WEBVTT - Morris Chestnut

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<v Speaker 1>R &amp; B Money! We are, Jake, Jake Valentine, we

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<v Speaker 1>are the authorities on all things R &amp; B. Ladies

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<v Speaker 1>and gentlemen, my name is Tank. I'm Jay Valentine. And

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<v Speaker 1>this is the R &amp; B Money Podcast. The authority

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<v Speaker 1>on all things R &amp; B. And what else? I'm

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<v Speaker 1>talking 30 years plus in this thing. Ten toes down.

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<v Speaker 1>Stumped down. Came through here godly. Yeah, yeah. With his

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<v Speaker 1>cream on. Yeah, yeah, yeah. He acted like he was

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<v Speaker 1>like one of the most beautiful men who already lived

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<v Speaker 1>in the world, man. I think he won one year. Jay,

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<v Speaker 1>he's alive. What? He's alive! Ricky! Ricky! That's hilarious. Listen,

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<v Speaker 1>we normally do the long intros, but I don't want

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<v Speaker 1>to label before you long, man. The man is here.

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<v Speaker 1>The best man. V. Chestnut is what they call him.

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<v Speaker 1>Morris Chestnut! In the building! Yes! Thank y'all for the intro, man.

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<v Speaker 1>I'm quitting. I'm quitting. I don't even... Come on! I

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<v Speaker 1>don't like a lot of attention. Thank y'all. Cut it out!

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<v Speaker 1>We didn't brought the boy back to this. Yeah! Yeah! Morris,

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<v Speaker 1>my brother. Yes, sir. I mean, we've been doing this

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<v Speaker 1>a month of Sundays. You know, I remember at one point,

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<v Speaker 1>you know, I had a couple hit records on the radio, Jay.

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<v Speaker 1>A couple hit records. And what you thought you was doing?

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<v Speaker 1>You know, I thought I was doing it. Okay? You

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<v Speaker 1>know what it means. And then. You know, and so

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<v Speaker 1>we doing the celebrity basketball game, and I know the

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<v Speaker 1>ladies is here to see me. You know what I'm saying?

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<v Speaker 1>In your mind. Because I got hit songs, and I

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<v Speaker 1>can hoop. You understand what I'm saying? I'm athletic, as

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<v Speaker 1>they like to call it. It's time to call the names.

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<v Speaker 1>You understand what I'm saying? They said celebrities. I'm like,

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<v Speaker 1>just be careful where you put me in the lineup,

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<v Speaker 1>you know what I'm saying? Because whoever come after me...

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<v Speaker 1>Them screams might not be as crazy. It's like when

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<v Speaker 1>they had graduation and they'd be like, you know, just

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<v Speaker 1>everybody just clap a little. Just clap a little. Yeah, yeah, yeah. So,

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<v Speaker 1>you know, I wanted to strategically be in the right

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<v Speaker 1>position so I wouldn't shade nobody after the fact. You

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<v Speaker 1>know what I'm saying? You know how the celebrities can

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<v Speaker 1>be a little, you know. So he announced my name

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<v Speaker 1>and the ladies screamed. You know, I go out there

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<v Speaker 1>and I run to the center of the court. I

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<v Speaker 1>show them a little bit of a six pack because

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<v Speaker 1>I have that on me. Wait, wait, wait. You run

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<v Speaker 1>to the court and pull up your shirt? Center court

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<v Speaker 1>and pull up my shirt, Jay. That's what I do.

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<v Speaker 1>That's the only reason why I'm here. And I get

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<v Speaker 1>the screams, I get the love that I know I

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<v Speaker 1>am due, that I am warranted. And then they're going

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<v Speaker 1>to call another fella's name. I'm like, well, good luck

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<v Speaker 1>to this guy. He's my friend, but I was like,

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<v Speaker 1>I don't know how this is going to go. Give

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<v Speaker 1>it up for Morris Davis. Chestnut! So y'all like Morris? Yeah.

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<v Speaker 1>I'm cool. Oh, man. He proceeds to steal all the

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<v Speaker 1>love and screams. Apparently, he looks better than me. People Magazine, man. Apparently,

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<v Speaker 1>I should shave all my hair off and just rock

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<v Speaker 1>the cold seat. I told you. Niggas don't listen. Fuck you, Jerry.

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<v Speaker 1>The vision board is right here. Bro, you are just,

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<v Speaker 1>I mean, you know, you are just a living legend, brother.

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<v Speaker 1>Just iconic in so many ways, man. More so, I think,

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<v Speaker 1>you know, we're going to get to all the talent

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<v Speaker 1>and the success and all of these things, man. But

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<v Speaker 1>from what I've known about you from the beginning is

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<v Speaker 1>you You are just a stand-up human being. Thank you, man.

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<v Speaker 1>Just a beautiful brother, man. And so we salute that

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<v Speaker 1>more than anything, especially in this place. You know what

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<v Speaker 1>I mean? As it pertains to you being a family

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<v Speaker 1>man and keeping all of those things in its proper

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<v Speaker 1>perspective and honoring them the way you do. Like that

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<v Speaker 1>to me, brother, that's the study material. Thank you, man.

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<v Speaker 1>That all of us men, especially black men, Need to

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<v Speaker 1>subscribe to, man. So I just want to give you

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<v Speaker 1>those flowers off the top. Thank you. We're watching you differently. Yeah,

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<v Speaker 1>for sure. For sure. You know what I'm saying? Great

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<v Speaker 1>example for all of us, brother. Yes. Yes. Now let's

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<v Speaker 1>go back to the beginning, man. Okay. Let's... Let's start in,

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<v Speaker 1>because this is you Southern California born, right? Southern California

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<v Speaker 1>born and raised. Give me the street. Okay, so I

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<v Speaker 1>was born in L.A. and I was raised in Cerritos. Okay.

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<v Speaker 1>But I've always been in California. Cerritos Auto School. Yeah,

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<v Speaker 1>Cerritos Auto School. That's where people know I'm from. That's

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<v Speaker 1>where people know I'm from, Cerritos Auto School. I'm really

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<v Speaker 1>from California, bro. No, it's a commercial, bro. Oh, yeah.

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<v Speaker 1>I've been playing on the radio. For years. And that's

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<v Speaker 1>how you know what Cerritos is. That's the only way

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<v Speaker 1>somebody knew where Cerritos was, unless you were like in

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<v Speaker 1>the area. So back in the day... We had a

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<v Speaker 1>skating rink called Skate Depot. So people would come from

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<v Speaker 1>Long Beach, Compton, Carson, all the surrounding areas. I think

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<v Speaker 1>it was like Friday nights. Yeah, I'm from the Bay Area.

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<v Speaker 1>And what I learned really early is when you go

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<v Speaker 1>to new cities, you don't go to they skating rink.

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<v Speaker 1>It's way too much going on. A lot going on

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<v Speaker 1>at the skating rink. I'm going to come to L.A.

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<v Speaker 1>and go to somebody's skating rink. I ain't been to

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<v Speaker 1>World on Wheels. You ever been to World of Warcraft?

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<v Speaker 1>Hell no. I went during kids' times. Yo, you went?

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<v Speaker 1>I went during kids' times. Oh, right, right, right, right.

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<v Speaker 1>Special event times. Niggas just don't be like, you want

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<v Speaker 1>to go skate? Nah. Right, right, right, right. Even where

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<v Speaker 1>I'm from in Maryland, D.C. I thought I got the setup.

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<v Speaker 1>Skating rings is always where it was. They couldn't wait.

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<v Speaker 1>Back in the day. Back in the day, yeah. But

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<v Speaker 1>I respected that, you know, the other people around Southern

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<v Speaker 1>California went there, but no. No, you were not. All

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<v Speaker 1>I know about is Cerritos Auto Square. That's what I

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<v Speaker 1>know about. Okay, yeah. And what was the call out

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<v Speaker 1>for you as a kid in terms of like the

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<v Speaker 1>arts of it all? See, that's a great question. It's

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<v Speaker 1>interesting when I look back on it. So for me,

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<v Speaker 1>what it was, was, so I was, I played football.

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<v Speaker 1>I didn't play basketball growing up as a kid. I

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<v Speaker 1>didn't play basketball until, pick up basketball until I was,

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<v Speaker 1>couldn't play football anymore. So I was playing high school

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<v Speaker 1>football and I was in, I was in advanced classes,

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<v Speaker 1>but I was never doing the work. So I was

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<v Speaker 1>a C student in all my classes. And I had

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<v Speaker 1>one of my advanced English classes in 11th grade. We

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<v Speaker 1>had to do a scene. And I did the scene.

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<v Speaker 1>My English teacher was like, oh, that was really good.

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<v Speaker 1>I thought that she was just trying to encourage me

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<v Speaker 1>to do better, to get better than a C, BIA

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<v Speaker 1>or whatever. And then, so then I was in 11th grade.

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<v Speaker 1>Then I graduated my first year in junior college. And

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<v Speaker 1>then my neighbor down the street, he came to the

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<v Speaker 1>house one day and was talking. He said, yeah, man.

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<v Speaker 1>He said, yeah, I was in Mrs. Meadows' class. And

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<v Speaker 1>he said, we got these scenes and she brought you up.

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<v Speaker 1>I was like, Mrs. Meadows brought me up? He's like, yeah.

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<v Speaker 1>And she said that you were one of the best

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<v Speaker 1>seniors she had seen. And I was like, oh, okay.

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<v Speaker 1>All right. That's cool. That's cool. And so at that point,

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<v Speaker 1>I was going to a junior college. Were you playing

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<v Speaker 1>football at the junior college? I know. So my thing was,

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<v Speaker 1>for me, was if I never got a scholarship, I

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<v Speaker 1>wasn't going to try to walk on it. It was done.

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<v Speaker 1>It was done. Because football is too brutal. You got

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<v Speaker 1>hell weeks. And it was just a thing to where–

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<v Speaker 1>you're just not good enough, you know? And so I

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<v Speaker 1>was looking for something else to do. So my first

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<v Speaker 1>year in junior college, I was always looking at the

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<v Speaker 1>occupations manual handbook to where they say, okay, a pharmacist

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<v Speaker 1>makes 56,000 a year. I was always looking at, then

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<v Speaker 1>a friend of mine in my English class and not

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<v Speaker 1>my English class. And yeah, he wasn't my English class.

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<v Speaker 1>He said, come take them out in this play. So

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<v Speaker 1>I said, okay, I went and checked them out in

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<v Speaker 1>this play. And literally I had, this was my second

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<v Speaker 1>date with this chick. And, um, And I took her

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<v Speaker 1>to the play and I'm like, he was doing his thing.

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<v Speaker 1>He was doing his thing on stage. And I'm like,

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<v Speaker 1>I'm looking at her. She's like mesmerized. Oh, she was

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<v Speaker 1>into it. She was into it. She was into it.

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<v Speaker 1>I was like, okay, okay. And then that combined with,

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<v Speaker 1>you know, my boy down the street telling me that,

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<v Speaker 1>you know, my English teacher said, I said, okay. So

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<v Speaker 1>the next semester I, uh, I, I took an acting

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<v Speaker 1>class in junior college and, um, and just started pursuing

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<v Speaker 1>it from there. The interests of the woman, um, in

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<v Speaker 1>said activity. That's always part of it. Always. That's always

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<v Speaker 1>part of it. We don't come with a woman. Why

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<v Speaker 1>are we doing it? But, you know, it's funny, too,

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<v Speaker 1>because the interesting thing, too, because I was, you know,

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<v Speaker 1>I talked to my mother the other day and I

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<v Speaker 1>started thinking back And so I was, so I'm not

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<v Speaker 1>really like of the group of friends that I ever had.

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<v Speaker 1>I'm never really the one that's like, cause we grew

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<v Speaker 1>up when bagging, you know, you bag, everybody bag. And

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<v Speaker 1>I was the one that was trying to instigate. So

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<v Speaker 1>everybody stay off me. Right. Cause I can have no,

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<v Speaker 1>I never had no jokes. Right. So I'll be, if

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<v Speaker 1>you said a joke about him, Oh, so you keep,

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<v Speaker 1>keep you going. But I was never like the, the,

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<v Speaker 1>the kid with the attention, the kid with the jokes,

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<v Speaker 1>I kind of was just like there, you know, I was,

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<v Speaker 1>you know, I was, decent football player whatever and then

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<v Speaker 1>um but when i was talking to my mother the

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<v Speaker 1>other day i realized that she she was telling me

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<v Speaker 1>about years when i was in elementary school i did

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<v Speaker 1>this i did this thing in church you know i

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<v Speaker 1>just got up and recited something i did it at

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<v Speaker 1>the last minute i said oh yeah i did do

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<v Speaker 1>that and then i thought back and me and me

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<v Speaker 1>and a buddy of mine, but in my elementary school, no,

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<v Speaker 1>it was junior high school. We did this thing to

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<v Speaker 1>where we did a dance to Michael Jackson. So I

0:10:09.630 --> 0:10:11.890
<v Speaker 1>was like, okay, I did, I did do that with him.

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<v Speaker 1>And then the buddy of mine in high school, we

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<v Speaker 1>were in like this talent show to Roxanne Roxanne, you know,

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<v Speaker 1>back in the day. So I was like, I was

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<v Speaker 1>doing all those- You were finding your way. I was

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<v Speaker 1>just doing them, but not- Not knowing it was- Not

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<v Speaker 1>knowing that it was something, yeah. But what really triggered

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<v Speaker 1>it though, even before I saw my dude in the

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<v Speaker 1>play that was in my English class, was when he

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<v Speaker 1>told me, because I really didn't know what I was

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<v Speaker 1>going to do. You know, I was working at the bank.

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<v Speaker 1>I thought I was going to have a career in banking.

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<v Speaker 1>You was the educated brother from the bank. I was

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<v Speaker 1>working as a bank teller. Well, no, but see, there's

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<v Speaker 1>something to that though. So when I was working at

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<v Speaker 1>the bank, so it was right at the time to where,

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<v Speaker 1>so I have always, thanks to my mother, my mother

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<v Speaker 1>was a grinder and she always had multiple jobs, but

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<v Speaker 1>I always had a job that was paying more than

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<v Speaker 1>minimum wage when I was coming up. I started out

0:11:06.160 --> 0:11:09.280
<v Speaker 1>with Sears, whatever minimum wage was, I was $ 2 over.

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<v Speaker 1>And then when I started working at the bank, when

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<v Speaker 1>the bank was, they were phasing out full-time tellers. So

0:11:17.590 --> 0:11:19.890
<v Speaker 1>they were phasing out full-time tellers. So instead of the

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<v Speaker 1>wage being, you know, $ 6 an hour, that's like 15. So,

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<v Speaker 1>and then back in the day, the banks, when I

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<v Speaker 1>was coming up, they would close at three, Monday through

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<v Speaker 1>Thursday and six o'clock on Friday and one on Saturday.

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<v Speaker 1>So you had, I always had my Friday nights and

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<v Speaker 1>my Saturday and my whole weekends. And I was making

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<v Speaker 1>more than just a, you know, just a regular minimum

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<v Speaker 1>wage job. So yeah, so I was, I was at

0:11:40.880 --> 0:11:43.939
<v Speaker 1>the bank. So I just figured that I figured that my,

0:11:44.420 --> 0:11:45.970
<v Speaker 1>I thought I was going to be like a bank manager.

0:11:46.010 --> 0:11:48.290
<v Speaker 1>I was just going to go up the thing. But

0:11:48.809 --> 0:11:52.829
<v Speaker 1>then when, yeah, so that's how it happened. And so

0:11:53.150 --> 0:11:56.360
<v Speaker 1>what is your first acting moment? What is your first, like,

0:11:56.630 --> 0:11:59.220
<v Speaker 1>once you start getting in this acting class, like what's

0:11:59.240 --> 0:12:01.420
<v Speaker 1>the first thing you do? Don't tell us. What do

0:12:01.440 --> 0:12:03.440
<v Speaker 1>they do? What do you do? So me and my boy,

0:12:03.520 --> 0:12:05.860
<v Speaker 1>so I had a couple of dudes from my acting class.

0:12:06.160 --> 0:12:08.670
<v Speaker 1>We say, hey, let's try this. You know, we started

0:12:08.710 --> 0:12:11.650
<v Speaker 1>going out trying to get agents and stuff. And so

0:12:11.970 --> 0:12:15.530
<v Speaker 1>I got an agent and here's where I knew this

0:12:15.550 --> 0:12:18.130
<v Speaker 1>is what I wanted to do. So I got an

0:12:18.230 --> 0:12:20.470
<v Speaker 1>agent and he was sending me out on stuff. And

0:12:20.510 --> 0:12:25.250
<v Speaker 1>so I went to an audition for A Different World. Now,

0:12:25.510 --> 0:12:28.760
<v Speaker 1>in this audition, it was in the cafeteria. The girls

0:12:28.820 --> 0:12:31.380
<v Speaker 1>are at the cafeteria line and I'm back there serving food.

0:12:32.179 --> 0:12:35.839
<v Speaker 1>And the girls walk by and I was one line.

0:12:35.880 --> 0:12:38.079
<v Speaker 1>I was supposed to smile and say hi. So I

0:12:38.120 --> 0:12:39.880
<v Speaker 1>did that in the audition. I smiled and said hi.

0:12:40.730 --> 0:12:44.329
<v Speaker 1>And so that was it. My agent called me a

0:12:44.330 --> 0:12:45.829
<v Speaker 1>couple of days later. He says, they want to put

0:12:45.870 --> 0:12:47.150
<v Speaker 1>you on a veil, which they want to check and

0:12:47.170 --> 0:12:49.530
<v Speaker 1>see if you're available for those dates. And they said,

0:12:49.770 --> 0:12:51.550
<v Speaker 1>if you do the job, it's going to pay $ 1, 500

0:12:51.450 --> 0:12:54.450
<v Speaker 1>per week, this, that, and the other. All I heard

0:12:54.470 --> 0:12:56.510
<v Speaker 1>was $ 1, 500. I was like, whoa, whoa, whoa, whoa, whoa.

0:12:56.870 --> 0:12:59.170
<v Speaker 1>I said, how much? I said, $ 1, 500 a week? He said,

0:12:59.270 --> 0:13:02.030
<v Speaker 1>I said, so he said, yeah, $ 1, 500 per week. You

0:13:02.050 --> 0:13:03.710
<v Speaker 1>get this, you get that. And I was like, okay.

0:13:03.730 --> 0:13:06.250
<v Speaker 1>So I'm going to start doing the math. So I'm like,

0:13:06.530 --> 0:13:09.390
<v Speaker 1>wait a minute, wait a minute. So if I'm saying hi...

0:13:10.010 --> 0:13:18.880
<v Speaker 1>For $ 1, 500 a week. Yeah, yeah, yeah. What's Dwayne Wayne doing? Right, right.

0:13:19.050 --> 0:13:22.179
<v Speaker 1>What are they getting? So I said, oh, I got

0:13:22.200 --> 0:13:24.839
<v Speaker 1>to go after this. And so that was it. That

0:13:24.880 --> 0:13:27.540
<v Speaker 1>was really what. That was what. So at first we

0:13:27.559 --> 0:13:28.959
<v Speaker 1>were just kind of having fun. Oh, let's try it.

0:13:28.960 --> 0:13:31.220
<v Speaker 1>Let's go down to Hollywood. Let's do some stuff. But

0:13:31.260 --> 0:13:32.610
<v Speaker 1>when I heard that, I was like, oh, yeah, yeah.

0:13:32.660 --> 0:13:34.370
<v Speaker 1>I got to go after this. So did you land that?

0:13:35.330 --> 0:13:38.270
<v Speaker 1>They wrote the script. They wrote that rollout. So I

0:13:38.290 --> 0:13:40.380
<v Speaker 1>did not get that, but they wrote that rollout. I

0:13:40.440 --> 0:13:43.720
<v Speaker 1>didn't get that. And then, um, and then I just started,

0:13:43.980 --> 0:13:47.520
<v Speaker 1>I started just auditioning. So I auditioned. And what's the

0:13:47.559 --> 0:13:51.750
<v Speaker 1>first one you got? So, so what I did was

0:13:51.790 --> 0:13:53.429
<v Speaker 1>back in the day, they used to have a thing

0:13:53.450 --> 0:13:56.410
<v Speaker 1>called the drama log. So the drama log every Thursday night,

0:13:56.630 --> 0:13:59.010
<v Speaker 1>they would have, well, it would come out on Fridays,

0:13:59.470 --> 0:14:03.010
<v Speaker 1>but they would have like auditions for movies, auditions for,

0:14:03.110 --> 0:14:06.850
<v Speaker 1>you know, TV shows. Most of it was non-union. So

0:14:07.010 --> 0:14:09.120
<v Speaker 1>I started booking those. I was booking student films, but

0:14:09.150 --> 0:14:13.400
<v Speaker 1>the first, my first SAG card was the television version

0:14:13.480 --> 0:14:15.820
<v Speaker 1>of Nightmare on Elm Street. It was a, it was

0:14:15.860 --> 0:14:18.650
<v Speaker 1>a TV show that came on at like, 2 o'clock

0:14:18.690 --> 0:14:24.030
<v Speaker 1>at night, and it didn't have a regular cast. Each

0:14:24.090 --> 0:14:27.550
<v Speaker 1>episode had a new cast because they would kill the cast. Gotcha.

0:14:27.690 --> 0:14:30.430
<v Speaker 1>They killed you. They killed me. No, no, no. Yeah,

0:14:30.460 --> 0:14:32.590
<v Speaker 1>they killed me. You're black, so I know they killed you.

0:14:32.600 --> 0:14:35.360
<v Speaker 1>That was definitely when they killed me. They killed me.

0:14:35.400 --> 0:14:38.240
<v Speaker 1>But the episode was about my father, and he was

0:14:38.300 --> 0:14:41.080
<v Speaker 1>investing in me. I was just a young athlete, and

0:14:41.120 --> 0:14:43.620
<v Speaker 1>he was investing in me, and because of whatever stuff

0:14:43.640 --> 0:14:45.400
<v Speaker 1>he had did, they took me from him, so they

0:14:45.440 --> 0:14:48.190
<v Speaker 1>did kill me. Yeah, but that was my sad card.

0:14:48.970 --> 0:14:51.010
<v Speaker 1>That was my sad card. So, athlete from the beginning.

