WEBVTT - I can never pick you up here again. (S5 E6 "Norman Mailer, I'm Pregnant”)

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<v Speaker 1>I am all in.

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<v Speaker 2>I's you, I am all in with Scott Patterson and

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<v Speaker 2>iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast one

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<v Speaker 1>of other productions I heard radio. He's in five, episode six,

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<v Speaker 1>Norman Mailer, I'm pregnant. I am joined by Danielle Romo

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<v Speaker 1>who's in another room, and Amy Sugarman, who is in

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<v Speaker 1>the same world. Ladies, welcome, how are you? How is

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<v Speaker 1>everybody wears Tara?

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<v Speaker 3>She's late, but she's common.

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<v Speaker 1>She's gonna be here. Okay, good.

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<v Speaker 3>But I have like a couple of important updates for you.

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<v Speaker 3>Number one, I will say and I know that last

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<v Speaker 3>week's episode, meaning TV episode, was not your favorite. And

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<v Speaker 3>what I have learned from reading all the comments is

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<v Speaker 3>many fans agree with you. Yes. A lot of fans

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<v Speaker 3>actually said they when they're doing their rewatches they skip

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<v Speaker 3>that one.

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<v Speaker 1>Wow. Yeah.

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<v Speaker 3>And a lot of people agreed like it wasn't very

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<v Speaker 3>luke like how he was, So you should feel okay

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<v Speaker 3>that it wasn't your favorite.

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<v Speaker 1>All of my self worth is tied up in this

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<v Speaker 1>podcast justice ever, so I'm going to have a good week.

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<v Speaker 1>This is good news, thank you.

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<v Speaker 3>The other one was we you know, look we try hard.

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<v Speaker 3>We try hard, but we blow it. Sometimes we totally do.

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<v Speaker 3>We messed up. We forgot Kyle.

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<v Speaker 1>What we did? We do that we do we forget?

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<v Speaker 3>Have you forgot him? You just didn't really like chime

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<v Speaker 3>in when Tara and I come.

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<v Speaker 1>Look, I was dialing your line at midnight and it

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<v Speaker 1>wasn't going through it. Just I tried. I tried, like heck, so.

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<v Speaker 3>We own our mistakes. I mean, I pride myself on

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<v Speaker 3>being very knowledgeable on many shows, not just this show.

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<v Speaker 3>And I did not place him. I screwed it up.

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<v Speaker 3>So our apologies and.

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<v Speaker 1>We were you know how many times bab Ruth struck out.

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<v Speaker 1>He struck out more than anybody in major league history. Okay,

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<v Speaker 1>don't feel bad, Yeah, don't feel so bad.

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<v Speaker 3>And he's like the best basill player of all time ever,

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<v Speaker 3>so it's like, yeah, you can't get one hundred if

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<v Speaker 3>you I love I love that everyone was reading Justice

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<v Speaker 3>for Kyle, Justice for Kyle, And I will tell you

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<v Speaker 3>this inside baseball story that could explain it. Many moons ago,

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<v Speaker 3>when Kyle made his first appearance, I did reach out

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<v Speaker 3>and try to book him because he's the kid from

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<v Speaker 3>the Sandlot and I can't remember why, but he wasn't available, right,

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<v Speaker 3>like he didn't want to do it or he doesn't

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<v Speaker 3>do interviews or whatever it was. For some reason he

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<v Speaker 3>couldn't do it. So I'm wondering did I purge him

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<v Speaker 3>from my mind? Like like, oh, he doesn't want to

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<v Speaker 3>come on our show?

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<v Speaker 4>Okay, he doesn't exist.

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<v Speaker 3>He doesn't exist, so that like I just forgot about him.

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<v Speaker 1>So anyway, imagine not wanting to come on this show.

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<v Speaker 1>Can you just getting that call and saying no? I

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<v Speaker 1>can't imagine.

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<v Speaker 3>It barely happens. That's the thing. The Gilmore stars love

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<v Speaker 3>Gilmore Girls, so pretty much everyone says yes. So I

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<v Speaker 3>think maybe that's why I was like, what he doesn't

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<v Speaker 3>want to come on? What? He didn't exist to me anymore?

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<v Speaker 1>Well, look, it was a very funny video. It still is.

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<v Speaker 1>Go check it out on Instagram account.

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<v Speaker 3>And and Justice for Kyle Kyle does Exist.

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<v Speaker 1>Again joined a movement hashtag out of it. We're going

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<v Speaker 1>to stand by.

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<v Speaker 3>We should ask one more time, Danielle. Maybe we just

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<v Speaker 3>ask his name's Chauncey, right, yeah, let's ask him one

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<v Speaker 3>more time. Maybe we just try one more because now

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<v Speaker 3>it's justice for Kyle all.

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<v Speaker 1>Right, So listen, I'm going to do a little piece

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<v Speaker 1>of business here everybody. I'm going to be at Louisville

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<v Speaker 1>Popcorn middle of June, so go to Louisville Popcon website

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<v Speaker 1>get your tickets. I'm also going to be in Corpus

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<v Speaker 1>Christy at the end of July, and I'm working on

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<v Speaker 1>something for August and September as well. I'll let you know. Anyway,

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<v Speaker 1>let's get to this episode. Norman Mayler, I Am Pregnant,

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<v Speaker 1>Danielle synopsize us or four.

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<v Speaker 5>All right, this is season five, episode six, Norman Mailer,

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<v Speaker 5>I'm Pregnant Air day, October twenty six, two thousand and four.

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<v Speaker 5>Lorlei and Suki are thrilled when a cultural icon starts

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<v Speaker 5>frequenting the Dragonfly in dining room in order to I

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<v Speaker 5>set some expenses. At the end, they have to stop

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<v Speaker 5>serving lunch. Dundune, Rory discovers an intriguing secret society at Yale,

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<v Speaker 5>Christopher resurfaces because he needs lorealized help, and Sukie realizes

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<v Speaker 5>she's pregnant.

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<v Speaker 1>Wow, I'll tell you and Tara, Hello, welcome, Hello, relate

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<v Speaker 1>than never. You're pretty early, so good. Good to see yourself.

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<v Speaker 6>I made it right on time.

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<v Speaker 1>You were right there. Yeah, no, no, you'll go right

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<v Speaker 1>on times. Yeah, yeah, I mean late. You're pretty early, Yeah,

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<v Speaker 1>you're pretty early.

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<v Speaker 3>There's so much to talk about in this episode. I'm overwhelmed.

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<v Speaker 1>It's I gotta tell you. My my reaction to this

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<v Speaker 1>episode was just give me more, Matt Secret, more and

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<v Speaker 1>more and more more. I've never seen I've rarely seen

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<v Speaker 1>a better introduction to a character in my whole life.

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<v Speaker 1>This is the way you introduced I agree.

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<v Speaker 3>I know we talk about it when we go in order,

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<v Speaker 3>but like when he put that hat on, it said

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<v Speaker 3>press and he did that hit.

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<v Speaker 1>I still.

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<v Speaker 3>So awesome.

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<v Speaker 1>Genius, genius.

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<v Speaker 3>I am obsessed with him. I agree.

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<v Speaker 1>I think it was a television history and that that's

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<v Speaker 1>the thing that you would show, like I don't want

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<v Speaker 1>to be morbid, you know, but when we all croak,

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<v Speaker 1>you know, maybe they'll maybe they'll feature something for me.

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<v Speaker 1>I don't know, a cut like this is definitely Matt

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<v Speaker 1>will right like eighty years or whatever, it's going to

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<v Speaker 1>be sixty seventy years, they'll play that clip. That's that's

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<v Speaker 1>the beautiful clip. Sorry, Matt, I don't mean he's got

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<v Speaker 1>a lot, a lot of movie.

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<v Speaker 3>So I have a question for you guys. And it's

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<v Speaker 3>not a criticism, it's not a compliment. I don't know

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<v Speaker 3>what it is. The opening scene for me was good,

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<v Speaker 3>but it was so frenetic it kind of made me uncomfortable,

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<v Speaker 3>Like I was like, oh, did anybody else feel that?

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<v Speaker 1>Like there was you know what I think it is?

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<v Speaker 1>I think I think it's my fault. You know what.

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<v Speaker 1>I think it's my fault. I think it's my fault

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<v Speaker 1>as an actor because I got too caught up in

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<v Speaker 1>Lauren's speed and her rhythm and I didn't maintain my

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<v Speaker 1>own rhythm. Really, it wasn't really Luke like, was it.

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<v Speaker 3>No, And now that you say it, something was like

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<v Speaker 3>it was a funny scene and kind of Laura I like,

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<v Speaker 3>but almost a lot.

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<v Speaker 1>No, no, no. I thought she was great. She was fine.

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<v Speaker 1>She's doing her stick, that's what she does, and she's

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<v Speaker 1>great at it. I just don't think I served that

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<v Speaker 1>scene very well because I tried to speed everything up.

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<v Speaker 1>I tried to speed my speech up instead of just

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<v Speaker 1>sort of living in it and let it exist with me.

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<v Speaker 1>There's a way, there's but there's a way to pick

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<v Speaker 1>up your cues when you don't have to rush anything,

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<v Speaker 1>but you're not slowing the other person down. I don't

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<v Speaker 1>think I achieved that.

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<v Speaker 6>I don't know.

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<v Speaker 3>I thought it was funny when you said I can

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<v Speaker 3>never pick you up here again.

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<v Speaker 1>I don't know.

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<v Speaker 3>It was just very frenetic with it, like with the

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<v Speaker 3>socks and then in the bites and the jeep on

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<v Speaker 3>because I was.

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<v Speaker 5>Just like, nobody does that. No one puts their socks

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<v Speaker 5>in the oven.

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<v Speaker 6>And I got distracted because then I was like, well,

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<v Speaker 6>now I know that the oven doesn't work, so they're

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<v Speaker 6>not warm.

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<v Speaker 1>Right.

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<v Speaker 3>It was just I'm not saying it wasn't good. I'm

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<v Speaker 3>sure people.

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<v Speaker 1>Because you know how dared you, right, I mean, it's

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<v Speaker 1>this is this is us you're talking about. Man.

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<v Speaker 3>It does not be critical anywhere.

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<v Speaker 1>I agree with you. I thought that. But there I

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<v Speaker 1>gave my reason, and there it is.

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<v Speaker 3>Yeah, that's an interesting reason because I don't know what

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<v Speaker 3>it was for me. It was just and I don't

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<v Speaker 3>know if I'm using the right word, but I think

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<v Speaker 3>frenetic is the right word.

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<v Speaker 1>It's hard, it's hard not to get caught up and

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<v Speaker 1>and what she's doing, you know, but you can't let

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<v Speaker 1>yourself get get seduced so much. You got to maintain

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<v Speaker 1>who your character. Truth is, character truth is. Yeah, yeah,

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<v Speaker 1>it's just it's not a big adjustment. I just don't

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<v Speaker 1>think I made the I made the adjustment here and there,

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<v Speaker 1>but I just sort of let it. It was swept

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<v Speaker 1>away in it. It's not I was.

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<v Speaker 3>Worried about the keys, and the keys are on the door,

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<v Speaker 3>those are little doors. The socks are the oven, and

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<v Speaker 3>then the corp light's broken. I was just like, ooh,

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<v Speaker 3>I don't feel good.

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<v Speaker 1>Yeah, was that the first time that Linke and Laurrela

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<v Speaker 1>have churned your stomach?

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<v Speaker 3>But you know what I did like about the open What.

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<v Speaker 1>Did you have for dinner that night?

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<v Speaker 3>I have an ant acid. The thing I did like though,

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<v Speaker 3>that I thought was super cute was the door open,

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<v Speaker 3>because it started actually slow, door open, Hey, hey, back kiss,

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<v Speaker 3>and I'm like, they're a couple. Whoa, that's cute.

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<v Speaker 1>And then it just well, he kept the door. He

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<v Speaker 1>kept the front door open, hoping to get her out fast,

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<v Speaker 1>and then when he realized it wasn't gonna happen, he

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<v Speaker 1>just gave up the closed door.

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<v Speaker 3>So then I have another question. I usually press skip

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<v Speaker 3>on the credits, but this time, I didn't, and I

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<v Speaker 3>think there might have been some new footage. So next week,

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<v Speaker 3>can everybody watch because I've been skipping, so I'm not sure.

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<v Speaker 6>Yeah, I usually skip too.

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<v Speaker 3>So we got to watch the credits and just see

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<v Speaker 3>if there's some new things.

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<v Speaker 1>More homework, I mean it never ends the emails, the

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<v Speaker 1>text can you do this? Can you do that?

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<v Speaker 3>Now?

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<v Speaker 1>Live on the air, you guys have more homework.

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<v Speaker 6>To do that extra thirty seconds.

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<v Speaker 3>So anyway, okay, then we get to First of all,

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<v Speaker 3>I did notice in the credits, not the opening credits,

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<v Speaker 3>but the you know, once the show starts, we knew

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<v Speaker 3>that Matt was back. I think he's like special guest

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<v Speaker 3>star or something in this. So I was thrilled Paris

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<v Speaker 3>had the dream about Rory. Rory really wants to get features.

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<v Speaker 3>Rory's in a pink, cute, pink sweater. That's sort of

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<v Speaker 3>what's happening.

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<v Speaker 1>I like Rory in the what is it called the

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<v Speaker 1>al Daily News? What is it called it? Yeah, what

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<v Speaker 1>is the paper? What is it called? What is it called?

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<v Speaker 1>What's the newspaper called?

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<v Speaker 3>We have to look that up exactly, and I mean

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<v Speaker 3>Savior letters. We know we should know it.

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<v Speaker 1>All the topic at Yale Newspaper. It says, but I

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<v Speaker 1>love being in there, I love the action. I love Doyle.

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<v Speaker 5>Yeah yeah, the Yale Daily News, Yale Daly.

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<v Speaker 3>Did you know Doyle whose real names out of my

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<v Speaker 3>head right now, created that Michael Keaton show about the

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<v Speaker 3>opioid crisis? That guy is legit.

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<v Speaker 1>Yeah he. I think he won or was nominated for

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<v Speaker 1>an Emmy for that, the Al Gore yeah election, the

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<v Speaker 1>Hanging Chad thing.

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<v Speaker 3>Yeah, and what's the opioid show with Michael Keaton? Someone

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<v Speaker 3>give me that.

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<v Speaker 1>He did Empire too.

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<v Speaker 6>It's Danny Strong he created.

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<v Speaker 3>Yeah, and I didn't realize he also did that Michael

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<v Speaker 3>Keaton whatever it was. Somebody tell me the title. And

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<v Speaker 3>I saw him the dope Sick, Dope sick Yeah.

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<v Speaker 7>Yeah. Yeah.

0:11:59.679 --> 0:12:02.199
<v Speaker 3>He's been on the news a lot because ultimately he's

0:12:02.240 --> 0:12:05.360
<v Speaker 3>a writer, and so he's on strike with all the

0:12:05.400 --> 0:12:09.480
<v Speaker 3>writers right now, and so he's been on the news

0:12:09.520 --> 0:12:12.600
<v Speaker 3>quite a bit. But to me, he's Doyle prolific.

0:12:12.720 --> 0:12:15.520
<v Speaker 1>He's a prolific writer. Yeah. Yeah.

0:12:15.600 --> 0:12:19.040
<v Speaker 6>So it's so nice to see Rory like not just

0:12:19.160 --> 0:12:22.480
<v Speaker 6>in her dorm like last freshman year, she was just

0:12:22.520 --> 0:12:25.320
<v Speaker 6>always in her dorm and I'm like, oh, she's like mingling.

0:12:25.559 --> 0:12:27.920
<v Speaker 6>Like finally, it's like a a whole year.

0:12:28.400 --> 0:12:28.840
<v Speaker 3>You get here.

0:12:29.120 --> 0:12:31.800
<v Speaker 1>I thought it would hurt the show, separating mother and daughter,

0:12:31.840 --> 0:12:34.880
<v Speaker 1>but it actually enhanced it. Yeah, they figured it out.

