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Speaker 1: Yo's plopping as kids, lamar. Right now you're listening to

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Speaker 1: the best of the Breakfast Club. That's right, is the

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Speaker 1: Breakfast Club. Good morning. We have a special guest in

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Speaker 1: the building. Your greatness is the name. Now let's be

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Speaker 1: clear for day do I didn't know how special he was.

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Speaker 1: It was like we got a young greatness. I said,

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Speaker 1: I don't know who that is. We need to cancel

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Speaker 1: that interview. Trying to three times, I had no idea

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Speaker 1: who a young greatness was. And what I said said

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Speaker 1: he has a big song record, like y'all heard that

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Speaker 1: record before. But where I was. You just didn't know exactly.

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Speaker 1: But then this, then this, this rich African came in

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Speaker 1: the room and I think he had with you for

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Speaker 1: no reason, Young Greatness, you're a special guest. That's all good.

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Speaker 1: He has the record. Move out, And how did you

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Speaker 1: come an Aco? We see a cons in there? How

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Speaker 1: did you a just showing up the radio interviews with nobody.

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Speaker 1: Let's let's an he pays, he pay Lady g Gay

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Speaker 1: who Vincent Hub says he discovered who asked m about that?

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Speaker 1: But in a minute. But well, you know, once I

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Speaker 1: first you know, signed with Quiet and Control with QC saying,

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Speaker 1: lable out of me, Go scoot to my guys, QC.

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Speaker 1: You know it. Come, I'm really good friends with a

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Speaker 1: kind of brother. Omar so oh. After he came and

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Speaker 1: he heard like about ten songs, it just like I'm

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Speaker 1: calling my brother, this is crazy. He came and he

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Speaker 1: wanted to hear thirty sons and each song he was like,

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Speaker 1: that's a hit, that's a hit, and you know, from

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Speaker 1: one thing land to none and now we hear you

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Speaker 1: know what I'm saying, Why why you choose to stand

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Speaker 1: by this? One's so close? They come. I just believe

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Speaker 1: that he's gonna be the future. When I come in,

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Speaker 1: I always like to find acts that I feel gonna

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Speaker 1: be around for a minute, you know what I mean.

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Speaker 1: I can help the legacy of moving it forward. You know,

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Speaker 1: there's no difference. When I saw a Pain, I knew

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Speaker 1: he was gonna be something that would change the game

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Speaker 1: in some fuam fashion, you know what I mean. With Jez,

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Speaker 1: same old thing with Thug, same old thing. You know,

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Speaker 1: Like from an urban standpoint, it's only if it's every

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Speaker 1: five years, you're gonna find that artist that's gonna be

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Speaker 1: around for the next five or that's gonna define what

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Speaker 1: the next five is gonna become. I just feel like

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Speaker 1: greatness is gonna be the next five years. Once he popped.

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Speaker 1: So you discovered Jez and Thug Man, you didn't know, no,

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Speaker 1: I mean, I know, of course we all know Soul Survival.

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Speaker 1: Somebody my man didn tell him. Its worry about how

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Speaker 1: all these prisoners was on a bus singing Soul Survival.

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Speaker 1: But I didn't know you discovered them. Man, Listen, at

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Speaker 1: the end of the day, I won't take all credit

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Speaker 1: for Thud because we see right here which was what

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Speaker 1: was on the ground and helped practically break that kid,

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Speaker 1: you know what I mean. But ultimately, when you look around,

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Speaker 1: our influence has been huge in the business. You know,

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Speaker 1: we've been behind the scenes just kind of nurturing, being

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Speaker 1: big brothers and mentors to a lot of these artists

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Speaker 1: out today. Now do you sleep with the drac because

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Speaker 1: then waves looked painted on bro had nothing to do

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Speaker 1: with nothing whatever the ball and man, I got a

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Speaker 1: little envious. Ye ain't got no. I definitely put the

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Speaker 1: do rack on the morning before I pull out, though,

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Speaker 1: for sure, if they're harder and easier for artists in

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Speaker 1: New Orleans, because of course y'all had cash money, and

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Speaker 1: it's hard to master that quick. You know what, wasn't

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Speaker 1: so much harder because we don't have it. We don't

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Speaker 1: have no resources. We don't have a pipeline, you know

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Speaker 1: what I'm saying. We can't come up here and sit

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Speaker 1: and talk with as. You know what I'm saying. And Charlotte, man,

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Speaker 1: we don't have no resources. So with no resources, how

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Speaker 1: you expect somebody to hear your music? You know what

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Speaker 1: I'm saying? Like you just saying you don't even know me.

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Speaker 1: I didn't, right, but I've been grinding for so long.

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Speaker 1: I didn't know that I've probably been I've probably have

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Speaker 1: been grinding just as long as you know. But I'm

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Speaker 1: from New Orleansts And the reason why I know this

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Speaker 1: because of Recy. I saw you with her at the

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Speaker 1: BT Awards. Yeah, and I know Recy always get up

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Speaker 1: on stuff early, so I was like, okay, let me

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Speaker 1: pay attention. And then I heard the song. But he

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Speaker 1: has to think too. A lot of times the songs

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Speaker 1: be bigger than the artist take. It take time for

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Speaker 1: the artist to catch up with how big the song.

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Speaker 1: I think, I think, I think I was a victim

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Speaker 1: of that you know what I'm saying with a couple

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Speaker 1: of my records and like once again, you know man

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Speaker 1: from New Orleans. You know, we just know how that platform,

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Speaker 1: and I think every artist is a victim to that

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Speaker 1: until they follow with another record and another record for

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Speaker 1: another record, because one record you never they never gonna

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Speaker 1: know who you are unless you sigh up there dancing

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Speaker 1: and acting the food. They kind I'm sure when you

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Speaker 1: first came out it was the African They was like, Okay,

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Speaker 1: who's I'll walking down the street the you know who

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Speaker 1: I was. But dude was playing my record, passing me by.

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Speaker 1: So we just you just got to be consistent to

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Speaker 1: keep coming when you're dropping in. Yeah, I'm about to

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Speaker 1: start dropping all these records this year. So musically I'm back.

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Speaker 1: I'm about to be back in full effect. You know,

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Speaker 1: I had a lot of work to do. I had

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Speaker 1: to secure my future first. Man, you're doing a lot

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Speaker 1: of filarishp and stuff like everybody, Well, we saw the meme,

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Speaker 1: all the lights you provided for people telling people about that.

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Speaker 1: So I got an energy company in Africa. What y'all

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Speaker 1: actually seeing is really social entrepreneurship, but I marketed it

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Speaker 1: like it was a foundation because when people look at Africa,

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Speaker 1: they always look at it from a standpoint of charity,

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Speaker 1: and I knew that was a good way to get

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Speaker 1: the other ear We use it almost like a marketing

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Speaker 1: tool because even though it was a for profit business,

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Speaker 1: it was a kind of structure that where it could

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Speaker 1: actually feed people and employ people out there. So we

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Speaker 1: use all the locals as our employees. You know, we

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Speaker 1: got over five thousand employees now and the fastest energy

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Speaker 1: company in the world, growing energy company in the world.

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Speaker 1: So all we do is straight solar and renewable energy.

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Speaker 1: So do you have your like pr people put that out. No,

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Speaker 1: I didn't do anything. Actually, you know, I do everything quiet.

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Speaker 1: When it came out, I was shocked. I didn't even

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Speaker 1: realize so many people even knew about it, because you know,

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Speaker 1: when you're doing when you're actually doing something out there,

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Speaker 1: just a matter of time before people get to know

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Speaker 1: what it is and kind of understanding and be alerted

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Speaker 1: to what you're doing. So it was one of the

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Speaker 1: things that just it just God just put it out

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Speaker 1: there to what people just knew what it was and

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Speaker 1: they felt like it was something important to promote. Yeah,

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Speaker 1: I didn't even understand why they compared it too, like

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Speaker 1: they would compare Caitlyn Jenner announcing her transition to you

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Speaker 1: putting the lights on like this, this is what should

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Speaker 1: be news, and not this. I'm like, it's kind of

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Speaker 1: two different things. It was completely completely Caitlyn was turning

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Speaker 1: her lights off, turning the lights off on Bruce. All right, Well,

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Speaker 1: we have Acon and Young Greatness in the building, and

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Speaker 1: it's the Breakfast Club the morning, the Breakfast Club Morning.

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Speaker 1: Everybody's DJ Envy Angela ye, Charlomagne, the guy, we are

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Speaker 1: the Breakfast Club. We have Young Greatness and Acon in

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Speaker 1: the building. Now, Charlomagne, how do you balance being on

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Speaker 1: the like brink of breaking in the streets? I mean,

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Speaker 1: the key is letting your team formally a plan for

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Speaker 1: you to make it. That's why people like eight con recy.

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Speaker 1: You know what I'm saying. Coach can't be required control.

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Speaker 1: You know what I'm saying, because you can't do everything.

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Speaker 1: The best thing you could do is to stay in

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Speaker 1: the studio and make good music and trusting your team

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Speaker 1: to build a platform for you to make it. At first,

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Speaker 1: I didn't you know, I didn't understand that. I was

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Speaker 1: just wild, wild, gonna fire it. Man, I'm gonna do

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Speaker 1: these records, put it out for I had to deal.

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Speaker 1: I had songs with Meek Mills t you know what

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Speaker 1: I'm saying, Like, you know, go on YouTube, juvenile, But

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Speaker 1: I thought that was the correct thing to do to

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Speaker 1: get features, to just shoot the video and put it

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Speaker 1: on YouTube, these features. Man, you know, I was coming

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Speaker 1: with my own bread. Oh you come with them back? Yeah,

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Speaker 1: I was coming my own bread. Because you're making that money,

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Speaker 1: young greatness. I mean, you know that's a different story,

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Speaker 1: you know, as a different story. But you know you

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Speaker 1: did get though for a period of time. Yeah, you

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Speaker 1: know I did. I did some time. That was my

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Speaker 1: turning point, you know, in my life though, you know

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Speaker 1: what I mean. You know, if it's on record, it's okay. Yeah,

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Speaker 1: you know, you know, drugs of course, okay, you know,

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Speaker 1: just trying to do something, you know, help chase my

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Speaker 1: dream now, ain't you was in the news lately because

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Speaker 1: you said you believe Kesha should be let out of

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Speaker 1: her deal as a record Exactly, I'm not keeping the artists.

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Speaker 1: I don't want to be here. Period of Lady Gaga

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Speaker 1: was like then, No, I don't want to be here.

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Speaker 1: I'd be like, baby, it's okay, especially if she accused

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Speaker 1: your rate especial, but an artists like let's say te Pain, right,

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Speaker 1: te Pain, you basically put your arm around Tee Pain

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Speaker 1: when everybody's making fun of him and ain't definitely gonna

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Speaker 1: go pain. You got to get about it that after

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Speaker 1: you made all those millions, you would still keep under

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Speaker 1: contract used to get paid from them. You just wouldn't

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Speaker 1: want to be connected to him. No, I mean it's

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Speaker 1: it's it's like a drop everything. That's a process of business,

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Speaker 1: right right, if it's old, if there's money old, to me,

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Speaker 1: it's not a problem. I would release you so you

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Speaker 1: can at least make the money back. But right now

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Speaker 1: she's just being sat there and on the shelf with

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Speaker 1: no resources to make the money back. So he ain't

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Speaker 1: making no money, She ain't making no money, and it

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Speaker 1: becomes a distruntal situation. So she's doing whatever or saying

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Speaker 1: possibly whatever to get out the situation. It only affects him, right,

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Speaker 1: you find out what I'm saying. So I'm not saying

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Speaker 1: that she's not telling the truth, but I'm not saying

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Speaker 1: that she's not telling a lie either. But you just

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Speaker 1: never know when you were in a position where you're desperate,

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Speaker 1: anything could be said, anything could be done. So what

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Speaker 1: you want to do and you want to prevent that

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Speaker 1: all together? You know what I mean? Because and when

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Speaker 1: an artist signs to you or says, Okay, look, I'm

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Speaker 1: putting my career in your hands, they're doing this because

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Speaker 1: they believe in you. They feel like you are somebody

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Speaker 1: that they can look up to that could be a

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Speaker 1: mentor to the future, and they trust you with their

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Speaker 1: life because this is our life right here, like this

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Speaker 1: is the only way we make money. Really outside of this,

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Speaker 1: I don't know where I would be. Music open the

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Speaker 1: doors for everything I'm doing today. So you never want

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Speaker 1: to stagnate an artist because of the fact that I

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Speaker 1: got a personal issue going on. So even if doctor

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Speaker 1: Lucas feels in his heart I didn't do anything wrong,

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Speaker 1: he should still absolutely, I mean, honestly, it's a smarter

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Speaker 1: business decision because guess what, Kesha may owe a bag

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Speaker 1: and she may be in a position where she's in

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Speaker 1: a position to debt. It's not a problem I release.

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Speaker 1: You go signed wherever you want to sign, but just

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Speaker 1: know that when you signed, there a percentage of your

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Speaker 1: proceeds will go towards clearing your debts. God got still

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Speaker 1: sign here? Nah? Who really signed Vincent? He said, he signed,

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Speaker 1: he discussed. So just just to make it very clear,

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Speaker 1: go guy was with Vincent two years before I discovered her,

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Speaker 1: probably went through may five record deals before she landed

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Speaker 1: at Laid. Actually said he dropped her and had as well,

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Speaker 1: So her life interscope probably wasn't going I kind of

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Speaker 1: saw it and knew what that was. So I sat

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Speaker 1: with Jimmy Ivan. I said, Yo, Jimmy, I found the

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Speaker 1: artist that I want to sign in my label and

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Speaker 1: I want to take to the next level. He said, who,

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Speaker 1: I said, God Guy. So he was like, all right, cool,

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Speaker 1: let me talk to Vince and see if that's something

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Speaker 1: to be worked out. I sat with Vince. Vince was like,

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Speaker 1: I'm cool. Troy at the time was managing her. You know.

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Speaker 1: I fought to keep both of him in line at

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Speaker 1: the end of the day because it was a position

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Speaker 1: where I had the power to just take her if

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Speaker 1: I wanted to. But I wouldn't have did that because

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Speaker 1: first of all, Vince had already, you know, invested so

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Speaker 1: much time into this girl, and Troy to me was

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Speaker 1: a amazing manager. He just needed a shot with the

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Speaker 1: right artist, and we were all black young kids trying

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Speaker 1: to make it. In my mind, I'm like, yo, we

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Speaker 1: can all come and get it. I got the platform

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Speaker 1: that everybody's gonna run with. I got the brand internationally,

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Speaker 1: I got the producers, I got the writers. We could

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Speaker 1: provide her the music. Why not Once I signed her

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Speaker 1: a year later, it was all she wrote to argue

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Speaker 1: about that. Never never feel labeling well what happened was

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Speaker 1: always looked at this like a business. You're gonna run

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Speaker 1: something all way to the end, and everybody know that

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Speaker 1: when you got it, and when it's at the top,

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Speaker 1: when it's worth something, that's when you pull out. So

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Speaker 1: when she was at that peak and I knew well,

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Speaker 1: I felt like musically she couldn't get no bigger. The

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Speaker 1: opportunity came where I can sell some shares and get

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Speaker 1: a big check or hold on and just kind of

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Speaker 1: let a rod for a long period of time. But

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Speaker 1: I just feel like, every ten years is gonna be

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Speaker 1: a new guy. You was right on that though musically

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Speaker 1: she ain't really been popping, but she probably on the side.

