1 00:00:03,320 --> 00:00:05,480 Speaker 1: What would you talk about on your on your podcast 2 00:00:05,720 --> 00:00:16,840 Speaker 1: Firm Elvis Presents Show fifteen Minuty Morning Show podcast. We're 3 00:00:16,840 --> 00:00:21,080 Speaker 1: surrounded by beauty. Look, there's beauty. There's Gandhi that's beautiful. 4 00:00:21,120 --> 00:00:26,840 Speaker 1: There's Danielle looking beautiful, there's Froggy. Nothing but there went beautiful. 5 00:00:27,480 --> 00:00:30,560 Speaker 1: It's got to be beautiful. And then Garrett's here, but 6 00:00:30,600 --> 00:00:33,360 Speaker 1: Garrison on zoom. So I'm getting there. He's getting there. 7 00:00:33,560 --> 00:00:36,560 Speaker 1: You'll get here in a minute. I do believe Nate 8 00:00:36,720 --> 00:00:38,839 Speaker 1: is not on the podcast today. He's got work to do. 9 00:00:39,400 --> 00:00:41,960 Speaker 1: Let me in. I'm in the waiting room. Okay, letting 10 00:00:41,960 --> 00:00:46,159 Speaker 1: you in here comes scary. Scary doesn't think it's going 11 00:00:46,200 --> 00:00:51,120 Speaker 1: to be goodunless he who is who is? Zoom user me, Okay, 12 00:00:51,320 --> 00:00:53,320 Speaker 1: he's trying to get on. He's trying his best to 13 00:00:53,360 --> 00:00:56,920 Speaker 1: get on. Here we go, oh yeah, see. This is 14 00:00:57,000 --> 00:00:59,440 Speaker 1: what it's like in our studios as we prepare for 15 00:00:59,560 --> 00:01:02,320 Speaker 1: our move uptown. Nothing works. It takes a while to 16 00:01:02,320 --> 00:01:04,600 Speaker 1: get it to work. If it does work, it's just 17 00:01:04,720 --> 00:01:08,120 Speaker 1: all messed up. And we're okay. I'm excited about now. 18 00:01:08,160 --> 00:01:10,960 Speaker 1: I have no I like the pirate atmosphere that's starting 19 00:01:10,959 --> 00:01:12,720 Speaker 1: to take over with people just starting to pill for 20 00:01:12,800 --> 00:01:14,920 Speaker 1: things left and right, like, oh that TV screen going 21 00:01:15,000 --> 00:01:18,119 Speaker 1: with me, Oh that digital recording device going with me. 22 00:01:18,880 --> 00:01:21,920 Speaker 1: Tom Pulman walked into Tom Pulman, the president of My Heart, 23 00:01:22,200 --> 00:01:24,040 Speaker 1: walks in and says, Hey, how big? How big is 24 00:01:24,040 --> 00:01:27,399 Speaker 1: that TV? Back are gonna take down home? Is that 25 00:01:27,480 --> 00:01:30,080 Speaker 1: going in your rumpus room? It is a big TV? 26 00:01:30,200 --> 00:01:32,920 Speaker 1: That TV? How has anybody taken that yet or said 27 00:01:32,920 --> 00:01:34,880 Speaker 1: they were taken that? Yet? Is not yours? I think 28 00:01:34,920 --> 00:01:37,959 Speaker 1: that yours? Is it mine? Yet? That's yours? That one 29 00:01:38,040 --> 00:01:40,759 Speaker 1: is yours. I paid for that, I believe. So I'll 30 00:01:40,800 --> 00:01:43,240 Speaker 1: say one thing I want to think, so take it. 31 00:01:43,280 --> 00:01:45,840 Speaker 1: I want to go myself a cup of coffee this 32 00:01:45,920 --> 00:01:50,160 Speaker 1: morning with the the longy dynamica. And it seems to 33 00:01:50,200 --> 00:01:53,240 Speaker 1: have not been in the position that it was yesterday, 34 00:01:53,440 --> 00:01:55,800 Speaker 1: like someone's preparing to move. It's like it's the other 35 00:01:55,840 --> 00:01:57,840 Speaker 1: one is missing. It was another one there. Stuff is 36 00:01:57,880 --> 00:02:00,360 Speaker 1: just disappeared. They took the tree. I noticed that long 37 00:02:00,880 --> 00:02:03,520 Speaker 1: the longy tree is gone. Christmas has not happened yet, 38 00:02:03,520 --> 00:02:09,359 Speaker 