WEBVTT - The Kodak Story

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<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

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<v Speaker 1>It's ready. Are you get in touch with technology with

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<v Speaker 1>tex Stuff from houstoforoks dot com. This podcast is brought

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<v Speaker 1>com slash tech Stuff. That's Audible podcast dot com slash

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<v Speaker 1>tech Stuff. Well, Hello, there are kids, and welcome to

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<v Speaker 1>tech Stuff. My name is Chris Polette and I am

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<v Speaker 1>an editor at how Stuff Works dot com. Sitting across

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<v Speaker 1>from me, as is typically the case when we talk

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<v Speaker 1>about technology and stuff in the studio, that would be

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<v Speaker 1>senior writer Jonathan Strickland, somewhere in La Mancha, in a

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<v Speaker 1>place whose name I do not care to remember, a

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<v Speaker 1>gentleman lived not long ago, one of those who has

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<v Speaker 1>a lance and ancient shield on a shelf and keeps

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<v Speaker 1>a skinny nag and a greyhound for racing. Awesome, thank you.

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<v Speaker 1>I actually know where that comes from. Yeah, yeah, yep,

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<v Speaker 1>that's a brave New world. Get there, brave New world

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<v Speaker 1>that's from. I thought that was Beowulf. It was that,

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<v Speaker 1>you know, that's that's the original first line of Chaucer's

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<v Speaker 1>Canterbury Tales. It's actually what that is. You didn't recognize

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<v Speaker 1>it because I didn't use the Middle English. Yeah, okay,

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<v Speaker 1>all right, well that's no for that. Yeah, this is

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<v Speaker 1>full of beans this morning. Um. You know, frequently we

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<v Speaker 1>you know, frequently when we talk about topics on tech stuff, Um,

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<v Speaker 1>it's either something that's near and dear to our hearts

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<v Speaker 1>or something specifically that somebody wrote in about and this

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<v Speaker 1>is this is actually something sort of more toward the former,

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<v Speaker 1>but it's also something that's hit the headlines, and it's

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<v Speaker 1>probably near and dear to many of your hearts as well,

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<v Speaker 1>because the company we're talking about it is going through

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<v Speaker 1>some very rough times and it's somebody that it made

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<v Speaker 1>a real difference to really the world. Yeah, we're talking

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<v Speaker 1>about Kodak here and uh and yeah, Kodak has made

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<v Speaker 1>a huge impact on technology, on photography in general, especially

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<v Speaker 1>when it comes to the average person having a chance

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<v Speaker 1>to get his or her hands on a camera, because

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<v Speaker 1>before Kodak, photography was really a pretty limited field and

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<v Speaker 1>it was just there really were there really were no

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<v Speaker 1>consumer cameras. And the company itself has a very long history.

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<v Speaker 1>It's over a century old. Yes, yes, and and really

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<v Speaker 1>well for one thing, um, not long before we recorded this,

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<v Speaker 1>in February, UM, the company declared Chapter eleven bankruptcy. Yeah,

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<v Speaker 1>that was in January. And then and then a month

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<v Speaker 1>later they made an announcement that really kind of showed

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<v Speaker 1>how the company has changed dramatically. On February nine, Kodak

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<v Speaker 1>announced that it was getting out of the camera business. Yeah,

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<v Speaker 1>and I mean there's it's one thing to talk about

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<v Speaker 1>all the businesses that camera that Kodak is in, um,

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<v Speaker 1>you know, but it is made. It started out in

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<v Speaker 1>the film business essentially, but moved quickly into cameras. And

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<v Speaker 1>the idea of it that Kodak would stop making cameras,

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<v Speaker 1>it's just sort of it's it's it's really kind of

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<v Speaker 1>earth shaking to somebody who's grown up with it, right,

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<v Speaker 1>it would be it's hard to it's hard to kind

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<v Speaker 1>of what would you compare it to. It would be

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<v Speaker 1>like if Apple said it was no longer going to

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<v Speaker 1>make Max, like from now on, Apple was just going

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<v Speaker 1>to concentrate on mobile electronics. It's even it's yeah, but

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<v Speaker 1>I'm just trying to come up with something that people

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<v Speaker 1>can core business, right, Yeah, the thing that is most identified,

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<v Speaker 1>and I guess you could argue that with Apple. Now

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<v Speaker 1>the iPod in the iPhone have kind of supplanted the Mac.

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<v Speaker 1>But yeah, it's it's hard to wrap your mind around it.

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<v Speaker 1>So this means no more digital cameras or video cameras

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<v Speaker 1>or even digital picture frames from Kodak. Instead, what they're

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<v Speaker 1>going to focus their main core business on focus no

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<v Speaker 1>longer will be cameras, It'll be printers. So I guess

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<v Speaker 1>it's good that HP decided to continue it's consumer computer

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<v Speaker 1>business and not focus primarily on consumer printers for its

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<v Speaker 1>consumer side, because otherwise HP and Kodak would just be

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<v Speaker 1>head to head they still are technically, but well, the

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<v Speaker 1>apparently the bankruptcy filing included this information that as of September,

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<v Speaker 1>the end of September, UH Kodak had about five point

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<v Speaker 1>one billion dollars to its name. Unfortunately, it had six

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<v Speaker 1>point seven five billion dollars in debt, including twelve million

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<v Speaker 1>dollars that it owed to Nokia UM in Finland for

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<v Speaker 1>royalties on intellectual property. So yeah, when you have more

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<v Speaker 1>debt than you have money, that's what we call a

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<v Speaker 1>bad thing. That's also what we call fresh out of college,

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<v Speaker 1>at least in the United States. Well, uh, yeah, I

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<v Speaker 1>don't think that's exclusive to the US, No, but there

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<v Speaker 1>are a lot of places in Europe where taxes end

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<v Speaker 1>up taking care of a lot of the I'm just saying, well,

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<v Speaker 1>UM Kodak has quite a bit of UH intellectual property

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<v Speaker 1>information UM and then tried to leverage that before it

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<v Speaker 1>filed for bankruptcy. And there this is not really new stuff.

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<v Speaker 1>Code struggling has been a result of the you know,

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<v Speaker 1>the the burgeoning UH digital photography industry, which it has

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<v Speaker 1>done somewhat of a you know, semi successful capitalization on.

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<v Speaker 1>But and I think you could say right now, the

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<v Speaker 1>digital photography has supplanted a film photography for all. But uh,

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<v Speaker 1>there's a decreasing number of photographers who will use film.

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<v Speaker 1>And it's not that film is is worse than than digital.

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<v Speaker 1>In fact, there are a lot of photographers who argue

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<v Speaker 1>the opposite, that there are qualities that you get with

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<v Speaker 1>film that you cannot get with digital unless you were

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<v Speaker 1>to spend countless hours trying to recapture something that film

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<v Speaker 1>does naturally on its own. But that being said, the

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<v Speaker 1>general consumer, it's it's almost all digital now. I mean

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<v Speaker 1>that's what we have in our in our phones, it's

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<v Speaker 1>what we have. Some m P three players have them, tablets,

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<v Speaker 1>I mean, it's our our computers have a lot of

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<v Speaker 1>cases have the camera built into the frame. Right. Yeah,

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<v Speaker 1>and it would use them for you know, chatting and

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<v Speaker 1>things like that, but you can also use them and

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<v Speaker 1>take still photos. It would be very inconvenient if those

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<v Speaker 1>were all film based. True. But yeah, so wait, hold on,

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<v Speaker 1>I gotta take my laptop apart to get the film out. Yeah.

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<v Speaker 1>So some people say that Codex The reason why Kodak

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<v Speaker 1>is in the position it's in now is that it

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<v Speaker 1>did not adapt quickly enough. It did not commit fully

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<v Speaker 1>enough to the digital revolution and stuck with the film

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<v Speaker 1>side for consumer products maybe a bit too loyally. You know,

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<v Speaker 1>maybe we were a little too adamant on keeping with

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<v Speaker 1>that film side of the equation and not jumping enough

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<v Speaker 1>over to the digital side. And uh, and you know,

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<v Speaker 1>it's kind of hard to say whether back at the

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<v Speaker 1>back when Kodak was making these calls, it was hard

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<v Speaker 1>to tell that that was going to be the wrong call,

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<v Speaker 1>right well. Uh, And it's also an oversimplification because Kodak

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<v Speaker 1>was one of the pioneers of digital, because we're going

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<v Speaker 1>to look at that in a moment. Plus uh, you know,

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<v Speaker 1>they they've Kodak would have been in a much worse

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<v Speaker 1>position or even gone by now if it hadn't diversified itself.

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<v Speaker 1>I think we should take a look back, uh, starting

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<v Speaker 1>from the beginning. And it and a guy that many

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<v Speaker 1>of you know. He's a he's a tech pioneer, but

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<v Speaker 1>his name is certainly familiar to It's it's a household

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<v Speaker 1>name for many many people and has been especially in Rochester,

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<v Speaker 1>New York, New York. So about George Eastman. George Eastman,

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<v Speaker 1>who you know, he's not known as the brainiest inventor

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<v Speaker 1>whoever lived. In fact, he was sort of an average guy.

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<v Speaker 1>Um came out of an average home, ended up having

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<v Speaker 1>to uh to jump right into the workforce and actually

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<v Speaker 1>was a banker for a while too. He went to

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<v Speaker 1>school to become a to improve himself and um ended

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<v Speaker 1>up being a banker. But you know, he went on

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<v Speaker 1>a vacation. This is kind of funny. He went on

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<v Speaker 1>a vacation and wanted to be able to take pictures,

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<v Speaker 1>so he bought a wet plate outfit. This is way

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<v Speaker 1>photography was was done before Eastman got the idea to

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<v Speaker 1>try to simplify things somewhat. And he had to buy

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<v Speaker 1>a boatload of gear because yeah, because with wet plate photography,

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<v Speaker 1>you have to have the plate wet with chemicals before

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<v Speaker 1>you take the photo, and before it the plate dries,

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<v Speaker 1>you have to develop the photo, so you have to

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<v Speaker 1>keep the He had to buy a tent so that

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<v Speaker 1>he could develop the photos of his vacation on the

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<v Speaker 1>spot before the before the chemicals dried. That's somewhat inconvenient.

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<v Speaker 1>And this is why professionals were the only people taking

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<v Speaker 1>photos because nobody wanted to mess with this. It was expensive,

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<v Speaker 1>it was a pain in the neck. And then came

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<v Speaker 1>the development of the dry plate development. Are you gonna

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<v Speaker 1>do that the whole podcast? Because I will quit right now.

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<v Speaker 1>The funny thing is we use these terms, but these

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<v Speaker 1>are totally photography terms. Okay, of the progression from what

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<v Speaker 1>plate to dry plate? Um, So, yeah, he knew about this.

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<v Speaker 1>This is not something that he invented that plate to

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<v Speaker 1>dry plate, right. Dry plate meant that you no longer

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<v Speaker 1>had to have those wet chemicals on the plates before

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<v Speaker 1>you took your photo, and you didn't have to worry

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<v Speaker 1>about it drying out before before you had to develop it.

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<v Speaker 1>But what he did because he came up with a

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<v Speaker 1>an emulsion coding machine which allowed the mass production of

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<v Speaker 1>dry plates, which was a big deal because that before

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<v Speaker 1>then you were making dry plates one at a time,

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<v Speaker 1>very slow, painstaking process, not efficient. There was no real

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<v Speaker 1>way to make that a consumer market device at all

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<v Speaker 1>because it just took too long to make them. Yes,

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<v Speaker 1>this is this is one of those situations where he

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<v Speaker 1>figured out he heard about these experiments people were doing

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<v Speaker 1>with with a gelatine coating for the chemicals that you

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<v Speaker 1>would use to capture an image. And he said, you know,

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<v Speaker 1>I think that there's got to be a way to

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<v Speaker 1>make this easier. And he spent long hours after he

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<v Speaker 1>would go home from work, he would spend hours working

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<v Speaker 1>in his mother's kitchen, UM trying to come up with

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<v Speaker 1>a way to to make this a mass production affair.

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<v Speaker 1>And they apparently he would they would find him in

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<v Speaker 1>the morning. He would fall asleep on the floor in

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<v Speaker 1>his clothes, coming home after a long day at the office,

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<v Speaker 1>and he'd have to go back to work. So he

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<v Speaker 1>spent a long time UH working on this process and

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<v Speaker 1>a lot of elbow grease, really putting into the process

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<v Speaker 1>of trying to come up with us. But no headlight fluid.

