Well, I think I think

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Speaker 1: about it as you know, the character and what I

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Speaker 1: would want for and and this episode made me question

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Speaker 1: what Luke really wants out of life, and we'll get

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Speaker 1: to that. So it's it was at.

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Speaker 4: Jo there.

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Speaker 1: But I mean, if you just if you just look

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Speaker 1: at it long term, my opinion is the best person

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Speaker 1: for Rory at this moment is the greatest potentials Logan.

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Speaker 1: And I don't know why. I don't know why she

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Speaker 1: wouldn't want to lead a life like that. She could

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Speaker 1: still have her integrity, she could still you know, be

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Speaker 1: the great journalist of the world. She wanted to put

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Speaker 1: that kind of effort and time into it and travel.

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Speaker 2: Yeah, I mean right, it's very important to stay present

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Speaker 2: in it. I think about the movies that can set

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Speaker 2: you sideways.

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Speaker 1: Right, But he could provide her some some very nice

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Speaker 1: accommodations along the time.

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Speaker 3: I actually agree with that, because no one needs to

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Speaker 3: be with a man that's not secure with themselves they

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Speaker 3: you know what I mean. Out of the three, Logan

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Speaker 3: is secure and who who he is and confident in

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Speaker 3: who he is, versus the other two are still trying

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Speaker 3: to find themselves and still trying to figure out what

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Speaker 3: they want and and all that kind of stuff.

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Speaker 4: So I think that's a really good point.

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Speaker 3: The best odds right now are with Logan.

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Speaker 2: But we will learn more because Logan has a very

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Speaker 2: contentious relationship with his.

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Speaker 4: Father, right, but that's not there yet.

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Speaker 1: The Rory or any young woman who's you know, still

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Speaker 1: in college, has already figured out their life path and

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Speaker 1: that's what they want to do, and they want to

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Speaker 1: get married young, and they want to start having children young,

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Speaker 1: and they want.

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Speaker 4: To right which she wants no part of, which she.

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Speaker 1: Wants no part of apparently, right, So.

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Speaker 2: Right, like she's this career woman who wants to be

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Speaker 2: a journalist. So I still agree with you both though

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Speaker 2: that Logan is of the three has great potential for

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Speaker 2: her in my opinion, because he challenges her.

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Speaker 1: It's amazing when when presented with these types of situations

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Speaker 1: how people react, you know, that feel like they don't

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Speaker 1: deserve it, and they sabotage it in this kind of

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Speaker 1: a thing. So it's it's a very very powerful storyline.

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Speaker 1: For me, it's I can't wait to see more, That's

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Speaker 1: all I'll say.

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Speaker 2: Yeah, I have to say too, I think that what

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Speaker 2: Amy Sherman, Palladino and the writers and everybody did was

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Speaker 2: so clever because you can already even you two who

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Speaker 2: don't exactly know what happens, can see the potential for

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Speaker 2: trouble when Laura I realizes that Rory likes somebody that is.

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Speaker 4: Just not who she wants for Rory.

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Speaker 2: Think about that, like, we can tell that now that

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Speaker 2: this guy is Richard and Emily's dream, and Laurelai is

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Speaker 2: going to be Like.

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Speaker 3: With that being said, has laurel I liked any of them? No,

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Speaker 3: she hasn't.

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Speaker 1: She likes a Dean she came around.

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Speaker 3: Now but like in the beginning, she was not about

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Speaker 3: it and definitely not just he was.

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Speaker 1: A cocky, arrogant, insecure kid who made a bad move.

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Speaker 4: That is interesting.

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Speaker 1: Now now it's my turn to talk.

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Speaker 4: That was that was kind of out of care.

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Speaker 3: I was gonna say, it's very much a departure from

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Speaker 3: who he became.

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Speaker 2: Like, I.

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Speaker 3: Very interesting that they like started him off that way.

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Speaker 4: Did we do the synopsis?

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Speaker 3: All right, I'll give it to you. Season five, episode seven,

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Speaker 3: You Jump I Jumped Jack Air date November two to

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Speaker 3: two thousand and four. Emily finds out about Loreli and

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Speaker 3: Luke's relationship and invites him to dinner, while Richard invites

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Speaker 3: Luke to golf at the club. Laurea lies mortified at

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Speaker 3: the prospect of Luke interacting with her snooty parents, and

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Speaker 3: Luke soon learns why. Rory participates in a bizarre off

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Speaker 3: campus event to research a story on Logan's Secret Society,

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Speaker 3: and Lane and Zach have a stay at home first date.

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Speaker 4: Yeah, that was cute.

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Speaker 1: I gotta say, go ahead, Amy, No, you go either.

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Speaker 1: I just wanted to say, I think that my favorite

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Speaker 1: opening of the entire series so far.

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Speaker 4: Wow, that's a bold statement.

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Speaker 2: But I like it so just I know I always

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Speaker 2: say this, but obviously it's November, so there was it

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Speaker 2: was sweeps and there was a lot more money, which

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Speaker 2: you can tell. This episode is way more extravagant than others.

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Speaker 2: So we open with the scene Laura lies in that

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Speaker 2: pink sweater which she got, the big bright pink jacket

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Speaker 2: with the pink sweater with the heart on it, and

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Speaker 2: Rory I notice had a little bit more curls and

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Speaker 2: her hair and they're with Emily and she's like, I

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Speaker 2: want to meet him.

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Speaker 4: Kirk told me about him.

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Speaker 1: Of course, Kirk blabbed it. She said her boyfriend Luke

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Speaker 1: Danes's house. You can just hear him say it so good.

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Speaker 1: It really is.

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Speaker 2: The difference between the way beer can be said. Beer

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Speaker 2: is like really because when when I I too think,

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Speaker 2: I first thought things were going great and then it's like, oh, yeah,

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Speaker 2: no they're not.

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Speaker 4: And Lorelai was right. But we'll get to that, so okay.

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Speaker 2: So then we go into the newsroom and Rory and

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Speaker 2: Doyle are sort of having their exchange that they love,

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Speaker 2: you know, feeling like they're real newspeople shout out to Doyle,

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Speaker 2: by the way, who was totally in the latest episode

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Speaker 2: of Maseel hmm.

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Speaker 3: Yeah, they all have been like right, like don't they

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Speaker 3: just yeah.

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Speaker 2: The like secondary cast, you know, like not the like

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Speaker 2: so much the the big big stars. But anyway, so

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Speaker 2: she can't afford any of us anymore.

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Speaker 1: We priced ourselves out of the market.

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Speaker 2: Yeah, So then we go to the diner and this

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Speaker 2: is where we start to see Lane and Zach having their.

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Speaker 4: Sort of you know, exchanges, which I actually liked. It

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Speaker 4: was cute, it was it was good to see.

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Speaker 1: It was good to see Zach come around a little bit,

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Speaker 1: and that's what I thought, show show a vulnerable side

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Speaker 1: and he was funny and he was awkward, and it

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Speaker 1: was it was truly funny. This is you know, I'm ready.

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Speaker 4: I'm with you, Scott. It was funny and awkward.

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Speaker 2: But Daniel Space is making me think she he is

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Speaker 2: just still so forced, like it's.

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Speaker 1: So but it's but it's less forced than it was.

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Speaker 1: At least he dropped, you know, he he he dropped

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Speaker 1: the angry guy who couldn't process anything, and he had

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Speaker 1: time to process it. And he came back and he

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Speaker 1: actually came to her, and that was a big deal

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Speaker 1: for a guy like him, and I I was happy

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Speaker 1: that he faced his fears and overcame it and was proactive,

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Speaker 1: hung around outside the diner said I'm ready, I want

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Speaker 1: to date. I mean that took a lot. That was

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Speaker 1: a big lifestep for Zach.

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Speaker 2: I'm enjoying the comedy of the dating your roommate because

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Speaker 2: it's like they're having this.

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Speaker 4: Like, oh, I'm ready, Okay, how about tonight? Okay, see

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Speaker 4: at home?

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Speaker 1: The best line of the whole thing, all right, see

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Speaker 1: it home.

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Speaker 3: It'st like without even discussing that.

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Speaker 2: So I found the comedy in that very amusing, Like

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Speaker 2: with Brian coming in and plopping in the middle of

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Speaker 2: the date and they're like, we're on a date, and

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Speaker 2: he's like, I think we're doing exactly the same thing

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Speaker 2: we watched and did last night.

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Speaker 4: Were you on a date last night?

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Speaker 2: You know? And then the one thing that I cannot

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Speaker 2: wait to ask Todd Low when he comes on is

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Speaker 2: that got his name right right? How in the hell

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Speaker 2: did he pick Brian up, throw him over his shoulder,

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Speaker 2: hold him.

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Speaker 1: He weighs nothing, so that Brian's as skinny as a

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Speaker 1: real and he was skinnier back then he was And it's.

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Speaker 4: Still one hundred something pounds.

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Speaker 1: It's one hundred and twenty soaking wet. Give me a break.

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Speaker 2: I do my five pound weights in my garage, and

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Speaker 2: I'm like, but Todd, Todd's.

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Speaker 1: A pretty he's a pretty big guy.

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Speaker 4: You know.

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Speaker 1: He looks like a strong guy.

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Speaker 4: Legit, legit. Okay, So we're going out of bard.

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Speaker 1: Brian's nothing. He's he's like a little skinny nothing. He's

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Speaker 1: very thin, and he was way free.

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Speaker 4: But that's still.

359
00:20:58,160 --> 00:21:00,320
Speaker 1: Thinner back then. I mean, he's rail thin.

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Speaker 4: That's still him a challenge.

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Speaker 2: So I did love the charming scene between you and

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Speaker 2: Laura and lour lyon Luke talking about the dinner.

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Speaker 4: And Luke just being so steady, like this is a

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Speaker 4: part of it. Let's just get it over with. Let's

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Speaker 4: just do it.

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Speaker 2: Like it's fine, book it. He's so confident, Like he's

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Speaker 2: so confident. It's not worried about it.

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Speaker 1: Why should he be? He it's a it's what comes

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Speaker 1: after that is so perplexing for me.

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Speaker 4: Oh, I can't wait to hear.

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Speaker 1: Yeah. Yeah, but let's keep going, okaying for me, we.

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Speaker 2: Get quickly to the dinner, like it's immediately, So we

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Speaker 2: get right to the dinner, right at the door, Luke.

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Speaker 2: I think it is the first time that Luke's actually

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Speaker 2: been to the Gilmore, so he sort of WHOA the house,

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Speaker 2: you know, Lorli really wants to drink heavily.

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Speaker 3: Like, let's don't blame her.

378
00:22:03,760 --> 00:22:06,879
Speaker 2: So they go in and Emily offers the tour of

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Speaker 2: the house, which I kind of love. And also it's

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Speaker 2: like a little like the tour of the house thing

381
00:22:12,320 --> 00:22:16,800
Speaker 2: is always a question because you want the tour, but

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Speaker 2: is it so like obnoxious to offer would you like

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Speaker 2: a tour of our mansion?

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Speaker 4: Do you know what I mean? Like, I don't know.

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00:22:22,359 --> 00:22:22,840
Speaker 1: I don't know.

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00:22:23,000 --> 00:22:26,360
Speaker 3: Whenever I go over a new house, I'm like, please

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Speaker 3: show me every.

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00:22:29,640 --> 00:22:32,679
Speaker 1: I love tours. If they don't ask me, I just

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Speaker 1: do it on my own.

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00:22:33,640 --> 00:22:38,640
Speaker 3: Anyway, See you got into the bathroom, walk around.

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Speaker 1: We were we were we were at this kid party recently,

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Speaker 1: my son's classmate at a birthday party, and there was

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Speaker 1: this massive mansion and they they were so busy with

394
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Speaker 1: so many guests. Uh, we just took our own tour.

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00:22:53,960 --> 00:22:58,159
Speaker 1: We're like wow, wow, wow. Then I think like a

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Speaker 1: maid showed up and said, can we help you?

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00:23:00,640 --> 00:23:04,960
Speaker 2: Oh no, no, we Oh I'll find the bathroom this way,

398
00:23:05,640 --> 00:23:08,159
Speaker 2: I will admit to though this is so bad, and

399
00:23:08,200 --> 00:23:09,159
Speaker 2: I know everyone does it.

400
00:23:09,280 --> 00:23:10,679
Speaker 4: Like when somebody has.

401
00:23:10,560 --> 00:23:14,480
Speaker 2: To give you their address, you're immediately like zillody, I've

402
00:23:14,480 --> 00:23:15,040
Speaker 2: said that, but.

403
00:23:15,000 --> 00:23:19,560
Speaker 3: Before five seconds, what's their house?

404
00:23:21,400 --> 00:23:21,840
Speaker 4: Anyway?

