WEBVTT - Episode 447 | Day and Night

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<v Speaker 1>The volume.

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<v Speaker 2>Welcome to new Rory and Maul on Netflix. I was excited.

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<v Speaker 2>You can never get this guy excited.

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<v Speaker 1>Hey we're on Netflix.

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<v Speaker 2>I've seen the greatest of shows with this guy, live

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<v Speaker 2>performances that blew my mind and mall just not even

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<v Speaker 2>being on Netflix does anything.

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<v Speaker 3>It's very stoic.

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<v Speaker 1>It's my j prince right there.

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<v Speaker 2>I mean, we do need to do a twenty three

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<v Speaker 2>meters with you guys. I mean somewhere down the line.

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<v Speaker 2>There's some relatives, some relations for sure. But yes, welcome

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<v Speaker 2>to our first episode on Netflix, well, our first new one,

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<v Speaker 2>because we did upload some older episodes just so people

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<v Speaker 2>that were discovering the show could have an idea.

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<v Speaker 3>But we are here, We have arrived.

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<v Speaker 4>We are here, and then the forest of k Netflix

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<v Speaker 4>will never be the same?

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<v Speaker 1>Will readia for Netflix?

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<v Speaker 2>Should we do it like promote this the way they

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<v Speaker 2>promote all like the new podcast of like they're going

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<v Speaker 2>to say the craziest thing, No one's safe.

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<v Speaker 3>Yeah, when these guys get on the microphone.

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<v Speaker 1>The culture will shift as a result.

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<v Speaker 3>The tectonic plates.

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<v Speaker 4>Yes, nothing will be the same, but we are happy

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<v Speaker 4>to be here at on our new home.

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<v Speaker 1>Yes Netflix, So yeah, man, let's get to it.

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<v Speaker 2>Let's have some fun. Yeah, I add some uh unnamed

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<v Speaker 2>champagne here. I'll keep the logo this way. But you know,

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<v Speaker 2>just I thought it was a nice, nice gesture. And

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<v Speaker 2>on a snow day too. I hope Netflix already Uh

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<v Speaker 2>we're complaining.

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<v Speaker 1>Alcoholics always need a reason to drink, don't they.

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<v Speaker 2>I think being on Netflix is a pretty good uh yeah,

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<v Speaker 2>pretty good thing. And I was sober through the entire

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<v Speaker 2>snow experience. So nobody believes that I swear to God.

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<v Speaker 2>Nobody believes that.

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<v Speaker 1>You think that helps you do? I put that on

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<v Speaker 1>my mama.

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<v Speaker 5>You don't even talk to you, you know, I said, Rory,

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<v Speaker 5>I said roral tweets.

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<v Speaker 3>Is that close to it?

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<v Speaker 5>I said yesterday that said it was a girl that

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<v Speaker 5>said I swear out my life. And the dude responded

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<v Speaker 5>was like, bitch, you suicidal swear on something.

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<v Speaker 1>Yeah, like you are, mama already to be You need.

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<v Speaker 3>To monetize from Netflix alive? Can we do that?

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<v Speaker 2>I don't know, keep it, but listen, they they write

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<v Speaker 2>people live on Netflix.

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<v Speaker 3>It's in the scripted series.

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<v Speaker 1>Yeah, that is true.

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<v Speaker 5>It's so like I think, Oh, there's an intimacy coordinator

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<v Speaker 5>I feel like we need an intimacy coordinator.

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<v Speaker 3>Is what do they do?

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<v Speaker 2>So?

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<v Speaker 5>Intimacy coordinator is someone that goes on the sets of

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<v Speaker 5>TV shows, movies and things like that for sex scenes

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<v Speaker 5>or like any type of like seeing that if those

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<v Speaker 5>two people, Yeah, like that.

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<v Speaker 3>Would make people uncomfortable.

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<v Speaker 1>Probably God.

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<v Speaker 5>Yeah. So they like place like balls and like little

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<v Speaker 5>cover ups in between nipples and like they.

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<v Speaker 3>Make sure like cover between nipples when.

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<v Speaker 5>People are having sex on Netflix while they're not actually

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<v Speaker 5>having sex, So there needs.

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<v Speaker 3>To be covered.

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<v Speaker 1>Don't cover my nipples.

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<v Speaker 3>We covered my nipples for not not your nipples.

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<v Speaker 1>Cover her nipples?

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<v Speaker 3>Yes, what so that she's comfortable.

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<v Speaker 2>She's acting them all with pasties on and the sex

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<v Speaker 2>scene is just funny.

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<v Speaker 3>She's not really fucking like she's No.

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<v Speaker 4>I get that part, but I'm saying, you don't have

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<v Speaker 4>to cover the nipples for us to not like nobody

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<v Speaker 4>thinks we're really having sex.

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<v Speaker 5>It's not about we're not, but it's uncomfortable for the actor. Yeah,

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<v Speaker 5>but we still see nipples though sometimes, but it's not rubbing.

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<v Speaker 5>I've never seen a sex scene and did not see nipples.

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<v Speaker 1>What.

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<v Speaker 2>No, there's yes, you can have. I saw the saw

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<v Speaker 2>the boob and it was Pasty's on a nipple.

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<v Speaker 3>No, No, it's.

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<v Speaker 2>Like hiding nipple purposely in the scene because it's not

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<v Speaker 2>Maybe are rated, they are covered by things like I.

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<v Speaker 4>Get genitalia being covered. I get that part. But I've

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<v Speaker 4>never seen a really.

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<v Speaker 1>Good sex scene.

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<v Speaker 5>I'm doing a scene and I'm laying on my back

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<v Speaker 5>and there's a man on top of me. There is

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<v Speaker 5>something in between my orogenous zones so that when he's

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<v Speaker 5>rubbing against me, it's not uncomfortable for the both of us.

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<v Speaker 1>Okay, all right, So won't be watching that movie. You

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<v Speaker 1>don't see it. You don't see it. It's for that actor.

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<v Speaker 4>No, I can tell I know a good sex scene

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<v Speaker 4>versus the sexcey where they had no chemistry.

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<v Speaker 1>Those actors had the chemistry.

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<v Speaker 4>Those are the ones with the pasties and the rogin

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<v Speaker 4>his zone blockers. I don't want to see a sex

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<v Speaker 4>scene with the rogin his zone blocker.

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<v Speaker 2>All right, let me try to say disrespect, because I

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<v Speaker 2>have a lot of respect for for Chloe Bailey. In

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<v Speaker 2>that scene in that show that went viral, it's pretty

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<v Speaker 2>much the trailer.

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<v Speaker 3>To to watch them.

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<v Speaker 2>Yeah, when he's blowing her back out and you see

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<v Speaker 2>kind of her arch like the top of her cheeks.

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<v Speaker 2>You don't think there was like close between them there.

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<v Speaker 2>You can't I know that, Okay, I'm saying that if

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<v Speaker 2>if a woman is and she had paid, like even

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<v Speaker 2>though our shirt was off, she had things on her tips,

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<v Speaker 2>you just can't see that, Okay, Okay, all right, maybe

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<v Speaker 2>we're over explaining. No ononder they didn't get a mall emmy.

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<v Speaker 2>I doubt there's been any real I think it's like

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<v Speaker 2>a like union mandated.

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<v Speaker 3>You can't just have but ass sexies unless you're These

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<v Speaker 3>are not regular cups. These this is for the beer pong.

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<v Speaker 3>I clean them, Okay.

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<v Speaker 2>Marriage nobody's drinking that, don't worry about it. It looks

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<v Speaker 2>just for the camera.

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<v Speaker 4>Rodging his own blockers. That's the celebratory zone blocker.

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<v Speaker 2>So what what would the intimacy counselor do for our show?

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<v Speaker 1>Coordinator?

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<v Speaker 2>Yeah, made one of our sketches, Yet.

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<v Speaker 5>They would like make sure okay we're on. It's so

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<v Speaker 5>weird because we're on Netflix now and I'm like afraid,

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<v Speaker 5>like my aunts are tuned in for sure. All the

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<v Speaker 5>crazy things I would say for the YouTube community, I'm.

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<v Speaker 4>Over here, like you're afraid to say things on Netflix

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<v Speaker 4>but not YouTube.

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<v Speaker 5>Yeah, just because I feel like Netflix is for the

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<v Speaker 5>like my aunts and them have Netflix, like my my

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<v Speaker 5>my mother has Netflix. My mother's not going to YouTube

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<v Speaker 5>to watch this show. Like it's just different. I don't know,

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<v Speaker 5>it's so easily accessible.

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<v Speaker 2>Yeah. I will say I went to my godfather's right

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<v Speaker 2>before the snowstorm and it was a bunch of adults

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<v Speaker 2>there and they were thrilled that it was on, like, oh,

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<v Speaker 2>I can finally watch it.

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<v Speaker 1>Mm hmm.

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<v Speaker 2>I was like, you do know YouTube? Like it was

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<v Speaker 2>on your phone? You could have like no, I don't

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<v Speaker 2>know how to do that. Now, could you go on

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<v Speaker 2>my TV and watch it?

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<v Speaker 3>Yeah?

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<v Speaker 2>The adults were thrilled. Where your whole older family is

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<v Speaker 2>going to see all the foul things that you say.

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<v Speaker 2>And you may want to hire an intimacy coordinator for

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<v Speaker 2>times like this.

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<v Speaker 5>For like times when Maul is like asking me if

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<v Speaker 5>I'm ovulating, like like I need intimacy over here, like

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<v Speaker 5>are you okay? Like is that okay?

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<v Speaker 2>Well?

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<v Speaker 1>By though, like this is I can't ask if you're ovulator?

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<v Speaker 4>What's wrong with that? That's like a major that's like

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<v Speaker 4>a normal bodily, i'd s.

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<v Speaker 3>Yeah, that's how the population continues. I understand. Yeah, I'm

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<v Speaker 3>that you were concerned for the baby.

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<v Speaker 4>I'm on the side of if you're ovulating, if you're

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<v Speaker 4>you know, on your monthly out listen, I'm one of

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<v Speaker 4>those out you can take the time off, like I'm

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<v Speaker 4>one of those guys.

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<v Speaker 3>I can take this time off with I'm on my

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<v Speaker 3>monthly since win. I'm been onto my past for five years.

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<v Speaker 4>Okay, baby, if you're on your menstrul, you're on your cycle,

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<v Speaker 4>just send me the app so I can track it,

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<v Speaker 4>and then I will give you to you.

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<v Speaker 2>I have to be able to prove it. I have

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<v Speaker 2>to be able to prove it. I have to be

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<v Speaker 2>able to prove that she even the period apps, you

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<v Speaker 2>personally submit that in there, they can guess.

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<v Speaker 1>But the baby gives it to me. Now, I can

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<v Speaker 1>kind of track it now.

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<v Speaker 3>But what if she switches to birth control and it

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<v Speaker 3>changed has to control.

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<v Speaker 1>She has to tell me that as her as her employer,

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<v Speaker 1>she has to tell me that, okay, left until my monthly.

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<v Speaker 4>Okay, so send me to the date and then I'll

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<v Speaker 4>track it from there and then one day if you

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<v Speaker 4>come me like Ma you know what.

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<v Speaker 1>I'm cramping. I'm not like listening. I'll check the app. Yeah,

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<v Speaker 1>intimisson Coordinator, right, are you.

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<v Speaker 3>Gonna keep pushing notifications on?

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<v Speaker 1>Yes? Absolutely? I want to know when baby deeds ovulating? Okay, cool?

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<v Speaker 5>You know that in that app you also track every

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<v Speaker 5>time you have sex too, So I don't know if

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<v Speaker 5>you want to put your push notifications on every time.

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<v Speaker 1>You have to know I won't get no sleep. I

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<v Speaker 1>should be going.

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<v Speaker 2>I'll be like, oh, baby, baby, go to bed.

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<v Speaker 1>Baby D's added a.

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<v Speaker 3>Yeah, yo.

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<v Speaker 2>Imagine I had pushed notification, Oh baby having yo? Please

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<v Speaker 2>definite like yo, if you don't go, take your horny

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<v Speaker 2>ash to sleep?

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<v Speaker 3>Man, what's roll with you? It's a nasty collab calendar.

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<v Speaker 1>Yes, we need it, though.

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<v Speaker 4>We need to know when baby's not feeling well? What

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<v Speaker 4>the all women, not just baby, the all women. That

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<v Speaker 4>should be a thing. You're on your monthly you're not

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<v Speaker 4>feeling women should be able to stay home, man, that's

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<v Speaker 4>that's a natural thing.

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<v Speaker 2>My favorite story of when a director needed it, Intimacy

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<v Speaker 2>Coordinator was Dame when he got sued. And I want

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<v Speaker 2>to make it clear that Dame beat this case. They

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<v Speaker 2>never say when Dame beats the lawsuits. He was directing

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<v Speaker 2>a movie and he told a woman he was too

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<v Speaker 2>uncomfortable to talk about sex with her and director that way.

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<v Speaker 2>So he gave her a porno DP and say, yo,

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<v Speaker 2>go watch this.

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<v Speaker 1>You know what I'm saying, intimacy? What is it? Coordinator? Intimate?

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<v Speaker 2>She coordinated the way Dame explained it.

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<v Speaker 3>He was like, no, I was doing the respectful thing.

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<v Speaker 2>It would have been disrespectful if I went to her

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<v Speaker 2>like I need you to suck like this, fuck like this.

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<v Speaker 2>To me, I felt that was too inappropriately. Watched this,

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<v Speaker 2>so I was like, yo, here you go, like, do

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<v Speaker 2>what they do on do what they do? Go in

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<v Speaker 2>the car and come back. Go in the car, got

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<v Speaker 2>seven minutes to get back here. Well, flick the bean.

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<v Speaker 1>Come back.

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<v Speaker 2>Let's get to the scene. Flick the bean, get to

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<v Speaker 2>the scene. How mars, how do you think you're doing

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<v Speaker 2>a scripted sex thy? Not really having sex? Like I've

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<v Speaker 2>thought about that. Would you want that last night?

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<v Speaker 1>Underneath you?

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<v Speaker 3>Somebody I wasn't at one top.

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<v Speaker 1>Wait you have baby, she always shout it.

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<v Speaker 5>Feel I would want somebody I wasn't attracted to, Like

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<v Speaker 5>I don't want my biggest crush. You know what I'm

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<v Speaker 5>saying as an actor, because then you know, it gets uncomfortable,

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<v Speaker 5>get real uncomfortable.

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<v Speaker 1>It's real. You might get an oscar.

0:09:54.880 --> 0:09:57.319
<v Speaker 3>I can't turn myself on, might get an oscar. He

0:09:57.400 --> 0:09:58.559
<v Speaker 3>might slip it in by accident.

0:09:59.520 --> 0:10:03.000
<v Speaker 4>See that's why, that's why he needs an intimacy coordinated counselor.

0:10:03.280 --> 0:10:05.880
<v Speaker 3>That's essentially because she's into him, is what I'm saying.

0:10:05.960 --> 0:10:07.720
<v Speaker 1>Yeah, I can't. I don't think. No, I would rather

0:10:07.760 --> 0:10:11.400
<v Speaker 1>have somebody I'm not attracted to. I've never explained to

0:10:11.440 --> 0:10:12.680
<v Speaker 1>explain it because it's work.

0:10:12.840 --> 0:10:14.680
<v Speaker 5>It's the same thing where I won't want a podcast

0:10:14.720 --> 0:10:16.400
<v Speaker 5>with somebody that I'm attracted.

0:10:15.960 --> 0:10:16.920
<v Speaker 3>To, like it's work.

0:10:17.040 --> 0:10:21.200
<v Speaker 5>No, I mean, like, norady, y'all, no, shady, what are

0:10:21.200 --> 0:10:21.760
<v Speaker 5>you talking about?

0:10:21.760 --> 0:10:23.760
<v Speaker 3>Why would you want to because if I'm like.

0:10:23.800 --> 0:10:26.079
<v Speaker 5>If I find you cute in it, like, it's distract

0:10:26.120 --> 0:10:26.800
<v Speaker 5>it's a distraction.

0:10:27.120 --> 0:10:28.760
<v Speaker 3>Are you seeing what I'm saying? Because they don't flirting.

0:10:28.760 --> 0:10:31.720
<v Speaker 5>I'm not acting like with y'all, I'm actively like being funny,

0:10:31.920 --> 0:10:35.240
<v Speaker 5>being a personality. If I'm attracted to them, like I'm like,

0:10:35.360 --> 0:10:38.120
<v Speaker 5>I'm putting on my best riz like it's just it's

0:10:38.120 --> 0:10:38.680
<v Speaker 5>a distraction.

0:10:39.080 --> 0:10:40.760
<v Speaker 3>I can I'm an adult.

0:10:40.840 --> 0:10:43.800
<v Speaker 2>I can have a coise those two different things, for

0:10:43.800 --> 0:10:47.719
<v Speaker 2>for sure, Like I'm not every day you want to

0:10:47.760 --> 0:10:49.600
<v Speaker 2>be funnier maybe when you're sitting there, but that just

0:10:49.640 --> 0:10:51.760
<v Speaker 2>makes for a better pot. But I could contain myself

0:10:51.800 --> 0:10:55.800
<v Speaker 2>from like really trying to flirt, like because I'm attracted to.

0:10:55.840 --> 0:10:57.760
<v Speaker 5>Somebody, it's not even just even if even if you

0:10:57.840 --> 0:11:00.439
<v Speaker 5>aren't acting on it, it's a distraction. Like if I'm

0:11:00.440 --> 0:11:02.880
<v Speaker 5>looking at Rory like damn, yo, he looks so good,

0:11:02.920 --> 0:11:03.560
<v Speaker 5>I'm distracted.

0:11:03.640 --> 0:11:04.040
<v Speaker 1>I can't.

0:11:04.080 --> 0:11:05.480
<v Speaker 3>I can't put you pout for a little.

0:11:05.520 --> 0:11:08.120
<v Speaker 2>I feel like you could fight through the urges every

0:11:08.200 --> 0:11:12.080
<v Speaker 2>day and somebody every day. Oh okay, I was thinking

0:11:12.080 --> 0:11:12.560
<v Speaker 2>more like not.

0:11:12.640 --> 0:11:15.000
<v Speaker 3>A guess episode, No, every day every day.

0:11:14.800 --> 0:11:17.280
<v Speaker 2>Working with somebody every day that you really want to fuck. Yeah,

0:11:17.360 --> 0:11:20.199
<v Speaker 2>that's that's tough. At that point, I would probably try

0:11:20.200 --> 0:11:24.120
<v Speaker 2>to turn off that. Like now it's we work together, now,

0:11:24.320 --> 0:11:26.000
<v Speaker 2>like this is we've decided this is.

0:11:25.960 --> 0:11:27.640
<v Speaker 3>Never gonna happen again because we work together.

0:11:27.800 --> 0:11:29.920
<v Speaker 4>I'm about to say I've dealt with that, like when

0:11:29.920 --> 0:11:33.720
<v Speaker 4>I was working, Like I've had jobs women that I

0:11:33.760 --> 0:11:36.000
<v Speaker 4>was attracted to, but once you work with them, for

0:11:36.120 --> 0:11:38.240
<v Speaker 4>like three months, you don't even look at them like that.

0:11:38.320 --> 0:11:40.120
<v Speaker 5>Yeah, well, once you date some once you get to

0:11:40.160 --> 0:11:41.920
<v Speaker 5>know anyone, a crush is just a lack of information.

0:11:42.000 --> 0:11:44.080
<v Speaker 5>So once you know somebody for more than three minutes,

0:11:44.400 --> 0:11:46.920
<v Speaker 5>you'd be like, I understand what, Well, we.

0:11:46.920 --> 0:11:48.760
<v Speaker 4>Can go both ways because you can have a crush

0:11:48.800 --> 0:11:50.640
<v Speaker 4>on somebody and then once you really get to know me, like, damn,

0:11:50.679 --> 0:11:51.720
<v Speaker 4>I really like this person.

0:11:51.800 --> 0:11:54.880
<v Speaker 1>I know that, or excuse me, no, go ahead.

0:11:55.360 --> 0:11:58.280
<v Speaker 4>Or they can say something that will turtle like turn

0:11:58.360 --> 0:12:03.160
<v Speaker 4>you off completely and like you I'm like.

0:12:03.160 --> 0:12:05.960
<v Speaker 2>Okay, just put a beep there.

0:12:06.120 --> 0:12:09.760
<v Speaker 3>Yes, she was so hot. It's funny that that's here.

0:12:10.920 --> 0:12:11.680
<v Speaker 1>She was so hot.

0:12:11.880 --> 0:12:13.439
<v Speaker 2>It's like, hey, do you have kids or like anything

0:12:13.520 --> 0:12:16.200
<v Speaker 2>like that. That's the one that puts it over the edge. Yeah,

0:12:16.240 --> 0:12:18.319
<v Speaker 2>sometimes getting what you wish for is the absolute worst.

0:12:18.760 --> 0:12:20.440
<v Speaker 2>Like have you even kind of not I don't want

0:12:20.480 --> 0:12:23.880
<v Speaker 2>to say red flags because that's just like a little annoyances.

0:12:24.160 --> 0:12:28.079
<v Speaker 2>In the first thirty days, you're like, we'll push through these,

0:12:28.320 --> 0:12:31.440
<v Speaker 2>she's that bad, and then ninety days in you're like,

0:12:31.800 --> 0:12:33.800
<v Speaker 2>this is the most annoying, bad bitch I've ever seen

0:12:33.840 --> 0:12:37.600
<v Speaker 2>in my entire I totally understand why nobody has stayed

0:12:37.640 --> 0:12:38.520
<v Speaker 2>with her longer than a year.

0:12:38.640 --> 0:12:40.520
<v Speaker 4>Yeah, and then, but not only that, When you're working

0:12:40.559 --> 0:12:43.240
<v Speaker 4>with somebody that's attractive, you first meet them, like, damn,

0:12:43.240 --> 0:12:45.120
<v Speaker 4>who's the new girl that just got high? She's bad

0:12:45.640 --> 0:12:47.520
<v Speaker 4>because I've been through that all the homies gold Peak.

0:12:48.000 --> 0:12:51.280
<v Speaker 4>She nice after like three months, a couple of conversations,

0:12:51.280 --> 0:12:53.880
<v Speaker 4>you like, that's Angela.

0:12:53.960 --> 0:12:56.240
<v Speaker 1>Man. Yeah, you know what I'm saying. She's cute, but

0:12:56.240 --> 0:12:59.079
<v Speaker 1>this is like, that's Angela like that. Sometimes it works out.

0:12:59.120 --> 0:13:01.720
<v Speaker 2>Remember those two news anchors that she on their spouses

0:13:01.760 --> 0:13:05.360
<v Speaker 2>and I think they're together now, Like sometimes that's your soulmate,

0:13:05.400 --> 0:13:06.800
<v Speaker 2>that's your twin flames sitting next to you.

0:13:06.880 --> 0:13:08.000
<v Speaker 1>Yeah, and they.

0:13:07.800 --> 0:13:10.440
<v Speaker 2>Probably figured that out on the air. That chemistry showed

0:13:10.520 --> 0:13:12.120
<v Speaker 2>up there that made them get like, you know, fuck

0:13:12.200 --> 0:13:14.120
<v Speaker 2>my family. Yeah, this is where I need to be,

0:13:14.280 --> 0:13:15.160
<v Speaker 2>like work in here.

0:13:15.200 --> 0:13:16.800
<v Speaker 5>You can't let your family keep you from the love

0:13:16.800 --> 0:13:21.840
<v Speaker 5>of your life. M I'm lying more Malan.

0:13:22.920 --> 0:13:25.600
<v Speaker 1>That's from the Book of Nigga Damas. I love that book.

0:13:25.600 --> 0:13:26.439
<v Speaker 1>I read that everything.

0:13:27.760 --> 0:13:30.839
<v Speaker 2>The amount of children that have grown up fatherless because

0:13:30.840 --> 0:13:32.920
<v Speaker 2>of that theory and then ended up robbing us is

0:13:33.920 --> 0:13:35.400
<v Speaker 2>it is the reason why you shouldn't do that.

0:13:35.440 --> 0:13:38.400
<v Speaker 4>Mom boy had a really cute girl that was working

0:13:38.400 --> 0:13:40.920
<v Speaker 4>in his store, and the other day I was like, yo,

0:13:40.960 --> 0:13:42.640
<v Speaker 4>it's the cute because I hadn't seen no every time

0:13:42.679 --> 0:13:44.080
<v Speaker 4>like I go visit, I'm like, yohe's the girl that

0:13:44.160 --> 0:13:46.360
<v Speaker 4>used to work. He'sa nah fired. I was like, damn,

0:13:46.400 --> 0:13:48.520
<v Speaker 4>what happened? He's like, Yo, she called out one day

0:13:48.520 --> 0:13:49.640
<v Speaker 4>to go protest?

0:13:53.400 --> 0:13:55.760
<v Speaker 5>Isn't that like protected? Like you can't fire somebody for

0:13:55.800 --> 0:13:58.000
<v Speaker 5>that small I'm not on.

0:13:57.960 --> 0:13:59.880
<v Speaker 2>The mall side of what the protest is. We don't

0:13:59.880 --> 0:14:03.640
<v Speaker 2>need to put a name on the protest protests I support.

0:14:03.679 --> 0:14:05.480
<v Speaker 2>You can't just not go to work that day. You

0:14:05.600 --> 0:14:08.360
<v Speaker 2>can't not go to work because you want to go protest?

0:14:08.640 --> 0:14:11.760
<v Speaker 1>Did protected? This job? Is protect?

0:14:12.240 --> 0:14:12.320
<v Speaker 2>You?

0:14:12.400 --> 0:14:13.160
<v Speaker 1>Really a company?

0:14:13.720 --> 0:14:14.000
<v Speaker 3>All right?

0:14:14.000 --> 0:14:15.680
<v Speaker 2>If that was the case, I could open up my

0:14:15.720 --> 0:14:18.240
<v Speaker 2>phone and find a protest every day every week.

0:14:18.240 --> 0:14:19.160
<v Speaker 1>I'm a protest.

0:14:19.160 --> 0:14:21.080
<v Speaker 3>But I think that that's I think that's different.

0:14:21.120 --> 0:14:24.960
<v Speaker 2>And even that like shit in the in mid twenty

0:14:25.040 --> 0:14:27.880
<v Speaker 2>tens when the protests were going crazy, Yeah, they got

0:14:27.960 --> 0:14:31.160
<v Speaker 2>crazier after six pm because people had to go to work.

0:14:31.320 --> 0:14:33.480
<v Speaker 5>Oh yeah, at well, employment in most states like New

0:14:33.560 --> 0:14:36.840
<v Speaker 5>York employers can fire people for any reason, including public protesting.

0:14:36.960 --> 0:14:40.160
<v Speaker 2>Yeah, well, I mean I can see how it can

0:14:40.160 --> 0:14:42.360
<v Speaker 2>get into the weeds of what you're protesting this and that.

0:14:43.280 --> 0:14:45.000
<v Speaker 2>But if you just be like, yo, I'm not coming

0:14:45.000 --> 0:14:46.800
<v Speaker 2>into work because I'm going to protest, to me, that's

0:14:46.800 --> 0:14:50.240
<v Speaker 2>an easy fire. Like I think there's companies that be like, hey,

0:14:50.240 --> 0:14:52.800
<v Speaker 2>if you fully support this, everyone's going to take the day.

0:14:52.800 --> 0:14:54.560
<v Speaker 2>We're taking a Wednesday off for all of us to

0:14:54.560 --> 0:14:55.760
<v Speaker 2>go do that. If you don't want to do it,

0:14:55.800 --> 0:14:58.200
<v Speaker 2>take the day off. I could see that. But just

0:14:58.200 --> 0:14:59.280
<v Speaker 2>somebody calling in like.

0:14:59.320 --> 0:15:02.800
<v Speaker 1>Nah, I'm going to protest personal.

0:15:03.800 --> 0:15:06.000
<v Speaker 2>Oh, I mean you have first of all, you have

0:15:06.040 --> 0:15:09.400
<v Speaker 2>sick days, just saying And that's another thing I never understood,

0:15:09.480 --> 0:15:11.920
<v Speaker 2>like when people like even like for example, when me

0:15:11.960 --> 0:15:13.840
<v Speaker 2>and my home girls go on vacation and they like, yo,

0:15:14.280 --> 0:15:15.520
<v Speaker 2>I don't know what I'm gonna tell about.

0:15:15.520 --> 0:15:17.200
<v Speaker 5>Tell them niggas, you ain't coming in. I don't understand

0:15:17.200 --> 0:15:18.680
<v Speaker 5>why you feel like you have to give them an excuse.

0:15:18.880 --> 0:15:20.840
<v Speaker 5>Oh I'm sick. Oh, I don't feel good. Oh my

0:15:20.880 --> 0:15:24.480
<v Speaker 5>grandmother died. I'm not coming in today for personal reasons.

0:15:24.840 --> 0:15:27.680
<v Speaker 3>Period. They don't have to ask you, they ask you.

0:15:27.720 --> 0:15:28.000
<v Speaker 1>I don't.

0:15:28.200 --> 0:15:29.600
<v Speaker 3>It's it's for personal reasons.

0:15:29.920 --> 0:15:31.480
<v Speaker 1>Show them when they fire you, can they say we

0:15:31.520 --> 0:15:32.760
<v Speaker 1>fired you for personal.

0:15:32.480 --> 0:15:34.560
<v Speaker 5>They can't fire you for not coming in for personal reasons.

0:15:34.600 --> 0:15:35.240
<v Speaker 5>They cannot fire it.

0:15:35.240 --> 0:15:37.320
<v Speaker 1>If they can have a personal reason for firing you.

0:15:37.440 --> 0:15:39.160
<v Speaker 5>I mean it's that well employment, you can fire me,

0:15:39.200 --> 0:15:40.920
<v Speaker 5>but you better make sure that you cross your eyes

0:15:40.960 --> 0:15:43.360
<v Speaker 5>and dotted your cues or whatever the fuck, because I'm.

0:15:43.160 --> 0:15:45.040
<v Speaker 1>Calling I used to dot my cues.

0:15:45.440 --> 0:15:47.480
<v Speaker 2>I mean you kind of cross a Q is just

0:15:47.520 --> 0:15:49.000
<v Speaker 2>an oh, that's like halfway cross.

0:15:49.080 --> 0:15:52.160
<v Speaker 5>They gotta splash it or something like that. Whatever, because

0:15:52.240 --> 0:15:53.120
<v Speaker 5>I'm calling them folk.

0:15:53.280 --> 0:15:55.400
<v Speaker 2>If it's if it's a one time thing, yeah, of course,

0:15:55.560 --> 0:15:58.600
<v Speaker 2>Like you can't ask somebody if that's not their character.

0:15:58.840 --> 0:16:00.640
<v Speaker 2>Like they're not calling out or own a blate all

0:16:00.640 --> 0:16:02.560
<v Speaker 2>the time and they're just like, yo, I have some

0:16:02.560 --> 0:16:03.600
<v Speaker 2>personal things going on.

0:16:04.080 --> 0:16:06.240
<v Speaker 3>Cool, But if that happens all the time, you'll yeah,

0:16:06.360 --> 0:16:08.280
<v Speaker 3>but that's anything if anything happens all the time.

0:16:08.320 --> 0:16:10.160
<v Speaker 2>I know a lot of parents with some older kids

0:16:10.200 --> 0:16:12.280
<v Speaker 2>that tell me they allow their kids to have a

0:16:12.280 --> 0:16:14.960
<v Speaker 2>few personal days from school. Well, I think that is

0:16:15.040 --> 0:16:17.520
<v Speaker 2>cool and important, and I'm a big advocate of mental health.

0:16:17.560 --> 0:16:18.640
<v Speaker 3>Put better help ad here.

0:16:20.240 --> 0:16:23.280
<v Speaker 2>Life doesn't care about your personal days, Like, are we

0:16:23.360 --> 0:16:26.160
<v Speaker 2>preparing your kids that in the right way? I think

0:16:26.200 --> 0:16:28.360
<v Speaker 2>the real world does not care about your personal shit.

0:16:29.040 --> 0:16:30.680
<v Speaker 3>I understand that, but it's not about that.

0:16:30.760 --> 0:16:33.200
<v Speaker 2>I don't want my kids to fucking implode and go nuts.

0:16:33.200 --> 0:16:35.880
<v Speaker 2>I get it, But I'm still on the side of

0:16:35.880 --> 0:16:39.120
<v Speaker 2>how I was raised, Like, no, you're going to school

0:16:38.760 --> 0:16:42.520
<v Speaker 2>like you even funk about your personal probless.

0:16:42.160 --> 0:16:44.320
<v Speaker 5>Not like working for you, like working through your mental

0:16:44.320 --> 0:16:46.440
<v Speaker 5>health issues, coming to work and doing everything you gotta do.

0:16:46.480 --> 0:16:48.680
<v Speaker 5>How's that working for you? What do you mean you

0:16:48.720 --> 0:16:51.480
<v Speaker 5>think you're like okay? Or you think you could use

0:16:51.480 --> 0:16:52.800
<v Speaker 5>some personal days.

0:16:53.360 --> 0:16:58.280
<v Speaker 4>I could definitely use some person I mean myself, I

0:16:58.280 --> 0:17:00.000
<v Speaker 4>could definitely use some personal days.

0:17:00.200 --> 0:17:00.600
<v Speaker 3>Yeah.

0:17:00.680 --> 0:17:03.240
<v Speaker 2>And I think it's case by case basis of what

0:17:03.320 --> 0:17:07.120
<v Speaker 2>happens in school, because school can be a very dangerous, scary,

0:17:07.840 --> 0:17:10.480
<v Speaker 2>full of anxiety type of environment for some kids. And

0:17:10.520 --> 0:17:14.480
<v Speaker 2>I can identify and understand that. But if you cool

0:17:14.520 --> 0:17:16.199
<v Speaker 2>and you just want to day off, that's not how

0:17:16.240 --> 0:17:18.520
<v Speaker 2>the world works. Okay, you know that's fine with me.

0:17:18.600 --> 0:17:20.520
<v Speaker 2>Here's the thing, the world don't work that way. We

0:17:20.600 --> 0:17:24.200
<v Speaker 2>have to put these episodes up I signed a contract.

0:17:24.240 --> 0:17:26.440
<v Speaker 2>I have to do this because I said I was

0:17:26.480 --> 0:17:28.160
<v Speaker 2>going to do it, and that's how the world works.

0:17:28.200 --> 0:17:29.879
<v Speaker 2>So yeah, even though I don't want to come in

0:17:29.920 --> 0:17:33.000
<v Speaker 2>here on certain days, I'm shoveling my car out Monday

0:17:33.000 --> 0:17:34.840
<v Speaker 2>morning with a Mars screaming or fucking head off in

0:17:34.880 --> 0:17:36.480
<v Speaker 2>the backseat, and I'm coming here.

0:17:36.800 --> 0:17:39.080
<v Speaker 5>And all of those are choices that you made yourself

0:17:39.119 --> 0:17:40.520
<v Speaker 5>as a kid. You did not make the choice to

0:17:40.520 --> 0:17:42.760
<v Speaker 5>go to school or be born. You actually have no

0:17:42.880 --> 0:17:44.520
<v Speaker 5>say in any of that shit. You don't even gotta

0:17:44.600 --> 0:17:46.919
<v Speaker 5>choose what fucking classes you're taking when you're in middle school.

