WEBVTT - Flashback to Travis Scott interview and more

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<v Speaker 1>Time, time, Time to wake up. Infant and Charlotte Mean

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<v Speaker 1>the Doctor to Breakfast Club Bitches, the voice of the culture.

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<v Speaker 1>People watch The Rereface Club for like news and really

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<v Speaker 1>be tuned in. It's one of my favorite shows. You

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<v Speaker 1>do just because y'all always keep you one hundred, y'all

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<v Speaker 1>keep your real. They might not watch the news, but

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<v Speaker 1>they're on Twitter, they're on Facebook, they're you know, they're

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<v Speaker 1>listening to The Breakfast Brother. Get your ass up. I'm telling,

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<v Speaker 1>I'm telling what you doing. Hol of you. This is

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<v Speaker 1>your time to get it off your chest, whether you're

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<v Speaker 1>mad or blessed. Eight hundred five eight five one oh

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<v Speaker 1>five one. We want to hear from you on the

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<v Speaker 1>Breakfast Club. Hello, who's this? What's up? The via courting

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<v Speaker 1>it from Atlanta? What's up? Brother? Charla face King? Get

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<v Speaker 1>it off your chest, man, I want to get it

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<v Speaker 1>off my chest. Man. I'm picking the Facebook fride, the

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<v Speaker 1>Instagram idiot, the Twitter tub man. You can't post your

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<v Speaker 1>opinion without somebody trying to count for you or the negative.

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<v Speaker 1>Like I'm just over it. Um. People be asking me,

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<v Speaker 1>they were like, why won't you get off? But it's

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<v Speaker 1>like it's addicting man, I'm a nerd, so it's kind

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<v Speaker 1>of hard to like come home from a stressful day

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<v Speaker 1>of work and like find something to do. So you

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<v Speaker 1>you scroll through social media, but all it is a negativity, man,

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<v Speaker 1>Uncle Charlotte, send me fook doctor, I will. I'm gonna

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<v Speaker 1>send you the unapologetic guy in the black mental health

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<v Speaker 1>out doctor to walk up. I send you a need

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<v Speaker 1>a copack shallow water that I send you to Mike

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<v Speaker 1>A Mallory state of emergency, and I disagree with you. No,

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<v Speaker 1>I'm serious. I'm gonna send it to you. I'm gonna

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<v Speaker 1>put you on hold, and I was gonna tell you

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<v Speaker 1>that read a book, man, Like we gotta stop being

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<v Speaker 1>in abusive relationships with our smart phones, because that's what

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<v Speaker 1>it is. We're literally in abusive relationships with our smart

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<v Speaker 1>phones and social media. We don't need it. Fact fact fact.

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<v Speaker 1>If I can find a way to like get off,

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<v Speaker 1>like I would be off forever, like forever. Just find

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<v Speaker 1>something else that you're interested in, like Charlemagne said, maybe

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<v Speaker 1>it's a book, maybe it's you know, maybe it's on

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<v Speaker 1>your phone. But googling things that interest you, you know

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<v Speaker 1>what I mean, whether you're into you know, real estate,

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<v Speaker 1>or you into cars, or you're into clue. Just get

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<v Speaker 1>into something that you're into, you know what I mean.

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<v Speaker 1>And it looked those things up like a lot of

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<v Speaker 1>times around on a plane or I'm in the airport,

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<v Speaker 1>I just look up houses and different markets because I

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<v Speaker 1>just like, I like looking at homes, you know, just

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<v Speaker 1>just whether I could afford them or not. That's just

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<v Speaker 1>something that interests me. And it is a lot of

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<v Speaker 1>productive stuff you can watch online. You just gotta curate.

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<v Speaker 1>You gotta curate what you're feeding into your mind, that's all.

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<v Speaker 1>But hold on, I got your books right here in

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<v Speaker 1>my hand. Look I see him. Hello, who's this breakfast? Y'all?

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<v Speaker 1>How y'all doing? Hey bro, hey man. I just wanted

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<v Speaker 1>to give a big thanks to you every man. I'm

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<v Speaker 1>a new listener. I've probably been listening for about a year.

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<v Speaker 1>My girl Putty on Game with you guys. I used

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<v Speaker 1>to think she was a clown listening to y'all glow

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<v Speaker 1>with the clown back in the day. Uh, but I

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<v Speaker 1>never actually listened to you guys the show. And someone

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<v Speaker 1>I actually listened, I was like, you know what these

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<v Speaker 1>people are that they're good people? You guys, You gotta

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<v Speaker 1>know what you're doing. And I really appreciate what you

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<v Speaker 1>got to do the eavy. Um. I heard you talked

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<v Speaker 1>about the credit due of the wild back And at

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<v Speaker 1>the same time, I was trying to get everything since

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<v Speaker 1>man and I finally hit a month and he got

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<v Speaker 1>my stuff straight, myself a new truck. Yeah, he got

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<v Speaker 1>my credit right, man, they got my credit right. I'm

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<v Speaker 1>still working all the still trying to get up to

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<v Speaker 1>that those eighth man, but they got me into the

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<v Speaker 1>seven am, the five, and they got me all the

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<v Speaker 1>way up. Man. I just bought myself a new truck.

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<v Speaker 1>I'm a truck driver out here, worked for FedEx and uh, man,

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<v Speaker 1>I'm blessed, highly favored. How take uh eight to nine months? Man.

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<v Speaker 1>I had some serious stuff from there that they got

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<v Speaker 1>off pretty quick for me. Okay. I was really deprised

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<v Speaker 1>how fast they did it, you know, because it was

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<v Speaker 1>kind of the slow promises at the beginning. But you know,

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<v Speaker 1>as I kept checking and I you know, did the

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<v Speaker 1>programs they were talking about it, it was just yeah,

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<v Speaker 1>it just shot up instantly. Yeah, and let people know, man,

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<v Speaker 1>you know, it's never too late to do what you

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<v Speaker 1>need to do. Man. I was a feeling. I'm thirty

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<v Speaker 1>three years old. I was getting curved from every job

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<v Speaker 1>I tried to get, end up just grabbing getting my CDL,

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<v Speaker 1>getting the Class A, and I'm loving life right now.

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<v Speaker 1>All right, I think the credit due. I think he's

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<v Speaker 1>gonna come up here this week, and I think what

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<v Speaker 1>we're gonna do is we're gonna fix I think like

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<v Speaker 1>maybe twenty thirty people's credit, just to just on the strength,

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<v Speaker 1>just to help people out. I've been recommending him to

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<v Speaker 1>everybody I know, man, because he worked wondering. You guys

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<v Speaker 1>worked wonder to thank you so much. Yeah. No, he

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<v Speaker 1>helped me out so many times. And people don't like

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<v Speaker 1>I've met him because he actually helped me fix my credit.

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<v Speaker 1>I had something left up on my credit and he

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<v Speaker 1>helped me and we just became good friends. Hello, who's

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<v Speaker 1>this Jessica from Virginia? Hey, Jessica from VA? What part

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<v Speaker 1>of the A? I'm in Arlington. Okay, get it off

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<v Speaker 1>your chess, Okay, get it off your chess. So I

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<v Speaker 1>am actually blessed, but I'm a little sad because I

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<v Speaker 1>listened to you guys every morning live on my way

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<v Speaker 1>to work, and basically I told you guys, how I

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<v Speaker 1>shot my shot of dramas you shot it down. I

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<v Speaker 1>found a black king. Hey, congratulations, job moving to Seattle

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<v Speaker 1>to be with my black king. Nice, mamma. Yes, so

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<v Speaker 1>I'm very excited. But I just wanted to tell you guys,

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<v Speaker 1>thank you so so so much for everything with you,

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<v Speaker 1>for the community and and the people that you guys

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<v Speaker 1>bring on as far as like information and stuff like that.

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<v Speaker 1>You guys are more appreciated than you thinking, you know,

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<v Speaker 1>so I just wanted to say thank you. I appreciate you.

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<v Speaker 1>You gotta listen to us on the app now, Yeah,

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<v Speaker 1>I listen to iHeart. If I do, you missed it

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<v Speaker 1>in the morning, so I'm just gonna stick to iHeart. Okay. Well,

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<v Speaker 1>thank you, mama, and you have a great trip and

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<v Speaker 1>safe ma'am. Thank you, Charla Mane. Can I get a

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<v Speaker 1>sign copy of Black Privilege? Please? Absolutely, that's easy. We

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<v Speaker 1>put you on hold when we get your address. Hold, no,

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<v Speaker 1>hang up, all right, get it off your chess eight

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<v Speaker 1>hundred five eight five one oh five one. If you

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<v Speaker 1>need to vent, hit this up now. It's the Breakfast Club.

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<v Speaker 1>Good morning, the Breakfast Club. Wake up, wake up, wake y'all.

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<v Speaker 1>Ass your time to get it off your chest. Your man,

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<v Speaker 1>I'm blessed. We want to hear from you on the

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<v Speaker 1>breakfast Black, Hello, who's this? Destiny? Was an eye from

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<v Speaker 1>the eighth for three eight forty three was happening, Destiny?

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<v Speaker 1>Get it off your chest, Mama. I just wanted to

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<v Speaker 1>call us say that I am blessing how he favored? Nope,

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<v Speaker 1>you blessed Black and Holly Favorite. You're right about that. Um.

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<v Speaker 1>I just hit thirty this year, and I'm really starting

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<v Speaker 1>to see what Mary Jake Blige and you know Javo

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<v Speaker 1>we're talking about in that song Rainy Days, And even

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<v Speaker 1>on the rainy days, I walk out the house with

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<v Speaker 1>us knock on my face and I know that God's

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<v Speaker 1>got there. You go, thank and Charlot sometimes man, Nope,

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<v Speaker 1>we love you, but you didn't till sometimes off the chaparlo.

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<v Speaker 1>So why would I listen to? Why? Why? Why would

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<v Speaker 1>I chill them? I'm gonna always be me and and

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<v Speaker 1>you know how you say when you leave the house

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<v Speaker 1>is gonna be those rainy days. One thing about me,

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<v Speaker 1>I'm gonna always be me, the so called good, so

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<v Speaker 1>called bad, so called ugly. Every day. Well, I'll definitely

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<v Speaker 1>tune in the watching United fan. Hey, there you go.

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<v Speaker 1>The God's Done is True from Comedy Central. But thank you, mom.

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<v Speaker 1>You have a great weekend. Hello. Who's this this? Mo? Mo?

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<v Speaker 1>What up? Getting off? Chu? Bro? Yeah? Hey, I just

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<v Speaker 1>want to shout out my queens h Instagram page. Real

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<v Speaker 1>Quick is Avayance Creation a U d I A NT Creation.

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<v Speaker 1>She's h Detroit based photographer the basic Detroit Man. I

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<v Speaker 1>swear anything you need, you got it, Uh, Angela yee.

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<v Speaker 1>I just want to ask for a favorite's possible. Okay

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<v Speaker 1>we come. We're coming up on a year and she's

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<v Speaker 1>a big fan, and I just wanted to know if

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<v Speaker 1>you had any like available time being like dude, a

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<v Speaker 1>photos shot with or something. You know what I'm saying,

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<v Speaker 1>Like this ever years from me to hub. You know

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<v Speaker 1>what I'm saying, It is possible when I'm in Detroit.

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<v Speaker 1>Yeah when he whenever you're in Detroit, if you have time, Okay,

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<v Speaker 1>Yeah that I could use that too. That'd be nice. Yeah,

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<v Speaker 1>so awesome. I just want to thank God. My grandma

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<v Speaker 1>just came home from having cold. Wow. I mean that's

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<v Speaker 1>the blessing. All right, brother, have a good weekend. Get

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<v Speaker 1>it off your chest. I said he loved his girl.

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<v Speaker 1>I love to see it absolutely eight hundred five eight five,

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<v Speaker 1>one oh five one, get it off your chest. It's

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<v Speaker 1>the Breakfast Club. Go Morning, the Breakfast Club. Wait that

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<v Speaker 1>up in the morning. Check out this breakfast club. We

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<v Speaker 1>want morning. Everybody is DJ Envy, Angela Yee, Charlemagne the guy.

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<v Speaker 1>We are the Breakfast Club. We got a special guest

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<v Speaker 1>in the building. That's right, Posh Shasty not a new

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<v Speaker 1>project got the day called Shafety season. This is your

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<v Speaker 1>first project, right for so my first one album? What

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<v Speaker 1>it is? This a mixtape? Is it's an album? Is

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<v Speaker 1>it's an ep a mixtape? Mixtape? Now? For people that

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<v Speaker 1>don't know you from Memphis? Yo, salth Mivin and you

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<v Speaker 1>signed with Gucci Walk Big Walk. How did that? How

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<v Speaker 1>did that come about? Mine? U me in the bid

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<v Speaker 1>my middle of the night. One day, he takes me

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<v Speaker 1>on Instagram? Did you believe it? Did you think it was?

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<v Speaker 1>It was? It was a lie. I couldn't believe it

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<v Speaker 1>'m that last year? So he just sent you a DM. Yeah,

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<v Speaker 1>he takes me, said, what's up home? I couldn't believe.

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<v Speaker 1>I grabbed my phone, get up, push something out of

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<v Speaker 1>the real takes him back. I say, what's chopping? He

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<v Speaker 1>takes back right there in and there like he was owning.

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<v Speaker 1>He was waiting on me to tip back. You're like,

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<v Speaker 1>I'm talking with your mirrors home. Who are you doing

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<v Speaker 1>this with? I put my clothes on shoot to shoot

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<v Speaker 1>the pops out. Then my managers I waken to wake

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<v Speaker 1>up A look I showed him. Couldn't believe he get

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<v Speaker 1>the Swain right. Then another though, why I'm showing him?

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<v Speaker 1>He takes back, He said, it did my number fade

0:10:06.120 --> 0:10:08.920
<v Speaker 1>time a fade timing right. Third, we was on fade

0:10:08.960 --> 0:10:12.200
<v Speaker 1>time for like six hours. It was already like three

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<v Speaker 1>in the morning. Though, he just said, look on face

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<v Speaker 1>time before we continue that story. Whoever that woman was

0:10:18.000 --> 0:10:19.320
<v Speaker 1>in the bed with you gonna be mad that you

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<v Speaker 1>just referred to her as somebody somewhere. Now what you're

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<v Speaker 1>being for Memphis? Did Dolf or gott he reached out

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<v Speaker 1>with since since they both from the same areas, or yeah,

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<v Speaker 1>for sure, but you never wanted to sign with that

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<v Speaker 1>or they just never offered a deal, or just wasn't

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<v Speaker 1>the right situation, Like I ain't gonna lie, I ain't

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<v Speaker 1>known wanted to sign a no better then Joe. My

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<v Speaker 1>mentality you know in the city is like you gotta

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<v Speaker 1>sign to either one of them. You gotta be paper

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<v Speaker 1>out of sEMG. So before Walcome came out, I'm still

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<v Speaker 1>Chopper guind this is my lab. So I wanted to

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<v Speaker 1>be like, why you can't be signed a Chopper game?

0:10:59.679 --> 0:11:03.319
<v Speaker 1>Seeing your paper rout? Then Walk can't bone perfect sing?

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<v Speaker 1>You know I got you. I always wonder how Gucci

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<v Speaker 1>Man discovers talent, like what did he hit? What did

0:11:07.880 --> 0:11:10.640
<v Speaker 1>he hero rs? It's a genius, he a genius. But

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<v Speaker 1>I'm gonna tell you what a song he heard of

0:11:12.320 --> 0:11:16.680
<v Speaker 1>the show Mine ain't Slim Mine Slim did it for

0:11:16.760 --> 0:11:19.400
<v Speaker 1>him and that was the only song he heard. He

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<v Speaker 1>was like, oh yeah, South, When did you finally meet

0:11:23.520 --> 0:11:25.120
<v Speaker 1>him in person? Did he did you? Did you fly

0:11:25.240 --> 0:11:26.760
<v Speaker 1>to a land or did he come out to Memphish

0:11:26.880 --> 0:11:30.120
<v Speaker 1>or we flew to Alan. It was like I got

0:11:30.120 --> 0:11:34.120
<v Speaker 1>signed throing COVID so it ain't locked down and shut

0:11:34.200 --> 0:11:37.720
<v Speaker 1>down and thin over over the phone. So yeah, did

0:11:37.800 --> 0:11:39.480
<v Speaker 1>you did the deal over the phone? Didn't meet him

0:11:39.480 --> 0:11:42.640
<v Speaker 1>in person? Just no, I didn't do the deal and

0:11:43.000 --> 0:11:45.800
<v Speaker 1>over the phone, Like I was signed a week before

0:11:45.840 --> 0:11:48.040
<v Speaker 1>I had to pop out like with it. No, I

0:11:48.080 --> 0:11:51.200
<v Speaker 1>had to hold it in. It's hard, it's a walk. Yeah,

0:11:51.200 --> 0:11:54.920
<v Speaker 1>I still problem to like my mom was something, well,

0:11:55.040 --> 0:11:57.839
<v Speaker 1>she gonna tell them hold SI. A lot of folks

0:11:57.840 --> 0:12:00.240
<v Speaker 1>in our days want to stay indie. What made you say?

0:12:00.240 --> 0:12:01.840
<v Speaker 1>You know what? Now, I'm gonna do the ten seventeen

0:12:01.880 --> 0:12:06.200
<v Speaker 1>Atlantic thing right perfect since and they ain't ain't coming

0:12:06.200 --> 0:12:08.240
<v Speaker 1>at me on the BS and and you know what

0:12:08.320 --> 0:12:11.439
<v Speaker 1>I'm saying. So when they did, then I like, I

0:12:11.760 --> 0:12:16.120
<v Speaker 1>ain't genuine what I really wanted to see me win it? Man?

0:12:16.679 --> 0:12:18.560
<v Speaker 1>When did you realize that it was taking off? When

0:12:18.559 --> 0:12:20.400
<v Speaker 1>your popularity before you did the deal with w When

0:12:20.400 --> 0:12:22.880
<v Speaker 1>did you realize it was taking off? With it? One day?

0:12:22.920 --> 0:12:24.760
<v Speaker 1>You walking into malling, people be like, yo, I know

0:12:24.760 --> 0:12:26.920
<v Speaker 1>who you are? Was it your mama heard the rector

0:12:27.000 --> 0:12:29.040
<v Speaker 1>one time? But when did you realize, like yo, it

0:12:29.080 --> 0:12:31.000
<v Speaker 1>was like out of her, out of her? Yeah, I

0:12:31.040 --> 0:12:33.320
<v Speaker 1>ain't gonna laugh. My first song to see it start

0:12:33.400 --> 0:12:36.320
<v Speaker 1>off for a verse. I did my first verse on

0:12:36.360 --> 0:12:39.280
<v Speaker 1>it own breaking news with me and the game trouble Gun.

0:12:39.920 --> 0:12:43.000
<v Speaker 1>Then verse on ther went viral. They were like who

0:12:43.040 --> 0:12:45.439
<v Speaker 1>it did? Dude? It was like I couldn't like step

0:12:45.480 --> 0:12:47.800
<v Speaker 1>out the gate or none no more for Ryan pay All.

0:12:47.880 --> 0:12:52.080
<v Speaker 1>This it was real then, but when I knew it

0:12:52.120 --> 0:12:54.679
<v Speaker 1>took out when they hit the radios. So I got

0:12:54.760 --> 0:12:56.840
<v Speaker 1>put on you from guard up because I was listening

0:12:56.880 --> 0:12:59.800
<v Speaker 1>to the new title playlist and that got up so hard.

0:13:00.040 --> 0:13:02.320
<v Speaker 1>I just went down this pool shicey rabbit hole and

0:13:02.360 --> 0:13:04.439
<v Speaker 1>I'm just like, man, this dude is dope. And then

0:13:04.440 --> 0:13:06.120
<v Speaker 1>it started ding on me. Oh he went Gucci, so

0:13:06.160 --> 0:13:08.160
<v Speaker 1>it then it started to make sense. You used to

0:13:08.160 --> 0:13:11.360
<v Speaker 1>play ball with him, I know how, you know how? Yeah,

0:13:11.520 --> 0:13:13.480
<v Speaker 1>I'm like, I don't want them. I want them to

0:13:13.480 --> 0:13:18.319
<v Speaker 1>play the coach miss with but can't make the team

0:13:17.679 --> 0:13:22.640
<v Speaker 1>that I got here used me for practice, getting the showing.

0:13:23.160 --> 0:13:24.959
<v Speaker 1>They need an inscre man, but I ain't even on

0:13:25.040 --> 0:13:27.600
<v Speaker 1>the team or nothing. Well, wasn't to the locker room

0:13:27.800 --> 0:13:32.400
<v Speaker 1>because of behavior or something. Behavior, couldn't get no physicals, Yeah,

0:13:32.440 --> 0:13:34.360
<v Speaker 1>but got the talent for show. That's how it was

0:13:34.360 --> 0:13:35.640
<v Speaker 1>when me. I used to want to play sports, but

0:13:35.640 --> 0:13:37.840
<v Speaker 1>I couldn't. I was always suspended in all types of stupid.

0:13:38.320 --> 0:13:40.559
<v Speaker 1>And I've seen when you opposed me though, like oh

0:13:40.640 --> 0:13:47.079
<v Speaker 1>like big shout him. I don't like nobody The Breakfast

0:13:47.080 --> 0:13:51.920
<v Speaker 1>Club if you missed the Breakfast Club, you don't coo

0:13:52.040 --> 0:13:55.000
<v Speaker 1>from my world. It's dangerous. Check out this rewind. Yeah,

0:13:55.080 --> 0:13:57.280
<v Speaker 1>it's the world most dangerous Morning to show The Breakfast Club.

0:13:57.400 --> 0:14:00.400
<v Speaker 1>Charlemagne and God Angela, Ye dj Envy, and we got

0:14:00.400 --> 0:14:02.440
<v Speaker 1>my man Pooh Shicety here Pooh Shitsky as a new

0:14:02.559 --> 0:14:06.120
<v Speaker 1>artist out of Memphis. He signed the ten seventeen Atlantic Records.

0:14:06.240 --> 0:14:09.120
<v Speaker 1>He's got a project out right now called Shisty Season.

0:14:09.720 --> 0:14:12.000
<v Speaker 1>And you got a question, do you still in Memphis

0:14:12.120 --> 0:14:13.640
<v Speaker 1>or you decided to boot to Atlantic? Because I see

0:14:13.640 --> 0:14:16.600
<v Speaker 1>Atlanta is everything. Atlanta is open, Atlanta is the music scene.

0:14:16.760 --> 0:14:19.120
<v Speaker 1>You run in the audi, in the studio. Huh yeah

0:14:19.200 --> 0:14:21.480
<v Speaker 1>for show. I'm in a move for show, but I

0:14:21.480 --> 0:14:23.960
<v Speaker 1>would be whoever. I feel like I go to them too.

0:14:24.360 --> 0:14:26.680
<v Speaker 1>You feel like memphisis is as united as it should

0:14:26.720 --> 0:14:31.680
<v Speaker 1>be at all. I know, man, Memphis are like for united.

0:14:31.840 --> 0:14:35.480
<v Speaker 1>You can use Alouna for example, Memphis Now, I won't

0:14:35.520 --> 0:14:38.320
<v Speaker 1>see nobody to win. I'm gonna pull you now something

0:14:38.360 --> 0:14:41.120
<v Speaker 1>type of way. Try to tempt someone on, you, try

0:14:41.160 --> 0:14:44.960
<v Speaker 1>to take something. It just Memphis. They hate too because

0:14:44.960 --> 0:14:46.680
<v Speaker 1>of that. Why not just stay out the city for

0:14:46.720 --> 0:14:49.120
<v Speaker 1>a while. They beat how they feel the or the folks.

0:14:49.120 --> 0:14:51.880
<v Speaker 1>I ain't gonna do me like it's up to me now,

0:14:52.000 --> 0:14:54.400
<v Speaker 1>like it's in my hand I can bring make it

0:14:54.480 --> 0:14:57.000
<v Speaker 1>like alouna that there's how I feel I could be

0:14:57.160 --> 0:15:00.880
<v Speaker 1>the big brother stars on the pun. It's like if

0:15:00.920 --> 0:15:03.840
<v Speaker 1>if if Memphis was united, y'all would easily be that

0:15:03.960 --> 0:15:06.000
<v Speaker 1>next city from the South with all the talent coming

0:15:06.040 --> 0:15:08.960
<v Speaker 1>from that talent too much time. So so what do

0:15:09.000 --> 0:15:11.280
<v Speaker 1>you think it if the ogs didn't embrace the youngsters?

0:15:11.280 --> 0:15:13.280
<v Speaker 1>What was it? I don't I don't get it. Be

0:15:13.400 --> 0:15:15.800
<v Speaker 1>there like folks be having the feeling I don't want

0:15:15.840 --> 0:15:19.080
<v Speaker 1>no about to pass them or something I don't incur,

0:15:19.320 --> 0:15:21.120
<v Speaker 1>Like as long as you know what I'm saying, pay

0:15:21.160 --> 0:15:23.760
<v Speaker 1>your homage and do right, keep it. You know what

0:15:23.760 --> 0:15:26.760
<v Speaker 1>I'm saying, keep a little chick like I don't to

0:15:26.800 --> 0:15:29.920
<v Speaker 1>speak none of this sucker stuff. Now it's more dangerous

0:15:30.080 --> 0:15:33.760
<v Speaker 1>to be a rapper or a screet the lad through year.

0:15:34.200 --> 0:15:37.720
<v Speaker 1>Rappers ain't bad to year. I ain't gonna couple here.

0:15:37.760 --> 0:15:39.920
<v Speaker 1>They've been going at the rapper. Is it because the

0:15:39.960 --> 0:15:42.760
<v Speaker 1>money makes you a target? The fame was like the

0:15:42.800 --> 0:15:46.600
<v Speaker 1>screets the rap Now then the folk internet. They're gonna

0:15:46.600 --> 0:15:50.000
<v Speaker 1>do the police jobs. So if it wasn't a rap,

0:15:50.040 --> 0:15:53.600
<v Speaker 1>what you think you'd be into legal, I'll be put up.

0:15:54.840 --> 0:15:58.720
<v Speaker 1>I won't even be here. So yeah, how proudly is

0:15:58.760 --> 0:16:01.280
<v Speaker 1>your mom right now? They're seeing everything that you've been through. Man,

0:16:01.560 --> 0:16:04.720
<v Speaker 1>she's my mom one. She's very proud. Big shout out

0:16:04.720 --> 0:16:07.160
<v Speaker 1>of them all, dudes. I wish she could be. She

0:16:07.400 --> 0:16:11.040
<v Speaker 1>loves you too, been watched you year. I know about

0:16:11.080 --> 0:16:18.160
<v Speaker 1>you through my mom. I appreciate that ski mask talking

0:16:18.160 --> 0:16:21.760
<v Speaker 1>about bad you know? Also what you know better? You

0:16:21.760 --> 0:16:24.960
<v Speaker 1>can't slide with that, but you see it, batter, it's

0:16:27.360 --> 0:16:30.640
<v Speaker 1>a man we don't know, all right. I gotta get

0:16:30.680 --> 0:16:33.360
<v Speaker 1>you run now. Also with um, what's the first thing

0:16:33.360 --> 0:16:34.800
<v Speaker 1>you bought when you made money? And what's the first

0:16:34.800 --> 0:16:37.160
<v Speaker 1>thing you bought your mom? No? I bought my mama

0:16:37.240 --> 0:16:42.120
<v Speaker 1>cough first, what kind of car fandom? Infinity? Infinity? No,

0:16:42.680 --> 0:16:45.680
<v Speaker 1>this is the first one. No, she's gonna do it big,

0:16:45.800 --> 0:16:49.120
<v Speaker 1>but I had to give us a what's the first

0:16:49.120 --> 0:16:52.240
<v Speaker 1>thing you bought yourself? Your biggest purchase so far being

0:16:52.400 --> 0:16:57.120
<v Speaker 1>truck man? You gotta buy churches, man, you got to Yeah,

0:16:57.160 --> 0:17:00.160
<v Speaker 1>I got asa franchise your own churches that would be though,

0:17:00.200 --> 0:17:03.080
<v Speaker 1>push shat on some churches because they need all the

0:17:03.160 --> 0:17:05.840
<v Speaker 1>all churches needs a rebrand. They might need to reach

0:17:05.880 --> 0:17:09.280
<v Speaker 1>out O see that in church and keep it. I've

0:17:09.320 --> 0:17:11.840
<v Speaker 1>been saying churches come in on fold stuff and then

0:17:12.720 --> 0:17:16.000
<v Speaker 1>churches tapping in big shots. You're gonna shoot the video

0:17:16.960 --> 0:17:23.679
<v Speaker 1>at the churches with my shirt off. Absolutely well, Po Shay.

0:17:23.720 --> 0:17:26.840
<v Speaker 1>We appreciate you for joining, and we promised we were

0:17:26.840 --> 0:17:28.359
<v Speaker 1>gonna bring a lot of new artists up in here,

0:17:28.720 --> 0:17:30.760
<v Speaker 1>new artists that are moving the culture. And when this

0:17:30.840 --> 0:17:32.520
<v Speaker 1>fifty year old man came in here with a ski

0:17:32.640 --> 0:17:34.919
<v Speaker 1>mask on, pointing his finger guns at me, it was like,

0:17:34.960 --> 0:17:37.640
<v Speaker 1>it's tongue. It means yeah, because we I mean, listen,

0:17:37.640 --> 0:17:39.399
<v Speaker 1>we've been doing this for a wild ten years and

0:17:39.440 --> 0:17:41.600
<v Speaker 1>like we've seen a lot of like we saw the

0:17:41.640 --> 0:17:44.479
<v Speaker 1>Megals early on, we saw a little baby early on.

0:17:44.560 --> 0:17:47.600
<v Speaker 1>And I feel like you got that same thing. Absolutely,

0:17:47.640 --> 0:17:49.960
<v Speaker 1>you know what I mean, appreciate that. I think Pu

0:17:50.080 --> 0:17:52.520
<v Speaker 1>Shaty gonna be a star star. And you said, like

0:17:52.880 --> 0:17:54.840
<v Speaker 1>when you felt that, you said, at all the top

0:17:54.920 --> 0:17:58.200
<v Speaker 1>mean older than you know what I'm saying, Not for what, dude,

0:17:58.200 --> 0:18:01.840
<v Speaker 1>not I suck. I appreciate that and tell you mom,

0:18:01.840 --> 0:18:03.880
<v Speaker 1>I said peace, We appreciate it. What's her name, Miss

0:18:03.960 --> 0:18:07.640
<v Speaker 1>glad Miss Gladys, Miss Gladys. All right, oh well it's

0:18:07.640 --> 0:18:09.359
<v Speaker 1>pool Shasty, not na pool. You know we ain't come

0:18:09.400 --> 0:18:10.679
<v Speaker 1>up here, you know we don't. We've been at home,

0:18:10.720 --> 0:18:12.240
<v Speaker 1>so we came up here for you now. Want you

0:18:12.320 --> 0:18:14.200
<v Speaker 1>to know that, so you know it's it's serious. Maybe

0:18:14.200 --> 0:18:15.800
<v Speaker 1>wishing the best of luck and hopefully we'll see you

0:18:15.800 --> 0:18:19.000
<v Speaker 1>again up here. Well, all right, it's pool shicsty. It's

0:18:19.040 --> 0:18:22.639
<v Speaker 1>the Breakfast Club. Good morning, Wait, wait up, wake up,

0:18:23.960 --> 0:18:27.400
<v Speaker 1>you're checking out the Breakfast Club? Hey, what up? Y'all?