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Speaker 1: So and then me knowing her, she's not the kind

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Speaker 1: of person to stay in one thing long anytime, because

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Speaker 1: she's too talented, and I know she wanted to express

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Speaker 1: all them other talents. So music had paid the way

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Speaker 1: at that point for her to do other things. And

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Speaker 1: I kind of saw that happening because even her system

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Speaker 1: was changing, certain people were moving around her, getting fired,

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Speaker 1: getting rehired, and I saw the destabilization in that area,

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Speaker 1: and I said, Okay, you know what, it's the point

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Speaker 1: where she's making her own decisions. I ain't making decisions

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Speaker 1: for her. Troy and making decisions for her, and Vince

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Speaker 1: ain't definitely making decisions for so now it's a good

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Speaker 1: time to make that move. So you know, grabbed the

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Speaker 1: bag and let it move. It's crazy too, though, because

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Speaker 1: you wanted an artist that never got flat from crossing over.

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Speaker 1: You know, as soon as the black artist crossed over,

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Speaker 1: like oh he's sold out, he don you never got that.

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Speaker 1: I was. Actually I was thankful to that, you know

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Speaker 1: what I mean. But because I would go from a

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Speaker 1: sweetest skate with goings to find it to still will

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Speaker 1: kill with fifty cent to do hip hop all day

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Speaker 1: every day, it's just too much pressure because black people

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Speaker 1: are just hard to satisfy. So it's like so much

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Speaker 1: you could be the hottest that year and all it

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Speaker 1: takes is one record to people don't forgot about you

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Speaker 1: and moved on to whoever the hot news every year,

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Speaker 1: new hot name, absolutely every year, like it's not doesn't fail.

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Speaker 1: But it's just so much work, just satisfying all people. Man,

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Speaker 1: it's a lot. Well, it's the Breakfast Club. It's your greatness,

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Speaker 1: a con good morning, the Breakfast Club Morning. Everybody is

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Speaker 1: DJ mvy angela Ye, Charlomage and the guy. We are

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Speaker 1: the Breakfast I can't wait to hear this. We have

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Speaker 1: Chris Rock's daughter in the building, brazy well on the

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Speaker 1: Show's Chris Rock's daughter, right, I'm the honest. I had

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Speaker 1: no idea who breathy was? I know, free to yats, right,

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Speaker 1: I know, fantasical loaf shut up. I'm like, I'm like,

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Speaker 1: who are you breathing? And it was like the rapper.

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Speaker 1: I'm like, oh, okay, I said, you played Chris Rock's

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Speaker 1: daughter on the Empire. Chris Rock died and you got

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Speaker 1: a rap career, right, got killed murdered. Do you feel

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Speaker 1: like they fashioned you after days leave? Because a lot

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Speaker 1: of people were making those comparisons when it first came

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Speaker 1: on the show. No, absolutely not no, because I had

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Speaker 1: some input on that. You had to laugh at that

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Speaker 1: name though I did. I mean, yeah I did, but

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Speaker 1: I mean I just you know, I appreciate everything. If

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Speaker 1: the a't talking what we're doing there you go. That's

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Speaker 1: how I felt. So it didn't didn't bother me at all.

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Speaker 1: It bothered a lot of people around me. But I

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Speaker 1: was like, for real, and gotta understand that comes with

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Speaker 1: the territory, though, you know when I don't say something,

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Speaker 1: not like they got to they got to it. You

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Speaker 1: know what, she did a great job today. Never give

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Speaker 1: that up. I thought it was funny. Now you're a

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Speaker 1: real rapple. Yes, how'd you get on in pie? I

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Speaker 1: got a phone call about it. Somebody was like, yo,

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Speaker 1: I think you should do this, blah blah blah. So

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Speaker 1: I went in and did an audition for Leah Daniels.

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Speaker 1: Um Lee Daniels Leah sister. Understand why you would say that?

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Speaker 1: No too much? No, no stop, Leah Leah does all

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Speaker 1: of Lee Daniels casting. Um, So just audition for her

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Speaker 1: and she loved it. Here we are absolutely did you

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Speaker 1: ever think playing free gats would confuse people about your

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Speaker 1: own grip. Honestly, I didn't. Now I see that it has,

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Speaker 1: but I mean that whole acting world because a lot

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Speaker 1: of people get it misconstrue like that's not reality television.

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Speaker 1: They think you're from Brooklyn. You know. People come up

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Speaker 1: to me like I'm sorry about you that, and I'm like,

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Speaker 1: you know, uh, in this time, everything we do is reality.

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Speaker 1: So it's like people are a little confused. I'm just like,

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Speaker 1: you know, that is the character, but you do have

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Speaker 1: to create that separation's true. Yeah, we just it was

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Speaker 1: just girls. It was called Girls, produced by DJ Musset

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Speaker 1: Wow Collaborative and for Doctor Dre. Yeah. Worked worked with

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Speaker 1: a girl named Ajor Bryant on the Straight Out of

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Speaker 1: Company soundtrack along with the game's album Documentary Too. I

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Speaker 1: was working with Cookie and Terce amazing, Cookie and Terrence

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Speaker 1: really they really cool people. They really cool people. I mean,

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Speaker 1: Terrence is amazing, Taragi cool. Everybody's just they really what

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Speaker 1: you see on TV is you know they cool, really

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Speaker 1: was cool. You know, Terrence uses wet wipes, know what

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Speaker 1: that man met him. Me and him are the closest

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Speaker 1: out of all the cast. He and meet him are

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Speaker 1: really close because I spent a lot of time with him.

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Speaker 1: My first day on set was with him, you know

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Speaker 1: when every day after that was with him. I remember

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Speaker 1: I interview him once tessement. He was putting this album

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Speaker 1: out and he had the guitar and everything. Yeah, and

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Speaker 1: he's a real musician. He's a good one too. Yeah,

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Speaker 1: he really really he is always so intense for no reason.

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Speaker 1: I think you got to know him. You have to

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Speaker 1: know him to really comment and give your opinion on

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Speaker 1: who he is, because you don't. You don't. A lot

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Speaker 1: of people don't get who he is because he ain't

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Speaker 1: gonna give it to you. He's gonna give you exactly

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Speaker 1: what you said. He's gonna give you. He was the

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Speaker 1: weirdo he was getting, but he gonna get that. Leave

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Speaker 1: me alone, you know what, Leave me alone. And he

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Speaker 1: just doesn't care to get into people, you know what

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Speaker 1: I'm saying. And I think a person like him, he's

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Speaker 1: been in his industry a long time. He'd seen it all,

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Speaker 1: done it though. You ain't got nothing for that man.

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Speaker 1: We have more with Breezy when we come back. Keep

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Speaker 1: it locked. It's the Breakfast Club, Good Morning, The Breakfast Club,

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Speaker 1: Holding everybody in Steve J. L v Angela Yee, Sharlomagne

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Speaker 1: the guy we are the breakfast club that we have

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Speaker 1: a special guest in the building. She's from Empire. She

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Speaker 1: actually played Chris Rock's daughter on Empire. Breezy Are you

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Speaker 1: yourself proclaimed? Unapologetically Butcher? What the script? Forever and and

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Speaker 1: and and as you if you pay attention, char that's

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Speaker 1: not what the character turned out to be. Does she

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Speaker 1: look but still but you know, in a crop top

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Speaker 1: with a swoop? Yeah? Stupidetically but you know he didn't

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Speaker 1: make that up himself, your character description. And that was

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Speaker 1: the thing. I wanted the character to be realistic, Like

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Speaker 1: that's not do I look but you don't look, Butcher.

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Speaker 1: I don't know what I had to look when you

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Speaker 1: got on leggings and some terms of legging jeans, Yeah,

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Speaker 1: I don't know what. But you looked like you that's

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Speaker 1: what it looks like. It look like, Yeah, like you

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Speaker 1: wouldn't be able to brow a little bit, really a

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Speaker 1: little bit. My build big big at the top in

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Speaker 1: bild jell has big true. Yeah, there you got a

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Speaker 1: little Butcher mann Mann talk. I was asking questions from

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Speaker 1: a join listic standpoint. He just gonna call you can

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Speaker 1: hear you spit? Tell them games. I don't play no game. Yeah,

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Speaker 1: let's go Butcher's night against you? Now what it's not you, guys,

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Speaker 1: I'm not a not a but say if she's not

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Speaker 1: a but a lot of guys would like to hear that. Though?

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Speaker 1: What that you like me? What do that got to

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Speaker 1: do with being a butch? She didn't say that she

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Speaker 1: she liked you said, I'm confused on what isn't that?

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Speaker 1: I thought much lesbians? No, it's a manly type of

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Speaker 1: lesbians as opposed to a lipstick lesbian like a family

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Speaker 1: he could be a female lesbian. You did you start?

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Speaker 1: You about to begin? All right? Well, Brady, thank you

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Speaker 1: so much for coming. Please please could you pap? I

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Speaker 1: can tell you I'm the realist, and I don't know

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Speaker 1: about you, but I don't spit it if it really

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Speaker 1: ain't the realist, and really I could kill him on

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Speaker 1: some silly stow I could go, but then it's get

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Speaker 1: the gorillas. Really is about time? Yeah? I know what

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Speaker 1: take time? But see I've been on my ground trying

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Speaker 1: to do for me and mine, so I never had

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Speaker 1: the time for that's wasting time. I got bitches from

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Speaker 1: sea ever leone trying slides say she been on breeze

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Speaker 1: and I do it like a monster. She want to

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Speaker 1: put her lips on my diamond blockers see me? Want

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Speaker 1: to talk about a sponsor. I'm breeze, my tan, I

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Speaker 1: do the steak with the libster. Now what the could

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Speaker 1: you do for a monster? Me? A more po no

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Speaker 1: room and Mikasa all we told you I'm a problem.

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Speaker 1: Oh wait, now, I guess I gotta let the heat

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Speaker 1: off and tell these to get me the ball. I'm

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Speaker 1: a big dog, little bitch with a big heart. I've

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Speaker 1: been to go get and not a joke with a butterfly,

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Speaker 1: float with a cano, bife with a nick. Okay, now

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Speaker 1: look a couple of those balls. You talked about girls

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Speaker 1: on your box. Now, just for the record, it is

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Speaker 1: what it is she wants me to do. Charlotte man,

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Speaker 1: I don't. I'm okay, all right, it's crazy. It's the

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Speaker 1: Breakfast Club. I hope you come back. You'll come back.

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Speaker 1: I'm whatever you want. No, I like it. I'm happy

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Speaker 1: to be here. I'm happy to that much. It's the

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Speaker 1: Breakfast Clus Goal morning. Yeah that was needed me, Rihanna Morning,

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Speaker 1: everybody is DJ Envy Angela Yee Charlottagne the guy we

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Speaker 1: are the breakfast club. We got a special guest in

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Speaker 1: the building, but the craziest Nebraska. It was father been

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Speaker 1: in a few years. Man, Yeah, yeah, yeah, yeah. We

422
00:20:36,440 --> 00:20:38,760
Speaker 1: didn't think he's coming today. Man. Yeah, I've been listening

423
00:20:40,800 --> 00:20:43,919
Speaker 1: a third time. I count cancel this time. What's up?

424
00:20:43,960 --> 00:20:45,359
Speaker 1: I know y'all got a lot of questions, a lot

425
00:20:45,400 --> 00:20:48,639
Speaker 1: of questions because because you've been wilding lately, how crazy

426
00:20:48,720 --> 00:20:50,680
Speaker 1: are you? Are you really crazy? Are you just do

427
00:20:50,800 --> 00:20:53,520
Speaker 1: that because you know that it brings a tension? Nah,

428
00:20:53,720 --> 00:20:55,879
Speaker 1: this is just me. I always used to say on

429
00:20:55,960 --> 00:20:59,679
Speaker 1: any given Sunday and Walmart, you know, I'm being myself.

430
00:21:00,080 --> 00:21:02,640
Speaker 1: Then the video came out, so people pised off about.

431
00:21:02,920 --> 00:21:04,760
Speaker 1: But you gotta ad that was a little call. People

432
00:21:04,840 --> 00:21:07,000
Speaker 1: pissed off about. If you you a boss like you

433
00:21:07,040 --> 00:21:08,840
Speaker 1: said you are, why not just pay for everybody stuff

434
00:21:08,880 --> 00:21:10,960
Speaker 1: in the line instead of throwing the money in the store.

435
00:21:11,200 --> 00:21:13,040
Speaker 1: Because just because you got money don't mean you got

436
00:21:13,119 --> 00:21:17,680
Speaker 1: to give it away. You did, That's what I felt

437
00:21:17,680 --> 00:21:19,520
Speaker 1: like doing at the time. I didn't plan it out.

438
00:21:19,560 --> 00:21:23,040
Speaker 1: I just like I don't want to change. How much

439
00:21:23,160 --> 00:21:28,760
Speaker 1: was it it was like ninety eight dollars dollars change. Nah, Adrian, Bro,

440
00:21:28,840 --> 00:21:30,359
Speaker 1: He's crazy. You had to think that one through because

441
00:21:30,359 --> 00:21:32,080
Speaker 1: you had to tell somebody to turn the camera on. Nah.

442
00:21:32,359 --> 00:21:34,840
Speaker 1: It was already a moment going on, so so the

443
00:21:34,920 --> 00:21:36,840
Speaker 1: camera was already just roll. You have a problem with

444
00:21:36,880 --> 00:21:38,560
Speaker 1: the cash and you threw the money like f this,

445
00:21:38,760 --> 00:21:40,240
Speaker 1: or you were just just a regular day in this.

446
00:21:40,320 --> 00:21:42,000
Speaker 1: I don't want it, Noah. I was just I just

447
00:21:42,080 --> 00:21:44,119
Speaker 1: felt like I didn't want it. Damn. It had all

448
00:21:44,160 --> 00:21:46,159
Speaker 1: hunts on me. I we don't want ninety anyone to

449
00:21:46,200 --> 00:21:48,680
Speaker 1: single five. See. I just wonder how much of it

450
00:21:48,800 --> 00:21:50,479
Speaker 1: is really trolling because that's all you walking on your

451
00:21:50,480 --> 00:21:52,240
Speaker 1: phones and you're gonna vote for Trump. I say this

452
00:21:52,520 --> 00:21:55,080
Speaker 1: from the hood. Ain't voting for no Donald Trump. Damn lie,

453
00:21:55,560 --> 00:21:58,679
Speaker 1: you're voting for Trump? Yes? Why Donald Trump? Man? Hey man,

454
00:21:58,800 --> 00:22:02,080
Speaker 1: everything he's saying is it's crazy. But everything he's saying

455
00:22:02,200 --> 00:22:05,199
Speaker 1: is correct. Keeping Mexicans out. Mexican gonna hate you, bro,

456
00:22:05,520 --> 00:22:11,000
Speaker 1: They already do, yes, they do, already do. Yeah about

457
00:22:11,040 --> 00:22:12,720
Speaker 1: Donald Trump makes you feel like you would want to

458
00:22:12,800 --> 00:22:14,880
Speaker 1: vote for him? Man, listen, man, And what I'm saying

459
00:22:14,960 --> 00:22:17,200
Speaker 1: is this man, he's gonna lead them Texas. That's what

460
00:22:17,320 --> 00:22:19,080
Speaker 1: I'm with for real, because tax has been kicking my

461
00:22:19,160 --> 00:22:21,080
Speaker 1: ass for really, I'm saying that means you're making a

462
00:22:21,119 --> 00:22:25,040
Speaker 1: lot of money though, So lord, hey, I don't think

463
00:22:25,040 --> 00:22:29,280
Speaker 1: you can vote anyway many feller needs as you got. Hey, hey, hey,

464
00:22:29,359 --> 00:22:31,879
Speaker 1: you know the funny thing though I've been in crazy trouble.

