1
00:00:07,320 --> 00:00:08,680
Speaker 1: You know. I mean, you can being this business for

2
00:00:08,760 --> 00:00:10,120
Speaker 1: years and never ever.

3
00:00:09,960 --> 00:00:16,840
Speaker 2: Proposed, and you can tell on their face they like ship.

4
00:00:17,040 --> 00:00:27,360
Speaker 1: Could like the Cowboy. Yeah, you're notorious for that ship.

5
00:00:27,400 --> 00:00:31,320
Speaker 1: He'll always say the wrong every city.

6
00:00:33,200 --> 00:00:36,840
Speaker 3: I like, I just like about.

7
00:00:37,479 --> 00:00:39,280
Speaker 1: I don't care. Yeah, you don't get I don't even

8
00:00:40,320 --> 00:00:43,440
Speaker 1: I'm gonna stay with them. We in Boston. He go

9
00:00:43,520 --> 00:00:51,520
Speaker 1: on stage and say, man, fuck the Patriots. You don't

10
00:00:51,520 --> 00:00:57,320
Speaker 1: have a team. Carola't have to shoot at about the hate.

11
00:00:57,360 --> 00:00:58,680
Speaker 1: I just hate the Cowboys.

12
00:00:59,720 --> 00:01:02,560
Speaker 3: I don't don't have to hate the Cowboys.

13
00:01:01,920 --> 00:01:05,680
Speaker 1: Because the Cowboy fans get so upset when you hate it.

14
00:01:06,160 --> 00:01:08,800
Speaker 1: You know, they take the ship personally. You know they lose.

15
00:01:08,880 --> 00:01:11,000
Speaker 1: You don't see them, you can't find them. They don't

16
00:01:11,040 --> 00:01:13,479
Speaker 1: talk to you nothing, they want to answer the phone. None

17
00:01:13,520 --> 00:01:16,000
Speaker 1: of that ship. So that's that's the part of the on.

18
00:01:16,120 --> 00:01:19,400
Speaker 1: The other teams don't even matter, the Lakers and the Cowboys.

19
00:01:19,640 --> 00:01:25,160
Speaker 1: I'm here for the hate and I live in l

20
00:01:26,000 --> 00:01:28,160
Speaker 1: not never said that ship less. I was in my club,

21
00:01:28,720 --> 00:01:35,480
Speaker 1: this ship on the street, like you being Arena he Lo,

22
00:01:36,640 --> 00:01:38,039
Speaker 1: I just turned up. I don't give it down.

23
00:01:38,560 --> 00:01:39,360
Speaker 3: I don't give you damn.

24
00:01:39,760 --> 00:01:41,200
Speaker 1: I guess that's how you have to be do that.

25
00:01:41,280 --> 00:01:43,160
Speaker 2: But you know what, I kind of left that ship alone, man,

26
00:01:43,200 --> 00:01:45,440
Speaker 2: because you know, once five and lost this super Bowl.

27
00:01:46,800 --> 00:01:48,240
Speaker 3: It's not that I know support.

28
00:01:48,680 --> 00:01:50,760
Speaker 2: I've been watching from a fall, but I don't have

29
00:01:50,800 --> 00:01:53,600
Speaker 2: to be in that arena to hear lost.

30
00:01:54,160 --> 00:01:55,560
Speaker 3: You ain't got to remind that you know.

31
00:01:55,680 --> 00:01:58,400
Speaker 1: No, it's because my buddy doesn't know. We know that

32
00:01:58,400 --> 00:02:01,760
Speaker 1: Ship does a joke by his cousin or something that

33
00:02:01,960 --> 00:02:05,400
Speaker 1: is gay, and he's the falcon fingy you're gonna win

34
00:02:05,480 --> 00:02:12,040
Speaker 1: the game. And then after half time he called him

35
00:02:12,080 --> 00:02:15,799
Speaker 1: up this man, fuck you nigga. When the nigga came

36
00:02:15,800 --> 00:02:27,400
Speaker 1: out of that get it damn damn crazy sometimes they do.

37
00:02:27,919 --> 00:02:29,720
Speaker 3: Dam but I cried over that game too.

38
00:02:30,080 --> 00:02:32,000
Speaker 1: It did it? It upset you down for me.

39
00:02:32,360 --> 00:02:34,680
Speaker 2: I literally in the car and I like three tens,

40
00:02:34,840 --> 00:02:36,400
Speaker 2: you know, like one till you like you trying to

41
00:02:36,400 --> 00:02:39,600
Speaker 2: blame it, like on the win, tell you like man

42
00:02:39,639 --> 00:02:41,440
Speaker 2: my alley that thirty.

43
00:02:41,600 --> 00:02:45,680
Speaker 1: I'm like, real, this ship fun well. I mean, in

44
00:02:45,760 --> 00:02:48,280
Speaker 1: the last two years I really became a sports fan

45
00:02:48,360 --> 00:02:51,360
Speaker 1: because up into that I didn't know Ship about sports.

46
00:02:51,440 --> 00:02:54,760
Speaker 1: I had a French accept phrase that I could say

47
00:02:55,000 --> 00:02:57,280
Speaker 1: that would get me in a sports conversation. And this

48
00:02:57,360 --> 00:03:00,000
Speaker 1: goes out to anybody who don't know Ship about sports.

49
00:03:00,360 --> 00:03:02,520
Speaker 1: You got to have something to get you in the conversation,

50
00:03:02,720 --> 00:03:04,840
Speaker 1: right if you don't know Ship. So here was my

51
00:03:05,160 --> 00:03:07,280
Speaker 1: he was my fraid. Everybody talking.

52
00:03:07,320 --> 00:03:07,799
Speaker 3: What did I do?

53
00:03:07,919 --> 00:03:09,560
Speaker 1: He ran to for it and I don't know what

54
00:03:09,960 --> 00:03:11,800
Speaker 1: told me. So all you got to do is say

55
00:03:12,000 --> 00:03:15,200
Speaker 1: what about that big white boy from Kansas? It's always

56
00:03:16,440 --> 00:03:21,520
Speaker 1: a big white boy and everybody, I'm.

57
00:03:21,320 --> 00:03:22,079
Speaker 3: Like, what about it?

58
00:03:23,720 --> 00:03:28,160
Speaker 1: I think I know you? Yeah, but now I watch it.

59
00:03:28,200 --> 00:03:30,760
Speaker 1: I love it. Yeah, yeah, I love it.

60
00:03:31,720 --> 00:03:32,880
Speaker 3: O g in the building.

61
00:03:32,960 --> 00:03:35,800
Speaker 2: Man, let me tell you something I've been doing going

62
00:03:35,840 --> 00:03:39,400
Speaker 2: on eleven years, me doing stand up professionally.

63
00:03:39,920 --> 00:03:44,000
Speaker 1: Great on the stage. Takes. They said it take ten years.

64
00:03:44,080 --> 00:03:45,440
Speaker 1: It takes. It takes.

65
00:03:45,480 --> 00:03:47,560
Speaker 2: But when I was watching it as a kid, like

66
00:03:47,760 --> 00:03:49,040
Speaker 2: I'm talking about like a kid.

67
00:03:49,200 --> 00:03:51,720
Speaker 3: When coming you used to come on, and you used

68
00:03:51,720 --> 00:03:54,280
Speaker 3: to come on with your suits and ship like it.

69
00:03:54,440 --> 00:03:56,080
Speaker 3: Take a real.

70
00:03:55,920 --> 00:04:00,400
Speaker 2: Comedian to a host amongst other great comedians and keep

71
00:04:00,440 --> 00:04:03,600
Speaker 2: that crowd going. Yo Yo Yo yo Yo said when

72
00:04:03,600 --> 00:04:05,080
Speaker 2: you was on coming you it is one of my

73
00:04:05,120 --> 00:04:07,080
Speaker 2: favorite ones, especially especially when the hosting.

74
00:04:07,120 --> 00:04:09,720
Speaker 3: When it comes like Rickish smiling.

75
00:04:09,320 --> 00:04:13,800
Speaker 2: Yeah all ded Jay bruise Bruises, y'all did y'all did that?

76
00:04:13,920 --> 00:04:16,560
Speaker 1: Y'all here? That is so much fun, you know, to

77
00:04:17,040 --> 00:04:20,240
Speaker 1: do that. And but I think the big start for

78
00:04:20,320 --> 00:04:22,919
Speaker 1: me was Atlanta. I got my I got my break

79
00:04:22,920 --> 00:04:26,840
Speaker 1: in Atlanta, right, Yeah, there was a club, Yeah yeah, Atlanta,

80
00:04:27,040 --> 00:04:31,520
Speaker 1: Atlanta was I caught it. I caught the bus from Columbia,

81
00:04:31,520 --> 00:04:35,360
Speaker 1: South Carolina to come to Atlanta. And now at that time,

82
00:04:35,400 --> 00:04:38,239
Speaker 1: I'm staying at YMCA because the rooms were like maybe

83
00:04:38,279 --> 00:04:40,680
Speaker 1: twelve dollars a week or some shit like that. Get it.

84
00:04:40,680 --> 00:04:43,400
Speaker 1: I get a cab and the mother drive me all

85
00:04:43,480 --> 00:04:46,800
Speaker 1: round Atlanta, right, twenty five dollars. I'm like, I paid it,

86
00:04:46,880 --> 00:04:50,880
Speaker 1: got twenty dollars and I walk out the fucking hotel,

87
00:04:51,480 --> 00:04:54,159
Speaker 1: the bus station right across the goddamn street. Man, I

88
00:04:54,160 --> 00:04:57,240
Speaker 1: didn't know, so I didn't know. So I figured I'd

89
00:04:57,240 --> 00:04:59,760
Speaker 1: already had a degree in tailoring and that I started

90
00:04:59,800 --> 00:05:02,320
Speaker 1: out as a tailor to be I'm going to be

91
00:05:02,320 --> 00:05:04,520
Speaker 1: a designer. I'm gonna make clothes and stuff like that.

92
00:05:04,680 --> 00:05:07,640
Speaker 1: But I always loved comedy. So they had this place

93
00:05:07,720 --> 00:05:14,200
Speaker 1: called Mister b figure eight, I know, and they had

94
00:05:14,240 --> 00:05:16,600
Speaker 1: this show called it was called a Gong show. So

95
00:05:16,680 --> 00:05:19,039
Speaker 1: I go one night to perform. Now I didn't get

96
00:05:19,080 --> 00:05:21,840
Speaker 1: gone and Reona didn't get gone because I wasn't up

97
00:05:21,839 --> 00:05:35,159
Speaker 1: that long. Now I did one joke, and so he

98
00:05:35,279 --> 00:05:37,839
Speaker 1: gave me dumb as a host, and being the host

99
00:05:38,240 --> 00:05:40,720
Speaker 1: allowed me to work on my crowd every day. So

100
00:05:40,760 --> 00:05:42,560
Speaker 1: by the time I went to l A or by

101
00:05:42,560 --> 00:05:44,159
Speaker 1: the time I went on the road, I was ready,

102
00:05:44,600 --> 00:05:46,920
Speaker 1: you know. And that's that's the difference in terms of

103
00:05:46,960 --> 00:05:49,280
Speaker 1: what comedy is today. First of all, the game and

104
00:05:49,440 --> 00:05:54,360
Speaker 1: changed the game, change the Internet and changed the rules

105
00:05:54,360 --> 00:05:58,680
Speaker 1: still apply, you still apply. The game changed in terms

106
00:05:58,680 --> 00:06:01,400
Speaker 1: of you can do this here you're doing and reach

107
00:06:01,520 --> 00:06:04,360
Speaker 1: a million motherfuckers where you probably never perform in front

108
00:06:04,360 --> 00:06:06,719
Speaker 1: of a million monthract. And so when I hear people

109
00:06:06,760 --> 00:06:10,080
Speaker 1: talking about, well they just internet comics and they don't

110
00:06:10,080 --> 00:06:13,239
Speaker 1: have a show, Well they got a crowd, you don't.

111
00:06:14,400 --> 00:06:16,360
Speaker 1: And who the fuck are these people going around? Well

112
00:06:16,400 --> 00:06:18,760
Speaker 1: they didn't pay their dudes. Who the fuck is collecting

113
00:06:18,800 --> 00:06:22,240
Speaker 1: these dudes that people talk about.

114
00:06:24,279 --> 00:06:26,120
Speaker 3: In the ground dude?

115
00:06:26,200 --> 00:06:28,800
Speaker 1: Yeah, but what are the dudes? Yeah, because it's a

116
00:06:28,839 --> 00:06:30,479
Speaker 1: different avenue now, you know what I mean?

117
00:06:30,560 --> 00:06:32,479
Speaker 2: I mean if you a real student of the game,

118
00:06:32,560 --> 00:06:34,560
Speaker 2: there are some dudes that you had to win. They

119
00:06:34,640 --> 00:06:38,240
Speaker 2: mean like sweat, you know what I'm saying, time dedication.

120
00:06:38,720 --> 00:06:43,920
Speaker 1: The dude don't have to pay their money game, yeah,

121
00:06:44,920 --> 00:06:47,560
Speaker 1: you know what I'm saying. And they never really get

122
00:06:47,600 --> 00:06:49,640
Speaker 1: out there and do the stand up thing. But they

123
00:06:49,680 --> 00:06:52,200
Speaker 1: still got crowds coming out, you know what I'm saying.

124
00:06:52,200 --> 00:06:55,040
Speaker 1: Some people don't respect it, like motherfuckers.

125
00:06:54,560 --> 00:06:58,800
Speaker 2: And the older crowd just got to understand they're molding

126
00:06:59,000 --> 00:07:02,000
Speaker 2: their crowd when they come out because the people that

127
00:07:02,120 --> 00:07:04,679
Speaker 2: come out ain't like worrying about They kind of fans

128
00:07:04,760 --> 00:07:06,560
Speaker 2: of them already on social media.

129
00:07:06,640 --> 00:07:09,280
Speaker 3: So they kind of expect a little bit of what

130
00:07:09,320 --> 00:07:10,960
Speaker 3: they do on social media.

131
00:07:11,040 --> 00:07:12,200
Speaker 1: So if he give us.

132
00:07:12,080 --> 00:07:15,120
Speaker 3: Something extra, that just that just adds to the point

133
00:07:15,800 --> 00:07:16,160
Speaker 3: you win.

134
00:07:16,520 --> 00:07:18,320
Speaker 2: But if we already give us something that we have seen,

135
00:07:19,280 --> 00:07:20,120
Speaker 2: you don't want to see it.

136
00:07:20,440 --> 00:07:22,160
Speaker 1: Sometimes you do a show and if you don't do

137
00:07:22,200 --> 00:07:27,120
Speaker 1: the ship they see, they upset. Now that's what I saw.