0:12:34.920 --> 0:12:38.000
<v Speaker 1>It's like I like her, Yeah, I like her. Now

0:12:38.040 --> 0:12:42.479
<v Speaker 1>she's now she's in the belly of the beast. She's

0:12:42.559 --> 0:12:45.719
<v Speaker 1>making a friends, she's doing stuff, she's interacting, and it's

0:12:45.720 --> 0:12:47.720
<v Speaker 1>all she's busy. I like to see it. I want

0:12:47.840 --> 0:12:48.400
<v Speaker 1>more to come.

0:12:48.480 --> 0:12:50.720
<v Speaker 3>Shout out to Glenn forgetting in the New York Times.

0:12:50.760 --> 0:12:52.240
<v Speaker 3>And then the bit with Doyle was.

0:12:52.559 --> 0:12:57.040
<v Speaker 1>Another another great Glenn appearance, totally like what's the big deal?

0:12:57.120 --> 0:12:57.640
<v Speaker 1>I don't care?

0:12:58.400 --> 0:13:00.840
<v Speaker 3>And Rory trying to see the bright side for Doyle,

0:13:00.920 --> 0:13:04.600
<v Speaker 3>and then Doyle just flipping the script on her like oh, okay, really,

0:13:05.040 --> 0:13:08.840
<v Speaker 3>I'm the Muncie Messenger or whatever. He's a good character.

0:13:09.040 --> 0:13:09.440
<v Speaker 1>He is.

0:13:10.040 --> 0:13:12.200
<v Speaker 5>I didn't like him at first, but now I'd rather

0:13:12.360 --> 0:13:13.000
<v Speaker 5>enjoy Doyle.

0:13:13.600 --> 0:13:17.000
<v Speaker 3>Danielle, do you have any predictions for anything you see

0:13:17.000 --> 0:13:19.559
<v Speaker 3>with Doyle, Like just anything that comes off the top

0:13:19.559 --> 0:13:21.520
<v Speaker 3>of your head of what you might just predict a

0:13:21.559 --> 0:13:24.400
<v Speaker 3>Doyle prediction. Doyle prediction.

0:13:26.480 --> 0:13:26.680
<v Speaker 7>You know.

0:13:28.240 --> 0:13:30.200
<v Speaker 1>He's gonna ask Rory out to the dance.

0:13:30.840 --> 0:13:35.840
<v Speaker 4>Oh good, I did not. That was not on my radar.

0:13:36.080 --> 0:13:37.800
<v Speaker 4>But now that you said it, we're.

0:13:37.640 --> 0:13:38.360
<v Speaker 6>Not going to tell you.

0:13:38.400 --> 0:13:40.640
<v Speaker 3>We're just wanting to know for the two virgins in

0:13:40.679 --> 0:13:41.359
<v Speaker 3>the group.

0:13:44.760 --> 0:13:49.400
<v Speaker 5>On he is totally going to get a crush on Rory,

0:13:49.520 --> 0:13:51.440
<v Speaker 5>but then Rory's going to get a crush on Logan,

0:13:51.760 --> 0:13:54.120
<v Speaker 5>and then Doyle and Logan are going to hate each other.

0:13:59.240 --> 0:13:59.640
<v Speaker 8>Are we close?

0:13:59.720 --> 0:14:01.320
<v Speaker 3>Are We're not gonna answer that.

0:14:01.640 --> 0:14:03.120
<v Speaker 6>I'm not saying.

0:14:03.600 --> 0:14:08.880
<v Speaker 4>It got with the assist. I appreciate that. That was good.

0:14:10.160 --> 0:14:15.160
<v Speaker 3>So then she goes home, goes down on the bed,

0:14:15.240 --> 0:14:18.720
<v Speaker 3>she's reading the paper. She's got Loralai on the phone. Oh,

0:14:18.840 --> 0:14:21.360
<v Speaker 3>Luke did a bit, which is I've seen this episode

0:14:21.520 --> 0:14:23.760
<v Speaker 3>a lot of times for some reason, this one and

0:14:23.800 --> 0:14:27.880
<v Speaker 3>the next one like two of my can't out. But

0:14:27.960 --> 0:14:31.160
<v Speaker 3>I'd never have loved the bit about Luke doing a

0:14:31.200 --> 0:14:33.320
<v Speaker 3>bit when he's in the oven and hitting his head.

0:14:35.120 --> 0:14:39.920
<v Speaker 3>But I don't know's I guess it's funny. I don't know.

0:14:41.320 --> 0:14:44.440
<v Speaker 1>She's just relax and love and enjoying herself and having

0:14:44.440 --> 0:14:47.040
<v Speaker 1>a grand old time. Life is good, the inn is open,

0:14:47.120 --> 0:14:52.560
<v Speaker 1>she's got her relationship going on, it's and she she

0:14:52.760 --> 0:14:54.720
<v Speaker 1>owned that, you know, and she was just sitting in

0:14:54.720 --> 0:14:57.560
<v Speaker 1>that chair talking to her daughter and raised her daughter

0:14:57.760 --> 0:15:00.240
<v Speaker 1>daughter's at Yale. Life is good, you know.

0:15:00.360 --> 0:15:03.280
<v Speaker 3>I do love that she's so comfortable with Rory, with Luke,

0:15:03.400 --> 0:15:05.360
<v Speaker 3>do you know what I mean? Like, yeah, there's none

0:15:05.400 --> 0:15:09.520
<v Speaker 3>of this like not sneaking around like she had to

0:15:09.560 --> 0:15:12.120
<v Speaker 3>do before, but sneaking around like she had to do before.

0:15:12.440 --> 0:15:15.560
<v Speaker 3>It's very much like I'm here, Luke's here. This is

0:15:15.760 --> 0:15:16.440
<v Speaker 3>this is real.

0:15:17.440 --> 0:15:19.800
<v Speaker 6>And even at the end when she's like you sound happy,

0:15:19.840 --> 0:15:22.680
<v Speaker 6>it's like yeah, like she is happy, and it was

0:15:22.760 --> 0:15:26.240
<v Speaker 6>kind of like not that she needs Rory's approval, but

0:15:26.280 --> 0:15:29.360
<v Speaker 6>I feel like it felt like that, like thanks, Like yeah,

0:15:29.360 --> 0:15:30.240
<v Speaker 6>I am very happy.

0:15:31.440 --> 0:15:35.720
<v Speaker 1>I've never understood Rory better or empathized with her more

0:15:35.880 --> 0:15:40.880
<v Speaker 1>than this episode because she got to measure her upbringing

0:15:41.160 --> 0:15:45.520
<v Speaker 1>Luke versus Christopher in a very definitive way and it

0:15:45.560 --> 0:15:49.200
<v Speaker 1>was very touching and it was very sad. Actually I

0:15:49.200 --> 0:15:53.880
<v Speaker 1>got very very sad, and now I understood Rory more

0:15:54.960 --> 0:15:56.840
<v Speaker 1>and better because of this episode.

0:15:56.960 --> 0:16:03.560
<v Speaker 3>It's a powerful moment. This episode, for being light and fun,

0:16:04.200 --> 0:16:07.240
<v Speaker 3>really actually has a lot of deep meaning.

0:16:07.560 --> 0:16:10.760
<v Speaker 1>It'll punch into life there and give you some moments.

0:16:10.280 --> 0:16:12.200
<v Speaker 3>Like yeah, then I really I can't wait to talk

0:16:12.240 --> 0:16:14.600
<v Speaker 3>to you guys about it. So as we get there, because.

0:16:15.840 --> 0:16:17.960
<v Speaker 1>We'll show because I really want.

0:16:17.840 --> 0:16:21.600
<v Speaker 3>To talk about Sherry leaving and all of it. It's

0:16:21.600 --> 0:16:26.320
<v Speaker 3>like it's it's major in anyway. In the meantime, we

0:16:26.400 --> 0:16:28.480
<v Speaker 3>kind of get that Rory is sort of feeling a

0:16:28.480 --> 0:16:30.600
<v Speaker 3>little stressed because she didn't do an internship and she

0:16:30.680 --> 0:16:33.920
<v Speaker 3>feels behind and you know, so we're getting a little

0:16:33.960 --> 0:16:38.240
<v Speaker 3>of that, but it's a that's a really good scene

0:16:38.680 --> 0:16:42.920
<v Speaker 3>other than like morel laughing at Luke's head, hitting that.

0:16:43.760 --> 0:16:44.680
<v Speaker 3>I didn't think.

0:16:44.520 --> 0:16:48.640
<v Speaker 6>That Rory wasted two months being in Europe, did you guys,

0:16:48.640 --> 0:16:50.880
<v Speaker 6>Because I was like, that's a whole experience that most

0:16:50.960 --> 0:16:53.000
<v Speaker 6>kids don't get at that age.

0:16:54.920 --> 0:17:00.760
<v Speaker 1>That's experience. Yeah, I was time either, time all spent.

0:17:00.880 --> 0:17:03.000
<v Speaker 1>You know. You can you can be in a couple

0:17:03.040 --> 0:17:05.400
<v Speaker 1>of dozen riots. You can get back on your bike

0:17:05.440 --> 0:17:07.040
<v Speaker 1>keeping bike to another ryot.

0:17:07.280 --> 0:17:10.880
<v Speaker 4>It's wonderful and good food, good drinks. Yeah, and she's

0:17:11.119 --> 0:17:15.719
<v Speaker 4>of legal age to drink. You know, lots of bros.

0:17:16.119 --> 0:17:18.960
<v Speaker 1>I think for the rioters it's wonderful.

0:17:19.359 --> 0:17:21.960
<v Speaker 3>I think Tar's point of spending that time with your

0:17:22.000 --> 0:17:26.119
<v Speaker 3>grandmother is invaluable. You may not see it in the moment.

0:17:26.560 --> 0:17:30.080
<v Speaker 4>Yeah, yeah, but yeah, no question.

0:17:31.600 --> 0:17:35.160
<v Speaker 3>So then we meet Norman Mailer at the Inn, which is.

0:17:35.960 --> 0:17:38.440
<v Speaker 1>Fact, that's actually her getting your PhD and.

0:17:38.520 --> 0:17:44.280
<v Speaker 9>Snooty yeah, or also I think you look back when

0:17:44.320 --> 0:17:47.000
<v Speaker 9>your grandparents aren't here and you're like, oh, thank god

0:17:47.320 --> 0:17:52.280
<v Speaker 9>I did that. Yeah, so we meet Norman Mailer at

0:17:52.320 --> 0:17:52.680
<v Speaker 9>the Inn.

0:17:53.800 --> 0:17:56.760
<v Speaker 3>Now, did everybody know who Norman Mailer was?

0:17:58.280 --> 0:17:58.600
<v Speaker 1>Yes?

0:17:59.080 --> 0:18:05.760
<v Speaker 5>No, I thought he was a fictional character until now.

0:18:06.200 --> 0:18:15.480
<v Speaker 3>Yeah, Well, so who is Norman Mayler?

0:18:16.720 --> 0:18:19.840
<v Speaker 1>Who is Norman may Well? I mean, yeah, he's the

0:18:19.920 --> 0:18:22.879
<v Speaker 1>guy who went to Harvard and graduated with a degree

0:18:22.920 --> 0:18:28.000
<v Speaker 1>in aeronautical engineering and was drafted into the war, volunteered,

0:18:28.040 --> 0:18:30.160
<v Speaker 1>and he fought in World War Two, and when.

0:18:29.960 --> 0:18:32.280
<v Speaker 3>He came back A lot about Norman.

0:18:32.359 --> 0:18:34.320
<v Speaker 1>When he came back, he wrote The Naked and the

0:18:34.400 --> 0:18:38.520
<v Speaker 1>Dead and it made him an instant literary star. When

0:18:38.680 --> 0:18:41.800
<v Speaker 1>when writers used to be the top of the food

0:18:41.880 --> 0:18:46.800
<v Speaker 1>chain and the entertainment business in America, he was the

0:18:46.840 --> 0:18:49.840
<v Speaker 1>shining light. He was the novelist. It was. It was

0:18:49.920 --> 0:18:54.159
<v Speaker 1>him and Philip Roth and John dos Passos and a

0:18:54.240 --> 0:18:57.840
<v Speaker 1>couple of others Updyke was up there and saw Bellow

0:18:57.960 --> 0:19:00.480
<v Speaker 1>and people like that. I mean he was a guy

0:19:00.680 --> 0:19:02.920
<v Speaker 1>who with a big ego and a big brain.

0:19:02.680 --> 0:19:05.280
<v Speaker 3>And yeah, he wanted to be a little controversial.

0:19:06.960 --> 0:19:09.640
<v Speaker 1>Yeah, I mean there was. He he did a lot

0:19:09.640 --> 0:19:13.239
<v Speaker 1>of he did journalism too, and he kind of you know,

0:19:13.280 --> 0:19:18.119
<v Speaker 1>he blended the subjective complexity and artistry of the novel

0:19:18.359 --> 0:19:21.200
<v Speaker 1>with journalistic objectivity.

0:19:21.800 --> 0:19:25.200
<v Speaker 3>Now I don't be wrong, but allegedly he also stabbed

0:19:25.200 --> 0:19:28.119
<v Speaker 3>his wife with a pen in the heart.

0:19:28.760 --> 0:19:31.840
<v Speaker 1>Oh my god, apparently in the heart.

0:19:32.240 --> 0:19:38.680
<v Speaker 3>Yeah that so was he not controversial when you all

0:19:38.800 --> 0:19:41.399
<v Speaker 3>had him on the show, like even though because he

0:19:41.720 --> 0:19:43.200
<v Speaker 3>allegedly stabbed the wife.

0:19:43.280 --> 0:19:48.840
<v Speaker 1>Like in the sixties, Yeah, he found his fame. I

0:19:48.880 --> 0:19:52.159
<v Speaker 1>mean I think they put Naked and the Dead was

0:19:52.200 --> 0:19:55.840
<v Speaker 1>published nineteen forty eight, so he was a star from

0:19:55.960 --> 0:19:59.920
<v Speaker 1>nineteen forty eight on. And then you know, the perception

0:20:00.400 --> 0:20:03.240
<v Speaker 1>was that he never matched The Naked and the Dead

0:20:03.960 --> 0:20:07.199
<v Speaker 1>and that and that by the time the sixties and

0:20:07.240 --> 0:20:10.439
<v Speaker 1>seventies rolled around, he know, he was publishing books that

0:20:10.520 --> 0:20:13.520
<v Speaker 1>didn't measure up according to some critics, and gore Vidal

0:20:13.600 --> 0:20:18.720
<v Speaker 1>went after the hardest. His friend, Well, I grew up

0:20:18.720 --> 0:20:22.960
<v Speaker 1>with with with Gurvidal and Norman Mailer. I mean, every

0:20:23.160 --> 0:20:28.359
<v Speaker 1>every man that graduated the Ivy League of the gi

0:20:28.520 --> 0:20:32.320
<v Speaker 1>Bill that was, you know, an English major wanted to

0:20:32.320 --> 0:20:34.640
<v Speaker 1>write the great American novel when they graduated, and he's

0:20:34.640 --> 0:20:38.399
<v Speaker 1>the guy that did it. My father included in that bunch,

0:20:38.680 --> 0:20:40.800
<v Speaker 1>and he never got the opportunity to do it until

0:20:40.880 --> 0:20:44.320
<v Speaker 1>later in his life. So right, interesting people used to

0:20:44.400 --> 0:20:47.160
<v Speaker 1>aspire to be writers. They wanted to be great novelists.

0:20:47.160 --> 0:20:51.800
<v Speaker 1>They did Hemingway. You know, everybody was so turned on

0:20:51.920 --> 0:20:55.040
<v Speaker 1>by Hemingway. Men, women, everybody wanted to be Ernest Hemingway.

0:20:55.960 --> 0:21:00.560
<v Speaker 3>Interestingly, the person interviewing him is his son, So he's

0:21:00.600 --> 0:21:03.920
<v Speaker 3>not playing his son. He's playing the journalist interviewing him.

0:21:03.800 --> 0:21:05.440
<v Speaker 6>But that is it's his real son.

0:21:05.840 --> 0:21:11.160
<v Speaker 3>Yes, so that's played by Stephen Mahler. So you're welcome

0:21:11.200 --> 0:21:11.960
<v Speaker 3>for the history.