0:17:47.119 --> 0:17:48.280
<v Speaker 3>So I mean me.

0:17:48.320 --> 0:17:50.520
<v Speaker 5>Personally, I'm not gonna lie. I feel like it's a

0:17:50.600 --> 0:17:53.199
<v Speaker 5>kid by kid basis and a case by case basis.

0:17:53.280 --> 0:17:55.080
<v Speaker 5>Like because I know my kid gonna wake me up

0:17:55.080 --> 0:17:56.320
<v Speaker 5>on day, I'm gonna go wake my kid up on day.

0:17:56.400 --> 0:17:57.080
<v Speaker 1>Yeah, gotta go school.

0:17:57.080 --> 0:17:58.600
<v Speaker 5>They gonnaokt me and be like, ma, I really can't

0:17:58.600 --> 0:17:59.960
<v Speaker 5>do it today, And I'm gonna look at them my elf.

0:18:00.760 --> 0:18:02.520
<v Speaker 3>We in the house. I can't do it. Togay either're

0:18:02.560 --> 0:18:03.080
<v Speaker 3>like whatever.

0:18:03.160 --> 0:18:05.480
<v Speaker 2>So here's the thing I'm not saying I even stand

0:18:05.520 --> 0:18:07.879
<v Speaker 2>on either side with this, because I do get in.

0:18:08.320 --> 0:18:08.639
<v Speaker 3>Listen.

0:18:08.920 --> 0:18:11.479
<v Speaker 2>If Amar comes in her room in my room crying

0:18:11.760 --> 0:18:14.520
<v Speaker 2>in fourth grade of saying like I just can't do

0:18:14.560 --> 0:18:17.200
<v Speaker 2>it today, you think I'm gonna turn into a drill sergeant. No,

0:18:17.280 --> 0:18:19.280
<v Speaker 2>my fucking heart is gonna melt and I'm gonna be like,

0:18:19.400 --> 0:18:22.560
<v Speaker 2>just stay here, I'll hug you. But as my freshman

0:18:22.560 --> 0:18:25.200
<v Speaker 2>football coach said every single time, if you quit during

0:18:25.240 --> 0:18:28.000
<v Speaker 2>double sessions, yeah it'll be easy. Nothing wrong will happen

0:18:28.040 --> 0:18:30.320
<v Speaker 2>in your life, but it'll make the next thing easier

0:18:30.320 --> 0:18:32.520
<v Speaker 2>to quit. And then you'll just start a fucking pattern

0:18:32.720 --> 0:18:35.040
<v Speaker 2>of quitting when things are a little rough that morning,

0:18:35.359 --> 0:18:38.560
<v Speaker 2>and now you're just this fucking soft person that's gonna

0:18:38.560 --> 0:18:40.440
<v Speaker 2>sit there like, well, the last time I said I

0:18:40.480 --> 0:18:44.040
<v Speaker 2>wasn't going into school, everything was fine, and then that

0:18:44.160 --> 0:18:45.959
<v Speaker 2>just leads to you doing it all the time, and

0:18:46.000 --> 0:18:47.680
<v Speaker 2>now you a fucking dropout.

0:18:47.840 --> 0:18:50.280
<v Speaker 4>And now you're stuck behind seven to eleven for OxyS

0:18:50.400 --> 0:18:52.520
<v Speaker 4>exactly because oxies make you feel better.

0:18:52.640 --> 0:18:53.679
<v Speaker 1>You didn't want to go to school.

0:18:54.600 --> 0:18:56.520
<v Speaker 3>So, I mean, I see both sides.

0:18:57.000 --> 0:19:00.399
<v Speaker 2>I guess I'm asking everyone in the room what that

0:19:00.480 --> 0:19:03.200
<v Speaker 2>balance looks like, that's all, but I don't have the answer.

0:19:03.359 --> 0:19:04.960
<v Speaker 4>My nephew has this new thing of where he says

0:19:05.000 --> 0:19:08.639
<v Speaker 4>it's illegal. So like he told my sister it's illegal

0:19:08.640 --> 0:19:11.040
<v Speaker 4>for kids to go outside when it's twenty degrees, like

0:19:11.359 --> 0:19:14.000
<v Speaker 4>that's going to keep them going to school. But he

0:19:14.040 --> 0:19:15.840
<v Speaker 4>don't know what it's illegal for the teachers to take

0:19:15.880 --> 0:19:17.440
<v Speaker 4>them outside for recess.

0:19:18.760 --> 0:19:20.440
<v Speaker 1>So he but he thinks it's illegal to just leave

0:19:20.480 --> 0:19:26.639
<v Speaker 1>the house like this. Nigga tried all not to know

0:19:26.680 --> 0:19:27.240
<v Speaker 1>it's illegal.

0:19:27.320 --> 0:19:30.560
<v Speaker 4>Nigga, you getting on that bus, you will be outside

0:19:30.560 --> 0:19:33.160
<v Speaker 4>for ten seconds, then get on a hot bus. You

0:19:33.160 --> 0:19:35.119
<v Speaker 4>get off the bus. It's school for ten seconds to

0:19:35.160 --> 0:19:36.240
<v Speaker 4>go into hot school building.

0:19:36.440 --> 0:19:39.000
<v Speaker 2>Now I kind of I respect that more than a

0:19:39.040 --> 0:19:41.040
<v Speaker 2>mental health day. At least you're trying to work the

0:19:41.040 --> 0:19:43.800
<v Speaker 2>system that's working you. Yeah, he's like, it's not legal

0:19:43.840 --> 0:19:45.679
<v Speaker 2>for kids. I see what I'm trying to do. It's

0:19:45.720 --> 0:19:47.680
<v Speaker 2>illegal for real to take.

0:19:47.600 --> 0:19:51.600
<v Speaker 4>Kids outside for recess if it's below thirty five degrees.

0:19:51.640 --> 0:19:52.520
<v Speaker 1>I think something like that.

0:19:52.800 --> 0:19:54.880
<v Speaker 4>But he thinking like once he here, it's illegal for kids.

0:19:54.880 --> 0:19:57.080
<v Speaker 4>He thinking like, oh no, I can't even leave my house.

0:19:57.320 --> 0:19:59.800
<v Speaker 4>Just illegal for me to leave the house. Like that's

0:19:59.800 --> 0:20:01.720
<v Speaker 4>the keep you trying to play that card. Now, that's

0:20:01.760 --> 0:20:03.439
<v Speaker 4>so cute. Yeah, he'll be in school tomorrow.

0:20:03.840 --> 0:20:04.640
<v Speaker 1>That see.

0:20:04.640 --> 0:20:06.639
<v Speaker 2>That would almost convince me like you made a good argument.

0:20:06.640 --> 0:20:09.040
<v Speaker 2>You're wrong as fuck. But I appreciate the attention now

0:20:09.080 --> 0:20:10.680
<v Speaker 2>that I ain't working on my sister. That ain't happen,

0:20:11.160 --> 0:20:11.639
<v Speaker 2>of course not.

0:20:11.840 --> 0:20:13.760
<v Speaker 3>I feel like there's a balance. I feel like I would.

0:20:13.880 --> 0:20:17.160
<v Speaker 5>I would from the beginning of school year you get

0:20:17.200 --> 0:20:20.040
<v Speaker 5>you get two mental health days a school year to

0:20:20.160 --> 0:20:23.760
<v Speaker 5>a school year, I feel like that's but what.

0:20:23.720 --> 0:20:26.680
<v Speaker 2>We're doing during those mental health days? You playing Xbox

0:20:27.800 --> 0:20:28.840
<v Speaker 2>if that's what you need to do.

0:20:29.960 --> 0:20:31.480
<v Speaker 1>You've had mental health days from school?

0:20:32.520 --> 0:20:34.879
<v Speaker 5>Uh, well, back I couldn't do that. My mother was like,

0:20:34.920 --> 0:20:37.960
<v Speaker 5>go to school. I just would skip, like you see

0:20:37.960 --> 0:20:39.719
<v Speaker 5>what I'm saying, So like, that's not something new that

0:20:39.920 --> 0:20:40.880
<v Speaker 5>that kids are just not doing.

0:20:40.880 --> 0:20:41.960
<v Speaker 1>Why didn't you want to go to school?

0:20:42.000 --> 0:20:42.160
<v Speaker 2>Though?

0:20:42.760 --> 0:20:48.399
<v Speaker 5>There were times where, especially middle school, it's just so

0:20:48.560 --> 0:20:51.520
<v Speaker 5>especially as a girl, there's so much drama and just

0:20:51.920 --> 0:20:54.520
<v Speaker 5>weird shit that's going on, and people that are supposed

0:20:54.560 --> 0:20:56.320
<v Speaker 5>to be your friends are talking behind your back, and

0:20:56.359 --> 0:20:58.440
<v Speaker 5>then somebody's messing with a boy they're not supposed to

0:20:58.480 --> 0:21:00.080
<v Speaker 5>be with, And when you're young, you just feel you.

0:21:00.040 --> 0:21:01.760
<v Speaker 1>Don't want to go to school because people have told Maha,

0:21:01.760 --> 0:21:04.200
<v Speaker 1>you're back, just it could be anything.

0:21:04.200 --> 0:21:06.800
<v Speaker 2>When you're a kid, shit just feels heavier, like and

0:21:07.200 --> 0:21:09.960
<v Speaker 2>I know that sucks, But that doesn't change in the office.

0:21:10.080 --> 0:21:13.280
<v Speaker 3>That doesn't change in adult worlds. No, it doesn't. It

0:21:13.320 --> 0:21:15.720
<v Speaker 3>does not change. And it sucks to say that.

0:21:15.760 --> 0:21:18.119
<v Speaker 2>You kind of have to get not used to it

0:21:18.200 --> 0:21:21.959
<v Speaker 2>or think it's okay, but get exposed to it so

0:21:22.000 --> 0:21:24.119
<v Speaker 2>it doesn't affect you in a way that's gonna cripple

0:21:24.160 --> 0:21:24.919
<v Speaker 2>you as an adult.

0:21:25.000 --> 0:21:28.080
<v Speaker 3>But shit like that goes on for a week, two weeks.

0:21:28.160 --> 0:21:30.320
<v Speaker 5>If you take me one one day out of that

0:21:30.359 --> 0:21:32.800
<v Speaker 5>two weeks, it's not like you're avoiding the problem.

0:21:32.840 --> 0:21:35.000
<v Speaker 3>It's just like, yo, today, I can't deal with this shit.

0:21:35.160 --> 0:21:37.400
<v Speaker 2>I hip check kids at the playground that even touching

0:21:37.440 --> 0:21:39.439
<v Speaker 2>marrow Like, I'm with you. If I find out that

0:21:39.440 --> 0:21:41.199
<v Speaker 2>there's been a week that she's been bullied by the

0:21:41.200 --> 0:21:44.320
<v Speaker 2>same group of girls, is yeah, it's gonna be time.

0:21:44.480 --> 0:21:45.560
<v Speaker 3>What's their last names?

0:21:45.960 --> 0:21:48.000
<v Speaker 2>Yeah, with my address dot com, we find on their

0:21:48.040 --> 0:21:49.880
<v Speaker 2>parents and we're going from there.

0:21:49.920 --> 0:21:51.639
<v Speaker 5>Bully and I would never let my kid run from now.

0:21:51.680 --> 0:21:55.600
<v Speaker 5>You're not running from bullying. But when sometimes shit you're

0:21:55.640 --> 0:21:58.160
<v Speaker 5>just overwhelmed, Like you got a lot of fucking homework,

0:21:58.160 --> 0:22:00.320
<v Speaker 5>you got all these fucking classes. Shit not go right

0:22:00.359 --> 0:22:03.480
<v Speaker 5>with your friends, You got sports, you got that. Sometimes kids,

0:22:03.520 --> 0:22:05.359
<v Speaker 5>I get overwhelmed as an adult from dealing with a

0:22:05.400 --> 0:22:07.200
<v Speaker 5>whole bunch of shit. So when you're a kid and

0:22:07.240 --> 0:22:09.159
<v Speaker 5>you got all that going on, it's not weird for

0:22:09.240 --> 0:22:11.240
<v Speaker 5>you to get overwhelmed. So I used to skip, Like

0:22:11.240 --> 0:22:13.119
<v Speaker 5>I would skip a class or skip two classes and

0:22:13.160 --> 0:22:15.960
<v Speaker 5>go put my fucking headphones on, put on all the

0:22:16.080 --> 0:22:19.399
<v Speaker 5>Drake Raars from YouTube, and sit underneath the steps with

0:22:19.480 --> 0:22:20.040
<v Speaker 5>my headphones in.

0:22:20.080 --> 0:22:21.720
<v Speaker 1>And he was one of those first time classes. He

0:22:21.760 --> 0:22:23.960
<v Speaker 1>was one of the weird girls. I wasn't if I

0:22:23.960 --> 0:22:25.399
<v Speaker 1>saw you sitting under bleach, I was like it was

0:22:25.480 --> 0:22:26.560
<v Speaker 1>weird or right what she doing?

0:22:27.320 --> 0:22:29.240
<v Speaker 5>Not the bleeding, but like in the basement where the

0:22:29.240 --> 0:22:31.199
<v Speaker 5>gym is, like where nobody really goes, you know, the

0:22:31.280 --> 0:22:32.640
<v Speaker 5>art class basement shit like that.

0:22:32.920 --> 0:22:35.240
<v Speaker 3>Yeah, and just be have my hoodie on with my headphones.

0:22:35.280 --> 0:22:36.400
<v Speaker 1>Is just being my own little girl.

0:22:36.720 --> 0:22:39.119
<v Speaker 2>But I mean, of course there's stuff wrong with that.

0:22:39.160 --> 0:22:41.160
<v Speaker 2>But I don't think what I'm saying is.

0:22:41.080 --> 0:22:41.600
<v Speaker 3>What you're saying.

0:22:41.680 --> 0:22:44.520
<v Speaker 2>It I skipped school all the time, and it wasn't

0:22:44.560 --> 0:22:47.359
<v Speaker 2>to do progressive things. But I mean it's still with

0:22:47.520 --> 0:22:50.879
<v Speaker 2>things that taught me about life. Like I wasn't literally

0:22:50.920 --> 0:22:53.560
<v Speaker 2>just being like, yo, I'm so anxious just so I

0:22:53.560 --> 0:22:56.640
<v Speaker 2>could trick my mom so I could play PS two

0:22:56.640 --> 0:22:59.400
<v Speaker 2>for the rest of the day. Like that's where I'm

0:22:59.400 --> 0:23:01.520
<v Speaker 2>saying the meta to hell shit could just be used

0:23:01.960 --> 0:23:03.920
<v Speaker 2>and which is a perfect segue to yay, which we'll

0:23:03.920 --> 0:23:04.159
<v Speaker 2>get to.

0:23:04.280 --> 0:23:08.240
<v Speaker 3>But I mean that's what I'm more on the side of, Well, you're.

0:23:07.880 --> 0:23:09.159
<v Speaker 2>Not about just because you don't feel like going to

0:23:09.160 --> 0:23:12.320
<v Speaker 2>school that day doesn't mean that you're not going to.

0:23:12.320 --> 0:23:12.920
<v Speaker 3>School that day.

0:23:13.160 --> 0:23:15.040
<v Speaker 5>Yeah, well I think that that makes sense. But your

0:23:15.119 --> 0:23:17.080
<v Speaker 5>kids know how to manipulate you. You know how to

0:23:17.080 --> 0:23:19.119
<v Speaker 5>manipulate your parents. I knew how to manipulate mine.

0:23:19.000 --> 0:23:19.840
<v Speaker 1>On work system.

0:23:20.040 --> 0:23:23.119
<v Speaker 5>Yeah, like your kids know how to manipulate you. So

0:23:23.160 --> 0:23:25.160
<v Speaker 5>you could say, my kid won't be able to get

0:23:25.160 --> 0:23:27.000
<v Speaker 5>this or get this one off, but your kid will

0:23:27.040 --> 0:23:28.440
<v Speaker 5>be able to get one off, and as a parent,

0:23:28.440 --> 0:23:29.359
<v Speaker 5>you just got to learn to.

0:23:29.359 --> 0:23:29.719
<v Speaker 1>Deal with that.

0:23:29.920 --> 0:23:32.320
<v Speaker 4>I mean, I think it's it's not even your kid

0:23:32.320 --> 0:23:33.840
<v Speaker 4>getting it off. I think you know when your kid

0:23:33.880 --> 0:23:36.120
<v Speaker 4>is trying to be slick, and sometimes as a parent,

0:23:36.160 --> 0:23:38.800
<v Speaker 4>you just feel like, you know what, you can stay home,

0:23:39.080 --> 0:23:41.040
<v Speaker 4>but you know what they pulling. You know they're not sick.

0:23:41.880 --> 0:23:43.760
<v Speaker 4>You're like, yo, you just had those days where kids

0:23:43.760 --> 0:23:45.160
<v Speaker 4>just don't want to get it. You've had those days

0:23:45.160 --> 0:23:47.800
<v Speaker 4>you don't want to get up, get dressed, go to school,

0:23:47.840 --> 0:23:51.520
<v Speaker 4>like just was tired or whatever, but you weren't sick

0:23:51.920 --> 0:23:53.440
<v Speaker 4>like I used to to pay I don't feel good,

0:23:53.720 --> 0:23:56.760
<v Speaker 4>I feel great. I just didn't feel like getting on

0:23:56.760 --> 0:23:58.159
<v Speaker 4>the train, going all the way to hall them and

0:23:58.240 --> 0:24:00.280
<v Speaker 4>going to school. I didn't feel like doing that. But

0:24:00.359 --> 0:24:02.639
<v Speaker 4>I wasn't sick. I wasn't at home coughing and it had

0:24:02.680 --> 0:24:04.600
<v Speaker 4>a fever, none of that. I just I'm like, damn,

0:24:04.600 --> 0:24:06.200
<v Speaker 4>I gotta get I gotta go to school.

0:24:06.160 --> 0:24:09.680
<v Speaker 5>Especially days like this, going to school, school outside, it's

0:24:09.800 --> 0:24:10.720
<v Speaker 5>nasty outside.

0:24:12.119 --> 0:24:14.679
<v Speaker 1>I'm like, man, this is for what? But then I noticed.

0:24:14.400 --> 0:24:16.000
<v Speaker 4>That there be times where you feel like that you

0:24:16.040 --> 0:24:18.120
<v Speaker 4>go to school before you know the school day is over.

0:24:18.680 --> 0:24:20.760
<v Speaker 1>School really isn't that bad? School is?

0:24:21.240 --> 0:24:22.640
<v Speaker 5>I used to enjoy school when I was a kidd

0:24:22.680 --> 0:24:25.240
<v Speaker 5>So school is fun. Some days it ain't, but school

0:24:25.280 --> 0:24:26.600
<v Speaker 5>is usually fun, especially.

0:24:26.720 --> 0:24:29.480
<v Speaker 4>School not fun like what was it about that day

0:24:29.480 --> 0:24:32.280
<v Speaker 4>where it was like school didn't feel fun today? It

0:24:32.359 --> 0:24:35.440
<v Speaker 4>was probably something petty like you ain't money, your homegirls

0:24:35.640 --> 0:24:37.520
<v Speaker 4>was beefing about something.

0:24:37.560 --> 0:24:39.199
<v Speaker 1>I wasn't speaking. But when you're in a.

0:24:40.720 --> 0:24:43.240
<v Speaker 4>You liked like you saw him holding another girl's hand

0:24:43.280 --> 0:24:45.440
<v Speaker 4>in all way like the other period, like now.

0:24:45.320 --> 0:24:47.800
<v Speaker 1>All of a sudden, this week sucks. It's like, no,

0:24:47.960 --> 0:24:49.880
<v Speaker 1>it doesn't. This week is fine.

0:24:50.000 --> 0:24:52.920
<v Speaker 4>Like you just are upset about something, and as a kid,

0:24:52.920 --> 0:24:54.960
<v Speaker 4>you don't know how to handle your emotions and things

0:24:55.000 --> 0:24:57.600
<v Speaker 4>like that, so you run from it. I don't want

0:24:57.600 --> 0:24:59.359
<v Speaker 4>to go today. I'm not going to school. Why I

0:24:59.400 --> 0:25:02.200
<v Speaker 4>don't feel good? That's not that's not why that boy

0:25:02.200 --> 0:25:05.359
<v Speaker 4>didn't call you back, or he's he's flirting with another girl,

0:25:05.520 --> 0:25:08.080
<v Speaker 4>or you don't want to deal with that. And I

0:25:08.080 --> 0:25:11.320
<v Speaker 4>think as parents you know that because you dealt with

0:25:11.359 --> 0:25:14.240
<v Speaker 4>it right, and then when it's your turn you have kids,

0:25:14.240 --> 0:25:16.359
<v Speaker 4>you know like okay, and that's where you have the

0:25:16.400 --> 0:25:17.680
<v Speaker 4>conversation with your kids, like, yo, so.

0:25:17.640 --> 0:25:20.080
<v Speaker 1>What's going on, what's going on in school? What happened?

0:25:20.200 --> 0:25:22.119
<v Speaker 2>Because you know it ain't that they sick. It's not

0:25:22.240 --> 0:25:23.760
<v Speaker 2>your kid is not sick. Kid is fine.

0:25:24.040 --> 0:25:27.840
<v Speaker 4>They just don't feel like dealing with the social aspect

0:25:27.880 --> 0:25:29.399
<v Speaker 4>of being in the school today.

0:25:30.320 --> 0:25:30.959
<v Speaker 1>That's what it is.

0:25:31.119 --> 0:25:31.359
<v Speaker 3>Now.

0:25:32.600 --> 0:25:34.639
<v Speaker 4>Before you get to that, I got to tell you something.

0:25:35.200 --> 0:25:38.760
<v Speaker 4>We're back responsor abut boostmow Wi unlimited talk, texts and data.

0:25:39.480 --> 0:25:42.199
<v Speaker 3>Perfect segue. I don't know what it's like to be

0:25:42.280 --> 0:25:42.720
<v Speaker 3>in school.

0:25:42.720 --> 0:25:45.440
<v Speaker 2>Now with the phone, I can assume a lot more

0:25:45.480 --> 0:25:47.360
<v Speaker 2>weird bullying, weird drama, shit.

0:25:47.320 --> 0:25:47.840
<v Speaker 1>Oh my god.

0:25:47.880 --> 0:25:49.480
<v Speaker 2>I wish I had a smart phone in high school,

0:25:49.440 --> 0:25:52.240
<v Speaker 2>so I don't know smart Maybe I would need a

0:25:52.560 --> 0:25:55.199
<v Speaker 2>mental health day if I had a smartphone in junior

0:25:55.280 --> 0:25:58.080
<v Speaker 2>high and high school, Like, yeah, maybe I would have

0:25:58.119 --> 0:26:00.000
<v Speaker 2>needed one. Because this is not I can't even escare

0:26:00.800 --> 0:26:03.639
<v Speaker 2>all the way to midnight. I'm able to talk with

0:26:03.840 --> 0:26:05.560
<v Speaker 2>everybody that I go to high school with.

0:26:05.640 --> 0:26:07.199
<v Speaker 5>So they want to take the phrase they want to

0:26:07.200 --> 0:26:10.280
<v Speaker 5>take the phones out of I mean, but I could

0:26:10.800 --> 0:26:11.360
<v Speaker 5>we were talking.

0:26:12.640 --> 0:26:14.639
<v Speaker 2>Don't get me wrong, but come on, when I was

0:26:15.080 --> 0:26:16.800
<v Speaker 2>different between then and now.

0:26:16.760 --> 0:26:19.600
<v Speaker 3>Facebook and Twitter we're big. When I was in high school, we.

0:26:19.880 --> 0:26:22.840
<v Speaker 2>Had my Space and Facebook, but like it wasn't like

0:26:22.880 --> 0:26:23.960
<v Speaker 2>we didn't live and breathe it.

0:26:24.160 --> 0:26:25.399
<v Speaker 3>Now we lived and breathe Facebook.

0:26:25.440 --> 0:26:27.680
<v Speaker 4>When I was envy, I envy kids being in high

0:26:27.680 --> 0:26:29.720
<v Speaker 4>school now to have like Instagram and ship.

0:26:30.160 --> 0:26:31.439
<v Speaker 1>Nah, I wish I had that.

0:26:31.520 --> 0:26:31.600
<v Speaker 2>No.

0:26:31.680 --> 0:26:34.040
<v Speaker 4>I imagine if I had a smartphone in between classes,

0:26:34.200 --> 0:26:35.879
<v Speaker 4>I get the interview kids in the school by how

0:26:35.920 --> 0:26:38.720
<v Speaker 4>they feeling, Like I would pod in between classes like

0:26:38.760 --> 0:26:40.760
<v Speaker 4>real quick three minutes, like yo, so how you felt

0:26:40.760 --> 0:26:41.560
<v Speaker 4>about that last class?

0:26:41.760 --> 0:26:42.600
<v Speaker 1>You jacking the teacher?

0:26:42.760 --> 0:26:46.359
<v Speaker 2>Jacking the teacher? I would be little. I don't know what.

0:26:46.480 --> 0:26:49.479
<v Speaker 2>Like social media. If I had it, I'm out there

0:26:49.560 --> 0:26:52.720
<v Speaker 2>even doing like teacher recaps for the underclassmen, like you

0:26:52.720 --> 0:26:54.800
<v Speaker 2>could go back a year to CEO, I took the

0:26:54.840 --> 0:26:55.320
<v Speaker 2>same class.

0:26:55.320 --> 0:26:58.480
<v Speaker 3>Look at all my reviews. Yeah, give me your teacher reviews.

0:26:58.119 --> 0:26:58.520
<v Speaker 1>For the day.

0:26:58.600 --> 0:26:59.320
<v Speaker 3>Well they have that.

0:27:00.000 --> 0:27:01.919
<v Speaker 5>Well it's mainly in college rate my professor dot com

0:27:01.960 --> 0:27:04.000
<v Speaker 5>because I used to use that. But these you have

0:27:04.040 --> 0:27:06.879
<v Speaker 5>to understand these kids from what I see my friends kids,

0:27:07.000 --> 0:27:11.520
<v Speaker 5>my ex'es daughter, like, they have so much pressure on

0:27:11.600 --> 0:27:14.960
<v Speaker 5>them because, for example, the girls.

0:27:14.600 --> 0:27:16.200
<v Speaker 3>Have it's just too much access.

0:27:16.440 --> 0:27:18.480
<v Speaker 5>So now these eighteen year old girls, seventeen year old

0:27:18.480 --> 0:27:20.200
<v Speaker 5>girls don't look eighteen, don't look seventeen.

0:27:20.240 --> 0:27:21.560
<v Speaker 3>They got bussed on weaves.

0:27:21.840 --> 0:27:23.879
<v Speaker 5>They out here wearing the same shit that we wearing

0:27:23.920 --> 0:27:26.080
<v Speaker 5>we got the same fashion over a fucking outfit on

0:27:26.480 --> 0:27:28.880
<v Speaker 5>and then the little boys that are competing with them

0:27:28.880 --> 0:27:31.639
<v Speaker 5>are competing with these niggas that are playing fucking college hoops.

0:27:31.760 --> 0:27:34.560
<v Speaker 5>Because everybody has access to everybody, everybody feels like they

0:27:34.560 --> 0:27:37.040
<v Speaker 5>should look the way everybody else looks. On Instagram, there's

0:27:37.040 --> 0:27:39.480
<v Speaker 5>no blurred lines of this person is an adult and

0:27:39.520 --> 0:27:41.960
<v Speaker 5>this person is a teenager. It's very weird for them.

0:27:42.040 --> 0:27:44.600
<v Speaker 5>The kids are coming home asking poor kids, not regular

0:27:44.680 --> 0:27:47.600
<v Speaker 5>kids like not like well off kids, like poor kids.

0:27:47.640 --> 0:27:49.600
<v Speaker 5>We from the hood niggas, These little niggas asking for

0:27:49.720 --> 0:27:52.560
<v Speaker 5>Mary's for their birthday, for they fifteenth birthday for high school?

0:27:52.840 --> 0:27:56.680
<v Speaker 3>What why you want thousand dollar jeans? Y're all competing,

0:27:56.760 --> 0:27:57.680
<v Speaker 3>Like why are y'all?

0:27:57.920 --> 0:27:58.439
<v Speaker 1>It's weird.

0:27:58.840 --> 0:28:00.320
<v Speaker 3>It's very very.

0:28:00.000 --> 0:28:02.760
<v Speaker 2>They don't notice, like two pairs black jeans, blue jeans,

0:28:03.240 --> 0:28:05.600
<v Speaker 2>that's what you got that first that it lasts.

0:28:05.359 --> 0:28:07.800
<v Speaker 5>For the whole year of school, the old the old schools,

0:28:07.800 --> 0:28:09.680
<v Speaker 5>beef and BROCCOLI's. What was the first day of school

0:28:09.680 --> 0:28:11.800
<v Speaker 5>shoes old schools, beef and broccoli.

0:28:11.600 --> 0:28:12.760
<v Speaker 3>Even brocks on the first day.

0:28:13.400 --> 0:28:19.120
<v Speaker 5>Per Jordan's it was old schools, old school white on whites. Uh,

0:28:19.720 --> 0:28:23.080
<v Speaker 5>the air Force ones school we call them old schools.

0:28:23.080 --> 0:28:24.840
<v Speaker 1>In Upstates, there was.

0:28:24.800 --> 0:28:27.800
<v Speaker 2>Always that was always old schools.

0:28:27.800 --> 0:28:32.040
<v Speaker 1>Old schools. That's crazy. I've never heard that before, white

0:28:32.040 --> 0:28:33.520
<v Speaker 1>on whites or old schools.

0:28:33.800 --> 0:28:36.000
<v Speaker 5>I didn't even notice that that was Upstate slang until

0:28:36.040 --> 0:28:38.440
<v Speaker 5>y'all just didn't know what I was talking about old schools.

0:28:38.440 --> 0:28:40.920
<v Speaker 1>I've never heard air forces we called old schools.

0:28:41.240 --> 0:28:43.160
<v Speaker 2>And how cold did you said on the first day

0:28:43.160 --> 0:28:45.200
<v Speaker 2>of school? You were in beefing brons We used to.

0:28:45.120 --> 0:28:47.040
<v Speaker 5>They used to wear that ship like it was cool,

0:28:47.280 --> 0:28:49.239
<v Speaker 5>like it was I love beefing like you didn't. There

0:28:49.240 --> 0:28:49.960
<v Speaker 5>was no snow on the ground.

0:28:50.000 --> 0:28:52.120
<v Speaker 2>Niggas just put the their version of trying to steal

0:28:52.120 --> 0:28:54.440
<v Speaker 2>beefing brox is these so but the.

0:28:54.400 --> 0:28:58.720
<v Speaker 3>First got mont Clear sneaker slash boots. I like these boots.

0:28:58.760 --> 0:28:59.200
<v Speaker 1>Good boot.

0:28:59.760 --> 0:29:01.960
<v Speaker 3>Yeah, I mean it's elements outside, run.

0:29:01.800 --> 0:29:04.400
<v Speaker 1>From police, jump over snow banks. Yeah.

0:29:04.440 --> 0:29:07.120
<v Speaker 2>Before we get to Kanye taking his mental health day

0:29:07.120 --> 0:29:10.960
<v Speaker 2>from school, how did you guys handle handle the snowstorm?

0:29:10.960 --> 0:29:12.800
<v Speaker 2>Because the marus was talking like we was locked up

0:29:12.800 --> 0:29:14.560
<v Speaker 2>for a week. I had to remind her that the

0:29:14.600 --> 0:29:16.240
<v Speaker 2>snow day was twelve hours.

0:29:16.680 --> 0:29:18.760
<v Speaker 1>I know, but I ain't left the crib since Thursday

0:29:18.760 --> 0:29:19.480
<v Speaker 1>when we recorded.

0:29:19.880 --> 0:29:23.320
<v Speaker 2>I think because of your health scare, you were already

0:29:23.400 --> 0:29:26.240
<v Speaker 2>like locked up and then you had a day of

0:29:26.240 --> 0:29:28.240
<v Speaker 2>freedom and then parole came locking.

0:29:28.480 --> 0:29:29.760
<v Speaker 3>Yeah, you had to go right back.

0:29:29.960 --> 0:29:30.320
<v Speaker 1>Yeah.

0:29:30.480 --> 0:29:32.320
<v Speaker 5>And like I said, like I was telling Rory, I'm like, yo,

0:29:32.360 --> 0:29:34.280
<v Speaker 5>I love being single, Like being single is for me.

0:29:34.400 --> 0:29:36.920
<v Speaker 5>But when all your homegirls is like they locked in

0:29:36.920 --> 0:29:38.120
<v Speaker 5>with a nigga, you just in the house.

0:29:38.120 --> 0:29:39.320
<v Speaker 3>I was in the house rocking like this.

0:29:39.880 --> 0:29:41.640
<v Speaker 5>You only watched so much Law and Order, like you

0:29:41.760 --> 0:29:42.959
<v Speaker 5>only deal with so much rape.

0:29:43.120 --> 0:29:45.000
<v Speaker 3>So I'm just sitting in there, like, but that's.

0:29:44.840 --> 0:29:46.400
<v Speaker 4>Why you got to get off a Law and Order

0:29:46.400 --> 0:29:48.560
<v Speaker 4>and watch something else. You can't be watching a Law

0:29:48.600 --> 0:29:50.040
<v Speaker 4>and Order and you locked in the house.

0:29:50.360 --> 0:29:52.600
<v Speaker 2>That's torture, that's a snow that's a snow day special

0:29:52.640 --> 0:29:55.240
<v Speaker 2>though order and a mental health is sick day.

0:29:55.280 --> 0:29:56.160
<v Speaker 3>You just watched Long Order.

0:29:56.200 --> 0:29:58.320
<v Speaker 5>But like three to four days I was in there, man,

0:29:58.360 --> 0:30:00.840
<v Speaker 5>I was just cooking random shit like shit don't even

0:30:00.880 --> 0:30:03.640
<v Speaker 5>go together. Why am I boiler apples? Like I'm just

0:30:03.640 --> 0:30:05.240
<v Speaker 5>doing shit, you know what I'm saying, Like.

0:30:05.520 --> 0:30:07.719
<v Speaker 2>Yo, I did the same fucking thing. I made wings

0:30:07.720 --> 0:30:10.320
<v Speaker 2>in the crockpot. Early so they could cook for like

0:30:10.400 --> 0:30:13.200
<v Speaker 2>six hours for the second game. And then I was

0:30:13.280 --> 0:30:15.480
<v Speaker 2>just I bought all this food for no fucking reason.

0:30:15.520 --> 0:30:17.800
<v Speaker 2>I started making bowling. A's and my daddy's like, wait,

0:30:18.440 --> 0:30:20.400
<v Speaker 2>we got chicken wings over here.

0:30:20.400 --> 0:30:21.440
<v Speaker 3>You about to make bowling it.

0:30:21.480 --> 0:30:25.240
<v Speaker 2>I was like, I'm making everything, just putting shit together today, probably.

0:30:24.960 --> 0:30:26.640
<v Speaker 1>Up grocery shopping was dumb.

0:30:26.960 --> 0:30:28.720
<v Speaker 4>I was like, I bought all I bought these groceries

0:30:28.720 --> 0:30:30.280
<v Speaker 4>and I cooked breakfast.

