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Speaker 1: I am all in.

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Speaker 2: I's you, I am all in with Scott Patterson and

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Speaker 2: iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast one

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Speaker 1: of other productions I heard radio. He's in five, episode six,

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Speaker 1: Norman Mailer, I'm pregnant. I am joined by Danielle Romo

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Speaker 1: who's in another room, and Amy Sugarman, who is in

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Speaker 1: the same world. Ladies, welcome, how are you? How is

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Speaker 1: everybody wears Tara?

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Speaker 3: She's late, but she's common.

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Speaker 1: She's gonna be here. Okay, good.

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Speaker 3: But I have like a couple of important updates for you.

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Speaker 3: Number one, I will say and I know that last

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Speaker 3: week's episode, meaning TV episode, was not your favorite. And

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Speaker 3: what I have learned from reading all the comments is

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Speaker 3: many fans agree with you. Yes. A lot of fans

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Speaker 3: actually said they when they're doing their rewatches they skip

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Speaker 3: that one.

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Speaker 1: Wow. Yeah.

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Speaker 3: And a lot of people agreed like it wasn't very

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Speaker 3: luke like how he was, So you should feel okay

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Speaker 3: that it wasn't your favorite.

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Speaker 1: All of my self worth is tied up in this

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Speaker 1: podcast justice ever, so I'm going to have a good week.

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Speaker 1: This is good news, thank you.

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Speaker 3: The other one was we you know, look we try hard.

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Speaker 3: We try hard, but we blow it. Sometimes we totally do.

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Speaker 3: We messed up. We forgot Kyle.

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Speaker 1: What we did? We do that we do we forget?

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Speaker 3: Have you forgot him? You just didn't really like chime

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Speaker 3: in when Tara and I come.

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Speaker 1: Look, I was dialing your line at midnight and it

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Speaker 1: wasn't going through it. Just I tried. I tried, like heck, so.

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Speaker 3: We own our mistakes. I mean, I pride myself on

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Speaker 3: being very knowledgeable on many shows, not just this show.

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Speaker 3: And I did not place him. I screwed it up.

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Speaker 3: So our apologies and.

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Speaker 1: We were you know how many times bab Ruth struck out.

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Speaker 1: He struck out more than anybody in major league history. Okay,

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Speaker 1: don't feel bad, Yeah, don't feel so bad.

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Speaker 3: And he's like the best basill player of all time ever,

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Speaker 3: so it's like, yeah, you can't get one hundred if

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Speaker 3: you I love I love that everyone was reading Justice

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Speaker 3: for Kyle, Justice for Kyle, And I will tell you

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Speaker 3: this inside baseball story that could explain it. Many moons ago,

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Speaker 3: when Kyle made his first appearance, I did reach out

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Speaker 3: and try to book him because he's the kid from

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Speaker 3: the Sandlot and I can't remember why, but he wasn't available, right,

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Speaker 3: like he didn't want to do it or he doesn't

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Speaker 3: do interviews or whatever it was. For some reason he

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Speaker 3: couldn't do it. So I'm wondering did I purge him

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Speaker 3: from my mind? Like like, oh, he doesn't want to

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Speaker 3: come on our show?

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Speaker 4: Okay, he doesn't exist.

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Speaker 3: He doesn't exist, so that like I just forgot about him.

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Speaker 1: So anyway, imagine not wanting to come on this show.

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Speaker 1: Can you just getting that call and saying no? I

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Speaker 1: can't imagine.

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Speaker 3: It barely happens. That's the thing. The Gilmore stars love

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Speaker 3: Gilmore Girls, so pretty much everyone says yes. So I

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Speaker 3: think maybe that's why I was like, what he doesn't

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Speaker 3: want to come on? What? He didn't exist to me anymore?

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Speaker 1: Well, look, it was a very funny video. It still is.

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Speaker 1: Go check it out on Instagram account.

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Speaker 3: And and Justice for Kyle Kyle does Exist.

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Speaker 1: Again joined a movement hashtag out of it. We're going

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Speaker 1: to stand by.

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Speaker 3: We should ask one more time, Danielle. Maybe we just

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Speaker 3: ask his name's Chauncey, right, yeah, let's ask him one

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Speaker 3: more time. Maybe we just try one more because now

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Speaker 3: it's justice for Kyle all.

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Speaker 1: Right, So listen, I'm going to do a little piece

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Speaker 1: of business here everybody. I'm going to be at Louisville

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Speaker 1: Popcorn middle of June, so go to Louisville Popcon website

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Speaker 1: get your tickets. I'm also going to be in Corpus

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Speaker 1: Christy at the end of July, and I'm working on

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Speaker 1: something for August and September as well. I'll let you know. Anyway,

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Speaker 1: let's get to this episode. Norman Mayler, I Am Pregnant,

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Speaker 1: Danielle synopsize us or four.

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Speaker 5: All right, this is season five, episode six, Norman Mailer,

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Speaker 5: I'm Pregnant Air day, October twenty six, two thousand and four.

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Speaker 5: Lorlei and Suki are thrilled when a cultural icon starts

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Speaker 5: frequenting the Dragonfly in dining room in order to I

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Speaker 5: set some expenses. At the end, they have to stop

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Speaker 5: serving lunch. Dundune, Rory discovers an intriguing secret society at Yale,

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Speaker 5: Christopher resurfaces because he needs lorealized help, and Sukie realizes

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Speaker 5: she's pregnant.

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Speaker 1: Wow, I'll tell you and Tara, Hello, welcome, Hello, relate

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Speaker 1: than never. You're pretty early, so good. Good to see yourself.

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Speaker 6: I made it right on time.

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Speaker 1: You were right there. Yeah, no, no, you'll go right

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Speaker 1: on times. Yeah, yeah, I mean late. You're pretty early, Yeah,

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Speaker 1: you're pretty early.

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Speaker 3: There's so much to talk about in this episode. I'm overwhelmed.

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Speaker 1: It's I gotta tell you. My my reaction to this

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Speaker 1: episode was just give me more, Matt Secret, more and

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Speaker 1: more and more more. I've never seen I've rarely seen

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Speaker 1: a better introduction to a character in my whole life.

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Speaker 1: This is the way you introduced I agree.

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Speaker 3: I know we talk about it when we go in order,

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Speaker 3: but like when he put that hat on, it said

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Speaker 3: press and he did that hit.

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Speaker 1: I still.

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Speaker 3: So awesome.

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Speaker 1: Genius, genius.

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Speaker 3: I am obsessed with him. I agree.

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Speaker 1: I think it was a television history and that that's

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Speaker 1: the thing that you would show, like I don't want

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Speaker 1: to be morbid, you know, but when we all croak,

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Speaker 1: you know, maybe they'll maybe they'll feature something for me.

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Speaker 1: I don't know, a cut like this is definitely Matt

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Speaker 1: will right like eighty years or whatever, it's going to

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Speaker 1: be sixty seventy years, they'll play that clip. That's that's

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Speaker 1: the beautiful clip. Sorry, Matt, I don't mean he's got

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Speaker 1: a lot, a lot of movie.

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Speaker 3: So I have a question for you guys. And it's

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Speaker 3: not a criticism, it's not a compliment. I don't know

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Speaker 3: what it is. The opening scene for me was good,

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Speaker 3: but it was so frenetic it kind of made me uncomfortable,

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Speaker 3: Like I was like, oh, did anybody else feel that?

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Speaker 1: Like there was you know what I think it is?

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Speaker 1: I think I think it's my fault. You know what.

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Speaker 1: I think it's my fault. I think it's my fault

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Speaker 1: as an actor because I got too caught up in

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Speaker 1: Lauren's speed and her rhythm and I didn't maintain my

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Speaker 1: own rhythm. Really, it wasn't really Luke like, was it.

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Speaker 3: No, And now that you say it, something was like

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Speaker 3: it was a funny scene and kind of Laura I like,

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Speaker 3: but almost a lot.

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Speaker 1: No, no, no. I thought she was great. She was fine.

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Speaker 1: She's doing her stick, that's what she does, and she's

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Speaker 1: great at it. I just don't think I served that

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Speaker 1: scene very well because I tried to speed everything up.

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Speaker 1: I tried to speed my speech up instead of just

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Speaker 1: sort of living in it and let it exist with me.

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Speaker 1: There's a way, there's but there's a way to pick

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Speaker 1: up your cues when you don't have to rush anything,

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Speaker 1: but you're not slowing the other person down. I don't

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Speaker 1: think I achieved that.

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Speaker 6: I don't know.

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Speaker 3: I thought it was funny when you said I can

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Speaker 3: never pick you up here again.

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Speaker 1: I don't know.

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Speaker 3: It was just very frenetic with it, like with the

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Speaker 3: socks and then in the bites and the jeep on

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Speaker 3: because I was.

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Speaker 5: Just like, nobody does that. No one puts their socks

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Speaker 5: in the oven.

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Speaker 6: And I got distracted because then I was like, well,

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Speaker 6: now I know that the oven doesn't work, so they're

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Speaker 6: not warm.

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Speaker 1: Right.

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Speaker 3: It was just I'm not saying it wasn't good. I'm

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Speaker 3: sure people.

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Speaker 1: Because you know how dared you, right, I mean, it's

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Speaker 1: this is this is us you're talking about. Man.

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Speaker 3: It does not be critical anywhere.

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Speaker 1: I agree with you. I thought that. But there I

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Speaker 1: gave my reason, and there it is.

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Speaker 3: Yeah, that's an interesting reason because I don't know what

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Speaker 3: it was for me. It was just and I don't

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Speaker 3: know if I'm using the right word, but I think

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Speaker 3: frenetic is the right word.

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Speaker 1: It's hard, it's hard not to get caught up and

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Speaker 1: and what she's doing, you know, but you can't let

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Speaker 1: yourself get get seduced so much. You got to maintain

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Speaker 1: who your character. Truth is, character truth is. Yeah, yeah,

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Speaker 1: it's just it's not a big adjustment. I just don't

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Speaker 1: think I made the I made the adjustment here and there,

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Speaker 1: but I just sort of let it. It was swept

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Speaker 1: away in it. It's not I was.

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Speaker 3: Worried about the keys, and the keys are on the door,

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Speaker 3: those are little doors. The socks are the oven, and

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Speaker 3: then the corp light's broken. I was just like, ooh,

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Speaker 3: I don't feel good.

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Speaker 1: Yeah, was that the first time that Linke and Laurrela

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Speaker 1: have churned your stomach?

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Speaker 3: But you know what I did like about the open What.

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Speaker 1: Did you have for dinner that night?

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Speaker 3: I have an ant acid. The thing I did like though,

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Speaker 3: that I thought was super cute was the door open,

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Speaker 3: because it started actually slow, door open, Hey, hey, back kiss,

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Speaker 3: and I'm like, they're a couple. Whoa, that's cute.

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Speaker 1: And then it just well, he kept the door. He

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Speaker 1: kept the front door open, hoping to get her out fast,

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Speaker 1: and then when he realized it wasn't gonna happen, he

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Speaker 1: just gave up the closed door.

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Speaker 3: So then I have another question. I usually press skip

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Speaker 3: on the credits, but this time, I didn't, and I

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Speaker 3: think there might have been some new footage. So next week,

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Speaker 3: can everybody watch because I've been skipping, so I'm not sure.

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Speaker 6: Yeah, I usually skip too.

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Speaker 3: So we got to watch the credits and just see

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Speaker 3: if there's some new things.

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Speaker 1: More homework, I mean it never ends the emails, the

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Speaker 1: text can you do this? Can you do that?

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Speaker 3: Now?

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Speaker 1: Live on the air, you guys have more homework.

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Speaker 6: To do that extra thirty seconds.

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Speaker 3: So anyway, okay, then we get to First of all,

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Speaker 3: I did notice in the credits, not the opening credits,

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Speaker 3: but the you know, once the show starts, we knew

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Speaker 3: that Matt was back. I think he's like special guest

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Speaker 3: star or something in this. So I was thrilled Paris

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Speaker 3: had the dream about Rory. Rory really wants to get features.

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Speaker 3: Rory's in a pink, cute, pink sweater. That's sort of

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Speaker 3: what's happening.

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Speaker 1: I like Rory in the what is it called the

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Speaker 1: al Daily News? What is it called it? Yeah, what

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Speaker 1: is the paper? What is it called? What is it called?

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Speaker 1: What's the newspaper called?

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Speaker 3: We have to look that up exactly, and I mean

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Speaker 3: Savior letters. We know we should know it.

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Speaker 1: All the topic at Yale Newspaper. It says, but I

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Speaker 1: love being in there, I love the action. I love Doyle.

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Speaker 5: Yeah yeah, the Yale Daily News, Yale Daly.

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Speaker 3: Did you know Doyle whose real names out of my

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Speaker 3: head right now, created that Michael Keaton show about the

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Speaker 3: opioid crisis? That guy is legit.

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Speaker 1: Yeah he. I think he won or was nominated for

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Speaker 1: an Emmy for that, the Al Gore yeah election, the

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Speaker 1: Hanging Chad thing.

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Speaker 3: Yeah, and what's the opioid show with Michael Keaton? Someone

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Speaker 3: give me that.

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Speaker 1: He did Empire too.

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Speaker 6: It's Danny Strong he created.

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Speaker 3: Yeah, and I didn't realize he also did that Michael

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Speaker 3: Keaton whatever it was. Somebody tell me the title. And

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Speaker 3: I saw him the dope Sick, Dope sick Yeah.

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Speaker 7: Yeah. Yeah.

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Speaker 3: He's been on the news a lot because ultimately he's

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Speaker 3: a writer, and so he's on strike with all the

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Speaker 3: writers right now, and so he's been on the news

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Speaker 3: quite a bit. But to me, he's Doyle prolific.

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Speaker 1: He's a prolific writer. Yeah. Yeah.

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Speaker 6: So it's so nice to see Rory like not just

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Speaker 6: in her dorm like last freshman year, she was just

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Speaker 6: always in her dorm and I'm like, oh, she's like mingling.

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Speaker 6: Like finally, it's like a a whole year.

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Speaker 3: You get here.

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Speaker 1: I thought it would hurt the show, separating mother and daughter,

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Speaker 1: but it actually enhanced it. Yeah, they figured it out.

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Speaker 1: It's like I like her, Yeah, I like her. Now

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Speaker 1: she's now she's in the belly of the beast. She's

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Speaker 1: making a friends, she's doing stuff, she's interacting, and it's

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Speaker 1: all she's busy. I like to see it. I want

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Speaker 1: more to come.

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Speaker 3: Shout out to Glenn forgetting in the New York Times.

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Speaker 3: And then the bit with Doyle was.

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Speaker 1: Another another great Glenn appearance, totally like what's the big deal?

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Speaker 1: I don't care?

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Speaker 3: And Rory trying to see the bright side for Doyle,

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Speaker 3: and then Doyle just flipping the script on her like oh, okay, really,

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Speaker 3: I'm the Muncie Messenger or whatever. He's a good character.