465
00:22:32,000 --> 00:22:36,160
Speaker 1: My my my record is crazy, but everything had been acquitted. Yeah,

466
00:22:36,440 --> 00:22:38,480
Speaker 1: so you can vote. I can vote way. Even that

467
00:22:38,600 --> 00:22:41,160
Speaker 1: last incident that just happened outside the bowling alley where

468
00:22:41,200 --> 00:22:44,480
Speaker 1: the guy said you ros him at gunpoint. Listen, my

469
00:22:44,600 --> 00:22:47,440
Speaker 1: laders told we don't talk about this situation. So that

470
00:22:47,520 --> 00:22:50,040
Speaker 1: hasn't been cleared yet. Well for that yet. I know

471
00:22:50,080 --> 00:22:52,479
Speaker 1: your lawyer probably terrified, like I told him, don't talk

472
00:22:52,480 --> 00:22:54,120
Speaker 1: about it. But telling they be not to talk about

473
00:22:54,200 --> 00:22:56,840
Speaker 1: something that don't happen too often. Nah, but you know

474
00:22:56,920 --> 00:22:59,120
Speaker 1: what that that situation is definitely handle. It ain't gonna

475
00:22:59,119 --> 00:23:01,800
Speaker 1: go nowhere at school. Good now, Whether you know they

476
00:23:01,920 --> 00:23:04,440
Speaker 1: keep talking about that, that fight could possibly happen. Would

477
00:23:04,440 --> 00:23:06,119
Speaker 1: you love to do that fight at the end of

478
00:23:06,200 --> 00:23:08,600
Speaker 1: the day. You know I used to say I never

479
00:23:08,640 --> 00:23:11,760
Speaker 1: fight him. I've been getting signs to where it's like this,

480
00:23:12,119 --> 00:23:15,400
Speaker 1: don't care for real. It's just certain you do when

481
00:23:15,400 --> 00:23:17,880
Speaker 1: you really have genuine love. You know what I'm saying.

482
00:23:18,200 --> 00:23:20,280
Speaker 1: So that's why I lashed out the way I did

483
00:23:20,359 --> 00:23:23,800
Speaker 1: after that fight, After that last interview, he did, you

484
00:23:23,840 --> 00:23:26,119
Speaker 1: know what I'm saying. He called the reporter for the

485
00:23:26,200 --> 00:23:28,080
Speaker 1: interview and told him to put it out. Let's talk

486
00:23:28,080 --> 00:23:30,240
Speaker 1: about that. And if you Floyd said, he said, six

487
00:23:30,320 --> 00:23:34,480
Speaker 1: months ago, you was an alcoholic. Okay, no truth to that.

488
00:23:34,840 --> 00:23:37,520
Speaker 1: What's truth to that? I'm a young n I'm in

489
00:23:37,600 --> 00:23:39,520
Speaker 1: the club, like to have a drink here and there,

490
00:23:39,840 --> 00:23:42,600
Speaker 1: he said, alcoholic. Though, Man, Floyd, don't hang with me

491
00:23:42,720 --> 00:23:46,359
Speaker 1: every day. And when I hung around him, I didn't drink.

492
00:23:46,720 --> 00:23:48,639
Speaker 1: That's how much I looked up to him. You know

493
00:23:48,640 --> 00:23:50,960
Speaker 1: what I'm saying. Like I told him before, if if

494
00:23:51,000 --> 00:23:53,800
Speaker 1: you won't me to do better than you one day

495
00:23:53,920 --> 00:23:57,080
Speaker 1: or better myself, show me the way where it goes south?

496
00:23:57,119 --> 00:23:59,560
Speaker 1: Where'd your relationship go south? I don't know, man, He

497
00:23:59,680 --> 00:24:02,400
Speaker 1: was like, he was tight. We still is. It's still

498
00:24:02,480 --> 00:24:06,920
Speaker 1: respect there. Even even even after the fight. He came

499
00:24:07,000 --> 00:24:09,520
Speaker 1: up to congratulations, great performance all that, but we still

500
00:24:09,600 --> 00:24:11,680
Speaker 1: haven't got this wrinkle out. You think you could beat

501
00:24:11,720 --> 00:24:14,320
Speaker 1: him in a fight. I beat his ass. Bro, I'm

502
00:24:14,359 --> 00:24:17,920
Speaker 1: a man. Ain't can't nobody beat me? Point blank? Period? Yeah?

503
00:24:17,920 --> 00:24:21,840
Speaker 1: I beat myself. No, everybody know that. Nobody can't beat

504
00:24:21,880 --> 00:24:25,600
Speaker 1: me a focus Adrian Brunner. Can't nobody beat me like that?

505
00:24:25,680 --> 00:24:27,560
Speaker 1: You said that, because that's the problem. People don't think

506
00:24:27,600 --> 00:24:29,920
Speaker 1: you're focused, right. They look at all the other anti

507
00:24:30,200 --> 00:24:31,800
Speaker 1: aside of boxing, and they want you to look at

508
00:24:31,840 --> 00:24:34,760
Speaker 1: my last fight a week before. That's what I'm saying,

509
00:24:34,880 --> 00:24:37,320
Speaker 1: look at my last fight. All of this is going on.

510
00:24:38,320 --> 00:24:41,400
Speaker 1: We're going to a big arena, right that sold out

511
00:24:41,760 --> 00:24:44,800
Speaker 1: that Floyd Mayweather say it only sold out because he

512
00:24:44,960 --> 00:24:48,000
Speaker 1: was co promoting with me. All I'm saying is Floyd

513
00:24:48,040 --> 00:24:50,320
Speaker 1: puts some respect on my name. When I hear you

514
00:24:50,400 --> 00:24:52,879
Speaker 1: talk about Floyd, I feel like I hear almost I

515
00:24:53,000 --> 00:24:56,200
Speaker 1: hear it hurt. I am you don't understand what would

516
00:24:56,200 --> 00:24:58,680
Speaker 1: it feel like somebody I've seen for the first time

517
00:24:58,760 --> 00:25:01,680
Speaker 1: on TV at twelve. That's what helped me to get

518
00:25:01,720 --> 00:25:04,080
Speaker 1: to this point. And then when we finally meet, we

519
00:25:04,440 --> 00:25:08,120
Speaker 1: click and it's a real bond, like a real big brother.

520
00:25:08,560 --> 00:25:11,480
Speaker 1: And then every time you do an interview you talk

521
00:25:11,680 --> 00:25:15,640
Speaker 1: bad about me, his daddy, his trainers, all his fighters.

522
00:25:16,119 --> 00:25:19,120
Speaker 1: They talk crazy about me. Like, come on, man, don't

523
00:25:19,160 --> 00:25:21,600
Speaker 1: nobody in my camp say say nothing bad about Floyd.

524
00:25:21,920 --> 00:25:25,240
Speaker 1: I'm a real boss, Like, I don't care how you feel.

525
00:25:25,480 --> 00:25:27,600
Speaker 1: Anybody to talk bad about my name. Pull you to

526
00:25:27,680 --> 00:25:29,440
Speaker 1: the side and tell you these things behind the scenes.

527
00:25:29,440 --> 00:25:31,600
Speaker 1: That's what I'm saying. That's what I'm saying. I had

528
00:25:31,680 --> 00:25:35,400
Speaker 1: big homies like like when when I do something, I'll

529
00:25:35,440 --> 00:25:39,600
Speaker 1: get a call like, hey, that ain't like Jay Prince.

530
00:25:40,280 --> 00:25:42,879
Speaker 1: Hey you're tripping. You gotta go make that right. You

531
00:25:42,920 --> 00:25:45,800
Speaker 1: know what I'm saying. Hey, you're right, okay, but tilt

532
00:25:45,800 --> 00:25:47,320
Speaker 1: you think it hurts Floyd too that you said some

533
00:25:47,560 --> 00:25:50,359
Speaker 1: negative things about him publicly as well, and he probably

534
00:25:50,359 --> 00:25:53,080
Speaker 1: feels like, man, he did kind of feel like he

535
00:25:53,200 --> 00:25:55,800
Speaker 1: was co signing you in the beginning. And what did

536
00:25:55,880 --> 00:25:57,879
Speaker 1: he have to co sign? I was already there, I

537
00:25:57,880 --> 00:26:01,120
Speaker 1: already made it. He ain't have to coach nothing when

538
00:26:01,200 --> 00:26:03,200
Speaker 1: he when he met me, I was already world champion

539
00:26:03,480 --> 00:26:06,160
Speaker 1: three weight classes. All we got more with Adrian Ronan

540
00:26:06,240 --> 00:26:08,280
Speaker 1: when we come back, keep it locked. It's the Breakfast Club,

541
00:26:08,320 --> 00:26:15,000
Speaker 1: Good morning, The Breakfast Club. That was Drake with controller Morning,

542
00:26:15,040 --> 00:26:18,399
Speaker 1: Everybody's CDJ M vy Angela Yee, Charlomagne, the guy we

543
00:26:18,480 --> 00:26:22,239
Speaker 1: are the breakfast club. Adrian Brona's in the building. If

544
00:26:22,280 --> 00:26:24,480
Speaker 1: you do fight Floyd, do you think it'd be too

545
00:26:24,520 --> 00:26:27,439
Speaker 1: emotional for you? And my hell? Nah, you in your

546
00:26:27,480 --> 00:26:29,040
Speaker 1: feelings when it because to Floy like you could tell

547
00:26:29,080 --> 00:26:30,760
Speaker 1: like he's a brother that hurts you your heart. You

548
00:26:30,800 --> 00:26:32,480
Speaker 1: know what I mean? It is But at the end

549
00:26:32,520 --> 00:26:35,040
Speaker 1: of the day, though brothers fight, how to found my

550
00:26:35,119 --> 00:26:37,720
Speaker 1: brother's plenty of times, my twin brother and everything we

551
00:26:37,840 --> 00:26:40,119
Speaker 1: get down. But at the end of the day, it

552
00:26:40,280 --> 00:26:42,080
Speaker 1: is what it is. Man, I don't care if we

553
00:26:42,240 --> 00:26:46,760
Speaker 1: spawn talk it out, wrestle whatever we played dominos, something

554
00:26:46,880 --> 00:26:50,200
Speaker 1: got up, you said, some physical activities, furniture, Let's do it.

555
00:26:50,560 --> 00:26:53,320
Speaker 1: That's all interview Bob Aaron did. And Bob Aaron he

556
00:26:53,359 --> 00:26:55,520
Speaker 1: doesn't seem to like you, Bob Aaron love me. I

557
00:26:55,560 --> 00:26:57,600
Speaker 1: went to Bob baram hospital for I don't nobody know this.

558
00:26:57,760 --> 00:27:00,399
Speaker 1: I went past his house before all of this, and um,

559
00:27:00,480 --> 00:27:03,040
Speaker 1: he was trying to sign me. They threw he threw

560
00:27:03,080 --> 00:27:05,080
Speaker 1: shots at me like I give you, I give you this.

561
00:27:05,359 --> 00:27:06,720
Speaker 1: I ain't gonna set the numbers I give you this,

562
00:27:06,840 --> 00:27:08,520
Speaker 1: I give you this, I have you fighting in China,

563
00:27:08,600 --> 00:27:10,560
Speaker 1: And so the interview, you're like, I don't know. I

564
00:27:10,560 --> 00:27:12,080
Speaker 1: don't want to discuss. They didn't Brown, I don't. I

565
00:27:12,119 --> 00:27:19,080
Speaker 1: don't like that. Bob Barren, who's Bob Barren? Man? Oh,

566
00:27:19,440 --> 00:27:21,000
Speaker 1: let it go, put on some being gay and drink

567
00:27:21,040 --> 00:27:23,080
Speaker 1: some coffee. A brother turned into a different person in

568
00:27:23,160 --> 00:27:28,600
Speaker 1: two seconds. You at his house, real, man, he don't

569
00:27:28,640 --> 00:27:30,960
Speaker 1: do nothing for me. I don't. That's another person I

570
00:27:31,000 --> 00:27:32,840
Speaker 1: don't need. Can't nobody take away from your talent. But

571
00:27:32,920 --> 00:27:35,480
Speaker 1: it's just all the out of the ring antics, because

572
00:27:35,480 --> 00:27:37,040
Speaker 1: I mean it's it's one thing when you're just getting

573
00:27:37,040 --> 00:27:40,760
Speaker 1: in some trouble when you got dui violation, charged with

574
00:27:40,840 --> 00:27:43,200
Speaker 1: a sultan, kidnapping and all kinds of stuff, It's like,

575
00:27:43,280 --> 00:27:46,600
Speaker 1: what are you doing? Ab man? Listen man? Right now?

576
00:27:46,720 --> 00:27:50,320
Speaker 1: For me, it's just time to grow mature and make

577
00:27:50,400 --> 00:27:52,840
Speaker 1: better decisions and try to better myself for the people

578
00:27:52,880 --> 00:27:54,639
Speaker 1: around me. Does it come to a point where you

579
00:27:54,720 --> 00:27:57,359
Speaker 1: have to leave this pre life alone? I've been did that.

580
00:27:57,440 --> 00:28:00,600
Speaker 1: It's just always time myself back again, going back in.

581
00:28:02,040 --> 00:28:03,880
Speaker 1: You know what I'm saying. You can go away from

582
00:28:03,880 --> 00:28:05,480
Speaker 1: the streets you can't take a street out of It's

583
00:28:05,520 --> 00:28:08,160
Speaker 1: some things I gotta change moving out of Cincinnati. Oh yeah,

584
00:28:08,160 --> 00:28:09,520
Speaker 1: that's what I'm doing now, that's what I gotta do.

585
00:28:09,680 --> 00:28:13,880
Speaker 1: I've outgrown my city. I didn't understand it until now.

586
00:28:14,080 --> 00:28:16,520
Speaker 1: You know, I really outgrown my city. And I love

587
00:28:16,640 --> 00:28:19,200
Speaker 1: my city. I love Cincinnati to death. You know, I

588
00:28:19,280 --> 00:28:22,080
Speaker 1: walk around with no security all my journey on. You

589
00:28:22,119 --> 00:28:24,479
Speaker 1: know what I'm saying. I love my city and city

590
00:28:24,720 --> 00:28:26,960
Speaker 1: love me. But some hate me. But you know what,

591
00:28:27,040 --> 00:28:28,879
Speaker 1: it's time to move on and take this thing to

592
00:28:28,960 --> 00:28:30,399
Speaker 1: another level. Because I mean, I don't mean you're not

593
00:28:30,480 --> 00:28:31,880
Speaker 1: keeping the real. I mean keeping it real. It comes

594
00:28:31,880 --> 00:28:33,119
Speaker 1: to a certain point where you, like you said, you

595
00:28:33,160 --> 00:28:34,560
Speaker 1: gotta take care of your family. You gotta take care

596
00:28:34,600 --> 00:28:36,840
Speaker 1: of your team, like you gotta do things to keep

597
00:28:36,880 --> 00:28:39,600
Speaker 1: yourself in position to keep everybody else great. Will make

598
00:28:39,720 --> 00:28:41,720
Speaker 1: some big changes. Man, Do you think the police have

599
00:28:41,800 --> 00:28:43,360
Speaker 1: it off for you in Cincinnati? I think you were

600
00:28:43,400 --> 00:28:47,080
Speaker 1: talking now that the police actually love me. Though it's

601
00:28:47,080 --> 00:28:49,400
Speaker 1: been it's been some crazy nights where I've talked to

602
00:28:49,560 --> 00:28:51,720
Speaker 1: them crazy and they let you slide, and they just

603
00:28:51,880 --> 00:28:54,360
Speaker 1: let us slide. Champ one time, one time they had

604
00:28:54,440 --> 00:28:56,760
Speaker 1: me at gunpoint, like runner, don't make me do it,

605
00:28:58,200 --> 00:29:01,160
Speaker 1: just go in. Champ had you at gunpoint for that

606
00:29:01,240 --> 00:29:05,560
Speaker 1: ain't normal. I'm just it's just it was just one

607
00:29:05,600 --> 00:29:07,840
Speaker 1: of the wild nights, man, one of those wild nights.