0:30:30.360 --> 0:30:30.719
<v Speaker 1>That was it.

0:30:32.040 --> 0:30:33.600
<v Speaker 4>Everything else I was just like, you, dam I have

0:30:33.680 --> 0:30:35.040
<v Speaker 4>nothing to eat, and I was just looking at shit

0:30:35.040 --> 0:30:35.960
<v Speaker 4>in the fridge like bro.

0:30:36.080 --> 0:30:38.920
<v Speaker 5>I did an insta car order. My original instacr order

0:30:38.920 --> 0:30:41.160
<v Speaker 5>was one hundred and twenty dollars. My final receipt was

0:30:41.200 --> 0:30:44.200
<v Speaker 5>only forty five dollars because nothing was available to the niggas.

0:30:44.200 --> 0:30:49.200
<v Speaker 5>Ain't have avocados, green beans, green peppers, sliced cheese, sliced turkey.

0:30:49.320 --> 0:30:52.000
<v Speaker 1>I said, you niggas with what day was? Day was this?

0:30:52.000 --> 0:30:53.440
<v Speaker 3>This was Saturday morning?

0:30:54.040 --> 0:30:56.680
<v Speaker 4>Oh nah, you're a rookie. I know was supposed to Friday, Thursday.

0:30:56.680 --> 0:31:01.360
<v Speaker 4>Friday's supposed to get that Saturday morning. That's the apocalypse

0:31:01.400 --> 0:31:05.240
<v Speaker 4>is twelve hours you supposed to get that days before.

0:31:05.560 --> 0:31:08.600
<v Speaker 4>You wait till twelve twelve hours left before the apocalypse.

0:31:08.680 --> 0:31:10.440
<v Speaker 1>Nah, it ain't gonna be nothing on the shelves.

0:31:10.720 --> 0:31:12.880
<v Speaker 4>My homegirls mitching Major shout to Mitchell Major that I

0:31:12.920 --> 0:31:15.720
<v Speaker 4>told them Thursday. I'm like, Yo, listen, y'all better get

0:31:15.720 --> 0:31:18.040
<v Speaker 4>some groceries because it's gonna be you know, I mean,

0:31:18.080 --> 0:31:19.080
<v Speaker 4>Sunday is gonna be rough.

0:31:19.120 --> 0:31:21.680
<v Speaker 1>Ye, I ain't gonna be like. It ain't gonna be nothing.

0:31:21.720 --> 0:31:22.400
<v Speaker 1>They always say that.

0:31:22.440 --> 0:31:27.400
<v Speaker 4>I'm like, all right, guess who facetied me together Sunday afternoon?

0:31:27.680 --> 0:31:32.520
<v Speaker 4>Agree to Why they ain't got no groceries. I'm looking

0:31:32.560 --> 0:31:35.760
<v Speaker 4>at the phone. I told y'all Thursday, go get groceries.

0:31:35.800 --> 0:31:37.920
<v Speaker 4>Everybody thought this storm Piege was another one, like, nah,

0:31:37.920 --> 0:31:38.760
<v Speaker 4>this storm is weak.

0:31:39.200 --> 0:31:42.959
<v Speaker 5>It is weak, but everybody else perception is everything. Everybody

0:31:43.000 --> 0:31:44.560
<v Speaker 5>else acted like it was the worst shit in the world.

0:31:44.640 --> 0:31:47.400
<v Speaker 5>So now groceries ain't available because everybody took it like

0:31:47.400 --> 0:31:48.120
<v Speaker 5>everybody went great.

0:31:48.160 --> 0:31:50.120
<v Speaker 1>No, the storm wasn't weak though. That was a legit

0:31:50.200 --> 0:31:50.800
<v Speaker 1>snowstorm we.

0:31:50.840 --> 0:31:54.240
<v Speaker 5>Got, Yeah, but it wasn't that bad. What I'm from upstate,

0:31:54.320 --> 0:31:56.600
<v Speaker 5>that was nothing. If I get like today, I was

0:31:56.600 --> 0:31:58.640
<v Speaker 5>able to walk outside it's not that bad.

0:32:00.040 --> 0:32:02.080
<v Speaker 4>Well that's because they do a great job of, you know,

0:32:02.720 --> 0:32:05.320
<v Speaker 4>shoveling the sidewalks and things like that. But it's a

0:32:05.320 --> 0:32:09.000
<v Speaker 4>lot of snow outside for this era. Yeah, that's a

0:32:09.000 --> 0:32:11.120
<v Speaker 4>lot of snow for the last four or five years. Yes,

0:32:11.160 --> 0:32:12.360
<v Speaker 4>this was a lot.

0:32:12.400 --> 0:32:15.280
<v Speaker 2>But back to kids that take mental health days, it

0:32:15.320 --> 0:32:19.040
<v Speaker 2>was fine though, Like it really wasn't that that crazy. Yeah,

0:32:19.320 --> 0:32:21.400
<v Speaker 2>this used to be a very regular thing.

0:32:21.560 --> 0:32:23.520
<v Speaker 1>But I was happy that.

0:32:24.520 --> 0:32:27.240
<v Speaker 2>Major in them because I mean, they'll deliver I don't

0:32:27.240 --> 0:32:29.160
<v Speaker 2>know what they deliver, food to meat or hurricane.

0:32:28.880 --> 0:32:31.640
<v Speaker 4>Well Major Major had food from Saturday that she ordered

0:32:31.720 --> 0:32:35.440
<v Speaker 4>and didn't eat, so she ate that Sunday, so she

0:32:35.480 --> 0:32:38.240
<v Speaker 4>had to live like a fugitive for twenty four hours.

0:32:38.280 --> 0:32:39.640
<v Speaker 1>But I'm sure she's fine.

0:32:39.480 --> 0:32:41.160
<v Speaker 3>Do you, I mean, I know not.

0:32:41.280 --> 0:32:44.440
<v Speaker 2>Now, how do you decide who your companion is going

0:32:44.520 --> 0:32:46.720
<v Speaker 2>to be for the snow day when you're.

0:32:46.560 --> 0:32:51.400
<v Speaker 4>Single, you don't do what you've always done.

0:32:51.760 --> 0:32:54.400
<v Speaker 2>She comes through that night and when you wake up,

0:32:54.440 --> 0:32:54.920
<v Speaker 2>she snowed in.

0:32:56.040 --> 0:32:58.040
<v Speaker 4>Nah, you're setting up for the no no no. If

0:32:58.040 --> 0:32:59.880
<v Speaker 4>a girl came to see you Saturday, she knew she

0:32:59.920 --> 0:33:01.200
<v Speaker 4>was staying with you all day Sunday.

0:33:02.080 --> 0:33:04.200
<v Speaker 2>Fair no woman knew she was not leaving your house.

0:33:04.240 --> 0:33:06.479
<v Speaker 2>But if you're like somebody like Pea's like, now, it's

0:33:06.480 --> 0:33:06.920
<v Speaker 2>gonna be fine.

0:33:07.000 --> 0:33:07.920
<v Speaker 3>I'll just leave in the morning.

0:33:08.080 --> 0:33:11.280
<v Speaker 2>Because there's been times with inclement weather that I went

0:33:11.320 --> 0:33:14.200
<v Speaker 2>to somebody's house like I leave in the morning, and

0:33:14.240 --> 0:33:16.920
<v Speaker 2>then there was no way I was leaving the rookies.

0:33:16.960 --> 0:33:18.560
<v Speaker 1>I would never learning experience.

0:33:18.560 --> 0:33:20.440
<v Speaker 4>I would never go to a woman's house planning to

0:33:20.520 --> 0:33:22.480
<v Speaker 4>leave the next day when it's supposed to be a snowstorm.

0:33:22.720 --> 0:33:25.040
<v Speaker 4>If I go to Onoe's house and the day before snowstorm,

0:33:25.400 --> 0:33:28.040
<v Speaker 4>I plan on staying there through the snowstorm, there's no

0:33:28.080 --> 0:33:28.800
<v Speaker 4>I'm stuck here.

0:33:28.880 --> 0:33:31.160
<v Speaker 1>Yeah, not stuck nowhere. Isn't grown man, it's not happening,

0:33:31.280 --> 0:33:33.880
<v Speaker 1>all right. So see you did it, Dolo Dolo watched

0:33:33.880 --> 0:33:35.880
<v Speaker 1>the games chilled in the crib. That was it, man.

0:33:35.960 --> 0:33:38.040
<v Speaker 1>I had food. I had some hot cocoa.

0:33:38.440 --> 0:33:39.520
<v Speaker 3>I was good. That it's cute.

0:33:39.640 --> 0:33:42.000
<v Speaker 1>Yeah, that was it, all right? You vegan so it

0:33:42.040 --> 0:33:44.640
<v Speaker 1>was with water. That's nasty. You got me twisted. You

0:33:44.640 --> 0:33:46.480
<v Speaker 1>think I drink hot chocolate with water? Yeah?

0:33:46.520 --> 0:33:49.800
<v Speaker 2>What else would you do with oat milk? Same thing

0:33:49.840 --> 0:33:53.000
<v Speaker 2>you put in your coffee? Yeah, that's it is vegan. Yeah,

0:33:53.640 --> 0:33:58.680
<v Speaker 2>always got jeve water. Really carrots carrots is funny? Fuck

0:33:58.760 --> 0:34:02.360
<v Speaker 2>up carrots all charity? You hate carrots all day Sunday.

0:34:03.440 --> 0:34:05.880
<v Speaker 3>I didn't think I didn't think you were Rudolph.

0:34:05.920 --> 0:34:09.160
<v Speaker 1>I just you know, no, yeah, be backing like yeah

0:34:09.160 --> 0:34:10.600
<v Speaker 1>oat milky never had that's.

0:34:10.520 --> 0:34:11.680
<v Speaker 3>Actually the only I've had it.

0:34:11.680 --> 0:34:14.759
<v Speaker 1>I've had it. Well yeah, fire, okay.

0:34:16.440 --> 0:34:20.480
<v Speaker 2>Yet, Maul, I see that Demerius is over there on

0:34:20.520 --> 0:34:23.279
<v Speaker 2>a phone that is not the all new iPhone Pro

0:34:23.840 --> 0:34:27.399
<v Speaker 2>seventeen designed to be the most powerful iPhone ever.

0:34:28.239 --> 0:34:29.560
<v Speaker 1>Is that Is that a flip phone? Yeah?

0:34:29.800 --> 0:34:33.040
<v Speaker 2>Are you concerned about traffic or someone trying to transfer

0:34:33.080 --> 0:34:33.640
<v Speaker 2>all your data?

0:34:33.680 --> 0:34:35.640
<v Speaker 1>You got no snowstorm updates on that phone?

0:34:35.760 --> 0:34:38.040
<v Speaker 3>Well, good news to Maris. I know you're sitting over there.

0:34:38.560 --> 0:34:40.719
<v Speaker 2>If you go to boost Mobile, they will send an

0:34:40.760 --> 0:34:43.880
<v Speaker 2>expert to your home and deliver your brand new iPhone

0:34:43.880 --> 0:34:45.920
<v Speaker 2>seventeen Pro, So you don't have to have that sour

0:34:45.960 --> 0:34:47.600
<v Speaker 2>look that you have on your face right now while

0:34:47.640 --> 0:34:49.520
<v Speaker 2>you're scrolling through it was that iPhone twelve.

0:34:50.040 --> 0:34:52.719
<v Speaker 4>Boost Mobile would never If you visit boostmobile dot com

0:34:52.719 --> 0:34:54.799
<v Speaker 4>to get started. Delivery available for select devices. Purchase at

0:34:54.800 --> 0:34:55.920
<v Speaker 4>boosmogo dot com terms.

0:34:55.760 --> 0:34:56.080
<v Speaker 1>Are bl.

0:35:01.680 --> 0:35:04.680
<v Speaker 2>Well. Yes, back to our mental health day. Kanye finally

0:35:04.719 --> 0:35:12.320
<v Speaker 2>took one and did a nice dissertation an op ed

0:35:13.280 --> 0:35:15.799
<v Speaker 2>Wall Street Journal. I believe this was took out. It

0:35:15.840 --> 0:35:17.879
<v Speaker 2>took out a whole ad, because I don't even think

0:35:18.000 --> 0:35:18.640
<v Speaker 2>it's an article.

0:35:18.680 --> 0:35:20.240
<v Speaker 3>I just think he took out a long ass ad

0:35:20.600 --> 0:35:23.720
<v Speaker 3>in the Wall Street Journal, starting out.

0:35:23.600 --> 0:35:27.120
<v Speaker 2>With to those I've hurt, and I mean, I'll save

0:35:27.160 --> 0:35:29.640
<v Speaker 2>everyone for the time for the most party, suggesting that

0:35:30.200 --> 0:35:32.800
<v Speaker 2>after his accident that we all know started through the wire,

0:35:34.560 --> 0:35:37.680
<v Speaker 2>he said that that damaged his frontal lobe, which could have,

0:35:38.120 --> 0:35:43.840
<v Speaker 2>you know, led him to further further diagnosis of bipolar disorder.

0:35:45.080 --> 0:35:47.200
<v Speaker 2>Doctors were telling me he had, you know, small signs

0:35:47.239 --> 0:35:52.120
<v Speaker 2>of autism to begin, but he was suggesting that this

0:35:52.160 --> 0:35:55.160
<v Speaker 2>went undiagnosed and untreated, and it led him to hurt

0:35:55.200 --> 0:35:58.720
<v Speaker 2>a lot of people. It led him to loving the swastika.

0:36:00.280 --> 0:36:04.840
<v Speaker 2>It's who owns lexus? Because I know Kanye hit his

0:36:04.880 --> 0:36:06.600
<v Speaker 2>face on the steering wheel of his Lexus when he

0:36:06.640 --> 0:36:08.600
<v Speaker 2>got in a car accident. I'm just curious how that

0:36:08.680 --> 0:36:09.719
<v Speaker 2>landed on a swastika.

0:36:11.480 --> 0:36:14.520
<v Speaker 4>But yeah, well, because he probably hit the lexus logo,

0:36:15.440 --> 0:36:17.400
<v Speaker 4>and then and then it kind of good.

0:36:17.640 --> 0:36:19.919
<v Speaker 2>Yeah, it's kind of like how you reversed the chat

0:36:19.920 --> 0:36:24.200
<v Speaker 2>GBT logo and it turns in never mind. So yeah,

0:36:24.239 --> 0:36:28.160
<v Speaker 2>he was apologizing for a lot of his behavior over

0:36:28.160 --> 0:36:30.239
<v Speaker 2>the years. He's he understands that he's hurt a lot

0:36:30.239 --> 0:36:34.120
<v Speaker 2>of people. He went into a long, long description of

0:36:34.480 --> 0:36:37.480
<v Speaker 2>what bipolar is and how it's diagnosed, and how the

0:36:37.480 --> 0:36:40.920
<v Speaker 2>doctors that he had suggested that that wasn't the case.

0:36:40.960 --> 0:36:44.520
<v Speaker 2>And now his wife, after he hit rock bottom, suggested

0:36:44.520 --> 0:36:46.719
<v Speaker 2>that he get some more help. And I think now

0:36:46.760 --> 0:36:50.359
<v Speaker 2>he is fully accepted that he does have bipolar type

0:36:50.400 --> 0:36:54.239
<v Speaker 2>one and he wanted to apologize to everyone the week

0:36:54.280 --> 0:37:02.080
<v Speaker 2>before Bully comes out. So yeah, I don't forgive him no, no,

0:37:02.200 --> 0:37:03.759
<v Speaker 2>I see, I want to see what you're gonna say,

0:37:03.760 --> 0:37:05.520
<v Speaker 2>because everyone cares about mental health.

0:37:05.640 --> 0:37:06.920
<v Speaker 3>It's time to care about mental health.

0:37:07.160 --> 0:37:07.640
<v Speaker 1>Who's up?

0:37:08.560 --> 0:37:09.960
<v Speaker 3>I like this because I.

0:37:09.920 --> 0:37:13.280
<v Speaker 2>Think every white actor that has lost his fucking mind

0:37:13.600 --> 0:37:17.000
<v Speaker 2>off drugs, done some wild shit on Hollywood Boulevard always

0:37:17.040 --> 0:37:19.240
<v Speaker 2>has their moment when they sit down with fucking Diane

0:37:19.239 --> 0:37:22.200
<v Speaker 2>Sawyer and like, yo, I was going crazy, I had

0:37:22.200 --> 0:37:22.960
<v Speaker 2>mental health, and we.

0:37:22.960 --> 0:37:25.120
<v Speaker 3>All wrap our arms around them and love them.

0:37:25.520 --> 0:37:26.000
<v Speaker 1>No, we don't.

0:37:26.040 --> 0:37:29.200
<v Speaker 2>White actors are allowed to have fucking mental breakdowns and

0:37:29.239 --> 0:37:31.600
<v Speaker 2>then get right back to the place they were supposed

0:37:31.600 --> 0:37:33.520
<v Speaker 2>to be. No. I have been on this pod saying

0:37:33.560 --> 0:37:36.080
<v Speaker 2>millions of things I disagree with Kanye West about not true,

0:37:36.120 --> 0:37:38.879
<v Speaker 2>But now I'm saying, why can't he get the same

0:37:39.000 --> 0:37:41.680
<v Speaker 2>luxury as as as fucking other people?

0:37:41.760 --> 0:37:45.320
<v Speaker 4>That's not true because if that's the case, nobody forgave

0:37:45.360 --> 0:37:46.439
<v Speaker 4>mel Gibson for his rant.

0:37:47.760 --> 0:37:49.640
<v Speaker 1>He was just on Joe Rogan where everyone's like, yo,

0:37:49.680 --> 0:37:49.880
<v Speaker 1>it's go.

0:37:50.200 --> 0:37:51.520
<v Speaker 4>I don't mean that, don't mean that, don't mean that.

0:37:51.520 --> 0:37:53.600
<v Speaker 4>Don't mean people forgave him and wrap their arms around him.

0:37:54.040 --> 0:37:56.080
<v Speaker 4>Nobody forgave whole Colgan he's still a racist.

0:37:56.160 --> 0:37:56.759
<v Speaker 3>Well he's dead.

0:37:56.920 --> 0:37:59.440
<v Speaker 4>He probably has more reason to have CTE and concussions

0:37:59.480 --> 0:38:00.440
<v Speaker 4>than anybody.

0:38:00.560 --> 0:38:02.520
<v Speaker 1>He's been getting body slams for seven or if you.

0:38:02.520 --> 0:38:06.439
<v Speaker 2>Don't think people forgave Hulk Hogan, Hulk Hogan never had

0:38:06.480 --> 0:38:11.280
<v Speaker 2>a never once did it bro when he died.

0:38:11.440 --> 0:38:13.759
<v Speaker 4>When he died and people was posting about him on

0:38:13.800 --> 0:38:16.360
<v Speaker 4>social media, they were people clowning people for that, like, oh,

0:38:16.440 --> 0:38:18.759
<v Speaker 4>y'all are really okay?

0:38:17.520 --> 0:38:20.719
<v Speaker 2>Social media is not a real place to what you're saying.

0:38:20.719 --> 0:38:22.879
<v Speaker 2>It doesn't matter what people saying. Where did he ever

0:38:22.960 --> 0:38:26.400
<v Speaker 2>take a loss in fame, money, jobs?

0:38:26.680 --> 0:38:26.839
<v Speaker 1>Never?

0:38:27.680 --> 0:38:28.839
<v Speaker 3>His career only went up.

0:38:29.400 --> 0:38:29.640
<v Speaker 1>Never.

0:38:29.760 --> 0:38:32.439
<v Speaker 2>The more videos we got him cucking someone else's wife

0:38:32.480 --> 0:38:33.439
<v Speaker 2>and using the N word.

0:38:33.640 --> 0:38:35.799
<v Speaker 1>Don't I think he got another w W deal. No,

0:38:35.800 --> 0:38:36.279
<v Speaker 1>I don't think so.

0:38:36.719 --> 0:38:39.000
<v Speaker 4>I don't think after that, Like, well, he was probably

0:38:39.040 --> 0:38:40.040
<v Speaker 4>already done wrestling.

0:38:40.360 --> 0:38:41.120
<v Speaker 3>He was definitely done.

0:38:41.360 --> 0:38:44.120
<v Speaker 2>No, no, no, I mean like he kept working. He was

0:38:44.160 --> 0:38:47.200
<v Speaker 2>still the face of what wrestling was. He did commentating,

0:38:47.480 --> 0:38:50.080
<v Speaker 2>like Hulk Hogan never went away. He had reality shows,

0:38:50.120 --> 0:38:50.560
<v Speaker 2>he had.

0:38:50.520 --> 0:38:53.839
<v Speaker 1>He didn't do no commentating talking about Yeah, like what

0:38:53.840 --> 0:38:54.520
<v Speaker 1>are you talking about?

0:38:54.840 --> 0:38:56.640
<v Speaker 2>Because he's a heel. You guys don't understand the game,

0:38:56.640 --> 0:38:58.759
<v Speaker 2>Like you don't understand the fact that people did not

0:38:58.800 --> 0:39:00.960
<v Speaker 2>forgive him. You really think h Cogan was canceled people?

0:39:02.440 --> 0:39:05.719
<v Speaker 4>Yes, yes, people were mad that people were saying rest

0:39:05.760 --> 0:39:06.600
<v Speaker 4>in peace to hole Kogan.

0:39:06.719 --> 0:39:09.440
<v Speaker 3>Okay, but okay, so here's a godcast thing I'm saying.

0:39:09.560 --> 0:39:12.840
<v Speaker 5>Here's this thing. Negativity tends to be commented, right. People

0:39:12.840 --> 0:39:14.600
<v Speaker 5>don't comment good things. The only common bad things. So

0:39:14.600 --> 0:39:16.000
<v Speaker 5>if you go in a comment section and it's full

0:39:16.000 --> 0:39:18.120
<v Speaker 5>of bad things. It doesn't mean that people only think

0:39:18.160 --> 0:39:20.680
<v Speaker 5>bad things. It just means that people who have negative opinions,

0:39:20.680 --> 0:39:22.920
<v Speaker 5>I'm more likely to comment. That doesn't mean that nobody

0:39:22.920 --> 0:39:25.439
<v Speaker 5>forgave him. That's not true. There's plenty of people, I'm sure.

0:39:25.440 --> 0:39:28.239
<v Speaker 5>I'm sure some of his hardcore fans, the majority of him.

0:39:28.239 --> 0:39:30.319
<v Speaker 5>I'm saying that, look at the audience. They don't care

0:39:30.320 --> 0:39:32.520
<v Speaker 5>about him being racist. He was never forgiven for that though,

0:39:32.719 --> 0:39:35.400
<v Speaker 5>And I'm about our community. He was never forgiven for that.

0:39:35.440 --> 0:39:37.160
<v Speaker 3>Okay, that's a that's in our community.

0:39:37.560 --> 0:39:40.200
<v Speaker 2>But he probably had He probably had a lot of

0:39:40.200 --> 0:39:41.880
<v Speaker 2>black front to lob a juries.

0:39:41.920 --> 0:39:43.319
<v Speaker 1>He probably had concussions.

0:39:43.360 --> 0:39:46.080
<v Speaker 4>I'm pretty sure he could have used the same excuse

0:39:46.160 --> 0:39:48.879
<v Speaker 4>of I hit my head and my frontal low was there.

0:39:48.920 --> 0:39:49.440
<v Speaker 3>He could have.

0:39:49.560 --> 0:39:53.560
<v Speaker 5>But everybody has always known that. Kanye's family has been

0:39:53.560 --> 0:39:56.000
<v Speaker 5>coming out and saying that he was bipolar for years

0:39:56.000 --> 0:39:57.160
<v Speaker 5>and that he needs to take meds.

0:39:57.280 --> 0:39:58.560
<v Speaker 3>He was the one fighting against it.

0:39:58.600 --> 0:40:00.960
<v Speaker 5>But people have come out forever and said Kanye is bipolar,

0:40:00.960 --> 0:40:01.840
<v Speaker 5>he needs to take mets.

0:40:02.080 --> 0:40:04.359
<v Speaker 3>That's not like that. This isn't a new like thing.

0:40:04.719 --> 0:40:08.439
<v Speaker 2>No, his mania, even twenty fifteen, he was doing stuff

0:40:08.480 --> 0:40:12.600
<v Speaker 2>with stone Cold Steve Austen as WW tough is enough

0:40:13.200 --> 0:40:18.319
<v Speaker 2>that he was a commentator on like He's he kept going,

0:40:18.360 --> 0:40:19.000
<v Speaker 2>he was a judge.

0:40:19.280 --> 0:40:20.640
<v Speaker 1>He was a judge on the sixth season of this.

0:40:20.800 --> 0:40:23.360
<v Speaker 5>Yeah, you can't get canceled when the when by this

0:40:23.600 --> 0:40:26.440
<v Speaker 5>by yourself fan base. So Hogan can't be canceled by

0:40:26.440 --> 0:40:29.359
<v Speaker 5>black people, like that's not his main fan base. Kank

0:40:29.520 --> 0:40:32.200
<v Speaker 5>just the same thing, Like Kanye can't be completely canceled

0:40:32.200 --> 0:40:35.000
<v Speaker 5>by white people like they white people. If all white

0:40:35.000 --> 0:40:37.360
<v Speaker 5>people start hitting Kanye, it doesn't mean that Kanye is canceled.

0:40:37.400 --> 0:40:40.120
<v Speaker 5>Kanye came from the black community. We brought him up

0:40:40.200 --> 0:40:42.600
<v Speaker 5>and pitched him, so it's up to suggested to cancel him.

0:40:42.600 --> 0:40:43.440
<v Speaker 3>And we did not do that.

0:40:43.920 --> 0:40:46.440
<v Speaker 5>We tried, we fake tried, but we never collectively came

0:40:46.520 --> 0:40:49.320
<v Speaker 5>and canceled Kanye, like Kanye was not really canceled.

0:40:49.400 --> 0:40:52.200
<v Speaker 4>Oh you can be canceled. You wake up and see

0:40:52.239 --> 0:40:55.440
<v Speaker 4>that being't in your account no more, that's canceled. That's

0:40:55.440 --> 0:40:57.880
<v Speaker 4>the only cancel. I can't okay what you think is

0:40:57.880 --> 0:40:58.399
<v Speaker 4>the social media.

0:40:58.440 --> 0:41:01.760
<v Speaker 2>I'm curious because you that is good or I've been canceled.

0:41:02.040 --> 0:41:06.760
<v Speaker 2>You've said for years on podcasts in which I've agreed

0:41:06.800 --> 0:41:09.120
<v Speaker 2>and been staying corrected a lot of times with you,

0:41:09.160 --> 0:41:11.480
<v Speaker 2>Like when we went to the Daniel Caesar show at

0:41:11.680 --> 0:41:15.880
<v Speaker 2>in an Arena, You've said nobody has ever been canceled,

0:41:16.160 --> 0:41:17.920
<v Speaker 2>Like you can't really get canceled.

0:41:18.200 --> 0:41:19.360
<v Speaker 1>Hogan was not canceled.

0:41:19.440 --> 0:41:23.919
<v Speaker 4>I will say, I say, your fans don't cancel you, Okay,

0:41:23.920 --> 0:41:26.640
<v Speaker 4>people that supported you. Whenever you see somebody being canceled

0:41:26.719 --> 0:41:29.120
<v Speaker 4>or people calling for somebody to be canceled, nine times

0:41:29.160 --> 0:41:31.719
<v Speaker 4>out of ten, it's somebody that never even supported them.

0:41:32.360 --> 0:41:36.960
<v Speaker 4>It's never your fans. Because if you say something right now, Rory,

0:41:37.160 --> 0:41:39.759
<v Speaker 4>your fans not on Netflix, well not on Netflix, but

0:41:39.800 --> 0:41:43.319
<v Speaker 4>your fans probably know the context. They probably know you

0:41:43.360 --> 0:41:44.759
<v Speaker 4>know what I mean.

0:41:45.080 --> 0:41:48.520
<v Speaker 1>Yeah, I don't supported me. They know you. They follow you. Now,

0:41:48.560 --> 0:41:49.919
<v Speaker 1>somebody that don't know you know, followed.

0:41:50.000 --> 0:41:53.120
<v Speaker 4>They just hear something here a clip They were, oh

0:41:53.160 --> 0:41:53.520
<v Speaker 4>what is he?

0:41:53.600 --> 0:41:54.480
<v Speaker 1>Oh he's canceled.

0:41:54.680 --> 0:41:57.400
<v Speaker 4>They don't know you, they don't know the tone, they

0:41:57.400 --> 0:41:59.560
<v Speaker 4>don't know the context, they don't know they don't get

0:41:59.560 --> 0:42:02.400
<v Speaker 4>your humor. So when you see people trying to be canceled,

0:42:02.480 --> 0:42:05.640
<v Speaker 4>calling if for somebody to be canceled, find somewhere would

0:42:05.640 --> 0:42:08.080
<v Speaker 4>they ever even supported who they were trying to cancel.

0:42:08.239 --> 0:42:11.839
<v Speaker 2>Yeah, no, that's why I said I stand corrected when

0:42:11.840 --> 0:42:14.080
<v Speaker 2>you've said that before. So that's why I'm going with

0:42:14.120 --> 0:42:15.560
<v Speaker 2>the same logic that you have here. I don't think

0:42:15.600 --> 0:42:19.360
<v Speaker 2>hul Cogan was ever really canceled. I think when he died, yes,

0:42:19.560 --> 0:42:23.279
<v Speaker 2>there was people on Twitter that were mad, especially at

0:42:23.320 --> 0:42:25.279
<v Speaker 2>black people, that were saying the rest in peace to him,

0:42:25.520 --> 0:42:27.040
<v Speaker 2>But I don't think that equates.

0:42:26.640 --> 0:42:28.960
<v Speaker 3>To him being canceled per se.

0:42:29.160 --> 0:42:31.600
<v Speaker 2>And Kanye, for the most part, if you were to

0:42:31.600 --> 0:42:34.000
<v Speaker 2>have a definition of it, yes, it would be him

0:42:34.000 --> 0:42:36.680
<v Speaker 2>going on Drink Champs and saying I could say anti

0:42:36.680 --> 0:42:39.120
<v Speaker 2>Semitic things and Adidas would never drop me, and then

0:42:39.160 --> 0:42:41.160
<v Speaker 2>Adidas dropped him the fucking two days later.

0:42:42.040 --> 0:42:42.959
<v Speaker 3>Yes, that's a vert.

0:42:43.000 --> 0:42:45.600
<v Speaker 2>But not all of us have access to things that

0:42:45.640 --> 0:42:48.279
<v Speaker 2>can really be canceled more or less. Like I don't

0:42:48.320 --> 0:42:50.040
<v Speaker 2>have a billion dollars and if a company has the

0:42:50.040 --> 0:42:52.879
<v Speaker 2>ability to take that away from me, yeah, you kind

0:42:52.880 --> 0:42:55.440
<v Speaker 2>of just fucking canceled me. But Kanye, in his own right,

0:42:55.520 --> 0:42:58.840
<v Speaker 2>despite even the insane things he's done, is an extremely

0:42:59.000 --> 0:43:02.880
<v Speaker 2>creative and smart guy. Even if you take a billion

0:43:02.880 --> 0:43:05.160
<v Speaker 2>dollars from him, He's going to find a way to

0:43:05.160 --> 0:43:07.840
<v Speaker 2>make fun money. He's not a fluke as far as creativity.

0:43:07.920 --> 0:43:10.920
<v Speaker 1>No, No, he's talent. His talent is legit. So why this?

0:43:11.600 --> 0:43:12.200
<v Speaker 1>Why this? Now?

0:43:12.239 --> 0:43:15.759
<v Speaker 3>Do we think this is something that he actually feels?

0:43:16.000 --> 0:43:17.200
<v Speaker 1>Well, that's what I was going to say.

0:43:17.520 --> 0:43:19.920
<v Speaker 4>The one thing that I don't like about this the

0:43:19.960 --> 0:43:22.239
<v Speaker 4>whole ad or page in a Wall Street. All of

0:43:22.239 --> 0:43:25.960
<v Speaker 4>this is performative to me if Kanye, because I don't

0:43:26.280 --> 0:43:28.319
<v Speaker 4>we I think we all in this room, Kanye did

0:43:28.320 --> 0:43:30.360
<v Speaker 4>not write none of this. We know that he approved it.

0:43:30.400 --> 0:43:32.359
<v Speaker 4>He read it and said, okay, put it out. Those

0:43:32.360 --> 0:43:33.160
<v Speaker 4>are not his words.

0:43:33.840 --> 0:43:36.719
<v Speaker 2>Now he's admitted to ghost writers before. Now I think rhyme,

0:43:36.760 --> 0:43:40.040
<v Speaker 2>fester consequence. Really, I think that that wasn't a shot.

0:43:39.880 --> 0:43:42.600
<v Speaker 4>If he felt like this, right, if he felt like this,

0:43:42.840 --> 0:43:45.560
<v Speaker 4>If this is indeed, why won't he just say it?

0:43:46.000 --> 0:43:49.160
<v Speaker 4>He can go live on his social media, he can

0:43:49.600 --> 0:43:52.280
<v Speaker 4>put out a post a video and just saying like, yo, listen,

0:43:52.440 --> 0:43:55.879
<v Speaker 4>I got help, you know whatever whatever this and then

0:43:55.920 --> 0:43:58.520
<v Speaker 4>the Belly the Bully album coming up.

0:43:58.719 --> 0:44:01.920
<v Speaker 2>It's just performative. This is just promo. This feels like promo.

0:44:02.000 --> 0:44:02.960
<v Speaker 2>It feels performative.

0:44:03.320 --> 0:44:06.279
<v Speaker 4>It feels like, you know, because we know Kanye and

0:44:06.320 --> 0:44:09.120
<v Speaker 4>we know that when he does this, it'sues because he's

0:44:09.200 --> 0:44:12.120
<v Speaker 4>getting ready to sell us something. So now it's like

0:44:12.120 --> 0:44:13.840
<v Speaker 4>the boy cry wolf. I don't look at this, and

0:44:13.880 --> 0:44:16.799
<v Speaker 4>I'm like, damn yay. Like Damara said, we been kind

0:44:16.800 --> 0:44:18.319
<v Speaker 4>of saying these things about Kanye. Hear is like, yo,

0:44:18.440 --> 0:44:20.120
<v Speaker 4>is he all right? He seems to be you know,

0:44:20.200 --> 0:44:21.920
<v Speaker 4>his emotions all over the place, like is he okay?

0:44:21.920 --> 0:44:24.319
<v Speaker 4>Like he need to get help things. So, yes, we've

0:44:24.320 --> 0:44:27.080
<v Speaker 4>been saying these things because we're watching it and from

0:44:27.120 --> 0:44:30.399
<v Speaker 4>our lens, it looked like this was somebody that we

0:44:30.480 --> 0:44:32.880
<v Speaker 4>once knew and then now this is a whole different person.