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Speaker 1: He is.

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Speaker 5: I didn't like him at first, but now I'd rather

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Speaker 5: enjoy Doyle.

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Speaker 3: Danielle, do you have any predictions for anything you see

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Speaker 3: with Doyle, Like just anything that comes off the top

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Speaker 3: of your head of what you might just predict a

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Speaker 3: Doyle prediction. Doyle prediction.

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Speaker 7: You know.

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Speaker 1: He's gonna ask Rory out to the dance.

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Speaker 4: Oh good, I did not. That was not on my radar.

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Speaker 4: But now that you said it, we're.

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Speaker 6: Not going to tell you.

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Speaker 3: We're just wanting to know for the two virgins in

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Speaker 3: the group.

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Speaker 5: On he is totally going to get a crush on Rory,

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Speaker 5: but then Rory's going to get a crush on Logan,

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Speaker 5: and then Doyle and Logan are going to hate each other.

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Speaker 8: Are we close?

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Speaker 3: Are We're not gonna answer that.

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Speaker 6: I'm not saying.

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Speaker 4: It got with the assist. I appreciate that. That was good.

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Speaker 3: So then she goes home, goes down on the bed,

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Speaker 3: she's reading the paper. She's got Loralai on the phone. Oh,

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Speaker 3: Luke did a bit, which is I've seen this episode

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Speaker 3: a lot of times for some reason, this one and

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Speaker 3: the next one like two of my can't out. But

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Speaker 3: I'd never have loved the bit about Luke doing a

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Speaker 3: bit when he's in the oven and hitting his head.

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Speaker 3: But I don't know's I guess it's funny. I don't know.

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Speaker 1: She's just relax and love and enjoying herself and having

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Speaker 1: a grand old time. Life is good, the inn is open,

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Speaker 1: she's got her relationship going on, it's and she she

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Speaker 1: owned that, you know, and she was just sitting in

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Speaker 1: that chair talking to her daughter and raised her daughter

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Speaker 1: daughter's at Yale. Life is good, you know.

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Speaker 3: I do love that she's so comfortable with Rory, with Luke,

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Speaker 3: do you know what I mean? Like, yeah, there's none

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Speaker 3: of this like not sneaking around like she had to

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Speaker 3: do before, but sneaking around like she had to do before.

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Speaker 3: It's very much like I'm here, Luke's here. This is

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Speaker 3: this is real.

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Speaker 6: And even at the end when she's like you sound happy,

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Speaker 6: it's like yeah, like she is happy, and it was

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Speaker 6: kind of like not that she needs Rory's approval, but

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Speaker 6: I feel like it felt like that, like thanks, Like yeah,

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Speaker 6: I am very happy.

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Speaker 1: I've never understood Rory better or empathized with her more

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Speaker 1: than this episode because she got to measure her upbringing

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Speaker 1: Luke versus Christopher in a very definitive way and it

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Speaker 1: was very touching and it was very sad. Actually I

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Speaker 1: got very very sad, and now I understood Rory more

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Speaker 1: and better because of this episode.

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Speaker 3: It's a powerful moment. This episode, for being light and fun,

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Speaker 3: really actually has a lot of deep meaning.

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Speaker 1: It'll punch into life there and give you some moments.

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Speaker 3: Like yeah, then I really I can't wait to talk

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Speaker 3: to you guys about it. So as we get there, because.

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Speaker 1: We'll show because I really want.

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Speaker 3: To talk about Sherry leaving and all of it. It's

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Speaker 3: like it's it's major in anyway. In the meantime, we

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Speaker 3: kind of get that Rory is sort of feeling a

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Speaker 3: little stressed because she didn't do an internship and she

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Speaker 3: feels behind and you know, so we're getting a little

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Speaker 3: of that, but it's a that's a really good scene

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Speaker 3: other than like morel laughing at Luke's head, hitting that.

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Speaker 3: I didn't think.

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Speaker 6: That Rory wasted two months being in Europe, did you guys,

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Speaker 6: Because I was like, that's a whole experience that most

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Speaker 6: kids don't get at that age.

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Speaker 1: That's experience. Yeah, I was time either, time all spent.

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Speaker 1: You know. You can you can be in a couple

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Speaker 1: of dozen riots. You can get back on your bike

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Speaker 1: keeping bike to another ryot.

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Speaker 4: It's wonderful and good food, good drinks. Yeah, and she's

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Speaker 4: of legal age to drink. You know, lots of bros.

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Speaker 1: I think for the rioters it's wonderful.

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Speaker 3: I think Tar's point of spending that time with your

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Speaker 3: grandmother is invaluable. You may not see it in the moment.

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Speaker 4: Yeah, yeah, but yeah, no question.

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Speaker 3: So then we meet Norman Mailer at the Inn, which is.

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Speaker 1: Fact, that's actually her getting your PhD and.

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Speaker 9: Snooty yeah, or also I think you look back when

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Speaker 9: your grandparents aren't here and you're like, oh, thank god

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Speaker 9: I did that. Yeah, so we meet Norman Mailer at

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Speaker 9: the Inn.

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Speaker 3: Now, did everybody know who Norman Mailer was?

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Speaker 1: Yes?

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Speaker 5: No, I thought he was a fictional character until now.

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Speaker 3: Yeah, Well, so who is Norman Mayler?

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Speaker 1: Who is Norman may Well? I mean, yeah, he's the

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Speaker 1: guy who went to Harvard and graduated with a degree

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Speaker 1: in aeronautical engineering and was drafted into the war, volunteered,

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Speaker 1: and he fought in World War Two, and when.

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Speaker 3: He came back A lot about Norman.

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Speaker 1: When he came back, he wrote The Naked and the

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Speaker 1: Dead and it made him an instant literary star. When

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Speaker 1: when writers used to be the top of the food

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Speaker 1: chain and the entertainment business in America, he was the

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Speaker 1: shining light. He was the novelist. It was. It was

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Speaker 1: him and Philip Roth and John dos Passos and a

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Speaker 1: couple of others Updyke was up there and saw Bellow

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Speaker 1: and people like that. I mean he was a guy

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Speaker 1: who with a big ego and a big brain.

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Speaker 3: And yeah, he wanted to be a little controversial.

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Speaker 1: Yeah, I mean there was. He he did a lot

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Speaker 1: of he did journalism too, and he kind of you know,

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Speaker 1: he blended the subjective complexity and artistry of the novel

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Speaker 1: with journalistic objectivity.

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Speaker 3: Now I don't be wrong, but allegedly he also stabbed

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Speaker 3: his wife with a pen in the heart.

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Speaker 1: Oh my god, apparently in the heart.

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Speaker 3: Yeah that so was he not controversial when you all

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Speaker 3: had him on the show, like even though because he

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Speaker 3: allegedly stabbed the wife.

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Speaker 1: Like in the sixties, Yeah, he found his fame. I

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Speaker 1: mean I think they put Naked and the Dead was

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Speaker 1: published nineteen forty eight, so he was a star from

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Speaker 1: nineteen forty eight on. And then you know, the perception

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Speaker 1: was that he never matched The Naked and the Dead

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Speaker 1: and that and that by the time the sixties and

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Speaker 1: seventies rolled around, he know, he was publishing books that

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Speaker 1: didn't measure up according to some critics, and gore Vidal

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Speaker 1: went after the hardest. His friend, Well, I grew up

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Speaker 1: with with with Gurvidal and Norman Mailer. I mean, every

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Speaker 1: every man that graduated the Ivy League of the gi

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Speaker 1: Bill that was, you know, an English major wanted to

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Speaker 1: write the great American novel when they graduated, and he's

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Speaker 1: the guy that did it. My father included in that bunch,

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Speaker 1: and he never got the opportunity to do it until

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Speaker 1: later in his life. So right, interesting people used to

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Speaker 1: aspire to be writers. They wanted to be great novelists.

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Speaker 1: They did Hemingway. You know, everybody was so turned on

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Speaker 1: by Hemingway. Men, women, everybody wanted to be Ernest Hemingway.

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Speaker 3: Interestingly, the person interviewing him is his son, So he's

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Speaker 3: not playing his son. He's playing the journalist interviewing him.

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Speaker 6: But that is it's his real son.

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Speaker 3: Yes, so that's played by Stephen Mahler. So you're welcome

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Speaker 3: for the history.

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Speaker 1: But Mailer was controversial in that he was, you know,

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Speaker 1: pugilistic in his his academic style, his debating style. He

395
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Speaker 1: ran sure, he got physical with certain people, you know

396
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Speaker 1: New York mayor. He was kind of a tough guy.

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Speaker 1: He was, you know, he he went up, went went

398
00:21:33,000 --> 00:21:36,960
Speaker 1: against Gloria Steinem and the Women's movement, and he debated

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Speaker 1: them in very nuanced and interesting ways, but then got

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Speaker 1: labeled as a male chauvinist pig, which was yeah, yeah,

401
00:21:46,800 --> 00:21:50,320
Speaker 1: the phraseology of the time in male chauvinist pig, you're

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Speaker 1: a chauvinist.

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Speaker 3: He had six wives, nine children, so it's kind of

404
00:21:56,359 --> 00:21:59,720
Speaker 3: interesting that he lived his life that Amy Sherman Palladino,

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00:22:00,480 --> 00:22:04,320
Speaker 3: you know, wanted Norman Mayler. Yeah, because it's also like, okay,

406
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Speaker 3: if you think about this, when they're like Norman Mayler

407
00:22:07,400 --> 00:22:11,480
Speaker 3: is in the Inn, that only really had significance to

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Speaker 3: like the older viewers of Gilmore Girls back in two

409
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Speaker 3: thousand and four, right, Like, it wasn't like she came

410
00:22:17,560 --> 00:22:21,200
Speaker 3: back in and she's like Angelina Jolie is in the Inn,

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Speaker 3: you know what I mean?

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Speaker 1: Yeah, Norman Mailer was to writing what Jackson Pollock was

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Speaker 1: to painting.

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Speaker 3: He did learn that Billy Joel has come into the Inn.

415
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Speaker 3: We didn't get to see it, but we did learn

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Speaker 3: that Billy Joel came in and ate a lot of things.

417
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Speaker 3: But Norman Mayler just gets iced tea.

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Speaker 1: So and Billy Joel barely hides it.

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Speaker 6: Have you guys ever gone somewhere and you ordered like

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Speaker 6: just a drink, and then you feel bad and order

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Speaker 6: like a snack just because you're like like I've done that,

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Speaker 6: or you're like, I'll just get an appetizer because I

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Speaker 6: feel bad.

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Speaker 5: I've never never just ordered a drink, unless it's like

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Speaker 5: at a coffee shop.

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Speaker 3: That's what I was thinking, Like, I only order.

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Speaker 4: There's always food on the table when goes there.

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Speaker 1: But he's but he's there doing an interview. That was

429
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Speaker 1: the purpose of it, meet me at the Dragonfly interview.

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Speaker 1: He's not going to sit there and stuff.

431
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Speaker 3: His face throw a flag on the play. If you

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Speaker 3: own an inn, right, you own an inn. There's lots

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Speaker 3: of people staying at the inn that will be coming

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Speaker 3: downstairs just for a drink, just for a cup of coffee.

435
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Speaker 3: So Suki maybe was totally overap, being kind of inappropriate,

436
00:23:35,440 --> 00:23:37,800
Speaker 3: Like who cares this guy. It's a it's an inn.

437
00:23:38,600 --> 00:23:40,280
Speaker 3: People can come down just to have a lemonade or

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Speaker 3: water or sit in the lobby if they want to.

439
00:23:42,280 --> 00:23:44,280
Speaker 3: They don't have to order even a drink. They already

440
00:23:44,480 --> 00:23:45,000
Speaker 3: you know what I mean.

441
00:23:45,200 --> 00:23:52,240
Speaker 1: It was manufactured sort of territorial sort of thing going on.

442
00:23:52,480 --> 00:23:55,000
Speaker 1: But it's Norman Mailer. I mean doesn't she know who

443
00:23:55,119 --> 00:23:58,080
Speaker 1: Norman Bayler is? And also the deal when that guy

444
00:23:58,119 --> 00:24:01,640
Speaker 1: comes and sits down in your restaurant, that's an icon

445
00:24:01,760 --> 00:24:02,240
Speaker 1: right there.

446
00:24:02,320 --> 00:24:05,520
Speaker 5: So I think it would be different if her dining

447
00:24:05,600 --> 00:24:08,680
Speaker 5: room was full for lunch, you know, and Norman Mayler

448
00:24:08,800 --> 00:24:10,080
Speaker 5: was there and only getting icedy.

449
00:24:10,160 --> 00:24:12,520
Speaker 1: I think she'd be like, I can't get a table,

450
00:24:12,720 --> 00:24:13,800
Speaker 1: taking the table.

451
00:24:13,760 --> 00:24:16,080
Speaker 6: And she's getting her lunch taken away, So I feel

452
00:24:16,119 --> 00:24:17,280
Speaker 6: like it's just oh yeah.

453
00:24:17,359 --> 00:24:20,879
Speaker 5: So my point being, she wouldn't be bothered if there

454
00:24:21,040 --> 00:24:23,320
Speaker 5: was meant other people for her to cook for.

455
00:24:23,480 --> 00:24:24,120
Speaker 4: But the fact that.

456
00:24:24,080 --> 00:24:27,280
Speaker 5: He's the only one there and she's not serving him

457
00:24:27,320 --> 00:24:29,240
Speaker 5: food he only wants iced tea.

458
00:24:29,119 --> 00:24:31,639
Speaker 3: Well, and I they should be more bothered if he

459
00:24:31,720 --> 00:24:33,600
Speaker 3: was only getting iced tea if the room was full,

460
00:24:33,640 --> 00:24:36,840
Speaker 3: because he's like, like Scott said, he's holding the table.

461
00:24:37,400 --> 00:24:40,359
Speaker 1: But then also, if I own an inn and the

462
00:24:40,480 --> 00:24:44,199
Speaker 1: chef is hassling somebody drinking tea, who's you know, a

463
00:24:44,440 --> 00:24:47,879
Speaker 1: major celebrity, I'm firing that totally.

464
00:24:47,920 --> 00:24:50,120
Speaker 3: That's why Lorelai was sort of like a pom your

465
00:24:50,760 --> 00:24:51,520
Speaker 3: self down.

466
00:24:51,920 --> 00:24:53,640
Speaker 1: It's like, what is going on? Man?

467
00:24:55,960 --> 00:24:59,920
Speaker 3: They want learn it's because she's pregnant. We'll just get

468
00:25:00,040 --> 00:25:02,919
Speaker 3: to the punchline. There he learned then she's crazy in

469
00:25:03,000 --> 00:25:08,880
Speaker 3: acting nuts. So okay that Doyle gives out the assignments

470
00:25:08,960 --> 00:25:13,800
Speaker 3: and Rory gets features, Glenn gets crime, Paris gets religion.