0:14:51.920 --> 0:14:56.740
<v Speaker 1>Athlete from the... Well, yes, because at that time, now,

0:14:57.180 --> 0:14:59.580
<v Speaker 1>there was a... You know, it was kind of like

0:14:59.600 --> 0:15:02.060
<v Speaker 1>the gang explosion. Like, a lot of roles were like

0:15:02.120 --> 0:15:04.780
<v Speaker 1>gang roles. I would never get those. You know, I auditioned,

0:15:05.020 --> 0:15:07.360
<v Speaker 1>I would never get them. And then, you know, there

0:15:07.400 --> 0:15:10.060
<v Speaker 1>were a couple things throughout there, but, you know, but

0:15:10.080 --> 0:15:13.030
<v Speaker 1>when it came to the athlete, you know, I would

0:15:13.050 --> 0:15:16.410
<v Speaker 1>get those parts. What's a role that... you didn't get

0:15:16.430 --> 0:15:19.480
<v Speaker 1>that you can remember that people that you might've auditioned

0:15:19.540 --> 0:15:22.220
<v Speaker 1>for early on, which could you, could you had it

0:15:22.260 --> 0:15:27.720
<v Speaker 1>been rocketing colors? No, I wouldn't be rocking colors. I would,

0:15:27.860 --> 0:15:31.420
<v Speaker 1>I do remember I got close on, there was a Friday,

0:15:31.460 --> 0:15:35.030
<v Speaker 1>the 13th role brother was in Friday, the 13th. I

0:15:35.070 --> 0:15:38.530
<v Speaker 1>got close on that role. I didn't get it. And

0:15:38.570 --> 0:15:40.570
<v Speaker 1>then there were a lot of stuff I auditioned for,

0:15:40.670 --> 0:15:42.229
<v Speaker 1>but I, you know, that is cause I ended up

0:15:42.270 --> 0:15:45.120
<v Speaker 1>going to, I mean, everything, when I was first starting

0:15:45.160 --> 0:15:47.680
<v Speaker 1>out as an actor, everything was just so, I was

0:15:47.720 --> 0:15:49.540
<v Speaker 1>taking in everything. I remember there were a couple of

0:15:49.580 --> 0:15:52.380
<v Speaker 1>times when I did go back to a different world.

0:15:52.440 --> 0:15:55.420
<v Speaker 1>And I'll never forget, when I went to this audition,

0:15:55.910 --> 0:15:58.270
<v Speaker 1>Martin wasn't Martin yet, but he was there at the audition.

0:15:58.310 --> 0:16:00.850
<v Speaker 1>And he was in outside, you know, everyone's got their

0:16:00.870 --> 0:16:03.590
<v Speaker 1>papers outside. And of course, he's holding court with all

0:16:03.630 --> 0:16:06.050
<v Speaker 1>the commies and everything. So there were roles on a

0:16:06.090 --> 0:16:07.850
<v Speaker 1>different world that I didn't get. There were a lot

0:16:07.870 --> 0:16:19.960
<v Speaker 1>of roles that I didn't get. Wow, for sure. Mommy,

0:16:19.980 --> 0:16:22.210
<v Speaker 1>let's get to the roll. Come on, buddy. We got

0:16:22.230 --> 0:16:24.920
<v Speaker 1>to go there. You did get. We got to go there. Oh,

0:16:24.950 --> 0:16:28.470
<v Speaker 1>you got the roll of rolls. Boys in the hood.

0:16:29.750 --> 0:16:34.730
<v Speaker 1>Boys in the hood. Yeah. Yeah. How? Yeah, you got

0:16:34.750 --> 0:16:37.890
<v Speaker 1>to walk us through that process, bro. So, you know what?

0:16:38.250 --> 0:16:40.170
<v Speaker 1>For me, I think it was four years before you

0:16:40.190 --> 0:16:44.210
<v Speaker 1>and I talked about that. So, what happened was this. So,

0:16:45.750 --> 0:16:48.800
<v Speaker 1>I had been going... So, I started... So... when I

0:16:48.850 --> 0:16:50.810
<v Speaker 1>went to that acting class at junior college, it was

0:16:50.850 --> 0:16:53.250
<v Speaker 1>Long Beach city junior college. So I said, okay, I'm

0:16:53.270 --> 0:16:55.229
<v Speaker 1>getting some pretty good notices here. So let me go,

0:16:55.610 --> 0:16:59.210
<v Speaker 1>let me go into Holly closer into Hollywood and see if,

0:16:59.650 --> 0:17:01.950
<v Speaker 1>you know, see if I, you know, if they think

0:17:01.990 --> 0:17:05.619
<v Speaker 1>I got it, Marla Gibbs, who was the, who was

0:17:05.740 --> 0:17:08.800
<v Speaker 1>on two, two, seven and, and the Jefferson's back in

0:17:08.820 --> 0:17:11.179
<v Speaker 1>the day, she had an acting class that was in

0:17:11.220 --> 0:17:14.560
<v Speaker 1>Leimert park, right, right in the hood. And so, but,

0:17:15.130 --> 0:17:18.140
<v Speaker 1>Her thing for the acting class was she had everybody,

0:17:18.380 --> 0:17:20.980
<v Speaker 1>everybody from TV shows actually teaching the acting class. So

0:17:21.260 --> 0:17:22.899
<v Speaker 1>I said, you know what? Yes. I said, you know,

0:17:22.940 --> 0:17:24.500
<v Speaker 1>I got to get in that class. These are people

0:17:24.540 --> 0:17:26.540
<v Speaker 1>who are working in the industry. I got to get

0:17:26.560 --> 0:17:28.159
<v Speaker 1>in front of them so they can give me direction

0:17:28.180 --> 0:17:31.070
<v Speaker 1>of what I need to do. So I started going

0:17:31.130 --> 0:17:32.869
<v Speaker 1>to I started. It was called Crossroads. I was going

0:17:32.890 --> 0:17:35.810
<v Speaker 1>to Crossroads in Leimert Park. And then I then I

0:17:35.850 --> 0:17:38.869
<v Speaker 1>ventured even more into Hollywood. So flip to I get

0:17:38.890 --> 0:17:42.260
<v Speaker 1>an audition for a movie. And Jackie Brown was the

0:17:42.280 --> 0:17:45.139
<v Speaker 1>cast director. I go in there, I meet with Jackie Brown.

0:17:45.300 --> 0:17:47.940
<v Speaker 1>I get the, I get the call back and then

0:17:47.980 --> 0:17:50.100
<v Speaker 1>they call me back to go and meet the director.

0:17:50.440 --> 0:17:52.620
<v Speaker 1>I'm like, okay, cool. I got called back before. So, okay, cool.

0:17:52.640 --> 0:17:54.330
<v Speaker 1>I got to be ready for this call back. So

0:17:54.369 --> 0:17:57.910
<v Speaker 1>I go in and it's, the director is my age,

0:17:58.369 --> 0:18:00.690
<v Speaker 1>you know, it's not like this old dude with glasses

0:18:00.869 --> 0:18:03.060
<v Speaker 1>on just sitting like this. It's like, Hey man, what's up?

0:18:03.070 --> 0:18:04.590
<v Speaker 1>I was like, Oh, what's up? You know, game boy

0:18:04.609 --> 0:18:07.050
<v Speaker 1>with everything. Um, and so, you know, I do the

0:18:07.109 --> 0:18:12.630
<v Speaker 1>audition and, um, with John Singleton, God rest his soul,

0:18:12.690 --> 0:18:15.750
<v Speaker 1>late great John Singleton. And at the end of the audition,

0:18:16.270 --> 0:18:19.010
<v Speaker 1>he grabs my hand, says, thanks for coming in. He

0:18:19.070 --> 0:18:23.430
<v Speaker 1>holds it just a little bit longer. I was like, okay, oh, cool. Okay, cool.

0:18:23.450 --> 0:18:26.200
<v Speaker 1>So I said, okay, I think he liked me. And then,

0:18:26.220 --> 0:18:30.140
<v Speaker 1>so then my agent calls and said, hey, they want

0:18:30.280 --> 0:18:33.360
<v Speaker 1>you to do a screen test. I was like, oh, okay. Now,

0:18:33.380 --> 0:18:35.560
<v Speaker 1>I hadn't done a screen test before. I'm like, okay,

0:18:35.700 --> 0:18:37.580
<v Speaker 1>all right. I'm getting closer. I'm getting closer. So a

0:18:37.600 --> 0:18:39.760
<v Speaker 1>screen test, big high. So I'm thinking I'm going to,

0:18:40.280 --> 0:18:42.320
<v Speaker 1>you know, and at this time it's just a movie.

0:18:42.359 --> 0:18:45.159
<v Speaker 1>I don't know it's Columbia. I don't recall. But I

0:18:45.380 --> 0:18:48.050
<v Speaker 1>just know it's a Hollywood screen test. And so I'm thinking,

0:18:48.070 --> 0:18:50.140
<v Speaker 1>so where am I going? Am I going to, you know,

0:18:50.160 --> 0:18:51.810
<v Speaker 1>Warner Brothers? I think you're going to a lot. I

0:18:51.810 --> 0:18:55.169
<v Speaker 1>think I'm going to a lot. Yeah. And he says, yeah,

0:18:55.369 --> 0:18:59.470
<v Speaker 1>the screen test is at this place, Crossroads Studio in,

0:18:59.710 --> 0:19:03.280
<v Speaker 1>you know, Leimert Park. And that's where I had already studied.

0:19:03.500 --> 0:19:07.379
<v Speaker 1>But at first I was like, Crossroads? Is this a

0:19:07.420 --> 0:19:09.500
<v Speaker 1>real movie? I mean, why are we going to Crossroads

0:19:10.160 --> 0:19:13.179
<v Speaker 1>for a screen test? But John, what I didn't know

0:19:13.200 --> 0:19:16.080
<v Speaker 1>at the time, John wanted to keep everything in South Central.

0:19:17.000 --> 0:19:19.700
<v Speaker 1>And so I went and it was like home because

0:19:19.790 --> 0:19:22.770
<v Speaker 1>I had already been working out there at Crossroads. Yeah.

0:19:24.140 --> 0:19:26.220
<v Speaker 1>And then I did a screen test and got the part.

0:19:26.470 --> 0:19:28.210
<v Speaker 1>Who are you screening? Who are you testing with? Was

0:19:28.230 --> 0:19:32.470
<v Speaker 1>it somebody from the movie or just? No, no, it was.

0:19:32.710 --> 0:19:34.470
<v Speaker 1>So there was a bunch of us around. I don't

0:19:34.490 --> 0:19:37.170
<v Speaker 1>think I ever I don't recall ever testing with Cuba

0:19:37.590 --> 0:19:40.830
<v Speaker 1>because in the first. So the first audition for it,

0:19:40.850 --> 0:19:43.190
<v Speaker 1>we all all the all the male leads read for

0:19:43.630 --> 0:19:46.550
<v Speaker 1>Cuba's part. And then when I came back, they had me,

0:19:47.060 --> 0:19:49.260
<v Speaker 1>as Ricky, but I don't recall. I think I just

0:19:49.300 --> 0:19:51.600
<v Speaker 1>went on there and I just went in there and

0:19:51.640 --> 0:19:54.350
<v Speaker 1>went on tape. I don't recall screen testing with anybody

0:19:54.550 --> 0:19:57.389
<v Speaker 1>other than the cast director. I have vivid memories of

0:19:57.920 --> 0:19:59.700
<v Speaker 1>all of that. I learned, I learned a lot, even

0:19:59.760 --> 0:20:02.180
<v Speaker 1>just from, I learned a lot from people and about

0:20:02.220 --> 0:20:06.630
<v Speaker 1>people being around the, uh, going to auditions and hearing

0:20:06.650 --> 0:20:09.230
<v Speaker 1>people talk and everything, but I learned a lot. Um,

0:20:09.350 --> 0:20:10.669
<v Speaker 1>but yeah, so I don't, I don't think it was

0:20:10.690 --> 0:20:12.030
<v Speaker 1>with you. I think it was just with John at

0:20:12.050 --> 0:20:14.550
<v Speaker 1>that point too. How old are you at this? When you,

0:20:14.570 --> 0:20:16.010
<v Speaker 1>when you both boys in the hood? I think I'm 18.

0:20:15.990 --> 0:20:17.300
<v Speaker 1>I think I'm 18. 18, 19. I think I'm 19.

0:20:17.300 --> 0:20:18.700
<v Speaker 1>I graduated at seven. I graduated high school at 17.

0:20:18.680 --> 0:20:26.780
<v Speaker 1>And then one, two. Yeah. I'm about, 1920, I think

0:20:27.220 --> 0:20:30.930
<v Speaker 1>it was 1920, yeah. Yeah. Wow. Give me the feeling

0:20:30.950 --> 0:20:35.730
<v Speaker 1>when you get the call from your agent and he says,

0:20:36.130 --> 0:20:42.600
<v Speaker 1>or she says, man, he says, you booked, boys and girls.

0:20:42.859 --> 0:20:46.860
<v Speaker 1>So at that time, I was honestly happy to book anything. Mm-hmm.

0:20:48.330 --> 0:20:50.270
<v Speaker 1>I'm just glad to have a job. Yeah. You know,

0:20:50.390 --> 0:20:52.330
<v Speaker 1>I'm in the union, I'm an actor, and I can

0:20:52.350 --> 0:20:53.909
<v Speaker 1>say I'm working as an actor. You got a speaking part.

0:20:53.990 --> 0:20:56.750
<v Speaker 1>You got a speaking part. You're going to get a

0:20:56.810 --> 0:21:00.020
<v Speaker 1>little bit of money. But, so when they ran down

0:21:00.080 --> 0:21:02.540
<v Speaker 1>the list of who was in the movie, so back then,

0:21:02.920 --> 0:21:06.400
<v Speaker 1>when I did Boys in the Hood, movies were huge.

0:21:06.440 --> 0:21:11.840
<v Speaker 1>Movies had huge movie stars. You had Tom Cruise, Jack Nicholson,

0:21:12.220 --> 0:21:14.260
<v Speaker 1>and all the big movies that people were going to

0:21:14.280 --> 0:21:18.970
<v Speaker 1>the theater to see had huge movie stars. So... I'm saying, okay. So,

0:21:18.990 --> 0:21:23.790
<v Speaker 1>wait a minute. Okay. So, yeah, some people know Ice Cube. Okay.

0:21:24.270 --> 0:21:26.390
<v Speaker 1>But this other dude that lead, this Cuba dude, nobody

0:21:26.410 --> 0:21:28.609
<v Speaker 1>know him. I mean, Cuba had holding deals, but the

0:21:28.670 --> 0:21:31.310
<v Speaker 1>world didn't know Cuba at the time. Right. And then

0:21:32.750 --> 0:21:36.330
<v Speaker 1>Amelie in the movie. And then, yeah, I mean, this

0:21:36.369 --> 0:21:38.649
<v Speaker 1>guy Fishburne was in a movie when he was a

0:21:38.690 --> 0:21:41.850
<v Speaker 1>young kid. And then he was in Pee Wee's Playhouse. So,

0:21:41.869 --> 0:21:45.770
<v Speaker 1>I'm literally thinking it's like, look, I'm just glad I

0:21:45.800 --> 0:21:47.159
<v Speaker 1>have a movie. I don't know if anybody's going to

0:21:47.170 --> 0:21:50.470
<v Speaker 1>see this. but I'm just glad to be in the movie.

0:21:51.070 --> 0:21:53.949
<v Speaker 1>And then no one knew who Nia was. No one

0:21:53.970 --> 0:21:56.430
<v Speaker 1>knew who Angela was. No one who knew Regina was.

0:21:56.730 --> 0:21:58.169
<v Speaker 1>It was just one of those things to where it's

0:21:58.190 --> 0:22:00.109
<v Speaker 1>like all these people were. So I'm just glad to

0:22:00.130 --> 0:22:02.169
<v Speaker 1>be working and being in the movie. Breaking new stars. Yeah,

0:22:02.190 --> 0:22:03.970
<v Speaker 1>he broke new stars, but I didn't realize that at

0:22:03.990 --> 0:22:07.890
<v Speaker 1>that time because in addition to that, there was an 18-year-old, 19-year-old,

0:22:07.910 --> 0:22:11.560
<v Speaker 1>20-year-old kid that's directing the movie. That's directing the movie

0:22:11.760 --> 0:22:14.020
<v Speaker 1>that I went to the screen test at Crossroads in

0:22:14.040 --> 0:22:16.510
<v Speaker 1>Leimert Park. So it was like... It was just one

0:22:16.530 --> 0:22:18.330
<v Speaker 1>of those things where I wasn't thinking of it at

0:22:18.350 --> 0:22:21.050
<v Speaker 1>the time. But what, for me, I was taking that

0:22:21.090 --> 0:22:23.369
<v Speaker 1>as a learning experience as well. So when I was

0:22:23.450 --> 0:22:27.030
<v Speaker 1>on set, it was a situation where I was just

0:22:27.050 --> 0:22:29.719
<v Speaker 1>trying to learn and see how things are done. And

0:22:30.119 --> 0:22:31.820
<v Speaker 1>I'll never forget, so we were in a double banger.

0:22:31.859 --> 0:22:35.140
<v Speaker 1>So a double banger is, there's the trailers that have

0:22:35.180 --> 0:22:37.220
<v Speaker 1>two rooms on them. You got double bangers, you got singles,

0:22:37.240 --> 0:22:40.790
<v Speaker 1>you got triple bangers, all that. But a honey wagons.

0:22:40.830 --> 0:22:44.419
<v Speaker 1>But Cuba's room was right next to mine. And it

0:22:44.460 --> 0:22:47.090
<v Speaker 1>was to the point to where, because Cuba had, he

0:22:47.109 --> 0:22:49.970
<v Speaker 1>had done TV shows. He had done MacGyver and stuff

0:22:49.990 --> 0:22:51.710
<v Speaker 1>like that. He was on a holding deal at the studio.

0:22:51.750 --> 0:22:54.050
<v Speaker 1>So he was way far ahead of where I was.

0:22:54.670 --> 0:22:56.970
<v Speaker 1>And I was always asking him questions. I was always

0:22:57.010 --> 0:22:59.270
<v Speaker 1>asking him questions. And when you're in a double banger,

0:22:59.850 --> 0:23:02.740
<v Speaker 1>you could hear like, If I'm in my room, I

0:23:02.760 --> 0:23:04.260
<v Speaker 1>can hear if your door opens and you're coming out.

0:23:04.740 --> 0:23:06.780
<v Speaker 1>So every time Q was door open, I'd come out.

0:23:06.900 --> 0:23:10.439
<v Speaker 1>I was just happy to be there. What's up, man?

0:23:10.460 --> 0:23:13.100
<v Speaker 1>Where you at? Oh, you craft stuff? I'm going there, too. Right?

0:23:13.220 --> 0:23:19.990
<v Speaker 1>And I'll never forget one time. One time, I was

0:23:20.010 --> 0:23:22.770
<v Speaker 1>in my trailer. Q was door open. I came out.

0:23:23.450 --> 0:23:27.389
<v Speaker 1>He came, he went back. He's like, I can't deal

0:23:27.410 --> 0:23:29.990
<v Speaker 1>with this cat today. But it was just one of

0:23:30.030 --> 0:23:31.649
<v Speaker 1>those things to me where I was just, I was

0:23:31.670 --> 0:23:34.050
<v Speaker 1>just so just happy to be there. Just so just,

0:23:34.070 --> 0:23:35.950
<v Speaker 1>because I've done a lot of independent movies and movies

0:23:35.970 --> 0:23:37.840
<v Speaker 1>that will never see the light of day. And I

0:23:37.840 --> 0:23:38.879
<v Speaker 1>was just happy to be in a movie. And y'all

0:23:38.900 --> 0:23:40.899
<v Speaker 1>were in the middle of the hood. Oh yeah, yeah, yeah.

0:23:40.980 --> 0:23:43.440
<v Speaker 1>Oh yeah, yeah. We actually shot in LA, South Central. Yeah,

0:23:43.600 --> 0:23:46.600
<v Speaker 1>for real. How was that as far as like, right,

0:23:46.619 --> 0:23:48.520
<v Speaker 1>because we all come from wherever we come from and

0:23:49.359 --> 0:23:55.010
<v Speaker 1>it changes. It's insane. Like the community changes when things

0:23:55.070 --> 0:23:58.389
<v Speaker 1>are going on from a video shoot to a movie set.

0:23:58.890 --> 0:24:01.169
<v Speaker 1>So I know there were people hanging around. There were

0:24:01.190 --> 0:24:04.730
<v Speaker 1>people just not realizing that they're in the way, but

0:24:04.770 --> 0:24:08.830
<v Speaker 1>being in the way. Yeah. So that did happen. So

0:24:08.869 --> 0:24:13.190
<v Speaker 1>we had people on set and John was from the area.

0:24:13.350 --> 0:24:16.270
<v Speaker 1>So he had people there on set to help us.

0:24:16.770 --> 0:24:20.710
<v Speaker 1>But it really was after, you got to remember, nobody

0:24:20.730 --> 0:24:23.359
<v Speaker 1>knew us. So after it's like, oh, y'all doing a movie?

0:24:24.080 --> 0:24:26.240
<v Speaker 1>And I could be standing right there. Who, you know, oh,

0:24:26.260 --> 0:24:28.030
<v Speaker 1>this dude's in a movie? Oh, okay. All right, I'm out.

0:24:28.050 --> 0:24:30.110
<v Speaker 1>They go and do something else because you're not seeing

0:24:30.150 --> 0:24:33.410
<v Speaker 1>any stars. You're seeing somebody on a set, you know.

0:24:33.650 --> 0:24:36.949
<v Speaker 1>But they did want to see Ice Cube, though. You know,

0:24:37.050 --> 0:24:39.429
<v Speaker 1>Ice Cube was still, he was Ice Cube at the

0:24:39.450 --> 0:24:42.830
<v Speaker 1>time with N.W.A. Yeah. For sure. Yeah. At any point

0:24:42.869 --> 0:24:46.870
<v Speaker 1>while you're shooting this movie, does it click for you

0:24:46.910 --> 0:24:52.850
<v Speaker 1>at any point that you're doing something special? Mm-hmm. Or

0:24:52.869 --> 0:24:55.320
<v Speaker 1>you're just you're just in it while I'm shooting. Yes.

0:24:56.050 --> 0:25:03.770
<v Speaker 1>Not one time. Not not one single time. Because, again,

0:25:03.790 --> 0:25:07.550
<v Speaker 1>no one was in the movie that, you know, there

0:25:07.750 --> 0:25:10.530
<v Speaker 1>were huge. I'm telling you, there's when movies were huge

0:25:10.590 --> 0:25:13.490
<v Speaker 1>at the time, you know, and they had huge stars

0:25:13.570 --> 0:25:16.230
<v Speaker 1>and none of us were huge at the time. And

0:25:16.280 --> 0:25:18.440
<v Speaker 1>then it was. And to me, it was just like,

0:25:18.480 --> 0:25:20.920
<v Speaker 1>I'm learning. Okay. And what, what can I get next?

0:25:20.980 --> 0:25:22.750
<v Speaker 1>You know, what's the next thing I'm gonna do after that?