0:21:11.760 --> 0:21:15.159
<v Speaker 1>But Mailer was controversial in that he was, you know,

0:21:15.480 --> 0:21:22.760
<v Speaker 1>pugilistic in his his academic style, his debating style. He

0:21:22.920 --> 0:21:26.040
<v Speaker 1>ran sure, he got physical with certain people, you know

0:21:26.640 --> 0:21:29.240
<v Speaker 1>New York mayor. He was kind of a tough guy.

0:21:29.359 --> 0:21:32.960
<v Speaker 1>He was, you know, he he went up, went went

0:21:33.000 --> 0:21:36.960
<v Speaker 1>against Gloria Steinem and the Women's movement, and he debated

0:21:37.000 --> 0:21:41.080
<v Speaker 1>them in very nuanced and interesting ways, but then got

0:21:41.160 --> 0:21:46.760
<v Speaker 1>labeled as a male chauvinist pig, which was yeah, yeah,

0:21:46.800 --> 0:21:50.320
<v Speaker 1>the phraseology of the time in male chauvinist pig, you're

0:21:50.320 --> 0:21:51.000
<v Speaker 1>a chauvinist.

0:21:51.760 --> 0:21:56.320
<v Speaker 3>He had six wives, nine children, so it's kind of

0:21:56.359 --> 0:21:59.720
<v Speaker 3>interesting that he lived his life that Amy Sherman Palladino,

0:22:00.480 --> 0:22:04.320
<v Speaker 3>you know, wanted Norman Mayler. Yeah, because it's also like, okay,

0:22:04.320 --> 0:22:07.159
<v Speaker 3>if you think about this, when they're like Norman Mayler

0:22:07.400 --> 0:22:11.480
<v Speaker 3>is in the Inn, that only really had significance to

0:22:11.640 --> 0:22:14.800
<v Speaker 3>like the older viewers of Gilmore Girls back in two

0:22:14.840 --> 0:22:17.520
<v Speaker 3>thousand and four, right, Like, it wasn't like she came

0:22:17.560 --> 0:22:21.200
<v Speaker 3>back in and she's like Angelina Jolie is in the Inn,

0:22:21.480 --> 0:22:22.160
<v Speaker 3>you know what I mean?

0:22:22.680 --> 0:22:29.080
<v Speaker 1>Yeah, Norman Mailer was to writing what Jackson Pollock was

0:22:29.080 --> 0:22:29.640
<v Speaker 1>to painting.

0:22:30.400 --> 0:22:33.040
<v Speaker 3>He did learn that Billy Joel has come into the Inn.

0:22:33.320 --> 0:22:35.160
<v Speaker 3>We didn't get to see it, but we did learn

0:22:35.240 --> 0:22:37.959
<v Speaker 3>that Billy Joel came in and ate a lot of things.

0:22:38.280 --> 0:22:40.560
<v Speaker 3>But Norman Mayler just gets iced tea.

0:22:42.400 --> 0:22:46.040
<v Speaker 1>So and Billy Joel barely hides it.

0:22:48.040 --> 0:22:50.159
<v Speaker 6>Have you guys ever gone somewhere and you ordered like

0:22:50.320 --> 0:22:51.920
<v Speaker 6>just a drink, and then you feel bad and order

0:22:52.000 --> 0:22:54.639
<v Speaker 6>like a snack just because you're like like I've done that,

0:22:54.800 --> 0:22:56.439
<v Speaker 6>or you're like, I'll just get an appetizer because I

0:22:56.440 --> 0:22:56.920
<v Speaker 6>feel bad.

0:22:58.560 --> 0:23:01.760
<v Speaker 5>I've never never just ordered a drink, unless it's like

0:23:01.880 --> 0:23:02.760
<v Speaker 5>at a coffee shop.

0:23:03.920 --> 0:23:05.680
<v Speaker 3>That's what I was thinking, Like, I only order.

0:23:05.960 --> 0:23:08.720
<v Speaker 4>There's always food on the table when goes there.

0:23:09.560 --> 0:23:11.639
<v Speaker 1>But he's but he's there doing an interview. That was

0:23:11.680 --> 0:23:14.760
<v Speaker 1>the purpose of it, meet me at the Dragonfly interview.

0:23:14.840 --> 0:23:16.280
<v Speaker 1>He's not going to sit there and stuff.

0:23:16.040 --> 0:23:19.240
<v Speaker 3>His face throw a flag on the play. If you

0:23:19.359 --> 0:23:22.439
<v Speaker 3>own an inn, right, you own an inn. There's lots

0:23:22.440 --> 0:23:25.240
<v Speaker 3>of people staying at the inn that will be coming

0:23:25.280 --> 0:23:29.000
<v Speaker 3>downstairs just for a drink, just for a cup of coffee.

0:23:29.160 --> 0:23:35.400
<v Speaker 3>So Suki maybe was totally overap, being kind of inappropriate,

0:23:35.440 --> 0:23:37.800
<v Speaker 3>Like who cares this guy. It's a it's an inn.

0:23:38.600 --> 0:23:40.280
<v Speaker 3>People can come down just to have a lemonade or

0:23:40.400 --> 0:23:42.280
<v Speaker 3>water or sit in the lobby if they want to.

0:23:42.280 --> 0:23:44.280
<v Speaker 3>They don't have to order even a drink. They already

0:23:44.480 --> 0:23:45.000
<v Speaker 3>you know what I mean.

0:23:45.200 --> 0:23:52.240
<v Speaker 1>It was manufactured sort of territorial sort of thing going on.

0:23:52.480 --> 0:23:55.000
<v Speaker 1>But it's Norman Mailer. I mean doesn't she know who

0:23:55.119 --> 0:23:58.080
<v Speaker 1>Norman Bayler is? And also the deal when that guy

0:23:58.119 --> 0:24:01.640
<v Speaker 1>comes and sits down in your restaurant, that's an icon

0:24:01.760 --> 0:24:02.240
<v Speaker 1>right there.

0:24:02.320 --> 0:24:05.520
<v Speaker 5>So I think it would be different if her dining

0:24:05.600 --> 0:24:08.680
<v Speaker 5>room was full for lunch, you know, and Norman Mayler

0:24:08.800 --> 0:24:10.080
<v Speaker 5>was there and only getting icedy.

0:24:10.160 --> 0:24:12.520
<v Speaker 1>I think she'd be like, I can't get a table,

0:24:12.720 --> 0:24:13.800
<v Speaker 1>taking the table.

0:24:13.760 --> 0:24:16.080
<v Speaker 6>And she's getting her lunch taken away, So I feel

0:24:16.119 --> 0:24:17.280
<v Speaker 6>like it's just oh yeah.

0:24:17.359 --> 0:24:20.879
<v Speaker 5>So my point being, she wouldn't be bothered if there

0:24:21.040 --> 0:24:23.320
<v Speaker 5>was meant other people for her to cook for.

0:24:23.480 --> 0:24:24.120
<v Speaker 4>But the fact that.

0:24:24.080 --> 0:24:27.280
<v Speaker 5>He's the only one there and she's not serving him

0:24:27.320 --> 0:24:29.240
<v Speaker 5>food he only wants iced tea.

0:24:29.119 --> 0:24:31.639
<v Speaker 3>Well, and I they should be more bothered if he

0:24:31.720 --> 0:24:33.600
<v Speaker 3>was only getting iced tea if the room was full,

0:24:33.640 --> 0:24:36.840
<v Speaker 3>because he's like, like Scott said, he's holding the table.

0:24:37.400 --> 0:24:40.359
<v Speaker 1>But then also, if I own an inn and the

0:24:40.480 --> 0:24:44.199
<v Speaker 1>chef is hassling somebody drinking tea, who's you know, a

0:24:44.440 --> 0:24:47.879
<v Speaker 1>major celebrity, I'm firing that totally.

0:24:47.920 --> 0:24:50.120
<v Speaker 3>That's why Lorelai was sort of like a pom your

0:24:50.760 --> 0:24:51.520
<v Speaker 3>self down.

0:24:51.920 --> 0:24:53.640
<v Speaker 1>It's like, what is going on? Man?

0:24:55.960 --> 0:24:59.920
<v Speaker 3>They want learn it's because she's pregnant. We'll just get

0:25:00.040 --> 0:25:02.919
<v Speaker 3>to the punchline. There he learned then she's crazy in

0:25:03.000 --> 0:25:08.880
<v Speaker 3>acting nuts. So okay that Doyle gives out the assignments

0:25:08.960 --> 0:25:13.800
<v Speaker 3>and Rory gets features, Glenn gets crime, Paris gets religion.

0:25:14.720 --> 0:25:17.080
<v Speaker 3>This seems big to me that Rory got features when

0:25:17.080 --> 0:25:20.719
<v Speaker 3>it's like her she's so young on the paper.

0:25:20.840 --> 0:25:26.520
<v Speaker 1>But cool, Well, let's see what she does with the opportunity.

0:25:26.920 --> 0:25:27.240
<v Speaker 3>I was on.

0:25:28.280 --> 0:25:30.320
<v Speaker 6>I will say I was on my high school newspaper,

0:25:30.320 --> 0:25:32.800
<v Speaker 6>and I loved features because you could basically write about

0:25:32.800 --> 0:25:35.680
<v Speaker 6>like anything you wanted, like you just could. He didn't

0:25:35.720 --> 0:25:39.200
<v Speaker 6>have like sports or whatever. You got to fully pick

0:25:39.240 --> 0:25:39.960
<v Speaker 6>what you wanted to do.

0:25:40.480 --> 0:25:46.240
<v Speaker 3>And then it happens in walks logan into the newsroom

0:25:46.359 --> 0:25:49.560
<v Speaker 3>and just Doyle freaking out is just like the greatest

0:25:49.560 --> 0:25:53.480
<v Speaker 3>thing ever. And did you see, like he who's that girl? Now?

0:25:53.520 --> 0:25:54.640
<v Speaker 3>He had a girl and.

0:25:54.600 --> 0:25:56.960
<v Speaker 4>He kind of a girl that he lanted planted a

0:25:57.000 --> 0:25:57.480
<v Speaker 4>speech on.

0:25:57.960 --> 0:26:00.040
<v Speaker 3>Is that the same girl that he had in the

0:26:00.080 --> 0:26:02.320
<v Speaker 3>episode when they walked by the coffee cart?

0:26:02.720 --> 0:26:03.679
<v Speaker 1>I think it was.

0:26:04.320 --> 0:26:07.520
<v Speaker 3>Can somebody from either our staff or the crack staff

0:26:08.040 --> 0:26:11.680
<v Speaker 3>figure out if that was the same girl? So that's

0:26:11.720 --> 0:26:15.280
<v Speaker 3>like somebody's mission for the next thirty minutes. So what

0:26:15.440 --> 0:26:18.320
<v Speaker 3>do you guys, I mean, I love him already, So

0:26:18.400 --> 0:26:21.520
<v Speaker 3>what did especially Scott and Danielle, what did you guys

0:26:21.560 --> 0:26:24.840
<v Speaker 3>think when here he comes and you see how studley

0:26:24.880 --> 0:26:26.680
<v Speaker 3>he is, and then you learn he's got this big,

0:26:26.760 --> 0:26:30.080
<v Speaker 3>rich father who's in the newspaper business.

0:26:30.359 --> 0:26:33.119
<v Speaker 1>He's such a cool customer and to come into a

0:26:33.160 --> 0:26:35.320
<v Speaker 1>scene like that and just take over and be cool

0:26:35.359 --> 0:26:38.919
<v Speaker 1>and relaxed, and it just showed how how strong an

0:26:38.960 --> 0:26:44.120
<v Speaker 1>actor he is, and what a wonderful debut for him,

0:26:44.160 --> 0:26:46.639
<v Speaker 1>and what a great character. I just think, man, Amy

0:26:46.680 --> 0:26:48.800
<v Speaker 1>must have had a ton of fun writing that character.

0:26:48.920 --> 0:26:53.440
<v Speaker 3>Oh, I agree. So he's in the Gilmore Woldan he's

0:26:53.440 --> 0:26:55.399
<v Speaker 3>got that different rhythm right Oh yeah.

0:26:55.440 --> 0:26:59.360
<v Speaker 1>Man, he's just this old guy and he I mean,

0:26:59.480 --> 0:27:02.920
<v Speaker 1>you know, is just reeking from him. It's just pouring

0:27:02.960 --> 0:27:06.640
<v Speaker 1>off him. Privilege and class and money. It's just pouring

0:27:06.680 --> 0:27:09.879
<v Speaker 1>off him. And he's not apologetic about it. You know.

0:27:10.200 --> 0:27:15.359
<v Speaker 1>He's ourgany kind of and he's distant, yet he's familiar

0:27:15.560 --> 0:27:18.560
<v Speaker 1>and i and warm at the same time. It's just

0:27:18.720 --> 0:27:21.960
<v Speaker 1>he's playing all these opposites. Wonderful, just wonderful to watch.

0:27:24.200 --> 0:27:28.920
<v Speaker 5>I still don't like him.

0:27:28.920 --> 0:27:32.040
<v Speaker 4>Sorry, I still like him.

0:27:30.520 --> 0:27:30.600
<v Speaker 7>But.

0:27:33.160 --> 0:27:35.320
<v Speaker 1>I'm waiting. I still don't like him.

0:27:35.720 --> 0:27:37.920
<v Speaker 5>I'm waiting for the episode to find him a little

0:27:38.000 --> 0:27:41.600
<v Speaker 5>more human, like the episode where you're like, oh, I

0:27:41.680 --> 0:27:42.360
<v Speaker 5>get it now.

0:27:42.680 --> 0:27:44.640
<v Speaker 4>I'm still waiting for it. So I still don't like him.

0:27:45.040 --> 0:27:48.480
<v Speaker 5>But what I will say is I do like what

0:27:48.560 --> 0:27:51.480
<v Speaker 5>he makes the people around him do. Like I do

0:27:51.680 --> 0:27:55.560
<v Speaker 5>like how Doyle is like flubbering around him like that

0:27:55.600 --> 0:27:59.040
<v Speaker 5>makes that made me laugh and I loved that scene.

0:27:59.200 --> 0:28:02.680
<v Speaker 5>And I also like how he's making Rory like call

0:28:02.760 --> 0:28:06.320
<v Speaker 5>him out, you know, like Rory is actually like like

0:28:07.080 --> 0:28:09.840
<v Speaker 5>not standing up to him, but she's kind of like,

0:28:10.080 --> 0:28:11.600
<v Speaker 5>you know, like hey, dude, what's up?

0:28:11.800 --> 0:28:13.960
<v Speaker 4>You know that kind of It's.

0:28:13.800 --> 0:28:17.560
<v Speaker 3>Such a great point you're making there because so far

0:28:18.119 --> 0:28:21.240
<v Speaker 3>they're pretty much going toe to toe. It's like who

0:28:21.280 --> 0:28:25.520
<v Speaker 3>has the leg up? But I'm going to say it's Logan,

0:28:26.200 --> 0:28:29.160
<v Speaker 3>and I think it's the first time that that's ever happened.

0:28:29.160 --> 0:28:31.880
<v Speaker 3>Like they're going toe to toe, but like which we'll

0:28:31.880 --> 0:28:34.639
<v Speaker 3>get to. She has to agree to the conditions, right,

0:28:35.240 --> 0:28:37.600
<v Speaker 3>and when they kind of have that confrontation when she's

0:28:37.600 --> 0:28:40.560
<v Speaker 3>sort of stalking him and waiting for him, like he

0:28:40.640 --> 0:28:43.400
<v Speaker 3>won that so it's sort.

0:28:43.200 --> 0:28:46.479
<v Speaker 1>Of like, yes, yes, that's what she does.

0:28:47.320 --> 0:28:50.480
<v Speaker 3>Yes, she's close and she's leveled up, right, so, which

0:28:50.480 --> 0:28:53.200
<v Speaker 3>I think he's intrigued by because most girls just kiss

0:28:53.280 --> 0:28:55.600
<v Speaker 3>him and don't don't even give him any kind of anything.

0:28:56.520 --> 0:28:59.200
<v Speaker 3>But it's still like point logan to me.