0:44:33.239 --> 0:44:36.040
<v Speaker 4>Something seems a bit off about this person. Cool, now,

0:44:36.120 --> 0:44:38.080
<v Speaker 4>if this is in fact true and all that. First

0:44:38.120 --> 0:44:40.359
<v Speaker 4>of all, we hope that he's getting the help that

0:44:40.400 --> 0:44:42.799
<v Speaker 4>he needs. We hope that, you know, he physically, that

0:44:42.840 --> 0:44:45.359
<v Speaker 4>he's getting better than taking care of himself. I don't

0:44:45.360 --> 0:44:48.000
<v Speaker 4>think that he should be in a state like this

0:44:48.200 --> 0:44:51.120
<v Speaker 4>and you know, jumping right back into putting out music,

0:44:51.520 --> 0:44:53.640
<v Speaker 4>because then now you have to you know, you have

0:44:53.680 --> 0:44:55.920
<v Speaker 4>to travel, you have to perform, you have to do this,

0:44:56.000 --> 0:44:57.680
<v Speaker 4>you have to do that, And it's like okay, but

0:44:57.760 --> 0:45:01.240
<v Speaker 4>now you're putting mental phys health to the back burner

0:45:01.360 --> 0:45:04.680
<v Speaker 4>of the rigorous grind of I have something to sell,

0:45:04.719 --> 0:45:07.000
<v Speaker 4>I have music out, I have to perform. I have

0:45:07.040 --> 0:45:10.480
<v Speaker 4>to be away from family, friends, you know, doctors or whatever.

0:45:10.560 --> 0:45:13.000
<v Speaker 4>Like take if this is really what it is, take

0:45:13.080 --> 0:45:18.880
<v Speaker 4>the time to address this, get better, because now cool,

0:45:19.120 --> 0:45:20.160
<v Speaker 4>all these words have said.

0:45:20.160 --> 0:45:22.160
<v Speaker 1>We read this beautiful Wall Street.

0:45:22.320 --> 0:45:25.719
<v Speaker 4>Ad and all of this. What happens if a month

0:45:25.719 --> 0:45:29.520
<v Speaker 4>from now we get another rent and after the Bully

0:45:29.520 --> 0:45:32.160
<v Speaker 4>album is out and you know, we all hear it

0:45:32.200 --> 0:45:32.960
<v Speaker 4>and love.

0:45:32.840 --> 0:45:35.000
<v Speaker 1>It or hate it. What happens when we get the

0:45:35.040 --> 0:45:36.320
<v Speaker 1>next rant?

0:45:36.960 --> 0:45:37.440
<v Speaker 3>Yeah?

0:45:37.560 --> 0:45:40.080
<v Speaker 1>Like, then what is it like? You know what I mean?

0:45:40.120 --> 0:45:42.080
<v Speaker 1>So that's why I'm just like, I get it.

0:45:42.440 --> 0:45:46.719
<v Speaker 4>But to me, Wall Street Ad and all it it

0:45:46.880 --> 0:45:50.400
<v Speaker 4>just feels a little, a little stage, a little performative.

0:45:50.920 --> 0:45:51.600
<v Speaker 1>So I know.

0:45:51.840 --> 0:45:56.560
<v Speaker 2>He did an interview with Justin Leboy again, which by

0:45:56.560 --> 0:45:59.280
<v Speaker 2>the time we're recording this, I don't think it's out,

0:45:59.360 --> 0:46:01.840
<v Speaker 2>but the idea and see a clip yesterday that he

0:46:01.960 --> 0:46:04.480
<v Speaker 2>was talking about Bully being very positive. He felt like

0:46:04.520 --> 0:46:08.919
<v Speaker 2>it's his miseducation as far as every bar mattering, there's

0:46:08.920 --> 0:46:09.879
<v Speaker 2>nothing wasted there.

0:46:10.160 --> 0:46:11.680
<v Speaker 3>It is all about positivity.

0:46:12.800 --> 0:46:15.160
<v Speaker 2>He said, it's more like his Narls Barkley type of

0:46:15.200 --> 0:46:16.799
<v Speaker 2>album more than it would be eight A Weights because

0:46:16.800 --> 0:46:19.239
<v Speaker 2>Ata Waits even had Heartbreak in it, it was not

0:46:19.280 --> 0:46:21.520
<v Speaker 2>negative per se, but there's I mean, even if you

0:46:21.600 --> 0:46:23.880
<v Speaker 2>get into the depths of atow Eights and where that

0:46:23.960 --> 0:46:26.440
<v Speaker 2>even goes with the devil, it's dark tones. He's saying

0:46:26.440 --> 0:46:29.759
<v Speaker 2>this is very much as positive and happy moment, and

0:46:29.800 --> 0:46:33.680
<v Speaker 2>then the next day he puts this out, I'm with

0:46:33.800 --> 0:46:36.200
<v Speaker 2>you more of its performative because he's trying to sell

0:46:36.239 --> 0:46:41.359
<v Speaker 2>us something. But what's wrong if artists do that? Like

0:46:41.440 --> 0:46:43.919
<v Speaker 2>even when Frank Ocean, Even when Frank Ocean came out

0:46:43.920 --> 0:46:44.640
<v Speaker 2>and said, Yo, you.

0:46:44.760 --> 0:46:49.080
<v Speaker 1>Using mental health, I'm as an excuse for your actions.

0:46:49.600 --> 0:46:51.799
<v Speaker 2>I don't think mental health gives you an excuse to

0:46:51.800 --> 0:46:55.640
<v Speaker 2>be an asshole, but it is a conversation to be had.

0:46:55.719 --> 0:46:59.239
<v Speaker 2>And I think Yay has had been an habitual line

0:46:59.280 --> 0:47:01.080
<v Speaker 2>crosser with all of that. And I'm not here to

0:47:01.080 --> 0:47:04.400
<v Speaker 2>defend Kanye in anything that he has said, even with

0:47:04.520 --> 0:47:06.880
<v Speaker 2>the excuse of mental health, because he clearly did ignore

0:47:06.880 --> 0:47:08.400
<v Speaker 2>it even when the people around.

0:47:08.239 --> 0:47:09.320
<v Speaker 3>Him were trying to tell him.

0:47:09.400 --> 0:47:11.640
<v Speaker 2>But if you get into bipolar this, and that doesn't

0:47:11.719 --> 0:47:14.520
<v Speaker 2>change anything, but some acknowledgment here. This is the most

0:47:14.600 --> 0:47:16.600
<v Speaker 2>humble we've ever seen Kanye. But I'm with you. I

0:47:16.640 --> 0:47:17.440
<v Speaker 2>don't think he wrote a word.

0:47:17.760 --> 0:47:22.200
<v Speaker 1>Yeah, the most humble. This is the most humble. He

0:47:22.280 --> 0:47:24.600
<v Speaker 1>didn't write that. What are you talking about?

0:47:24.719 --> 0:47:27.080
<v Speaker 5>Some people can feel a way and not know how

0:47:27.120 --> 0:47:30.000
<v Speaker 5>to articulate their thoughts, right. Some people just suck at

0:47:30.080 --> 0:47:32.959
<v Speaker 5>articulating their thoughts. We've seen from people in this room,

0:47:33.000 --> 0:47:34.960
<v Speaker 5>and sometimes when you're trying to explain yourself and you're

0:47:34.960 --> 0:47:35.919
<v Speaker 5>not good at it, you make sure.

0:47:36.080 --> 0:47:39.160
<v Speaker 2>Kanye is very good at articulating his thoughts may probably

0:47:39.239 --> 0:47:40.239
<v Speaker 2>one of the best people ever.

0:47:40.320 --> 0:47:44.080
<v Speaker 5>Can be good articulating your thoughts in a rap about

0:47:44.080 --> 0:47:44.719
<v Speaker 5>a subject.

0:47:44.840 --> 0:47:46.800
<v Speaker 4>No, no, no, it wasn't no beat on when he articulated

0:47:46.840 --> 0:47:48.160
<v Speaker 4>somebody's thoughts.

0:47:48.560 --> 0:47:51.520
<v Speaker 5>What I'm saying is when you're talking about something that's

0:47:51.600 --> 0:47:54.440
<v Speaker 5>sensitive to you, that you're still dealing with inside yourself.

0:47:54.440 --> 0:47:57.120
<v Speaker 5>And I'm not making excuses for Kanye, just generalized. It

0:47:57.120 --> 0:47:59.040
<v Speaker 5>can be. We come on this podcast and talk about

0:47:59.040 --> 0:48:01.480
<v Speaker 5>shit every day. Shit just fly out our mouth. We're witty,

0:48:01.560 --> 0:48:04.120
<v Speaker 5>we're funny, we're quick when we're talking about something that

0:48:04.160 --> 0:48:07.120
<v Speaker 5>has affected our lives. We ruined our lives. I've ruined

0:48:07.120 --> 0:48:09.600
<v Speaker 5>my family. Yeah, my words don't come out as smoothly,

0:48:09.680 --> 0:48:11.440
<v Speaker 5>so I might need some help. I don't think that

0:48:11.440 --> 0:48:13.759
<v Speaker 5>there's anything wrong with that. I'd rather him do that

0:48:14.120 --> 0:48:16.319
<v Speaker 5>than to go sit in front of a computer and

0:48:16.400 --> 0:48:19.160
<v Speaker 5>let his thoughts and his mouth run away with him,

0:48:19.280 --> 0:48:21.239
<v Speaker 5>and then he says something in the wrong way and

0:48:21.280 --> 0:48:23.880
<v Speaker 5>it's articulated wrong. People take it the wrong way, so

0:48:23.920 --> 0:48:26.000
<v Speaker 5>they write it up how they want it to be heard. No,

0:48:26.160 --> 0:48:28.440
<v Speaker 5>he went and got a professional. This is how I feel.

0:48:28.600 --> 0:48:30.800
<v Speaker 5>Can you make this sound good? I don't think that

0:48:30.840 --> 0:48:32.680
<v Speaker 5>there's anything wrong with that. I don't think I don't

0:48:32.920 --> 0:48:34.839
<v Speaker 5>think it makes it any less sincere.

0:48:35.760 --> 0:48:37.759
<v Speaker 1>Pr, Yeah, that's publicist, that's what they do.

0:48:37.960 --> 0:48:40.160
<v Speaker 2>And even with this, Justin the boyd that it's gonna

0:48:40.160 --> 0:48:42.839
<v Speaker 2>come out probably on his channel or whatever. The last

0:48:42.880 --> 0:48:44.759
<v Speaker 2>few ones did they have the edit button, Like he

0:48:44.800 --> 0:48:46.440
<v Speaker 2>can go on a rant and then they can, you know,

0:48:46.640 --> 0:48:49.000
<v Speaker 2>Justin the Boy and be like oh damn, like they'll

0:48:49.040 --> 0:48:50.840
<v Speaker 2>they'll find a way to cure it.

0:48:51.400 --> 0:48:52.840
<v Speaker 3>So I don't think that's bad.

0:48:53.040 --> 0:48:56.200
<v Speaker 2>But I'm asking if you think this is from a

0:48:56.280 --> 0:48:59.200
<v Speaker 2>genuine place, or is this now, because Kanye becomes the

0:48:59.200 --> 0:49:01.560
<v Speaker 2>theme of every album if you've noticed, and I'm not

0:49:01.600 --> 0:49:03.640
<v Speaker 2>trying to do the Kanye nerd thing, but yeesus. He

0:49:03.719 --> 0:49:08.480
<v Speaker 2>became that fucking brash, insane person for that project. Might

0:49:08.520 --> 0:49:10.399
<v Speaker 2>be with Dark Swiss to Fantasy, he became the cool,

0:49:10.440 --> 0:49:11.800
<v Speaker 2>suave we only wearing suits.

0:49:11.800 --> 0:49:15.279
<v Speaker 3>He becomes what the album is. He's a manic fucking artist.

0:49:15.600 --> 0:49:18.640
<v Speaker 2>Because Bully is supposed to be so positive and now

0:49:18.680 --> 0:49:21.000
<v Speaker 2>he's sitting with Justin le Boyce saying it's his miseducation.

0:49:21.760 --> 0:49:24.560
<v Speaker 2>Is this just a rollout or is this really where

0:49:24.560 --> 0:49:25.319
<v Speaker 2>his brain is at?

0:49:25.600 --> 0:49:26.360
<v Speaker 1>It's a rollout.

0:49:30.360 --> 0:49:32.560
<v Speaker 5>I've never seen Kanye apologize for a fuck thing he's

0:49:32.600 --> 0:49:35.560
<v Speaker 5>ever said. What Kanye be out here apologizing for shit

0:49:35.600 --> 0:49:35.960
<v Speaker 5>that he say.

0:49:36.120 --> 0:49:37.879
<v Speaker 1>Yeah, he's apologized before.

0:49:38.040 --> 0:49:40.320
<v Speaker 5>I'm sure he's up. We've all apologized before, but Kanye

0:49:40.320 --> 0:49:44.840
<v Speaker 5>has never the latest. Kanye has never taken full accountability

0:49:44.920 --> 0:49:46.840
<v Speaker 5>for his mental health and the horrible ship that he

0:49:46.920 --> 0:49:48.040
<v Speaker 5>said in the way that it's affected.

0:49:48.200 --> 0:49:49.319
<v Speaker 1>Now, I will say, you're right there.

0:49:49.520 --> 0:49:54.560
<v Speaker 4>He's never directly, you know, attached it to mental health

0:49:54.600 --> 0:49:56.759
<v Speaker 4>and the car accident and frontal load damage and all

0:49:56.760 --> 0:49:56.960
<v Speaker 4>of that.

0:49:57.040 --> 0:49:58.719
<v Speaker 5>I think no, I think the frontal load damnite ship.

0:49:58.760 --> 0:50:00.400
<v Speaker 5>I think that's a cop out. Me person, I think

0:50:00.400 --> 0:50:01.200
<v Speaker 5>that that's a cop I.

0:50:01.160 --> 0:50:02.080
<v Speaker 1>Do you want to know why?

0:50:02.080 --> 0:50:03.640
<v Speaker 4>I think it's old the cop out because if we

0:50:03.800 --> 0:50:05.880
<v Speaker 4>roll the tay back when he did the whole gotcha,

0:50:06.520 --> 0:50:08.400
<v Speaker 4>it seemed like you knew exactly what the fuck he

0:50:08.440 --> 0:50:10.040
<v Speaker 4>was doing and saying, then when you this with the

0:50:10.080 --> 0:50:12.520
<v Speaker 4>gotcha moment, when you lost all that money, it was like,

0:50:12.520 --> 0:50:14.080
<v Speaker 4>oh God, I told you they controlled everything.

0:50:14.080 --> 0:50:17.120
<v Speaker 1>Look they took all my money. It was like he knew.

0:50:17.160 --> 0:50:19.480
<v Speaker 4>He was very aware and cognizant of what he was

0:50:19.480 --> 0:50:23.120
<v Speaker 4>doing and saying I'm doing this on purpose to show y'all, Yes,

0:50:23.200 --> 0:50:26.040
<v Speaker 4>they run everything. Watch when I start saying this, watch

0:50:26.080 --> 0:50:28.040
<v Speaker 4>they take everything from me, gotcha.

0:50:28.200 --> 0:50:30.839
<v Speaker 2>And right to Maul's point, I did want to say,

0:50:30.960 --> 0:50:34.120
<v Speaker 2>that's very calculated, that's too low. Clears the motherfucker itough.

0:50:34.280 --> 0:50:37.800
<v Speaker 2>This is this another version of because I think again,

0:50:37.920 --> 0:50:40.520
<v Speaker 2>not trying to be the yays of genius, him not

0:50:40.600 --> 0:50:43.360
<v Speaker 2>saying that he wanted to see what it was like

0:50:43.400 --> 0:50:45.239
<v Speaker 2>to be fucking canceled. He knew what he was doing

0:50:45.280 --> 0:50:48.319
<v Speaker 2>and everything that he was saying with everybody, Cameron said,

0:50:48.320 --> 0:50:50.560
<v Speaker 2>on his podcast. I was just with Kanye, He's not

0:50:50.640 --> 0:50:52.000
<v Speaker 2>crazy what he's putting on.

0:50:53.840 --> 0:50:54.319
<v Speaker 1>I don't think.

0:50:54.280 --> 0:50:56.960
<v Speaker 4>Kanye is crazy at all. I think Kanye got to

0:50:57.000 --> 0:51:03.000
<v Speaker 4>a level where he thought and forgot his place. You're

0:51:03.040 --> 0:51:06.200
<v Speaker 4>still a black man. You don't control this. Yeah, you're

0:51:06.320 --> 0:51:10.839
<v Speaker 4>very talented, talented, creative. You can create anything and sell it. Yes,

0:51:11.560 --> 0:51:15.040
<v Speaker 4>but don't get it twisted. You're still a black man

0:51:15.120 --> 0:51:18.359
<v Speaker 4>in America. Bro, there's still a pecking overer here. So

0:51:18.400 --> 0:51:20.279
<v Speaker 4>you have to still walk a certain way, talk a

0:51:20.280 --> 0:51:22.160
<v Speaker 4>certain way. You can't just be out here doing and

0:51:22.280 --> 0:51:24.360
<v Speaker 4>saying whatever you want because you sold a bunch of

0:51:24.400 --> 0:51:25.320
<v Speaker 4>sneakers for Adidas.

0:51:25.560 --> 0:51:28.600
<v Speaker 1>I agree with that. You can't do that.

0:51:29.280 --> 0:51:32.160
<v Speaker 4>Michael Droon sold a ship ton of sneakers from Miike.

0:51:32.280 --> 0:51:34.280
<v Speaker 1>Mike Ain never said what Kanye's.

0:51:34.160 --> 0:51:35.320
<v Speaker 3>Republicans naka.

0:51:36.880 --> 0:51:37.880
<v Speaker 1>Quickly Republicans.

0:51:38.920 --> 0:51:41.640
<v Speaker 2>I think Kanye was actually pretty lucid, even with a

0:51:41.640 --> 0:51:44.680
<v Speaker 2>bipolar brain, lucid in what he was doing with everything

0:51:44.680 --> 0:51:47.080
<v Speaker 2>he said after drink Champs, with the anti Semitic stuff.

0:51:47.440 --> 0:51:49.919
<v Speaker 2>Is this still part of that experiment to see what

0:51:50.000 --> 0:51:52.719
<v Speaker 2>it is like to get out of being canceled. Is

0:51:52.760 --> 0:51:54.800
<v Speaker 2>this is he literally doing because he brings up the

0:51:54.800 --> 0:51:55.919
<v Speaker 2>Truman Show all the time.

0:51:55.960 --> 0:51:59.440
<v Speaker 4>See all he does is that's that's what happens when

0:51:59.440 --> 0:52:01.359
<v Speaker 4>you every polar brain, though.

0:52:02.239 --> 0:52:03.960
<v Speaker 3>And that's what I was about to bring up. I'm

0:52:05.640 --> 0:52:06.879
<v Speaker 3>you guys are describing.

0:52:07.080 --> 0:52:08.480
<v Speaker 5>Hey, he wants to feel like what it's like to

0:52:08.480 --> 0:52:10.320
<v Speaker 5>be canceled and then clime out of the cancelation.

0:52:10.840 --> 0:52:12.600
<v Speaker 3>That's bipolar manager shit.

0:52:12.760 --> 0:52:15.480
<v Speaker 2>He brings up the Truman Show his whole career, and

0:52:15.520 --> 0:52:18.040
<v Speaker 2>you can even he talks about with a bipolar brain,

0:52:18.120 --> 0:52:19.600
<v Speaker 2>how it can feel like that without bringing up the

0:52:19.600 --> 0:52:22.560
<v Speaker 2>Truman Show? Is this his version of getting out of that, Like,

0:52:22.840 --> 0:52:24.759
<v Speaker 2>let me say all the right things. And in a

0:52:24.800 --> 0:52:27.200
<v Speaker 2>time when we've cared about mental health more than any time,

0:52:27.239 --> 0:52:29.960
<v Speaker 2>it's been an excuse for everybody anytime anyone crashes out,

0:52:30.000 --> 0:52:32.680
<v Speaker 2>can't do nothing, Oh it's because of mental health. So

0:52:32.880 --> 0:52:35.720
<v Speaker 2>now he can take this time to prove his fucking

0:52:35.760 --> 0:52:39.279
<v Speaker 2>point and experiment in his bipolar brain that I'll just

0:52:39.280 --> 0:52:41.560
<v Speaker 2>say all the right things. He even said with some

0:52:41.600 --> 0:52:44.279
<v Speaker 2>of the bully clips before the justin leaboy shit, I'll

0:52:44.320 --> 0:52:46.399
<v Speaker 2>just go back to doing the so shit, he'll be back.

0:52:47.560 --> 0:52:48.719
<v Speaker 2>I'll just say all the right things.

0:52:48.719 --> 0:52:52.640
<v Speaker 4>I'm just being that's a very, very thought out process.

0:52:53.440 --> 0:52:56.239
<v Speaker 4>You have to be on a certain clear headed, consciousness

0:52:56.239 --> 0:52:59.080
<v Speaker 4>thinking level to be able to think that far and

0:53:00.160 --> 0:53:02.920
<v Speaker 4>come up with a plan and then execute that plan. Now,

0:53:02.960 --> 0:53:07.640
<v Speaker 4>I'm not saying Kanye doesn't have some mental health issues

0:53:07.800 --> 0:53:09.520
<v Speaker 4>or some mental health things he needs to address. I'm

0:53:09.520 --> 0:53:12.600
<v Speaker 4>not saying that I would never write that off. I'm

0:53:12.719 --> 0:53:15.600
<v Speaker 4>just saying, with all of this, the Wall Street ad

0:53:15.640 --> 0:53:18.760
<v Speaker 4>and all of this, and you know, you can't expect

0:53:18.800 --> 0:53:20.640
<v Speaker 4>me to be like, oh, okay, well then not. I

0:53:20.719 --> 0:53:23.239
<v Speaker 4>totally understand. That's like, no, I get it. I'm not

0:53:23.280 --> 0:53:27.440
<v Speaker 4>saying he don't have mental health issues. But what's going

0:53:27.520 --> 0:53:29.840
<v Speaker 4>to happen after all of this ad and the bully

0:53:29.840 --> 0:53:31.480
<v Speaker 4>come out and then we're back to another rent.

0:53:31.600 --> 0:53:33.520
<v Speaker 5>That's if it happens. You talking about in the future.

0:53:33.960 --> 0:53:35.960
<v Speaker 5>We don't know if that's going to happen. You can

0:53:36.000 --> 0:53:37.799
<v Speaker 5>only speak on what's going on right now, what you've

0:53:37.800 --> 0:53:38.319
<v Speaker 5>already seen.

0:53:38.560 --> 0:53:40.600
<v Speaker 2>Let's play the odds here, what are the odds that

0:53:40.640 --> 0:53:41.640
<v Speaker 2>he is going to have another run?

0:53:41.760 --> 0:53:44.239
<v Speaker 5>So I think there is there. There's definitely a odd

0:53:44.239 --> 0:53:46.719
<v Speaker 5>that he will have another rant. But at the same time,

0:53:46.800 --> 0:53:48.040
<v Speaker 5>he's about to have a whole interview.

0:53:48.080 --> 0:53:48.880
<v Speaker 3>If he has.

0:53:48.760 --> 0:53:53.160
<v Speaker 5>Another rant, it doesn't take away from what he said.

0:53:53.280 --> 0:53:55.960
<v Speaker 5>If I'm I said that, if I'm bipolar and mannicut,

0:53:56.000 --> 0:53:57.640
<v Speaker 5>I'm in the process of ruining my life, and then

0:53:57.680 --> 0:54:00.000
<v Speaker 5>I get I med and look back and be like, oh, fuck, y'all,

0:54:00.080 --> 0:54:02.239
<v Speaker 5>I ruined my life. Let me come out and apologize

0:54:02.280 --> 0:54:04.759
<v Speaker 5>for it. It doesn't mean that I'll never be manned again.

0:54:04.840 --> 0:54:07.120
<v Speaker 5>It doesn't mean that I'll never make another sage decision.

0:54:07.160 --> 0:54:10.200
<v Speaker 1>I'm not saying that. I'm just saying, what is all

0:54:10.239 --> 0:54:11.160
<v Speaker 1>of this for? Though?

0:54:11.719 --> 0:54:13.960
<v Speaker 4>But what is the ad and all? That's so back

0:54:13.960 --> 0:54:16.440
<v Speaker 4>to what I'm saying. It just feels performative. It feels

0:54:16.920 --> 0:54:20.080
<v Speaker 4>too as part of the whole, you know, the whole thing.

0:54:20.160 --> 0:54:21.960
<v Speaker 5>Well, that's a You're probably right, but I'm going to

0:54:22.040 --> 0:54:23.560
<v Speaker 5>give them the benefit of the doubt because anybody else

0:54:23.600 --> 0:54:24.759
<v Speaker 5>get the fucking benefit of it doubt.

0:54:24.800 --> 0:54:27.279
<v Speaker 2>So I mean that's what I started with. We've seen

0:54:27.320 --> 0:54:29.400
<v Speaker 2>this with so many white actors and people that have

0:54:29.440 --> 0:54:32.720
<v Speaker 2>lost their fucking minds. They never got any second chances

0:54:32.760 --> 0:54:35.400
<v Speaker 2>after they pulled moves like this where they got the

0:54:35.440 --> 0:54:37.560
<v Speaker 2>whole PR team to tell them exactly what to say,

0:54:37.800 --> 0:54:39.759
<v Speaker 2>put them in front of the right person. And now

0:54:39.760 --> 0:54:41.560
<v Speaker 2>we're like, yeah, you can start back in movies. You're

0:54:41.600 --> 0:54:43.800
<v Speaker 2>fine now you listen, you were in Hollywood.

0:54:43.800 --> 0:54:44.320
<v Speaker 3>It was crazy.

0:54:46.120 --> 0:54:48.799
<v Speaker 2>Black people have not really gotten that luxury when they've

0:54:48.800 --> 0:54:52.160
<v Speaker 2>had mental breakdowns. That's kind of been specifically for the

0:54:52.280 --> 0:54:55.799
<v Speaker 2>rich white So yeah, I mean, if they can do it,

0:54:55.800 --> 0:54:58.000
<v Speaker 2>I can't, Hey, post something in the Wall Street Journal

0:54:58.120 --> 0:54:59.839
<v Speaker 2>and do the same pr move that everyone else does.

0:55:00.760 --> 0:55:02.120
<v Speaker 3>I don't think there's anything wrong with that.

0:55:02.400 --> 0:55:04.040
<v Speaker 4>I'm not saying there's anything wrong with it. I'm just

0:55:04.040 --> 0:55:07.080
<v Speaker 4>saying me as a person just looking at this, this

0:55:07.440 --> 0:55:10.000
<v Speaker 4>just feels too as part of the play.

0:55:10.280 --> 0:55:12.839
<v Speaker 3>Which again I think a couple of things can be true.

0:55:12.880 --> 0:55:17.080
<v Speaker 2>But separating from Kanye, do you think this is wrong

0:55:17.120 --> 0:55:19.080
<v Speaker 2>for artists to do in general and not take advantage

0:55:19.080 --> 0:55:20.680
<v Speaker 2>of mental health? And again, I think that's a gray

0:55:20.760 --> 0:55:23.799
<v Speaker 2>area with what Kanye is doing right now, down to

0:55:23.840 --> 0:55:28.080
<v Speaker 2>the Frank Ocean announcing he's gay on Tumbler right before

0:55:28.160 --> 0:55:30.840
<v Speaker 2>Channel Orange. A lot of artists the only time they

0:55:30.920 --> 0:55:33.319
<v Speaker 2>want to speak is when they're putting out their music.

0:55:33.320 --> 0:55:36.360
<v Speaker 3>They speak to their music like they have to promote it.

0:55:36.360 --> 0:55:37.400
<v Speaker 3>There has to be a rollout.

0:55:38.320 --> 0:55:40.799
<v Speaker 2>I kind of hate when artists get that flat, like, oh,

0:55:40.840 --> 0:55:43.040
<v Speaker 2>you're doing this for the rollout. Everything's a rollout, this

0:55:43.160 --> 0:55:45.400
<v Speaker 2>for the rollout. A lot of artists up until the

0:55:45.400 --> 0:55:48.600
<v Speaker 2>TikTok era did kind of mind they fucking business. I

0:55:48.719 --> 0:55:50.600
<v Speaker 2>know there was the DVD era, the blog era, this

0:55:50.640 --> 0:55:55.000
<v Speaker 2>and that Instagram whatever, But for the most part, artists

0:55:55.160 --> 0:55:57.840
<v Speaker 2>say the biggest things when they're trying to sell something.

0:55:57.640 --> 0:55:58.399
<v Speaker 3>Why wouldn't you?

0:55:58.520 --> 0:56:03.760
<v Speaker 2>Yeah, what's wrong with it? And a lot of times

0:56:03.840 --> 0:56:05.439
<v Speaker 2>a lot of artists, with the things they have to say,

0:56:06.560 --> 0:56:09.680
<v Speaker 2>ends up feeling okay to say after you record an

0:56:09.719 --> 0:56:13.080
<v Speaker 2>album that has to do with the themes in the

0:56:13.120 --> 0:56:16.280
<v Speaker 2>subject matter of what you're getting at, even down.

0:56:16.120 --> 0:56:16.560
<v Speaker 3>To like.

0:56:18.160 --> 0:56:20.640
<v Speaker 2>The song that is one of the funniest things you

0:56:20.719 --> 0:56:23.200
<v Speaker 2>said that when Forrest Gump came on from Channel Orange,

0:56:23.320 --> 0:56:24.919
<v Speaker 2>was in the shower and you almost wrap yourself around

0:56:24.920 --> 0:56:28.720
<v Speaker 2>the curtain de lead turning that shit off. But who's

0:56:28.760 --> 0:56:32.479
<v Speaker 2>to say that Frank didn't feel better about coming out

0:56:32.520 --> 0:56:37.240
<v Speaker 2>after writing that song, Like sometimes that can empower somebody

0:56:37.280 --> 0:56:40.399
<v Speaker 2>to say certain things about what is happening. So yeah,

0:56:40.440 --> 0:56:42.680
<v Speaker 2>do I think there's a lot of artists that are

0:56:42.960 --> 0:56:47.480
<v Speaker 2>calling paparazzi or fabricating making up these drama things like, oh,

0:56:47.480 --> 0:56:49.200
<v Speaker 2>we have to just get the internet talking when I

0:56:49.200 --> 0:56:52.799
<v Speaker 2>sell some of course I'm not stupid, but I do

0:56:52.920 --> 0:56:56.440
<v Speaker 2>give a little bit more flat two artists like Frank

0:56:56.800 --> 0:56:59.000
<v Speaker 2>Kanye to a degree because Kanye kind of is the

0:56:59.000 --> 0:57:02.239
<v Speaker 2>reason we're all here, or with these dramatic rollouts, but

0:57:03.480 --> 0:57:06.440
<v Speaker 2>sometimes that's the only time they want to speak. So

0:57:07.360 --> 0:57:08.920
<v Speaker 2>and if I have to sell something, and I'm not

0:57:08.960 --> 0:57:10.760
<v Speaker 2>a marketer, I'm an artist. I sit in the studio

0:57:10.800 --> 0:57:13.120
<v Speaker 2>and make music. I don't know how to market. The

0:57:13.160 --> 0:57:14.560
<v Speaker 2>only thing I know how to do is be myself

0:57:14.560 --> 0:57:16.120
<v Speaker 2>and talk about what's going on in my life. And

0:57:16.120 --> 0:57:18.280
<v Speaker 2>I don't want to do that with y'all until it's

0:57:18.280 --> 0:57:20.320
<v Speaker 2>time for me to come out of my hole, which

0:57:20.320 --> 0:57:22.200
<v Speaker 2>is in the studio. That's the time I'm going to

0:57:22.520 --> 0:57:25.320
<v Speaker 2>get on every one of these platforms.

0:57:25.920 --> 0:57:30.480
<v Speaker 4>But the only problem I have with that is the algorithm.

0:57:30.760 --> 0:57:32.240
<v Speaker 4>Everybody's playing the algorithm game.

0:57:32.320 --> 0:57:32.880
<v Speaker 3>Have no choice.

0:57:32.920 --> 0:57:34.320
<v Speaker 4>How do you get into the algorith How do you

0:57:34.360 --> 0:57:36.000
<v Speaker 4>get to the top of the algorithm. And we know

0:57:36.040 --> 0:57:39.240
<v Speaker 4>that the algorithm rewards negativity, that's what makes it to

0:57:39.240 --> 0:57:42.760
<v Speaker 4>the top of the algorithm. You disrespect somebody, somebody has

0:57:42.800 --> 0:57:45.960
<v Speaker 4>a fight somebody, you know, whatever. That's what makes it

0:57:46.000 --> 0:57:48.760
<v Speaker 4>to the top of the algorithm. Disrespect, negative energy.

0:57:48.840 --> 0:57:49.040
<v Speaker 1>Right.

0:57:50.600 --> 0:57:53.000
<v Speaker 4>My only thing with Kanye is I feel like he

0:57:53.080 --> 0:57:55.800
<v Speaker 4>knew that. So a lot of the things he said

0:57:56.200 --> 0:58:00.800
<v Speaker 4>were disrespect absolutely, That's how he controlled the whole. You know,

0:58:00.840 --> 0:58:03.520
<v Speaker 4>He's at the top of everyone's algorithm. You couldn't open

0:58:03.520 --> 0:58:05.280
<v Speaker 4>your phone, you couldn't go on social media and not

0:58:05.320 --> 0:58:06.360
<v Speaker 4>see Kanye at the top.

0:58:06.440 --> 0:58:11.240
<v Speaker 1>Right. So, now, not in.

0:58:11.120 --> 0:58:13.120
<v Speaker 4>His personal business, but I think it's safe to say

0:58:13.160 --> 0:58:15.440
<v Speaker 4>that he may have taken the hit financially for some

0:58:15.480 --> 0:58:18.560
<v Speaker 4>of the things that he did and said over the lot, right,

0:58:18.640 --> 0:58:21.400
<v Speaker 4>just a small smoke, just a little bit, just a

0:58:21.440 --> 0:58:23.520
<v Speaker 4>little bit, right, cool.

0:58:23.920 --> 0:58:27.280
<v Speaker 2>And personally and personally because you also have to understand

0:58:27.360 --> 0:58:29.720
<v Speaker 2>he well no longer is married, but is tied in

0:58:29.880 --> 0:58:32.120
<v Speaker 2>he is for the rest of his well, I was

0:58:32.160 --> 0:58:34.160
<v Speaker 2>going to get to his ex woo. Yes he's married

0:58:34.200 --> 0:58:38.040
<v Speaker 2>to Bianca. Yes, since sorry, yeah married, My apologies. He

0:58:38.200 --> 0:58:42.600
<v Speaker 2>was married to a conglomerate, like, let's remember that as well,

0:58:42.920 --> 0:58:45.919
<v Speaker 2>which affects everything that has to do with his personal life.

0:58:45.960 --> 0:58:49.040
<v Speaker 2>His personal life became a conglomerate by his choice. I'm

0:58:49.080 --> 0:58:51.480
<v Speaker 2>not giving him sympathy. Trust me, that was his fucking

0:58:51.560 --> 0:58:53.720
<v Speaker 2>choice as a grown ass man. But that, yeah, that

0:58:53.760 --> 0:58:58.760
<v Speaker 2>affects the Kardashian billionaire conglomerate. Not saying it's Adidas, but

0:58:58.800 --> 0:59:01.560
<v Speaker 2>it ain't that fucking far away from it. Now that

0:59:01.600 --> 0:59:04.480
<v Speaker 2>affects you seeing your kids and then your own personal

0:59:04.480 --> 0:59:05.200
<v Speaker 2>money is fucked.