0:25:23.170 --> 0:25:24.690
<v Speaker 1>So I was always, I've always been trying to say,

0:25:24.730 --> 0:25:26.350
<v Speaker 1>what can I get after this? Let me learn here

0:25:26.390 --> 0:25:28.530
<v Speaker 1>and see what the next thing is going to the next.

0:25:28.570 --> 0:25:32.070
<v Speaker 1>So at no point did I think the, did I

0:25:32.130 --> 0:25:34.790
<v Speaker 1>think the movie was going to be big, you know,

0:25:34.890 --> 0:25:38.220
<v Speaker 1>and matter of fact, I never forget my agent called

0:25:38.260 --> 0:25:40.399
<v Speaker 1>me at the time. He goes, yeah, that, that the

0:25:40.460 --> 0:25:42.840
<v Speaker 1>movie that you did, you know, it's going to be

0:25:42.880 --> 0:25:44.840
<v Speaker 1>in a, in a, in a, in a cam film festival,

0:25:44.900 --> 0:25:46.929
<v Speaker 1>a calm film festival. I was like, I said, where

0:25:46.950 --> 0:25:49.020
<v Speaker 1>is that? He said, oh, it's in France. I said,

0:25:49.119 --> 0:25:52.930
<v Speaker 1>it's in France. I said, damn, they gonna short here though, right?

0:25:56.220 --> 0:25:59.260
<v Speaker 1>Not even knowing that that's a huge deal. Yeah, they

0:25:59.300 --> 0:26:01.160
<v Speaker 1>got to short here because I got to- They gonna

0:26:01.180 --> 0:26:05.760
<v Speaker 1>play that match down at the theater, right? At that time,

0:26:06.119 --> 0:26:09.730
<v Speaker 1>they don't even know what France is. Exactly. France, right

0:26:09.750 --> 0:26:11.590
<v Speaker 1>here on the map. I'm telling you, man. What they

0:26:11.630 --> 0:26:16.170
<v Speaker 1>doing over there? Exactly. I'm not even knowing. So I'm like, dang, yeah.

0:26:16.190 --> 0:26:18.230
<v Speaker 1>So I was like, yeah, yeah, you guys can have

0:26:18.270 --> 0:26:20.340
<v Speaker 1>it here, but- You know, so, oh, okay. Cool. So

0:26:20.359 --> 0:26:23.880
<v Speaker 1>I didn't even know. Yeah. I gotta ask you a question, though.

0:26:24.119 --> 0:26:26.430
<v Speaker 1>Because if I don't, my whole neighborhood is going to

0:26:26.450 --> 0:26:31.210
<v Speaker 1>be mad at me. Why didn't you zigzag? He made

0:26:31.230 --> 0:26:32.930
<v Speaker 1>a post about that. Yeah, yeah, yeah. People ask me

0:26:32.950 --> 0:26:34.710
<v Speaker 1>that all the time. The hood is going to be

0:26:34.750 --> 0:26:38.310
<v Speaker 1>mad at me, man. I have to ask. He was fast. Yeah,

0:26:38.410 --> 0:26:42.730
<v Speaker 1>I was fast. Listen, man. I was doing what they

0:26:42.800 --> 0:26:46.900
<v Speaker 1>told me. And now, listen, trust me. I remember those scenes.

0:26:47.400 --> 0:26:49.520
<v Speaker 1>You know, I remember those scenes for different reasons. But,

0:26:49.540 --> 0:26:51.680
<v Speaker 1>I mean, I had a really good time, you know,

0:26:51.859 --> 0:26:54.260
<v Speaker 1>with those scenes. Because, you know, it was fun. Got

0:26:54.280 --> 0:26:58.920
<v Speaker 1>the run. But that particular scene was nerve-wracking because... So

0:26:58.960 --> 0:27:01.240
<v Speaker 1>they put these squibs on you, which are basically mini

0:27:01.280 --> 0:27:03.600
<v Speaker 1>explosives to make it seem like you got shot. Okay.

0:27:03.859 --> 0:27:06.899
<v Speaker 1>So again, my first movie. So I had a squib

0:27:06.940 --> 0:27:11.800
<v Speaker 1>here and I had a squib here. Yeah. So the

0:27:11.820 --> 0:27:13.580
<v Speaker 1>stunt guy and explosive guy, you go, okay, come on.

0:27:13.600 --> 0:27:15.199
<v Speaker 1>So here's what you're going to do. So we're going

0:27:15.220 --> 0:27:16.919
<v Speaker 1>to put this here and then, you know, we're going

0:27:16.940 --> 0:27:18.680
<v Speaker 1>to hit this button over here and it's going to explode.

0:27:18.859 --> 0:27:20.600
<v Speaker 1>It's going to pop out. And then we're going to

0:27:20.619 --> 0:27:22.480
<v Speaker 1>put one, then one's here because I got the stuff on.

0:27:22.720 --> 0:27:26.230
<v Speaker 1>He said, now make sure. make sure you don't hold

0:27:26.250 --> 0:27:28.209
<v Speaker 1>your head down because it's going to explode. You got

0:27:28.230 --> 0:27:30.670
<v Speaker 1>to keep your head up. And so I'm like, okay.

0:27:30.710 --> 0:27:32.889
<v Speaker 1>All right. All right. So, so I remember trying to

0:27:32.910 --> 0:27:34.970
<v Speaker 1>focus on it. You got cameras going. I was like, Oh,

0:27:35.030 --> 0:27:37.850
<v Speaker 1>I cannot mess this up. And I can't look down

0:27:37.869 --> 0:27:40.169
<v Speaker 1>while I'm running because I'm having this. So it was

0:27:40.190 --> 0:27:43.710
<v Speaker 1>a lot of things like that going on. And then, um,

0:27:43.750 --> 0:27:45.830
<v Speaker 1>I think we did that like two or three times.

0:27:45.869 --> 0:27:49.429
<v Speaker 1>And then the next, it was like, it was literally,

0:27:49.770 --> 0:27:56.100
<v Speaker 1>it was two, like two days later. wearing syrup and

0:27:56.160 --> 0:27:59.220
<v Speaker 1>food coloring all over my clothes, which was the most

0:27:59.300 --> 0:28:02.139
<v Speaker 1>uncomfortable thing in the world. But, you know, it was

0:28:02.160 --> 0:28:05.380
<v Speaker 1>just still fun to be on a movie set. Yeah. Bro, like,

0:28:07.160 --> 0:28:11.770
<v Speaker 1>that movie is etched in my childhood. You know what

0:28:11.790 --> 0:28:16.220
<v Speaker 1>I mean? Because we all grew up with friends who

0:28:17.210 --> 0:28:19.330
<v Speaker 1>maybe died too early. Yeah. You know what I mean?

0:28:19.470 --> 0:28:22.610
<v Speaker 1>For whatever reason. I think the tough part for me

0:28:22.670 --> 0:28:28.790
<v Speaker 1>was that your character didn't survive, right? Because I think

0:28:28.869 --> 0:28:34.869
<v Speaker 1>it was very much realistic, but it was a reminder

0:28:35.750 --> 0:28:38.470
<v Speaker 1>of how hard it is to get out. And I

0:28:38.530 --> 0:28:43.130
<v Speaker 1>think some of us were looking for the fairy tale

0:28:43.170 --> 0:28:46.880
<v Speaker 1>story of, oh, he becomes a star athlete or he

0:28:46.900 --> 0:28:51.340
<v Speaker 1>goes to college. Like, I mean, I guess just the

0:28:51.380 --> 0:28:53.500
<v Speaker 1>wild part of me was like, all right, well, I

0:28:53.520 --> 0:28:56.120
<v Speaker 1>guess he got his boy some cheeks. you know what

0:28:56.460 --> 0:28:58.940
<v Speaker 1>I mean like he definitely used you he definitely used

0:28:59.040 --> 0:29:01.080
<v Speaker 1>you dying to get some cheeks I don't think he

0:29:01.120 --> 0:29:03.120
<v Speaker 1>was gonna get no cheeks no other way that and

0:29:03.220 --> 0:29:06.850
<v Speaker 1>the punching she was like man I might.

0:29:06.710 --> 0:29:10.490
<v Speaker 2>As well he going through it you know what I

0:29:10.510 --> 0:29:13.570
<v Speaker 2>mean so but and it was you know I think

0:29:13.620 --> 0:29:15.760
<v Speaker 2>looking back on I think as a kid me watching

0:29:15.820 --> 0:29:18.560
<v Speaker 2>it I was like it was cool to see the homie,

0:29:18.740 --> 0:29:20.720
<v Speaker 2>you know, that worked at the mall, you know, go

0:29:20.800 --> 0:29:22.340
<v Speaker 2>off to college or whatever he was supposed to do.

0:29:22.340 --> 0:29:26.680
<v Speaker 1>But like, I really wanted to see the star athlete

0:29:26.840 --> 0:29:29.530
<v Speaker 1>get to the bag and really, you know what I'm saying?

0:29:29.570 --> 0:29:33.350
<v Speaker 1>Like maybe change the community a little bit, but that

0:29:33.390 --> 0:29:37.130
<v Speaker 1>was the tough part. That was bittersweet for me. It

0:29:37.170 --> 0:29:39.970
<v Speaker 1>was like, damn man. Like, yeah, you know, some people

0:29:40.060 --> 0:29:43.370
<v Speaker 1>do make it out, but you really hope that that

0:29:43.450 --> 0:29:46.890
<v Speaker 1>person with that talent get out. Get out. Right. You

0:29:46.910 --> 0:29:49.830
<v Speaker 1>know what I'm saying? It's just, you know, my own

0:29:49.890 --> 0:29:52.690
<v Speaker 1>hood fairy tale. Yeah. Right. You know? Right, right, right, right.

0:29:52.750 --> 0:29:55.230
<v Speaker 1>It burst a hell of a bubble for sure. Man, bro.

0:29:55.530 --> 0:29:57.410
<v Speaker 1>It was true. I think that was, I think that

0:29:57.450 --> 0:30:00.350
<v Speaker 1>was like, from a movie standpoint, like that was the

0:30:00.480 --> 0:30:03.710
<v Speaker 1>first real piece of trauma. Yeah. No, that couch scene.

0:30:03.730 --> 0:30:09.370
<v Speaker 1>That couch scene, bro. Yeah. Oh, man. I'm talking like,

0:30:10.110 --> 0:30:17.530
<v Speaker 1>we were in the theater sick as kids. Sick. I

0:30:17.550 --> 0:30:21.790
<v Speaker 1>couldn't audit that. That played in my mind often because

0:30:21.850 --> 0:30:27.050
<v Speaker 1>it's just where we're from, bro. And One or two

0:30:27.130 --> 0:30:31.610
<v Speaker 1>bad decisions that probably aren't even yours. Mm-hmm. Yep. Yeah.

0:30:31.710 --> 0:30:36.400
<v Speaker 1>Can change the outcome. Yeah. For everybody. Yeah. Everybody's life.

0:30:36.520 --> 0:30:39.180
<v Speaker 1>And it's funny that you mentioned that too, because so

0:30:40.260 --> 0:30:42.380
<v Speaker 1>after I did, so I did my pretty nightmares. I

0:30:42.400 --> 0:30:44.200
<v Speaker 1>told you it came on at like two o'clock in

0:30:44.220 --> 0:30:46.900
<v Speaker 1>the morning. One time I was out, I got recognized.

0:30:46.920 --> 0:30:49.800
<v Speaker 1>I was like, Oh, someone recognized me. But after that,

0:30:49.940 --> 0:30:51.560
<v Speaker 1>of course, it was when boys and hood came out

0:30:52.040 --> 0:30:55.310
<v Speaker 1>and I was in this gym and And I was

0:30:55.350 --> 0:30:59.260
<v Speaker 1>in the gym in Long Beach. And, you know, I

0:30:59.280 --> 0:31:00.840
<v Speaker 1>was working out with one of my boys. But it

0:31:00.860 --> 0:31:02.020
<v Speaker 1>was one of these gyms. At the time, you know,

0:31:02.140 --> 0:31:04.560
<v Speaker 1>people keep to yourself, you know, in the gym. And

0:31:04.580 --> 0:31:08.390
<v Speaker 1>then one of the brothers in the gym came up.

0:31:08.400 --> 0:31:11.420
<v Speaker 1>We've never talked to nobody. Very, you know, just, you know,

0:31:11.620 --> 0:31:15.460
<v Speaker 1>he's a strong brother, built brother, whatever. And he came

0:31:15.520 --> 0:31:18.920
<v Speaker 1>up to me. He's like, yeah, you was in that movie.

0:31:19.120 --> 0:31:22.290
<v Speaker 1>I saw that movie. He said, yeah, man, I cried

0:31:22.330 --> 0:31:24.709
<v Speaker 1>in that movie. He said, I cried. And I was like, wow.

0:31:24.770 --> 0:31:26.670
<v Speaker 1>Because he was one of these cats that was very

0:31:26.710 --> 0:31:28.560
<v Speaker 1>stoic all the time in the gym, just getting it.

0:31:28.560 --> 0:31:30.320
<v Speaker 1>I was like, wow. So I was thinking, like, this

0:31:30.380 --> 0:31:32.020
<v Speaker 1>is kind of powerful. And then, you know, all the

0:31:32.060 --> 0:31:34.360
<v Speaker 1>other people started telling me about it. So I was like, yeah,

0:31:34.380 --> 0:31:36.140
<v Speaker 1>so to that point, it touched a lot of people.

0:31:36.300 --> 0:31:39.700
<v Speaker 1>A lot of people. Absolutely, bro. Good work, brother. Thank you, man.

0:31:39.720 --> 0:31:43.490
<v Speaker 1>All you guys, man. Yeah, yeah, yeah. Cube was... incredible

0:31:43.610 --> 0:31:46.130
<v Speaker 1>Cuba should Cuba's great Cuba should I think Cuba should

0:31:46.150 --> 0:31:48.130
<v Speaker 1>have got nominated me personally but yeah it was a

0:31:48.130 --> 0:31:50.530
<v Speaker 1>good movie yeah for sure for sure no he did

0:31:50.970 --> 0:31:54.280
<v Speaker 1>a this is when you you know you always and

0:31:54.320 --> 0:31:56.280
<v Speaker 1>I think as black people too like we always kind

0:31:56.320 --> 0:31:58.820
<v Speaker 1>of like audit things like oh well this wasn't this

0:31:58.840 --> 0:32:00.760
<v Speaker 1>and that I can't find that in Boys in the

0:32:00.780 --> 0:32:04.700
<v Speaker 1>Hood I couldn't personally I couldn't find anybody's character I

0:32:04.720 --> 0:32:07.440
<v Speaker 1>was like well why they cast such and such you

0:32:07.460 --> 0:32:11.020
<v Speaker 1>know what I mean that movie just felt like everybody

0:32:11.300 --> 0:32:14.150
<v Speaker 1>was cast in the right parts you know what i

0:32:14.150 --> 0:32:16.670
<v Speaker 1>mean and the movie was just it was amazing bro

0:32:16.970 --> 0:32:18.910
<v Speaker 1>thank you man and to that point i want to

0:32:18.930 --> 0:32:20.990
<v Speaker 1>just give a shout out to to john i true

0:32:21.050 --> 0:32:24.250
<v Speaker 1>john i think is truly just a genius when it

0:32:24.330 --> 0:32:27.010
<v Speaker 1>comes to that because for sure you know even in

0:32:27.050 --> 0:32:29.150
<v Speaker 1>that film because even while we were filming it was

0:32:29.170 --> 0:32:31.290
<v Speaker 1>like he like had his game boy or whatever it

0:32:31.350 --> 0:32:32.570
<v Speaker 1>was at that time maybe it was a game boy

0:32:32.590 --> 0:32:35.930
<v Speaker 1>or whatever the handheld game and he'd be like okay

0:32:36.340 --> 0:32:38.450
<v Speaker 1>action and you watch the scene. Okay, do that. And

0:32:38.470 --> 0:32:39.870
<v Speaker 1>while it's set up, he's going right back to his

0:32:39.910 --> 0:32:46.350
<v Speaker 1>game boy. But he knew in the casting process who

0:32:46.490 --> 0:32:50.260
<v Speaker 1>he was hiring, who he was putting together. because, you know,

0:32:50.380 --> 0:32:56.550
<v Speaker 1>it's just amazing for all, I mean, Nia, Cube, Fish, Angela, Regina,

0:32:56.710 --> 0:33:00.590
<v Speaker 1>all of us still be working today. Everybody became something serious.

0:33:00.650 --> 0:33:05.470
<v Speaker 1>Ice Cube. Ice Cube. Everybody became something serious. Yep, yep, yep.

0:33:05.830 --> 0:33:07.990
<v Speaker 1>So he knew, he had a vision. He had a

0:33:08.040 --> 0:33:11.200
<v Speaker 1>vision for that. For real. For sure. You know, the

0:33:11.240 --> 0:33:15.080
<v Speaker 1>great thing, man, and I think that obviously as I

0:33:15.100 --> 0:33:19.760
<v Speaker 1>got older and then you actually did become the star

0:33:19.780 --> 0:33:23.100
<v Speaker 1>football player. Yes, that's true. You know what I mean?

0:33:23.140 --> 0:33:28.010
<v Speaker 1>That's true, that's true. Connecting your movies has been like, huh.

0:33:28.730 --> 0:33:32.850
<v Speaker 1>That's true. That's a great, that's a great segue. You

0:33:32.870 --> 0:33:36.610
<v Speaker 1>know what I mean? That's really good. You know. I

0:33:36.610 --> 0:33:40.870
<v Speaker 1>like that. That's good. Yeah. It was cool to see, like,

0:33:41.290 --> 0:33:45.000
<v Speaker 1>and I'm sure as creatives and the writers and directors,

0:33:45.540 --> 0:33:48.000
<v Speaker 1>I'm sure when they were writing these movies later on,

0:33:48.020 --> 0:33:51.310
<v Speaker 1>they were like, oh, Yeah. That's how to put these

0:33:51.370 --> 0:33:54.110
<v Speaker 1>pieces together. Yeah. You know what I mean? And with

0:33:54.170 --> 0:33:57.040
<v Speaker 1>some of the same castmates. Yeah. Yeah. You know what

0:33:57.060 --> 0:33:59.600
<v Speaker 1>I mean? Like, yeah. Knee along. Knee along. Yeah. And

0:33:59.640 --> 0:34:01.479
<v Speaker 1>you know what I mean? Like it's, it's, it just

0:34:01.520 --> 0:34:08.220
<v Speaker 1>started to connect, but bro, another classic. The best man, bro. Classic. Yeah. Yeah.

0:34:08.420 --> 0:34:11.890
<v Speaker 1>The best man we got to see, Ricky, he changed

0:34:11.950 --> 0:34:13.450
<v Speaker 1>his name to Lance. This is when I had my

0:34:13.489 --> 0:34:16.049
<v Speaker 1>first beef with him though. Over best man? I didn't

0:34:16.070 --> 0:34:17.680
<v Speaker 1>know him yet. Why, you auditioned with a best man?

0:34:17.690 --> 0:34:19.660
<v Speaker 1>But I had a beef with her. Did you audition? No,

0:34:19.690 --> 0:34:21.750
<v Speaker 1>I didn't audition. Okay. Okay, I didn't audition. I got

0:34:21.770 --> 0:34:23.049
<v Speaker 1>to know what the beef is then. But I'm sitting

0:34:23.070 --> 0:34:27.379
<v Speaker 1>in the movie with, you know, with a particular young lady. Oh, okay. Okay,

0:34:27.390 --> 0:34:28.959
<v Speaker 1>what do you think? And, you know, we're watching a movie,

0:34:28.980 --> 0:34:30.279
<v Speaker 1>you know what I'm saying? Best man, you know what

0:34:30.320 --> 0:34:31.700
<v Speaker 1>I'm saying? Go see the good movie, you know what

0:34:31.719 --> 0:34:33.219
<v Speaker 1>I'm saying? Date night, you know what I'm saying? I'm

0:34:33.239 --> 0:34:35.040
<v Speaker 1>going to probably get something after. It's a date night movie.

0:34:35.060 --> 0:34:37.320
<v Speaker 1>You know what I'm saying? You know what I'm saying? Yeah, yeah.

0:34:37.840 --> 0:34:42.170
<v Speaker 1>And so there's the scene in the club bar or whatever,

0:34:42.989 --> 0:34:49.930
<v Speaker 1>and Ann comes walking around. Lance Sullivan. Lance Sullivan. And

0:34:50.239 --> 0:34:53.750
<v Speaker 1>all I hear is When I say every woman in

0:34:53.770 --> 0:34:58.029
<v Speaker 1>this theater losing their mind. Yeah. And the girl next

0:34:58.070 --> 0:35:00.730
<v Speaker 1>to me, she was trying to hold it in. Yeah.

0:35:01.050 --> 0:35:05.640
<v Speaker 1>But it slipped out. I said, mmm. I feel like

0:35:05.660 --> 0:35:07.520
<v Speaker 1>he had one of these type of outfits on, too. No,

0:35:07.540 --> 0:35:09.820
<v Speaker 1>he had them in the trench. In the trench, yeah,

0:35:09.940 --> 0:35:12.180
<v Speaker 1>in the trench. I don't know how many. He was

0:35:12.340 --> 0:35:15.920
<v Speaker 1>waved up. It's part of the same closet, though. It's

0:35:15.940 --> 0:35:17.480
<v Speaker 1>part of the same closet. I looked at her and said,

0:35:17.520 --> 0:35:21.950
<v Speaker 1>you all right? You need something? Can he help you

0:35:22.010 --> 0:35:25.360
<v Speaker 1>with something? That's hilarious. I play football. That was one

0:35:25.380 --> 0:35:27.920
<v Speaker 1>of those moments where as a celebrity or as a star,

0:35:28.000 --> 0:35:30.700
<v Speaker 1>you know what I mean, in whatever space you're in,

0:35:42.260 --> 0:35:46.759
<v Speaker 1>You want that kind of walk-in love. Yeah. Whether you

0:35:46.800 --> 0:35:49.900
<v Speaker 1>walking in the club, you know what I'm saying? Whether

0:35:49.920 --> 0:35:55.890
<v Speaker 1>you walking on stage, wherever. That's the kind of love

0:35:56.230 --> 0:36:01.870
<v Speaker 1>every man dreams about. You just walked in and it

0:36:01.910 --> 0:36:06.420
<v Speaker 1>went crazy? Yeah. What? That's another role that almost didn't

0:36:06.440 --> 0:36:10.770
<v Speaker 1>happen to, though. Yeah. So Malcolm didn't write me for

0:36:10.810 --> 0:36:14.009
<v Speaker 1>that part. I had to audition for that part. And

0:36:14.030 --> 0:36:18.850
<v Speaker 1>it's funny how things happen. So people think I worked

0:36:18.989 --> 0:36:21.049
<v Speaker 1>all the time, but what happened was after I did

0:36:21.090 --> 0:36:23.390
<v Speaker 1>Boys in the Hood, I did a TV show. Now

0:36:23.489 --> 0:36:26.209
<v Speaker 1>back then, I did a sitcom, no less. So back then,

0:36:27.030 --> 0:36:29.839
<v Speaker 1>you either did movies or TV shows, right? There was

0:36:29.900 --> 0:36:32.640
<v Speaker 1>no going back and forth, but I had an agent

0:36:32.680 --> 0:36:35.600
<v Speaker 1>at the time and me not knowing anybody in the industry.