0:18:27.400 --> 0:18:30.200
<v Speaker 1>It's dj envy here. It's all fun in games. So

0:18:30.359 --> 0:18:34.000
<v Speaker 1>someone screenshot your message say goodbye to morning after. Get

0:18:34.000 --> 0:18:37.400
<v Speaker 1>with that chat. This new encrypted social platform can help

0:18:37.440 --> 0:18:41.280
<v Speaker 1>you stay truly private, no screenshots, recordings, or leak messages.

0:18:41.680 --> 0:18:44.240
<v Speaker 1>Get that chat for iPhone and Android at the app

0:18:44.320 --> 0:18:47.720
<v Speaker 1>Store or find it at dat chat dot com. Forward

0:18:47.760 --> 0:18:57.760
<v Speaker 1>slash envy. It's topic time called eight hundred and five

0:18:57.800 --> 0:18:59.320
<v Speaker 1>eight five one oh five? Want to join it to

0:18:59.400 --> 0:19:03.080
<v Speaker 1>the discussion with the breakfast club? Talk about it? Morning,

0:19:03.119 --> 0:19:07.280
<v Speaker 1>Everybody's stej envy, angela Yee Charlemagne the guy. We are

0:19:07.280 --> 0:19:10.400
<v Speaker 1>the breakfast club. Now if you just joined as Charlemagne

0:19:10.440 --> 0:19:15.000
<v Speaker 1>came to work this morning a little um under the influence, Yeah,

0:19:15.080 --> 0:19:19.560
<v Speaker 1>under the under the influence of country rap tunbs. Okay,

0:19:19.960 --> 0:19:21.920
<v Speaker 1>I deserve to be in breakfast club court this morning.

0:19:21.920 --> 0:19:25.280
<v Speaker 1>I feel stupid. I've been in here gang banging on

0:19:25.320 --> 0:19:27.240
<v Speaker 1>the radio and I just feel like I'm too old

0:19:27.280 --> 0:19:29.800
<v Speaker 1>and still be influenced by music. And I promise you

0:19:29.840 --> 0:19:33.399
<v Speaker 1>it literally was the New South Playlist on title listening

0:19:33.400 --> 0:19:35.760
<v Speaker 1>to stuff like key Glock off the Porch and my

0:19:35.760 --> 0:19:39.240
<v Speaker 1>Man Little Boss I Know It and you know, pooh

0:19:39.320 --> 0:19:43.119
<v Speaker 1>shicety guard up. It really really, really really took me

0:19:43.200 --> 0:19:47.040
<v Speaker 1>to a place that I absolutely enjoy. Yeah. So so

0:19:47.080 --> 0:19:50.040
<v Speaker 1>we're asking if Charlemagne, are we all too old to

0:19:50.119 --> 0:19:53.760
<v Speaker 1>be h influenced by music right now? I don't think so. Bro,

0:19:54.160 --> 0:19:56.520
<v Speaker 1>You know what I'm saying. I really don't. And I

0:19:56.560 --> 0:19:59.199
<v Speaker 1>have no reason for saying that other than I just

0:19:59.240 --> 0:20:01.480
<v Speaker 1>really enjoy it. Are we going through a middle life practice?

0:20:01.480 --> 0:20:04.080
<v Speaker 1>I don't think so. Still. You know, like Charlomagne, you

0:20:04.119 --> 0:20:08.800
<v Speaker 1>have a ski mask drinking drinking Starbucks, Like, what is that?

0:20:09.240 --> 0:20:11.960
<v Speaker 1>It's called balance? Is that a boogie gangsterf like what

0:20:12.280 --> 0:20:15.160
<v Speaker 1>it's called. Balance, think it's game. Bankers don't need caffeine.

0:20:15.280 --> 0:20:17.080
<v Speaker 1>I don't know you need energy to do a drive

0:20:17.119 --> 0:20:19.160
<v Speaker 1>by too. Okay, you think I have to put money

0:20:19.160 --> 0:20:23.800
<v Speaker 1>on people's head without uh, you know, a little lot tepe? Okay? Hello?

0:20:23.840 --> 0:20:26.840
<v Speaker 1>Who's this? This is hey Virginia. You know you know

0:20:26.920 --> 0:20:28.840
<v Speaker 1>your boy's up here with a ski mask on, drinking

0:20:28.840 --> 0:20:31.119
<v Speaker 1>a latte. I love it with a pinky in the

0:20:31.200 --> 0:20:35.080
<v Speaker 1>It's a little weird. We have to listen, we have

0:20:35.240 --> 0:20:38.480
<v Speaker 1>to do I'm for three. I'm from Jacksonville, Florida. Hey,

0:20:38.800 --> 0:20:42.760
<v Speaker 1>I'll be in my car sometimes. You know, I could

0:20:42.760 --> 0:20:45.960
<v Speaker 1>be a bug, I could be a seeheart. But listen, Charlomagne,

0:20:46.119 --> 0:20:51.760
<v Speaker 1>keep doing it. Thank you, baby, That's what I'm talking about.

0:20:52.640 --> 0:20:57.080
<v Speaker 1>Jackie Killed, Florida. Hello, who's this? This guy's crazy? Hey, John,

0:20:57.080 --> 0:21:00.600
<v Speaker 1>what are you calling from Florida? You know what, I

0:21:00.640 --> 0:21:01.840
<v Speaker 1>don't think it's a good thing when you got a

0:21:01.840 --> 0:21:04.199
<v Speaker 1>bunch of Florida people of jo John Charlotta Mane has

0:21:04.200 --> 0:21:05.840
<v Speaker 1>a ski mask on on right now, he's drinking a

0:21:05.880 --> 0:21:09.439
<v Speaker 1>Lotte with his pinky in the finger. I don't know

0:21:09.480 --> 0:21:11.160
<v Speaker 1>what he wants to do. With that pinky. I don't

0:21:11.480 --> 0:21:13.840
<v Speaker 1>I don't know, but but you think his ass is

0:21:13.840 --> 0:21:17.920
<v Speaker 1>too old fallers, man, sit your old ass down somewhere. Man.

0:21:18.760 --> 0:21:21.239
<v Speaker 1>How old are you, sir? I'm thirty three? Oh you're

0:21:21.280 --> 0:21:23.280
<v Speaker 1>thirty three. Okay, you're still living out your old wild

0:21:23.280 --> 0:21:25.199
<v Speaker 1>out days. You're still cheating on your girl? Did that?

0:21:25.480 --> 0:21:27.040
<v Speaker 1>I did that when I was swing. I got arrested

0:21:27.080 --> 0:21:30.600
<v Speaker 1>four times one year. Congratulations. What was the biggest charge?

0:21:31.119 --> 0:21:34.160
<v Speaker 1>The biggest one was a home invasion. What music were

0:21:34.200 --> 0:21:37.439
<v Speaker 1>you listening to when you did that home invasion for Florida? Man,

0:21:37.480 --> 0:21:39.960
<v Speaker 1>I listened kind of stuff man, y'all, I don't even

0:21:40.000 --> 0:21:44.119
<v Speaker 1>know applies, Okay, you know, probably Kodak. Now that was

0:21:44.280 --> 0:21:45.840
<v Speaker 1>that was a while ago. That was a while ago.

0:21:46.000 --> 0:21:47.919
<v Speaker 1>All right, go that's the middle school that is. But

0:21:47.960 --> 0:21:50.560
<v Speaker 1>you got your life together now, Yeah, definitely definitely that

0:21:51.400 --> 0:21:53.600
<v Speaker 1>you got a family. Man, You're right that think, brother,

0:21:53.680 --> 0:21:55.520
<v Speaker 1>thank you? You know what you got that when you

0:21:55.520 --> 0:21:57.480
<v Speaker 1>say that once you once you see that, once you

0:21:57.520 --> 0:21:59.720
<v Speaker 1>add that you got a family. That's like when a

0:21:59.800 --> 0:22:02.080
<v Speaker 1>game banging, say on God and them he gonna do

0:22:02.119 --> 0:22:05.159
<v Speaker 1>something to you want Somebody tell you, sit y'all out there,

0:22:05.240 --> 0:22:07.480
<v Speaker 1>you got a family. That's when you get back through reality.

0:22:07.480 --> 0:22:11.160
<v Speaker 1>He right, Hello, rests Christian out of Fully, Hey, Christian

0:22:11.200 --> 0:22:14.000
<v Speaker 1>out of Philly. Good morning Christian. Now Now, Charlotmagne is

0:22:14.280 --> 0:22:17.240
<v Speaker 1>asked too old to be wilding out to this music. Now,

0:22:17.280 --> 0:22:19.000
<v Speaker 1>I don't know that's what you're supposed to be doing. Listen.

0:22:19.000 --> 0:22:20.960
<v Speaker 1>It's balance of life. It's the yang and the yang,

0:22:21.200 --> 0:22:23.440
<v Speaker 1>It's the drug deal and a professional because every morning

0:22:23.480 --> 0:22:25.560
<v Speaker 1>I'm listening to King King Vod. I'm from Fully and

0:22:25.600 --> 0:22:28.960
<v Speaker 1>I'm not from sixty third. I do that every morning

0:22:29.000 --> 0:22:31.239
<v Speaker 1>and then not do my professional nine to five. And

0:22:31.280 --> 0:22:33.120
<v Speaker 1>when I come home it's neck to Jason and Sulliman

0:22:33.200 --> 0:22:35.560
<v Speaker 1>and all of that. So you need balance, a balance.

0:22:35.600 --> 0:22:39.960
<v Speaker 1>I agree with you. Ratchetness and righteousness is the right exactly.

0:22:40.080 --> 0:22:44.280
<v Speaker 1>I'm with you with music too. I'm with you because

0:22:44.680 --> 0:22:46.359
<v Speaker 1>because I did the same thing. I woke up this morning.

0:22:46.359 --> 0:22:48.159
<v Speaker 1>I meditated, I had my beads in my hand, I

0:22:48.200 --> 0:22:50.320
<v Speaker 1>was doing my mantras, and then I'm going to therapy

0:22:50.400 --> 0:22:52.560
<v Speaker 1>at three o'clock. But when I was driving in the work,

0:22:52.800 --> 0:22:56.160
<v Speaker 1>it was them country rap tunes. Bro Listen, We're moving weight,

0:22:56.520 --> 0:23:01.600
<v Speaker 1>were moving away, my God, really work all up and

0:23:01.640 --> 0:23:07.000
<v Speaker 1>down ninety five. We got our world one page and

0:23:07.119 --> 0:23:10.080
<v Speaker 1>ways we are professionals with our parents, we have our pta.

0:23:10.480 --> 0:23:12.359
<v Speaker 1>They love us, but we turned up. That's what you

0:23:12.440 --> 0:23:15.800
<v Speaker 1>gotta do with you. You sell Joe, you sell drugs

0:23:15.800 --> 0:23:21.800
<v Speaker 1>in the morning hair for me. Oh that's right. She's

0:23:21.840 --> 0:23:24.480
<v Speaker 1>representing for all the people out there who still want

0:23:24.480 --> 0:23:26.240
<v Speaker 1>to do the bust of challenge. But that needs not

0:23:26.280 --> 0:23:28.920
<v Speaker 1>what they used to be. But we outchair babies because

0:23:28.920 --> 0:23:33.160
<v Speaker 1>I'm a mama and I'm not posting it. Hey, let's

0:23:33.280 --> 0:23:37.480
<v Speaker 1>go hello, who's this yo? This kid is Amarcosol game

0:23:37.600 --> 0:23:41.480
<v Speaker 1>game Bro? What's up? Bro? How old are you? Kid?

0:23:43.800 --> 0:23:46.840
<v Speaker 1>Brokay bank that see y'all day. I'll bang that see

0:23:46.880 --> 0:23:48.720
<v Speaker 1>y'a all day. I don't even know what that means.

0:23:49.280 --> 0:23:54.119
<v Speaker 1>What's that mean? That's that's Christ Christ with that. I

0:23:54.200 --> 0:23:56.880
<v Speaker 1>thought the seeds for christy all day. So when you're

0:23:56.920 --> 0:23:59.840
<v Speaker 1>banging the Christ, when you're throwing up that, that seat

0:23:59.840 --> 0:24:02.439
<v Speaker 1>for rice. Hey, sou's gang. What do you listen to?

0:24:02.880 --> 0:24:06.240
<v Speaker 1>I listened to I ain't gonna lie, young thug whole lie.

0:24:07.240 --> 0:24:10.000
<v Speaker 1>I listen to Drake. I listen know, I ain't gonna lie.

0:24:10.040 --> 0:24:13.280
<v Speaker 1>You know I told some uh I told some ya

0:24:14.200 --> 0:24:16.600
<v Speaker 1>Adams maybe and there I like the balance. I love

0:24:16.640 --> 0:24:19.080
<v Speaker 1>the balance, King from young Thug to Orlanda Adams, I

0:24:19.119 --> 0:24:22.800
<v Speaker 1>love the balance. Now you're you know you got to

0:24:23.119 --> 0:24:28.080
<v Speaker 1>You're twenty nine. Charlemagne forty two. Charlotmaye be banging out

0:24:28.080 --> 0:24:30.920
<v Speaker 1>this every morning. Yeah he can. He can have a balance,

0:24:31.000 --> 0:24:33.479
<v Speaker 1>but he can bang right to bang left. That's right,

0:24:33.520 --> 0:24:39.000
<v Speaker 1>the middle, right, right middle. Yo can tell his daughters, Yo,

0:24:39.680 --> 0:24:44.000
<v Speaker 1>kid clean kitchen. That's right on this on the set,

0:24:44.119 --> 0:24:46.760
<v Speaker 1>Oh my goodness, on the set. You better have that

0:24:46.840 --> 0:24:50.520
<v Speaker 1>kitchen clean. Hello? Who's this? Yes? Hi? Right? Listen this

0:24:51.119 --> 0:24:54.280
<v Speaker 1>from the doub Bill in Ohio. Now, and Charlomagne too,

0:24:54.280 --> 0:24:57.399
<v Speaker 1>only be gang gang in this morning. I have to

0:24:57.520 --> 0:25:01.119
<v Speaker 1>second emotion, yes, but I have to add myself puts too.

0:25:01.160 --> 0:25:04.000
<v Speaker 1>I'll be thinking I'm just ratchet. You talk about Luda

0:25:04.320 --> 0:25:06.800
<v Speaker 1>Pete popping. Oh my god, I'm thirty three years out

0:25:06.840 --> 0:25:08.480
<v Speaker 1>with two kids that I have, me going. I ain't

0:25:08.480 --> 0:25:11.080
<v Speaker 1>never peep talking about life, but I can't work talking

0:25:11.119 --> 0:25:14.399
<v Speaker 1>about Gucci and Jesus. I'll be talking about shoot somebody

0:25:14.400 --> 0:25:18.040
<v Speaker 1>when I'm mak thirteen years off. No, yes, you do

0:25:18.119 --> 0:25:21.479
<v Speaker 1>have no moments. They do influencio. Now, listen, Jeez and Gucci,

0:25:21.560 --> 0:25:23.160
<v Speaker 1>that was our era. We were still in our old

0:25:23.160 --> 0:25:25.800
<v Speaker 1>wild out days when they was in their prime. These

0:25:25.880 --> 0:25:28.600
<v Speaker 1>new these, these new Negroes different, these new Negroes to

0:25:28.720 --> 0:25:31.959
<v Speaker 1>take you someplace even further. And Jez and Gucci then

0:25:32.040 --> 0:25:35.639
<v Speaker 1>did don't telling you they didn't have you literally and

0:25:35.680 --> 0:25:38.119
<v Speaker 1>don't you and don't act like you ain't never did

0:25:38.240 --> 0:25:41.320
<v Speaker 1>no people up because you said you got three kids. Okay, honey,

0:25:41.359 --> 0:25:43.000
<v Speaker 1>I got to and I have, but I don't know

0:25:43.080 --> 0:25:45.080
<v Speaker 1>how to do it on my hand stand. Clearly didn't

0:25:45.080 --> 0:25:48.080
<v Speaker 1>know how to do something. That man whoever was then

0:25:48.119 --> 0:25:51.200
<v Speaker 1>baby daddies you got to do influent. They're doing fluent.

0:25:52.520 --> 0:25:54.479
<v Speaker 1>And I have my ratchet moments too, when I've been

0:25:54.480 --> 0:25:59.720
<v Speaker 1>a bust for eight years. The them, them baby daddies,

0:25:59.720 --> 0:26:01.920
<v Speaker 1>you got release their ancestors in you for a reason.

0:26:02.280 --> 0:26:04.960
<v Speaker 1>You know how to pepop something on something? Honey. Yes

0:26:05.320 --> 0:26:07.680
<v Speaker 1>we're not on the handstand right, but on a back

0:26:07.800 --> 0:26:12.640
<v Speaker 1>dad answer, Okay, all right, I'm telling you all right, Well,

0:26:12.640 --> 0:26:15.480
<v Speaker 1>don't move. Happy Holidays. It's the Breakfast Club. Good morning,

0:26:16.119 --> 0:26:23.879
<v Speaker 1>the Breakfast Club Morning. Everybody is DJ Envy Angela Yee Charlemagne,

0:26:23.920 --> 0:26:27.359
<v Speaker 1>the guy we are the Breakfast Club now Charlemagne. Yesterday

0:26:27.400 --> 0:26:30.480
<v Speaker 1>got a chance to talk with Travis Scott. Yeah, this

0:26:30.640 --> 0:26:33.639
<v Speaker 1>happened on This happened, just happened on Wednesday. You know,

0:26:33.640 --> 0:26:35.840
<v Speaker 1>I got a couple of calls from a few folks

0:26:35.880 --> 0:26:37.760
<v Speaker 1>and they were like, you know, Travis Scott, you know,

0:26:37.800 --> 0:26:40.080
<v Speaker 1>wants to sit and have a conversation with you, you you know,

0:26:40.119 --> 0:26:43.239
<v Speaker 1>to discuss the tragedy that happened on November fifth at

0:26:43.240 --> 0:26:46.360
<v Speaker 1>after World in Houston, Texas. And that's what we did.

0:26:46.520 --> 0:26:48.920
<v Speaker 1>And also how he wants to, you know, help make

0:26:48.960 --> 0:26:51.880
<v Speaker 1>sure this this never happens again. All right, Well we're

0:26:51.880 --> 0:26:53.639
<v Speaker 1>gonna get into that next and we're gonna take your

0:26:53.680 --> 0:26:56.440
<v Speaker 1>calls after this too. So let's listen as a community,

0:26:56.520 --> 0:26:58.840
<v Speaker 1>and you got questions, whatever you feel like you want

0:26:58.840 --> 0:27:00.720
<v Speaker 1>to talk about after this interview, you can call us up.

0:27:00.760 --> 0:27:03.600
<v Speaker 1>Eight hundred five eight five one oh five one, Ladies

0:27:03.600 --> 0:27:07.320
<v Speaker 1>and gentlemen. Travis Scott, Travis Scott, what's up? Brother? What

0:27:07.400 --> 0:27:11.360
<v Speaker 1>to do? How you feeling? Uh? You know I've been

0:27:11.359 --> 0:27:14.040
<v Speaker 1>on about like a different type of like emotions, you know,

0:27:14.840 --> 0:27:19.920
<v Speaker 1>emotional roller coaster. I mean, um, it gets so hard

0:27:19.960 --> 0:27:24.119
<v Speaker 1>because I always felt like connected with my fans, and

0:27:24.160 --> 0:27:25.840
<v Speaker 1>you know, I went through something, you know, and I

0:27:25.840 --> 0:27:28.080
<v Speaker 1>feel like fans went through something and people's parents would

0:27:28.119 --> 0:27:31.920
<v Speaker 1>do something, and you know it really, you know, it hurts.

0:27:31.960 --> 0:27:35.320
<v Speaker 1>It hurts the community her to a city and it's

0:27:35.359 --> 0:27:36.719
<v Speaker 1>just been a lot of thoughts, you know, a lot

0:27:36.800 --> 0:27:40.840
<v Speaker 1>of feelings, a lot of grieving and just you know,

0:27:40.920 --> 0:27:42.760
<v Speaker 1>trying to get you wrapped my head around it. You know.

0:27:44.160 --> 0:27:47.320
<v Speaker 1>I really just really wanted to be there and just

0:27:47.400 --> 0:27:49.560
<v Speaker 1>you know, wish you can just kind of like hold everyone,

0:27:49.680 --> 0:27:53.080
<v Speaker 1>you know, um, kind of just healed them, talk to them.

0:27:53.200 --> 0:27:58.399
<v Speaker 1>I have conversations, you know. It just it just you know,

0:27:58.440 --> 0:28:01.560
<v Speaker 1>it really just hurts me. What's your what's your intention

0:28:02.000 --> 0:28:04.920
<v Speaker 1>with this conversation, Like like what do you hope to

0:28:05.080 --> 0:28:06.280
<v Speaker 1>get out of this or what do you hope to

0:28:06.320 --> 0:28:09.760
<v Speaker 1>get out I don't personally have an intention. I just

0:28:09.800 --> 0:28:13.080
<v Speaker 1>feel like something happened and I feel like it's just

0:28:14.440 --> 0:28:16.639
<v Speaker 1>I needed just a way to kind of like communicate,

0:28:16.800 --> 0:28:20.800
<v Speaker 1>you know, the families are grieving, you know, as fans

0:28:20.800 --> 0:28:23.000
<v Speaker 1>that experienced something, as fans that came to a show,

0:28:24.000 --> 0:28:26.439
<v Speaker 1>you know, and I feel like I just have like

0:28:26.480 --> 0:28:30.480
<v Speaker 1>a I've always been that person to always see things

0:28:30.520 --> 0:28:35.040
<v Speaker 1>through the people that shared experiences with me, and you know,

0:28:35.080 --> 0:28:38.400
<v Speaker 1>it's just things happening, you know, I just kind of

0:28:38.520 --> 0:28:41.680
<v Speaker 1>you know, it's been such a such a time and

0:28:41.760 --> 0:28:45.320
<v Speaker 1>I've just been trying to just really figure things out.

0:28:45.360 --> 0:28:49.360
<v Speaker 1>You know, I'm sure you experiencing remorse, But was there

0:28:49.360 --> 0:28:53.800
<v Speaker 1>any hesitation to have this conversation because of the litigation

0:28:53.840 --> 0:28:57.360
<v Speaker 1>you may be facing. Well, I mean, yeah, of course

0:28:57.360 --> 0:29:00.520
<v Speaker 1>you got people. It's just like, oh, like you know,

0:29:00.640 --> 0:29:04.360
<v Speaker 1>but it's not about that, you know, your artists, you

0:29:04.480 --> 0:29:06.200
<v Speaker 1>whoever people think you are. About the end of the day,

0:29:06.200 --> 0:29:09.719
<v Speaker 1>You're a human being. You know, you have emotions, Um

0:29:09.800 --> 0:29:12.680
<v Speaker 1>you want to communicate them emotions, you know, and trying

0:29:12.680 --> 0:29:14.920
<v Speaker 1>to find the best way to communicate. How have you

0:29:14.960 --> 0:29:18.760
<v Speaker 1>been coping with the aftermath of everything? Just just just emotionally,

0:29:18.800 --> 0:29:21.080
<v Speaker 1>just you as a human. I've been just in a

0:29:21.160 --> 0:29:23.840
<v Speaker 1>room for a while, you know, a lot of thoughts

0:29:23.920 --> 0:29:28.320
<v Speaker 1>and luckily, you know, you have people around that you

0:29:28.480 --> 0:29:30.640
<v Speaker 1>kind of outside ideas. But it just been you know,

0:29:30.760 --> 0:29:32.720
<v Speaker 1>I've been doing this for such a long time, and

0:29:34.160 --> 0:29:37.200
<v Speaker 1>you know, you nothing like this ever happened, you know,

0:29:37.280 --> 0:29:38.880
<v Speaker 1>so it just kind of like you just kind of

0:29:39.360 --> 0:29:41.320
<v Speaker 1>figuring out and at the end of the day, like

0:29:41.360 --> 0:29:43.160
<v Speaker 1>these fans of your family, so you just feel like

0:29:43.160 --> 0:29:46.960
<v Speaker 1>you lost lost something and you just like you go,

0:29:47.080 --> 0:29:50.240
<v Speaker 1>you do these shows honestly to you know, for people

0:29:50.240 --> 0:29:52.160
<v Speaker 1>to have the best experience, you know, and just to

0:29:52.880 --> 0:29:54.800
<v Speaker 1>think to something like this happened. You just trying to

0:29:54.800 --> 0:29:58.120
<v Speaker 1>figure out you know, you know, just wrap everything around.

0:29:58.160 --> 0:30:01.480
<v Speaker 1>And so even just for the first couple a couple

0:30:01.480 --> 0:30:03.840
<v Speaker 1>of weeks, you know, it was just me sitting down,

0:30:03.840 --> 0:30:07.239
<v Speaker 1>but I had to really channel these emotions to just remember, like,

0:30:07.280 --> 0:30:09.080
<v Speaker 1>you know, if no one's gonna be a voice to

0:30:09.120 --> 0:30:10.800
<v Speaker 1>these people, I gotta like kind of step up and

0:30:10.880 --> 0:30:12.680
<v Speaker 1>kind of like be a voice to just figure out

0:30:12.720 --> 0:30:14.920
<v Speaker 1>that you know, this isn't happened in the future, to

0:30:15.000 --> 0:30:18.280
<v Speaker 1>show is period, you know what I'm saying, or figure

0:30:18.320 --> 0:30:20.520
<v Speaker 1>out the bottom solution of what's going on, and just

0:30:20.520 --> 0:30:24.320
<v Speaker 1>trying to ensure as people, you know, safety and what

0:30:24.360 --> 0:30:26.600
<v Speaker 1>they're doing. You know, you said you was in the room,

0:30:26.600 --> 0:30:29.120
<v Speaker 1>but then people saw you at the golf course, but

0:30:29.280 --> 0:30:33.160
<v Speaker 1>with Michael Jordan, Mark Wahlberg, what what was that? Um?

0:30:33.200 --> 0:30:36.520
<v Speaker 1>It was just Thanksgiving, um, you know, and they were there.

0:30:36.960 --> 0:30:38.360
<v Speaker 1>You know, it's just good people to have around in

0:30:38.360 --> 0:30:41.240
<v Speaker 1>the community, and you know that was just more like

0:30:41.280 --> 0:30:43.960
<v Speaker 1>a personal time, just trying to get around. I think

0:30:44.040 --> 0:30:48.320
<v Speaker 1>like some fan came and asked for a photo. But yeah,

0:30:48.760 --> 0:30:50.920
<v Speaker 1>let's talk about that night. Man. When when did when

0:30:50.920 --> 0:30:54.280
<v Speaker 1>did you find out things got as bad as they did? That?

0:30:54.280 --> 0:30:56.440
<v Speaker 1>That's the question everybody wants to go. Yeah, it wasn't

0:30:56.480 --> 0:30:59.440
<v Speaker 1>really until like minutes until like the press conference, until

0:30:59.440 --> 0:31:03.240
<v Speaker 1>I figured out exactly what happened. You know, um, even

0:31:03.280 --> 0:31:05.240
<v Speaker 1>after the show, you know, you're just kind of hearing

0:31:05.480 --> 0:31:07.920
<v Speaker 1>hearing things, but you don't know. I didn't know the

0:31:07.920 --> 0:31:11.760
<v Speaker 1>exact details until you know, minutes before the press conference.

0:31:12.720 --> 0:31:14.880
<v Speaker 1>And even at that moment you kind of just like wait,

0:31:15.280 --> 0:31:17.760
<v Speaker 1>you know what, Like you know, you just went through

0:31:17.800 --> 0:31:20.400
<v Speaker 1>something and it's just like wait what you know, So

0:31:20.480 --> 0:31:25.200
<v Speaker 1>you didn't know people that actually passed away until minutes before,

0:31:25.320 --> 0:31:27.720
<v Speaker 1>you know, which is you know, and at the thing,

0:31:27.760 --> 0:31:29.920
<v Speaker 1>it's like, you know, people pass out, you know people,

0:31:30.400 --> 0:31:33.720
<v Speaker 1>you know, things happen at concerts, but something like that,

0:31:34.920 --> 0:31:42.240
<v Speaker 1>it's just like, yeah, people said they are collectively, they

0:31:42.280 --> 0:31:45.680
<v Speaker 1>collectively heard folks scream and help every time you stop

0:31:45.760 --> 0:31:47.880
<v Speaker 1>the song to get your attention, did you did you

0:31:47.880 --> 0:31:50.640
<v Speaker 1>hear any of those screams, nah man. And you know

0:31:51.080 --> 0:31:53.760
<v Speaker 1>it's so crazy because I'm not I'm not artist too, Like,

0:31:53.800 --> 0:31:55.640
<v Speaker 1>you know, anytime you can hear something like that, you

0:31:55.680 --> 0:31:57.920
<v Speaker 1>want to stop the show. You want to make sure,

0:31:58.000 --> 0:32:00.840
<v Speaker 1>you know, fans get the property and they need you know,

0:32:01.360 --> 0:32:03.920
<v Speaker 1>And anytime I could see anything like that, I did,

0:32:04.000 --> 0:32:06.520
<v Speaker 1>you know, you know, I stopped like a couple of

0:32:06.520 --> 0:32:09.680
<v Speaker 1>times to just make sure everybody was okay, and I

0:32:09.760 --> 0:32:11.400
<v Speaker 1>just really just go off the you know, the fans

0:32:11.560 --> 0:32:14.840
<v Speaker 1>energy as a collective, you know, call a response. And

0:32:16.040 --> 0:32:17.840
<v Speaker 1>I just didn't. I just didn't hear that. You know,

0:32:17.880 --> 0:32:21.280
<v Speaker 1>I got music, I got my inears, but I just didn't.

0:32:21.320 --> 0:32:23.320
<v Speaker 1>I just didn't hear that. You know, break that down

0:32:23.360 --> 0:32:25.160
<v Speaker 1>a little more like Nope, nobody knows what it's like

0:32:25.720 --> 0:32:28.960
<v Speaker 1>being on stage except for other artists who speak to

0:32:29.040 --> 0:32:31.880
<v Speaker 1>us from that perspective of what you can see in here.

0:32:31.920 --> 0:32:33.840
<v Speaker 1>It was like fifty thousand people. Yeah, I mean you

0:32:33.880 --> 0:32:37.920
<v Speaker 1>got like a view, you know, feel like fifty thousand people.

0:32:38.280 --> 0:32:40.400
<v Speaker 1>But it's like a see, you got lights, you got sound,

0:32:40.480 --> 0:32:42.640
<v Speaker 1>you got pyro, you got you know, you got your inears,

0:32:42.640 --> 0:32:45.200
<v Speaker 1>got your sound, got your mic, you know, got the music,

0:32:45.720 --> 0:32:49.160
<v Speaker 1>You got bands, all type of you know, stuff going on,

0:32:49.400 --> 0:32:52.080
<v Speaker 1>so it's it's hard to tell excitement from from from

0:32:52.160 --> 0:32:54.400
<v Speaker 1>dangerous or to speak of course, everything kind of just

0:32:54.440 --> 0:32:56.080
<v Speaker 1>sounds the same. And at the end of the day,

0:32:56.080 --> 0:32:58.760
<v Speaker 1>you just hear music, you know, and when you do,

0:32:58.800 --> 0:33:02.080
<v Speaker 1>you just hear amongks of things. You know, but you

0:33:02.120 --> 0:33:04.360
<v Speaker 1>just when you're in the show, you just into the show.