608
00:29:07,920 --> 00:29:10,360
Speaker 1: But you're challenging them or something. I was like, y'all

609
00:29:10,640 --> 00:29:15,040
Speaker 1: thirty forty thousand a year as making us because one

610
00:29:15,120 --> 00:29:16,760
Speaker 1: night you got pulled over. That was the d u I.

611
00:29:16,840 --> 00:29:18,480
Speaker 1: I think they had that on tape and you said,

612
00:29:18,520 --> 00:29:22,280
Speaker 1: I'm not drinking, I'm rich and famous. Listen who I am. Listen.

613
00:29:22,320 --> 00:29:24,520
Speaker 1: I hope I don't get nobody in trouble. They took

614
00:29:24,600 --> 00:29:26,280
Speaker 1: me to the station and took some pictures and let

615
00:29:26,400 --> 00:29:28,880
Speaker 1: me go, so you don't even get charged. I probably

616
00:29:28,920 --> 00:29:31,640
Speaker 1: got charged, but they just like let me go. Do

617
00:29:31,760 --> 00:29:32,959
Speaker 1: you ever look at some of the things you're doing

618
00:29:32,960 --> 00:29:36,120
Speaker 1: and be like, yeah, that was late? Nah. Never even

619
00:29:36,160 --> 00:29:37,760
Speaker 1: when you regret it, you gotta look at some of

620
00:29:37,760 --> 00:29:42,120
Speaker 1: the times. Don't regret nothing, nothing, nothing, the d UIs.

621
00:29:42,360 --> 00:29:45,320
Speaker 1: I don't regret nothing, nothing. What about the sex tape,

622
00:29:45,520 --> 00:29:48,000
Speaker 1: I don't regret it. If I could, I'll do it twice.

623
00:29:49,360 --> 00:29:51,760
Speaker 1: What about your family, because obviously now you have all

624
00:29:51,800 --> 00:29:54,320
Speaker 1: this money, they see you with this jewelry? Is it difficult?

625
00:29:54,400 --> 00:29:57,560
Speaker 1: Like people like yo, I need my day to day

626
00:29:57,600 --> 00:30:00,680
Speaker 1: manager right there? Uh six fold? He said I'm too nice.

627
00:30:01,360 --> 00:30:03,960
Speaker 1: He say, I'm too nice, I'm too accessible, and it's

628
00:30:03,960 --> 00:30:05,920
Speaker 1: time to make some changes. And I think I'm gonna

629
00:30:05,920 --> 00:30:07,400
Speaker 1: listening to him, man, and just cut a lot of

630
00:30:07,440 --> 00:30:10,520
Speaker 1: people off. Really and not your family though, no, hell no,

631
00:30:10,720 --> 00:30:12,920
Speaker 1: not my family. But the more bigger I get, and

632
00:30:13,000 --> 00:30:15,720
Speaker 1: the more famous and um, the more wealthy I get,

633
00:30:16,160 --> 00:30:18,720
Speaker 1: the bigger favorites I get asked like at first he

634
00:30:18,760 --> 00:30:21,600
Speaker 1: should be like, bro, I'm hurt, man, I ain't on

635
00:30:21,760 --> 00:30:26,760
Speaker 1: it now, honey. Now now, it was like, bro, let

636
00:30:26,840 --> 00:30:30,000
Speaker 1: me tell you about my car. Man, I just need

637
00:30:30,080 --> 00:30:33,680
Speaker 1: eighty five thousand and everything gonna be straight. Then when

638
00:30:33,720 --> 00:30:36,120
Speaker 1: I say no, like, damn eighty five thou ain't nothing?

639
00:30:36,200 --> 00:30:39,080
Speaker 1: Then you could you just do ninety eight ballars a Walmart?

640
00:30:41,520 --> 00:30:43,480
Speaker 1: You know what I'm saying. But anybody who really met

641
00:30:43,560 --> 00:30:45,680
Speaker 1: me and really know me, you know I'm a great

642
00:30:45,720 --> 00:30:48,440
Speaker 1: I'm a good person. Man. I give away my last

643
00:30:48,520 --> 00:30:50,640
Speaker 1: if I got to man, we saw you dancing outside

644
00:30:50,640 --> 00:30:52,360
Speaker 1: of the jail house a week ago, a week and

645
00:30:52,360 --> 00:30:55,960
Speaker 1: a half ago. Yeah, they let me out. You should

646
00:30:56,080 --> 00:30:59,040
Speaker 1: be dancing right, they let me out. I was happy.

647
00:30:59,120 --> 00:31:01,040
Speaker 1: But when you say changes, what do you mean by changes?

648
00:31:01,360 --> 00:31:03,600
Speaker 1: I am getting older? Man? You know, um, I think

649
00:31:03,640 --> 00:31:07,080
Speaker 1: it's time to stop all the wild stuff. Just focus

650
00:31:07,200 --> 00:31:09,120
Speaker 1: on boxing. Now. What about your women? That says she

651
00:31:09,160 --> 00:31:11,800
Speaker 1: posted that she was singling you retweeting, man, my baby

652
00:31:11,840 --> 00:31:18,240
Speaker 1: ain't going no work? Listen, man, I apologize, baby, I'm sorry.

653
00:31:18,680 --> 00:31:22,040
Speaker 1: What you do? Cheat it? No, I ain't. No, I

654
00:31:22,040 --> 00:31:23,920
Speaker 1: ain't cheat now, I ain't cheating. I ain't take it

655
00:31:24,040 --> 00:31:28,200
Speaker 1: that far. But some women called texting another female cheating,

656
00:31:28,200 --> 00:31:30,000
Speaker 1: so I guess I cheated. It depends on what you text.

657
00:31:30,080 --> 00:31:32,480
Speaker 1: You know what I'm saying. I was wrong and she's

658
00:31:32,600 --> 00:31:34,400
Speaker 1: upset right now, and she got a right to be.

659
00:31:34,560 --> 00:31:36,360
Speaker 1: But you know, now's a good time to cheat though,

660
00:31:36,400 --> 00:31:41,960
Speaker 1: because the whole Beyonce lemonade. If Beyonce it forgives Jay,

661
00:31:42,080 --> 00:31:43,680
Speaker 1: all our women got to forgive us. If you want

662
00:31:43,680 --> 00:31:46,040
Speaker 1: to be a scrong and Beyonce man, thinking like that,

663
00:31:46,080 --> 00:31:50,480
Speaker 1: you're gonna be a single missable man. Listen, man, I listen,

664
00:31:50,560 --> 00:31:53,480
Speaker 1: I really love I really love that girl, and you

665
00:31:53,560 --> 00:31:55,440
Speaker 1: know I know she down for me. But right now,

666
00:31:55,520 --> 00:31:57,920
Speaker 1: you know it's a rough spot right now. We'll be

667
00:31:58,000 --> 00:32:01,320
Speaker 1: like when you're boxing everything when it come of boxing.

668
00:32:02,040 --> 00:32:05,040
Speaker 1: Without boxing, I have nothing Without boxing, I can't take

669
00:32:05,080 --> 00:32:08,040
Speaker 1: care of nobody. It actually helps to give you motivation,

670
00:32:08,200 --> 00:32:10,440
Speaker 1: motivate me. And we see you being a great dad

671
00:32:10,480 --> 00:32:13,520
Speaker 1: as well. I had a great father, so it's only

672
00:32:13,600 --> 00:32:15,840
Speaker 1: right for me to do what I've seen. And I

673
00:32:15,920 --> 00:32:17,440
Speaker 1: know you said you wouldn't change for nobody, but you

674
00:32:17,520 --> 00:32:19,000
Speaker 1: gotta change for the kids because at the end of

675
00:32:19,000 --> 00:32:20,959
Speaker 1: the day, I know you got to be here for them,

676
00:32:21,120 --> 00:32:23,600
Speaker 1: regardless of who else you here for. You have to

677
00:32:23,680 --> 00:32:26,160
Speaker 1: be here for them. And the reason why why I

678
00:32:26,200 --> 00:32:28,840
Speaker 1: work so hard man. You know, I got beautiful children,

679
00:32:28,920 --> 00:32:32,959
Speaker 1: Jill gob that's me, beautiful children, and they're they're very intelligent,

680
00:32:33,920 --> 00:32:36,280
Speaker 1: and you know they look up to me. I really

681
00:32:36,360 --> 00:32:38,719
Speaker 1: just gotta set a set a great read example for them.

682
00:32:39,920 --> 00:32:42,200
Speaker 1: I want to believe everything that you're saying. But you

683
00:32:42,280 --> 00:32:44,640
Speaker 1: know you went from loving barbaron one minute and then

684
00:32:44,680 --> 00:32:47,040
Speaker 1: say from the next I've seen you do that with Floyd.

685
00:32:47,080 --> 00:32:48,840
Speaker 1: You tell Floyd and then you put U a picture

686
00:32:48,840 --> 00:32:50,640
Speaker 1: of on Instagram and say that's my brother for life.

687
00:32:50,880 --> 00:32:55,080
Speaker 1: It is like you got no cold, no it ain't

688
00:32:55,120 --> 00:32:57,480
Speaker 1: hot and cold. It's it's it is what it is,

689
00:32:58,080 --> 00:33:00,880
Speaker 1: like like I'm a good hearted do like I don't care,

690
00:33:01,000 --> 00:33:04,280
Speaker 1: Like if I got a relationship with somebody and that's

691
00:33:04,360 --> 00:33:06,440
Speaker 1: my brother and I love him that I'm always love him.

692
00:33:06,880 --> 00:33:09,400
Speaker 1: But once you cross me is I don't want to

693
00:33:09,400 --> 00:33:11,960
Speaker 1: see nothing bad happened to him, or I won't let

694
00:33:12,080 --> 00:33:13,760
Speaker 1: nothing bad happened to him if I can stop it.

695
00:33:14,360 --> 00:33:17,200
Speaker 1: But you just feel like you don't need them. Basically, relax,

696
00:33:17,600 --> 00:33:21,120
Speaker 1: How do you come back from or do you? It

697
00:33:21,240 --> 00:33:22,920
Speaker 1: might not be a year, it might it might not

698
00:33:23,000 --> 00:33:25,320
Speaker 1: be now or or even a year from now. We

699
00:33:25,680 --> 00:33:29,040
Speaker 1: might call it Quizon and hook back up. But right

700
00:33:29,120 --> 00:33:31,000
Speaker 1: now he doing him, I'm doing me all right. Well,

701
00:33:31,040 --> 00:33:35,160
Speaker 1: that's the Breakfast Club. It's Adrian brother. That was Jeremiah Morning.

702
00:33:35,200 --> 00:33:38,480
Speaker 1: Everybody is DJ M v Angela Yee, Charloman the guy.

703
00:33:38,520 --> 00:33:40,600
Speaker 1: We are to Breakfast Club. We got a special guest

704
00:33:40,720 --> 00:33:43,320
Speaker 1: in the building. Ladies, hold on to your panties. Oh man,

705
00:33:43,920 --> 00:33:47,440
Speaker 1: well back twells him. What's up up? I'm trying, man,

706
00:33:47,560 --> 00:33:49,400
Speaker 1: what's going on? I'm glad you're here because I saw

707
00:33:50,320 --> 00:33:54,680
Speaker 1: Oh you do snapchat? I posted you can't. Oh you

708
00:33:54,720 --> 00:33:56,080
Speaker 1: can't say, because you can't be thinking about it the

709
00:33:56,120 --> 00:33:58,600
Speaker 1: whole line. I just messed up my my snap that

710
00:33:58,720 --> 00:34:00,880
Speaker 1: was a really good snap and you're just rac Yeah

711
00:34:00,960 --> 00:34:04,560
Speaker 1: we out here Maxwell, Ye, I'm trying. I'm doing I

712
00:34:04,640 --> 00:34:11,879
Speaker 1: know ms Actually, yes they do, Yes, Yes, they definitely popped. Yeah,

713
00:34:12,080 --> 00:34:16,280
Speaker 1: you know snapchat me that. You know. It's an interesting

714
00:34:16,400 --> 00:34:18,840
Speaker 1: world though, because I'm obviously I'm forty two, so it's like,

715
00:34:18,960 --> 00:34:20,840
Speaker 1: I can't imagine what it would be like to be

716
00:34:20,920 --> 00:34:23,080
Speaker 1: a fourteen year old with all of the social media

717
00:34:23,200 --> 00:34:25,279
Speaker 1: the way it's going down. Why haven't you connected with

718
00:34:25,280 --> 00:34:28,480
Speaker 1: the people in so long? Man? Seven years? Seven years? Right?

719
00:34:29,160 --> 00:34:31,759
Speaker 1: Did you even realize that? I? You know, I don't.

720
00:34:31,840 --> 00:34:34,160
Speaker 1: I gotta tell you. I get anxiety about just trying

721
00:34:34,200 --> 00:34:37,600
Speaker 1: to meet the challenge of what what I did before.

722
00:34:38,160 --> 00:34:39,959
Speaker 1: And at the same time, I don't want to play

723
00:34:40,040 --> 00:34:42,200
Speaker 1: myself and try to look like I'm trying to be

724
00:34:42,440 --> 00:34:45,360
Speaker 1: in the moment. All the kids doing a record with future,

725
00:34:45,600 --> 00:34:48,359
Speaker 1: well no, and don't get into I know and love

726
00:34:48,600 --> 00:34:51,080
Speaker 1: all of those records like I mess You know, I

727
00:34:51,200 --> 00:34:53,080
Speaker 1: listened to all of everything. I mean, I listened to

728
00:34:53,200 --> 00:34:57,400
Speaker 1: some really dark bunchy trap like all of that, But

729
00:34:58,040 --> 00:35:03,840
Speaker 1: right now. Uh that you know Yogatti definitely, Um, Travis Scott,

730
00:35:03,920 --> 00:35:05,600
Speaker 1: I mean, you know I listened to I mean, I've

731
00:35:05,600 --> 00:35:08,120
Speaker 1: been the club, so I know what these songs are

732
00:35:08,200 --> 00:35:10,759
Speaker 1: and I can I can sing with them. But I

733
00:35:10,800 --> 00:35:13,120
Speaker 1: always have to be really concerned about the brand and

734
00:35:13,280 --> 00:35:15,919
Speaker 1: like what I've done, you know, starting to ninety six,

735
00:35:16,120 --> 00:35:18,319
Speaker 1: and and the fact that like my music is when

736
00:35:18,400 --> 00:35:21,279
Speaker 1: you go home to after you've been where you've been

737
00:35:21,440 --> 00:35:24,400
Speaker 1: and hopefully it's with your family. Hopefully it's what you

738
00:35:24,520 --> 00:35:26,759
Speaker 1: do on Sunday mornings, when you cook in, you get

739
00:35:26,920 --> 00:35:30,040
Speaker 1: married to it, you having kids to it, those types

740
00:35:30,080 --> 00:35:32,480
Speaker 1: of things. So I've got to think about those issues

741
00:35:32,920 --> 00:35:35,680
Speaker 1: as I see the ever changing situation out there in

742
00:35:35,680 --> 00:35:37,440
Speaker 1: the music world. Now. You talked about the pressure. Now,

743
00:35:37,520 --> 00:35:39,319
Speaker 1: is it a lot of pressure because you've always been

744
00:35:39,440 --> 00:35:42,520
Speaker 1: I say, left, like you never went with Trendon. I

745
00:35:42,600 --> 00:35:45,520
Speaker 1: mean from you your first album to your videos. Is

746
00:35:45,560 --> 00:35:48,279
Speaker 1: there pressure staying different and staying in that lane and

747
00:35:48,360 --> 00:35:50,400
Speaker 1: staying and being as big as those other songs and

748
00:35:50,440 --> 00:35:53,520
Speaker 1: other albums. Yeah, for sure, no doubt. I'm not gonna

749
00:35:53,520 --> 00:35:55,200
Speaker 1: I'm not gonna I'm not gonna lie to you about that.