0:36:35.620 --> 0:36:36.819
<v Speaker 1>I had an agent at the time. I was like,

0:36:36.980 --> 0:36:38.120
<v Speaker 1>he just wanted to get me to get me working,

0:36:38.140 --> 0:36:40.690
<v Speaker 1>get me working. So he put me into, uh, to

0:36:40.710 --> 0:36:42.810
<v Speaker 1>the sitcom. Then it got canceled. And then there was

0:36:42.850 --> 0:36:45.090
<v Speaker 1>a drop here. So I said, man, I said, and

0:36:45.110 --> 0:36:47.310
<v Speaker 1>I was going to auditions. I wasn't really booking. And

0:36:47.330 --> 0:36:49.150
<v Speaker 1>so I said, uh, I gotta get better. So I

0:36:49.170 --> 0:36:50.580
<v Speaker 1>went to an acting class and I was working on

0:36:50.620 --> 0:36:54.410
<v Speaker 1>some technique in the acting class, but So came time

0:36:54.450 --> 0:36:57.870
<v Speaker 1>to audition for the best man, audition for the best man,

0:36:58.020 --> 0:37:00.900
<v Speaker 1>got a call back. I think I got, I think

0:37:01.080 --> 0:37:03.819
<v Speaker 1>I had to come back twice and then I got

0:37:03.840 --> 0:37:06.529
<v Speaker 1>the job. But what I found out later, and we

0:37:06.570 --> 0:37:10.390
<v Speaker 1>talk about this all the time. So it was me

0:37:10.410 --> 0:37:13.710
<v Speaker 1>getting that role was between me and another actor. This

0:37:13.950 --> 0:37:19.410
<v Speaker 1>actor was much taller than I was. And Malcolm wanted

0:37:20.610 --> 0:37:25.469
<v Speaker 1>that role to be physically imposing. And Malcolm Lee, the director,

0:37:25.489 --> 0:37:28.620
<v Speaker 1>of course. And so I hadn't heard from him in

0:37:28.640 --> 0:37:32.200
<v Speaker 1>a while. What I later found out was he was

0:37:32.239 --> 0:37:37.060
<v Speaker 1>debating between me and this other actor and his wife, Camille.

0:37:37.100 --> 0:37:39.660
<v Speaker 1>Thank you, Camille, for giving me the role. His wife said, Malcolm,

0:37:39.680 --> 0:37:43.270
<v Speaker 1>you better go ahead and cast Morris. And then the

0:37:43.330 --> 0:37:48.160
<v Speaker 1>rest is history. So I thank Camille for that. Great. Wow. Yeah.

0:37:48.280 --> 0:37:52.859
<v Speaker 1>Incredible movie, bro. Incredible movie. And another movie that took

0:37:53.080 --> 0:37:55.960
<v Speaker 1>people to another level. Oh, man. A million percent. You

0:37:55.980 --> 0:38:00.620
<v Speaker 1>know what I mean? Cast very well. Yeah. Cast very well.

0:38:00.800 --> 0:38:04.040
<v Speaker 1>And again, so from Boys in the Hood, Cuba went

0:38:04.160 --> 0:38:07.050
<v Speaker 1>on to win an Oscar. Of course, Angeline Fish did too.

0:38:07.120 --> 0:38:09.910
<v Speaker 1>But then from The Best Man, Terrence went on to

0:38:10.489 --> 0:38:12.870
<v Speaker 1>get nominated for an Oscar and All of us are

0:38:12.890 --> 0:38:15.129
<v Speaker 1>still working to this day, so it was a great

0:38:15.370 --> 0:38:17.950
<v Speaker 1>eye by Malcolm Lee who just put all the pieces together.

0:38:18.160 --> 0:38:20.719
<v Speaker 1>You've been part of pieces that, like, when they come on,

0:38:21.440 --> 0:38:24.239
<v Speaker 1>you don't turn away from them. Oh, yeah. Thank you.

0:38:24.380 --> 0:38:27.100
<v Speaker 1>No more. To this day. Thank you. I'm unfortunate. Do

0:38:27.120 --> 0:38:29.200
<v Speaker 1>you feel like doing The Best Man, though, is what

0:38:29.219 --> 0:38:31.859
<v Speaker 1>kind of took you into this space of, for lack

0:38:31.880 --> 0:38:35.300
<v Speaker 1>of a better term, of heartthrob? What it did was...

0:38:34.980 --> 0:38:43.259
<v Speaker 1>Was that the movie that, now, you being outside, changed? That, so... Yes.

0:38:43.469 --> 0:38:46.370
<v Speaker 1>So when I did Boys in the Hood, people would

0:38:46.390 --> 0:38:48.549
<v Speaker 1>recognize me and notice me and come up to me.

0:38:49.030 --> 0:38:52.509
<v Speaker 1>But yeah. So what what the best man did, this

0:38:52.550 --> 0:38:54.489
<v Speaker 1>was the first time I had experience. I was doing

0:38:54.550 --> 0:38:57.270
<v Speaker 1>I did think I was in Baltimore. I was in

0:38:57.310 --> 0:39:01.610
<v Speaker 1>Baltimore doing some Ray Lewis at the time. And the

0:39:01.670 --> 0:39:04.840
<v Speaker 1>best man was out and I went to a mall

0:39:05.400 --> 0:39:07.160
<v Speaker 1>and I'm just, you know, normally. Yeah. And it was

0:39:07.580 --> 0:39:09.279
<v Speaker 1>and it was crazy. That was the first time that

0:39:09.460 --> 0:39:12.750
<v Speaker 1>and then I had I've had I had other. actresses

0:39:12.770 --> 0:39:15.790
<v Speaker 1>who were slightly older would come and say, oh, you know,

0:39:15.830 --> 0:39:18.799
<v Speaker 1>you can be my leading man. So that was the role.

0:39:19.100 --> 0:39:23.879
<v Speaker 1>So that was that was the role that I think

0:39:23.960 --> 0:39:27.690
<v Speaker 1>people people took me. They started not thinking of me

0:39:27.770 --> 0:39:30.760
<v Speaker 1>as Ricky, but thinking of me as a leading. man. Yeah.

0:39:30.820 --> 0:39:34.280
<v Speaker 1>For sure. The mall Tess. Listen, that is what happens

0:39:34.340 --> 0:39:39.520
<v Speaker 1>in music. Oh, really? What? You seen your artist in

0:39:39.540 --> 0:39:42.340
<v Speaker 1>the mall. You went to the mall not knowing. Yeah.

0:39:42.590 --> 0:39:45.790
<v Speaker 1>I went to the mall. Looking for it. Looking for it.

0:39:46.150 --> 0:39:48.610
<v Speaker 1>Let me see. Let me see what it do. Check

0:39:49.110 --> 0:39:53.330
<v Speaker 1>my temperature. Check my temperature. I learned that from Genuine. Yeah,

0:39:53.350 --> 0:39:57.370
<v Speaker 1>I'm hot. Oh, is that right? He was the mall man. Oh, really? What?

0:39:58.469 --> 0:40:00.469
<v Speaker 1>Every time he went to the mall, I went. Shit.

0:40:01.330 --> 0:40:05.669
<v Speaker 1>really i carried all the footlocker bags and got fake

0:40:05.690 --> 0:40:15.640
<v Speaker 1>jewelry at the kiosk that's hilarious yeah that's um it's

0:40:15.680 --> 0:40:19.799
<v Speaker 1>so it's so many things brothers uh two can play

0:40:19.840 --> 0:40:24.950
<v Speaker 1>at that game yeah yeah yeah um The brothers. Brothers

0:40:24.969 --> 0:40:27.440
<v Speaker 1>was crazy. The brothers. That was a fun one. That

0:40:27.460 --> 0:40:32.460
<v Speaker 1>was a fun one. Yeah. Yeah. Worked with me. Classics, bro.

0:40:41.410 --> 0:40:47.710
<v Speaker 1>What do you attribute, right, your longevity to? So it's

0:40:47.750 --> 0:40:49.660
<v Speaker 1>a couple things. I won't say it's just one thing.

0:40:49.800 --> 0:40:56.730
<v Speaker 1>So I think that... Okay, part of it is that

0:40:57.670 --> 0:41:01.950
<v Speaker 1>when you go from Ricky and you have Lance, in

0:41:02.050 --> 0:41:08.310
<v Speaker 1>those powerful movies, I was the character in the movie

0:41:08.350 --> 0:41:11.049
<v Speaker 1>that everyone was rooting for. Like you said, you wanted

0:41:11.090 --> 0:41:14.610
<v Speaker 1>Ricky to see. And movies are powerful. You go in

0:41:14.640 --> 0:41:17.819
<v Speaker 1>there with that dark screen and no distraction from your

0:41:17.860 --> 0:41:20.330
<v Speaker 1>phone and all you can see. So people root for me.

0:41:20.730 --> 0:41:23.790
<v Speaker 1>They were rooting for, you know, they're rooting for Lance

0:41:23.830 --> 0:41:24.969
<v Speaker 1>and the best man. Oh, is he going to get

0:41:24.989 --> 0:41:26.730
<v Speaker 1>through the wedding? And, you know, and they can relate.

0:41:27.290 --> 0:41:29.790
<v Speaker 1>So I think I've had these characters that people really

0:41:29.930 --> 0:41:34.640
<v Speaker 1>kind of root for. But in addition to that is

0:41:35.140 --> 0:41:37.759
<v Speaker 1>I always still try to get better, try to get

0:41:37.780 --> 0:41:40.500
<v Speaker 1>better every time out, still see acting coaches and things

0:41:40.540 --> 0:41:44.140
<v Speaker 1>of that nature. And then I think first and foremost

0:41:44.219 --> 0:41:47.260
<v Speaker 1>for me, which I think has taken me further than anything,

0:41:47.340 --> 0:41:51.080
<v Speaker 1>is I've always treated people with respect, regardless of what

0:41:51.140 --> 0:41:57.469
<v Speaker 1>level that they are. You could be a PA on

0:41:57.489 --> 0:42:00.270
<v Speaker 1>a movie set or a TV show or the head

0:42:00.290 --> 0:42:03.569
<v Speaker 1>of the studio. I'm cool and cordial with everybody. And

0:42:03.610 --> 0:42:06.120
<v Speaker 1>I think that that has taken me a long way.

0:42:06.140 --> 0:42:08.940
<v Speaker 1>And it's not a calculated thing. It's just who I am.

0:42:08.980 --> 0:42:13.870
<v Speaker 1>But that has gone... that's gone. Cause I've looked back

0:42:14.070 --> 0:42:16.430
<v Speaker 1>on things to where it's different. Even when I was

0:42:16.489 --> 0:42:19.330
<v Speaker 1>at these, you know, different agencies and I was still

0:42:19.370 --> 0:42:21.710
<v Speaker 1>cool with, you know, the, uh, the desk guy at

0:42:21.750 --> 0:42:24.469
<v Speaker 1>the agency and we, you know, friends. And then when

0:42:24.489 --> 0:42:26.550
<v Speaker 1>he comes up, he's, you know, Hey, Mo, come over here.

0:42:26.590 --> 0:42:28.279
<v Speaker 1>We want to take care of you and help me

0:42:28.300 --> 0:42:31.509
<v Speaker 1>get jobs. And even, uh, you know, PAs, you know,

0:42:31.530 --> 0:42:34.600
<v Speaker 1>they go from being a PA to a huge writer

0:42:34.660 --> 0:42:37.959
<v Speaker 1>or showrunner. Hey, Mo, can you, so that, that, that's

0:42:38.000 --> 0:42:41.170
<v Speaker 1>carried me a long way because, uh, Quite frankly, a

0:42:42.469 --> 0:42:46.950
<v Speaker 1>lot of people in this industry, in our industry, they

0:42:46.989 --> 0:42:51.130
<v Speaker 1>don't have respect. They just really get on sets and

0:42:51.170 --> 0:42:56.980
<v Speaker 1>they really just focus on themselves. I don't blame anybody

0:42:57.020 --> 0:42:59.719
<v Speaker 1>for the way that they act. Plus, you get on

0:42:59.739 --> 0:43:02.460
<v Speaker 1>a movie set or a TV show and they're catering

0:43:02.500 --> 0:43:07.569
<v Speaker 1>you for everything. Sometimes people just You know, people just

0:43:07.590 --> 0:43:10.290
<v Speaker 1>take it differently. You still got to have some humility. Yeah.

0:43:10.870 --> 0:43:13.870
<v Speaker 1>And I've seen it with you with my own eyes, right?

0:43:13.910 --> 0:43:16.549
<v Speaker 1>Like I was, before we started filming, I was like, man,

0:43:16.570 --> 0:43:18.240
<v Speaker 1>the last time I saw you, you shut my sister's way.

0:43:18.260 --> 0:43:22.440
<v Speaker 1>You know what I mean? I'm like, all right, meet

0:43:22.460 --> 0:43:28.440
<v Speaker 1>and greet. But no, but how, how accommodating you were

0:43:28.560 --> 0:43:31.390
<v Speaker 1>to everyone that was there and all of my sister's

0:43:31.450 --> 0:43:34.609
<v Speaker 1>friends and my, you know, my family members who, you know,

0:43:35.250 --> 0:43:38.980
<v Speaker 1>they're like, oh, this is, that's more chestnut wedding or not.

0:43:39.760 --> 0:43:41.910
<v Speaker 1>I need my picture. You know what I'm saying? But

0:43:41.950 --> 0:43:45.050
<v Speaker 1>just how you handled it. And I just had, it

0:43:45.570 --> 0:43:47.630
<v Speaker 1>made me have even more respect for you. You know

0:43:47.650 --> 0:43:50.109
<v Speaker 1>what I mean? Because I've seen people in those same

0:43:50.150 --> 0:43:54.250
<v Speaker 1>situations get funny style. Yeah. Yeah. And to that point

0:43:54.750 --> 0:43:57.030
<v Speaker 1>for me, you know, when it, when it comes to

0:43:57.670 --> 0:44:01.210
<v Speaker 1>people have supported me throughout all these years. Yeah. Um,

0:44:02.390 --> 0:44:07.339
<v Speaker 1>I always make that a priority for them because trust me,

0:44:07.380 --> 0:44:12.339
<v Speaker 1>there have been numerous times, numerous times where, you know,

0:44:12.380 --> 0:44:14.620
<v Speaker 1>I'm taking a red eye, you know, I get in

0:44:14.700 --> 0:44:15.819
<v Speaker 1>on a red eye. All you want to just get

0:44:15.840 --> 0:44:17.320
<v Speaker 1>to the hotel and go to sleep and be, Hey,

0:44:17.390 --> 0:44:20.010
<v Speaker 1>can I get a picture? Hey, and I'll do it anyway.

0:44:20.880 --> 0:44:25.319
<v Speaker 1>And because that's the only chance they may get to

0:44:25.360 --> 0:44:28.840
<v Speaker 1>meet someone that they've been supporting for all these years.

0:44:29.340 --> 0:44:32.890
<v Speaker 1>They've been watching this movie, that TV show, time and

0:44:32.969 --> 0:44:37.149
<v Speaker 1>time again. And truly, I mean, and I know this

0:44:37.250 --> 0:44:41.390
<v Speaker 1>may be cliche, but without the fans, we ain't nothing.

0:44:42.030 --> 0:44:45.950
<v Speaker 1>We are absolutely nothing. So for me... I make it,

0:44:46.989 --> 0:44:49.650
<v Speaker 1>I make a priority to, you know, okay, I'll do

0:44:49.690 --> 0:44:51.310
<v Speaker 1>the picture. Even though a lot of times I don't,

0:44:51.570 --> 0:44:53.580
<v Speaker 1>not a lot of times, but there are moments where

0:44:53.600 --> 0:44:55.680
<v Speaker 1>it's really hard for me to do it, but I

0:44:55.700 --> 0:44:58.940
<v Speaker 1>do it anyway. I'm human. Exactly. Exactly. Yeah, for sure.

0:44:59.460 --> 0:45:01.609
<v Speaker 1>I think range is a great part of it too.

0:45:01.630 --> 0:45:05.170
<v Speaker 1>Great conversation. Talk to me about Watson. Oh, oh yeah.

0:45:05.530 --> 0:45:09.290
<v Speaker 1>So Watson, Watson was a, was a very, very challenging job.

0:45:09.830 --> 0:45:12.989
<v Speaker 1>You know, I played doctors before. Um, this one was

0:45:13.030 --> 0:45:16.450
<v Speaker 1>a little different in the sense that we're working with

0:45:16.469 --> 0:45:21.020
<v Speaker 1>a lot of rare medical conditions and, um, and just

0:45:21.040 --> 0:45:24.900
<v Speaker 1>the way the whole thing, the whole show worked out.

0:45:24.980 --> 0:45:28.420
<v Speaker 1>So I met with the producer, uh, on a general

0:45:29.080 --> 0:45:31.560
<v Speaker 1>and he literally, he was like, he was running down this,

0:45:31.580 --> 0:45:33.489
<v Speaker 1>like he said, he's a big producer, uh, And he

0:45:33.510 --> 0:45:35.810
<v Speaker 1>had a lot of shows going, a lot of stuff

0:45:35.830 --> 0:45:37.190
<v Speaker 1>in development. So he said, this is what we got

0:45:37.210 --> 0:45:40.650
<v Speaker 1>in development. And he's like, yeah, we got this show

0:45:40.710 --> 0:45:43.469
<v Speaker 1>about this doctor who was in the Sherlock Holmes universe.

0:45:43.530 --> 0:45:45.969
<v Speaker 1>And I just said, I never thought that they would

0:45:45.989 --> 0:45:48.870
<v Speaker 1>come to me with that. And because it was Sherlock

0:45:48.890 --> 0:45:51.190
<v Speaker 1>Holmes universe, it was TV, and I didn't think they

0:45:51.210 --> 0:45:52.810
<v Speaker 1>were going to do it. I didn't think they would

0:45:52.830 --> 0:45:58.330
<v Speaker 1>make the character black. And so then about six months later,

0:45:58.350 --> 0:46:00.890
<v Speaker 1>I got the call. I got the call, hey, they're

0:46:00.910 --> 0:46:05.640
<v Speaker 1>interested in you for... You know, the Stevie show. Yeah.

0:46:06.120 --> 0:46:08.700
<v Speaker 1>And and I went and did it. You know, it

0:46:08.739 --> 0:46:10.860
<v Speaker 1>was great. I loved it. I love this show. I

0:46:10.900 --> 0:46:14.629
<v Speaker 1>love the cast. It's a very it's a very cerebral show.

0:46:14.670 --> 0:46:17.109
<v Speaker 1>It's a show that you really have to pay attention to.

0:46:17.810 --> 0:46:19.489
<v Speaker 1>And I think that's part of the I think that's

0:46:19.530 --> 0:46:21.790
<v Speaker 1>part of the challenge is why we only got two seasons,

0:46:21.870 --> 0:46:24.469
<v Speaker 1>because it's not a show they can just turn on

0:46:24.510 --> 0:46:27.840
<v Speaker 1>in the background and follow it. if you miss certain

0:46:27.940 --> 0:46:29.890
<v Speaker 1>aspects of the first and second act, you're kind of

0:46:29.910 --> 0:46:33.410
<v Speaker 1>lost for the third act. Yeah, but it was, that

0:46:33.450 --> 0:46:35.629
<v Speaker 1>show right there, it was a very, very difficult show,

0:46:35.650 --> 0:46:39.090
<v Speaker 1>but it was definitely rewarding. And speaking of more range,

0:46:39.110 --> 0:46:46.049
<v Speaker 1>you're also a lawyer. I can't wait to get to

0:46:46.070 --> 0:46:51.350
<v Speaker 1>this part. Show called Reasonable Doubt. Oh, yes. Yes. You

0:46:51.489 --> 0:46:56.020
<v Speaker 1>know what? All I can say is this. I do

0:46:56.040 --> 0:47:01.340
<v Speaker 1>want to talk about this. You got to see it.

0:47:01.380 --> 0:47:05.180
<v Speaker 1>You got to see it because, okay, so I literally,

0:47:05.460 --> 0:47:10.290
<v Speaker 1>so when you do a network show, it is, I mean,

0:47:10.350 --> 0:47:12.870
<v Speaker 1>it's grueling. You know, it's grueling, especially when you're the

0:47:12.890 --> 0:47:14.860
<v Speaker 1>lead of a network show. You really don't have a

0:47:14.890 --> 0:47:17.540
<v Speaker 1>life because you're filming all week. On the weekends, you're

0:47:17.560 --> 0:47:19.100
<v Speaker 1>just going over lines, going over lines, going over lines.

0:47:19.120 --> 0:47:22.360
<v Speaker 1>We did 20 episodes, second season. So I was coming

0:47:22.440 --> 0:47:28.140
<v Speaker 1>to Reasonable Doubt. I'm on fumes when I come to

0:47:28.180 --> 0:47:32.029
<v Speaker 1>Reasonable Doubt. I'm on fumes. And I know who's in

0:47:32.050 --> 0:47:33.150
<v Speaker 1>the show, and I know who's in the show. I

0:47:33.150 --> 0:47:40.530
<v Speaker 1>know Sir Tank is in the show. And so I'm like, okay, cool, cool, cool. So...

0:47:41.040 --> 0:47:45.630
<v Speaker 1>My very first scene of shooting this season of Reasonable

0:47:45.650 --> 0:47:50.450
<v Speaker 1>Doubt is with Tank. Oh, that's dope. But see, here's

0:47:50.469 --> 0:47:53.260
<v Speaker 1>the part about it. So I was on Reasonable Doubt

0:47:53.280 --> 0:47:56.320
<v Speaker 1>for a couple seasons before. And I know the whole routine.

0:47:56.440 --> 0:47:59.740
<v Speaker 1>But I'm telling you, when I say I'm exhausted, I'm really,

0:47:59.780 --> 0:48:04.850
<v Speaker 1>really tired. And I'm there. I'm on set. Tank got

0:48:04.969 --> 0:48:07.709
<v Speaker 1>great energy, you know, great energy when I come to set.