0:33:04.360 --> 0:33:07.760
<v Speaker 1>And anytime you can feel anything closely, you know, you

0:33:07.840 --> 0:33:10.400
<v Speaker 1>try to like definitely get to that. So so as

0:33:10.400 --> 0:33:13.640
<v Speaker 1>an artist, how much can you actually, I guess help

0:33:13.680 --> 0:33:16.400
<v Speaker 1>in that position. You can only help what you can see,

0:33:16.440 --> 0:33:18.680
<v Speaker 1>you know what I mean. And then what you know,

0:33:18.720 --> 0:33:21.480
<v Speaker 1>whatever you's told, you know what I'm saying. Whenever it

0:33:21.520 --> 0:33:25.840
<v Speaker 1>somebody tell you to stop, you just stop. But just

0:33:26.080 --> 0:33:29.560
<v Speaker 1>wasn't it was It wasn't that night, huh. You know, raging.

0:33:29.840 --> 0:33:31.640
<v Speaker 1>Raging has been a part of the culture, you know,

0:33:31.680 --> 0:33:34.080
<v Speaker 1>of your shows. You know you didn't on this night,

0:33:34.120 --> 0:33:36.720
<v Speaker 1>but in the past you've encouraged I guess the kind

0:33:36.720 --> 0:33:39.000
<v Speaker 1>of energy that could have led to something like this happening.

0:33:39.720 --> 0:33:43.560
<v Speaker 1>Do you think that contributed to the energy of this night? Yeah, nah,

0:33:43.680 --> 0:33:47.000
<v Speaker 1>I think you know, It's something I've been working on

0:33:47.200 --> 0:33:50.000
<v Speaker 1>you know, for a while, um of just creating these

0:33:50.040 --> 0:33:53.280
<v Speaker 1>experiences and trying to show like the experiences happening in

0:33:53.280 --> 0:33:55.960
<v Speaker 1>a safe environment. You know, us as artists, we trust

0:33:56.040 --> 0:33:58.720
<v Speaker 1>you know, professionals to make sure that you know, things

0:33:58.760 --> 0:34:02.120
<v Speaker 1>happen to people leave you safely, you know what I'm saying. Um.

0:34:02.160 --> 0:34:04.640
<v Speaker 1>And it's not just like a regular show. You know,

0:34:04.640 --> 0:34:07.360
<v Speaker 1>it felt like to me um as far as like

0:34:07.400 --> 0:34:09.680
<v Speaker 1>you know, the energy people, it didn't feel like it

0:34:09.760 --> 0:34:12.000
<v Speaker 1>was like you know, people didn't I don't people didn't

0:34:12.000 --> 0:34:15.480
<v Speaker 1>show up there to just be harmful people just I

0:34:15.480 --> 0:34:17.000
<v Speaker 1>think showed up to have a good time. And then

0:34:17.200 --> 0:34:20.479
<v Speaker 1>you know, something unfortunate happened, and I think we really

0:34:20.520 --> 0:34:22.719
<v Speaker 1>just got to figure out, you know what that was.

0:34:22.840 --> 0:34:25.960
<v Speaker 1>You know, does raging make it harder to identify when

0:34:26.000 --> 0:34:28.920
<v Speaker 1>something is going wrong in the crowd? Well, I think

0:34:29.680 --> 0:34:32.560
<v Speaker 1>raging is just a you know, they have a textbook,

0:34:32.680 --> 0:34:35.120
<v Speaker 1>you know definition. But you know, in the concerts and

0:34:35.680 --> 0:34:38.520
<v Speaker 1>we've grown it to be just experience of having fun.

0:34:38.600 --> 0:34:42.080
<v Speaker 1>It's not about just oh, harm, It's not about that.

0:34:42.160 --> 0:34:44.719
<v Speaker 1>It's about just letting go and having fun. You know,

0:34:45.200 --> 0:34:48.560
<v Speaker 1>help others, no, love each other. It's not about just

0:34:48.880 --> 0:34:52.719
<v Speaker 1>you know, harm. That's not what it's all about. The

0:34:52.760 --> 0:34:57.239
<v Speaker 1>show isn't just rambunctious for hour. You know, that's not

0:34:57.280 --> 0:34:59.680
<v Speaker 1>what it is. Oh, trust me, I grew up on crunk,

0:35:00.400 --> 0:35:03.000
<v Speaker 1>so you know I understand. You know, you just don't

0:35:03.040 --> 0:35:05.680
<v Speaker 1>you don't want it to get two out of hand. Yeah,

0:35:05.680 --> 0:35:08.120
<v Speaker 1>but you know the code. You know, the energy is high,

0:35:08.160 --> 0:35:11.040
<v Speaker 1>you know, and you know, and that's why you want

0:35:11.040 --> 0:35:13.360
<v Speaker 1>to just make sure that, you know, people are surrounded

0:35:13.400 --> 0:35:15.360
<v Speaker 1>to make sure that people are just having the best experience.

0:35:15.480 --> 0:35:17.480
<v Speaker 1>You know what I'm saying. You know, I can't say

0:35:17.520 --> 0:35:20.200
<v Speaker 1>the energy is high, but you know you want to

0:35:20.400 --> 0:35:23.319
<v Speaker 1>make sure that people are there for people to have

0:35:23.480 --> 0:35:25.640
<v Speaker 1>like the best experience in league. Yeah, you want people

0:35:25.640 --> 0:35:27.560
<v Speaker 1>to have a good time. You want people to get

0:35:27.239 --> 0:35:31.160
<v Speaker 1>hurt at all. Yeah. Yeah, and God forbid passed away.

0:35:31.400 --> 0:35:33.960
<v Speaker 1>And you know it's typical for you to stop a

0:35:34.040 --> 0:35:36.319
<v Speaker 1>show to make sure fans in the crowd get to help,

0:35:36.800 --> 0:35:38.640
<v Speaker 1>you know, they need They even footage of that night

0:35:39.080 --> 0:35:41.400
<v Speaker 1>of you doing that during the set where you unable

0:35:41.480 --> 0:35:45.040
<v Speaker 1>to sense like a difference in urgency this time around,

0:35:45.600 --> 0:35:48.200
<v Speaker 1>I mean yeah, because you know, you stop the show,

0:35:48.280 --> 0:35:50.359
<v Speaker 1>but you know, you know, if someone's gonna happen. If

0:35:50.360 --> 0:35:52.920
<v Speaker 1>it's something detrimental, somebody's gonna let you know, you know,

0:35:53.160 --> 0:35:55.279
<v Speaker 1>or you know, the show just stop them. And you

0:35:55.320 --> 0:35:57.160
<v Speaker 1>know that just wasn't the case. You know, I just

0:35:57.280 --> 0:35:59.200
<v Speaker 1>kind of stop the show. You know, you just asked.

0:35:59.239 --> 0:36:01.840
<v Speaker 1>You have a call of re sponsor the fans. Um

0:36:01.880 --> 0:36:03.880
<v Speaker 1>you try to, you know, generally get a response, but

0:36:04.080 --> 0:36:08.080
<v Speaker 1>you know, if you don't get like a hard stop,

0:36:08.120 --> 0:36:10.880
<v Speaker 1>you know, it's just you can't. You just don't. You

0:36:10.960 --> 0:36:12.840
<v Speaker 1>just go off of what's going on, you know, which

0:36:12.880 --> 0:36:19.040
<v Speaker 1>makes it so like so crazy because like, you know,

0:36:19.360 --> 0:36:21.440
<v Speaker 1>if I feel like, if you know, anyone wouldn't know

0:36:21.440 --> 0:36:23.080
<v Speaker 1>and it would have just been like it wouldn't have

0:36:23.080 --> 0:36:25.719
<v Speaker 1>gotten far, you know. All Right, we got more with

0:36:25.840 --> 0:36:28.680
<v Speaker 1>Travis Scott and Charlemagne there one on one conversation, so

0:36:28.719 --> 0:36:32.520
<v Speaker 1>don't move. It's to Breakfast Club. Good morning morning. Everybody

0:36:32.640 --> 0:36:36.200
<v Speaker 1>is DJ Envy Angela Yee. Charlemagne the guy we are

0:36:36.239 --> 0:36:39.000
<v Speaker 1>the Breakfast Club. Now if he's just joining us, we're

0:36:39.040 --> 0:36:42.759
<v Speaker 1>playing a one on one interview with Travis Scott and Charlemagne.

0:36:42.760 --> 0:36:45.680
<v Speaker 1>Travis Scott and Charlemagne spoke yesterday, so we're getting that

0:36:45.719 --> 0:36:48.120
<v Speaker 1>back on this morning. Yeah, we chopped it up yesterday,

0:36:48.160 --> 0:36:50.480
<v Speaker 1>you know. Um and you know, as you can see

0:36:50.760 --> 0:36:54.319
<v Speaker 1>if you've been listening, he's being very open about the situation.

0:36:54.400 --> 0:36:58.120
<v Speaker 1>But at Afterworld in Houston, Texas, the tragedy that happened

0:36:58.160 --> 0:37:00.680
<v Speaker 1>on November fifth at after World and US in Texas.

0:37:00.680 --> 0:37:03.200
<v Speaker 1>But you can you can see his brain, you know,

0:37:03.320 --> 0:37:05.560
<v Speaker 1>going on just how to make sure this never happens again.

0:37:05.600 --> 0:37:08.960
<v Speaker 1>But you know, keep listening, all right, and here's part two.

0:37:09.040 --> 0:37:11.960
<v Speaker 1>It's the Breakfast Club, Go Morning. What headspace were you

0:37:11.960 --> 0:37:15.640
<v Speaker 1>when you posted that that initial that initial response video.

0:37:15.719 --> 0:37:17.200
<v Speaker 1>I mean it was I think it has to been

0:37:17.200 --> 0:37:20.520
<v Speaker 1>the night of you know, Um, so I was just

0:37:20.560 --> 0:37:23.480
<v Speaker 1>in a headspace of just trying to get a communication

0:37:23.520 --> 0:37:26.720
<v Speaker 1>out to my fans, you know, and I had literally

0:37:26.719 --> 0:37:29.160
<v Speaker 1>no information, you know, so I was just trying to

0:37:29.160 --> 0:37:32.279
<v Speaker 1>figure it out and just communicate to them. You know. Yeah.

0:37:32.320 --> 0:37:36.439
<v Speaker 1>I was just reacting, just literally just to get something

0:37:36.440 --> 0:37:38.200
<v Speaker 1>to the fans. You know, there's people that showed up.

0:37:39.120 --> 0:37:41.720
<v Speaker 1>Do you regret that initial video? Do you regret reacting

0:37:41.719 --> 0:37:43.200
<v Speaker 1>in that way or not, like not having all the

0:37:43.239 --> 0:37:46.279
<v Speaker 1>information before you said something. I mean yeah, because you know,

0:37:46.360 --> 0:37:48.239
<v Speaker 1>you just don't know what's going on. But at the

0:37:48.320 --> 0:37:49.759
<v Speaker 1>end of the day. I don't, you know, I just

0:37:49.800 --> 0:37:51.800
<v Speaker 1>wanted to get something out, you know, how my messages

0:37:51.840 --> 0:37:54.000
<v Speaker 1>came out, I can't you know, I can only go

0:37:54.040 --> 0:37:56.000
<v Speaker 1>off for that, you know what I know. But my

0:37:56.160 --> 0:37:59.359
<v Speaker 1>Truman titches of it, you know, was really just trying

0:37:59.360 --> 0:38:02.000
<v Speaker 1>to get a message across. And you know, I really

0:38:02.040 --> 0:38:04.719
<v Speaker 1>wanted to just touch the fans, touching the families. You

0:38:04.760 --> 0:38:07.000
<v Speaker 1>know that we here, we're grieving and we would get

0:38:07.000 --> 0:38:09.359
<v Speaker 1>through this, you know, through this process. So what did

0:38:09.360 --> 0:38:12.480
<v Speaker 1>you know in that first video? I mean at that time,

0:38:12.520 --> 0:38:14.320
<v Speaker 1>I think we just knew that you know, people passed,

0:38:14.920 --> 0:38:17.080
<v Speaker 1>you know, Um, we didn't know how you know that

0:38:17.239 --> 0:38:19.279
<v Speaker 1>it was you know the news. You know, I think

0:38:19.320 --> 0:38:22.440
<v Speaker 1>police came out and said something. Um, you know, you're

0:38:22.480 --> 0:38:24.040
<v Speaker 1>just going off of what you're seeing in the in

0:38:24.040 --> 0:38:26.160
<v Speaker 1>the in the news. You know, you don't really know nothing.

0:38:26.200 --> 0:38:28.200
<v Speaker 1>And then as it did go on, you started collecting

0:38:28.200 --> 0:38:31.480
<v Speaker 1>a little bit more information. They said there was they

0:38:31.480 --> 0:38:35.480
<v Speaker 1>would like chaos and trampling being reported since the early afternoon,

0:38:35.840 --> 0:38:38.000
<v Speaker 1>like like hours before the show even started. Were you

0:38:38.000 --> 0:38:40.520
<v Speaker 1>informed of any of that ahead of time? Well? No,

0:38:40.920 --> 0:38:45.040
<v Speaker 1>like um and um, you know the police he came

0:38:45.719 --> 0:38:48.319
<v Speaker 1>he came in um to my trailer and you know

0:38:48.320 --> 0:38:51.640
<v Speaker 1>he congratulated me on you know, the event and you know,

0:38:51.760 --> 0:38:55.120
<v Speaker 1>having something like this in Houston. You let me know

0:38:55.239 --> 0:38:58.239
<v Speaker 1>that this it was, you know, mishap at the merged

0:38:58.239 --> 0:39:00.120
<v Speaker 1>booth earlier. You know they shut it down with they

0:39:00.120 --> 0:39:02.160
<v Speaker 1>opened it back up. They she even got it under control.

0:39:02.719 --> 0:39:04.279
<v Speaker 1>You know, he was gonna step out and just let

0:39:04.320 --> 0:39:06.560
<v Speaker 1>us know if we need anything, you know, have a

0:39:06.560 --> 0:39:10.520
<v Speaker 1>good show. That was it. You know a lot of

0:39:10.560 --> 0:39:13.160
<v Speaker 1>the criticism, you know from the tragedy they say is

0:39:13.160 --> 0:39:16.400
<v Speaker 1>and the poor planning and understaffing of the end of

0:39:16.440 --> 0:39:19.799
<v Speaker 1>the event. As an artist, that you have any involvement

0:39:20.040 --> 0:39:22.359
<v Speaker 1>in any of that, well, I mean we just as

0:39:22.400 --> 0:39:24.440
<v Speaker 1>an artist, you just do the creative and for this

0:39:24.480 --> 0:39:26.000
<v Speaker 1>to be my festival, you know, I got you know,

0:39:26.040 --> 0:39:29.360
<v Speaker 1>bring artists you know, creatively produce it and you know

0:39:29.400 --> 0:39:31.759
<v Speaker 1>we're just trusting you know, the professionals to kind of

0:39:31.760 --> 0:39:34.600
<v Speaker 1>just make sure that you know, people you know taking

0:39:34.680 --> 0:39:37.000
<v Speaker 1>care of and you know, leaving safely. You know, I

0:39:37.080 --> 0:39:39.840
<v Speaker 1>just can control what I can on the stage and

0:39:39.880 --> 0:39:41.719
<v Speaker 1>then you know you have the professionals control what they

0:39:41.760 --> 0:39:43.839
<v Speaker 1>can in the crowd. You know, it's just hard because

0:39:43.880 --> 0:39:46.640
<v Speaker 1>as an artist, you know, you want to have like

0:39:46.680 --> 0:39:49.759
<v Speaker 1>the best shows and you want to have the best experiences,

0:39:49.840 --> 0:39:54.240
<v Speaker 1>and you you know, you link with professionals to handle

0:39:54.320 --> 0:39:58.680
<v Speaker 1>that side of it, you know, and you know you

0:39:58.719 --> 0:40:00.279
<v Speaker 1>want to know what's going on. I think that's what

0:40:00.320 --> 0:40:03.080
<v Speaker 1>we got to figure out, you know, and figure out

0:40:03.160 --> 0:40:06.640
<v Speaker 1>what happened there, how that happened. You know, you spoke

0:40:06.680 --> 0:40:09.600
<v Speaker 1>on the Houston Police chief. His name is that Troy Finna.

0:40:09.640 --> 0:40:12.279
<v Speaker 1>He came to you and he said he voiced concerns

0:40:12.320 --> 0:40:15.200
<v Speaker 1>over the crowd energy. So what did you on your

0:40:15.200 --> 0:40:17.799
<v Speaker 1>team like do with that information. Well, I think that's

0:40:17.800 --> 0:40:20.919
<v Speaker 1>what the media. Um, I think that's what the media said.

0:40:20.960 --> 0:40:23.480
<v Speaker 1>But I think I think it read too more so

0:40:23.640 --> 0:40:26.440
<v Speaker 1>that he wanted us to He knew that our crowd was,

0:40:26.600 --> 0:40:28.280
<v Speaker 1>you know, the type of crowd that comes it comes

0:40:28.320 --> 0:40:30.960
<v Speaker 1>to a heavy crowd. So to communicate with him if

0:40:30.960 --> 0:40:34.040
<v Speaker 1>we were doing anything outside of the week's itinerary, you know,

0:40:34.840 --> 0:40:36.520
<v Speaker 1>um that week we were doing like a lot of

0:40:36.560 --> 0:40:38.759
<v Speaker 1>charity stuff prior to the festival, so you know the

0:40:38.920 --> 0:40:41.799
<v Speaker 1>security at most of the events. But you know, he

0:40:41.840 --> 0:40:43.640
<v Speaker 1>was just letting us, you know, I guess in that statement,

0:40:43.640 --> 0:40:45.279
<v Speaker 1>he was just saying, if we do anything outside of

0:40:45.560 --> 0:40:49.359
<v Speaker 1>what we had on our itinerary, let him know. But

0:40:49.440 --> 0:40:51.640
<v Speaker 1>you know, we didn't even get to that point. You know,

0:40:51.680 --> 0:40:53.520
<v Speaker 1>it's crazy, just you know, being a kicking it with

0:40:53.560 --> 0:40:54.840
<v Speaker 1>you for a little bit, Like I can see that

0:40:55.600 --> 0:40:59.640
<v Speaker 1>you know, this is Wayne real heavy on it. Yeah. So,

0:40:59.640 --> 0:41:05.200
<v Speaker 1>so how much do you feel a sense of responsibility

0:41:05.360 --> 0:41:08.479
<v Speaker 1>for what happened at night? Well, you know, fans come

0:41:08.560 --> 0:41:10.759
<v Speaker 1>to have a come to the show and have a

0:41:10.760 --> 0:41:15.960
<v Speaker 1>good experience, you know, Um, and I have a responsibility

0:41:16.000 --> 0:41:19.640
<v Speaker 1>to figure out what happened here. I have a responsibility

0:41:19.640 --> 0:41:22.680
<v Speaker 1>to figure out the solution. And hopefully this takes the

0:41:22.760 --> 0:41:27.080
<v Speaker 1>first step into you know, us as artists, you know,

0:41:27.200 --> 0:41:29.840
<v Speaker 1>having that more insight of what's going on. You know

0:41:29.880 --> 0:41:34.120
<v Speaker 1>what I'm saying, Um, the professionals to kind of you know,

0:41:34.719 --> 0:41:37.560
<v Speaker 1>surround and figure out more of an intel, whether it's tech,

0:41:37.680 --> 0:41:39.839
<v Speaker 1>whether it's you know, more of a response, whether it's

0:41:40.080 --> 0:41:43.600
<v Speaker 1>whatever the problem is, you know, UM, to figure out

0:41:43.640 --> 0:41:46.600
<v Speaker 1>that in the future and moving forward in concert safety,

0:41:47.200 --> 0:41:49.200
<v Speaker 1>make sure it just never happened again. You know. But

0:41:49.280 --> 0:41:51.960
<v Speaker 1>let's talk about those professionals, like how much how much

0:41:51.960 --> 0:41:55.560
<v Speaker 1>responsibility do you think like Live Nation and score more.

0:41:55.640 --> 0:41:59.160
<v Speaker 1>The promoters having all of this, I mean, they do

0:41:59.239 --> 0:42:02.719
<v Speaker 1>their job of you know, setting these things up. So

0:42:02.760 --> 0:42:06.319
<v Speaker 1>I mean I think they when we dial into what

0:42:07.560 --> 0:42:09.759
<v Speaker 1>you know, specifically happen here, I feel like, you know,

0:42:10.760 --> 0:42:12.839
<v Speaker 1>even they can kind of help, you know, figure out

0:42:13.800 --> 0:42:17.640
<v Speaker 1>what happened in the sense um you know. But at

0:42:17.640 --> 0:42:19.719
<v Speaker 1>the end of the day, I think collectively everyone needs

0:42:19.760 --> 0:42:23.120
<v Speaker 1>to just figure out the bottom line solution. But you know,

0:42:23.880 --> 0:42:26.680
<v Speaker 1>especially in concert safety, you know, definitely got to have

0:42:26.920 --> 0:42:30.360
<v Speaker 1>you know, make sure that you know these things are

0:42:30.520 --> 0:42:33.200
<v Speaker 1>you know, done right. You think he's afestival are too

0:42:33.200 --> 0:42:36.239
<v Speaker 1>big man, pifty dollars people with a lot of people

0:42:36.239 --> 0:42:40.160
<v Speaker 1>for anybody to their festivals that are bigger, you know,

0:42:40.360 --> 0:42:45.920
<v Speaker 1>way bigger, And you know, I just think it's not

0:42:46.000 --> 0:42:48.799
<v Speaker 1>about the maximum of it. I think it's about the

0:42:48.800 --> 0:42:51.600
<v Speaker 1>attension to what's going on and how it's going on.

0:42:51.640 --> 0:42:54.839
<v Speaker 1>And as long as that's handle, I feel like things

0:42:54.880 --> 0:42:57.680
<v Speaker 1>can be you know, can go okay, We'll be okay,

0:42:57.719 --> 0:43:00.360
<v Speaker 1>you know. But if you look at it through the

0:43:00.400 --> 0:43:03.239
<v Speaker 1>history of festivals, you know, um, this isn't the first

0:43:03.239 --> 0:43:05.200
<v Speaker 1>time happening. It's been a long history of this, you know.

0:43:05.320 --> 0:43:08.160
<v Speaker 1>So I feel like if you look at the overall

0:43:09.320 --> 0:43:12.440
<v Speaker 1>you know, view of that, and you kind of like dolling, Okay,

0:43:12.520 --> 0:43:14.680
<v Speaker 1>what can we do better to fix this overall for

0:43:14.800 --> 0:43:17.680
<v Speaker 1>general concert safety? I think we figure out the problem,

0:43:17.760 --> 0:43:20.440
<v Speaker 1>you know, um and make it better for people to

0:43:20.480 --> 0:43:25.279
<v Speaker 1>have better live experiences. Live Nation reportedly agreed to end

0:43:25.320 --> 0:43:28.560
<v Speaker 1>the concert early after the Houston PD and the Fire

0:43:28.600 --> 0:43:31.280
<v Speaker 1>Department declared it a match casualty event, but the concert

0:43:31.320 --> 0:43:34.640
<v Speaker 1>continued for another forty minutes. Was there any ever any

0:43:34.640 --> 0:43:38.480
<v Speaker 1>communication to you on stage that you should in this? Well? Yeah,

0:43:38.600 --> 0:43:40.759
<v Speaker 1>I mean it just told me right after you know,

0:43:40.800 --> 0:43:43.040
<v Speaker 1>the guests can get off stage, you know, we're gonna

0:43:43.080 --> 0:43:44.799
<v Speaker 1>end the show, you know, and that's what we did.

0:43:45.440 --> 0:43:48.839
<v Speaker 1>No other than that, there was no other communication, you know,

0:43:49.040 --> 0:43:51.439
<v Speaker 1>so after after the guests what you mean, Yeah, after

0:43:51.440 --> 0:43:53.440
<v Speaker 1>the guests comes out, okay, we're gonna we're gonna end

0:43:53.440 --> 0:43:56.239
<v Speaker 1>the show. But it wasn't a communication on why, you know.

0:43:56.520 --> 0:43:58.439
<v Speaker 1>It was just you know, that's what came through my ears,

0:43:58.440 --> 0:44:02.760
<v Speaker 1>you know, So they didn't say stopping. Now, know. Wow,

0:44:03.320 --> 0:44:06.040
<v Speaker 1>you feel like people are forcing more responsibility on you

0:44:06.400 --> 0:44:09.880
<v Speaker 1>because you are the front man, because it was astral World.

0:44:10.320 --> 0:44:12.080
<v Speaker 1>Well yeah, I mean, you know, I'm gonna you know,

0:44:12.120 --> 0:44:15.080
<v Speaker 1>I'm the face of the festival. You know, I'm an artist,

0:44:15.200 --> 0:44:18.520
<v Speaker 1>you know. UM, so yeah, you know, the media is

0:44:19.080 --> 0:44:22.919
<v Speaker 1>you know, they yeah, they want to you know, put

0:44:22.920 --> 0:44:24.399
<v Speaker 1>it on me, and but at the end of the day,

0:44:24.400 --> 0:44:27.160
<v Speaker 1>it's like, I don't think it's more so about that.

0:44:27.239 --> 0:44:30.840
<v Speaker 1>I think it's more so about um stepping up to

0:44:30.840 --> 0:44:32.920
<v Speaker 1>figure out what the problem is. And I could take that.

0:44:33.520 --> 0:44:36.120
<v Speaker 1>I could take you know, stepping up to figure out

0:44:36.160 --> 0:44:38.320
<v Speaker 1>what the problem is. I could take stepping into figuring

0:44:38.320 --> 0:44:40.160
<v Speaker 1>out the solution that had never happened again, because that's

0:44:40.160 --> 0:44:42.880
<v Speaker 1>what I generally want to do in general, even just

0:44:42.920 --> 0:44:45.759
<v Speaker 1>for my community. You know. The whole idea for why

0:44:45.760 --> 0:44:48.880
<v Speaker 1>I brought this festival to the city was to you know,

0:44:48.960 --> 0:44:52.239
<v Speaker 1>show that Houston is something different, you know, and show

0:44:52.280 --> 0:44:54.560
<v Speaker 1>that there's all different types of lives, is all different

0:44:54.600 --> 0:44:57.799
<v Speaker 1>type of energy, and just bring that morale to the

0:44:57.840 --> 0:45:01.239
<v Speaker 1>city and just bring that energy to the city. So

0:45:02.080 --> 0:45:04.520
<v Speaker 1>I definitely want to you know, step in to figure out,

0:45:04.600 --> 0:45:06.960
<v Speaker 1>you know, how can we fix this in the future,

0:45:07.320 --> 0:45:11.600
<v Speaker 1>what can we do to you know, change these things.

0:45:11.640 --> 0:45:14.360
<v Speaker 1>You know, do you feel like you did everything you

0:45:14.440 --> 0:45:19.600
<v Speaker 1>possibly could to help in that situation? Yes, Yes, anything

0:45:19.600 --> 0:45:23.440
<v Speaker 1>I physically care for sure, yes, and it just you know,

0:45:24.560 --> 0:45:27.920
<v Speaker 1>if knowing you know what's going on, you know, you

0:45:27.960 --> 0:45:31.440
<v Speaker 1>would just wish, you know, if you you know, couldn't

0:45:31.560 --> 0:45:37.600
<v Speaker 1>something better, you know. But standing there, all right, we

0:45:37.680 --> 0:45:40.160
<v Speaker 1>got more with Travis Scott and Charlemagne there one on

0:45:40.200 --> 0:45:43.160
<v Speaker 1>one conversation, so don't move. It's to Breakfast Club, Good

0:45:43.200 --> 0:45:48.239
<v Speaker 1>morning morning. Everybody is DJ Envy Angela yee, Charlemagne the guy.

0:45:48.320 --> 0:45:51.719
<v Speaker 1>We are the Breakfast Club Now. Yesterday Charlemagne did a

0:45:51.760 --> 0:45:53.840
<v Speaker 1>one on one interview with the Travis Scott. If you

0:45:53.920 --> 0:45:56.160
<v Speaker 1>just joined us with play the first two parts. What's

0:45:56.200 --> 0:45:58.840
<v Speaker 1>your YouTube page, Charlemagne, Yeah, it'll be up on my

0:45:58.880 --> 0:46:01.719
<v Speaker 1>YouTube page shortly. My YouTube page is See the God

0:46:01.920 --> 0:46:05.520
<v Speaker 1>C T H A G O D. And so you know,

0:46:05.600 --> 0:46:08.480
<v Speaker 1>if you're already subscribe to my YouTube page, thank you.

0:46:08.760 --> 0:46:11.600
<v Speaker 1>I don't post content often, but when I do, it's

0:46:11.600 --> 0:46:14.880
<v Speaker 1>things like like this, So subscribe and it should be

0:46:14.960 --> 0:46:18.359
<v Speaker 1>up on my YouTube page shortly. All right, Well, let's

0:46:18.360 --> 0:46:20.440
<v Speaker 1>get to part three. It's the Breakfast Club Good Morning.

0:46:20.800 --> 0:46:23.480
<v Speaker 1>You know, we know that the families of the people

0:46:23.480 --> 0:46:25.799
<v Speaker 1>who passed are definitely watching this right now, and you

0:46:25.840 --> 0:46:30.040
<v Speaker 1>know there's nothing you could say to heal the trauma

0:46:30.120 --> 0:46:33.000
<v Speaker 1>these families who lost loved ones are you know, are

0:46:33.040 --> 0:46:35.360
<v Speaker 1>going through. But being that you know they're watching, what

0:46:35.360 --> 0:46:38.200
<v Speaker 1>would you what would you say to them? Directly? I'll

0:46:38.239 --> 0:46:40.920
<v Speaker 1>say to them that I'm I'm always here and that

0:46:41.280 --> 0:46:44.960
<v Speaker 1>you know I'm you know, I'm I'm in this with

0:46:45.000 --> 0:46:49.120
<v Speaker 1>you guys, and I love you, you you know, and I

0:46:49.280 --> 0:46:51.560
<v Speaker 1>always you know, be there to help you guys heal

0:46:51.640 --> 0:46:55.920
<v Speaker 1>to this. And I understand that they're going through you know,

0:46:55.960 --> 0:46:59.719
<v Speaker 1>they're grieving right now and finally understanding right now and

0:47:00.040 --> 0:47:02.920
<v Speaker 1>you know, it's not just like a right now thing.