405
00:23:22,920 --> 00:23:26,359
Speaker 2: So at first I did, I actually hook line and

406
00:23:26,440 --> 00:23:29,520
Speaker 2: Sinker fell for it. I thought it was going great.

407
00:23:29,800 --> 00:23:34,120
Speaker 2: He's very Luke, You're was very confident. She said, you know, hello,

408
00:23:34,119 --> 00:23:36,399
Speaker 2: missus Gilmore, call me Emily. And then he says Emily

409
00:23:36,480 --> 00:23:39,480
Speaker 2: like nine times, like he was real strong with the Emily.

410
00:23:40,040 --> 00:23:43,720
Speaker 2: And I did notice one thing that I thought was amazing.

411
00:23:44,960 --> 00:23:46,919
Speaker 2: I don't know if you guys noticed it. So Emily

412
00:23:46,960 --> 00:23:50,000
Speaker 2: brings out the tray of drinks and Luke picks up

413
00:23:50,200 --> 00:23:54,120
Speaker 2: Laurelize and hands it right to her, like, Luke has

414
00:23:54,280 --> 00:23:57,359
Speaker 2: amazing manners. And I don't know if that was written

415
00:23:57,400 --> 00:24:01,000
Speaker 2: in scott or if you just have those manners.

416
00:24:03,040 --> 00:24:06,600
Speaker 1: I do me personally, I do, Yeah, I have.

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00:24:06,520 --> 00:24:09,560
Speaker 4: Manners because like would that be written Luke picks up.

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00:24:09,520 --> 00:24:12,639
Speaker 1: Laura too many manners? Nobody nobody has manners anymore. I can.

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00:24:12,720 --> 00:24:14,960
Speaker 1: I can trouble a lot.

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00:24:15,920 --> 00:24:18,560
Speaker 2: Yeah, because it's sometimes kind of like considered, sort of

421
00:24:18,640 --> 00:24:20,760
Speaker 2: like I don't know what the word is overly?

422
00:24:21,480 --> 00:24:24,400
Speaker 1: Oh oh yeah, well mannered. I don't know. They Yeah,

423
00:24:24,520 --> 00:24:27,680
Speaker 1: it's like, what's the opposite of what's what's the male? Karen?

424
00:24:27,840 --> 00:24:29,159
Speaker 1: A Ken? Whatever?

425
00:24:29,560 --> 00:24:30,959
Speaker 4: Oh it's not a brad?

426
00:24:31,359 --> 00:24:33,480
Speaker 1: Is it a brad? What's the I thought it was

427
00:24:33,480 --> 00:24:38,560
Speaker 1: a brad. A brad st Ben, We'll call it Brady.

428
00:24:38,680 --> 00:24:41,080
Speaker 1: There's yeah, I'm now.

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00:24:40,920 --> 00:24:45,080
Speaker 4: Do you still do? Okay, so this is kind of an.

430
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Speaker 1: Son does too. I'll tell you that much.

431
00:24:46,040 --> 00:24:48,040
Speaker 2: Do you still do when you're say, you're at a

432
00:24:48,080 --> 00:24:50,920
Speaker 2: restaurant and your wife gets up to go to the bathroom,

433
00:24:50,960 --> 00:24:51,679
Speaker 2: do you stand up?

434
00:24:51,720 --> 00:24:52,280
Speaker 1: Absolutely?

435
00:24:52,359 --> 00:24:56,600
Speaker 2: Yeah, No one does that one again.

436
00:24:56,920 --> 00:24:59,400
Speaker 1: Actually, it's kind of it depends on the restaurant.

437
00:24:59,080 --> 00:25:00,440
Speaker 4: If you're in and out made not.

438
00:25:02,680 --> 00:25:05,119
Speaker 3: Like if you're at the Cheesecake factory you stand up

439
00:25:05,160 --> 00:25:06,800
Speaker 3: when she stands up to go the bath or.

440
00:25:06,800 --> 00:25:09,760
Speaker 2: Not probably at Cheesecake, but if you're at like Craig's

441
00:25:09,840 --> 00:25:11,360
Speaker 2: or something, maybe like that was the.

442
00:25:11,359 --> 00:25:12,200
Speaker 4: Old school way, like.

443
00:25:12,119 --> 00:25:14,280
Speaker 2: When the lady got up to go to the bathroom,

444
00:25:14,640 --> 00:25:16,120
Speaker 2: all the men would stand.

445
00:25:16,400 --> 00:25:18,240
Speaker 4: I think I'm getting that right.

446
00:25:19,040 --> 00:25:19,560
Speaker 1: Absolutely.

447
00:25:19,840 --> 00:25:21,520
Speaker 3: Never, I've never seen that.

448
00:25:21,920 --> 00:25:23,560
Speaker 1: Well not, of course you're not going to see it

449
00:25:23,560 --> 00:25:24,120
Speaker 1: and count.

450
00:25:24,080 --> 00:25:25,119
Speaker 4: Not around as much.

451
00:25:25,560 --> 00:25:29,040
Speaker 2: That's what about always do you always open your That

452
00:25:29,040 --> 00:25:33,640
Speaker 2: one's kind of gone away too with the click clicking.

453
00:25:34,280 --> 00:25:36,760
Speaker 1: Open the door for her. Yeah, I see that.

454
00:25:36,840 --> 00:25:38,560
Speaker 4: I do see that from time to.

455
00:25:38,520 --> 00:25:41,480
Speaker 3: My husband makes me walk on the inside of absolutely,

456
00:25:42,480 --> 00:25:46,399
Speaker 3: that's they so annoyed. If I don't like he will

457
00:25:46,400 --> 00:25:51,280
Speaker 3: physically moves.

458
00:25:50,160 --> 00:25:53,600
Speaker 4: That's a good one anyway, I digress.

459
00:25:53,680 --> 00:25:56,960
Speaker 2: But Luke is extraordinarily well mannered and seems very at

460
00:25:57,000 --> 00:25:57,639
Speaker 2: ease to me.

461
00:25:58,160 --> 00:26:01,000
Speaker 1: But but that isn't that doesn't come from privilege. That

462
00:26:01,200 --> 00:26:07,199
Speaker 1: just comes from parenting. He's a Northeasterner, and they people

463
00:26:07,280 --> 00:26:09,040
Speaker 1: have manners and manners.

464
00:26:09,240 --> 00:26:12,320
Speaker 2: Well because your parents, your kid has manners because you're

465
00:26:12,359 --> 00:26:13,360
Speaker 2: teaching him the manners.

466
00:26:13,920 --> 00:26:18,080
Speaker 1: Yeah, well I'm no, but I'm talking about the show now. Yeah. Oh, well,

467
00:26:19,320 --> 00:26:22,520
Speaker 1: because he's around manners. He grew up around manners exactly

468
00:26:22,680 --> 00:26:27,720
Speaker 1: exactly it's expected. So it's uncouth not to display manners

469
00:26:27,960 --> 00:26:29,040
Speaker 1: in that part of the world.

470
00:26:30,160 --> 00:26:34,720
Speaker 2: I did love the brilliance of the beer sounding one

471
00:26:34,760 --> 00:26:37,440
Speaker 2: way to me and you when we're listening the first time,

472
00:26:37,800 --> 00:26:41,359
Speaker 2: and the difference same thing with Rustic, Like what do

473
00:26:41,440 --> 00:26:42,600
Speaker 2: you think of this whole thing?

474
00:26:43,040 --> 00:26:45,640
Speaker 3: Roastick and charming. I think she said.

475
00:26:46,720 --> 00:26:49,280
Speaker 1: She's a she's a killer man. She had her laser,

476
00:26:49,520 --> 00:26:53,560
Speaker 1: she had her her phaser set on stun and she

477
00:26:53,680 --> 00:26:58,199
Speaker 1: kept firing laser beams at Luke and he just took it.

478
00:26:58,520 --> 00:27:04,159
Speaker 1: You know, he didn't have any comeback. He's not They

479
00:27:04,520 --> 00:27:07,480
Speaker 1: tried to portray him in that scene. As you know,

480
00:27:07,520 --> 00:27:10,040
Speaker 1: he's a good guy, he's unsophisticated. He's not prepared to

481
00:27:10,080 --> 00:27:14,360
Speaker 1: deal with that volley of insults, you know, these thinley

482
00:27:14,480 --> 00:27:17,119
Speaker 1: veiled insults coming at him constantly.

483
00:27:17,320 --> 00:27:20,159
Speaker 2: So, you know, do you think he sees the best

484
00:27:20,160 --> 00:27:22,280
Speaker 2: in people so that he would just assume like who

485
00:27:22,320 --> 00:27:26,439
Speaker 2: would ever behave the way she behaved around it?

486
00:27:26,480 --> 00:27:28,880
Speaker 1: He's not used to it, you know, And who would

487
00:27:28,920 --> 00:27:29,240
Speaker 1: do that?

488
00:27:29,480 --> 00:27:31,960
Speaker 2: Who would invite someone to their home for dinner to

489
00:27:32,200 --> 00:27:36,600
Speaker 2: just beat s h I t t y to because.

490
00:27:36,400 --> 00:27:40,760
Speaker 1: She's still delusional enough to think that she Laurela I

491
00:27:41,040 --> 00:27:46,880
Speaker 1: is vulnerable to her charms and her influence, and she's

492
00:27:46,920 --> 00:27:49,359
Speaker 1: still trying to influence her daughter. She's still trying to

493
00:27:49,359 --> 00:27:53,280
Speaker 1: correct the mistakes she feels Laurel I made with Christopher

494
00:27:54,440 --> 00:27:57,040
Speaker 1: so she doesn't do it again with this guy. She

495
00:27:57,160 --> 00:28:00,679
Speaker 1: still wants to get it right right. She wants she

496
00:28:00,720 --> 00:28:06,360
Speaker 1: wants Lourlai with somebody that's appropriate, and it goes against

497
00:28:06,440 --> 00:28:09,840
Speaker 1: every every fiber of her being that Laurli keeps dragging

498
00:28:09,840 --> 00:28:15,159
Speaker 1: in these guys that you know, you know, it's interesting inappropriate.

499
00:28:15,280 --> 00:28:20,680
Speaker 3: So it's interesting is she did not really fight back

500
00:28:20,720 --> 00:28:23,360
Speaker 3: on her being with Digger. It was Richard that put

501
00:28:23,359 --> 00:28:27,800
Speaker 3: the kebache on that because he kind of essentially stabbed

502
00:28:27,840 --> 00:28:30,920
Speaker 3: him in the back. But Emily was upset about it, you.

503
00:28:30,840 --> 00:28:31,440
Speaker 1: Know what I mean?

504
00:28:31,960 --> 00:28:35,639
Speaker 3: And as we see later in this episode, Richard has

505
00:28:35,680 --> 00:28:38,040
Speaker 3: a different experience with this.

506
00:28:38,600 --> 00:28:41,640
Speaker 2: Yeah, I want to ask you guys about that. I

507
00:28:41,760 --> 00:28:44,840
Speaker 2: actually think Emily is far worse than Richard.

508
00:28:45,560 --> 00:28:49,040
Speaker 4: I agree with you. Emily is horrible.

509
00:28:49,280 --> 00:28:53,320
Speaker 2: Where Richard's just trying to mold Luke into something more

510
00:28:53,320 --> 00:28:54,280
Speaker 2: of his caliber.

511
00:28:54,400 --> 00:28:54,960
Speaker 4: Do you know what I think.

512
00:28:55,000 --> 00:28:57,160
Speaker 3: He's like, I'm gonna let him do what he wants

513
00:28:57,200 --> 00:29:00,480
Speaker 3: to do, but let me make it even better for him. Everyone,

514
00:29:00,600 --> 00:29:01,080
Speaker 3: like I think, And.

515
00:29:01,200 --> 00:29:03,400
Speaker 4: I'm gonna let Laurelay do what she wants to do.

516
00:29:03,920 --> 00:29:07,600
Speaker 1: Yeah, because if because if Luke is franchised and wealthy,

517
00:29:07,760 --> 00:29:13,840
Speaker 1: and and and and we can talk stock options and

518
00:29:13,880 --> 00:29:15,880
Speaker 1: do you want to how much stock are you going

519
00:29:15,920 --> 00:29:17,920
Speaker 1: to buy in Luke's diner's chain this kind of thing

520
00:29:17,920 --> 00:29:20,440
Speaker 1: at the club. At least Richard won't be so embarrassed

521
00:29:21,800 --> 00:29:23,760
Speaker 1: and he and he can and he can have bragging,

522
00:29:23,840 --> 00:29:27,320
Speaker 1: right said, I made this guy, and Richard's gonna get

523
00:29:27,320 --> 00:29:29,479
Speaker 1: a piece. Obviously he's not going to do this for free.