750
00:35:55,320 --> 00:35:57,319
Speaker 1: But that's part of the fun. You know, the part

751
00:35:57,400 --> 00:36:00,839
Speaker 1: of the challenge of putting something together is any yourself, Well,

752
00:36:00,920 --> 00:36:05,000
Speaker 1: how can I maintain relevancy but still be This is

753
00:36:05,040 --> 00:36:07,959
Speaker 1: always the greatest thing that I want is timelessness because

754
00:36:08,000 --> 00:36:10,560
Speaker 1: so many people come and go. There are certain rules

755
00:36:10,600 --> 00:36:13,040
Speaker 1: to the game about how do you how you do that?

756
00:36:13,160 --> 00:36:15,719
Speaker 1: And I think that if you stay true to the basics,

757
00:36:15,920 --> 00:36:19,080
Speaker 1: you know of what we're trying to exemplify, which is

758
00:36:19,120 --> 00:36:22,960
Speaker 1: I don't get I'm not too detailed oriented about shoes

759
00:36:23,160 --> 00:36:26,600
Speaker 1: and cars, and I mean I'm just kind of a

760
00:36:26,760 --> 00:36:29,680
Speaker 1: you know, we I just talk. I try to talk

761
00:36:29,719 --> 00:36:34,600
Speaker 1: about the bigger things in terms of just like you know, heartbreak, pain, betrayal,

762
00:36:35,160 --> 00:36:38,480
Speaker 1: want to get somebody back for hurting you, not feeling

763
00:36:38,560 --> 00:36:41,040
Speaker 1: like you're good enough, those basic things or what we

764
00:36:41,200 --> 00:36:44,320
Speaker 1: always feel no matter what the watches that weekend, no

765
00:36:44,400 --> 00:36:46,719
Speaker 1: matter what the sneaker is, no matter what the new

766
00:36:46,800 --> 00:36:49,399
Speaker 1: car is where, whatever it is, those are the things

767
00:36:49,440 --> 00:36:52,520
Speaker 1: that we are always connected by. W How did you

768
00:36:52,640 --> 00:36:54,719
Speaker 1: handle the fame when it came to these women? Man,

769
00:36:54,800 --> 00:36:57,400
Speaker 1: because you're fresh shout making all these great R and

770
00:36:57,480 --> 00:36:59,680
Speaker 1: B music. I'm sure girls was throwing it at you.

771
00:37:00,000 --> 00:37:01,840
Speaker 1: Of my proble. Not only that the type because he

772
00:37:01,840 --> 00:37:03,600
Speaker 1: didn't had if you think about it, he'd had the

773
00:37:03,640 --> 00:37:10,840
Speaker 1: quote unquote earthy women Earth. What does earth does that mean? Big? No,

774
00:37:13,120 --> 00:37:15,600
Speaker 1: I'm good with big, big shave when they want to

775
00:37:15,760 --> 00:37:23,879
Speaker 1: wear anks, right, So many monique type chicks, and I feel, you, well, look,

776
00:37:23,960 --> 00:37:26,680
Speaker 1: I just think everything is beautiful. And the weirdest thing

777
00:37:26,760 --> 00:37:29,000
Speaker 1: for me is like when I look out into the audience,

778
00:37:29,280 --> 00:37:31,880
Speaker 1: because they'd be bad ones out there, but they're the

779
00:37:32,000 --> 00:37:35,040
Speaker 1: one that is the shyest, the one that maybe feels like,

780
00:37:35,239 --> 00:37:37,000
Speaker 1: you know, I need to like, you know, lose a

781
00:37:37,080 --> 00:37:39,560
Speaker 1: few here, lose a few there. That's usually the one

782
00:37:39,600 --> 00:37:43,160
Speaker 1: I focus right on because I feel like I was predator.

783
00:37:43,239 --> 00:37:47,200
Speaker 1: You pick on that, Rice Maxwell. I just want to

784
00:37:47,239 --> 00:37:49,520
Speaker 1: make I just I just want to make them feel good, right,

785
00:37:49,760 --> 00:37:51,000
Speaker 1: you know, at the end of the day, that's my

786
00:37:51,160 --> 00:37:53,239
Speaker 1: job on stage. I just want to make you feel good.

787
00:37:53,400 --> 00:37:56,840
Speaker 1: And everyone's gorgeous, everyone's sexy. But you know, for me,

788
00:37:58,120 --> 00:38:00,040
Speaker 1: I'm kind of a brain person. So it's like I

789
00:38:00,120 --> 00:38:02,759
Speaker 1: think that the situations that sort of like will come

790
00:38:02,800 --> 00:38:05,600
Speaker 1: to me on a personal level because I will be

791
00:38:05,800 --> 00:38:08,560
Speaker 1: more mental. I'm forty two, so it's like beauty. I

792
00:38:08,680 --> 00:38:10,960
Speaker 1: understand beauty. Beauty is amazing, but when you wake up

793
00:38:11,000 --> 00:38:13,759
Speaker 1: with someone after ten years, you don't even remember that

794
00:38:13,920 --> 00:38:15,680
Speaker 1: beauty part of it. You just know that you have

795
00:38:15,760 --> 00:38:18,160
Speaker 1: a friend. You just know that you know, you got

796
00:38:18,200 --> 00:38:20,600
Speaker 1: somebody that's holding you down, hopefully like with my like

797
00:38:20,719 --> 00:38:23,479
Speaker 1: my my friend and manager John. You have someone who's

798
00:38:23,560 --> 00:38:26,239
Speaker 1: raising your kids. That that's you know, the day and

799
00:38:26,280 --> 00:38:28,800
Speaker 1: and the day out of that. Uh like all that

800
00:38:28,960 --> 00:38:33,239
Speaker 1: stuff fade, you know. Um so no, not yet, oh kid,

801
00:38:33,280 --> 00:38:35,920
Speaker 1: I thought you kid, Maybe maybe I do. I don't

802
00:38:35,920 --> 00:38:38,239
Speaker 1: know what you win't on the lest some of that

803
00:38:38,360 --> 00:38:40,600
Speaker 1: legendary sperm go man, well you know what, I have

804
00:38:40,719 --> 00:38:43,080
Speaker 1: this new Actually, you know it's interesting that you should

805
00:38:43,120 --> 00:38:45,840
Speaker 1: bring this up, sir, the legendary to have a marketing

806
00:38:45,960 --> 00:38:50,799
Speaker 1: plan instead of the albums, it'll be sperm. So I'm

807
00:38:50,840 --> 00:38:53,600
Speaker 1: just gonna market the sperm. You you're pregnant by Maxwell,

808
00:38:53,640 --> 00:38:56,759
Speaker 1: buy my new album. No, no, just work. I'm just

809
00:38:56,840 --> 00:39:01,320
Speaker 1: saying it's a new plan. I might a single with it, okay,

810
00:39:01,520 --> 00:39:03,600
Speaker 1: I might have a song to come up, because usually

811
00:39:03,640 --> 00:39:06,160
Speaker 1: the music kind of does that. So I figured, let's

812
00:39:06,200 --> 00:39:07,719
Speaker 1: just cut to the check out, to the chase and

813
00:39:07,880 --> 00:39:11,879
Speaker 1: just you know you have many women. I hope so man,

814
00:39:12,080 --> 00:39:14,040
Speaker 1: I keep a life. We got more with Maxwell when

815
00:39:14,080 --> 00:39:16,919
Speaker 1: we come back. It's the Breakfast Club The Morning Morning, y'all.

816
00:39:17,000 --> 00:39:19,840
Speaker 1: This is Jay Cole Cole. Well, you're listening to the

817
00:39:20,000 --> 00:39:22,960
Speaker 1: best of the Breakfast Club Wake. Yeahs up, that was

818
00:39:23,080 --> 00:39:26,640
Speaker 1: Jay Cole, No role models Morning. Everybody is DJ Envy,

819
00:39:26,760 --> 00:39:29,399
Speaker 1: Angela Yee. Charlomagne the guy. We are the Breakfast Club.

820
00:39:29,760 --> 00:39:32,680
Speaker 1: We have Maxwell in the building now, Charlemagne, I don't go.

821
00:39:32,880 --> 00:39:34,080
Speaker 1: I've been to one of your shows, and I really

822
00:39:34,080 --> 00:39:36,279
Speaker 1: I'm in the two of your shows and my wife

823
00:39:36,920 --> 00:39:39,680
Speaker 1: shows my wife now. But when you choose with my

824
00:39:39,719 --> 00:39:41,840
Speaker 1: girl and stuff, and I realized I ain't going to

825
00:39:41,920 --> 00:39:44,520
Speaker 1: the Maxwell show because you showed the men at all.

826
00:39:44,560 --> 00:39:47,160
Speaker 1: It's just a bunch of screaming women. He ain't thinking

827
00:39:47,200 --> 00:39:52,400
Speaker 1: about us. My wife goes with her French godad and

828
00:39:52,400 --> 00:39:54,520
Speaker 1: get excited and bring you out looking about it's what

829
00:39:54,600 --> 00:39:56,799
Speaker 1: are you talking about? But with my wife one time

830
00:39:56,840 --> 00:39:58,719
Speaker 1: and I felt a little funny because everybody's screaming. I'm

831
00:39:58,719 --> 00:40:00,320
Speaker 1: sitting in the corner like a suckers. I'm like, you

832
00:40:00,360 --> 00:40:02,239
Speaker 1: know what you bring your girl for next time? When

833
00:40:02,280 --> 00:40:04,680
Speaker 1: when he did fortunate. I went to sleep because because

834
00:40:04,880 --> 00:40:06,440
Speaker 1: I was like, it's like, it's like being It's like

835
00:40:06,480 --> 00:40:11,040
Speaker 1: something your girl watch you watching Scandal Champion. It's basically

836
00:40:11,120 --> 00:40:14,040
Speaker 1: like when you guys are watching the basketball game, right football. Yeah,

837
00:40:14,080 --> 00:40:16,520
Speaker 1: so this is like their revenge on you. Basically, that

838
00:40:16,640 --> 00:40:18,920
Speaker 1: is the fact. I am the revenge of all those times.

839
00:40:19,080 --> 00:40:23,719
Speaker 1: But no mad Pelvic thrust. I'm like, if he thrust

840
00:40:23,840 --> 00:40:30,040
Speaker 1: one more time, Hey man, that ticket is expensive. I mean,

841
00:40:30,120 --> 00:40:31,960
Speaker 1: I gotta put work game, but I'm just look, at

842
00:40:31,960 --> 00:40:34,040
Speaker 1: the end of the day, you get to take them home. Yeah,

843
00:40:34,200 --> 00:40:36,560
Speaker 1: and you get to get situations that you probably never

844
00:40:37,120 --> 00:40:39,879
Speaker 1: imagine what happened. I'm just I can't believe it's twenty

845
00:40:39,960 --> 00:40:42,279
Speaker 1: years later, guys. That's all I gotta say. I'm just

846
00:40:42,960 --> 00:40:44,880
Speaker 1: and I'm so happy that I'm kicking it with you

847
00:40:45,000 --> 00:40:47,239
Speaker 1: because I hear you guys in the morning. You guys

848
00:40:47,280 --> 00:40:52,360
Speaker 1: are funny, real people. Uh. You know, you're in situation

849
00:40:52,480 --> 00:40:55,200
Speaker 1: sometimes because you gotta speak about things and whatever. But

850
00:40:55,400 --> 00:40:57,959
Speaker 1: you know, I just appreciate all the support throughout the years,

851
00:40:58,080 --> 00:41:00,160
Speaker 1: and I got you on those dance records on this

852
00:41:00,239 --> 00:41:01,880
Speaker 1: new line. Okay, how do you feel about the term

853
00:41:01,960 --> 00:41:04,040
Speaker 1: neo soul because people always give you credit for being

854
00:41:04,120 --> 00:41:07,160
Speaker 1: the start of that. I can't say that because D'Angelo

855
00:41:07,400 --> 00:41:11,600
Speaker 1: was released in ninety five. I have to admit, with

856
00:41:11,800 --> 00:41:15,719
Speaker 1: great respect to him that he when he was set off,

857
00:41:16,560 --> 00:41:19,480
Speaker 1: it really made everybody at the label really understand because

858
00:41:19,480 --> 00:41:21,200
Speaker 1: I was already done with my album. I was just

859
00:41:21,239 --> 00:41:23,440
Speaker 1: sitting on the sidelines. I was on the bench. So

860
00:41:24,000 --> 00:41:26,480
Speaker 1: you know, I give credit to d for being the

861
00:41:26,560 --> 00:41:28,600
Speaker 1: person to sort of really get my record off the show.

862
00:41:29,040 --> 00:41:30,960
Speaker 1: And then I give a lot of credit to the

863
00:41:31,400 --> 00:41:35,239
Speaker 1: radio stations that just they played it without understanding what

864
00:41:35,600 --> 00:41:37,840
Speaker 1: this was about, because you know, I looked crazy. You know,

865
00:41:37,960 --> 00:41:40,400
Speaker 1: it was a big old hair and everything, and you know,

866
00:41:40,560 --> 00:41:43,919
Speaker 1: having all the weird West Indian type of thing, which

867
00:41:44,680 --> 00:41:48,080
Speaker 1: that's not a typical really for an R and B person.

868
00:41:48,200 --> 00:41:51,640
Speaker 1: Usually they're from the South. Usually they're like like with D'Angelo,

869
00:41:51,800 --> 00:41:54,520
Speaker 1: his story is so perfect, like he's from Richmond, Virginia.

870
00:41:54,920 --> 00:41:57,000
Speaker 1: He played in the church, you know, like my dad's

871
00:41:57,000 --> 00:41:59,400
Speaker 1: from Puerto Rico, my mom's from Haiti. Like I'm like

872
00:41:59,520 --> 00:42:03,160
Speaker 1: first ration from Brooklyn. Yeah, I didn't even feel black

873
00:42:03,280 --> 00:42:05,919
Speaker 1: enough really, So for me, it was like, man, I hope,

874
00:42:06,040 --> 00:42:09,200
Speaker 1: I hope my people like this music as much as

875
00:42:09,200 --> 00:42:11,879
Speaker 1: I love them, and you know, twenty years later, it's

876
00:42:11,920 --> 00:42:14,640
Speaker 1: just nice to know that that I was. I always

877
00:42:14,640 --> 00:42:17,600
Speaker 1: wondered why you didn't do many features, but there was

878
00:42:17,680 --> 00:42:21,600
Speaker 1: this pretty much no Maxwell features. Yeah, yeah, you know, well,

879
00:42:21,760 --> 00:42:24,320
Speaker 1: I mean, look, I'm not saying I'm better than anybody,

880
00:42:24,360 --> 00:42:26,080
Speaker 1: because there's a lot of people out there that I like,

881
00:42:26,360 --> 00:42:29,239
Speaker 1: but um, a lot of my choices are kind of

882
00:42:29,320 --> 00:42:33,279
Speaker 1: like family type choices. Like Naas was signed released ninety five.

883
00:42:33,680 --> 00:42:35,719
Speaker 1: I was there in ninety six, so y'all kind of

884
00:42:35,760 --> 00:42:38,040
Speaker 1: grew up together. Yeah, you know, I was shocked that

885
00:42:38,120 --> 00:42:40,720
Speaker 1: he'd even liked my music because you know, he's anas,

886
00:42:40,800 --> 00:42:44,560
Speaker 1: he's hip hop. My stuff is all smooth. And we

887
00:42:44,719 --> 00:42:48,400
Speaker 1: developed a friendship and you know, we basically worked on

888
00:42:48,560 --> 00:42:51,719
Speaker 1: something once on one of his record, Street Kings, and

889
00:42:51,840 --> 00:42:54,040
Speaker 1: then you know, we just did the Barkley thing together,

890
00:42:54,239 --> 00:42:56,080
Speaker 1: and you know, we have more plans to do more

891
00:42:56,120 --> 00:42:58,320
Speaker 1: business stuff together because we just we just get on.