0:47:02.960 --> 0:47:06.799
<v Speaker 1>It's for everything. UM. And these people that came to

0:47:06.840 --> 0:47:09.640
<v Speaker 1>the show, they are my family. And I've always had

0:47:09.680 --> 0:47:11.600
<v Speaker 1>that connection to the people. I feel like they listen

0:47:11.680 --> 0:47:14.360
<v Speaker 1>to the music or it came to my shows, and

0:47:14.480 --> 0:47:18.040
<v Speaker 1>that's why I really, you know, it's really hard on

0:47:18.120 --> 0:47:21.600
<v Speaker 1>me even just you know, t even like you know,

0:47:23.080 --> 0:47:28.840
<v Speaker 1>and even because you know they ended up, they they

0:47:28.880 --> 0:47:31.799
<v Speaker 1>they lost they lost their loved ones, you know, so

0:47:31.920 --> 0:47:39.520
<v Speaker 1>it you know, it's it's tough. UM. I just want

0:47:39.520 --> 0:47:42.200
<v Speaker 1>to always just be there for them and just always

0:47:42.200 --> 0:47:46.360
<v Speaker 1>just be able to just know that I'm gonna fix this.

0:47:46.440 --> 0:47:49.400
<v Speaker 1>For the future people, you know, and and fix this solution.

0:47:50.160 --> 0:47:53.520
<v Speaker 1>Um and fix this problem, I mean, you know, um,

0:47:53.560 --> 0:47:56.920
<v Speaker 1>and find a solution to making sure that this doesn't

0:47:56.920 --> 0:47:59.719
<v Speaker 1>happen in the future. UM, and definitely be a number

0:47:59.719 --> 0:48:03.200
<v Speaker 1>one of voice for this. You know. I feel like

0:48:03.200 --> 0:48:05.480
<v Speaker 1>that's like one of the what we what we got

0:48:05.480 --> 0:48:08.960
<v Speaker 1>to figure out because other than that, it's like, you know,

0:48:09.719 --> 0:48:13.399
<v Speaker 1>the show goes on tomorrow or you know, something goes

0:48:13.680 --> 0:48:15.839
<v Speaker 1>How does it? How does this get fixed? This could

0:48:15.840 --> 0:48:18.920
<v Speaker 1>happen again, just happened before. Yeah, yeah, you're you're you're

0:48:18.920 --> 0:48:21.799
<v Speaker 1>a father, you know, God forbid when your kids are

0:48:21.840 --> 0:48:24.719
<v Speaker 1>of age, if they're in a situation like this, you

0:48:24.760 --> 0:48:28.000
<v Speaker 1>know what you do put yourself in those parents shoes

0:48:28.120 --> 0:48:30.200
<v Speaker 1>right now? What would what would you want to see

0:48:30.280 --> 0:48:34.600
<v Speaker 1>come of this situation? If you I want to see

0:48:34.680 --> 0:48:37.120
<v Speaker 1>people put their heads together. I would want to see

0:48:37.200 --> 0:48:43.279
<v Speaker 1>people really figure this out, not take this lightly, you know, um,

0:48:43.640 --> 0:48:46.480
<v Speaker 1>and really act on it. And that's you know, that's

0:48:46.520 --> 0:48:49.400
<v Speaker 1>one of the main things that's important. I feel like

0:48:49.440 --> 0:48:51.480
<v Speaker 1>they gotta just act on it. It can't just be

0:48:51.680 --> 0:48:56.360
<v Speaker 1>like something that happens and it just roll over. We

0:48:56.440 --> 0:48:59.760
<v Speaker 1>got to be something that's taken serious. And address seriously

0:49:00.400 --> 0:49:03.960
<v Speaker 1>and things formed around it. Time and a lot of

0:49:04.320 --> 0:49:06.680
<v Speaker 1>a lot of time and a lot of you know,

0:49:07.440 --> 0:49:10.120
<v Speaker 1>thinking power is spent on this, you know, and really

0:49:10.239 --> 0:49:14.040
<v Speaker 1>fixing you know, whatever system it just needs to be fixed,

0:49:14.080 --> 0:49:17.200
<v Speaker 1>you know, from the lawsuits to the media coverage to

0:49:17.320 --> 0:49:21.440
<v Speaker 1>do Do you feel like you're personally under attack? I mean,

0:49:23.080 --> 0:49:24.680
<v Speaker 1>I mean yeah, I mean you see a name in

0:49:24.719 --> 0:49:30.719
<v Speaker 1>it and it and it's like but you know, at

0:49:30.760 --> 0:49:32.560
<v Speaker 1>the end of the day, you step in these you know,

0:49:33.040 --> 0:49:35.400
<v Speaker 1>you step you want to do a festival, and you

0:49:35.480 --> 0:49:37.799
<v Speaker 1>know when we want to do things and you want

0:49:37.840 --> 0:49:40.279
<v Speaker 1>to build up. You know, it comes with certain things, right,

0:49:40.400 --> 0:49:43.279
<v Speaker 1>So I think it's all about how you respond to it.

0:49:43.320 --> 0:49:45.080
<v Speaker 1>And I think it's all about how you react, right

0:49:45.160 --> 0:49:48.759
<v Speaker 1>So I could feel that way, but I think more

0:49:48.880 --> 0:49:52.080
<v Speaker 1>so about it's more about how I feel about the

0:49:52.120 --> 0:49:54.880
<v Speaker 1>response that I that I that I'm that I care

0:49:54.880 --> 0:49:59.440
<v Speaker 1>about more so, which is you know, actually, you know,

0:49:59.600 --> 0:50:02.160
<v Speaker 1>trying to step in and you know, really step up

0:50:02.640 --> 0:50:07.520
<v Speaker 1>to really fixing what's happening and and really step up

0:50:07.560 --> 0:50:10.000
<v Speaker 1>for the safety or concert cours or people in just

0:50:10.280 --> 0:50:15.320
<v Speaker 1>live spaces period. I wonder, I wonder is there a

0:50:15.440 --> 0:50:18.080
<v Speaker 1>way to even prepare for this because nobody, like you said,

0:50:18.120 --> 0:50:19.759
<v Speaker 1>when you're doing the planning for a show like this,

0:50:19.920 --> 0:50:22.640
<v Speaker 1>nobody is planning for this to happen. So how do

0:50:22.719 --> 0:50:24.960
<v Speaker 1>you how do you even prepare for something like this

0:50:25.040 --> 0:50:28.960
<v Speaker 1>step I don't know. And I feel like when we

0:50:29.080 --> 0:50:32.200
<v Speaker 1>get I feel like, when it comes out a little

0:50:32.200 --> 0:50:34.080
<v Speaker 1>bit more how this could have happened. I feel like

0:50:34.560 --> 0:50:38.399
<v Speaker 1>that's how we can kind of attack that. But even

0:50:38.440 --> 0:50:40.600
<v Speaker 1>I was thinking in ways like tech solutions. You know,

0:50:40.960 --> 0:50:44.680
<v Speaker 1>people come into these festivals with these bands that only

0:50:44.760 --> 0:50:48.200
<v Speaker 1>scan you in right, you have you know, we have

0:50:48.360 --> 0:50:50.399
<v Speaker 1>all type of tech now that can track your heart

0:50:51.360 --> 0:50:55.320
<v Speaker 1>contract your you know, oxygen levels, contracting, the sick. You

0:50:55.400 --> 0:50:57.600
<v Speaker 1>can put things now if you're gonna be you know,

0:50:57.680 --> 0:51:00.320
<v Speaker 1>get lost. It's all type of ways now, like that

0:51:00.440 --> 0:51:03.080
<v Speaker 1>can be the band that only gets you access to

0:51:03.360 --> 0:51:05.560
<v Speaker 1>entry or to the food line or two food trucks

0:51:06.000 --> 0:51:08.960
<v Speaker 1>can now be solvable to helping save lives, you know,

0:51:09.840 --> 0:51:11.840
<v Speaker 1>can now be more of a response to people that

0:51:11.960 --> 0:51:15.719
<v Speaker 1>are now on site and on ground. Um, I feel

0:51:15.719 --> 0:51:17.959
<v Speaker 1>like that could be a way, or you know, even

0:51:18.040 --> 0:51:22.319
<v Speaker 1>just figuring out what the exact solution, what the exact

0:51:22.400 --> 0:51:26.680
<v Speaker 1>problem of it was, and dialing more into that. I

0:51:26.760 --> 0:51:28.360
<v Speaker 1>think you can kind of. I feel like there is

0:51:28.400 --> 0:51:31.759
<v Speaker 1>a way. I just think it needs to be time

0:51:31.840 --> 0:51:34.880
<v Speaker 1>spent on figuring that figuring that out. Have you been

0:51:34.920 --> 0:51:37.840
<v Speaker 1>able to have any personal conversations with any of the

0:51:37.880 --> 0:51:41.239
<v Speaker 1>families who lost levels? I was able to, Um, But

0:51:41.640 --> 0:51:43.279
<v Speaker 1>you know, I just want to just respect that, you know,

0:51:43.360 --> 0:51:47.440
<v Speaker 1>the privacy of the conversation. And I'm thankful for them

0:51:47.600 --> 0:51:50.560
<v Speaker 1>for even allowing me to have the conversation. Yeah, how

0:51:50.880 --> 0:51:53.520
<v Speaker 1>did you feel when some of the families rejected your

0:51:53.560 --> 0:51:56.920
<v Speaker 1>offer to pay for the funerals? All things are understandable,

0:51:57.320 --> 0:51:59.919
<v Speaker 1>and you know, at the time, they're grieving and they're

0:52:00.160 --> 0:52:03.440
<v Speaker 1>trying to find understanding, and you know, they want answers,

0:52:04.040 --> 0:52:07.399
<v Speaker 1>and it's not about it's not about that, you know. UM,

0:52:07.640 --> 0:52:10.239
<v Speaker 1>I'm always gonna be here, you know, to want to

0:52:10.320 --> 0:52:12.680
<v Speaker 1>help them, you know what I'm saying, And and it's

0:52:12.760 --> 0:52:15.839
<v Speaker 1>it's not gonna you know, I gotta continue to show

0:52:15.880 --> 0:52:17.920
<v Speaker 1>up for that, you know. UM, I just wanted to

0:52:17.960 --> 0:52:21.000
<v Speaker 1>make sure that they knew that I was there for them,

0:52:21.120 --> 0:52:22.359
<v Speaker 1>you know what I mean, and continue to be there

0:52:22.400 --> 0:52:25.400
<v Speaker 1>for them. UM. I think that's just more so what

0:52:25.520 --> 0:52:30.319
<v Speaker 1>it's about for that Um yeah, some people say, um,

0:52:31.280 --> 0:52:33.360
<v Speaker 1>your your your music played a role in this, Like

0:52:33.440 --> 0:52:36.320
<v Speaker 1>I've seen them, you know, cite lyrics, you know that

0:52:36.520 --> 0:52:38.600
<v Speaker 1>encouraged just kind of behavior. I've seen him say your

0:52:38.680 --> 0:52:42.920
<v Speaker 1>music is demonic and this was a satanic ritual. You

0:52:43.840 --> 0:52:46.920
<v Speaker 1>think your music is to blame? I mean no, I'm

0:52:47.120 --> 0:52:49.560
<v Speaker 1>I mean why, I'm a man of God. So that's

0:52:49.600 --> 0:52:53.040
<v Speaker 1>the first thing first, and um, you know, so it's

0:52:53.080 --> 0:52:58.440
<v Speaker 1>just yeah, that's that. And you know your music is

0:52:58.480 --> 0:53:01.839
<v Speaker 1>just like self expression, you know I'm saying. And at

0:53:01.880 --> 0:53:04.319
<v Speaker 1>these shows, I feel like people kind of like look

0:53:04.400 --> 0:53:06.799
<v Speaker 1>at things. And if you've been the Travis Show, it's

0:53:07.680 --> 0:53:10.239
<v Speaker 1>it's been different layers of shows. You know. I think

0:53:10.280 --> 0:53:13.920
<v Speaker 1>people are just you know, misconceptions and taking these seeing

0:53:14.000 --> 0:53:17.160
<v Speaker 1>and you know all type of things. You know. Um,

0:53:18.040 --> 0:53:21.239
<v Speaker 1>and I've I've I've took pride in trying to you know,

0:53:21.880 --> 0:53:24.439
<v Speaker 1>grow from where I was when I first recorded music

0:53:24.520 --> 0:53:28.319
<v Speaker 1>to now where I'm going in music. Um So yeah,

0:53:28.400 --> 0:53:31.040
<v Speaker 1>I just think people gotta and and that's one thing

0:53:31.120 --> 0:53:34.080
<v Speaker 1>with me is just people gotta kind of you know,

0:53:34.239 --> 0:53:36.520
<v Speaker 1>experience it sometimes. And I think that's what it was.

0:53:36.680 --> 0:53:38.879
<v Speaker 1>You know, people were kind of like even before people

0:53:38.920 --> 0:53:41.279
<v Speaker 1>were hearing about it, they come and experience it and

0:53:41.400 --> 0:53:44.080
<v Speaker 1>taking away their own thing. And it's always going to

0:53:44.120 --> 0:53:47.719
<v Speaker 1>be an outside opinion. But you know, for the ones

0:53:47.760 --> 0:53:49.880
<v Speaker 1>that you know really believe in me and you know

0:53:50.040 --> 0:53:52.640
<v Speaker 1>understand what. You know, what I'm about and what I'm doing. No,

0:53:52.800 --> 0:53:55.440
<v Speaker 1>that's not That's not what I'm you know, preaching. I

0:53:55.520 --> 0:53:58.640
<v Speaker 1>always preach like love, always preach you understanding. I always preach,

0:53:58.680 --> 0:54:01.839
<v Speaker 1>you know, take care of your loved ones. Love each other.

0:54:02.080 --> 0:54:04.040
<v Speaker 1>You know what I'm saying, Get out your ideas, never

0:54:04.160 --> 0:54:07.319
<v Speaker 1>let never let yourselves be stop, you know, love one

0:54:07.360 --> 0:54:11.600
<v Speaker 1>another and step into that, you know. I mean, I

0:54:11.640 --> 0:54:13.600
<v Speaker 1>think that's a part of it. But the music does

0:54:13.760 --> 0:54:17.279
<v Speaker 1>encourage people to be violent at these shows. I mean,

0:54:17.600 --> 0:54:19.520
<v Speaker 1>I mean that's what the rage is about. I mean,

0:54:20.760 --> 0:54:24.080
<v Speaker 1>most of the music is its me sometimes talking about

0:54:24.120 --> 0:54:26.480
<v Speaker 1>what I see at the shows, you know what I mean.

0:54:27.360 --> 0:54:29.040
<v Speaker 1>If I'm talking about the shows, you know, and so

0:54:29.160 --> 0:54:32.279
<v Speaker 1>it's just that's just you know, the energy, you know

0:54:32.280 --> 0:54:35.720
<v Speaker 1>what I'm saying. But the energy isn't to come and start,

0:54:36.480 --> 0:54:39.680
<v Speaker 1>you know, being ultra violent and just being violent and

0:54:39.840 --> 0:54:42.000
<v Speaker 1>hurting each other. That's not That's not what it's about,

0:54:42.160 --> 0:54:44.719
<v Speaker 1>all right, that's part three of the conversation and one

0:54:44.760 --> 0:54:47.560
<v Speaker 1>on one conversation with Charlemagne and Travis Scott and I

0:54:47.600 --> 0:54:49.920
<v Speaker 1>don't move. We got more coming up. I usually we

0:54:50.080 --> 0:54:53.040
<v Speaker 1>do rumors, but this is, uh, this is more important

0:54:53.200 --> 0:54:57.360
<v Speaker 1>this morning, so don't move. It's the Breakfast clubal morning parting.

0:54:57.440 --> 0:55:01.560
<v Speaker 1>Everybody is DJ Envy and Charlemagne the guy. We are

0:55:01.640 --> 0:55:04.399
<v Speaker 1>the Breakfast Club. Now if he's just joining us, where

0:55:05.320 --> 0:55:08.920
<v Speaker 1>playing back Charlomagne's one on one conversation with Travis Scott. Yeah,

0:55:09.000 --> 0:55:11.200
<v Speaker 1>we sat. I sat down with Travis Scott to you know,

0:55:11.280 --> 0:55:13.759
<v Speaker 1>discuss the tragedy that happened on November fifth at after

0:55:13.840 --> 0:55:17.200
<v Speaker 1>World in Houston, Texas. You know, clearly not the easy conversation,

0:55:17.480 --> 0:55:19.520
<v Speaker 1>and you know he wants to discuss how he can

0:55:19.920 --> 0:55:22.720
<v Speaker 1>help make sure this never happens again, which he doesn't

0:55:22.719 --> 0:55:26.719
<v Speaker 1>even know what that looks like yet. But here's the conversation, right,

0:55:26.800 --> 0:55:29.040
<v Speaker 1>and we'll take some calls after this. Eight hundred five

0:55:29.120 --> 0:55:31.239
<v Speaker 1>eight five one five one. It's the Breakfast Club. His

0:55:31.360 --> 0:55:33.440
<v Speaker 1>part four, you said you're a man of God. And

0:55:33.440 --> 0:55:34.960
<v Speaker 1>when I even said that, you know they say your

0:55:35.040 --> 0:55:36.960
<v Speaker 1>music in Satanic. I saw the face that you made.

0:55:36.960 --> 0:55:38.439
<v Speaker 1>What do you what do you think that even comes

0:55:38.480 --> 0:55:41.040
<v Speaker 1>from Travis Scott is Satan and Travis scottis. I just

0:55:41.160 --> 0:55:43.600
<v Speaker 1>think it's just things people collect. You know, people look

0:55:43.600 --> 0:55:45.400
<v Speaker 1>at the Internet and they just collect and they look

0:55:45.440 --> 0:55:47.080
<v Speaker 1>at things, and they look at visuals, and you know,

0:55:47.200 --> 0:55:50.040
<v Speaker 1>we have all these theorists and people just thinking they're

0:55:50.040 --> 0:55:52.800
<v Speaker 1>looking at visuals don't understand you know, just the idea

0:55:52.800 --> 0:55:55.239
<v Speaker 1>of like what art maybe, or what what you're trying

0:55:55.280 --> 0:55:57.400
<v Speaker 1>to do. You know, they're just making up your own message,

0:55:57.520 --> 0:55:59.560
<v Speaker 1>especially when you're not out there like yelling the message

0:55:59.560 --> 0:56:03.960
<v Speaker 1>all the time. You know, it's just yeah, and when

0:56:04.000 --> 0:56:06.960
<v Speaker 1>they say this is a community event after a world Yeah,

0:56:07.120 --> 0:56:09.719
<v Speaker 1>so they say a community event is a Satanic ritual?

0:56:09.800 --> 0:56:12.240
<v Speaker 1>How does that? Yeah, It's like it's it's it's crazy

0:56:12.320 --> 0:56:14.399
<v Speaker 1>because you know, it's like I do this for people

0:56:14.400 --> 0:56:15.959
<v Speaker 1>to have a good time. You know, we have rides,

0:56:16.040 --> 0:56:18.440
<v Speaker 1>we have games. You know, it's things for people to

0:56:18.480 --> 0:56:21.719
<v Speaker 1>get off, creative experiences. It's not you know, the show

0:56:21.840 --> 0:56:23.279
<v Speaker 1>is at the end of the day. You know, it's

0:56:23.360 --> 0:56:25.720
<v Speaker 1>like you know and that show is just something based

0:56:25.760 --> 0:56:28.840
<v Speaker 1>on on what's you know, just the's things. You know,

0:56:28.920 --> 0:56:31.560
<v Speaker 1>It's not like what like why would we wake up

0:56:31.600 --> 0:56:33.520
<v Speaker 1>one day and just trying to It's just that's just evil.

0:56:33.560 --> 0:56:35.440
<v Speaker 1>It's not what we are part of. Not trying to

0:56:35.440 --> 0:56:36.400
<v Speaker 1>be a part of that. We're trying to be a

0:56:36.440 --> 0:56:38.160
<v Speaker 1>part of joy, trying to be a part of light,

0:56:38.200 --> 0:56:40.839
<v Speaker 1>and trying to be a part of full blown happiness, love,

0:56:41.080 --> 0:56:44.600
<v Speaker 1>you know, understanding people taking care of each other, you know, community,

0:56:44.680 --> 0:56:46.880
<v Speaker 1>people to leave from these experiences and want to go

0:56:47.000 --> 0:56:50.480
<v Speaker 1>out and do good. It's literally what we want, you know,

0:56:50.600 --> 0:56:53.040
<v Speaker 1>we want to show them these things. You know, we

0:56:53.160 --> 0:56:55.080
<v Speaker 1>put everything into it. You know, this is you know,

0:56:55.440 --> 0:56:57.320
<v Speaker 1>this festival. You know, this is our third year, you know,

0:56:57.400 --> 0:56:59.920
<v Speaker 1>so we try to put you know, we every year

0:57:00.200 --> 0:57:02.920
<v Speaker 1>we put everything into the festival so people can enjoy it.

0:57:03.160 --> 0:57:06.840
<v Speaker 1>You know. It's not about even just come perform that

0:57:07.040 --> 0:57:08.800
<v Speaker 1>not that, you know, it's things for them to do

0:57:08.920 --> 0:57:12.400
<v Speaker 1>all day and different artists for them to experience too.

0:57:13.440 --> 0:57:17.160
<v Speaker 1>Have the trauma of just tragedy impacted your desire to

0:57:17.320 --> 0:57:23.040
<v Speaker 1>perform in the future. I've always seen performances of art

0:57:23.080 --> 0:57:25.640
<v Speaker 1>of healing for me. That's why I've always been so

0:57:25.800 --> 0:57:28.200
<v Speaker 1>into it. You know, I don't know if you like,

0:57:28.800 --> 0:57:31.000
<v Speaker 1>you know, looked at like some of the growth from

0:57:31.040 --> 0:57:33.160
<v Speaker 1>where I'm trying to take performance. I've I've always tried that.

0:57:33.200 --> 0:57:34.680
<v Speaker 1>I feel like it's the art of healing. I feel

0:57:34.680 --> 0:57:38.040
<v Speaker 1>like it's a moment where people have a mutual understanding,

0:57:38.880 --> 0:57:41.640
<v Speaker 1>you know. And I feel like the first things first

0:57:42.560 --> 0:57:45.880
<v Speaker 1>before anything is that we address you know, a lot

0:57:45.920 --> 0:57:48.280
<v Speaker 1>of safety concerns. I think the first things first is

0:57:48.320 --> 0:57:52.000
<v Speaker 1>that because not even just for me, you don't want

0:57:52.040 --> 0:57:55.520
<v Speaker 1>other you know, artists to have to go and take

0:57:55.560 --> 0:57:57.040
<v Speaker 1>a part of that trauma, to take a part of

0:57:57.120 --> 0:58:00.160
<v Speaker 1>that experience, take a part of that, you know, over

0:58:00.240 --> 0:58:02.240
<v Speaker 1>that fear. You don't want console girls to still be

0:58:02.280 --> 0:58:03.600
<v Speaker 1>a part of that fear. They want you want, you

0:58:03.640 --> 0:58:05.760
<v Speaker 1>want them to feel safe, you know what I'm saying.

0:58:05.800 --> 0:58:07.680
<v Speaker 1>So I think that's just the first things first. And

0:58:07.880 --> 0:58:11.920
<v Speaker 1>I think once we take major steps into moving in

0:58:12.040 --> 0:58:14.040
<v Speaker 1>that direction, you know, I feel like, you know, it

0:58:14.120 --> 0:58:18.040
<v Speaker 1>could be cool to for people to practice that healing again,

0:58:18.240 --> 0:58:21.240
<v Speaker 1>you know, and understand that. I don't think people should

0:58:21.320 --> 0:58:23.400
<v Speaker 1>run away from it and shy away from it. I think,

0:58:23.960 --> 0:58:25.959
<v Speaker 1>you know, it's it's a it's a form of healing,

0:58:26.080 --> 0:58:29.000
<v Speaker 1>you know. You know, no matter what you do at

0:58:29.280 --> 0:58:31.560
<v Speaker 1>any of your shows in the future, regardless of how

0:58:31.640 --> 0:58:34.440
<v Speaker 1>much security, how much safety you put in place, you

0:58:34.480 --> 0:58:38.560
<v Speaker 1>cannot control human behavior. Yeah. Yeah, you can't control forty

0:58:38.640 --> 0:58:42.240
<v Speaker 1>fifty thousand people doing whatever they do. Is that's scary?

0:58:43.400 --> 0:58:46.000
<v Speaker 1>I mean yeah, but you know you also put trust

0:58:46.040 --> 0:58:47.960
<v Speaker 1>in the fans too to you know, just have a

0:58:48.000 --> 0:58:51.080
<v Speaker 1>good time. You know, you just reinstill that, and you

0:58:51.160 --> 0:58:53.919
<v Speaker 1>know you continue to practice, you know, when you're on stage,

0:58:54.000 --> 0:58:57.080
<v Speaker 1>should just remind them, you know, um, and even when

0:58:57.120 --> 0:58:59.720
<v Speaker 1>they're there, to just constantly have messages to remind them like, yo,

0:58:59.800 --> 0:59:01.960
<v Speaker 1>look if here to have a good time, we're not here.

0:59:02.040 --> 0:59:05.560
<v Speaker 1>If you see somebody you know help another you know, um.

0:59:05.760 --> 0:59:08.680
<v Speaker 1>I think it's just continue to reinstill that message. I

0:59:08.800 --> 0:59:13.200
<v Speaker 1>think helped that mindset if Yeah, so after a world

0:59:13.280 --> 0:59:15.080
<v Speaker 1>was one of you know, several ways you gave back

0:59:15.120 --> 0:59:17.760
<v Speaker 1>to Houston, do you think you've you know, lost that

0:59:17.880 --> 0:59:21.200
<v Speaker 1>privilege to do that. To be honest, I haven't really

0:59:21.280 --> 0:59:23.040
<v Speaker 1>like thought about that because I've just been thinking about

0:59:23.160 --> 0:59:27.000
<v Speaker 1>just community healing and you know, the family's healing and

0:59:28.120 --> 0:59:30.120
<v Speaker 1>you know, all those things kind of building back up.

0:59:30.640 --> 0:59:35.240
<v Speaker 1>Um that that could take forever. Though, you know, I

0:59:35.240 --> 0:59:37.600
<v Speaker 1>don't know if you ever truly heal yeah, from these

0:59:37.640 --> 0:59:41.680
<v Speaker 1>type of situations and you know, but you know, through

0:59:41.760 --> 0:59:44.320
<v Speaker 1>these things, you know, like I say, music is part

0:59:44.360 --> 0:59:48.080
<v Speaker 1>of healing. And at the end of the day, um,

0:59:49.160 --> 0:59:51.880
<v Speaker 1>I don't I just don't, you know, the Travis Scott

0:59:52.040 --> 0:59:56.120
<v Speaker 1>show or you know, an asture or show you know,

0:59:57.160 --> 0:59:59.360
<v Speaker 1>wasn't the bottom line fact that what happened here, you know?

1:00:00.080 --> 1:00:01.520
<v Speaker 1>And I think we just got to figure out what

1:00:01.680 --> 1:00:05.160
<v Speaker 1>that was, what happened. But you know, having a Travis

1:00:05.200 --> 1:00:08.840
<v Speaker 1>Scott show and we've done shows you know, all over

1:00:09.040 --> 1:00:12.600
<v Speaker 1>that wasn't the you know, what happened here? You know,

1:00:12.800 --> 1:00:14.920
<v Speaker 1>something that happened here, you know, And that's why I

1:00:14.960 --> 1:00:17.520
<v Speaker 1>want to fix it, because it can happen anywhere, you

1:00:17.560 --> 1:00:21.160
<v Speaker 1>know what I'm saying. And I think once we get

1:00:21.240 --> 1:00:23.960
<v Speaker 1>further along in that, I think, you know, you know,

1:00:24.000 --> 1:00:26.040
<v Speaker 1>it'd be more a little bit more receptive. I feel,

1:00:26.560 --> 1:00:28.680
<v Speaker 1>did they make you feel judged? When you see videos,

1:00:29.280 --> 1:00:31.800
<v Speaker 1>you know, circulating the other artists stopping their shows like

1:00:31.880 --> 1:00:34.920
<v Speaker 1>to check on fans since since after World because almost

1:00:34.960 --> 1:00:38.160
<v Speaker 1>like the insinuation from other artists that like, you didn't

1:00:38.160 --> 1:00:40.680
<v Speaker 1>do enough, So we don't want to be like driving

1:00:41.040 --> 1:00:43.880
<v Speaker 1>I'll take it as you know, they're just taking extra precautions,

1:00:44.440 --> 1:00:47.120
<v Speaker 1>you know, because it might not have been something that

1:00:48.400 --> 1:00:51.600
<v Speaker 1>you know, let's running through their mind at time before,

1:00:52.320 --> 1:00:56.600
<v Speaker 1>and they're just taking extra precautions to you know, make

1:00:56.640 --> 1:01:00.520
<v Speaker 1>sure they don't run through the same same problems. And

1:01:00.640 --> 1:01:02.960
<v Speaker 1>I could commend them for that. You know. I've always

1:01:03.000 --> 1:01:05.800
<v Speaker 1>done the same thing, you know, in my prior shows

1:01:05.880 --> 1:01:08.320
<v Speaker 1>and at their shows, So you know, I feel them,

1:01:08.400 --> 1:01:10.280
<v Speaker 1>you know. I just think it's been a little bit

1:01:10.360 --> 1:01:14.160
<v Speaker 1>more people are more capturing it now, like because of

1:01:14.240 --> 1:01:16.400
<v Speaker 1>what's going on. I think that's just how the media works.

1:01:17.040 --> 1:01:20.360
<v Speaker 1>If the families are the victims, never forgive you. Will

1:01:20.400 --> 1:01:22.960
<v Speaker 1>you ever be able to forgive yourself? Can you live

1:01:23.040 --> 1:01:30.120
<v Speaker 1>with that? No? It's tough, you know, it's real tough,

1:01:31.160 --> 1:01:34.720
<v Speaker 1>m because I want them to really know that my

1:01:34.840 --> 1:01:38.360
<v Speaker 1>intentions wasn't you know, it wasn't the harm their family

1:01:38.400 --> 1:01:39.640
<v Speaker 1>at all. It's for them to come and have a

1:01:39.680 --> 1:01:43.320
<v Speaker 1>good experience. Um. I've always feel like I have a

1:01:43.360 --> 1:01:47.000
<v Speaker 1>connection with my fans, you know, through the music. I

1:01:47.080 --> 1:01:48.600
<v Speaker 1>feel like when they come to see me, and it's

1:01:48.640 --> 1:01:51.160
<v Speaker 1>not just like oh they're coming, they're coming in, it's

1:01:51.160 --> 1:01:54.919
<v Speaker 1>like a connection. Um. And you know, sometimes not knowing

1:01:55.160 --> 1:01:58.080
<v Speaker 1>you know, people not understanding like artists and where we

1:01:58.160 --> 1:02:01.480
<v Speaker 1>come from that it could be the connect and you know,

1:02:01.560 --> 1:02:03.720
<v Speaker 1>I would love to you know, instead of understanding and

1:02:03.920 --> 1:02:05.920
<v Speaker 1>you know, for them to truly know my heart's from.