471
00:25:14,720 --> 00:25:17,080
Speaker 3: This seems big to me that Rory got features when

472
00:25:17,080 --> 00:25:20,719
Speaker 3: it's like her she's so young on the paper.

473
00:25:20,840 --> 00:25:26,520
Speaker 1: But cool, Well, let's see what she does with the opportunity.

474
00:25:26,920 --> 00:25:27,240
Speaker 3: I was on.

475
00:25:28,280 --> 00:25:30,320
Speaker 6: I will say I was on my high school newspaper,

476
00:25:30,320 --> 00:25:32,800
Speaker 6: and I loved features because you could basically write about

477
00:25:32,800 --> 00:25:35,680
Speaker 6: like anything you wanted, like you just could. He didn't

478
00:25:35,720 --> 00:25:39,200
Speaker 6: have like sports or whatever. You got to fully pick

479
00:25:39,240 --> 00:25:39,960
Speaker 6: what you wanted to do.

480
00:25:40,480 --> 00:25:46,240
Speaker 3: And then it happens in walks logan into the newsroom

481
00:25:46,359 --> 00:25:49,560
Speaker 3: and just Doyle freaking out is just like the greatest

482
00:25:49,560 --> 00:25:53,480
Speaker 3: thing ever. And did you see, like he who's that girl? Now?

483
00:25:53,520 --> 00:25:54,640
Speaker 3: He had a girl and.

484
00:25:54,600 --> 00:25:56,960
Speaker 4: He kind of a girl that he lanted planted a

485
00:25:57,000 --> 00:25:57,480
Speaker 4: speech on.

486
00:25:57,960 --> 00:26:00,040
Speaker 3: Is that the same girl that he had in the

487
00:26:00,080 --> 00:26:02,320
Speaker 3: episode when they walked by the coffee cart?

488
00:26:02,720 --> 00:26:03,679
Speaker 1: I think it was.

489
00:26:04,320 --> 00:26:07,520
Speaker 3: Can somebody from either our staff or the crack staff

490
00:26:08,040 --> 00:26:11,680
Speaker 3: figure out if that was the same girl? So that's

491
00:26:11,720 --> 00:26:15,280
Speaker 3: like somebody's mission for the next thirty minutes. So what

492
00:26:15,440 --> 00:26:18,320
Speaker 3: do you guys, I mean, I love him already, So

493
00:26:18,400 --> 00:26:21,520
Speaker 3: what did especially Scott and Danielle, what did you guys

494
00:26:21,560 --> 00:26:24,840
Speaker 3: think when here he comes and you see how studley

495
00:26:24,880 --> 00:26:26,680
Speaker 3: he is, and then you learn he's got this big,

496
00:26:26,760 --> 00:26:30,080
Speaker 3: rich father who's in the newspaper business.

497
00:26:30,359 --> 00:26:33,119
Speaker 1: He's such a cool customer and to come into a

498
00:26:33,160 --> 00:26:35,320
Speaker 1: scene like that and just take over and be cool

499
00:26:35,359 --> 00:26:38,919
Speaker 1: and relaxed, and it just showed how how strong an

500
00:26:38,960 --> 00:26:44,120
Speaker 1: actor he is, and what a wonderful debut for him,

501
00:26:44,160 --> 00:26:46,639
Speaker 1: and what a great character. I just think, man, Amy

502
00:26:46,680 --> 00:26:48,800
Speaker 1: must have had a ton of fun writing that character.

503
00:26:48,920 --> 00:26:53,440
Speaker 3: Oh, I agree. So he's in the Gilmore Woldan he's

504
00:26:53,440 --> 00:26:55,399
Speaker 3: got that different rhythm right Oh yeah.

505
00:26:55,440 --> 00:26:59,360
Speaker 1: Man, he's just this old guy and he I mean,

506
00:26:59,480 --> 00:27:02,920
Speaker 1: you know, is just reeking from him. It's just pouring

507
00:27:02,960 --> 00:27:06,640
Speaker 1: off him. Privilege and class and money. It's just pouring

508
00:27:06,680 --> 00:27:09,879
Speaker 1: off him. And he's not apologetic about it. You know.

509
00:27:10,200 --> 00:27:15,359
Speaker 1: He's ourgany kind of and he's distant, yet he's familiar

510
00:27:15,560 --> 00:27:18,560
Speaker 1: and i and warm at the same time. It's just

511
00:27:18,720 --> 00:27:21,960
Speaker 1: he's playing all these opposites. Wonderful, just wonderful to watch.

512
00:27:24,200 --> 00:27:28,920
Speaker 5: I still don't like him.

513
00:27:28,920 --> 00:27:32,040
Speaker 4: Sorry, I still like him.

514
00:27:30,520 --> 00:27:30,600
Speaker 7: But.

515
00:27:33,160 --> 00:27:35,320
Speaker 1: I'm waiting. I still don't like him.

516
00:27:35,720 --> 00:27:37,920
Speaker 5: I'm waiting for the episode to find him a little

517
00:27:38,000 --> 00:27:41,600
Speaker 5: more human, like the episode where you're like, oh, I

518
00:27:41,680 --> 00:27:42,360
Speaker 5: get it now.

519
00:27:42,680 --> 00:27:44,640
Speaker 4: I'm still waiting for it. So I still don't like him.

520
00:27:45,040 --> 00:27:48,480
Speaker 5: But what I will say is I do like what

521
00:27:48,560 --> 00:27:51,480
Speaker 5: he makes the people around him do. Like I do

522
00:27:51,680 --> 00:27:55,560
Speaker 5: like how Doyle is like flubbering around him like that

523
00:27:55,600 --> 00:27:59,040
Speaker 5: makes that made me laugh and I loved that scene.

524
00:27:59,200 --> 00:28:02,680
Speaker 5: And I also like how he's making Rory like call

525
00:28:02,760 --> 00:28:06,320
Speaker 5: him out, you know, like Rory is actually like like

526
00:28:07,080 --> 00:28:09,840
Speaker 5: not standing up to him, but she's kind of like,

527
00:28:10,080 --> 00:28:11,600
Speaker 5: you know, like hey, dude, what's up?

528
00:28:11,800 --> 00:28:13,960
Speaker 4: You know that kind of It's.

529
00:28:13,800 --> 00:28:17,560
Speaker 3: Such a great point you're making there because so far

530
00:28:18,119 --> 00:28:21,240
Speaker 3: they're pretty much going toe to toe. It's like who

531
00:28:21,280 --> 00:28:25,520
Speaker 3: has the leg up? But I'm going to say it's Logan,

532
00:28:26,200 --> 00:28:29,160
Speaker 3: and I think it's the first time that that's ever happened.

533
00:28:29,160 --> 00:28:31,880
Speaker 3: Like they're going toe to toe, but like which we'll

534
00:28:31,880 --> 00:28:34,639
Speaker 3: get to. She has to agree to the conditions, right,

535
00:28:35,240 --> 00:28:37,600
Speaker 3: and when they kind of have that confrontation when she's

536
00:28:37,600 --> 00:28:40,560
Speaker 3: sort of stalking him and waiting for him, like he

537
00:28:40,640 --> 00:28:43,400
Speaker 3: won that so it's sort.

538
00:28:43,200 --> 00:28:46,479
Speaker 1: Of like, yes, yes, that's what she does.

539
00:28:47,320 --> 00:28:50,480
Speaker 3: Yes, she's close and she's leveled up, right, so, which

540
00:28:50,480 --> 00:28:53,200
Speaker 3: I think he's intrigued by because most girls just kiss

541
00:28:53,280 --> 00:28:55,600
Speaker 3: him and don't don't even give him any kind of anything.

542
00:28:56,520 --> 00:28:59,200
Speaker 3: But it's still like point logan to me.

543
00:29:00,400 --> 00:29:06,560
Speaker 1: Again, absolutely absolutely absolutely, and it's like he's in control.

544
00:29:06,920 --> 00:29:09,160
Speaker 1: She wants the info from him. He's going to have

545
00:29:09,160 --> 00:29:12,800
Speaker 1: fun with her totally. And then you know, and you

546
00:29:12,800 --> 00:29:18,120
Speaker 1: don't have to necessarily like a character to enjoy the character, right,

547
00:29:18,280 --> 00:29:22,160
Speaker 1: And he's so easy to enjoy. Are you not enjoying him, Danielle,

548
00:29:22,440 --> 00:29:24,480
Speaker 1: You're not like he comes on the screen. What is

549
00:29:24,520 --> 00:29:26,719
Speaker 1: your experience? Are you're not laughing? Or you know?

550
00:29:26,960 --> 00:29:29,440
Speaker 5: Like I said, like I like what he's doing with

551
00:29:29,560 --> 00:29:32,320
Speaker 5: the people around how the people around him are responding

552
00:29:32,400 --> 00:29:35,000
Speaker 5: to him. Like I'm enjoying that a lot. So his

553
00:29:35,160 --> 00:29:38,840
Speaker 5: presence is giving me that, But him as a human

554
00:29:38,920 --> 00:29:41,560
Speaker 5: as and as a character, I'm not sold.

555
00:29:41,720 --> 00:29:43,560
Speaker 1: I'm just sing Okay. So here's the thing. Here's the thing.

556
00:29:43,600 --> 00:29:46,240
Speaker 1: When we meet a new person, right and we don't

557
00:29:46,320 --> 00:29:48,560
Speaker 1: know them, and it's not like everybody's a little anxious,

558
00:29:48,600 --> 00:29:51,200
Speaker 1: but then they make you laugh out loud. You love

559
00:29:51,240 --> 00:29:54,200
Speaker 1: that person immediately, It's like, oh, I love this guy.

560
00:29:54,280 --> 00:29:57,400
Speaker 1: I love this girl. She's funny and and Logan does

561
00:29:57,480 --> 00:29:59,719
Speaker 1: that when he puts the hat on and he said,

562
00:30:00,000 --> 00:30:07,320
Speaker 1: you know the whole thing, I just I howled this is.

563
00:30:08,280 --> 00:30:10,360
Speaker 4: I don't know, like just.

564
00:30:10,280 --> 00:30:13,280
Speaker 1: Like I love this guy. I don't care what he does.

565
00:30:14,240 --> 00:30:16,560
Speaker 1: You can cut a Dean all day and a cowboy

566
00:30:16,920 --> 00:30:25,720
Speaker 1: finger knoed Logan man entertaining.

567
00:30:25,920 --> 00:30:26,680
Speaker 4: I mean, here's the thing.

568
00:30:26,760 --> 00:30:29,760
Speaker 5: When Dean first came to the picture, I was sold

569
00:30:29,840 --> 00:30:33,320
Speaker 5: within the first episode. Same with Jess, like just with

570
00:30:33,480 --> 00:30:37,000
Speaker 5: like you know, being mysterious and and different, like I

571
00:30:37,040 --> 00:30:38,280
Speaker 5: loved it right away.

572
00:30:38,720 --> 00:30:41,640
Speaker 4: But with Logan, it's just taking me time.

573
00:30:42,120 --> 00:30:44,520
Speaker 6: Is because he like came in hot. Is that why?

574
00:30:45,160 --> 00:30:47,960
Speaker 4: Maybe I don't know. I'm just like he's just like

575
00:30:48,320 --> 00:30:49,680
Speaker 4: not it.

576
00:30:49,520 --> 00:30:50,200
Speaker 3: For me right now.

577
00:30:50,400 --> 00:30:54,280
Speaker 5: That's fine, But I appreciate his presence in the show

578
00:30:54,400 --> 00:30:54,720
Speaker 5: so far.

579
00:30:55,120 --> 00:30:57,120
Speaker 6: I think Scott has a point too. It's like you

580
00:30:57,160 --> 00:31:00,960
Speaker 6: don't have to love like the care but you still

581
00:31:01,080 --> 00:31:03,760
Speaker 6: enjoy watching. That's such a great way of explaining it,

582
00:31:03,800 --> 00:31:06,719
Speaker 6: because that's how I felt like, I mean, clearly I

583
00:31:06,760 --> 00:31:09,360
Speaker 6: know what happens, but like even going back I'm like,

584
00:31:09,400 --> 00:31:10,920
Speaker 6: you know what, he is really fun to watch.

585
00:31:11,000 --> 00:31:13,600
Speaker 3: Oh god, he's so good. I mean, and just like

586
00:31:14,000 --> 00:31:17,040
Speaker 3: the way they dress him in the turtleneck with the blazer,

587
00:31:17,600 --> 00:31:21,640
Speaker 3: like you just know he's rich and he's handsome. And

588
00:31:22,720 --> 00:31:25,040
Speaker 3: I think it's the confidence. And what I haven't ever

589
00:31:25,080 --> 00:31:30,400
Speaker 3: figured out is is Matt Zukri playing Logan so confident

590
00:31:30,480 --> 00:31:34,840
Speaker 3: or is Matt Zugri also just so confident and natural

591
00:31:35,120 --> 00:31:36,959
Speaker 3: that he just can play Logan.

592
00:31:38,560 --> 00:31:39,280
Speaker 1: Let's ask him.

593
00:31:40,320 --> 00:31:41,160
Speaker 4: We do need him on?

594
00:31:41,560 --> 00:31:47,000
Speaker 1: We do? Oh yeah, we need to, we needed we

595
00:31:47,040 --> 00:31:48,240
Speaker 1: need We.

596
00:31:48,200 --> 00:31:51,880
Speaker 3: Get a little glimpse into Logan's sort of life and

597
00:31:51,960 --> 00:31:54,600
Speaker 3: that he like had Daddy's yacht and sunk it, and

598
00:31:54,640 --> 00:31:59,200
Speaker 3: we learn a little bit about Mitcham. Yeah, so we

599
00:31:59,280 --> 00:32:03,440
Speaker 3: learn we learn of Mitcham's existence and that Logan is

600
00:32:03,480 --> 00:32:07,800
Speaker 3: a Huntsburger, you know, and then the hat and the

601
00:32:07,840 --> 00:32:09,440
Speaker 3: whole thing. I just literally was like.

602
00:32:09,440 --> 00:32:09,680
Speaker 7: Oh.

603
00:32:11,840 --> 00:32:15,120
Speaker 1: Yeah, no, I mean, this character is taking us into

604
00:32:15,200 --> 00:32:19,880
Speaker 1: a completely new world. It's a portal that that that

605
00:32:20,760 --> 00:32:24,120
Speaker 1: Rory is going to walk through, and I am going

606
00:32:24,240 --> 00:32:24,600
Speaker 1: with her.

607
00:32:24,640 --> 00:32:24,840
Speaker 10: Man.

608
00:32:25,040 --> 00:32:28,040
Speaker 1: I mean, this is the best storyline in the show

609
00:32:28,480 --> 00:32:31,200
Speaker 1: in quite a while. It really truly is. I mean,

610
00:32:31,240 --> 00:32:33,880
Speaker 1: this is just the whole experience in and of itself.