524
00:29:29,560 --> 00:29:32,520
Speaker 1: He's gonna he's gonna get a neck mistake. And it's like,

525
00:29:32,600 --> 00:29:34,360
Speaker 1: now I can play golf with him, Now he can

526
00:29:34,400 --> 00:29:38,080
Speaker 1: come to the club. This is how Laurel I is.

527
00:29:38,640 --> 00:29:40,360
Speaker 1: You know, these are the this is these are the

528
00:29:40,400 --> 00:29:44,600
Speaker 1: menu items, no pun intended that Laurel I is offering us.

529
00:29:45,280 --> 00:29:48,440
Speaker 1: You know, this is our life too. So she's either

530
00:29:48,480 --> 00:29:50,600
Speaker 1: going to completely destroy it and we have to ignore

531
00:29:50,640 --> 00:29:54,000
Speaker 1: her and that would be sad, right, you know, because

532
00:29:54,000 --> 00:29:56,680
Speaker 1: she's too toxic, or we're going to mold one of

533
00:29:56,720 --> 00:29:59,680
Speaker 1: her gentlemen friends into something that we can stomach.

534
00:30:00,280 --> 00:30:03,760
Speaker 2: I mean, I still think what he's doing is gross.

535
00:30:03,880 --> 00:30:07,480
Speaker 2: But what Emily is doing is she doesn't care that

536
00:30:07,560 --> 00:30:08,600
Speaker 2: her daughter's happy.

537
00:30:09,280 --> 00:30:11,920
Speaker 3: Yeah, she's not even she doesn't she doesn't.

538
00:30:12,000 --> 00:30:13,440
Speaker 4: She doesn't care that her daughters.

539
00:30:13,920 --> 00:30:17,920
Speaker 1: She knows, she knows deep down, Laurela I will never

540
00:30:17,960 --> 00:30:22,240
Speaker 1: be happy with any of these people that's in her mind.

541
00:30:22,320 --> 00:30:27,080
Speaker 1: In Emily's mind, she can't even entertain the idea of

542
00:30:27,080 --> 00:30:29,880
Speaker 1: being happy with somebody like that. It's just a completely

543
00:30:29,880 --> 00:30:32,840
Speaker 1: different mindset. So she doesn't understand her own daughter obviously.

544
00:30:33,240 --> 00:30:36,240
Speaker 2: I mean, I actually started off because Luke gets a

545
00:30:36,240 --> 00:30:38,840
Speaker 2: little up in lore lies grill, like you're making me

546
00:30:38,840 --> 00:30:42,320
Speaker 2: look weak, like you know whatever. And then it's like

547
00:30:42,400 --> 00:30:46,640
Speaker 2: obviously a full one eighty because at first I did think, oh,

548
00:30:46,680 --> 00:30:49,960
Speaker 2: Emily's you know, into this and being cool, and then

549
00:30:50,000 --> 00:30:53,400
Speaker 2: you realize, like right when she said, oh, you're recently divorced,

550
00:30:53,400 --> 00:30:56,280
Speaker 2: it was like, oh, gosh, do.

551
00:30:56,320 --> 00:30:58,520
Speaker 3: You want another beer?

552
00:31:00,160 --> 00:31:03,320
Speaker 2: You know the way she could, I mean props because

553
00:31:03,360 --> 00:31:05,920
Speaker 2: the acting is amazing, because she was able to turn

554
00:31:06,400 --> 00:31:09,680
Speaker 2: two words that sounded fine into garbage.

555
00:31:09,880 --> 00:31:12,800
Speaker 4: You're like somehow rustic, like I love what he's all.

556
00:31:12,840 --> 00:31:15,080
Speaker 2: It did sound like a crap pile when she said

557
00:31:15,120 --> 00:31:16,560
Speaker 2: at that time, it's like and it did.

558
00:31:16,720 --> 00:31:19,840
Speaker 1: Yeah. But the clue, the real clue for me, for Luke,

559
00:31:20,520 --> 00:31:23,880
Speaker 1: the you know, the real window into his soul to

560
00:31:23,960 --> 00:31:28,719
Speaker 1: what kind of guy he is is when he offered

561
00:31:28,760 --> 00:31:31,160
Speaker 1: when she said, you know, it looks so good. It's

562
00:31:31,280 --> 00:31:35,040
Speaker 1: nice and frosty. That beer. I almost almost makes me

563
00:31:35,080 --> 00:31:37,280
Speaker 1: want to have one myself. And he said, well, you

564
00:31:37,320 --> 00:31:41,240
Speaker 1: want some of mine, So there you go, right, there

565
00:31:41,320 --> 00:31:45,120
Speaker 1: you go. I mean, he's not clever with her. He

566
00:31:45,160 --> 00:31:47,360
Speaker 1: seems to be relaxed, he doesn't seem to be nervous

567
00:31:47,360 --> 00:31:49,760
Speaker 1: with her, but he doesn't know what to say to her.

568
00:31:49,880 --> 00:31:52,959
Speaker 1: He doesn't how to interact with her, so he uses

569
00:31:53,040 --> 00:31:55,880
Speaker 1: this sort of put on politeness. Well thank you, Emily.

570
00:31:56,160 --> 00:31:58,040
Speaker 1: You know, this kind of thing to create a distance

571
00:31:58,080 --> 00:32:00,800
Speaker 1: and is a protective shield. But when he offers her

572
00:32:00,840 --> 00:32:05,760
Speaker 1: that beer, he's really showing her who he is, Like

573
00:32:05,880 --> 00:32:08,360
Speaker 1: he just doesn't get what's going on here.

574
00:32:09,000 --> 00:32:13,040
Speaker 2: Yeah, wow, wow, Yeah, I didn't think of that, but

575
00:32:13,200 --> 00:32:14,600
Speaker 2: it's interesting that you say.

576
00:32:14,400 --> 00:32:15,040
Speaker 4: That, right, he is.

577
00:32:15,720 --> 00:32:19,400
Speaker 2: It didn't dawn on him until the end when they

578
00:32:19,400 --> 00:32:19,880
Speaker 2: walk out.

579
00:32:20,000 --> 00:32:23,200
Speaker 1: Then he's like, I mean then it just continued and

580
00:32:23,360 --> 00:32:23,600
Speaker 1: it was.

581
00:32:23,880 --> 00:32:26,680
Speaker 3: Well, Laura, I did tell him like, she you know,

582
00:32:26,920 --> 00:32:30,640
Speaker 3: that's a dish. She's offering you a beer, like, not

583
00:32:30,720 --> 00:32:32,040
Speaker 3: a scotch, not a whiskey.

584
00:32:32,480 --> 00:32:34,640
Speaker 1: But at dinner when they had dinner, she just she

585
00:32:34,800 --> 00:32:35,880
Speaker 1: just drilled them.

586
00:32:35,880 --> 00:32:36,840
Speaker 4: Then she was just hammered.

587
00:32:36,880 --> 00:32:39,080
Speaker 1: And then he then he his eyes were opened up

588
00:32:39,120 --> 00:32:42,000
Speaker 1: and he realized. But her him offering that beer was like,

589
00:32:42,840 --> 00:32:46,600
Speaker 1: you know, that's his crude way of oh, gosh, I'll

590
00:32:46,640 --> 00:32:50,080
Speaker 1: make nice with Emily or something and maybe she'll leave me. Yeah,

591
00:32:50,120 --> 00:32:52,880
Speaker 1: and it's like it's like, wow, guy, you know that's

592
00:32:53,080 --> 00:32:53,520
Speaker 1: well and.

593
00:32:53,480 --> 00:32:57,000
Speaker 2: Also wow, lady, wow lady, that you invite this guy

594
00:32:57,040 --> 00:32:59,520
Speaker 2: to your house to just be awful gross.

595
00:33:00,200 --> 00:33:00,840
Speaker 4: That was gross.

596
00:33:00,880 --> 00:33:03,680
Speaker 1: Well that's fun for Emily. That's that's fun for her.

597
00:33:04,720 --> 00:33:07,040
Speaker 1: You know, she gets to take him apart and she

598
00:33:07,080 --> 00:33:09,840
Speaker 1: gets to show off for Laura. I. And do you

599
00:33:09,880 --> 00:33:11,800
Speaker 1: think do you think there was a part of laurel

600
00:33:11,840 --> 00:33:15,000
Speaker 1: I that liked that. No, you don't think there was

601
00:33:15,040 --> 00:33:15,959
Speaker 1: any part of Laurea I.

602
00:33:17,960 --> 00:33:19,120
Speaker 4: I think she likes that.

603
00:33:19,200 --> 00:33:24,200
Speaker 2: She was right that her mom was bleepy, and she

604
00:33:24,240 --> 00:33:25,760
Speaker 2: called it out and said, my mom sucks.

605
00:33:25,800 --> 00:33:31,600
Speaker 5: It sucks, right if she if she really likes Luke,

606
00:33:32,080 --> 00:33:34,400
Speaker 5: maybe loves Luke, why didn't she get angry with her

607
00:33:34,400 --> 00:33:36,040
Speaker 5: mother in the moment.

608
00:33:36,080 --> 00:33:38,120
Speaker 2: I think she she I don't think she wanted to

609
00:33:38,840 --> 00:33:41,960
Speaker 2: embarrass Luke. I think she did that because Luke said

610
00:33:42,040 --> 00:33:45,520
Speaker 2: just she tried. She started to kind of call her out,

611
00:33:45,600 --> 00:33:47,920
Speaker 2: and then Luke was like, no, no, no, don't do that,

612
00:33:48,920 --> 00:33:52,000
Speaker 2: like you're making me look weak, and so she's like, all.

613
00:33:51,960 --> 00:33:58,959
Speaker 1: Right, when when the follys were coming faster and more furious.

614
00:33:58,800 --> 00:34:00,600
Speaker 3: She was listening to Luke, I agree with you.

615
00:34:00,680 --> 00:34:04,240
Speaker 4: She did what you asked, and then when you come outside.

616
00:34:03,800 --> 00:34:06,000
Speaker 1: She's like, what would you do in that situation, Danielle,

617
00:34:06,040 --> 00:34:07,880
Speaker 1: what would you do? Amy? In that situation? What would

618
00:34:07,880 --> 00:34:08,080
Speaker 1: you do?

619
00:34:08,440 --> 00:34:10,799
Speaker 3: I would have done what she did exactly, and I

620
00:34:10,800 --> 00:34:13,560
Speaker 3: would have done what she did too, Like I was

621
00:34:13,640 --> 00:34:17,520
Speaker 3: trying really hard. She was trying really hard to you know,

622
00:34:17,640 --> 00:34:20,720
Speaker 3: shield Emily, and then he told her to back off politely.

623
00:34:20,760 --> 00:34:23,600
Speaker 3: Back she's being respectful, and so she's backing off.

624
00:34:24,719 --> 00:34:26,440
Speaker 2: She didn't even want to go to the dinner. She

625
00:34:26,600 --> 00:34:29,000
Speaker 2: was like, we should not do this, and you were

626
00:34:29,040 --> 00:34:29,919
Speaker 2: the one that was like.

627
00:34:30,160 --> 00:34:32,319
Speaker 3: Of course, that's kind of a cop out, Like that's

628
00:34:32,360 --> 00:34:35,080
Speaker 3: annoying that she said that, because it's like it's gonna

629
00:34:35,080 --> 00:34:37,879
Speaker 3: happen one day, you know, like you're dating this guy.

630
00:34:38,000 --> 00:34:39,680
Speaker 3: Your parents are going to want to meet him.

631
00:34:39,920 --> 00:34:42,520
Speaker 2: I mean maybe, but like they've met him, they met

632
00:34:42,600 --> 00:34:43,600
Speaker 2: him many times, I know.

633
00:34:43,600 --> 00:34:44,720
Speaker 4: But you're just gonna keep.

634
00:34:45,000 --> 00:34:46,960
Speaker 3: This guy and you're gonna keep getting more serious and

635
00:34:47,000 --> 00:34:49,440
Speaker 3: it's just gonna because she never did.

636
00:34:49,960 --> 00:34:52,759
Speaker 2: She knows what's gonna happen, and it's exactly what she

637
00:34:52,840 --> 00:34:53,560
Speaker 2: said would happen.

638
00:34:53,640 --> 00:34:56,279
Speaker 1: Happens like a like a modern day adult version of

639
00:34:56,360 --> 00:34:57,360
Speaker 1: Romeo and Juliet.

640
00:34:57,920 --> 00:34:58,959
Speaker 4: Yeah, I think.

641
00:34:59,520 --> 00:35:03,759
Speaker 2: I think the other thing too, is it could destroy

642
00:35:04,400 --> 00:35:07,840
Speaker 2: Luke and Laura Lai. Potentially it didn't and it hasn't

643
00:35:08,360 --> 00:35:11,680
Speaker 2: and it may not. But there are a lot of

644
00:35:11,680 --> 00:35:14,560
Speaker 2: couples where if the parents treated the person like that,

645
00:35:14,560 --> 00:35:15,799
Speaker 2: that the boyfriend would just be like.

