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Speaker 1: So on a date with Roberto Benini.

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Speaker 2: For that celebrity blind date show that Roger Lodge was hosting,

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Speaker 2: where like you're on the date and they're like like

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Speaker 2: putting word bubbles into your head, like what you're thinking

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Speaker 2: as you're like going out with each other.

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Speaker 3: Therapius Joe says, this guy's two into books.

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Speaker 2: Yes, yes, yes, yeah, And it was just like a

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Speaker 2: scheduling thing that they like put us together.

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Speaker 3: Okay, Like what do.

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Speaker 1: You mean that was the only thing.

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Speaker 2: It was like just a booking issue that that was

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Speaker 2: the only time the two of us were available.

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Speaker 3: Okay, why like, why are you clarifying how the two

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Speaker 3: of you would end up together, as if I inherently

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Speaker 3: would have a question of why you would be on

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Speaker 3: a date with Roberto Beanini.

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Speaker 2: Well, what it was supposed to be was sort of

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Speaker 2: a a arrival. You remember they used to do the

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Speaker 2: rivalry dates.

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Speaker 3: Oh yeah, where it's like your greatest nemesis, yes on

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Speaker 3: your date with you and you split like a lobster.

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Speaker 2: Well, and that there's also the prize, which was Rose McGowan,

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Speaker 2: where the two of us are like fighting over Rose McGowan.

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Speaker 2: Because I know that you would know that I wouldn't

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Speaker 2: want to be involved in something like that unless I

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Speaker 2: can win.

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Speaker 3: Yeah, well you would never want to be runner up

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Speaker 3: for the Heart of Rose McGowan.

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Speaker 2: Yes, and so so we show up and she and

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Speaker 2: she's not a veil. So we were like, let's just

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Speaker 2: do it. You know, we're here, let's just do it.

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Speaker 2: This is you know, this is our only aval. So

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Speaker 2: we go to outdoor movie screening at the airport of

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Speaker 2: Soul Surfer. Yeah, you remember Soul Surfer.

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Speaker 3: I remember it, but refreshla.

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Speaker 2: Everyone else has met Bethany Hamilton. Befany Hamilton, she was

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Speaker 2: the Soul Surfer.

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Speaker 4: Uh.

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Speaker 1: And she gets her arm bitten off by the shark.

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Speaker 3: And it eats her arm and it and then the

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Speaker 3: shark has arms and it's able to carry things around

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Speaker 3: in the ocean.

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Speaker 2: Yes, and so Roberto Beniti is like getting It's like

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Speaker 2: he's like sort of theatrically yawning, doing like a big

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Speaker 2: like patting his mouth like oh no, like he's not

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Speaker 2: really enjoying the movie.

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Speaker 1: He does not talk through this whole thing.

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Speaker 2: He's doing like put his head in your left Yes,

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Speaker 2: he's doing big Yeah, he's doing big moves. And then

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Speaker 2: he's gone he's suddenly gone, and but I hear him

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Speaker 2: kind of scuttling away, okay, and then he's up by

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Speaker 2: the projector and he starts doing the his like shadow

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Speaker 2: animals on the screen.

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Speaker 3: Oh, Roberta and the like.

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Speaker 2: There's the they're interacting with each other with Anna Sophia

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Speaker 2: rob who played Bethethy Hamilton. But then he starts like

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Speaker 2: he's like giving her bunny ears.

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Speaker 3: You know that's not appropriate.

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Speaker 2: That's that's and that's what the like people were into

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Speaker 2: it at first, but once he starts to like, you know,

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Speaker 2: this character who's like been through a lot, and now

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Speaker 2: he's sort of like and he would say later that

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Speaker 2: that he was trying to just sort of like get

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Speaker 2: us all to relax and laugh again. But it was

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Speaker 2: like we were laughing at her.

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Speaker 3: Well, I know exactly what he said is what he said.

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Speaker 3: You know, nothing I was doing intended any harm. It

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Speaker 3: was totally BENIGNI because he's Roberto Beaninian. He says it

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Speaker 3: all the time. He makes that joke and I always

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Speaker 3: tell him, Roberto, don't do that.

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Speaker 2: It's always like he does stuff wrong just so he could.

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Speaker 3: It was benign, Yeah, benigny, which I don't like that

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Speaker 3: he's being Roberto Maligny to me anyway. Yeah, but I

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Speaker 3: wanted to say something ohry. When I did the rivalry date,

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Speaker 3: it was with Rebecca Gayheart and Zema Girl.

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Speaker 1: Yeah.

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Speaker 2: Yeah, we're competing for Jason. It was a jawbreaker week

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Speaker 2: job breaker on blind Day.

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Speaker 3: We're competing for Jason Kid.

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Speaker 2: Hey, welcome to Hollywood, Hambo kicking bite and dropping names

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Speaker 2: in the red carpet line back hallways of this industry week. Wait,

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Speaker 2: I'll show this. I used to be able to do

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Speaker 2: it in one.

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Speaker 3: How do we do this? Show? What's going on here?

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Speaker 3: We got a guest or something? This is too crazy?

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Speaker 1: Yeah right, tell me what the rules?

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Speaker 3: Oh yeah, Brett, you tell me what do we do?

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Speaker 1: What do we do?

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Speaker 3: Bread? We're having fun?

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Speaker 2: Like we don't know?

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Speaker 5: You don't don't do this again?

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Speaker 2: Yeah?

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Speaker 5: Can I just it's cool.

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Speaker 3: It's fun that people go like, holy she produce showed

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Speaker 3: up in the studio and it's just like, what's going

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Speaker 3: on here? I'm like a fly on the wall, you know,

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Speaker 3: And then they don't care that it's not that good

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Speaker 3: because it's.

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Speaker 5: Like, can I just pay you forty dollars to do this?

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Speaker 3: Forty each or forty total.

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Speaker 2: It is that every week or just for one just

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Speaker 2: one time for us.

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Speaker 3: The more casual, the more it's like, holy shit, are

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Speaker 3: we recording and ship like that? It just feels like, oh, okay,

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Speaker 3: they didn't really plan it out. So when a big chunk.

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Speaker 5: Of forty dollars just right now for that to stop

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Speaker 5: and but for it to each or to.

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Speaker 6: Wait, we are recording each, we're recording.

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Speaker 3: Julie wait, yeah, wait, I just that's perfect, but we

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Speaker 3: need bread.

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Speaker 6: I'm confused.

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Speaker 3: Yeah, good, good, we should all be confused.

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Speaker 2: And does Julie get And I don't think Julie should

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Speaker 2: get any of the money, And I wonder if that's

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Speaker 2: what this.

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Speaker 4: Should I stay on the mic.

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Speaker 3: Yeah, that's perfectly. I mean, she seems really confused. Forty

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Speaker 3: she's selling this, Yeah, she's she's hearing everything. Yeah, but

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Speaker 3: it's good. It's showing up later for her.

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Speaker 2: I like forty dollars each, Yeah, Julie wasn't Julie was

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Speaker 2: it involved in that?

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Speaker 5: This is really adding up fast? What if I just

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Speaker 5: did forty and.

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Speaker 4: Then if you leave, who's going to run the board?

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Speaker 1: Oh?

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Speaker 5: I was okay, I'll leave for forty dollars. I pay

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Speaker 5: forty dollars and then I leave.

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Speaker 2: I guess that's what Julie's proposing.

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Speaker 6: That's what I'm pitching.

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Speaker 3: Brett. Your whole thing is falling apart. Man, Just do

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Speaker 3: like tell us how the show works.

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Speaker 4: You told me that I because I didn't have to

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Speaker 4: pay for parking, I had to pay the engineer. Yeah,

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Speaker 4: forty dollars.

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Speaker 3: Yeah, forty dollars. That's I mean, that's like a separate

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Speaker 3: forty dollars.

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Speaker 4: So how much is it altogether?

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Speaker 6: I don't know why.

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Speaker 4: I feel like I'm the sound is.

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Speaker 6: I feel like I'm a little hot on the mic.

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Speaker 3: It does feel like you're louder than anyone needs to be.

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Speaker 6: Yeah, so how much do I owe you?

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Speaker 4: I'm paying you too.

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Speaker 3: I get forty dollars, The engineer gets forty dollars. Brat, Yes,

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Speaker 3: And then we don't want to add like ads and stuff.

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Speaker 3: We don't want to talk about money and stuff, and

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Speaker 3: I act like it's all planned out. We want to

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Speaker 3: kind of make it feel just casual, cool, okay.

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Speaker 4: Because I went to the ATM and I have sixty dollars.

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Speaker 3: Let go of my arm, please, it's so tight. You're

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Speaker 3: so tight. Thank you it's not a compliment.

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Speaker 2: It's just.

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Speaker 6: I'll just put it in this envelope. Okay, I'll leave

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Speaker 6: it on the table, and.

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Speaker 5: Yes please, Mine is an iTunes gift card my forty oh.

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Speaker 3: Brett and the only works Beatles albums. I have to

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Speaker 3: get Beatles album Brett.

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Speaker 1: Can only spend his money on music.

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Speaker 4: My favorite Beatles album is Number One, where it's all

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Speaker 4: the number one hits.

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Speaker 2: Oh yeah, oh yeah that rocks the one. Yeah, it's

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Speaker 2: just the yellow number one on the red.

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Speaker 3: Yeah in a way, yeah, ready, number one.

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Speaker 6: It's what it's really called.

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Speaker 3: Beetles ones. Yeah, that feels one. You lose the Beatles one.

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Speaker 4: I feel like I'm settling into my microphone a little.

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Speaker 3: It's starting to feel a little more natural. I mean,

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Speaker 3: it could always improve. We never want to say Okay,

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Speaker 3: we're satisfied, you know. Uh, We're always striving. That's a

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Speaker 3: big part of Bean Hollywood. I come like the three

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Speaker 3: of us is just knowing. Okay, Yeah, I can never

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Speaker 3: be satisfied. The second that I hold still, moss grows

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Speaker 3: on me and then I get thrown in the trash can,

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Speaker 3: rolled down a hill and then shot at with bb gun.

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Speaker 3: So what I want to talk about today. Is it's

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Speaker 3: so loud growing? Oh, it's deafening.

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Speaker 6: Bob nowrth yeah, be newal.

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Speaker 3: And keep going. I don't know, maybe Bull, I mean yeah,

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Speaker 3: b B Buell. It didn't matter. I didn't know the

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Speaker 3: second one anyway.

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Speaker 2: Bobe's kids Julie on the show, Bob many times before.

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Speaker 6: Kids with seven different mothers.

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Speaker 3: We don't die multiple one of.

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Speaker 6: Those kids was fathered by a different mother.

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Speaker 2: Mmmmm tone look.

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Speaker 3: From what a great voice actor and so you know,

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Speaker 3: we're we're having a little something of a funky cold

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Speaker 3: Medina ourselves here. Yeah, just to say.

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Speaker 2: This is a mess.