892
00:42:58,680 --> 00:43:02,160
Speaker 1: And then Alicia Keys, who I knew at fifteen at

893
00:43:02,200 --> 00:43:05,000
Speaker 1: Columbia when she was signed there. She was kind of

894
00:43:05,080 --> 00:43:08,000
Speaker 1: like my special guest on her first album, so I

895
00:43:08,120 --> 00:43:09,799
Speaker 1: know her, I know swizzle, I thought you were going

896
00:43:09,840 --> 00:43:11,800
Speaker 1: to do a joint with jay Z and j D

897
00:43:11,920 --> 00:43:13,680
Speaker 1: at one time. But during the Money and Anything video,

898
00:43:14,080 --> 00:43:16,040
Speaker 1: when he's sitting there, they're playing it in the background.

899
00:43:16,040 --> 00:43:17,399
Speaker 1: I'm like, oh, this is this is here it goes,

900
00:43:17,440 --> 00:43:19,799
Speaker 1: Oh my god, that's my that's my next move. I mean,

901
00:43:20,040 --> 00:43:22,760
Speaker 1: you know, if if Jay is listening, because we're friends

902
00:43:22,800 --> 00:43:24,360
Speaker 1: and I see him all the time, and I know

903
00:43:24,480 --> 00:43:29,719
Speaker 1: his wife, and I've heard of his wife. Yeah, his wife, yeah, yeah, yeah, yeah,

904
00:43:29,880 --> 00:43:32,480
Speaker 1: his wife is cool. I'm from Brooklyn, he's from Brooklyn.

905
00:43:33,239 --> 00:43:35,360
Speaker 1: You know, it'd be amazing. I think he makes I

906
00:43:35,480 --> 00:43:37,720
Speaker 1: think he is the Frank Sinatra of hip hop because

907
00:43:37,800 --> 00:43:41,480
Speaker 1: all of his beats, he never plays himself, I mean literally,

908
00:43:42,040 --> 00:43:45,359
Speaker 1: And the craziest thing is when Reasonable Dow came out,

909
00:43:45,719 --> 00:43:48,200
Speaker 1: he always just chooses like the classic things and you

910
00:43:48,280 --> 00:43:52,520
Speaker 1: can listen to all those records forever, and that's rare.

911
00:43:52,840 --> 00:43:56,200
Speaker 1: Man Like, people don't understand it's so much harder to

912
00:43:56,640 --> 00:44:00,920
Speaker 1: make hip hop classic because there's so many ways that

913
00:44:01,000 --> 00:44:03,840
Speaker 1: you could really play yourself with with like all the

914
00:44:04,160 --> 00:44:06,440
Speaker 1: new trends and the new things that people do with

915
00:44:07,040 --> 00:44:09,479
Speaker 1: volcoder and whatever and blah blah blah. You can dress

916
00:44:09,520 --> 00:44:15,160
Speaker 1: like our Kelly. Well, you see the like I g

917
00:44:15,320 --> 00:44:17,600
Speaker 1: I can't say nothing bad about him. I mean, fortunate,

918
00:44:17,719 --> 00:44:21,320
Speaker 1: we you know, I never seen anybody's records, and fortunate

919
00:44:21,440 --> 00:44:23,520
Speaker 1: when I when I heard it wasn't actually the first song,

920
00:44:24,120 --> 00:44:25,800
Speaker 1: but when I heard, I was like, because you just

921
00:44:25,920 --> 00:44:28,680
Speaker 1: gotta pay respect to him, because that guy can just

922
00:44:29,360 --> 00:44:31,840
Speaker 1: I mean, he could just pi out a song, you know,

923
00:44:32,080 --> 00:44:37,120
Speaker 1: like yes, he could say yes, well yes. Nobody even

924
00:44:37,160 --> 00:44:38,640
Speaker 1: had to set you up for that one. Man, I

925
00:44:38,760 --> 00:44:42,239
Speaker 1: was great. I was gonna say all you could say,

926
00:44:42,280 --> 00:44:48,520
Speaker 1: oh god, oh god, please mister Kelly, please don't don't. Yes, Maxwell, yes,

927
00:44:48,920 --> 00:44:50,799
Speaker 1: I didn't mean to do that. I was gonna say

928
00:44:50,880 --> 00:44:53,920
Speaker 1: something else, but I didn't want to say that because

929
00:44:54,080 --> 00:44:57,720
Speaker 1: the current made you say what you needed to say. Man, Maxwell,

930
00:44:57,760 --> 00:45:00,600
Speaker 1: you are appreciated. Man. We definitely say you've gotten a

931
00:45:00,600 --> 00:45:03,120
Speaker 1: lot of all women honey, thank god you didn't have

932
00:45:03,160 --> 00:45:07,680
Speaker 1: sex with them. We did appreciate you, man, We appreciate man.

933
00:45:07,719 --> 00:45:09,680
Speaker 1: I appreciate you too, man, the fact that you get

934
00:45:09,840 --> 00:45:12,200
Speaker 1: you know, like I hear your name and rap songs

935
00:45:12,320 --> 00:45:14,640
Speaker 1: and you you know you do. You do your thing

936
00:45:15,000 --> 00:45:17,440
Speaker 1: very well. And I think that what you guys do

937
00:45:17,640 --> 00:45:21,840
Speaker 1: is also at the same time, um, your your safeguards

938
00:45:21,840 --> 00:45:23,520
Speaker 1: a little bit by having to let us know a

939
00:45:23,600 --> 00:45:26,200
Speaker 1: little bit, like sometimes you hit someone and you're like, whoop,

940
00:45:26,800 --> 00:45:29,120
Speaker 1: I've better Like you know, we'll check you a little bit. Yeah,

941
00:45:29,640 --> 00:45:32,680
Speaker 1: there is a check and and but there's love. There's love,

942
00:45:32,920 --> 00:45:34,279
Speaker 1: you know. And I feel grateful to be in a

943
00:45:34,360 --> 00:45:37,040
Speaker 1: situation where I get to share some time with you

944
00:45:37,239 --> 00:45:40,960
Speaker 1: and and all your listeners, because it is anyhow, thank you,

945
00:45:41,239 --> 00:45:43,960
Speaker 1: thank you, thank you very much, thank you. Well there

946
00:45:44,000 --> 00:45:47,120
Speaker 1: you have it. It's Maxwell, It's the breakfast. Clem Gamani,

947
00:45:48,560 --> 00:45:51,400
Speaker 1: Charlet Maine say the gang, don't get out the shape

948
00:45:51,520 --> 00:45:59,680
Speaker 1: man you are donkey today. Just not discriminate. I might

949
00:45:59,760 --> 00:46:01,080
Speaker 1: not I have the song of today, but I got

950
00:46:01,160 --> 00:46:03,279
Speaker 1: to donkey that. So if you ever feel I need

951
00:46:03,360 --> 00:46:07,240
Speaker 1: to be a donkey man, tito with it. The practice

952
00:46:07,239 --> 00:46:11,359
Speaker 1: club bitches they just don't give to day Today, Well,

953
00:46:11,520 --> 00:46:14,000
Speaker 1: mister ed Sharon, Donkey of the Day goes to New

954
00:46:14,120 --> 00:46:17,400
Speaker 1: York Giants defensive in Jason Pierre Paul. Now JPP is

955
00:46:17,400 --> 00:46:19,959
Speaker 1: a beast, ladies and gentleman. Okay, even as a Dallas

956
00:46:20,040 --> 00:46:22,359
Speaker 1: Cowboy fan, I can admit that he had seventy seven

957
00:46:22,440 --> 00:46:25,520
Speaker 1: tackles twelve and a half sacks, three force fumbles last season,

958
00:46:25,560 --> 00:46:27,640
Speaker 1: and in five seasons he has forty two career sacks.

959
00:46:27,719 --> 00:46:30,600
Speaker 1: Oh he's a problem. Round him. Applause to JPP. Okay,

960
00:46:30,800 --> 00:46:32,640
Speaker 1: any team would be happy to have this twenty six

961
00:46:32,760 --> 00:46:35,399
Speaker 1: year old hasten sensation. Now I'm the type of person.

962
00:46:35,680 --> 00:46:38,080
Speaker 1: It brings me great joy to see people get paid.

963
00:46:38,160 --> 00:46:40,160
Speaker 1: I love seeing people get their money because I don't

964
00:46:40,200 --> 00:46:42,000
Speaker 1: want nobody hating on me when I get mine. But

965
00:46:42,040 --> 00:46:44,840
Speaker 1: it also brings me great pain, hurt me to my

966
00:46:44,960 --> 00:46:47,879
Speaker 1: soul to see somebody f up their money, especially due

967
00:46:47,920 --> 00:46:50,600
Speaker 1: to something stupid. You ever heard that saying that whenever

968
00:46:50,719 --> 00:46:52,959
Speaker 1: something great is about to happen, the devil is busy.

969
00:46:53,320 --> 00:46:55,480
Speaker 1: This is a prime example of that. See Jason Pierre

970
00:46:55,560 --> 00:46:59,480
Speaker 1: Paul JPP was playing with fireworks, but apparently JPP doesn't

971
00:46:59,480 --> 00:47:02,960
Speaker 1: know how to oper rate fireworks because JPP sustained injuries

972
00:47:03,000 --> 00:47:06,080
Speaker 1: to his hand while setting off fireworks during a Fourth

973
00:47:06,080 --> 00:47:08,960
Speaker 1: of July celebration in South Florida. Not just any hand

974
00:47:09,000 --> 00:47:12,520
Speaker 1: in injury, but Adam Schefter got a hold of some

975
00:47:12,600 --> 00:47:16,719
Speaker 1: private medical records revealing Jason Pierre Paul had a finger amputated,

976
00:47:17,239 --> 00:47:19,000
Speaker 1: and the New York Giants didn't learn it the finger

977
00:47:19,040 --> 00:47:23,520
Speaker 1: amputation until they saw it on Twitter. Yes, Adam Chef

978
00:47:23,640 --> 00:47:26,120
Speaker 1: to share the photo of Jason Pierre Paul's medical records

979
00:47:26,160 --> 00:47:29,920
Speaker 1: that showed he had his right index finger amputated. FYI,

980
00:47:30,080 --> 00:47:33,040
Speaker 1: that's a lawsuit. JPP can sue the hospital. Somebody released

981
00:47:33,040 --> 00:47:35,200
Speaker 1: those private medical records from that hospital, and JPP can

982
00:47:35,200 --> 00:47:37,080
Speaker 1: absolutely sue the hell out of that hospital. He might

983
00:47:37,120 --> 00:47:38,960
Speaker 1: can sue Adam schefteron not Show, but he can definitely

984
00:47:38,960 --> 00:47:40,799
Speaker 1: sue the hospital. And he needs to make that happen

985
00:47:40,840 --> 00:47:42,880
Speaker 1: because he's gonna need to break because JPP was in

986
00:47:42,920 --> 00:47:44,920
Speaker 1: a contract year. Ladies and gentlemen in the New York

987
00:47:44,960 --> 00:47:49,200
Speaker 1: Giants had a sixty million dollar long term contract offer

988
00:47:49,640 --> 00:47:52,480
Speaker 1: on the table for Jason Paul Pierre. But now that

989
00:47:52,560 --> 00:47:55,600
Speaker 1: contract has been taken off the table all because Jason

990
00:47:55,640 --> 00:47:59,680
Speaker 1: Paul Pierre can't read directions. The directions on fireworks clearly

991
00:48:00,760 --> 00:48:06,840
Speaker 1: do not hold. In big bold black, sometimes red letters,

992
00:48:07,120 --> 00:48:11,480
Speaker 1: it says do not hold. Now. When I played with fireworks,

993
00:48:11,480 --> 00:48:13,560
Speaker 1: which was which I was doing on last Saturday, the

994
00:48:13,640 --> 00:48:17,000
Speaker 1: fourth of July, if I light them myself keyword, if

995
00:48:17,160 --> 00:48:20,399
Speaker 1: I light them myself. I used the long ass long

996
00:48:20,560 --> 00:48:24,480
Speaker 1: reach refillable clicking flame lighter and then when I light it,

997
00:48:25,440 --> 00:48:27,799
Speaker 1: I run. Okay, I don't want no part of those

998
00:48:27,840 --> 00:48:30,800
Speaker 1: fireworks period after I light it. JPP. I don't know

999
00:48:30,840 --> 00:48:32,560
Speaker 1: what you was doing, but I'm gonna assume that if

1000
00:48:32,600 --> 00:48:34,520
Speaker 1: you had a hand injury, you wasn't doing the right thing. No,

1001
00:48:34,640 --> 00:48:36,520
Speaker 1: you was breaking the card and the rule of fireworks,

1002
00:48:36,600 --> 00:48:40,520
Speaker 1: which is due not hold. You don't hold on the

1003
00:48:40,560 --> 00:48:42,840
Speaker 1: football field without getting the flag on the play. You

1004
00:48:42,960 --> 00:48:45,600
Speaker 1: gotta treat fireworks the same way now, JPP. I am

1005
00:48:45,680 --> 00:48:47,200
Speaker 1: sorry you lost your finger, but if you would have

1006
00:48:47,280 --> 00:48:49,920
Speaker 1: lost your finger after signing that long term contract, I

1007
00:48:49,920 --> 00:48:51,960
Speaker 1: wouldn't have a problem with this. I'd be like, got him.

1008
00:48:52,640 --> 00:48:54,719
Speaker 1: You can lose a finger because it's something stupid after

1009
00:48:54,800 --> 00:48:56,280
Speaker 1: you get your money. But when you're in the process

1010
00:48:56,320 --> 00:48:58,480
Speaker 1: of trying to get your money, bro, don't give these

1011
00:48:58,560 --> 00:49:01,479
Speaker 1: people a reason not to pay you. Now. You didn't

1012
00:49:01,480 --> 00:49:04,320
Speaker 1: lost the finger and the money for what. July fourth

1013
00:49:04,800 --> 00:49:08,880
Speaker 1: fireworks foolishness. What the hell are you celebrating America's independence

1014
00:49:08,920 --> 00:49:12,759
Speaker 1: for anyway? My brother, you are Haitian shot poise, I

1015
00:49:12,920 --> 00:49:16,600
Speaker 1: said side posse, not Boulet, thank you and me's he

1016
00:49:16,680 --> 00:49:20,040
Speaker 1: are resident Haitian. JPP. You are Haitian, my brother. Haitian

1017
00:49:20,040 --> 00:49:23,200
Speaker 1: Independence Day is January first. You are here celebrating July fourth,

1018
00:49:23,360 --> 00:49:25,879
Speaker 1: America's independence with fireworks when you should have just waited

1019
00:49:25,960 --> 00:49:28,759
Speaker 1: until January first. You know, to celebrate Haitian Independence Day

1020
00:49:28,800 --> 00:49:30,680
Speaker 1: with a nice bowl of job move soup. Okay, if

1021
00:49:30,719 --> 00:49:33,359
Speaker 1: you was gonna lose your finger on Independence Day, at

1022
00:49:33,440 --> 00:49:36,160
Speaker 1: least let it be for the independence of your people. Okay.

1023
00:49:36,239 --> 00:49:38,680
Speaker 1: The beautiful Haitian Master of the New York Giants said,

1024
00:49:38,960 --> 00:49:42,840
Speaker 1: given the timing of the event and the apparent judgment displayed,

1025
00:49:43,320 --> 00:49:45,400
Speaker 1: they believe a long term offer is not in the

1026
00:49:45,480 --> 00:49:49,040
Speaker 1: best interest of those involved at this point. Damn I

1027
00:49:49,160 --> 00:49:52,239
Speaker 1: agree with him. What do you forty say? Everybody got

1028
00:49:52,360 --> 00:49:55,120
Speaker 1: choices and JPP, you made a poor choice, and that

1029
00:49:55,200 --> 00:49:58,000
Speaker 1: poor choice got us all thinking, got us all thinking this.