138
00:07:27,200 --> 00:07:28,000
Speaker 3: That ain't what I want.

139
00:07:28,600 --> 00:07:31,120
Speaker 1: You might you might have been alright in this era though,

140
00:07:31,600 --> 00:07:38,080
Speaker 1: because all you had to do was to watch out.

141
00:07:38,240 --> 00:07:40,800
Speaker 2: But no, I don't think I think the dudes are

142
00:07:40,920 --> 00:07:43,440
Speaker 2: just you know, just to swear in the time, especially

143
00:07:43,440 --> 00:07:47,440
Speaker 2: when like when y'all had to be labeled a comedian.

144
00:07:47,960 --> 00:07:52,000
Speaker 2: That's kind of like a fraternity stamp because y'all technically

145
00:07:52,040 --> 00:07:52,640
Speaker 2: did had.

146
00:07:52,520 --> 00:07:55,040
Speaker 1: To go through a lot to even be called the comedian.

147
00:07:55,120 --> 00:07:58,560
Speaker 3: You may be funny, but you ain't no comedian, right,

148
00:07:58,760 --> 00:07:59,440
Speaker 3: you see what I'm saying.

149
00:07:59,480 --> 00:08:02,480
Speaker 1: You might saying some funny before, but you ain't no

150
00:08:03,520 --> 00:08:05,960
Speaker 1: to be label a comedian is honest.

151
00:08:07,680 --> 00:08:10,440
Speaker 3: You know. You gotta know that.

152
00:08:13,520 --> 00:08:16,760
Speaker 1: And you was the comedian for us, brocause a lot

153
00:08:16,800 --> 00:08:19,080
Speaker 1: of us roll to school with you. Well, you ain't

154
00:08:19,080 --> 00:08:21,280
Speaker 1: had no choice because you're gonna put what I'm saying,

155
00:08:21,640 --> 00:08:23,880
Speaker 1: but you'm on the show. You would be the ship

156
00:08:23,880 --> 00:08:25,480
Speaker 1: gonna sit in the back. See you're gonna listen to

157
00:08:25,680 --> 00:08:29,040
Speaker 1: you turn yeah, look out. But you would be the

158
00:08:29,080 --> 00:08:32,520
Speaker 1: reason that I'd be like what he gonna say? You

159
00:08:32,520 --> 00:08:35,560
Speaker 1: know what I'm saying, because we be and I'm not bragging.

160
00:08:35,679 --> 00:08:37,320
Speaker 1: When the time Jo on the show was on the end,

161
00:08:37,440 --> 00:08:39,800
Speaker 1: there was no show better than what we did, not

162
00:08:40,360 --> 00:08:44,880
Speaker 1: what we wouldn't have your word, I mean, you had

163
00:08:44,920 --> 00:08:47,960
Speaker 1: so many elements of the show. It's your word on Melvin,

164
00:08:48,200 --> 00:08:52,640
Speaker 1: come on, come on, George Wallace when his ass will

165
00:08:52,679 --> 00:08:59,400
Speaker 1: come on the show, Tavis smilet Free. So the elements

166
00:08:59,440 --> 00:09:02,960
Speaker 1: of the show so many, and it was that you listen,

167
00:09:03,120 --> 00:09:06,840
Speaker 1: you know, it was just it was just a great show.

168
00:09:06,920 --> 00:09:09,640
Speaker 1: Nothing there was nothing that could be us. Now Steve

169
00:09:09,800 --> 00:09:12,920
Speaker 1: was a bigger show. But I think the time John

170
00:09:12,920 --> 00:09:27,160
Speaker 1: the show is better. Show man.

171
00:09:27,880 --> 00:09:30,640
Speaker 4: How did y'all build your fan base back in the day,

172
00:09:30,679 --> 00:09:32,160
Speaker 4: Like when there wasn't no internet, It.

173
00:09:32,200 --> 00:09:35,000
Speaker 1: Wasn't no apps to get on. They wore cooking your

174
00:09:35,000 --> 00:09:39,160
Speaker 1: tickets to your comedy clubs that that already existed. By

175
00:09:39,200 --> 00:09:41,640
Speaker 1: the time I got into comedy, there was there was

176
00:09:41,960 --> 00:09:44,760
Speaker 1: the improv, there was there was always a club that

177
00:09:44,800 --> 00:09:51,720
Speaker 1: had some funny ass name like he He Ship like that,

178
00:09:51,800 --> 00:10:00,680
Speaker 1: you know, and they already had an audience because white

179
00:10:00,679 --> 00:10:03,480
Speaker 1: comics have been working for years in these clubs. Like

180
00:10:03,520 --> 00:10:05,880
Speaker 1: when I went to New York, I was surprised the

181
00:10:05,920 --> 00:10:09,240
Speaker 1: size of the audience that you know, they were already there.

182
00:10:09,600 --> 00:10:12,080
Speaker 1: So you had to learn how to navigate what you

183
00:10:12,120 --> 00:10:14,720
Speaker 1: were doing from the South as a black comedian into

184
00:10:14,800 --> 00:10:17,520
Speaker 1: a white club. So by the time you switch over

185
00:10:17,600 --> 00:10:19,720
Speaker 1: to all black clubs, all you know is how to

186
00:10:19,720 --> 00:10:22,320
Speaker 1: relate to white people. So that ship, they will let

187
00:10:22,400 --> 00:10:26,520
Speaker 1: you know right away that that ship ain't funny. And

188
00:10:26,520 --> 00:10:28,880
Speaker 1: and the worst thing for a comedian is you're gonna

189
00:10:28,920 --> 00:10:31,200
Speaker 1: learn if you get booed. You're gonna learn if you

190
00:10:31,200 --> 00:10:33,480
Speaker 1: get booed, you're gonna learn if you have a bad set.

191
00:10:33,840 --> 00:10:36,160
Speaker 1: And what you might do here might not work that night,

192
00:10:36,200 --> 00:10:37,880
Speaker 1: but did you go to some place next night that

193
00:10:37,920 --> 00:10:42,040
Speaker 1: should have worked? In reality? If we're all comedians, the

194
00:10:42,120 --> 00:10:46,280
Speaker 1: funniest thing for comedians is to watch another motherfucker bomb.

195
00:10:46,400 --> 00:11:05,960
Speaker 1: There's nothing funny like damn.

196
00:11:01,360 --> 00:11:03,240
Speaker 3: I make the crowd talking to you man.

197
00:11:05,000 --> 00:11:09,160
Speaker 1: Starting no moment. Take you out of that rules to

198
00:11:09,240 --> 00:11:12,000
Speaker 1: bomba the trip words, to come out of Bamba's law.

199
00:11:15,559 --> 00:11:16,760
Speaker 3: That crazy cra.

200
00:11:18,240 --> 00:11:24,200
Speaker 1: Crazy. So what y'all want to talk about? Give it up?

201
00:11:24,640 --> 00:11:29,360
Speaker 1: Give it up on the lad one, y'all don't get

202
00:11:29,360 --> 00:11:30,240
Speaker 1: it now, we got it.

203
00:11:30,600 --> 00:11:33,400
Speaker 3: We heard, we heard you ain't working.

204
00:11:35,920 --> 00:11:38,679
Speaker 1: The best ship be what motherfucker was doing? All right?

205
00:11:39,280 --> 00:11:41,839
Speaker 1: And they should have got the off. Yeah, they got that,

206
00:11:42,040 --> 00:11:51,800
Speaker 1: Ladd And didn't you know you got laugh to do it?

207
00:11:51,800 --> 00:11:54,080
Speaker 1: It will make them thinks. I've seen Ralphie made. He

208
00:11:54,120 --> 00:11:56,600
Speaker 1: did the time doing a cruise and he was doing

209
00:11:56,720 --> 00:12:00,720
Speaker 1: good and somehow I don't know. In the after his man,

210
00:12:01,400 --> 00:12:04,920
Speaker 1: and he said you need it. And when he said

211
00:12:04,920 --> 00:12:09,200
Speaker 1: that on the top joined the cool cruise and he

212
00:12:09,280 --> 00:12:16,360
Speaker 1: did people man, and now he don't with me. Never

213
00:12:16,400 --> 00:12:19,520
Speaker 1: to get boot on the boat. You don't step on.

214
00:12:21,000 --> 00:12:24,199
Speaker 1: You got to see them, see the people, you know.

215
00:12:25,600 --> 00:12:27,600
Speaker 1: He eating like two threats black in the morning because

216
00:12:27,600 --> 00:12:32,439
Speaker 1: he don't want to face nobody in the park. I said, no, man,

217
00:12:32,480 --> 00:12:34,400
Speaker 1: don't worry about it. Don't worry about it. Come back

218
00:12:34,440 --> 00:12:37,240
Speaker 1: the next night and do it again, do it again.

219
00:12:38,440 --> 00:12:44,160
Speaker 3: Again, because he said you what was he bombing?

220
00:12:44,200 --> 00:12:47,080
Speaker 1: And just said ship. I think I don't know what

221
00:12:47,120 --> 00:12:49,840
Speaker 1: then happened doing man, But he got boot twice. He

222
00:12:49,960 --> 00:12:51,439
Speaker 1: just wanted to try. He just wanted to see he

223
00:12:51,480 --> 00:12:54,800
Speaker 1: can do it. Why come kind of too so crossed

224
00:12:54,800 --> 00:12:57,080
Speaker 1: over into a black audience. They think it's almost that

225
00:12:57,120 --> 00:12:59,520
Speaker 1: they can say anything. Then there's a certain amount of

226
00:12:59,520 --> 00:13:01,720
Speaker 1: ship you can say. But then there's some ship you

227
00:13:01,760 --> 00:13:06,160
Speaker 1: can't say that, and they'll let you know what what

228
00:13:06,679 --> 00:13:13,640
Speaker 1: be lucky. He just got to see these people again.

229
00:13:13,920 --> 00:13:17,040
Speaker 1: Man on vacation drunk in the song bitch.

230
00:13:18,400 --> 00:13:22,079
Speaker 5: Man, I seen that when I was hosting throwbacks I've

231
00:13:22,080 --> 00:13:22,840
Speaker 5: seen this dude.

232
00:13:23,080 --> 00:13:25,240
Speaker 1: I can't even say he was a comedian. He bombed

233
00:13:25,280 --> 00:13:28,760
Speaker 1: so bad that this nigga started requesting people certain people

234
00:13:28,880 --> 00:13:32,280
Speaker 1: listening to his joke. I'm talking to the grown people.

235
00:13:35,240 --> 00:13:42,679
Speaker 6: Don't talking to the bron man.

236
00:13:42,760 --> 00:13:47,800
Speaker 1: The grown people's boring ship that if you if you've

237
00:13:47,840 --> 00:13:51,360
Speaker 1: ever been booed, I had a bad set, it's worse.

238
00:13:51,679 --> 00:13:53,640
Speaker 1: It's worse than the death in your feeling. Man. You

239
00:13:54,320 --> 00:13:57,400
Speaker 1: you feel that because it's like it seemed like the

240
00:13:57,520 --> 00:14:02,280
Speaker 1: drive home two days that should have made you not

241
00:14:02,440 --> 00:14:04,120
Speaker 1: want to do that ship no more. You're like, man,

242
00:14:04,880 --> 00:14:06,280
Speaker 1: they ain't respecting these ship.

243
00:14:08,160 --> 00:14:13,400
Speaker 3: You turned it to a New York. They can do

244
00:14:13,520 --> 00:14:13,880
Speaker 3: that ship.

245
00:14:14,360 --> 00:14:18,120
Speaker 1: I would like to see them track. No matter how

246
00:14:18,240 --> 00:14:21,120
Speaker 1: bad you bob, you're gonna get wooed. Motherfucking ago. Man,

247
00:14:21,160 --> 00:14:22,040
Speaker 1: I thought you were funny.

248
00:14:26,240 --> 00:14:26,880
Speaker 3: You ain't laughing.

249
00:14:27,040 --> 00:14:28,800
Speaker 1: Ain't let him keep you going?

250
00:14:29,400 --> 00:14:32,600
Speaker 2: Hey for ship or when they and when they tell

251
00:14:32,680 --> 00:14:34,320
Speaker 2: everybody around pressure.

252
00:14:34,080 --> 00:14:37,480
Speaker 1: Right here, hey, bro, keep doing your thing? He doing

253
00:14:40,720 --> 00:14:43,440
Speaker 1: no man. Niggas keep doing your things.

254
00:14:43,480 --> 00:14:49,080
Speaker 2: Man, Man, nigga congratulate around you born Hey boy, you're

255
00:14:49,160 --> 00:14:50,400
Speaker 2: the funny nigga.

256
00:14:51,960 --> 00:14:54,480
Speaker 1: You're like all the niggas, right here. Man, Hey, you

257
00:14:54,520 --> 00:14:58,520
Speaker 1: didn't talk to you and you're just up there saying

258
00:14:58,600 --> 00:15:02,160
Speaker 1: anything before you were frenny.

259
00:15:02,200 --> 00:15:04,160
Speaker 3: I don't know what you get. You a nigga that

260
00:15:04,280 --> 00:15:05,720
Speaker 3: in the crowd and thank you brother. He gonna let

261
00:15:05,760 --> 00:15:05,960
Speaker 3: you know.

262
00:15:07,520 --> 00:15:11,400
Speaker 1: The nigga you motherfuckers will give you advice and ship. Yeah, man,

263
00:15:11,720 --> 00:15:15,760
Speaker 1: you need to suit. You need to suit and you

264
00:15:15,840 --> 00:15:17,560
Speaker 1: need to work that stage. Yeah yeah, you can go

265
00:15:17,760 --> 00:15:19,880
Speaker 1: left and right, so you stay right now. You're holding

266
00:15:19,920 --> 00:15:23,800
Speaker 1: the mic. Wrong you over there, You put the mic

267
00:15:23,880 --> 00:15:30,840
Speaker 1: on your mouth. I was lasting, okay, yeah yeah you Hey,

268
00:15:31,120 --> 00:15:33,800
Speaker 1: you do your ship the worst people. The motherfucker give

269
00:15:33,840 --> 00:15:39,800
Speaker 1: you advice and then they go up there bomb watched

270
00:15:40,080 --> 00:15:41,280
Speaker 1: you nigga.

271
00:15:41,320 --> 00:15:43,440
Speaker 6: When I first got here, I had a nigga bring

272
00:15:43,560 --> 00:15:45,800
Speaker 6: me to it each my he'll comedian. I met him

273
00:15:45,840 --> 00:15:48,160
Speaker 6: on the joint. He going round telling people do this,

274
00:15:48,280 --> 00:15:50,800
Speaker 6: and he do. I go to uptime with this nigga

275
00:15:50,840 --> 00:15:51,920
Speaker 6: went dub hosting it.