1:02:06.080 --> 1:02:08.400
<v Speaker 1>You know, it didn't come for them for me to

1:02:08.520 --> 1:02:12.040
<v Speaker 1>horror and it wasn't about a show to keep you

1:02:12.120 --> 1:02:14.360
<v Speaker 1>know at all. You know, it's a you know, it's

1:02:14.360 --> 1:02:16.840
<v Speaker 1>about for them to have you know, one of the

1:02:17.000 --> 1:02:19.320
<v Speaker 1>you know, a very good time and it's just traged

1:02:19.400 --> 1:02:22.400
<v Speaker 1>that it didn't turn out that way. You know. So

1:02:22.480 --> 1:02:24.760
<v Speaker 1>I guess my final question, man, who do who? Who does?

1:02:25.040 --> 1:02:28.080
<v Speaker 1>Who does Travis Scott? Ultimately, I guess think it is

1:02:28.120 --> 1:02:37.720
<v Speaker 1>responsible for this tragedy. You know, something tragic happening here. Well,

1:02:37.800 --> 1:02:40.320
<v Speaker 1>what I've just been trying to, you know, get to

1:02:40.400 --> 1:02:43.200
<v Speaker 1>the bottom of it is just what happened here, how

1:02:43.280 --> 1:02:45.760
<v Speaker 1>it happened here? And you know, I think the families

1:02:45.760 --> 1:02:48.440
<v Speaker 1>are old, you know that I feel like, you know,

1:02:48.640 --> 1:02:51.320
<v Speaker 1>the community is old that I feel like we're old

1:02:51.360 --> 1:02:53.600
<v Speaker 1>that to just know what happened here. I don't want

1:02:53.600 --> 1:02:55.240
<v Speaker 1>to just speak too soon. I just want to figure

1:02:55.240 --> 1:02:57.800
<v Speaker 1>out what, you know, what happened. You know, you know

1:02:57.840 --> 1:03:00.560
<v Speaker 1>they're going to pick this interview apart, So anything you

1:03:00.640 --> 1:03:04.000
<v Speaker 1>want to say to your fans, to the family of

1:03:04.080 --> 1:03:06.760
<v Speaker 1>people who lost loved ones, you know, before we get

1:03:06.800 --> 1:03:08.520
<v Speaker 1>out of here. I mean, I just want to I

1:03:08.600 --> 1:03:11.960
<v Speaker 1>want everyone and can just continue praying for the fans, Um.

1:03:12.080 --> 1:03:14.040
<v Speaker 1>I want to continue. I want people to continue praying

1:03:14.120 --> 1:03:16.680
<v Speaker 1>for the ones, the fans I was lost, you know.

1:03:16.760 --> 1:03:20.080
<v Speaker 1>I want people to continue praying for the families. I

1:03:20.200 --> 1:03:23.200
<v Speaker 1>want people to continue just reaching out for healing. I

1:03:23.320 --> 1:03:26.320
<v Speaker 1>think the more we try to, you know, continue to

1:03:26.400 --> 1:03:29.040
<v Speaker 1>let people grieve and continue to be there for people

1:03:29.240 --> 1:03:33.000
<v Speaker 1>and you know, checking more people and you know, checking

1:03:33.040 --> 1:03:36.120
<v Speaker 1>on your loved ones and just you know that, you know,

1:03:36.160 --> 1:03:38.160
<v Speaker 1>I think that's just like one of the most important things.

1:03:38.560 --> 1:03:42.120
<v Speaker 1>You know, UM, stand strong through this while we you know,

1:03:42.920 --> 1:03:45.720
<v Speaker 1>figure out what's going on, you know, and and bring

1:03:45.880 --> 1:03:48.720
<v Speaker 1>understanding to these families and to the communities. That's what

1:03:48.720 --> 1:03:51.120
<v Speaker 1>we're gonna do. We're gonna send healing energy to everybody involved,

1:03:51.320 --> 1:03:55.120
<v Speaker 1>the families, you know, those who were lost, yourself, because

1:03:55.480 --> 1:03:58.920
<v Speaker 1>nobody wants tragedies like just appe not at all, So

1:03:59.080 --> 1:04:00.800
<v Speaker 1>preventing the moving for it is the only thing we

1:04:00.880 --> 1:04:07.120
<v Speaker 1>can do. Appreciate you brother, Yes, sir, absolutely wait wait,

1:04:07.640 --> 1:04:12.240
<v Speaker 1>wake up, wait, you're checking out the breakfast club? Hey,

1:04:12.320 --> 1:04:15.560
<v Speaker 1>what up? Y'all's dj envy here? It's all fun in games.

1:04:15.600 --> 1:04:19.080
<v Speaker 1>To someone screenshot your message, say goodbye to morning after

1:04:19.200 --> 1:04:22.560
<v Speaker 1>guilt with that chat. This new encrypted social platform can

1:04:22.680 --> 1:04:26.720
<v Speaker 1>help you stay truly private. No screenshots, recordings, or leak messages.

1:04:27.120 --> 1:04:29.680
<v Speaker 1>Get that chat for iPhone and Android at the app

1:04:29.760 --> 1:04:33.120
<v Speaker 1>store or find it at dat chat dot com. Forward

1:04:33.200 --> 1:04:38.600
<v Speaker 1>slash Envy, don't get a game to eyes you get

1:04:38.800 --> 1:04:48.880
<v Speaker 1>done you are or donk it's time. I'm gonna fatten

1:04:48.920 --> 1:04:52.320
<v Speaker 1>all that around your eye. This man to dogon blowers

1:04:52.360 --> 1:04:56.080
<v Speaker 1>many wait for Charmaine had to make a judgment of

1:04:56.240 --> 1:04:57.920
<v Speaker 1>who was going to be on the donkey of the day.

1:04:58.240 --> 1:05:04.000
<v Speaker 1>They chose you this club, bitch, Yeah day what Darcy

1:05:04.120 --> 1:05:07.520
<v Speaker 1>to Dave goes to me? Okay? Leonardo mclvy ak Charlomagne

1:05:07.520 --> 1:05:08.920
<v Speaker 1>to God, I'm gonna tell you why now I'm a good,

1:05:09.000 --> 1:05:11.120
<v Speaker 1>god fearing man with a criminal mind state okay. Grew

1:05:11.200 --> 1:05:13.040
<v Speaker 1>up on a dirt road in Monkst Corner, South Carolina.

1:05:13.240 --> 1:05:15.520
<v Speaker 1>Mom was a Jehovah witness English teacher. My father was

1:05:15.520 --> 1:05:18.920
<v Speaker 1>an entrepreneurgro did everything from owning a fish market, the construction,

1:05:19.080 --> 1:05:21.200
<v Speaker 1>the selling narcotics. It is what it is, It was

1:05:21.280 --> 1:05:23.160
<v Speaker 1>what it was. My mother kept a book in my face.

1:05:23.240 --> 1:05:25.440
<v Speaker 1>I read everything from my book of Bible stories to

1:05:25.560 --> 1:05:28.680
<v Speaker 1>all you there, God, it's me Margaret. Side note, Judy

1:05:28.720 --> 1:05:31.600
<v Speaker 1>Bloom sent me and my oldest daughter an autograph copy

1:05:31.680 --> 1:05:33.720
<v Speaker 1>of all You their God, It's me. Margaret dropped on

1:05:33.760 --> 1:05:36.200
<v Speaker 1>the clues bonds for Judy Bloom. Bro. You can't shout

1:05:36.280 --> 1:05:40.360
<v Speaker 1>that out with a mask, yo, side okay. She signed

1:05:40.360 --> 1:05:43.360
<v Speaker 1>it to Charlemagne and in parenthesis Lenard, love you from

1:05:43.360 --> 1:05:46.520
<v Speaker 1>your fan, Judy Bloom. Thank you, Judy. Also side note

1:05:46.560 --> 1:05:50.240
<v Speaker 1>to a side note, I ordered some penis enlargement pills

1:05:50.240 --> 1:05:52.760
<v Speaker 1>and I've been taking them, and I've been chanting, I must,

1:05:52.840 --> 1:05:55.160
<v Speaker 1>I must, I must increase my thrust. I explained it

1:05:55.200 --> 1:05:57.440
<v Speaker 1>on this week's Bring Idiot's podcast. Go listen. Now, what's

1:05:57.520 --> 1:05:59.520
<v Speaker 1>my point here? My point here is that I come

1:05:59.640 --> 1:06:02.600
<v Speaker 1>from the dirt all right, South Carolina, eight foot three

1:06:02.640 --> 1:06:04.560
<v Speaker 1>all day. That is always in me. Therefore I would

1:06:04.560 --> 1:06:07.200
<v Speaker 1>always love the ratchetness of life, even at forty two

1:06:07.280 --> 1:06:10.080
<v Speaker 1>years old, married with three kids and a receding headline.

1:06:10.240 --> 1:06:13.160
<v Speaker 1>I love ratchetness. I still do hood rat things with

1:06:13.240 --> 1:06:15.440
<v Speaker 1>my friends. We just do it at our houses are

1:06:15.520 --> 1:06:17.480
<v Speaker 1>on vacation when the kids go to sleep. But the

1:06:17.520 --> 1:06:20.000
<v Speaker 1>reason I'm giving myself donkey of to day is because

1:06:20.040 --> 1:06:24.120
<v Speaker 1>this morning, when I was here by myself, I was

1:06:24.200 --> 1:06:28.320
<v Speaker 1>talking about the domestic terrorists that you know hit the capitol,

1:06:28.400 --> 1:06:30.160
<v Speaker 1>you know, Vanilla isis And I was still on a

1:06:30.360 --> 1:06:34.560
<v Speaker 1>high after listening to all these good country wrap tunes

1:06:34.680 --> 1:06:37.960
<v Speaker 1>this morning on title, and I feel I feel stupid.

1:06:38.000 --> 1:06:41.120
<v Speaker 1>Just listen to how I've been sounding this morning. I've

1:06:41.160 --> 1:06:43.240
<v Speaker 1>talked my way out of enough home invasions to know

1:06:43.840 --> 1:06:45.840
<v Speaker 1>when something is a setup. Okay. I don't even know

1:06:46.320 --> 1:06:48.680
<v Speaker 1>who the trust in government anymore, but I know who

1:06:49.440 --> 1:06:53.640
<v Speaker 1>I do trust, and that's no damn body, okay. Period.

1:06:54.520 --> 1:06:56.360
<v Speaker 1>And for some reason I started to saying, that's on cryp.

1:06:56.400 --> 1:06:57.600
<v Speaker 1>But I'm not a cript. I don't even know why

1:06:57.600 --> 1:06:59.320
<v Speaker 1>the hell I would even say something like that. All right,

1:06:59.360 --> 1:07:01.800
<v Speaker 1>truth all again. Out there, I'm driving in this morning,

1:07:01.800 --> 1:07:03.920
<v Speaker 1>I heard you shout out all the gangs. Then I

1:07:03.960 --> 1:07:05.360
<v Speaker 1>don't know why I said, I'm gonna be asking you,

1:07:05.920 --> 1:07:07.280
<v Speaker 1>you know how I feel aboudy be talking like that's

1:07:07.400 --> 1:07:08.680
<v Speaker 1>im crip, and I don't think about it like I

1:07:08.720 --> 1:07:10.479
<v Speaker 1>ain't even know crip. Why am I saying I'm walking

1:07:10.520 --> 1:07:12.880
<v Speaker 1>in blue dollar gangs though, Mellow, I don't know what's

1:07:12.880 --> 1:07:19.360
<v Speaker 1>going on the Pallo. We held it down for the

1:07:19.440 --> 1:07:23.800
<v Speaker 1>morning while everybody wasn't there. Man appreciate that it's about time.

1:07:24.000 --> 1:07:25.800
<v Speaker 1>I don't know who died it made Ju six nine,

1:07:25.800 --> 1:07:30.000
<v Speaker 1>but I don't know who died and made me six nineties.

1:07:30.040 --> 1:07:32.960
<v Speaker 1>And Mellow, there's quite a three problems with all those statements.

1:07:33.080 --> 1:07:34.840
<v Speaker 1>Number One, I don't gang bang, never having my life.

1:07:34.880 --> 1:07:36.880
<v Speaker 1>I'm not a crip, not a blood either. I'm nothing.

1:07:36.960 --> 1:07:38.919
<v Speaker 1>I'm a man who has therapy to day at three pm.

1:07:39.080 --> 1:07:41.320
<v Speaker 1>I'm a man who is scared to order a protein

1:07:41.360 --> 1:07:43.919
<v Speaker 1>shake from around the corner here and hearing Triedbecca's because

1:07:43.920 --> 1:07:45.440
<v Speaker 1>I feel like they keep giving me whole milk and

1:07:45.520 --> 1:07:47.360
<v Speaker 1>not owning milk, and I don't have time to spend.

1:07:47.440 --> 1:07:49.920
<v Speaker 1>I was on the toilet today and I get dairy bumps.

1:07:50.040 --> 1:07:52.120
<v Speaker 1>My point was saying all of this and the reason

1:07:52.200 --> 1:07:54.160
<v Speaker 1>I'm giving myself donkey that this is because I just

1:07:54.240 --> 1:07:57.280
<v Speaker 1>feel stupid and donkey today. It's all about giving people

1:07:57.320 --> 1:07:59.280
<v Speaker 1>to credit they deserve for being stupid. If you read

1:07:59.360 --> 1:08:01.880
<v Speaker 1>my first book, the New York Times best selling Black Privilege,

1:08:01.880 --> 1:08:03.919
<v Speaker 1>and you know, one of my laws in my book

1:08:04.080 --> 1:08:06.760
<v Speaker 1>was always give people to credit they deserve for being stupid,

1:08:06.800 --> 1:08:09.200
<v Speaker 1>including yourself. And that's what I'm doing right now. The

1:08:09.280 --> 1:08:11.760
<v Speaker 1>reason I feel stupid is because I was writing in

1:08:11.840 --> 1:08:14.240
<v Speaker 1>the work this morning, listening to the New South playlists

1:08:14.280 --> 1:08:16.120
<v Speaker 1>on the title bro. There's some records on there that

1:08:16.240 --> 1:08:19.320
<v Speaker 1>make my inner child smile. I mean, there are records

1:08:19.360 --> 1:08:22.360
<v Speaker 1>on there that make the hood in me happy. Okay,

1:08:22.400 --> 1:08:24.320
<v Speaker 1>I'm from South Carolina, the eight four three eight or

1:08:24.360 --> 1:08:26.080
<v Speaker 1>three eight six four. When you come from a certain environment,

1:08:26.200 --> 1:08:28.439
<v Speaker 1>there is a certain energy that is always in you.

1:08:28.520 --> 1:08:30.560
<v Speaker 1>And when you listen to certain music, certain music is

1:08:30.640 --> 1:08:33.360
<v Speaker 1>so powerful and it would just have you feeling like

1:08:33.960 --> 1:08:37.599
<v Speaker 1>you something you're not. Okay, that's what Pooh shicsty guard

1:08:37.680 --> 1:08:41.439
<v Speaker 1>up did for me. Okay, that's play poosh shanty guard en.

1:08:41.520 --> 1:08:42.639
<v Speaker 1>Let me hear a little bit of that. Man, come,

1:08:42.680 --> 1:08:47.120
<v Speaker 1>I just past them up, telling Godel to bunt up

1:08:47.200 --> 1:08:53.920
<v Speaker 1>on the key to carmbers of the earn. Somebody apiece

1:08:54.600 --> 1:08:56.400
<v Speaker 1>think I applied gold tie so I can put them

1:08:56.439 --> 1:08:59.920
<v Speaker 1>in my mouth. Okay, that's what Off the Porch by

1:09:00.320 --> 1:09:02.280
<v Speaker 1>my kid Glock did it for me. This morning, I

1:09:02.360 --> 1:09:04.640
<v Speaker 1>was listening to the Roaring Twenties by Flow Million. Did

1:09:04.800 --> 1:09:07.200
<v Speaker 1>my dog Little Boss from North Chalton, southcare a lot

1:09:07.240 --> 1:09:09.080
<v Speaker 1>of He's on the New South title playlist and you've

1:09:09.080 --> 1:09:10.680
<v Speaker 1>got a song called I Know It. He's from the

1:09:10.720 --> 1:09:12.560
<v Speaker 1>same state as me from the Chuck. How can I

1:09:12.680 --> 1:09:17.479
<v Speaker 1>not be influenced? Okay, how can I not be? You

1:09:17.560 --> 1:09:18.880
<v Speaker 1>know what I feel like right now? I'm at the

1:09:18.960 --> 1:09:22.280
<v Speaker 1>point where I'm like a wax on Minutes to Society,

1:09:22.360 --> 1:09:24.400
<v Speaker 1>Salute to the good brother MCA. Make sure y'all check

1:09:24.439 --> 1:09:26.559
<v Speaker 1>out that gangst the Chronicles podcast on the Black Effect

1:09:26.560 --> 1:09:29.080
<v Speaker 1>iHeartRadio Network. I'm like a wax I don't did so

1:09:29.160 --> 1:09:30.719
<v Speaker 1>much dirt that I just like to see other people

1:09:30.800 --> 1:09:32.240
<v Speaker 1>do it. I like to hear it, I like to

1:09:32.320 --> 1:09:34.960
<v Speaker 1>feel it. I like to see it. But I'm not

1:09:36.040 --> 1:09:38.160
<v Speaker 1>doing it, and you don't have to hear certain records

1:09:38.160 --> 1:09:40.280
<v Speaker 1>and it takes you back to your old while loud days. Yes,

1:09:41.320 --> 1:09:43.640
<v Speaker 1>so I'm not alone here? Then, yeah, you are a

1:09:43.680 --> 1:09:45.840
<v Speaker 1>little bit alone? Mean why why why am I alone?

1:09:45.840 --> 1:09:47.400
<v Speaker 1>Because you have a ski mask on and you've been

1:09:47.439 --> 1:09:51.120
<v Speaker 1>saying on slide. You judging me some on God, why

1:09:51.120 --> 1:09:53.320
<v Speaker 1>are waiting a gun? Happy? A fake gun? You're right,

1:09:53.439 --> 1:09:55.800
<v Speaker 1>let me put that away, Okay, I'm just saying it

1:09:55.880 --> 1:09:58.040
<v Speaker 1>really makes you think about the influence this music is

1:09:58.040 --> 1:10:00.679
<v Speaker 1>having on the youth. Because the influenced my grown ass

1:10:01.040 --> 1:10:03.759
<v Speaker 1>this morning. But not because they might rap about violence

1:10:03.800 --> 1:10:06.960
<v Speaker 1>and doing criminal activities and gang stuff, but because it's fun.

1:10:08.320 --> 1:10:11.800
<v Speaker 1>It's just fun. I mean, listen to these country rap tis.

1:10:11.840 --> 1:10:13.479
<v Speaker 1>Play some of that key clock off the porch. Just

1:10:13.600 --> 1:10:15.840
<v Speaker 1>listen to this. It's like, Hey, I jumped up the porch,

1:10:15.920 --> 1:10:17.439
<v Speaker 1>then I jumped in the boof. I used to rat

1:10:17.479 --> 1:10:19.280
<v Speaker 1>t his piece. Now I got a new coop page.

1:10:19.320 --> 1:10:21.160
<v Speaker 1>I'm hugging humble, but I'm playing it out cool. But

1:10:21.240 --> 1:10:23.519
<v Speaker 1>don't get this shit ain't out on the news. Hey

1:10:23.640 --> 1:10:26.760
<v Speaker 1>come on home, man, But hey, play some of that

1:10:26.880 --> 1:10:28.800
<v Speaker 1>flow Milli Roaring twenties, and I'm gonna tell you something.

1:10:29.720 --> 1:10:32.920
<v Speaker 1>You know, I'm all about the sacred masculine and the

1:10:33.000 --> 1:10:35.799
<v Speaker 1>divine feminine. Okay, this right here is for the divine

1:10:35.880 --> 1:10:37.519
<v Speaker 1>hood rating all of us. Play some of this roaring

1:10:37.520 --> 1:10:45.640
<v Speaker 1>attorneys by flow Millie, Okay, making me feeling come home, man,

1:10:47.800 --> 1:10:50.040
<v Speaker 1>that's for all the negroes that want to do the

1:10:50.120 --> 1:10:54.799
<v Speaker 1>Busteed Challenge, but our needs not what they used to be. Okay, okay,

1:10:55.400 --> 1:10:58.800
<v Speaker 1>hey play a snippet of my dog Little Boss. Okay,

1:10:58.920 --> 1:11:00.800
<v Speaker 1>I know it's South Carolina all day. Come on now,

1:11:02.640 --> 1:11:04.479
<v Speaker 1>she said, like when I saw something first one, I

1:11:04.560 --> 1:11:06.519
<v Speaker 1>woke up and I said, I know more now. She said,

1:11:06.560 --> 1:11:08.800
<v Speaker 1>she like counster and I'm getting that money and I said,

1:11:08.800 --> 1:11:10.160
<v Speaker 1>I know it. They're like, I got that bag on

1:11:10.960 --> 1:11:13.240
<v Speaker 1>and that's funny man and beat that they're look at

1:11:13.240 --> 1:11:15.720
<v Speaker 1>that scrap on being because I know that they after me.

1:11:17.360 --> 1:11:21.320
<v Speaker 1>That's when I saw something. I said, And do you

1:11:21.439 --> 1:11:26.360
<v Speaker 1>feel me? Fly on trap? Okay, you doing y'a dramas

1:11:26.400 --> 1:11:29.120
<v Speaker 1>on guiding them? Give me the biggest feet hall. Okay,

1:11:32.600 --> 1:11:35.640
<v Speaker 1>we got more coming up. Next to don't Move, Happy Holidays,

1:11:35.760 --> 1:11:38.720
<v Speaker 1>Don't go Anywhere. It's the Breakfast Club. Come Morning, the

1:11:38.960 --> 1:11:47.720
<v Speaker 1>Breakfast Club, Power one O five one, The Breakfast Club.

1:11:47.840 --> 1:11:52.360
<v Speaker 1>Your morning's will never be the same morning. Everybody's DJ

1:11:52.880 --> 1:11:56.559
<v Speaker 1>Envy Angela Yee, Charlomagne the guy. We are the Breakfast Club.

1:11:56.640 --> 1:11:58.800
<v Speaker 1>We got a special guest in the building. That's right,

1:11:59.040 --> 1:12:02.840
<v Speaker 1>he's the head of Instagram. Hi Adam. How do I

1:12:02.880 --> 1:12:06.840
<v Speaker 1>say your last name? I don't want to mess it up, Sarissi, Adam,

1:12:06.880 --> 1:12:09.760
<v Speaker 1>what's up? My gulco? Thanks for having men joining us.

1:12:09.880 --> 1:12:12.400
<v Speaker 1>Tell people what that meets the head of Instagram, CEO

1:12:12.479 --> 1:12:15.920
<v Speaker 1>of Instagram, What does that mean? It means that if

1:12:15.960 --> 1:12:18.600
<v Speaker 1>something goes wrong on Instagram, it's on me, and if

1:12:18.640 --> 1:12:20.920
<v Speaker 1>something goes right, it's probably on my team. But generally

1:12:20.960 --> 1:12:23.599
<v Speaker 1>I spend as much my time as I can helping

1:12:23.680 --> 1:12:25.920
<v Speaker 1>us think about where we're going, what we need to

1:12:26.000 --> 1:12:27.760
<v Speaker 1>do better, what we need to double down on because

1:12:27.760 --> 1:12:31.840
<v Speaker 1>it's going well, and building the team to help us

1:12:31.880 --> 1:12:33.760
<v Speaker 1>get it done. Let's get to the nity gritty because

1:12:33.760 --> 1:12:35.400
<v Speaker 1>I saw a lot of people on social media when

1:12:35.400 --> 1:12:37.719
<v Speaker 1>you said you would coming here. They have questions, Please

1:12:37.840 --> 1:12:41.559
<v Speaker 1>bring them. Let's discuss the election first, right because, as

1:12:41.600 --> 1:12:44.080
<v Speaker 1>you know, there's a lot of fake news that was

1:12:44.160 --> 1:12:46.120
<v Speaker 1>going around, and there were a lot of issues with

1:12:46.200 --> 1:12:48.880
<v Speaker 1>Facebook with fake news. You know, how do you guys

1:12:48.960 --> 1:12:52.200
<v Speaker 1>take responsibility for your platforms with COVID, with fake news

1:12:52.280 --> 1:12:55.040
<v Speaker 1>and things like that happening, making sure that that information

1:12:55.240 --> 1:12:59.439
<v Speaker 1>doesn't get spread out. Social media as a technology isn't

1:12:59.680 --> 1:13:03.120
<v Speaker 1>good and it isn't bad. It just is. And social

1:13:03.160 --> 1:13:06.599
<v Speaker 1>media specifically is a great amplifier in a lot of ways,

1:13:06.640 --> 1:13:08.760
<v Speaker 1>and it can amplify good and it can amplify bad,

1:13:09.240 --> 1:13:12.160
<v Speaker 1>and so it's our responsibility to do all we can

1:13:12.240 --> 1:13:14.439
<v Speaker 1>to amplify the good and mitigate the bad. And you

1:13:14.520 --> 1:13:18.240
<v Speaker 1>see both spread on the platform, right. You saw the

1:13:18.479 --> 1:13:21.120
<v Speaker 1>Black Lives Matter movement spread on social media. You saw

1:13:21.240 --> 1:13:23.320
<v Speaker 1>me too spread on social media. But you also see

1:13:23.320 --> 1:13:26.479
<v Speaker 1>things like misinformation spread on social media. And so we

1:13:26.680 --> 1:13:29.000
<v Speaker 1>try to figure out all the different things that we

1:13:29.120 --> 1:13:33.240
<v Speaker 1>can do to identify problems and address them and then

1:13:33.280 --> 1:13:35.320
<v Speaker 1>also rethink the core of what we do and how

1:13:35.360 --> 1:13:39.080
<v Speaker 1>we do it to create better outcomes. And that work

1:13:39.200 --> 1:13:41.680
<v Speaker 1>never ends. And so I mean you brought up a

1:13:41.680 --> 1:13:44.920
<v Speaker 1>couple of different things there, but on misinformation specifically, what

1:13:45.080 --> 1:13:48.080
<v Speaker 1>we do is we work with third party fact checkers,

1:13:48.160 --> 1:13:49.840
<v Speaker 1>So people who do this for a living, who do

1:13:49.920 --> 1:13:53.479
<v Speaker 1>this for publications, we give them access to what's shared

1:13:53.479 --> 1:13:55.360
<v Speaker 1>on the platform, and they can dispute things. They can

1:13:55.400 --> 1:13:58.240
<v Speaker 1>say that this isn't true and here's a link to why.

1:13:58.920 --> 1:14:01.040
<v Speaker 1>And when that happens, we reduce the spread of that

1:14:01.400 --> 1:14:03.479
<v Speaker 1>when we label things and we give people links to

1:14:03.520 --> 1:14:06.160
<v Speaker 1>good information but we don't take it off the platform

1:14:06.400 --> 1:14:09.280
<v Speaker 1>entirely unless there's a safety risk. So for things like

1:14:09.439 --> 1:14:12.560
<v Speaker 1>COVID nineteen or vaccine related misinformation, we just stick it

1:14:12.640 --> 1:14:15.040
<v Speaker 1>off the platform entirely. So at this point we spend

1:14:15.400 --> 1:14:18.120
<v Speaker 1>billions of dollars a year and there are tens of

1:14:18.200 --> 1:14:21.839
<v Speaker 1>thousands of people between the engineers, the reviewers, and everything

1:14:21.920 --> 1:14:26.400
<v Speaker 1>else focused on safety. How liable should social media platforms

1:14:26.479 --> 1:14:28.680
<v Speaker 1>be in regards to lawsuits, like if I want to

1:14:28.720 --> 1:14:31.559
<v Speaker 1>sue somebody for sland our deformation, should I be able

1:14:31.600 --> 1:14:35.439
<v Speaker 1>to name the social media platform? Yeah? So this is

1:14:35.439 --> 1:14:38.640
<v Speaker 1>actually one of the big legal debates right now. Right

1:14:38.680 --> 1:14:40.280
<v Speaker 1>and here in the US they talk a lot about

1:14:40.320 --> 1:14:45.880
<v Speaker 1>Section to thirty, which gives technology platforms essentially no liability,

1:14:45.960 --> 1:14:49.040
<v Speaker 1>but the people who post that content are liable in

1:14:49.120 --> 1:14:51.040
<v Speaker 1>different countries around the world that that may not be

1:14:51.120 --> 1:14:53.080
<v Speaker 1>the case. Actually it isn't the case. Yea. South Africa

1:14:53.160 --> 1:14:55.599
<v Speaker 1>don't play. Yeah, no, a lot of Europe they don't play.

1:14:56.120 --> 1:14:58.360
<v Speaker 1>And so the thing that I think is that it's

1:14:58.400 --> 1:15:02.720
<v Speaker 1>important that company needs are held to account to take

1:15:02.840 --> 1:15:05.680
<v Speaker 1>measures to keep people safe. But I don't think we

1:15:05.720 --> 1:15:07.880
<v Speaker 1>can go all the way to have a social media

1:15:07.920 --> 1:15:10.160
<v Speaker 1>platform be accountable for every single thing that is said

1:15:10.200 --> 1:15:12.040
<v Speaker 1>on that platform by every person, because they're over a

1:15:12.120 --> 1:15:16.040
<v Speaker 1>billion people on Instagram at this point, and there's there's

1:15:16.080 --> 1:15:17.760
<v Speaker 1>no version of that where there aren't going to be

1:15:18.840 --> 1:15:22.400
<v Speaker 1>people with problematic opinions, racists, et cetera are going to

1:15:22.439 --> 1:15:23.640
<v Speaker 1>show up. I'm not going to check that at the

1:15:23.720 --> 1:15:26.160
<v Speaker 1>door when they open up Instagram. But I do think

1:15:26.200 --> 1:15:28.040
<v Speaker 1>that doesn't mean that we can just you know, wipe

1:15:28.040 --> 1:15:30.960
<v Speaker 1>a hand. The question is where are we on that spectrum?

1:15:31.120 --> 1:15:32.680
<v Speaker 1>What do you say to people that say that, you know,

1:15:33.320 --> 1:15:36.559
<v Speaker 1>social media, Instagram per se, it's really affecting people's mental

1:15:36.680 --> 1:15:40.280
<v Speaker 1>where people are are you know, thinking of committing suicide

1:15:40.439 --> 1:15:44.080
<v Speaker 1>and you know, having problems in school and self esteem

1:15:44.439 --> 1:15:46.960
<v Speaker 1>and all of those things due to that platform. So

1:15:47.040 --> 1:15:48.960
<v Speaker 1>there's a range here, and I think they are all

1:15:49.000 --> 1:15:52.240
<v Speaker 1>really important questions. There are problems that are really acute,

1:15:52.320 --> 1:15:55.800
<v Speaker 1>right So if you are struggling with self injury or suicide,

1:15:55.880 --> 1:15:58.280
<v Speaker 1>that is I mean, that's high stakes, that's really problematic.

1:15:58.400 --> 1:16:00.320
<v Speaker 1>And we've done a lot of work in that area

1:16:00.400 --> 1:16:03.360
<v Speaker 1>to try and be thoughtful about what we share, like

1:16:03.520 --> 1:16:06.840
<v Speaker 1>getting people access to good information or to help. So,

1:16:06.960 --> 1:16:09.560
<v Speaker 1>for instance, right now, if we think you are a

1:16:09.680 --> 1:16:12.639
<v Speaker 1>risk to yourself, we will do it, will direct uture

1:16:12.680 --> 1:16:15.400
<v Speaker 1>resources or even in some extreme cases resources to you.