1030
00:50:01,920 --> 00:50:07,560
Speaker 1: You think dummy here, Jason Paul, he had the biggest

1031
00:50:07,600 --> 00:50:13,840
Speaker 1: he half pleas but just thinking about shut up. Maybe

1032
00:50:14,120 --> 00:50:17,239
Speaker 1: God took his finger to give him more money, but

1033
00:50:17,960 --> 00:50:21,239
Speaker 1: the million wasn't enough. I want I want you to

1034
00:50:21,320 --> 00:50:23,840
Speaker 1: explain that Paige way of thinking like I want to

1035
00:50:23,840 --> 00:50:27,440
Speaker 1: explain from from from feud. I had it, but I

1036
00:50:27,480 --> 00:50:30,359
Speaker 1: don't know explain that waffle colored wisdom. I don't. I mean,

1037
00:50:30,400 --> 00:50:32,080
Speaker 1: I don't even understand what the hell you just said.

1038
00:50:32,120 --> 00:50:33,560
Speaker 1: I told you not to talk, but you just kept

1039
00:50:33,600 --> 00:50:36,320
Speaker 1: talking anyway. Get it? When we when people tell you

1040
00:50:36,440 --> 00:50:37,920
Speaker 1: not to talk, like a lot of times, you should

1041
00:50:37,920 --> 00:50:39,160
Speaker 1: just say you know what, I'm going to talk. You

1042
00:50:39,200 --> 00:50:44,960
Speaker 1: want to understand? Breakfast Club that morning, everybody's DJ Enviy,

1043
00:50:45,080 --> 00:50:47,719
Speaker 1: Angela Yee, Charlotte and the guy. We are the Breakfast Club.

1044
00:50:47,760 --> 00:50:49,240
Speaker 1: We got a special guest with us in the building

1045
00:50:49,280 --> 00:50:51,480
Speaker 1: this morning. Very very special guests. Is a privilege and

1046
00:50:51,480 --> 00:50:53,200
Speaker 1: honor that had this man in the building this morning,

1047
00:50:53,360 --> 00:50:57,560
Speaker 1: mister Dick Gregor, mister Dick Gregory, thank you. Excuse me.

1048
00:50:57,840 --> 00:51:04,000
Speaker 1: They said that about Jesus on killing him on friend Now.

1049
00:51:04,080 --> 00:51:07,279
Speaker 1: Now I love watching your What your message for black people?

1050
00:51:07,400 --> 00:51:10,000
Speaker 1: You do it every year. What's your message for black people?

1051
00:51:10,000 --> 00:51:14,880
Speaker 1: In two dollar sixteen? Run? Why why do you say run?

1052
00:51:15,280 --> 00:51:17,279
Speaker 1: I never thought i'd teach the day. I pray to

1053
00:51:17,360 --> 00:51:19,880
Speaker 1: God because if I'm barned over again, I want to

1054
00:51:19,880 --> 00:51:23,040
Speaker 1: be a white man. Really now I'm super black. Yeah,

1055
00:51:23,440 --> 00:51:26,040
Speaker 1: you know, I ran for president in nineteen sixty eight,

1056
00:51:27,000 --> 00:51:29,040
Speaker 1: and had I won, the first thing I would do

1057
00:51:29,760 --> 00:51:32,239
Speaker 1: with Dick up that rose garden and plant me a

1058
00:51:32,320 --> 00:51:36,800
Speaker 1: watermelon patch, set up on the doubtin and eat watermelon,

1059
00:51:36,880 --> 00:51:41,560
Speaker 1: and spent the siege on Pennsylvania. What do you feel

1060
00:51:41,560 --> 00:51:43,200
Speaker 1: about to ride of Donald Trump? I think it's two

1061
00:51:43,239 --> 00:51:46,920
Speaker 1: of them because one no, no, no, the one guy

1062
00:51:47,000 --> 00:51:52,000
Speaker 1: can't be that other. What would you do if Donald

1063
00:51:52,040 --> 00:51:54,680
Speaker 1: Trump won and became president. If you went to become

1064
00:51:54,719 --> 00:52:01,080
Speaker 1: president in America, anything is possible. If you got money,

1065
00:52:01,680 --> 00:52:04,960
Speaker 1: then there's certain things your child don't go through. Even

1066
00:52:05,000 --> 00:52:07,360
Speaker 1: as a black man. Even if your child got a

1067
00:52:07,480 --> 00:52:10,359
Speaker 1: damn here, you don't have to wait till babo get paid.

1068
00:52:11,400 --> 00:52:15,400
Speaker 1: You go to day. The same thing is there, but

1069
00:52:15,640 --> 00:52:22,160
Speaker 1: they don't go through that whole struggle. I got ten children, man, damn, damn.

1070
00:52:22,520 --> 00:52:24,680
Speaker 1: I'm happy for you. I'm proud happy. I want my

1071
00:52:24,760 --> 00:52:26,640
Speaker 1: friend to cut you up to your hole. Man, I

1072
00:52:26,800 --> 00:52:32,200
Speaker 1: just give me some booty, y'all be y'all be going

1073
00:52:32,280 --> 00:52:35,680
Speaker 1: through these changes. They want to lie about this. I

1074
00:52:35,719 --> 00:52:38,759
Speaker 1: see John Legend is producing an off Broadway play based

1075
00:52:38,800 --> 00:52:41,080
Speaker 1: on your life, Turned Me Loose? Yes? Did he come

1076
00:52:41,120 --> 00:52:42,879
Speaker 1: to you? Always at your idea. Did you say, hey,

1077
00:52:43,120 --> 00:52:45,080
Speaker 1: I have an idea. I want to do this play basics.

1078
00:52:45,200 --> 00:52:48,560
Speaker 1: I never have ideas. Come on now, I don't know that.

1079
00:52:48,920 --> 00:52:51,719
Speaker 1: I don't my head ten thousand miles away. I mean,

1080
00:52:51,840 --> 00:52:56,480
Speaker 1: when you stop and think about Alice Shapton, it's probably

1081
00:52:57,200 --> 00:53:01,520
Speaker 1: the most powerful black person man acause of the shows.

1082
00:53:02,000 --> 00:53:07,160
Speaker 1: Five days on White network more than over. Oh you

1083
00:53:07,239 --> 00:53:10,799
Speaker 1: got the media frac and do I need to leave

1084
00:53:10,960 --> 00:53:14,160
Speaker 1: here something? No? My brother come and I'm just challenging

1085
00:53:14,200 --> 00:53:18,640
Speaker 1: you how it works on every day, five days a week.

1086
00:53:20,040 --> 00:53:22,120
Speaker 1: I think that's the problem nowadays, Like you know, you

1087
00:53:22,120 --> 00:53:25,360
Speaker 1: don't have a lot of oldgs sharing with them without

1088
00:53:25,520 --> 00:53:28,520
Speaker 1: it's the different rhythom. Hey man, when I was a

1089
00:53:28,560 --> 00:53:33,960
Speaker 1: lout barn yeah, nbccbs in ABC. Now my grand field

1090
00:53:34,000 --> 00:53:37,080
Speaker 1: and my children they're trying to turn from ABC to

1091
00:53:37,320 --> 00:53:41,040
Speaker 1: NBC and passed the pornography station four years old. I'm

1092
00:53:41,080 --> 00:53:45,960
Speaker 1: gonna stop. You got social media with all the stuff

1093
00:53:46,000 --> 00:53:48,560
Speaker 1: out there. You got Instagram, I don't touch none of that.

1094
00:53:49,160 --> 00:53:51,839
Speaker 1: Let me show you something. Yeah, okay, oh that's gonna

1095
00:53:51,840 --> 00:53:54,360
Speaker 1: show you because I feel what you're saying. But you

1096
00:53:55,520 --> 00:53:58,799
Speaker 1: know what that's not, that's not Beyondce's cousin man, oh man,

1097
00:53:59,120 --> 00:54:01,800
Speaker 1: check it along the find no heres go glad you

1098
00:54:01,880 --> 00:54:08,920
Speaker 1: ain't no copaching for your gun. The booty boy, Yes, well,

1099
00:54:09,520 --> 00:54:12,120
Speaker 1: let me just straighten out something for you. The word

1100
00:54:12,239 --> 00:54:16,080
Speaker 1: booty came from the pirates. That's the loot. The look

1101
00:54:16,160 --> 00:54:18,839
Speaker 1: that they take is called the booty. Let's go get

1102
00:54:18,960 --> 00:54:22,000
Speaker 1: some booty. So a black man is the only one

1103
00:54:22,400 --> 00:54:26,480
Speaker 1: that called this woman the booty because we're pirates and

1104
00:54:26,640 --> 00:54:29,360
Speaker 1: she han't been freed. We're the only man in the

1105
00:54:29,480 --> 00:54:33,600
Speaker 1: world that referred to our woman. He's a strong sister.

1106
00:54:34,160 --> 00:54:38,719
Speaker 1: But call our car beautiful. For you wonder why they

1107
00:54:38,880 --> 00:54:42,279
Speaker 1: shoots you mama, your daddy, your son twenty times in head,

1108
00:54:42,320 --> 00:54:44,319
Speaker 1: but won't mess what's your car, because then they missed

1109
00:54:44,400 --> 00:54:47,800
Speaker 1: that car. As long as you've been here, and you

1110
00:54:47,880 --> 00:54:50,520
Speaker 1: ain't never heard of black man, said a white racist

1111
00:54:50,560 --> 00:54:56,920
Speaker 1: car tookie stick and hit my car while we had

1112
00:54:56,960 --> 00:55:00,440
Speaker 1: a prevision for a five year old guy shot in

1113
00:55:00,480 --> 00:55:04,640
Speaker 1: the head. What's ahead, minorities? One point five million missing

1114
00:55:04,719 --> 00:55:06,879
Speaker 1: black men? Now wait a minute, now missing no meaning

1115
00:55:07,040 --> 00:55:12,960
Speaker 1: and jaggleb m huh black body parts from black men,

1116
00:55:13,800 --> 00:55:17,400
Speaker 1: it's worth ten thousand more money then from women. So

1117
00:55:17,520 --> 00:55:18,839
Speaker 1: what do they do with the body parts. They sell

1118
00:55:18,840 --> 00:55:22,400
Speaker 1: them to people like eat them. Whatever they do. Man,

1119
00:55:22,480 --> 00:55:26,960
Speaker 1: they told me how smart you was? Can I talk

1120
00:55:27,000 --> 00:55:30,719
Speaker 1: to somebody else? I wouldn't even share this with you

1121
00:55:30,920 --> 00:55:34,080
Speaker 1: when everybody told me, oh, he's so brilliant, you better

1122
00:55:34,160 --> 00:55:36,000
Speaker 1: go home to night and check mix you. You ain't

1123
00:55:36,000 --> 00:55:40,680
Speaker 1: got no scars. He got some scars. I woke up

1124
00:55:40,719 --> 00:55:44,040
Speaker 1: the other morning. I had two cuts on both shins. Okay,

1125
00:55:44,080 --> 00:55:45,759
Speaker 1: I said Eliot, I was. I was playing and saying

1126
00:55:45,760 --> 00:55:50,000
Speaker 1: aliens abducted me. Well, let's look at it. They told you,

1127
00:55:50,120 --> 00:55:52,759
Speaker 1: remember that, they told you. I guess it was six

1128
00:55:52,840 --> 00:55:56,000
Speaker 1: months ago about that planet. They called it our cup birth.

1129
00:55:56,360 --> 00:55:59,520
Speaker 1: How close it is here? That's where they are missing,

1130
00:55:59,600 --> 00:56:04,640
Speaker 1: don't I'm in jail missing mean, I'm going all right.

1131
00:56:04,680 --> 00:56:06,400
Speaker 1: We have more with Dick Gregory when we come back.

1132
00:56:06,520 --> 00:56:09,440
Speaker 1: Keep a lot to breakfast club. Goal morning. That was

1133
00:56:09,560 --> 00:56:12,560
Speaker 1: Rihanna with work morning. Everybody is to breakfast Club. We

1134
00:56:12,640 --> 00:56:15,960
Speaker 1: have comedian and activist Dick Gregory in the building at Charlemagne.

1135
00:56:16,040 --> 00:56:19,160
Speaker 1: Do you think race relations in America? Whatever difference, Nick,

1136
00:56:19,880 --> 00:56:21,719
Speaker 1: That's like me and you were Jews and I say

1137
00:56:21,840 --> 00:56:25,040
Speaker 1: Germany and you stay with me. You think race relations

1138
00:56:25,920 --> 00:56:29,120
Speaker 1: whatever in through and I call the police on you.

1139
00:56:30,640 --> 00:56:33,680
Speaker 1: You hear me. You see his hot works. One hundred

1140
00:56:33,680 --> 00:56:36,640
Speaker 1: and ten years ago we had a meeting and you say,

1141
00:56:37,280 --> 00:56:40,239
Speaker 1: one day horses will be obsolete. They'll take you to

1142
00:56:40,320 --> 00:56:44,560
Speaker 1: a mental hospital. While even with trial and your jay,

1143
00:56:44,640 --> 00:56:48,799
Speaker 1: horses is obsolete. Some people have that vision where they

1144
00:56:48,840 --> 00:56:52,680
Speaker 1: can see it. It's like the word honky. You see

1145
00:56:52,840 --> 00:56:56,480
Speaker 1: when I try to explain the white folks that prostitution

1146
00:56:56,680 --> 00:57:00,279
Speaker 1: is for the benefit of white boys. You mean black

1147
00:57:00,360 --> 00:57:03,839
Speaker 1: men don't have prostitutes. I said, go back to slavery man.

1148
00:57:03,920 --> 00:57:09,719
Speaker 1: She didn't have a job behind. I'm buy some. I mean,

1149
00:57:09,800 --> 00:57:13,440
Speaker 1: just asked yourself. I'm about some. I don't have to

1150
00:57:13,520 --> 00:57:15,160
Speaker 1: pay for it. I get them when she come home

1151
00:57:15,360 --> 00:57:18,439
Speaker 1: wet with a pocket full of your money. But where

1152
00:57:18,520 --> 00:57:21,360
Speaker 1: the prostm When I went to college, the whole house

1153
00:57:21,480 --> 00:57:24,200
Speaker 1: was run by a black woman. Mall hat you thirty

1154
00:57:24,280 --> 00:57:27,439
Speaker 1: miles away from Southern Elm Law University. That's what rand

1155
00:57:27,560 --> 00:57:32,800
Speaker 1: Richard pryor crazy. He's in pure ellinor ninety miles from Chicago.

1156
00:57:33,080 --> 00:57:36,320
Speaker 1: So when Prince Charles and you know, the mayors come

1157
00:57:36,400 --> 00:57:38,000
Speaker 1: in from all over the world, they go down there's

1158
00:57:38,000 --> 00:57:41,720
Speaker 1: a white Hookane see them, and when the brother pull up,

1159
00:57:41,760 --> 00:57:44,120
Speaker 1: he honked on hongk honk. That's where the word honkey

1160
00:57:44,200 --> 00:57:47,640
Speaker 1: comes from. We're here trying to figure out what how

1161
00:57:47,720 --> 00:57:52,960
Speaker 1: do honkey mean? Anything but that this is a game,

1162
00:57:53,800 --> 00:57:57,600
Speaker 1: but it messes up the whole system. I did some research.

1163
00:57:57,680 --> 00:58:01,080
Speaker 1: I was I was looking for breast milk. So I

1164
00:58:01,200 --> 00:58:03,040
Speaker 1: called my man. I said, man, I need you to

1165
00:58:03,160 --> 00:58:06,560
Speaker 1: find the number one authority on breast milk. Did you

1166
00:58:06,600 --> 00:58:09,120
Speaker 1: want to drink it in the world? Am I talking?