611
00:32:33,920 --> 00:32:36,560
Speaker 1: This is a whole show in and of itself, right,

612
00:32:37,280 --> 00:32:41,000
Speaker 1: I think I think the spin off shows may be

613
00:32:41,200 --> 00:32:44,200
Speaker 1: inspired by this Light the Light Brigade.

614
00:32:44,280 --> 00:32:46,760
Speaker 11: Is that what they call themselves, not to Life and Brigade,

615
00:32:47,080 --> 00:32:52,040
Speaker 11: Life and the Life and the Light Bride, you know,

616
00:32:52,280 --> 00:32:55,680
Speaker 11: And I just it's just a just a terrifically fun

617
00:32:55,920 --> 00:32:58,920
Speaker 11: fantasy experience that having you.

618
00:32:59,520 --> 00:33:04,640
Speaker 1: Yeah, I was waiting for more scenes with Logan, like

619
00:33:04,760 --> 00:33:07,600
Speaker 1: let's go there.

620
00:33:06,800 --> 00:33:08,160
Speaker 3: This new energy.

621
00:33:08,520 --> 00:33:10,840
Speaker 6: Yeah, and this was kind of this episode was like

622
00:33:10,840 --> 00:33:11,560
Speaker 6: a tease of that.

623
00:33:12,280 --> 00:33:17,160
Speaker 3: Yes, right, yeah, yeah, that's a great point. So we

624
00:33:17,240 --> 00:33:21,680
Speaker 3: go back to the inn and we've got Suki is

625
00:33:21,680 --> 00:33:25,800
Speaker 3: still going with her whole thing, which was entertaining, but

626
00:33:25,880 --> 00:33:27,440
Speaker 3: not my favorite part of the episode.

627
00:33:27,440 --> 00:33:28,920
Speaker 1: It's like, it's a little shrill.

628
00:33:29,840 --> 00:33:30,760
Speaker 3: It's a little shrill.

629
00:33:30,800 --> 00:33:34,160
Speaker 1: I think I found myself turning the volume down.

630
00:33:34,280 --> 00:33:36,320
Speaker 3: Yeah, it was. And it was just sort of like

631
00:33:37,520 --> 00:33:42,040
Speaker 3: no one's doing that. No proprietor essentially is like yelling

632
00:33:42,040 --> 00:33:46,640
Speaker 3: at Norman Mailer, do you know what I mean? So

633
00:33:47,280 --> 00:33:47,680
Speaker 3: it was.

634
00:33:47,680 --> 00:33:50,000
Speaker 1: Funny when she went out and grabbed the book and said.

635
00:33:53,400 --> 00:33:55,560
Speaker 3: It was all amusing and we understand that she's pregnant

636
00:33:55,560 --> 00:33:57,840
Speaker 3: once we get the payoffs, so it's like, okay, fine.

637
00:33:57,640 --> 00:34:02,120
Speaker 1: But that was that was a great how she realized

638
00:34:02,160 --> 00:34:03,480
Speaker 1: that was a great real.

639
00:34:08,560 --> 00:34:12,880
Speaker 3: We then learn that Doses is doing the what I

640
00:34:12,920 --> 00:34:17,719
Speaker 3: call the seven eleven special, having the hot dogs, the nachos,

641
00:34:17,800 --> 00:34:21,040
Speaker 3: the icy. First of all, I love an Icy, but

642
00:34:21,239 --> 00:34:24,359
Speaker 3: the hot dogs looked not good.

643
00:34:25,920 --> 00:34:28,279
Speaker 4: I love a nacho, so I'll take the nachos.

644
00:34:28,520 --> 00:34:28,759
Speaker 1: Yeah.

645
00:34:29,360 --> 00:34:31,400
Speaker 3: I love when Laura, I don't. I can't remember if

646
00:34:31,400 --> 00:34:33,040
Speaker 3: what happens to you. I think it's later when she's

647
00:34:33,080 --> 00:34:36,960
Speaker 3: like cruising down just eating. It's like so epic.

648
00:34:38,040 --> 00:34:39,759
Speaker 6: I like how it's like the top of the town, like,

649
00:34:39,760 --> 00:34:41,680
Speaker 6: oh we got an icy machine and hot dog, Like

650
00:34:41,719 --> 00:34:42,759
Speaker 6: it's like a whole thing.

651
00:34:43,560 --> 00:34:46,520
Speaker 3: I do love an Icy though, I do too. Now,

652
00:34:46,560 --> 00:34:48,719
Speaker 3: do you have a preference over Icy to Slurpee? And

653
00:34:48,760 --> 00:34:51,640
Speaker 3: are they the same to you guys? Or are they different.

654
00:34:55,000 --> 00:34:56,120
Speaker 6: Like slurpies? Right?

655
00:34:56,640 --> 00:35:00,640
Speaker 1: What's the difference? The brain freeze you get the higher

656
00:35:01,200 --> 00:35:03,799
Speaker 1: you get a quicker brain freeze with the Slurpee. With

657
00:35:03,840 --> 00:35:06,320
Speaker 1: the Icy, it's a little more subtle.

658
00:35:06,440 --> 00:35:09,080
Speaker 4: I don't think there's a difference. Is maybe just the brand, just.

659
00:35:09,000 --> 00:35:12,319
Speaker 6: The brand I think yeah, yeah, I don't know. ICs

660
00:35:12,320 --> 00:35:14,080
Speaker 6: are always at like the movie theaters.

661
00:35:14,239 --> 00:35:16,160
Speaker 1: Yeah, Surer have colder ice.

662
00:35:17,400 --> 00:35:23,440
Speaker 5: I like the different it's the same products, but bold

663
00:35:23,520 --> 00:35:27,000
Speaker 5: under did anybody have the the at home? Slurpy won't

664
00:35:27,040 --> 00:35:30,040
Speaker 5: thank the makers, Like it's like an easy bake oven, but.

665
00:35:30,880 --> 00:35:33,360
Speaker 3: But it's funny. They still sell the icy one and

666
00:35:33,800 --> 00:35:35,320
Speaker 3: thinking of buying it for the summer.

667
00:35:35,640 --> 00:35:38,279
Speaker 5: So dope, but like it makes like one like you

668
00:35:38,360 --> 00:35:40,040
Speaker 5: have to work really hard to.

669
00:35:40,080 --> 00:35:43,560
Speaker 1: Make it a pool at your estate? Do you have

670
00:35:43,600 --> 00:35:44,000
Speaker 1: a pool?

671
00:35:44,440 --> 00:35:45,960
Speaker 3: I mean there's like a community pool.

672
00:35:47,760 --> 00:35:49,600
Speaker 1: Well sure, I mean you can have your icy over there.

673
00:35:50,080 --> 00:35:53,799
Speaker 3: So the easy bake oven literally we cooked cakes with

674
00:35:53,840 --> 00:35:54,480
Speaker 3: a light bulb.

675
00:35:54,960 --> 00:35:55,279
Speaker 4: I know.

676
00:35:56,280 --> 00:35:59,600
Speaker 5: But that's how the Slurpy, the slurping machine I'm talking

677
00:35:59,640 --> 00:36:00,240
Speaker 5: about it.

678
00:36:00,160 --> 00:36:04,600
Speaker 1: It's like, but I Slurpy was like a social totally

679
00:36:04,920 --> 00:36:07,440
Speaker 1: now people we hang out with the seven eleven.

680
00:36:07,760 --> 00:36:11,640
Speaker 3: Yeah, there's seven eleven right by our house and we

681
00:36:11,680 --> 00:36:13,719
Speaker 3: go every day like literally slurpy every day. I'm sure

682
00:36:13,760 --> 00:36:15,960
Speaker 3: it's not good for you too, You're just like drinking.

683
00:36:15,760 --> 00:36:18,400
Speaker 4: Red sugar, red dye and sugar.

684
00:36:20,320 --> 00:36:24,439
Speaker 3: But so that was kind of Dean looked adorable, don't

685
00:36:24,480 --> 00:36:27,800
Speaker 3: get me wrong, but they also are having sort of

686
00:36:27,840 --> 00:36:31,720
Speaker 3: a struggle because they can't schedule time. I'm not feeling

687
00:36:31,719 --> 00:36:32,680
Speaker 3: good about their future.

688
00:36:34,160 --> 00:36:35,080
Speaker 4: No, not really.

689
00:36:35,320 --> 00:36:37,160
Speaker 5: That went out the window a few episodes ago.

690
00:36:37,920 --> 00:36:39,280
Speaker 1: Life got in the way.

691
00:36:39,920 --> 00:36:42,399
Speaker 3: There was sort of a funny line though, like when

692
00:36:42,400 --> 00:36:45,680
Speaker 3: he's like sex can do that also, and she's all, amen, brother, it's.

693
00:36:45,680 --> 00:36:46,920
Speaker 6: I don't like it.

694
00:36:47,000 --> 00:36:48,560
Speaker 3: Why is it so weird?

695
00:36:49,360 --> 00:36:49,839
Speaker 1: That's tough.

696
00:36:50,680 --> 00:36:52,480
Speaker 6: I think it's weird because I don't know why. Like

697
00:36:52,520 --> 00:36:53,960
Speaker 6: I feel like it wouldn't be weird if it was

698
00:36:54,000 --> 00:36:56,560
Speaker 6: like at this rate, like Logan and Rory, but because

699
00:36:56,560 --> 00:36:57,879
Speaker 6: it's her in Dean, it just.

700
00:36:59,120 --> 00:37:04,160
Speaker 1: Go Yeah, he's getting all porny on her talking about

701
00:37:04,360 --> 00:37:07,560
Speaker 1: that marketing Gilmore. Girls don't do the porny talk.

702
00:37:08,360 --> 00:37:14,719
Speaker 4: No, it's just weird. Like I get you guys.

703
00:37:14,440 --> 00:37:17,359
Speaker 5: Had sex, but like yeah, like well you don't need

704
00:37:17,400 --> 00:37:18,160
Speaker 5: to talk about it.

705
00:37:18,560 --> 00:37:21,800
Speaker 3: Oh god, Okay. So then we go to the meeting

706
00:37:21,800 --> 00:37:25,000
Speaker 3: with the accountant, which here's my question. If a inn

707
00:37:25,400 --> 00:37:29,240
Speaker 3: is seventy five percent occupied, that's like major.

708
00:37:30,200 --> 00:37:32,800
Speaker 8: So there was a little bit of like huh because

709
00:37:32,840 --> 00:37:35,319
Speaker 8: she's like, when we get the profits up from what

710
00:37:35,440 --> 00:37:39,160
Speaker 8: I know, seventy five percent occupied is like amazing, like

711
00:37:39,320 --> 00:37:41,239
Speaker 8: I heard hotels, you don't even want to be like

712
00:37:41,400 --> 00:37:45,840
Speaker 8: ninety nine percent occupied because you're not able to handle that,

713
00:37:46,320 --> 00:37:48,799
Speaker 8: like when a hotel's book this goes down and all

714
00:37:48,840 --> 00:37:49,360
Speaker 8: these things.

715
00:37:49,640 --> 00:37:50,200
Speaker 1: So they're just.

716
00:37:50,080 --> 00:37:52,040
Speaker 4: Probably so in the hole, you.

717
00:37:52,000 --> 00:37:54,080
Speaker 1: Know, Like I mean, they need to they need to

718
00:37:54,120 --> 00:37:57,239
Speaker 1: maximize profits to get back to even because they're Yeah,

719
00:37:57,280 --> 00:37:58,640
Speaker 1: they're in the rest, that's true.

720
00:37:58,920 --> 00:37:59,440
Speaker 3: True.

721
00:38:00,040 --> 00:38:03,839
Speaker 1: All that the big spend they did on breakfast.

722
00:38:03,040 --> 00:38:04,840
Speaker 3: And dinners, it sounds like are going great, but lunch

723
00:38:04,920 --> 00:38:05,520
Speaker 3: is problem.

724
00:38:05,560 --> 00:38:08,080
Speaker 1: No breakfasts, break even dinners are making some money.

725
00:38:08,200 --> 00:38:12,160
Speaker 3: Did she say that? Yeah, oh I missed that, but great,

726
00:38:12,719 --> 00:38:15,480
Speaker 3: m and then I love that Michelle wants to deduct

727
00:38:15,480 --> 00:38:16,960
Speaker 3: his suits, but Suki's all.

728
00:38:16,840 --> 00:38:20,799
Speaker 1: Mad and my accountant would be able to deduct those suits.

729
00:38:21,920 --> 00:38:23,200
Speaker 3: Well, your accountant might be better.

730
00:38:23,600 --> 00:38:26,680
Speaker 1: I think he is, and I don't. I don't think

731
00:38:26,680 --> 00:38:35,360
Speaker 1: he auditioned for that part. Weirdly, so day from Delta Airlines,

732
00:38:35,680 --> 00:38:39,399
Speaker 1: I got a new they're still looking for my John.

733
00:38:40,640 --> 00:38:41,680
Speaker 3: They still have not found it.

734
00:38:41,800 --> 00:38:44,399
Speaker 1: They're giving it another two weeks and then they're giving up.

735
00:38:44,920 --> 00:38:46,560
Speaker 1: But they just wanted to. They just wanted me to

736
00:38:46,600 --> 00:38:47,600
Speaker 1: know they're working hard.

737
00:38:47,680 --> 00:38:50,719
Speaker 3: When they give up, do you get any money or

738
00:38:50,800 --> 00:38:51,680
Speaker 3: is it just too bad?

739
00:38:52,200 --> 00:38:53,879
Speaker 1: No, it's too bad. Oh you don't.

740
00:38:54,160 --> 00:38:56,040
Speaker 3: I don't know that. So when you put your suitcase

741
00:38:56,080 --> 00:38:57,319
Speaker 3: on that thing, you're kind of like.

742
00:38:58,000 --> 00:38:59,000
Speaker 6: I signed off.

743
00:38:59,239 --> 00:39:00,560
Speaker 3: Just hope for the best.

744
00:39:00,960 --> 00:39:04,080
Speaker 1: I handed it to that guy. I should have just

745
00:39:04,120 --> 00:39:11,000
Speaker 1: said bye bye John, Bye bye Church. I don't want

746
00:39:10,960 --> 00:39:11,759
Speaker 1: to home now.

747
00:39:12,719 --> 00:39:17,560
Speaker 3: And every day I think good choice on the no flying. Okay,

748
00:39:17,680 --> 00:39:19,680
Speaker 3: So then we go to Rory, who's trying to do

749
00:39:19,719 --> 00:39:23,440
Speaker 3: this boring feature, like the story she picked is so boring,

750
00:39:23,880 --> 00:39:26,640
Speaker 3: and we're in this random guy's room and he's trying

751
00:39:26,640 --> 00:39:30,480
Speaker 3: to explain like I don't know CDs or something. To her.

752
00:39:30,640 --> 00:39:33,000
Speaker 6: I was like, he is trying to explain LimeWire.