1: but I'll never forget it. You just noticed the tree. 39 00:02:09,480 --> 00:02:11,640 Speaker 1: The tree hasn't been here since Monday. I didn't notice 40 00:02:11,680 --> 00:02:13,480 Speaker 1: that either. I thought it was here, all right. Well, 41 00:02:13,520 --> 00:02:14,840 Speaker 1: if we don't miss it to we don't need it, 42 00:02:14,919 --> 00:02:16,440 Speaker 1: you know, that's the way we should be looking at 43 00:02:16,480 --> 00:02:19,120 Speaker 1: this stuff. And so there's not many people left in 44 00:02:19,120 --> 00:02:22,560 Speaker 1: this building, right, okay, But there's somebody that's blowing up 45 00:02:22,600 --> 00:02:25,040 Speaker 1: the bathroom every day. So let me tell you what 46 00:02:25,040 --> 00:02:27,880 Speaker 1: happened today. First of all, we process of elimination, and 47 00:02:27,919 --> 00:02:30,600 Speaker 1: it's not Diamond. We're trying to figure out who it 48 00:02:30,680 --> 00:02:33,280 Speaker 1: is because there's not many people. So it's somebody that 49 00:02:33,320 --> 00:02:35,720 Speaker 1: we're seeing every day. I went into the bathroom before 50 00:02:35,720 --> 00:02:38,320 Speaker 1: you there, and it smelled like something died in there. 51 00:02:38,400 --> 00:02:40,840 Speaker 1: I can't believe someone doesn't know they smell like that. Anyway, 52 00:02:41,040 --> 00:02:42,799 Speaker 1: I did see someone walking down the other end of 53 00:02:42,800 --> 00:02:44,480 Speaker 1: the hallway, but I don't know who it was. Well, 54 00:02:44,520 --> 00:02:46,720 Speaker 1: I went I went in to go to the bathroom, 55 00:02:46,800 --> 00:02:50,040 Speaker 1: and then Garrett saw me, and I go boo, I 56 00:02:50,080 --> 00:02:52,000 Speaker 1: can't do it. But and Garret goes, what's the matter. 57 00:02:52,080 --> 00:02:54,320 Speaker 1: I go to smell and they're so horriful. I'm gonna 58 00:02:54,360 --> 00:02:56,760 Speaker 1: throw up. He goes, go to the men's room. There's 59 00:02:56,760 --> 00:03:00,480 Speaker 1: nobody here anymore. So I've run down to the men's room. Gosh, 60 00:03:00,520 --> 00:03:08,000 Speaker 1: I made it like normally it was funny, but I 61 00:03:08,040 --> 00:03:11,239 Speaker 1: was like, this is bad. Like he was like he 62 00:03:11,360 --> 00:03:15,120 Speaker 1: was like crawling to the bathroom like that when I 63 00:03:15,200 --> 00:03:19,080 Speaker 1: went in and smell, But it wasn't awful that I 64 00:03:19,120 --> 00:03:21,960 Speaker 1: didn't really go I can't explain why I know that. 65 00:03:22,360 --> 00:03:25,560 Speaker 1: So someone must have gone in after women. And then 66 00:03:25,600 --> 00:03:28,000 Speaker 1: Ione said, we have people like working in the building. 67 00:03:28,240 --> 00:03:30,280 Speaker 1: They're tearing They're tearing all the other stations apart. So 68 00:03:30,320 --> 00:03:35,560 Speaker 1: those guys in here the bathroom. It's like, oh my gosh, 69 00:03:35,600 --> 00:03:38,640 Speaker 1: I'm so sorry. Was it me like right away I 70 00:03:38,720 --> 00:03:41,120 Speaker 1: see things, but they're tearing it up. I don't know. 71 00:03:41,160 --> 00:03:43,840 Speaker 1: I love that we can we can devote like hours 72 00:03:43,840 --> 00:03:46,280 Speaker 1: of our time trying to be sleuthe and figure out 73 00:03:46,280 --> 00:03:49,040 Speaker 1: who it was that crept up the bathroom. Ny Camps guys, 74 00:03:49,040 --> 00:03:52,760 Speaker 1: I've been trying to push this concept for g yes, 75 00:03:52,800 --> 00:03:55,720 Speaker 1: not in the bathroom, but hold on, even if we 76 00:03:55,800 --> 00:03:57,120 Speaker 1: knew who it was, didn't what do we do with 77 00:03:57,160 --> 00:03:59,640 Speaker 1: that information? Then you just know who not to follow. 