0:48:07.969 --> 0:48:10.930
<v Speaker 1>But that's not what does it. What gives me, literally,

0:48:11.330 --> 0:48:15.739
<v Speaker 1>what gives me, what gives me like, what gives me like, oh,

0:48:15.980 --> 0:48:18.840
<v Speaker 1>we own something. His first scene that you and I

0:48:18.880 --> 0:48:21.980
<v Speaker 1>saw the other day, the scene that I did with Tank,

0:48:22.860 --> 0:48:25.399
<v Speaker 1>I just, I just watched him the whole time because

0:48:25.420 --> 0:48:29.680
<v Speaker 1>he carried the scene. And he carried the scene and

0:48:29.700 --> 0:48:32.819
<v Speaker 1>did an incredible job. I'm like, Oh, so this is

0:48:32.900 --> 0:48:36.860
<v Speaker 1>what we're doing. This is what we're doing. Okay. But

0:48:36.880 --> 0:48:40.839
<v Speaker 1>that was important. So, again, and I say this. So, again,

0:48:42.050 --> 0:48:46.669
<v Speaker 1>he killed me in the scene. Cut it out. He did.

0:48:46.790 --> 0:48:48.029
<v Speaker 1>He killed me in the scene. He killed me in

0:48:48.050 --> 0:48:52.310
<v Speaker 1>the scene because throughout the whole season, though, I'm a

0:48:52.330 --> 0:48:56.850
<v Speaker 1>team player, but throughout the whole season, him and Emi Asi,

0:48:57.430 --> 0:49:01.930
<v Speaker 1>their dynamic and what he brings, it really makes me

0:49:01.989 --> 0:49:04.550
<v Speaker 1>excited to see the scene. That day gave me really,

0:49:04.800 --> 0:49:06.980
<v Speaker 1>because I was exhausted. I was really exhausted throughout the

0:49:07.000 --> 0:49:09.440
<v Speaker 1>whole time, but I was like, oh, okay, because Tank

0:49:09.460 --> 0:49:13.120
<v Speaker 1>can go. I'd never seen him act before. That was

0:49:13.180 --> 0:49:17.009
<v Speaker 1>my first time. So he is Denzel Jr. Jr. Yeah,

0:49:17.050 --> 0:49:19.750
<v Speaker 1>he could be. He could be. No, no. Listen, and listen. Ah!

0:49:22.480 --> 0:49:26.620
<v Speaker 1>From the chestnut himself. I might have some. People know,

0:49:26.719 --> 0:49:29.569
<v Speaker 1>I don't just say things. I don't just say things like,

0:49:31.230 --> 0:49:34.350
<v Speaker 1>Me personally, I just don't say things instead of saying

0:49:34.390 --> 0:49:38.160
<v Speaker 1>something just to say it. Very talented actor. Very talented actor.

0:49:38.200 --> 0:49:40.239
<v Speaker 1>I'm really looking forward to seeing some of the stuff

0:49:40.280 --> 0:49:43.260
<v Speaker 1>we talked about that he did when I wasn't there.

0:49:43.739 --> 0:49:47.069
<v Speaker 1>But from, I'm telling you, Most of the scenes, you know,

0:49:47.130 --> 0:49:50.210
<v Speaker 1>him and Emi Ashi were just, you know, shitting on

0:49:50.230 --> 0:49:54.590
<v Speaker 1>me all day. They were going after Corey, but I

0:49:54.660 --> 0:49:58.200
<v Speaker 1>really did enjoy, like that scene, I really did enjoy

0:49:58.260 --> 0:50:01.940
<v Speaker 1>watching Tank do his thing. And then watching them together,

0:50:01.960 --> 0:50:04.359
<v Speaker 1>I was really a spectator in most of the scenes

0:50:04.380 --> 0:50:07.140
<v Speaker 1>with them. And it was like very impressive, very impressive.

0:50:07.160 --> 0:50:09.890
<v Speaker 1>Because Emi Ashi, I think, I'd say Cuba should have

0:50:09.930 --> 0:50:14.770
<v Speaker 1>won or been nominated for an Oscar. I think Emi

0:50:15.310 --> 0:50:19.969
<v Speaker 1>Ashi should be nominated for an Emmy for this season. 100%. Yeah, 100%. Oh, man,

0:50:20.050 --> 0:50:24.879
<v Speaker 1>I'm excited. Listen, I'm not lying. You should be. He

0:50:24.920 --> 0:50:27.279
<v Speaker 1>kills it. I'm not just saying that. He does a

0:50:27.300 --> 0:50:29.219
<v Speaker 1>great job. A great job. I think I even told

0:50:29.260 --> 0:50:32.080
<v Speaker 1>him a couple times, man. I said, man, you're doing

0:50:32.100 --> 0:50:34.120
<v Speaker 1>your thing. We was on the set and I was like,

0:50:35.310 --> 0:50:39.180
<v Speaker 1>I didn't sleep that night. Because. You was excited? I'm

0:50:39.200 --> 0:50:42.419
<v Speaker 1>about to sing with Morris. You know what I'm saying?

0:50:42.440 --> 0:50:44.080
<v Speaker 1>We even know I'm Morris. I'm on a Sunday. You

0:50:44.100 --> 0:50:46.009
<v Speaker 1>know what I'm saying? You know what I'm saying? I'm

0:50:46.030 --> 0:50:49.509
<v Speaker 1>going to hang out with him. And I'm like, I'm

0:50:49.530 --> 0:50:52.609
<v Speaker 1>getting ready to be in a scene with Morris Chestnut. Yeah.

0:50:53.070 --> 0:50:56.450
<v Speaker 1>I'm like, shit. I was in the trailer when I

0:50:56.450 --> 0:50:59.180
<v Speaker 1>was putting makeup on. It's like, you feel good? I

0:50:59.200 --> 0:51:03.040
<v Speaker 1>feel great. It's going to be great. And then he

0:51:03.060 --> 0:51:07.339
<v Speaker 1>just comes walking on set. And you know just that walk-in?

0:51:07.360 --> 0:51:13.270
<v Speaker 1>He got the walk-in. He got the walk-in, man. Anybody

0:51:13.290 --> 0:51:18.170
<v Speaker 1>ever offer you a record deal? For the walk-in, huh?

0:51:18.370 --> 0:51:22.190
<v Speaker 1>Just put together some compilation of walk-in music for Morris Chestnut.

0:51:22.750 --> 0:51:24.760
<v Speaker 1>He walked on set with his suit on and his

0:51:24.780 --> 0:51:27.839
<v Speaker 1>tablet and all your... That's it. There he go. That's him.

0:51:34.219 --> 0:51:35.779
<v Speaker 1>But I got to say, though, too, because it was

0:51:35.820 --> 0:51:38.890
<v Speaker 1>like I was telling you the other day. So for me,

0:51:39.710 --> 0:51:43.270
<v Speaker 1>when we did the scene, you can't really talk. I

0:51:43.270 --> 0:51:45.130
<v Speaker 1>don't want to talk too much about it for the

0:51:45.170 --> 0:51:46.790
<v Speaker 1>cameras because I'm not sure when it's going to be out.

0:51:46.810 --> 0:51:49.830
<v Speaker 1>It's going to be out after or before? Before. Before.

0:51:49.870 --> 0:51:53.299
<v Speaker 1>Because we're October 6th. Yeah, before. Okay, before. So I'm

0:51:53.320 --> 0:51:54.739
<v Speaker 1>not going to say exactly too much. But when we

0:51:54.920 --> 0:52:00.280
<v Speaker 1>did the scene, the audience, I didn't want my character

0:52:00.300 --> 0:52:03.900
<v Speaker 1>to get upset. And you guys will understand the dynamic

0:52:03.940 --> 0:52:07.040
<v Speaker 1>between me and this cat. I mean, this cat, I'm

0:52:07.200 --> 0:52:09.529
<v Speaker 1>really excited for people to see him. So I didn't

0:52:09.570 --> 0:52:12.130
<v Speaker 1>want my character to be upset. I didn't want him

0:52:12.870 --> 0:52:15.250
<v Speaker 1>to be able to get me to do that. And

0:52:15.270 --> 0:52:21.779
<v Speaker 1>then the way the scene ended, Dang. I got to

0:52:21.800 --> 0:52:23.340
<v Speaker 1>give it up. I got to give it up. And

0:52:23.380 --> 0:52:26.360
<v Speaker 1>it was killing me. It was killing me. And then

0:52:26.430 --> 0:52:28.069
<v Speaker 1>one time I did a take. One time I did

0:52:28.090 --> 0:52:29.430
<v Speaker 1>a take and I pulled, you probably didn't know this.

0:52:29.730 --> 0:52:32.370
<v Speaker 1>One time I did a take and I pulled it back.

0:52:32.690 --> 0:52:35.630
<v Speaker 1>I pulled back whatever we had. I pulled it back

0:52:35.950 --> 0:52:38.489
<v Speaker 1>and then Anton came over to me and he's like, yeah,

0:52:38.530 --> 0:52:42.080
<v Speaker 1>Rama liked it the other way. So I was like, okay,

0:52:42.100 --> 0:52:44.980
<v Speaker 1>all right, cool, cool, cool. I think that energy, people

0:52:45.000 --> 0:52:46.900
<v Speaker 1>are going to understand the energy and people are going

0:52:46.920 --> 0:52:51.660
<v Speaker 1>to realize like, Morrison actually fight. Well, no, I'm telling

0:52:51.680 --> 0:52:54.670
<v Speaker 1>you what people don't realize. Yeah. This man got talent, man.

0:52:54.890 --> 0:52:57.310
<v Speaker 1>I'm really, I'm really excited to see. Cause I think,

0:52:57.770 --> 0:53:00.350
<v Speaker 1>I think, I think what he, what he does in, in,

0:53:00.510 --> 0:53:02.190
<v Speaker 1>in this, I think a lot of great things are

0:53:02.230 --> 0:53:05.759
<v Speaker 1>coming for real. Yeah. That's dope. And it sounded like

0:53:05.780 --> 0:53:08.489
<v Speaker 1>you kicked his ass, but whatever. I'm just listening. I'm

0:53:08.510 --> 0:53:13.670
<v Speaker 1>talking about like his energy. He gave some different energy.

0:53:14.190 --> 0:53:17.130
<v Speaker 1>I mean, listen, y'all don't say too much. Yeah. Yeah,

0:53:17.210 --> 0:53:19.969
<v Speaker 1>I wasn't saying too much. You see it. When you

0:53:19.989 --> 0:53:21.750
<v Speaker 1>see it, I sound like Tank got his ass kicked,

0:53:21.770 --> 0:53:25.700
<v Speaker 1>but whatever. And honestly, look, normally, normally like in situations,

0:53:25.739 --> 0:53:27.920
<v Speaker 1>so like when you tell people, when you tell people,

0:53:27.940 --> 0:53:29.960
<v Speaker 1>one of the things why I don't like talking to

0:53:29.980 --> 0:53:31.799
<v Speaker 1>people when you go to a movie, you tell people, oh,

0:53:31.840 --> 0:53:33.739
<v Speaker 1>that movie was so great, so great. You go to

0:53:33.760 --> 0:53:35.489
<v Speaker 1>a movie, it's like, Okay, it was good, but it

0:53:35.510 --> 0:53:37.870
<v Speaker 1>wasn't that. Or you tell people, oh, that movie was horrible.

0:53:37.950 --> 0:53:40.069
<v Speaker 1>It was garbage. You can go on with the expectations. Okay,

0:53:40.090 --> 0:53:43.040
<v Speaker 1>it wasn't that bad. I don't mind saying that with

0:53:43.080 --> 0:53:47.520
<v Speaker 1>this because when they see the overall, when they see

0:53:47.560 --> 0:53:51.400
<v Speaker 1>the overall, the way he did, there's no way not

0:53:51.420 --> 0:53:53.680
<v Speaker 1>to be impressed by it, for sure. No, that's great.

0:53:53.810 --> 0:53:55.850
<v Speaker 1>I can't wait. Yeah, yeah. No, no. It's going to

0:53:55.870 --> 0:53:57.489
<v Speaker 1>be entertaining. It's going to be entertaining. But I got

0:53:57.510 --> 0:54:00.569
<v Speaker 1>to ask you something real quick. Uh-huh. Because I don't,

0:54:00.610 --> 0:54:02.719
<v Speaker 1>you know, listen, I'm getting older, so I don't know

0:54:02.739 --> 0:54:08.040
<v Speaker 1>if I'll ever get my chance. But People Magazine, most

0:54:08.060 --> 0:54:11.520
<v Speaker 1>beautiful man in the world, brother. Most handsome man. What

0:54:11.540 --> 0:54:14.160
<v Speaker 1>do they call it? Is it beautiful? Is it handsome?

0:54:14.260 --> 0:54:18.990
<v Speaker 1>Sexiest man alive. I don't know if I've been called that, man. Never. So,

0:54:19.390 --> 0:54:21.390
<v Speaker 1>you know, like I said, I'm getting older, so my

0:54:21.810 --> 0:54:27.339
<v Speaker 1>clock might be running out on People Magazine. Bro, when...

0:54:27.660 --> 0:54:30.759
<v Speaker 1>They call you and tell you that you're considered the most,

0:54:30.840 --> 0:54:33.520
<v Speaker 1>what is it? One of them? No, no, no, no, no.

0:54:33.580 --> 0:54:36.359
<v Speaker 1>I wasn't the most. Nah, bro. I was in the book. Nah,

0:54:36.400 --> 0:54:39.259
<v Speaker 1>fuck all that. You being humble. You on the R.B.

0:54:39.280 --> 0:54:42.600
<v Speaker 1>Money Park. We're going to say you was the one. Right?

0:54:42.840 --> 0:54:45.210
<v Speaker 1>When they call you and tell you you're the sexiest

0:54:45.230 --> 0:54:48.450
<v Speaker 1>man in the world, what do you say to your wife?

0:54:48.940 --> 0:54:51.690
<v Speaker 1>You say, hey, baby, you married right. You did the

0:54:51.750 --> 0:54:57.839
<v Speaker 1>right thing. I can say this. I mean, the one

0:54:57.880 --> 0:55:02.500
<v Speaker 1>thing about my wife is that, so my wife, we're

0:55:02.520 --> 0:55:07.710
<v Speaker 1>the same age. but she literally looks like she's like 25.

0:55:07.710 --> 0:55:11.750
<v Speaker 1>And she's never had, there's no point, there's that no

0:55:11.850 --> 0:55:15.109
<v Speaker 1>point that I can flex on her because she, she

0:55:15.190 --> 0:55:17.690
<v Speaker 1>always gets attention. She is the flex. She is the flex.

0:55:17.710 --> 0:55:19.710
<v Speaker 1>She always gets attention. She always, she always on me.

0:55:19.750 --> 0:55:24.670
<v Speaker 1>But to respond to that, honestly, so in this industry,

0:55:25.730 --> 0:55:28.250
<v Speaker 1>the one thing that I personally have never forgotten is

0:55:28.270 --> 0:55:35.300
<v Speaker 1>who I was before. before I came into the industry. Now,

0:55:35.400 --> 0:55:40.390
<v Speaker 1>growing up in elementary school, high school, I always had girls.

0:55:41.950 --> 0:55:44.509
<v Speaker 1>I always had girls, but I didn't have like, oh,

0:55:44.830 --> 0:55:48.029
<v Speaker 1>this is the, the baddest chick at this school is

0:55:48.130 --> 0:55:50.870
<v Speaker 1>this chick. I never got her. I would get the

0:55:51.010 --> 0:55:54.509
<v Speaker 1>one beneath her. So I always, the one thing, so

0:55:54.610 --> 0:55:59.310
<v Speaker 1>for me, it's always been the one thing I never

0:55:59.469 --> 0:56:03.859
<v Speaker 1>focused on in this industry Is the adulation and what

0:56:03.900 --> 0:56:07.610
<v Speaker 1>people are saying, because I've seen it in the past

0:56:07.630 --> 0:56:11.510
<v Speaker 1>with other people. You get so focused on what people

0:56:11.530 --> 0:56:16.379
<v Speaker 1>are saying and then you're you're you are controlled by that.

0:56:17.100 --> 0:56:19.680
<v Speaker 1>You need them to say something, but then if they

0:56:19.719 --> 0:56:24.000
<v Speaker 1>don't say something, then you feel bad. And me knowing

0:56:24.040 --> 0:56:27.080
<v Speaker 1>that this is the acting game. It's not a modeling game.

0:56:27.460 --> 0:56:30.010
<v Speaker 1>All that stuff is great. The way I see it,

0:56:30.100 --> 0:56:33.600
<v Speaker 1>whatever gets me my next job. If people want to

0:56:33.640 --> 0:56:36.500
<v Speaker 1>pigeonhole me and see me as the leading man, the heartthrob,

0:56:36.520 --> 0:56:39.970
<v Speaker 1>or whatever, great. But what I need to do is

0:56:40.320 --> 0:56:42.089
<v Speaker 1>I need to focus on the work. Because I see

0:56:42.110 --> 0:56:46.420
<v Speaker 1>people who come and You know, they just want to

0:56:46.660 --> 0:56:50.360
<v Speaker 1>just focus on just being the good-looking guy. And they're

0:56:50.380 --> 0:56:52.600
<v Speaker 1>so focused on that, they don't really focus on the work.

0:56:52.800 --> 0:56:56.040
<v Speaker 1>And then, you know, it's harder to get work. Yeah.

0:56:56.840 --> 0:56:59.040
<v Speaker 1>And they don't end up on the Walk of Fame. Yeah. Yeah.

0:56:59.080 --> 0:57:02.319
<v Speaker 1>I mean, because there's that. Yeah, yeah, yeah. You know

0:57:02.340 --> 0:57:07.299
<v Speaker 1>what I mean? Yeah, that was fortunate. Yeah, that was fortunate. No,

0:57:07.320 --> 0:57:09.530
<v Speaker 1>that was on my mother, though. That was all my mother.

0:57:09.550 --> 0:57:13.790
<v Speaker 1>That was all my mother right there. You keep a— you

0:57:13.130 --> 0:57:18.959
<v Speaker 1>do your best to keep. steady amongst amidst everything that

0:57:19.460 --> 0:57:22.760
<v Speaker 1>you know is up and down and turbulent with all

0:57:22.780 --> 0:57:25.710
<v Speaker 1>of this like you do a great job like every

0:57:25.750 --> 0:57:28.930
<v Speaker 1>conversation every conversation we've had like you're you're and the

0:57:28.950 --> 0:57:30.450
<v Speaker 1>other part too that i think is great too is

0:57:30.470 --> 0:57:35.150
<v Speaker 1>that you're always you're always looking for more answers more

0:57:35.230 --> 0:57:38.960
<v Speaker 1>information a million percent always a million percent and we'd

0:57:39.000 --> 0:57:42.730
<v Speaker 1>be on set man he just I was picking his

0:57:42.750 --> 0:57:44.570
<v Speaker 1>brain about a lot of stuff. Yeah. And I'm like,

0:57:44.610 --> 0:57:47.370
<v Speaker 1>I'm like, okay, that's the other part to where your

0:57:47.410 --> 0:57:49.670
<v Speaker 1>cells are just going to keep regenerating. You keep looking

0:57:49.710 --> 0:57:53.800
<v Speaker 1>young is because you, you, you're still a student. I'm

0:57:53.840 --> 0:57:56.200
<v Speaker 1>a student of a couple of things. I'm a, I'm

0:57:56.260 --> 0:57:59.280
<v Speaker 1>a student of life, you know, because you're always learning.

0:57:59.480 --> 0:58:01.740
<v Speaker 1>And the one thing with tank, and again, the one

0:58:01.760 --> 0:58:05.050
<v Speaker 1>thing with tank is tank is a true artist with

0:58:05.370 --> 0:58:10.010
<v Speaker 1>a wealth of, knowledge and resources. I normally don't talk

0:58:10.150 --> 0:58:12.640
<v Speaker 1>that much, especially when someone's enrolled. Luckily we were in

0:58:12.680 --> 0:58:14.860
<v Speaker 1>the courtroom scene. You know, I wasn't doing that when

0:58:14.900 --> 0:58:16.100
<v Speaker 1>we were in the other scenes, but maybe it was

0:58:16.140 --> 0:58:17.440
<v Speaker 1>in the courtroom scenes when we were listening. That was

0:58:17.480 --> 0:58:19.740
<v Speaker 1>my opportunity to really talk to you and ask you

0:58:19.840 --> 0:58:22.800
<v Speaker 1>all those questions because Tank has a lot. Tank has

0:58:22.820 --> 0:58:24.980
<v Speaker 1>a lot. He got a lot in the tank, you

0:58:25.020 --> 0:58:27.450
<v Speaker 1>know what I'm saying? He got a lot in the tank.

0:58:27.470 --> 0:58:28.910
<v Speaker 1>So I was just trying to draw for him. And

0:58:28.950 --> 0:58:33.120
<v Speaker 1>then even hearing, you know, his perspective on things and,

0:58:33.550 --> 0:58:36.880
<v Speaker 1>And that is me. I'm always just inquisitive. You know,

0:58:37.100 --> 0:58:39.520
<v Speaker 1>I'll never forget one time I was walking down the street.

0:58:40.400 --> 0:58:41.580
<v Speaker 1>I was walking down the street. It was in New York.

0:58:42.580 --> 0:58:43.820
<v Speaker 1>And I was walking down the street. A whole bunch

0:58:43.840 --> 0:58:46.360
<v Speaker 1>of people on the street. There was this, unfortunately, it

0:58:46.380 --> 0:58:50.710
<v Speaker 1>was a homeless person. You know, just, you know, he

0:58:50.750 --> 0:58:55.110
<v Speaker 1>was laying on with the blanket and everything. And just

0:58:55.270 --> 0:58:57.570
<v Speaker 1>as I was walking by, he was like, what did

0:58:57.590 --> 0:59:02.350
<v Speaker 1>he say? People should never get married. And I said, okay.

0:59:02.940 --> 0:59:05.840
<v Speaker 1>I kind of slowed down and paused because I wanted

0:59:05.860 --> 0:59:09.610
<v Speaker 1>to hear his perspective on why he thought people should

0:59:09.630 --> 0:59:13.500
<v Speaker 1>never get married. married. Because for me, again, you know,

0:59:13.660 --> 0:59:16.780
<v Speaker 1>I've learned so much in life. And the main thing

0:59:16.860 --> 0:59:19.090
<v Speaker 1>I know is I damn sure don't know everything. You

0:59:19.110 --> 0:59:21.070
<v Speaker 1>know what I mean? And I'm always still learning it.

0:59:21.380 --> 0:59:23.860
<v Speaker 1>Anybody can teach you something, whether it's the homeless man

0:59:23.900 --> 0:59:27.380
<v Speaker 1>on the street or it's a five-year-old kid. Anybody with

0:59:27.420 --> 0:59:31.460
<v Speaker 1>a different perspective on the world or any subject can

0:59:31.500 --> 0:59:35.870
<v Speaker 1>teach you something. So that's why I'm always listening for things. Always. Yeah.