1:16:15.680 --> 1:16:17.160
<v Speaker 1>How do you report that? Right in the reason I'm

1:16:17.320 --> 1:16:19.200
<v Speaker 1>stopping you there, Let's say you have a family member

1:16:19.240 --> 1:16:22.880
<v Speaker 1>that goals and it's off doing some wild still a

1:16:22.960 --> 1:16:25.800
<v Speaker 1>lot of times them themselves don't know that they're doing

1:16:25.840 --> 1:16:27.920
<v Speaker 1>wild stuff, but a family member might. How does that

1:16:28.000 --> 1:16:30.680
<v Speaker 1>family member report that to Instagram and say, Hey, my

1:16:30.840 --> 1:16:32.800
<v Speaker 1>sisters doing this, or my aunt is doing this, or

1:16:32.880 --> 1:16:35.360
<v Speaker 1>my brother is doing this. How does that work? So

1:16:35.479 --> 1:16:39.240
<v Speaker 1>in every post, be a photo, video or anything else

1:16:39.320 --> 1:16:41.960
<v Speaker 1>on Instagram, you can always report something. There's a little

1:16:42.000 --> 1:16:43.760
<v Speaker 1>dot dot Do you really check it? Because sometimes I

1:16:43.840 --> 1:16:46.280
<v Speaker 1>feel like it doesn't get checked because there's so many

1:16:46.320 --> 1:16:48.479
<v Speaker 1>people that make fake MV pages. I feel like every

1:16:48.560 --> 1:16:53.320
<v Speaker 1>day we've got room number, we definitely check it. But

1:16:53.560 --> 1:16:57.639
<v Speaker 1>the challenge is the truth is the reports are actually

1:16:57.840 --> 1:17:01.040
<v Speaker 1>mostly not of things that are problem. There's a ton

1:17:01.120 --> 1:17:02.400
<v Speaker 1>of people who are like, I don't like the way

1:17:02.400 --> 1:17:04.120
<v Speaker 1>I look in this photo, and I'm going to report it.

1:17:04.280 --> 1:17:07.479
<v Speaker 1>Oh my god, Yeah, it's it's actually the vast Oh,

1:17:08.000 --> 1:17:10.639
<v Speaker 1>it's the vast majority, which is imagine that, Yeah, which

1:17:10.680 --> 1:17:13.320
<v Speaker 1>is why we can't rely only on the reports. We

1:17:13.400 --> 1:17:16.040
<v Speaker 1>definitely check the reports. We prioritize them, right, So if

1:17:16.360 --> 1:17:18.840
<v Speaker 1>someone's reporting someone's a risk to themselves, we're gonna look

1:17:18.880 --> 1:17:22.479
<v Speaker 1>at that much faster than someone's reporting something as being nudity,

1:17:22.520 --> 1:17:26.799
<v Speaker 1>for instance. But we have to also build technology ourselves

1:17:26.880 --> 1:17:28.559
<v Speaker 1>to go out and try and identify things, because if

1:17:28.600 --> 1:17:30.639
<v Speaker 1>someone's going to be a risk to themselves, that's where

1:17:30.640 --> 1:17:32.960
<v Speaker 1>you're going live and you're talking about hurting yourself. We

1:17:33.040 --> 1:17:35.240
<v Speaker 1>don't want to wait for someone to hopefully report that.

1:17:35.840 --> 1:17:37.640
<v Speaker 1>By the way, we don't have a religious opinion on

1:17:37.680 --> 1:17:39.759
<v Speaker 1>the female nipple. The reason why we don't allow nudaty

1:17:39.800 --> 1:17:42.439
<v Speaker 1>on Instagram is because it is actually a safety issue

1:17:42.520 --> 1:17:45.639
<v Speaker 1>because we can't verify age and we can't verify consent.

1:17:46.080 --> 1:17:48.920
<v Speaker 1>I think social media sometimes protects biggest though, it protects

1:17:48.960 --> 1:17:52.439
<v Speaker 1>biggest in regard to racism homophobia, because I've posted videos

1:17:52.479 --> 1:17:55.560
<v Speaker 1>of like racists getting punched in the face right for

1:17:55.680 --> 1:17:59.080
<v Speaker 1>blatantly being racist, and then Instagram we'll remove it. We

1:17:59.200 --> 1:18:01.719
<v Speaker 1>definitely make mistake. We also take a lot of flak

1:18:01.800 --> 1:18:03.400
<v Speaker 1>for letting people say a lot of crap that we

1:18:03.400 --> 1:18:07.000
<v Speaker 1>don't necessarily agree with in general, we're gonna try and

1:18:07.640 --> 1:18:10.160
<v Speaker 1>bias towards letting people say what they want on the platform,

1:18:10.439 --> 1:18:13.400
<v Speaker 1>and we try to only take content down when there's

1:18:13.400 --> 1:18:16.720
<v Speaker 1>a safety risk. Should the FCC regulate social media like

1:18:16.840 --> 1:18:20.080
<v Speaker 1>they do radio and TV? They can, and they should.

1:18:20.200 --> 1:18:23.400
<v Speaker 1>I think regulation is important. I think that social media

1:18:24.120 --> 1:18:27.280
<v Speaker 1>is too big to not have governments have an opinion

1:18:27.360 --> 1:18:30.160
<v Speaker 1>about what should and should not be. Okay. Now, the

1:18:30.280 --> 1:18:33.599
<v Speaker 1>type of regulation, though, is particularly important. Some regulation could

1:18:33.600 --> 1:18:37.160
<v Speaker 1>be really helpful, particularly clarifying what is and what is

1:18:37.240 --> 1:18:39.160
<v Speaker 1>not you know, a certain problem out of content type.

1:18:39.200 --> 1:18:42.400
<v Speaker 1>So for instance, we have a hate speech policy. Hate

1:18:42.439 --> 1:18:45.960
<v Speaker 1>speech protects people based on nine different types of traits,

1:18:46.000 --> 1:18:48.479
<v Speaker 1>so you know, race, gender, religion, the things you would expect.

1:18:48.760 --> 1:18:51.120
<v Speaker 1>That's our definition. But you have to be careful because

1:18:51.160 --> 1:18:54.360
<v Speaker 1>if you get too aggressive with regulation, or you write

1:18:54.400 --> 1:18:57.560
<v Speaker 1>regulation in certain ways, you might incentivize social platforms to

1:18:57.640 --> 1:18:59.360
<v Speaker 1>censor more. Right, if you're going to find them a

1:18:59.400 --> 1:19:01.599
<v Speaker 1>big amount every time they make a mistake and that's

1:19:01.640 --> 1:19:03.600
<v Speaker 1>something up, they're going to take down more because this

1:19:03.680 --> 1:19:06.120
<v Speaker 1>is their financial interest to do so. Now, another question

1:19:06.160 --> 1:19:08.000
<v Speaker 1>I have. You were talking about wanting to make sure

1:19:08.040 --> 1:19:09.439
<v Speaker 1>I saw you said that you wanted to make sure

1:19:09.439 --> 1:19:12.800
<v Speaker 1>that creatives actually start making more money on Instagram, and

1:19:12.880 --> 1:19:14.800
<v Speaker 1>I know they have like the tips that you can

1:19:14.880 --> 1:19:16.960
<v Speaker 1>do on YouTube and things like that. Yeah, what are

1:19:17.040 --> 1:19:19.599
<v Speaker 1>some ways that you guys? I see the Instagram ads

1:19:19.640 --> 1:19:21.840
<v Speaker 1>you can also sign up for, which I'm not one

1:19:21.880 --> 1:19:23.360
<v Speaker 1>hundred percent share what that is. So if you want

1:19:23.360 --> 1:19:26.640
<v Speaker 1>to explain how people can make money on Instagram, and

1:19:26.720 --> 1:19:29.439
<v Speaker 1>there's a range of ways we can help creators make

1:19:29.479 --> 1:19:34.000
<v Speaker 1>a living. Largely they fall into three categories. The first

1:19:34.840 --> 1:19:38.200
<v Speaker 1>is essentially commerce, So you can do branded content, right,

1:19:38.240 --> 1:19:41.040
<v Speaker 1>so you get paid by a brand off of Instagram

1:19:41.160 --> 1:19:42.680
<v Speaker 1>or off of Facebook, and then you do a deal

1:19:42.760 --> 1:19:45.120
<v Speaker 1>and your post on Instagram to promote whatever that is.

1:19:45.479 --> 1:19:47.559
<v Speaker 1>But then we also need to do things that allow

1:19:47.760 --> 1:19:52.080
<v Speaker 1>people to pay the creators that they love directly, right,

1:19:52.160 --> 1:19:56.240
<v Speaker 1>So we're interested in things like tipping. So we've got

1:19:56.360 --> 1:19:58.719
<v Speaker 1>badges for instance, when you go live right now exploring

1:19:58.720 --> 1:20:01.840
<v Speaker 1>if we can support subscripe. Maybe you could have a

1:20:01.920 --> 1:20:03.559
<v Speaker 1>group of people who pay you five bucks a month

1:20:03.600 --> 1:20:05.920
<v Speaker 1>and you get them exclusive content that only they get,

1:20:06.000 --> 1:20:08.240
<v Speaker 1>and you can do that right through Instagram. It's almost

1:20:08.240 --> 1:20:09.880
<v Speaker 1>like the only fans type of thing where you can

1:20:09.920 --> 1:20:12.519
<v Speaker 1>have a subscription, but now the stuff that they subscribe to,

1:20:12.680 --> 1:20:14.519
<v Speaker 1>can you put whatever you want up there now? Because

1:20:14.560 --> 1:20:16.639
<v Speaker 1>you know who your subscribers are, right, you know their age.

1:20:16.840 --> 1:20:18.439
<v Speaker 1>It's almost like you could take that now, you can

1:20:18.479 --> 1:20:21.280
<v Speaker 1>show a nipple, you know, because you know who your

1:20:21.280 --> 1:20:23.679
<v Speaker 1>subscribers are. All right, yes and no, So if there's

1:20:23.680 --> 1:20:25.320
<v Speaker 1>a safety issue, we're still going to have to take

1:20:25.360 --> 1:20:27.960
<v Speaker 1>it down. But I mean, for instance, we do do

1:20:28.160 --> 1:20:30.479
<v Speaker 1>age gating for certain types of content, so things like

1:20:30.760 --> 1:20:33.600
<v Speaker 1>today tobacco, that kind of thing. So we could we

1:20:33.640 --> 1:20:35.800
<v Speaker 1>could we could explore that we haven't actually talked about

1:20:35.800 --> 1:20:40.200
<v Speaker 1>that morning. Everybody is DJ Envy Angela yee shall I

1:20:40.280 --> 1:20:42.120
<v Speaker 1>mean the guy we are the Breakfast Club was still

1:20:42.160 --> 1:20:44.640
<v Speaker 1>kicking in with Adam Mosseri, the head of Instagram. Is

1:20:44.680 --> 1:20:45.880
<v Speaker 1>it a trick to it? Though? You know, at a

1:20:45.880 --> 1:20:47.160
<v Speaker 1>lot of people are like, hey, it's a trick when

1:20:47.160 --> 1:20:48.960
<v Speaker 1>I post my videos because sometimes I post a video

1:20:49.040 --> 1:20:50.519
<v Speaker 1>or picture and I get this amount of likes, and

1:20:50.520 --> 1:20:52.560
<v Speaker 1>then sometimes it's on this page and I get this

1:20:52.600 --> 1:20:54.320
<v Speaker 1>amount of likes. Yeah, like, you know, was a trick

1:20:54.360 --> 1:20:56.080
<v Speaker 1>to maybe. I'm like, I'm not giving up my tricks.

1:20:58.560 --> 1:21:01.320
<v Speaker 1>I would I'm trying to figure too. I've got an account,

1:21:01.320 --> 1:21:04.240
<v Speaker 1>I'm trying to build up my following. The unfortunate truth

1:21:04.360 --> 1:21:07.920
<v Speaker 1>is there's no perfect answer, and it's the million dollar question.

1:21:08.400 --> 1:21:10.400
<v Speaker 1>There are a couple of things I'd say. One is

1:21:10.520 --> 1:21:14.240
<v Speaker 1>it's important to first when you're using whether it's Instagram

1:21:14.360 --> 1:21:17.360
<v Speaker 1>or any other social media platform, to be intentional about

1:21:17.400 --> 1:21:20.559
<v Speaker 1>what you're using it for. Are using it to promote

1:21:20.600 --> 1:21:22.680
<v Speaker 1>a cause that you believe, and are using it as

1:21:22.720 --> 1:21:25.680
<v Speaker 1>a business directly, are using it to just build up

1:21:25.720 --> 1:21:28.120
<v Speaker 1>awareness of your business, and you make your money elsewhere.

1:21:28.400 --> 1:21:30.639
<v Speaker 1>The other thing to be honest about is that every

1:21:30.680 --> 1:21:32.880
<v Speaker 1>audience is different, right, So what's going to work best

1:21:32.960 --> 1:21:35.760
<v Speaker 1>for your followers isn't necessarily probably not going to work

1:21:35.760 --> 1:21:38.560
<v Speaker 1>with what's best for my followers. So you and I

1:21:38.680 --> 1:21:41.720
<v Speaker 1>both have to experiment. We've got to try things, see

1:21:41.760 --> 1:21:44.479
<v Speaker 1>what works, see what doesn't. But there are other things

1:21:44.560 --> 1:21:46.479
<v Speaker 1>that are more broadly true. So I do think it's

1:21:46.520 --> 1:21:49.360
<v Speaker 1>generally true to give people a good sense of what

1:21:49.600 --> 1:21:51.479
<v Speaker 1>you're about and what you do. So I try to

1:21:51.560 --> 1:21:53.600
<v Speaker 1>build up these sort of patterns. So I do a

1:21:53.760 --> 1:21:56.000
<v Speaker 1>video every week where I talk about what's happening on Instagram.

1:21:56.360 --> 1:22:00.000
<v Speaker 1>Video also this seems to be a lot of interest

1:22:00.200 --> 1:22:02.960
<v Speaker 1>across the entire world and always consuming more videos. So

1:22:03.040 --> 1:22:05.000
<v Speaker 1>some of those basics are more universal, but a lot

1:22:05.080 --> 1:22:07.960
<v Speaker 1>of it is more nuanced. Unfortunately, what is Instagram learning

1:22:08.040 --> 1:22:11.240
<v Speaker 1>from the black creators on TikTok so the black strike

1:22:11.320 --> 1:22:13.479
<v Speaker 1>on TikTok, Black credit struck on TikTok, I think is

1:22:13.560 --> 1:22:17.960
<v Speaker 1>mostly about credit right too often Black creators will create

1:22:18.040 --> 1:22:20.400
<v Speaker 1>amazing things and not creat credit for it, and someone else,

1:22:20.720 --> 1:22:23.800
<v Speaker 1>often not black, who will reap all the benefits. But

1:22:23.880 --> 1:22:25.679
<v Speaker 1>we're trying to understand not just that, but the broader

1:22:25.720 --> 1:22:27.439
<v Speaker 1>set of issues and the big set of issues that

1:22:27.520 --> 1:22:29.800
<v Speaker 1>we've heard from the black community here in the States

1:22:29.840 --> 1:22:32.120
<v Speaker 1>and over the last year and a half are things

1:22:32.240 --> 1:22:37.080
<v Speaker 1>around censorship, shadow banning, racism on the platform, having your

1:22:37.120 --> 1:22:40.080
<v Speaker 1>content taken down when you fight back against the bigot

1:22:40.240 --> 1:22:42.759
<v Speaker 1>or a racist. And so we feel like the credit

1:22:43.120 --> 1:22:45.400
<v Speaker 1>stuff that TikTok is dealing with is important and we're

1:22:45.439 --> 1:22:47.800
<v Speaker 1>looking we're working on that, but we really got to

1:22:47.960 --> 1:22:50.680
<v Speaker 1>first do better on the basics because we don't really

1:22:50.760 --> 1:22:52.479
<v Speaker 1>even have a right to play in like the creator

1:22:52.640 --> 1:22:55.840
<v Speaker 1>monetization space unless we can get better on the issues

1:22:55.880 --> 1:23:00.639
<v Speaker 1>around content takedowns, account suspensions like little Boosey. Yeah, okay,

1:23:02.560 --> 1:23:04.280
<v Speaker 1>you know, little Boozy gonna stop calling you out now

1:23:04.320 --> 1:23:09.160
<v Speaker 1>he's been saying you know who. Now surprise, I'm surprised

1:23:09.160 --> 1:23:10.840
<v Speaker 1>he hasn't sit them in my DM. You know now.

1:23:11.080 --> 1:23:15.960
<v Speaker 1>Adam was sorry, you guy right here. I can't wait

1:23:16.000 --> 1:23:20.519
<v Speaker 1>to see him later on. Adam Moossary, Adam Mossary. It's

1:23:20.600 --> 1:23:26.360
<v Speaker 1>Mossi with seven essays. Now what about limiting screen? No no,

1:23:26.439 --> 1:23:29.200
<v Speaker 1>why doesn't Boozy keep getting taken down? We gotta drug

1:23:29.280 --> 1:23:31.960
<v Speaker 1>the line somewhere and it's it's a nudity policy. We

1:23:32.040 --> 1:23:34.200
<v Speaker 1>try to be clear. You can appeal, but if you

1:23:34.280 --> 1:23:37.439
<v Speaker 1>get too many strikes to think you know what's nudity?

1:23:37.560 --> 1:23:41.320
<v Speaker 1>Because I flagged Kim Kardashi in ten thousand times. Remember

1:23:41.320 --> 1:23:44.000
<v Speaker 1>when Kim posted a picture Why would you do it?

1:23:44.160 --> 1:23:46.519
<v Speaker 1>Because they don't take cut down, but they take everybody

1:23:46.560 --> 1:23:48.320
<v Speaker 1>out there. So I flagged it. If she posts a

1:23:48.320 --> 1:23:51.000
<v Speaker 1>picture of nipples getting taken down. If the guy, no, guy,

1:23:51.600 --> 1:23:53.840
<v Speaker 1>this is one. This is one of my man. Nipples

1:23:53.880 --> 1:23:56.800
<v Speaker 1>are allowed, so I should be clear one of one

1:23:56.880 --> 1:23:59.600
<v Speaker 1>of one of my favorite tricks that people who are

1:23:59.680 --> 1:24:03.639
<v Speaker 1>sort of nudity advocates talk about One of my favorite

1:24:03.680 --> 1:24:07.400
<v Speaker 1>tricks that they do is they'll take a mail nipple,

1:24:08.040 --> 1:24:10.560
<v Speaker 1>cut it out, and paste the mail nipple on a

1:24:10.840 --> 1:24:14.320
<v Speaker 1>female's breast and post that just to test our policies.

1:24:16.320 --> 1:24:18.240
<v Speaker 1>If we figure it out, that's allowed. You know, This

1:24:18.400 --> 1:24:20.559
<v Speaker 1>is what it means to be a platform with as

1:24:20.640 --> 1:24:22.200
<v Speaker 1>much reach as we have, is you're gonna have people

1:24:22.240 --> 1:24:24.320
<v Speaker 1>try to push you and figure things out. Does Instagram

1:24:24.439 --> 1:24:26.360
<v Speaker 1>understanding cult it all? Right? Because you have people like

1:24:26.560 --> 1:24:29.479
<v Speaker 1>little Duvall Little Booty whose page always get taken down,

1:24:29.720 --> 1:24:31.760
<v Speaker 1>and it could be for doing things like using the

1:24:31.960 --> 1:24:34.559
<v Speaker 1>N word, but they're using it in like the context

1:24:34.600 --> 1:24:36.880
<v Speaker 1>of that's my N word, but it'll get taken down

1:24:36.920 --> 1:24:40.479
<v Speaker 1>for like racial slurs really like yeah, yeah. So it's

1:24:40.560 --> 1:24:43.680
<v Speaker 1>tough because no, we don't understand culture perfectly at all,

1:24:44.400 --> 1:24:47.680
<v Speaker 1>just super clear, you can't at our scale. And so

1:24:47.800 --> 1:24:49.880
<v Speaker 1>there are things where we just have to draw the

1:24:49.960 --> 1:24:53.479
<v Speaker 1>line or define a rule that is practical for us

1:24:53.520 --> 1:24:55.840
<v Speaker 1>to actually enforce, because the perfect rule is going to

1:24:55.920 --> 1:24:59.560
<v Speaker 1>be nuanced, but the perfect rule we cannot enforce accurately

1:24:59.600 --> 1:25:02.719
<v Speaker 1>and consider certainly tens of thousands, hundreds of thousands, millions

1:25:02.760 --> 1:25:05.479
<v Speaker 1>of times a day or whatever it is. And so yeah,

1:25:05.560 --> 1:25:08.000
<v Speaker 1>there are certain racial slurs that you cannot say on Instagram,

1:25:08.439 --> 1:25:13.080
<v Speaker 1>regardless of how you identify. Now, that's just because we

1:25:13.240 --> 1:25:14.920
<v Speaker 1>don't think we would be able to get it right

1:25:15.160 --> 1:25:17.200
<v Speaker 1>enough of the time. We would make too many mistakes otherwise,

1:25:17.240 --> 1:25:19.000
<v Speaker 1>and it's better for us to be transparent about the

1:25:19.120 --> 1:25:21.680
<v Speaker 1>rule and then be able to act accordingly. And you

1:25:21.720 --> 1:25:24.120
<v Speaker 1>can make your own decision. What about limiting screen time

1:25:24.160 --> 1:25:26.400
<v Speaker 1>because I know that was a discussion that people have.

1:25:26.560 --> 1:25:28.200
<v Speaker 1>You know, your phone will tell you how long you've

1:25:28.240 --> 1:25:30.560
<v Speaker 1>been on all of these apps. Is that something in

1:25:30.720 --> 1:25:33.639
<v Speaker 1>Instagram that people are concerned about? Like? Are you concerned

1:25:33.640 --> 1:25:36.840
<v Speaker 1>about that people being addicted and constantly on their phone?

1:25:37.320 --> 1:25:39.519
<v Speaker 1>I mean, for me, it's everything in moderation. But I

1:25:39.560 --> 1:25:42.080
<v Speaker 1>also want to be clear there's a difference between like addiction,

1:25:42.240 --> 1:25:44.599
<v Speaker 1>which is a compulsion to do something that is unhealthy

1:25:44.640 --> 1:25:47.519
<v Speaker 1>for you that you cannot stop, and just problematic use

1:25:47.640 --> 1:25:50.360
<v Speaker 1>or overuse people that are addicted to social media, though

1:25:50.600 --> 1:25:52.800
<v Speaker 1>some are and some just use it too much. And

1:25:52.880 --> 1:25:54.960
<v Speaker 1>so what we try to do is decide for the difference.

1:25:55.000 --> 1:25:57.040
<v Speaker 1>So if you're in a really problematic state, how can

1:25:57.120 --> 1:25:58.720
<v Speaker 1>we intervene? How can we let you know how much

1:25:58.760 --> 1:26:01.840
<v Speaker 1>time you're spending, etc. But if you're just using it

1:26:01.920 --> 1:26:03.960
<v Speaker 1>a lot, the things that we need to do might

1:26:04.000 --> 1:26:06.719
<v Speaker 1>be different. Replace what you say with cocaine, some people

1:26:06.720 --> 1:26:08.559
<v Speaker 1>aren't addictive, but some people just use it too much.

1:26:08.760 --> 1:26:10.719
<v Speaker 1>I don't know if I can talk about that same

1:26:10.840 --> 1:26:13.479
<v Speaker 1>thing with the same thing, because if you're using it

1:26:13.520 --> 1:26:16.920
<v Speaker 1>too much, you clearly have like a draw to it

1:26:17.000 --> 1:26:19.360
<v Speaker 1>that you can't control. Right, But I think cocaine is

1:26:19.360 --> 1:26:22.920
<v Speaker 1>a drug, and a drug has serious medical, you know, implications.

1:26:22.960 --> 1:26:25.080
<v Speaker 1>I think social media will in the future, I don't.

1:26:25.120 --> 1:26:29.000
<v Speaker 1>I think psychologically, emotionally, mentally, we do not. Even we're

1:26:29.000 --> 1:26:31.719
<v Speaker 1>not even scratching the surface of social media is impact

1:26:31.720 --> 1:26:33.479
<v Speaker 1>people in the future, I think that's reasonable. But I

1:26:33.560 --> 1:26:35.720
<v Speaker 1>also think that every new technology is first met with

1:26:35.800 --> 1:26:38.160
<v Speaker 1>a wave of optimism. People are really excited about what

1:26:38.240 --> 1:26:41.320
<v Speaker 1>it can do, then a huge wave of concern, and

1:26:41.439 --> 1:26:43.680
<v Speaker 1>then ideally you get to some sort of balance, and

1:26:43.960 --> 1:26:46.479
<v Speaker 1>by the way, as you get through it, the media

1:26:46.560 --> 1:26:50.320
<v Speaker 1>itself or the technology itself gets better. I think social

1:26:50.360 --> 1:26:52.880
<v Speaker 1>media is a technology that's just said earlier in that phase.

1:26:53.000 --> 1:26:55.759
<v Speaker 1>So yeah, I'm sure use of social media can affect

1:26:56.040 --> 1:26:59.280
<v Speaker 1>your health. Like because communicating with anyone can affect your health,

1:26:59.320 --> 1:27:01.280
<v Speaker 1>and social media is just a way to connect. Let's

1:27:01.280 --> 1:27:03.000
<v Speaker 1>talk about that because I feel like social media is

1:27:03.040 --> 1:27:06.320
<v Speaker 1>changing human behavior in real life, is making people's collective

1:27:06.360 --> 1:27:08.800
<v Speaker 1>attention spans decrease, is making people in secure. I think

1:27:08.800 --> 1:27:12.120
<v Speaker 1>it's fueling narcissism. So how do you make it a

1:27:12.320 --> 1:27:17.160
<v Speaker 1>more mentally healthy environment? I think that there's really three

1:27:17.240 --> 1:27:19.640
<v Speaker 1>types of work I personally think we have to do.

1:27:20.080 --> 1:27:22.720
<v Speaker 1>The first is to identify acute issues. You know, if

1:27:22.760 --> 1:27:25.840
<v Speaker 1>people who are at risk of self injury are becoming

1:27:25.920 --> 1:27:28.560
<v Speaker 1>more at risk, how do we address that. How do

1:27:28.640 --> 1:27:31.680
<v Speaker 1>we make sure that they can still do what a

1:27:31.720 --> 1:27:34.000
<v Speaker 1>lot of people who are struggling with self injury deal

1:27:34.120 --> 1:27:37.040
<v Speaker 1>on social media, which is get support, get help. It's

1:27:37.080 --> 1:27:39.280
<v Speaker 1>important to talk about your experience. Maybe you're you know,

1:27:39.720 --> 1:27:41.880
<v Speaker 1>your thirty days clean and you want to celebrate that.

1:27:42.320 --> 1:27:44.439
<v Speaker 1>How do we allow that content on Instagram without content

1:27:44.479 --> 1:27:48.400
<v Speaker 1>that celebrates self injury? So, you know, identify qute issues,

1:27:48.720 --> 1:27:52.519
<v Speaker 1>Identify solutions that work never ends, keep working there. Then

1:27:52.560 --> 1:27:54.360
<v Speaker 1>I think we need to identify areas where we can

1:27:54.439 --> 1:27:56.920
<v Speaker 1>go further, where we can be innovative, where we can

1:27:57.000 --> 1:27:59.160
<v Speaker 1>define new ways of addressing the issues. Like one of

1:27:59.200 --> 1:28:01.000
<v Speaker 1>the ones that we're been focused on for about two

1:28:01.080 --> 1:28:03.040
<v Speaker 1>years now, I was bullying, And so then what can

1:28:03.080 --> 1:28:05.080
<v Speaker 1>we do there? And there were trying to invent new things,

1:28:05.240 --> 1:28:08.639
<v Speaker 1>things like restricts. Right, restrict allows you to block someone

1:28:08.680 --> 1:28:11.560
<v Speaker 1>without you knowing about it. That's my favorite thing to

1:28:11.600 --> 1:28:14.000
<v Speaker 1>do because they're still posting, but they don't know that

1:28:14.120 --> 1:28:15.840
<v Speaker 1>no one can see it about them. Yeah, and so

1:28:16.040 --> 1:28:18.280
<v Speaker 1>that was from our work on bullying. But then the

1:28:18.439 --> 1:28:21.599
<v Speaker 1>third area is what are the core things about how

1:28:22.400 --> 1:28:25.040
<v Speaker 1>Instagram works or social media works that we need to rethink.

1:28:25.280 --> 1:28:27.800
<v Speaker 1>That's why we experimented with and made it so that

1:28:27.840 --> 1:28:29.719
<v Speaker 1>people could pick to have light counts to be private.

1:28:29.760 --> 1:28:32.200
<v Speaker 1>For instance, are there core things that we need to

1:28:32.280 --> 1:28:35.680
<v Speaker 1>rethink because they are creating too much bad or too

1:28:35.760 --> 1:28:38.360
<v Speaker 1>many problems and not enough good. What about taking away likes?

1:28:38.400 --> 1:28:42.160
<v Speaker 1>I remember that was a flirtatious idea. Yeah, so the

1:28:42.240 --> 1:28:44.640
<v Speaker 1>idea is to allow you to well, originally was to

1:28:44.760 --> 1:28:47.240
<v Speaker 1>hide light counts so you could still like things, but

1:28:47.439 --> 1:28:50.120
<v Speaker 1>it would be less of a popularity contest, but you

1:28:50.200 --> 1:28:53.080
<v Speaker 1>could see it but not everybody else. Yes, it turned

1:28:53.080 --> 1:28:56.320
<v Speaker 1>out to be really polarizing. It didn't seem to change

1:28:56.400 --> 1:28:59.080
<v Speaker 1>much about how people felt about Instagram. We tried to

1:28:59.080 --> 1:29:00.840
<v Speaker 1>see if it changed people well being. We try to

1:29:00.920 --> 1:29:04.559
<v Speaker 1>measure well being your question by asking people sending These

1:29:04.600 --> 1:29:09.479
<v Speaker 1>are surveys. So essentially we work with academics, professionals, experts

1:29:09.520 --> 1:29:12.960
<v Speaker 1>outside of the company who have defined all sorts of

1:29:13.040 --> 1:29:15.280
<v Speaker 1>ways of measuring well being. So what they did is

1:29:15.320 --> 1:29:19.120
<v Speaker 1>they designed a set of questions that whose answers correlate.