1167
00:58:09,280 --> 00:58:12,400
Speaker 1: I'm sorry, sir. Were you here five days a week

1168
00:58:12,840 --> 00:58:15,360
Speaker 1: and I'm just here for a few minutes, so I'm sorry. Okay.

1169
00:58:17,240 --> 00:58:21,640
Speaker 1: So Steve Jaffee call him and he said, hey, uh,

1170
00:58:22,520 --> 00:58:27,600
Speaker 1: the problem there is two authorities. I said, well, I

1171
00:58:27,680 --> 00:58:30,160
Speaker 1: was gonna give one million, so okay, I'll give them

1172
00:58:30,160 --> 00:58:32,680
Speaker 1: two million. And you said the other thing, both of

1173
00:58:32,800 --> 00:58:35,800
Speaker 1: my men, did you hear me? The number one and

1174
00:58:35,960 --> 00:58:39,520
Speaker 1: number two authority on breast milk is men. Did you

1175
00:58:39,600 --> 00:58:43,360
Speaker 1: ever watch your wife nurse a baby While she's nursing

1176
00:58:43,440 --> 00:58:46,280
Speaker 1: on this breast of the breast is leaking? Do you

1177
00:58:46,360 --> 00:58:50,160
Speaker 1: know them thunks thought it was milk. It's parsing that

1178
00:58:50,520 --> 00:58:54,040
Speaker 1: universal got to The baby didn't come from her, came

1179
00:58:54,120 --> 00:58:56,800
Speaker 1: through her, and all the pars and she's had in

1180
00:58:56,920 --> 00:58:59,920
Speaker 1: her body since she was a baby shoots it down

1181
00:59:00,080 --> 00:59:03,120
Speaker 1: so that baby can't get it. I said, all you

1182
00:59:03,160 --> 00:59:07,720
Speaker 1: got to do is have it tested these authorities. Oh

1183
00:59:07,920 --> 00:59:13,000
Speaker 1: my god, look here, that's what we're living with. Something's

1184
00:59:13,080 --> 00:59:15,520
Speaker 1: not right. I saw you say once that you know

1185
00:59:15,600 --> 00:59:19,040
Speaker 1: Barack Obama was president and black people still sleep, well,

1186
00:59:19,080 --> 00:59:22,120
Speaker 1: why would they wake up? It's like Bill Cosby didn't

1187
00:59:22,120 --> 00:59:25,040
Speaker 1: know he's gonna get no trouble. White folks loved him,

1188
00:59:25,720 --> 00:59:28,680
Speaker 1: he was doctor who he's Cui potable. You ever heard

1189
00:59:28,720 --> 00:59:31,160
Speaker 1: a nickname Huskall. You ever heard a white boy name Huskital.

1190
00:59:31,640 --> 00:59:34,560
Speaker 1: Ain't nobody on the planet named Huskal. That name don't

1191
00:59:34,600 --> 00:59:37,640
Speaker 1: scare white folks. White children be on his shoulder eating

1192
00:59:37,680 --> 00:59:40,520
Speaker 1: tap the olk out of the year, drums, mommy, mommy,

1193
00:59:41,280 --> 00:59:45,320
Speaker 1: and then all the one his son get killed and

1194
00:59:45,440 --> 00:59:47,720
Speaker 1: he can't do no more jello commercials. Did you ever

1195
00:59:47,840 --> 00:59:50,960
Speaker 1: think about it? That what got him in trouble? He

1196
00:59:51,240 --> 00:59:54,880
Speaker 1: was gonna buy in BC. So that's a fact. That

1197
00:59:54,960 --> 00:59:58,520
Speaker 1: ain't some Internet room up. I don't deal in facts, don't.

1198
00:59:58,560 --> 01:00:01,520
Speaker 1: That's what white felt don't mescab with and they did

1199
01:00:01,600 --> 01:00:04,400
Speaker 1: the same thing to him. They did the tiger Wood.

1200
01:00:05,080 --> 01:00:09,240
Speaker 1: Tiger Wood got four more majors because you'll put Jack

1201
01:00:09,360 --> 01:00:13,400
Speaker 1: Nicholas five to be the all time camp. That's when

1202
01:00:13,440 --> 01:00:16,200
Speaker 1: they busted him, and they have bet made a deal.

1203
01:00:16,560 --> 01:00:19,200
Speaker 1: They said he's going to a sex camp in Mississippi.

1204
01:00:19,240 --> 01:00:23,280
Speaker 1: You see, that's where they wing you all for putin

1205
01:00:25,200 --> 01:00:32,280
Speaker 1: Jerry the address serious. He gave up nothing, hear me.

1206
01:00:32,480 --> 01:00:34,520
Speaker 1: I'm surprised they never came after you all that speaking

1207
01:00:34,560 --> 01:00:36,680
Speaker 1: you'd be doing what I said. I'm surprised. But y'all

1208
01:00:36,720 --> 01:00:39,680
Speaker 1: forget y'all think y'all came from this stuff, your mom

1209
01:00:39,760 --> 01:00:43,000
Speaker 1: and them. I know I came from the same universe

1210
01:00:43,080 --> 01:00:46,560
Speaker 1: before that put the moon, the sun, the water and

1211
01:00:46,760 --> 01:00:49,960
Speaker 1: everything else. Come get me if you can, But you

1212
01:00:50,080 --> 01:00:54,040
Speaker 1: got to get through m no damn. You see you

1213
01:00:54,160 --> 01:00:57,040
Speaker 1: see the he's talk about the baddest thing in the

1214
01:00:57,160 --> 01:01:02,400
Speaker 1: history of the planet. Huh, bigger than mountains, the dinosaur.

1215
01:01:02,960 --> 01:01:06,640
Speaker 1: But they didn't tell you when the dinosaurfice here. So

1216
01:01:07,160 --> 01:01:11,800
Speaker 1: the butterfly. It ain't about being big and bad and nasty.

1217
01:01:12,920 --> 01:01:17,960
Speaker 1: This being nice and humble. I look at her, I

1218
01:01:18,040 --> 01:01:22,640
Speaker 1: see the butterfly. You have seen a caterpillar the pictures

1219
01:01:22,680 --> 01:01:27,240
Speaker 1: of Valentine, they call us. No. Then out of that caterpillar,

1220
01:01:28,080 --> 01:01:31,920
Speaker 1: the cocoon. He hooks the spelt with tree and the

1221
01:01:32,040 --> 01:01:35,720
Speaker 1: heat comes through that hole, came in and out comes

1222
01:01:36,000 --> 01:01:40,920
Speaker 1: beautiful m I see why you got ten kids? Oh,

1223
01:01:41,000 --> 01:01:45,240
Speaker 1: let's move talking. No, I don't. I don't talk about them.

1224
01:01:48,680 --> 01:01:51,200
Speaker 1: You know what I'm saying. How many babies you got too?

1225
01:01:51,440 --> 01:01:54,320
Speaker 1: Were you talking? Yeah? I talk too much. You talk

1226
01:01:54,360 --> 01:01:58,440
Speaker 1: too much and tweets at the same time. All right,

1227
01:01:58,440 --> 01:02:00,280
Speaker 1: we got more with Dick Gregory when we come back.

1228
01:02:00,360 --> 01:02:03,680
Speaker 1: Keeper locked as the Breakfast Club. Good Morning. That was

1229
01:02:03,880 --> 01:02:07,880
Speaker 1: Jeremiah with Weed Morning. Everybody's DJ M v Angela Yee,

1230
01:02:08,000 --> 01:02:10,960
Speaker 1: Charlomagne the guy. We are the breakfast Club. We have

1231
01:02:11,240 --> 01:02:14,760
Speaker 1: comedian activist Dick Gregory in the building. But most people

1232
01:02:14,760 --> 01:02:17,920
Speaker 1: who don't know is Michael Jackson was killed at two

1233
01:02:17,960 --> 01:02:21,760
Speaker 1: o'clock in the morning with a laser. The laser four

1234
01:02:21,880 --> 01:02:24,560
Speaker 1: days later they find the bloody shirt or got Douce

1235
01:02:24,600 --> 01:02:27,960
Speaker 1: google it and found out it was four hundred thousand

1236
01:02:28,040 --> 01:02:32,400
Speaker 1: dollars jewelry and cash missing. That's why they told Bratton

1237
01:02:32,440 --> 01:02:34,360
Speaker 1: to get out of there. And if you follow where

1238
01:02:34,400 --> 01:02:36,840
Speaker 1: he went when he left there, went to Virginia. See I.

1239
01:02:38,560 --> 01:02:40,800
Speaker 1: So that's why this is so important. This is my

1240
01:02:40,920 --> 01:02:43,160
Speaker 1: final question, is I, Gregor, what's what's what's the solutions?

1241
01:02:43,200 --> 01:02:45,640
Speaker 1: Because we know all the problems ain't no solutions. It's

1242
01:02:45,680 --> 01:02:49,480
Speaker 1: too late, damn. When your wife is nine months pregnant,

1243
01:02:50,320 --> 01:02:53,120
Speaker 1: that universal God gonna drop that baby if you mean

1244
01:02:53,240 --> 01:02:57,120
Speaker 1: death to the mother and the child. See y'all always

1245
01:02:57,200 --> 01:03:01,920
Speaker 1: talking about solutions. You saw the Super Bowl, Yes, sir, okay,

1246
01:03:02,840 --> 01:03:07,360
Speaker 1: you got a nick out run God, Cam Newton. Were

1247
01:03:07,440 --> 01:03:10,000
Speaker 1: you so busy looking at the bulls you didn't notice

1248
01:03:10,040 --> 01:03:13,840
Speaker 1: they had to change cleats eight times on them players? Yeah,

1249
01:03:13,960 --> 01:03:16,760
Speaker 1: I remember them because they got something in the ground.

1250
01:03:17,680 --> 01:03:20,560
Speaker 1: That's why they kept falling. Did you see when they

1251
01:03:20,640 --> 01:03:23,360
Speaker 1: hit him, he dropped the ball. He didn't reach Rod.

1252
01:03:24,640 --> 01:03:27,880
Speaker 1: It's in your blood man, like you dropped up your baby.

1253
01:03:27,920 --> 01:03:30,960
Speaker 1: You grabbed hum you didn't if you go back the

1254
01:03:31,080 --> 01:03:35,959
Speaker 1: year before that, they was on the half inch line.

1255
01:03:36,000 --> 01:03:39,800
Speaker 1: They couldn't even measure, no time out. There's a brother

1256
01:03:39,960 --> 01:03:42,240
Speaker 1: there will outrun God with the ball. They threw it

1257
01:03:42,320 --> 01:03:43,920
Speaker 1: to a white ball. He dropped it. Y'all don't know

1258
01:03:44,000 --> 01:03:48,120
Speaker 1: what you're looking at. It's a triggering dollar industry. Basically,

1259
01:03:48,120 --> 01:03:49,560
Speaker 1: you just gotta wait till God come and pressure to

1260
01:03:49,600 --> 01:03:52,080
Speaker 1: wash everything. No, you can't use God as a pit ball.

1261
01:03:52,200 --> 01:03:56,680
Speaker 1: The time has already set. And you're so beautiful. Let

1262
01:03:56,720 --> 01:04:00,960
Speaker 1: me tell you something. Every week you should get naked.

1263
01:04:01,840 --> 01:04:04,240
Speaker 1: Non hear me, hear me, hear me, do them all

1264
01:04:04,960 --> 01:04:08,680
Speaker 1: and look into the mirror and thank God for being beautiful.

1265
01:04:08,680 --> 01:04:13,720
Speaker 1: Because ugly it's a bit you hear me, You hear people?

1266
01:04:15,080 --> 01:04:18,880
Speaker 1: You have people say, ain't no ugly children? Show me

1267
01:04:18,920 --> 01:04:24,040
Speaker 1: an ugly adult. We can trace that back to the prayer. See,

1268
01:04:24,120 --> 01:04:27,720
Speaker 1: I worked, and so when you stop and think about something,

1269
01:04:27,760 --> 01:04:30,120
Speaker 1: I was gonna throw you for. I left here. I

1270
01:04:30,240 --> 01:04:36,000
Speaker 1: wasn't around white folks, rigidly segregated, and old black folks

1271
01:04:36,080 --> 01:04:38,760
Speaker 1: told me all white boys had little bitty pewees and

1272
01:04:38,920 --> 01:04:42,240
Speaker 1: eventually mine would touch the ground. I just thought I

1273
01:04:42,360 --> 01:04:46,960
Speaker 1: was a late bloomer. So you never touch the ground here, joys,

1274
01:04:47,800 --> 01:04:51,320
Speaker 1: What will you make think? Mind? Did you hear me?

1275
01:04:51,840 --> 01:04:56,200
Speaker 1: You mad some of the dumbest if that was true

1276
01:04:56,280 --> 01:04:59,560
Speaker 1: or black black men, and it wouldn't be no divorces, right,

1277
01:05:01,760 --> 01:05:04,560
Speaker 1: you know what I'm saying? And thank you all. Thank y'all,

1278
01:05:04,840 --> 01:05:08,320
Speaker 1: thank you, thank you, thank you, thank you. Now when

1279
01:05:08,360 --> 01:05:12,120
Speaker 1: I show you this, I might want y'all to salute me.

1280
01:05:13,920 --> 01:05:16,120
Speaker 1: No no, no, no oh no, you didn't do it right.

1281
01:05:16,920 --> 01:05:19,840
Speaker 1: They had to be like that. Now listen to this.

1282
01:05:20,000 --> 01:05:23,800
Speaker 1: What's the date, November seventh, nineteen. This is the Wall

1283
01:05:23,840 --> 01:05:27,160
Speaker 1: Street Journal, Wall Street Journal. I ran for president of

1284
01:05:27,200 --> 01:05:31,400
Speaker 1: the United States November the fourth, five to six seven,

1285
01:05:31,480 --> 01:05:36,200
Speaker 1: that's Friday. Wall Street Journal said, what election computer? Goofs

1286
01:05:36,320 --> 01:05:39,680
Speaker 1: gives Gregory nine million votes. They shut everything down. That's

1287
01:05:39,800 --> 01:05:43,280
Speaker 1: nine million votes out of Pennsylvania. So for a few minutes,

1288
01:05:43,320 --> 01:05:46,840
Speaker 1: I was the president. Wait, keep on, some machines just

1289
01:05:46,960 --> 01:05:49,200
Speaker 1: aren't to be believed. Take the big computer in New

1290
01:05:49,320 --> 01:05:53,160
Speaker 1: York that was designed to compile results worst day's general election.

1291
01:05:53,640 --> 01:05:56,320
Speaker 1: At one point early yesterday morning, the machine was crediting

1292
01:05:56,400 --> 01:05:59,880
Speaker 1: Dick Gregory, the comedian turned presidential candidate, with nine million

1293
01:06:00,040 --> 01:06:02,160
Speaker 1: votes and pencil and and I won. I asked for

1294
01:06:02,200 --> 01:06:08,280
Speaker 1: a recount. Here two hundred years you got these rich,

1295
01:06:08,760 --> 01:06:12,800
Speaker 1: billionaire white folks and running this country. I'm not gonna

1296
01:06:12,840 --> 01:06:16,400
Speaker 1: clean it up. You clean it up. Oh, anyway, I

1297
01:06:16,480 --> 01:06:19,000
Speaker 1: just want to thank y'all, thank you, Thank you. I

1298
01:06:19,120 --> 01:06:21,080
Speaker 1: really appreciate you. Come up with my brother. It's the

1299
01:06:21,120 --> 01:06:22,400
Speaker 1: Breakfast Club. Is Dick Gregory