646
00:35:16,040 --> 00:35:19,279
Speaker 4: I'm out girl. Like, Yes, probably not in.

647
00:35:19,200 --> 00:35:21,320
Speaker 2: This case because they have so much history and they've

648
00:35:21,640 --> 00:35:25,640
Speaker 2: waited so many years for this. But in a new relationship,

649
00:35:25,680 --> 00:35:27,680
Speaker 2: if you went to your parents' house and their psycho,

650
00:35:27,880 --> 00:35:29,480
Speaker 2: the dude is out.

651
00:35:29,560 --> 00:35:32,719
Speaker 1: But maybe Luke is just so cool that he was

652
00:35:33,080 --> 00:35:35,279
Speaker 1: he knew what was going on. He's willing to take it,

653
00:35:35,960 --> 00:35:37,840
Speaker 1: and because he loves her and.

654
00:35:37,880 --> 00:35:39,879
Speaker 4: He doesn't seem upset by it.

655
00:35:40,000 --> 00:35:43,160
Speaker 1: Yeah right, and he was maybe expecting that a little

656
00:35:43,200 --> 00:35:44,120
Speaker 1: bit well.

657
00:35:44,160 --> 00:35:45,800
Speaker 2: And if he was so upset by it, he wouldn't

658
00:35:45,800 --> 00:35:48,400
Speaker 2: have gone to golf. He's taken another Now he knows

659
00:35:48,440 --> 00:35:50,719
Speaker 2: he's gonna get it again, and he's like, I'll go

660
00:35:50,960 --> 00:35:55,200
Speaker 2: oh yeah, My only we'll get to the golf, but

661
00:35:55,200 --> 00:35:56,480
Speaker 2: we have to talk about something else. But my only

662
00:35:56,560 --> 00:35:58,440
Speaker 2: flag on the plan on the golf is Luke wouldn't

663
00:35:58,440 --> 00:35:59,080
Speaker 2: have worn jeans.

664
00:35:59,120 --> 00:35:59,959
Speaker 4: He knows better.

665
00:36:00,320 --> 00:36:03,320
Speaker 1: Well, they wouldn't have let him on the course, right.

666
00:36:03,239 --> 00:36:05,760
Speaker 4: That was like he would have worn the right opone.

667
00:36:05,120 --> 00:36:07,000
Speaker 1: Would have gone to the pro shop and said you

668
00:36:07,040 --> 00:36:11,040
Speaker 1: can't play in jeans, you know, proper plants.

669
00:36:10,880 --> 00:36:13,960
Speaker 4: With his bag. He would have his credit card obviously

670
00:36:14,680 --> 00:36:15,360
Speaker 4: by the club.

671
00:36:15,560 --> 00:36:22,440
Speaker 2: Yeah. So the one scene we missed sort of in

672
00:36:22,480 --> 00:36:24,920
Speaker 2: the midst of the dinner, it goes back and forth

673
00:36:25,000 --> 00:36:27,960
Speaker 2: to Rory gets the voicemail from Dean that he can't

674
00:36:28,000 --> 00:36:32,920
Speaker 2: have plans, and she gets the envelope that says, like

675
00:36:33,080 --> 00:36:35,000
Speaker 2: being the vestibule blindfolded.

676
00:36:35,239 --> 00:36:38,359
Speaker 1: Wasn't that a fantastic contrast of options that she had

677
00:36:38,400 --> 00:36:42,280
Speaker 1: to weigh? Meet her at meet Dean at a truck

678
00:36:42,320 --> 00:36:44,759
Speaker 1: stop and maybe they get a six dollars surfing turf

679
00:36:45,040 --> 00:36:49,240
Speaker 1: versus the mystery romance guy with the foodles of cash.

680
00:36:49,640 --> 00:36:52,280
Speaker 1: You know, come on, speaking of how.

681
00:36:53,680 --> 00:36:56,160
Speaker 4: Insane, insane is the right word.

682
00:36:56,239 --> 00:37:01,439
Speaker 2: When Emily is saying diners serve road and poor Luke

683
00:37:01,600 --> 00:37:03,880
Speaker 2: is just like, yeah, well, we don't serve roadkill like

684
00:37:03,960 --> 00:37:06,239
Speaker 2: I would have been like, what planet are you on.

685
00:37:08,560 --> 00:37:12,400
Speaker 1: Kill? That wouldn't we wouldn't serve that. Yeah, it was.

686
00:37:12,560 --> 00:37:14,719
Speaker 1: It was ugly. It got ugly in that dining room,

687
00:37:15,040 --> 00:37:17,680
Speaker 1: beautiful dining room it yeah.

688
00:37:18,040 --> 00:37:20,320
Speaker 4: So okay, So then Rory's blindfolded.

689
00:37:21,640 --> 00:37:24,480
Speaker 1: House, seriously, isn't it.

690
00:37:28,160 --> 00:37:29,879
Speaker 4: So we get Rory blindfolded ace.

691
00:37:30,080 --> 00:37:32,120
Speaker 2: You ready, he's really sticking with the ace, which I

692
00:37:32,239 --> 00:37:33,200
Speaker 2: couldn't be happier about.

693
00:37:33,520 --> 00:37:35,719
Speaker 4: Gorilla girls in the car. She finds out it's an

694
00:37:35,760 --> 00:37:37,920
Speaker 4: overnight thing. She's just like, I don't even know what's happening.

695
00:37:38,800 --> 00:37:38,920
Speaker 1: Uh.

696
00:37:39,160 --> 00:37:41,319
Speaker 2: And then and then we go to the diner where

697
00:37:41,400 --> 00:37:43,880
Speaker 2: Luke gets the call about the golf thing, which just

698
00:37:44,120 --> 00:37:50,319
Speaker 2: oh good god, yeah he's going. The only other thing

699
00:37:50,360 --> 00:37:52,440
Speaker 2: I had on the sort of fuzzy timeline is they

700
00:37:52,560 --> 00:37:54,799
Speaker 2: pick her up, and I swear one of those guys says,

701
00:37:54,880 --> 00:37:58,080
Speaker 2: oh boy, it's early and then suddenly it's dark, like

702
00:37:58,560 --> 00:38:00,480
Speaker 2: were they on a nine hour road trip?

703
00:38:00,600 --> 00:38:02,799
Speaker 4: Like I don't think so, So that was my only thing, like.

704
00:38:03,040 --> 00:38:07,120
Speaker 1: Hmmm, well he did say that she would be picked

705
00:38:07,200 --> 00:38:10,480
Speaker 1: up at what four in the afternoon?

706
00:38:10,960 --> 00:38:11,200
Speaker 6: Four?

707
00:38:11,480 --> 00:38:13,440
Speaker 2: Okay, So it wasn't early, So I don't know why

708
00:38:13,440 --> 00:38:15,480
Speaker 2: I want I swear I thought one of those dudes said, oh,

709
00:38:15,520 --> 00:38:17,000
Speaker 2: it's early, but what else.

710
00:38:18,320 --> 00:38:21,279
Speaker 3: Okay, it's kind of early. It's still daylight around that time, so.

711
00:38:21,400 --> 00:38:25,399
Speaker 2: Yeah, but it's November, so you figure by six it's dark.

712
00:38:25,480 --> 00:38:27,360
Speaker 2: So it's a two hour drive, maybe an hour and

713
00:38:27,360 --> 00:38:27,600
Speaker 2: a half.

714
00:38:27,640 --> 00:38:28,719
Speaker 4: All right.

715
00:38:28,880 --> 00:38:33,360
Speaker 2: So then we get there and she does have a

716
00:38:33,400 --> 00:38:35,000
Speaker 2: funny line like is there are you taking me to

717
00:38:35,080 --> 00:38:40,279
Speaker 2: a firing school? And then it's just so cool when

718
00:38:40,360 --> 00:38:42,720
Speaker 2: she's unblind, so cool.

719
00:38:43,440 --> 00:38:47,000
Speaker 1: Where did they film that, like, I well, obviously it

720
00:38:47,080 --> 00:38:49,200
Speaker 1: was California. I mean you could see the burn.

721
00:38:49,640 --> 00:38:53,600
Speaker 4: I mean that they just found forrest. But it was

722
00:38:53,760 --> 00:38:56,200
Speaker 4: so like, I said, that's the glamping we all want

723
00:38:56,239 --> 00:38:56,600
Speaker 4: to go on.

724
00:38:56,760 --> 00:38:58,680
Speaker 3: It was like I want to go there now.

725
00:38:59,080 --> 00:39:03,360
Speaker 1: You know, like so totally yeah, that's how you do

726
00:39:03,560 --> 00:39:05,560
Speaker 1: camping right there, That's that's how you do it.

727
00:39:05,800 --> 00:39:09,279
Speaker 3: And all their outfits, everyone's in cream and neutrals, and

728
00:39:09,400 --> 00:39:11,160
Speaker 3: it's just like so cool.

729
00:39:11,480 --> 00:39:17,000
Speaker 1: Yeah, only the young can do it like that, you imagineers, and.

730
00:39:18,840 --> 00:39:20,879
Speaker 2: You know, I would have been kind of concerned about

731
00:39:20,880 --> 00:39:24,600
Speaker 2: my hair. But so then we see Lorelei at the

732
00:39:25,160 --> 00:39:28,040
Speaker 2: inn and she's wearing the green vest, which I have

733
00:39:28,160 --> 00:39:28,920
Speaker 2: a question about.

734
00:39:29,080 --> 00:39:32,320
Speaker 4: But she says to Richard, like what are you doing?

735
00:39:32,440 --> 00:39:35,600
Speaker 2: And he's all mad because of the secret dinner and

736
00:39:35,680 --> 00:39:40,160
Speaker 2: that her blabberbouth made told told his valete.

737
00:39:40,000 --> 00:39:43,120
Speaker 4: And it's just like, oh my god. And then then

738
00:39:44,239 --> 00:39:50,080
Speaker 4: just have a good protocol because memory goes. I'm just

739
00:39:50,239 --> 00:39:53,279
Speaker 4: following protocol. Have a good protocol.

740
00:39:53,800 --> 00:39:58,600
Speaker 2: Like it's just oh god, here's my question about that scene.

741
00:39:59,840 --> 00:40:01,680
Speaker 2: And I don't know if either of you're gonna be

742
00:40:01,719 --> 00:40:04,759
Speaker 2: on it. So she's wearing the tight green vest. It's

743
00:40:04,800 --> 00:40:08,439
Speaker 2: so cute with a button down shirt under it. No way,

744
00:40:09,000 --> 00:40:11,280
Speaker 2: if you try to wear a vest over a button

745
00:40:11,360 --> 00:40:14,879
Speaker 2: down first of all, you're gonna have so many like lumpies, right,

746
00:40:15,719 --> 00:40:18,120
Speaker 2: and you're gonna be sweltering hot.

747
00:40:19,480 --> 00:40:19,960
Speaker 1: I don't know.

748
00:40:20,200 --> 00:40:23,120
Speaker 2: It was very cute, but I just somehow they're pinning

749
00:40:23,239 --> 00:40:26,000
Speaker 2: that or doing something because it would never lay flat

750
00:40:26,200 --> 00:40:26,360
Speaker 2: like that.

751
00:40:28,000 --> 00:40:31,759
Speaker 1: Well, yeah, you've got you've got wardrobe assistance.

752
00:40:34,320 --> 00:40:40,440
Speaker 2: Yeah, yeah, because if we all try to, like if

753
00:40:40,480 --> 00:40:42,399
Speaker 2: I try to put on a tight green sweater vest

754
00:40:42,440 --> 00:40:43,560
Speaker 2: over this, I'm gonna beat this.

755
00:40:45,280 --> 00:40:46,800
Speaker 4: And you won't be able to do this. You're just

756
00:40:46,920 --> 00:40:48,840
Speaker 4: like it's a mess anyway.

757
00:40:50,080 --> 00:40:54,479
Speaker 2: So okay, so then we get talk to me about

758
00:40:54,520 --> 00:40:57,160
Speaker 2: what you guys think about Logan and Rory sort of

759
00:40:57,320 --> 00:40:57,719
Speaker 2: at this.

760
00:41:00,560 --> 00:41:01,000
Speaker 4: Whatever.

761
00:41:01,400 --> 00:41:05,160
Speaker 1: Well, I was surprised that she was going around asking

762
00:41:05,280 --> 00:41:08,440
Speaker 1: questions like a journalist. I was like, boy, this, I

763
00:41:08,560 --> 00:41:11,800
Speaker 1: know this is not gonna This doesn't bode well for

764
00:41:11,920 --> 00:41:14,239
Speaker 1: her future. I mean, you know they're gonna.