0:29:00.400 --> 0:29:06.560
<v Speaker 1>Again, absolutely absolutely absolutely, and it's like he's in control.

0:29:06.920 --> 0:29:09.160
<v Speaker 1>She wants the info from him. He's going to have

0:29:09.160 --> 0:29:12.800
<v Speaker 1>fun with her totally. And then you know, and you

0:29:12.800 --> 0:29:18.120
<v Speaker 1>don't have to necessarily like a character to enjoy the character, right,

0:29:18.280 --> 0:29:22.160
<v Speaker 1>And he's so easy to enjoy. Are you not enjoying him, Danielle,

0:29:22.440 --> 0:29:24.480
<v Speaker 1>You're not like he comes on the screen. What is

0:29:24.520 --> 0:29:26.719
<v Speaker 1>your experience? Are you're not laughing? Or you know?

0:29:26.960 --> 0:29:29.440
<v Speaker 5>Like I said, like I like what he's doing with

0:29:29.560 --> 0:29:32.320
<v Speaker 5>the people around how the people around him are responding

0:29:32.400 --> 0:29:35.000
<v Speaker 5>to him. Like I'm enjoying that a lot. So his

0:29:35.160 --> 0:29:38.840
<v Speaker 5>presence is giving me that, But him as a human

0:29:38.920 --> 0:29:41.560
<v Speaker 5>as and as a character, I'm not sold.

0:29:41.720 --> 0:29:43.560
<v Speaker 1>I'm just sing Okay. So here's the thing. Here's the thing.

0:29:43.600 --> 0:29:46.240
<v Speaker 1>When we meet a new person, right and we don't

0:29:46.320 --> 0:29:48.560
<v Speaker 1>know them, and it's not like everybody's a little anxious,

0:29:48.600 --> 0:29:51.200
<v Speaker 1>but then they make you laugh out loud. You love

0:29:51.240 --> 0:29:54.200
<v Speaker 1>that person immediately, It's like, oh, I love this guy.

0:29:54.280 --> 0:29:57.400
<v Speaker 1>I love this girl. She's funny and and Logan does

0:29:57.480 --> 0:29:59.719
<v Speaker 1>that when he puts the hat on and he said,

0:30:00.000 --> 0:30:07.320
<v Speaker 1>you know the whole thing, I just I howled this is.

0:30:08.280 --> 0:30:10.360
<v Speaker 4>I don't know, like just.

0:30:10.280 --> 0:30:13.280
<v Speaker 1>Like I love this guy. I don't care what he does.

0:30:14.240 --> 0:30:16.560
<v Speaker 1>You can cut a Dean all day and a cowboy

0:30:16.920 --> 0:30:25.720
<v Speaker 1>finger knoed Logan man entertaining.

0:30:25.920 --> 0:30:26.680
<v Speaker 4>I mean, here's the thing.

0:30:26.760 --> 0:30:29.760
<v Speaker 5>When Dean first came to the picture, I was sold

0:30:29.840 --> 0:30:33.320
<v Speaker 5>within the first episode. Same with Jess, like just with

0:30:33.480 --> 0:30:37.000
<v Speaker 5>like you know, being mysterious and and different, like I

0:30:37.040 --> 0:30:38.280
<v Speaker 5>loved it right away.

0:30:38.720 --> 0:30:41.640
<v Speaker 4>But with Logan, it's just taking me time.

0:30:42.120 --> 0:30:44.520
<v Speaker 6>Is because he like came in hot. Is that why?

0:30:45.160 --> 0:30:47.960
<v Speaker 4>Maybe I don't know. I'm just like he's just like

0:30:48.320 --> 0:30:49.680
<v Speaker 4>not it.

0:30:49.520 --> 0:30:50.200
<v Speaker 3>For me right now.

0:30:50.400 --> 0:30:54.280
<v Speaker 5>That's fine, But I appreciate his presence in the show

0:30:54.400 --> 0:30:54.720
<v Speaker 5>so far.

0:30:55.120 --> 0:30:57.120
<v Speaker 6>I think Scott has a point too. It's like you

0:30:57.160 --> 0:31:00.960
<v Speaker 6>don't have to love like the care but you still

0:31:01.080 --> 0:31:03.760
<v Speaker 6>enjoy watching. That's such a great way of explaining it,

0:31:03.800 --> 0:31:06.719
<v Speaker 6>because that's how I felt like, I mean, clearly I

0:31:06.760 --> 0:31:09.360
<v Speaker 6>know what happens, but like even going back I'm like,

0:31:09.400 --> 0:31:10.920
<v Speaker 6>you know what, he is really fun to watch.

0:31:11.000 --> 0:31:13.600
<v Speaker 3>Oh god, he's so good. I mean, and just like

0:31:14.000 --> 0:31:17.040
<v Speaker 3>the way they dress him in the turtleneck with the blazer,

0:31:17.600 --> 0:31:21.640
<v Speaker 3>like you just know he's rich and he's handsome. And

0:31:22.720 --> 0:31:25.040
<v Speaker 3>I think it's the confidence. And what I haven't ever

0:31:25.080 --> 0:31:30.400
<v Speaker 3>figured out is is Matt Zukri playing Logan so confident

0:31:30.480 --> 0:31:34.840
<v Speaker 3>or is Matt Zugri also just so confident and natural

0:31:35.120 --> 0:31:36.959
<v Speaker 3>that he just can play Logan.

0:31:38.560 --> 0:31:39.280
<v Speaker 1>Let's ask him.

0:31:40.320 --> 0:31:41.160
<v Speaker 4>We do need him on?

0:31:41.560 --> 0:31:47.000
<v Speaker 1>We do? Oh yeah, we need to, we needed we

0:31:47.040 --> 0:31:48.240
<v Speaker 1>need We.

0:31:48.200 --> 0:31:51.880
<v Speaker 3>Get a little glimpse into Logan's sort of life and

0:31:51.960 --> 0:31:54.600
<v Speaker 3>that he like had Daddy's yacht and sunk it, and

0:31:54.640 --> 0:31:59.200
<v Speaker 3>we learn a little bit about Mitcham. Yeah, so we

0:31:59.280 --> 0:32:03.440
<v Speaker 3>learn we learn of Mitcham's existence and that Logan is

0:32:03.480 --> 0:32:07.800
<v Speaker 3>a Huntsburger, you know, and then the hat and the

0:32:07.840 --> 0:32:09.440
<v Speaker 3>whole thing. I just literally was like.

0:32:09.440 --> 0:32:09.680
<v Speaker 7>Oh.

0:32:11.840 --> 0:32:15.120
<v Speaker 1>Yeah, no, I mean, this character is taking us into

0:32:15.200 --> 0:32:19.880
<v Speaker 1>a completely new world. It's a portal that that that

0:32:20.760 --> 0:32:24.120
<v Speaker 1>Rory is going to walk through, and I am going

0:32:24.240 --> 0:32:24.600
<v Speaker 1>with her.

0:32:24.640 --> 0:32:24.840
<v Speaker 10>Man.

0:32:25.040 --> 0:32:28.040
<v Speaker 1>I mean, this is the best storyline in the show

0:32:28.480 --> 0:32:31.200
<v Speaker 1>in quite a while. It really truly is. I mean,

0:32:31.240 --> 0:32:33.880
<v Speaker 1>this is just the whole experience in and of itself.

0:32:33.920 --> 0:32:36.560
<v Speaker 1>This is a whole show in and of itself, right,

0:32:37.280 --> 0:32:41.000
<v Speaker 1>I think I think the spin off shows may be

0:32:41.200 --> 0:32:44.200
<v Speaker 1>inspired by this Light the Light Brigade.

0:32:44.280 --> 0:32:46.760
<v Speaker 11>Is that what they call themselves, not to Life and Brigade,

0:32:47.080 --> 0:32:52.040
<v Speaker 11>Life and the Life and the Light Bride, you know,

0:32:52.280 --> 0:32:55.680
<v Speaker 11>And I just it's just a just a terrifically fun

0:32:55.920 --> 0:32:58.920
<v Speaker 11>fantasy experience that having you.

0:32:59.520 --> 0:33:04.640
<v Speaker 1>Yeah, I was waiting for more scenes with Logan, like

0:33:04.760 --> 0:33:07.600
<v Speaker 1>let's go there.

0:33:06.800 --> 0:33:08.160
<v Speaker 3>This new energy.

0:33:08.520 --> 0:33:10.840
<v Speaker 6>Yeah, and this was kind of this episode was like

0:33:10.840 --> 0:33:11.560
<v Speaker 6>a tease of that.

0:33:12.280 --> 0:33:17.160
<v Speaker 3>Yes, right, yeah, yeah, that's a great point. So we

0:33:17.240 --> 0:33:21.680
<v Speaker 3>go back to the inn and we've got Suki is

0:33:21.680 --> 0:33:25.800
<v Speaker 3>still going with her whole thing, which was entertaining, but

0:33:25.880 --> 0:33:27.440
<v Speaker 3>not my favorite part of the episode.

0:33:27.440 --> 0:33:28.920
<v Speaker 1>It's like, it's a little shrill.

0:33:29.840 --> 0:33:30.760
<v Speaker 3>It's a little shrill.

0:33:30.800 --> 0:33:34.160
<v Speaker 1>I think I found myself turning the volume down.

0:33:34.280 --> 0:33:36.320
<v Speaker 3>Yeah, it was. And it was just sort of like

0:33:37.520 --> 0:33:42.040
<v Speaker 3>no one's doing that. No proprietor essentially is like yelling

0:33:42.040 --> 0:33:46.640
<v Speaker 3>at Norman Mailer, do you know what I mean? So

0:33:47.280 --> 0:33:47.680
<v Speaker 3>it was.

0:33:47.680 --> 0:33:50.000
<v Speaker 1>Funny when she went out and grabbed the book and said.

0:33:53.400 --> 0:33:55.560
<v Speaker 3>It was all amusing and we understand that she's pregnant

0:33:55.560 --> 0:33:57.840
<v Speaker 3>once we get the payoffs, so it's like, okay, fine.

0:33:57.640 --> 0:34:02.120
<v Speaker 1>But that was that was a great how she realized

0:34:02.160 --> 0:34:03.480
<v Speaker 1>that was a great real.

0:34:08.560 --> 0:34:12.880
<v Speaker 3>We then learn that Doses is doing the what I

0:34:12.920 --> 0:34:17.719
<v Speaker 3>call the seven eleven special, having the hot dogs, the nachos,

0:34:17.800 --> 0:34:21.040
<v Speaker 3>the icy. First of all, I love an Icy, but

0:34:21.239 --> 0:34:24.359
<v Speaker 3>the hot dogs looked not good.

0:34:25.920 --> 0:34:28.279
<v Speaker 4>I love a nacho, so I'll take the nachos.

0:34:28.520 --> 0:34:28.759
<v Speaker 1>Yeah.

0:34:29.360 --> 0:34:31.400
<v Speaker 3>I love when Laura, I don't. I can't remember if

0:34:31.400 --> 0:34:33.040
<v Speaker 3>what happens to you. I think it's later when she's

0:34:33.080 --> 0:34:36.960
<v Speaker 3>like cruising down just eating. It's like so epic.

0:34:38.040 --> 0:34:39.759
<v Speaker 6>I like how it's like the top of the town, like,

0:34:39.760 --> 0:34:41.680
<v Speaker 6>oh we got an icy machine and hot dog, Like

0:34:41.719 --> 0:34:42.759
<v Speaker 6>it's like a whole thing.

0:34:43.560 --> 0:34:46.520
<v Speaker 3>I do love an Icy though, I do too. Now,

0:34:46.560 --> 0:34:48.719
<v Speaker 3>do you have a preference over Icy to Slurpee? And

0:34:48.760 --> 0:34:51.640
<v Speaker 3>are they the same to you guys? Or are they different.

0:34:55.000 --> 0:34:56.120
<v Speaker 6>Like slurpies? Right?

0:34:56.640 --> 0:35:00.640
<v Speaker 1>What's the difference? The brain freeze you get the higher

0:35:01.200 --> 0:35:03.799
<v Speaker 1>you get a quicker brain freeze with the Slurpee. With

0:35:03.840 --> 0:35:06.320
<v Speaker 1>the Icy, it's a little more subtle.

0:35:06.440 --> 0:35:09.080
<v Speaker 4>I don't think there's a difference. Is maybe just the brand, just.

0:35:09.000 --> 0:35:12.319
<v Speaker 6>The brand I think yeah, yeah, I don't know. ICs

0:35:12.320 --> 0:35:14.080
<v Speaker 6>are always at like the movie theaters.

0:35:14.239 --> 0:35:16.160
<v Speaker 1>Yeah, Surer have colder ice.

0:35:17.400 --> 0:35:23.440
<v Speaker 5>I like the different it's the same products, but bold

0:35:23.520 --> 0:35:27.000
<v Speaker 5>under did anybody have the the at home? Slurpy won't

0:35:27.040 --> 0:35:30.040
<v Speaker 5>thank the makers, Like it's like an easy bake oven, but.

0:35:30.880 --> 0:35:33.360
<v Speaker 3>But it's funny. They still sell the icy one and

0:35:33.800 --> 0:35:35.320
<v Speaker 3>thinking of buying it for the summer.

0:35:35.640 --> 0:35:38.279
<v Speaker 5>So dope, but like it makes like one like you

0:35:38.360 --> 0:35:40.040
<v Speaker 5>have to work really hard to.

0:35:40.080 --> 0:35:43.560
<v Speaker 1>Make it a pool at your estate? Do you have

0:35:43.600 --> 0:35:44.000
<v Speaker 1>a pool?

0:35:44.440 --> 0:35:45.960
<v Speaker 3>I mean there's like a community pool.

0:35:47.760 --> 0:35:49.600
<v Speaker 1>Well sure, I mean you can have your icy over there.

0:35:50.080 --> 0:35:53.799
<v Speaker 3>So the easy bake oven literally we cooked cakes with

0:35:53.840 --> 0:35:54.480
<v Speaker 3>a light bulb.

0:35:54.960 --> 0:35:55.279
<v Speaker 4>I know.

0:35:56.280 --> 0:35:59.600
<v Speaker 5>But that's how the Slurpy, the slurping machine I'm talking

0:35:59.640 --> 0:36:00.240
<v Speaker 5>about it.

0:36:00.160 --> 0:36:04.600
<v Speaker 1>It's like, but I Slurpy was like a social totally

0:36:04.920 --> 0:36:07.440
<v Speaker 1>now people we hang out with the seven eleven.

0:36:07.760 --> 0:36:11.640
<v Speaker 3>Yeah, there's seven eleven right by our house and we

0:36:11.680 --> 0:36:13.719
<v Speaker 3>go every day like literally slurpy every day. I'm sure

0:36:13.760 --> 0:36:15.960
<v Speaker 3>it's not good for you too, You're just like drinking.

0:36:15.760 --> 0:36:18.400
<v Speaker 4>Red sugar, red dye and sugar.

0:36:20.320 --> 0:36:24.439
<v Speaker 3>But so that was kind of Dean looked adorable, don't

0:36:24.480 --> 0:36:27.800
<v Speaker 3>get me wrong, but they also are having sort of

0:36:27.840 --> 0:36:31.720
<v Speaker 3>a struggle because they can't schedule time. I'm not feeling

0:36:31.719 --> 0:36:32.680
<v Speaker 3>good about their future.

0:36:34.160 --> 0:36:35.080
<v Speaker 4>No, not really.

0:36:35.320 --> 0:36:37.160
<v Speaker 5>That went out the window a few episodes ago.

0:36:37.920 --> 0:36:39.280
<v Speaker 1>Life got in the way.

0:36:39.920 --> 0:36:42.399
<v Speaker 3>There was sort of a funny line though, like when

0:36:42.400 --> 0:36:45.680
<v Speaker 3>he's like sex can do that also, and she's all, amen, brother, it's.

0:36:45.680 --> 0:36:46.920
<v Speaker 6>I don't like it.

0:36:47.000 --> 0:36:48.560
<v Speaker 3>Why is it so weird?

0:36:49.360 --> 0:36:49.839
<v Speaker 1>That's tough.