753
00:39:33,480 --> 00:39:36,160
Speaker 3: It was so boring, like and I think it was

754
00:39:36,200 --> 00:39:38,880
Speaker 3: intentionally boring. Like I was like, even I don't want

755
00:39:38,920 --> 00:39:42,240
Speaker 3: to hear anything this guy's saying right in his messy,

756
00:39:42,280 --> 00:39:43,160
Speaker 3: messy dorm room.

757
00:39:44,600 --> 00:39:46,680
Speaker 6: The detail, by the way I was laying at when

758
00:39:46,800 --> 00:39:48,960
Speaker 6: that was his name, the detail in that scene of

759
00:39:49,040 --> 00:39:51,480
Speaker 6: just like I was looking in the room, like the

760
00:39:51,600 --> 00:39:53,640
Speaker 6: set design was amazing.

761
00:39:53,160 --> 00:39:58,319
Speaker 3: Totally totally that was like a crazy, legit, kind of

762
00:39:58,320 --> 00:40:02,680
Speaker 3: geeky music y guy's dorm room yeah, but the bore

763
00:40:02,880 --> 00:40:04,879
Speaker 3: is so plainful. I couldn't get out of there fast enough.

764
00:40:06,880 --> 00:40:10,080
Speaker 1: So and then she's you were not entertained.

765
00:40:12,200 --> 00:40:14,759
Speaker 3: So she goes to the bathroom because she lost her

766
00:40:14,760 --> 00:40:17,120
Speaker 3: train of thought because she was so boring. She goes

767
00:40:17,160 --> 00:40:20,760
Speaker 3: to the bathroom and then she sees the girl monkey

768
00:40:20,760 --> 00:40:23,720
Speaker 3: head and gorilla mask. Yeah, gorilla masks.

769
00:40:23,760 --> 00:40:25,759
Speaker 1: How did that girl not see her in the mirror? Though?

770
00:40:27,200 --> 00:40:28,520
Speaker 3: Great point, great point.

771
00:40:28,560 --> 00:40:30,480
Speaker 1: I mean she's like raked off to the side. The

772
00:40:30,520 --> 00:40:36,640
Speaker 1: mirror has a pile of very wide you know the

773
00:40:36,680 --> 00:40:37,680
Speaker 1: things I notice.

774
00:40:37,920 --> 00:40:39,400
Speaker 3: It did make me go and watch the Planet of

775
00:40:39,400 --> 00:40:42,719
Speaker 3: the Apes this weekend, though, it did make me want

776
00:40:42,719 --> 00:40:44,239
Speaker 3: to watch Planet of the Apes, which I did. I

777
00:40:44,320 --> 00:40:50,480
Speaker 3: finally watched the original nineties yeah boy, which is not bad.

778
00:40:51,280 --> 00:40:55,440
Speaker 3: It's not good, but I think it's not good in

779
00:40:55,560 --> 00:41:00,239
Speaker 3: twenty twenty three because like just the like the actual

780
00:41:00,239 --> 00:41:03,839
Speaker 3: effects is basically just turning the camera in circles, rightly,

781
00:41:05,280 --> 00:41:08,800
Speaker 3: what so bad? But it was like kind of amusing.

782
00:41:10,960 --> 00:41:16,640
Speaker 1: Yeah, let's put.

783
00:41:20,000 --> 00:41:23,359
Speaker 3: It and it's like crashes in the water. But really

784
00:41:23,440 --> 00:41:25,719
Speaker 3: it's just like a camera going like this, and you're just.

785
00:41:25,680 --> 00:41:28,960
Speaker 1: Like technique seventies techniques.

786
00:41:29,120 --> 00:41:30,959
Speaker 3: Yeah, so anyway, but.

787
00:41:30,880 --> 00:41:34,720
Speaker 1: The ones are good, oh boy.

788
00:41:34,440 --> 00:41:38,439
Speaker 3: Yeah, not the Mark Wahlberg one was like, yeah, that's

789
00:41:38,960 --> 00:41:41,399
Speaker 3: not great. But then the other ones.

790
00:41:41,120 --> 00:41:43,680
Speaker 1: Were put Mark Wahlberg in the jungle, I don't know.

791
00:41:43,600 --> 00:41:46,600
Speaker 3: And it was Tim Burton, but the yeah and the

792
00:41:46,680 --> 00:41:49,200
Speaker 3: different ending, right, I don't know if you've seen it,

793
00:41:49,200 --> 00:41:50,160
Speaker 3: but it's got the different ending.

794
00:41:50,160 --> 00:41:52,120
Speaker 1: I mean I couldn't. I couldn't get through.

795
00:41:52,280 --> 00:41:54,080
Speaker 3: Now I'm doing a deep dive in Plant of the Ames,

796
00:41:54,160 --> 00:41:58,680
Speaker 3: probably thanks to Logan Huntsburger. But so Rory follows out

797
00:41:58,719 --> 00:42:01,920
Speaker 3: and she sees her get in there escalade or the you.

798
00:42:01,840 --> 00:42:02,040
Speaker 1: Know the.

799
00:42:03,560 --> 00:42:03,600
Speaker 7: Es.

800
00:42:03,760 --> 00:42:07,080
Speaker 3: Oh good, okay, and uh now she's intrigued.

801
00:42:11,000 --> 00:42:13,400
Speaker 4: What did she say before she got in the car?

802
00:42:14,000 --> 00:42:14,200
Speaker 1: Oh?

803
00:42:14,840 --> 00:42:19,919
Speaker 3: She says in omnia. What does that mean?

804
00:42:20,080 --> 00:42:20,719
Speaker 4: What does that mean?

805
00:42:21,200 --> 00:42:24,239
Speaker 3: It means she looked it up? It means what does

806
00:42:24,280 --> 00:42:26,799
Speaker 3: it mean? It means we do we learned?

807
00:42:27,440 --> 00:42:31,840
Speaker 5: Means ready for everything, for anything, ready.

808
00:42:31,600 --> 00:42:37,439
Speaker 4: For anything, anyone in this.

809
00:42:42,280 --> 00:42:43,600
Speaker 1: But if we were, we wouldn't.

810
00:42:43,960 --> 00:42:47,000
Speaker 5: If I'll admit it, if I can bet money, it

811
00:42:47,040 --> 00:42:48,799
Speaker 5: would definitely be amy you too.

812
00:42:52,000 --> 00:42:54,000
Speaker 3: I can't tell you what mine was, but yes, I

813
00:42:54,000 --> 00:42:57,759
Speaker 3: got a weird letter like in my mailbox and the

814
00:42:57,760 --> 00:43:01,520
Speaker 3: sorority and it said like go it was I think

815
00:43:01,560 --> 00:43:03,560
Speaker 3: it was even like I can't remember if it was

816
00:43:03,600 --> 00:43:05,919
Speaker 3: handwritten or it was like a professional like embossed letter

817
00:43:05,960 --> 00:43:08,359
Speaker 3: and it said be ready this time.

818
00:43:08,560 --> 00:43:11,000
Speaker 4: No, No, this is so cool.

819
00:43:11,480 --> 00:43:13,600
Speaker 3: So I know my parents and I was like, what

820
00:43:13,760 --> 00:43:16,680
Speaker 3: this weird letter? And where do they say?

821
00:43:16,719 --> 00:43:19,640
Speaker 10: They're like, go, my dad's like it's skulling keys or

822
00:43:19,680 --> 00:43:23,480
Speaker 10: something like full secret society that's like a massive drinking thing,

823
00:43:23,520 --> 00:43:26,879
Speaker 10: which I'm like, it's definitely not that, like because I've

824
00:43:26,960 --> 00:43:28,399
Speaker 10: never even had a sip of alcohol in my life.

825
00:43:28,400 --> 00:43:32,720
Speaker 3: But he's like, it's definitely a secret society. Just be ready.

826
00:43:33,200 --> 00:43:35,320
Speaker 5: Was it something that he was a part of or

827
00:43:35,360 --> 00:43:37,960
Speaker 5: were you like that you were you inherited?

828
00:43:38,000 --> 00:43:40,680
Speaker 3: Trying to figure out what I like, he was not

829
00:43:40,960 --> 00:43:44,279
Speaker 3: in it, but he knew of it. So he was

830
00:43:44,280 --> 00:43:47,120
Speaker 3: not in it because it was only girls. But he

831
00:43:47,440 --> 00:43:50,000
Speaker 3: once at the time he knew, like I wasn't going

832
00:43:50,080 --> 00:43:51,560
Speaker 3: to be murdered or something, you know, He's like, You're

833
00:43:51,560 --> 00:43:53,600
Speaker 3: not gonna be murdered. You're like, you're fine, do it. Yeah,

834
00:43:54,000 --> 00:43:57,279
Speaker 3: And my mom didn't know of it, but they still

835
00:43:57,360 --> 00:43:59,160
Speaker 3: went to the same college as me. So that's why

836
00:43:59,280 --> 00:43:59,600
Speaker 3: they would.

837
00:43:59,719 --> 00:44:00,560
Speaker 4: So you did it?

838
00:44:00,880 --> 00:44:03,279
Speaker 3: Oh I did it. Yeah, I'm in it. I can't

839
00:44:03,280 --> 00:44:03,920
Speaker 3: tell you what it is.

840
00:44:04,640 --> 00:44:08,239
Speaker 5: That was the excitt that I got was sorority with

841
00:44:08,280 --> 00:44:11,040
Speaker 5: the secret handshake and words and things that you know.

842
00:44:11,120 --> 00:44:13,239
Speaker 5: But that this is a secret society is a whole

843
00:44:13,239 --> 00:44:14,799
Speaker 5: different level than that.

844
00:44:14,880 --> 00:44:19,160
Speaker 3: What I can say is, so, for like I don't

845
00:44:19,160 --> 00:44:21,359
Speaker 3: know how many years, let's say fifty years, I think

846
00:44:21,400 --> 00:44:25,000
Speaker 3: probably fifty, there's a certain number of people in it,

847
00:44:25,200 --> 00:44:29,040
Speaker 3: and each person picks one in the class below. So

848
00:44:29,080 --> 00:44:31,920
Speaker 3: there's now a line of us that are in the

849
00:44:31,960 --> 00:44:34,200
Speaker 3: secret society in this one.

850
00:44:34,239 --> 00:44:35,160
Speaker 4: So who picked you?

851
00:44:36,760 --> 00:44:38,040
Speaker 3: She can't say answer.

852
00:44:38,400 --> 00:44:40,360
Speaker 1: Let me ask you this, Amy. I think I know

853
00:44:40,400 --> 00:44:43,680
Speaker 1: what you're talking about. Do you guys do get togethers

854
00:44:43,719 --> 00:44:44,240
Speaker 1: at the grove?

855
00:44:45,239 --> 00:44:52,720
Speaker 3: At the grove? Well, because it's in Berkeley, it's in Berkeley.

856
00:44:52,800 --> 00:44:53,759
Speaker 3: Is there a secret thing at.

857
00:44:53,719 --> 00:44:57,480
Speaker 1: The grove the grove? That's not it? Okay, you've answered

858
00:44:57,520 --> 00:44:58,440
Speaker 1: the question, thank you.

859
00:45:00,480 --> 00:45:03,040
Speaker 3: And I do remember who picked me, and I remember

860
00:45:03,080 --> 00:45:05,440
Speaker 3: who picked her, and I remember who picked that person,

861
00:45:05,480 --> 00:45:06,759
Speaker 3: So I can go back that far.

862
00:45:07,400 --> 00:45:09,840
Speaker 5: Do you call them like you're big and little, like

863
00:45:09,880 --> 00:45:11,080
Speaker 5: you're doing sorrity or no?

864
00:45:11,640 --> 00:45:11,680
Speaker 2: No?

865
00:45:12,760 --> 00:45:15,680
Speaker 3: And then I remember who I picked, but really I

866
00:45:15,840 --> 00:45:18,800
Speaker 3: want for me this was weird, and people listening are like,

867
00:45:18,960 --> 00:45:19,399
Speaker 3: so born.

868
00:45:20,120 --> 00:45:21,360
Speaker 4: I was intriguing.

869
00:45:22,440 --> 00:45:25,319
Speaker 3: It's that's why I'm saying. This whole thing is real

870
00:45:25,520 --> 00:45:28,719
Speaker 3: that they're doing. No, we didn't like do weird. We

871
00:45:28,760 --> 00:45:32,880
Speaker 3: didn't have to jump off you'll learn. But anyway, it

872
00:45:33,000 --> 00:45:35,600
Speaker 3: was very important to me the person too below me.

873
00:45:36,320 --> 00:45:38,640
Speaker 3: So when I picked the person, I said, I don't

874
00:45:38,719 --> 00:45:41,480
Speaker 3: mean to like overstep, but this is the person that

875
00:45:41,560 --> 00:45:44,160
Speaker 3: I really is. And that person did pick that person,

876
00:45:44,840 --> 00:45:46,399
Speaker 3: and then I don't know what happened from there.

877
00:45:46,560 --> 00:45:48,560
Speaker 6: Do you still talk to these people who who the

878
00:45:48,719 --> 00:45:50,120
Speaker 6: one who picked you and the person who.

879
00:45:50,200 --> 00:45:53,280
Speaker 3: Oh yeah, I definitely talked to the person the most

880
00:45:53,840 --> 00:45:58,200
Speaker 3: who's one, two, three, four above me, but we don't

881
00:45:58,200 --> 00:46:00,319
Speaker 3: talk about it very much, like forget like I can't

882
00:46:00,360 --> 00:46:01,239
Speaker 3: really remember.

883
00:46:00,960 --> 00:46:03,480
Speaker 4: What we did, and do you do things like do

884
00:46:03,600 --> 00:46:04,480
Speaker 4: you do like?

885
00:46:04,680 --> 00:46:04,880
Speaker 1: You do?

886
00:46:05,080 --> 00:46:09,480
Speaker 3: Get an email every year that there's a luncheon for

887
00:46:09,719 --> 00:46:13,080
Speaker 3: the secret Society of all the people, but.

888
00:46:13,160 --> 00:46:16,239
Speaker 5: It's only a year like a luncheon only I've never

889
00:46:16,320 --> 00:46:18,839
Speaker 5: gone to the luncheon. But what's the point of being

890
00:46:18,880 --> 00:46:20,560
Speaker 5: in part of the society if it's just a lunch

891
00:46:20,600 --> 00:46:23,800
Speaker 5: once a year, I think to because you need a party.

892
00:46:24,040 --> 00:46:27,879
Speaker 1: I need like yeah, you get together and they help

893
00:46:27,960 --> 00:46:30,280
Speaker 1: each other out, and it's a thing.

894
00:46:30,200 --> 00:46:33,080
Speaker 3: When you're in school. So you did, we did like

895
00:46:33,160 --> 00:46:35,640
Speaker 3: maybe five things when you're in school. But I think

896
00:46:35,640 --> 00:46:39,440
Speaker 3: it's also to be like cool, like you're in this thing.