276
00:15:52,200 --> 00:15:55,160
Speaker 1: He bombs. So I'm thinking I'm up next.

277
00:15:55,240 --> 00:15:57,520
Speaker 6: They gonna boo my ass too, because this nigga, I know,

278
00:15:57,600 --> 00:15:58,600
Speaker 6: he just a master man.

279
00:15:58,640 --> 00:16:03,640
Speaker 5: I want to kill hang this nigga. You telling everybody

280
00:16:03,720 --> 00:16:07,680
Speaker 5: this ship. They they used to host a whole lot

281
00:16:07,720 --> 00:16:09,600
Speaker 5: of rooms. I used to put motherfuckers up because I

282
00:16:09,680 --> 00:16:10,640
Speaker 5: knew they was gonna bomb.

283
00:16:10,720 --> 00:16:13,120
Speaker 1: And for how long you got another five or twenty minutes?

284
00:16:13,120 --> 00:16:14,760
Speaker 3: You want you want to see? You want to see

285
00:16:14,760 --> 00:16:15,440
Speaker 3: how long they're gonna do.

286
00:16:15,800 --> 00:16:19,320
Speaker 1: Sometimes you know they're gonna go first. They're gonna these

287
00:16:19,360 --> 00:16:21,920
Speaker 1: the motherfucker's gonna have to perform to some people get there,

288
00:16:22,680 --> 00:16:26,280
Speaker 1: but sometimes it's in there the less you're gonna bomb.

289
00:16:26,360 --> 00:16:28,000
Speaker 2: If you got back to bad Mama, they gonna come

290
00:16:28,080 --> 00:16:29,800
Speaker 2: up with the lab. B'm gonna come out of black

291
00:16:30,040 --> 00:16:31,280
Speaker 2: bro when you eat them.

292
00:16:32,000 --> 00:16:34,440
Speaker 1: Oh, they're gonna get together. They're gonna night. You didn't

293
00:16:34,440 --> 00:16:42,520
Speaker 1: know how both of them bomb. You ain't no way

294
00:16:42,560 --> 00:16:43,360
Speaker 1: all of us bomb.

295
00:16:43,520 --> 00:16:44,440
Speaker 3: But we find.

296
00:16:46,080 --> 00:16:49,080
Speaker 1: Is watching two motherfuckers who bombs argue with each other.

297
00:16:49,160 --> 00:16:54,800
Speaker 3: Nigga, you bomb you all me? They laugh. I had

298
00:16:54,880 --> 00:16:55,600
Speaker 3: them to the end.

299
00:16:57,320 --> 00:17:01,400
Speaker 4: This before at the mom let's start a fight between

300
00:17:01,480 --> 00:17:05,560
Speaker 4: two comedians and them without about common club.

301
00:17:05,600 --> 00:17:10,960
Speaker 1: I'm here to tell you that the bigger fights I

302
00:17:11,080 --> 00:17:14,640
Speaker 1: ever had in the club was between comedians. Yeah, not man.

303
00:17:15,359 --> 00:17:17,720
Speaker 1: We got for the people that don't know you own

304
00:17:18,040 --> 00:17:20,880
Speaker 1: the Jays fight. How long hold on watch this? Hey?

305
00:17:20,920 --> 00:17:23,320
Speaker 1: Welcome back to the eighty fast self Show. Come on, man,

306
00:17:23,520 --> 00:17:27,880
Speaker 1: come on man, that's where you go. Let's got that's

307
00:17:27,920 --> 00:17:29,800
Speaker 1: how you do it, because let's go. We got a

308
00:17:29,880 --> 00:17:32,080
Speaker 1: legend in here with us today. Man, and we ain't

309
00:17:32,119 --> 00:17:34,359
Speaker 1: even gonna hold you because this is a question, man,

310
00:17:34,440 --> 00:17:35,400
Speaker 1: we gotta ask.

311
00:17:35,359 --> 00:17:40,320
Speaker 3: None other then mister j Anthony, let tramp.

312
00:17:40,600 --> 00:17:42,760
Speaker 1: Let me go with the eighty five show.

313
00:17:42,960 --> 00:17:57,840
Speaker 3: Motherfucker took back.

314
00:18:00,200 --> 00:18:01,200
Speaker 1: To get signed the motown.

315
00:18:01,840 --> 00:18:03,040
Speaker 3: Now I'm trying to get a deal.

316
00:18:04,800 --> 00:18:08,440
Speaker 1: First of all, we welcome to any fistulf man when

317
00:18:08,480 --> 00:18:10,760
Speaker 1: George and mine was here, but I really didn't want

318
00:18:10,800 --> 00:18:15,119
Speaker 1: to be on with George so great, y'all got a

319
00:18:15,119 --> 00:18:18,359
Speaker 1: little hate ladyship. You gotn't want the water. Yeah, oh

320
00:18:18,560 --> 00:18:20,760
Speaker 1: you're real. You bought your office with you. I bought

321
00:18:20,800 --> 00:18:23,240
Speaker 1: some stuff for y'all. Man about gifts, I'm a man,

322
00:18:23,400 --> 00:18:26,040
Speaker 1: I've got lots of Did they bring you on anything?

323
00:18:26,160 --> 00:18:27,480
Speaker 3: You parson that bought a brief?

324
00:18:27,560 --> 00:18:30,439
Speaker 1: Dam we brought you. We got for you. Everybody got

325
00:18:30,760 --> 00:18:33,600
Speaker 1: the old lady that Yeah, I know, you got a

326
00:18:33,680 --> 00:18:37,360
Speaker 1: girl that's hot, old lady, old lady, and you got

327
00:18:37,400 --> 00:18:40,080
Speaker 1: about one hundred flavors of hot sauce. Now, only about

328
00:18:41,200 --> 00:18:45,240
Speaker 1: my own wine. That him owners God damn bron every day. Man,

329
00:18:45,640 --> 00:18:49,840
Speaker 1: stop a freaking over that my wine. Then the motherfucker

330
00:18:50,800 --> 00:18:58,600
Speaker 1: got the moon moved and everything. I got my hot

331
00:18:58,680 --> 00:19:00,920
Speaker 1: saunce you go. I knew you had some hot suck.

332
00:19:01,280 --> 00:19:07,200
Speaker 1: He got about an you. But laugh and not least

333
00:19:07,520 --> 00:19:13,920
Speaker 1: is week my nuts. Don't be like that. Don't be

334
00:19:14,280 --> 00:19:15,639
Speaker 1: like that, man. I'm trying to.

335
00:19:15,720 --> 00:19:22,280
Speaker 3: Move some nuts. No, no, no, no, y'all.

336
00:19:27,080 --> 00:19:33,359
Speaker 1: The ship. Now I pull out the nuts. He's gonna

337
00:19:33,359 --> 00:19:35,200
Speaker 1: open them talking about let me talk something in your mouth.

338
00:19:35,640 --> 00:19:36,520
Speaker 1: I'm gonna leave him right.

339
00:19:36,520 --> 00:19:37,800
Speaker 3: No, he's gonna get with the hot so.

340
00:19:39,760 --> 00:19:42,560
Speaker 1: I got I don't even right. You can pick what

341
00:19:42,680 --> 00:19:47,639
Speaker 1: you want to got hot nuts. I got sweet nuts.

342
00:19:49,119 --> 00:19:57,720
Speaker 1: Let me get some nothing. Nuts is most important, salting nuts.

343
00:20:00,200 --> 00:20:03,520
Speaker 1: You've been hustling, man, you've been shirts.

344
00:20:03,680 --> 00:20:05,760
Speaker 3: Yeah, because you put your face on there.

345
00:20:05,880 --> 00:20:10,840
Speaker 1: Yeah, ego, okay, you if I remember correctly, you had

346
00:20:10,880 --> 00:20:12,800
Speaker 1: a line of times too. I had no. I had

347
00:20:12,920 --> 00:20:15,240
Speaker 1: my own line, that's right, because I was gonna be

348
00:20:15,280 --> 00:20:17,680
Speaker 1: a designer. That's crazy. I remember him.

349
00:20:18,760 --> 00:20:19,439
Speaker 3: Yeah, I had him.

350
00:20:19,960 --> 00:20:31,600
Speaker 1: Yeah, ego, that's my work. Yeah, put it all on. Okay,

351
00:20:31,760 --> 00:20:34,360
Speaker 1: you do that. I do that. Yeah, if it's too big,

352
00:20:34,480 --> 00:20:43,360
Speaker 1: just wash it water to your hand puppet. I think,

353
00:20:43,560 --> 00:20:47,120
Speaker 1: did I get my own T shirt? Nig stupid? Yeah? Yeah,

354
00:20:47,160 --> 00:20:50,399
Speaker 1: I give her own T shirty teaching peppers. Do know

355
00:20:50,520 --> 00:20:53,359
Speaker 1: that was not hot? That's just that's really good, really

356
00:20:53,400 --> 00:21:01,119
Speaker 1: really good. What made you get in the hot sauce business?

357
00:21:01,320 --> 00:21:04,040
Speaker 1: Because when I want to do the club, my son said,

358
00:21:04,160 --> 00:21:06,200
Speaker 1: you know, once you come up with something that you

359
00:21:06,280 --> 00:21:09,000
Speaker 1: could give the club. If the thing about clubs back

360
00:21:09,040 --> 00:21:11,200
Speaker 1: in the day was if the if the if the

361
00:21:11,280 --> 00:21:14,080
Speaker 1: help like you, they would they would suggest that you

362
00:21:14,200 --> 00:21:16,439
Speaker 1: come back right. So if you treat the help right,

363
00:21:16,520 --> 00:21:18,600
Speaker 1: they said, what you bring back such and such. So

364
00:21:19,760 --> 00:21:22,680
Speaker 1: I found this company in Florida that would make take

365
00:21:22,800 --> 00:21:24,760
Speaker 1: you know, your recipes or whatever you want to and

366
00:21:24,840 --> 00:21:27,760
Speaker 1: they're making your own Laby's called private labeling, you know,

367
00:21:27,880 --> 00:21:30,240
Speaker 1: which I always encourage anybody to do. If you're doing

368
00:21:30,320 --> 00:21:32,600
Speaker 1: T shirts or whatever, you can put your name on anything,

369
00:21:33,000 --> 00:21:36,359
Speaker 1: hot chicken, whatever. It's called private labeling. So you just

370
00:21:36,440 --> 00:21:38,560
Speaker 1: look for what it is you want to sell and

371
00:21:38,680 --> 00:21:40,800
Speaker 1: you find a company that will do private labeling, and

372
00:21:40,840 --> 00:21:43,240
Speaker 1: they'll put your name on it and they'll make it

373
00:21:43,359 --> 00:21:46,040
Speaker 1: for you. And either they either you send it out yourself.

374
00:21:46,080 --> 00:21:48,720
Speaker 1: So I found this hot sauce company, so Hot Sauce Sam,

375
00:21:49,240 --> 00:21:51,480
Speaker 1: and they made me about four flavors. But the first

376
00:21:51,520 --> 00:21:55,360
Speaker 1: one was it's called Hotter than the Mofo and it's

377
00:21:55,440 --> 00:21:57,760
Speaker 1: really fucking hot. I mean I didn't even bring that way.

378
00:21:57,920 --> 00:21:59,679
Speaker 1: That was really hot. So we would go to these

379
00:21:59,760 --> 00:22:01,480
Speaker 1: hot sauce shows. A lot of people don't know because

380
00:22:01,480 --> 00:22:04,200
Speaker 1: they have a hot Sauce show. It be four or

381
00:22:04,200 --> 00:22:10,680
Speaker 1: five thousand people that easily tasting it hot sauce, like

382
00:22:10,800 --> 00:22:14,679
Speaker 1: Hot Sauce Convention as a hot sauce Yeah, but they

383
00:22:14,800 --> 00:22:20,840
Speaker 1: eat it and like and like got it ship It'll

384
00:22:20,880 --> 00:22:23,520
Speaker 1: burn your hands. But they'd be like, yeah, it's got

385
00:22:23,640 --> 00:22:24,159
Speaker 1: some flighting.

386
00:22:25,520 --> 00:22:26,280
Speaker 3: So I went.

387
00:22:26,400 --> 00:22:29,440
Speaker 1: I went to the Hot sau show and nobody came

388
00:22:29,520 --> 00:22:32,119
Speaker 1: to my table. Nobody came to my table, and so

389
00:22:32,359 --> 00:22:34,680
Speaker 1: I said, fucking I got my buddy to make this

390
00:22:34,840 --> 00:22:39,960
Speaker 1: costume for me, the Mofo Man. The next year, I

391
00:22:40,080 --> 00:22:42,280
Speaker 1: sold so much funking Hot Sauce Man, because everybody wanted

392
00:22:42,280 --> 00:22:45,160
Speaker 1: to take a picture. And that's what selling is. It's

393
00:22:45,280 --> 00:22:51,560
Speaker 1: pretty much with that suit on, Yeah, I'm making my

394
00:22:51,640 --> 00:22:55,359
Speaker 1: whole Hey man, get off this nuts you know yea,

395
00:22:55,480 --> 00:23:00,720
Speaker 1: hold my nuts right man, nuts around.

396
00:23:02,480 --> 00:23:02,640
Speaker 2: Now.

397
00:23:02,680 --> 00:23:03,600
Speaker 1: I don't even want to talk.

398
00:23:08,040 --> 00:23:11,960
Speaker 3: And I'm over here here, I'm already another.

399
00:23:13,640 --> 00:23:19,080
Speaker 1: Eminem. Okay, okay, but what is he right here? That's

400
00:23:19,440 --> 00:23:23,160
Speaker 1: that's my wine. Put the house on it. That's my one.

401
00:23:23,920 --> 00:23:26,119
Speaker 3: Who you boy, it's not finish?

402
00:23:26,200 --> 00:23:31,240
Speaker 1: TikTok? How long you've been doing I started the first

403
00:23:31,280 --> 00:23:34,959
Speaker 1: time I went on stage, first time I ever went

404
00:23:35,040 --> 00:23:37,800
Speaker 1: on stage. That bomb so fucking bad. First time I

405
00:23:37,840 --> 00:23:40,439
Speaker 1: went on stage, I was eighteen years old. My next birthday,

406
00:23:40,440 --> 00:23:41,240
Speaker 1: I'll be seventy three.

407
00:23:43,280 --> 00:23:48,880
Speaker 6: Comebo, have your power, your pier.

