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Speaker 1: Hey, guys, welcome to another episode of Selective Ignorance. However,

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Speaker 1: before we get to this week's episode, I want to

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Speaker 1: remind you guys to purchase my book No Holds Barred,

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Speaker 1: a dual manifesto of sexual exploration and power. So feel

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Speaker 1: free to go to your local bookstores preferably queer owned,

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Speaker 1: black owned, or woman owned to support them. But also

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Speaker 1: just click the button on Amazon, Barnes and Nobles, or

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Speaker 1: wherever you read your books. Again. That is No Holds Barred,

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Speaker 1: a dual manifesto of sexual exploration and power, written by

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Speaker 1: yours truly and my co host of the Decisions Decisions podcast, Weezy.

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Speaker 1: Make sure y'all get that. Now let's get to this

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Speaker 1: week's episode. This is Mandy B. Welcome to Selective Ignorance,

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Speaker 1: a production of The Black Effect Podcast Network and iHeartRadio.

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Speaker 1: Welcome back to another episode of Selective Ignorance. You know,

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Speaker 1: the show where we remind our business selectively. Duh. I'm

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Speaker 1: your host, Mandy B. And listen y'all. This week we

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Speaker 1: are talking about all the things I like to have

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Speaker 1: a little fun. So we're talking about destiny, luck and

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Speaker 1: the power ball. God's having a Midwest fetish. Now, normally

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Speaker 1: we don't kink shame, but at this point I need

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Speaker 1: the power ball to stop dumping money into the middle

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Speaker 1: of America. Where rent is seven hundred dollars. Can you

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Speaker 1: give it to someone who actually spends money on rent.

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Speaker 1: We're talking about what we would do with the money

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Speaker 1: if we were to win what just was one, which

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Speaker 1: is half a billion dollars. It's really interesting, right, and

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Speaker 1: speaking of what you would do if you had certain choices,

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Speaker 1: we are talking about the bad choices made by these

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Speaker 1: goddamn owners of the Turkey Leg hut out in Houston. Now,

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Speaker 1: I am all for black ownership, but boys, it embarrassing

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Speaker 1: when you find out that not only are they living

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Speaker 1: America's dream, they're also peddling drugs and apparently hiding people

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Speaker 1: who were kidnapped and are wanted on charges. Jesus, Black people,

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Speaker 1: stop embarrassing us. When we get to a point of

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Speaker 1: being happy supporting you just to finance you're doing the

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Speaker 1: fuck shit. And celebrities say the darnest thing. We are

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Speaker 1: talking about how men love to gossip. Him Maker recently

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Speaker 1: sat down with Cam Newton and managed to tell everyone

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Speaker 1: how men love horrores. But can't get past the fact

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Speaker 1: that they're horse and y'all have a guest to break

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Speaker 1: this down with me this week, y'all are gonna want

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Speaker 1: to hear it. But speaking of men doing bullshit, we

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Speaker 1: are also leaning into equal opportunity land, where I am

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Speaker 1: going to get on Mama D's as. That's right, she

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Speaker 1: decided to throw a little boosy type of party for

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Speaker 1: a little Scrappy when he was under age and talks

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Speaker 1: about not regretting hiring strippers, and then, of course Crappy

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Speaker 1: said that it was traumatic and she still doesn't believe so,

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Speaker 1: but we're talking about it. We're talking about the men's behavior,

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Speaker 1: and speaking of men's behavior, we are wrapping it up

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Speaker 1: with talking about how everybody can be bought. And when

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Speaker 1: I say that, this week we're talking about Uncle Snoop Dogg,

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Speaker 1: that's right, Love him dearly. However, let's talk about hypocrisy.

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Speaker 1: He recently talked about going to the movie theater and

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Speaker 1: being kind of like unaware that he was gonna have

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Speaker 1: to explain what same sex parenting look like. Just so

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Speaker 1: recently drop a book with the same sex couples. So

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Speaker 1: we're gonna talk about whether he is gay for pay

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Speaker 1: for the right thing, and not in that way. He's

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Speaker 1: not bending over, but baby, he is all for LGBTQ.

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Speaker 1: I a plus if the check is right. So buckle up.

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Speaker 1: We're getting into it. And as always, I am joined

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Speaker 1: by my super producers. I got a King in the

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Speaker 1: Building podcast legend. Y'all already know who although he is

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Speaker 1: my friend. Boy, do we disagree on a lot of things.

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Speaker 2: He'll hear the show. I think we agree on most.

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Speaker 1: You know what's crazy? Your mind just kind of when

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Speaker 1: I think my mind works different, Your mind works real different.

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Speaker 3: Y'all, just take different streets.

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Speaker 1: There we go, There we go, There we go. And then,

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Speaker 1: of course, y'all, we have journalism Puerto Rican Jason over

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Speaker 1: there as well to lend us all of these journalistic

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Speaker 1: expertise and back, because boy, I love having someone with

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Speaker 1: a real journalistic background, because baby, I just got opinions.

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Speaker 1: I didn't go to school with this shit. Then of

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Speaker 1: course I am joined by someone and I like to

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Speaker 1: introduce people that I think are more problematic than me.

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Speaker 1: I am joined by my cousin over on the Black

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Speaker 1: Effect Network, hosts of the No Ceilings podcast and recently

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Speaker 1: released an EP banned from blad TV, and we're gonna

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Speaker 1: talk about that too, because if it's anybody that should

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Speaker 1: be banned from a lot of things, it's actually you.

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Speaker 1: So y'all, I have glasses Malone joining me. And this

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Speaker 1: was crazy because we've shared space before. He's come on

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Speaker 1: decisions decisions, but back when it was horrible decisions. So

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Speaker 1: we was talking about some pip shit and shit, and

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Speaker 1: then we just shared Brilliant Idiots. That was my last

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Speaker 1: time going on Brilliant Idiots. By the time, never going

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Speaker 1: on there again.

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Speaker 2: Why not?

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Speaker 1: Yeah, the audience is now a flagrant audience and they

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Speaker 1: don't want to hear what there talking. They don't want

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Speaker 1: to hear women talk.

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Speaker 2: I don't know.

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Speaker 1: They don't want to wait, do they want to hear

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Speaker 1: you talk?

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Speaker 2: Sure?

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Speaker 1: I got to read the comments when you're on there alone.

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Speaker 1: I'm telling you, because if they want to hear you talk,

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Speaker 1: we can't hear us talk. Yes, it's a woman thing.

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Speaker 2: It's not a woman You skew specifically, that's crazy. You know,

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Speaker 2: you skew to a specific group of women.

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Speaker 1: I skew to a specific group of women. Do you

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Speaker 1: not skew to a specific group of men? Not everybody

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Speaker 1: agrees with you.

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Speaker 2: But it's not agreement like it's tricky. It's more than

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Speaker 2: that you you represent a niche group of women.

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Speaker 1: Wow, I represent I represent people, first off, men and

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Speaker 1: women because I hold both accountable, and I represent people

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Speaker 1: thinking for themselves. I represent people standing in their truth,

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Speaker 1: having an opinion, and being able to back that shit up.

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Speaker 2: But you got to be able to be okay with

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Speaker 2: people being shamed for their decision. So shame people for

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Speaker 2: that decision.

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Speaker 1: But I guess that's the point. Who the fuck is

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Speaker 1: you shame?

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Speaker 2: How are you?

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Speaker 1: No?

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Speaker 2: No, no, I didn't shame you.

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Speaker 1: I didn't shame you.

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Speaker 2: You're boring?

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Speaker 1: No, no, no, that's not shaming somebody.

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Speaker 4: You.

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Speaker 1: Being boring is a character trait. That's not a decision

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Speaker 1: you hate. That's the decision that I'm not calling you boring.

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Speaker 1: By the way, I don't know why he just threw

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Speaker 1: that edgetive out there. I actually don't think you're boring.

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Speaker 1: I think you're really interesting, an interesting, different person.

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Speaker 2: I think y'all come from the same not from the

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Speaker 2: same car. No. No, I think in our culture we

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Speaker 2: need provocative voices.

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Speaker 5: Okay, So when we mentioned in the previous episode about

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Speaker 5: let's say Stephen A.

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Speaker 2: Smith. You guys are not like that, but you you.

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Speaker 5: Hold weight in the space of opinions and ideology that

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Speaker 5: in perspective that we all should listen to glass.

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Speaker 1: Who do you think you speak for? If I have

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Speaker 1: a niche audience of the women, who do you.

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Speaker 2: Speak for the most part?

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Speaker 1: Oh?

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Speaker 2: Jesus, But but.

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Speaker 1: That's what you're speaking for?

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Speaker 2: Sure?

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Speaker 1: Gang members? Can I get a broader can you expound

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Speaker 1: on that?

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Speaker 2: Okay, any poor black man from the ghetto.

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Speaker 1: There we go, thank you because I got specific Yeah, okay,

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Speaker 1: you can't. I find it difficult for one person to

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Speaker 1: be able to speak for both honestly, So to me,

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Speaker 1: I like the other.

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Speaker 2: Okay, do you know this politician?

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Speaker 1: I mean, Jesus, what are we gonna start with? An update?

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Speaker 1: Let's get it get into an update. What's up with

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Speaker 1: you recently? Lately?

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Speaker 2: The pod man, there's no silingssed off lately? Somebody every

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Speaker 2: week is somebody else?

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Speaker 1: Who was it last week? Who did you piss off?

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Speaker 2: Uh? Academics was pretty irritated. Drake has been pissed off

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Speaker 2: at me for a while.

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Speaker 1: Damn for you know. That's funny because we have a

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Speaker 1: segment called double down or take it back? And I literally,

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Speaker 1: first off, before we get into this, what is your

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Speaker 1: beef with Drake? I don't have a beef with you,

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Speaker 1: just don't like him because he's light skin.

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Speaker 2: I love Drake, He's awesome, he makes awesome records.

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Speaker 1: Is it because he's biracial? I want to know, like,

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Speaker 1: if you and Drake have been you know, or you've

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Speaker 1: been speaking down on Drake.

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Speaker 2: I never spoke down.

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Speaker 1: You've never spoke down on Drake in your entire life.

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Speaker 1: Can you pull up the clip? I would like to

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Speaker 1: distinguish what talking down maybe means, because we'll play a

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Speaker 1: clip in a little bit, but I'll let you explain it.

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Speaker 2: So when I'm saying he's not hip hop, that's not

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Speaker 2: talking down on him.

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Speaker 1: Okay, let's play the clip and then we'll get back

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Speaker 1: at about he's a fantastic record maker. He makes some

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Speaker 1: good rap song. He's a fantastic record maker. What chron

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Speaker 1: was saying he's not hip hop? How is that meat?

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Speaker 1: Insulting him?

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Speaker 4: Because it can't be the He can't be the goat

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Speaker 4: and the King if he's not a part of it, the.

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Speaker 2: Golden and king of what ho? What is hip hop

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Speaker 2: to you that the urban culture personified through the arts

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Speaker 2: or elements, that's Drake. So if it's not street, it's

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Speaker 2: not hip hop street urban culture. So the culture created

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Speaker 2: through street urban people, right through the arts and elements,

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Speaker 2: you know.

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Speaker 3: Is his music and him not a derivative of street

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Speaker 3: or urban culture.

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Speaker 2: No. I think he's like Mdonnie, He's like Madonna. He

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Speaker 2: catches the trendiest things happening in urban Yeah, and like

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Speaker 2: urban music. And you know, remember how Madonna used to

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Speaker 2: do that. She would kind of take like a funk

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Speaker 2: idea and make holiday where you be like, damn, that

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Speaker 2: thing is kind of funky, but it wasn't at about.

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Speaker 3: Okay, not y'all both, but.

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Speaker 1: Yeah, okay, can you say you're first?

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Speaker 5: Because I have my thoughts based on what glasses to

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Speaker 5: define as the requirement when you talk about the elements

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Speaker 5: of hip hop, I don't see his music is art

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Speaker 5: fitting the elements that you made reference to.

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Speaker 1: I think I'm just saying for that particularly, and I

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Speaker 1: think that's my problem. Right when we get on these

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Speaker 1: microphones the five elements of hip hop, Well, according to

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Speaker 1: actual elements of hip hop, it's djying, MCing or rapping,

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Speaker 1: break dancing, or b bowing and graffiti arc So you know,

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Speaker 1: you defined hip hop how you want to define it,

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Speaker 1: and I think that that's what we do when we

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Speaker 1: get on microphones. The actual elements aren't what you're about

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Speaker 1: to say and not what he just said. Like hip hop,

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Speaker 1: if we talk about it too, it's what we've been

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Speaker 1: talking about in terms of female rap, right, we go

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Speaker 1: from women rappers don't talk about street elements, but they're

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Speaker 1: defined as hip hop artists. So it's weird that now

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Speaker 1: we right, no, but I was gonna get to MC light,

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Speaker 1: you can get to RAHP City. We talk about what

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Speaker 1: they rap about in comparison to what Lotto, Sexy read

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Speaker 1: all them rap about. Right at the end of the day,

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Speaker 1: none of them are talking about street elements, but they're

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Speaker 1: hip hop. So when we still not street elements them niggas,

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Speaker 1: oh wait, glow is.

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Speaker 2: Yes, cool cool.

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Speaker 1: I heard a lot of I think that's yea a

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Speaker 1: lot of them.

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Speaker 2: Like, for example, what's a street element because I don't recall, but.

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Speaker 1: That's what I'm saying. Well, that's what I'm saying based

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Speaker 1: on that clip. It's about the streets. The streets in

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Speaker 1: terms of where they're from. The culture they're talking about

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Speaker 1: and things like that.

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Speaker 2: I think what's really it's expressed through those five elements.

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Speaker 1: Right, But those weren't the elements that you brought up

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Speaker 1: in that clip.

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Speaker 2: It's the culture execute it through those elements. Okay, so

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Speaker 2: there were DJs before hip hop. Okay, yeah, no, hip

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Speaker 2: hop didn't no course, no. Hip hop didn't invent rapping.

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Speaker 1: Okay.

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Speaker 2: Hip hop didn't invent graffiti, hip hop didn't invent dancing.

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Speaker 2: It's how you do those things, right, That's what street are.

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Speaker 2: It's the culture created by these people that becomes expressed

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Speaker 2: through those elements that makes it hip hop because other

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Speaker 2: than that, anybody dancing would be anybody dancing.

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Speaker 1: I think for me, hearing the niche audience that you

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Speaker 1: said you represent and how you're not wanting to identify

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Speaker 1: Drake as a hip hop artist, leans more are into

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Speaker 1: you viewing hip hop and the culture of black people

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Speaker 1: from a poor street perspective when I think black people

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Speaker 1: as a whole are not a monoliths, and so to me.

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Speaker 2: What would black people have to do with this?

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Speaker 1: Well, well, I guess and maybe I am tying you

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Speaker 1: saying the word street to black and that's why I'm

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Speaker 1: That's why I'm saying.

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Speaker 2: No New York streets are. They may be influenced most

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Speaker 2: by black people, but there were tons of people and

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Speaker 2: Latin people there. There are some early white people there.

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Speaker 2: So it was the behavior of these people right, how

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Speaker 2: they did the thing that created hip hop?

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Speaker 1: Can I ask you, what, then, has Drake spoke about

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Speaker 1: that removes him from the hip hop label.

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Speaker 2: It's not something he spoke about that removed him. He

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Speaker 2: never was. He was always a pop artist. He always

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Speaker 2: approached making music by whatever was popular. I'll take that.

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Speaker 2: I'll take that, and I'll make this version that's digestive

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Speaker 2: for mainstream people that started.

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Speaker 1: I would say after views though.

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Speaker 2: There's nothing about Best I Ever Had that's culturally anything.

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Speaker 5: Okay, I want to say one thing that comes to mind,

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Speaker 5: because you just said before, there is a part.

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Speaker 2: Of me that feels like.

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Speaker 1: He was straight hip hop.

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Speaker 2: It was d no no when he had.

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Speaker 6: But if he cherry picked Best I Ever Had, that

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Speaker 6: obviously is a before that when.

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Speaker 2: The pea coat on, was it right for improvement or

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Speaker 2: does that come back come back season? He was he was.

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Speaker 5: I think this is where the Fonte influence Little Brother

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Speaker 5: came into play.

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Speaker 2: How he used to rap before he hit made emulating

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Speaker 2: emulating something or having j Dilla beats doesn't make it

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Speaker 2: hip hop.

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Speaker 1: But I think, I think, but I think having that

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Speaker 1: one song you're going to best I ever had. You

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Speaker 1: have jay Z record, a jay Z record like change clothes. Technically,

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Speaker 1: if you're talking about songs that have pop elements or

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Speaker 1: singing elements and things like that and removing it from

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Speaker 1: hip hop, if you look at the rest of Drake's discography,

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Speaker 1: whether he's singing, rapping or whatever that was, it's still

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Speaker 1: hip hop.

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Speaker 2: Mary J. Blige sings, it's not these elements. It's what

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Speaker 2: he does with hip hop. Just to be clearing for

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Speaker 2: she's deemed the queen of hip hop soul, right, but

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Speaker 2: then you add the word.

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Speaker 1: Soul to it, which makes it not straight hip hop.

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Speaker 2: I mean, it's hip hop period, even though even if

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Speaker 2: we're saying it's not exclusively her street urban cultural elements

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Speaker 2: are obvious, right, how she expresses herself, and that's why

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Speaker 2: they can say it's soul.

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Speaker 1: So then let me ask then that comparison. If we're

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Speaker 1: giving Mary J. Blige the runway to be a hip

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Speaker 1: the queen of hip hop soul, why can we not

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Speaker 1: just apply that same title to Drake and add the

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Speaker 1: soul at the end, and now he's hip hop context.

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Speaker 2: Mary J.

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Speaker 5: Blige's content in in what she talked about in her hardships,

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Speaker 5: whether it be relationships, there's a soundtrack element of it.

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Speaker 1: Music even got the soundtrack to My Life to come on,

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Speaker 1: he doesn't, he has the soundtrack there. But he was poor.

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Speaker 1: That nigga was like, Okay, maybe the grass he didn't like.

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Speaker 6: Where even even if he wasn't poor, Even if he

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Speaker 6: was not, and I'm not I'm not defending you.

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Speaker 3: I don't want to act like poor.

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Speaker 1: Okay, even if not, Let's say Mary J wasn't really

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Speaker 1: singing about her real life. Okay, So then let me

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Speaker 1: ask you all that is that what we're talking about.

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Speaker 1: They have to come from a certain.

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Speaker 2: It's the cultural how you throw gang signs now though

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Speaker 2: his big age bro, come on where that comes from.

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Speaker 2: But before we go into because I don't want to back,

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Speaker 2: don't well, I've been just my whole life. I've been

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Speaker 2: doing that since I was Hey, Okay, what I'm saying

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Speaker 2: is right is it has to be authentic.

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Speaker 7: Right.

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Speaker 2: I was looking at this really funny clip from this

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Speaker 2: guy on I G and he was talking about Save

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Speaker 2: the Last Dance, right, and he was saying, how the

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Speaker 2: whole movie he poked at the movie, how they saw

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Speaker 2: hip hop like she saw.

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Speaker 1: She went to this literally eye.

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Speaker 2: So she passed. And it's horrible.

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Speaker 1: It's written well, it's written well, but will you go

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Speaker 1: back to it?

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Speaker 2: Elbows, elbows? But this is it. So it's this young

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Speaker 2: white woman. She's trying to get into this exclusive dance school.

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Speaker 2: Her mother passes away, she has a bad day dancing,

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Speaker 2: and then she has to move with her father on

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Speaker 2: the South side of Chicago. So she ends up at

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Speaker 2: this all black high school. She meets this sister, and

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Speaker 2: the sister takes a liking to he and helps her out.

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Speaker 2: And she sees somebody dancing to music. She said, what

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Speaker 2: is that? Oh, that's just a little hip hop. That's

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Speaker 2: how Drake sees hip hop. He sees it as something

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Speaker 2: that any of these things. Hey, I can be a

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Speaker 2: West Coast guy. I'll make the motto I'll put a

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Speaker 2: lowrider under the Bay Bridge, even though it's culturally inappropriate,

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Speaker 2: because he's not aware of the nuance of culture. Right,

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Speaker 2: I can. Hey, I started from the bottom, right, here's

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Speaker 2: my timbulings. I'm in this snow. Look at me. I'm

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Speaker 2: New York. Hey, your bottom is not. That's not what

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Speaker 2: we're talking about when we say the bottom. Now, I'm

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Speaker 2: not knocking anybody else from having a mainstream approach. Drake

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Speaker 2: makes fantastic records, but he makes him from a pop perspective.

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Speaker 2: He has from the beginning of his career, not since

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Speaker 2: he started trying music, but when he decided to make

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Speaker 2: a career and he went professional. He's always took whatever

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Speaker 2: was at the top of culture and said, I can

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Speaker 2: clean this up more. You know what It's like. It

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Speaker 2: was a it was a white guy in Downy and

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Speaker 2: he saw all these taco trucks doing well. He was like, Man,

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Speaker 2: this Mexican food thing is incredible. It's a guy Glenn.

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Speaker 2: He's like, this Mexican thing, I have to get in

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Speaker 2: on this. And he's like, but if I take some

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Speaker 2: of the seasoning out of it, you know, I can

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Speaker 2: make it digestible for everybody.

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Speaker 1: Hence the birth of Taco Bell. Now, while Taco Bell is.

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Speaker 2: Very much an American cuisine based off Mexican food, it's

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Speaker 2: not Mexican food that's Drake to hip hop. Kentucky Fried Chicken.

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Speaker 1: Said Bell, it's crazy.

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Speaker 2: It is, it's it's the most popular, dude. No, like

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Speaker 2: Kentucky Fried Chicken, Chicken soulful, go ahead and the maneuvering.

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Speaker 2: They both do this. That's why I say listen, it's

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Speaker 2: a little bit of the way they be.

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Speaker 8: It's so.

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Speaker 2: Just think I don't read that books. Clearly I gotta

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Speaker 2: get shot man Chicken.

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Speaker 1: His mind is working like how a my worst right now?

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Speaker 1: It's crazy to watch because I don't like it because it.

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Speaker 2: Feel because it's emotion and it's not because like Fried

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Speaker 2: Chicken is soulful. Can we all agree?

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Speaker 4: No?

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Speaker 2: It actually Fried Chicken started.

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Speaker 1: Okay, okay, okay, but I ain't.

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Speaker 2: Gonna hold you.

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Speaker 1: The Koreans doing better, damn. It's a good example maybe

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Speaker 1: an example from so then Drake is Korean now Korean

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Speaker 1: Fried Chicken. He is Korean Fried Chicken. So he did

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Speaker 1: it better or like Kentucky Fried Chicken. Right, so then

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Speaker 1: he's doing hip hop better than hip hop artists are

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Speaker 1: doing hip hop.

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Speaker 2: Subscribe he makes great rap music for people that don't

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Speaker 2: have a soul.

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Speaker 1: Nigga, I got a soul and not like that.

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Speaker 9: Your soul is graz You have looked at me and

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00:19:20,040 --> 00:19:21,840
Speaker 9: Weezy and you and Weezy said on that couch, I

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Speaker 9: looked into your soul?

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Speaker 1: Do you know your audience?

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Speaker 2: God? Do you know your audience cussed me off because

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Speaker 2: I told you to hold it till marriage? That was like,

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Speaker 2: how dare you tell her to preserve her marriage yourself.

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Speaker 1: As a woman who doesn't want marriage?

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Speaker 2: Yeah?

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Speaker 1: Who the fuck is you?

402
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Speaker 2: But how could somebody get upset that I'm giving you

403
00:19:40,520 --> 00:19:41,640
Speaker 2: fantastic advice?

404
00:19:41,720 --> 00:19:44,320
Speaker 1: Can I ask you as someone who offered that advice?

405
00:19:44,920 --> 00:19:47,440
Speaker 1: As I looked down on your hand, it is bear?

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Speaker 1: Are you married?

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00:19:48,960 --> 00:19:49,399
Speaker 2: And what was?

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00:19:49,880 --> 00:19:51,719
Speaker 1: Are you holding yourself until marriage?

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Speaker 2: Yes?

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Speaker 1: Niggas lying on these motherfucker bike We're not doing this.

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Speaker 1: This is sorry. What we're not gonna do? Is it

412
00:20:03,680 --> 00:20:06,080
Speaker 1: start off this episode where niggas stick we lying on here?

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Speaker 2: It's not possible.

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Speaker 1: Bro, Bro, he's a fucking liar.

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Speaker 2: That's crazy.

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Speaker 1: Oh is that what you're think of me?

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Speaker 2: That's crazy? Man? Bro?

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Speaker 1: What we're not gonna do? Okay? But you know what

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Speaker 1: can we get into the next time? Jason? Dude?

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Speaker 2: I have Korean fried chick. That's what it is. Kentu

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Speaker 2: he's like, the current.

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Speaker 1: I'm not playing with. He's like, like the colonel.

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Speaker 2: Is crazy, and he's like, I see how they doing it,

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Speaker 2: but I can add more spices eleven seasoned herbs and

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00:20:38,280 --> 00:20:40,720
Speaker 2: less when they be less spices though it was, but

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Speaker 2: it is from our chicken, right, And he's like, this

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Speaker 2: is going to be digestible for everybody. And then may

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Speaker 2: you'll think it's soul fool so many you go to Kentucky.