0:59:35.890 --> 0:59:47.510
<v Speaker 1>They're very inquisitive. We got something for you to listen to. Okay.

0:59:47.530 --> 0:59:55.000
<v Speaker 1>You know what I mean? We got some jams. Okay. Okay. Oh, yeah. Oh,

0:59:55.080 --> 1:00:01.210
<v Speaker 1>I thought that was going to be something. It's going

1:00:01.230 --> 1:00:12.620
<v Speaker 1>to be something. Brother Morris Chestnut. The Black Superman, as

1:00:12.660 --> 1:00:22.940
<v Speaker 1>we call you. The soundtrack to our lives. Music has

1:00:22.980 --> 1:00:27.720
<v Speaker 1>been in all of your movies. But I also know

1:00:27.760 --> 1:00:31.550
<v Speaker 1>that you love movies, music, I'm sorry, music to your soul.

1:00:33.490 --> 1:00:35.150
<v Speaker 1>And the people want to know. What they want to know.

1:00:35.170 --> 1:00:38.610
<v Speaker 1>Here on the RB Money Podcast. Come on. What is

1:00:38.630 --> 1:00:55.570
<v Speaker 1>your top five? Okay. Your top five. Yeah. Yeah. Top five.

1:00:55.990 --> 1:00:59.930
<v Speaker 1>Your top five. Come on. R &amp; B singers. R &amp;

1:00:59.610 --> 1:01:03.560
<v Speaker 1>B songs. We've got to know. Before you go. We're

1:01:03.680 --> 1:01:08.320
<v Speaker 1>on this show. For the most they want to know.

1:01:08.460 --> 1:01:22.490
<v Speaker 1>In your top five. Yes. Come on, dog. Right, right, right, right, right.

1:01:22.570 --> 1:01:38.500
<v Speaker 1>Top five. Your top five. Yeah. All right, all right,

1:01:38.520 --> 1:01:51.570
<v Speaker 1>all right. Fresh about to rain. Come on, dog. So

1:01:52.050 --> 1:01:54.080
<v Speaker 1>that's a very tough question. Let me set you up, Mo.

1:01:54.100 --> 1:01:57.240
<v Speaker 1>Let me set you up. Okay. Fresh out the rain.

1:01:57.320 --> 1:02:05.560
<v Speaker 1>You got to cut. Your top five R &amp; B singers. Okay. Yeah.

1:02:05.600 --> 1:02:08.660
<v Speaker 1>So does this include groups? Whatever you want. Okay. You

1:02:08.680 --> 1:02:13.130
<v Speaker 1>more as chestnut, brother. Okay. Okay. So I thought about this.

1:02:13.680 --> 1:02:18.560
<v Speaker 1>knowing I was coming on the show. So different artists

1:02:18.820 --> 1:02:22.820
<v Speaker 1>have different meanings because some of the artists, I enjoy

1:02:22.840 --> 1:02:27.400
<v Speaker 1>their work, but some of the artists really, really resonated

1:02:27.440 --> 1:02:30.070
<v Speaker 1>with me when I was growing up. So, and coming

1:02:30.110 --> 1:02:33.990
<v Speaker 1>up in the game. So what a lot, so I'll say,

1:02:34.010 --> 1:02:37.070
<v Speaker 1>and this is in no particular order. Okay. So the

1:02:37.230 --> 1:02:40.270
<v Speaker 1>first one I will say, so going back to the

1:02:40.290 --> 1:02:41.710
<v Speaker 1>story with the bank, so this is a quick story.

1:02:41.730 --> 1:02:43.810
<v Speaker 1>So when I was at the bank, I asked my

1:02:43.870 --> 1:02:47.100
<v Speaker 1>manager at the bank, Hey, can I go for this audition? So, Oh,

1:02:47.110 --> 1:02:48.230
<v Speaker 1>of course they love me at the bank. Oh yeah,

1:02:48.250 --> 1:02:49.990
<v Speaker 1>you can do whatever time you need to go for

1:02:50.030 --> 1:02:53.930
<v Speaker 1>your audition. Cool. So I went for the audition. I

1:02:53.990 --> 1:02:57.550
<v Speaker 1>came back and she was like, um, a couple of

1:02:57.590 --> 1:02:59.570
<v Speaker 1>days later, she goes, Hey, did you ever get that part?

1:02:59.590 --> 1:03:03.510
<v Speaker 1>I was like, no, no, I didn't get the part.

1:03:03.930 --> 1:03:06.010
<v Speaker 1>And she goes, well, listen, when you're done with the

1:03:06.130 --> 1:03:08.490
<v Speaker 1>acting thing, you know, we, we, we love you here.

1:03:08.550 --> 1:03:11.960
<v Speaker 1>You can stay here. I was like, okay, thank you. But,

1:03:12.570 --> 1:03:15.440
<v Speaker 1>I thought to myself, I was still young. I'm like,

1:03:15.460 --> 1:03:17.600
<v Speaker 1>when I'm done with the acting thing, you know, they don't,

1:03:17.620 --> 1:03:19.980
<v Speaker 1>she don't think I'm gonna make it. And it was

1:03:20.020 --> 1:03:24.240
<v Speaker 1>a very, it was a comment that was very innocuous.

1:03:24.260 --> 1:03:26.419
<v Speaker 1>She didn't mean anything by it. She was just trying

1:03:26.440 --> 1:03:30.160
<v Speaker 1>to be nice. And so that at that point is

1:03:30.200 --> 1:03:33.110
<v Speaker 1>when I knew I would never tell anybody that I

1:03:33.160 --> 1:03:36.290
<v Speaker 1>had an audition if I didn't have to. I would

1:03:36.310 --> 1:03:38.190
<v Speaker 1>never even tell people I was in the industry. To

1:03:38.210 --> 1:03:42.130
<v Speaker 1>this day, numerous people around me, close to me, be like,

1:03:42.550 --> 1:03:44.370
<v Speaker 1>we don't know what you're calling me. We don't know

1:03:44.390 --> 1:03:46.430
<v Speaker 1>we're not going to have a show out until we

1:03:46.450 --> 1:03:49.200
<v Speaker 1>see it on TV. Because I just don't tell people.

1:03:49.740 --> 1:03:54.680
<v Speaker 1>But that being said, going to top five artists, one

1:03:54.720 --> 1:04:00.480
<v Speaker 1>of my top artists is, and I'll bring it full circle,

1:04:00.980 --> 1:04:05.640
<v Speaker 1>is Anita Baker. So one of the reasons why Anita Baker,

1:04:05.680 --> 1:04:09.190
<v Speaker 1>so when I was going on these auditions, And when

1:04:09.230 --> 1:04:11.190
<v Speaker 1>I wasn't getting these parts, so you go on these auditions,

1:04:11.210 --> 1:04:14.150
<v Speaker 1>especially being young, you put yourself out there. You auditioning

1:04:14.210 --> 1:04:16.310
<v Speaker 1>for these people and you really want it and you

1:04:16.410 --> 1:04:19.830
<v Speaker 1>really want it. And, you know, it's all emotional. Some

1:04:19.870 --> 1:04:22.510
<v Speaker 1>roles are emotional, some auditions, but it was always exhausting.

1:04:23.090 --> 1:04:24.850
<v Speaker 1>And then when I wouldn't get them, of course, I

1:04:24.890 --> 1:04:28.880
<v Speaker 1>would get down. So what I used to do a

1:04:29.010 --> 1:04:37.160
<v Speaker 1>lot back then is I would have songs, R &amp;

1:04:36.860 --> 1:04:41.370
<v Speaker 1>B songs, be my positive affirmation to me. So when

1:04:41.410 --> 1:04:45.130
<v Speaker 1>I would, I would basically sing the songs to myself

1:04:46.410 --> 1:04:49.130
<v Speaker 1>and I was a huge Anita Baker fan. And, and

1:04:49.370 --> 1:04:52.250
<v Speaker 1>one of my songs by her was the best thing yet,

1:04:52.830 --> 1:04:55.670
<v Speaker 1>because at the end of it, you know, she would

1:04:55.710 --> 1:05:00.500
<v Speaker 1>have this, this whole power. You're so wonderful. You're so beautiful.

1:05:00.600 --> 1:05:03.580
<v Speaker 1>It was a positive, positive affirmation over and over again.

1:05:04.080 --> 1:05:09.240
<v Speaker 1>And so Anita Baker with numerous songs, but, Anita Baker's

1:05:09.320 --> 1:05:12.620
<v Speaker 1>one of them, for sure. Got you through them tough times.

1:05:13.260 --> 1:05:16.020
<v Speaker 1>Anita and a few people, but Anita, I would listen

1:05:16.060 --> 1:05:19.100
<v Speaker 1>to Anita a lot. I would go to my car.

1:05:19.160 --> 1:05:21.020
<v Speaker 1>Even when I would go to auditions, I knew I

1:05:21.040 --> 1:05:23.760
<v Speaker 1>didn't do a good job. And then, you know, no

1:05:24.620 --> 1:05:27.180
<v Speaker 1>one in the world. I mean, there's so many songs

1:05:27.220 --> 1:05:30.280
<v Speaker 1>by Anita. I would just listen to and just sing

1:05:30.320 --> 1:05:32.060
<v Speaker 1>to myself that would keep me going because I couldn't

1:05:32.080 --> 1:05:36.180
<v Speaker 1>talk to anybody. So Anita's one, one of them. Even

1:05:36.260 --> 1:05:42.670
<v Speaker 1>going back... So this is a group that I courted

1:05:42.810 --> 1:05:47.230
<v Speaker 1>my wife to their first album. We would always listen

1:05:47.250 --> 1:05:49.850
<v Speaker 1>to the first album way back in the day, and

1:05:49.870 --> 1:05:53.410
<v Speaker 1>it was Jodeci. As you should. Come on. Jodeci. You

1:05:53.450 --> 1:05:56.060
<v Speaker 1>court with that. You can't do no wrong. You can't

1:05:56.080 --> 1:06:03.880
<v Speaker 1>do no wrong. Jodeci. And that was just on repeat, repeat, repeat. Cassette, CD, repeat, repeat, repeat.

1:06:03.960 --> 1:06:08.940
<v Speaker 1>Always playing it. So, so, so Jodeci is, is one.

1:06:11.300 --> 1:06:15.120
<v Speaker 1>And then I would have to go in terms of,

1:06:15.300 --> 1:06:17.800
<v Speaker 1>in terms of R &amp; B. I got to go

1:06:17.820 --> 1:06:20.800
<v Speaker 1>for the songs that resonated throughout my life. And I always,

1:06:20.820 --> 1:06:24.030
<v Speaker 1>of course, the songs that resonate with me the most

1:06:24.670 --> 1:06:26.150
<v Speaker 1>are the ones that I apply to what I'm going

1:06:26.170 --> 1:06:29.570
<v Speaker 1>through in my life. And Boys and Men has some

1:06:29.610 --> 1:06:33.960
<v Speaker 1>really strong songs. Come on. Come on. That, that, that

1:06:34.000 --> 1:06:37.750
<v Speaker 1>would resonate. That's three, right? Yeah, that's three. That's three. Now,

1:06:41.230 --> 1:06:45.990
<v Speaker 1>the next one is a very honest, it's very honest.

1:06:46.090 --> 1:06:49.930
<v Speaker 1>It's not no lie or nothing. The next one, it

1:06:49.970 --> 1:06:53.510
<v Speaker 1>would be Tank. Come on. And it's no lie. So

1:06:53.740 --> 1:06:55.500
<v Speaker 1>you got some songs. I'm not going to say which

1:06:55.560 --> 1:06:58.780
<v Speaker 1>ones they are. You got some songs that really resonated

1:06:58.820 --> 1:07:02.340
<v Speaker 1>with me. Really, I was a huge, I'm a huge fan.

1:07:02.920 --> 1:07:06.680
<v Speaker 1>Really resonated with me at moments. And the one thing that,

1:07:07.380 --> 1:07:11.280
<v Speaker 1>one thing that I loved about Tank's music that, that

1:07:11.920 --> 1:07:13.800
<v Speaker 1>I don't know if, I don't know if you could

1:07:13.840 --> 1:07:17.050
<v Speaker 1>do it today. There was so much vulnerability in your songs.

1:07:17.590 --> 1:07:19.610
<v Speaker 1>You know what I'm saying? In a sense to where,

1:07:20.270 --> 1:07:22.730
<v Speaker 1>you know, I don't know, I guess, you know, I

1:07:22.750 --> 1:07:25.840
<v Speaker 1>guess the younger generation now feels like if a dude

1:07:25.960 --> 1:07:28.500
<v Speaker 1>is vulnerable, he's a simp or whatever they call it.

1:07:28.500 --> 1:07:30.500
<v Speaker 1>You know what I'm saying? But back in our day,

1:07:30.660 --> 1:07:33.220
<v Speaker 1>that's what we would do. All the songs were about that.

1:07:33.340 --> 1:07:35.020
<v Speaker 1>All the songs were about that. And that's what I read.

1:07:35.060 --> 1:07:38.590
<v Speaker 1>So Tank has a few songs that are like a

1:07:38.810 --> 1:07:42.730
<v Speaker 1>really heavily played, like really heavily played. I never told

1:07:42.750 --> 1:07:46.150
<v Speaker 1>you that, but that's true. I feel like that's coming

1:07:46.210 --> 1:07:48.780
<v Speaker 1>back though too though. Cause there are certain artists that are,

1:07:49.030 --> 1:07:50.820
<v Speaker 1>I feel like the ones that are the most vulnerable

1:07:51.220 --> 1:07:54.450
<v Speaker 1>of the younger artists are having the most success. Young

1:07:54.490 --> 1:07:56.990
<v Speaker 1>fellas like Rod Wave. Yeah. Oh, I'm not familiar with him. Oh,

1:07:56.990 --> 1:08:00.280
<v Speaker 1>you got to tap into him. Oh, really? He sings,

1:08:00.320 --> 1:08:03.600
<v Speaker 1>but it's leaning more toward, it feels like rap music,

1:08:03.660 --> 1:08:06.580
<v Speaker 1>but he's singing. Okay. But it's very emotional. Is it

1:08:06.660 --> 1:08:09.240
<v Speaker 1>R &amp; B? Or is it hip hop? It is.

1:08:09.360 --> 1:08:11.860
<v Speaker 1>It is. It's like hip hop and R &amp; B.

1:08:11.900 --> 1:08:15.900
<v Speaker 1>It toes the line of melodic rap. Yeah, it's melodic rap. Okay. Okay.

1:08:15.980 --> 1:08:20.070
<v Speaker 1>But it's very emotional. It's emotional. And he's speaking his truth. Yep.

1:08:20.960 --> 1:08:23.189
<v Speaker 1>Speaking is true. Or even a Brett Fias. You know

1:08:23.210 --> 1:08:25.050
<v Speaker 1>what I mean? I haven't heard of him. Oh, you

1:08:25.090 --> 1:08:27.270
<v Speaker 1>got to tap in, bro. Don't worry, we'll put you in.

1:08:27.290 --> 1:08:32.380
<v Speaker 1>So where are they playing these cats now? I mean,

1:08:32.400 --> 1:08:34.519
<v Speaker 1>that's another thing that's hard. Yeah, now it's like you

1:08:34.560 --> 1:08:37.510
<v Speaker 1>got to kind of kind of find and discover these things.

1:08:37.590 --> 1:08:40.070
<v Speaker 1>You know what I'm saying? These young fellas are doing arenas, though.

1:08:40.110 --> 1:08:42.970
<v Speaker 1>Are they really? Oh, yeah. I'm just out of touch

1:08:42.990 --> 1:08:46.740
<v Speaker 1>because on, you know, whenever you go to Pandora or whatever,

1:08:46.760 --> 1:08:49.040
<v Speaker 1>you put in your artist in a similar song, so

1:08:49.060 --> 1:08:51.120
<v Speaker 1>it's all from my generation. I'm not really sure who

1:08:51.140 --> 1:08:53.180
<v Speaker 1>the dude got. And, you know, I got you guys. Well,

1:08:53.200 --> 1:08:54.990
<v Speaker 1>I got Chris on there, too, but I still haven't

1:08:55.030 --> 1:08:57.809
<v Speaker 1>heard them on his either. Oh, yeah. You probably don't

1:08:57.850 --> 1:08:59.269
<v Speaker 1>know if you heard them. I don't know if I

1:08:59.310 --> 1:09:01.720
<v Speaker 1>heard them? Yeah. Okay. You probably heard some Brent on there.

1:09:01.979 --> 1:09:03.960
<v Speaker 1>You definitely heard some Brent on Chris. Oh, really? Okay.

1:09:03.979 --> 1:09:07.250
<v Speaker 1>So I'm going to start paying more attention to that.

1:09:07.390 --> 1:09:10.450
<v Speaker 1>It's starting to connect, man, with that younger generation. And obviously,

1:09:10.470 --> 1:09:12.970
<v Speaker 1>you know, I got a 19-year-old son, so I'm hearing

1:09:12.990 --> 1:09:16.460
<v Speaker 1>what he's playing, too. I'm like, oh. You and your feelings.

1:09:16.520 --> 1:09:21.830
<v Speaker 1>I like this. I see it coming around. Okay. Okay.

1:09:22.150 --> 1:09:24.830
<v Speaker 1>And I got one left. And there are a lot of,

1:09:25.130 --> 1:09:26.210
<v Speaker 1>let me just say this. There are a lot of

1:09:26.250 --> 1:09:28.809
<v Speaker 1>honorable mentions because I'm an R &amp; B. I love

1:09:28.990 --> 1:09:33.130
<v Speaker 1>all R &amp; B. But the one that's left is

1:09:33.170 --> 1:09:35.960
<v Speaker 1>the one. And I'm not considering Michael and all those cats.

1:09:35.979 --> 1:09:39.030
<v Speaker 1>I think it's more pop or whatever. Do that. Huh?

1:09:39.090 --> 1:09:42.830
<v Speaker 1>Let Morris be Morris, man. Is that bad? No, I'm

1:09:42.850 --> 1:09:44.270
<v Speaker 1>not saying it's bad. You said he could be Morris.

1:09:44.850 --> 1:09:47.350
<v Speaker 1>Mike is one of us, brother. He's R &amp; B. No,

1:09:47.610 --> 1:09:50.490
<v Speaker 1>he is. He's just the most popular R &amp; B guy.

1:09:50.510 --> 1:09:54.910
<v Speaker 1>You consider Michael's music R &amp; B? Yes. Okay. Yes.

1:09:55.229 --> 1:10:01.269
<v Speaker 1>I just consider it to be so high level and

1:10:01.900 --> 1:10:07.349
<v Speaker 1>more palatable for the world that they just bought into it.

1:10:07.740 --> 1:10:12.420
<v Speaker 1>But that is... from a singing standpoint, from the musicianship

1:10:12.720 --> 1:10:16.479
<v Speaker 1>to the live musicians, that is R &amp; B music

1:10:16.500 --> 1:10:20.300
<v Speaker 1>to me. Quincy Jones did jazz and R &amp; B.

1:10:20.660 --> 1:10:22.960
<v Speaker 1>And when he did Michael Jackson, they did R &amp;

1:10:22.720 --> 1:10:26.300
<v Speaker 1>B at the highest level. This is my opinion of it. No, no, no, no, no.

1:10:26.300 --> 1:10:33.270
<v Speaker 1>I can respect that. I'm thinking that... I can say this. PYT?

1:10:33.930 --> 1:10:37.479
<v Speaker 1>I can say this. I am... probably one of the,

1:10:38.320 --> 1:10:40.240
<v Speaker 1>everyone can probably say this, probably one of the biggest

1:10:40.300 --> 1:10:46.040
<v Speaker 1>Michael Jackson fans ever. He is, he will, is, and

1:10:46.080 --> 1:10:53.960
<v Speaker 1>will always be my favorite entertainer ever. I love this music.

1:10:57.900 --> 1:11:04.480
<v Speaker 1>His music had, for whatever reason, didn't resonate with me.

1:11:05.750 --> 1:11:09.660
<v Speaker 1>Even like, With some Hank song. Right. When you say

1:11:09.700 --> 1:11:12.660
<v Speaker 1>Anita Baker and that type of thing, is there a

1:11:12.700 --> 1:11:16.290
<v Speaker 1>different feeling connected to it? A million percent. Because like

1:11:16.330 --> 1:11:19.270
<v Speaker 1>I say, look, I have moments with, you know, me

1:11:19.290 --> 1:11:22.189
<v Speaker 1>and my boy, we singing Michael, but it's not, it's not,

1:11:22.570 --> 1:11:24.730
<v Speaker 1>you know, and I love Michael Jackson, but it's not

1:11:24.850 --> 1:11:30.220
<v Speaker 1>resonating with like those songs. It just doesn't for me. Now,

1:11:30.540 --> 1:11:35.139
<v Speaker 1>great songs. PYT is great. I can probably... I can't

1:11:35.180 --> 1:11:36.620
<v Speaker 1>sing it, but I can try to break down the

1:11:36.640 --> 1:11:40.439
<v Speaker 1>lyrics for you right now, the whole song, forwards and backwards.

1:11:40.960 --> 1:11:48.780
<v Speaker 1>But it didn't, I can't really think of, and I

1:11:48.800 --> 1:11:50.420
<v Speaker 1>don't know all of them, but I can't really think

1:11:50.560 --> 1:11:53.700
<v Speaker 1>of any Michael songs to where I'm going through it

1:11:53.780 --> 1:11:55.420
<v Speaker 1>and dealing with it, and I'm hearing it on the

1:11:55.460 --> 1:11:59.320
<v Speaker 1>radio or hearing it on my thing and say, that's

1:11:59.340 --> 1:12:01.880
<v Speaker 1>what I'm feeling right now. And it hit me right here,

1:12:02.000 --> 1:12:04.260
<v Speaker 1>just like that. You've been married for a long time,

1:12:04.280 --> 1:12:06.220
<v Speaker 1>so you probably ain't had your Dirty Diana's in a

1:12:06.240 --> 1:12:10.560
<v Speaker 1>long time. But see, I think the next artist I'm

1:12:10.600 --> 1:12:13.939
<v Speaker 1>about to say covers the Dirty Diana. Bring it home, boys.

1:12:13.970 --> 1:12:16.830
<v Speaker 1>Bring it home. I'm going to bring it home with

1:12:17.830 --> 1:12:20.230
<v Speaker 1>who I think everyone, well, not everyone says he's a king,

1:12:20.270 --> 1:12:22.310
<v Speaker 1>but I think he's a top You know, one time.

1:12:22.570 --> 1:12:26.970
<v Speaker 1>Here's R. Kelly. I think, for me, you know, he,

1:12:27.850 --> 1:12:32.500
<v Speaker 1>I will say he, in my opinion, he's the top cat. R.