765
00:41:14,239 --> 00:41:19,440
Speaker 3: Actually as the journalists like you know, camouflage in the.

766
00:41:19,480 --> 00:41:20,480
Speaker 4: Crowd, you know, like.

767
00:41:22,400 --> 00:41:23,680
Speaker 1: Why was it so clumsy?

768
00:41:24,560 --> 00:41:27,000
Speaker 4: I agree, I thought she was. She's sort of a

769
00:41:27,120 --> 00:41:27,960
Speaker 4: bad journalist.

770
00:41:28,640 --> 00:41:31,279
Speaker 3: Your notebook away and like before I go to bed,

771
00:41:31,560 --> 00:41:32,680
Speaker 3: write it all down.

772
00:41:32,719 --> 00:41:35,480
Speaker 4: You know, exactly, and wear what they're wearing and blend

773
00:41:35,600 --> 00:41:36,880
Speaker 4: in so they tell you stuff.

774
00:41:36,960 --> 00:41:39,640
Speaker 1: She flips out of you know, her little notebook and

775
00:41:40,040 --> 00:41:44,040
Speaker 1: write asking direct questions like yeah, it was not not

776
00:41:44,600 --> 00:41:46,680
Speaker 1: a clever way to get information out of No.

777
00:41:46,800 --> 00:41:48,080
Speaker 4: And I feel like she's better than that.

778
00:41:48,680 --> 00:41:52,040
Speaker 3: The no ease really like I thought about him, like,

779
00:41:52,160 --> 00:41:55,719
Speaker 3: can I talk without saying ease? I don't think so.

780
00:41:57,400 --> 00:41:59,719
Speaker 1: Well, it would be funny, I guess I don't think so.

781
00:42:00,560 --> 00:42:01,160
Speaker 1: You might.

782
00:42:02,120 --> 00:42:03,239
Speaker 2: You might do it.

783
00:42:04,320 --> 00:42:11,600
Speaker 4: You might do it. I can do it, get it,

784
00:42:13,080 --> 00:42:16,640
Speaker 4: you might do it. I can do it has no right,

785
00:42:16,760 --> 00:42:19,399
Speaker 4: no good good friend say a sentence.

786
00:42:19,719 --> 00:42:24,440
Speaker 1: Without any in it. Yeah, uh, I'll pass. Thanks.

787
00:42:24,880 --> 00:42:29,200
Speaker 4: It is hard. It is hard. You did hard pass.

788
00:42:31,600 --> 00:42:32,960
Speaker 1: I am doing it.

789
00:42:34,640 --> 00:42:35,440
Speaker 4: I am doing it.

790
00:42:35,600 --> 00:42:38,080
Speaker 3: But can you carry that on for a whole like

791
00:42:38,600 --> 00:42:40,920
Speaker 3: for this whole podcast, for the rest of this podcast?

792
00:42:41,000 --> 00:42:43,960
Speaker 4: Can you carry I might try, I might try.

793
00:42:44,160 --> 00:42:50,840
Speaker 1: Please don't it's I need showers and hotel rooms, got

794
00:42:51,080 --> 00:42:56,279
Speaker 1: order rooms. Don't do it? Did good so far? Not really?

795
00:42:57,320 --> 00:43:03,200
Speaker 1: Not really. It sounds like a chat. But now, what's happening?

796
00:43:04,560 --> 00:43:08,520
Speaker 1: Suck you Robinson? What's happening?

797
00:43:08,920 --> 00:43:12,960
Speaker 4: I am trying. You don't try.

798
00:43:13,239 --> 00:43:15,320
Speaker 1: I just said I'll pass their boney said, give me

799
00:43:15,360 --> 00:43:17,200
Speaker 1: a sentence. I delivered. What do you want from me?

800
00:43:19,280 --> 00:43:19,799
Speaker 7: It is.

801
00:43:22,120 --> 00:43:27,080
Speaker 1: Hard to do it. It is boring to listen to

802
00:43:27,840 --> 00:43:28,520
Speaker 1: you attempted.

803
00:43:34,400 --> 00:43:39,160
Speaker 4: I shall stop doing it soon.

804
00:43:40,800 --> 00:43:49,400
Speaker 1: Hoorah, hoorrah, hoorah. You Scott.

805
00:43:55,520 --> 00:44:04,600
Speaker 4: All should try it hot Oh now now I can't

806
00:44:04,840 --> 00:44:09,840
Speaker 4: stop it. I am stuck doing it.

807
00:44:11,400 --> 00:44:14,520
Speaker 1: Oh gosh, I'm somebody reaching.

808
00:44:18,480 --> 00:44:20,520
Speaker 2: Okay, let's stop. It's actually starting to kind of make me.

809
00:44:20,800 --> 00:44:22,839
Speaker 2: It's making me a little anxious. I'm not gonna lie.

810
00:44:22,880 --> 00:44:25,880
Speaker 2: I started to making I'm not gonna lie it. Actually

811
00:44:25,880 --> 00:44:27,840
Speaker 2: I started to have a moment where I was like,

812
00:44:28,640 --> 00:44:31,520
Speaker 2: is my brain gonna be able to stop this? Like

813
00:44:32,280 --> 00:44:37,160
Speaker 2: I actually I actually started having a panic at because

814
00:44:37,200 --> 00:44:38,640
Speaker 2: it made me a little and nuts.

815
00:44:40,560 --> 00:44:44,160
Speaker 4: That wasn't actually fun because I was trying so hard

816
00:44:44,200 --> 00:44:47,160
Speaker 4: and thinking it so hard. Oh I didn't.

817
00:44:47,239 --> 00:44:51,840
Speaker 1: I don't like how I feel right now, ladies and gentlemen,

818
00:44:51,880 --> 00:44:55,280
Speaker 1: we're going to take a commercial break now, please, yes.

819
00:44:55,320 --> 00:44:59,560
Speaker 4: Please please. With all the ease that have ever existed.

820
00:44:59,160 --> 00:45:02,399
Speaker 1: Have you ever wanted to pet you could call your well,

821
00:45:02,760 --> 00:45:06,800
Speaker 1: welcome to dog Emporium and we're back, okay?

822
00:45:07,320 --> 00:45:08,480
Speaker 4: Do im so?

823
00:45:08,920 --> 00:45:09,239
Speaker 1: All right?

824
00:45:10,080 --> 00:45:10,200
Speaker 2: Uh?

825
00:45:10,719 --> 00:45:13,400
Speaker 4: In the midst of all this, we get the dates.

826
00:45:14,360 --> 00:45:17,160
Speaker 2: Its Zach and Lane very cute, you look cute. Let's

827
00:45:18,360 --> 00:45:20,800
Speaker 2: let's hang out. Let's get a pizza, you know.

828
00:45:20,880 --> 00:45:23,359
Speaker 4: And as we talked about then, Brian just blops right

829
00:45:23,440 --> 00:45:23,680
Speaker 4: in and.

830
00:45:23,719 --> 00:45:27,720
Speaker 1: He's like, all great stuff. It's nice to watch people connect.

831
00:45:28,160 --> 00:45:31,800
Speaker 1: It's it's really nice thing on TV and TV shows.

832
00:45:32,040 --> 00:45:34,200
Speaker 4: I love what he says, should we leave your room

833
00:45:34,239 --> 00:45:36,040
Speaker 4: empty in case the date goes well?

834
00:45:36,840 --> 00:45:45,920
Speaker 6: And she's like, you can go to my room, And

835
00:45:46,000 --> 00:45:47,600
Speaker 6: then we go kind of right back to.

836
00:45:49,320 --> 00:45:55,360
Speaker 2: The The Life and Death brigade whatever we're calling that party,

837
00:45:55,880 --> 00:45:59,399
Speaker 2: and uh, that was where really Rory was not being

838
00:45:59,440 --> 00:46:04,440
Speaker 2: a great journalist. Yeah, but there is so cute when

839
00:46:04,480 --> 00:46:07,480
Speaker 2: he comes over. Remember when he comes over and I

840
00:46:07,520 --> 00:46:09,080
Speaker 2: think she even says like, I'm not hungry, and he's

841
00:46:09,120 --> 00:46:11,120
Speaker 2: like this is for me, Like everything is just he's

842
00:46:11,239 --> 00:46:14,680
Speaker 2: so studley he can't be sort of taken sideways by her.

843
00:46:16,200 --> 00:46:20,919
Speaker 2: And he gives her the rules, which I thought were good,

844
00:46:20,960 --> 00:46:22,160
Speaker 2: and I love how he said there was like they've

845
00:46:22,160 --> 00:46:26,160
Speaker 2: done some naughty things in the past, so no pictures, right, naughty.

846
00:46:26,280 --> 00:46:27,280
Speaker 4: I love the word naughty.

847
00:46:27,960 --> 00:46:31,600
Speaker 1: Yeah, this is the this is the beginning of you know,

848
00:46:32,120 --> 00:46:36,200
Speaker 1: they're establishing their tribe will be with them their whole lives.

849
00:46:38,320 --> 00:46:40,680
Speaker 2: So then we go back to the date and we

850
00:46:40,840 --> 00:46:44,439
Speaker 2: do get the kiss between Lane and Zach.

851
00:46:44,640 --> 00:46:46,359
Speaker 4: So what what is everybody's vibe on them?

852
00:46:46,920 --> 00:46:50,840
Speaker 1: I think it works. It's good. You know, the kiss worked.

853
00:46:51,239 --> 00:46:56,040
Speaker 1: They both seem like they're truly kiss worked. I agree,

854
00:46:56,160 --> 00:46:58,439
Speaker 1: digging each other it was good. The whole thing was good.

855
00:46:58,520 --> 00:47:01,080
Speaker 1: I like this diechnamic between them too. Now you know,

856
00:47:01,320 --> 00:47:04,919
Speaker 1: before to me it was just eh, but now it's

857
00:47:05,040 --> 00:47:09,239
Speaker 1: paying off, you know, getting better. Yeah, I enjoyed it.

858
00:47:09,320 --> 00:47:12,160
Speaker 1: I got some good chuckles out of it. Yeah, you know,

859
00:47:13,640 --> 00:47:16,520
Speaker 1: Todd got to show another side of his skill set.

860
00:47:16,640 --> 00:47:18,759
Speaker 1: So it's like, yeah, you know, he's very good.

861
00:47:19,760 --> 00:47:20,000
Speaker 3: Yeah.

862
00:47:20,160 --> 00:47:22,000
Speaker 2: I think that that's kind of the main thing too,

863
00:47:22,200 --> 00:47:24,640
Speaker 2: is like he's not just a one trick pony anymore.

864
00:47:24,880 --> 00:47:27,719
Speaker 4: Like we're getting like some layers to him.

865
00:47:27,840 --> 00:47:30,320
Speaker 1: Yeah, they're good. They're good together. You know, they're good together.

866
00:47:30,360 --> 00:47:32,759
Speaker 1: And he's really you know, he's playing this character. So

867
00:47:32,880 --> 00:47:36,480
Speaker 1: it's a it's fun to watch. It really is fun

868
00:47:36,520 --> 00:47:36,839
Speaker 1: to watch.

869
00:47:37,800 --> 00:47:39,600
Speaker 4: So then what did you think.

870
00:47:39,719 --> 00:47:41,560
Speaker 2: We go back to the forest or wherever we are,

871
00:47:42,040 --> 00:47:45,000
Speaker 2: and she's in her same clothes and he goes like,

872
00:47:45,160 --> 00:47:46,400
Speaker 2: you need to change your clothes and she's like, I

873
00:47:46,400 --> 00:47:48,279
Speaker 2: don't have any clothes, and he's like, we'll go back

874
00:47:48,320 --> 00:47:48,560
Speaker 2: in there.

875
00:47:48,920 --> 00:47:49,799
Speaker 4: How he got the.

876
00:47:49,880 --> 00:47:52,600
Speaker 3: Note he's there, he said it will interfere with the

877
00:47:52,719 --> 00:47:54,080
Speaker 3: integrity of the events.

878
00:47:54,520 --> 00:47:58,040
Speaker 4: Right, look again, Ace.

879
00:47:58,160 --> 00:48:00,360
Speaker 1: Oh, he said, he said, I always had I for

880
00:48:00,440 --> 00:48:02,240
Speaker 1: such dress sizes totally.

881
00:48:02,400 --> 00:48:08,920
Speaker 4: And she looked great. She looked great. Smooth, smooth, you.

882
00:48:09,000 --> 00:48:13,040
Speaker 1: Know that's uh, that's Pierce Brasian territory, you know. In

883
00:48:14,120 --> 00:48:14,520
Speaker 1: that movie.