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Speaker 2: He's like, this is the best soul you know what's crazy?

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Speaker 1: No, it's not. I make the best. Actually I don't.

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Speaker 2: I don't.

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Speaker 6: I don't agree all the way, but the soul food

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Speaker 6: and chicken example is so perfect for your argument.

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Speaker 2: That's yeah, for his argument.

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Speaker 1: We're gonna we're gonna say that he had a good

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Speaker 1: way of arguing that down. And now I'm a little

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Speaker 1: nervous because what a king just said. Yes, you explained

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Speaker 1: things like me and you're not gonna make sense to

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Speaker 1: a lot of people. But I know you really believe

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00:21:16,320 --> 00:21:16,800
Speaker 1: what you just.

441
00:21:16,720 --> 00:21:19,920
Speaker 5: Sure, but I will say this many because this episode

442
00:21:20,440 --> 00:21:23,920
Speaker 5: were approaching forties. Now are may thirdy, you did say

443
00:21:23,920 --> 00:21:25,399
Speaker 5: that Drake was gonna have the song of the Summer

444
00:21:25,400 --> 00:21:27,040
Speaker 5: and we're now in the winter time almost so I'm

445
00:21:27,080 --> 00:21:28,119
Speaker 5: just going to put that out there.

446
00:21:28,680 --> 00:21:28,880
Speaker 3: Happen.

447
00:21:29,840 --> 00:21:32,280
Speaker 1: We're actually on the episode. We had an episode.

448
00:21:32,320 --> 00:21:34,760
Speaker 3: We had an episode. There was there was no song

449
00:21:34,800 --> 00:21:36,640
Speaker 3: of the Summer. We decided no, there wasn't.

450
00:21:37,280 --> 00:21:39,080
Speaker 1: And what's crazy is you see them host beefing now

451
00:21:39,200 --> 00:21:41,040
Speaker 1: they was just on stage ignoring each other.

452
00:21:41,160 --> 00:21:42,600
Speaker 2: Y'all, y'all didn't fel like, take me through.

453
00:21:42,600 --> 00:21:46,159
Speaker 1: There was it? It came too late, it went, it

454
00:21:46,240 --> 00:21:49,720
Speaker 1: went I agree with yeah, No, when wasn't.

455
00:21:49,960 --> 00:21:52,360
Speaker 2: No, it just wasn't. I think that was it.

456
00:21:52,600 --> 00:21:53,440
Speaker 1: What the fuck is that?

457
00:21:53,840 --> 00:21:55,359
Speaker 2: I don't think. I think it wasn't.

458
00:21:55,840 --> 00:21:58,000
Speaker 5: To me, I was, it wasn't critical mass. It's still

459
00:21:58,119 --> 00:22:00,000
Speaker 5: I mean talking about that still warming up?

460
00:22:00,240 --> 00:22:03,120
Speaker 2: You know what I mean? What this song gang Gang?

461
00:22:03,280 --> 00:22:03,720
Speaker 1: What is that?

462
00:22:04,280 --> 00:22:06,159
Speaker 2: You probably heard it before, but it gives you a

463
00:22:06,200 --> 00:22:06,720
Speaker 2: gang bang.

464
00:22:08,920 --> 00:22:11,879
Speaker 1: I don't play anything like that in my home. Sorry,

465
00:22:12,119 --> 00:22:13,440
Speaker 1: whoa do I gang bang?

466
00:22:14,400 --> 00:22:15,360
Speaker 2: This is what's ruining.

467
00:22:15,640 --> 00:22:18,520
Speaker 1: This is what's ruining our kids today. Listen to like

468
00:22:18,800 --> 00:22:22,920
Speaker 1: gang Bang, Listen that type of song and anything broadwave

469
00:22:23,040 --> 00:22:26,120
Speaker 1: telling these kids to do drugs and kills. I just

470
00:22:26,760 --> 00:22:31,160
Speaker 1: I just can't believe this is what in a choke hold,

471
00:22:31,480 --> 00:22:34,320
Speaker 1: like letting them, letting them believe that being depressed is

472
00:22:34,320 --> 00:22:37,320
Speaker 1: the way to go. Bro y'all, go get some therapy, y'all.

473
00:22:37,720 --> 00:22:41,000
Speaker 2: They're not really depressed, they're just crying for no reason.

474
00:22:41,119 --> 00:22:44,399
Speaker 2: Oh my god, that's just like everything is the end

475
00:22:44,400 --> 00:22:44,800
Speaker 2: of the world.

476
00:22:44,920 --> 00:22:48,720
Speaker 1: Everything well, well, to be fair, if I go back

477
00:22:49,440 --> 00:22:52,359
Speaker 1: and think about where I was in my late teenage

478
00:22:52,440 --> 00:22:55,400
Speaker 1: years to say, early twenties, right, if I too had

479
00:22:55,400 --> 00:22:58,280
Speaker 1: to go through a pandemic and not walking graduation, didn't

480
00:22:58,280 --> 00:23:00,680
Speaker 1: have a prom I would be said too, I think

481
00:23:00,720 --> 00:23:03,720
Speaker 1: they're all just it's all them coming from the pandemic.

482
00:23:03,720 --> 00:23:06,800
Speaker 1: I think the pandemic has such lasting effects on us

483
00:23:06,800 --> 00:23:10,800
Speaker 1: that we really haven't tapped super into. First off, the

484
00:23:10,800 --> 00:23:12,600
Speaker 1: world is just way more expensive. I was just talking

485
00:23:12,640 --> 00:23:16,800
Speaker 1: to my homegrowl the other day. I said, Bitch, twenty

486
00:23:16,880 --> 00:23:20,639
Speaker 1: nineteen wasn't like this, was it eighteen twenty seventeen. I

487
00:23:20,720 --> 00:23:23,680
Speaker 1: felt more rich now when I was poor than actually

488
00:23:23,760 --> 00:23:25,919
Speaker 1: having money and being able to exist now. Like the

489
00:23:25,960 --> 00:23:29,600
Speaker 1: world is just fucking different right now it is. And

490
00:23:29,640 --> 00:23:32,840
Speaker 1: speaking of money, how we're gettingcro things. I want to

491
00:23:32,920 --> 00:23:36,159
Speaker 1: lighten it up here in our segment of this is America, y'all,

492
00:23:36,280 --> 00:23:43,840
Speaker 1: another mid Western middle American as white because no one

493
00:23:43,960 --> 00:23:46,000
Speaker 1: of any other color or race ever win's this stuff

494
00:23:46,000 --> 00:23:46,679
Speaker 1: to that or.

495
00:23:46,880 --> 00:23:49,080
Speaker 3: They white white had.

496
00:23:52,119 --> 00:23:55,000
Speaker 1: A self described homebody is now the winner of a

497
00:23:55,040 --> 00:23:58,960
Speaker 1: record powerball jackpot. The Missouri player who won half of

498
00:24:00,400 --> 00:24:05,000
Speaker 1: a one point seven eight seven billion dollar motherfucking jackpot

499
00:24:05,960 --> 00:24:07,960
Speaker 1: broke his silence this week, which I don't know why

500
00:24:07,960 --> 00:24:11,520
Speaker 1: he won this back in September. Maybe he's he's what.

501
00:24:11,520 --> 00:24:13,159
Speaker 3: You got to I think they forced you to know

502
00:24:13,160 --> 00:24:14,359
Speaker 3: they don't they forced you.

503
00:24:15,119 --> 00:24:17,600
Speaker 5: I think you have to do something publicly as a

504
00:24:17,640 --> 00:24:18,680
Speaker 5: proclamation that you.

505
00:24:18,560 --> 00:24:20,439
Speaker 1: You know why, because they want to make sure you

506
00:24:20,440 --> 00:24:21,840
Speaker 1: die so they don't have to pay all this ship

507
00:24:21,880 --> 00:24:23,880
Speaker 1: out to you. Because get the fuck out of here.

508
00:24:23,960 --> 00:24:26,359
Speaker 1: This is the conspiracy that's really happening here. How you

509
00:24:26,440 --> 00:24:29,280
Speaker 1: gonna force me to tell motherfuckers I'm worth half a

510
00:24:29,320 --> 00:24:30,160
Speaker 1: billion dollars?

511
00:24:30,440 --> 00:24:35,199
Speaker 2: How would you tell people? Yeah, but you say you

512
00:24:35,240 --> 00:24:35,520
Speaker 2: have to.

513
00:24:36,160 --> 00:24:37,840
Speaker 1: Oh, I ain't gonna I ain't gonna hold you. I'm

514
00:24:37,880 --> 00:24:40,600
Speaker 1: going up there with all the prosthetics. If I got

515
00:24:40,600 --> 00:24:45,320
Speaker 1: this money, I'm hiring somebody. No, no, no, no, no, no,

516
00:24:45,560 --> 00:24:47,800
Speaker 1: it's got to be you. So what I'm saying is

517
00:24:47,880 --> 00:24:50,320
Speaker 1: so what I'm saying is I'm going up there, y'all know.

518
00:24:50,480 --> 00:24:52,639
Speaker 1: Did y'all see? And this is what I do when

519
00:24:52,640 --> 00:24:55,000
Speaker 1: I watch TV. Did y'all watch The Penguin on HBO?

520
00:24:55,600 --> 00:24:57,720
Speaker 1: I haven't watched it, but oh my god, so good.

521
00:24:57,840 --> 00:25:01,679
Speaker 1: Well he spent like six hours in makeup to have

522
00:25:01,800 --> 00:25:05,440
Speaker 1: prosthetics to look like how to look more like the penguin,

523
00:25:05,760 --> 00:25:09,720
Speaker 1: like his limp. He worked out Colin Farrell. Colin Farrell

524
00:25:09,880 --> 00:25:13,160
Speaker 1: was the goddamn penguin. So Colin Farrell is the penguin.

525
00:25:13,200 --> 00:25:15,040
Speaker 1: I wouldn't fuck. Colin Farrell is the white man. If

526
00:25:15,040 --> 00:25:17,400
Speaker 1: I fucked white man, I would fuck. And I was like, damn,

527
00:25:17,400 --> 00:25:20,120
Speaker 1: that's Colin Farrell. I would That's how I would tell people.

528
00:25:20,160 --> 00:25:21,919
Speaker 1: I would go and spend six hours in makeup.

529
00:25:22,320 --> 00:25:26,960
Speaker 5: And once you know you had the winning ticket, that's

530
00:25:26,960 --> 00:25:28,720
Speaker 5: when you place the call of the homies, like, Hey,

531
00:25:29,320 --> 00:25:30,760
Speaker 5: you're going about to go in front of me to

532
00:25:30,800 --> 00:25:34,840
Speaker 5: the homie your friend?

533
00:25:35,760 --> 00:25:36,200
Speaker 2: What you doing?

534
00:25:36,240 --> 00:25:38,439
Speaker 1: Oh yeah, I'm going prosthetics, Jason, How would you do it?

535
00:25:38,640 --> 00:25:40,080
Speaker 3: So you have so I think you do have to

536
00:25:40,080 --> 00:25:40,760
Speaker 3: be public to.

537
00:25:40,760 --> 00:25:42,919
Speaker 1: Go, but it is and so you're just showing up

538
00:25:42,960 --> 00:25:43,240
Speaker 1: like this.

539
00:25:43,520 --> 00:25:44,840
Speaker 6: Yeah, because I think they I think they do. Like

540
00:25:44,840 --> 00:25:47,040
Speaker 6: the whole ceremony, like with the check and everything. They

541
00:25:47,119 --> 00:25:48,880
Speaker 6: hide your name though, So for this dude, they didn't

542
00:25:48,880 --> 00:25:50,640
Speaker 6: say his name, but they say it's a man from Missouri.

543
00:25:50,680 --> 00:25:53,680
Speaker 3: So it's parts of it. You have to go, bro, we.

544
00:25:53,680 --> 00:25:56,720
Speaker 2: Can't win that ship. Oh, I know what you do now.

545
00:25:56,800 --> 00:25:59,240
Speaker 5: I just tell my one of my friends, my brother's like, hell, listen,

546
00:25:59,520 --> 00:26:01,960
Speaker 5: you're gonna this ship. You're gonna get the bag and

547
00:26:01,960 --> 00:26:02,879
Speaker 5: then that's it.

548
00:26:03,119 --> 00:26:04,879
Speaker 2: I would have a parade. I'll give you. I'll give you.

549
00:26:05,440 --> 00:26:07,840
Speaker 1: It's funny because you said you.

550
00:26:07,880 --> 00:26:09,920
Speaker 2: I would have a parade for a week. I would

551
00:26:09,960 --> 00:26:12,919
Speaker 2: have the biggest party. I would be buying food for

552
00:26:12,960 --> 00:26:16,000
Speaker 2: everybody all week, Like I just turned the city out.

553
00:26:16,280 --> 00:26:18,280
Speaker 2: I throw my own parade. Now we just booking my

554
00:26:18,320 --> 00:26:20,680
Speaker 2: own parade. I'm gonna take a float through l A.

555
00:26:21,280 --> 00:26:21,840
Speaker 1: I'm up.

556
00:26:22,240 --> 00:26:25,920
Speaker 2: I'm gonna just be throwing money off of it, okay away,

557
00:26:26,320 --> 00:26:29,560
Speaker 2: Hell yeah, I'm not gonna I'm throwing money. I have

558
00:26:29,600 --> 00:26:33,800
Speaker 2: a float, a bunch of lowriders and Harley's following music playing.

559
00:26:33,840 --> 00:26:36,240
Speaker 2: Probably have somebody up there tied dollar sign on his base,

560
00:26:36,359 --> 00:26:38,840
Speaker 2: jamming and singing and I'm just going through l A,

561
00:26:39,040 --> 00:26:40,040
Speaker 2: just all the streets.

562
00:26:40,200 --> 00:26:42,440
Speaker 1: And this is why we're not getting reparations. I told y'all,

563
00:26:42,480 --> 00:26:45,120
Speaker 1: niggas will not know what to do when they got some.

564
00:26:48,240 --> 00:26:50,119
Speaker 1: Just like this.

565
00:26:50,240 --> 00:26:52,240
Speaker 6: Dude is literally in the presscott and the press release,

566
00:26:52,280 --> 00:26:54,200
Speaker 6: he says, I'm just gonna do me for a year.

567
00:26:54,320 --> 00:26:56,720
Speaker 1: You know why. You know why he said that because

568
00:26:56,760 --> 00:26:57,960
Speaker 1: he only has a year left to live.

569
00:26:59,320 --> 00:27:04,280
Speaker 2: Maybe get don't I'm gonna do us for a year, graphic,

570
00:27:04,400 --> 00:27:07,680
Speaker 2: I'm gonna just pop off. I'm just gonna I'm gonna

571
00:27:07,680 --> 00:27:10,080
Speaker 2: stop and random restaurants to just pay for everybody eat

572
00:27:10,640 --> 00:27:12,320
Speaker 2: like that.

573
00:27:12,760 --> 00:27:17,680
Speaker 1: I like to l a damn Chris Shawl Womington is

574
00:27:17,920 --> 00:27:19,200
Speaker 1: the low I love that.

575
00:27:19,680 --> 00:27:20,760
Speaker 2: And I'm gonna run for mayor.

576
00:27:21,480 --> 00:27:24,360
Speaker 1: Okay, so you're running for office as a half a billionaire? Yes,

577
00:27:24,520 --> 00:27:25,600
Speaker 1: so you continue to work?

578
00:27:26,160 --> 00:27:28,879
Speaker 2: Yeah? Yeah, because now I could really fun ship up.

579
00:27:29,320 --> 00:27:32,399
Speaker 2: I don't need no money. Like, you can't even bribe me.

580
00:27:32,800 --> 00:27:35,000
Speaker 2: You try to come in with a no, sir, this

581
00:27:35,040 --> 00:27:35,960
Speaker 2: would be for the people.

582
00:27:36,040 --> 00:27:38,800
Speaker 1: I would win. You would win. Well, how would I

583
00:27:38,880 --> 00:27:39,480
Speaker 1: not win.

584
00:27:42,200 --> 00:27:43,280
Speaker 2: And everybody else broke?

585
00:27:44,800 --> 00:27:46,120
Speaker 10: You can't?

586
00:27:49,000 --> 00:27:50,840
Speaker 2: That would be My whole thing is like, they can't

587
00:27:50,880 --> 00:27:52,640
Speaker 2: bribe me, what can you want?

588
00:27:53,320 --> 00:27:55,320
Speaker 1: But no, you can't call people broke because then you're

589
00:27:55,359 --> 00:27:56,960
Speaker 1: not gonna relate to the little class.

590
00:27:57,560 --> 00:28:00,960
Speaker 2: All my opponents, he's broke, he needs the money, he

591
00:28:01,080 --> 00:28:03,440
Speaker 2: needs the money. He's gonna get bribed, but they can't

592
00:28:03,440 --> 00:28:03,960
Speaker 2: bribe me.

593
00:28:04,160 --> 00:28:08,159
Speaker 1: But tricky because also we do know that politicians actually

594
00:28:08,160 --> 00:28:11,560
Speaker 1: their their salaries aren't that much like when people get

595
00:28:11,560 --> 00:28:13,360
Speaker 1: into politics, they actually don't do it.

596
00:28:13,280 --> 00:28:15,119
Speaker 2: For me, but then they take bribes. I think that

597
00:28:15,240 --> 00:28:16,760
Speaker 2: was the issue with may Adams in New York.

598
00:28:17,000 --> 00:28:20,879
Speaker 1: First of all, that going to the strip club problem

599
00:28:21,240 --> 00:28:22,040
Speaker 1: here outside.

600
00:28:22,240 --> 00:28:25,560
Speaker 2: So if I have half a billion dollars, you can't

601
00:28:25,600 --> 00:28:28,760
Speaker 2: even bribe me, I would run on my own ticket.

602
00:28:29,119 --> 00:28:32,240
Speaker 2: I'd be talking crazy, what change do you want? La?

603
00:28:32,320 --> 00:28:34,320
Speaker 1: You tired at the homes? We're gonna fix it.

604
00:28:34,840 --> 00:28:36,399
Speaker 2: And then I'm gonna just go in there and just

605
00:28:36,760 --> 00:28:39,840
Speaker 2: calls hell every day of however I got loan to live.

606
00:28:40,320 --> 00:28:43,640
Speaker 1: I would make life fucking hard for all the system.

607
00:28:43,840 --> 00:28:47,080
Speaker 1: It's weird because so half a billion dollars, so say

608
00:28:47,080 --> 00:28:50,240
Speaker 1: five hundred million dollars, that's enough to not want any

609
00:28:50,240 --> 00:28:53,480
Speaker 1: more money? You don't think that first off, campaigning costs. Money,

610
00:28:54,240 --> 00:28:57,880
Speaker 1: taxes get taken out, your way of living will become more.

611
00:28:58,360 --> 00:29:00,760
Speaker 1: You'll probably want to always say at that amount, which

612
00:29:00,760 --> 00:29:02,480
Speaker 1: means you always would want to get more money.

613
00:29:02,560 --> 00:29:06,840
Speaker 6: No, but he's doing it for a year, he said, youna,

614
00:29:07,520 --> 00:29:09,200
Speaker 6: you right, they were gonna do, they gonna care.

615
00:29:09,240 --> 00:29:12,160
Speaker 2: I'm trying to get this okay.

616
00:29:11,320 --> 00:29:13,320
Speaker 1: So then running for all to say that, nigga just

617
00:29:13,320 --> 00:29:15,280
Speaker 1: go enjoy like the world. Travel.

618
00:29:15,640 --> 00:29:19,120
Speaker 2: That's what I would do too. I would traveling to travel.

619
00:29:19,480 --> 00:29:23,040
Speaker 2: I'm not going nowhere, I'm going right here. Matter of fact,

620
00:29:23,080 --> 00:29:26,160
Speaker 2: I would be the mayor of Compton. All them potholes,

621
00:29:26,160 --> 00:29:28,040
Speaker 2: that's how I run. I fix all the potholes. You know,

622
00:29:28,120 --> 00:29:30,640
Speaker 2: I got the money why every city got the mon.

623
00:29:30,720 --> 00:29:33,520
Speaker 1: I'm not gonna lie Atlanta the streets here crazy, I was.

624
00:29:33,520 --> 00:29:36,320
Speaker 1: It's funny because on my way here, uh my uber

625
00:29:36,440 --> 00:29:39,680
Speaker 1: driver was like, oh, what county is this? And so

626
00:29:39,760 --> 00:29:42,280
Speaker 1: I looked up and he said, the money where is

627
00:29:42,320 --> 00:29:46,120
Speaker 1: it going? Because they going for the streets and yeah, literally.

628
00:29:45,880 --> 00:29:48,240
Speaker 2: So a place like Compton, I'd run for the mayor

629
00:29:48,320 --> 00:29:50,800
Speaker 2: of Compton and I would just fix all the potholes

630
00:29:50,800 --> 00:29:53,920
Speaker 2: and that that'd be my problem. I would make white

631
00:29:53,960 --> 00:29:57,160
Speaker 2: people's life a living hell. And that'd be like, oh,

632
00:29:57,160 --> 00:29:59,360
Speaker 2: he's just doing too much good stuff for so at

633
00:29:59,440 --> 00:30:01,040
Speaker 2: least they have a reason to kill me in the year.

634
00:30:01,480 --> 00:30:04,560
Speaker 1: That's that valid. You would give them a reason. But

635
00:30:04,680 --> 00:30:06,320
Speaker 1: you would help a lot of people on the way there.

636
00:30:06,400 --> 00:30:08,280
Speaker 2: I like that. That's how you feel, me too.

637
00:30:08,480 --> 00:30:11,000
Speaker 1: I would mean to. I would donate to schools and

638
00:30:11,040 --> 00:30:12,800
Speaker 1: things like that, like I always want to give back

639
00:30:12,840 --> 00:30:17,000
Speaker 1: for me breast cancer, uh research.

640
00:30:18,000 --> 00:30:19,440
Speaker 2: I'll just make a couple of people millions.

641
00:30:19,480 --> 00:30:22,680
Speaker 1: Yeah, I was about to. I would do that. I

642
00:30:22,720 --> 00:30:24,760
Speaker 1: would do that, just a million dollars.

643
00:30:24,840 --> 00:30:26,760
Speaker 5: Yeah, and I'm pretty sure we all have people in

644
00:30:26,840 --> 00:30:28,120
Speaker 5: mind that we would we have.

645
00:30:28,080 --> 00:30:30,200
Speaker 1: People in mind that we would set up and give

646
00:30:30,280 --> 00:30:33,560
Speaker 1: money to. And then yeah, I know the certain places

647
00:30:33,640 --> 00:30:36,280
Speaker 1: I would send money to for research purposes. So it

648
00:30:36,280 --> 00:30:39,600
Speaker 1: would be breast cancer and it would be for non

649
00:30:39,600 --> 00:30:42,280
Speaker 1: traditional college students like myself, Like I went at twenty

650
00:30:42,320 --> 00:30:46,320
Speaker 1: four years old. So anyone who chooses to do college

651
00:30:46,320 --> 00:30:49,080
Speaker 1: where you have, yeah, that thought they missed out, like

652
00:30:49,200 --> 00:30:51,760
Speaker 1: I'm all here for support and not continued education for

653
00:30:51,840 --> 00:30:52,720
Speaker 1: non traditional students.

654
00:30:52,960 --> 00:30:54,920
Speaker 2: Also thought for people that miss prime.

655
00:30:55,520 --> 00:30:56,840
Speaker 3: Mm, that's a good one.

656
00:30:57,200 --> 00:30:59,560
Speaker 1: So they get lady like to me, what's probably no

657
00:30:59,600 --> 00:31:01,560
Speaker 1: different than us being able to go to the club. Now,

658
00:31:01,800 --> 00:31:03,520
Speaker 1: like what's what's what's a good party?

659
00:31:03,720 --> 00:31:06,480
Speaker 2: Never get a chance to dress. Some people never get

660
00:31:06,480 --> 00:31:09,959
Speaker 2: a chance to be formal again in life, they like,

661
00:31:10,160 --> 00:31:12,440
Speaker 2: so when you miss that, you know, coming from where

662
00:31:12,480 --> 00:31:14,720
Speaker 2: we come from, not all black. I'm not trying to

663
00:31:14,720 --> 00:31:17,040
Speaker 2: make us a monolitht that's I'm saying black people that

664
00:31:17,080 --> 00:31:19,080
Speaker 2: come from where we come from all over the country. Right,

665
00:31:19,360 --> 00:31:22,160
Speaker 2: Sometimes people miss prom and they never get a chance

666
00:31:22,240 --> 00:31:25,520
Speaker 2: to get dressed, nice to ride in the limousine. They

667
00:31:25,600 --> 00:31:29,160
Speaker 2: may get nice clothes, but not that formal look of hey,

668
00:31:29,200 --> 00:31:31,440
Speaker 2: you know, what's this whole? I would throw the biggest

669
00:31:31,480 --> 00:31:35,600
Speaker 2: prom for people that miss prom in Los Angeles. Okay,

670
00:31:36,960 --> 00:31:38,840
Speaker 2: it'll just be like it.