1:12:32.520 --> 1:12:35.180
<v Speaker 1>Kelly's the top cat. I ain't mad at you. Yeah,

1:12:35.260 --> 1:12:38.640
<v Speaker 1>I just. Rob is Rob. Your list is incredible. Your

1:12:38.680 --> 1:12:42.210
<v Speaker 1>list is incredible. voicing me and Joe to see Anita Baker. Kindles.

1:12:42.470 --> 1:12:47.210
<v Speaker 1>And remember all of these, and all of these, Robert Kelly.

1:12:48.710 --> 1:12:50.889
<v Speaker 1>All of these, I'm telling you, they have, they have

1:12:50.990 --> 1:12:54.670
<v Speaker 1>music and multiple songs that really like resonate. For sure.

1:12:54.710 --> 1:12:59.350
<v Speaker 1>For sure. Top five R &amp; B songs. Songs. Okay.

1:12:59.850 --> 1:13:03.309
<v Speaker 1>That's going to be, so I got to put again, again,

1:13:03.330 --> 1:13:06.990
<v Speaker 1>I'll go with, now all of these songs are not,

1:13:07.470 --> 1:13:09.290
<v Speaker 1>something that just resonated with me is this song. I

1:13:09.310 --> 1:13:11.950
<v Speaker 1>just said, that's a really nice song. But I got

1:13:11.979 --> 1:13:14.960
<v Speaker 1>to say, best thing yet, Nita Baker. Yeah. I have

1:13:14.979 --> 1:13:17.340
<v Speaker 1>to say this song. There was a song. So with

1:13:17.400 --> 1:13:22.580
<v Speaker 1>me is I always, if there are negative things about

1:13:22.860 --> 1:13:26.469
<v Speaker 1>an artist, I always just let it go. You know,

1:13:26.560 --> 1:13:28.970
<v Speaker 1>even if I had a beef with an artist, I'll

1:13:28.990 --> 1:13:31.269
<v Speaker 1>always let it go because I can still respect what

1:13:31.290 --> 1:13:34.070
<v Speaker 1>they do. So one of my favorite songs that I

1:13:34.070 --> 1:13:36.850
<v Speaker 1>had a major part in my life was Crazy Love.

1:13:37.800 --> 1:13:44.679
<v Speaker 1>by Brian McKnight. Why are you laughing? Now the streets

1:13:44.700 --> 1:13:46.979
<v Speaker 1>want to know. What's that? I said, because now the

1:13:47.010 --> 1:13:49.170
<v Speaker 1>streets want to know. What's that? You was meeting with

1:13:49.189 --> 1:13:52.170
<v Speaker 1>Brian McKnight? Oh, no, no, no. No, everybody knew about it. Well,

1:13:52.189 --> 1:13:54.750
<v Speaker 1>a lot of people, we knew about it. It just

1:13:54.770 --> 1:13:57.950
<v Speaker 1>came from the court. I don't have anything outside. We

1:13:58.030 --> 1:14:02.610
<v Speaker 1>were playing in the league. And of course... A lot

1:14:02.650 --> 1:14:06.790
<v Speaker 1>of underlined Ds in that league, man. Yeah. So we're

1:14:06.870 --> 1:14:10.160
<v Speaker 1>playing in the league and now you guys know I'm

1:14:10.200 --> 1:14:12.059
<v Speaker 1>not a baller, but I would play defense. I can

1:14:12.100 --> 1:14:15.360
<v Speaker 1>hit occasional shots. Yeah, yeah. So the team that I

1:14:15.400 --> 1:14:19.360
<v Speaker 1>was on, they would always, they were, whoever was on

1:14:19.400 --> 1:14:20.920
<v Speaker 1>the other team, like one time I had to go

1:14:20.939 --> 1:14:22.380
<v Speaker 1>on air and they were like, yo, go in there

1:14:22.400 --> 1:14:25.889
<v Speaker 1>and shut Aaron down. It didn't happen. You was Tony Allen. Yeah,

1:14:25.970 --> 1:14:29.950
<v Speaker 1>I was Tony Allen. I was Tony Allen. And so,

1:14:30.590 --> 1:14:34.189
<v Speaker 1>this was like the last public outburst I had, I think. But, so,

1:14:34.400 --> 1:14:37.019
<v Speaker 1>they put me on Brian. And I already knew Brian

1:14:37.040 --> 1:14:41.130
<v Speaker 1>because we had played somewhere before and You know, Brian,

1:14:41.430 --> 1:14:44.889
<v Speaker 1>you know, he could play, but he really thought highly

1:14:44.930 --> 1:14:47.750
<v Speaker 1>of his game, right? And so I think he felt

1:14:47.850 --> 1:14:51.430
<v Speaker 1>that it was... No, no, he could... No, what? So

1:14:51.450 --> 1:14:56.170
<v Speaker 1>I really think he felt somewhat disrespected of them putting

1:14:56.210 --> 1:14:58.710
<v Speaker 1>me on him. The audacity. The audacity of putting me

1:14:58.770 --> 1:15:02.550
<v Speaker 1>on him. Y'all gonna put Ricky on me? Exactly, exactly.

1:15:02.890 --> 1:15:04.490
<v Speaker 1>But see, I had already played against him before, but

1:15:04.550 --> 1:15:07.580
<v Speaker 1>I knew... so brian would never go he couldn't go

1:15:07.640 --> 1:15:09.860
<v Speaker 1>left yeah it was his right to the jump shot

1:15:09.900 --> 1:15:13.320
<v Speaker 1>his right yeah was quick as hell you could take

1:15:13.360 --> 1:15:15.940
<v Speaker 1>it away and he would still go right it was

1:15:16.150 --> 1:15:19.010
<v Speaker 1>quick as hell but i knew that so we were

1:15:19.050 --> 1:15:21.850
<v Speaker 1>playing it was an intense game and and he uh

1:15:22.210 --> 1:15:25.630
<v Speaker 1>he was getting frustrated he was getting frustrated and and

1:15:25.830 --> 1:15:28.400
<v Speaker 1>it just it just got to a point to where

1:15:28.420 --> 1:15:31.240
<v Speaker 1>it got to a point I knew he was frustrated

1:15:31.260 --> 1:15:34.040
<v Speaker 1>because he wasn't scoring like he was normally scoring. Because

1:15:34.060 --> 1:15:36.540
<v Speaker 1>I was just, I'm like, I'm not moving from your right.

1:15:36.820 --> 1:15:38.740
<v Speaker 1>I'm going to stay here. You can jab. You can

1:15:38.780 --> 1:15:40.809
<v Speaker 1>do whatever you need to do. I'm not going nowhere.

1:15:40.850 --> 1:15:42.090
<v Speaker 1>And then when you do that move, I'm going to

1:15:42.110 --> 1:15:45.530
<v Speaker 1>step in front of you. And then, you know, it

1:15:45.550 --> 1:15:47.650
<v Speaker 1>got to the point to where, so he got frustrated.

1:15:47.670 --> 1:15:49.530
<v Speaker 1>And then he got a little physical. And then the refs,

1:15:50.010 --> 1:15:52.930
<v Speaker 1>I felt that the refs started giving him calls. You know,

1:15:52.970 --> 1:15:55.480
<v Speaker 1>they started catering to Brian. So it was just a little,

1:15:56.060 --> 1:15:58.900
<v Speaker 1>you know, it was just a little, one time he

1:15:58.920 --> 1:16:01.120
<v Speaker 1>got frustrated and it was just like a little shoving

1:16:01.479 --> 1:16:05.530
<v Speaker 1>back and forth. And then, and then they teed me up.

1:16:07.110 --> 1:16:11.620
<v Speaker 1>They teed me up. And I was like, all right, cool. Yeah,

1:16:11.660 --> 1:16:14.719
<v Speaker 1>tee me up. Go tee me up. You know what

1:16:14.939 --> 1:16:18.100
<v Speaker 1>I'm saying? Not like you were doing anything to get

1:16:18.120 --> 1:16:21.430
<v Speaker 1>teed up. I don't know why they did that to me. Listen,

1:16:21.750 --> 1:16:23.490
<v Speaker 1>I was on it, but I was playing good defense

1:16:23.550 --> 1:16:24.769
<v Speaker 1>on it. I was playing good defense on it. But

1:16:24.810 --> 1:16:27.550
<v Speaker 1>it was just one of those things to where, you know.

1:16:27.570 --> 1:16:30.160
<v Speaker 1>He got chippy. It got chippy. It got chippy. And

1:16:30.180 --> 1:16:31.540
<v Speaker 1>like I said, I don't have any beef with them.

1:16:31.700 --> 1:16:33.960
<v Speaker 1>And you still listen to Crazy Love. There it is.

1:16:33.979 --> 1:16:36.549
<v Speaker 1>Crazy Love was, Crazy Love was, it was, it was,

1:16:36.590 --> 1:16:39.310
<v Speaker 1>it was, it played a part. I don't want to

1:16:39.330 --> 1:16:41.550
<v Speaker 1>say what the part was, but it played a part

1:16:41.630 --> 1:16:45.030
<v Speaker 1>in my life, a significant part in my life. So

1:16:45.070 --> 1:16:47.950
<v Speaker 1>Crazy Love, Crazy Love was one of the songs. One

1:16:47.970 --> 1:16:51.769
<v Speaker 1>song I love is, I'm not sure if it's, and

1:16:51.790 --> 1:16:55.670
<v Speaker 1>I just like the lyrics of the song, is Dangerously

1:16:55.689 --> 1:17:01.459
<v Speaker 1>in Love. Woo! The lyrics, the lyrics on that song,

1:17:01.960 --> 1:17:05.660
<v Speaker 1>when you just really just sit and listen and hear

1:17:05.720 --> 1:17:09.460
<v Speaker 1>what she's saying and the meaning behind it. Yep. That

1:17:09.500 --> 1:17:11.100
<v Speaker 1>right there, that right there is one of my all

1:17:11.180 --> 1:17:14.240
<v Speaker 1>time favorites. I would say, so this is another, I

1:17:14.270 --> 1:17:17.170
<v Speaker 1>didn't have any, any type of emotional connection to that one.

1:17:17.210 --> 1:17:19.670
<v Speaker 1>I just love the lyrics. I do have an emotional

1:17:19.710 --> 1:17:26.700
<v Speaker 1>connection to Maxwell has a woman's work. Yeah. Yeah. I

1:17:26.740 --> 1:17:31.320
<v Speaker 1>have an emotional connection to that song. I was in

1:17:31.600 --> 1:17:34.300
<v Speaker 1>Fiji when something happened to me in Fiji, and I

1:17:34.360 --> 1:17:37.000
<v Speaker 1>realized that something happened back here with one of my

1:17:37.040 --> 1:17:39.800
<v Speaker 1>best friends and whatever it's like. So that's one. So

1:17:39.840 --> 1:17:44.550
<v Speaker 1>how many is that? Is that three? That's four. Okay.

1:17:45.229 --> 1:17:49.570
<v Speaker 1>So another song I had an emotional connection. So we

1:17:49.590 --> 1:17:52.490
<v Speaker 1>used to really hang out at this place called the Yamaha.

1:17:53.479 --> 1:17:56.820
<v Speaker 1>And when we would go there, we would listen to Luther.

1:17:57.090 --> 1:18:00.689
<v Speaker 1>And House Is Not A Home was a really, really,

1:18:00.729 --> 1:18:03.150
<v Speaker 1>really strong song. But the whole album with Creep and

1:18:03.330 --> 1:18:06.290
<v Speaker 1>all that song was So, yeah, so I'll say Luther

1:18:06.310 --> 1:18:08.950
<v Speaker 1>because he's one of my favorite artists. Listen, I have

1:18:09.180 --> 1:18:11.120
<v Speaker 1>so many favorite artists. I mean, that's why I said

1:18:11.160 --> 1:18:13.979
<v Speaker 1>top five. No, top five is tough. That's how she

1:18:14.080 --> 1:18:16.420
<v Speaker 1>was about to give us a Just Me and You, Tony, Tony, Tony,

1:18:16.439 --> 1:18:19.759
<v Speaker 1>since that played such a... You know, when that played

1:18:19.800 --> 1:18:22.820
<v Speaker 1>in the movie, it was like, ah! So, yeah, so

1:18:23.060 --> 1:18:26.500
<v Speaker 1>those things, look, I have, there are artists and songs

1:18:26.540 --> 1:18:30.440
<v Speaker 1>that I like that, you know, that I've seen in

1:18:30.500 --> 1:18:33.420
<v Speaker 1>movies that, you know, are cool for the movies, but...

1:18:33.830 --> 1:18:36.150
<v Speaker 1>but you know, Oh, you know, I do have one.

1:18:36.170 --> 1:18:40.000
<v Speaker 1>I can't, I can't, I can't, I'm not going to

1:18:40.120 --> 1:18:41.920
<v Speaker 1>say which song it is. I can tell you guys

1:18:41.979 --> 1:18:44.240
<v Speaker 1>off the air. I'm not going to say which song

1:18:44.280 --> 1:18:47.840
<v Speaker 1>it is, but it's, by Tyrese. And I'm not going

1:18:47.860 --> 1:18:49.439
<v Speaker 1>to say which song it is, but he has a

1:18:49.479 --> 1:18:52.120
<v Speaker 1>song that really resonates for me as well. But I

1:18:52.160 --> 1:18:55.050
<v Speaker 1>don't want to say that on the air. Okay. Absolutely.

1:18:55.160 --> 1:18:58.930
<v Speaker 1>All right. Let's make an R &amp; B Voltron. All right. Okay.

1:18:59.050 --> 1:19:02.229
<v Speaker 1>This is where we make your super R &amp; B artists.

1:19:03.010 --> 1:19:05.530
<v Speaker 1>And you decide where you're going to get the vocal from.

1:19:06.590 --> 1:19:11.220
<v Speaker 1>The performance style. Okay. The styling of the artists. The

1:19:11.280 --> 1:19:16.200
<v Speaker 1>passion of the artists. Yeah, yeah, yeah. Okay. Okay. And

1:19:16.220 --> 1:19:19.019
<v Speaker 1>could this one be a great actor? Can he act?

1:19:19.060 --> 1:19:20.380
<v Speaker 1>And if he can act, what role you want to

1:19:20.400 --> 1:19:23.160
<v Speaker 1>see him in? Let's go. Let's go. Okay, so where

1:19:23.220 --> 1:19:25.340
<v Speaker 1>are you going to get the vocal from? One vocal.

1:19:25.600 --> 1:19:29.059
<v Speaker 1>Of all the five? No, no. Of anybody? Of anybody.

1:19:29.080 --> 1:19:31.240
<v Speaker 1>You're making a super R &amp; B artist. You're building

1:19:31.260 --> 1:19:35.370
<v Speaker 1>them in the lab, and you're picking one vocalist from

1:19:35.410 --> 1:19:38.370
<v Speaker 1>the beginning of time. What one vocal do you want

1:19:38.670 --> 1:19:43.370
<v Speaker 1>for your super R &amp; B artist? One singer. I

1:19:43.390 --> 1:19:49.479
<v Speaker 1>would have to say she has some incredible songs. I

1:19:49.650 --> 1:19:52.500
<v Speaker 1>love a lot of her songs. I would have to

1:19:52.540 --> 1:19:58.479
<v Speaker 1>say Whitney Houston. The voice. I got to take Whitney.

1:19:59.100 --> 1:20:01.070
<v Speaker 1>One of the greatest of all time. Yeah, I got

1:20:01.090 --> 1:20:04.210
<v Speaker 1>to take Whitney. Okay. Whitney for the voice. Whitney for

1:20:04.229 --> 1:20:09.810
<v Speaker 1>the voice. Performance style on stage. Michael Jackson. I mean, Michael,

1:20:09.850 --> 1:20:13.500
<v Speaker 1>my favorite entertainer of all time. Mack. Yeah, yeah. Whitney

1:20:13.540 --> 1:20:19.600
<v Speaker 1>voice performing like Michael is nuts. Styling. The drip of

1:20:19.620 --> 1:20:26.480
<v Speaker 1>the artist. Who got the walk-in clothes? Who got the

1:20:26.520 --> 1:20:39.790
<v Speaker 1>fly walk-in clothes, man? Yeah. Wow. Wow. Performance-wise, who... So,

1:20:40.870 --> 1:20:42.870
<v Speaker 1>if the clothes you see them on stage with, maybe

1:20:42.890 --> 1:20:44.920
<v Speaker 1>you see them in magazines and stuff, and they got the,

1:20:45.229 --> 1:20:48.730
<v Speaker 1>you know, all of it. Or they're recognizable for their drip.

1:20:50.660 --> 1:20:57.530
<v Speaker 1>So I'm trying to think if, I mean, we're going

1:20:57.570 --> 1:21:00.110
<v Speaker 1>back in the day. I mean, you know, if I

1:21:00.150 --> 1:21:03.790
<v Speaker 1>go with some of the artists, I would say Jodeci's drip.

1:21:04.350 --> 1:21:07.550
<v Speaker 1>Huge Jodeci, man. I would say that drip. They had

1:21:07.590 --> 1:21:11.090
<v Speaker 1>the style. Stylistically, they were there. I know, you know.

1:21:11.810 --> 1:21:14.930
<v Speaker 1>Black leather in the desert. Yeah, yeah, yeah, yeah, yeah.

1:21:14.970 --> 1:21:17.809
<v Speaker 1>I love that. I would say that. It was Timbaland Boots.

1:21:17.870 --> 1:21:20.930
<v Speaker 1>It was Timbaland Boots. But emotional song. It was the

1:21:21.310 --> 1:21:23.900
<v Speaker 1>edge with the emotion. I'm telling you. Because people always

1:21:23.939 --> 1:21:26.520
<v Speaker 1>get that confused about Jodeci. Right. When they're trying to

1:21:26.560 --> 1:21:29.660
<v Speaker 1>be Jodeci. The song's too aggressive. Jodeci sang love songs.

1:21:29.740 --> 1:21:32.160
<v Speaker 1>Love songs. Oh, for sure. Yeah, yeah, yeah. For sure.

1:21:32.360 --> 1:21:34.340
<v Speaker 1>And were they actually Timberlands? I think they were more

1:21:34.380 --> 1:21:37.400
<v Speaker 1>of like a leather constructionist boot. I don't think they

1:21:37.420 --> 1:21:38.920
<v Speaker 1>was rocking Tims, bro. No, I think they was Tims.

1:21:38.939 --> 1:21:41.020
<v Speaker 1>We have to go back on this. I got to.

1:21:42.090 --> 1:21:44.950
<v Speaker 1>Feeling those was Tim, Black Tims, Black Leather Tims. They

1:21:44.990 --> 1:21:47.250
<v Speaker 1>were Tims for sure. Because that was a thing. It

1:21:47.290 --> 1:21:49.010
<v Speaker 1>might have been a lug. It might wouldn't have been.

1:21:49.050 --> 1:21:50.590
<v Speaker 1>It could have been a lug. I might wouldn't have been.

1:21:50.650 --> 1:21:53.550
<v Speaker 1>It's a style. It's a style. It's a style. It

1:21:53.570 --> 1:21:56.130
<v Speaker 1>could have been a lug. I was like, I was

1:21:56.170 --> 1:21:58.030
<v Speaker 1>looking at some old pictures. I'm like. Or just a

1:21:58.090 --> 1:22:04.860
<v Speaker 1>straight industrial. Industrial. Yeah, yeah, yeah. We coming to work. Yeah, yeah, yeah, yeah, yeah. Okay, okay.

1:22:04.880 --> 1:22:05.979
<v Speaker 1>We got to look at that. We got to look

1:22:06.020 --> 1:22:07.680
<v Speaker 1>at that. Pull that up. That could be it. Okay.

1:22:08.540 --> 1:22:11.080
<v Speaker 1>The passion of the artist. The heart of the artist.

1:22:11.120 --> 1:22:14.929
<v Speaker 1>Like who means it? Oh, like who means it? Who

1:22:14.970 --> 1:22:17.670
<v Speaker 1>means it? Who gonna win the thing? When they sing it,

1:22:17.990 --> 1:22:25.910
<v Speaker 1>you feel it in your soul. I have to go. Wow.

1:22:32.689 --> 1:22:35.830
<v Speaker 1>I'm gonna go with Tank. Come on, man. I'm gonna

1:22:35.850 --> 1:22:38.470
<v Speaker 1>go with Tank. It's either you or Nita, but you know,

1:22:43.200 --> 1:22:46.440
<v Speaker 1>I'll go with Tank. I'll go with Tank. Can we

1:22:46.479 --> 1:22:50.690
<v Speaker 1>do this? Do whatever you want. Can I go Passion because...

1:22:51.390 --> 1:22:56.110
<v Speaker 1>Can I go Tank Tyrese? You can. I'll go Tank Tyrese.

1:22:56.170 --> 1:22:59.810
<v Speaker 1>Because I resonate with some of his songs too. Of course. Yeah, yeah, yeah. Absolutely.

1:22:59.910 --> 1:23:03.680
<v Speaker 1>And again, you know, for me, when you talk about

1:23:03.720 --> 1:23:08.240
<v Speaker 1>the passion and what resonates, you guys really resonate for me,

1:23:08.700 --> 1:23:12.000
<v Speaker 1>you know, Cause the moments, you know, in your songs

1:23:12.020 --> 1:23:16.720
<v Speaker 1>that I'm really, really feeling. Um, and, and you guys, yeah,

1:23:16.880 --> 1:23:20.400
<v Speaker 1>I was, I'll go, I'll go tank Tyrese. Yeah. And

1:23:20.439 --> 1:23:26.590
<v Speaker 1>what role are you casting this super artist for? What

1:23:26.670 --> 1:23:33.050
<v Speaker 1>role am I casting this artist for? Ooh. Well, okay.

1:23:33.070 --> 1:23:36.179
<v Speaker 1>I'll say this. There's one of my favorite artists that

1:23:36.189 --> 1:23:40.560
<v Speaker 1>I didn't mention that I go way back being a

1:23:40.620 --> 1:23:44.680
<v Speaker 1>fan of, but in this type of movie, because it

1:23:44.720 --> 1:23:48.250
<v Speaker 1>has the range of everything, and I love this artist,

1:23:48.810 --> 1:23:51.510
<v Speaker 1>I would have to go, I would cast that person,

1:23:51.530 --> 1:23:55.620
<v Speaker 1>because I want to see the range, in Purple Rain,

1:23:55.660 --> 1:24:01.390
<v Speaker 1>a Purple Rain remake. because we have all of the emotion.

1:24:02.070 --> 1:24:04.690
<v Speaker 1>If people don't see, that's what made that soundtrack so

1:24:04.770 --> 1:24:07.870
<v Speaker 1>tricky because you're following the story and you engage and

1:24:07.890 --> 1:24:10.070
<v Speaker 1>then he's hitting you with all these songs. So that's

1:24:10.110 --> 1:24:13.390
<v Speaker 1>what I would do. Yeah, that was good. I like that.