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<v Speaker 1>So in eighteen eighty fluid. Yeah, I'll tell you later.

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<v Speaker 1>In eighteen eighty he began to create the commercial production

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<v Speaker 1>of these dry plates, and he rented Aloft in Rochester,

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<v Speaker 1>New York. And this is the date that Kodak tends

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<v Speaker 1>to trace its history back to, is an eighteen eighty

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<v Speaker 1>when Eastman started to actually UH produce these dry plates

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<v Speaker 1>and sell UH. And a year later Eastman partnered up

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<v Speaker 1>with a guy named Henry A strong. Hey, you know

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<v Speaker 1>you gotta go with somebody with it with a name

0:12:10.480 --> 0:12:13.360
<v Speaker 1>like that. We well, and you know what he he

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<v Speaker 1>made before he got into this whole film business, right,

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<v Speaker 1>buggy whips. Yeah, when you if you have a strong

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<v Speaker 1>buggy whip, you know you're in good hands. Was supposed

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<v Speaker 1>to those weak buggy whips. I don't want to make

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<v Speaker 1>any cracks about buggy whips. I can do it too.

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<v Speaker 1>So anyway, they formed the partnership that they called the

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<v Speaker 1>Eastman Dry Plate Company, which just rolls off the tongue

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<v Speaker 1>and uh. And then that year that fall Eastman quits

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<v Speaker 1>his job as a bank clerk and devotes his full

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<v Speaker 1>attention to this business. Yep. So he he really believed

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<v Speaker 1>that they were going to make a mark, I may

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<v Speaker 1>make a name for themselves in this this business. And

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<v Speaker 1>he was right. They were very successful, very early by three.

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<v Speaker 1>So just two years after they had formed this partnership,

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<v Speaker 1>they transferred over to a four story building in uh

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<v Speaker 1>an address that we now know as three four three

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<v Speaker 1>State Street, Rochester, New York. And if you were to

0:13:13.280 --> 0:13:17.360
<v Speaker 1>visit that area, you would find Codex Worldwide headquarters. So

0:13:17.480 --> 0:13:20.000
<v Speaker 1>they did not they did not venture far, No, not

0:13:20.080 --> 0:13:23.280
<v Speaker 1>at all. Although the building looks completely it's it's a

0:13:23.320 --> 0:13:27.120
<v Speaker 1>different building. It's what's now three four three State Street,

0:13:27.720 --> 0:13:31.360
<v Speaker 1>so should make that clear. But in eighteen eighty four

0:13:31.800 --> 0:13:36.360
<v Speaker 1>they changed the business and it it evolved from a

0:13:36.400 --> 0:13:41.080
<v Speaker 1>partnership into a corporation with fourteen shareholders at with a

0:13:41.480 --> 0:13:44.599
<v Speaker 1>it was a two hundred thousand dollar corporation, which in

0:13:45.240 --> 0:13:47.400
<v Speaker 1>four that's a that's a big jung of change. I

0:13:47.400 --> 0:13:52.040
<v Speaker 1>did not actually think to do the conversion to find

0:13:52.040 --> 0:13:54.880
<v Speaker 1>out exactly how much that is in today's dollars, but

0:13:54.960 --> 0:13:57.960
<v Speaker 1>I'll say lots. Yeah, I I only did one conversion,

0:13:57.960 --> 0:13:59.880
<v Speaker 1>and that stuff for something that's coming up soon. Yeah,

0:13:59.880 --> 0:14:03.840
<v Speaker 1>I'm wondering if it's the same thing. Probably, um yeah.

0:14:04.000 --> 0:14:06.319
<v Speaker 1>And as a matter of fact, in four, that's when

0:14:06.360 --> 0:14:10.320
<v Speaker 1>they introduced negative paper, which you know basically was paper

0:14:10.400 --> 0:14:12.679
<v Speaker 1>that just complained about how nothing's going to work out.

0:14:12.920 --> 0:14:16.679
<v Speaker 1>A lot of negative papers in college now, um this

0:14:16.760 --> 0:14:20.040
<v Speaker 1>of course, uh, you know was anybody who's worked with

0:14:20.160 --> 0:14:23.080
<v Speaker 1>film for cameras as uh, you know what you use

0:14:23.200 --> 0:14:26.480
<v Speaker 1>to capture you know, you have the negatives are looks

0:14:26.520 --> 0:14:28.120
<v Speaker 1>like and you know, hold it up to the light.

0:14:28.200 --> 0:14:30.760
<v Speaker 1>It looks like the opposite of what you see when

0:14:30.760 --> 0:14:35.160
<v Speaker 1>you print a photo. UM, and William H. Walker somebody

0:14:35.160 --> 0:14:38.000
<v Speaker 1>who was working with the company, uh, invented a role

0:14:38.040 --> 0:14:40.640
<v Speaker 1>holder for for negative. So this is this is just

0:14:40.880 --> 0:14:42.920
<v Speaker 1>you know, this is trivia in a way, but it's

0:14:42.960 --> 0:14:46.840
<v Speaker 1>not in another because these guys are inventing the way

0:14:46.920 --> 0:14:50.680
<v Speaker 1>that you capture images for and and making it simpler

0:14:50.920 --> 0:14:53.560
<v Speaker 1>and mass productive, you know, doing the mass production work

0:14:53.600 --> 0:14:58.120
<v Speaker 1>for this stuff. So they're really inventing the photo business. Yeah,

0:14:58.200 --> 0:15:00.720
<v Speaker 1>it's because of these the work that these men did

0:15:00.800 --> 0:15:08.240
<v Speaker 1>that the the consumer camera developed evolved the way it did.

0:15:08.720 --> 0:15:11.360
<v Speaker 1>I know, but I just wanted to stop myself before

0:15:11.360 --> 0:15:14.240
<v Speaker 1>I said it again didn't quite work. But anyway, Yeah,

0:15:14.400 --> 0:15:19.240
<v Speaker 1>if if if someone else had made advances in the technology,

0:15:19.520 --> 0:15:24.400
<v Speaker 1>perhaps cameras would have have been completely different. You know

0:15:24.600 --> 0:15:27.480
<v Speaker 1>when you think of that role of film that if

0:15:27.520 --> 0:15:30.280
<v Speaker 1>you've ever used a camera that actually used film and

0:15:30.320 --> 0:15:32.080
<v Speaker 1>you had to put a roll of film in and

0:15:32.440 --> 0:15:35.280
<v Speaker 1>feed the film over through a little feeder and then uh,

0:15:35.400 --> 0:15:38.560
<v Speaker 1>they would take photos and you look at the exposure

0:15:38.640 --> 0:15:42.040
<v Speaker 1>number on your camera. Uh. The reason why we do

0:15:42.120 --> 0:15:45.080
<v Speaker 1>that is because the work these men did. If other

0:15:45.360 --> 0:15:47.880
<v Speaker 1>people had done something else. Then cameras would have looked

0:15:47.880 --> 0:15:50.880
<v Speaker 1>and behaved completely differently than the way that we think

0:15:50.920 --> 0:15:54.840
<v Speaker 1>of them. Um. Yeah. And as a matter of fact,

0:15:55.640 --> 0:15:59.560
<v Speaker 1>this is in eighteen six, This is about the time

0:15:59.640 --> 0:16:04.240
<v Speaker 1>that uh, Kodak sowed it's its roots of um sod

0:16:04.240 --> 0:16:09.320
<v Speaker 1>its roots really sort of began, Yes, began looking at

0:16:09.360 --> 0:16:13.160
<v Speaker 1>the possibility that they should be getting into other technologies.

0:16:13.200 --> 0:16:16.720
<v Speaker 1>They were there, uh uh one of the very first

0:16:16.840 --> 0:16:21.120
<v Speaker 1>companies in America that had a full time research scientist. Um.

0:16:21.160 --> 0:16:27.680
<v Speaker 1>And he was looking at the creating a transparent film base. Um,

0:16:27.720 --> 0:16:29.560
<v Speaker 1>you know, something that was flexible, it didn't have to

0:16:29.560 --> 0:16:34.280
<v Speaker 1>be a solid plate like the existing photo technology was. Yeah,

0:16:34.400 --> 0:16:39.200
<v Speaker 1>the first transparent photographic film came from Kodak, and it

0:16:39.280 --> 0:16:45.880
<v Speaker 1>was right around that time. Uh. It was when Eastman

0:16:46.320 --> 0:16:50.680
<v Speaker 1>founded the Kodak company. Yes, I I love the genesis

0:16:50.760 --> 0:16:53.200
<v Speaker 1>of this name because now companies come up with names

0:16:53.240 --> 0:16:56.440
<v Speaker 1>for themselves and from products by going through marketing groups

0:16:56.440 --> 0:16:58.920
<v Speaker 1>and focus groups and trying to come up with, you know,

0:16:59.000 --> 0:17:04.480
<v Speaker 1>the excitra things that were stir the passions. Eastman sat down.

0:17:04.640 --> 0:17:06.280
<v Speaker 1>He liked the letter K because he felt like it

0:17:06.320 --> 0:17:09.840
<v Speaker 1>was a strong letter and just played around with words

0:17:10.320 --> 0:17:13.760
<v Speaker 1>he made up Kodak and you know, look at that.

0:17:13.880 --> 0:17:17.159
<v Speaker 1>It's it's short, it's sweet, and people remember it's one

0:17:17.240 --> 0:17:19.680
<v Speaker 1>letter off from being a bear. Also, I think he

0:17:19.680 --> 0:17:22.560
<v Speaker 1>he also liked that the color yellow, the signature color

0:17:22.640 --> 0:17:25.040
<v Speaker 1>yellow that they use on their packaging. Um, and he

0:17:25.080 --> 0:17:27.359
<v Speaker 1>came up with the slogan, you press the button, we

0:17:27.400 --> 0:17:30.399
<v Speaker 1>do the rest for the first camera. Now here again,

0:17:30.640 --> 0:17:34.920
<v Speaker 1>it's twelve they've stopped producing cameras or are about to really? Um,

0:17:35.000 --> 0:17:38.800
<v Speaker 1>So it was when they released their first camera. Yeah.

0:17:38.880 --> 0:17:42.080
<v Speaker 1>Before that they were they were strictly film yes, and

0:17:42.320 --> 0:17:45.200
<v Speaker 1>dry plate and dry plate. And now in eighty eight

0:17:45.240 --> 0:17:48.720
<v Speaker 1>they've really released their first camera. This is giving birth

0:17:48.800 --> 0:17:52.320
<v Speaker 1>to the era of snapshot photography. Yeah. In the sentence

0:17:52.440 --> 0:17:55.720
<v Speaker 1>that huge. Yeah, this is what allows the average person

0:17:55.760 --> 0:17:58.080
<v Speaker 1>to get a camera and not have a lot of

0:17:58.119 --> 0:18:02.920
<v Speaker 1>training or expertise of fatiography and take pictures. Now again,

0:18:03.359 --> 0:18:06.320
<v Speaker 1>we should stress that the quality of pictures is going

0:18:06.359 --> 0:18:10.120
<v Speaker 1>to depend highly upon the type of camera and the photographer.

0:18:10.520 --> 0:18:13.800
<v Speaker 1>We have a photographer as our producing today, and I

0:18:13.920 --> 0:18:17.200
<v Speaker 1>just want to make it clear that we appreciate the

0:18:17.280 --> 0:18:20.360
<v Speaker 1>intense level of skill that she has as a photographer.

0:18:20.560 --> 0:18:26.720
<v Speaker 1>I I agree, Um, she's also scary. Um and and

0:18:26.840 --> 0:18:29.440
<v Speaker 1>eighty nine was when the when Kodak released its first

0:18:29.480 --> 0:18:34.479
<v Speaker 1>commercial transparent role film. UM. So this perfection that the

0:18:34.600 --> 0:18:37.560
<v Speaker 1>release of the camera equipment, the release of the transparent

0:18:37.680 --> 0:18:41.400
<v Speaker 1>role film. UM this is a complete revolution because it's

0:18:41.400 --> 0:18:45.920
<v Speaker 1>it's made uh, photography available to the average person again.