671
00:31:38,920 --> 00:31:41,400
Speaker 1: It just be do you have enough money to do

672
00:31:41,440 --> 00:31:44,560
Speaker 1: it for more cities than just can we like broad

673
00:31:44,600 --> 00:31:46,360
Speaker 1: in the scope here.

674
00:31:46,240 --> 00:31:48,800
Speaker 2: Where you start to inspire people, right because now other

675
00:31:48,840 --> 00:31:51,080
Speaker 2: people in rich places can do it. But I would

676
00:31:51,160 --> 00:31:53,280
Speaker 2: really do right by where I grew up at. I

677
00:31:53,320 --> 00:31:56,240
Speaker 2: love that because I did this Orlando over here.

678
00:31:57,000 --> 00:31:58,920
Speaker 1: I got a little tap, but I don't really fuck

679
00:31:58,960 --> 00:32:02,120
Speaker 1: with it like that. I like New York. I would do.

680
00:32:02,200 --> 00:32:04,720
Speaker 1: I would give back to the Bronx b X block,

681
00:32:07,400 --> 00:32:10,920
Speaker 1: I would give back to the Bronx. Ho here we go,

682
00:32:11,000 --> 00:32:15,240
Speaker 1: here we go back. Yeah. No, I I really believe

683
00:32:15,320 --> 00:32:18,880
Speaker 1: that New York shaped me more than than Orlando. Like

684
00:32:18,880 --> 00:32:21,920
Speaker 1: I was in there. I was up there for formative years,

685
00:32:22,560 --> 00:32:28,320
Speaker 1: having to like really live, like renting a room great. No, no, no,

686
00:32:28,520 --> 00:32:31,120
Speaker 1: New York, New York. New York actually teaches you hustle

687
00:32:31,760 --> 00:32:32,280
Speaker 1: in the jungle.

688
00:32:32,600 --> 00:32:32,800
Speaker 7: Yeah.

689
00:32:32,800 --> 00:32:34,600
Speaker 1: I think, I think. I think for me it was

690
00:32:34,800 --> 00:32:36,440
Speaker 1: it was interesting because when I go back home, I'd

691
00:32:36,440 --> 00:32:39,800
Speaker 1: be like, y'all really just settling down here, like they

692
00:32:39,800 --> 00:32:42,120
Speaker 1: don't know what more can look like or what more

693
00:32:42,200 --> 00:32:42,720
Speaker 1: can be and.

694
00:32:42,720 --> 00:32:46,040
Speaker 2: So and more is overrated unless somebody like you that

695
00:32:46,200 --> 00:32:48,160
Speaker 2: desires some people.

696
00:32:48,120 --> 00:32:52,600
Speaker 1: Like Okay, So here's my hot take on this, and

697
00:32:53,680 --> 00:32:56,040
Speaker 1: Ebony K. Williams got dragged last year for saying it.

698
00:32:56,560 --> 00:33:00,200
Speaker 1: The problem is no, not even a bount that I

699
00:33:00,240 --> 00:33:06,920
Speaker 1: don't People don't like to admit that they enjoy being mediocre.

700
00:33:07,720 --> 00:33:11,080
Speaker 1: More is not a problem. The problem is that people

701
00:33:11,280 --> 00:33:14,760
Speaker 1: don't want to believe that they're actually okay with the

702
00:33:14,760 --> 00:33:17,760
Speaker 1: bare minimum. Well, when we as women and clearly my platform,

703
00:33:17,880 --> 00:33:20,400
Speaker 1: we talk about what we get from partnership. Right, the

704
00:33:20,400 --> 00:33:24,880
Speaker 1: bare minimum is a bad thing essentially, right. The problem

705
00:33:24,960 --> 00:33:28,320
Speaker 1: is people like living with just the bare minimum. They

706
00:33:28,400 --> 00:33:31,720
Speaker 1: like being in mediocrity, they like being average, and those

707
00:33:31,720 --> 00:33:33,960
Speaker 1: are things that people don't want to admit, and to me,

708
00:33:34,120 --> 00:33:35,800
Speaker 1: there is a problem. So I don't think that there's

709
00:33:35,800 --> 00:33:38,080
Speaker 1: a problem with more. I think the problem is that

710
00:33:38,120 --> 00:33:40,600
Speaker 1: people don't want to admit that they're okay in mediocrity.

711
00:33:41,080 --> 00:33:45,120
Speaker 2: Well, okay, so I'm not upset at that, but I

712
00:33:45,160 --> 00:33:48,840
Speaker 2: think the issue is one is women are naturally insatiable.

713
00:33:49,560 --> 00:33:50,520
Speaker 2: Nothing is ever enough.

714
00:33:52,480 --> 00:33:56,240
Speaker 1: We're not going to but I don't believe that we

715
00:33:56,360 --> 00:33:57,120
Speaker 1: get pleased.

716
00:33:57,160 --> 00:34:01,080
Speaker 2: But mediocrity only could you know, being beating and regular

717
00:34:01,160 --> 00:34:03,720
Speaker 2: can only be a thing if you're living your life

718
00:34:03,760 --> 00:34:05,800
Speaker 2: to compare yourself, which is another woman thing.

719
00:34:05,920 --> 00:34:08,080
Speaker 1: Oh, comparison is the thief of joy. So I don't

720
00:34:08,080 --> 00:34:08,759
Speaker 1: believe in doing that.

721
00:34:08,840 --> 00:34:11,439
Speaker 2: So when you say mediocrity, it doesn't work that way

722
00:34:11,480 --> 00:34:17,400
Speaker 2: without comparing yourself, because if you existence, you're achieving the

723
00:34:17,440 --> 00:34:19,279
Speaker 2: greatest things based off how you live.

724
00:34:19,680 --> 00:34:24,560
Speaker 1: But I guess I I said that with you saying

725
00:34:24,600 --> 00:34:27,359
Speaker 1: that the word more right, because I guess more would

726
00:34:27,360 --> 00:34:32,680
Speaker 1: be subective subjective as well, so subjectivity. Speaking of subjectivity, Hey,

727
00:34:32,880 --> 00:34:36,280
Speaker 1: we're gonna talk about the founders real quick of Turkey

728
00:34:36,360 --> 00:34:40,960
Speaker 1: Leg Hut. Now listen, y'all had By the way, this

729
00:34:41,080 --> 00:34:44,160
Speaker 1: is my problem with us. They should have never made

730
00:34:44,239 --> 00:34:47,719
Speaker 1: no money, period. Nothing was ever good about stuffing mac

731
00:34:47,760 --> 00:34:50,920
Speaker 1: and cheese and rice and beans inside of a fucking

732
00:34:50,960 --> 00:34:54,839
Speaker 1: turkey leg. This shit was terrible. It wasn't good. By

733
00:34:54,880 --> 00:34:56,600
Speaker 1: the way, we want to act like we care about

734
00:34:56,719 --> 00:35:00,399
Speaker 1: our our community. Why are you serving somebody a meal

735
00:35:00,440 --> 00:35:03,839
Speaker 1: that's four thousand calories, bro? It's when I got it.

736
00:35:03,880 --> 00:35:05,760
Speaker 1: I looked at it. It could feed a business.

737
00:35:06,440 --> 00:35:06,520
Speaker 6: Bro.

738
00:35:07,520 --> 00:35:11,359
Speaker 1: You want to be subjectivity close subjectivity, Bro. That ship

739
00:35:11,440 --> 00:35:14,160
Speaker 1: could feed a village. And it was nasty. That ship

740
00:35:14,239 --> 00:35:18,279
Speaker 1: wasn't even good. Anyways, we're bringing up of what took

741
00:35:18,320 --> 00:35:20,480
Speaker 1: place because only in America, I have a news report.

742
00:35:20,480 --> 00:35:21,919
Speaker 3: We're gonna play in a little bit of a news report.

743
00:35:21,960 --> 00:35:27,839
Speaker 1: Oh yeah, let's let's bring in news report. Turkey Lake

744
00:35:27,920 --> 00:35:29,560
Speaker 1: Hut is back on the news.

745
00:35:29,640 --> 00:35:32,000
Speaker 11: One of the original owners is now facing fell any

746
00:35:32,120 --> 00:35:36,719
Speaker 11: charges for allegedly hindering the arrest of a felon her boyfriend.

747
00:35:36,760 --> 00:35:37,720
Speaker 3: It was dating Box.

748
00:35:39,480 --> 00:35:47,200
Speaker 11: And Harris counting Criminal Courthouse with what exactly happened here, Leslie.

749
00:35:46,200 --> 00:35:46,640
Speaker 1: That's right.

750
00:35:46,719 --> 00:35:50,320
Speaker 8: Nikia Holmes is charged for allegedly letting her boyfriend stay

751
00:35:50,360 --> 00:35:53,479
Speaker 8: with her while he was wanted for allegedly beating his ex.

752
00:35:53,840 --> 00:35:56,839
Speaker 8: Cor records say Holmes legitimphing Sason stay at her home

753
00:35:56,880 --> 00:35:59,320
Speaker 8: in Cyprus while there was a Warren ivy his arrest,

754
00:35:59,640 --> 00:36:02,640
Speaker 8: and Sator say beat his ex with a tire iron

755
00:36:02,840 --> 00:36:06,120
Speaker 8: and kidnapped her at her home earlier this month. According

756
00:36:06,120 --> 00:36:08,920
Speaker 8: to court records, after officers saw says On at Holmes's

757
00:36:09,000 --> 00:36:11,840
Speaker 8: home in Cyprus, they questioned her during a traffic stop,

758
00:36:11,960 --> 00:36:14,319
Speaker 8: and she denied knowing him and told them he was

759
00:36:14,360 --> 00:36:17,480
Speaker 8: not at her home. Later, court records say during the

760
00:36:17,480 --> 00:36:20,160
Speaker 8: traffic stop, a different set of officers who were at

761
00:36:20,160 --> 00:36:23,400
Speaker 8: Holmes's home told her that Sason was seen jumping her fence,

762
00:36:23,640 --> 00:36:25,640
Speaker 8: and then her story allegedly changed.

763
00:36:25,800 --> 00:36:29,080
Speaker 1: Now that okay, you remember how you said I speak

764
00:36:29,120 --> 00:36:30,800
Speaker 1: for a niche group for women.

765
00:36:33,640 --> 00:36:33,759
Speaker 4: Bro.

766
00:36:35,400 --> 00:36:39,000
Speaker 1: No oh no, no, no, no, no, not a good question.

767
00:36:39,200 --> 00:36:42,839
Speaker 1: No no no, that was first off, I'm not I'm

768
00:36:42,840 --> 00:36:47,000
Speaker 1: not dating who just kidnapped his X a month ago

769
00:36:47,239 --> 00:36:50,000
Speaker 1: and beat her with a tire iron. That's first off,

770
00:36:50,040 --> 00:36:57,240
Speaker 1: you shared that nigga. Soy, I get what I'm telling you?

771
00:36:56,760 --> 00:36:58,000
Speaker 1: Do you ready?

772
00:36:58,200 --> 00:36:59,240
Speaker 2: Would you hide your nigga?

773
00:36:59,440 --> 00:37:02,720
Speaker 1: First off, and y'all gonna hear it in an upcoming episode.

774
00:37:03,640 --> 00:37:07,400
Speaker 1: First Off, I'm letting you know right now, mister, I

775
00:37:07,440 --> 00:37:11,680
Speaker 1: speak for gang members. I am not a writer.

776
00:37:11,880 --> 00:37:12,200
Speaker 2: Die.

777
00:37:12,840 --> 00:37:15,439
Speaker 1: You're not hiding with me. I'm snitching on you. I'm

778
00:37:15,480 --> 00:37:18,359
Speaker 1: giving you away if you do a crime. I'm mad

779
00:37:18,400 --> 00:37:19,799
Speaker 1: at you if you run a red light, because you

780
00:37:19,840 --> 00:37:22,359
Speaker 1: know red means stop. Don't run the stop side. I

781
00:37:22,400 --> 00:37:24,960
Speaker 1: believe in just living life. There's some rules that just

782
00:37:25,000 --> 00:37:26,520
Speaker 1: don't need to be broken. I don't want to date

783
00:37:26,560 --> 00:37:27,759
Speaker 1: a little rebellious ass nigga.

784
00:37:28,360 --> 00:37:28,960
Speaker 2: I don't want to.

785
00:37:30,040 --> 00:37:32,160
Speaker 1: I don't break whoa.

786
00:37:33,600 --> 00:37:37,560
Speaker 2: I don't break laws of white people. Said the government

787
00:37:37,640 --> 00:37:41,600
Speaker 2: rules all the morality subjectivity.

788
00:37:42,000 --> 00:37:45,719
Speaker 1: First off, you not gonna have lif no, no, no.

789
00:37:45,760 --> 00:37:49,480
Speaker 1: But they're to keep peace in order. A lot of

790
00:37:49,480 --> 00:37:52,080
Speaker 1: them are. Yes, they're for peace and orders historical.

791
00:37:52,640 --> 00:37:52,960
Speaker 2: Okay.

792
00:37:53,320 --> 00:37:56,439
Speaker 1: What I'm not gonna do, though, is draw the line

793
00:37:56,440 --> 00:37:59,080
Speaker 1: of hypocrisy, because right now we are fighting to keep

794
00:37:59,160 --> 00:38:03,279
Speaker 1: our tenements. Are amendments eleven nine? How many of them

795
00:38:03,320 --> 00:38:05,719
Speaker 1: are there? That's a lot of them right thirteen. You

796
00:38:05,840 --> 00:38:09,480
Speaker 1: know that was like not, I get that, but but

797
00:38:09,520 --> 00:38:11,360
Speaker 1: for me, number one is freedom of speech.

798
00:38:11,400 --> 00:38:13,040
Speaker 2: Man, so I want to make sure we keep that one.

799
00:38:13,360 --> 00:38:19,080
Speaker 1: But what I'm saying is no, I guy, I'm not

800
00:38:19,200 --> 00:38:21,439
Speaker 1: hiding him, but I'm not lying.

801
00:38:21,560 --> 00:38:24,000
Speaker 2: You help your friend? Would you hide your friend?

802
00:38:24,480 --> 00:38:25,399
Speaker 1: It depends what your friend?

803
00:38:25,960 --> 00:38:26,760
Speaker 2: Your best friend?

804
00:38:26,920 --> 00:38:27,120
Speaker 8: Oh?

805
00:38:27,960 --> 00:38:31,680
Speaker 1: First off, I say yes, you know what's crazy, don't

806
00:38:31,680 --> 00:38:35,960
Speaker 1: do it? You know what's crazy. I'm too real, And

807
00:38:36,000 --> 00:38:40,160
Speaker 1: I'd be like, but you still alive because you beat

808
00:38:40,160 --> 00:38:42,439
Speaker 1: breast cancer, but you can't follow the law.

809
00:38:42,800 --> 00:38:44,120
Speaker 2: No, like she already broke the law.

810
00:38:44,200 --> 00:38:46,680
Speaker 1: Would No, if she broke the law, I'd be like, girl,

811
00:38:46,719 --> 00:38:47,760
Speaker 1: you just.

812
00:38:47,640 --> 00:38:48,919
Speaker 2: What if she's like I think you would?

813
00:38:49,040 --> 00:38:49,640
Speaker 1: You know it's crazy.

814
00:38:49,640 --> 00:38:50,040
Speaker 2: I wouldn't.

815
00:38:50,040 --> 00:38:52,080
Speaker 1: I wouldn't hide her. I think, Crystal, I love you

816
00:38:52,080 --> 00:38:53,160
Speaker 1: to love you. Look right here.

817
00:38:54,880 --> 00:38:59,360
Speaker 2: I think you would ship but I think you would. Ultimately,

818
00:38:59,360 --> 00:38:59,920
Speaker 2: you will do what you can.

819
00:39:00,080 --> 00:39:07,279
Speaker 1: And you know what's crazy. I'm not risking my life

820
00:39:07,280 --> 00:39:09,560
Speaker 1: for anybody, and I don't expect them to do the

821
00:39:09,560 --> 00:39:12,480
Speaker 1: same for me. That's why I said prosthetics. Oh, I'm

822
00:39:12,560 --> 00:39:15,680
Speaker 1: on the run by myself. I'm an individualist, baby, I

823
00:39:15,719 --> 00:39:17,840
Speaker 1: don't believe in bringing people down with me, and I

824
00:39:17,880 --> 00:39:21,080
Speaker 1: wouldn't bring like I'm not being brought down by nobody.

825
00:39:21,239 --> 00:39:23,320
Speaker 1: It's why I don't got kids. What if I birtha

826
00:39:23,360 --> 00:39:26,279
Speaker 1: serial killer, ruin him my motherfucking legacy? Because you want

827
00:39:26,280 --> 00:39:29,879
Speaker 1: to go out and kill people, well, I guess I'll

828
00:39:29,920 --> 00:39:40,200
Speaker 1: never know.

829
00:39:35,320 --> 00:39:37,680
Speaker 2: All you're done.

830
00:39:38,320 --> 00:39:41,200
Speaker 1: You never know because you know I'm not willing to

831
00:39:41,200 --> 00:39:43,440
Speaker 1: take the risks. But no, I'm not highing nobody. I

832
00:39:43,480 --> 00:39:45,920
Speaker 1: think this woman is stupid. It's also crazy because the

833
00:39:45,960 --> 00:39:50,279
Speaker 1: other former owner of Turkey Lake Cut Lindell, not only

834
00:39:50,400 --> 00:39:54,520
Speaker 1: was charged with arson, but he also was running Turkey

835
00:39:54,600 --> 00:39:56,760
Speaker 1: Leg Hut like a trap house, and he was running

836
00:39:56,800 --> 00:39:58,560
Speaker 1: drugs up, up, in and out.

837
00:39:58,880 --> 00:40:00,719
Speaker 5: To the lady who got hit with the tired iron

838
00:40:00,920 --> 00:40:04,040
Speaker 5: wish she at situation, I mean, first off.

839
00:40:03,880 --> 00:40:06,960
Speaker 1: You asked about the extra. Here's the thing too, what

840
00:40:07,040 --> 00:40:10,000
Speaker 1: they really was. And this is where my mind goes,

841
00:40:10,360 --> 00:40:13,400
Speaker 1: you really was in a polly relationship because you're not

842
00:40:13,440 --> 00:40:16,359
Speaker 1: gonna tell me that this is your boyfriend, but he

843
00:40:16,520 --> 00:40:19,319
Speaker 1: is literally dealing with charges only a month ago from

844
00:40:19,440 --> 00:40:22,719
Speaker 1: beating another woman who was also his now now his

845
00:40:22,800 --> 00:40:25,560
Speaker 1: as girlfriend. Y'allways date each other at the same time,

846
00:40:25,600 --> 00:40:27,759
Speaker 1: because you're also not hiding a fugitive that you've only

847
00:40:27,760 --> 00:40:28,600
Speaker 1: been dating for a month.

848
00:40:29,160 --> 00:40:31,359
Speaker 2: That means you're a business or it could have been

849
00:40:31,560 --> 00:40:34,080
Speaker 2: x like as in like a year ago, and then

850
00:40:34,120 --> 00:40:36,959
Speaker 2: they still just have context. Maybe they share a child.

851
00:40:36,960 --> 00:40:38,760
Speaker 1: That's what I'm saying. That means there's too many emotions

852
00:40:38,800 --> 00:40:41,120
Speaker 1: still involved. That means you really in a poly relationship.

853
00:40:41,800 --> 00:40:43,719
Speaker 1: If you if you date it, if you dating a

854
00:40:43,760 --> 00:40:47,359
Speaker 1: girl and you got feeling still somewhat for another woman

855
00:40:47,400 --> 00:40:50,880
Speaker 1: who's still currently in your life, who is bringing havoc

856
00:40:51,120 --> 00:40:54,160
Speaker 1: into your current life, you're still in a current relationship

857
00:40:54,200 --> 00:40:56,200
Speaker 1: with that person, whether the label is there or not.

858
00:40:56,960 --> 00:40:59,680
Speaker 2: And so you share a kid with somebody, your family, Yeah.

859
00:40:59,480 --> 00:41:03,279
Speaker 1: That's why everybody who is co parenting your family with

860
00:41:03,360 --> 00:41:05,799
Speaker 1: other people, y'all in poly relationships. Y'all just don't want

861
00:41:05,800 --> 00:41:06,160
Speaker 1: to call it.

862
00:41:06,080 --> 00:41:08,920
Speaker 2: That not necessarily a poly relationship, but you guys are family.

863
00:41:09,080 --> 00:41:09,520
Speaker 1: It's poly.

864
00:41:10,320 --> 00:41:11,720
Speaker 2: It doesn't have to be intimate.

865
00:41:12,080 --> 00:41:13,400
Speaker 1: Y'all just don't like the label.

866
00:41:15,960 --> 00:41:18,360
Speaker 2: Intimate because it don't have to be an intimate relationship.

867
00:41:19,840 --> 00:41:24,719
Speaker 1: You know, in poly relationship, not everyone has sex, So

868
00:41:24,840 --> 00:41:29,360
Speaker 1: y'all are poly relationships. That's the thing. Everybody he not

869
00:41:29,400 --> 00:41:33,560
Speaker 1: holy ship. We're not bringing this well, I'm gonna say

870
00:41:33,560 --> 00:41:36,640
Speaker 1: you stupid, because why would you hide me.

871
00:41:36,960 --> 00:41:38,719
Speaker 2: I'm not really worried of the law is not the

872
00:41:38,800 --> 00:41:40,040
Speaker 2: ultimate judge and morality.

873
00:41:40,239 --> 00:41:43,040
Speaker 1: Let me let me ask you.

874
00:41:43,080 --> 00:41:46,000
Speaker 3: Do you do you think?

875
00:41:46,120 --> 00:41:49,959
Speaker 1: No, it wasn't. Do you enjoy your life? So why

876
00:41:49,960 --> 00:41:53,439
Speaker 1: would you risk your life for the decisions that someone

877
00:41:53,480 --> 00:41:53,920
Speaker 1: else made?

878
00:41:54,000 --> 00:41:55,880
Speaker 2: Because that's what makes life worth living.

879
00:41:56,200 --> 00:41:58,120
Speaker 1: Oh, that's why you live life. See, that's not I

880
00:41:58,120 --> 00:42:01,360
Speaker 1: don't agree with that. I live for my own happiness.

881
00:42:01,400 --> 00:42:04,480
Speaker 1: That's why fundamental difference is Well, it's weird because the

882
00:42:04,560 --> 00:42:07,080
Speaker 1: idea that life is worth living for other people is

883
00:42:07,080 --> 00:42:10,280
Speaker 1: also probably why I don't want children. But this idea

884
00:42:10,360 --> 00:42:13,000
Speaker 1: that you would risk your life, your happiness, everything you

885
00:42:13,040 --> 00:42:15,680
Speaker 1: work for, the things that make you happy, because of

886
00:42:15,719 --> 00:42:18,560
Speaker 1: the poor decisions of someone else, That logically doesn't make

887
00:42:18,560 --> 00:42:19,000
Speaker 1: sense to me.

888
00:42:19,200 --> 00:42:21,440
Speaker 2: Sure, but that's like what being a crip is all about.

889
00:42:21,760 --> 00:42:23,360
Speaker 2: These are the people you grew up with. Here's the

890
00:42:23,400 --> 00:42:25,839
Speaker 2: cards you dealt. These are your guys, and you try

891
00:42:25,880 --> 00:42:28,160
Speaker 2: your best to help them get into the best situations,

892
00:42:28,200 --> 00:42:31,799
Speaker 2: to stay alive, to stay free, to make the best decisions.

893
00:42:32,040 --> 00:42:34,080
Speaker 2: So sometimes You're going to run into people who make

894
00:42:34,160 --> 00:42:36,520
Speaker 2: bad decisions, and you still have to coach them through

895
00:42:37,000 --> 00:42:39,480
Speaker 2: getting their life back on track. And sometimes you may

896
00:42:39,560 --> 00:42:41,600
Speaker 2: have to break an occasional law to make sure they

897
00:42:41,600 --> 00:42:43,919
Speaker 2: are okay. But it's up to you to figure it out.

898
00:42:43,960 --> 00:42:45,839
Speaker 2: You have to come up with your own sense of

899
00:42:45,840 --> 00:42:48,320
Speaker 2: what's right and wrong. That's what cripping is all about.

900
00:42:48,760 --> 00:42:49,800
Speaker 1: I never want to crip.

901
00:42:50,600 --> 00:42:50,719
Speaker 3: I do.

902
00:42:51,880 --> 00:43:00,520
Speaker 1: I like the day you know I was, but I

903
00:43:00,560 --> 00:43:02,759
Speaker 1: think it's because I like the color more. That's like,

904
00:43:03,640 --> 00:43:05,720
Speaker 1: if you really like, you know.

905
00:43:05,880 --> 00:43:07,799
Speaker 2: Some people told me I was born to be you know,

906
00:43:07,880 --> 00:43:09,439
Speaker 2: I was born to be this because I like the color.