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Speaker 1: When Dan Medina was on the show.

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Speaker 3: Oh yeah, yeah, that would have been good. What we

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Speaker 3: did with him was also good.

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Speaker 2: I'm not saying it, but no, it would have been

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Speaker 2: worse than what we did, but it would have been good.

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Speaker 3: That would have worked.

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Speaker 6: What did you guys do with him?

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Speaker 1: Not much?

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Speaker 3: No, we don't know.

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Speaker 6: You don't know.

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Speaker 3: I had just met him. I think I met him

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Speaker 3: on the mic and then didn't go super far from there.

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Speaker 3: Nice kid, good kid, Julie.

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Speaker 2: You the first time you were on the show, it

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Speaker 2: seemed pretty straightforward.

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Speaker 6: It seems like it was a lot.

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Speaker 1: There wasn't a lot of confusion initially, right.

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Speaker 4: You guys had a musical Yeah, and I had a

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Speaker 4: thing to say about the Daily Show.

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Speaker 2: Yeah, but now now you must have something to say

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Speaker 2: about this new animated show that that.

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Speaker 6: John Trevor Noah's got his fingers in.

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Speaker 1: No, John is doing animated show for HBO.

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Speaker 6: I heard it was Trevor Noah.

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Speaker 1: Is that the big secret?

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Speaker 4: Not a secret?

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Speaker 1: Wow?

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Speaker 6: John is animating Trevor Noah?

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Speaker 3: Oh?

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Speaker 1: Does Trevor?

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Speaker 2: Does Trevor Noah? But simple question, It's just a yes

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Speaker 2: or Noah. And then the second time, what I think

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Speaker 2: that was more musical stuff Joe the Plumber, that's right, Yeah,

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Speaker 2: we did the other plumber one crush legend.

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Speaker 4: And you rhymed it with O bummer, which is so

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Speaker 4: interesting because now everything's changed politically.

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Speaker 6: But I don't want to talk about it.

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Speaker 3: Oh yeah, I don't want to talk about it either.

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Speaker 1: This is but this is.

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Speaker 2: How she says like, I don't want to get up

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Speaker 2: on a rant, but she really doesn't.

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Speaker 3: Oh, and she's just revving herself up for an insane rant.

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Speaker 3: Oh no, tell me, that's not I've seen it.

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Speaker 1: Like the live show.

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Speaker 2: She says like, I don't want to talk about it,

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Speaker 2: and then she starts like walk off stage, and then

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Speaker 2: the whole car is like.

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Speaker 1: Come on, come on.

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Speaker 3: Shows in that journey, she's hiding that she's going to

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Speaker 3: do a rant like her rant is one of Hillary's emails.

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Speaker 3: I deleted it. Just tell me you were hiding it emails,

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Speaker 3: that you put them under a different label or something.

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Speaker 4: What's funny about veep? Okay, and that you can't write

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Speaker 4: what's happening now, so they write something else.

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Speaker 3: Yeah, no, it's true something that happened before. I think,

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Speaker 3: like newsroom, But Veep can also be so funny because

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Speaker 3: these clowns in Washington are just like Jonah. I'll tell

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Speaker 3: you sometimes I can't even understand the thing. It reminds

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Speaker 3: me of want of Hillary's emails.

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Speaker 2: She couldn't understand the emails.

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Speaker 3: Admit it does come out. The whole America public will

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Speaker 3: respect you a lot more of you. Just say, hey,

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Speaker 3: I didn't understand the emails. Some of them seem like

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Speaker 3: it could be spam or something, but I could tell,

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Speaker 3: and so I sent them all to the freaking Russians

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Speaker 3: to have them sort it for me. It's a service

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Speaker 3: you know then I would get it. Then I'd be like,

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Speaker 3: all right, thanks for being honest, don't tell secrets, like

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Speaker 3: when I'm freaking hello Rai's emails.

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Speaker 4: I heard there's gonna be a South African beep where

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Speaker 4: everyone sounds like Trevor Noah.

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Speaker 3: So it's funnier, that's right, Okay. Trevor Noah to me

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Speaker 3: is the epitome of comedy. Cool, his suits, his style,

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Speaker 3: his lack of cultural impact, all out up to make

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Speaker 3: the complete comedy.

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Speaker 7: Man.

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Speaker 3: It's twenty sixteen, and you might have happened, but you

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Speaker 3: might not have. Did he take over the Daily Show yet?

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Speaker 3: I don't know.

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Speaker 4: It's such a crazy election.

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Speaker 2: Yeah, we were all at Vulture Fest.

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Speaker 1: Julie was there, Sean was there.

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Speaker 3: Casper was there, Hayes was there, Julie was doing panel.

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Speaker 4: Casper Mattress, you know him.

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Speaker 1: I don't know what Brett was doing.

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Speaker 2: Yes, we did meet Casper Mattress while we were there.

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Speaker 2: Casper Hauser soft hands like you would yeah, sort of

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Speaker 2: like you would expect.

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Speaker 1: I think he was.

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Speaker 4: Having an allergic reaction now that I think about how

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Speaker 4: big his hands were.

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Speaker 3: Remember how much Jesse Thorn liked Casper Hauser, who could

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Speaker 3: forget anyway, Casper Mattress. Yeah that guy, Okay, to me,

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Speaker 3: he seems very sick.

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Speaker 4: Well, that's what I'm saying. I think he had an

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Speaker 4: allergic reaction because remember we put all those bees in

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Speaker 4: his dressing room.

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Speaker 2: Mmm.

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Speaker 3: Yeah. And honestly he came over to my place after

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Speaker 3: like just like to chill. And he's been asleep in

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Speaker 3: my guest room for months.

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Speaker 1: But he loves mattresses.

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Speaker 2: How much does Trevor noa work out? I gotta do

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Speaker 2: what that guy's doing. But anyway, he was at Vulture Fest, as.

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Speaker 4: I heard, he wanted a walking treadmill desk instead of

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Speaker 4: what John Stewart left. Oh yeah, Tommy Central had to

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Speaker 4: draw the line somewhere.

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Speaker 3: Wow, what did John Stewart leave a regular desk?

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Speaker 7: Oh?

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Speaker 1: No?

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Speaker 3: What a sicko? So John Stewart's beard. Remember he came

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Speaker 3: back and did Colbert show the bed? Where have you been? John? John?

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Speaker 3: We need you come back John?

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Speaker 4: Thank god? When he came on TV, I said, thank god.

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Speaker 1: Brat, what did you say?

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Speaker 3: He saved us?

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Speaker 4: What I liked about it was he didn't wear a

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Speaker 4: button down shirt with a collar.

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Speaker 6: He just put a tie over his T shirt.

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Speaker 1: Yeah, he didn't know how to do the tie anymore.

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Speaker 4: But he had a jacket on also, so he just

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Speaker 4: didn't wear the button down shirt.

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Speaker 3: Trevor has his ties. Maybe no, he had.

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Speaker 4: A tie, he just wasn't wearing the tie like connected

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Speaker 4: to the button down shirt.

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Speaker 2: Almost that is almost right, except yes, the tie was there.

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Speaker 1: He did have a tie.

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Speaker 3: Whoa, I now that I'm thinking about it, I didn't

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Speaker 3: see it.

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Speaker 4: Yeah, me either.

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Speaker 3: Yeah, I only saw some screenshots. Yeah, Engineer Brett is

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Speaker 3: the only one I know who saw And Brett, what

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Speaker 3: did you say? What did you say?

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Speaker 5: I said, Hey, John, It's good to see you.

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Speaker 6: Yeah.

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Speaker 4: Yeah, he spoke for all of us in a way.

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Speaker 3: Yeah, certainly for me, said more than I was.

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Speaker 4: Breath of oxygen I'd had throughout this whole election.

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Speaker 1: Brett.

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Speaker 2: When Brett watches John, he he does kind of think

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Speaker 2: of it as a conversation.

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Speaker 1: So when John does a joke, Bret, it'll be like, nice,

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Speaker 1: do it another one.

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Speaker 3: Yeah, that's right.

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Speaker 2: I'm that way with he always do.

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Speaker 3: I hate that we're getting so political here, me too,

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Speaker 3: because the election has been so insane. There's no way

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Speaker 3: we can fit it all in one episode.

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Speaker 4: Almost like it's it's it like writes it did?

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Speaker 6: I say it writes itself.

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Speaker 3: It's starting to yeah, and you did.

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Speaker 1: It's funnier than the joke.

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Speaker 6: It's funnier than the joke.

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Speaker 4: What a joke?

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Speaker 2: Joe said, Yeah, well, like doing the comedy is John's jokes?

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Speaker 3: Yeah he is mad? Is he looked kind of like?

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Speaker 4: I beg to differ because I know none of us

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Speaker 4: saw it, but in the screenshot I saw, he didn't

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Speaker 4: look mad.

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Speaker 6: He looked a little like.

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Speaker 4: Right, like he kind of was like.

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Speaker 3: But like just with his face, like, can we even

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Speaker 3: be mad at this? It's so ridiculous.

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Speaker 6: Sometimes he has a little smile.

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Speaker 2: It's tickling him. Mm hmm.

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Speaker 3: He's letting me know that he sees the absurdity of

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Speaker 3: it all.

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Speaker 1: And Julie did sort of a little smile.

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Speaker 6: She like, now he has a petting zoo.

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Speaker 3: Oh yeah, we bought a zoo.

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Speaker 1: That's what he's doing.

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Speaker 6: Yes, John has a petting zoo.

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Speaker 1: That's a little hippocritical. After Rosewater?

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Speaker 4: Is that what that movie was about?

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Speaker 2: Well, well, now he's putting the animals and jail like Rosewater.

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Speaker 3: Rosewater was about a journalist who wound up in a zoo.

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Speaker 3: Really a human, Yeah, a human zoo And they thought, well,

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Speaker 3: once he's inside this room, he'll be unable to dance

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Speaker 3: because his spirit will be caged as well. I don't

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Speaker 3: believe it worked.

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Speaker 4: Who's your favorite correspondent on The Daily Show?

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Speaker 3: The Time one?

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Speaker 6: Three?

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Speaker 2: Jordan?

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Speaker 6: At the same time, you didn't participate in that?

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Speaker 3: Did Jessica Williams bid them a do?

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Speaker 4: She's in the process of it. It's a long goodbye.

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00:18:51,359 --> 00:18:53,919
Speaker 3: It's a hard goodbye, friend of the show, friend of

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Speaker 3: the show. She may have bid them a do, and

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00:18:58,359 --> 00:19:01,520
Speaker 3: and onward and up were you know, because you know

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00:19:01,600 --> 00:19:04,800
Speaker 3: what's next for all of us. Really, I'm not going

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Speaker 3: to be doing this show forever.

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Speaker 6: I don't know.

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00:19:07,119 --> 00:19:07,479
Speaker 4: Uh.

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Speaker 3: Oh wow, it's not a new way to use it.