78 00:04:00,120 --> 00:04:02,560 Speaker 1: But we always knew when it was that guy walking by. 79 00:04:02,640 --> 00:04:04,680 Speaker 1: We always knew when he had that distinct smell. I 80 00:04:04,680 --> 00:04:07,080 Speaker 1: always knew it was him, you know, But I never 81 00:04:07,120 --> 00:04:09,720 Speaker 1: experienced that. Oh yeah, I when I would walk in 82 00:04:09,760 --> 00:04:11,840 Speaker 1: there like, oh my god, he must have just been 83 00:04:11,880 --> 00:04:14,200 Speaker 1: in here, you know. But Elvis, just like you, you 84 00:04:14,240 --> 00:04:16,240 Speaker 1: have that sense of smell, like you could smell things, 85 00:04:16,360 --> 00:04:20,640 Speaker 1: very clear, smell things. Danielle is experiencing that to Andrew 86 00:04:20,680 --> 00:04:22,600 Speaker 1: was saying because she was in the bathroom no more 87 00:04:22,600 --> 00:04:24,960 Speaker 1: than like a half of a second, Like she didn't 88 00:04:24,960 --> 00:04:26,840 Speaker 1: even get to close the door. She was already out 89 00:04:27,160 --> 00:04:28,839 Speaker 1: when I went in. It wasn't that bad. But I 90 00:04:28,920 --> 00:04:32,720 Speaker 1: just had I just had a little gas. It was 91 00:04:32,920 --> 00:04:35,560 Speaker 1: like it feel it didn't even seem like it was 92 00:04:35,600 --> 00:04:38,359 Speaker 1: somebody going. It smelt like somebody that they actually smell 93 00:04:38,480 --> 00:04:40,280 Speaker 1: like that. Danielle, did you drow up in the urinal 94 00:04:40,360 --> 00:04:41,680 Speaker 1: or in a toilet? Where'd you throw up? You know? 95 00:04:41,760 --> 00:04:44,280 Speaker 1: I I went in the closed door, thank but and 96 00:04:44,320 --> 00:04:46,280 Speaker 1: then of course I come in here and Scotty goes, oh, 97 00:04:46,560 --> 00:04:51,000 Speaker 1: did you record yourself throwing up? Like the hands of 98 00:04:51,040 --> 00:04:52,640 Speaker 1: time to the beginning of this podcast, this is the 99 00:04:52,640 --> 00:04:57,080 Speaker 1: grossest podcast, the last one we do in this bill. Yeah, 100 00:04:57,120 --> 00:05:00,880 Speaker 1: we're done, We're done. And the building podcast. This is 101 00:05:00,880 --> 00:05:02,920 Speaker 1: our last podcast in this building. And if you looked 102 00:05:02,920 --> 00:05:05,320 Speaker 1: at my studio. You wouldn't even know we were moving tomorrow. 103 00:05:06,040 --> 00:05:08,200 Speaker 1: I have a lot to do. Is everyone's sticking around 104 00:05:08,240 --> 00:05:13,400 Speaker 1: late tomorrow. I can't have a charity event tomorrow. Okay, guys, 105 00:05:13,440 --> 00:05:17,320 Speaker 1: that's not our it's not that's not our business. Just 106 00:05:17,400 --> 00:05:21,320 Speaker 1: leave whatever you don't want. They feel. We have a 107 00:05:21,360 --> 00:05:23,599 Speaker 1: donation box, but I don't know if anyone's gonna donate 108 00:05:23,680 --> 00:05:26,960 Speaker 1: or to throw it out. Well, Josh did a cartwheel 109 00:05:26,960 --> 00:05:29,880 Speaker 1: into the donation right there. Used to be a donation box. 110 00:05:29,920 --> 00:05:32,000 Speaker 1: Now it's just stuff on the floor, Crystal we were 111 00:05:32,040 --> 00:05:35,000 Speaker 1: giving away anyway. Yeah, this is our last day doing 112 00:05:35,000 --> 00:05:37,080 Speaker 1: our podcast in this building, you know, and I know 113 00:05:37,800 --> 00:05:39,960 Speaker 1: a few of you are getting a little sentimental and 114 00:05:40,120 --> 00:05:42,400 Speaker 1: melancholy about it. I know that the producer Sam was 115 00:05:43,000 --> 00:05:46,200 Speaker 1: to me, this is just another studio because we've we've 116 00:05:46,200 --> 00:05:47,880 Speaker 1: been in so many I've been in me and my 117 00:05:48,000 --> 00:05:51,880 Speaker 1: career dozens. I said, at least two dozen studios I 118 00:05:51,960 --> 00:05:55,240 Speaker 1: worked in. You become attached to it, you know, not attached. 