907
00:43:09,520 --> 00:43:11,480
Speaker 1: And you know what, now that I think about it,

908
00:43:11,480 --> 00:43:13,279
Speaker 1: it also might have done with the fact that I

909
00:43:13,320 --> 00:43:15,799
Speaker 1: am by racial half fight with no rhythm. I just

910
00:43:15,800 --> 00:43:19,440
Speaker 1: couldn't get the dance down. I just couldn't my feet.

911
00:43:19,520 --> 00:43:20,720
Speaker 1: I think I have two left feet.

912
00:43:20,760 --> 00:43:23,919
Speaker 2: I seen you hit the TikTok with it wasn't good

913
00:43:23,960 --> 00:43:27,000
Speaker 2: and I and I think that's probably why you feel

914
00:43:27,000 --> 00:43:30,080
Speaker 2: like that the hardship on Drake, because you feel like

915
00:43:30,120 --> 00:43:31,080
Speaker 2: that's your camaraderie.

916
00:43:31,160 --> 00:43:34,759
Speaker 1: That's crazy. We're not gonna I just noticed that this.

917
00:43:34,800 --> 00:43:36,360
Speaker 2: We're not gonna do this. I wouldn't. I would have

918
00:43:36,400 --> 00:43:40,520
Speaker 2: never knew that. I thought you just right, you.

919
00:43:40,520 --> 00:43:46,839
Speaker 1: Would, you would. The Canadian accent is all right, let's

920
00:43:46,840 --> 00:43:50,040
Speaker 1: get into I like these topics. It's gonna have us going.

921
00:43:50,520 --> 00:43:55,480
Speaker 1: We're getting into celebrities say the darnest things, and you

922
00:43:55,520 --> 00:43:57,880
Speaker 1: know what, let's go ahead and start with this topic.

923
00:43:57,920 --> 00:44:02,799
Speaker 1: We actually just had off mic Oh God and so

924
00:44:03,480 --> 00:44:06,080
Speaker 1: hit Maker, who is a good friend of mine, shout out.

925
00:44:06,080 --> 00:44:08,200
Speaker 1: I still call him Berg. He's in my phone's bird,

926
00:44:09,040 --> 00:44:11,719
Speaker 1: I still call him Berg. Hit Maker was recently on

927
00:44:12,400 --> 00:44:13,000
Speaker 1: this podcast.

928
00:44:13,200 --> 00:44:14,799
Speaker 6: You did his first one, I said, did his first

929
00:44:14,960 --> 00:44:17,359
Speaker 6: rap magazine piece. I wrote his showing prove from double

930
00:44:17,719 --> 00:44:18,040
Speaker 6: way back.

931
00:44:18,160 --> 00:44:20,120
Speaker 1: Okay, do you want to know when I met Berg?

932
00:44:20,600 --> 00:44:24,160
Speaker 1: I was maybe nineteen years old. I was in Orlando

933
00:44:24,520 --> 00:44:29,000
Speaker 1: for Kanye Orange. Guess who introduced me to Bird Bitch

934
00:44:29,080 --> 00:44:29,320
Speaker 1: ray J.

935
00:44:30,239 --> 00:44:31,200
Speaker 2: I don't know how.

936
00:44:31,000 --> 00:44:32,640
Speaker 1: At nineteen I was parting with Berg and ray J.

937
00:44:32,840 --> 00:44:36,960
Speaker 1: But during a festival because they shut up, shut shot.

938
00:44:37,160 --> 00:44:39,560
Speaker 1: There's a lot of lived the life. I lived a life,

939
00:44:39,560 --> 00:44:41,120
Speaker 1: you know what I mean? Where outside? And actually I

940
00:44:41,200 --> 00:44:42,960
Speaker 1: might have actually met ray J from Berg now that

941
00:44:42,960 --> 00:44:46,000
Speaker 1: I think about it, But yeah, I think he is

942
00:44:46,080 --> 00:44:48,279
Speaker 1: one of the most. He has a different ring. We

943
00:44:48,320 --> 00:44:49,799
Speaker 1: got to have him on here too, because I don't

944
00:44:49,840 --> 00:44:52,960
Speaker 1: agree with ship that comes out of that Nigga mountain. No, no, no,

945
00:44:53,160 --> 00:44:58,000
Speaker 1: you love him. I think that he is. We're going

946
00:44:58,080 --> 00:45:00,880
Speaker 1: to go down in history his geniuses. Not no Kanye,

947
00:45:01,320 --> 00:45:04,480
Speaker 1: but the way that our minds think and the way

948
00:45:04,520 --> 00:45:08,080
Speaker 1: we have the ability to create, to hold space for

949
00:45:08,160 --> 00:45:10,640
Speaker 1: other people, to see people through all these lenses, like

950
00:45:10,840 --> 00:45:13,439
Speaker 1: the way he's able to produce for men women draw

951
00:45:13,520 --> 00:45:15,960
Speaker 1: these things from the samples, but also when you actually

952
00:45:15,960 --> 00:45:21,040
Speaker 1: talk to him, he just his mind is fascinating. But

953
00:45:21,080 --> 00:45:23,080
Speaker 1: I don't agree with sh he says. We disagree a lot,

954
00:45:23,520 --> 00:45:26,760
Speaker 1: and he'd just be saying bullshit. He said. He asked

955
00:45:26,760 --> 00:45:29,160
Speaker 1: me what happened to the fat Mandy because he met

956
00:45:29,200 --> 00:45:30,759
Speaker 1: me when I was a big bitch. He ain't shit

957
00:45:32,160 --> 00:45:33,840
Speaker 1: like damn you all do, bitch now that you the

958
00:45:33,920 --> 00:45:36,560
Speaker 1: lost weight and m bitch and I got money. I

959
00:45:36,600 --> 00:45:40,319
Speaker 1: was pooring fat when you met me. Nigga. Anyways, let

960
00:45:40,320 --> 00:45:44,440
Speaker 1: me lift the sheriff. Go ahead and what go ahead

961
00:45:44,480 --> 00:45:48,160
Speaker 1: and play the clip of what Berg recently said on.

962
00:45:50,280 --> 00:45:55,760
Speaker 2: Kevin Karen Stephan.

963
00:45:57,320 --> 00:46:00,920
Speaker 12: Man Karan was like a really good friend, friendly motherfucker.

964
00:46:01,680 --> 00:46:02,720
Speaker 1: I ain't gonna lie.

965
00:46:04,040 --> 00:46:05,719
Speaker 12: Like I ain't gonna lie. I think she might be

966
00:46:05,760 --> 00:46:07,640
Speaker 12: one of the most accountable women I ever met in

967
00:46:07,640 --> 00:46:10,200
Speaker 12: my life. Like she was so evolved, like she knew

968
00:46:10,200 --> 00:46:12,600
Speaker 12: what it was, she knew what it was going on.

969
00:46:12,640 --> 00:46:13,600
Speaker 2: Like then, what was it?

970
00:46:15,320 --> 00:46:17,200
Speaker 12: Like we had a thing, like we had like a

971
00:46:17,200 --> 00:46:20,160
Speaker 12: little five like it was it was so scary, like

972
00:46:20,360 --> 00:46:21,080
Speaker 12: sit where like.

973
00:46:21,760 --> 00:46:22,960
Speaker 2: He's still Yeah.

974
00:46:23,000 --> 00:46:26,080
Speaker 12: She would be like she's so crazy like man Korea

975
00:46:26,080 --> 00:46:27,719
Speaker 12: and please don't j just and please don't say that

976
00:46:27,920 --> 00:46:29,640
Speaker 12: like that put thieves like I was a young nigga

977
00:46:29,640 --> 00:46:31,560
Speaker 12: and like you put me on shit. Like she would

978
00:46:31,600 --> 00:46:36,720
Speaker 12: be so creative and just so like bro. Like she'd

979
00:46:36,719 --> 00:46:39,320
Speaker 12: be like, mean me at this bar North Hollywood and

980
00:46:39,400 --> 00:46:42,400
Speaker 12: this that, and third, I'd be like where and I

981
00:46:42,400 --> 00:46:44,319
Speaker 12: ain't had no money or nothing. I wouldn't like a

982
00:46:44,360 --> 00:46:46,320
Speaker 12: lit and nothing like that. I was just really revamping

983
00:46:46,440 --> 00:46:48,719
Speaker 12: my career. And like we had go somewhere and it'd

984
00:46:48,719 --> 00:46:50,959
Speaker 12: be like a dive bar to where they know black

985
00:46:51,000 --> 00:46:53,040
Speaker 12: people in there, and we'd go in there and we

986
00:46:53,040 --> 00:46:55,399
Speaker 12: had two drinks and she'd be like, what you doing

987
00:46:55,440 --> 00:46:57,600
Speaker 12: and then she'd go fuck me in the bathroom or

988
00:46:57,640 --> 00:46:59,840
Speaker 12: go fuck me in my car, and we had go

989
00:46:59,840 --> 00:47:03,920
Speaker 12: to together like she was just like the most like incredible.

990
00:47:03,360 --> 00:47:05,040
Speaker 2: Like fucking.

991
00:47:05,840 --> 00:47:07,839
Speaker 1: This is why I described it like what you would

992
00:47:07,880 --> 00:47:09,520
Speaker 1: want to have.

993
00:47:09,600 --> 00:47:12,120
Speaker 12: That type of history or whatever, like if you like

994
00:47:12,200 --> 00:47:13,360
Speaker 12: she was so creative.

995
00:47:13,680 --> 00:47:16,360
Speaker 4: So this is where I put people on game to

996
00:47:16,480 --> 00:47:20,040
Speaker 4: understand this about the relationship, whether male or female. Everybody

997
00:47:20,040 --> 00:47:22,719
Speaker 4: wants to be put on something new. And that's not

998
00:47:23,560 --> 00:47:26,760
Speaker 4: me saying somebody want to be bought something new. So

999
00:47:26,760 --> 00:47:30,680
Speaker 4: the relationship is all about experiences, yep. The relationship that

1000
00:47:31,239 --> 00:47:33,799
Speaker 4: exposes or experience like you have the most experience with

1001
00:47:34,000 --> 00:47:36,479
Speaker 4: is like those are the ones like yo boom because

1002
00:47:36,520 --> 00:47:37,920
Speaker 4: like your eyes just like.

1003
00:47:38,000 --> 00:47:38,800
Speaker 2: Blew my mind.

1004
00:47:39,600 --> 00:47:41,399
Speaker 12: And I still think she's a great person. I think

1005
00:47:41,400 --> 00:47:44,239
Speaker 12: that she had like some of the most intellectual conversations

1006
00:47:44,320 --> 00:47:47,040
Speaker 12: with me. She was more like she was more seasoned

1007
00:47:47,040 --> 00:47:47,239
Speaker 12: than me.

1008
00:47:47,440 --> 00:47:49,120
Speaker 2: She she had a life. Could you take a girl

1009
00:47:49,160 --> 00:47:53,200
Speaker 2: like that? Serious stuff? Here we go wow, because I'm

1010
00:47:53,200 --> 00:47:54,120
Speaker 2: a judgmental man.

1011
00:47:54,440 --> 00:47:56,359
Speaker 12: It's the same way that you would say, like because

1012
00:47:56,400 --> 00:47:58,920
Speaker 12: you data stripper or somebody like, ain't no way that

1013
00:47:58,960 --> 00:48:00,959
Speaker 12: a nigga could go see your whole inside of your puss.

1014
00:48:00,960 --> 00:48:03,040
Speaker 2: It for two dollars on interest fee and.

1015
00:48:03,000 --> 00:48:08,440
Speaker 1: I okay, So he said all those things. She's this

1016
00:48:08,480 --> 00:48:16,359
Speaker 1: great womantive, evolved, creative, incredible, wild, special, taught me things

1017
00:48:16,360 --> 00:48:19,319
Speaker 1: I never like, said all these things and then said no,

1018
00:48:19,400 --> 00:48:23,399
Speaker 1: he wouldn't date her because you know, well, she wasn't

1019
00:48:23,400 --> 00:48:27,120
Speaker 1: a stripper, right he said, like he said, just like,

1020
00:48:27,760 --> 00:48:30,319
Speaker 1: just like a stripper, He said, like a stripper he was.

1021
00:48:31,840 --> 00:48:34,239
Speaker 6: Because she and he ended it saying she was what

1022
00:48:34,280 --> 00:48:37,040
Speaker 6: you want to be. She's she was what you want

1023
00:48:37,080 --> 00:48:39,280
Speaker 6: a woman to be who didn't have that history.

1024
00:48:39,800 --> 00:48:40,200
Speaker 2: Mm hmm.

1025
00:48:40,640 --> 00:48:44,360
Speaker 1: It's funny because on Decisions Decisions, I sat with Deontay

1026
00:48:45,000 --> 00:48:49,359
Speaker 1: and we talked about the same thing, and he of

1027
00:48:49,400 --> 00:48:51,160
Speaker 1: course said the same thing, that men care about a

1028
00:48:51,160 --> 00:48:54,040
Speaker 1: woman's past, and we went down the rabbit hole of that.

1029
00:48:54,360 --> 00:48:57,240
Speaker 1: It's interesting to me because I think that this literally

1030
00:48:57,280 --> 00:49:01,080
Speaker 1: just stems from the insecurity of men caring about so

1031
00:49:01,200 --> 00:49:03,320
Speaker 1: much what other people think. Because at the end of

1032
00:49:03,360 --> 00:49:05,600
Speaker 1: the day, he sat there and talked about her the

1033
00:49:05,600 --> 00:49:08,319
Speaker 1: same way that we've seen bow Wow talk about her,

1034
00:49:08,560 --> 00:49:11,000
Speaker 1: the same way Wayne has talked about her, And it's

1035
00:49:11,080 --> 00:49:15,560
Speaker 1: just like, what's crazy, is berg? You sat there with

1036
00:49:15,680 --> 00:49:18,880
Speaker 1: Cam Newton who has eight kids, three baby mamas, or

1037
00:49:18,920 --> 00:49:22,120
Speaker 1: whatever bird you'dn't been. He went down a list of

1038
00:49:22,120 --> 00:49:25,320
Speaker 1: women that you've been attached to. It's crazy that these

1039
00:49:25,360 --> 00:49:28,840
Speaker 1: men can have the longest receipt of a history and

1040
00:49:28,880 --> 00:49:33,040
Speaker 1: passed with multiple women, but a woman that shows you

1041
00:49:33,120 --> 00:49:36,600
Speaker 1: all these amazing things is immediately damned by her actually

1042
00:49:36,640 --> 00:49:39,319
Speaker 1: having a past. It's crazy too because it's it goes

1043
00:49:39,320 --> 00:49:41,800
Speaker 1: to the saying of they want a lady in the street,

1044
00:49:41,800 --> 00:49:43,279
Speaker 1: but a freaking the sheets. How the fuck is the

1045
00:49:43,320 --> 00:49:45,359
Speaker 1: bitch supposed to become a freak if she ain't had

1046
00:49:45,400 --> 00:49:48,160
Speaker 1: some practice. That's why I like Drake's song. I can

1047
00:49:48,960 --> 00:49:55,560
Speaker 1: sorry the money, but wanted to ask. I'm literally sharing

1048
00:49:55,560 --> 00:49:58,040
Speaker 1: a mic with three men, and I know y'all hate

1049
00:49:58,080 --> 00:50:01,560
Speaker 1: fucking me having the idea that no man could take

1050
00:50:01,560 --> 00:50:03,400
Speaker 1: you serious no matter what your past is. But I

1051
00:50:03,440 --> 00:50:06,879
Speaker 1: guess I want to hear y'all's deep dive into man

1052
00:50:07,000 --> 00:50:09,920
Speaker 1: logic as to why this is. If you could speak

1053
00:50:09,960 --> 00:50:13,640
Speaker 1: so highly of a woman in that way, why you

1054
00:50:13,640 --> 00:50:16,560
Speaker 1: couldn't get over that book to be happy with a woman.

1055
00:50:16,640 --> 00:50:19,760
Speaker 5: Essentially, that would be in Young Birds hit Makers case.

1056
00:50:20,880 --> 00:50:23,680
Speaker 5: He's in a particular different lifestyle where.

1057
00:50:25,080 --> 00:50:25,560
Speaker 2: Karenne.

1058
00:50:27,120 --> 00:50:32,440
Speaker 5: Her resume is public, so for him it probably it

1059
00:50:32,480 --> 00:50:36,960
Speaker 5: probably wouldn't serve him emotionally that he has to navigate

1060
00:50:37,280 --> 00:50:40,000
Speaker 5: in public with said woman with the resume out there.

1061
00:50:40,120 --> 00:50:41,960
Speaker 2: Now, if he was a regular dude, he could just

1062
00:50:42,000 --> 00:50:45,719
Speaker 2: move the move I think it would help.

1063
00:50:46,560 --> 00:50:53,560
Speaker 1: But no, no, no, no, regularly like to instead of

1064
00:50:54,000 --> 00:50:57,319
Speaker 1: instead of leaning this into which money. Let's be very clear,

1065
00:50:57,680 --> 00:51:01,640
Speaker 1: celebrities do wipe hope, of course more than I think

1066
00:51:01,680 --> 00:51:03,319
Speaker 1: the average man. But the average man, all they got

1067
00:51:03,320 --> 00:51:05,640
Speaker 1: to do is just move to another city. Like I think,

1068
00:51:05,680 --> 00:51:08,600
Speaker 1: this is a lot more like it's happening a lot

1069
00:51:08,640 --> 00:51:12,480
Speaker 1: more than like when this happens, it's like eh. But

1070
00:51:12,520 --> 00:51:14,920
Speaker 1: we see Kim k who's been married multiple times. We

1071
00:51:15,000 --> 00:51:17,759
Speaker 1: see Amber Rows who's been with multiple partners. We see

1072
00:51:18,080 --> 00:51:23,040
Speaker 1: how Maryland the road was with a lot of what glasses?

1073
00:51:25,320 --> 00:51:26,279
Speaker 1: What I could keep going?

1074
00:51:26,920 --> 00:51:28,840
Speaker 2: You know what you keep saying?

1075
00:51:29,200 --> 00:51:32,960
Speaker 1: What am I? That's why it never works out. It's

1076
00:51:33,000 --> 00:51:34,920
Speaker 1: not just you're saying it doesn't work out because it's

1077
00:51:34,920 --> 00:51:35,360
Speaker 1: their past.

1078
00:51:35,480 --> 00:51:40,760
Speaker 2: No, yes, it's not their past, yes, right, the shallow surface.

1079
00:51:40,800 --> 00:51:42,480
Speaker 2: And forgive me, Jason, because I wanted to listen to

1080
00:51:42,520 --> 00:51:45,839
Speaker 2: you talk about this, But the shallow surface is yes,

1081
00:51:45,880 --> 00:51:48,040
Speaker 2: you're worried about what everybody else think. The truth is

1082
00:51:48,080 --> 00:51:50,960
Speaker 2: what type of bitch could do this? What type of

1083
00:51:50,960 --> 00:51:52,920
Speaker 2: bitch can fuck you in the bathroom? What type of

1084
00:51:52,920 --> 00:51:54,640
Speaker 2: bitch could fuck everybody in the bathroom?

1085
00:51:55,600 --> 00:51:58,520
Speaker 1: Not everybody gets fucked in the bathroom, yes, no, no, no,

1086
00:51:58,520 --> 00:52:00,319
Speaker 1: I have niggas. I haven't fucked in the bathroom. The

1087
00:52:00,400 --> 00:52:05,200
Speaker 1: only certain it's it's help for special, specialist plural. Wait

1088
00:52:05,600 --> 00:52:06,520
Speaker 1: because it's plural.

1089
00:52:06,760 --> 00:52:10,879
Speaker 2: Wait, what's health is certain because it's plural in the bathroom? Well,

1090
00:52:10,920 --> 00:52:11,880
Speaker 2: what's the type of dude?

1091
00:52:12,080 --> 00:52:14,560
Speaker 1: I mean, you gotta be special, special.

1092
00:52:16,480 --> 00:52:20,400
Speaker 6: Special the bed not like it's a spontany of it

1093
00:52:20,440 --> 00:52:22,520
Speaker 6: is a special thing, right, like you don't expect.

1094
00:52:23,239 --> 00:52:26,600
Speaker 1: But Correa was not just pulling anybody into a dive

1095
00:52:26,640 --> 00:52:29,680
Speaker 1: bar back or young. Maybe he was special to.

1096
00:52:29,719 --> 00:52:34,879
Speaker 2: Her, but the issue is right, the issue is what

1097
00:52:34,960 --> 00:52:38,240
Speaker 2: type of person does this, and that's who you're gonna

1098
00:52:38,320 --> 00:52:42,080
Speaker 2: end up with. So while like Kanye, for example, everybody

1099
00:52:42,120 --> 00:52:44,839
Speaker 2: thinks Kanye is crazy, I obviously I did a song

1100
00:52:44,840 --> 00:52:47,120
Speaker 2: called Kanye should have Never Married that bitch. I zeroed

1101
00:52:47,160 --> 00:52:49,640
Speaker 2: it in real fast to the problem. People thought this

1102
00:52:49,760 --> 00:52:52,160
Speaker 2: his mother died, People thought it was money. People thought

1103
00:52:52,239 --> 00:52:56,279
Speaker 2: jay Z No, it's Kim. He thought that he was

1104
00:52:56,280 --> 00:52:58,720
Speaker 2: in such a powerful position. He like, I'm a better

1105
00:52:58,800 --> 00:53:02,279
Speaker 2: nigga than all the niggas she's dated, I'm richer and

1106
00:53:02,320 --> 00:53:06,440
Speaker 2: I'm more famous and all this silly shit. Think about it.

1107
00:53:06,560 --> 00:53:09,000
Speaker 2: What type of bitch would sell a tape of her

1108
00:53:09,040 --> 00:53:12,880
Speaker 2: fucking a guy to the motherfucking porn companies.

1109
00:53:13,000 --> 00:53:16,480
Speaker 1: Let's be very clear. What I'm not gonna allow you

1110
00:53:16,520 --> 00:53:18,160
Speaker 1: to do is what Brady Daniels came here and did.

1111
00:53:18,760 --> 00:53:22,239
Speaker 1: You are not gonna absolve a nigga for their mental

1112
00:53:22,280 --> 00:53:26,400
Speaker 1: healthness being demolished. And I'm yes, I'm making up boards

1113
00:53:26,400 --> 00:53:27,960
Speaker 1: at this point.

1114
00:53:27,400 --> 00:53:31,600
Speaker 2: But mental healthness is fire. So I'm gonna rock with

1115
00:53:31,640 --> 00:53:34,120
Speaker 2: this and your credit. But go ahead, go ahead.

1116
00:53:34,960 --> 00:53:38,440
Speaker 1: You leaning into the fact that the downfall of Kanye

1117
00:53:38,800 --> 00:53:42,719
Speaker 1: was marrying a quote unquote or a woman that was

1118
00:53:42,760 --> 00:53:48,080
Speaker 1: willing to sell a sex tape. Is is is insane

1119
00:53:48,120 --> 00:53:51,120
Speaker 1: and diabolical to me. Let me let me tell you why,

1120
00:53:51,560 --> 00:53:55,839
Speaker 1: because we he his family, everyone around him has come

1121
00:53:55,880 --> 00:53:59,520
Speaker 1: out to share that he is unwell, in need of medication,

1122
00:53:59,800 --> 00:54:03,760
Speaker 1: is diagnosed, and has a lot of things neurologically wrong

1123
00:54:03,800 --> 00:54:06,200
Speaker 1: with him. And the fact that you decided to sit

1124
00:54:06,239 --> 00:54:09,720
Speaker 1: your misogynistic ass up on my goddamn platform and blame

1125
00:54:09,760 --> 00:54:15,080
Speaker 1: a woman as to why he has crumbled and his downfall.

1126
00:54:15,400 --> 00:54:19,040
Speaker 1: Mind you, Kim was Kim wasn't the first quote unquote

1127
00:54:19,080 --> 00:54:21,600
Speaker 1: ho he was with. I don't think a woman's past

1128
00:54:21,600 --> 00:54:25,000
Speaker 1: ever affected him because he wiped up Amber Rose prior

1129
00:54:25,040 --> 00:54:27,120
Speaker 1: to that. Who he literally got out the strip club?

1130
00:54:28,200 --> 00:54:30,200
Speaker 1: Who knows? And I know other people who've dealt with

1131
00:54:30,239 --> 00:54:33,120
Speaker 1: Kanye not gonna put their business out there. But Kanye

1132
00:54:33,200 --> 00:54:35,640
Speaker 1: has a type. He also went with Julia Fox, who

1133
00:54:35,800 --> 00:54:39,839
Speaker 1: there's like he doesn't care about a woman's past. That

1134
00:54:39,920 --> 00:54:43,400
Speaker 1: might be what he does not care about it on her.

1135
00:54:43,680 --> 00:54:50,279
Speaker 1: This man say a lot of things. He's beefing with

1136
00:54:50,320 --> 00:54:55,080
Speaker 1: his twelve year old daughter because she's a woman, because

1137
00:54:55,080 --> 00:54:57,200
Speaker 1: she's a woman, she's a girl. Actually not even.

1138
00:54:58,640 --> 00:55:06,080
Speaker 2: Her daughters. He thinks they're turning his kid into them

1139
00:55:06,320 --> 00:55:06,960
Speaker 2: eye of glasses.