408
00:23:49,640 --> 00:23:57,600
Speaker 1: But the game it's changed so much about fifty five years, yes, sir, Yeah, yeah,

409
00:23:57,800 --> 00:23:59,560
Speaker 1: I mean it's been great for me. I mean I've

410
00:23:59,600 --> 00:24:05,359
Speaker 1: been Blackie. I wrote on the Our Senior Hall. I

411
00:24:05,400 --> 00:24:07,760
Speaker 1: wrote for Steve Holley, I wrote for Simbad, I wrote

412
00:24:07,800 --> 00:24:12,440
Speaker 1: for George. I wrote on Robert Townsend Show. But I

413
00:24:12,640 --> 00:24:14,960
Speaker 1: mean even terms with Steve. Steve and I we met

414
00:24:15,000 --> 00:24:18,760
Speaker 1: each other in Lafayette, Louisiana. Neither one of us was

415
00:24:19,000 --> 00:24:21,639
Speaker 1: doing shit, so we just hooked up and became friends.

416
00:24:22,000 --> 00:24:25,359
Speaker 1: He gets his show, and he stood up for me.

417
00:24:25,440 --> 00:24:27,399
Speaker 1: He really didn't. He said it was another guy by

418
00:24:27,440 --> 00:24:29,400
Speaker 1: the name of Raean McDonald. Look you heard her name,

419
00:24:29,440 --> 00:24:31,760
Speaker 1: I know you know. Ra Sean and so Steve were

420
00:24:31,800 --> 00:24:34,080
Speaker 1: in the office and Steve said, I'm gonna do the show.

421
00:24:34,160 --> 00:24:35,600
Speaker 1: The show is called Me and the Boys. He said,

422
00:24:35,640 --> 00:24:37,880
Speaker 1: I'm gonna do the show, but if you don't take

423
00:24:37,960 --> 00:24:40,200
Speaker 1: these two guys, then I'm not gonna do the show.

424
00:24:40,359 --> 00:24:42,439
Speaker 1: And he didn't have to do that. Now he had

425
00:24:42,560 --> 00:24:46,639
Speaker 1: fired me three times. But fuck that. He gave me.

426
00:24:47,240 --> 00:24:49,600
Speaker 1: He gave me a shot as a writer on the show.

427
00:24:50,200 --> 00:24:52,040
Speaker 1: And that was a big move for us. That was

428
00:24:52,160 --> 00:24:54,240
Speaker 1: I mean, that changed the game to write because I'd

429
00:24:54,280 --> 00:24:57,120
Speaker 1: already been writing jokes for our senior but to write

430
00:24:57,200 --> 00:24:59,960
Speaker 1: as a writer on the show, that changed the game.

431
00:25:00,080 --> 00:25:03,439
Speaker 1: And that was because of Steve. Yeah. Yeah, he did

432
00:25:03,560 --> 00:25:07,320
Speaker 1: us all the solid man. So shout out to Steve. Yeah. So,

433
00:25:07,440 --> 00:25:09,360
Speaker 1: how did you transition? For like you said, you tell

434
00:25:09,359 --> 00:25:10,440
Speaker 1: your first fifteen.

435
00:25:10,160 --> 00:25:12,920
Speaker 2: In the white, white crowd and then now you started

436
00:25:12,920 --> 00:25:13,720
Speaker 2: to see the black club.

437
00:25:14,480 --> 00:25:15,359
Speaker 3: How did you transit?

438
00:25:15,960 --> 00:25:18,960
Speaker 1: It was a It was a rough transition. It was

439
00:25:19,040 --> 00:25:22,119
Speaker 1: a lot. I would go to the comedy theater and

440
00:25:22,359 --> 00:25:25,760
Speaker 1: it'd be all black audience and and I would use

441
00:25:25,800 --> 00:25:29,359
Speaker 1: the phrase you how you guys doing, and they're like, Nigga,

442
00:25:30,040 --> 00:25:35,480
Speaker 1: who the are you calling you guys? It was it

443
00:25:35,560 --> 00:25:37,800
Speaker 1: was a learning process. It was a learning process and

444
00:25:37,920 --> 00:25:42,360
Speaker 1: the respect. Yeah as a black comedian, you'll you'll see

445
00:25:42,480 --> 00:25:47,600
Speaker 1: all black audiences now when you didn't see when the Yeah,

446
00:25:47,880 --> 00:25:49,639
Speaker 1: so I had to learn how to do it.

447
00:25:49,920 --> 00:25:50,720
Speaker 3: Why did that comeing?

448
00:25:50,760 --> 00:25:54,119
Speaker 2: Because everybody just can't get that job, that hosting gi

449
00:25:54,880 --> 00:25:55,560
Speaker 2: I didn't.

450
00:25:55,480 --> 00:25:57,520
Speaker 6: Take us through the process when it was like, it

451
00:25:57,760 --> 00:25:58,560
Speaker 6: wasn't an audition.

452
00:25:58,840 --> 00:25:59,960
Speaker 3: Did they call your phone?

453
00:26:00,400 --> 00:26:04,920
Speaker 1: Captain Hughes, who was in charge of Comic View, would

454
00:26:04,960 --> 00:26:08,359
Speaker 1: come on the Tom Jones Show, and I asked her

455
00:26:08,560 --> 00:26:10,480
Speaker 1: what they're looking for a host because they would change

456
00:26:10,560 --> 00:26:13,920
Speaker 1: hosts each season. And so that's how I got the job.

457
00:26:14,840 --> 00:26:16,600
Speaker 1: A lot of the times I got ship was luck

458
00:26:17,040 --> 00:26:19,040
Speaker 1: or being in the right place at the right time.

459
00:26:19,200 --> 00:26:21,520
Speaker 1: You know. The way I got on the Arsenior Hall

460
00:26:21,640 --> 00:26:24,639
Speaker 1: Show was our senior at that time had two writers.

461
00:26:24,720 --> 00:26:27,280
Speaker 1: You only had two writers. One one by the name

462
00:26:27,320 --> 00:26:30,399
Speaker 1: of Paul playing Barry. I can't remember his name, but

463
00:26:30,640 --> 00:26:33,040
Speaker 1: I'm in Hollywood. He said, man, come over for lunch.

464
00:26:33,040 --> 00:26:34,879
Speaker 1: We're gonna write to my law and then we can

465
00:26:34,960 --> 00:26:37,320
Speaker 1: go to lunch. So they're writing the jokes and shit,

466
00:26:37,800 --> 00:26:41,280
Speaker 1: and you know, hear something funny, you won't you say this? Like?

467
00:26:41,400 --> 00:26:44,560
Speaker 1: Can I use that? Put it in? So Paul says,

468
00:26:44,920 --> 00:26:46,639
Speaker 1: you can do this. I'm like, man, I can't, you

469
00:26:46,720 --> 00:26:48,760
Speaker 1: know right, I can't spell and I can't fucking type.

470
00:26:49,400 --> 00:26:51,399
Speaker 1: So he said, well, I'll type your jokes up for

471
00:26:51,520 --> 00:26:53,840
Speaker 1: you and I'll send them to our senio. So I

472
00:26:54,680 --> 00:26:56,560
Speaker 1: wrote some jokes and sent in our citio and I'm

473
00:26:56,600 --> 00:26:59,320
Speaker 1: in Kentucky and Paul calls me on the phone. He says,

474
00:26:59,520 --> 00:27:02,159
Speaker 1: our senior was gonna do your joke tonight. I'm like what,

475
00:27:02,760 --> 00:27:04,359
Speaker 1: So he did the joke. Now I'm gonna tell you

476
00:27:04,400 --> 00:27:06,520
Speaker 1: the joke. Just trust me. This is twenty years ago,

477
00:27:06,640 --> 00:27:09,600
Speaker 1: so the ship might not be funny now, right, okay,

478
00:27:09,680 --> 00:27:13,040
Speaker 1: so prepare yourself. Don't be like, that's the fucking joke

479
00:27:13,160 --> 00:27:21,560
Speaker 1: right way. That the joke was LaToya Jackson did a

480
00:27:21,680 --> 00:27:26,680
Speaker 1: spread and Playboy magazine, right, So I wrote a joke

481
00:27:26,760 --> 00:27:30,240
Speaker 1: where Arsenio says, y'all heard about Latinia Jackson just spreading

482
00:27:30,280 --> 00:27:34,520
Speaker 1: and playboar magazine to be popular, and Arsenio says, I

483
00:27:34,640 --> 00:27:36,879
Speaker 1: want to be popular too, but I don't want to

484
00:27:36,920 --> 00:27:39,760
Speaker 1: be butt assnicking on a Harley Davidson. Okay, back then

485
00:27:39,840 --> 00:27:43,120
Speaker 1: that was funny as fun right now, I filled the room.

486
00:27:48,760 --> 00:27:51,080
Speaker 1: But I told y'all before I said it then it

487
00:27:51,160 --> 00:27:56,800
Speaker 1: wasn't gonna be ship the other joke, because I remember

488
00:27:56,880 --> 00:28:01,280
Speaker 1: the LaToya spread, Harley. It was a spreading. It was

489
00:28:01,320 --> 00:28:02,080
Speaker 1: a spread, a crossing.

490
00:28:02,800 --> 00:28:05,160
Speaker 2: You weren't seeing no assitated magazine.

491
00:28:05,680 --> 00:28:07,680
Speaker 1: Yes you wor yes you work.

492
00:28:08,520 --> 00:28:10,520
Speaker 2: No, I know I ain't saying like you wasn't, but

493
00:28:10,600 --> 00:28:12,639
Speaker 2: I'm like, it was like it was fascinating.

494
00:28:13,040 --> 00:28:18,280
Speaker 1: That was the Instagram. The magazine was the Instagram. Back

495
00:28:18,560 --> 00:28:22,359
Speaker 1: what I'm saying now, it's on your phone as on

496
00:28:22,440 --> 00:28:27,359
Speaker 1: your mad somewhere. No, you didn't have to do that.

497
00:28:27,520 --> 00:28:30,399
Speaker 1: They had ass magazines where they didn't even put no articles.

498
00:28:30,440 --> 00:28:34,280
Speaker 3: It was just that, yeah, you had.

499
00:28:36,840 --> 00:28:39,200
Speaker 1: Dum like get.

500
00:28:39,240 --> 00:28:41,920
Speaker 3: I was like back then, I looked.

501
00:28:41,960 --> 00:28:47,000
Speaker 6: I was like, man, the old nigga he talked about

502
00:28:47,000 --> 00:28:48,280
Speaker 6: what you would h rabbling.

503
00:28:55,000 --> 00:28:58,560
Speaker 3: That word. I was like, na, like you nobody.

504
00:29:00,440 --> 00:29:05,000
Speaker 4: My first Playboy magazine was China from from the Always

505
00:29:06,400 --> 00:29:08,200
Speaker 4: Got Day The Strongest.

506
00:29:11,000 --> 00:29:20,240
Speaker 6: I'm like China, I'm like that, you go.

507
00:29:20,440 --> 00:29:22,360
Speaker 1: I just can't forget that's the first one.

508
00:29:23,640 --> 00:29:24,920
Speaker 3: He was like, I got some funny son.

509
00:29:25,680 --> 00:29:27,400
Speaker 1: It was the more niggave interest in there. It wasn't

510
00:29:27,440 --> 00:29:32,280
Speaker 1: just strong. Yeah, it's a lot more. You didn't got

511
00:29:32,320 --> 00:29:37,240
Speaker 1: to do movies, TV, radio, Internet, what's what's yours?

512
00:29:37,640 --> 00:29:41,960
Speaker 7: Cruises? What's your favorite ship? Out of all of the radio? Yeah,

513
00:29:42,280 --> 00:29:46,640
Speaker 7: everybody the radio, radio, radio, man radio. I mean when

514
00:29:46,680 --> 00:29:48,320
Speaker 7: I did the show with Tim Johner, I was living

515
00:29:48,360 --> 00:29:50,440
Speaker 7: in l A. So that meant the show came on

516
00:29:50,480 --> 00:29:53,400
Speaker 7: at six o'clock. Tom was living in Dallas.

517
00:29:53,440 --> 00:29:56,160
Speaker 1: I'm in l A. That means I gotta be in

518
00:29:56,320 --> 00:29:58,880
Speaker 1: my seat at three o'clock in the morning, right three

519
00:29:58,920 --> 00:30:00,680
Speaker 1: o'clock in the morning. And and you got to be

520
00:30:00,800 --> 00:30:01,400
Speaker 1: wide open.

521
00:30:01,920 --> 00:30:02,080
Speaker 3: Now.

522
00:30:02,280 --> 00:30:04,000
Speaker 1: The other thing is a lot of comics who do

523
00:30:04,200 --> 00:30:07,720
Speaker 1: stand up they can't do radio. They just once that

524
00:30:08,080 --> 00:30:10,200
Speaker 1: might cut something, because you gotta know, radio is like

525
00:30:10,520 --> 00:30:13,280
Speaker 1: we going the commercial in a minute, motherfucker. What you

526
00:30:13,400 --> 00:30:16,000
Speaker 1: got to say? You got to get in and get out.

527
00:30:16,280 --> 00:30:19,280
Speaker 1: And so by doing that show, it made me, you know,

528
00:30:19,640 --> 00:30:23,200
Speaker 1: really good on the show. Radio is the best. There's

529
00:30:23,280 --> 00:30:26,120
Speaker 1: nothing like radio, nothing like but this is this is

530
00:30:26,160 --> 00:30:28,680
Speaker 1: a former radio. You can do and say whatever it

531
00:30:28,800 --> 00:30:31,400
Speaker 1: is you want this just change the game and then

532
00:30:31,440 --> 00:30:33,320
Speaker 1: it change the game. You can do this in your home.

533
00:30:33,400 --> 00:30:36,320
Speaker 1: You don't need you don't need a studio to okay

534
00:30:36,440 --> 00:30:39,880
Speaker 1: for you to get out and meet the masses anymore. Yeah.

535
00:30:40,040 --> 00:30:42,520
Speaker 1: So yeah, radio for me is the best bill your audience.

536
00:30:42,640 --> 00:30:47,640
Speaker 1: Build your authentic audience with your boys. That's why we're here.

537
00:30:48,560 --> 00:30:53,760
Speaker 3: Well, we're fucking here, man, We're here, man, we're here.

538
00:30:54,560 --> 00:30:56,000
Speaker 1: I'm telling you we.

539
00:30:56,000 --> 00:30:58,480
Speaker 2: Appreciate you know every time we had like icons and legends.

540
00:30:58,520 --> 00:31:01,200
Speaker 3: Man, we appreciate everything you did in game. And that

541
00:31:01,440 --> 00:31:03,560
Speaker 3: that what paying dudes is when we.

542
00:31:03,680 --> 00:31:06,560
Speaker 2: Recognize people that did it before us. Like we understand

543
00:31:06,600 --> 00:31:08,360
Speaker 2: the social media. We understand social media.

544
00:31:08,400 --> 00:31:09,200
Speaker 4: I gotta give you flowers.