119 00:05:56,080 --> 00:05:57,520 Speaker 1: I'm just pist off that we have to move uptown 120 00:05:57,520 --> 00:06:00,279 Speaker 1: because it's not away from where I lived for We 121 00:06:00,279 --> 00:06:02,440 Speaker 1: were we in this studio, of the room, this studio, 122 00:06:02,560 --> 00:06:04,400 Speaker 1: we were in this one longer than the other one. 123 00:06:04,440 --> 00:06:05,920 Speaker 1: That's just you know, kind of just out the door 124 00:06:05,960 --> 00:06:08,040 Speaker 1: and on the left. I don't know. I think we're 125 00:06:08,040 --> 00:06:10,719 Speaker 1: in this studio longer. I think. Yeah, I can't believe 126 00:06:10,760 --> 00:06:12,120 Speaker 1: we've been here as long as we have. I didn't 127 00:06:12,160 --> 00:06:14,760 Speaker 1: it was fourteen years. I didn't think it was that long. Really, 128 00:06:14,880 --> 00:06:17,280 Speaker 1: we had here eight years in this studio and then 129 00:06:17,320 --> 00:06:20,120 Speaker 1: down the hall, I mean this building. We were there 130 00:06:20,160 --> 00:06:24,240 Speaker 1: for five years this building total. Yeah. So did I 131 00:06:24,240 --> 00:06:26,839 Speaker 1: go into labor with my second kid in this building then? 132 00:06:27,200 --> 00:06:29,960 Speaker 1: I don't think so, No, your your second kid, Yeah, 133 00:06:30,040 --> 00:06:34,880 Speaker 1: because I know I got engaged in one building, yes, maybe, yeah, 134 00:06:35,200 --> 00:06:37,839 Speaker 1: so each each building a one building. I got engaged 135 00:06:38,080 --> 00:06:42,360 Speaker 1: one building. I went into labor the first time. Town 136 00:06:42,920 --> 00:06:48,320 Speaker 1: shut the hell out. Smell you smell um. So yeah, 137 00:06:49,120 --> 00:06:52,440 Speaker 1: I think you might just cold hearted for not having 138 00:06:52,560 --> 00:06:54,880 Speaker 1: an emotional attachment to the studio. I just don't know. 139 00:06:55,760 --> 00:06:58,680 Speaker 1: My emotional attachment is to you, yeah, like I do 140 00:06:58,760 --> 00:07:00,479 Speaker 1: when I don't have one here because this is the 141 00:07:00,480 --> 00:07:02,640 Speaker 1: first studio I was ever in with you guys, But 142 00:07:02,680 --> 00:07:04,479 Speaker 1: you're all coming with me to the new one. You 143 00:07:04,560 --> 00:07:07,039 Speaker 1: get to be a part of us pioneering a Brandon Studio. Yeah, 144 00:07:07,120 --> 00:07:09,960 Speaker 1: and I'm excited. What was that, Garrett, Well, like you said, 145 00:07:09,960 --> 00:07:12,200 Speaker 1: you've been through it, so there's it's not like the 146 00:07:12,240 --> 00:07:14,520 Speaker 1: first time. Like for Sam it's her first time leaving 147 00:07:14,520 --> 00:07:16,679 Speaker 1: the studio. For me, this is gonna be my third studio. 148 00:07:17,040 --> 00:07:19,440 Speaker 1: You know that we're going to So just like you, 149 00:07:19,520 --> 00:07:23,480 Speaker 1: I don't have that like sentimental attachment to I understand Danielle. 