1140
00:55:07,000 --> 00:55:09,799
Speaker 6: Let me ask you something less the the but the

1141
00:55:09,840 --> 00:55:13,280
Speaker 6: whole at nineteen is going to be different at thirty

1142
00:55:13,280 --> 00:55:14,200
Speaker 6: six or fifty nine.

1143
00:55:14,480 --> 00:55:16,480
Speaker 3: Do you think there should be superhead?

1144
00:55:16,560 --> 00:55:20,800
Speaker 1: No, But we're talking about this the general, the general

1145
00:55:20,840 --> 00:55:23,200
Speaker 1: girl that is the problem. The prolific.

1146
00:55:23,360 --> 00:55:25,319
Speaker 6: So if we call it so, the super holes is

1147
00:55:25,320 --> 00:55:28,399
Speaker 6: a different class, right, So are you separating Kim from

1148
00:55:28,440 --> 00:55:28,920
Speaker 6: like Amber.

1149
00:55:28,920 --> 00:55:29,960
Speaker 3: You're saying Kim is like.

1150
00:55:29,960 --> 00:55:33,600
Speaker 2: Y is like a regular hole. And I don't even

1151
00:55:33,640 --> 00:55:35,239
Speaker 2: know if she's a hole. She's a stripper. So I

1152
00:55:35,239 --> 00:55:36,919
Speaker 2: don't know what type of you know. I can't say

1153
00:55:36,920 --> 00:55:41,160
Speaker 2: that Kim is on another level with her ship Kim Superhead.

1154
00:55:41,200 --> 00:55:45,680
Speaker 2: They're like different levels of empowered women.

1155
00:55:46,680 --> 00:55:54,319
Speaker 1: First off, for you power women, I don't think that

1156
00:55:54,400 --> 00:55:58,080
Speaker 1: there is anything wrong with a woman choosing to make

1157
00:55:58,680 --> 00:56:02,000
Speaker 1: hold on make he ate sex tape with her then boyfriend.

1158
00:56:02,680 --> 00:56:03,839
Speaker 2: No, it's nothing wrong making it sex.

1159
00:56:03,920 --> 00:56:05,960
Speaker 1: My point, it was leaked and sold by the Mama,

1160
00:56:06,000 --> 00:56:07,560
Speaker 1: not Kim. Kim had nothing to do with CAP.

1161
00:56:08,480 --> 00:56:11,520
Speaker 6: You don't think they were, Come on, Jesus Christ, I

1162
00:56:11,520 --> 00:56:12,640
Speaker 6: feel like Mama's consickly.

1163
00:56:13,400 --> 00:56:15,640
Speaker 5: I think when you walk in that calib Blast's area,

1164
00:56:15,680 --> 00:56:17,560
Speaker 5: ship just changed in your whole. Soon as you get

1165
00:56:17,560 --> 00:56:20,000
Speaker 5: this in the air, I don't ever want to do

1166
00:56:20,160 --> 00:56:25,200
Speaker 5: it's in the air, I'm telling you, listen, Kanye always

1167
00:56:25,200 --> 00:56:27,640
Speaker 5: been crazy. I think the earliest versions of Kanye that

1168
00:56:27,680 --> 00:56:29,160
Speaker 5: everybody loved was the fake Kanye.

1169
00:56:29,320 --> 00:56:32,680
Speaker 2: I actually love the real Kanye. I love Kanye.

1170
00:56:32,760 --> 00:56:39,600
Speaker 1: I watched Genius Jesus is Jesus, Genius Jesus Jesus.

1171
00:56:40,080 --> 00:56:44,399
Speaker 2: My favorite Kanye West records are Ya. That's my favorite one. Right,

1172
00:56:44,560 --> 00:56:48,360
Speaker 2: Jesus is my second face, right, third is Pablo, and

1173
00:56:48,520 --> 00:56:52,000
Speaker 2: fourth right is life. Beautiful life, you know, dark to

1174
00:56:52,000 --> 00:56:52,640
Speaker 2: hiss and fantasy.

1175
00:56:53,480 --> 00:56:54,080
Speaker 6: I like the.

1176
00:56:56,440 --> 00:56:58,359
Speaker 2: Everybody fell in love with the fake Kanye, so I'm

1177
00:56:58,400 --> 00:57:00,400
Speaker 2: with you. I think he was lying in this like

1178
00:57:00,440 --> 00:57:03,520
Speaker 2: I'm the backpapper. You see my backpack. I care about

1179
00:57:03,520 --> 00:57:05,759
Speaker 2: black people. I never bought that Kanye, even though the

1180
00:57:05,760 --> 00:57:08,160
Speaker 2: records were good. It's like Drake, you know, I don't

1181
00:57:08,280 --> 00:57:10,719
Speaker 2: buy this. I don't buy the culture you're selling me.

1182
00:57:11,320 --> 00:57:13,680
Speaker 2: But the music is so good. I'm jamming it. I'm in.

1183
00:57:13,960 --> 00:57:19,280
Speaker 2: And his downfall it's Kim Yes, because I'm telling you

1184
00:57:19,400 --> 00:57:24,800
Speaker 2: why he was already a fragile person. Yeay is fragile.

1185
00:57:24,960 --> 00:57:28,080
Speaker 2: While he's super strong with his abilities and talents and

1186
00:57:28,120 --> 00:57:32,440
Speaker 2: his understanding his fundamentalist views, he's powerful, but as a human,

1187
00:57:32,840 --> 00:57:35,960
Speaker 2: he's fragile ast fuck. And when I tell you, a

1188
00:57:36,040 --> 00:57:39,200
Speaker 2: woman will break you into me. She broke his ass

1189
00:57:39,240 --> 00:57:43,360
Speaker 2: into ten million pieces. And every day we slowly try

1190
00:57:43,400 --> 00:57:46,040
Speaker 2: to watch him put itself back together since then, and

1191
00:57:46,200 --> 00:57:48,200
Speaker 2: never the puzzle never comes back to the full pitchure.

1192
00:57:48,200 --> 00:57:50,800
Speaker 1: Well, because the puzzle is already missing a couple pieces.

1193
00:57:50,840 --> 00:57:53,600
Speaker 1: I'm not disagreeing literally, but it was beautiful or literally

1194
00:57:53,840 --> 00:57:58,240
Speaker 1: his box, his puzzle was missing a couple pieces. It's

1195
00:57:58,240 --> 00:57:59,960
Speaker 1: just weird to me. I've sat next to you now,

1196
00:58:00,880 --> 00:58:05,000
Speaker 1: who is saying that a woman crumbled this unwell man

1197
00:58:05,040 --> 00:58:09,640
Speaker 1: who's diagnosed and just mentally not And then right Daniel

1198
00:58:09,680 --> 00:58:12,720
Speaker 1: sat here and said that men are criminals for women

1199
00:58:13,800 --> 00:58:14,400
Speaker 1: because that's.

1200
00:58:14,240 --> 00:58:20,280
Speaker 5: What women do have power, women do have You have

1201
00:58:20,320 --> 00:58:24,600
Speaker 5: to listen, and that's only because all right power.

1202
00:58:24,760 --> 00:58:27,240
Speaker 1: However, men at the same time believe that women can't

1203
00:58:27,280 --> 00:58:28,280
Speaker 1: be in positions of power.

1204
00:58:28,320 --> 00:58:33,920
Speaker 2: No, that's white man's yes, No, there's only black man

1205
00:58:33,960 --> 00:58:38,080
Speaker 2: who listened to white people. That's a white man. Kanye No, no, no,

1206
00:58:38,200 --> 00:58:41,560
Speaker 2: he yes, I agree. No, No, I'm with you on that,

1207
00:58:41,720 --> 00:58:44,520
Speaker 2: But I'm saying to you, that's so a woman.

1208
00:58:44,280 --> 00:58:46,320
Speaker 1: Is not viewed as that powerful to men who don't

1209
00:58:46,320 --> 00:58:48,040
Speaker 1: believe that women should be in places of power.

1210
00:58:48,120 --> 00:58:50,960
Speaker 2: That's his problem. He didn't realize how powerful Kim could

1211
00:58:51,000 --> 00:58:53,840
Speaker 2: be in his life. And she fractured his ship into

1212
00:58:53,920 --> 00:58:55,120
Speaker 2: one million pieces.

1213
00:58:55,480 --> 00:58:57,880
Speaker 1: She kept him out of bankruptcy.

1214
00:58:57,800 --> 00:58:59,920
Speaker 2: Like money is not going to fix his main.

1215
00:59:00,560 --> 00:59:03,280
Speaker 1: Money is his main problem. No money, it's money and

1216
00:59:03,400 --> 00:59:06,160
Speaker 1: pasting yet no ship in wanting to exist and align

1217
00:59:06,280 --> 00:59:08,320
Speaker 1: himself with these white men that aren't allowing him in

1218
00:59:08,320 --> 00:59:10,320
Speaker 1: the row. But I don't think it has nothing to

1219
00:59:10,360 --> 00:59:13,760
Speaker 1: do with with women at all. No, a lot of

1220
00:59:13,800 --> 00:59:17,720
Speaker 1: men who act like Kanye outside of his mental disorder.

1221
00:59:18,480 --> 00:59:22,120
Speaker 1: It's it's men in wanting their proximity to white men.

1222
00:59:22,320 --> 00:59:24,400
Speaker 1: It normally doesn't have anything to do with women at all.

1223
00:59:25,120 --> 00:59:27,880
Speaker 1: Women women are disposable in men's lives like that.

1224
00:59:27,920 --> 00:59:30,600
Speaker 2: I'm not disagreeing, But he was able to even assimilate

1225
00:59:30,680 --> 00:59:33,320
Speaker 2: further than most black men in the history of all

1226
00:59:33,320 --> 00:59:36,760
Speaker 2: black men. So I don't think it was necessarily his rejection,

1227
00:59:36,920 --> 00:59:39,000
Speaker 2: even though I do agree that. I never like that,

1228
00:59:39,040 --> 00:59:40,560
Speaker 2: which is why he likes this lady in the first

1229
00:59:40,560 --> 00:59:43,840
Speaker 2: fucking place. Fuck you even like this lady. He feels

1230
00:59:43,840 --> 00:59:46,360
Speaker 2: like she's his version of Maryland Monroe. Nigga. Why would

1231
00:59:46,400 --> 00:59:49,640
Speaker 2: a young black man in the eighties fantasize over Maryland Monroe.

1232
00:59:50,200 --> 00:59:53,760
Speaker 2: Holly Berry exists, Janet Jackson exists, there's so many foreign systems.

1233
00:59:53,800 --> 00:59:56,560
Speaker 1: Holly Barry didn't exist in the same time as Maryland nineties.

1234
00:59:56,640 --> 01:00:01,200
Speaker 2: No, I'm saying didn't exists at the same time Holly

1235
01:00:01,200 --> 01:00:04,080
Speaker 2: Berry exists. So how is your dream woman, Marilyn Monroe?

1236
01:00:05,480 --> 01:00:07,840
Speaker 2: That's something he said. So then he went and got

1237
01:00:07,880 --> 01:00:11,200
Speaker 2: a version of it with this lady, and he couldn't

1238
01:00:11,240 --> 01:00:13,720
Speaker 2: handle it. And it's not just as simple as her past.

1239
01:00:13,720 --> 01:00:16,560
Speaker 2: It's not just about what everybody else thinks. It's more

1240
01:00:16,600 --> 01:00:19,440
Speaker 2: than that. It's more of who she is that empowers

1241
01:00:19,480 --> 01:00:21,440
Speaker 2: her and allows her to do this. It's a level

1242
01:00:21,440 --> 01:00:24,160
Speaker 2: of power that he may not be ready. He obviously

1243
01:00:24,840 --> 01:00:26,040
Speaker 2: that he may not be ready.

1244
01:00:26,360 --> 01:00:30,360
Speaker 1: Ladies, powerful women get you a powerful non insecure and

1245
01:00:30,520 --> 01:00:35,560
Speaker 1: non diagnoses. There are men that don't There are men, Yes,

1246
01:00:35,960 --> 01:00:39,160
Speaker 1: you're saying, there's no men that except empowered.

1247
01:00:38,720 --> 01:00:40,520
Speaker 2: Quote unquote, only white people that are cooks.

1248
01:00:42,360 --> 01:00:45,120
Speaker 1: Black men can be cooks. No, I've met black cucks before,

1249
01:00:45,320 --> 01:00:50,400
Speaker 1: but they can't be cuts publicly they're cooks. Okay, maybe,

1250
01:00:51,840 --> 01:00:53,800
Speaker 1: but that's the thing. To be fair, that's the problem

1251
01:00:53,800 --> 01:00:56,040
Speaker 1: with everyone. We shouldn't be cared about what the people

1252
01:00:56,080 --> 01:00:57,360
Speaker 1: are doing behind closed doors.

1253
01:00:57,600 --> 01:00:59,760
Speaker 2: But no, of course we should but it's okay, of

1254
01:00:59,800 --> 01:01:02,360
Speaker 2: course you got as long as you're not hunting, say

1255
01:01:02,360 --> 01:01:02,919
Speaker 2: it all the time.

1256
01:01:03,080 --> 01:01:06,080
Speaker 1: As long as you're not fucking kids, animals or corpses.

1257
01:01:06,440 --> 01:01:09,000
Speaker 1: Nobody should give a fuck about what you're doing, how

1258
01:01:09,000 --> 01:01:11,520
Speaker 1: you navigate, what things turn you on turn you off.

1259
01:01:11,600 --> 01:01:17,040
Speaker 2: But all of this stuff people care. But then you

1260
01:01:17,320 --> 01:01:18,880
Speaker 2: like me, right, if I walk in the room as

1261
01:01:18,880 --> 01:01:21,520
Speaker 2: a crip like I have, I care what people think,

1262
01:01:21,720 --> 01:01:24,680
Speaker 2: but I'm so secure of my cripping that I whatever

1263
01:01:25,080 --> 01:01:27,120
Speaker 2: I can express who I am, I'm proud of who

1264
01:01:27,120 --> 01:01:30,040
Speaker 2: I am. So you gotta be a proud I love

1265
01:01:30,080 --> 01:01:31,200
Speaker 2: when my wife is getting that.

1266
01:01:32,880 --> 01:01:35,560
Speaker 1: Cripping is different than sex. We don't walk into rooms

1267
01:01:35,760 --> 01:01:38,960
Speaker 1: and immediately talk about if we eat ass and if

1268
01:01:38,960 --> 01:01:42,000
Speaker 1: we like this position over this position. No, sex is

1269
01:01:42,040 --> 01:01:44,320
Speaker 1: not talked of in that way. So like this, that's

1270
01:01:44,320 --> 01:01:45,480
Speaker 1: what I guess today.

1271
01:01:45,480 --> 01:01:47,600
Speaker 2: It is, man, do we know about everybody talk about

1272
01:01:47,600 --> 01:01:51,040
Speaker 2: it on the podcast.

1273
01:01:52,040 --> 01:01:53,160
Speaker 1: There's HR issues.

1274
01:01:53,200 --> 01:01:54,680
Speaker 2: There's HR issues like.

1275
01:01:54,600 --> 01:01:57,600
Speaker 1: You're not walking into rooms, but not even HR. But

1276
01:01:57,600 --> 01:02:01,080
Speaker 1: there's a way to carry yourself. Sex is still considered

1277
01:02:01,120 --> 01:02:02,400
Speaker 1: to be something that is.

1278
01:02:02,400 --> 01:02:05,760
Speaker 2: Private, so when you make it, but like a thing happened,

1279
01:02:06,280 --> 01:02:08,480
Speaker 2: superhead it's not private.

1280
01:02:09,280 --> 01:02:13,520
Speaker 1: Okay, is not private, but I guess we're going against Also,

1281
01:02:13,840 --> 01:02:17,240
Speaker 1: we've also brought in the average person, and so I'm

1282
01:02:17,240 --> 01:02:19,520
Speaker 1: talking about how men view holds are going through a

1283
01:02:19,560 --> 01:02:21,080
Speaker 1: whole phase, which is why you brought up someone at

1284
01:02:21,120 --> 01:02:23,480
Speaker 1: nineteen compared to thirty six. I always still want to

1285
01:02:23,480 --> 01:02:26,800
Speaker 1: bring these conversations to the people that are off often listening.

1286
01:02:27,040 --> 01:02:29,520
Speaker 1: Who is it. It's not for us to say how

1287
01:02:29,640 --> 01:02:31,720
Speaker 1: young bird has the date or who he chooses to date.

1288
01:02:31,920 --> 01:02:34,000
Speaker 1: He's a celebrity, he's a millionaire. A lot of people

1289
01:02:34,000 --> 01:02:37,400
Speaker 1: can't relate. So to me, it's still going into the

1290
01:02:37,720 --> 01:02:41,160
Speaker 1: You're saying the average person cannot get passed, that a

1291
01:02:41,240 --> 01:02:43,480
Speaker 1: woman had to pass that wouldn't be public.

1292
01:02:43,640 --> 01:02:45,720
Speaker 2: But I'm not agreeing with that. I think that's only

1293
01:02:45,760 --> 01:02:48,080
Speaker 2: one part of it. You have to realize what type

1294
01:02:48,080 --> 01:02:52,400
Speaker 2: of woman that is. That's not the traditional She's.

1295
01:02:52,240 --> 01:02:58,720
Speaker 1: What we're all those attitives. She's creative everything. She's fine.

1296
01:02:57,400 --> 01:02:57,640
Speaker 7: But you.

1297
01:02:59,800 --> 01:03:02,360
Speaker 2: Know, to me to the bathroom, you know it's funny Jay,

1298
01:03:03,240 --> 01:03:05,120
Speaker 2: you know the one where he didn't use to describe

1299
01:03:05,120 --> 01:03:06,640
Speaker 2: her that good.

1300
01:03:07,760 --> 01:03:10,840
Speaker 1: No, I think he said great, No, he holds up

1301
01:03:11,320 --> 01:03:11,840
Speaker 1: is above good.

1302
01:03:11,920 --> 01:03:15,520
Speaker 2: No, No, Hitler is a great. That's impact. That's about

1303
01:03:15,640 --> 01:03:17,000
Speaker 2: who you are. Great.

1304
01:03:17,040 --> 01:03:18,600
Speaker 3: But he's not saying she's a good person.

1305
01:03:18,720 --> 01:03:23,600
Speaker 2: Good. See, they're not gonna say she's good no matter

1306
01:03:23,720 --> 01:03:26,080
Speaker 2: all these great things you showed me good.

1307
01:03:26,440 --> 01:03:28,240
Speaker 1: All I know is when we talk about good and

1308
01:03:28,240 --> 01:03:30,840
Speaker 1: how that's a good man Savannah and he wasn't good

1309
01:03:31,120 --> 01:03:34,280
Speaker 1: so that nig it was a married man fucking on

1310
01:03:34,320 --> 01:03:36,880
Speaker 1: a whole nother woman. So to me good good?

1311
01:03:37,800 --> 01:03:39,880
Speaker 2: Sure, I agree, but but that's what the word he did.

1312
01:03:40,040 --> 01:03:41,600
Speaker 1: Man call me great. I want to go down in

1313
01:03:41,680 --> 01:03:45,480
Speaker 1: history and powered ass bitch that apparently Jim Kardashian.

1314
01:03:45,880 --> 01:03:47,280
Speaker 2: And she's a great or greats.

1315
01:03:47,440 --> 01:03:51,000
Speaker 1: They're greats. They're fan like all time great. You know,

1316
01:03:51,160 --> 01:03:52,800
Speaker 1: Now what are they great at? You know what's crazy

1317
01:03:53,120 --> 01:03:57,560
Speaker 1: in English class? Great? You know the little arrow that

1318
01:03:57,600 --> 01:04:00,200
Speaker 1: you gotta eat, little alley get her mouth? Great? It's

1319
01:04:00,240 --> 01:04:00,760
Speaker 1: a both good.

1320
01:04:01,240 --> 01:04:04,840
Speaker 2: So you said, what is she great at? Great? Products?

1321
01:04:04,840 --> 01:04:10,920
Speaker 1: She's great, has a great vagin. She's sold millions and

1322
01:04:10,920 --> 01:04:12,920
Speaker 1: millions of books. She's great at a lot of things.

1323
01:04:13,080 --> 01:04:15,000
Speaker 2: Relationships. Do you know what about?

1324
01:04:15,480 --> 01:04:15,720
Speaker 4: Yeah?

1325
01:04:15,920 --> 01:04:18,080
Speaker 1: You know, she's a great whore. And I think we

1326
01:04:18,120 --> 01:04:18,720
Speaker 1: should say that.

1327
01:04:18,920 --> 01:04:21,480
Speaker 2: I think it should be a proud I'm not mad.

1328
01:04:21,640 --> 01:04:25,040
Speaker 1: I think is more than such that.

1329
01:04:25,840 --> 01:04:28,160
Speaker 2: Neither one is design, is more that what's going to

1330
01:04:28,240 --> 01:04:30,120
Speaker 2: lead in their existence is horring.

1331
01:04:30,440 --> 01:04:33,880
Speaker 1: I can't wait. So now we're going to talk about even.

1332
01:04:33,760 --> 01:04:38,360
Speaker 2: Right now that horror really got people free from forgett

1333
01:04:38,360 --> 01:04:40,560
Speaker 2: me care because I'm not shipping to her. I'm not,

1334
01:04:40,680 --> 01:04:41,440
Speaker 2: I swear, I'm not.

1335
01:04:41,480 --> 01:04:42,680
Speaker 5: You know what I'd like to see though, on some

1336
01:04:42,720 --> 01:04:46,400
Speaker 5: futuristic ship, Jay, welcome me? Okay, where we go a

1337
01:04:46,480 --> 01:04:50,080
Speaker 5: live stream marathon with Mandy and glasses, Oh my god,

1338
01:04:50,320 --> 01:04:51,040
Speaker 5: with the community.

1339
01:04:51,360 --> 01:04:52,320
Speaker 1: I'm not gonna lie my heart.

1340
01:04:52,880 --> 01:04:55,680
Speaker 2: The chat, the chat just running it up overnight though

1341
01:04:55,680 --> 01:04:57,760
Speaker 2: it can't be daytime. It's just for the night time. Bruh.

1342
01:04:58,040 --> 01:04:58,680
Speaker 2: I would pay for that.

1343
01:04:58,720 --> 01:04:59,200
Speaker 1: You want to do it?

1344
01:04:59,240 --> 01:05:00,920
Speaker 2: I would pay for that. I would pay for.

1345
01:05:00,880 --> 01:05:04,320
Speaker 1: That streaming and is talking about all these things?

1346
01:05:04,920 --> 01:05:05,920
Speaker 2: Do anything with you?

1347
01:05:05,960 --> 01:05:06,320
Speaker 1: All right?

1348
01:05:07,720 --> 01:05:15,120
Speaker 2: You're anything? No, man, that's not what I mean. I

1349
01:05:15,160 --> 01:05:18,840
Speaker 2: mean when it comes to creating content. I'm well, I

1350
01:05:18,880 --> 01:05:26,000
Speaker 2: think you're content. No, No, I mean creating. I need

1351
01:05:26,040 --> 01:05:26,240
Speaker 2: you that.

1352
01:05:27,840 --> 01:05:36,720
Speaker 1: You're speaking like a stream and speaking of boundaries and

1353
01:05:36,720 --> 01:05:38,920
Speaker 1: what should I did want to get into this clip

1354
01:05:38,920 --> 01:05:42,520
Speaker 1: as well a little Scrappy recently was on another horse podcast, Cannon.

1355
01:05:43,400 --> 01:05:47,360
Speaker 1: He has a show called Were Playing Spades, and he

1356
01:05:47,440 --> 01:05:51,320
Speaker 1: recalled his mom and the gift that she got him

1357
01:05:51,640 --> 01:05:54,680
Speaker 1: for his fourteenth birthday party. Please play this.

1358
01:05:54,680 --> 01:05:59,560
Speaker 7: Clip fourteen sounding like that. And she so, I have

1359
01:05:59,680 --> 01:06:02,000
Speaker 7: a four blong party and were in the hood, like

1360
01:06:02,160 --> 01:06:04,720
Speaker 7: you see the football. Everybody came because they you know,

1361
01:06:04,880 --> 01:06:06,000
Speaker 7: we popular in the hood.

1362
01:06:06,280 --> 01:06:08,240
Speaker 1: Said hey, come on, let's get it started. A little

1363
01:06:08,280 --> 01:06:09,880
Speaker 1: whistle boom, put the girls out.

1364
01:06:09,920 --> 01:06:11,360
Speaker 2: How about they got their parents?

1365
01:06:11,440 --> 01:06:16,920
Speaker 7: Yeah, because the little girl, the young woman had striggles

1366
01:06:16,920 --> 01:06:19,480
Speaker 7: in there from my birthday.

1367
01:06:19,880 --> 01:06:23,560
Speaker 2: The shoul girl and the real ladies and yeah, theron

1368
01:06:23,640 --> 01:06:25,680
Speaker 2: women and everybody came back.

1369
01:06:25,960 --> 01:06:28,200
Speaker 1: Everybody came back to the door. All the mama came

1370
01:06:28,280 --> 01:06:30,440
Speaker 1: back my ground.