545
00:31:09,440 --> 00:31:10,959
Speaker 3: We understand how social media is here.

546
00:31:11,040 --> 00:31:12,760
Speaker 1: So we got to use that to our advantage.

547
00:31:13,080 --> 00:31:19,800
Speaker 2: But once you're labeled a comedian earned, you have to

548
00:31:19,920 --> 00:31:20,200
Speaker 2: earn it.

549
00:31:21,200 --> 00:31:24,080
Speaker 3: That shit not giving. You just can't be like, I'm

550
00:31:24,080 --> 00:31:24,600
Speaker 3: a comedian.

551
00:31:24,720 --> 00:31:27,480
Speaker 1: That sh that sh was it was that was labeled

552
00:31:27,480 --> 00:31:27,640
Speaker 1: on me.

553
00:31:28,200 --> 00:31:31,400
Speaker 3: Me, I don't know. I didn't know what it was.

554
00:31:32,320 --> 00:31:33,120
Speaker 3: It was my calling.

555
00:31:33,200 --> 00:31:36,280
Speaker 1: But before I had them say I accepted, I gotta

556
00:31:36,280 --> 00:31:36,920
Speaker 1: go work for it.

557
00:31:37,920 --> 00:31:40,680
Speaker 3: Once I worked for it, I would like let me

558
00:31:40,760 --> 00:31:41,000
Speaker 3: get that.

559
00:31:41,280 --> 00:31:43,320
Speaker 2: Yeah, because now I see that, I see that, I

560
00:31:43,400 --> 00:31:44,000
Speaker 2: see the pace.

561
00:31:44,320 --> 00:31:46,080
Speaker 3: But it's fun and the artwork.

562
00:31:46,200 --> 00:31:50,400
Speaker 2: So everything you've done it helps you, know what I'm saying,

563
00:31:50,440 --> 00:31:52,240
Speaker 2: broke down barriers for for guys like me.

564
00:31:52,400 --> 00:31:54,200
Speaker 1: That was the thing when I first started, when I

565
00:31:54,400 --> 00:31:56,320
Speaker 1: when I would move to l A. You know, when

566
00:31:56,360 --> 00:31:58,960
Speaker 1: you and the same thing everybody probably has that you

567
00:31:59,080 --> 00:32:01,520
Speaker 1: meet somebody who's been in the game longer than you.

568
00:32:02,120 --> 00:32:04,360
Speaker 1: You don't want money from him, or maybe you might

569
00:32:04,400 --> 00:32:07,160
Speaker 1: want some money from motherfucker. You just want a friend

570
00:32:07,280 --> 00:32:09,280
Speaker 1: or somebody to say, hey, I did this and I

571
00:32:09,400 --> 00:32:12,520
Speaker 1: did it like that, And that's the knowledge in terms

572
00:32:12,560 --> 00:32:14,680
Speaker 1: of the game that will help you a lot. But

573
00:32:14,840 --> 00:32:18,320
Speaker 1: sometimes you're not gonna get that until other comedians accept

574
00:32:18,360 --> 00:32:20,680
Speaker 1: you as being funny. Now they might not say shit

575
00:32:20,800 --> 00:32:23,520
Speaker 1: to you. You go up and be funny. Now you're

576
00:32:23,520 --> 00:32:25,960
Speaker 1: in the click. But if you ain't funny, they ain't

577
00:32:26,000 --> 00:32:29,520
Speaker 1: fucking with your You ain't any you.

578
00:32:30,400 --> 00:32:31,280
Speaker 3: You ain't any click.

579
00:32:32,200 --> 00:32:35,960
Speaker 1: Say you go on stage and improve yourself and rip

580
00:32:36,040 --> 00:32:39,120
Speaker 1: that motherfucker up, and I would bomb. So I would

581
00:32:39,200 --> 00:32:41,000
Speaker 1: like to play. I remember I did a show at

582
00:32:41,080 --> 00:32:44,080
Speaker 1: Rodney Daniel Fields in New York I was gonna take

583
00:32:44,120 --> 00:32:47,040
Speaker 1: a TV show the next day. So I go up

584
00:32:47,080 --> 00:32:48,560
Speaker 1: and the guy said, we're gonna put you on the

585
00:32:48,600 --> 00:32:51,760
Speaker 1: first show. So I'm going on the first show. A bomb,

586
00:32:52,360 --> 00:32:56,520
Speaker 1: I mean really fucking bomb. I mean, like like I

587
00:32:56,680 --> 00:32:59,960
Speaker 1: even just thinking about the ship right now. She heard

588
00:33:00,040 --> 00:33:04,160
Speaker 1: it comes back. So he said, well, maybe you shouldn't

589
00:33:04,160 --> 00:33:06,160
Speaker 1: go first, you go on second show. You should be

590
00:33:06,280 --> 00:33:11,239
Speaker 1: up second. So I go up second, bomb again. He said, well,

591
00:33:11,400 --> 00:33:13,560
Speaker 1: I think what you do is just stronger than with

592
00:33:13,720 --> 00:33:16,640
Speaker 1: everybody else. You need to close the show.

593
00:33:17,080 --> 00:33:17,880
Speaker 3: Got tell.

594
00:33:18,240 --> 00:33:22,040
Speaker 1: I bombed again. Man, But those three bombs. By the

595
00:33:22,120 --> 00:33:24,320
Speaker 1: time I did the TV show, I was ready because

596
00:33:24,320 --> 00:33:26,640
Speaker 1: I bombed three times that I ain't gonna bomb for

597
00:33:26,800 --> 00:33:31,560
Speaker 1: fucking so that. But it makes you a comedian. That

598
00:33:31,720 --> 00:33:35,440
Speaker 1: bombing makes you. You know, it's it's a hurting. You

599
00:33:35,480 --> 00:33:36,240
Speaker 1: gotta bring that dog.

600
00:33:36,280 --> 00:33:36,960
Speaker 3: You gotta be a dog.

601
00:33:37,760 --> 00:33:38,520
Speaker 6: You gotta see.

602
00:33:38,600 --> 00:33:41,280
Speaker 2: You got to know that that's capable, it's possible.

603
00:33:41,720 --> 00:33:43,640
Speaker 3: So you gotta go out there and be like on

604
00:33:43,960 --> 00:33:44,880
Speaker 3: your ship.

605
00:33:46,280 --> 00:33:50,920
Speaker 1: That drive home after a bomb? MANO bomb or it

606
00:33:51,040 --> 00:33:53,520
Speaker 1: was well, what it was was it was Prime Knight,

607
00:33:54,040 --> 00:33:56,680
Speaker 1: A bunch of white kids all prime night. I can

608
00:33:56,760 --> 00:34:00,520
Speaker 1: see these motherfuckers now, man, like high school school? Yeah,

609
00:34:00,560 --> 00:34:05,080
Speaker 1: high school problem? Real you prom you was up there supervisors.

610
00:34:05,160 --> 00:34:11,480
Speaker 3: They are white, see all white comedians.

611
00:34:11,480 --> 00:34:20,000
Speaker 1: They they ain't gonna see my is this god me?

612
00:34:20,520 --> 00:34:23,160
Speaker 1: Everybody crowd like I went. I went, I did show

613
00:34:23,920 --> 00:34:28,520
Speaker 1: goes out, relaxed. You here, you know that's something. So

614
00:34:28,600 --> 00:34:31,960
Speaker 1: they put me on the sholve. I got heckled so

615
00:34:32,040 --> 00:34:34,319
Speaker 1: bad by these kids who were sitting in the front.

616
00:34:34,480 --> 00:34:36,600
Speaker 1: The way they were heckling me was every time I

617
00:34:36,640 --> 00:34:40,279
Speaker 1: would saying word, these motherfuckers would repeat it. Right. I'm like,

618
00:34:40,400 --> 00:34:41,080
Speaker 1: you ever go to the store.

619
00:34:41,120 --> 00:34:42,000
Speaker 3: You go to the store.

620
00:34:47,760 --> 00:34:48,640
Speaker 1: That's aggravating.

621
00:34:49,560 --> 00:34:50,359
Speaker 3: You want more?

622
00:34:50,440 --> 00:34:51,120
Speaker 1: I hate myself.

623
00:34:51,160 --> 00:34:52,400
Speaker 3: I hate myself.

624
00:34:53,640 --> 00:34:55,800
Speaker 1: I was in the store. I was in the store.

625
00:34:56,239 --> 00:34:58,680
Speaker 1: I had the motherfucker on the side on stretch man.

626
00:34:58,800 --> 00:35:02,120
Speaker 1: The group ain't ready to live. Yeah, but a bad

627
00:35:02,200 --> 00:35:04,839
Speaker 1: show and a bad experience make you better. It makes

628
00:35:04,880 --> 00:35:07,480
Speaker 1: you better. Yeah, you gotta have the nights.

629
00:35:07,280 --> 00:35:11,080
Speaker 4: Man, especially if you ain't talking about quit gotta give

630
00:35:11,680 --> 00:35:13,319
Speaker 4: you ain't got no chi you know what I'm saying.

631
00:35:14,600 --> 00:35:23,040
Speaker 1: It wasn't me. If one, you gotta know how to

632
00:35:23,120 --> 00:35:24,920
Speaker 1: get them in, chick, How do you know how to

633
00:35:24,960 --> 00:35:28,960
Speaker 1: get them in chick. Sometimes you can't. Sometimes it ain't.

634
00:35:29,800 --> 00:35:33,120
Speaker 1: The crowd ain't ship as a group. Yeah, they don't

635
00:35:33,120 --> 00:35:34,080
Speaker 1: know how to crowd.

636
00:35:33,920 --> 00:35:36,759
Speaker 3: Right right now, know how to be cry remember that,

637
00:35:36,920 --> 00:35:38,799
Speaker 3: remember the crowd.

638
00:35:39,560 --> 00:35:42,319
Speaker 2: Remember remember when you when you was coming, the black

639
00:35:42,360 --> 00:35:44,000
Speaker 2: people weren't even coming to come to clubs.

640
00:35:44,040 --> 00:35:47,040
Speaker 3: It's still like that now, motherfucker on. They still ain't

641
00:35:47,080 --> 00:35:49,720
Speaker 3: even laugh for real. But it's your first time laughing

642
00:35:49,760 --> 00:35:50,240
Speaker 3: with people.

643
00:35:51,320 --> 00:35:54,200
Speaker 1: You ain't even laugh with nobody, especially if it's a

644
00:35:54,280 --> 00:35:57,040
Speaker 1: dude in the order. With this lady, you said about women,

645
00:35:57,080 --> 00:35:59,160
Speaker 1: and he got to look at her to see if

646
00:35:59,160 --> 00:36:02,400
Speaker 1: he can laugh. Niga be a man. But ship funny,

647
00:36:02,440 --> 00:36:04,759
Speaker 1: I ain't talking about her. I'm talking about other women,

648
00:36:04,880 --> 00:36:09,120
Speaker 1: not her. You can laugh, you can fucking laughing it out.

649
00:36:09,200 --> 00:36:11,319
Speaker 3: Yeah, yeah, it's just figuring.

650
00:36:10,840 --> 00:36:13,280
Speaker 1: Like these ship because all strangers.

651
00:36:13,920 --> 00:36:15,600
Speaker 3: They just be acting like they're gonna fuck with.

652
00:36:17,320 --> 00:36:20,080
Speaker 1: I've learned from comedy, you know, And I will tell anybody.

653
00:36:20,080 --> 00:36:22,240
Speaker 1: If you got the motherfucking knowing this and he ain't laughing,

654
00:36:22,920 --> 00:36:26,439
Speaker 1: don't funk with him, don't look at him, don't pay

655
00:36:26,520 --> 00:36:29,440
Speaker 1: him or hurt no attention. The rest of the crowd

656
00:36:29,560 --> 00:36:32,719
Speaker 1: are having a good time. Sometimes that prince just going

657
00:36:32,800 --> 00:36:36,440
Speaker 1: through some bad ship you make. Don't even look at

658
00:36:36,480 --> 00:36:41,480
Speaker 1: that motherfucking man, and you know, you never know he

659
00:36:41,640 --> 00:36:43,719
Speaker 1: might be want to fight or some ship. I've been

660
00:36:43,800 --> 00:36:47,440
Speaker 1: in some fights. Yeah, I had mother come on stage.

661
00:36:47,640 --> 00:36:58,000
Speaker 3: Ain't lo No, God, I didn't the comedians going to ride.

662
00:36:58,400 --> 00:37:02,400
Speaker 1: No, they would. So I'm I'm working and I'm bombing.

663
00:37:02,480 --> 00:37:06,680
Speaker 1: I'm not I'm not doing good and i am I'm

664
00:37:06,800 --> 00:37:07,680
Speaker 1: the headliner now.

665
00:37:08,560 --> 00:37:09,880
Speaker 3: It is not it is not.

666
00:37:11,800 --> 00:37:14,799
Speaker 1: Not going well. And the white dude in the front said,

667
00:37:15,239 --> 00:37:19,680
Speaker 1: bring out the other Canadian while I'm on stage. Man,

668
00:37:20,000 --> 00:37:25,320
Speaker 1: fuck you so no, fuck you fucking so we gotta go.

669
00:37:25,520 --> 00:37:28,560
Speaker 1: We gonna got So I just pulled off the stage

670
00:37:28,680 --> 00:37:30,279
Speaker 1: and they bring the motherfucker back up.

671
00:37:30,680 --> 00:37:35,719
Speaker 3: He killed again. I'm like that, damn more ship.

672
00:37:38,760 --> 00:37:41,120
Speaker 1: And I worked in Oklahoma one time. I was done

673
00:37:42,239 --> 00:37:46,200
Speaker 1: and uh, I think I said, A lady goes to

674
00:37:46,280 --> 00:37:48,400
Speaker 1: the restroom. That's what the one lady goes to the restroom.

675
00:37:48,880 --> 00:37:51,120
Speaker 1: And so you know, somebody restaurant, you suck with them

676
00:37:51,960 --> 00:37:54,080
Speaker 1: and the player. You know, back in the day the

677
00:37:54,160 --> 00:37:56,600
Speaker 1: comedy club, you just lit the stage. You really didn't

678
00:37:56,719 --> 00:38:00,320
Speaker 1: light up the audience like y'all like the audience doing it.

679
00:38:00,560 --> 00:38:02,640
Speaker 1: So you don't like the stage, You just like the stage.

680
00:38:02,960 --> 00:38:05,200
Speaker 1: So I'm on stage. I'm sucking her, y'all. She went

681
00:38:05,200 --> 00:38:07,320
Speaker 1: to the restroom, man, and then I hit this wizard

682
00:38:07,400 --> 00:38:12,080
Speaker 1: on it. This bitch. She threw a roll of wet

683
00:38:12,160 --> 00:38:14,359
Speaker 1: color paper and hit me in the motherfucking head. Right

684
00:38:16,440 --> 00:38:20,880
Speaker 1: she got damn. I didn't even say bitch, but she

685
00:38:20,960 --> 00:38:23,600
Speaker 1: had been the mother with her head. They is cracking up.