0:59:05.080 --> 0:59:08.080
<v Speaker 4>Up based off the things you said. Yeah, because again

0:59:08.120 --> 0:59:10.400
<v Speaker 4>you get caught up in this negative thing. When I

0:59:10.440 --> 0:59:12.480
<v Speaker 4>say some negative is right to the top of the algorithm,

0:59:12.520 --> 0:59:14.960
<v Speaker 4>right cool? Now you give us this in the Wall

0:59:14.960 --> 0:59:17.640
<v Speaker 4>Street at yo. You know mental health frontal load damage.

0:59:17.680 --> 0:59:19.600
<v Speaker 4>I didn't know undiagnosed.

0:59:19.800 --> 0:59:20.040
<v Speaker 1>Cool?

0:59:20.120 --> 0:59:23.120
<v Speaker 4>And if that's real, we understand that, like damn, that's

0:59:23.200 --> 0:59:25.440
<v Speaker 4>you know, it's fucked up that that went undiagnosed all

0:59:25.480 --> 0:59:28.360
<v Speaker 4>of these years. Hopefully he's addressing that and getting help

0:59:28.400 --> 0:59:31.640
<v Speaker 4>for that. My thing is, why are we attaching that

0:59:31.680 --> 0:59:33.680
<v Speaker 4>to him? Why do you have to attach that to

0:59:33.760 --> 0:59:37.360
<v Speaker 4>sell something? Though, like Kanye's talent speaks for itself at

0:59:37.400 --> 0:59:39.440
<v Speaker 4>this point, Kanye don't have to do none of this

0:59:40.040 --> 0:59:42.520
<v Speaker 4>to sell something. Kanye could just announced an album at

0:59:42.520 --> 0:59:44.360
<v Speaker 4>midnight and the numbers are gonna do what the numbers

0:59:44.360 --> 0:59:44.800
<v Speaker 4>are gonna do.

0:59:44.840 --> 0:59:48.120
<v Speaker 1>I agree, So that's when I have a problem with this.

0:59:48.200 --> 0:59:50.360
<v Speaker 4>Like all of this role you don't need to use

0:59:50.440 --> 0:59:52.360
<v Speaker 4>this as an angle for your rollout to sell something.

0:59:52.400 --> 0:59:53.520
<v Speaker 3>But this is the thing.

0:59:53.640 --> 0:59:56.400
<v Speaker 5>You can't confirm that that's your opinion of what he's doing,

0:59:56.440 --> 0:59:58.920
<v Speaker 5>but bouncing off the back of that's what it is,

0:59:59.280 --> 0:59:59.959
<v Speaker 5>Bully is coming.

1:00:00.200 --> 1:00:01.160
<v Speaker 3>Okay, understood that.

1:00:01.200 --> 1:00:03.720
<v Speaker 5>But what I'm saying is he could have wanted to

1:00:03.800 --> 1:00:07.320
<v Speaker 5>say this for five months, right, So then say it no,

1:00:07.560 --> 1:00:11.200
<v Speaker 5>Because this is the thing, y'all, especially when everybody hates

1:00:11.240 --> 1:00:12.640
<v Speaker 5>you or you feel like everybody hates you.

1:00:12.720 --> 1:00:14.520
<v Speaker 3>Right, let's reality versus your perception.

1:00:14.560 --> 1:00:16.560
<v Speaker 5>If you feel like everybody hates you, and on top

1:00:16.560 --> 1:00:18.800
<v Speaker 5>of that, you feel like you don't really owe people shit,

1:00:18.840 --> 1:00:20.520
<v Speaker 5>and people are gonna talk shit about you anyway. People

1:00:20.520 --> 1:00:22.240
<v Speaker 5>are gonna sit on their podcast and not believe what

1:00:22.280 --> 1:00:24.720
<v Speaker 5>the fuck you're saying. Anyway. Okay, if that's the case,

1:00:24.800 --> 1:00:26.920
<v Speaker 5>I'm going to use that to my advantage. If I

1:00:26.960 --> 1:00:28.760
<v Speaker 5>was an artist, I would do that too. I'm not

1:00:28.840 --> 1:00:33.320
<v Speaker 5>over here trying to convince y'all that I'm being that

1:00:33.360 --> 1:00:35.760
<v Speaker 5>I'm being real, or that I'm being authentic, because y'all

1:00:35.760 --> 1:00:37.560
<v Speaker 5>are gonna believe me or y'all aren't gonna believe me.

1:00:37.800 --> 1:00:39.320
<v Speaker 5>But if this, if I'm gonna come out and be

1:00:39.400 --> 1:00:42.000
<v Speaker 5>vulnerable with you when I've given you so much of myself, Yeah,

1:00:42.200 --> 1:00:43.400
<v Speaker 5>I'm gonna attach it to my album.

1:00:43.680 --> 1:00:44.720
<v Speaker 1>Yeah, I don't have to.

1:00:44.760 --> 1:00:46.920
<v Speaker 4>I don't have to improve to y'all that I'm being authored.

1:00:47.920 --> 1:00:50.520
<v Speaker 4>I don't try to sell me something. Improve and be authentic.

1:00:50.560 --> 1:00:52.400
<v Speaker 5>So you're saying you will believe it, you will believe

1:00:52.400 --> 1:00:53.440
<v Speaker 5>this if Bully was coming in.

1:00:53.600 --> 1:00:56.040
<v Speaker 4>I'm saying that you would believe it or wouldn't believe it,

1:00:56.080 --> 1:00:57.520
<v Speaker 4>no matter if the album was coming out or not.

1:00:57.760 --> 1:00:59.800
<v Speaker 3>You believe it if Bully was coming a year from now.

1:01:01.200 --> 1:01:04.160
<v Speaker 5>So then what's the point, Like, that's what if you're

1:01:04.200 --> 1:01:05.560
<v Speaker 5>not gonna believe it, You're not believe is.

1:01:05.800 --> 1:01:07.400
<v Speaker 4>Because I think a lot of people feel like I feel,

1:01:07.760 --> 1:01:09.520
<v Speaker 4>which is like they don't matter that you have an

1:01:09.520 --> 1:01:11.480
<v Speaker 4>album coming next week, but we don't care. You could

1:01:11.520 --> 1:01:13.440
<v Speaker 4>have told us this, like I said, I didn't need

1:01:13.480 --> 1:01:16.440
<v Speaker 4>this whole pr you know, press release thing.

1:01:16.480 --> 1:01:17.120
<v Speaker 1>I didn't need that.

1:01:17.440 --> 1:01:19.640
<v Speaker 4>I would rather open my phone and see Kanye speaking

1:01:19.640 --> 1:01:24.160
<v Speaker 4>directly into a camera and being vulnerable, not no edit,

1:01:24.200 --> 1:01:25.680
<v Speaker 4>but none of that, and be like Yo, listen, man,

1:01:25.720 --> 1:01:28.120
<v Speaker 4>I said some things to me that would feel more

1:01:28.160 --> 1:01:29.800
<v Speaker 4>genuine in some words. And I'm reading in the world.

1:01:29.800 --> 1:01:31.840
<v Speaker 4>I don't even read the Wall Street Journal, and I

1:01:31.840 --> 1:01:34.400
<v Speaker 4>know you'll start there. I don't even I don't even

1:01:34.440 --> 1:01:35.080
<v Speaker 4>read that picture.

1:01:35.240 --> 1:01:37.760
<v Speaker 2>There's a group of people that read it. There's a

1:01:37.800 --> 1:01:41.040
<v Speaker 2>group of people that, of course see his ship. His

1:01:41.080 --> 1:01:44.440
<v Speaker 2>frontal low was opening up. Next, I just start opening opening.

1:01:44.880 --> 1:01:47.960
<v Speaker 2>This is what I'm saying, this is we know what

1:01:48.000 --> 1:01:50.520
<v Speaker 2>this is. Let's just stop acting like we don't. Kanye

1:01:50.600 --> 1:01:54.600
<v Speaker 2>don't have to do no promo Kanye, but Kanye on

1:01:54.640 --> 1:01:58.720
<v Speaker 2>his on his Instagram, they could just say Bully, that's it,

1:02:00.080 --> 1:02:01.640
<v Speaker 2>not and the numbers that's gonna do.

1:02:01.640 --> 1:02:03.200
<v Speaker 1>He's gonna have the number one album.

1:02:02.960 --> 1:02:05.240
<v Speaker 3>Nope, which you mean no, I don't know about him

1:02:05.240 --> 1:02:05.720
<v Speaker 3>having enough.

1:02:05.840 --> 1:02:08.800
<v Speaker 1>Giveless Bad Buddy run another commercial.

1:02:10.040 --> 1:02:12.120
<v Speaker 2>That would be the I think his album's coming out

1:02:12.320 --> 1:02:14.840
<v Speaker 2>February eighth. I think it's coming around the same fucking like.

1:02:15.400 --> 1:02:17.440
<v Speaker 1>The only reason Kanye ain't got the number one album is.

1:02:17.400 --> 1:02:20.480
<v Speaker 2>If everything after super Bowl is gonna be number one

1:02:20.520 --> 1:02:22.840
<v Speaker 2>for Bad Bunny. But all right, with that said, Kanye

1:02:23.040 --> 1:02:26.080
<v Speaker 2>has surpassed that. Of course, anything with Kanye, that happens

1:02:26.080 --> 1:02:28.200
<v Speaker 2>with us in this room. He doesn't need to do

1:02:28.280 --> 1:02:30.200
<v Speaker 2>a rollout. We are going to see it. I even

1:02:30.240 --> 1:02:32.200
<v Speaker 2>have Vultures too in my fucking laptop, and I don't

1:02:32.200 --> 1:02:34.120
<v Speaker 2>even think it got released, and I'm saying they sent

1:02:34.160 --> 1:02:35.720
<v Speaker 2>it to me. It was just leaked. With I pay

1:02:35.760 --> 1:02:39.240
<v Speaker 2>attention what I'm saying now. Kanye is so super past

1:02:39.320 --> 1:02:41.400
<v Speaker 2>that entire thing. That's why he's one of the highest

1:02:41.440 --> 1:02:44.720
<v Speaker 2>streamed people on Spotify history. Even if he's twenty five.

1:02:44.760 --> 1:02:49.400
<v Speaker 2>That's still crazy. With that said, he with all his

1:02:49.480 --> 1:02:53.040
<v Speaker 2>comments about the Jewish community and everything, does need to

1:02:53.080 --> 1:02:55.600
<v Speaker 2>address that to sell the album because I think Bully

1:02:55.600 --> 1:02:57.440
<v Speaker 2>would go to deaf Ears. By deaf ears, I mean

1:02:57.600 --> 1:02:59.720
<v Speaker 2>just the type of people in this room that pay

1:02:59.760 --> 1:03:02.400
<v Speaker 2>its chance to hip hop. I'll tell you this, My

1:03:02.440 --> 1:03:04.200
<v Speaker 2>mom and her best friend were in my car. Wait,

1:03:04.880 --> 1:03:06.600
<v Speaker 2>let me finish. This is Kanye you told them about

1:03:06.640 --> 1:03:06.800
<v Speaker 2>I know.

1:03:06.880 --> 1:03:07.960
<v Speaker 3>I'm telling you people.

1:03:08.000 --> 1:03:10.320
<v Speaker 1>Don't Kanye puts out an album tomorrow his fans.

1:03:11.400 --> 1:03:13.400
<v Speaker 2>Can we look up what Vultures did. Vultures Won that

1:03:13.480 --> 1:03:17.520
<v Speaker 2>came out on DSPs. Let's look at the numbers. You

1:03:17.520 --> 1:03:19.640
<v Speaker 2>think that one number one one nowhere near number one.

1:03:20.400 --> 1:03:22.320
<v Speaker 2>How did he release I don't even remember the last

1:03:22.400 --> 1:03:23.880
<v Speaker 2>Kanye West album that went number one.

1:03:23.960 --> 1:03:26.000
<v Speaker 5>Yeah, number one ain't as easy to come by as

1:03:26.040 --> 1:03:28.000
<v Speaker 5>like we think, well Kanye, no.

1:03:27.920 --> 1:03:29.960
<v Speaker 4>For Kanye either, Well, Kanye got kind of the way

1:03:29.960 --> 1:03:31.440
<v Speaker 4>he was releasing Ship and putting it out.

1:03:31.440 --> 1:03:32.720
<v Speaker 1>You didn't know if it was out, if it was not.

1:03:33.040 --> 1:03:34.920
<v Speaker 1>It did go to number one.

1:03:35.480 --> 1:03:38.640
<v Speaker 2>It no hip hip hop guys. I'm talking about number one,

1:03:38.640 --> 1:03:39.440
<v Speaker 2>where Kanye used to.

1:03:39.440 --> 1:03:42.640
<v Speaker 5>Be Billboard two hundred Albums chart number one on the

1:03:42.640 --> 1:03:43.560
<v Speaker 5>Billboard two hundred.

1:03:43.640 --> 1:03:44.480
<v Speaker 1>Ain't no fucking way.

1:03:44.480 --> 1:03:46.280
<v Speaker 2>At that time, when Taylor Swift was coming out that

1:03:46.360 --> 1:03:47.440
<v Speaker 2>Kanye West was number.

1:03:47.240 --> 1:03:51.000
<v Speaker 5>One, forget this Okay, We're back, Rory was wrong.

1:03:50.880 --> 1:03:56.080
<v Speaker 2>Completely fucking wrong. Vultures spent number one on Billboard for

1:03:56.120 --> 1:03:59.160
<v Speaker 2>two weeks. Carnival I was an incredible record, I was.

1:03:59.200 --> 1:04:01.680
<v Speaker 2>I was talking more about that album. Yeah, I spent

1:04:02.400 --> 1:04:05.919
<v Speaker 2>two weeks there. What was the first week sales Josh

1:04:05.960 --> 1:04:11.960
<v Speaker 2>one forty eight thousand, which is incredible, Okay, but I

1:04:11.960 --> 1:04:15.120
<v Speaker 2>still think that's lower numbers one forty eight for Kanye album.

1:04:15.560 --> 1:04:18.080
<v Speaker 2>And my point was that I was getting to was

1:04:19.120 --> 1:04:21.880
<v Speaker 2>the Pete Davidson in Game song is the one that

1:04:21.920 --> 1:04:24.560
<v Speaker 2>went the craziest for Kanye when it came to the

1:04:24.600 --> 1:04:28.400
<v Speaker 2>news outside of the numbers, when he said, uh, Pete

1:04:28.440 --> 1:04:31.080
<v Speaker 2>Davison dies at AIDS and put the video out that

1:04:31.360 --> 1:04:33.200
<v Speaker 2>my mom and her friend listened to that records like,

1:04:33.200 --> 1:04:35.080
<v Speaker 2>did you hear about the new Kanye, the one with

1:04:35.240 --> 1:04:37.560
<v Speaker 2>game Mom? That's the one you're talking about, because they

1:04:37.560 --> 1:04:39.400
<v Speaker 2>were talking about Pete Davidson and all the gossip shit.

1:04:39.880 --> 1:04:42.200
<v Speaker 2>So I was saying, to your point of Yeay, being

1:04:42.240 --> 1:04:46.240
<v Speaker 2>in that negative algorithm shit, he has to do stuff

1:04:46.360 --> 1:04:49.560
<v Speaker 2>like this to get to that next level.

1:04:49.880 --> 1:04:52.640
<v Speaker 4>Kanye doesn't have to do anything, and that's the point,

1:04:52.720 --> 1:04:53.920
<v Speaker 4>and I think that's the point that people have to

1:04:53.960 --> 1:04:54.480
<v Speaker 4>understand by.

1:04:54.480 --> 1:04:56.800
<v Speaker 2>Okay, but do you also remember Vultures, which I was

1:04:56.840 --> 1:05:00.440
<v Speaker 2>completely wrong about. Do you remember the Vultures rollout? Uh?

1:05:00.720 --> 1:05:01.600
<v Speaker 1>He had every.

1:05:01.400 --> 1:05:05.280
<v Speaker 2>Fucking right wing streamer. They were in that hotel room

1:05:05.360 --> 1:05:08.560
<v Speaker 2>streaming for fucking seven days. They were kicking women out

1:05:08.600 --> 1:05:12.400
<v Speaker 2>the fucking room. They were doing the Andrew tape rollout everything.

1:05:12.440 --> 1:05:14.760
<v Speaker 2>It was the most negative shit. So I'm saying he

1:05:14.840 --> 1:05:16.920
<v Speaker 2>still has to do stuff Vultures did.

1:05:17.360 --> 1:05:17.880
<v Speaker 3>I was wrong.

1:05:18.000 --> 1:05:21.160
<v Speaker 2>Vultures went number one. But now to that point, Yeah,

1:05:21.200 --> 1:05:26.040
<v Speaker 2>he had a insanely negative rollout and a very public one.

1:05:26.640 --> 1:05:28.240
<v Speaker 2>So you're saying he doesn't need to do that, Yes

1:05:28.280 --> 1:05:30.640
<v Speaker 2>he does. He needed to do that to make Vultures

1:05:30.680 --> 1:05:31.280
<v Speaker 2>be number one.

1:05:31.560 --> 1:05:33.960
<v Speaker 1>No, because every other album went number one before that

1:05:34.000 --> 1:05:34.400
<v Speaker 1>and he didn't.

1:05:34.440 --> 1:05:36.880
<v Speaker 3>You don't remember all his antics through every album.

1:05:36.960 --> 1:05:39.000
<v Speaker 4>Ever, I'm saying he didn't have to do what he

1:05:39.040 --> 1:05:41.400
<v Speaker 4>did as far as a rollout on the Vultures album.

1:05:41.400 --> 1:05:43.440
<v Speaker 4>And I'm saying you don't have to promo your stuff.

1:05:44.040 --> 1:05:46.120
<v Speaker 4>I'm saying I think Kanye West is at a point

1:05:46.160 --> 1:05:49.120
<v Speaker 4>in his career now with these things, these all the

1:05:49.160 --> 1:05:51.000
<v Speaker 4>tricks and things that every other artist has to do.

1:05:51.200 --> 1:05:53.960
<v Speaker 4>He does not have to do that. He invented those tricks, though,

1:05:54.320 --> 1:05:56.520
<v Speaker 4>but I'm saying he doesn't. He no longer has to

1:05:56.600 --> 1:06:02.280
<v Speaker 4>do that. He can just again Instagram yay Bully, So

1:06:02.560 --> 1:06:06.240
<v Speaker 4>all white letters, black background, Bully. That will be enough

1:06:06.320 --> 1:06:07.560
<v Speaker 4>people know the album is coming.

1:06:07.920 --> 1:06:08.280
<v Speaker 1>That's it.

1:06:08.400 --> 1:06:11.800
<v Speaker 4>This is Kanye West, one of the most influential artists

1:06:11.840 --> 1:06:15.040
<v Speaker 4>of his time. He doesn't influential. He doesn't have to

1:06:15.080 --> 1:06:17.360
<v Speaker 4>do these things that everybody else is.

1:06:17.440 --> 1:06:19.240
<v Speaker 1>He doesn't have to do that. I hear what you're saying.

1:06:19.320 --> 1:06:19.480
<v Speaker 2>All.

1:06:19.680 --> 1:06:24.760
<v Speaker 5>But you have no baseline for the past. Let's say

1:06:24.800 --> 1:06:28.400
<v Speaker 5>past ten years, right, you have no wait ten years,

1:06:28.440 --> 1:06:30.280
<v Speaker 5>how long would it be damn time flying? Okay, let's

1:06:30.320 --> 1:06:33.320
<v Speaker 5>say past five years, five to ten whatever. You have

1:06:33.480 --> 1:06:36.120
<v Speaker 5>no baseline of him not doing wild shit to sell

1:06:36.160 --> 1:06:38.320
<v Speaker 5>album to say he doesn't need to be wild shit

1:06:38.360 --> 1:06:39.240
<v Speaker 5>to sell Twenty.

1:06:39.080 --> 1:06:41.080
<v Speaker 3>Years of Kanye's career has been that.

1:06:41.240 --> 1:06:45.280
<v Speaker 5>Yeah, He's always done wild So you can't say Kanye's.

1:06:43.880 --> 1:06:47.160
<v Speaker 1>Always done wild shit to sell the album. This is

1:06:47.200 --> 1:06:47.880
<v Speaker 1>this is this is.

1:06:47.960 --> 1:06:50.880
<v Speaker 4>This is recast, this is really he hasn't always done

1:06:50.880 --> 1:06:51.880
<v Speaker 4>wild ship to sell the album.

1:06:51.880 --> 1:06:53.520
<v Speaker 5>But past ten years in the in the age of

1:06:53.560 --> 1:06:55.600
<v Speaker 5>the you need the internet to sell albums.

1:06:55.440 --> 1:07:00.960
<v Speaker 4>Or or because the algorithm awards negativity. Okay, that is

1:07:00.960 --> 1:07:03.600
<v Speaker 4>what I'm saying. He doesn't do negativity. Does he still

1:07:03.600 --> 1:07:04.640
<v Speaker 4>sell the same that was rory?

1:07:04.880 --> 1:07:06.440
<v Speaker 1>I think yes, So this is Kanye.

1:07:06.480 --> 1:07:09.760
<v Speaker 4>See before the before the algorithm, he was selling shipload

1:07:09.800 --> 1:07:14.080
<v Speaker 4>of records, influencing all artists. After the algorithm, yes he doesn't.

1:07:14.240 --> 1:07:17.160
<v Speaker 4>He does not. He became a victim of that, he

1:07:17.240 --> 1:07:19.160
<v Speaker 4>fell into that. I think he didn't need to do that,

1:07:19.640 --> 1:07:22.280
<v Speaker 4>and I think now he's realizing he didn't have to

1:07:22.320 --> 1:07:23.680
<v Speaker 4>go that far. He didn't have to do all of

1:07:23.720 --> 1:07:25.640
<v Speaker 4>that negative shit he was doing and saying those things

1:07:25.680 --> 1:07:26.120
<v Speaker 4>he was doing.

1:07:26.200 --> 1:07:28.360
<v Speaker 2>Actually think this is perfect more because you're making an

1:07:28.400 --> 1:07:30.720
<v Speaker 2>amazing point. We're talking about all the negative shit he

1:07:30.760 --> 1:07:34.120
<v Speaker 2>did to get number one with Vultures. Now he's doing positive.

1:07:34.160 --> 1:07:36.280
<v Speaker 2>Let's take out if we think somebody else wrote it.

1:07:36.320 --> 1:07:39.520
<v Speaker 2>This and that bully he said with justin Leaboys miseducation,

1:07:39.600 --> 1:07:42.280
<v Speaker 2>it's only about positivity. Every bar is supposed to uplift

1:07:42.320 --> 1:07:44.680
<v Speaker 2>everybody in the world. He did a full apology of

1:07:44.720 --> 1:07:46.760
<v Speaker 2>his whole entire career in the Wall Street Journal.

1:07:47.800 --> 1:07:50.000
<v Speaker 3>Let's see what this could be.

1:07:50.200 --> 1:07:52.280
<v Speaker 1>What's his rollout for the gospel album? Because that was

1:07:52.320 --> 1:07:53.440
<v Speaker 1>positive rollout?

1:07:53.720 --> 1:07:54.200
<v Speaker 3>I love that.

1:07:54.360 --> 1:07:55.440
<v Speaker 1>What's his rollout for that? Oh?

1:07:55.640 --> 1:07:58.080
<v Speaker 2>I mean even when he did with Sunday Service, Sunday

1:07:58.120 --> 1:08:00.040
<v Speaker 2>Service to travel the country Withould Requie, I thought it

1:08:00.080 --> 1:08:01.200
<v Speaker 2>was aweso, it's beautiful.

1:08:01.240 --> 1:08:03.520
<v Speaker 3>I went to Yeah, thought it was great fucking fire.

1:08:03.600 --> 1:08:04.200
<v Speaker 1>Yeah.

1:08:04.240 --> 1:08:07.760
<v Speaker 2>So no, okay, but things definitely turn in the Internet

1:08:08.160 --> 1:08:10.959
<v Speaker 2>after that time. The Internet was still negative at that time,

1:08:11.000 --> 1:08:13.840
<v Speaker 2>but but it turned to everything negative type of world

1:08:13.880 --> 1:08:15.840
<v Speaker 2>that we're it currently in, right, now everything has to

1:08:15.880 --> 1:08:18.960
<v Speaker 2>be negative. I'm curious to see to your point, with

1:08:19.120 --> 1:08:23.320
<v Speaker 2>him going with a positive rollout, what happens. I don't

1:08:23.360 --> 1:08:25.000
<v Speaker 2>have any predictions. I have no idea.

1:08:25.760 --> 1:08:26.360
<v Speaker 1>For me, it's.

1:08:26.200 --> 1:08:27.760
<v Speaker 4>Always this and it will always be this with any

1:08:27.760 --> 1:08:30.479
<v Speaker 4>of these artists. I don't care about your rollout. I

1:08:30.520 --> 1:08:31.639
<v Speaker 4>don't care about your rollout.

1:08:31.760 --> 1:08:34.439
<v Speaker 1>Want you care if the music is good? What does

1:08:34.479 --> 1:08:37.120
<v Speaker 1>the music sound like? That's my thing.

1:08:37.160 --> 1:08:40.000
<v Speaker 4>I don't care about this Wall Street ad. I care

1:08:40.040 --> 1:08:42.320
<v Speaker 4>about his mental health. Hopefully he's addressing that and he's

1:08:42.320 --> 1:08:44.679
<v Speaker 4>getting help for that. You know that part.

1:08:44.760 --> 1:08:47.360
<v Speaker 1>Yes, absolutely I care about But I didn't need the

1:08:47.400 --> 1:08:48.080
<v Speaker 1>Wall Street Ad.

1:08:49.560 --> 1:08:53.400
<v Speaker 2>Just again, I think it's actually a great experiment to

1:08:53.439 --> 1:08:56.320
<v Speaker 2>see if positivity even fucking works in a rollout. Yeah,

1:08:56.320 --> 1:08:59.759
<v Speaker 2>but it being humble, if being hey, I need forgiveness

1:08:59.800 --> 1:09:01.679
<v Speaker 2>because as I fucked up, I said a bunch.

1:09:01.520 --> 1:09:02.720
<v Speaker 4>Of But how would you know if it works with

1:09:02.800 --> 1:09:05.320
<v Speaker 4>Kanye's gonna go number one?

1:09:05.360 --> 1:09:06.000
<v Speaker 1>No matter what.

1:09:06.120 --> 1:09:08.160
<v Speaker 2>You've proven me wrong with the Vultures, thing is actually

1:09:08.200 --> 1:09:10.080
<v Speaker 2>going to we'll have an answer.

1:09:10.400 --> 1:09:12.280
<v Speaker 4>The album goes as long as he stays away from

1:09:12.320 --> 1:09:14.479
<v Speaker 4>Bad Bunny, as long as he.

1:09:14.400 --> 1:09:16.639
<v Speaker 2>Stays away number one, because that can change. Let's look

1:09:16.640 --> 1:09:19.120
<v Speaker 2>at the stream sales, which I hate, who cares about that?

1:09:19.160 --> 1:09:21.519
<v Speaker 2>But let's let's look at the sales, all right? What

1:09:21.520 --> 1:09:23.240
<v Speaker 2>are we we used to do sales guesses? What are

1:09:23.240 --> 1:09:23.880
<v Speaker 2>you guys guessing?

1:09:24.960 --> 1:09:25.480
<v Speaker 1>Units?

1:09:25.760 --> 1:09:28.800
<v Speaker 5>Album equivalent units?

1:09:28.560 --> 1:09:30.400
<v Speaker 1>That's it. It is soul because I don't even know

1:09:30.439 --> 1:09:33.160
<v Speaker 1>what two hundred. I don't even know what that means.

1:09:33.800 --> 1:09:34.120
<v Speaker 1>How many?

1:09:35.400 --> 1:09:38.680
<v Speaker 4>How many pre orders did Rocky have a million? How

1:09:38.680 --> 1:09:40.680
<v Speaker 4>many did he sell for? How many was his first

1:09:40.720 --> 1:09:42.559
<v Speaker 4>week numbers? Because he has a number two. He didn't

1:09:42.560 --> 1:09:43.280
<v Speaker 4>debut at number one?

1:09:43.360 --> 1:09:45.479
<v Speaker 3>Right now, he had a number number one?

1:09:45.560 --> 1:09:48.760
<v Speaker 1>Yeah, over over bad bunny. Your congrats states.

1:09:48.479 --> 1:09:51.400
<v Speaker 3>That Rocky is he has a number one album one

1:09:51.479 --> 1:09:52.120
<v Speaker 3>hundred and twenty two.

1:09:52.400 --> 1:09:55.880
<v Speaker 2>I think he ate was does two hundred because I

1:09:55.920 --> 1:09:58.040
<v Speaker 2>do think with this Wall Street journalship.

1:09:57.560 --> 1:09:59.800
<v Speaker 1>Plus Rocky debut a number one? Yeah?

1:10:00.200 --> 1:10:02.599
<v Speaker 3>Right now, congrats States have Rocky Gucci?

1:10:03.120 --> 1:10:03.280
<v Speaker 2>Yes?

1:10:03.400 --> 1:10:03.639
<v Speaker 3>Great?

1:10:03.720 --> 1:10:03.960
<v Speaker 1>Yeah?

1:10:04.200 --> 1:10:09.920
<v Speaker 2>I think if Vultures did one and Yeah is doing

1:10:09.960 --> 1:10:12.839
<v Speaker 2>his apology tour, I'm two hundred.

1:10:13.920 --> 1:10:17.360
<v Speaker 5>I'm going one twenty. I'll go one twenty under Vultures

1:10:17.680 --> 1:10:20.920
<v Speaker 5>unless unless he sells something and packs it out. Unless

1:10:20.920 --> 1:10:23.360
<v Speaker 5>he sells something, can you pull.

1:10:23.280 --> 1:10:26.559
<v Speaker 4>Up the rabbit, the rabbi that he was speaking with

1:10:26.600 --> 1:10:29.080
<v Speaker 4>a couple of months ago that shook his hand and.

1:10:30.280 --> 1:10:35.559
<v Speaker 3>That was crazy. That was fucking crazy.

1:10:35.840 --> 1:10:36.040
<v Speaker 1>Yeah.

1:10:36.080 --> 1:10:38.439
<v Speaker 2>No, no, I've had a version of that.

1:10:38.600 --> 1:10:40.120
<v Speaker 1>Rabbi. A lot of people have.

1:10:40.120 --> 1:10:40.519
<v Speaker 3>Never heard that.

1:10:41.560 --> 1:10:46.800
<v Speaker 4>Is that rabbi? Uh did you Rabbi Yoshi Yosef? Yes,

1:10:47.320 --> 1:10:49.200
<v Speaker 4>remember that Kanye made his amends.

1:10:49.400 --> 1:10:49.800
<v Speaker 1>There we go.

1:10:49.880 --> 1:10:51.760
<v Speaker 4>So then we got that, right baby, the follow me

1:10:51.840 --> 1:10:55.560
<v Speaker 4>that was November, following you everywhere? That was November? Where January?

1:10:56.479 --> 1:10:59.040
<v Speaker 4>Now we get the Wall Street add apology tour. Do

1:10:59.120 --> 1:11:05.040
<v Speaker 4>you not see how how his team and staff are planning.

1:11:05.320 --> 1:11:07.599
<v Speaker 1>I say that I'm not disagreeing with you. So that's

1:11:07.600 --> 1:11:08.120
<v Speaker 1>where it's for me.

1:11:09.439 --> 1:11:13.640
<v Speaker 4>I say, performative, planned, need this, then we're going to

1:11:13.720 --> 1:11:14.960
<v Speaker 4>do that, and we're going to do this, and then

1:11:14.960 --> 1:11:15.759
<v Speaker 4>the album comes.

1:11:16.000 --> 1:11:18.040
<v Speaker 3>So it's every artist it's been performative.

1:11:18.080 --> 1:11:19.840
<v Speaker 4>Yeah, But I'm just saying for what he's done over

1:11:19.880 --> 1:11:23.120
<v Speaker 4>the years and said, for him to now make this turn,

1:11:24.000 --> 1:11:26.719
<v Speaker 4>you can't expect somebody like me to be like, oh yeah,

1:11:26.800 --> 1:11:28.680
<v Speaker 4>I feel him. You know, I don't expect you to.

1:11:28.760 --> 1:11:30.240
<v Speaker 4>But I also don't think that Kanye is doing this

1:11:30.280 --> 1:11:30.479
<v Speaker 4>for you.

1:11:30.840 --> 1:11:32.599
<v Speaker 1>I'm one of his I'm one of his consumers.

1:11:32.680 --> 1:11:33.400
<v Speaker 3>Yeah, but you're.

1:11:33.240 --> 1:11:35.639
<v Speaker 5>Gonna cut you bought in his In his height of

1:11:35.720 --> 1:11:37.639
<v Speaker 5>the Worst Ship, he was saying, you bought easy boots.

1:11:37.640 --> 1:11:39.280
<v Speaker 3>You're not the person he's apologized and you know what

1:11:39.320 --> 1:11:41.160
<v Speaker 3>I think, but he doesn't.

1:11:41.240 --> 1:11:44.439
<v Speaker 4>But again, my thing is if you want to say,

1:11:44.439 --> 1:11:47.320
<v Speaker 4>apologize to people you hurt with your words, I'm always

1:11:47.360 --> 1:11:48.520
<v Speaker 4>for that apologize.

1:11:48.600 --> 1:11:51.240
<v Speaker 1>Right. My thing is why attach it?

1:11:51.280 --> 1:11:54.200
<v Speaker 2>Like you said, why are we getting an album coming

1:11:54.240 --> 1:11:55.479
<v Speaker 2>off the wall Street thing?

1:11:55.560 --> 1:12:00.200
<v Speaker 4>It's just stop selling ship for a second. Sit down, yeah,

1:12:00.240 --> 1:12:03.840
<v Speaker 4>but sit down, get your mental health together, get your

1:12:03.880 --> 1:12:07.000
<v Speaker 4>life together. You mean your kids just growing up door.

1:12:07.439 --> 1:12:09.200
<v Speaker 4>Stop selling shit for a second.

1:12:09.400 --> 1:12:11.559
<v Speaker 1>But he hasn't sold us anything in a couple of years.

1:12:12.080 --> 1:12:14.240
<v Speaker 3>Well you talking about he's been well, has been waiting

1:12:14.240 --> 1:12:15.160
<v Speaker 3>for his boots for a while.

1:12:17.200 --> 1:12:20.720
<v Speaker 2>He sold a Swasi commerci last last February, I mean us,

1:12:20.760 --> 1:12:23.160
<v Speaker 2>But we're going into February the next year and I

1:12:23.160 --> 1:12:23.759
<v Speaker 2>still got.

1:12:23.680 --> 1:12:25.240
<v Speaker 3>Kanye kinda hasn't stoped selling stuff.

1:12:25.280 --> 1:12:26.960
<v Speaker 2>But all right, well and we can close this because

1:12:26.960 --> 1:12:29.680
<v Speaker 2>I know this dragged a bit, but you would like,

1:12:29.760 --> 1:12:32.840
<v Speaker 2>do you consider artists a brand at this point? I'm

1:12:32.840 --> 1:12:35.479
<v Speaker 2>not a businessman. I'm a businessman like certain certain artists.