150 00:07:23,480 --> 00:07:26,600 Speaker 1: You know she has a lot of memories on nostalgic too, 151 00:07:27,480 --> 00:07:28,640 Speaker 1: Like I don't want to get I want to bring 152 00:07:28,640 --> 00:07:31,680 Speaker 1: this piano with me. We are bringing that, I think. 153 00:07:31,680 --> 00:07:33,480 Speaker 1: I think it goes. You can take where he had 154 00:07:33,480 --> 00:07:34,920 Speaker 1: his first slice of pizza. But I want to bring 155 00:07:35,000 --> 00:07:37,440 Speaker 1: my wall of cereal with me. No, you know, I 156 00:07:37,720 --> 00:07:39,760 Speaker 1: just need to make a facade, like cut off the sides, 157 00:07:39,840 --> 00:07:42,560 Speaker 1: make it a poster or something. To be honest, most 158 00:07:42,600 --> 00:07:44,360 Speaker 1: of the cereals are probably rant it, I know, but 159 00:07:44,400 --> 00:07:46,640 Speaker 1: it's just for show. It's great for pictures. Yeah, but 160 00:07:46,680 --> 00:07:48,320 Speaker 1: you can still have the pictures. It will still look 161 00:07:48,320 --> 00:07:50,760 Speaker 1: like it if you just do like a digital. When 162 00:07:50,760 --> 00:07:53,680 Speaker 1: the celebrities coming, they look at all that cereal and 163 00:07:53,720 --> 00:07:54,840 Speaker 1: then they go in there and then he tells them 164 00:07:54,880 --> 00:07:56,560 Speaker 1: all they can't eat it because it's a hundred years old. 165 00:07:56,560 --> 00:07:58,920 Speaker 1: That's right, you know, the way we're positioned in the 166 00:07:58,920 --> 00:08:00,760 Speaker 1: new place, no one's coming to see me. So it's fine. 167 00:08:00,800 --> 00:08:03,000 Speaker 1: There's that. Aren't you the lucky one? So Scotty, you 168 00:08:03,000 --> 00:08:05,040 Speaker 1: seem to be the type of person who becomes sentimental 169 00:08:05,040 --> 00:08:07,120 Speaker 1: over things like studios. How are you? How are you feeling? 170 00:08:07,400 --> 00:08:09,520 Speaker 1: How are you dealing with this? I think? I mean, 171 00:08:09,520 --> 00:08:11,320 Speaker 1: you could just see I haven't really cleaned anything out 172 00:08:11,400 --> 00:08:13,200 Speaker 1: yet because I'm waiting for the last minute. I just 173 00:08:13,440 --> 00:08:15,960 Speaker 1: I like everything to be the way. It's sad for me. 174 00:08:16,000 --> 00:08:17,960 Speaker 1: It is sad. I don't like moving, I don't like change. 175 00:08:18,000 --> 00:08:20,480 Speaker 1: I don't like any of that stuff. So you know, 176 00:08:20,760 --> 00:08:24,760 Speaker 1: I like my spot, my space. And it's harder. It's 177 00:08:24,760 --> 00:08:26,440 Speaker 1: going to be harder to hang out with Scotty in 178 00:08:26,480 --> 00:08:29,440 Speaker 1: the news because in here we just walk into a studio. 179 00:08:29,680 --> 00:08:31,400 Speaker 1: In the news studio, we have to walk out of 180 00:08:31,400 --> 00:08:34,320 Speaker 1: the studio, walk around the block, and then go into 181 00:08:34,320 --> 00:08:37,560 Speaker 1: a this by design, of course, What am I gonna do? 182 00:08:37,600 --> 00:08:39,840 Speaker 1: What am I gonna do with my chips wallet? I 183 00:08:39,840 --> 00:08:41,319 Speaker 1: don't want to bring it home, but I can't bring 184 00:08:41,320 --> 00:08:43,079 Speaker 1: it to the new place because there's no junkle out there. 185 00:08:43,080 --> 00:08:44,720 Speaker 1: I like. I like to keep things around me that 186 00:08:44,760 --> 00:08:47,840 Speaker 1: makes me happy. I'm sure in time the junk will accruie. 