897
00:46:39,680 --> 00:46:41,560
Speaker 3: Yeah yeah, yeah, I might need to like bring up

898
00:46:41,640 --> 00:46:45,560
Speaker 3: like are we supposed to be doing something? And it's secret?

899
00:46:45,600 --> 00:46:47,480
Speaker 3: Like I don't have a pin or any proof, like.

900
00:46:47,560 --> 00:46:53,880
Speaker 1: There's nothing to prove too, very simple. Yeah, there's a

901
00:46:53,960 --> 00:46:54,880
Speaker 1: lot of their circles.

902
00:46:55,600 --> 00:46:58,800
Speaker 5: Yeah, I wonder if they're at like every school because

903
00:46:58,880 --> 00:47:00,880
Speaker 5: like I don't remember that at my school.

904
00:47:01,160 --> 00:47:03,439
Speaker 3: Well, what was that Paul Walker? Was it Paul Walker movie?

905
00:47:03,640 --> 00:47:06,359
Speaker 3: Was there a movie Skull and Bones or whatever? Wasn't

906
00:47:06,480 --> 00:47:08,040
Speaker 3: the key? What was that movie?

907
00:47:08,560 --> 00:47:11,239
Speaker 1: And it was Matt da Was it mat and Skull

908
00:47:11,320 --> 00:47:13,600
Speaker 1: and Bones or was it not Paul Walker?

909
00:47:13,680 --> 00:47:17,200
Speaker 3: It was some cutie with guys? What was that movie?

910
00:47:17,280 --> 00:47:20,799
Speaker 3: It's all about one of these secret societies, because even

911
00:47:21,160 --> 00:47:23,600
Speaker 3: they mentioned skull and Bones that was sort of I

912
00:47:23,640 --> 00:47:24,919
Speaker 3: think a famous one, right.

913
00:47:24,960 --> 00:47:29,280
Speaker 1: Yeah that's what the Bush family. That's Yale, that's yeah.

914
00:47:29,320 --> 00:47:33,440
Speaker 5: Yeah, yeah, yeah, skulling Bone, the Skulls has Paul Walker

915
00:47:33,520 --> 00:47:39,719
Speaker 5: and I knew. See, I'm sorry, it's about a secret society.

916
00:47:40,040 --> 00:47:40,800
Speaker 6: Yeah, watch this.

917
00:47:41,160 --> 00:47:43,040
Speaker 1: I got to do a secret society once in the

918
00:47:43,080 --> 00:47:44,960
Speaker 1: mountains where we're in a hot tub and I said,

919
00:47:45,239 --> 00:47:46,960
Speaker 1: you can get in if you get out and roll

920
00:47:47,040 --> 00:47:49,239
Speaker 1: around in the snow and freeze. And I did it,

921
00:47:49,480 --> 00:47:51,719
Speaker 1: and I realized it wasn't that big deal. They were

922
00:47:51,840 --> 00:47:56,440
Speaker 1: just joking with me. Couldn't skate it. Next he.

923
00:48:01,640 --> 00:48:04,080
Speaker 3: We still need to talk about Logan more, but let's

924
00:48:04,120 --> 00:48:10,120
Speaker 3: dig into Christopher because this is where Christopher calls Laura

925
00:48:10,200 --> 00:48:17,480
Speaker 3: Lai and you know he needs help. I sort of

926
00:48:17,640 --> 00:48:20,640
Speaker 3: was like, oh my god, like, where the heck have

927
00:48:20,760 --> 00:48:21,120
Speaker 3: you been.

928
00:48:22,800 --> 00:48:24,319
Speaker 4: I didn't expect him to come back.

929
00:48:25,160 --> 00:48:27,520
Speaker 5: Oh really yeah, I didn't think he was coming, Like

930
00:48:27,600 --> 00:48:29,200
Speaker 5: I thought we were done with Christopher.

931
00:48:30,480 --> 00:48:32,279
Speaker 1: Really well, they just had to bring him back so

932
00:48:32,480 --> 00:48:33,719
Speaker 1: Rory could knock him out.

933
00:48:34,239 --> 00:48:35,399
Speaker 4: Yeah, well, I do think.

934
00:48:36,200 --> 00:48:38,439
Speaker 3: I do think he was working on another TV show

935
00:48:38,480 --> 00:48:40,719
Speaker 3: that obviously got canceled, so he's available for Gilmo Girls,

936
00:48:40,800 --> 00:48:43,759
Speaker 3: but he's still calling her lare Yeah.

937
00:48:43,840 --> 00:48:47,160
Speaker 6: I have a question for everyone. Do you think that

938
00:48:47,320 --> 00:48:49,560
Speaker 6: it was wrong for him to call Laura l I

939
00:48:49,760 --> 00:48:51,400
Speaker 6: or do you think it was wrong for her to

940
00:48:51,560 --> 00:48:52,560
Speaker 6: go over there.

941
00:48:56,960 --> 00:49:01,680
Speaker 1: But but thinking of the welfare of his child, so

942
00:49:01,960 --> 00:49:06,520
Speaker 1: he doesn't. It's it's always appropriate when the welfare of

943
00:49:06,600 --> 00:49:10,160
Speaker 1: your child is at stake, you call anybody in everyone.

944
00:49:10,600 --> 00:49:12,240
Speaker 4: Yea, yeah, I can't pick.

945
00:49:14,360 --> 00:49:19,920
Speaker 1: Exactly it was inappropriate, but it was absolutely appropriate if

946
00:49:19,960 --> 00:49:20,400
Speaker 1: you look at it.

947
00:49:20,840 --> 00:49:24,279
Speaker 5: Yeah, like he he shouldn't have, but he didn't have

948
00:49:24,400 --> 00:49:28,719
Speaker 5: a choice, so like I agree there, Like, yeah, from

949
00:49:28,760 --> 00:49:31,440
Speaker 5: a moral perspective, he shouldn't have called someone that he

950
00:49:31,760 --> 00:49:32,600
Speaker 5: left that, But.

951
00:49:34,320 --> 00:49:36,759
Speaker 1: You know, it's the health of the child. The child,

952
00:49:39,160 --> 00:49:41,120
Speaker 1: I mean, that's kind of a dangerous situation.

953
00:49:42,239 --> 00:49:49,600
Speaker 3: So empathy for Lurlai going because that is Rory's sister. Yeah,

954
00:49:49,600 --> 00:49:52,920
Speaker 3: and this is the father of her child who literally

955
00:49:53,040 --> 00:49:55,439
Speaker 3: needs help. It's like, what is she supposed to say?

956
00:49:56,080 --> 00:50:00,080
Speaker 5: No, I do think that like Christopher and Laura I

957
00:50:00,160 --> 00:50:03,200
Speaker 5: have gone through so much together that they're always there

958
00:50:03,239 --> 00:50:06,319
Speaker 5: for each other no matter what, like, no matter how

959
00:50:06,640 --> 00:50:08,080
Speaker 5: ugly they they left.

960
00:50:08,719 --> 00:50:11,239
Speaker 1: Let me let me stop you right there. What have

961
00:50:11,360 --> 00:50:14,760
Speaker 1: they gone through together? Besides having a child at sixteen

962
00:50:15,280 --> 00:50:17,480
Speaker 1: and then I mean that's a massive thing to go

963
00:50:17,680 --> 00:50:20,520
Speaker 1: through and like that was when they were sixteen. What

964
00:50:20,640 --> 00:50:22,560
Speaker 1: have they gone through since well they've.

965
00:50:22,440 --> 00:50:25,880
Speaker 3: Really they've gotten back together, so god, so together.

966
00:50:26,640 --> 00:50:30,160
Speaker 1: They've been there. He's been there all these all these years.

967
00:50:30,160 --> 00:50:34,200
Speaker 1: Who's been there for them? What have they gone through?

968
00:50:34,360 --> 00:50:34,759
Speaker 1: Very much?

969
00:50:35,320 --> 00:50:37,160
Speaker 3: I mean they've gone through there.

970
00:50:38,400 --> 00:50:42,120
Speaker 1: I'm sorry. He's a deadbeat dad. Let's let's call him

971
00:50:42,120 --> 00:50:44,080
Speaker 1: what he is. Let's call him out for what. He's

972
00:50:44,120 --> 00:50:48,640
Speaker 1: a deadbeat dad who abandoned his kid, and that's what

973
00:50:48,800 --> 00:50:50,160
Speaker 1: he is. So sorry.

974
00:50:50,360 --> 00:50:52,719
Speaker 5: I have to if he was there, if he was

975
00:50:52,800 --> 00:50:55,080
Speaker 5: there for Rory, he would know how to help his

976
00:50:55,280 --> 00:50:57,400
Speaker 5: child exactly exactly.

977
00:50:57,680 --> 00:51:01,640
Speaker 1: Guys nailed it, and I'm done. That's a poster you

978
00:51:01,719 --> 00:51:02,480
Speaker 1: just got, Polister.

979
00:51:02,960 --> 00:51:07,400
Speaker 3: He didn't actually abandon them. He was wanting to marry Larelai.

980
00:51:07,800 --> 00:51:10,520
Speaker 6: She left, she left. I was about to say, she's

981
00:51:10,600 --> 00:51:10,919
Speaker 6: the one.

982
00:51:11,040 --> 00:51:14,120
Speaker 3: She left so and she he didn't her after her

983
00:51:14,320 --> 00:51:16,759
Speaker 3: and go live in stars Hollow. But he wanted to

984
00:51:16,920 --> 00:51:17,359
Speaker 3: marry her.

985
00:51:17,640 --> 00:51:19,840
Speaker 4: He was he didn't want to.

986
00:51:20,239 --> 00:51:22,480
Speaker 1: He was the child.

987
00:51:23,400 --> 00:51:26,040
Speaker 5: He didn't He didn't want to marry her. He was

988
00:51:26,320 --> 00:51:28,680
Speaker 5: being forced by his parents to marry her. There's two

989
00:51:28,800 --> 00:51:29,200
Speaker 5: very different.

990
00:51:29,360 --> 00:51:31,640
Speaker 1: He wanted to marry her though there's a way to

991
00:51:32,040 --> 00:51:38,960
Speaker 1: legally compel the other party. Uh to agree to include

992
00:51:39,400 --> 00:51:43,560
Speaker 1: the father in that child. He didn't do that.

993
00:51:43,960 --> 00:51:46,239
Speaker 3: That was correct, And the reason he didn't do that

994
00:51:46,600 --> 00:51:49,360
Speaker 3: is because that would have meant Lorelai had to stay

995
00:51:49,560 --> 00:51:54,520
Speaker 3: in with the Gilmours, and he knew she wanted to leave.

996
00:51:54,719 --> 00:51:57,080
Speaker 3: She did not want to be with Richard and Emily anymore.

997
00:51:57,160 --> 00:51:59,040
Speaker 3: She wanted to take the baby and go out on

998
00:51:59,160 --> 00:52:04,000
Speaker 3: her own. So, yes, your argument is correct. It's another size.

999
00:52:04,239 --> 00:52:06,640
Speaker 1: Was he an alcoholic? Was he a drug addict? Was

1000
00:52:06,719 --> 00:52:09,839
Speaker 1: he a criminal? No he was. He was not any

1001
00:52:09,880 --> 00:52:11,960
Speaker 1: of those things. He could have fought for his child.

1002
00:52:12,160 --> 00:52:14,960
Speaker 1: Sixteen years at least. I don't care how old he

1003
00:52:15,200 --> 00:52:17,040
Speaker 1: was a child into the world.

1004
00:52:17,320 --> 00:52:21,200
Speaker 3: But you're missing the one point that was trying to do.

1005
00:52:21,600 --> 00:52:24,360
Speaker 1: He didn't try hard enough. He disappeared out of their lives.

1006
00:52:24,440 --> 00:52:26,640
Speaker 1: Wait and then he comes floating back in and out,

1007
00:52:26,680 --> 00:52:27,640
Speaker 1: and I'm glad he got.

1008
00:52:27,800 --> 00:52:31,440
Speaker 3: I agree that you can have angst and animosity towards Christopher,

1009
00:52:31,560 --> 00:52:32,520
Speaker 3: but at the same time.

1010
00:52:32,600 --> 00:52:37,479
Speaker 1: It's no. It's anybody abandons their child and doesn't fight

1011
00:52:37,600 --> 00:52:38,160
Speaker 1: for their kid.

1012
00:52:38,360 --> 00:52:39,960
Speaker 3: But then how come you're not mad at Lauren for

1013
00:52:40,120 --> 00:52:45,480
Speaker 3: taking the kid, Loraly for taking Rory away. She took

1014
00:52:45,680 --> 00:52:49,680
Speaker 3: Rory and left. He's sixteen, right, he's not even eighteen.

1015
00:52:49,719 --> 00:52:52,640
Speaker 1: There's because she did okay, because she did that for

1016
00:52:53,239 --> 00:52:56,239
Speaker 1: her child. She Christoph thought what she did was best

1017
00:52:56,320 --> 00:52:56,520
Speaker 1: for her.

1018
00:52:56,960 --> 00:53:00,879
Speaker 3: Christopher did it for Lauralai. He was sixteen years old,

1019
00:53:00,880 --> 00:53:02,239
Speaker 3: and Christopher's gotten His.

1020
00:53:02,280 --> 00:53:05,080
Speaker 1: Obligation isn't to Laurel, it's to his child. No, but

1021
00:53:05,440 --> 00:53:07,960
Speaker 1: it's to be around and be in her life, whether

1022
00:53:08,040 --> 00:53:10,239
Speaker 1: it's at a distance or infrequent, but be in the

1023
00:53:10,360 --> 00:53:12,520
Speaker 1: area so he's available. I don't, I don't.

1024
00:53:12,840 --> 00:53:16,239
Speaker 5: I don't think you can fault anybody for what Larelai did.

1025
00:53:16,280 --> 00:53:17,960
Speaker 5: I don't think you can fault Christopher for what he

1026
00:53:18,080 --> 00:53:19,520
Speaker 5: did at sixteen years old.

1027
00:53:20,000 --> 00:53:23,520
Speaker 4: But he had many years to figure it out and

1028
00:53:23,680 --> 00:53:24,439
Speaker 4: he never did.

1029
00:53:24,920 --> 00:53:25,560
Speaker 1: He never did that.

1030
00:53:25,680 --> 00:53:29,160
Speaker 3: I agree he reas him. To be mad at Christopher

1031
00:53:30,040 --> 00:53:33,239
Speaker 3: is not the first five years of her life. It's

1032
00:53:33,440 --> 00:53:38,680
Speaker 3: the next you know, after that, And how now he's

1033
00:53:38,719 --> 00:53:42,480
Speaker 3: got his himself together and he doesn't call and he

1034
00:53:42,600 --> 00:53:45,680
Speaker 3: doesn't he isn't involved, So the being mad at Christopher

1035
00:53:45,760 --> 00:53:47,040
Speaker 3: to me really comes later.