385
00:19:12,600 --> 00:19:14,520
Speaker 3: I don't want it's a new spot to use.

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Speaker 6: By the way, that cash envelope is gone.

387
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Speaker 3: Yeah, that's crazy. Crunch crunch crunch.

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Speaker 5: How long will you be doing this show?

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Speaker 3: Huh?

390
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Speaker 5: How long will you be doing this show?

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Speaker 3: I'm not going to be doing this forever, Brett.

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Speaker 2: You know this episode? He means, yeah, oh.

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Speaker 3: Just Hollywood Handbook the show?

394
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Speaker 5: Yeah, I mean, what else do you do?

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Speaker 3: As long as Jeff Alrich stays in LA. If he's

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Speaker 3: still in LA, I will keep doing the show. I've

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Speaker 3: always said if he leaves, all have lost my anchor.

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Speaker 3: I don't know how to do the show without my

399
00:19:56,640 --> 00:20:02,320
Speaker 3: feet under me, without my rock. So Jeff's still here,

400
00:20:02,600 --> 00:20:04,840
Speaker 3: and so am I. And if you like the show,

401
00:20:04,920 --> 00:20:06,520
Speaker 3: please keep Jeff in l.

402
00:20:06,520 --> 00:20:11,840
Speaker 2: A Heyce he's been. I think he's been. He's been

403
00:20:11,960 --> 00:20:15,880
Speaker 2: flirting with leaving in order to like because he knows

404
00:20:15,920 --> 00:20:19,280
Speaker 2: we'll like Jack up the quality of the show, until

405
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Speaker 2: he has to say.

406
00:20:20,640 --> 00:20:21,919
Speaker 3: Yeah, it's away from the spike.

407
00:20:21,960 --> 00:20:24,320
Speaker 4: It has He read blue apron copy on the.

408
00:20:24,320 --> 00:20:28,360
Speaker 3: Air, Jeff, Yeah, it's unclear.

409
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Speaker 4: Maybe you should give him that chance.

410
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Speaker 3: I think we should bring Jeff in.

411
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Speaker 4: Nothing makes me hungrier than hearing people on Earwolf describe

412
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Speaker 4: the ingredients and blue Apron meals so glazed.

413
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Speaker 2: Wow, we did want to talk about something. Politics is

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Speaker 2: actually even more messed up than this.

415
00:21:00,400 --> 00:21:02,480
Speaker 3: Yeah, politics is getting pretty messed up.

416
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Speaker 6: I don't want to talk about that.

417
00:21:03,680 --> 00:21:08,080
Speaker 3: No, we shouldn't bring it up because quite frankly, Carly

418
00:21:08,240 --> 00:21:12,280
Speaker 3: Fiorina might be right outside it is how crazy it's

419
00:21:12,320 --> 00:21:18,240
Speaker 3: been lately. I mean, that's honestly, how nuts. So it's

420
00:21:18,280 --> 00:21:24,440
Speaker 3: gone freakin You're gonna turn around and uh, you're gonna

421
00:21:24,480 --> 00:21:28,160
Speaker 3: have a John Case situation on your hands.

422
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Speaker 2: We want to talk about our charity work. Okay, you

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Speaker 2: and me, I'm not speaking to you.

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Speaker 4: Great, what happened? Why aren't you guys talking?

425
00:21:46,760 --> 00:21:49,000
Speaker 2: Oh, don't make us get into this.

426
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Speaker 6: Just give me the gist of it.

427
00:21:51,320 --> 00:21:52,520
Speaker 3: He's pissed off at me.

428
00:21:52,840 --> 00:21:53,199
Speaker 4: Why?

429
00:21:53,960 --> 00:21:54,320
Speaker 6: Well?

430
00:21:54,840 --> 00:21:57,480
Speaker 3: Okay, So there was a cracked flange underneath one of

431
00:21:57,520 --> 00:22:03,639
Speaker 3: his bathrooms, and and obviously replacing that involves removing and

432
00:22:03,680 --> 00:22:06,639
Speaker 3: resetting toilet, which is all well and good if you

433
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Speaker 3: turn the water off first, and if Hayes is not

434
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Speaker 3: on the toilet at the time. Speaking of Joe the

435
00:22:13,320 --> 00:22:16,080
Speaker 3: plumber and you know so, uh, you said it a

436
00:22:16,080 --> 00:22:20,439
Speaker 3: long time ago, rember. So Hayes on the bathroom and

437
00:22:20,520 --> 00:22:22,959
Speaker 3: the toy toy and doing what he has to do

438
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Speaker 3: in there. We're just breathe heavy. And so I get

439
00:22:30,800 --> 00:22:36,120
Speaker 3: down there with cresset wrench, bust a socket open, blast

440
00:22:36,200 --> 00:22:39,880
Speaker 3: out the porcelain, and it shoots Hayes through the roof

441
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Speaker 3: of his house and into the street. He lands in

442
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Speaker 3: front of his neighbor and some of his neighbor's parents,

443
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Speaker 3: and Carly Fiorina and he's got you know, pants around

444
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Speaker 3: his ankle, ass over tea kettle seven ways from Sunday,

445
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Speaker 3: showing off the whole package.

446
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Speaker 2: So we had to invite them on when you say that,

447
00:23:01,280 --> 00:23:03,720
Speaker 2: like she might be here, she is here.

448
00:23:03,760 --> 00:23:04,880
Speaker 1: We had to invite them all.

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Speaker 3: To the well.

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Speaker 6: She wanted more of what she saw.

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Speaker 3: It's what's known as.

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Speaker 2: It's been hard to get her to sort of leave

453
00:23:13,359 --> 00:23:14,800
Speaker 2: my side like what she saw.

454
00:23:15,040 --> 00:23:20,359
Speaker 3: Yeah, well, and who wouldn't that's nice?

455
00:23:21,800 --> 00:23:27,080
Speaker 4: Hayes like that he give you a compliment.

456
00:23:27,320 --> 00:23:29,160
Speaker 2: This is this is to get me to start.

457
00:23:29,760 --> 00:23:31,640
Speaker 3: He called you pretty being mad.

458
00:23:31,600 --> 00:23:34,240
Speaker 2: Like he did it on purpose in order to show

459
00:23:34,520 --> 00:23:35,360
Speaker 2: to show everyone.

460
00:23:35,520 --> 00:23:39,320
Speaker 3: Yeah, another piece of this is Hayes did wind up

461
00:23:39,359 --> 00:23:44,200
Speaker 3: losing his favorite medallion. It got blasted in the water

462
00:23:44,280 --> 00:23:45,639
Speaker 3: and carried away down the drain.

463
00:23:45,840 --> 00:23:47,760
Speaker 4: And what was that medallion?

464
00:23:48,240 --> 00:23:55,040
Speaker 3: It was a medallion with a series of snakes. All

465
00:23:55,080 --> 00:24:00,480
Speaker 3: of the snakes are really cool, backwards hats, sunglasses, toothpick

466
00:24:00,520 --> 00:24:05,560
Speaker 3: sticking out of the mouth. Uh, cobras bringing ball, python

467
00:24:05,840 --> 00:24:10,560
Speaker 3: BoA's and conders and everything and what Hayes likes to do.

468
00:24:10,960 --> 00:24:13,960
Speaker 3: And I'm sorry to you know, tell everybody, but he'll

469
00:24:13,960 --> 00:24:16,360
Speaker 3: put his medallion on, he'll take his pants down when

470
00:24:16,400 --> 00:24:19,680
Speaker 3: he's going to do his heavy breathing, and he'll say,

471
00:24:20,080 --> 00:24:22,760
Speaker 3: I'm Hayes Davenport. I'm bringing the bling and the big

472
00:24:22,800 --> 00:24:27,560
Speaker 3: ass dingle ling. So Carly saw the dingling bling went

473
00:24:27,600 --> 00:24:32,440
Speaker 3: down the draid dude doesn't have a catchphrase anymore. Well

474
00:24:32,440 --> 00:24:36,520
Speaker 3: he's pissed now. It's like, I'm Hayes d a report.

475
00:24:37,520 --> 00:24:41,640
Speaker 3: I'm missing my bling m and the biggest diggaway.

476
00:24:41,840 --> 00:24:42,760
Speaker 4: But I'm missing that.

477
00:24:42,920 --> 00:24:43,320
Speaker 3: I know.

478
00:24:43,520 --> 00:24:46,760
Speaker 2: That's why it doesn't workhrase it.

479
00:24:47,160 --> 00:24:48,880
Speaker 3: Yeah, no, you gotta find a new thing.

480
00:24:49,200 --> 00:24:52,399
Speaker 2: Or or actually, yeah, beat missing my ding away.

481
00:24:54,720 --> 00:24:55,919
Speaker 6: That sounds a little dressed.

482
00:24:56,080 --> 00:24:59,080
Speaker 3: I was gonna say. Or maybe we don't need a

483
00:24:59,160 --> 00:25:01,240
Speaker 3: catchphrase every time we're going to get on the pody.

484
00:25:01,520 --> 00:25:08,919
Speaker 3: You know, maybe we just be ourselves. M. It's something

485
00:25:09,000 --> 00:25:10,280
Speaker 3: to try. At least.

486
00:25:11,280 --> 00:25:13,640
Speaker 4: I miss those inflatable books that used to take into

487
00:25:13,680 --> 00:25:14,080
Speaker 4: the tub.

488
00:25:14,240 --> 00:25:16,040
Speaker 3: Oh yeah, yeah. The ones at.

489
00:25:15,880 --> 00:25:19,479
Speaker 4: Each page had like a Casper mattress like quality. They

490
00:25:19,520 --> 00:25:21,959
Speaker 4: had a big puffiness and you could just dunk them

491
00:25:22,000 --> 00:25:24,199
Speaker 4: under the water and it wouldn't affect your reading.

492
00:25:24,920 --> 00:25:26,280
Speaker 1: You could read the books underwater.

493
00:25:27,200 --> 00:25:29,080
Speaker 4: You can write not if your eyes were underwater, your

494
00:25:29,119 --> 00:25:30,600
Speaker 4: eyes could be above the water. The book could be

495
00:25:30,680 --> 00:25:32,600
Speaker 4: under the water. Depending on how dirty the water is,

496
00:25:32,640 --> 00:25:33,440
Speaker 4: you could read the book.

497
00:25:34,000 --> 00:25:35,600
Speaker 3: Somebody doesn't know about goggles.

498
00:25:36,840 --> 00:25:39,440
Speaker 4: Got reading goggles. They're called glasses.

499
00:25:40,720 --> 00:25:42,560
Speaker 3: No, that's not what I meant. And you know it.

500
00:25:43,080 --> 00:25:44,280
Speaker 1: He meant beer goggles.

501
00:25:44,680 --> 00:25:46,160
Speaker 6: Anyway, I miss those books.

502
00:25:46,520 --> 00:25:48,600
Speaker 3: Yeah, I meant frigging beer goggles.