884
00:48:14,560 --> 00:48:18,279
Speaker 4: Remember, in addition to the human clay pigeons. Did you

885
00:48:18,320 --> 00:48:22,200
Speaker 4: see them, They're like carrying around those carriage things.

886
00:48:22,600 --> 00:48:25,880
Speaker 3: Oh yeah, well playing polo. The girls were playing polo,

887
00:48:26,160 --> 00:48:27,720
Speaker 3: but the guys horses.

888
00:48:27,800 --> 00:48:29,840
Speaker 1: Essentially, they were the guys were the horses.

889
00:48:31,800 --> 00:48:37,160
Speaker 4: Who thinks of this? Like literally it was amazing.

890
00:48:38,800 --> 00:48:43,480
Speaker 2: I did notice though, that Matt slash logan he's doing something.

891
00:48:43,880 --> 00:48:45,840
Speaker 2: Oh when he was shooting the clay pigeons and then

892
00:48:45,880 --> 00:48:48,080
Speaker 2: he has to pull his tux down shooting the pigeon,

893
00:48:48,200 --> 00:48:50,359
Speaker 2: but it was a human pull his tucks down.

894
00:48:51,000 --> 00:48:54,400
Speaker 1: This is this isn't a this isn't a group of

895
00:48:54,560 --> 00:48:57,200
Speaker 1: people that like, you know, goes to Vegas on breaks

896
00:48:57,239 --> 00:48:58,440
Speaker 1: and twerks, you know what I mean.

897
00:48:59,719 --> 00:49:01,719
Speaker 4: Right, we go to Vegas in a private jet for

898
00:49:01,800 --> 00:49:03,279
Speaker 4: one night, you.

899
00:49:03,320 --> 00:49:07,080
Speaker 1: Know, all over the pool. Uh yeah, yeah, they're doing.

900
00:49:07,040 --> 00:49:10,520
Speaker 2: Imagine being Matt Zukri though, and you are kind of

901
00:49:10,680 --> 00:49:12,759
Speaker 2: like this is one of his earlier roles. I think

902
00:49:12,800 --> 00:49:16,320
Speaker 2: he'd done a few things and suddenly I mean you

903
00:49:16,640 --> 00:49:19,839
Speaker 2: this is a major part. Yeah, and it's a big

904
00:49:19,920 --> 00:49:22,200
Speaker 2: old deal and you're coming in in this whole thing.

905
00:49:22,280 --> 00:49:23,120
Speaker 4: I mean that would have.

906
00:49:23,120 --> 00:49:25,960
Speaker 1: Been oh sure, yeah, I mean it opened up all

907
00:49:26,000 --> 00:49:28,040
Speaker 1: the doors for him. He did all kinds of things.

908
00:49:28,280 --> 00:49:31,799
Speaker 1: After Gilmour, he did that lawyer show with the.

909
00:49:32,920 --> 00:49:35,320
Speaker 4: Yeah, he did the Good Wife, The Good Wife and

910
00:49:35,440 --> 00:49:36,200
Speaker 4: then the Resident.

911
00:49:36,520 --> 00:49:39,719
Speaker 1: Right. I mean it's been he hasn't stopped working. Yeah,

912
00:49:40,640 --> 00:49:42,879
Speaker 1: he was so great in this part. Is this part

913
00:49:43,040 --> 00:49:45,640
Speaker 1: was written for him. He was perfect in it. Perfect.

914
00:49:45,880 --> 00:49:46,120
Speaker 4: Okay.

915
00:49:46,200 --> 00:49:49,360
Speaker 2: So then we go out to the gall and Luke's

916
00:49:49,400 --> 00:49:51,880
Speaker 2: and jeans, which he wouldn't uh, would have happened.

917
00:49:51,960 --> 00:49:54,240
Speaker 4: The club's got to go buy clubs.

918
00:49:54,360 --> 00:49:56,040
Speaker 1: It's kind of a hot mess, wouldn't happen.

919
00:49:56,280 --> 00:49:59,879
Speaker 4: I did love the conversation between you and the cat.

920
00:50:00,280 --> 00:50:05,000
Speaker 4: Give me a hobby quick. He's like, I think the.

921
00:50:05,120 --> 00:50:08,479
Speaker 3: Club and then Katy's like, no, don't do it, don't

922
00:50:08,520 --> 00:50:08,680
Speaker 3: do it.

923
00:50:09,840 --> 00:50:10,560
Speaker 4: What are you reading?

924
00:50:10,719 --> 00:50:15,520
Speaker 1: Dick, Dick somebody that fell flat for me? Oh no.

925
00:50:15,760 --> 00:50:20,040
Speaker 4: When Richard said I'll bring Dick up on the internet, I.

926
00:50:20,120 --> 00:50:23,719
Speaker 3: Will say I did really want Luke to just like

927
00:50:25,000 --> 00:50:29,080
Speaker 3: be a pro, like just annihilate the golf course like

928
00:50:29,239 --> 00:50:32,239
Speaker 3: I wanted that. Yeah, that would be good, right, like

929
00:50:32,400 --> 00:50:35,560
Speaker 3: just show everybody there in his jeans and rented golf

930
00:50:35,640 --> 00:50:38,040
Speaker 3: clubs like that would have made me so happy.

931
00:50:38,120 --> 00:50:38,920
Speaker 4: That would have been that.

932
00:50:39,600 --> 00:50:42,080
Speaker 1: That would have and I forgot what had happened, and

933
00:50:42,160 --> 00:50:44,439
Speaker 1: I was really hoping for that to just like nail

934
00:50:44,480 --> 00:50:46,880
Speaker 1: a three hundred yard drive right down the middle.

935
00:50:46,719 --> 00:50:49,960
Speaker 4: And actually would have been kind of good. Yeah, I

936
00:50:50,000 --> 00:50:52,520
Speaker 4: think that would have been better. And I mean the

937
00:50:52,560 --> 00:50:53,879
Speaker 4: whole shaving thing.

938
00:50:54,000 --> 00:50:56,680
Speaker 2: And then there was a funny callback where I can't

939
00:50:56,719 --> 00:50:59,480
Speaker 2: remember Laura asked somebody, what are men shaving?

940
00:50:59,680 --> 00:51:09,040
Speaker 4: And but I don't know, Richard a horse's at.

941
00:51:09,280 --> 00:51:12,120
Speaker 1: Let's let's know he wasn't. Let's talk about this. Can

942
00:51:12,200 --> 00:51:17,439
Speaker 1: we just dissect this a little bit? Please? Why would

943
00:51:17,480 --> 00:51:20,719
Speaker 1: a man okay, you, you helped me with this. Why

944
00:51:20,760 --> 00:51:24,200
Speaker 1: would a man in his forties as Luke was back then,

945
00:51:24,360 --> 00:51:31,359
Speaker 1: as I was back then, look askance at an opportunity

946
00:51:31,880 --> 00:51:37,160
Speaker 1: that huge, because that's a dream scenario. That's, like, Luke,

947
00:51:37,480 --> 00:51:41,680
Speaker 1: a working class guy somehow managed to get to that

948
00:51:41,920 --> 00:51:46,480
Speaker 1: place with that guy on that golf course, and this

949
00:51:46,719 --> 00:51:51,839
Speaker 1: guy offering his entire arsenal of friends to set him

950
00:51:51,920 --> 00:51:55,880
Speaker 1: up in a franchise with with an IPO with stock

951
00:51:56,520 --> 00:51:59,360
Speaker 1: selling stock. It's a dream scenario.

952
00:52:00,080 --> 00:52:02,600
Speaker 2: Like who he's coming off the dinner with Emily, so

953
00:52:02,760 --> 00:52:05,280
Speaker 2: he sort of knows what they're all about.

954
00:52:05,520 --> 00:52:07,480
Speaker 4: And to Luke, doesn't want a franchise.

955
00:52:07,600 --> 00:52:07,759
Speaker 3: Why.

956
00:52:08,080 --> 00:52:09,000
Speaker 1: That's why.

957
00:52:09,600 --> 00:52:12,680
Speaker 2: Why because he's happy and he's got a ton of money,

958
00:52:13,239 --> 00:52:15,160
Speaker 2: which we cannot argue.

959
00:52:14,960 --> 00:52:16,719
Speaker 1: He doesn't have a ton of money. He does not

960
00:52:16,880 --> 00:52:17,640
Speaker 1: have a ton of money.

961
00:52:17,640 --> 00:52:18,600
Speaker 4: He suddenly has.

962
00:52:18,800 --> 00:52:21,200
Speaker 2: He's got hundreds of thousands of dollars in the bank

963
00:52:21,480 --> 00:52:24,520
Speaker 2: because he whipped out thirty thousand dollars cash for Loralai

964
00:52:25,040 --> 00:52:28,520
Speaker 2: with no problem of He's definitely got a quarter of

965
00:52:28,560 --> 00:52:29,600
Speaker 2: a million dollars.

966
00:52:29,360 --> 00:52:33,840
Speaker 4: In the bank, definitely, And he likes his life. He

967
00:52:34,040 --> 00:52:36,160
Speaker 4: doesn't want nine diners.

968
00:52:35,880 --> 00:52:36,960
Speaker 1: So he's not a tighte egg.

969
00:52:37,280 --> 00:52:38,360
Speaker 4: Luke could have been anything.

970
00:52:39,080 --> 00:52:43,640
Speaker 1: No, he couldn't have I agree. His education was very limited,

971
00:52:43,719 --> 00:52:45,000
Speaker 1: so he couldn't have been anything.

972
00:52:45,520 --> 00:52:47,839
Speaker 4: Yeah, but there's plenty of people whose educations are super

973
00:52:47,880 --> 00:52:48,520
Speaker 4: limited that are.

974
00:52:48,880 --> 00:52:50,440
Speaker 1: He can't whip off the name of a book on

975
00:52:50,520 --> 00:52:51,120
Speaker 1: a golf course.

976
00:52:51,760 --> 00:52:54,800
Speaker 4: But that doesn't make you successful like Luke. There's no

977
00:52:55,080 --> 00:53:00,120
Speaker 4: art even hurt correct, But Luke is successful. He rushed that,

978
00:53:00,239 --> 00:53:03,000
Speaker 4: but obviously successful. He has more money than he.

979
00:53:03,239 --> 00:53:07,080
Speaker 1: He's a guy. He's a guy who doesn't want more.

980
00:53:07,880 --> 00:53:10,399
Speaker 2: Well, he wanted he bought the building next door when

981
00:53:10,920 --> 00:53:14,040
Speaker 2: that opportunity presented itself. But I don't think he wants

982
00:53:14,120 --> 00:53:17,359
Speaker 2: to run around like he owns, you know, forty two

983
00:53:17,440 --> 00:53:19,160
Speaker 2: diners and has to travel all the time.

984
00:53:19,239 --> 00:53:22,399
Speaker 4: He doesn't want that. He doesn't want that. He likes

985
00:53:22,440 --> 00:53:25,160
Speaker 4: his life and look, like I said, he is an entrepreneur.

986
00:53:25,600 --> 00:53:28,759
Speaker 2: He's bought, you know, he owns that candy shoppy or

987
00:53:28,760 --> 00:53:29,840
Speaker 2: the ice cream shoppy.

988
00:53:30,080 --> 00:53:35,400
Speaker 4: Like he has money. He's successful and he's smart with

989
00:53:35,480 --> 00:53:37,560
Speaker 4: the money. He doesn't want to know.

990
00:53:38,320 --> 00:53:41,440
Speaker 1: I grant you that. I grant you that, But how

991
00:53:41,520 --> 00:53:43,440
Speaker 1: many times in your life is a guy like that

992
00:53:43,600 --> 00:53:45,160
Speaker 1: going to have that kind of an opportunity?

993
00:53:45,719 --> 00:53:45,959
Speaker 4: True?

994
00:53:46,040 --> 00:53:50,640
Speaker 2: But I think the words of whatever movie say anything,

995
00:53:50,760 --> 00:53:55,560
Speaker 2: it's a conscious choice, Lloyd. Like literally, Luke is making

996
00:53:55,640 --> 00:53:58,239
Speaker 2: the choice. He could have done other things. I think

997
00:53:58,280 --> 00:54:01,040
Speaker 2: he consciously chose. I want this diner.

998
00:54:01,080 --> 00:54:02,279
Speaker 4: I want it to be successful.

999
00:54:02,360 --> 00:54:05,840
Speaker 2: I want to have money, which he does, but he

1000
00:54:05,960 --> 00:54:08,600
Speaker 2: doesn't want He's satisfied.

1001
00:54:10,719 --> 00:54:12,719
Speaker 4: He wants that diner and the love of a girl.