686
00:38:24,680 --> 00:38:28,759
Speaker 1: I walked, I'm leaving. You said, if you leave, you

687
00:38:28,800 --> 00:38:44,960
Speaker 1: ain't getting your money. I went back up. You remember

688
00:38:44,960 --> 00:38:45,799
Speaker 1: what you're saying to him.

689
00:38:46,200 --> 00:38:51,080
Speaker 8: I made fun of her going to the restroom. Yeah, yeah,

690
00:38:55,040 --> 00:38:57,319
Speaker 8: when you hear when you're doing comedy, you're young.

691
00:38:57,400 --> 00:39:01,160
Speaker 1: You know. My rule is, whoever if somebody big walked

692
00:39:01,200 --> 00:39:04,279
Speaker 1: in my club, they going up? Who I'm supposed to

693
00:39:04,280 --> 00:39:06,800
Speaker 1: go net now? Now, motherfucker Eddie Murth just walked.

694
00:39:06,560 --> 00:39:06,879
Speaker 3: In the room.

695
00:39:07,040 --> 00:39:08,879
Speaker 1: We ain't gonna wake you. Get out the fucking state

696
00:39:09,520 --> 00:39:11,520
Speaker 1: if you want to go up here going up. So

697
00:39:11,560 --> 00:39:14,759
Speaker 1: I'm working at Chicago. Eddie Murphy and Paul Mooney came

698
00:39:14,840 --> 00:39:17,840
Speaker 1: in the club. Eddie did an our. Paul did like

699
00:39:17,960 --> 00:39:20,800
Speaker 1: maybe forty minutes, and now I gotta go finish my

700
00:39:20,920 --> 00:39:24,879
Speaker 1: fucking show. But I'm like, y'all already, y'all already saw

701
00:39:24,920 --> 00:39:27,120
Speaker 1: some shit. Y'all didn't pay for us, So I'm gonna

702
00:39:27,120 --> 00:39:28,680
Speaker 1: do like twenty minutes to get the fuck out of here.

703
00:39:28,800 --> 00:39:32,879
Speaker 1: So they was happy. Ill that was a good time. Yeah,

704
00:39:33,440 --> 00:39:35,879
Speaker 1: Edit did an hour, Eddie did a boy an hour?

705
00:39:37,120 --> 00:39:40,520
Speaker 1: What uses I don't remember. I don't remember some ship

706
00:39:40,600 --> 00:39:41,520
Speaker 1: happened yesterday, So.

707
00:39:43,800 --> 00:39:47,560
Speaker 3: Like, so what comedian like?

708
00:39:48,160 --> 00:39:49,600
Speaker 1: Who? Who you like?

709
00:39:50,000 --> 00:39:50,640
Speaker 3: Who you when you?

710
00:39:52,120 --> 00:39:54,960
Speaker 1: As much as I talk about George, George is a

711
00:39:55,719 --> 00:39:58,759
Speaker 1: George is a straight comedian, a master. He writes all

712
00:39:58,800 --> 00:40:01,640
Speaker 1: the time, He rights constantly, My ja the same place

713
00:40:01,680 --> 00:40:04,680
Speaker 1: they right all the time. I love Cat, but that

714
00:40:04,880 --> 00:40:08,600
Speaker 1: uh don d C who is the one that Corey

715
00:40:08,680 --> 00:40:14,320
Speaker 1: hulkm uh that motherfucker will say some ship like you

716
00:40:14,520 --> 00:40:22,080
Speaker 1: like what the fuck did? Yeah? I love Cat. I

717
00:40:22,200 --> 00:40:24,759
Speaker 1: love to watch Cat. Yeah, Cat Williams is funny and

718
00:40:25,080 --> 00:40:34,000
Speaker 1: some more Chiel Underwood. Yeah, but like I said, Myra Coco, yeah,

719
00:40:35,280 --> 00:40:37,680
Speaker 1: squad yeah, the squad.

720
00:40:38,200 --> 00:40:44,719
Speaker 2: Yeah, it was like one of them coming you like

721
00:40:45,480 --> 00:40:47,360
Speaker 2: crazy stories like one of Like.

722
00:40:51,000 --> 00:40:54,400
Speaker 1: I'm trying to think, I remember I remember when that

723
00:40:54,480 --> 00:40:57,640
Speaker 1: first time did I did coming you and you had

724
00:40:58,000 --> 00:41:00,279
Speaker 1: a hairstylist that would you make up and hill there.

725
00:41:00,520 --> 00:41:02,960
Speaker 1: So he was gay. He was gay, but I had

726
00:41:03,560 --> 00:41:06,040
Speaker 1: a bodyguard quoting I don't know. I had a bodyguard

727
00:41:06,080 --> 00:41:10,160
Speaker 1: and ship. I'm right, you're right there. So the bodyguard

728
00:41:10,320 --> 00:41:13,600
Speaker 1: didn't like the gay guy, so he told the gay

729
00:41:13,640 --> 00:41:16,640
Speaker 1: guy that mister Brown didn't want you doing his makeup

730
00:41:17,000 --> 00:41:19,320
Speaker 1: or the want they want you around him. So I

731
00:41:19,400 --> 00:41:21,719
Speaker 1: see the dude in the hall, he like avoid me.

732
00:41:21,760 --> 00:41:24,160
Speaker 1: I'm like, what the fuck going on? He said, well,

733
00:41:25,239 --> 00:41:31,600
Speaker 1: I gotta do the voice the story man. He said

734
00:41:31,680 --> 00:41:33,520
Speaker 1: that you didn't want me to do your makeup?

735
00:41:33,840 --> 00:41:34,880
Speaker 3: Like who the fuck said that?

736
00:41:35,680 --> 00:41:38,319
Speaker 1: He said, your your bodyguard. So I'm like, man, fuck

737
00:41:38,400 --> 00:41:40,680
Speaker 1: that do my makeup? So that to me, that was

738
00:41:40,840 --> 00:41:43,919
Speaker 1: like crazy in terms of back then, which the ship

739
00:41:44,040 --> 00:41:47,120
Speaker 1: is still going on now. Yeah, so I think that

740
00:41:47,239 --> 00:41:52,680
Speaker 1: was good. Yeah, yeah, but I remember once they would

741
00:41:52,680 --> 00:41:57,880
Speaker 1: always say that I want to jump. That was the

742
00:41:57,960 --> 00:42:03,760
Speaker 1: wildest sit of that seasons. Look, yeah, man, he family

743
00:42:03,840 --> 00:42:04,400
Speaker 1: get make.

744
00:42:04,320 --> 00:42:07,839
Speaker 6: Up artists, so you better get your ass over here

745
00:42:07,840 --> 00:42:08,200
Speaker 6: and make me.

746
00:42:10,080 --> 00:42:12,080
Speaker 3: You want to be and some chip.

747
00:42:14,440 --> 00:42:16,759
Speaker 1: Take the dog and story to tell me. Yeah, I

748
00:42:16,840 --> 00:42:20,200
Speaker 1: had to get make up artist share with y'all my money,

749
00:42:20,280 --> 00:42:25,280
Speaker 1: God said, they don't like make up, y'all. Qwayne face

750
00:42:25,360 --> 00:42:29,560
Speaker 1: to this fire. I ain't eat that file.

751
00:42:29,560 --> 00:42:30,560
Speaker 3: I'm two different Browns.

752
00:42:30,640 --> 00:42:33,880
Speaker 1: If you watch the whole season, I came up with

753
00:42:34,000 --> 00:42:39,440
Speaker 1: my own colors. J Anthony Brown said the word that

754
00:42:39,520 --> 00:42:43,080
Speaker 1: I fuck up that story. He said, God, damn, I'm listening.

755
00:42:45,200 --> 00:42:48,040
Speaker 1: You better doing common inventing fact you might suck around

756
00:42:48,080 --> 00:42:48,680
Speaker 1: and slip up.

757
00:42:49,680 --> 00:42:50,359
Speaker 3: I need to hear.

758
00:42:52,160 --> 00:42:55,719
Speaker 1: I'm in the last and everything. That's good. Well y'all, y'all.

759
00:42:56,000 --> 00:42:58,600
Speaker 1: I mean you guys, are y'all painting the way for

760
00:42:58,680 --> 00:43:01,279
Speaker 1: a lot of people who like watching you. That's what

761
00:43:01,400 --> 00:43:03,719
Speaker 1: the I want to do. So you guys are in

762
00:43:03,800 --> 00:43:06,480
Speaker 1: the same light. You know you're doing it. You're changing

763
00:43:06,520 --> 00:43:10,439
Speaker 1: the game. You got your own studio and ship, you think, so, Yeah,

764
00:43:10,480 --> 00:43:13,080
Speaker 1: we had to get the studio, man, we had to.

765
00:43:13,360 --> 00:43:24,000
Speaker 1: It was only the next logical step. That's good. He's

766
00:43:24,040 --> 00:43:35,800
Speaker 1: not laughing with me now, he's laughing at me. You

767
00:43:35,920 --> 00:43:41,440
Speaker 1: don't like makeup, he said, I can't do your makeup

768
00:43:41,560 --> 00:43:45,680
Speaker 1: no more. I don't know how that story was supposed

769
00:43:45,680 --> 00:43:47,440
Speaker 1: to end. And that's been one of my best friends

770
00:43:47,480 --> 00:43:49,840
Speaker 1: for the last thirty years. You know what I was

771
00:43:49,960 --> 00:43:52,719
Speaker 1: saying it. I'm like, nigga, you don't have a strong ending.

772
00:43:55,400 --> 00:44:04,480
Speaker 1: He's still with me, I said, I gave it to

773
00:44:04,640 --> 00:44:09,759
Speaker 1: y'all still to this day, like.

774
00:44:11,680 --> 00:44:13,840
Speaker 2: We just we just I just know as the young nigga, bro,

775
00:44:13,960 --> 00:44:15,160
Speaker 2: what comes you did for us?

776
00:44:15,440 --> 00:44:16,719
Speaker 3: Like they introduced coming to.

777
00:44:16,800 --> 00:44:19,680
Speaker 1: Me drunk up all the kool aid, that was the ship.

778
00:44:19,719 --> 00:44:22,879
Speaker 2: I ain't know nothing about that jam until I went digging.

779
00:44:23,880 --> 00:44:28,239
Speaker 1: Dad a drunk out of I may coolid from the

780
00:44:28,400 --> 00:44:31,160
Speaker 1: family that changed.

781
00:44:31,880 --> 00:44:33,719
Speaker 3: Drunk up all the motherfucklid.

782
00:44:34,000 --> 00:44:35,560
Speaker 1: But the way you made it look so likely that

783
00:44:35,920 --> 00:44:39,880
Speaker 1: made a bit too. I like, yeah, I like that.

784
00:44:40,280 --> 00:44:42,360
Speaker 1: I watched that. I watched it twice. I can't I

785
00:44:42,480 --> 00:44:43,960
Speaker 1: want I like, if I do a show, I don't

786
00:44:44,000 --> 00:44:46,520
Speaker 1: watch it. I can't watch myself. Can you watch yourself?

787
00:44:46,560 --> 00:44:51,960
Speaker 1: I watch myself sometime. I don't. I can't even Misappeared,

788
00:44:52,000 --> 00:44:54,080
Speaker 1: I don't watch it. I can't watch it. The show

789
00:44:54,239 --> 00:44:56,320
Speaker 1: so critical of like, oh man, I should have did this,

790
00:44:56,480 --> 00:45:00,480
Speaker 1: I should have said that. So like what out you

791
00:45:00,640 --> 00:45:02,720
Speaker 1: watch all them? You tell me? Hey, I just an

792
00:45:02,719 --> 00:45:03,359
Speaker 1: everything I done.

793
00:45:03,880 --> 00:45:07,880
Speaker 3: I want to see what the he portraying me as right?

794
00:45:07,960 --> 00:45:11,239
Speaker 2: I did what I do right, Oh, like you said,

795
00:45:11,400 --> 00:45:12,280
Speaker 2: I damn critique.

796
00:45:12,520 --> 00:45:14,040
Speaker 3: So the next time I get in that camera, I

797
00:45:14,080 --> 00:45:16,320
Speaker 3: ain't gonna do that. I'm gonna do that, you know what.

798
00:45:16,320 --> 00:45:21,840
Speaker 2: I got to Absolutely now, we just ain't just watching

799
00:45:21,880 --> 00:45:23,520
Speaker 2: it just because you just fascinated with you.

800
00:45:24,800 --> 00:45:27,680
Speaker 1: Lady's watching me. I ain't doing that.

801
00:45:28,000 --> 00:45:35,160
Speaker 3: Hell no, you go look at me.

802
00:45:35,200 --> 00:45:42,319
Speaker 1: That's I'm on TV. I try to avoid me as

803
00:45:42,400 --> 00:45:43,160
Speaker 1: much as possible.

804
00:45:43,760 --> 00:45:45,000
Speaker 3: Sometime they come to the crib.

805
00:45:45,080 --> 00:45:46,960
Speaker 1: They want to watch you. Who's funny to you? Who

806
00:45:47,040 --> 00:45:51,000
Speaker 1: you like? I mean what you mean? Your favorite comics? Oh?

807
00:45:52,280 --> 00:45:54,480
Speaker 1: Ship is too many of the name got to name

808
00:45:54,640 --> 00:45:58,960
Speaker 1: saying burning me top number one, number one all time.

809
00:45:59,000 --> 00:46:01,359
Speaker 1: But I like a lot of them a different reason. Yeah,

810
00:46:01,600 --> 00:46:05,040
Speaker 1: you see what I'm saying. You one of my favorite.

811
00:46:07,560 --> 00:46:12,840
Speaker 2: Mike Epps, she live like in person, He like one

812
00:46:12,880 --> 00:46:13,760
Speaker 2: of the best live.

813
00:46:13,680 --> 00:46:19,560
Speaker 1: In person, like in person some more is like technically

814
00:46:19,640 --> 00:46:22,600
Speaker 1: one of the best comedians women.

815
00:46:22,760 --> 00:46:28,880
Speaker 2: Absolutely, he's a he's a he's a threat, he's a killer.

816
00:46:29,719 --> 00:46:33,440
Speaker 1: You know who I think is underrated? Though? T K. Kirkley,

817
00:46:34,120 --> 00:46:38,080
Speaker 1: the mother his name supposed to come up in them

818
00:46:38,160 --> 00:46:53,040
Speaker 1: type of conversations Robert to Tony Robin, Robert Damn Tommy Davison, Dominique, Dominique, Yeah, yeah,

819
00:46:53,760 --> 00:46:55,520
Speaker 1: I love that all of them.