503
00:25:48,680 --> 00:25:51,879
Speaker 4: Oh sorry, yeah, wait that I don't.

504
00:25:52,480 --> 00:25:56,080
Speaker 3: I'm I'm taking I'm drinking beers and then I'm sliding

505
00:25:56,160 --> 00:26:00,720
Speaker 3: the uh ye bartender photo of my wife.

506
00:26:02,600 --> 00:26:03,320
Speaker 4: To turn her on.

507
00:26:04,080 --> 00:26:07,120
Speaker 1: No, it's an old man.

508
00:26:07,920 --> 00:26:08,840
Speaker 3: He's a cardtender.

509
00:26:08,920 --> 00:26:09,960
Speaker 6: Is an old Irish guy.

510
00:26:10,880 --> 00:26:15,440
Speaker 3: Yeah, and I say tell me when she looks good?

511
00:26:17,480 --> 00:26:17,680
Speaker 2: You know?

512
00:26:18,000 --> 00:26:19,720
Speaker 1: That's yeah, that's what I've had him.

513
00:26:19,760 --> 00:26:21,040
Speaker 6: Are you the cuckolding?

514
00:26:21,840 --> 00:26:27,440
Speaker 3: No, that's like a fucking dough Boys thing? Man?

515
00:26:28,240 --> 00:26:29,440
Speaker 6: What's a dough Boys thing?

516
00:26:29,800 --> 00:26:30,240
Speaker 1: Thank you?

517
00:26:30,359 --> 00:26:33,560
Speaker 3: JW Yes, that is so sweet. You are the best

518
00:26:33,600 --> 00:26:36,679
Speaker 3: guess we've ever had. What's a dough Boys thing? That

519
00:26:36,840 --> 00:26:41,960
Speaker 3: is the best? That question is pure music? What a

520
00:26:42,119 --> 00:26:45,280
Speaker 3: kind woman? Dough Boys is the most popular podcast on

521
00:26:45,320 --> 00:26:47,760
Speaker 3: the internet. If you like comedy at all, then your

522
00:26:47,840 --> 00:26:52,960
Speaker 3: favorite duo of you know wise Cracking Goofers is gonna

523
00:26:53,000 --> 00:26:58,240
Speaker 3: be the Dope Boys. It's your favorite. It's Hollywood Handbook

524
00:26:58,359 --> 00:27:00,640
Speaker 3: is your second favorite podcast after dough Boy.

525
00:27:00,680 --> 00:27:03,440
Speaker 1: They're not doing any new ones. We got Grandfather Inn.

526
00:27:03,720 --> 00:27:06,719
Speaker 6: Do they read blue Apron copy?

527
00:27:07,119 --> 00:27:10,000
Speaker 3: Oh wow? I mean they definitely describe food a lot.

528
00:27:10,240 --> 00:27:11,520
Speaker 1: Yeah.

529
00:27:11,880 --> 00:27:16,800
Speaker 3: I don't know if blue apron is one of the foods, hayes.

530
00:27:17,280 --> 00:27:18,879
Speaker 2: Is blue apron one of the foods that they they

531
00:27:19,000 --> 00:27:21,840
Speaker 2: talk about. They might go, I know they go to restaurants.

532
00:27:21,880 --> 00:27:23,400
Speaker 2: They I don't know what they eat that they might

533
00:27:23,440 --> 00:27:25,359
Speaker 2: go to restaurants and eat blue apron food.

534
00:27:25,600 --> 00:27:28,120
Speaker 3: Okay, right, so they're gonna go like Bob's Big Boy

535
00:27:28,200 --> 00:27:36,200
Speaker 3: and be like it's the soy glazed carrots. Yeah, wow,

536
00:27:36,240 --> 00:27:38,160
Speaker 3: you got really hungry.

537
00:27:38,640 --> 00:27:41,800
Speaker 4: So funny, like how it's just a knee jerk reaction.

538
00:27:43,560 --> 00:27:45,119
Speaker 3: But I didn't mean to get us off on this

539
00:27:45,200 --> 00:27:48,240
Speaker 3: whole thing talking about political Oh I don't.

540
00:27:48,119 --> 00:27:49,119
Speaker 6: Want to talk about the election.

541
00:27:49,560 --> 00:27:52,360
Speaker 3: Yeah, well, it's too insane to even capture.

542
00:27:52,560 --> 00:27:54,800
Speaker 4: I mean, it's like, what is there even left to say?

543
00:27:55,400 --> 00:27:57,639
Speaker 3: Well, did you see some of these speeches from some

544
00:27:57,720 --> 00:27:58,960
Speaker 3: of these clowns.

545
00:27:59,640 --> 00:28:05,320
Speaker 2: Yes, the one where the general uh got up there.

546
00:28:05,920 --> 00:28:09,320
Speaker 3: Yeah, and he was like the animated one from the

547
00:28:09,520 --> 00:28:10,600
Speaker 3: chess commercials, the j.

548
00:28:11,760 --> 00:28:15,560
Speaker 4: What a the general such a he's so full of himself.

549
00:28:15,840 --> 00:28:18,160
Speaker 3: Yeah, he thinks he's just such a great general.

550
00:28:19,000 --> 00:28:20,480
Speaker 2: And he wanted to shoot the missile.

551
00:28:23,080 --> 00:28:23,960
Speaker 6: I was watching that.

552
00:28:24,760 --> 00:28:27,080
Speaker 4: I thought, give me a break.

553
00:28:28,280 --> 00:28:29,399
Speaker 3: Hey, I was watching that.

554
00:28:33,280 --> 00:28:35,080
Speaker 1: Who's that?

555
00:28:35,080 --> 00:28:39,120
Speaker 3: That's like a kid? You turned his TV off? Like

556
00:28:39,120 --> 00:28:41,800
Speaker 3: like his mom's like, I'm not joking around anymore. It's

557
00:28:41,840 --> 00:28:43,720
Speaker 3: time to go. That's this is part of my.

558
00:28:44,480 --> 00:28:47,040
Speaker 6: Every you're getting along again, it's.

559
00:28:46,840 --> 00:28:48,600
Speaker 3: Going okay, I mean it's really up to Hayes.

560
00:28:48,640 --> 00:28:51,640
Speaker 2: I was getting along with this character. I'm getting along

561
00:28:51,680 --> 00:28:52,920
Speaker 2: with the little kid.

562
00:28:54,320 --> 00:28:55,600
Speaker 3: Hey, I was watching that.

563
00:28:55,720 --> 00:29:00,440
Speaker 1: Yes, this this person I like, I under standard.

564
00:29:01,040 --> 00:29:04,760
Speaker 3: I can stay him. I'm that good at character. I

565
00:29:04,760 --> 00:29:08,000
Speaker 3: could beat him the whole time watched it. Give me

566
00:29:08,040 --> 00:29:11,280
Speaker 3: something else, Give me any stimulus to respond to in

567
00:29:11,320 --> 00:29:17,120
Speaker 3: that character. Okay, literally, anything like a situation like making

568
00:29:17,200 --> 00:29:22,080
Speaker 3: up anything, making up that something happened, anything you want. Okay,

569
00:29:23,240 --> 00:29:31,040
Speaker 3: the school, something with school okay, okay, uh, the school

570
00:29:31,040 --> 00:29:34,640
Speaker 3: blew away? Hey, I was reading that.

571
00:29:37,440 --> 00:29:43,920
Speaker 2: You're reading the school yeah, mm hmm, what part of it?

572
00:29:44,000 --> 00:29:46,520
Speaker 4: The sign you guys are connecting and I don't care

573
00:29:46,560 --> 00:29:47,560
Speaker 4: if you're in character or not.

574
00:29:48,280 --> 00:29:52,480
Speaker 2: Yeah, what happened to you? And Tom?

575
00:29:53,000 --> 00:29:53,280
Speaker 1: Yeah?

576
00:29:53,600 --> 00:29:56,800
Speaker 3: Speaking of connecting, we got fired.

577
00:29:58,920 --> 00:30:03,600
Speaker 4: Oh no, hall fig Yeah went into one of his

578
00:30:04,000 --> 00:30:11,160
Speaker 4: quote Gingham fits. He showed up wearing made out of Gingham.

579
00:30:11,200 --> 00:30:16,760
Speaker 4: It looked like a picnic blanket. He said, get the

580
00:30:16,800 --> 00:30:21,720
Speaker 4: fuck off my set, and we thought he talking to

581
00:30:22,920 --> 00:30:23,320
Speaker 4: mm hm.

582
00:30:24,960 --> 00:30:25,560
Speaker 6: Extras.

583
00:30:27,480 --> 00:30:28,280
Speaker 4: He talking to me and.

584
00:30:28,360 --> 00:30:35,440
Speaker 3: Tom, Hey, Tom and Julie instead of like Lady Gingham style.

585
00:30:35,960 --> 00:30:42,040
Speaker 4: And then he threw a picnic basket full of pocket

586
00:30:42,040 --> 00:30:43,760
Speaker 4: squares with picnic basket prints.

587
00:30:43,760 --> 00:30:48,600
Speaker 2: So he wasn't just wearing a blanket. He was also, No,

588
00:30:48,640 --> 00:30:49,080
Speaker 2: he wasn't.

589
00:30:49,080 --> 00:30:49,840
Speaker 4: Oh I'm so sorry.

590
00:30:49,840 --> 00:30:50,000
Speaker 3: Did it?

591
00:30:50,120 --> 00:30:52,840
Speaker 4: Did I make it seem like he was wearing a blanket? No? No, no,

592
00:30:53,600 --> 00:30:56,240
Speaker 4: I'm sorry he was wearing a suit.

593
00:30:56,560 --> 00:30:58,440
Speaker 3: He'd be mad if I thought he wasn't wearing a

594
00:30:58,480 --> 00:30:59,280
Speaker 3: suit that.

595
00:30:59,320 --> 00:31:01,720
Speaker 4: Looked like it was made out of a like the

596
00:31:01,880 --> 00:31:04,760
Speaker 4: is it a tablecloth? Not the one in the Italian restaurant,

597
00:31:04,800 --> 00:31:05,920
Speaker 4: like the red and white chesnl.

598
00:31:05,840 --> 00:31:07,640
Speaker 1: A picnic blanket? No, I understand that.

599
00:31:07,680 --> 00:31:11,720
Speaker 2: But he also has a basket, which seems dangerous given

600
00:31:11,840 --> 00:31:14,760
Speaker 2: that you look like something that's one's supposed to have

601
00:31:14,760 --> 00:31:17,720
Speaker 2: a picnic on so somebody might take that basket and

602
00:31:17,800 --> 00:31:19,560
Speaker 2: think it's an invitation to sit on him and have

603
00:31:19,600 --> 00:31:21,160
Speaker 2: a picnic like which maybe it.

604
00:31:21,240 --> 00:31:23,800
Speaker 3: Was right, and especially ants.

605
00:31:25,000 --> 00:31:28,719
Speaker 2: And I wonder if a hungry like a notoriously crazily

606
00:31:28,800 --> 00:31:29,880
Speaker 2: hungry person like you.