1:12:35.479 --> 1:12:39.840
<v Speaker 2>Everybody niggas just saying no, no, no brand using artists in

1:12:39.880 --> 1:12:43.679
<v Speaker 2>the same vein ye one million. So you don't think

1:12:44.040 --> 1:12:46.559
<v Speaker 2>Pepsi beats to the drum of how we're going to

1:12:46.600 --> 1:12:49.519
<v Speaker 2>move based off how we're selling something. Why is Kanye

1:12:49.520 --> 1:12:52.559
<v Speaker 2>who is a brand at one point was just as

1:12:52.640 --> 1:12:55.880
<v Speaker 2>valuable as a major corporation that has been around for

1:12:55.920 --> 1:12:59.360
<v Speaker 2>one hundred years, because that's how talented Kanye West was

1:12:59.360 --> 1:13:02.200
<v Speaker 2>with his vision. Why can he not move at the

1:13:02.240 --> 1:13:05.160
<v Speaker 2>same pace that every more major corporation does.

1:13:05.000 --> 1:13:07.080
<v Speaker 4>Because he's saying that he has frontal lobe damage and

1:13:07.120 --> 1:13:08.759
<v Speaker 4>mental health issues that he needs to address.

1:13:09.560 --> 1:13:15.240
<v Speaker 2>Pepsi an ad with Kendall Jenner stotting racism by opening that,

1:13:16.280 --> 1:13:18.840
<v Speaker 2>and I know it's the craziest commercial of all time.

1:13:19.080 --> 1:13:22.120
<v Speaker 2>They had an Asian playing the violin at a riot.

1:13:25.160 --> 1:13:27.760
<v Speaker 2>Pepsi put out an ad, Yo, we messed up, We're

1:13:27.760 --> 1:13:30.599
<v Speaker 2>gonna do better. At least Kanye gave me some more

1:13:30.640 --> 1:13:32.519
<v Speaker 2>words that made me feel like I'm actually talking to

1:13:32.560 --> 1:13:35.720
<v Speaker 2>a human being. And he's a brand that at one

1:13:35.720 --> 1:13:38.439
<v Speaker 2>point probably not as valuable as Pepsi, but close in

1:13:38.479 --> 1:13:42.439
<v Speaker 2>the billions. Why can't he move the same way. His

1:13:42.560 --> 1:13:44.439
<v Speaker 2>life is a brand. He's always going to sell. He's

1:13:44.479 --> 1:13:48.400
<v Speaker 2>selling his personality. He was married to the conglomerate of

1:13:48.479 --> 1:13:51.519
<v Speaker 2>selling your personality their brands. The Kardashians are a brand.

1:13:51.560 --> 1:13:55.400
<v Speaker 2>You don't get Skims without Kim selling herself her lifestyle.

1:13:55.600 --> 1:13:58.920
<v Speaker 2>These people, anytime they walk outside, they're selling themselves. I

1:13:58.920 --> 1:14:00.760
<v Speaker 2>don't mean that in a negative way, and I don't.

1:14:00.800 --> 1:14:03.160
<v Speaker 2>I don't, I don't.

1:14:02.640 --> 1:14:04.840
<v Speaker 4>Everything you're saying is correct. What I'm saying is if

1:14:05.040 --> 1:14:07.960
<v Speaker 4>you're having mental health issues, if you're front, I think

1:14:08.040 --> 1:14:10.360
<v Speaker 4>all of you need. You need to sit the fuck down,

1:14:11.560 --> 1:14:14.120
<v Speaker 4>go live on the off off of fucking farm somewhere

1:14:14.120 --> 1:14:17.000
<v Speaker 4>for a couple of years, get your mental health together, relax,

1:14:17.200 --> 1:14:19.759
<v Speaker 4>stop trying to sell push it in the consumer space

1:14:19.800 --> 1:14:22.120
<v Speaker 4>all the time, Like just fucking chill and relax.

1:14:22.240 --> 1:14:24.160
<v Speaker 1>You made enough money. Life is great.

1:14:24.400 --> 1:14:27.120
<v Speaker 4>Get your fucking get your get your physical mental health

1:14:27.360 --> 1:14:29.560
<v Speaker 4>in order before you start to jump back into the

1:14:29.600 --> 1:14:30.920
<v Speaker 4>space and want to sell shit again.

1:14:30.960 --> 1:14:33.360
<v Speaker 2>That's like, that's all I'm like telling Pepsi to stop

1:14:33.479 --> 1:14:36.680
<v Speaker 2>selling the Pepsi that's in our fridges every day. No,

1:14:36.760 --> 1:14:39.439
<v Speaker 2>that's not That's how you become a billionaire, that's how

1:14:39.439 --> 1:14:43.600
<v Speaker 2>you go. That's the difference between Kanye also whole, but

1:14:43.640 --> 1:14:45.920
<v Speaker 2>he has done it outside of his lifestyle brand. That's

1:14:45.920 --> 1:14:49.559
<v Speaker 2>the difference. They sell things every goddamn day and Kanye

1:14:49.680 --> 1:14:52.080
<v Speaker 2>to Rihanna did not become a billionaire until she started

1:14:52.080 --> 1:14:55.360
<v Speaker 2>selling fenty and her lifestyle brand that she could match

1:14:55.600 --> 1:14:57.479
<v Speaker 2>with what she was doing with the music videos.

1:14:57.560 --> 1:14:59.840
<v Speaker 4>Yeah, but her being Rihanna is not. Yeah, but what

1:14:59.840 --> 1:15:02.120
<v Speaker 4>do you talk What point are you making, Rihanna. I'm

1:15:02.160 --> 1:15:04.280
<v Speaker 4>not saying negative shit about a group of people in

1:15:04.280 --> 1:15:06.840
<v Speaker 4>the world. Rihanna's not going on no, no, no.

1:15:07.080 --> 1:15:09.320
<v Speaker 2>We're talking about a separate, separate point the point.

1:15:11.240 --> 1:15:11.960
<v Speaker 1>Stop trying to sell.

1:15:12.600 --> 1:15:15.280
<v Speaker 2>I'm just telling you that he has the mind state

1:15:15.720 --> 1:15:18.719
<v Speaker 2>of a corporation because he is one. Now he walks

1:15:18.760 --> 1:15:21.519
<v Speaker 2>outside and is being sold, so his mind is always there.

1:15:22.560 --> 1:15:26.519
<v Speaker 2>That doesn't mean go fucking buy a Nazi chain. I'm

1:15:26.520 --> 1:15:28.800
<v Speaker 2>not saying I'm not co signing that. I'm just saying

1:15:28.800 --> 1:15:32.160
<v Speaker 2>where those types of brains are at. He's he's a corporation,

1:15:32.920 --> 1:15:35.240
<v Speaker 2>not to the way some other rapper is that also

1:15:35.320 --> 1:15:38.960
<v Speaker 2>sells alcohol. You're talking about somebody that has entered billionaires.

1:15:39.200 --> 1:15:41.960
<v Speaker 2>When Rihanna walks out every time when she's with Rocky,

1:15:42.000 --> 1:15:44.120
<v Speaker 2>when she's with her kids. Of course she's living her

1:15:44.160 --> 1:15:45.920
<v Speaker 2>life the way she wants to live it. You don't

1:15:45.960 --> 1:15:48.000
<v Speaker 2>think she's throwing on the fency coat. She knows her

1:15:48.000 --> 1:15:50.639
<v Speaker 2>whole life is being sold every time she walks out

1:15:50.640 --> 1:15:51.439
<v Speaker 2>that fucking building.

1:15:51.880 --> 1:15:55.040
<v Speaker 3>Okay, so dyah, that puts them on that MA wants.

1:15:55.200 --> 1:15:58.840
<v Speaker 5>So here's the thing, MA, all authenticity, the majority. I

1:15:58.880 --> 1:16:02.040
<v Speaker 5>won't say all the majority honesty, the majority of the

1:16:02.120 --> 1:16:06.320
<v Speaker 5>authenticity that we are sold because we are being sold authenticity,

1:16:06.320 --> 1:16:08.680
<v Speaker 5>because authenticity is what mixed. That's why we have so

1:16:08.680 --> 1:16:11.519
<v Speaker 5>many influencers, right, and influencers that have become the new

1:16:11.560 --> 1:16:14.680
<v Speaker 5>celebrities because they're just normal people that showed us our

1:16:14.720 --> 1:16:16.840
<v Speaker 5>lives and now we relate it to them and now

1:16:16.880 --> 1:16:18.519
<v Speaker 5>we give them. We bought shit from them, and they

1:16:18.560 --> 1:16:22.320
<v Speaker 5>influence our lives. So authenticity a lot of times is forced,

1:16:22.640 --> 1:16:26.080
<v Speaker 5>it's fake, it's acted, and some people are better at

1:16:26.080 --> 1:16:26.799
<v Speaker 5>it than others.

1:16:26.960 --> 1:16:28.160
<v Speaker 3>Kanye didn't take that route.

1:16:28.200 --> 1:16:30.439
<v Speaker 5>He didn't get in front of the camera like Diddy

1:16:30.520 --> 1:16:33.400
<v Speaker 5>did after the rape accusations come out and said hey,

1:16:33.439 --> 1:16:35.639
<v Speaker 5>I'm working on it with God me and my pastor

1:16:35.760 --> 1:16:38.840
<v Speaker 5>and did the fake authenticity. He did it the way

1:16:38.880 --> 1:16:40.439
<v Speaker 5>that artists used to do it when the label was

1:16:40.479 --> 1:16:43.320
<v Speaker 5>running everything. I'm going to put out a fucking press release.

1:16:43.479 --> 1:16:45.000
<v Speaker 5>Now I have a whole bunch of money, so my

1:16:45.040 --> 1:16:46.920
<v Speaker 5>press release, I can force it to be seen by

1:16:46.920 --> 1:16:48.240
<v Speaker 5>the people I want it to be seen by.

1:16:48.520 --> 1:16:50.679
<v Speaker 3>And I can understand why that might rub you wrong.

1:16:51.040 --> 1:16:54.120
<v Speaker 5>But please understand that even when people are doing the fakes,

1:16:54.120 --> 1:16:55.640
<v Speaker 5>sit in front of the camera with the black T

1:16:55.720 --> 1:16:57.639
<v Speaker 5>shirt while they're in their kitchen and their kids are

1:16:57.680 --> 1:16:59.400
<v Speaker 5>in the back playing and their wife is bringing them

1:16:59.439 --> 1:17:03.040
<v Speaker 5>a play of food. That's staged too, but it's staged

1:17:03.080 --> 1:17:03.919
<v Speaker 5>to look authentic.

1:17:04.120 --> 1:17:04.880
<v Speaker 3>Kanye just didn't.

1:17:04.880 --> 1:17:06.879
<v Speaker 1>Well, you look, Kyrie Tailer, this is all the stage.

1:17:07.240 --> 1:17:09.040
<v Speaker 3>Everything is a state's and that's the way I live.

1:17:09.720 --> 1:17:13.920
<v Speaker 2>I agree with Kyrie and Kanyek learned that pretty early,

1:17:13.960 --> 1:17:15.880
<v Speaker 2>and that's why I think Kanye believes a lot of

1:17:15.880 --> 1:17:16.679
<v Speaker 2>shit that he's saying.

1:17:17.200 --> 1:17:18.120
<v Speaker 3>So I'm with you there.

1:17:18.160 --> 1:17:21.559
<v Speaker 2>But to the demericis point, Kanye has in the years

1:17:21.560 --> 1:17:24.240
<v Speaker 2>of gangster rap, came out with a fucking polo and

1:17:24.240 --> 1:17:27.439
<v Speaker 2>said I'm a nerd dog like he he sold a

1:17:27.479 --> 1:17:31.719
<v Speaker 2>group of people, a large group, authenticity of I'm around

1:17:31.720 --> 1:17:34.400
<v Speaker 2>a bunch of people that usually if you're in this position,

1:17:34.479 --> 1:17:36.400
<v Speaker 2>you're gonna pretend like, no, I'm from Chicago, I'm a

1:17:36.680 --> 1:17:39.320
<v Speaker 2>I'm g d. Now I'm a nerd. I'm an art

1:17:39.360 --> 1:17:41.400
<v Speaker 2>student in a time when it wasn't cool to be

1:17:41.400 --> 1:17:44.880
<v Speaker 2>an art student. So everyone took his introduction to the world. Also,

1:17:45.360 --> 1:17:47.880
<v Speaker 2>that's what he really he was. That was authentic on Kanye, That's.

1:17:47.720 --> 1:17:50.320
<v Speaker 3>What I'm saying that that was in every that.

1:17:50.320 --> 1:17:51.800
<v Speaker 1>Was his most authentic. That was him.

1:17:52.200 --> 1:17:55.400
<v Speaker 4>Yeah, he worked at the Gap. He was a gap kid.

1:17:55.800 --> 1:17:58.040
<v Speaker 4>Well gap, he was a preppy kid. That's and there's

1:17:58.080 --> 1:17:59.840
<v Speaker 4>nothing wrong with that, Like, of course the space for.

1:17:59.840 --> 1:18:00.280
<v Speaker 1>That in him.

1:18:00.439 --> 1:18:01.880
<v Speaker 2>I'm just saying, at a time when it wasn't even

1:18:01.920 --> 1:18:03.720
<v Speaker 2>cool to say that type of shit, you got to

1:18:03.760 --> 1:18:05.520
<v Speaker 2>that point authenticity.

1:18:05.560 --> 1:18:07.840
<v Speaker 4>And that's what got away from is in hip hop

1:18:08.000 --> 1:18:09.599
<v Speaker 4>you are rewarded for being authentic.

1:18:10.200 --> 1:18:10.800
<v Speaker 1>That's what it used.

1:18:10.800 --> 1:18:11.240
<v Speaker 3>At a time.

1:18:11.360 --> 1:18:13.280
<v Speaker 4>You couldn't even sound like other rappers at one point,

1:18:13.439 --> 1:18:16.479
<v Speaker 4>even if vocally and tone wise, we just had natural

1:18:16.520 --> 1:18:18.519
<v Speaker 4>just saying people like yo, that ain't gonna work. You

1:18:18.560 --> 1:18:21.439
<v Speaker 4>sound too much like this person, or you look too

1:18:21.520 --> 1:18:24.240
<v Speaker 4>much like that person, like you had to be authentic.

1:18:24.400 --> 1:18:25.400
<v Speaker 1>Now it's just.

1:18:25.479 --> 1:18:28.160
<v Speaker 4>Cookie cutter shit. Put him on the conveyor belt, shut

1:18:28.200 --> 1:18:31.240
<v Speaker 4>him down the line. And I'm saying an artist is

1:18:31.320 --> 1:18:34.720
<v Speaker 4>talented as Kanye should not fall into that because he

1:18:34.760 --> 1:18:35.280
<v Speaker 4>doesn't have to.

1:18:35.400 --> 1:18:38.120
<v Speaker 2>Well, when he was yelling listen to the kids, Bro,

1:18:38.479 --> 1:18:41.640
<v Speaker 2>I actually liked that. But now I'm I'm starting to

1:18:41.640 --> 1:18:45.479
<v Speaker 2>see where that disappeared, because I think you're handicapped in

1:18:45.520 --> 1:18:48.280
<v Speaker 2>a good way because you grew up around three people

1:18:48.520 --> 1:18:52.520
<v Speaker 2>that actually made the things they were living so authentic

1:18:52.600 --> 1:18:54.639
<v Speaker 2>that that was the lifestyle that was sold to the world,

1:18:54.680 --> 1:18:57.400
<v Speaker 2>and that's why they fell in love with that that company.

1:18:57.960 --> 1:19:00.200
<v Speaker 2>Kanye ended up being a kid in that company as

1:19:00.200 --> 1:19:03.320
<v Speaker 2>far as his authenticity as well. And then Kanye started

1:19:03.320 --> 1:19:06.080
<v Speaker 2>listening to his own kids. He started listening to Playboy

1:19:06.120 --> 1:19:11.040
<v Speaker 2>CARDI of what you should do, whereas no, all these

1:19:11.120 --> 1:19:13.360
<v Speaker 2>kids do what they did because they saw you. And

1:19:13.640 --> 1:19:16.519
<v Speaker 2>I like listening to the kids, Bro. I think Drake

1:19:16.560 --> 1:19:18.559
<v Speaker 2>as somebody that keeps up with the youth this and that.

1:19:18.640 --> 1:19:21.680
<v Speaker 2>I think that's important for longevity. But sometimes you know

1:19:21.680 --> 1:19:24.960
<v Speaker 2>better than your kids. Oh yeah, Sometimes sometimes you see

1:19:24.960 --> 1:19:27.560
<v Speaker 2>all these kids popping which Kanye's talked about his insecurities

1:19:27.560 --> 1:19:29.960
<v Speaker 2>with Drake. Younger artists like Damn, they became popping with

1:19:30.000 --> 1:19:33.320
<v Speaker 2>the fuck you don't take the advice, take your own

1:19:33.320 --> 1:19:40.760
<v Speaker 2>advice front Lobe. But oh buddy, the Drake cast has

1:19:40.800 --> 1:19:43.320
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1:19:43.360 --> 1:19:47.559
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1:19:47.640 --> 1:19:51.120
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1:20:05.600 --> 1:20:08.160
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1:20:08.200 --> 1:20:10.800
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1:20:10.960 --> 1:20:15.160
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1:20:15.160 --> 1:20:16.120
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1:20:39.240 --> 1:20:41.400
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<v Speaker 1>In all of the states.

1:21:00.080 --> 1:21:05.080
<v Speaker 4>Must be twenty one plus and physically present in Arizona, Colorado, Florida, Illinois, Indiana, Michigan,

1:21:05.120 --> 1:21:07.720
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1:21:07.720 --> 1:21:10.760
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1:21:10.800 --> 1:21:12.800
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1:21:12.880 --> 1:21:14.960
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1:21:15.120 --> 1:21:17.200
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1:21:28.280 --> 1:21:29.680
<v Speaker 2>I mean I guess it's a good segue into the

1:21:29.720 --> 1:21:32.479
<v Speaker 2>Kitcutty thing. Another person that was always authentically themselves in

1:21:32.520 --> 1:21:34.760
<v Speaker 2>a time when it wasn't cool to be. We've been

1:21:34.760 --> 1:21:38.080
<v Speaker 2>having this Jim Jones Kitcutty debate for about fifteen years.

1:21:38.120 --> 1:21:39.400
<v Speaker 3>I'm happy you finally hit the internet.

1:21:39.479 --> 1:21:40.559
<v Speaker 1>Oh I've never heard it before.

1:21:40.600 --> 1:21:43.400
<v Speaker 2>Oh this has been a this is an age old

1:21:43.479 --> 1:21:49.280
<v Speaker 2>fucking wrap barbershop conversation. So kid Cutty replied, I'll be

1:21:49.280 --> 1:21:51.160
<v Speaker 2>honest with you, even when I was looking it up,

1:21:51.160 --> 1:21:54.280
<v Speaker 2>I don't know what sparked Cuddy doing this.

1:21:54.360 --> 1:21:54.680
<v Speaker 1>I don't know.

1:21:54.800 --> 1:21:57.800
<v Speaker 5>Well, Jim Jones spoke first. Jim Jones Fair came on

1:21:57.880 --> 1:22:00.320
<v Speaker 5>this podcast. Jim Jones came out and said that people

1:22:00.400 --> 1:22:02.960
<v Speaker 5>only heard of Day and Night and Josh, can you

1:22:03.000 --> 1:22:05.840
<v Speaker 5>pull up the direct quote please, something along the lines

1:22:05.920 --> 1:22:09.400
<v Speaker 5>of people only heard of Day and Night because Jim

1:22:09.479 --> 1:22:12.720
<v Speaker 5>Jones remixed it, right, So then you get the internet,

1:22:13.160 --> 1:22:15.640
<v Speaker 5>you get the New York Internet, agreeing with him in

1:22:15.680 --> 1:22:18.240
<v Speaker 5>the other forty nine states, saying I've never even heard

1:22:18.280 --> 1:22:18.679
<v Speaker 5>that version.

1:22:18.760 --> 1:22:22.000
<v Speaker 4>You know what's funny with that alone.

1:22:22.160 --> 1:22:25.120
<v Speaker 1>It's a cover of a song that's already out, So.

1:22:26.840 --> 1:22:29.080
<v Speaker 4>Yeah, like, how can people only have heard it because

1:22:29.160 --> 1:22:31.040
<v Speaker 4>you remixed it or you made a cover of the song,

1:22:31.160 --> 1:22:32.519
<v Speaker 4>like that makes no sense.

1:22:32.640 --> 1:22:37.400
<v Speaker 5>Okay, so people would know who Kid Cutty is, yeah,

1:22:37.439 --> 1:22:39.200
<v Speaker 5>he said, people with no Kid Cuddy.

1:22:39.600 --> 1:22:41.160
<v Speaker 3>Okay, what was the original?

1:22:41.600 --> 1:22:44.040
<v Speaker 1>So all right? I have some like actual talking about

1:22:44.080 --> 1:22:44.519
<v Speaker 1>Day and Night?

1:22:44.840 --> 1:22:47.439
<v Speaker 3>Yes, okay, So I have some actual, like.

1:22:48.920 --> 1:22:51.639
<v Speaker 2>Real knowledge into this timeline because I worked at Binnie

1:22:51.680 --> 1:22:56.559
<v Speaker 2>Means when Binnie Means produced the video of Jim Jones

1:22:56.680 --> 1:22:58.800
<v Speaker 2>in the booth. You can pull up Day and Night

1:22:58.840 --> 1:23:03.840
<v Speaker 2>remix Jim Jones. Aristotle produced that video. Bb Gun shot it.

1:23:03.840 --> 1:23:07.280
<v Speaker 2>It was a by any Means production. At that time,

1:23:08.680 --> 1:23:13.360
<v Speaker 2>the song was still bubbling. Yes, did they play the

1:23:13.439 --> 1:23:16.240
<v Speaker 2>Jim Jones verse first? That then got put into the

1:23:16.320 --> 1:23:19.120
<v Speaker 2>Kid Cuddy Day and Night song on High ninety seven

1:23:19.240 --> 1:23:21.280
<v Speaker 2>on the radio when radio was still very very much

1:23:21.280 --> 1:23:24.120
<v Speaker 2>prevalent in two thousand and eight and in the blogs.

1:23:24.280 --> 1:23:28.040
<v Speaker 2>Was was that a moment when Jim Jones got on it?

1:23:28.520 --> 1:23:29.200
<v Speaker 3>Absolutely?

1:23:29.960 --> 1:23:35.160
<v Speaker 2>So. Jim's right for the tri state to some degree.

1:23:35.320 --> 1:23:38.519
<v Speaker 2>But at this time Cuddy was living in Brooklyn and

1:23:38.680 --> 1:23:41.280
<v Speaker 2>Jersey City, like Cuddy was working that record in New York.

1:23:41.720 --> 1:23:44.759
<v Speaker 2>That's how Jim probably hurt it because Cuddy was working

1:23:44.880 --> 1:23:47.599
<v Speaker 2>that record. But to say that that moment of Jim

1:23:47.680 --> 1:23:51.000
<v Speaker 2>Jones shooting that video in the studio, the red lights,

1:23:51.040 --> 1:23:54.280
<v Speaker 2>the blunt of going on that beat, that's what played

1:23:54.640 --> 1:23:57.720
<v Speaker 2>at parties, in the club and on the radio in

1:23:57.760 --> 1:24:01.120
<v Speaker 2>New York City. Only speaking about that, but to say

1:24:01.160 --> 1:24:04.439
<v Speaker 2>that Hot ninety seven in two thousand and eight didn't

1:24:04.439 --> 1:24:08.519
<v Speaker 2>determine the hip hop market of all fifty states, you're bugging.

1:24:08.680 --> 1:24:11.640
<v Speaker 2>Maybe that's New York ego, but there's no way that

1:24:11.680 --> 1:24:14.679
<v Speaker 2>you're telling me that what Hot ninety seven was doing

1:24:14.720 --> 1:24:17.120
<v Speaker 2>in two thousand and eight did not dictate what a

1:24:17.240 --> 1:24:20.400
<v Speaker 2>lot of places were doing in middle markets. Atlanta, of course,

1:24:20.439 --> 1:24:22.200
<v Speaker 2>is always going to do their own thing, La is

1:24:22.200 --> 1:24:23.920
<v Speaker 2>always going to do their own thing. But if you

1:24:23.920 --> 1:24:27.200
<v Speaker 2>don't think people are not following what Hot ninety seven

1:24:27.280 --> 1:24:27.960
<v Speaker 2>does in.

1:24:27.880 --> 1:24:29.599
<v Speaker 3>This period, you're bugging.

1:24:29.840 --> 1:24:30.040
<v Speaker 1>Now.

1:24:30.040 --> 1:24:34.080
<v Speaker 2>With that said, I saw Cutty's response. He's also completely correct.

1:24:35.200 --> 1:24:37.600
<v Speaker 2>That record was going bro it was going so and

1:24:37.640 --> 1:24:40.080
<v Speaker 2>I think Cuddy is a publint. It was a New

1:24:40.160 --> 1:24:42.639
<v Speaker 2>York City remix, but it was one of those things

1:24:42.680 --> 1:24:44.719
<v Speaker 2>in New York that became a staple of Jim Jones

1:24:44.800 --> 1:24:48.200
<v Speaker 2>on that record. But that record was going doog like

1:24:48.360 --> 1:24:50.480
<v Speaker 2>and I think it's a hit record.

1:24:50.160 --> 1:24:52.080
<v Speaker 5>Where we have to be And that even goes back

1:24:52.080 --> 1:24:54.559
<v Speaker 5>to the conversation that me and Maal just eventually agreed

1:24:54.600 --> 1:24:57.200
<v Speaker 5>to disagree on when it came to is Drake the

1:24:57.240 --> 1:25:01.000
<v Speaker 5>reason why the Migos exist? You can say I made

1:25:01.040 --> 1:25:04.000
<v Speaker 5>this better and I put more eyes on this, which

1:25:04.000 --> 1:25:07.759
<v Speaker 5>you can't say, is this your career would never exist

1:25:07.840 --> 1:25:11.080
<v Speaker 5>without me. There's a difference. There's a difference between I

1:25:11.200 --> 1:25:14.080
<v Speaker 5>helped you and I helped you grow. But there's also

1:25:14.200 --> 1:25:17.200
<v Speaker 5>some things that would all were always going to jump off.

1:25:17.200 --> 1:25:19.320
<v Speaker 5>It might have just taken a little bit longer. Day

1:25:19.320 --> 1:25:21.400
<v Speaker 5>and Night was always going to be a hit. Jim

1:25:21.520 --> 1:25:23.680
<v Speaker 5>Jones knew that. That's why the fuck he hopped out

1:25:23.840 --> 1:25:26.720
<v Speaker 5>as no Artist's song, because the ship was so hot

1:25:26.760 --> 1:25:27.519
<v Speaker 5>he had to be on it.

1:25:27.640 --> 1:25:29.840
<v Speaker 2>Also, Jim Jim is an incredible a and R so

1:25:30.280 --> 1:25:33.400
<v Speaker 2>is Jim has always been great at understanding what sounds

1:25:33.400 --> 1:25:35.200
<v Speaker 2>good before he even knew how to wrap.

1:25:35.680 --> 1:25:37.439
<v Speaker 3>Jimmy was that good at that.

1:25:37.840 --> 1:25:39.320
<v Speaker 2>So yeah, he heard a record like, oh, this shit

1:25:39.400 --> 1:25:41.320
<v Speaker 2>is hard, I don't care what the world thinks. I

1:25:41.360 --> 1:25:43.360
<v Speaker 2>think it's hot, so I'm gonna get on the record.

1:25:43.640 --> 1:25:45.559
<v Speaker 2>Jimmy's always been that way, so I know probably in

1:25:45.600 --> 1:25:48.559
<v Speaker 2>his brain he's thinking, like, I don't care if that

1:25:48.600 --> 1:25:50.200
<v Speaker 2>was gonna be a hit. I was rapping on that

1:25:50.840 --> 1:25:54.120
<v Speaker 2>no matter what. And yeah, it brought shit. My BlackBerry

1:25:54.160 --> 1:25:58.160
<v Speaker 2>with the side scroll ringtone was Jimmy's version of Day

1:25:58.200 --> 1:26:02.040
<v Speaker 2>and Night and two thousand and eight like that, that

1:26:02.160 --> 1:26:05.200
<v Speaker 2>was a record. It played in the party better and

1:26:05.240 --> 1:26:07.720
<v Speaker 2>then Cuddy Shit came in and it was a moment

1:26:07.760 --> 1:26:09.599
<v Speaker 2>because they had both of them and Jim coming off

1:26:09.600 --> 1:26:11.160
<v Speaker 2>ball in like it was a thing.

1:26:11.680 --> 1:26:16.040
<v Speaker 4>I think, can we put up when Day and Night

1:26:17.120 --> 1:26:19.959
<v Speaker 4>uh played on Entourage?

1:26:21.000 --> 1:26:23.080
<v Speaker 3>Because I think that was the That was definitely big.

1:26:23.160 --> 1:26:23.760
<v Speaker 1>That was the moment.

1:26:23.920 --> 1:26:27.360
<v Speaker 2>It was also big like when same era when Entourage

1:26:27.600 --> 1:26:30.960
<v Speaker 2>had Charles Hamilton Brooklyn girls on it, that was big.

1:26:32.640 --> 1:26:37.120
<v Speaker 2>Aserage premiered a a different version of What's the Kanye

1:26:37.400 --> 1:26:44.000
<v Speaker 2>with t Pain Good Life. Go watch Entourage. They premiered

1:26:44.000 --> 1:26:46.080
<v Speaker 2>the song the day before it came out. It's a

1:26:46.120 --> 1:26:48.760
<v Speaker 2>different version. Kanye changed it that night.

1:26:48.800 --> 1:26:49.720
<v Speaker 1>I get what Jim is saying.

1:26:49.800 --> 1:26:53.280
<v Speaker 4>Jim definitely, you know when he did Day and Night

1:26:54.200 --> 1:26:57.200
<v Speaker 4>that went platinum in the hood for sure, But I

1:26:57.280 --> 1:26:59.200
<v Speaker 4>mean Day and Night was gonna be Day and Night

1:26:59.360 --> 1:27:01.839
<v Speaker 4>if Jim never did that. Yeah, Like when you're getting

1:27:02.040 --> 1:27:06.400
<v Speaker 4>your song placed on the biggest show on HBO, the

1:27:06.560 --> 1:27:10.240
<v Speaker 4>Monumental Show, Like, if your song is making it there, bro,

1:27:10.720 --> 1:27:12.960
<v Speaker 4>Jim never If Jim never did Day and Night over

1:27:13.040 --> 1:27:14.800
<v Speaker 4>that song was gonna be what it is, Like.

1:27:14.760 --> 1:27:17.360
<v Speaker 2>That Cutty is a talent that if there's a bunch

1:27:17.400 --> 1:27:19.599
<v Speaker 2>of people in his circle life that never existed, he's

1:27:19.600 --> 1:27:21.080
<v Speaker 2>still gonna be cutting Like, yeah.

1:27:21.160 --> 1:27:23.920
<v Speaker 1>It's now, but now Jim's Jim's version diggle platin.

1:27:23.680 --> 1:27:28.280
<v Speaker 2>The hood hood like we're going to like, we're not

1:27:28.320 --> 1:27:30.840
<v Speaker 2>gonna do that, But it also went platin in the

1:27:30.880 --> 1:27:32.280
<v Speaker 2>hood because the Day.

1:27:32.120 --> 1:27:34.600
<v Speaker 1>And Night song, the Cuddy song was so dead and

1:27:34.680 --> 1:27:36.320
<v Speaker 1>so was so big.

1:27:36.160 --> 1:27:38.600
<v Speaker 2>And in the context that you guys pulled up. I

1:27:38.640 --> 1:27:40.679
<v Speaker 2>have to give some pushback, just on a personal level,

1:27:41.120 --> 1:27:43.640
<v Speaker 2>he said, my intern shot that video. I mean, if

1:27:43.680 --> 1:27:47.439
<v Speaker 2>you considered Aristotle an interurn, I guess that's fair. But

1:27:48.040 --> 1:27:50.200
<v Speaker 2>I want to give a lot of credit to Aristotle,

1:27:50.200 --> 1:27:54.000
<v Speaker 2>who went on to shoot videos for fucking nas fab

1:27:54.560 --> 1:27:58.719
<v Speaker 2>j Cole has a feature film on Hulu right now,

1:27:59.200 --> 1:28:03.000
<v Speaker 2>like aristotleto is super established, So I kind of wish

1:28:03.040 --> 1:28:05.440
<v Speaker 2>Jimmy would have not said it that way because Aristotle's

1:28:05.439 --> 1:28:05.960
<v Speaker 2>so established.

1:28:05.960 --> 1:28:07.519
<v Speaker 3>You could have said, you know, Aristotle would bb gun

1:28:07.560 --> 1:28:07.920
<v Speaker 3>shot that.

1:28:08.560 --> 1:28:11.200
<v Speaker 4>So that air that aired November two thousand and eight

1:28:11.280 --> 1:28:14.880
<v Speaker 4>on Entourage Day and Night when the Gym's Day and

1:28:14.960 --> 1:28:20.160
<v Speaker 4>Night drop same around the same time, because that was

1:28:20.640 --> 1:28:22.880
<v Speaker 4>two thousand and eight.

1:28:23.680 --> 1:28:25.160
<v Speaker 3>October, if anything.

1:28:25.320 --> 1:28:28.320
<v Speaker 4>So okay, so Gym's came out October two thousand and eight. Yeah,

1:28:28.360 --> 1:28:31.439
<v Speaker 4>and the Autarge episode was November two thousand and eight, which.

1:28:31.320 --> 1:28:33.200
<v Speaker 3>Means it was shot probably seven months before.

1:28:34.200 --> 1:28:35.720
<v Speaker 4>Yeah, but we can't you got to speak to when

1:28:35.760 --> 1:28:39.160
<v Speaker 4>it was played though, like when people actually heard Damnage.

1:28:40.000 --> 1:28:41.479
<v Speaker 4>So yeah, it's around the same time. But Day and

1:28:41.560 --> 1:28:43.800
<v Speaker 4>Night was definitely taken off way before that.

1:28:43.840 --> 1:28:44.040
<v Speaker 1>Yeah.

1:28:44.040 --> 1:28:47.040
<v Speaker 2>But yeah, I was about to say even then Entourage

1:28:47.120 --> 1:28:49.479
<v Speaker 2>of when they shoot everything and then do the scores,

1:28:49.520 --> 1:28:51.880
<v Speaker 2>I guess, but that was playing on radio.

1:28:52.320 --> 1:28:54.840
<v Speaker 1>Yeah, that was that was it was a reversh Yeah,

1:28:54.840 --> 1:28:57.400
<v Speaker 1>that was a that was a big record. But it's just.

1:28:58.920 --> 1:29:01.040
<v Speaker 4>I get what Jim is saying, know, like, because he

1:29:01.080 --> 1:29:04.000
<v Speaker 4>did that, you know, his version of the record, it

1:29:04.080 --> 1:29:06.720
<v Speaker 4>definitely was big, you know what I'm saying. But I

1:29:06.760 --> 1:29:09.200
<v Speaker 4>just think that Jim just you know, the words, just

1:29:09.360 --> 1:29:11.360
<v Speaker 4>the wrong choice of words.