1371
01:06:31,120 --> 01:06:32,880
Speaker 2: She was like yeah, she was like, yeah in my house.

1372
01:06:35,520 --> 01:06:38,000
Speaker 7: Yeah, you got you got a son in here that

1373
01:06:38,080 --> 01:06:39,760
Speaker 7: don't need to be in help please take them.

1374
01:06:39,840 --> 01:06:40,919
Speaker 2: Call them out.

1375
01:06:40,560 --> 01:06:44,280
Speaker 1: We get up out. Yeah, we're doing something, you know,

1376
01:06:44,360 --> 01:06:45,560
Speaker 1: because then.

1377
01:06:45,280 --> 01:06:48,680
Speaker 7: Look look look, and then all the girls came back

1378
01:06:48,760 --> 01:06:51,960
Speaker 7: and we continued the party down with Yeah. And that's

1379
01:06:51,960 --> 01:06:55,720
Speaker 7: how we yea for my fourteenth birthday party. That's the

1380
01:06:55,760 --> 01:06:57,160
Speaker 7: hell of a party. I don't even know that was

1381
01:06:57,200 --> 01:07:01,439
Speaker 7: the party store. I wouldn't even live I wasn't even

1382
01:07:01,480 --> 01:07:03,480
Speaker 7: looking for nothing like that. I was in there like

1383
01:07:03,960 --> 01:07:06,320
Speaker 7: the whole time, like strippers.

1384
01:07:06,360 --> 01:07:07,720
Speaker 1: I'm like, this is like.

1385
01:07:09,520 --> 01:07:15,080
Speaker 2: Was I look back at it though. That was traumatized.

1386
01:07:19,360 --> 01:07:24,520
Speaker 1: So I think that's really the root of where men

1387
01:07:24,560 --> 01:07:26,400
Speaker 1: are right now. I think that they had a lot

1388
01:07:26,400 --> 01:07:28,240
Speaker 1: of traumatizing experiences.

1389
01:07:29,120 --> 01:07:33,280
Speaker 2: That was pretty special. Anybody really that had that.

1390
01:07:33,480 --> 01:07:35,200
Speaker 1: Yeah, Boosy's kids had that.

1391
01:07:35,400 --> 01:07:36,240
Speaker 2: There's just.

1392
01:07:37,840 --> 01:07:40,320
Speaker 1: This is what we're being able to hear of in

1393
01:07:40,480 --> 01:07:42,840
Speaker 1: public when we talk about the streets in the hood

1394
01:07:42,840 --> 01:07:45,240
Speaker 1: and the mentality of what makes a man a man.

1395
01:07:45,840 --> 01:07:50,800
Speaker 1: I guarantee there are a lot more men of Southern

1396
01:07:51,760 --> 01:07:54,320
Speaker 1: I mean either way, Yeah, Louisiana and Atlansta.

1397
01:07:54,160 --> 01:07:55,240
Speaker 2: Club culture is a big thing.

1398
01:07:55,360 --> 01:07:57,760
Speaker 1: Yeah it is for me. I think she needs to

1399
01:07:57,760 --> 01:07:58,680
Speaker 1: go to jail at this point.

1400
01:07:58,840 --> 01:07:59,640
Speaker 2: Jesus Christ.

1401
01:07:59,800 --> 01:08:00,400
Speaker 1: I think.

1402
01:08:02,800 --> 01:08:04,560
Speaker 2: It wasn't like they slept with anybody.

1403
01:08:04,680 --> 01:08:09,880
Speaker 1: I'm jail now. Let's talk about let's talk about Okay,

1404
01:08:10,240 --> 01:08:12,919
Speaker 1: maybe because it happened so long ago, if that took

1405
01:08:12,960 --> 01:08:17,479
Speaker 1: place today and a mother brought strippers in to dance

1406
01:08:17,560 --> 01:08:20,759
Speaker 1: for fourteen year old boys, what do you think should

1407
01:08:20,760 --> 01:08:23,559
Speaker 1: happen to that mom. Do you not, like, let's not

1408
01:08:23,600 --> 01:08:25,960
Speaker 1: talk about then in the past. If we're gonna judge

1409
01:08:25,960 --> 01:08:29,600
Speaker 1: this act on what it really is in today, what

1410
01:08:29,720 --> 01:08:31,760
Speaker 1: should be the consequence for a mom who does that

1411
01:08:31,800 --> 01:08:32,960
Speaker 1: for their child?

1412
01:08:35,080 --> 01:08:35,719
Speaker 2: Is it a crime?

1413
01:08:37,680 --> 01:08:38,040
Speaker 1: Is it not?

1414
01:08:39,080 --> 01:08:43,240
Speaker 2: I don't know. You don't mean like like decency in

1415
01:08:43,320 --> 01:08:45,479
Speaker 2: front of a minor or something could be so that

1416
01:08:45,520 --> 01:08:46,120
Speaker 2: would be the crime.

1417
01:08:47,120 --> 01:08:49,360
Speaker 1: A little bit of coercion, a little bit of.

1418
01:08:50,120 --> 01:08:50,720
Speaker 2: Trying to match the.

1419
01:08:52,600 --> 01:08:55,760
Speaker 5: Breaking of the law aspect, if any, because that's what

1420
01:08:55,800 --> 01:08:57,519
Speaker 5: you not the moral if you're talking about the moral

1421
01:08:57,560 --> 01:08:58,960
Speaker 5: standing on because I know you don't want to have

1422
01:08:58,960 --> 01:09:00,320
Speaker 5: a moral moral.

1423
01:09:00,800 --> 01:09:05,880
Speaker 1: First off, morally, this is completely wrong. Let's go So

1424
01:09:05,960 --> 01:09:07,960
Speaker 1: you're trying to lean into the law.

1425
01:09:08,280 --> 01:09:11,320
Speaker 2: Yes, morally, where do I stand on it? I really

1426
01:09:11,439 --> 01:09:14,040
Speaker 2: am because.

1427
01:09:14,120 --> 01:09:17,040
Speaker 5: You mentioned the strip club being a South thing, but

1428
01:09:17,160 --> 01:09:19,720
Speaker 5: also churches too. If we're just going by you know,

1429
01:09:20,080 --> 01:09:23,160
Speaker 5: the moral code, how how does that even exist?

1430
01:09:23,280 --> 01:09:26,639
Speaker 2: That's just that's that's really a forty year old stripper party.

1431
01:09:26,760 --> 01:09:28,679
Speaker 2: I saw I start thinking that fourteen was I looking

1432
01:09:28,680 --> 01:09:33,240
Speaker 2: at you? That's what I think about thirteen fourteen, We

1433
01:09:33,600 --> 01:09:36,599
Speaker 2: you know, we started looking at playboys and stuff. And

1434
01:09:36,640 --> 01:09:38,840
Speaker 2: if my mom threw me a full strip party, that

1435
01:09:38,880 --> 01:09:39,479
Speaker 2: would be a lot.

1436
01:09:39,600 --> 01:09:42,800
Speaker 1: By the way, I love my husband. He showed up

1437
01:09:42,800 --> 01:09:47,559
Speaker 1: and showed out, so legally, legally, since you don't want

1438
01:09:47,560 --> 01:09:50,599
Speaker 1: to go the moral route, it does violate laws such

1439
01:09:50,640 --> 01:09:53,840
Speaker 1: as endangerment of a child, corruption.

1440
01:09:53,439 --> 01:09:54,240
Speaker 2: Of my veragement.

1441
01:09:55,040 --> 01:09:57,120
Speaker 1: Hold on is pulling up. Listen, I'm about to I'm

1442
01:09:57,160 --> 01:09:59,000
Speaker 1: about to bring it up. And mind you, it has

1443
01:09:59,040 --> 01:10:02,840
Speaker 1: the states in which it two. Oh, here we go, California.

1444
01:10:03,000 --> 01:10:06,240
Speaker 1: You know where that is. So no, this is a

1445
01:10:06,240 --> 01:10:09,680
Speaker 1: crime in California. Here we go. This would be harmful

1446
01:10:09,920 --> 01:10:12,960
Speaker 1: matter to minors, showing sexual content to minors. So in

1447
01:10:13,000 --> 01:10:16,639
Speaker 1: California it makes it a crime to exhibit harmful sexual

1448
01:10:16,640 --> 01:10:19,640
Speaker 1: material to anyone under the age of eighteen, and penalties

1449
01:10:19,680 --> 01:10:23,160
Speaker 1: can include jail and fines. This would also be in

1450
01:10:23,200 --> 01:10:27,040
Speaker 1: decency with a child, so in Texas, it's exposing genitals

1451
01:10:27,240 --> 01:10:30,000
Speaker 1: in a known presence of a child under seventeen, obscene

1452
01:10:30,040 --> 01:10:33,480
Speaker 1: or sexual performances presented to minors. This would be criminalized

1453
01:10:33,520 --> 01:10:36,960
Speaker 1: in the state of Pennsylvania endangering the child and endangering

1454
01:10:37,040 --> 01:10:40,320
Speaker 1: the welfare of a child, corruption of minors. This would

1455
01:10:40,320 --> 01:10:43,719
Speaker 1: be actually New York penal law two six zero point

1456
01:10:43,720 --> 01:10:46,400
Speaker 1: one zero, And then of course there's local and licensing

1457
01:10:46,479 --> 01:10:49,479
Speaker 1: rules that keep this from being so bottom line, hiring

1458
01:10:49,520 --> 01:10:52,080
Speaker 1: strippers for a party where anyone under eighteen is present

1459
01:10:52,479 --> 01:10:57,439
Speaker 1: risks multiple criminal charges. Sure, so here we go, jail time.

1460
01:10:57,720 --> 01:10:59,439
Speaker 1: Like I said, now, I don't know the set you

1461
01:10:59,439 --> 01:10:59,960
Speaker 1: will limitate.

1462
01:11:00,040 --> 01:11:02,880
Speaker 2: It might not be jail time. No, in Georgia, that's

1463
01:11:02,880 --> 01:11:06,759
Speaker 2: probably like it might be like probation, probation and a fine,

1464
01:11:06,960 --> 01:11:10,559
Speaker 2: a big fine. I'm telling you. Also, who a whistle blow?

1465
01:11:10,640 --> 01:11:10,680
Speaker 4: That?

1466
01:11:11,680 --> 01:11:13,960
Speaker 1: Because literally one of the other kids. So that's what

1467
01:11:14,080 --> 01:11:17,280
Speaker 1: just happens. So even at this specific party, they said, okay,

1468
01:11:17,360 --> 01:11:21,200
Speaker 1: all the age appropriate girls leave the room, let's usher

1469
01:11:21,200 --> 01:11:23,320
Speaker 1: in these grown women. So the girls went back to

1470
01:11:23,400 --> 01:11:27,200
Speaker 1: their parents and told so literally the whistle blower one.

1471
01:11:27,080 --> 01:11:31,160
Speaker 2: Of the I think we all understand that this is wrong. Yes, right,

1472
01:11:31,360 --> 01:11:33,280
Speaker 2: because it's against the law.

1473
01:11:33,280 --> 01:11:35,439
Speaker 1: Yes right, and morally it is also wrong.

1474
01:11:35,680 --> 01:11:40,840
Speaker 2: So again, but I'm not disagreeing. I'm just thinking you

1475
01:11:40,880 --> 01:11:44,160
Speaker 2: want to make no no, no, no no no. I'm

1476
01:11:44,160 --> 01:11:47,160
Speaker 2: thinking to myself, like I saw playboys, I probably would

1477
01:11:47,200 --> 01:11:50,760
Speaker 2: be traumatized to even though I saw playboys, it makes

1478
01:11:50,800 --> 01:11:56,720
Speaker 2: me think it's a money called milk money, yes, and

1479
01:11:57,280 --> 01:11:59,639
Speaker 2: he wanted his dad. His mother died and he wanted

1480
01:11:59,640 --> 01:12:01,519
Speaker 2: his dad. This is a white movie. He wanted his

1481
01:12:01,640 --> 01:12:05,120
Speaker 2: dad to find love again. So they go to the

1482
01:12:05,120 --> 01:12:08,880
Speaker 2: city to see a prostitute. Boobies okay, and this is

1483
01:12:08,960 --> 01:12:12,360
Speaker 2: like this mainstream movie. And I was just thinking to myself,

1484
01:12:12,479 --> 01:12:14,920
Speaker 2: like if I would have saw some titties, I probably

1485
01:12:14,920 --> 01:12:18,639
Speaker 2: wouldn't have been this traumatized seeing four blown strippers at

1486
01:12:18,640 --> 01:12:24,679
Speaker 2: fourteen would be Atlanta. Atlanta the best strippers, and Atlanta

1487
01:12:24,720 --> 01:12:28,400
Speaker 2: strippers are like left for sure the best strip This

1488
01:12:28,520 --> 01:12:30,760
Speaker 2: is their sex, like this is they don't have to

1489
01:12:30,760 --> 01:12:31,840
Speaker 2: give you no pussy and you got some.

1490
01:12:32,040 --> 01:12:34,080
Speaker 1: See, I've lived in both cities, so maybe that's why

1491
01:12:34,200 --> 01:12:38,840
Speaker 1: you know slipperated. I'll be going like, bitch, why I

1492
01:12:38,880 --> 01:12:41,080
Speaker 1: can't see no coochie lips, like when I go to

1493
01:12:41,160 --> 01:12:45,080
Speaker 1: a strip club and then bitch just got panties and nipple.

1494
01:12:46,320 --> 01:12:50,240
Speaker 1: New York is the worst place ever for strippers, niggas

1495
01:12:50,240 --> 01:12:53,880
Speaker 1: gott I don't want to bro I were less at

1496
01:12:53,920 --> 01:12:56,000
Speaker 1: the beach than them, goddamn strippers wearing got damn New

1497
01:12:56,080 --> 01:12:56,400
Speaker 1: York And.

1498
01:12:56,479 --> 01:13:01,920
Speaker 2: What do we do? The point is she should be

1499
01:13:02,320 --> 01:13:02,760
Speaker 2: the point is.

1500
01:13:02,760 --> 01:13:05,000
Speaker 1: This is why a lot of you men are misogynists,

1501
01:13:05,040 --> 01:13:09,920
Speaker 1: because y'all, the experience is if it wasn't strippers, it

1502
01:13:10,040 --> 01:13:13,919
Speaker 1: was that your manhood was tied to having sex, probably

1503
01:13:13,960 --> 01:13:16,960
Speaker 1: way earlier than you needed to, oftentimes with an older woman,

1504
01:13:17,200 --> 01:13:19,479
Speaker 1: and instead of viewing it as the sexual assault that

1505
01:13:19,520 --> 01:13:22,599
Speaker 1: it is, you're trying to navigate your hate for women

1506
01:13:22,640 --> 01:13:24,920
Speaker 1: because you weren't ready. You were traumatized, and you haven't

1507
01:13:24,920 --> 01:13:26,840
Speaker 1: gone to therapy to lift through it. Not talking to you,

1508
01:13:27,000 --> 01:13:27,479
Speaker 1: but I'm.

1509
01:13:27,320 --> 01:13:32,280
Speaker 2: Saying, I'm a reasonable guy. What's what's the decent age that?

1510
01:13:32,920 --> 01:13:35,599
Speaker 5: What's the age that's the age of appropriateness for sex

1511
01:13:35,640 --> 01:13:37,160
Speaker 5: for a man? You think, you know what's crazy?

1512
01:13:37,960 --> 01:13:38,439
Speaker 2: To sixteen?

1513
01:13:39,720 --> 01:13:43,280
Speaker 1: Every state is different in thirty plus states, and of course,

1514
01:13:43,280 --> 01:13:45,000
Speaker 1: cause niggas is nasty, they're trying to move it down

1515
01:13:45,000 --> 01:13:51,679
Speaker 1: to fourteen. But white, white they're the only ones in charge.

1516
01:13:51,720 --> 01:13:52,920
Speaker 1: They nasty.

1517
01:13:53,040 --> 01:13:56,800
Speaker 2: You know, I don't want to wait too much, but

1518
01:13:57,280 --> 01:13:57,720
Speaker 2: I don't want to.

1519
01:13:57,760 --> 01:13:59,400
Speaker 3: But if we asked the mayor over here, he's gonna

1520
01:13:59,400 --> 01:14:00,000
Speaker 3: have different loss.

1521
01:14:00,800 --> 01:14:03,360
Speaker 2: You know, But what's an appropriate age? Because not the

1522
01:14:03,439 --> 01:14:05,519
Speaker 2: law age, what's the appropriate moral age?

1523
01:14:05,520 --> 01:14:07,920
Speaker 5: Because we all have access to access to it at

1524
01:14:07,920 --> 01:14:08,920
Speaker 5: different age.

1525
01:14:08,920 --> 01:14:11,400
Speaker 1: I think the problem is it's not only access. I

1526
01:14:11,400 --> 01:14:14,720
Speaker 1: think it's the conversations around it. I think there's no

1527
01:14:14,880 --> 01:14:19,240
Speaker 1: education in school, and unfortunately, parents, even if they had

1528
01:14:19,240 --> 01:14:21,479
Speaker 1: a child at sixteen, still want to believe their child

1529
01:14:21,520 --> 01:14:23,840
Speaker 1: at sixteen is just not having sex. So I think

1530
01:14:23,880 --> 01:14:28,200
Speaker 1: there's the delusion of the healthy conversations that need to

1531
01:14:28,200 --> 01:14:30,080
Speaker 1: be had around it that aren't had around it. I

1532
01:14:30,120 --> 01:14:32,919
Speaker 1: can look back now, I started having sex at sixteen.

1533
01:14:33,560 --> 01:14:36,559
Speaker 1: I can look back now I absolutely should not been

1534
01:14:36,720 --> 01:14:38,599
Speaker 1: having sex to sixteen for the knowledge that I had

1535
01:14:38,640 --> 01:14:40,639
Speaker 1: at the time, And so for me, I think that

1536
01:14:40,640 --> 01:14:43,320
Speaker 1: that's what it is. I think that there just needs

1537
01:14:43,320 --> 01:14:46,240
Speaker 1: to be a lot more education and healthy conversation around it,

1538
01:14:46,320 --> 01:14:49,080
Speaker 1: like not that don't have sex because you're gonna get

1539
01:14:49,120 --> 01:14:51,400
Speaker 1: a's and die, or you're gonna get pronversation, like there

1540
01:14:51,439 --> 01:14:54,200
Speaker 1: just needs to be real conversations around it, specifically like

1541
01:14:54,600 --> 01:14:56,679
Speaker 1: a man don't like you more because you love them fuck,

1542
01:14:57,360 --> 01:14:59,519
Speaker 1: And I think a lot of women tie their own

1543
01:14:59,840 --> 01:15:05,760
Speaker 1: lie validation to me. I would love to do. Unfortunately,

1544
01:15:05,960 --> 01:15:08,360
Speaker 1: Trump is out here defunding all the programs that allow that.

1545
01:15:08,560 --> 01:15:11,920
Speaker 1: So maybe when yeah, I gotta if you.

1546
01:15:11,840 --> 01:15:16,479
Speaker 2: Should start making your content your sexual education. That should

1547
01:15:16,479 --> 01:15:17,560
Speaker 2: be a decision.

1548
01:15:17,840 --> 01:15:20,360
Speaker 1: Oh my fucking you.

1549
01:15:20,240 --> 01:15:23,320
Speaker 2: Need to shoot a sex ad tape and sell it

1550
01:15:23,400 --> 01:15:24,439
Speaker 2: to school districts.

1551
01:15:24,600 --> 01:15:27,519
Speaker 1: Schools won't buy it. They don't want to see the

1552
01:15:27,520 --> 01:15:29,000
Speaker 1: way I want to teach it. They don't want to

1553
01:15:29,000 --> 01:15:30,920
Speaker 1: teach it that way. They still want to pull the

1554
01:15:30,920 --> 01:15:31,519
Speaker 1: banananas in the.

1555
01:15:32,120 --> 01:15:33,840
Speaker 2: Part of you make it a part of your ship.

1556
01:15:33,840 --> 01:15:34,719
Speaker 2: It will work.

1557
01:15:35,200 --> 01:15:37,440
Speaker 1: I would probably have to be an after school program

1558
01:15:37,640 --> 01:15:39,599
Speaker 1: that would need a permission slip sign.

1559
01:15:40,479 --> 01:15:41,880
Speaker 2: No, it would work.

1560
01:15:41,920 --> 01:15:42,680
Speaker 1: We're not past that.

1561
01:15:42,800 --> 01:15:46,519
Speaker 3: I would invest in this.

1562
01:15:46,640 --> 01:15:51,599
Speaker 2: Ye ain't coming from you. You teaching how you see

1563
01:15:51,600 --> 01:15:54,680
Speaker 2: saying way more informative and you Yes, your lens is

1564
01:15:54,760 --> 01:15:56,800
Speaker 2: totally there and just.

1565
01:15:56,920 --> 01:15:58,760
Speaker 1: And I've been wanting to make a nonprofit. It helps

1566
01:15:58,760 --> 01:16:06,800
Speaker 1: with taxing. Look at me speaking like Dot'll get it

1567
01:16:06,840 --> 01:16:09,160
Speaker 1: to this last topic before we get into am I ignorant?

1568
01:16:09,400 --> 01:16:14,280
Speaker 1: All right? Snoop Dog recently doubled down with Glad. That's right.

1569
01:16:14,439 --> 01:16:16,880
Speaker 1: The Rapper teamed up with Glad for their Spirit Day,

1570
01:16:17,040 --> 01:16:20,760
Speaker 1: where he talks about his new children's series Doggieland, which

1571
01:16:20,880 --> 01:16:26,519
Speaker 1: includes gay characters. Now. Earlier this year, he went viral

1572
01:16:27,120 --> 01:16:29,960
Speaker 1: for okay, this is we're gonna talk about him talking

1573
01:16:29,960 --> 01:16:32,479
Speaker 1: about this book first, and then we're gonna get into

1574
01:16:32,680 --> 01:16:34,720
Speaker 1: what he recently went viral for earlier this year.

1575
01:16:34,800 --> 01:16:37,439
Speaker 2: Right, we should have said Snoop got in bed with Glad.

1576
01:16:37,439 --> 01:16:38,040
Speaker 2: That would have been good.

1577
01:16:38,080 --> 01:16:38,960
Speaker 1: Snoop digging into bed with.

1578
01:16:40,880 --> 01:16:41,160
Speaker 2: Spirit.

1579
01:16:41,400 --> 01:16:42,960
Speaker 3: Let's let's let's let's listen and.

1580
01:16:44,960 --> 01:16:51,160
Speaker 11: Record that my kids program Doggie Land presented me. Where's

1581
01:16:51,160 --> 01:16:53,400
Speaker 11: the song where it's teaching love is Love? Is teaching

1582
01:16:53,439 --> 01:16:56,640
Speaker 11: a parenthood, is teaching the situations that kids and the

1583
01:16:56,680 --> 01:16:59,360
Speaker 11: world is going through right now in a beautiful way

1584
01:16:59,400 --> 01:17:03,240
Speaker 11: through songs, dance, melody, and just trying to get more

1585
01:17:03,360 --> 01:17:05,160
Speaker 11: understanding clarity on.

1586
01:17:05,280 --> 01:17:07,439
Speaker 1: How we live and the way we live.

1587
01:17:08,000 --> 01:17:11,120
Speaker 11: And I felt like this music is a beautiful, you know,

1588
01:17:11,680 --> 01:17:14,640
Speaker 11: bridge to bring an understanding. This is a program that

1589
01:17:14,680 --> 01:17:17,040
Speaker 11: we've been doing for years where we involve kids and

1590
01:17:17,360 --> 01:17:19,680
Speaker 11: these are things that kids have questions about. So now

1591
01:17:19,680 --> 01:17:22,240
Speaker 11: hopefully we can help answer these questions and you know,

1592
01:17:22,360 --> 01:17:24,960
Speaker 11: help them to live a happy life and understand that

1593
01:17:25,040 --> 01:17:25,679
Speaker 11: love is love.

1594
01:17:27,200 --> 01:17:32,479
Speaker 6: Okay, But Spirit Day, Spirit Days glads Anti Bullying Day

1595
01:17:32,520 --> 01:17:35,720
Speaker 6: for LGBTQ youth and they were purple. So that's why

1596
01:17:35,720 --> 01:17:37,639
Speaker 6: Snoop had the purple hoodie on in a purple drag.

1597
01:17:37,920 --> 01:17:42,040
Speaker 1: Okay, is this him educating himself and correcting himself in

1598
01:17:42,080 --> 01:17:44,800
Speaker 1: real time? Or is it hypocrisy? And I asked that

1599
01:17:44,840 --> 01:17:47,639
Speaker 1: because recently he went to the movies with his child

1600
01:17:48,200 --> 01:17:50,080
Speaker 1: and what movie was it? Could you pull up what

1601
01:17:50,120 --> 01:17:56,200
Speaker 1: movie it was? Yes? And so oh light Year? Is

1602
01:17:56,240 --> 01:17:56,840
Speaker 1: that what it was?

1603
01:17:57,479 --> 01:17:58,880
Speaker 3: Yes, yep, so light Year.