0:18:46.480 --> 0:18:50.439
<v Speaker 1>Um and Uh, this is when you know things started

0:18:50.440 --> 0:18:53.159
<v Speaker 1>to really change. You Also at this time, though, you

0:18:53.240 --> 0:18:55.880
<v Speaker 1>had to go into a dark area to load your

0:18:55.880 --> 0:18:58.480
<v Speaker 1>camera because you don't want to expose your film and

0:18:58.600 --> 0:19:01.160
<v Speaker 1>ruin it before you can take pictures. Because of course,

0:19:01.560 --> 0:19:04.480
<v Speaker 1>the whole thing about film is that it has a

0:19:04.600 --> 0:19:07.359
<v Speaker 1>chemical reaction when it's exposed to light, and that's what

0:19:07.440 --> 0:19:11.320
<v Speaker 1>allows it to capture photos or pictures. If you were

0:19:11.359 --> 0:19:14.080
<v Speaker 1>to expose that film to light before you were to

0:19:14.240 --> 0:19:16.480
<v Speaker 1>use in a camera, then you would just ruin that

0:19:16.480 --> 0:19:19.320
<v Speaker 1>that film. It would be it would be as if

0:19:19.359 --> 0:19:22.520
<v Speaker 1>you had taken a photo already. Uh. That was completely

0:19:22.680 --> 0:19:25.560
<v Speaker 1>uncontrolled circumstances. So you had to load it in a

0:19:25.640 --> 0:19:31.879
<v Speaker 1>dark room until when they introduced their first daylight loading camera,

0:19:32.320 --> 0:19:35.919
<v Speaker 1>which had the role protected the film in such a

0:19:35.960 --> 0:19:39.280
<v Speaker 1>way that you could load the film into a camera advance.

0:19:39.359 --> 0:19:41.800
<v Speaker 1>It the film, so that the little part that was

0:19:41.880 --> 0:19:45.200
<v Speaker 1>exposed is beyond where you're taking the images and you

0:19:45.280 --> 0:19:48.840
<v Speaker 1>just start snapping away. Yep. That's a a big difference

0:19:48.880 --> 0:19:51.520
<v Speaker 1>because I can tell you trying to load film in

0:19:51.560 --> 0:19:55.760
<v Speaker 1>the dark can be really annoying, especially if you drop it. Uma.

0:19:55.960 --> 0:19:58.160
<v Speaker 1>So uh, you know, we don't want to we don't

0:19:58.160 --> 0:20:00.359
<v Speaker 1>want to discuss every little thing they've got on. I mean,

0:20:00.359 --> 0:20:02.600
<v Speaker 1>there's there's a lot of information on the Kodak website

0:20:02.640 --> 0:20:04.840
<v Speaker 1>about this type of stuff if you're really interested in

0:20:04.840 --> 0:20:08.240
<v Speaker 1>the company, which is amazing, but you know, I want

0:20:08.240 --> 0:20:10.600
<v Speaker 1>to capture some of the highlights. Um. You know they

0:20:10.840 --> 0:20:14.280
<v Speaker 1>did change, yes, exactly, Well, they were the Eastman Company.

0:20:14.119 --> 0:20:16.160
<v Speaker 1>They switched to the Eastman Company and then they became

0:20:16.200 --> 0:20:21.879
<v Speaker 1>Eastman Kodak and capture the again capture to uh to

0:20:21.960 --> 0:20:26.080
<v Speaker 1>really play off of the name Kodak um and uh,

0:20:26.160 --> 0:20:28.560
<v Speaker 1>let's see. I mean the they basically grew for the

0:20:28.560 --> 0:20:32.440
<v Speaker 1>next few years, just rapidly. They took off, they built buildings,

0:20:32.480 --> 0:20:35.359
<v Speaker 1>they started moving outside the United States. Um. And then

0:20:35.400 --> 0:20:39.160
<v Speaker 1>they announced the pocket Codac camera in which used role

0:20:39.240 --> 0:20:42.560
<v Speaker 1>film and you hey, guess what, you could actually figure

0:20:42.600 --> 0:20:46.119
<v Speaker 1>out where what what snapshot you were on because it

0:20:46.200 --> 0:20:49.400
<v Speaker 1>had an indicator to tell you what number you Hey,

0:20:49.400 --> 0:20:51.719
<v Speaker 1>I'm on number twelve, right, which is very useful when

0:20:51.800 --> 0:20:54.040
<v Speaker 1>you are wondering how many photos you have left on

0:20:54.119 --> 0:20:57.280
<v Speaker 1>the roll and you know, well, anyone who's used a

0:20:57.400 --> 0:21:00.360
<v Speaker 1>film camera and they've wanted to go out and take

0:21:00.400 --> 0:21:03.560
<v Speaker 1>pictures of stuff it does. It can be frustrating if

0:21:03.560 --> 0:21:04.960
<v Speaker 1>you looked down and he said, oh, wait, I only

0:21:04.960 --> 0:21:08.720
<v Speaker 1>have two photos left. Is this moment really worth capturing? Yeah?

0:21:08.880 --> 0:21:12.399
<v Speaker 1>Or should I wait and and save those two photos?

0:21:12.440 --> 0:21:15.760
<v Speaker 1>But before this you essentially had to keep track of

0:21:15.800 --> 0:21:18.720
<v Speaker 1>it with yourself until you realize that, oh, the cameras

0:21:18.720 --> 0:21:22.800
<v Speaker 1>not advancing any further because I've taken the last image.

0:21:22.880 --> 0:21:26.040
<v Speaker 1>Anyone who's ever rolled his or her own film as

0:21:26.080 --> 0:21:28.280
<v Speaker 1>I have also has had that problem because you go

0:21:28.680 --> 0:21:30.480
<v Speaker 1>in the dark, you're sitting there and loading it. It

0:21:30.520 --> 0:21:33.639
<v Speaker 1>feels like enough, you put it in the cartridge and

0:21:33.640 --> 0:21:36.840
<v Speaker 1>then you start snapping photos and it doesn't matter if

0:21:36.840 --> 0:21:39.679
<v Speaker 1>there's a number on that because you really don't know

0:21:39.720 --> 0:21:43.280
<v Speaker 1>exactly how many photos you've got. Um so yeah, I

0:21:43.280 --> 0:21:47.480
<v Speaker 1>mean they started moving into uh into Europe about this time,

0:21:47.520 --> 0:21:52.920
<v Speaker 1>but oh yeah, they started while we had see through

0:21:52.960 --> 0:21:56.840
<v Speaker 1>photos before because they invented the transparent film. But this

0:21:56.920 --> 0:22:00.600
<v Speaker 1>is when they really got into uh see through stuff

0:22:00.640 --> 0:22:05.040
<v Speaker 1>because they started making plates and paper for X rays, yes,

0:22:05.200 --> 0:22:10.760
<v Speaker 1>which had only been discovered the year before. So yeah,

0:22:10.800 --> 0:22:14.000
<v Speaker 1>they jumped on that very very quickly. I mean, Kodak

0:22:14.040 --> 0:22:17.880
<v Speaker 1>at this point was one of the leading companies when

0:22:17.880 --> 0:22:22.560
<v Speaker 1>it came to capturing and processing images. Well, I mean

0:22:22.560 --> 0:22:27.879
<v Speaker 1>that also in six they started promoting the first film

0:22:28.040 --> 0:22:31.760
<v Speaker 1>especially made for creating motion pictures. They actually worked with

0:22:31.800 --> 0:22:33.960
<v Speaker 1>some some inventor guy who also lived in New York.

0:22:33.960 --> 0:22:38.439
<v Speaker 1>I can't remember his name. No, No, that wouldn't it.

0:22:39.359 --> 0:22:45.520
<v Speaker 1>Alexander grim bell Um, Steve Jobs. I'm just okay, I'm

0:22:45.520 --> 0:22:47.880
<v Speaker 1>gonna keep giving wrong answers until you say the right one.

0:22:47.960 --> 0:22:53.920
<v Speaker 1>Thomas Alva Edison, that guy. Yeah, I like to call

0:22:54.040 --> 0:22:58.399
<v Speaker 1>him elephant shucker. Oh man. Yeah, I'm just mean, Well,

0:22:58.760 --> 0:23:01.640
<v Speaker 1>I didn't kill an elephant with alternating current. Well technically

0:23:01.680 --> 0:23:04.480
<v Speaker 1>he didn't. He just sanctioned it. Okay, um, fair enough,

0:23:04.600 --> 0:23:08.920
<v Speaker 1>So that was only following orders, following orders. Yeah, yeah, yeah.

0:23:09.000 --> 0:23:14.359
<v Speaker 1>So they didn't come up with the folding pocket codac camera, um,

0:23:14.440 --> 0:23:16.600
<v Speaker 1>which was great if you had folding pockets. Yeah, if

0:23:16.640 --> 0:23:19.840
<v Speaker 1>you didn't. Well, well, this is this is the first

0:23:19.880 --> 0:23:21.800
<v Speaker 1>to have the two and a quarter by three and

0:23:21.840 --> 0:23:24.840
<v Speaker 1>a quarter inch negative, which was the standard size for

0:23:25.000 --> 0:23:28.080
<v Speaker 1>you know, thirty years or so for a while. Anyway,

0:23:28.440 --> 0:23:32.080
<v Speaker 1>in Eastman kind of showed what sort of boss he was.

0:23:32.520 --> 0:23:35.680
<v Speaker 1>We you know, we if you listen to our HP podcasts,

0:23:35.720 --> 0:23:38.520
<v Speaker 1>you learned about the founders of HP were very much

0:23:38.960 --> 0:23:44.639
<v Speaker 1>about rewarding employees and and fostering a good corporate citizens

0:23:44.640 --> 0:23:49.600
<v Speaker 1>sort of uh profile. Right, Well, Kodak is the same way,

0:23:49.600 --> 0:23:53.119
<v Speaker 1>and Eastman very much believed in rewarding his employees in

0:23:54.640 --> 0:23:57.640
<v Speaker 1>he gave them a bonus from his own personal money

0:23:57.840 --> 0:23:59.879
<v Speaker 1>because he felt that they had worked so hard and

0:24:00.040 --> 0:24:02.960
<v Speaker 1>done such good work for the company. So here's ten

0:24:03.040 --> 0:24:05.800
<v Speaker 1>million dollars. Yeah, here's a man taking money from his

0:24:05.840 --> 0:24:09.400
<v Speaker 1>own pocket to reward his employees. Not you don't see

0:24:09.400 --> 0:24:12.159
<v Speaker 1>a whole lot of that today, Not not at the

0:24:12.200 --> 0:24:16.720
<v Speaker 1>same level. No, No, I mean you might get like, ah,

0:24:17.000 --> 0:24:21.000
<v Speaker 1>here you go, congratulations. Well, well, you see companies having

0:24:21.080 --> 0:24:24.200
<v Speaker 1>funds set up within the company for you know, success sharing,

0:24:24.240 --> 0:24:26.960
<v Speaker 1>reward sharing programs. But this is something that he gave

0:24:27.400 --> 0:24:31.840
<v Speaker 1>from his own pocket, which which was pretty significant, pretty phenomenal. Yeah,

0:24:31.880 --> 0:24:33.640
<v Speaker 1>that's the kind of thing that that makes your employees

0:24:33.680 --> 0:24:35.760
<v Speaker 1>really want to work hard for you. And they did

0:24:36.200 --> 0:24:40.680
<v Speaker 1>the nineteen hundred, So we're talking about the the turn

0:24:40.720 --> 0:24:42.920
<v Speaker 1>of the century, unless you want to say nine one

0:24:42.960 --> 0:24:45.080
<v Speaker 1>is technically the turn of the century, which I would

0:24:45.119 --> 0:24:49.480
<v Speaker 1>I would agree with you. But nineteen hundred that's when

0:24:49.520 --> 0:24:54.280
<v Speaker 1>they introduced the Brownie camera, which was probably the most

0:24:54.440 --> 0:24:57.720
<v Speaker 1>famous camera I would say that Kodak and it's it's

0:24:57.720 --> 0:25:00.800
<v Speaker 1>one of those that was synonymous with the Kodak name

0:25:00.840 --> 0:25:02.600
<v Speaker 1>for a really long time. Oh yeah, yeah, And it

0:25:02.680 --> 0:25:05.719
<v Speaker 1>was really sort of marketed to kids because it had