607
00:31:30,200 --> 00:31:32,280
Speaker 6: Yeah, well that's unfair.

608
00:31:32,680 --> 00:31:35,520
Speaker 4: I think I don't know about the notoriety. I mean,

609
00:31:35,560 --> 00:31:37,240
Speaker 4: I just I just have a different way of expressing

610
00:31:37,280 --> 00:31:37,760
Speaker 4: my hunger.

611
00:31:38,160 --> 00:31:40,840
Speaker 3: Okay, it's yes, It's not that you're hungry more often

612
00:31:40,880 --> 00:31:43,480
Speaker 3: than other people. It's that when you are hungry, everyone

613
00:31:43,680 --> 00:31:44,120
Speaker 3: knows it.

614
00:31:44,800 --> 00:31:47,160
Speaker 4: Yeah, that's fair. Anyway, we got fired.

615
00:31:47,240 --> 00:31:48,440
Speaker 6: He didn't like what we were doing.

616
00:31:48,760 --> 00:31:52,080
Speaker 3: Oh no to the script and what did he want?

617
00:31:52,240 --> 00:31:53,760
Speaker 6: Something motely different?

618
00:31:54,400 --> 00:31:54,640
Speaker 1: You know.

619
00:31:54,760 --> 00:31:57,479
Speaker 4: He wanted jokes that were more current. He reminded us

620
00:31:57,480 --> 00:31:58,800
Speaker 4: that it was coming out in two and a half

621
00:31:58,960 --> 00:32:02,080
Speaker 4: years and the Brexit stuff wasn't working.

622
00:32:03,560 --> 00:32:07,320
Speaker 6: And here, you know.

623
00:32:07,400 --> 00:32:09,000
Speaker 3: Did he want stuff about this election?

624
00:32:09,200 --> 00:32:09,240
Speaker 4: No?

625
00:32:09,400 --> 00:32:10,400
Speaker 3: Too crazy? Right?

626
00:32:10,800 --> 00:32:13,959
Speaker 4: I thought it was too crazy. But now that you

627
00:32:14,000 --> 00:32:16,480
Speaker 4: say it, I think he may have wanted stuff about

628
00:32:16,480 --> 00:32:19,240
Speaker 4: this election. We blew it.

629
00:32:20,080 --> 00:32:22,960
Speaker 3: Hey, which which vice president do you like better? I'm

630
00:32:23,000 --> 00:32:30,520
Speaker 3: on the Pence. I can't decide, you know, can't. I

631
00:32:30,560 --> 00:32:31,200
Speaker 3: can go either way.

632
00:32:31,480 --> 00:32:32,120
Speaker 2: Is this that kid?

633
00:32:32,200 --> 00:32:34,880
Speaker 6: You can't You can't decide.

634
00:32:35,080 --> 00:32:37,360
Speaker 3: I'm on the Pence can't decide.

635
00:32:37,920 --> 00:32:39,280
Speaker 1: I don't know if this is the kid or not.

636
00:32:40,680 --> 00:32:43,840
Speaker 4: Tom and I are still friends, though, Well, it's like,

637
00:32:44,000 --> 00:32:46,720
Speaker 4: gotta make up my mind sooner or later about what?

638
00:32:47,440 --> 00:32:51,920
Speaker 3: But which president? Vice president? I'm running out of Tim

639
00:32:52,080 --> 00:32:52,880
Speaker 3: vice news.

640
00:32:53,240 --> 00:32:53,720
Speaker 1: You're running.

641
00:32:53,760 --> 00:32:54,400
Speaker 3: I can't decide.

642
00:32:54,400 --> 00:32:56,640
Speaker 1: You're running at it on the pens.

643
00:32:57,480 --> 00:33:00,120
Speaker 4: John votes for vice presidents.

644
00:33:01,120 --> 00:33:03,560
Speaker 3: You vote for, you pick your vote for president. I

645
00:33:03,600 --> 00:33:05,720
Speaker 3: know who I'm doing. I'm not gonna say. And then

646
00:33:05,760 --> 00:33:07,160
Speaker 3: you pick vice president.

647
00:33:08,760 --> 00:33:09,040
Speaker 1: You know.

648
00:33:11,120 --> 00:33:12,800
Speaker 3: You don't just vote for one person.

649
00:33:13,800 --> 00:33:16,400
Speaker 4: Is it weird that doctor Jill Stein was your psychiatrist

650
00:33:16,480 --> 00:33:17,400
Speaker 4: when you were a child.

651
00:33:18,280 --> 00:33:22,000
Speaker 3: Ooh, it's about as weird as one of Hillary's emails.

652
00:33:23,280 --> 00:33:27,640
Speaker 2: You're thinking of doctor Jill Stein? Is the is the

653
00:33:27,720 --> 00:33:33,480
Speaker 2: doctor you're thinking of? Doctor Gilstein's monster? Seoan psychiatrist was.

654
00:33:33,640 --> 00:33:36,800
Speaker 4: No, you're thinking of the person who created Transparent. That's

655
00:33:36,880 --> 00:33:38,280
Speaker 4: Jill sola Stein.

656
00:33:38,600 --> 00:33:43,720
Speaker 3: No, no, no, you're thinking of Jill Sobule monster. I

657
00:33:43,760 --> 00:33:47,240
Speaker 3: think so that was Sean's psychiatrist. No, joel Stein was

658
00:33:47,240 --> 00:33:51,240
Speaker 3: my psychiatrist Joe Gray No joel Stein. Remember in the

659
00:33:51,280 --> 00:33:53,760
Speaker 3: back of Entertainment Weekly, he had like a one page

660
00:33:53,800 --> 00:33:55,640
Speaker 3: thing he would do, and then Stephen King took over.

661
00:33:55,680 --> 00:33:56,480
Speaker 3: It's your uncle Stevie.

662
00:33:56,560 --> 00:34:01,840
Speaker 4: Uncle Stevie had so many things to say about earworms.

663
00:34:02,760 --> 00:34:08,600
Speaker 3: Mm hmm. He had some recommendations. Yeah.

664
00:34:08,760 --> 00:34:10,560
Speaker 6: One of them was that you go fuck yourself.

665
00:34:11,480 --> 00:34:14,680
Speaker 3: You did tell me to do that, yeah, as did

666
00:34:14,760 --> 00:34:15,280
Speaker 3: Jill Stein.

667
00:34:17,160 --> 00:34:19,640
Speaker 4: Were you in therapy when you were a little boy, Hayes.

668
00:34:19,400 --> 00:34:20,200
Speaker 3: When you were tiny?

669
00:34:20,800 --> 00:34:27,040
Speaker 2: Yeah, I was in hydros baseball therapy. You go to

670
00:34:27,120 --> 00:34:32,879
Speaker 2: like a baseball fantasy camp with like all your favorite guys,

671
00:34:32,920 --> 00:34:35,600
Speaker 2: Like all your favorite guys would be they're all the

672
00:34:35,640 --> 00:34:39,440
Speaker 2: big sluggers, but you would have to earn.

673
00:34:40,080 --> 00:34:42,040
Speaker 3: It was like about gathering baseballs.

674
00:34:42,080 --> 00:34:44,640
Speaker 2: The whole camp was about trying to accumulate as many

675
00:34:44,680 --> 00:34:48,400
Speaker 2: baseballs as possible, and you would do that by making

676
00:34:48,520 --> 00:34:52,400
Speaker 2: like big confessions and whoever had like the most baseballs

677
00:34:52,440 --> 00:34:55,280
Speaker 2: at the end would would be the best camper.

678
00:34:56,480 --> 00:34:59,680
Speaker 6: Did that help you with what confessing things?

679
00:35:01,040 --> 00:35:01,160
Speaker 3: Uh?

680
00:35:01,960 --> 00:35:03,640
Speaker 2: Yeah, I mean it ends up that you confess a

681
00:35:03,680 --> 00:35:06,759
Speaker 2: lot of stuff that is not that you didn't do

682
00:35:06,840 --> 00:35:08,080
Speaker 2: because you want baseballs.

683
00:35:08,200 --> 00:35:12,520
Speaker 6: Did it help you pack baseballs. Well, it helped me

684
00:35:12,840 --> 00:35:13,800
Speaker 6: at the end of the summer.

685
00:35:13,880 --> 00:35:15,800
Speaker 2: By the end of it, my shirt was really stretched

686
00:35:15,800 --> 00:35:17,839
Speaker 2: out because they don't give you anything to hold it with,

687
00:35:18,040 --> 00:35:20,719
Speaker 2: and so you're like using your shirt as like a

688
00:35:20,719 --> 00:35:25,680
Speaker 2: big baseball basket essentially. So did it help me get

689
00:35:25,680 --> 00:35:26,160
Speaker 2: a big shirt?

690
00:35:26,239 --> 00:35:28,120
Speaker 3: Yes? And then you want to fill up your shirt

691
00:35:28,160 --> 00:35:29,280
Speaker 3: see more blue apron.

692
00:35:30,520 --> 00:35:32,480
Speaker 2: Then you get big, you want to fill up your

693
00:35:32,520 --> 00:35:36,799
Speaker 2: shirt with your belly yeap. Yes, Hey, I was healing that.

694
00:35:36,800 --> 00:35:38,680
Speaker 2: That's that kid when he leaves therapy camp.

695
00:35:38,840 --> 00:35:42,160
Speaker 4: Oh sweet, how you guys once in a while, like.

696
00:35:43,680 --> 00:35:46,640
Speaker 3: That's the little kid. Anyway, I'm auditioning for the new

697
00:35:46,640 --> 00:35:52,200
Speaker 3: Mad TV and I'm working on some characters.

698
00:35:52,320 --> 00:35:52,759
Speaker 6: Let's go.

699
00:35:52,960 --> 00:35:56,239
Speaker 3: They don't want a lot of new characters. Yeah, I

700
00:35:56,239 --> 00:35:59,640
Speaker 3: want a lot of old characters. You will, Yeah, I've

701
00:35:59,640 --> 00:36:06,160
Speaker 3: got so you know, older impressions. Have you guys seen

702
00:36:06,280 --> 00:36:10,759
Speaker 3: my like, uh, John Cassavettis, I do Cassavetties, but I

703
00:36:10,840 --> 00:36:14,760
Speaker 3: do I do a different Cassavetties. I do Cassavetties. He's

704
00:36:14,840 --> 00:36:19,000
Speaker 3: stuck like his mouth is stuck closed.

705
00:36:25,600 --> 00:36:28,320
Speaker 2: It is when you say at the beginning of auditsha

706
00:36:28,480 --> 00:36:33,200
Speaker 2: that he's stuck. You should clarify that it has any

707
00:36:33,320 --> 00:36:35,120
Speaker 2: that it has something to do with But because when

708
00:36:35,120 --> 00:36:38,200
Speaker 2: people hear he's stuck, they don't think of it as

709
00:36:38,239 --> 00:36:43,200
Speaker 2: being like his mouth is stuck. Yes, that's for like,

710
00:36:43,520 --> 00:36:46,160
Speaker 2: it's like, I don't know, he has like lockjaw or something.