0:36:50.680 --> 0:36:52.480
<v Speaker 6>I think it's weird because I don't know why. Like

0:36:52.520 --> 0:36:53.960
<v Speaker 6>I feel like it wouldn't be weird if it was

0:36:54.000 --> 0:36:56.560
<v Speaker 6>like at this rate, like Logan and Rory, but because

0:36:56.560 --> 0:36:57.879
<v Speaker 6>it's her in Dean, it just.

0:36:59.120 --> 0:37:04.160
<v Speaker 1>Go Yeah, he's getting all porny on her talking about

0:37:04.360 --> 0:37:07.560
<v Speaker 1>that marketing Gilmore. Girls don't do the porny talk.

0:37:08.360 --> 0:37:14.719
<v Speaker 4>No, it's just weird. Like I get you guys.

0:37:14.440 --> 0:37:17.359
<v Speaker 5>Had sex, but like yeah, like well you don't need

0:37:17.400 --> 0:37:18.160
<v Speaker 5>to talk about it.

0:37:18.560 --> 0:37:21.800
<v Speaker 3>Oh god, Okay. So then we go to the meeting

0:37:21.800 --> 0:37:25.000
<v Speaker 3>with the accountant, which here's my question. If a inn

0:37:25.400 --> 0:37:29.240
<v Speaker 3>is seventy five percent occupied, that's like major.

0:37:30.200 --> 0:37:32.800
<v Speaker 8>So there was a little bit of like huh because

0:37:32.840 --> 0:37:35.319
<v Speaker 8>she's like, when we get the profits up from what

0:37:35.440 --> 0:37:39.160
<v Speaker 8>I know, seventy five percent occupied is like amazing, like

0:37:39.320 --> 0:37:41.239
<v Speaker 8>I heard hotels, you don't even want to be like

0:37:41.400 --> 0:37:45.840
<v Speaker 8>ninety nine percent occupied because you're not able to handle that,

0:37:46.320 --> 0:37:48.799
<v Speaker 8>like when a hotel's book this goes down and all

0:37:48.840 --> 0:37:49.360
<v Speaker 8>these things.

0:37:49.640 --> 0:37:50.200
<v Speaker 1>So they're just.

0:37:50.080 --> 0:37:52.040
<v Speaker 4>Probably so in the hole, you.

0:37:52.000 --> 0:37:54.080
<v Speaker 1>Know, Like I mean, they need to they need to

0:37:54.120 --> 0:37:57.239
<v Speaker 1>maximize profits to get back to even because they're Yeah,

0:37:57.280 --> 0:37:58.640
<v Speaker 1>they're in the rest, that's true.

0:37:58.920 --> 0:37:59.440
<v Speaker 3>True.

0:38:00.040 --> 0:38:03.839
<v Speaker 1>All that the big spend they did on breakfast.

0:38:03.040 --> 0:38:04.840
<v Speaker 3>And dinners, it sounds like are going great, but lunch

0:38:04.920 --> 0:38:05.520
<v Speaker 3>is problem.

0:38:05.560 --> 0:38:08.080
<v Speaker 1>No breakfasts, break even dinners are making some money.

0:38:08.200 --> 0:38:12.160
<v Speaker 3>Did she say that? Yeah, oh I missed that, but great,

0:38:12.719 --> 0:38:15.480
<v Speaker 3>m and then I love that Michelle wants to deduct

0:38:15.480 --> 0:38:16.960
<v Speaker 3>his suits, but Suki's all.

0:38:16.840 --> 0:38:20.799
<v Speaker 1>Mad and my accountant would be able to deduct those suits.

0:38:21.920 --> 0:38:23.200
<v Speaker 3>Well, your accountant might be better.

0:38:23.600 --> 0:38:26.680
<v Speaker 1>I think he is, and I don't. I don't think

0:38:26.680 --> 0:38:35.360
<v Speaker 1>he auditioned for that part. Weirdly, so day from Delta Airlines,

0:38:35.680 --> 0:38:39.399
<v Speaker 1>I got a new they're still looking for my John.

0:38:40.640 --> 0:38:41.680
<v Speaker 3>They still have not found it.

0:38:41.800 --> 0:38:44.399
<v Speaker 1>They're giving it another two weeks and then they're giving up.

0:38:44.920 --> 0:38:46.560
<v Speaker 1>But they just wanted to. They just wanted me to

0:38:46.600 --> 0:38:47.600
<v Speaker 1>know they're working hard.

0:38:47.680 --> 0:38:50.719
<v Speaker 3>When they give up, do you get any money or

0:38:50.800 --> 0:38:51.680
<v Speaker 3>is it just too bad?

0:38:52.200 --> 0:38:53.879
<v Speaker 1>No, it's too bad. Oh you don't.

0:38:54.160 --> 0:38:56.040
<v Speaker 3>I don't know that. So when you put your suitcase

0:38:56.080 --> 0:38:57.319
<v Speaker 3>on that thing, you're kind of like.

0:38:58.000 --> 0:38:59.000
<v Speaker 6>I signed off.

0:38:59.239 --> 0:39:00.560
<v Speaker 3>Just hope for the best.

0:39:00.960 --> 0:39:04.080
<v Speaker 1>I handed it to that guy. I should have just

0:39:04.120 --> 0:39:11.000
<v Speaker 1>said bye bye John, Bye bye Church. I don't want

0:39:10.960 --> 0:39:11.759
<v Speaker 1>to home now.

0:39:12.719 --> 0:39:17.560
<v Speaker 3>And every day I think good choice on the no flying. Okay,

0:39:17.680 --> 0:39:19.680
<v Speaker 3>So then we go to Rory, who's trying to do

0:39:19.719 --> 0:39:23.440
<v Speaker 3>this boring feature, like the story she picked is so boring,

0:39:23.880 --> 0:39:26.640
<v Speaker 3>and we're in this random guy's room and he's trying

0:39:26.640 --> 0:39:30.480
<v Speaker 3>to explain like I don't know CDs or something. To her.

0:39:30.640 --> 0:39:33.000
<v Speaker 6>I was like, he is trying to explain LimeWire.

0:39:33.480 --> 0:39:36.160
<v Speaker 3>It was so boring, like and I think it was

0:39:36.200 --> 0:39:38.880
<v Speaker 3>intentionally boring. Like I was like, even I don't want

0:39:38.920 --> 0:39:42.240
<v Speaker 3>to hear anything this guy's saying right in his messy,

0:39:42.280 --> 0:39:43.160
<v Speaker 3>messy dorm room.

0:39:44.600 --> 0:39:46.680
<v Speaker 6>The detail, by the way I was laying at when

0:39:46.800 --> 0:39:48.960
<v Speaker 6>that was his name, the detail in that scene of

0:39:49.040 --> 0:39:51.480
<v Speaker 6>just like I was looking in the room, like the

0:39:51.600 --> 0:39:53.640
<v Speaker 6>set design was amazing.

0:39:53.160 --> 0:39:58.319
<v Speaker 3>Totally totally that was like a crazy, legit, kind of

0:39:58.320 --> 0:40:02.680
<v Speaker 3>geeky music y guy's dorm room yeah, but the bore

0:40:02.880 --> 0:40:04.879
<v Speaker 3>is so plainful. I couldn't get out of there fast enough.

0:40:06.880 --> 0:40:10.080
<v Speaker 1>So and then she's you were not entertained.

0:40:12.200 --> 0:40:14.759
<v Speaker 3>So she goes to the bathroom because she lost her

0:40:14.760 --> 0:40:17.120
<v Speaker 3>train of thought because she was so boring. She goes

0:40:17.160 --> 0:40:20.760
<v Speaker 3>to the bathroom and then she sees the girl monkey

0:40:20.760 --> 0:40:23.720
<v Speaker 3>head and gorilla mask. Yeah, gorilla masks.

0:40:23.760 --> 0:40:25.759
<v Speaker 1>How did that girl not see her in the mirror? Though?

0:40:27.200 --> 0:40:28.520
<v Speaker 3>Great point, great point.

0:40:28.560 --> 0:40:30.480
<v Speaker 1>I mean she's like raked off to the side. The

0:40:30.520 --> 0:40:36.640
<v Speaker 1>mirror has a pile of very wide you know the

0:40:36.680 --> 0:40:37.680
<v Speaker 1>things I notice.

0:40:37.920 --> 0:40:39.400
<v Speaker 3>It did make me go and watch the Planet of

0:40:39.400 --> 0:40:42.719
<v Speaker 3>the Apes this weekend, though, it did make me want

0:40:42.719 --> 0:40:44.239
<v Speaker 3>to watch Planet of the Apes, which I did. I

0:40:44.320 --> 0:40:50.480
<v Speaker 3>finally watched the original nineties yeah boy, which is not bad.

0:40:51.280 --> 0:40:55.440
<v Speaker 3>It's not good, but I think it's not good in

0:40:55.560 --> 0:41:00.239
<v Speaker 3>twenty twenty three because like just the like the actual

0:41:00.239 --> 0:41:03.839
<v Speaker 3>effects is basically just turning the camera in circles, rightly,

0:41:05.280 --> 0:41:08.800
<v Speaker 3>what so bad? But it was like kind of amusing.

0:41:10.960 --> 0:41:16.640
<v Speaker 1>Yeah, let's put.

0:41:20.000 --> 0:41:23.359
<v Speaker 3>It and it's like crashes in the water. But really

0:41:23.440 --> 0:41:25.719
<v Speaker 3>it's just like a camera going like this, and you're just.

0:41:25.680 --> 0:41:28.960
<v Speaker 1>Like technique seventies techniques.

0:41:29.120 --> 0:41:30.959
<v Speaker 3>Yeah, so anyway, but.

0:41:30.880 --> 0:41:34.720
<v Speaker 1>The ones are good, oh boy.

0:41:34.440 --> 0:41:38.439
<v Speaker 3>Yeah, not the Mark Wahlberg one was like, yeah, that's

0:41:38.960 --> 0:41:41.399
<v Speaker 3>not great. But then the other ones.

0:41:41.120 --> 0:41:43.680
<v Speaker 1>Were put Mark Wahlberg in the jungle, I don't know.

0:41:43.600 --> 0:41:46.600
<v Speaker 3>And it was Tim Burton, but the yeah and the

0:41:46.680 --> 0:41:49.200
<v Speaker 3>different ending, right, I don't know if you've seen it,

0:41:49.200 --> 0:41:50.160
<v Speaker 3>but it's got the different ending.

0:41:50.160 --> 0:41:52.120
<v Speaker 1>I mean I couldn't. I couldn't get through.

0:41:52.280 --> 0:41:54.080
<v Speaker 3>Now I'm doing a deep dive in Plant of the Ames,

0:41:54.160 --> 0:41:58.680
<v Speaker 3>probably thanks to Logan Huntsburger. But so Rory follows out

0:41:58.719 --> 0:42:01.920
<v Speaker 3>and she sees her get in there escalade or the you.

0:42:01.840 --> 0:42:02.040
<v Speaker 1>Know the.

0:42:03.560 --> 0:42:03.600
<v Speaker 7>Es.

0:42:03.760 --> 0:42:07.080
<v Speaker 3>Oh good, okay, and uh now she's intrigued.

0:42:11.000 --> 0:42:13.400
<v Speaker 4>What did she say before she got in the car?

0:42:14.000 --> 0:42:14.200
<v Speaker 1>Oh?

0:42:14.840 --> 0:42:19.919
<v Speaker 3>She says in omnia. What does that mean?

0:42:20.080 --> 0:42:20.719
<v Speaker 4>What does that mean?

0:42:21.200 --> 0:42:24.239
<v Speaker 3>It means she looked it up? It means what does

0:42:24.280 --> 0:42:26.799
<v Speaker 3>it mean? It means we do we learned?

0:42:27.440 --> 0:42:31.840
<v Speaker 5>Means ready for everything, for anything, ready.

0:42:31.600 --> 0:42:37.439
<v Speaker 4>For anything, anyone in this.

0:42:42.280 --> 0:42:43.600
<v Speaker 1>But if we were, we wouldn't.

0:42:43.960 --> 0:42:47.000
<v Speaker 5>If I'll admit it, if I can bet money, it

0:42:47.040 --> 0:42:48.799
<v Speaker 5>would definitely be amy you too.

0:42:52.000 --> 0:42:54.000
<v Speaker 3>I can't tell you what mine was, but yes, I

0:42:54.000 --> 0:42:57.759
<v Speaker 3>got a weird letter like in my mailbox and the

0:42:57.760 --> 0:43:01.520
<v Speaker 3>sorority and it said like go it was I think

0:43:01.560 --> 0:43:03.560
<v Speaker 3>it was even like I can't remember if it was

0:43:03.600 --> 0:43:05.919
<v Speaker 3>handwritten or it was like a professional like embossed letter

0:43:05.960 --> 0:43:08.359
<v Speaker 3>and it said be ready this time.

0:43:08.560 --> 0:43:11.000
<v Speaker 4>No, No, this is so cool.

0:43:11.480 --> 0:43:13.600
<v Speaker 3>So I know my parents and I was like, what

0:43:13.760 --> 0:43:16.680
<v Speaker 3>this weird letter? And where do they say?

0:43:16.719 --> 0:43:19.640
<v Speaker 10>They're like, go, my dad's like it's skulling keys or

0:43:19.680 --> 0:43:23.480
<v Speaker 10>something like full secret society that's like a massive drinking thing,

0:43:23.520 --> 0:43:26.879
<v Speaker 10>which I'm like, it's definitely not that, like because I've

0:43:26.960 --> 0:43:28.399
<v Speaker 10>never even had a sip of alcohol in my life.

0:43:28.400 --> 0:43:32.720
<v Speaker 3>But he's like, it's definitely a secret society. Just be ready.

0:43:33.200 --> 0:43:35.320
<v Speaker 5>Was it something that he was a part of or

0:43:35.360 --> 0:43:37.960
<v Speaker 5>were you like that you were you inherited?

0:43:38.000 --> 0:43:40.680
<v Speaker 3>Trying to figure out what I like, he was not

0:43:40.960 --> 0:43:44.279
<v Speaker 3>in it, but he knew of it. So he was

0:43:44.280 --> 0:43:47.120
<v Speaker 3>not in it because it was only girls. But he

0:43:47.440 --> 0:43:50.000
<v Speaker 3>once at the time he knew, like I wasn't going

0:43:50.080 --> 0:43:51.560
<v Speaker 3>to be murdered or something, you know, He's like, You're

0:43:51.560 --> 0:43:53.600
<v Speaker 3>not gonna be murdered. You're like, you're fine, do it. Yeah,

0:43:54.000 --> 0:43:57.279
<v Speaker 3>And my mom didn't know of it, but they still

0:43:57.360 --> 0:43:59.160
<v Speaker 3>went to the same college as me. So that's why

0:43:59.280 --> 0:43:59.600
<v Speaker 3>they would.

0:43:59.719 --> 0:44:00.560
<v Speaker 4>So you did it?

0:44:00.880 --> 0:44:03.279
<v Speaker 3>Oh I did it. Yeah, I'm in it. I can't

0:44:03.280 --> 0:44:03.920
<v Speaker 3>tell you what it is.

0:44:04.640 --> 0:44:08.239
<v Speaker 5>That was the excitt that I got was sorority with

0:44:08.280 --> 0:44:11.040
<v Speaker 5>the secret handshake and words and things that you know.

0:44:11.120 --> 0:44:13.239
<v Speaker 5>But that this is a secret society is a whole

0:44:13.239 --> 0:44:14.799
<v Speaker 5>different level than that.

0:44:14.880 --> 0:44:19.160
<v Speaker 3>What I can say is, so, for like I don't

0:44:19.160 --> 0:44:21.359
<v Speaker 3>know how many years, let's say fifty years, I think

0:44:21.400 --> 0:44:25.000
<v Speaker 3>probably fifty, there's a certain number of people in it,

0:44:25.200 --> 0:44:29.040
<v Speaker 3>and each person picks one in the class below. So

0:44:29.080 --> 0:44:31.920
<v Speaker 3>there's now a line of us that are in the

0:44:31.960 --> 0:44:34.200
<v Speaker 3>secret society in this one.

0:44:34.239 --> 0:44:35.160
<v Speaker 4>So who picked you?