1:29:11.800 --> 1:29:13.840
<v Speaker 5>See you beat Mare, you do that a lot for people.

1:29:13.920 --> 1:29:15.840
<v Speaker 5>You give people a lot of better figued out and

1:29:15.840 --> 1:29:18.800
<v Speaker 5>be like no, never FERIORI would he be like, you know,

1:29:18.880 --> 1:29:20.840
<v Speaker 5>I feel like he was trying to say, and I

1:29:20.880 --> 1:29:23.040
<v Speaker 5>think he was trying to say, no, niggas know what

1:29:23.080 --> 1:29:23.759
<v Speaker 5>they be saying.

1:29:24.920 --> 1:29:26.040
<v Speaker 1>That's not what I'm saying. I'm saying.

1:29:26.080 --> 1:29:28.120
<v Speaker 4>Is he just it's the wrong choice of words that

1:29:28.160 --> 1:29:31.960
<v Speaker 4>he chose. Now, the song, his version was big. Jim

1:29:32.000 --> 1:29:34.160
<v Speaker 4>Jones version of the song was big. It was, like

1:29:34.160 --> 1:29:36.240
<v Speaker 4>I said, in the hood, everybody was playing that shit.

1:29:36.600 --> 1:29:39.599
<v Speaker 4>So I get why in Jim's mind and his perception

1:29:39.880 --> 1:29:42.760
<v Speaker 4>is because everybody he's around that That's what he was saying,

1:29:42.840 --> 1:29:45.519
<v Speaker 4>was his version of it. So I understand that. But

1:29:45.600 --> 1:29:48.559
<v Speaker 4>for him to say what he said, I'm just saying, like, nah,

1:29:48.760 --> 1:29:52.200
<v Speaker 4>you you definitely your version of it definitely was big.

1:29:52.920 --> 1:29:56.640
<v Speaker 4>But that song was that song with or without your version. Like,

1:29:57.160 --> 1:29:58.519
<v Speaker 4>but we're not going to take it away from Jim

1:29:58.720 --> 1:30:00.479
<v Speaker 4>Jim's version of Damn Night being a.

1:30:00.520 --> 1:30:02.680
<v Speaker 1>Hit because it was oh yeah, no, two things. That's

1:30:02.720 --> 1:30:03.160
<v Speaker 1>what I'm saying.

1:30:03.160 --> 1:30:05.200
<v Speaker 4>Just just the wrong choice of words that he chose,

1:30:05.240 --> 1:30:07.040
<v Speaker 4>that's all. I'm not saying that he didn't mean what

1:30:07.080 --> 1:30:09.320
<v Speaker 4>he said. That's not what I'm saying. I'm just saying

1:30:09.320 --> 1:30:12.640
<v Speaker 4>he chose the wrong words, because day and night, Kid Cuddy.

1:30:12.760 --> 1:30:15.040
<v Speaker 3>He chose the right words to prove his wrong point.

1:30:15.320 --> 1:30:20.479
<v Speaker 2>But even again, oh yes, yes, but also with somebody

1:30:20.520 --> 1:30:24.000
<v Speaker 2>that's been batting a thousand on cosons, I can see

1:30:24.000 --> 1:30:26.120
<v Speaker 2>why he would think, like, no, everything that I co

1:30:26.280 --> 1:30:30.320
<v Speaker 2>signed before everyone else does in my circle clearly seems

1:30:30.320 --> 1:30:33.760
<v Speaker 2>to be right. But also in two thousand and eight,

1:30:34.400 --> 1:30:36.240
<v Speaker 2>the entire music industry had moved to LA.

1:30:36.360 --> 1:30:38.240
<v Speaker 1>Yet let's not act like.

1:30:38.160 --> 1:30:40.840
<v Speaker 2>All the execs that was pushing everything with Cutty wasn't

1:30:40.880 --> 1:30:43.000
<v Speaker 2>in their cars going home like, oh shit, all right,

1:30:43.960 --> 1:30:46.400
<v Speaker 2>Jimmy on this, this is going crazy in New York.

1:30:46.840 --> 1:30:49.479
<v Speaker 2>Let's not act like that's not a thing at that time.

1:30:49.680 --> 1:30:52.120
<v Speaker 2>You guys can say we're irrelevant now, and it's fine.

1:30:52.120 --> 1:30:54.960
<v Speaker 2>We can argue about that at another time. In two

1:30:55.040 --> 1:30:58.479
<v Speaker 2>thousand and seven to eight, Yes, it was a thing

1:30:58.680 --> 1:31:00.639
<v Speaker 2>that Jim Jones and Kid Cutty were playing on Hoigh

1:31:00.720 --> 1:31:04.360
<v Speaker 2>ninety seven NonStop for every exec on their drive home back.

1:31:04.200 --> 1:31:04.840
<v Speaker 3>To New Jersey.

1:31:05.920 --> 1:31:09.040
<v Speaker 1>For sure, Like, yeah, I'm mad at that.

1:31:09.160 --> 1:31:11.920
<v Speaker 2>Like that, definitely, I'm sure that helped Cutty in his meetings.

1:31:12.040 --> 1:31:14.320
<v Speaker 2>Cuddy is a genius. He's going to be cutting no

1:31:14.360 --> 1:31:16.200
<v Speaker 2>matter what. But let's not act like at that time

1:31:16.280 --> 1:31:19.479
<v Speaker 2>when everyone was gravitating towards that song with the execs

1:31:19.479 --> 1:31:21.840
<v Speaker 2>that lived in the energy of this city at that time,

1:31:22.120 --> 1:31:25.000
<v Speaker 2>that wasn't helpful. I know if I was in an

1:31:25.040 --> 1:31:27.880
<v Speaker 2>A and R office in every fucking morning I'm driving

1:31:27.880 --> 1:31:29.600
<v Speaker 2>to work, and every night I'm driving to work, I

1:31:29.600 --> 1:31:33.719
<v Speaker 2>hear this goddamn song with Jimmy's version on it coming

1:31:33.760 --> 1:31:35.880
<v Speaker 2>off the bones, Like, all right, cool Cuddy is at

1:31:35.880 --> 1:31:37.679
<v Speaker 2>this point too. You have to understand it's two thousand

1:31:37.680 --> 1:31:39.920
<v Speaker 2>and eight. They're just getting into the tight pants thing.

1:31:40.520 --> 1:31:43.160
<v Speaker 2>This is eight to Ways and Heartbreaks. Nope, same, We

1:31:43.160 --> 1:31:45.160
<v Speaker 2>talking about Kanye kind of being a trailblazer where it

1:31:45.160 --> 1:31:47.480
<v Speaker 2>was cool to be a nerd just for him.

1:31:47.800 --> 1:31:48.160
<v Speaker 3>All right.

1:31:48.200 --> 1:31:50.640
<v Speaker 2>The Hood is coson in this because don't act like

1:31:50.680 --> 1:31:52.719
<v Speaker 2>the office at that time didn't think what the hood

1:31:52.800 --> 1:31:54.840
<v Speaker 2>was thinking at that time. Jimmy was a good co

1:31:55.040 --> 1:31:57.479
<v Speaker 2>sign for what was going on. Cuddy is a little left.

1:31:57.600 --> 1:31:59.920
<v Speaker 2>We heard he's working on this Kanye album. I don't

1:31:59.880 --> 1:32:01.800
<v Speaker 2>know he wears weird tight pants. He's out of his

1:32:01.840 --> 1:32:05.320
<v Speaker 2>fucking mind. Yeah, a co sign from the Hood at

1:32:05.320 --> 1:32:08.040
<v Speaker 2>that time for an exec, like, all right, cool, the

1:32:08.040 --> 1:32:12.040
<v Speaker 2>Hood's fucking with it. This sound isn't that crazy because

1:32:12.040 --> 1:32:15.120
<v Speaker 2>we're coming off all rom browse shit at that time.

1:32:16.600 --> 1:32:20.240
<v Speaker 2>This is polished. This is like eighties pop, weird dark

1:32:20.400 --> 1:32:23.880
<v Speaker 2>tones and shit. Yeah, this is kind of nuts coming

1:32:23.880 --> 1:32:25.599
<v Speaker 2>off that rom browse shit. That the Hood will fuck

1:32:25.600 --> 1:32:30.200
<v Speaker 2>with this. That's important, Yeah, to how a record starts

1:32:30.200 --> 1:32:32.200
<v Speaker 2>to get broken. I know everyone wants to take credit

1:32:32.240 --> 1:32:35.360
<v Speaker 2>once the record is number five on Billboard, But it

1:32:35.400 --> 1:32:39.200
<v Speaker 2>takes the Hood to get it there, that's all, especially

1:32:39.200 --> 1:32:39.439
<v Speaker 2>if that I.

1:32:39.439 --> 1:32:40.720
<v Speaker 3>Don't think it takes the Hood to get it there.

1:32:40.720 --> 1:32:44.000
<v Speaker 2>But at this time with execs and in buildings, that's

1:32:44.080 --> 1:32:44.400
<v Speaker 2>a thing.

1:32:44.880 --> 1:32:45.880
<v Speaker 3>Energy used to be a thing.

1:32:47.200 --> 1:32:48.720
<v Speaker 2>That's where you get sav and Steve O best of

1:32:48.760 --> 1:32:51.040
<v Speaker 2>both offices, people that actually used to go out into

1:32:52.080 --> 1:32:54.360
<v Speaker 2>the street and figure out what the fuck was happening

1:32:54.840 --> 1:32:58.679
<v Speaker 2>in not New York City but the entire country. Everything

1:32:58.720 --> 1:33:01.960
<v Speaker 2>people say that the lab are missing is where you

1:33:02.120 --> 1:33:05.200
<v Speaker 2>merge Jim Jones and Kid Cuddy with Day and Night.

1:33:05.280 --> 1:33:06.320
<v Speaker 3>That's when shit worked.

1:33:06.920 --> 1:33:09.040
<v Speaker 2>Ye all, right, hood co son and his weirdo shit

1:33:09.400 --> 1:33:10.679
<v Speaker 2>and I don't mean weirdo in a bad way.

1:33:11.880 --> 1:33:13.160
<v Speaker 3>Hood his co on and his weirdoshit.

1:33:13.160 --> 1:33:15.280
<v Speaker 1>Bottom line, this day and night was a smash.

1:33:15.479 --> 1:33:16.200
<v Speaker 3>Cuddy out of here.

1:33:16.320 --> 1:33:19.240
<v Speaker 4>And it doesn't matter A huge record, huge record, no

1:33:19.280 --> 1:33:20.840
<v Speaker 4>matter who remixed it, huge record.

1:33:21.600 --> 1:33:23.679
<v Speaker 2>Are you guys gonna watch this? Hit Boy and Mike

1:33:23.800 --> 1:33:25.520
<v Speaker 2>Will made it versus.

1:33:25.400 --> 1:33:26.479
<v Speaker 3>Oh kick ass?

1:33:26.479 --> 1:33:26.880
<v Speaker 1>For sure?

1:33:29.320 --> 1:33:32.280
<v Speaker 4>I watched because a lot of records, Because h hip

1:33:32.360 --> 1:33:34.080
<v Speaker 4>boy Mike Will got a lot of fucking records.

1:33:34.080 --> 1:33:37.320
<v Speaker 1>I'll tell you that. Yeah, I'm watching this. Who y'all

1:33:37.320 --> 1:33:40.800
<v Speaker 1>think is gonna win? Hit Boy? Yeah? You said that

1:33:40.840 --> 1:33:42.840
<v Speaker 1>really quickly. I agree. But you said that quickly.

1:33:43.360 --> 1:33:45.000
<v Speaker 4>I mean I say it all the time, and not

1:33:45.040 --> 1:33:47.599
<v Speaker 4>just because that's my guy. Hip Boy might be the

1:33:47.640 --> 1:33:52.559
<v Speaker 4>most talented producer. When you can produce an entire collection

1:33:52.600 --> 1:33:56.479
<v Speaker 4>for Nas and then you know, produce for Beyonce and

1:33:56.520 --> 1:34:02.360
<v Speaker 4>then you know, produce for you know, Nipsy, and you know,

1:34:02.400 --> 1:34:07.600
<v Speaker 4>it's just the range that hit Boy has is it's undeniable,

1:34:07.640 --> 1:34:09.479
<v Speaker 4>you know what I'm saying, Like, it's just it's unbia

1:34:09.960 --> 1:34:10.360
<v Speaker 4>it is.

1:34:11.640 --> 1:34:14.360
<v Speaker 5>But for the first ten I think Mike Will might

1:34:14.520 --> 1:34:16.559
<v Speaker 5>the first ten. I think it's gonna be up and up,

1:34:16.600 --> 1:34:18.960
<v Speaker 5>but I think after after those ten, I think hit

1:34:19.000 --> 1:34:20.000
<v Speaker 5>boy will start to come in.

1:34:20.160 --> 1:34:20.680
<v Speaker 3>Here's the thing.

1:34:20.800 --> 1:34:23.400
<v Speaker 2>I think Mike will Is is kind of like the

1:34:23.439 --> 1:34:26.559
<v Speaker 2>Atlanta hit Boy because I'm with you.

1:34:27.600 --> 1:34:29.400
<v Speaker 3>Hit Boy's range is absolutely insane.

1:34:29.960 --> 1:34:31.200
<v Speaker 1>He can he can play a Beyonce.

1:34:31.439 --> 1:34:34.479
<v Speaker 2>But if you can go from Meik Millon Ross Tupac

1:34:34.600 --> 1:34:38.280
<v Speaker 2>back and then go to Miley Cyrus record, Mike will

1:34:38.400 --> 1:34:41.240
<v Speaker 2>has the most insane. He has ranged as well. Listen,

1:34:41.240 --> 1:34:42.800
<v Speaker 2>there's a reason why this is gonna be dope. They

1:34:42.800 --> 1:34:47.800
<v Speaker 2>both have in future. That's the point, hit Boy, it's

1:34:47.880 --> 1:34:49.920
<v Speaker 2>not knows why you changed.

1:34:49.960 --> 1:34:52.200
<v Speaker 4>And if you play that, If you play that future record, Mike,

1:34:52.240 --> 1:34:54.360
<v Speaker 4>what what happens to if throwing niggas in Paris?

1:34:55.000 --> 1:34:58.439
<v Speaker 5>So niggas in Paris is automatic win? Right, automatic win?

1:34:58.520 --> 1:35:00.920
<v Speaker 5>But you know what else is also a automatic win?

1:35:01.240 --> 1:35:04.320
<v Speaker 5>Poured up? Poured up is an automatic win to me

1:35:04.520 --> 1:35:07.120
<v Speaker 5>for a lot of people. You gotta remember it's not

1:35:07.439 --> 1:35:14.400
<v Speaker 5>it's not just about Rihanna up. I still got my money,

1:35:14.439 --> 1:35:18.719
<v Speaker 5>yeah yeah, like and and make her dances automatic win.

1:35:18.880 --> 1:35:22.080
<v Speaker 3>But also that Michael has Beyonce. Didn you do formation.

1:35:23.000 --> 1:35:26.120
<v Speaker 2>Uh, was Formation him or hit Boy? No, that was

1:35:26.160 --> 1:35:29.200
<v Speaker 2>Mike Will, Oh it was and don't get a twisted ship.

1:35:29.280 --> 1:35:32.200
<v Speaker 2>Hip Boy has records on the last two Beyonce.

1:35:32.240 --> 1:35:35.080
<v Speaker 3>Yeah, Project No, yeah, that is that's him? Were the

1:35:35.120 --> 1:35:37.559
<v Speaker 3>sixteen candleship Like, but I don't know if that Black.

1:35:37.400 --> 1:35:40.320
<v Speaker 5>Beatles Black in a versus today Black Beatles Black Beatles

1:35:40.320 --> 1:35:40.639
<v Speaker 5>in the City.

1:35:40.640 --> 1:35:42.919
<v Speaker 3>We talk about twenty sixteen, Like come on now.

1:35:43.240 --> 1:35:46.400
<v Speaker 2>No, this is this actually in a weird way, makes

1:35:46.400 --> 1:35:49.840
<v Speaker 2>more sense than the Boy Wonder and Hip Boy Battle.

1:35:51.479 --> 1:35:54.200
<v Speaker 1>M hmm, yeah, because of the range you're talking about.

1:35:54.400 --> 1:35:58.160
<v Speaker 2>Yeah, they both just have a lot of records, also

1:35:58.200 --> 1:35:59.479
<v Speaker 2>with the same artists as well.

1:35:59.600 --> 1:36:04.920
<v Speaker 1>In the jobs. Can you pull up that billboard top producers? Oh,

1:36:04.960 --> 1:36:07.120
<v Speaker 1>I didn't. I didn't like where was hit Boy at

1:36:07.160 --> 1:36:07.360
<v Speaker 1>on that?

1:36:08.880 --> 1:36:11.760
<v Speaker 5>I didn't know that Mike Will did Humble by Kendrick Lamon.

1:36:12.040 --> 1:36:12.639
<v Speaker 5>That's crazy.

1:36:12.800 --> 1:36:17.040
<v Speaker 2>So all right, Humble and DNA versus Mad City, which

1:36:17.080 --> 1:36:18.920
<v Speaker 2>is one of the craziest hit Boy beats of all time,

1:36:18.920 --> 1:36:19.920
<v Speaker 2>which is off good kid map.

1:36:19.920 --> 1:36:21.479
<v Speaker 1>I think you're pulling up is this R and B

1:36:22.000 --> 1:36:24.439
<v Speaker 1>was producers? Okay?

1:36:25.600 --> 1:36:27.080
<v Speaker 2>Yeah, but I mean a lot of these didn't go

1:36:27.120 --> 1:36:30.960
<v Speaker 2>with specific rings, like Boy Wonder has rightfully so hit

1:36:31.000 --> 1:36:32.439
<v Speaker 2>records with I Just want to show you one else,

1:36:32.479 --> 1:36:34.000
<v Speaker 2>but has so many with Drake hit.

1:36:33.920 --> 1:36:34.479
<v Speaker 1>Boy was on it.

1:36:34.600 --> 1:36:36.800
<v Speaker 3>Move That Dope by Just Move That Dope.

1:36:36.520 --> 1:36:38.840
<v Speaker 2>Control F and then type and Hip Boy, I'm gonna

1:36:39.080 --> 1:36:40.200
<v Speaker 2>you and I are going to go through like a

1:36:40.240 --> 1:36:41.120
<v Speaker 2>Microsoft word.

1:36:43.800 --> 1:36:49.519
<v Speaker 5>Move that Dope by Future pharrells. Wow, one of my

1:36:49.560 --> 1:36:50.599
<v Speaker 5>favorite beats of all time.

1:36:51.280 --> 1:36:53.200
<v Speaker 1>No hit Boy on the top producers of the twenty

1:36:53.200 --> 1:36:54.960
<v Speaker 1>first century? Who did the list?

1:36:55.040 --> 1:36:55.559
<v Speaker 3>Rolling Stone?

1:36:55.600 --> 1:36:56.200
<v Speaker 1>What you expect?

1:36:56.200 --> 1:36:58.400
<v Speaker 3>Well, no, no Billboard. It's based off like actual data.

1:36:58.640 --> 1:37:01.559
<v Speaker 2>Oh and my thing with hip Boy has I don't

1:37:01.560 --> 1:37:03.880
<v Speaker 2>even want to call him cl classics because they're huge records,

1:37:03.880 --> 1:37:06.839
<v Speaker 2>but hip Boy has more of like the records Beyonce

1:37:07.040 --> 1:37:09.519
<v Speaker 2>was experimenting on rather than the hit records.

1:37:10.080 --> 1:37:11.439
<v Speaker 1>Niggas in Paris is a top song.

1:37:12.840 --> 1:37:15.320
<v Speaker 5>Of course that should be like that's automatic win. There's

1:37:15.320 --> 1:37:18.479
<v Speaker 5>nothing that a loan should put him somewhere based off

1:37:18.479 --> 1:37:23.719
<v Speaker 5>how many you have. So even if that's that's one, I.

1:37:23.600 --> 1:37:26.800
<v Speaker 2>Guess, yeah know, though it is gonna be interested though

1:37:27.439 --> 1:37:29.040
<v Speaker 2>no tire, it still works.

1:37:29.040 --> 1:37:32.960
<v Speaker 5>Click Click goes Click is gonna go crazy. Sickle Mode

1:37:33.080 --> 1:37:35.120
<v Speaker 5>is gonna go crazy.

1:37:35.920 --> 1:37:36.680
<v Speaker 3>That's that's hip boy.

1:37:36.720 --> 1:37:43.800
<v Speaker 5>That's not like Will I know I'm hit boy.

1:37:42.800 --> 1:37:45.559
<v Speaker 1>He's not even he's not he has to be pictures

1:37:45.600 --> 1:37:48.599
<v Speaker 1>right there. He's literally as big as for real.

1:37:48.800 --> 1:37:50.880
<v Speaker 3>So I'm not gonna lie. I'm not gonna lie to y'all.

1:37:50.920 --> 1:37:55.480
<v Speaker 5>Mike Will has more hits, hits, he has a significant.

1:37:55.280 --> 1:37:57.719
<v Speaker 3>We've seen in verses where that doesn't necessarily mean.

1:37:57.560 --> 1:37:59.479
<v Speaker 1>Everything got to be on others.

1:37:59.280 --> 1:38:02.760
<v Speaker 2>It's it's kind of how you structure your playlist and

1:38:02.800 --> 1:38:04.719
<v Speaker 2>how songs go against each other, Like.

1:38:04.880 --> 1:38:07.360
<v Speaker 1>It's how Yeah, that's a very big part of the verses.

1:38:07.360 --> 1:38:09.160
<v Speaker 3>You can have more hits that don't mean anything.

1:38:09.200 --> 1:38:12.120
<v Speaker 4>It's like when you play him versus like especially if

1:38:12.120 --> 1:38:13.240
<v Speaker 4>I got to play a record.

1:38:12.960 --> 1:38:14.799
<v Speaker 1>First, it's like playing a hand of spades.

1:38:15.479 --> 1:38:17.400
<v Speaker 4>You got to play your hand right, because now if

1:38:17.439 --> 1:38:22.000
<v Speaker 4>I play, you know, one of my biggest records, and

1:38:22.040 --> 1:38:24.400
<v Speaker 4>then you play something that people just like more, it's like, Okay,

1:38:24.400 --> 1:38:26.960
<v Speaker 4>who got that? Yeah, Like I'm not saying they might

1:38:26.960 --> 1:38:29.040
<v Speaker 4>have charted the song I play, might have charted hiding

1:38:29.080 --> 1:38:30.639
<v Speaker 4>the one you played, But as.

1:38:30.720 --> 1:38:34.799
<v Speaker 2>Like in the jay z Jar another tip his biggest

1:38:34.840 --> 1:38:38.280
<v Speaker 2>record New York, State of mont or Empire statement yeah,

1:38:38.520 --> 1:38:41.240
<v Speaker 2>you think jay Z's playing that in his verses. No,

1:38:41.560 --> 1:38:43.760
<v Speaker 2>of course, not like just because you have bigger hits

1:38:43.840 --> 1:38:47.400
<v Speaker 2>there doesn't mean anything. Yeah, and even I wouldn't say

1:38:47.479 --> 1:38:49.559
<v Speaker 2>Ludacris shouldn't have beat Nelly, but it shouldn't have been

1:38:49.560 --> 1:38:53.439
<v Speaker 2>a wash. Nelly had had an awful Like how did

1:38:53.479 --> 1:38:55.000
<v Speaker 2>you even think to structure it this way?

1:38:55.080 --> 1:38:57.320
<v Speaker 3>Yeah, I'm excited.

1:38:57.360 --> 1:38:59.120
<v Speaker 2>I'm curious if they're going to go one for one

1:38:59.760 --> 1:39:01.519
<v Speaker 2>or if it's going to be the fifteen minutes set

1:39:01.640 --> 1:39:02.679
<v Speaker 2>verse fifteen minutes set.

1:39:03.240 --> 1:39:04.080
<v Speaker 1>I think it should be that.

1:39:04.320 --> 1:39:05.840
<v Speaker 3>I prefer that. I think it's cool that.

1:39:06.040 --> 1:39:08.680
<v Speaker 4>I think that the whole versus is. I think we

1:39:08.840 --> 1:39:11.519
<v Speaker 4>kind of got away from what it was at one point.

1:39:11.600 --> 1:39:14.560
<v Speaker 4>It kind of turned into more of a just showcase

1:39:15.320 --> 1:39:18.200
<v Speaker 4>of songs, and you know, performative is more performative now.

1:39:20.080 --> 1:39:21.920
<v Speaker 4>So I like that way of doing it, like that,

1:39:21.920 --> 1:39:24.280
<v Speaker 4>that type of setup, like you take fifteen minutes, I

1:39:24.320 --> 1:39:25.200
<v Speaker 4>take fifteen minutes.

1:39:25.280 --> 1:39:27.080
<v Speaker 2>Yeah, I mean the last one they did with cash

1:39:27.080 --> 1:39:28.679
<v Speaker 2>money and no limit, they did it that way. And

1:39:28.720 --> 1:39:31.639
<v Speaker 2>hopefully there's performers like I would love to see Race

1:39:31.680 --> 1:39:34.080
<v Speaker 2>Fremmer together again with Mike will JD.

1:39:34.200 --> 1:39:36.200
<v Speaker 1>Definitely dodged the bullet with that bad boy one didn't.

1:39:36.240 --> 1:39:42.000
<v Speaker 4>He wouldn't want to be attached to that.

1:39:42.960 --> 1:39:44.719
<v Speaker 1>And I'm talking about they was going for the Mercedes

1:39:44.720 --> 1:39:45.240
<v Speaker 1>Benz Stadium.

1:39:45.320 --> 1:39:47.120
<v Speaker 2>I know that was gonna be I know they boot

1:39:47.200 --> 1:39:49.879
<v Speaker 2>that was that was gonna be a d and everything.

1:39:49.880 --> 1:39:50.400
<v Speaker 1>Hey JD.

1:39:50.520 --> 1:39:55.200
<v Speaker 4>I know I know he happy that one didn't go down. Yeah,

1:39:55.439 --> 1:39:56.760
<v Speaker 4>to have to pull that up and look at that

1:39:56.800 --> 1:39:58.120
<v Speaker 4>over and over again on YouTube.

1:39:58.200 --> 1:39:58.479
<v Speaker 1>Shit.

1:39:59.320 --> 1:40:02.160
<v Speaker 2>Speaking of Jad, I did listen to Ari lennox album

1:40:02.240 --> 1:40:03.880
<v Speaker 2>Vacancye over the weekend.

1:40:04.560 --> 1:40:06.040
<v Speaker 3>It's good, It's really good.

1:40:06.040 --> 1:40:11.759
<v Speaker 2>It's it feels like Ari is more comfortable and less

1:40:12.040 --> 1:40:14.360
<v Speaker 2>anxious than she was on the last project, because I

1:40:14.439 --> 1:40:15.960
<v Speaker 2>know she was dealing with a lot of stuff behind

1:40:15.960 --> 1:40:18.720
<v Speaker 2>the scenes with labels and this and that is this

1:40:19.040 --> 1:40:23.200
<v Speaker 2>is this a fuck Dreamville? I wouldn't say that. They

1:40:23.240 --> 1:40:26.160
<v Speaker 2>said it was a very horny album, but but Ari's

1:40:26.200 --> 1:40:28.080
<v Speaker 2>always well, she got.

1:40:27.880 --> 1:40:30.000
<v Speaker 1>Off the label and now she can be horny against.

1:40:29.920 --> 1:40:32.439
<v Speaker 3>Okay, because you know, you squirted when you're comfortable.

1:40:33.040 --> 1:40:36.120
<v Speaker 4>You got to be the most comfortable, got to be.

1:40:36.200 --> 1:40:37.639
<v Speaker 4>If she's not comfortable, she ain't gonna squirt.

1:40:37.640 --> 1:40:37.800
<v Speaker 2>Worry.

1:40:37.800 --> 1:40:39.000
<v Speaker 1>I don't know if you knew that or I don't

1:40:39.040 --> 1:40:39.760
<v Speaker 1>know that.

1:40:39.760 --> 1:40:41.599
<v Speaker 3>That's a call back, y'all. I'm not being over the freakdown.

1:40:42.560 --> 1:40:46.200
<v Speaker 3>That's very funny. Uh.

1:40:46.280 --> 1:40:48.479
<v Speaker 2>Well, all of Ari's music, I wouldn't say Ari's music

1:40:48.560 --> 1:40:52.640
<v Speaker 2>is horny, but she's always talked about sex through or

1:40:53.120 --> 1:40:56.040
<v Speaker 2>just because it's a neo soul sound. Are you listening

1:40:56.040 --> 1:40:56.559
<v Speaker 2>to the lyrics?

1:40:56.600 --> 1:40:58.400
<v Speaker 4>First of all, the Neil's soul women are the most

1:40:58.439 --> 1:41:00.879
<v Speaker 4>horny Jill Scott just because.

1:41:00.680 --> 1:41:03.000
<v Speaker 1>They got the pepper liner to a MIC's and I

1:41:03.040 --> 1:41:04.360
<v Speaker 1>feel like instance.

1:41:04.439 --> 1:41:06.400
<v Speaker 4>And they got Bob Marley on the wall. Don't think

1:41:06.439 --> 1:41:08.000
<v Speaker 4>that she ain't about to go in there and squirt

1:41:08.040 --> 1:41:08.679
<v Speaker 4>all over the place.

1:41:08.920 --> 1:41:11.800
<v Speaker 2>Yo. Yeah, I mean, don't let that neo soul shit

1:41:11.880 --> 1:41:13.840
<v Speaker 2>for you. Just shade but and all that, I know,

1:41:14.320 --> 1:41:16.479
<v Speaker 2>But no, most of I want to say most, but

1:41:16.520 --> 1:41:19.120
<v Speaker 2>a lot of Ari's music is I wouldn't say, just

1:41:19.160 --> 1:41:24.320
<v Speaker 2>sexually explicit. Yeah, the record we did together, the first

1:41:24.320 --> 1:41:26.599
<v Speaker 2>bar is ex videos. I don't need those anymore.

1:41:26.760 --> 1:41:32.040
<v Speaker 1>Mm hmm, I know, I know, yeah.

1:41:31.360 --> 1:41:35.160
<v Speaker 2>But no, it feels it feels like she had less

1:41:35.520 --> 1:41:38.439
<v Speaker 2>people in her ear and knowing her, this felt like

1:41:38.439 --> 1:41:42.840
<v Speaker 2>an album that she actually had full fucking control with

1:41:42.840 --> 1:41:46.519
<v Speaker 2>with j D and Brian Michael Cox because they executive

1:41:46.520 --> 1:41:48.560
<v Speaker 2>produced the whole thing and they did everything in the

1:41:48.680 --> 1:41:54.559
<v Speaker 2>compound Atlanta. No, it's good, It's very good. It stripped

1:41:54.560 --> 1:41:56.720
<v Speaker 2>all the fat of the last two projects where I

1:41:56.720 --> 1:41:58.200
<v Speaker 2>felt like she was super in her head and had

1:41:58.200 --> 1:42:01.559
<v Speaker 2>too many people telling her what to do. It's not

1:42:01.640 --> 1:42:03.479
<v Speaker 2>far off her regular sound. If you're an Ari fan,

1:42:03.520 --> 1:42:05.000
<v Speaker 2>it's still an Ari album.

1:42:05.080 --> 1:42:06.040
<v Speaker 1>This shit what she wouldn't know.

1:42:06.720 --> 1:42:09.120
<v Speaker 2>She's with Interscope, so she was signed with Dreamville and

1:42:09.200 --> 1:42:12.840
<v Speaker 2>Interscope left Interscope, I'm sorry, left dream Bilt just.

1:42:12.760 --> 1:42:13.599
<v Speaker 3>Stayed within her scope.

1:42:13.680 --> 1:42:15.120
<v Speaker 2>God, which is good too, because if you're not on

1:42:15.120 --> 1:42:17.280
<v Speaker 2>a sub label, now you own fifty percent when I own,

1:42:17.320 --> 1:42:19.400
<v Speaker 2>but you're fifty percent of your shit as opposed to

1:42:19.439 --> 1:42:21.960
<v Speaker 2>twenty five because if you signed it with sub label,

1:42:22.560 --> 1:42:26.280
<v Speaker 2>they take twenty five. And yeah, so signing direct to

1:42:26.280 --> 1:42:28.960
<v Speaker 2>the labels, yeah, a bit more profitable.

1:42:29.160 --> 1:42:31.280
<v Speaker 1>I'll get it. Shout out my Niga.

1:42:31.040 --> 1:42:34.639
<v Speaker 2>Ari, but yeah, no, check out Ari Vacancy. Really good album.

1:42:34.640 --> 1:42:37.760
<v Speaker 2>Shout out to what JD got he got in his bag.

1:42:38.000 --> 1:42:40.080
<v Speaker 2>He has little ad libs and shit on there. I

1:42:40.080 --> 1:42:42.280
<v Speaker 2>felt like I was listening to some Aria shit back

1:42:42.280 --> 1:42:44.200
<v Speaker 2>in the day. A lot of it is like two

1:42:44.200 --> 1:42:46.880
<v Speaker 2>thousands of Mariah and I'm about to go run to

1:42:46.920 --> 1:42:49.160
<v Speaker 2>it right now. No, and she and Ari was always

1:42:49.200 --> 1:42:53.080
<v Speaker 2>great with valseatto shit, but she went more volsatto than

1:42:53.120 --> 1:42:56.080
<v Speaker 2>I've ever heard her before on her previous projects. But

1:42:56.479 --> 1:42:58.360
<v Speaker 2>now JD throwing a little ad libs in there, and

1:42:58.400 --> 1:43:00.800
<v Speaker 2>I was like, Okay, I'm not mad at this shit.

1:43:01.560 --> 1:43:05.160
<v Speaker 1>JD and B Cox at the whole album fire. Yeah,

1:43:05.360 --> 1:43:05.800
<v Speaker 1>in the.

1:43:05.800 --> 1:43:08.080
<v Speaker 2>Studio that we've bentually they locked in and it just

1:43:08.120 --> 1:43:09.639
<v Speaker 2>did the entire thing fire.

1:43:10.080 --> 1:43:11.360
<v Speaker 3>So I liked.

1:43:11.439 --> 1:43:13.240
<v Speaker 2>I liked that R and B compound there where they

1:43:13.280 --> 1:43:17.400
<v Speaker 2>were Division eighty five and j JD.

1:43:17.240 --> 1:43:18.759
<v Speaker 1>Even doing that for a lot of years.

1:43:18.760 --> 1:43:22.760
<v Speaker 4>Man, Like I you know, I always speak highly JD,

1:43:22.880 --> 1:43:32.040
<v Speaker 4>like he's what he's been doing, you know, the last.

1:43:29.560 --> 1:43:34.559
<v Speaker 2>Fuck thirty years more than that Chris where I was born.

1:43:34.840 --> 1:43:41.120
<v Speaker 4>Yeah, Chris Cross was the early nineties were approaching almost

1:43:41.720 --> 1:43:42.960
<v Speaker 4>JD's been working.

1:43:42.760 --> 1:43:45.360
<v Speaker 1>Over thirty over thirty five years.

1:43:45.120 --> 1:43:49.120
<v Speaker 2>Thirty five now sobly thirty eight probably thirty five years yeah, nineties.

1:43:49.200 --> 1:43:51.200
<v Speaker 1>Yeah, I'm ninety one.