711
00:36:46,480 --> 00:36:49,000
Speaker 2: But when you say he's stuck, they're picturing him being

712
00:36:49,080 --> 00:36:50,640
Speaker 2: like caught somewhere.

713
00:36:50,680 --> 00:36:51,560
Speaker 1: But he should still be.

714
00:36:51,560 --> 00:36:53,720
Speaker 2: Able to speak if you just say he's stuck.

715
00:36:53,760 --> 00:36:56,480
Speaker 3: He doesn't have a lockjaw quicksand why does he have

716
00:36:56,680 --> 00:37:00,520
Speaker 3: Quicksand his mouth got so shut by the go from

717
00:37:00,680 --> 00:37:09,520
Speaker 3: seven Kemn Spacey the sick fuck from seven Oh Ship

718
00:37:09,719 --> 00:37:15,400
Speaker 3: that fucking movie. Dude cut off his own fingerprints unbelievably

719
00:37:15,520 --> 00:37:18,319
Speaker 3: sick and then he took those fingerprints and sprinkled them

720
00:37:18,360 --> 00:37:22,959
Speaker 3: over frozen and then he a teenage girl.

721
00:37:23,040 --> 00:37:24,200
Speaker 1: Do you know what? Do you know what was in

722
00:37:24,239 --> 00:37:27,560
Speaker 1: the box? You know what was in the box? A tooth?

723
00:37:29,680 --> 00:37:33,920
Speaker 3: Yeah? Yeah, one of his baby teeth mm hmm. It

724
00:37:34,040 --> 00:37:35,560
Speaker 3: sort of lets you in on the care like the

725
00:37:35,680 --> 00:37:37,759
Speaker 3: character of the tooth Fairy never came to see him.

726
00:37:38,120 --> 00:37:39,279
Speaker 1: That's all. It's all.

727
00:37:40,200 --> 00:37:43,480
Speaker 4: Here's what I like about the remake of Willy Wonka.

728
00:37:45,239 --> 00:37:47,719
Speaker 4: You got to see why he liked candy, and it

729
00:37:47,760 --> 00:37:49,840
Speaker 4: had to do with his father being a dentist and

730
00:37:49,880 --> 00:37:52,000
Speaker 4: not letting him have any m And.

731
00:37:52,640 --> 00:37:56,879
Speaker 2: You're watching, You're like, why why why does this guy,

732
00:37:57,000 --> 00:37:59,759
Speaker 2: fucking white kid be so much? Yeah, this guy's like

733
00:37:59,760 --> 00:38:02,600
Speaker 2: so obsessed with candy for no reason.

734
00:38:02,719 --> 00:38:07,240
Speaker 4: And I think that the father stuff this otherwise normal man. Good.

735
00:38:08,360 --> 00:38:13,000
Speaker 3: Yeah. I like the new Willy Wonka too, But again,

736
00:38:13,080 --> 00:38:16,080
Speaker 3: I'm not doing new characters for this Mad TV audition.

737
00:38:16,120 --> 00:38:17,680
Speaker 3: I'm doing old characters.

738
00:38:18,400 --> 00:38:20,440
Speaker 6: I'm sorry. Yeah, we're back to that.

739
00:38:20,840 --> 00:38:23,160
Speaker 3: What's another old one that you might want to see?

740
00:38:23,440 --> 00:38:26,920
Speaker 2: I think when they say that you're supposed to do

741
00:38:27,000 --> 00:38:28,880
Speaker 2: old kids, because I know they asked for the old characters,

742
00:38:28,880 --> 00:38:31,240
Speaker 2: but I think you're supposed to be like miss.

743
00:38:31,120 --> 00:38:36,240
Speaker 3: Swan okay, but her mouth is stuck together. Maybe that's interesting.

744
00:38:37,360 --> 00:38:47,240
Speaker 2: Now, who're going now? Is it the guy from the

745
00:38:47,280 --> 00:38:48,200
Speaker 2: seven that did that?

746
00:38:48,280 --> 00:38:48,760
Speaker 1: As well?

747
00:38:49,719 --> 00:38:51,960
Speaker 3: They all got their mouth showed by seven? And then

748
00:38:52,000 --> 00:38:53,799
Speaker 3: the last thing I do is I come in as

749
00:38:53,840 --> 00:38:57,200
Speaker 3: the guy from seven with a needle and thread in

750
00:38:57,239 --> 00:38:59,439
Speaker 3: a box? Huh?

751
00:38:59,480 --> 00:39:01,040
Speaker 4: Like that the Sandberg song?

752
00:39:01,520 --> 00:39:07,080
Speaker 3: Oh god, you're being very very inappropriate.

753
00:39:07,200 --> 00:39:10,600
Speaker 4: I ask you as a question, why isn't Justin Timberlake

754
00:39:10,760 --> 00:39:13,760
Speaker 4: on Saturday Night Live, like as a regular.

755
00:39:13,560 --> 00:39:22,279
Speaker 2: Cast permanent host should be sketchman, funny. He's great at everything,

756
00:39:22,440 --> 00:39:26,000
Speaker 2: the one where it's like, come.

757
00:39:25,840 --> 00:39:28,760
Speaker 4: On down, yeah, yeah, yeah the food?

758
00:39:29,080 --> 00:39:31,440
Speaker 2: Is this coming down to the food? Yeah?

759
00:39:32,000 --> 00:39:35,360
Speaker 4: Sean? Are you okay about your audition?

760
00:39:35,719 --> 00:39:39,799
Speaker 2: He doesn't. Yeah, the idea of you saying that Justin

761
00:39:39,800 --> 00:39:43,439
Speaker 2: Timberlake should always be on that and now I think

762
00:39:43,520 --> 00:39:47,080
Speaker 2: did I think it did hurt his feelings?

763
00:39:47,160 --> 00:39:50,880
Speaker 3: Well, just like obviously I see my TV as a

764
00:39:50,920 --> 00:39:55,640
Speaker 3: stepping stone to maybe being able to work on Justin

765
00:39:55,640 --> 00:39:56,640
Speaker 3: Timberlake's new tour.

766
00:39:58,040 --> 00:39:59,800
Speaker 4: Sean, I think you guys are totally different.

767
00:40:00,040 --> 00:40:02,200
Speaker 3: I guess.

768
00:40:03,440 --> 00:40:04,800
Speaker 4: You took a different path.

769
00:40:05,000 --> 00:40:10,240
Speaker 3: I'm a little more rugged, don't we think a lot tougher,

770
00:40:10,440 --> 00:40:11,960
Speaker 3: Yeah you're Yeah, you're coming.

771
00:40:11,760 --> 00:40:13,960
Speaker 6: From a about out.

772
00:40:13,760 --> 00:40:18,400
Speaker 3: Like a fight, like a fightier place. Yeah. I'm doing

773
00:40:18,400 --> 00:40:23,560
Speaker 3: a lot more cracking skulls. Whereas Timberlake, all he really

774
00:40:23,600 --> 00:40:25,640
Speaker 3: can do is sing a day.

775
00:40:25,760 --> 00:40:30,279
Speaker 4: Which is nice, Yeah, so funny when he goes on

776
00:40:30,400 --> 00:40:35,040
Speaker 4: Jimmy Fallon. Here's why the two of them are great.

777
00:40:35,440 --> 00:40:38,560
Speaker 4: They can sing, they can be funny.

778
00:40:38,920 --> 00:40:39,160
Speaker 1: Hmm.

779
00:40:39,320 --> 00:40:40,919
Speaker 3: I'll tell you, It's hard for me to worry about

780
00:40:40,960 --> 00:40:43,000
Speaker 3: any of that stuff when I'm just so worried about

781
00:40:43,000 --> 00:40:46,080
Speaker 3: this dang election. I mean it too, it's too crazy.

782
00:40:47,000 --> 00:40:49,000
Speaker 3: And the way some of these people are acting, are

783
00:40:49,040 --> 00:40:49,680
Speaker 3: you guys like.

784
00:40:49,680 --> 00:40:50,759
Speaker 4: A little scared?

785
00:40:51,320 --> 00:40:53,839
Speaker 2: I'm actually it's all it's not funny anymore. It's not

786
00:40:53,920 --> 00:40:54,920
Speaker 2: funny funny anymore.

787
00:40:54,960 --> 00:40:56,839
Speaker 4: Like at first it was a joke and we're all

788
00:40:56,960 --> 00:40:59,160
Speaker 4: laughing and it was so funny, but now it's not

789
00:40:59,239 --> 00:41:00,000
Speaker 4: funny anymore.

790
00:41:00,120 --> 00:41:01,319
Speaker 3: Stop being funny to me?

791
00:41:01,520 --> 00:41:01,920
Speaker 4: Scared?

792
00:41:02,920 --> 00:41:06,200
Speaker 3: Well, I mean, I'm happy to Tom Cruise didn't win

793
00:41:07,640 --> 00:41:10,800
Speaker 3: just because I wouldn't want him to be doing president

794
00:41:10,800 --> 00:41:16,279
Speaker 3: and not allowed to make more Jack Reacher. But I

795
00:41:16,320 --> 00:41:18,520
Speaker 3: am like he should endorse the other guy.

796
00:41:18,719 --> 00:41:23,240
Speaker 2: Can I say something? This is a message for somebody.

797
00:41:24,640 --> 00:41:28,400
Speaker 2: I thought that MacDonald drump again thing was a little

798
00:41:28,400 --> 00:41:29,000
Speaker 2: out of line.

799
00:41:29,040 --> 00:41:30,240
Speaker 1: It was a little mean.

800
00:41:30,960 --> 00:41:34,759
Speaker 4: It was pretty cut to it, cut through a lot

801
00:41:34,760 --> 00:41:34,840
Speaker 4: of it.

802
00:41:35,040 --> 00:41:37,560
Speaker 2: It was really hard, and I don't love a lot

803
00:41:37,560 --> 00:41:39,759
Speaker 2: of the guy's stuff. But I mean it's like, let's not,

804
00:41:40,000 --> 00:41:43,239
Speaker 2: you know, McDonald trump again. I mean, like there's a

805
00:41:43,400 --> 00:41:44,080
Speaker 2: line right.

806
00:41:45,760 --> 00:41:53,080
Speaker 3: For me, something being epically funny doesn't justify hurting someone

807
00:41:53,520 --> 00:41:55,839
Speaker 3: and I've got stuff that's epically funny. I could say

808
00:41:55,920 --> 00:42:00,680
Speaker 3: right now, but I think it would hurt some people feelings.

809
00:42:01,000 --> 00:42:03,520
Speaker 3: Probably Tom Sharpline would have his feelings hurt if I

810
00:42:03,560 --> 00:42:06,359
Speaker 3: said one of the most things that I'm thinking of,

811
00:42:06,560 --> 00:42:07,520
Speaker 3: But do you want.