1036
00:53:48,160 --> 00:53:53,000
Speaker 6: Yeah, yeah, And I think I also think that Laurela

1037
00:53:53,160 --> 00:53:56,160
Speaker 6: is not the person to say no if someone's asking

1038
00:53:56,320 --> 00:53:58,560
Speaker 6: for like straight up asking for help, and I think

1039
00:53:59,040 --> 00:54:01,520
Speaker 6: her going over there, like I don't think she wanted to,

1040
00:54:02,200 --> 00:54:06,640
Speaker 6: but I think she knew that he's He's basically it's

1041
00:54:06,760 --> 00:54:09,520
Speaker 6: him and the baby, and she's been through that by

1042
00:54:09,560 --> 00:54:12,160
Speaker 6: herself with Rory, and she's like, well, I.

1043
00:54:12,840 --> 00:54:15,640
Speaker 3: Also think there's something in Loralai who likes to be

1044
00:54:15,760 --> 00:54:20,000
Speaker 3: the savior, right correct. So Christopher calls he needs her,

1045
00:54:20,040 --> 00:54:23,080
Speaker 3: she goes running because she can fix everything and save everything.

1046
00:54:23,719 --> 00:54:26,440
Speaker 3: I also think she said to Christopher, He's like, I

1047
00:54:26,520 --> 00:54:29,600
Speaker 3: can't do this, and she basically said, in my opinion,

1048
00:54:30,440 --> 00:54:32,960
Speaker 3: you have to because you didn't do it the first time.

1049
00:54:33,080 --> 00:54:36,000
Speaker 6: And I got I had the same takeaway Amy. I

1050
00:54:36,080 --> 00:54:38,319
Speaker 6: thought the same thing. It's like she's like, I did

1051
00:54:38,400 --> 00:54:40,040
Speaker 6: it on my own, so now you have to do

1052
00:54:40,120 --> 00:54:40,719
Speaker 6: it on your own.

1053
00:54:40,920 --> 00:54:43,400
Speaker 3: Right, you blew it the first time, and now you

1054
00:54:43,680 --> 00:54:45,120
Speaker 3: you you can't blow it this time.

1055
00:54:45,520 --> 00:54:47,919
Speaker 1: He's always worming out of God.

1056
00:54:48,000 --> 00:54:52,080
Speaker 5: It's just man, But now it's making me feel like

1057
00:54:52,239 --> 00:54:55,279
Speaker 5: he should. Like to answer your question, Tara, I think

1058
00:54:55,400 --> 00:54:57,640
Speaker 5: he isn't the wrong for calling her, Like, if I

1059
00:54:57,719 --> 00:55:00,200
Speaker 5: had to pick one of the other scenario, it's that

1060
00:55:00,520 --> 00:55:02,239
Speaker 5: because he left her to do.

1061
00:55:03,239 --> 00:55:05,120
Speaker 4: To raise Rory, by her herself.

1062
00:55:05,239 --> 00:55:06,080
Speaker 3: It was very selfish.

1063
00:55:06,160 --> 00:55:07,800
Speaker 4: So you know what, now it's time for him to

1064
00:55:07,840 --> 00:55:08,399
Speaker 4: figure it out.

1065
00:55:08,680 --> 00:55:11,319
Speaker 5: Like, that's very like if I had to pick after

1066
00:55:11,480 --> 00:55:15,759
Speaker 5: this conversation we had, it makes me feel like Teeter

1067
00:55:15,920 --> 00:55:16,600
Speaker 5: on that side.

1068
00:55:16,960 --> 00:55:18,400
Speaker 6: Yeah, that's what I was thinking.

1069
00:55:18,600 --> 00:55:21,960
Speaker 1: Because he's feeling so whiny about it and yeah, feeling

1070
00:55:22,040 --> 00:55:24,000
Speaker 1: so sorry for himself that he's in this. It's like

1071
00:55:24,840 --> 00:55:27,520
Speaker 1: you just want to smack him and say, stop complaining,

1072
00:55:28,000 --> 00:55:32,560
Speaker 1: stop whining, take a shower, shut up and raise your daughter. Yeah,

1073
00:55:34,360 --> 00:55:37,640
Speaker 1: for God's sake, you know, really, stop stop acting this way.

1074
00:55:37,840 --> 00:55:42,000
Speaker 1: Your life, the life you knew is gone. Now. It's

1075
00:55:42,080 --> 00:55:45,480
Speaker 1: not about you, any part of you anymore. You take

1076
00:55:45,560 --> 00:55:48,160
Speaker 1: care of that baby and you get act. I mean,

1077
00:55:48,239 --> 00:55:50,160
Speaker 1: it's just like Laurel. I should have braced him a

1078
00:55:50,160 --> 00:55:51,680
Speaker 1: little harder, but she couldn't have done it in front

1079
00:55:51,680 --> 00:55:51,759
Speaker 1: of it.

1080
00:55:52,800 --> 00:55:55,080
Speaker 4: Yeah, I think she did it the best way she could.

1081
00:55:55,560 --> 00:55:58,800
Speaker 5: Like I think saying I did this by myself, you

1082
00:55:58,920 --> 00:55:59,279
Speaker 5: can too.

1083
00:56:00,239 --> 00:56:02,040
Speaker 6: Yeah. I think the part that bothered me was that

1084
00:56:02,120 --> 00:56:04,319
Speaker 6: he's like, well, I was traveling and then I came

1085
00:56:04,440 --> 00:56:06,680
Speaker 6: back from being gone for so many months. Then she's

1086
00:56:06,760 --> 00:56:09,360
Speaker 6: gone as if like he also didn't seem like he

1087
00:56:09,520 --> 00:56:14,040
Speaker 6: was there for Gigi, right or yeah, or Sherry. So

1088
00:56:14,400 --> 00:56:16,440
Speaker 6: it kind of is like, now he's like, oh, I

1089
00:56:16,880 --> 00:56:20,319
Speaker 6: feel bad for me, you know, even though he also

1090
00:56:20,480 --> 00:56:20,879
Speaker 6: wasn't there.

1091
00:56:22,800 --> 00:56:23,600
Speaker 1: He can't avoid but.

1092
00:56:23,760 --> 00:56:25,960
Speaker 6: But he made it seem like he's never there, like

1093
00:56:26,040 --> 00:56:27,920
Speaker 6: traveling for work. I understand if you're gone for like

1094
00:56:27,960 --> 00:56:29,520
Speaker 6: a couple of days at a time, but it made

1095
00:56:30,080 --> 00:56:32,040
Speaker 6: maybe I need to rewatch it the way he made

1096
00:56:32,080 --> 00:56:34,640
Speaker 6: it seems like he was gone for like a chunk

1097
00:56:34,680 --> 00:56:35,120
Speaker 6: of time.

1098
00:56:35,680 --> 00:56:35,919
Speaker 4: Yeah.

1099
00:56:36,000 --> 00:56:40,240
Speaker 5: I think now he's he's realizing he's stuck because Sherry's gone,

1100
00:56:40,600 --> 00:56:43,359
Speaker 5: so now he has to like figure it out.

1101
00:56:43,800 --> 00:56:44,000
Speaker 1: Yeah.

1102
00:56:44,320 --> 00:56:45,959
Speaker 3: Well, and what do we think of Sherry leaving?

1103
00:56:47,280 --> 00:56:48,520
Speaker 6: I mean, I mean that.

1104
00:56:50,239 --> 00:56:56,040
Speaker 3: Conversation Christopher, like she left with a note.

1105
00:56:57,200 --> 00:56:57,880
Speaker 6: With the nanny.

1106
00:56:58,160 --> 00:57:03,080
Speaker 3: Yeah, just unbelievable, And nobody really brings that up in

1107
00:57:03,120 --> 00:57:05,920
Speaker 3: the episode, like wtf Sherry.

1108
00:57:06,600 --> 00:57:10,280
Speaker 1: Yeah, well, it's just so shocking. How to even address

1109
00:57:10,320 --> 00:57:16,960
Speaker 1: it in the moment. Yeah, that's right right there. She's poor,

1110
00:57:17,240 --> 00:57:20,200
Speaker 1: poor kid, So the kid's the one that suffers.

1111
00:57:21,360 --> 00:57:24,160
Speaker 3: I guess we'll come back to talk about the scene

1112
00:57:24,160 --> 00:57:28,440
Speaker 3: with Rory. In the meantime, we've got Doyle and Paris

1113
00:57:28,560 --> 00:57:31,600
Speaker 3: having their moment about you know, you think he's going

1114
00:57:31,680 --> 00:57:34,040
Speaker 3: to be so mad at her because she's being a lunatic,

1115
00:57:34,600 --> 00:57:37,640
Speaker 3: but instead he's super happy about it. You know how

1116
00:57:37,680 --> 00:57:42,000
Speaker 3: she's like offending essentially all the religious leaders. So then

1117
00:57:42,080 --> 00:57:44,760
Speaker 3: Rory wants to change her story. And now she's digging

1118
00:57:44,880 --> 00:57:49,959
Speaker 3: into the Secret Society and she learns about the life

1119
00:57:50,000 --> 00:57:52,880
Speaker 3: and death Brigrade and the Umbrella Jump. We sort of

1120
00:57:52,920 --> 00:57:55,640
Speaker 3: start to see the pictures. We learned that that Mitcham

1121
00:57:56,240 --> 00:57:58,840
Speaker 3: was in it, or we assume Mitcham's in it because

1122
00:57:58,920 --> 00:58:00,400
Speaker 3: the other the.

1123
00:58:00,440 --> 00:58:03,000
Speaker 6: Grandfather, yeah, Logan's grandfather.

1124
00:58:05,240 --> 00:58:06,600
Speaker 1: Yeah, yeah.

1125
00:58:06,840 --> 00:58:09,760
Speaker 3: We do get that funny scene where they go to

1126
00:58:09,800 --> 00:58:11,960
Speaker 3: Friday night dinner and neither of the grandparents are there.

1127
00:58:13,760 --> 00:58:15,360
Speaker 6: I know, I was kind of excited to see Emily

1128
00:58:15,400 --> 00:58:17,920
Speaker 6: and Richard and then I was like, oh yeah, and then.

1129
00:58:17,880 --> 00:58:19,600
Speaker 3: They want to like tear up the house and eat

1130
00:58:19,640 --> 00:58:23,200
Speaker 3: pizza on the floor, and that's when she's like ready

1131
00:58:23,240 --> 00:58:26,080
Speaker 3: for the gossip. Sherry left your dad Like that was.

1132
00:58:26,080 --> 00:58:29,120
Speaker 1: Sort of like that's when I felt horrible for Rory.

1133
00:58:29,240 --> 00:58:35,520
Speaker 1: Did you sear your Yeah? She just yeah, I felt

1134
00:58:35,640 --> 00:58:38,200
Speaker 1: all of her I felt all of her abandonment issues

1135
00:58:38,920 --> 00:58:43,120
Speaker 1: with Christopher and all of her protective instincts for her

1136
00:58:43,200 --> 00:58:45,720
Speaker 1: mother and this relationship come out in a couple of

1137
00:58:45,800 --> 00:58:46,680
Speaker 1: different expressions.

1138
00:58:46,960 --> 00:58:49,120
Speaker 3: It was amazing acting by Alexis, right.

1139
00:58:49,160 --> 00:58:50,800
Speaker 1: Because brilliant. Brilliant.

1140
00:58:51,680 --> 00:58:55,280
Speaker 3: Yeah, because I was very worried, and I knew immediately

1141
00:58:55,360 --> 00:58:59,840
Speaker 3: that Rory was worried not about Christopher. Somehow she can

1142
00:59:00,040 --> 00:59:03,960
Speaker 3: made in her emotions and faith. She was worried about the.

1143
00:59:04,520 --> 00:59:08,680
Speaker 1: Pain that she of, that that void in her life. Right,

1144
00:59:09,400 --> 00:59:10,960
Speaker 1: the pain of it would have been you know, what

1145
00:59:10,960 --> 00:59:13,000
Speaker 1: would have been better off if he had just disappeared

1146
00:59:13,720 --> 00:59:18,200
Speaker 1: and she'd never known him, Right, But the teasing of

1147
00:59:18,280 --> 00:59:21,440
Speaker 1: it over the years and him letting them down constantly,

1148
00:59:22,040 --> 00:59:23,680
Speaker 1: you know that that's a big hole inside her.

1149
00:59:23,920 --> 00:59:26,480
Speaker 3: Yeah, you knew that this was much good she she

1150
00:59:26,760 --> 00:59:30,800
Speaker 3: Alexis really did an amazing job. Because we all got that.

1151
00:59:31,160 --> 00:59:35,360
Speaker 1: We all were like, oh, yeah, she's very good. She's

1152
00:59:35,520 --> 00:59:38,240
Speaker 1: very subtle, she's very lunch. She's very very good at this.

1153
00:59:38,560 --> 00:59:41,520
Speaker 1: It's amazing somebody that didn't even study. She just has

1154
00:59:41,560 --> 00:59:44,920
Speaker 1: all that intelligence and all those instincts. She's very easy

1155
00:59:45,040 --> 00:59:49,040
Speaker 1: to watch if you just watch her face. You know,

1156
00:59:49,200 --> 00:59:52,560
Speaker 1: every there's not a lot, you know, it's not histrionic.

1157
00:59:52,640 --> 00:59:56,880
Speaker 1: It's not big facial movements or is. She's very controlled and.

1158
00:59:57,240 --> 01:00:00,480
Speaker 3: Such a good That's such a great point because I'll

1159
01:00:00,520 --> 01:00:05,640
Speaker 3: skip ahead when Logan and Rory are instant messaging, you know,

1160
01:00:05,760 --> 01:00:09,040
Speaker 3: on the computer. There's no talking, and it's like one

1161
01:00:09,080 --> 01:00:14,000
Speaker 3: of the best scenes ever because they're both like doing

1162
01:00:14,160 --> 01:00:17,280
Speaker 3: amazing you know whatever, we like to call it face acting.

1163
01:00:17,800 --> 01:00:20,200
Speaker 3: And then when they're doing that and then she says

1164
01:00:20,400 --> 01:00:22,720
Speaker 3: I agree and he is, He's gone.

1165
01:00:22,640 --> 01:00:27,960
Speaker 6: I was just like, Oh, she loved that banswer too totally.

1166
01:00:29,120 --> 01:00:31,040
Speaker 3: She I think she's starting to love him.

1167
01:00:31,640 --> 01:00:35,760
Speaker 6: Yeah, I think she's feeling challenged by him.

1168
01:00:36,240 --> 01:00:38,440
Speaker 3: The only part I will call out from the episode

1169
01:00:38,440 --> 01:00:40,000
Speaker 3: that I thought was weird is I think she would

1170
01:00:40,000 --> 01:00:42,400
Speaker 3: have called him Logan, not Huntsburger. You know, when she's

1171
01:00:42,440 --> 01:00:44,480
Speaker 3: stalking him and she's all, hey, Huntsburger.