0:44:36.760 --> 0:44:38.040
<v Speaker 3>She can't say answer.

0:44:38.400 --> 0:44:40.360
<v Speaker 1>Let me ask you this, Amy. I think I know

0:44:40.400 --> 0:44:43.680
<v Speaker 1>what you're talking about. Do you guys do get togethers

0:44:43.719 --> 0:44:44.240
<v Speaker 1>at the grove?

0:44:45.239 --> 0:44:52.720
<v Speaker 3>At the grove? Well, because it's in Berkeley, it's in Berkeley.

0:44:52.800 --> 0:44:53.759
<v Speaker 3>Is there a secret thing at.

0:44:53.719 --> 0:44:57.480
<v Speaker 1>The grove the grove? That's not it? Okay, you've answered

0:44:57.520 --> 0:44:58.440
<v Speaker 1>the question, thank you.

0:45:00.480 --> 0:45:03.040
<v Speaker 3>And I do remember who picked me, and I remember

0:45:03.080 --> 0:45:05.440
<v Speaker 3>who picked her, and I remember who picked that person,

0:45:05.480 --> 0:45:06.759
<v Speaker 3>So I can go back that far.

0:45:07.400 --> 0:45:09.840
<v Speaker 5>Do you call them like you're big and little, like

0:45:09.880 --> 0:45:11.080
<v Speaker 5>you're doing sorrity or no?

0:45:11.640 --> 0:45:11.680
<v Speaker 2>No?

0:45:12.760 --> 0:45:15.680
<v Speaker 3>And then I remember who I picked, but really I

0:45:15.840 --> 0:45:18.800
<v Speaker 3>want for me this was weird, and people listening are like,

0:45:18.960 --> 0:45:19.399
<v Speaker 3>so born.

0:45:20.120 --> 0:45:21.360
<v Speaker 4>I was intriguing.

0:45:22.440 --> 0:45:25.319
<v Speaker 3>It's that's why I'm saying. This whole thing is real

0:45:25.520 --> 0:45:28.719
<v Speaker 3>that they're doing. No, we didn't like do weird. We

0:45:28.760 --> 0:45:32.880
<v Speaker 3>didn't have to jump off you'll learn. But anyway, it

0:45:33.000 --> 0:45:35.600
<v Speaker 3>was very important to me the person too below me.

0:45:36.320 --> 0:45:38.640
<v Speaker 3>So when I picked the person, I said, I don't

0:45:38.719 --> 0:45:41.480
<v Speaker 3>mean to like overstep, but this is the person that

0:45:41.560 --> 0:45:44.160
<v Speaker 3>I really is. And that person did pick that person,

0:45:44.840 --> 0:45:46.399
<v Speaker 3>and then I don't know what happened from there.

0:45:46.560 --> 0:45:48.560
<v Speaker 6>Do you still talk to these people who who the

0:45:48.719 --> 0:45:50.120
<v Speaker 6>one who picked you and the person who.

0:45:50.200 --> 0:45:53.280
<v Speaker 3>Oh yeah, I definitely talked to the person the most

0:45:53.840 --> 0:45:58.200
<v Speaker 3>who's one, two, three, four above me, but we don't

0:45:58.200 --> 0:46:00.319
<v Speaker 3>talk about it very much, like forget like I can't

0:46:00.360 --> 0:46:01.239
<v Speaker 3>really remember.

0:46:00.960 --> 0:46:03.480
<v Speaker 4>What we did, and do you do things like do

0:46:03.600 --> 0:46:04.480
<v Speaker 4>you do like?

0:46:04.680 --> 0:46:04.880
<v Speaker 1>You do?

0:46:05.080 --> 0:46:09.480
<v Speaker 3>Get an email every year that there's a luncheon for

0:46:09.719 --> 0:46:13.080
<v Speaker 3>the secret Society of all the people, but.

0:46:13.160 --> 0:46:16.239
<v Speaker 5>It's only a year like a luncheon only I've never

0:46:16.320 --> 0:46:18.839
<v Speaker 5>gone to the luncheon. But what's the point of being

0:46:18.880 --> 0:46:20.560
<v Speaker 5>in part of the society if it's just a lunch

0:46:20.600 --> 0:46:23.800
<v Speaker 5>once a year, I think to because you need a party.

0:46:24.040 --> 0:46:27.879
<v Speaker 1>I need like yeah, you get together and they help

0:46:27.960 --> 0:46:30.280
<v Speaker 1>each other out, and it's a thing.

0:46:30.200 --> 0:46:33.080
<v Speaker 3>When you're in school. So you did, we did like

0:46:33.160 --> 0:46:35.640
<v Speaker 3>maybe five things when you're in school. But I think

0:46:35.640 --> 0:46:39.440
<v Speaker 3>it's also to be like cool, like you're in this thing.

0:46:39.680 --> 0:46:41.560
<v Speaker 3>Yeah yeah, yeah, I might need to like bring up

0:46:41.640 --> 0:46:45.560
<v Speaker 3>like are we supposed to be doing something? And it's secret?

0:46:45.600 --> 0:46:47.480
<v Speaker 3>Like I don't have a pin or any proof, like.

0:46:47.560 --> 0:46:53.880
<v Speaker 1>There's nothing to prove too, very simple. Yeah, there's a

0:46:53.960 --> 0:46:54.880
<v Speaker 1>lot of their circles.

0:46:55.600 --> 0:46:58.800
<v Speaker 5>Yeah, I wonder if they're at like every school because

0:46:58.880 --> 0:47:00.880
<v Speaker 5>like I don't remember that at my school.

0:47:01.160 --> 0:47:03.439
<v Speaker 3>Well, what was that Paul Walker? Was it Paul Walker movie?

0:47:03.640 --> 0:47:06.359
<v Speaker 3>Was there a movie Skull and Bones or whatever? Wasn't

0:47:06.480 --> 0:47:08.040
<v Speaker 3>the key? What was that movie?

0:47:08.560 --> 0:47:11.239
<v Speaker 1>And it was Matt da Was it mat and Skull

0:47:11.320 --> 0:47:13.600
<v Speaker 1>and Bones or was it not Paul Walker?

0:47:13.680 --> 0:47:17.200
<v Speaker 3>It was some cutie with guys? What was that movie?

0:47:17.280 --> 0:47:20.799
<v Speaker 3>It's all about one of these secret societies, because even

0:47:21.160 --> 0:47:23.600
<v Speaker 3>they mentioned skull and Bones that was sort of I

0:47:23.640 --> 0:47:24.919
<v Speaker 3>think a famous one, right.

0:47:24.960 --> 0:47:29.280
<v Speaker 1>Yeah that's what the Bush family. That's Yale, that's yeah.

0:47:29.320 --> 0:47:33.440
<v Speaker 5>Yeah, yeah, yeah, skulling Bone, the Skulls has Paul Walker

0:47:33.520 --> 0:47:39.719
<v Speaker 5>and I knew. See, I'm sorry, it's about a secret society.

0:47:40.040 --> 0:47:40.800
<v Speaker 6>Yeah, watch this.

0:47:41.160 --> 0:47:43.040
<v Speaker 1>I got to do a secret society once in the

0:47:43.080 --> 0:47:44.960
<v Speaker 1>mountains where we're in a hot tub and I said,

0:47:45.239 --> 0:47:46.960
<v Speaker 1>you can get in if you get out and roll

0:47:47.040 --> 0:47:49.239
<v Speaker 1>around in the snow and freeze. And I did it,

0:47:49.480 --> 0:47:51.719
<v Speaker 1>and I realized it wasn't that big deal. They were

0:47:51.840 --> 0:47:56.440
<v Speaker 1>just joking with me. Couldn't skate it. Next he.

0:48:01.640 --> 0:48:04.080
<v Speaker 3>We still need to talk about Logan more, but let's

0:48:04.120 --> 0:48:10.120
<v Speaker 3>dig into Christopher because this is where Christopher calls Laura

0:48:10.200 --> 0:48:17.480
<v Speaker 3>Lai and you know he needs help. I sort of

0:48:17.640 --> 0:48:20.640
<v Speaker 3>was like, oh my god, like, where the heck have

0:48:20.760 --> 0:48:21.120
<v Speaker 3>you been.

0:48:22.800 --> 0:48:24.319
<v Speaker 4>I didn't expect him to come back.

0:48:25.160 --> 0:48:27.520
<v Speaker 5>Oh really yeah, I didn't think he was coming, Like

0:48:27.600 --> 0:48:29.200
<v Speaker 5>I thought we were done with Christopher.

0:48:30.480 --> 0:48:32.279
<v Speaker 1>Really well, they just had to bring him back so

0:48:32.480 --> 0:48:33.719
<v Speaker 1>Rory could knock him out.

0:48:34.239 --> 0:48:35.399
<v Speaker 4>Yeah, well, I do think.

0:48:36.200 --> 0:48:38.439
<v Speaker 3>I do think he was working on another TV show

0:48:38.480 --> 0:48:40.719
<v Speaker 3>that obviously got canceled, so he's available for Gilmo Girls,

0:48:40.800 --> 0:48:43.759
<v Speaker 3>but he's still calling her lare Yeah.

0:48:43.840 --> 0:48:47.160
<v Speaker 6>I have a question for everyone. Do you think that

0:48:47.320 --> 0:48:49.560
<v Speaker 6>it was wrong for him to call Laura l I

0:48:49.760 --> 0:48:51.400
<v Speaker 6>or do you think it was wrong for her to

0:48:51.560 --> 0:48:52.560
<v Speaker 6>go over there.

0:48:56.960 --> 0:49:01.680
<v Speaker 1>But but thinking of the welfare of his child, so

0:49:01.960 --> 0:49:06.520
<v Speaker 1>he doesn't. It's it's always appropriate when the welfare of

0:49:06.600 --> 0:49:10.160
<v Speaker 1>your child is at stake, you call anybody in everyone.

0:49:10.600 --> 0:49:12.240
<v Speaker 4>Yea, yeah, I can't pick.

0:49:14.360 --> 0:49:19.920
<v Speaker 1>Exactly it was inappropriate, but it was absolutely appropriate if

0:49:19.960 --> 0:49:20.400
<v Speaker 1>you look at it.

0:49:20.840 --> 0:49:24.279
<v Speaker 5>Yeah, like he he shouldn't have, but he didn't have

0:49:24.400 --> 0:49:28.719
<v Speaker 5>a choice, so like I agree there, Like, yeah, from

0:49:28.760 --> 0:49:31.440
<v Speaker 5>a moral perspective, he shouldn't have called someone that he

0:49:31.760 --> 0:49:32.600
<v Speaker 5>left that, But.

0:49:34.320 --> 0:49:36.759
<v Speaker 1>You know, it's the health of the child. The child,

0:49:39.160 --> 0:49:41.120
<v Speaker 1>I mean, that's kind of a dangerous situation.

0:49:42.239 --> 0:49:49.600
<v Speaker 3>So empathy for Lurlai going because that is Rory's sister. Yeah,

0:49:49.600 --> 0:49:52.920
<v Speaker 3>and this is the father of her child who literally

0:49:53.040 --> 0:49:55.439
<v Speaker 3>needs help. It's like, what is she supposed to say?

0:49:56.080 --> 0:50:00.080
<v Speaker 5>No, I do think that like Christopher and Laura I

0:50:00.160 --> 0:50:03.200
<v Speaker 5>have gone through so much together that they're always there

0:50:03.239 --> 0:50:06.319
<v Speaker 5>for each other no matter what, like, no matter how

0:50:06.640 --> 0:50:08.080
<v Speaker 5>ugly they they left.

0:50:08.719 --> 0:50:11.239
<v Speaker 1>Let me let me stop you right there. What have

0:50:11.360 --> 0:50:14.760
<v Speaker 1>they gone through together? Besides having a child at sixteen

0:50:15.280 --> 0:50:17.480
<v Speaker 1>and then I mean that's a massive thing to go

0:50:17.680 --> 0:50:20.520
<v Speaker 1>through and like that was when they were sixteen. What

0:50:20.640 --> 0:50:22.560
<v Speaker 1>have they gone through since well they've.

0:50:22.440 --> 0:50:25.880
<v Speaker 3>Really they've gotten back together, so god, so together.

0:50:26.640 --> 0:50:30.160
<v Speaker 1>They've been there. He's been there all these all these years.

0:50:30.160 --> 0:50:34.200
<v Speaker 1>Who's been there for them? What have they gone through?

0:50:34.360 --> 0:50:34.759
<v Speaker 1>Very much?

0:50:35.320 --> 0:50:37.160
<v Speaker 3>I mean they've gone through there.

0:50:38.400 --> 0:50:42.120
<v Speaker 1>I'm sorry. He's a deadbeat dad. Let's let's call him

0:50:42.120 --> 0:50:44.080
<v Speaker 1>what he is. Let's call him out for what. He's

0:50:44.120 --> 0:50:48.640
<v Speaker 1>a deadbeat dad who abandoned his kid, and that's what

0:50:48.800 --> 0:50:50.160
<v Speaker 1>he is. So sorry.

0:50:50.360 --> 0:50:52.719
<v Speaker 5>I have to if he was there, if he was

0:50:52.800 --> 0:50:55.080
<v Speaker 5>there for Rory, he would know how to help his

0:50:55.280 --> 0:50:57.400
<v Speaker 5>child exactly exactly.

0:50:57.680 --> 0:51:01.640
<v Speaker 1>Guys nailed it, and I'm done. That's a poster you

0:51:01.719 --> 0:51:02.480
<v Speaker 1>just got, Polister.

0:51:02.960 --> 0:51:07.400
<v Speaker 3>He didn't actually abandon them. He was wanting to marry Larelai.

0:51:07.800 --> 0:51:10.520
<v Speaker 6>She left, she left. I was about to say, she's

0:51:10.600 --> 0:51:10.919
<v Speaker 6>the one.

0:51:11.040 --> 0:51:14.120
<v Speaker 3>She left so and she he didn't her after her

0:51:14.320 --> 0:51:16.759
<v Speaker 3>and go live in stars Hollow. But he wanted to

0:51:16.920 --> 0:51:17.359
<v Speaker 3>marry her.

0:51:17.640 --> 0:51:19.840
<v Speaker 4>He was he didn't want to.

0:51:20.239 --> 0:51:22.480
<v Speaker 1>He was the child.

0:51:23.400 --> 0:51:26.040
<v Speaker 5>He didn't He didn't want to marry her. He was

0:51:26.320 --> 0:51:28.680
<v Speaker 5>being forced by his parents to marry her. There's two

0:51:28.800 --> 0:51:29.200
<v Speaker 5>very different.

0:51:29.360 --> 0:51:31.640
<v Speaker 1>He wanted to marry her though there's a way to

0:51:32.040 --> 0:51:38.960
<v Speaker 1>legally compel the other party. Uh to agree to include

0:51:39.400 --> 0:51:43.560
<v Speaker 1>the father in that child. He didn't do that.

0:51:43.960 --> 0:51:46.239
<v Speaker 3>That was correct, And the reason he didn't do that

0:51:46.600 --> 0:51:49.360
<v Speaker 3>is because that would have meant Lorelai had to stay

0:51:49.560 --> 0:51:54.520
<v Speaker 3>in with the Gilmours, and he knew she wanted to leave.

0:51:54.719 --> 0:51:57.080
<v Speaker 3>She did not want to be with Richard and Emily anymore.

0:51:57.160 --> 0:51:59.040
<v Speaker 3>She wanted to take the baby and go out on

0:51:59.160 --> 0:52:04.000
<v Speaker 3>her own. So, yes, your argument is correct. It's another size.

0:52:04.239 --> 0:52:06.640
<v Speaker 1>Was he an alcoholic? Was he a drug addict? Was

0:52:06.719 --> 0:52:09.839
<v Speaker 1>he a criminal? No he was. He was not any

0:52:09.880 --> 0:52:11.960
<v Speaker 1>of those things. He could have fought for his child.

0:52:12.160 --> 0:52:14.960
<v Speaker 1>Sixteen years at least. I don't care how old he

0:52:15.200 --> 0:52:17.040
<v Speaker 1>was a child into the world.

0:52:17.320 --> 0:52:21.200
<v Speaker 3>But you're missing the one point that was trying to do.