812
00:42:07,360 --> 00:42:10,560
Speaker 4: To do it with your mouth shown up? So and shut?

813
00:42:13,360 --> 00:42:14,920
Speaker 1: That sounded like this squad.

814
00:42:15,239 --> 00:42:19,359
Speaker 4: Yes, I'm not standing by us, my friend, and you know,

815
00:42:19,760 --> 00:42:22,880
Speaker 4: but end of the day, I like the guy, so

816
00:42:22,920 --> 00:42:24,960
Speaker 4: I'm not going to destroy him.

817
00:42:25,360 --> 00:42:27,799
Speaker 3: And even if I didn't, it wouldn't be fair. And

818
00:42:27,840 --> 00:42:30,600
Speaker 3: so make Donald Trump again. Okay, we get it. You

819
00:42:31,080 --> 00:42:33,880
Speaker 3: uh show everyone how smart you are and how epically

820
00:42:33,920 --> 00:42:38,480
Speaker 3: funny you can be. But that guy's he's a person,

821
00:42:39,000 --> 00:42:40,640
Speaker 3: and it might be why he's doing some of the

822
00:42:40,640 --> 00:42:45,040
Speaker 3: stuff he's doing now, like isis like doing isis on us?

823
00:42:45,360 --> 00:42:47,000
Speaker 4: In other words, like if you pissed them off, they're

824
00:42:47,040 --> 00:42:47,959
Speaker 4: going to be mean or.

825
00:42:49,320 --> 00:42:51,719
Speaker 3: Yeah, and like Donald's doing isis on us?

826
00:42:51,800 --> 00:42:52,640
Speaker 1: Yeah, it's true.

827
00:42:53,120 --> 00:42:56,239
Speaker 2: That's a good point, Julie about isis These are human beings.

828
00:42:56,560 --> 00:42:58,080
Speaker 3: Yeah, I don't think.

829
00:42:57,920 --> 00:42:58,880
Speaker 6: That's what I said.

830
00:42:59,760 --> 00:43:03,800
Speaker 2: And well, some of those stuff we're doing with shooting

831
00:43:03,840 --> 00:43:05,799
Speaker 2: at them, how.

832
00:43:05,680 --> 00:43:06,520
Speaker 1: Would you like it?

833
00:43:06,680 --> 00:43:09,239
Speaker 3: Yeah, no, Julie Klausner makes a good point about it.

834
00:43:09,280 --> 00:43:11,400
Speaker 6: I didn't say that, and please don't.

835
00:43:11,239 --> 00:43:13,160
Speaker 3: Don't necessarily want to shoot them.

836
00:43:13,440 --> 00:43:14,440
Speaker 6: I didn't say that.

837
00:43:14,880 --> 00:43:17,600
Speaker 1: Unless yeah, yeah, think about you would.

838
00:43:17,280 --> 00:43:20,600
Speaker 3: Like to have that done at you, like if you're

839
00:43:20,640 --> 00:43:22,839
Speaker 3: in the suicide Squab for instance, by the way they

840
00:43:22,920 --> 00:43:24,400
Speaker 3: do Julie, Yeah.

841
00:43:24,160 --> 00:43:25,520
Speaker 6: So who has my cell?

842
00:43:26,960 --> 00:43:28,880
Speaker 3: A lot of people anger near Brett?

843
00:43:29,600 --> 00:43:31,520
Speaker 4: Well, that's because I wrote it on the on the own.

844
00:43:32,920 --> 00:43:34,520
Speaker 3: Yeah, that's right on the cash below.

845
00:43:34,760 --> 00:43:37,080
Speaker 6: It's part of Venmo the suicide.

846
00:43:37,160 --> 00:43:39,560
Speaker 3: The suicide supposed to be about people really.

847
00:43:39,320 --> 00:43:45,040
Speaker 2: Does like getting shot at and blown up, and they

848
00:43:45,280 --> 00:43:48,560
Speaker 2: like they do this stuff where they like lick knives.

849
00:43:49,400 --> 00:43:56,040
Speaker 4: I hate comic books. Why because they're not like alt men.

850
00:43:57,960 --> 00:43:59,800
Speaker 4: That's not how real people talk.

851
00:44:00,040 --> 00:44:01,200
Speaker 1: Alts ma'am.

852
00:44:01,400 --> 00:44:05,840
Speaker 3: Yeah, then, oh, that's another one of my Mad TV.

853
00:44:05,760 --> 00:44:11,280
Speaker 4: Characters are like Pitch seventy five alts every joke.

854
00:44:12,040 --> 00:44:15,439
Speaker 3: Mm hmm, yeah, alt Man, that's one of my Mad

855
00:44:15,480 --> 00:44:16,560
Speaker 3: TV characters.

856
00:44:16,680 --> 00:44:17,239
Speaker 1: Let's see him.

857
00:44:17,239 --> 00:44:19,319
Speaker 3: I make the writers give me a joke. They give

858
00:44:19,360 --> 00:44:23,520
Speaker 3: me like a punchline to a joke. You make the writers, Yeah,

859
00:44:23,600 --> 00:44:25,279
Speaker 3: a Mad TV I go, Hey, I'd love to be

860
00:44:25,280 --> 00:44:26,000
Speaker 3: a part of your show.

861
00:44:26,080 --> 00:44:30,000
Speaker 2: You're gonna love writing for this character a sketch. How

862
00:44:30,040 --> 00:44:31,560
Speaker 2: does this appear on screen?

863
00:44:32,080 --> 00:44:34,040
Speaker 3: Yeah? I would. I would come on screen and I

864
00:44:34,080 --> 00:44:37,319
Speaker 3: would get and I'd be like, I'd be like in

865
00:44:37,400 --> 00:44:39,880
Speaker 3: a writer's room. Oh okay, but I've got like a

866
00:44:39,920 --> 00:44:40,880
Speaker 3: propeller beanie on.

867
00:44:41,480 --> 00:44:43,720
Speaker 4: I like this because it's inside.

868
00:44:44,280 --> 00:44:45,120
Speaker 2: Yeah.

869
00:44:45,440 --> 00:44:49,759
Speaker 3: Yeah, well that's my life, better or worse. I'm a

870
00:44:49,800 --> 00:44:53,960
Speaker 3: Hollywood darling. Now they give me the punchline to a joke.

871
00:44:54,040 --> 00:44:59,040
Speaker 3: Let's say, for example, the punchline was McDonald trump again,

872
00:44:59,560 --> 00:45:07,239
Speaker 3: mm hmm something. You know you're typically funny. You can't be, no,

873
00:45:07,320 --> 00:45:11,160
Speaker 3: I am, but this just it's on our minds. Sure,

874
00:45:12,480 --> 00:45:17,280
Speaker 3: and I would be like, okay, here's seventy five alts

875
00:45:17,280 --> 00:45:21,719
Speaker 3: for that in the sketch. And then what I'll do

876
00:45:21,760 --> 00:45:23,760
Speaker 3: in my audition. I asked the writers to write seventy

877
00:45:23,760 --> 00:45:27,520
Speaker 3: five alts because obviously I'm bringing the character to the table.

878
00:45:27,560 --> 00:45:30,279
Speaker 4: Yeah you yes, Do you audition for the writers of

879
00:45:30,320 --> 00:45:32,440
Speaker 4: Mad TV before you audition for the producer?

880
00:45:32,520 --> 00:45:35,640
Speaker 3: I hope so, because this character is pretty reliant on it.

881
00:45:37,360 --> 00:45:41,200
Speaker 3: And if I'm just auditioning for like alfredy Numan or whatever,

882
00:45:42,880 --> 00:45:45,560
Speaker 3: then it's gonna be rough seas.

883
00:45:47,960 --> 00:45:55,239
Speaker 2: He never laughs at the auditions, fucked up stuff. It's

884
00:45:55,280 --> 00:45:56,440
Speaker 2: good if he's not laughing.

885
00:45:57,840 --> 00:45:59,920
Speaker 3: Does that guy could drink through a straw without a

886
00:46:00,160 --> 00:46:06,040
Speaker 3: in his mouse? You got a space in his teeth? Oh, guys.

887
00:46:06,080 --> 00:46:08,600
Speaker 2: I saw a version of him on Mount Rushmore once.

888
00:46:09,160 --> 00:46:10,040
Speaker 1: Yeah, on one of the.

889
00:46:10,000 --> 00:46:11,520
Speaker 6: Magazine I think I saw that too.

890
00:46:12,960 --> 00:46:16,480
Speaker 2: Is that photo as if he was an old president?

891
00:46:17,960 --> 00:46:23,520
Speaker 2: That's outraged President Newman? But honestly, with politics that is becoming.

892
00:46:23,760 --> 00:46:27,000
Speaker 3: I know who's on your Mount Crushmore?

893
00:46:28,320 --> 00:46:29,360
Speaker 6: Hello Newman?

894
00:46:29,719 --> 00:46:31,399
Speaker 3: Okay, remember number one.

895
00:46:32,680 --> 00:46:33,399
Speaker 4: Then it's like.

896
00:46:34,800 --> 00:46:37,840
Speaker 3: Hello Mickey okay, and then it's.

897
00:46:37,719 --> 00:46:39,480
Speaker 6: Like hello real Kramer.

898
00:46:40,640 --> 00:46:44,920
Speaker 4: And then it's like hello Dave Mandel.

899
00:46:45,840 --> 00:46:47,560
Speaker 3: Dave Mandel's on my Mount Crushmore.

900
00:46:47,640 --> 00:46:48,239
Speaker 4: For that's it.

901
00:46:48,280 --> 00:46:48,719
Speaker 6: That's all for.

902
00:46:49,760 --> 00:46:55,560
Speaker 2: It's Newman Mickey, yes, the real life guy who was

903
00:46:55,600 --> 00:47:00,360
Speaker 2: the inspiration was based on and Dave Mandel, Yes, runner

904
00:47:00,360 --> 00:47:00,760
Speaker 2: of Feep.

905
00:47:01,080 --> 00:47:08,359
Speaker 3: Yes, okay, yeah, that's a really strong amount crush More.

906
00:47:08,960 --> 00:47:10,719
Speaker 3: Does anyone have anything different from that?

907
00:47:11,920 --> 00:47:18,680
Speaker 2: Mine's all animals from movies. Dunstan from Dunstan Chackson, just

908
00:47:18,680 --> 00:47:25,200
Speaker 2: for his being so brave, the big dog from the Sandlot,

909
00:47:25,600 --> 00:47:27,239
Speaker 2: the big dog that they were all scared of That

910
00:47:27,280 --> 00:47:31,960
Speaker 2: turned out to be nice, Yeah, because he's very courageous

911
00:47:31,960 --> 00:47:32,319
Speaker 2: as well.

912
00:47:33,680 --> 00:47:35,239
Speaker 1: Were there any other animals?