1172
01:00:44,920 --> 01:00:45,520
Speaker 1: I was like, yeah.

1173
01:00:46,560 --> 01:00:49,680
Speaker 3: But the thing I loved is it's the first time

1174
01:00:50,320 --> 01:00:54,680
Speaker 3: Ace Ace. So remember Scott, in the beginning you did

1175
01:00:54,720 --> 01:00:56,280
Speaker 3: not like it. But in the beginning of I was

1176
01:00:56,320 --> 01:01:00,240
Speaker 3: doing this podcast, But now do you like it little

1177
01:01:00,240 --> 01:01:00,520
Speaker 3: bit more?

1178
01:01:00,560 --> 01:01:03,600
Speaker 1: When you love I love everything about it. I get

1179
01:01:03,640 --> 01:01:07,440
Speaker 1: it now. I never saw the show, and then now

1180
01:01:07,560 --> 01:01:08,000
Speaker 1: I get it.

1181
01:01:08,240 --> 01:01:12,040
Speaker 3: He's like, Hay, and I'm like, I just died.

1182
01:01:12,200 --> 01:01:14,320
Speaker 1: It was so good. That's a total one ad on

1183
01:01:14,400 --> 01:01:14,800
Speaker 1: my part.

1184
01:01:15,880 --> 01:01:18,440
Speaker 3: There wasn't a lot of Luke in this episode. There

1185
01:01:18,640 --> 01:01:20,840
Speaker 3: was because he obviously.

1186
01:01:20,680 --> 01:01:22,360
Speaker 1: Was in the opening scene and how much can you

1187
01:01:22,480 --> 01:01:23,840
Speaker 1: really taske he's fixed.

1188
01:01:23,560 --> 01:01:25,920
Speaker 3: In the oven and then now he has the meltdown

1189
01:01:25,960 --> 01:01:30,040
Speaker 3: over Kirk in the costume, which also made no sense

1190
01:01:30,080 --> 01:01:33,000
Speaker 3: because it's like Sukie would never serve.

1191
01:01:34,920 --> 01:01:38,400
Speaker 1: But that but that was Kirk's disconnect and what a

1192
01:01:38,480 --> 01:01:44,080
Speaker 1: crappy thing to do to Luke. Here is this this

1193
01:01:44,400 --> 01:01:46,200
Speaker 1: this guy trying to destroy his base.

1194
01:01:46,400 --> 01:01:50,760
Speaker 3: He's dating the owner, right, that was weird.

1195
01:01:51,400 --> 01:01:54,440
Speaker 1: It was a weird move right, and we got the comedy.

1196
01:01:54,480 --> 01:01:56,400
Speaker 1: It was funny as heck, But you know, also it

1197
01:01:56,520 --> 01:01:59,560
Speaker 1: was like, as a community, why would you do why

1198
01:01:59,600 --> 01:02:02,240
Speaker 1: would you try to missile somebody's business like that, you know,

1199
01:02:02,360 --> 01:02:03,200
Speaker 1: to help somebody else?

1200
01:02:03,560 --> 01:02:07,040
Speaker 3: It was weird, totally agree, totally great and that was.

1201
01:02:07,080 --> 01:02:08,520
Speaker 1: A strange, a strange.

1202
01:02:09,080 --> 01:02:10,000
Speaker 3: So then.

1203
01:02:11,720 --> 01:02:15,280
Speaker 1: I did see I did enjoy the visual kirkinghut, you

1204
01:02:15,360 --> 01:02:16,919
Speaker 1: can't you can't live there.

1205
01:02:17,040 --> 01:02:20,440
Speaker 3: Shout out to Sean Gunn because not only the Guardians,

1206
01:02:20,520 --> 01:02:24,240
Speaker 3: he also just died on The Good Doctor. Just he

1207
01:02:24,400 --> 01:02:28,160
Speaker 3: died so fast on the boiler alert, brutal.

1208
01:02:28,760 --> 01:02:30,240
Speaker 1: What is what is The Good Doctor?

1209
01:02:30,600 --> 01:02:32,920
Speaker 3: The Good Doctor is an amazing show on ABC that

1210
01:02:33,000 --> 01:02:36,160
Speaker 3: stars Freddie Hymore and it is really a good show.

1211
01:02:36,160 --> 01:02:38,160
Speaker 1: And he was on there as he was a guest star.

1212
01:02:38,400 --> 01:02:42,160
Speaker 3: Just super fast, like he basically was in a car

1213
01:02:42,280 --> 01:02:45,360
Speaker 3: wreck with the kids. It was gnarly, there was fog,

1214
01:02:46,400 --> 01:02:49,320
Speaker 3: and then you think he's fine and then he literally

1215
01:02:49,480 --> 01:02:50,280
Speaker 3: just like died.

1216
01:02:51,520 --> 01:02:53,960
Speaker 1: Well, he's got a big movie coming out to the Guardians.

1217
01:02:54,080 --> 01:02:57,240
Speaker 1: I know, he's got a big part. This is like

1218
01:02:57,400 --> 01:02:58,960
Speaker 1: kind of his coming out party.

1219
01:02:58,720 --> 01:03:02,560
Speaker 3: In this strench well, and his brother is like the director, right.

1220
01:03:03,440 --> 01:03:06,200
Speaker 1: His brother's the writer director. And also the Marvel Studios.

1221
01:03:06,400 --> 01:03:10,760
Speaker 3: I mean, wow, it's.

1222
01:03:10,640 --> 01:03:15,360
Speaker 1: Hard to blow that addition, right studios. My dad's so sorry. Yes,

1223
01:03:15,480 --> 01:03:18,160
Speaker 1: thank you, good catch, Hannah and jack thank you.

1224
01:03:18,840 --> 01:03:20,120
Speaker 3: Let's talk about the final scene.

1225
01:03:20,200 --> 01:03:24,000
Speaker 1: Easton, Thank you, Easton, Thank you, Jackie. Just taking.

1226
01:03:28,480 --> 01:03:30,800
Speaker 3: What do you think about Rory going to see Christopher?

1227
01:03:32,400 --> 01:03:35,880
Speaker 1: Yeah, I never liked her more, I never liked him.

1228
01:03:35,960 --> 01:03:37,920
Speaker 1: It's exactly what she needed to do. It was very

1229
01:03:38,000 --> 01:03:40,160
Speaker 1: cathartic thing for her to do. She's probably been wanting

1230
01:03:40,200 --> 01:03:41,959
Speaker 1: to do it off and on for her whole life,

1231
01:03:43,160 --> 01:03:43,400
Speaker 1: and it.

1232
01:03:43,480 --> 01:03:46,400
Speaker 5: Needed to come from her, you know, like if Laura

1233
01:03:46,520 --> 01:03:48,640
Speaker 5: I said I need you to stop, it wouldn't stop.

1234
01:03:48,800 --> 01:03:50,600
Speaker 5: Like it needed to come from Rory.

1235
01:03:52,400 --> 01:03:55,360
Speaker 6: And I like when she said, you can call anyone,

1236
01:03:55,440 --> 01:03:58,160
Speaker 6: you can call me, but don't call LAURAAI.

1237
01:03:58,360 --> 01:04:01,160
Speaker 3: Yeah, yeah, leave mom alone.

1238
01:04:01,640 --> 01:04:05,840
Speaker 1: She's protecting She's protecting everybody's heart there. She's protecting her

1239
01:04:05,920 --> 01:04:08,840
Speaker 1: own because she doesn't have it. She doesn't really feel

1240
01:04:08,960 --> 01:04:11,280
Speaker 1: much for him anyway. I mean she I think she

1241
01:04:11,800 --> 01:04:15,920
Speaker 1: likes him because you know she likes him, right, she

1242
01:04:16,040 --> 01:04:17,560
Speaker 1: gave him a hug and you know, I'm still going

1243
01:04:17,600 --> 01:04:19,840
Speaker 1: to be in your life, but we don't rely on

1244
01:04:20,000 --> 01:04:22,960
Speaker 1: you and don't you know, don't do this. I thought

1245
01:04:23,000 --> 01:04:27,000
Speaker 1: it was a wonderful moment, her highlight. That was a

1246
01:04:27,080 --> 01:04:27,840
Speaker 1: highlight for me.

1247
01:04:29,240 --> 01:04:31,600
Speaker 3: And it just shows I know I always say this

1248
01:04:31,680 --> 01:04:34,080
Speaker 3: and I'm so redundant, but it just shows the like

1249
01:04:34,560 --> 01:04:39,320
Speaker 3: juxtaposition you can have in these episodes where it's like funny, funny, exciting, exciting,

1250
01:04:39,760 --> 01:04:42,800
Speaker 3: you know, laughy, laughy, and then it's just like whah,

1251
01:04:44,720 --> 01:04:50,800
Speaker 3: because it was like yeah, oh yeah, And not to

1252
01:04:50,840 --> 01:04:52,920
Speaker 3: make light but those are. That is an instance when

1253
01:04:52,960 --> 01:04:56,040
Speaker 3: it's okay to say leave mom alone. You don't have

1254
01:04:56,120 --> 01:05:01,000
Speaker 3: to say leave my mom alone because the mom is related.

1255
01:05:04,560 --> 01:05:07,440
Speaker 3: So I love this episode. I did too.

1256
01:05:09,320 --> 01:05:14,840
Speaker 1: It was Yeah, I mean, what's the what's the measuring stick?

1257
01:05:14,920 --> 01:05:17,440
Speaker 1: You were going to choose, Tara.

1258
01:05:19,040 --> 01:05:22,720
Speaker 6: I'm going to give it nine point five iced teas?

1259
01:05:23,040 --> 01:05:24,320
Speaker 4: Of course, he said, iced tea.

1260
01:05:24,920 --> 01:05:30,240
Speaker 6: You're going to say it, fade off going first for

1261
01:05:30,320 --> 01:05:30,680
Speaker 6: that one.

1262
01:05:31,280 --> 01:05:34,760
Speaker 5: Danielle oh Man, you know what I'm going to say?

1263
01:05:37,560 --> 01:05:44,840
Speaker 5: Eight and a quarter uh sincd yachts off the coast

1264
01:05:44,880 --> 01:05:45,240
Speaker 5: of Fiji.

1265
01:05:51,440 --> 01:06:00,760
Speaker 3: I love Daniels. Nine point seventy five Gorilla masks h

1266
01:06:01,440 --> 01:06:01,840
Speaker 3: good one.

1267
01:06:08,840 --> 01:06:13,720
Speaker 1: I'm going to give it. I think I'm gonna agree

1268
01:06:13,760 --> 01:06:16,760
Speaker 1: with you. I'm gonna give it. I'm going to adopt

1269
01:06:17,160 --> 01:06:20,880
Speaker 1: just a little bit for the opening scene of what

1270
01:06:21,000 --> 01:06:24,200
Speaker 1: I took away from the episode. I'm gonna pin at.

1271
01:06:24,840 --> 01:06:26,840
Speaker 1: I'm gonna put myself in the penalty box for a

1272
01:06:26,920 --> 01:06:29,720
Speaker 1: little bit. I'm not gonna in criticism. I'm going to

1273
01:06:30,000 --> 01:06:33,480
Speaker 1: agree with the nine point seventy five. You know what,

1274
01:06:34,000 --> 01:06:37,320
Speaker 1: let's do a nine nine point What did you give it? Terror?

1275
01:06:37,400 --> 01:06:41,440
Speaker 1: Nine five? Oh yeah, nine point five let's let's give

1276
01:06:41,440 --> 01:06:46,480
Speaker 1: it a nine point six two five. What the difference

1277
01:06:46,800 --> 01:06:56,880
Speaker 1: between YouTube five h a skull and crossbone key chains

1278
01:06:56,920 --> 01:06:58,920
Speaker 1: inside of ten escalades or.

1279
01:07:02,600 --> 01:07:04,520
Speaker 6: I was just gonna be like hot Dog slurpy.

1280
01:07:07,000 --> 01:07:09,880
Speaker 3: Yeah, it's a good one, and you know it really

1281
01:07:10,000 --> 01:07:12,600
Speaker 3: leads us to you jump I jump.

1282
01:07:12,520 --> 01:07:19,080
Speaker 1: Jack episode I'm sorry, Season five, episode seven, you jump

1283
01:07:19,800 --> 01:07:24,800
Speaker 1: you jump I jump Jack? I jump you jump Jack? Right, Yeah,

1284
01:07:24,960 --> 01:07:26,000
Speaker 1: it's it's.

1285
01:07:27,520 --> 01:07:28,400
Speaker 3: I love next week.

1286
01:07:29,560 --> 01:07:35,040
Speaker 1: All right, So we're back in the high nines. Yeah, yeah,

1287
01:07:41,400 --> 01:07:43,920
Speaker 1: I think if we average it out and what you

1288
01:07:43,960 --> 01:07:46,439
Speaker 1: give it an eight seven five eight and a quarter

1289
01:07:46,960 --> 01:07:49,760
Speaker 1: in a quarter, well, I think we're still in the nine. Sorry,

1290
01:07:49,800 --> 01:07:54,960
Speaker 1: we're still like nineteen two ninety three. That yeah, I

1291
01:07:54,960 --> 01:07:58,760
Speaker 1: think I think we're good. Anyway, that's gonna wrap it

1292
01:07:58,880 --> 01:08:03,760
Speaker 1: up for a episode. Thanks for downloading, everybody, best fans

1293
01:08:03,920 --> 01:08:08,040
Speaker 1: on the planet, And if you are involved in any

1294
01:08:08,080 --> 01:08:11,520
Speaker 1: secret societies, please get in touch with us, interact with us.

1295
01:08:11,880 --> 01:08:16,120
Speaker 1: We want to know all about your secret society's secret society,

1296
01:08:16,439 --> 01:08:18,800
Speaker 1: and don't tell any We won't tell anybody else about

1297
01:08:18,880 --> 01:08:22,240
Speaker 1: your secret society participation no matter what it is. And

1298
01:08:22,280 --> 01:08:27,480
Speaker 1: I always remember I am all in. Stay safe, everyone.

1299
01:08:57,360 --> 01:09:00,360
Speaker 7: Hey everybody, and don't forget Follow us on Instagram at

1300
01:09:00,720 --> 01:09:04,640
Speaker 7: I Am all In podcast and email us at Gilmore

1301
01:09:04,880 --> 01:09:07,080
Speaker 7: at iHeartRadio dot com.

1302
01:09:07,680 --> 01:09:08,559
Speaker 1: Oh you Gilmore fans.

1303
01:09:08,560 --> 01:09:10,280
Speaker 7: If you're looking for the best cup of coffee in

1304
01:09:10,320 --> 01:09:13,960
Speaker 7: the world, go to my website from my company, Scottip

1305
01:09:14,200 --> 01:09:16,479
Speaker 7: dot com, s C O T. T y P dot com,

1306
01:09:16,640 --> 01:09:20,400
Speaker 7: scottyp dot com Grade one Specialty Coffee