0:52:21.600 --> 0:52:24.360
<v Speaker 1>He didn't try hard enough. He disappeared out of their lives.

0:52:24.440 --> 0:52:26.640
<v Speaker 1>Wait and then he comes floating back in and out,

0:52:26.680 --> 0:52:27.640
<v Speaker 1>and I'm glad he got.

0:52:27.800 --> 0:52:31.440
<v Speaker 3>I agree that you can have angst and animosity towards Christopher,

0:52:31.560 --> 0:52:32.520
<v Speaker 3>but at the same time.

0:52:32.600 --> 0:52:37.479
<v Speaker 1>It's no. It's anybody abandons their child and doesn't fight

0:52:37.600 --> 0:52:38.160
<v Speaker 1>for their kid.

0:52:38.360 --> 0:52:39.960
<v Speaker 3>But then how come you're not mad at Lauren for

0:52:40.120 --> 0:52:45.480
<v Speaker 3>taking the kid, Loraly for taking Rory away. She took

0:52:45.680 --> 0:52:49.680
<v Speaker 3>Rory and left. He's sixteen, right, he's not even eighteen.

0:52:49.719 --> 0:52:52.640
<v Speaker 1>There's because she did okay, because she did that for

0:52:53.239 --> 0:52:56.239
<v Speaker 1>her child. She Christoph thought what she did was best

0:52:56.320 --> 0:52:56.520
<v Speaker 1>for her.

0:52:56.960 --> 0:53:00.879
<v Speaker 3>Christopher did it for Lauralai. He was sixteen years old,

0:53:00.880 --> 0:53:02.239
<v Speaker 3>and Christopher's gotten His.

0:53:02.280 --> 0:53:05.080
<v Speaker 1>Obligation isn't to Laurel, it's to his child. No, but

0:53:05.440 --> 0:53:07.960
<v Speaker 1>it's to be around and be in her life, whether

0:53:08.040 --> 0:53:10.239
<v Speaker 1>it's at a distance or infrequent, but be in the

0:53:10.360 --> 0:53:12.520
<v Speaker 1>area so he's available. I don't, I don't.

0:53:12.840 --> 0:53:16.239
<v Speaker 5>I don't think you can fault anybody for what Larelai did.

0:53:16.280 --> 0:53:17.960
<v Speaker 5>I don't think you can fault Christopher for what he

0:53:18.080 --> 0:53:19.520
<v Speaker 5>did at sixteen years old.

0:53:20.000 --> 0:53:23.520
<v Speaker 4>But he had many years to figure it out and

0:53:23.680 --> 0:53:24.439
<v Speaker 4>he never did.

0:53:24.920 --> 0:53:25.560
<v Speaker 1>He never did that.

0:53:25.680 --> 0:53:29.160
<v Speaker 3>I agree he reas him. To be mad at Christopher

0:53:30.040 --> 0:53:33.239
<v Speaker 3>is not the first five years of her life. It's

0:53:33.440 --> 0:53:38.680
<v Speaker 3>the next you know, after that, And how now he's

0:53:38.719 --> 0:53:42.480
<v Speaker 3>got his himself together and he doesn't call and he

0:53:42.600 --> 0:53:45.680
<v Speaker 3>doesn't he isn't involved, So the being mad at Christopher

0:53:45.760 --> 0:53:47.040
<v Speaker 3>to me really comes later.

0:53:48.160 --> 0:53:53.000
<v Speaker 6>Yeah, yeah, And I think I also think that Laurela

0:53:53.160 --> 0:53:56.160
<v Speaker 6>is not the person to say no if someone's asking

0:53:56.320 --> 0:53:58.560
<v Speaker 6>for like straight up asking for help, and I think

0:53:59.040 --> 0:54:01.520
<v Speaker 6>her going over there, like I don't think she wanted to,

0:54:02.200 --> 0:54:06.640
<v Speaker 6>but I think she knew that he's He's basically it's

0:54:06.760 --> 0:54:09.520
<v Speaker 6>him and the baby, and she's been through that by

0:54:09.560 --> 0:54:12.160
<v Speaker 6>herself with Rory, and she's like, well, I.

0:54:12.840 --> 0:54:15.640
<v Speaker 3>Also think there's something in Loralai who likes to be

0:54:15.760 --> 0:54:20.000
<v Speaker 3>the savior, right correct. So Christopher calls he needs her,

0:54:20.040 --> 0:54:23.080
<v Speaker 3>she goes running because she can fix everything and save everything.

0:54:23.719 --> 0:54:26.440
<v Speaker 3>I also think she said to Christopher, He's like, I

0:54:26.520 --> 0:54:29.600
<v Speaker 3>can't do this, and she basically said, in my opinion,

0:54:30.440 --> 0:54:32.960
<v Speaker 3>you have to because you didn't do it the first time.

0:54:33.080 --> 0:54:36.000
<v Speaker 6>And I got I had the same takeaway Amy. I

0:54:36.080 --> 0:54:38.319
<v Speaker 6>thought the same thing. It's like she's like, I did

0:54:38.400 --> 0:54:40.040
<v Speaker 6>it on my own, so now you have to do

0:54:40.120 --> 0:54:40.719
<v Speaker 6>it on your own.

0:54:40.920 --> 0:54:43.400
<v Speaker 3>Right, you blew it the first time, and now you

0:54:43.680 --> 0:54:45.120
<v Speaker 3>you you can't blow it this time.

0:54:45.520 --> 0:54:47.919
<v Speaker 1>He's always worming out of God.

0:54:48.000 --> 0:54:52.080
<v Speaker 5>It's just man, But now it's making me feel like

0:54:52.239 --> 0:54:55.279
<v Speaker 5>he should. Like to answer your question, Tara, I think

0:54:55.400 --> 0:54:57.640
<v Speaker 5>he isn't the wrong for calling her, Like, if I

0:54:57.719 --> 0:55:00.200
<v Speaker 5>had to pick one of the other scenario, it's that

0:55:00.520 --> 0:55:02.239
<v Speaker 5>because he left her to do.

0:55:03.239 --> 0:55:05.120
<v Speaker 4>To raise Rory, by her herself.

0:55:05.239 --> 0:55:06.080
<v Speaker 3>It was very selfish.

0:55:06.160 --> 0:55:07.800
<v Speaker 4>So you know what, now it's time for him to

0:55:07.840 --> 0:55:08.399
<v Speaker 4>figure it out.

0:55:08.680 --> 0:55:11.319
<v Speaker 5>Like, that's very like if I had to pick after

0:55:11.480 --> 0:55:15.759
<v Speaker 5>this conversation we had, it makes me feel like Teeter

0:55:15.920 --> 0:55:16.600
<v Speaker 5>on that side.

0:55:16.960 --> 0:55:18.400
<v Speaker 6>Yeah, that's what I was thinking.

0:55:18.600 --> 0:55:21.960
<v Speaker 1>Because he's feeling so whiny about it and yeah, feeling

0:55:22.040 --> 0:55:24.000
<v Speaker 1>so sorry for himself that he's in this. It's like

0:55:24.840 --> 0:55:27.520
<v Speaker 1>you just want to smack him and say, stop complaining,

0:55:28.000 --> 0:55:32.560
<v Speaker 1>stop whining, take a shower, shut up and raise your daughter. Yeah,

0:55:34.360 --> 0:55:37.640
<v Speaker 1>for God's sake, you know, really, stop stop acting this way.

0:55:37.840 --> 0:55:42.000
<v Speaker 1>Your life, the life you knew is gone. Now. It's

0:55:42.080 --> 0:55:45.480
<v Speaker 1>not about you, any part of you anymore. You take

0:55:45.560 --> 0:55:48.160
<v Speaker 1>care of that baby and you get act. I mean,

0:55:48.239 --> 0:55:50.160
<v Speaker 1>it's just like Laurel. I should have braced him a

0:55:50.160 --> 0:55:51.680
<v Speaker 1>little harder, but she couldn't have done it in front

0:55:51.680 --> 0:55:51.759
<v Speaker 1>of it.

0:55:52.800 --> 0:55:55.080
<v Speaker 4>Yeah, I think she did it the best way she could.

0:55:55.560 --> 0:55:58.800
<v Speaker 5>Like I think saying I did this by myself, you

0:55:58.920 --> 0:55:59.279
<v Speaker 5>can too.

0:56:00.239 --> 0:56:02.040
<v Speaker 6>Yeah. I think the part that bothered me was that

0:56:02.120 --> 0:56:04.319
<v Speaker 6>he's like, well, I was traveling and then I came

0:56:04.440 --> 0:56:06.680
<v Speaker 6>back from being gone for so many months. Then she's

0:56:06.760 --> 0:56:09.360
<v Speaker 6>gone as if like he also didn't seem like he

0:56:09.520 --> 0:56:14.040
<v Speaker 6>was there for Gigi, right or yeah, or Sherry. So

0:56:14.400 --> 0:56:16.440
<v Speaker 6>it kind of is like, now he's like, oh, I

0:56:16.880 --> 0:56:20.319
<v Speaker 6>feel bad for me, you know, even though he also

0:56:20.480 --> 0:56:20.879
<v Speaker 6>wasn't there.

0:56:22.800 --> 0:56:23.600
<v Speaker 1>He can't avoid but.

0:56:23.760 --> 0:56:25.960
<v Speaker 6>But he made it seem like he's never there, like

0:56:26.040 --> 0:56:27.920
<v Speaker 6>traveling for work. I understand if you're gone for like

0:56:27.960 --> 0:56:29.520
<v Speaker 6>a couple of days at a time, but it made

0:56:30.080 --> 0:56:32.040
<v Speaker 6>maybe I need to rewatch it the way he made

0:56:32.080 --> 0:56:34.640
<v Speaker 6>it seems like he was gone for like a chunk

0:56:34.680 --> 0:56:35.120
<v Speaker 6>of time.

0:56:35.680 --> 0:56:35.919
<v Speaker 4>Yeah.

0:56:36.000 --> 0:56:40.240
<v Speaker 5>I think now he's he's realizing he's stuck because Sherry's gone,

0:56:40.600 --> 0:56:43.359
<v Speaker 5>so now he has to like figure it out.

0:56:43.800 --> 0:56:44.000
<v Speaker 1>Yeah.

0:56:44.320 --> 0:56:45.959
<v Speaker 3>Well, and what do we think of Sherry leaving?

0:56:47.280 --> 0:56:48.520
<v Speaker 6>I mean, I mean that.

0:56:50.239 --> 0:56:56.040
<v Speaker 3>Conversation Christopher, like she left with a note.

0:56:57.200 --> 0:56:57.880
<v Speaker 6>With the nanny.

0:56:58.160 --> 0:57:03.080
<v Speaker 3>Yeah, just unbelievable, And nobody really brings that up in

0:57:03.120 --> 0:57:05.920
<v Speaker 3>the episode, like wtf Sherry.

0:57:06.600 --> 0:57:10.280
<v Speaker 1>Yeah, well, it's just so shocking. How to even address

0:57:10.320 --> 0:57:16.960
<v Speaker 1>it in the moment. Yeah, that's right right there. She's poor,

0:57:17.240 --> 0:57:20.200
<v Speaker 1>poor kid, So the kid's the one that suffers.

0:57:21.360 --> 0:57:24.160
<v Speaker 3>I guess we'll come back to talk about the scene

0:57:24.160 --> 0:57:28.440
<v Speaker 3>with Rory. In the meantime, we've got Doyle and Paris

0:57:28.560 --> 0:57:31.600
<v Speaker 3>having their moment about you know, you think he's going

0:57:31.680 --> 0:57:34.040
<v Speaker 3>to be so mad at her because she's being a lunatic,

0:57:34.600 --> 0:57:37.640
<v Speaker 3>but instead he's super happy about it. You know how

0:57:37.680 --> 0:57:42.000
<v Speaker 3>she's like offending essentially all the religious leaders. So then

0:57:42.080 --> 0:57:44.760
<v Speaker 3>Rory wants to change her story. And now she's digging

0:57:44.880 --> 0:57:49.959
<v Speaker 3>into the Secret Society and she learns about the life

0:57:50.000 --> 0:57:52.880
<v Speaker 3>and death Brigrade and the Umbrella Jump. We sort of

0:57:52.920 --> 0:57:55.640
<v Speaker 3>start to see the pictures. We learned that that Mitcham

0:57:56.240 --> 0:57:58.840
<v Speaker 3>was in it, or we assume Mitcham's in it because

0:57:58.920 --> 0:58:00.400
<v Speaker 3>the other the.

0:58:00.440 --> 0:58:03.000
<v Speaker 6>Grandfather, yeah, Logan's grandfather.

0:58:05.240 --> 0:58:06.600
<v Speaker 1>Yeah, yeah.

0:58:06.840 --> 0:58:09.760
<v Speaker 3>We do get that funny scene where they go to

0:58:09.800 --> 0:58:11.960
<v Speaker 3>Friday night dinner and neither of the grandparents are there.

0:58:13.760 --> 0:58:15.360
<v Speaker 6>I know, I was kind of excited to see Emily

0:58:15.400 --> 0:58:17.920
<v Speaker 6>and Richard and then I was like, oh yeah, and then.

0:58:17.880 --> 0:58:19.600
<v Speaker 3>They want to like tear up the house and eat

0:58:19.640 --> 0:58:23.200
<v Speaker 3>pizza on the floor, and that's when she's like ready

0:58:23.240 --> 0:58:26.080
<v Speaker 3>for the gossip. Sherry left your dad Like that was.

0:58:26.080 --> 0:58:29.120
<v Speaker 1>Sort of like that's when I felt horrible for Rory.

0:58:29.240 --> 0:58:35.520
<v Speaker 1>Did you sear your Yeah? She just yeah, I felt

0:58:35.640 --> 0:58:38.200
<v Speaker 1>all of her I felt all of her abandonment issues

0:58:38.920 --> 0:58:43.120
<v Speaker 1>with Christopher and all of her protective instincts for her

0:58:43.200 --> 0:58:45.720
<v Speaker 1>mother and this relationship come out in a couple of

0:58:45.800 --> 0:58:46.680
<v Speaker 1>different expressions.

0:58:46.960 --> 0:58:49.120
<v Speaker 3>It was amazing acting by Alexis, right.

0:58:49.160 --> 0:58:50.800
<v Speaker 1>Because brilliant. Brilliant.

0:58:51.680 --> 0:58:55.280
<v Speaker 3>Yeah, because I was very worried, and I knew immediately

0:58:55.360 --> 0:58:59.840
<v Speaker 3>that Rory was worried not about Christopher. Somehow she can

0:59:00.040 --> 0:59:03.960
<v Speaker 3>made in her emotions and faith. She was worried about the.

0:59:04.520 --> 0:59:08.680
<v Speaker 1>Pain that she of, that that void in her life. Right,

0:59:09.400 --> 0:59:10.960
<v Speaker 1>the pain of it would have been you know, what

0:59:10.960 --> 0:59:13.000
<v Speaker 1>would have been better off if he had just disappeared

0:59:13.720 --> 0:59:18.200
<v Speaker 1>and she'd never known him, Right, But the teasing of

0:59:18.280 --> 0:59:21.440
<v Speaker 1>it over the years and him letting them down constantly,

0:59:22.040 --> 0:59:23.680
<v Speaker 1>you know that that's a big hole inside her.

0:59:23.920 --> 0:59:26.480
<v Speaker 3>Yeah, you knew that this was much good she she

0:59:26.760 --> 0:59:30.800
<v Speaker 3>Alexis really did an amazing job. Because we all got that.

0:59:31.160 --> 0:59:35.360
<v Speaker 1>We all were like, oh, yeah, she's very good. She's

0:59:35.520 --> 0:59:38.240
<v Speaker 1>very subtle, she's very lunch. She's very very good at this.

0:59:38.560 --> 0:59:41.520
<v Speaker 1>It's amazing somebody that didn't even study. She just has

0:59:41.560 --> 0:59:44.920
<v Speaker 1>all that intelligence and all those instincts. She's very easy

0:59:45.040 --> 0:59:49.040
<v Speaker 1>to watch if you just watch her face. You know,

0:59:49.200 --> 0:59:52.560
<v Speaker 1>every there's not a lot, you know, it's not histrionic.