913
00:47:37,000 --> 00:47:41,520
Speaker 3: No, Dunston I think did a second movie. No.

914
00:47:41,719 --> 00:47:44,640
Speaker 2: I think it just seemed like Dunstan checks in was

915
00:47:44,800 --> 00:47:49,200
Speaker 2: the title of a sequel, But I think it was

916
00:47:49,280 --> 00:47:54,120
Speaker 2: just the first movie. There was a seal in one movie.

917
00:47:54,640 --> 00:47:58,160
Speaker 2: Remember the girls dancing with the seal Zeus and rocks

918
00:47:58,200 --> 00:47:58,400
Speaker 2: in it?

919
00:47:59,160 --> 00:48:01,719
Speaker 3: No girl, the.

920
00:48:01,719 --> 00:48:03,040
Speaker 6: B girls got an animal.

921
00:48:03,239 --> 00:48:04,720
Speaker 4: There was a little girl on a b outfit.

922
00:48:05,160 --> 00:48:11,440
Speaker 2: What oh ew speaking of seal, I really got to

923
00:48:11,520 --> 00:48:12,360
Speaker 2: drain the weasel.

924
00:48:14,239 --> 00:48:17,080
Speaker 4: When you say Mount crush first of all, thank you John.

925
00:48:18,160 --> 00:48:20,200
Speaker 4: Second of all, when you say Mount crushmore, people we

926
00:48:20,239 --> 00:48:21,759
Speaker 4: have crushes on, or people that we think we could

927
00:48:21,800 --> 00:48:24,560
Speaker 4: crush it with if we were to pursue a project together.

928
00:48:25,239 --> 00:48:26,480
Speaker 3: Uh well, I picked.

929
00:48:26,280 --> 00:48:31,160
Speaker 4: All boys and then he started picking animals, and I

930
00:48:31,600 --> 00:48:33,320
Speaker 4: guess I'm just not on the same page.

931
00:48:33,600 --> 00:48:38,960
Speaker 3: Yeah, Oh, I guess my Mount Crushmore is all different

932
00:48:39,239 --> 00:48:47,680
Speaker 3: models of plane geezuce the Boeing seven forty seven, Bowing

933
00:48:47,719 --> 00:48:56,520
Speaker 3: seven twenty seven, Bowing seven thirty seven in between those. Anyway,

934
00:48:56,520 --> 00:49:03,439
Speaker 3: there's only three planes on my mouth crush, So we've

935
00:49:03,480 --> 00:49:09,359
Speaker 3: had a silly good time. Is how do I watch

936
00:49:09,360 --> 00:49:10,440
Speaker 3: difficult People.

937
00:49:19,200 --> 00:49:19,439
Speaker 2: TV?

938
00:49:19,640 --> 00:49:21,040
Speaker 1: Or where should I sit?

939
00:49:21,600 --> 00:49:25,239
Speaker 4: Yeah, it's the most comfortable, I guess.

940
00:49:25,680 --> 00:49:30,600
Speaker 3: Yeah, you guys sit on the floor. Guys, if I'm

941
00:49:30,600 --> 00:49:32,719
Speaker 3: at someone else's house, if I'm a guest, I sit

942
00:49:32,760 --> 00:49:35,280
Speaker 3: on the floor and then I make them feel strange

943
00:49:35,280 --> 00:49:35,759
Speaker 3: about it.

944
00:49:36,560 --> 00:49:39,200
Speaker 1: Mine's cold. It's all black and white tile.

945
00:49:40,719 --> 00:49:42,120
Speaker 4: Hulu dot com.

946
00:49:42,400 --> 00:49:44,600
Speaker 3: There's no more Hulu Plus from my internet.

947
00:49:44,880 --> 00:49:46,480
Speaker 4: I think it's just regular Hulu.

948
00:49:48,560 --> 00:49:57,040
Speaker 2: Come TV with us, ah, is it like, come Comma TV, Karma.

949
00:49:56,680 --> 00:49:59,680
Speaker 3: With us with you?

950
00:50:00,239 --> 00:50:08,240
Speaker 4: Come TV, Come TV, Come TV on my tits and stomach.

951
00:50:09,320 --> 00:50:13,120
Speaker 2: Come TV. Mm hmm, come TV.

952
00:50:13,719 --> 00:50:15,600
Speaker 4: Come TV on my tits and stomach.

953
00:50:16,680 --> 00:50:18,880
Speaker 3: Right, come TV.

954
00:50:18,680 --> 00:50:19,680
Speaker 4: On my tits and stomach.

955
00:50:21,800 --> 00:50:22,080
Speaker 1: Wow.

956
00:50:23,120 --> 00:50:24,719
Speaker 4: Yeah, it's edgy ship.

957
00:50:25,280 --> 00:50:27,240
Speaker 2: Wow. Mendy sign off.

958
00:50:27,120 --> 00:50:30,160
Speaker 4: About Mandy came up with it.

959
00:50:34,160 --> 00:50:45,960
Speaker 2: Casual casual where she's like where the guy's like any

960
00:50:46,280 --> 00:50:54,360
Speaker 2: sexual activity lately? The doctor She's like here and there, Okay,

961
00:50:54,400 --> 00:50:57,600
Speaker 2: but you know it's been more. It's been more than that.

962
00:50:57,640 --> 00:50:59,400
Speaker 2: You have to watch the show to see why she

963
00:50:59,600 --> 00:51:00,000
Speaker 2: was lying.

964
00:51:00,400 --> 00:51:03,239
Speaker 3: Yeah, but you can tell she's the kind of understating it.

965
00:51:03,360 --> 00:51:06,560
Speaker 2: Yeah, And the guys like the other guy's like, did

966
00:51:06,560 --> 00:51:09,040
Speaker 2: you have seck on my hot tub? And the girls

967
00:51:09,080 --> 00:51:14,120
Speaker 2: like mmmm, yeah, I'm guessing can you not?

968
00:51:15,840 --> 00:51:20,000
Speaker 3: And that's the commercial, So imagine the whole episode.

969
00:51:20,920 --> 00:51:24,040
Speaker 4: It's not my show, Julie.

970
00:51:24,480 --> 00:51:24,680
Speaker 2: Enough.

971
00:51:27,239 --> 00:51:33,360
Speaker 3: Ah, we talked about your show. Jealous much jealous, jealous

972
00:51:33,400 --> 00:51:35,759
Speaker 3: at all. If you want us to talk about the

973
00:51:35,760 --> 00:51:38,560
Speaker 3: show like this, do some of this stuff. What you

974
00:51:38,600 --> 00:51:43,960
Speaker 3: guys having sex lately here and there? But you know

975
00:51:44,200 --> 00:51:52,120
Speaker 3: that mentally she's going like so much every day. Fucking Jason,

976
00:51:52,200 --> 00:51:55,319
Speaker 3: right man, fucking insane. Man.

977
00:51:55,800 --> 00:52:02,759
Speaker 2: Are you guys going to switch shows ever? Have you

978
00:52:02,800 --> 00:52:04,040
Speaker 2: ever thought about switching shows?

979
00:52:04,120 --> 00:52:06,480
Speaker 4: You know how that did not go well with the

980
00:52:07,360 --> 00:52:08,640
Speaker 4: what was the pac Man show?

981
00:52:08,719 --> 00:52:09,200
Speaker 6: Deadbeat?

982
00:52:09,920 --> 00:52:12,440
Speaker 3: Oh yeah, pac Man versus Deadbeat Pixels.

983
00:52:12,560 --> 00:52:17,200
Speaker 4: Yeah, so we tried to replace Billy. Well, one of

984
00:52:17,200 --> 00:52:19,279
Speaker 4: the episodes is see if it worked, and it didn't our.

985
00:52:19,239 --> 00:52:24,400
Speaker 3: Work put pac Man in instead of Billy, different chemistry,

986
00:52:24,440 --> 00:52:28,320
Speaker 3: it was like a different dynamic young Billy and Mikener

987
00:52:29,480 --> 00:52:34,480
Speaker 3: what a classy guy. Fucking dude. They didn't say you

988
00:52:34,520 --> 00:52:36,680
Speaker 3: can't replace him with pac Man.

989
00:52:36,920 --> 00:52:38,040
Speaker 4: I know that's what I said.

990
00:52:38,640 --> 00:52:41,200
Speaker 2: And that other in that pac Man show, Deadbeat, the

991
00:52:41,239 --> 00:52:44,880
Speaker 2: wrong Man, they never said that. It was like that

992
00:52:44,920 --> 00:52:48,280
Speaker 2: he's helping these ghosts, but that it's the pac Man ghosts.

993
00:52:48,880 --> 00:52:51,759
Speaker 4: Stinky Inkky and coconuts.

994
00:52:53,239 --> 00:52:55,520
Speaker 1: Yeah, and it's like, don't help.

995
00:52:55,400 --> 00:52:58,680
Speaker 6: Bab That's why.

996
00:52:59,000 --> 00:53:01,759
Speaker 4: And see if that had gone forward, there would have

997
00:53:01,760 --> 00:53:03,680
Speaker 4: been a missus pac Ben. It would have told him that.

998
00:53:05,600 --> 00:53:08,600
Speaker 6: I hope when female characters are like, knock it.

999
00:53:08,600 --> 00:53:11,440
Speaker 4: Off, stop it.

1000
00:53:13,800 --> 00:53:15,080
Speaker 3: Sometimes women say.

1001
00:53:14,920 --> 00:53:18,800
Speaker 4: That you're you're giving me the finger.

1002
00:53:19,760 --> 00:53:20,919
Speaker 3: That's not intentional.

1003
00:53:21,560 --> 00:53:25,480
Speaker 4: I know you need to pee, said you said. As

1004
00:53:25,239 --> 00:53:27,799
Speaker 4: as as soon as you said that, I just shut down.

1005
00:53:28,000 --> 00:53:29,319
Speaker 3: I'm in a state now.

1006
00:53:29,560 --> 00:53:30,680
Speaker 6: I don't know what happened.

1007
00:53:30,719 --> 00:53:33,040
Speaker 4: I don't know if it was the Timberlake thing for

1008
00:53:33,280 --> 00:53:37,120
Speaker 4: you or the pee thing for me. But I don't

1009
00:53:37,160 --> 00:53:38,560
Speaker 4: feel good about where we are.

1010
00:53:38,760 --> 00:53:40,360
Speaker 3: Well, we're not going to get to the bottom of

1011
00:53:40,400 --> 00:53:53,920
Speaker 3: it on this episode. You'll have to come back Julie.

1012
00:53:51,040 --> 00:53:53,040
Speaker 2: On our show.

1013
00:53:53,680 --> 00:54:04,279
Speaker 7: Bye Hollywood Handbook is brought to you by Wolf Cool Productions,

1014
00:54:04,320 --> 00:54:07,000
Speaker 7: a subsidiary of Calvin Noondhibbs.

1015
00:54:07,560 --> 00:54:11,319
Speaker 3: Our Baby