0:25:05.720 --> 0:25:07.960
<v Speaker 1>the Brownie name and you know, the little elf that

0:25:08.000 --> 0:25:10.119
<v Speaker 1>they used on the packaging. But here's here was the

0:25:10.160 --> 0:25:14.159
<v Speaker 1>conversion I did. Yes, because it was one dollar. It

0:25:14.240 --> 0:25:16.480
<v Speaker 1>made it available for one dollar, which in today's money

0:25:16.480 --> 0:25:20.720
<v Speaker 1>would be two cents, or uh, if you took one

0:25:20.760 --> 0:25:24.240
<v Speaker 1>dollar in today's dollars, that would actually be twenty eight

0:25:24.240 --> 0:25:27.160
<v Speaker 1>dollars and twenty cents. There you go. Yeah, and the

0:25:27.280 --> 0:25:29.439
<v Speaker 1>film was sold for fifteen cents a roll, which was

0:25:29.480 --> 0:25:34.040
<v Speaker 1>around four dollars ye, which really, when you think about it,

0:25:34.119 --> 0:25:36.680
<v Speaker 1>is not terribly expensive. It was it was meant to

0:25:36.720 --> 0:25:40.520
<v Speaker 1>be something that that the the average person could afford effectively. Right. Yeah,

0:25:40.520 --> 0:25:43.399
<v Speaker 1>so for one one buck you could go out and

0:25:43.440 --> 0:25:46.240
<v Speaker 1>buy a Brownie camera. So yeah, that was I mean,

0:25:46.280 --> 0:25:49.239
<v Speaker 1>that was again another revolution. It was suddenly making the

0:25:49.320 --> 0:25:53.800
<v Speaker 1>camera technology not just available because it's sold to consumers,

0:25:53.800 --> 0:25:57.080
<v Speaker 1>but available because it's affordable. Uh yeah. And then it

0:25:57.240 --> 0:26:00.600
<v Speaker 1>just really sort of launched this this endo street in

0:26:00.600 --> 0:26:04.240
<v Speaker 1>the United States and then across the world. So uh.

0:26:04.440 --> 0:26:07.560
<v Speaker 1>And then nineteen o one, the Eastman Kodak Company of

0:26:07.640 --> 0:26:12.440
<v Speaker 1>New Jersey, which became the parent company of the entire corporation,

0:26:12.680 --> 0:26:15.880
<v Speaker 1>formed and uh, Eastman became the president of the New

0:26:15.960 --> 0:26:20.679
<v Speaker 1>Jersey Holding Company, and Strong, Henry A. Strong, became the

0:26:20.720 --> 0:26:23.679
<v Speaker 1>head of the New York company h and would remain

0:26:23.800 --> 0:26:26.800
<v Speaker 1>the head of the company until he passed away, which

0:26:26.840 --> 0:26:30.200
<v Speaker 1>was but that's down the road a bit. Now we've

0:26:30.200 --> 0:26:33.480
<v Speaker 1>talked about the camera and the film, um, and those

0:26:33.520 --> 0:26:37.920
<v Speaker 1>two things are of obviously paramount importance. Yeah. I did

0:26:37.920 --> 0:26:44.640
<v Speaker 1>that on purpose. UM. So it's a good touchstone. Um.

0:26:44.680 --> 0:26:48.320
<v Speaker 1>I thought I had you out fox, But we want

0:26:48.320 --> 0:26:51.040
<v Speaker 1>to play this game now, are we? There's a piece

0:26:51.119 --> 0:26:54.000
<v Speaker 1>that that we're missing, and that's what happens after you

0:26:54.040 --> 0:26:57.320
<v Speaker 1>take the photo. Um. You know, doing dark room work

0:26:57.480 --> 0:27:00.119
<v Speaker 1>can be intensely rewarding, especially if you're cooped up in

0:27:00.160 --> 0:27:02.480
<v Speaker 1>that room with a lot of developing chemicals and you

0:27:02.520 --> 0:27:05.919
<v Speaker 1>still animals dancing around the room. Exactly. Hey, all the

0:27:05.920 --> 0:27:10.560
<v Speaker 1>photos are coming to life. Really. But there's also you know,

0:27:10.640 --> 0:27:13.879
<v Speaker 1>Kodak realized that it could make strides on the other side,

0:27:13.920 --> 0:27:16.840
<v Speaker 1>to the processing side and the processing side. And this

0:27:16.880 --> 0:27:19.800
<v Speaker 1>was when they introduced the Kodak Developing machine, which made

0:27:19.800 --> 0:27:22.280
<v Speaker 1>it so much more simple. You didn't have to have

0:27:22.280 --> 0:27:24.120
<v Speaker 1>a dark room. You could you could PLoP the film

0:27:24.119 --> 0:27:27.600
<v Speaker 1>in the machine and it would do it for you. Um.

0:27:27.640 --> 0:27:29.960
<v Speaker 1>This is this is nice for amateurs who want to

0:27:30.040 --> 0:27:35.080
<v Speaker 1>do this themselves. Um. And that's the three See, these

0:27:35.080 --> 0:27:37.240
<v Speaker 1>are these are all things that seems sort of trivial today,

0:27:37.240 --> 0:27:40.840
<v Speaker 1>but they weren't at the time. Non curling film. Uh,

0:27:41.000 --> 0:27:43.320
<v Speaker 1>for the next thirty years, the the non curling film

0:27:43.400 --> 0:27:46.400
<v Speaker 1>was the one that people use. So why would anyone

0:27:46.600 --> 0:27:50.639
<v Speaker 1>want film that didn't just slide a thing across the

0:27:50.680 --> 0:27:59.320
<v Speaker 1>ice and sweet shape as in curly you know. Oh

0:28:00.640 --> 0:28:04.240
<v Speaker 1>never mind, I'm going to jump ahead, okay, nineteen I'm

0:28:04.280 --> 0:28:07.080
<v Speaker 1>forcing us forward. Well, they I thought you were going

0:28:07.119 --> 0:28:10.639
<v Speaker 1>to mention you thought I was, but I'm not. Okay,

0:28:10.800 --> 0:28:12.560
<v Speaker 1>do you have something that you really need to say

0:28:12.600 --> 0:28:15.120
<v Speaker 1>about nineteen o eight. Well, the film at the time

0:28:15.160 --> 0:28:18.400
<v Speaker 1>was sort of flammable because they were using a cellulose nitrate. Yes,

0:28:18.480 --> 0:28:21.960
<v Speaker 1>it was, and they changed to cellulose a state in

0:28:22.800 --> 0:28:26.439
<v Speaker 1>which made it more or acetate acetate, which made it

0:28:26.480 --> 0:28:29.720
<v Speaker 1>more non Bernie Eppy friendly. Yeah, so we had fewer

0:28:29.760 --> 0:28:34.040
<v Speaker 1>photographer fires than which was you know, again our producer appreciates. Yes,

0:28:34.240 --> 0:28:38.680
<v Speaker 1>I've only seen her catch on fire twice, so it's improving. Uh.

0:28:38.720 --> 0:28:43.200
<v Speaker 1>In nineteen they built they had their sixteen story office

0:28:43.240 --> 0:28:47.240
<v Speaker 1>building built in what is now three four three State Street, Rochester,

0:28:48.040 --> 0:28:51.000
<v Speaker 1>and uh that sixteen story building would later become a

0:28:51.080 --> 0:28:55.360
<v Speaker 1>nineteen story building because n they added more floors to it. Uh.

0:28:55.400 --> 0:28:59.400
<v Speaker 1>So that's the world headquarters. Uh them jumping ahead in

0:28:59.520 --> 0:29:04.440
<v Speaker 1>nineteen seventeen, Kodak helped out in the war effort during

0:29:04.480 --> 0:29:09.360
<v Speaker 1>World War One, and they developed aerial cameras so that

0:29:09.440 --> 0:29:14.760
<v Speaker 1>the US Signal Corps could take photos reconnaissance photos during

0:29:14.760 --> 0:29:19.920
<v Speaker 1>the war. So that was a really kind of during

0:29:19.920 --> 0:29:21.400
<v Speaker 1>that time. I mean, there were a lot of companies

0:29:21.400 --> 0:29:23.440
<v Speaker 1>that were all dedicating a lot of effort to try

0:29:23.440 --> 0:29:26.400
<v Speaker 1>and support the United States in this World War. I

0:29:26.440 --> 0:29:28.360
<v Speaker 1>mean it was the very first World War, so it

0:29:28.480 --> 0:29:32.040
<v Speaker 1>was it was a huge deal. Yeah. They also used

0:29:32.080 --> 0:29:38.280
<v Speaker 1>that cellulose acetate um for the coding airplane wings and

0:29:38.320 --> 0:29:41.600
<v Speaker 1>developing lenses for gas masks that wouldn't break, which is uh,

0:29:41.720 --> 0:29:43.000
<v Speaker 1>you know, hey, they had it on hand, and so

0:29:43.800 --> 0:29:49.240
<v Speaker 1>ine again showing what sort of company this was. Eastman

0:29:49.400 --> 0:29:54.200
<v Speaker 1>Savings and Loan Association was was formed and it was

0:29:54.280 --> 0:29:58.960
<v Speaker 1>to help employees UH finance home purchases. So that was

0:29:58.960 --> 0:30:01.640
<v Speaker 1>actually a pretty big deal that the company had created

0:30:01.680 --> 0:30:06.280
<v Speaker 1>this institution to help its employees find and secure places

0:30:06.280 --> 0:30:10.040
<v Speaker 1>to live. And eventually that would split off to become

0:30:10.280 --> 0:30:15.040
<v Speaker 1>a credit union. Um. They started making it possible. Now

0:30:15.080 --> 0:30:17.200
<v Speaker 1>we we were talking about the motion picture film earlier,

0:30:17.520 --> 0:30:22.080
<v Speaker 1>but UM in n three they started making motion picture

0:30:22.120 --> 0:30:27.480
<v Speaker 1>film available in sixteen millimeter format for UH for amateurs UM,

0:30:27.520 --> 0:30:30.800
<v Speaker 1>and that was you know, black and white stuff. They

0:30:30.840 --> 0:30:33.440
<v Speaker 1>also made the sene Kodak motion picture camera and the

0:30:33.480 --> 0:30:36.680
<v Speaker 1>Codascope projector UM, so you could do everything. You could

0:30:36.680 --> 0:30:38.880
<v Speaker 1>shoot the photos they had film for it, and you

0:30:38.920 --> 0:30:41.920
<v Speaker 1>could you could show home movies to your board friends,

0:30:41.960 --> 0:30:45.000
<v Speaker 1>I mean to your friends when they would come over

0:30:45.000 --> 0:30:49.000
<v Speaker 1>the vacation. Um. And then uh, well they actually improved

0:30:49.040 --> 0:30:53.480
<v Speaker 1>on that when they developed a uh when they made

0:30:53.480 --> 0:30:57.040
<v Speaker 1>a color photo felt her color movie film for an

0:30:57.480 --> 0:31:02.320
<v Speaker 1>amateur motion picture people. This is quickly becoming even more

0:31:02.360 --> 0:31:05.160
<v Speaker 1>irritating than when we did Resberry Pie. Yeah, I agree,

0:31:05.720 --> 0:31:09.240
<v Speaker 1>um yeah. And then they started in making it possible

0:31:09.280 --> 0:31:13.200
<v Speaker 1>to use sound on motion pictures. Now we talked about

0:31:13.200 --> 0:31:16.240
<v Speaker 1>that in a previous podast with a special magnetic strip

0:31:16.280 --> 0:31:20.120
<v Speaker 1>where the sound information is recorded. That's that's next to

0:31:20.600 --> 0:31:25.480
<v Speaker 1>the actual images that you're capturing. Um. Just as a note,

0:31:26.000 --> 0:31:30.560
<v Speaker 1>all along this process, uh, Kodak has been creating businesses

0:31:30.760 --> 0:31:33.760
<v Speaker 1>to supply its business. So a few years before that,

0:31:33.960 --> 0:31:38.040
<v Speaker 1>they they had started a company to manufacture would alcohol

0:31:38.120 --> 0:31:41.280
<v Speaker 1>for the film base and um they're also doing other

0:31:41.760 --> 0:31:45.800
<v Speaker 1>uh groups, a gelatine corporation to help with the film.