1002
00:54:13,480 --> 00:54:17,800
Speaker 1: He's young, He's worked too hard. He needs to you

1003
00:54:17,880 --> 00:54:19,880
Speaker 1: know what I mean. He's he's got to think of

1004
00:54:19,960 --> 00:54:22,400
Speaker 1: his future, don't you think? Or he doesn't have to

1005
00:54:22,480 --> 00:54:22,840
Speaker 1: work so.

1006
00:54:22,960 --> 00:54:26,920
Speaker 4: Hard money that you don't see Luke I.

1007
00:54:27,000 --> 00:54:31,800
Speaker 1: Do see Luke, I see it, but that particular scene

1008
00:54:32,560 --> 00:54:36,040
Speaker 1: was problematic for me, and for me I think it

1009
00:54:36,160 --> 00:54:40,960
Speaker 1: tracks because I want but that's an opportunity to get

1010
00:54:41,040 --> 00:54:44,320
Speaker 1: on Easy Street. Yeah. So he's working like a like

1011
00:54:44,440 --> 00:54:48,480
Speaker 1: a dog every day in that diner, right, and he's

1012
00:54:48,560 --> 00:54:50,919
Speaker 1: making I mean, he's getting by. He's making a little money,

1013
00:54:50,960 --> 00:54:53,200
Speaker 1: that's fine, he's putting it away. He's being very crugal.

1014
00:54:53,719 --> 00:54:54,919
Speaker 1: He's not making a lot of money.

1015
00:54:55,000 --> 00:54:58,919
Speaker 4: Diners don't make, but he's definitely got a solid nested use.

1016
00:54:58,880 --> 00:55:01,960
Speaker 1: For your restaurants and the grocery chains are the margins

1017
00:55:02,000 --> 00:55:04,600
Speaker 1: are one percent, two percent, It's really true.

1018
00:55:04,640 --> 00:55:07,319
Speaker 4: I think I think Luke's doing fine. I think here's

1019
00:55:07,360 --> 00:55:08,080
Speaker 4: my mention for you.

1020
00:55:08,560 --> 00:55:10,960
Speaker 1: But but what about any kind of long term plans

1021
00:55:11,000 --> 00:55:12,440
Speaker 1: he has with Laurel I and maybe he wants to

1022
00:55:12,520 --> 00:55:14,520
Speaker 1: have kids or you know whatever.

1023
00:55:14,520 --> 00:55:17,120
Speaker 3: He's got money, Correct me if I'm wrong. He didn't

1024
00:55:17,160 --> 00:55:21,560
Speaker 3: say no, so it's not that like right, like, he's

1025
00:55:21,680 --> 00:55:24,080
Speaker 3: not saying no, I don't want to do that. He's

1026
00:55:24,120 --> 00:55:25,879
Speaker 3: actually entertaining it with yes.

1027
00:55:26,440 --> 00:55:29,799
Speaker 2: But also why does he have to say yes? Why

1028
00:55:29,920 --> 00:55:32,320
Speaker 2: are we not just proud of Luke exactly how he

1029
00:55:32,680 --> 00:55:36,279
Speaker 2: is I am. I think that dude's great just how

1030
00:55:36,320 --> 00:55:41,040
Speaker 2: he is. He's successful, he's kind. I think Luke is

1031
00:55:41,280 --> 00:55:46,560
Speaker 2: happy as he is, and I respect that. I respect

1032
00:55:46,719 --> 00:55:48,800
Speaker 2: that he's like doesn't need that.

1033
00:55:50,200 --> 00:55:52,920
Speaker 3: I think he's happy too, Like I think he has

1034
00:55:53,000 --> 00:55:56,480
Speaker 3: a successful business and and loves what he does. But

1035
00:55:57,239 --> 00:56:02,359
Speaker 3: I do think like he he wouldn't be mad at

1036
00:56:02,760 --> 00:56:06,240
Speaker 3: taking the extra like I don't think like. I don't think.

1037
00:56:06,120 --> 00:56:09,880
Speaker 1: He's like, look sixty five, seventy years old, he's going

1038
00:56:09,920 --> 00:56:11,480
Speaker 1: to look back and say, damn, I wish I'd have

1039
00:56:11,520 --> 00:56:15,160
Speaker 1: done that, because at that point it's it might be

1040
00:56:15,320 --> 00:56:17,600
Speaker 1: tough sledding for him, you know, I don't think he can.

1041
00:56:18,000 --> 00:56:18,239
Speaker 1: I think.

1042
00:56:18,880 --> 00:56:22,440
Speaker 2: Look, I think when business opportunities present themselves, like buying

1043
00:56:22,560 --> 00:56:25,880
Speaker 2: the building next door, he does it. And he's perfectly

1044
00:56:26,560 --> 00:56:29,680
Speaker 2: like solid solvent whatever the word is.

1045
00:56:29,760 --> 00:56:31,680
Speaker 1: We got to do a deep dive. We ought to

1046
00:56:31,719 --> 00:56:34,279
Speaker 1: do a deep dive on his net worth, and I

1047
00:56:34,440 --> 00:56:37,520
Speaker 1: bet you I'll do it. Okay, I can do it

1048
00:56:37,600 --> 00:56:41,400
Speaker 1: right now, because you'd have to value a building in.

1049
00:56:41,719 --> 00:56:44,680
Speaker 4: The place that he starts two buildings in Washington.

1050
00:56:45,200 --> 00:56:48,799
Speaker 1: Washington Depot, Connecticut in two thousand and four or five,

1051
00:56:48,880 --> 00:56:50,720
Speaker 1: whatever it was, what would be the cost.

1052
00:56:50,600 --> 00:56:53,240
Speaker 4: Of that building quarter of a million.

1053
00:56:53,400 --> 00:56:53,960
Speaker 1: Well, I don't know.

1054
00:56:54,960 --> 00:56:56,839
Speaker 4: I'm saying each of those buildings probably was a quarter

1055
00:56:56,880 --> 00:56:57,600
Speaker 4: of a million then.

1056
00:56:58,280 --> 00:57:01,360
Speaker 1: Was now commercial real estate is blowing up in twenty.

1057
00:57:01,120 --> 00:57:06,080
Speaker 4: Twenty three, or now he's worth three million dollars Luke today.

1058
00:57:05,920 --> 00:57:07,040
Speaker 1: He's not worth three million?

1059
00:57:07,239 --> 00:57:10,160
Speaker 2: Yes, yes he is, Yes he is, one hundred percent.

1060
00:57:10,520 --> 00:57:13,480
Speaker 2: He owns the diner, which is successful. He also owns

1061
00:57:13,560 --> 00:57:16,040
Speaker 2: the dirt, He owns the building, and he got it

1062
00:57:16,200 --> 00:57:19,280
Speaker 2: given to him so he didn't have to He's not

1063
00:57:19,440 --> 00:57:20,840
Speaker 2: upside down in the diner.

1064
00:57:20,680 --> 00:57:21,520
Speaker 4: Right, he's not.

1065
00:57:21,880 --> 00:57:22,800
Speaker 3: He's not paying rent.

1066
00:57:23,800 --> 00:57:24,200
Speaker 4: Correct.

1067
00:57:25,680 --> 00:57:28,520
Speaker 1: They give you very toxic assets in this day and age,

1068
00:57:28,520 --> 00:57:30,520
Speaker 1: because that's why all these regional bass are blowing up,

1069
00:57:30,600 --> 00:57:32,600
Speaker 1: because they have all the commercial real estate holdings.

1070
00:57:32,680 --> 00:57:35,400
Speaker 4: What he owns a piece of the inn, so they

1071
00:57:35,480 --> 00:57:37,640
Speaker 4: own the inn now, so it's been twenty years. The

1072
00:57:37,800 --> 00:57:41,320
Speaker 4: inn is I'm assuming quite successful too. They definitely have

1073
00:57:41,400 --> 00:57:43,840
Speaker 4: a net worth of three million dollars one hundred percent.

1074
00:57:44,680 --> 00:57:48,480
Speaker 2: And I don't obviously lower lines no matter because she's

1075
00:57:48,480 --> 00:57:50,360
Speaker 2: getting all the money from the gill Wars.

1076
00:57:51,200 --> 00:57:53,840
Speaker 4: But on their own they're worth three million dollars.

1077
00:57:53,880 --> 00:57:56,440
Speaker 1: Yeah, but that could that could stop any day. I mean,

1078
00:57:56,520 --> 00:57:57,960
Speaker 1: that could end at any moment.

1079
00:57:58,440 --> 00:58:02,560
Speaker 4: The money from the Gilmoores, Well, I just think, if.

1080
00:58:02,280 --> 00:58:04,720
Speaker 1: You have an opportunity, you know, if you're a man

1081
00:58:04,800 --> 00:58:08,439
Speaker 1: in your mid forties and you're working like a dog,

1082
00:58:08,880 --> 00:58:10,960
Speaker 1: and you've got this kind of a golden opportunity, why

1083
00:58:11,040 --> 00:58:14,800
Speaker 1: not jump at it. He doesn't want it, I know that,

1084
00:58:15,000 --> 00:58:16,880
Speaker 1: but I'd like to see him want it. I'd like

1085
00:58:16,960 --> 00:58:20,120
Speaker 1: to see him do it. That would be an interesting storyline.

1086
00:58:20,200 --> 00:58:22,560
Speaker 1: Tell me it wouldn't say for sure, for sure, but

1087
00:58:22,720 --> 00:58:25,040
Speaker 1: why do you You could fail along the way, but

1088
00:58:25,080 --> 00:58:26,320
Speaker 1: it would be fun to try.

1089
00:58:27,040 --> 00:58:30,600
Speaker 4: I like him how he is to take it.

1090
00:58:30,680 --> 00:58:34,040
Speaker 3: I want him to take the meetings and like entertain

1091
00:58:34,160 --> 00:58:36,000
Speaker 3: it and like talk about it and like do all

1092
00:58:36,080 --> 00:58:38,520
Speaker 3: the things and then and then decide, you know what,

1093
00:58:39,000 --> 00:58:39,880
Speaker 3: I love what I got.

1094
00:58:40,080 --> 00:58:41,520
Speaker 4: I don't need more, Laura.

1095
00:58:41,800 --> 00:58:44,760
Speaker 1: I want him to right and causes conflict between Laurelai

1096
00:58:44,800 --> 00:58:47,320
Speaker 1: and himself and it's like, well, you're not the guy

1097
00:58:47,400 --> 00:58:50,000
Speaker 1: I met, and what's going what happened to you? And

1098
00:58:50,800 --> 00:58:52,400
Speaker 1: you know, he comes back with us. He takes a

1099
00:58:52,440 --> 00:58:53,920
Speaker 1: trip to Wall Street. They wanted to you know, some

1100
00:58:54,000 --> 00:58:57,200
Speaker 1: of the bankers want to talk to him suit. Yeah, well,

1101
00:58:57,440 --> 00:58:59,760
Speaker 1: look he's not bad looking. We'll put his face right

1102
00:58:59,800 --> 00:59:02,000
Speaker 1: on the menu. Look, thanks a lot. Now, if you

1103
00:59:02,000 --> 00:59:03,680
Speaker 1: could go wait in the hallway, we'd like to talk

1104
00:59:03,760 --> 00:59:07,160
Speaker 1: some numbers here. You know this, Let's go back too.

1105
00:59:07,360 --> 00:59:09,280
Speaker 2: By the way, I don't know if I'm just hot

1106
00:59:09,360 --> 00:59:10,680
Speaker 2: or if I'm having a hot flash, but.

1107
00:59:11,000 --> 00:59:13,680
Speaker 4: I'm hot all the time. I have myself right now.

1108
00:59:14,120 --> 00:59:18,120
Speaker 2: So any shout out to anyone amongst yourselves, Shout out

1109
00:59:18,280 --> 00:59:20,760
Speaker 2: to the fifty year old ladies out there who were

1110
00:59:20,840 --> 00:59:21,680
Speaker 2: hot all the time.

1111
00:59:21,800 --> 00:59:23,880
Speaker 4: Anyway, let's go back.

1112
00:59:23,720 --> 00:59:25,880
Speaker 1: To thest any hunter and here I could use a

1113
00:59:25,920 --> 00:59:26,320
Speaker 1: big fan.

1114
00:59:26,440 --> 00:59:32,160
Speaker 4: But go back to the.

1115
00:59:32,280 --> 00:59:36,720
Speaker 2: Jump, because what did you guys think when you see

1116
00:59:36,800 --> 00:59:38,080
Speaker 2: that whole thing?

1117
00:59:38,640 --> 00:59:41,040
Speaker 1: It scared the water out of me. Man, I don't

1118
00:59:41,160 --> 00:59:43,520
Speaker 1: like heights. It made me feel a little loozy.

1119
00:59:44,320 --> 00:59:50,360
Speaker 3: And the climbing up the seventies any kind of man

1120
00:59:51,600 --> 00:59:53,120
Speaker 3: emergency landing?