1:29:19.280 --> 1:29:21.439
<v Speaker 1>So if you if you say you have a support network,

1:29:21.479 --> 1:29:23.719
<v Speaker 1>if you say you are not lonely, these things correlate

1:29:23.760 --> 1:29:26.600
<v Speaker 1>with real world wellbeing outcomes over the long run. And

1:29:26.680 --> 1:29:28.439
<v Speaker 1>so then we try to run surveys on Instagram and

1:29:28.439 --> 1:29:30.320
<v Speaker 1>ask people those same questions, and we try to see

1:29:30.600 --> 1:29:33.000
<v Speaker 1>for things like hiding lightcounts that change how people answer

1:29:33.040 --> 1:29:35.800
<v Speaker 1>those questions. It didn't. But some people love this and

1:29:35.880 --> 1:29:38.519
<v Speaker 1>some people hated it. And so what we did is,

1:29:38.560 --> 1:29:40.400
<v Speaker 1>you said, all right, well, given that, let's give people

1:29:40.439 --> 1:29:42.799
<v Speaker 1>a choice. You can decide you can hide light counts

1:29:43.240 --> 1:29:45.280
<v Speaker 1>and not have to be part of your Instagram experience,

1:29:45.439 --> 1:29:47.519
<v Speaker 1>or you can have light counts. Well more, we have

1:29:47.640 --> 1:29:49.760
<v Speaker 1>more with the head of Instagram, Adam Musseri. When we

1:29:49.840 --> 1:29:53.200
<v Speaker 1>come back is the Breakfast Club, Good morning, the Breakfast Club,

1:29:56.640 --> 1:30:00.760
<v Speaker 1>more Abidas, dj Envy angela Ye, shallow me and the

1:30:00.800 --> 1:30:02.800
<v Speaker 1>guy we are. The Breakfast Club was still kicking with

1:30:02.880 --> 1:30:06.320
<v Speaker 1>Adam Museri, the head of Instagram, tired of seeing if

1:30:06.400 --> 1:30:09.759
<v Speaker 1>I like her booty or not. I'm tired of bitcoin

1:30:09.960 --> 1:30:13.880
<v Speaker 1>because you should invest with this person. The word is sam.

1:30:14.479 --> 1:30:16.400
<v Speaker 1>I didn't know where he was talking about it something

1:30:16.560 --> 1:30:19.479
<v Speaker 1>long and hard. I don't get that one, but go ahead,

1:30:19.800 --> 1:30:25.840
<v Speaker 1>I get that so much like this, like it's ridiculous

1:30:25.880 --> 1:30:29.560
<v Speaker 1>and why stops? Yeah, so some of this happens just

1:30:29.720 --> 1:30:31.840
<v Speaker 1>because we make the mistakes and we think you're interested

1:30:31.840 --> 1:30:33.519
<v Speaker 1>in things that you're not interested in. And so right

1:30:33.560 --> 1:30:38.120
<v Speaker 1>now you can say, right, all, yeah, why would why

1:30:38.160 --> 1:30:40.040
<v Speaker 1>would you think? Are the ads? Are there just a

1:30:40.160 --> 1:30:47.559
<v Speaker 1>regular like spam much like comments comments spam? Yeah? Yeah, okay,

1:30:50.280 --> 1:30:54.040
<v Speaker 1>you're talking about spam in the comments, right. I thought

1:30:54.040 --> 1:30:56.080
<v Speaker 1>you were talking about like in your explore. No, this

1:30:56.280 --> 1:30:58.560
<v Speaker 1>is spam you're getting. If you're getting, you want a

1:30:58.600 --> 1:31:02.320
<v Speaker 1>long and hardened and explore. It's like trying to address this.

1:31:02.760 --> 1:31:09.240
<v Speaker 1>I'm ordering no, pedith, ordering penis and lament. This some delicate,

1:31:09.479 --> 1:31:12.960
<v Speaker 1>delicate you know, answer to this question was like, like,

1:31:13.000 --> 1:31:21.559
<v Speaker 1>what are you following? Man? Okay, way better now, Thank

1:31:21.600 --> 1:31:23.479
<v Speaker 1>you for making me feel good about it. If I

1:31:23.600 --> 1:31:26.720
<v Speaker 1>wasn't to explore with you know it teach their if

1:31:26.720 --> 1:31:36.519
<v Speaker 1>it's no judgments, No, it's in the comment picture right

1:31:36.560 --> 1:31:39.479
<v Speaker 1>now and within spams. Yeah, so this is yeah, so

1:31:39.560 --> 1:31:41.960
<v Speaker 1>the bots and the spam comments. So we are working

1:31:42.040 --> 1:31:44.000
<v Speaker 1>on this. One of the things is we've made less

1:31:44.080 --> 1:31:46.720
<v Speaker 1>progress on this issue as some other issues because we've

1:31:46.800 --> 1:31:50.840
<v Speaker 1>prioritized things like safety issues. But we've gotten better at bots.

1:31:50.920 --> 1:31:53.519
<v Speaker 1>But the thing is the spammer is and the bots

1:31:53.520 --> 1:31:56.120
<v Speaker 1>they've gotten more sophisticated. So we do things we look like, okay,

1:31:56.120 --> 1:31:58.599
<v Speaker 1>if you comment every second of the day, twenty four

1:31:58.600 --> 1:32:00.439
<v Speaker 1>hours a day, you're not a person. You're so like,

1:32:00.479 --> 1:32:03.160
<v Speaker 1>we shut you down. But they've gotten sophisticated. They mask

1:32:03.240 --> 1:32:05.519
<v Speaker 1>themselves at different phones, they do it on different intervals,

1:32:05.800 --> 1:32:08.080
<v Speaker 1>they pretend to sleep, they do all of this stuff,

1:32:08.120 --> 1:32:10.720
<v Speaker 1>and so it's it's a it's an arms race, so

1:32:10.840 --> 1:32:13.040
<v Speaker 1>to speak. As we get better at addressing issues, they

1:32:13.120 --> 1:32:14.720
<v Speaker 1>work around those issues, and then we got to get

1:32:14.760 --> 1:32:16.720
<v Speaker 1>better addressing those new issues. I should hire them. They

1:32:16.760 --> 1:32:19.240
<v Speaker 1>seem pretty We try, we try, we know we try

1:32:19.320 --> 1:32:21.479
<v Speaker 1>what about getting verified? People always want to know how

1:32:21.520 --> 1:32:23.439
<v Speaker 1>can I get ver Yes, there's people that are like,

1:32:23.560 --> 1:32:25.920
<v Speaker 1>I can pay if you pay me, I can get

1:32:25.960 --> 1:32:34.680
<v Speaker 1>you a scam scam, No, don't um. So you can

1:32:34.720 --> 1:32:37.599
<v Speaker 1>apply in the app the point of verification though it's

1:32:37.680 --> 1:32:41.160
<v Speaker 1>not supposed to be a status symbol. It's supposed to

1:32:41.240 --> 1:32:43.560
<v Speaker 1>be a way for people who are getting impersonated to

1:32:43.680 --> 1:32:46.280
<v Speaker 1>be able to signal to the world what their real

1:32:46.320 --> 1:32:48.439
<v Speaker 1>account is. Now it's turned into a status symbol. I

1:32:48.520 --> 1:32:50.439
<v Speaker 1>get that, but that was not ever the intent. You

1:32:50.520 --> 1:32:53.200
<v Speaker 1>can apply in the app. What we look for essentially

1:32:53.400 --> 1:32:57.200
<v Speaker 1>is notability. We try to evaluate it using third parties,

1:32:57.320 --> 1:32:59.760
<v Speaker 1>so we basically look for press about you. There's no

1:33:00.000 --> 1:33:02.800
<v Speaker 1>in them follow our account. If you don't get approved

1:33:03.160 --> 1:33:05.320
<v Speaker 1>in the vast majority of the cases, it's because we

1:33:05.400 --> 1:33:08.120
<v Speaker 1>couldn't find enough press about you. Let's say I've search

1:33:08.200 --> 1:33:11.519
<v Speaker 1>cars and then all I'll get his cars, car car car,

1:33:11.680 --> 1:33:14.479
<v Speaker 1>car car car, or if I search your phones, or

1:33:14.520 --> 1:33:16.560
<v Speaker 1>I'll get his phone phone and phone phonell do you

1:33:16.640 --> 1:33:18.400
<v Speaker 1>guys do that? And can we take that off so

1:33:18.520 --> 1:33:20.240
<v Speaker 1>I don't have to see that all day long? Forgive

1:33:20.280 --> 1:33:23.240
<v Speaker 1>search and I can be talking about something we don't listen.

1:33:23.320 --> 1:33:26.200
<v Speaker 1>We don't listen. My wife thinks I'm a liar on

1:33:26.280 --> 1:33:28.200
<v Speaker 1>this too. It's a real cast and fight at the home.

1:33:28.880 --> 1:33:33.200
<v Speaker 1>Um okay, So on the search or on ads more broadly,

1:33:33.280 --> 1:33:35.040
<v Speaker 1>so this is this adds where this will happens. Ye,

1:33:35.640 --> 1:33:37.360
<v Speaker 1>they'll explore. It is a little tippy too, like if

1:33:37.400 --> 1:33:39.200
<v Speaker 1>I express a little bit too much interest in something,

1:33:39.280 --> 1:33:40.720
<v Speaker 1>I get a lot of that thing for a couple

1:33:40.720 --> 1:33:42.960
<v Speaker 1>of whiles. So we're trying to get to better um

1:33:43.160 --> 1:33:46.120
<v Speaker 1>balance there. But on ads you can't. You can go

1:33:46.160 --> 1:33:47.920
<v Speaker 1>to your ad preferences and you can say I'm interested in.

1:33:48.040 --> 1:33:49.519
<v Speaker 1>It will show you what we think you're interested in,

1:33:49.600 --> 1:33:51.720
<v Speaker 1>and you can change them. Um. And so that's over

1:33:51.840 --> 1:33:54.759
<v Speaker 1>undersettings under your profile and or ad preferences for listening.

1:33:54.840 --> 1:33:57.799
<v Speaker 1>We are not listening. It would be a gross violation

1:33:57.840 --> 1:33:59.960
<v Speaker 1>of policy. Would also drain your battery, your phone would

1:34:00.080 --> 1:34:01.400
<v Speaker 1>turn on like you would be able to know it.

1:34:01.800 --> 1:34:04.040
<v Speaker 1>But all the time we get accused of this. I

1:34:04.240 --> 1:34:07.680
<v Speaker 1>think what is happening is one sometimes the advertising is

1:34:07.680 --> 1:34:10.120
<v Speaker 1>actually working. Like you saw it a couple of times

1:34:10.640 --> 1:34:12.479
<v Speaker 1>and then you thought about it, and then you know,

1:34:12.640 --> 1:34:14.439
<v Speaker 1>and then you noticed it and you talked about it.

1:34:14.800 --> 1:34:16.160
<v Speaker 1>I don't have a bible to make you put you

1:34:16.400 --> 1:34:20.400
<v Speaker 1>I will put my hand on it. I don't know

1:34:20.439 --> 1:34:25.800
<v Speaker 1>how to I'm not going to convince you. Clearly that's

1:34:25.840 --> 1:34:27.560
<v Speaker 1>a weird thing to do. If you want me to

1:34:27.600 --> 1:34:30.760
<v Speaker 1>do it, I'll do it. Um. I think also is

1:34:30.840 --> 1:34:33.840
<v Speaker 1>that we don't just show you ads based on what

1:34:33.960 --> 1:34:36.280
<v Speaker 1>we know about you. We show you ads based on

1:34:36.640 --> 1:34:38.559
<v Speaker 1>you know what your friends seem to like. We call

1:34:38.640 --> 1:34:41.320
<v Speaker 1>that collaborative filtering. And ads are good, like we're good

1:34:41.479 --> 1:34:43.840
<v Speaker 1>at figuring out what you're interested in. We don't always

1:34:43.840 --> 1:34:45.160
<v Speaker 1>get it right. We make mistakes. I know a lot

1:34:45.200 --> 1:34:47.040
<v Speaker 1>of people don't like ads, but we think that ads

1:34:47.080 --> 1:34:51.000
<v Speaker 1>fundamentally they allow small businesses to play on an equal

1:34:51.040 --> 1:34:53.320
<v Speaker 1>playing field with big businesses. And then it woul happened

1:34:53.320 --> 1:34:54.920
<v Speaker 1>to you. Have you been talking about something then you

1:34:54.960 --> 1:34:57.360
<v Speaker 1>look down at your Instagram the ad for it pops up.

1:34:57.960 --> 1:35:00.720
<v Speaker 1>Not directly, no, but I've definitely they had things been like,

1:35:00.800 --> 1:35:03.280
<v Speaker 1>how the hell did we know I was interested in that?

1:35:03.680 --> 1:35:05.880
<v Speaker 1>How many meanings did you have to be in the president?

1:35:06.160 --> 1:35:09.720
<v Speaker 1>That was that a huge conversation. It was an intense conversation,

1:35:10.520 --> 1:35:13.479
<v Speaker 1>but it was an intensity of circumstances we didn't have

1:35:13.640 --> 1:35:17.320
<v Speaker 1>a policy for what happens when a sitting president incites

1:35:17.360 --> 1:35:20.720
<v Speaker 1>a riot to try to prevent the peaceful transfer of

1:35:20.760 --> 1:35:23.080
<v Speaker 1>power to a new president. There's sort of the new

1:35:23.200 --> 1:35:26.400
<v Speaker 1>territory for all of us lying this whole presidency. Though, yeah,

1:35:26.400 --> 1:35:28.640
<v Speaker 1>I could have took them down early on, right, But

1:35:28.720 --> 1:35:31.960
<v Speaker 1>we don't have a policy against lye. We have a

1:35:32.000 --> 1:35:34.400
<v Speaker 1>policy against lying when they're safety risks. You could make

1:35:34.439 --> 1:35:36.920
<v Speaker 1>that case here. But we also want to make sure

1:35:36.960 --> 1:35:40.040
<v Speaker 1>that politicians can get health accountable for their actions, and

1:35:40.200 --> 1:35:42.920
<v Speaker 1>so they've had historically in certain areas different rules, the

1:35:43.000 --> 1:35:45.240
<v Speaker 1>same way public figures have different rules. But that was

1:35:45.280 --> 1:35:47.720
<v Speaker 1>an intense moment, and we have this thing that we

1:35:47.840 --> 1:35:49.640
<v Speaker 1>call the Oversight Board now because a lot of these

1:35:49.720 --> 1:35:52.479
<v Speaker 1>decisions we think shouldn't be made by us directly, So

1:35:52.560 --> 1:35:55.880
<v Speaker 1>we sort of built this board. It's independent, and we

1:35:56.280 --> 1:35:59.360
<v Speaker 1>made this decision and then we asked them for their

1:35:59.400 --> 1:36:02.120
<v Speaker 1>opinion on it. Basically, um, they did. But what I

1:36:02.120 --> 1:36:04.000
<v Speaker 1>would have done, which they said, is like, yeah, we

1:36:04.000 --> 1:36:05.479
<v Speaker 1>would have banned them too, But you have to have

1:36:05.520 --> 1:36:08.200
<v Speaker 1>a policy. You can't just like do it something, you know,

1:36:08.280 --> 1:36:09.960
<v Speaker 1>as a one off. And I think that was fair.

1:36:10.000 --> 1:36:12.800
<v Speaker 1>And then we defined a policy now and he suspended

1:36:12.880 --> 1:36:15.320
<v Speaker 1>four two years. Who owns the pictures that you post?

1:36:15.400 --> 1:36:17.000
<v Speaker 1>Because it was a rumor that you own a pictures

1:36:17.760 --> 1:36:20.439
<v Speaker 1>so we own a pictures. Instagram does not own the pictures. Yeah,

1:36:20.640 --> 1:36:24.520
<v Speaker 1>once every year or two we get a false declaration

1:36:24.640 --> 1:36:26.280
<v Speaker 1>that like, you don't own your stuff and if you

1:36:26.400 --> 1:36:29.680
<v Speaker 1>repost this random chain letter, you own it and it

1:36:29.760 --> 1:36:31.759
<v Speaker 1>goes viral. But then we try to go on correct

1:36:31.800 --> 1:36:34.439
<v Speaker 1>that as quickly as possible and make sure people know

1:36:34.479 --> 1:36:36.759
<v Speaker 1>what the real rules are. I wonder about the intention.

1:36:36.800 --> 1:36:39.000
<v Speaker 1>I wonder what the intention was when they first started

1:36:39.040 --> 1:36:42.040
<v Speaker 1>a lot of these sites. But also when you see

1:36:42.120 --> 1:36:45.439
<v Speaker 1>Frankenstein becoming Frankenstein, when do you know, maybe it might

1:36:45.520 --> 1:36:49.280
<v Speaker 1>be time to take down Frankenstein's Frankenstein the whole thing.

1:36:49.439 --> 1:36:51.600
<v Speaker 1>At this point, it feels like it like when you

1:36:51.680 --> 1:36:53.400
<v Speaker 1>watch movies, like when you watch the communities, like the

1:36:53.479 --> 1:36:56.080
<v Speaker 1>Social Dilemma on Netflix. What goes through your mind that

1:36:56.200 --> 1:36:58.439
<v Speaker 1>specific one, though, I felt like it was a little

1:36:58.479 --> 1:37:02.840
<v Speaker 1>bit dramatic triplet programmers like in a Star Trek place

1:37:02.920 --> 1:37:05.360
<v Speaker 1>deciding what you see is clearly on how things work.

1:37:05.520 --> 1:37:07.240
<v Speaker 1>But overall I thought they were bringing up in portant

1:37:07.240 --> 1:37:08.920
<v Speaker 1>issues that should be talked about. I thought that's a

1:37:08.960 --> 1:37:12.360
<v Speaker 1>healthy thing. Now, Look I'm biased. I want to recognize

1:37:12.360 --> 1:37:14.800
<v Speaker 1>that up front, but I really believe that we do

1:37:14.960 --> 1:37:16.600
<v Speaker 1>a lot of good in the world. We help a

1:37:16.640 --> 1:37:19.559
<v Speaker 1>lot of people express themselves. We help them go straight

1:37:19.600 --> 1:37:21.799
<v Speaker 1>to their fans or to the or to their friends,

1:37:22.120 --> 1:37:24.840
<v Speaker 1>they don't have to go to traditional media. We will

1:37:24.840 --> 1:37:27.599
<v Speaker 1>help small businesses around the world. We help marginalized communities

1:37:27.600 --> 1:37:29.479
<v Speaker 1>around the world in a lot of ways. But there's

1:37:29.479 --> 1:37:31.559
<v Speaker 1>bad that comes to now. I think there's more good

1:37:31.600 --> 1:37:33.880
<v Speaker 1>than bad. So I don't think that it makes sense that,

1:37:34.040 --> 1:37:35.920
<v Speaker 1>you know, put a bullet in Frankenstein to use your

1:37:35.960 --> 1:37:39.080
<v Speaker 1>metaphor right the playing field for people too in a

1:37:39.160 --> 1:37:40.800
<v Speaker 1>huge way. Like I love to see how like a

1:37:40.880 --> 1:37:43.120
<v Speaker 1>Lala Milan or a DC young Fly, how some of

1:37:43.240 --> 1:37:46.120
<v Speaker 1>these creators have been able to really use social media

1:37:46.640 --> 1:37:48.840
<v Speaker 1>to get the platforms that they have now. But then

1:37:48.880 --> 1:37:50.599
<v Speaker 1>I hate qing on and then I hate the fact

1:37:50.600 --> 1:37:53.160
<v Speaker 1>that there was an attempted cool of the government on January.

1:37:53.160 --> 1:37:54.600
<v Speaker 1>So it's like, I really feel like we're headed do

1:37:54.760 --> 1:37:59.080
<v Speaker 1>some orson wells war the world type because of nobody

1:37:59.120 --> 1:38:00.920
<v Speaker 1>cares about the truth on social media when the lives

1:38:00.960 --> 1:38:03.160
<v Speaker 1>more entertained. Well, I think confirmation bias is a thing,

1:38:03.240 --> 1:38:05.720
<v Speaker 1>and that's the oldest time. People want to hear what

1:38:05.800 --> 1:38:07.040
<v Speaker 1>they agree with and they don't want to hear what

1:38:07.120 --> 1:38:08.960
<v Speaker 1>they don't agree with. Just give me the keys to

1:38:09.040 --> 1:38:12.000
<v Speaker 1>the nuclear code. Just tell me. Just give me and

1:38:12.080 --> 1:38:14.360
<v Speaker 1>I can just go in and delete pages. That's it.

1:38:14.600 --> 1:38:17.200
<v Speaker 1>I can do that. I got time. It's a lot

1:38:17.240 --> 1:38:18.960
<v Speaker 1>of people, it's a lot of I got it. Just

1:38:19.040 --> 1:38:20.840
<v Speaker 1>give me the keys to the nuclear code. But the

1:38:20.920 --> 1:38:23.479
<v Speaker 1>concerns you have, like I said before, we had those

1:38:23.520 --> 1:38:27.760
<v Speaker 1>concerns about every major new technology, particularly around the ones

1:38:27.840 --> 1:38:30.160
<v Speaker 1>that change how people communicate. One of the big concerns

1:38:30.160 --> 1:38:31.840
<v Speaker 1>about writing when it first existed was that there was

1:38:31.880 --> 1:38:33.760
<v Speaker 1>no one there to disagree with you. Well, those people

1:38:33.760 --> 1:38:36.200
<v Speaker 1>get held liable though, Like you can sue an author

1:38:36.320 --> 1:38:38.240
<v Speaker 1>for playing the defamation. That's why they take to change

1:38:38.320 --> 1:38:40.400
<v Speaker 1>names in books and things of that nature. But for

1:38:40.479 --> 1:38:42.599
<v Speaker 1>certain issues, yeah, But for other issues, no, you could

1:38:42.640 --> 1:38:44.760
<v Speaker 1>say something, you can make a case for something that

1:38:44.960 --> 1:38:47.639
<v Speaker 1>is really problematic in a bunch of different ways, put

1:38:47.720 --> 1:38:50.519
<v Speaker 1>it out there and it doesn't violate along in any country.

1:38:50.720 --> 1:38:53.240
<v Speaker 1>You can sue for defamation on social media too. Though, right,

1:38:53.280 --> 1:38:56.880
<v Speaker 1>if somebody says something about you that's defamatory and not true. Yeah,

1:38:56.960 --> 1:38:59.880
<v Speaker 1>I think the question is who's accountable is the person

1:39:00.000 --> 1:39:02.240
<v Speaker 1>who said it or the platforms or the platform And

1:39:03.160 --> 1:39:05.080
<v Speaker 1>I think the platforms need to be held accountable for

1:39:05.800 --> 1:39:09.479
<v Speaker 1>taking not just reasonable, but like meaningful measures to reduce

1:39:09.560 --> 1:39:12.160
<v Speaker 1>these problems. I don't think it's sustainable for us to

1:39:12.280 --> 1:39:15.960
<v Speaker 1>be accountable for everything everybody says, because if we were,

1:39:16.520 --> 1:39:19.960
<v Speaker 1>we would have to take down so much content that

1:39:20.080 --> 1:39:22.800
<v Speaker 1>you would have a huge censorship issue. We appreciate you

1:39:22.880 --> 1:39:25.000
<v Speaker 1>for joining us so little do I mean little Boozy's

1:39:25.000 --> 1:39:29.040
<v Speaker 1>pages down because of nudity? Sorry do boh? I don't

1:39:29.080 --> 1:39:31.000
<v Speaker 1>know off the top of that. I'll look it up though. Okay,

1:39:31.160 --> 1:39:36.000
<v Speaker 1>well it's Adam, It's the Breakfast Club. Good morning to

1:39:36.160 --> 1:39:42.760
<v Speaker 1>wake up. It's the Breakfast Club. Angela year here and

1:39:42.920 --> 1:39:45.400
<v Speaker 1>my friends at the General Insurance give you quality car

1:39:45.520 --> 1:39:48.759
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1:39:48.800 --> 1:39:51.600
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1:39:51.680 --> 1:39:55.080
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1:39:55.120 --> 1:40:02.439
<v Speaker 1>insurance agency Nashville, Tennessee. Some restrictions Power one five one

1:40:03.520 --> 1:40:11.760
<v Speaker 1>donkey a date you get donkey every day you are,

1:40:16.640 --> 1:40:19.439
<v Speaker 1>I'm gonna fatten all that around your eye. This man

1:40:19.720 --> 1:40:23.640
<v Speaker 1>to Doton Blowers man, they waited for Charlomagne. I had

1:40:23.640 --> 1:40:25.479
<v Speaker 1>to make a judgment. Who was gonna be on the

1:40:25.560 --> 1:40:29.840
<v Speaker 1>donkey of the day. They chose you the breakfast club bitch. Yeah,

1:40:29.920 --> 1:40:32.800
<v Speaker 1>I had a day to day. What donkey to Dave

1:40:32.920 --> 1:40:36.080
<v Speaker 1>goes to me? Okay, Leonardo mclvy ak Charlomagne and to God.

1:40:36.120 --> 1:40:37.559
<v Speaker 1>I'm gonna tell you why now I'm a good, god

1:40:37.640 --> 1:40:39.720
<v Speaker 1>fearing man with a criminal mind state Okay. Grew up

1:40:39.720 --> 1:40:41.439
<v Speaker 1>on a dirt road in Monkst corner of South Carolina.

1:40:41.640 --> 1:40:43.920
<v Speaker 1>Mom was a Jehovah witness English teacher. My father was

1:40:43.920 --> 1:40:47.320
<v Speaker 1>an entrepreneurgro did everything from owning a fish market, the construction,

1:40:47.479 --> 1:40:49.600
<v Speaker 1>the selling narcotics. It is what it is, It was

1:40:49.680 --> 1:40:51.599
<v Speaker 1>what it was. My mother kept a book in my face.

1:40:51.640 --> 1:40:53.880
<v Speaker 1>I read everything from my book of Bible stories. To

1:40:53.960 --> 1:40:57.040
<v Speaker 1>all you there, God, it's me Margaret side note. Judy

1:40:57.120 --> 1:40:59.880
<v Speaker 1>Bloom sent me and my oldest daughter an autograph cop

1:41:00.040 --> 1:41:02.080
<v Speaker 1>you of all you there, God, it's me. Margaret dropped

1:41:02.080 --> 1:41:04.320
<v Speaker 1>on the clues bombs for Judy Bloom. Bro you can't

1:41:04.360 --> 1:41:08.840
<v Speaker 1>shout that out with a mask. Okay. She signed it

1:41:08.920 --> 1:41:12.080
<v Speaker 1>to Charlemagne and in parentheses Leonard, love you from your fan,

1:41:12.200 --> 1:41:15.080
<v Speaker 1>Judy Bloom. Thank you, Judy. Also side note to a

1:41:15.120 --> 1:41:18.840
<v Speaker 1>side note, I ordered some penis enlargement pills and I've

1:41:18.880 --> 1:41:21.639
<v Speaker 1>been taking them, and I've been chanting, I must, I must,

1:41:21.720 --> 1:41:23.760
<v Speaker 1>I must increase my thrust. I explained it on this

1:41:23.840 --> 1:41:26.439
<v Speaker 1>week's Brand Idiots podcast. Go listen, Now, what's my point here?

1:41:26.520 --> 1:41:29.200
<v Speaker 1>My point here is that I come from the dirt

1:41:29.439 --> 1:41:31.439
<v Speaker 1>all right, South Carolina, eight for three all day. That

1:41:31.600 --> 1:41:33.600
<v Speaker 1>is always in me. Therefore, I will always love the

1:41:33.720 --> 1:41:36.639
<v Speaker 1>ratchetness of life, even at forty two years old, married

1:41:36.680 --> 1:41:40.120
<v Speaker 1>with three kids and a receding headline. I love ratchetness.

1:41:40.200 --> 1:41:42.160
<v Speaker 1>I still do hood rat things with my friends. We

1:41:42.280 --> 1:41:44.800
<v Speaker 1>just do it at our houses are on vacation when

1:41:44.840 --> 1:41:46.639
<v Speaker 1>the kids go to sleep. But the reason I'm giving

1:41:46.680 --> 1:41:50.439
<v Speaker 1>myself donkey of to day is because this morning, when

1:41:50.479 --> 1:41:53.280
<v Speaker 1>I was here by myself, I was talking about the

1:41:53.360 --> 1:41:56.920
<v Speaker 1>domestic terrorists that you know hit the capitol, you know,

1:41:57.000 --> 1:41:59.720
<v Speaker 1>Vanilla isis And I was still on a high after

1:42:00.000 --> 1:42:03.639
<v Speaker 1>listening to all these good country rap tunes this morning

1:42:03.720 --> 1:42:06.800
<v Speaker 1>on title and I feel I feel stupid. Just listen

1:42:06.840 --> 1:42:09.880
<v Speaker 1>to how I've been sounding this morning. I've talked my

1:42:09.960 --> 1:42:12.800
<v Speaker 1>way out of enough home invasions to know when something

1:42:12.920 --> 1:42:15.000
<v Speaker 1>is a setup. Okay. I don't even know who the

1:42:15.080 --> 1:42:18.519
<v Speaker 1>trust in government anymore, but I know who I do trust,

1:42:19.040 --> 1:42:23.559
<v Speaker 1>and that's no damn body okay. Period. And for some reason,

1:42:23.600 --> 1:42:25.040
<v Speaker 1>I started to saying, that's on crip. But I'm not

1:42:25.080 --> 1:42:26.200
<v Speaker 1>a crips. I don't even know why the hell I

1:42:26.240 --> 1:42:28.280
<v Speaker 1>would even say something like that. All right, Sluth dollar

1:42:28.320 --> 1:42:30.479
<v Speaker 1>gangs out there, I'm driving in this morning. I heard

1:42:30.479 --> 1:42:32.600
<v Speaker 1>you shout out all the gangs. Then I don't know

1:42:32.640 --> 1:42:34.439
<v Speaker 1>why I said, I'm gonna be asking you, you know

1:42:34.479 --> 1:42:36.200
<v Speaker 1>how I feelbody be talking like that's on crip and

1:42:36.200 --> 1:42:37.479
<v Speaker 1>then I don't think about it, like I didn't even

1:42:37.520 --> 1:42:39.400
<v Speaker 1>know crip. Why am I saying I'm walking in blue

1:42:39.439 --> 1:42:41.479
<v Speaker 1>dollar gangs? Though, Mellow, I don't know what's going on

1:42:41.600 --> 1:42:48.880
<v Speaker 1>to Pall held it down for the morning. Why everybody

1:42:49.000 --> 1:42:52.960
<v Speaker 1>wasn't there, Man, it's about time. I don't know who

1:42:53.040 --> 1:42:56.519
<v Speaker 1>died it made you six nine, but I don't know

1:42:56.680 --> 1:42:59.639
<v Speaker 1>who died and made me six nineties. And Mellow, it's

1:42:59.720 --> 1:43:01.880
<v Speaker 1>quite a problems with all those statements. Number one, I

1:43:01.920 --> 1:43:03.920
<v Speaker 1>don't gang bang, never having my life. I'm not a cript,

1:43:04.000 --> 1:43:06.000
<v Speaker 1>not a blood either. I'm nothing. I'm a man who

1:43:06.040 --> 1:43:08.080
<v Speaker 1>has therapy today at three pm. I'm a man who

1:43:08.200 --> 1:43:10.560
<v Speaker 1>is scared to order a protein shake from around the

1:43:10.600 --> 1:43:12.760
<v Speaker 1>corner and hear in tribecas because I feel like they

1:43:12.880 --> 1:43:14.720
<v Speaker 1>keep giving me whole milk and not owning milk. And

1:43:14.760 --> 1:43:16.679
<v Speaker 1>I don't have time to spend hours on the toilet

1:43:16.720 --> 1:43:19.240
<v Speaker 1>today and I get dairy bumps. My point was saying

1:43:19.320 --> 1:43:21.799
<v Speaker 1>all of this, and the reason I'm giving myself donkey

1:43:21.840 --> 1:43:24.360
<v Speaker 1>to day is because I just feel stupid, and donkey

1:43:24.439 --> 1:43:26.559
<v Speaker 1>today is all about giving people to credit they deserve

1:43:26.640 --> 1:43:28.479
<v Speaker 1>for being stupid. If you read my first book, the

1:43:28.560 --> 1:43:30.600
<v Speaker 1>New York Times best selling Black Privilege, and you know

1:43:30.880 --> 1:43:33.320
<v Speaker 1>one of my laws in my book was always give

1:43:33.360 --> 1:43:35.920
<v Speaker 1>people to credit they deserve for being stupid, including yourself.