1:24:13.450 --> 1:24:15.270
<v Speaker 1>I like that. Yeah, who's one of my favorite artists

1:24:15.600 --> 1:24:17.640
<v Speaker 1>of all time as well, of course. And I didn't

1:24:17.660 --> 1:24:19.840
<v Speaker 1>want to just say that. You consider Prince R &amp; B?

1:24:23.680 --> 1:24:30.890
<v Speaker 1>Now I'm just giving you a hard time. So, listen. See,

1:24:30.970 --> 1:24:34.630
<v Speaker 1>Prince's music resonates with me. I definitely say he's definitely

1:24:34.670 --> 1:24:42.190
<v Speaker 1>an R &amp; B artist. And I think probably... I

1:24:42.270 --> 1:24:44.710
<v Speaker 1>think maybe, you know, of course, I think he's R &amp;

1:24:44.390 --> 1:24:47.470
<v Speaker 1>B artist. But when I think about, of course, some

1:24:47.510 --> 1:24:51.130
<v Speaker 1>of his songs, yes. But he has such a unique sound.

1:24:51.189 --> 1:24:53.790
<v Speaker 1>And maybe when I'm thinking R &amp; B, I'm just

1:24:53.830 --> 1:24:57.900
<v Speaker 1>thinking just you got that sound that, you know. Yeah,

1:24:57.910 --> 1:25:01.880
<v Speaker 1>the sound exchange. Yeah. Yeah, exactly. He's more, I would

1:25:01.920 --> 1:25:04.540
<v Speaker 1>say to me, he's an R &amp; B rock star.

1:25:05.810 --> 1:25:12.440
<v Speaker 1>Michael Jackson is an R &amp; B pop star. Yeah, okay, okay, yeah, okay, yeah, yeah, yeah, yeah, yeah. No,

1:25:12.660 --> 1:25:14.040
<v Speaker 1>that's good. That's a good way to see it because,

1:25:14.060 --> 1:25:16.320
<v Speaker 1>you know, I mean, I go back to Prince. Because

1:25:16.340 --> 1:25:23.080
<v Speaker 1>now Beyonce is an R &amp; B pop star. Yes. Yeah. Yeah. Yeah, yeah, yeah, yeah.

1:25:23.320 --> 1:25:24.860
<v Speaker 1>I mean, not to say the song still can't resonate.

1:25:24.880 --> 1:25:27.089
<v Speaker 1>I mean, I love Beyonce too, but, man, I go

1:25:27.439 --> 1:25:31.370
<v Speaker 1>Prince with all, I go way back with Prince. Like,

1:25:31.990 --> 1:25:34.050
<v Speaker 1>songs people ain't even heard of, like Head and all

1:25:34.090 --> 1:25:36.140
<v Speaker 1>those other songs. It's crazy. Oh yeah, you tapped in.

1:25:36.520 --> 1:25:40.080
<v Speaker 1>Oh yeah, absolutely. We got one more thing for you. Sure, sure, sure.

1:25:40.100 --> 1:25:49.600
<v Speaker 1>Come on. That ain't right. Play it, fucker. I ain't

1:25:49.640 --> 1:25:51.970
<v Speaker 1>saying no names. Come on. I ain't saying no names.

1:25:52.170 --> 1:25:55.110
<v Speaker 1>I ain't saying no names. I ain't saying no names.

1:25:55.150 --> 1:26:05.030
<v Speaker 1>Who you was? Who you was with? I love that.

1:26:05.229 --> 1:26:09.300
<v Speaker 1>I love that. I love that. You put him in

1:26:09.340 --> 1:26:24.030
<v Speaker 1>your list. He's showing off, bro. He's showing off. He's like, yeah, yeah, yeah.

1:26:24.090 --> 1:26:26.990
<v Speaker 1>Morris put me in this. He put me in his top.

1:26:27.050 --> 1:26:30.290
<v Speaker 1>He put me in his top. For real, for real,

1:26:30.330 --> 1:26:34.470
<v Speaker 1>for real. Very important part of the show where you

1:26:34.530 --> 1:26:38.189
<v Speaker 1>tell us a story, funny or fucked up, or funny

1:26:38.350 --> 1:26:42.150
<v Speaker 1>and fucked up. The only rule to the game is

1:26:42.229 --> 1:26:47.960
<v Speaker 1>Morris Chestnut, the walk of fame, can't say no names. Okay,

1:26:47.979 --> 1:26:52.480
<v Speaker 1>so funny, I don't, funny. I'll just say, I have

1:26:52.580 --> 1:26:55.479
<v Speaker 1>two stories that are kind of similar. Okay. Not as similar,

1:26:55.520 --> 1:26:58.330
<v Speaker 1>but they're kind of different approaches of me and Puppet.

1:26:59.710 --> 1:27:02.830
<v Speaker 1>I'm somewhat, I'm an introvert. I'm a very big introvert.

1:27:02.870 --> 1:27:07.490
<v Speaker 1>I'm at my most comfortable when I'm at home doing nothing,

1:27:07.570 --> 1:27:13.080
<v Speaker 1>sitting on the couch. So there was, so, but of course,

1:27:13.100 --> 1:27:14.780
<v Speaker 1>you know, I've gone to parties and things like that.

1:27:14.860 --> 1:27:17.540
<v Speaker 1>But I said, you know, Sometimes I'm going to go

1:27:17.640 --> 1:27:22.860
<v Speaker 1>out and I know I've heard people say, oh, they

1:27:22.900 --> 1:27:25.660
<v Speaker 1>said you like this. People felt, I've heard sometimes people

1:27:25.680 --> 1:27:27.880
<v Speaker 1>because I don't say anything. Oh, you think y'all, but

1:27:27.920 --> 1:27:30.000
<v Speaker 1>I don't. When you know me, I'm just real, you know,

1:27:30.060 --> 1:27:33.420
<v Speaker 1>I'm cordial. And so I said, you know, so there

1:27:33.460 --> 1:27:36.860
<v Speaker 1>was this party that I went to. I said, you

1:27:36.890 --> 1:27:39.950
<v Speaker 1>know what? You know, when I see somebody, you know,

1:27:40.010 --> 1:27:41.910
<v Speaker 1>that I respect and I like this stuff, I'm just

1:27:41.930 --> 1:27:43.410
<v Speaker 1>going to go up and tell them, hey, you know,

1:27:43.430 --> 1:27:48.580
<v Speaker 1>I really like your stuff. Yeah. And normally, I would

1:27:49.220 --> 1:27:51.179
<v Speaker 1>kind of just wait. And if I saw someone, they'd smile.

1:27:51.200 --> 1:27:53.160
<v Speaker 1>I'd say, oh, OK. We would talk. But if I

1:27:53.180 --> 1:27:54.979
<v Speaker 1>don't make eye contact with them, I wouldn't go up

1:27:55.020 --> 1:27:56.920
<v Speaker 1>to them. Because you never know in this game. You

1:27:56.939 --> 1:28:00.380
<v Speaker 1>just never know. Never know. And there was a rapper,

1:28:00.820 --> 1:28:03.260
<v Speaker 1>very popular rapper. So I saw him. So I just

1:28:03.280 --> 1:28:05.220
<v Speaker 1>went up to him. I walked up to him. Hey, man,

1:28:05.240 --> 1:28:07.050
<v Speaker 1>you know, bro, I really like you. You got some

1:28:07.060 --> 1:28:13.990
<v Speaker 1>good stuff. And he went, just like that. He didn't

1:28:14.010 --> 1:28:20.300
<v Speaker 1>even reply? Didn't reply. Wow. He just looked at me. Oh, man.

1:28:21.080 --> 1:28:26.860
<v Speaker 1>And looked away. I was like, okay. And this was

1:28:26.900 --> 1:28:28.889
<v Speaker 1>me trying to say, okay. You know what I'm saying?

1:28:28.910 --> 1:28:32.050
<v Speaker 1>Trying to break out my shell. Yeah. I'm like trying to,

1:28:32.070 --> 1:28:36.210
<v Speaker 1>you know. And so that happened then. And something that,

1:28:36.930 --> 1:28:41.620
<v Speaker 1>this happened about last year. I'm at the UFC. And

1:28:41.640 --> 1:28:43.720
<v Speaker 1>this is, so that was my thing where I just

1:28:43.740 --> 1:28:45.820
<v Speaker 1>want to make sure I make eye contact with somebody

1:28:45.840 --> 1:28:48.020
<v Speaker 1>before I at least say something. Before I say something because,

1:28:48.180 --> 1:28:49.940
<v Speaker 1>and listen, I respect this. And, you know, people can

1:28:49.960 --> 1:28:51.940
<v Speaker 1>be going through, it's not about me. They could be doing,

1:28:51.960 --> 1:28:54.679
<v Speaker 1>they'd be going through anything. And so I was at,

1:28:55.080 --> 1:28:58.280
<v Speaker 1>I went to a UFC fight. It was with CBS. And,

1:28:58.380 --> 1:29:00.670
<v Speaker 1>you know, we were all, Yeah, there's a whole bunch

1:29:00.729 --> 1:29:03.150
<v Speaker 1>of people from the shows are sitting in the aisle.

1:29:04.790 --> 1:29:08.389
<v Speaker 1>Someone comes up. He walks in. I see he's talking

1:29:08.410 --> 1:29:11.010
<v Speaker 1>to everybody. But I'm talking to my wife. I'm doing something.

1:29:11.030 --> 1:29:13.139
<v Speaker 1>I see him at the last minute. He's talking to everybody.

1:29:13.150 --> 1:29:14.740
<v Speaker 1>I see him come in, but I'm still talking to

1:29:14.760 --> 1:29:17.340
<v Speaker 1>my wife. And then he's talking to this person like

1:29:17.420 --> 1:29:22.680
<v Speaker 1>three wheels in front of me. And then he walks

1:29:22.740 --> 1:29:26.340
<v Speaker 1>by me. I'm like three seats away from the aisle.

1:29:26.900 --> 1:29:28.060
<v Speaker 1>So he doesn't walk by me, but he walks by

1:29:28.090 --> 1:29:30.930
<v Speaker 1>the aisle. Mm-hmm. And so I said, oh, that was

1:29:30.970 --> 1:29:33.110
<v Speaker 1>such and such. You know, I was a fan. I

1:29:33.410 --> 1:29:35.490
<v Speaker 1>should have said something. I was like, well, you need

1:29:35.510 --> 1:29:37.670
<v Speaker 1>to look at me. So I'm like, okay. I just

1:29:37.689 --> 1:29:39.750
<v Speaker 1>want to make sure because I'm right there. Because I

1:29:39.830 --> 1:29:42.340
<v Speaker 1>am right there. And if you see me, hey, what's up?

1:29:42.370 --> 1:29:45.900
<v Speaker 1>But hey, look. So then in the middle of rounds,

1:29:46.270 --> 1:29:48.080
<v Speaker 1>you know, you have the fights and you have the rounds.

1:29:48.500 --> 1:29:50.920
<v Speaker 1>In the middle of fights, not the rounds. So in

1:29:50.939 --> 1:29:52.820
<v Speaker 1>the break for the next fight, the person gets up.

1:29:52.840 --> 1:29:55.559
<v Speaker 1>He comes back to talk to that person again. Now,

1:29:55.580 --> 1:29:58.540
<v Speaker 1>I know he knows that I'm there. And, you know,

1:29:58.580 --> 1:30:00.970
<v Speaker 1>I'm a fan. So he's talking to the person, I'm

1:30:00.990 --> 1:30:03.090
<v Speaker 1>gonna look, and I'm not gonna interrupt this conversation, but

1:30:03.110 --> 1:30:05.229
<v Speaker 1>I'm looking over there to see what he's gonna say,

1:30:05.610 --> 1:30:10.210
<v Speaker 1>but he never looks my way. So I'm like, okay, okay,

1:30:10.270 --> 1:30:13.070
<v Speaker 1>no problem. Listen, I don't judge anybody. He's in a

1:30:13.110 --> 1:30:18.880
<v Speaker 1>conversation or whatever. So I just don't say anything. And then,

1:30:19.180 --> 1:30:22.060
<v Speaker 1>so it's me, my wife, and then another actor who's

1:30:22.120 --> 1:30:26.340
<v Speaker 1>not black sitting next to my wife. And so in

1:30:26.380 --> 1:30:31.290
<v Speaker 1>between another fight, The guy comes up again, talking to

1:30:31.310 --> 1:30:34.689
<v Speaker 1>the person who's just in that general area. I look

1:30:34.770 --> 1:30:39.229
<v Speaker 1>over there. Okay. I mean, he's not looking at me,

1:30:39.240 --> 1:30:41.120
<v Speaker 1>but he's there. Maybe I should say something, but I

1:30:41.120 --> 1:30:42.979
<v Speaker 1>don't know because I'm already pumping it because, you know,

1:30:43.000 --> 1:30:45.639
<v Speaker 1>what happened to me with that one rapper. I'm always

1:30:45.680 --> 1:30:50.450
<v Speaker 1>tentative now, you know? And sure enough, so I just

1:30:50.490 --> 1:30:52.350
<v Speaker 1>don't say anything. And me and my wife are just there,

1:30:52.370 --> 1:30:55.930
<v Speaker 1>just chilling, waiting for the rounds. And then he literally said,

1:30:56.620 --> 1:30:59.340
<v Speaker 1>What's up to the person that was sitting next to

1:30:59.360 --> 1:31:02.120
<v Speaker 1>my wife who was not black? And so I was like,

1:31:03.320 --> 1:31:07.250
<v Speaker 1>for sure he wants me to say something because this

1:31:07.370 --> 1:31:11.130
<v Speaker 1>person is not saying anything to him either. But he

1:31:11.210 --> 1:31:14.810
<v Speaker 1>sees me there and I know he knows me, but

1:31:14.830 --> 1:31:17.330
<v Speaker 1>he said something to that person. So after he said that,

1:31:17.990 --> 1:31:21.090
<v Speaker 1>I said, hey, what's up, such and such? He said, oh, yeah,

1:31:21.110 --> 1:31:26.940
<v Speaker 1>what's up, Maura? I was like, okay. Still, I don't judge.

1:31:26.979 --> 1:31:31.610
<v Speaker 1>So then, so literally, the very next morning, we get

1:31:31.650 --> 1:31:35.650
<v Speaker 1>on the flight to go back. I'm already sitting there.

1:31:37.030 --> 1:31:40.550
<v Speaker 1>I'm sitting next to my wife here. He comes on

1:31:40.570 --> 1:31:44.450
<v Speaker 1>the plane. And I'm like, okay, I'm, you know, look,

1:31:44.510 --> 1:31:47.900
<v Speaker 1>I'm just going to go up. I feel like almost 100%

1:31:47.900 --> 1:31:50.719
<v Speaker 1>sure that he only said what's up to that person

1:31:50.960 --> 1:31:52.460
<v Speaker 1>because he knew I was there and I didn't say

1:31:52.479 --> 1:31:55.000
<v Speaker 1>what's up to him. I feel 100% sure. So I said,

1:31:55.020 --> 1:31:59.950
<v Speaker 1>you know what? I see this person coming on the plane.

1:32:00.750 --> 1:32:05.760
<v Speaker 1>So he came out and looked at me, kept going

1:32:05.780 --> 1:32:08.300
<v Speaker 1>straight to his seat and sat down just like that.

1:32:08.640 --> 1:32:11.179
<v Speaker 1>And I was like, Okay, I guess you don't want

1:32:11.200 --> 1:32:14.519
<v Speaker 1>me to. I don't know. But, listen, I'm still a fan.

1:32:14.760 --> 1:32:17.559
<v Speaker 1>I'm still a fan. I'm still a fan. What are

1:32:17.600 --> 1:32:21.280
<v Speaker 1>you doing to the chestnut, man? I don't know. Look, man,

1:32:21.500 --> 1:32:25.099
<v Speaker 1>I don't know what that is. Because I never met

1:32:25.510 --> 1:32:28.390
<v Speaker 1>either one of them before, you know? Right. I never

1:32:28.430 --> 1:32:31.030
<v Speaker 1>met either one of them before. It was probably like

1:32:31.050 --> 1:32:32.710
<v Speaker 1>when I had that beef with you and I didn't

1:32:32.729 --> 1:32:36.030
<v Speaker 1>know you. You know what I'm saying? You would have

1:32:36.070 --> 1:32:38.230
<v Speaker 1>said what's up, though. You would have still said what's up, though.

1:32:38.410 --> 1:32:40.450
<v Speaker 1>I probably would have said what's up, but not with her.

1:32:40.510 --> 1:32:42.610
<v Speaker 1>Not if she was with me. You know what I'm saying?

1:32:42.650 --> 1:32:46.260
<v Speaker 1>I would have avoided you at all costs. And that's

1:32:46.280 --> 1:32:48.820
<v Speaker 1>the crazy part, bro, because you're so cool. You're such

1:32:48.880 --> 1:32:53.280
<v Speaker 1>a humble person. And I think that resonates even if

1:32:53.340 --> 1:32:57.580
<v Speaker 1>someone doesn't know you. 100%. Your aura is of someone

1:32:57.620 --> 1:33:00.150
<v Speaker 1>who is just a cool cat. You know what I'm saying? Like,

1:33:00.170 --> 1:33:02.500
<v Speaker 1>so I can't, that doesn't, that doesn't make sense to

1:33:02.520 --> 1:33:05.340
<v Speaker 1>me at all. Listen, I like to, I like to

1:33:05.400 --> 1:33:08.540
<v Speaker 1>think so. And listen, and I, and I'm the first

1:33:08.620 --> 1:33:12.120
<v Speaker 1>person in every situation, you know, I don't just assume

1:33:12.180 --> 1:33:14.100
<v Speaker 1>it's about me. Oh, you hating. I don't know. I

1:33:14.100 --> 1:33:15.809
<v Speaker 1>don't assume all that, you know, because, you know, they

1:33:15.830 --> 1:33:17.350
<v Speaker 1>could have been in a bad mood that day or

1:33:17.710 --> 1:33:24.450
<v Speaker 1>who knows. But, you know, I, Sometimes I do, things

1:33:24.490 --> 1:33:26.490
<v Speaker 1>have gotten back to me before when I am in

1:33:26.530 --> 1:33:31.689
<v Speaker 1>situations and just because I don't say anything, maybe people

1:33:31.770 --> 1:33:34.719
<v Speaker 1>take that a certain kind of way because both of them,

1:33:36.160 --> 1:33:38.179
<v Speaker 1>I'm sure both of them are used to people coming

1:33:38.260 --> 1:33:41.520
<v Speaker 1>up to them. Just right off the bat. I don't

1:33:41.540 --> 1:33:44.690
<v Speaker 1>understand the rapper. I don't know why he just looked

1:33:44.729 --> 1:33:47.010
<v Speaker 1>at me and looked away. I don't know, but yeah.

1:33:47.030 --> 1:33:50.080
<v Speaker 1>So I ain't saying no names, but that's what it was.

1:33:50.090 --> 1:33:52.860
<v Speaker 1>That's what it was. Well, that's wild. I don't like it.

1:33:52.880 --> 1:33:58.599
<v Speaker 1>I don't like it. I don't like it. Brother Morris Chestnut, man,

1:33:59.240 --> 1:34:04.689
<v Speaker 1>we thank you, brother. Absolutely. Thank you, man. You're etched

1:34:04.830 --> 1:34:10.750
<v Speaker 1>into our childhood, our livelihoods. And again, like I said

1:34:10.790 --> 1:34:14.630
<v Speaker 1>at the beginning, man, you're just an example, brother. Thank you.

1:34:14.670 --> 1:34:16.770
<v Speaker 1>You're just an example, man, of just being a dope

1:34:16.790 --> 1:34:21.490
<v Speaker 1>human being, being awesomely talented. having real values, real morals

1:34:22.410 --> 1:34:25.479
<v Speaker 1>still since day one. And we commend that, man. We

1:34:25.520 --> 1:34:29.490
<v Speaker 1>commend all of that. We commend the work. The continued success.

1:34:29.880 --> 1:34:32.880
<v Speaker 1>Thank you. Y'all got the liquor going. Yes, yes. We

1:34:32.900 --> 1:34:36.100
<v Speaker 1>got Sable Bourbon. Sable Bourbon. Check out the Sable Bourbon.

1:34:36.120 --> 1:34:39.400
<v Speaker 1>Come on, man. Send it to the... Yeah, you're going

1:34:39.420 --> 1:34:43.200
<v Speaker 1>to need it. Sable Bourbon. Oh, yeah. I just took

1:34:43.240 --> 1:34:45.060
<v Speaker 1>it out the car. I'm going to bring it. I'll

1:34:45.080 --> 1:34:48.639
<v Speaker 1>bring you something by. You got any bourbon? You shipping?

1:34:48.660 --> 1:34:48.820
<v Speaker 2>Yeah.

1:34:48.900 --> 1:34:52.020
<v Speaker 1>Okay, okay, okay. It's our brother's bourbon, man. All right,

1:34:52.100 --> 1:34:54.520
<v Speaker 1>all right. All right, all right. I'll bring a bottle by.

1:34:54.540 --> 1:34:56.759
<v Speaker 1>I'll bring a bottle by. But yeah, man, we just...

1:34:57.420 --> 1:34:59.519
<v Speaker 1>We love you. We support you, man. Thank you, man.

1:34:59.600 --> 1:35:01.099
<v Speaker 1>And this is a home for you. Anything you need

1:35:01.150 --> 1:35:03.530
<v Speaker 1>from us, anytime you need us to speak on your behalf,

1:35:04.710 --> 1:35:06.970
<v Speaker 1>we're here, brother. Thank you. Thank you, Vice President. Anything

1:35:07.010 --> 1:35:09.090
<v Speaker 1>you guys need from me, I'm here. Thank you, man.

1:35:09.110 --> 1:35:11.250
<v Speaker 1>I appreciate y'all. Appreciate you. Ladies and gentlemen, my name

1:35:11.310 --> 1:35:13.920
<v Speaker 1>is Tank. I'm Jay Valentine. And this is the R &amp;

1:35:13.660 --> 1:35:19.140
<v Speaker 1>B Money Podcast, the authority on all things... R &amp; B.

1:35:19.240 --> 1:35:26.860
<v Speaker 1>And sexy. And sexy. The sexiest. Yeah. Man alive. I'm

1:35:26.900 --> 1:35:33.360
<v Speaker 1>not talking about myself. I am. We talking about Morris Chestnut.

1:35:33.600 --> 1:35:37.120
<v Speaker 1>Thank you. I appreciate you, man. Thank you. Appreciate you.

1:35:37.200 --> 1:35:38.010
<v Speaker 2>Thank you.