0:59:52.640 --> 0:59:56.880
<v Speaker 1>It's not big facial movements or is. She's very controlled and.

0:59:57.240 --> 1:00:00.480
<v Speaker 3>Such a good That's such a great point because I'll

1:00:00.520 --> 1:00:05.640
<v Speaker 3>skip ahead when Logan and Rory are instant messaging, you know,

1:00:05.760 --> 1:00:09.040
<v Speaker 3>on the computer. There's no talking, and it's like one

1:00:09.080 --> 1:00:14.000
<v Speaker 3>of the best scenes ever because they're both like doing

1:00:14.160 --> 1:00:17.280
<v Speaker 3>amazing you know whatever, we like to call it face acting.

1:00:17.800 --> 1:00:20.200
<v Speaker 3>And then when they're doing that and then she says

1:00:20.400 --> 1:00:22.720
<v Speaker 3>I agree and he is, He's gone.

1:00:22.640 --> 1:00:27.960
<v Speaker 6>I was just like, Oh, she loved that banswer too totally.

1:00:29.120 --> 1:00:31.040
<v Speaker 3>She I think she's starting to love him.

1:00:31.640 --> 1:00:35.760
<v Speaker 6>Yeah, I think she's feeling challenged by him.

1:00:36.240 --> 1:00:38.440
<v Speaker 3>The only part I will call out from the episode

1:00:38.440 --> 1:00:40.000
<v Speaker 3>that I thought was weird is I think she would

1:00:40.000 --> 1:00:42.400
<v Speaker 3>have called him Logan, not Huntsburger. You know, when she's

1:00:42.440 --> 1:00:44.480
<v Speaker 3>stalking him and she's all, hey, Huntsburger.

1:00:44.920 --> 1:00:45.520
<v Speaker 1>I was like, yeah.

1:00:46.560 --> 1:00:49.680
<v Speaker 3>But the thing I loved is it's the first time

1:00:50.320 --> 1:00:54.680
<v Speaker 3>Ace Ace. So remember Scott, in the beginning you did

1:00:54.720 --> 1:00:56.280
<v Speaker 3>not like it. But in the beginning of I was

1:00:56.320 --> 1:01:00.240
<v Speaker 3>doing this podcast, But now do you like it little

1:01:00.240 --> 1:01:00.520
<v Speaker 3>bit more?

1:01:00.560 --> 1:01:03.600
<v Speaker 1>When you love I love everything about it. I get

1:01:03.640 --> 1:01:07.440
<v Speaker 1>it now. I never saw the show, and then now

1:01:07.560 --> 1:01:08.000
<v Speaker 1>I get it.

1:01:08.240 --> 1:01:12.040
<v Speaker 3>He's like, Hay, and I'm like, I just died.

1:01:12.200 --> 1:01:14.320
<v Speaker 1>It was so good. That's a total one ad on

1:01:14.400 --> 1:01:14.800
<v Speaker 1>my part.

1:01:15.880 --> 1:01:18.440
<v Speaker 3>There wasn't a lot of Luke in this episode. There

1:01:18.640 --> 1:01:20.840
<v Speaker 3>was because he obviously.

1:01:20.680 --> 1:01:22.360
<v Speaker 1>Was in the opening scene and how much can you

1:01:22.480 --> 1:01:23.840
<v Speaker 1>really taske he's fixed.

1:01:23.560 --> 1:01:25.920
<v Speaker 3>In the oven and then now he has the meltdown

1:01:25.960 --> 1:01:30.040
<v Speaker 3>over Kirk in the costume, which also made no sense

1:01:30.080 --> 1:01:33.000
<v Speaker 3>because it's like Sukie would never serve.

1:01:34.920 --> 1:01:38.400
<v Speaker 1>But that but that was Kirk's disconnect and what a

1:01:38.480 --> 1:01:44.080
<v Speaker 1>crappy thing to do to Luke. Here is this this

1:01:44.400 --> 1:01:46.200
<v Speaker 1>this guy trying to destroy his base.

1:01:46.400 --> 1:01:50.760
<v Speaker 3>He's dating the owner, right, that was weird.

1:01:51.400 --> 1:01:54.440
<v Speaker 1>It was a weird move right, and we got the comedy.

1:01:54.480 --> 1:01:56.400
<v Speaker 1>It was funny as heck, But you know, also it

1:01:56.520 --> 1:01:59.560
<v Speaker 1>was like, as a community, why would you do why

1:01:59.600 --> 1:02:02.240
<v Speaker 1>would you try to missile somebody's business like that, you know,

1:02:02.360 --> 1:02:03.200
<v Speaker 1>to help somebody else?

1:02:03.560 --> 1:02:07.040
<v Speaker 3>It was weird, totally agree, totally great and that was.

1:02:07.080 --> 1:02:08.520
<v Speaker 1>A strange, a strange.

1:02:09.080 --> 1:02:10.000
<v Speaker 3>So then.

1:02:11.720 --> 1:02:15.280
<v Speaker 1>I did see I did enjoy the visual kirkinghut, you

1:02:15.360 --> 1:02:16.919
<v Speaker 1>can't you can't live there.

1:02:17.040 --> 1:02:20.440
<v Speaker 3>Shout out to Sean Gunn because not only the Guardians,

1:02:20.520 --> 1:02:24.240
<v Speaker 3>he also just died on The Good Doctor. Just he

1:02:24.400 --> 1:02:28.160
<v Speaker 3>died so fast on the boiler alert, brutal.

1:02:28.760 --> 1:02:30.240
<v Speaker 1>What is what is The Good Doctor?

1:02:30.600 --> 1:02:32.920
<v Speaker 3>The Good Doctor is an amazing show on ABC that

1:02:33.000 --> 1:02:36.160
<v Speaker 3>stars Freddie Hymore and it is really a good show.

1:02:36.160 --> 1:02:38.160
<v Speaker 1>And he was on there as he was a guest star.

1:02:38.400 --> 1:02:42.160
<v Speaker 3>Just super fast, like he basically was in a car

1:02:42.280 --> 1:02:45.360
<v Speaker 3>wreck with the kids. It was gnarly, there was fog,

1:02:46.400 --> 1:02:49.320
<v Speaker 3>and then you think he's fine and then he literally

1:02:49.480 --> 1:02:50.280
<v Speaker 3>just like died.

1:02:51.520 --> 1:02:53.960
<v Speaker 1>Well, he's got a big movie coming out to the Guardians.

1:02:54.080 --> 1:02:57.240
<v Speaker 1>I know, he's got a big part. This is like

1:02:57.400 --> 1:02:58.960
<v Speaker 1>kind of his coming out party.

1:02:58.720 --> 1:03:02.560
<v Speaker 3>In this strench well, and his brother is like the director, right.

1:03:03.440 --> 1:03:06.200
<v Speaker 1>His brother's the writer director. And also the Marvel Studios.

1:03:06.400 --> 1:03:10.760
<v Speaker 3>I mean, wow, it's.

1:03:10.640 --> 1:03:15.360
<v Speaker 1>Hard to blow that addition, right studios. My dad's so sorry. Yes,

1:03:15.480 --> 1:03:18.160
<v Speaker 1>thank you, good catch, Hannah and jack thank you.

1:03:18.840 --> 1:03:20.120
<v Speaker 3>Let's talk about the final scene.

1:03:20.200 --> 1:03:24.000
<v Speaker 1>Easton, Thank you, Easton, Thank you, Jackie. Just taking.

1:03:28.480 --> 1:03:30.800
<v Speaker 3>What do you think about Rory going to see Christopher?

1:03:32.400 --> 1:03:35.880
<v Speaker 1>Yeah, I never liked her more, I never liked him.

1:03:35.960 --> 1:03:37.920
<v Speaker 1>It's exactly what she needed to do. It was very

1:03:38.000 --> 1:03:40.160
<v Speaker 1>cathartic thing for her to do. She's probably been wanting

1:03:40.200 --> 1:03:41.959
<v Speaker 1>to do it off and on for her whole life,

1:03:43.160 --> 1:03:43.400
<v Speaker 1>and it.

1:03:43.480 --> 1:03:46.400
<v Speaker 5>Needed to come from her, you know, like if Laura

1:03:46.520 --> 1:03:48.640
<v Speaker 5>I said I need you to stop, it wouldn't stop.

1:03:48.800 --> 1:03:50.600
<v Speaker 5>Like it needed to come from Rory.

1:03:52.400 --> 1:03:55.360
<v Speaker 6>And I like when she said, you can call anyone,

1:03:55.440 --> 1:03:58.160
<v Speaker 6>you can call me, but don't call LAURAAI.

1:03:58.360 --> 1:04:01.160
<v Speaker 3>Yeah, yeah, leave mom alone.

1:04:01.640 --> 1:04:05.840
<v Speaker 1>She's protecting She's protecting everybody's heart there. She's protecting her

1:04:05.920 --> 1:04:08.840
<v Speaker 1>own because she doesn't have it. She doesn't really feel

1:04:08.960 --> 1:04:11.280
<v Speaker 1>much for him anyway. I mean she I think she

1:04:11.800 --> 1:04:15.920
<v Speaker 1>likes him because you know she likes him, right, she

1:04:16.040 --> 1:04:17.560
<v Speaker 1>gave him a hug and you know, I'm still going

1:04:17.600 --> 1:04:19.840
<v Speaker 1>to be in your life, but we don't rely on

1:04:20.000 --> 1:04:22.960
<v Speaker 1>you and don't you know, don't do this. I thought

1:04:23.000 --> 1:04:27.000
<v Speaker 1>it was a wonderful moment, her highlight. That was a

1:04:27.080 --> 1:04:27.840
<v Speaker 1>highlight for me.

1:04:29.240 --> 1:04:31.600
<v Speaker 3>And it just shows I know I always say this

1:04:31.680 --> 1:04:34.080
<v Speaker 3>and I'm so redundant, but it just shows the like

1:04:34.560 --> 1:04:39.320
<v Speaker 3>juxtaposition you can have in these episodes where it's like funny, funny, exciting, exciting,

1:04:39.760 --> 1:04:42.800
<v Speaker 3>you know, laughy, laughy, and then it's just like whah,

1:04:44.720 --> 1:04:50.800
<v Speaker 3>because it was like yeah, oh yeah, And not to

1:04:50.840 --> 1:04:52.920
<v Speaker 3>make light but those are. That is an instance when

1:04:52.960 --> 1:04:56.040
<v Speaker 3>it's okay to say leave mom alone. You don't have

1:04:56.120 --> 1:05:01.000
<v Speaker 3>to say leave my mom alone because the mom is related.

1:05:04.560 --> 1:05:07.440
<v Speaker 3>So I love this episode. I did too.

1:05:09.320 --> 1:05:14.840
<v Speaker 1>It was Yeah, I mean, what's the what's the measuring stick?

1:05:14.920 --> 1:05:17.440
<v Speaker 1>You were going to choose, Tara.

1:05:19.040 --> 1:05:22.720
<v Speaker 6>I'm going to give it nine point five iced teas?

1:05:23.040 --> 1:05:24.320
<v Speaker 4>Of course, he said, iced tea.

1:05:24.920 --> 1:05:30.240
<v Speaker 6>You're going to say it, fade off going first for

1:05:30.320 --> 1:05:30.680
<v Speaker 6>that one.

1:05:31.280 --> 1:05:34.760
<v Speaker 5>Danielle oh Man, you know what I'm going to say?

1:05:37.560 --> 1:05:44.840
<v Speaker 5>Eight and a quarter uh sincd yachts off the coast

1:05:44.880 --> 1:05:45.240
<v Speaker 5>of Fiji.

1:05:51.440 --> 1:06:00.760
<v Speaker 3>I love Daniels. Nine point seventy five Gorilla masks h

1:06:01.440 --> 1:06:01.840
<v Speaker 3>good one.

1:06:08.840 --> 1:06:13.720
<v Speaker 1>I'm going to give it. I think I'm gonna agree

1:06:13.760 --> 1:06:16.760
<v Speaker 1>with you. I'm gonna give it. I'm going to adopt

1:06:17.160 --> 1:06:20.880
<v Speaker 1>just a little bit for the opening scene of what

1:06:21.000 --> 1:06:24.200
<v Speaker 1>I took away from the episode. I'm gonna pin at.

1:06:24.840 --> 1:06:26.840
<v Speaker 1>I'm gonna put myself in the penalty box for a

1:06:26.920 --> 1:06:29.720
<v Speaker 1>little bit. I'm not gonna in criticism. I'm going to

1:06:30.000 --> 1:06:33.480
<v Speaker 1>agree with the nine point seventy five. You know what,

1:06:34.000 --> 1:06:37.320
<v Speaker 1>let's do a nine nine point What did you give it? Terror?

1:06:37.400 --> 1:06:41.440
<v Speaker 1>Nine five? Oh yeah, nine point five let's let's give

1:06:41.440 --> 1:06:46.480
<v Speaker 1>it a nine point six two five. What the difference

1:06:46.800 --> 1:06:56.880
<v Speaker 1>between YouTube five h a skull and crossbone key chains

1:06:56.920 --> 1:06:58.920
<v Speaker 1>inside of ten escalades or.

1:07:02.600 --> 1:07:04.520
<v Speaker 6>I was just gonna be like hot Dog slurpy.

1:07:07.000 --> 1:07:09.880
<v Speaker 3>Yeah, it's a good one, and you know it really

1:07:10.000 --> 1:07:12.600
<v Speaker 3>leads us to you jump I jump.

1:07:12.520 --> 1:07:19.080
<v Speaker 1>Jack episode I'm sorry, Season five, episode seven, you jump

1:07:19.800 --> 1:07:24.800
<v Speaker 1>you jump I jump Jack? I jump you jump Jack? Right, Yeah,

1:07:24.960 --> 1:07:26.000
<v Speaker 1>it's it's.

1:07:27.520 --> 1:07:28.400
<v Speaker 3>I love next week.

1:07:29.560 --> 1:07:35.040
<v Speaker 1>All right, So we're back in the high nines. Yeah, yeah,

1:07:41.400 --> 1:07:43.920
<v Speaker 1>I think if we average it out and what you

1:07:43.960 --> 1:07:46.439
<v Speaker 1>give it an eight seven five eight and a quarter

1:07:46.960 --> 1:07:49.760
<v Speaker 1>in a quarter, well, I think we're still in the nine. Sorry,

1:07:49.800 --> 1:07:54.960
<v Speaker 1>we're still like nineteen two ninety three. That yeah, I

1:07:54.960 --> 1:07:58.760
<v Speaker 1>think I think we're good. Anyway, that's gonna wrap it

1:07:58.880 --> 1:08:03.760
<v Speaker 1>up for a episode. Thanks for downloading, everybody, best fans

1:08:03.920 --> 1:08:08.040
<v Speaker 1>on the planet, And if you are involved in any

1:08:08.080 --> 1:08:11.520
<v Speaker 1>secret societies, please get in touch with us, interact with us.

1:08:11.880 --> 1:08:16.120
<v Speaker 1>We want to know all about your secret society's secret society,

1:08:16.439 --> 1:08:18.800
<v Speaker 1>and don't tell any We won't tell anybody else about

1:08:18.880 --> 1:08:22.240
<v Speaker 1>your secret society participation no matter what it is. And

1:08:22.280 --> 1:08:27.480
<v Speaker 1>I always remember I am all in. Stay safe, everyone.

1:08:57.360 --> 1:09:00.360
<v Speaker 7>Hey everybody, and don't forget Follow us on Instagram at

1:09:00.720 --> 1:09:04.640
<v Speaker 7>I Am all In podcast and email us at Gilmore

1:09:04.880 --> 1:09:07.080
<v Speaker 7>at iHeartRadio dot com.

1:09:07.680 --> 1:09:08.559
<v Speaker 1>Oh you Gilmore fans.

1:09:08.560 --> 1:09:10.280
<v Speaker 7>If you're looking for the best cup of coffee in

1:09:10.320 --> 1:09:13.960
<v Speaker 7>the world, go to my website from my company, Scottip

1:09:14.200 --> 1:09:16.479
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1:09:16.640 --> 1:09:20.400
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