1604
01:17:59,120 --> 01:18:01,240
Speaker 1: So light Year. They went to movies and within the

1605
01:18:01,280 --> 01:18:07,400
Speaker 1: film it presented same sex and it made him uncomfortable

1606
01:18:07,439 --> 01:18:10,720
Speaker 1: because his kids started asking questions and he was just

1607
01:18:10,880 --> 01:18:15,880
Speaker 1: bring kids maybe, and he was just like this. So

1608
01:18:15,920 --> 01:18:18,920
Speaker 1: it's interesting that a person who was upset with his

1609
01:18:19,000 --> 01:18:23,400
Speaker 1: inability to explain this in a healthy way to his

1610
01:18:23,479 --> 01:18:28,160
Speaker 1: grandkids now is creating music that is saying that love

1611
01:18:28,240 --> 01:18:30,439
Speaker 1: is love and this is just how people exist. So

1612
01:18:30,479 --> 01:18:33,679
Speaker 1: I want to ask, y'all, is this him correcting himself

1613
01:18:33,760 --> 01:18:37,479
Speaker 1: in real time or is this just anything for a

1614
01:18:37,600 --> 01:18:40,160
Speaker 1: check because a part of it seems like that for me.

1615
01:18:40,640 --> 01:18:43,559
Speaker 1: We know that Snoop Dogg we talked about it earlier,

1616
01:18:43,720 --> 01:18:49,000
Speaker 1: was one of the performances during the Trump inauguration, because yes.

1617
01:18:48,920 --> 01:18:49,240
Speaker 2: It was.

1618
01:18:49,360 --> 01:18:53,479
Speaker 1: It was right right down the street. And I'm just wondering, Yeah,

1619
01:18:53,520 --> 01:18:57,400
Speaker 1: what what our thoughts is on now? Him doing a

1620
01:18:57,520 --> 01:18:59,960
Speaker 1: same sex couple's children series called Doculent.

1621
01:19:00,520 --> 01:19:01,759
Speaker 2: I think it's a little bit of both.

1622
01:19:02,240 --> 01:19:05,879
Speaker 5: Okay, the course correction comes with I would assume that

1623
01:19:05,880 --> 01:19:08,720
Speaker 5: that came from people around him when he made the error,

1624
01:19:08,800 --> 01:19:11,680
Speaker 5: say hey, look, okay, talent really And then in the

1625
01:19:12,000 --> 01:19:15,360
Speaker 5: course correction somebody was like, yo, you can monetize this

1626
01:19:15,400 --> 01:19:17,559
Speaker 5: thing too, right, because we do it.

1627
01:19:18,680 --> 01:19:20,960
Speaker 2: But we do this right, We do this amongst each other, like.

1628
01:19:20,960 --> 01:19:23,920
Speaker 3: Yeah, man's talking about her taxes like that was a.

1629
01:19:23,920 --> 01:19:24,240
Speaker 1: Joke that.

1630
01:19:27,600 --> 01:19:28,080
Speaker 2: It was funny.

1631
01:19:28,760 --> 01:19:31,280
Speaker 1: Serious, Why do you think these pastors have churches so

1632
01:19:31,320 --> 01:19:34,040
Speaker 1: they ain't got to pay text? These niggas want to write.

1633
01:19:34,040 --> 01:19:36,200
Speaker 1: They want to write off the private.

1634
01:19:36,000 --> 01:19:39,280
Speaker 5: Jets, okay, and you want to teach the lord, right,

1635
01:19:39,320 --> 01:19:40,760
Speaker 5: so you kind of it serves both things.

1636
01:19:41,439 --> 01:19:45,000
Speaker 1: I think you wanted to reward the horse for sex education.

1637
01:19:45,200 --> 01:19:47,080
Speaker 5: I think it's course correction, and he just found a

1638
01:19:47,080 --> 01:19:48,160
Speaker 5: way to monetize it as well.

1639
01:19:48,200 --> 01:19:48,599
Speaker 1: I agree.

1640
01:19:48,600 --> 01:19:51,720
Speaker 5: So, but with monetizing that, he's taking the challenge of

1641
01:19:52,760 --> 01:19:53,479
Speaker 5: educating too.

1642
01:19:55,840 --> 01:19:57,920
Speaker 2: So since y'all said that, so, I think it happened

1643
01:19:57,920 --> 01:20:01,360
Speaker 2: sometime in August, and he responded to the backlash.

1644
01:20:01,439 --> 01:20:02,479
Speaker 1: He did respond to that, and.

1645
01:20:02,439 --> 01:20:05,400
Speaker 2: He said he said. The rapper addressed a backlash in

1646
01:20:05,400 --> 01:20:08,160
Speaker 2: the common section of a Hollywood and Locked Instagram post, writing,

1647
01:20:08,360 --> 01:20:10,439
Speaker 2: I was just caught off guard and I had no

1648
01:20:10,560 --> 01:20:14,439
Speaker 2: answers for my grandsons. All my gay friends know what's up.

1649
01:20:14,640 --> 01:20:17,880
Speaker 2: They've been calling me with love my bathroom. I got

1650
01:20:18,160 --> 01:20:21,000
Speaker 2: their answers for a six year old, teach me how

1651
01:20:21,000 --> 01:20:23,120
Speaker 2: to learn. I'm not perfect, so.

1652
01:20:23,000 --> 01:20:25,920
Speaker 1: Then teach me how to learn? Came a couple months later.

1653
01:20:25,720 --> 01:20:26,160
Speaker 2: With a check me.

1654
01:20:26,240 --> 01:20:26,800
Speaker 1: I'm mad at that.

1655
01:20:26,840 --> 01:20:30,840
Speaker 2: I wish I could or or somebody was teaching him

1656
01:20:31,000 --> 01:20:32,760
Speaker 2: and they were expressing it to him, and then his

1657
01:20:32,840 --> 01:20:34,960
Speaker 2: team said, hey, snoop, because that's what he said. My

1658
01:20:35,040 --> 01:20:36,840
Speaker 2: team came to me with an idea, and it was like,

1659
01:20:36,880 --> 01:20:39,719
Speaker 2: you know what, maybe I'm a little more comfortable now

1660
01:20:40,000 --> 01:20:42,639
Speaker 2: to even back the idea.

1661
01:20:42,720 --> 01:20:46,120
Speaker 1: I will say, as someone who is often on a MIC,

1662
01:20:46,760 --> 01:20:50,720
Speaker 1: I will champion people being able to learn quickly and

1663
01:20:50,800 --> 01:20:54,000
Speaker 1: change their minds because I do think that that's the benefit,

1664
01:20:54,120 --> 01:20:58,240
Speaker 1: Like that's life, right, being able to change and evolve. Yeah,

1665
01:20:58,280 --> 01:21:03,280
Speaker 1: and become empowered product empowered evolved. But no, I'm not

1666
01:21:03,360 --> 01:21:06,240
Speaker 1: mad at this. I do think though, however, for someone

1667
01:21:06,439 --> 01:21:10,160
Speaker 1: who might still be learning, it's crazy for him to

1668
01:21:10,240 --> 01:21:13,360
Speaker 1: stamp be a part of the lgbt q I a

1669
01:21:13,400 --> 01:21:16,240
Speaker 1: community and making money off of something like this so quickly.

1670
01:21:16,640 --> 01:21:20,040
Speaker 1: I wish that more money was going towards real advocates

1671
01:21:20,360 --> 01:21:22,840
Speaker 1: and not just hip hop heads who are learning in

1672
01:21:22,920 --> 01:21:26,479
Speaker 1: real time, who said something that hurt a specific community

1673
01:21:26,520 --> 01:21:28,080
Speaker 1: and a couple months later gets a check for it.

1674
01:21:28,160 --> 01:21:31,000
Speaker 1: Because there are people on the front lines doing the

1675
01:21:31,040 --> 01:21:34,160
Speaker 1: real work that aren't getting funded, that don't have money

1676
01:21:34,160 --> 01:21:36,240
Speaker 1: to do so, that don't that aren't able to spread

1677
01:21:36,240 --> 01:21:37,679
Speaker 1: it in an educational way.

1678
01:21:38,200 --> 01:21:40,240
Speaker 2: And so front line now.

1679
01:21:40,880 --> 01:21:43,000
Speaker 1: I would like I would like him. I would like

1680
01:21:43,080 --> 01:21:44,920
Speaker 1: him to do more of the work, though, I would

1681
01:21:45,000 --> 01:21:48,320
Speaker 1: like him to not lean into the ignorance of I'm learning,

1682
01:21:48,360 --> 01:21:49,960
Speaker 1: you know, I grew up in a certain time. I

1683
01:21:49,960 --> 01:21:53,839
Speaker 1: would like him to really showcase doing the work, educating himself,

1684
01:21:53,880 --> 01:21:56,840
Speaker 1: and then as he learns, being able to use his

1685
01:21:56,920 --> 01:21:57,479
Speaker 1: voice to.

1686
01:21:57,479 --> 01:22:01,000
Speaker 2: Share that team. I think because that his initial point,

1687
01:22:01,080 --> 01:22:03,880
Speaker 2: like my team came to me with this idea, and

1688
01:22:03,880 --> 01:22:05,559
Speaker 2: it's like maybe he would have been in front of

1689
01:22:05,560 --> 01:22:07,519
Speaker 2: it before he'd be like, you know what, Nah, I

1690
01:22:07,520 --> 01:22:10,519
Speaker 2: don't want to stand behind that message versus now after

1691
01:22:10,640 --> 01:22:13,680
Speaker 2: months of people saying, hey man, this is my experience right,

1692
01:22:13,840 --> 01:22:16,519
Speaker 2: Like he's saying, like I have gay friends, not like

1693
01:22:16,640 --> 01:22:18,679
Speaker 2: I a black friends. Some of the people that empower

1694
01:22:18,760 --> 01:22:22,000
Speaker 2: me in this business, some of my closest allies in

1695
01:22:22,040 --> 01:22:25,080
Speaker 2: this business have been gay males. Keith Brown, you know

1696
01:22:25,240 --> 01:22:27,879
Speaker 2: does all of Niggi Minaj's video. One of the greatest

1697
01:22:27,880 --> 01:22:30,360
Speaker 2: producers of music. He's a gay man, and he's somebody

1698
01:22:30,400 --> 01:22:33,320
Speaker 2: I can call and ask a million questions to see

1699
01:22:33,320 --> 01:22:35,960
Speaker 2: if I'm being like, you know, ignorant, like if I

1700
01:22:35,960 --> 01:22:38,360
Speaker 2: don't know something, and I'll ask him, and he has

1701
01:22:38,439 --> 01:22:42,080
Speaker 2: never been a problem with me asking. So's if Dog's

1702
01:22:42,160 --> 01:22:45,080
Speaker 2: team come to him and say, hey man, we have

1703
01:22:45,200 --> 01:22:48,240
Speaker 2: an idea, Like I know everybody's been hitting you about

1704
01:22:48,280 --> 01:22:50,040
Speaker 2: this and they were mad at this, but would you

1705
01:22:50,160 --> 01:22:52,360
Speaker 2: let us do this? And it's like, you know what,

1706
01:22:52,400 --> 01:22:56,040
Speaker 2: I've been building this platform. Yes, I'll share my platform

1707
01:22:56,080 --> 01:22:57,880
Speaker 2: with you. Cause they didn't give him no check? What

1708
01:22:58,080 --> 01:22:59,240
Speaker 2: check could they gave him?

1709
01:22:59,400 --> 01:23:03,400
Speaker 6: And for the for further context to that, that clip

1710
01:23:03,439 --> 01:23:05,720
Speaker 6: we saw that was on his Instagram post he did

1711
01:23:05,720 --> 01:23:08,160
Speaker 6: a joint one with Glad and the Kid that he

1712
01:23:08,240 --> 01:23:10,320
Speaker 6: was speaking to Jeremy below.

1713
01:23:10,400 --> 01:23:11,280
Speaker 3: I think that's his name.

1714
01:23:11,520 --> 01:23:14,720
Speaker 6: He's a gay artist who's actually signed to you know,

1715
01:23:14,760 --> 01:23:15,759
Speaker 6: Snoop's new Death.

1716
01:23:15,680 --> 01:23:18,760
Speaker 3: Row Records as well, So there's there's other things.

1717
01:23:18,280 --> 01:23:22,080
Speaker 2: He's everybody is kind of like and he's accepting it

1718
01:23:22,320 --> 01:23:23,160
Speaker 2: as long as there's.

1719
01:23:23,000 --> 01:23:25,160
Speaker 1: Money going back to people that are actually doing the work.

1720
01:23:25,160 --> 01:23:27,160
Speaker 1: I think you know what I mean, like to me,

1721
01:23:27,360 --> 01:23:30,480
Speaker 1: to me, profiting off of the ignorance for a community

1722
01:23:30,560 --> 01:23:34,599
Speaker 1: that is a press that is like really trying to

1723
01:23:34,760 --> 01:23:37,840
Speaker 1: educate people on their way of life, like apparently these

1724
01:23:37,880 --> 01:23:45,080
Speaker 1: whores out here. I just shut up. You have to

1725
01:23:45,240 --> 01:23:47,840
Speaker 1: I'm not listening to pick up to sleptwalk. Oh my god, No,

1726
01:23:47,920 --> 01:23:49,479
Speaker 1: I'm not doing a slow walk. I'm not.

1727
01:23:50,560 --> 01:23:51,519
Speaker 2: I'm not sure I'm not.

1728
01:23:51,439 --> 01:23:53,599
Speaker 3: Doing I thought that was crazy.

1729
01:23:53,640 --> 01:23:56,920
Speaker 1: I didn't even holds too far. I'm not doing a

1730
01:23:56,960 --> 01:24:00,519
Speaker 1: slow walk. Okay, I guess. But before we get out

1731
01:24:00,560 --> 01:24:02,160
Speaker 1: of here, we're gonna do a segment with you. Then

1732
01:24:02,200 --> 01:24:04,400
Speaker 1: we just added to the show. It is called am

1733
01:24:04,479 --> 01:24:08,160
Speaker 1: I Ignorant? And we're pretty much gonna dissect if this act,

1734
01:24:08,240 --> 01:24:11,599
Speaker 1: if this thought, if this person is leaning into being

1735
01:24:11,600 --> 01:24:14,599
Speaker 1: a little ignorant objectively doing what they know is wrong,

1736
01:24:14,640 --> 01:24:17,240
Speaker 1: but likes to do it anyway. Again, what is it? Subjectivity?

1737
01:24:17,479 --> 01:24:19,639
Speaker 1: So we're gonna read this. If you want to submit

1738
01:24:20,160 --> 01:24:23,880
Speaker 1: your am I Ignorant moments or story, please send it

1739
01:24:23,920 --> 01:24:28,679
Speaker 1: into Selective Ignorance pod at gmail dot com or drop

1740
01:24:28,680 --> 01:24:32,639
Speaker 1: it into the direct messages over on Patreon. That's Patreon

1741
01:24:32,680 --> 01:24:36,040
Speaker 1: dot com backslash Selective Ignorance Jay, go ahead and give

1742
01:24:36,080 --> 01:24:37,400
Speaker 1: it to us this week.

1743
01:24:37,720 --> 01:24:38,040
Speaker 2: All right?

1744
01:24:38,040 --> 01:24:41,200
Speaker 6: So this is about somebody taking pictures for a sister

1745
01:24:41,280 --> 01:24:43,960
Speaker 6: in law on a trip abroad and they had an

1746
01:24:44,000 --> 01:24:47,559
Speaker 6: issue about where he went. So he says here, I

1747
01:24:47,600 --> 01:24:50,200
Speaker 6: spent a couple months in India early this year.

1748
01:24:50,200 --> 01:24:51,360
Speaker 3: With my engineering firm.

1749
01:24:51,400 --> 01:24:53,679
Speaker 6: Before I left, my sister in law, who's from India,

1750
01:24:53,760 --> 01:24:55,679
Speaker 6: asked me to take plenty of pictures during a trip.

1751
01:24:55,920 --> 01:24:57,719
Speaker 6: She says she wanted to see the places I visited,

1752
01:24:57,720 --> 01:24:59,479
Speaker 6: and I was excited for me to experience our home

1753
01:24:59,479 --> 01:25:03,000
Speaker 6: country and see how things may have changed since she

1754
01:25:03,200 --> 01:25:05,200
Speaker 6: was there when she grew up. But she did not

1755
01:25:05,280 --> 01:25:08,040
Speaker 6: specify what pictures she wanted, and so it says here.

1756
01:25:08,640 --> 01:25:11,160
Speaker 6: I had free time outside of work on weekend and holidays.

1757
01:25:11,160 --> 01:25:13,720
Speaker 6: I used that time to explore. I did visit some

1758
01:25:13,760 --> 01:25:16,479
Speaker 6: of the more popular landmarks with my coworkers, but to

1759
01:25:16,520 --> 01:25:18,840
Speaker 6: be honest, I didn't find them to be that impressive

1760
01:25:19,240 --> 01:25:22,040
Speaker 6: compared to other places. I only took a few photos.

1761
01:25:22,200 --> 01:25:25,200
Speaker 6: What I found more interesting was seeing how people actually

1762
01:25:25,240 --> 01:25:28,240
Speaker 6: lived in different parts of the country. I liked observing

1763
01:25:28,280 --> 01:25:33,000
Speaker 6: housing and infrastructures, and engineer and sanitation even in poorer areas.

1764
01:25:33,240 --> 01:25:35,840
Speaker 6: I've done the same thing when I visited Egypt and Somalia.

1765
01:25:36,240 --> 01:25:38,400
Speaker 6: It also helps me to appreciate what I have, So

1766
01:25:38,479 --> 01:25:41,599
Speaker 6: most of my pictures ended up being of slums, rivers

1767
01:25:41,640 --> 01:25:44,599
Speaker 6: full of trash, people washing clothes or bathing in polluted water,

1768
01:25:44,920 --> 01:25:47,799
Speaker 6: and just the daily life of people in less fortunate areas.

1769
01:25:48,120 --> 01:25:50,439
Speaker 6: When I got back, my sister in law was eager

1770
01:25:50,479 --> 01:25:52,559
Speaker 6: to see the photos I handed on my phone, and

1771
01:25:52,600 --> 01:25:55,080
Speaker 6: after scrolling for a bit, she got upset and she

1772
01:25:55,240 --> 01:25:58,439
Speaker 6: asked why I only took pictures of quote filth and

1773
01:25:58,479 --> 01:26:00,639
Speaker 6: said I only made her country life terrible.

1774
01:26:01,000 --> 01:26:02,880
Speaker 3: I told her that was not my intention. I just

1775
01:26:02,920 --> 01:26:04,400
Speaker 3: find those things fascinating.

1776
01:26:04,479 --> 01:26:06,519
Speaker 6: She got really angry and said I must be insane

1777
01:26:06,600 --> 01:26:10,360
Speaker 6: or obsessed with poverty. My wife thinks she overreacted, but

1778
01:26:10,439 --> 01:26:13,880
Speaker 6: also understands why she was upset. I genuinely did not

1779
01:26:14,040 --> 01:26:16,920
Speaker 6: mean any disrespect, and I do the same kind of

1780
01:26:16,920 --> 01:26:18,439
Speaker 6: photography everywhere I go.

1781
01:26:18,600 --> 01:26:21,360
Speaker 1: Now, I want to sum this up into the question

1782
01:26:21,840 --> 01:26:28,040
Speaker 1: being are tours through the hood in poverished, stricken communities

1783
01:26:29,000 --> 01:26:32,519
Speaker 1: selectively ignorant? Do you think that that is something that

1784
01:26:32,560 --> 01:26:35,439
Speaker 1: should be shamed or looked down upon, or do you

1785
01:26:35,479 --> 01:26:38,640
Speaker 1: think it's enriching? And I asked this because when I

1786
01:26:38,760 --> 01:26:42,000
Speaker 1: traveled abroad, I lived in Singapore for a couple of years,

1787
01:26:42,400 --> 01:26:44,880
Speaker 1: and so what I realized on a lot of the

1788
01:26:44,920 --> 01:26:48,439
Speaker 1: tours they took you through the hoods. The last time

1789
01:26:48,680 --> 01:26:50,479
Speaker 1: I chose to do that, it's something I'm no longer

1790
01:26:50,520 --> 01:26:53,000
Speaker 1: interested in because I think it's fucking crazy and I

1791
01:26:53,040 --> 01:26:56,519
Speaker 1: think actually America is just the hood like it would

1792
01:26:56,560 --> 01:26:59,520
Speaker 1: be like bringing people to Everie Martin Luther King Boulevard

1793
01:26:59,760 --> 01:27:02,439
Speaker 1: in every city. Right. The last time I did it,

1794
01:27:02,760 --> 01:27:06,920
Speaker 1: where I actually felt wrong was in Soweto. So I

1795
01:27:06,920 --> 01:27:10,600
Speaker 1: went to Johannesburg and I went on It's literally a

1796
01:27:11,360 --> 01:27:16,960
Speaker 1: tour of the township of Soweto, and it's literally night

1797
01:27:17,000 --> 01:27:21,400
Speaker 1: and day from the city. Johannesburg was beautiful, the buildings,

1798
01:27:21,400 --> 01:27:24,800
Speaker 1: the infrastructure, everything and we're literally going into this like

1799
01:27:24,960 --> 01:27:28,880
Speaker 1: village where it was like it was really sad. And

1800
01:27:28,880 --> 01:27:31,400
Speaker 1: then what probably ruined it for me too is actually

1801
01:27:31,479 --> 01:27:34,880
Speaker 1: going to the Apartheid Museum and seeing the history as

1802
01:27:34,920 --> 01:27:39,200
Speaker 1: to why this area was like this. And so that

1803
01:27:39,360 --> 01:27:41,080
Speaker 1: was the last time I went. But I did want

1804
01:27:41,080 --> 01:27:44,760
Speaker 1: to ask you, as someone you know who would want

1805
01:27:44,800 --> 01:27:46,680
Speaker 1: to be the mayor of Compton, and you know, of

1806
01:27:46,680 --> 01:27:52,880
Speaker 1: course that's an under you know, not developed, but underprivileged community.

1807
01:27:53,040 --> 01:27:56,719
Speaker 1: What are your thoughts on tours and people touring hoods

1808
01:27:57,320 --> 01:28:00,120
Speaker 1: and is there a good thing to it or you

1809
01:28:00,160 --> 01:28:02,760
Speaker 1: absolutely feel like that's ignorant, you shouldn't do it.

1810
01:28:02,960 --> 01:28:03,920
Speaker 2: I think it's a great thing.

1811
01:28:04,400 --> 01:28:07,320
Speaker 1: I think, Okay, talk to me.

1812
01:28:07,479 --> 01:28:09,959
Speaker 2: Well. I think we have all the characters that represent

1813
01:28:10,240 --> 01:28:10,839
Speaker 2: an idea.

1814
01:28:11,400 --> 01:28:11,799
Speaker 1: Okay.

1815
01:28:12,200 --> 01:28:14,559
Speaker 2: I think that's another business that hip hop should be into.

1816
01:28:15,000 --> 01:28:17,639
Speaker 2: I think they explain. I think the Trap Museum represents

1817
01:28:17,640 --> 01:28:19,599
Speaker 2: that explain.

1818
01:28:20,080 --> 01:28:23,040
Speaker 1: It's like you get the culture in a digestible way.

1819
01:28:23,720 --> 01:28:31,559
Speaker 2: So I like whoever that photographer is, because it's like

1820
01:28:31,600 --> 01:28:34,120
Speaker 2: if he takes a picture of every landmark, all those

1821
01:28:34,160 --> 01:28:39,200
Speaker 2: pictures already exist, Like everybody hides kind of us, Okay,

1822
01:28:40,000 --> 01:28:42,719
Speaker 2: the people that grow up poor they hide the flavor

1823
01:28:42,760 --> 01:28:44,760
Speaker 2: like they don't want to be judged by it. But

1824
01:28:44,840 --> 01:28:49,720
Speaker 2: I think it's something special about people seeing, like, you know,

1825
01:28:49,920 --> 01:28:52,759
Speaker 2: the the culture that makes the town lively.

1826
01:28:54,320 --> 01:29:00,280
Speaker 1: I think taking photos and showing that is different to

1827
01:29:00,320 --> 01:29:03,479
Speaker 1: me than touring it, if that makes sense, Like for me,

1828
01:29:04,200 --> 01:29:06,040
Speaker 1: I mean, and if Antonette was here, she would just

1829
01:29:06,080 --> 01:29:10,679
Speaker 1: talk about capitalism, right, But the idea that the hood

1830
01:29:11,000 --> 01:29:16,960
Speaker 1: is like something to be amused by or entertained with,

1831
01:29:17,200 --> 01:29:19,559
Speaker 1: which when you think of booking a tour, you're looking

1832
01:29:19,560 --> 01:29:22,400
Speaker 1: for excitement, you're looking for, you know, different type of things.

1833
01:29:22,479 --> 01:29:27,919
Speaker 1: I don't know if people being in that type of environment,

1834
01:29:28,120 --> 01:29:31,599
Speaker 1: or being poor or being in a home where they're

1835
01:29:31,600 --> 01:29:34,360
Speaker 1: trying to figure out how to feed their family, deserves

1836
01:29:34,400 --> 01:29:37,000
Speaker 1: to have onlookers look at it as entertainment.