187 00:08:47,960 --> 00:08:49,599 Speaker 1: I look on the bright side, Scotty, you're gonna have 188 00:08:49,640 --> 00:08:54,600 Speaker 1: equipment that actually works. So far it's not working. I'm 189 00:08:54,600 --> 00:08:58,400 Speaker 1: looking forward to light. Yeah, Garrett Studios, as it had 190 00:08:58,480 --> 00:09:01,720 Speaker 1: light and how long I'm there's some lights here? He goes, 191 00:09:02,200 --> 00:09:04,240 Speaker 1: what was on that roof? I go, those are lights 192 00:09:04,280 --> 00:09:09,040 Speaker 1: that fell? Like the lights up there, like literally fell, yeah, dangling. 193 00:09:09,080 --> 00:09:11,120 Speaker 1: But I am looking forward to Like, there's cool stuff there. 194 00:09:11,120 --> 00:09:12,800 Speaker 1: There's like a cold drink machine where you put these 195 00:09:12,800 --> 00:09:15,240 Speaker 1: little pods in and it makes drinks. And the coffee 196 00:09:15,400 --> 00:09:18,160 Speaker 1: thing there is really cool. And and plus the refrigerators 197 00:09:18,200 --> 00:09:20,360 Speaker 1: always stocked. You open it and the fridge is full 198 00:09:20,360 --> 00:09:24,480 Speaker 1: of stuff that you're allowed to take. Because we don't 199 00:09:24,559 --> 00:09:26,720 Speaker 1: have nice things that won't last forever, we have we 200 00:09:26,760 --> 00:09:28,439 Speaker 1: have to scope out the new restaurants and stuff. We 201 00:09:28,480 --> 00:09:30,280 Speaker 1: can't go to that one downstairs. This is too expensive 202 00:09:30,640 --> 00:09:32,839 Speaker 1: one of my favorite restaurants in town anyway. So yeah, 203 00:09:32,880 --> 00:09:36,600 Speaker 1: we're moving. And so it's it's being sentible sentimental versus 204 00:09:36,600 --> 00:09:41,560 Speaker 1: not being sentimental. And uh, yeah, to be sentimental real quick. 205 00:09:41,760 --> 00:09:46,080 Speaker 1: We all have one memory of the studio leaving it 206 00:09:46,360 --> 00:09:55,560 Speaker 1: crap on the floor, but this going like, oh that's 207 00:09:55,559 --> 00:10:02,720 Speaker 1: wrong on the floor at that moment to find this studio, 208 00:10:03,720 --> 00:10:07,199 Speaker 1: No it dies. That is the defining moment of Scary. 209 00:10:07,320 --> 00:10:12,599 Speaker 1: No moment did not not defined anything that wasn't a 210 00:10:12,640 --> 00:10:16,240 Speaker 1: grown man crapping on the floor. I mean Elvis wasn't here, 211 00:10:16,240 --> 00:10:18,480 Speaker 1: but Daniel, I didn't realize how close you were to that. 212 00:10:18,760 --> 00:10:21,880 Speaker 1: I was close. Nobody was closer than Scary. Scary almost 213 00:10:21,960 --> 00:10:25,880 Speaker 1: Scary almost got blowback poop on Scary. That was when 214 00:10:25,960 --> 00:10:28,600 Speaker 1: he realized. Here you go full circle back to the 215 00:10:28,600 --> 00:10:31,600 Speaker 1: beginning of the podcast talking about poop again. What about 216 00:10:31,600 --> 00:10:34,160 Speaker 1: the wacky waving inflatable arm and all the blow ups 217 00:10:34,160 --> 00:10:36,480 Speaker 1: that we did. Those are some of my fun moment 218 00:10:36,520 --> 00:10:38,720 Speaker 1: the best moments where when we inflated things in the 219 00:10:38,760 --> 00:10:43,200 Speaker 1: studio and we couldn't move and the tiles, the seating 220 00:10:43,240 --> 00:10:47,360 Speaker 1: tiles would fall. We were in handing his Prestie place. 221 00:10:48,080 --> 00:10:51,040 Speaker 1: It will find ways to have funt. What are you 222 00:10:51,080 --> 00:10:55,920 Speaker 1: doing Scott on you turn it on? Yes, we gotta 223 00:10:55,960 --> 00:11:00,720 Speaker 1: make sure you get it on camera. The Scott, oh 224 00:11:04,840 --> 00:11:36,480 Speaker 1: what you gonna get out of here by the fifteen 225 00:11:36,559 --> 00:11:37,520 Speaker 1: minute Morning show