0:31:45.880 --> 0:31:50.360
<v Speaker 1>So they're they're really creating their own infrastructure within the company,

0:31:50.360 --> 0:31:52.360
<v Speaker 1>which is very helpful because it makes them a very

0:31:52.400 --> 0:31:55.040
<v Speaker 1>solid player. They don't have to depend on somebody else

0:31:55.040 --> 0:31:58.040
<v Speaker 1>to supply these materials. To write two. This was a

0:31:58.080 --> 0:32:01.320
<v Speaker 1>big year for Kodak, and one positive way in one

0:32:01.400 --> 0:32:05.000
<v Speaker 1>negative way. In thirty two, that's when they introduced the

0:32:05.080 --> 0:32:09.360
<v Speaker 1>first eight millimeter amateur motion picture film cameras and projectors.

0:32:09.600 --> 0:32:13.120
<v Speaker 1>So now people can make home movies with eight millimeter

0:32:13.200 --> 0:32:16.960
<v Speaker 1>or film. Again that's a standard now. Yeah, yeah, I

0:32:17.360 --> 0:32:20.760
<v Speaker 1>had That's why I had an eight millimeter camera, had

0:32:20.800 --> 0:32:22.960
<v Speaker 1>eight millimeter film at home. I haven't. I don't have

0:32:23.000 --> 0:32:25.080
<v Speaker 1>a projector for it, but you know, old home movies

0:32:25.120 --> 0:32:28.840
<v Speaker 1>from the family. Well that's also the year that George

0:32:28.840 --> 0:32:34.240
<v Speaker 1>Eastman passed away, Yes, and he left his entire estate

0:32:34.360 --> 0:32:37.600
<v Speaker 1>to the University of Rochester, so again showing that he

0:32:37.680 --> 0:32:41.160
<v Speaker 1>was he was he was really he really believed in

0:32:41.280 --> 0:32:44.080
<v Speaker 1>giving back to the community and giving back to the

0:32:44.120 --> 0:32:47.760
<v Speaker 1>people that he felt helps support him. So that was

0:32:47.840 --> 0:32:51.240
<v Speaker 1>pretty pretty phenomenal. Yeah, he really believed, just as in

0:32:51.280 --> 0:32:54.920
<v Speaker 1>the side, he really believed in education to um and

0:32:55.120 --> 0:32:58.480
<v Speaker 1>he would he donated money to to help kids. He

0:32:58.520 --> 0:33:01.480
<v Speaker 1>donated money for cause is that were important to him

0:33:01.520 --> 0:33:05.120
<v Speaker 1>like um he uh. He was very into music and

0:33:05.200 --> 0:33:10.760
<v Speaker 1>felt that to have to to have a successful musical

0:33:10.800 --> 0:33:14.320
<v Speaker 1>community in a town, you really needed to educate people

0:33:14.640 --> 0:33:18.440
<v Speaker 1>about music so that they would appreciate it more. Um.

0:33:18.480 --> 0:33:20.560
<v Speaker 1>And that's where the Eastman's the money for the Eastman

0:33:20.600 --> 0:33:24.080
<v Speaker 1>School of Music, which is a prestigious school, Uh came about.

0:33:24.120 --> 0:33:26.720
<v Speaker 1>I mean he's he was. He was really into education

0:33:26.760 --> 0:33:31.480
<v Speaker 1>and helping people become aware of the importance of art

0:33:31.840 --> 0:33:36.120
<v Speaker 1>and um, you know, basically education in general in the community.

0:33:36.160 --> 0:33:38.680
<v Speaker 1>So there's you know, there are a lot of institutions

0:33:38.720 --> 0:33:41.040
<v Speaker 1>in in Rochester. If you if you've ever been there,

0:33:41.040 --> 0:33:43.520
<v Speaker 1>it's a it's a great town. I've been and uh

0:33:43.520 --> 0:33:46.920
<v Speaker 1>I should say city, um and uh it's it's a

0:33:46.920 --> 0:33:49.440
<v Speaker 1>really neat place. But a lot of places in in

0:33:49.440 --> 0:33:52.800
<v Speaker 1>in Rochester bear his name because of the contributions he

0:33:52.880 --> 0:33:57.320
<v Speaker 1>made sure. So in thirty five, they introduced the first

0:33:57.920 --> 0:34:02.040
<v Speaker 1>commercially available amateur color film, the Coda Chrome film. A

0:34:02.080 --> 0:34:05.840
<v Speaker 1>lot of people still they just they yeah. Uh. Code

0:34:05.840 --> 0:34:09.719
<v Speaker 1>of Chrome really made a name for itself because of

0:34:09.840 --> 0:34:13.319
<v Speaker 1>the richness of color. And it was kind of unusual too,

0:34:13.400 --> 0:34:16.400
<v Speaker 1>because it was black and white. It was during the

0:34:16.480 --> 0:34:20.640
<v Speaker 1>developing process that the color was aware. You you would

0:34:20.680 --> 0:34:23.759
<v Speaker 1>actually notice that there was color there because of the

0:34:23.800 --> 0:34:26.839
<v Speaker 1>chemicals used to to develop It was kind of fascinating

0:34:26.920 --> 0:34:31.160
<v Speaker 1>to me. Um anyway, Yeah, nineteen jumping in a nineteen

0:34:32.000 --> 0:34:36.479
<v Speaker 1>thirty seven they introduced the first slide projector slide, which

0:34:36.600 --> 0:34:39.520
<v Speaker 1>was you had to slide at a time. Yeah, so

0:34:39.719 --> 0:34:42.319
<v Speaker 1>not only could you bore your your friends with your

0:34:42.360 --> 0:34:44.879
<v Speaker 1>family photos, but you could take a really long time

0:34:44.920 --> 0:34:49.120
<v Speaker 1>doing it. Yes, they'll fix that later though. So where

0:34:49.120 --> 0:34:50.920
<v Speaker 1>do you want to jump to from here? Well, they

0:34:51.040 --> 0:34:55.040
<v Speaker 1>again they did all kinds of things in the ready

0:34:55.040 --> 0:34:58.160
<v Speaker 1>amount for its code of chrome film. Um. You know,

0:34:58.200 --> 0:35:01.400
<v Speaker 1>as soon as you got the the process the slides

0:35:01.440 --> 0:35:03.560
<v Speaker 1>back from the processing lab, you you could you could

0:35:03.600 --> 0:35:08.400
<v Speaker 1>put them together. Um, all kinds of stuff. Cotacomb Coda

0:35:08.440 --> 0:35:11.320
<v Speaker 1>color film for Prince in two. That was the first

0:35:11.360 --> 0:35:15.439
<v Speaker 1>color negative film. This was different from the Coda chrome. Um. Yeah,

0:35:15.440 --> 0:35:17.879
<v Speaker 1>the negative itself had had color in it, not black

0:35:17.920 --> 0:35:22.239
<v Speaker 1>and white. Yea. And the Army. Uh, actually, the the

0:35:22.360 --> 0:35:28.000
<v Speaker 1>United States military gave uh the company an e Award

0:35:28.080 --> 0:35:30.880
<v Speaker 1>for High Achievement in the production of equipment and film

0:35:31.000 --> 0:35:33.200
<v Speaker 1>for the war effort. So they helped out in World

0:35:33.200 --> 0:35:37.480
<v Speaker 1>War two as well. Um. Then of course, you know,

0:35:37.520 --> 0:35:41.439
<v Speaker 1>they made transparency film in the late forties. Um, they

0:35:41.480 --> 0:35:46.840
<v Speaker 1>began looking at other other companies too. They started making, uh,

0:35:46.920 --> 0:35:51.680
<v Speaker 1>this is kind of weird synthetic vitamin an. Yeah, there's

0:35:51.719 --> 0:35:54.719
<v Speaker 1>some parts of Codex history where if you're not really

0:35:54.760 --> 0:35:56.960
<v Speaker 1>familiar with it, if you're only familiar with their cameras,

0:35:57.000 --> 0:36:00.960
<v Speaker 1>you're thinking, what, Yeah, but this to be one of them.

0:36:01.000 --> 0:36:05.040
<v Speaker 1>Like like many large companies, they realized the benefits of

0:36:05.040 --> 0:36:08.160
<v Speaker 1>diversification and that is what I think will save Kodak

0:36:08.200 --> 0:36:11.279
<v Speaker 1>once it manages to make its way out of UH

0:36:11.560 --> 0:36:14.960
<v Speaker 1>Chapter eleven bankrupts. It's just a balance between diversification and

0:36:15.000 --> 0:36:17.759
<v Speaker 1>not going so far outside your core business that you

0:36:17.800 --> 0:36:21.040
<v Speaker 1>are getting involved in something you have really pardon upon

0:36:21.320 --> 0:36:25.560
<v Speaker 1>no business in. Yeah, they eventually would would stop manufacturing

0:36:26.200 --> 0:36:29.360
<v Speaker 1>vitamin a, but they did get into UH you know,

0:36:30.120 --> 0:36:32.520
<v Speaker 1>we like to manufacture vitamin a. See the way it

0:36:32.520 --> 0:36:37.000
<v Speaker 1>works is that you actually syntheticamin Yeah, in nineteen seventy three.

0:36:37.040 --> 0:36:40.880
<v Speaker 1>But they did get into UH Television Recording UM along

0:36:40.880 --> 0:36:46.480
<v Speaker 1>with Dumont Laboratories and NBC in uh UM, and then

0:36:46.600 --> 0:36:50.319
<v Speaker 1>they they started getting into safety film for the motion

0:36:50.360 --> 0:36:53.560
<v Speaker 1>picture industry. In eight they got an oscar as a

0:36:53.600 --> 0:36:57.359
<v Speaker 1>matter of fact for that UM, and then Codex earned

0:36:57.360 --> 0:37:00.680
<v Speaker 1>a couple of oscars over for its country Usians. Effect.

0:37:00.960 --> 0:37:03.359
<v Speaker 1>One of the things they were very proud about was

0:37:03.400 --> 0:37:08.080
<v Speaker 1>that up until until fairly recently, every single motion picture

0:37:08.320 --> 0:37:11.440
<v Speaker 1>that has won the Best Picture category was filmed on

0:37:11.520 --> 0:37:16.040
<v Speaker 1>Kodak film. That's impressive. The digital era is starting to

0:37:16.120 --> 0:37:19.080
<v Speaker 1>change that. But you know, during the film era that

0:37:19.160 --> 0:37:23.440
<v Speaker 1>was that was true. Yep, yep. They started uh producing

0:37:24.080 --> 0:37:29.720
<v Speaker 1>the Kodak Colorama display transparencies which were they projected onto

0:37:29.760 --> 0:37:31.759
<v Speaker 1>the main Terminal four at Grand Central Station in New

0:37:31.840 --> 0:37:36.399
<v Speaker 1>York that was eighteen feet high and sixty ft wide.

0:37:36.560 --> 0:37:39.279
<v Speaker 1>You know, that's a lot of megapixels, really confused, a

0:37:39.320 --> 0:37:41.919
<v Speaker 1>lot of a lot of weight. What's that up there,

0:37:41.960 --> 0:37:45.360
<v Speaker 1>travelers there? Yeah? Um. And then of course in fifty

0:37:45.360 --> 0:37:48.200
<v Speaker 1>one they did the eight millimeter Brownie movie camera and

0:37:48.320 --> 0:37:52.600
<v Speaker 1>movie projector. In fifty two. Um, they had the the

0:37:52.719 --> 0:37:58.120
<v Speaker 1>Kodak Brownie Star Matic in fifty seven. Oh, in fifty four, though,

0:37:58.239 --> 0:38:00.600
<v Speaker 1>you know, there's some people that prefer the look of

0:38:00.640 --> 0:38:05.080
<v Speaker 1>black and white and try X is when they released

0:38:05.080 --> 0:38:07.520
<v Speaker 1>tri X film, which is high speed black and white.