1:43:51.880 --> 1:43:53.880
<v Speaker 3>No, but even I don't think Chris Cross was even

1:43:53.880 --> 1:43:54.920
<v Speaker 3>his first group.

1:43:56.680 --> 1:43:58.240
<v Speaker 1>That might have been the first one, though.

1:43:58.160 --> 1:44:00.080
<v Speaker 3>I'm saying that was the first one that popped. But

1:44:00.120 --> 1:44:01.759
<v Speaker 3>he's been working well.

1:44:01.600 --> 1:44:04.519
<v Speaker 4>No, he's been I'm from about JD is a hip

1:44:04.560 --> 1:44:05.080
<v Speaker 4>hop baby.

1:44:05.080 --> 1:44:07.479
<v Speaker 3>He was back, he was jump came out in ninety two,

1:44:07.880 --> 1:44:08.280
<v Speaker 3>ninety two.

1:44:08.360 --> 1:44:10.639
<v Speaker 5>Oh, let's give him since the nineteen since nineteen ninety,

1:44:10.680 --> 1:44:11.559
<v Speaker 5>let's give him since that.

1:44:11.680 --> 1:44:14.519
<v Speaker 1>So I said thirty five almost thirty five years. Thirty

1:44:14.520 --> 1:44:15.160
<v Speaker 1>four years.

1:44:15.600 --> 1:44:18.360
<v Speaker 2>Shit, It's funny anytime I've been to his compound and

1:44:18.400 --> 1:44:22.400
<v Speaker 2>there's been like a big R and B artist there

1:44:22.439 --> 1:44:25.800
<v Speaker 2>that didn't work with him prior. Every single time I've

1:44:25.800 --> 1:44:27.160
<v Speaker 2>talked with him on the side and be like, yo,

1:44:27.840 --> 1:44:30.120
<v Speaker 2>I've never been with a legend that still touches the machine,

1:44:31.920 --> 1:44:34.160
<v Speaker 2>which to me is a big big things. Like every

1:44:34.160 --> 1:44:36.439
<v Speaker 2>time I get with a list legendary producer, they don't

1:44:36.479 --> 1:44:38.519
<v Speaker 2>touch like they just be hitting space bar and some shit,

1:44:38.720 --> 1:44:39.360
<v Speaker 2>and I'm like.

1:44:39.920 --> 1:44:41.120
<v Speaker 1>All right, who who did that?

1:44:41.280 --> 1:44:43.439
<v Speaker 2>No, JD is still JD sits there and cooks up

1:44:43.479 --> 1:44:47.000
<v Speaker 2>from scratch. He's going to hit every instrument when you're

1:44:47.000 --> 1:44:47.720
<v Speaker 2>in there, like.

1:44:47.960 --> 1:44:48.599
<v Speaker 1>Shout out to him.

1:44:48.640 --> 1:44:50.439
<v Speaker 4>And because I think they was number one, number two

1:44:50.479 --> 1:44:53.400
<v Speaker 4>on the Top Producers of the twenty thirt which they

1:44:53.439 --> 1:44:54.120
<v Speaker 4>fucking should be.

1:44:54.240 --> 1:44:56.120
<v Speaker 1>That's insane. Shout out to the guys. JD.

1:44:56.560 --> 1:45:01.080
<v Speaker 2>Brian talks before we get to either voicemails or close

1:45:01.120 --> 1:45:03.040
<v Speaker 2>out this first Netflix episode.

1:45:03.720 --> 1:45:04.799
<v Speaker 3>Good job, guys.

1:45:04.960 --> 1:45:07.000
<v Speaker 1>I do I really.

1:45:06.880 --> 1:45:09.719
<v Speaker 3>Hope this Chad Hugo and Pharrell thing gets gets solved.

1:45:09.880 --> 1:45:12.040
<v Speaker 2>I'm not mad at at if Chad feels like he

1:45:12.120 --> 1:45:14.639
<v Speaker 2>was done wrong and he's owed royalties. We know Chad

1:45:14.720 --> 1:45:17.640
<v Speaker 2>Hugo is a genius the same way that Farrell is

1:45:17.640 --> 1:45:18.200
<v Speaker 2>a genius.

1:45:19.120 --> 1:45:20.719
<v Speaker 3>We know Chad is just kept to himself.

1:45:20.720 --> 1:45:23.200
<v Speaker 2>But if you're not paying royalties, and I'm not saying

1:45:23.200 --> 1:45:25.880
<v Speaker 2>Pharrell is even responsible for that, he could have put

1:45:25.920 --> 1:45:29.880
<v Speaker 2>that in people's hands, his business management team and said, hey,

1:45:29.960 --> 1:45:32.840
<v Speaker 2>you figure out the publishing, make sure everyone's paid. I

1:45:32.880 --> 1:45:35.360
<v Speaker 2>don't want to sit here and condemn Pharrell for those

1:45:35.400 --> 1:45:37.800
<v Speaker 2>types of things because I don't know the information. If

1:45:37.800 --> 1:45:39.720
<v Speaker 2>he did that shit, I'm here to condemn him, my

1:45:39.760 --> 1:45:42.840
<v Speaker 2>favorite producer, I'd still condemn him. But I hope they

1:45:42.920 --> 1:45:43.519
<v Speaker 2>figured this out.

1:45:44.160 --> 1:45:44.680
<v Speaker 1>I don't want to.

1:45:44.640 --> 1:45:50.560
<v Speaker 2>See my favorite fucking production duo just be in this

1:45:50.640 --> 1:45:52.280
<v Speaker 2>place where no one's getting paid.

1:45:52.280 --> 1:45:56.200
<v Speaker 3>What the heir owed this? This was sad sad to see.

1:45:58.240 --> 1:46:01.920
<v Speaker 2>Yeah, but if I'm Chad does yeah, fucking pay me

1:46:01.960 --> 1:46:05.479
<v Speaker 2>what you owe me. I'm not gonna sit here for

1:46:05.560 --> 1:46:07.519
<v Speaker 2>the for the love of the game, for the love

1:46:07.520 --> 1:46:14.080
<v Speaker 2>of the game. No, and and and again, I don't

1:46:14.080 --> 1:46:17.080
<v Speaker 2>we don't know the full details. They just said that

1:46:17.800 --> 1:46:22.800
<v Speaker 2>Chad Hugo had filed a lawsuit for specific records Drop

1:46:22.840 --> 1:46:25.920
<v Speaker 2>It Like It's Hot, how the bat Girl Moneymaker?

1:46:26.040 --> 1:46:27.640
<v Speaker 3>You know, just billion dollar songs.

1:46:27.880 --> 1:46:31.720
<v Speaker 4>Right, some songs that literally kept on the lights of

1:46:31.800 --> 1:46:32.800
<v Speaker 4>some of these offices.

1:46:33.800 --> 1:46:37.760
<v Speaker 2>Still, yes, the back catalog is and I mean and

1:46:37.800 --> 1:46:40.280
<v Speaker 2>that was at the time, you know who knows what

1:46:40.439 --> 1:46:43.400
<v Speaker 2>MTV news with pr when they were like, oh no,

1:46:43.439 --> 1:46:45.640
<v Speaker 2>it's a I think it was a million dollars for

1:46:45.720 --> 1:46:48.080
<v Speaker 2>Drop It Like It's Hot that I was a kid,

1:46:48.439 --> 1:46:51.880
<v Speaker 2>But I remember watching MTV and they asked Snoop Dogg

1:46:52.000 --> 1:46:53.960
<v Speaker 2>was like, would you pay for that beat? It's like

1:46:54.000 --> 1:46:55.799
<v Speaker 2>I had to pay Forell a million dollars for that beat.

1:46:56.760 --> 1:46:57.960
<v Speaker 2>A million dollars for one beat.

1:46:58.320 --> 1:46:58.920
<v Speaker 3>It was worth it.

1:46:59.400 --> 1:47:02.760
<v Speaker 2>That's up front. That's not you still get. Yeah, you

1:47:02.760 --> 1:47:04.719
<v Speaker 2>don't know anything. I don't know a lot of priters

1:47:04.760 --> 1:47:06.800
<v Speaker 2>don't take any money upfront. You just get fifty percent

1:47:06.840 --> 1:47:08.080
<v Speaker 2>pub and you can live for the rest of your

1:47:08.120 --> 1:47:10.800
<v Speaker 2>life off that shit. Farrell was charging a million dollars

1:47:10.840 --> 1:47:13.120
<v Speaker 2>a beat at that time in fifty percent.

1:47:12.960 --> 1:47:15.439
<v Speaker 4>Publishing, and you don't know what that song is gonna do.

1:47:15.720 --> 1:47:18.479
<v Speaker 4>It sounds great in the studio, we all vibe into it,

1:47:18.479 --> 1:47:20.920
<v Speaker 4>the homies just fucking with it. We don't know what

1:47:20.960 --> 1:47:22.880
<v Speaker 4>this is going to do in the world, though, so

1:47:22.960 --> 1:47:24.960
<v Speaker 4>I might be overpaying for this beat, and it's like

1:47:25.160 --> 1:47:26.439
<v Speaker 4>that shit I ain't even recool.

1:47:26.960 --> 1:47:30.080
<v Speaker 2>Now, obviously we know Chad is no novice to anything.

1:47:31.200 --> 1:47:34.280
<v Speaker 2>I give for a lot of credit because, like Swizz,

1:47:34.680 --> 1:47:36.960
<v Speaker 2>I've seen interviews where artists are like, why Swiz and

1:47:36.960 --> 1:47:39.160
<v Speaker 2>Pharrell were so great to work with. When I got

1:47:39.160 --> 1:47:41.840
<v Speaker 2>to the studio, they had the beat and the hook

1:47:41.880 --> 1:47:44.679
<v Speaker 2>already done. All I had to do was fill in

1:47:44.720 --> 1:47:48.280
<v Speaker 2>the verses. This wasn't even a cookup session. You gave

1:47:48.320 --> 1:47:50.559
<v Speaker 2>me a hit record. You're on the hook, you wrote

1:47:50.600 --> 1:47:53.479
<v Speaker 2>the hook, here's the beat. I'm filling in three verses

1:47:53.560 --> 1:47:55.439
<v Speaker 2>and we're done. I could do that in ten minutes,

1:47:55.640 --> 1:47:57.360
<v Speaker 2>and now I have the biggest record of my life.

1:47:59.760 --> 1:48:00.559
<v Speaker 3>If Fharrell is.

1:48:00.479 --> 1:48:02.439
<v Speaker 2>Writing those hooks, yeah, I could see him taking more

1:48:02.520 --> 1:48:05.800
<v Speaker 2>royalties in pub on certain things. But there's a lot

1:48:05.880 --> 1:48:09.519
<v Speaker 2>of Chad beats with the Neptunes that everyone says Farrell

1:48:09.560 --> 1:48:12.120
<v Speaker 2>had nothing to do with, and Chad did all the beats.

1:48:13.240 --> 1:48:14.720
<v Speaker 2>I don't know what's true at all. I just know

1:48:14.760 --> 1:48:17.479
<v Speaker 2>they're my favorite production duo and I hope they figure

1:48:17.520 --> 1:48:19.840
<v Speaker 2>it out. But I just don't think Chad, who's been

1:48:19.840 --> 1:48:24.040
<v Speaker 2>mana his business and is quiet, is doing this for

1:48:24.080 --> 1:48:24.599
<v Speaker 2>no reason.

1:48:25.160 --> 1:48:28.720
<v Speaker 5>Do you think that where there's smoke, there's fire in

1:48:28.960 --> 1:48:32.320
<v Speaker 5>sense of like Pharrell being a little bit funny with money,

1:48:32.360 --> 1:48:36.320
<v Speaker 5>because Kalise has been complaining about him for years as well.

1:48:37.680 --> 1:48:42.760
<v Speaker 2>Possibly, and again I don't want to discredit Kalise whatsoever.

1:48:43.080 --> 1:48:46.000
<v Speaker 2>I mean that that album in itself is like a

1:48:46.080 --> 1:48:49.080
<v Speaker 2>two thousands classic. The amount of kids that came from

1:48:49.120 --> 1:48:52.479
<v Speaker 2>that album. Tyler's a kid from that album. You listening

1:48:52.479 --> 1:48:55.439
<v Speaker 2>to Tyler albums now and you can hear Thecalise's first

1:48:55.439 --> 1:48:59.040
<v Speaker 2>album and you hear the same shit. I've also heard

1:48:59.080 --> 1:49:00.680
<v Speaker 2>that she didn't write on it, but I don't want

1:49:00.680 --> 1:49:01.000
<v Speaker 2>to take that.

1:49:00.920 --> 1:49:02.080
<v Speaker 3>From Chalice because I don't fucking know.

1:49:02.120 --> 1:49:02.760
<v Speaker 1>I was a kid.

1:49:03.000 --> 1:49:07.440
<v Speaker 2>Yeah, But there's been so many conflicting points from producers,

1:49:07.479 --> 1:49:11.519
<v Speaker 2>engineers on who wrote what, and a lot of people

1:49:11.600 --> 1:49:13.920
<v Speaker 2>have said, all right, Pharro wrote some of that shit,

1:49:14.040 --> 1:49:17.120
<v Speaker 2>so why wouldn't he take royalties on it?

1:49:18.040 --> 1:49:21.240
<v Speaker 3>So I don't know. It's the most confusing business on earth.

1:49:22.120 --> 1:49:24.559
<v Speaker 2>Yeah, if I make a T shirt, the T shirt's

1:49:24.560 --> 1:49:27.720
<v Speaker 2>ten dollars, the designer charges this much, and we put

1:49:27.720 --> 1:49:30.360
<v Speaker 2>it up for fifty percent markup, and the person distributed

1:49:30.360 --> 1:49:33.559
<v Speaker 2>and gets ten percent. That's an easy business. I don't

1:49:33.560 --> 1:49:35.760
<v Speaker 2>know what a baseline cost or what it's going to

1:49:35.840 --> 1:49:38.800
<v Speaker 2>affect how many points. I don't know what that is.

1:49:39.120 --> 1:49:41.720
<v Speaker 2>If I make a baseline that we later find out

1:49:41.800 --> 1:49:44.000
<v Speaker 2>is the reason why everyone loves this song, I'm going

1:49:44.040 --> 1:49:46.160
<v Speaker 2>to be sitting there like, YO, give me my fucking money, dog,

1:49:46.720 --> 1:49:49.639
<v Speaker 2>that's the reason why we all love this shit. Now,

1:49:49.680 --> 1:49:51.880
<v Speaker 2>you can't do that with a T shirt. I sold

1:49:51.920 --> 1:49:53.240
<v Speaker 2>you this T shirt for ten bucks.

1:49:53.640 --> 1:49:55.639
<v Speaker 3>Yeah, this T shirt is always worth ten bucks.

1:49:57.280 --> 1:50:00.639
<v Speaker 2>This moment was like, it's such a confused in business

1:50:00.640 --> 1:50:04.360
<v Speaker 2>that it's enemies and awful people in it.

1:50:04.439 --> 1:50:06.120
<v Speaker 3>For sure. It's not even when the people that are

1:50:06.160 --> 1:50:07.240
<v Speaker 3>trying their best. It's tough.

1:50:07.280 --> 1:50:09.760
<v Speaker 1>It's not a confusing business. People make it confusion.

1:50:09.880 --> 1:50:11.680
<v Speaker 3>I'm saying we publishing specifically.

1:50:12.000 --> 1:50:16.400
<v Speaker 4>That's still not confusing. Quincy Jones and Frank Sinatra had

1:50:16.439 --> 1:50:17.080
<v Speaker 4>no confusion.

1:50:17.600 --> 1:50:18.880
<v Speaker 3>Well they're going to fifty fifty.

1:50:19.920 --> 1:50:21.879
<v Speaker 1>You see how us that no confusion.

1:50:21.960 --> 1:50:24.719
<v Speaker 4>But then no contracts and we never had a contract

1:50:24.760 --> 1:50:27.680
<v Speaker 4>with each other, none of that handshake conversation. This will

1:50:27.720 --> 1:50:31.080
<v Speaker 4>we this is how we rocket. People make it confusion

1:50:31.880 --> 1:50:35.000
<v Speaker 4>when they start doing funck shit. It's not always function.

1:50:35.080 --> 1:50:39.519
<v Speaker 5>But I'm saying, no, sometimes you might not. Sometimes two

1:50:39.560 --> 1:50:44.320
<v Speaker 5>people can disagree on how much they brought to a project.

1:50:44.400 --> 1:50:46.920
<v Speaker 5>You I bought this and you bought this. You might

1:50:47.040 --> 1:50:49.240
<v Speaker 5>value this more, but I value this more. The fans

1:50:49.320 --> 1:50:51.280
<v Speaker 5>value this more. It can get confusing.

1:50:51.560 --> 1:50:54.360
<v Speaker 4>No, you make it confusion. We were having this conversation

1:50:54.439 --> 1:50:55.519
<v Speaker 4>before anything goes.

1:50:55.400 --> 1:50:55.920
<v Speaker 3>Out this door.

1:50:56.120 --> 1:50:58.280
<v Speaker 2>No, we're making what happens that song in the studio

1:50:58.560 --> 1:51:03.080
<v Speaker 2>right again here, right now. We haven't touched the lyric,

1:51:03.200 --> 1:51:06.160
<v Speaker 2>nothing has been played nothing. We're having a conversation. Yo,

1:51:06.200 --> 1:51:07.400
<v Speaker 2>this is how we This is what we're doing.

1:51:08.360 --> 1:51:09.000
<v Speaker 3>That's not work.

1:51:09.160 --> 1:51:11.240
<v Speaker 5>That's I was gonna say that, but that's the creative process.

1:51:11.439 --> 1:51:14.760
<v Speaker 5>You haven't created anything. You don't know what you're going

1:51:14.840 --> 1:51:16.759
<v Speaker 5>to create. Are you see what I'm saying. I can't

1:51:16.760 --> 1:51:20.080
<v Speaker 5>tell you what my worth is right with with this beat,

1:51:20.320 --> 1:51:22.920
<v Speaker 5>I'm making a beatcalices writing lyrics. I can't tell you

1:51:22.960 --> 1:51:25.760
<v Speaker 5>what this beat is worth because I haven't created it yet.

1:51:25.800 --> 1:51:27.800
<v Speaker 5>I can't tell you what these lyrics are worth because

1:51:27.840 --> 1:51:29.880
<v Speaker 5>I haven't created it yet. Is the is the beat

1:51:29.920 --> 1:51:32.840
<v Speaker 5>the most important? But important is the lyrics? You don't

1:51:32.840 --> 1:51:34.120
<v Speaker 5>know the part.

1:51:33.960 --> 1:51:37.160
<v Speaker 1>You're missing, is what I'm saying. You look at somebody.

1:51:37.200 --> 1:51:38.840
<v Speaker 4>I don't know if any of these people were talking

1:51:38.840 --> 1:51:42.280
<v Speaker 4>about have a more extensive catalog or more you know,

1:51:43.680 --> 1:51:48.680
<v Speaker 4>value catalog than Quincy Jones and Frank Sinatra, Pharrell.

1:51:48.400 --> 1:51:49.320
<v Speaker 1>Whoever else you want to name.

1:51:49.360 --> 1:51:51.439
<v Speaker 4>I don't know if their catalog is worth more than

1:51:51.479 --> 1:51:54.160
<v Speaker 4>Quincy Jones and Frank Sinatra. What I'm saying is the

1:51:54.160 --> 1:52:00.439
<v Speaker 4>conversation that those two gentlemen add was very simple conversation shake,

1:52:01.640 --> 1:52:05.280
<v Speaker 4>no confusion. Their entire career working together, none and they

1:52:05.320 --> 1:52:07.160
<v Speaker 4>made a fuck ton of money with each other.

1:52:07.320 --> 1:52:10.360
<v Speaker 2>Oh okay, okay, let's say, all right, Frank was writing

1:52:10.360 --> 1:52:15.000
<v Speaker 2>everything and Frank sang everything. Now let's say they put

1:52:15.000 --> 1:52:17.720
<v Speaker 2>something down on a skeleton track where Quincy just had

1:52:17.760 --> 1:52:19.920
<v Speaker 2>some strings playing and then he's gonna go with the

1:52:19.960 --> 1:52:23.599
<v Speaker 2>whole orchestra and a bunch of musicians after Frank leaves,

1:52:23.800 --> 1:52:26.160
<v Speaker 2>we have a fifty to fifty handshake. Now, if I'm

1:52:26.200 --> 1:52:29.080
<v Speaker 2>a musician that played something wrote something on the song.

1:52:29.120 --> 1:52:31.120
<v Speaker 2>That's what I think a lot of people misunderstand when

1:52:31.120 --> 1:52:34.479
<v Speaker 2>they see Spotify credits. Writing writing doesn't mean you wrote

1:52:34.720 --> 1:52:37.720
<v Speaker 2>necessarily wrote the lyrics writing the song. Child is a

1:52:37.760 --> 1:52:39.720
<v Speaker 2>writer on all my stuff, even if he didn't write

1:52:39.760 --> 1:52:42.120
<v Speaker 2>a lyric at all, because he wrote music on there.

1:52:42.520 --> 1:52:45.320
<v Speaker 2>I put writers on everything that wrote music. It's not

1:52:45.360 --> 1:52:48.200
<v Speaker 2>just lyrics. Now, if I'm a bass player and I

1:52:48.240 --> 1:52:51.640
<v Speaker 2>think I deserve seven point five percent PUB on this

1:52:51.880 --> 1:52:54.519
<v Speaker 2>because the baseline is leading this entire thing, I don't

1:52:54.560 --> 1:52:57.799
<v Speaker 2>give a fuck what handshake Quincy Jones and Frank Sinatra

1:52:57.840 --> 1:52:59.760
<v Speaker 2>have on this. Quincy, this is coming out of your

1:52:59.760 --> 1:53:04.599
<v Speaker 2>fifth percent. Yeah, yeah, we're going to have a conversation here.

1:53:05.120 --> 1:53:07.960
<v Speaker 2>There's not everything else is coming out of the office.

1:53:08.080 --> 1:53:11.080
<v Speaker 3>Like if Frank Sinatra, and what he's saying.

1:53:10.920 --> 1:53:12.799
<v Speaker 1>Is I write music on that, I deserve pub.

1:53:12.640 --> 1:53:16.880
<v Speaker 5>If Frank Sinatra and Quinsy Jones split fifty to fifty, right,

1:53:16.880 --> 1:53:18.840
<v Speaker 5>they each have fifty to fifty if one of them

1:53:18.880 --> 1:53:23.280
<v Speaker 5>brings in some people a chorus or a band or

1:53:23.320 --> 1:53:27.320
<v Speaker 5>somebody to do something on there, you don't suddenly create

1:53:27.360 --> 1:53:28.960
<v Speaker 5>more money out of thin air. If that has to

1:53:28.960 --> 1:53:30.040
<v Speaker 5>come out of somebody's fitting.

1:53:30.080 --> 1:53:30.240
<v Speaker 1>Yeah.

1:53:30.960 --> 1:53:33.400
<v Speaker 4>Yeah, So we had that conversation with Frank. You know, Frank,

1:53:33.400 --> 1:53:34.759
<v Speaker 4>I had to pay it bits da da da.

1:53:34.840 --> 1:53:36.880
<v Speaker 2>All right, cool, But that doesn't even come up how

1:53:36.920 --> 1:53:38.880
<v Speaker 2>publishing was simple that it. That wouldn't even be a

1:53:38.880 --> 1:53:42.920
<v Speaker 2>Frank conversation. That would be a Quincy conversation because how

1:53:42.960 --> 1:53:45.639
<v Speaker 2>pub is split. It is fifty percent with the actual

1:53:45.720 --> 1:53:48.080
<v Speaker 2>writing of the song, and the other fifty percent is

1:53:48.640 --> 1:53:52.320
<v Speaker 2>split up between whatever's happening with the music. Now, if

1:53:52.400 --> 1:53:55.559
<v Speaker 2>Quincy's taking fifty percent, if I know, even if I

1:53:55.600 --> 1:53:57.640
<v Speaker 2>go in to do a record, I know out the

1:53:57.640 --> 1:54:00.559
<v Speaker 2>gate I'm hiring musicians, and I don't play the game

1:54:00.600 --> 1:54:03.360
<v Speaker 2>where I just give you a fee and take pub

1:54:03.640 --> 1:54:05.479
<v Speaker 2>I just don't play that game. I'm going to be

1:54:05.520 --> 1:54:07.559
<v Speaker 2>on the right side of history. You're gonna get your

1:54:07.600 --> 1:54:09.960
<v Speaker 2>pub on that. But I know going in if I'm

1:54:10.000 --> 1:54:12.200
<v Speaker 2>starting a record, if me and Nick Grant start a record,

1:54:12.400 --> 1:54:14.439
<v Speaker 2>I know for a fact I'm going to hire some

1:54:14.560 --> 1:54:16.600
<v Speaker 2>musicians that are probably gonna be able to play what

1:54:16.640 --> 1:54:18.880
<v Speaker 2>I'm trying to do in Ableton way better than I

1:54:19.000 --> 1:54:21.160
<v Speaker 2>ever could, and I'm going to give them their pub

1:54:21.200 --> 1:54:23.360
<v Speaker 2>on that entire thing. So if me and Nick have

1:54:23.400 --> 1:54:25.240
<v Speaker 2>a fifty to fifty split, if we're doing an EP,

1:54:26.400 --> 1:54:28.960
<v Speaker 2>my pub is supposed to be diluted for everyone that

1:54:29.000 --> 1:54:31.679
<v Speaker 2>comes in there and writes music. And now that pub

1:54:31.680 --> 1:54:35.120
<v Speaker 2>gets diluted a bit more. If it's something that I'm

1:54:35.160 --> 1:54:37.560
<v Speaker 2>doing on Ableton and I want you to replay it,

1:54:38.200 --> 1:54:40.680
<v Speaker 2>now I can have that argument with you, like, hey,

1:54:41.320 --> 1:54:43.960
<v Speaker 2>maybe you don't get twenty percent PUB on this, Maybe

1:54:43.960 --> 1:54:46.120
<v Speaker 2>that's more of a ten to fifteen because I told

1:54:46.160 --> 1:54:48.280
<v Speaker 2>you exactly what I wanted to do and you played

1:54:48.280 --> 1:54:50.480
<v Speaker 2>it for me. And that's where I'm saying it gets

1:54:50.520 --> 1:54:54.640
<v Speaker 2>complicated because there's no real consumer the t shirts ten dollars.

1:54:54.720 --> 1:54:55.760
<v Speaker 3>We're selling it for twenty.

1:54:56.120 --> 1:54:59.360
<v Speaker 2>That's a debate between two human beings and the song's

1:54:59.400 --> 1:55:01.680
<v Speaker 2>not even out. Yeah, and also, Maul, you don't even

1:55:01.680 --> 1:55:03.200
<v Speaker 2>know what the value of the song is going to be.

1:55:03.280 --> 1:55:06.680
<v Speaker 5>I'm sure Frank Sinatra and Quincy Jones didn't have any problems,

1:55:06.720 --> 1:55:09.480
<v Speaker 5>but I promise you there's probably people that were in

1:55:09.560 --> 1:55:11.760
<v Speaker 5>the studio with them or around them that might have

1:55:11.840 --> 1:55:14.560
<v Speaker 5>had a problem with some things with our goats that

1:55:14.760 --> 1:55:17.920
<v Speaker 5>we all love to death and speak hi when they

1:55:17.960 --> 1:55:21.640
<v Speaker 5>walk in to a studio. We've talked about our favorite

1:55:21.640 --> 1:55:24.440
<v Speaker 5>writers on this pod in the last two years. They

1:55:24.440 --> 1:55:26.800
<v Speaker 5>don't get the pub they deserve because when it comes

1:55:26.800 --> 1:55:29.800
<v Speaker 5>with this artist, they're taking fifty percent pub even if

1:55:29.800 --> 1:55:32.440
<v Speaker 5>they didn't write anything. So now someone that wrote a

1:55:32.440 --> 1:55:35.800
<v Speaker 5>whole song is getting two percent PUB because it's also

1:55:35.880 --> 1:55:39.880
<v Speaker 5>with a producer that walks into a studios like taking

1:55:40.000 --> 1:55:43.760
<v Speaker 5>if I come in here, it's fifty percent PUB. And

1:55:43.800 --> 1:55:47.640
<v Speaker 5>that's what people we speak about often and we champion

1:55:47.840 --> 1:55:50.440
<v Speaker 5>That happens to some of our favorite writers.

1:55:50.600 --> 1:55:52.760
<v Speaker 3>Writers we've had on this podcast that.

1:55:52.760 --> 1:55:57.120
<v Speaker 2>Won't speak about it because it's complicated and it's political

1:55:57.120 --> 1:55:59.080
<v Speaker 2>and they're trying to keep their job. But yeah, you

1:55:59.440 --> 1:56:02.920
<v Speaker 2>want to work on a list artist, shit, be happy

1:56:02.960 --> 1:56:05.400
<v Speaker 2>with three percent if you wrote a whole record, which

1:56:05.480 --> 1:56:06.840
<v Speaker 2>is crazy because you deserve.

1:56:06.600 --> 1:56:09.600
<v Speaker 1>Fifty good point, but one point still stands.

1:56:10.000 --> 1:56:14.360
<v Speaker 2>Okay, Okay, people people put bullshit.

1:56:14.520 --> 1:56:17.280
<v Speaker 1>People put bullshit in the mix, and no they do.

1:56:17.360 --> 1:56:19.200
<v Speaker 2>And I'm what I was really getting to and we

1:56:19.200 --> 1:56:22.240
<v Speaker 2>can close. This is the conversation I'm saying when if

1:56:22.720 --> 1:56:26.480
<v Speaker 2>Quincy is telling someone exactly how to play something, now

1:56:26.520 --> 1:56:29.560
<v Speaker 2>we have a debate on what pubuo instead, and stead

1:56:29.560 --> 1:56:31.520
<v Speaker 2>if there's been times where I've had you met Mitch,

1:56:31.560 --> 1:56:34.800
<v Speaker 2>my bass player before Mitch just comes in, if we

1:56:34.840 --> 1:56:37.040
<v Speaker 2>have an idea men a odd and tell them there's

1:56:37.040 --> 1:56:40.400
<v Speaker 2>a different version of pub there. Then if I send

1:56:40.480 --> 1:56:43.280
<v Speaker 2>Mitch a record and Mitch comes up with the fucking baseline,

1:56:44.240 --> 1:56:47.120
<v Speaker 2>Mitch is taken at least fifteen percent on that he

1:56:47.160 --> 1:56:49.320
<v Speaker 2>wrote a whole. I didn't even tell you what to

1:56:49.360 --> 1:56:51.440
<v Speaker 2>do on the baseline. I gave you a skeleton and

1:56:51.480 --> 1:56:53.640
<v Speaker 2>you came with a funky ass baseline.

1:56:54.360 --> 1:56:58.120
<v Speaker 1>You taking fifteen percent at minimum.

1:56:58.440 --> 1:57:02.000
<v Speaker 5>So if we're confusing to the average listener who isn't

1:57:02.040 --> 1:57:04.120
<v Speaker 5>into music the way that we are, and they don't

1:57:04.160 --> 1:57:06.720
<v Speaker 5>know about this type what we're saying into chat GPT,

1:57:06.800 --> 1:57:08.840
<v Speaker 5>and it'll make a little bit more sense because I

1:57:08.880 --> 1:57:10.720
<v Speaker 5>know that this can be fed be confusing for the

1:57:10.760 --> 1:57:12.040
<v Speaker 5>casual music listener.

1:57:12.120 --> 1:57:13.480
<v Speaker 1>They don't know what the fuck we're talking about.

1:57:13.560 --> 1:57:19.240
<v Speaker 2>It's confusing to professionals and yeah, yeah that's and what's

1:57:19.280 --> 1:57:22.480
<v Speaker 2>so fucked up is why everyone hates major labels is

1:57:22.480 --> 1:57:25.360
<v Speaker 2>everything we're arguing about somebody else ends up owning that

1:57:25.440 --> 1:57:26.080
<v Speaker 2>wasn't even there.

1:57:26.920 --> 1:57:28.720
<v Speaker 3>Yeah, now you want to write everyone's pistol.

1:57:29.040 --> 1:57:32.000
<v Speaker 1>Yep, bully all right, Rory?

1:57:32.080 --> 1:57:35.000
<v Speaker 2>It was fun, uh you know yeah, talking to you today,

1:57:35.480 --> 1:57:37.440
<v Speaker 2>debating you do we have a debate today?

1:57:37.640 --> 1:57:38.440
<v Speaker 1>I think we debated.

1:57:38.600 --> 1:57:42.000
<v Speaker 3>Oh we had think we had healthy discourse.

1:57:43.200 --> 1:57:45.440
<v Speaker 2>If I said something out of finished, I'm sorry. My

1:57:45.560 --> 1:57:46.640
<v Speaker 2>front will load anything.

1:57:46.640 --> 1:57:47.520
<v Speaker 1>There's a little.

1:57:48.960 --> 1:57:51.640
<v Speaker 4>I'm not not smoking weed anymore. So my front lobe

1:57:52.200 --> 1:57:54.080
<v Speaker 4>is a little more clear than it's ever been in

1:57:54.120 --> 1:57:55.160
<v Speaker 4>the last few years, Wory.

1:57:55.200 --> 1:57:58.600
<v Speaker 2>So next episode, I will tell you about the time

1:58:00.040 --> 1:58:03.760
<v Speaker 2>slammed into a telephone pole and definitely fucked up my

1:58:03.840 --> 1:58:08.280
<v Speaker 2>frontal loaf. Idn't explained so much? Why didn't. Oh you

1:58:08.280 --> 1:58:09.760
<v Speaker 2>should have told me this when I first met you.

1:58:10.520 --> 1:58:12.360
<v Speaker 2>It's actually a very function to lead with that.

1:58:12.880 --> 1:58:14.000
<v Speaker 1>Like, hey, I was in a car accident.

1:58:14.040 --> 1:58:16.520
<v Speaker 4>Frontal lobe was a little because in now I'm expecting

1:58:16.520 --> 1:58:20.240
<v Speaker 4>anything after that, like, oh, I get it, I understand right, fair, Yes,

1:58:20.320 --> 1:58:22.520
<v Speaker 4>you gotta lead with the frontal lobe injury, Rory.

1:58:22.560 --> 1:58:28.200
<v Speaker 2>Well, yeah, Josh added to the list. My frontal lobe injury.

1:58:28.400 --> 1:58:32.160
<v Speaker 2>Yes of our next episode.

1:58:32.880 --> 1:58:38.560
<v Speaker 1>All right, well, this has been fun. Welcome to the family.

1:58:38.760 --> 1:58:40.880
<v Speaker 1>The Netflix family are here. You can say it though.

1:58:41.080 --> 1:58:44.280
<v Speaker 4>Also bonus contents Patreon dot com forward Slash, New Rory

1:58:44.320 --> 1:58:46.840
<v Speaker 4>and Mall, where you can catch more of New Rory

1:58:46.920 --> 1:58:47.360
<v Speaker 4>and Mall.

1:58:48.120 --> 1:58:51.919
<v Speaker 1>And we'll talk to y'all soon. Be safe, be blessed.

1:58:52.040 --> 1:58:54.839
<v Speaker 1>I'm that nigga. He's just Ginger. Welcome to Netflix.