820
00:46:56,120 --> 00:46:57,040
Speaker 3: Dominique boy, she.

821
00:46:57,320 --> 00:47:05,120
Speaker 1: She is she a sleeper at that back. Corey one

822
00:47:05,160 --> 00:47:13,080
Speaker 1: of the funniest to you don't want to yea Lorel,

823
00:47:13,440 --> 00:47:17,720
Speaker 1: he go stupid r don't want to be the thing about.

824
00:47:18,080 --> 00:47:20,600
Speaker 1: I mean, this is gonna be around, especially with Ship

825
00:47:20,760 --> 00:47:23,799
Speaker 1: doing bad like it is. Yeah, comedy is gonna be big, man.

826
00:47:23,840 --> 00:47:25,600
Speaker 1: People need to laugh, don't want to last.

827
00:47:25,800 --> 00:47:28,520
Speaker 3: Good people like the press come last.

828
00:47:30,280 --> 00:47:36,240
Speaker 1: And people watching you know, the Kings like you said,

829
00:47:36,360 --> 00:47:37,480
Speaker 1: and Deal and Steve.

830
00:47:37,600 --> 00:47:40,000
Speaker 5: But like you said, it's we like different people for

831
00:47:40,120 --> 00:47:43,360
Speaker 5: different reasons, right, And that's that's one of my favorite

832
00:47:43,360 --> 00:47:46,440
Speaker 5: elements of the comedy that like you used to love

833
00:47:46,520 --> 00:47:51,640
Speaker 5: to see like how Ship like how the original, like

834
00:47:51,760 --> 00:47:54,120
Speaker 5: you love to hear motherfuckers come from somewhere else, and

835
00:47:54,800 --> 00:47:57,400
Speaker 5: like Hamburger was funny because he talked like a motherfucker

836
00:47:57,480 --> 00:47:59,880
Speaker 5: from the Deep South, and you know he had his

837
00:48:00,120 --> 00:48:02,520
Speaker 5: niche and ship like that. It's like you get what

838
00:48:02,600 --> 00:48:04,319
Speaker 5: I'm saying, just for him to be able to sell

839
00:48:04,400 --> 00:48:05,480
Speaker 5: that ship and make like.

840
00:48:05,680 --> 00:48:09,239
Speaker 3: Work and it worked to another nigga. He especially when

841
00:48:09,239 --> 00:48:10,200
Speaker 3: you you're a student.

842
00:48:10,239 --> 00:48:13,160
Speaker 1: You're like, and did he get that ship to work?

843
00:48:13,760 --> 00:48:15,840
Speaker 1: And it's like you just got to find it? That

844
00:48:15,920 --> 00:48:23,640
Speaker 1: ain't joice Martin lawns oh Man. Yeah, I did the

845
00:48:23,680 --> 00:48:25,799
Speaker 1: warm ups on this. She used to drop them. God

846
00:48:25,840 --> 00:48:29,120
Speaker 1: damn platinum hits every couple of years, like Bigger and

847
00:48:29,320 --> 00:48:29,880
Speaker 1: Blacker and.

848
00:48:29,960 --> 00:48:32,600
Speaker 5: Bring the Pain and all that ship man, that's what

849
00:48:32,920 --> 00:48:35,120
Speaker 5: he was in his bag, right black man.

850
00:48:36,520 --> 00:48:38,880
Speaker 1: Yeah. And when when the market show came on the end,

851
00:48:39,160 --> 00:48:42,160
Speaker 1: I don't know your special television, they would have a pilot.

852
00:48:42,239 --> 00:48:44,719
Speaker 1: You need a pilot. So it was three pilots, and

853
00:48:44,840 --> 00:48:47,040
Speaker 1: I did the warm up for three of them. Robert

854
00:48:47,080 --> 00:48:49,440
Speaker 1: Towman had a pilot by the radio show, and then

855
00:48:49,440 --> 00:48:51,879
Speaker 1: there was another pilot about a show where this white

856
00:48:51,920 --> 00:48:54,720
Speaker 1: guy comes to a black radio station. That show actually

857
00:48:54,760 --> 00:48:57,160
Speaker 1: got on it and then I did the Martin pilot.

858
00:48:57,760 --> 00:49:01,239
Speaker 1: I knew the minute I did that that Martin was

859
00:49:01,239 --> 00:49:03,560
Speaker 1: gonna get picked up. You knew it was gonna go.

860
00:49:03,840 --> 00:49:06,080
Speaker 1: There was no doubt that his show was gonna get

861
00:49:06,120 --> 00:49:09,600
Speaker 1: picked up. And that show was so fucking funny man,

862
00:49:09,680 --> 00:49:14,440
Speaker 1: absolutely not one of the best heard about doing a

863
00:49:14,480 --> 00:49:17,600
Speaker 1: woman being behind the scenes. Martin never did won Three

864
00:49:17,680 --> 00:49:20,600
Speaker 1: Takes You know, like if you've been on the sets

865
00:49:20,600 --> 00:49:23,080
Speaker 1: sometimes Mother could do forty and fifty takes, and you're

866
00:49:23,080 --> 00:49:27,600
Speaker 1: gonna man ship when it's funny. Yeah, the joke is gune.

867
00:49:27,880 --> 00:49:32,560
Speaker 1: Martin would do only three tops and they said, let's

868
00:49:32,600 --> 00:49:34,399
Speaker 1: do it again. Martin said, we ain't doing it no more,

869
00:49:34,600 --> 00:49:37,800
Speaker 1: moving on and you already got it. It was already funny.

870
00:49:38,440 --> 00:49:41,040
Speaker 1: So you're gonna joke out by doing the ship over.

871
00:49:41,200 --> 00:49:42,799
Speaker 1: I mean, I've been on the sets. What they make

872
00:49:42,880 --> 00:49:44,520
Speaker 1: you do it over and over and over and over again.

873
00:49:45,600 --> 00:49:46,600
Speaker 3: That was a movie, nigga.

874
00:49:47,080 --> 00:49:49,920
Speaker 1: Yeah, it forced them to take what you want them

875
00:49:49,960 --> 00:49:56,120
Speaker 1: to take. They watching them keep doing this ship. That's fire.

876
00:49:56,440 --> 00:49:57,400
Speaker 1: That was a good show to do.

877
00:49:57,760 --> 00:49:59,920
Speaker 3: Yeah, damn it the prime like.

878
00:50:03,560 --> 00:50:06,160
Speaker 2: Talk about with comedy. With comedy, we comedies are live

879
00:50:06,239 --> 00:50:08,239
Speaker 2: now because we love the art. Like if we didn't

880
00:50:08,280 --> 00:50:11,840
Speaker 2: love the art, it is just it'll be floating.

881
00:50:12,000 --> 00:50:14,480
Speaker 1: I think it's I mean, you guys, y'all selling our ship.

882
00:50:14,560 --> 00:50:17,080
Speaker 1: It's an audience for it. I mean, it's an audience.

883
00:50:17,120 --> 00:50:19,720
Speaker 1: The audience is there. You just gotta find your niche,

884
00:50:20,239 --> 00:50:23,040
Speaker 1: you know. And the people who talking ship about, well,

885
00:50:23,080 --> 00:50:25,440
Speaker 1: they didn't pay the dues and you know this is

886
00:50:25,480 --> 00:50:28,080
Speaker 1: what I was about to ask you, how did you

887
00:50:28,200 --> 00:50:32,840
Speaker 1: find the money in comedy? The money found me, Come on,

888
00:50:33,120 --> 00:50:35,520
Speaker 1: the money found me because I would go to New

889
00:50:35,600 --> 00:50:38,440
Speaker 1: York and first of all, New York comics would come

890
00:50:38,480 --> 00:50:41,279
Speaker 1: down in Atlanta and they were like, well my Hispanic time,

891
00:50:45,520 --> 00:50:56,240
Speaker 1: they ain't get hit yeah on the subway. Now this Atlanta,

892
00:50:56,280 --> 00:50:59,279
Speaker 1: we ain't got no somewhere. I would go up to

893
00:50:59,440 --> 00:51:02,200
Speaker 1: New York to work, and I was amazed that you

894
00:51:02,280 --> 00:51:06,440
Speaker 1: could work in New York, New York, in Texas and California.

895
00:51:06,520 --> 00:51:08,880
Speaker 1: You could be up there for a month doing a

896
00:51:08,880 --> 00:51:13,000
Speaker 1: little short. Boston, especially Boston was a serious comedy club

897
00:51:13,360 --> 00:51:16,879
Speaker 1: care because it was all college kids, so you could play.

898
00:51:16,920 --> 00:51:19,840
Speaker 1: You could open one place, get in the car, go

899
00:51:20,000 --> 00:51:22,640
Speaker 1: to another place, be in the middle, and then go

900
00:51:22,719 --> 00:51:24,960
Speaker 1: in another place and close and you'll come home at

901
00:51:25,000 --> 00:51:27,680
Speaker 1: six seven hundred dollars. So I didn't know that money

902
00:51:27,760 --> 00:51:30,800
Speaker 1: exists until I got out there. Like I gove across

903
00:51:30,920 --> 00:51:33,839
Speaker 1: country from Atlanta to Texas. I worked out there month.

904
00:51:33,920 --> 00:51:36,520
Speaker 1: There was so many clubs. Well what well, what I

905
00:51:36,640 --> 00:51:38,719
Speaker 1: found out was that these clubs existed, but it was

906
00:51:38,800 --> 00:51:42,279
Speaker 1: all white, all white comics. So by the time black

907
00:51:42,360 --> 00:51:45,440
Speaker 1: comics and we were funny. We would kick ass, you

908
00:51:45,520 --> 00:51:47,640
Speaker 1: know we would. We were kicking these white boys ass.

909
00:51:48,120 --> 00:51:50,920
Speaker 1: There was no doubt in our mind that we were

910
00:51:50,960 --> 00:51:54,040
Speaker 1: the funniest. Mother. I worked the show on time, Like

911
00:51:54,320 --> 00:51:56,560
Speaker 1: could you could you close the show? I'm like, fuck, no,

912
00:51:57,200 --> 00:52:00,520
Speaker 1: I ain't closing shit. You had Atlanta, right, So once

913
00:52:00,680 --> 00:52:02,640
Speaker 1: I found out that there were other places to work,

914
00:52:02,760 --> 00:52:06,279
Speaker 1: Like I said, the money found me right on. That's red.

915
00:52:06,680 --> 00:52:11,400
Speaker 1: I like that, right, That's how it worked. Well, come on, man,

916
00:52:11,400 --> 00:52:13,160
Speaker 1: you gotta tell us about the club. Now, you gotta

917
00:52:13,160 --> 00:52:20,960
Speaker 1: tell us about the JA spot that crack. Hell, yeah,

918
00:52:21,080 --> 00:52:23,640
Speaker 1: you get paid. Hell I got paid.

919
00:52:25,320 --> 00:52:26,880
Speaker 3: You you paid?

920
00:52:28,400 --> 00:52:33,160
Speaker 1: You did yeah sotand you gave me about eleven bottles

921
00:52:33,200 --> 00:52:37,520
Speaker 1: of he paid you hit? Why you let me? Why

922
00:52:37,560 --> 00:52:40,400
Speaker 1: you wasn't paying the comics. I paid the comics. Now

923
00:52:44,160 --> 00:52:57,719
Speaker 1: you want of that, nigga. I was because I was

924
00:52:57,800 --> 00:53:00,439
Speaker 1: doing comedy nights all over l A. I will open

925
00:53:00,520 --> 00:53:02,279
Speaker 1: door night night. Then I would have to go do

926
00:53:02,360 --> 00:53:05,360
Speaker 1: the road, you know, to make some decent money. And

927
00:53:05,440 --> 00:53:07,319
Speaker 1: then by the time I come back, the club owner

928
00:53:07,360 --> 00:53:09,360
Speaker 1: done took the night. Or we're gonna do it ourselves.

929
00:53:09,360 --> 00:53:11,960
Speaker 1: We're gonna book it ourselves and we don't, we don't

930
00:53:12,000 --> 00:53:13,440
Speaker 1: need you no more. We're gonna do our own night.

931
00:53:13,560 --> 00:53:15,600
Speaker 1: So that would happen. I'm like, fuck it. I'm gonna

932
00:53:15,600 --> 00:53:17,919
Speaker 1: just open my own club on my own comedy club.

933
00:53:17,960 --> 00:53:20,759
Speaker 1: So I opened the club called the J Spot. And

934
00:53:21,040 --> 00:53:23,720
Speaker 1: when I opened it, I didn't I did it all backwards.

935
00:53:23,719 --> 00:53:26,480
Speaker 1: I learned a lot of shit now from what I did. Now,

936
00:53:26,520 --> 00:53:29,480
Speaker 1: I would never open another mother club. Never. But I

937
00:53:29,560 --> 00:53:32,160
Speaker 1: applause to anybody or what I really hate about LA?

938
00:53:32,840 --> 00:53:34,959
Speaker 1: What I really hated my LA since my club club.

939
00:53:35,360 --> 00:53:37,399
Speaker 1: Like at this particular time, there is not a black

940
00:53:37,480 --> 00:53:40,600
Speaker 1: on comedy club in Los Angeles. And you go through

941
00:53:40,640 --> 00:53:42,719
Speaker 1: some of these comic clubs, it's nothing but niggas in

942
00:53:42,760 --> 00:53:46,000
Speaker 1: the audience. But there's not a black comedy club. And

943
00:53:46,080 --> 00:53:47,719
Speaker 1: what the white clubs were doing there and have a

944
00:53:47,800 --> 00:53:52,239
Speaker 1: Negro Knight, they have Negro Knight, Colored Knight, black comics only,

945
00:53:52,680 --> 00:53:55,880
Speaker 1: and that's sustained well black comedy to get on stage.

946
00:53:56,239 --> 00:54:00,319
Speaker 1: But there should be a black on comedy club. Gonna

947
00:54:00,320 --> 00:54:03,239
Speaker 1: open the motherfucker up, but somebody needs to open one.

948
00:54:04,360 --> 00:54:07,560
Speaker 1: What was what? What turns you are from? He said,

949
00:54:07,600 --> 00:54:08,600
Speaker 1: you never do it again.

950
00:54:10,000 --> 00:54:11,120
Speaker 3: I never made any money.

951
00:54:11,239 --> 00:54:13,640
Speaker 1: I paid. I paid help, you know, I you know

952
00:54:13,680 --> 00:54:16,160
Speaker 1: I paid my help. I paid comics for comics. But

953
00:54:16,440 --> 00:54:20,239
Speaker 1: not only that, the problem for me is the big

954
00:54:20,400 --> 00:54:24,520
Speaker 1: name comics would not come. They wouldn't come. They wouldn't come.