0:38:07.520 --> 0:38:10.759
<v Speaker 1>I've used try X um and it's a it's a

0:38:10.800 --> 0:38:13.879
<v Speaker 1>good film. Um. But yeah, I mean they were still

0:38:13.920 --> 0:38:16.480
<v Speaker 1>they were still doing both black and white and color. Well,

0:38:16.520 --> 0:38:18.879
<v Speaker 1>a lot of newspapers were still shooting black and white

0:38:18.880 --> 0:38:21.560
<v Speaker 1>because they couldn't they didn't have color press. And this

0:38:21.640 --> 0:38:24.680
<v Speaker 1>is this is again showing that you know, they'd really

0:38:25.160 --> 0:38:28.560
<v Speaker 1>although they were looking at diversification, their core business was

0:38:28.600 --> 0:38:33.000
<v Speaker 1>still very much in the film world. UM. Most of

0:38:33.040 --> 0:38:36.040
<v Speaker 1>these innovations have to do with either the film process

0:38:36.080 --> 0:38:39.080
<v Speaker 1>itself or the technology of the camera. They did get

0:38:39.080 --> 0:38:42.960
<v Speaker 1>into a polyester textile fiber by Tennessee Eastman, which was

0:38:42.960 --> 0:38:46.640
<v Speaker 1>the wood alcohol company we mentioned before in UM, but

0:38:46.680 --> 0:38:50.520
<v Speaker 1>they started releasing a high speed ectochrome film, the fastest

0:38:50.520 --> 0:38:54.120
<v Speaker 1>color film in the market UM and they had fully

0:38:54.120 --> 0:38:58.200
<v Speaker 1>automatic exposure control in fifty nine on the Codak cameras.

0:38:58.200 --> 0:39:02.200
<v Speaker 1>In sixty one they finally produced a code carousel projector,

0:39:02.360 --> 0:39:05.920
<v Speaker 1>so now you no longer had to front load that slide.

0:39:05.960 --> 0:39:09.720
<v Speaker 1>Actually there were other there were other slides slide projectors

0:39:09.800 --> 0:39:12.279
<v Speaker 1>they introduced before that, but the carousel projector is the

0:39:12.280 --> 0:39:14.560
<v Speaker 1>one that I familiar with. Yeah, that that's the one

0:39:14.600 --> 0:39:19.040
<v Speaker 1>with a big wheel that has all the slides in it. Chunk, chunk, chunk.

0:39:19.200 --> 0:39:21.640
<v Speaker 1>You know. There were many a day in my my

0:39:21.880 --> 0:39:25.000
<v Speaker 1>school days when we were treated to slide shows and

0:39:25.040 --> 0:39:29.840
<v Speaker 1>then the entire class shouting out, it's backwards, you know,

0:39:29.880 --> 0:39:33.239
<v Speaker 1>when the slides in the wrong way and it's upside down. Yeah,

0:39:33.280 --> 0:39:35.920
<v Speaker 1>that was that was the best one, which was the

0:39:35.960 --> 0:39:37.399
<v Speaker 1>upside down and then you have to take it out

0:39:37.640 --> 0:39:40.160
<v Speaker 1>put it back in um. But yeah, that's well, that's

0:39:40.200 --> 0:39:41.960
<v Speaker 1>where I think we get the concept of the slide

0:39:41.960 --> 0:39:44.880
<v Speaker 1>show from this carouseler. Yeah, things like like you know

0:39:44.920 --> 0:39:47.719
<v Speaker 1>in keynote or power point where you're using slides or

0:39:47.719 --> 0:39:49.880
<v Speaker 1>even you know the Google ones. There's lots of different

0:39:49.880 --> 0:39:52.400
<v Speaker 1>presentation ones, but we talk about each one's a slide

0:39:52.760 --> 0:39:54.799
<v Speaker 1>that comes all the way back to these days when

0:39:55.200 --> 0:39:58.640
<v Speaker 1>we use these slide projectors. And of course, by this

0:39:58.719 --> 0:40:01.919
<v Speaker 1>point in the mid nineteen sixties, Kodak is a worldwide name.

0:40:02.239 --> 0:40:05.160
<v Speaker 1>You know, everybody knows who they are, most one of

0:40:05.200 --> 0:40:08.040
<v Speaker 1>the most recognizable corporate names in the world. And you know,

0:40:08.560 --> 0:40:12.960
<v Speaker 1>two they exceeded one billion dollars in revenue. That's a

0:40:13.000 --> 0:40:15.520
<v Speaker 1>lot of money in nineteen sixty's a lot of money. Now,

0:40:16.640 --> 0:40:19.400
<v Speaker 1>if you don't think so, feel free to send Jonathan

0:40:19.440 --> 0:40:23.840
<v Speaker 1>Strickland one billion dollars. I will be happy to dispose

0:40:23.840 --> 0:40:26.759
<v Speaker 1>of your paltry some Again. You can go to the

0:40:26.840 --> 0:40:29.719
<v Speaker 1>website and pick out more. I'm looking for famous names

0:40:29.760 --> 0:40:33.359
<v Speaker 1>like in nineteen sixty three the in stematic camera. Yeah,

0:40:33.400 --> 0:40:38.080
<v Speaker 1>the instematic which was we had one of those stematic Uh.

0:40:38.160 --> 0:40:42.680
<v Speaker 1>That to me is immortalized in the great Wonderful folk

0:40:42.800 --> 0:40:46.479
<v Speaker 1>song by Weird Al Yankovic, the Biggest Ball of Twine

0:40:46.480 --> 0:40:49.960
<v Speaker 1>in Minnesota. Then Bernie ran away with my brand new

0:40:50.160 --> 0:40:53.839
<v Speaker 1>in Stematic. But at least we have our memories. Well,

0:40:53.880 --> 0:40:57.160
<v Speaker 1>they made more than fifty million of them by nine seventies,

0:40:57.239 --> 0:41:02.120
<v Speaker 1>so in in seven years um and then of course, uh,

0:41:02.200 --> 0:41:03.920
<v Speaker 1>you know, Code of Chrome to made its debut in

0:41:04.000 --> 0:41:10.040
<v Speaker 1>n you know, the sequel, it's never quite right. Nineteen

0:41:10.120 --> 0:41:13.200
<v Speaker 1>sixty six they came out with the Kodak, which was

0:41:13.239 --> 0:41:16.440
<v Speaker 1>a color printer. Again, this is important because this is

0:41:16.480 --> 0:41:19.120
<v Speaker 1>a new line of business for them, that that is starting.

0:41:19.320 --> 0:41:22.200
<v Speaker 1>You know, they had had electronic memory, could do two

0:41:22.200 --> 0:41:25.520
<v Speaker 1>thousand and three thousand prints an hour, So that's important. Ye,

0:41:26.560 --> 0:41:30.480
<v Speaker 1>this printer technology, that's what they're really banking on today. Ye,

0:41:30.680 --> 0:41:35.200
<v Speaker 1>that's what they're switching their focus. And the Space program

0:41:35.320 --> 0:41:38.960
<v Speaker 1>used a used um Kodak film to take a photo

0:41:39.040 --> 0:41:42.760
<v Speaker 1>of the creater Copernicus on the Moon. The Lunar Orbiter

0:41:42.840 --> 0:41:45.800
<v Speaker 1>two used a dual lens camera film processor and readout

0:41:45.840 --> 0:41:49.839
<v Speaker 1>device all Kodak brand YEP. And then over the next

0:41:49.880 --> 0:41:55.480
<v Speaker 1>few years they continued to develop more advances in movie

0:41:55.520 --> 0:42:00.000
<v Speaker 1>film technology and their camera technology, and fabrics and fabric

0:42:01.160 --> 0:42:04.040
<v Speaker 1>codel polyester fibers. I didn't realize that codel. You know,

0:42:04.120 --> 0:42:05.880
<v Speaker 1>you'd think the name would have cluded me in, but

0:42:05.920 --> 0:42:08.920
<v Speaker 1>I never realized that was them. Yeah, well is the

0:42:08.960 --> 0:42:14.279
<v Speaker 1>next really big development? Again? Man, I told you that

0:42:14.320 --> 0:42:16.640
<v Speaker 1>all the time. I know, you start to realize how

0:42:16.920 --> 0:42:20.200
<v Speaker 1>frequently use the same words. Right, So they were also

0:42:20.239 --> 0:42:22.799
<v Speaker 1>doing a Yeah, the duplicator, the act to print one

0:42:23.160 --> 0:42:25.920
<v Speaker 1>copier duplicator was invent But but the other big thing

0:42:25.960 --> 0:42:32.279
<v Speaker 1>in seventy five was the development of the first digital camera. Yeah,

0:42:32.360 --> 0:42:35.680
<v Speaker 1>see this was done again. Kodak has been doing research.

0:42:35.920 --> 0:42:41.560
<v Speaker 1>They realized early on that research and development were important. Um,

0:42:41.640 --> 0:42:46.120
<v Speaker 1>like Bell Labs, like many other companies HP and so Kodak.

0:42:47.040 --> 0:42:50.879
<v Speaker 1>Somebody at Kodak created a digital camera. They actually used

0:42:50.920 --> 0:42:55.920
<v Speaker 1>the sensor that was created at Bell Labs and built

0:42:55.960 --> 0:43:00.239
<v Speaker 1>a digital camera which was a point one megapixel black

0:43:00.239 --> 0:43:04.160
<v Speaker 1>and white camera in n and they promptly told that

0:43:04.200 --> 0:43:08.319
<v Speaker 1>guy to put it away where nobody was gonna see. Yeah,

0:43:08.320 --> 0:43:11.080
<v Speaker 1>it would be a while before Kodak would really start

0:43:11.120 --> 0:43:14.880
<v Speaker 1>to get into digital photography and digital products. However, it

0:43:14.920 --> 0:43:16.879
<v Speaker 1>is important to note that they were working on this

0:43:17.320 --> 0:43:21.520
<v Speaker 1>that far back in time and they realized, you may say,

0:43:21.560 --> 0:43:23.520
<v Speaker 1>why didn't they totally get into this and spend them

0:43:23.560 --> 0:43:27.200
<v Speaker 1>They realized what effect this would have on their entrenched businesses.

0:43:27.480 --> 0:43:29.839
<v Speaker 1>They knew that then, so they knew that there needs

0:43:29.880 --> 0:43:33.520
<v Speaker 1>to be some sort of transition between film and digital

0:43:33.880 --> 0:43:37.239
<v Speaker 1>or else they would through through innovation, they would put

0:43:37.280 --> 0:43:40.680
<v Speaker 1>themselves out of business. Yeah, I I make that joke, um,

0:43:40.719 --> 0:43:43.400
<v Speaker 1>but I don't mean to, uh to suggest that they

0:43:43.400 --> 0:43:45.960
<v Speaker 1>would really, you know, hide this away, But they really

0:43:46.160 --> 0:43:49.600
<v Speaker 1>they knew what what an innovation this was, and they

0:43:49.680 --> 0:43:51.359
<v Speaker 1>they had it in the back of their heads. Yeah.

0:43:51.440 --> 0:43:56.520
<v Speaker 1>So nineteen eighty they celebrated their one anniversary, So happy

0:43:56.560 --> 0:44:01.720
<v Speaker 1>one hundred years in nineteen eighty uh. In in unrelated news,

0:44:02.040 --> 0:44:08.880
<v Speaker 1>Star Wars Empire Strikes Back came out. Kodak introduced what

0:44:09.000 --> 0:44:10.719
<v Speaker 1>many of my friends had now, I think this is

0:44:10.760 --> 0:44:13.240
<v Speaker 1>sort of a forerunner of today's point and shoot cameras

0:44:13.280 --> 0:44:15.760
<v Speaker 1>that we actually so was the instematic for that matter,

0:44:15.800 --> 0:44:18.800
<v Speaker 1>but not like the form factor of the disc camera

0:44:18.840 --> 0:44:21.279
<v Speaker 1>which showed up in the eight two, which if you

0:44:21.280 --> 0:44:24.239
<v Speaker 1>didn't if you are unfamiliar with it. UM. Rather than

0:44:24.280 --> 0:44:27.440
<v Speaker 1>having a cartridge with film that scrolls across where the

0:44:27.480 --> 0:44:30.040
<v Speaker 1>shutter is and the viewfinder so that you can, you know,

0:44:30.080 --> 0:44:33.040
<v Speaker 1>take a picture that way, the viewfinders sort of off

0:44:33.040 --> 0:44:35.320
<v Speaker 1>to the side, because there's a it looks like a

0:44:35.400 --> 0:44:39.839
<v Speaker 1>daisy wheel or a flower of of photo negatives so

0:44:39.880 --> 0:44:41.440
<v Speaker 1>that the phone the film is on a disk. You

0:44:41.520 --> 0:44:44.000
<v Speaker 1>dropped the disk into the camera and it rotates to

0:44:44.480 --> 0:44:48.440
<v Speaker 1>to make the exposures. Now, people who were real photographers

0:44:48.480 --> 0:44:53.440
<v Speaker 1>complained about the quality of these photos because they're very tiny. UM. However,

0:44:53.800 --> 0:44:56.520
<v Speaker 1>they were very popular because they were flat and easy

0:44:56.560 --> 0:44:59.880
<v Speaker 1>to carry. And I was also in eighty two when

0:45:00.120 --> 0:45:04.640
<v Speaker 1>UH they had their pavilion open at Epcot. Yes, I've

0:45:04.719 --> 0:45:08.560
<v Speaker 1>been to it. I have as well. UH. In eighty

0:45:08.560 --> 0:45:15.360
<v Speaker 1>three they introduced the Kodak CAR four thousand information system,

0:45:15.400 --> 0:45:18.800
<v Speaker 1>which helped with the storage and retrieval of microfilm images.