1:43:36.080 --> 1:43:38.000
<v Speaker 1>And that's what I'm doing right now. The reason I

1:43:38.040 --> 1:43:40.519
<v Speaker 1>feel stupid is because I was writing in the work

1:43:40.560 --> 1:43:42.800
<v Speaker 1>this morning, listening to the New South playlists on a

1:43:42.840 --> 1:43:44.880
<v Speaker 1>title bro. There's some records on there that make my

1:43:45.040 --> 1:43:48.040
<v Speaker 1>inner child smile. I mean, there are records on there

1:43:48.080 --> 1:43:51.120
<v Speaker 1>that make the hood and me happy. Okay, I'm from

1:43:51.160 --> 1:43:53.040
<v Speaker 1>South Carolina the eight four three eight or three eighty

1:43:53.080 --> 1:43:54.720
<v Speaker 1>six four. When you come from a certain environment, there

1:43:54.840 --> 1:43:56.960
<v Speaker 1>is a certain energy that is always in you. And

1:43:57.040 --> 1:43:59.080
<v Speaker 1>when you listen to certain music, certain music is so

1:43:59.320 --> 1:44:02.400
<v Speaker 1>powerful and it would just have you feeling like you

1:44:02.560 --> 1:44:06.200
<v Speaker 1>something you're not. Okay, that's what Pooh shysty guard Up

1:44:06.280 --> 1:44:09.880
<v Speaker 1>did for me. Okay, that's play pool shasty guard Um.

1:44:09.920 --> 1:44:11.560
<v Speaker 1>Let me here a little bit of that man comes

1:44:11.960 --> 1:44:18.400
<v Speaker 1>up to bunt up on the key to car members

1:44:18.439 --> 1:44:24.200
<v Speaker 1>of the early Somebody think I applied gold Team so

1:44:24.280 --> 1:44:26.960
<v Speaker 1>I can put them in my mouth. Okay, That's what

1:44:27.120 --> 1:44:29.640
<v Speaker 1>Off the Porch by by by kid Glock did for

1:44:29.720 --> 1:44:31.559
<v Speaker 1>me this morning, Evey, I was listening to the Roaring

1:44:31.600 --> 1:44:34.479
<v Speaker 1>Twenties by Flow Million. Did my dog Little Boss from

1:44:34.520 --> 1:44:36.840
<v Speaker 1>North Chalton, southcare Lotty. He's on the New South title

1:44:36.880 --> 1:44:38.519
<v Speaker 1>playlist and you've got a song called I Know It.

1:44:38.680 --> 1:44:40.439
<v Speaker 1>He from the same state as me. He from the Chuck.

1:44:40.560 --> 1:44:43.880
<v Speaker 1>How could I not be influenced? Okay, how can I

1:44:44.240 --> 1:44:46.840
<v Speaker 1>not be? You know what I feel like right now?

1:44:46.880 --> 1:44:49.800
<v Speaker 1>I'm at the point where I'm like a wax on

1:44:49.920 --> 1:44:52.240
<v Speaker 1>minutes to society sleut to the good brother MCA. Make

1:44:52.240 --> 1:44:54.360
<v Speaker 1>sure y'all check out that gangst the Chronicles podcast on

1:44:54.400 --> 1:44:56.920
<v Speaker 1>the Black Effect. I heart radio Network. I'm like a wax.

1:44:56.960 --> 1:44:58.320
<v Speaker 1>I don't did so much dirt that I just like

1:44:58.400 --> 1:44:59.920
<v Speaker 1>to see other people do it. I like to hear,

1:45:00.280 --> 1:45:01.920
<v Speaker 1>I like to feel it. I like to see it.

1:45:02.240 --> 1:45:05.640
<v Speaker 1>But I'm not doing it, and you don't have to

1:45:05.800 --> 1:45:07.400
<v Speaker 1>hear certain records and it takes you back to your

1:45:07.400 --> 1:45:11.720
<v Speaker 1>old while out days. Yes, so I'm not alone here? Then, yeah,

1:45:11.760 --> 1:45:13.559
<v Speaker 1>you are a little bit alone. I mean why why

1:45:13.640 --> 1:45:15.200
<v Speaker 1>why am I alone? Because you have a ski mask

1:45:15.280 --> 1:45:17.479
<v Speaker 1>on and you've been saying on slide you judging me

1:45:17.600 --> 1:45:20.600
<v Speaker 1>some on God? Why are waiting a gun? Happy and

1:45:20.640 --> 1:45:23.160
<v Speaker 1>fake gun? You're right, let me put that away, Okay,

1:45:23.640 --> 1:45:25.360
<v Speaker 1>I'm just saying it really makes you think about the

1:45:25.439 --> 1:45:27.439
<v Speaker 1>influence this music is having on the youth, because they

1:45:27.560 --> 1:45:30.599
<v Speaker 1>influenced my big grown ass this morning. But not because

1:45:30.840 --> 1:45:33.600
<v Speaker 1>they might rap about violence of doing criminal activities and

1:45:33.640 --> 1:45:38.960
<v Speaker 1>gang stuff, but because it's fun. It's just fun. I mean,

1:45:39.040 --> 1:45:40.920
<v Speaker 1>listen to these country rapus play some of that key

1:45:40.960 --> 1:45:43.360
<v Speaker 1>clock off the porch. Just listen. It's like, Hey, I

1:45:43.479 --> 1:45:45.320
<v Speaker 1>jumped off the porch. Then I jumped in the book.

1:45:45.360 --> 1:45:46.800
<v Speaker 1>I used to wrap this piece and now I got

1:45:46.880 --> 1:45:49.519
<v Speaker 1>a new coopet humble, but I'm playing it out cool,

1:45:49.560 --> 1:45:52.200
<v Speaker 1>but don't get this shit on the news. Hey, come

1:45:52.280 --> 1:45:55.519
<v Speaker 1>on home, man, But hey, play some of that flow

1:45:55.600 --> 1:45:58.360
<v Speaker 1>Milly Roaring twenties, and I'm gonna tell you something. You know,

1:45:58.880 --> 1:46:02.719
<v Speaker 1>I'm all about to sacred masculine and the divine feminine. Okay,

1:46:02.880 --> 1:46:04.960
<v Speaker 1>this right here is for the divine hood ratting all

1:46:04.960 --> 1:46:07.200
<v Speaker 1>of us play some of the rowing attorneys by floor Millie, okay,

1:46:12.560 --> 1:46:16.960
<v Speaker 1>making me feeling. Come home man, that for all the

1:46:17.080 --> 1:46:19.760
<v Speaker 1>negroes that want to do the Busteed challenge. But our

1:46:19.920 --> 1:46:23.960
<v Speaker 1>needs not what they used to be. Okay, okay you hey,

1:46:24.160 --> 1:46:27.360
<v Speaker 1>play a snippet of my dog little Boss. Okay, I

1:46:27.479 --> 1:46:31.400
<v Speaker 1>know it South Carolina all day. Come on now, she said,

1:46:31.600 --> 1:46:33.240
<v Speaker 1>like when I saw something first one I woke up

1:46:33.280 --> 1:46:35.000
<v Speaker 1>and I said, I know more now she said, she

1:46:35.160 --> 1:46:37.200
<v Speaker 1>like counster and I'm getting that money And I said,

1:46:37.240 --> 1:46:39.400
<v Speaker 1>I know It're like got that bag on back and

1:46:39.520 --> 1:46:42.120
<v Speaker 1>that's funny, man, And they're like at that scrap on

1:46:42.320 --> 1:46:46.120
<v Speaker 1>because I know that they after me. That's when I

1:46:46.160 --> 1:46:53.080
<v Speaker 1>saw some now and do you feel me fly on trap? Okay,

1:46:53.200 --> 1:46:55.800
<v Speaker 1>you do it, yo, dramas on guiding them. Give me

1:46:55.840 --> 1:47:01.559
<v Speaker 1>the biggest he hall okay and take me to court

1:47:01.600 --> 1:47:03.599
<v Speaker 1>right now. This guy forgot these forty years old, has

1:47:03.640 --> 1:47:06.360
<v Speaker 1>three forty two, it has three kids. I need to

1:47:06.400 --> 1:47:08.479
<v Speaker 1>go to breakfast club called put me on trial right now.

1:47:09.600 --> 1:47:11.800
<v Speaker 1>Make me sit in my old ass down somewhere. Ladies

1:47:11.840 --> 1:47:13.760
<v Speaker 1>and gentlemen call us up right now. Eight hundred five

1:47:13.800 --> 1:47:16.000
<v Speaker 1>A five one than five one now, Charlomne the guy

1:47:16.080 --> 1:47:19.280
<v Speaker 1>a k A. Leonard mckelby, a k A fake ass

1:47:19.360 --> 1:47:22.120
<v Speaker 1>crift ak A fake ass live a k A six

1:47:22.360 --> 1:47:25.479
<v Speaker 1>D reincarnated. Does he have a problem right now? Is

1:47:25.520 --> 1:47:30.200
<v Speaker 1>he to be having music influenced him like this? Right now?

1:47:30.240 --> 1:47:32.280
<v Speaker 1>He has a ski mask on. He's been saying bad

1:47:32.320 --> 1:47:34.439
<v Speaker 1>black with his little shoot two two two gun that

1:47:34.520 --> 1:47:36.439
<v Speaker 1>he has in his hand. That's a fake gun. That's

1:47:36.520 --> 1:47:39.519
<v Speaker 1>his finger. I'm holding his sideways too, then what it's

1:47:39.560 --> 1:47:41.960
<v Speaker 1>throw with him? Right now? You'll stay away from me?

1:47:42.120 --> 1:47:44.600
<v Speaker 1>Eight D five A five one than five. Is this

1:47:44.760 --> 1:47:47.920
<v Speaker 1>guy too oh to be having music influenced him like that? Oh?

1:47:48.000 --> 1:47:50.280
<v Speaker 1>Way too? Only be having music influenced us like that?

1:47:50.520 --> 1:47:52.920
<v Speaker 1>Because I can take what um gang stuff with um blood,

1:47:53.120 --> 1:48:01.880
<v Speaker 1>what um cub um gang. What I'm saying, you take

1:48:02.439 --> 1:48:08.080
<v Speaker 1>take it by ba ba bay, that's right to take

1:48:08.120 --> 1:48:10.759
<v Speaker 1>it back to dirty queens. And that's what I'm talking about.

1:48:11.200 --> 1:48:14.439
<v Speaker 1>That's what I'm talking about, all right. It's the breakfast club,

1:48:14.479 --> 1:48:24.680
<v Speaker 1>go morning. She she came, but she's gonna slide right

1:48:24.800 --> 1:48:27.640
<v Speaker 1>to my side. I ain't know. She pulled up with

1:48:27.720 --> 1:48:32.439
<v Speaker 1>her friends. Then we skirt off in the bend. Took

1:48:32.640 --> 1:48:37.439
<v Speaker 1>her back to my crib, and I regretted. She trying

1:48:37.520 --> 1:48:41.000
<v Speaker 1>to feel like she asleep, so she tried to stay

1:48:41.040 --> 1:48:44.000
<v Speaker 1>the whole week. I'm like, whole Nah, she gotta go

1:48:44.560 --> 1:48:46.519
<v Speaker 1>ask me a name as well. I don't even know.

1:48:46.640 --> 1:48:49.240
<v Speaker 1>They want to know why to kill them. They by them.

1:48:49.320 --> 1:48:51.720
<v Speaker 1>I ain't green. They might your ship about me. They

1:48:51.840 --> 1:48:54.080
<v Speaker 1>want to know why I didn't love them so much?

1:48:54.479 --> 1:48:59.800
<v Speaker 1>Like what is the reason? It's just the vibe dot com.

1:49:00.200 --> 1:49:03.280
<v Speaker 1>She but herles in the sky whenever I look. She

1:49:03.400 --> 1:49:05.800
<v Speaker 1>got her clothes off from the book and she won't

1:49:05.840 --> 1:49:09.360
<v Speaker 1>waste no time for you know and nobody else. I know,

1:49:10.000 --> 1:49:12.519
<v Speaker 1>but I ain't can't be what she wants, stay or

1:49:12.800 --> 1:49:16.920
<v Speaker 1>have the same story they I'm gonna mee to themselves.

1:49:17.040 --> 1:49:20.560
<v Speaker 1>But I'm a jealous to see thee my palace. What

1:49:20.920 --> 1:49:24.160
<v Speaker 1>I'm gonna do because I want she and she and

1:49:24.520 --> 1:49:28.400
<v Speaker 1>she and they loved them some me. I ain't agree.

1:49:28.479 --> 1:49:31.080
<v Speaker 1>They're gonna say, bite you. I ain't you gotta lie

1:49:31.200 --> 1:49:33.240
<v Speaker 1>to I ain't even do that. You could trust on

1:49:33.320 --> 1:49:36.280
<v Speaker 1>speaker when you're with your people, because you know the timing.

1:49:36.360 --> 1:49:39.519
<v Speaker 1>I'm home. I ain't wanna she and she and she

1:49:40.360 --> 1:49:44.799
<v Speaker 1>and they loved them some me. I can't even speed

1:49:45.000 --> 1:49:47.640
<v Speaker 1>to all them. So I call her on the FaceTime.

1:49:47.760 --> 1:49:50.760
<v Speaker 1>She gonna pick up on the first ring. We gotta

1:49:50.880 --> 1:49:54.080
<v Speaker 1>rather my damn finger. I will ever tell us so

1:49:54.360 --> 1:49:58.040
<v Speaker 1>on on on Girl we Bro Life of a Goddess.

1:49:59.040 --> 1:50:06.280
<v Speaker 1>It's topic top the phone called eight hundred five eight

1:50:06.360 --> 1:50:07.840
<v Speaker 1>five one oh five. Want to join it to the

1:50:07.880 --> 1:50:11.559
<v Speaker 1>discussion with the breakfast club. Talk about it morning, everybody

1:50:11.600 --> 1:50:15.240
<v Speaker 1>in stej Envy Angela, yee, Charlemagne the guy. We are

1:50:15.280 --> 1:50:18.400
<v Speaker 1>the breakfast club. Now if you just joined as Charlemagne

1:50:18.439 --> 1:50:23.000
<v Speaker 1>came to work this morning, a little um under the influence, yeah,

1:50:23.080 --> 1:50:27.479
<v Speaker 1>under the under the influence of country rap tunbs. Okay,

1:50:27.960 --> 1:50:29.880
<v Speaker 1>I deserve to be in breakfast Club Court. This morning,

1:50:29.920 --> 1:50:33.200
<v Speaker 1>I feel stupid. I've been in here gang banging on

1:50:33.320 --> 1:50:35.200
<v Speaker 1>the radio and I just feel like I'm too old

1:50:35.280 --> 1:50:37.760
<v Speaker 1>and still be influenced by music. Ital I promise you.

1:50:37.840 --> 1:50:41.360
<v Speaker 1>It literally was the New South Playlist on title listening

1:50:41.360 --> 1:50:43.680
<v Speaker 1>to stuff like key Glock off the Porch and my

1:50:43.760 --> 1:50:47.240
<v Speaker 1>Man Little Boss. I know it and you know, pooh

1:50:47.320 --> 1:50:51.080
<v Speaker 1>shsty guard up. It really really, really really took me

1:50:51.200 --> 1:50:54.920
<v Speaker 1>to a place that I absolutely enjoy. Yeah. So so

1:50:55.080 --> 1:50:58.000
<v Speaker 1>we're asking if Charlemagne, are we all too old to

1:50:58.120 --> 1:51:01.120
<v Speaker 1>be uh influenced by me music? Right now? I don't

1:51:01.160 --> 1:51:03.719
<v Speaker 1>think so. Bro, you know what I'm saying. I really

1:51:03.800 --> 1:51:06.280
<v Speaker 1>don't And I have no reason for saying that other

1:51:06.360 --> 1:51:08.720
<v Speaker 1>than I just really enjoy it. Are we going through

1:51:08.720 --> 1:51:10.400
<v Speaker 1>a middle life practice? I don't think so. You still,

1:51:10.760 --> 1:51:13.960
<v Speaker 1>you know, like Charlemagne, you have a ski mask drink

1:51:14.439 --> 1:51:18.160
<v Speaker 1>drinking Starbucks? Like? What is that? It's called balance? Is

1:51:18.160 --> 1:51:21.559
<v Speaker 1>that a boogie gangster? Like? What it's called balance? Think?

1:51:21.960 --> 1:51:23.960
<v Speaker 1>Game bankers don't need caffeine, But I don't know you

1:51:24.040 --> 1:51:26.360
<v Speaker 1>need energy to do a drive by too? Okay, you

1:51:26.400 --> 1:51:28.720
<v Speaker 1>think I have just put money on people's head without uh,

1:51:28.880 --> 1:51:32.720
<v Speaker 1>you know, a little latte Okay, Hello, who's this? This

1:51:32.920 --> 1:51:35.479
<v Speaker 1>is hey Virginia. You know you know your boy's up

1:51:35.479 --> 1:51:37.640
<v Speaker 1>here with a ski mask on, drinking a latte. I

1:51:37.800 --> 1:51:40.000
<v Speaker 1>love it with a pinky in the AD's a little weird.

1:51:41.600 --> 1:51:44.320
<v Speaker 1>We have to lift, we have to do. I'm for three.

1:51:44.560 --> 1:51:47.599
<v Speaker 1>I'm from Jacksonville, Florida. Hey, I'll be in my car

1:51:47.760 --> 1:51:50.920
<v Speaker 1>and sometimes I'll be you know, I could be a

1:51:51.040 --> 1:51:54.519
<v Speaker 1>fuck I could be a sweetheart. But listen, keep doing it.

1:51:54.720 --> 1:52:02.439
<v Speaker 1>Thank you, baby, That's what I'm talking about. Jackie Killed, Florida. Hello,

1:52:02.560 --> 1:52:05.280
<v Speaker 1>who's this guy's crazy? John? Hey? John? What are you

1:52:05.320 --> 1:52:08.600
<v Speaker 1>calling from? Called from Florida? Yell? You know what, I

1:52:08.640 --> 1:52:09.840
<v Speaker 1>don't think it's a good thing when you got a

1:52:09.840 --> 1:52:12.240
<v Speaker 1>bunch of Florida people around. John Charlota Mane has a

1:52:12.240 --> 1:52:14.200
<v Speaker 1>ski mask on on right now, he's drinking a latte

1:52:14.320 --> 1:52:17.519
<v Speaker 1>with his pinky in the finger. I don't know what

1:52:17.600 --> 1:52:19.880
<v Speaker 1>he wants to do with that pinky. I don't know,

1:52:20.560 --> 1:52:23.479
<v Speaker 1>but but you think his ass is too old? Fallers, man,

1:52:23.600 --> 1:52:27.559
<v Speaker 1>sit your old ass down somewhere. Man, how old are you, sir?

1:52:27.920 --> 1:52:30.360
<v Speaker 1>I'm thirty three. Oh you're thirty three? Okay, you're still

1:52:30.400 --> 1:52:32.280
<v Speaker 1>living out your old wild out days. You're still cheating

1:52:32.280 --> 1:52:34.000
<v Speaker 1>on your girl. I did that. I did that when

1:52:34.000 --> 1:52:37.240
<v Speaker 1>I was swing. I got arrested phot times and one year. Congratulations.

1:52:37.439 --> 1:52:40.040
<v Speaker 1>What was the biggest charge? The biggest one was a

1:52:40.520 --> 1:52:43.000
<v Speaker 1>home invasion. What music were you listening to when you

1:52:43.400 --> 1:52:45.800
<v Speaker 1>did that home invasion? I'm for Florida, man, I listen

1:52:46.040 --> 1:52:49.439
<v Speaker 1>kind of stuff. Man, y'all, I don't even know applies. Okay,

1:52:49.640 --> 1:52:52.560
<v Speaker 1>you know probably Kodak. Now that was that was a

1:52:52.560 --> 1:52:54.519
<v Speaker 1>while ago. That was a while ago. All right, go

1:52:54.680 --> 1:52:56.360
<v Speaker 1>that's the middle school that there. But you got your

1:52:56.400 --> 1:52:59.920
<v Speaker 1>life together now? Yeah, definitely definitely that you got a family.

1:53:00.240 --> 1:53:02.280
<v Speaker 1>You're right that boy, brother, thank you? You know what

1:53:02.840 --> 1:53:04.519
<v Speaker 1>got that? When you say that once you once you

1:53:04.600 --> 1:53:06.559
<v Speaker 1>see that, once you add that you got a family.

1:53:07.240 --> 1:53:09.519
<v Speaker 1>That's like when a gang banger say on God and them,

1:53:09.600 --> 1:53:11.920
<v Speaker 1>he gonna do something to you want somebody tell you,

1:53:12.320 --> 1:53:14.360
<v Speaker 1>sit you all down, you got a family. That's when

1:53:14.400 --> 1:53:18.040
<v Speaker 1>you get back through reality. He right, Hello, Christian out

1:53:18.040 --> 1:53:20.720
<v Speaker 1>of fully Hey, Christian out of Philly. Good morning Christian. Now,

1:53:20.800 --> 1:53:24.080
<v Speaker 1>now Charlottagne, is ass too old to be wilding out

1:53:24.160 --> 1:53:26.000
<v Speaker 1>to this music? No, I don't know that's what you're

1:53:26.000 --> 1:53:28.000
<v Speaker 1>supposed to be doing. Listen, it's balance of life. It's

1:53:28.040 --> 1:53:30.040
<v Speaker 1>the yang and the yang, It's the drug deal and

1:53:30.040 --> 1:53:32.840
<v Speaker 1>a professional because every morning I'm listening to King King Vond,

1:53:32.880 --> 1:53:36.360
<v Speaker 1>I'm from fully and I'm not from I do that

1:53:36.479 --> 1:53:38.560
<v Speaker 1>every morning and then I do my professional nine to

1:53:38.640 --> 1:53:41.120
<v Speaker 1>five and when I come home with Zaca, Jackal Felliman

1:53:41.200 --> 1:53:43.559
<v Speaker 1>and all of that. So you need balance, a balance.

1:53:43.600 --> 1:53:47.879
<v Speaker 1>I agree with you. Ratchetness and righteousness is the right exactly.

1:53:48.080 --> 1:53:52.280
<v Speaker 1>I'm with you with music too. I'm with you because

1:53:52.680 --> 1:53:54.320
<v Speaker 1>because I did the same thing. I woke up this morning,

1:53:54.360 --> 1:53:56.080
<v Speaker 1>I meditated, I had my beads in my hand, I

1:53:56.160 --> 1:53:58.320
<v Speaker 1>was doing my mantras and then I'm going to therapy

1:53:58.360 --> 1:54:00.519
<v Speaker 1>at three o'clock. But when I was dripping in the work,

1:54:00.760 --> 1:54:03.880
<v Speaker 1>it was them country rap tunes. Bro Listen, We're moving

1:54:03.880 --> 1:54:09.120
<v Speaker 1>a weight, were moving away. I really like that work.

1:54:09.200 --> 1:54:14.920
<v Speaker 1>All up and down ninety five. We got our page

1:54:14.960 --> 1:54:17.400
<v Speaker 1>and waves. We are professionals. With our parents, we have

1:54:17.439 --> 1:54:20.200
<v Speaker 1>our pta, they love us, but we curved up. That's

1:54:20.200 --> 1:54:23.360
<v Speaker 1>what you gotta do. What you you, Joe, you sell

1:54:23.439 --> 1:54:26.360
<v Speaker 1>drugs in the morning, right hair for me doing it,

1:54:26.400 --> 1:54:31.439
<v Speaker 1>and that's right. She's representing for all the people out

1:54:31.479 --> 1:54:33.560
<v Speaker 1>there who still want to do the Bucket Challenge, but

1:54:33.680 --> 1:54:35.160
<v Speaker 1>that needs not what they used to be. But we

1:54:35.320 --> 1:54:38.000
<v Speaker 1>out chair babies because I'm a mama and I'm not

1:54:38.120 --> 1:54:44.200
<v Speaker 1>posting it. Hey, let's go Hello. Who's this? Yo? The kids?

1:54:44.240 --> 1:54:48.760
<v Speaker 1>It from Arcosol? Gag game? Bro? What's up? Bro? How

1:54:48.800 --> 1:54:54.080
<v Speaker 1>old are you can't I'm putting brokay ban see y'all day.

1:54:54.080 --> 1:54:56.120
<v Speaker 1>I'll bank that see y'a all day. I don't even

1:54:56.160 --> 1:54:59.280
<v Speaker 1>know what that means. What's that means? Bro? That's that's

1:54:59.760 --> 1:55:03.240
<v Speaker 1>right Christ? With that? I thought the seeds for Christ

1:55:03.280 --> 1:55:06.520
<v Speaker 1>all day. So when you're banging the Christ, when you're

1:55:06.560 --> 1:55:09.160
<v Speaker 1>throwing up that that seat for Christ? Hey, south gang,

1:55:09.640 --> 1:55:12.080
<v Speaker 1>what do you listen to? I listened to I ain't

1:55:12.080 --> 1:55:16.040
<v Speaker 1>gonna lie Young Thug, whole lie. I listen to Drake.

1:55:16.200 --> 1:55:18.800
<v Speaker 1>I listened know. I ain't gonna lie. You know, I

1:55:18.920 --> 1:55:22.880
<v Speaker 1>told some uh, I thought some maybe y'all Adams maybe?

1:55:22.920 --> 1:55:25.320
<v Speaker 1>And I like the balance. I love the balance King

1:55:25.400 --> 1:55:27.839
<v Speaker 1>from Young Thug to Orlanda Adams. I love the balance.

1:55:28.080 --> 1:55:33.880
<v Speaker 1>Now you you got you nine? Charlotta made forty two.

1:55:34.880 --> 1:55:37.520
<v Speaker 1>Charlotte maybe be banging out this every morning? Yeah he can,

1:55:37.840 --> 1:55:39.960
<v Speaker 1>he can he can have balance. He can bang right,

1:55:40.320 --> 1:55:45.640
<v Speaker 1>bang left. That's right in the middle, right, right, middle. Yo,

1:55:46.000 --> 1:55:49.760
<v Speaker 1>you can tell his daughter Joe kid clean kitchen. That's

1:55:49.840 --> 1:55:53.400
<v Speaker 1>right on this on the set, Oh my goodness, on

1:55:53.680 --> 1:55:58.080
<v Speaker 1>the set. You better have that kitchen clean. Hello. Who's this? Yes? Hi? Right?

1:55:58.160 --> 1:56:01.400
<v Speaker 1>Listen this from the dead be in Ohio now in

1:56:01.520 --> 1:56:05.040
<v Speaker 1>Charlemagne too, only be Gang Gang in this morning. I'd

1:56:05.080 --> 1:56:08.280
<v Speaker 1>have to second emotion, yes, but I have to add

1:56:08.360 --> 1:56:10.880
<v Speaker 1>myself put too. I'd be thinking, I'm just ratchet. You

1:56:11.000 --> 1:56:14.240
<v Speaker 1>talk about Luda Pete popping. Oh my god, I'm thirty

1:56:14.240 --> 1:56:16.160
<v Speaker 1>three years out with two kids that I had me going.

1:56:16.200 --> 1:56:18.240
<v Speaker 1>I ain't ever peep popping out life. But I can't

1:56:18.240 --> 1:56:21.520
<v Speaker 1>work talking about Gucci and Jeezy, I'll be talking I'm

1:56:21.520 --> 1:56:25.720
<v Speaker 1>about to shoot somebody when I'm made years off. No, yes,

1:56:25.840 --> 1:56:28.480
<v Speaker 1>you do have your momas. They do influence. Shoo. Now listen,

1:56:28.640 --> 1:56:30.680
<v Speaker 1>Jeez and Gucci. That was our error. We were still

1:56:30.720 --> 1:56:32.280
<v Speaker 1>in our old wild out days when they was in

1:56:32.400 --> 1:56:35.920
<v Speaker 1>their prime. These new these these new negroes different, these

1:56:35.960 --> 1:56:39.200
<v Speaker 1>new Negroes to take you someplace even further than Jeez

1:56:39.320 --> 1:56:42.080
<v Speaker 1>and Gucci. Them didn't they're telling you they didn't have

1:56:42.200 --> 1:56:45.360
<v Speaker 1>you on way literally and don't you and don't act

1:56:45.440 --> 1:56:46.960
<v Speaker 1>like you ain't never did no people off because you

1:56:47.000 --> 1:56:49.800
<v Speaker 1>said you got three kids. Okay, honey, I got to

1:56:50.080 --> 1:56:51.320
<v Speaker 1>and I have, but I don't know how to do

1:56:51.360 --> 1:56:53.320
<v Speaker 1>it on my hand stand. Clearly don't know how to

1:56:53.400 --> 1:56:56.720
<v Speaker 1>do something that man whoever you like. Then, baby daddies

1:56:56.760 --> 1:56:59.920
<v Speaker 1>you got to do eli. They're doing fluid doing fluid

1:57:00.160 --> 1:57:02.360
<v Speaker 1>from and I have my rapting moments too when I've

1:57:02.360 --> 1:57:07.120
<v Speaker 1>been a food bus driker for eight years. The them

1:57:07.160 --> 1:57:09.400
<v Speaker 1>baby daddys you got released their ancestors in you for

1:57:09.520 --> 1:57:12.600
<v Speaker 1>a reason. You know how to pop something on something? Honey.

1:57:12.800 --> 1:57:15.200
<v Speaker 1>Yes we're not on the hand stand right but on

1:57:15.320 --> 1:57:20.440
<v Speaker 1>a back dad stand. Okay, I'm telling you all right,

1:57:20.480 --> 1:57:23.400
<v Speaker 1>well don't move. Happy Holidays. It's the Breakfast Club. Good morning.

1:57:23.720 --> 1:57:27.680
<v Speaker 1>Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We

1:57:27.800 --> 1:57:30.000
<v Speaker 1>are the Breakfast Club. All right, Well, you got a

1:57:30.040 --> 1:57:33.880
<v Speaker 1>positive note positive notice simply this. Maybe you're not healing

1:57:34.640 --> 1:57:37.160
<v Speaker 1>because you're trying to be who you were before the trauma.

1:57:37.440 --> 1:57:39.960
<v Speaker 1>That person doesn't exist anymore because there's a new you

1:57:40.120 --> 1:57:43.000
<v Speaker 1>trying to be born. Breathe life into that person. Breakfast

1:57:43.040 --> 1:57:45.240
<v Speaker 1>club you finish with, y'all dumb