955
00:54:24,560 --> 00:54:27,600
Speaker 1: And you'll find that when when you do ship people,

956
00:54:27,719 --> 00:54:32,120
Speaker 1: you know they won't support you. That's just the way

957
00:54:32,160 --> 00:54:35,000
Speaker 1: we are, man time. What a black man to do

958
00:54:35,160 --> 00:54:37,520
Speaker 1: is support another black man what he is. If he's

959
00:54:37,520 --> 00:54:41,080
Speaker 1: selling sandwiches, you know, agents selling more chicken than negroes.

960
00:54:41,719 --> 00:54:43,600
Speaker 1: They sell them more chicken and fish than we do

961
00:54:43,920 --> 00:54:46,719
Speaker 1: because that's where we go. So when you open a

962
00:54:46,800 --> 00:54:49,719
Speaker 1: black comedy club, they wouldn't come. I could. I'm not

963
00:54:49,800 --> 00:54:51,879
Speaker 1: gonna name them, but I can name the people who

964
00:54:52,000 --> 00:54:56,520
Speaker 1: did who did come. Steve never came to my club.

965
00:54:56,800 --> 00:54:59,440
Speaker 1: He never set foot in my club. Tom Jordan never

966
00:54:59,480 --> 00:55:04,439
Speaker 1: set foot in my club. Cat Winnings came. He ain't

967
00:55:04,440 --> 00:55:10,759
Speaker 1: gonna stay. But I meant you wanted them to just

968
00:55:10,880 --> 00:55:20,560
Speaker 1: show up. He can't, you know, But a lot of

969
00:55:20,600 --> 00:55:23,200
Speaker 1: comedy didn't come with a lot of hippy comes. And

970
00:55:23,360 --> 00:55:27,080
Speaker 1: that's the depth from black comedy. For me. It's the

971
00:55:27,200 --> 00:55:31,279
Speaker 1: names I couldn't get, and that's fucked up because It's

972
00:55:31,360 --> 00:55:36,879
Speaker 1: like that wasn't no like real bad area airport ship

973
00:55:37,000 --> 00:55:44,920
Speaker 1: they were shooting up in. Yeah, yeah, I was not.

974
00:55:45,080 --> 00:55:45,879
Speaker 3: Just a couple of times.

975
00:55:45,920 --> 00:55:48,600
Speaker 1: Like a couple of times and you always.

976
00:55:48,520 --> 00:55:48,719
Speaker 8: Go on.

977
00:55:51,560 --> 00:55:53,759
Speaker 1: And you was a place to where motherfuckers would come

978
00:55:53,840 --> 00:55:56,960
Speaker 1: out and they would tape some ship. You could run

979
00:55:57,040 --> 00:55:59,000
Speaker 1: your ship up there. You know what I'm saying. You

980
00:55:59,239 --> 00:56:02,440
Speaker 1: You could go hit the spot and your one of

981
00:56:02,480 --> 00:56:04,160
Speaker 1: the spots that people always put you on. I got

982
00:56:04,200 --> 00:56:09,600
Speaker 1: you spoted the Jayson, I got your spider this Thursday. Yeah, man, Yeah,

983
00:56:10,280 --> 00:56:12,200
Speaker 1: I think the fact I think the one of the

984
00:56:12,280 --> 00:56:14,799
Speaker 1: problems for me was I couldn't be at the club

985
00:56:14,880 --> 00:56:16,759
Speaker 1: to sustain the club. I had to work the road,

986
00:56:17,440 --> 00:56:19,560
Speaker 1: pay the bills and ship like that. And I won't

987
00:56:19,600 --> 00:56:21,320
Speaker 1: tell anybody if you're going to own a business, you

988
00:56:21,440 --> 00:56:25,320
Speaker 1: gotta be in that motherfucker be there. You selling fish.

989
00:56:25,480 --> 00:56:28,839
Speaker 1: You gotta be at the fish shop every damn day.

990
00:56:29,280 --> 00:56:32,480
Speaker 1: You can't let your mama, your cousin, your uncle, you know,

991
00:56:32,640 --> 00:56:35,640
Speaker 1: Lee Roy, nobody. You got to be there because you

992
00:56:35,800 --> 00:56:38,680
Speaker 1: learn more ship while you there. Because people are gonna steal,

993
00:56:38,800 --> 00:56:42,840
Speaker 1: They will steal from your ass, they will steal you know.

994
00:56:43,200 --> 00:56:45,360
Speaker 1: The help still more than any day. It ain't the customers,

995
00:56:45,400 --> 00:56:47,680
Speaker 1: it's the help, right you mind, Chicken, You're like, shit,

996
00:56:47,800 --> 00:56:50,719
Speaker 1: we look at my Chicken receipts. I ain't sol that much, Chicken.

997
00:56:50,840 --> 00:56:52,799
Speaker 1: It's walking at the fucking door. And you will only

998
00:56:52,880 --> 00:56:56,480
Speaker 1: find that if you that every damn day. Yeah you see,

999
00:56:56,719 --> 00:56:59,839
Speaker 1: you don't have a business, you have a hobby. Damn

1000
00:57:03,440 --> 00:57:04,360
Speaker 1: the Gate Show withn't it.

1001
00:57:08,200 --> 00:57:08,799
Speaker 3: That nigga was.

1002
00:57:08,800 --> 00:57:15,960
Speaker 1: Still since I can't do your makeup. I only knew

1003
00:57:16,000 --> 00:57:20,200
Speaker 1: because I was there every day. The niggas don't getting thick.

1004
00:57:20,880 --> 00:57:26,920
Speaker 1: Take it back every day happen? What's next.

1005
00:57:28,880 --> 00:57:29,080
Speaker 6: From this?

1006
00:57:29,200 --> 00:57:34,080
Speaker 1: Preying the cars back for the season ship Shout out

1007
00:57:34,120 --> 00:57:38,280
Speaker 1: Tyler fray Man, shout out Tyler. I got sick. I

1008
00:57:38,360 --> 00:57:41,200
Speaker 1: missed season four. I was sick. I was in the hospital,

1009
00:57:42,000 --> 00:57:44,600
Speaker 1: and so I really thought they were going to replace me.

1010
00:57:45,320 --> 00:57:47,880
Speaker 1: I just like you know, because TV will replace your

1011
00:57:47,920 --> 00:57:50,960
Speaker 1: ads in a minute. It meant that like nothing, that

1012
00:57:51,120 --> 00:57:53,439
Speaker 1: somebody so close to you. We got g Anthony Brown

1013
00:57:53,600 --> 00:58:01,480
Speaker 1: play by George So I just said I missed the

1014
00:58:01,520 --> 00:58:04,400
Speaker 1: whole season. They called me up and said, don't worry

1015
00:58:04,440 --> 00:58:06,920
Speaker 1: about it. When season five come back, you'll be there.

1016
00:58:07,160 --> 00:58:10,480
Speaker 1: They didn't have to do that, and I was surprised

1017
00:58:10,560 --> 00:58:12,400
Speaker 1: that they did it that way. You know. He called

1018
00:58:12,440 --> 00:58:14,520
Speaker 1: me up. He said, don't worrybody, get well, come back.

1019
00:58:15,080 --> 00:58:17,520
Speaker 1: So that was that was a solid man. That's solid

1020
00:58:17,600 --> 00:58:19,120
Speaker 1: over there, man, yeah, over there.

1021
00:58:22,400 --> 00:58:23,920
Speaker 3: You want the people to know. Oh gee, what you

1022
00:58:24,000 --> 00:58:24,680
Speaker 3: got coming up?

1023
00:58:24,800 --> 00:58:31,360
Speaker 1: Man? You know my hot coma drugging in the mother

1024
00:58:31,400 --> 00:58:33,600
Speaker 1: phone and nothing. Y'all didn't trying nuts. Man, we've been

1025
00:58:33,600 --> 00:58:39,320
Speaker 1: sitting here. You don't I know how your brother fuckers out.

1026
00:58:39,400 --> 00:58:43,440
Speaker 1: As soon as I leave, y'all will hit them. No,

1027
00:58:43,640 --> 00:58:46,400
Speaker 1: I know how, mother, you have something. You gotta eat

1028
00:58:46,440 --> 00:58:59,960
Speaker 1: something as soon as you okay, okay, open those, open those,

1029
00:59:00,080 --> 00:59:05,960
Speaker 1: but you could at least open the nuts. Open the nuts. Nuts,

1030
00:59:06,000 --> 00:59:12,720
Speaker 1: open open the sweet man, mus go ahead? Can he

1031
00:59:12,960 --> 00:59:17,720
Speaker 1: was just south and knight, a little south and nuts. Yeah,

1032
00:59:18,280 --> 00:59:20,920
Speaker 1: a lot of sugar, nough. I don't watch the bags

1033
00:59:20,920 --> 00:59:23,440
Speaker 1: ball and HALLDI all right, No, I don't need you

1034
00:59:23,560 --> 00:59:26,960
Speaker 1: saying Jay, I like your nuts. I'm not saying that.

1035
00:59:29,040 --> 00:59:32,720
Speaker 1: MP me up stip something.

1036
00:59:34,280 --> 00:59:38,280
Speaker 3: Are they good? You're talking about the nuts I purchased.

1037
00:59:41,440 --> 00:59:42,640
Speaker 3: I purchased.

1038
00:59:44,000 --> 00:59:47,760
Speaker 1: And there just listen. I'm saying, which one you got?

1039
00:59:48,280 --> 00:59:55,480
Speaker 1: Are you referring, oh you referring to these little goosetherus

1040
00:59:57,280 --> 01:00:04,200
Speaker 1: he was Washington colon. Uh passed me the cars. But

1041
01:00:04,280 --> 01:00:08,560
Speaker 1: which one these seasons? These nuts season? That's a hot

1042
01:00:08,680 --> 01:00:10,360
Speaker 1: nuts hot? They hot?

1043
01:00:10,440 --> 01:00:12,400
Speaker 3: Now hot hot.

1044
01:00:12,720 --> 01:00:14,880
Speaker 1: You didn't try to learn them. Everybody got everybody got

1045
01:00:14,920 --> 01:00:21,520
Speaker 1: nothing in your hot old your hot one. I'm trying

1046
01:00:21,560 --> 01:00:24,880
Speaker 1: to like something. You like something nuts? Hey, you look man,

1047
01:00:26,040 --> 01:00:30,000
Speaker 1: if I got to take a pig out, give me.

1048
01:00:30,040 --> 01:00:30,840
Speaker 4: Them something.

1049
01:00:32,160 --> 01:00:37,080
Speaker 1: Reach but I'm not. He wants you to drop him

1050
01:00:37,080 --> 01:00:37,720
Speaker 1: in his head.

1051
01:00:39,040 --> 01:00:39,480
Speaker 6: Back up.

1052
01:00:44,120 --> 01:00:55,520
Speaker 1: Like if more trying some tell these nuts. Nigga took

1053
01:00:55,520 --> 01:00:59,880
Speaker 1: a picture, is there? Yeah, make mind slightly vision and

1054
01:01:02,240 --> 01:01:05,400
Speaker 1: I want them to be better in salty. The average

1055
01:01:05,480 --> 01:01:08,240
Speaker 1: nuts I have, I didn't bring them, but I have

1056
01:01:08,920 --> 01:01:13,880
Speaker 1: brown nuts. Those chocolate cover nuts ain't going too much.

1057
01:01:15,040 --> 01:01:16,919
Speaker 1: What's next? You're gonna feel the nuts with yo.

1058
01:01:18,360 --> 01:01:18,640
Speaker 3: Thank you.

1059
01:01:19,280 --> 01:01:22,600
Speaker 1: There ain't no nuthing now. But yeah, that's George' with

1060
01:01:22,680 --> 01:01:24,760
Speaker 1: this ship. Man, I'm like, brother, fuck, it didn't bring

1061
01:01:24,840 --> 01:01:27,400
Speaker 1: me nothing. We got you a jacket. Oh yeah, man,

1062
01:01:27,520 --> 01:01:30,280
Speaker 1: thank you, man, no, thank you. Let me tell the

1063
01:01:30,360 --> 01:01:31,960
Speaker 1: cat that I wanted to do the show for the

1064
01:01:32,040 --> 01:01:35,240
Speaker 1: longest man. You glad you finally got to make it. Yeah,

1065
01:01:35,320 --> 01:01:37,640
Speaker 1: I'm glad y'all have me on man, appreciate it. Thank you,

1066
01:01:39,160 --> 01:01:44,320
Speaker 1: you real, thank you. Anytime you want to come through

1067
01:01:47,840 --> 01:01:56,200
Speaker 1: man holding a niggas looking like squirrel. Y'all the nuts

1068
01:02:00,400 --> 01:02:01,240
Speaker 1: please get off my.

1069
01:02:02,880 --> 01:02:03,560
Speaker 3: You ain't gonna like this.

1070
01:02:06,760 --> 01:02:10,439
Speaker 1: Hey, well we're gonna get picked up some Jasley Brown nuts.

1071
01:02:11,120 --> 01:02:14,200
Speaker 1: Go to Jens Brown mo folkstore dot com head store.

1072
01:02:14,240 --> 01:02:16,960
Speaker 1: You see my art. I got a art book coming out,

1073
01:02:17,560 --> 01:02:20,520
Speaker 1: I got a comic book coming out called Eventually The

1074
01:02:20,600 --> 01:02:26,200
Speaker 1: Bitter Man, and I got an album. You're still singing many, Yeah,

1075
01:02:26,280 --> 01:02:30,200
Speaker 1: let's do something. My album is songs GOT wrote while

1076
01:02:30,200 --> 01:02:33,800
Speaker 1: I was drunk or high. So we some but okay,

1077
01:02:37,120 --> 01:02:40,800
Speaker 1: yeah yeah, come in and dive and do this there.

1078
01:02:42,520 --> 01:02:44,040
Speaker 3: Do y'all, but not.

1079
01:02:46,480 --> 01:02:54,520
Speaker 1: Find got you some dude sitting the SEG. Make sure

1080
01:02:54,600 --> 01:02:57,120
Speaker 1: y'all hit jan the Brown website and get you some

1081
01:02:57,280 --> 01:03:00,200
Speaker 1: of his products. O G. We really appreciate that you

1082
01:03:00,240 --> 01:03:02,760
Speaker 1: stopping through. You notice your first time, but don't let

1083
01:03:02,840 --> 01:03:06,920
Speaker 1: it be the lady. So we have about with you.

1084
01:03:07,720 --> 01:03:10,800
Speaker 1: Get somebody. Get mans