0:45:19.280 --> 0:45:21.759
<v Speaker 1>They also were getting into and they had been doing

0:45:21.800 --> 0:45:23.960
<v Speaker 1>this all the way back to helping out with the

0:45:24.200 --> 0:45:29.400
<v Speaker 1>whole X rays thing, really getting into the medical fields,

0:45:29.920 --> 0:45:36.520
<v Speaker 1>helping develop technology specifically for medical UH purposes and not

0:45:36.560 --> 0:45:40.440
<v Speaker 1>necessarily tools like a syringe or something, but more like

0:45:40.640 --> 0:45:47.239
<v Speaker 1>camera and imaging tools specifically for medical procedures and medical tests. Absolutely. Yeah.

0:45:46.880 --> 0:45:50.400
<v Speaker 1>They created the Eastman Pharmaceuticals division in eighty six, just

0:45:50.480 --> 0:45:53.000
<v Speaker 1>to get ahead of myself for a little bit. There

0:45:53.000 --> 0:45:55.400
<v Speaker 1>were a couple of things though, that I wanted to note.

0:45:55.400 --> 0:45:59.600
<v Speaker 1>In eighty four they started producing uh, floppy disks for computers.

0:45:59.800 --> 0:46:03.120
<v Speaker 1>They made video cassettes and eight millimeter beta and VHS

0:46:03.200 --> 0:46:05.880
<v Speaker 1>formats covering their basis. If you guys don't know what

0:46:05.960 --> 0:46:09.400
<v Speaker 1>beta is, ask your parents, or they probably don't know

0:46:09.440 --> 0:46:13.440
<v Speaker 1>either unless they worked in Yeah. Really um. And they

0:46:13.480 --> 0:46:16.080
<v Speaker 1>also came out with the mini lab in eight five.

0:46:16.080 --> 0:46:18.560
<v Speaker 1>I remember this when when people started offering the mini

0:46:18.640 --> 0:46:23.520
<v Speaker 1>labs for fast developing in the corner photoshop, they were

0:46:23.600 --> 0:46:28.760
<v Speaker 1>just tiny Laborador retrievers. In eighty six, also in addition

0:46:28.800 --> 0:46:33.279
<v Speaker 1>to their pharmaceuticals division, they started making batteries, the Ultra

0:46:33.360 --> 0:46:35.880
<v Speaker 1>Life lithium power cells and the super Life batteries. I

0:46:35.920 --> 0:46:39.560
<v Speaker 1>have bought some, um and uh, you know, so this

0:46:39.640 --> 0:46:42.160
<v Speaker 1>is this is important again. They're getting into other kinds

0:46:42.200 --> 0:46:48.719
<v Speaker 1>of of these other categories of businesses, but not completely unrelated.

0:46:48.760 --> 0:46:50.880
<v Speaker 1>I mean they've been in these are all chemical related

0:46:50.880 --> 0:46:54.000
<v Speaker 1>businesses for the most part. Um. I remember the introduction

0:46:54.040 --> 0:46:58.040
<v Speaker 1>of the fling in seven to the one time use cameras, um,

0:46:58.080 --> 0:47:00.439
<v Speaker 1>and then he acquired Sterling Drug in eighty eight, which

0:47:00.480 --> 0:47:03.640
<v Speaker 1>was kind of that was that was one of those

0:47:03.640 --> 0:47:07.279
<v Speaker 1>moves that where seems kind of odd, and they would

0:47:07.280 --> 0:47:12.640
<v Speaker 1>actually end up divesting themselves of much of that business. Uh.

0:47:12.680 --> 0:47:15.239
<v Speaker 1>Anything that didn't have to do with imaging, you know,

0:47:15.280 --> 0:47:18.160
<v Speaker 1>anything that was health related but was still an imaging

0:47:19.040 --> 0:47:21.920
<v Speaker 1>part of the industry they kept. But anything that was

0:47:22.000 --> 0:47:28.880
<v Speaker 1>non imaging health related they divested themselves of. In yeah, um,

0:47:28.920 --> 0:47:31.279
<v Speaker 1>just sort of skipping ahead bits and pieces because we're

0:47:31.280 --> 0:47:34.239
<v Speaker 1>getting kind of late here, um, but really they're they're

0:47:34.239 --> 0:47:38.160
<v Speaker 1>continuing to innovate through this time in printers, uh, copiers

0:47:38.719 --> 0:47:42.640
<v Speaker 1>and the other corsposable camera, disposable cameras, and they they

0:47:43.280 --> 0:47:45.600
<v Speaker 1>created a recycling program to which is kind of ahead

0:47:45.600 --> 0:47:47.239
<v Speaker 1>of its time. So it just makes me think of

0:47:47.320 --> 0:47:50.239
<v Speaker 1>there's an episode of the Office where the receptionist, the

0:47:50.239 --> 0:47:54.160
<v Speaker 1>new receptionist, Aaron, says she loves disposable cameras, but she

0:47:54.200 --> 0:47:57.200
<v Speaker 1>thinks it's such a sad waste because she doesn't understand

0:47:57.200 --> 0:47:59.280
<v Speaker 1>that you take them in to get the pictures developed.

0:47:59.760 --> 0:48:04.200
<v Speaker 1>She takes photos and then throws the camera a So

0:48:04.280 --> 0:48:06.320
<v Speaker 1>for her, it's just the process of taking the photo

0:48:06.400 --> 0:48:10.359
<v Speaker 1>that's joyous, yes, because you don't actually get a photo afterwards. Yeah,

0:48:10.480 --> 0:48:13.560
<v Speaker 1>that's not how those work people, not that not that

0:48:13.600 --> 0:48:15.759
<v Speaker 1>many people use those anymore, like so that I do

0:48:15.840 --> 0:48:19.240
<v Speaker 1>see them at things like weddings where the disposable cameras

0:48:19.280 --> 0:48:20.640
<v Speaker 1>left at the center of the table so you can

0:48:20.680 --> 0:48:24.520
<v Speaker 1>snap photos that will be you know, disposed of after

0:48:24.600 --> 0:48:28.840
<v Speaker 1>the ceremony, right, and everyone's just like, here's another picture

0:48:28.880 --> 0:48:33.520
<v Speaker 1>of Bill with a wedding cake on his nose. Yeah, fantastic.

0:48:34.000 --> 0:48:36.680
<v Speaker 1>In if you have to have a Nicon F three,

0:48:36.760 --> 0:48:38.839
<v Speaker 1>you might have been in luck because that was when

0:48:38.880 --> 0:48:42.120
<v Speaker 1>they when Kodak came out with the professional digital camera system.

0:48:42.400 --> 0:48:45.080
<v Speaker 1>So if you had an F three, you could use

0:48:45.640 --> 0:48:48.920
<v Speaker 1>uh this system with a with develop by Kodak with

0:48:49.000 --> 0:48:52.960
<v Speaker 1>a one point three megapixel sensor today sounds just like

0:48:53.160 --> 0:48:55.359
<v Speaker 1>which is a fairly small format but probably big enough

0:48:55.360 --> 0:48:57.680
<v Speaker 1>for most news photos, I would imagine, especially at the

0:48:57.719 --> 0:49:00.680
<v Speaker 1>time that was that was pretty on top of things. Yeah. Um,

0:49:00.719 --> 0:49:05.440
<v Speaker 1>and then they started making a writable CDs UM and uh,

0:49:05.520 --> 0:49:08.960
<v Speaker 1>you know, continuing to to innovate for other uh it's

0:49:09.000 --> 0:49:12.960
<v Speaker 1>it's core lines. UM. They did digitally restore Walt Disney's

0:49:13.480 --> 0:49:20.799
<v Speaker 1>Snow White and seven Dwarfs Dwarves Dwarfs. Yes, no, no v,

0:49:20.920 --> 0:49:24.080
<v Speaker 1>I know it's only Tolkien that does the V I know. Uh.

0:49:24.160 --> 0:49:27.840
<v Speaker 1>Kodak Royal Gold film, which was I remember a popular

0:49:27.920 --> 0:49:32.359
<v Speaker 1>color film, came out in UM and they launched their

0:49:32.360 --> 0:49:38.920
<v Speaker 1>website dot com. Yeah. Back then, websites were the pretty

0:49:38.960 --> 0:49:44.040
<v Speaker 1>new so yah. Kodak was trying to create a presence

0:49:44.080 --> 0:49:45.759
<v Speaker 1>on the web where they could show off all their

0:49:45.760 --> 0:49:49.879
<v Speaker 1>different products and services. And yes, they were there right there,

0:49:50.080 --> 0:49:53.919
<v Speaker 1>you know, not at the very leading edge, but pretty close. Yeah. Yep.

0:49:54.239 --> 0:49:57.279
<v Speaker 1>They came out with the Advanced Photo system where you

0:49:57.400 --> 0:50:00.440
<v Speaker 1>drop in the film cartridge and you could changed the

0:50:00.480 --> 0:50:03.200
<v Speaker 1>film before you shot all the film. They also came

0:50:03.239 --> 0:50:07.000
<v Speaker 1>out with It's Advantas line, which was sort of moderately popular.

0:50:07.000 --> 0:50:10.440
<v Speaker 1>Were supposed to be an advanced photo uh you know

0:50:10.520 --> 0:50:16.800
<v Speaker 1>system yep. Uh. In nine they had another pretty interesting innovation.

0:50:16.840 --> 0:50:21.560
<v Speaker 1>This was with a partnership with Sanyo Electric Company. They

0:50:21.600 --> 0:50:25.040
<v Speaker 1>showed off the very first commercial model of a full

0:50:25.080 --> 0:50:32.200
<v Speaker 1>color organic electroluminescent display or Yeah, so we're just now

0:50:32.280 --> 0:50:36.000
<v Speaker 1>starting to see television sets that have o LED displays

0:50:36.520 --> 0:50:39.520
<v Speaker 1>at a size larger than just a few inches. A

0:50:39.560 --> 0:50:42.160
<v Speaker 1>few years ago, a twelve inch oh LED screen was

0:50:42.200 --> 0:50:45.560
<v Speaker 1>probably the biggest you would see at something like CS.

0:50:45.560 --> 0:50:50.640
<v Speaker 1>But this past ces of I saw oh LED screen, well,

0:50:51.239 --> 0:50:53.160
<v Speaker 1>you know, we go all the way back to to

0:50:53.239 --> 0:50:56.880
<v Speaker 1>see those first shown off. So that's uh, it's been

0:50:56.920 --> 0:50:59.759
<v Speaker 1>a long journey. We're still not and we're still not

0:50:59.840 --> 0:51:03.279
<v Speaker 1>to the point where oh lad technology is cheap enough

0:51:03.280 --> 0:51:05.360
<v Speaker 1>to manufacture that's going to be within the grasp of

0:51:05.400 --> 0:51:08.080
<v Speaker 1>the average consumer, because we're talking about ten thousand dollar

0:51:08.160 --> 0:51:10.839
<v Speaker 1>television sets right now, which I don't know about you,

0:51:11.120 --> 0:51:14.480
<v Speaker 1>but it's a little outside my price range. Yeah, yeah, um,

0:51:14.520 --> 0:51:18.120
<v Speaker 1>they were. They also divested themselves of the digital printer,

0:51:18.280 --> 0:51:23.480
<v Speaker 1>copier and roller assembly operations to a company in Germany,

0:51:23.760 --> 0:51:27.080
<v Speaker 1>but they didn't continue to make imaging film for healthcare.