1121
00:59:54,040 --> 00:59:56,720
Speaker 1: You know, she was hooked into a harness from the

1122
00:59:56,800 --> 00:59:59,960
Speaker 1: front of her. We couldn't sure, Yeah, I can't.

1123
01:00:00,080 --> 01:00:02,800
Speaker 3: It is when they jumped off, which I was okay with,

1124
01:00:03,240 --> 01:00:04,600
Speaker 3: but it was the going up.

1125
01:00:05,120 --> 01:00:08,080
Speaker 4: God, we gotta get Kenny on, Danielle. Can we email him?

1126
01:00:08,160 --> 01:00:10,200
Speaker 4: He wants to do it. Let's try it him again.

1127
01:00:10,240 --> 01:00:10,600
Speaker 4: I'm just go.

1128
01:00:12,880 --> 01:00:16,400
Speaker 1: That was the most hair raising, gnarly moment of the

1129
01:00:16,520 --> 01:00:19,480
Speaker 1: series so far, is all the jumping off of that thing,

1130
01:00:19,520 --> 01:00:21,960
Speaker 1: because they actually did it.

1131
01:00:22,480 --> 01:00:25,800
Speaker 4: Totally, they did it. Maybe they had stunt doubles, but

1132
01:00:25,800 --> 01:00:26,280
Speaker 4: I don't think so.

1133
01:00:26,440 --> 01:00:29,320
Speaker 1: I don't think so. Alexis Boodell and Matt did it.

1134
01:00:29,920 --> 01:00:32,560
Speaker 3: Holding wasn't seven stories.

1135
01:00:32,280 --> 01:00:36,280
Speaker 4: High though, like No, No. Three, they're holding hands too.

1136
01:00:36,360 --> 01:00:36,840
Speaker 4: Did you see that?

1137
01:00:37,040 --> 01:00:38,640
Speaker 1: Only would have taken it would have taken them a

1138
01:00:38,680 --> 01:00:41,480
Speaker 1: half hour to die instead of instantly, right, And.

1139
01:00:41,520 --> 01:00:43,840
Speaker 2: Then she says this is a once in a lifetime

1140
01:00:44,000 --> 01:00:46,040
Speaker 2: and he says, only if you want it to be,

1141
01:00:46,720 --> 01:00:48,880
Speaker 2: meaning we have a future.

1142
01:00:48,960 --> 01:00:56,840
Speaker 1: Right right? He's good man, you know, yeah, yeah, maybe

1143
01:00:56,920 --> 01:01:00,960
Speaker 1: maybe that's his modus modus OPERENDI. I'm all scared, and

1144
01:01:01,320 --> 01:01:02,800
Speaker 1: then you know, move in for the killing.

1145
01:01:02,880 --> 01:01:06,919
Speaker 3: It's very symbolic guys like Rory is jumping. She's jump

1146
01:01:07,040 --> 01:01:09,280
Speaker 3: to this high.

1147
01:01:09,360 --> 01:01:15,720
Speaker 1: Class Daniel right right into his spider's web. Maybe who knows.

1148
01:01:17,040 --> 01:01:18,440
Speaker 4: Okay, So we have two scenes left.

1149
01:01:19,400 --> 01:01:24,000
Speaker 2: One one is the confrontation with Richard and Emily and

1150
01:01:24,240 --> 01:01:27,480
Speaker 2: like she's all mad and he's like I'm just trying

1151
01:01:27,520 --> 01:01:29,240
Speaker 2: to make bring this guy up to our level, like

1152
01:01:29,280 --> 01:01:33,440
Speaker 2: it's a whole hot mess. And then the there's a

1153
01:01:33,520 --> 01:01:36,439
Speaker 2: quick conversation between Lorli and Rory, and then Rory gets

1154
01:01:36,480 --> 01:01:39,040
Speaker 2: the knock at the door, and that, to me was.

1155
01:01:39,320 --> 01:01:42,400
Speaker 4: Such a cool ending, so quickly, let's talk about Emily

1156
01:01:42,480 --> 01:01:45,880
Speaker 4: and Richard. That's how I feel about it.

1157
01:01:46,240 --> 01:01:48,959
Speaker 1: No, it's it's they needed to have that scene because

1158
01:01:48,960 --> 01:01:51,480
Speaker 1: at least Richard has a strategy instead of trying to

1159
01:01:51,640 --> 01:01:54,000
Speaker 1: Emily trying to blow him out of the water, right,

1160
01:01:56,240 --> 01:02:00,840
Speaker 1: It's like, at least Richard has a modicum of of

1161
01:02:01,560 --> 01:02:04,080
Speaker 1: hees and a monoicum of respect for his daughter.

1162
01:02:04,480 --> 01:02:09,000
Speaker 4: Yes, yes, yes they're both awful, but she's horrific. She

1163
01:02:09,120 --> 01:02:11,040
Speaker 4: is so nasty, and I don't like I.

1164
01:02:11,080 --> 01:02:14,880
Speaker 1: Think Emily just doesn't. Like I explained before, I just think.

1165
01:02:14,800 --> 01:02:20,920
Speaker 7: She's she's she's an historical revisionist and she wants to

1166
01:02:21,040 --> 01:02:24,520
Speaker 7: do over and she's she's constantly trying to intervene in

1167
01:02:24,560 --> 01:02:26,840
Speaker 7: these situations where she thinks she can affect some kind

1168
01:02:26,880 --> 01:02:27,880
Speaker 7: of positive.

1169
01:02:27,520 --> 01:02:29,400
Speaker 1: Change, like she should have done, you know what I mean.

1170
01:02:29,520 --> 01:02:32,400
Speaker 1: She's she's she's that, she's that woman that just didn't

1171
01:02:32,640 --> 01:02:34,720
Speaker 1: couldn't get her daughter to behave the way she wanted her.

1172
01:02:34,840 --> 01:02:37,520
Speaker 1: Now she's gonna she's gonna keep trying till the day

1173
01:02:37,560 --> 01:02:39,840
Speaker 1: she dies. So it's kind of sad.

1174
01:02:39,920 --> 01:02:43,600
Speaker 4: Actually, yes, it is sad. I agree with you, Scott,

1175
01:02:43,680 --> 01:02:44,840
Speaker 4: and she is.

1176
01:02:45,040 --> 01:02:47,880
Speaker 1: And it is an odd way to display love. It's

1177
01:02:48,040 --> 01:02:50,000
Speaker 1: it's one of her ways of showing love is to

1178
01:02:50,120 --> 01:02:57,120
Speaker 1: be that monstrous. It's a it's a very twisted form

1179
01:02:57,200 --> 01:03:00,560
Speaker 1: of showing protective love for your child, you know. And

1180
01:03:00,640 --> 01:03:02,680
Speaker 1: that's just how she does it. Baby, I don't know

1181
01:03:03,840 --> 01:03:06,200
Speaker 1: what do I know anyway?

1182
01:03:06,360 --> 01:03:07,760
Speaker 2: So then what did you think at the end when

1183
01:03:07,800 --> 01:03:10,120
Speaker 2: we get to the door knock and the champagne is there,

1184
01:03:10,200 --> 01:03:11,600
Speaker 2: and the camera and the gorilla.

1185
01:03:11,360 --> 01:03:16,200
Speaker 1: Perfect just utter perfection. You see those little photos and

1186
01:03:16,280 --> 01:03:20,760
Speaker 1: you're like, man, this guy's unbelievable. This show is unbelievably great.

1187
01:03:21,840 --> 01:03:24,360
Speaker 1: It was just an it was a cherry on the

1188
01:03:24,440 --> 01:03:25,600
Speaker 1: top of the cake. It was.

1189
01:03:26,280 --> 01:03:29,400
Speaker 2: It takes all your strength to not watch the next one,

1190
01:03:29,960 --> 01:03:31,240
Speaker 2: every bit of strength you have.

1191
01:03:33,000 --> 01:03:37,320
Speaker 1: Hold me down. No, I'm gonna wait. I'm gonna be patient,

1192
01:03:37,320 --> 01:03:38,080
Speaker 1: I'll be disciplined.

1193
01:03:38,200 --> 01:03:40,280
Speaker 4: I was too, but I wanted to stop. This is

1194
01:03:40,800 --> 01:03:43,280
Speaker 4: a real favorite for me this episode.

1195
01:03:46,360 --> 01:03:48,800
Speaker 1: Yeah, I think it could be the favorite for me too.

1196
01:03:49,320 --> 01:03:50,160
Speaker 4: It's pretty good.

1197
01:03:50,320 --> 01:03:55,280
Speaker 1: It's full. Oh man, I mean, what are you grading it?

1198
01:03:55,880 --> 01:03:57,120
Speaker 1: And what's your measuring stick?

1199
01:03:57,880 --> 01:03:58,080
Speaker 4: Yeah?

1200
01:03:58,200 --> 01:03:58,600
Speaker 2: I get my.

1201
01:03:58,680 --> 01:04:00,960
Speaker 3: Measured digital cameras.

1202
01:04:01,480 --> 01:04:02,360
Speaker 4: Oh I was going to do.

1203
01:04:04,000 --> 01:04:05,280
Speaker 3: I mean doing nine point five?

1204
01:04:06,280 --> 01:04:08,800
Speaker 1: Why why deduct five? Because you just don't you just

1205
01:04:09,200 --> 01:04:11,520
Speaker 1: because the logan element, it's an automatic deduction for you,

1206
01:04:11,640 --> 01:04:15,840
Speaker 1: because you're biased, You've got some biased against the wealthy.

1207
01:04:16,720 --> 01:04:20,680
Speaker 3: The logan element in this actually was amazing, So like,

1208
01:04:20,760 --> 01:04:22,960
Speaker 3: I gotta give it to him, the lane and the

1209
01:04:23,040 --> 01:04:26,040
Speaker 3: lane ins acting. I'm not sold. It's getting better.

1210
01:04:26,160 --> 01:04:26,840
Speaker 4: I will say that.

1211
01:04:27,160 --> 01:04:30,400
Speaker 3: It's just every time I see them on I'm like, really,

1212
01:04:30,440 --> 01:04:31,520
Speaker 3: you were doing this right now?

1213
01:04:32,880 --> 01:04:37,840
Speaker 2: That's it. I'most ten ten strapless dresses with a blue

1214
01:04:38,000 --> 01:04:40,640
Speaker 2: a royal blue backwards scarf.

1215
01:04:43,080 --> 01:04:46,360
Speaker 1: What about you, Scott, I'm going to give it a yeah, boy,

1216
01:04:46,560 --> 01:04:49,040
Speaker 1: I mean it was so overwhelming great. I think it

1217
01:04:49,200 --> 01:04:53,920
Speaker 1: was actually an eleven or a twelve. But I'm going

1218
01:04:54,000 --> 01:04:56,960
Speaker 1: to have to deduct a couple of points. Yeah for

1219
01:04:57,160 --> 01:05:03,840
Speaker 1: the Luke author Dick thing. Whatever. You know, I'm just

1220
01:05:03,880 --> 01:05:06,440
Speaker 1: gonna I'll just have to We'll have to just settle

1221
01:05:06,480 --> 01:05:09,959
Speaker 1: on a ten ten out of ten, and I'm giving

1222
01:05:10,040 --> 01:05:15,680
Speaker 1: it ten human clay pigeons. Oh, because that's the greatest.

1223
01:05:15,920 --> 01:05:17,479
Speaker 1: That's the greatest thing I've ever seen on TV.

1224
01:05:18,120 --> 01:05:19,120
Speaker 4: What's next week?

1225
01:05:19,680 --> 01:05:19,880
Speaker 2: Next?

1226
01:05:20,560 --> 01:05:22,240
Speaker 1: I don't know. Why don't we have next week?

1227
01:05:22,480 --> 01:05:25,360
Speaker 3: We have five, Episode eight, The parties over.

1228
01:05:26,520 --> 01:05:58,680
Speaker 1: We'll see you then. Gang Hey everybody, and don't forget

1229
01:05:58,760 --> 01:06:02,800
Speaker 1: Follow us on Instagram at I Am all In podcast

1230
01:06:02,920 --> 01:06:08,040
Speaker 1: and email us at Gilmore at iHeartRadio dot com. Oh

1231
01:06:08,080 --> 01:06:09,880
Speaker 1: you Gilmore fans. If you're looking for the best cup

1232
01:06:09,960 --> 01:06:12,680
Speaker 1: of coffee in the world, go to my website from

1233
01:06:12,720 --> 01:06:15,640
Speaker 1: my company Scottip dot com, s C O T T

1234
01:06:15,920 --> 01:06:19,920
Speaker 1: y P dot com, scottyp dot com Grade one Specialty

1235
01:06:20,200 --> 01:06:20,520
Speaker 1: Coffee