1837
01:29:37,240 --> 01:29:40,120
Speaker 2: Either I'm not mad at that. Either I'm not I

1838
01:29:40,120 --> 01:29:41,320
Speaker 2: don't disagree.

1839
01:29:40,880 --> 01:29:42,519
Speaker 1: You know what I mean, especially if they come from

1840
01:29:42,560 --> 01:29:45,559
Speaker 1: a privileged place to go and view people who are

1841
01:29:45,640 --> 01:29:49,599
Speaker 1: less fortunate as a means of entertainment for a day.

1842
01:29:49,760 --> 01:29:52,240
Speaker 1: To me is like and again I was one of

1843
01:29:52,240 --> 01:29:53,920
Speaker 1: those I wanted to see all the things, and a

1844
01:29:53,960 --> 01:29:55,920
Speaker 1: part of me was just like this is so terrible,

1845
01:29:55,960 --> 01:29:58,840
Speaker 1: like imagine I'm thinking of myself growing up. I grew

1846
01:29:58,880 --> 01:30:00,920
Speaker 1: up on Section eight. I grew up not great neighborhoods,

1847
01:30:00,960 --> 01:30:02,840
Speaker 1: grew up in neighborhoods that if you grew up in

1848
01:30:02,840 --> 01:30:05,000
Speaker 1: a better neighborhood, you knew my neighborhood wasn't good. The

1849
01:30:05,080 --> 01:30:07,160
Speaker 1: idea that people would drive through to see how we

1850
01:30:07,240 --> 01:30:11,519
Speaker 1: lived like didn't sit well with me. Well, so unless

1851
01:30:11,520 --> 01:30:14,080
Speaker 1: you're doing it from a space of wanting to make

1852
01:30:14,080 --> 01:30:14,599
Speaker 1: a difference.

1853
01:30:14,640 --> 01:30:17,519
Speaker 2: But that's the point. So it's like, I think people

1854
01:30:17,680 --> 01:30:19,679
Speaker 2: marvel at culture.

1855
01:30:20,320 --> 01:30:20,720
Speaker 1: Okay, So.

1856
01:30:22,240 --> 01:30:25,719
Speaker 2: Like, remember the people he's describing are people just living

1857
01:30:25,760 --> 01:30:28,760
Speaker 2: their lives. But he's saying how fundamentally basic it is.

1858
01:30:29,080 --> 01:30:32,439
Speaker 2: So I do think it's on the tourists themselves. Where

1859
01:30:32,520 --> 01:30:35,040
Speaker 2: is their mind at? Because some people can see it

1860
01:30:35,080 --> 01:30:37,200
Speaker 2: and think they could make a change, and some people

1861
01:30:37,200 --> 01:30:39,559
Speaker 2: can see it in me like them niggas doing bad.

1862
01:30:39,760 --> 01:30:40,720
Speaker 2: You just don't know.

1863
01:30:41,040 --> 01:30:47,240
Speaker 1: To me, to identify socioeconomic struggles is culture. I don't

1864
01:30:47,280 --> 01:30:50,720
Speaker 1: like either. That's the thing, right. So if he's in India,

1865
01:30:50,960 --> 01:30:55,080
Speaker 1: it's they're Indians, right, So you're not drawing the different

1866
01:30:55,120 --> 01:30:57,120
Speaker 1: divide is like what we have in the US. We

1867
01:30:57,200 --> 01:31:01,120
Speaker 1: know the socioeconomic oppression of our Friacan Americans because of

1868
01:31:01,120 --> 01:31:04,360
Speaker 1: our history as to why we're probably more in those

1869
01:31:04,360 --> 01:31:07,160
Speaker 1: communities than others. Right, But if you're in another country,

1870
01:31:07,720 --> 01:31:10,439
Speaker 1: everyone is normally the same ethnicity. You don't have the

1871
01:31:10,479 --> 01:31:13,360
Speaker 1: device like we have here. And so for me, it's

1872
01:31:13,400 --> 01:31:17,840
Speaker 1: not culture to go through hoods or you know.

1873
01:31:17,880 --> 01:31:19,760
Speaker 6: And that's in quotes, but some of the some of

1874
01:31:19,800 --> 01:31:22,120
Speaker 6: the things, some of the activities that become of the

1875
01:31:22,160 --> 01:31:25,360
Speaker 6: association challenges become like taco.

1876
01:31:25,880 --> 01:31:31,080
Speaker 2: Yeah, like fried chicken yep. That So I'm with you

1877
01:31:32,640 --> 01:31:35,200
Speaker 2: it is I'm not upset at what you're saying. Like

1878
01:31:35,240 --> 01:31:36,880
Speaker 2: it's like going down when you go to Crenshaw, you

1879
01:31:36,880 --> 01:31:39,439
Speaker 2: see the Crenshaw wall, right, or you go to and

1880
01:31:39,520 --> 01:31:41,919
Speaker 2: you see the watch tower. The watch tower is smacked

1881
01:31:41,960 --> 01:31:43,040
Speaker 2: dead in the middle of to ghetto.

1882
01:31:43,120 --> 01:31:45,360
Speaker 1: Do you feel any way about that being a part

1883
01:31:45,360 --> 01:31:48,120
Speaker 1: of tour stops in LA Like when they go through Compton,

1884
01:31:48,160 --> 01:31:48,719
Speaker 1: when they go.

1885
01:31:48,680 --> 01:31:52,360
Speaker 2: Through, I feel like we should be the ones setting

1886
01:31:52,400 --> 01:31:53,120
Speaker 2: up the business.

1887
01:31:53,479 --> 01:31:55,439
Speaker 1: Ah, okay, I'm not mad at me to.

1888
01:31:55,360 --> 01:31:57,320
Speaker 2: Me, like, and I feel like that's what's wrong where

1889
01:31:57,439 --> 01:32:00,519
Speaker 2: hip hop, Like we should make sure that we are

1890
01:32:00,560 --> 01:32:05,360
Speaker 2: at the most profitable space of our culture. Okay, so

1891
01:32:05,360 --> 01:32:09,759
Speaker 2: so I'm not I do agree. Somebody could miss they could.

1892
01:32:09,560 --> 01:32:13,200
Speaker 1: Be and the community is not getting any of the money.

1893
01:32:13,280 --> 01:32:16,680
Speaker 2: But that's totally that's the problem. So that's the thing.

1894
01:32:16,720 --> 01:32:18,880
Speaker 2: Like when you come to Compton, Like I was telling

1895
01:32:18,920 --> 01:32:21,080
Speaker 2: my friend we should build a Compton hip hop museum.

1896
01:32:21,640 --> 01:32:22,439
Speaker 1: He thought I was crazy.

1897
01:32:22,479 --> 01:32:25,719
Speaker 2: I'm like, we should build that writing Compton, Like it'd

1898
01:32:25,720 --> 01:32:27,759
Speaker 2: be good. Like we could make the money fund the schools.

1899
01:32:27,800 --> 01:32:30,160
Speaker 2: It's a thousand things we could do. That's dope, right,

1900
01:32:30,320 --> 01:32:33,599
Speaker 2: because Compton is a awesome place. Watch is an awesome place,

1901
01:32:33,640 --> 01:32:36,280
Speaker 2: don't let me wrong. Like, yeah, there's some poverty and

1902
01:32:36,560 --> 01:32:39,200
Speaker 2: people with some projects, but man, when you see people

1903
01:32:39,280 --> 01:32:41,760
Speaker 2: living and how they party and how they still make

1904
01:32:41,840 --> 01:32:44,519
Speaker 2: the best of life, even how we put food together

1905
01:32:44,560 --> 01:32:48,759
Speaker 2: with chili cheese fries with pastrami, like it'll blow your mind.

1906
01:32:48,800 --> 01:32:53,479
Speaker 2: And that's the great things that it is incredibly fired

1907
01:32:54,520 --> 01:32:56,040
Speaker 2: And they had the poutine.

1908
01:32:56,960 --> 01:32:57,640
Speaker 1: That's what it's like.

1909
01:32:58,400 --> 01:32:59,320
Speaker 2: That's what it sounds like.

1910
01:32:59,640 --> 01:33:01,439
Speaker 1: It sounds like a jail man.

1911
01:33:01,479 --> 01:33:03,880
Speaker 5: But you know it's crazy. You know it's crazy. I

1912
01:33:03,920 --> 01:33:07,080
Speaker 5: remember I was I was fire. I was dating this girl,

1913
01:33:07,160 --> 01:33:08,479
Speaker 5: she's from l A And the first time I ever

1914
01:33:08,520 --> 01:33:10,960
Speaker 5: went to l A. I wanted to know. I wanted

1915
01:33:11,720 --> 01:33:15,280
Speaker 5: all the ship. I was like, Yo, take me there,

1916
01:33:15,880 --> 01:33:17,760
Speaker 5: and then I was like, should I really be here?

1917
01:33:18,200 --> 01:33:20,080
Speaker 5: I went to Sunday Fun Day. I did all the

1918
01:33:20,360 --> 01:33:23,000
Speaker 5: ship crazy how we just turn it up and you'll

1919
01:33:23,040 --> 01:33:24,400
Speaker 5: be like the one thing she told me I know

1920
01:33:24,479 --> 01:33:25,960
Speaker 5: about the hat ship, which I.

1921
01:33:25,920 --> 01:33:27,880
Speaker 2: Was cool with that because yeah, you couldn't work.

1922
01:33:29,040 --> 01:33:31,439
Speaker 5: Brandy had like, you know, because I already knew, but

1923
01:33:31,520 --> 01:33:33,080
Speaker 5: she took I was in Compton, I saw all the

1924
01:33:33,120 --> 01:33:34,760
Speaker 5: ship and I got it immediately.

1925
01:33:35,320 --> 01:33:38,200
Speaker 2: Is a god I went. I went to Minigame with

1926
01:33:38,240 --> 01:33:40,400
Speaker 2: the water during the water crisis. I got it.

1927
01:33:40,520 --> 01:33:41,800
Speaker 1: You know. One of one of my one of my

1928
01:33:41,800 --> 01:33:43,160
Speaker 1: good friends are from Lamart Park.

1929
01:33:43,320 --> 01:33:46,200
Speaker 5: So the way she I want to know the dude

1930
01:33:46,280 --> 01:33:49,639
Speaker 5: took the pictures? What national where were they from?

1931
01:33:50,960 --> 01:33:56,559
Speaker 1: You know? Because you know that because his wife. But

1932
01:33:56,600 --> 01:34:00,360
Speaker 1: I know, so maybe maybe the wife was color and

1933
01:34:00,439 --> 01:34:03,559
Speaker 1: he was white. And it's like, I don't want I

1934
01:34:03,560 --> 01:34:05,960
Speaker 1: don't want listen. I don't want to colonizes out here

1935
01:34:05,960 --> 01:34:09,840
Speaker 1: and taking photos of the hood. Don't do it, Okay,

1936
01:34:09,920 --> 01:34:12,080
Speaker 1: So so as long as we're of color, we could

1937
01:34:12,080 --> 01:34:13,720
Speaker 1: go through the different hoods.

1938
01:34:13,360 --> 01:34:13,760
Speaker 2: But we do.

1939
01:34:13,840 --> 01:34:15,280
Speaker 1: The whites don't need to do it all the time.

1940
01:34:15,400 --> 01:34:17,720
Speaker 2: Yeah, but as I'm talking about it, I think they

1941
01:34:17,760 --> 01:34:20,559
Speaker 2: find it fascinated. Just like go to New Orleans. Everybody

1942
01:34:20,640 --> 01:34:21,479
Speaker 2: want to go to quarter.

1943
01:34:21,560 --> 01:34:23,439
Speaker 5: They want to go to the cemetery and walk backwards

1944
01:34:23,520 --> 01:34:25,679
Speaker 5: in and walk back was out because of the spirits.

1945
01:34:25,760 --> 01:34:27,240
Speaker 1: I'm not doing that ship I'm not.

1946
01:34:28,439 --> 01:34:31,800
Speaker 2: It's a lady I follow on Instagram and she's from

1947
01:34:31,800 --> 01:34:35,800
Speaker 2: an African village. I think her name is Naobo hold On,

1948
01:34:35,920 --> 01:34:38,600
Speaker 2: damn it. But she talks about how it is. And

1949
01:34:39,400 --> 01:34:42,120
Speaker 2: it's funny how from this place of privilege we sound

1950
01:34:42,120 --> 01:34:44,599
Speaker 2: when we see people doing fundamental things like washing clothes,

1951
01:34:45,800 --> 01:34:48,880
Speaker 2: to wash it, it's like it is, it is its privilege,

1952
01:34:49,120 --> 01:34:50,920
Speaker 2: and so I think we look at that as like

1953
01:34:51,000 --> 01:34:55,240
Speaker 2: that's a problem versus man that is such a way

1954
01:34:55,280 --> 01:34:57,880
Speaker 2: to do things. It feels like it's something from another time.

1955
01:34:57,960 --> 01:34:59,680
Speaker 5: If you go on to Caribbean, like my aunt, they

1956
01:34:59,760 --> 01:35:01,880
Speaker 5: used to milk milk the cows.

1957
01:35:02,040 --> 01:35:10,000
Speaker 2: Right up, don't pull up, you know what I mean.

1958
01:35:10,040 --> 01:35:10,599
Speaker 2: So it's like.

1959
01:35:12,200 --> 01:35:13,800
Speaker 5: For us we get it though, you know what I mean.

1960
01:35:14,040 --> 01:35:16,320
Speaker 5: I said, I want to know who's the picture taking, who's.

1961
01:35:16,080 --> 01:35:16,559
Speaker 2: His what I mean.

1962
01:35:16,560 --> 01:35:19,240
Speaker 1: I'm not I'm not mad at this being subjective like

1963
01:35:19,280 --> 01:35:22,479
Speaker 1: it depends on the picture and it depends what they

1964
01:35:22,520 --> 01:35:25,679
Speaker 1: did it for struggling.

1965
01:35:25,880 --> 01:35:28,120
Speaker 5: But you can't be doing you can't go to Brownville,

1966
01:35:28,160 --> 01:35:30,679
Speaker 5: Eastern York taking no picture like that's trade.

1967
01:35:30,760 --> 01:35:32,559
Speaker 1: That's that's what I'm saying. I guess it's different when

1968
01:35:32,600 --> 01:35:34,320
Speaker 1: you look at other countries and then compared to here,

1969
01:35:34,360 --> 01:35:38,160
Speaker 1: because I'm comparing it absolutely here those bigger struggling. It's

1970
01:35:38,200 --> 01:35:40,200
Speaker 1: crazy they're making it work.

1971
01:35:40,560 --> 01:35:42,559
Speaker 2: Then get some tackle. Where is this.

1972
01:35:45,920 --> 01:35:48,800
Speaker 1: Glasses? You're not too bad of a guy. I would

1973
01:35:48,840 --> 01:35:51,439
Speaker 1: actually talk to you more. The fact that this act

1974
01:35:51,560 --> 01:35:53,600
Speaker 1: like I was ever a bad guy. That is a

1975
01:35:53,760 --> 01:35:56,760
Speaker 1: bad guy. We're not gonna you know, gang member of

1976
01:35:56,800 --> 01:35:57,160
Speaker 1: this up.

1977
01:35:57,280 --> 01:35:58,320
Speaker 2: Her name is African.

1978
01:35:59,040 --> 01:35:59,639
Speaker 1: I love that.

1979
01:35:59,800 --> 01:36:01,639
Speaker 2: I freaking Naoka African space.

1980
01:36:02,040 --> 01:36:06,120
Speaker 1: Make sure you look that up, K And it's like thetive.

1981
01:36:06,200 --> 01:36:08,120
Speaker 1: I think the AI you used for the description.

1982
01:36:08,439 --> 01:36:10,320
Speaker 2: The reason I know what you're saying is true as

1983
01:36:10,320 --> 01:36:12,160
Speaker 2: far as like poly because she talked about it that

1984
01:36:12,200 --> 01:36:15,880
Speaker 2: way like she's one of somebody's wives and it wasn't

1985
01:36:15,960 --> 01:36:17,240
Speaker 2: like this romantic thing.

1986
01:36:17,479 --> 01:36:19,519
Speaker 1: I love that you listen to her speak about Polly.

1987
01:36:19,560 --> 01:36:21,320
Speaker 2: But for me, I'm a no no, I no, I

1988
01:36:21,520 --> 01:36:24,160
Speaker 2: verified your posy. I was like, oh, you're right, Yeah,

1989
01:36:24,200 --> 01:36:24,680
Speaker 2: I like that.

1990
01:36:25,120 --> 01:36:28,280
Speaker 1: Listen. I can't wait to educate you more sex class.

1991
01:36:29,000 --> 01:36:32,360
Speaker 1: I can't wait to teach you some ship. Okay, not

1992
01:36:32,400 --> 01:36:32,720
Speaker 1: that way.

1993
01:36:32,720 --> 01:36:34,320
Speaker 2: My soul is way too pure.

1994
01:36:35,040 --> 01:36:46,439
Speaker 10: I got here, so I got because you've been through

1995
01:36:46,479 --> 01:36:46,880
Speaker 10: so much.

1996
01:36:47,280 --> 01:36:49,200
Speaker 2: I have yes and so you.

1997
01:36:49,240 --> 01:36:53,439
Speaker 1: Just logical yes, and I'm thoughtful therapy, and I'm kind

1998
01:36:53,880 --> 01:36:56,360
Speaker 1: and I mean well for and I want more rights

1999
01:36:56,400 --> 01:36:58,080
Speaker 1: for women you live in their best life.

2000
01:36:59,000 --> 01:37:06,120
Speaker 2: That's a little bit. You work it on. You gonna

2001
01:37:06,120 --> 01:37:07,439
Speaker 2: get where I want you to get one day.

2002
01:37:07,560 --> 01:37:09,600
Speaker 1: Oh I don't want to get where you are. I

2003
01:37:09,640 --> 01:37:10,880
Speaker 1: don't want to get where you want me to get.

2004
01:37:11,040 --> 01:37:13,519
Speaker 1: Work any woman where you want to be? I don't

2005
01:37:13,520 --> 01:37:14,400
Speaker 1: even know if I want to know it.

2006
01:37:14,560 --> 01:37:18,960
Speaker 2: That is ridiculous. We gotta to do another episode of Prototypes.

2007
01:37:19,000 --> 01:37:22,799
Speaker 1: We got it. I don't even want to know you. Glasses,

2008
01:37:22,840 --> 01:37:24,920
Speaker 1: thank you so much for joining me. Let everybody know

2009
01:37:25,240 --> 01:37:26,439
Speaker 1: where they can listen to.

2010
01:37:26,520 --> 01:37:32,160
Speaker 2: Your thoughts by Glasses Malone. No ceilings on Apple podcasts.

2011
01:37:32,160 --> 01:37:35,080
Speaker 2: iHeart podcast anywhere you get your podcasts. No ceilings with

2012
01:37:35,160 --> 01:37:36,440
Speaker 2: Glasses malone.

2013
01:37:36,120 --> 01:37:37,880
Speaker 1: And then you're doing something now with the lives.

2014
01:37:37,960 --> 01:37:40,519
Speaker 2: Tell me, I am no ceilings by glass long YouTube

2015
01:37:40,520 --> 01:37:43,160
Speaker 2: it's called the lunch hour at twelve o'clock specific standard

2016
01:37:43,200 --> 01:37:47,400
Speaker 2: time on YouTube. We just dive into whatever is happening

2017
01:37:47,439 --> 01:37:49,400
Speaker 2: in hip hop. It's almost like the ghetto news.

2018
01:37:49,479 --> 01:37:53,360
Speaker 1: That is three pm Eastern Eastern dinner time is elite.

2019
01:37:53,720 --> 01:37:57,320
Speaker 1: I hate when people lead with PSD. Easter Standard time

2020
01:37:57,479 --> 01:37:58,720
Speaker 1: is what we operate.

2021
01:37:58,479 --> 01:38:01,120
Speaker 2: First, you know, actually kind of last.

2022
01:38:01,200 --> 01:38:02,840
Speaker 1: Here we go, here we go in the world.

2023
01:38:04,560 --> 01:38:07,080
Speaker 2: There's a time behind ours. To Hawaii is behind ours.

2024
01:38:07,520 --> 01:38:10,280
Speaker 2: What's the lowest hours, what's the latest time?

2025
01:38:10,320 --> 01:38:12,080
Speaker 1: I don't know, but I realized that there's like two

2026
01:38:12,080 --> 01:38:14,280
Speaker 1: on mountain time. That's something I just learned in like

2027
01:38:14,320 --> 01:38:17,240
Speaker 1: the last two years. Anyways, y'all, thank y'all so much. Glasses,

2028
01:38:17,240 --> 01:38:19,439
Speaker 1: thank you for joining me. This was fun. My soul

2029
01:38:19,600 --> 01:38:23,160
Speaker 1: is not dingy, it is pure hope. Hopefully you guys

2030
01:38:23,200 --> 01:38:25,320
Speaker 1: enjoyed this episode. I would look, I would actually like

2031
01:38:25,360 --> 01:38:26,840
Speaker 1: to have you back. I'm a little nervous. I know

2032
01:38:27,080 --> 01:38:32,639
Speaker 1: we always make great we never.

2033
01:38:32,720 --> 01:38:35,280
Speaker 2: Had a great com It depends. It depends on I

2034
01:38:35,320 --> 01:38:36,640
Speaker 2: think the third time you just opened up.

2035
01:38:36,680 --> 01:38:39,120
Speaker 1: No, you know what it is. I've learned patience, so

2036
01:38:39,160 --> 01:38:46,800
Speaker 1: I can now sit with you. You know what we're

2037
01:38:46,840 --> 01:38:53,000
Speaker 1: not doing that. We're not doing that every day. If

2038
01:38:53,000 --> 01:38:56,080
Speaker 1: you guys want to listen to this episode without all

2039
01:38:56,120 --> 01:38:58,479
Speaker 1: of the ads, make sure you join us over on Patreon.

2040
01:38:58,520 --> 01:39:01,519
Speaker 1: That's pictreon dot com back slash Ignorance. And then if

2041
01:39:01,520 --> 01:39:03,920
Speaker 1: you want to watch the full video as well without ads,

2042
01:39:03,960 --> 01:39:06,800
Speaker 1: because I am on YouTube YouTube dot com slash with

2043
01:39:06,960 --> 01:39:08,880
Speaker 1: B and d B again, you can watch it ad

2044
01:39:08,920 --> 01:39:11,479
Speaker 1: free on Patreon as well. That's patreon dot com backslash

2045
01:39:11,520 --> 01:39:13,920
Speaker 1: Selective Ignorance. Thank you guys so much. Y'all already know

2046
01:39:13,960 --> 01:39:17,200
Speaker 1: you can tune in here every Tuesday and then Friday

2047
01:39:17,240 --> 01:39:19,120
Speaker 1: we got the bonus drops, baby, and it's just more

2048
01:39:19,240 --> 01:39:21,679
Speaker 1: me talking my shit. So make sure you tune into

2049
01:39:21,760 --> 01:39:24,000
Speaker 1: both of our episodes every week. That's right where, twice

2050
01:39:24,000 --> 01:39:27,040
Speaker 1: a week and yet again, this is selective Ignorance, where

2051
01:39:27,080 --> 01:39:33,919
Speaker 1: curiosity lives, controversy thrives, and conversations matter. See you next week.

2052
01:39:36,360 --> 01:39:39,719
Speaker 1: Selective Ignorance a production of the Black Effect podcast Network.

2053
01:39:39,920 --> 01:39:44,600
Speaker 1: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

2054
01:39:44,720 --> 01:39:46,679
Speaker 1: or wherever you listen to your favorite shows.

2055
01:39:46,800 --> 01:39:49,080
Speaker 6: Thanks for tuning in the Selective Ignorance of man DyB.

2056
01:39:49,280 --> 01:39:52,479
Speaker 6: Selective Ignorance. It's executive produced to Buy MANDYB. And it's

2057
01:39:52,479 --> 01:39:56,800
Speaker 6: a Full Court Media studio production with lead producers Jason Rondriguez.

2058
01:39:56,920 --> 01:39:58,240
Speaker 3: That's me and Aaron A.

2059
01:39:58,439 --> 01:39:59,040
Speaker 2: King Howell.

2060
01:39:59,080 --> 01:40:01,960
Speaker 6: Now do us the same he and rate, Subscribe, comment

2061
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2062
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Speaker 6: sure to follow Selective Ignorance on Instagram at Selective Underscore Ignorance.

2063
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2064
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Speaker 6: dy B, make sure you're following her at full Court Pumps.

2065
01:40:14,840 --> 01:40:14,960
Speaker 8: Now.

2066
01:40:15,000 --> 01:40:17,799
Speaker 6: If you want the full video experience of Selective Ignorance,

2067
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Speaker 6: make sure you subscribe to the Patreon It's patreon dot

2068
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Speaker 6: com backslash Selective Ignorance.

2069
01:40:23,680 --> 01:40:25,960
Speaker 12: Thanks for listening and celebrating five years of the Black

2070
01:40:25,960 --> 01:40:29,280
Speaker 12: Effect podcast network with us. Keep following because the next

2071
01:40:29,280 --> 01:40:31,000
Speaker 12: five years are about to be even bigger