0:51:27.560 --> 0:51:30.880
<v Speaker 1>Um that came out with lines of digital uh photo

0:51:31.200 --> 0:51:34.000
<v Speaker 1>photo outfits in the early two thousands, Yeah, and two

0:51:34.000 --> 0:51:37.440
<v Speaker 1>thousand one that came up with the Kodak Easy Share system,

0:51:37.440 --> 0:51:40.520
<v Speaker 1>which a lot of their their digital cameras have that

0:51:40.680 --> 0:51:44.120
<v Speaker 1>easy share branding on them, and it's all about the

0:51:44.160 --> 0:51:48.160
<v Speaker 1>ability to port digital photos from one thing to another

0:51:48.600 --> 0:51:52.560
<v Speaker 1>as seamlessly as possible. Uh. And these days it would

0:51:52.560 --> 0:51:55.680
<v Speaker 1>mean things like you would, you know, connect your camera

0:51:55.760 --> 0:51:57.680
<v Speaker 1>to your computer and it would just pull things over

0:51:57.680 --> 0:52:01.960
<v Speaker 1>directly into say Facebook, that kind of stuf um. You know.

0:52:02.000 --> 0:52:04.440
<v Speaker 1>And then these products are very popular. I mean they

0:52:04.640 --> 0:52:08.600
<v Speaker 1>ranked highest in customer satisfaction and a couple of price

0:52:08.640 --> 0:52:11.239
<v Speaker 1>segments in the g D Power and Associates survey in

0:52:11.360 --> 0:52:14.560
<v Speaker 1>nineteen or two thousand for them. Sorry, um, so I

0:52:14.560 --> 0:52:19.759
<v Speaker 1>mean they're still they're still making very popular photography products. Um.

0:52:19.800 --> 0:52:22.920
<v Speaker 1>But you know that this this ended up not lasting forever.

0:52:23.120 --> 0:52:27.680
<v Speaker 1>I mean the lists of things that they're working on, um,

0:52:27.719 --> 0:52:30.279
<v Speaker 1>you know are are extensive for this period of time.

0:52:31.160 --> 0:52:35.080
<v Speaker 1>But unfortunately, you know that the company is still very

0:52:35.120 --> 0:52:38.520
<v Speaker 1>involved with film. Yeah, and it wasn't until two thousand

0:52:38.600 --> 0:52:42.319
<v Speaker 1>nine that they retired code of Chrome color film that

0:52:42.920 --> 0:52:44.840
<v Speaker 1>which made a lot of people and still makes a

0:52:44.840 --> 0:52:48.920
<v Speaker 1>lot of people very unhappy because nothing quite shoots like

0:52:49.000 --> 0:52:51.320
<v Speaker 1>CODA chrome. Yeah, it made a lot of people unhappy,

0:52:51.360 --> 0:52:53.759
<v Speaker 1>but not enough people for them to keep the product going.

0:52:53.840 --> 0:52:55.840
<v Speaker 1>So this was this was the thing was that Kodak

0:52:55.880 --> 0:53:01.279
<v Speaker 1>was holding onto those film products uh longer than the

0:53:01.320 --> 0:53:04.080
<v Speaker 1>market was actually able to support them. So you have

0:53:04.160 --> 0:53:07.560
<v Speaker 1>this big company that has a storied history in film,

0:53:08.200 --> 0:53:11.800
<v Speaker 1>and there's still plenty of photographers who very much value

0:53:12.120 --> 0:53:16.200
<v Speaker 1>film and films place in art and an industry, but

0:53:16.920 --> 0:53:20.160
<v Speaker 1>there's just there's a diminishing returns. There are fewer and

0:53:20.200 --> 0:53:22.520
<v Speaker 1>fewer of the photographers, and a lot more of them

0:53:22.560 --> 0:53:25.879
<v Speaker 1>are switching over to digital, either because they prefer it

0:53:26.200 --> 0:53:28.400
<v Speaker 1>or because they feel that it's necessary, because that's just

0:53:28.440 --> 0:53:32.400
<v Speaker 1>the way the world is moving. And so the the

0:53:32.440 --> 0:53:36.160
<v Speaker 1>returns for Kodak were decreasing year over year and they

0:53:36.200 --> 0:53:38.440
<v Speaker 1>had to make these tough decisions, and a lot of

0:53:38.440 --> 0:53:42.239
<v Speaker 1>people I've recently anyway that I've read, have suggested that

0:53:42.280 --> 0:53:44.919
<v Speaker 1>perhaps they waited too long, and that's part of why

0:53:44.960 --> 0:53:47.959
<v Speaker 1>they're in the financial position they're in today. Yeah. Yeah.

0:53:47.960 --> 0:53:50.719
<v Speaker 1>The thing is Code of Chrome is remember we were

0:53:50.719 --> 0:53:52.680
<v Speaker 1>talking about how it's black and white and the color

0:53:52.800 --> 0:53:56.279
<v Speaker 1>is is produced through the developing process that's a very

0:53:56.280 --> 0:53:59.040
<v Speaker 1>specialized developing process, and it became the kind of thing

0:53:59.080 --> 0:54:03.839
<v Speaker 1>that uh wasn't that, you know, although Kodak made uh,

0:54:03.920 --> 0:54:08.480
<v Speaker 1>photography cheaper and easier for the average Joe or Jane

0:54:08.520 --> 0:54:12.840
<v Speaker 1>to get into. Um code of chrome became something that

0:54:13.080 --> 0:54:17.440
<v Speaker 1>the serious photographer did, and you know it required a

0:54:17.480 --> 0:54:20.680
<v Speaker 1>special developing process, and you know, at a certain point

0:54:20.719 --> 0:54:24.719
<v Speaker 1>that becomes uh, too cost prohibitive for the manufacturer of

0:54:24.880 --> 0:54:27.319
<v Speaker 1>the film and the producing See, they were involved in

0:54:27.360 --> 0:54:29.399
<v Speaker 1>all that stuff. So it was, you know, they're making

0:54:29.400 --> 0:54:31.840
<v Speaker 1>it for a very few people, and so it just

0:54:31.960 --> 0:54:34.360
<v Speaker 1>became too expensive. But I think I think Kodak is

0:54:34.400 --> 0:54:38.040
<v Speaker 1>gonna pop back. They have so much intellectual property. They

0:54:38.960 --> 0:54:42.000
<v Speaker 1>you know, were wise to invest in a diversity of

0:54:42.040 --> 0:54:46.080
<v Speaker 1>products that were sort of related to the core um

0:54:46.280 --> 0:54:48.480
<v Speaker 1>group of products, and I think I think they'll make it.

0:54:48.520 --> 0:54:51.080
<v Speaker 1>They're just gonna need to do some restructuring and invest

0:54:51.160 --> 0:54:54.640
<v Speaker 1>themselves of things that they don't, uh, they don't make

0:54:54.680 --> 0:54:57.560
<v Speaker 1>as much money on. Sadly, that's cameras in this It's

0:54:57.600 --> 0:54:59.600
<v Speaker 1>it's interesting because even though they are getting out of

0:54:59.640 --> 0:55:01.880
<v Speaker 1>the them or a business, they're still going to be

0:55:01.920 --> 0:55:05.800
<v Speaker 1>making money off cameras because they hold this intellectual property,

0:55:05.880 --> 0:55:09.120
<v Speaker 1>these patents that they have licensed off to other companies,

0:55:09.120 --> 0:55:12.200
<v Speaker 1>So they are making money from camera technology. It's just

0:55:12.239 --> 0:55:15.920
<v Speaker 1>they're not they're not making cameras themselves anymore, um, and

0:55:15.960 --> 0:55:18.200
<v Speaker 1>they're still doing other stuff, So we wouldn't call them

0:55:18.239 --> 0:55:20.840
<v Speaker 1>like a you know, when we did our our episode

0:55:20.840 --> 0:55:23.680
<v Speaker 1>about patent trolls and the companies that all they do

0:55:23.760 --> 0:55:26.240
<v Speaker 1>is hold patents and then that's how they make money.

0:55:26.440 --> 0:55:29.919
<v Speaker 1>It's not that Codex going down that route, but they

0:55:29.960 --> 0:55:33.880
<v Speaker 1>are definitely shifting over. So yeah, that's the that's the

0:55:33.960 --> 0:55:37.680
<v Speaker 1>story of Kodak as it as it UH stands today

0:55:38.000 --> 0:55:42.000
<v Speaker 1>today being in February, and UH, it'll be interesting to

0:55:42.040 --> 0:55:44.080
<v Speaker 1>see what the future of this company is and whether

0:55:44.200 --> 0:55:46.319
<v Speaker 1>or not they will be able to reinvent themselves in

0:55:46.320 --> 0:55:49.120
<v Speaker 1>such a way to become another industry leader, perhaps in

0:55:49.120 --> 0:55:51.759
<v Speaker 1>a totally different industry. It's kind of funny though that

0:55:51.800 --> 0:55:55.080
<v Speaker 1>one of the UH, the technologies that on which they

0:55:55.120 --> 0:56:01.120
<v Speaker 1>were really on the bleeding edge, ended up massive changing

0:56:01.320 --> 0:56:03.640
<v Speaker 1>the world in which it inhabited. I mean, they really

0:56:03.680 --> 0:56:06.839
<v Speaker 1>created an industry in a lot of ways, and UH

0:56:07.000 --> 0:56:09.799
<v Speaker 1>also created a technology that destroyed that industry, or is

0:56:09.880 --> 0:56:14.239
<v Speaker 1>destroying it or maybe Okay that's too strong, changing it

0:56:14.360 --> 0:56:17.320
<v Speaker 1>so dramatically that it that is causing the company to

0:56:17.400 --> 0:56:20.879
<v Speaker 1>have to completely restructure its corp. Yeah, yeah, I think

0:56:20.880 --> 0:56:23.719
<v Speaker 1>if they could. I think if they could invent a

0:56:23.719 --> 0:56:27.240
<v Speaker 1>time machine, they'd go back to nine and say, um, guys,

0:56:27.320 --> 0:56:30.879
<v Speaker 1>let's not do this yet, or go back and say,

0:56:31.080 --> 0:56:33.360
<v Speaker 1>let's invent the digital stuff that we're gonna need before

0:56:33.360 --> 0:56:37.280
<v Speaker 1>this film thing takes off, right right, or or let's

0:56:37.360 --> 0:56:40.080
<v Speaker 1>let's really concentrate on digital and do it before anyone

0:56:40.120 --> 0:56:42.440
<v Speaker 1>else and do it better than anyone else. Yeah, there

0:56:42.440 --> 0:56:44.839
<v Speaker 1>are a lot of There are a lot of wood. Yeah,

0:56:44.880 --> 0:56:46.799
<v Speaker 1>that's that's the way it works right now. I think

0:56:46.840 --> 0:56:49.960
<v Speaker 1>I think it's it's definitely uh, it's definitely not a

0:56:50.000 --> 0:56:52.719
<v Speaker 1>sad story. It's just kind of a you know, it's

0:56:52.840 --> 0:56:55.960
<v Speaker 1>sad to see them stop making cameras. Yeah, so we'll

0:56:56.160 --> 0:56:58.000
<v Speaker 1>we'll keep your eyes on them and see what happens.

0:56:58.360 --> 0:57:01.040
<v Speaker 1>If you guys have suggestions for or topics that we

0:57:01.040 --> 0:57:03.760
<v Speaker 1>should cover, whether it's another company, whether it's a person,

0:57:04.040 --> 0:57:07.480
<v Speaker 1>a specific kind of technology, let us know. You can

0:57:07.520 --> 0:57:10.520
<v Speaker 1>tell us on Facebook or Twitter. Are handled, There is

0:57:10.600 --> 0:57:13.960
<v Speaker 1>text stuff h s W or shoot us an email.

0:57:14.080 --> 0:57:17.720
<v Speaker 1>Our address is tech stuff at Discovery dot com. And

0:57:17.800 --> 0:57:20.000
<v Speaker 1>Chris and I will talk to you again really soon.

0:57:24.240 --> 0:57:26.800
<v Speaker 1>Brought to you by the reinvented two thousand twelve camera.

0:57:27.120 --> 0:57:28.320
<v Speaker 1>It's ready, Are you